WEBVTT - Cultural Icons and Web3 w/ Jeff Staple

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<v Speaker 1>At any point in the past twenty five years of

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<v Speaker 1>Staples history, I could have said I want to start

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<v Speaker 1>my own sneaker brand, right, I could have done that,

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<v Speaker 1>but I was like, you know what, I've seen a

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<v Speaker 1>lot of my friends try to start sneaker brands and

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<v Speaker 1>it's challenging, and so why should I start a sneaker

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<v Speaker 1>brand when I can call somebody at like Nike or

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<v Speaker 1>New Balance or Timberland and be like, like, am I

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<v Speaker 1>really gonna make a boot better than Timberland? Like maybe

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<v Speaker 1>in twenty years I will, you know, So like, how

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<v Speaker 1>about I just work with Timberland and we sort of

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<v Speaker 1>like complement each other on what we like to do.

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<v Speaker 1>Knows We'll look you see afro Tech, Black Tech, Green

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<v Speaker 1>Money and welcome to the episode. And so check it

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<v Speaker 1>out just a couple of weeks ago, maybe like two

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<v Speaker 1>or three weeks ago Afro Tech World. We welcome Jeff

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<v Speaker 1>Staple to this state. Jeff is a creative visionary with

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<v Speaker 1>work encompassing graphic design, fashion design, fullware design, and brand marketing.

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<v Speaker 1>He's a founder of the read Our Department, which is

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<v Speaker 1>also known as Staples Design, and he's worked on career

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<v Speaker 1>it IF projects ranging startup brands to fortune companies. He

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<v Speaker 1>found a Staple in New York based pioneering streetwear brand

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<v Speaker 1>with a now infamous pigeon logo. And Jeff Stable is

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<v Speaker 1>talking to our Jeff Jeff Nelson, who is co founder

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<v Speaker 1>and CTO ad blvity at afro tech World. Hey, what's

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<v Speaker 1>up Afro tech World. This is Jeff Nelson. I am

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<v Speaker 1>the co founder and chief technology officer of Bravity, Inc.

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<v Speaker 1>I'm here with a very special guest, Jeff Staple. I

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<v Speaker 1>gotta say I like the name, but I'm here and

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<v Speaker 1>honored to have this conversation with you. With you, uh,

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<v Speaker 1>many people in our audience I'm sure are familiar with you.

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<v Speaker 1>You are one of the o G visionaries. Uh and

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<v Speaker 1>so many, so many different industries, so streetwear, fashion, sneakers,

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<v Speaker 1>design in general. Um So, it's cool to have this

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<v Speaker 1>conversation with you. Just learn about how you know your

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<v Speaker 1>passionate and how you develop your brands, but also how

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<v Speaker 1>those brands as are intersecting with technology as we look

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<v Speaker 1>forward to the future and talking about Web three and

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<v Speaker 1>the metaverse and things like that. Um So, so my

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<v Speaker 1>first question is, you know, I want to take a

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<v Speaker 1>trip down memory lane. So in nineteen seven, you you

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<v Speaker 1>started Staple Design. UM. When I hear I don't know

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<v Speaker 1>about you, I'm like, oh, ninety seven, that wasn't that

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<v Speaker 1>long ago. But when you do the math, that was

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<v Speaker 1>twenty five years ago, right. So you built this brand

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<v Speaker 1>that has been relevant for literally decades, and it's transcended

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<v Speaker 1>so many different things, right that that I just mentioned,

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<v Speaker 1>you know, fashion, design, etcetera, etcetera. Can you talk about

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<v Speaker 1>when it clicked for you incorporating technology into these brands

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<v Speaker 1>and all that you do know sort of what was

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<v Speaker 1>the genesis of that idea and how how did that

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<v Speaker 1>come to fruition? UM. Well, first of all, Jeff, thanks

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<v Speaker 1>for having me on and shout out to AFRO Tech

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<v Speaker 1>and everyone out there watching. UM. Definitely honored to be

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<v Speaker 1>part of this talk and share some ideas. UM. And

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<v Speaker 1>I guess we must be of similar generation, Jeff, because

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<v Speaker 1>I'm the same Like when I hear that song Till Infinity,

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<v Speaker 1>that doesn't feel that long ago to be. But ninety

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<v Speaker 1>three is like most of my employees weren't even alive yet,

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<v Speaker 1>you know, I have to like remember that. UM. So

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<v Speaker 1>it is it is crazy how time flies, UM, And

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<v Speaker 1>it's definitely a blessing that what I've been able to

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<v Speaker 1>create has been able to transcend, you know, decades and generations.

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<v Speaker 1>I see fathers and their kids both rocking Staple and

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<v Speaker 1>you know, both rocking stuff that I've done. So it's

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<v Speaker 1>really cool. Um. Well, to answer your question about like

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<v Speaker 1>technology and how that plays into fashion and are this

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<v Speaker 1>this occurred for me really really early on? Man? I mean,

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<v Speaker 1>you know, I feel like half of this conversation is

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<v Speaker 1>going to be about how how I'm gonna date myself.

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<v Speaker 1>But I remember when we first started marketing, right, like

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<v Speaker 1>the idea of like going viral or marketing meant, uh,

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<v Speaker 1>you would make a postcard at like they had these

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<v Speaker 1>companies called like One Postcard, which was honestly like a

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<v Speaker 1>technological wonder because before that, making flyers posters of postcards

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<v Speaker 1>was like a very gated process, like you really needed

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<v Speaker 1>to know offset printers and stuff like that. Then these

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<v Speaker 1>companies came out with this concept called called gang run printing,

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<v Speaker 1>which I know sounds really like, you know, mischievous, but

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<v Speaker 1>it's not gang run printing. Are these companies that basically said, hey,

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<v Speaker 1>there's all these people throwing parties and they need flyers

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<v Speaker 1>and they need invites, and all these DJs want to

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<v Speaker 1>promote their night, why don't instead of working with them individually,

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<v Speaker 1>why don't we call them all in, like fifty of

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<v Speaker 1>them and basically put all their flyers on one big

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<v Speaker 1>printer and then printed all at once and slice them

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<v Speaker 1>up and give it to each person. But everyone saves money, right,

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<v Speaker 1>So it's like this sort of like really communal thing.

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<v Speaker 1>And I remember when I would get postcards made and

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<v Speaker 1>I would drop them off at like record shops and

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<v Speaker 1>cafes and bars. The my social media marketing butget at

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<v Speaker 1>the time was basically how many inches of postcards I

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<v Speaker 1>would leave at each establishment. So if I thought this

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<v Speaker 1>place was like popping, I'd be like, they get two inches,

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<v Speaker 1>I'm gonna give them a two inches that back, you know.

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<v Speaker 1>But it's like if this place wasn't that popping, they

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<v Speaker 1>get a quarter inch, you know what I mean. That

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<v Speaker 1>was marketing back then, And even though it sounds really naive,

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<v Speaker 1>but like I was using technology at the time of

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<v Speaker 1>what I had, because before that it was literally hand

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<v Speaker 1>to mouth, like you had to shake someone's hand and

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<v Speaker 1>tell them about your brand. It was like word of

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<v Speaker 1>mouth marketing. So this idea of using like postcards something

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<v Speaker 1>as dumb as that. You know, Um, I learned really

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<v Speaker 1>early that, like I have to go beyond myself and

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<v Speaker 1>my ability to shake people's hands and kind of spread

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<v Speaker 1>the knowledge as quickly as I possibly could. Obviously, print

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<v Speaker 1>advertising was something that was happening back then, you know,

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<v Speaker 1>magazines and stuff. But the moment the digital revolution started

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<v Speaker 1>to happen, where instead of putting an ad in a

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<v Speaker 1>magazine and sort of crossing your fingers and being like,

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<v Speaker 1>I hope hundreds of people see this, but I actually

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<v Speaker 1>have no validation or idea if that's actually happening. You know, once,

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<v Speaker 1>once the analytics and the tracking of social media and

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<v Speaker 1>you know, just web one really like website started to

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<v Speaker 1>come I don't know if you remember Google came out

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<v Speaker 1>with like blog Spot, and like blog Spot pages were

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<v Speaker 1>like the first blog, right, and you could pick your

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<v Speaker 1>template and stuff like that. And I remember they added

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<v Speaker 1>this feature where you can add a little ticker to

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<v Speaker 1>the side of your website to show how many people

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<v Speaker 1>had visited your website. And that was like, you know,

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<v Speaker 1>this is pre likes, pre retweets or anything, but it's

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<v Speaker 1>like every day I would wake up and be like holy,

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<v Speaker 1>like twelve people came over the over the course of

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<v Speaker 1>last vague and visited, you know, and you would just

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<v Speaker 1>wait to see that thing. But like that initial tracking

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<v Speaker 1>of idea was so cool. Um. And I just think

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<v Speaker 1>that I've always tried to stay um somewhat. I want

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<v Speaker 1>to say abreast of the technology. I don't want to

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<v Speaker 1>call myself a technological innovator. Um. I. I do wait

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<v Speaker 1>to see if when a technology comes out, if it

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<v Speaker 1>has stickiness before I invest my time. You know. One

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<v Speaker 1>thing that I want to emphasize is that time is

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<v Speaker 1>the most valuable asset that any of us have. So

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<v Speaker 1>for me to go in and be like, you know,

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<v Speaker 1>I'm gonna spend all of my money, time, energy and

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<v Speaker 1>effort on video like that would have sucked. Like if

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<v Speaker 1>I did that, you know, so like no, no disrespect

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<v Speaker 1>the video, But like you gotta pick and choose your

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<v Speaker 1>battles to see like where you're gonna go, Like, frankly,

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<v Speaker 1>I'm not really on TikTok, nor is my brand. That

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<v Speaker 1>might be a big mistake for my brand, you know,

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<v Speaker 1>but we've chosen to be like no, let's go, let's

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<v Speaker 1>go with Instagram. Um And now, as you mentioned, it

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<v Speaker 1>alluded to Web three. I mean, I'm I'm all in

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<v Speaker 1>on Web three, and I'm happy I am because I

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<v Speaker 1>think if I had spent a lot of time and

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<v Speaker 1>energy on TikTok, you know, maybe I might have looked

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<v Speaker 1>at Web three and been like, I don't have time

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<v Speaker 1>for another thing. You know, I can't go into that.

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<v Speaker 1>So that's sort of like my my foreign into technology.

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<v Speaker 1>That's so cool and and it's really interesting. I mean,

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<v Speaker 1>you tell the story about the postcards and how you

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<v Speaker 1>know back then we were using tech, even you know

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<v Speaker 1>in the nineties when we don't think of those things

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<v Speaker 1>as tech. But I think what it speaks to is

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<v Speaker 1>just your ability to be, you know, relatively speaking, ahead

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<v Speaker 1>of the curve, even if just a step ahead, right, um,

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<v Speaker 1>And that's super super important, and so forwards I call

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<v Speaker 1>it scrappy, you know, the hustler mentality, right, which which

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<v Speaker 1>is so important. And so you made this bet on

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<v Speaker 1>Web three and crypto. You're doing a lot of things

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<v Speaker 1>in that space. I am curious for someone with your

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<v Speaker 1>back background and you know, being a creative um, especially

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<v Speaker 1>being a physical creator. Now you're you're and I don't

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<v Speaker 1>want to say a transitioning because I don't think you're

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<v Speaker 1>leaving that part of your your ethos behind, but you're

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<v Speaker 1>augmenting and complementing that with being a digital creator. So

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<v Speaker 1>can you talk a little bit about that transition, what's

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<v Speaker 1>different about creating in the digital space, but also what's

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<v Speaker 1>similar to your previous work. I mean, I got I

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<v Speaker 1>got a first preface this by saying, my foray into

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<v Speaker 1>web three is literally, as of today months old, like

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<v Speaker 1>it is, it's brand spanking news, so it's completely fresh,

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<v Speaker 1>it's completely it's changing all the time. I'm learning every

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<v Speaker 1>single day. People think I'm an expert. I'm not. Nobody

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<v Speaker 1>is an expert because it's constantly changing, you know. Um

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<v Speaker 1>but I did dabble into uh the web three n

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<v Speaker 1>f T space last year, um by through the means

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<v Speaker 1>of collaboration, you know. And and if you look at

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<v Speaker 1>the course of my career, uh, some people say that

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<v Speaker 1>I'm like the King of collaborations. But it's not because

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<v Speaker 1>I was trying to own collaborations as a concept. What

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<v Speaker 1>I was always trying to do was again not go

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<v Speaker 1>all in on something. So for example, when you know

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<v Speaker 1>I'm I'm a big sneaker head, I really love sneakers,

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<v Speaker 1>at any point in the past twenty five years of

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<v Speaker 1>stables history, I could have said, I want to start

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<v Speaker 1>my own sneaker brand, right, I could have done that,

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<v Speaker 1>but I was like, you know what, I've seen a

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<v Speaker 1>lot of my friends try to start sneaker brands and

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<v Speaker 1>it's challenging, and so why should I start a sneaker

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<v Speaker 1>brand when I can call somebody at like Nike or

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<v Speaker 1>New Balance or Timberland and be like, like, am I

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<v Speaker 1>really gonna make a boot better than Timberland? Like maybe

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<v Speaker 1>in twenty years I will, you know, So like, how

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<v Speaker 1>about I just work with Timberland and we sort of

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<v Speaker 1>like complement each other on what we like to do.

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<v Speaker 1>So when it when it came time to the n

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<v Speaker 1>f T Crypto Web three space, I said, instead of

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<v Speaker 1>me just going full boat all in on crypto and

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<v Speaker 1>n f T, let me learn from people who have

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<v Speaker 1>been in it slightly longer um And so my my

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<v Speaker 1>first collaboration was the company called Zora z O r A,

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<v Speaker 1>which I suggest all of you check out there like

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<v Speaker 1>the new Marketplace. Secondly, then I collaborated with Artifact r

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<v Speaker 1>T f k T, which is a you know, they're

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<v Speaker 1>like the new digital web three brand if you will,

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<v Speaker 1>they actually just got acquired by Nike UM and then

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<v Speaker 1>the third one was Gary baynerchuk In and his b

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<v Speaker 1>Friends program. So my first three steps into the space

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<v Speaker 1>were with handheld with an expert or an expert at

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<v Speaker 1>the time, and that allowed me to get a taste

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<v Speaker 1>of it and again justify to myself whether this is

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<v Speaker 1>gonna be something that I really want to invest a

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<v Speaker 1>lot of time, energy and effort into. Obviously I did,

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<v Speaker 1>And then so we launched Staple Versus just a couple

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<v Speaker 1>of months ago UM and it's been a game changer.

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<v Speaker 1>So to answer your question, what do I love about

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<v Speaker 1>working in this space, there's two main things. Number one

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<v Speaker 1>is that coming from someone who has made physical goods

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<v Speaker 1>all their life, a lot of it overseas, you know,

0:11:24.120 --> 0:11:28.600
<v Speaker 1>there are a ton of logistical hurdles that are in

0:11:28.640 --> 0:11:31.560
<v Speaker 1>the creator's way in terms of getting something physically made,

0:11:31.559 --> 0:11:38.760
<v Speaker 1>whether it's supply chain, minimum, motor quantities, middlemen, salesman, shipping, tariffs, customs,

0:11:38.800 --> 0:11:42.719
<v Speaker 1>all of this BS is essentially set up so that

0:11:43.240 --> 0:11:46.280
<v Speaker 1>as many people as possible can make their slice of

0:11:46.320 --> 0:11:49.400
<v Speaker 1>the pie, you know, And and it's it's the most

0:11:49.480 --> 0:11:53.880
<v Speaker 1>unstreamlined thing ever and the other thing is because of that,

0:11:54.760 --> 0:11:58.760
<v Speaker 1>every time there's a hurdle, you are sacrificing a concept

0:11:58.960 --> 0:12:01.599
<v Speaker 1>or an idea. You're like, oh, was it gonna be

0:12:01.679 --> 0:12:03.400
<v Speaker 1>eight weeks to make that thing that I wanted? I

0:12:03.480 --> 0:12:05.240
<v Speaker 1>forget that thing. Let's just get it done, you know.

0:12:05.320 --> 0:12:07.760
<v Speaker 1>And so that's a that's a creative sacrifice that you're making,

0:12:07.800 --> 0:12:10.960
<v Speaker 1>you know, in in this world, in the digital world,

0:12:12.200 --> 0:12:15.600
<v Speaker 1>anything I dream, if it can be coded, it happens.

0:12:16.160 --> 0:12:18.319
<v Speaker 1>It's like it's like me, my, It's like my brain

0:12:18.480 --> 0:12:22.240
<v Speaker 1>a coder consumer. That's it. There's like no nothing else,

0:12:22.320 --> 0:12:25.079
<v Speaker 1>you know, And so that's really beautiful. Uh. And then

0:12:25.080 --> 0:12:27.200
<v Speaker 1>the second thing that I really love about this is

0:12:27.520 --> 0:12:31.000
<v Speaker 1>obviously ownership of your I P. You know, traditionally, if

0:12:31.000 --> 0:12:33.480
<v Speaker 1>you think about being a fashion brand or a footwear brand,

0:12:34.200 --> 0:12:36.480
<v Speaker 1>the success of your of your brand is a lot

0:12:36.480 --> 0:12:39.880
<v Speaker 1>of times be holding on a retail store or like

0:12:39.920 --> 0:12:41.319
<v Speaker 1>a sneaker store. You know, like if you have a

0:12:41.320 --> 0:12:43.400
<v Speaker 1>sneaker brand, if you're not doing business with a foot locker,

0:12:43.720 --> 0:12:46.120
<v Speaker 1>you're probably not really doing business, you know what I mean.

0:12:46.600 --> 0:12:49.760
<v Speaker 1>It's very very difficult. Same with like department stores, or

0:12:49.800 --> 0:12:51.880
<v Speaker 1>if you're an artist, if you're not going to be

0:12:51.920 --> 0:12:55.120
<v Speaker 1>signed by a gallery or like a museum. It's very

0:12:55.120 --> 0:12:57.360
<v Speaker 1>hard for you to break through, you know. And think

0:12:57.400 --> 0:12:59.480
<v Speaker 1>about it. Now, if you sell your work to a

0:12:59.520 --> 0:13:03.120
<v Speaker 1>gallery ist, right you you get money for that transaction.

0:13:03.559 --> 0:13:07.560
<v Speaker 1>Now that galleries is going to sell it to another collector, you, now,

0:13:07.720 --> 0:13:10.760
<v Speaker 1>as a traditional artist or painter, does not get any

0:13:10.760 --> 0:13:13.840
<v Speaker 1>more money. And then when that guy now sells it

0:13:13.880 --> 0:13:18.160
<v Speaker 1>to another collector, use the chain of of revenue stream

0:13:18.240 --> 0:13:21.280
<v Speaker 1>stops for you. Right in in the n f T world,

0:13:21.320 --> 0:13:24.960
<v Speaker 1>because of the blockchain and smart contracts, I can put

0:13:24.960 --> 0:13:27.880
<v Speaker 1>into my smart contract that I, the creator of this

0:13:27.960 --> 0:13:34.079
<v Speaker 1>work forever in perpetuity, wants of of of royalty on

0:13:34.120 --> 0:13:36.600
<v Speaker 1>this I can make up the percentage. And now every

0:13:36.600 --> 0:13:40.079
<v Speaker 1>time that product or n f T or whatever is flipped,

0:13:40.200 --> 0:13:43.559
<v Speaker 1>you just keep making perpetual royalties. And that's a game changer.

0:13:43.559 --> 0:13:45.640
<v Speaker 1>And it's not even I mean, yes, it's a financial

0:13:45.679 --> 0:13:48.559
<v Speaker 1>game changer, but it's a game changer because it's almost

0:13:48.559 --> 0:13:52.520
<v Speaker 1>like it's almost like buying a car and having fuel

0:13:52.640 --> 0:13:56.520
<v Speaker 1>in your car every day. It's like it's fuel for creativity.

0:13:56.559 --> 0:13:58.200
<v Speaker 1>You know, I don't have to worry about the next

0:13:58.200 --> 0:14:01.079
<v Speaker 1>thing because my my babies are out there making money

0:14:01.120 --> 0:14:03.520
<v Speaker 1>for me, you know. So that's the beautiful thing about

0:14:03.840 --> 0:14:06.960
<v Speaker 1>the space. And I'm glad that you mentioned that because

0:14:07.240 --> 0:14:10.160
<v Speaker 1>we've been talking a lot um this year in our

0:14:10.240 --> 0:14:12.480
<v Speaker 1>afro Tech series we've had, you know, we had afro

0:14:12.559 --> 0:14:15.920
<v Speaker 1>Tech Miami in February. We talked a lot about n

0:14:15.960 --> 0:14:18.199
<v Speaker 1>f t s and crypto and um, n f t

0:14:18.360 --> 0:14:20.840
<v Speaker 1>s are are you know this new concept? And not

0:14:20.840 --> 0:14:24.320
<v Speaker 1>not everybody gets it? Some people still And immediately myself,

0:14:24.360 --> 0:14:26.440
<v Speaker 1>before I really dig into the space, I was like, oh,

0:14:26.480 --> 0:14:29.080
<v Speaker 1>these are just JPEGs, right, But what you just mentioned

0:14:29.080 --> 0:14:31.960
<v Speaker 1>that smart contract, there's so much power in that where

0:14:32.000 --> 0:14:34.440
<v Speaker 1>you can if it can be coded right, and you

0:14:34.480 --> 0:14:37.880
<v Speaker 1>talk about creators in the ability to literally program in

0:14:38.640 --> 0:14:43.120
<v Speaker 1>royalties right where any time of transaction happens boom boom boom.

0:14:43.160 --> 0:14:45.120
<v Speaker 1>It's all backed by crypto, it's all backed by the

0:14:45.120 --> 0:14:48.360
<v Speaker 1>blockchain and it just happens right. That gives you that

0:14:48.480 --> 0:14:51.240
<v Speaker 1>as an artist, that gives you so much leverage. So so,

0:14:51.440 --> 0:14:54.920
<v Speaker 1>you know, thanks for really demystifying that and putting it

0:14:54.960 --> 0:14:58.720
<v Speaker 1>in layman's terms. So I'll give you another analogy about

0:14:58.760 --> 0:15:01.680
<v Speaker 1>people because I have a lot of like friendly debates

0:15:02.120 --> 0:15:04.200
<v Speaker 1>have a lot of friendly debates with with friends who

0:15:04.240 --> 0:15:07.440
<v Speaker 1>are like, you know, you're just selling JPEG's. It's it's worthless,

0:15:07.520 --> 0:15:10.280
<v Speaker 1>you know. And I'm like, I'm like, remember the day

0:15:10.680 --> 0:15:13.280
<v Speaker 1>when I got a blue check on Instagram? How salty

0:15:13.320 --> 0:15:16.120
<v Speaker 1>you were? And they're like, yeah, I was like you

0:15:16.240 --> 0:15:19.160
<v Speaker 1>actually told me that day you would pay money for

0:15:19.200 --> 0:15:21.360
<v Speaker 1>a blue check. And I'm sure we all know people

0:15:21.680 --> 0:15:25.960
<v Speaker 1>that would pay fifty fifty five, probably five thousand dollars

0:15:25.960 --> 0:15:28.800
<v Speaker 1>for a blue check. So wait, you're gonna pay five

0:15:28.800 --> 0:15:33.440
<v Speaker 1>thousand dollars for a jpeg that's this big? What does

0:15:33.480 --> 0:15:36.080
<v Speaker 1>that mean? It's it's not because of the artwork of

0:15:36.120 --> 0:15:38.720
<v Speaker 1>the blue check. It's because of the It's because of

0:15:38.760 --> 0:15:42.200
<v Speaker 1>the value that it holds when it sits on your telephone.

0:15:42.560 --> 0:15:44.440
<v Speaker 1>That's that's the only place that sits, you know what

0:15:44.520 --> 0:15:46.360
<v Speaker 1>I mean. So when when I tell people that, they're

0:15:46.400 --> 0:15:50.240
<v Speaker 1>like fine, I kind of understand. Yeah, It's like it's

0:15:50.280 --> 0:15:53.480
<v Speaker 1>the connection that it has, you know. Um, So we

0:15:53.560 --> 0:15:57.240
<v Speaker 1>are already as humans trading on a on a on

0:15:57.320 --> 0:16:00.200
<v Speaker 1>a digital only landscape, you know, like, hey, if you

0:16:00.320 --> 0:16:02.760
<v Speaker 1>if you go out and you buy an incredible piece

0:16:02.760 --> 0:16:05.720
<v Speaker 1>of furniture like a Herman Miller chair or sofa. Right, great,

0:16:05.880 --> 0:16:09.920
<v Speaker 1>congrats you and six of your closest friends and family

0:16:09.960 --> 0:16:12.960
<v Speaker 1>have seen that chair. Every other person that you're gonna

0:16:12.960 --> 0:16:15.560
<v Speaker 1>show that chair too, you're probably showing it to them

0:16:15.560 --> 0:16:19.400
<v Speaker 1>on this device that like, the people they're gonna see

0:16:19.480 --> 0:16:23.320
<v Speaker 1>see it through this device. So you're already trading equity

0:16:23.680 --> 0:16:27.840
<v Speaker 1>and value and cloud on the mobile device digitally, and

0:16:28.080 --> 0:16:29.720
<v Speaker 1>n f T s are just sort of like taking

0:16:29.760 --> 0:16:32.240
<v Speaker 1>it all the way there where it's like, let's just

0:16:32.280 --> 0:16:35.480
<v Speaker 1>forget the physical, like and that's that's the scary part

0:16:35.560 --> 0:16:37.640
<v Speaker 1>is because people are like, I don't want to forget

0:16:37.640 --> 0:16:39.440
<v Speaker 1>the physical. It makes me feel good, you know. But

0:16:39.480 --> 0:16:41.760
<v Speaker 1>if you think about it, as you said, it's less

0:16:41.800 --> 0:16:45.720
<v Speaker 1>about an abandoned abandonment of the physical, it's just an

0:16:45.800 --> 0:16:48.280
<v Speaker 1>added extension of it, then I think it makes people

0:16:48.280 --> 0:16:52.440
<v Speaker 1>feel more comfortable. That's a perfect analogy there. Um, And and

0:16:52.080 --> 0:16:55.200
<v Speaker 1>and so there must be something about Jeff's right, because

0:16:55.200 --> 0:16:57.720
<v Speaker 1>I can can relate to this aspect of your story.

0:16:57.840 --> 0:17:00.040
<v Speaker 1>Is this inability to be satisfied, will just do and

0:17:00.160 --> 0:17:04.520
<v Speaker 1>one thing right? So you know, we we talked about, um,

0:17:04.560 --> 0:17:06.800
<v Speaker 1>you know, since the nineties, how you've been You've had

0:17:06.840 --> 0:17:09.400
<v Speaker 1>your hands in so many different places, right, You're your

0:17:09.720 --> 0:17:14.560
<v Speaker 1>certified sneaker head, streetwear, fashion design, You've got retail stores,

0:17:14.600 --> 0:17:18.000
<v Speaker 1>all these different things. Now in the web three space

0:17:18.520 --> 0:17:20.639
<v Speaker 1>we talked about, you know, and alluded to the n

0:17:20.720 --> 0:17:23.960
<v Speaker 1>f T s. But you've got the Staple Verse, right,

0:17:24.000 --> 0:17:27.280
<v Speaker 1>So we're we're here in Afrotech world, in the Afrotech metaverse.

0:17:27.800 --> 0:17:30.320
<v Speaker 1>H You've got the Staple Verse. Tell me what is

0:17:30.320 --> 0:17:33.160
<v Speaker 1>the Staple Verse, why it's cool, and why you decided

0:17:33.200 --> 0:17:37.400
<v Speaker 1>to create that. The Staple Verse is my own personal

0:17:37.880 --> 0:17:41.399
<v Speaker 1>Marvel cinematic universe, you know. So, like I don't know

0:17:41.400 --> 0:17:43.359
<v Speaker 1>if if there's any Marvel fans out there, but like

0:17:43.400 --> 0:17:46.040
<v Speaker 1>I'm a huge Marvel fan, and you know, one of

0:17:46.080 --> 0:17:48.919
<v Speaker 1>the most impressive things is like the fact that you know,

0:17:49.000 --> 0:17:51.760
<v Speaker 1>this this saga has gone on for like twenty five

0:17:51.960 --> 0:17:56.359
<v Speaker 1>movies deep now even more decades long. You know, but

0:17:56.520 --> 0:17:59.479
<v Speaker 1>if you think about the genius of like, you know,

0:17:59.480 --> 0:18:01.600
<v Speaker 1>the lay one of the latest Marvel movies that came

0:18:01.600 --> 0:18:05.240
<v Speaker 1>out is Changshi in the Ten Rings, Right, Those Ten

0:18:05.359 --> 0:18:10.680
<v Speaker 1>Rings appeared in Iron Man one like over a decade ago,

0:18:10.920 --> 0:18:15.240
<v Speaker 1>So you know, the producers just created this entire universe

0:18:15.280 --> 0:18:17.399
<v Speaker 1>and they're just taking us along for the ride on

0:18:17.440 --> 0:18:20.480
<v Speaker 1>this incredible journey. And so what I'm doing now with

0:18:20.560 --> 0:18:24.200
<v Speaker 1>Staple Verse is very similar. I get to create. Sure,

0:18:24.240 --> 0:18:26.560
<v Speaker 1>I love making clothes, I love making shoes, I love

0:18:26.600 --> 0:18:29.080
<v Speaker 1>retail all that stuff. But now I get to create

0:18:30.080 --> 0:18:34.359
<v Speaker 1>storytelling lore characters. I get to take them on different

0:18:34.440 --> 0:18:36.240
<v Speaker 1>journeys all over the world. I even get to take

0:18:36.280 --> 0:18:38.919
<v Speaker 1>them outside of planet Earth if I wanted to, Like,

0:18:38.960 --> 0:18:41.560
<v Speaker 1>I could go to another another planet. Right, It's literally

0:18:41.600 --> 0:18:45.600
<v Speaker 1>only limited by my imagination. But with that being said,

0:18:45.920 --> 0:18:50.560
<v Speaker 1>we are starting chapter one of Staple Verse right here

0:18:50.640 --> 0:18:52.720
<v Speaker 1>in New York City, where I came from. So I'm

0:18:52.760 --> 0:18:56.280
<v Speaker 1>sort of mirroring my journey uh in the physical world

0:18:56.720 --> 0:18:58.920
<v Speaker 1>through the n f T world so that people get

0:18:58.920 --> 0:19:01.639
<v Speaker 1>a really good understanding of my roots and my history.

0:19:01.920 --> 0:19:04.720
<v Speaker 1>So it's interesting, like our our mascot is a pigeon,

0:19:04.840 --> 0:19:07.159
<v Speaker 1>and everyone really knows our brand because of the pigeon logo.

0:19:07.560 --> 0:19:09.360
<v Speaker 1>So when there was news that we were coming out

0:19:09.400 --> 0:19:11.240
<v Speaker 1>with this n f T project, they assumed it was

0:19:11.280 --> 0:19:15.160
<v Speaker 1>gonna be like ten thousand pigeon profile pictures, right yeah,

0:19:15.200 --> 0:19:17.200
<v Speaker 1>And I you know what, I probably would have made

0:19:17.320 --> 0:19:19.159
<v Speaker 1>decent money if I did that. It probably would have

0:19:19.160 --> 0:19:21.800
<v Speaker 1>been a fine project, but I sort of zigged when

0:19:21.840 --> 0:19:24.560
<v Speaker 1>everyone thought I was gonna zag, and what we did

0:19:24.640 --> 0:19:28.920
<v Speaker 1>was re released ten thousand feed items. Okay, so these

0:19:29.080 --> 0:19:32.720
<v Speaker 1>feed items are basically, in my mind, foods that you

0:19:32.760 --> 0:19:36.080
<v Speaker 1>would see a New York City pigeon eating. And they're real,

0:19:36.240 --> 0:19:39.840
<v Speaker 1>like New York City strange things like you. We've got

0:19:39.880 --> 0:19:42.960
<v Speaker 1>like obviously like pizzas and bagels and coffee beans and

0:19:43.040 --> 0:19:46.680
<v Speaker 1>tea bags, but we also got weird things like a syringe,

0:19:47.160 --> 0:19:51.560
<v Speaker 1>a subway token, like a used condom, a cockroach. There's

0:19:51.600 --> 0:19:54.359
<v Speaker 1>just like real griming New York City stuff, right. And

0:19:54.480 --> 0:19:56.600
<v Speaker 1>the idea is that you buy these feed and f

0:19:56.640 --> 0:19:59.919
<v Speaker 1>t s and then later on and actually later on

0:20:00.000 --> 0:20:03.040
<v Speaker 1>I'm talking about like in about two weeks, you would

0:20:03.040 --> 0:20:05.880
<v Speaker 1>take that feed and you have to now toss it

0:20:06.280 --> 0:20:08.880
<v Speaker 1>to try to catch a pigeon, similar to if you're

0:20:08.880 --> 0:20:11.360
<v Speaker 1>sitting in Central Park and you're trying to get pigeons,

0:20:11.359 --> 0:20:14.280
<v Speaker 1>you have to like toss them food, right. But sometimes

0:20:14.520 --> 0:20:16.560
<v Speaker 1>when you toss food and try to get a pigeon,

0:20:16.960 --> 0:20:19.639
<v Speaker 1>you get shot on by a pigeon also, right, So

0:20:19.800 --> 0:20:22.800
<v Speaker 1>we have this whole gamification where like you buy feed,

0:20:23.320 --> 0:20:25.919
<v Speaker 1>you now have to throw your feet out try to

0:20:25.960 --> 0:20:29.080
<v Speaker 1>catch a pigeon, but you might catch a pigeon ship

0:20:29.160 --> 0:20:32.280
<v Speaker 1>and f t also okay, And because now we have

0:20:32.359 --> 0:20:35.280
<v Speaker 1>these three factions, we have the people who will get pigeons,

0:20:35.440 --> 0:20:37.480
<v Speaker 1>the people who will get pooped, and the people who

0:20:37.520 --> 0:20:39.480
<v Speaker 1>will not throw out their feet they want to keep

0:20:39.520 --> 0:20:43.920
<v Speaker 1>their feed. There's this like interaction gamification that's happening where

0:20:43.960 --> 0:20:46.720
<v Speaker 1>like the three crews are sort of like battling with

0:20:46.760 --> 0:20:48.960
<v Speaker 1>each other. And this goes back to my early days

0:20:48.960 --> 0:20:51.520
<v Speaker 1>of like DJ battles and B boy battles. It's just like,

0:20:51.600 --> 0:20:54.840
<v Speaker 1>I love these crews at organically formed uh and it

0:20:54.960 --> 0:20:58.040
<v Speaker 1>just friendly competition. It just makes all you know, everyone

0:20:58.119 --> 0:21:01.040
<v Speaker 1>like work harder and be more um invested in what

0:21:01.080 --> 0:21:04.480
<v Speaker 1>they're trying to do. You know, it's amazing that these

0:21:04.480 --> 0:21:07.480
<v Speaker 1>concepts that we do see in the physical world, right um,

0:21:07.560 --> 0:21:10.560
<v Speaker 1>how they translate into these digital spaces and what you're

0:21:10.600 --> 0:21:13.159
<v Speaker 1>talking about. It is really this cross section of so

0:21:13.240 --> 0:21:17.439
<v Speaker 1>many different things gamification, art, right, what's going on a

0:21:17.480 --> 0:21:20.199
<v Speaker 1>physical thing that happens um in New York City with

0:21:20.200 --> 0:21:23.359
<v Speaker 1>with pigeons, right Um. It's really really cool And I'm

0:21:23.359 --> 0:21:26.520
<v Speaker 1>curious when you first heard about this idea of a

0:21:26.560 --> 0:21:30.840
<v Speaker 1>metaverse and and these digital universes and digital spaces, um.

0:21:30.880 --> 0:21:33.200
<v Speaker 1>You know, so to some extent it probably made sense

0:21:33.240 --> 0:21:35.600
<v Speaker 1>that this could be interesting. But did it always make

0:21:35.680 --> 0:21:39.480
<v Speaker 1>sense that you could build a profitable, profitable business on

0:21:39.480 --> 0:21:41.480
<v Speaker 1>this model in this space, because that's something that was

0:21:41.480 --> 0:21:43.959
<v Speaker 1>always apparent to you? And if if so, you know,

0:21:44.359 --> 0:21:46.679
<v Speaker 1>then are you just the genus? Or if not, like,

0:21:46.720 --> 0:21:49.080
<v Speaker 1>what was what was the point in time when that

0:21:49.119 --> 0:21:51.159
<v Speaker 1>really did click for you? You know? I like to

0:21:51.200 --> 0:21:55.399
<v Speaker 1>consider myself like half businessman half artist. I think the

0:21:55.920 --> 0:21:59.600
<v Speaker 1>artist side of me says, like, I don't go into

0:21:59.640 --> 0:22:02.960
<v Speaker 1>a new venture because of the money, right, Like a

0:22:03.040 --> 0:22:06.320
<v Speaker 1>businessman or a businesswoman says, I'm gonna venture into this

0:22:06.400 --> 0:22:08.600
<v Speaker 1>new thing, and the r O I has to be

0:22:08.680 --> 0:22:10.880
<v Speaker 1>there the money I put in, I have to get

0:22:10.880 --> 0:22:13.040
<v Speaker 1>it back ten x or I'm not even gonna do it. Right.

0:22:13.480 --> 0:22:15.680
<v Speaker 1>The artist is different because the artists will be like,

0:22:15.920 --> 0:22:18.080
<v Speaker 1>I mean, a smart artist will say, listen, I don't

0:22:18.080 --> 0:22:20.240
<v Speaker 1>want to lose my pants on this deal, right, But

0:22:20.760 --> 0:22:22.840
<v Speaker 1>I don't mind if I don't make money or don't

0:22:22.880 --> 0:22:24.200
<v Speaker 1>make a lot of money, as long as I don't

0:22:24.200 --> 0:22:27.840
<v Speaker 1>go bankrupt doing this. But it fulfills me creatively. I'm

0:22:27.880 --> 0:22:29.960
<v Speaker 1>down to explore it. And so when it comes to

0:22:30.520 --> 0:22:34.040
<v Speaker 1>this space, I didn't do it for the money. I

0:22:34.119 --> 0:22:37.040
<v Speaker 1>knew that there was a possibility of making money, but

0:22:37.080 --> 0:22:40.840
<v Speaker 1>if if I didn't have the ability to express my

0:22:41.040 --> 0:22:44.080
<v Speaker 1>artistic needs through this medium, I wouldn't have touched it,

0:22:44.240 --> 0:22:46.840
<v Speaker 1>you know, like, like why wouldn't I open? Like, you

0:22:46.880 --> 0:22:47.959
<v Speaker 1>know what, if you want to make money in New

0:22:48.000 --> 0:22:49.560
<v Speaker 1>York City, you know what you do? You buy a

0:22:49.600 --> 0:22:54.400
<v Speaker 1>parking garage. Parking parking is mad expensive in New York City.

0:22:54.480 --> 0:22:56.760
<v Speaker 1>So if I wanted to make easy money, I would

0:22:56.800 --> 0:23:00.159
<v Speaker 1>get a parking lot. But that's not creatively fulfilling for me,

0:23:00.320 --> 0:23:02.640
<v Speaker 1>you know, so I'm not going to go there. Um.

0:23:02.680 --> 0:23:05.720
<v Speaker 1>This n f T space was very creatively fulfilling for

0:23:05.840 --> 0:23:07.639
<v Speaker 1>me because, as I said, I get to create anything

0:23:07.680 --> 0:23:09.960
<v Speaker 1>that I want to do. It definitely was helpful that

0:23:10.000 --> 0:23:13.320
<v Speaker 1>there was this potential of a golden pot at the

0:23:13.400 --> 0:23:15.719
<v Speaker 1>end of this rainbow, but I would have also been

0:23:15.760 --> 0:23:18.000
<v Speaker 1>happy if there wasn't and I just got to create

0:23:18.040 --> 0:23:20.760
<v Speaker 1>put stuff out there. Um. The fans that I already

0:23:20.760 --> 0:23:23.840
<v Speaker 1>have have a new way of interacting with my brand. Um,

0:23:23.880 --> 0:23:25.840
<v Speaker 1>and it's really dope. I gotta say, like the fan

0:23:25.960 --> 0:23:29.800
<v Speaker 1>base in the n f T space is very different

0:23:29.960 --> 0:23:34.600
<v Speaker 1>than Web two, Instagram, Twitter. It's like there they speak

0:23:34.600 --> 0:23:37.560
<v Speaker 1>a whole different way. They're very very supportive, you know

0:23:37.560 --> 0:23:40.000
<v Speaker 1>how On Twitter and Instagram, it's like there's just you

0:23:40.040 --> 0:23:42.240
<v Speaker 1>get into these rabbit holes of like you know, just

0:23:42.520 --> 0:23:46.040
<v Speaker 1>hate and criticism and like depression and stuff. But like

0:23:46.200 --> 0:23:48.199
<v Speaker 1>it is so positive right now in the n f

0:23:48.240 --> 0:23:50.840
<v Speaker 1>T space. And I'm sure it'll regulate, you know, in

0:23:50.880 --> 0:23:52.960
<v Speaker 1>a bit, but right now everyone is really gung ho.

0:23:53.080 --> 0:23:55.440
<v Speaker 1>You've got these sayings that are like l f G,

0:23:55.760 --> 0:23:58.080
<v Speaker 1>like let's f and go, and like why me is

0:23:58.119 --> 0:24:00.320
<v Speaker 1>like we're all gonna make it, you know, Like all

0:24:00.359 --> 0:24:02.720
<v Speaker 1>of these things are like really dope. Um, and I

0:24:03.280 --> 0:24:06.320
<v Speaker 1>love the positive. I was actually really surprised. Two things

0:24:06.359 --> 0:24:10.280
<v Speaker 1>surprised me about the space. One is how inspired I

0:24:10.400 --> 0:24:14.760
<v Speaker 1>was by how positive the community was. And number two, frankly,

0:24:14.840 --> 0:24:18.440
<v Speaker 1>like a year ago, you know, I collect vinyl records,

0:24:18.480 --> 0:24:22.520
<v Speaker 1>comic books, sneakers, right, Um, I never thought that I

0:24:22.560 --> 0:24:25.879
<v Speaker 1>would be into collecting, as you said, j pegs in

0:24:25.880 --> 0:24:28.479
<v Speaker 1>a folder. Right. That didn't seem like something interesting to me,

0:24:28.880 --> 0:24:32.080
<v Speaker 1>But it happened about a month ago where I looked

0:24:32.080 --> 0:24:35.960
<v Speaker 1>at my like crypto n FT wallet and I started

0:24:36.000 --> 0:24:39.000
<v Speaker 1>doing that thing that collectors do, like I started moving

0:24:39.400 --> 0:24:42.200
<v Speaker 1>stuff around. I started saying, you know what, I need

0:24:42.240 --> 0:24:44.800
<v Speaker 1>one more to just fill out that series that I'm

0:24:44.800 --> 0:24:47.240
<v Speaker 1>trying to fill out. You know. It's wine collectors do it.

0:24:47.320 --> 0:24:49.520
<v Speaker 1>Watch collectors do it, you know, like art collectors do.

0:24:49.600 --> 0:24:52.159
<v Speaker 1>And I started doing it with j pegs on my

0:24:52.240 --> 0:24:55.040
<v Speaker 1>computer and I checked myself because I was like, Wow,

0:24:55.359 --> 0:24:58.359
<v Speaker 1>it's happening. This is happening to me. And I have

0:24:58.440 --> 0:25:02.479
<v Speaker 1>a great into hernal radar temperature check on myself that

0:25:02.520 --> 0:25:05.719
<v Speaker 1>if I'm feeling something, there's a damn good chance that

0:25:05.840 --> 0:25:08.600
<v Speaker 1>hundreds of other people are feeling the same thing. So

0:25:08.760 --> 0:25:10.560
<v Speaker 1>it becomes like a real thing for me, you know.

0:25:10.600 --> 0:25:12.920
<v Speaker 1>And that just happened like a month ago. So I'm

0:25:12.960 --> 0:25:16.840
<v Speaker 1>curious as as an avid collector of many things, you know,

0:25:17.720 --> 0:25:20.639
<v Speaker 1>both in the physical world. Right, So sneakers, right, I'm

0:25:20.680 --> 0:25:23.359
<v Speaker 1>like a baby sneaker head. I like bought. Um. I

0:25:23.440 --> 0:25:26.119
<v Speaker 1>went from having, you know, up until last year, like

0:25:26.160 --> 0:25:28.560
<v Speaker 1>two pairs of shoes ever to now I have like

0:25:28.720 --> 0:25:32.000
<v Speaker 1>you know, maybe like dirty pairs, right, something really really

0:25:32.040 --> 0:25:34.600
<v Speaker 1>trying to get into it. So UM, you know, I'm

0:25:34.640 --> 0:25:38.119
<v Speaker 1>I'm curious. I'm curious for you. In the physical world,

0:25:38.119 --> 0:25:41.840
<v Speaker 1>like when you're collecting things, what is the thought process,

0:25:41.880 --> 0:25:44.360
<v Speaker 1>like what attracts you to something that you say, Hey,

0:25:44.400 --> 0:25:46.719
<v Speaker 1>this is valuable or this is something that I went

0:25:46.760 --> 0:25:49.760
<v Speaker 1>in my collection And how is that similar or different

0:25:50.240 --> 0:25:52.439
<v Speaker 1>uh than that thought process in the in the physical

0:25:52.520 --> 0:25:55.680
<v Speaker 1>in the digital space. Uh, It's it's the same, first

0:25:55.720 --> 0:25:59.200
<v Speaker 1>of all. But I love this question because, um, there's

0:25:59.240 --> 0:26:02.160
<v Speaker 1>there's to me, there's a fine line between a collector

0:26:02.280 --> 0:26:06.920
<v Speaker 1>and a curator. Okay. A collector is a speculator. They

0:26:06.960 --> 0:26:09.760
<v Speaker 1>go out and say, what is the inherent upside value

0:26:09.760 --> 0:26:12.200
<v Speaker 1>of this investment that I'm about to make. It's an asset, right,

0:26:12.200 --> 0:26:16.480
<v Speaker 1>It's an asset investment. Right. A curator says, I don't

0:26:16.520 --> 0:26:19.040
<v Speaker 1>care what the resell value this is gonna be. I

0:26:19.080 --> 0:26:22.760
<v Speaker 1>like it. It speaks to me. I f with this, right.

0:26:23.080 --> 0:26:25.520
<v Speaker 1>And even if someone says, yo, that's whack, it's already

0:26:25.560 --> 0:26:28.800
<v Speaker 1>like below retail or whatever, like, I don't care. I

0:26:28.840 --> 0:26:30.360
<v Speaker 1>like it. You know, I remember when I was young,

0:26:30.720 --> 0:26:33.320
<v Speaker 1>there used to be these stores in in in the

0:26:33.359 --> 0:26:36.239
<v Speaker 1>Northeast called like V I M and Dr J's right,

0:26:36.280 --> 0:26:39.360
<v Speaker 1>and models. These are like not cool sneaker stories, They're

0:26:39.359 --> 0:26:42.240
<v Speaker 1>basically like sporting good stories. And I remember I would

0:26:42.240 --> 0:26:45.439
<v Speaker 1>like look in the bargain bins and in the seventy

0:26:45.840 --> 0:26:48.440
<v Speaker 1>off racks and I would try to find a gem,

0:26:48.520 --> 0:26:51.200
<v Speaker 1>and my goal would be that, Like I found something

0:26:51.240 --> 0:26:53.639
<v Speaker 1>on the close out rack. I rocket to school the

0:26:53.640 --> 0:26:55.680
<v Speaker 1>next day and people like, yo, what are those? I've

0:26:55.720 --> 0:26:58.159
<v Speaker 1>never seen those. I'm like, that's right, you don't know

0:26:58.200 --> 0:27:00.199
<v Speaker 1>where I got these. And I am telling you that,

0:27:00.280 --> 0:27:02.919
<v Speaker 1>to me, is the biggest goal not to go into

0:27:02.960 --> 0:27:06.800
<v Speaker 1>the hypest sneaker store, weight online five hours, buy something

0:27:06.840 --> 0:27:09.359
<v Speaker 1>for five x retail rocket and be like yo, wow

0:27:09.440 --> 0:27:12.240
<v Speaker 1>you It's like yeah, no, no, ship Sherlock, Like everyone

0:27:12.320 --> 0:27:13.879
<v Speaker 1>knew that these are the hottest things on earth. But

0:27:13.920 --> 0:27:16.359
<v Speaker 1>if you can unearth like a gem, that to me

0:27:16.440 --> 0:27:18.160
<v Speaker 1>is like what a curator does. And that's what I've

0:27:18.160 --> 0:27:21.040
<v Speaker 1>been doing with sneakers and comic books and vinyl all

0:27:21.040 --> 0:27:24.160
<v Speaker 1>my life. Like I have a very obscure collection of stuff.

0:27:24.480 --> 0:27:26.879
<v Speaker 1>It's not like the hypest stuff, but I do believe

0:27:26.880 --> 0:27:29.240
<v Speaker 1>that it's a representation of me. And that's the same

0:27:29.240 --> 0:27:31.399
<v Speaker 1>thing when it comes to U n f T s,

0:27:31.480 --> 0:27:35.080
<v Speaker 1>like the sort of Hallmark names are like crypto punks

0:27:35.160 --> 0:27:37.120
<v Speaker 1>or like board apes and stuff. I don't have any

0:27:37.119 --> 0:27:38.560
<v Speaker 1>of those. I have all these things that I just

0:27:38.680 --> 0:27:43.560
<v Speaker 1>personally really love. UM And I wish more people, whether

0:27:43.560 --> 0:27:46.760
<v Speaker 1>they were creatives or not creatives, instead of looking at

0:27:46.760 --> 0:27:49.479
<v Speaker 1>your favorite influence or magazine or blog to tell you

0:27:49.520 --> 0:27:51.439
<v Speaker 1>what to buy, I wish they would look in the

0:27:51.480 --> 0:27:54.359
<v Speaker 1>mirror more and be like, what do you want? Like

0:27:54.560 --> 0:27:56.760
<v Speaker 1>what do you actually want? Like forget what the magazine

0:27:56.840 --> 0:27:58.480
<v Speaker 1>or the blog tells you, Like what do you actually

0:27:58.560 --> 0:28:00.560
<v Speaker 1>want to wear? You know? Um? And I think people

0:28:00.600 --> 0:28:02.359
<v Speaker 1>will just get a lot more enjoyment out of it,

0:28:02.400 --> 0:28:06.000
<v Speaker 1>and they won't get so stressed out about like fluctuations

0:28:06.040 --> 0:28:08.880
<v Speaker 1>and trends coming and going and stuff like, because you're

0:28:08.920 --> 0:28:11.520
<v Speaker 1>just being real with yourself. You know. Yeah, that's that's

0:28:11.560 --> 0:28:14.399
<v Speaker 1>profound advice. I love it. I love it. Um. You know,

0:28:14.400 --> 0:28:17.639
<v Speaker 1>earlier you said you're you're the king of collaboration, or

0:28:17.680 --> 0:28:22.800
<v Speaker 1>you're you're you're known by right, yes, not self acclaim right,

0:28:22.800 --> 0:28:25.800
<v Speaker 1>but we'll call you the king of collaboration. And I

0:28:25.800 --> 0:28:28.960
<v Speaker 1>think you have a great example about you know, not creating,

0:28:29.119 --> 0:28:31.560
<v Speaker 1>you know, not trying to compete with Timberland because it

0:28:31.600 --> 0:28:33.320
<v Speaker 1>will take you twenty years to do what they do right.

0:28:33.359 --> 0:28:37.800
<v Speaker 1>And and to some extent um in the physical world,

0:28:37.840 --> 0:28:43.280
<v Speaker 1>collaboration is necessitated because expertise is decentralized, right, There are

0:28:43.320 --> 0:28:46.360
<v Speaker 1>barriers to entry to be good or great at something,

0:28:46.400 --> 0:28:48.360
<v Speaker 1>and so it makes sense to go to someone who

0:28:48.440 --> 0:28:51.320
<v Speaker 1>is great at something else and you're great at something else,

0:28:51.320 --> 0:28:53.200
<v Speaker 1>and you can come together and build something that's you know,

0:28:53.320 --> 0:28:55.880
<v Speaker 1>better than than the two of you as individuals. Right.

0:28:56.240 --> 0:28:59.600
<v Speaker 1>I'm curious in the digital space, what would your advice

0:28:59.640 --> 0:29:03.880
<v Speaker 1>be too, businesses and creators and anyone who wants to

0:29:03.960 --> 0:29:07.680
<v Speaker 1>collaborate in the digital space in the metaverse, because seemingly

0:29:08.240 --> 0:29:11.160
<v Speaker 1>the barriers are minimized, right, like you said earlier, if

0:29:11.200 --> 0:29:13.760
<v Speaker 1>you can think it and you can code it, it

0:29:13.800 --> 0:29:16.880
<v Speaker 1>can be done. Right. So, if if those barriers are minimized,

0:29:18.120 --> 0:29:21.640
<v Speaker 1>how should people think about collaboration instead of everyone just

0:29:21.720 --> 0:29:24.640
<v Speaker 1>sort of going and doing their own things, and you've

0:29:24.640 --> 0:29:28.200
<v Speaker 1>got this proliferation of everything that is sort of kind

0:29:28.200 --> 0:29:30.280
<v Speaker 1>of the same. What are your thoughts on that, dude?

0:29:30.320 --> 0:29:32.960
<v Speaker 1>That's a that's a great question. I mean, like, you're right,

0:29:33.200 --> 0:29:35.360
<v Speaker 1>but in the web to web one world, it was

0:29:35.360 --> 0:29:39.680
<v Speaker 1>about different types of expertise is coming together, right, I think,

0:29:39.720 --> 0:29:41.960
<v Speaker 1>Like so, as I mentioned, I've only been in the

0:29:41.960 --> 0:29:43.800
<v Speaker 1>space for nine months, but in this nine months, I

0:29:43.800 --> 0:29:47.800
<v Speaker 1>have collaborated with like three to five different groups. I'm

0:29:47.840 --> 0:29:51.760
<v Speaker 1>working on other collaborations as well, so I'm still collaborating

0:29:51.760 --> 0:29:54.040
<v Speaker 1>with people in the space. But what I've noticed that's

0:29:54.080 --> 0:29:57.360
<v Speaker 1>different is that when we collaborate in the n f

0:29:57.400 --> 0:30:03.120
<v Speaker 1>T space, it's more like we're both finding out stuff together.

0:30:03.240 --> 0:30:06.520
<v Speaker 1>We're both discovering at the same time. And I almost

0:30:06.560 --> 0:30:09.000
<v Speaker 1>sort of like wanna give an analogy if you can

0:30:09.040 --> 0:30:12.200
<v Speaker 1>imagine the picture of like, imagine you and a buddy

0:30:12.320 --> 0:30:15.280
<v Speaker 1>are walking into a like a dense forest together, and

0:30:15.320 --> 0:30:17.280
<v Speaker 1>you've got like a weed whacker, right, and you're just

0:30:17.320 --> 0:30:19.640
<v Speaker 1>like hacking away at the weeds, and you're just trying

0:30:19.640 --> 0:30:22.400
<v Speaker 1>to find the path. Right. Everyone in the n f

0:30:22.440 --> 0:30:25.440
<v Speaker 1>T space right now, literally, I want to say everyone,

0:30:25.600 --> 0:30:28.480
<v Speaker 1>even people who you think are like experts and veterans

0:30:28.480 --> 0:30:31.240
<v Speaker 1>in the n f T space, they are hacking away.

0:30:31.320 --> 0:30:35.960
<v Speaker 1>We are all trailblazing right now. There is no predisposed

0:30:36.040 --> 0:30:38.720
<v Speaker 1>path for us to follow in this because the entire

0:30:39.240 --> 0:30:42.120
<v Speaker 1>universe was only created just a few years ago, you know,

0:30:42.160 --> 0:30:45.160
<v Speaker 1>so everything that everyone is doing is brand spanking new,

0:30:45.520 --> 0:30:48.240
<v Speaker 1>and so when I collaborate with people, it's almost like, hey,

0:30:48.480 --> 0:30:52.600
<v Speaker 1>let's take what you've learned, your your your very small learnings,

0:30:52.640 --> 0:30:55.280
<v Speaker 1>and my very small learnings. If we add them together,

0:30:55.400 --> 0:30:57.400
<v Speaker 1>we've got a little bit better learning, and now we

0:30:57.440 --> 0:30:59.960
<v Speaker 1>can navigate this a little bit better and get maybe

0:31:00.280 --> 0:31:03.400
<v Speaker 1>a little bit ahead. That's why I found the reason

0:31:03.440 --> 0:31:05.520
<v Speaker 1>why I've been collaborating with people so far. It's more

0:31:05.600 --> 0:31:09.280
<v Speaker 1>like knowledge information sharing. It's like a It's like if

0:31:09.320 --> 0:31:11.360
<v Speaker 1>you're on a treasure hunt or like a you know,

0:31:11.440 --> 0:31:13.600
<v Speaker 1>wild goose chase, or like an easter egg hunt. You know,

0:31:13.640 --> 0:31:15.840
<v Speaker 1>you like share clues with each other to figure out

0:31:15.920 --> 0:31:18.080
<v Speaker 1>how to get to the solution. That's kind of what

0:31:18.480 --> 0:31:21.960
<v Speaker 1>Web three n f T collaboration is like, whereas Web

0:31:22.000 --> 0:31:25.960
<v Speaker 1>two Web one collaboration is more about one plus one

0:31:26.000 --> 0:31:28.840
<v Speaker 1>equals ten. It's like, Yo, you do this great, I

0:31:28.920 --> 0:31:31.640
<v Speaker 1>do this great. If we come together, we gonna make

0:31:31.680 --> 0:31:34.520
<v Speaker 1>it right. You know. That's what it's more about. But

0:31:34.560 --> 0:31:37.480
<v Speaker 1>it's like, no, no one thinks like that in Web three.

0:31:37.480 --> 0:31:40.880
<v Speaker 1>Web three is like, let's do this right for the culture,

0:31:41.000 --> 0:31:44.240
<v Speaker 1>because it's almost like we have a subculture that we

0:31:44.400 --> 0:31:47.239
<v Speaker 1>feel responsible for the future of you know, it's like

0:31:47.600 --> 0:31:50.680
<v Speaker 1>I would maybe equated to like early early skateboarders or

0:31:50.720 --> 0:31:53.480
<v Speaker 1>early early graffiti artists, like we have to take care

0:31:53.480 --> 0:31:56.200
<v Speaker 1>of this culture so it doesn't like go to ship basically.

0:31:56.200 --> 0:31:58.800
<v Speaker 1>You know, that's a great question. I never thought of

0:31:58.840 --> 0:32:01.760
<v Speaker 1>that until now as no. I mean, you're dropping gyms,

0:32:01.760 --> 0:32:04.520
<v Speaker 1>and I love how you simplify everything with these analogies

0:32:04.520 --> 0:32:06.880
<v Speaker 1>because it just makes it so understandable. And that's really

0:32:06.880 --> 0:32:09.440
<v Speaker 1>what we're trying to do here at afro Tech, with

0:32:09.520 --> 0:32:12.680
<v Speaker 1>these conversations with people like you and and other great

0:32:12.680 --> 0:32:14.200
<v Speaker 1>people in the space that we've had the pleasure of

0:32:14.200 --> 0:32:17.400
<v Speaker 1>speaking with this to help to domystify for the audience.

0:32:17.400 --> 0:32:20.120
<v Speaker 1>So so I appreciate that. The last question I've got

0:32:20.160 --> 0:32:23.720
<v Speaker 1>for you is, um, It's something that I'm personally really

0:32:23.720 --> 0:32:26.640
<v Speaker 1>really curious about as a you know, as a as

0:32:26.680 --> 0:32:28.719
<v Speaker 1>a creator and someone who's been doing this. You know,

0:32:28.800 --> 0:32:31.480
<v Speaker 1>like as we said for decades, right when you're in

0:32:31.520 --> 0:32:34.560
<v Speaker 1>a creative right right when you hit that block, what

0:32:34.680 --> 0:32:37.000
<v Speaker 1>are some things you do, what are some ways that

0:32:37.120 --> 0:32:41.120
<v Speaker 1>you find inspiration to get yourself going again? I'm really curious,

0:32:41.160 --> 0:32:43.200
<v Speaker 1>like what your techniques and SIPs there are. I mean,

0:32:43.600 --> 0:32:45.400
<v Speaker 1>this is going to be different for everyone, right, So

0:32:45.440 --> 0:32:47.600
<v Speaker 1>it's too each his own. But as you know, I

0:32:47.680 --> 0:32:50.320
<v Speaker 1>exist in this space and in this in this community

0:32:50.360 --> 0:32:53.640
<v Speaker 1>called street culture, right. And the reason why they call

0:32:53.680 --> 0:32:59.920
<v Speaker 1>it street culture is because people, like real people walk

0:33:00.160 --> 0:33:03.080
<v Speaker 1>and operate in these streets. Right. So street culture to

0:33:03.120 --> 0:33:05.880
<v Speaker 1>me is like taking the subway or taking the bus,

0:33:06.000 --> 0:33:09.080
<v Speaker 1>or just walking five miles in your hometown. Right, That

0:33:09.160 --> 0:33:11.400
<v Speaker 1>to me is the essence of street culture. And that's

0:33:11.400 --> 0:33:15.320
<v Speaker 1>what makes it different than like high fashion or couture fashion,

0:33:15.400 --> 0:33:18.440
<v Speaker 1>right because hey, that outfit that you wore walking down

0:33:18.480 --> 0:33:22.840
<v Speaker 1>the catwalk or runway looks really beautiful. But and counna

0:33:22.840 --> 0:33:25.840
<v Speaker 1>work on Fulton ab or like you know, like Nordstrom,

0:33:25.880 --> 0:33:28.080
<v Speaker 1>you know what I mean. Like, so, like real people

0:33:28.320 --> 0:33:30.560
<v Speaker 1>in these real streets is what street wear is all about.

0:33:30.800 --> 0:33:33.320
<v Speaker 1>And so when I get in a rut, what I

0:33:33.400 --> 0:33:36.560
<v Speaker 1>like to do is I like to travel, and I

0:33:36.600 --> 0:33:38.400
<v Speaker 1>want to I want to put an asterisk on that

0:33:38.440 --> 0:33:44.360
<v Speaker 1>word travel because I realized that travel is a privilege. Right.

0:33:44.480 --> 0:33:46.960
<v Speaker 1>Not everyone in this world can be like I'm gonna

0:33:46.960 --> 0:33:49.400
<v Speaker 1>go to JFK and travel now, right, But I want

0:33:49.400 --> 0:33:51.760
<v Speaker 1>to put an asterisk on that word travel, because sometimes

0:33:51.840 --> 0:33:54.360
<v Speaker 1>when I don't have the ability to actually go out

0:33:54.400 --> 0:33:58.560
<v Speaker 1>and travel, travel could actually just mean taking a different

0:33:58.600 --> 0:34:02.280
<v Speaker 1>path to work, Like take a different train when you

0:34:02.320 --> 0:34:05.440
<v Speaker 1>walk your dog. Don't go right go, let like go

0:34:05.560 --> 0:34:07.640
<v Speaker 1>the other route, you know, and just see a different blocks,

0:34:07.640 --> 0:34:09.319
<v Speaker 1>see a different neighborhood. You know how many people that

0:34:09.640 --> 0:34:11.359
<v Speaker 1>live in New York City that have like never been

0:34:11.400 --> 0:34:13.839
<v Speaker 1>the Queens or the Bronx. You know, like just go

0:34:13.920 --> 0:34:16.400
<v Speaker 1>there for dinner one night. Right, That is traveling. And

0:34:16.440 --> 0:34:19.839
<v Speaker 1>I think when I do that, um, I just love

0:34:19.880 --> 0:34:24.400
<v Speaker 1>seeing how different people in different communities operate, live and breathe. Listen,

0:34:24.400 --> 0:34:26.880
<v Speaker 1>I've got to I've got a globally known clothing brand

0:34:26.920 --> 0:34:30.360
<v Speaker 1>that this year is the anniversary of. It wouldn't be

0:34:30.560 --> 0:34:33.920
<v Speaker 1>successful if I only made stuff for people who lived

0:34:34.000 --> 0:34:36.640
<v Speaker 1>only in downtown New York City. I had to go

0:34:36.680 --> 0:34:41.200
<v Speaker 1>out there and see l A, Miami, Houston, Atlanta, Berlin, Tokyo,

0:34:41.239 --> 0:34:43.400
<v Speaker 1>London and be like, oh, this is how street culture

0:34:44.080 --> 0:34:45.800
<v Speaker 1>and you know street culture. I mean really, when I

0:34:45.840 --> 0:34:47.960
<v Speaker 1>say street culture, I mean real people in real streets. Right,

0:34:48.200 --> 0:34:51.160
<v Speaker 1>This is how real people in real streets just live, breathe,

0:34:51.200 --> 0:34:54.160
<v Speaker 1>and operate. Now, me as a creator, I want to

0:34:54.280 --> 0:34:57.799
<v Speaker 1>make stuff for them. And I think that is one

0:34:57.800 --> 0:35:01.440
<v Speaker 1>of the secret sauces for why staple has continued to

0:35:01.480 --> 0:35:05.440
<v Speaker 1>spread Because it wasn't too niche, it wasn't too insulated.

0:35:05.440 --> 0:35:07.920
<v Speaker 1>It was sort of a democratic for everyone and everyone

0:35:08.280 --> 0:35:12.200
<v Speaker 1>who's sort of just like is not fancy runway model

0:35:12.400 --> 0:35:14.600
<v Speaker 1>kind of looking, you know, shopping at the most highest

0:35:14.640 --> 0:35:17.920
<v Speaker 1>end department stores. Um. But I deliberately did that all throughout.

0:35:18.040 --> 0:35:20.759
<v Speaker 1>And so when I need inspiration, I just turned to

0:35:20.840 --> 0:35:22.800
<v Speaker 1>my my customer. Really, I just go to the street.

0:35:22.800 --> 0:35:24.960
<v Speaker 1>I'll sit at a cafe on a corner, and I'll

0:35:25.000 --> 0:35:27.880
<v Speaker 1>just people watch. Um. And I try to do it

0:35:27.960 --> 0:35:30.200
<v Speaker 1>as much as I can outside of my comfort zone

0:35:30.200 --> 0:35:33.200
<v Speaker 1>of my hometown, of my home neighborhood. Uh. And jan's

0:35:33.320 --> 0:35:35.040
<v Speaker 1>just get out there and see the world. Get you know,

0:35:35.400 --> 0:35:37.360
<v Speaker 1>take a bus, take a walk, whatever. But if you

0:35:37.400 --> 0:35:40.200
<v Speaker 1>get stuck in a rut, I find just seeing something

0:35:40.239 --> 0:35:44.840
<v Speaker 1>outside of a normal perspective helps tremendously. Let's say your advice,

0:35:44.880 --> 0:35:46.640
<v Speaker 1>and really the way you frame it is like, turn

0:35:46.719 --> 0:35:48.920
<v Speaker 1>to your customer, right, and if you want to, and

0:35:49.000 --> 0:35:50.960
<v Speaker 1>that's true for any entrepreneur, right, you turn to your

0:35:50.960 --> 0:35:53.080
<v Speaker 1>customer and if you want to grow the business right,

0:35:53.320 --> 0:35:55.640
<v Speaker 1>turn to different customers, right, get out of your comfort

0:35:55.719 --> 0:35:59.759
<v Speaker 1>zone and and experience, you know, different energies. So that's

0:35:59.760 --> 0:36:03.200
<v Speaker 1>the Jeff, I appreciate you stopping buying and having this

0:36:03.360 --> 0:36:07.560
<v Speaker 1>this talk man, you drops, I learned a lot. I'm

0:36:07.560 --> 0:36:10.840
<v Speaker 1>excited about the conversation. I know everyone in tennis is

0:36:10.880 --> 0:36:13.640
<v Speaker 1>as well. Uh so real quick? Yeah, just where can

0:36:13.680 --> 0:36:16.400
<v Speaker 1>people find you on social anythings you want to highlight

0:36:16.440 --> 0:36:19.080
<v Speaker 1>before we sign off? Yeah, I mean I'm on the

0:36:19.160 --> 0:36:23.359
<v Speaker 1>socials at Jeff Staple all one word, um, follow me on.

0:36:23.560 --> 0:36:28.800
<v Speaker 1>You know the latest and fashion, streetwear, sneakers, retail design.

0:36:29.080 --> 0:36:31.880
<v Speaker 1>It's a lot uh n f t s metaverse. But

0:36:32.200 --> 0:36:34.719
<v Speaker 1>if you go down um and hang with us, you

0:36:34.719 --> 0:36:36.040
<v Speaker 1>can learn a lot, I think so. I hope to

0:36:36.120 --> 0:36:52.279
<v Speaker 1>see you on the other side. Black Tech Green Money

0:36:52.280 --> 0:36:54.799
<v Speaker 1>is the production to BLACKVIDI Afro Tech in the Black

0:36:54.960 --> 0:36:58.040
<v Speaker 1>Fact podcast network in My Heart Media, and it's produced

0:36:58.040 --> 0:37:02.760
<v Speaker 1>by Morgan Dubon and me Lucas, with additional production support

0:37:02.840 --> 0:37:06.040
<v Speaker 1>by Love Beach and Marissa Lewis. Special thank you to

0:37:06.080 --> 0:37:09.919
<v Speaker 1>Michael David's Germain Hall in vanessas Rando learn more about

0:37:09.920 --> 0:37:12.520
<v Speaker 1>my guests and other technis, weapons and innovatives, an afrotech

0:37:12.600 --> 0:37:16.080
<v Speaker 1>dot com, Julian black Tech, Green Money leave us a

0:37:16.120 --> 0:37:20.239
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0:37:20.480 --> 0:37:20.799
<v Speaker 1>in love,