WEBVTT - Into the Ossuary: Consult the Bones - Part 1

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. And

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<v Speaker 1>in this episode we are venturing into the house Stuff

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<v Speaker 1>works Awesiuary because like like a great educational institute. Um.

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<v Speaker 1>We're of course so situated over an underground catacomb stuff

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<v Speaker 1>full of human remnants. We have this wonderful bone chandelier

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<v Speaker 1>hanging over us. Uh. It's a delightful place and we

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<v Speaker 1>hope that you will join us for this episode as

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<v Speaker 1>we explore some of the specimens we have around here. Indeed,

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<v Speaker 1>and in case your company doesn't have an osuary, UM,

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<v Speaker 1>this is also known as the bone house, the facility

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<v Speaker 1>for the storage of human of course UM now owesuaries.

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<v Speaker 1>You'll find these throughout human history, sometimes not with such

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<v Speaker 1>an elegant title. Again, going back to just a bone

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<v Speaker 1>house or even a bone pit um you look back

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<v Speaker 1>to ancient Persia. For instance, the Tzarastrians used a version

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<v Speaker 1>of of an ossiuary. They would they would take corpses,

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<v Speaker 1>put them on top of their their towers of silence

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<v Speaker 1>and birds and the elements to break the bodies down

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<v Speaker 1>to the bones, and then the bones would be stored

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<v Speaker 1>away in for safekeeping. And uh. And actually we see

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<v Speaker 1>some truly ancient bone pits out there that provide us

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<v Speaker 1>with some of the earliest evidence, even DNA evidence of

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<v Speaker 1>early humans and pre human hominids. For instance, back in

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<v Speaker 1>two thousand thirteen, a German team from the Max Plank

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<v Speaker 1>Institute was able to identify twenty eight different remains from

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<v Speaker 1>Spain's Semididas twices, or the bone pit, which contained four

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<v Speaker 1>hundred thousand year old Homo Heidelbergenis hominids. So we've we've

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<v Speaker 1>been dumping our skeletons into various tombs and caves and

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<v Speaker 1>nublettes for quite a while. Uh, it's a grand tradition

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<v Speaker 1>and uh and one that one that I hope continues,

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<v Speaker 1>and it's pragmatic. Um. And we're going to actually look

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<v Speaker 1>at one of probably the most stellar examples of an ossuary,

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<v Speaker 1>which is the Catacombs of Paris. You've been lucky enough

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<v Speaker 1>to witness this place firsthand. Yes, I have been to

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<v Speaker 1>the Empire of Death and it's it truly is one

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<v Speaker 1>of the creepiest places I have ever been. At sixty

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<v Speaker 1>underground and Uh, you know, you go through these small

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<v Speaker 1>little halls until you get to this marker that talks about, hey,

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<v Speaker 1>you're about to enter the Empire of Death, and lo

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<v Speaker 1>and behold you see all of these bones. Um, this

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<v Speaker 1>pathway of bones stacked in such a configuration, in such

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<v Speaker 1>an elaborate one that it's just it's like the Vatican

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<v Speaker 1>of bones. It's too much. It's almost it's overwhelming. And

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<v Speaker 1>you imagine the person responsible for arranging those bones, and

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<v Speaker 1>wonder if if he went absolutely mad with the task.

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<v Speaker 1>Now are you there on an official tour or is

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<v Speaker 1>this like a secret underground Parisian ray? If you written, yeah,

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<v Speaker 1>I can't really tell you the details of how I

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<v Speaker 1>got there, just that I got there. Now, of course

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<v Speaker 1>they aren't just they're willing million for people to ply

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<v Speaker 1>off the sewer covers and jump down and have a

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<v Speaker 1>party in the catacombs have a very long history that

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<v Speaker 1>actually started with Romans. Yeah. I mean, of course, you

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<v Speaker 1>can go back even even further, Ina, we can go

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<v Speaker 1>back like forty five million years to where you had

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<v Speaker 1>just a tropical sea instead of Paris, France. And eventually, uh,

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<v Speaker 1>the seabed sediment turns into limestone and This is key,

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<v Speaker 1>of course, because most naturally occurring caves formed from limestone

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<v Speaker 1>via dissolution. Uh and limestone is soft yet firm, so

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<v Speaker 1>it's a great stone to use in construction as well,

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<v Speaker 1>which is what the Romans were doing, right. Yeah, they

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<v Speaker 1>were like, look at all this delicious limestone. Let's carve

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<v Speaker 1>it out and make things out of it. Yeah. They

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<v Speaker 1>eventually created the Roman city of Lutatia, the city that

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<v Speaker 1>would eventually become Paris. And in the process they made

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<v Speaker 1>they dug up these quarry pits. They resulted in roughly

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<v Speaker 1>a hundred eighty seven miles of underground tunnels. And these

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<v Speaker 1>these cores ended up providing the stone for even such

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<v Speaker 1>such modern post Roman constructions as uh as Notre Dame

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<v Speaker 1>well And and they remain that way for quite a

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<v Speaker 1>bit until the eighteenth century, when they were long abandoned

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<v Speaker 1>and someone scratched their heads said, hmmm, this could really

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<v Speaker 1>solve our public health problem, namely, like all these bodies

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<v Speaker 1>that we have piling up from various diseases. That's right,

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<v Speaker 1>I mean, you had you had such large central cemeteries

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<v Speaker 1>as uh as Saints Innocence are what's the French on that, Well,

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<v Speaker 1>this is not Holly Fry certified. But I'm going to

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<v Speaker 1>take a step. Okay, okay, so active Germans. I'm useless

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<v Speaker 1>on this one. But yes. St. Sentisen is one of

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<v Speaker 1>the main cemetery, is the largest cemetery in Paris. And

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<v Speaker 1>you had a situation where you had the bodies were

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<v Speaker 1>just improperly buried or weren't weren't buried yet. It was

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<v Speaker 1>there's things are just stacking up. We've been burying people

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<v Speaker 1>in the cemetery for for quite a while. And so

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<v Speaker 1>what are you gonna do. Well, you dig those bodies up,

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<v Speaker 1>you take the bones, and you deposit them somewhere. Yeah.

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<v Speaker 1>It took two years to do that, by the way,

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<v Speaker 1>and then between seventeen eighty seven and eighteen fourteen, bones

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<v Speaker 1>from other cemeteries were also transferred in the final transfer

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<v Speaker 1>of bones took place in eighteen fifty nine. Now, there

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<v Speaker 1>is a ton of history in those bones. I mean,

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<v Speaker 1>you have the bones of Robespierre from the French Revolution. Um.

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<v Speaker 1>I mean, it's just it's a it's a piling up

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<v Speaker 1>of historical events and historical diseases. Yeah, all just cataloged

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<v Speaker 1>there in the catacombs. Uh. Into the tune of what

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<v Speaker 1>like seven million dead Parisians down there, Yes, seven million

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<v Speaker 1>deporations and perhaps some people of other nationalities stirring about there.

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<v Speaker 1>But that is why when you go into this it

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<v Speaker 1>is so it's just like staggering to see that amount

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<v Speaker 1>of bones configured in that way. Again, we were talking

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<v Speaker 1>about a hundred and eighties seven miles of these tunnels

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<v Speaker 1>and various other little areas. Um, there's there's a place

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<v Speaker 1>where I think they called it like the footbath for

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<v Speaker 1>the quarrymen. That's just this big open pool that's sort

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<v Speaker 1>of fascinating to to be, you know, in this configuration

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<v Speaker 1>and then just happened upon this pool. So um, it

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<v Speaker 1>really is sort of this empire of death underground, which

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<v Speaker 1>is fitting. Yeah, I mean it really gets down to

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<v Speaker 1>some of the you know, the fascinations we just have

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<v Speaker 1>with the skeleton, like what are we to make of

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<v Speaker 1>the skeleton? This this this part of ourselves that remains

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<v Speaker 1>after all the flesh has has gone away, and and

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<v Speaker 1>sometimes when there's for quite some time that that is

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<v Speaker 1>it's us, but it's also just a part of us. Uh,

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<v Speaker 1>you know, what are we to make of the skeleton? Well,

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<v Speaker 1>and keep in mind too that until humans really started

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<v Speaker 1>missing about with skeletons. I mean, the natural thing to

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<v Speaker 1>happen would be deterioration for it just to become part

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<v Speaker 1>of a leaf litter, which in large part it still does, right, Um,

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<v Speaker 1>if you have sort of your traditional burial um. But yeah,

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<v Speaker 1>I mean it was for me. It's the sort of

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<v Speaker 1>grappling with what life and death is in this attempt

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<v Speaker 1>to take these bones, arrange them, give meaning, preserve them,

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<v Speaker 1>hope that there's an Afro life for them. Yeah, yeah,

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<v Speaker 1>because I you know, a lot of that is what

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<v Speaker 1>Western funeral practices come down to, is this idea that

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<v Speaker 1>there's going to be an actual physical resurrection of the dead.

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<v Speaker 1>And then we got into that a bit in uh

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<v Speaker 1>one in a couple of our episodes, the Problem of

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<v Speaker 1>Immortality and then also the Problem of Hell, both of

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<v Speaker 1>which deal with what do we do with our ideas

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<v Speaker 1>about what happens to some permanent, supposedly permanent part of

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<v Speaker 1>ourselves when when we pass on. Yeah, And we were

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<v Speaker 1>actually just talking about this before we started recording this episode,

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<v Speaker 1>about that song dem Bones, which sort of like we

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<v Speaker 1>think of a children's song like to THEE. I don't know, Um,

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<v Speaker 1>that's actually an African spiritual that is talking about if

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<v Speaker 1>I've got this right resurrection, that all these different parts

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<v Speaker 1>are fitting back together so that this person can you know,

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<v Speaker 1>have a resurrection. It's pretty fascinating when you when you

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<v Speaker 1>compare that to say that the practice of sky burial

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<v Speaker 1>into bad and also in parts of Mongolia and elsewhere where,

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<v Speaker 1>the the idea is to just break everything down and

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<v Speaker 1>and just have it be reabsorbed by nature to the

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<v Speaker 1>point where actually, uh, someone is pulverizing the bones. Now

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<v Speaker 1>there is an idea in terms of green burials that

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<v Speaker 1>ossuaries could make a comeback. In other world this practice

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<v Speaker 1>of moving bones could continue, um because as they decompose,

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<v Speaker 1>you could then add it to an ossuary and then

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<v Speaker 1>could sort of clear up that land and reuse it

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<v Speaker 1>for another burial. Yeah, I really like the idea. The

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<v Speaker 1>more I read about green burial, the more I'm on

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<v Speaker 1>board with it. Um. So, I guess ultimately anyone's death

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<v Speaker 1>is you know, it's it's been a large part in

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<v Speaker 1>the hands of what you know, the people that come

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<v Speaker 1>after you. But I think there's something more, There's something

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<v Speaker 1>get far more beautiful about your body being broken down

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<v Speaker 1>becoming part of nature instead of being sealed away in

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<v Speaker 1>this artificial box, popped with all these artificial chemicals. Uh,

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<v Speaker 1>you know, for what, for what purpose? Well? And again

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<v Speaker 1>I think it's as trying to grapple all the questions

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<v Speaker 1>of life and death and put some sort of form

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<v Speaker 1>to it and organize it and make ourselves feel better

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<v Speaker 1>about it. Um. But the ossuary route is really a

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<v Speaker 1>lot more practical or any sort of green burial um.

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<v Speaker 1>You know, because again we've got the population exclusion currently

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<v Speaker 1>and comeing online in the next fifty years. We don't

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<v Speaker 1>have any more territory to explore to to really sort

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<v Speaker 1>of grow our food or bury our dead. So yeah,

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<v Speaker 1>I mean our cemeteries are nice, but let's maybe we

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<v Speaker 1>should stop making new ones. You know. That's this land

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<v Speaker 1>that commute further the purposes. So yeah, for my part,

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<v Speaker 1>I say, let the flesh fall off my body, Let

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<v Speaker 1>the lambur guyers have my bones, let them drop them

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<v Speaker 1>from from from from from on high onto some stones

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<v Speaker 1>and then eat the marrow. Wow. So if you did

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<v Speaker 1>have some sort of traditional barrel that would be on

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<v Speaker 1>your tombstone, Uh, yeah, I guess I don't know where

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<v Speaker 1>the teambstone is gonna go. There. I guess like you know,

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<v Speaker 1>my descendants living room or something, or you just you

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<v Speaker 1>find some stone, you need to face it somewhere and say, hey,

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<v Speaker 1>I existed, my body rotted and then some birds messed

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<v Speaker 1>with my bones. Tombstone. There you go. All right, look

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<v Speaker 1>at the virtual Robert Lamb that exists online. All right,

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<v Speaker 1>we're gonna take a break and when we come back,

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<v Speaker 1>we're gonna handle some skulls. Does that mean that we're

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<v Speaker 1>going down to the basement. Yes, yes, let's look at

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<v Speaker 1>some skulls. You know, you you look at the human

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<v Speaker 1>skull and a lot of things go through your head.

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<v Speaker 1>We've a very discussed some of this. You know, it

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<v Speaker 1>appears to be smiling at you or laughing at you

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<v Speaker 1>with its uh, with its big grins, it's gaping sockets.

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<v Speaker 1>But you know, the more we look at it, the

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<v Speaker 1>more we look at the skull, and the more we

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<v Speaker 1>look at the human hand and incidentally, um, the hands

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<v Speaker 1>and feet contain over half the body's bones. Because these

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<v Speaker 1>are you know, these are delicate instruments, uh that are

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<v Speaker 1>that have that have evolved for you know, the fine

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<v Speaker 1>manipulation of of of items and tools. The more we

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<v Speaker 1>look at them though we can tell that the hand,

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<v Speaker 1>particularly the fist, was made for punching the skull, and

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<v Speaker 1>the skull evolved to receive the fifth. The skull and

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<v Speaker 1>the fifth are are made for each other. They are

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<v Speaker 1>there there, their lovers across time and uh and and

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<v Speaker 1>when you look at the science of it, it's it's

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<v Speaker 1>really fascinating. There. I don't know that I would say

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<v Speaker 1>their lovers across time, but I would say they have

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<v Speaker 1>certainly connected across time, that's right. University of Utah biologists

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<v Speaker 1>David Carrier and Michael H. Morgan, a University of Utah physician,

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<v Speaker 1>contend that these human faces of ours, especially those of

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<v Speaker 1>our austral epith ancestors, evolved to minimize injury from punches

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<v Speaker 1>to the face during fights between males, and their paper

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<v Speaker 1>is titled Protective Buttressing of the homin In Face. Yeah,

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<v Speaker 1>they said, if we look back four or five million

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<v Speaker 1>years at these ancestors, we find an increased robustness in

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<v Speaker 1>the particular facial bones that are most likely to suffer

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<v Speaker 1>fracture during a pummeling. Uh And these are these are

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<v Speaker 1>the areas where we also find the greatest different between

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<v Speaker 1>male and female facial structures. Both in austero epiths, both

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<v Speaker 1>in asterol epiths, and in humans because again, uh, the

0:13:08.920 --> 0:13:11.840
<v Speaker 1>structures may have evolved in response to that male on

0:13:11.960 --> 0:13:16.040
<v Speaker 1>mail of violence. Now, initially the idea was something like

0:13:16.080 --> 0:13:19.480
<v Speaker 1>the these really strong jaws were needed to you know,

0:13:19.600 --> 0:13:24.400
<v Speaker 1>break down not serving really hard foods. But more and

0:13:24.480 --> 0:13:28.480
<v Speaker 1>more of this evidence in these resulting studies suggests that no,

0:13:28.640 --> 0:13:31.560
<v Speaker 1>it's not just to break down nuts. And there is

0:13:31.600 --> 0:13:36.080
<v Speaker 1>a difference in gender. Yes. Now, previously back at this

0:13:36.320 --> 0:13:40.920
<v Speaker 1>study about the skulls, come but Carrier back in two

0:13:40.960 --> 0:13:43.640
<v Speaker 1>thousand twelve had looked at the bones of the hand,

0:13:44.080 --> 0:13:47.280
<v Speaker 1>and this is the study where he revealed that proportions

0:13:47.280 --> 0:13:49.640
<v Speaker 1>of the human hand allow us to make a fist

0:13:49.880 --> 0:13:52.880
<v Speaker 1>that protects all of those delicate bones and muscles and

0:13:52.920 --> 0:13:56.880
<v Speaker 1>ligaments during a jaw shattering, right hook. Because again, it's

0:13:56.920 --> 0:13:59.400
<v Speaker 1>kind of crazy when you think about it, Like these hands, right,

0:13:59.720 --> 0:14:05.400
<v Speaker 1>these these these fine manipulative limbs that we use to

0:14:05.120 --> 0:14:08.360
<v Speaker 1>h to make tools, to make fire, to prepare food,

0:14:08.440 --> 0:14:10.600
<v Speaker 1>to put food in our mouth, that we're gonna then

0:14:10.640 --> 0:14:14.000
<v Speaker 1>take those fine instruments and punch people in the face

0:14:14.040 --> 0:14:16.800
<v Speaker 1>with it. I mean, it's like like a violinist it's

0:14:16.840 --> 0:14:20.240
<v Speaker 1>gonna take his or her strata varius and then swing

0:14:20.240 --> 0:14:24.640
<v Speaker 1>it at an enemy during a battle. It doesn't make sense, right, Well, Uh,

0:14:24.720 --> 0:14:28.600
<v Speaker 1>the argument here from Carry's research is that we evolve

0:14:28.720 --> 0:14:32.080
<v Speaker 1>to deal with that. No other primates um or any

0:14:32.120 --> 0:14:35.200
<v Speaker 1>animal for that matter, can actually throw a punch. You

0:14:35.200 --> 0:14:38.280
<v Speaker 1>don't see punch is thrown with chimps, with gorillas, none

0:14:38.280 --> 0:14:41.800
<v Speaker 1>of them. It's a human thing um and Carry argues

0:14:41.920 --> 0:14:44.600
<v Speaker 1>that our earliest answers just may have benefited from an

0:14:44.640 --> 0:14:48.960
<v Speaker 1>evolutionary advantage if they could actually punch hard without injuring. Uh,

0:14:49.080 --> 0:14:51.960
<v Speaker 1>those five fingers, and they're gonna win mates, They're going

0:14:52.000 --> 0:14:55.320
<v Speaker 1>to win resources, they're gonna win tribal honor. Furthermore, Carrier

0:14:55.360 --> 0:14:57.920
<v Speaker 1>also found that a punch is always going to be

0:14:57.920 --> 0:15:02.320
<v Speaker 1>better than a slap or a chop. Now I've about

0:15:02.320 --> 0:15:04.400
<v Speaker 1>the chop that can be really effective. Well, a chop,

0:15:04.800 --> 0:15:07.360
<v Speaker 1>chop can be effective. And I've i when I shared

0:15:07.440 --> 0:15:09.960
<v Speaker 1>this study a few years back, when it first came

0:15:09.960 --> 0:15:13.160
<v Speaker 1>out on on social media and on our blogs, I

0:15:13.920 --> 0:15:18.480
<v Speaker 1>did have some conversations with people that were arguing against that,

0:15:18.720 --> 0:15:21.880
<v Speaker 1>people who had a little more expertise in martial arts, saying, well,

0:15:21.960 --> 0:15:25.760
<v Speaker 1>actually a chop you know, can be extremely effective, or

0:15:25.960 --> 0:15:30.080
<v Speaker 1>or a palm thrust, etcetera. But Carriers research found that

0:15:30.160 --> 0:15:32.880
<v Speaker 1>a peak that peak strike force is always the same

0:15:32.920 --> 0:15:35.720
<v Speaker 1>no matter what manner of handblow you're using. But the

0:15:35.800 --> 0:15:39.120
<v Speaker 1>fist delivers all of this force to a smaller area.

0:15:39.720 --> 0:15:42.920
<v Speaker 1>So according to him, the force per area is up

0:15:42.960 --> 0:15:45.720
<v Speaker 1>to three times greater with a punch of the face

0:15:46.000 --> 0:15:49.000
<v Speaker 1>versus a slap to the face. Now, Carrier says, quote,

0:15:49.040 --> 0:15:52.360
<v Speaker 1>if indeed the evolution of our hand proportions were associated

0:15:52.400 --> 0:15:56.360
<v Speaker 1>with selection for fighting behavior, you might expect the primary target,

0:15:56.440 --> 0:16:00.320
<v Speaker 1>the face, to have undergone evolution to better protect from

0:16:00.360 --> 0:16:04.560
<v Speaker 1>injury when punched. In other words, coevolution. Yeah, I mean

0:16:04.840 --> 0:16:08.080
<v Speaker 1>an arms race, essentially almost literally in arms race. Right,

0:16:08.520 --> 0:16:11.360
<v Speaker 1>you canna swing that big meat club at me? Okay, fine,

0:16:11.360 --> 0:16:13.960
<v Speaker 1>I'm gonna my jaw is gonna get much bigger to

0:16:14.040 --> 0:16:17.600
<v Speaker 1>absorb that so it doesn't break its easily. Now, all

0:16:17.680 --> 0:16:20.320
<v Speaker 1>this being said, uh, Michael H. Morgan, one of the

0:16:20.320 --> 0:16:24.280
<v Speaker 1>studies co author, says, quote, our research is about peace.

0:16:25.120 --> 0:16:28.360
<v Speaker 1>We seek to explore, understand, and confront human kinds, violent

0:16:28.440 --> 0:16:32.320
<v Speaker 1>and aggressive tendencies. Peace begins with ourselves and is ultimately

0:16:32.560 --> 0:16:37.320
<v Speaker 1>achieve through disciplined self analysis and an understanding of where

0:16:37.360 --> 0:16:40.560
<v Speaker 1>we've come from as a species. Through our research, we

0:16:40.920 --> 0:16:42.960
<v Speaker 1>look at ourselves in the mirror and begin the difficult

0:16:42.960 --> 0:16:46.600
<v Speaker 1>work of changing ourselves for the better. I think Michael

0:16:46.680 --> 0:16:49.160
<v Speaker 1>Jackson said the same thing. Yeah, I think so. I mean,

0:16:49.200 --> 0:16:51.120
<v Speaker 1>really when it comes to changing ourselves for the better.

0:16:51.200 --> 0:16:54.080
<v Speaker 1>We'll get into an example this later on. But humans

0:16:54.440 --> 0:16:57.560
<v Speaker 1>have always been into finding ways to hack their bodies

0:16:57.600 --> 0:17:01.080
<v Speaker 1>and indeed hack their skeletons in ways that match up

0:17:01.080 --> 0:17:04.639
<v Speaker 1>with their own expectations of the human form. Well, you

0:17:04.680 --> 0:17:06.840
<v Speaker 1>know this, this whole study to makes me think of

0:17:06.920 --> 0:17:12.040
<v Speaker 1>just the complexity of of evolution. Like imagine if it

0:17:12.080 --> 0:17:16.040
<v Speaker 1>were a boardroom or a committee trying to determine what

0:17:16.280 --> 0:17:19.920
<v Speaker 1>shape that the fifth or the skull would take. Because

0:17:19.920 --> 0:17:22.960
<v Speaker 1>on one hand that you would have individuals saying, all right, look,

0:17:23.200 --> 0:17:26.080
<v Speaker 1>it needs to be a delicate a delicate system of

0:17:26.119 --> 0:17:29.080
<v Speaker 1>fingers so that we can do some fine manipulation of

0:17:29.200 --> 0:17:34.040
<v Speaker 1>crafting projects of uh, you know, of the various interactions

0:17:34.040 --> 0:17:36.760
<v Speaker 1>with the natural environment. But also it needs to be

0:17:36.760 --> 0:17:38.520
<v Speaker 1>able to punch somebody in the face. And likewise, the

0:17:38.720 --> 0:17:42.560
<v Speaker 1>face department are saying, well, this is essentially a communications array.

0:17:42.640 --> 0:17:45.359
<v Speaker 1>We have our sense organs frontloaded at the at the top.

0:17:45.960 --> 0:17:48.119
<v Speaker 1>We want, you know, all the faces to kind of

0:17:48.119 --> 0:17:50.520
<v Speaker 1>look look the same, so that there's a so that

0:17:50.560 --> 0:17:55.399
<v Speaker 1>needs a small difference can have an emotional response on

0:17:55.440 --> 0:17:57.840
<v Speaker 1>the viewer. But also it needs to be able to

0:17:57.880 --> 0:18:01.440
<v Speaker 1>take a punch just head on without too much damage occurring. Yeah,

0:18:01.480 --> 0:18:03.359
<v Speaker 1>and especially when it comes to the hands, I really

0:18:03.600 --> 0:18:09.240
<v Speaker 1>feel like that potential for peace or thoughtful um ways

0:18:09.280 --> 0:18:13.440
<v Speaker 1>in which to enter a situation and war are contained

0:18:13.480 --> 0:18:16.919
<v Speaker 1>within because you do have the intricate system that that thumb,

0:18:16.960 --> 0:18:19.880
<v Speaker 1>the placement of that that is gives us that sort

0:18:19.880 --> 0:18:23.160
<v Speaker 1>of advantage with tools and that grasp that no other

0:18:23.240 --> 0:18:26.920
<v Speaker 1>species has. At the same time, it also gives it

0:18:27.000 --> 0:18:29.480
<v Speaker 1>the strength that just wallet the big old punch. But

0:18:29.520 --> 0:18:32.040
<v Speaker 1>I feel like that like the tool using things should

0:18:32.600 --> 0:18:36.440
<v Speaker 1>win out here, that that thoughtfulness of like, Okay, how

0:18:36.440 --> 0:18:39.000
<v Speaker 1>do we proceed. We can use tools, we can use

0:18:39.000 --> 0:18:42.120
<v Speaker 1>our minds and use communication getting into the universality of

0:18:41.920 --> 0:18:44.600
<v Speaker 1>of of sign language. We can just use these hands

0:18:44.640 --> 0:18:48.000
<v Speaker 1>to actually communicate. But or you know, or we can

0:18:48.040 --> 0:18:51.159
<v Speaker 1>shop people in the face and punch them. Yeah, choice

0:18:51.200 --> 0:18:53.639
<v Speaker 1>is yours, all right? We're gonna take a quick break

0:18:53.680 --> 0:19:04.480
<v Speaker 1>and when we come back more bones. All right, we're back.

0:19:05.200 --> 0:19:09.240
<v Speaker 1>Let's let's discuss another ossuary of sorts, one that is

0:19:09.320 --> 0:19:13.359
<v Speaker 1>tied in with with with a central figure in the

0:19:13.480 --> 0:19:17.440
<v Speaker 1>history of of the United States of America, Ben Franklin,

0:19:17.480 --> 0:19:19.960
<v Speaker 1>of course, and he's come up before. We've talked about

0:19:20.119 --> 0:19:23.040
<v Speaker 1>his air bath in which he would just you know,

0:19:23.119 --> 0:19:25.240
<v Speaker 1>hang out naked during the middle of the night and

0:19:25.400 --> 0:19:29.520
<v Speaker 1>read when he couldn't sleep. Well, he is associated with

0:19:29.600 --> 0:19:33.480
<v Speaker 1>this ossuary. Uh did he know about it? We're not

0:19:33.600 --> 0:19:36.360
<v Speaker 1>quite sure. But let's sort of unravel this for you.

0:19:36.440 --> 0:19:40.199
<v Speaker 1>We're talking about number thirty six Craven Street in London,

0:19:40.280 --> 0:19:45.600
<v Speaker 1>which was Craven Street which was once home to Benjamin Franklin,

0:19:45.800 --> 0:19:48.760
<v Speaker 1>who resided there between seventeen fifty seven and seventeen seventy

0:19:48.760 --> 0:19:52.760
<v Speaker 1>five when he was the ambassador for the American Colonies. Now,

0:19:52.800 --> 0:19:56.080
<v Speaker 1>that's all very fine and well, but in ninet the

0:19:56.080 --> 0:20:03.640
<v Speaker 1>house received extensive renovations and during that excavations and renovations

0:20:03.800 --> 0:20:08.400
<v Speaker 1>were halted because in the basement a thigh bone was found. Yes,

0:20:08.640 --> 0:20:12.160
<v Speaker 1>the police were called. Uh, they began to dig out

0:20:12.359 --> 0:20:14.639
<v Speaker 1>more from this pit. In the basement, and they found

0:20:14.680 --> 0:20:20.360
<v Speaker 1>some twelve hundred pieces of bones, and initial examinations revealed

0:20:20.359 --> 0:20:22.800
<v Speaker 1>that the bones were the remains of ten bodies, six

0:20:22.840 --> 0:20:26.639
<v Speaker 1>of them children, and uh, they were about two hundred

0:20:26.720 --> 0:20:30.080
<v Speaker 1>years old. Um, which all of a sudden casts a

0:20:30.119 --> 0:20:33.480
<v Speaker 1>new light on ben Franklin. Yeah, and it's uh, it

0:20:33.560 --> 0:20:37.000
<v Speaker 1>was probably a pretty interesting if maybe even a little scary. Uh.

0:20:37.040 --> 0:20:39.439
<v Speaker 1>There for for a few minutes with the friends of

0:20:39.440 --> 0:20:42.800
<v Speaker 1>Benjamin Franklin House, who were who were orchestrating this whole

0:20:42.840 --> 0:20:46.520
<v Speaker 1>attempt to get this house in shape. Because as far

0:20:46.560 --> 0:20:49.840
<v Speaker 1>as places Benjamin Franklin had lived like this one stood up.

0:20:50.040 --> 0:20:52.320
<v Speaker 1>This one was was a good one to renovate and

0:20:52.560 --> 0:20:55.520
<v Speaker 1>and and and turn into the museum devoted to the man.

0:20:55.840 --> 0:20:58.320
<v Speaker 1>And here you go digging around underneath it, and you

0:20:58.359 --> 0:21:01.600
<v Speaker 1>find this windowless room with a pit full of bones.

0:21:01.960 --> 0:21:03.800
<v Speaker 1>And what do you make of it? Now? Now, granted,

0:21:03.840 --> 0:21:06.439
<v Speaker 1>we're talking about London here, and so in London is

0:21:06.960 --> 0:21:09.120
<v Speaker 1>is an old city, and if you dig down deep

0:21:09.240 --> 0:21:11.440
<v Speaker 1>enough in a place like London, you're gonna find just

0:21:11.560 --> 0:21:15.040
<v Speaker 1>about anything. You're gonna find bones, um, mental flaws. And

0:21:15.119 --> 0:21:18.360
<v Speaker 1>their article about it asked the question, well, was Franklin

0:21:18.520 --> 0:21:22.399
<v Speaker 1>a serial killer. Yeah it was no. No, but that

0:21:22.520 --> 0:21:24.399
<v Speaker 1>still leaves room for aout the questions like was he

0:21:24.440 --> 0:21:27.040
<v Speaker 1>a necromancer? Was he was he a ghoul? Was he

0:21:27.080 --> 0:21:30.720
<v Speaker 1>a bone fetishist? I don't know. The more likely explanation

0:21:30.760 --> 0:21:33.520
<v Speaker 1>and will never know, is that he had a friend

0:21:33.960 --> 0:21:37.639
<v Speaker 1>who who definitely owned a saw and uh and a

0:21:37.760 --> 0:21:41.359
<v Speaker 1>drill probably even, and he happened to be an anatomous

0:21:41.520 --> 0:21:46.800
<v Speaker 1>and um. Sure enough, when people looked at further analysis

0:21:46.840 --> 0:21:51.320
<v Speaker 1>of those bones, they saw saw marks, scalpel scraping, and

0:21:51.440 --> 0:21:55.119
<v Speaker 1>drill holes. And so the story that begins to emerge

0:21:55.280 --> 0:21:59.040
<v Speaker 1>is that these bodies were taken apart in a in

0:21:59.119 --> 0:22:03.320
<v Speaker 1>a very thought full manner, and probably by an anatomist. Yes,

0:22:03.359 --> 0:22:06.919
<v Speaker 1>the animis in question William Houston, who had previously been

0:22:06.960 --> 0:22:10.359
<v Speaker 1>a student of anatomist William Hunter, but the two had

0:22:10.400 --> 0:22:14.879
<v Speaker 1>a falling out, Howiston broke aways, but he continued his studies. Now,

0:22:15.119 --> 0:22:17.879
<v Speaker 1>this was an interesting time to be an anatomist, because

0:22:18.119 --> 0:22:21.879
<v Speaker 1>to study human anatomy you need examples of human antomy.

0:22:21.920 --> 0:22:25.840
<v Speaker 1>Anatomy to study I mean even today, despite all of

0:22:25.840 --> 0:22:29.800
<v Speaker 1>our our resources, our illustrations are models, um that the

0:22:29.840 --> 0:22:33.959
<v Speaker 1>use of computers to really explore the human body. You

0:22:34.000 --> 0:22:37.960
<v Speaker 1>need cadavers, you need medical specimens to to cut into,

0:22:38.000 --> 0:22:41.879
<v Speaker 1>to look out, to study, and at the time these uh,

0:22:42.040 --> 0:22:46.119
<v Speaker 1>we're not easily obtainable, at least in in an ethical sense.

0:22:47.200 --> 0:22:49.879
<v Speaker 1>You can always get human bodies, but you've gotta be

0:22:49.960 --> 0:22:52.760
<v Speaker 1>willing to put in the work or pay for that work. Yeah, well,

0:22:52.800 --> 0:22:58.160
<v Speaker 1>cadaverish for medical students um, which the demand for dovetailed

0:22:58.200 --> 0:23:01.520
<v Speaker 1>with the increase in medical students, by the way, created

0:23:01.600 --> 0:23:05.000
<v Speaker 1>a black market for dead bodies, and these bodies were

0:23:05.000 --> 0:23:09.600
<v Speaker 1>obtained by people called the resurrection men. And this is

0:23:09.720 --> 0:23:13.639
<v Speaker 1>just a really unsavory piece of history. And the reason

0:23:13.760 --> 0:23:16.399
<v Speaker 1>why people had to go to the black market is

0:23:16.440 --> 0:23:20.000
<v Speaker 1>because the Anatomy Act of eighteen thirty two wasn't in

0:23:20.119 --> 0:23:23.720
<v Speaker 1>place yet, and the Anatomy Act um kind of loosened

0:23:23.760 --> 0:23:26.880
<v Speaker 1>up the laws a bit in terms of getting cadaver

0:23:27.040 --> 0:23:31.159
<v Speaker 1>so people had to go to grave robbers essentially. And

0:23:31.240 --> 0:23:35.600
<v Speaker 1>this really marked the whole medical profession because people began

0:23:35.680 --> 0:23:38.480
<v Speaker 1>to get, of course, a little bit paranoid and not

0:23:38.760 --> 0:23:41.119
<v Speaker 1>you know, like if you introduce yourself as a doctor

0:23:41.160 --> 0:23:44.320
<v Speaker 1>to cocktail party back then you might say, woe, I know,

0:23:44.400 --> 0:23:46.960
<v Speaker 1>I have an uncle who's terminal and and right on

0:23:47.000 --> 0:23:50.440
<v Speaker 1>the edge. Um, please don't go hunting after him. Yeah,

0:23:50.440 --> 0:23:52.680
<v Speaker 1>I mean the idea here was that if you die

0:23:52.880 --> 0:23:55.879
<v Speaker 1>and you're buried, there was a chance that a doctor

0:23:56.200 --> 0:23:59.679
<v Speaker 1>ananimous would dig you up and essentially desecrate your body.

0:24:00.080 --> 0:24:03.240
<v Speaker 1>And if you were extremely religious and literal about everything

0:24:03.400 --> 0:24:05.960
<v Speaker 1>you could, you could say, well, they're gonna undo everything

0:24:06.000 --> 0:24:09.919
<v Speaker 1>that my my burial set out to accomplish, which loops

0:24:10.040 --> 0:24:13.160
<v Speaker 1>back to Houston, because here's this guy who's just trying

0:24:13.160 --> 0:24:17.400
<v Speaker 1>to further his education. He's got his friend Franklin, who

0:24:17.440 --> 0:24:20.240
<v Speaker 1>may or may not be in town, and Franklin has

0:24:20.440 --> 0:24:22.639
<v Speaker 1>you know, this great little set up in this house.

0:24:23.160 --> 0:24:25.080
<v Speaker 1>And by the way, Houston's mother in law is the

0:24:25.160 --> 0:24:29.560
<v Speaker 1>landlord of this so oh in the location of of

0:24:29.840 --> 0:24:33.760
<v Speaker 1>this Craven Street house has uh at one end the

0:24:33.800 --> 0:24:36.919
<v Speaker 1>gallows and on the other end the cemetery. So all

0:24:36.960 --> 0:24:38.280
<v Speaker 1>you have to do is take a right or left

0:24:38.520 --> 0:24:40.720
<v Speaker 1>up the house to go ahead and get that body

0:24:40.760 --> 0:24:43.080
<v Speaker 1>and get it there quickly, which would have been really

0:24:43.119 --> 0:24:47.719
<v Speaker 1>helpful for Houston to practice his anatomy on. Yeah. Now,

0:24:47.720 --> 0:24:51.000
<v Speaker 1>of course you get into the question how much did

0:24:51.040 --> 0:24:53.600
<v Speaker 1>Benjamin Franklin Now on one hand, is possible that he

0:24:53.640 --> 0:24:56.520
<v Speaker 1>didn't know anything. It's possible, you know that the fact

0:24:56.520 --> 0:24:59.000
<v Speaker 1>of friends of Benjamin Franklin house reportedly have some some

0:24:59.119 --> 0:25:01.879
<v Speaker 1>evidence that that Franklin let you he's gonna have just

0:25:01.960 --> 0:25:04.639
<v Speaker 1>the whole house while he was living up the street

0:25:05.440 --> 0:25:09.920
<v Speaker 1>with a landlady during that time. So so that's one

0:25:09.960 --> 0:25:13.480
<v Speaker 1>possibility is that he had no idea. He's essentially, you know,

0:25:13.520 --> 0:25:15.920
<v Speaker 1>home alone, and so I brought in brought in the

0:25:16.840 --> 0:25:19.320
<v Speaker 1>gadabbers for study, or he was like, the smell is

0:25:19.359 --> 0:25:23.080
<v Speaker 1>so terrible, I'm moving going up the street. Or you know,

0:25:23.440 --> 0:25:25.119
<v Speaker 1>maybe to some extendion, was he was aware of it.

0:25:25.160 --> 0:25:28.720
<v Speaker 1>I mean, Franklin, you know it seems to have been

0:25:28.760 --> 0:25:32.480
<v Speaker 1>a freethinker in many ways. Um, so maybe he was like,

0:25:32.520 --> 0:25:34.200
<v Speaker 1>all right, you know, do what you gotta do. As

0:25:34.200 --> 0:25:36.240
<v Speaker 1>long as you know, I'm not going to have anything

0:25:36.280 --> 0:25:38.400
<v Speaker 1>to do with it. But uh, you know, just look

0:25:38.440 --> 0:25:40.440
<v Speaker 1>the other way and let you continue what you're doing. Yeah,

0:25:40.480 --> 0:25:43.359
<v Speaker 1>I'll be upstairs taking an air bath. Yeah. Or maybe

0:25:43.400 --> 0:25:46.200
<v Speaker 1>he was in all the way. Maybe maybe he said, hey,

0:25:46.480 --> 0:25:48.480
<v Speaker 1>you want some corpses, let's go get it. Let's let's

0:25:48.480 --> 0:25:51.000
<v Speaker 1>go get him. I can't sleep. I just woke up.

0:25:51.320 --> 0:25:54.360
<v Speaker 1>I was just just gonna read Naked in the setting Room.

0:25:54.440 --> 0:25:57.160
<v Speaker 1>But if you're up for you know, hitting the cemetery,

0:25:57.160 --> 0:25:59.000
<v Speaker 1>then let's let's go do it. I'm up for a party.

0:25:59.160 --> 0:26:02.120
<v Speaker 1>And alternate story of Ben Franklin, why not? I mean

0:26:02.160 --> 0:26:07.240
<v Speaker 1>that we have alternate fictional account of Lincoln, right is

0:26:07.280 --> 0:26:10.000
<v Speaker 1>the vampire Slayer? Yeah, we can have something that ridiculous

0:26:10.040 --> 0:26:13.520
<v Speaker 1>with virtually nothing historical to back it up. I mean,

0:26:13.560 --> 0:26:16.840
<v Speaker 1>here's here's a piece of history, a little nugget from history.

0:26:16.880 --> 0:26:20.040
<v Speaker 1>This is begging for exploitation. And we've already we have

0:26:20.160 --> 0:26:23.480
<v Speaker 1>properties that have exploited the Gray robbing at the time.

0:26:23.520 --> 0:26:24.920
<v Speaker 1>You know, Burke and Hair and all that. I think

0:26:24.920 --> 0:26:28.920
<v Speaker 1>there've been several movies about about those resurrectionists. But here

0:26:28.960 --> 0:26:34.600
<v Speaker 1>you have an American icon. Uh. Then Franklin and he

0:26:34.720 --> 0:26:37.679
<v Speaker 1>is living on top of a pile of bones, and

0:26:37.720 --> 0:26:41.159
<v Speaker 1>their their Pilford bodies being brought into his house. You know,

0:26:41.240 --> 0:26:43.000
<v Speaker 1>you don't you don't even have to add much to that,

0:26:43.080 --> 0:26:44.840
<v Speaker 1>just on its phone. That would be a great little,

0:26:45.000 --> 0:26:48.160
<v Speaker 1>uh little comedy, but it's half written already. Yeah, throwing

0:26:48.200 --> 0:26:51.600
<v Speaker 1>some goes, throwing some necromancy, a google, what have you

0:26:51.680 --> 0:26:54.080
<v Speaker 1>and you're you're good to go. Now. If you're interested

0:26:54.200 --> 0:26:57.399
<v Speaker 1>in some historical fiction about this, there is a great

0:26:57.440 --> 0:27:01.239
<v Speaker 1>book called The Dress Lodger, but share Erri Holman, and

0:27:01.320 --> 0:27:04.520
<v Speaker 1>it's about a prostitute and a disgrace doctor and she's

0:27:04.560 --> 0:27:08.000
<v Speaker 1>called that. It's called the Dress Lodger because at that time, uh,

0:27:08.200 --> 0:27:13.280
<v Speaker 1>prostitutes would sometimes rent really upscale looking dresses so they

0:27:13.440 --> 0:27:16.959
<v Speaker 1>didn't look like sort of these third prostitutes that might

0:27:17.000 --> 0:27:20.040
<v Speaker 1>be diseased, and they get more business, which is in

0:27:20.119 --> 0:27:23.880
<v Speaker 1>and of itself really interesting. Yeah, I mean dress for success, right, indeed.

0:27:23.880 --> 0:27:27.119
<v Speaker 1>Embodied cognition. Yeah, yeah, all right, we've been down here

0:27:27.119 --> 0:27:29.800
<v Speaker 1>in the ossuary for quite a while. We probably need

0:27:29.840 --> 0:27:32.640
<v Speaker 1>to break and pick this up in a second episode. Yeah,

0:27:32.680 --> 0:27:36.320
<v Speaker 1>I'm getting a little, i don't know, claustrophobic. Yeah, I

0:27:36.359 --> 0:27:39.399
<v Speaker 1>would say lonely, but there are a lot of bones

0:27:39.440 --> 0:27:42.000
<v Speaker 1>down here. After a while, they kind of kind of

0:27:42.000 --> 0:27:46.000
<v Speaker 1>feel like those skulls are watching you talking. Hey. In

0:27:46.040 --> 0:27:47.640
<v Speaker 1>the meantime, be sure to check out stuff to Blow

0:27:47.640 --> 0:27:49.480
<v Speaker 1>your Mind dot com. That's where you'll find all of

0:27:49.520 --> 0:27:52.639
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0:27:52.640 --> 0:27:55.360
<v Speaker 1>as links out to our social media accounts. And if

0:27:55.359 --> 0:27:57.000
<v Speaker 1>you have a thought, please do share it with us.

0:27:57.080 --> 0:27:59.120
<v Speaker 1>You can send us an email at blow the Mind

0:27:59.119 --> 0:28:03.639
<v Speaker 1>at house to Work dot com. For more on this

0:28:03.840 --> 0:28:12.719
<v Speaker 1>and thousands of other topics, visit how stuff Works dot com.