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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the History of Curby Enthusiasm podcast

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Speaker 1: on Max and YouTube as well. Links available in the

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Speaker 1: episode description. Hi everybody, I'm Susie Esmond. Who are you.

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Speaker 2: I'm Jeff Garland And who's our special guest today?

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Speaker 3: Cheryl?

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Speaker 4: Hi, Cheryl Hie. Hi guys, Hi Cheryl.

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Speaker 1: This is fun and we are on season three, episode ten,

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Speaker 1: the Grand Opening. People love this episode. Yes, I love

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Speaker 1: this episode. I am questioned about this episode frequently.

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Speaker 4: I know you are.

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Speaker 1: I always love like an episode where I'm not in

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Speaker 1: it a lot, but I'm talked about.

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Speaker 4: I like that you left an impression. Yes, one quote that, yes.

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Speaker 3: We'll get lost from that, And that's not even my

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Speaker 3: favorite quote. There's another one that I love.

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Speaker 4: All right, There's so many in this one.

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Speaker 1: So we start out the local news is on TV

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Speaker 1: and Cheryl and Larry are getting ready for bed, and

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Speaker 1: Cheryl's like, guess who canceled lunch with me again? Susie Green,

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Speaker 1: She keeps canceling lunch at me and blah blah blah,

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Speaker 1: and she used the stupid excuse that she had a

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Speaker 1: dental appointment, and Cheryl says, it's bullshit, And I love

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Speaker 1: that dynamic created usually Cheryl and I are partners in crime.

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Speaker 4: Yeah yeah, wear us against these two. Yeah yeah.

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Speaker 3: I think though that it wasn't developed. Then develop that

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Speaker 3: in the hour Cheryl hated my character, that's right, And

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Speaker 3: then the HBO said to keep that going, and Larry said,

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Speaker 3: I don't have a show of those two hate each other,

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Speaker 3: and that's why it completely changed.

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Speaker 4: Yeah, well, you know a lot of these relationships.

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Speaker 1: If you were saying about Larry and I in the

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Speaker 1: last episode about our dynamic, how it changed, you know,

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Speaker 1: and even you and I are dynamic has changed. So's

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Speaker 1: it's something that you develop, especially when you're improvising.

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Speaker 4: We don't know what it is. We're just making it

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Speaker 4: up as we go along.

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Speaker 1: Yes, So Larry says, maybe she's telling the truth. And

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Speaker 1: then Cheryl asked Larry for a favor. She saw an

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Speaker 1: osteopath for her cough and the osteopath said, if you

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Speaker 1: take colon cleans, it'll just flush it right out of you.

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Speaker 4: The coughs right out of you, which sounds ridiculous to me.

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Speaker 3: And does question it. He does question and I'll do it.

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Speaker 4: He doesn't really believe it.

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Speaker 1: And then we see in the background on the local

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Speaker 1: news Andy Portico, who is the local restaurant critic.

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Speaker 3: Played by Paul Wilson, who I've worked with before, who

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Speaker 3: is a very funny man. He used to be on Cheers.

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Speaker 3: He was not a regular, but he had a recurring

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Speaker 3: role on Cheers.

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Speaker 1: And he's known Andy portgo for this thumbs up thumbs down,

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Speaker 1: you know, that's his whole shtick about restaurants. And he

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Speaker 1: gives a horrible review to this restaurant two thumbs down,

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Speaker 1: and then Larry mentions he's coming into the opening.

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Speaker 4: So it's a little sketchy. This guy is a hatchet man.

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Speaker 1: You know, he's going to destroy He gives a bad review,

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Speaker 1: the restaurant is over. He's controlling the fate of our restaurant,

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Speaker 1: is what Larry says. And then oh, Larry mentions that

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Speaker 1: Jeff's daughter, Sammy, goes to the same school as Andy

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Speaker 1: Portico's son. So we cut to Larry and Jeff. They

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Speaker 1: are in the health food store getting Sheryl Colon cleansed.

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Speaker 1: It's the Rainbow health food store, and Larry always says

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Speaker 1: he always feels more unhealthy in a health food store.

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Speaker 1: And he asked Jeff about Susie's bullshit excuse, and Jeff says, no,

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Speaker 1: it's true.

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Speaker 4: She was at a dental appointment. I was with her.

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Speaker 3: Now, not having seen this episode in years, I assumed

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Speaker 3: I was lying when I said, no, it's true.

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Speaker 4: No, that's true.

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Speaker 3: I know, but I'm saying I didn't remember the episode

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Speaker 3: except little parts. And I was like, yeah, that's I'm lying.

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Speaker 3: I guess I say it the same way either way.

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Speaker 4: You're a very good liar. Yeah, I guess you're very

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Speaker 4: used to it well.

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Speaker 1: And Jeff Green is a very practiced liar, Ye, much

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Speaker 1: more so than Jeff Garland.

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Speaker 4: I assume I don't really lie. Yeah, that's what I'm saying.

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Speaker 1: Jeff Green and Larry David are big fucking liars on

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Speaker 1: the show.

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Speaker 3: Because lying only gets you into by the way this

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Speaker 3: show is, this show, sample of lying gets you into

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Speaker 3: worse trouble. And I've always felt that, and that's the

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Speaker 3: way I work. Big ears small mouth.

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Speaker 4: Also big ears small mouth. Yeah, love hearing, don't talk well.

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Speaker 4: You have not followed that, Oh, yes, I have.

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Speaker 3: I most certainly have. And especially by the way, Larry

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Speaker 3: and I, that's our mantra with each other. Okay, like

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Speaker 3: you know, if he tells me something, I don't say anything.

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Speaker 4: Okay, yeah, different, I see what.

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Speaker 3: You're saying about people I don't know.

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Speaker 4: Yeah, yeah, okay, we get it.

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Speaker 1: So then Larry is the clerk where the colon cleanses,

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Speaker 1: and the clerk shouts across to the cashier guy, where's

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Speaker 1: the call? And everybody's staring at Larry about getting the

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Speaker 1: colon picking of everybody?

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Speaker 3: Did you notice someone in that scene now as one

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Speaker 3: of the customers, Aaron O'Malley.

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Speaker 4: I didn't notice that.

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Speaker 2: Shoot, I didn't notice them because my friend Ben Falcone

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Speaker 2: is the person that shouts it right, where's the okay,

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Speaker 2: which I which I didn't. I totally forgot. The man

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Speaker 2: is married to Melissa McCarthy, who.

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Speaker 3: You also got on the show. She was in the

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Speaker 3: with the doll and the toy start because he was looking.

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Speaker 2: For gosh, these guys, these guys are groundlings. And then

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Speaker 2: so I would you know, when we were casting stuff,

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Speaker 2: I would always bring in my friends like you have

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Speaker 2: to you have to see this person.

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Speaker 4: You have to see that person, and they come in and.

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Speaker 1: So Cheryl would bring in Groundlings and Jeff would bring

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Speaker 1: in Second City.

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Speaker 4: Yeah, for the most part, Yeah, that was very true. Yeah.

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Speaker 4: Well then they were all terrific and well trained improv people.

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Speaker 3: Yeah, for the most part, they were all cast It.

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Speaker 4: Does feel like that. It does feel like that, Yeah,

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Speaker 4: because they were all good.

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Speaker 1: They were all good, and you know, you know, when

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Speaker 1: you're working with somebody in that context improvising, you know

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Speaker 1: whether they're good or not. It's it's like because you're

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Speaker 1: you're on stage with them, and it's you know, and they're.

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Speaker 3: Also the most equipped to do the show.

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Speaker 1: Yeah, And Larry screams is for my wife, you know,

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Speaker 1: he gets all embarrasses from my wife. And then and

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Speaker 1: then in the door he sees somebody that looks very familiar,

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Speaker 1: a guy with a full head of dark hair, you know,

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Speaker 1: walking out into the parking lot and he's and he's

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Speaker 1: like realizing that's the chef that he hired. And he

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Speaker 1: only hired the chef because he was bald. But Cheryl

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Speaker 1: pointed out in that episode before this one that he

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Speaker 1: only hired the chef because he was bald, and Larry

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Speaker 1: and Jeff confront the chef. What was his name, Jeff,

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Speaker 1: I forgot Gomez played the chef.

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Speaker 4: No, but not that with the chef's name. I forgot.

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Speaker 3: I couldn't tell you that in a million years.

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Speaker 4: And they're like, what's with the two pei?

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Speaker 3: Phil? Right?

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Speaker 4: Yeah, yeah, yeah, what's.

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Speaker 3: I thought?

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Speaker 1: You said?

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Speaker 3: You didn't well, yeah, I did came into the interview.

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Speaker 5: Yes, I I just assumed, and I was right that

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Speaker 5: you're one of those people find that men who enhance

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Speaker 5: their appearance are wrong and stupid. So I took my

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Speaker 5: to pay off.

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Speaker 3: You came in ball just to get the job.

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Speaker 5: I'm sorry, I deceived. I hope this doesn't you know,

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Speaker 5: affect you know.

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Speaker 3: Well, I'm sorry, but but but it will.

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Speaker 6: I know, but I don't trust you.

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Speaker 3: I'm sorry. You gotta be ashamed of yourself. Let's go.

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Speaker 4: And all that. That's it, you know, that's was hilarious anyway, Yes.

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Speaker 3: But also Ian's explanation of that he thought that he

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Speaker 3: shouldn't wear it for the interview, and then when he

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Speaker 3: saw that Larry really had discussed for people wearing too

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Speaker 3: pass the choice the Nazi should have picked them up.

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Speaker 3: That's extreme. And then so he wouldn't wear it whenever

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Speaker 3: he saw Larry. And I think that's reasonable. But Larry's like,

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Speaker 3: I have to fall.

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Speaker 1: Larry doesn't trust him, and he is he's Larry's you

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Speaker 1: ought to be ashamed of yourself. And if Larry once

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Speaker 1: told my husband, Jimmy has a shaved heed.

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Speaker 4: He's ball, but he shaves his head.

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Speaker 1: And Larry once told him that he's not really a

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Speaker 1: part of the Ball brotherhood because he fakes it by

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Speaker 1: trying to make it seem like he's part of the

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Speaker 1: by shaving a bald community. Talk about the bald community brotherhood,

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Speaker 1: he says, also bald brotherhood. And then you're in the car,

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Speaker 1: Larry and Jeff are in the car, and what was

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Speaker 1: he thinking?

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Speaker 4: He had no plan. He had no plan, you know,

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Speaker 4: no system.

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Speaker 1: And Larry says that Jeff would have a proclivity to

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Speaker 1: hire a fat person as opposed to a thin person.

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Speaker 3: So, by the way, I don't know if that's true

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Speaker 3: about fat people. I think that's a false observation. It

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Speaker 3: would depend.

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Speaker 4: I doubt it's true about bull people too.

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Speaker 1: It's only no, no, no, I think it's true.

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Speaker 3: Thinks that would be definitely true, that you'd have a

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Speaker 3: proclivity for other ball people like you know, that's like

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Speaker 3: you know, he says, the community, the brotherhood, that is real.

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Speaker 1: Well, you know what, I feel an affinity for curly heads.

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Speaker 1: What for women with curly hair?

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Speaker 4: I feel an affinity for them.

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Speaker 3: Oh, so would you hire someone?

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Speaker 1: But I feel because it's such a thing when you

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Speaker 1: grow when you grow up with curly hair, it is

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Speaker 1: a thing, trust me. And whenever I see somebody with

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Speaker 1: curly hair, we always say what products do you use?

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Speaker 1: There's always like some kind of connection about having curly hair.

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Speaker 4: That's too funny.

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Speaker 2: But by the way, Jebo, one of my favorite lines

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Speaker 2: in the show, and I won't even quote it, but

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Speaker 2: when you guys were talking about this chef wearing the

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Speaker 2: two pay in the day and not wearing it at night,

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Speaker 2: and you said, what kind of life is that he's.

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Speaker 4: He's like living a duel consistance.

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Speaker 3: By the way, this is also I leave the first

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Speaker 3: time Larry and I just have a conversation, like a

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Speaker 3: full on conversation about stuff in the show. I think

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Speaker 3: before it was more succinct. And I love when they're yes, yes,

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Speaker 3: that's because that's the way I like to work. I

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Speaker 3: don't care how much screen time. I just like working

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Speaker 3: with air. I don't like when it has to be succinct.

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Speaker 1: Well, then you guys go into a whole riff on

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Speaker 1: this thing about yes.

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Speaker 3: Okay, so I do so, so what well, I just

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Speaker 3: want you to notice, Okay, I noticed it is duly noted.

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Speaker 3: All right, I did you. I knew before I.

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Speaker 4: Was going to say that too.

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Speaker 1: I knew you were going to say that. I knew

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Speaker 1: you were going to say that. Yeah, yeah, yeah, which

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Speaker 1: was very.

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Speaker 3: Funny and it's funny and I love it. Do you

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Speaker 3: remember in the in the Richard Kindes episode, I was

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Speaker 3: talking about the scene at the entrance to the cemetery

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Speaker 3: that it was cut out, Yeah, and they killed me

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Speaker 3: because it was one of those scenes it was just

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Speaker 3: so real and funny and they killed me. So that's

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Speaker 3: what this scene is like, like.

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Speaker 1: That, right, okay, right, And you know, I think those

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Speaker 1: scenes are important between all of us, just to show

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Speaker 1: what the relationships are.

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Speaker 3: They're very important. You know.

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Speaker 2: That's one of the things that I really noticed watching

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Speaker 2: these two episodes, you know, watching this one, and because

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Speaker 2: back in these early days, so many of my scenes

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Speaker 2: with Larry were in our bedroom. Yes, you know, getting

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Speaker 2: ready for bed, and it's like it didn't feel like

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Speaker 2: a scene. It just felt like we're talking about stuff.

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Speaker 2: And I really missed that part, you know, because.

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Speaker 4: People are intimacy.

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Speaker 2: Intimacy, Yeah, people are different where they're out with their fat.

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Speaker 3: By the way, those scenes we believe you're married. It

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Speaker 3: firmly establishes your relationships.

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Speaker 7: Yeah.

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Speaker 2: By the way, when we were shooting, especially during that time,

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Speaker 2: sometimes I would feel like, oh, I have a dual existence,

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Speaker 2: Like I think in one world I'm married to Larry,

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Speaker 2: and then another world.

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Speaker 4: I'm a completely different person.

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Speaker 2: But when we were shooting, because you know, just because

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Speaker 2: of the nature of the show and it's improvised, and

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Speaker 2: usually you know, the takes are pretty long because we

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Speaker 2: just we don't know what I want to cut, and

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Speaker 2: it would just be quiet, you know, scenes with me

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Speaker 2: and Larry just lying in bed or brushing our teeth.

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Speaker 4: I love those scenes. Yeah, I love those scenes.

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Speaker 1: And a lot of times I know there was not

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Speaker 1: stuff that was written, but great stuff came out.

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Speaker 4: Yeah. Yeah.

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Speaker 3: It was a skeleton on those scenes, the skeleton script.

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Speaker 3: It was a Bear essentials.

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Speaker 2: Yeah, So I miss I really miss those because that

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Speaker 2: that was really fun. And like you're saying intimate, okay,

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Speaker 2: go ahead.

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Speaker 4: Okay.

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Speaker 3: Well yeah, well, if anyone doesn't need to say okay,

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Speaker 3: go ahead, it's you. I'm annoying one. I'm the bipolar one.

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Speaker 2: You.

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Speaker 3: We're just so happy to have you here to talk.

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Speaker 4: Okay, all right, we'll be right back.

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Speaker 7: Stay tuned, and we're back.

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Speaker 1: So then you guys established no chef and the restaurant

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Speaker 1: is opening in four days because Larry now has to

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Speaker 1: fire the guy because he has a two pay.

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Speaker 4: He can't he can't have the guy be the chef

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Speaker 4: because he has to pay.

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Speaker 1: So then you're gonna go to Sammy's school and drop

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Speaker 1: off Sammy's lunch, and then you're gonna go to the restaurant.

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Speaker 1: So you go to Sammy's school and Larry sees these

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Speaker 1: all these kids, these teenagers, because it's a K through

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Speaker 1: twelfth school and they're all both First, Larry sees the kid.

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Speaker 4: He goes, oh, look at that kid. He's going through

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Speaker 4: chemo therapy.

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Speaker 1: And Jeff explains to him, no, there is a kid

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Speaker 1: going through chemo therapy at the school. And all the

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Speaker 1: other seniors shave their heads in solidarity with this kid

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Speaker 1: who's going through chemo.

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Speaker 3: May I say something logic wise, why is Sammy going

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Speaker 3: to school with seniors in high school? She's like eight?

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Speaker 1: Because Larry asked you that question and you said it's

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Speaker 1: a K through twelve school. Oh, I'm sorry that he

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Speaker 1: asked you that question. The thing so because obviously it

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Speaker 1: was odd to him as well. And Larry has a

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Speaker 1: moment where he says, you know.

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Speaker 3: Maybe maybe one day I'll got a chance to do

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Speaker 3: something good for somebody like that. It's really touching. You've

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Speaker 3: already got a kind of a head start.

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Speaker 1: Actually, maybe someday I'll be able to do something, you know,

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Speaker 1: like that shave my head in solidarity and show support

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Speaker 1: to somebody. Maybe someday I'll be able to do that.

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Speaker 1: And knowing him as we know him, you just think

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Speaker 1: he'll never be able to do it.

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Speaker 3: Head start.

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Speaker 5: Yes.

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Speaker 1: And then there's a game of dodgeball, which I you

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Speaker 1: know what, I remember dodgeball very very well.

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Speaker 4: I hated dodgeball, terrifying.

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Speaker 1: We had this really sadistic gym teacher, mister Anderson, and

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Speaker 1: he used, you know, the boys used to throw the

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Speaker 1: ball and.

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Speaker 4: You would get the burning I know, and he would

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Speaker 4: enjoy it. I really think he used to enjoy the.

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Speaker 2: Same things happened with me, and it was terrifying. It

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Speaker 2: was terrified that ball coming I could really get hurt.

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Speaker 3: Yeah. We used to play a game called bombardment, which

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Speaker 3: is a little bit because dodgeball there's lots of balls

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Speaker 3: going at once. Bombardment it's one ball that you throw

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Speaker 3: and try and hit somebody and knock come out. And

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Speaker 3: I remember it was very disturbing for me. I was

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Speaker 3: very athletic, so I was in until the end. But

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Speaker 3: that being said, the weakest kids were the first targets.

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Speaker 3: And I saw I saw these poor, sweet, nerdy kids

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Speaker 3: who were horrified getting like it was just so terrifying

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Speaker 3: and wrong. Yeah, bombardment, dodgeball should be voluntary.

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Speaker 1: On Yeah, and you know what what I recall is

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Speaker 1: the boys. If the boys liked you, they'd hit you

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Speaker 1: extra hard, you know, because they were eight or nine.

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Speaker 4: And we want to show how exactly.

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Speaker 1: So there is a game of dodgeball, and we see

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Speaker 1: that Andy Portico thumbs up thumbs down, is playing and

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Speaker 1: Larry gets into the game with Andy, and Portico says,

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Speaker 1: I'm coming to your restaurant next.

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Speaker 4: Week to review it. And you see Portico is fucking

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Speaker 4: brutal in this dodge ball game. He's hitting kids. He's

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Speaker 4: just competitive. You're really taking him out. Yeah, when he's.

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Speaker 3: Hitting the kids, it is really funny.

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Speaker 4: It is really funny.

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Speaker 1: Well you see who this guy is. I mean, it's

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Speaker 1: a great indication of who this guy is. It's a

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Speaker 1: character thing. And then he starts going back and forth

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Speaker 1: with Larry and they get into it.

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Speaker 6: All right, you hit the ground, hit the ground, hit

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Speaker 6: the ground, Portoco.

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Speaker 7: Well you've ben done.

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Speaker 1: Sorry, And finally Larry throws the ball at him really

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Speaker 1: hard and he breaks his fingers.

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Speaker 4: Not good now, by the way.

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Speaker 3: When I come out and I say, what the fuck,

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Speaker 3: I think that's the first what the fuck. I'm being

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Speaker 3: serious when I say these things because I've said it

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Speaker 3: to him so many times on the show. Yeah, that

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Speaker 3: might be the first what the fuck? And I have

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Speaker 3: two pieces of information. One's a trivia piece and one's

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Speaker 3: so even though I say I'm walking off to go

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Speaker 3: deliver it to Sammy, I'm not. I'm back in my

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Speaker 3: producer's chair watching on the monitor. So I'm sitting there

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Speaker 3: and Larry looks at me before the scene's being shot

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Speaker 3: and he goes, you know, what to do, and I go,

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Speaker 3: I do my job on the show. From the very

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Speaker 3: beginning to the very end was extra water my eyes.

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Speaker 3: I'd watched the scene, certainly, but I was the one

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Speaker 3: watching the extress and I'm not allowed to talk to

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Speaker 3: the extress. Neither is the director the AD.

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Speaker 4: So it was wait, so let me ask, wait, is

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Speaker 4: that true? Dale? It was Dale? Yeah, Dale, they're not.

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Speaker 1: They're literally only the AD is allowed to talk to extras.

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Speaker 4: That's a rule.

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Speaker 3: Yes, I know that he's the one who communicates with them,

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Speaker 3: so otherwise they'd be hearing things from a million different directions.

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Speaker 4: Yeah, so Dale was really Stern.

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Speaker 3: Dale Stern was running in circles that day because there

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Speaker 3: were so many extras, being afraid of the ball in

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Speaker 3: a gigantic way, throwing the ball with a spin like

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Speaker 3: nothing was real. So I'm doing that, doing that, doing that. Okay,

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Speaker 3: Now that day was a really I've got goosebumps because

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Speaker 3: I never forget it. So we're at lunchtime and I'm

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Speaker 3: sitting in the parking lot away from everybody in the

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Speaker 3: director's chair, and I get a phone call telling me

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Speaker 3: I've been casting Daddy Daycare, that I'm going to be

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Speaker 3: one of the leads in a movie with Eddie Murphy,

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Speaker 3: and I remember sitting there on the set. I could

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Speaker 3: not believe it. I could I was in awe And

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Speaker 3: actually Aeron O'Malley took a picture of me in that

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Speaker 3: moment of me being on the.

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Speaker 1: Phone, But that was Can I just say tell everybody

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Speaker 1: who Erin O'Malley is Erin O'Malley was our line producer

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Speaker 1: at the time.

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Speaker 3: Who became coexect and exec who even from the moment

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Speaker 3: she was line producer, she should have been given the

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Speaker 3: credit of executive producer.

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Speaker 1: What she she was terrific And she's now a director.

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Speaker 1: She directs like crazy now.

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Speaker 3: She was an executive producer of You Girl, like so

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Speaker 3: many big shows she's been the executive producer on and

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Speaker 3: I know because she's produced two of my movies that

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Speaker 3: she's always wanted to direct, and so I'm so happy

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Speaker 3: for her. And I'm seeing her in a couple of weeks.

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Speaker 3: So you could tell me to say hello to.

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Speaker 4: Her, Please say hell, Erin O'Malley, We say hello, Okay.

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Speaker 3: Cool. So that's a trivia and a piece of information

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Speaker 3: on extras.

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Speaker 4: And extras are a whole other thing.

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Speaker 3: Background is a big ball of interesting.

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Speaker 4: Yes on many levels, Cheryl, What were you going to say, honey.

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Speaker 2: No, no, I was I'm just agreeing with you about

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Speaker 2: the extras.

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00:20:07,080 --> 00:20:09,640
Speaker 4: Yeah, we've had some moments. Yes.

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00:20:09,760 --> 00:20:13,960
Speaker 3: By the way, whenever we film with background, I go

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00:20:14,160 --> 00:20:17,320
Speaker 3: around to them and thank them for doing the show. Yes,

404
00:20:17,359 --> 00:20:20,720
Speaker 3: a show which which they're always like what, I go, no, no, no,

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00:20:20,760 --> 00:20:21,600
Speaker 3: thank you very much.

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Speaker 4: For doing that. Very sweet to me.

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Speaker 1: The most challenging thing with extras was during the pandemic.

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Speaker 4: That was very challenging. That's later on.

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Speaker 2: I was just what, it's a one little background story

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00:20:31,400 --> 00:20:33,760
Speaker 2: and it's not about this episode, but it's it'll be

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Speaker 2: one in the future.

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Speaker 4: And I couldn't even tell you which one.

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Speaker 2: But and I don't know if you guys were there

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00:20:37,960 --> 00:20:40,560
Speaker 2: that day, but we were shooting something where, you know,

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Speaker 2: like a wake type of a thing in somebody's living room.

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Speaker 4: Somebody had just died.

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Speaker 3: And no, that's already happened that season one, beloved ant.

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Speaker 4: Well, it could have been something else.

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Speaker 1: I know, the bunk Houser memorial's been.

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Speaker 2: Many Yeah, I think this one is is later later,

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Speaker 2: because I'm sure it was the second idea. I told

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Speaker 2: background not to talk in this scene, you know, just

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00:21:03,040 --> 00:21:06,240
Speaker 2: the principles, and so it's kind of a quiet scene

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Speaker 2: and Larry walks up to one of the background and says, uh,

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Speaker 2: you know, I don't know who died, but let's say

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Speaker 2: his name was Frank.

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Speaker 4: And he's like, how did you know Frank?

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Speaker 2: And the background player just started mouthing words.

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Speaker 3: Remember, holy shit, I had completely forgotten that. And there

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Speaker 3: was one you know, Larry and I for the rest

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00:21:27,960 --> 00:21:31,720
Speaker 3: of time would imitate that. Oh my god, I know

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Speaker 3: where that was. That was at the scene where Larry

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Speaker 3: throws a twenty dollars bill on the ground because he

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Speaker 3: stole the perfume for you.

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00:21:39,080 --> 00:21:41,600
Speaker 1: That's when it keeps going on a funk Houser memorial.

436
00:21:41,840 --> 00:21:42,720
Speaker 3: Yes, yes, yeah.

437
00:21:43,680 --> 00:21:45,560
Speaker 4: And then Larry was like, what are you doing?

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Speaker 2: And the guy is still like mouthing words back to Larry.

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00:21:52,240 --> 00:21:55,040
Speaker 3: Well, it was Larry's fault for asking him a question.

440
00:21:56,160 --> 00:22:01,000
Speaker 2: Yeah, Larry was like, what's going on in this scene?

441
00:22:01,520 --> 00:22:05,680
Speaker 2: And you know did they stopped it down and asked

442
00:22:05,720 --> 00:22:07,520
Speaker 2: the guy and he said I was told not to talk.

443
00:22:07,840 --> 00:22:11,160
Speaker 2: And then Larry, if my memory serves me, I think

444
00:22:11,240 --> 00:22:13,760
Speaker 2: Larry was so taken with the guy that he said

445
00:22:13,800 --> 00:22:15,879
Speaker 2: I'm going to ask you a question you can answer.

446
00:22:16,760 --> 00:22:17,880
Speaker 4: Think you got a lie in that day.

447
00:22:18,040 --> 00:22:21,360
Speaker 3: For a period that didn't happen towards the later seasons,

448
00:22:21,480 --> 00:22:24,840
Speaker 3: but for a period we upgraded more extras than I've

449
00:22:24,880 --> 00:22:28,040
Speaker 3: ever seen in my life, including beloved ant. All those

450
00:22:28,080 --> 00:22:31,719
Speaker 3: people sitting on the couch in the living room were background,

451
00:22:31,800 --> 00:22:34,600
Speaker 3: and suddenly they all had parts and they were free

452
00:22:34,640 --> 00:22:37,080
Speaker 3: to talk. And by the way they were, they were

453
00:22:37,160 --> 00:22:38,680
Speaker 3: fucking good too.

454
00:22:38,880 --> 00:22:41,680
Speaker 1: And Jeff, let's just clarify for people who don't know,

455
00:22:42,080 --> 00:22:45,960
Speaker 1: extras are paid more if they speak background.

456
00:22:45,960 --> 00:22:50,600
Speaker 4: If they have no extras, they're upgraded to an under five.

457
00:22:51,119 --> 00:22:52,879
Speaker 3: Or if they do more than five, they get it.

458
00:22:53,000 --> 00:22:56,800
Speaker 4: They're paid more credit. They get it. You know, you

459
00:22:56,359 --> 00:22:56,600
Speaker 4: put it.

460
00:22:58,320 --> 00:23:01,919
Speaker 3: They're acting, and that's an acting job. Not that I

461
00:23:01,960 --> 00:23:03,560
Speaker 3: think background is acting. Great.

462
00:23:03,640 --> 00:23:06,479
Speaker 4: Background it is is so appreciative. It's hard to do.

463
00:23:06,840 --> 00:23:07,800
Speaker 4: It is hard to do.

464
00:23:08,240 --> 00:23:09,680
Speaker 1: And by the way, they got to do it over

465
00:23:09,720 --> 00:23:12,520
Speaker 1: and over and over again, take after take after take. Okay,

466
00:23:12,560 --> 00:23:15,680
Speaker 1: so now we're back at Bobo's at the restaurant, and

467
00:23:15,800 --> 00:23:19,520
Speaker 1: Larry says, they're all upset that everybody's there. Jim Swinson

468
00:23:19,680 --> 00:23:23,760
Speaker 1: and Susi Nakamura and lu DiMaggio and Michael York and

469
00:23:23,960 --> 00:23:27,119
Speaker 1: apparently Ted is gone. Ted has taking his money and left,

470
00:23:27,560 --> 00:23:29,960
Speaker 1: and Larry said he had to fire him. He's a liar.

471
00:23:30,440 --> 00:23:34,159
Speaker 1: And now they're all, you know, nonplussed. You know, Portico's

472
00:23:34,200 --> 00:23:36,960
Speaker 1: gonna they're stuck in the mire, in the muck, and

473
00:23:37,000 --> 00:23:38,440
Speaker 1: Portico is going to slaughter around.

474
00:23:38,680 --> 00:23:41,919
Speaker 3: Hold on. That is the minutia kind of thing that

475
00:23:42,119 --> 00:23:44,840
Speaker 3: Larry loves. I love as a viewer. I love being

476
00:23:44,880 --> 00:23:45,640
Speaker 3: there watching it.

477
00:23:46,000 --> 00:23:48,880
Speaker 1: When he says a language thing too, you know, it's

478
00:23:48,920 --> 00:23:50,080
Speaker 1: a use of legs.

479
00:23:50,560 --> 00:23:53,240
Speaker 3: The nuance of both words that might mean the same

480
00:23:53,600 --> 00:23:56,800
Speaker 3: and going back and forth. I find that so delightful.

481
00:23:57,040 --> 00:23:58,480
Speaker 3: And Larry's great at it.

482
00:23:58,600 --> 00:24:01,639
Speaker 4: Great at it. Well, he said, he's such a word smith.

483
00:24:02,280 --> 00:24:05,440
Speaker 1: And then they tell Larry he's got to go apologize

484
00:24:05,440 --> 00:24:05,960
Speaker 1: to Portico.

485
00:24:06,480 --> 00:24:07,080
Speaker 4: So he does.

486
00:24:07,160 --> 00:24:10,040
Speaker 1: He goes to apologize to Portico, and we see Portico's

487
00:24:10,080 --> 00:24:11,480
Speaker 1: got two too big.

488
00:24:11,560 --> 00:24:13,640
Speaker 4: His hands are completely wrapped up.

489
00:24:13,960 --> 00:24:16,080
Speaker 1: Why for a couple of fingers, I don't know, but

490
00:24:16,359 --> 00:24:20,000
Speaker 1: it works, and and Eldie apologizes and he won't be

491
00:24:20,040 --> 00:24:22,359
Speaker 1: able to review the restaurant now because he can't do

492
00:24:22,480 --> 00:24:23,680
Speaker 1: thumbs up with thumbs down.

493
00:24:23,720 --> 00:24:26,280
Speaker 4: That's his stick. If he can't do thumbs up thumbs down,

494
00:24:26,320 --> 00:24:27,240
Speaker 4: it's over for him.

495
00:24:27,640 --> 00:24:31,360
Speaker 1: And Portico tells him about this chef that he knows

496
00:24:31,640 --> 00:24:36,000
Speaker 1: who was just at Martinez in New York, Gee Berney Burney.

497
00:24:36,160 --> 00:24:40,200
Speaker 4: What was his name was that it Jeff, It's gee,

498
00:24:40,240 --> 00:24:40,680
Speaker 4: He's friend.

499
00:24:41,800 --> 00:24:46,920
Speaker 1: And then the Portico's assistant brings him spaghetti, and Portico

500
00:24:47,000 --> 00:24:49,520
Speaker 1: is completely abusive to the assistant, so you see what

501
00:24:49,520 --> 00:24:53,000
Speaker 1: a fucking asshole this guy is, and eld starts to

502
00:24:53,000 --> 00:24:55,120
Speaker 1: feed him the spaghetti, which is really gross.

503
00:24:55,359 --> 00:25:00,760
Speaker 8: Let's make this happen, Larry, okay, come on, no no, no, no, no.

504
00:25:00,359 --> 00:25:02,200
Speaker 4: No no no, and will you stop?

505
00:25:03,240 --> 00:25:03,280
Speaker 1: No?

506
00:25:03,400 --> 00:25:06,280
Speaker 3: No, you please? You come on?

507
00:25:08,119 --> 00:25:08,320
Speaker 2: Good?

508
00:25:08,640 --> 00:25:08,840
Speaker 4: Good?

509
00:25:09,720 --> 00:25:16,320
Speaker 3: Yeah, good, it's good, isn't it? Oddy? Oh my gosh,

510
00:25:16,960 --> 00:25:23,399
Speaker 3: I'm sorry. Oh by the way he started. Hold on,

511
00:25:23,600 --> 00:25:27,479
Speaker 3: he starts out giving small amounts and then he starts

512
00:25:27,600 --> 00:25:32,280
Speaker 3: shoving tork folds, which is hilarious.

513
00:25:32,359 --> 00:25:34,000
Speaker 1: Then we go out, and I think I think he

514
00:25:34,160 --> 00:25:36,960
Speaker 1: did that because he's no longer reviewing the restaurants, so

515
00:25:37,000 --> 00:25:38,600
Speaker 1: we didn't have to be nice to him anymore.

516
00:25:38,840 --> 00:25:42,480
Speaker 3: But I think his big motivation was the way he treated.

517
00:25:42,200 --> 00:25:45,760
Speaker 4: His assistance was horrible. Yeah, yeah, yeah, yeah, we'll be

518
00:25:45,880 --> 00:25:46,280
Speaker 4: right back.

519
00:25:46,480 --> 00:25:59,000
Speaker 7: Stay tuned. Okay, we're back.

520
00:25:59,359 --> 00:26:01,800
Speaker 1: And then we cut to the restaurant and they were

521
00:26:01,880 --> 00:26:06,720
Speaker 1: interviewing Gie Bernet, who is played by Paul Sand Paul

522
00:26:06,800 --> 00:26:07,840
Speaker 1: Sand who he is.

523
00:26:08,400 --> 00:26:12,560
Speaker 3: Second City and also a legend and show legend and

524
00:26:12,680 --> 00:26:15,639
Speaker 3: a true and a true genius on so many levels.

525
00:26:16,160 --> 00:26:19,120
Speaker 3: He had the highest rated show ever to be canceled

526
00:26:19,160 --> 00:26:19,960
Speaker 3: on network TV.

527
00:26:20,200 --> 00:26:20,560
Speaker 2: What was that?

528
00:26:20,760 --> 00:26:23,080
Speaker 3: It was a I can't yes, it was sitcom. It

529
00:26:23,200 --> 00:26:26,200
Speaker 3: was on Saturday Nights with Mary Tyler Moore, Bob Newhart

530
00:26:26,280 --> 00:26:28,680
Speaker 3: and all that, and it was really successful. And I

531
00:26:28,800 --> 00:26:31,679
Speaker 3: forgot the read he told me the story. I cannot

532
00:26:31,760 --> 00:26:34,400
Speaker 3: remember it now, but I think that's a fascinating piece

533
00:26:34,440 --> 00:26:34,840
Speaker 3: of trivia.

534
00:26:34,920 --> 00:26:36,840
Speaker 4: Well why did they cancel it? Who knows?

535
00:26:37,080 --> 00:26:39,800
Speaker 3: I don't remember it, but it was at the time.

536
00:26:40,280 --> 00:26:43,200
Speaker 3: It may still be the highest rated show ever to

537
00:26:43,280 --> 00:26:43,960
Speaker 3: get canceled.

538
00:26:44,200 --> 00:26:46,960
Speaker 1: Okay, And we see Paul Sand is playing Gee, and

539
00:26:47,000 --> 00:26:50,480
Speaker 1: he's French, and he's very you know, particularly he will

540
00:26:50,560 --> 00:26:52,840
Speaker 1: not cook salmon, he will not take it, he will

541
00:26:52,920 --> 00:26:53,520
Speaker 1: not poach it.

542
00:26:53,880 --> 00:26:56,199
Speaker 4: He did, will not cook with capers, you.

543
00:26:56,240 --> 00:27:00,760
Speaker 1: Know, I hate you see, he's like an ex crazy

544
00:27:00,840 --> 00:27:05,399
Speaker 1: guy and then Larry notices a number tattooed on his

545
00:27:05,520 --> 00:27:09,119
Speaker 1: forearm and assumes that he is a Holocaust survivor, because

546
00:27:09,480 --> 00:27:12,560
Speaker 1: when you entered a concentration camp, they tattooed a number

547
00:27:12,600 --> 00:27:14,439
Speaker 1: onto your arm because you were just cattle.

548
00:27:14,560 --> 00:27:15,720
Speaker 4: You were not a human being.

549
00:27:16,320 --> 00:27:20,960
Speaker 1: And all of a sudden, Gee starts she cockstucker and starts,

550
00:27:21,080 --> 00:27:24,440
Speaker 1: you know, cursing sing. Then we cut to Cheryl and

551
00:27:24,600 --> 00:27:28,200
Speaker 1: Larry getting into Larry's car, and Larry's car is filthy

552
00:27:28,320 --> 00:27:32,159
Speaker 1: and disgusting, and Cheryl complains about it, that it's disgusting,

553
00:27:32,400 --> 00:27:33,919
Speaker 1: and Larry says, I'm going to go to a car wash,

554
00:27:34,000 --> 00:27:35,080
Speaker 1: and Cheryl says, I don't have time.

555
00:27:35,160 --> 00:27:36,240
Speaker 4: I'm meeting Susie for lunch.

556
00:27:36,440 --> 00:27:38,640
Speaker 1: If i'm late, she's going to be angry at me again,

557
00:27:38,680 --> 00:27:40,639
Speaker 1: and blah blah blah, and Larry says it's only going

558
00:27:40,680 --> 00:27:41,399
Speaker 1: to take two minutes.

559
00:27:41,680 --> 00:27:44,680
Speaker 4: And then they're in the car wash. Now, Cheryl, I

560
00:27:44,960 --> 00:27:46,560
Speaker 4: know you remember shooting this scene.

561
00:27:46,960 --> 00:27:50,359
Speaker 3: Oh we do. Yes, by the way, I remember it,

562
00:27:50,480 --> 00:27:52,920
Speaker 3: and I was in awe. I could not believe it.

563
00:27:53,280 --> 00:27:56,240
Speaker 3: Larry and I just kept saying this phrase over to

564
00:27:56,359 --> 00:27:57,920
Speaker 3: one another, what a sport?

565
00:27:58,320 --> 00:27:59,760
Speaker 4: Yes, you really were?

566
00:28:00,160 --> 00:28:02,800
Speaker 3: We said that maybe a hundred times. Wow.

567
00:28:02,880 --> 00:28:05,360
Speaker 4: So you went into a real car wash. Yeah, yes,

568
00:28:05,440 --> 00:28:08,560
Speaker 4: he was a real car wash, which is crazy. So

569
00:28:08,840 --> 00:28:10,959
Speaker 4: let me let me just say what happens and then

570
00:28:11,000 --> 00:28:11,560
Speaker 4: we'll go to that.

571
00:28:12,000 --> 00:28:14,840
Speaker 1: In the car wash, Cheryl's getting cramps from her calling cleans,

572
00:28:15,160 --> 00:28:17,120
Speaker 1: and all of a sudden, the car is stuck. It's

573
00:28:17,200 --> 00:28:19,879
Speaker 1: not moving. You're banging on the window. Cheryl has to

574
00:28:19,960 --> 00:28:23,080
Speaker 1: go really bed. Larry calls, tries to get the number

575
00:28:23,119 --> 00:28:25,840
Speaker 1: of the car wash. He finally gets it. He's screaming

576
00:28:25,920 --> 00:28:28,399
Speaker 1: at the woman. She can't hear him because it's so loud.

577
00:28:28,560 --> 00:28:31,120
Speaker 3: And by the way, she's smiling all through that, which

578
00:28:31,160 --> 00:28:32,080
Speaker 3: I thought was awesome.

579
00:28:32,160 --> 00:28:35,199
Speaker 4: Yes, and then Cheryl can't stand it anymore. She's got

580
00:28:35,320 --> 00:28:38,760
Speaker 4: a poop and she gets out of the car.

581
00:28:39,880 --> 00:28:43,200
Speaker 7: Larry, you wait, wait, I go, I gotta go, I

582
00:28:43,280 --> 00:28:44,160
Speaker 7: gotta go, I gotta go.

583
00:28:55,360 --> 00:28:58,320
Speaker 4: What do you remember about that? Well, you know, we

584
00:28:58,640 --> 00:29:00,080
Speaker 4: kept shooting the end.

585
00:29:00,080 --> 00:29:02,600
Speaker 2: Side of the car before I had to actually kill

586
00:29:03,920 --> 00:29:08,400
Speaker 2: and uh, it was and forth when you were going

587
00:29:08,520 --> 00:29:10,920
Speaker 2: back and how did they how did they shoot? They

588
00:29:11,600 --> 00:29:15,000
Speaker 2: just turned on the air condition or the car wash,

589
00:29:16,360 --> 00:29:18,720
Speaker 2: and they said, do you want to try it? Because

590
00:29:18,720 --> 00:29:20,280
Speaker 2: it would be great to get your face and just

591
00:29:20,360 --> 00:29:21,400
Speaker 2: do as much as you can.

592
00:29:22,160 --> 00:29:29,600
Speaker 9: And I was like, all right, what a sport, and

593
00:29:29,760 --> 00:29:32,560
Speaker 9: started walking through how many takes?

594
00:29:32,600 --> 00:29:33,880
Speaker 4: Do you remember? How many takes?

595
00:29:34,080 --> 00:29:36,080
Speaker 2: I know we at least did it twice because I

596
00:29:36,160 --> 00:29:40,000
Speaker 2: remember having to dry off everything and change and drying.

597
00:29:40,520 --> 00:29:43,800
Speaker 3: By the way, I'm pretty sure it was only twice,

598
00:29:44,280 --> 00:29:45,880
Speaker 3: and the stunt double didn't need.

599
00:29:45,800 --> 00:29:46,000
Speaker 5: To do it.

600
00:29:46,120 --> 00:29:47,080
Speaker 4: I don't think she ever did.

601
00:29:47,680 --> 00:29:47,720
Speaker 3: No.

602
00:29:48,440 --> 00:29:51,000
Speaker 4: No, but I hope you. I hope you went home

603
00:29:51,040 --> 00:29:57,080
Speaker 4: and took a shower. No need was beyond clean after that. Okay,

604
00:29:57,320 --> 00:29:59,920
Speaker 4: So Cheryl, as we know, gets caught in the hall

605
00:30:00,720 --> 00:30:04,200
Speaker 4: flapping straps and and all.

606
00:30:04,120 --> 00:30:06,080
Speaker 1: Of that, gets out of the car, and then we

607
00:30:06,240 --> 00:30:10,000
Speaker 1: cut to it is the grand opening of Bobos and

608
00:30:10,640 --> 00:30:16,640
Speaker 1: dumb name Bobo, and Jeff and Larry are talking and

609
00:30:16,800 --> 00:30:19,840
Speaker 1: Jeff tells Larry that Susie's craze. She doesn't believe Cheryl

610
00:30:19,880 --> 00:30:22,080
Speaker 1: got stuck in a car wash. So we're seeing that

611
00:30:22,200 --> 00:30:25,040
Speaker 1: the whole thing between us and Larry to the group,

612
00:30:25,200 --> 00:30:26,920
Speaker 1: so we want to put down bread or we want

613
00:30:26,920 --> 00:30:29,840
Speaker 1: to put down olives and geezas to the background, No olives, no, no,

614
00:30:30,040 --> 00:30:30,480
Speaker 1: no olives.

615
00:30:30,640 --> 00:30:31,320
Speaker 7: What do you do with the pit.

616
00:30:31,440 --> 00:30:34,640
Speaker 1: They discuss lemon and water, and again he's like, motherfucking

617
00:30:34,680 --> 00:30:38,000
Speaker 1: cocksucking asshole, And it's not the grand opening yet.

618
00:30:38,040 --> 00:30:40,160
Speaker 4: There are just at the rest of them made a mistake.

619
00:30:40,280 --> 00:30:43,720
Speaker 1: Yeah, and Damasio says, I'm beginning to think it's involuntary

620
00:30:43,840 --> 00:30:47,480
Speaker 1: there screaming out. So they're starting to figure out the

621
00:30:47,600 --> 00:30:50,720
Speaker 1: gee character has Tourette's and that Portico did this on

622
00:30:50,880 --> 00:30:52,000
Speaker 1: purpose to fuck them.

623
00:30:52,280 --> 00:30:52,480
Speaker 3: Yes.

624
00:30:52,840 --> 00:30:55,840
Speaker 4: Yeah, because of the restaurant the way it was. It's

625
00:30:55,880 --> 00:30:56,720
Speaker 4: an open kitchen.

626
00:30:56,840 --> 00:30:59,360
Speaker 2: Yeah, it's an open kitchen so everyone can watch the

627
00:30:59,560 --> 00:31:01,760
Speaker 2: chef and can be a part of that experience.

628
00:31:01,840 --> 00:31:04,280
Speaker 1: And when he was in Martinez in New York, it

629
00:31:04,400 --> 00:31:06,800
Speaker 1: was the kitchen was in the back, so it didn't matter.

630
00:31:07,120 --> 00:31:07,320
Speaker 4: Yeah.

631
00:31:07,440 --> 00:31:11,040
Speaker 1: Larry says he can't fire him because he's a Holocaust survivor.

632
00:31:11,240 --> 00:31:14,160
Speaker 1: Cut to Larry and Cheryl getting dressed again in the bedroom.

633
00:31:14,240 --> 00:31:17,440
Speaker 1: Another seat in the bedroom, Cheryl and Jerry's fetching, and

634
00:31:17,520 --> 00:31:20,440
Speaker 1: Cheryl says, is this two notts landing? And Larry has

635
00:31:20,520 --> 00:31:22,160
Speaker 1: no idea what the fuck you're talking about.

636
00:31:22,640 --> 00:31:25,160
Speaker 3: That's one of the great lines. I know it's a show,

637
00:31:25,800 --> 00:31:29,000
Speaker 3: but I have no idea what that means. That's a

638
00:31:29,080 --> 00:31:32,600
Speaker 3: great loan because that back then, there's no way I

639
00:31:32,720 --> 00:31:33,800
Speaker 3: watched Notts Landing.

640
00:31:33,880 --> 00:31:37,800
Speaker 4: Yeah, I knew it was knew in the ether, you

641
00:31:37,880 --> 00:31:39,280
Speaker 4: know that what No, No, I.

642
00:31:39,320 --> 00:31:41,760
Speaker 3: Knew it was a show because I followed TV. I

643
00:31:41,880 --> 00:31:43,480
Speaker 3: used to get the fall preview TV.

644
00:31:43,640 --> 00:31:46,200
Speaker 4: The A's many shows, so you knew what shows there were.

645
00:31:46,320 --> 00:31:48,280
Speaker 3: It was a hand But for those kinds of shows,

646
00:31:48,320 --> 00:31:52,640
Speaker 3: it was not Landing in Dallas and Dynasty. Yeah, Dynasty too. Yeah,

647
00:31:53,000 --> 00:31:56,479
Speaker 3: that's right, those were the primetime soaps, is what they

648
00:31:56,560 --> 00:31:57,479
Speaker 3: initially called him.

649
00:31:57,520 --> 00:31:59,080
Speaker 4: Yeah, Larry doesn't get the reference.

650
00:31:59,200 --> 00:32:02,760
Speaker 1: And Larry says, and quite astutely, he doesn't understand why

651
00:32:02,840 --> 00:32:04,720
Speaker 1: this chef doesn't curse in French?

652
00:32:05,120 --> 00:32:07,440
Speaker 4: Why in English?

653
00:32:07,920 --> 00:32:11,720
Speaker 7: He's got a point. What I saw I was.

654
00:32:12,480 --> 00:32:13,720
Speaker 4: Such a good question.

655
00:32:15,240 --> 00:32:17,880
Speaker 1: Cheryl says she's not looking forward to running into Susie

656
00:32:17,920 --> 00:32:20,360
Speaker 1: Green at the opening. She she hates me and she

657
00:32:20,440 --> 00:32:23,280
Speaker 1: won't even talk to me. And then we are at

658
00:32:23,360 --> 00:32:26,800
Speaker 1: the grand opening and everybody's there. Jeff's parents are there,

659
00:32:26,960 --> 00:32:28,920
Speaker 1: Cheryl's parents are there, Louis is.

660
00:32:28,960 --> 00:32:32,040
Speaker 4: There sitting with Joyce. His real wife was his day.

661
00:32:34,120 --> 00:32:38,360
Speaker 1: Assistant, the janitor, Caroline Aaron I forgot the name of

662
00:32:38,440 --> 00:32:39,040
Speaker 1: her character.

663
00:32:39,560 --> 00:32:43,760
Speaker 4: The housekeeper was yes, Dora was there. Everyone's there.

664
00:32:43,840 --> 00:32:46,720
Speaker 1: Everybody has bells on the table, and Larry sees a

665
00:32:46,720 --> 00:32:52,520
Speaker 1: whole group of investors and wearing Larry sees the investors

666
00:32:52,560 --> 00:32:54,120
Speaker 1: hanging out at the bar, and he goes to the

667
00:32:54,240 --> 00:32:56,800
Speaker 1: investors and Jim Swinson's a little drunk.

668
00:32:56,600 --> 00:32:58,840
Speaker 4: And where Susie. Everybody's asking where I am?

669
00:32:59,200 --> 00:33:02,480
Speaker 3: And also if I can point out, I'm wearing a

670
00:33:02,560 --> 00:33:05,200
Speaker 3: red shirt today, but back then, I was wearing a

671
00:33:05,520 --> 00:33:08,760
Speaker 3: dress shirt in this color, the bright red. Yes, and

672
00:33:08,880 --> 00:33:12,760
Speaker 3: all I thought to myself, Oh, that's insane, that's insane,

673
00:33:12,960 --> 00:33:16,040
Speaker 3: because it was really no one wears a red shirt

674
00:33:16,160 --> 00:33:16,880
Speaker 3: like that with their.

675
00:33:17,000 --> 00:33:19,720
Speaker 4: True red dress shirt yet little red shirt.

676
00:33:19,800 --> 00:33:20,480
Speaker 3: It was nuts.

677
00:33:21,320 --> 00:33:23,840
Speaker 1: So Larry goes to say hello to Gee at the thing,

678
00:33:24,040 --> 00:33:27,400
Speaker 1: and Gee is very upset because Gee missed the lottery

679
00:33:27,520 --> 00:33:30,720
Speaker 1: by one number. And he shows Larry the numbers on

680
00:33:30,840 --> 00:33:33,400
Speaker 1: his arms that he wrote down his lottery numbers, so.

681
00:33:33,480 --> 00:33:35,840
Speaker 4: The numbers were not and he spits.

682
00:33:35,920 --> 00:33:38,040
Speaker 1: He spits into his finger and he hears it all

683
00:33:38,080 --> 00:33:39,560
Speaker 1: and he rubs it off and erases it.

684
00:33:39,760 --> 00:33:42,520
Speaker 4: So Larry realizes he's not a Holocaust survivor. He's a

685
00:33:42,560 --> 00:33:43,320
Speaker 4: lottery player.

686
00:33:43,640 --> 00:33:46,840
Speaker 3: Okay, I want to say something. This is the first

687
00:33:47,000 --> 00:33:50,000
Speaker 3: time that he ever used an outside idea that wasn't

688
00:33:50,120 --> 00:33:53,120
Speaker 3: his ever, And it was also the first time where

689
00:33:53,160 --> 00:33:56,200
Speaker 3: I said, you know this comedian, I know David Feldman

690
00:33:56,760 --> 00:33:59,720
Speaker 3: has a great idea. And that was David Feldman's idea?

691
00:33:59,880 --> 00:34:00,120
Speaker 2: Was it?

692
00:34:00,200 --> 00:34:03,600
Speaker 3: Because Larry loved it right away? But Larry didn't use

693
00:34:03,760 --> 00:34:05,520
Speaker 3: anyone's outside Yes, that's.

694
00:34:05,320 --> 00:34:05,920
Speaker 7: Not true, Jeff.

695
00:34:05,960 --> 00:34:08,760
Speaker 4: We learned in the prior episode he used Cheryl's idea

696
00:34:09,120 --> 00:34:10,520
Speaker 4: for the but.

697
00:34:10,640 --> 00:34:13,640
Speaker 3: That was not Cheryl's idea. She didn't pitch it to him.

698
00:34:13,960 --> 00:34:18,000
Speaker 3: She was telling you was experiencing. That doesn't count. This

699
00:34:18,239 --> 00:34:20,840
Speaker 3: is the one time and he loved He knew David Feldman,

700
00:34:21,120 --> 00:34:23,520
Speaker 3: and he loved the idea and he used it. So

701
00:34:23,560 --> 00:34:24,720
Speaker 3: I want to give David Feldman.

702
00:34:25,080 --> 00:34:28,840
Speaker 4: That was very funny. So Gee is not a Holocaust survivor.

703
00:34:28,840 --> 00:34:31,800
Speaker 1: And then we have a montage of everybody drinking and

704
00:34:31,960 --> 00:34:38,400
Speaker 1: laughing and having a great ringing bell ringing, a big success,

705
00:34:38,760 --> 00:34:42,200
Speaker 1: and all of a sudden, Gee screams out, fu.

706
00:34:42,640 --> 00:34:45,120
Speaker 3: Shit face, cocksucker, asshole, son.

707
00:34:45,080 --> 00:34:45,520
Speaker 4: Of a bitch.

708
00:34:49,320 --> 00:34:51,240
Speaker 3: Maybe one day I got a chance to do something

709
00:34:51,440 --> 00:34:52,280
Speaker 3: good for somebody.

710
00:34:52,440 --> 00:34:52,640
Speaker 2: Like that.

711
00:34:54,200 --> 00:34:56,360
Speaker 6: Scum sucking motherfucking wore.

712
00:34:58,320 --> 00:35:02,200
Speaker 7: Cock cock chisum, grandma dot.

713
00:35:03,640 --> 00:35:12,719
Speaker 3: Bum fuck turn fat count piss ship, bucker and balls, damn.

714
00:35:12,520 --> 00:35:15,560
Speaker 4: It hell flamp.

715
00:35:16,880 --> 00:35:22,040
Speaker 2: Ship you got damn motherfucking bitch, fuck you your car

716
00:35:22,360 --> 00:35:22,959
Speaker 2: wash cut.

717
00:35:23,840 --> 00:35:25,360
Speaker 7: I had a deadal appointment.

718
00:35:26,760 --> 00:35:33,120
Speaker 3: Platio Colingus, French kissy rum job right.

719
00:35:38,400 --> 00:35:46,960
Speaker 1: Schmull push the duffish blacker, pussy pig, fucker boy cat girl.

720
00:35:46,800 --> 00:35:47,799
Speaker 3: Coty, I e I.

721
00:36:09,640 --> 00:36:12,040
Speaker 1: Fuck head, shit face, cocksuck er, asshole, son of a

722
00:36:12,120 --> 00:36:16,000
Speaker 1: bitch or something like that. I was writing really quickly, yes,

723
00:36:16,800 --> 00:36:19,640
Speaker 1: And then you see Larry look at him and then

724
00:36:19,760 --> 00:36:23,200
Speaker 1: have a memory of the bald kids at the school

725
00:36:23,360 --> 00:36:27,360
Speaker 1: at Sammy's school who shaved their heads in solidarity, and

726
00:36:27,480 --> 00:36:29,919
Speaker 1: you hear him say, maybe one day I'll be able

727
00:36:30,000 --> 00:36:31,080
Speaker 1: to do something like that.

728
00:36:31,440 --> 00:36:34,919
Speaker 2: I did like the flashback. We have that many flashbacks

729
00:36:35,000 --> 00:36:35,680
Speaker 2: on curves.

730
00:36:36,040 --> 00:36:38,680
Speaker 3: Yeah no, but that one made perfect sense.

731
00:36:38,760 --> 00:36:41,000
Speaker 4: Yeah, yeah, I did you remind and the fog, Yeah,

732
00:36:41,040 --> 00:36:43,799
Speaker 4: got the frog. And then Larry just, you know.

733
00:36:44,280 --> 00:36:48,600
Speaker 1: Outbursts with his curses, and then Jeff outbursts with cock

734
00:36:48,719 --> 00:36:50,759
Speaker 1: and chisholm, and you know we're all so used to that.

735
00:36:51,600 --> 00:36:54,640
Speaker 3: We hold on this is really interesting, Larry said, for

736
00:36:54,760 --> 00:36:59,400
Speaker 3: the next take, one last cock, one less Grandma. That's

737
00:36:59,480 --> 00:37:02,040
Speaker 3: the note I got. I don't know anyone in the

738
00:37:02,239 --> 00:37:05,239
Speaker 3: history of show business who's ever got a note one

739
00:37:05,360 --> 00:37:07,440
Speaker 3: less cocked, one less grandma.

740
00:37:08,080 --> 00:37:12,680
Speaker 8: And Michael Yorke with bug iron balls and Jim Swinson

741
00:37:12,920 --> 00:37:18,120
Speaker 8: very uncomfortable cursing, and then Cheryl chimes in, you goddamn

742
00:37:18,200 --> 00:37:18,879
Speaker 8: son of a bitch.

743
00:37:19,000 --> 00:37:21,320
Speaker 4: What did you say, you goddamn son of a bitch?

744
00:37:21,360 --> 00:37:25,200
Speaker 4: You ended with bitch. And then just at that moment

745
00:37:25,400 --> 00:37:27,359
Speaker 4: I walk in, Cheryl is facing the door.

746
00:37:27,719 --> 00:37:30,920
Speaker 1: I assume she's talking to me, and I say, now

747
00:37:31,239 --> 00:37:33,840
Speaker 1: here's I'll tell you about I say, famously, fuck you,

748
00:37:33,960 --> 00:37:36,640
Speaker 1: you car washcunt. I had a dental appointment, but we

749
00:37:36,840 --> 00:37:39,600
Speaker 1: shot that. I was in the trailer. We shot that

750
00:37:39,680 --> 00:37:42,680
Speaker 1: at a restaurant on Ocean Avenue in Santa Monica. Yes, yes,

751
00:37:42,760 --> 00:37:44,879
Speaker 1: And I was in that trailer starting at about six

752
00:37:44,920 --> 00:37:47,160
Speaker 1: o'clock at night, and we ended up shooting that scene

753
00:37:47,160 --> 00:37:48,360
Speaker 1: at six o'clock in the morning.

754
00:37:48,480 --> 00:37:49,440
Speaker 4: It was all night.

755
00:37:49,520 --> 00:37:52,640
Speaker 1: I was sitting in my trailer and I never You

756
00:37:52,760 --> 00:37:56,520
Speaker 1: both know this, I never pre write lines ever. This

757
00:37:56,719 --> 00:38:00,399
Speaker 1: is the only time I ever pre rode, where's sitting

758
00:38:00,440 --> 00:38:03,560
Speaker 1: in my And also because usually you're just listening and

759
00:38:03,560 --> 00:38:06,280
Speaker 1: you're responding, this was I was walking in, saying something

760
00:38:06,360 --> 00:38:08,600
Speaker 1: and leaving, so it kind of made sense that I

761
00:38:08,640 --> 00:38:10,520
Speaker 1: would know with the line. And I was thinking, Okay,

762
00:38:10,600 --> 00:38:14,160
Speaker 1: Susie's always into alliterations, you fat fuck, you four eyed fuck,

763
00:38:14,440 --> 00:38:17,160
Speaker 1: and I came up with car washcunt. And when I

764
00:38:17,320 --> 00:38:21,160
Speaker 1: said that that line, Larry said to me, don't make

765
00:38:21,239 --> 00:38:25,399
Speaker 1: a reference to the episode because nobody's doing that. We're

766
00:38:25,440 --> 00:38:29,239
Speaker 1: all just cursing because we're in solidarity with you don't

767
00:38:29,320 --> 00:38:31,240
Speaker 1: know that, that's what I said. I said, my character

768
00:38:31,320 --> 00:38:33,520
Speaker 1: doesn't know that. She walks in and she thinks Cheryl

769
00:38:33,600 --> 00:38:35,880
Speaker 1: is housing at her. So he said, do it a

770
00:38:35,920 --> 00:38:37,439
Speaker 1: couple of times your way, and do it a couple

771
00:38:37,440 --> 00:38:39,160
Speaker 1: of times my way, and I did, and he used

772
00:38:39,200 --> 00:38:40,680
Speaker 1: my way, which I'm glad of because it was a

773
00:38:40,760 --> 00:38:55,319
Speaker 1: great line. We'll be right back, stay tuned, and we're back.

774
00:38:56,360 --> 00:38:59,440
Speaker 3: My favorite swearing thing was Louie.

775
00:38:59,239 --> 00:39:05,040
Speaker 4: Night, Louie night. First lake boycock girl cock yeah, yea yea.

776
00:39:05,520 --> 00:39:08,399
Speaker 2: And we all looked at each other after the young

777
00:39:08,800 --> 00:39:11,600
Speaker 2: the whole place just bursted the laughter because we're.

778
00:39:11,440 --> 00:39:14,759
Speaker 4: Like Paul also was great. Paul rip job.

779
00:39:15,719 --> 00:39:19,080
Speaker 3: Yeah, you know, Paul was great. But I remember Loui's

780
00:39:19,160 --> 00:39:21,600
Speaker 3: being so perfect and they said, let's do it again.

781
00:39:21,680 --> 00:39:24,799
Speaker 3: I'm like, why, I remember, I got really upset. Why

782
00:39:25,280 --> 00:39:28,839
Speaker 3: that is perfection? Boycott girl coy And then he did

783
00:39:28,920 --> 00:39:32,000
Speaker 3: something else that which they instructed and it's not Larry,

784
00:39:32,160 --> 00:39:36,000
Speaker 3: but nonetheless boycott girl cocky. Yi oh, one of my

785
00:39:36,080 --> 00:39:36,719
Speaker 3: favorite lines.

786
00:39:37,040 --> 00:39:39,120
Speaker 4: It was a great line and only Louis and.

787
00:39:39,120 --> 00:39:42,399
Speaker 3: I no one else would say.

788
00:39:42,480 --> 00:39:44,240
Speaker 4: And the way he said it is hilarious.

789
00:39:44,520 --> 00:39:47,040
Speaker 1: And then Richard Lewis is cursing. Then that is cursing

790
00:39:47,080 --> 00:39:51,279
Speaker 1: that everybody, And it was just a wonderful, joyous free

791
00:39:51,400 --> 00:39:56,800
Speaker 1: for all of everybody. Fuck you Grandma's yeah, yeah.

792
00:39:56,800 --> 00:39:59,960
Speaker 3: And Larry's standing in the middle of it, very sad.

793
00:39:59,719 --> 00:40:02,520
Speaker 4: As very satisfied. Yeah, And that was the end of

794
00:40:02,560 --> 00:40:03,000
Speaker 4: the season.

795
00:40:03,400 --> 00:40:06,840
Speaker 2: You know what I remember about this episode, especially because,

796
00:40:07,440 --> 00:40:10,520
Speaker 2: as you guys know, after every season, Larry would say,

797
00:40:11,160 --> 00:40:13,160
Speaker 2: I don't know, this might be it. I think this

798
00:40:13,360 --> 00:40:16,879
Speaker 2: is it, and that season I really felt like, oh man,

799
00:40:17,600 --> 00:40:20,680
Speaker 2: this is it. And like you said, Susie, we shot

800
00:40:21,040 --> 00:40:25,560
Speaker 2: all night. Everybody was there all night, and I remember

801
00:40:25,600 --> 00:40:28,439
Speaker 2: when I was driving home the sun was rising yep,

802
00:40:28,640 --> 00:40:31,520
Speaker 2: and then I started getting like Kierri and I said,

803
00:40:31,560 --> 00:40:34,240
Speaker 2: oh my god, that's the last time we're gonna shoot

804
00:40:34,400 --> 00:40:38,520
Speaker 2: curb And that's very also very funny that that would

805
00:40:38,560 --> 00:40:41,080
Speaker 2: be how we go out, yeat.

806
00:40:41,200 --> 00:40:43,279
Speaker 4: End of the class. Memory of everyone was just like

807
00:40:43,400 --> 00:40:44,239
Speaker 4: screaming out.

808
00:40:44,160 --> 00:40:47,239
Speaker 3: Of well, no, if I'm not mistaken, that's the first

809
00:40:47,320 --> 00:40:48,960
Speaker 3: season long storyline. Correct.

810
00:40:49,040 --> 00:40:51,680
Speaker 1: Season two we didn't have a well, no, season two did.

811
00:40:52,080 --> 00:40:54,080
Speaker 1: I'm trying to remember what it was, but it wasn't

812
00:40:54,160 --> 00:40:55,080
Speaker 1: as intricate.

813
00:40:55,280 --> 00:40:58,719
Speaker 3: It was intermittent. If I'm not mistaken, season two, this

814
00:40:58,880 --> 00:41:02,440
Speaker 3: is the first down drag out from episode one to

815
00:41:02,600 --> 00:41:05,960
Speaker 3: episode ten. The main storyline is the restaurant, right, and

816
00:41:06,320 --> 00:41:10,399
Speaker 3: everything drives that. What I find amazing about our show,

817
00:41:10,760 --> 00:41:14,279
Speaker 3: and it's always made me laugh. Whatever happened the last

818
00:41:14,320 --> 00:41:18,080
Speaker 3: season doesn't exist in the new season. We never mentioned

819
00:41:18,120 --> 00:41:22,520
Speaker 3: the restaurant. There's no house doing it.

820
00:41:24,560 --> 00:41:27,279
Speaker 4: How about, well, it's not in this season? Oh no,

821
00:41:27,400 --> 00:41:29,000
Speaker 4: it isn't this season. We're unpregnant?

822
00:41:29,480 --> 00:41:30,200
Speaker 7: Is that this season?

823
00:41:30,239 --> 00:41:31,280
Speaker 4: I think it this season?

824
00:41:32,000 --> 00:41:32,719
Speaker 3: Nanny from Hell?

825
00:41:33,239 --> 00:41:37,200
Speaker 1: Yes, the Nanny was this season and then this little

826
00:41:37,239 --> 00:41:38,640
Speaker 1: baby and nobody ever mentions it.

827
00:41:39,560 --> 00:41:41,600
Speaker 4: Ever, No, I know.

828
00:41:42,440 --> 00:41:47,040
Speaker 3: The only time where it almost happened is in which

829
00:41:47,200 --> 00:41:49,200
Speaker 3: was the coffee was what season?

830
00:41:49,600 --> 00:41:50,279
Speaker 4: Season ten?

831
00:41:50,520 --> 00:41:54,279
Speaker 3: So season eleven, there was a reference to Mocha Joe

832
00:41:54,520 --> 00:41:57,160
Speaker 3: dying of COVID. Yes, and it was pretty funny the

833
00:41:57,200 --> 00:41:59,239
Speaker 3: way it was written, but they cut it out. It

834
00:41:59,360 --> 00:42:02,239
Speaker 3: was cut out completely. But that's the only time I

835
00:42:02,320 --> 00:42:05,719
Speaker 3: ever saw a reference to the season before and it

836
00:42:05,800 --> 00:42:06,279
Speaker 3: didn't make it.

837
00:42:06,480 --> 00:42:08,160
Speaker 4: I think there's been a few others. We'll keep an

838
00:42:08,200 --> 00:42:09,120
Speaker 4: eye out find out.

839
00:42:09,680 --> 00:42:12,600
Speaker 2: Well, it's like what we were talking about earlier, that

840
00:42:13,000 --> 00:42:16,279
Speaker 2: Curb started out as a winner special on HBO, wasn't

841
00:42:16,360 --> 00:42:20,400
Speaker 2: meant to be a series. And in the wine special,

842
00:42:20,680 --> 00:42:25,000
Speaker 2: Larry and I had two kids, right, we never saw them.

843
00:42:25,320 --> 00:42:27,759
Speaker 2: We talked about them a little bit, that they were

844
00:42:27,800 --> 00:42:31,040
Speaker 2: off at summer camp or something, and then when the

845
00:42:31,160 --> 00:42:34,960
Speaker 2: show started we started shooting the show as a series.

846
00:42:35,760 --> 00:42:39,200
Speaker 2: He just never kids, never talked about him again, just

847
00:42:39,280 --> 00:42:41,160
Speaker 2: pretended like that never works.

848
00:42:40,960 --> 00:42:42,960
Speaker 4: Much better with you guys not having kids. Yeah, I

849
00:42:43,040 --> 00:42:43,279
Speaker 4: think so.

850
00:42:43,680 --> 00:42:46,759
Speaker 3: And by the way, our show, to my knowledge, the

851
00:42:46,840 --> 00:42:49,080
Speaker 3: only one I can think of. Well, obviously they did

852
00:42:49,120 --> 00:42:53,720
Speaker 3: this on Lucy and the Honeymooners, and that is repeat

853
00:42:53,800 --> 00:43:00,479
Speaker 3: actors like one week they'd be the postman. So our show,

854
00:43:00,680 --> 00:43:04,400
Speaker 3: we've had people do two. I think Brad Morris did

855
00:43:04,480 --> 00:43:07,479
Speaker 3: the show three times, but it was like, no, one's

856
00:43:07,560 --> 00:43:11,920
Speaker 3: not it's just it's just you. Colombo did it a lot, yes,

857
00:43:12,880 --> 00:43:14,960
Speaker 3: you know, because they were his friends that he wrotated

858
00:43:15,120 --> 00:43:15,839
Speaker 3: the same thing.

859
00:43:15,760 --> 00:43:18,280
Speaker 1: Here it's usually friends. But oh, by the way, Another

860
00:43:18,360 --> 00:43:21,480
Speaker 1: one that's an inconsistency is in season one, Sammy was

861
00:43:21,520 --> 00:43:24,680
Speaker 1: a boy and then she learned a girl for the

862
00:43:24,840 --> 00:43:27,399
Speaker 1: doll I remember that, Yeah, Sammy was a boy.

863
00:43:27,600 --> 00:43:30,279
Speaker 2: Did we see Sammy as a boy or just just

864
00:43:30,360 --> 00:43:32,800
Speaker 2: talking about but we referenced her, well, wasn't she a

865
00:43:32,920 --> 00:43:35,600
Speaker 2: baby in the first was a toddler, but we referenced

866
00:43:35,680 --> 00:43:39,160
Speaker 2: her as a he Sammy and then she became Samantha.

867
00:43:39,840 --> 00:43:42,959
Speaker 2: That have you guys talked about at all that you'll

868
00:43:43,080 --> 00:43:48,120
Speaker 2: have celebrities on playing you know, themselves. I put it

869
00:43:48,160 --> 00:43:51,360
Speaker 2: into air quotes because it's a version. But then also

870
00:43:51,680 --> 00:43:54,279
Speaker 2: really famous celebrities that are playing a.

871
00:43:54,360 --> 00:43:55,160
Speaker 4: Character but.

872
00:43:57,880 --> 00:44:01,479
Speaker 3: Comment on Yeah. I remember watching this movie, a Chicago movie,

873
00:44:02,120 --> 00:44:04,880
Speaker 3: and it was an indie movie. I knew most of

874
00:44:04,920 --> 00:44:08,880
Speaker 3: the actors in it. John Jewsac was extraordinarily famous in

875
00:44:08,960 --> 00:44:13,680
Speaker 3: a Chicago Guy and he played a passenger in a

876
00:44:13,840 --> 00:44:17,640
Speaker 3: cab that the lead character was driving, okay, and it

877
00:44:17,840 --> 00:44:21,239
Speaker 3: was so distracting. You're like John Cusack's there. So the

878
00:44:21,400 --> 00:44:23,759
Speaker 3: thing that I learned is if you're gonna have a

879
00:44:23,880 --> 00:44:27,520
Speaker 3: famous person being something, it has to be a substantial

880
00:44:27,600 --> 00:44:31,720
Speaker 3: part because then they have time to establish their character

881
00:44:32,040 --> 00:44:35,000
Speaker 3: as well as the audience is not thinking about who

882
00:44:35,040 --> 00:44:39,239
Speaker 3: they are, but you're not sitting there going that's Vince Faun.

883
00:44:39,520 --> 00:44:42,120
Speaker 3: If he came in for one scene and he didn't

884
00:44:42,120 --> 00:44:44,799
Speaker 3: play Vince Vaughn, very distracted Vince.

885
00:44:45,040 --> 00:44:50,120
Speaker 1: There's also special circumstances because he came on after Bob died,

886
00:44:50,200 --> 00:44:51,520
Speaker 1: so we had.

887
00:44:51,480 --> 00:44:56,480
Speaker 3: Other actors playing characters who are very famous. But that

888
00:44:56,960 --> 00:45:00,600
Speaker 3: is something that I learned. Distracting in this small part

889
00:45:01,120 --> 00:45:04,520
Speaker 3: completely believable and acceptable in a large part because you

890
00:45:04,600 --> 00:45:07,720
Speaker 3: think actors are playing characters in movie, but you gotta,

891
00:45:08,040 --> 00:45:10,040
Speaker 3: you know, develop the character during the course.

892
00:45:10,200 --> 00:45:14,160
Speaker 1: Also on our show, you know, because Cheryl is Cheryl David,

893
00:45:14,200 --> 00:45:16,480
Speaker 1: and you're Jeff Green and I'm Susie Green and we

894
00:45:16,600 --> 00:45:18,880
Speaker 1: all have our real first names. But then Ted Dancing

895
00:45:18,960 --> 00:45:22,000
Speaker 1: is Ted Dancing, and Richard Lewis is Richard. It blurs

896
00:45:22,080 --> 00:45:25,440
Speaker 1: the lines well, and then he's Larry Davis.

897
00:45:25,640 --> 00:45:26,240
Speaker 4: Larry David.

898
00:45:26,440 --> 00:45:30,640
Speaker 3: But I gotta say, prior to the show, people didn't

899
00:45:30,680 --> 00:45:34,840
Speaker 3: know Jeff Garland, people didn't know Susie Esmond, people.

900
00:45:34,640 --> 00:45:36,760
Speaker 4: Didn't know she know Larry David.

901
00:45:37,000 --> 00:45:40,600
Speaker 3: Yes, but he needed to be Larry David because that's

902
00:45:40,640 --> 00:45:43,839
Speaker 3: the premise of the show. So I'm saying the other ones,

903
00:45:43,960 --> 00:45:47,040
Speaker 3: Richard Lewis would be weird playing Richard Schwartz and Ted

904
00:45:47,160 --> 00:45:50,000
Speaker 3: Dancing playing anything but Ted Danson. And that was for

905
00:45:50,200 --> 00:45:52,640
Speaker 3: I believe it was episode two where Ted makes his

906
00:45:53,239 --> 00:45:56,719
Speaker 3: first appearance the Bowling. I don't remember. No, maybe episode one.

907
00:45:57,080 --> 00:46:00,800
Speaker 4: No, it wasn't episode, but it was. It was the episodes.

908
00:46:00,880 --> 00:46:03,640
Speaker 3: But he had to be because Mary Steinbergeon played herself,

909
00:46:03,680 --> 00:46:07,120
Speaker 3: which she did in another episode, two or three other episodes.

910
00:46:07,480 --> 00:46:10,360
Speaker 3: So there's a moment where it makes total sense, and

911
00:46:10,440 --> 00:46:14,600
Speaker 3: then other moments where and by the way, during the

912
00:46:15,040 --> 00:46:17,160
Speaker 3: latter seasons, I'm not talking about Vince because that was

913
00:46:17,200 --> 00:46:20,880
Speaker 3: a special circumstance. I hated when we casted famous people.

914
00:46:21,520 --> 00:46:24,720
Speaker 4: I hated you really a character or as himself.

915
00:46:25,040 --> 00:46:28,239
Speaker 3: I hated when we cast famous people as themselves far

916
00:46:28,800 --> 00:46:31,200
Speaker 3: but as a part. I always felt we should go

917
00:46:31,360 --> 00:46:34,520
Speaker 3: with someone that people didn't know, like, for example, Josh

918
00:46:34,640 --> 00:46:37,879
Speaker 3: Gadd is the podiatress. Josh Gadd is a very close

919
00:46:37,920 --> 00:46:39,799
Speaker 3: friend of mine. I love him. I played his father

920
00:46:39,920 --> 00:46:43,160
Speaker 3: in a movie. Okay, him playing that small part of

921
00:46:43,239 --> 00:46:48,440
Speaker 3: the podiatriss. And I know Josh chiropractor. I know that

922
00:46:49,480 --> 00:46:52,440
Speaker 3: Larry knew Josh too, loved him, wanted to get him

923
00:46:52,440 --> 00:46:54,239
Speaker 3: a show, and I knew Josh wanted to be on

924
00:46:54,360 --> 00:46:57,440
Speaker 3: the show. But I found that a terrible distraction, and

925
00:46:57,560 --> 00:47:00,719
Speaker 3: I really hated and always hated if it wasn't a

926
00:47:00,760 --> 00:47:04,279
Speaker 3: part of substance when we hire famous people and the

927
00:47:04,400 --> 00:47:05,040
Speaker 3: other parts.

928
00:47:05,200 --> 00:47:07,279
Speaker 4: I would bet you you didn't feel that way about

929
00:47:07,360 --> 00:47:08,080
Speaker 4: Tracy Yellmen.

930
00:47:08,560 --> 00:47:09,880
Speaker 3: Well, no, but she's playing a character.

931
00:47:10,000 --> 00:47:12,160
Speaker 4: That's what I'm saying. She was a famous person playing

932
00:47:13,040 --> 00:47:13,799
Speaker 4: but who else?

933
00:47:13,960 --> 00:47:16,239
Speaker 3: Just named somebody who could have played that role.

934
00:47:16,360 --> 00:47:19,000
Speaker 4: No, she was perfect, But I'm saying she was a

935
00:47:19,160 --> 00:47:20,840
Speaker 4: famous person playing a character.

936
00:47:21,320 --> 00:47:23,920
Speaker 3: Yes, but a character you couldn't even see. Racy Yellman,

937
00:47:24,000 --> 00:47:26,960
Speaker 3: I'm talking about Josh gadd didn't have prosthetics on me.

938
00:47:27,239 --> 00:47:27,640
Speaker 4: Everybody.

939
00:47:27,640 --> 00:47:29,359
Speaker 2: Here's the thing too about our show that I think

940
00:47:29,480 --> 00:47:32,960
Speaker 2: is different because at some point, even at from the beginning,

941
00:47:33,480 --> 00:47:39,080
Speaker 2: the show business crowd, you know, they were they were

942
00:47:39,120 --> 00:47:41,520
Speaker 2: attracted to the show, and they got all the jokes,

943
00:47:41,600 --> 00:47:44,400
Speaker 2: and so I'm sure you guys felt it too that

944
00:47:44,680 --> 00:47:47,719
Speaker 2: as time went on, very famous people would come up

945
00:47:47,719 --> 00:47:49,200
Speaker 2: to me and say, I just want to be on

946
00:47:49,239 --> 00:47:49,600
Speaker 2: the show.

947
00:47:50,360 --> 00:47:52,960
Speaker 4: I'll be a waiter, I'll be a waitress. I'll just

948
00:47:53,040 --> 00:47:54,759
Speaker 4: walk by in the background all the time.

949
00:47:54,920 --> 00:47:57,480
Speaker 1: But the most famous asking me to be on the show.

950
00:47:57,560 --> 00:47:59,200
Speaker 1: And I'd be like, I don't have that control. The

951
00:47:59,320 --> 00:48:02,799
Speaker 1: producer season which is coming up next right with.

952
00:48:02,920 --> 00:48:05,080
Speaker 3: Which I was at the movies and I remember bumping

953
00:48:05,160 --> 00:48:08,320
Speaker 3: into Ben Stiller and I go, I got something for you.

954
00:48:08,760 --> 00:48:10,640
Speaker 3: I know you want to do it. I got something

955
00:48:10,800 --> 00:48:14,000
Speaker 3: because I had said to Larry, what about Ben Stiller

956
00:48:14,040 --> 00:48:16,520
Speaker 3: after that? And he goes, oh, And then of course

957
00:48:16,640 --> 00:48:19,120
Speaker 3: we hired Ben. But that kind of role needs a

958
00:48:19,200 --> 00:48:20,120
Speaker 3: famous person.

959
00:48:20,040 --> 00:48:22,399
Speaker 4: Yeah, for sure, because they were starring in a Broadway shot.

960
00:48:22,560 --> 00:48:26,040
Speaker 3: I am all for unknown actors getting a break. I'm

961
00:48:26,080 --> 00:48:29,279
Speaker 3: all for a break character actors. So I've always been

962
00:48:29,360 --> 00:48:33,480
Speaker 3: including this last season, anti famous person when not necessary.

963
00:48:33,600 --> 00:48:34,759
Speaker 4: You know what, it doesn't bother me.

964
00:48:35,239 --> 00:48:38,240
Speaker 3: It bothers me when we do it, it bothers me afterwards.

965
00:48:38,239 --> 00:48:41,000
Speaker 3: It's distracting and I don't like it. And I love

966
00:48:41,360 --> 00:48:43,560
Speaker 3: the word. That's why the strike is going on now.

967
00:48:43,600 --> 00:48:47,040
Speaker 3: I don't know when this airs, but I fight for actors.

968
00:48:47,080 --> 00:48:49,279
Speaker 3: I find I'm a member of Writers Guild and SAG.

969
00:48:49,600 --> 00:48:52,520
Speaker 3: But it's about who's getting hurt.

970
00:48:52,400 --> 00:48:56,040
Speaker 1: In all this, the character work, the working actors, the

971
00:48:56,120 --> 00:48:57,240
Speaker 1: working working actors.

972
00:48:57,680 --> 00:49:01,040
Speaker 3: And that's why I always wanted a cast who are funny,

973
00:49:01,080 --> 00:49:03,439
Speaker 3: great ones who could have done it. I'm just saying,

974
00:49:04,480 --> 00:49:06,279
Speaker 3: I'm just I love saying. I'm just saying.

975
00:49:07,000 --> 00:49:14,200
Speaker 4: That's and that's our episode. Cheryl Hines back again. I

976
00:49:14,239 --> 00:49:15,759
Speaker 4: would love to I will love.

977
00:49:17,160 --> 00:49:20,520
Speaker 3: Isn't it wonderful, Cheryl that now you'd be in my eyes,

978
00:49:20,560 --> 00:49:23,440
Speaker 3: you'd be too famous to do the show. We can't have,

979
00:49:23,600 --> 00:49:26,480
Speaker 3: Cheryl Hines. I know it's kind of metal. You're famous

980
00:49:26,560 --> 00:49:27,239
Speaker 3: from our show.

981
00:49:28,080 --> 00:49:30,960
Speaker 2: Well, that's true because when they first come me in

982
00:49:31,440 --> 00:49:36,000
Speaker 2: to audition, they said that they were looking for unknown actresses.

983
00:49:36,360 --> 00:49:38,680
Speaker 3: Yes, but that's what we thought back then. Yeah, that's

984
00:49:38,680 --> 00:49:42,279
Speaker 3: why we upgraded extra us. Larry loved Who's just like

985
00:49:42,400 --> 00:49:46,080
Speaker 3: he believed Chris Williams was crazy, like we had all

986
00:49:46,760 --> 00:49:50,560
Speaker 3: we had all real rappers except for Chris Williams was

987
00:49:50,680 --> 00:49:52,839
Speaker 3: obviously great and he al.

988
00:49:52,800 --> 00:49:54,960
Speaker 4: He's a rapper, of you, No, he's real, you know,

989
00:49:55,080 --> 00:49:55,680
Speaker 4: he's an actor.

990
00:49:55,880 --> 00:49:59,080
Speaker 3: But yeah, not for example, Cheryl, you can no longer

991
00:49:59,200 --> 00:50:01,480
Speaker 3: do a cameo with someone riding in a taxi in

992
00:50:01,560 --> 00:50:02,840
Speaker 3: a movie. It'll disrect.

993
00:50:02,880 --> 00:50:06,760
Speaker 4: People'll be like, oh, why is Cheryl Hines in the taxi?

994
00:50:06,920 --> 00:50:10,279
Speaker 3: Right, it's not like, oh, that's missus Schwartz from nine

995
00:50:10,400 --> 00:50:14,399
Speaker 3: scenes that we've been working with. Yeah, yeah, all right.

996
00:50:14,440 --> 00:50:16,760
Speaker 4: Cheryl, thank you, Thanks Cheryl.

997
00:50:16,880 --> 00:50:20,160
Speaker 1: We'll see you and Jeff and I will be back

998
00:50:20,440 --> 00:50:22,759
Speaker 1: next week starting season four.

999
00:50:23,360 --> 00:50:24,960
Speaker 3: Season four, Very Excited, which is.

1000
00:50:24,960 --> 00:50:27,640
Speaker 4: The producers season. A lot of fun, a.

1001
00:50:27,680 --> 00:50:30,560
Speaker 3: Lot of great stories I have of sharing the producers season.

1002
00:50:30,840 --> 00:50:34,960
Speaker 3: So by both of you, everybody, and thank you for listening.

1003
00:50:42,840 --> 00:50:46,120
Speaker 1: The history of Carby Enthusiasm is the production of iHeart Radio.

1004
00:50:46,239 --> 00:50:50,319
Speaker 1: For more podcasts from iHeart Radio, visit the iHeart Radio app,

1005
00:50:50,440 --> 00:50:53,320
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.