1 00:00:00,120 --> 00:00:02,559 Speaker 1: Hey everyone. Before we get into this episode, we wanted 2 00:00:02,600 --> 00:00:03,840 Speaker 1: to give you a heads up. 3 00:00:04,200 --> 00:00:07,600 Speaker 2: We will be discussing storylines related to sexual assault. The 4 00:00:07,640 --> 00:00:11,200 Speaker 2: conversation may contain details that some listeners may find distressing 5 00:00:11,320 --> 00:00:11,960 Speaker 2: or triggering. 6 00:00:12,360 --> 00:00:14,640 Speaker 1: Your well being is so important to us, so please 7 00:00:14,680 --> 00:00:19,080 Speaker 1: take care while listening. And that's what you really missed 8 00:00:19,160 --> 00:00:20,040 Speaker 1: with Jenna. 9 00:00:20,079 --> 00:00:22,720 Speaker 2: And Kevin an iHeartRadio podcast. 10 00:00:25,600 --> 00:00:27,800 Speaker 1: Welcome to you, And that's what you really missed podcast, 11 00:00:28,680 --> 00:00:33,120 Speaker 1: Season four, episode twenty. You heard that right, twenty. We're 12 00:00:34,240 --> 00:00:38,959 Speaker 1: almost happy before twenty. How does that even happen? This 13 00:00:39,040 --> 00:00:40,040 Speaker 1: is called lights Out. 14 00:00:40,400 --> 00:00:43,479 Speaker 2: The original air date was April twenty fifth, two thousand 15 00:00:43,520 --> 00:00:46,720 Speaker 2: and thirteen. And Jenna, on the day that we're recording. 16 00:00:46,360 --> 00:00:48,400 Speaker 1: This, it's our anniversary. 17 00:00:48,400 --> 00:00:52,880 Speaker 2: It's our friend anniversary, the day we met sixteen years ago. 18 00:00:54,160 --> 00:00:56,640 Speaker 2: So I'm glad you remembered. 19 00:00:58,360 --> 00:01:01,920 Speaker 1: It's a momentous occasion. It's also crazy that our anniversary 20 00:01:02,040 --> 00:01:06,840 Speaker 1: is this in sixteen years, since I'm I'm only eighteen, 21 00:01:07,040 --> 00:01:07,959 Speaker 1: So I mean. 22 00:01:07,880 --> 00:01:10,200 Speaker 2: I know, in my whole life, I remember when you 23 00:01:10,319 --> 00:01:13,680 Speaker 2: were just a baby, a fetus. 24 00:01:13,959 --> 00:01:17,399 Speaker 1: Okay, So in the news number one song was When 25 00:01:17,440 --> 00:01:19,560 Speaker 1: I Was Your Man by Bruno Mars again. 26 00:01:19,440 --> 00:01:22,600 Speaker 2: Classic number one movie was Oblivion. 27 00:01:22,680 --> 00:01:24,840 Speaker 1: I loved this movie, you did, I've mar seen it. 28 00:01:25,600 --> 00:01:28,600 Speaker 2: I love a sci fi moment. I do too. I'm 29 00:01:28,600 --> 00:01:30,759 Speaker 2: surprised beautiful looking too, It's really beautiful. 30 00:01:30,800 --> 00:01:31,560 Speaker 1: I'll check this one out. 31 00:01:31,680 --> 00:01:32,360 Speaker 2: You should watch it. 32 00:01:32,480 --> 00:01:35,560 Speaker 1: Yeah, no, I will for sure. Glee News this Week. 33 00:01:35,560 --> 00:01:37,600 Speaker 1: On April twenty seven and twenty thirteen, the cast and 34 00:01:37,680 --> 00:01:42,440 Speaker 1: Creakley celebrated wrapping their fourth season at the Season four 35 00:01:42,560 --> 00:01:50,280 Speaker 1: Rap Party. And this one was seven to twelve a 36 00:01:50,600 --> 00:01:55,520 Speaker 1: m private area upstairs. I don't quite remember which one 37 00:01:55,560 --> 00:01:58,520 Speaker 1: this one was, but it was. Was it Hollywood in Highland? 38 00:01:59,520 --> 00:02:02,960 Speaker 2: No, that was early. It was like season one or two. 39 00:02:03,080 --> 00:02:06,840 Speaker 1: Yeah, you're right, Okay, anyway, we had a Glee rap party. 40 00:02:07,680 --> 00:02:10,720 Speaker 1: It was the day before mine and Harry's birthday. And 41 00:02:11,360 --> 00:02:14,520 Speaker 1: that's about it. That's all we remember. The parties like 42 00:02:14,600 --> 00:02:16,320 Speaker 1: start to meld, to get all the parties. 43 00:02:16,960 --> 00:02:18,760 Speaker 2: I feel like I missed so many too that I 44 00:02:18,800 --> 00:02:21,320 Speaker 2: don't really know. I don't know why I missed them. 45 00:02:21,720 --> 00:02:23,840 Speaker 2: Like we got off, like we we were done, and 46 00:02:23,880 --> 00:02:29,399 Speaker 2: so we would just like to disappear vacation. That's exactly right, 47 00:02:30,280 --> 00:02:33,000 Speaker 2: that's right. This was Georgia by Paris Barklay, our friend 48 00:02:33,000 --> 00:02:37,360 Speaker 2: pres Barkley. I'll never forget it because I always remembered 49 00:02:37,400 --> 00:02:42,160 Speaker 2: him lighting the choir room when the lights first go out, 50 00:02:42,680 --> 00:02:45,720 Speaker 2: really when we had the flashlights. Yeah, and I'll never 51 00:02:45,760 --> 00:02:48,520 Speaker 2: forget Paris. Wasn't there with his flashlight talking to us? 52 00:02:49,320 --> 00:02:49,480 Speaker 1: Oh? 53 00:02:49,560 --> 00:02:54,280 Speaker 2: Yeah he was? Wow, I remember that. Yeah, it was 54 00:02:54,400 --> 00:02:56,840 Speaker 2: very fun. He was also so gigly. He is just 55 00:02:57,000 --> 00:03:00,720 Speaker 2: like the biggest kid, and he some of the most 56 00:03:00,760 --> 00:03:05,160 Speaker 2: serious storylines and episodes that he's directed previously, and then 57 00:03:05,200 --> 00:03:08,440 Speaker 2: in this the premise itself is so silly. Yes, the 58 00:03:08,760 --> 00:03:11,280 Speaker 2: light's going out that he was and we're like, how 59 00:03:11,320 --> 00:03:14,480 Speaker 2: are we going to shoot? This was just lit by flashlights, 60 00:03:14,480 --> 00:03:16,960 Speaker 2: and so he was so giggly and just like having 61 00:03:17,000 --> 00:03:20,360 Speaker 2: fun the whole thing. I don't know, it's not that serious. 62 00:03:20,440 --> 00:03:24,040 Speaker 2: Let's figure it out. Sure that works? Which is so 63 00:03:24,120 --> 00:03:24,600 Speaker 2: much fun. 64 00:03:24,960 --> 00:03:25,440 Speaker 1: That's right. 65 00:03:25,639 --> 00:03:29,760 Speaker 2: S JP is back, I mean heaven, thank god. Yeah, 66 00:03:30,240 --> 00:03:31,520 Speaker 2: I mean, more of her. 67 00:03:33,480 --> 00:03:35,680 Speaker 1: Have her own show. Wouldn't that be a concept. 68 00:03:37,800 --> 00:03:40,920 Speaker 2: And there's also little versions of Rachel Santana and Kurt 69 00:03:41,400 --> 00:03:46,600 Speaker 2: very so sweet gut punch. Emotionally, there's a lot of 70 00:03:46,640 --> 00:03:49,960 Speaker 2: songs in this episode. You've lost that love and Feeling 71 00:03:50,720 --> 00:03:56,200 Speaker 2: sung by the new directions Everybody Hurts by writer We 72 00:03:56,240 --> 00:04:01,200 Speaker 2: Will Rock You by new directions, Little Girls by Sue. 73 00:04:01,000 --> 00:04:04,800 Speaker 1: Oh my Gosh, and at the Ballet by Isabelle Hurt 74 00:04:04,880 --> 00:04:06,760 Speaker 1: Rachel and Santana's. 75 00:04:06,560 --> 00:04:08,400 Speaker 2: Have you heard the Barber streisand version of it? 76 00:04:08,520 --> 00:04:13,160 Speaker 1: Yes, it's all I mean, this version, this song itself 77 00:04:13,320 --> 00:04:16,920 Speaker 1: is so iconic. And then you get a Barber version, 78 00:04:17,000 --> 00:04:18,520 Speaker 1: I mean you get in so many versions, and then 79 00:04:18,520 --> 00:04:21,320 Speaker 1: we get this version, which is beautiful? Are you kidding? 80 00:04:21,600 --> 00:04:26,240 Speaker 2: It really is? And then Longest Time by the new directions. 81 00:04:29,120 --> 00:04:33,040 Speaker 1: So Santana mentions Run Joey Run from season one and 82 00:04:33,200 --> 00:04:35,800 Speaker 1: this and this is the third time this song is mentioned, 83 00:04:35,839 --> 00:04:38,440 Speaker 1: the first time being in Laryngitis and the second one 84 00:04:38,440 --> 00:04:42,200 Speaker 1: in prom Queen. They just want to haunt my dreams. 85 00:04:42,240 --> 00:04:45,640 Speaker 2: I love it. I love the show referencing itself because 86 00:04:45,680 --> 00:04:50,880 Speaker 2: we know how memorable Run Joey Run was. There was 87 00:04:50,920 --> 00:04:53,719 Speaker 2: a cut scene between Blaine and Becky where Blaine worries 88 00:04:53,720 --> 00:04:55,920 Speaker 2: about Becky and tries to find out what happened with her, 89 00:04:56,000 --> 00:05:00,360 Speaker 2: and Sue, interesting, Yeah, because you do wonder what happened. 90 00:05:00,400 --> 00:05:03,119 Speaker 2: They set up that storyline last episode and they don't 91 00:05:03,160 --> 00:05:08,400 Speaker 2: really get anything. Well, we start to see something. Becky 92 00:05:08,520 --> 00:05:11,320 Speaker 2: talks to Figgins for a little. 93 00:05:11,160 --> 00:05:16,240 Speaker 1: Bit, doesn't she Yeah, that's right. Finn originally appeared in 94 00:05:16,320 --> 00:05:19,640 Speaker 1: the Blaine Becky Sue storyline in this episode, but obviously 95 00:05:19,800 --> 00:05:22,400 Speaker 1: due to Corey's absence for the rest of this episode, 96 00:05:22,400 --> 00:05:25,440 Speaker 1: these scenes were rewritten and reshot, which we did not 97 00:05:25,600 --> 00:05:27,120 Speaker 1: do often was reshoot. 98 00:05:27,400 --> 00:05:32,640 Speaker 2: No writer sings in every new direction song in this episode. 99 00:05:32,720 --> 00:05:37,160 Speaker 1: Oh my gosh, big stories for him. This episode was 100 00:05:37,200 --> 00:05:40,000 Speaker 1: submitted for consideration of Sarah Jisica Parker for the twenty 101 00:05:40,040 --> 00:05:41,440 Speaker 1: thirteen Emmy's As It Should. 102 00:05:42,760 --> 00:05:46,480 Speaker 2: When listing people coming to New York City Ballet Gala, 103 00:05:46,560 --> 00:05:53,360 Speaker 2: Isabelle mentions Darren and Christopher, a reference to Darren and Chris. 104 00:05:52,680 --> 00:05:57,719 Speaker 1: Or Darren Chris maybe. Ryan revealed on Twitter that at 105 00:05:57,720 --> 00:06:01,680 Speaker 1: the ballet was Sarah Jessica Parker's idea. Yeah, sheute. 106 00:06:02,880 --> 00:06:04,839 Speaker 2: I think it's great. I also do love how it's 107 00:06:05,720 --> 00:06:09,520 Speaker 2: their ode, sort of like the Metcala. Yeah, the biggest 108 00:06:09,520 --> 00:06:12,360 Speaker 2: event of the year. Jane performed Little Girls from the 109 00:06:12,440 --> 00:06:15,000 Speaker 2: musical Annie, and Ryan picked the song in honor of 110 00:06:15,080 --> 00:06:18,160 Speaker 2: Jane making her Broadway debut in Annie in May of 111 00:06:18,160 --> 00:06:22,360 Speaker 2: twenty thirteen playing Miss Hanagan and the role, the role 112 00:06:22,360 --> 00:06:24,560 Speaker 2: that sings that song. We went and saw her with 113 00:06:24,800 --> 00:06:25,600 Speaker 2: christ and chennow with. 114 00:06:26,240 --> 00:06:27,719 Speaker 1: We did go to we have to talk about that 115 00:06:28,839 --> 00:06:31,320 Speaker 1: and Jessica Sanchez the running up on season eleven American 116 00:06:31,360 --> 00:06:33,280 Speaker 1: I don't meet her acting debut in this episode is 117 00:06:33,320 --> 00:06:35,760 Speaker 1: Freedom Romero and we'll see a little bit more of her. 118 00:06:36,279 --> 00:06:37,320 Speaker 2: What a voice? 119 00:06:38,080 --> 00:06:40,280 Speaker 1: I mean, what everse since she's so tiny? 120 00:06:40,560 --> 00:06:43,000 Speaker 2: Okay, so Jenna this episode? 121 00:06:43,240 --> 00:06:48,800 Speaker 1: Wait, Kevin, wait what we went? What we have to 122 00:06:48,800 --> 00:06:50,840 Speaker 1: talk about seeing Jane in Annie? 123 00:06:51,320 --> 00:06:56,280 Speaker 2: Okay? Great? I brought my friend James and Kristin Chenowith 124 00:06:56,400 --> 00:07:01,360 Speaker 2: was there. And why were we all there? I don't know. 125 00:07:01,600 --> 00:07:05,960 Speaker 2: Actually I have no idea why we were all in 126 00:07:06,000 --> 00:07:06,400 Speaker 2: New York. 127 00:07:06,520 --> 00:07:08,480 Speaker 1: I feel like we were there for something. Either we 128 00:07:08,480 --> 00:07:12,840 Speaker 1: were shooting something or or maybe maybe and we all 129 00:07:12,880 --> 00:07:16,960 Speaker 1: decided somebody plan for us to go see Jane, probably Megan. 130 00:07:18,120 --> 00:07:20,440 Speaker 1: The show is still very popular at this time, but 131 00:07:20,440 --> 00:07:23,880 Speaker 1: it's Jane's Broadway debut if I'm correct, And of course 132 00:07:23,880 --> 00:07:26,200 Speaker 1: we want to see Jane on Broadway. Do little Miss 133 00:07:26,200 --> 00:07:29,600 Speaker 1: hand again. So there's a big group of us that 134 00:07:29,680 --> 00:07:33,160 Speaker 1: go to see this. Now in any setting where there's 135 00:07:33,200 --> 00:07:35,320 Speaker 1: more than two of us, which we've talked about before. 136 00:07:35,680 --> 00:07:39,720 Speaker 1: Generally you get recognized and generally people start to freak out. 137 00:07:40,920 --> 00:07:45,040 Speaker 1: There was about ten of us. It was so chaotic. 138 00:07:46,120 --> 00:07:50,960 Speaker 1: I remember they had to take us backstage at intermission 139 00:07:51,000 --> 00:07:53,520 Speaker 1: to sit in the stage manager's office because we were 140 00:07:53,520 --> 00:07:57,240 Speaker 1: getting so bombarded. Yes, and like the show wasn't going 141 00:07:57,320 --> 00:08:01,040 Speaker 1: to be able to start on time, right, That. 142 00:08:01,040 --> 00:08:02,480 Speaker 2: Was very nice they took care of us. That was 143 00:08:02,480 --> 00:08:05,080 Speaker 2: really nice of them to sort of rescue. 144 00:08:05,720 --> 00:08:05,760 Speaker 3: No. 145 00:08:06,000 --> 00:08:09,320 Speaker 1: Literally, they're very kind. But we did get to see 146 00:08:09,320 --> 00:08:12,640 Speaker 1: her and she was absolutely amazing. It was I understand 147 00:08:12,640 --> 00:08:14,440 Speaker 1: why you were saying though, like you're nervous for your 148 00:08:14,480 --> 00:08:16,960 Speaker 1: friends on stage, because I was like, I remember being 149 00:08:17,040 --> 00:08:19,200 Speaker 1: like so nervous for her, but like, there's no reason 150 00:08:19,240 --> 00:08:23,240 Speaker 1: to me. She was absolutely stunning and you're born to 151 00:08:23,320 --> 00:08:24,560 Speaker 1: play that role, you know. 152 00:08:25,440 --> 00:08:28,360 Speaker 2: It's it's it's like you just especially because it's it's theater, 153 00:08:28,520 --> 00:08:31,320 Speaker 2: it's live, and I never seen it. I obviously know 154 00:08:31,440 --> 00:08:34,360 Speaker 2: she's brilliant, Yeah, but I never seen on a stage 155 00:08:34,360 --> 00:08:36,439 Speaker 2: in that way. And you're like, I hope, yeah, I know, 156 00:08:36,840 --> 00:08:39,400 Speaker 2: I know, Okay, same when I saw you, like, I 157 00:08:39,559 --> 00:08:42,000 Speaker 2: just never seen you do theater before, so I was worried. 158 00:08:42,280 --> 00:08:45,400 Speaker 1: I know, I get it, and then I get it. 159 00:08:45,440 --> 00:08:48,520 Speaker 1: Was because you're nervous. No, just kidding. It's fine. 160 00:08:48,800 --> 00:08:50,640 Speaker 2: It was so good. She was so good. That was 161 00:08:50,720 --> 00:08:51,360 Speaker 2: so much fun. 162 00:08:51,559 --> 00:08:54,520 Speaker 1: That was really fun. We were there for upfronts. It 163 00:08:54,640 --> 00:08:57,280 Speaker 1: was upfronts. Okay, in and out, but we decided to 164 00:08:57,280 --> 00:09:00,199 Speaker 1: go see her. It's not also when I auditioned or 165 00:09:00,880 --> 00:09:03,360 Speaker 1: into the woods, into the woods, it might have been. 166 00:09:04,120 --> 00:09:07,960 Speaker 1: This might have been that trip that tracks with timing 167 00:09:08,440 --> 00:09:09,120 Speaker 1: twenty thirteen. 168 00:09:09,360 --> 00:09:15,199 Speaker 2: That was an amazing trip. I had this incredible I 169 00:09:15,240 --> 00:09:18,560 Speaker 2: remember the hotel room Fox had me in. Oh yeah, 170 00:09:18,960 --> 00:09:20,400 Speaker 2: jess Meyer was also in town. 171 00:09:21,400 --> 00:09:22,720 Speaker 1: Which hotel? Did you stand? 172 00:09:23,559 --> 00:09:25,880 Speaker 2: The Mandarin, Oriental and Columbus Circle. 173 00:09:26,120 --> 00:09:30,240 Speaker 1: The time Warner Building. That's right, unbelievable. Yes, that was 174 00:09:30,360 --> 00:09:30,720 Speaker 1: the trip. 175 00:09:31,400 --> 00:09:32,079 Speaker 2: Yeah it was. 176 00:09:32,559 --> 00:09:35,000 Speaker 1: This was when I launched my book. Oh was it 177 00:09:35,120 --> 00:09:37,120 Speaker 1: also that there was my book tour when you came 178 00:09:37,200 --> 00:09:39,280 Speaker 1: to visit you guys all came to my little event 179 00:09:39,679 --> 00:09:44,280 Speaker 1: that Will had. Yeah, okay, this was a really good trip. 180 00:09:44,520 --> 00:09:45,560 Speaker 2: It was a great trip. 181 00:09:45,880 --> 00:09:50,760 Speaker 1: Good memories. Okay, yes, okay, back to the episode. Okay, 182 00:09:50,840 --> 00:09:53,160 Speaker 1: sorry episode summary please, no, this is all great. 183 00:09:53,960 --> 00:09:56,199 Speaker 2: When the power goes out of McKinley High. Will enlist 184 00:09:56,280 --> 00:09:59,640 Speaker 2: the members of the New Directions to unplug and perform 185 00:09:59,640 --> 00:10:03,960 Speaker 2: acous numbers. Meanwhile, Isabelle Right asks Kurt to volunteer at 186 00:10:04,000 --> 00:10:07,160 Speaker 2: the Vogue dot Com charity event with Rachel and Santana 187 00:10:07,640 --> 00:10:12,760 Speaker 2: in tow So fun. So the power we're in, we're 188 00:10:12,800 --> 00:10:16,120 Speaker 2: at school. The power goes out at McKinley, and Will 189 00:10:16,280 --> 00:10:22,040 Speaker 2: immediately inspired. He has inspired to keep going. Also, if 190 00:10:22,120 --> 00:10:24,680 Speaker 2: this was in real life, wouldn't the school like shut 191 00:10:24,720 --> 00:10:26,480 Speaker 2: down for the day, Like everybody just gets sent home. 192 00:10:27,720 --> 00:10:29,719 Speaker 1: I was literally thinking that. I was like, in no 193 00:10:30,040 --> 00:10:34,360 Speaker 1: world would they keep kids at school? It's a safety 194 00:10:34,640 --> 00:10:37,559 Speaker 1: hazard while the power goes out. 195 00:10:38,280 --> 00:10:41,520 Speaker 2: And everybody's like learning numbers really quickly or these are 196 00:10:41,600 --> 00:10:44,240 Speaker 2: things that they just have and you know they can 197 00:10:44,320 --> 00:10:45,880 Speaker 2: do off the dome like they're ready. 198 00:10:46,920 --> 00:10:49,000 Speaker 1: I mean, well, the whole thing was. Will had an 199 00:10:49,000 --> 00:10:52,199 Speaker 1: assignment actually for once coming in that we are like, 200 00:10:52,480 --> 00:10:57,040 Speaker 1: you know, bigger than life, you know, big numbers, and 201 00:10:57,160 --> 00:10:58,559 Speaker 1: then all of a sudden, the power goes out and 202 00:10:58,600 --> 00:11:03,280 Speaker 1: he's inspired by the moment as he normally the one 203 00:11:03,400 --> 00:11:06,040 Speaker 1: time he has a lesson plan and here we are 204 00:11:08,000 --> 00:11:10,160 Speaker 1: doing unplugged, which is very different. 205 00:11:10,960 --> 00:11:15,240 Speaker 2: Arty cannot handle it melt down without his sense. I 206 00:11:15,400 --> 00:11:18,360 Speaker 2: was also bummed because Artie says, I can't do Miguel 207 00:11:18,440 --> 00:11:20,319 Speaker 2: without my sense, and I was really excited to do 208 00:11:20,400 --> 00:11:21,200 Speaker 2: a Miguel's song. 209 00:11:21,200 --> 00:11:24,040 Speaker 1: And you didn't get to It's like this feels like 210 00:11:24,080 --> 00:11:27,079 Speaker 1: a tease. Oh my gosh, this is crazy. 211 00:11:27,160 --> 00:11:35,760 Speaker 2: Though we lose power and all these people performed songs 212 00:11:36,960 --> 00:11:39,959 Speaker 2: and shooting it, Like we mentioned, we were really like 213 00:11:40,120 --> 00:11:43,880 Speaker 2: practically using just these flashlights. So like I had that 214 00:11:44,000 --> 00:11:46,480 Speaker 2: headlamp on, but I had to look at certain people 215 00:11:47,240 --> 00:11:49,360 Speaker 2: at certain times so people would be lit. 216 00:11:50,200 --> 00:11:53,000 Speaker 1: Oh that's funny. There were like a couple of underchair 217 00:11:53,120 --> 00:11:55,400 Speaker 1: lights that I remember them like underlighting us. 218 00:11:55,360 --> 00:11:55,880 Speaker 2: A little bit. 219 00:11:56,559 --> 00:12:00,440 Speaker 1: But we really were in the dark. It's very calm, 220 00:12:01,960 --> 00:12:02,160 Speaker 1: and it. 221 00:12:02,200 --> 00:12:06,040 Speaker 2: Made everybody, you know, in the dark, like everybody's like quieter. Yeah, 222 00:12:06,160 --> 00:12:08,439 Speaker 2: it was. It was really peaceful to shoot all of this. 223 00:12:08,960 --> 00:12:09,840 Speaker 2: It was really nice. 224 00:12:10,200 --> 00:12:14,319 Speaker 1: We had like acoustic like being like you know, serenaded 225 00:12:14,360 --> 00:12:17,160 Speaker 1: by like cord on the guitar and like you know. 226 00:12:18,200 --> 00:12:21,440 Speaker 2: Yeah those also like those numbers so like the writer 227 00:12:21,800 --> 00:12:24,559 Speaker 2: and Sam numbers are really beautiful. They sound so good. 228 00:12:24,760 --> 00:12:29,120 Speaker 1: A writer has a lot of numbers in this song, 229 00:12:29,240 --> 00:12:31,199 Speaker 1: like obviously sings in a ring new direction song in 230 00:12:31,200 --> 00:12:34,160 Speaker 1: this episode, and he's also had a bunch of solos 231 00:12:34,160 --> 00:12:35,840 Speaker 1: in the past few episodes. 232 00:12:36,320 --> 00:12:38,000 Speaker 2: Really has a big storyline this episode. 233 00:12:38,080 --> 00:12:40,280 Speaker 1: He has a very strong in this episode. 234 00:12:40,200 --> 00:12:43,360 Speaker 2: And that's that's sort of the The big thing that's 235 00:12:43,400 --> 00:12:47,560 Speaker 2: happening amongst the new directions is Writer. The catfish storyline 236 00:12:47,640 --> 00:12:52,599 Speaker 2: is back, trying to figure out who's catfishing, who's catfishing 237 00:12:52,720 --> 00:13:01,240 Speaker 2: catfishing the catfish or is not giving it away. And 238 00:13:01,400 --> 00:13:07,199 Speaker 2: then when Sam performs, and when Artie has his little meltdown, 239 00:13:07,240 --> 00:13:10,640 Speaker 2: Sam is opening up about like this is not that tough, 240 00:13:10,800 --> 00:13:14,680 Speaker 2: just because we don't have electricity right now, things are worse. 241 00:13:14,840 --> 00:13:17,040 Speaker 2: He's wearing his hard in his sleeve. And then encourages 242 00:13:17,160 --> 00:13:23,400 Speaker 2: Ryder to do the same thing with McKinley because like 243 00:13:23,559 --> 00:13:27,079 Speaker 2: you're and like kitties doing the same thing, like you 244 00:13:27,240 --> 00:13:30,280 Speaker 2: are putting all the eggs in this mysterious basket of 245 00:13:30,360 --> 00:13:32,800 Speaker 2: this person you don't know. And so then that's when 246 00:13:32,840 --> 00:13:38,439 Speaker 2: Writer comes back and performs. Also just an aside here 247 00:13:38,760 --> 00:13:45,360 Speaker 2: practically speaking, yeah, I know that Glee Club is supposed 248 00:13:45,400 --> 00:13:49,400 Speaker 2: to happen after school. It's like an extracurricular but in 249 00:13:49,480 --> 00:13:52,360 Speaker 2: this episode, it is fully like the only class they're 250 00:13:52,400 --> 00:13:54,720 Speaker 2: taking that day, like they are the. 251 00:13:54,720 --> 00:13:56,760 Speaker 1: Only class we ever take in school. It is the 252 00:13:56,840 --> 00:13:57,800 Speaker 1: only class we go to. 253 00:13:58,400 --> 00:14:01,640 Speaker 2: Because they're leaving having sidebars outside of it, and then 254 00:14:01,720 --> 00:14:05,840 Speaker 2: coming back and leaving and coming back right, they're. 255 00:14:05,679 --> 00:14:08,400 Speaker 1: All just well, just canceled. We're all locked inside. That's 256 00:14:08,440 --> 00:14:09,079 Speaker 1: basically it. 257 00:14:09,559 --> 00:14:11,280 Speaker 2: It's like a reverse snow day. 258 00:14:16,200 --> 00:14:19,160 Speaker 3: Hey everyone, Amy Roboch here along with TJ Holmes, and 259 00:14:19,360 --> 00:14:22,400 Speaker 3: we have a very exciting announcement to make to all 260 00:14:22,480 --> 00:14:22,640 Speaker 3: of you. 261 00:14:22,960 --> 00:14:27,080 Speaker 4: We are expanding. We are now going to be coming 262 00:14:27,160 --> 00:14:31,280 Speaker 4: to you Monday through Friday for a new part of 263 00:14:31,400 --> 00:14:35,720 Speaker 4: our Amy and TJ franchise, if you will, the Morning Run. 264 00:14:35,800 --> 00:14:38,200 Speaker 4: We're going to help listeners navigate the busy news cycle 265 00:14:38,280 --> 00:14:41,520 Speaker 4: and the historic political season that the country is facing. 266 00:14:41,560 --> 00:14:43,480 Speaker 4: And we're going to do this now each and every day. 267 00:14:43,520 --> 00:14:45,880 Speaker 3: Wow, we have a news franchise now, like the way 268 00:14:45,920 --> 00:14:47,960 Speaker 3: you put that, We're going to be covering all the 269 00:14:48,080 --> 00:14:51,040 Speaker 3: latest news headlines for all of you. We'll have entertainment 270 00:14:51,160 --> 00:14:53,880 Speaker 3: updates and we'll even give some perspective on the current 271 00:14:53,920 --> 00:14:56,320 Speaker 3: events that are happening. Right now. And this, by the way, 272 00:14:56,880 --> 00:15:00,680 Speaker 3: is in addition to our already established by weekly podcast 273 00:15:00,760 --> 00:15:02,680 Speaker 3: that we hope you guys are tuning into as well, 274 00:15:03,200 --> 00:15:07,000 Speaker 3: with more in depth conversations and interviews. So we're gonna 275 00:15:07,040 --> 00:15:10,840 Speaker 3: be with you Monday through Friday with Morning Run. Listen 276 00:15:10,920 --> 00:15:14,320 Speaker 3: to Morning Run on the iHeartRadio app, Apple Podcasts, or 277 00:15:14,360 --> 00:15:16,080 Speaker 3: wherever you listen to podcasts. 278 00:15:19,720 --> 00:15:24,840 Speaker 2: Writer comes back and performs this song, which leads to 279 00:15:26,280 --> 00:15:32,240 Speaker 2: the storyline one of the craziest things I feel like 280 00:15:32,400 --> 00:15:36,640 Speaker 2: the show has ever done. I agree now, and not 281 00:15:36,720 --> 00:15:37,360 Speaker 2: in a good way. 282 00:15:37,840 --> 00:15:42,080 Speaker 1: No, I'm curious to hear how people fans think about 283 00:15:42,200 --> 00:15:47,200 Speaker 1: this storyline all in its entirety, because, like a writer's 284 00:15:47,240 --> 00:15:49,440 Speaker 1: a lot going on, Like are we're just gonna We're 285 00:15:49,480 --> 00:15:52,480 Speaker 1: just gonna throw this in there like it's something else, 286 00:15:52,720 --> 00:15:54,200 Speaker 1: do you know what I mean? Like, this is not 287 00:15:54,400 --> 00:15:57,920 Speaker 1: a storyline that should be taken lightly, that should pass 288 00:15:57,960 --> 00:16:03,040 Speaker 1: over in one episode. I do appreciate people coming forward 289 00:16:03,160 --> 00:16:07,440 Speaker 1: and living there, speaking their truths, like Kitty, you know, 290 00:16:07,560 --> 00:16:12,560 Speaker 1: and Rider having that very sweet moment of understanding together. 291 00:16:12,880 --> 00:16:17,120 Speaker 1: After this scene, I find that we're it's like everything 292 00:16:17,200 --> 00:16:19,240 Speaker 1: under the kitchen sink a little bit right now, with Rider, 293 00:16:20,640 --> 00:16:23,680 Speaker 1: and I'm just I'm feeling a little overwhelmed by his 294 00:16:24,680 --> 00:16:29,080 Speaker 1: like the dyslexia and the catfish and the sexual assaulids. 295 00:16:29,120 --> 00:16:31,920 Speaker 1: It just feels like, maybe we just pick one and 296 00:16:32,040 --> 00:16:34,600 Speaker 1: go with that one for a while. It's it's a lot, 297 00:16:35,000 --> 00:16:37,440 Speaker 1: it's a lot, and none of them should be taken lately, 298 00:16:37,520 --> 00:16:38,960 Speaker 1: so you know what I mean. I just feel like 299 00:16:40,240 --> 00:16:43,720 Speaker 1: we just we should have picked and chosen one. But 300 00:16:45,600 --> 00:16:49,640 Speaker 1: that's not the craziest part. The craziest part is and 301 00:16:49,760 --> 00:16:52,520 Speaker 1: I think I forgot about this, and I don't. I'm 302 00:16:52,600 --> 00:16:57,840 Speaker 1: curious to hear your experience on this because the response 303 00:16:58,080 --> 00:17:05,320 Speaker 1: that the guys have, specifically already and Sam have two 304 00:17:06,920 --> 00:17:18,600 Speaker 1: Rider's confession is so tragic and awful and tone deaf 305 00:17:18,840 --> 00:17:25,680 Speaker 1: and just so bad. I's do you remember this? Do 306 00:17:25,760 --> 00:17:29,000 Speaker 1: you remember having that experience and that response to it? 307 00:17:29,160 --> 00:17:31,119 Speaker 1: Did you and what did you do about it? Did 308 00:17:31,160 --> 00:17:34,560 Speaker 1: you do anything about it? Because I don't remember it 309 00:17:34,640 --> 00:17:37,600 Speaker 1: being that bad, but like washing it, I was like, 310 00:17:38,480 --> 00:17:39,960 Speaker 1: this is really bad. 311 00:17:41,000 --> 00:17:41,200 Speaker 5: Poor. 312 00:17:41,600 --> 00:17:47,359 Speaker 2: I remember it very clearly and felt then how I 313 00:17:47,480 --> 00:17:50,200 Speaker 2: feel now and how you feel now? Okay, And we 314 00:17:50,359 --> 00:17:52,960 Speaker 2: all talked about it. You know, you rehearse the scene 315 00:17:53,000 --> 00:17:55,480 Speaker 2: with Paris from part of the crew and you do it, 316 00:17:55,720 --> 00:17:58,439 Speaker 2: and I just remember we were all like, oh my god, 317 00:18:00,560 --> 00:18:03,199 Speaker 2: like Paris, this is like, I know, we just got 318 00:18:03,320 --> 00:18:07,320 Speaker 2: to get through it, because I get I guess for 319 00:18:07,480 --> 00:18:13,240 Speaker 2: story purposes to have like the contrariant or like to 320 00:18:13,320 --> 00:18:15,720 Speaker 2: have the person who says like this the crazy thing 321 00:18:15,800 --> 00:18:18,560 Speaker 2: in response, right, like it's drama for the television too, 322 00:18:19,200 --> 00:18:21,800 Speaker 2: because I'm sure people do respond like that in real life, 323 00:18:21,920 --> 00:18:27,679 Speaker 2: and so to have that voice, I just think there 324 00:18:27,720 --> 00:18:30,560 Speaker 2: were two of them, and then one of them is 325 00:18:30,640 --> 00:18:34,480 Speaker 2: the person who encouraged writer to speak up and be 326 00:18:34,600 --> 00:18:38,400 Speaker 2: vulnerable in the first place, right, And it felt really 327 00:18:38,480 --> 00:18:42,119 Speaker 2: out of character. I don't know. Arty has said some 328 00:18:42,880 --> 00:18:46,119 Speaker 2: suspect things in the past. Yes, we know this, so 329 00:18:46,520 --> 00:18:48,359 Speaker 2: maybe it's more in character for Artie to say that 330 00:18:48,480 --> 00:18:52,920 Speaker 2: than Sam. But it just felt like I felt bad 331 00:18:53,080 --> 00:18:53,440 Speaker 2: doing it. 332 00:18:54,080 --> 00:18:57,520 Speaker 1: M I understand why. I understand why. 333 00:18:57,960 --> 00:19:00,920 Speaker 2: And you're like looking at Blake doing the scene and 334 00:19:01,000 --> 00:19:03,399 Speaker 2: you have to say this, and after every take I 335 00:19:03,480 --> 00:19:05,960 Speaker 2: remember we were just like ugh, we were almost disgusted 336 00:19:06,119 --> 00:19:08,600 Speaker 2: by like what was happening, and we didn't shoot it 337 00:19:08,760 --> 00:19:09,320 Speaker 2: many times. 338 00:19:10,000 --> 00:19:12,480 Speaker 1: Okay, I think I remember this now, like sitting there 339 00:19:13,280 --> 00:19:14,760 Speaker 1: like it was pretty quick. 340 00:19:14,840 --> 00:19:17,639 Speaker 2: Yes, I remember like getting up and walking around in 341 00:19:17,720 --> 00:19:21,760 Speaker 2: between takes. It just felt like because you're doing so obviously, 342 00:19:21,840 --> 00:19:23,920 Speaker 2: this is only one scene. And when people play characters 343 00:19:23,920 --> 00:19:27,520 Speaker 2: who do really horrible things and they have to do 344 00:19:27,720 --> 00:19:30,440 Speaker 2: that for months on end or years on end, yeah, 345 00:19:30,920 --> 00:19:32,480 Speaker 2: you could see how it could take a toll where 346 00:19:32,520 --> 00:19:35,119 Speaker 2: like this was one scene and our characters say like 347 00:19:36,119 --> 00:19:40,560 Speaker 2: one or two horrible things, and it already like irked me, no, 348 00:19:40,920 --> 00:19:43,399 Speaker 2: because it's also weird to know that this is being 349 00:19:43,480 --> 00:19:46,680 Speaker 2: recorded and like filmed and it's going to go out 350 00:19:46,720 --> 00:19:48,840 Speaker 2: in front of millions of people I know. 351 00:19:49,080 --> 00:19:52,840 Speaker 1: And once again it's like you didn't write it, you're 352 00:19:52,880 --> 00:19:57,480 Speaker 1: not responsible for it. But there are times in which 353 00:19:57,600 --> 00:20:03,000 Speaker 1: characters will or sorry, actor, we'll speak up in advocacy 354 00:20:03,200 --> 00:20:05,760 Speaker 1: for their characters. Now, I don't know that this was 355 00:20:05,800 --> 00:20:08,240 Speaker 1: specifically the time to do this. I'm just saying like 356 00:20:08,440 --> 00:20:12,160 Speaker 1: sometimes people choose to do that. Yeah, No, I think 357 00:20:12,200 --> 00:20:15,119 Speaker 1: it was just like, yeah, this already this kid is 358 00:20:15,200 --> 00:20:18,240 Speaker 1: just being terrible yea. Yeah, he's saying a really stupid 359 00:20:18,359 --> 00:20:21,680 Speaker 1: immature thing. Yeah, for sure needs to get corrected. And 360 00:20:21,800 --> 00:20:25,960 Speaker 1: like Tina Yah speaks up and corrects the situation. But 361 00:20:26,080 --> 00:20:33,480 Speaker 1: it's like, I mean, yeah, I understand, yeah, you know. Yeah, 362 00:20:33,720 --> 00:20:35,360 Speaker 1: and so it's like, sure, I'm going to do the part. 363 00:20:35,480 --> 00:20:37,400 Speaker 1: I'm not going to sit there and be like any 364 00:20:37,480 --> 00:20:40,120 Speaker 1: want to do this? No, no, of course, but it's 365 00:20:40,520 --> 00:20:44,960 Speaker 1: I agree with you. It's tough to sometimes stomach those moments. 366 00:20:45,760 --> 00:20:48,280 Speaker 2: Yeah I felt dirty, Yeah, yeah, I get it. 367 00:20:49,400 --> 00:20:52,560 Speaker 1: So yeah, the boys have a very specific response, but 368 00:20:52,800 --> 00:20:57,640 Speaker 1: Rider does come out and admit that he was assaulted 369 00:20:57,680 --> 00:21:00,920 Speaker 1: by his babysitter, his female babysitter, and then he and 370 00:21:01,040 --> 00:21:03,440 Speaker 1: Kitty have a very nice scenehere. Kitty admits that she 371 00:21:03,640 --> 00:21:08,360 Speaker 1: was also assaulted at a sleepover, which they kind of bond, 372 00:21:08,359 --> 00:21:09,200 Speaker 1: which was really nice. 373 00:21:09,560 --> 00:21:15,560 Speaker 2: And these stories felt really realistic and grounded totally. 374 00:21:16,359 --> 00:21:18,080 Speaker 1: Yes, I've heard similar stories. 375 00:21:18,560 --> 00:21:21,600 Speaker 2: And I thought Becca's. I thought both their performances were great, 376 00:21:21,720 --> 00:21:26,480 Speaker 2: very good. Yes, And I thought Becca, like Bereca brought 377 00:21:26,560 --> 00:21:30,840 Speaker 2: to her story as Kitty, was also like really special. Yeah, 378 00:21:31,080 --> 00:21:34,520 Speaker 2: because it was still like through the lens of I'm outspoken, 379 00:21:34,800 --> 00:21:38,760 Speaker 2: I speak directly and bluntly, but like here's the deal. Yeah, 380 00:21:39,480 --> 00:21:41,560 Speaker 2: on like an artistic level, it's nice to see, like, 381 00:21:41,840 --> 00:21:46,800 Speaker 2: you know, your friends have like these really exceptional moments 382 00:21:47,040 --> 00:21:52,200 Speaker 2: and showing their abilities and skills, but she's still giving 383 00:21:52,200 --> 00:21:56,080 Speaker 2: them shit for like why aren't we dating? Like why 384 00:21:56,119 --> 00:21:58,159 Speaker 2: are you wasting your time with this person who is 385 00:21:58,240 --> 00:22:00,480 Speaker 2: not showing up? Because you're projecting all the things you 386 00:22:00,640 --> 00:22:04,040 Speaker 2: want it to be, you know, And she's like, I'm 387 00:22:04,119 --> 00:22:04,439 Speaker 2: right here. 388 00:22:06,400 --> 00:22:11,639 Speaker 1: Interesting. Interesting. Another note that the I thought it was 389 00:22:11,680 --> 00:22:17,480 Speaker 1: an interesting choice to come to use those flashbacks and 390 00:22:17,560 --> 00:22:22,240 Speaker 1: everybody hurts, Yes, I forgot about those completely. 391 00:22:22,680 --> 00:22:23,120 Speaker 2: I did too. 392 00:22:23,280 --> 00:22:25,840 Speaker 1: Yeah, I'm not sure it resonated with me the way 393 00:22:25,840 --> 00:22:30,520 Speaker 1: I think they had hoped it would. Like sexual sexual 394 00:22:30,520 --> 00:22:34,960 Speaker 1: assault is such a different level, and obviously the bullying 395 00:22:35,080 --> 00:22:38,639 Speaker 1: and the slushing and people really feeling very vulnerable in 396 00:22:38,760 --> 00:22:45,200 Speaker 1: school or attacked in some way. But I was like, me, 397 00:22:45,880 --> 00:22:49,240 Speaker 1: could have done without it. Yeah, it kind of feels 398 00:22:49,320 --> 00:22:53,600 Speaker 1: like a uh, let's fill this equivalent, let's fill this Yeah, yeah, 399 00:22:53,800 --> 00:22:54,600 Speaker 1: let's fill this time. 400 00:22:55,280 --> 00:22:55,520 Speaker 2: Yeah. 401 00:22:55,760 --> 00:22:59,520 Speaker 1: I don't know anyway, Just being honest, some of these 402 00:22:59,560 --> 00:23:03,119 Speaker 1: moments in this episode, we're like, Okay, you do the 403 00:23:03,200 --> 00:23:05,320 Speaker 1: best you can with what you have, you know, right, 404 00:23:06,080 --> 00:23:07,280 Speaker 1: tell me about Sue Kevin. 405 00:23:08,720 --> 00:23:16,760 Speaker 2: Sue is journaling again, God, yeah, and she's teaching her 406 00:23:16,840 --> 00:23:22,560 Speaker 2: own workout fitness class, Sue ninety X and Blaine shows 407 00:23:22,640 --> 00:23:27,200 Speaker 2: up and they have a really funny interaction. I love 408 00:23:27,440 --> 00:23:32,440 Speaker 2: them together. They have great chemistry, and he admits that 409 00:23:32,480 --> 00:23:36,399 Speaker 2: he was going to he was setting up for her 410 00:23:36,480 --> 00:23:40,720 Speaker 2: demise from the inside, which she appreciated, which again I love. 411 00:23:40,840 --> 00:23:43,160 Speaker 2: I love what an evil character respects when other people 412 00:23:43,240 --> 00:23:46,840 Speaker 2: are plotting and doing evil things, even if it's against them. Yes, 413 00:23:47,400 --> 00:23:50,439 Speaker 2: like good game is good game? Yeah, like whatever's right? 414 00:23:51,640 --> 00:23:56,960 Speaker 2: And she shows up like you know, saying that come back, 415 00:23:57,040 --> 00:24:00,600 Speaker 2: we need your roses being weird with Becky. Becky hasn't 416 00:24:00,600 --> 00:24:04,320 Speaker 2: been the same without you. Then Sue on the bleachers, 417 00:24:04,480 --> 00:24:08,520 Speaker 2: Becky walking up in the exact same outfit is so good, 418 00:24:10,560 --> 00:24:15,560 Speaker 2: and Becky confirming that Roz is being insane, and we 419 00:24:15,640 --> 00:24:19,280 Speaker 2: get a couple of some of the most unhinged ros 420 00:24:19,760 --> 00:24:23,960 Speaker 2: lines this episode, like just when you think she's on one, 421 00:24:25,119 --> 00:24:28,639 Speaker 2: just wait, And I also love that they cut to 422 00:24:29,800 --> 00:24:32,879 Speaker 2: they like whip pan, which is the whole thing is 423 00:24:32,920 --> 00:24:35,879 Speaker 2: called like the whip right, yep, And they whipped to 424 00:24:35,960 --> 00:24:38,280 Speaker 2: another scene like since the pilot that was a staple 425 00:24:38,359 --> 00:24:43,960 Speaker 2: of how Glee is filmed. You whip and you whip 426 00:24:44,000 --> 00:24:46,520 Speaker 2: to the scene of Roz and Becky's face, and then 427 00:24:46,560 --> 00:24:50,520 Speaker 2: I love They whip back and Sue is referencing the 428 00:24:50,600 --> 00:24:53,960 Speaker 2: scene that she did not see take place. Obviously, Becky 429 00:24:54,040 --> 00:24:55,840 Speaker 2: has told her what's happened, but I just I love 430 00:24:55,880 --> 00:24:59,200 Speaker 2: when that happens. And then Sue goes into which I 431 00:24:59,280 --> 00:25:02,879 Speaker 2: think is one of the most hilarious settings and premises 432 00:25:03,119 --> 00:25:08,440 Speaker 2: for a number. Ugly goes into Little Girls while the 433 00:25:08,800 --> 00:25:10,879 Speaker 2: like in the bleachers while the cheers are dancing to 434 00:25:10,960 --> 00:25:12,440 Speaker 2: something with a very different beat. 435 00:25:13,960 --> 00:25:14,080 Speaker 5: Oh. 436 00:25:14,119 --> 00:25:17,800 Speaker 1: The thing that we also did forget to mention is 437 00:25:18,560 --> 00:25:22,760 Speaker 1: we will rock you. First, I had forgotten what we did. 438 00:25:22,840 --> 00:25:25,399 Speaker 1: And when we shot this, I was like, listen, I 439 00:25:25,480 --> 00:25:27,240 Speaker 1: was watching it, and I was like, was I there? 440 00:25:28,760 --> 00:25:32,320 Speaker 1: And then I very vividly remembered. 441 00:25:32,040 --> 00:25:34,919 Speaker 2: Shooting it because I think we shot this very quickly. 442 00:25:35,400 --> 00:25:35,720 Speaker 2: We did. 443 00:25:36,800 --> 00:25:39,520 Speaker 1: But you remember the tap number in the middle that 444 00:25:39,640 --> 00:25:43,320 Speaker 1: they did. Oh yeah, so there's this like floor if 445 00:25:43,359 --> 00:25:47,280 Speaker 1: you go back and look, that's like tin boiler or something. Yes, 446 00:25:47,400 --> 00:25:52,920 Speaker 1: and Jacob and Melissa and maybe Heather, we're all given 447 00:25:53,040 --> 00:25:55,680 Speaker 1: like a moment. Maybe it was just in rehearsal and 448 00:25:55,760 --> 00:25:58,479 Speaker 1: that's why, or we shot it that they were tapping 449 00:25:58,560 --> 00:26:01,440 Speaker 1: on it like we were using obviously all the things 450 00:26:01,480 --> 00:26:03,640 Speaker 1: on the stage to make the sounds of the song. 451 00:26:04,400 --> 00:26:09,240 Speaker 1: It felt very isolated in the moment it so flashed. 452 00:26:08,840 --> 00:26:11,720 Speaker 2: Over in the Yes, I think it was in the 453 00:26:12,280 --> 00:26:14,960 Speaker 2: product like a thing specifically built for and shot like 454 00:26:15,080 --> 00:26:18,680 Speaker 2: specifically like isolated. It felt like a much bigger thing. Yes, okay, 455 00:26:18,880 --> 00:26:22,960 Speaker 2: but we shot all of that so quickly because I 456 00:26:23,080 --> 00:26:24,520 Speaker 2: also think it was like there's only so much you 457 00:26:24,560 --> 00:26:27,800 Speaker 2: could do. The lighting is how the lighting is. Yeah, 458 00:26:28,400 --> 00:26:30,840 Speaker 2: And also Paris had done so many episodes at this 459 00:26:30,920 --> 00:26:35,439 Speaker 2: point he knew what to do and also a master 460 00:26:35,720 --> 00:26:39,520 Speaker 2: of shooting within the group on the auditorium stage, like 461 00:26:39,680 --> 00:26:43,760 Speaker 2: he basically invented how to do that on Glee correct, 462 00:26:43,880 --> 00:26:46,320 Speaker 2: you know, like the free form sort of rock out, 463 00:26:46,520 --> 00:26:48,800 Speaker 2: even though this was a little less free form. But 464 00:26:49,640 --> 00:26:50,920 Speaker 2: it was also very exciting to get to do a 465 00:26:50,960 --> 00:26:51,400 Speaker 2: queen again. 466 00:26:52,240 --> 00:26:53,120 Speaker 1: I mean always. 467 00:26:54,600 --> 00:26:58,240 Speaker 2: I just remember though, like overall, because we were in 468 00:26:58,359 --> 00:27:01,080 Speaker 2: the dark so much, I was falling sleep all the time. 469 00:27:02,440 --> 00:27:03,240 Speaker 1: I feel the same. 470 00:27:03,600 --> 00:27:05,800 Speaker 2: I was like sleeping through this whole episode, yes, like 471 00:27:06,000 --> 00:27:08,480 Speaker 2: during the choir of numbers and you're just watching like 472 00:27:08,680 --> 00:27:11,280 Speaker 2: it is candlelight. I can't stay awake. 473 00:27:11,920 --> 00:27:15,080 Speaker 1: So when I mentioned that there was everybody hurts and 474 00:27:15,240 --> 00:27:19,639 Speaker 1: they were flashbacks. I actually just found a picture. It 475 00:27:19,840 --> 00:27:23,479 Speaker 1: wasn't a flashback. I got slushy it again. Oh right, 476 00:27:23,720 --> 00:27:26,760 Speaker 1: they were like fake flashbacks. They were fake flashbacks in 477 00:27:26,880 --> 00:27:32,760 Speaker 1: which I then had to recreate those flashbacks and get 478 00:27:32,880 --> 00:27:35,560 Speaker 1: slushy in the showers. And this was a bad one 479 00:27:35,920 --> 00:27:39,639 Speaker 1: because I was kind of naked already. I have the 480 00:27:39,720 --> 00:27:42,320 Speaker 1: video of it too. Actually, I feel like I remember 481 00:27:42,359 --> 00:27:45,359 Speaker 1: when they shot it. I feel like, did we It 482 00:27:45,440 --> 00:27:47,800 Speaker 1: was like, come on, you, Glani's were we setting up 483 00:27:47,880 --> 00:27:50,879 Speaker 1: something in another place? And you guys did very fast. 484 00:27:51,600 --> 00:27:53,520 Speaker 1: That's right. This whole episode was. 485 00:27:53,600 --> 00:27:56,760 Speaker 2: Like God because we were towards the end of the 486 00:27:56,800 --> 00:27:58,520 Speaker 2: season where we're behind, we had to finish by a 487 00:27:58,560 --> 00:28:00,200 Speaker 2: certain date, and it's like Paris can do this. 488 00:28:00,440 --> 00:28:02,600 Speaker 1: Yeah, yeah, yeah, if there's anybody who's gonna do his Paris. 489 00:28:02,640 --> 00:28:06,080 Speaker 1: But still it felt like entirely too rushed the whole 490 00:28:06,160 --> 00:28:12,160 Speaker 1: thing very fast, the blob and then Becky eventually comes 491 00:28:12,200 --> 00:28:13,960 Speaker 1: clean to figure it's about what happened during the shooting. 492 00:28:14,320 --> 00:28:17,040 Speaker 2: Yeah, we haven't discovered what the fallout will be from 493 00:28:17,080 --> 00:28:17,880 Speaker 2: that exactly. 494 00:28:22,760 --> 00:28:26,320 Speaker 6: Jenny Garth, Jana Kramer, Amy Roeboch and TJ. Holmes bring 495 00:28:26,400 --> 00:28:29,080 Speaker 6: you I Do Part two, a one of a kind 496 00:28:29,280 --> 00:28:32,439 Speaker 6: experiment in podcasting to help you find love again. If 497 00:28:32,440 --> 00:28:34,120 Speaker 6: you didn't get it right the first time, it's time 498 00:28:34,200 --> 00:28:36,280 Speaker 6: to try try again, as they guide you through this 499 00:28:36,440 --> 00:28:38,120 Speaker 6: podcast experiment in dating. 500 00:28:38,320 --> 00:28:41,800 Speaker 5: Hey, I'm Jana Kramer. As they say, those that cannot 501 00:28:41,920 --> 00:28:45,160 Speaker 5: do teach. Actually, I think I finally got it right. 502 00:28:45,280 --> 00:28:48,320 Speaker 5: So take the failures I've had the second or even 503 00:28:48,360 --> 00:28:50,440 Speaker 5: third whatever, maybe the fourth time around. 504 00:28:50,720 --> 00:28:54,400 Speaker 7: I'm Jenny Garth. Twenty nine years ago, Kelly Taylor said 505 00:28:54,480 --> 00:28:57,720 Speaker 7: these words, I choose me. She made her choice. She 506 00:28:57,960 --> 00:29:02,040 Speaker 7: chose herself when it comes to life, choose you first. 507 00:29:02,480 --> 00:29:04,680 Speaker 1: Hi, everyone, I'm Amy Robots and I'm TJ. 508 00:29:04,800 --> 00:29:08,920 Speaker 4: Holmes, and we are well not necessarily relationship experts, if 509 00:29:08,960 --> 00:29:11,480 Speaker 4: you're ready to dive back into the dating pool and 510 00:29:11,640 --> 00:29:13,280 Speaker 4: find lasting love. 511 00:29:13,680 --> 00:29:15,040 Speaker 2: Finally, we want to help. 512 00:29:15,160 --> 00:29:18,040 Speaker 5: Listen to I Do Part two starting September nineteenth on 513 00:29:18,120 --> 00:29:22,000 Speaker 5: the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. 514 00:29:25,800 --> 00:29:32,440 Speaker 2: And then we have New York Happening, which I love, 515 00:29:32,560 --> 00:29:34,640 Speaker 2: you know, I love when the friends are poning and 516 00:29:34,680 --> 00:29:36,040 Speaker 2: the other friend to be like, look, you need to 517 00:29:36,040 --> 00:29:39,200 Speaker 2: get your life together. Santana, We're worried about you. I also, 518 00:29:39,400 --> 00:29:42,520 Speaker 2: you know, the episode started with Ian doing the voiceover 519 00:29:43,600 --> 00:29:46,520 Speaker 2: of saying Santana moved into the loft. She has no 520 00:29:46,640 --> 00:29:52,440 Speaker 2: bedroom and no job, no direction. So it starts off, 521 00:29:52,560 --> 00:29:55,480 Speaker 2: you know, with that setup of what is Santana doing 522 00:29:55,520 --> 00:29:59,560 Speaker 2: because obviously she's so talented and and it sort of 523 00:29:59,600 --> 00:30:01,760 Speaker 2: feels like of talking to themselves, like what are we 524 00:30:01,840 --> 00:30:03,200 Speaker 2: doing with the character Santana? 525 00:30:03,600 --> 00:30:05,720 Speaker 1: Yeah, yeah, yeah, we got her in New York. 526 00:30:05,760 --> 00:30:07,920 Speaker 2: What can we do with her? And s JP is 527 00:30:08,000 --> 00:30:11,920 Speaker 2: back and has this really great scene with Chris, and 528 00:30:12,680 --> 00:30:17,440 Speaker 2: she's still like the best boss, so supportive, Like you know, 529 00:30:17,520 --> 00:30:19,520 Speaker 2: he's saying, I'm in Niata. I thought you guysod fired me. 530 00:30:19,600 --> 00:30:21,600 Speaker 2: And she's like, no, no, it's fine, but I do 531 00:30:21,840 --> 00:30:24,920 Speaker 2: need you to be the celebrity wrangler for the biggest 532 00:30:24,960 --> 00:30:26,120 Speaker 2: social event of the year. 533 00:30:26,400 --> 00:30:33,360 Speaker 1: That's the ballet. Meanwhile, you had mentioned that Santana they 534 00:30:33,440 --> 00:30:34,840 Speaker 1: is like trying to figure out what she's going to 535 00:30:34,920 --> 00:30:36,400 Speaker 1: do with her life, and she's like, I know where 536 00:30:36,400 --> 00:30:37,720 Speaker 1: I'm going to do with my life. I just to 537 00:30:37,800 --> 00:30:41,680 Speaker 1: figure it out, right. So Kurt is very excited to 538 00:30:41,960 --> 00:30:46,520 Speaker 1: enlist his friends obviously to work at the New York 539 00:30:46,560 --> 00:30:52,800 Speaker 1: City Ballet gala and they're going to be wrangling celebrities. 540 00:30:53,840 --> 00:30:59,240 Speaker 1: Rachel's going to help. Santana's not that interested, but she 541 00:30:59,400 --> 00:31:05,360 Speaker 1: comes along and admits that she's been neglecting her love advance, 542 00:31:06,080 --> 00:31:08,360 Speaker 1: which is kind of funny because we've never known Sinton 543 00:31:08,440 --> 00:31:11,320 Speaker 1: to be a dancer, But I buy it for this episode. 544 00:31:11,480 --> 00:31:14,280 Speaker 2: I thought it was so funny. It was like, this 545 00:31:14,400 --> 00:31:18,720 Speaker 2: is wild, like a Santana being a ballerina shirt great. 546 00:31:21,640 --> 00:31:21,720 Speaker 6: And. 547 00:31:23,600 --> 00:31:28,280 Speaker 1: Obviously that leads us into the most gorgeous shot number 548 00:31:28,320 --> 00:31:28,960 Speaker 1: of the episode. 549 00:31:29,400 --> 00:31:32,360 Speaker 2: Yeah, all of this just to get to at the ballet. 550 00:31:33,600 --> 00:31:37,760 Speaker 1: They sound wonderful. They're storytelling at its finest. They look 551 00:31:39,400 --> 00:31:42,360 Speaker 1: a plus plus. They look great, and we get the 552 00:31:42,520 --> 00:31:46,360 Speaker 1: light number. Oh my gosh, that's right. We do get 553 00:31:46,400 --> 00:31:50,280 Speaker 1: the full number. You have to and you give Sjp 554 00:31:50,440 --> 00:31:51,040 Speaker 1: what she wants. 555 00:31:51,200 --> 00:31:51,360 Speaker 3: You know. 556 00:31:52,640 --> 00:31:55,200 Speaker 2: The light choreo was so beautiful. 557 00:31:55,920 --> 00:31:56,520 Speaker 1: It's perfect. 558 00:31:57,120 --> 00:32:00,440 Speaker 2: It's so so good. I mean, they all sound so good. 559 00:32:00,480 --> 00:32:04,160 Speaker 2: Those harmonies at the end when Leah and Naya are 560 00:32:04,320 --> 00:32:08,080 Speaker 2: just like belting high, one higher than the other, and 561 00:32:08,280 --> 00:32:10,920 Speaker 2: it's isn't this song normally? Is it normally spend a 562 00:32:11,000 --> 00:32:11,520 Speaker 2: three parts? 563 00:32:12,360 --> 00:32:16,480 Speaker 1: It's three. Yeah, yes, it worked perfectly and hearing s 564 00:32:16,560 --> 00:32:20,960 Speaker 1: JP singoar was great. I love this number. I don't 565 00:32:21,000 --> 00:32:24,200 Speaker 1: think I appreciated this number as much when it first 566 00:32:24,680 --> 00:32:28,240 Speaker 1: was saved, but I'm appreciating it a lot. 567 00:32:28,600 --> 00:32:32,160 Speaker 2: It's one of those moments I don't know, I'm reminded of, 568 00:32:32,280 --> 00:32:35,720 Speaker 2: like it's crazy that we could do this on TV. 569 00:32:36,120 --> 00:32:40,360 Speaker 2: Yeah with sarg Yeah, Like it's so special and rare, 570 00:32:41,400 --> 00:32:43,600 Speaker 2: and it's done in such a high level, right, you 571 00:32:43,720 --> 00:32:47,040 Speaker 2: have like four of the most talented people plus some 572 00:32:47,160 --> 00:32:50,600 Speaker 2: of the most talented crew and the world making this 573 00:32:50,720 --> 00:32:53,600 Speaker 2: beautiful thing happen, and it's so nice. It's also like 574 00:32:53,760 --> 00:32:59,320 Speaker 2: unabashedly musical theater, nerdy and queer and all of these 575 00:32:59,360 --> 00:33:03,120 Speaker 2: things on primetime Fox TV again, you know, week after week, 576 00:33:03,320 --> 00:33:06,040 Speaker 2: and like when is at the Ballet going to be 577 00:33:06,160 --> 00:33:08,040 Speaker 2: on Fox or network television at all? 578 00:33:08,360 --> 00:33:08,600 Speaker 3: I know? 579 00:33:09,320 --> 00:33:11,920 Speaker 1: And people are going to be exposed to that kind 580 00:33:11,960 --> 00:33:13,479 Speaker 1: of the music in the art. 581 00:33:15,320 --> 00:33:17,520 Speaker 2: Yeah, It's like even if people don't know what show 582 00:33:17,560 --> 00:33:19,280 Speaker 2: it's from, whether that's from a show or that it's 583 00:33:19,320 --> 00:33:23,160 Speaker 2: a very famous musical theater song, it's still just a 584 00:33:23,280 --> 00:33:26,960 Speaker 2: wonderful performance and they're getting exposed to this song. 585 00:33:27,080 --> 00:33:33,720 Speaker 1: And exactly, yeah, that is kind of the episode we 586 00:33:33,920 --> 00:33:36,960 Speaker 1: do do the Longest Time at the end, which I 587 00:33:37,120 --> 00:33:39,080 Speaker 1: was like, oh, a Billy Joel song and not a 588 00:33:39,120 --> 00:33:44,360 Speaker 1: Billy Joel themed episode, but you know me and my 589 00:33:44,440 --> 00:33:45,800 Speaker 1: billy I'll take it. 590 00:33:45,960 --> 00:33:49,880 Speaker 2: I loved Longest Time, did you? I loved doing Longest Time. 591 00:33:49,960 --> 00:33:51,200 Speaker 2: It was like one of my favorites. 592 00:33:51,640 --> 00:33:51,920 Speaker 1: Really. 593 00:33:52,440 --> 00:33:54,600 Speaker 2: I don't know why I love singing it. I loved 594 00:33:54,680 --> 00:33:59,000 Speaker 2: performing it, Oh, because if we were all out of 595 00:33:59,040 --> 00:34:01,480 Speaker 2: our mind. I think when you spend like a week 596 00:34:01,520 --> 00:34:03,880 Speaker 2: in the dark and then we're all in the light 597 00:34:04,000 --> 00:34:06,560 Speaker 2: and performing the song and it's all capella and we're 598 00:34:07,120 --> 00:34:10,560 Speaker 2: acting crazy. Everyone's normally when you're doing backgrounds, you're singing 599 00:34:10,680 --> 00:34:14,239 Speaker 2: like words, mouthing words. We were doing all these different 600 00:34:14,280 --> 00:34:17,080 Speaker 2: harmonies and oohs and ohs at different moments. It was challenging, 601 00:34:17,120 --> 00:34:19,520 Speaker 2: so we all had to actually really learn it this time. 602 00:34:20,320 --> 00:34:25,279 Speaker 2: And Melissa, I just remember her if you watch her 603 00:34:25,320 --> 00:34:27,000 Speaker 2: at the very end when she's doing her ad libs 604 00:34:27,080 --> 00:34:29,680 Speaker 2: and she has her arms out, she's doing the damn 605 00:34:30,080 --> 00:34:32,200 Speaker 2: she's doing the full mump dance because she thought she 606 00:34:32,360 --> 00:34:35,480 Speaker 2: sounded so insane. She's like, She's like, I just come 607 00:34:35,480 --> 00:34:38,719 Speaker 2: out of nowhere and I'm like time, and so she 608 00:34:39,840 --> 00:34:43,040 Speaker 2: took it seriously and it's just and it made me 609 00:34:43,120 --> 00:34:45,480 Speaker 2: giggle so much, and I was like, Kevin, get it together, 610 00:34:45,560 --> 00:34:49,520 Speaker 2: because me on screen was just looking at her and laughing, 611 00:34:49,840 --> 00:34:53,880 Speaker 2: Oh my gosh, because she I like that joy was 612 00:34:54,360 --> 00:34:57,120 Speaker 2: was what we were all contagious and we loved it. Yeah. 613 00:34:57,520 --> 00:34:59,840 Speaker 2: I had a really good time shooting this episode. 614 00:35:00,160 --> 00:35:02,040 Speaker 1: It's so funny. I did too. 615 00:35:04,000 --> 00:35:05,760 Speaker 2: It's nice to break it up with something different. 616 00:35:06,120 --> 00:35:08,880 Speaker 1: Yeah, yeah, for sure. It just it does feel very 617 00:35:08,960 --> 00:35:12,520 Speaker 1: rush in my memory, like, yeah, everything very very quick. 618 00:35:13,239 --> 00:35:19,680 Speaker 1: Let's rate some numbers. Great, so you've lost that love 619 00:35:19,760 --> 00:35:25,640 Speaker 1: and feeling A yeah, I mean it's great. It's solid 620 00:35:25,760 --> 00:35:32,120 Speaker 1: A A everybody hurts an yeah, I great, A minus 621 00:35:33,440 --> 00:35:37,800 Speaker 1: we will rock you B plus B plus yep, I agree, 622 00:35:38,320 --> 00:35:45,440 Speaker 1: Little Girls, Our Fairy ex close at the Ballet A 623 00:35:45,600 --> 00:35:46,200 Speaker 1: plus plus. 624 00:35:46,640 --> 00:35:48,920 Speaker 2: Yeah, all the all the pluses. 625 00:35:48,880 --> 00:35:50,399 Speaker 1: Longest time. What are you going to give it, Kevin? 626 00:35:52,080 --> 00:35:55,279 Speaker 2: Uh, just for my personal joy, I'd give it an 627 00:35:55,280 --> 00:35:58,880 Speaker 2: A plus, give it an A. I'll give it an A. 628 00:35:59,080 --> 00:36:01,040 Speaker 2: At the ballet is like a plaus ps psst plus. 629 00:36:02,600 --> 00:36:05,799 Speaker 1: Make sure so long as time is Yeah, I guess 630 00:36:05,840 --> 00:36:08,880 Speaker 1: I listened to it, I like it and crating it's 631 00:36:08,920 --> 00:36:11,080 Speaker 1: not one of my favorite Billies songs. Is maybe why 632 00:36:11,360 --> 00:36:15,320 Speaker 1: I don't like I'm not as attached to it. But okay, 633 00:36:16,680 --> 00:36:19,760 Speaker 1: that's fair. That's an average day, I think, hey minus 634 00:36:19,840 --> 00:36:24,040 Speaker 1: maybe Yeah, Okay, let's do some tarty takes. You know, 635 00:36:24,120 --> 00:36:26,840 Speaker 1: I think we're getting ready for the finale, and so 636 00:36:27,080 --> 00:36:28,959 Speaker 1: this is kind of like it was fun to switch 637 00:36:29,000 --> 00:36:31,960 Speaker 1: it up. There's some stuff that happens, but like really 638 00:36:32,320 --> 00:36:37,840 Speaker 1: just waiting in the water for full last next two episodes. Okay, 639 00:36:37,920 --> 00:36:42,240 Speaker 1: some tarty takes. Let's do cringe moments. I mean, obviously, 640 00:36:42,320 --> 00:36:46,400 Speaker 1: Sam and Artie's reaction to writers confession is yesinge. 641 00:36:46,320 --> 00:36:51,640 Speaker 2: That and paired with Roz continually calling Becky Sue's adult 642 00:36:51,680 --> 00:37:02,360 Speaker 2: baby fair best dance move. Oh there was some nice dancing. 643 00:37:02,560 --> 00:37:05,399 Speaker 2: The tap that we both forgot happened. 644 00:37:05,600 --> 00:37:09,360 Speaker 1: Right, Jake, I'm doing tab the Sioux Dancer size of 645 00:37:10,440 --> 00:37:11,680 Speaker 1: class with Darren. 646 00:37:12,400 --> 00:37:14,960 Speaker 2: And longest time was cute. Like the partner stuff was 647 00:37:15,000 --> 00:37:15,560 Speaker 2: really cute. 648 00:37:16,280 --> 00:37:16,560 Speaker 5: I guess. 649 00:37:16,600 --> 00:37:18,879 Speaker 1: So let's just say I'd like to say the tap 650 00:37:19,160 --> 00:37:22,120 Speaker 1: because it never happens. That's true. We love a tap moment. 651 00:37:23,280 --> 00:37:27,080 Speaker 1: Best song at the Ballet at the ballet, the ballet. 652 00:37:27,840 --> 00:37:32,400 Speaker 1: Best performance by a prop. I think you're your head helmet, the. 653 00:37:32,440 --> 00:37:36,319 Speaker 2: Helmet and the headlamp. Yeah, and all of we will 654 00:37:36,400 --> 00:37:41,280 Speaker 2: rock you, all of those instruments, like the garbage cans. 655 00:37:41,920 --> 00:37:44,360 Speaker 2: I was literally like, what to do. 656 00:37:44,520 --> 00:37:48,040 Speaker 1: I'm just gonna swipe this pole against all the things 657 00:37:48,120 --> 00:37:49,160 Speaker 1: on the But. 658 00:37:49,440 --> 00:37:51,800 Speaker 2: I think a lot of this episode, honestly, was that 659 00:37:52,040 --> 00:37:55,520 Speaker 2: because we were in shadows and the dark, you can 660 00:37:55,680 --> 00:37:58,080 Speaker 2: sort of do it. Also, like I got to be 661 00:37:58,200 --> 00:38:00,480 Speaker 2: on my phone for all of chords and I'm which 662 00:38:00,480 --> 00:38:03,720 Speaker 2: I was like, this is I'm like, I'm just chilling. 663 00:38:03,840 --> 00:38:04,680 Speaker 2: I don't do anything. 664 00:38:07,280 --> 00:38:13,680 Speaker 1: Best line Okay, well the callback to run Joey Run. 665 00:38:14,960 --> 00:38:18,600 Speaker 1: There we could do best worst line Santana. All Right, 666 00:38:18,680 --> 00:38:20,520 Speaker 1: you know what, Rachel, if you're still obsessing over what 667 00:38:20,560 --> 00:38:22,880 Speaker 1: you're gonna sing at your funny girl callback, maybe may 668 00:38:23,000 --> 00:38:27,560 Speaker 1: I suggest your best gam ever run Joey Run. I 669 00:38:27,680 --> 00:38:28,720 Speaker 1: do love that line. 670 00:38:29,160 --> 00:38:31,160 Speaker 2: I loved and the lights first go out, Sam goes 671 00:38:31,239 --> 00:38:35,279 Speaker 2: Zombie Apocalypse and Unique goes or Beyonce's halftime. Yeah, I 672 00:38:35,440 --> 00:38:35,799 Speaker 2: love that. 673 00:38:37,560 --> 00:38:38,400 Speaker 1: Performance. MVP. 674 00:38:45,680 --> 00:38:45,919 Speaker 2: Wow. 675 00:38:48,040 --> 00:38:50,400 Speaker 1: There were a lot of good performances in this episode. 676 00:38:50,440 --> 00:38:51,560 Speaker 1: To be honest, there were. 677 00:38:52,920 --> 00:38:57,920 Speaker 2: I probably Blake. Blake had a lot to do, he did, 678 00:38:58,080 --> 00:39:01,240 Speaker 2: he heard a lot, and Becca had some nice moments 679 00:39:01,280 --> 00:39:04,279 Speaker 2: and I had some nice moments, Yeah for sure. But 680 00:39:04,640 --> 00:39:08,480 Speaker 2: you know, thank you Paris for another great experience. 681 00:39:08,840 --> 00:39:10,720 Speaker 1: Always always just a joy. 682 00:39:11,000 --> 00:39:13,960 Speaker 2: And you know when you have to do those like sensitive, 683 00:39:14,920 --> 00:39:19,400 Speaker 2: uncomfortable things, Paris sets you at ease, and it's just like, 684 00:39:19,600 --> 00:39:21,920 Speaker 2: let's see it, let's just try it. This is a 685 00:39:21,960 --> 00:39:26,000 Speaker 2: safe space, go for it. And like you know, like 686 00:39:26,160 --> 00:39:28,640 Speaker 2: we were all there to make the thing that was 687 00:39:28,640 --> 00:39:32,680 Speaker 2: written on the page come to life, and so like 688 00:39:32,800 --> 00:39:33,279 Speaker 2: that's our. 689 00:39:33,200 --> 00:39:36,520 Speaker 1: Task, and that's preach. That's what Paris says. 690 00:39:37,719 --> 00:39:39,960 Speaker 2: So shit we found On TikTok we have two videos 691 00:39:40,080 --> 00:39:46,280 Speaker 2: Jenna speaking of Billy Joel. Darren recently yeah hosted Elsie Fest, 692 00:39:47,960 --> 00:39:53,560 Speaker 2: his wonderful like musical theater concert he does. And lo 693 00:39:53,840 --> 00:39:58,640 Speaker 2: and behold look who came out to performy blam. 694 00:40:00,160 --> 00:40:03,319 Speaker 1: And they did a Billy Joel song. Yes they sure did. 695 00:40:03,800 --> 00:40:07,919 Speaker 1: Oh my god, Rody Addict on TikTok post of this. Wow, 696 00:40:08,040 --> 00:40:11,319 Speaker 1: look at that backdrop of the Sunset chords out there. Beautiful? 697 00:40:11,440 --> 00:40:14,320 Speaker 1: What a location for this Selsi fast get it Darren, 698 00:40:14,719 --> 00:40:17,680 Speaker 1: I know wonderful. It's not the same venue as I 699 00:40:17,800 --> 00:40:18,520 Speaker 1: did with him. 700 00:40:19,000 --> 00:40:23,000 Speaker 2: And there's another video of the Warblers post Max Adler. 701 00:40:23,160 --> 00:40:25,920 Speaker 2: Oh my gosh, Max is there performing together. 702 00:40:26,560 --> 00:40:29,839 Speaker 1: Oh we love our reunion. Elsie Fest is really fun, 703 00:40:29,920 --> 00:40:32,080 Speaker 1: you guys, if you haven't been, you want to go. 704 00:40:32,560 --> 00:40:34,879 Speaker 2: I was texting with Darren afterwards and I have to come. 705 00:40:35,200 --> 00:40:37,320 Speaker 2: I need to just stand on them. 706 00:40:38,400 --> 00:40:40,680 Speaker 1: I did one of his Harry Potter musical members with 707 00:40:40,800 --> 00:40:42,200 Speaker 1: him a couple of years ago. 708 00:40:42,440 --> 00:40:46,560 Speaker 2: Also, j C from and Sync came out to perform. Yeah, 709 00:40:46,760 --> 00:40:50,400 Speaker 2: I mean legend. Also speaking of musical theater, j C, 710 00:40:50,840 --> 00:40:55,680 Speaker 2: who I can't believe is a friend of mine, along 711 00:40:55,760 --> 00:41:00,399 Speaker 2: with Jimmy Harry created a new musical concept album show 712 00:41:00,480 --> 00:41:04,600 Speaker 2: that hopefully will get madely based off of Frankensiegin. He's 713 00:41:04,680 --> 00:41:08,640 Speaker 2: working on it for years and the music is so 714 00:41:08,840 --> 00:41:12,200 Speaker 2: good and he's singing all of it for the you know, 715 00:41:12,360 --> 00:41:15,400 Speaker 2: for this and it along with some other incredible singers, 716 00:41:15,960 --> 00:41:19,560 Speaker 2: and like he's never sounded better. The music is so cool. 717 00:41:20,120 --> 00:41:23,080 Speaker 2: It ranges like a whole lot of different genres and 718 00:41:23,280 --> 00:41:24,759 Speaker 2: tells the story in a whole new way. 719 00:41:24,920 --> 00:41:26,600 Speaker 1: It's I can't wait to check it out. 720 00:41:26,840 --> 00:41:29,239 Speaker 2: It's quite brilliant, and his voice is just so good. 721 00:41:29,400 --> 00:41:30,399 Speaker 1: You guys so good. 722 00:41:30,880 --> 00:41:34,720 Speaker 2: Go pre order the Playing with Fire Musical concept album. 723 00:41:35,040 --> 00:41:36,680 Speaker 2: It's just it's great, and they're like two of the 724 00:41:36,880 --> 00:41:38,919 Speaker 2: nicest guys and they're working so hard on it. It's great. 725 00:41:39,360 --> 00:41:42,279 Speaker 2: And I'm so jealous that he and Darren got to 726 00:41:42,320 --> 00:41:42,840 Speaker 2: sing together. 727 00:41:43,840 --> 00:41:44,080 Speaker 6: I know. 728 00:41:44,440 --> 00:41:46,480 Speaker 2: I mean, so, if I ever do Elsfest, then we 729 00:41:46,600 --> 00:41:47,839 Speaker 2: have to have j C come back. 730 00:41:48,480 --> 00:41:49,080 Speaker 1: Obviously. 731 00:41:50,320 --> 00:41:52,080 Speaker 2: Yeah, maybe we can get five of us and we 732 00:41:52,120 --> 00:41:56,680 Speaker 2: can do a full and sync or whatever he wants. 733 00:41:56,680 --> 00:41:58,160 Speaker 1: I don't want to force jac to do in sank 734 00:41:58,200 --> 00:42:03,240 Speaker 1: if he doesn't want to, Okay, whatever he wants. Okay, 735 00:42:08,160 --> 00:42:14,959 Speaker 1: that's this episode. Thanks for joining us for episode twenty 736 00:42:15,880 --> 00:42:17,960 Speaker 1: and come back next week. 737 00:42:18,520 --> 00:42:24,800 Speaker 2: We're getting there. Wow, and that's what you really missed. 738 00:42:25,600 --> 00:42:28,680 Speaker 2: Thanks for listening and follow us on Instagram at and 739 00:42:28,800 --> 00:42:31,040 Speaker 2: that's what you really miss pod. Make sure to write 740 00:42:31,080 --> 00:42:33,320 Speaker 2: us a review and leave us five stars. See you 741 00:42:33,400 --> 00:42:33,759 Speaker 2: next time.