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Speaker 1: It's now time for Cannabis Talk one oh one with Blue,

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Speaker 1: Joe Grande and Mark and Craig Wasserman, the Pot Brothers

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Speaker 1: at Law. We're the world's number one podcast for everything cannabis. Hello,

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Speaker 1: and welcome to Cannabis Talk one on one Monday. Is Blue.

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Speaker 1: Alongside of me is the world famous Pot Brothers at

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Speaker 1: Law and Joe Grande and we are your number one

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Speaker 1: source for everything cannabis. Yes we are, folks, and I

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Speaker 1: want to thank everybody for listening to the podcast Cannabis

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Speaker 1: Talk one oh one all around the world. Make sure

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Speaker 1: you give us a call and say what one number eighth.

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Speaker 1: Make sure you check out our Instagram pages for Jamie News,

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Speaker 1: learned the script and so much more. At Cannabis Talk

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Speaker 1: one oh one is where you can find us on

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Speaker 1: all social media. And make sure you go to the

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Speaker 1: YouTube page, folks, because the YouTube page has all of

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Speaker 1: these great podcasts that we do. But now you can

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Speaker 1: see the video side of it and watch us and

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Speaker 1: see who we're interviewing and see how sexy us four

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Speaker 1: men really are. And when we talk about sexy, even

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Speaker 1: I'm talking about Pot Underscore Brothers under for at Underscore

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Speaker 1: Law Marcus at Wasslaw. Craig is that Washslaw Dog? Blue?

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Speaker 1: Is that one? Christopher Rice? I am at Joe Grand

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Speaker 1: fifty two and our guest today, Chris the Glove Taylor

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Speaker 1: is no stranger to the world, folks. A legendary hip

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Speaker 1: hop in the works. I mean, when you think of

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Speaker 1: hip hop, you think of death Rows, you think of

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Speaker 1: the Ice t Do you think of the movies like Breaking,

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Speaker 1: you think of things in life where you go This

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Speaker 1: dude's put it down like four flats from a Cadillac

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Speaker 1: back in the days, you know what I mean. So,

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Speaker 1: Chris the Glove, it is great to have you on

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Speaker 1: the show. We appreciate you coming on and hanging out

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Speaker 1: as you're having the death Row necklace. That's how pep

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Speaker 1: you go. Thank you for having me. This guy too,

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Speaker 1: he knows that from a death Row original. Yes, ye

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Speaker 1: do you remember seeing Blue there when he was with

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Speaker 1: the death Row at the time that Canam when I

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Speaker 1: met Yes, Yeah, I was a studio which was death

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Speaker 1: Row the original took joy to can m Yeah, and

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Speaker 1: then he rented it from like after mine was over.

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Speaker 1: He rented it for a year. Yeah, you know, I mean, dude,

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Speaker 1: I had so many good times at Canam Studios and

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Speaker 1: for those that don't know, death Row was at you

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Speaker 1: know can M but you know the West Side Connection

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Speaker 1: ice Cube, they did the whole West Side Canna being

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Speaker 1: being banged there. Yeah, that whole, that whole movement was there.

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Speaker 1: I mean so many good people. You know, Um Heron

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Speaker 1: we lost, you know, rest in piece of Heron, you

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Speaker 1: know what. Heron was one of the first ones that

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Speaker 1: brought me in randomly. I was freestyling at a party

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Speaker 1: in Mexico and he was like, yeah, so I know

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Speaker 1: you as an engineer. Yeah no, no, I was I no, yeah, yeah, yeah,

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Speaker 1: yeah no. I was rapping and and and uh. Heron

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Speaker 1: walks up to me and goes, yo, you know what's

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Speaker 1: up allout you? What are you doing. I'm like, I'm

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Speaker 1: just wrapping. He was like he was like, this is

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Speaker 1: death Row. And I'm like, you ain't death Row, and

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Speaker 1: he was like, no, this is death Row. And then

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Speaker 1: he pulled out this big chain on me and I

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Speaker 1: was like, damn no, that's death Row a gang sign.

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Speaker 1: I mean, you go deep though, you got death Row,

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Speaker 1: you got ruthless, you got aftermath. I mean, you're an

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Speaker 1: original of all this Is it funny when you look

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Speaker 1: back when fun we put this down for the West.

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Speaker 1: When we were doing it, we were like, funk, we're

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Speaker 1: putting this down for the West. Now that's it, Like,

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Speaker 1: for instance, the one giant marketing thing, no one seems

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Speaker 1: to okay. So the chronic, right, we did this record,

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Speaker 1: you know, and what we wanted to do was did

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Speaker 1: you helped produce that record? Yes, I'm credited for mixing,

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Speaker 1: but I also produced the song on that called Stranded

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Speaker 1: on Death Row, And I co produced a lot of

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Speaker 1: the stuff when you was with Dre and whatever you

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Speaker 1: could do was being used. So yeah, I did a

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Speaker 1: whole lot of stuff. I was all the guns on

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Speaker 1: the Doggy Stop. I was about to say, you know,

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Speaker 1: you know a lot of things you know that weren't

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Speaker 1: credited that you've done because it's just the protocol and

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Speaker 1: a lot of people don't understand that music. But you know,

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Speaker 1: we know that behind the scenes, like yo, this student

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Speaker 1: may have produced the whole damn track, and and and

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Speaker 1: then maybe you know, Drake comes in and puts a

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Speaker 1: little you know, bail on it, and it's like, yeah,

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Speaker 1: it's Drey's But that's part of being you know, that's

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Speaker 1: one look at it. But the way that was with

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Speaker 1: us was he was there every second and it wasn't

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Speaker 1: a slight that I didn't get written down. I was

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Speaker 1: more of a spock guy. I wasn't really concerned with

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Speaker 1: that right. I want to make sure it sounded right.

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Speaker 1: And he was dope. I was always trying to make

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Speaker 1: because the bigger he got, the more money would I

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Speaker 1: would get. Yeah, how do you care about me? Branding?

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Speaker 1: And all that was brand dre Yes. Now it's brand glove.

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Speaker 1: But so you didn't know that coming up, you got this,

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Speaker 1: you know, friends, I started doing vocals like you now,

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Speaker 1: and who knew? I could have done it the whole

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Speaker 1: damn time. Like I could have been a brandon myself

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Speaker 1: as that I'm six ft four, I'm the same kind

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Speaker 1: of I could be a menace. Yeah, but you know,

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Speaker 1: so I like to control people with the music and

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Speaker 1: make a move. So I have a secret language of people.

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Speaker 1: You don't have to say in my mouth. I can

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Speaker 1: tap something and this guy's little tap yeah communicated. Yeah.

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Speaker 1: So that's like. So I have a comic about that

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Speaker 1: now that I'm doing releasing with a soundtrack that is

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Speaker 1: about an alternately reality where music is controlling people. So

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Speaker 1: all the music people are in charge, like governor's, president's,

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Speaker 1: king's queen. Throughout time, it's always been the music people.

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Speaker 1: Once they learned about weaponizing music, which is making a

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Speaker 1: guy tap his foot or singing a song, put your

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Speaker 1: hands in the air, put your hands up and just jump,

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Speaker 1: and you've got everybody in control. Yeah, so imagine that

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Speaker 1: guy running for president like Kanye did it if he look,

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Speaker 1: he just had a listening party in Atlanta. Peaked out Apple.

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Speaker 1: You see that bro broke it, broke the whole fucking

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Speaker 1: service dog. That news was one guy. And you think Apple,

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Speaker 1: how's that going to break down? Apple servers? What every

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Speaker 1: want you to while I got something, it's not that.

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Speaker 1: This is for you to let the brothers. This is

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Speaker 1: sweet is sponsored by nug This is our pre role.

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Speaker 1: Shout out the Nugs, Shout out to Nico and shout

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Speaker 1: out to Phil Bro. They behind us one percent with

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Speaker 1: the glass tip right and it makes right. You're gonna

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Speaker 1: love it. All dabbers love this. IT'SIP. So this is

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Speaker 1: a flavor we're doing That one is actually flavored. Don't

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Speaker 1: be mad at me. We have I should if the

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Speaker 1: one I gave the brother. Little brother has the extended tips.

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Speaker 1: So in case you don't like the flavor coming on

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Speaker 1: your lip, it's fine coming through the smoke. Amazing. It

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Speaker 1: tastes wonderful. By the way, Thank you man. That's sweets sweet.

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Speaker 1: Say that again. Get the shot out. Sweets Underscore c

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Speaker 1: A on Instagram. We're in about thirty stars spotsored by

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Speaker 1: nug uh. You're familiar with them, of course. Yeah, we're

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Speaker 1: gonna do some evings together pop Brothers and cannabis talk

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Speaker 1: and eats and let and also yours is Chris Glove

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Speaker 1: Underscore on Instagram. Make sure you go check that out there.

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Speaker 1: And you know you mentioned something you said that about

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Speaker 1: branding yourself looking back at it and talking about the

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Speaker 1: team work back then, Chris, And when you look at

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Speaker 1: it back then, talk about that environment of just being

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Speaker 1: a team and creating these anthems that we have, Like

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Speaker 1: how did those come about? Give us some good inside

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Speaker 1: stories of some of these ones. I mean, because let's

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Speaker 1: face it, like we said, you're with Ruthless back in

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Speaker 1: the day, your death, throw your aftermath all there's anthems

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Speaker 1: on each one of these camps, legendary anthems and you're

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Speaker 1: right there next to Dre watching this grow up, So

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Speaker 1: give us some good insight. Well first, before I get

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Speaker 1: a good inside story, does the does the movies give

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Speaker 1: it some justice? Are they? Are they a little my point?

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Speaker 1: Are they just too off? There? I gotta admit something.

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Speaker 1: I lied to my friend. He asked me, straight to

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Speaker 1: my face, did I like this movie? And I said yes,

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Speaker 1: I have never seen the movie, so I didn't say that.

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Speaker 1: I said I never saw the movie. Though anyone here

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Speaker 1: that knows what I'm saying knows what I'm saying. I

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Speaker 1: want to apologize for my friend, but I haven't seen

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Speaker 1: the movie because I wasn't in it. And I was

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Speaker 1: mad about that because I was more instrument every this

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Speaker 1: guy I got as a guy who was in there

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Speaker 1: quick story. He did some kind of videoography, like one

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Speaker 1: of these beautiful men here. He got in the movie

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Speaker 1: right doing that, and I was like, bro. He was like,

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Speaker 1: oh yeah, everybody can't be in the movie. I was like, bro,

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Speaker 1: you happen to be one camera guy out of a thousand.

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Speaker 1: Back then, we didn't have social media. This was following

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Speaker 1: us everywhere we went. This is media. This is media.

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Speaker 1: What's this called media? Damn right, this is not social media.

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Speaker 1: That's a joke. We're with our new record. We're on

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Speaker 1: the No TCUs. You know what No TCUs is. You

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Speaker 1: do the news on Univision and we're popping off because

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Speaker 1: it's a Dominican thing I'm doing now like with the

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Speaker 1: comic anyway. So the story is, let's go to one

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Speaker 1: of those stories. There's a picture that I just posted

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Speaker 1: that has me Dre snoop and Dad, I've seen it.

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Speaker 1: So that picture that day we were actually working on

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Speaker 1: Dre Day, the remix, which was the radio versions. You remember,

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Speaker 1: we had to do all o so we rewrap them

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Speaker 1: and we did Doggie Dog World that day. That picture.

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Speaker 1: We did both of those that day. So people call

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Speaker 1: it the chronic sessions, but we were working on We

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Speaker 1: didn't you was at a cana Tupac would be on

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Speaker 1: three studios. Who gives a hammer hammer hammer, po pock.

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Speaker 1: So this is the Beauty of death row. So when

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Speaker 1: we were doing that, that was over at the Village

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Speaker 1: Requarters over on Butler. It was an old Masonic temple,

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Speaker 1: so it had invisible walls. You walk in the studio,

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Speaker 1: you didn't even couldn't tell you were in a building.

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Speaker 1: You walk in and it looked like this, these panels

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Speaker 1: and then you go one door over and the eighty

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Speaker 1: dudes in their naked hip hop. So there's a good

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Speaker 1: side of death throw on the bad side. So they

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Speaker 1: were breaking out about to go on tour. I never

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Speaker 1: told the story. Um So and executive from a booking

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Speaker 1: agency came by the visitors. You know, Hollywood, you got

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Speaker 1: Dr Dre Michel. You know, these are all super stars,

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Speaker 1: all sitting in the studio. They come in and and

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Speaker 1: sugar and and and I saw something happen and it

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Speaker 1: was like a slight of the mouth like I was like, oh,

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Speaker 1: you know what I'm talking about. So as that person departed,

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Speaker 1: there's always someone with shoog. This is a bad part

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Speaker 1: of death throw, like haroun, always someone with check them

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Speaker 1: a big, give him a shift and oh man, what's up?

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Speaker 1: You bump me? And then the melee starts. So they

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Speaker 1: in front of the police station. Thirty people smash this

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Speaker 1: executive and I was like, I know now what my

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Speaker 1: mother think that I'm in a drug business. Yeah, because

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Speaker 1: we got the gramatics inside. Bro, we're recording. It's a

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Speaker 1: tug we R and B. We having a good time

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Speaker 1: outside murdering mayhem in front of the police station. No

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Speaker 1: one's thinking twice that, the studios in front of the state.

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Speaker 1: It's all for hand in hand right there. And that's

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Speaker 1: what I'm telling me. That was what's death row. Yeah,

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Speaker 1: when you look back to it, just make you go, damn,

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Speaker 1: what was I doing? Or it's like that that was

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Speaker 1: just what it was. That was what it was. Man,

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Speaker 1: were just nothing happening to us because we were smart?

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Speaker 1: But did you ever have fear about it? Though? My

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Speaker 1: life been threatened several times by the king or by

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Speaker 1: Sugar or heron, but they can't get me right. Well,

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Speaker 1: I think the thought process was is that was a

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Speaker 1: normal thing, you know. Is is an intimidation was there?

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Speaker 1: You know? And if you couldn't live in it, then

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Speaker 1: you were you were immediately squeezed out. And so if

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Speaker 1: you could kill with it, you could deal with it,

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Speaker 1: then then you can't. You can't take the pressure. Dude.

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Speaker 1: You gotta get a bitch. You had to kill me?

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Speaker 1: Can I finish the music first? Are you gonna kill me? Now?

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Speaker 1: It's funny? Humh oh, yeah, Well I just need to

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Speaker 1: finish the record, bro, Like all this you're talking is cool,

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Speaker 1: but seriously, you try saw another story. That's a good story.

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Speaker 1: Doggy style was done back then. You know this. We

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Speaker 1: mixed this over at Laraby, so I got everything down

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Speaker 1: to half I mixed that album too. I ain't get

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Speaker 1: no credit for that with Dre, but we mixed that

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Speaker 1: down to a half inch. So we're on a half

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Speaker 1: inch Master one copy. So after Drey and I came

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Speaker 1: up with right, we came up the white board and

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Speaker 1: all the order of all the songs. After two months,

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Speaker 1: I'm putting them together. Razor blade, razor blade cutting still

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Speaker 1: the real it will be all funked up if you

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Speaker 1: cut a little to the oh bad, you know right?

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Speaker 1: So I got this master, I got Jimmy, Jimmy, I've

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Speaker 1: been standing here right sitting there like him shook, stay

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Speaker 1: in here like my big crack. So you are you're

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Speaker 1: gonna finish your We got like a plane. Jimmy's like,

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Speaker 1: we got a plane. I'll stand by fifteen thousand an hour.

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Speaker 1: We got seventeen trucks waiting to go ship this record,

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Speaker 1: Glavin shipping platinum. Can you mean like the house with me? Right?

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Speaker 1: So I just like you know me right? I said back.

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Speaker 1: I was like you guys could either do it or like,

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Speaker 1: what's that thing we do on Fridays? Shut the funk up?

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Speaker 1: Thank you? And you know what they did right, shut

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Speaker 1: the funk up. There's no intimidation here. You want it,

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Speaker 1: I'll do it. If you want to pressure me, you're

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Speaker 1: just wasting your time. And now I'm gonna take my time.

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Speaker 1: And yeah, fucking back up. So what happened? They shut

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Speaker 1: the funk up and I finished dre laugh. He used

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Speaker 1: to say stuff, but I didn't care because like, I

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Speaker 1: wasn't from a poor neighborhood. I wasn't a broke through

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Speaker 1: from camping or nothing. My mentality was I was already

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Speaker 1: thinking I was elite anyway, Like you guys don't even

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Speaker 1: know to work none of this ship. I've brought you here,

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Speaker 1: so I'm the one that's going to put together when

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Speaker 1: when we show when we showed it to Larry, I

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Speaker 1: was the one that booked the ship. I was one.

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Speaker 1: But like, looks like I might not be on the record,

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Speaker 1: but pull up all the tracks, every one of them.

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Speaker 1: You know, let's just work, but don't try to put

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Speaker 1: that in there. That's why. How about what's there's nothing

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Speaker 1: like hearing the glove stories. But you know what time

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Speaker 1: it is. It's timetime, Baby and Turpene Warehouse, bud Man

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Speaker 1: stew four twenty expressions, Callie Effects, feel the effects and

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Speaker 1: check this out, guys. G four Live Blood Tenders Award

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Speaker 1: is going down September twenty nine through October two, Las Vegas,

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Speaker 1: Mandelaide Bay, Viscus Faith will be there, live the ride.

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Speaker 1: It's Cannabis Talking one on one. Move right back after

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Speaker 1: this break. Welcome back to Cannabis Talk one on one. Chris.

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Speaker 1: The glove is in. Just the stories, man, are just

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Speaker 1: so it makes me flashback and that I'm looking at

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Speaker 1: the Instagram and just looking at you on the board

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Speaker 1: and I'm seeing you in the studio when Dre snoop

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Speaker 1: and how did that relationship start with you? Guys? Oh wow, Okay,

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Speaker 1: so Dre and eyes relationship started. And then the Dre

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Speaker 1: snooping Eyes different too, But the one with Dre was

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Speaker 1: so funny. I was just telling my man, Tony has

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Speaker 1: been the same story. We drove by my first apartment

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Speaker 1: on the way here and the way I met Dre.

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Speaker 1: I had produced a record with Iced Tea on breaking

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Speaker 1: and did Reckless and which was a classic video contact

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Speaker 1: Com video number shot out on the t whole record.

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Speaker 1: It was the number one record, number one video, number

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Speaker 1: one movie. Like at the same time, that was one

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Speaker 1: of the best West Coast Man and we got them

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Speaker 1: when Beach Street came out. It came out of there.

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Speaker 1: That's the part. So yeah, I'm living that, Like I'm

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Speaker 1: a DJ. Paradise people every Thursday. So I'm like living

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Speaker 1: the life. I'm a hot DJ. So I'm taking the

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Speaker 1: trash oot. I got this gear. I didn't want to

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Speaker 1: do no rap. I got get in the living room

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Speaker 1: taking off trash. My boy Dave supers around the corner

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Speaker 1: with Dr Dre in the car convertible. He's a party promoter.

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Speaker 1: He's find Dre. We were best friends growing up. He's

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Speaker 1: like he knew all dead music. And he brought that

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Speaker 1: dude to my house. Literally, I put the trash and

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Speaker 1: to think one upstairs, who'd Dave Jacquett? That was my

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Speaker 1: boys to call him party man. So like remember the

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Speaker 1: casino party we had back then. He put that on, dude,

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Speaker 1: there was some big tell you this is party man.

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Speaker 1: He put on the wet and wilds, big big. He

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Speaker 1: introduced me to Dre and then Drake said, I need

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Speaker 1: somebody to deal to kind of do what I do.

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Speaker 1: And I could just come in and say what you said, yeah,

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Speaker 1: and at least just not have too much work to do.

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Speaker 1: You can build some big I was like, I could

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Speaker 1: do that. So he was like, okay, I'll sign you

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Speaker 1: and your group. We don't even have a name, and

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Speaker 1: who who are you? I was like, yeah, right, dre Well.

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Speaker 1: I knew that he was playing No More Lives when

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Speaker 1: he pulled up, like so he already knew, he knew

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Speaker 1: where the world, knew when it was people pointing when

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Speaker 1: he was getting out the correct he loved. Yeah, so

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Speaker 1: that's how you guys met at You went to work

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Speaker 1: right after that. Right after that, we go straight to

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Speaker 1: start working on the hundred miles and running hundred miles

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Speaker 1: and how is it ruthless? So yeah, so the Easy

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Speaker 1: was calling me, Oh yeah, Easy. He was a real character.

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Speaker 1: We spoke every day about seven in the morning. We

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Speaker 1: would all three talk on the phone and Easy, he's

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Speaker 1: a character. I could just say. I mean, one thing

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Speaker 1: I remember about him was that, remember the pages we

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Speaker 1: used to have. He put his pages down and vibrate

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Speaker 1: off the table. Every time he tells you can, He

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Speaker 1: called me back because I can only save numbers. Yeah,

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Speaker 1: I can only lock ninety nine numbers and pushed you out,

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Speaker 1: like I just called you five minutes ago. I know, bro,

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Speaker 1: these cats. Let me tell you. They just did a

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Speaker 1: documentary about Easy, a story I know about Easy. This

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00:18:01,480 --> 00:18:05,480
Speaker 1: another story I never told. Dre and Easy and ran

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Speaker 1: the whole group. They had a competition on how many

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Speaker 1: chicks were on the road. Everybody didn't done this. Easy

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Speaker 1: smoked everybody by, like triple what yeah, so many. They

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Speaker 1: was like you we quit. They quit. They were like,

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Speaker 1: we're done. This is Dr Dre who was getting busted

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Speaker 1: up right now on the two and a half a

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Speaker 1: beer or something for a chicken. They quit. Easy was

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Speaker 1: no joke when they love him. That's just the new

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Speaker 1: Easy right there. You see the dreads, that's what you do.

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Speaker 1: You put that on stage, the chicks. He wraps. He's

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Speaker 1: on my new single cigarette. We got a song out

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Speaker 1: right now, and so talking about that story said it,

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Speaker 1: but it was a little different. So Dre and I

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Speaker 1: had like a kind of joint bachelor party. He had

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Speaker 1: a bachelor party, and I was getting married, like I

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Speaker 1: knew I was getting married, and he knew, but nobody

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Speaker 1: else knew. Everybody knew he was getting married, so it

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Speaker 1: was like our bachelor party. So it was downtown a

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Speaker 1: Crosstreet from usc like nine. This really was like well

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Speaker 1: so when we met Snoop it was like ninety one

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Speaker 1: at the end, well, we were still doing the current.

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Speaker 1: We just was about to start, like we met Snoopy,

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Speaker 1: did thing, then we did one seven after when A

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00:19:27,720 --> 00:19:30,240
Speaker 1: seven came out first, but we did g thing was

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Speaker 1: the premier launch because we came through Death Row was

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Speaker 1: first through the soundtrack, so we had to all manage that,

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Speaker 1: so it's tricky. But yeah, he came to the party.

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Speaker 1: Actually that one was the Jails the Trip, so he

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00:19:42,160 --> 00:19:44,040
Speaker 1: jumped up on the table and started rapping. He came

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Speaker 1: with Warren g him and Nate Doug and then did

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Speaker 1: a two on three song. But we was looking at

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Speaker 1: Snoop like this dude, sound like he from down south?

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Speaker 1: Where are you from? Long Beach? No? But where are

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Speaker 1: you from? I was born at such a such in

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Speaker 1: Long Beach. You are lying right, yeah, where you get

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00:19:58,400 --> 00:20:04,480
Speaker 1: that swing? To forget the swing? How he's still Yeah,

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00:20:04,520 --> 00:20:08,200
Speaker 1: he kills it. Joe is the guy you know exactly

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00:20:08,240 --> 00:20:11,240
Speaker 1: what I'm talking about and even in his conversation it's there.

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Speaker 1: He's like Biggie when Tupac when they rapp and they

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Speaker 1: talk walking by, you can hear Tupac just whispering the chick.

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Speaker 1: You know, every artist ain't like that. When you're a superstar,

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00:20:22,920 --> 00:20:25,760
Speaker 1: people know your voice like that, and that's why those

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00:20:25,760 --> 00:20:27,520
Speaker 1: are the guys that do that. And did you feel

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Speaker 1: that from when you first jumped on him, Like, wait

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Speaker 1: a minute, that dude, yeah, I didn't really Nate Dog

385
00:20:32,560 --> 00:20:35,520
Speaker 1: was cool. I wasn't really into that thing. They got it,

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00:20:35,600 --> 00:20:40,480
Speaker 1: but uh and Warrengy he was cool. But that dude Snoop,

387
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Speaker 1: I was like that one, the skinny one, that doe there.

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Speaker 1: He was the same eye as me too. I was like,

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00:20:46,320 --> 00:20:48,760
Speaker 1: he was skinnier than me too. He wants away one

390
00:20:48,840 --> 00:20:54,479
Speaker 1: forties literally six four like a doberman. I'm the one

391
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Speaker 1: who told him there'll be no Rock Wilder in the video.

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Speaker 1: You're a doberman. So they made him a doper minister.

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Speaker 1: I did a lot of so they were creatively as cool.

394
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Speaker 1: When you're creative, they listened to you on like creative stuff,

395
00:21:06,280 --> 00:21:08,119
Speaker 1: like if I said you should invest your money in

396
00:21:08,119 --> 00:21:09,919
Speaker 1: the stocks. They would have been like, you dude, you

397
00:21:09,960 --> 00:21:13,960
Speaker 1: created where is the white guy? You tell me about

398
00:21:14,000 --> 00:21:16,840
Speaker 1: the stocks? You know what I'm interested in? Too, christious?

399
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Speaker 1: How does the glove come to be the nickname? Where

400
00:21:18,960 --> 00:21:21,640
Speaker 1: does that come from? I got that name? Now that's

401
00:21:21,640 --> 00:21:26,719
Speaker 1: a trippy story. So I was a DJ um they

402
00:21:27,320 --> 00:21:32,480
Speaker 1: did the glove DJ you like like base trip man?

403
00:21:32,520 --> 00:21:35,080
Speaker 1: I was. I used to. I used to work for

404
00:21:35,119 --> 00:21:38,000
Speaker 1: a music delivery company so that I could get my

405
00:21:38,000 --> 00:21:43,240
Speaker 1: turntables for free. So I went, I discovered them and

406
00:21:43,280 --> 00:21:45,840
Speaker 1: it was like somebody took ankle weights off my wrists. Bro.

407
00:21:45,920 --> 00:21:48,200
Speaker 1: I was like, I could do anything with a record.

408
00:21:49,119 --> 00:21:53,400
Speaker 1: So I go deliver records uh and crates and everything.

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00:21:53,560 --> 00:21:55,520
Speaker 1: And so I used to do so on Vega speakers

410
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Speaker 1: with the metal corners. I used to wear these big

411
00:21:58,880 --> 00:22:02,920
Speaker 1: ass garden gloves with the feathered thing in super oversized

412
00:22:03,760 --> 00:22:06,199
Speaker 1: like Mickey Mouse, like real crazy. So I show up

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00:22:06,280 --> 00:22:09,240
Speaker 1: skinny as do big as gloves. So the guys go, hey,

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Speaker 1: we hear your DJ and I you're on the baddest

415
00:22:11,040 --> 00:22:13,159
Speaker 1: DJ you know. They're like, okay, bad DJ. What's your

416
00:22:13,240 --> 00:22:17,080
Speaker 1: DJ name? You gotta have a DJ name? What is it? DJ?

417
00:22:17,280 --> 00:22:23,520
Speaker 1: Chris they're like they did that. They said, okay, badass,

418
00:22:24,560 --> 00:22:28,280
Speaker 1: you just come I said, dj C DJ. I tried

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Speaker 1: two ways, just like you laughed. Two white guys, two

420
00:22:32,240 --> 00:22:36,040
Speaker 1: wns with French and others from like Belgium. He's a

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00:22:36,280 --> 00:22:38,600
Speaker 1: damn terrorists. These guys are like, you know, the New

422
00:22:38,680 --> 00:22:43,239
Speaker 1: York Arts guy. These guys, they said, okay, we have

423
00:22:43,280 --> 00:22:45,119
Speaker 1: a marque. When you come back coming to eleven, your

424
00:22:45,160 --> 00:22:46,680
Speaker 1: name will be up there. We'll give you a name.

425
00:22:46,840 --> 00:22:49,960
Speaker 1: I came back and said eleven the Glove. It could

426
00:22:49,960 --> 00:22:52,560
Speaker 1: have been a dude in the bathroom, right yeah. Man,

427
00:22:52,600 --> 00:22:54,159
Speaker 1: So girl, I'm trying to tell you I'll go on

428
00:22:54,200 --> 00:22:55,840
Speaker 1: a few. Don't worry about that. And I was like, oh,

429
00:22:56,160 --> 00:22:57,840
Speaker 1: split up in there. I knew I was supposed to

430
00:22:57,840 --> 00:23:00,720
Speaker 1: be to let the glove could be another dude. I

431
00:23:00,840 --> 00:23:03,400
Speaker 1: got my name in lights. I was like, that must

432
00:23:03,400 --> 00:23:08,760
Speaker 1: be me. I'm the glove, just random like that. It

433
00:23:09,880 --> 00:23:11,920
Speaker 1: was brought to me the same way Dre was brought

434
00:23:11,920 --> 00:23:14,399
Speaker 1: to my house. I walked right into the name was

435
00:23:14,480 --> 00:23:17,520
Speaker 1: in lights. It's like cannabis talk. You're a cannabis talk.

436
00:23:17,560 --> 00:23:19,920
Speaker 1: You ever seen a movie like that when he is

437
00:23:20,000 --> 00:23:22,199
Speaker 1: not the guy like Eddie Murphy or something. You're the

438
00:23:22,200 --> 00:23:29,880
Speaker 1: good Room. Yes, I'm the good Room. Straight to him too.

439
00:23:30,000 --> 00:23:32,399
Speaker 1: That's funny in it, but yeah, that's what that was.

440
00:23:32,440 --> 00:23:36,320
Speaker 1: So uh And then the breaking, So the movie Breaking

441
00:23:36,359 --> 00:23:39,040
Speaker 1: was really about the club that she was a nutty ass.

442
00:23:39,200 --> 00:23:42,320
Speaker 1: That club was exactly if you saw the get Down,

443
00:23:43,359 --> 00:23:45,199
Speaker 1: the opening when they walk in that club in New

444
00:23:45,280 --> 00:23:50,080
Speaker 1: York was exactly radio exactly, same music, same vibe, saying

445
00:23:50,119 --> 00:23:53,280
Speaker 1: them dudes from Belgium. And they painted the walls the

446
00:23:53,400 --> 00:23:56,359
Speaker 1: same they might have did that club. And we're gonna

447
00:23:56,400 --> 00:23:58,800
Speaker 1: move now they have no more nuclear weapons here. We

448
00:23:58,880 --> 00:24:01,880
Speaker 1: must move to l A like they brought hip hop here.

449
00:24:02,359 --> 00:24:04,480
Speaker 1: You know, I walked into hip hop. I got a

450
00:24:04,600 --> 00:24:08,800
Speaker 1: question for you, Glove. Is John Payne, you know the name?

451
00:24:09,440 --> 00:24:12,240
Speaker 1: What's his relationship now with death Row? Because I think

452
00:24:12,480 --> 00:24:16,040
Speaker 1: is he now the running in or what's what's going

453
00:24:16,080 --> 00:24:19,240
Speaker 1: on with John? So what happens is two times I've seen.

454
00:24:19,480 --> 00:24:22,359
Speaker 1: First off, first, I have three interations with John. First,

455
00:24:22,440 --> 00:24:25,119
Speaker 1: when we first came over there, we were at the

456
00:24:25,640 --> 00:24:28,760
Speaker 1: did Griffy John work with Griffy over a solar So

457
00:24:28,960 --> 00:24:30,760
Speaker 1: Dre bought that studio and we went to do the

458
00:24:30,800 --> 00:24:35,160
Speaker 1: death Row thing and John came with it. So we

459
00:24:35,200 --> 00:24:39,399
Speaker 1: was engineers already ourselves, right, we knew I knew what

460
00:24:39,440 --> 00:24:43,520
Speaker 1: I was doing, right, I wasn't him. I'm a street engineer,

461
00:24:43,600 --> 00:24:47,199
Speaker 1: self trained. Like I'm saying, So, I don't know that

462
00:24:47,359 --> 00:24:49,680
Speaker 1: name of that microphone, but the one shape like that one,

463
00:24:49,760 --> 00:24:52,840
Speaker 1: not that one? That one? What's the name that I saw?

464
00:24:52,880 --> 00:24:55,880
Speaker 1: I started asking for names and frequency numbers and ship

465
00:24:55,960 --> 00:24:59,720
Speaker 1: that I make you, right, that makes you sound smarter

466
00:24:59,800 --> 00:25:02,480
Speaker 1: than frequency and the knifing, the carving it out before whatever.

467
00:25:03,359 --> 00:25:05,560
Speaker 1: I can see it, bro, I can look at the

468
00:25:05,560 --> 00:25:08,080
Speaker 1: bixing board and tell you you're mixes it don't look

469
00:25:08,119 --> 00:25:11,160
Speaker 1: it looks scrambled like that's a neat board. Those knobs

470
00:25:11,200 --> 00:25:14,000
Speaker 1: do that for me. It's kind of weird. Ass. If

471
00:25:14,040 --> 00:25:15,640
Speaker 1: I hear the music and then I see the thing.

472
00:25:17,119 --> 00:25:19,560
Speaker 1: If it's if it's on a particular board, like if

473
00:25:19,560 --> 00:25:23,119
Speaker 1: it's this SSL, I got it, anything else whatever that's

474
00:25:23,160 --> 00:25:25,000
Speaker 1: a cell in the music, I'll be like, Nah, that

475
00:25:25,080 --> 00:25:27,760
Speaker 1: ain't it? Or yeah, that turned that one. You can

476
00:25:27,760 --> 00:25:31,439
Speaker 1: tell him out. Oh man? So um, anyway, that was

477
00:25:31,480 --> 00:25:33,359
Speaker 1: that thing. It was about the order, so I lost

478
00:25:33,359 --> 00:25:37,480
Speaker 1: track of the right. So first generation. He's an engineer.

479
00:25:38,240 --> 00:25:41,159
Speaker 1: He works with. A second time, I running across John

480
00:25:41,359 --> 00:25:42,760
Speaker 1: like we used to tell him gold the studio man.

481
00:25:42,800 --> 00:25:46,240
Speaker 1: We got it, like we just running out, So next

482
00:25:46,280 --> 00:25:49,240
Speaker 1: time I run across him. Death Row has been sued

483
00:25:49,600 --> 00:25:53,560
Speaker 1: someone one for a hundred and something million. Only part

484
00:25:53,560 --> 00:25:55,000
Speaker 1: of the money got paid. It ended up in a

485
00:25:55,040 --> 00:26:00,120
Speaker 1: company called Wide Awake, So then he became the He

486
00:26:00,119 --> 00:26:03,200
Speaker 1: he was the engineer who was curating all the music

487
00:26:03,280 --> 00:26:05,440
Speaker 1: to prove it was what it was because his name

488
00:26:05,480 --> 00:26:07,640
Speaker 1: was on a lot of that stuff too, And he

489
00:26:07,840 --> 00:26:13,240
Speaker 1: became from that with the the the judge attached into

490
00:26:13,280 --> 00:26:15,680
Speaker 1: that in the case. So from there he got a

491
00:26:15,760 --> 00:26:18,960
Speaker 1: job with Wide Awake, became eventually the vice president of

492
00:26:18,960 --> 00:26:22,360
Speaker 1: Wide Awake. Then when they sold it, it eventually ended

493
00:26:22,440 --> 00:26:25,200
Speaker 1: up through the one and then too Hasbro and he

494
00:26:25,280 --> 00:26:29,040
Speaker 1: traveled with that deal and ended up as either a

495
00:26:29,080 --> 00:26:32,200
Speaker 1: president or something a death Row today. Yeah, now he's

496
00:26:32,200 --> 00:26:34,119
Speaker 1: the president right or something that I saw something that

497
00:26:34,200 --> 00:26:39,280
Speaker 1: said founder and I almost children. That's why that's my boy,

498
00:26:39,400 --> 00:26:42,840
Speaker 1: j P. But he didn't found about that. That's my boy.

499
00:26:44,080 --> 00:26:45,920
Speaker 1: He's taking care of me now. He's writing all of

500
00:26:46,000 --> 00:26:47,959
Speaker 1: the things wrong with me at death Row. But he

501
00:26:48,359 --> 00:26:53,639
Speaker 1: wasn't the founder yeah, just like he found it. You

502
00:26:53,920 --> 00:26:59,720
Speaker 1: found it. Look, he was there from them there to

503
00:26:59,800 --> 00:27:02,400
Speaker 1: be inning. Like the minute I got out the car,

504
00:27:02,520 --> 00:27:04,359
Speaker 1: I was with Drake when they came up with the

505
00:27:04,440 --> 00:27:06,879
Speaker 1: first name Future Shock or whatever the hell it was.

506
00:27:07,200 --> 00:27:09,800
Speaker 1: Him and DLC created Death rou Doctor in the Car,

507
00:27:09,840 --> 00:27:12,159
Speaker 1: a million dollar publishing deal Words Music. They're gonna make

508
00:27:12,160 --> 00:27:14,879
Speaker 1: a regor company. We're gonna leave all ruthless together because

509
00:27:14,880 --> 00:27:17,240
Speaker 1: of my contractors. Fu Jade found out about that, and

510
00:27:17,280 --> 00:27:20,160
Speaker 1: so were all mad in the car three. So then

511
00:27:20,400 --> 00:27:24,359
Speaker 1: we go here John pay he worked at the studio.

512
00:27:24,440 --> 00:27:28,160
Speaker 1: We already got all them songs. Thing them was recorded

513
00:27:28,240 --> 00:27:32,840
Speaker 1: Drake's house in Malibu. They wouldn't recorded that. This dre

514
00:27:33,000 --> 00:27:36,880
Speaker 1: is an engineer, like we don't you know, So okay,

515
00:27:37,200 --> 00:27:39,560
Speaker 1: see you later. That was it not and then all

516
00:27:39,560 --> 00:27:42,400
Speaker 1: the way to now it's cool to be he was there.

517
00:27:42,600 --> 00:27:45,080
Speaker 1: He was there, Yeah, he was. He didn't find he

518
00:27:45,080 --> 00:27:49,480
Speaker 1: didn't found it. Yeah, you know, have found it. He's

519
00:27:49,480 --> 00:27:54,000
Speaker 1: a founder. He found it, get it. He founded it.

520
00:27:55,320 --> 00:27:59,119
Speaker 1: Found water that you've been drinking. John and I. John

521
00:27:59,119 --> 00:28:01,120
Speaker 1: and I ended up on a tour win one time.

522
00:28:01,480 --> 00:28:04,720
Speaker 1: And um, this is pre him being anything as far

523
00:28:04,760 --> 00:28:06,439
Speaker 1: as like when I think he's one of the owners

524
00:28:06,440 --> 00:28:09,080
Speaker 1: now or president, like definitely power. Yeah, he's got the

525
00:28:09,080 --> 00:28:12,000
Speaker 1: power of death roll right now, he's moving that. And

526
00:28:12,160 --> 00:28:14,280
Speaker 1: John and I were you know, I was young and

527
00:28:14,520 --> 00:28:16,439
Speaker 1: I ended up on a tour with Bone Thugs and

528
00:28:16,560 --> 00:28:21,800
Speaker 1: Cypress Hill and and uh Savage from Australia. In Australia,

529
00:28:21,840 --> 00:28:28,199
Speaker 1: you remember that Savage? Oh yeah yeah. So we're on

530
00:28:28,200 --> 00:28:32,320
Speaker 1: this this tour and me r b x um uh

531
00:28:32,400 --> 00:28:35,840
Speaker 1: you know lazy I think it was Lazy Bone. We're

532
00:28:35,840 --> 00:28:38,240
Speaker 1: sitting in the car and John's in there and he's like, yo, man,

533
00:28:38,360 --> 00:28:41,200
Speaker 1: you know, uh, we're gonna put this tour together. And

534
00:28:41,240 --> 00:28:44,600
Speaker 1: I'm like, wait a minute, dude, Like how is John now?

535
00:28:44,640 --> 00:28:47,400
Speaker 1: Because John came to the thing as as as an

536
00:28:47,400 --> 00:28:51,080
Speaker 1: acting manager for uh corrupt, you know what I'm saying.

537
00:28:51,520 --> 00:28:53,080
Speaker 1: And then all of a sudden, John's in the in

538
00:28:53,120 --> 00:28:55,200
Speaker 1: the in the in the car with us and with

539
00:28:55,360 --> 00:28:57,640
Speaker 1: the owner of the OSCAM which through the event. And

540
00:28:57,680 --> 00:28:59,640
Speaker 1: now John's like, yo, well we gotta now we're putting

541
00:28:59,680 --> 00:29:02,200
Speaker 1: a world tour together. And I'm like, dude, John went

542
00:29:02,240 --> 00:29:11,680
Speaker 1: from like being an acting manager for corrupt now but

543
00:29:11,760 --> 00:29:14,800
Speaker 1: he was like the bullying through and I'm like, dog

544
00:29:14,920 --> 00:29:16,680
Speaker 1: like I'm kind of a little shooking because I'm like,

545
00:29:16,680 --> 00:29:18,760
Speaker 1: wait a minute, dude, Like I just met you, Yeah,

546
00:29:18,840 --> 00:29:20,400
Speaker 1: I just met you. And we're on the world tour

547
00:29:20,520 --> 00:29:23,000
Speaker 1: down this and that, and I'm like, who's John Payne

548
00:29:23,040 --> 00:29:25,840
Speaker 1: And you know what I'm saying, I'm like, corrupt, Who's

549
00:29:25,960 --> 00:29:30,760
Speaker 1: Who's John's like, yeah, we got this, And I'm like, okay,

550
00:29:30,840 --> 00:29:34,920
Speaker 1: but what about my group? You know, because your mind starts,

551
00:29:35,360 --> 00:29:36,800
Speaker 1: you're always going to be out of the tour, Like,

552
00:29:36,840 --> 00:29:40,560
Speaker 1: come on, what about my group? About? Hold on? Put

553
00:29:40,600 --> 00:29:43,360
Speaker 1: this whole ship together. Now John's driving this car. They're

554
00:29:43,360 --> 00:29:48,840
Speaker 1: in a helicopter with the owners ship. So that that

555
00:29:49,080 --> 00:29:51,880
Speaker 1: what I admire for him, and and years years now,

556
00:29:51,960 --> 00:29:55,200
Speaker 1: you know, JP and I keep keep touched just because

557
00:29:55,200 --> 00:29:57,600
Speaker 1: of the roots from Death Row to to the tours

558
00:29:57,600 --> 00:29:59,480
Speaker 1: and the little fund ship that we've done and and

559
00:29:59,520 --> 00:30:01,360
Speaker 1: even the and we ended up with the West Coast

560
00:30:01,360 --> 00:30:04,040
Speaker 1: Customs project that he attached himself to, you know when

561
00:30:04,080 --> 00:30:06,200
Speaker 1: we did the music for that, and I was like, dude,

562
00:30:06,240 --> 00:30:08,400
Speaker 1: But but now I'm seeing JP and I'm starting to

563
00:30:08,400 --> 00:30:11,280
Speaker 1: see him out publicly coming out. It's death Row. It's

564
00:30:11,280 --> 00:30:13,480
Speaker 1: death Row, which is dope because they picked up the

565
00:30:14,440 --> 00:30:18,200
Speaker 1: group with uh what is it? Um? It's corrupt um.

566
00:30:18,920 --> 00:30:21,640
Speaker 1: Uh oh, they're gonna put that up with the DPG

567
00:30:21,760 --> 00:30:26,520
Speaker 1: one O the Four Horsemen. No, that's uh, that's not

568
00:30:26,960 --> 00:30:29,400
Speaker 1: that's snoop. No, No, not no, not that one. That

569
00:30:29,480 --> 00:30:31,360
Speaker 1: one that's not that. It's the one that the Snoop.

570
00:30:31,600 --> 00:30:34,800
Speaker 1: I mean that corrupt and UM and quick and dazz

571
00:30:34,920 --> 00:30:43,840
Speaker 1: or something. I forget that they're different you talking about. Yeah,

572
00:30:43,880 --> 00:30:47,400
Speaker 1: so it is which but but but so the project

573
00:30:47,520 --> 00:30:49,400
Speaker 1: right now is doing a huge in London or something

574
00:30:49,400 --> 00:30:51,360
Speaker 1: like that, and I'm like, and JP's right there in

575
00:30:51,360 --> 00:30:53,320
Speaker 1: the mix, and I'm like, dude, it's you know, they're

576
00:30:53,320 --> 00:30:56,360
Speaker 1: making they're making moves. Man. Shout out to John Man.

577
00:30:56,880 --> 00:30:58,520
Speaker 1: John Payne has been out there for a long time.

578
00:30:58,880 --> 00:31:01,680
Speaker 1: Uncle JP. Christ the glove Tayler. When you're doing all

579
00:31:01,720 --> 00:31:05,160
Speaker 1: this ship how much cannabis was being used around those rooms.

580
00:31:05,360 --> 00:31:07,400
Speaker 1: So that's what I was saying about the Chronic record

581
00:31:07,440 --> 00:31:10,240
Speaker 1: in the beginning. It's so funny. So the record itself,

582
00:31:10,960 --> 00:31:13,160
Speaker 1: all we did was we made this dope record, right,

583
00:31:13,200 --> 00:31:16,000
Speaker 1: so we dope record. We call a dope record. We

584
00:31:16,040 --> 00:31:17,760
Speaker 1: got a dope record. How can we call this a

585
00:31:17,840 --> 00:31:21,880
Speaker 1: dope record? But without saying this is dope. The Chronic

586
00:31:22,880 --> 00:31:26,800
Speaker 1: that's dope. Yeah, there's no weed songs on there. Oh,

587
00:31:26,920 --> 00:31:30,320
Speaker 1: there's the roach we did at the end. There's no

588
00:31:30,400 --> 00:31:38,680
Speaker 1: weed songs on the Chronicle. Now we did. We knew

589
00:31:38,800 --> 00:31:40,440
Speaker 1: what we were doing. There was a blood plant on

590
00:31:40,440 --> 00:31:44,200
Speaker 1: the on the on the cover back, and he had

591
00:31:44,240 --> 00:31:46,800
Speaker 1: the zig zag face. He was the face of the

592
00:31:46,880 --> 00:31:49,760
Speaker 1: zig Zag because he had to be dope. You gotta

593
00:31:49,800 --> 00:31:52,080
Speaker 1: be dope, like, that's dope. You gotta look at it

594
00:31:52,120 --> 00:31:54,960
Speaker 1: and see. For instance, people ask me, the only time

595
00:31:55,000 --> 00:31:56,520
Speaker 1: I wear a glove is one and you can't talk

596
00:31:56,560 --> 00:31:58,840
Speaker 1: to me and you see me like in a movie.

597
00:31:58,880 --> 00:32:02,360
Speaker 1: So I wear a glove because it says what exactly,

598
00:32:03,120 --> 00:32:06,600
Speaker 1: So it says it dope. You look at that Chronic record,

599
00:32:06,880 --> 00:32:09,160
Speaker 1: that's dope, like I don't know if it's good, but

600
00:32:09,200 --> 00:32:12,600
Speaker 1: that's dope. Yeah, that's weed. Like, that's dope. And then

601
00:32:12,640 --> 00:32:15,000
Speaker 1: oh it is dope. Get it. It's like to double.

602
00:32:17,400 --> 00:32:20,520
Speaker 1: So that's why the Chronic and the and the weed

603
00:32:20,560 --> 00:32:23,760
Speaker 1: consumption was done by snooping his minions, right, them do

604
00:32:23,960 --> 00:32:26,200
Speaker 1: smoke me and Dre didn't smoke at all. To the

605
00:32:26,320 --> 00:32:28,160
Speaker 1: last day when we mixed, it was like Bro, you're

606
00:32:28,160 --> 00:32:30,520
Speaker 1: a smoked weed. I was like, no, them dudes, they're

607
00:32:30,560 --> 00:32:33,960
Speaker 1: smoking in here. Bro, we've been smoking right, Like I'm

608
00:32:34,240 --> 00:32:38,160
Speaker 1: feel weird or something right because I'll drink. I'm thinking that.

609
00:32:38,200 --> 00:32:40,840
Speaker 1: But whatever, you know, I smoked weed out contact high

610
00:32:40,920 --> 00:32:45,640
Speaker 1: isn't a lie such thing. I wish I could get

611
00:32:45,680 --> 00:32:48,040
Speaker 1: hot just by contact. Bro, would you buy weed if

612
00:32:48,040 --> 00:32:51,240
Speaker 1: you could do that? Really, there's a lot of that ship.

613
00:32:51,400 --> 00:32:59,560
Speaker 1: They be saying, second second, if you can get the

614
00:32:59,560 --> 00:33:07,000
Speaker 1: second credit. But I'm using that one. Man. You're my lawyer.

615
00:33:07,120 --> 00:33:10,800
Speaker 1: You always do that, sh and you're the one I

616
00:33:10,840 --> 00:33:15,080
Speaker 1: need him and him. But yeah, man, So that was

617
00:33:15,120 --> 00:33:17,200
Speaker 1: our way of saying, let's be dope, and we're dope.

618
00:33:17,280 --> 00:33:20,480
Speaker 1: We are dope like and then so you know, snooping

619
00:33:20,520 --> 00:33:23,840
Speaker 1: him so Dre and I smoked like that night together

620
00:33:23,880 --> 00:33:25,920
Speaker 1: the first time he told me he didn't smoke. We

621
00:33:26,080 --> 00:33:27,680
Speaker 1: he acted like it was Wayne's world. You know, he's

622
00:33:27,680 --> 00:33:32,959
Speaker 1: on the ground planes and shut out Westchester's. Everything was funny.

623
00:33:33,320 --> 00:33:36,480
Speaker 1: Sometimes I get that funny high still occasionally, I know

624
00:33:36,560 --> 00:33:39,000
Speaker 1: we all do. That's probably that's like our search. Like

625
00:33:39,080 --> 00:33:43,120
Speaker 1: they chase the dragon. We chased that that night, and

626
00:33:43,200 --> 00:33:47,480
Speaker 1: that wonderful thing to have to chase that like happiness.

627
00:33:47,560 --> 00:33:50,040
Speaker 1: Almost this is they all against us. I got a

628
00:33:50,080 --> 00:33:52,360
Speaker 1: friend that's, oh well you smile. I'm like you drink

629
00:33:52,440 --> 00:33:58,240
Speaker 1: up wine every time. We is like uk' drinking dry

630
00:33:59,480 --> 00:34:01,800
Speaker 1: so that we can smoke and drive if you want,

631
00:34:01,960 --> 00:34:05,000
Speaker 1: if you want, if then the best thing about what

632
00:34:05,040 --> 00:34:08,959
Speaker 1: I say is that if you're too high, you won't drive.

633
00:34:09,160 --> 00:34:12,680
Speaker 1: You won't. I'm too high, you're If you're drunk, you're

634
00:34:12,680 --> 00:34:17,280
Speaker 1: gonna be. If you're too high and have a drink,

635
00:34:17,360 --> 00:34:21,200
Speaker 1: you might drive because the drink pushes your thought. No,

636
00:34:21,640 --> 00:34:24,080
Speaker 1: actually do both, and it does not do that. See,

637
00:34:24,800 --> 00:34:27,000
Speaker 1: no smarter than the average bear. New studies at a call.

638
00:34:27,120 --> 00:34:32,560
Speaker 1: I don't know about that, but no, it's a wonderful thing.

639
00:34:32,560 --> 00:34:34,799
Speaker 1: I'll tell you man anyway. So that's you know, the

640
00:34:34,880 --> 00:34:37,960
Speaker 1: death Row experience and all of that. Ruthless was incredible aftermath,

641
00:34:38,040 --> 00:34:40,000
Speaker 1: even more so because we got I got to work

642
00:34:40,000 --> 00:34:42,640
Speaker 1: with Nas and Hazy and Foxy and all of them

643
00:34:42,719 --> 00:34:44,720
Speaker 1: on the Firm project and I did the phone tap

644
00:34:45,360 --> 00:34:48,399
Speaker 1: and though so it's really cool to work with Like

645
00:34:48,640 --> 00:34:51,520
Speaker 1: everybody's sitting. Foxy Brown didn't write her lyrics and all

646
00:34:51,520 --> 00:34:54,239
Speaker 1: that suff she sits down turn the lights off and

647
00:34:54,280 --> 00:34:57,400
Speaker 1: the thing she's rapping. She go, wait, I hear the

648
00:34:57,480 --> 00:34:59,680
Speaker 1: sharp beat of the you know the sound of pen

649
00:34:59,760 --> 00:35:02,400
Speaker 1: and paper. I'm like, I thought, Angel right? She right?

650
00:35:02,440 --> 00:35:06,120
Speaker 1: And bro, what is that? You right? So she wrapped,

651
00:35:06,160 --> 00:35:07,799
Speaker 1: she'd say, hold up, she scratched that, she said, So

652
00:35:07,880 --> 00:35:10,440
Speaker 1: we both think if she don't right, she bust that

653
00:35:10,600 --> 00:35:13,360
Speaker 1: nas come in. Yeah, that's perfect. Boom. But if we

654
00:35:13,400 --> 00:35:15,319
Speaker 1: knew it was perfect when she did it, she knew

655
00:35:15,320 --> 00:35:19,240
Speaker 1: it was. She's like, thanks, Like, yeah, I'm dope too.

656
00:35:19,480 --> 00:35:22,759
Speaker 1: She was as good as the guys better. You know

657
00:35:22,760 --> 00:35:24,520
Speaker 1: what's funny. We're gonna take a break real quick. When

658
00:35:24,560 --> 00:35:26,000
Speaker 1: we come back. I want you to think about this.

659
00:35:26,080 --> 00:35:27,920
Speaker 1: I want you to put your all star list. If

660
00:35:27,920 --> 00:35:30,480
Speaker 1: you had to pick your starting three players of all

661
00:35:30,520 --> 00:35:33,359
Speaker 1: the people that you've worked with, what's your start starting three.

662
00:35:33,400 --> 00:35:36,080
Speaker 1: It's Cannabis Talk one oh one with Christina Glove. Taylor

663
00:35:36,080 --> 00:35:51,960
Speaker 1: will be right back after this. After that, take a hit,

664
00:35:52,200 --> 00:35:55,839
Speaker 1: can't let and sit back and enjoy Cannabis Talk one

665
00:35:55,920 --> 00:35:59,440
Speaker 1: oh one, marking Craig Fop, Brothers, that Law Baloue and

666
00:35:59,560 --> 00:36:02,400
Speaker 1: Joe Randa, and I want to give a very special

667
00:36:02,480 --> 00:36:08,280
Speaker 1: thanks to Chris Frandino, Erica Able, Daniel cal Tea, Tim Pitt,

668
00:36:08,360 --> 00:36:11,640
Speaker 1: Peanut Jennifer and Elvis the Cannabis talk one on one

669
00:36:11,680 --> 00:36:14,520
Speaker 1: crew and team that makes us all look and sound great.

670
00:36:14,920 --> 00:36:18,440
Speaker 1: And we are back here with Chris the Glove, Taylor

671
00:36:18,920 --> 00:36:21,680
Speaker 1: Joe had Chris. Yeah, because I'm sitting here as I

672
00:36:21,719 --> 00:36:23,640
Speaker 1: hear that, and I think of NAS and I think

673
00:36:24,040 --> 00:36:27,359
Speaker 1: that and that's you know what you said you did,

674
00:36:27,960 --> 00:36:30,400
Speaker 1: And I mean I look at your roster of people

675
00:36:30,440 --> 00:36:33,840
Speaker 1: that you worked with from Ruthless to death Row to

676
00:36:34,040 --> 00:36:36,719
Speaker 1: Aftermath to who knows what else you've done on the side,

677
00:36:36,880 --> 00:36:39,600
Speaker 1: even before that, which was the iced t s. You

678
00:36:39,600 --> 00:36:41,759
Speaker 1: know that's not even listed there. As I look on

679
00:36:41,760 --> 00:36:46,239
Speaker 1: your Instagram under the you know post, and I just

680
00:36:46,280 --> 00:36:47,920
Speaker 1: sit there and go, fuck. You worked with some of

681
00:36:47,960 --> 00:36:50,600
Speaker 1: the biggest and the best in the world. So if

682
00:36:50,600 --> 00:36:53,239
Speaker 1: you had to pick three to start with you and

683
00:36:53,360 --> 00:36:55,840
Speaker 1: say let's go and Kay could be old as the

684
00:36:55,880 --> 00:36:58,680
Speaker 1: first one, But what does that look like for the Glove?

685
00:36:59,080 --> 00:37:02,400
Speaker 1: So like, so you know it's gonna be hard exactly

686
00:37:02,400 --> 00:37:04,040
Speaker 1: don't know. I got the three, but I wanted to

687
00:37:04,040 --> 00:37:06,040
Speaker 1: say this though, like because I got R and B

688
00:37:06,239 --> 00:37:09,880
Speaker 1: and I got wrapped and got actors, So this is

689
00:37:09,920 --> 00:37:16,080
Speaker 1: my three. The first one would be Dr Dre because

690
00:37:16,520 --> 00:37:19,480
Speaker 1: he's shown now that he got the he's only done

691
00:37:19,600 --> 00:37:24,520
Speaker 1: two albums. Bro. Then you live up there, Oh yeah,

692
00:37:24,960 --> 00:37:27,000
Speaker 1: you owned like half of l A. Most people don't

693
00:37:27,000 --> 00:37:28,920
Speaker 1: even know, Like that's where the money is. He just

694
00:37:29,200 --> 00:37:30,840
Speaker 1: you don't keep it in the banking by all the

695
00:37:30,880 --> 00:37:34,239
Speaker 1: ship and just it sits there. You're gonna spend five

696
00:37:34,600 --> 00:37:36,839
Speaker 1: million before you're gonna need some of it. I gotta

697
00:37:36,880 --> 00:37:39,560
Speaker 1: put it in these buildings. Take a building. You'll take

698
00:37:39,600 --> 00:37:43,640
Speaker 1: a building. Here you go, eighty million dollar building like that.

699
00:37:44,320 --> 00:37:48,160
Speaker 1: So Dr but it's his whole thing, like because I

700
00:37:48,160 --> 00:37:50,759
Speaker 1: would hire him as my number one producer artists, like

701
00:37:50,800 --> 00:37:54,279
Speaker 1: he would produce everybody. So I got Dre, and then

702
00:37:54,320 --> 00:37:59,040
Speaker 1: I got Tupac only because I need an actor, like

703
00:37:59,280 --> 00:38:02,319
Speaker 1: he's so forget the music. I got Dre for that.

704
00:38:02,600 --> 00:38:06,040
Speaker 1: I got Tupac because now we're gonna have multimedia. Right

705
00:38:07,000 --> 00:38:10,640
Speaker 1: out of all those people, I Muna say, Nas Bro

706
00:38:10,920 --> 00:38:15,040
Speaker 1: like NAS, Tupac and Dre are the greatest people I've

707
00:38:15,040 --> 00:38:16,800
Speaker 1: ever worked with. Like I worked with a lot of

708
00:38:16,840 --> 00:38:19,680
Speaker 1: the other ones too, like Snoop is dope, the shitty

709
00:38:19,800 --> 00:38:22,600
Speaker 1: dope super He's like right there next, But then I

710
00:38:22,640 --> 00:38:27,440
Speaker 1: got easy, I got ice Cube, you got Cube the

711
00:38:29,080 --> 00:38:32,839
Speaker 1: I mean, it's hard to shit there and not Carl

712
00:38:32,960 --> 00:38:36,279
Speaker 1: Thomas Thomas on a song, So I couldn't. And I

713
00:38:36,320 --> 00:38:37,640
Speaker 1: didn't know if I was gonna hear a name that

714
00:38:37,680 --> 00:38:39,759
Speaker 1: we didn't know about. But I mean, those three names

715
00:38:39,800 --> 00:38:42,600
Speaker 1: alone are all legendary, and you could have picked a

716
00:38:42,600 --> 00:38:44,800
Speaker 1: few other legendary that no one would have blinked. And

717
00:38:44,880 --> 00:38:46,960
Speaker 1: I but I just wanted to hear from your perspective,

718
00:38:47,440 --> 00:38:49,800
Speaker 1: what's the gloves, Like, let me go with these three

719
00:38:50,040 --> 00:38:53,279
Speaker 1: and those three reasons alone are perfect. I mean a

720
00:38:53,280 --> 00:38:55,080
Speaker 1: little more on NAS though, why do you think Nas?

721
00:38:55,120 --> 00:38:57,640
Speaker 1: Because Nas, to me is NAS represents New York. That's

722
00:38:57,640 --> 00:39:00,759
Speaker 1: the media capital. So see you need that. It's like,

723
00:39:00,840 --> 00:39:03,480
Speaker 1: have a good attorney. Most people don't start their business

724
00:39:03,600 --> 00:39:05,640
Speaker 1: with an attorney. They start their business and get in

725
00:39:05,640 --> 00:39:07,720
Speaker 1: trouble and go get the attorney, and then it goes cool,

726
00:39:08,239 --> 00:39:09,920
Speaker 1: like why didn't you just do that in the beginning.

727
00:39:10,320 --> 00:39:13,359
Speaker 1: Start from the right. It's like that you gotta get

728
00:39:13,360 --> 00:39:16,520
Speaker 1: your media. Anything we do, nazgo boo, they're gonna talk

729
00:39:16,560 --> 00:39:18,600
Speaker 1: about it because we over here we got Tupac go

730
00:39:18,760 --> 00:39:22,200
Speaker 1: Be in the number one movie The Lay It Down

731
00:39:21,719 --> 00:39:24,920
Speaker 1: An Make Everything you can do it all Remember everything.

732
00:39:25,040 --> 00:39:28,160
Speaker 1: Casey and Jojo, Yes, many were you worked with them, right?

733
00:39:28,480 --> 00:39:30,239
Speaker 1: I mean they were there a lot, right. Yeah. Them

734
00:39:30,280 --> 00:39:32,840
Speaker 1: dudes was good too. They were quick and they sounded

735
00:39:33,120 --> 00:39:36,959
Speaker 1: the sound. But then Davante though he was I've worked

736
00:39:36,960 --> 00:39:38,840
Speaker 1: with him too. On the other side, he was crazy

737
00:39:38,880 --> 00:39:42,560
Speaker 1: but dope too. Casey and Jojoe sound from Jodacy was

738
00:39:42,600 --> 00:39:44,520
Speaker 1: one of the best sounds that of the R and

739
00:39:44,560 --> 00:39:46,120
Speaker 1: B Era that I love. A matter of fact, I

740
00:39:46,160 --> 00:39:48,120
Speaker 1: flew out on one of their private planes to go

741
00:39:48,160 --> 00:39:50,839
Speaker 1: see them in San Diego. From the band class at

742
00:39:50,880 --> 00:39:54,439
Speaker 1: Cool Brothers too. Yeah. Everybody thinks are Kelly knocked off

743
00:39:54,840 --> 00:39:57,399
Speaker 1: the Isley Brothers where he knocked off Jodacy. He didn't

744
00:39:57,440 --> 00:40:02,120
Speaker 1: knock off Aaron Hall. He sounded like here he knocked

745
00:40:02,120 --> 00:40:05,760
Speaker 1: off all of those beats. He took all those deeps. Dude,

746
00:40:06,440 --> 00:40:10,640
Speaker 1: feening and freaking you is you remind me of my jeep?

747
00:40:11,360 --> 00:40:14,239
Speaker 1: Like come on, bro, he can take it. And just

748
00:40:14,880 --> 00:40:17,680
Speaker 1: so now you're gonna see me since r Kellyes and Jail,

749
00:40:17,680 --> 00:40:20,080
Speaker 1: I'm gonna say it out loud. I'm about to knock

750
00:40:20,160 --> 00:40:23,000
Speaker 1: all that ship off and hit it, and nobody's gonna

751
00:40:23,000 --> 00:40:26,480
Speaker 1: know what's R Kelly. I'm gonna just flip it. And

752
00:40:26,520 --> 00:40:29,200
Speaker 1: here's the thing. R Kelly basically got blacklisted. I mean

753
00:40:29,320 --> 00:40:31,919
Speaker 1: he's blacklisted, my black as Yeah, you know what I mean.

754
00:40:32,840 --> 00:40:36,359
Speaker 1: He's just he's done too much, bottom line. But that's

755
00:40:36,400 --> 00:40:38,120
Speaker 1: what I'm saying. That's what I'm gonna get you. Like,

756
00:40:38,120 --> 00:40:40,759
Speaker 1: he's got black listed. I fight not playing it ship,

757
00:40:41,880 --> 00:40:46,520
Speaker 1: I'm gone. I mean, he's wrong at the end, he

758
00:40:46,680 --> 00:40:48,520
Speaker 1: is wrong. And at the end, you know, when he

759
00:40:48,560 --> 00:40:50,840
Speaker 1: was doing his he was trying to pull crowds and stuff.

760
00:40:50,880 --> 00:40:54,080
Speaker 1: He was hiring people as extra showing up to an

761
00:40:54,080 --> 00:40:57,240
Speaker 1: event to make it seem like he still had that

762
00:40:57,239 --> 00:41:00,200
Speaker 1: that that crowd that he didn't pitch on him though

763
00:41:00,840 --> 00:41:03,959
Speaker 1: he did that after Like in the beginning, we would

764
00:41:03,960 --> 00:41:06,759
Speaker 1: do that in the beginning, Like the Beatles had all

765
00:41:06,800 --> 00:41:09,320
Speaker 1: them people that everybody saw coming to the the airport and screaming.

766
00:41:09,360 --> 00:41:11,880
Speaker 1: They paid every one of those chicks for that. It

767
00:41:11,960 --> 00:41:14,240
Speaker 1: was like two hundred people with signs. That was all bought.

768
00:41:14,880 --> 00:41:17,640
Speaker 1: But if you see the lows It Look magazine on

769
00:41:17,760 --> 00:41:22,600
Speaker 1: the cover, this is treasure. That was because they hated

770
00:41:22,600 --> 00:41:24,520
Speaker 1: that back then, and now folks follow and they see

771
00:41:24,560 --> 00:41:28,640
Speaker 1: monkey see monkey do now chicks are coming. It was.

772
00:41:28,719 --> 00:41:32,279
Speaker 1: It worked. It's got to be organic. Like we had

773
00:41:32,280 --> 00:41:35,759
Speaker 1: those three, these three who did that Beatles ship to

774
00:41:35,840 --> 00:41:38,839
Speaker 1: us once. Three fans that did that, three fans. Yeah,

775
00:41:38,880 --> 00:41:44,880
Speaker 1: but you know what was weld up three. It's so

776
00:41:44,960 --> 00:41:48,160
Speaker 1: much doper when you walk out to see three, you

777
00:41:48,239 --> 00:41:50,520
Speaker 1: don't even need three. Job and I'm gonna tell you

778
00:41:50,520 --> 00:41:53,200
Speaker 1: what we Okay, so trip this before you get a story.

779
00:41:53,440 --> 00:41:55,120
Speaker 1: You don't need three. If you go to any party,

780
00:41:55,160 --> 00:41:57,400
Speaker 1: remember any dope party went to was one person that

781
00:41:57,440 --> 00:42:00,560
Speaker 1: made the party dope one either the chick the buddy

782
00:42:00,680 --> 00:42:04,320
Speaker 1: was with this one, not the party. It could have

783
00:42:04,360 --> 00:42:07,400
Speaker 1: been empty. So you can You guys got off the plane.

784
00:42:07,840 --> 00:42:10,279
Speaker 1: So it's funny because we got off a plane with

785
00:42:10,360 --> 00:42:12,719
Speaker 1: John Payne. We were doing that Australia, the American's most

786
00:42:12,719 --> 00:42:16,000
Speaker 1: Wanted tour, and we got off and as we're going out,

787
00:42:16,160 --> 00:42:18,680
Speaker 1: you know, we're we're just coming off and they're like, yeah,

788
00:42:18,680 --> 00:42:20,879
Speaker 1: there's gonna be a bunch of people there, and we're like, okay, cool,

789
00:42:21,200 --> 00:42:25,120
Speaker 1: and there was so many fucking people there, bro and yeah,

790
00:42:25,160 --> 00:42:27,760
Speaker 1: so we're coming off the plane like and people are screaming.

791
00:42:28,239 --> 00:42:30,560
Speaker 1: We're like, holy funk, dude, and we're walking out like

792
00:42:30,600 --> 00:42:33,760
Speaker 1: this is this is crazy that we had old school

793
00:42:33,800 --> 00:42:37,919
Speaker 1: cameras back then. You know, we had people carrying those

794
00:42:37,920 --> 00:42:41,080
Speaker 1: mothers behind us. This is the media, and then you

795
00:42:41,160 --> 00:42:44,440
Speaker 1: have media, real media. And then the funniest part of

796
00:42:44,480 --> 00:42:46,640
Speaker 1: the whole thing comes up though, right a little, as

797
00:42:46,719 --> 00:42:52,759
Speaker 1: Silvester Saloone comes poping out. He was getting he was

798
00:42:52,760 --> 00:42:54,560
Speaker 1: getting arrest He was in a different plane. You know,

799
00:42:54,840 --> 00:42:57,080
Speaker 1: he was on the same plane as us. The real

800
00:42:57,400 --> 00:43:01,239
Speaker 1: slide bro. He got arrested. Look at and it's on paperwork.

801
00:43:01,280 --> 00:43:03,719
Speaker 1: We got paperwork to back what I'm saying. It's as

802
00:43:03,760 --> 00:43:06,560
Speaker 1: he's coming off the plane, he's getting arrested for having

803
00:43:06,560 --> 00:43:11,840
Speaker 1: steroids in his bag. Depressed the media. All these people

804
00:43:11,840 --> 00:43:17,160
Speaker 1: are there and we're thinking, like you, I'm all of

805
00:43:17,200 --> 00:43:21,160
Speaker 1: us are coming out with our hands for us. And

806
00:43:21,320 --> 00:43:23,200
Speaker 1: we looked to the left and he's in cuffs and

807
00:43:23,200 --> 00:43:26,120
Speaker 1: ship in front of the whole meeting and they're taking

808
00:43:26,120 --> 00:43:30,360
Speaker 1: down Syvester sloan Ford for transporting us. And we just

809
00:43:30,440 --> 00:43:31,880
Speaker 1: kind of like walked by the whole thing and just

810
00:43:31,920 --> 00:43:33,560
Speaker 1: took it for a second and it was like, okay,

811
00:43:33,560 --> 00:43:35,440
Speaker 1: where's our and they had some cars pick us up

812
00:43:35,440 --> 00:43:39,280
Speaker 1: in the great story. It felt good for a minute. Alright,

813
00:43:39,920 --> 00:43:42,799
Speaker 1: I'm speaking of stories, Glove. How did you meet Mark

814
00:43:42,880 --> 00:43:46,120
Speaker 1: and Craig Washerman? How does that go down? So you

815
00:43:46,160 --> 00:43:47,960
Speaker 1: know what I'm gonna tell you how I met these guys.

816
00:43:48,160 --> 00:43:53,680
Speaker 1: Shout out to Rudy. There's a guy. Ud Rudy said, Man,

817
00:43:53,719 --> 00:43:56,600
Speaker 1: I want you to come up on my boy, my

818
00:43:56,680 --> 00:44:01,640
Speaker 1: boy Vince Barry Rudy their partners. And he called me

819
00:44:01,760 --> 00:44:04,279
Speaker 1: Vince like club, I want you to go to this thing.

820
00:44:04,680 --> 00:44:06,880
Speaker 1: I don't know what it is, but I know you're

821
00:44:06,880 --> 00:44:09,120
Speaker 1: doing something with cannabis. I don't know, so just go

822
00:44:09,200 --> 00:44:11,359
Speaker 1: with Rudy. So Rudy calls and gives an address because

823
00:44:11,400 --> 00:44:13,480
Speaker 1: it's come up here. So this is when you were

824
00:44:13,480 --> 00:44:18,080
Speaker 1: over on bro and they had this green room. Man,

825
00:44:19,680 --> 00:44:22,160
Speaker 1: they had the smallest green room I've ever seen. It

826
00:44:22,239 --> 00:44:25,480
Speaker 1: was like tiny house, tiny green room. We need to

827
00:44:25,480 --> 00:44:31,279
Speaker 1: do a movie about your green It was about nothing, right,

828
00:44:31,360 --> 00:44:33,880
Speaker 1: it's not even nothing small enough in here to compare

829
00:44:33,880 --> 00:44:37,000
Speaker 1: it to maybe the safe, like five times the size

830
00:44:37,040 --> 00:44:40,800
Speaker 1: of that safe. Literally, maybe it had we put a vantage,

831
00:44:40,960 --> 00:44:45,200
Speaker 1: so we put my hand was to the top. They

832
00:44:45,239 --> 00:44:47,520
Speaker 1: had a shelf in up back that had all the

833
00:44:47,560 --> 00:44:52,680
Speaker 1: cannabis everything ever in the market. So I'm sitting right

834
00:44:52,680 --> 00:44:55,399
Speaker 1: he could do flips with. So I'm rolling up weed

835
00:44:55,400 --> 00:44:58,279
Speaker 1: and Mark comes in and he's grabbing weed and this,

836
00:44:58,400 --> 00:45:00,280
Speaker 1: you know, I'm like, hey, He's like here try It's

837
00:45:00,280 --> 00:45:02,440
Speaker 1: like he's real cool. We're talking and we don't know

838
00:45:02,480 --> 00:45:04,840
Speaker 1: each other. He just friendly walked in. We just chapping

839
00:45:04,880 --> 00:45:06,320
Speaker 1: it up. We sit on a little couch. Remember the

840
00:45:06,320 --> 00:45:09,959
Speaker 1: little couch. It's one couch like I love seat four

841
00:45:10,000 --> 00:45:11,600
Speaker 1: people on it. So we sat down and talking. You

842
00:45:11,640 --> 00:45:13,920
Speaker 1: came in. He was more quiet, but I got to

843
00:45:13,920 --> 00:45:17,520
Speaker 1: meet him. Then I was with Rudy and he you know,

844
00:45:17,560 --> 00:45:20,040
Speaker 1: Rudy's a busy body, so I figured I figured that

845
00:45:20,080 --> 00:45:22,480
Speaker 1: they wasn't gonna take me too serious at the time,

846
00:45:22,840 --> 00:45:26,160
Speaker 1: even though love for Rudy. Then a grower introduced me

847
00:45:26,560 --> 00:45:31,279
Speaker 1: somebody that you worked. It was. It was, oh, why

848
00:45:31,280 --> 00:45:33,880
Speaker 1: can't I think of from Jerry Kay. He introduced me

849
00:45:33,880 --> 00:45:37,200
Speaker 1: to you guys and y'all. It took interest at that point.

850
00:45:38,480 --> 00:45:40,200
Speaker 1: Then I saw all y'all walk and sit on the

851
00:45:40,280 --> 00:45:43,560
Speaker 1: panel and Jerry's ass sat down. I was like Okay,

852
00:45:43,760 --> 00:45:46,479
Speaker 1: you're with him. Yeah, you know what I mean because

853
00:45:46,520 --> 00:45:49,240
Speaker 1: I knew Jerry from back in the day, from smoking

854
00:45:49,280 --> 00:45:57,400
Speaker 1: weeds at the Roxy Bro in the Remember that, man,

855
00:45:57,440 --> 00:46:00,319
Speaker 1: I remember the Roxy Brother had a good time. Man.

856
00:46:00,520 --> 00:46:02,960
Speaker 1: It's just so fun hearing so many stories after stories

857
00:46:03,000 --> 00:46:04,799
Speaker 1: with you and here you go back. I just love

858
00:46:04,840 --> 00:46:07,000
Speaker 1: it and seeing all the things that I remember watching

859
00:46:07,000 --> 00:46:09,719
Speaker 1: you on and just hearing your music and everything you do. You're,

860
00:46:10,120 --> 00:46:12,040
Speaker 1: like I said at the beginning of icon to hip

861
00:46:12,120 --> 00:46:16,080
Speaker 1: hop and uh some may say not recognized enough in

862
00:46:16,120 --> 00:46:18,560
Speaker 1: my book, but highly recognized by us. Well if you

863
00:46:18,640 --> 00:46:21,080
Speaker 1: know you know, that's the thing about the glove. And

864
00:46:21,120 --> 00:46:23,120
Speaker 1: I say that because a lot of a lot of

865
00:46:23,239 --> 00:46:24,879
Speaker 1: you know cats will come in and be like, oh

866
00:46:25,000 --> 00:46:26,640
Speaker 1: this and that they know everything, and it's like, you

867
00:46:26,680 --> 00:46:28,799
Speaker 1: know everything that you've seen, but you know everything that

868
00:46:28,880 --> 00:46:30,960
Speaker 1: went down, you know. You know what I'm saying. And

869
00:46:31,000 --> 00:46:35,040
Speaker 1: that's so so important, especially in music history. When you

870
00:46:35,120 --> 00:46:37,279
Speaker 1: go back to death Row Records, you go back to

871
00:46:37,320 --> 00:46:40,440
Speaker 1: production ruthless, you go back to you know, um, ABC

872
00:46:40,600 --> 00:46:44,200
Speaker 1: Records or was it uhh the one upstairs or whatever.

873
00:46:44,280 --> 00:46:46,440
Speaker 1: But there's so many of these little different you know,

874
00:46:46,480 --> 00:46:49,680
Speaker 1: recording for all American students. Yeah, yeah, I was like

875
00:46:49,719 --> 00:46:53,719
Speaker 1: ABC but all Americans. You know, you start looking at

876
00:46:53,719 --> 00:46:55,759
Speaker 1: all these different studios where people didn't know what the

877
00:46:55,800 --> 00:46:57,960
Speaker 1: funk was going on, and I'm like, we were just

878
00:46:58,040 --> 00:47:00,160
Speaker 1: at all American. We were just over at you know,

879
00:47:00,920 --> 00:47:03,600
Speaker 1: whatever it was it was up there. What's the one

880
00:47:03,640 --> 00:47:06,880
Speaker 1: in echo sound? Echo was just that echo sound? They

881
00:47:06,920 --> 00:47:08,919
Speaker 1: just shooting that corrupt and dads, we had to throw

882
00:47:08,920 --> 00:47:11,640
Speaker 1: a vendor machine down and duck behind it, like yo,

883
00:47:11,840 --> 00:47:15,480
Speaker 1: Yeah that was a real thing. Yeah, yeah, if you're

884
00:47:15,520 --> 00:47:18,399
Speaker 1: talking about it's a real thing. But people don't see

885
00:47:18,440 --> 00:47:21,000
Speaker 1: those behind the scenes and and and back then it

886
00:47:21,120 --> 00:47:23,279
Speaker 1: wasn't as as easy as carrying your cell phone and

887
00:47:23,320 --> 00:47:26,239
Speaker 1: just you know what I'm saying, And it wasn't always No,

888
00:47:26,360 --> 00:47:28,319
Speaker 1: thank god, there was none of that when I was

889
00:47:28,360 --> 00:47:34,480
Speaker 1: going up, and Jerry Bus would be quite upset too. Yeah,

890
00:47:34,560 --> 00:47:39,920
Speaker 1: it kers right that busies to roll in with twenty

891
00:47:39,960 --> 00:47:43,280
Speaker 1: blonds and having a circle and sit every club I DJ,

892
00:47:43,400 --> 00:47:45,720
Speaker 1: all the private ones by LA and all of that stuff.

893
00:47:45,920 --> 00:47:50,960
Speaker 1: He called Jerry Bus magic. All right, all right, my

894
00:47:51,040 --> 00:47:54,520
Speaker 1: favorite time in the show, And uh, this is gonna

895
00:47:54,560 --> 00:47:56,080
Speaker 1: be a good one. I think we're gonna have some

896
00:47:56,160 --> 00:47:59,120
Speaker 1: good answers to the Cannabis Talk one on one high

897
00:47:59,280 --> 00:48:02,600
Speaker 1: five Chris the Glove, Taylor, Joe take it away. Here

898
00:48:02,640 --> 00:48:05,400
Speaker 1: we go. Five good questions for you to glove. Question

899
00:48:05,520 --> 00:48:08,400
Speaker 1: number one, how old you the first time you smoked cannabis?

900
00:48:08,640 --> 00:48:11,439
Speaker 1: And where did you get it from? Twenty nine and

901
00:48:11,840 --> 00:48:13,920
Speaker 1: Mike Len handed it to me and Dre and then

902
00:48:13,920 --> 00:48:17,840
Speaker 1: we smoked it in the studio that was there. Yeah, No,

903
00:48:17,960 --> 00:48:20,960
Speaker 1: we left the studio to my homeboys house and that's

904
00:48:20,960 --> 00:48:24,040
Speaker 1: where we was. How great the first time you smoke?

905
00:48:24,480 --> 00:48:28,320
Speaker 1: This guy named Dre Right, I got a circle to

906
00:48:28,360 --> 00:48:31,760
Speaker 1: tell you all about two after that? Hey, now what happened?

907
00:48:31,960 --> 00:48:37,799
Speaker 1: My my greatest wheat circle? So this is really true

908
00:48:37,840 --> 00:48:44,839
Speaker 1: to me. So it's Dr Dre, Bruce Springsteen, Tom Petty,

909
00:48:45,160 --> 00:48:51,280
Speaker 1: Stevie Nicks, and Jimmy Ivan Shifty birthday party Stevie Nicks.

910
00:48:52,239 --> 00:48:56,080
Speaker 1: Thank you, Stevie, than to Dre Bruce Springsteen, Tom Petty,

911
00:48:56,320 --> 00:48:59,680
Speaker 1: rest in peace. That was the dope fast circle right.

912
00:49:00,040 --> 00:49:06,879
Speaker 1: I agree with them dudes, as you say circle like that,

913
00:49:07,000 --> 00:49:08,799
Speaker 1: I had a circle that just made me think of

914
00:49:08,880 --> 00:49:13,239
Speaker 1: come on for this. It was me, Dre Snoop and

915
00:49:13,320 --> 00:49:16,759
Speaker 1: the Bishop Don Magic. Bishop. You smoke the Bishop at

916
00:49:16,800 --> 00:49:22,920
Speaker 1: the fucking um We're at the Beverly Hills, Beverly Hills

917
00:49:23,400 --> 00:49:26,080
Speaker 1: for the wash from Me. Remember the movie The bro

918
00:49:26,239 --> 00:49:32,400
Speaker 1: That's a good the other day. Yeah, that's the dope circles,

919
00:49:32,800 --> 00:49:35,160
Speaker 1: a dope circle. And I'm up there with the microphone

920
00:49:35,160 --> 00:49:37,600
Speaker 1: and doing my thing. So I got a comedian circle.

921
00:49:38,040 --> 00:49:41,200
Speaker 1: You gotta get comedians. Chris Tucker, Dre Dre and all

922
00:49:41,239 --> 00:49:45,720
Speaker 1: of them. Chris Tucker, Dre, Eddie Murphy, nice Eddie Murphy,

923
00:49:45,719 --> 00:49:51,000
Speaker 1: smokes Week and uh listen, dude, the director Gary Gray.

924
00:49:52,560 --> 00:49:55,279
Speaker 1: They was all black, the other one was not. Yeah,

925
00:49:56,520 --> 00:49:58,560
Speaker 1: and that other one was a powerful Yeah. That was

926
00:49:58,600 --> 00:50:04,160
Speaker 1: so crazy. When are you getting the weird all? Like

927
00:50:04,200 --> 00:50:07,959
Speaker 1: I'm looking. These are all Jimmy's friends, like partners. Yeah.

928
00:50:08,600 --> 00:50:10,880
Speaker 1: Him and Tom was both going out with Stevie Nicks

929
00:50:10,920 --> 00:50:17,200
Speaker 1: like his girlfriend. He had her sing on that song Stevie.

930
00:50:17,400 --> 00:50:19,640
Speaker 1: Tom Petty had a song and he said, look, I

931
00:50:19,920 --> 00:50:21,759
Speaker 1: got Stevie on it because it will be dope. You

932
00:50:21,800 --> 00:50:23,200
Speaker 1: need to do this, and he was like, you just

933
00:50:23,239 --> 00:50:26,080
Speaker 1: put her on our song, you bitch, like you put

934
00:50:26,080 --> 00:50:28,600
Speaker 1: your girlfriend on my record. He was hot with him.

935
00:50:28,920 --> 00:50:30,960
Speaker 1: It was the Dragon Your Heart song or whatever the

936
00:50:31,000 --> 00:50:34,359
Speaker 1: world with them together, right, Jimmy know what he's doing, right,

937
00:50:35,000 --> 00:50:38,359
Speaker 1: he'd been. I love watching the stories that have been

938
00:50:38,400 --> 00:50:42,080
Speaker 1: putting it down forever and putting the work even beforehand.

939
00:50:42,560 --> 00:50:45,840
Speaker 1: I mean, the stories behind that dude. There's no denying

940
00:50:46,120 --> 00:50:48,799
Speaker 1: his work ethic and thinking, oh, this dude just got

941
00:50:49,000 --> 00:50:52,120
Speaker 1: He's a lucky little love motherfucker work that should be

942
00:50:52,840 --> 00:50:55,080
Speaker 1: study your homework focus. You don't know what we're talking about.

943
00:50:55,080 --> 00:50:58,000
Speaker 1: There should be a movie on just the Ivane story,

944
00:50:58,040 --> 00:50:59,359
Speaker 1: you know what I'm saying. He's got quite a few

945
00:50:59,360 --> 00:51:01,400
Speaker 1: little documents anything, but they need to be a big,

946
00:51:01,440 --> 00:51:05,040
Speaker 1: big movie because it looks like he's kind of next

947
00:51:05,040 --> 00:51:08,040
Speaker 1: to Dr Dre with these beachings. What is he doing

948
00:51:08,080 --> 00:51:11,640
Speaker 1: with apple? Dude? Before Dr Dre I give homage, but

949
00:51:12,480 --> 00:51:16,440
Speaker 1: he discovered he worked exactly. He's worked with everyone. His

950
00:51:16,600 --> 00:51:19,200
Speaker 1: roller dex is stupid. But we saved his ask though,

951
00:51:19,200 --> 00:51:21,239
Speaker 1: because they was losing over there. They had no doubt

952
00:51:21,239 --> 00:51:24,239
Speaker 1: and nothing was working. The clown of clown Posse and

953
00:51:24,280 --> 00:51:27,240
Speaker 1: nobody but okay, and we made a hundred and fifteen

954
00:51:27,239 --> 00:51:32,960
Speaker 1: million in the first year. Everybody else sat down, and

955
00:51:33,000 --> 00:51:36,840
Speaker 1: that money we put in created no doubt, smashing pumpkins.

956
00:51:36,920 --> 00:51:39,239
Speaker 1: We made all those groups. They hand the money and

957
00:51:39,239 --> 00:51:42,040
Speaker 1: then went solo and started killing it. I mean, come on,

958
00:51:42,120 --> 00:51:45,520
Speaker 1: I love that seven million copies that No Doubt album.

959
00:51:45,600 --> 00:51:48,000
Speaker 1: You're Welcome. I had dinner with them during that time,

960
00:51:48,080 --> 00:51:49,880
Speaker 1: her and that guy bass player and my wife. At

961
00:51:49,880 --> 00:51:53,320
Speaker 1: the time, it was called at Jimmy's House. It was crazy.

962
00:51:53,680 --> 00:51:57,919
Speaker 1: The next question said, you had another next question number two,

963
00:51:58,360 --> 00:52:01,919
Speaker 1: what's your favorite way to use cannabis? Anyway? I can.

964
00:52:02,200 --> 00:52:05,399
Speaker 1: Actually I smoked blunts, but only tobacco free. I can't

965
00:52:05,440 --> 00:52:11,239
Speaker 1: understand nicotine. It's something make my eyes pop. Dimension to man,

966
00:52:11,360 --> 00:52:15,080
Speaker 1: I like the slow burn, but hamp only not even paper.

967
00:52:15,120 --> 00:52:17,279
Speaker 1: It's got a glue strip. I mean, everybody's talking all

968
00:52:17,280 --> 00:52:20,400
Speaker 1: that crap, but that's best those in the glue paper.

969
00:52:20,680 --> 00:52:23,680
Speaker 1: It is paper. You get some noble paper and smoke it.

970
00:52:23,760 --> 00:52:27,799
Speaker 1: Get some sweets. Question number three of the High five

971
00:52:27,840 --> 00:52:36,720
Speaker 1: with crystal glove, craziest place you've ever used or smoked cannabis? Okay,

972
00:52:38,120 --> 00:52:42,440
Speaker 1: So I gotta okay. So I was at a party

973
00:52:42,719 --> 00:52:48,160
Speaker 1: and everyone was undressed except for me. I was rolling

974
00:52:48,200 --> 00:52:50,720
Speaker 1: weed for everyone. It was real. It was seven girls

975
00:52:50,719 --> 00:52:55,880
Speaker 1: and a guy, and I was the weed roller. Like, no,

976
00:52:56,080 --> 00:52:59,360
Speaker 1: I was not the guy I was. So I was

977
00:52:59,400 --> 00:53:01,560
Speaker 1: in the house right and the guy it was his

978
00:53:01,640 --> 00:53:03,360
Speaker 1: birthday and the thing it was a gift. So it

979
00:53:03,440 --> 00:53:06,759
Speaker 1: was like before you go home, can you roll his

980
00:53:06,840 --> 00:53:09,320
Speaker 1: weed up for me real quick? So I'm like okay,

981
00:53:10,480 --> 00:53:15,680
Speaker 1: right here, like yeah, so my buddy left me in

982
00:53:15,719 --> 00:53:19,359
Speaker 1: the room with all these seven chicken naked chicks, I'm

983
00:53:19,440 --> 00:53:26,319
Speaker 1: rolling weed. That's the most crazy it was with none

984
00:53:26,360 --> 00:53:28,480
Speaker 1: of them or nothing, but it was just real like

985
00:53:28,480 --> 00:53:31,040
Speaker 1: like if they don't have to. If if I was

986
00:53:31,080 --> 00:53:33,319
Speaker 1: a girl and all the guys were in here work

987
00:53:33,400 --> 00:53:37,760
Speaker 1: with no clothes on, I was with that. It was sory.

988
00:53:37,840 --> 00:53:40,919
Speaker 1: I like that. I love it alright. Question number four

989
00:53:41,040 --> 00:53:43,080
Speaker 1: of the Cannabis Talk one on one High five with

990
00:53:43,200 --> 00:53:47,240
Speaker 1: Kristin Glove Taylor. What is your go to Munchy's after

991
00:53:47,400 --> 00:53:50,160
Speaker 1: you get high? You guys are gonna laugh. My go

992
00:53:50,320 --> 00:53:59,879
Speaker 1: to munchy is Chick fil A Lemonade. Yeah. Man, that's

993
00:54:01,400 --> 00:54:04,440
Speaker 1: to go to for me too. I've been My diabetes

994
00:54:04,480 --> 00:54:06,680
Speaker 1: doesn't like it, but I like not the food and

995
00:54:06,800 --> 00:54:08,600
Speaker 1: so much. I eat all the time because I'm working

996
00:54:08,640 --> 00:54:11,080
Speaker 1: out now, so I'm always hungry. The munchies is whatever

997
00:54:11,200 --> 00:54:14,000
Speaker 1: I can get on door dash. The lemonade is that

998
00:54:14,120 --> 00:54:20,479
Speaker 1: every time I smoked thing, get one before I even

999
00:54:20,480 --> 00:54:22,719
Speaker 1: start smoking, trying to get some of those three miles

1000
00:54:22,760 --> 00:54:25,160
Speaker 1: down the road. So I think we got one down

1001
00:54:25,200 --> 00:54:27,040
Speaker 1: the road from her question number five with the high

1002
00:54:27,120 --> 00:54:29,120
Speaker 1: five with the glove. If you could smoke cannabis with

1003
00:54:29,160 --> 00:54:33,239
Speaker 1: anyone dead or alive, who would it be and why?

1004
00:54:33,280 --> 00:54:35,440
Speaker 1: I mean, you already got some amazing circles that you

1005
00:54:35,560 --> 00:54:39,360
Speaker 1: just dropped. But that's no one ever asked me, wow,

1006
00:54:39,600 --> 00:54:42,120
Speaker 1: dead or alive? Well, you have so many that were

1007
00:54:42,120 --> 00:54:46,040
Speaker 1: alive that people give us. I mean, he smoked with

1008
00:54:46,080 --> 00:54:50,000
Speaker 1: them already that people give us you. I mean, yeah,

1009
00:54:50,120 --> 00:54:52,680
Speaker 1: you guys legendaries. I don't even think about that. Probably

1010
00:54:52,719 --> 00:54:55,680
Speaker 1: all of them. Wow, how many times he's probably smoked

1011
00:54:55,680 --> 00:54:59,040
Speaker 1: with Snoop and oh god man, Snoop. But one time

1012
00:54:59,120 --> 00:55:01,880
Speaker 1: Snoop and Dre and I. So we had just interviewed

1013
00:55:01,920 --> 00:55:05,440
Speaker 1: on Robinson from in Vogue. We're gonna sign her to Aftermath, right,

1014
00:55:05,520 --> 00:55:07,640
Speaker 1: So shout out to my boys c Major and keep Bowls.

1015
00:55:07,680 --> 00:55:12,240
Speaker 1: They were there. So me and uh Me and Snoop

1016
00:55:12,480 --> 00:55:15,520
Speaker 1: are cube leaves this before we did Hello, because we

1017
00:55:15,560 --> 00:55:18,719
Speaker 1: interviewed Hello, right, so Cube leaves like I love the track,

1018
00:55:19,160 --> 00:55:22,879
Speaker 1: Here comes Snoop starts smoking. Dude. He smoked me under

1019
00:55:22,880 --> 00:55:24,759
Speaker 1: the table like till five in the morning. I tried

1020
00:55:24,800 --> 00:55:27,600
Speaker 1: to keep up with him. You can't smoke with Snoop.

1021
00:55:28,080 --> 00:55:30,080
Speaker 1: So I think the one person that I would want

1022
00:55:30,080 --> 00:55:33,000
Speaker 1: to smoke with, dead or alive, will be Snoop again.

1023
00:55:33,280 --> 00:55:36,759
Speaker 1: I'm gonna put his ass down. We're gonna that you

1024
00:55:36,800 --> 00:55:39,919
Speaker 1: want to. I'm going to his house later. I'm gonna

1025
00:55:39,960 --> 00:55:42,400
Speaker 1: tell you know what it is. And he got nicotine.

1026
00:55:42,400 --> 00:55:45,000
Speaker 1: I'm gonna cheat. I'm gonna use my air hemp. It's

1027
00:55:45,080 --> 00:55:49,920
Speaker 1: nothing but all we It's like a bomb. Sweets sweets.

1028
00:55:50,440 --> 00:55:53,359
Speaker 1: Go back to the Snoop. I want to I want

1029
00:55:53,360 --> 00:55:57,239
Speaker 1: to what do you call it? Yeah, he knocked me out.

1030
00:55:57,280 --> 00:55:59,440
Speaker 1: It took him five and then the motherfucker handed the

1031
00:55:59,520 --> 00:56:01,160
Speaker 1: join and I did like this when you get the wave,

1032
00:56:01,680 --> 00:56:05,799
Speaker 1: he just chuckled. I got your ask Finally, Well, Glove,

1033
00:56:05,880 --> 00:56:08,160
Speaker 1: is there anything else before we get on out of here, man,

1034
00:56:08,239 --> 00:56:10,839
Speaker 1: that you want that we might have forgot? Oh? Yeah,

1035
00:56:10,920 --> 00:56:13,279
Speaker 1: I want to say, first off, shout out to my

1036
00:56:13,320 --> 00:56:15,840
Speaker 1: mom and my sisters and brothers, everybody. My brother and

1037
00:56:15,920 --> 00:56:21,680
Speaker 1: sister both got engaged, just congratulated. Chapter COVID congratulations, we

1038
00:56:21,719 --> 00:56:23,279
Speaker 1: all gonna have a party together. We need to put

1039
00:56:23,320 --> 00:56:27,640
Speaker 1: off vote or something right and uh yeah, be a

1040
00:56:27,680 --> 00:56:30,360
Speaker 1: good time man. And then the next thing is I

1041
00:56:30,400 --> 00:56:32,319
Speaker 1: have a record in a comic coming out now. It's

1042
00:56:32,360 --> 00:56:35,440
Speaker 1: called Specter Enemy to State. It's about my life story

1043
00:56:35,960 --> 00:56:38,440
Speaker 1: instead of a documentary. I took like the Enemy to

1044
00:56:38,480 --> 00:56:42,240
Speaker 1: State concept, and I created an alter reality where music

1045
00:56:42,360 --> 00:56:44,920
Speaker 1: was in charge, so that now I work for the government,

1046
00:56:45,600 --> 00:56:49,040
Speaker 1: me and you at Canam. We was agents worked for CIA,

1047
00:56:49,160 --> 00:56:51,760
Speaker 1: agents like they didn't know other people were regular music.

1048
00:56:51,800 --> 00:56:53,680
Speaker 1: We were there to teach them how to be a

1049
00:56:53,719 --> 00:56:57,320
Speaker 1: certain way dope so that they could become what they become.

1050
00:56:57,440 --> 00:56:59,520
Speaker 1: And the soundtrack that comes with it, right, and it's

1051
00:56:59,560 --> 00:57:04,600
Speaker 1: six of them. This is six chapters, six soundtracks, each

1052
00:57:04,600 --> 00:57:07,200
Speaker 1: one with six songs. So first thing out now is

1053
00:57:07,239 --> 00:57:08,920
Speaker 1: Siga mag which is where I released We got all

1054
00:57:09,000 --> 00:57:11,120
Speaker 1: right now And kay okay, I'm with a group from

1055
00:57:11,120 --> 00:57:14,680
Speaker 1: the Dominican Republic Secret Service. They can help me in

1056
00:57:14,760 --> 00:57:18,200
Speaker 1: the comic. It's pretty interesting. It's gonna be fun. That's

1057
00:57:18,200 --> 00:57:23,320
Speaker 1: what I got going on. It's the music, tobacco, free

1058
00:57:23,760 --> 00:57:29,200
Speaker 1: hand rolled sweets and let me tell you guys, it's

1059
00:57:29,240 --> 00:57:32,160
Speaker 1: got a glass tip on its handcrafted. This thing is amazing.

1060
00:57:32,240 --> 00:57:34,800
Speaker 1: It's Cannabis Talk one on one. And remember this. If

1061
00:57:34,840 --> 00:57:37,920
Speaker 1: no one else loves you, we do. Thank you for

1062
00:57:38,000 --> 00:57:40,040
Speaker 1: listening to Cannabis Talk one on one on the I

1063
00:57:40,120 --> 00:57:44,160
Speaker 1: Heart Radio app, Apple Podcast, or wherever you get your podcasts.