WEBVTT - Danielle Fishel

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<v Speaker 1>Yes, the cover of seventeen. I felt like, wow, I

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<v Speaker 1>this is the biggest I mean, it's still maybe to

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<v Speaker 1>this day, the biggest thing I've done. Well, I don't

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<v Speaker 1>think it's the biggest thing you've done. But I have

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<v Speaker 1>never been on the cover of seventeen magazine. Let's be

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<v Speaker 1>very very clear about that. Do you want Do you

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<v Speaker 1>want to? I could probably, I could see if I

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<v Speaker 1>have any connections, maybe I could go well, yeah, I

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<v Speaker 1>don't know, because you know, it's never too late. I

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<v Speaker 1>think maybe it's too late at some point. I don't

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<v Speaker 1>know specifically, it is too late to be on seventeen magazine.

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<v Speaker 1>I think actually it is. It is. I don't think

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<v Speaker 1>it's worth trying. I don't know. I don't think. So

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<v Speaker 1>we'll talk after, we'll talk. We'll talk after. Hello. My

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<v Speaker 1>name is Danielle Fishel. You may know me better as

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<v Speaker 1>to Pango Lawrence and then eventually to Pango Lawrence Matthews.

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<v Speaker 1>I am a TV director and an actor. Hello. Everyone,

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<v Speaker 1>it is my pleasure to welcome you all back to

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<v Speaker 1>Off the Beat. I am your host, Brian baum Gartner,

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<v Speaker 1>and I am thrilled and delighted today to welcome the

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<v Speaker 1>one and only Danielle fishial a k a. To Panga

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<v Speaker 1>Lawrence onto the podcast. Now, this is a little bit

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<v Speaker 1>of a different episode today, all right. Danielle, she was

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<v Speaker 1>only twelve years old when she got her start on

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<v Speaker 1>Boy Meets World. Boy Meets World, one of the biggest

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<v Speaker 1>sitcoms of the nineties the t G I f days

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<v Speaker 1>for those of you who remember, or we're alive now

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<v Speaker 1>to give you a sense of just how ahead Danielle was.

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<v Speaker 1>By the time myself and most of the cast of

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<v Speaker 1>the Office even made it to Hollywood, she had already

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<v Speaker 1>done Evans seasons of the show, making her a show

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<v Speaker 1>biz veteran before she was even twenty years old. Since then,

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<v Speaker 1>she's gone on to star in many other projects, including

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<v Speaker 1>the hit reboot Girl Meets World, and she's also just

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<v Speaker 1>launched her own rewatch podcast, pod Meets World. I loved

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<v Speaker 1>this conversation, all right. It was so interesting for me

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<v Speaker 1>to hear about her challenges of being a child star,

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<v Speaker 1>how much she had to endure that as an adult

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<v Speaker 1>working in Hollywood I was barely aware of. We talk

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<v Speaker 1>about everything from teen comedy to her on screen relationships,

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<v Speaker 1>to her first kiss being on screen, and finally playing

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<v Speaker 1>a grown up version of her character over a decade later.

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<v Speaker 1>Here she is the lovely and talented Danielle Fishal, Bubble

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<v Speaker 1>and Squeak. I love Bubble and Squiger Bubble and Squeaker

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<v Speaker 1>Cookie every moment. Lift over from the nut before. Hello, Hi,

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<v Speaker 1>I'm so excited to see you, Danielle. I'm so excited

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<v Speaker 1>to see you as well. How are you? I am

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<v Speaker 1>doing great. I I know that you are technically interviewing me,

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<v Speaker 1>but I cannot even begin to have a conversation with

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<v Speaker 1>you without asking what it's like to be on my

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<v Speaker 1>favorite show, trash Truck. I love that you just did

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<v Speaker 1>that miss reverse misdirection. See, it's your favorite show. You

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<v Speaker 1>know you're not really demographic. You know what, I don't care.

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<v Speaker 1>I my son, I my son. I don't even think

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<v Speaker 1>it is quite your demographic. He just turned three, and

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<v Speaker 1>it's a little I think I think it's I watch

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<v Speaker 1>it with him, and he loves it. He's into it.

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<v Speaker 1>He loves trash Truck. But then you know, it's not

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<v Speaker 1>as like it's not like Coco Melon, where it's like

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<v Speaker 1>there's a bunch of all kinds of crazy things going on.

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<v Speaker 1>And so after a few episodes, he'll want to like

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<v Speaker 1>wander Away, and I'm just riveted I get to the

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<v Speaker 1>next episode of trash Truck like it is truly my favorite.

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<v Speaker 1>My husband put trash Truck socks in my Christmas stocking

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<v Speaker 1>and I wore them recently to a con. I'm literally

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<v Speaker 1>a huge fan of trash Truck and specifically Walter. So

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<v Speaker 1>I just have to thank you for that. Thank you

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<v Speaker 1>so much. And I can say this because I truly

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<v Speaker 1>had nothing to do with it. I think it looks

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<v Speaker 1>so beautiful. I think it is like the animation that

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<v Speaker 1>they did. I mean they took let me tell you,

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<v Speaker 1>they took a long long time to to do it.

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<v Speaker 1>I was told they built an animation studio. I don't

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<v Speaker 1>like the South of France or something. It's very bizarre.

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<v Speaker 1>I know. Yeah, thank you for bringing it up. I

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<v Speaker 1>tell everyone about it. I said, even if you don't

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<v Speaker 1>have kids, you'll like trash Truck. It's just a great show.

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<v Speaker 1>It's a trash Truck has the the appeal that like

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<v Speaker 1>Bluey also has where adults just you. I mean, I've cried.

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<v Speaker 1>I've cried a trash Truck. I've cried a Bluey. It's

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<v Speaker 1>just it truly is it's it is beautiful, and it

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<v Speaker 1>is so well done and so well written, and you

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<v Speaker 1>guys are just you guys just really do a great

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<v Speaker 1>job with it. So I just really had to thank you, well,

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<v Speaker 1>thank you so much for that. I appreciate it. Pre

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<v Speaker 1>trash truck. Do you do you remember when we met?

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<v Speaker 1>Do you do you remember when we met? I don't know.

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<v Speaker 1>You don't remember when we met? No, but I have

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<v Speaker 1>a I have a terrible memory where I'm on, I'm

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<v Speaker 1>unpacking a lot of Why do I have a terrible

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<v Speaker 1>memory on our own podcast? I don't know? Okay, please

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<v Speaker 1>tell me the story. So we met in public on

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<v Speaker 1>a stage on I Believe Live television. You and I

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<v Speaker 1>we presented an award at the American Humane Association's Hero

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<v Speaker 1>the Hero Dog Awards. Of course, yes, I do that.

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<v Speaker 1>I do it every year, do you. Well, that's why

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<v Speaker 1>you don't. That's why you don't remember. That's at least

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<v Speaker 1>what I'm gonna say, because that's why that was my

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<v Speaker 1>one and only. I think they kicked me off after that.

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<v Speaker 1>I went off. So you were you weren't? No, come on,

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<v Speaker 1>you were wonderful. I am actually I am an ambassador

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<v Speaker 1>for the American Humane Association, and so I vote every year.

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<v Speaker 1>I'm I'm part of the voting process for the Hero Dogs,

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<v Speaker 1>and then I have when they've done it in person.

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<v Speaker 1>I have presented every year, and then I've done it

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<v Speaker 1>on zoom a couple of times too. But that is

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<v Speaker 1>probably why. But I can't believe that. Yeah, I'm going

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<v Speaker 1>to look up all of our pictures. But I do

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<v Speaker 1>remember it now, of course I remember being It's it

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<v Speaker 1>is weird how that happens when you present an award

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<v Speaker 1>with somebody because you don't actually meet like early in

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<v Speaker 1>the evening. You meet about three minutes before you are

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<v Speaker 1>put on stage and you have your script and you're

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<v Speaker 1>getting a touch up, and then it's you know, you

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<v Speaker 1>go out and you do your thing and then you

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<v Speaker 1>part ways and I didn't see you again. That was that.

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<v Speaker 1>That was it. Um, So yes, a long time ago.

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<v Speaker 1>I want to go back, though even longer to your childhood. Now.

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<v Speaker 1>You grew up in in Mesa, Arizona. Is that right? Well,

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<v Speaker 1>that is something I clarify all the time. So I

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<v Speaker 1>was born in Mesa. I was born three weeks before

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<v Speaker 1>my dad graduated college. But both my parents are native Californians.

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<v Speaker 1>And so when my dad graduated, I was three weeks

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<v Speaker 1>old and I moved to California. That is the amount

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<v Speaker 1>of time I spent in Mesa. But it is on

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<v Speaker 1>my Wikipedia page that I was born in Mesa. And

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<v Speaker 1>so I still like every political cycle I get um

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<v Speaker 1>like targeted campaigns like Danielle get the word out in Mesa,

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<v Speaker 1>and I'm like, I don't have a real connection to Mesa.

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<v Speaker 1>I haven't been there since I was twenty one days old.

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<v Speaker 1>But so I consider myself a native Californian because that

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<v Speaker 1>is where I've lived since I was twenty one days old.

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<v Speaker 1>That is very reasonable for you to consider yourself that.

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<v Speaker 1>So you moved, So you moved. Then where did you

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<v Speaker 1>move after twenty one days of life? It twenty one

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<v Speaker 1>days of life. I made the trek to Orange County, California,

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<v Speaker 1>and I lived there until I was ten. And then

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<v Speaker 1>it was kind of just a stroke of real luck

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<v Speaker 1>that at the same age, like nine ten, I decided

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<v Speaker 1>I wanted to be an actor. By the way, I

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<v Speaker 1>did not really know what that meant. I didn't how

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<v Speaker 1>could you possibly know? Really, I just knew that there

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<v Speaker 1>was a very cool girl at my school that was

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<v Speaker 1>a couple of years older than me who came to

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<v Speaker 1>school one day and said, guess what, I got an

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<v Speaker 1>agent and I'm going to be a model. And I

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<v Speaker 1>wanted to be like her, and so I went to

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<v Speaker 1>my mom and I said, Mom, I want an agent.

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<v Speaker 1>I want to be a model. And my mom said, Danielle,

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<v Speaker 1>I love you, but you are very short. I am

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<v Speaker 1>now a full grown human five one and my mom,

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<v Speaker 1>you know, at the time, I was like nine years old.

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<v Speaker 1>My Mom's like, models are very tall. You can't do that.

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<v Speaker 1>So I went back to school the next day and

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<v Speaker 1>I told the girl my mom said, I'm too short,

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<v Speaker 1>and she said, oh, well, my agents are gonna put

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<v Speaker 1>me on t V two. I don't think you need

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<v Speaker 1>to be tall to be on TV. And that was

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<v Speaker 1>all I knew. That was it. I decided that that's

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<v Speaker 1>all I needed. I met that requirement. I wanted to

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<v Speaker 1>be on TV. And around that same time, my dad

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<v Speaker 1>changed jobs from working in Orange County to working up

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<v Speaker 1>more towards l A and so we moved to Calabasas

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<v Speaker 1>and I started auditioning. Wow, so it was just about

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<v Speaker 1>trying to follow the cool kid. At this point, now

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<v Speaker 1>had you done, like like like, had you done any

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<v Speaker 1>You hadn't done anything at this point on a stage

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<v Speaker 1>like in school, elementary school. Yes, I was the ballerina

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<v Speaker 1>in The Wizard of Oz. Remember when like Dorothy arrives

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<v Speaker 1>in munchkin Land. I think it had like two lines,

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<v Speaker 1>But I basically just had my arms up in the

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<v Speaker 1>air and walked in on my two two and did

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<v Speaker 1>something with the Lollipop Guild and then and then wandered out.

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<v Speaker 1>And that was the extent of my stage experience. It

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<v Speaker 1>wasn't even that that made me go, wow, the stage

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<v Speaker 1>life is for me. It was really just that I

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<v Speaker 1>wanted to be like the cool you wanted to fall

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<v Speaker 1>the cool girl. You see. I don't Do you think

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<v Speaker 1>that there's a cultural thing about now that I know

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<v Speaker 1>you weren't really from mas Arizona. Do you think that

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<v Speaker 1>there's something about like growing up in southern California that

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<v Speaker 1>it's it's more a part of more people's experience. Do

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<v Speaker 1>you think that that's true. Possibly, it wasn't in Orange

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<v Speaker 1>County where I at the time, where I lived in

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<v Speaker 1>Orange County, It's not. I wasn't beach Town, Orange County.

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<v Speaker 1>Even I was like, you know, Inland way in len

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<v Speaker 1>youre Belinda, California, and we knew no actors. We didn't.

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<v Speaker 1>It was there were there was nothing about that going on.

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<v Speaker 1>Um I just knew that like the idea of auditioning

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<v Speaker 1>and trying to do stuff on television sounded fun. But

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<v Speaker 1>I also my mom. My parents fought against it for

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<v Speaker 1>a full year. They were like, absolutely not, We're not

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<v Speaker 1>putting you know, there was, especially in the early nineties,

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<v Speaker 1>there was like a lot of you know, derogatory thoughts

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<v Speaker 1>about child actors, like, oh, being a child actor is

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<v Speaker 1>terrible and you you grow up to you know, Rob

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<v Speaker 1>Banks or something like they you just there were it

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<v Speaker 1>felt like there was no good that could come from this,

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<v Speaker 1>and so they kept telling me no and and no,

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<v Speaker 1>this isn't for you. And then eventually when they agreed,

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<v Speaker 1>my mom said to my dad, look, let's just let

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<v Speaker 1>her try it. We all know how everyone's heard about

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<v Speaker 1>how hard this is. What are the odds she's even

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<v Speaker 1>going to book anything? She'll try it. We will have

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<v Speaker 1>given her the opportunity, she won't do anything, and then

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<v Speaker 1>she'll get over it. Like that was there. Their only

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<v Speaker 1>reason they agreed is because this is going nowhere. And um,

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<v Speaker 1>and so then they we did the we did the

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<v Speaker 1>thing you had to do back then, which when there

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<v Speaker 1>was no digital way of communicating with agents. My mom

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<v Speaker 1>read a book that was like how to Get your

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<v Speaker 1>Kid into Acting for Dummies. And in the in the

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<v Speaker 1>book it said, here is a list of agencies, and

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<v Speaker 1>they're mailing addresses. And my mom took pictures of me

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<v Speaker 1>on our regular film pictures of me, and then printed

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<v Speaker 1>them out and mailed copies of them with a letter

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<v Speaker 1>about me, my age and why. You know what I said,

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<v Speaker 1>I I wanted to do this, and and here are

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<v Speaker 1>some yes that she wrote and sent them to these agencies.

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<v Speaker 1>And I think we sent them to maybe ten agents,

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<v Speaker 1>and we heard back from maybe six of them, and

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<v Speaker 1>they were interested in meeting with me. It was pretty good,

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<v Speaker 1>pretty good, and so we Yeah, my mom took some

0:12:48.880 --> 0:12:52.000
<v Speaker 1>great pictures. You know, I was photogenic and my mom

0:12:52.120 --> 0:12:55.319
<v Speaker 1>was a great photographer. And so we went to those meetings.

0:12:55.320 --> 0:12:57.920
<v Speaker 1>And I remember being a little girl sitting in these

0:12:57.920 --> 0:13:01.320
<v Speaker 1>meetings with agents and hearing them, you know, talk about

0:13:01.440 --> 0:13:03.880
<v Speaker 1>my experience, and it was like nothing unless you count

0:13:03.920 --> 0:13:07.200
<v Speaker 1>this to two role I had in in elementary school

0:13:07.520 --> 0:13:10.640
<v Speaker 1>and um, I ended up signing with an agent. I

0:13:10.679 --> 0:13:14.240
<v Speaker 1>signed with Kelman Arletta and the first thing she said

0:13:14.280 --> 0:13:16.520
<v Speaker 1>was I'm going to put you in a commercial workshop class.

0:13:16.960 --> 0:13:20.040
<v Speaker 1>And so I got put into like an acting class

0:13:20.080 --> 0:13:23.920
<v Speaker 1>for commercials and um, and then I started auditioning from there.

0:13:24.320 --> 0:13:28.560
<v Speaker 1>So you're I'm doing the math here quickly. It's difficult

0:13:28.600 --> 0:13:34.640
<v Speaker 1>for me. You're ten then roughly right? Ten? Yes? Yes?

0:13:34.679 --> 0:13:37.839
<v Speaker 1>So this is this is your your ten years old

0:13:38.520 --> 0:13:41.600
<v Speaker 1>and you start this process and at this point you

0:13:41.600 --> 0:13:43.840
<v Speaker 1>don't know, you don't know anything. And by the way,

0:13:43.880 --> 0:13:46.720
<v Speaker 1>I have to say for people who don't understand, taking

0:13:47.000 --> 0:13:50.640
<v Speaker 1>a photo on your cameras and you know, your home

0:13:50.679 --> 0:13:53.320
<v Speaker 1>camera is not usually how this is done. You usually

0:13:53.360 --> 0:13:56.800
<v Speaker 1>go and you get a professional photographer. It's called a

0:13:56.880 --> 0:13:59.560
<v Speaker 1>head shot, and you have that done. You don't put

0:13:59.559 --> 0:14:02.679
<v Speaker 1>a five seven that mom took uh in the mail

0:14:02.960 --> 0:14:05.640
<v Speaker 1>and expect to hear anything back. So there was clearly

0:14:05.720 --> 0:14:10.920
<v Speaker 1>something that people saw. So okay, so your ten is

0:14:11.000 --> 0:14:14.480
<v Speaker 1>this fun? Then this class that you take about auditioning

0:14:14.480 --> 0:14:18.920
<v Speaker 1>for commercials? Yeah, it was incredibly fun. I you know,

0:14:19.200 --> 0:14:24.280
<v Speaker 1>I was a very bubbly, fast talking ten year old girl,

0:14:24.720 --> 0:14:27.000
<v Speaker 1>and when you're looking for ten year old girls and

0:14:27.040 --> 0:14:30.480
<v Speaker 1>commercials that is like kind of what you're looking for,

0:14:31.040 --> 0:14:33.160
<v Speaker 1>and so I think there was something. I think what

0:14:33.200 --> 0:14:36.640
<v Speaker 1>people saw in me was that without like my instinct

0:14:36.760 --> 0:14:40.680
<v Speaker 1>was perfect for ten year old girl commercials. And so

0:14:40.800 --> 0:14:43.480
<v Speaker 1>the class was very fun. I remember I have it

0:14:43.520 --> 0:14:46.320
<v Speaker 1>on video somewhere and it's one of my favorite videos.

0:14:46.360 --> 0:14:49.160
<v Speaker 1>It's me and another little boy and they were having

0:14:49.200 --> 0:14:53.520
<v Speaker 1>us pretend to be doing a Skittles commercial. And you know,

0:14:53.840 --> 0:14:55.000
<v Speaker 1>both of us are up there in front of the

0:14:55.080 --> 0:14:57.400
<v Speaker 1>camera and it's his turn to pretend that he has

0:14:57.440 --> 0:14:59.760
<v Speaker 1>the skittles, and the person next to him is like,

0:14:59.760 --> 0:15:01.840
<v Speaker 1>can I have a skittle? And and the boys supposed

0:15:01.880 --> 0:15:06.280
<v Speaker 1>to go Skittles, Skittles, you want some? And the boy

0:15:06.440 --> 0:15:12.760
<v Speaker 1>is going Skittles, Skittles, you want And you can hear

0:15:12.800 --> 0:15:15.120
<v Speaker 1>the teacher go okay, let's do it again, but with

0:15:15.160 --> 0:15:17.680
<v Speaker 1>a lot of energy. You know, we want to sell skittles.

0:15:17.800 --> 0:15:21.120
<v Speaker 1>Skittles are the greatest. You know, imagine you're in They

0:15:21.120 --> 0:15:23.040
<v Speaker 1>want to know that you love skittles. And he's doing

0:15:23.040 --> 0:15:24.920
<v Speaker 1>it again, and he does it very much the same way.

0:15:25.240 --> 0:15:27.000
<v Speaker 1>And then it's my turn to be the person with

0:15:27.040 --> 0:15:28.720
<v Speaker 1>the skittles, and he hands me the Skittles and I

0:15:28.760 --> 0:15:31.560
<v Speaker 1>go Skittles Skittles and he literally jumps out of his skin,

0:15:31.720 --> 0:15:36.520
<v Speaker 1>like what the heck was that? I literally startled him

0:15:36.560 --> 0:15:41.240
<v Speaker 1>with my enthusiasm. So yeah, for me, it was it

0:15:41.280 --> 0:15:45.080
<v Speaker 1>was a blast. Right. So this is like, uh, this

0:15:45.120 --> 0:15:48.480
<v Speaker 1>is like a I don't know, kids play soccer or

0:15:49.080 --> 0:15:51.840
<v Speaker 1>you know they go to music class or you know,

0:15:52.000 --> 0:15:55.800
<v Speaker 1>dance ballet, whatever. This is. This is like your after

0:15:55.800 --> 0:15:59.320
<v Speaker 1>school activity and you're having fun with it. That's exactly right.

0:15:59.400 --> 0:16:01.760
<v Speaker 1>And I loved every minute of it. And then I

0:16:01.800 --> 0:16:03.960
<v Speaker 1>got an audition and it was for It was my

0:16:04.000 --> 0:16:07.040
<v Speaker 1>first audition ever and it was for Mattel and it was,

0:16:07.360 --> 0:16:12.200
<v Speaker 1>UM this Mattel commercial where these dolls there were three

0:16:12.200 --> 0:16:15.720
<v Speaker 1>dolls and one of them UM had braids, and you

0:16:15.880 --> 0:16:18.440
<v Speaker 1>got fake scissors and you could cut her hair and

0:16:18.440 --> 0:16:20.880
<v Speaker 1>and you pulled from the back of her head this

0:16:21.000 --> 0:16:23.040
<v Speaker 1>area where the braids were connected, and that's how it

0:16:23.080 --> 0:16:25.080
<v Speaker 1>looked like you were cutting at the braids just got shorter,

0:16:25.640 --> 0:16:29.040
<v Speaker 1>and then another one another. It was It's very creepy.

0:16:29.080 --> 0:16:31.840
<v Speaker 1>I have a I have a screen recording of the commercial.

0:16:32.160 --> 0:16:34.040
<v Speaker 1>UM A little girl who has an ice cream cone.

0:16:34.080 --> 0:16:35.560
<v Speaker 1>When you put the ice cream cone to her mouth.

0:16:35.600 --> 0:16:37.960
<v Speaker 1>It makes like an ice cream ring around her lips,

0:16:38.200 --> 0:16:40.840
<v Speaker 1>and and then the doll um. The third doll was

0:16:40.920 --> 0:16:42.360
<v Speaker 1>you push a button in the top of her head

0:16:42.400 --> 0:16:45.520
<v Speaker 1>and two front teeth come out of her gums. She

0:16:45.560 --> 0:16:51.320
<v Speaker 1>gets her first teeth. So I get this audition and

0:16:51.360 --> 0:16:54.000
<v Speaker 1>I'm very excited for it, and I go in. My

0:16:54.080 --> 0:16:57.040
<v Speaker 1>mom takes me. You know, it's a long drive in traffic.

0:16:57.640 --> 0:16:59.480
<v Speaker 1>Do I'm doing my homework in the car on the

0:16:59.480 --> 0:17:02.640
<v Speaker 1>way there. And we get into the audition and my

0:17:02.720 --> 0:17:05.760
<v Speaker 1>mom's biggest concern, She's told me, now my biggest Her

0:17:05.760 --> 0:17:08.720
<v Speaker 1>biggest concern with me going into acting was that there

0:17:08.760 --> 0:17:11.040
<v Speaker 1>was going to be a lot of rejection, and she

0:17:11.119 --> 0:17:14.600
<v Speaker 1>didn't want the rejection to beat me down as a child.

0:17:14.840 --> 0:17:17.960
<v Speaker 1>She didn't want me to feel like it was my

0:17:18.080 --> 0:17:20.000
<v Speaker 1>fault if I didn't get something, or like, well, what

0:17:20.040 --> 0:17:22.240
<v Speaker 1>was wrong with me? And so she she would talk

0:17:22.280 --> 0:17:24.520
<v Speaker 1>to me about the fact that it was probably that

0:17:24.560 --> 0:17:26.760
<v Speaker 1>I was going to get told no a lot often.

0:17:26.960 --> 0:17:29.199
<v Speaker 1>So on the way there, you know, she's saying, you know,

0:17:29.280 --> 0:17:32.720
<v Speaker 1>Remembers is your first audition. It's fun, like she's trying

0:17:32.760 --> 0:17:34.600
<v Speaker 1>to make everything light and I'm like, yeah, but I'm nervous.

0:17:34.640 --> 0:17:36.320
<v Speaker 1>I don't know what it's going to be. And I

0:17:36.640 --> 0:17:38.960
<v Speaker 1>go in and I do the audition. I come out

0:17:39.040 --> 0:17:41.639
<v Speaker 1>and my mom goes, how did it go? And I go, great,

0:17:42.119 --> 0:17:45.879
<v Speaker 1>I got it and she goes, what did did they

0:17:46.000 --> 0:17:48.280
<v Speaker 1>They tell you you got it? And I go no,

0:17:48.440 --> 0:17:50.560
<v Speaker 1>I just I just I feel it. I just I

0:17:51.080 --> 0:17:53.879
<v Speaker 1>nailed it. I got it. And she's like, oh my gosh.

0:17:54.040 --> 0:17:56.160
<v Speaker 1>We get in my car and she goes, no, you know, Danielle,

0:17:56.680 --> 0:17:58.840
<v Speaker 1>this isn't how this works. You you were going to

0:17:58.960 --> 0:18:02.480
<v Speaker 1>go in for so many auditions and you're gonna you're

0:18:02.480 --> 0:18:04.720
<v Speaker 1>gonna be told no way more than you're gonna be

0:18:04.760 --> 0:18:06.760
<v Speaker 1>told yes. And this is your first audition. Because I

0:18:06.800 --> 0:18:08.320
<v Speaker 1>was like okay. I was like, but Mama, you know

0:18:08.320 --> 0:18:11.359
<v Speaker 1>I got it. She's like, oh man. So we go

0:18:11.440 --> 0:18:13.480
<v Speaker 1>home and the next day I get a call back.

0:18:14.040 --> 0:18:16.800
<v Speaker 1>She's like, wow, Danielle, guess what. You get a callback?

0:18:16.840 --> 0:18:18.119
<v Speaker 1>You have to they want to see you again. And

0:18:18.119 --> 0:18:19.560
<v Speaker 1>I go see, I told you, And she's like, well,

0:18:19.600 --> 0:18:22.320
<v Speaker 1>callback isn't booking it, but yes, this is a good sign.

0:18:22.359 --> 0:18:24.639
<v Speaker 1>You're you're getting closer. So I go in, I do

0:18:24.680 --> 0:18:26.399
<v Speaker 1>the audition again. I come out. My mom goes, how

0:18:26.400 --> 0:18:28.280
<v Speaker 1>did it go? And I go, great, I got it,

0:18:28.800 --> 0:18:31.520
<v Speaker 1>and she's like, okay again, Hope, I know you're closer,

0:18:31.560 --> 0:18:33.600
<v Speaker 1>and you know you did last yesterday And I said, yeah,

0:18:33.680 --> 0:18:36.080
<v Speaker 1>you know, yesterday you told me I wasn't I didn't

0:18:36.080 --> 0:18:37.480
<v Speaker 1>get it, and today I got a call back. She's like,

0:18:37.520 --> 0:18:41.359
<v Speaker 1>that's true, but still just trying to like temper my expectations.

0:18:41.400 --> 0:18:44.440
<v Speaker 1>And then I did book the commercial, and my mom

0:18:44.560 --> 0:18:47.840
<v Speaker 1>was like, great, Now what do I do? Now? I

0:18:47.920 --> 0:18:50.400
<v Speaker 1>know I have to like convince you that just because

0:18:50.440 --> 0:18:52.400
<v Speaker 1>you got this one doesn't mean you're gonna get all

0:18:52.440 --> 0:18:55.320
<v Speaker 1>of them. And of course, you know, I I ended

0:18:55.359 --> 0:18:59.080
<v Speaker 1>up getting my share of rejection. But I just think

0:18:59.080 --> 0:19:01.000
<v Speaker 1>it's funny that I walked out with so much confidence.

0:19:01.000 --> 0:19:06.680
<v Speaker 1>And then I was like, I told you that is uh,

0:19:06.720 --> 0:19:11.359
<v Speaker 1>that is unusual. That is that it does not usually

0:19:11.400 --> 0:19:33.000
<v Speaker 1>work that way. No, you had no experience. You take

0:19:33.040 --> 0:19:38.600
<v Speaker 1>this class and start booking commercials. At what point does

0:19:38.640 --> 0:19:44.600
<v Speaker 1>your agent think, well maybe she should audition. Well, she's

0:19:44.640 --> 0:19:46.440
<v Speaker 1>got to have a lot of confidence that your first

0:19:46.840 --> 0:19:48.960
<v Speaker 1>job you booked, I know how this thing works, So

0:19:49.040 --> 0:19:52.560
<v Speaker 1>that's she's got to feel good about that, and so

0:19:53.200 --> 0:20:00.760
<v Speaker 1>she must fairly quickly start submitting you for actual television roles, right, yeah,

0:20:01.000 --> 0:20:03.639
<v Speaker 1>yes she does. She starts submitting me for guest starring

0:20:03.760 --> 0:20:08.200
<v Speaker 1>roles on different shows, and I book uh an episode

0:20:08.200 --> 0:20:12.199
<v Speaker 1>of Harry and the Henderson But yeah, it was a

0:20:12.359 --> 0:20:17.320
<v Speaker 1>featured a featured extra. Basically, I didn't say anything. And

0:20:17.359 --> 0:20:20.680
<v Speaker 1>then she submits me to I auditioned for full House,

0:20:21.640 --> 0:20:24.920
<v Speaker 1>and I book full House and I played the role

0:20:24.960 --> 0:20:30.120
<v Speaker 1>of Jennifer two and Jennifer two um was only Jennifer

0:20:30.119 --> 0:20:31.840
<v Speaker 1>two because her friend that was there with her was

0:20:31.880 --> 0:20:34.320
<v Speaker 1>also Jennifer. And so the line in the show was

0:20:34.840 --> 0:20:37.439
<v Speaker 1>that the girl says, Hi, I'm Jennifer, and I said, Hi,

0:20:37.600 --> 0:20:41.840
<v Speaker 1>I'm Jennifer too, not the number two. But also, and

0:20:42.800 --> 0:20:45.600
<v Speaker 1>as you could probably tell from the way I just

0:20:45.680 --> 0:20:48.800
<v Speaker 1>did that line, Jennifer two was not that much different

0:20:48.800 --> 0:20:52.040
<v Speaker 1>than just regular Danielle that had been doing all of

0:20:52.080 --> 0:20:58.360
<v Speaker 1>the commercials. So again, I know nothing of what acting

0:20:58.400 --> 0:21:02.240
<v Speaker 1>actually is. My experience thus far from ten to twelve

0:21:02.680 --> 0:21:05.240
<v Speaker 1>was that if you just go in and say somebody

0:21:05.280 --> 0:21:09.520
<v Speaker 1>else's words exactly the way you would say them, you

0:21:09.640 --> 0:21:12.080
<v Speaker 1>will eventually book a job. Some at some point in time,

0:21:12.119 --> 0:21:14.040
<v Speaker 1>someone's going to be looking for just who you are,

0:21:14.600 --> 0:21:17.560
<v Speaker 1>and so those were the rules I had booked before

0:21:17.600 --> 0:21:22.000
<v Speaker 1>I got the audition for Boy Meats World. That's unbelievable.

0:21:22.480 --> 0:21:24.800
<v Speaker 1>Let me ask you about this. You know, I've talked

0:21:24.840 --> 0:21:28.320
<v Speaker 1>to a lot of people about how difficult it is

0:21:28.840 --> 0:21:32.760
<v Speaker 1>to just step in as a guest star to anything. Now,

0:21:32.800 --> 0:21:35.919
<v Speaker 1>are you intimidated about this or you just like, oh, no,

0:21:36.080 --> 0:21:40.320
<v Speaker 1>I've got this and you're totally relaxed about it. I

0:21:40.359 --> 0:21:43.400
<v Speaker 1>was pretty relaxed about it. I think I just had

0:21:43.560 --> 0:21:46.640
<v Speaker 1>so much confidence. I have no idea why I had

0:21:46.680 --> 0:21:50.640
<v Speaker 1>so much confidence, but I really I think I remember

0:21:50.680 --> 0:21:53.480
<v Speaker 1>being told in my commercial workshop class and in my

0:21:53.560 --> 0:21:58.520
<v Speaker 1>auditions that I was directionable, like I took direction well,

0:21:58.760 --> 0:22:02.560
<v Speaker 1>I listened and I could respond. And I was that

0:22:02.640 --> 0:22:06.119
<v Speaker 1>way as a child with my parents, and I was

0:22:06.160 --> 0:22:09.040
<v Speaker 1>that way as a student. I was kind of just yeah,

0:22:09.080 --> 0:22:11.000
<v Speaker 1>if you tell me what I need to do, I'll

0:22:11.040 --> 0:22:13.679
<v Speaker 1>get it done. And so I was really excited to

0:22:13.720 --> 0:22:16.120
<v Speaker 1>walk into the set a full house, and they made

0:22:16.119 --> 0:22:19.760
<v Speaker 1>it very easy too. They first of all incredible directors.

0:22:19.840 --> 0:22:23.480
<v Speaker 1>Rich Correll directed my first episode, and I think joel's

0:22:23.520 --> 0:22:26.919
<v Speaker 1>Wick directed my second episode that I did. And you know,

0:22:27.040 --> 0:22:29.879
<v Speaker 1>these are people who've done now at this point thousands

0:22:29.960 --> 0:22:33.399
<v Speaker 1>of episodes of TV, and UM, you know, they got it.

0:22:33.440 --> 0:22:35.760
<v Speaker 1>They were working on a kid's show. They knew how

0:22:35.800 --> 0:22:38.439
<v Speaker 1>to be funny and and um, how to talk to

0:22:38.560 --> 0:22:40.159
<v Speaker 1>us and how to make us comfortable. I think the

0:22:40.200 --> 0:22:42.639
<v Speaker 1>first thing Rich Carrell said to me was, you know,

0:22:42.720 --> 0:22:44.920
<v Speaker 1>I said, Hi, I'm Danielle, and I extended my hand

0:22:44.960 --> 0:22:46.680
<v Speaker 1>to shake his hand, and he said, hi, I'm rich

0:22:46.960 --> 0:22:48.640
<v Speaker 1>that's my name. But I also say that to all

0:22:48.680 --> 0:22:51.359
<v Speaker 1>the ladies. UM, and I you know, I knew he

0:22:51.440 --> 0:22:54.159
<v Speaker 1>was making a joke, and and it was just like

0:22:54.200 --> 0:22:56.240
<v Speaker 1>I felt right at ease, and and then no one

0:22:56.320 --> 0:22:58.320
<v Speaker 1>made me feel like there was I was going to

0:22:58.440 --> 0:23:01.760
<v Speaker 1>do something wrong or I was going to screw anything up.

0:23:01.880 --> 0:23:06.080
<v Speaker 1>It was it was a very fun collaborative environment. And

0:23:06.119 --> 0:23:09.000
<v Speaker 1>I mean I walked around and on tape night took

0:23:09.040 --> 0:23:11.520
<v Speaker 1>pictures with every cast member. I've got all the my

0:23:11.680 --> 0:23:14.680
<v Speaker 1>with my mom's camera. That same camera that that got

0:23:14.720 --> 0:23:16.560
<v Speaker 1>me in the door with the agents is now taking

0:23:16.560 --> 0:23:20.400
<v Speaker 1>pictures with John Stamos and Bob Saggett and Candice Camera

0:23:20.440 --> 0:23:23.520
<v Speaker 1>and Jody Sweeten. So it was a it was so fun.

0:23:24.200 --> 0:23:29.400
<v Speaker 1>Do you feel like this experience helped you get an

0:23:29.400 --> 0:23:32.920
<v Speaker 1>audition for Boy Meets World or was that just again,

0:23:33.080 --> 0:23:36.880
<v Speaker 1>just another audition that your your agents submitted you on.

0:23:37.600 --> 0:23:39.800
<v Speaker 1>I don't know if it helped me get the audition.

0:23:40.200 --> 0:23:43.200
<v Speaker 1>It may have being on Full House, but it definitely

0:23:43.240 --> 0:23:46.440
<v Speaker 1>didn't help me in the audition because I went in

0:23:46.560 --> 0:23:49.280
<v Speaker 1>an auditioned for the role of Tapanga and I did

0:23:49.280 --> 0:23:52.240
<v Speaker 1>not even get a call back. And then the next

0:23:52.280 --> 0:23:55.800
<v Speaker 1>day I got an audition for a different role on

0:23:55.840 --> 0:23:59.080
<v Speaker 1>the same show, Boy Meets World, but for a character

0:23:59.119 --> 0:24:01.399
<v Speaker 1>who I don't even think had a name. She had

0:24:01.480 --> 0:24:05.280
<v Speaker 1>two lines, and I booked that one, and I then

0:24:05.359 --> 0:24:07.679
<v Speaker 1>showed up on the set of Boy Meats World and

0:24:07.720 --> 0:24:11.160
<v Speaker 1>I got to see who they did cast as to Panga,

0:24:11.440 --> 0:24:15.600
<v Speaker 1>and I was watching the director work with her, and

0:24:15.640 --> 0:24:21.200
<v Speaker 1>the director was David Trainer, another legendary TV director, And

0:24:21.760 --> 0:24:27.159
<v Speaker 1>it was my very first acting lesson. It was the

0:24:27.240 --> 0:24:30.560
<v Speaker 1>moment I can remember the moment when the light bulb

0:24:30.640 --> 0:24:37.280
<v Speaker 1>went off in my head. Oh, I could say things

0:24:37.960 --> 0:24:43.560
<v Speaker 1>differently than how I would say them. When I read

0:24:43.920 --> 0:24:48.359
<v Speaker 1>that this character to Panga is a flower child, a

0:24:48.520 --> 0:24:53.400
<v Speaker 1>slow speaking flower child, I should pay attention to that,

0:24:53.520 --> 0:24:56.840
<v Speaker 1>and I should adjust the way I speak to try

0:24:56.880 --> 0:24:59.760
<v Speaker 1>and match maybe what they're looking for instead of just

0:24:59.760 --> 0:25:02.280
<v Speaker 1>say ing it just like me. And I saw David

0:25:02.320 --> 0:25:04.919
<v Speaker 1>Trainer working with this girl they had cast as to Panga,

0:25:04.960 --> 0:25:07.120
<v Speaker 1>and I had that feeling you get when you're like, oh,

0:25:07.520 --> 0:25:09.840
<v Speaker 1>I want to try again. And I of course knew

0:25:09.880 --> 0:25:11.760
<v Speaker 1>that that was an unprofessional thing to do, and so

0:25:11.800 --> 0:25:14.000
<v Speaker 1>of course I did not do that. I just let

0:25:14.040 --> 0:25:17.240
<v Speaker 1>them work together. And the end of the day on Friday,

0:25:17.280 --> 0:25:20.000
<v Speaker 1>before I was going home, uh that one of the

0:25:20.000 --> 0:25:22.359
<v Speaker 1>producers came up to my mom and I and said, UM,

0:25:22.560 --> 0:25:25.320
<v Speaker 1>we'd like you and the other girl that you're here

0:25:25.359 --> 0:25:27.959
<v Speaker 1>with that have a couple of lines. We'd like you

0:25:28.040 --> 0:25:31.160
<v Speaker 1>to read a scene for the producers. And the scene

0:25:31.160 --> 0:25:33.440
<v Speaker 1>they wanted us to read was a to Panga scene,

0:25:34.040 --> 0:25:38.600
<v Speaker 1>and I suddenly realized that they were possibly recasting to

0:25:38.720 --> 0:25:41.479
<v Speaker 1>Panga and now I had a second chance to do it.

0:25:42.160 --> 0:25:45.840
<v Speaker 1>And Marla sockle Off, another fantastic actress who has gone

0:25:45.840 --> 0:25:47.720
<v Speaker 1>on to have a wonderful career and is also now

0:25:47.720 --> 0:25:50.400
<v Speaker 1>a director. She and I were the two girls auditioning

0:25:50.440 --> 0:25:53.199
<v Speaker 1>again for this part, and she went in first, and

0:25:53.240 --> 0:25:55.560
<v Speaker 1>I was sitting outside the door, and my mom and

0:25:55.600 --> 0:25:57.080
<v Speaker 1>I were sitting there next to each other, and we

0:25:57.119 --> 0:26:00.640
<v Speaker 1>could hear Marla and the producers and the casting director

0:26:00.640 --> 0:26:04.159
<v Speaker 1>just laughing and talking and having a great time. And

0:26:04.200 --> 0:26:07.119
<v Speaker 1>then they walked out and Sally Steiner, the casting director,

0:26:07.160 --> 0:26:10.120
<v Speaker 1>followed behind her mom and said, I need every phone

0:26:10.200 --> 0:26:12.119
<v Speaker 1>number for you, because you know, this is a Friday

0:26:12.240 --> 0:26:14.080
<v Speaker 1>night and you're gonna if if she gets it, she's

0:26:14.080 --> 0:26:15.600
<v Speaker 1>gonna have to come back on Monday. I'm gonna have

0:26:15.600 --> 0:26:16.760
<v Speaker 1>to get in touch with you over the weekend. And

0:26:16.760 --> 0:26:20.000
<v Speaker 1>this is before cell phones or computers or so. I

0:26:20.000 --> 0:26:22.679
<v Speaker 1>need your page or number, I need your agents number,

0:26:22.720 --> 0:26:25.280
<v Speaker 1>I need your facts number. Give me all the numbers.

0:26:25.800 --> 0:26:28.399
<v Speaker 1>And I remember watching all of that right before I

0:26:28.440 --> 0:26:30.800
<v Speaker 1>go in for my audition, like that must have gone

0:26:30.920 --> 0:26:34.240
<v Speaker 1>very well. That does not make me feel very confident

0:26:34.920 --> 0:26:38.760
<v Speaker 1>walking into this. And then I went in next and

0:26:38.840 --> 0:26:42.280
<v Speaker 1>I did my audition, and I walked out, and nobody

0:26:42.320 --> 0:26:46.040
<v Speaker 1>followed behind me. Nobody asked us for phone numbers, nobody

0:26:46.400 --> 0:26:49.840
<v Speaker 1>needed to get in touch with us. And I walked

0:26:49.840 --> 0:26:51.679
<v Speaker 1>out of the office. My mom and I got to

0:26:51.720 --> 0:26:53.480
<v Speaker 1>the car, and the minute I sat down in the car,

0:26:53.520 --> 0:26:55.879
<v Speaker 1>I burst into tears and I said, I didn't get it.

0:26:56.119 --> 0:26:59.160
<v Speaker 1>I had a second opportunity to get this, this bigger part,

0:26:59.560 --> 0:27:01.439
<v Speaker 1>and I'm the drive home. My mom says, you know,

0:27:01.480 --> 0:27:02.960
<v Speaker 1>we have to call your dad because at this point

0:27:02.960 --> 0:27:04.520
<v Speaker 1>I was supposed to be home two hours later or

0:27:04.520 --> 0:27:06.320
<v Speaker 1>two hours earlier. My dad didn't know where we were.

0:27:06.560 --> 0:27:10.119
<v Speaker 1>And thankfully we had a big Zach Morris car phone,

0:27:10.400 --> 0:27:15.280
<v Speaker 1>you know the big Yeah, they connected in the car.

0:27:15.359 --> 0:27:19.240
<v Speaker 1>It cost like sixty dollars a minute or something. I

0:27:19.320 --> 0:27:23.000
<v Speaker 1>plugged into the lighter is the most expensive giant piece

0:27:23.000 --> 0:27:26.160
<v Speaker 1>of equipment. And I called my dad and my dad said,

0:27:26.160 --> 0:27:27.840
<v Speaker 1>you know where are you? Am worried about you guys,

0:27:27.880 --> 0:27:30.280
<v Speaker 1>And he said, okay, well there was this girl and

0:27:30.320 --> 0:27:32.720
<v Speaker 1>she's playing te Peanga and they asked me to audition.

0:27:32.760 --> 0:27:34.600
<v Speaker 1>My Dad's like, what hold on, hold on, I'm getting

0:27:34.600 --> 0:27:37.399
<v Speaker 1>a call waiting, and then he comes back and he says,

0:27:37.960 --> 0:27:41.040
<v Speaker 1>that was someone named Sally Steiner and she told you

0:27:41.160 --> 0:27:46.080
<v Speaker 1>to come back on Monday as to Panga. And I

0:27:46.160 --> 0:27:49.400
<v Speaker 1>just screamed at the top of my lungs and looked

0:27:49.400 --> 0:27:53.600
<v Speaker 1>at my mom and was like my mom then started screaming,

0:27:53.600 --> 0:27:55.040
<v Speaker 1>and we said we'll see you sitting into my dad.

0:27:55.080 --> 0:27:56.760
<v Speaker 1>We'll see. It was a zinging and I hung up

0:27:56.800 --> 0:27:59.320
<v Speaker 1>the phone. Then I showed up on Monday and I

0:27:59.400 --> 0:28:03.040
<v Speaker 1>was to Panga. Did you hear an explanation about the

0:28:03.080 --> 0:28:08.200
<v Speaker 1>Marla situation? And then you feeling like that they were

0:28:08.200 --> 0:28:10.880
<v Speaker 1>going to hire her or were they just making her

0:28:10.920 --> 0:28:13.720
<v Speaker 1>feel well? I no, I don't think they were making

0:28:13.720 --> 0:28:15.640
<v Speaker 1>her feel good. She had she was the first audition,

0:28:16.040 --> 0:28:18.959
<v Speaker 1>and so I think that. And and Marla lived up

0:28:19.000 --> 0:28:21.920
<v Speaker 1>north at the time, and that weekend she was driving

0:28:21.960 --> 0:28:24.640
<v Speaker 1>back up north to be with her family. And so

0:28:24.960 --> 0:28:28.240
<v Speaker 1>unlike my family who lived in Calabasas and wasn't going anywhere,

0:28:28.440 --> 0:28:30.159
<v Speaker 1>they knew how to get in touch with my family.

0:28:30.320 --> 0:28:31.879
<v Speaker 1>I think there was a little bit of fear that

0:28:32.000 --> 0:28:34.440
<v Speaker 1>if Marla was the person who booked it, she's out

0:28:34.440 --> 0:28:37.359
<v Speaker 1>of town, how do we find her? Um? And so

0:28:37.440 --> 0:28:38.959
<v Speaker 1>I think it was you know, part part of that

0:28:38.960 --> 0:28:43.400
<v Speaker 1>was information I didn't have at the time, right, Wow,

0:28:43.480 --> 0:28:48.240
<v Speaker 1>So okay, so you you get this role to pay.

0:28:48.400 --> 0:28:51.840
<v Speaker 1>It's supposed to be one episode. That was it. It

0:28:51.960 --> 0:28:53.680
<v Speaker 1>was just going to be the one episode. But it

0:28:53.720 --> 0:28:57.120
<v Speaker 1>was also written in a way where it was um

0:28:57.440 --> 0:29:00.479
<v Speaker 1>left open enough at the end that there was still

0:29:00.520 --> 0:29:03.960
<v Speaker 1>that feeling of but she could come back. It was

0:29:03.680 --> 0:29:05.480
<v Speaker 1>it was like it was only going to be one

0:29:05.520 --> 0:29:09.840
<v Speaker 1>episode but also potentially recurring. Okay, no, yeah, one of

0:29:09.840 --> 0:29:13.320
<v Speaker 1>those one of the one of those that generally they're

0:29:13.360 --> 0:29:15.400
<v Speaker 1>just trying to get somebody to do it and then

0:29:15.400 --> 0:29:18.120
<v Speaker 1>it never sees the light of day again I'm familiar with.

0:29:18.760 --> 0:29:22.480
<v Speaker 1>And you never come back. You never come back again. Um,

0:29:22.720 --> 0:29:26.800
<v Speaker 1>do you start coming back immediately? No? Not immediately. I

0:29:26.920 --> 0:29:31.120
<v Speaker 1>do that first episode and uh, it goes well by

0:29:31.120 --> 0:29:32.680
<v Speaker 1>the time the week is over. It was a It

0:29:32.720 --> 0:29:34.360
<v Speaker 1>was a bit of a roller coaster week because on

0:29:34.480 --> 0:29:38.280
<v Speaker 1>day one I I didn't deliver the amazing performance that

0:29:38.600 --> 0:29:41.800
<v Speaker 1>Michael Jacobs wanted, and he told me at the end

0:29:41.800 --> 0:29:44.280
<v Speaker 1>of the producer session, in front of the cast and

0:29:44.400 --> 0:29:47.640
<v Speaker 1>crew and everyone, he said, Danielle, I'm going to save

0:29:47.680 --> 0:29:49.680
<v Speaker 1>all of your notes for the end, because if I

0:29:49.760 --> 0:29:52.120
<v Speaker 1>made everybody sit here for all of the notes I

0:29:52.160 --> 0:29:54.640
<v Speaker 1>have for you, nobody would be able to go home.

0:29:55.240 --> 0:29:57.560
<v Speaker 1>So I will save all of your notes. But what

0:29:57.680 --> 0:29:59.520
<v Speaker 1>I will say is that if you don't show up

0:29:59.560 --> 0:30:03.880
<v Speaker 1>tomorrow doing this entirely differently, you will also not be

0:30:03.960 --> 0:30:13.840
<v Speaker 1>doing this role and cut the road twitters. I immediately

0:30:13.920 --> 0:30:16.280
<v Speaker 1>welled up my eyes. I had tears just like, I

0:30:16.280 --> 0:30:18.280
<v Speaker 1>don't even know how I tears didn't fall. I don't

0:30:18.280 --> 0:30:19.920
<v Speaker 1>remember them falling, but maybe they did, but I just

0:30:19.960 --> 0:30:22.360
<v Speaker 1>remember feeling like, oh my gosh. And then you know,

0:30:22.440 --> 0:30:26.120
<v Speaker 1>Michael's kind of famous for his very elaborate note sessions,

0:30:26.280 --> 0:30:28.000
<v Speaker 1>and so then I had to sit there for over

0:30:28.040 --> 0:30:30.800
<v Speaker 1>an hour while he gave everyone else notes, and I

0:30:30.840 --> 0:30:33.400
<v Speaker 1>just had to sit there quietly and waiting, waiting, like wondering,

0:30:33.440 --> 0:30:35.120
<v Speaker 1>what are my notes going to be? What did I do?

0:30:35.320 --> 0:30:38.280
<v Speaker 1>How am I this bad? Um? If I'm so bad?

0:30:38.280 --> 0:30:40.080
<v Speaker 1>Why did I get the role? Like? Why? You know?

0:30:40.120 --> 0:30:44.360
<v Speaker 1>I don't understand. And then afterward, Michael sat my mom

0:30:44.360 --> 0:30:46.880
<v Speaker 1>and I down in the Matthews family kitchen and went

0:30:46.920 --> 0:30:50.040
<v Speaker 1>through every single one of my lines and what he

0:30:50.080 --> 0:30:51.880
<v Speaker 1>was looking for and how I did it wrong and

0:30:51.920 --> 0:30:54.360
<v Speaker 1>what I needed to change. And my mom and I

0:30:54.360 --> 0:30:57.280
<v Speaker 1>went home that night, and my poor mother, she stayed

0:30:57.320 --> 0:30:59.080
<v Speaker 1>up with me until like three or four o'clock in

0:30:59.120 --> 0:31:02.560
<v Speaker 1>the morning, working with me, just getting me, you know,

0:31:02.640 --> 0:31:04.800
<v Speaker 1>reminding me of the things Michael said he wanted and

0:31:04.840 --> 0:31:06.320
<v Speaker 1>how I could do that and do it again but

0:31:06.440 --> 0:31:08.920
<v Speaker 1>slower and do it again but you know, calm er,

0:31:09.560 --> 0:31:12.440
<v Speaker 1>just whatever the notes were, and I went back then

0:31:12.560 --> 0:31:16.200
<v Speaker 1>the next day Tuesday, and rehearsed all day again with

0:31:16.280 --> 0:31:19.600
<v Speaker 1>David Trainer, who was wonderful and very supportive and made

0:31:19.680 --> 0:31:22.640
<v Speaker 1>me feel very safe. And we then did the network

0:31:22.720 --> 0:31:24.760
<v Speaker 1>run through that night, and Michael stood up and said,

0:31:24.800 --> 0:31:26.400
<v Speaker 1>I'd like everyone to stand up and join me, and

0:31:26.400 --> 0:31:28.680
<v Speaker 1>giving Danielle a round of you know, a standing ovation,

0:31:28.720 --> 0:31:31.600
<v Speaker 1>a round of applause. You have worked so hard, you

0:31:31.640 --> 0:31:33.840
<v Speaker 1>did exactly what I asked of you. Thank you so much.

0:31:34.280 --> 0:31:36.719
<v Speaker 1>You know, this was wonderful, and now sit down. And

0:31:36.760 --> 0:31:39.479
<v Speaker 1>then I got to participate in a regular note session.

0:31:39.840 --> 0:31:43.280
<v Speaker 1>And then the next day we started taping UM and

0:31:43.360 --> 0:31:45.120
<v Speaker 1>we did that episode, and no, I did not come

0:31:45.160 --> 0:31:47.600
<v Speaker 1>back then immediately. I wasn't in like the next several

0:31:47.680 --> 0:31:50.800
<v Speaker 1>but I was back probably probably within three to four

0:31:50.800 --> 0:31:54.040
<v Speaker 1>episodes after that. I came back for another one UM.

0:31:54.160 --> 0:31:56.000
<v Speaker 1>And you could tell now is when they were trying

0:31:56.040 --> 0:31:58.520
<v Speaker 1>to start playing around with maybe the idea that Topango

0:31:58.560 --> 0:32:00.640
<v Speaker 1>was going to be some sort of love interest for

0:32:00.760 --> 0:32:03.160
<v Speaker 1>Corey and and you could tell that this was something

0:32:03.240 --> 0:32:04.920
<v Speaker 1>they were going to try to work and see if

0:32:04.920 --> 0:32:09.400
<v Speaker 1>they could make me a recurring character. Wow, that's that's

0:32:09.440 --> 0:32:12.960
<v Speaker 1>so amazing. Of course, I go back to your mom

0:32:13.200 --> 0:32:15.920
<v Speaker 1>staying up with you until three o'clock in the morning,

0:32:16.000 --> 0:32:20.720
<v Speaker 1>when it wasn't even what she had initially wanted for

0:32:20.840 --> 0:32:24.400
<v Speaker 1>you from the beginning. But I obviously at this point

0:32:24.480 --> 0:32:28.760
<v Speaker 1>she's very supportive and just wanting, you know, the best

0:32:28.840 --> 0:32:34.040
<v Speaker 1>for you. Um. You then go on, obviously to be

0:32:34.760 --> 0:32:39.920
<v Speaker 1>a huge part of the show. You become a I mean,

0:32:40.000 --> 0:32:44.719
<v Speaker 1>I think massive Star is not overstating what happens to

0:32:44.760 --> 0:32:49.080
<v Speaker 1>you over the next several years. When did you realize

0:32:49.120 --> 0:32:50.959
<v Speaker 1>I think it might be. I think it might be,

0:32:51.000 --> 0:32:57.240
<v Speaker 1>but I mean, look this this let me be clear, Okay,

0:32:57.320 --> 0:33:00.320
<v Speaker 1>this show was not my specific demographic at that time

0:33:00.360 --> 0:33:05.040
<v Speaker 1>in my life. Yet I was very aware, very aware

0:33:05.920 --> 0:33:09.400
<v Speaker 1>of of of you and what was going on on

0:33:09.640 --> 0:33:12.600
<v Speaker 1>that show. Even at that point in time, when did

0:33:12.640 --> 0:33:18.360
<v Speaker 1>you realize that the show was going to be uh

0:33:18.480 --> 0:33:21.160
<v Speaker 1>so big and that this was going to change your life?

0:33:23.040 --> 0:33:25.400
<v Speaker 1>You know, It's funny, we talked about it all the

0:33:25.480 --> 0:33:28.640
<v Speaker 1>time now that there wasn't a moment while we were

0:33:28.680 --> 0:33:32.360
<v Speaker 1>doing the show ever where we felt like we were

0:33:32.480 --> 0:33:35.840
<v Speaker 1>a hit for some reason. Now we knew that the

0:33:35.880 --> 0:33:39.240
<v Speaker 1>T G I F block we were on ABC Timetime

0:33:39.320 --> 0:33:42.440
<v Speaker 1>Friday nights, there was that two hour block from eight

0:33:42.480 --> 0:33:46.000
<v Speaker 1>pm to ten pm, and Family Matters started the block

0:33:46.080 --> 0:33:48.400
<v Speaker 1>and then it rolled into Boy Meets World and Sabrina

0:33:48.480 --> 0:33:50.800
<v Speaker 1>the Teenage which was on after that, and you know,

0:33:50.960 --> 0:33:54.480
<v Speaker 1>like we knew that that section, that eight to ten

0:33:54.560 --> 0:33:58.880
<v Speaker 1>pm slot was successful, but Boy Meets World was not

0:33:59.200 --> 0:34:02.800
<v Speaker 1>like a mass of hit at the time. It actually

0:34:02.840 --> 0:34:05.640
<v Speaker 1>became more of a massive hit after it went off

0:34:05.640 --> 0:34:08.920
<v Speaker 1>the air. We were on for seven years, but every

0:34:09.000 --> 0:34:11.719
<v Speaker 1>year we had that feeling of, oh boy, we're on

0:34:11.760 --> 0:34:14.600
<v Speaker 1>the bubble. We're we're really on the bubble. I I

0:34:14.800 --> 0:34:17.080
<v Speaker 1>we don't know if we're gonna get picked up. Yeah,

0:34:17.200 --> 0:34:18.759
<v Speaker 1>we didn't know if we were going to get picked up.

0:34:18.760 --> 0:34:21.480
<v Speaker 1>From season to season, there were there were talks that

0:34:21.560 --> 0:34:23.200
<v Speaker 1>it was never that it wasn't going to get picked up,

0:34:23.200 --> 0:34:25.720
<v Speaker 1>and then we were always shocked when it did. And

0:34:26.400 --> 0:34:29.520
<v Speaker 1>we like even ratings wise, I mean, now we look

0:34:29.560 --> 0:34:31.719
<v Speaker 1>at the ratings and we think, wow, what must that

0:34:31.760 --> 0:34:36.000
<v Speaker 1>be like to have a twenty four share? Like whoa crazy?

0:34:36.040 --> 0:34:39.160
<v Speaker 1>But back then we were like not even the first

0:34:39.280 --> 0:34:42.040
<v Speaker 1>or second or even third thing going on that night,

0:34:42.440 --> 0:34:45.319
<v Speaker 1>Like we you know, there were much bigger things going on.

0:34:45.480 --> 0:34:47.960
<v Speaker 1>So I don't think while we were on the show,

0:34:48.920 --> 0:34:51.200
<v Speaker 1>I felt like the show was a hit. Also, the

0:34:51.320 --> 0:34:55.320
<v Speaker 1>lack of social media meant we had no real feedback,

0:34:55.640 --> 0:34:58.359
<v Speaker 1>Like I think, to a certain extent, I felt like

0:34:58.400 --> 0:35:01.279
<v Speaker 1>we did a show for our parents and grandparents, Like

0:35:01.760 --> 0:35:05.520
<v Speaker 1>we put on this big production for our grandparents to watch,

0:35:05.880 --> 0:35:08.480
<v Speaker 1>and maybe some other people saw it too, but I

0:35:08.520 --> 0:35:10.880
<v Speaker 1>had no idea how many, and I had no idea

0:35:10.920 --> 0:35:13.160
<v Speaker 1>what they thought of it. Like, I didn't know whether

0:35:13.280 --> 0:35:17.160
<v Speaker 1>people liked it or anything. I just had no real feedback. Yeah,

0:35:17.280 --> 0:35:21.960
<v Speaker 1>but you start you know, you're on seventeen, You're on

0:35:22.000 --> 0:35:27.439
<v Speaker 1>the cover of seventeen, your teen People, Hottest Under twenty one.

0:35:27.640 --> 0:35:31.920
<v Speaker 1>I mean, this is happening. It's so interesting. You know,

0:35:32.000 --> 0:35:35.120
<v Speaker 1>you start out your twelve, thirteen, fourteen years old and

0:35:35.200 --> 0:35:39.800
<v Speaker 1>you're not you know, maybe even cognizant of big media

0:35:40.120 --> 0:35:43.160
<v Speaker 1>in general, and the social media doesn't exist at that point.

0:35:43.200 --> 0:35:45.520
<v Speaker 1>That makes some sense to me, But you have to

0:35:45.560 --> 0:35:48.440
<v Speaker 1>know at a certain point. Yeah, I think I also

0:35:48.520 --> 0:35:50.719
<v Speaker 1>thought though, with like you're talking about teen magazines and

0:35:50.760 --> 0:35:53.279
<v Speaker 1>you're right, doing the cover of seventeen was a very

0:35:53.320 --> 0:35:56.759
<v Speaker 1>big deal. I think I definitely felt when I got that,

0:35:56.920 --> 0:36:00.360
<v Speaker 1>I was like, WHOA really they're gonna let be on

0:36:00.440 --> 0:36:02.960
<v Speaker 1>the cover of that. I do remember feeling like that

0:36:03.080 --> 0:36:07.319
<v Speaker 1>was a moment of I've made it. But also I

0:36:07.360 --> 0:36:11.560
<v Speaker 1>think I, you know, you had publicists, and you knew

0:36:11.560 --> 0:36:14.440
<v Speaker 1>that it was someone's job to like go out after

0:36:14.480 --> 0:36:17.359
<v Speaker 1>these things and get these things for you. I think

0:36:17.400 --> 0:36:20.320
<v Speaker 1>I always just thought, well, like, I think I recognized

0:36:20.400 --> 0:36:23.319
<v Speaker 1>that the business aspect of it, more so than feeling like, well,

0:36:23.600 --> 0:36:25.600
<v Speaker 1>they're they're agreeing to let me be on the cover

0:36:25.719 --> 0:36:27.600
<v Speaker 1>because the show really is that big of a hit.

0:36:27.640 --> 0:36:29.160
<v Speaker 1>I don't know that I thought about it that way,

0:36:29.160 --> 0:36:31.399
<v Speaker 1>but I do know for sure that, yes, the cover

0:36:31.440 --> 0:36:34.759
<v Speaker 1>of seventeen, I felt like, wow, I this is the

0:36:34.760 --> 0:36:36.840
<v Speaker 1>biggest I mean, it's still maybe to this day, the

0:36:36.840 --> 0:36:40.040
<v Speaker 1>biggest thing I've done. Well, I don't think it's the

0:36:40.040 --> 0:36:43.040
<v Speaker 1>biggest thing you've done. But I have never been on

0:36:43.080 --> 0:36:45.840
<v Speaker 1>the cover of seventeen magazine. Let's be very very clear

0:36:46.320 --> 0:36:48.400
<v Speaker 1>about that. Do you want Do you want to? I

0:36:48.440 --> 0:36:52.280
<v Speaker 1>could probably, I could see if I have any connections,

0:36:52.640 --> 0:36:55.440
<v Speaker 1>maybe I could go, well, yeah, I don't, because you know,

0:36:55.480 --> 0:36:57.719
<v Speaker 1>it's never too late. I mean, maybe it's too late

0:36:57.760 --> 0:37:00.160
<v Speaker 1>at some point. I don't know specifically, it is too

0:37:00.239 --> 0:37:04.480
<v Speaker 1>late to be on seventeen magazine. I think actually it is,

0:37:05.000 --> 0:37:08.360
<v Speaker 1>it is. I don't think it's worth trying. I don't know,

0:37:08.400 --> 0:37:10.560
<v Speaker 1>I don't think. So we'll talk after, we'll talking, We'll

0:37:10.600 --> 0:37:32.399
<v Speaker 1>talk after you're you know, you're playing a kid living

0:37:32.400 --> 0:37:35.200
<v Speaker 1>a fairly normal life. You at this point are not.

0:37:35.920 --> 0:37:38.200
<v Speaker 1>You're I want you to talk a little bit to

0:37:38.320 --> 0:37:42.399
<v Speaker 1>people about your experience. So you're going to school now,

0:37:42.800 --> 0:37:46.000
<v Speaker 1>I assume largely on set, So you have what you

0:37:46.040 --> 0:37:49.360
<v Speaker 1>have one teacher or did you guys have a teacher

0:37:49.440 --> 0:37:53.400
<v Speaker 1>for for everybody who was, you know, of of school age.

0:37:54.840 --> 0:37:57.880
<v Speaker 1>At the very beginning of the show, they had one teacher,

0:37:58.120 --> 0:38:02.000
<v Speaker 1>a fantastic guy named David Holmes, who is a true

0:38:02.040 --> 0:38:05.440
<v Speaker 1>genius and was very well versed in a lot of

0:38:05.480 --> 0:38:08.200
<v Speaker 1>different subjects. And that first season we were doing school

0:38:08.239 --> 0:38:10.719
<v Speaker 1>in a trailer. We weren't even on the stage. It

0:38:10.800 --> 0:38:13.520
<v Speaker 1>was a trailer that they had converted to a schoolroom,

0:38:13.560 --> 0:38:17.520
<v Speaker 1>and we had little cubbies of the trailer that were

0:38:17.560 --> 0:38:19.560
<v Speaker 1>for each of us and David would you know, sit

0:38:19.640 --> 0:38:21.440
<v Speaker 1>and work with one student for a while and then

0:38:21.480 --> 0:38:23.120
<v Speaker 1>move on to the next students, see where they were,

0:38:23.120 --> 0:38:25.560
<v Speaker 1>see how they were working on their work. But I

0:38:26.040 --> 0:38:28.319
<v Speaker 1>for as much as I loved acting and I loved

0:38:28.360 --> 0:38:32.200
<v Speaker 1>being on set, school not the educational aspect of it

0:38:32.280 --> 0:38:35.680
<v Speaker 1>so much, but the social life of school was very

0:38:35.719 --> 0:38:38.560
<v Speaker 1>important to me. I didn't want to miss out on it.

0:38:38.640 --> 0:38:40.400
<v Speaker 1>And at this point, you know, in that first season,

0:38:40.440 --> 0:38:43.680
<v Speaker 1>I'm still just a recurring character, so I was regularly

0:38:43.719 --> 0:38:47.280
<v Speaker 1>going back to my regular school, and even then after

0:38:47.360 --> 0:38:50.040
<v Speaker 1>I became a series regular on Boy Meats World, every

0:38:50.120 --> 0:38:52.760
<v Speaker 1>hiatus week I went back to my regular high school,

0:38:53.080 --> 0:38:57.000
<v Speaker 1>which meant I had to be to the day on

0:38:57.040 --> 0:38:59.319
<v Speaker 1>the subject material with the rest of the students at

0:38:59.360 --> 0:39:02.359
<v Speaker 1>my school. Because for a lot of kids doing you know,

0:39:02.440 --> 0:39:05.280
<v Speaker 1>TV shows, you do the entire school year on set,

0:39:05.560 --> 0:39:07.640
<v Speaker 1>and then if you follow a week or two behind,

0:39:07.800 --> 0:39:09.520
<v Speaker 1>it isn't the end of the world, because on that

0:39:09.600 --> 0:39:12.080
<v Speaker 1>hiatus week you're just going to do extra school and

0:39:12.120 --> 0:39:14.560
<v Speaker 1>you'll catch up. But because I made it a little

0:39:14.560 --> 0:39:17.200
<v Speaker 1>difficult on myself by wanting to go back, I had

0:39:17.239 --> 0:39:19.839
<v Speaker 1>to always be caught up exactly where my the rest

0:39:19.840 --> 0:39:22.600
<v Speaker 1>of my school was um but that gave me the

0:39:22.640 --> 0:39:24.960
<v Speaker 1>best of both worlds. I got to be an actor

0:39:25.000 --> 0:39:27.080
<v Speaker 1>on a set and living that life, but I also

0:39:27.120 --> 0:39:29.120
<v Speaker 1>got to go to every football game at my high

0:39:29.120 --> 0:39:32.319
<v Speaker 1>school and every school dance, and you know, I got

0:39:32.320 --> 0:39:34.680
<v Speaker 1>to experience right notes to boys in the hallway like

0:39:34.719 --> 0:39:40.520
<v Speaker 1>I also got that experience. That's important. Um, how how

0:39:40.560 --> 0:39:45.080
<v Speaker 1>are you treated at school? You know, you're now a

0:39:45.160 --> 0:39:48.319
<v Speaker 1>TV star going back to school? How was that? Yeah? Well,

0:39:48.400 --> 0:39:50.399
<v Speaker 1>unlike when I was in Orange County and no one

0:39:50.440 --> 0:39:54.040
<v Speaker 1>around us were actors, I was now living in Calabasas,

0:39:54.080 --> 0:39:57.319
<v Speaker 1>which a lot of famous people and a lot of

0:39:57.360 --> 0:40:01.359
<v Speaker 1>actors and actor children are going are living in Calabasas,

0:40:01.440 --> 0:40:04.560
<v Speaker 1>And so I was not the only actor at my

0:40:04.680 --> 0:40:06.920
<v Speaker 1>junior high. I was not the only actor at my

0:40:07.040 --> 0:40:10.200
<v Speaker 1>high school. I may have been the maybe for at

0:40:10.239 --> 0:40:13.880
<v Speaker 1>least a period of time, maybe the most regularly working actor,

0:40:14.000 --> 0:40:16.839
<v Speaker 1>but I was definitely not the only one. And so

0:40:17.280 --> 0:40:19.359
<v Speaker 1>in junior high I was made fun of a little

0:40:19.360 --> 0:40:22.000
<v Speaker 1>bit because I had just moved from Orange County right

0:40:22.080 --> 0:40:24.560
<v Speaker 1>before the beginning of sixth grade, and everyone else had

0:40:24.600 --> 0:40:26.600
<v Speaker 1>come from elementary schools where they knew each other, and

0:40:26.600 --> 0:40:29.600
<v Speaker 1>so I was definitely the odd person out. And it

0:40:29.680 --> 0:40:32.520
<v Speaker 1>was very rare to have to be. You know, one

0:40:32.680 --> 0:40:34.440
<v Speaker 1>a kid is here for three weeks at a time

0:40:34.440 --> 0:40:35.839
<v Speaker 1>and then all of a sudden, They're gone for two weeks,

0:40:35.840 --> 0:40:37.200
<v Speaker 1>and then they popped back in, and so I was

0:40:37.280 --> 0:40:39.719
<v Speaker 1>made fun of them, and people called me princess, like

0:40:39.760 --> 0:40:41.920
<v Speaker 1>they thought I was giving special I was getting special

0:40:41.920 --> 0:40:44.839
<v Speaker 1>treatment because I was able to leave for two weeks. Um.

0:40:44.960 --> 0:40:47.240
<v Speaker 1>They didn't understand that I was also like really working

0:40:47.480 --> 0:40:50.399
<v Speaker 1>during that time and still doing school. So junior high

0:40:50.520 --> 0:40:52.560
<v Speaker 1>was rough. But then, you know, by the time I

0:40:52.560 --> 0:40:54.400
<v Speaker 1>made it to high school, it was all that same

0:40:54.440 --> 0:40:56.759
<v Speaker 1>group of people from junior high. I had really well

0:40:56.880 --> 0:40:59.360
<v Speaker 1>established myself there. I had a great core group of

0:40:59.400 --> 0:41:02.360
<v Speaker 1>girlfriends are still my best friends to this day. And

0:41:02.719 --> 0:41:04.680
<v Speaker 1>moving into high school, I think I was mostly just

0:41:04.719 --> 0:41:08.040
<v Speaker 1>treated kind of like everybody else. It wasn't as um

0:41:08.080 --> 0:41:11.000
<v Speaker 1>awkward as you would think it is. That's cool. Um.

0:41:11.040 --> 0:41:13.480
<v Speaker 1>A couple of things I want to talk about, Tapanga.

0:41:13.840 --> 0:41:18.759
<v Speaker 1>Your relationship with Corey played by Ben Savage. How did

0:41:18.800 --> 0:41:24.959
<v Speaker 1>you navigate that with likely at that point little relationship

0:41:25.040 --> 0:41:28.680
<v Speaker 1>experience outside of that. How was that for you or

0:41:28.719 --> 0:41:33.800
<v Speaker 1>did you feel some responsibility or nervousness sort of going

0:41:33.880 --> 0:41:36.840
<v Speaker 1>through that maybe for the first time, you know, on

0:41:36.920 --> 0:41:41.480
<v Speaker 1>television in front of people. Yeah, I don't know that

0:41:41.560 --> 0:41:44.080
<v Speaker 1>there's ever been a time where I've been more nervous

0:41:44.120 --> 0:41:46.879
<v Speaker 1>than that first week of Boy Meets World, that one

0:41:46.920 --> 0:41:50.479
<v Speaker 1>we talked about where I got the audition, I had

0:41:50.520 --> 0:41:53.799
<v Speaker 1>to kiss Ben and I had never kissed anyone in

0:41:53.840 --> 0:41:58.760
<v Speaker 1>my entire life. And it was made even more difficult

0:41:58.760 --> 0:42:01.480
<v Speaker 1>by the fact that Tapanga was so self assured and

0:42:01.520 --> 0:42:04.799
<v Speaker 1>to Panga was so confident in her decision to kiss Corey.

0:42:04.960 --> 0:42:07.560
<v Speaker 1>The episode was that Corey had straightened his hair and

0:42:07.640 --> 0:42:10.640
<v Speaker 1>he looked goofy, and Topanga said, wouldn't it you know,

0:42:10.640 --> 0:42:12.680
<v Speaker 1>wouldn't it be interesting if I kissed you right now,

0:42:13.080 --> 0:42:16.120
<v Speaker 1>so that you always remembered that your first kissed was

0:42:16.160 --> 0:42:19.200
<v Speaker 1>when you thought you looked your worst. And so she

0:42:19.400 --> 0:42:24.520
<v Speaker 1>was so confident, and inside Danielle was like, what, not

0:42:24.680 --> 0:42:28.719
<v Speaker 1>only had I never kissed anybody before, but I had

0:42:28.840 --> 0:42:33.120
<v Speaker 1>certainly never kissed anybody in front of a live studio

0:42:33.200 --> 0:42:39.279
<v Speaker 1>audience that's also housing my grandparents and my parents, like

0:42:39.680 --> 0:42:44.640
<v Speaker 1>everyone is there, and you know, we we we didn't

0:42:44.719 --> 0:42:49.080
<v Speaker 1>rehearse the actual kiss throughout the week because we were twelve,

0:42:49.320 --> 0:42:52.560
<v Speaker 1>and I don't think anyone felt real comfortable with like, yeah,

0:42:52.600 --> 0:42:54.359
<v Speaker 1>just all day today, you guys are just gonna kiss

0:42:54.400 --> 0:42:56.120
<v Speaker 1>against this locker for as many times as we're gonna

0:42:56.160 --> 0:42:57.480
<v Speaker 1>rehearse it. It It was kind of like, we'll save it.

0:42:57.520 --> 0:43:00.480
<v Speaker 1>We'll save it. Also, they wanted that nervous energy because

0:43:00.480 --> 0:43:03.040
<v Speaker 1>it is supposed to be Corey's first kiss, and so

0:43:03.160 --> 0:43:06.240
<v Speaker 1>by the time we got to tape night, I thought

0:43:06.280 --> 0:43:08.000
<v Speaker 1>for sure there was no way I was getting out

0:43:08.000 --> 0:43:10.080
<v Speaker 1>of that without paying my pants. Like I there was

0:43:10.160 --> 0:43:14.560
<v Speaker 1>just I was so nervous. And we recently watched the

0:43:14.600 --> 0:43:19.799
<v Speaker 1>episode again for our rewatch podcast, and I was shocked

0:43:20.239 --> 0:43:23.799
<v Speaker 1>at how not nervous I came across. And I was like,

0:43:24.120 --> 0:43:26.719
<v Speaker 1>I was like, I don't normally give myself a lot

0:43:26.760 --> 0:43:29.319
<v Speaker 1>of props, especially not in the acting department, because as

0:43:29.360 --> 0:43:31.840
<v Speaker 1>you've heard, I didn't know anything I was doing. But

0:43:32.040 --> 0:43:36.440
<v Speaker 1>I somehow was not physically shaking, and I somehow had

0:43:35.880 --> 0:43:39.080
<v Speaker 1>a real steady voice to myself. And I looked at

0:43:39.239 --> 0:43:40.880
<v Speaker 1>was watching it and I was like, I believe that

0:43:40.920 --> 0:43:45.880
<v Speaker 1>I'm confident here, and I wasn't. I was nervous and

0:43:45.960 --> 0:43:49.239
<v Speaker 1>Ben was nervous. We were both very nervous um and

0:43:49.280 --> 0:43:52.520
<v Speaker 1>then you know, you you do it and you get

0:43:52.520 --> 0:43:53.960
<v Speaker 1>the first one out of the way, and then you're

0:43:53.960 --> 0:43:57.520
<v Speaker 1>a little bit like okay. That that that that didn't

0:43:57.520 --> 0:44:00.560
<v Speaker 1>nothing happen, the place didn't burn down. I feel okay,

0:44:00.640 --> 0:44:02.480
<v Speaker 1>And then you do it a couple more times, and

0:44:02.520 --> 0:44:06.520
<v Speaker 1>then after that, you know, by the time I came back,

0:44:06.600 --> 0:44:08.960
<v Speaker 1>there weren't kissing scenes again for a long time. It

0:44:09.000 --> 0:44:11.200
<v Speaker 1>wasn't I don't remember when our next kiss was, but

0:44:11.280 --> 0:44:13.080
<v Speaker 1>it's not like by the time I came back, I

0:44:13.120 --> 0:44:15.439
<v Speaker 1>was suddenly his girlfriend and we were kissing all the time.

0:44:15.520 --> 0:44:17.520
<v Speaker 1>So I don't remember when the next time was. But

0:44:17.920 --> 0:44:21.239
<v Speaker 1>I do remember for sure feeling like by season two

0:44:21.280 --> 0:44:24.440
<v Speaker 1>and season three, like I had just started having crushes

0:44:24.440 --> 0:44:27.400
<v Speaker 1>on boys. I didn't know anything about relationships, but to

0:44:27.520 --> 0:44:30.560
<v Speaker 1>Pango was very worldly and knew a lot, and so

0:44:30.680 --> 0:44:32.720
<v Speaker 1>I think the biggest challenge for me was just pretending

0:44:32.760 --> 0:44:38.640
<v Speaker 1>I was confident. Uh. William Daniels, who I have long

0:44:39.080 --> 0:44:44.600
<v Speaker 1>admired as an actor, played Mr Freeney the principal. Who Yeah,

0:44:44.680 --> 0:44:49.240
<v Speaker 1>Mr Feenie, Mr Feenie, Sorry, Mr Feenie. Um, it's Dwight Freeney,

0:44:49.640 --> 0:44:54.080
<v Speaker 1>football player. This is Mr Feenie. Sorry, Right, How was

0:44:54.120 --> 0:44:56.319
<v Speaker 1>it working with him? Were you aware at that time?

0:44:56.360 --> 0:44:58.600
<v Speaker 1>I mean, he is at this point one two Emmys

0:44:58.840 --> 0:45:02.200
<v Speaker 1>for saying Elsewhere, he as an established actor with kind

0:45:02.200 --> 0:45:06.000
<v Speaker 1>of an incredible career at this point, Well, did you

0:45:06.000 --> 0:45:09.040
<v Speaker 1>feel lucky to be able to work with him? I mean,

0:45:09.120 --> 0:45:11.399
<v Speaker 1>I would like nothing more than to say that twelve

0:45:11.480 --> 0:45:14.239
<v Speaker 1>year old Danielle felt lucky to work with Bill Daniels.

0:45:14.280 --> 0:45:18.439
<v Speaker 1>But twelve year old Danielle was so not cultured or

0:45:18.680 --> 0:45:20.439
<v Speaker 1>really even aware. I don't think I had ever even

0:45:20.480 --> 0:45:23.719
<v Speaker 1>heard of st Elsewhere, much less been aware that Bill

0:45:23.760 --> 0:45:26.760
<v Speaker 1>had won two Emmys for it. I did know, however,

0:45:27.000 --> 0:45:29.759
<v Speaker 1>that he was the voice of Kit from Night Writer. Yes,

0:45:30.400 --> 0:45:34.799
<v Speaker 1>and I remember when he you know, we've talked about

0:45:34.840 --> 0:45:36.920
<v Speaker 1>it now a couple of times that we all thought

0:45:37.200 --> 0:45:40.840
<v Speaker 1>Bill was from England. We all thought he was British,

0:45:40.920 --> 0:45:46.880
<v Speaker 1>and um, and he he is not. And we I remember, Um.

0:45:46.920 --> 0:45:50.680
<v Speaker 1>We all remember hearing Bill leaned forward and talked to

0:45:50.719 --> 0:45:53.000
<v Speaker 1>Michael Jacobs during notes, and he'd leaned forward and say

0:45:53.200 --> 0:45:57.520
<v Speaker 1>well Michael, and we would go we just heard it.

0:45:57.560 --> 0:46:01.640
<v Speaker 1>We heard Kit. We heard Kit from Night Writer say Michael,

0:46:02.000 --> 0:46:04.040
<v Speaker 1>and it was like it felt like a cheat that

0:46:04.120 --> 0:46:05.719
<v Speaker 1>we got, like we asked him to say a line

0:46:05.719 --> 0:46:07.839
<v Speaker 1>from the show and it was really just him talking

0:46:07.840 --> 0:46:10.640
<v Speaker 1>to our executive producer. But it was you know, I

0:46:10.680 --> 0:46:12.960
<v Speaker 1>didn't know that, but I can't say that. I I

0:46:13.040 --> 0:46:15.439
<v Speaker 1>wish now I look back and I think of all

0:46:15.440 --> 0:46:17.759
<v Speaker 1>the stories of all the actors we worked with, all

0:46:17.800 --> 0:46:20.399
<v Speaker 1>the adults, and the history they had, and I think, man,

0:46:20.440 --> 0:46:22.799
<v Speaker 1>how did I not seize that opportunity more to talk

0:46:22.840 --> 0:46:25.719
<v Speaker 1>to them about their origin stories and how they got

0:46:25.760 --> 0:46:28.800
<v Speaker 1>started and really you know, asked them all these questions.

0:46:28.840 --> 0:46:31.719
<v Speaker 1>But I was you know, when you're twelve, you're just

0:46:31.880 --> 0:46:35.600
<v Speaker 1>like really laser focused on your own life and what's

0:46:35.600 --> 0:46:38.680
<v Speaker 1>going on, you know, and then the minute and the

0:46:38.719 --> 0:46:40.839
<v Speaker 1>minute you're not in the scene anymore, they're like, now

0:46:40.840 --> 0:46:42.680
<v Speaker 1>you got to go to school, like you you have

0:46:42.840 --> 0:46:46.080
<v Speaker 1>your your day is so different than when you are

0:46:46.120 --> 0:46:49.319
<v Speaker 1>an adult actor on a show. Yeah, that's true. I

0:46:49.400 --> 0:46:51.560
<v Speaker 1>do have to share with you that was my my

0:46:51.600 --> 0:46:55.880
<v Speaker 1>first celebrity sighting as in my life. Uh. I was

0:46:55.960 --> 0:47:00.440
<v Speaker 1>a kid from Georgia and I came to you Reversal

0:47:00.480 --> 0:47:03.960
<v Speaker 1>Studios and did the tour and on the back lot

0:47:04.000 --> 0:47:06.640
<v Speaker 1>I saw Kit and that to me was the coolest

0:47:06.680 --> 0:47:09.439
<v Speaker 1>thing ever. That was It was like, oh, that's kid,

0:47:09.560 --> 0:47:13.080
<v Speaker 1>that's the night rhetoric. That was that car, that was

0:47:13.200 --> 0:47:15.480
<v Speaker 1>that was my first celebrity siding. That was your first

0:47:15.520 --> 0:47:18.480
<v Speaker 1>celebrity siding, was Kit. That's amazing. Bill is in. Bill

0:47:18.560 --> 0:47:21.279
<v Speaker 1>is incredible. What a career. We just uh, we talked

0:47:21.320 --> 0:47:23.800
<v Speaker 1>to him recently. We interviewed him for our podcast and

0:47:23.840 --> 0:47:25.759
<v Speaker 1>we finally got to ask all the questions we wish

0:47:25.760 --> 0:47:27.640
<v Speaker 1>we had even thought to ask when we were kids,

0:47:27.960 --> 0:47:31.480
<v Speaker 1>and just his experience and his knowledge, and you know,

0:47:31.520 --> 0:47:33.839
<v Speaker 1>one of the things we really appreciated about working with

0:47:33.920 --> 0:47:38.080
<v Speaker 1>him was that he never he didn't ever like correct

0:47:38.239 --> 0:47:42.239
<v Speaker 1>us or give us advice really, which you'd think, well,

0:47:42.280 --> 0:47:44.200
<v Speaker 1>that sounds like a bad thing, like, wouldn't you want

0:47:44.239 --> 0:47:46.200
<v Speaker 1>his advice, and we would have been open to it,

0:47:46.239 --> 0:47:48.200
<v Speaker 1>of course. But Bill made us feel very much like

0:47:48.280 --> 0:47:51.840
<v Speaker 1>equals with him. He he he treated us regardless of

0:47:51.880 --> 0:47:54.440
<v Speaker 1>the fact that we were twelve and probably obnoxious sometimes

0:47:54.440 --> 0:47:56.640
<v Speaker 1>and goofing off and not taking it nearly as seriously

0:47:56.640 --> 0:47:59.920
<v Speaker 1>as he was. He really respected our process and really

0:48:00.480 --> 0:48:03.480
<v Speaker 1>let he thought of us as his equal, and we

0:48:03.560 --> 0:48:05.960
<v Speaker 1>felt that way with him. We felt very respected by him,

0:48:05.960 --> 0:48:08.640
<v Speaker 1>which is not something you you always feel as a kid.

0:48:08.800 --> 0:48:12.400
<v Speaker 1>You know. No, that's that's awesome. I'm so glad to

0:48:12.400 --> 0:48:16.600
<v Speaker 1>hear that about him. Um, is it true you took

0:48:16.719 --> 0:48:22.200
<v Speaker 1>Lance Bass to your prom? I sure did. Lance Bass

0:48:22.360 --> 0:48:25.680
<v Speaker 1>is Uh was my first I guess I would say,

0:48:25.680 --> 0:48:30.359
<v Speaker 1>my first real serious boyfriend. And I was seventeen and

0:48:31.280 --> 0:48:34.560
<v Speaker 1>I brought him to my senior prom and it was

0:48:34.640 --> 0:48:37.680
<v Speaker 1>so much fun. We had a great time. And uh,

0:48:37.719 --> 0:48:39.600
<v Speaker 1>I mean, Lance and I are still very Lance and

0:48:39.600 --> 0:48:41.640
<v Speaker 1>I are very close. We actually just we just texted

0:48:41.719 --> 0:48:45.879
<v Speaker 1>last night. His unfortunately, his grandmother passed away, and we

0:48:45.880 --> 0:48:48.359
<v Speaker 1>were talking about memories we have of her, and he said,

0:48:48.360 --> 0:48:50.360
<v Speaker 1>I don't know. He said, I wish I had more pictures.

0:48:50.360 --> 0:48:52.360
<v Speaker 1>And I went down into my garage and I pulled

0:48:52.360 --> 0:48:55.400
<v Speaker 1>out a bunch of pictures from the time that I

0:48:55.480 --> 0:48:59.120
<v Speaker 1>went to Mississippi to meet Lance's family, and I had

0:48:59.160 --> 0:49:02.040
<v Speaker 1>all these fantastic stick pictures of us with his grandmother,

0:49:02.080 --> 0:49:04.080
<v Speaker 1>And so I sent him to him last night. Oh

0:49:04.080 --> 0:49:09.319
<v Speaker 1>that's so nice. Oh I love that. Yeah, we have

0:49:09.360 --> 0:49:12.200
<v Speaker 1>a great relationship. Oh that's great. I'm not sure why

0:49:12.200 --> 0:49:14.799
<v Speaker 1>a romantic relationship didn't work out. I know, it's a

0:49:14.880 --> 0:49:17.120
<v Speaker 1>mystery to me as well. I've gotten to know him

0:49:17.160 --> 0:49:19.400
<v Speaker 1>a little bit as well. He's he's a he's a

0:49:19.440 --> 0:49:23.080
<v Speaker 1>great guy. Um. He is, and so is his husband,

0:49:23.280 --> 0:49:26.239
<v Speaker 1>and and they're fantastic two babies that I just got

0:49:26.320 --> 0:49:29.120
<v Speaker 1>to meet at the end of May, and they're they're

0:49:29.120 --> 0:49:55.600
<v Speaker 1>a wonderful family. So the show ends after seven years,

0:49:55.760 --> 0:49:59.160
<v Speaker 1>and you you took an acting break. I sure did,

0:49:59.400 --> 0:50:04.000
<v Speaker 1>and that was on purpose. Well, I I would say

0:50:04.040 --> 0:50:07.040
<v Speaker 1>it was on purpose, and also then not on purpose.

0:50:07.280 --> 0:50:09.960
<v Speaker 1>The hardest part of going from being a child actor

0:50:10.040 --> 0:50:13.520
<v Speaker 1>to being an adult actor is one having people take

0:50:13.560 --> 0:50:16.000
<v Speaker 1>you seriously and not wanting them you know, they want

0:50:16.000 --> 0:50:19.880
<v Speaker 1>to pigeonhole you. But also too, you have to strike

0:50:19.960 --> 0:50:23.759
<v Speaker 1>while the iron is hot. And that's a thing I've

0:50:23.800 --> 0:50:27.839
<v Speaker 1>really learned in the entertainment industry, and I unfortunately just

0:50:28.080 --> 0:50:31.640
<v Speaker 1>didn't understand that, didn't know that that was necessarily as

0:50:31.719 --> 0:50:34.440
<v Speaker 1>true as it is. I by the time Boy Meats

0:50:34.480 --> 0:50:37.880
<v Speaker 1>World ended, I had definitely taken it for granted. Definitely

0:50:37.920 --> 0:50:42.480
<v Speaker 1>season six, definitely season seven. I was over it. It

0:50:42.640 --> 0:50:45.280
<v Speaker 1>was you. We had been on it for a long time.

0:50:45.560 --> 0:50:48.480
<v Speaker 1>I had been in school the entire time, and again

0:50:48.520 --> 0:50:51.239
<v Speaker 1>I took school, you know, not seriously so much from

0:50:51.239 --> 0:50:53.440
<v Speaker 1>the education standpoint, but I was going back all the time,

0:50:53.800 --> 0:50:55.759
<v Speaker 1>and I just felt like I wanted freedom. I just

0:50:55.760 --> 0:50:57.360
<v Speaker 1>wanted to get away. I was now going to be

0:50:57.440 --> 0:51:00.400
<v Speaker 1>nineteen years old when the show ended, and I didn't

0:51:00.440 --> 0:51:02.279
<v Speaker 1>have to go to college. I didn't have plans to

0:51:02.320 --> 0:51:05.279
<v Speaker 1>go to college. I just wanted a break, and so

0:51:05.320 --> 0:51:08.000
<v Speaker 1>I took that break. And then by the time I

0:51:08.040 --> 0:51:10.680
<v Speaker 1>was ready to get back into it, nobody cared to

0:51:10.680 --> 0:51:15.160
<v Speaker 1>have me. And I wasn't auditioning for a lot of things.

0:51:15.200 --> 0:51:17.439
<v Speaker 1>And when I was auditioning, I wasn't right for him.

0:51:17.520 --> 0:51:21.080
<v Speaker 1>I wasn't good for them. I wasn't necessarily taking great

0:51:21.120 --> 0:51:25.120
<v Speaker 1>care of myself. Um. It was just like and then

0:51:25.160 --> 0:51:26.960
<v Speaker 1>I found myself and I was like, wow, Okay, now

0:51:27.000 --> 0:51:31.359
<v Speaker 1>I'm twenty four. I haven't worked basically at all since

0:51:31.360 --> 0:51:34.600
<v Speaker 1>Boin Meets World ended. What am I gonna do? Like?

0:51:35.080 --> 0:51:37.439
<v Speaker 1>What what else am I good at? Am I good

0:51:37.440 --> 0:51:39.680
<v Speaker 1>at anything else? I didn't go to college. I haven't

0:51:39.680 --> 0:51:41.520
<v Speaker 1>ever thought of what else I was going to do.

0:51:42.080 --> 0:51:44.319
<v Speaker 1>And then I took a couple of, like, you know,

0:51:45.000 --> 0:51:48.080
<v Speaker 1>just crappy jobs that I needed because I needed the money,

0:51:48.200 --> 0:51:50.560
<v Speaker 1>not because they were projects that I loved or characters

0:51:50.600 --> 0:51:53.920
<v Speaker 1>that I loved. And then I said, Okay, I'm not

0:51:53.960 --> 0:51:57.040
<v Speaker 1>going to do this anymore. I'm to type a to

0:51:57.160 --> 0:52:00.800
<v Speaker 1>allow my future to be in the hand ends of

0:52:01.400 --> 0:52:04.359
<v Speaker 1>a bunch of people who only want me when when

0:52:04.360 --> 0:52:06.440
<v Speaker 1>the iron is hot. And so I'm going to go

0:52:06.480 --> 0:52:10.439
<v Speaker 1>to school. And so I decided then to go try

0:52:10.480 --> 0:52:14.200
<v Speaker 1>and enroll in college. And um I went to I

0:52:14.239 --> 0:52:18.080
<v Speaker 1>got my degree from cal State Fullerton in psychology. I

0:52:18.120 --> 0:52:20.520
<v Speaker 1>decided I was going to be a marriage and family therapist.

0:52:21.160 --> 0:52:25.880
<v Speaker 1>And I then applied for my master's degree at Chapman University.

0:52:26.560 --> 0:52:30.560
<v Speaker 1>And and so I started school at seven. I graduated

0:52:30.560 --> 0:52:34.360
<v Speaker 1>at thirty one, and as I had just gotten my

0:52:34.360 --> 0:52:38.040
<v Speaker 1>acceptance from Chapman University for marriage and Family therapy, Michael

0:52:38.120 --> 0:52:41.800
<v Speaker 1>Jacobs called me and said, we're doing Girl Meets World

0:52:42.600 --> 0:52:44.920
<v Speaker 1>and I want you to come back for it. And

0:52:44.920 --> 0:52:47.120
<v Speaker 1>I was like, we're doing what what are you talking about?

0:52:47.400 --> 0:52:51.719
<v Speaker 1>And he explained to me what his idea was for

0:52:51.760 --> 0:52:53.560
<v Speaker 1>Girl Meets World, and that to Panga was going to

0:52:53.640 --> 0:52:56.200
<v Speaker 1>be a mom. And and I, at this point now

0:52:56.320 --> 0:53:00.160
<v Speaker 1>had spent four years being a really great student. How

0:53:00.200 --> 0:53:02.280
<v Speaker 1>I was in it for the education because I wanted

0:53:02.320 --> 0:53:04.360
<v Speaker 1>to be there. It was something I was really passionate about.

0:53:04.719 --> 0:53:06.600
<v Speaker 1>And I was like, Michael, I just got accepted for

0:53:06.680 --> 0:53:09.480
<v Speaker 1>my master's degree, like can I can I do night classes?

0:53:09.520 --> 0:53:12.920
<v Speaker 1>And unfortunately, night classes in college meant like four pm,

0:53:13.480 --> 0:53:15.120
<v Speaker 1>and there was no way I was going to be

0:53:15.160 --> 0:53:17.600
<v Speaker 1>able to be offset and back in Orange County by

0:53:17.640 --> 0:53:19.400
<v Speaker 1>four pm. And so I had to make the decision

0:53:19.440 --> 0:53:21.840
<v Speaker 1>about whether or not I was gonna get my masters

0:53:22.000 --> 0:53:23.560
<v Speaker 1>or if I was going to do Girl Meets World.

0:53:23.640 --> 0:53:27.440
<v Speaker 1>And I realized I could get my master's at any time,

0:53:27.640 --> 0:53:30.040
<v Speaker 1>but I couldn't do Girl Meets World any time. And

0:53:30.080 --> 0:53:31.839
<v Speaker 1>I decided to go back and do Girl Meets World.

0:53:32.800 --> 0:53:35.920
<v Speaker 1>That's so interesting you make the decision to go back.

0:53:36.640 --> 0:53:39.120
<v Speaker 1>I mean you're like Frasier, right, I mean you're playing

0:53:39.239 --> 0:53:41.839
<v Speaker 1>like in terms of like longevity of playing the same

0:53:41.920 --> 0:53:46.880
<v Speaker 1>character over time. Um, did you did you like going

0:53:46.960 --> 0:53:50.400
<v Speaker 1>back and re exploring who to Pega had had become

0:53:50.680 --> 0:53:54.280
<v Speaker 1>in a later in life? I did. I actually really

0:53:54.400 --> 0:53:57.600
<v Speaker 1>enjoyed it. For one thing, I had known about myself

0:53:57.680 --> 0:54:00.160
<v Speaker 1>that I always wanted to be a mother. And I've

0:54:00.200 --> 0:54:03.360
<v Speaker 1>also known that I've always been a very maternal person,

0:54:03.600 --> 0:54:07.680
<v Speaker 1>whether that's that's not necessarily even just toward children. I

0:54:07.719 --> 0:54:10.200
<v Speaker 1>just have what people would describe as being a maternal

0:54:10.719 --> 0:54:12.759
<v Speaker 1>energy about them. I care about the people around me.

0:54:12.800 --> 0:54:14.400
<v Speaker 1>I tend to take care of the people around me,

0:54:14.480 --> 0:54:17.880
<v Speaker 1>and um I the idea that I was going to

0:54:18.000 --> 0:54:21.520
<v Speaker 1>get to Tapanga had been so so stink and smart

0:54:21.600 --> 0:54:24.680
<v Speaker 1>and wanted to be a lawyer, and and also she

0:54:25.120 --> 0:54:27.640
<v Speaker 1>was able to maintain a marriage and have children. I

0:54:27.680 --> 0:54:30.840
<v Speaker 1>was really excited to see how Topanga was going to

0:54:30.920 --> 0:54:32.560
<v Speaker 1>pull all that off and how she was going to

0:54:32.640 --> 0:54:35.759
<v Speaker 1>navigate it, and how motherhood had maybe changed her in

0:54:35.800 --> 0:54:39.160
<v Speaker 1>ways and had she softened in certain areas. Uh and

0:54:39.200 --> 0:54:41.120
<v Speaker 1>so yeah, it was really exciting to me. But I

0:54:41.120 --> 0:54:46.000
<v Speaker 1>think ultimately even more exciting than that was the feeling

0:54:46.080 --> 0:54:49.520
<v Speaker 1>I had of being able to go back, to go

0:54:49.560 --> 0:54:52.400
<v Speaker 1>back to a set and to see a new generation

0:54:52.560 --> 0:54:56.120
<v Speaker 1>of twelve year olds do the exact same thing I

0:54:56.160 --> 0:54:59.880
<v Speaker 1>had done, except this time they were going to have

0:55:00.000 --> 0:55:02.040
<v Speaker 1>of me. They were going to have me there to

0:55:02.160 --> 0:55:04.800
<v Speaker 1>be like, I've been there with you. If you need anything,

0:55:04.920 --> 0:55:07.359
<v Speaker 1>I'm here for you. I know how hard this is.

0:55:07.400 --> 0:55:09.600
<v Speaker 1>If you want somebody to talk to, I'm here for you.

0:55:09.680 --> 0:55:12.640
<v Speaker 1>I was so excited about developing those relationships with our

0:55:12.680 --> 0:55:17.560
<v Speaker 1>young cast, and it felt very like a gift to

0:55:18.200 --> 0:55:21.920
<v Speaker 1>my younger self that I would have, you know, This

0:55:22.000 --> 0:55:23.960
<v Speaker 1>is nothing against the adults we had on our show.

0:55:24.000 --> 0:55:26.560
<v Speaker 1>They had a totally they had their own experiences going on.

0:55:26.920 --> 0:55:30.399
<v Speaker 1>But I would have loved someone to say to say,

0:55:30.440 --> 0:55:32.319
<v Speaker 1>I've been in your shoes. If you need if you

0:55:32.360 --> 0:55:33.960
<v Speaker 1>need anything, come to me. And so I was really

0:55:33.960 --> 0:55:36.879
<v Speaker 1>excited about that and developing those relationships with the kids.

0:55:36.880 --> 0:55:38.960
<v Speaker 1>And I feel like I, you know, hopefully they would

0:55:38.960 --> 0:55:42.000
<v Speaker 1>say I did a good job of that. That's amazing. Yeah,

0:55:42.040 --> 0:55:44.040
<v Speaker 1>I mean, I'm trying to think in the history of

0:55:44.080 --> 0:55:49.720
<v Speaker 1>television this, it hasn't happened very often. Nothing is occurring

0:55:49.719 --> 0:55:51.239
<v Speaker 1>to me right now. I don't want to say never.

0:55:51.360 --> 0:55:55.520
<v Speaker 1>But the idea of of being a young actress, a

0:55:55.680 --> 0:55:59.400
<v Speaker 1>child star if you will, and playing this role and

0:55:59.400 --> 0:56:02.799
<v Speaker 1>then having the opportunity so many years later to come

0:56:02.840 --> 0:56:08.479
<v Speaker 1>back and revisit it from the adult side. And also, yeah,

0:56:08.560 --> 0:56:10.640
<v Speaker 1>like you said, being that didn't even occur to me,

0:56:10.760 --> 0:56:13.960
<v Speaker 1>being there as a mentor to these young actors and

0:56:14.080 --> 0:56:19.560
<v Speaker 1>actresses that that you had that experience. People you don't understand.

0:56:20.320 --> 0:56:23.360
<v Speaker 1>We touched on it very briefly, and I wanted to

0:56:23.360 --> 0:56:28.920
<v Speaker 1>to highlight it. These young actors, their days are so

0:56:29.360 --> 0:56:32.520
<v Speaker 1>difficult because you know what Danielle was talking about before.

0:56:32.600 --> 0:56:35.680
<v Speaker 1>I mean, if you're not on set rehearsing or shooting something,

0:56:35.920 --> 0:56:40.480
<v Speaker 1>you've got to be in school. So like you're always somewhere.

0:56:40.920 --> 0:56:44.520
<v Speaker 1>And even though there are thankfully, you know, Screen Actors

0:56:44.560 --> 0:56:50.480
<v Speaker 1>Guild requirements for how many hours they can work, they

0:56:50.520 --> 0:56:54.200
<v Speaker 1>still are doing school and having homework and all of

0:56:54.239 --> 0:56:57.439
<v Speaker 1>the rest of it. It's really difficult. And then there's

0:56:57.480 --> 0:56:59.160
<v Speaker 1>all the other stuff that goes along with it that

0:56:59.239 --> 0:57:01.280
<v Speaker 1>like when you're not in school and you're not rehearsing,

0:57:01.360 --> 0:57:02.880
<v Speaker 1>you have a wardrobe fitting. When you're not in a

0:57:02.960 --> 0:57:05.320
<v Speaker 1>wardrobe fitting and it's tape day, you've got hair and makeup.

0:57:05.400 --> 0:57:07.440
<v Speaker 1>And then when it's not that, you've also got pressed.

0:57:07.480 --> 0:57:11.719
<v Speaker 1>And so as a kid, every second of your day

0:57:11.920 --> 0:57:14.000
<v Speaker 1>is occupied with something. And like you said, there are

0:57:14.000 --> 0:57:16.680
<v Speaker 1>the Screen Actors Guild you know rules, which are nine

0:57:16.680 --> 0:57:18.520
<v Speaker 1>and a half or ten and a half hours a day,

0:57:18.520 --> 0:57:21.720
<v Speaker 1>depending on how old the child is. There's a moment where,

0:57:21.880 --> 0:57:23.200
<v Speaker 1>you know, there's year where it jumps up to ten

0:57:23.200 --> 0:57:25.040
<v Speaker 1>and a half hours a day. But that's not including

0:57:25.040 --> 0:57:27.320
<v Speaker 1>your drive to work or your drive home from work.

0:57:27.360 --> 0:57:29.760
<v Speaker 1>That's not including homework you may have or getting your

0:57:29.800 --> 0:57:33.120
<v Speaker 1>script and needing to read your script for the next day. Um,

0:57:33.280 --> 0:57:35.640
<v Speaker 1>look over your lines, memorize whatever you have coming up,

0:57:35.680 --> 0:57:39.520
<v Speaker 1>like it's a lot. And then when we did Girl

0:57:39.560 --> 0:57:43.720
<v Speaker 1>Meets World, there obviously was social media, and there is

0:57:43.800 --> 0:57:48.040
<v Speaker 1>now immediate feedback, and you're reading things about what people

0:57:48.040 --> 0:57:50.280
<v Speaker 1>think about you or what people think about your show.

0:57:50.440 --> 0:57:53.880
<v Speaker 1>And you're doing a legacy show where people are comparing

0:57:54.040 --> 0:57:57.120
<v Speaker 1>your show to the old show and here's why it's

0:57:57.160 --> 0:57:59.000
<v Speaker 1>not as good as the old show, and here's why

0:57:59.040 --> 0:58:00.840
<v Speaker 1>this person is not as great it is that person

0:58:01.160 --> 0:58:05.280
<v Speaker 1>and they're reading it on their little devices. And and I,

0:58:05.320 --> 0:58:07.880
<v Speaker 1>thankfully was what tried very hard. And there were other

0:58:07.880 --> 0:58:09.479
<v Speaker 1>people who did it too. Of course they had set

0:58:09.480 --> 0:58:12.800
<v Speaker 1>teachers and they had people their parents, But I was

0:58:13.040 --> 0:58:16.800
<v Speaker 1>very much trying to remind them of like staying present,

0:58:17.200 --> 0:58:21.280
<v Speaker 1>remembering what's important, understanding that just because someone says something

0:58:21.280 --> 0:58:24.400
<v Speaker 1>on the Internet, it doesn't make it true, and um,

0:58:24.440 --> 0:58:27.240
<v Speaker 1>you know, just trying to navigate all of that. I

0:58:27.320 --> 0:58:30.800
<v Speaker 1>was really glad to be a voice that had kind

0:58:30.800 --> 0:58:34.480
<v Speaker 1>of experienced it minus the social media. Yeah, that's insane.

0:58:35.080 --> 0:58:39.360
<v Speaker 1>Can I truly can't imagine that to be twelve thirteen, fourteen,

0:58:39.480 --> 0:58:42.240
<v Speaker 1>Get your first phone, being on social media and hearing

0:58:42.320 --> 0:58:49.040
<v Speaker 1>what people might say horrible. Yeah, um, you start directing? Uh,

0:58:49.040 --> 0:58:52.760
<v Speaker 1>in Girl Meets World, you like directing? I love it.

0:58:52.920 --> 0:58:55.480
<v Speaker 1>I mean, talk about such a gift. So I started.

0:58:55.480 --> 0:58:58.520
<v Speaker 1>I directed my first episode in season two. I did

0:58:58.520 --> 0:59:01.120
<v Speaker 1>one that season and I of did it. I was like, Okay,

0:59:01.160 --> 0:59:03.400
<v Speaker 1>that was definitely you know, it's my first time ever

0:59:03.400 --> 0:59:05.320
<v Speaker 1>doing that. There were some hiccups and it was rocky,

0:59:05.360 --> 0:59:08.640
<v Speaker 1>but I loved it again, mostly because of the relationships

0:59:08.640 --> 0:59:10.840
<v Speaker 1>I was able to build working with the kids, And

0:59:10.880 --> 0:59:13.120
<v Speaker 1>so then I got to direct three more in season

0:59:13.160 --> 0:59:17.120
<v Speaker 1>three and uh. We ended the show in two thousand seventeen,

0:59:17.160 --> 0:59:20.200
<v Speaker 1>two thousand sixteen, two thousand seventeen, and I then spent

0:59:20.800 --> 0:59:27.680
<v Speaker 1>two full years going into meetings, shadowing people, begging someone

0:59:27.800 --> 0:59:32.680
<v Speaker 1>to take me seriously as a director. Everyone thought it

0:59:32.720 --> 0:59:36.280
<v Speaker 1>was most likely a vanity title you got to direct

0:59:36.320 --> 0:59:38.919
<v Speaker 1>on your own show. It was a home game. Let's

0:59:38.960 --> 0:59:40.760
<v Speaker 1>call it a home game. No one's gonna let you

0:59:40.800 --> 0:59:44.080
<v Speaker 1>fail at a home game, and I desperately tried to

0:59:44.160 --> 0:59:46.440
<v Speaker 1>prove myself. I had been on a you know, sitcom

0:59:46.480 --> 0:59:49.080
<v Speaker 1>set since I was twelve years old or eleven years old,

0:59:49.160 --> 0:59:52.000
<v Speaker 1>and I was still shadowing, and anybody would take a

0:59:52.000 --> 0:59:54.040
<v Speaker 1>meeting with me, I would take a meeting. And then

0:59:54.120 --> 0:59:57.160
<v Speaker 1>after two years, I went in for a meeting and

0:59:57.440 --> 1:00:00.600
<v Speaker 1>um with Mark Reisman and he was acting a Disney

1:00:00.640 --> 1:00:02.480
<v Speaker 1>Channel show called I Mean he was the executive producer

1:00:02.520 --> 1:00:04.440
<v Speaker 1>of a Disney Channel show called Sydney to the Max.

1:00:05.120 --> 1:00:07.200
<v Speaker 1>And I had a wonderful meeting with him, but he

1:00:07.240 --> 1:00:08.960
<v Speaker 1>was very nervous and he said the same thing to

1:00:08.960 --> 1:00:11.440
<v Speaker 1>me every other executive said. He said, Danielle, listen, I

1:00:11.720 --> 1:00:13.560
<v Speaker 1>believe you. I believe that you can do it. But

1:00:14.480 --> 1:00:17.560
<v Speaker 1>this show was my baby, and I I just want

1:00:17.560 --> 1:00:18.959
<v Speaker 1>you know, if it were up to me, I would

1:00:18.960 --> 1:00:21.520
<v Speaker 1>just hand it off to a very experienced director and

1:00:21.680 --> 1:00:24.080
<v Speaker 1>he or she would direct every episode. And and you know,

1:00:24.120 --> 1:00:26.040
<v Speaker 1>it just makes me very nervous. I'll give you a

1:00:26.120 --> 1:00:29.360
<v Speaker 1>chance to direct, but probably not in the first thirteen

1:00:29.600 --> 1:00:33.000
<v Speaker 1>or maybe not even in the first season. And I said, Okay,

1:00:33.160 --> 1:00:35.280
<v Speaker 1>if there's anything I can do to allay your fears,

1:00:35.360 --> 1:00:37.840
<v Speaker 1>let me know. And we talked for two hours, and

1:00:37.840 --> 1:00:40.440
<v Speaker 1>then when I left, he did his due diligence and

1:00:40.440 --> 1:00:42.960
<v Speaker 1>he called Michael Jacobs and he called Frank Pace, who

1:00:43.000 --> 1:00:45.680
<v Speaker 1>was our upm and he said, tell me about Danielle

1:00:45.680 --> 1:00:49.120
<v Speaker 1>as a director, and both of them, thankfully, UH gave

1:00:49.320 --> 1:00:51.880
<v Speaker 1>him their word that I was legit and that I

1:00:51.960 --> 1:00:54.240
<v Speaker 1>knew what I was doing and that he could trust me.

1:00:54.600 --> 1:00:56.480
<v Speaker 1>And I got a call a couple of days later

1:00:56.680 --> 1:01:00.200
<v Speaker 1>from Disney Channel saying Mark really liked you. He load

1:01:00.280 --> 1:01:02.360
<v Speaker 1>up on you. He's going to trust you, and he's

1:01:02.360 --> 1:01:05.400
<v Speaker 1>going to give you three episodes in his first thirteen

1:01:06.880 --> 1:01:11.400
<v Speaker 1>and I was I was shocked, and Uh. I ended

1:01:11.440 --> 1:01:13.960
<v Speaker 1>up directing like eleven or twelve episodes of Sitting to

1:01:14.000 --> 1:01:15.720
<v Speaker 1>the Max over the three seasons they were on. And

1:01:15.760 --> 1:01:19.600
<v Speaker 1>now I've done almost thirty episodes of multi camera sitcoms.

1:01:19.320 --> 1:01:24.200
<v Speaker 1>That's thank you, and I love you, and you love it,

1:01:24.640 --> 1:01:27.280
<v Speaker 1>I do. I love it the same way I knew

1:01:27.320 --> 1:01:29.360
<v Speaker 1>going back to Girl Meets World was going to make

1:01:29.360 --> 1:01:31.120
<v Speaker 1>me feel like I was giving back to a younger

1:01:31.200 --> 1:01:34.800
<v Speaker 1>version of myself. That is exactly what directing children's TV

1:01:34.920 --> 1:01:38.240
<v Speaker 1>feels like to me. I remember so distinctly the directors

1:01:38.240 --> 1:01:40.480
<v Speaker 1>that we had on Boy Meets World when I was

1:01:40.520 --> 1:01:42.400
<v Speaker 1>a kid, and that you know, David Trayner gave me

1:01:42.440 --> 1:01:45.360
<v Speaker 1>my my first acting lesson. David Traynor taught me how

1:01:45.400 --> 1:01:47.360
<v Speaker 1>to open up for camera. All of that was an

1:01:47.440 --> 1:01:50.960
<v Speaker 1>education from those directors. And some people aren't as lucky

1:01:51.000 --> 1:01:54.440
<v Speaker 1>to work with such amazing, kind, warm directors. I was lucky,

1:01:54.560 --> 1:01:57.080
<v Speaker 1>but I knew I wanted to be that same person

1:01:57.320 --> 1:02:00.360
<v Speaker 1>for the next generation of kids. And so now I

1:02:00.400 --> 1:02:03.040
<v Speaker 1>get to show them Disney one oh one or Acting

1:02:03.040 --> 1:02:05.800
<v Speaker 1>one oh one or Camera one oh one, and um,

1:02:06.360 --> 1:02:08.000
<v Speaker 1>you know, it just me It means the world to me.

1:02:08.360 --> 1:02:12.880
<v Speaker 1>Do you see your younger self in specifically any of

1:02:12.920 --> 1:02:16.920
<v Speaker 1>the young actresses that you're working with? Oh? Man, I mean,

1:02:17.000 --> 1:02:19.240
<v Speaker 1>there are parts of me in all of them, but

1:02:19.280 --> 1:02:22.880
<v Speaker 1>they're all, you know, unique and different. I think, first

1:02:22.880 --> 1:02:24.919
<v Speaker 1>of all, every all of the young actresses I worked

1:02:24.920 --> 1:02:27.960
<v Speaker 1>with are all so much better actors than I was.

1:02:28.040 --> 1:02:31.919
<v Speaker 1>So in that sense, no, because they're all luckily, they're

1:02:31.960 --> 1:02:35.400
<v Speaker 1>all much better instinctually than than I was. At the

1:02:35.440 --> 1:02:37.160
<v Speaker 1>beginning I needed a lot of work. They do not.

1:02:37.320 --> 1:02:40.200
<v Speaker 1>But I definitely like Ava Kulker, who I worked with

1:02:40.240 --> 1:02:42.120
<v Speaker 1>on Girl Meets World and then I also got to

1:02:42.160 --> 1:02:45.280
<v Speaker 1>direct in Sydney to the Max. Ava Kolker is a

1:02:45.480 --> 1:02:49.200
<v Speaker 1>really great comedic actress. She's very she just gets it,

1:02:49.280 --> 1:02:51.480
<v Speaker 1>you know. She you can. You can tell her what

1:02:51.600 --> 1:02:54.680
<v Speaker 1>something means and she'll change the reading of it, or

1:02:54.680 --> 1:02:57.000
<v Speaker 1>you'll say that was really funny. But just do something different.

1:02:57.080 --> 1:02:59.080
<v Speaker 1>You don't have to tell her what you want done differently.

1:02:59.080 --> 1:03:02.040
<v Speaker 1>She'll just come up with something different. Um. And and

1:03:02.080 --> 1:03:04.240
<v Speaker 1>she she loves being in front of an audience. I

1:03:04.240 --> 1:03:05.600
<v Speaker 1>look at her and I think, yeah, I was a

1:03:05.600 --> 1:03:08.520
<v Speaker 1>little bit of a ham like that too, you know. Um.

1:03:08.600 --> 1:03:10.520
<v Speaker 1>And then I you know Ruth Riggie who was on

1:03:10.640 --> 1:03:13.160
<v Speaker 1>Sydney the Max, also like I see in her. She

1:03:13.160 --> 1:03:15.120
<v Speaker 1>she lives up north, she lives in Santa Cruz and

1:03:15.280 --> 1:03:17.560
<v Speaker 1>being with her family and going back to her regular

1:03:17.600 --> 1:03:19.600
<v Speaker 1>life was really important to her. And I go that

1:03:19.680 --> 1:03:22.080
<v Speaker 1>was That's how I was too. So I see bits

1:03:22.080 --> 1:03:24.800
<v Speaker 1>of myself in all of them, and it feels good.

1:03:24.840 --> 1:03:28.440
<v Speaker 1>It feels nice to like form those relationships. And I

1:03:28.520 --> 1:03:30.560
<v Speaker 1>make sure to let all of them know that, like

1:03:31.160 --> 1:03:33.320
<v Speaker 1>after the show ends and after I'm done being your

1:03:33.360 --> 1:03:36.600
<v Speaker 1>director here, my door is still always open and and

1:03:36.640 --> 1:03:39.080
<v Speaker 1>there because there will be other hiccups. I also made

1:03:39.080 --> 1:03:41.080
<v Speaker 1>the jump then from being a kid to being an adult,

1:03:41.080 --> 1:03:43.200
<v Speaker 1>and I know, I know what that entails. And there

1:03:43.240 --> 1:03:45.200
<v Speaker 1>will be times where you're going to want to talk

1:03:45.200 --> 1:03:47.320
<v Speaker 1>to somebody and just know you can always reach out.

1:03:47.560 --> 1:03:51.120
<v Speaker 1>That's awesome. Yeah, it's it's crazy to me. I mean,

1:03:51.360 --> 1:03:54.840
<v Speaker 1>you know, you started doing essentially a regular role on

1:03:54.880 --> 1:03:58.800
<v Speaker 1>television at age twelve. You know, for me it was

1:03:58.920 --> 1:04:01.920
<v Speaker 1>I was thirty two, you know, I did theater for

1:04:02.000 --> 1:04:05.760
<v Speaker 1>so long. It's uh, you know, it's just it's fascinating

1:04:05.800 --> 1:04:09.200
<v Speaker 1>to me to hear that inside, the inside story of

1:04:09.240 --> 1:04:12.439
<v Speaker 1>that and sort of knowing from the outside intellectually when

1:04:12.760 --> 1:04:14.520
<v Speaker 1>you know, I've worked with kids over the years, how

1:04:14.560 --> 1:04:18.520
<v Speaker 1>difficult that is, you know, hearing from you your experience

1:04:18.560 --> 1:04:21.360
<v Speaker 1>going through it is just it's really interesting to me.

1:04:21.840 --> 1:04:24.200
<v Speaker 1>So I appreciate you coming and talking about that. You

1:04:24.280 --> 1:04:29.200
<v Speaker 1>have a a new podcast that you have launched, rewatch

1:04:29.400 --> 1:04:33.320
<v Speaker 1>Pod meets World the third. So we've got Boy, We've

1:04:33.360 --> 1:04:35.680
<v Speaker 1>got Girl, and now we have pod. Are you having

1:04:36.000 --> 1:04:39.160
<v Speaker 1>a good time doing that? We're having a great time

1:04:39.200 --> 1:04:41.800
<v Speaker 1>doing it. None of us, we all so it's myself, Wright,

1:04:41.960 --> 1:04:45.200
<v Speaker 1>Strong and Wilfred l And none of us have watched

1:04:45.240 --> 1:04:48.720
<v Speaker 1>the show recently, and Writer has actually rarely seen ever

1:04:48.800 --> 1:04:50.960
<v Speaker 1>an episode. He's only seen a handful of episodes ever

1:04:50.960 --> 1:04:53.720
<v Speaker 1>in his life. Will saw them all when they aired

1:04:53.720 --> 1:04:55.880
<v Speaker 1>in the nineties, and then he's seen a handful of

1:04:55.880 --> 1:05:00.160
<v Speaker 1>them again recently. I also watched them, maybe most them

1:05:00.160 --> 1:05:01.520
<v Speaker 1>when they were on in the nineties, but then I've

1:05:01.520 --> 1:05:04.120
<v Speaker 1>never seen them again. So we're watching it really for

1:05:04.160 --> 1:05:07.960
<v Speaker 1>the first time, and we're talking about how the show

1:05:08.120 --> 1:05:10.920
<v Speaker 1>one feels differently to us than we remembered it feeling,

1:05:11.000 --> 1:05:13.480
<v Speaker 1>and part of that is exactly what you're talking about.

1:05:13.640 --> 1:05:16.440
<v Speaker 1>The way we perceived the show as twelve year olds

1:05:16.720 --> 1:05:19.640
<v Speaker 1>is obviously totally different than the way we perceived the

1:05:19.680 --> 1:05:22.640
<v Speaker 1>show now as adults, and we're finding that it's amazing

1:05:23.120 --> 1:05:26.200
<v Speaker 1>how much more we're the scenes were picking up on

1:05:26.240 --> 1:05:30.320
<v Speaker 1>and the moments were loving are all of the adult actors,

1:05:30.320 --> 1:05:32.640
<v Speaker 1>and we're like, I didn't even remember this scene existed.

1:05:33.080 --> 1:05:35.200
<v Speaker 1>We were so focused on whether or not we were

1:05:35.200 --> 1:05:38.360
<v Speaker 1>getting laughs in the classroom, we weren't actually aware of

1:05:38.400 --> 1:05:42.000
<v Speaker 1>how incredible William Russ was as Alan Matthews, you know,

1:05:42.080 --> 1:05:45.400
<v Speaker 1>delivering this father son monologue about life like we didn't

1:05:45.400 --> 1:05:46.920
<v Speaker 1>even pay We probably didn't even read that part of

1:05:46.920 --> 1:05:50.400
<v Speaker 1>the script. But now as adults and as parents, we're

1:05:50.560 --> 1:05:53.200
<v Speaker 1>seeing it through those eyes, and so it has been

1:05:53.240 --> 1:05:59.120
<v Speaker 1>really fun. That's awesome. William Daniels years old and just

1:05:59.200 --> 1:06:02.280
<v Speaker 1>came on your podcast. I just I love that, isn't

1:06:02.280 --> 1:06:06.360
<v Speaker 1>it great? Um? Danielle, thank you so much for coming

1:06:06.400 --> 1:06:10.480
<v Speaker 1>on and talking to me about this good luck. With

1:06:10.520 --> 1:06:12.840
<v Speaker 1>the directing. I'm so happy for you that you have

1:06:12.840 --> 1:06:15.120
<v Speaker 1>have found that and that you're loving that, and with

1:06:15.200 --> 1:06:19.000
<v Speaker 1>the podcast. Thank you for for going back and sharing

1:06:19.040 --> 1:06:24.280
<v Speaker 1>your your unique perspective. I appreciate it so much. Thank you, Brian.

1:06:24.360 --> 1:06:26.640
<v Speaker 1>This was really just a true pleasure. And I hope

1:06:26.640 --> 1:06:29.480
<v Speaker 1>we get to present another award at the Hero Dog

1:06:29.520 --> 1:06:33.240
<v Speaker 1>Awards or or somewhere, but I I will be following

1:06:33.280 --> 1:06:35.760
<v Speaker 1>along on all of your adventures and I am such

1:06:35.760 --> 1:06:50.040
<v Speaker 1>a fan of yours. So thank you so much. You're

1:06:50.680 --> 1:06:55.120
<v Speaker 1>the best. Danielle, thank you so much. And someday, I

1:06:55.120 --> 1:06:59.400
<v Speaker 1>don't know, I'll come. I'll come be Walter, for your

1:07:00.000 --> 1:07:04.560
<v Speaker 1>for your child. Everyone go check out pod meets World now.

1:07:04.840 --> 1:07:08.280
<v Speaker 1>I promise you you will not regret it. To all

1:07:08.320 --> 1:07:11.920
<v Speaker 1>of you out there. We're gonna be back this Thursday

1:07:11.960 --> 1:07:16.320
<v Speaker 1>with another special off the Beat sports guest, and then

1:07:16.320 --> 1:07:18.680
<v Speaker 1>of course we'll be back next week. I know I

1:07:18.720 --> 1:07:21.480
<v Speaker 1>say this every week, but we have a very we

1:07:21.600 --> 1:07:24.720
<v Speaker 1>got a good one. We got a good one next week,

1:07:24.840 --> 1:07:28.720
<v Speaker 1>so stay tuned for that. We'll see you on Thursday

1:07:28.760 --> 1:07:40.280
<v Speaker 1>and again next Tuesday. Until then, well be well. Everybody

1:07:41.520 --> 1:07:44.440
<v Speaker 1>Off the Beat is hosted an executive produced by me

1:07:44.800 --> 1:07:50.040
<v Speaker 1>Brian Baumgartner, alongside our executive producer Langley. Our producers are

1:07:50.160 --> 1:07:54.800
<v Speaker 1>Diego Tapia, Liz Hayes, Hannah Harris, and Emily Carr. Our

1:07:54.840 --> 1:07:59.280
<v Speaker 1>talent producer is Ryan Papa Zachary, and our intern is

1:07:59.280 --> 1:08:03.600
<v Speaker 1>Sammy Cat. Our theme song Bubble and Squeak performed by

1:08:03.640 --> 1:08:07.200
<v Speaker 1>my great friend Creed Bratton, and the episode was mixed

1:08:07.320 --> 1:08:08.560
<v Speaker 1>by Seth Olandski