WEBVTT - Shedding Light ("Lights Out" S4 EP 20)

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<v Speaker 1>Hey everyone. Before we get into this episode, we wanted

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<v Speaker 1>to give you a heads up.

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<v Speaker 2>We will be discussing storylines related to sexual assault. The

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<v Speaker 2>conversation may contain details that some listeners may find distressing

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<v Speaker 2>or triggering.

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<v Speaker 1>Your well being is so important to us, so please

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<v Speaker 1>take care while listening. And that's what you really missed

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<v Speaker 1>with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to you, And that's what you really missed podcast,

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<v Speaker 1>Season four, episode twenty. You heard that right, twenty. We're

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<v Speaker 1>almost happy before twenty. How does that even happen? This

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<v Speaker 1>is called lights Out.

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<v Speaker 2>The original air date was April twenty fifth, two thousand

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<v Speaker 2>and thirteen. And Jenna, on the day that we're recording.

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<v Speaker 1>This, it's our anniversary.

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<v Speaker 2>It's our friend anniversary, the day we met sixteen years ago.

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<v Speaker 2>So I'm glad you remembered.

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<v Speaker 1>It's a momentous occasion. It's also crazy that our anniversary

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<v Speaker 1>is this in sixteen years, since I'm I'm only eighteen,

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<v Speaker 1>So I mean.

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<v Speaker 2>I know, in my whole life, I remember when you

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<v Speaker 2>were just a baby, a fetus.

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<v Speaker 1>Okay, So in the news number one song was When

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<v Speaker 1>I Was Your Man by Bruno Mars again.

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<v Speaker 2>Classic number one movie was Oblivion.

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<v Speaker 1>I loved this movie, you did, I've mar seen it.

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<v Speaker 2>I love a sci fi moment. I do too. I'm

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<v Speaker 2>surprised beautiful looking too, It's really beautiful.

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<v Speaker 1>I'll check this one out.

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<v Speaker 2>You should watch it.

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<v Speaker 1>Yeah, no, I will for sure. Glee News this Week.

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<v Speaker 1>On April twenty seven and twenty thirteen, the cast and

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<v Speaker 1>Creakley celebrated wrapping their fourth season at the Season four

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<v Speaker 1>Rap Party. And this one was seven to twelve a

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<v Speaker 1>m private area upstairs. I don't quite remember which one

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<v Speaker 1>this one was, but it was. Was it Hollywood in Highland?

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<v Speaker 2>No, that was early. It was like season one or two.

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<v Speaker 1>Yeah, you're right, Okay, anyway, we had a Glee rap party.

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<v Speaker 1>It was the day before mine and Harry's birthday. And

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<v Speaker 1>that's about it. That's all we remember. The parties like

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<v Speaker 1>start to meld, to get all the parties.

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<v Speaker 2>I feel like I missed so many too that I

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<v Speaker 2>don't really know. I don't know why I missed them.

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<v Speaker 2>Like we got off, like we we were done, and

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<v Speaker 2>so we would just like to disappear vacation. That's exactly right,

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<v Speaker 2>that's right. This was Georgia by Paris Barklay, our friend

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<v Speaker 2>pres Barkley. I'll never forget it because I always remembered

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<v Speaker 2>him lighting the choir room when the lights first go out,

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<v Speaker 2>really when we had the flashlights. Yeah, and I'll never

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<v Speaker 2>forget Paris. Wasn't there with his flashlight talking to us?

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<v Speaker 1>Oh?

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<v Speaker 2>Yeah he was? Wow, I remember that. Yeah, it was

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<v Speaker 2>very fun. He was also so gigly. He is just

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<v Speaker 2>like the biggest kid, and he some of the most

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<v Speaker 2>serious storylines and episodes that he's directed previously, and then

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<v Speaker 2>in this the premise itself is so silly. Yes, the

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<v Speaker 2>light's going out that he was and we're like, how

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<v Speaker 2>are we going to shoot? This was just lit by flashlights,

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<v Speaker 2>and so he was so giggly and just like having

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<v Speaker 2>fun the whole thing. I don't know, it's not that serious.

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<v Speaker 2>Let's figure it out. Sure that works? Which is so

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<v Speaker 2>much fun.

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<v Speaker 1>That's right.

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<v Speaker 2>S JP is back, I mean heaven, thank god. Yeah,

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<v Speaker 2>I mean, more of her.

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<v Speaker 1>Have her own show. Wouldn't that be a concept.

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<v Speaker 2>And there's also little versions of Rachel Santana and Kurt

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<v Speaker 2>very so sweet gut punch. Emotionally, there's a lot of

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<v Speaker 2>songs in this episode. You've lost that love and Feeling

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<v Speaker 2>sung by the new directions Everybody Hurts by writer We

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<v Speaker 2>Will Rock You by new directions, Little Girls by Sue.

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<v Speaker 1>Oh my Gosh, and at the Ballet by Isabelle Hurt

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<v Speaker 1>Rachel and Santana's.

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<v Speaker 2>Have you heard the Barber streisand version of it?

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<v Speaker 1>Yes, it's all I mean, this version, this song itself

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<v Speaker 1>is so iconic. And then you get a Barber version,

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<v Speaker 1>I mean you get in so many versions, and then

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<v Speaker 1>we get this version, which is beautiful? Are you kidding?

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<v Speaker 2>It really is? And then Longest Time by the new directions.

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<v Speaker 1>So Santana mentions Run Joey Run from season one and

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<v Speaker 1>this and this is the third time this song is mentioned,

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<v Speaker 1>the first time being in Laryngitis and the second one

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<v Speaker 1>in prom Queen. They just want to haunt my dreams.

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<v Speaker 2>I love it. I love the show referencing itself because

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<v Speaker 2>we know how memorable Run Joey Run was. There was

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<v Speaker 2>a cut scene between Blaine and Becky where Blaine worries

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<v Speaker 2>about Becky and tries to find out what happened with her,

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<v Speaker 2>and Sue, interesting, Yeah, because you do wonder what happened.

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<v Speaker 2>They set up that storyline last episode and they don't

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<v Speaker 2>really get anything. Well, we start to see something. Becky

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<v Speaker 2>talks to Figgins for a little.

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<v Speaker 1>Bit, doesn't she Yeah, that's right. Finn originally appeared in

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<v Speaker 1>the Blaine Becky Sue storyline in this episode, but obviously

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<v Speaker 1>due to Corey's absence for the rest of this episode,

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<v Speaker 1>these scenes were rewritten and reshot, which we did not

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<v Speaker 1>do often was reshoot.

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<v Speaker 2>No writer sings in every new direction song in this episode.

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<v Speaker 1>Oh my gosh, big stories for him. This episode was

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<v Speaker 1>submitted for consideration of Sarah Jisica Parker for the twenty

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<v Speaker 1>thirteen Emmy's As It Should.

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<v Speaker 2>When listing people coming to New York City Ballet Gala,

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<v Speaker 2>Isabelle mentions Darren and Christopher, a reference to Darren and Chris.

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<v Speaker 1>Or Darren Chris maybe. Ryan revealed on Twitter that at

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<v Speaker 1>the ballet was Sarah Jessica Parker's idea. Yeah, sheute.

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<v Speaker 2>I think it's great. I also do love how it's

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<v Speaker 2>their ode, sort of like the Metcala. Yeah, the biggest

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<v Speaker 2>event of the year. Jane performed Little Girls from the

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<v Speaker 2>musical Annie, and Ryan picked the song in honor of

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<v Speaker 2>Jane making her Broadway debut in Annie in May of

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<v Speaker 2>twenty thirteen playing Miss Hanagan and the role, the role

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<v Speaker 2>that sings that song. We went and saw her with

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<v Speaker 2>christ and chennow with.

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<v Speaker 1>We did go to we have to talk about that

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<v Speaker 1>and Jessica Sanchez the running up on season eleven American

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<v Speaker 1>I don't meet her acting debut in this episode is

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<v Speaker 1>Freedom Romero and we'll see a little bit more of her.

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<v Speaker 2>What a voice?

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<v Speaker 1>I mean, what everse since she's so tiny?

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<v Speaker 2>Okay, so Jenna this episode?

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<v Speaker 1>Wait, Kevin, wait what we went? What we have to

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<v Speaker 1>talk about seeing Jane in Annie?

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<v Speaker 2>Okay? Great? I brought my friend James and Kristin Chenowith

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<v Speaker 2>was there. And why were we all there? I don't know.

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<v Speaker 2>Actually I have no idea why we were all in

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<v Speaker 2>New York.

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<v Speaker 1>I feel like we were there for something. Either we

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<v Speaker 1>were shooting something or or maybe maybe and we all

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<v Speaker 1>decided somebody plan for us to go see Jane, probably Megan.

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<v Speaker 1>The show is still very popular at this time, but

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<v Speaker 1>it's Jane's Broadway debut if I'm correct, And of course

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<v Speaker 1>we want to see Jane on Broadway. Do little Miss

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<v Speaker 1>hand again. So there's a big group of us that

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<v Speaker 1>go to see this. Now in any setting where there's

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<v Speaker 1>more than two of us, which we've talked about before.

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<v Speaker 1>Generally you get recognized and generally people start to freak out.

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<v Speaker 1>There was about ten of us. It was so chaotic.

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<v Speaker 1>I remember they had to take us backstage at intermission

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<v Speaker 1>to sit in the stage manager's office because we were

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<v Speaker 1>getting so bombarded. Yes, and like the show wasn't going

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<v Speaker 1>to be able to start on time, right, That.

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<v Speaker 2>Was very nice they took care of us. That was

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<v Speaker 2>really nice of them to sort of rescue.

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<v Speaker 3>No.

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<v Speaker 1>Literally, they're very kind. But we did get to see

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<v Speaker 1>her and she was absolutely amazing. It was I understand

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<v Speaker 1>why you were saying though, like you're nervous for your

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<v Speaker 1>friends on stage, because I was like, I remember being

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<v Speaker 1>like so nervous for her, but like, there's no reason

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<v Speaker 1>to me. She was absolutely stunning and you're born to

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<v Speaker 1>play that role, you know.

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<v Speaker 2>It's it's it's like you just especially because it's it's theater,

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<v Speaker 2>it's live, and I never seen it. I obviously know

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<v Speaker 2>she's brilliant, Yeah, but I never seen on a stage

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<v Speaker 2>in that way. And you're like, I hope, yeah, I know,

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<v Speaker 2>I know, Okay, same when I saw you, like, I

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<v Speaker 2>just never seen you do theater before, so I was worried.

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<v Speaker 1>I know, I get it, and then I get it.

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<v Speaker 1>Was because you're nervous. No, just kidding. It's fine.

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<v Speaker 2>It was so good. She was so good. That was

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<v Speaker 2>so much fun.

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<v Speaker 1>That was really fun. We were there for upfronts. It

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<v Speaker 1>was upfronts. Okay, in and out, but we decided to

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<v Speaker 1>go see her. It's not also when I auditioned or

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<v Speaker 1>into the woods, into the woods, it might have been.

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<v Speaker 1>This might have been that trip that tracks with timing

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<v Speaker 1>twenty thirteen.

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<v Speaker 2>That was an amazing trip. I had this incredible I

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<v Speaker 2>remember the hotel room Fox had me in. Oh yeah,

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<v Speaker 2>jess Meyer was also in town.

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<v Speaker 1>Which hotel? Did you stand?

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<v Speaker 2>The Mandarin, Oriental and Columbus Circle.

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<v Speaker 1>The time Warner Building. That's right, unbelievable. Yes, that was

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<v Speaker 1>the trip.

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<v Speaker 2>Yeah it was.

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<v Speaker 1>This was when I launched my book. Oh was it

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<v Speaker 1>also that there was my book tour when you came

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<v Speaker 1>to visit you guys all came to my little event

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<v Speaker 1>that Will had. Yeah, okay, this was a really good trip.

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<v Speaker 2>It was a great trip.

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<v Speaker 1>Good memories. Okay, yes, okay, back to the episode. Okay,

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<v Speaker 1>sorry episode summary please, no, this is all great.

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<v Speaker 2>When the power goes out of McKinley High. Will enlist

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<v Speaker 2>the members of the New Directions to unplug and perform

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<v Speaker 2>acous numbers. Meanwhile, Isabelle Right asks Kurt to volunteer at

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<v Speaker 2>the Vogue dot Com charity event with Rachel and Santana

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<v Speaker 2>in tow So fun. So the power we're in, we're

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<v Speaker 2>at school. The power goes out at McKinley, and Will

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<v Speaker 2>immediately inspired. He has inspired to keep going. Also, if

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<v Speaker 2>this was in real life, wouldn't the school like shut

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<v Speaker 2>down for the day, Like everybody just gets sent home.

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<v Speaker 1>I was literally thinking that. I was like, in no

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<v Speaker 1>world would they keep kids at school? It's a safety

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<v Speaker 1>hazard while the power goes out.

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<v Speaker 2>And everybody's like learning numbers really quickly or these are

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<v Speaker 2>things that they just have and you know they can

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<v Speaker 2>do off the dome like they're ready.

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<v Speaker 1>I mean, well, the whole thing was. Will had an

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<v Speaker 1>assignment actually for once coming in that we are like,

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<v Speaker 1>you know, bigger than life, you know, big numbers, and

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<v Speaker 1>then all of a sudden, the power goes out and

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<v Speaker 1>he's inspired by the moment as he normally the one

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<v Speaker 1>time he has a lesson plan and here we are

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<v Speaker 1>doing unplugged, which is very different.

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<v Speaker 2>Arty cannot handle it melt down without his sense. I

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<v Speaker 2>was also bummed because Artie says, I can't do Miguel

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<v Speaker 2>without my sense, and I was really excited to do

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<v Speaker 2>a Miguel's song.

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<v Speaker 1>And you didn't get to It's like this feels like

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<v Speaker 1>a tease. Oh my gosh, this is crazy.

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<v Speaker 2>Though we lose power and all these people performed songs

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<v Speaker 2>and shooting it, Like we mentioned, we were really like

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<v Speaker 2>practically using just these flashlights. So like I had that

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<v Speaker 2>headlamp on, but I had to look at certain people

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<v Speaker 2>at certain times so people would be lit.

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<v Speaker 1>Oh that's funny. There were like a couple of underchair

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<v Speaker 1>lights that I remember them like underlighting us.

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<v Speaker 2>A little bit.

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<v Speaker 1>But we really were in the dark. It's very calm,

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<v Speaker 1>and it.

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<v Speaker 2>Made everybody, you know, in the dark, like everybody's like quieter. Yeah,

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<v Speaker 2>it was. It was really peaceful to shoot all of this.

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<v Speaker 2>It was really nice.

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<v Speaker 1>We had like acoustic like being like you know, serenaded

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<v Speaker 1>by like cord on the guitar and like you know.

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<v Speaker 2>Yeah those also like those numbers so like the writer

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<v Speaker 2>and Sam numbers are really beautiful. They sound so good.

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<v Speaker 1>A writer has a lot of numbers in this song,

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<v Speaker 1>like obviously sings in a ring new direction song in

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<v Speaker 1>this episode, and he's also had a bunch of solos

0:12:34.160 --> 0:12:35.840
<v Speaker 1>in the past few episodes.

0:12:36.320 --> 0:12:38.000
<v Speaker 2>Really has a big storyline this episode.

0:12:38.080 --> 0:12:40.280
<v Speaker 1>He has a very strong in this episode.

0:12:40.200 --> 0:12:43.360
<v Speaker 2>And that's that's sort of the The big thing that's

0:12:43.400 --> 0:12:47.560
<v Speaker 2>happening amongst the new directions is Writer. The catfish storyline

0:12:47.640 --> 0:12:52.599
<v Speaker 2>is back, trying to figure out who's catfishing, who's catfishing

0:12:52.720 --> 0:13:01.240
<v Speaker 2>catfishing the catfish or is not giving it away. And

0:13:01.400 --> 0:13:07.199
<v Speaker 2>then when Sam performs, and when Artie has his little meltdown,

0:13:07.240 --> 0:13:10.640
<v Speaker 2>Sam is opening up about like this is not that tough,

0:13:10.800 --> 0:13:14.680
<v Speaker 2>just because we don't have electricity right now, things are worse.

0:13:14.840 --> 0:13:17.040
<v Speaker 2>He's wearing his hard in his sleeve. And then encourages

0:13:17.160 --> 0:13:23.400
<v Speaker 2>Ryder to do the same thing with McKinley because like

0:13:23.559 --> 0:13:27.079
<v Speaker 2>you're and like kitties doing the same thing, like you

0:13:27.240 --> 0:13:30.280
<v Speaker 2>are putting all the eggs in this mysterious basket of

0:13:30.360 --> 0:13:32.800
<v Speaker 2>this person you don't know. And so then that's when

0:13:32.840 --> 0:13:38.439
<v Speaker 2>Writer comes back and performs. Also just an aside here

0:13:38.760 --> 0:13:45.360
<v Speaker 2>practically speaking, yeah, I know that Glee Club is supposed

0:13:45.400 --> 0:13:49.400
<v Speaker 2>to happen after school. It's like an extracurricular but in

0:13:49.480 --> 0:13:52.360
<v Speaker 2>this episode, it is fully like the only class they're

0:13:52.400 --> 0:13:54.720
<v Speaker 2>taking that day, like they are the.

0:13:54.720 --> 0:13:56.760
<v Speaker 1>Only class we ever take in school. It is the

0:13:56.840 --> 0:13:57.800
<v Speaker 1>only class we go to.

0:13:58.400 --> 0:14:01.640
<v Speaker 2>Because they're leaving having sidebars outside of it, and then

0:14:01.720 --> 0:14:05.840
<v Speaker 2>coming back and leaving and coming back right, they're.

0:14:05.679 --> 0:14:08.400
<v Speaker 1>All just well, just canceled. We're all locked inside. That's

0:14:08.440 --> 0:14:09.079
<v Speaker 1>basically it.

0:14:09.559 --> 0:14:11.280
<v Speaker 2>It's like a reverse snow day.

0:14:16.200 --> 0:14:19.160
<v Speaker 3>Hey everyone, Amy Roboch here along with TJ Holmes, and

0:14:19.360 --> 0:14:22.400
<v Speaker 3>we have a very exciting announcement to make to all

0:14:22.480 --> 0:14:22.640
<v Speaker 3>of you.

0:14:22.960 --> 0:14:27.080
<v Speaker 4>We are expanding. We are now going to be coming

0:14:27.160 --> 0:14:31.280
<v Speaker 4>to you Monday through Friday for a new part of

0:14:31.400 --> 0:14:35.720
<v Speaker 4>our Amy and TJ franchise, if you will, the Morning Run.

0:14:35.800 --> 0:14:38.200
<v Speaker 4>We're going to help listeners navigate the busy news cycle

0:14:38.280 --> 0:14:41.520
<v Speaker 4>and the historic political season that the country is facing.

0:14:41.560 --> 0:14:43.480
<v Speaker 4>And we're going to do this now each and every day.

0:14:43.520 --> 0:14:45.880
<v Speaker 3>Wow, we have a news franchise now, like the way

0:14:45.920 --> 0:14:47.960
<v Speaker 3>you put that, We're going to be covering all the

0:14:48.080 --> 0:14:51.040
<v Speaker 3>latest news headlines for all of you. We'll have entertainment

0:14:51.160 --> 0:14:53.880
<v Speaker 3>updates and we'll even give some perspective on the current

0:14:53.920 --> 0:14:56.320
<v Speaker 3>events that are happening. Right now. And this, by the way,

0:14:56.880 --> 0:15:00.680
<v Speaker 3>is in addition to our already established by weekly podcast

0:15:00.760 --> 0:15:02.680
<v Speaker 3>that we hope you guys are tuning into as well,

0:15:03.200 --> 0:15:07.000
<v Speaker 3>with more in depth conversations and interviews. So we're gonna

0:15:07.040 --> 0:15:10.840
<v Speaker 3>be with you Monday through Friday with Morning Run. Listen

0:15:10.920 --> 0:15:14.320
<v Speaker 3>to Morning Run on the iHeartRadio app, Apple Podcasts, or

0:15:14.360 --> 0:15:16.080
<v Speaker 3>wherever you listen to podcasts.

0:15:19.720 --> 0:15:24.840
<v Speaker 2>Writer comes back and performs this song, which leads to

0:15:26.280 --> 0:15:32.240
<v Speaker 2>the storyline one of the craziest things I feel like

0:15:32.400 --> 0:15:36.640
<v Speaker 2>the show has ever done. I agree now, and not

0:15:36.720 --> 0:15:37.360
<v Speaker 2>in a good way.

0:15:37.840 --> 0:15:42.080
<v Speaker 1>No, I'm curious to hear how people fans think about

0:15:42.200 --> 0:15:47.200
<v Speaker 1>this storyline all in its entirety, because, like a writer's

0:15:47.240 --> 0:15:49.440
<v Speaker 1>a lot going on, Like are we're just gonna We're

0:15:49.480 --> 0:15:52.480
<v Speaker 1>just gonna throw this in there like it's something else,

0:15:52.720 --> 0:15:54.200
<v Speaker 1>do you know what I mean? Like, this is not

0:15:54.400 --> 0:15:57.920
<v Speaker 1>a storyline that should be taken lightly, that should pass

0:15:57.960 --> 0:16:03.040
<v Speaker 1>over in one episode. I do appreciate people coming forward

0:16:03.160 --> 0:16:07.440
<v Speaker 1>and living there, speaking their truths, like Kitty, you know,

0:16:07.560 --> 0:16:12.560
<v Speaker 1>and Rider having that very sweet moment of understanding together.

0:16:12.880 --> 0:16:17.120
<v Speaker 1>After this scene, I find that we're it's like everything

0:16:17.200 --> 0:16:19.240
<v Speaker 1>under the kitchen sink a little bit right now, with Rider,

0:16:20.640 --> 0:16:23.680
<v Speaker 1>and I'm just I'm feeling a little overwhelmed by his

0:16:24.680 --> 0:16:29.080
<v Speaker 1>like the dyslexia and the catfish and the sexual assaulids.

0:16:29.120 --> 0:16:31.920
<v Speaker 1>It just feels like, maybe we just pick one and

0:16:32.040 --> 0:16:34.600
<v Speaker 1>go with that one for a while. It's it's a lot,

0:16:35.000 --> 0:16:37.440
<v Speaker 1>it's a lot, and none of them should be taken lately,

0:16:37.520 --> 0:16:38.960
<v Speaker 1>so you know what I mean. I just feel like

0:16:40.240 --> 0:16:43.720
<v Speaker 1>we just we should have picked and chosen one. But

0:16:45.600 --> 0:16:49.640
<v Speaker 1>that's not the craziest part. The craziest part is and

0:16:49.760 --> 0:16:52.520
<v Speaker 1>I think I forgot about this, and I don't. I'm

0:16:52.600 --> 0:16:57.840
<v Speaker 1>curious to hear your experience on this because the response

0:16:58.080 --> 0:17:05.320
<v Speaker 1>that the guys have, specifically already and Sam have two

0:17:06.920 --> 0:17:18.600
<v Speaker 1>Rider's confession is so tragic and awful and tone deaf

0:17:18.840 --> 0:17:25.680
<v Speaker 1>and just so bad. I's do you remember this? Do

0:17:25.760 --> 0:17:29.000
<v Speaker 1>you remember having that experience and that response to it?

0:17:29.160 --> 0:17:31.119
<v Speaker 1>Did you and what did you do about it? Did

0:17:31.160 --> 0:17:34.560
<v Speaker 1>you do anything about it? Because I don't remember it

0:17:34.640 --> 0:17:37.600
<v Speaker 1>being that bad, but like washing it, I was like,

0:17:38.480 --> 0:17:39.960
<v Speaker 1>this is really bad.

0:17:41.000 --> 0:17:41.200
<v Speaker 5>Poor.

0:17:41.600 --> 0:17:47.359
<v Speaker 2>I remember it very clearly and felt then how I

0:17:47.480 --> 0:17:50.200
<v Speaker 2>feel now and how you feel now? Okay, And we

0:17:50.359 --> 0:17:52.960
<v Speaker 2>all talked about it. You know, you rehearse the scene

0:17:53.000 --> 0:17:55.480
<v Speaker 2>with Paris from part of the crew and you do it,

0:17:55.720 --> 0:17:58.439
<v Speaker 2>and I just remember we were all like, oh my god,

0:18:00.560 --> 0:18:03.199
<v Speaker 2>like Paris, this is like, I know, we just got

0:18:03.320 --> 0:18:07.320
<v Speaker 2>to get through it, because I get I guess for

0:18:07.480 --> 0:18:13.240
<v Speaker 2>story purposes to have like the contrariant or like to

0:18:13.320 --> 0:18:15.720
<v Speaker 2>have the person who says like this the crazy thing

0:18:15.800 --> 0:18:18.560
<v Speaker 2>in response, right, like it's drama for the television too,

0:18:19.200 --> 0:18:21.800
<v Speaker 2>because I'm sure people do respond like that in real life,

0:18:21.920 --> 0:18:27.679
<v Speaker 2>and so to have that voice, I just think there

0:18:27.720 --> 0:18:30.560
<v Speaker 2>were two of them, and then one of them is

0:18:30.640 --> 0:18:34.480
<v Speaker 2>the person who encouraged writer to speak up and be

0:18:34.600 --> 0:18:38.400
<v Speaker 2>vulnerable in the first place, right, And it felt really

0:18:38.480 --> 0:18:42.119
<v Speaker 2>out of character. I don't know. Arty has said some

0:18:42.880 --> 0:18:46.119
<v Speaker 2>suspect things in the past. Yes, we know this, so

0:18:46.520 --> 0:18:48.359
<v Speaker 2>maybe it's more in character for Artie to say that

0:18:48.480 --> 0:18:52.920
<v Speaker 2>than Sam. But it just felt like I felt bad

0:18:53.080 --> 0:18:53.440
<v Speaker 2>doing it.

0:18:54.080 --> 0:18:57.520
<v Speaker 1>M I understand why. I understand why.

0:18:57.960 --> 0:19:00.920
<v Speaker 2>And you're like looking at Blake doing the scene and

0:19:01.000 --> 0:19:03.399
<v Speaker 2>you have to say this, and after every take I

0:19:03.480 --> 0:19:05.960
<v Speaker 2>remember we were just like ugh, we were almost disgusted

0:19:06.119 --> 0:19:08.600
<v Speaker 2>by like what was happening, and we didn't shoot it

0:19:08.760 --> 0:19:09.320
<v Speaker 2>many times.

0:19:10.000 --> 0:19:12.480
<v Speaker 1>Okay, I think I remember this now, like sitting there

0:19:13.280 --> 0:19:14.760
<v Speaker 1>like it was pretty quick.

0:19:14.840 --> 0:19:17.639
<v Speaker 2>Yes, I remember like getting up and walking around in

0:19:17.720 --> 0:19:21.760
<v Speaker 2>between takes. It just felt like because you're doing so obviously,

0:19:21.840 --> 0:19:23.920
<v Speaker 2>this is only one scene. And when people play characters

0:19:23.920 --> 0:19:27.520
<v Speaker 2>who do really horrible things and they have to do

0:19:27.720 --> 0:19:30.440
<v Speaker 2>that for months on end or years on end, yeah,

0:19:30.920 --> 0:19:32.480
<v Speaker 2>you could see how it could take a toll where

0:19:32.520 --> 0:19:35.119
<v Speaker 2>like this was one scene and our characters say like

0:19:36.119 --> 0:19:40.560
<v Speaker 2>one or two horrible things, and it already like irked me, no,

0:19:40.920 --> 0:19:43.399
<v Speaker 2>because it's also weird to know that this is being

0:19:43.480 --> 0:19:46.680
<v Speaker 2>recorded and like filmed and it's going to go out

0:19:46.720 --> 0:19:48.840
<v Speaker 2>in front of millions of people I know.

0:19:49.080 --> 0:19:52.840
<v Speaker 1>And once again it's like you didn't write it, you're

0:19:52.880 --> 0:19:57.480
<v Speaker 1>not responsible for it. But there are times in which

0:19:57.600 --> 0:20:03.000
<v Speaker 1>characters will or sorry, actor, we'll speak up in advocacy

0:20:03.200 --> 0:20:05.760
<v Speaker 1>for their characters. Now, I don't know that this was

0:20:05.800 --> 0:20:08.240
<v Speaker 1>specifically the time to do this. I'm just saying like

0:20:08.440 --> 0:20:12.160
<v Speaker 1>sometimes people choose to do that. Yeah, No, I think

0:20:12.200 --> 0:20:15.119
<v Speaker 1>it was just like, yeah, this already this kid is

0:20:15.200 --> 0:20:18.240
<v Speaker 1>just being terrible yea. Yeah, he's saying a really stupid

0:20:18.359 --> 0:20:21.680
<v Speaker 1>immature thing. Yeah, for sure needs to get corrected. And

0:20:21.800 --> 0:20:25.960
<v Speaker 1>like Tina Yah speaks up and corrects the situation. But

0:20:26.080 --> 0:20:33.480
<v Speaker 1>it's like, I mean, yeah, I understand, yeah, you know. Yeah,

0:20:33.720 --> 0:20:35.360
<v Speaker 1>and so it's like, sure, I'm going to do the part.

0:20:35.480 --> 0:20:37.400
<v Speaker 1>I'm not going to sit there and be like any

0:20:37.480 --> 0:20:40.120
<v Speaker 1>want to do this? No, no, of course, but it's

0:20:40.520 --> 0:20:44.960
<v Speaker 1>I agree with you. It's tough to sometimes stomach those moments.

0:20:45.760 --> 0:20:48.280
<v Speaker 2>Yeah I felt dirty, Yeah, yeah, I get it.

0:20:49.400 --> 0:20:52.560
<v Speaker 1>So yeah, the boys have a very specific response, but

0:20:52.800 --> 0:20:57.640
<v Speaker 1>Rider does come out and admit that he was assaulted

0:20:57.680 --> 0:21:00.920
<v Speaker 1>by his babysitter, his female babysitter, and then he and

0:21:01.040 --> 0:21:03.440
<v Speaker 1>Kitty have a very nice scenehere. Kitty admits that she

0:21:03.640 --> 0:21:08.360
<v Speaker 1>was also assaulted at a sleepover, which they kind of bond,

0:21:08.359 --> 0:21:09.200
<v Speaker 1>which was really nice.

0:21:09.560 --> 0:21:15.560
<v Speaker 2>And these stories felt really realistic and grounded totally.

0:21:16.359 --> 0:21:18.080
<v Speaker 1>Yes, I've heard similar stories.

0:21:18.560 --> 0:21:21.600
<v Speaker 2>And I thought Becca's. I thought both their performances were great,

0:21:21.720 --> 0:21:26.480
<v Speaker 2>very good. Yes, And I thought Becca, like Bereca brought

0:21:26.560 --> 0:21:30.840
<v Speaker 2>to her story as Kitty, was also like really special. Yeah,

0:21:31.080 --> 0:21:34.520
<v Speaker 2>because it was still like through the lens of I'm outspoken,

0:21:34.800 --> 0:21:38.760
<v Speaker 2>I speak directly and bluntly, but like here's the deal. Yeah,

0:21:39.480 --> 0:21:41.560
<v Speaker 2>on like an artistic level, it's nice to see, like,

0:21:41.840 --> 0:21:46.800
<v Speaker 2>you know, your friends have like these really exceptional moments

0:21:47.040 --> 0:21:52.200
<v Speaker 2>and showing their abilities and skills, but she's still giving

0:21:52.200 --> 0:21:56.080
<v Speaker 2>them shit for like why aren't we dating? Like why

0:21:56.119 --> 0:21:58.159
<v Speaker 2>are you wasting your time with this person who is

0:21:58.240 --> 0:22:00.480
<v Speaker 2>not showing up? Because you're projecting all the things you

0:22:00.640 --> 0:22:04.040
<v Speaker 2>want it to be, you know, And she's like, I'm

0:22:04.119 --> 0:22:04.439
<v Speaker 2>right here.

0:22:06.400 --> 0:22:11.639
<v Speaker 1>Interesting. Interesting. Another note that the I thought it was

0:22:11.680 --> 0:22:17.480
<v Speaker 1>an interesting choice to come to use those flashbacks and

0:22:17.560 --> 0:22:22.240
<v Speaker 1>everybody hurts, Yes, I forgot about those completely.

0:22:22.680 --> 0:22:23.120
<v Speaker 2>I did too.

0:22:23.280 --> 0:22:25.840
<v Speaker 1>Yeah, I'm not sure it resonated with me the way

0:22:25.840 --> 0:22:30.520
<v Speaker 1>I think they had hoped it would. Like sexual sexual

0:22:30.520 --> 0:22:34.960
<v Speaker 1>assault is such a different level, and obviously the bullying

0:22:35.080 --> 0:22:38.639
<v Speaker 1>and the slushing and people really feeling very vulnerable in

0:22:38.760 --> 0:22:45.200
<v Speaker 1>school or attacked in some way. But I was like, me,

0:22:45.880 --> 0:22:49.240
<v Speaker 1>could have done without it. Yeah, it kind of feels

0:22:49.320 --> 0:22:53.600
<v Speaker 1>like a uh, let's fill this equivalent, let's fill this Yeah, yeah,

0:22:53.800 --> 0:22:54.600
<v Speaker 1>let's fill this time.

0:22:55.280 --> 0:22:55.520
<v Speaker 2>Yeah.

0:22:55.760 --> 0:22:59.520
<v Speaker 1>I don't know anyway, Just being honest, some of these

0:22:59.560 --> 0:23:03.119
<v Speaker 1>moments in this episode, we're like, Okay, you do the

0:23:03.200 --> 0:23:05.320
<v Speaker 1>best you can with what you have, you know, right,

0:23:06.080 --> 0:23:07.280
<v Speaker 1>tell me about Sue Kevin.

0:23:08.720 --> 0:23:16.760
<v Speaker 2>Sue is journaling again, God, yeah, and she's teaching her

0:23:16.840 --> 0:23:22.560
<v Speaker 2>own workout fitness class, Sue ninety X and Blaine shows

0:23:22.640 --> 0:23:27.200
<v Speaker 2>up and they have a really funny interaction. I love

0:23:27.440 --> 0:23:32.440
<v Speaker 2>them together. They have great chemistry, and he admits that

0:23:32.480 --> 0:23:36.399
<v Speaker 2>he was going to he was setting up for her

0:23:36.480 --> 0:23:40.720
<v Speaker 2>demise from the inside, which she appreciated, which again I love.

0:23:40.840 --> 0:23:43.160
<v Speaker 2>I love what an evil character respects when other people

0:23:43.240 --> 0:23:46.840
<v Speaker 2>are plotting and doing evil things, even if it's against them. Yes,

0:23:47.400 --> 0:23:50.439
<v Speaker 2>like good game is good game? Yeah, like whatever's right?

0:23:51.640 --> 0:23:56.960
<v Speaker 2>And she shows up like you know, saying that come back,

0:23:57.040 --> 0:24:00.600
<v Speaker 2>we need your roses being weird with Becky. Becky hasn't

0:24:00.600 --> 0:24:04.320
<v Speaker 2>been the same without you. Then Sue on the bleachers,

0:24:04.480 --> 0:24:08.520
<v Speaker 2>Becky walking up in the exact same outfit is so good,

0:24:10.560 --> 0:24:15.560
<v Speaker 2>and Becky confirming that Roz is being insane, and we

0:24:15.640 --> 0:24:19.280
<v Speaker 2>get a couple of some of the most unhinged ros

0:24:19.760 --> 0:24:23.960
<v Speaker 2>lines this episode, like just when you think she's on one,

0:24:25.119 --> 0:24:28.639
<v Speaker 2>just wait, And I also love that they cut to

0:24:29.800 --> 0:24:32.879
<v Speaker 2>they like whip pan, which is the whole thing is

0:24:32.920 --> 0:24:35.879
<v Speaker 2>called like the whip right, yep, And they whipped to

0:24:35.960 --> 0:24:38.280
<v Speaker 2>another scene like since the pilot that was a staple

0:24:38.359 --> 0:24:43.960
<v Speaker 2>of how Glee is filmed. You whip and you whip

0:24:44.000 --> 0:24:46.520
<v Speaker 2>to the scene of Roz and Becky's face, and then

0:24:46.560 --> 0:24:50.520
<v Speaker 2>I love They whip back and Sue is referencing the

0:24:50.600 --> 0:24:53.960
<v Speaker 2>scene that she did not see take place. Obviously, Becky

0:24:54.040 --> 0:24:55.840
<v Speaker 2>has told her what's happened, but I just I love

0:24:55.880 --> 0:24:59.200
<v Speaker 2>when that happens. And then Sue goes into which I

0:24:59.280 --> 0:25:02.879
<v Speaker 2>think is one of the most hilarious settings and premises

0:25:03.119 --> 0:25:08.440
<v Speaker 2>for a number. Ugly goes into Little Girls while the

0:25:08.800 --> 0:25:10.879
<v Speaker 2>like in the bleachers while the cheers are dancing to

0:25:10.960 --> 0:25:12.440
<v Speaker 2>something with a very different beat.

0:25:13.960 --> 0:25:14.080
<v Speaker 5>Oh.

0:25:14.119 --> 0:25:17.800
<v Speaker 1>The thing that we also did forget to mention is

0:25:18.560 --> 0:25:22.760
<v Speaker 1>we will rock you. First, I had forgotten what we did.

0:25:22.840 --> 0:25:25.399
<v Speaker 1>And when we shot this, I was like, listen, I

0:25:25.480 --> 0:25:27.240
<v Speaker 1>was watching it, and I was like, was I there?

0:25:28.760 --> 0:25:32.320
<v Speaker 1>And then I very vividly remembered.

0:25:32.040 --> 0:25:34.919
<v Speaker 2>Shooting it because I think we shot this very quickly.

0:25:35.400 --> 0:25:35.720
<v Speaker 2>We did.

0:25:36.800 --> 0:25:39.520
<v Speaker 1>But you remember the tap number in the middle that

0:25:39.640 --> 0:25:43.320
<v Speaker 1>they did. Oh yeah, so there's this like floor if

0:25:43.359 --> 0:25:47.280
<v Speaker 1>you go back and look, that's like tin boiler or something. Yes,

0:25:47.400 --> 0:25:52.920
<v Speaker 1>and Jacob and Melissa and maybe Heather, we're all given

0:25:53.040 --> 0:25:55.680
<v Speaker 1>like a moment. Maybe it was just in rehearsal and

0:25:55.760 --> 0:25:58.479
<v Speaker 1>that's why, or we shot it that they were tapping

0:25:58.560 --> 0:26:01.440
<v Speaker 1>on it like we were using obviously all the things

0:26:01.480 --> 0:26:03.640
<v Speaker 1>on the stage to make the sounds of the song.

0:26:04.400 --> 0:26:09.240
<v Speaker 1>It felt very isolated in the moment it so flashed.

0:26:08.840 --> 0:26:11.720
<v Speaker 2>Over in the Yes, I think it was in the

0:26:12.280 --> 0:26:14.960
<v Speaker 2>product like a thing specifically built for and shot like

0:26:15.080 --> 0:26:18.680
<v Speaker 2>specifically like isolated. It felt like a much bigger thing. Yes, okay,

0:26:18.880 --> 0:26:22.960
<v Speaker 2>but we shot all of that so quickly because I

0:26:23.080 --> 0:26:24.520
<v Speaker 2>also think it was like there's only so much you

0:26:24.560 --> 0:26:27.800
<v Speaker 2>could do. The lighting is how the lighting is. Yeah,

0:26:28.400 --> 0:26:30.840
<v Speaker 2>And also Paris had done so many episodes at this

0:26:30.920 --> 0:26:35.439
<v Speaker 2>point he knew what to do and also a master

0:26:35.720 --> 0:26:39.520
<v Speaker 2>of shooting within the group on the auditorium stage, like

0:26:39.680 --> 0:26:43.760
<v Speaker 2>he basically invented how to do that on Glee correct,

0:26:43.880 --> 0:26:46.320
<v Speaker 2>you know, like the free form sort of rock out,

0:26:46.520 --> 0:26:48.800
<v Speaker 2>even though this was a little less free form. But

0:26:49.640 --> 0:26:50.920
<v Speaker 2>it was also very exciting to get to do a

0:26:50.960 --> 0:26:51.400
<v Speaker 2>queen again.

0:26:52.240 --> 0:26:53.120
<v Speaker 1>I mean always.

0:26:54.600 --> 0:26:58.240
<v Speaker 2>I just remember though, like overall, because we were in

0:26:58.359 --> 0:27:01.080
<v Speaker 2>the dark so much, I was falling sleep all the time.

0:27:02.440 --> 0:27:03.240
<v Speaker 1>I feel the same.

0:27:03.600 --> 0:27:05.800
<v Speaker 2>I was like sleeping through this whole episode, yes, like

0:27:06.000 --> 0:27:08.480
<v Speaker 2>during the choir of numbers and you're just watching like

0:27:08.680 --> 0:27:11.280
<v Speaker 2>it is candlelight. I can't stay awake.

0:27:11.920 --> 0:27:15.080
<v Speaker 1>So when I mentioned that there was everybody hurts and

0:27:15.240 --> 0:27:19.639
<v Speaker 1>they were flashbacks. I actually just found a picture. It

0:27:19.840 --> 0:27:23.479
<v Speaker 1>wasn't a flashback. I got slushy it again. Oh right,

0:27:23.720 --> 0:27:26.760
<v Speaker 1>they were like fake flashbacks. They were fake flashbacks in

0:27:26.880 --> 0:27:32.760
<v Speaker 1>which I then had to recreate those flashbacks and get

0:27:32.880 --> 0:27:35.560
<v Speaker 1>slushy in the showers. And this was a bad one

0:27:35.920 --> 0:27:39.639
<v Speaker 1>because I was kind of naked already. I have the

0:27:39.720 --> 0:27:42.320
<v Speaker 1>video of it too. Actually, I feel like I remember

0:27:42.359 --> 0:27:45.359
<v Speaker 1>when they shot it. I feel like, did we It

0:27:45.440 --> 0:27:47.800
<v Speaker 1>was like, come on, you, Glani's were we setting up

0:27:47.880 --> 0:27:50.879
<v Speaker 1>something in another place? And you guys did very fast.

0:27:51.600 --> 0:27:53.520
<v Speaker 1>That's right. This whole episode was.

0:27:53.600 --> 0:27:56.760
<v Speaker 2>Like God because we were towards the end of the

0:27:56.800 --> 0:27:58.520
<v Speaker 2>season where we're behind, we had to finish by a

0:27:58.560 --> 0:28:00.200
<v Speaker 2>certain date, and it's like Paris can do this.

0:28:00.440 --> 0:28:02.600
<v Speaker 1>Yeah, yeah, yeah, if there's anybody who's gonna do his Paris.

0:28:02.640 --> 0:28:06.080
<v Speaker 1>But still it felt like entirely too rushed the whole

0:28:06.160 --> 0:28:12.160
<v Speaker 1>thing very fast, the blob and then Becky eventually comes

0:28:12.200 --> 0:28:13.960
<v Speaker 1>clean to figure it's about what happened during the shooting.

0:28:14.320 --> 0:28:17.040
<v Speaker 2>Yeah, we haven't discovered what the fallout will be from

0:28:17.080 --> 0:28:17.880
<v Speaker 2>that exactly.

0:28:22.760 --> 0:28:26.320
<v Speaker 6>Jenny Garth, Jana Kramer, Amy Roeboch and TJ. Holmes bring

0:28:26.400 --> 0:28:29.080
<v Speaker 6>you I Do Part two, a one of a kind

0:28:29.280 --> 0:28:32.439
<v Speaker 6>experiment in podcasting to help you find love again. If

0:28:32.440 --> 0:28:34.120
<v Speaker 6>you didn't get it right the first time, it's time

0:28:34.200 --> 0:28:36.280
<v Speaker 6>to try try again, as they guide you through this

0:28:36.440 --> 0:28:38.120
<v Speaker 6>podcast experiment in dating.

0:28:38.320 --> 0:28:41.800
<v Speaker 5>Hey, I'm Jana Kramer. As they say, those that cannot

0:28:41.920 --> 0:28:45.160
<v Speaker 5>do teach. Actually, I think I finally got it right.

0:28:45.280 --> 0:28:48.320
<v Speaker 5>So take the failures I've had the second or even

0:28:48.360 --> 0:28:50.440
<v Speaker 5>third whatever, maybe the fourth time around.

0:28:50.720 --> 0:28:54.400
<v Speaker 7>I'm Jenny Garth. Twenty nine years ago, Kelly Taylor said

0:28:54.480 --> 0:28:57.720
<v Speaker 7>these words, I choose me. She made her choice. She

0:28:57.960 --> 0:29:02.040
<v Speaker 7>chose herself when it comes to life, choose you first.

0:29:02.480 --> 0:29:04.680
<v Speaker 1>Hi, everyone, I'm Amy Robots and I'm TJ.

0:29:04.800 --> 0:29:08.920
<v Speaker 4>Holmes, and we are well not necessarily relationship experts, if

0:29:08.960 --> 0:29:11.480
<v Speaker 4>you're ready to dive back into the dating pool and

0:29:11.640 --> 0:29:13.280
<v Speaker 4>find lasting love.

0:29:13.680 --> 0:29:15.040
<v Speaker 2>Finally, we want to help.

0:29:15.160 --> 0:29:18.040
<v Speaker 5>Listen to I Do Part two starting September nineteenth on

0:29:18.120 --> 0:29:22.000
<v Speaker 5>the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

0:29:25.800 --> 0:29:32.440
<v Speaker 2>And then we have New York Happening, which I love,

0:29:32.560 --> 0:29:34.640
<v Speaker 2>you know, I love when the friends are poning and

0:29:34.680 --> 0:29:36.040
<v Speaker 2>the other friend to be like, look, you need to

0:29:36.040 --> 0:29:39.200
<v Speaker 2>get your life together. Santana, We're worried about you. I also,

0:29:39.400 --> 0:29:42.520
<v Speaker 2>you know, the episode started with Ian doing the voiceover

0:29:43.600 --> 0:29:46.520
<v Speaker 2>of saying Santana moved into the loft. She has no

0:29:46.640 --> 0:29:52.440
<v Speaker 2>bedroom and no job, no direction. So it starts off,

0:29:52.560 --> 0:29:55.480
<v Speaker 2>you know, with that setup of what is Santana doing

0:29:55.520 --> 0:29:59.560
<v Speaker 2>because obviously she's so talented and and it sort of

0:29:59.600 --> 0:30:01.760
<v Speaker 2>feels like of talking to themselves, like what are we

0:30:01.840 --> 0:30:03.200
<v Speaker 2>doing with the character Santana?

0:30:03.600 --> 0:30:05.720
<v Speaker 1>Yeah, yeah, yeah, we got her in New York.

0:30:05.760 --> 0:30:07.920
<v Speaker 2>What can we do with her? And s JP is

0:30:08.000 --> 0:30:11.920
<v Speaker 2>back and has this really great scene with Chris, and

0:30:12.680 --> 0:30:17.440
<v Speaker 2>she's still like the best boss, so supportive, Like you know,

0:30:17.520 --> 0:30:19.520
<v Speaker 2>he's saying, I'm in Niata. I thought you guysod fired me.

0:30:19.600 --> 0:30:21.600
<v Speaker 2>And she's like, no, no, it's fine, but I do

0:30:21.840 --> 0:30:24.920
<v Speaker 2>need you to be the celebrity wrangler for the biggest

0:30:24.960 --> 0:30:26.120
<v Speaker 2>social event of the year.

0:30:26.400 --> 0:30:33.360
<v Speaker 1>That's the ballet. Meanwhile, you had mentioned that Santana they

0:30:33.440 --> 0:30:34.840
<v Speaker 1>is like trying to figure out what she's going to

0:30:34.920 --> 0:30:36.400
<v Speaker 1>do with her life, and she's like, I know where

0:30:36.400 --> 0:30:37.720
<v Speaker 1>I'm going to do with my life. I just to

0:30:37.800 --> 0:30:41.680
<v Speaker 1>figure it out, right. So Kurt is very excited to

0:30:41.960 --> 0:30:46.520
<v Speaker 1>enlist his friends obviously to work at the New York

0:30:46.560 --> 0:30:52.800
<v Speaker 1>City Ballet gala and they're going to be wrangling celebrities.

0:30:53.840 --> 0:30:59.240
<v Speaker 1>Rachel's going to help. Santana's not that interested, but she

0:30:59.400 --> 0:31:05.360
<v Speaker 1>comes along and admits that she's been neglecting her love advance,

0:31:06.080 --> 0:31:08.360
<v Speaker 1>which is kind of funny because we've never known Sinton

0:31:08.440 --> 0:31:11.320
<v Speaker 1>to be a dancer, But I buy it for this episode.

0:31:11.480 --> 0:31:14.280
<v Speaker 2>I thought it was so funny. It was like, this

0:31:14.400 --> 0:31:18.720
<v Speaker 2>is wild, like a Santana being a ballerina shirt great.

0:31:21.640 --> 0:31:21.720
<v Speaker 6>And.

0:31:23.600 --> 0:31:28.280
<v Speaker 1>Obviously that leads us into the most gorgeous shot number

0:31:28.320 --> 0:31:28.960
<v Speaker 1>of the episode.

0:31:29.400 --> 0:31:32.360
<v Speaker 2>Yeah, all of this just to get to at the ballet.

0:31:33.600 --> 0:31:37.760
<v Speaker 1>They sound wonderful. They're storytelling at its finest. They look

0:31:39.400 --> 0:31:42.360
<v Speaker 1>a plus plus. They look great, and we get the

0:31:42.520 --> 0:31:46.360
<v Speaker 1>light number. Oh my gosh, that's right. We do get

0:31:46.400 --> 0:31:50.280
<v Speaker 1>the full number. You have to and you give Sjp

0:31:50.440 --> 0:31:51.040
<v Speaker 1>what she wants.

0:31:51.200 --> 0:31:51.360
<v Speaker 3>You know.

0:31:52.640 --> 0:31:55.200
<v Speaker 2>The light choreo was so beautiful.

0:31:55.920 --> 0:31:56.520
<v Speaker 1>It's perfect.

0:31:57.120 --> 0:32:00.440
<v Speaker 2>It's so so good. I mean, they all sound so good.

0:32:00.480 --> 0:32:04.160
<v Speaker 2>Those harmonies at the end when Leah and Naya are

0:32:04.320 --> 0:32:08.080
<v Speaker 2>just like belting high, one higher than the other, and

0:32:08.280 --> 0:32:10.920
<v Speaker 2>it's isn't this song normally? Is it normally spend a

0:32:11.000 --> 0:32:11.520
<v Speaker 2>three parts?

0:32:12.360 --> 0:32:16.480
<v Speaker 1>It's three. Yeah, yes, it worked perfectly and hearing s

0:32:16.560 --> 0:32:20.960
<v Speaker 1>JP singoar was great. I love this number. I don't

0:32:21.000 --> 0:32:24.200
<v Speaker 1>think I appreciated this number as much when it first

0:32:24.680 --> 0:32:28.240
<v Speaker 1>was saved, but I'm appreciating it a lot.

0:32:28.600 --> 0:32:32.160
<v Speaker 2>It's one of those moments I don't know, I'm reminded of,

0:32:32.280 --> 0:32:35.720
<v Speaker 2>like it's crazy that we could do this on TV.

0:32:36.120 --> 0:32:40.360
<v Speaker 2>Yeah with sarg Yeah, Like it's so special and rare,

0:32:41.400 --> 0:32:43.600
<v Speaker 2>and it's done in such a high level, right, you

0:32:43.720 --> 0:32:47.040
<v Speaker 2>have like four of the most talented people plus some

0:32:47.160 --> 0:32:50.600
<v Speaker 2>of the most talented crew and the world making this

0:32:50.720 --> 0:32:53.600
<v Speaker 2>beautiful thing happen, and it's so nice. It's also like

0:32:53.760 --> 0:32:59.320
<v Speaker 2>unabashedly musical theater, nerdy and queer and all of these

0:32:59.360 --> 0:33:03.120
<v Speaker 2>things on primetime Fox TV again, you know, week after week,

0:33:03.320 --> 0:33:06.040
<v Speaker 2>and like when is at the Ballet going to be

0:33:06.160 --> 0:33:08.040
<v Speaker 2>on Fox or network television at all?

0:33:08.360 --> 0:33:08.600
<v Speaker 3>I know?

0:33:09.320 --> 0:33:11.920
<v Speaker 1>And people are going to be exposed to that kind

0:33:11.960 --> 0:33:13.479
<v Speaker 1>of the music in the art.

0:33:15.320 --> 0:33:17.520
<v Speaker 2>Yeah, It's like even if people don't know what show

0:33:17.560 --> 0:33:19.280
<v Speaker 2>it's from, whether that's from a show or that it's

0:33:19.320 --> 0:33:23.160
<v Speaker 2>a very famous musical theater song, it's still just a

0:33:23.280 --> 0:33:26.960
<v Speaker 2>wonderful performance and they're getting exposed to this song.

0:33:27.080 --> 0:33:33.720
<v Speaker 1>And exactly, yeah, that is kind of the episode we

0:33:33.920 --> 0:33:36.960
<v Speaker 1>do do the Longest Time at the end, which I

0:33:37.120 --> 0:33:39.080
<v Speaker 1>was like, oh, a Billy Joel song and not a

0:33:39.120 --> 0:33:44.360
<v Speaker 1>Billy Joel themed episode, but you know me and my

0:33:44.440 --> 0:33:45.800
<v Speaker 1>billy I'll take it.

0:33:45.960 --> 0:33:49.880
<v Speaker 2>I loved Longest Time, did you? I loved doing Longest Time.

0:33:49.960 --> 0:33:51.200
<v Speaker 2>It was like one of my favorites.

0:33:51.640 --> 0:33:51.920
<v Speaker 1>Really.

0:33:52.440 --> 0:33:54.600
<v Speaker 2>I don't know why I love singing it. I loved

0:33:54.680 --> 0:33:59.000
<v Speaker 2>performing it, Oh, because if we were all out of

0:33:59.040 --> 0:34:01.480
<v Speaker 2>our mind. I think when you spend like a week

0:34:01.520 --> 0:34:03.880
<v Speaker 2>in the dark and then we're all in the light

0:34:04.000 --> 0:34:06.560
<v Speaker 2>and performing the song and it's all capella and we're

0:34:07.120 --> 0:34:10.560
<v Speaker 2>acting crazy. Everyone's normally when you're doing backgrounds, you're singing

0:34:10.680 --> 0:34:14.239
<v Speaker 2>like words, mouthing words. We were doing all these different

0:34:14.280 --> 0:34:17.080
<v Speaker 2>harmonies and oohs and ohs at different moments. It was challenging,

0:34:17.120 --> 0:34:19.520
<v Speaker 2>so we all had to actually really learn it this time.

0:34:20.320 --> 0:34:25.279
<v Speaker 2>And Melissa, I just remember her if you watch her

0:34:25.320 --> 0:34:27.000
<v Speaker 2>at the very end when she's doing her ad libs

0:34:27.080 --> 0:34:29.680
<v Speaker 2>and she has her arms out, she's doing the damn

0:34:30.080 --> 0:34:32.200
<v Speaker 2>she's doing the full mump dance because she thought she

0:34:32.360 --> 0:34:35.480
<v Speaker 2>sounded so insane. She's like, She's like, I just come

0:34:35.480 --> 0:34:38.719
<v Speaker 2>out of nowhere and I'm like time, and so she

0:34:39.840 --> 0:34:43.040
<v Speaker 2>took it seriously and it's just and it made me

0:34:43.120 --> 0:34:45.480
<v Speaker 2>giggle so much, and I was like, Kevin, get it together,

0:34:45.560 --> 0:34:49.520
<v Speaker 2>because me on screen was just looking at her and laughing,

0:34:49.840 --> 0:34:53.880
<v Speaker 2>Oh my gosh, because she I like that joy was

0:34:54.360 --> 0:34:57.120
<v Speaker 2>was what we were all contagious and we loved it. Yeah.

0:34:57.520 --> 0:34:59.840
<v Speaker 2>I had a really good time shooting this episode.

0:35:00.160 --> 0:35:02.040
<v Speaker 1>It's so funny. I did too.

0:35:04.000 --> 0:35:05.760
<v Speaker 2>It's nice to break it up with something different.

0:35:06.120 --> 0:35:08.880
<v Speaker 1>Yeah, yeah, for sure. It just it does feel very

0:35:08.960 --> 0:35:12.520
<v Speaker 1>rush in my memory, like, yeah, everything very very quick.

0:35:13.239 --> 0:35:19.680
<v Speaker 1>Let's rate some numbers. Great, so you've lost that love

0:35:19.760 --> 0:35:25.640
<v Speaker 1>and feeling A yeah, I mean it's great. It's solid

0:35:25.760 --> 0:35:32.120
<v Speaker 1>A A everybody hurts an yeah, I great, A minus

0:35:33.440 --> 0:35:37.800
<v Speaker 1>we will rock you B plus B plus yep, I agree,

0:35:38.320 --> 0:35:45.440
<v Speaker 1>Little Girls, Our Fairy ex close at the Ballet A

0:35:45.600 --> 0:35:46.200
<v Speaker 1>plus plus.

0:35:46.640 --> 0:35:48.920
<v Speaker 2>Yeah, all the all the pluses.

0:35:48.880 --> 0:35:50.399
<v Speaker 1>Longest time. What are you going to give it, Kevin?

0:35:52.080 --> 0:35:55.279
<v Speaker 2>Uh, just for my personal joy, I'd give it an

0:35:55.280 --> 0:35:58.880
<v Speaker 2>A plus, give it an A. I'll give it an A.

0:35:59.080 --> 0:36:01.040
<v Speaker 2>At the ballet is like a plaus ps psst plus.

0:36:02.600 --> 0:36:05.799
<v Speaker 1>Make sure so long as time is Yeah, I guess

0:36:05.840 --> 0:36:08.880
<v Speaker 1>I listened to it, I like it and crating it's

0:36:08.920 --> 0:36:11.080
<v Speaker 1>not one of my favorite Billies songs. Is maybe why

0:36:11.360 --> 0:36:15.320
<v Speaker 1>I don't like I'm not as attached to it. But okay,

0:36:16.680 --> 0:36:19.760
<v Speaker 1>that's fair. That's an average day, I think, hey minus

0:36:19.840 --> 0:36:24.040
<v Speaker 1>maybe Yeah, Okay, let's do some tarty takes. You know,

0:36:24.120 --> 0:36:26.840
<v Speaker 1>I think we're getting ready for the finale, and so

0:36:27.080 --> 0:36:28.959
<v Speaker 1>this is kind of like it was fun to switch

0:36:29.000 --> 0:36:31.960
<v Speaker 1>it up. There's some stuff that happens, but like really

0:36:32.320 --> 0:36:37.840
<v Speaker 1>just waiting in the water for full last next two episodes. Okay,

0:36:37.920 --> 0:36:42.240
<v Speaker 1>some tarty takes. Let's do cringe moments. I mean, obviously,

0:36:42.320 --> 0:36:46.400
<v Speaker 1>Sam and Artie's reaction to writers confession is yesinge.

0:36:46.320 --> 0:36:51.640
<v Speaker 2>That and paired with Roz continually calling Becky Sue's adult

0:36:51.680 --> 0:37:02.360
<v Speaker 2>baby fair best dance move. Oh there was some nice dancing.

0:37:02.560 --> 0:37:05.399
<v Speaker 2>The tap that we both forgot happened.

0:37:05.600 --> 0:37:09.360
<v Speaker 1>Right, Jake, I'm doing tab the Sioux Dancer size of

0:37:10.440 --> 0:37:11.680
<v Speaker 1>class with Darren.

0:37:12.400 --> 0:37:14.960
<v Speaker 2>And longest time was cute. Like the partner stuff was

0:37:15.000 --> 0:37:15.560
<v Speaker 2>really cute.

0:37:16.280 --> 0:37:16.560
<v Speaker 5>I guess.

0:37:16.600 --> 0:37:18.879
<v Speaker 1>So let's just say I'd like to say the tap

0:37:19.160 --> 0:37:22.120
<v Speaker 1>because it never happens. That's true. We love a tap moment.

0:37:23.280 --> 0:37:27.080
<v Speaker 1>Best song at the Ballet at the ballet, the ballet.

0:37:27.840 --> 0:37:32.400
<v Speaker 1>Best performance by a prop. I think you're your head helmet, the.

0:37:32.440 --> 0:37:36.319
<v Speaker 2>Helmet and the headlamp. Yeah, and all of we will

0:37:36.400 --> 0:37:41.280
<v Speaker 2>rock you, all of those instruments, like the garbage cans.

0:37:41.920 --> 0:37:44.360
<v Speaker 2>I was literally like, what to do.

0:37:44.520 --> 0:37:48.040
<v Speaker 1>I'm just gonna swipe this pole against all the things

0:37:48.120 --> 0:37:49.160
<v Speaker 1>on the But.

0:37:49.440 --> 0:37:51.800
<v Speaker 2>I think a lot of this episode, honestly, was that

0:37:52.040 --> 0:37:55.520
<v Speaker 2>because we were in shadows and the dark, you can

0:37:55.680 --> 0:37:58.080
<v Speaker 2>sort of do it. Also, like I got to be

0:37:58.200 --> 0:38:00.480
<v Speaker 2>on my phone for all of chords and I'm which

0:38:00.480 --> 0:38:03.720
<v Speaker 2>I was like, this is I'm like, I'm just chilling.

0:38:03.840 --> 0:38:04.680
<v Speaker 2>I don't do anything.

0:38:07.280 --> 0:38:13.680
<v Speaker 1>Best line Okay, well the callback to run Joey Run.

0:38:14.960 --> 0:38:18.600
<v Speaker 1>There we could do best worst line Santana. All Right,

0:38:18.680 --> 0:38:20.520
<v Speaker 1>you know what, Rachel, if you're still obsessing over what

0:38:20.560 --> 0:38:22.880
<v Speaker 1>you're gonna sing at your funny girl callback, maybe may

0:38:23.000 --> 0:38:27.560
<v Speaker 1>I suggest your best gam ever run Joey Run. I

0:38:27.680 --> 0:38:28.720
<v Speaker 1>do love that line.

0:38:29.160 --> 0:38:31.160
<v Speaker 2>I loved and the lights first go out, Sam goes

0:38:31.239 --> 0:38:35.279
<v Speaker 2>Zombie Apocalypse and Unique goes or Beyonce's halftime. Yeah, I

0:38:35.440 --> 0:38:35.799
<v Speaker 2>love that.

0:38:37.560 --> 0:38:38.400
<v Speaker 1>Performance. MVP.

0:38:45.680 --> 0:38:45.919
<v Speaker 2>Wow.

0:38:48.040 --> 0:38:50.400
<v Speaker 1>There were a lot of good performances in this episode.

0:38:50.440 --> 0:38:51.560
<v Speaker 1>To be honest, there were.

0:38:52.920 --> 0:38:57.920
<v Speaker 2>I probably Blake. Blake had a lot to do, he did,

0:38:58.080 --> 0:39:01.240
<v Speaker 2>he heard a lot, and Becca had some nice moments

0:39:01.280 --> 0:39:04.279
<v Speaker 2>and I had some nice moments, Yeah for sure. But

0:39:04.640 --> 0:39:08.480
<v Speaker 2>you know, thank you Paris for another great experience.

0:39:08.840 --> 0:39:10.720
<v Speaker 1>Always always just a joy.

0:39:11.000 --> 0:39:13.960
<v Speaker 2>And you know when you have to do those like sensitive,

0:39:14.920 --> 0:39:19.400
<v Speaker 2>uncomfortable things, Paris sets you at ease, and it's just like,

0:39:19.600 --> 0:39:21.920
<v Speaker 2>let's see it, let's just try it. This is a

0:39:21.960 --> 0:39:26.000
<v Speaker 2>safe space, go for it. And like you know, like

0:39:26.160 --> 0:39:28.640
<v Speaker 2>we were all there to make the thing that was

0:39:28.640 --> 0:39:32.680
<v Speaker 2>written on the page come to life, and so like

0:39:32.800 --> 0:39:33.279
<v Speaker 2>that's our.

0:39:33.200 --> 0:39:36.520
<v Speaker 1>Task, and that's preach. That's what Paris says.

0:39:37.719 --> 0:39:39.960
<v Speaker 2>So shit we found On TikTok we have two videos

0:39:40.080 --> 0:39:46.280
<v Speaker 2>Jenna speaking of Billy Joel. Darren recently yeah hosted Elsie Fest,

0:39:47.960 --> 0:39:53.560
<v Speaker 2>his wonderful like musical theater concert he does. And lo

0:39:53.840 --> 0:39:58.640
<v Speaker 2>and behold look who came out to performy blam.

0:40:00.160 --> 0:40:03.319
<v Speaker 1>And they did a Billy Joel song. Yes they sure did.

0:40:03.800 --> 0:40:07.919
<v Speaker 1>Oh my god, Rody Addict on TikTok post of this. Wow,

0:40:08.040 --> 0:40:11.319
<v Speaker 1>look at that backdrop of the Sunset chords out there. Beautiful?

0:40:11.440 --> 0:40:14.320
<v Speaker 1>What a location for this Selsi fast get it Darren,

0:40:14.719 --> 0:40:17.680
<v Speaker 1>I know wonderful. It's not the same venue as I

0:40:17.800 --> 0:40:18.520
<v Speaker 1>did with him.

0:40:19.000 --> 0:40:23.000
<v Speaker 2>And there's another video of the Warblers post Max Adler.

0:40:23.160 --> 0:40:25.920
<v Speaker 2>Oh my gosh, Max is there performing together.

0:40:26.560 --> 0:40:29.839
<v Speaker 1>Oh we love our reunion. Elsie Fest is really fun,

0:40:29.920 --> 0:40:32.080
<v Speaker 1>you guys, if you haven't been, you want to go.

0:40:32.560 --> 0:40:34.879
<v Speaker 2>I was texting with Darren afterwards and I have to come.

0:40:35.200 --> 0:40:37.320
<v Speaker 2>I need to just stand on them.

0:40:38.400 --> 0:40:40.680
<v Speaker 1>I did one of his Harry Potter musical members with

0:40:40.800 --> 0:40:42.200
<v Speaker 1>him a couple of years ago.

0:40:42.440 --> 0:40:46.560
<v Speaker 2>Also, j C from and Sync came out to perform. Yeah,

0:40:46.760 --> 0:40:50.400
<v Speaker 2>I mean legend. Also speaking of musical theater, j C,

0:40:50.840 --> 0:40:55.680
<v Speaker 2>who I can't believe is a friend of mine, along

0:40:55.760 --> 0:41:00.399
<v Speaker 2>with Jimmy Harry created a new musical concept album show

0:41:00.480 --> 0:41:04.600
<v Speaker 2>that hopefully will get madely based off of Frankensiegin. He's

0:41:04.680 --> 0:41:08.640
<v Speaker 2>working on it for years and the music is so

0:41:08.840 --> 0:41:12.200
<v Speaker 2>good and he's singing all of it for the you know,

0:41:12.360 --> 0:41:15.400
<v Speaker 2>for this and it along with some other incredible singers,

0:41:15.960 --> 0:41:19.560
<v Speaker 2>and like he's never sounded better. The music is so cool.

0:41:20.120 --> 0:41:23.080
<v Speaker 2>It ranges like a whole lot of different genres and

0:41:23.280 --> 0:41:24.759
<v Speaker 2>tells the story in a whole new way.

0:41:24.920 --> 0:41:26.600
<v Speaker 1>It's I can't wait to check it out.

0:41:26.840 --> 0:41:29.239
<v Speaker 2>It's quite brilliant, and his voice is just so good.

0:41:29.400 --> 0:41:30.399
<v Speaker 1>You guys so good.

0:41:30.880 --> 0:41:34.720
<v Speaker 2>Go pre order the Playing with Fire Musical concept album.

0:41:35.040 --> 0:41:36.680
<v Speaker 2>It's just it's great, and they're like two of the

0:41:36.880 --> 0:41:38.919
<v Speaker 2>nicest guys and they're working so hard on it. It's great.

0:41:39.360 --> 0:41:42.279
<v Speaker 2>And I'm so jealous that he and Darren got to

0:41:42.320 --> 0:41:42.840
<v Speaker 2>sing together.

0:41:43.840 --> 0:41:44.080
<v Speaker 6>I know.

0:41:44.440 --> 0:41:46.480
<v Speaker 2>I mean, so, if I ever do Elsfest, then we

0:41:46.600 --> 0:41:47.839
<v Speaker 2>have to have j C come back.

0:41:48.480 --> 0:41:49.080
<v Speaker 1>Obviously.

0:41:50.320 --> 0:41:52.080
<v Speaker 2>Yeah, maybe we can get five of us and we

0:41:52.120 --> 0:41:56.680
<v Speaker 2>can do a full and sync or whatever he wants.

0:41:56.680 --> 0:41:58.160
<v Speaker 1>I don't want to force jac to do in sank

0:41:58.200 --> 0:42:03.240
<v Speaker 1>if he doesn't want to, Okay, whatever he wants. Okay,

0:42:08.160 --> 0:42:14.959
<v Speaker 1>that's this episode. Thanks for joining us for episode twenty

0:42:15.880 --> 0:42:17.960
<v Speaker 1>and come back next week.

0:42:18.520 --> 0:42:24.800
<v Speaker 2>We're getting there. Wow, and that's what you really missed.

0:42:25.600 --> 0:42:28.680
<v Speaker 2>Thanks for listening and follow us on Instagram at and

0:42:28.800 --> 0:42:31.040
<v Speaker 2>that's what you really miss pod. Make sure to write

0:42:31.080 --> 0:42:33.320
<v Speaker 2>us a review and leave us five stars. See you

0:42:33.400 --> 0:42:33.759
<v Speaker 2>next time.