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Speaker 1: It shot three.

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Speaker 2: My yongs and why we slow one days like.

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Speaker 3: My youngs. Damn, they're gonna be stronger. They takes thou

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Speaker 3: should we need them?

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Speaker 1: Breaks keep this ship, I keep this ship.

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Speaker 3: Take two.

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Speaker 2: We are back this three hundred episodes, three hundred and

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Speaker 2: a half since we just had to restart. Ruined my

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Speaker 2: first five second intro. But it's cool.

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Speaker 3: How are you? How do you feel? Three hundred? That's big.

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Speaker 2: You've been waiting for this. You talk about this a lot.

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Speaker 3: Musa, stir my tea and let you get your intro.

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Speaker 2: And I don't really have like an intro. It's just

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Speaker 2: been three hundred.

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Speaker 3: Because I got some things on my mind to day.

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Speaker 3: Oh yeah, Oh.

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Speaker 2: We get right to your your thoughts.

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Speaker 3: I don't really.

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Speaker 4: We've seen all the We've seen all the comments. They

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Speaker 4: didn't think we would we would make three hundred.

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Speaker 2: I didn't pay any of those comments any mind.

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Speaker 3: They thought we was over at fifty five. Rory, they

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Speaker 3: thought we were over at two. You know what I mean.

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Speaker 4: They thought it was over. Here we are sitting on

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Speaker 4: top of three hundred.

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Speaker 2: Yeah, thank you to everyone on the team. You guys

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Speaker 2: are appreciated. Couldn't have done it without you.

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Speaker 3: You guys look thrilled.

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Speaker 2: Yay, Julian looks amazed right now.

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Speaker 5: My only comment was going to be, it would be

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Speaker 5: three hundred and fifty episodes if we counted for all

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Speaker 5: the ship we had to cut out that too.

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Speaker 3: Yeah, we have like full episodes.

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Speaker 5: We have episodes and segments that we've had to scrap

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Speaker 5: that have quite frankly, more often than not, been my

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Speaker 5: favorite parts of the show. But you know how that goes.

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Speaker 2: One day, like when we're all retiring and going off

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Speaker 2: into the sunset, we should leak all the episodes that

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Speaker 2: we get us canceled, just as like a final Hurrah,

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Speaker 2: not even paywallt just like just put them out.

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Speaker 3: Yeah.

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Speaker 5: I mean, I've tried to fight to put some of

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Speaker 5: those out in the day that they happened.

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Speaker 2: But yeah, no, I still want to put out the

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Speaker 2: canas Oons episodes.

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Speaker 5: No, that's the only one I don't want to put out.

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Speaker 2: No, I thought that was a great conversation. All right, fine,

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Speaker 2: that'll stay behind the paywall. But three hundred cool. We

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Speaker 2: don't really have any balloons or celebrations, but I guess

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Speaker 2: we should, uh, we should celebrate in the moment. My

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Speaker 2: therapist says, I don't do that enough.

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Speaker 3: I don't celebrate in the moment.

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Speaker 2: Yeah, like you should really take a step back and

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Speaker 2: be happy of our accomplishments. Thre hundred episodes, that's a

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Speaker 2: lot of potting.

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Speaker 4: That's a lot of a lot of talking, a lot

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Speaker 4: of not including Patreon, right, No, that's just a lot

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Speaker 4: of talking, a lot of audio, a lot of time

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Speaker 4: in front of the camera. But it doesn't Honestly, it

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Speaker 4: doesn't feel like three hundred though, Like when you put

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Speaker 4: that number on it, it's like, because we record so

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Speaker 4: many other things and yeah, you know, just like three hundred,

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Speaker 4: it even seem like it's like, no, it's it's more

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Speaker 4: than three hundred.

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Speaker 2: Yeah, I'm counting inny years at this point. Yeah, episodes,

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Speaker 2: I don't even really particularly.

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Speaker 5: Yeah, well, and also it's it's three hundred regular episodes.

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Speaker 5: We've obviously put out over one hundred and fifty two

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Speaker 5: hundred and some odd Patreon episodes at this point as well,

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Speaker 5: so that you know, all available patroon dot com if

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Speaker 5: you want to get four I like the book, four

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Speaker 5: hundred plus something episodes, those are all there.

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Speaker 2: But yeah, I don't really have much as far as

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Speaker 2: celebrating three hundred. I mean, I guess I don't know.

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Speaker 2: Do we think back at all our amazing moments? I

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Speaker 2: hate doing this shit, what do you white guys? I

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Speaker 2: feel like we have to talk about it. I mean,

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Speaker 2: thank you to all the listeners for listening for three

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Speaker 2: hundred episode.

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Speaker 4: Most importantly, thank you to all the listeners. Everybody that

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Speaker 4: comes out and supports us. Everybody comes to the live shows,

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Speaker 4: people that interact on social media, whether it's good or bad,

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Speaker 4: We appreciate all of it. Yeah, sometimes I appreciate the

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Speaker 4: negative comments.

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Speaker 2: Uh why, I mean, I don't really care, but.

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Speaker 3: Because it just it just proves me right most of

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Speaker 3: the time that people are miserable.

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Speaker 4: Yeah, exactly, it just proves me right. So when you

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Speaker 4: see miserable people online, you're like, oh, there you go.

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Speaker 2: They caught someone this past week that was complimenting our

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Speaker 2: last episode and you know, being a father and that

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Speaker 2: whole conversation that we had on Tuesday, and they found

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Speaker 2: like an old clip of him. I don't know it

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Speaker 2: was on Twitter, spaces or what it was. He was like,

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Speaker 2: they not lasting more than fifty five episodes, They're done.

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Speaker 4: Oh dude, that's a gentleman. I was talking about that's

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Speaker 4: exactly who we're talking about him.

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Speaker 2: And then he said facts can change. That was his reply,

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Speaker 2: facts can that's I thought it was funny.

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Speaker 3: Facts can change. I like that his facts can change.

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Speaker 2: Okay, but it wasn't a fact when he said it.

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Speaker 4: If you know, the fact wasn't a fact, but fact can.

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Speaker 4: He's right, insane, fact is true.

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Speaker 5: Because it's not like the basis of science.

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Speaker 3: A facts can change.

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Speaker 5: What's at one point has been scientifically proven to be true.

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Speaker 5: Therefore a fact over time has changed, like the earth

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Speaker 5: or you know, the center the Earth being the center

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Speaker 5: of the universe. At one point they believe that rap

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Speaker 5: that episode, that was the fact, and then it was

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Speaker 5: proven to be wrong and then the facts changed.

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Speaker 2: Well, no, we're agreeing that no facts change. It was

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Speaker 2: a scientific fact that we were done.

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Speaker 5: Well, no, that was just a Twitter account.

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Speaker 2: In fact, she only said scientific facts.

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Speaker 6: Well, he's a fan. Now, I don't want you all

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Speaker 6: to shit out of him.

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Speaker 7: But he might have watched it at episode fifty and

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Speaker 7: felt like the ship won't go nowhere. And then after

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Speaker 7: a while, we have gotten First of all, this is

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Speaker 7: three hundred episodes. We have gotten better. Like that's like

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Speaker 7: we've grown that's subjective. I can't agreed.

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Speaker 2: But it's fine that he wasn't a fan and is now.

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Speaker 2: I think that's great. Thank you for coming on the

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Speaker 2: journey and giving us more grace and now you're like

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Speaker 2: what we do.

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Speaker 3: But to say it was a.

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Speaker 2: Fact at fifty five, like in the confidence in which

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Speaker 2: he said, He's like, no, no, that's a fact.

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Speaker 3: They're done at fifty five.

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Speaker 5: Yeah, but no one gets on the internet and goes

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Speaker 5: like just my opinion, that didn't take that seriously.

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Speaker 2: No, people on the internet and streamers just scream facts

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Speaker 2: as loud as they possibly can. And for some reason

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Speaker 2: people I think that means it's true. But you know,

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Speaker 2: where are we living?

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Speaker 8: Ju on?

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Speaker 2: Your hair looks different some did you do something?

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Speaker 5: I just yeah, today I just went, uh, what do

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Speaker 5: they say? What are the women's our natural?

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Speaker 9: No?

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Speaker 5: All au but not. I don't want to say all naturally.

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Speaker 5: I want to say all all like the French one.

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Speaker 5: There's no product in my hair, that is what I'm saying.

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Speaker 5: This is out the shower, straight to the studio. Now,

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Speaker 5: this is uh what.

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Speaker 3: They call it?

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Speaker 5: My my natural frizz?

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Speaker 3: Yeah?

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Speaker 2: How long before a girl can see you in your

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Speaker 2: natural state.

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Speaker 5: If she sleeps over and wakes up next to me, God.

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Speaker 3: She would be so privileged.

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Speaker 5: Yeah, would you do the bonnet with like A, I

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Speaker 5: don't think i've ever won to I don't wear that.

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Speaker 3: You wear bonnets. I don't need that help.

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Speaker 6: You don't know you need it until you wear it.

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Speaker 3: I don't need it.

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Speaker 4: Could be cute, all right, Well, three hundred episodes. Thank

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Speaker 4: you for joining us along this journey. It's been fun.

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Speaker 3: Yeah. I had some really great moments. Uh, some really

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Speaker 3: wild moments, really interesting moments, interesting guests. Yeah, I had

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Speaker 3: a very interesting guest that y'all will hear from next week. Yeah,

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Speaker 3: I think we should plug it.

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Speaker 2: I think our conversation with La Crazy yesterday that's gonna

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Speaker 2: be on Patreon on Monday, was one of my favorite

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Speaker 2: conversations we've had in podcasts.

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Speaker 4: I had a really really great time. So, yeah, he's

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Speaker 4: a he's a very interesting, very uh funny, has a

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Speaker 4: great story and any talented. So anytime you meet talented

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Speaker 4: people but they have a cool personality to match that,

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Speaker 4: that's always a fun conversation.

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Speaker 2: I think even the listeners that have been very vocal

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Speaker 2: of not liking guests, which I understand, but there is

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Speaker 2: also a market for people that like Gus. I think

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Speaker 2: the people that don't like guests will still like this episode. Yeah,

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Speaker 2: we definitely didn't feel like a guest pot and.

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Speaker 3: We'll start having a guest every episode.

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Speaker 4: Okay, just for that reason, they don't tell Rogan they

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Speaker 4: don't like guests, right, that's that's a should be making

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Speaker 4: that this class interviewing all these drill niggas. Come up

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Speaker 4: here whatever you want. Yeah, just come up here, Chef

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Speaker 4: g would love to have you, my brother.

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Speaker 2: If you have an alleged body, we want to talk.

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Speaker 3: We want to you committed.

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Speaker 4: Yeslad, y'all watch him. He get three million views. All

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Speaker 4: he doing is snitch and let's uh, you know, let's

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Speaker 4: start ratting yo.

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Speaker 2: So speaking of Vlad, did you see the back and

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Speaker 2: forth with Marlon Wayin's like wanted to charge him what

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Speaker 2: forty K or something for an interview?

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Speaker 1: Yeah?

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Speaker 2: I remember that, and that was kind of like the

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Speaker 2: internet went up and roar for and cool if that's

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Speaker 2: Marlon Wayne's value, good for him for sticking with it.

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Speaker 2: But I was also like, is a Marlon Wayne's interview

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Speaker 2: that sought after? And then I see he just did

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Speaker 2: club and it's like one point five million in like

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Speaker 2: an hour with us. Because I'm sorry, Marlon Wayins, I

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Speaker 2: did not know. I wasn't familiar with your game.

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Speaker 4: Well, well, I'm glad you said, you know, apologies to

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Speaker 4: Marlon ways Uh. But deep it in that I think

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Speaker 4: that a lot of people forget that Marlon Wayns is

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Speaker 4: a Wayne's first and foremost. That is a comedy royalty.

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Speaker 4: That's royalty in this culture. What his family has been

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Speaker 4: able to do over the last thirty some odd years,

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Speaker 4: not many people can speak to that and say that

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Speaker 4: they've done that with his older brother Keenan Ivy Waynams,

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Speaker 4: one of my idols has been able to do and

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Speaker 4: give to the culture over the years is incredible. And

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Speaker 4: I think people would just get lost in, you know,

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Speaker 4: maybe him not having nothing right now relative that's you know,

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Speaker 4: relevant or hot right now, that's not clickable right now.

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Speaker 2: That's what he just wasn't sure if he would be

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Speaker 2: like the hot take guy if he didn't have anything current.

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Speaker 4: But it's not that's people get caught up in the

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Speaker 4: hot take. This is he's a Wayns. Like his his legacy,

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Speaker 4: he's a legacy act. At this point, his history, his stories,

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Speaker 4: his journey, the things he's done, classic movies under his belt.

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Speaker 4: How could you not expect him to have a great

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Speaker 4: interview and a great story.

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Speaker 2: Do you think people expect that now from Club though

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Speaker 2: incredible podcast, But I think with the Cat Williams thing,

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Speaker 2: it may have put expectations where each interview has to be,

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Speaker 2: but that's extremely silacious.

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Speaker 3: That's the problem. That's the problem.

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Speaker 4: You can't chase see no, And I'm saying that's the

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Speaker 4: problem people. You can't chase that Cat Williams moment. Kat

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Speaker 4: Williams wasn't He wasn't chasing the moment. He opened a

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Speaker 4: portal exactly. So now you have to go there and

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Speaker 4: be yourself, tell your story, which I think is what

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Speaker 4: Marla Wayins did. I saw some of the interview and

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Speaker 4: I thought it was dope, like his storytelling. H His

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Speaker 4: personality is something that's entertaining obviously and has been entertaining

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Speaker 4: for years. And I think it's cool that sometimes you know,

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Speaker 4: these guys with these newer platforms that you know, are

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Speaker 4: on the Internet and think that they can speak down

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Speaker 4: to people that have you know, done years of you

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Speaker 4: know things in the way that the Waynes have I

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Speaker 4: think it's beautiful to watch that turn into egg on

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Speaker 4: your head or egg on your face for lab because

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Speaker 4: and no destructive lad fulab.

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Speaker 2: But I'm out here to kick his back in because

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Speaker 2: I wasn't on the east side in the beginning, but

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Speaker 2: I understood what he was saying when this was his quote.

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Speaker 2: Nobody on Earth is paying Marlon forty K for an

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Speaker 2: interview when he gets one hundred k to three hundred

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Speaker 2: k views on any platform he interviews on. This guy's

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Speaker 2: really delusional. I mean, I think the last part is

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Speaker 2: a little fucked up. Like going calling him delusional, I

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Speaker 2: think is a little over the line.

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Speaker 5: You had a bad bus, you should have gone bipolar

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Speaker 5: or something like that.

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Speaker 2: Right, like you should diagnose them, not as a medical doctor,

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Speaker 2: but what he's for what he's doing.

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Speaker 3: But I kind of agreed with him.

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Speaker 2: I'm not saying Marlon Wayne is not worth forty K

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Speaker 2: for an interview, but I wasn't expecting the one point

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Speaker 2: five million in a few hours. Good, So I'm glad

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Speaker 2: I'm not here to kick Vlad's back and I kind

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Speaker 2: of agreed with him.

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Speaker 3: But now you have egg on your face.

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Speaker 4: But I mean everybody that agreed with vladd has egg

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Speaker 4: on their face. Yeah, and that's the and that's the

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Speaker 4: beautiful part about it. And you know, I mean again,

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Speaker 4: you lose sight of the guys that have been here

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Speaker 4: for years and have been doing things for years, because

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Speaker 4: in the current state, in the current moment, they may

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Speaker 4: not be as hot as they once were, But that

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Speaker 4: doesn't mean they can't sit in front of you and

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Speaker 4: give a great conversation, give a great entertaining interview. And

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Speaker 4: I think that's what Marla Wayn's and Shannon shot were

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Speaker 4: able to give us.

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Speaker 2: Yeah, I will admit we did pre record our episode

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Speaker 2: at the top of the week so the team could

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Speaker 2: enjoy their holiday weekend. There was a great new music

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Speaker 2: Friday last week that we didn't get to touch upon

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Speaker 2: because again we did pre record. Do I dare say

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Speaker 2: DOCI may have album of the year? Can we pull

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Speaker 2: up twenty twenty four albums rap albums? I'm ready to

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Speaker 2: say it's album of the year.

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Speaker 6: So far rap album of the year?

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Speaker 2: Yes, Okay, though it is very much it's definitely a

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Speaker 2: rap album. But Liz split with singing but I'm gonna

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Speaker 2: go out on a limb. Can you think of a

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Speaker 2: better rap album?

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Speaker 5: This year.

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Speaker 4: I mean, I think it's too soon to say rap

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Speaker 4: album of the Year, but I'm not mad at that.

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Speaker 3: It's a really good album.

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Speaker 5: Ben Staples has it for me.

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Speaker 2: Still, Vince is definitely up there. I think that's a

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Speaker 2: great great comparison. Blue Lips Schoolboy Q I think is

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Speaker 2: definitely up there.

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Speaker 5: But I'll give Dochi second. I can't stop listening to

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Speaker 5: this album.

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Speaker 2: Yeah, the Vince album is great, but this Doce album,

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Speaker 2: I feel like for the younger generation, this could be

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Speaker 2: their section eighty. Like I already see her mirroring kind

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Speaker 2: of Kendrick's path at the beginning of his career. That's

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Speaker 2: what it feels like to me. And I know it's

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Speaker 2: a crazy statement for an album that's only been out

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Speaker 2: for like six but that's put an extra male that

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Speaker 2: on that right there. I know we joke about the

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Speaker 2: word refreshing, but I have not heard something that to me,

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Speaker 2: I didn't think the landscape had at all in quite

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Speaker 2: some time, Like this was a such unnecessary void that's

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Speaker 2: missing in hip hop right now?

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Speaker 3: What Dochi did?

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Speaker 2: She doesn't sound like anyone else is pushing the genre forward.

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Speaker 2: I can't say enough about this album.

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Speaker 4: It's a really good album, alligated Bites, never Hill. I

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Speaker 4: was really really pleased listening to it. It was it

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Speaker 4: was fun to listen to Dochi is. You know she's

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Speaker 4: really rapping on that. The production is dope, the skits.

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Speaker 4: She even gave us some of her singing on their melodies.

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Speaker 4: This is a complete project. This is a really really

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Speaker 4: dope project. It sounds like she really took cut time

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Speaker 4: with this, and I think it was the perfect time

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Speaker 4: and to drop This caught me by surprise because obviously

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Speaker 4: I know Dochi is talented, but I honestly wasn't expecting

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Speaker 4: her to give us an album this good.

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Speaker 2: And I'm not here to ship on pussy rap. I

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Speaker 2: love pussy rap. I think it has a necessary place

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Speaker 2: in hip hop. It's great for when you want to

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Speaker 2: go out party, do all that type of shit. This

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00:14:37,680 --> 00:14:41,520
Speaker 2: just showed the separation between the girls that are just

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Speaker 2: rapping for a lick because that's what's popular right now

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Speaker 2: and a real fucking artist. This is what happens when

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Speaker 2: a Bentley pulls up to the Chrysler like you see

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Speaker 2: the complete difference in the separation of artistry. No offense

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Speaker 2: in America. Because I know you love pussy rap, but you.

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Speaker 3: Know, and I could see.

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Speaker 2: I know where I not allowed to say it because

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Speaker 2: we have to empower every single woman that's rapping about

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Speaker 2: her pussy. We have to say it's the greatest thing

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Speaker 2: since that we've ever heard.

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Speaker 3: Well, pussy is the greatest thing.

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Speaker 2: So facts, But I am here to say the separation

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Speaker 2: that you can hear. And I'm sorry that I'm pinning

341
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Speaker 2: women against women, but I'm still gonna talk about a

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Speaker 2: female rapper being a female rapper. The separation is is

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Speaker 2: it's not it's night in day. We can be as

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Speaker 2: Franks pot, It's not even close. This is like you said,

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Speaker 2: she's an artist, this is our this is it's beautiful,

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00:15:26,000 --> 00:15:29,800
Speaker 2: the videos, the photo shoots. She did a cover for

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Speaker 2: Paper magazine, Yeah, where she took a comments from fans

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Speaker 2: personal and channeled it in a great way. And instead

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Speaker 2: of jumping on Twitter and talking about how wide her

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Speaker 2: pussy is, she did a cover for Paper magazine and said,

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Speaker 2: you guys kept calling me a man, So here's the

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Speaker 2: concept for my paper magazine shoot. Like she's fucking incredible,

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Speaker 2: Like this is I can't stop listening to this project.

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Speaker 2: I think everything she's done thus far surrounding this album

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Speaker 2: has been incredible and hats off to Tde. This is

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Speaker 2: what artist development looks like in twenty twenty four. Yeah,

357
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Speaker 2: there hasn't been artist development. Sometimes this is what it

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Speaker 2: looks like when you take your time.

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Speaker 4: Yeah, this is this is what artists hope to do.

360
00:16:07,000 --> 00:16:10,000
Speaker 4: Take their time with a project, take their time with

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Speaker 4: the product that.

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Speaker 3: Yeah, this photo shoot is incredible.

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Speaker 4: But this is what it sounds like when the artist

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Speaker 4: I think takes their time, is not in a rush

365
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Speaker 4: to kind of like feed the ecosystem and truly, you know,

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Speaker 4: live in their art and growing their art. Docia is

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Speaker 4: giving us a really really dope but you know, listening

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Speaker 4: to this, it did give me vibes of like Doja's

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Speaker 4: album though.

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Speaker 2: Okay, they certainly have a similar cadence, They have.

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Speaker 4: A similar sound, similar cadence, even their tones on some

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Speaker 4: of the records like Vocally, yeah, very similar. Also lo

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Speaker 4: Kally forty seven. I got some of those vibes in

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Speaker 4: there as well. Those are some of my favorite, uh,

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Speaker 4: you know, female female artists.

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Speaker 2: But ironically you're naming two of the other female rappers

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Speaker 2: that now DOCI has entered this realm where men and

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00:16:57,600 --> 00:16:59,960
Speaker 2: women can both listen to this and be happy, yeah,

379
00:17:00,240 --> 00:17:04,560
Speaker 2: which is tough. Like, let's tell the truth, a lot

380
00:17:04,560 --> 00:17:06,520
Speaker 2: of that women rap is not for us. No, I

381
00:17:06,560 --> 00:17:08,880
Speaker 2: can listen it's it's incredible for the women, but it's

382
00:17:08,920 --> 00:17:11,159
Speaker 2: not for us. Like, if I'm in the car with

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Speaker 2: my girl she's playing that shit, it's annoying the fuck

384
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Speaker 2: out of me. I'm doing it as a favor for

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Speaker 2: her because she wants to.

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Speaker 4: Yeah, this is not awkward. If I walk into your

387
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Speaker 4: crib and this is playing, I'm like, okay. But if

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Speaker 4: I walk into your crib and you got you know,

389
00:17:22,280 --> 00:17:24,520
Speaker 4: some of that pussy rap playing, I'm like, I think

390
00:17:24,520 --> 00:17:25,280
Speaker 4: I'm gonna slide out.

391
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Speaker 3: I don't know what you got going on here today.

392
00:17:26,920 --> 00:17:29,080
Speaker 2: But yeah, and I mean there's there's plenty of like

393
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Speaker 2: Griselda shit and you know more of that boombappy stuff

394
00:17:32,080 --> 00:17:34,320
Speaker 2: that I know women don't want to hear it all

395
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Speaker 2: and get annoyed with us when we listen to it.

396
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Speaker 2: That's why that's where she's going to be so successful,

397
00:17:39,040 --> 00:17:43,360
Speaker 2: because like Doja, she's a female artist that both genders

398
00:17:43,480 --> 00:17:47,960
Speaker 2: or they gender too well blue them can all listen

399
00:17:47,960 --> 00:17:50,280
Speaker 2: in a car and be happy, yeah, which is very

400
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Speaker 2: rare to find these days at all, but male or female.

401
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Speaker 5: The self awareness on this album is really what I

402
00:17:57,280 --> 00:17:59,960
Speaker 5: think gravitated more most too, because there are some boom

403
00:18:00,080 --> 00:18:03,080
Speaker 5: batbeat sounding beats on the first act, the first half,

404
00:18:03,400 --> 00:18:05,480
Speaker 5: but then you get to the song called boom Bap

405
00:18:05,520 --> 00:18:07,240
Speaker 5: and I was like, Okay, what is her approach here?

406
00:18:07,440 --> 00:18:09,880
Speaker 5: And it's her just making fun of like the old

407
00:18:09,920 --> 00:18:12,639
Speaker 5: head boom bab rap, and it's like, oh, she is

408
00:18:13,280 --> 00:18:17,320
Speaker 5: just so self aware of what she's doing throughout this

409
00:18:17,440 --> 00:18:21,120
Speaker 5: project that like that that break between, like the way

410
00:18:21,160 --> 00:18:24,479
Speaker 5: this gets placed, I think are so well done, and

411
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Speaker 5: in terms of just like breaking it up into each act,

412
00:18:26,640 --> 00:18:30,879
Speaker 5: but also like addressing what she's doing throughout the album

413
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Speaker 5: and just the critique on boom bab while wrapping in

414
00:18:34,040 --> 00:18:36,920
Speaker 5: boom Bap and like killing records in that style. It's

415
00:18:37,000 --> 00:18:38,879
Speaker 5: just I don't know, Like I I listened to it

416
00:18:38,920 --> 00:18:42,440
Speaker 5: again this morning. It's so damn good. It's it's too good.

417
00:18:42,480 --> 00:18:46,840
Speaker 5: Where's Lebron's tweet? He's he's got his next draft up

418
00:18:46,880 --> 00:18:47,720
Speaker 5: for eminem shit.

419
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Speaker 3: So though she got to give us two more, don't

420
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Speaker 3: worry about it. It's coming.

421
00:18:52,440 --> 00:18:56,159
Speaker 2: Denials The River reminded me of Damium by DMX like,

422
00:18:56,680 --> 00:19:01,040
Speaker 2: that's the level she's at already in my opinion, so

423
00:19:01,119 --> 00:19:03,720
Speaker 2: I'm really excited for her career. We've been speaking about

424
00:19:03,760 --> 00:19:06,880
Speaker 2: her for years, Like I had very high expectations going

425
00:19:06,920 --> 00:19:09,600
Speaker 2: into this and was almost nervous, like, damn, she probably

426
00:19:09,600 --> 00:19:10,399
Speaker 2: has too much pressure.

427
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Speaker 3: She delivered, too much, too much pressure. She delivered.

428
00:19:16,400 --> 00:19:19,480
Speaker 2: No, she definitely did in my opinion, Rap album of

429
00:19:19,480 --> 00:19:22,760
Speaker 2: the year so far, totally fine with Vince Staples. Yeah,

430
00:19:22,840 --> 00:19:25,239
Speaker 2: being one A, one B right now. But this is

431
00:19:25,480 --> 00:19:26,880
Speaker 2: this shit is next level, which is the.

432
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Speaker 5: Record that she did the breathing exercise on. I'm just

433
00:19:29,119 --> 00:19:31,399
Speaker 5: like now thinking about what she does, that whole scheme,

434
00:19:31,480 --> 00:19:34,280
Speaker 5: Like yeah, I'm just like, this is fucking she did well.

435
00:19:34,880 --> 00:19:36,320
Speaker 5: It was I'm not gonna do it again. You can

436
00:19:36,400 --> 00:19:36,879
Speaker 5: listen to it.

437
00:19:37,359 --> 00:19:39,639
Speaker 3: I listened to. She does a great job, really great album.

438
00:19:39,640 --> 00:19:43,359
Speaker 4: Shout out to her entire team and again shout out

439
00:19:43,400 --> 00:19:45,040
Speaker 4: to Doci man. She It's just been fun to watch

440
00:19:45,040 --> 00:19:47,200
Speaker 4: her really growing to the artist that she is now.

441
00:19:47,200 --> 00:19:50,879
Speaker 4: And incredible album Alligator Bites Never Heal available now if

442
00:19:50,960 --> 00:19:53,840
Speaker 4: you haven't heard it and you're a fan of hip hop,

443
00:19:53,880 --> 00:19:55,720
Speaker 4: a fan of music, and a fan of artists just

444
00:19:55,760 --> 00:19:59,080
Speaker 4: being who they are and being their true selves. Support

445
00:19:59,080 --> 00:20:02,400
Speaker 4: this project streaming Uh, send it to a local streaming farm,

446
00:20:02,440 --> 00:20:05,960
Speaker 4: tell him to stream it. Let's get Dochi uh. Let's

447
00:20:05,960 --> 00:20:08,320
Speaker 4: get Dochi's numbers up, because this is definitely a project

448
00:20:08,320 --> 00:20:08,560
Speaker 4: that we.

449
00:20:08,480 --> 00:20:12,920
Speaker 2: Should support also on Friday. The same way, anytime Nas

450
00:20:12,920 --> 00:20:15,200
Speaker 2: announces something, we assume Hove and Beyonce are going to

451
00:20:15,280 --> 00:20:18,400
Speaker 2: drop just to step on it. We have that same

452
00:20:18,440 --> 00:20:20,480
Speaker 2: theory when it comes to Big Sean and Kendrick. So

453
00:20:20,560 --> 00:20:23,200
Speaker 2: when I saw that Shawn's album was coming out on Friday,

454
00:20:23,240 --> 00:20:24,959
Speaker 2: I was excited because I loved Big Sean, but I

455
00:20:25,000 --> 00:20:27,560
Speaker 2: also thought, hey, maybe we'll get a Kendrick album that

456
00:20:27,640 --> 00:20:29,320
Speaker 2: day too. But I see he just sent He just

457
00:20:29,320 --> 00:20:33,200
Speaker 2: sent his little homie out to try to step on it. Yeah,

458
00:20:34,480 --> 00:20:37,719
Speaker 2: was like, Yo, do you get him this all?

459
00:20:37,760 --> 00:20:37,879
Speaker 3: Right?

460
00:20:37,920 --> 00:20:39,320
Speaker 2: Where do we want to start with the Sean thing?

461
00:20:39,359 --> 00:20:42,120
Speaker 2: Throughout the entire weekend, I saw a lot of back

462
00:20:42,160 --> 00:20:45,320
Speaker 2: and forth on the timeline with reviews of this album

463
00:20:45,440 --> 00:20:47,520
Speaker 2: and their opinion on Big Sean and where he's at

464
00:20:47,560 --> 00:20:52,240
Speaker 2: in his career. I'll start with my personal opinion for

465
00:20:52,440 --> 00:20:55,520
Speaker 2: my age and the point that I'm in life. I

466
00:20:55,560 --> 00:20:58,200
Speaker 2: love the content of this project. I love the calmness

467
00:20:58,240 --> 00:21:01,800
Speaker 2: of this project. I think it is replay value, but

468
00:21:01,840 --> 00:21:05,119
Speaker 2: I'm not sure if I'm a consumer that's going to

469
00:21:05,160 --> 00:21:07,560
Speaker 2: push you to the next level. This is for me,

470
00:21:08,040 --> 00:21:10,560
Speaker 2: I don't know if it's for the world. I saw

471
00:21:10,600 --> 00:21:13,639
Speaker 2: a lot of people having flat with it, like Sean

472
00:21:13,680 --> 00:21:16,680
Speaker 2: doesn't really have the bops that he used to. It's

473
00:21:16,800 --> 00:21:20,080
Speaker 2: just too mature. From what I've saw, it's too mature.

474
00:21:20,400 --> 00:21:23,520
Speaker 2: But that had me confused because everyone, for the past year,

475
00:21:23,560 --> 00:21:26,959
Speaker 2: myself included, has been critiquing Drake about being immature, and

476
00:21:27,000 --> 00:21:29,560
Speaker 2: then we get someone like Sean who grat for real,

477
00:21:30,160 --> 00:21:34,719
Speaker 2: is now a father married, giving us that mature thirty

478
00:21:34,720 --> 00:21:37,520
Speaker 2: five thirty six year old type rap, and now everyone

479
00:21:37,600 --> 00:21:41,719
Speaker 2: wants to ignorant slaps. I mean, you can't really please

480
00:21:42,280 --> 00:21:44,480
Speaker 2: the internet or any fan base for the most part.

481
00:21:45,080 --> 00:21:48,080
Speaker 2: But I think there was just a little too much pushback.

482
00:21:48,520 --> 00:21:51,760
Speaker 2: It almost felt personal, like do y'all just dislike Big Sean?

483
00:21:53,119 --> 00:21:55,359
Speaker 2: That's what a lot of the criticism felt like to me.

484
00:21:55,720 --> 00:21:57,200
Speaker 4: I think it's weird because none of you niggas know

485
00:21:57,280 --> 00:22:00,600
Speaker 4: Big Sean fair so it'll like you dislike Big Sean

486
00:22:00,680 --> 00:22:01,560
Speaker 4: is like you don't even know him.

487
00:22:01,600 --> 00:22:05,240
Speaker 2: First you know these days, that's that's very common with fans.

488
00:22:05,280 --> 00:22:07,640
Speaker 2: They really have like personal issues with people they've never that's.

489
00:22:07,600 --> 00:22:08,080
Speaker 3: The problem with.

490
00:22:08,320 --> 00:22:10,480
Speaker 4: So then it's it's the fans problem, not the artist,

491
00:22:10,560 --> 00:22:12,719
Speaker 4: oh for sure, But let's put it still a problem.

492
00:22:13,160 --> 00:22:14,919
Speaker 3: Let's do to the artists, speak to the fans.

493
00:22:14,960 --> 00:22:17,679
Speaker 4: All of y'all sit the fuck back and relax, man, Like,

494
00:22:17,720 --> 00:22:20,240
Speaker 4: wherever y'all going, there's music out there for everybody. The

495
00:22:20,240 --> 00:22:22,879
Speaker 4: bottom line here is when you listen to this album,

496
00:22:23,400 --> 00:22:27,440
Speaker 4: it's good music, is good rapping, it's good production, it's

497
00:22:27,440 --> 00:22:29,040
Speaker 4: a cohesive project.

498
00:22:29,240 --> 00:22:31,040
Speaker 3: What else do you want?

499
00:22:31,240 --> 00:22:34,040
Speaker 2: And not that Sean was going back and forth per

500
00:22:34,080 --> 00:22:36,359
Speaker 2: se on the timeline, but he was active on Twitter

501
00:22:36,440 --> 00:22:39,280
Speaker 2: more than he usually is, and I could see certain

502
00:22:39,280 --> 00:22:42,639
Speaker 2: stuff he was liking. Like I think he felt some

503
00:22:42,800 --> 00:22:46,440
Speaker 2: of that backlash, but I don't see why he would

504
00:22:46,480 --> 00:22:48,600
Speaker 2: be upset about it. Lean into the maturity shit, Like,

505
00:22:48,640 --> 00:22:51,399
Speaker 2: to me, this is a whole crowded niche that you

506
00:22:51,400 --> 00:22:53,800
Speaker 2: could just lean into, like you don't have to explain.

507
00:22:53,840 --> 00:22:56,359
Speaker 2: You know, there's also slaps on here, there's also you know,

508
00:22:56,440 --> 00:22:59,840
Speaker 2: some less dad type content on here, but why not

509
00:23:00,080 --> 00:23:04,120
Speaker 2: just lean into that. You're speaking like someone of your age.

510
00:23:04,200 --> 00:23:05,760
Speaker 3: You're like hip hop.

511
00:23:06,680 --> 00:23:09,240
Speaker 2: Yeah, Between Life is Good and four forty four, we're like,

512
00:23:09,240 --> 00:23:11,359
Speaker 2: all right, we're finally seeing how hip hop can age.

513
00:23:12,320 --> 00:23:15,280
Speaker 2: We can see what like that older guy looks like

514
00:23:15,400 --> 00:23:16,720
Speaker 2: when it comes to making music.

515
00:23:17,680 --> 00:23:18,639
Speaker 3: Sean is a veteran.

516
00:23:19,200 --> 00:23:24,000
Speaker 2: I think he's right on time for transitioning into this

517
00:23:24,040 --> 00:23:28,640
Speaker 2: more mature you know crystals, you know, you know, Jane

518
00:23:28,800 --> 00:23:31,080
Speaker 2: is changed his life.

519
00:23:30,960 --> 00:23:34,200
Speaker 3: But she gave him four sound baths before before he

520
00:23:34,280 --> 00:23:35,080
Speaker 3: went to sleep.

521
00:23:35,800 --> 00:23:39,120
Speaker 2: At a lot of Ebsence salt. I think in that house.

522
00:23:39,200 --> 00:23:41,359
Speaker 3: Yeah, but that' which is good. That's as we're old.

523
00:23:41,440 --> 00:23:43,959
Speaker 3: Listen man, it's it's that's a great thing. You know.

524
00:23:44,280 --> 00:23:46,920
Speaker 4: The bottom line is again it's the fans, the people

525
00:23:46,960 --> 00:23:50,359
Speaker 4: that's listening. And I'm and I'm of the belief a

526
00:23:50,400 --> 00:23:52,840
Speaker 4: lot of people just jump behind what they see other

527
00:23:52,840 --> 00:23:55,560
Speaker 4: people saying some of you niggas didn't even hear the album.

528
00:23:55,760 --> 00:23:57,840
Speaker 3: No, they just want to calling it trash.

529
00:23:58,119 --> 00:23:59,760
Speaker 4: It's like, and that's where the artists have to do

530
00:23:59,800 --> 00:24:02,840
Speaker 4: a job of staying away from the Internet for periods

531
00:24:02,880 --> 00:24:05,320
Speaker 4: of time, because you got to understand who's on the internet.

532
00:24:05,359 --> 00:24:08,879
Speaker 3: Some people are only there to spew negative shit. Towards

533
00:24:08,920 --> 00:24:09,320
Speaker 3: your art.

534
00:24:09,440 --> 00:24:11,920
Speaker 4: Some people are only there to jump on the wave

535
00:24:12,000 --> 00:24:14,679
Speaker 4: or the bandwagon and what other people are saying. But

536
00:24:14,760 --> 00:24:16,960
Speaker 4: when you listen to this album, you can't tell me

537
00:24:17,000 --> 00:24:21,320
Speaker 4: that if you've never heard this artist before, you can't

538
00:24:21,320 --> 00:24:24,120
Speaker 4: listen to this and say, oh, he can't rap. Of course,

539
00:24:24,200 --> 00:24:26,399
Speaker 4: you can't listen to this and say, oh the music

540
00:24:26,480 --> 00:24:29,919
Speaker 4: is bad. But because it's Big Sean and people have

541
00:24:30,040 --> 00:24:32,919
Speaker 4: placed what they expect him to be saying or what

542
00:24:32,920 --> 00:24:35,119
Speaker 4: they expect him to do, and or Big Sean is corny,

543
00:24:35,160 --> 00:24:38,480
Speaker 4: or he's just speak to the music, speak to the album.

544
00:24:38,520 --> 00:24:40,679
Speaker 4: Stop speaking to the person that you don't know, and

545
00:24:41,760 --> 00:24:42,120
Speaker 4: let me.

546
00:24:42,600 --> 00:24:46,560
Speaker 2: Advocate for the devil for a second, looking in the

547
00:24:46,640 --> 00:24:49,720
Speaker 2: lens of the people that do dislike it. The one

548
00:24:49,760 --> 00:24:53,160
Speaker 2: criticism that I could sort of understand. If Sean takes

549
00:24:53,240 --> 00:24:56,439
Speaker 2: this much time in between albums, the expectation is a

550
00:24:56,440 --> 00:25:00,080
Speaker 2: little bit higher for you to push your sound in

551
00:25:00,119 --> 00:25:02,600
Speaker 2: a bit. I think the production is great on here,

552
00:25:03,160 --> 00:25:06,000
Speaker 2: but it's nothing I haven't heard Sean on already. So

553
00:25:06,080 --> 00:25:08,600
Speaker 2: if you're going to take that much time in between albums,

554
00:25:08,920 --> 00:25:11,960
Speaker 2: I could see a true fan having an honest critique

555
00:25:12,000 --> 00:25:15,159
Speaker 2: of like, okay, we waited this long to kind of

556
00:25:15,200 --> 00:25:17,800
Speaker 2: get a little bit more of the same Sonically, I

557
00:25:17,800 --> 00:25:22,560
Speaker 2: think the content certainly grew, which I really enjoy. But

558
00:25:22,840 --> 00:25:25,640
Speaker 2: I can see people looking at the production here and going,

559
00:25:26,080 --> 00:25:28,159
Speaker 2: all right, we waited what four or five years, and

560
00:25:28,240 --> 00:25:30,560
Speaker 2: a lot of it is similar to what we've heard

561
00:25:30,600 --> 00:25:33,520
Speaker 2: Sean on already. Did this push the envelope as far

562
00:25:33,520 --> 00:25:35,440
Speaker 2: as his desography, so comparing.

563
00:25:35,119 --> 00:25:37,439
Speaker 4: Them to his own music, So to say that he

564
00:25:37,520 --> 00:25:40,000
Speaker 4: gives us a project totally different sound, you know what

565
00:25:40,080 --> 00:25:41,080
Speaker 4: then becomes a thing.

566
00:25:41,280 --> 00:25:43,119
Speaker 2: I mean, of course, yo, this sounds nothing like Sean,

567
00:25:43,720 --> 00:25:45,040
Speaker 2: So like, what are you trying to do right now?

568
00:25:45,400 --> 00:25:47,880
Speaker 3: People? What do y'all want from these arts? Like, what

569
00:25:47,960 --> 00:25:48,800
Speaker 3: do y'all want?

570
00:25:48,880 --> 00:25:48,920
Speaker 8: No?

571
00:25:49,080 --> 00:25:52,119
Speaker 5: But I think I look and I think the album's cool.

572
00:25:52,640 --> 00:25:55,080
Speaker 5: I might I think similar to Roy, It's like, you're

573
00:25:55,080 --> 00:25:57,840
Speaker 5: gonna take this long to put out you know the

574
00:25:57,840 --> 00:26:00,520
Speaker 5: same whatever. I'm not even critiquing to the muse. I'm

575
00:26:00,800 --> 00:26:03,000
Speaker 5: more to what Maul saying from the fans, Like, well,

576
00:26:03,040 --> 00:26:06,240
Speaker 5: if the fans expectation is set by the artist. Big

577
00:26:06,240 --> 00:26:10,439
Speaker 5: Sean has two former number ones, so he like, for

578
00:26:10,520 --> 00:26:14,000
Speaker 5: better or worse, that's the expectation people expect you know

579
00:26:14,240 --> 00:26:17,720
Speaker 5: that caliber of music, that caliber success from an artist

580
00:26:17,720 --> 00:26:19,720
Speaker 5: that's done it not just once, but you know, a

581
00:26:19,760 --> 00:26:23,359
Speaker 5: couple times over. He was at that time with the

582
00:26:23,400 --> 00:26:26,800
Speaker 5: Good the Good Music album, like he was the man

583
00:26:26,960 --> 00:26:29,560
Speaker 5: behind Jay and Conye. I think it was safe to say,

584
00:26:30,480 --> 00:26:33,080
Speaker 5: like Sean on those two songs he did with them,

585
00:26:33,240 --> 00:26:35,760
Speaker 5: he really held his own so like he put himself

586
00:26:35,800 --> 00:26:36,640
Speaker 5: in that class.

587
00:26:36,920 --> 00:26:37,920
Speaker 3: Well he deserves to be on.

588
00:26:38,080 --> 00:26:40,520
Speaker 5: So I think that he did it. Like I'm not saying,

589
00:26:40,600 --> 00:26:43,280
Speaker 5: you know, the fans can decide whatever, but he earned it,

590
00:26:43,320 --> 00:26:45,640
Speaker 5: put himself there, and he fucking succeeded. So I think

591
00:26:45,640 --> 00:26:47,600
Speaker 5: when people say, like okay, it's pacing to do twenty

592
00:26:47,600 --> 00:26:50,040
Speaker 5: four k first week in sales, I think there is

593
00:26:50,080 --> 00:26:52,639
Speaker 5: a whether or not it's the fans believe it or

594
00:26:52,640 --> 00:26:54,600
Speaker 5: the fans are starting the narrative or not there is

595
00:26:54,640 --> 00:26:56,639
Speaker 5: a conversation to be had, Okay, Like okay, then what

596
00:26:56,800 --> 00:26:59,080
Speaker 5: is the disconnect? I think because this is the Big

597
00:26:59,119 --> 00:27:01,439
Speaker 5: Seawan that we know in love, but it's something's clearly

598
00:27:01,440 --> 00:27:02,000
Speaker 5: different here.

599
00:27:02,080 --> 00:27:05,040
Speaker 4: I think I think Big Sean. I think what happened

600
00:27:05,080 --> 00:27:08,840
Speaker 4: here is this is probably our first time seeing Big

601
00:27:08,880 --> 00:27:12,960
Speaker 4: Sean where we probably can't connect him to a crew

602
00:27:13,119 --> 00:27:16,280
Speaker 4: or yeah, you know what I mean, like post that

603
00:27:16,320 --> 00:27:18,480
Speaker 4: are like, yeah, I think this is Did you not feel.

604
00:27:18,280 --> 00:27:21,080
Speaker 2: That way with Detroit too, because it was still in

605
00:27:21,119 --> 00:27:22,640
Speaker 2: a similar situation at that point.

606
00:27:22,680 --> 00:27:23,760
Speaker 3: It was weird with Ya.

607
00:27:24,359 --> 00:27:26,040
Speaker 2: You didn't see him with Push like that, you didn't

608
00:27:26,040 --> 00:27:26,720
Speaker 2: see Hm with Comedy.

609
00:27:26,720 --> 00:27:29,040
Speaker 4: But I think with it was because it was two

610
00:27:29,520 --> 00:27:31,640
Speaker 4: so we kind of knew what to expect with the Trot.

611
00:27:31,520 --> 00:27:34,159
Speaker 2: Series, which the expectations because the Detroit nixttakes to me

612
00:27:34,200 --> 00:27:36,000
Speaker 2: is an absolute classic, right, So.

613
00:27:35,920 --> 00:27:38,840
Speaker 4: I think that that kind of like, you know, covered

614
00:27:38,880 --> 00:27:40,080
Speaker 4: that a little bit, the fact that we kind of

615
00:27:40,080 --> 00:27:42,120
Speaker 4: already knew what to expect with Detroit too because of.

616
00:27:42,480 --> 00:27:43,200
Speaker 3: The first one.

617
00:27:43,560 --> 00:27:47,440
Speaker 4: I think this one, you know, people can't really connect

618
00:27:47,480 --> 00:27:51,280
Speaker 4: Sean to you know, a crew, a label, other rappers,

619
00:27:51,359 --> 00:27:54,159
Speaker 4: MC's that he's with all the time and has features with.

620
00:27:54,640 --> 00:27:57,320
Speaker 4: But again, I'm just listening to the music.

621
00:27:58,680 --> 00:28:00,440
Speaker 3: It's good. It's really good songs.

622
00:28:00,440 --> 00:28:02,760
Speaker 4: And the joint with him, Kodak this and that record

623
00:28:02,840 --> 00:28:05,359
Speaker 4: Fire and then Your Teacher's Record with him and Larry

624
00:28:05,400 --> 00:28:08,200
Speaker 4: and Larry June and Tiana, the Break the Cycle record

625
00:28:08,200 --> 00:28:10,919
Speaker 4: with Charlie Wood, Like it's no music going here, So

626
00:28:10,960 --> 00:28:13,840
Speaker 4: when people say those trash, I'm like, what do y'all live?

627
00:28:13,960 --> 00:28:15,439
Speaker 3: What do y'all want from Big Sean?

628
00:28:15,600 --> 00:28:15,679
Speaker 9: On?

629
00:28:15,840 --> 00:28:17,800
Speaker 3: Up is fire? And there is some bops on it.

630
00:28:17,880 --> 00:28:20,720
Speaker 2: Not to say that they may be the elite Shawn

631
00:28:20,840 --> 00:28:22,840
Speaker 2: Up tempo stuff that we know, because that is something

632
00:28:22,840 --> 00:28:26,000
Speaker 2: Sean is mastered in the last fifteen years. But I

633
00:28:26,040 --> 00:28:28,920
Speaker 2: think the Cash Covain record is fire, Okay, the joint

634
00:28:28,960 --> 00:28:32,080
Speaker 2: with guns fired, Like there's other shit on there besides. Hey,

635
00:28:32,119 --> 00:28:34,520
Speaker 2: I'm a dad and I'm spiritual and I'm just trying

636
00:28:34,520 --> 00:28:36,560
Speaker 2: to figure out what's going on in my thirties.

637
00:28:36,640 --> 00:28:39,120
Speaker 5: Okay, But let's remove le's stop talking about the album

638
00:28:39,160 --> 00:28:40,600
Speaker 5: and the songs that we like, we all agree is

639
00:28:40,600 --> 00:28:42,920
Speaker 5: a good album. What is the disconnect between Shawn and

640
00:28:42,920 --> 00:28:44,880
Speaker 5: now like where let's remove the music from it.

641
00:28:44,960 --> 00:28:46,120
Speaker 3: I think about him.

642
00:28:46,160 --> 00:28:47,880
Speaker 4: I think, once you're a rapper and you cry on

643
00:28:47,920 --> 00:28:51,720
Speaker 4: social media.

644
00:28:50,040 --> 00:28:51,160
Speaker 3: It's hard to come back from that.

645
00:28:51,680 --> 00:28:53,120
Speaker 2: Did he cry on social media? Yeah?

646
00:28:53,160 --> 00:28:55,560
Speaker 4: He got up like he was streaming listening to the

647
00:28:55,680 --> 00:28:57,280
Speaker 4: I think the album he got up and I'm like, well,

648
00:28:57,320 --> 00:28:58,440
Speaker 4: I think I was like, oh you can't.

649
00:28:59,360 --> 00:29:02,680
Speaker 5: That's not the disconnect, you know, But that's that Kanye's

650
00:29:02,680 --> 00:29:03,720
Speaker 5: crying on shows.

651
00:29:04,000 --> 00:29:07,400
Speaker 3: But Kanye is a different Kanye can do clear, can.

652
00:29:07,320 --> 00:29:10,720
Speaker 5: Get away with a lot, he can anti submitted.

653
00:29:10,360 --> 00:29:15,600
Speaker 2: Things, cry, he could do whatever. Matter fact, Kanye, don't cry.

654
00:29:15,600 --> 00:29:18,120
Speaker 2: It's a problem. So you're saying Sean should have went

655
00:29:18,160 --> 00:29:20,160
Speaker 2: on that stream and said, I think Hitler's a good guy.

656
00:29:20,200 --> 00:29:22,840
Speaker 4: I know, I think that's that's crazy, but I think

657
00:29:22,920 --> 00:29:28,000
Speaker 4: I think Sean. I think he's just maybe a little, uh,

658
00:29:28,240 --> 00:29:29,880
Speaker 4: maybe too emotional right now.

659
00:29:31,520 --> 00:29:34,480
Speaker 2: But I feel like Sewan, even though this has been

660
00:29:34,480 --> 00:29:37,320
Speaker 2: deemed the mature, mature album, Seawan has always talked about

661
00:29:37,320 --> 00:29:39,680
Speaker 2: a lot of the subject matter that's on this project

662
00:29:39,720 --> 00:29:41,960
Speaker 2: his whole career. No, no, no, that has been a very

663
00:29:41,960 --> 00:29:45,000
Speaker 2: emotional dude. And even before Detroit too, he was vocal

664
00:29:45,080 --> 00:29:46,960
Speaker 2: on that press run of some of the mental health

665
00:29:47,000 --> 00:29:49,720
Speaker 2: stuff he was dealing with. I think the disconnect really

666
00:29:49,720 --> 00:29:52,520
Speaker 2: did come from Won the good music breakup and then

667
00:29:52,560 --> 00:29:57,800
Speaker 2: Sean disappearing so much because even between Shawn's album cycles.

668
00:29:57,480 --> 00:30:00,320
Speaker 4: You mean, becoming a better person, becoming a dad, can care,

669
00:30:00,840 --> 00:30:02,120
Speaker 4: taking care of himself, That's what he did.

670
00:30:02,320 --> 00:30:05,440
Speaker 2: But we don't care about that. We want music from you.

671
00:30:05,560 --> 00:30:06,400
Speaker 8: It is fun.

672
00:30:06,480 --> 00:30:09,200
Speaker 5: So like those moments and disappearing and find taking the

673
00:30:09,200 --> 00:30:11,120
Speaker 5: time to really work in yourself and hear yourself can

674
00:30:12,040 --> 00:30:15,440
Speaker 5: in turn hurt your career. Yeah, that's the truth of

675
00:30:15,480 --> 00:30:18,360
Speaker 5: the reality saying. But that's I mean, we say it

676
00:30:18,400 --> 00:30:19,840
Speaker 5: all the time. We love so and so when they

677
00:30:19,880 --> 00:30:21,560
Speaker 5: get a breakup, they're about to drop the hottest album

678
00:30:21,560 --> 00:30:24,000
Speaker 5: of all time. Artists make their best ship when they're

679
00:30:24,000 --> 00:30:25,800
Speaker 5: going through the worst situations in their life.

680
00:30:25,840 --> 00:30:29,880
Speaker 2: And Sean went from being very public with his relationships.

681
00:30:29,880 --> 00:30:36,160
Speaker 2: He was dating two huge people, one pop star piece.

682
00:30:37,640 --> 00:30:41,640
Speaker 2: He was always visual, even in between album cycles. He

683
00:30:41,640 --> 00:30:45,440
Speaker 2: would still do features. Sean was in the mix, whether

684
00:30:45,480 --> 00:30:47,920
Speaker 2: he liked it or not. When he wasn't putting an

685
00:30:47,920 --> 00:30:50,840
Speaker 2: album out, there was no disconnect of where Sean was

686
00:30:51,000 --> 00:30:55,760
Speaker 2: what was going like. Yeah, and also, let's be truthful here,

687
00:30:56,120 --> 00:30:58,680
Speaker 2: being in a high profile relationship in this era is

688
00:30:58,800 --> 00:31:02,040
Speaker 2: very helpful when it comes to visibility. And I won't

689
00:31:02,080 --> 00:31:05,720
Speaker 2: say direct album sales, but just having your face and

690
00:31:05,760 --> 00:31:08,720
Speaker 2: people caring about you every day outside of your music

691
00:31:09,200 --> 00:31:11,520
Speaker 2: is helpful. It's just the world we live in. Sean

692
00:31:11,600 --> 00:31:14,880
Speaker 2: not having any of that. Even though Janey is a superstar,

693
00:31:15,800 --> 00:31:18,400
Speaker 2: they disappear, we don't see them together. They keep their

694
00:31:18,440 --> 00:31:21,760
Speaker 2: relationship sacred, which I think is amazing for him and

695
00:31:21,880 --> 00:31:25,520
Speaker 2: is you know, mental health. But you see the difference

696
00:31:26,080 --> 00:31:29,960
Speaker 2: when it comes to sales, people talking about the project

697
00:31:30,080 --> 00:31:32,640
Speaker 2: like it doesn't connect the same way. But that's just

698
00:31:32,640 --> 00:31:34,720
Speaker 2: the world we live in though, which is crazy.

699
00:31:34,880 --> 00:31:39,000
Speaker 7: I feel like every but everybody is selling less. So

700
00:31:39,080 --> 00:31:41,920
Speaker 7: like when I look at his numbers, I get it's disappointing,

701
00:31:41,960 --> 00:31:43,400
Speaker 7: but it's like I don't expect Sean to do the

702
00:31:43,520 --> 00:31:46,240
Speaker 7: numbers he was doing fifteen years ago, ten years ago.

703
00:31:46,320 --> 00:31:48,880
Speaker 7: Nobody does it. There's like aliens that do that. You

704
00:31:49,000 --> 00:31:52,080
Speaker 7: have Jay who isn't doing the numbers he used to do.

705
00:31:52,160 --> 00:31:53,960
Speaker 7: He's doing amazing numbers, but he's not doing the numbers

706
00:31:53,960 --> 00:31:55,719
Speaker 7: he used to do. Drake isn't doing the numbers he

707
00:31:55,840 --> 00:31:58,920
Speaker 7: used to do. Like everybody is slowly but surely declining

708
00:31:58,960 --> 00:32:00,640
Speaker 7: when it comes to numbers because of the way that

709
00:32:00,680 --> 00:32:03,320
Speaker 7: they're even counting album sales. So it's just kind of like,

710
00:32:03,360 --> 00:32:04,760
Speaker 7: what do y'all expect from him?

711
00:32:05,160 --> 00:32:08,320
Speaker 2: Well, there's j Pardess was his last album that probably

712
00:32:08,320 --> 00:32:09,880
Speaker 2: sold the most.

713
00:32:09,640 --> 00:32:12,480
Speaker 5: Right, Yeah, but there's rules changes which you know, album

714
00:32:12,520 --> 00:32:15,960
Speaker 5: equivalents we said, like the bundles obviously that saw numbers

715
00:32:15,960 --> 00:32:18,920
Speaker 5: in half. There's that the hard number, but then there's

716
00:32:18,920 --> 00:32:22,440
Speaker 5: also impact like cultural impact. Yeah, I'm speaking more to that,

717
00:32:22,520 --> 00:32:24,920
Speaker 5: like the cultural impact, whereas a few seems like Sean

718
00:32:25,200 --> 00:32:27,880
Speaker 5: doesn't have that anymore.

719
00:32:27,360 --> 00:32:30,040
Speaker 6: Because he's not making songs for kids.

720
00:32:30,400 --> 00:32:30,680
Speaker 3: Kids.

721
00:32:30,840 --> 00:32:32,960
Speaker 7: I've like, we've had this argument before, but I think

722
00:32:32,960 --> 00:32:34,680
Speaker 7: that kids, and when I say kids, I think I

723
00:32:34,840 --> 00:32:37,640
Speaker 7: mean people under the age of thirty twenty five, they

724
00:32:37,680 --> 00:32:40,960
Speaker 7: control the music scene unless you're like a huge legacy act.

725
00:32:41,040 --> 00:32:43,959
Speaker 7: So if you're not making music for kids, you're not

726
00:32:44,080 --> 00:32:47,040
Speaker 7: gonna they're not playing it, like you.

727
00:32:47,040 --> 00:32:48,840
Speaker 6: See what I'm saying. So it's just I don't I

728
00:32:48,840 --> 00:32:49,200
Speaker 6: don't know.

729
00:32:49,480 --> 00:32:52,640
Speaker 7: I don't think that Sean is surprised by what he sold,

730
00:32:52,800 --> 00:32:54,560
Speaker 7: being the content of his album.

731
00:32:54,600 --> 00:32:56,360
Speaker 6: I'm not surprised by what he sold.

732
00:32:56,440 --> 00:32:56,920
Speaker 3: Neither am I.

733
00:32:57,240 --> 00:32:59,360
Speaker 2: And I mean, I know he's been an interview saying

734
00:32:59,360 --> 00:33:01,959
Speaker 2: he doesn't care about first week sales, which he's probably

735
00:33:02,000 --> 00:33:06,000
Speaker 2: telling the truth. But it's definitely a conversation post album

736
00:33:06,040 --> 00:33:09,840
Speaker 2: release with your management, with your label, how are we pivoting?

737
00:33:09,880 --> 00:33:12,320
Speaker 2: What does the rest of my career look like?

738
00:33:12,440 --> 00:33:12,640
Speaker 3: Now?

739
00:33:14,080 --> 00:33:15,640
Speaker 2: Who's the audience I'm trying to target?

740
00:33:16,000 --> 00:33:18,000
Speaker 5: I think and that's more what I'm speaking to is

741
00:33:18,040 --> 00:33:21,960
Speaker 5: I think they haven't identified what is the demo and

742
00:33:22,000 --> 00:33:24,640
Speaker 5: how should they market towards that demo because right now

743
00:33:24,680 --> 00:33:27,440
Speaker 5: I think Sean is still being marketed as to the

744
00:33:27,520 --> 00:33:30,920
Speaker 5: younger crowd because it's it's rap, but that's not his demo.

745
00:33:31,040 --> 00:33:33,840
Speaker 7: Who else would you, guys consider, would have the same

746
00:33:33,880 --> 00:33:36,880
Speaker 7: demo as Sean, like, well other artists would would.

747
00:33:36,720 --> 00:33:39,920
Speaker 5: You say Larry June in terms of age not so

748
00:33:40,000 --> 00:33:42,640
Speaker 5: much like you know, lifestyle I think.

749
00:33:42,680 --> 00:33:45,240
Speaker 2: I mean Larry has done a great job with the youth,

750
00:33:45,800 --> 00:33:49,840
Speaker 2: Like his fan base is super young, which I think

751
00:33:49,880 --> 00:33:51,680
Speaker 2: is amazing, especially with the type of music he makes.

752
00:33:51,960 --> 00:33:54,240
Speaker 2: You figure the young kids wouldn't like that type of shit.

753
00:33:54,320 --> 00:33:56,320
Speaker 2: We would like that type of shit. So he's done

754
00:33:56,360 --> 00:34:00,400
Speaker 2: a great job connecting with the kids. And you know,

755
00:34:00,640 --> 00:34:03,800
Speaker 2: kids now are more positive than we were, so they

756
00:34:03,840 --> 00:34:06,160
Speaker 2: connect with Larry Jones. He's a very positive human being,

757
00:34:06,440 --> 00:34:08,200
Speaker 2: like they like him as a person too. Outside of

758
00:34:08,200 --> 00:34:12,000
Speaker 2: the music. Sean, I would say, it's kind of where

759
00:34:12,400 --> 00:34:17,400
Speaker 2: super But I'm the demo and my generation is not

760
00:34:17,520 --> 00:34:18,120
Speaker 2: very positive.

761
00:34:20,280 --> 00:34:22,480
Speaker 3: I think Sean still has a younger demo though than you.

762
00:34:24,000 --> 00:34:25,840
Speaker 3: He's definitely thirties. I don't know if the.

763
00:34:27,520 --> 00:34:30,200
Speaker 2: Twenties would be his highest at all. I would probably

764
00:34:30,200 --> 00:34:34,239
Speaker 2: say thirty to thirty five would probably be his main.

765
00:34:34,320 --> 00:34:36,920
Speaker 4: Yeah, I just think that is again, man, I'm just

766
00:34:37,040 --> 00:34:40,040
Speaker 4: listening to music. I don't get caught up and all

767
00:34:40,040 --> 00:34:42,600
Speaker 4: the other shit around it. The music that I'm listening

768
00:34:42,640 --> 00:34:46,279
Speaker 4: to project. What I heard from Big Sean was really

769
00:34:46,320 --> 00:34:50,960
Speaker 4: good dope songs on their good music still gives great bars,

770
00:34:51,719 --> 00:34:56,160
Speaker 4: cadences flows. I mean again, sometimes things don't connect. That's

771
00:34:56,239 --> 00:34:58,320
Speaker 4: part of the music business. That's part of any business

772
00:34:58,320 --> 00:35:02,319
Speaker 4: when you're selling a product, sometimes things don't connect. But

773
00:35:02,360 --> 00:35:04,560
Speaker 4: I think for me personally, I think I would attach

774
00:35:04,640 --> 00:35:08,640
Speaker 4: it to from what I can see him not having

775
00:35:08,680 --> 00:35:12,319
Speaker 4: that crew or that you know, that team of other

776
00:35:12,560 --> 00:35:16,319
Speaker 4: artists and rappers behind him. That's kind of you know,

777
00:35:16,760 --> 00:35:19,239
Speaker 4: I think, to me, that's the only thing that I

778
00:35:19,239 --> 00:35:22,520
Speaker 4: can pinpoint and say, maybe it's that maybe he's too

779
00:35:22,600 --> 00:35:25,319
Speaker 4: much of a loaner. Now, yeah, he's too you know,

780
00:35:25,719 --> 00:35:27,359
Speaker 4: kept to himself.

781
00:35:27,360 --> 00:35:27,960
Speaker 3: Which is cool.

782
00:35:27,960 --> 00:35:29,960
Speaker 2: It's just where I think it's fucked up from the

783
00:35:30,000 --> 00:35:33,720
Speaker 2: fans is when they try to discredit his entire legacy

784
00:35:33,960 --> 00:35:36,719
Speaker 2: and like who Sean has been insane people have very

785
00:35:36,719 --> 00:35:38,840
Speaker 2: short term memory. But I think Sean is in a

786
00:35:38,840 --> 00:35:42,399
Speaker 2: better position than artists that are out selling him. He's

787
00:35:42,400 --> 00:35:44,040
Speaker 2: on pace for what twenty four k is what they said.

788
00:35:44,080 --> 00:35:48,280
Speaker 2: It's not official, but yeah, that's a prediction. There's artists

789
00:35:48,280 --> 00:35:51,279
Speaker 2: that sell sixty to eighty K that can't sell a

790
00:35:51,280 --> 00:35:54,360
Speaker 2: fucking concert ticket, right. Sean can do twenty four k

791
00:35:54,480 --> 00:35:56,720
Speaker 2: and it's going to have a sold out tour because

792
00:35:56,760 --> 00:35:59,200
Speaker 2: of the fan base that he has built and the

793
00:35:59,320 --> 00:36:02,040
Speaker 2: core fan base that will always support him, even if

794
00:36:02,040 --> 00:36:06,520
Speaker 2: it only reflects twenty four K sales with streams, you'll

795
00:36:06,960 --> 00:36:10,120
Speaker 2: see a big difference with his concert Ver someone that'll

796
00:36:10,160 --> 00:36:12,879
Speaker 2: sell eighty K and can't get anyone to be like, yeah,

797
00:36:12,880 --> 00:36:14,319
Speaker 2: I think I want to buy a ticket and a

798
00:36:14,320 --> 00:36:17,600
Speaker 2: T shirt to go see them. No, because they're just

799
00:36:18,239 --> 00:36:20,360
Speaker 2: part of the new algorithm, the new playlist. I like

800
00:36:20,400 --> 00:36:22,600
Speaker 2: this song, I like this artist, but they'll be replaced

801
00:36:22,640 --> 00:36:25,799
Speaker 2: with someone else on that playlist tomorrow. Sean, even at

802
00:36:25,840 --> 00:36:29,120
Speaker 2: twenty four k, still, to me, will be just fine

803
00:36:29,440 --> 00:36:31,360
Speaker 2: with what he's done his entire career.

804
00:36:31,440 --> 00:36:33,240
Speaker 5: And Roy and I have spoken to this quite a bit.

805
00:36:33,280 --> 00:36:35,160
Speaker 5: I feel like we always end up talking about Sean

806
00:36:35,560 --> 00:36:40,040
Speaker 5: in these conversations, but he's sitting within his own home.

807
00:36:40,080 --> 00:36:42,160
Speaker 5: There's a gold mine between him and Janee that twenty

808
00:36:42,200 --> 00:36:43,160
Speaker 5: eighty eight, I mean.

809
00:36:43,080 --> 00:36:43,719
Speaker 3: Can't wait for that.

810
00:36:43,760 --> 00:36:46,600
Speaker 5: Who's to say, you know, that's the recipe for success

811
00:36:46,719 --> 00:36:49,560
Speaker 5: is the two of them, and however they want to

812
00:36:49,560 --> 00:36:50,799
Speaker 5: work that out. If they want to keep you know,

813
00:36:50,840 --> 00:36:53,920
Speaker 5: their relationship or relationship and not make it a business relationship,

814
00:36:53,960 --> 00:36:57,160
Speaker 5: then you know, but we do know that Roy and

815
00:36:57,160 --> 00:36:59,360
Speaker 5: I both agree that that would be probably the best

816
00:36:59,600 --> 00:37:02,200
Speaker 5: thing for him to do in terms of just like

817
00:37:02,840 --> 00:37:05,200
Speaker 5: infecting himself back into the scene.

818
00:37:05,320 --> 00:37:08,640
Speaker 2: Yeah, but again it's also tough too of both of

819
00:37:08,680 --> 00:37:11,399
Speaker 2: them being solo artists. I'm sure Jane has a plan

820
00:37:11,480 --> 00:37:14,960
Speaker 2: for what she wants to do, and tying those two

821
00:37:15,040 --> 00:37:17,840
Speaker 2: things in together can sometimes take five years because I

822
00:37:17,880 --> 00:37:20,440
Speaker 2: have to do my solo album cycle, has to do

823
00:37:20,480 --> 00:37:21,640
Speaker 2: her solo album cycle.

824
00:37:21,719 --> 00:37:25,280
Speaker 3: Then maybe we'll have time for this. That's a process.

825
00:37:25,400 --> 00:37:27,960
Speaker 3: Just because you both are solo artists, that's not a

826
00:37:28,000 --> 00:37:28,560
Speaker 3: bad idea.

827
00:37:29,000 --> 00:37:32,280
Speaker 4: It's a very you know, unique thing that they have obviously,

828
00:37:32,320 --> 00:37:34,120
Speaker 4: and then the album that they did give us was

829
00:37:34,200 --> 00:37:37,680
Speaker 4: some classic music on it, so that's not a bad idea.

830
00:37:37,760 --> 00:37:41,879
Speaker 4: Put out solo projects, going to roll together. Yeah, and

831
00:37:41,960 --> 00:37:43,040
Speaker 4: you know, perform some of the.

832
00:37:43,440 --> 00:37:46,239
Speaker 2: Class against bring the kids on stage, bring the.

833
00:37:46,280 --> 00:37:49,280
Speaker 3: Kids, give us sol the sound back. We need it? Whynot?

834
00:37:50,000 --> 00:37:52,800
Speaker 2: She she has put out quietly like some really cool

835
00:37:53,800 --> 00:37:57,279
Speaker 2: like baby music. Shiit, what's what's the name of it?

836
00:37:57,320 --> 00:37:59,880
Speaker 2: To Merris, like what you would the genre album?

837
00:38:00,120 --> 00:38:01,719
Speaker 6: I would look it up, but have you played.

838
00:38:01,520 --> 00:38:02,279
Speaker 3: It for yet?

839
00:38:02,400 --> 00:38:04,560
Speaker 2: All the time, I just don't know what the actual

840
00:38:04,800 --> 00:38:06,000
Speaker 2: genre is labeled.

841
00:38:06,400 --> 00:38:07,840
Speaker 3: She said. Some slaps on them. Yeah, you know.

842
00:38:07,920 --> 00:38:12,799
Speaker 2: She prefers like the old Jane, but sleep a soul.

843
00:38:13,080 --> 00:38:17,600
Speaker 7: She causes sleep soul, relaxing baby sleep music like Lane.

844
00:38:18,000 --> 00:38:21,279
Speaker 5: I mean she could be like without being the this

845
00:38:21,320 --> 00:38:23,320
Speaker 5: is that just the music Miss Rachel?

846
00:38:24,440 --> 00:38:27,160
Speaker 2: Yeah, I mean her her stuff is just more on

847
00:38:27,200 --> 00:38:30,680
Speaker 2: the calming, relaxing side rather than like straight up singing

848
00:38:30,800 --> 00:38:34,279
Speaker 2: to your kids and brainwashing them. It's definitely more of

849
00:38:34,360 --> 00:38:37,800
Speaker 2: like a good nap time, white noise type of situation.

850
00:38:37,880 --> 00:38:39,440
Speaker 3: But it works with Amara.

851
00:38:40,000 --> 00:38:41,840
Speaker 5: She likes it for you too, or a separate account,

852
00:38:41,960 --> 00:38:44,800
Speaker 5: So that's hers, that's smart, good for her.

853
00:38:45,160 --> 00:38:48,240
Speaker 2: But I just hope Sean, I mean, he's an artist,

854
00:38:48,280 --> 00:38:53,120
Speaker 2: so artists do take everything personal. Really, no matter which

855
00:38:53,160 --> 00:38:55,799
Speaker 2: artist you're dealing with. I hope he's not taking into

856
00:38:55,800 --> 00:38:59,440
Speaker 2: account the Internet, just doing the Internet shit, Like the

857
00:38:59,480 --> 00:39:03,840
Speaker 2: Internet forgets everyone's legacy and who they are. That's why

858
00:39:04,080 --> 00:39:05,359
Speaker 2: it's not a personal thing.

859
00:39:06,040 --> 00:39:07,920
Speaker 3: You can't pay attention to that the Internet.

860
00:39:08,000 --> 00:39:10,560
Speaker 4: Man, you put out a dope project. There's good music

861
00:39:10,600 --> 00:39:12,800
Speaker 4: on there. You seem to be in a great space

862
00:39:12,880 --> 00:39:17,040
Speaker 4: mentally emotionally. Your family is great. You know your wife

863
00:39:17,080 --> 00:39:19,359
Speaker 4: just went on a great toss soulda out Areena like.

864
00:39:19,280 --> 00:39:20,879
Speaker 2: Listen, like made Demaris cry.

865
00:39:21,000 --> 00:39:23,719
Speaker 3: Life is great, man, life is great. Don't every show

866
00:39:23,840 --> 00:39:24,320
Speaker 3: and he's.

867
00:39:24,160 --> 00:39:29,480
Speaker 4: Fucking Internet and his fucking streamers talking ship man, Sean,

868
00:39:29,600 --> 00:39:30,560
Speaker 4: keep doing what you're doing.

869
00:39:30,600 --> 00:39:30,799
Speaker 3: Man.

870
00:39:31,840 --> 00:39:36,360
Speaker 2: A selfish fan request. I would love for Sean and

871
00:39:36,560 --> 00:39:39,440
Speaker 2: key Wayne to do it like an eph Yes, like

872
00:39:39,560 --> 00:39:43,440
Speaker 2: their chemistry that era, just like hearing their.

873
00:39:44,760 --> 00:39:55,040
Speaker 4: Said oh yes, hearing their names that when the taint.

874
00:39:54,040 --> 00:39:57,759
Speaker 5: Juliet with crazy just that oh you gots like what

875
00:39:57,800 --> 00:39:59,720
Speaker 5: was they don't miss together?

876
00:40:00,400 --> 00:40:03,880
Speaker 2: They really don't like I feel like for the past

877
00:40:04,320 --> 00:40:08,400
Speaker 2: five Sean albums, it always ends up being the Keywaye

878
00:40:08,400 --> 00:40:12,640
Speaker 2: record that I liked the most. My personal take, yeah

879
00:40:12,680 --> 00:40:17,480
Speaker 2: they're great, but yeah, I mean we can wrap the

880
00:40:17,719 --> 00:40:20,600
Speaker 2: Sean topic up. But to go back to where it

881
00:40:20,680 --> 00:40:25,000
Speaker 2: did connect with Sean. Twenty fifteen, Kanye was still beloved,

882
00:40:25,640 --> 00:40:28,879
Speaker 2: good music, was sort of together. He was coming out

883
00:40:28,880 --> 00:40:30,960
Speaker 2: of that relationship. His single I Don't Fuck With You

884
00:40:32,520 --> 00:40:34,640
Speaker 2: had a messy tone to it because everyone was paying

885
00:40:34,680 --> 00:40:37,480
Speaker 2: attention to the relationship. He was just in like there

886
00:40:37,520 --> 00:40:41,880
Speaker 2: was a lot surrounding Sean that wasn't just music. And

887
00:40:41,920 --> 00:40:44,160
Speaker 2: we know Sean will deliver with music, but you can't

888
00:40:44,160 --> 00:40:48,640
Speaker 2: always deliver with messy bullshit and people are gonna click.

889
00:40:50,000 --> 00:40:52,840
Speaker 2: And his single was that, Yeah, I Don't Fuck with You,

890
00:40:54,400 --> 00:40:59,120
Speaker 2: simple amazing record, has a background to it, It's about

891
00:40:59,120 --> 00:41:03,760
Speaker 2: another celebrity rest in peace, and yeah, that that connects.

892
00:41:03,960 --> 00:41:06,000
Speaker 2: Like no matter what, even if you weren't a Rat fan,

893
00:41:06,360 --> 00:41:08,120
Speaker 2: you were like, oh I I want to hear the

894
00:41:08,680 --> 00:41:12,160
Speaker 2: Sean disk to his ex like that she was in people.

895
00:41:13,440 --> 00:41:16,239
Speaker 3: That's beyond the shade room the world type of wants

896
00:41:16,239 --> 00:41:18,880
Speaker 3: that negative energy. And then you have Blessings.

897
00:41:19,920 --> 00:41:24,319
Speaker 2: Peak Drake all your fault with Kanye, Like there was

898
00:41:24,360 --> 00:41:27,960
Speaker 2: so much connecting with Sean at that time. All he

899
00:41:28,000 --> 00:41:31,160
Speaker 2: had to do is what he does better delivered me. Yeah,

900
00:41:31,160 --> 00:41:33,200
Speaker 2: plan on games was fucking I know you couldn't go

901
00:41:33,239 --> 00:41:33,960
Speaker 2: outside without him.

902
00:41:34,000 --> 00:41:37,600
Speaker 5: Come on, even though did the one man can Change

903
00:41:37,600 --> 00:41:39,480
Speaker 5: the world. I'll even let that one and slide. At

904
00:41:39,480 --> 00:41:42,080
Speaker 5: that point, you need that message, you need something, you know,

905
00:41:42,080 --> 00:41:43,480
Speaker 5: I don't. How do you go from I don't fuck

906
00:41:43,480 --> 00:41:45,680
Speaker 5: with you to John Legend one man Can Ship?

907
00:41:45,719 --> 00:41:48,279
Speaker 2: It's like, all right, like thanks, that's something you sound

908
00:41:48,320 --> 00:41:52,359
Speaker 2: like Elvis. That's what's that jay Z midlife crisis song

909
00:41:53,360 --> 00:41:54,000
Speaker 2: Forever Young?

910
00:41:54,719 --> 00:41:56,960
Speaker 6: Oh stop, Forever Young?

911
00:41:58,400 --> 00:42:00,719
Speaker 2: That's where I had what one man can Change the world.

912
00:42:00,760 --> 00:42:02,560
Speaker 2: And it wasn't even seown. I liked his verses. It's

913
00:42:02,600 --> 00:42:05,759
Speaker 2: just sometimes when John Legend gets too much in that bag,

914
00:42:05,800 --> 00:42:09,600
Speaker 2: you let him run on that I can't like this

915
00:42:09,640 --> 00:42:12,680
Speaker 2: is a little too cheesy for me. Yeah, but I

916
00:42:12,680 --> 00:42:15,560
Speaker 2: feel the same way about Hove and Forever Young, Like

917
00:42:15,640 --> 00:42:18,920
Speaker 2: get this midlife crisis end of the concert song the

918
00:42:19,040 --> 00:42:20,680
Speaker 2: fuck off my iPod?

919
00:42:20,800 --> 00:42:22,080
Speaker 6: But it hits at the end of the day. Then

920
00:42:22,160 --> 00:42:24,000
Speaker 6: you go to the content, Yeah it hit, didn't it?

921
00:42:24,040 --> 00:42:25,600
Speaker 2: I went I tried to be traffic.

922
00:42:26,640 --> 00:42:29,040
Speaker 5: That was a graduation song too. They beat that ship

923
00:42:29,080 --> 00:42:33,719
Speaker 5: to ground a graduations like every young Yes really, yes,

924
00:42:34,840 --> 00:42:38,920
Speaker 5: I've never seen that and that as well.

925
00:42:39,000 --> 00:42:43,760
Speaker 4: Yeah, that's graduation, So that's a graduation.

926
00:42:44,000 --> 00:42:46,719
Speaker 5: These two were the graduation records, those two.

927
00:42:47,320 --> 00:42:50,160
Speaker 2: But I had not graduated like during this era, so

928
00:42:50,560 --> 00:42:53,360
Speaker 2: you didn't graduate. I know I would have gotten to

929
00:42:53,400 --> 00:42:55,200
Speaker 2: this point. I was still on the other song from

930
00:42:55,239 --> 00:42:55,760
Speaker 2: high school.

931
00:42:56,160 --> 00:42:57,799
Speaker 4: Rory would hit the stage, they would have played get

932
00:42:57,840 --> 00:43:06,400
Speaker 4: the fuck out here. I don't, but yeah, I still uh.

933
00:43:06,440 --> 00:43:07,680
Speaker 2: I mean, I know it's only but a few days,

934
00:43:07,719 --> 00:43:11,200
Speaker 2: but I still have Seawn's album in rotation every day

935
00:43:11,280 --> 00:43:13,200
Speaker 2: since it came out. Same with DOCI. I thought it

936
00:43:13,200 --> 00:43:17,799
Speaker 2: was a great music Friday. I was about to say,

937
00:43:17,840 --> 00:43:19,360
Speaker 2: was there any other projects?

938
00:43:19,400 --> 00:43:19,840
Speaker 3: I was kind of.

939
00:43:19,840 --> 00:43:22,080
Speaker 2: Wrapped up with those two last Friday.

940
00:43:22,640 --> 00:43:26,920
Speaker 4: Cash Cobain, Yes, the Bronx Legend play Cash Cobain loved that,

941
00:43:27,000 --> 00:43:30,520
Speaker 4: loved that album title. He dropped his his first album,

942
00:43:31,360 --> 00:43:34,960
Speaker 4: nineteen tracks, Uh some some dope features on there.

943
00:43:35,800 --> 00:43:38,640
Speaker 2: Does the Bronx get to claim him completely? He wears

944
00:43:38,680 --> 00:43:40,920
Speaker 2: a lot of Queen's merch, so the point that he

945
00:43:40,960 --> 00:43:42,800
Speaker 2: had to go on Twitter and say I'm not from Queens.

946
00:43:42,600 --> 00:43:44,000
Speaker 3: I'm from the Bronx. What Queens merch? Did he we?

947
00:43:44,080 --> 00:43:46,480
Speaker 3: Oh the slow Bucks stuff? So does that mean he's

948
00:43:46,480 --> 00:43:47,080
Speaker 3: from queens.

949
00:43:47,160 --> 00:43:50,200
Speaker 2: I mean, his three hat is pretty much a slow

950
00:43:50,200 --> 00:43:51,240
Speaker 2: Bucks hat that says queens.

951
00:43:52,640 --> 00:43:53,919
Speaker 3: He he wears it all the time.

952
00:43:53,960 --> 00:43:58,080
Speaker 4: He's from the Bronx legend out there, Bronx legend. Anyone

953
00:43:58,080 --> 00:43:59,720
Speaker 4: that does anything in the Bronx is a legend.

954
00:44:00,360 --> 00:44:01,280
Speaker 3: Well yeah, naturally.

955
00:44:02,400 --> 00:44:05,160
Speaker 4: I just love what Cash is doing on a run

956
00:44:05,239 --> 00:44:10,839
Speaker 4: with the whole sexy drill sound, sexy drill wave. You know,

957
00:44:11,120 --> 00:44:15,520
Speaker 4: it's it's it's injecting some positive energy into the whole

958
00:44:15,600 --> 00:44:19,239
Speaker 4: drill scene. And it's it's it's making it fun. It's

959
00:44:19,280 --> 00:44:22,520
Speaker 4: making you know, guys a dancing with girls, guys want

960
00:44:22,520 --> 00:44:24,840
Speaker 4: to you know, it's given that whole vibe. It's like

961
00:44:24,880 --> 00:44:27,280
Speaker 4: this is their R and B moment in the drill party.

962
00:44:27,360 --> 00:44:27,760
Speaker 3: Yeah.

963
00:44:27,760 --> 00:44:30,879
Speaker 4: Completely, And I love what Cash is doing. I think

964
00:44:30,920 --> 00:44:36,920
Speaker 4: it's entirely necessary carving his own lane and this album

965
00:44:36,920 --> 00:44:38,839
Speaker 4: play Cash Cobain is a doupe.

966
00:44:38,880 --> 00:44:39,160
Speaker 3: Listen.

967
00:44:39,200 --> 00:44:40,680
Speaker 4: I love the fact that he came out and said,

968
00:44:40,680 --> 00:44:43,440
Speaker 4: you know, I don't make music for guys, Like, let's

969
00:44:43,600 --> 00:44:45,319
Speaker 4: let's get that straight, Like, I don't make music for

970
00:44:45,400 --> 00:44:48,560
Speaker 4: y'all just for the ladies. Love that, And I think

971
00:44:48,560 --> 00:44:51,359
Speaker 4: this album is dope. I think that his team should

972
00:44:51,360 --> 00:44:53,640
Speaker 4: be very proud of what they did, what they put out.

973
00:44:53,880 --> 00:44:56,560
Speaker 4: And I'm looking forward to Cash going on going on tour, yeah,

974
00:44:56,600 --> 00:44:58,359
Speaker 4: seeing what he can do in in some in some

975
00:44:58,440 --> 00:45:01,399
Speaker 4: theaters and some rooms and stuff like that. Because all

976
00:45:01,440 --> 00:45:03,719
Speaker 4: of his his music is a vibe. It's something you

977
00:45:03,719 --> 00:45:06,000
Speaker 4: can dance to. Uh So I want to see him

978
00:45:06,320 --> 00:45:08,799
Speaker 4: on stage in front of his in his audience in

979
00:45:08,840 --> 00:45:10,880
Speaker 4: different cities and just see what that looks like. But

980
00:45:10,920 --> 00:45:13,439
Speaker 4: I'm happy and I'm proud of of what he did.

981
00:45:13,480 --> 00:45:15,680
Speaker 4: This was a dope listen and shout out to Yale.

982
00:45:16,000 --> 00:45:19,239
Speaker 4: Yale has a production credit on one of the songs

983
00:45:18,960 --> 00:45:22,960
Speaker 4: on the album. So yeah, real real dope listen, dope project,

984
00:45:23,160 --> 00:45:25,520
Speaker 4: good energy, you know, if you want in that mood,

985
00:45:25,840 --> 00:45:29,480
Speaker 4: just you know, vibe a little bit. This is the perfect, perfect,

986
00:45:29,520 --> 00:45:32,360
Speaker 4: perfect album to put on that.

987
00:45:31,480 --> 00:45:34,959
Speaker 2: That would be a concert that I wouldn't mind being

988
00:45:35,040 --> 00:45:37,040
Speaker 2: like the old guy at the party flying them all.

989
00:45:37,120 --> 00:45:39,000
Speaker 4: You put me but put me like I don't want

990
00:45:39,000 --> 00:45:41,359
Speaker 4: to be, don't don't give me a seat like, put

991
00:45:41,400 --> 00:45:43,760
Speaker 4: me like somewhere where I can kind of just observe

992
00:45:43,840 --> 00:45:46,759
Speaker 4: see everything the stage and the audience and just see

993
00:45:46,800 --> 00:45:48,960
Speaker 4: what they doing. Because you know, they're gonna be in there.

994
00:45:49,000 --> 00:45:51,359
Speaker 4: Yoh absolutely. I just I just love what he's doing. Man,

995
00:45:51,400 --> 00:45:54,520
Speaker 4: he just just his whole, his whole you know, DNA

996
00:45:54,520 --> 00:45:57,680
Speaker 4: that he's injected into the drill scene is taken over.

997
00:45:57,800 --> 00:46:01,000
Speaker 3: It's the sound of the city right now. And you know,

998
00:46:01,040 --> 00:46:02,000
Speaker 3: anytime you see.

999
00:46:01,880 --> 00:46:04,560
Speaker 4: Dudes that had to issue each other a real issue,

1000
00:46:04,600 --> 00:46:08,440
Speaker 4: each other talking on social media and saying like listen, man,

1001
00:46:08,480 --> 00:46:11,239
Speaker 4: let's come together, let's have a show. Let's you know

1002
00:46:11,239 --> 00:46:12,880
Speaker 4: what I mean, we ain't got we could fight, and

1003
00:46:12,880 --> 00:46:15,160
Speaker 4: then after we finished fighting, let's perform.

1004
00:46:15,320 --> 00:46:17,239
Speaker 3: Like I thought that that was fire, you know what.

1005
00:46:17,880 --> 00:46:19,880
Speaker 4: So anytime you have an artist that's able to inject

1006
00:46:19,920 --> 00:46:22,359
Speaker 4: that type of energy and that type of you know,

1007
00:46:22,360 --> 00:46:25,279
Speaker 4: feeling into what we know the drill scene is, it

1008
00:46:25,280 --> 00:46:29,480
Speaker 4: can be very you know, negative, very violent, very tragic.

1009
00:46:29,920 --> 00:46:31,680
Speaker 4: And I think what Cash was able to do is,

1010
00:46:31,719 --> 00:46:33,600
Speaker 4: you know, bring some fun back into that. Let's dance

1011
00:46:33,640 --> 00:46:36,120
Speaker 4: at the parties. Let's talk to the girls at the parties.

1012
00:46:36,120 --> 00:46:38,759
Speaker 4: Instead of putting shiskies on me, mugging each other all

1013
00:46:38,880 --> 00:46:40,919
Speaker 4: night and shooting a party up, let's dance.

1014
00:46:41,000 --> 00:46:41,560
Speaker 3: Let's have fun.

1015
00:46:41,640 --> 00:46:44,759
Speaker 4: So I love with Cash to women. Yeah, like remember that,

1016
00:46:44,800 --> 00:46:46,439
Speaker 4: Remember we should just that was the whole thing. Yeah,

1017
00:46:46,440 --> 00:46:48,680
Speaker 4: at one point, let's just talk through the girls in

1018
00:46:48,680 --> 00:46:49,080
Speaker 4: here again.

1019
00:46:49,160 --> 00:46:53,160
Speaker 2: Like what would Demaris is like legendary status be if

1020
00:46:53,200 --> 00:46:55,840
Speaker 2: she went from tworking at the Ice Bike Show to

1021
00:46:55,920 --> 00:46:58,200
Speaker 2: getting on stage at the Cashco Bang show.

1022
00:46:58,080 --> 00:47:01,000
Speaker 6: Cash Go Bank opened Vice by So Technical Glad Day both.

1023
00:47:01,360 --> 00:47:05,280
Speaker 3: Mm hmm, legend legend in two games.

1024
00:47:07,880 --> 00:47:09,960
Speaker 5: Uh. When when Cash his album drop?

1025
00:47:10,080 --> 00:47:10,880
Speaker 3: We did? Uh.

1026
00:47:11,520 --> 00:47:13,600
Speaker 5: The four of us are in here just listening to

1027
00:47:13,640 --> 00:47:16,680
Speaker 5: it and he's like the lyrics, he's funny.

1028
00:47:17,120 --> 00:47:19,959
Speaker 3: Yeah, I think we having fun.

1029
00:47:20,160 --> 00:47:21,719
Speaker 5: I don't know. When I listened to it, I'm more

1030
00:47:21,760 --> 00:47:23,799
Speaker 5: of like the the beat, the vibe, the mood. But

1031
00:47:23,960 --> 00:47:25,279
Speaker 5: on that list and we were all in here, I

1032
00:47:25,280 --> 00:47:27,360
Speaker 5: was really pay at touch to the lyrics. He's so

1033
00:47:27,560 --> 00:47:31,720
Speaker 5: fucking funny. I hope he does something, uh in comedy

1034
00:47:31,800 --> 00:47:33,799
Speaker 5: or I mean if he has time to do like

1035
00:47:33,840 --> 00:47:35,960
Speaker 5: a mic or just like a sketch thing. His just

1036
00:47:36,080 --> 00:47:39,200
Speaker 5: his writing is so funny and he makes it sound cool.

1037
00:47:39,320 --> 00:47:41,000
Speaker 4: Yeah, he's just he's in his he's in a moment

1038
00:47:41,040 --> 00:47:43,040
Speaker 4: of just having fun, man, And I think that that's

1039
00:47:43,120 --> 00:47:45,439
Speaker 4: that's dope to see the young catch having fun again.

1040
00:47:45,520 --> 00:47:48,360
Speaker 4: So yeah, play Cash Go being available now. If you

1041
00:47:48,400 --> 00:47:50,600
Speaker 4: haven't heard it, give it a listen. I think you'll enjoy.

1042
00:47:50,640 --> 00:47:53,960
Speaker 3: It's a dope project.

1043
00:47:57,400 --> 00:47:59,919
Speaker 2: Speaking of Ice Spice to Marius, I know the group

1044
00:48:00,080 --> 00:48:02,879
Speaker 2: that was going crazy with y'all, Yo the g Can

1045
00:48:02,920 --> 00:48:05,960
Speaker 2: you get us up up to speed on what's happening

1046
00:48:06,000 --> 00:48:06,560
Speaker 2: with what's your name?

1047
00:48:06,560 --> 00:48:08,000
Speaker 3: Cleopatra Trappa?

1048
00:48:08,680 --> 00:48:11,880
Speaker 5: I'm sorry, duh.

1049
00:48:12,160 --> 00:48:15,480
Speaker 2: There seemed to be some messy women group chat shit

1050
00:48:15,560 --> 00:48:18,400
Speaker 2: happening uh to the public for the entire weekend.

1051
00:48:19,040 --> 00:48:19,400
Speaker 3: Yeah.

1052
00:48:19,400 --> 00:48:21,920
Speaker 7: Well, if you haven't heard about the Cleo Trappa and

1053
00:48:22,080 --> 00:48:27,560
Speaker 7: Ice Spice debacle, Cleo Trappa and Ice Spice were they

1054
00:48:27,560 --> 00:48:30,239
Speaker 7: were let's say, associates. I don't want to call them friends,

1055
00:48:30,280 --> 00:48:33,960
Speaker 7: but they were cool associates. They have been in music

1056
00:48:34,160 --> 00:48:36,080
Speaker 7: videos together, things like that. If you don't know who

1057
00:48:36,120 --> 00:48:38,640
Speaker 7: Kleio Trappa is, she is the girl from New York

1058
00:48:38,680 --> 00:48:41,799
Speaker 7: who was always going viral for like telling people they're

1059
00:48:41,800 --> 00:48:44,880
Speaker 7: pronouncing something wrong or they're spelling something wrong. Like she

1060
00:48:45,000 --> 00:48:47,000
Speaker 7: used to have like the whiteboard and write stuff up

1061
00:48:47,040 --> 00:48:49,239
Speaker 7: on it. She's a darker skinned girl and she's also

1062
00:48:49,280 --> 00:48:52,799
Speaker 7: a music artist. So Ice Spice and her have had

1063
00:48:52,920 --> 00:48:57,560
Speaker 7: previous issues where Ice Spice's best friend Baby Stormy came

1064
00:48:57,600 --> 00:49:01,239
Speaker 7: out and kind of posted some shots to the timeline

1065
00:49:01,760 --> 00:49:04,720
Speaker 7: and was like basically where Ice Spice was talking about

1066
00:49:04,719 --> 00:49:07,640
Speaker 7: Cleo Trappa saying that she was jealous. Cleo Trappa accepted

1067
00:49:07,680 --> 00:49:11,080
Speaker 7: her back as a friend. Ice Spice invited Cleo Trappa

1068
00:49:11,160 --> 00:49:14,239
Speaker 7: onto tour with her. The day before Ice Spice this

1069
00:49:14,320 --> 00:49:17,200
Speaker 7: tour starts, Cleo Trappa asks her, Hey, what do I

1070
00:49:17,239 --> 00:49:20,200
Speaker 7: have to pay for on this tour? And I says nothing.

1071
00:49:20,560 --> 00:49:22,520
Speaker 7: You're good, You're my friend. Everything's on me.

1072
00:49:23,280 --> 00:49:25,319
Speaker 3: That's nice. That's very nice. We're off to a good start.

1073
00:49:25,440 --> 00:49:27,520
Speaker 6: Yeah, yeah, so Cleo.

1074
00:49:27,840 --> 00:49:29,439
Speaker 2: Then a chicken salad came in the mix.

1075
00:49:29,600 --> 00:49:31,720
Speaker 6: Cleo traffic, Cleo traffic.

1076
00:49:31,880 --> 00:49:33,360
Speaker 2: Everything was fine, So that's salad.

1077
00:49:33,520 --> 00:49:36,520
Speaker 4: Oh there's nothing like breaking uprises when it's time to eat, right, Rory.

1078
00:49:37,000 --> 00:49:38,920
Speaker 2: But you know they're they're young, so they don't they

1079
00:49:38,920 --> 00:49:41,440
Speaker 2: don't see those signs yet. They'll they'll learn with age

1080
00:49:41,480 --> 00:49:44,800
Speaker 2: that anytime a chicken salad gets between friends, a fallout

1081
00:49:44,840 --> 00:49:45,319
Speaker 2: is gonna happen.

1082
00:49:45,480 --> 00:49:47,360
Speaker 3: Exactly. You know, go ahead, I'm sorry.

1083
00:49:47,960 --> 00:49:50,319
Speaker 2: Basically to make this a very long story way, they're

1084
00:49:50,320 --> 00:49:51,560
Speaker 2: really beefing over a chicken salad.

1085
00:49:51,560 --> 00:49:55,759
Speaker 5: I'm just I'm gonna say, ma, I have no idea

1086
00:49:55,840 --> 00:49:57,080
Speaker 5: what they're talking about.

1087
00:49:57,719 --> 00:49:59,680
Speaker 6: There was someone on the podcast explaining it.

1088
00:50:01,280 --> 00:50:03,319
Speaker 3: I'm asking, is it really a chicken salad? She's gonna

1089
00:50:03,320 --> 00:50:03,719
Speaker 3: get to it.

1090
00:50:04,160 --> 00:50:06,000
Speaker 6: No, they're not beefing over at chicken salad.

1091
00:50:06,000 --> 00:50:08,960
Speaker 3: Okay, that's all. My chicken salad is pretty nice.

1092
00:50:09,440 --> 00:50:13,719
Speaker 7: Basically, Cleo Trapper was under the impression that everything was

1093
00:50:13,760 --> 00:50:15,759
Speaker 7: covered for her on the tour. When she got on

1094
00:50:15,800 --> 00:50:19,000
Speaker 7: the tour. The number one thing that happened I think

1095
00:50:19,120 --> 00:50:23,680
Speaker 7: during the first show is Ice Spice's security didn't carry

1096
00:50:23,719 --> 00:50:26,360
Speaker 7: Cleo Trapper's bags back to the car after the show.

1097
00:50:26,800 --> 00:50:29,080
Speaker 7: Cleo Trapper had to carry her own bags. She had

1098
00:50:29,120 --> 00:50:31,879
Speaker 7: a conversation with Ice Spice and their shared hotel room

1099
00:50:31,960 --> 00:50:34,879
Speaker 7: after this, where she was basically like, hey, I don't

1100
00:50:34,920 --> 00:50:37,120
Speaker 7: like that security, like just left my bag. He took

1101
00:50:37,160 --> 00:50:39,560
Speaker 7: all twenty of yours and didn't take my one and

1102
00:50:39,560 --> 00:50:43,120
Speaker 7: a half bag that you had, And Ice was basically like,

1103
00:50:43,160 --> 00:50:45,840
Speaker 7: my security works for me, they pay a flat fee

1104
00:50:45,960 --> 00:50:47,120
Speaker 7: and they don't work for you.

1105
00:50:47,880 --> 00:50:50,480
Speaker 5: And all right, so far Ice Spice is right. So far,

1106
00:50:50,520 --> 00:50:52,640
Speaker 5: pretty logical there, yep, so she's right. When does the

1107
00:50:52,680 --> 00:50:53,640
Speaker 5: salad come into play?

1108
00:50:55,239 --> 00:50:58,319
Speaker 7: Basically one of the things was with the salad. Thing

1109
00:50:58,440 --> 00:51:00,720
Speaker 7: was just that everybody on the team had to order food.

1110
00:51:01,920 --> 00:51:05,080
Speaker 7: Cleo had put in her order, and then after everybody

1111
00:51:05,120 --> 00:51:07,200
Speaker 7: got their stuff back, they were basically like, it's like, oh,

1112
00:51:07,280 --> 00:51:08,879
Speaker 7: yours is not covered like by.

1113
00:51:08,880 --> 00:51:11,319
Speaker 5: Tour they've her for chicken seal.

1114
00:51:12,040 --> 00:51:14,000
Speaker 3: No, they didn't even like ask, They just didn't get it.

1115
00:51:15,520 --> 00:51:16,800
Speaker 3: So the number one thing, Oh.

1116
00:51:16,640 --> 00:51:19,680
Speaker 2: Wait, is she to cut up? She's talent on the show,

1117
00:51:19,719 --> 00:51:21,960
Speaker 2: like she's a opener. She's the opener because because.

1118
00:51:21,719 --> 00:51:24,120
Speaker 4: Cleo Trapper makes she has music too, right, she's not

1119
00:51:24,160 --> 00:51:26,040
Speaker 4: just a personality and she wraps.

1120
00:51:26,400 --> 00:51:28,000
Speaker 5: She didn't bring her whiteboard on stage.

1121
00:51:28,080 --> 00:51:35,399
Speaker 4: So okay, so I mean I understand. I think what

1122
00:51:35,680 --> 00:51:39,919
Speaker 4: is missing is how deep does their personal relationship run

1123
00:51:40,280 --> 00:51:41,880
Speaker 4: Cleo Trapper and Ice Spice.

1124
00:51:42,520 --> 00:51:45,000
Speaker 7: From what I hear that there, they Cleo said that

1125
00:51:45,080 --> 00:51:47,600
Speaker 7: they were never friends where like they were chilling in

1126
00:51:47,640 --> 00:51:49,600
Speaker 7: the house like with no makeup. It was always just

1127
00:51:49,680 --> 00:51:51,239
Speaker 7: kind of like, oh, you know, we all have those friends.

1128
00:51:51,239 --> 00:51:53,040
Speaker 7: It's like yo, I'm doing this event, come through or

1129
00:51:53,080 --> 00:51:53,680
Speaker 7: I'm doing this event.

1130
00:51:53,880 --> 00:51:54,800
Speaker 3: Okay, so they were social.

1131
00:51:54,880 --> 00:51:58,480
Speaker 7: They were, Yeah, they were social because a relationship, but

1132
00:51:58,880 --> 00:52:01,799
Speaker 7: obviously close enough where it was, Hey, you're coming on

1133
00:52:01,840 --> 00:52:04,120
Speaker 7: tour with me. You're going to be staying with me basically,

1134
00:52:04,160 --> 00:52:07,040
Speaker 7: so that's close enough what I told her, Yes, basically,

1135
00:52:07,040 --> 00:52:10,360
Speaker 7: like I'm covering everything now. Cleo outed. I mean, if

1136
00:52:10,400 --> 00:52:12,919
Speaker 7: you're in the scene, you do know this. But Ice

1137
00:52:12,920 --> 00:52:15,840
Speaker 7: Spice and Riot are dating. Cleo outed that. What.

1138
00:52:16,680 --> 00:52:18,560
Speaker 6: Yeah, a lot of the fans didn't know.

1139
00:52:18,840 --> 00:52:20,200
Speaker 3: So still playing with them.

1140
00:52:20,560 --> 00:52:23,000
Speaker 7: Don't play with them right and by them it means

1141
00:52:23,160 --> 00:52:24,720
Speaker 7: it's just her anyway.

1142
00:52:24,960 --> 00:52:26,600
Speaker 6: At one point Riot came on the tour.

1143
00:52:26,840 --> 00:52:27,920
Speaker 5: Was riot salad covered?

1144
00:52:29,120 --> 00:52:30,879
Speaker 3: Oh, it's salad was covered. It's cover all right?

1145
00:52:30,920 --> 00:52:31,120
Speaker 5: Cool?

1146
00:52:31,440 --> 00:52:36,080
Speaker 3: Actually he has fifty percent pub Yeah, his devel chicken. Yeah,

1147
00:52:37,640 --> 00:52:38,279
Speaker 3: got extra shrimp.

1148
00:52:39,560 --> 00:52:41,080
Speaker 5: He ate Cleo trapping salad.

1149
00:52:41,520 --> 00:52:42,759
Speaker 3: That solad was almost too good.

1150
00:52:45,040 --> 00:52:48,200
Speaker 5: Wait, so on tour. I'm sorry because I really thank

1151
00:52:48,280 --> 00:52:51,640
Speaker 5: you for being great. So on tour, Cleo, Trapper and

1152
00:52:51,719 --> 00:52:53,040
Speaker 5: Ice Pikes are sharing a room.

1153
00:52:53,160 --> 00:52:55,520
Speaker 3: Why wouldn't Riot in Ice Spice share Ryot.

1154
00:52:55,440 --> 00:52:58,040
Speaker 7: Wasn't on there at first, damn when his tour bus

1155
00:52:58,080 --> 00:53:00,040
Speaker 7: caught up to them, then he started.

1156
00:52:59,760 --> 00:53:02,840
Speaker 2: Calling why was he in a different city? But I

1157
00:53:02,880 --> 00:53:07,200
Speaker 2: mean it happened. He's a mogul, he's producing for other

1158
00:53:07,239 --> 00:53:08,680
Speaker 2: people at the end of the day.

1159
00:53:08,760 --> 00:53:11,080
Speaker 7: He ended up staying in Ice Spice's room on the

1160
00:53:11,080 --> 00:53:15,919
Speaker 7: tour bus and her room in the hotels. Apparently, Ice

1161
00:53:15,920 --> 00:53:19,719
Speaker 7: Spice's manager was supposed to contact Cleo's manager to let

1162
00:53:19,760 --> 00:53:22,160
Speaker 7: her know she had to get her own separate room.

1163
00:53:22,200 --> 00:53:24,359
Speaker 7: Even though she had previously been told that everything will

1164
00:53:24,400 --> 00:53:27,319
Speaker 7: be covered. Nothing has been covered so far. Literally nothing

1165
00:53:27,360 --> 00:53:29,640
Speaker 7: is covered other than her traveling on the tour bus

1166
00:53:29,640 --> 00:53:32,840
Speaker 7: with them. So Cleo basically eventually at the end of

1167
00:53:32,880 --> 00:53:35,000
Speaker 7: the tour wrote Ice Spice and said, hey, you told

1168
00:53:35,000 --> 00:53:36,680
Speaker 7: me this one I came on tour. This is not

1169
00:53:36,719 --> 00:53:39,319
Speaker 7: what happened. I felt unincluded. Y'all were eating without me,

1170
00:53:39,400 --> 00:53:41,759
Speaker 7: y'all were treating me weird. I didn't feel like I

1171
00:53:41,880 --> 00:53:44,120
Speaker 7: was good every single time, Like you know, I was

1172
00:53:44,160 --> 00:53:47,560
Speaker 7: to like, come in your come in your dresser room.

1173
00:53:47,600 --> 00:53:49,439
Speaker 7: I was kind of like being told, oh, Ice doesn't

1174
00:53:49,440 --> 00:53:50,920
Speaker 7: want to be bothered right now, like she's just like

1175
00:53:51,000 --> 00:53:52,200
Speaker 7: I felt like a groupie.

1176
00:53:52,200 --> 00:53:54,239
Speaker 6: I didn't really feel like somebody who was a part

1177
00:53:54,280 --> 00:53:54,879
Speaker 6: of this tour.

1178
00:53:55,120 --> 00:53:55,760
Speaker 3: I feel okay.

1179
00:53:55,800 --> 00:53:58,240
Speaker 4: So what it sounds like is Cleo Trapp was found

1180
00:53:58,239 --> 00:54:02,560
Speaker 4: out that they're not actually friends, that the Ice was

1181
00:54:02,600 --> 00:54:05,719
Speaker 4: more so treating it like she's a talent on the tour.

1182
00:54:06,200 --> 00:54:08,440
Speaker 4: I'm gonna add her to the tour, uh, because she

1183
00:54:08,480 --> 00:54:10,879
Speaker 4: said on the space and she they end up adding

1184
00:54:11,000 --> 00:54:13,480
Speaker 4: adding another tour bus that it was more bunks, and

1185
00:54:13,480 --> 00:54:14,799
Speaker 4: it was like it because she was like yo, like

1186
00:54:14,920 --> 00:54:17,200
Speaker 4: let Cleo Trapper come on. Let her get her ship

1187
00:54:17,239 --> 00:54:18,960
Speaker 4: off on the road, like, you know, build her fan base.

1188
00:54:19,040 --> 00:54:22,239
Speaker 4: People could see her perform, and I think what Cleo

1189
00:54:22,360 --> 00:54:25,080
Speaker 4: Trapper may have thought was it was gonna be more

1190
00:54:25,880 --> 00:54:28,320
Speaker 4: of her and Ice together.

1191
00:54:28,080 --> 00:54:31,799
Speaker 3: All the time, hanging out. Yeah, you know that type

1192
00:54:31,840 --> 00:54:32,160
Speaker 3: of thing.

1193
00:54:32,200 --> 00:54:34,399
Speaker 4: And but she got on the road, she noticed that,

1194
00:54:34,719 --> 00:54:38,760
Speaker 4: oh they're treating Ice Spice like and she's Ice Spice

1195
00:54:38,800 --> 00:54:43,120
Speaker 4: that entity And I'm just support for Ice Spices tour

1196
00:54:43,160 --> 00:54:46,160
Speaker 4: and I don't really see Ice. We don't talk like

1197
00:54:46,160 --> 00:54:48,840
Speaker 4: that before the shows, like it's kind of like moving

1198
00:54:48,880 --> 00:54:51,960
Speaker 4: like I'll see her passing through. Her tour bus leaves first.

1199
00:54:52,000 --> 00:54:54,200
Speaker 4: The tour bus I'm on leaves after this.

1200
00:54:54,280 --> 00:54:55,840
Speaker 2: They were on the same tour bus. I think that

1201
00:54:55,920 --> 00:54:58,520
Speaker 2: it's a different one. But she was sleeping in Ice

1202
00:54:58,520 --> 00:55:01,200
Speaker 2: Spice like she was her own on a different bus.

1203
00:55:01,320 --> 00:55:03,239
Speaker 7: Yes, she was, No, she had her own bunk on this,

1204
00:55:03,360 --> 00:55:05,600
Speaker 7: so she was originally sleeping on Ice in Ice Rice's

1205
00:55:05,680 --> 00:55:08,839
Speaker 7: room from the very beginning. But it's looking like Ice

1206
00:55:08,840 --> 00:55:11,280
Speaker 7: Spices a getting killed right now by the fans, because

1207
00:55:11,360 --> 00:55:13,839
Speaker 7: what it's looking like is that the fans obviously don't

1208
00:55:13,880 --> 00:55:17,160
Speaker 7: know or nobody knows how tour usually goes. Like if

1209
00:55:17,200 --> 00:55:20,480
Speaker 7: you're an opening act, you're spending the majority you're spending

1210
00:55:20,520 --> 00:55:23,200
Speaker 7: money usually to be an opening act on especially if

1211
00:55:23,200 --> 00:55:26,120
Speaker 7: you're the opening opening act, because Cash was opening you.

1212
00:55:26,160 --> 00:55:26,719
Speaker 6: Know what I'm saying.

1213
00:55:27,320 --> 00:55:30,719
Speaker 7: But I think we like we all it's obvious that

1214
00:55:31,080 --> 00:55:33,319
Speaker 7: her manager should have gotten with her manager and she,

1215
00:55:33,400 --> 00:55:34,640
Speaker 7: first of all, she should have been on that tour.

1216
00:55:34,719 --> 00:55:36,279
Speaker 7: Me personally, I wouldn't have went on tour with somebody

1217
00:55:36,320 --> 00:55:38,200
Speaker 7: who was talking about me behind my back and saying

1218
00:55:38,200 --> 00:55:40,480
Speaker 7: that I was jealous of them, Like I don't forgive

1219
00:55:40,520 --> 00:55:42,640
Speaker 7: things like that, especially when they're telling me that monetarily

1220
00:55:42,680 --> 00:55:43,600
Speaker 7: they're going to cover for me.

1221
00:55:43,920 --> 00:55:45,759
Speaker 6: I get that. It's an amazing opportunity.

1222
00:55:45,880 --> 00:55:48,960
Speaker 4: Wait, this happened before Ice Spice was caught talking about.

1223
00:55:48,840 --> 00:55:51,000
Speaker 7: Yes, before it is spost even happened before they went

1224
00:55:51,040 --> 00:55:52,560
Speaker 7: on tour. This was like a couple of months ago.

1225
00:55:52,800 --> 00:55:55,880
Speaker 3: Oh so oh, so okay, that's more insight to this.

1226
00:55:55,920 --> 00:55:56,920
Speaker 3: So what Cleo is.

1227
00:55:57,120 --> 00:55:59,000
Speaker 7: What Cleo said is that she feels like Ice was

1228
00:55:59,040 --> 00:56:03,359
Speaker 7: doing damage control because she got caught talking about Nicki

1229
00:56:03,400 --> 00:56:06,000
Speaker 7: Minaj in those same text messages, she got caught talking

1230
00:56:06,200 --> 00:56:08,160
Speaker 7: about Cleo, and it's kind of like they were saying

1231
00:56:08,160 --> 00:56:09,360
Speaker 7: that she was doing damage control.

1232
00:56:09,440 --> 00:56:11,959
Speaker 3: She was trying to show that she's supporting other acts

1233
00:56:11,960 --> 00:56:12,640
Speaker 3: and other Yes.

1234
00:56:12,560 --> 00:56:14,560
Speaker 7: But she never KLEI was like, she never posted that

1235
00:56:14,600 --> 00:56:16,400
Speaker 7: I was on the tour. She never posted a flyer

1236
00:56:16,440 --> 00:56:17,000
Speaker 7: with my face on.

1237
00:56:17,160 --> 00:56:21,080
Speaker 2: But that's not that's not her responsibility. And even though

1238
00:56:21,320 --> 00:56:24,720
Speaker 2: it's not friends, it's not her responsibility.

1239
00:56:24,800 --> 00:56:30,000
Speaker 4: But if you invited me on a tour and we're

1240
00:56:30,040 --> 00:56:34,120
Speaker 4: sleeping in the same room, in the same bed, maybe right,

1241
00:56:34,360 --> 00:56:37,080
Speaker 4: I'm we can that's safe to assume that we have

1242
00:56:37,920 --> 00:56:41,040
Speaker 4: a friendship. If we're sleeping in the same bed, we're like,

1243
00:56:41,480 --> 00:56:42,000
Speaker 4: we're close.

1244
00:56:42,560 --> 00:56:45,759
Speaker 2: Yeah, but you know, so don't random women girls that

1245
00:56:45,800 --> 00:56:48,719
Speaker 2: you just do that girls do they become best friends

1246
00:56:48,760 --> 00:56:49,920
Speaker 2: with the chick they met last night.

1247
00:56:50,239 --> 00:56:50,840
Speaker 3: And that's true.

1248
00:56:50,840 --> 00:56:52,960
Speaker 4: And I think that this is I think that maybe

1249
00:56:53,000 --> 00:56:56,160
Speaker 4: on one end, clear Trapper felt like, Okay, this is

1250
00:56:56,200 --> 00:56:58,880
Speaker 4: my homie and I think on Ice Spices and it

1251
00:56:58,920 --> 00:57:01,560
Speaker 4: may have been. It's it's old thing of you move

1252
00:57:01,640 --> 00:57:04,680
Speaker 4: genuine with some people, they move strategic with you, and

1253
00:57:04,760 --> 00:57:06,080
Speaker 4: it's that type of relationship.

1254
00:57:06,080 --> 00:57:09,920
Speaker 2: Two things I think if I spy said to her,

1255
00:57:10,280 --> 00:57:12,319
Speaker 2: all expenses paid, like you won't make any money, but

1256
00:57:12,360 --> 00:57:15,560
Speaker 2: we'll cover food, hotel, like you won't need for anything

1257
00:57:15,560 --> 00:57:17,800
Speaker 2: on the tour, I think she should obviously honor that.

1258
00:57:18,240 --> 00:57:22,920
Speaker 2: But after we have that conversation, we're one friends, two artists.

1259
00:57:23,040 --> 00:57:26,520
Speaker 2: Our managers can figure this out if something ends up

1260
00:57:26,560 --> 00:57:29,680
Speaker 2: being incorrect. If I don't get my food, I know

1261
00:57:29,760 --> 00:57:32,440
Speaker 2: that's your friend, quote unquote, but she's also in the

1262
00:57:32,440 --> 00:57:34,360
Speaker 2: middle of a fucking tour. I don't care if we're

1263
00:57:34,400 --> 00:57:38,040
Speaker 2: best friends. On tour sucks sometimes, m h. You could

1264
00:57:38,040 --> 00:57:39,600
Speaker 2: have someone you love and want to be around all

1265
00:57:39,640 --> 00:57:42,040
Speaker 2: the time. Tour can drive you to just want to

1266
00:57:42,080 --> 00:57:46,240
Speaker 2: be alone after you the amount of energy, especially Ice Spice,

1267
00:57:46,240 --> 00:57:48,560
Speaker 2: because she sells way more tickets than we do. I

1268
00:57:48,560 --> 00:57:51,439
Speaker 2: can only imagine the amount of energy she consumes from

1269
00:57:51,480 --> 00:57:54,080
Speaker 2: other people after a show, where you just need to

1270
00:57:54,120 --> 00:57:57,760
Speaker 2: decompress with the amount of shit you just sucked in.

1271
00:57:57,840 --> 00:57:59,960
Speaker 2: Pauls Yeah, I mean, yeah, I don't care if you're

1272
00:58:00,000 --> 00:58:02,200
Speaker 2: my best friend. I need some fucking time alone. No,

1273
00:58:02,760 --> 00:58:04,480
Speaker 2: I needed to get ready. No, don't come in my

1274
00:58:04,520 --> 00:58:06,200
Speaker 2: green room. I'm preparing for a show. I'm trying to

1275
00:58:06,240 --> 00:58:08,320
Speaker 2: figure out what I fucked up yesterday to make this

1276
00:58:08,360 --> 00:58:11,040
Speaker 2: show better. No, this isn't like a kekey for your end.

1277
00:58:12,000 --> 00:58:13,200
Speaker 6: But' see no, no, no, no, no no no.

1278
00:58:13,520 --> 00:58:16,360
Speaker 7: So let's clarify, because her issue wasn't that I don't

1279
00:58:16,400 --> 00:58:19,120
Speaker 7: get to Kikiki with ice spice. Her issue is I

1280
00:58:19,160 --> 00:58:22,080
Speaker 7: am an artist on this tour and I have nowhere

1281
00:58:22,080 --> 00:58:24,840
Speaker 7: to put my bags, I have nowhere to get ready,

1282
00:58:25,520 --> 00:58:27,720
Speaker 7: and you made it seem like I could share a

1283
00:58:27,880 --> 00:58:31,200
Speaker 7: dressing room with you. You're but one hundred and fifty pounds.

1284
00:58:31,200 --> 00:58:33,360
Speaker 7: I'm ab one hundred and sixty pounds, Like we don't

1285
00:58:33,400 --> 00:58:36,000
Speaker 7: take up that much space. You made it seem like

1286
00:58:36,040 --> 00:58:37,840
Speaker 7: I was good with you, and now I am now

1287
00:58:37,880 --> 00:58:40,720
Speaker 7: on tour, uncomfortable getting ready in random bathroom.

1288
00:58:40,800 --> 00:58:42,560
Speaker 4: You know, I can understand that. Yeah, I get that.

1289
00:58:42,600 --> 00:58:45,240
Speaker 4: I understand I understand clear trapp aside. But I do

1290
00:58:45,320 --> 00:58:49,200
Speaker 4: think that this is just a case of finding out

1291
00:58:49,400 --> 00:58:51,680
Speaker 4: your relationship with somebody is not what you thought it was.

1292
00:58:53,520 --> 00:58:56,920
Speaker 4: You know, I think the Ice Spice meant good in

1293
00:58:57,200 --> 00:58:58,960
Speaker 4: having her on the tour, like you'll give her a look,

1294
00:58:59,000 --> 00:59:01,640
Speaker 4: let her come out in the tool, and it helps

1295
00:59:01,680 --> 00:59:04,040
Speaker 4: Ice Spicy sure, because Clear Clear Trapper brings a certain

1296
00:59:04,040 --> 00:59:06,280
Speaker 4: type of energy. If she opens up for her, the

1297
00:59:06,320 --> 00:59:08,840
Speaker 4: crowd is kind of like already into that, that that mood.

1298
00:59:08,600 --> 00:59:10,240
Speaker 3: Of you know, partying and having a good time.

1299
00:59:11,040 --> 00:59:14,040
Speaker 4: I just think that it you know, especially with women,

1300
00:59:14,920 --> 00:59:19,200
Speaker 4: things can become very caddy very, you know, spiteful very,

1301
00:59:19,280 --> 00:59:22,240
Speaker 4: and then you're saying that they already had something a

1302
00:59:22,280 --> 00:59:25,280
Speaker 4: few months ago where Ice s Pie was caught talking

1303
00:59:26,040 --> 00:59:29,320
Speaker 4: kind of sideways about her behind back, so that that

1304
00:59:29,400 --> 00:59:33,160
Speaker 4: already was there, like that type of energy was already existing.

1305
00:59:33,720 --> 00:59:35,800
Speaker 4: And I think now that we're on the road together

1306
00:59:35,840 --> 00:59:38,560
Speaker 4: and we're moving city to the city and it's kind

1307
00:59:38,560 --> 00:59:42,320
Speaker 4: of like, you know, we're right here, it's like, yeah,

1308
00:59:42,800 --> 00:59:45,680
Speaker 4: you cool, but like you don't need to be up

1309
00:59:45,760 --> 00:59:47,560
Speaker 4: under me like and I think that's what Clear Trap

1310
00:59:47,560 --> 00:59:50,520
Speaker 4: has started to feel. And Ice was probably moving like,

1311
00:59:51,280 --> 00:59:52,640
Speaker 4: you know, I'll be with Taylor Swift.

1312
00:59:52,680 --> 00:59:54,760
Speaker 2: I mean, you know, like she's she.

1313
00:59:55,480 --> 00:59:58,160
Speaker 4: Probably felt like, you know, like I'm a I'm a superstar,

1314
00:59:58,440 --> 01:00:01,560
Speaker 4: like and you're just and clear. Trapper probably felt that like, Okay,

1315
01:00:02,120 --> 01:00:05,280
Speaker 4: this is Ice, Spice, she's a star. I'm just here

1316
01:00:05,360 --> 01:00:08,080
Speaker 4: to kind of like, you know, warm the crowd up

1317
01:00:08,080 --> 01:00:09,160
Speaker 4: and get them going for her.

1318
01:00:09,560 --> 01:00:11,720
Speaker 7: Yeah, which, and I mean, I don't know if I

1319
01:00:11,840 --> 01:00:14,040
Speaker 7: listened to it, so when when Cliol Trapper was posting it,

1320
01:00:14,080 --> 01:00:15,880
Speaker 7: I was listening to that shit in real time four

1321
01:00:15,880 --> 01:00:19,400
Speaker 7: o'clock in the morning, And for the vibe that I

1322
01:00:19,440 --> 01:00:22,720
Speaker 7: got from her was just that her issue was you

1323
01:00:22,760 --> 01:00:25,200
Speaker 7: didn't make sure like everybody else, even I know, you

1324
01:00:25,240 --> 01:00:26,560
Speaker 7: can't make sure I'm good because.

1325
01:00:26,320 --> 01:00:26,840
Speaker 3: You're a star.

1326
01:00:27,080 --> 01:00:30,919
Speaker 7: Yeah, your people didn't know to make sure that I'm good.

1327
01:00:31,280 --> 01:00:34,880
Speaker 7: I've gone places, Yeah, I've gone places with Rory or

1328
01:00:34,920 --> 01:00:36,600
Speaker 7: my other friends where it's like, hey, I'm in the

1329
01:00:36,600 --> 01:00:39,760
Speaker 7: middle of working right now. But whatever she wants, she

1330
01:00:39,920 --> 01:00:42,800
Speaker 7: gets and will figure it out later. If you're on tour,

1331
01:00:42,880 --> 01:00:44,920
Speaker 7: if Rory and mal are on tour and dinner comes

1332
01:00:45,000 --> 01:00:46,240
Speaker 7: up to me and tells me, it tells me my

1333
01:00:46,280 --> 01:00:48,760
Speaker 7: fucking chicken salad isn't covered, y'all are gonna come out

1334
01:00:48,760 --> 01:00:49,480
Speaker 7: of pocket for it.

1335
01:00:49,440 --> 01:00:50,880
Speaker 6: And we'll deal with the shit later.

1336
01:00:50,920 --> 01:00:54,160
Speaker 7: You'll deal with the reimbursements later, like that's it's a

1337
01:00:54,160 --> 01:00:57,360
Speaker 7: fucking chicken salad, Like that's little shit or like certain things, it.

1338
01:00:57,360 --> 01:00:59,640
Speaker 3: Is not the chicken salad that was the that was

1339
01:00:59,760 --> 01:01:03,680
Speaker 3: just like clear trappers like as a chicken South.

1340
01:01:03,760 --> 01:01:05,400
Speaker 7: We said they were in the middle of like I

1341
01:01:05,440 --> 01:01:07,680
Speaker 7: don't know, like somewhere like New Mexico somewhere. They were

1342
01:01:07,680 --> 01:01:10,200
Speaker 7: in like west, like somewhere in Texas, like they were

1343
01:01:10,240 --> 01:01:11,200
Speaker 7: staying at the Best Western.

1344
01:01:11,200 --> 01:01:13,320
Speaker 6: Like they were in the middle of nowhere, and.

1345
01:01:13,880 --> 01:01:16,120
Speaker 3: They every ice was staying at the Best Western.

1346
01:01:17,520 --> 01:01:18,200
Speaker 5: Texas.

1347
01:01:18,480 --> 01:01:22,560
Speaker 7: Yeah Texas, Yeah, middle Texas, middle of nowhere.

1348
01:01:22,280 --> 01:01:24,280
Speaker 3: Okay, and that might be the only thing out there.

1349
01:01:24,360 --> 01:01:27,640
Speaker 7: Yeah, she was like I guess like everybody knew there

1350
01:01:27,680 --> 01:01:30,040
Speaker 7: was no food around. Like the closest food place was

1351
01:01:30,080 --> 01:01:32,200
Speaker 7: like McDonald's and it was like a ten minute like

1352
01:01:32,280 --> 01:01:33,800
Speaker 7: walk down the road, like they were in the middle

1353
01:01:33,800 --> 01:01:34,200
Speaker 7: of the desert.

1354
01:01:34,360 --> 01:01:38,000
Speaker 2: How accommodating we are with our tour in Texas. Poncific

1355
01:01:38,800 --> 01:01:40,600
Speaker 2: We drove around for two hours trying to find all

1356
01:01:40,640 --> 01:01:41,360
Speaker 2: some fucking food.

1357
01:01:41,880 --> 01:01:45,760
Speaker 5: We bought them all three different fries. That was we

1358
01:01:45,800 --> 01:01:46,560
Speaker 5: stopped it all.

1359
01:01:46,600 --> 01:01:48,840
Speaker 2: Ever, brings up a chicken salad in my fucking presence

1360
01:01:49,360 --> 01:01:49,960
Speaker 2: I'm bringing up.

1361
01:01:50,000 --> 01:01:52,560
Speaker 3: Then bring up the fact.

1362
01:01:52,560 --> 01:01:54,000
Speaker 4: Bring up the fact that we didn't know we was

1363
01:01:54,120 --> 01:01:58,560
Speaker 4: driving to follow until the day of the wild Yeah,

1364
01:01:58,560 --> 01:02:00,400
Speaker 4: so y'all putting it on me like I was Island.

1365
01:02:00,920 --> 01:02:02,400
Speaker 3: Our whole game plan was fucked up.

1366
01:02:02,440 --> 01:02:04,480
Speaker 4: We didn't even know we were driving to the other

1367
01:02:04,520 --> 01:02:06,560
Speaker 4: part of Texas, Like that was the last minute.

1368
01:02:06,600 --> 01:02:08,640
Speaker 5: That was that when we hit McDonald's, we hit Wendy's,

1369
01:02:08,680 --> 01:02:11,080
Speaker 5: we hit some other local ship, and Roy and I

1370
01:02:11,080 --> 01:02:13,280
Speaker 5: were getting like food and malls, just getting different types

1371
01:02:13,320 --> 01:02:17,120
Speaker 5: of fries. Yeah, I'm vegan nuggets or anything.

1372
01:02:17,160 --> 01:02:22,120
Speaker 2: My fry reviews on Patreon, I know to my channel

1373
01:02:22,240 --> 01:02:24,120
Speaker 2: everyone asked me my favorite.

1374
01:02:24,360 --> 01:02:25,400
Speaker 3: Texas don't trip I got.

1375
01:02:25,760 --> 01:02:27,919
Speaker 2: And then on top of that of how accommodated we were,

1376
01:02:28,200 --> 01:02:30,240
Speaker 2: we had found out the night before too, that our

1377
01:02:30,320 --> 01:02:32,160
Speaker 2: Houston show was at noon.

1378
01:02:33,920 --> 01:02:34,320
Speaker 3: Yeah.

1379
01:02:34,560 --> 01:02:36,640
Speaker 2: I don't know why our dumbasses would think our shows

1380
01:02:36,640 --> 01:02:38,560
Speaker 2: were at night like they have been for the entire tour.

1381
01:02:39,560 --> 01:02:43,080
Speaker 2: But we the Dallas venue at eleven PM. Like, oh wait,

1382
01:02:44,280 --> 01:02:47,280
Speaker 2: our shows a ten hours show is at noon. Yeah,

1383
01:02:47,320 --> 01:02:49,200
Speaker 2: go get go back to the hotel, get your get

1384
01:02:49,280 --> 01:02:53,200
Speaker 2: your ship, get back downstairs. So by the third fast

1385
01:02:53,200 --> 01:02:55,440
Speaker 2: Food restaurant to get fries. In my head, I'm like, mo,

1386
01:02:56,000 --> 01:02:58,240
Speaker 2: we have to be to the venue in like three fucking.

1387
01:02:57,920 --> 01:02:59,040
Speaker 5: Hours just get food there.

1388
01:02:59,240 --> 01:03:01,920
Speaker 3: Yeah, it was, it was that was interesting.

1389
01:03:02,000 --> 01:03:04,720
Speaker 4: Let's say it was a it was a life learning experience,

1390
01:03:04,760 --> 01:03:07,320
Speaker 4: but ice, Spice and clear Clear Trapper.

1391
01:03:08,520 --> 01:03:11,360
Speaker 7: Basically, they were in Texas and she woke up and

1392
01:03:11,480 --> 01:03:13,640
Speaker 7: was like talking to Like she went downstairs and was

1393
01:03:13,680 --> 01:03:15,880
Speaker 7: talking to everybody was like her, and the stylists were like, yo,

1394
01:03:15,960 --> 01:03:18,520
Speaker 7: like we're hungry, we're starving, Like does anybody go to

1395
01:03:18,560 --> 01:03:20,160
Speaker 7: want to gonna go to McDonald's with us?

1396
01:03:20,160 --> 01:03:20,720
Speaker 6: Like what's going on?

1397
01:03:20,920 --> 01:03:22,920
Speaker 7: And come to find out, like nobody said anything, but

1398
01:03:22,920 --> 01:03:24,680
Speaker 7: they had already went to like the steakhouse that like

1399
01:03:24,720 --> 01:03:26,360
Speaker 7: the whole team had drove to a steakhouse.

1400
01:03:26,480 --> 01:03:28,920
Speaker 3: Oh no, that's naw.

1401
01:03:29,520 --> 01:03:32,360
Speaker 4: Once you give these the room, once you give the

1402
01:03:32,400 --> 01:03:34,600
Speaker 4: whole story in the scenario, that's fucked up because we're

1403
01:03:34,600 --> 01:03:36,680
Speaker 4: talking about just feet.

1404
01:03:38,120 --> 01:03:40,600
Speaker 3: That's what she found. She brought her food back from

1405
01:03:40,600 --> 01:03:46,560
Speaker 3: the restaurant and that's what.

1406
01:03:50,880 --> 01:03:53,280
Speaker 7: So he brought food for for Clear Trapper. Are you

1407
01:03:53,280 --> 01:03:55,200
Speaker 7: talking about the guy with the orange hair that's that

1408
01:03:55,280 --> 01:03:58,240
Speaker 7: was Clinton? Be false, He's he's not real, he's like,

1409
01:03:58,320 --> 01:04:01,959
Speaker 7: he's yeah, but no, basically they eventually found out, no,

1410
01:04:02,160 --> 01:04:02,920
Speaker 7: don't even exist.

1411
01:04:03,000 --> 01:04:03,560
Speaker 3: No he's not.

1412
01:04:05,400 --> 01:04:08,520
Speaker 7: When there's when there's big like stories going on on

1413
01:04:08,560 --> 01:04:11,400
Speaker 7: TikTok or Twitter or whatever, some people who are losers

1414
01:04:11,480 --> 01:04:13,920
Speaker 7: will like insert themselves and say, oh, yeah, I got

1415
01:04:13,920 --> 01:04:14,600
Speaker 7: the real story.

1416
01:04:14,680 --> 01:04:16,200
Speaker 6: I'm this person. It's like, no, you're not.

1417
01:04:16,920 --> 01:04:17,400
Speaker 3: They're doing it.

1418
01:04:17,520 --> 01:04:19,560
Speaker 5: I brought her the food, Yeah I have.

1419
01:04:20,760 --> 01:04:22,920
Speaker 6: She found out that they had went to a steakhouse

1420
01:04:23,000 --> 01:04:23,480
Speaker 6: without her.

1421
01:04:23,520 --> 01:04:24,840
Speaker 3: Well, nobody bought her food back.

1422
01:04:25,000 --> 01:04:26,440
Speaker 6: I don't know, nobody bought her food back.

1423
01:04:26,760 --> 01:04:27,240
Speaker 3: Fucked up.

1424
01:04:27,600 --> 01:04:30,040
Speaker 4: That's fucked up because we talked about something that simple,

1425
01:04:30,160 --> 01:04:33,480
Speaker 4: just feeding people. That's like, that's basic here, that's basic,

1426
01:04:33,680 --> 01:04:36,200
Speaker 4: like you know, it's shelter food and shelters, like basic

1427
01:04:36,280 --> 01:04:36,880
Speaker 4: on toy ship.

1428
01:04:36,960 --> 01:04:41,640
Speaker 2: Okay, but that's where if like communication breaks, say, I'm

1429
01:04:41,680 --> 01:04:45,000
Speaker 2: like the PM of this entire tour. I know I'm

1430
01:04:45,000 --> 01:04:48,200
Speaker 2: responsible for everyone on my call sheet. This girl's not

1431
01:04:48,200 --> 01:04:51,440
Speaker 2: on my call sheet. She's not my responsibility. Someone should

1432
01:04:51,440 --> 01:04:52,880
Speaker 2: have told me that she's.

1433
01:04:52,720 --> 01:04:53,960
Speaker 3: Part of this crew. Yeah.

1434
01:04:54,000 --> 01:04:56,200
Speaker 2: But but because you can't get mad at a whole production,

1435
01:04:56,640 --> 01:04:58,440
Speaker 2: don't ever go in, but don't go get.

1436
01:04:58,240 --> 01:04:59,960
Speaker 3: Food no, but don't do that. Don't play semantic.

1437
01:05:00,240 --> 01:05:02,320
Speaker 2: That's not if we're in the middle of Ice Spices fall,

1438
01:05:02,400 --> 01:05:03,720
Speaker 2: but not the teams.

1439
01:05:03,360 --> 01:05:05,480
Speaker 4: Who if we're in the middle of a somewhere in

1440
01:05:05,480 --> 01:05:08,480
Speaker 4: Texas and we know that nobody has ate because none

1441
01:05:08,520 --> 01:05:11,360
Speaker 4: of us has stopped anywhere to eat, and you're an

1442
01:05:11,360 --> 01:05:14,440
Speaker 4: Ice Spices room, and that's I mean, that's y'all. Like, Yo,

1443
01:05:14,520 --> 01:05:16,840
Speaker 4: we're about to go get something to eat? You think

1444
01:05:16,880 --> 01:05:20,080
Speaker 4: because somebody's name is not on my fucking sheet. And

1445
01:05:20,120 --> 01:05:22,600
Speaker 4: I'm gonna be like, yo, I think A, well, they

1446
01:05:22,600 --> 01:05:24,920
Speaker 4: gotta eat whatever they can. No, I'm gonna be like, yo,

1447
01:05:24,960 --> 01:05:27,040
Speaker 4: where's before we pull off? I'm like, Yo, they're not.

1448
01:05:27,080 --> 01:05:27,800
Speaker 4: They're not hungry.

1449
01:05:27,920 --> 01:05:30,000
Speaker 2: Ice Spice as a friend and someone that invited her

1450
01:05:30,040 --> 01:05:31,760
Speaker 2: should have been the one to text her and be like, Yo,

1451
01:05:31,840 --> 01:05:32,600
Speaker 2: we're grabbing food.

1452
01:05:32,680 --> 01:05:34,919
Speaker 3: But that's the team. Nah.

1453
01:05:35,360 --> 01:05:37,280
Speaker 2: I'm here for a gig and this is who I'm

1454
01:05:37,320 --> 01:05:39,920
Speaker 2: responsible for. This is what my role is. But I

1455
01:05:39,960 --> 01:05:42,640
Speaker 2: gotta go feed my team that I that's not you

1456
01:05:42,760 --> 01:05:44,600
Speaker 2: just added this girl the day before I don't know where.

1457
01:05:44,680 --> 01:05:46,720
Speaker 3: Yeah, but let's not add But they were No.

1458
01:05:46,760 --> 01:05:49,959
Speaker 7: But that was like twelve shows in at that point, y'all,

1459
01:05:50,040 --> 01:05:52,360
Speaker 7: like the team is the team at this per you

1460
01:05:52,440 --> 01:05:52,800
Speaker 7: know we.

1461
01:05:52,840 --> 01:05:53,360
Speaker 3: Know each other.

1462
01:05:53,400 --> 01:05:55,600
Speaker 4: We move a city to city, everybody know each other

1463
01:05:55,680 --> 01:05:58,520
Speaker 4: by first name. Like, we're not gonna play the semantics

1464
01:05:58,560 --> 01:06:01,560
Speaker 4: game because you're somebody's name is not on the list

1465
01:06:02,000 --> 01:06:03,760
Speaker 4: doesn't mean like yo, when we going to eat and

1466
01:06:03,800 --> 01:06:06,120
Speaker 4: we're in the middle of Texas and we know everybody's hungry,

1467
01:06:06,440 --> 01:06:08,920
Speaker 4: We're not leaving somebody at the hotel and they're not eating,

1468
01:06:08,960 --> 01:06:09,800
Speaker 4: Like that's crazy.

1469
01:06:09,960 --> 01:06:12,600
Speaker 2: And I'm saying again, say you are like the PM

1470
01:06:12,640 --> 01:06:15,680
Speaker 2: of this shit, and you have your production team group

1471
01:06:15,760 --> 01:06:17,280
Speaker 2: chat that y'all have been in a group chat well

1472
01:06:17,320 --> 01:06:19,360
Speaker 2: before these twelve shows. Y'all have been preparing for this

1473
01:06:19,400 --> 01:06:22,560
Speaker 2: for a month prior you've done rehearsals. I know my team.

1474
01:06:23,200 --> 01:06:25,760
Speaker 2: I Spice decides to add her homegirl the day before

1475
01:06:26,440 --> 01:06:28,400
Speaker 2: and doesn't brief me and doesn't really tell me what

1476
01:06:28,440 --> 01:06:29,880
Speaker 2: to do. Keep saying the day before and it was

1477
01:06:29,920 --> 01:06:33,080
Speaker 2: because it was. But this was twelve shows in and

1478
01:06:33,120 --> 01:06:34,880
Speaker 2: no one said anything that this girl's part of the

1479
01:06:34,920 --> 01:06:37,120
Speaker 2: fucking tour. Like you can't get mad at this.

1480
01:06:37,360 --> 01:06:39,880
Speaker 4: Somebody's on stage for twelve shows. Were you a production man?

1481
01:06:40,000 --> 01:06:41,880
Speaker 4: You don't know that this person is a part of

1482
01:06:41,880 --> 01:06:42,520
Speaker 4: the fucking point?

1483
01:06:43,000 --> 01:06:43,880
Speaker 3: Should I?

1484
01:06:44,120 --> 01:06:46,040
Speaker 2: Should I grab her cell phone number and remind her

1485
01:06:46,120 --> 01:06:48,040
Speaker 2: every time, Yeah, we need to eat something.

1486
01:06:47,800 --> 01:06:50,439
Speaker 4: Like, so she's on the this is so she's she's

1487
01:06:50,480 --> 01:06:52,200
Speaker 4: on for the rest of the tour. All right, cool,

1488
01:06:52,240 --> 01:06:53,720
Speaker 4: let me go introduce myself.

1489
01:06:54,520 --> 01:06:57,920
Speaker 3: This is my number. If you need anything, text me,

1490
01:06:58,080 --> 01:07:00,360
Speaker 3: let me know whatever you need. I'm here.

1491
01:07:00,400 --> 01:07:03,120
Speaker 5: That's now, and I'm saying you break down now.

1492
01:07:03,280 --> 01:07:06,120
Speaker 2: He's a part of this, hired by Ice, Spice and

1493
01:07:06,520 --> 01:07:07,560
Speaker 2: Jimmy Henchman's son.

1494
01:07:07,800 --> 01:07:09,960
Speaker 3: Those are the people I speak to. You need me

1495
01:07:10,120 --> 01:07:11,080
Speaker 3: to take care of this girl.

1496
01:07:11,320 --> 01:07:12,439
Speaker 5: Tell me Ry's right.

1497
01:07:12,640 --> 01:07:18,880
Speaker 2: Twelve shows in yes, because I know this, but not

1498
01:07:19,000 --> 01:07:19,880
Speaker 2: playing semantics.

1499
01:07:19,880 --> 01:07:21,760
Speaker 3: But we're not doing that.

1500
01:07:23,840 --> 01:07:26,280
Speaker 5: I'm remindful from my team, me and Rory.

1501
01:07:26,360 --> 01:07:29,760
Speaker 4: On the tour and it's a fucking podcast act opening

1502
01:07:29,840 --> 01:07:30,200
Speaker 4: up for us.

1503
01:07:30,240 --> 01:07:31,360
Speaker 3: Twelve fucking cities.

1504
01:07:31,480 --> 01:07:33,440
Speaker 4: They following us around, getting on the tour bus, were

1505
01:07:33,440 --> 01:07:35,560
Speaker 4: sleeping in the same fucking hotel. You mean to tell

1506
01:07:35,640 --> 01:07:37,280
Speaker 4: me that you're not gonna have some communication.

1507
01:07:37,320 --> 01:07:41,360
Speaker 5: We're saying it different. This is a different situation because okay,

1508
01:07:41,400 --> 01:07:44,640
Speaker 5: so in this case, like Cash Cobain was the opener.

1509
01:07:44,680 --> 01:07:47,160
Speaker 5: Cash had his team, his crew, the people that were

1510
01:07:47,160 --> 01:07:51,520
Speaker 5: managing him. This girl, if I'm if I'm the leader

1511
01:07:51,520 --> 01:07:55,360
Speaker 5: of Ice Spice's team and her people, this girl's not

1512
01:07:55,400 --> 01:07:57,960
Speaker 5: on our team. I don't know where's her representative, where's

1513
01:07:57,960 --> 01:08:00,760
Speaker 5: her tour manager, ron person?

1514
01:08:00,840 --> 01:08:01,840
Speaker 6: So let me do So this.

1515
01:08:01,800 --> 01:08:02,560
Speaker 5: Isn't my team.

1516
01:08:02,680 --> 01:08:05,600
Speaker 2: That's whoever she's with, She's take care of her, but

1517
01:08:05,680 --> 01:08:06,080
Speaker 2: she's not.

1518
01:08:06,120 --> 01:08:08,360
Speaker 6: But this is the thing she's not with anybody.

1519
01:08:08,280 --> 01:08:10,640
Speaker 5: That's she's not my fucking's not my kid.

1520
01:08:10,880 --> 01:08:13,080
Speaker 7: But okay, it's not about being your okay, And this

1521
01:08:13,120 --> 01:08:15,720
Speaker 7: is where it's on Ice Spice because when you tell

1522
01:08:15,800 --> 01:08:19,479
Speaker 7: your friend you're good, your entire team should know.

1523
01:08:20,080 --> 01:08:24,240
Speaker 3: Hey, she's definitely no, that's what I'm that's what we're saying.

1524
01:08:24,280 --> 01:08:26,720
Speaker 5: I wouldn't put it in the tour managers. The tour

1525
01:08:26,760 --> 01:08:29,040
Speaker 5: managers shouldn't go to her and be like, oh, hey,

1526
01:08:29,120 --> 01:08:32,040
Speaker 5: like what we're gonna take now, I'm taking orders from

1527
01:08:32,040 --> 01:08:34,519
Speaker 5: the fucking star, the artist, the face of this whole

1528
01:08:34,520 --> 01:08:37,639
Speaker 5: fucking tour, right, I said, Yo, I notice is random,

1529
01:08:37,680 --> 01:08:39,920
Speaker 5: like last minute, my friend's tagging along. Just make sure

1530
01:08:39,920 --> 01:08:42,160
Speaker 5: she's included with that. That we can make sure that

1531
01:08:42,280 --> 01:08:43,759
Speaker 5: could get for sure, it's definitely.

1532
01:08:43,960 --> 01:08:45,960
Speaker 3: But when it was this girl just hanging out, I'm like, Okay,

1533
01:08:46,040 --> 01:08:47,600
Speaker 3: she has to have a team somewhere.

1534
01:08:47,360 --> 01:08:49,280
Speaker 7: But hold on, Well, first of all, they knew she

1535
01:08:49,280 --> 01:08:51,320
Speaker 7: didn't have it, I Spices team.

1536
01:08:51,800 --> 01:08:52,120
Speaker 8: She didn't.

1537
01:08:52,160 --> 01:08:54,200
Speaker 7: How many shows a clear path she did the whole

1538
01:08:54,200 --> 01:08:55,680
Speaker 7: I think a whole month run. I think it was

1539
01:08:55,760 --> 01:08:57,280
Speaker 7: ended up being like fifteen sixteen years.

1540
01:08:58,560 --> 01:09:01,599
Speaker 4: That's there's no reason why whoever's in charge of Ice

1541
01:09:01,600 --> 01:09:04,600
Speaker 4: Spice and making sure she her tour manager is no

1542
01:09:04,720 --> 01:09:07,280
Speaker 4: reason why or her role managers, no reason why she

1543
01:09:07,320 --> 01:09:08,600
Speaker 4: should not have communication with you.

1544
01:09:08,680 --> 01:09:10,680
Speaker 7: And on top of that, they can't. They came to

1545
01:09:10,880 --> 01:09:12,479
Speaker 7: she didn't say, hey, Icepace, can I go on your tour?

1546
01:09:12,479 --> 01:09:13,200
Speaker 7: Can I go on your tour?

1547
01:09:13,320 --> 01:09:16,880
Speaker 3: They came to her and said, hey, we agree there.

1548
01:09:16,920 --> 01:09:18,760
Speaker 5: Ice Spice came to her and said, come on, so.

1549
01:09:19,240 --> 01:09:20,559
Speaker 3: I'm gonna go. I'm gonna speculate.

1550
01:09:20,680 --> 01:09:22,519
Speaker 6: How do you no no, no no no no no no no.

1551
01:09:22,920 --> 01:09:25,240
Speaker 7: Before you even go there, you're saying Ice Spice asked

1552
01:09:25,240 --> 01:09:26,439
Speaker 7: her to come on tour, not the team.

1553
01:09:26,600 --> 01:09:28,920
Speaker 5: No tour manager is saying, hey, Ice Spice, bring this

1554
01:09:29,000 --> 01:09:29,839
Speaker 5: girl on tour.

1555
01:09:29,760 --> 01:09:31,439
Speaker 6: For everything you don't.

1556
01:09:31,520 --> 01:09:32,880
Speaker 5: But see that's not that.

1557
01:09:32,880 --> 01:09:34,519
Speaker 6: But I'm not talking about the tour manager.

1558
01:09:34,560 --> 01:09:38,160
Speaker 7: I'm talking about Ice Spices manager or Ice Spic's label.

1559
01:09:38,400 --> 01:09:41,519
Speaker 7: If you think that Ice Spice just decided, Hey, bring

1560
01:09:41,560 --> 01:09:42,519
Speaker 7: this girl on tour one.

1561
01:09:42,640 --> 01:09:44,320
Speaker 6: This is Ice Spice's tour. She doesn't even know how

1562
01:09:44,320 --> 01:09:44,639
Speaker 6: it works.

1563
01:09:44,680 --> 01:09:46,920
Speaker 3: No, no, no, no no. Somebody behind the scenes was like, hey,

1564
01:09:47,120 --> 01:09:49,000
Speaker 3: we need to need to either do image.

1565
01:09:48,720 --> 01:09:51,599
Speaker 7: Cleanup or we either need to sell some more tickets

1566
01:09:51,680 --> 01:09:53,000
Speaker 7: or we need to do something.

1567
01:09:53,120 --> 01:09:55,360
Speaker 2: Both parties have agreed in one thing, and that was

1568
01:09:55,479 --> 01:09:57,720
Speaker 2: Ice Spice asked that girl the day before tours come

1569
01:09:57,720 --> 01:10:00,719
Speaker 2: on nice. There wasn't a sit down, the wasn't management

1570
01:10:00,720 --> 01:10:03,439
Speaker 2: reaching out. Ice Spice went to her homegirl and said, Yo,

1571
01:10:03,479 --> 01:10:04,519
Speaker 2: do you want to come on tour with.

1572
01:10:04,560 --> 01:10:07,240
Speaker 7: The way but the way that their friendship looks, well,

1573
01:10:07,240 --> 01:10:10,280
Speaker 7: I don't even think that it can't. But what I'm

1574
01:10:10,320 --> 01:10:12,799
Speaker 7: saying is the way that their friendship looks it doesn't

1575
01:10:12,840 --> 01:10:14,800
Speaker 7: look like, yo, I want to give my friend a look.

1576
01:10:15,000 --> 01:10:17,880
Speaker 7: That's not that what this entire friendship even looks like.

1577
01:10:18,120 --> 01:10:20,120
Speaker 7: This looks like like she, like Bill said, it looks

1578
01:10:20,160 --> 01:10:20,519
Speaker 7: like it was.

1579
01:10:20,479 --> 01:10:23,720
Speaker 2: Clean up it but some accountability and not to say

1580
01:10:23,720 --> 01:10:25,240
Speaker 2: that she shouldn't have been taken care of when someone

1581
01:10:25,320 --> 01:10:27,720
Speaker 2: says they're going to do that. There's no accountability on

1582
01:10:27,760 --> 01:10:30,439
Speaker 2: her already knowing seeing those leaked text messages. Of course,

1583
01:10:30,479 --> 01:10:33,120
Speaker 2: Ice Spice isn't really my friend. I agree, and I

1584
01:10:33,160 --> 01:10:37,200
Speaker 2: think sometimes it's okay to be an opportunist. Opportunity knocks

1585
01:10:37,200 --> 01:10:39,200
Speaker 2: on the door. I get to open up for Ice Spice.

1586
01:10:39,320 --> 01:10:41,519
Speaker 2: She's doing huge venues. Of course I'm doing that shit.

1587
01:10:41,800 --> 01:10:43,599
Speaker 2: Even though I know this bitch might be a little shady.

1588
01:10:43,960 --> 01:10:47,200
Speaker 2: I'm thinking about my career. So she needs to take

1589
01:10:47,240 --> 01:10:50,280
Speaker 2: some accountability in knowing who she was going on tour with. Yeah,

1590
01:10:50,280 --> 01:10:51,799
Speaker 2: and maybe I shouldn't take her word.

1591
01:10:51,640 --> 01:10:52,200
Speaker 3: For what it is.

1592
01:10:52,360 --> 01:10:54,960
Speaker 2: Maybe I should dot the i's cross the t's with

1593
01:10:55,040 --> 01:10:59,639
Speaker 2: my manager and Jimmy Henchman's son. Yeah, maybe I should

1594
01:11:00,360 --> 01:11:03,960
Speaker 2: follow up and make sure I'm okay. You're still an

1595
01:11:04,000 --> 01:11:07,720
Speaker 2: adult and someone gave you an opportunity, And I get

1596
01:11:07,760 --> 01:11:11,799
Speaker 2: you're right, what you're saying is correct. But there's a there's.

1597
01:11:11,640 --> 01:11:12,880
Speaker 3: One simple thing here.

1598
01:11:13,320 --> 01:11:15,800
Speaker 4: If chickens out, if this well that shot, if this

1599
01:11:15,880 --> 01:11:18,840
Speaker 4: girl was on fifteen sixteen shows.

1600
01:11:18,600 --> 01:11:21,440
Speaker 5: Which also only spans over like seventeen eighteen.

1601
01:11:21,200 --> 01:11:23,599
Speaker 3: Days, however many days, that is not that long.

1602
01:11:23,640 --> 01:11:28,040
Speaker 4: You're on the road with somebody for two weeks, maybe three,

1603
01:11:28,200 --> 01:11:29,280
Speaker 4: let's say three weeks.

1604
01:11:29,479 --> 01:11:30,439
Speaker 3: Let's say three weeks.

1605
01:11:30,640 --> 01:11:32,839
Speaker 4: You mean to tell me that nobody from Ice Spic's

1606
01:11:32,880 --> 01:11:35,600
Speaker 4: team had any type of contact.

1607
01:11:35,240 --> 01:11:38,920
Speaker 3: With Clear Trapper at all. I don't know.

1608
01:11:39,439 --> 01:11:41,960
Speaker 4: But they're sleeping in the same bed some nights. Because

1609
01:11:42,000 --> 01:11:44,320
Speaker 4: to me, come on, man, there's like a this is

1610
01:11:44,320 --> 01:11:46,240
Speaker 4: my homegirl that's coming on tour with it. Yeah, but

1611
01:11:46,280 --> 01:11:48,200
Speaker 4: that doesn't become me responsibility.

1612
01:11:48,200 --> 01:11:50,040
Speaker 7: But now y'all keep saying this is my homegirl that's

1613
01:11:50,040 --> 01:11:51,439
Speaker 7: coming out to it. If she was just a homegirl,

1614
01:11:51,479 --> 01:11:53,000
Speaker 7: that was just like bunking, like just like some.

1615
01:11:52,960 --> 01:11:55,800
Speaker 2: Difference she was if she was homegirl, which I'm sure

1616
01:11:55,840 --> 01:11:58,080
Speaker 2: Ice Spice has some homegirls on the road with up

1617
01:11:58,080 --> 01:11:58,880
Speaker 2: they're taking care of.

1618
01:11:59,800 --> 01:12:01,800
Speaker 3: That's a fact. If you if you.

1619
01:12:01,840 --> 01:12:03,640
Speaker 4: Going to a right now, if I going to me

1620
01:12:03,640 --> 01:12:05,760
Speaker 4: and going to it right now, and I have my

1621
01:12:05,840 --> 01:12:08,920
Speaker 4: fucking best friend come with us, you think that this niggag.

1622
01:12:08,600 --> 01:12:09,439
Speaker 3: Gonna get a chickens out.

1623
01:12:09,439 --> 01:12:13,800
Speaker 2: Okay, but okay, but then whatever, ordering he's what are

1624
01:12:13,800 --> 01:12:14,640
Speaker 2: we talking about here?

1625
01:12:14,680 --> 01:12:17,160
Speaker 5: And again, Ice Pice is a shitty person here but any.

1626
01:12:16,960 --> 01:12:19,200
Speaker 2: Time Key was there, I didn't separate the expenses of

1627
01:12:19,200 --> 01:12:19,880
Speaker 2: food at the venue.

1628
01:12:19,880 --> 01:12:21,760
Speaker 3: I apologize. No, that's I mean that's she got a

1629
01:12:21,840 --> 01:12:23,520
Speaker 3: chickens out that that's.

1630
01:12:23,080 --> 01:12:25,400
Speaker 5: What does the tor manager look like? If Ice Pice

1631
01:12:25,400 --> 01:12:27,920
Speaker 5: has clearly made this awkward environment where this girl is

1632
01:12:28,000 --> 01:12:30,280
Speaker 5: halfway in but not officially with the crow, I said,

1633
01:12:30,360 --> 01:12:32,840
Speaker 5: it seems And then no, but then the the tour

1634
01:12:32,880 --> 01:12:35,479
Speaker 5: manager when they go to the steakhouse say that girl

1635
01:12:35,560 --> 01:12:37,519
Speaker 5: is there, Ice Pie is gonna look at that table, said,

1636
01:12:37,520 --> 01:12:39,479
Speaker 5: who the fuck told this bitch to come to this dinner?

1637
01:12:39,640 --> 01:12:41,200
Speaker 5: And then I'm gonna be the torment. This is why

1638
01:12:41,200 --> 01:12:43,479
Speaker 5: you can't emotions can't play and do being a tor

1639
01:12:43,600 --> 01:12:44,519
Speaker 5: manager or someone running.

1640
01:12:44,920 --> 01:12:46,840
Speaker 4: That's but that's different because now if she does say

1641
01:12:46,840 --> 01:12:49,360
Speaker 4: that I'm like this girl, you'll all sleeping in the

1642
01:12:49,360 --> 01:12:49,960
Speaker 4: same bed.

1643
01:12:50,080 --> 01:12:53,720
Speaker 5: But you're still wrong. I didn't at the steakhouse get

1644
01:12:53,720 --> 01:12:55,120
Speaker 5: her clearly your friend.

1645
01:12:57,040 --> 01:12:57,599
Speaker 3: She's not in.

1646
01:12:57,640 --> 01:12:59,240
Speaker 5: We can spoon at night. This bitch is not going

1647
01:12:59,320 --> 01:13:01,840
Speaker 5: to flameing you on. That's that those are Ice Spices.

1648
01:13:01,680 --> 01:13:03,800
Speaker 3: Established that couple of bitches, y'all let me be.

1649
01:13:03,720 --> 01:13:07,080
Speaker 5: Back never never, Ice Pice has established that as the

1650
01:13:07,200 --> 01:13:09,479
Speaker 5: rule we share this room, but there are certain things

1651
01:13:09,479 --> 01:13:10,760
Speaker 5: that I don't want her to be a part of.

1652
01:13:11,240 --> 01:13:15,760
Speaker 5: The person going behind the town's definitely seems fired. It

1653
01:13:15,800 --> 01:13:16,559
Speaker 5: seems like and that.

1654
01:13:16,680 --> 01:13:19,200
Speaker 6: Was the point. That was the point, because Cleo Trappis.

1655
01:13:18,760 --> 01:13:20,519
Speaker 3: Thing was, hey, and why the fuck are we talking

1656
01:13:20,520 --> 01:13:21,120
Speaker 3: about this so long?

1657
01:13:24,200 --> 01:13:26,240
Speaker 6: Cons not just about the Ice Spice thing.

1658
01:13:26,280 --> 01:13:30,280
Speaker 7: It's about the wholety of tour life and artists management.

1659
01:13:30,360 --> 01:13:33,240
Speaker 2: It's all about fake relationships and fake friendships. You mean

1660
01:13:33,240 --> 01:13:37,559
Speaker 2: the music industry exactly My last point in speculating, I

1661
01:13:37,600 --> 01:13:40,320
Speaker 2: do not know, but I assume cashco Bain is a

1662
01:13:40,320 --> 01:13:43,680
Speaker 2: paid opener on that tour. I'm assume, yes, of course, right,

1663
01:13:43,720 --> 01:13:46,759
Speaker 2: we can safely say that, right. I'm sure months in advance,

1664
01:13:47,240 --> 01:13:50,599
Speaker 2: his team and Ice Spices team and Live Nation, whoever

1665
01:13:50,640 --> 01:13:54,280
Speaker 2: the fuck put this tour together, had full conversations. And

1666
01:13:54,320 --> 01:13:56,960
Speaker 2: I think because he is a paid opener, him and

1667
01:13:57,000 --> 01:14:00,400
Speaker 2: his team are responsible for their own tour expenses. You're

1668
01:14:00,439 --> 01:14:02,880
Speaker 2: not part of this Ice Spice crew. You guys can

1669
01:14:02,880 --> 01:14:04,840
Speaker 2: do whatever the fuck y'all want to do. Y'all can

1670
01:14:04,880 --> 01:14:07,720
Speaker 2: eat pay, that's your shit. I don't think he's on

1671
01:14:07,800 --> 01:14:11,639
Speaker 2: the Ice Spice Steakhouse group text to make sure Cash

1672
01:14:11,680 --> 01:14:15,439
Speaker 2: Cobain ate. So imagine that is how this was set up.

1673
01:14:16,040 --> 01:14:18,280
Speaker 2: Everyone on tour is well aware of who Cash Cobain is,

1674
01:14:18,320 --> 01:14:22,400
Speaker 2: but Cash he's responsible for him. Then all of a sudden,

1675
01:14:22,439 --> 01:14:25,559
Speaker 2: the day before we already have this system. There's just

1676
01:14:25,680 --> 01:14:28,720
Speaker 2: another random opener that I've never met, and no one

1677
01:14:28,760 --> 01:14:31,559
Speaker 2: told me that I have to be responsible for because

1678
01:14:31,560 --> 01:14:34,320
Speaker 2: from my understanding, the openers take care of their own shit,

1679
01:14:34,840 --> 01:14:37,800
Speaker 2: because that has been negotiated months in an advent. And

1680
01:14:37,800 --> 01:14:40,559
Speaker 2: I'm seculating, of course, but I'm pretty sure that's how

1681
01:14:40,560 --> 01:14:42,400
Speaker 2: it went about. Is we know cashco Bain is getting

1682
01:14:42,400 --> 01:14:44,240
Speaker 2: paid on that shit, and he's not on the food

1683
01:14:44,240 --> 01:14:47,240
Speaker 2: per diem with ice spice. So you just throw a

1684
01:14:47,320 --> 01:14:49,160
Speaker 2: random opener of the day before, And now I have

1685
01:14:49,280 --> 01:14:52,320
Speaker 2: to rethink my entire.

1686
01:14:52,880 --> 01:14:55,160
Speaker 3: Why do you keep saying the day before that's what

1687
01:14:55,240 --> 01:14:57,759
Speaker 3: they said. They was how many shows?

1688
01:14:58,640 --> 01:15:00,800
Speaker 7: Well, the Texas show was, well, I think they were

1689
01:15:00,800 --> 01:15:03,479
Speaker 7: in Arizona. That was the twentieth show, nineteenth twentieth. That

1690
01:15:03,479 --> 01:15:05,719
Speaker 7: clear trap it did, yes, So stop saying the day.

1691
01:15:05,640 --> 01:15:08,320
Speaker 5: Before funny show on the tour. Not that she's done.

1692
01:15:08,320 --> 01:15:09,840
Speaker 5: She could have joined halfway.

1693
01:15:10,000 --> 01:15:13,880
Speaker 7: She joined the beginning. She joined in the beginning, like

1694
01:15:13,960 --> 01:15:15,320
Speaker 7: the beginning of Yeah.

1695
01:15:15,160 --> 01:15:16,880
Speaker 3: Y'all gotta stop saying the day before that girl was

1696
01:15:16,920 --> 01:15:19,400
Speaker 3: on the room. She was there. She's a part of

1697
01:15:19,400 --> 01:15:19,719
Speaker 3: the show.

1698
01:15:20,520 --> 01:15:20,800
Speaker 6: Yeah.

1699
01:15:21,439 --> 01:15:25,000
Speaker 2: Separate point that is related to this, though, I do

1700
01:15:25,080 --> 01:15:30,400
Speaker 2: appreciate that this younger generation sets boundaries, because my mentality

1701
01:15:30,439 --> 01:15:33,639
Speaker 2: at that age was thug it out, like I'll figure

1702
01:15:33,640 --> 01:15:38,599
Speaker 2: it out. I'll go get dollar. Boundary of being vocal,

1703
01:15:39,320 --> 01:15:41,680
Speaker 2: you need to pay for my food, like, but she

1704
01:15:41,840 --> 01:15:45,080
Speaker 2: expressive about this because she just unfortunately come from the

1705
01:15:45,120 --> 01:15:47,360
Speaker 2: intern school or the like you have to pay your

1706
01:15:47,439 --> 01:15:50,960
Speaker 2: due shit where like, oh, all right, if I can't

1707
01:15:51,000 --> 01:15:54,160
Speaker 2: sleep on this bunk today, I'll sleep on the floor

1708
01:15:54,439 --> 01:15:56,120
Speaker 2: trying to make something to myself, Like you gave me

1709
01:15:56,120 --> 01:15:58,840
Speaker 2: an opportunity to open up cool. If you can't pay

1710
01:15:58,840 --> 01:16:02,320
Speaker 2: for my food that day, I'll sleep on the floor.

1711
01:16:02,400 --> 01:16:05,040
Speaker 2: I come from that school, which I think has good

1712
01:16:05,120 --> 01:16:07,519
Speaker 2: values in it. I think it made me the person

1713
01:16:07,560 --> 01:16:08,160
Speaker 2: I am today.

1714
01:16:08,600 --> 01:16:09,519
Speaker 3: But it is fucked up.

1715
01:16:09,760 --> 01:16:11,760
Speaker 4: Yeah, but you like you're missing you missing one thing

1716
01:16:11,800 --> 01:16:15,719
Speaker 4: in that. This isn't just some girl that Ice Spice

1717
01:16:15,720 --> 01:16:18,280
Speaker 4: soul and was like, yo, we should get her to

1718
01:16:18,280 --> 01:16:18,599
Speaker 4: come over.

1719
01:16:18,760 --> 01:16:20,160
Speaker 3: She was famous before Ice.

1720
01:16:20,479 --> 01:16:22,360
Speaker 4: She had, she had a wave, she had a buzz,

1721
01:16:22,640 --> 01:16:26,120
Speaker 4: and not only that, they're sleeping in the same bed,

1722
01:16:26,240 --> 01:16:26,759
Speaker 4: so nice.

1723
01:16:26,840 --> 01:16:28,800
Speaker 3: Why do y'all over that pretty early?

1724
01:16:28,840 --> 01:16:32,000
Speaker 2: And she wanted to touch her pussy, Like, if we're

1725
01:16:32,000 --> 01:16:34,439
Speaker 2: sleeping in the same bed, we have a relationship, we

1726
01:16:34,520 --> 01:16:36,000
Speaker 2: know each other, we're friends.

1727
01:16:36,040 --> 01:16:38,280
Speaker 3: Like, you don't sleep in the bed with some random person.

1728
01:16:38,320 --> 01:16:40,120
Speaker 3: You've done it plenty of times. Yeah, but then you

1729
01:16:40,479 --> 01:16:41,000
Speaker 3: also know just.

1730
01:16:43,320 --> 01:16:43,880
Speaker 5: Who are you?

1731
01:16:44,320 --> 01:16:46,120
Speaker 6: That's what's her name?

1732
01:16:46,439 --> 01:16:50,479
Speaker 3: You say when you wake up? You dream? I think

1733
01:16:50,640 --> 01:16:53,280
Speaker 3: what I learned here is this shitty. I'm wondering Uber Eats,

1734
01:16:53,280 --> 01:16:54,400
Speaker 3: can you venmo me your half?

1735
01:16:55,080 --> 01:16:57,280
Speaker 4: Yeah, like I'm ordering actually a group order and get

1736
01:16:57,400 --> 01:16:59,160
Speaker 4: your card and we'll split it.

1737
01:16:59,280 --> 01:16:59,479
Speaker 9: Yeah.

1738
01:16:59,479 --> 01:17:01,280
Speaker 7: I just I feel like And I think that was

1739
01:17:01,280 --> 01:17:03,200
Speaker 7: clear because Cleo came out and said, she was like, Yo,

1740
01:17:03,280 --> 01:17:06,799
Speaker 7: if your security won't if your security won't carry my bags,

1741
01:17:07,160 --> 01:17:09,080
Speaker 7: you could have let me know that, and I could

1742
01:17:09,120 --> 01:17:11,679
Speaker 7: have paid your security to carry my bags. If if

1743
01:17:11,880 --> 01:17:14,639
Speaker 7: if there was a discrepancy with food, my manager could

1744
01:17:14,680 --> 01:17:16,960
Speaker 7: have reached out to your manager. We could have handled budget.

1745
01:17:17,080 --> 01:17:19,200
Speaker 7: Like none of these things you didn't give. You told

1746
01:17:19,200 --> 01:17:21,080
Speaker 7: me I was good, so therefore I didn't plan out

1747
01:17:21,080 --> 01:17:25,360
Speaker 7: in advance. Granted, I think that is extremely naive, extremely

1748
01:17:25,439 --> 01:17:27,519
Speaker 7: a naive on Cleo traffic I'm not an artist and

1749
01:17:27,520 --> 01:17:29,360
Speaker 7: I wouldn't know better than that. Like you could have

1750
01:17:29,439 --> 01:17:32,840
Speaker 7: met her three shows and like, hey, let our managers

1751
01:17:32,880 --> 01:17:33,839
Speaker 7: handle this first.

1752
01:17:34,040 --> 01:17:35,599
Speaker 3: Let's make sure paperwork is good.

1753
01:17:35,640 --> 01:17:37,760
Speaker 7: There should have been some type of contract, like let's

1754
01:17:37,800 --> 01:17:39,800
Speaker 7: make sure all of this is good before I go

1755
01:17:39,880 --> 01:17:43,639
Speaker 7: on roll with you, and if not, just out of goodwill,

1756
01:17:43,680 --> 01:17:44,799
Speaker 7: off off GPA.

1757
01:17:44,840 --> 01:17:47,120
Speaker 3: And it's just like nah and and Ice.

1758
01:17:47,160 --> 01:17:50,040
Speaker 4: Spice kept it business all the way through and was like, Yo,

1759
01:17:50,200 --> 01:17:52,120
Speaker 4: she's not I'm not paying for her food.

1760
01:17:52,200 --> 01:17:55,000
Speaker 3: Like I think that's probably what it was. It's fucked up.

1761
01:17:55,000 --> 01:17:57,439
Speaker 4: But I mean the lesson here is know who your

1762
01:17:57,439 --> 01:18:00,240
Speaker 4: friends are, know who your friends aren't.

1763
01:18:00,200 --> 01:18:02,360
Speaker 7: And have your if you're a young artist, have your

1764
01:18:02,400 --> 01:18:05,280
Speaker 7: fucking manager. Everything needs to be in writing, and have

1765
01:18:05,400 --> 01:18:07,280
Speaker 7: your manager a part of every conversation.

1766
01:18:07,640 --> 01:18:09,400
Speaker 6: That's just that's period.

1767
01:18:09,479 --> 01:18:13,600
Speaker 2: And I completely agree with y'all. But how do we

1768
01:18:13,640 --> 01:18:16,160
Speaker 2: think Cleopastra Trappa is like twenty something?

1769
01:18:16,439 --> 01:18:19,679
Speaker 7: I think she's like twenty four or something like that.

1770
01:18:19,680 --> 01:18:24,320
Speaker 2: That is kind of I'm not excusing the behavior, but

1771
01:18:24,400 --> 01:18:28,000
Speaker 2: that is kind of part of the come up. If

1772
01:18:28,040 --> 01:18:31,639
Speaker 2: you have an opportunity last minute and someone says let's

1773
01:18:31,680 --> 01:18:34,200
Speaker 2: do this, yeah, it's gonna suck. But this is part

1774
01:18:34,240 --> 01:18:37,040
Speaker 2: of the process. I think people should keep their word.

1775
01:18:37,160 --> 01:18:39,680
Speaker 2: But not if I'm trying to be a rapper or

1776
01:18:39,840 --> 01:18:43,360
Speaker 2: an entertainer and somebody hits me the day before. Yeah,

1777
01:18:43,400 --> 01:18:45,160
Speaker 2: she should have her paperwork in order, she should have

1778
01:18:45,240 --> 01:18:51,680
Speaker 2: everything set up that way, but not this is. If

1779
01:18:51,680 --> 01:18:54,519
Speaker 2: that's going to delay anything, then fuck it.

1780
01:18:55,640 --> 01:18:57,080
Speaker 7: She asked her the day before to come on tour.

1781
01:18:57,160 --> 01:18:58,800
Speaker 7: She went on tour a day after she found out

1782
01:18:58,840 --> 01:19:02,599
Speaker 7: that she was going. What like the tour started. Clear

1783
01:19:03,160 --> 01:19:05,160
Speaker 7: Ice Spice asked her to go on tour the day

1784
01:19:05,160 --> 01:19:06,240
Speaker 7: before the tour started.

1785
01:19:07,360 --> 01:19:08,920
Speaker 3: Okay, but that's why you keep saying.

1786
01:19:08,920 --> 01:19:09,960
Speaker 6: He gonna keep saying to day.

1787
01:19:10,000 --> 01:19:11,800
Speaker 3: This is, but this has been but the day was

1788
01:19:11,800 --> 01:19:12,320
Speaker 3: on tour for.

1789
01:19:14,680 --> 01:19:18,360
Speaker 2: Everything can't be because of timing set up in the

1790
01:19:18,400 --> 01:19:20,479
Speaker 2: way it should as far as business goes. If Ice

1791
01:19:20,520 --> 01:19:23,760
Speaker 2: Spice tells me, yo, tomorrow we leave for tour, I

1792
01:19:23,760 --> 01:19:24,880
Speaker 2: have an extra bunk.

1793
01:19:25,320 --> 01:19:26,960
Speaker 3: You can open up before cash co bang.

1794
01:19:28,120 --> 01:19:30,679
Speaker 2: If my business isn't in order, fuck that, I'm getting

1795
01:19:30,680 --> 01:19:32,280
Speaker 2: on the bus. This is my dream this is what

1796
01:19:32,280 --> 01:19:33,240
Speaker 2: I'm doing for sure.

1797
01:19:33,479 --> 01:19:35,599
Speaker 3: I'm just speaking for sure like it.

1798
01:19:35,720 --> 01:19:38,400
Speaker 4: Clearly that was intentional, because again, this is just not

1799
01:19:38,720 --> 01:19:41,439
Speaker 4: some random person. Her and the fucking star of the

1800
01:19:41,479 --> 01:19:42,960
Speaker 4: tour are sleeping in the same bed.

1801
01:19:43,080 --> 01:19:45,479
Speaker 2: The funniest part of the whole thing was she was

1802
01:19:46,040 --> 01:19:49,479
Speaker 2: She explained how she felt unsafe and un taken care of,

1803
01:19:49,880 --> 01:19:52,519
Speaker 2: not valued, and then Ice Spice got on Twitter spaces

1804
01:19:52,520 --> 01:19:54,960
Speaker 2: and was like this, you ate the food so fast

1805
01:19:55,000 --> 01:19:57,600
Speaker 2: the waiter didn't even know where the food went. That

1806
01:19:57,720 --> 01:19:59,200
Speaker 2: was a response to her friend feelings.

1807
01:19:59,520 --> 01:20:05,759
Speaker 4: That means clear, That means Cleo Ice vices.

1808
01:20:04,840 --> 01:20:08,240
Speaker 2: When niggas starts saying ship like that, it's like.

1809
01:20:08,120 --> 01:20:10,000
Speaker 3: Oh yeah, the other person telling Vice is tough.

1810
01:20:10,240 --> 01:20:12,599
Speaker 7: Sure yeah when she when Ice, yeah, when Cleo basically

1811
01:20:12,600 --> 01:20:15,040
Speaker 7: because that because Cleo did the Cleo. After Cleo said

1812
01:20:15,040 --> 01:20:16,800
Speaker 7: something about the bag, she didn't say anything else for

1813
01:20:16,840 --> 01:20:18,160
Speaker 7: the rest of the tour about food.

1814
01:20:18,200 --> 01:20:18,559
Speaker 3: About that.

1815
01:20:18,840 --> 01:20:21,080
Speaker 6: She complained about nothing. She went out there, she did

1816
01:20:21,080 --> 01:20:21,400
Speaker 6: the show.

1817
01:20:21,439 --> 01:20:21,719
Speaker 5: Whatever.

1818
01:20:22,200 --> 01:20:25,360
Speaker 7: When she didn't leave Atlanta with them for their last

1819
01:20:25,360 --> 01:20:28,559
Speaker 7: show in Miami, she wrote Ice and was like, hey,

1820
01:20:29,240 --> 01:20:31,360
Speaker 7: like a long message, I didn't feel safe from this tour.

1821
01:20:31,439 --> 01:20:33,519
Speaker 7: I didn't feel like taken care of, Like I just

1822
01:20:33,640 --> 01:20:35,720
Speaker 7: all of these things, like I don't feel like this

1823
01:20:35,800 --> 01:20:38,360
Speaker 7: was a good friend, YadA YadA, And I said, wow,

1824
01:20:38,439 --> 01:20:41,639
Speaker 7: you really mad ungrateful and like just went off on her.

1825
01:20:41,680 --> 01:20:43,720
Speaker 6: She called her she was like your She basically called

1826
01:20:43,720 --> 01:20:44,599
Speaker 6: her a career less.

1827
01:20:44,439 --> 01:20:47,120
Speaker 7: Bum, and Cleo Trapper was like when you met me,

1828
01:20:47,280 --> 01:20:49,200
Speaker 7: like before anybody knew who you were, you were like, wow,

1829
01:20:49,240 --> 01:20:51,599
Speaker 7: this is a full soaker, full circle moment. I'm such

1830
01:20:51,600 --> 01:20:54,680
Speaker 7: a fan, like, yes, you you you skyrocketed and you

1831
01:20:54,760 --> 01:20:57,880
Speaker 7: became so famous so quickly. But like I've been out

1832
01:20:57,880 --> 01:20:59,559
Speaker 7: here grinding for a while and you knew who I

1833
01:20:59,680 --> 01:21:01,200
Speaker 7: was before or anybody knew who you were.

1834
01:21:01,320 --> 01:21:04,200
Speaker 2: But to me, that that's where ice Spie can't win

1835
01:21:04,200 --> 01:21:06,960
Speaker 2: for losing. Once you say that type of ship you lost.

1836
01:21:07,040 --> 01:21:09,360
Speaker 2: If I'm such a bum, why did you want me? Yep,

1837
01:21:09,400 --> 01:21:10,160
Speaker 2: to open up like that.

1838
01:21:10,720 --> 01:21:14,479
Speaker 4: I said what I said, you start saying certain I

1839
01:21:14,479 --> 01:21:15,439
Speaker 4: don't want to fucking bum.

1840
01:21:15,840 --> 01:21:18,080
Speaker 5: Once you start saying certain shit, it's like also us

1841
01:21:18,120 --> 01:21:19,240
Speaker 5: inviting a bumming near bed.

1842
01:21:19,479 --> 01:21:22,679
Speaker 4: Yeah, like just just say yo, my bad, I was wrong.

1843
01:21:23,439 --> 01:21:25,080
Speaker 4: It's that simple. You ain't got to go to the

1844
01:21:25,160 --> 01:21:28,320
Speaker 4: name calling and all that and another thing that's going

1845
01:21:28,400 --> 01:21:30,759
Speaker 4: to be really interesting to watch is because that Clear

1846
01:21:30,800 --> 01:21:31,400
Speaker 4: Trapper girl.

1847
01:21:31,400 --> 01:21:32,679
Speaker 3: People really like that girl.

1848
01:21:33,439 --> 01:21:34,160
Speaker 6: They've always liked that.

1849
01:21:34,360 --> 01:21:37,880
Speaker 7: He's talent, Yeah, and she's she has her personality reminds

1850
01:21:37,880 --> 01:21:40,200
Speaker 7: me of Cardi, Like she blew up big on Ig

1851
01:21:40,479 --> 01:21:41,160
Speaker 7: like Cardi dial.

1852
01:21:41,360 --> 01:21:44,880
Speaker 4: So I say that to say, God will humble you,

1853
01:21:45,439 --> 01:21:48,880
Speaker 4: and God would them tables turned, And a year from

1854
01:21:48,960 --> 01:21:50,960
Speaker 4: now we might be talking about Clear Trapper in a

1855
01:21:51,000 --> 01:21:54,000
Speaker 4: whole different space, and we might not be talking about

1856
01:21:54,000 --> 01:21:54,760
Speaker 4: Ice Spice at all.

1857
01:21:54,920 --> 01:21:55,120
Speaker 1: Yeah.

1858
01:21:55,160 --> 01:21:57,240
Speaker 7: I'm a Clear I'm a Cleo Trapper fan, and I

1859
01:21:57,280 --> 01:21:59,479
Speaker 7: do wish the best for her. So we'll see, we'll

1860
01:21:59,479 --> 01:22:00,800
Speaker 7: see what's next for her.

1861
01:22:01,040 --> 01:22:02,559
Speaker 2: But when I say the clock is on, you got

1862
01:22:02,600 --> 01:22:05,280
Speaker 2: shame me. But when Mal says it, you accept it.

1863
01:22:05,360 --> 01:22:05,719
Speaker 3: Not cool.

1864
01:22:05,720 --> 01:22:09,400
Speaker 4: I said the clock was on Ice, No, I said,

1865
01:22:09,800 --> 01:22:11,920
Speaker 4: just life and the way things can go can humble

1866
01:22:11,960 --> 01:22:14,080
Speaker 4: you like is you know, just can turn around and

1867
01:22:14,120 --> 01:22:17,960
Speaker 4: Clear Trap. It can become, you know, just as big,

1868
01:22:18,000 --> 01:22:21,120
Speaker 4: if not bigger than Ice Spice. And a year from

1869
01:22:21,120 --> 01:22:23,800
Speaker 4: now we may not be even talking about or mentioned

1870
01:22:23,840 --> 01:22:25,360
Speaker 4: it Ice Spice. I mean, I want the best for

1871
01:22:25,360 --> 01:22:27,760
Speaker 4: both of them, but life just has a way of

1872
01:22:27,880 --> 01:22:31,040
Speaker 4: humbling you and you know, good people always land with.

1873
01:22:31,040 --> 01:22:31,680
Speaker 3: Their supposed to.

1874
01:22:31,720 --> 01:22:34,360
Speaker 4: So yeah, hopefully both of these ladies can you know,

1875
01:22:34,600 --> 01:22:35,400
Speaker 4: be successful.

1876
01:22:36,000 --> 01:22:37,240
Speaker 3: Well that's different, and.

1877
01:22:37,240 --> 01:22:39,160
Speaker 5: Her ass isn't the only thing she's lost. She's also

1878
01:22:39,200 --> 01:22:42,280
Speaker 5: lost five hundred thousand followers on Instagram, so it seems

1879
01:22:42,320 --> 01:22:45,799
Speaker 5: like people are over her stuff at the moment.

1880
01:22:46,479 --> 01:22:49,040
Speaker 2: That that's kind of sounds like cap to me. What

1881
01:22:49,200 --> 01:22:52,240
Speaker 2: did five hundred thousand people even see this exchange? Yes,

1882
01:22:54,280 --> 01:22:55,839
Speaker 2: unfollowed ice, it's.

1883
01:22:55,720 --> 01:22:59,160
Speaker 6: Viral like if I pull it up on TikTok right now, like.

1884
01:22:59,080 --> 01:23:00,479
Speaker 5: It's it's kids really care about this.

1885
01:23:01,080 --> 01:23:02,800
Speaker 6: Yeah, it's like people are Instagram just.

1886
01:23:02,800 --> 01:23:04,559
Speaker 3: Did that thing where they start wiping body accounts.

1887
01:23:04,720 --> 01:23:07,000
Speaker 2: Yes, that's where I'm thinking it's coming.

1888
01:23:06,760 --> 01:23:08,760
Speaker 4: Up whole that is, man, they wiped a few body

1889
01:23:08,760 --> 01:23:10,320
Speaker 4: accounts from the from the from the app.

1890
01:23:10,400 --> 01:23:10,920
Speaker 3: Oh my god.

1891
01:23:10,960 --> 01:23:13,160
Speaker 2: Now she's only at eleven point five million.

1892
01:23:13,240 --> 01:23:16,679
Speaker 3: Oh my god, she gotta go to twelve last night?

1893
01:23:17,720 --> 01:23:20,160
Speaker 3: A god, what is her team gonna do?

1894
01:23:21,280 --> 01:23:23,720
Speaker 7: Well, each of her parts that she did on and

1895
01:23:23,800 --> 01:23:26,000
Speaker 7: she did six parts. Each of those parts are at

1896
01:23:26,040 --> 01:23:30,040
Speaker 7: three million clear trappers and that sound TikTok alone.

1897
01:23:30,760 --> 01:23:33,720
Speaker 4: So okay, but let's see the value of this, those

1898
01:23:33,760 --> 01:23:35,240
Speaker 4: number two fake streaming farms.

1899
01:23:35,680 --> 01:23:36,479
Speaker 3: Mm hm fair.

1900
01:23:37,160 --> 01:23:40,800
Speaker 2: How did the follower account change for cleio? Did it

1901
01:23:40,840 --> 01:23:42,120
Speaker 2: go up by five hundred thousand?

1902
01:23:42,240 --> 01:23:45,880
Speaker 3: No, there's no direct correlation. Yeah, you were just trying

1903
01:23:45,880 --> 01:23:46,839
Speaker 3: to make the direct correlation.

1904
01:23:46,880 --> 01:23:50,640
Speaker 5: You guys are just literally making it this fucking not

1905
01:23:50,680 --> 01:23:53,439
Speaker 5: because of this. I think it's been a cumulative thing.

1906
01:23:53,520 --> 01:23:55,479
Speaker 5: She's done other things too that have annoyed people.

1907
01:23:55,720 --> 01:23:58,640
Speaker 7: Oh well, once you pissed off the barbs, baby, that

1908
01:23:58,720 --> 01:24:01,839
Speaker 7: was the big one. Once you pissed off the bars different.

1909
01:24:02,439 --> 01:24:04,160
Speaker 3: That's yeah. We had a meeting about that a few

1910
01:24:04,160 --> 01:24:04,559
Speaker 3: months ago.

1911
01:24:04,560 --> 01:24:06,519
Speaker 4: We were sitting down trying to figure out if he

1912
01:24:06,600 --> 01:24:08,240
Speaker 4: was at the round table. Me and Nicky was kind

1913
01:24:08,240 --> 01:24:09,800
Speaker 4: of discussing some things, and we was trying to figure

1914
01:24:09,800 --> 01:24:10,519
Speaker 4: out where he was going.

1915
01:24:10,560 --> 01:24:12,640
Speaker 2: You know what I mean, the round table being you,

1916
01:24:12,760 --> 01:24:15,679
Speaker 2: Nicky and Kenny is just the funniest image.

1917
01:24:15,800 --> 01:24:17,120
Speaker 4: I mean, you know, we got to keep the counsel

1918
01:24:17,160 --> 01:24:19,320
Speaker 4: in order. That's so I get it. Keep the counsel

1919
01:24:19,360 --> 01:24:19,720
Speaker 4: in order.

1920
01:24:19,880 --> 01:24:23,880
Speaker 3: You saw what he did on Live. No, we get

1921
01:24:23,880 --> 01:24:24,720
Speaker 3: the voicemails.

1922
01:24:25,080 --> 01:24:27,000
Speaker 6: Okay, Rory is so messy.

1923
01:24:27,640 --> 01:24:28,479
Speaker 3: How am I messy?

1924
01:24:29,600 --> 01:24:30,640
Speaker 6: Get the voicemails?

1925
01:24:30,920 --> 01:24:35,800
Speaker 2: Because he used the slur. That's half of Nicky's fan base. Yeah,

1926
01:24:35,800 --> 01:24:37,880
Speaker 2: he was what he didn't know. Nicky heard that and

1927
01:24:38,040 --> 01:24:39,080
Speaker 2: just when he used.

1928
01:24:39,000 --> 01:24:42,840
Speaker 6: He used word the word live he did.

1929
01:24:43,000 --> 01:24:43,679
Speaker 3: Yeah, it was.

1930
01:24:46,160 --> 01:24:47,000
Speaker 6: Nicky's fan base.

1931
01:24:48,479 --> 01:24:50,320
Speaker 3: But what was the content? Maybe more than fifty what

1932
01:24:50,360 --> 01:24:51,120
Speaker 3: was the context?

1933
01:24:51,920 --> 01:24:54,640
Speaker 5: Because you can be without being exactly.

1934
01:24:54,320 --> 01:24:56,560
Speaker 4: That's my point, which is which is how I was

1935
01:24:56,600 --> 01:24:58,640
Speaker 4: introduced to the word that. No, I did that it

1936
01:24:58,680 --> 01:24:59,800
Speaker 4: was a sexual thing at all.

1937
01:25:00,000 --> 01:25:01,479
Speaker 2: We were wrong. Now that we know that, we don't

1938
01:25:01,560 --> 01:25:03,800
Speaker 2: use the word with that said, I think they were

1939
01:25:03,800 --> 01:25:06,000
Speaker 2: talking about like internet trolls or something. And then he

1940
01:25:06,080 --> 01:25:10,599
Speaker 2: was calling the people on the internet, oh, which isn't

1941
01:25:10,680 --> 01:25:12,960
Speaker 2: fair game. But I get where he was going.

1942
01:25:13,040 --> 01:25:15,360
Speaker 3: Yeah, I get it. I understand. So, yeah, I'm not

1943
01:25:15,439 --> 01:25:15,760
Speaker 3: use that.

1944
01:25:15,680 --> 01:25:17,719
Speaker 2: Word now that we know it's offensive. At the time,

1945
01:25:17,840 --> 01:25:18,320
Speaker 2: we didn't know.

1946
01:25:18,680 --> 01:25:20,160
Speaker 5: Yeah, we definitely didn't know it was offensive. We just

1947
01:25:20,240 --> 01:25:21,160
Speaker 5: used it as a slur.

1948
01:25:21,360 --> 01:25:24,479
Speaker 3: But not for that community. We used it for a community.

1949
01:25:24,920 --> 01:25:28,640
Speaker 2: Yeah, but it was wrong. Like when I'm sorry, I

1950
01:25:28,720 --> 01:25:29,040
Speaker 2: was wrong.

1951
01:25:29,040 --> 01:25:31,040
Speaker 4: I didn't know when you didn't get picked to play

1952
01:25:31,320 --> 01:25:33,240
Speaker 4: five or five and you took your basketball home because

1953
01:25:33,240 --> 01:25:34,120
Speaker 4: you had to good basketball.

1954
01:25:34,400 --> 01:25:37,120
Speaker 7: You were then, but you know that that I get

1955
01:25:37,120 --> 01:25:39,839
Speaker 7: what you guys get are saying, but that did stem

1956
01:25:39,920 --> 01:25:43,040
Speaker 7: from for sure, No, that's where its stemmed from.

1957
01:25:43,360 --> 01:25:44,880
Speaker 6: You're using that in comparison.

1958
01:25:45,200 --> 01:25:47,240
Speaker 2: But like we said that, I would never podcast facts,

1959
01:25:47,320 --> 01:25:51,160
Speaker 2: change facts, do chain fact, even at that very immature

1960
01:25:51,160 --> 01:25:53,920
Speaker 2: part of my life, I would never even I would

1961
01:25:53,960 --> 01:25:55,960
Speaker 2: never call a day first in that I.

1962
01:25:55,880 --> 01:25:56,360
Speaker 3: Only said it.

1963
01:25:57,240 --> 01:26:00,960
Speaker 5: They were acting like yea and in any case, but.

1964
01:26:00,920 --> 01:26:04,599
Speaker 2: Ironically, straight people act like that world more than.

1965
01:26:04,560 --> 01:26:08,960
Speaker 4: Gayable bigger ones. Oh God kidding me, Jesus. Do we

1966
01:26:09,000 --> 01:26:10,440
Speaker 4: have voicemails, Julian.

1967
01:26:10,240 --> 01:26:13,960
Speaker 3: Yes, you've got mail three hundred.

1968
01:26:13,960 --> 01:26:16,120
Speaker 5: That episode feels like a good time to remind people.

1969
01:26:16,400 --> 01:26:19,520
Speaker 5: If you subscribe to Patreon, all tiers have access to voicemails.

1970
01:26:19,520 --> 01:26:22,000
Speaker 5: It's pinned to the top of our Patreon. It's a link.

1971
01:26:22,040 --> 01:26:24,320
Speaker 5: You can click it, call in, leave a voicemail. You

1972
01:26:24,360 --> 01:26:26,840
Speaker 5: have ninety seconds. If not, just do it again. Please

1973
01:26:26,920 --> 01:26:28,800
Speaker 5: do not say I left a voicemail. I'm gonna do

1974
01:26:28,840 --> 01:26:31,960
Speaker 5: it again. Don't provide context. Just do it again. Start

1975
01:26:32,000 --> 01:26:33,000
Speaker 5: as if I've never heard it.

1976
01:26:33,160 --> 01:26:33,680
Speaker 3: You know what I mean.

1977
01:26:33,800 --> 01:26:36,720
Speaker 2: I have to respect the loophole that our listeners that

1978
01:26:36,760 --> 01:26:40,040
Speaker 2: don't subscribe to Patreon found whatever they have been sending

1979
01:26:41,280 --> 01:26:45,320
Speaker 2: their version of voicemails or stories and advice through our

1980
01:26:45,360 --> 01:26:47,280
Speaker 2: merch email they have.

1981
01:26:47,680 --> 01:26:49,040
Speaker 5: Oh that's really funny.

1982
01:26:49,320 --> 01:26:51,240
Speaker 2: Oh I would take a litt I was like, oh,

1983
01:26:51,280 --> 01:26:52,960
Speaker 2: this would be good, but no, we got to put

1984
01:26:52,960 --> 01:26:54,440
Speaker 2: our foot down boundaries.

1985
01:26:54,479 --> 01:26:55,679
Speaker 5: I will not take a look at those.

1986
01:26:55,800 --> 01:26:56,320
Speaker 3: You have to.

1987
01:26:56,240 --> 01:26:59,000
Speaker 2: Pay for Patreon to do a voicemail. We're not doing

1988
01:26:59,080 --> 01:26:59,960
Speaker 2: the merch email voice.

1989
01:27:01,040 --> 01:27:02,640
Speaker 5: That is funny to send a voice not would be

1990
01:27:02,680 --> 01:27:05,480
Speaker 5: an email.

1991
01:27:03,360 --> 01:27:06,280
Speaker 2: And we can maybe cut this or keep it on.

1992
01:27:06,479 --> 01:27:09,280
Speaker 2: Give a fuck a girl in our Chicago show, remember

1993
01:27:09,320 --> 01:27:15,479
Speaker 2: the the Jewish woman, the Ukrainian Gukrainian the unicorn. Yeah,

1994
01:27:15,600 --> 01:27:20,320
Speaker 2: she left a voicemail about a threesome that she was

1995
01:27:21,280 --> 01:27:23,960
Speaker 2: pitched for at our show. So we have to find

1996
01:27:23,960 --> 01:27:24,559
Speaker 2: that voicemail.

1997
01:27:24,880 --> 01:27:27,080
Speaker 4: Wait, somebody at the two guys with the show or

1998
01:27:27,160 --> 01:27:29,000
Speaker 4: was a couple a couple, Oh, they were trying to

1999
01:27:29,000 --> 01:27:31,040
Speaker 4: get a little piece of that unicorn or they wanted

2000
01:27:31,040 --> 01:27:31,720
Speaker 4: some unicorn it.

2001
01:27:31,720 --> 01:27:34,200
Speaker 3: They want some of our tax dollar. I get it.

2002
01:27:35,280 --> 01:27:37,400
Speaker 4: Yeah, Julian, we gotta find that one. Make sure you

2003
01:27:37,560 --> 01:27:38,720
Speaker 4: make sure you comb through it.

2004
01:27:38,880 --> 01:27:41,040
Speaker 3: Hit me on DM and was like, find my voice. Yeah,

2005
01:27:41,040 --> 01:27:43,519
Speaker 3: make sure you combed through the voicemails and find that one.

2006
01:27:44,200 --> 01:27:46,040
Speaker 3: Let's try, all right, if we have this one for now,

2007
01:27:46,600 --> 01:27:47,479
Speaker 3: I'll find your name for you.

2008
01:27:47,680 --> 01:27:51,439
Speaker 9: From Baltimore. I got a question for y'all going off

2009
01:27:51,479 --> 01:27:55,440
Speaker 9: of your debate in your last episode.

2010
01:27:56,439 --> 01:28:01,160
Speaker 8: So I met this girl. We were hanging out, probably

2011
01:28:01,240 --> 01:28:05,479
Speaker 8: hung out every day for about two weeks around the

2012
01:28:05,479 --> 01:28:08,759
Speaker 8: fourth of July time, and got to the point where

2013
01:28:10,640 --> 01:28:14,560
Speaker 8: I knew we were both talk I wasn't talking to

2014
01:28:14,600 --> 01:28:17,080
Speaker 8: other people because that's just how I am. I know

2015
01:28:17,120 --> 01:28:18,840
Speaker 8: it's wrong, but like, if I'm talking to one bitch,

2016
01:28:18,840 --> 01:28:20,160
Speaker 8: that's what that's what I'm talking to.

2017
01:28:21,439 --> 01:28:26,519
Speaker 5: But I knew that she wasn't respect if I follow

2018
01:28:26,560 --> 01:28:30,040
Speaker 5: one bit the I'm a one bitch kind of guy.

2019
01:28:31,560 --> 01:28:33,599
Speaker 8: And am I wrong?

2020
01:28:33,880 --> 01:28:37,640
Speaker 9: Because she was having she was getting picked up by

2021
01:28:37,760 --> 01:28:40,840
Speaker 9: dude from my from my crib, I was dropping her

2022
01:28:40,880 --> 01:28:44,320
Speaker 9: off at some dude's place. It was getting too fucking much.

2023
01:28:44,920 --> 01:28:46,800
Speaker 9: And I just want to let you know.

2024
01:28:47,520 --> 01:28:51,720
Speaker 8: I want to figure out if what like just by

2025
01:28:51,720 --> 01:28:54,880
Speaker 8: cutting her off, me cutting her off, was that me

2026
01:28:54,960 --> 01:28:58,320
Speaker 8: being insecure or was that just part of the game.

2027
01:29:00,240 --> 01:29:01,479
Speaker 3: Well, the game is the game.

2028
01:29:02,000 --> 01:29:05,479
Speaker 2: And if you didn't have a conversation with her of

2029
01:29:05,520 --> 01:29:08,640
Speaker 2: the what are we Hey, I'm just talking to you.

2030
01:29:08,760 --> 01:29:10,479
Speaker 2: Is that something that like, are we on the same

2031
01:29:10,479 --> 01:29:13,360
Speaker 2: page there? We have never established what this is. So

2032
01:29:13,560 --> 01:29:17,439
Speaker 2: anything she does without that conversation is fair game in

2033
01:29:17,439 --> 01:29:19,760
Speaker 2: my opinion, as long as she's not like rawing a

2034
01:29:19,760 --> 01:29:22,240
Speaker 2: bunch of dudes and you know, bringing STDs back to

2035
01:29:22,240 --> 01:29:24,960
Speaker 2: the crib. But the game is the game. If you

2036
01:29:25,120 --> 01:29:26,800
Speaker 2: have a conversation with her, she can do whatever the

2037
01:29:26,840 --> 01:29:29,240
Speaker 2: fuck she wants. Just because you're only talking to her

2038
01:29:29,920 --> 01:29:32,400
Speaker 2: doesn't mean that you can make up that rule in

2039
01:29:32,439 --> 01:29:34,960
Speaker 2: your head, like, oh, I'm only talking to her, so

2040
01:29:35,040 --> 01:29:38,719
Speaker 2: she can only talk with me now. Unless you establish

2041
01:29:38,800 --> 01:29:41,960
Speaker 2: that and have that conversation. The game is the game.

2042
01:29:42,040 --> 01:29:44,760
Speaker 3: You're you're You're not right, You're not wrong, You're not wrong.

2043
01:29:45,600 --> 01:29:49,080
Speaker 4: But we got to stop acting like we all sit

2044
01:29:49,160 --> 01:29:50,960
Speaker 4: down and have that conversation like.

2045
01:29:50,960 --> 01:29:54,519
Speaker 3: Hey, what like if if we fuck?

2046
01:29:54,560 --> 01:29:58,599
Speaker 4: If we here here banging raw all weekend, you mine,

2047
01:30:00,040 --> 01:30:02,640
Speaker 4: it's like occasion. We're not gonna play these games if

2048
01:30:02,680 --> 01:30:06,320
Speaker 4: we banging raw all weekend and on Wednesday I go

2049
01:30:06,360 --> 01:30:09,360
Speaker 4: out and see you at a fucking restaurant with some

2050
01:30:09,439 --> 01:30:10,000
Speaker 4: other nigga.

2051
01:30:10,200 --> 01:30:12,080
Speaker 3: Rud awakening for you more it ain't.

2052
01:30:11,880 --> 01:30:16,040
Speaker 4: No rude awakening for me. It ain't. It's never no

2053
01:30:16,120 --> 01:30:18,000
Speaker 4: rud awakening for me, because all of myns know. If

2054
01:30:18,040 --> 01:30:19,760
Speaker 4: I if this condom ain't know and I catch you

2055
01:30:19,760 --> 01:30:23,240
Speaker 4: out with another nigga, I'm slapping. I love minds, all

2056
01:30:23,400 --> 01:30:26,680
Speaker 4: love mind not like at the one time, I'm saying, like,

2057
01:30:27,360 --> 01:30:30,320
Speaker 4: throughout my dating life, they all know that if we're

2058
01:30:30,360 --> 01:30:31,240
Speaker 4: having you.

2059
01:30:31,280 --> 01:30:33,679
Speaker 5: Never multiple girls at the same time.

2060
01:30:34,040 --> 01:30:36,360
Speaker 3: What no, who would do that? I ain't no dirty

2061
01:30:36,400 --> 01:30:38,760
Speaker 3: dick nigga out here from the Bronx, You're crazy, not me.

2062
01:30:39,560 --> 01:30:42,639
Speaker 3: I don't play those from the Bronx. I don't plays.

2063
01:30:43,880 --> 01:30:44,160
Speaker 8: I don't.

2064
01:30:44,160 --> 01:30:46,000
Speaker 3: I don't play I don't play that. Taken out of that,

2065
01:30:46,080 --> 01:30:49,360
Speaker 3: I don't. I don't play the part. Yeah, I don't.

2066
01:30:49,400 --> 01:30:51,320
Speaker 3: I don't play those. I don't play those Royal Royal

2067
01:30:51,400 --> 01:30:51,840
Speaker 3: Raw games.

2068
01:30:51,880 --> 01:30:53,400
Speaker 4: I don't do that. I was never I'm not coming.

2069
01:30:54,360 --> 01:30:57,760
Speaker 4: I'm not coming. I don't that game. I never was

2070
01:30:57,760 --> 01:30:59,880
Speaker 4: a part of that game. But back to what I

2071
01:30:59,920 --> 01:31:03,799
Speaker 4: was saying, you know, when somebody is like, stop acting

2072
01:31:03,840 --> 01:31:07,160
Speaker 4: like we gotta have it sounds great. It sounds great

2073
01:31:07,160 --> 01:31:10,120
Speaker 4: to sit down over a cup of coffee and say, hey,

2074
01:31:10,200 --> 01:31:13,679
Speaker 4: look I like you you like me, what are we doing?

2075
01:31:13,760 --> 01:31:16,560
Speaker 4: What is this great? It's great to have that conversation

2076
01:31:16,640 --> 01:31:19,840
Speaker 4: for clarity, and you know, so everybody's on the same page.

2077
01:31:19,880 --> 01:31:20,360
Speaker 3: I get it.

2078
01:31:20,960 --> 01:31:23,360
Speaker 4: But in the event that you don't have that type

2079
01:31:23,360 --> 01:31:27,559
Speaker 4: of conversation, I still think that you know, when you

2080
01:31:27,680 --> 01:31:31,240
Speaker 4: and somebody are like, Okay, this is the person that

2081
01:31:31,320 --> 01:31:33,160
Speaker 4: I'm with. This is the person that I'm fucking with.

2082
01:31:33,240 --> 01:31:35,599
Speaker 4: I'm not fucking with nobody else. My time is spent

2083
01:31:35,640 --> 01:31:37,720
Speaker 4: with this person when I'm not working, when I'm not

2084
01:31:37,800 --> 01:31:40,360
Speaker 4: with family. This is the only person that I am

2085
01:31:40,360 --> 01:31:43,400
Speaker 4: intimate with. There's the only person who I am sleeping with.

2086
01:31:43,560 --> 01:31:46,679
Speaker 4: I'm in their house, that in my house. Like, you know, bro,

2087
01:31:46,880 --> 01:31:49,160
Speaker 4: you spend enough time to know, Like all right, when

2088
01:31:49,200 --> 01:31:51,040
Speaker 4: does this person ever have time to be laid up

2089
01:31:51,040 --> 01:31:51,800
Speaker 4: with somebody else?

2090
01:31:51,920 --> 01:31:54,479
Speaker 6: Like okay, Oh, niggas a find a way, won't they?

2091
01:31:55,320 --> 01:31:57,360
Speaker 2: Y'all all find a way too? Got some stories? What

2092
01:31:57,439 --> 01:31:58,000
Speaker 2: women are better?

2093
01:31:58,120 --> 01:32:00,639
Speaker 3: Y'all? In the way y'all love far fillow away.

2094
01:32:00,800 --> 01:32:02,320
Speaker 6: I switched it around. I hate it here.

2095
01:32:02,360 --> 01:32:04,439
Speaker 4: It ain't switching nothing around. We're just keeping it even

2096
01:32:04,479 --> 01:32:05,519
Speaker 4: on both sides of the table.

2097
01:32:05,640 --> 01:32:07,599
Speaker 2: But where he is wrong, though, I hate it here.

2098
01:32:07,960 --> 01:32:10,960
Speaker 2: If we're going off a percentage, man, we will be

2099
01:32:11,000 --> 01:32:13,479
Speaker 2: the first person to be like, yo, we never said

2100
01:32:13,479 --> 01:32:14,559
Speaker 2: we were dating.

2101
01:32:14,880 --> 01:32:17,559
Speaker 3: Why you ask me? Like fuck, we invented that, That's

2102
01:32:17,560 --> 01:32:18,040
Speaker 3: what I'm saying.

2103
01:32:18,040 --> 01:32:22,880
Speaker 2: So you sound a little hypocritical for I'm gender because

2104
01:32:23,080 --> 01:32:24,400
Speaker 2: the kings of at the top.

2105
01:32:24,479 --> 01:32:24,960
Speaker 3: You are right.

2106
01:32:25,439 --> 01:32:28,120
Speaker 4: I said, you're not wrong, You're not wrong. Have that conversation.

2107
01:32:28,240 --> 01:32:31,960
Speaker 4: You're not wrong. I'm just saying, we gotta stop acting like.

2108
01:32:32,560 --> 01:32:34,560
Speaker 6: Niggas saying will you be my girlfriend? Will you be

2109
01:32:34,600 --> 01:32:34,960
Speaker 6: my boyfriend?

2110
01:32:35,040 --> 01:32:37,200
Speaker 4: Niggas ain't doing that. We just look up one day

2111
01:32:37,240 --> 01:32:39,479
Speaker 4: and it's like I got mad ship in your crib.

2112
01:32:40,680 --> 01:32:42,720
Speaker 4: Sometimes it just happened like that. I got mad shit

2113
01:32:42,800 --> 01:32:44,599
Speaker 4: in your crib. You got mad shit in mind. I'd

2114
01:32:44,640 --> 01:32:47,559
Speaker 4: have been to four family events with you, all.

2115
01:32:47,560 --> 01:32:50,760
Speaker 3: Right, if a family you're not even making it. See.

2116
01:32:50,800 --> 01:32:52,479
Speaker 7: But this is and this is where I say people

2117
01:32:52,560 --> 01:32:56,200
Speaker 7: need to create these boundaries because I'm queen like y'all.

2118
01:32:56,320 --> 01:32:57,360
Speaker 6: So what we doing here?

2119
01:32:57,520 --> 01:32:57,720
Speaker 5: Man?

2120
01:32:57,960 --> 01:32:58,280
Speaker 6: For real?

2121
01:32:58,320 --> 01:33:00,680
Speaker 7: People use that people were squeezing your nut out of

2122
01:33:00,680 --> 01:33:02,800
Speaker 7: my vagina right now, So like what we're doing?

2123
01:33:03,800 --> 01:33:06,400
Speaker 10: Come on, we're at work. Do you know what we're

2124
01:33:06,400 --> 01:33:14,840
Speaker 10: doing here? Fucking that's what we do here, fucking you

2125
01:33:14,960 --> 01:33:15,760
Speaker 10: know what we're doing?

2126
01:33:15,840 --> 01:33:19,720
Speaker 3: What? Oh man, you nuts? I love it. I love it.

2127
01:33:19,840 --> 01:33:21,720
Speaker 3: I love them type of relationships. What were doing?

2128
01:33:21,760 --> 01:33:22,200
Speaker 4: You know what?

2129
01:33:22,240 --> 01:33:24,200
Speaker 2: We stop playing with me and go get the rag

2130
01:33:24,240 --> 01:33:26,040
Speaker 2: and put a little bit of soap on that as

2131
01:33:26,080 --> 01:33:30,599
Speaker 2: that gets rid of me. Well, no, clean, We're good.

2132
01:33:30,880 --> 01:33:32,960
Speaker 5: Because I'm such a visual person and you're saying I'm

2133
01:33:33,000 --> 01:33:35,040
Speaker 5: squeezing nut out of my vagina. It's like hard for

2134
01:33:35,080 --> 01:33:37,519
Speaker 5: me not to picture it, and it's like, stop doing that.

2135
01:33:37,600 --> 01:33:39,800
Speaker 3: Too good. I mean, it's fantastic. It has to be

2136
01:33:39,840 --> 01:33:43,320
Speaker 3: an hr crisis of you envisioning that. Yeah, I'm in

2137
01:33:43,400 --> 01:33:43,800
Speaker 3: the wrong.

2138
01:33:43,960 --> 01:33:44,720
Speaker 5: She said it.

2139
01:33:44,800 --> 01:33:47,160
Speaker 7: We're potting, Like now you're envisioning my pussy.

2140
01:33:47,200 --> 01:33:50,280
Speaker 3: We were potted. You just said, all right, audio experience. Yeah,

2141
01:33:50,280 --> 01:33:52,120
Speaker 3: it's the journey, all right.

2142
01:33:52,000 --> 01:33:54,320
Speaker 5: So all right, all right, I just I just Peter

2143
01:33:54,439 --> 01:33:56,760
Speaker 5: north'ard face. Like, then we'll go get a coffee and

2144
01:33:56,800 --> 01:34:00,800
Speaker 5: talk about if we should spend Thanksgiving together. How one

2145
01:34:00,880 --> 01:34:01,800
Speaker 5: is safer than the other.

2146
01:34:03,520 --> 01:34:05,599
Speaker 2: You comparing yourself to Peter North's kind of great.

2147
01:34:06,720 --> 01:34:11,519
Speaker 3: Stroke, sir. What is his name? The gentleman's name that's

2148
01:34:11,520 --> 01:34:12,280
Speaker 3: looking I.

2149
01:34:12,160 --> 01:34:14,400
Speaker 2: Think it was Rick, can we get aware? Is where

2150
01:34:14,400 --> 01:34:15,599
Speaker 2: are they now with Peter North?

2151
01:34:15,760 --> 01:34:17,559
Speaker 3: No, we don't need that. I don't care. I'm kind

2152
01:34:17,560 --> 01:34:19,400
Speaker 3: of curious if he's like, Okay, have you a homo

2153
01:34:19,400 --> 01:34:22,880
Speaker 3: erotic What is Peter do up to? What's homoerotic about?

2154
01:34:23,040 --> 01:34:24,000
Speaker 3: Wondering if he's okay.

2155
01:34:24,120 --> 01:34:26,479
Speaker 4: He's a male porn star and you're wondering where he's

2156
01:34:26,479 --> 01:34:28,719
Speaker 4: at right now he's sixty seven.

2157
01:34:28,760 --> 01:34:31,719
Speaker 2: I mean he was a major part of the culture.

2158
01:34:32,000 --> 01:34:35,759
Speaker 4: Like, no, I'm no lies told that. I'm not wondering

2159
01:34:35,800 --> 01:34:37,280
Speaker 4: where he is right now in his life.

2160
01:34:38,520 --> 01:34:39,759
Speaker 2: I mean I just hope he's okay.

2161
01:34:39,960 --> 01:34:43,679
Speaker 5: Wow. Did you guys know he initially performed gay porn?

2162
01:34:44,680 --> 01:34:45,400
Speaker 3: No?

2163
01:34:45,920 --> 01:34:48,280
Speaker 5: Wow, talk about a switch? Why this cup?

2164
01:34:48,720 --> 01:34:51,519
Speaker 2: And apologies to the porn culture. I don't think I

2165
01:34:51,560 --> 01:34:54,880
Speaker 2: ever watched a Peter North. He was always like a

2166
01:34:54,880 --> 01:34:58,200
Speaker 2: pop up ad when I was doing my porn shit

2167
01:34:58,240 --> 01:34:59,080
Speaker 2: on my gateway computer.

2168
01:35:00,240 --> 01:35:03,439
Speaker 4: Oh, you were like late to the porn game. Yeah, yeah,

2169
01:35:03,760 --> 01:35:04,800
Speaker 4: Peter North is like.

2170
01:35:04,880 --> 01:35:06,519
Speaker 2: No, I know he's but he was always like a

2171
01:35:06,520 --> 01:35:08,880
Speaker 2: pop up. He was like the face of porn. He

2172
01:35:08,920 --> 01:35:10,400
Speaker 2: never like went to his catalog.

2173
01:35:10,439 --> 01:35:12,559
Speaker 3: He's like the Barry Bonds.

2174
01:35:13,920 --> 01:35:15,800
Speaker 2: So he was juicing as what you're saying, he might

2175
01:35:15,840 --> 01:35:18,280
Speaker 2: as well, but you would hope he was crazy.

2176
01:35:18,720 --> 01:35:23,840
Speaker 3: He was juicing. What gentlemen, sir, whatever your name is, had.

2177
01:35:23,720 --> 01:35:25,439
Speaker 6: That conversation with that girl. Don't make that assumption.

2178
01:35:25,680 --> 01:35:28,320
Speaker 3: Had a conversation. But but he cut it off. He

2179
01:35:28,320 --> 01:35:29,639
Speaker 3: said he cut it off. He cut it off.

2180
01:35:29,640 --> 01:35:31,880
Speaker 5: I said, he's having she was having guys pick her

2181
01:35:32,000 --> 01:35:34,479
Speaker 5: up at his place. He was dropping No, no, no, no,

2182
01:35:34,520 --> 01:35:37,160
Speaker 5: he said he was dropping her off, pick guys play. No.

2183
01:35:37,240 --> 01:35:40,519
Speaker 3: See see he's nigga.

2184
01:35:40,560 --> 01:35:42,439
Speaker 5: Yeah, yeah, you might as well get out and bring

2185
01:35:42,479 --> 01:35:43,680
Speaker 5: a foldable chair and watch them.

2186
01:35:44,080 --> 01:35:45,000
Speaker 3: Yeah, you doing too.

2187
01:35:45,040 --> 01:35:46,920
Speaker 4: I don't know what you're doing fing, but that ain't

2188
01:35:47,479 --> 01:35:50,679
Speaker 4: having her have guys come pick her up from your place.

2189
01:35:51,120 --> 01:35:56,800
Speaker 3: Yeah, and vice dropped it off to guys. How what's

2190
01:35:56,840 --> 01:35:59,240
Speaker 3: going on in the dayton pool out here? Told you

2191
01:35:59,360 --> 01:36:02,799
Speaker 3: it has a pissing it and that like the niggas

2192
01:36:02,880 --> 01:36:03,360
Speaker 3: is cool.

2193
01:36:03,200 --> 01:36:05,360
Speaker 4: With just dropping the chick that they just finished smashing

2194
01:36:05,400 --> 01:36:08,120
Speaker 4: off at the next due house. That's insane, Like when

2195
01:36:08,160 --> 01:36:11,200
Speaker 4: did that become like you're not about to drop off

2196
01:36:11,280 --> 01:36:12,680
Speaker 4: her of a homie crib so I could go pick

2197
01:36:12,720 --> 01:36:13,280
Speaker 4: up my other chick?

2198
01:36:13,400 --> 01:36:14,439
Speaker 3: Like what is that?

2199
01:36:14,840 --> 01:36:17,120
Speaker 2: That's what everybody in salad. Don't look that bad right now,

2200
01:36:17,200 --> 01:36:17,360
Speaker 2: do it?

2201
01:36:17,720 --> 01:36:19,320
Speaker 3: Yeah? That's crazy if that's what's going on.

2202
01:36:19,640 --> 01:36:23,639
Speaker 5: Man, listen, you imagine dropping a girl off at another

2203
01:36:23,760 --> 01:36:28,880
Speaker 5: guy knowingly knowing, like you want to do that, like, yeah,

2204
01:36:29,080 --> 01:36:29,439
Speaker 5: I got you.

2205
01:36:29,720 --> 01:36:32,719
Speaker 3: Well, you know, book bag Bay, she had a nigga

2206
01:36:32,800 --> 01:36:33,360
Speaker 3: drop her off.

2207
01:36:33,880 --> 01:36:35,040
Speaker 5: That's not that's not what happened.

2208
01:36:35,160 --> 01:36:36,280
Speaker 3: That the game is the game, and that.

2209
01:36:36,840 --> 01:36:38,360
Speaker 6: Just because he wasn't in the car didn't mean he

2210
01:36:38,360 --> 01:36:39,160
Speaker 6: didn't drop her off.

2211
01:36:39,200 --> 01:36:39,840
Speaker 3: He just walked.

2212
01:36:40,160 --> 01:36:41,360
Speaker 6: That's New York dropping off.

2213
01:36:41,520 --> 01:36:42,360
Speaker 3: Yeah, he dropped off.

2214
01:36:43,280 --> 01:36:45,880
Speaker 5: That's not game because I fucking I didn't walk her

2215
01:36:45,920 --> 01:36:47,080
Speaker 5: to his I ta get the funk out.

2216
01:36:46,960 --> 01:36:48,280
Speaker 3: Of my house, and he walked her.

2217
01:36:49,160 --> 01:36:51,400
Speaker 2: You put her without housing. She's pretty much your ice spier.

2218
01:36:53,080 --> 01:36:57,160
Speaker 4: She was running game. Yeah, she had one of her

2219
01:36:57,280 --> 01:36:59,479
Speaker 4: dudes drop her off. She had one of her dudes

2220
01:36:59,560 --> 01:37:00,960
Speaker 4: drop her off for her other dude's house.

2221
01:37:01,520 --> 01:37:05,000
Speaker 3: She was running game. She was, and she got caught

2222
01:37:05,040 --> 01:37:06,559
Speaker 3: because you just happened to be going outside to pick

2223
01:37:06,640 --> 01:37:09,439
Speaker 3: up some food, and you know, and I lied to him.

2224
01:37:12,479 --> 01:37:13,479
Speaker 3: Yeah yeah, yeah, yeah.

2225
01:37:13,800 --> 01:37:15,559
Speaker 7: One day I'm gonna tell y'all how this boy had

2226
01:37:15,640 --> 01:37:17,280
Speaker 7: me waiting in his house. For him to come home,

2227
01:37:17,360 --> 01:37:19,200
Speaker 7: and he was out on a date and I found

2228
01:37:19,240 --> 01:37:21,479
Speaker 7: out because he accidentally called me through the car phone

2229
01:37:21,880 --> 01:37:23,160
Speaker 7: and sure he was, like your phones are in?

2230
01:37:24,240 --> 01:37:26,240
Speaker 3: What else is the game? What else you gonna tell

2231
01:37:26,280 --> 01:37:26,639
Speaker 3: us one day?

2232
01:37:26,640 --> 01:37:29,080
Speaker 5: Why haven't we told that story? We bring up backpack?

2233
01:37:29,720 --> 01:37:33,680
Speaker 5: I like having like you know, dignity, it's gone. Now

2234
01:37:33,680 --> 01:37:38,120
Speaker 5: I'll tell the story. I just told you the story

2235
01:37:38,240 --> 01:37:39,960
Speaker 5: like when the call happened, did he stare?

2236
01:37:40,080 --> 01:37:43,400
Speaker 3: Did you leave? You stayed? The world may never know why?

2237
01:37:43,439 --> 01:37:48,880
Speaker 3: To find out stage the marriage stage. She definitely off

2238
01:37:48,920 --> 01:37:50,759
Speaker 3: some like yo, some good. That was my homegirl?

2239
01:37:50,960 --> 01:37:51,360
Speaker 5: Was my cousin?

2240
01:37:51,479 --> 01:37:52,880
Speaker 6: He said, yeah, I think he said it was his

2241
01:37:53,000 --> 01:37:53,479
Speaker 6: god sister.

2242
01:37:53,600 --> 01:37:57,000
Speaker 3: I don't know the true God for no reason? Why

2243
01:37:57,000 --> 01:38:01,400
Speaker 3: I bring God into the god yo? Cause I'm lying.

2244
01:38:01,439 --> 01:38:03,240
Speaker 4: I should stay with my godsister all the time in Canada,

2245
01:38:03,320 --> 01:38:04,920
Speaker 4: But I'm never telling a.

2246
01:38:05,000 --> 01:38:08,840
Speaker 3: Girl godsister every weekend. She has kids, so yeah, that's different.

2247
01:38:08,960 --> 01:38:11,080
Speaker 7: I think he was dropping he allegedly he was dropping

2248
01:38:11,120 --> 01:38:12,920
Speaker 7: her off somewhere. But I found out, like a right.

2249
01:38:12,880 --> 01:38:14,840
Speaker 4: I never dropped my gosst off anywhere. I can say

2250
01:38:14,840 --> 01:38:17,400
Speaker 4: that I never done that, y'all drop yoh my goss

2251
01:38:17,560 --> 01:38:17,800
Speaker 4: is just.

2252
01:38:17,800 --> 01:38:20,479
Speaker 5: How long did that lie last? Because he obviously was

2253
01:38:20,880 --> 01:38:24,160
Speaker 5: a year, a year later.

2254
01:38:24,160 --> 01:38:26,479
Speaker 7: Year a year later he told after that because he

2255
01:38:26,520 --> 01:38:28,880
Speaker 7: forgot that he told me the lie and I was like, yeah,

2256
01:38:28,880 --> 01:38:30,600
Speaker 7: you did that. He was like, yeah, I was fucked up,

2257
01:38:30,680 --> 01:38:32,599
Speaker 7: Like he forgot he told me to lie. He thought,

2258
01:38:32,640 --> 01:38:33,680
Speaker 7: I just figured the lie out?

2259
01:38:33,760 --> 01:38:36,200
Speaker 3: What was the date? You good?

2260
01:38:36,800 --> 01:38:40,040
Speaker 2: I'm just asking are you good? Like are you going

2261
01:38:40,160 --> 01:38:40,759
Speaker 2: in the diners?

2262
01:38:40,800 --> 01:38:41,240
Speaker 3: Godsister?

2263
01:38:41,520 --> 01:38:41,640
Speaker 5: Oh?

2264
01:38:41,680 --> 01:38:43,280
Speaker 6: You said, Oh, I thought you meant like the date,

2265
01:38:43,479 --> 01:38:45,280
Speaker 6: like no, no, no, no, no, what was the date

2266
01:38:45,320 --> 01:38:45,840
Speaker 6: that am on?

2267
01:38:46,000 --> 01:38:48,120
Speaker 7: Like? Oh, I don't know you like, did he get

2268
01:38:48,200 --> 01:38:51,639
Speaker 7: back home? And and when he was like, yo, when

2269
01:38:51,680 --> 01:38:53,400
Speaker 7: I get back home, you better still be here.

2270
01:38:53,439 --> 01:38:53,960
Speaker 6: I had a crib.

2271
01:38:54,000 --> 01:38:55,360
Speaker 3: I could have just left. He was like, nah, you

2272
01:38:55,400 --> 01:38:58,320
Speaker 3: should still be here. Oh that's pimping, That's that's nice. Listen,

2273
01:38:58,320 --> 01:39:00,720
Speaker 3: when I get home, you to still be and you've

2274
01:39:00,720 --> 01:39:02,880
Speaker 3: been just left the steak that ship on?

2275
01:39:03,040 --> 01:39:03,400
Speaker 1: You know what?

2276
01:39:03,479 --> 01:39:05,040
Speaker 3: I want to see you in you.

2277
01:39:05,120 --> 01:39:08,000
Speaker 5: Still you're hungry and ship he falls, Fuck, you're on different.

2278
01:39:08,040 --> 01:39:10,479
Speaker 6: Eating's a bit hungry.

2279
01:39:10,479 --> 01:39:13,120
Speaker 3: Baby. You had the wrong bitch having a chick just

2280
01:39:13,160 --> 01:39:15,000
Speaker 3: sitting in your crib and you with another chick. That

2281
01:39:15,160 --> 01:39:18,840
Speaker 3: is that's fuck. It's crazy, that's fucked up. That is

2282
01:39:18,960 --> 01:39:22,000
Speaker 3: fucked up, that's wild. I just it's just you don't

2283
01:39:22,080 --> 01:39:23,960
Speaker 3: have to live like that. You don't have to live

2284
01:39:24,080 --> 01:39:25,800
Speaker 3: like that. That's why I don't they like it. And

2285
01:39:25,920 --> 01:39:27,960
Speaker 3: you don't have to live like the ego boost.

2286
01:39:28,400 --> 01:39:31,120
Speaker 2: That's just too complicated. It's just too but it's too

2287
01:39:31,320 --> 01:39:34,599
Speaker 2: like it's too many things that could go wrong in that. Yeah,

2288
01:39:35,000 --> 01:39:36,960
Speaker 2: Like why would you even set yourself up for the

2289
01:39:37,080 --> 01:39:39,720
Speaker 2: wrong to happen? Also, like what if you smoke the

2290
01:39:39,800 --> 01:39:40,719
Speaker 2: date and she ready?

2291
01:39:42,120 --> 01:39:42,240
Speaker 8: If?

2292
01:39:43,160 --> 01:39:43,320
Speaker 7: Yeah?

2293
01:39:43,439 --> 01:39:43,559
Speaker 8: Right?

2294
01:39:45,600 --> 01:39:48,080
Speaker 3: What is she She's like, Yo, can I use the math?

2295
01:39:48,200 --> 01:39:51,640
Speaker 5: I gotta read's ankle? But what if you could have

2296
01:39:51,680 --> 01:39:53,479
Speaker 5: gotten her cheeks? Yeah?

2297
01:39:53,640 --> 01:39:55,000
Speaker 3: Like what I is she ready to go back?

2298
01:39:55,200 --> 01:39:55,400
Speaker 5: Yeah?

2299
01:39:55,439 --> 01:39:57,559
Speaker 3: Like what if she like? Y'all, it's parking right here?

2300
01:39:57,640 --> 01:39:59,960
Speaker 3: Like something New York.

2301
01:40:00,120 --> 01:40:02,719
Speaker 4: That's the thing crazy in New York. Yo, the nigga

2302
01:40:02,760 --> 01:40:04,920
Speaker 4: pull you pull up and it's parking right in front

2303
01:40:04,960 --> 01:40:08,000
Speaker 4: of the building. It's like, man, you gotta have you

2304
01:40:08,120 --> 01:40:10,599
Speaker 4: gotta give me. This don't happen.

2305
01:40:11,040 --> 01:40:13,400
Speaker 2: You don't just pull up park Praise that sentence just

2306
01:40:13,439 --> 01:40:14,000
Speaker 2: for the listeners.

2307
01:40:15,040 --> 01:40:17,599
Speaker 4: If I'm on a date, with a girl that I'm

2308
01:40:17,640 --> 01:40:21,800
Speaker 4: seeing and I pull up to her house, and if

2309
01:40:21,840 --> 01:40:23,559
Speaker 4: you live in New York City in the Five Boroughs,

2310
01:40:23,600 --> 01:40:25,960
Speaker 4: you know how hard it is to find convenient parking

2311
01:40:26,080 --> 01:40:28,960
Speaker 4: on any street. Of course, so if I pull up

2312
01:40:29,000 --> 01:40:32,439
Speaker 4: to her house and there's a parking spot in front

2313
01:40:32,479 --> 01:40:37,240
Speaker 4: of her building, a choice, she has no choice. I

2314
01:40:37,320 --> 01:40:41,120
Speaker 4: still feel like this bitches that owe me sex crazy

2315
01:40:41,400 --> 01:40:42,920
Speaker 4: in retrospect, I definitely feel like that.

2316
01:40:43,560 --> 01:40:44,080
Speaker 3: I feel like that.

2317
01:40:44,320 --> 01:40:47,479
Speaker 2: I know what Kanye was trying to say, but that's crazy.

2318
01:40:47,720 --> 01:40:48,120
Speaker 3: The climate.

2319
01:40:48,200 --> 01:40:49,519
Speaker 4: I know what he was trying to say. I don't

2320
01:40:49,560 --> 01:40:51,200
Speaker 4: care about what the climate is doing. I know exactly

2321
01:40:51,240 --> 01:40:52,080
Speaker 4: what the climate.

2322
01:40:52,120 --> 01:40:54,240
Speaker 2: There's plenty of chicks that we were supposed to fuck

2323
01:40:54,280 --> 01:40:55,400
Speaker 2: and we never ended up sucking.

2324
01:40:56,000 --> 01:40:57,519
Speaker 3: And they know it too. It's girls that say there's

2325
01:40:57,520 --> 01:41:00,720
Speaker 3: some niggas that owe me dick them ship old time.

2326
01:41:00,840 --> 01:41:04,559
Speaker 2: I just lying.

2327
01:41:04,840 --> 01:41:06,920
Speaker 3: Don't put that on, not say that all the time.

2328
01:41:07,120 --> 01:41:07,679
Speaker 3: Not only.

2329
01:41:09,400 --> 01:41:10,080
Speaker 5: Said it one time.

2330
01:41:10,120 --> 01:41:12,160
Speaker 3: He said, you say it all the time on camera,

2331
01:41:12,280 --> 01:41:14,200
Speaker 3: don't care. But she just walking out. Your niggas owe me.

2332
01:41:14,640 --> 01:41:17,280
Speaker 3: He almost says that too much. Y'all got me too

2333
01:41:17,400 --> 01:41:21,560
Speaker 3: much niggas owe me dick. I ain't gonna lie what

2334
01:41:21,680 --> 01:41:23,160
Speaker 3: they say at ten crack commandments.

2335
01:41:23,280 --> 01:41:24,680
Speaker 5: You bugging the I don't know that.

2336
01:41:25,040 --> 01:41:27,760
Speaker 3: I don't know that bar. There's no bar. No, it's

2337
01:41:27,800 --> 01:41:29,840
Speaker 3: just ain't a different biggie. You know you're gonna pay

2338
01:41:29,880 --> 01:41:33,800
Speaker 3: me later now I hear that. That's pimper. I need

2339
01:41:33,920 --> 01:41:34,880
Speaker 3: mine now.

2340
01:41:35,479 --> 01:41:37,920
Speaker 4: If I find parking in front of your building, it's

2341
01:41:38,000 --> 01:41:40,040
Speaker 4: no way. I'm just driving past the spoting girl line.

2342
01:41:40,080 --> 01:41:41,080
Speaker 3: Right, I'm not going home.

2343
01:41:41,160 --> 01:41:42,840
Speaker 7: You bug you well, you can park there as sleep there.

2344
01:41:42,880 --> 01:41:44,160
Speaker 7: Because if I ain't give you pussy, I don't give

2345
01:41:44,160 --> 01:41:44,840
Speaker 7: you pussy.

2346
01:41:45,840 --> 01:41:47,479
Speaker 3: Park, We'll never hang out again.

2347
01:41:48,400 --> 01:41:50,880
Speaker 2: See just that fast, I'd be like, all you ever

2348
01:41:50,960 --> 01:41:54,439
Speaker 2: anticipate the pussy so much that you purposely illegally park

2349
01:41:54,720 --> 01:41:56,160
Speaker 2: and are fine with the consequences.

2350
01:41:56,240 --> 01:41:58,439
Speaker 4: Oh, I've done that, what I've ended up in Brooklyn

2351
01:41:58,600 --> 01:42:01,160
Speaker 4: from the Navy yard. Take the many of weekends, like

2352
01:42:01,240 --> 01:42:01,479
Speaker 4: you know what?

2353
01:42:01,680 --> 01:42:01,920
Speaker 3: Fuck it?

2354
01:42:02,080 --> 01:42:05,200
Speaker 4: I can't windrant, I can't come downstairs and see that

2355
01:42:05,240 --> 01:42:07,200
Speaker 4: orange ticket sitting on the wing shield. Oh I'm talking

2356
01:42:07,200 --> 01:42:09,360
Speaker 4: about I don't give Oh no, no, no, no, no,

2357
01:42:09,520 --> 01:42:11,200
Speaker 4: we ain't doing that. As long as it's day. I

2358
01:42:11,240 --> 01:42:13,200
Speaker 4: don't care about the ticket on the window. Don't let

2359
01:42:13,240 --> 01:42:15,080
Speaker 4: the car not beat it. That's when the whole ship

2360
01:42:15,160 --> 01:42:15,640
Speaker 4: wasn't worth it.

2361
01:42:16,040 --> 01:42:18,800
Speaker 2: But if it's just a ticket, I mean sixty dollars pump,

2362
01:42:18,840 --> 01:42:23,720
Speaker 2: sixtys eat that are cheaper than the garage now for

2363
01:42:23,920 --> 01:42:26,400
Speaker 2: not for a pump, for a pump, not for a pump.

2364
01:42:27,120 --> 01:42:29,760
Speaker 2: But that's when you do my move. Let's put an

2365
01:42:29,760 --> 01:42:30,519
Speaker 2: old ticket in death.

2366
01:42:31,080 --> 01:42:31,599
Speaker 3: That don't work.

2367
01:42:32,320 --> 01:42:34,160
Speaker 6: It's been working for Rory for a couple of years now.

2368
01:42:34,680 --> 01:42:36,599
Speaker 5: Now what you need to do is steal a ticket

2369
01:42:36,640 --> 01:42:39,360
Speaker 5: from a car nearby ticket put it under yours.

2370
01:42:39,439 --> 01:42:40,759
Speaker 3: That's a great strategy.

2371
01:42:41,320 --> 01:42:43,200
Speaker 5: They get in way more trouble because they have an

2372
01:42:43,640 --> 01:42:47,120
Speaker 5: unpaid parking ticket, but you have a brand new as

2373
01:42:47,160 --> 01:42:48,439
Speaker 5: of today timestamp parking.

2374
01:42:48,520 --> 01:42:48,680
Speaker 8: Yeah.

2375
01:42:48,760 --> 01:42:51,280
Speaker 3: Wow, that's a really no no, no, no strategy.

2376
01:42:51,360 --> 01:42:53,800
Speaker 4: He's not you're not cooking. He puts a he puts

2377
01:42:53,880 --> 01:42:57,080
Speaker 4: an actual fine, not a ticket to pay for the meter.

2378
01:42:57,560 --> 01:43:00,640
Speaker 5: No, no, no, I'm saying like, if yeah, put a

2379
01:43:00,760 --> 01:43:01,360
Speaker 5: parking to know.

2380
01:43:01,479 --> 01:43:04,120
Speaker 7: He's saying, if somebody, if somebody around you already got

2381
01:43:04,200 --> 01:43:05,320
Speaker 7: a ticket, yeah, take that.

2382
01:43:05,600 --> 01:43:07,400
Speaker 3: Go get that their ticket and put it on.

2383
01:43:07,800 --> 01:43:09,519
Speaker 5: Because it has the time, it has the date, it

2384
01:43:09,600 --> 01:43:12,680
Speaker 5: looks like it happens to Yeah, they're not looking that hard.

2385
01:43:12,800 --> 01:43:14,960
Speaker 2: Now you're getting Now, you're getting a lot of credit.

2386
01:43:15,240 --> 01:43:17,280
Speaker 3: Yeah, little Bengala that you dude in his shirt three

2387
01:43:17,360 --> 01:43:19,040
Speaker 3: times too big for him. Like you're not reading all that,

2388
01:43:19,200 --> 01:43:19,400
Speaker 3: are you?

2389
01:43:19,560 --> 01:43:19,880
Speaker 6: Okay?

2390
01:43:20,160 --> 01:43:20,960
Speaker 3: They look just like you.

2391
01:43:22,360 --> 01:43:23,320
Speaker 2: That felt like self hate.

2392
01:43:23,600 --> 01:43:27,360
Speaker 3: Yeah, like you never see them waddling around, so they

2393
01:43:28,040 --> 01:43:30,400
Speaker 3: look like you. They don't look like me. They do.

2394
01:43:30,479 --> 01:43:35,200
Speaker 3: They don't look like a little ass hat. Let's do

2395
01:43:35,320 --> 01:43:43,000
Speaker 3: it blue, It'll be a skit. Look like that with

2396
01:43:43,080 --> 01:43:43,760
Speaker 3: the natural hair.

2397
01:43:43,920 --> 01:43:45,200
Speaker 5: No, well, yeah, the hair.

2398
01:43:45,280 --> 01:43:46,840
Speaker 2: Yeah we could if you put the hat on with

2399
01:43:46,880 --> 01:43:49,720
Speaker 2: the shield under the badge on the ship. Yeah, you

2400
01:43:50,360 --> 01:43:50,760
Speaker 2: meter mad.

2401
01:43:50,920 --> 01:43:52,080
Speaker 5: It's gotta work on the boys.

2402
01:43:52,040 --> 01:43:52,360
Speaker 3: That's all.

2403
01:43:52,680 --> 01:43:54,080
Speaker 6: Don't do that right now?

2404
01:43:55,120 --> 01:43:58,679
Speaker 3: Can I be doing what you're doing? I'm sorry, y'all

2405
01:43:58,680 --> 01:44:07,320
Speaker 3: are going to hell? Yeah three. I understand people will

2406
01:44:07,320 --> 01:44:09,800
Speaker 3: be offended, but I feel like they even think their

2407
01:44:09,840 --> 01:44:12,320
Speaker 3: accent might be funny. Bro, there's no way, and they

2408
01:44:12,439 --> 01:44:14,200
Speaker 3: know that they all hire them. I love it. It's

2409
01:44:14,240 --> 01:44:16,519
Speaker 3: nepotism we don't talk about, like.

2410
01:44:16,560 --> 01:44:19,920
Speaker 6: The nepotism of the T mobile, this customer service.

2411
01:44:19,640 --> 01:44:22,760
Speaker 4: Of the Indian workers with me, the maids, they're all

2412
01:44:22,920 --> 01:44:25,960
Speaker 4: from the same country. All of them person one of

2413
01:44:26,000 --> 01:44:28,720
Speaker 4: them niggas got an HR and just started hiring all

2414
01:44:28,760 --> 01:44:29,639
Speaker 4: of them for thirty years.

2415
01:44:30,320 --> 01:44:32,920
Speaker 3: I like that type of shit. I think that's dope. Like, yeah, fuck,

2416
01:44:33,240 --> 01:44:34,040
Speaker 3: everybody get a job.

2417
01:44:34,520 --> 01:44:36,599
Speaker 6: What's the black job? What do we hire like our niggas?

2418
01:44:37,080 --> 01:44:38,240
Speaker 3: What do we hire our niggas in?

2419
01:44:38,400 --> 01:44:41,559
Speaker 2: Yeah, when you're a man, coined the phrase the black job. Yeah,

2420
01:44:41,560 --> 01:44:46,479
Speaker 2: you know black jobs are don't physical education teachers?

2421
01:44:49,000 --> 01:44:54,519
Speaker 3: Yeah? Track coaches too, m Yeah, but you had to

2422
01:44:54,600 --> 01:44:55,400
Speaker 3: have ran track.

2423
01:44:55,600 --> 01:44:57,519
Speaker 4: See I've been I had some physical a teachers. These

2424
01:44:57,600 --> 01:45:00,080
Speaker 4: niggas ain't never been physical or had no education. So

2425
01:45:00,120 --> 01:45:02,240
Speaker 4: I said, nigga, you on work release. You just got

2426
01:45:02,400 --> 01:45:04,160
Speaker 4: They just gave you this job like you ain't no

2427
01:45:04,280 --> 01:45:05,599
Speaker 4: physical education teacher.

2428
01:45:05,880 --> 01:45:09,280
Speaker 2: Wait, so every PE teacher you've had has been black.

2429
01:45:10,520 --> 01:45:11,400
Speaker 3: Except for one.

2430
01:45:11,720 --> 01:45:13,200
Speaker 6: Might have all been old white ladies.

2431
01:45:14,040 --> 01:45:17,280
Speaker 2: Yeah, I had a mixed bag from elementary school to

2432
01:45:17,400 --> 01:45:21,280
Speaker 2: high school. Really, I've had white ladies. I've had black ladies,

2433
01:45:21,640 --> 01:45:22,080
Speaker 2: white guys.

2434
01:45:22,080 --> 01:45:24,240
Speaker 3: They just throw anybody in there that's in the teacher system,

2435
01:45:24,320 --> 01:45:24,840
Speaker 3: like come.

2436
01:45:24,760 --> 01:45:27,519
Speaker 2: Before before My dad had a mishap with Manhattan College

2437
01:45:27,560 --> 01:45:28,840
Speaker 2: the same way I did in my life.

2438
01:45:28,960 --> 01:45:31,080
Speaker 3: He was a PE major. Oh yeah, yeah.

2439
01:45:31,280 --> 01:45:33,120
Speaker 4: If I would have walked in my high school gym

2440
01:45:33,160 --> 01:45:35,240
Speaker 4: and seen Jake sitting there out of black man, I

2441
01:45:35,280 --> 01:45:36,679
Speaker 4: ain't doing nothing in this period.

2442
01:45:37,640 --> 01:45:39,160
Speaker 3: He used to doing shit.

2443
01:45:39,280 --> 01:45:41,160
Speaker 2: He always tells a funny story because he was when

2444
01:45:41,200 --> 01:45:43,360
Speaker 2: he was at Manhattan College and that was his major.

2445
01:45:43,520 --> 01:45:46,840
Speaker 2: He did like a summer program in the Bronx, like

2446
01:45:47,000 --> 01:45:50,320
Speaker 2: you know, one of those summer camps of physical activity,

2447
01:45:50,760 --> 01:45:53,679
Speaker 2: and he used to have to take the black kids

2448
01:45:53,720 --> 01:45:57,000
Speaker 2: through the Italian neighborhood and they all, like thirty of

2449
01:45:57,040 --> 01:45:59,000
Speaker 2: them would try to grab onto his shirt. They would

2450
01:45:59,000 --> 01:46:01,640
Speaker 2: be so fucking scared walking through the Italian neighborhoods of

2451
01:46:01,640 --> 01:46:02,240
Speaker 2: the Bronx.

2452
01:46:02,200 --> 01:46:02,800
Speaker 3: To go to camp.

2453
01:46:03,320 --> 01:46:06,320
Speaker 6: That's funny. No, okay, I.

2454
01:46:06,320 --> 01:46:09,840
Speaker 2: Don't like Italians at all. He's like, I'm reiterating what

2455
01:46:09,920 --> 01:46:15,360
Speaker 2: I think. I think Italians are awful human beings as

2456
01:46:15,360 --> 01:46:18,840
Speaker 2: an irishman. Yeah, I think they're awful. My dad was

2457
01:46:18,880 --> 01:46:19,320
Speaker 2: scared too.

2458
01:46:20,160 --> 01:46:21,640
Speaker 3: I don't know what the fuck you niggers grabbing on

2459
01:46:21,760 --> 01:46:21,920
Speaker 3: me for.

2460
01:46:22,000 --> 01:46:24,800
Speaker 6: I'm terrified too. Sorry, all right, my bassie, I took

2461
01:46:24,800 --> 01:46:25,120
Speaker 6: it too far.

2462
01:46:25,200 --> 01:46:26,120
Speaker 3: Do we have another voicemail?

2463
01:46:26,200 --> 01:46:28,400
Speaker 6: Did y'all ever take the pacer test? Sorry? Am I

2464
01:46:28,479 --> 01:46:29,120
Speaker 6: agent myself.

2465
01:46:29,439 --> 01:46:32,080
Speaker 3: Yeah, I was very good at that. Yeah, y'all all.

2466
01:46:32,040 --> 01:46:32,479
Speaker 6: Took it more?

2467
01:46:32,560 --> 01:46:32,920
Speaker 3: You took it?

2468
01:46:33,080 --> 01:46:33,920
Speaker 6: Or is that a US thing?

2469
01:46:34,120 --> 01:46:34,439
Speaker 2: I know?

2470
01:46:34,680 --> 01:46:35,880
Speaker 3: That was y'all.

2471
01:46:36,120 --> 01:46:38,840
Speaker 5: Wow, what would the balls of quickly?

2472
01:46:38,920 --> 01:46:41,559
Speaker 3: Had we had the SATs in the regions? Oh man,

2473
01:46:41,880 --> 01:46:45,519
Speaker 3: regions we had SAT and regions the gym the s

2474
01:46:45,560 --> 01:46:46,640
Speaker 3: at for gym like.

2475
01:46:46,800 --> 01:46:49,439
Speaker 5: Oh no, we didn't have run in between beeps back

2476
01:46:49,479 --> 01:46:52,439
Speaker 5: and forth on the lines. It's like red light green

2477
01:46:52,520 --> 01:46:53,840
Speaker 5: light without the red light and green light.

2478
01:46:54,520 --> 01:46:56,120
Speaker 3: Never did that day of my life. Oh wow.

2479
01:46:56,560 --> 01:46:59,160
Speaker 2: But you went to like a choir high school performing

2480
01:46:59,360 --> 01:46:59,760
Speaker 2: high school.

2481
01:46:59,800 --> 01:47:01,439
Speaker 3: Yeah yeah, yeah, I wasn't doing You had to stop

2482
01:47:01,479 --> 01:47:04,240
Speaker 3: singing when the beat went off. No, that's when we started.

2483
01:47:04,360 --> 01:47:05,040
Speaker 5: It was hold the note.

2484
01:47:05,280 --> 01:47:06,920
Speaker 3: The metronome countlessin.

2485
01:47:08,720 --> 01:47:10,240
Speaker 2: The PACER test sounds like a metronome.

2486
01:47:10,320 --> 01:47:13,360
Speaker 5: Yeah so, and it does, especially when it gets fast.

2487
01:47:13,360 --> 01:47:17,799
Speaker 5: All right, next voicemail, here we go, Brandon, Hey.

2488
01:47:17,760 --> 01:47:20,920
Speaker 1: Rory Maul, Julian Demeris, this is Brandon from the DMV.

2489
01:47:21,120 --> 01:47:22,519
Speaker 3: Just brand what the fuck you want? Man?

2490
01:47:24,400 --> 01:47:28,639
Speaker 1: So I was a late bloomer when it comes to looks.

2491
01:47:29,880 --> 01:47:33,000
Speaker 11: I wasn't really ugly, but girls didn't really start paying

2492
01:47:33,000 --> 01:47:36,240
Speaker 11: attention to me until after I graduated college and started

2493
01:47:36,280 --> 01:47:38,559
Speaker 11: getting down in the real world I'd say about twenty

2494
01:47:38,600 --> 01:47:41,519
Speaker 11: two to twenty three years old. From that point on,

2495
01:47:41,600 --> 01:47:45,040
Speaker 11: my life did a complete one eighty and the retention

2496
01:47:45,320 --> 01:47:49,080
Speaker 11: I was not receiving versus than what I am receiving.

2497
01:47:49,280 --> 01:47:52,320
Speaker 11: So as most late bloomers do, when they started getting

2498
01:47:52,320 --> 01:47:55,759
Speaker 11: attention from people, they just start going crazy.

2499
01:47:55,840 --> 01:47:57,759
Speaker 1: And I'm sure you know how the rest of that goes.

2500
01:47:58,560 --> 01:48:02,280
Speaker 11: So right now twenty nine, probably thirty by time you

2501
01:48:02,400 --> 01:48:07,280
Speaker 11: read this, I'm having trouble trying to shake the lustful

2502
01:48:07,400 --> 01:48:10,360
Speaker 11: aspects of my personality where I just see others in

2503
01:48:10,439 --> 01:48:13,519
Speaker 11: a lustful manner, and I'd like to be able to

2504
01:48:14,040 --> 01:48:17,960
Speaker 11: start taking my relationships more seriously. All my close friends

2505
01:48:18,000 --> 01:48:21,000
Speaker 11: are either married, engaged, or in beautiful relationships, but it

2506
01:48:21,040 --> 01:48:22,679
Speaker 11: feels like I can't seem to shake.

2507
01:48:24,560 --> 01:48:25,639
Speaker 1: Just lusting after people.

2508
01:48:25,720 --> 01:48:28,720
Speaker 11: So my question to y'all is what age do you

2509
01:48:29,400 --> 01:48:33,320
Speaker 11: shake off the lusting after people and started taking your

2510
01:48:33,360 --> 01:48:37,200
Speaker 11: relationships more seriously in that maturing aspect. So whenever you

2511
01:48:37,240 --> 01:48:39,719
Speaker 11: can get back to this, appreciate y'all. Love the pod,

2512
01:48:40,000 --> 01:48:40,559
Speaker 11: have a good one.

2513
01:48:40,960 --> 01:48:43,880
Speaker 7: Well the boys should answer this, because I'm a girl

2514
01:48:44,000 --> 01:48:45,559
Speaker 7: so I've been wanting to be married to.

2515
01:48:46,200 --> 01:48:50,040
Speaker 3: Well, I appreciate you ran or lusted, right, I appreciate Brandon.

2516
01:48:50,400 --> 01:48:50,680
Speaker 1: With that.

2517
01:48:53,560 --> 01:48:56,000
Speaker 5: Man, were still lying three D episodes.

2518
01:48:55,760 --> 01:48:57,080
Speaker 2: Twin Flames, the Soulmates, Right.

2519
01:48:58,360 --> 01:49:00,200
Speaker 4: It takes a lot for somebody to admit that they're

2520
01:49:00,320 --> 01:49:04,040
Speaker 4: in a lustful, very horny stage, which we've all had.

2521
01:49:04,120 --> 01:49:04,600
Speaker 5: Does that take it?

2522
01:49:04,880 --> 01:49:07,200
Speaker 3: Can I be respect I mean offensive to him?

2523
01:49:07,280 --> 01:49:09,000
Speaker 2: This is a classic case of someone that never got

2524
01:49:09,040 --> 01:49:10,800
Speaker 2: pussy and I was just getting pussy and doesn't even

2525
01:49:10,800 --> 01:49:11,920
Speaker 2: know what to do with it because it's such a

2526
01:49:11,960 --> 01:49:13,599
Speaker 2: new experience to him, and he wants to fuck everything

2527
01:49:13,600 --> 01:49:15,599
Speaker 2: around him because he never had access to pussy ever

2528
01:49:15,680 --> 01:49:17,120
Speaker 2: in his life, so he doesn't know how to handle it.

2529
01:49:17,600 --> 01:49:20,439
Speaker 5: That's what he said. Well, and then he's saying, Okay,

2530
01:49:20,479 --> 01:49:20,840
Speaker 5: I did that.

2531
01:49:20,880 --> 01:49:21,320
Speaker 3: I'm over it.

2532
01:49:21,400 --> 01:49:25,960
Speaker 6: I one, he's over it. She says, how do I switch?

2533
01:49:26,320 --> 01:49:27,600
Speaker 5: He's saying, he's saying, okay, I did it?

2534
01:49:27,720 --> 01:49:28,080
Speaker 8: How do I?

2535
01:49:28,520 --> 01:49:30,080
Speaker 3: No one want to tell you how to do that? Switch?

2536
01:49:30,160 --> 01:49:32,800
Speaker 3: You have to be Yeah, well, he want to make

2537
01:49:33,040 --> 01:49:35,599
Speaker 3: I think he asked that, like, when does it start

2538
01:49:35,640 --> 01:49:37,160
Speaker 3: to like you start to well, he's.

2539
01:49:37,120 --> 01:49:39,479
Speaker 6: Asked for you, guys, when did it he said.

2540
01:49:39,240 --> 01:49:40,120
Speaker 5: That is there an age to it?

2541
01:49:40,160 --> 01:49:41,200
Speaker 3: There is no age it is.

2542
01:49:41,400 --> 01:49:43,040
Speaker 4: There's no age to it, because I mean, I know

2543
01:49:43,200 --> 01:49:45,880
Speaker 4: some dudes in their fifties that's still dogs. They out

2544
01:49:45,880 --> 01:49:46,640
Speaker 4: here trying to you too.

2545
01:49:46,720 --> 01:49:48,639
Speaker 5: You've been slamming clam since ninety three.

2546
01:49:48,960 --> 01:49:50,360
Speaker 3: I don't. I don't be out here just fucking it

2547
01:49:50,640 --> 01:49:54,000
Speaker 3: was way before ninety three. No, what year you lost

2548
01:49:54,040 --> 01:50:00,519
Speaker 3: your virginity? Mam uh ninety seven, ninety six, Yeah, ninety six,

2549
01:50:00,640 --> 01:50:01,040
Speaker 3: ninety seven.

2550
01:50:01,320 --> 01:50:02,639
Speaker 6: Let's see your little Mermaid came out.

2551
01:50:02,960 --> 01:50:05,759
Speaker 2: He lost Virginia poking Big World alive.

2552
01:50:05,840 --> 01:50:06,400
Speaker 3: That's crazy.

2553
01:50:07,960 --> 01:50:11,240
Speaker 6: Wow, you know, I wasn't familiar with your game.

2554
01:50:11,600 --> 01:50:14,639
Speaker 3: I've been been fucking fucking the juicy. It's crazy.

2555
01:50:15,560 --> 01:50:17,479
Speaker 5: While it was on the radio from the.

2556
01:50:19,720 --> 01:50:23,439
Speaker 3: Honorable Class for graduated with honors.

2557
01:50:24,840 --> 01:50:26,479
Speaker 4: I think that you just get to a point where

2558
01:50:27,400 --> 01:50:29,560
Speaker 4: you know what it's it's it's it's good that he

2559
01:50:29,920 --> 01:50:34,400
Speaker 4: recognizes that he is, you know, just in a lustful stage,

2560
01:50:34,400 --> 01:50:37,360
Speaker 4: because some people don't even recognize that they just out

2561
01:50:37,439 --> 01:50:41,000
Speaker 4: here running around going crazy. So he recognized that sounds

2562
01:50:41,080 --> 01:50:45,960
Speaker 4: like he wants to move with a little more intention

2563
01:50:46,080 --> 01:50:47,680
Speaker 4: when it comes to dating and not just be a

2564
01:50:47,760 --> 01:50:51,519
Speaker 4: physical sexual thing. I just think that when you meet

2565
01:50:51,560 --> 01:50:55,720
Speaker 4: the right person and you know, you feel like I

2566
01:50:55,840 --> 01:50:57,439
Speaker 4: don't want to just I don't want this to just

2567
01:50:57,520 --> 01:50:59,439
Speaker 4: be a physical thing, like I want to kind of like,

2568
01:51:00,000 --> 01:51:01,240
Speaker 4: you know, hang out with this person, get to know

2569
01:51:01,320 --> 01:51:05,479
Speaker 4: them a little more. Obviously it's a sexual attraction, but

2570
01:51:05,600 --> 01:51:07,960
Speaker 4: you'll meet that that woman that you feel like, Yo,

2571
01:51:08,040 --> 01:51:10,479
Speaker 4: I don't want this to just be a physical, hitted

2572
01:51:10,560 --> 01:51:13,280
Speaker 4: and just like a lustful relationship. I really care about

2573
01:51:13,320 --> 01:51:15,200
Speaker 4: this woman. I want to like, you know, be a partner.

2574
01:51:15,200 --> 01:51:18,160
Speaker 4: I want to like learn about her, help her grow together,

2575
01:51:18,400 --> 01:51:21,200
Speaker 4: you know, learn about each other's you know, goals, and

2576
01:51:21,280 --> 01:51:23,400
Speaker 4: try to help each other achieve those things and things

2577
01:51:23,479 --> 01:51:25,719
Speaker 4: like that. Once you meet that person that you really

2578
01:51:25,840 --> 01:51:28,360
Speaker 4: are into, you really like away from just a sexual

2579
01:51:28,840 --> 01:51:32,280
Speaker 4: physical thing, I think that you'll naturally just you know,

2580
01:51:32,439 --> 01:51:33,880
Speaker 4: move out of that just lustful state.

2581
01:51:34,120 --> 01:51:36,360
Speaker 2: But some people do meet that person but still have

2582
01:51:36,600 --> 01:51:41,639
Speaker 2: that lust factor to them, and that's where cheating happens

2583
01:51:41,720 --> 01:51:45,719
Speaker 2: and disrespect and everything like that. You have to treat

2584
01:51:45,800 --> 01:51:48,840
Speaker 2: lusts similar to a vice to some degree, like you

2585
01:51:49,000 --> 01:51:51,559
Speaker 2: have to have discipline within it. Lust is never going

2586
01:51:51,640 --> 01:51:55,160
Speaker 2: to go away. Like even if you think your girl

2587
01:51:55,280 --> 01:51:59,200
Speaker 2: is an angel. Facts are the facts. Everyone has lust,

2588
01:51:59,680 --> 01:52:02,000
Speaker 2: it's not acting on it, and it's being respectful. Like

2589
01:52:02,040 --> 01:52:04,200
Speaker 2: you just have to have the discipline to say, all right,

2590
01:52:04,200 --> 01:52:06,920
Speaker 2: I no longer want to act on these urges. M.

2591
01:52:08,120 --> 01:52:09,040
Speaker 3: That's really what it is.

2592
01:52:09,439 --> 01:52:12,200
Speaker 2: You're not just gonna meet your soulmate and then all

2593
01:52:12,240 --> 01:52:14,160
Speaker 2: of a sudden lust disappears.

2594
01:52:14,000 --> 01:52:15,559
Speaker 7: Like yeah, And on top of that, you won't even

2595
01:52:15,600 --> 01:52:17,400
Speaker 7: know that you met your soulmate because if you're on

2596
01:52:17,400 --> 01:52:20,200
Speaker 7: a lustful mind state, you're looking at this person, you're

2597
01:52:20,280 --> 01:52:23,960
Speaker 7: objectifying them lustfully, you're not even you won't know that

2598
01:52:24,040 --> 01:52:26,360
Speaker 7: that person was your soulmate because you didn't even try

2599
01:52:26,400 --> 01:52:27,360
Speaker 7: to connect with this person.

2600
01:52:27,439 --> 01:52:28,960
Speaker 3: You didn't even try. You didn't try.

2601
01:52:29,080 --> 01:52:32,040
Speaker 7: Like dating, and the concept of trying to find your

2602
01:52:32,120 --> 01:52:34,720
Speaker 7: person takes effort and work. It's not like you just

2603
01:52:34,800 --> 01:52:36,599
Speaker 7: walk into a bar and you meet these girn people

2604
01:52:36,600 --> 01:52:38,080
Speaker 7: are like, oh, it was just love at first sight.

2605
01:52:38,280 --> 01:52:40,599
Speaker 7: If you're a lustful person, everybody is love at first

2606
01:52:40,640 --> 01:52:42,760
Speaker 7: sight because every fine girl you see you're gonna be

2607
01:52:42,760 --> 01:52:45,240
Speaker 7: attracted to. But you have to get to know people,

2608
01:52:45,320 --> 01:52:46,800
Speaker 7: and then you get to know, oh, I didn't even

2609
01:52:46,840 --> 01:52:48,560
Speaker 7: know this girl was funny, or oh I didn't know

2610
01:52:48,640 --> 01:52:50,400
Speaker 7: she was quirky in this way or oh, like you

2611
01:52:50,560 --> 01:52:52,439
Speaker 7: have to want to get to know people and be

2612
01:52:52,600 --> 01:52:55,760
Speaker 7: looking to get to know people as people like an email.

2613
01:52:56,080 --> 01:52:58,200
Speaker 2: As someone that like went through the lust phase two

2614
01:52:59,760 --> 01:53:01,880
Speaker 2: the way like alcohol has the hangover the next day

2615
01:53:02,120 --> 01:53:03,880
Speaker 2: where you like you had a blast, but you feel

2616
01:53:03,920 --> 01:53:07,000
Speaker 2: like shit. You start to get into the lust hangover

2617
01:53:07,400 --> 01:53:09,880
Speaker 2: of even right after when you go to the bathroom

2618
01:53:09,920 --> 01:53:11,479
Speaker 2: look at yourself in the mirror, like what the fuck

2619
01:53:11,560 --> 01:53:12,280
Speaker 2: am I doing?

2620
01:53:12,880 --> 01:53:14,679
Speaker 3: You have to you need a few of those moments.

2621
01:53:15,160 --> 01:53:17,360
Speaker 2: You need that because that helps with your discipline and

2622
01:53:17,400 --> 01:53:19,600
Speaker 2: when you have lustful moments or when you know that

2623
01:53:19,800 --> 01:53:22,880
Speaker 2: certain as soon as you act like this is not

2624
01:53:22,960 --> 01:53:26,160
Speaker 2: gonna be worth anything. A bust is never gonna go away.

2625
01:53:26,360 --> 01:53:32,200
Speaker 3: But my stink, stink, butts do be stinking sometimes it happens.

2626
01:53:32,200 --> 01:53:34,240
Speaker 2: Well that's what I mean, butts, if you go through

2627
01:53:34,280 --> 01:53:35,320
Speaker 2: the anatomy.

2628
01:53:36,479 --> 01:53:38,479
Speaker 3: If you go to the steakhouse. But never, I never,

2629
01:53:38,600 --> 01:53:40,120
Speaker 3: they never. I was like, how does your button?

2630
01:53:40,160 --> 01:53:44,120
Speaker 7: That's because they're wiping with which hazel or before that,

2631
01:53:45,840 --> 01:53:47,080
Speaker 7: let you go anywhere near their ass.

2632
01:53:47,080 --> 01:53:48,799
Speaker 3: They're wiping their ass which hazel?

2633
01:53:48,920 --> 01:53:52,160
Speaker 4: Mall I wipe my as with Hazel. Sometimes if my

2634
01:53:52,200 --> 01:53:53,479
Speaker 4: hemorrhoids start like flaring up.

2635
01:53:53,720 --> 01:53:56,120
Speaker 6: What you we just know way too much about each other.

2636
01:53:56,640 --> 01:53:59,840
Speaker 2: It's hemorrhoids is natural, so it's pushing come out of

2637
01:53:59,840 --> 01:54:00,400
Speaker 2: you vaginal.

2638
01:54:00,479 --> 01:54:02,760
Speaker 5: I was very Why is that where my mind went to?

2639
01:54:03,040 --> 01:54:05,080
Speaker 5: That's because because those.

2640
01:54:04,920 --> 01:54:08,400
Speaker 2: Are two exits, because you got a white and white

2641
01:54:08,439 --> 01:54:13,120
Speaker 2: you look like right, damn you like nut, look like

2642
01:54:13,160 --> 01:54:14,880
Speaker 2: the Mariss nails, like sick nut.

2643
01:54:15,800 --> 01:54:19,439
Speaker 5: This is not come white, this is linen. These are linen.

2644
01:54:19,760 --> 01:54:23,639
Speaker 3: Yeah, what does linen have to do. It's not it's linen.

2645
01:54:23,720 --> 01:54:25,280
Speaker 3: It's not calm. So I'm letting you know, we.

2646
01:54:31,000 --> 01:54:37,240
Speaker 5: Convince that you were crystallized. Come gentlemen, sir, whatever your

2647
01:54:37,280 --> 01:54:40,520
Speaker 5: name is, Brandon is his name. Yeah, I'm with him though,

2648
01:54:42,200 --> 01:54:44,240
Speaker 5: because I'm in that phase. I funk with like what

2649
01:54:44,360 --> 01:54:47,920
Speaker 5: he's saying. I resonate with like I late bloomer type

2650
01:54:47,960 --> 01:54:48,720
Speaker 5: ship like.

2651
01:54:49,400 --> 01:54:50,640
Speaker 3: You didn't get in high school.

2652
01:54:50,760 --> 01:54:53,280
Speaker 5: Well well as I also was not attracted to anyone.

2653
01:54:53,320 --> 01:54:54,280
Speaker 5: I grew up in s connected.

2654
01:54:55,160 --> 01:54:57,960
Speaker 3: I've seen some pieces of ros, some pieces of go go.

2655
01:54:58,080 --> 01:55:03,640
Speaker 5: Find them up there. But I college did what I've

2656
01:55:03,960 --> 01:55:07,520
Speaker 5: ran fucking rampant and then adult and now you're still

2657
01:55:07,520 --> 01:55:09,640
Speaker 5: out here just and you know, yeah, now you know,

2658
01:55:10,200 --> 01:55:12,280
Speaker 5: since I've been seventeen, so now it's like all right,

2659
01:55:12,440 --> 01:55:16,520
Speaker 5: like god damn, like is it. I'm like Lebron at

2660
01:55:16,560 --> 01:55:18,160
Speaker 5: this point, like when do I hang it up? But

2661
01:55:18,160 --> 01:55:20,800
Speaker 5: I'm still putting up. Lebron put up another stat I

2662
01:55:20,840 --> 01:55:25,720
Speaker 5: think that was that his tenth block. But Julian and

2663
01:55:25,960 --> 01:55:29,680
Speaker 5: that's why, like if you're too much, too much.

2664
01:55:29,880 --> 01:55:33,000
Speaker 3: Too good? No, But I feel because like the hurdle

2665
01:55:33,040 --> 01:55:33,520
Speaker 3: you have to get to.

2666
01:55:33,600 --> 01:55:36,440
Speaker 5: What Demris is saying is you have to stop approaching

2667
01:55:36,480 --> 01:55:38,360
Speaker 5: every girl or any girl that you meet or match

2668
01:55:38,440 --> 01:55:41,760
Speaker 5: with or however you're meeting women as like a singular.

2669
01:55:42,360 --> 01:55:45,160
Speaker 3: I want to like knock this down. I want to achieve.

2670
01:55:45,320 --> 01:55:47,600
Speaker 3: I want to just have a moment with her. You

2671
01:55:47,720 --> 01:55:49,280
Speaker 3: need to like do that.

2672
01:55:49,520 --> 01:55:51,400
Speaker 5: You can do that, but then also take her seriously

2673
01:55:51,520 --> 01:55:54,360
Speaker 5: as a person and carry the next phase of that

2674
01:55:54,960 --> 01:55:55,840
Speaker 5: the conversation.

2675
01:55:55,480 --> 01:55:56,000
Speaker 3: You're gonna meet.

2676
01:55:56,000 --> 01:55:59,400
Speaker 4: You're gonna meet that one girl that you're gonna like,

2677
01:55:59,760 --> 01:56:02,280
Speaker 4: like on a level that you've not liked any other.

2678
01:56:02,320 --> 01:56:04,760
Speaker 5: But you have to challenge yourself to even welcome that fish.

2679
01:56:04,800 --> 01:56:06,480
Speaker 4: Sure it sounds like he's ready for that, though it

2680
01:56:06,520 --> 01:56:08,040
Speaker 4: sounds like he's waiting for that to happen.

2681
01:56:08,120 --> 01:56:09,400
Speaker 3: He wants to know when.

2682
01:56:09,400 --> 01:56:12,400
Speaker 2: That's back to discipline, because I used to subscribe to

2683
01:56:12,480 --> 01:56:15,320
Speaker 2: the yo knock out as much pussy as you can

2684
01:56:15,400 --> 01:56:16,879
Speaker 2: in your twenties and say you don't have a midlife

2685
01:56:16,880 --> 01:56:18,880
Speaker 2: crisis and cheat on your wife, like get it out

2686
01:56:18,880 --> 01:56:21,400
Speaker 2: of your system. You don't get it out of your system.

2687
01:56:21,480 --> 01:56:25,080
Speaker 2: You form more of a habit of just fucking casually

2688
01:56:25,640 --> 01:56:28,880
Speaker 2: and just fucking new people, new pussy, like you're just

2689
01:56:28,960 --> 01:56:32,800
Speaker 2: onto the next high. So I'm glad he's saying, now,

2690
01:56:32,880 --> 01:56:35,640
Speaker 2: y'all don't really want to do this. Don't try to

2691
01:56:35,680 --> 01:56:37,200
Speaker 2: fuck as many girls as you can, because you'll just

2692
01:56:37,280 --> 01:56:40,440
Speaker 2: form a habit no offense, Julian, that you'll be sitting

2693
01:56:40,480 --> 01:56:43,720
Speaker 2: there swiping and moving on to the next chick rather

2694
01:56:43,840 --> 01:56:45,760
Speaker 2: than valuing the sex that's in front of you.

2695
01:56:45,840 --> 01:56:46,880
Speaker 3: You gotta get, you know what it is.

2696
01:56:47,000 --> 01:56:49,320
Speaker 4: You gotta get a girl that you're really attracted to

2697
01:56:50,040 --> 01:56:53,320
Speaker 4: and just make her like your homie and have that

2698
01:56:53,440 --> 01:56:56,680
Speaker 4: relationship with the fine girl that's like, y'all, we not

2699
01:56:56,840 --> 01:56:59,560
Speaker 4: having sex, like this is my homie. We hang out,

2700
01:56:59,600 --> 01:57:01,840
Speaker 4: we kick and she talks to me about women and

2701
01:57:01,960 --> 01:57:04,360
Speaker 4: I talked to her about my homeboys, what we're going through,

2702
01:57:04,400 --> 01:57:06,760
Speaker 4: and she like that with girls, have that type of relationship.

2703
01:57:06,920 --> 01:57:10,280
Speaker 4: Never never cross that physical boundary with her. Just feel

2704
01:57:10,320 --> 01:57:12,200
Speaker 4: what it feels like to be around a beautiful girl

2705
01:57:12,280 --> 01:57:13,560
Speaker 4: that you're super attracted to.

2706
01:57:13,960 --> 01:57:16,080
Speaker 3: But you will never ever cross that line.

2707
01:57:16,840 --> 01:57:19,600
Speaker 7: All over here, like show yourself that women are humans

2708
01:57:19,880 --> 01:57:22,240
Speaker 7: and that they have more to offer than they're jack.

2709
01:57:22,600 --> 01:57:25,720
Speaker 2: I'm sounded like a fetish, like you just wait it

2710
01:57:25,800 --> 01:57:26,200
Speaker 2: out with her.

2711
01:57:26,640 --> 01:57:27,520
Speaker 3: No, I'm just saying you have.

2712
01:57:27,600 --> 01:57:31,120
Speaker 5: To and then you find that parking spot outside of

2713
01:57:31,160 --> 01:57:31,560
Speaker 5: her crib.

2714
01:57:31,880 --> 01:57:33,880
Speaker 2: No, do you have spears buttering her up for the

2715
01:57:33,920 --> 01:57:36,400
Speaker 2: next year. You have to develop a relationship with a

2716
01:57:36,800 --> 01:57:38,920
Speaker 2: girl that you think is cute or pretty, So have

2717
01:57:39,000 --> 01:57:40,600
Speaker 2: a real relationship with another human being.

2718
01:57:40,600 --> 01:57:42,800
Speaker 3: That's what you're saying. Yes, she's got to be We

2719
01:57:42,920 --> 01:57:46,360
Speaker 3: told to the guy that's super ugly, not that borny.

2720
01:57:46,440 --> 01:57:48,640
Speaker 2: And I'm saying the more you do that, the more

2721
01:57:48,680 --> 01:57:51,520
Speaker 2: you'll probably devalue women and look at it just as pussy.

2722
01:57:51,640 --> 01:57:53,880
Speaker 2: So we're saying the same thing, because you form a

2723
01:57:53,960 --> 01:57:55,560
Speaker 2: habit if you continually.

2724
01:57:55,160 --> 01:57:58,000
Speaker 3: Just that's not technic. Them's not saying that.

2725
01:57:58,280 --> 01:58:00,480
Speaker 5: I'm saying that treat a woman has a human mall, saying,

2726
01:58:00,760 --> 01:58:02,920
Speaker 5: Maul's assuming this man has no women that are just

2727
01:58:03,000 --> 01:58:04,400
Speaker 5: purely friends in life.

2728
01:58:05,000 --> 01:58:06,920
Speaker 3: Well, no, I'll shoot attracted.

2729
01:58:06,960 --> 01:58:09,560
Speaker 5: I'll shoot bail because if we're projecting that I'm the

2730
01:58:09,600 --> 01:58:14,160
Speaker 5: same as this guy jokes. I have a lot of

2731
01:58:14,480 --> 01:58:16,000
Speaker 5: I've said it on this show, and you guys make

2732
01:58:16,040 --> 01:58:17,640
Speaker 5: fun of me and say I have a lot of girlfriends.

2733
01:58:17,680 --> 01:58:19,280
Speaker 5: You're like, that's good, you say girlfriends, but I do.

2734
01:58:19,360 --> 01:58:21,560
Speaker 5: I have a lot of friends that are just girls

2735
01:58:21,800 --> 01:58:24,600
Speaker 5: that I hang out with, get drinks with, like de

2736
01:58:24,720 --> 01:58:25,520
Speaker 5: Maris included.

2737
01:58:25,720 --> 01:58:27,440
Speaker 2: I'm not I'm not a teacher, so I can't call you.

2738
01:58:27,600 --> 01:58:28,000
Speaker 6: I keep no.

2739
01:58:28,160 --> 01:58:29,600
Speaker 7: I have my hand up because I really I want

2740
01:58:29,640 --> 01:58:31,040
Speaker 7: you guys to get through this, but I really want

2741
01:58:31,080 --> 01:58:32,880
Speaker 7: to know being that, like, I would really want to

2742
01:58:32,880 --> 01:58:35,480
Speaker 7: tell you guys something really important for our three hundred episode.

2743
01:58:35,720 --> 01:58:38,520
Speaker 7: Y'all have ruined my outlook on man, I was already

2744
01:58:38,600 --> 01:58:39,600
Speaker 7: dark and twisty.

2745
01:58:40,520 --> 01:58:43,760
Speaker 3: Don't put that on me. But shaw have dating history

2746
01:58:43,960 --> 01:58:47,880
Speaker 3: based on what you told me before. Your outlook actually

2747
01:58:48,000 --> 01:58:52,880
Speaker 3: got nothing to do over ten years, I haven't dated

2748
01:58:52,920 --> 01:58:54,120
Speaker 3: a man from Syracuse over since.

2749
01:58:54,320 --> 01:58:57,200
Speaker 5: Yeah, but Hiroshima is feeling repercussions years after the bomb

2750
01:58:57,240 --> 01:58:57,560
Speaker 5: went off.

2751
01:58:59,600 --> 01:59:02,040
Speaker 2: Security, I'm not carrying your fucking baggage.

2752
01:59:02,400 --> 01:59:03,680
Speaker 3: You cannot put that ship on.

2753
01:59:06,160 --> 01:59:13,480
Speaker 7: Aout Let me talk, y'all be sitting here like, so,

2754
01:59:13,720 --> 01:59:15,880
Speaker 7: I have male friends whatever, And I think that sometimes

2755
01:59:15,960 --> 01:59:17,720
Speaker 7: my male friends, especially because I was younger and like,

2756
01:59:17,800 --> 01:59:20,480
Speaker 7: they really didn't want to fuck me up, Like they

2757
01:59:20,560 --> 01:59:24,000
Speaker 7: weren't as like honest. They were honest, but they weren't

2758
01:59:24,000 --> 01:59:26,280
Speaker 7: as like just raw about ship because we talk on

2759
01:59:26,360 --> 01:59:28,680
Speaker 7: a podcast or sometimes y'all aren't even even aware of

2760
01:59:28,760 --> 01:59:29,440
Speaker 7: what y'all are saying.

2761
01:59:29,720 --> 01:59:32,720
Speaker 6: I'll just be listening, like sitting here, like, wow, men

2762
01:59:32,880 --> 01:59:34,400
Speaker 6: are awful fucking human beings.

2763
01:59:34,480 --> 01:59:36,080
Speaker 7: It's so funny the fans say that I hate men,

2764
01:59:36,120 --> 01:59:37,600
Speaker 7: but like I didn't hate men until I got here.

2765
01:59:38,160 --> 01:59:40,880
Speaker 7: When I got here and y'all started talking about how

2766
01:59:41,040 --> 01:59:42,760
Speaker 7: awful men are all the time.

2767
01:59:43,600 --> 01:59:47,800
Speaker 2: You I hate men, or whether I toxic relationships with

2768
01:59:47,920 --> 01:59:49,360
Speaker 2: men before this podcast.

2769
01:59:49,000 --> 01:59:50,440
Speaker 3: But I didn't think it was all men. I thought

2770
01:59:50,480 --> 01:59:52,400
Speaker 3: it was just them. I thought it was just them.

2771
01:59:52,520 --> 01:59:53,160
Speaker 5: That's your fault.

2772
01:59:53,440 --> 01:59:56,320
Speaker 3: That ain't not fault, that's your fault. That's your fault.

2773
01:59:56,360 --> 01:59:59,360
Speaker 2: To think you were just the three of us would

2774
01:59:59,640 --> 02:00:01,720
Speaker 2: speak all, you thought that you were just with the

2775
02:00:01,800 --> 02:00:03,080
Speaker 2: only toxic niggas in the world.

2776
02:00:04,000 --> 02:00:06,640
Speaker 5: Yeah, Like I thought, like, why would you like them?

2777
02:00:06,720 --> 02:00:08,640
Speaker 5: Where it's like, not all cops are bad. It's just

2778
02:00:08,720 --> 02:00:11,400
Speaker 5: like the three that shot the kids with the toy guns.

2779
02:00:11,520 --> 02:00:13,840
Speaker 5: It's like, yeah, but like the system is bad, like

2780
02:00:14,480 --> 02:00:17,480
Speaker 5: just bad, like the Yeah, who's to say that.

2781
02:00:17,760 --> 02:00:18,600
Speaker 3: I never thought like that.

2782
02:00:18,720 --> 02:00:20,360
Speaker 7: I was just like, damn, like I keep picking the

2783
02:00:20,400 --> 02:00:22,880
Speaker 7: wrong ones, and it's like now I realized I could

2784
02:00:22,920 --> 02:00:23,720
Speaker 7: bob my head for.

2785
02:00:23,760 --> 02:00:25,520
Speaker 3: Them apples all day. They all got.

2786
02:00:25,400 --> 02:00:26,920
Speaker 6: Worms in them, like god damn.

2787
02:00:27,640 --> 02:00:30,680
Speaker 3: Yeah, but what we got those worms from women? At

2788
02:00:30,720 --> 02:00:33,440
Speaker 3: what point? You got show worms? At what point?

2789
02:00:33,520 --> 02:00:35,880
Speaker 2: Though it happened one time, that's crazy, but you got

2790
02:00:35,920 --> 02:00:42,520
Speaker 2: word At what point do you say, ry Y Rory

2791
02:00:42,600 --> 02:00:43,720
Speaker 2: has an active ringworms.

2792
02:00:44,440 --> 02:00:47,400
Speaker 3: That's crazy. That's as a grown man at wingworms. That's crazy.

2793
02:00:48,240 --> 02:00:49,800
Speaker 2: There was a wrestling team in my high school and

2794
02:00:49,840 --> 02:00:51,080
Speaker 2: they got all the ringworms.

2795
02:00:52,280 --> 02:00:54,760
Speaker 5: Those mats are those mats are bros.

2796
02:00:54,840 --> 02:00:57,000
Speaker 3: Yeah, but the marriage at what point do you say

2797
02:00:57,040 --> 02:00:57,560
Speaker 3: it might be you?

2798
02:00:58,200 --> 02:01:01,000
Speaker 7: M Okay, Well, first of all, I take full accountability

2799
02:01:01,040 --> 02:01:02,720
Speaker 7: for the fact that I picked terrible men, So y'all,

2800
02:01:02,960 --> 02:01:03,800
Speaker 7: you ain't gonna yes, I do.

2801
02:01:03,920 --> 02:01:04,960
Speaker 3: I take full accountability for that.

2802
02:01:05,040 --> 02:01:08,200
Speaker 4: How much knowledge of how much do how much of

2803
02:01:08,360 --> 02:01:11,480
Speaker 4: the toxicity do you put into the relationship?

2804
02:01:11,760 --> 02:01:15,880
Speaker 7: Okay, see you're changing the subject. I'm not a toxic person.

2805
02:01:16,600 --> 02:01:18,280
Speaker 7: I'm not a This has been a great is three

2806
02:01:18,360 --> 02:01:20,280
Speaker 7: hundred ideal three hundred?

2807
02:01:20,760 --> 02:01:27,680
Speaker 3: This has been a great episode. Accountability finish ahead.

2808
02:01:28,400 --> 02:01:30,680
Speaker 6: I'm sitting up here taking accountability. Have I been in toxic?

2809
02:01:30,760 --> 02:01:30,920
Speaker 3: Really?

2810
02:01:31,160 --> 02:01:33,160
Speaker 6: Have I been in toxic situationships?

2811
02:01:33,400 --> 02:01:33,600
Speaker 2: I have?

2812
02:01:33,800 --> 02:01:37,160
Speaker 7: My relationships have my actual relationships are not toxic? It

2813
02:01:37,240 --> 02:01:39,200
Speaker 7: may be toxic after the breakoup. This has been a

2814
02:01:39,320 --> 02:01:41,680
Speaker 7: great three hundredth episode. I don't want to listen.

2815
02:01:41,720 --> 02:01:42,960
Speaker 3: I don't want to listen London.

2816
02:01:43,120 --> 02:01:47,240
Speaker 2: We will be in London September eighteen. Tickets September eighteenth

2817
02:01:47,960 --> 02:01:51,240
Speaker 2: in London. Tickets on sale now at New Roymaul dot com.

2818
02:01:51,640 --> 02:01:55,040
Speaker 2: I have a quick question, though, what yoones do you think?

2819
02:01:55,080 --> 02:01:55,800
Speaker 3: All meta trash?

2820
02:01:56,920 --> 02:01:57,960
Speaker 6: How give me a percentage?

2821
02:01:58,520 --> 02:02:03,240
Speaker 3: She be at the podcast trash? Are we trash? Let's

2822
02:02:03,240 --> 02:02:06,360
Speaker 3: ask trash.

2823
02:02:06,560 --> 02:02:09,840
Speaker 5: We we've done trash things, but I don't think overall?

2824
02:02:11,400 --> 02:02:14,800
Speaker 3: Thank you? Yeah, it was lustful facts.

2825
02:02:15,560 --> 02:02:17,280
Speaker 5: I'm Brandon from wherever he's from.

2826
02:02:17,360 --> 02:02:18,400
Speaker 3: I'm not a trash nigga.

2827
02:02:18,400 --> 02:02:18,680
Speaker 9: I know that.

2828
02:02:18,960 --> 02:02:20,880
Speaker 3: I don't. I don't treat women like ship. I definitely

2829
02:02:20,880 --> 02:02:22,760
Speaker 3: do not you. Yeah, you've been fucking with the wrong tea.

2830
02:02:24,000 --> 02:02:27,440
Speaker 6: Yeah you niggas is detox for sure, have your stomach.

2831
02:02:27,200 --> 02:02:31,720
Speaker 2: Rubb certainly made my mistakes before that. I own up too,

2832
02:02:31,800 --> 02:02:34,000
Speaker 2: and God is still working on me. I'm I'm an

2833
02:02:34,040 --> 02:02:34,800
Speaker 2: incomplete product.

2834
02:02:34,800 --> 02:02:37,040
Speaker 3: You can tell when niggas go to thirty boy. Rory

2835
02:02:37,160 --> 02:02:39,720
Speaker 3: got the fucking draw four card in the back pocket, though,

2836
02:02:39,840 --> 02:02:42,440
Speaker 3: will you're not unfinished pro an irishman in the chair

2837
02:02:42,640 --> 02:02:43,840
Speaker 3: bring up to draw for pocket.

2838
02:02:43,960 --> 02:02:46,320
Speaker 7: Just just shut up, Julian. Some things don't need to

2839
02:02:46,360 --> 02:02:48,200
Speaker 7: be said. I don't know why Rory is fucked up.

2840
02:02:48,240 --> 02:02:49,560
Speaker 7: We know why he's fucked up. We don't need to

2841
02:02:49,560 --> 02:02:50,800
Speaker 7: bring it up. We're not gonna joke about it.

2842
02:02:50,800 --> 02:02:52,240
Speaker 2: Oh wait, even like molesting dress.

2843
02:02:52,320 --> 02:02:54,360
Speaker 5: So you got life's draw fore card in your back pocket.

2844
02:02:54,680 --> 02:02:56,560
Speaker 5: That's my get out of jail free card for everything

2845
02:02:56,560 --> 02:02:58,360
Speaker 5: that happened in my life. Look, this happened to me.

2846
02:02:58,400 --> 02:02:59,240
Speaker 5: What are you gonna say about it?

2847
02:02:59,400 --> 02:03:00,360
Speaker 3: I never you that car.

2848
02:03:00,480 --> 02:03:03,000
Speaker 5: I would pull that ship all the time because you're

2849
02:03:03,000 --> 02:03:03,280
Speaker 5: not a pie.

2850
02:03:03,480 --> 02:03:05,640
Speaker 2: If I tripped on the sidewalk, A crazy thing to

2851
02:03:05,720 --> 02:03:08,640
Speaker 2: say to a woman like listen, I was unfaithful, but

2852
02:03:08,720 --> 02:03:10,120
Speaker 2: it's because.

2853
02:03:11,440 --> 02:03:13,560
Speaker 3: Yeah, I can never even get those words out of

2854
02:03:13,640 --> 02:03:14,320
Speaker 3: his mouth. Wow.

2855
02:03:14,360 --> 02:03:17,600
Speaker 5: I pulled this up before we close. This was Mars

2856
02:03:17,640 --> 02:03:19,640
Speaker 5: said he lost his virginity in ninety seven. These were

2857
02:03:19,680 --> 02:03:21,880
Speaker 5: the top chart songs that were charting at the end

2858
02:03:21,920 --> 02:03:24,680
Speaker 5: of nineteen ninety seven. You were clapping cheeks to Elton

2859
02:03:24,720 --> 02:03:26,160
Speaker 5: John and Jewels Jewel.

2860
02:03:26,680 --> 02:03:28,200
Speaker 3: No clapping cheeks to.

2861
02:03:28,320 --> 02:03:30,320
Speaker 6: I Believe I Can Fly as wild to.

2862
02:03:32,240 --> 02:03:33,960
Speaker 3: No y'all get to usher though, because that's what I

2863
02:03:34,040 --> 02:03:35,440
Speaker 3: was definitely fucking to. You make me wander.

2864
02:03:35,480 --> 02:03:38,480
Speaker 2: That was the record Mo money More problem, You sweat

2865
02:03:38,520 --> 02:03:40,640
Speaker 2: no body, more money, more problems, Dad, keep scrolling.

2866
02:03:40,720 --> 02:03:42,680
Speaker 3: One of the greatest years of music. No diggity, that's

2867
02:03:42,720 --> 02:03:45,680
Speaker 3: a fucking ever my Eyes by baby.

2868
02:03:45,520 --> 02:03:48,160
Speaker 2: Face in My Bed by Drew Hill. I was fucking

2869
02:03:48,200 --> 02:03:50,560
Speaker 2: for real, y'all niggas fucking to these little drill niggas.

2870
02:03:51,760 --> 02:03:54,280
Speaker 2: Yeah drill I am, Yeah, you're fucking to.

2871
02:03:54,320 --> 02:03:56,400
Speaker 3: These little to drill right way.

2872
02:03:56,480 --> 02:03:56,680
Speaker 8: Yeah?

2873
02:03:56,720 --> 02:03:58,840
Speaker 5: Wait? So Rory Roy, what year.

2874
02:03:59,080 --> 02:04:03,520
Speaker 3: Pony genuine and I was working to the classic Pony one.

2875
02:04:03,600 --> 02:04:05,920
Speaker 2: I gave my heart for But I've already told you

2876
02:04:06,120 --> 02:04:08,240
Speaker 2: I lost my virginity to Lloyd Banks.

2877
02:04:08,560 --> 02:04:08,800
Speaker 7: Got it?

2878
02:04:08,960 --> 02:04:10,080
Speaker 5: No, no, no, But I just want to look at

2879
02:04:10,080 --> 02:04:10,400
Speaker 5: the chart.

2880
02:04:10,880 --> 02:04:16,120
Speaker 3: Paul's that's I've been very vocal about that my whole Well, Okay, I.

2881
02:04:16,240 --> 02:04:21,680
Speaker 2: Lost my virginity to Lloyd Banks. I lost my virginity

2882
02:04:22,000 --> 02:04:25,160
Speaker 2: to Lloyd Banks. I didn't lose my virginity to Lloyd

2883
02:04:25,480 --> 02:04:26,280
Speaker 2: Lloyd Banks.

2884
02:04:26,200 --> 02:04:27,360
Speaker 3: Was playing lost.

2885
02:04:27,560 --> 02:04:29,040
Speaker 5: Yeah, he was with you, Okay, got you.

2886
02:04:29,640 --> 02:04:31,920
Speaker 2: This is because I was too nervous to like get

2887
02:04:32,040 --> 02:04:33,000
Speaker 2: up and go change the music.

2888
02:04:33,040 --> 02:04:34,760
Speaker 3: Oh, that's why he was called committee. You was sucking

2889
02:04:34,760 --> 02:04:35,320
Speaker 3: the usher burn.

2890
02:04:35,360 --> 02:04:38,400
Speaker 2: I didn't get chlamydia, lost my virgin Roy lost his

2891
02:04:38,480 --> 02:04:40,000
Speaker 2: virginity Comedian nine.

2892
02:04:40,040 --> 02:04:42,600
Speaker 6: I lost mine to Chris Brown. Whose girl is that?

2893
02:04:43,600 --> 02:04:45,960
Speaker 2: That's the exclaining ire Byrne would have been in appropriate

2894
02:04:45,960 --> 02:04:46,400
Speaker 2: if I got.

2895
02:04:46,320 --> 02:04:48,320
Speaker 3: Chlamydia that year. That's why I'm all he made the

2896
02:04:49,000 --> 02:04:50,640
Speaker 3: Oh I didn't hear you if you made that joke.

2897
02:04:51,000 --> 02:04:58,760
Speaker 2: Roy freakily, Oh, we don't talk about Pete Pablo's little.

2898
02:04:58,520 --> 02:05:00,400
Speaker 5: Flip Sunshine that it's a good right.

2899
02:05:00,400 --> 02:05:01,480
Speaker 3: I would have lost my virginity.

2900
02:05:01,520 --> 02:05:04,680
Speaker 5: Do that one call away is a banger d right, me,

2901
02:05:04,800 --> 02:05:07,040
Speaker 5: myself and I my boo. Look at that run?

2902
02:05:08,000 --> 02:05:10,000
Speaker 2: Are we just going to skip over? Christina Million?

2903
02:05:10,080 --> 02:05:11,200
Speaker 3: Dip it low? Yeah?

2904
02:05:11,480 --> 02:05:14,080
Speaker 5: Wow, that's just shiit?

2905
02:05:14,520 --> 02:05:16,520
Speaker 3: What got you hard? For sure? That's forgot you?

2906
02:05:16,720 --> 02:05:20,560
Speaker 5: My place? Jaheen killed this hook? I loved my place.

2907
02:05:22,600 --> 02:05:24,440
Speaker 3: Sick Nelly song. You didn't like that song?

2908
02:05:24,520 --> 02:05:25,000
Speaker 5: I love that.

2909
02:05:25,320 --> 02:05:27,280
Speaker 3: It's not a bad song. That's just a sick Nelly.

2910
02:05:27,560 --> 02:05:28,880
Speaker 3: What year you graduated high school?

2911
02:05:28,920 --> 02:05:34,440
Speaker 5: Julie twenty. I went to school year early twenty ten. Okay,

2912
02:05:35,520 --> 02:05:38,800
Speaker 5: I lost my virginity in twenty four?

2913
02:05:38,880 --> 02:05:41,320
Speaker 3: Has some music man? Eleven eleven?

2914
02:05:42,600 --> 02:05:44,240
Speaker 6: Do you guys want to get sad real quick before

2915
02:05:44,240 --> 02:05:44,800
Speaker 6: we close out?

2916
02:05:44,880 --> 02:05:47,720
Speaker 3: Jojo leave, get it out. It's actually not bad fucking music.

2917
02:05:47,800 --> 02:05:53,800
Speaker 5: Dido White Flag, good record of Slow fuck Too, Nobody's Milka.

2918
02:05:53,880 --> 02:05:57,240
Speaker 2: It was really crazy. We looked at like this time

2919
02:05:57,280 --> 02:06:01,160
Speaker 2: as being a shitty time in music. These records in

2920
02:06:01,280 --> 02:06:03,400
Speaker 2: one year would smoke the last ten.

2921
02:06:04,200 --> 02:06:04,520
Speaker 5: Jesus.

2922
02:06:05,000 --> 02:06:07,080
Speaker 2: We used to look at four as like a bad

2923
02:06:07,160 --> 02:06:07,520
Speaker 2: time in me.

2924
02:06:07,760 --> 02:06:08,040
Speaker 3: Nobody.

2925
02:06:09,040 --> 02:06:11,120
Speaker 6: It's a bad time of music that sounds the same.

2926
02:06:12,080 --> 02:06:15,200
Speaker 2: All them, all the fucking nineties real hip hop, Oh yeah.

2927
02:06:16,960 --> 02:06:17,080
Speaker 1: Yo.

2928
02:06:17,200 --> 02:06:19,840
Speaker 3: Nick Kennon, R. Kelly Jiggelow was a fucking joint step

2929
02:06:19,960 --> 02:06:20,480
Speaker 3: in the name of love.

2930
02:06:21,840 --> 02:06:27,000
Speaker 6: Of love is crazy. That was the time that that

2931
02:06:27,120 --> 02:06:29,280
Speaker 6: nigga was fucking little girls Joe. That ship is wold.

2932
02:06:29,880 --> 02:06:30,680
Speaker 3: Want to get to know you?

2933
02:06:31,480 --> 02:06:34,640
Speaker 5: Yeah, it's a banger. Wait to marriage, Okay, before before

2934
02:06:34,640 --> 02:06:36,040
Speaker 5: we just end up reading all these songs.

2935
02:06:35,920 --> 02:06:37,520
Speaker 7: What was your I was gonna say to you guys,

2936
02:06:37,600 --> 02:06:40,200
Speaker 7: I want to say your condolences real quick before we

2937
02:06:40,280 --> 02:06:41,640
Speaker 7: get before we go.

2938
02:06:42,040 --> 02:06:45,680
Speaker 2: Fat Man Scoop condolences to his family Rest in peace.

2939
02:06:45,720 --> 02:06:49,600
Speaker 2: Fat Man Scoop, thank you for everything that you contributed

2940
02:06:50,000 --> 02:06:54,520
Speaker 2: to my life, the culture. I I can't say enough

2941
02:06:54,560 --> 02:06:58,600
Speaker 2: good words about fat Man Scoop. One one time I

2942
02:06:58,680 --> 02:07:01,360
Speaker 2: got a random call when we were the old podcast.

2943
02:07:03,240 --> 02:07:04,440
Speaker 2: It was like one of the few times I ever

2944
02:07:04,520 --> 02:07:07,560
Speaker 2: answered a random number, and I thought it was a prank,

2945
02:07:08,600 --> 02:07:10,680
Speaker 2: Like I thought someone was like doing a Fat Man

2946
02:07:10,720 --> 02:07:11,480
Speaker 2: Scoop impression.

2947
02:07:11,760 --> 02:07:13,240
Speaker 3: It was really fat Man Scoop.

2948
02:07:13,320 --> 02:07:15,520
Speaker 2: And not to say we ever like had a friendship

2949
02:07:15,520 --> 02:07:18,480
Speaker 2: a relationship, but that was like the coolest moment to

2950
02:07:18,560 --> 02:07:21,920
Speaker 2: me that Fat Man Scoop was on the phone of

2951
02:07:22,120 --> 02:07:26,280
Speaker 2: just like idolizing him for my childhood of who he

2952
02:07:26,440 --> 02:07:30,200
Speaker 2: was as a DJ and just his voice was everything

2953
02:07:30,560 --> 02:07:34,400
Speaker 2: to me. So that was definitely definitely a rough one

2954
02:07:34,720 --> 02:07:35,440
Speaker 2: this past week.

2955
02:07:35,680 --> 02:07:36,560
Speaker 3: That video was rough.

2956
02:07:36,600 --> 02:07:38,320
Speaker 6: I came across the video before I got the news

2957
02:07:38,400 --> 02:07:39,080
Speaker 6: that was rough.

2958
02:07:40,040 --> 02:07:43,000
Speaker 2: Yeah, I'm still on the side of I think it's

2959
02:07:43,080 --> 02:07:46,920
Speaker 2: really fucked up when people share videos like that, but

2960
02:07:46,960 --> 02:07:49,560
Speaker 2: that's I do want to find some some beauty in it,

2961
02:07:49,920 --> 02:07:51,120
Speaker 2: but that's respect.

2962
02:07:51,200 --> 02:07:53,760
Speaker 4: No, but people got to understand something because that was

2963
02:07:53,880 --> 02:07:56,200
Speaker 4: just somebody that was at the show recording. They posted

2964
02:07:56,280 --> 02:07:59,800
Speaker 4: that during the show and it just so happened that

2965
02:08:00,200 --> 02:08:03,600
Speaker 4: they caught that moment and the show ended there obviously,

2966
02:08:03,720 --> 02:08:05,040
Speaker 4: and it was but it was already up.

2967
02:08:05,600 --> 02:08:07,120
Speaker 3: They didn't know that that he was gonna die.

2968
02:08:07,160 --> 02:08:09,400
Speaker 2: He didn't know, not the exact person that filmed it,

2969
02:08:09,440 --> 02:08:12,960
Speaker 2: but it obviously traveled after that once he passed.

2970
02:08:13,000 --> 02:08:14,400
Speaker 3: Oh yeah, that was said.

2971
02:08:15,040 --> 02:08:17,720
Speaker 2: No, I'm not the person that posted it. Was really like, yo,

2972
02:08:17,800 --> 02:08:18,160
Speaker 2: what the fuck?

2973
02:08:18,240 --> 02:08:19,720
Speaker 4: Yea, yeah, they was at the show, didn't know what

2974
02:08:19,920 --> 02:08:21,960
Speaker 4: was really happening. They just happened to catch that moment

2975
02:08:22,840 --> 02:08:23,280
Speaker 4: on camera.

2976
02:08:23,560 --> 02:08:27,040
Speaker 2: I mean, it's very very respectfully and I hope it

2977
02:08:27,080 --> 02:08:30,919
Speaker 2: comes across that way to find beauty in that tragedy.

2978
02:08:32,280 --> 02:08:35,000
Speaker 2: The last words of Fat Man's Scoop to me have

2979
02:08:35,360 --> 02:08:38,880
Speaker 2: some type of beauty to Yeah, I agree. Yeah, his

2980
02:08:39,080 --> 02:08:43,360
Speaker 2: life in his career, and I know his family doesn't

2981
02:08:43,440 --> 02:08:45,880
Speaker 2: view him as fat man Scoop and his legacy doesn't

2982
02:08:45,880 --> 02:08:48,600
Speaker 2: matter to them in that regard. But to what he

2983
02:08:48,680 --> 02:08:52,240
Speaker 2: contributed to all of us, I did find some beauty

2984
02:08:53,320 --> 02:08:57,760
Speaker 2: in his last moments. If that's what was going to happen,

2985
02:08:58,640 --> 02:09:01,440
Speaker 2: I think Fat Man's Scoop would would like those to

2986
02:09:01,520 --> 02:09:06,320
Speaker 2: be his last words of how he went out again.

2987
02:09:06,320 --> 02:09:08,440
Speaker 2: I mean, that's so respectfully. I hope that didn't come across.

2988
02:09:08,560 --> 02:09:11,240
Speaker 4: Rest in peace to Isaac Freeman, the third known to

2989
02:09:11,360 --> 02:09:17,600
Speaker 4: us as Fat Man's Scoop. Hip Hop Royalty, A voice

2990
02:09:17,640 --> 02:09:22,840
Speaker 4: that you know is forever echoed into the culture. You

2991
02:09:22,920 --> 02:09:25,800
Speaker 4: can't hear some of the greatest hits without hearing Fat

2992
02:09:25,880 --> 02:09:26,880
Speaker 4: Man's Scoop's voice.

2993
02:09:28,040 --> 02:09:30,400
Speaker 3: Just the energy that he injected into a song, into.

2994
02:09:30,280 --> 02:09:33,040
Speaker 4: The culture, A culture that he loved, a culture that

2995
02:09:33,720 --> 02:09:35,440
Speaker 4: he was a major part of, a culture that he

2996
02:09:35,560 --> 02:09:40,160
Speaker 4: helped to build to what it is today. You know,

2997
02:09:40,240 --> 02:09:44,480
Speaker 4: it's just a tragic way to pass. But like you said, Rory,

2998
02:09:45,840 --> 02:09:50,480
Speaker 4: in some sense, in some silver lining to try to

2999
02:09:50,560 --> 02:09:57,120
Speaker 4: find you know, some beauty and tragedy. He probably went

3000
02:09:57,200 --> 02:09:59,440
Speaker 4: out the way that Fat.

3001
02:09:59,320 --> 02:10:00,360
Speaker 3: Man's school would go out.

3002
02:10:00,680 --> 02:10:05,080
Speaker 4: Yeah, and just you know, speaking to an audience of

3003
02:10:05,200 --> 02:10:09,640
Speaker 4: hip hop lovers of the culture, you know, it's it's

3004
02:10:09,680 --> 02:10:12,640
Speaker 4: it's it's unfortunate the way it happened. But you know,

3005
02:10:13,040 --> 02:10:16,560
Speaker 4: I was taught to never question God and the way

3006
02:10:16,640 --> 02:10:21,040
Speaker 4: things happen, and there's always a message in it, and

3007
02:10:21,160 --> 02:10:25,440
Speaker 4: I think that, you know, fat Man Scoops message was

3008
02:10:26,680 --> 02:10:29,760
Speaker 4: to live life, to have fun, to party, to love

3009
02:10:29,840 --> 02:10:33,200
Speaker 4: each other, come together under this common thing called hip hop.

3010
02:10:34,560 --> 02:10:38,000
Speaker 4: Embrace each other and support each other and just genuinely

3011
02:10:38,080 --> 02:10:40,400
Speaker 4: have a good time and enjoy every moment because we

3012
02:10:40,560 --> 02:10:43,600
Speaker 4: don't know when it's going to be our final moment.

3013
02:10:43,680 --> 02:10:47,200
Speaker 4: So rest in peace to mister Isaac Freeman the third

3014
02:10:47,880 --> 02:10:52,280
Speaker 4: Uh better known as fat Man Scoop and pivoting to

3015
02:10:52,400 --> 02:10:56,560
Speaker 4: another tragic passing, Rest in peace to Rich Homie Kwan.

3016
02:10:56,880 --> 02:10:59,280
Speaker 2: This happened while we were recording. We didn't really have

3017
02:10:59,440 --> 02:11:03,600
Speaker 2: much time to even process this. I still am not

3018
02:11:03,760 --> 02:11:07,720
Speaker 2: fully sure how he This happened mid mid pop.

3019
02:11:07,720 --> 02:11:08,720
Speaker 3: During the pod.

3020
02:11:09,040 --> 02:11:13,240
Speaker 5: The early reports were allegedly a bad pale or a

3021
02:11:13,360 --> 02:11:16,920
Speaker 5: drug that he took he died in at his at

3022
02:11:16,960 --> 02:11:20,040
Speaker 5: his house. So that's as as of now. If we're

3023
02:11:20,040 --> 02:11:22,240
Speaker 5: wrong or wrong, you know, but as of now, that's

3024
02:11:22,280 --> 02:11:22,800
Speaker 5: the report.

3025
02:11:23,240 --> 02:11:26,160
Speaker 2: Yeah again, we we are recording and did not get

3026
02:11:26,160 --> 02:11:28,480
Speaker 2: the information. So all I have to say here is

3027
02:11:28,960 --> 02:11:32,840
Speaker 2: rest in peace rich Ony Kwan. Condolences. I'm not sure

3028
02:11:32,880 --> 02:11:36,360
Speaker 2: if he had kids or not, but condolences to his family.

3029
02:11:37,520 --> 02:11:39,800
Speaker 3: Tragic passiony, tragic story.

3030
02:11:40,560 --> 02:11:45,320
Speaker 2: Legend in his own right, absolutely control to era controlled,

3031
02:11:45,320 --> 02:11:47,960
Speaker 2: a melody that is used to this fucking day.

3032
02:11:48,400 --> 02:11:51,160
Speaker 6: We say lifestyle so much on this fucking podcast, but.

3033
02:11:51,360 --> 02:11:54,800
Speaker 2: Rich Homi Kwan shout out. There's a lot of his

3034
02:11:54,960 --> 02:11:59,080
Speaker 2: DNA and in these new kids and how they wrap

3035
02:11:59,440 --> 02:12:01,080
Speaker 2: and a lot of the comes from rich Homy Kwan.

3036
02:12:01,360 --> 02:12:05,080
Speaker 2: So rest in peace to a legend his own right,

3037
02:12:05,600 --> 02:12:09,080
Speaker 2: and condolences to his family. I guess we'll find out

3038
02:12:09,160 --> 02:12:13,040
Speaker 2: more details as they come, but you know, not to

3039
02:12:13,160 --> 02:12:17,840
Speaker 2: do a damp way too and the pod, no, I.

3040
02:12:17,880 --> 02:12:20,040
Speaker 4: Mean, you know, it's it's it's part of it. I mean,

3041
02:12:20,080 --> 02:12:22,400
Speaker 4: we we you know, it's part of it. This is

3042
02:12:22,480 --> 02:12:25,480
Speaker 4: part of the deal. You know, we're gonna live. It's

3043
02:12:25,520 --> 02:12:28,160
Speaker 4: all about how we live. And you know, hopefully rich

3044
02:12:28,560 --> 02:12:31,520
Speaker 4: rich homy Kwan lived the way he was supposed to.

3045
02:12:33,080 --> 02:12:36,160
Speaker 4: Hopefully his family is you know, covered at this time

3046
02:12:36,200 --> 02:12:40,600
Speaker 4: a tragedy. Prayers to them, send positive energy to them,

3047
02:12:41,160 --> 02:12:42,400
Speaker 4: comforting energy to them.

3048
02:12:43,440 --> 02:12:44,280
Speaker 3: But it is tragic.

3049
02:12:44,360 --> 02:12:46,480
Speaker 4: It is tragic anytime we, you know, open our phones

3050
02:12:46,520 --> 02:12:49,880
Speaker 4: and see some of the people that have given us

3051
02:12:49,920 --> 02:12:52,440
Speaker 4: so many dope moments and had so many fun so

3052
02:12:52,560 --> 02:12:55,800
Speaker 4: many fun times hearing their voices and their music, to

3053
02:12:56,240 --> 02:12:58,200
Speaker 4: learn or to hear that they're no longer with us,

3054
02:12:58,240 --> 02:12:59,040
Speaker 4: it's always.

3055
02:12:58,800 --> 02:12:59,920
Speaker 3: A sad time.

3056
02:13:00,280 --> 02:13:03,320
Speaker 4: So, you know, regardless of how we passed, is you know,

3057
02:13:03,720 --> 02:13:10,560
Speaker 4: being reported as an overdose, probably accidental overdose, but you know,

3058
02:13:10,640 --> 02:13:12,800
Speaker 4: either way, it's just a tragic story, a tragic end

3059
02:13:13,560 --> 02:13:17,840
Speaker 4: to a vibrant young life. So rest in peace, rich

3060
02:13:17,840 --> 02:13:22,640
Speaker 4: tomy Kahan. Prayers condolences to your family. And with that

3061
02:13:22,760 --> 02:13:26,720
Speaker 4: being said, you know, let's just always try to remember that,

3062
02:13:26,960 --> 02:13:30,200
Speaker 4: you know, this experience, this journey called life is is

3063
02:13:30,320 --> 02:13:34,760
Speaker 4: very fragile, it's very brief, and we should take, you know,

3064
02:13:35,200 --> 02:13:37,320
Speaker 4: as much time as we can to make sure that

3065
02:13:37,360 --> 02:13:39,920
Speaker 4: we enjoy it and then we're doing something that is

3066
02:13:40,000 --> 02:13:43,000
Speaker 4: going to leave a positive impact when we're no longer here.

3067
02:13:43,200 --> 02:13:46,760
Speaker 4: And to leave a positive, you know, energy when our

3068
02:13:46,800 --> 02:13:48,360
Speaker 4: physical is no longer here, so.

3069
02:13:48,760 --> 02:13:52,960
Speaker 2: Which is also crazy. Before we started recording me, Julian

3070
02:13:53,040 --> 02:13:55,920
Speaker 2: and Jolms, we're talking about Juice World and Dolf and

3071
02:13:56,000 --> 02:14:00,760
Speaker 2: how talented they both were, and that's what's that trick

3072
02:14:02,120 --> 02:14:04,360
Speaker 2: took that quick break and Julian was like, yo to

3073
02:14:05,760 --> 02:14:08,080
Speaker 2: Rachel mcclin, just passed. The first thing I thought was like,

3074
02:14:08,200 --> 02:14:11,320
Speaker 2: we were just going through Juice WRLD and Dolph right before.

3075
02:14:11,480 --> 02:14:14,880
Speaker 3: Did you know that they were cousins Juice WRLD and Dolph.

3076
02:14:15,440 --> 02:14:16,040
Speaker 3: I never knew that.

3077
02:14:16,600 --> 02:14:19,760
Speaker 5: And obviously Juice World tragic overdose, Dolph is shooting, and

3078
02:14:19,800 --> 02:14:21,440
Speaker 5: it's like, this is just like what an awful thing

3079
02:14:21,520 --> 02:14:23,720
Speaker 5: that happened in that family. And then and maybe not

3080
02:14:23,800 --> 02:14:25,480
Speaker 5: even an hour later, this is what happens.

3081
02:14:25,600 --> 02:14:28,960
Speaker 4: Yeah, it's tough, man, but you know, just make sure

3082
02:14:29,040 --> 02:14:30,960
Speaker 4: we were taking care of ourselves. Man, I mean, I

3083
02:14:31,040 --> 02:14:34,280
Speaker 4: know we you know, this culture, this lifestyle sometimes can

3084
02:14:35,240 --> 02:14:37,360
Speaker 4: you know, we fall into these vices and these things.

3085
02:14:37,480 --> 02:14:40,320
Speaker 3: Man, that's just not good for us. It's not healthy

3086
02:14:40,400 --> 02:14:40,640
Speaker 3: for us.

3087
02:14:40,720 --> 02:14:42,920
Speaker 4: And you know it's easier said than done, but we

3088
02:14:43,000 --> 02:14:44,840
Speaker 4: gotta we gotta kind of find a way to pivot

3089
02:14:44,880 --> 02:14:48,680
Speaker 4: away from so much of the devices that we just

3090
02:14:48,800 --> 02:14:52,280
Speaker 4: find ourselves falling into, you know, whether it's drugs, alcohol,

3091
02:14:53,360 --> 02:14:55,320
Speaker 4: you know, whatever it is. Man, we gotta we gotta

3092
02:14:55,400 --> 02:14:57,360
Speaker 4: kind of find we gotta find a better way to

3093
02:14:59,040 --> 02:15:02,880
Speaker 4: party and enjoy ourselves. So please, if you know one

3094
02:15:02,920 --> 02:15:05,520
Speaker 4: of those people that are you know, addicted to any

3095
02:15:05,600 --> 02:15:10,360
Speaker 4: type of you know, anything, just be safe, be careful,

3096
02:15:11,040 --> 02:15:14,600
Speaker 4: get some help, talk to somebody. There's other ways to,

3097
02:15:15,280 --> 02:15:17,480
Speaker 4: you know, kind of cope with pain and trauma and

3098
02:15:17,560 --> 02:15:20,120
Speaker 4: things like that. But we need to find a way

3099
02:15:20,240 --> 02:15:22,240
Speaker 4: so that we don't keep waking up or opening our

3100
02:15:22,280 --> 02:15:25,240
Speaker 4: phones to such tragic passion at such a young age.

3101
02:15:25,280 --> 02:15:28,120
Speaker 4: It's just something that I think that we can try

3102
02:15:28,200 --> 02:15:30,640
Speaker 4: to work at and do better at as far as

3103
02:15:30,720 --> 02:15:33,200
Speaker 4: protecting ourselves and making sure that, you know, we can

3104
02:15:33,320 --> 02:15:36,360
Speaker 4: kind of live longer, because it's it's it's it's enough

3105
02:15:36,400 --> 02:15:41,200
Speaker 4: for seeing young men and young women die at young

3106
02:15:41,280 --> 02:15:42,040
Speaker 4: ages over.

3107
02:15:43,400 --> 02:15:43,800
Speaker 3: Vices.

3108
02:15:44,840 --> 02:15:46,480
Speaker 4: Like I'm tired of seeing that shit that that we

3109
02:15:46,560 --> 02:15:47,920
Speaker 4: need to kind of move, we need to move away

3110
02:15:47,920 --> 02:15:50,360
Speaker 4: from that. We need to do something else. So again,

3111
02:15:50,400 --> 02:15:55,040
Speaker 4: prayers to the family, and yeah, until next time, We'll

3112
02:15:55,080 --> 02:15:57,840
Speaker 4: talk to y'all soon. Be safe, be blessed, enjoy life,

3113
02:15:57,920 --> 02:15:58,400
Speaker 4: live life.

3114
02:15:59,200 --> 02:16:03,800
Speaker 3: I'm that nigga. He's just Ginger Peace no Worran Mound