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Speaker 1: Is your most famous bart in job short nigga on

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Speaker 1: my dick tom Oh shut nigga on my dic tone.

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Speaker 2: This is Defluidity episode show Cracking Dawn, your boy Jada, this.

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Speaker 3: Is the Joe Jada Show.

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Speaker 2: You already know every show leg ship in the nation,

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Speaker 2: every show legendary, every show iconic, and we're doing ship out.

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Speaker 3: Today's guests.

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Speaker 4: You think of the bad boy logo, I think I

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Speaker 4: will coming downstairs bringing bags of merger. Shout out to

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Speaker 4: us pops, thy god to hate that mid You think

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Speaker 4: of individuality, hardworking thing.

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Speaker 5: As a gentleman makes some noise, but asap first.

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Speaker 3: Shout out to teeth first, Yeah, yeah, me and productive first.

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Speaker 3: Still got the muscle speak.

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Speaker 6: I motherfucker, guinea bockdamp flop with fucks take top on.

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Speaker 3: It's over for one of these young guys.

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Speaker 2: Man, Hey, yo, listen, he missed out on the fashion

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Speaker 2: on the trip, and you one of the guys are

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Speaker 2: respected most because you throw that ship on.

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Speaker 6: You wear that shit to the Baldega, the supermarket. You

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Speaker 6: gonna come every time with the fly shit on.

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Speaker 2: And also the tribute when you did the park over

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Speaker 2: the work of Parker while I was here but that's certain, yere,

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Speaker 2: you was it? What's that like being from hallm Like

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Speaker 2: this is Hall ofm aretif we're gonna go into it, guys,

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Speaker 2: I don't think nobody really understands your position in Halem.

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Speaker 2: What was that like when he tapped you and said, oh,

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Speaker 2: come design Rucker Park over, shout out to my boys,

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Speaker 2: step freeze a free Yeah, he hit me. He got

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Speaker 2: commissioned to you know, he's super into end one basketball,

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Speaker 2: the whole thing ruck A Park.

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Speaker 3: And he got a call like, Yo, we need somebody

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Speaker 3: to do the pargo. We want to do sign over.

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Speaker 3: And then he called me and I'm like word, and

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Speaker 3: I'm like this makes a lot of sense. I just

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Speaker 3: want to kill it. So I had called jav Jenens Brown.

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Speaker 2: I was in traffic and we spoke to like four

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Speaker 2: hours about just the origins of basketball and like where

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Speaker 2: it came from and just like the as texts and

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Speaker 2: just you know how the game was made and brought

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Speaker 2: up because I wanted to make something that was super

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Speaker 2: mimental and it just came out amazed. Now it came

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Speaker 2: out amazing, scientifical. That's the cards. He had a scientific

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Speaker 2: king signed Mark Year on Yo, let's stick.

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Speaker 3: I scared you. What's up? Brother?

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Speaker 5: You got what selth Ferk's going newer, bring art the

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Speaker 5: music what we're doing then?

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Speaker 3: So what's going nor? Oh?

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Speaker 2: Yeah, so I just dropped a project called Flipfall and Shorty,

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Speaker 2: which is actually this is the vials right here, the

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Speaker 2: whole so like bringing back right that that flip Fall

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Speaker 2: era music ringteld Era, and I did a whole film

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Speaker 2: behind it right now. D my manager, he working on

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Speaker 2: our distribution and everything, so we just didn't do our screenings.

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Speaker 2: He didn't want in art bas of Miami, and I'm

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Speaker 2: looking to do one in New York.

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Speaker 3: So I'm unless I know what we're done.

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Speaker 5: What you want people to get from slip full short

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Speaker 5: you want them to feel like the back of that look.

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Speaker 2: Yes, So if you see the movie and like really

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Speaker 2: remind you of like Stay Property, oh, like Killer Season,

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Speaker 2: all of the hood movies we love, Like literally that

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Speaker 2: was the reference for this movie, like bringing back the

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Speaker 2: six ex Shirts, being Danni's under the Fit is like

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Speaker 2: all of the shit that I grew up singing. And

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Speaker 2: then the music just kind of really it creates a

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Speaker 2: suit for that project. So yeah, like thet see the

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Speaker 2: movie and then they hit the music, it'll just take

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Speaker 2: you back.

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Speaker 3: It's like a poll that takes you back to that time.

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Speaker 2: You want to know what's so crazy it is when

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Speaker 2: y'all first came out, he sat, that was that bob

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Speaker 2: you gave us with that first video? It felt like,

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Speaker 2: oh shit, every the stouts jump kids, they just can't

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Speaker 2: back with that bob.

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Speaker 3: You know what I'm saying.

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Speaker 2: For me, it's crazy because y'all doing what we used

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Speaker 2: to do. So my thaughter comebas some ill jeans and

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Speaker 2: she'd be like yeah, and they I'll show a picture

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Speaker 2: in nineteen eighty two, had those shut it down quick.

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Speaker 3: Understand because the youth they feel like they yo, what's hours?

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Speaker 3: You know what I mean?

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Speaker 6: But they don't know they tapping into that frequency and

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Speaker 6: so they coming out like Yo, your shit whack, oh

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Speaker 6: gee my shit. I'm like, yo, bro, like I never forget.

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Speaker 6: I had an argument with h what's the name? I

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Speaker 6: say that all the time? Excrusive gang. He told me

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Speaker 6: I'm jacking the style. He said, Yo, I've been seeing you.

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Speaker 6: Jack myself said, let's go to.

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Speaker 2: The video tape where I had the coy Yard lever

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Speaker 2: hoodie on another brother, You're still running with b and

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Speaker 2: Mephod this time, and so we tapped into that frequency.

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Speaker 2: I love when you tap into that me. I feel

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Speaker 2: old when they stressing like we were stressing when I

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Speaker 2: was twenty years old.

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Speaker 3: Motherfucker pull up next to me with that stead. I

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Speaker 3: was like, damn man, we some old nicked loud. That's

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Speaker 3: what we used to do.

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Speaker 2: We call wait, you can wait to get the money,

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Speaker 2: that jump in a pool with the mink and all

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Speaker 2: of that, because you.

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Speaker 3: Know your dad, super hall of legend.

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Speaker 2: The thing I love the most about you and your

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Speaker 2: career is you called the way for yourself.

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Speaker 3: You earned everything yourself.

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Speaker 2: Anybody whoever found out who your following was, they found

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Speaker 2: out after the fact.

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Speaker 3: They loved you for your style and your talent and everything.

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Speaker 2: But then by the way, you know, I used to

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Speaker 2: explain that I used to be like, yo, you know

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Speaker 2: what father is and no one knew.

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Speaker 3: Or when Halling was hollered, and y'all could tell you what.

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Speaker 2: We used to stand out there and look at the

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Speaker 2: wide body fences and and all that shit coming down.

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Speaker 3: The whole thing was in the hole.

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Speaker 6: New York City, from Yonkers to stat Knock, it was

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Speaker 6: one twenty fifth and one forty fifth.

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Speaker 2: If you got money in Long Nhley and you got

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Speaker 2: to stuff the ill whapman, fuck it ill I fit.

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Speaker 2: Your job was to go there. There was nothing else

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Speaker 2: in that Like your dream was I'm gonna give me

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Speaker 2: some shit and drive down forty fifth and I'm gonna

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Speaker 2: drive down twenty fifth. By the way, I was the

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Speaker 2: fat Puerto Rican kid, and then converted him with claring

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Speaker 2: five sixty with no shirt on, with fucking chains on

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Speaker 2: like this in front of the way.

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Speaker 3: Berg and leave the door open on burpose. See if

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Speaker 3: you touch my shit. Wait, I don't Wannastand but your

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Speaker 3: father had that store, man, That's what dreams are made

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Speaker 3: of it. We was coming by.

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Speaker 2: I came by his store a few times to do

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Speaker 2: kosamk because he was puting his clothes of your store.

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Speaker 3: You've been hat stores, Yeah, I've been as stores.

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Speaker 6: That was one of the first things I did when

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Speaker 6: I got on with Flow Joe. The way it used

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Speaker 6: to work was like you got to hear record and

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Speaker 6: then once that shit bade, you ain't kill spine.

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Speaker 3: That's the term.

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Speaker 6: It had no money either. Even with FlowJo was number

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Speaker 6: one in America. I was hearing five hundred dollars a show,

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Speaker 6: so it wasn't no real money. So I was like, okay,

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Speaker 6: what do I you off season? So I gotta get me.

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Speaker 6: You know, we're not fashion, We're not here fly. I

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Speaker 6: gotta give me a fucking store. And so you know,

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Speaker 6: we grew up with you man. They were just store.

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Speaker 6: And that's not to all my Jewish people, it's not

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Speaker 6: the rather choil just.

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Speaker 2: Then like none of that or that was the name

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Speaker 2: of the s and the woman who owed it was

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Speaker 2: named Rose. She was a Holocaust surviva. She show you

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Speaker 2: her numbers. They used to give them a number. So

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Speaker 2: Rose Rose didn't give a fuck about this is the

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Speaker 2: wildest time in New York. She be like, yo form,

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Speaker 2: no holar cost. I don't give a fucking up knocking

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Speaker 2: y'all talk here about pay now.

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Speaker 3: It's so oh. She was alleged shut up Teddy the.

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Speaker 2: Fly store in New York City robbing two stops down

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Speaker 2: on the train.

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Speaker 3: They grabbed your ship back and put his back in

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Speaker 3: the store.

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Speaker 2: They stepped and if they like you, they go like this, Joey,

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Speaker 2: I'm gonna open this store on the counter of three

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Speaker 2: you run that.

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Speaker 3: Wait, you see the guys across the street over there.

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Speaker 3: For you have to run on the train. You gotta

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Speaker 3: vake it out of it. You gotta beult bird. Niggas

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Speaker 3: ain't half ship.

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Speaker 6: So they used to wait outside of juw Man and

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Speaker 6: if you was the herb or the victim even.

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Speaker 2: Block, I think I was tough. I still have to

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Speaker 2: run one God, this is running up to the train.

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Speaker 2: Stay like that's it.

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Speaker 3: They waited.

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Speaker 2: If they love you, they give me a Warner show.

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Speaker 2: You see three guys. Yeah, they're gonna rob you. So

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Speaker 2: I have one, two, three, run that way and now

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Speaker 2: that like five blocks from there.

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Speaker 3: So I had it.

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Speaker 2: But I was a fat, fat man, So I'm like,

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Speaker 2: but but the mouth, you know, you can survive for

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Speaker 2: a jew man.

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Speaker 3: It was crazy.

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Speaker 2: Yeah, So that's where we got it from. That's the

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Speaker 2: way we got to spy.

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Speaker 3: Now. I used to go there when I ain't had

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Speaker 3: no one.

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Speaker 2: And live rid all the fucking v bombers and sheepskins

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Speaker 2: and hang out in there and just watch them, uh

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Speaker 2: negotiate with people.

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Speaker 3: And just so that was in the Bronx. It was

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Speaker 3: in the Bronx fixed. Yeah. I was going to the

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Speaker 3: last see to the get sheepskins and all that that's

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Speaker 3: where I didn't go. One of my first ones came

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Speaker 3: from there, one of my first but the.

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Speaker 2: Last see is where one DMC made the last Sea

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Speaker 2: Running C changed the game. So before one DMC, everybody

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Speaker 2: rappers were dressed in the costume.

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Speaker 3: Like Indians and it almost folk like.

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Speaker 7: The Gap band and and uh, I'm not fine, you

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Speaker 7: know you tell her the truth?

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Speaker 3: Where go you? A flac though? Well melling them did

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Speaker 3: the leveling suits that was constantly. That was in the

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Speaker 3: constant right on dm C. The first guy who dressed

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Speaker 3: like drunk games and water that was also the cost

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Speaker 3: he just suits the levels with stings with it. Well,

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Speaker 3: it was considered the first made. Everybody wanted to dress like.

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Speaker 2: Everybody had to go to the last secause they were

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Speaker 2: shooting their videos at the last he and all that.

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Speaker 3: So it was like yo with Lancey Street and gotta

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Speaker 3: go down there.

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Speaker 2: The Bronx to man was a whole like it was

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Speaker 2: like the movies and Warriors bro like, it's people. I know,

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Speaker 2: my grandmother one of them that lived eighty five years

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Speaker 2: in the same projects and never left from the four Corners.

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Speaker 2: It's a lot of people, you know, shout out to

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Speaker 2: my stylist to relish its father passed away to rails,

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Speaker 2: and you know, I was hanging out with him in

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Speaker 2: the hospital and I was asking him, like, once you

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Speaker 2: most proud of me for y'ard it took my family

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Speaker 2: to Paris. You're dying any ding now and you say,

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Speaker 2: gods where I'm most proud of it?

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Speaker 8: You know.

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Speaker 2: And it was a big deal because we as artists,

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Speaker 2: we get to travel like we too.

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Speaker 3: Blacks, right, you know, And so we talked about where

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Speaker 3: we're from.

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Speaker 2: A lot of people never left the four corners. So

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Speaker 2: you're the going man cooling Brooklyn. I used to go

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Speaker 2: to first. I went everywhere. I'll be squaring more cow.

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Speaker 2: I remember one time I went to the cow Asteum,

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Speaker 2: I couldn't find my cheese fast and Joe.

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Speaker 3: It wasn't always fat Jordan Rapp. I think it was

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Speaker 3: a fact. Forty weekend nigga with ten guys. They're like,

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Speaker 3: we're gonna get this, nigga.

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Speaker 2: The thing is on me, like, sen I gotta get

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Speaker 2: my teens and get up in that motherfucking get the

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Speaker 2: fuck up value.

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Speaker 6: No, listen, I gotta say to you, I tell you

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Speaker 6: where you know what I win? And I tell you

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Speaker 6: when I lose. That's that's that's the only way a

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Speaker 6: great storyteller. You gotta table spell backwards, level level spell backwards.

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Speaker 3: Is why.

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Speaker 2: I said, by Adidas store, I could be me versus me. Oh, yes,

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Speaker 2: me versus me, or I commissioned to do our piece

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Speaker 2: for Adidas. And I'll say, yogi oh before you even

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Speaker 2: go into it.

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Speaker 3: Don't you feel less? Because I don't know how wrong

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Speaker 3: you was doing art.

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Speaker 5: Personally, but yeah, you presented into the world not that

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Speaker 5: was going you already getting commissioned, getting you fucking out

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Speaker 5: of hell like that?

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Speaker 3: How How did that feel?

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Speaker 8: Now?

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Speaker 2: I feel good because I get acknowledged for something that

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Speaker 2: I've always been into and doing.

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Speaker 3: So I was advanced ladies at j he did he

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Speaker 3: did this. That's the great crazy and I thought we

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Speaker 3: designed the best one. We did the ones with the.

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Speaker 2: Bronx Hall of y'all girls. We took care of him.

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Speaker 2: We took care it made too Okay, you get the

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Speaker 2: y'all fact he got one.

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Speaker 3: I got what y'all. We took care of y'all facts

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Speaker 3: got one.

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Speaker 2: We used to feel y'all three morning, we get the

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Speaker 2: Hall of I got the hall in George wo's that

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Speaker 2: same color thick.

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Speaker 3: I gotta come. That's y'all raised it.

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Speaker 2: I know y'all got a lot of mist outs. I

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Speaker 2: need some of the rough Rider jackets. Well, I need

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Speaker 2: all of that now. But it's a blessing man, because

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Speaker 2: I went to art school. I was to arts our

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Speaker 2: School of Art and Design High School of Art, the Design.

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Speaker 2: My cops also went to that school, so I was

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Speaker 2: always doing art the whole time. I actually thought that

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Speaker 2: I would be an artist, but I was always just rapping.

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Speaker 3: You are artist.

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Speaker 2: I am an artist, yeah, well visual artist, but I

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Speaker 2: thought that I was gonna go off of that first.

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Speaker 2: But I was battle rapping and being in the streets

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Speaker 2: and just listening to music. And I always had a

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Speaker 2: love for music. So the fact that I'm able to

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Speaker 2: create more life and energy around my brand doing stuffing

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Speaker 2: I always loved, it's a blessing. And for people to

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Speaker 2: recognize it and embrace it, obviously, are you except Rocky?

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Speaker 2: You guys have learned to diversified. Like with you, you know,

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Speaker 2: you're not just like stereotype or categorized in one category

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Speaker 2: like I see you at many different I see you

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Speaker 2: at many different spaces that directed by every Yeah, you know,

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Speaker 2: we always say the music. We always say behind the scenes,

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Speaker 2: but we'll tell the fans and all that that the

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Speaker 2: music is just.

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Speaker 3: The coffee book that you read. Is they that? Yo?

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Speaker 6: I like that guyp for music. And then you sit

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Speaker 6: next to the guy and he happens to be the

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Speaker 6: owner of Calvin Khan and you're like, yo, man, we

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Speaker 6: can do some fucking underwears together, some a zach perfect

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Speaker 6: and that's how it go. So your thing and your

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Speaker 6: music is the talking piece to get you into those rooms.

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Speaker 6: And you definitely is things like you know how to

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Speaker 6: do that? Everybody no lart do that. Some people are

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Speaker 6: just born to be rappers. Some people are born to

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Speaker 6: do shit. It's nothing you can do.

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Speaker 2: I got friends now, I come up in the underground

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Speaker 2: hip hop crew.

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Speaker 3: He don't want commercial lie and don't live. They don't care.

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Speaker 3: They're walker versu lie. You know, I have to convince him.

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Speaker 2: When I worked with Cuja in my ice, who's four

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Speaker 2: or five platinum all the time asking me to get

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Speaker 2: in our shop, shall I had to have like.

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Speaker 3: A team meeting and they were like, yo, we don't

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Speaker 3: wrap this. I was like, yo, say my ile, I'm

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Speaker 3: trying to come up.

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Speaker 7: I could They're not doing that one are the other guys?

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Speaker 7: Like everybody's good. Everybody do what they do. Din with

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Speaker 7: this DJ one of the greatest producers class raptors Diamonds.

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Speaker 7: He DJ's the forty five joints Our call up on

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Speaker 7: his shows. Uh, Vanessa's doing this thing. He DJ's and produced.

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Speaker 7: He just produced the album like last year, two years ago.

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Speaker 7: He did the remixes, the motign. You got to check

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Speaker 7: that ship out. So he did all that Marster James

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Speaker 7: shit over but with hip hop vats for everybody. Oh

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Speaker 7: see everybody out there and buck wild but wild, give

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Speaker 7: y'all woke. That's a Hall ofm classic.

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Speaker 3: Ch Liz you were man.

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Speaker 2: Even Chaln, whoa Senner would now wouldn't follow like Senner,

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Speaker 2: wod it?

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Speaker 3: What step? Fuck you? Whoa?

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Speaker 8: What did he say?

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Speaker 3: That was about the site raped collected in the lid effect.

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Speaker 3: Who shout out to Dezel, shout out Statia. Nobody's doing

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Speaker 3: it right now. Nobody came together as a click.

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Speaker 2: I said, like, yeah, I used to do it more

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Speaker 2: so back on the days, a lot of rappers used

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Speaker 2: to hang out together.

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Speaker 3: You see free styles or X you fix punk everybody like,

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Speaker 3: we don't really.

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Speaker 2: See the camaraderie like that, like not just doing music together,

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Speaker 2: but hanging out and building together, and you would just

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Speaker 2: build on it.

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Speaker 3: He was coming to my sessions a lot. He knocking

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Speaker 3: out four five joint speed session.

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Speaker 2: I'm coming to his session the same thing, and were like, Yo,

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Speaker 2: let's just form this collective because we had so much

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Speaker 2: energy together.

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Speaker 3: We just wanted to put it out to the world packaging.

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Speaker 3: Damn right, that was that needed. I see from Only

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Speaker 3: Love Jungle Brother's Trap a Quest.

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Speaker 2: They lost everybody, different crews, but everybody got together and

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Speaker 2: it made some mean classics.

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Speaker 6: It was a nation like unless not hip hop was

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Speaker 6: so hip hop. When I got turned off by hip

352
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Speaker 6: hop and I moved to Miami was when everybody started fight.

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Speaker 2: I never forget. I'm sorry, guys, I don't want to

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Speaker 2: keep bringing us up. But I was your jersey through

355
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Speaker 2: the flag the flag I was. I was your jersey

356
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Speaker 2: in Maja Cuzie and I'm listening to High ninety seven

357
00:18:37,280 --> 00:18:39,959
Speaker 2: and out here even Ji Jones or Cameraon say Yo,

358
00:18:40,119 --> 00:18:43,080
Speaker 2: that nigga knows smack this kofie off.

359
00:18:43,160 --> 00:18:44,440
Speaker 3: That's when that that was it for me.

360
00:18:44,640 --> 00:18:47,320
Speaker 2: That was like Yo, I pulled out a white flag.

361
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Speaker 2: I said, we'll moving to Miami. I can't take this

362
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Speaker 2: ship no more because they were violating pharaohs, the kings

363
00:18:55,160 --> 00:18:59,280
Speaker 2: of Egypt and hip hop. It just came a time

364
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Speaker 2: when New York was just violating each other so much

365
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Speaker 2: where I was.

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Speaker 3: Like, yo, I grew up. Let me tell you a

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Speaker 3: fun fact that you don't know something you never heard before.

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Speaker 2: Right if you look closely to black sheets, video engine

369
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Speaker 2: engine number, I'm one of the guys.

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Speaker 3: Y'all pick it up, pick it up, pig it up,

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Speaker 3: back on the singe. Chris, get like an extra. I

372
00:19:22,520 --> 00:19:31,080
Speaker 3: better find that everybody's video. Everybody was in my room.

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Speaker 2: Out there, Flow Joe Great, nice game, beating nuts game,

374
00:19:35,280 --> 00:19:40,400
Speaker 2: Grand Football came, fucking Dona Dean from Neus. Everybody came,

375
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Speaker 2: and I was just the first thronging I ever had out.

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00:19:44,080 --> 00:19:47,360
Speaker 2: We loved each other and hip We had a type

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Speaker 2: of camaraderie that was just we didn't care. It was

378
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Speaker 2: competition lyriking, but it wasn't.

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Speaker 6: It was like, we want to see everybody grow, everybody wing,

380
00:19:56,240 --> 00:19:59,200
Speaker 6: We want to support Langa platform to everybody else.

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Speaker 2: Sh got real funky out here and so you know,

382
00:20:03,600 --> 00:20:05,920
Speaker 2: we went. I went to Miami and started that work

383
00:20:06,000 --> 00:20:10,200
Speaker 2: to MCALLI Pitt Bull, Rick Ross, Little Wayne. Little Wayne

384
00:20:10,280 --> 00:20:14,720
Speaker 2: came from Katrina the Fucked Up the Oneers, he came

385
00:20:14,800 --> 00:20:17,120
Speaker 2: to Miami. I was the first one with open arms

386
00:20:17,200 --> 00:20:20,119
Speaker 2: to welcome up and date and we all working together

387
00:20:20,280 --> 00:20:23,440
Speaker 2: make the songs together, jumping on and I found that

388
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Speaker 2: camaraderie while I was down there.

389
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Speaker 3: When I laid all making rings and all that, it

390
00:20:28,040 --> 00:20:31,040
Speaker 3: was because everybody was working with each other up here.

391
00:20:32,040 --> 00:20:34,280
Speaker 2: It was sold of like now you know, it's like, oh,

392
00:20:35,200 --> 00:20:39,200
Speaker 2: I love social media and I love to watch what's

393
00:20:39,280 --> 00:20:41,040
Speaker 2: going on in the world, and I love to know,

394
00:20:42,600 --> 00:20:47,439
Speaker 2: but it's ugly out there. Everybody just won't Scot disrespecting

395
00:20:47,480 --> 00:20:51,240
Speaker 2: each other, won't Scott. I just be like, yo, wow,

396
00:20:51,520 --> 00:20:56,439
Speaker 2: now this now it's like every day, you know, the phone.

397
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Speaker 2: I don't know about y'all, but I wake up, thank

398
00:21:01,200 --> 00:21:03,440
Speaker 2: you God, say my prayer, and I grab her phone.

399
00:21:03,520 --> 00:21:08,080
Speaker 3: That's how I know. But I'm Jesse. Jasey died. That's

400
00:21:08,160 --> 00:21:10,159
Speaker 3: how I know. Canoes, That's how I know.

401
00:21:10,240 --> 00:21:12,679
Speaker 2: Way ever, getting this going on for the day now

402
00:21:12,840 --> 00:21:14,800
Speaker 2: times out of center, I pick it up all this

403
00:21:15,040 --> 00:21:16,879
Speaker 2: girl saying, fuck the other girl.

404
00:21:17,200 --> 00:21:20,640
Speaker 3: This guy he's saying, but it's a really ugly time

405
00:21:21,960 --> 00:21:27,280
Speaker 3: in America. Why you laughing? I got confrontation, by the way,

406
00:21:27,320 --> 00:21:29,399
Speaker 3: No cat, I got to speech out joking.

407
00:21:29,240 --> 00:21:30,800
Speaker 5: You didn't due.

408
00:21:30,800 --> 00:21:32,960
Speaker 3: We know he was in the video. Her was telling

409
00:21:32,960 --> 00:21:35,080
Speaker 3: you you're the need of the cat called this. What

410
00:21:35,200 --> 00:21:36,040
Speaker 3: are you talking about?

411
00:21:38,240 --> 00:21:38,359
Speaker 2: Up?

412
00:21:40,000 --> 00:21:42,720
Speaker 3: Here's the fucking you are in there? You started.

413
00:21:42,840 --> 00:21:47,159
Speaker 2: Everybody's calling me captain. I don't know what is older

414
00:21:47,280 --> 00:21:50,560
Speaker 2: than doing that place so'ing like, yo, I don't know

415
00:21:52,200 --> 00:21:52,960
Speaker 2: about nothing.

416
00:21:53,600 --> 00:21:56,000
Speaker 3: If he's slowing your brain down a little bit.

417
00:21:56,560 --> 00:21:59,600
Speaker 5: I was telling him for the episode, not even you

418
00:21:59,760 --> 00:22:03,000
Speaker 5: the find you James that put it on the thing

419
00:22:03,160 --> 00:22:07,040
Speaker 5: when we put the clips, that's the snap.

420
00:22:07,080 --> 00:22:10,520
Speaker 2: Who fact I'm in that video. I'm in a bunch

421
00:22:10,560 --> 00:22:13,560
Speaker 2: of videos. Or let's say you was here remember the time.

422
00:22:16,680 --> 00:22:19,640
Speaker 2: But what I can say is it was a time

423
00:22:20,200 --> 00:22:22,719
Speaker 2: we all embraced each other, you know what I mean.

424
00:22:22,920 --> 00:22:26,280
Speaker 2: So it's good that y'all got together. They got running

425
00:22:26,320 --> 00:22:30,920
Speaker 2: that coligion together, just making you you know, you gotta

426
00:22:30,960 --> 00:22:32,720
Speaker 2: make you know. We had an artist on the here.

427
00:22:33,400 --> 00:22:37,080
Speaker 2: She's short but feisty, Lola Brooks Lola, and she said

428
00:22:38,200 --> 00:22:39,520
Speaker 2: she said, I don't go to.

429
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Speaker 3: The studio to make your hit. That's what me. I

430
00:22:42,080 --> 00:22:42,760
Speaker 3: go to make your hit.

431
00:22:43,119 --> 00:22:44,800
Speaker 2: Like if that Joe put out a record and you

432
00:22:44,880 --> 00:22:47,280
Speaker 2: feel like he shot the video, he put the bath

433
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Speaker 2: and they don't blow.

434
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Speaker 3: No, I fail.

435
00:22:49,520 --> 00:22:51,760
Speaker 2: I'm not playing with these people. I don't throw them out,

436
00:22:51,800 --> 00:22:54,840
Speaker 2: but throw them out. But she said she go in

437
00:22:54,920 --> 00:22:57,480
Speaker 2: the studio and just make music because she got to

438
00:22:57,520 --> 00:23:00,840
Speaker 2: get it off out of her sister, right you know?

439
00:23:00,960 --> 00:23:03,520
Speaker 2: And that that that's mean right there? You know where

440
00:23:03,840 --> 00:23:06,160
Speaker 2: I never heard nobody break it down like that where?

441
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Speaker 3: When it comes to y'all, right, so I didn't know

486
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Speaker 3: much about mos Na Bo. Yeah, Yams, Yeah he's step yeahs.

487
00:25:46,440 --> 00:25:50,320
Speaker 2: Like I didn't know Yams or could you describe how

488
00:25:50,400 --> 00:25:53,000
Speaker 2: he came a part of the team and how he

489
00:25:53,200 --> 00:25:55,520
Speaker 2: influenced the people, Because I see y'all be having like

490
00:25:55,680 --> 00:26:00,640
Speaker 2: Yams day and I see mad artist me in love

491
00:26:00,760 --> 00:26:04,040
Speaker 2: yets like you know, on on social media to tell

492
00:26:04,080 --> 00:26:07,920
Speaker 2: me about him and his contributes to are always sat pass.

493
00:26:08,880 --> 00:26:10,720
Speaker 3: So with Yeams, he made a.

494
00:26:10,840 --> 00:26:14,359
Speaker 2: SAT like he started a SAP along with Jus and

495
00:26:14,600 --> 00:26:17,840
Speaker 2: like a few other guys Mari, Me and Rocky joined

496
00:26:17,920 --> 00:26:18,800
Speaker 2: like two years later.

497
00:26:19,560 --> 00:26:22,080
Speaker 3: So it was just a collective of creative people and

498
00:26:22,119 --> 00:26:24,280
Speaker 3: it was like a bunch of teams on Halem before

499
00:26:24,359 --> 00:26:26,920
Speaker 3: a SAP. So Tiana was down with a crew called

500
00:26:27,000 --> 00:26:27,800
Speaker 3: Team Nerd that.

501
00:26:27,960 --> 00:26:31,040
Speaker 2: She started that Yams was a part of, and I

502
00:26:31,200 --> 00:26:33,440
Speaker 2: was part of a crew called Hall of memby Rocky

503
00:26:33,560 --> 00:26:35,959
Speaker 2: was a part of a crew called a Million Dollar Babies.

504
00:26:36,880 --> 00:26:39,880
Speaker 2: And then when the crew started to fade out of Harlem,

505
00:26:40,720 --> 00:26:44,040
Speaker 2: we formed a SAP where we all came together as a.

506
00:26:44,160 --> 00:26:48,160
Speaker 3: Staty so yems that's what he did too.

507
00:26:48,200 --> 00:26:50,639
Speaker 6: Yeah, because I've seen a lot of respect from him,

508
00:26:50,640 --> 00:26:53,680
Speaker 6: a lot of high phrase and stuff like that, and

509
00:26:53,800 --> 00:26:55,440
Speaker 6: so I never knew what he really did.

510
00:26:55,880 --> 00:26:59,040
Speaker 2: But Yams also worked with Dipset and he worked with

511
00:26:59,160 --> 00:27:01,800
Speaker 2: our early Magaze be So he used to like work

512
00:27:01,840 --> 00:27:05,000
Speaker 2: with kring Civil pack up all the CDs. He used

513
00:27:05,040 --> 00:27:07,080
Speaker 2: to be in the books reading like all of the

514
00:27:08,080 --> 00:27:11,520
Speaker 2: the articles on music. So he was like our an r.

515
00:27:12,520 --> 00:27:15,880
Speaker 2: He was basically like Jedi, Yeah, Jedi when came out

516
00:27:15,920 --> 00:27:16,320
Speaker 2: of music.

517
00:27:16,960 --> 00:27:21,040
Speaker 3: Let me tell you something right now, Okay, want me

518
00:27:21,160 --> 00:27:24,200
Speaker 3: to go, you don't want me to go. It's some

519
00:27:24,400 --> 00:27:26,680
Speaker 3: ship right now? Do you tip you? We just talked

520
00:27:26,680 --> 00:27:27,360
Speaker 3: about hip hop.

521
00:27:28,359 --> 00:27:31,240
Speaker 2: You know how disgusting it is in the monscular world

522
00:27:31,359 --> 00:27:34,320
Speaker 2: right now, I just called an algorithm in La by

523
00:27:34,440 --> 00:27:41,479
Speaker 2: mistake is mad old school killer rats like your man,

524
00:27:41,560 --> 00:27:44,320
Speaker 2: what's the man who told the jonk Gotti send me

525
00:27:44,440 --> 00:27:46,960
Speaker 2: the bull. But it's a bunch of them, right all

526
00:27:47,160 --> 00:27:51,280
Speaker 2: rats and they up here with podcasts, the people following them.

527
00:27:51,359 --> 00:27:55,440
Speaker 2: And this is so crazy to me that you know,

528
00:27:55,880 --> 00:28:01,080
Speaker 2: I feel like Coaster nostru the masia created the snitches,

529
00:28:01,119 --> 00:28:02,600
Speaker 2: get stitches, yeah.

530
00:28:02,680 --> 00:28:05,280
Speaker 3: And trickle down to the hood like y'all mind your

531
00:28:05,320 --> 00:28:05,800
Speaker 3: business this.

532
00:28:06,400 --> 00:28:10,040
Speaker 2: I've seen this rat nigga man, he said, he called

533
00:28:10,080 --> 00:28:12,160
Speaker 2: out somebody who's skill a boss.

534
00:28:13,160 --> 00:28:15,720
Speaker 3: Ooh there you got. I don't know, he said, you got,

535
00:28:16,119 --> 00:28:18,760
Speaker 3: but listen to this. You got a week to get

536
00:28:18,840 --> 00:28:21,960
Speaker 3: him touch him his a wrack talking to like a

537
00:28:22,160 --> 00:28:25,760
Speaker 3: ma fia Dono was still boss. You gotta week.

538
00:28:25,800 --> 00:28:29,719
Speaker 11: The respond on the twelve shot, this is coming out.

539
00:28:29,760 --> 00:28:32,800
Speaker 11: We're gonna start with the depth Shodnie Wilkinson.

540
00:28:33,600 --> 00:28:34,600
Speaker 3: I seen Yumpf.

541
00:28:35,520 --> 00:28:38,240
Speaker 2: He's on the instagramt talk about he donna talk about

542
00:28:38,520 --> 00:28:42,600
Speaker 2: murders that these guys committed and nobody, you better talk

543
00:28:42,680 --> 00:28:42,840
Speaker 2: to me.

544
00:28:43,680 --> 00:28:46,560
Speaker 11: I'm gonna tell him about And did you see the comments?

545
00:28:46,560 --> 00:28:48,720
Speaker 11: They was like, no, I never knew Johnny Rukerson was

546
00:28:48,800 --> 00:28:51,560
Speaker 11: killed by the ball. I thought, I'm just picking the name.

547
00:28:52,760 --> 00:28:57,239
Speaker 11: He ship made hip hop look like someday school bro.

548
00:28:57,440 --> 00:28:58,960
Speaker 11: I look at that, he said, I said, oh no.

549
00:28:59,040 --> 00:29:01,520
Speaker 3: They got a problem. This ship is a problem.

550
00:29:01,560 --> 00:29:04,200
Speaker 2: We think that were looking at what's going on in

551
00:29:04,320 --> 00:29:07,320
Speaker 2: hip hop because you got a whole society of that, right,

552
00:29:07,880 --> 00:29:12,080
Speaker 2: you know. But the mafia got a problem. So back

553
00:29:12,160 --> 00:29:15,760
Speaker 2: to the music. I heard something and I told you

554
00:29:15,880 --> 00:29:17,400
Speaker 2: real quick, I said, Yo, this ship.

555
00:29:18,240 --> 00:29:18,400
Speaker 8: You know.

556
00:29:18,520 --> 00:29:21,680
Speaker 1: The thing about you is your Clowes is your most

557
00:29:21,720 --> 00:29:25,760
Speaker 1: famous bar in job. Sure nigg on my dicto, uh,

558
00:29:26,280 --> 00:29:27,960
Speaker 1: sure niggas on my dic tone.

559
00:29:32,880 --> 00:29:46,239
Speaker 2: Every flash, I suga dit no, oh yeah, I look

560
00:29:46,280 --> 00:29:49,280
Speaker 2: like Typtos. But I don't know. That was all the

561
00:29:49,360 --> 00:29:53,120
Speaker 2: honey's been coming up to me saying that just that's

562
00:29:53,160 --> 00:29:56,000
Speaker 2: the honey. The real niggas just sticks all. Yeah, let

563
00:29:56,000 --> 00:29:57,280
Speaker 2: me tell them like typt.

564
00:29:58,520 --> 00:30:02,720
Speaker 3: I wouldn't even dick that you ah nah, I know

565
00:30:03,800 --> 00:30:06,640
Speaker 3: when you in the clubs, that's the that's the biggest.

566
00:30:07,600 --> 00:30:07,760
Speaker 2: Uh.

567
00:30:07,920 --> 00:30:10,440
Speaker 3: They dropped the music. Every time he goes no there

568
00:30:11,480 --> 00:30:15,720
Speaker 3: feeling like it is what he Yeah, come on, you.

569
00:30:15,760 --> 00:30:18,720
Speaker 2: Know it's certain things and certain stores you know what's

570
00:30:18,800 --> 00:30:20,560
Speaker 2: not got to do with a little monad?

571
00:30:21,040 --> 00:30:23,080
Speaker 3: Which one is your see what the model for a

572
00:30:23,240 --> 00:30:32,440
Speaker 3: year and a half. I love that story. Fuck you

573
00:30:32,600 --> 00:30:35,480
Speaker 3: talking about what's in the next episode. I take my

574
00:30:35,600 --> 00:30:36,200
Speaker 3: classes on.

575
00:30:36,760 --> 00:30:38,960
Speaker 5: I don't already want to shoot with my classes on?

576
00:30:39,160 --> 00:30:42,920
Speaker 5: So routway do we do the next episode from it's

577
00:30:42,920 --> 00:30:45,800
Speaker 5: not saying from utfo And as you gagd wrap up

578
00:30:45,960 --> 00:30:49,080
Speaker 5: the doctor? You know them niggas was nice to jump.

579
00:30:49,520 --> 00:30:51,880
Speaker 3: Shoot me like Gary. Then it was the airpis. It

580
00:30:52,040 --> 00:30:55,480
Speaker 3: was way too early for them to have them them flows.

581
00:30:55,600 --> 00:30:57,160
Speaker 3: It's in that cool fee though.

582
00:30:59,120 --> 00:31:02,320
Speaker 2: Lester walls down. I'm pitching the shirt. Baby, I bet

583
00:31:02,600 --> 00:31:08,680
Speaker 2: I'm here for guys. It's a good chance. I gotta

584
00:31:08,760 --> 00:31:12,720
Speaker 2: deal with me for another ten twenty y'all got twenty on, y'all.

585
00:31:12,720 --> 00:31:13,680
Speaker 3: Let me change something.

586
00:31:14,000 --> 00:31:16,440
Speaker 2: As long as my sugar stayed down, my lust the

587
00:31:16,480 --> 00:31:19,200
Speaker 2: water or that, Oh y'all gonna deal with fat Joe

588
00:31:19,280 --> 00:31:21,880
Speaker 2: to you about seventy years old, some shit like that,

589
00:31:24,360 --> 00:31:28,280
Speaker 2: you wouldn't know what's crazy. There's one guy who's still

590
00:31:28,360 --> 00:31:33,240
Speaker 2: keep bitch. Tracy Morgan begs me every time he sees

591
00:31:33,320 --> 00:31:34,680
Speaker 2: with Joe. He needs some money.

592
00:31:35,160 --> 00:31:38,719
Speaker 3: What you know invested every time. I'm gonna see him

593
00:31:38,720 --> 00:31:39,480
Speaker 3: at the Linco game.

594
00:31:39,400 --> 00:31:43,840
Speaker 2: Tonight, Joe and I invest in something. You need some money,

595
00:31:44,280 --> 00:31:47,160
Speaker 2: you know. It's the nicest guy you've ever seen. Come

596
00:31:47,200 --> 00:31:50,920
Speaker 2: to my store shops botch it for the customers. He

597
00:31:51,120 --> 00:31:54,000
Speaker 2: walks out of Medicine Square Guard, and he see a

598
00:31:54,120 --> 00:31:55,760
Speaker 2: dude they used to doing.

599
00:31:55,840 --> 00:31:57,800
Speaker 3: It's like, yo, I'm homeless this. He was like, bro,

600
00:31:59,040 --> 00:32:01,320
Speaker 3: they do that, but to me. I ain't do that

601
00:32:01,520 --> 00:32:03,840
Speaker 3: to you. I remember.

602
00:32:04,840 --> 00:32:08,560
Speaker 6: I they think you gotta forget No, nigga, we was

603
00:32:08,640 --> 00:32:13,120
Speaker 6: all broke and you my friend was abusing me when

604
00:32:13,160 --> 00:32:13,880
Speaker 6: we was broke.

605
00:32:14,520 --> 00:32:16,000
Speaker 3: I don't give a part of the guys like when

606
00:32:16,000 --> 00:32:18,480
Speaker 3: you're rich. He was like, fuck you. I don't care.

607
00:32:20,400 --> 00:32:20,520
Speaker 8: Now.

608
00:32:20,600 --> 00:32:22,040
Speaker 3: I don't know if I got the heart to do

609
00:32:22,200 --> 00:32:26,520
Speaker 3: that one. I do you do you don't.

610
00:32:28,280 --> 00:32:30,120
Speaker 6: I get you back down now, I get a back

611
00:32:30,200 --> 00:32:32,600
Speaker 6: pulled up in a fucking five hundred thousand dollars with

612
00:32:33,400 --> 00:32:34,880
Speaker 6: with some first shit and all that.

613
00:32:35,000 --> 00:32:37,560
Speaker 2: They gotta look at me. They've been doing this forever.

614
00:32:37,680 --> 00:32:40,680
Speaker 2: The guys who used to bully me in junior high school,

615
00:32:41,800 --> 00:32:45,080
Speaker 2: they all work in like Madison Square Guard. You ain't

616
00:32:45,240 --> 00:32:48,880
Speaker 2: saying they scalpust forever. And so when I pull up,

617
00:32:49,560 --> 00:32:52,320
Speaker 2: they opened the doors. Now your crab put up.

618
00:32:52,360 --> 00:32:56,040
Speaker 3: You'll remember me? Do you remember me from Nolton Street Chief.

619
00:32:56,360 --> 00:32:58,680
Speaker 3: We used to be down back in the things that

620
00:32:58,800 --> 00:32:59,680
Speaker 3: happens all the time.

621
00:33:00,120 --> 00:33:04,200
Speaker 5: Besides your dad, who's so many your biggest influences in fashion.

622
00:33:04,560 --> 00:33:07,040
Speaker 3: I don't even think your style. I think your style

623
00:33:07,240 --> 00:33:11,760
Speaker 3: is eraror based like you. It's not off, no people,

624
00:33:11,840 --> 00:33:14,400
Speaker 3: it's off for time. So for time.

625
00:33:15,000 --> 00:33:18,400
Speaker 2: Yeah, era era, for sure, that'sn't I would have to

626
00:33:18,480 --> 00:33:25,360
Speaker 2: say everybody from the eighties and early nineties, early two thousands. Yeah,

627
00:33:25,560 --> 00:33:28,360
Speaker 2: I was looking at a lot of I mean, first

628
00:33:28,480 --> 00:33:31,960
Speaker 2: drug Dealer was like going through the Fast magazine seeing

629
00:33:32,000 --> 00:33:35,000
Speaker 2: the old pictures of Richard Quarter and you know all

630
00:33:35,120 --> 00:33:39,480
Speaker 2: the guys. And then my uncle his friends, Yeah, how

631
00:33:39,560 --> 00:33:43,720
Speaker 2: my moms and they used to carry themselves very classic fly.

632
00:33:45,040 --> 00:33:47,400
Speaker 2: And then like when the rappers, I started seeing the

633
00:33:47,480 --> 00:33:50,520
Speaker 2: rappers movement in group man like it was just like

634
00:33:50,640 --> 00:33:52,240
Speaker 2: you were the first person I seen with like a

635
00:33:52,400 --> 00:33:58,000
Speaker 2: million ps, like in your crib, Like when I see him,

636
00:33:58,080 --> 00:34:01,080
Speaker 2: we kill fucking that lay not the brand Jordan.

637
00:34:01,240 --> 00:34:04,840
Speaker 6: They had they game it on locking La so they

638
00:34:04,920 --> 00:34:08,320
Speaker 6: had drops and all the stores different drops.

639
00:34:08,680 --> 00:34:11,440
Speaker 3: Then him was gonna shoot, shoot. I run up.

640
00:34:11,800 --> 00:34:14,440
Speaker 2: Are so many stores in La. Now I got security

641
00:34:14,800 --> 00:34:19,279
Speaker 2: in La. God bless that Jordan not died and that

642
00:34:19,560 --> 00:34:22,120
Speaker 2: this is the one place I got three security strapped

643
00:34:22,200 --> 00:34:25,800
Speaker 2: to death. I'm not playing with them right. So but

644
00:34:25,920 --> 00:34:29,560
Speaker 2: when I walk up with rich player, me and three

645
00:34:29,680 --> 00:34:33,600
Speaker 2: fucking securities, they thinking this is the terror Sward for real.

646
00:34:33,680 --> 00:34:35,319
Speaker 3: So I'm just walking in the store and I'm like, Yo,

647
00:34:35,360 --> 00:34:38,359
Speaker 3: where's sack. I need a side swept. They're like, yo, ship,

648
00:34:38,400 --> 00:34:41,080
Speaker 3: don't come off with nick. I need that.

649
00:34:42,480 --> 00:34:44,640
Speaker 2: I did that to one final store that I get

650
00:34:44,680 --> 00:34:46,440
Speaker 2: a phone calls Reggie from Jostern.

651
00:34:46,520 --> 00:34:49,440
Speaker 3: Joe, you got to stop. We ran down on every store,

652
00:34:49,560 --> 00:34:53,080
Speaker 3: like going into it. I go into the closet and

653
00:34:53,160 --> 00:34:55,680
Speaker 3: when he got the fucking they was not trying to

654
00:34:55,719 --> 00:34:58,319
Speaker 3: get in your purples. Uh lace the furse.

655
00:34:58,440 --> 00:34:58,480
Speaker 7: No.

656
00:34:58,600 --> 00:35:04,200
Speaker 2: I went into the storage. Sorry, twelve, you know that's true.

657
00:35:04,320 --> 00:35:06,080
Speaker 2: Was it like East l A or something like that.

658
00:35:06,239 --> 00:35:08,279
Speaker 2: The girl was looking at me like, yo, what's calling.

659
00:35:08,880 --> 00:35:12,160
Speaker 2: The more to the story is I love collecting sneakers,

660
00:35:12,239 --> 00:35:14,680
Speaker 2: so I had to have it. And so I got

661
00:35:14,719 --> 00:35:19,040
Speaker 2: the call from Regie. He said please making you jarhard.

662
00:35:20,000 --> 00:35:22,120
Speaker 2: Come to my old chel then he give you everything

663
00:35:22,200 --> 00:35:24,680
Speaker 2: you want. You can't keep running down on these stores

664
00:35:24,800 --> 00:35:25,839
Speaker 2: like you do it now it's doing.

665
00:35:25,880 --> 00:35:26,640
Speaker 12: You need the hell of you.

666
00:35:27,320 --> 00:35:30,759
Speaker 3: He send me four unions. You know I actually put

667
00:35:30,840 --> 00:35:37,680
Speaker 3: this dollar. Everybody send you. I ast you over the house,

668
00:35:37,719 --> 00:35:39,120
Speaker 3: did I ain't you?

669
00:35:39,320 --> 00:35:39,960
Speaker 2: You got you.

670
00:35:41,560 --> 00:35:48,080
Speaker 3: Stole the Jeff Hamilton everything you don't sneakers and ship

671
00:35:48,200 --> 00:35:48,920
Speaker 3: like don't ever.

672
00:35:49,120 --> 00:35:49,239
Speaker 10: You know.

673
00:35:49,400 --> 00:35:54,640
Speaker 6: One time, one time I'm on tour being Nelly game

674
00:35:55,760 --> 00:36:00,480
Speaker 6: Ow Wow, Snoop, Kerry Hilse, a bunch of people and

675
00:36:00,640 --> 00:36:02,960
Speaker 6: this dude came to say, y'all want y'all to come

676
00:36:03,000 --> 00:36:03,920
Speaker 6: to my store.

677
00:36:03,680 --> 00:36:06,480
Speaker 3: And get whatever you want to free.

678
00:36:07,880 --> 00:36:10,960
Speaker 2: Your niggas took the nails off the chair like niggas

679
00:36:11,000 --> 00:36:14,280
Speaker 2: just walking up there when Sosati then they had no store.

680
00:36:15,719 --> 00:36:19,480
Speaker 2: Well if finished the game by Watters, Joe, nissas just

681
00:36:19,640 --> 00:36:20,279
Speaker 2: taking shick.

682
00:36:20,400 --> 00:36:23,920
Speaker 3: You didn't taking the sticks office like yo, they wiped them.

683
00:36:24,719 --> 00:36:27,080
Speaker 3: Thank you brother. You looked out there the man. I know,

684
00:36:28,000 --> 00:36:32,719
Speaker 3: no more store in Australia. Niggas still everything. I'm from

685
00:36:32,800 --> 00:36:34,880
Speaker 3: that school, you know. I shout out to the system.

686
00:36:34,920 --> 00:36:35,600
Speaker 3: What was her name?

687
00:36:36,440 --> 00:36:38,360
Speaker 2: You was funting like you knew or the girl she

688
00:36:38,560 --> 00:36:44,320
Speaker 2: mark from U April foot Front told you about the fuck.

689
00:36:46,040 --> 00:36:49,880
Speaker 3: Yes, but let me figure out the foot locker, do

690
00:36:49,960 --> 00:36:51,000
Speaker 3: you no way?

691
00:36:55,280 --> 00:36:57,759
Speaker 2: Just yesterday I got invited by the brand killing you.

692
00:36:58,040 --> 00:37:00,960
Speaker 2: You know, Killian Hennessy is a brand I've been using forever.

693
00:37:01,680 --> 00:37:04,600
Speaker 2: Colognes went up in there and giving me favorous shit,

694
00:37:04,640 --> 00:37:06,719
Speaker 2: and I'm like, y'all I love this, that, that and

695
00:37:06,800 --> 00:37:09,319
Speaker 2: these kinds of things too, rich rich players like yo,

696
00:37:09,680 --> 00:37:10,720
Speaker 2: I love this flavor.

697
00:37:10,880 --> 00:37:14,360
Speaker 3: I love that he called it this burple Force. It

698
00:37:14,520 --> 00:37:20,000
Speaker 3: was like the Golden chap He was like this man, okay,

699
00:37:20,160 --> 00:37:21,440
Speaker 3: let me tell you what happened.

700
00:37:21,680 --> 00:37:23,239
Speaker 2: I did to tell you that other part of the

701
00:37:23,320 --> 00:37:26,200
Speaker 2: story of your part too. I go in the closet,

702
00:37:26,280 --> 00:37:30,600
Speaker 2: I get to later Force. I woke up, girls looking

703
00:37:30,640 --> 00:37:33,040
Speaker 2: at me like, she look at me like, are you doing?

704
00:37:33,600 --> 00:37:35,640
Speaker 2: She don't give a fuck. She don't play that. But

705
00:37:35,880 --> 00:37:39,240
Speaker 2: you know, spec Joe and security is acting like anybody

706
00:37:39,280 --> 00:37:41,880
Speaker 2: acting like they haven't wanted right to be honest with you.

707
00:37:42,280 --> 00:37:47,040
Speaker 2: So she's looking like, you know, right as I'm leaving,

708
00:37:47,600 --> 00:37:50,239
Speaker 2: which turns right and goes she know he's sides ten.

709
00:37:50,360 --> 00:37:55,640
Speaker 2: I said, oh, this is when Robin. The place goes

710
00:37:55,800 --> 00:37:58,719
Speaker 2: back like I already see. I got lucky with the

711
00:37:58,880 --> 00:38:02,640
Speaker 2: twelve which player turns around the coach Joe. After this,

712
00:38:03,640 --> 00:38:07,240
Speaker 2: she's like, they don't come out to next month.

713
00:38:07,080 --> 00:38:08,560
Speaker 3: This, this, this, this, this, I'm like this.

714
00:38:09,360 --> 00:38:09,960
Speaker 2: You needed that.

715
00:38:12,920 --> 00:38:14,160
Speaker 3: He got it. She can'ts up.

716
00:38:14,200 --> 00:38:15,880
Speaker 2: He went to kill you and shout out to kill you.

717
00:38:16,000 --> 00:38:20,759
Speaker 2: And I loved the cologne, soho uh took care of me. Uh,

718
00:38:20,960 --> 00:38:22,920
Speaker 2: mister killy, and thank you so much. I've been a

719
00:38:23,000 --> 00:38:26,680
Speaker 2: big fact. So I used to use this Cravens called

720
00:38:26,760 --> 00:38:31,040
Speaker 2: Beyond Love, right and they were running out. They said

721
00:38:31,080 --> 00:38:34,920
Speaker 2: it discontinue, and I bought me a fucking battle a

722
00:38:35,080 --> 00:38:37,520
Speaker 2: barrel of it might have been twenty thousand dollars a

723
00:38:37,719 --> 00:38:41,799
Speaker 2: batrele a beyond Love and every day, you know, for years,

724
00:38:41,880 --> 00:38:44,239
Speaker 2: I was just you know, because if you like me,

725
00:38:44,360 --> 00:38:47,640
Speaker 2: if you love Franks, when they tell you it's on

726
00:38:47,880 --> 00:38:53,080
Speaker 2: from length, I got another brand. I used dat discontinue

727
00:38:53,120 --> 00:38:55,960
Speaker 2: that man, I what to do. Buy bought every job

728
00:38:56,120 --> 00:38:58,800
Speaker 2: you could think. I mean, I got about forty or

729
00:38:58,800 --> 00:39:00,879
Speaker 2: fifty bottles in the house, like I can't. I don't

730
00:39:00,880 --> 00:39:02,440
Speaker 2: even think I live long enough.

731
00:39:02,280 --> 00:39:07,520
Speaker 3: To spray that ship when I'm addicted to a flavor.

732
00:39:08,160 --> 00:39:11,560
Speaker 3: I gotta have that ship. And you telling me it's over,

733
00:39:11,760 --> 00:39:14,640
Speaker 3: it's never coming back. Just continue. That's how to get

734
00:39:14,719 --> 00:39:17,360
Speaker 3: us for the MX nine five all the time. The

735
00:39:17,520 --> 00:39:20,520
Speaker 3: neon green come out and be like last run, I

736
00:39:20,640 --> 00:39:24,600
Speaker 3: go get nine pair, yo, I need nine pair. That's hot.

737
00:39:24,640 --> 00:39:27,040
Speaker 3: Did that just the other day? We love that.

738
00:39:28,960 --> 00:39:32,200
Speaker 2: We love it them dray them shocks and gray and

739
00:39:32,280 --> 00:39:35,120
Speaker 2: yellow joints, gray, white and yellow off of us.

740
00:39:36,480 --> 00:39:38,759
Speaker 3: Somebody gave me, what's the girl? My girl?

741
00:39:39,520 --> 00:39:42,960
Speaker 2: She worked for character licenmed girl name. That's disrespect. I

742
00:39:43,040 --> 00:39:45,080
Speaker 2: sing that at the All Star Game. But my husband

743
00:39:45,160 --> 00:39:47,920
Speaker 2: got a cloth in mind. He did collaborate night.

744
00:39:48,080 --> 00:39:51,319
Speaker 3: I wed all day. I gotta find these ship. These

745
00:39:51,320 --> 00:39:55,000
Speaker 3: ships are like sweat being gray and the orange. You're

746
00:39:55,080 --> 00:39:56,000
Speaker 3: fare what's that ship?

747
00:39:56,080 --> 00:39:58,279
Speaker 12: They set you a pair too? For the palace, Dude,

748
00:39:58,680 --> 00:40:01,120
Speaker 12: the palace, dude, they got the in the grade. Yes,

749
00:40:01,239 --> 00:40:04,240
Speaker 12: it was apparent. It was the apparel of the sneakers,

750
00:40:04,520 --> 00:40:07,399
Speaker 12: the sneakst niggers the palace. That what's the same shoot

751
00:40:07,400 --> 00:40:10,400
Speaker 12: a steep Victor did DNA hellas did when I was flying.

752
00:40:10,400 --> 00:40:13,319
Speaker 12: It's gray and grand alice, yo.

753
00:40:13,960 --> 00:40:17,280
Speaker 13: Matter of fact, that's like a Jadakis sneaker. No bullshit,

754
00:40:20,080 --> 00:40:23,080
Speaker 13: that's the Jadakiss sneaker. Well, you know, Jada Kiss, I

755
00:40:23,239 --> 00:40:25,680
Speaker 13: never even do this, like designer says.

756
00:40:26,239 --> 00:40:29,120
Speaker 3: So I threw them on the day. My daughter was like, look, Dad,

757
00:40:29,280 --> 00:40:32,840
Speaker 3: throw them all. That's the that's the Jadakiss stick to

758
00:40:32,880 --> 00:40:35,160
Speaker 3: hear this guy. So that's what I'm saying. He made

759
00:40:35,239 --> 00:40:39,040
Speaker 3: one of those skinny people. I'm troubling. I can't even

760
00:40:39,120 --> 00:40:42,080
Speaker 3: alice the where we get it from? Man, Yeah, let

761
00:40:42,160 --> 00:40:42,640
Speaker 3: me tell you so.

762
00:40:43,239 --> 00:40:45,920
Speaker 5: So let us know when the projects coming out. Flip

763
00:40:46,000 --> 00:40:49,640
Speaker 5: for short exam with the lux here the lux I

764
00:40:49,680 --> 00:40:52,800
Speaker 5: want to play something for y'all. Let's go play something, baby,

765
00:40:53,120 --> 00:40:54,759
Speaker 5: send me to find that. Are you on the de

766
00:40:54,880 --> 00:41:00,880
Speaker 5: Luxe Telor came on in them all? And you know

767
00:41:00,960 --> 00:41:03,480
Speaker 5: I got this massage chair. It picks me up in

768
00:41:03,560 --> 00:41:05,200
Speaker 5: the air. Massage is my ass.

769
00:41:20,880 --> 00:41:23,840
Speaker 2: Let me tell you something. He's a massage chair. And

770
00:41:23,960 --> 00:41:26,840
Speaker 2: I shout off some momem sage therapists. But you know

771
00:41:27,760 --> 00:41:30,400
Speaker 2: I'm in that chair listening to that. Seana Taylor that

772
00:41:31,320 --> 00:41:33,799
Speaker 2: that Jorge you on Agreements. I can't wait to hear

773
00:41:35,000 --> 00:41:36,359
Speaker 2: mister Blade that on the show.

774
00:41:36,680 --> 00:41:40,440
Speaker 3: She gotta release Well, man, she's doing big ship right now,

775
00:41:40,600 --> 00:41:43,279
Speaker 3: lonely globes. And then he said little. I said, gee,

776
00:41:43,840 --> 00:41:47,759
Speaker 3: I know, at ten years old working for me, she's

777
00:41:48,120 --> 00:41:51,800
Speaker 3: one of the only people that ever rang up on me.

778
00:41:52,239 --> 00:41:55,719
Speaker 3: I'm gonna be things. I'm gonna be a start. I'm

779
00:41:55,800 --> 00:41:57,920
Speaker 3: gonna this used to have a little biking haul of

780
00:41:57,920 --> 00:42:00,279
Speaker 3: them and pull up on me. I'm going to be

781
00:42:00,360 --> 00:42:02,680
Speaker 3: down with for real. I'm gooda she did all that ship,

782
00:42:03,360 --> 00:42:08,040
Speaker 3: This ain't that and this cracked kids get some noise

783
00:42:08,120 --> 00:42:09,000
Speaker 3: preferred baby.

784
00:42:12,800 --> 00:42:14,600
Speaker 2: But I want to give you all, y'all flowers, man,

785
00:42:14,719 --> 00:42:18,200
Speaker 2: because y'all doing the amazing work. Because y'all been doing

786
00:42:18,280 --> 00:42:21,719
Speaker 2: it for hunteen years. Y'all show all of us how

787
00:42:21,760 --> 00:42:25,480
Speaker 2: to do it. How then keep got integrity, how to

788
00:42:25,719 --> 00:42:30,000
Speaker 2: move and groove in the game, stay alive and drive

789
00:42:30,360 --> 00:42:31,800
Speaker 2: because y'all not just being alive.

790
00:42:31,920 --> 00:42:35,160
Speaker 3: I appreciate y'all. I love y'all. Thank y'all for inspiringly.

791
00:42:38,160 --> 00:42:40,640
Speaker 3: What's the news? Gay? You know what I'm saying, Jada,

792
00:42:40,760 --> 00:42:43,239
Speaker 3: that's the intro. Every now and then we might need

793
00:42:43,320 --> 00:42:47,320
Speaker 3: that little click name of the album.

794
00:42:47,719 --> 00:42:52,319
Speaker 5: Flip on, Shorty, Flip on Shorty, right now, uptown baby,

795
00:42:52,400 --> 00:42:55,040
Speaker 5: Deluxe Away that's go