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Speaker 1: Holy shit. We're live in New York City with the

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Speaker 1: I Am Rappapor Podcast. This is Michael Rappaport, and we're

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Speaker 1: getting ready to do it right now at crazy do

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Speaker 1: some ship you get the wigaed please? Yes, And you

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Speaker 1: know we're keeping our eyes open for them people whiling

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Speaker 1: out Wiga please, it's what we're screaming. Shot, you better

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Speaker 1: act right before we put your ship on last, to

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Speaker 1: yourself a favor. Try to have a little class because

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Speaker 1: like Rappid Moore, they're having it. So save yourself from

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Speaker 1: the embarrassment sake before your talk call. Just keep your

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Speaker 1: mouth shut because this is I Am Rappaport and we

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Speaker 1: don't give a one. So if you lose your cool,

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Speaker 1: you get wickap please. If you act in a fool

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Speaker 1: you get a wigap please. If you're wiling like an idiot,

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Speaker 1: wiga please. If you're acting the old ignat brand, you

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Speaker 1: get a wiga please. If you don't listen to this

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Speaker 1: new ship, you get a wigaw pleae. And if you

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Speaker 1: do something stoopid you're getting wickap please. What alright? This

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Speaker 1: is Michael Rappaport. This is the I Am Rappapor Pie podcast.

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Speaker 1: I got the co host with the most. He's back

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Speaker 1: from his world excursion in Thailand. Yeah, Mr g Moody,

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Speaker 1: what what it be like? Yo, Gimo Netti. He's been away.

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Speaker 1: He's been in Thailand, chasing the lady boys in Thailand,

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Speaker 1: doing it big time over there, chasing him big risks,

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Speaker 1: pretty chicks with the big risks and and the thick

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Speaker 1: necks over there in Thailand. Listen, it's the I m

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Speaker 1: Rappapor podcast. We're getting into it. I got a couple

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Speaker 1: of things I'm just gonna jump into first and foremost.

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Speaker 1: I feel like we are on the cutting edge of

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Speaker 1: pop culture. Although we are a podcast that doesn't fact check,

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Speaker 1: although we are a a podcast that doesn't really involve

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Speaker 1: ourselves with a lot of pop culture, we keep getting

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Speaker 1: it fucking right. We predict, did we We urged Justin

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Speaker 1: Bieber to cut the fucking bullshit, and then boom. Ten

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Speaker 1: days later, he gave himself up. He gave himself up,

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Speaker 1: said I wasn't being myself. Bill Russell, Bill Russell, we

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Speaker 1: went in hard on Mr. Russell went in hard on him.

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Speaker 1: We said cut your shit, We said fix your fucking crop.

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Speaker 1: Nothing wrong with that. We said, you're the greatest basketball

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Speaker 1: player ever, unquote, that's what people call you. You should

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Speaker 1: look like it. Two thousand and fifteen NBA All Star Game.

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Speaker 1: Here in New York City. I'm walking through the tunnel.

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Speaker 1: Who the funk do I see but Bill Russell? And

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Speaker 1: is he groomed? Fuck? Yeah. So the word is getting out.

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Speaker 1: The word is getting out when we say something. Here

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Speaker 1: at the Iron Wrap por podcast, take heed to it.

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Speaker 1: Just a few weeks ago, I was watching the fucking

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Speaker 1: Grammys and I had many complaints, and one of my

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Speaker 1: main complaints you could look it up and it was

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Speaker 1: really in her best interests was Madonna. I said after

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Speaker 1: her Grammy performance, which for me was shit. She was

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Speaker 1: rolling around the fucking stage like on some Liza Man.

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Speaker 1: Nelly broke dick shit. The song was whacked. She wasn't

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Speaker 1: singing Lucky Star, she wasn't singing like a virgin, and

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Speaker 1: she was I'm not saying she shouldn't do new music,

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Speaker 1: but if you're gonna do new music, come with that heat,

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Speaker 1: come with that fire. And I said, you're too old

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Speaker 1: and you're gonna fucking hurt yourself. I said it. Listen

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Speaker 1: to the episode. Listen to the episodes, like two or

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Speaker 1: three episodes, ago. I discussed the Grammy's looking up on

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Speaker 1: the Iron Rapport dot com or iTunes. You can look

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Speaker 1: it up on the corner. They sell bootleg copies of

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Speaker 1: the Iron rappor podcast if you if you want to

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Speaker 1: fucking get one, get one. I don't care how you

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Speaker 1: get it, but just know that I urged Madonna to

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Speaker 1: cut the ship. I urged Madonna to stop sucking around,

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Speaker 1: and I urged Madonna to start acting and performing her age.

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Speaker 1: She didn't fucking listen. So Gerald, do you know what

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Speaker 1: happened to her this week? I heard she fell off

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Speaker 1: the fucking stage. She was performing at the London Music

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Speaker 1: Awards with a fucking cape on and and no fucking

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Speaker 1: pants like a cape on and some fucking leotard ship.

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Speaker 1: She was up there singing some bullshit. She wasn't singing,

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Speaker 1: you know, lucky Star, She wasn't singing no fly shit,

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Speaker 1: And she fucking bust her ass and fell off the

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Speaker 1: fucking stage. Down to fucking flight a step Jesus and

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Speaker 1: her fucking dancers. They didn't miss beat, They didn't miss

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Speaker 1: a fucking beat. They picked her up and fucking threw

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Speaker 1: her back on stage because the funding show must go on.

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Speaker 1: And Madonna's a pro. She's a world one of the

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Speaker 1: biggest stars ever. She kept going, but I know when

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Speaker 1: she got the funk backstage, she fucking black and blue

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Speaker 1: and her fucking spine was tingling. And and I know

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Speaker 1: because she's so pale and she's done so many things

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Speaker 1: to her skin and her body that the bruising had

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Speaker 1: to be really bad. And I had said, cut the ship, Madonna,

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Speaker 1: cut the ship. You're fucking pushing sixty. You look great

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Speaker 1: for someone that's pushing sixty. You look great for someone

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Speaker 1: that's hopped up on Kabbalah and whatever the funk else

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Speaker 1: kinda lexa pro And I don't know what kind of

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Speaker 1: estrogen and what are they shooting to their face? They

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Speaker 1: allegedly she looks like that. Allegedly you gotta say allegedly

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Speaker 1: because we don't fact check. I don't know if this

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Speaker 1: ship is real or not. But I said cut the ship.

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Speaker 1: She busted as she was wearing a Chanel cape and

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Speaker 1: she was like, oh, Chanelle, or it didn't save your

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Speaker 1: as you didn't fly with that fucking cape one. You

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Speaker 1: fucking felt backwards, Harty. They should call that ship gravity. Yeah,

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Speaker 1: gravity should Your next song should be called gravity Madonna.

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Speaker 1: Now speaking of Chanelle, who I don't give a funk about.

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Speaker 1: I don't give a funk about VERSACEI I don't give

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Speaker 1: a funk about Louis Vatton. I don't give a funk

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Speaker 1: about Ralph Lauren and Polo or any of that fucking ship.

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Speaker 1: I don't give a I could give two ships. I'm

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Speaker 1: in New York this week and I am walking around.

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Speaker 1: It's fucking fifteen degrees, there's black ice, piss riddled snow, slush,

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Speaker 1: and it's brick cold. You think I give a fuck

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Speaker 1: or anybody in this city is walking around on some

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Speaker 1: fly shit. You're not walking around the streets of Chicago, Boston,

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Speaker 1: fucking Missouri, fucking Detroit thinking about fashion. You're not walking

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Speaker 1: around in the winter thinking about trying to look good.

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Speaker 1: You know what, You're thinking about trying to get the

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Speaker 1: funk where you need to get to and with and

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Speaker 1: not trying to bust your ass on that fucking snow

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Speaker 1: and that black ice and that fucking piss riddled slush.

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Speaker 1: So all this fashion ship, all this this fashion ship,

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Speaker 1: it doesn't mean ship. And I'm not even talking about

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Speaker 1: to the higher up. I'm talking about from the middle

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Speaker 1: class or the upper middle class down. Nobody gives a

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Speaker 1: funk about that bullshit. I'm so tired of this fashion

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Speaker 1: Nissa bullshit, this fucking mentions of fashion. It means fucking

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Speaker 1: nothing to any body. You're spending five g's on fucking

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Speaker 1: bags and fucking five g's on fucking leather jackets and fur.

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Speaker 1: I don't even know what it is. I don't follow up.

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Speaker 1: It makes no sense to me. It makes no sense

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Speaker 1: to me fashion ship, which brings me to Kanye West

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Speaker 1: yet again, yet a fucking again. I saw this interview

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Speaker 1: that he did with this guy on the BBC, Zach

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Speaker 1: low or something like that, and he's talking to Kanye

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Speaker 1: West like he's speaking to fucking Gandhi. He's acting like

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Speaker 1: he's speaking to a dignitary of world peace and and

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Speaker 1: and saving the world. This guy, this guy named Zane Lowe,

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Speaker 1: who I don't know who the funk he is. He

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Speaker 1: comes off like a dick rider who's interviewing Martin Luther

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Speaker 1: King or fucking Malcolm X or fucking Thomas Edison. He

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Speaker 1: thinks he's he's talking to somebody. Really He's like, he says,

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Speaker 1: I'm sitting down here with Martin with Kanye West. I'm

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Speaker 1: with Mark Twain and um we're gonna discuss uh your

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Speaker 1: new play Shakespeare. Um and and it's it's very important.

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Speaker 1: And he's got a British said, I don't know who

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Speaker 1: this guy is. I don't give a fuck. I gotta

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Speaker 1: be at I'm a little I'm a little prejudice against

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Speaker 1: British accents in general. It always comes off a little

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Speaker 1: hoity toity. And and and he's sitting he's sitting there and

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Speaker 1: he's talking and it's like very serious, and he's like,

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Speaker 1: I wanted to get into this today about you, um

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Speaker 1: and and and and they go into the interview and

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Speaker 1: he's he said, you've been having your your feelings about

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Speaker 1: passions about your fashion. And Kanye just released his fucking

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Speaker 1: He's fucking three and fifty Yeasy's or Jesus is he's

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Speaker 1: Adidas boots, Boots Star Trek Boots. Yeah, look like spaceship.

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Speaker 1: Let's say you spent three d fifty dollars on some

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Speaker 1: Kanye boots. Let's just say it. And you're in New

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Speaker 1: York in the winter, can you walk around in them

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Speaker 1: ships right now? Because you bust your ass? Number one,

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Speaker 1: Number two, you spent three d fifty dollars on them.

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Speaker 1: Why the fund are you gonna walk around the sleet,

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Speaker 1: the slush, the pits riddled snow in a pair of

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Speaker 1: fucking moon boots, some two thousand in one space, honestly

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Speaker 1: fucking moon booth. Yeah, the ships is whack, Yo, fuck

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Speaker 1: the dumb ship. Those fucking Kanye Westeros. Them ships are

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Speaker 1: straight whack. Don't they look whack? I don't give a

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Speaker 1: fuck if they're exclusive. I don't give a fuck if

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Speaker 1: there's only X amount made. And you know what, I'm

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Speaker 1: walking around New York City. I don't see one motherfucking

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Speaker 1: person wearing them because they're not functional. Kanye West is

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Speaker 1: from Chicago, the Windy City. The fucking winters are brutal

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Speaker 1: out there. They're fucking like their winter starts October and

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Speaker 1: it goes to the fucking end of April. No fucking

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Speaker 1: bodies wearing them bullshits out there. Who the funk wants

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Speaker 1: to spend three hundred fifty dollars on some ships. You

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Speaker 1: can't play balling, you can't climb a mountain in you

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Speaker 1: can't stomp a mud hole in someone's asset. They're not

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Speaker 1: Timberland boots. You can't do construction in them. What the

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Speaker 1: fuck are they for? So you're exclusive from the rest

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Speaker 1: of the people. And he's sitting there and he goes

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Speaker 1: on to talk about He's name dropping people I've never

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Speaker 1: heard of in the fashion world. I always wanted the

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Speaker 1: resources of LVM Major carrying this one. Okay, so Louise Wilson,

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Speaker 1: this one, Phoebe, this one, Christopher Caine, this one, elbra Albez.

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Speaker 1: I'm looking at A twelve. That's the designer, the designer Lomban.

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Speaker 1: You know, I don't know who these people are. You know,

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Speaker 1: these people are hell fucking not only do I not

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Speaker 1: know who they are, I don't give a fuck about

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Speaker 1: any of this fashion ship. Who the funk are you

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Speaker 1: talking about? Yeah? Who are you talking about? This? Motherfucker? Yo?

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Speaker 1: You know what you need to do go to your

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Speaker 1: record collection and digging them fucking crates and make some

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Speaker 1: fucking beats and do that ship. You You know you're

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Speaker 1: talking about your twenty one Grammys. You have twenty one Grammys. Grays,

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Speaker 1: you know how many Marvin Gay has I think he

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Speaker 1: has two. So you're more prolific than Marvin Gay. Your

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Speaker 1: music is more important you're, you're, you're you You're, You're

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Speaker 1: better than Marvin Gay. Taylor Swift has more fucking Grammys

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Speaker 1: than Marvin Gay. Fuck these Grammys. Fuck these Grammys. These

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Speaker 1: Grammys don't mean shit. I know you can say, well, Mike,

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Speaker 1: you don't make the fuck these Grammys. Man, who give

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Speaker 1: the funk about a cut? Damn? I don't give a

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Speaker 1: funk about the Grammys. I don't give a funk about

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Speaker 1: any of that fashion ship. Kanye West is sporn from

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Speaker 1: hip hop, and I know, motherfucker's in hip hop. They

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Speaker 1: talk about Gucci, Gucci that. But Joe, you're taking it.

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Speaker 1: You're taking it to some other ship. You you, you're,

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Speaker 1: you're conforming. He's like, the most proudest moment I had

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Speaker 1: was his Adita's fashion show, and but Nike. Nike said, Yo,

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Speaker 1: we're not working with you. So first of all, let's

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Speaker 1: just keep it real. If you're gonna do something with

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Speaker 1: a sports where company, you want to funk with Nike.

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Speaker 1: He had some Nikes last year. They were all red,

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Speaker 1: called Red October's or Red Dawns or read something, and

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Speaker 1: they sell and it's like a big deal. He's like

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Speaker 1: so proud that they sell for five thousand dollars online.

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Speaker 1: Who can Who gives a ship? It's a fucking winter.

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Speaker 1: I'm not wearing five thousand dollar pair of sneakers, and

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Speaker 1: people like I want them and to keep them, Gonna

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Speaker 1: sell them later. This fashion ship and this, these furs

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Speaker 1: and you know in this this jacket and that jacket

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Speaker 1: and yo, the reality of motherfucker's are trying to fucking

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Speaker 1: get to work and get the funk back to work,

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Speaker 1: safe and warm, warm, safe and warm. That's why they

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Speaker 1: rocked north face, north facing fucking American giant fucking hoodies.

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Speaker 1: They don't like. The motherfucker's are thinking about that ship

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Speaker 1: on the train, on the bus, walking in the streets,

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Speaker 1: and when it's eleven o'clock at night and it's brick cold,

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Speaker 1: you're not thinking about your fucking who. Who's this designer

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Speaker 1: and he's the mold of this and the elements of

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Speaker 1: the all that bullshit? Man? How many feathers they got

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Speaker 1: in the motherfucking coat? How many feathers do this got

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Speaker 1: in the motherfucking coat? What's the goose count? When it's

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Speaker 1: fucking nine below, I'm not thinking about all that flys

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Speaker 1: ship I fell in the snow, this week, I fucking

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Speaker 1: slipped and bust my ass. Now if I was wearing

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Speaker 1: some fucking ship, and and I'm laying down checking to

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Speaker 1: make sure I didn't break my fucking hip or or

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Speaker 1: break my fucking wrists, and I'm laying in a puddle

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Speaker 1: of shit, I'm not thinking about all that fashion ship.

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Speaker 1: So this is what my my my point is to Kanye,

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Speaker 1: I funk with you. I funk with your music. I'm

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Speaker 1: not out with all this fashion ship. The majority of

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Speaker 1: the fucking world is not with all this fashion ship.

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Speaker 1: You know, this guy said everything I said would happened happened.

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Speaker 1: He thinks he's like on some other ship. Stop singing too, Man,

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Speaker 1: who told you you could sing? That's all I want

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Speaker 1: to know. Who told this motherfucker he could sing. I

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Speaker 1: don't know who told him he could sing, because that

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Speaker 1: ship is terrible. Yo, off no off key. Singing is

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Speaker 1: is stop. If you keep talking about the artistry in

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Speaker 1: the art form, you're just fucking disrespecting singing, and you're

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Speaker 1: disrespecting great singers. Have John Legend, that's your man. Have

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Speaker 1: him come sing. Get Stevie wondering there to stick. It's

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Speaker 1: like me singing, sing sing Gerald well, ship man, get

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Speaker 1: the Sandman out here to fucking hook you off the stage.

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Speaker 1: But who's telling him you can't tell him ship. That's

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Speaker 1: probably Bruce jenn and the motherfucker's Bruce Jenner is like, yeah,

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Speaker 1: I like that, Yeah, it's great. Jenner's like, yeah, it's great.

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Speaker 1: That's about my granddaughter. And Bruce. You see, you see

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Speaker 1: Paul McCarney that song that he did with Paul McCarney.

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Speaker 1: Paul McCarney didn't get on there. Paul McCarney was probably like,

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Speaker 1: what the fund is this guy doing? He didn't get on,

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Speaker 1: he didn't sing on there. He's not singing, it's just him.

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Speaker 1: It's an auto tuned And then he performed it live,

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Speaker 1: once with auto tunes and once without. It sounded like

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Speaker 1: a fucking ship show. That must be the ship I

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Speaker 1: heard on a radio. It's ship, my daughter. We were

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Speaker 1: laughing at it. Your daughter, it's it's ship, it's ship.

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Speaker 1: Paul McCarney was like, I'm not fucking what the fund

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Speaker 1: is going on here. Paul should have said, YO, nixed

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Speaker 1: the deal. I'm not man, take my name off that

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Speaker 1: fucking track. This is bullshit. I'm not with this fashion ship.

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Speaker 1: I'm so over it, and it has nothing to do

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Speaker 1: with age. Ralph Lauren is a fucking nineties six. The

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Speaker 1: guy's like a fucking a walking corpse. So that's nothing

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Speaker 1: to do with age. All that fashion ship, or is it?

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Speaker 1: It's for the hot the halves and the have nots,

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Speaker 1: and and and and and and the fucking sneakers and

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Speaker 1: the three dollar jeans and all that bullshit. It is bullshit.

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Speaker 1: It's whack. It's it's fucking the most indicative materialistic bullshit.

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Speaker 1: It's the most it's so for the halves and the exclusives,

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Speaker 1: you could only get them. They're exclusive. He said some

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Speaker 1: bullshit about man. I listen, where is this one sucking

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Speaker 1: from Lake Shore d He's from Chicago? Well he's from

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Speaker 1: he can I'm from Chicago, he says, Oh, I'm from

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Speaker 1: Don't worry. I could get back on my Chicago ship.

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Speaker 1: You're not fighting the paparazzi, which brought us to the

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Speaker 1: other point. We said, TMZ, we've given you the recommendation.

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Speaker 1: If you want to shut down these belligerent actors pop singers,

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Speaker 1: you hire some ex bloods, some x cripts, some jail

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Speaker 1: people that just got out of jail that are looking

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Speaker 1: for a fucking come up, come up and and and

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Speaker 1: looking to change your life. Do a background check on him,

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Speaker 1: give them a camera and then have them chase these

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Speaker 1: fucking stars. You'll get every fucking interview you want. You

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00:18:08,640 --> 00:18:11,760
Speaker 1: will have no problems. Halle Berry's husband, he's not gonna

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Speaker 1: He's not swinging on Dusto, who just got out of

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Speaker 1: jail for thirteen years for armed robberty from from Missouri.

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Speaker 1: Dust So that's my new paparazzi TMZ. I'm giving you

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Speaker 1: a fucking tip. Give him a fucking job, t MC

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Speaker 1: and these stars. Halle Berry's husband, he's not doing jack.

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Speaker 1: He'd be swinging on Hallie Berry's husband wanting to fight paparazzi.

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Speaker 1: But I never understood if you in you you you're

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Speaker 1: a star. Don't you want your pictures taken? Or not

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Speaker 1: with my kids, not with my kids, or you don't

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Speaker 1: you don't determine it, motherfucker. You don't. Don't. Now you

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00:18:50,440 --> 00:18:53,639
Speaker 1: want it, and now you don't that this part of

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00:18:53,680 --> 00:18:57,359
Speaker 1: the fucking business. U. Somebody rushing me. I just dropped

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Speaker 1: the cab and be like, what right, what ain't the

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Speaker 1: more pictures? Now we're gonna square off. You should be

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Speaker 1: a TMZ photographer. Hook that up black, Yo, you would

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00:19:05,720 --> 00:19:07,960
Speaker 1: do that right. I love to fight one of these

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Speaker 1: motherfucker's Yo, TMZ. We're looking at fucking employ ex cons

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Speaker 1: that are trying to turn their life around. We want

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00:19:16,800 --> 00:19:19,560
Speaker 1: to start a program with you and TMZ. You will

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Speaker 1: never have a fucking peep. Let the fucking x cons

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Speaker 1: show up with their fucking their fucking jeans on their

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Speaker 1: fucking knees and the fucking white T shirt, three white,

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Speaker 1: black Spanish, all of them high are all different races

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Speaker 1: of ex criminals that want to improve their life and

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Speaker 1: turn their life around. Kanye is not gonna do shit

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Speaker 1: the o G endowment. Alec Baldwin, You'll never fucking hear you.

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Speaker 1: Not only will you never hear a people. When the

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00:19:51,760 --> 00:19:54,000
Speaker 1: guy sticks to Mike and Alec Bowen's face, he's gonna

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00:19:54,000 --> 00:19:55,679
Speaker 1: be like a Yo, Alec Ballman, I gotta ask you

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Speaker 1: this question real quick. He's gonna answer the fucking question

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00:19:58,760 --> 00:20:01,520
Speaker 1: all the time. We are trying to tell you to

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Speaker 1: do this ship, Kanye West, go digging the fucking crates,

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Speaker 1: Stop making techno music, stop making fucking world music. You're

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Speaker 1: a hip hop The reason why you're rich is because

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Speaker 1: of hip hop. Do it for hip hop. Stop talking

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Speaker 1: about this fashion ship. Fashion. Hip hop has its own fashion.

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Speaker 1: Why do you want to be on the runways of Paris?

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Speaker 1: Why do you want to be on the runways of London?

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Speaker 1: Why do you want to be on the New York

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Speaker 1: City Fashion Show? Do do your fashion show in the Bronx.

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Speaker 1: I'm just having you do it in Chicago. Do your

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Speaker 1: old fashion do it on Cedric Conceitar. Do the fashion

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Speaker 1: show up in the b X where where we're hip

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Speaker 1: hop which spawns you? And you want to do your

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Speaker 1: fashion shows here in New York City downtown with Anne

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Speaker 1: wind Tour and all these fashion people that nobody knows

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00:20:45,280 --> 00:20:47,879
Speaker 1: who the funk they are. Do that ship on the

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Speaker 1: South side of Chicago. You keep talking about you're from Chicago,

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Speaker 1: You're from Chicago. Why aren't you doing your fashion shows

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Speaker 1: in the hood? Why? Why? Why not? Why not? Why not?

344
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Speaker 1: Why is it down there with the fucking why heads?

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00:21:01,000 --> 00:21:04,560
Speaker 1: Break it down and stop running up on stage and

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Speaker 1: stealing cats thunders, stealing their moments. You know you can't

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00:21:08,320 --> 00:21:10,840
Speaker 1: hold Beck's jock strap When it comes to musicaley that

348
00:21:10,840 --> 00:21:14,920
Speaker 1: guy plays all his fucking instruments. You cannot hold Beck's

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Speaker 1: fucking jockstrap. The guy plays the drums, the guitar, the

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Speaker 1: fucking clarinet, the fucking who. I don't know if he

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Speaker 1: plays all that, but he plays every all the instruments

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00:21:24,400 --> 00:21:25,960
Speaker 1: on his album. He did it, and you're saying the

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Speaker 1: artistry of what he did, and you never you know

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Speaker 1: what he admitted when he made that fucking thing at

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Speaker 1: the Grammys. He never heard Beck's album. I don't give

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Speaker 1: a funk about Beck, and you ran up on him.

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00:21:35,800 --> 00:21:39,000
Speaker 1: If m O P won the Grammy, you wouldn't have

358
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Speaker 1: ran up there. And I don't care if MLP made

359
00:21:40,960 --> 00:21:43,800
Speaker 1: it the worst fucking record they've ever you wouldn't have

360
00:21:43,840 --> 00:21:46,679
Speaker 1: run up there on the brothers, Fizzy Wolmack and him.

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00:21:46,720 --> 00:21:50,560
Speaker 1: You would never be caught on the stage with the

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Speaker 1: disrespecting their moments. I don't give a funk if they

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Speaker 1: made the shittiest album. If the Wu Tang Clan won

364
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Speaker 1: the Grammy, you wouldn't have fucking and you thought that

365
00:22:00,520 --> 00:22:03,240
Speaker 1: Beyonce should have wanted. What the funk were you gonna do?

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00:22:03,320 --> 00:22:07,480
Speaker 1: Run up there with ghosts? Are you her spokesperson? You

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00:22:07,560 --> 00:22:11,919
Speaker 1: know her husband? Your ass down, Man, sit your ass down,

368
00:22:12,160 --> 00:22:14,879
Speaker 1: or run up there when m O P wins that ship,

369
00:22:15,040 --> 00:22:17,320
Speaker 1: or do it to some of these young dudes. Some

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00:22:17,359 --> 00:22:20,480
Speaker 1: of these young ASAP dude, they're not Yo. They're not

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Speaker 1: gonna have that bullshit action Bronson and they're not having

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00:22:24,200 --> 00:22:27,359
Speaker 1: that bullshit ghost Face Killer. You go up there with YO,

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Speaker 1: he's gonna kick you in your fucking head and he's not.

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Speaker 1: And when he kicks you, he's not wearing the fucking Yeasys.

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Speaker 1: He's wearing some fucking Timberland boots because Ghost is on

376
00:22:36,000 --> 00:22:38,920
Speaker 1: that hip hop ship. He's not wearing some three fifty

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00:22:38,960 --> 00:22:44,120
Speaker 1: dollar fucking star Trek fucking truth suit bullshit. And the leotard's,

378
00:22:44,280 --> 00:22:47,479
Speaker 1: the fucking leotards and the kilts. What about you might

379
00:22:47,480 --> 00:22:51,280
Speaker 1: as well make long John's, make some winters ship. Yeah,

380
00:22:52,160 --> 00:22:55,440
Speaker 1: these are these are four hundred seventy long John's. That's

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Speaker 1: what I need. You won't feel ship, You won't feel ship.

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00:22:59,080 --> 00:23:02,680
Speaker 1: You're fucking balls. Be secure. Do that hundred dollars T

383
00:23:02,880 --> 00:23:04,919
Speaker 1: shirts and all that. He made a hundred dollar all

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00:23:04,960 --> 00:23:08,240
Speaker 1: white T shirts. Get the funk out of here, man,

385
00:23:08,240 --> 00:23:11,400
Speaker 1: Get the funk out of here with that hunt. Get

386
00:23:11,400 --> 00:23:13,560
Speaker 1: the funk out of here. So, Kanye, you need to

387
00:23:13,560 --> 00:23:16,080
Speaker 1: cut the bullshit. Put out some good music. Put out

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00:23:16,080 --> 00:23:19,439
Speaker 1: some fucking hip hop music, because the fucking music you

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00:23:19,520 --> 00:23:23,240
Speaker 1: keep the culture. The culture. It's suffering because fucking great

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00:23:23,359 --> 00:23:27,480
Speaker 1: artists like yourself, great musicians like yourself, have abandoned hip hop.

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00:23:27,720 --> 00:23:31,200
Speaker 1: You've abandoned what made you who you are. You want

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00:23:31,200 --> 00:23:34,399
Speaker 1: to expand and expand, he said, And we're losing the funk.

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00:23:34,560 --> 00:23:38,880
Speaker 1: We're losing the funding that fun losing in a few minutes. Yeah,

394
00:23:38,880 --> 00:23:40,720
Speaker 1: and you're gonna be old too in a minute, and

395
00:23:40,720 --> 00:23:42,639
Speaker 1: you're gonna be out of the fucking mix. We like

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00:23:42,720 --> 00:23:45,600
Speaker 1: funky beats to make our heads nod. Funky beats and

397
00:23:45,640 --> 00:23:49,000
Speaker 1: make our heads. No, no bulls, not no fucking We're

398
00:23:49,000 --> 00:23:51,640
Speaker 1: not in Israel, No disrespect to my people over there.

399
00:23:51,840 --> 00:23:54,840
Speaker 1: We're not in Greece. Don't make mood music for people, increase,

400
00:23:55,040 --> 00:23:57,120
Speaker 1: make music for the people that are walking the streets

401
00:23:57,160 --> 00:23:59,240
Speaker 1: and freezing their fucking ass off. This is the I

402
00:23:59,440 --> 00:24:09,400
Speaker 1: N Wrappable podcast. And we'll be right back after this. Yo.

403
00:24:10,080 --> 00:24:12,760
Speaker 1: That was I got rolled up with the Kanye shit. Yo.

404
00:24:13,920 --> 00:24:20,240
Speaker 1: You should so a great, great, great great fixture in

405
00:24:20,280 --> 00:24:26,880
Speaker 1: New York sports Anthony Mason played for the Knicks during

406
00:24:26,920 --> 00:24:33,199
Speaker 1: the nineties. Queen's Bread passed away of a heart attack.

407
00:24:33,359 --> 00:24:36,360
Speaker 1: It's a very big dude. You know. I saw Anthony

408
00:24:36,400 --> 00:24:38,840
Speaker 1: Mason at the Jets game earlier this year and you

409
00:24:38,960 --> 00:24:41,200
Speaker 1: just you know, he's so big, but you just didn't

410
00:24:41,240 --> 00:24:47,560
Speaker 1: look healthy. So unfortunately heart heart failure. This this is

411
00:24:47,560 --> 00:24:54,159
Speaker 1: a guy that represented New York on those great early

412
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Speaker 1: nineties later nineties Knicks teams. A fucking guy with six

413
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Speaker 1: six he must the way to seventy to eighty, built

414
00:25:01,840 --> 00:25:05,480
Speaker 1: like a fucking brit shit house. I read a quote

415
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Speaker 1: somebody said watching Anthony Mason play basketball was like watching

416
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Speaker 1: a truck to ballet. I thought that was great. That

417
00:25:14,240 --> 00:25:17,760
Speaker 1: that that really somebody said that on on on Twitter.

418
00:25:17,960 --> 00:25:20,960
Speaker 1: Watching Anthony Mason played basketball was like watching a truck

419
00:25:21,359 --> 00:25:24,840
Speaker 1: play ballet. He he at one point was the point

420
00:25:24,840 --> 00:25:27,480
Speaker 1: guard for the Knicks when Don Nelson was the coach,

421
00:25:27,800 --> 00:25:33,320
Speaker 1: and he was like literally like a defensive lineman. Huge, tough,

422
00:25:34,960 --> 00:25:39,840
Speaker 1: personified New York, personified everything that's good about New York,

423
00:25:39,880 --> 00:25:43,560
Speaker 1: personified everything New Yorkers strived to be. Tough, hard nosed,

424
00:25:44,280 --> 00:25:51,240
Speaker 1: never give up, never say die, all purpose, rugged, New

425
00:25:51,320 --> 00:25:58,400
Speaker 1: Yorker during those teams John Starks, Charles Oakley, Patrick Ewing, Anthony,

426
00:25:58,680 --> 00:26:01,879
Speaker 1: Greg Anthony. I mean, this was a team that you

427
00:26:01,960 --> 00:26:04,480
Speaker 1: could stand behind. This is a team and this is

428
00:26:04,480 --> 00:26:08,720
Speaker 1: why like certain players like John Starks will always have

429
00:26:08,840 --> 00:26:13,160
Speaker 1: a career with the Knicks and always have a job

430
00:26:13,200 --> 00:26:17,119
Speaker 1: in New York because, Yo, it wasn't this guy won't

431
00:26:17,119 --> 00:26:19,040
Speaker 1: even be mentioned in one of the all time greats.

432
00:26:19,280 --> 00:26:22,480
Speaker 1: But for New Yorkers, the way he played, how hard

433
00:26:22,560 --> 00:26:27,640
Speaker 1: he played that whole team and Anthony Mason and Charles Oakley,

434
00:26:27,760 --> 00:26:31,840
Speaker 1: you didn't want to come down the lane with Anthony Mason.

435
00:26:32,280 --> 00:26:36,240
Speaker 1: He looks like he could function up. He was about it. Tough,

436
00:26:36,720 --> 00:26:41,160
Speaker 1: hard nose basketball, which is what New Yorkers. That's all

437
00:26:41,200 --> 00:26:44,240
Speaker 1: we want, you we we we of course we want titles,

438
00:26:44,240 --> 00:26:46,959
Speaker 1: of course we want to win. But at the end

439
00:26:46,960 --> 00:26:49,080
Speaker 1: of the day, you could stand behind the team that

440
00:26:49,119 --> 00:26:52,680
Speaker 1: fucking goes down on his shield. And Anthony Mason represented

441
00:26:52,720 --> 00:26:56,399
Speaker 1: all that ship. He had great ball handling skills for

442
00:26:56,440 --> 00:26:59,320
Speaker 1: a big guy, great passing skills for a big He

443
00:26:59,359 --> 00:27:02,119
Speaker 1: played point forward. He was two. He had to be

444
00:27:02,160 --> 00:27:08,800
Speaker 1: at some point two pounds six six, good handles, he

445
00:27:08,840 --> 00:27:10,800
Speaker 1: could shake, he could he could, he could do all

446
00:27:10,800 --> 00:27:12,560
Speaker 1: that ship. He's in the post, had a nice little

447
00:27:12,640 --> 00:27:19,199
Speaker 1: jump shot, enforcer set, smashing picks and just you know,

448
00:27:19,640 --> 00:27:24,440
Speaker 1: passed away too soon. Man. I mean, yeah, it's it's sad,

449
00:27:24,480 --> 00:27:27,880
Speaker 1: and it's it's scary because you start to think, like, like,

450
00:27:28,040 --> 00:27:30,960
Speaker 1: you know, he's forty eight, I'm forty five. I went

451
00:27:31,000 --> 00:27:36,639
Speaker 1: to a Miami Heat game once. The Heat We're playing

452
00:27:36,680 --> 00:27:41,119
Speaker 1: the Utah Jazz and at this point pat Riley had

453
00:27:41,200 --> 00:27:44,600
Speaker 1: left the Knicks and at one point Anthony Mason went

454
00:27:44,680 --> 00:27:48,120
Speaker 1: down there. He was actually All Star and six Man

455
00:27:48,160 --> 00:27:50,639
Speaker 1: of the Year down there. I think he was second

456
00:27:50,640 --> 00:27:52,159
Speaker 1: on the team and scoring. But I went to this

457
00:27:52,200 --> 00:27:56,640
Speaker 1: game on on a Humble. They were playing against Karl

458
00:27:56,640 --> 00:27:59,080
Speaker 1: Malone and them, and I had loved Mason and he

459
00:27:59,119 --> 00:28:01,439
Speaker 1: had seen me a game. He had met him in

460
00:28:01,480 --> 00:28:04,399
Speaker 1: passing before. I never knew him, but he knew. I

461
00:28:04,480 --> 00:28:06,240
Speaker 1: was in New York, dude, and I was a Knicks fan.

462
00:28:06,560 --> 00:28:09,439
Speaker 1: I was talking so much carme alone had thrown an

463
00:28:09,440 --> 00:28:12,479
Speaker 1: elbow at somebody, and I was like, Mason was right

464
00:28:12,520 --> 00:28:14,040
Speaker 1: in front of me. I had great seats and I

465
00:28:14,080 --> 00:28:16,240
Speaker 1: was like, dude, that ship to Mace. You're not doing

466
00:28:16,240 --> 00:28:18,080
Speaker 1: that ship to Mace. Karm alone. You don't want to

467
00:28:18,119 --> 00:28:19,880
Speaker 1: do that ship to Mace. And at one point makes

468
00:28:19,920 --> 00:28:23,119
Speaker 1: literally turned around and laughed at me and winked at me.

469
00:28:23,400 --> 00:28:25,480
Speaker 1: And pat Riley had heard me talking so much, I

470
00:28:25,520 --> 00:28:28,280
Speaker 1: gotta invite over to his house for dinner. Damn well,

471
00:28:28,520 --> 00:28:30,760
Speaker 1: I was, I was going hard, but it was really

472
00:28:30,800 --> 00:28:33,960
Speaker 1: I wasn't talking ship pro Miami more than I was.

473
00:28:34,760 --> 00:28:38,880
Speaker 1: I was fucking on karm alone. And and maybe he

474
00:28:38,960 --> 00:28:42,600
Speaker 1: wasn't doing any of that ship to fucking to Anthony Mason.

475
00:28:43,400 --> 00:28:46,680
Speaker 1: Nobody wanted any problems with Mason. If you posed in

476
00:28:46,720 --> 00:28:48,600
Speaker 1: front of Anthony Mason, like you wonder if you're just

477
00:28:48,640 --> 00:28:50,560
Speaker 1: doing it to save face, because that's not a guy

478
00:28:50,960 --> 00:28:53,920
Speaker 1: just his size alone, he had to fucking biceps. He

479
00:28:55,240 --> 00:28:58,080
Speaker 1: had an ass the size of a fucking coffee table.

480
00:28:59,040 --> 00:29:01,560
Speaker 1: I mean, he just wasn't built for basketball. But but

481
00:29:01,680 --> 00:29:05,040
Speaker 1: he was light on his feet and just and it

482
00:29:05,160 --> 00:29:08,600
Speaker 1: just seemed to love playing. Seemed to love playing for

483
00:29:08,640 --> 00:29:10,320
Speaker 1: the Knicks. You know, if you're from New York and

484
00:29:10,400 --> 00:29:12,920
Speaker 1: he was in the c B A first and you

485
00:29:12,920 --> 00:29:15,920
Speaker 1: know played overseas, I think in Turkey, and then you

486
00:29:15,960 --> 00:29:18,200
Speaker 1: played for the Knicks and you're from Queens like he

487
00:29:18,400 --> 00:29:21,280
Speaker 1: really like you could feel like he was like a

488
00:29:21,280 --> 00:29:23,400
Speaker 1: New Yorker playing for a New York team and he

489
00:29:23,440 --> 00:29:26,240
Speaker 1: appreciated and in the deep in the playoffs and against

490
00:29:26,360 --> 00:29:29,760
Speaker 1: Mike Michael Jordan's and Reggie Miller those they got the

491
00:29:29,760 --> 00:29:32,760
Speaker 1: better of those Knicks teams. But Yo, you left there

492
00:29:32,880 --> 00:29:36,840
Speaker 1: not wanting to come back. So Anthony Mason, listen, man,

493
00:29:37,920 --> 00:29:42,360
Speaker 1: your family, great New Yorker, proud to have you as

494
00:29:42,400 --> 00:29:47,120
Speaker 1: a Nick, Proud you representing New York so well. And

495
00:29:47,160 --> 00:29:50,240
Speaker 1: it's just, uh, it's just disappointing. Man, it's disappointing somebody

496
00:29:50,280 --> 00:29:53,160
Speaker 1: so young, and that somebody, somebody that meant so much

497
00:29:53,240 --> 00:29:56,680
Speaker 1: to so many people. You know, you had to go

498
00:29:56,840 --> 00:30:00,000
Speaker 1: because Anthony Mason, you were definitely you know, you're alleged

499
00:30:00,000 --> 00:30:03,000
Speaker 1: into New York and ship. We appreciate you here at

500
00:30:03,000 --> 00:30:05,800
Speaker 1: the Iron Rapport Podcast because you play basketball the way

501
00:30:06,000 --> 00:30:16,680
Speaker 1: we would hope to play basketball. All right, all right,

502
00:30:16,800 --> 00:30:21,160
Speaker 1: this is the I Am Rappaport podcast and we're back

503
00:30:22,600 --> 00:30:26,680
Speaker 1: Warren sapp Man. I'm a fan of his, great NFL player,

504
00:30:26,720 --> 00:30:29,440
Speaker 1: hall of famer, right, but he wasn't acting like a

505
00:30:29,480 --> 00:30:32,080
Speaker 1: Hall of famer. What did he do sitting at the

506
00:30:32,120 --> 00:30:38,160
Speaker 1: bar in Phoenix after the super Bowl. He is accompanied

507
00:30:38,840 --> 00:30:45,840
Speaker 1: by two whores and he drinks with them, buy some drinks,

508
00:30:46,160 --> 00:30:49,080
Speaker 1: and then he says, all the bars, the bars closing. Uh,

509
00:30:49,440 --> 00:30:54,080
Speaker 1: come up to my room. Wrong, right, So they go

510
00:30:54,160 --> 00:30:56,160
Speaker 1: up to his room. These are two little hustlers, right,

511
00:30:56,840 --> 00:31:02,920
Speaker 1: they gotta mark and he gives them three hundred dollars

512
00:31:02,960 --> 00:31:08,880
Speaker 1: a piece for sex acts, allegedly allegedly. I read the

513
00:31:08,880 --> 00:31:12,240
Speaker 1: police report. This is what it says, allegedly allegedly. So

514
00:31:13,480 --> 00:31:17,680
Speaker 1: he films one of them giving him Mike check. The

515
00:31:17,720 --> 00:31:25,120
Speaker 1: cops and Mike Check are also doome skull brain. Everybody

516
00:31:25,200 --> 00:31:28,600
Speaker 1: listens to the show, so you have to fucking uh

517
00:31:28,800 --> 00:31:32,200
Speaker 1: see old times, we just say what it is, right,

518
00:31:32,720 --> 00:31:39,320
Speaker 1: but hey, we know what it is. But the youngsters

519
00:31:39,360 --> 00:31:46,080
Speaker 1: that say skull right, give me some skull brain right.

520
00:31:47,000 --> 00:31:54,000
Speaker 1: It's so vulgar, but it's so he films this, damn

521
00:31:54,960 --> 00:31:58,920
Speaker 1: and then things go arrive for some reason. But this

522
00:31:59,040 --> 00:32:04,360
Speaker 1: is where I it. For give that woman whatever money

523
00:32:04,440 --> 00:32:09,400
Speaker 1: she asked, why fight with these? Why why are you

524
00:32:09,400 --> 00:32:12,040
Speaker 1: why are you trying to? If they asked, if you

525
00:32:12,080 --> 00:32:14,360
Speaker 1: give him three hunted and then they you know what

526
00:32:14,400 --> 00:32:17,640
Speaker 1: we want? The five hundred. You got five hunted, and

527
00:32:17,680 --> 00:32:19,640
Speaker 1: I'll give you five. I'll give you five, and you

528
00:32:19,800 --> 00:32:23,160
Speaker 1: five and fuck the sex. Just get the funk out

529
00:32:23,200 --> 00:32:25,240
Speaker 1: of the room and and I'll give you money for

530
00:32:25,240 --> 00:32:29,560
Speaker 1: a cab home. He's fighting with him in the hallway,

531
00:32:29,640 --> 00:32:34,120
Speaker 1: but as he's the police report said he was naked

532
00:32:34,160 --> 00:32:39,000
Speaker 1: in the fucking hallway. Shit, but luckily the door, his

533
00:32:39,120 --> 00:32:42,600
Speaker 1: door hadn't closed and locked. But he was in the

534
00:32:42,640 --> 00:32:47,560
Speaker 1: hallway for a minute fighting with these bitches naked. And

535
00:32:47,600 --> 00:32:53,200
Speaker 1: then somebody said, what the fuck you know when the

536
00:32:53,320 --> 00:32:56,520
Speaker 1: old time white motherfucker's in Phoenix. Right then they called

537
00:32:56,520 --> 00:33:02,560
Speaker 1: the cops, and that's it. Subsequent lee job lost. Everybody's

538
00:33:02,600 --> 00:33:06,360
Speaker 1: fucking bailing just to just to try to get my

539
00:33:06,600 --> 00:33:10,640
Speaker 1: check right and then and then if they're gonna hustle you,

540
00:33:10,640 --> 00:33:14,200
Speaker 1: you just got hustled. You gotta take that. Hell, they're

541
00:33:14,240 --> 00:33:16,480
Speaker 1: not gonna try to fucking they're not trying to kill you.

542
00:33:16,680 --> 00:33:19,680
Speaker 1: They probably wanted more money. And you should have said

543
00:33:19,720 --> 00:33:24,640
Speaker 1: you're already fucking up by dealing with prostitutes. And I'm

544
00:33:24,640 --> 00:33:27,840
Speaker 1: not with that. I've never that's never been my my, my, my,

545
00:33:27,840 --> 00:33:31,320
Speaker 1: my jag. After the Super Bowl, you mean to tell me,

546
00:33:31,360 --> 00:33:34,320
Speaker 1: in your years of playing in the NFL, you ain't

547
00:33:34,320 --> 00:33:38,520
Speaker 1: got a side piece and phoenix something something where you

548
00:33:38,520 --> 00:33:42,080
Speaker 1: could be trustworthy. Who's gonna bring holes to their rules,

549
00:33:42,160 --> 00:33:44,440
Speaker 1: sir and then argue with them but ass in the

550
00:33:44,480 --> 00:33:47,760
Speaker 1: hallway and be forcing them outside, give them what they want,

551
00:33:47,920 --> 00:33:49,320
Speaker 1: go to the A T M and say, Yo, I'm

552
00:33:49,320 --> 00:33:54,120
Speaker 1: gonna give your extra right Yo, y'are cool? Y'a front

553
00:33:55,120 --> 00:33:57,840
Speaker 1: this guy having a fist fight with these bitches in

554
00:33:57,880 --> 00:34:02,760
Speaker 1: the hallway. But Ass, you're supposed to lose everything, you know.

555
00:34:02,800 --> 00:34:05,320
Speaker 1: It's amazing about this conversation that we just had about

556
00:34:05,360 --> 00:34:08,239
Speaker 1: Warren Sapp. I don't know if you know where I'm

557
00:34:08,280 --> 00:34:10,400
Speaker 1: going with this, but I'll bet you some fucking listeners

558
00:34:10,440 --> 00:34:14,400
Speaker 1: do the conversation we just had with Warren Sapp about

559
00:34:14,800 --> 00:34:23,040
Speaker 1: him getting a mic check dome brain skull, we have

560
00:34:23,200 --> 00:34:28,319
Speaker 1: not said the word loaf, you see. We have not

561
00:34:28,360 --> 00:34:30,400
Speaker 1: said the word loaf. We said Warren Sapp was in

562
00:34:30,400 --> 00:34:36,000
Speaker 1: the hallway but ass naked, but we did not say

563
00:34:36,280 --> 00:34:40,760
Speaker 1: with his loaf out. See. And that's why the Iron

564
00:34:40,840 --> 00:34:44,160
Speaker 1: Rappa Poor podcast is special. I just I hate to

565
00:34:44,160 --> 00:34:47,120
Speaker 1: toot our own horns, but we we we we could

566
00:34:47,120 --> 00:34:52,200
Speaker 1: go a whole conversation without saying loaf, And then we

567
00:34:52,200 --> 00:34:56,960
Speaker 1: could also take that conversation into another conversation which is

568
00:34:57,040 --> 00:35:01,480
Speaker 1: actually about loafs and say the word nine or ten

569
00:35:01,600 --> 00:35:06,759
Speaker 1: times within fifty sixty seconds. And that is something to

570
00:35:06,840 --> 00:35:09,399
Speaker 1: me that I am proud of that this this this

571
00:35:09,560 --> 00:35:14,360
Speaker 1: podcast does no other podcast. We we can actually have

572
00:35:14,520 --> 00:35:20,120
Speaker 1: a segment of the show called loaf Talk and it's

573
00:35:20,200 --> 00:35:24,759
Speaker 1: no Bruno, do you understand what I'm saying? So well,

574
00:35:24,840 --> 00:35:27,560
Speaker 1: what what is the what is the the fallout? The

575
00:35:27,640 --> 00:35:33,160
Speaker 1: aftermouth of Warren sapp being in the hallway but asked

576
00:35:33,440 --> 00:35:39,680
Speaker 1: with with with the jump Off Chicks, NFL Network said goodbye,

577
00:35:39,560 --> 00:35:43,279
Speaker 1: ye some other sponsors he was doing, said we can't

578
00:35:43,280 --> 00:35:46,120
Speaker 1: have a fucking guy representing our company. He's fucking so

579
00:35:46,200 --> 00:35:54,520
Speaker 1: listening prostitutes shit just for some twenty dollar blowjob. You're

580
00:35:54,520 --> 00:35:57,880
Speaker 1: gonna lose your livelihood and things that you love to

581
00:35:57,960 --> 00:36:00,839
Speaker 1: do because he wasn't rocking it. If you don't got

582
00:36:00,880 --> 00:36:04,359
Speaker 1: a piece in Phoenix, you're gonna sunk with street holes

583
00:36:04,400 --> 00:36:07,319
Speaker 1: and bring them up to your room. You deserve to

584
00:36:07,440 --> 00:36:12,920
Speaker 1: be fucking uh filaid. That's a dumb move. You've deserved

585
00:36:12,960 --> 00:36:15,680
Speaker 1: to be filaid like a fish out there. Yo, you

586
00:36:15,760 --> 00:36:19,359
Speaker 1: put yourself out there now and you're filming these you're

587
00:36:19,360 --> 00:36:22,439
Speaker 1: filming these why are you filming it? Also? How old

588
00:36:22,440 --> 00:36:26,120
Speaker 1: are you filming? These? Holes? Who films their ship this

589
00:36:26,280 --> 00:36:28,840
Speaker 1: these days? You're you're you're you're gonna watch it on

590
00:36:28,880 --> 00:36:33,440
Speaker 1: the plane. Motherfucking You're filming yourself with prostitutes. You're you're

591
00:36:33,520 --> 00:36:37,879
Speaker 1: thirty something years old? For what show that? To show

592
00:36:37,920 --> 00:36:40,879
Speaker 1: your man, show TiO, to show your boy, like, yo,

593
00:36:40,960 --> 00:36:43,959
Speaker 1: look what I was doing with these prostitutes. Come on, man,

594
00:36:44,400 --> 00:36:47,640
Speaker 1: see see yo, Come on man, yo, yo, you get

595
00:36:47,640 --> 00:36:51,040
Speaker 1: a wigga please? Man warrant sap. You know, I'm sorry,

596
00:36:51,080 --> 00:36:54,280
Speaker 1: you get a wigga please? Behind that show you're bugging

597
00:36:54,360 --> 00:36:58,240
Speaker 1: men Like the fact that your wig prostitutes is whack.

598
00:36:59,120 --> 00:37:02,359
Speaker 1: The fact that you're filming yourself with prostitutes is just

599
00:37:02,520 --> 00:37:04,200
Speaker 1: bugged out. And then you had to give it to

600
00:37:04,239 --> 00:37:08,560
Speaker 1: the arresting office ship and the fact that that you

601
00:37:08,640 --> 00:37:12,040
Speaker 1: let things get awry and we're in the hallway somehow

602
00:37:12,080 --> 00:37:15,440
Speaker 1: you you you got into the hallway, but ass like,

603
00:37:15,480 --> 00:37:17,879
Speaker 1: how does that happen? You couldn't just throw on some

604
00:37:17,920 --> 00:37:21,600
Speaker 1: shorts like during the argument, you know what I mean?

605
00:37:21,600 --> 00:37:23,600
Speaker 1: If he was fighting. You know, if you were in

606
00:37:23,600 --> 00:37:25,600
Speaker 1: the if you're in the hallway, but ass you're you're

607
00:37:25,600 --> 00:37:28,560
Speaker 1: in a fucking in a melee. You're in a deep,

608
00:37:28,680 --> 00:37:33,800
Speaker 1: deep situation. Because I gotta tell you. In nineties six,

609
00:37:34,160 --> 00:37:39,719
Speaker 1: the earthquake in Los Angeles with my girl, same girl

610
00:37:39,760 --> 00:37:42,600
Speaker 1: I got now, wasn't with her, was with I don't

611
00:37:42,600 --> 00:37:45,520
Speaker 1: want to get into that what I've done. The earthquake hit.

612
00:37:46,320 --> 00:37:50,160
Speaker 1: The fucking house was shaking and baking, rattling and rolling,

613
00:37:50,360 --> 00:37:54,439
Speaker 1: scared ship. She literally pulled me out of the bed.

614
00:37:54,480 --> 00:37:58,360
Speaker 1: I was in a T shirt, okay, and my fucking

615
00:37:58,440 --> 00:38:05,040
Speaker 1: loaf fingo it is again was out. The house was shaking, shaking, shaking,

616
00:38:05,080 --> 00:38:07,279
Speaker 1: I mean, it was fucking scary. Things were falling out

617
00:38:07,320 --> 00:38:11,000
Speaker 1: of cabinet. It was scary. During this time, my neighbor

618
00:38:11,040 --> 00:38:13,920
Speaker 1: from upstairs, Jennifer, came downstairs in the apartment. She was

619
00:38:13,920 --> 00:38:20,560
Speaker 1: banging on the door, Michael, Michael, Michael. So she's like, help, help.

620
00:38:21,120 --> 00:38:23,960
Speaker 1: Before I went to the door with my shirt off

621
00:38:24,320 --> 00:38:26,800
Speaker 1: during the earthquake, I put on my fucking short I

622
00:38:26,840 --> 00:38:28,520
Speaker 1: had him near the bed. So when I answered the

623
00:38:28,560 --> 00:38:31,520
Speaker 1: door for Jennifer, who consequently had a bloody face, my

624
00:38:31,680 --> 00:38:36,120
Speaker 1: loaf ding ding ding. I did it again? Was covered,

625
00:38:36,880 --> 00:38:40,120
Speaker 1: So Warren sapped, you mean to tell me within the

626
00:38:40,840 --> 00:38:44,319
Speaker 1: fighting and argument with these women, you couldn't put on

627
00:38:44,360 --> 00:38:47,279
Speaker 1: some sweats, some underwear. You were butt ass. You're in

628
00:38:47,320 --> 00:38:50,800
Speaker 1: the Hall of Fame, in the hallway. It was a melee.

629
00:38:52,160 --> 00:38:54,480
Speaker 1: It was a fucking bum rush, is what it was.

630
00:38:54,600 --> 00:38:59,080
Speaker 1: He couldn't grab might have happened. This is what I

631
00:38:59,160 --> 00:39:03,080
Speaker 1: think might have happened. Okay, I don't know, but if

632
00:39:03,120 --> 00:39:06,279
Speaker 1: I was doing a guestimate, we can gather go. He

633
00:39:06,360 --> 00:39:10,920
Speaker 1: was getting his mike check, he was getting some skull,

634
00:39:11,080 --> 00:39:17,440
Speaker 1: some brain, some neck. Yeah, and he was filming them,

635
00:39:17,480 --> 00:39:19,279
Speaker 1: and I think the whole beef was around that. And

636
00:39:19,320 --> 00:39:21,520
Speaker 1: the girls was like, what the fund is you doing, motherfucker?

637
00:39:21,600 --> 00:39:23,640
Speaker 1: And he was like nothing, nothing, he was like, no, motherfucker,

638
00:39:24,000 --> 00:39:28,399
Speaker 1: you're filming. That's how That's what happened. But still within

639
00:39:28,440 --> 00:39:30,640
Speaker 1: all that, Number one, I would have told the girls,

640
00:39:30,760 --> 00:39:32,440
Speaker 1: you know what I was from, You know what, take

641
00:39:32,520 --> 00:39:35,200
Speaker 1: my phone, delete my phone. How much I said, I

642
00:39:35,239 --> 00:39:39,880
Speaker 1: was gonna give you the situation. He probably was belligerent

643
00:39:39,960 --> 00:39:42,239
Speaker 1: with him, and then and then the chicks are like, no,

644
00:39:42,440 --> 00:39:45,360
Speaker 1: fuck you, and they started making them a ruckets in

645
00:39:45,400 --> 00:39:48,759
Speaker 1: there and he's like calm, and maybe they're like trying

646
00:39:48,760 --> 00:39:51,480
Speaker 1: to kick him in his loaf, he said. The police

647
00:39:51,480 --> 00:39:55,040
Speaker 1: reports said, oh, the white chicks spit in his face,

648
00:39:56,040 --> 00:39:58,520
Speaker 1: and that's when he got belligerent. Yo, even if a

649
00:39:58,520 --> 00:40:00,880
Speaker 1: white chicks spit in my face, I'm not gonna be

650
00:40:00,920 --> 00:40:02,760
Speaker 1: in the hallway. I'm not gonna be in the hallway

651
00:40:02,760 --> 00:40:05,320
Speaker 1: but ass, I'm not gonna make it into the hallway.

652
00:40:05,360 --> 00:40:08,200
Speaker 1: But it's because if you are in the hallway but ass,

653
00:40:08,200 --> 00:40:09,880
Speaker 1: and you get locked out, and then you're really in

654
00:40:09,880 --> 00:40:12,680
Speaker 1: a vulnerable position, then then you're gonna be like walking

655
00:40:12,680 --> 00:40:18,680
Speaker 1: down the hallway but dinging, and you're gonna have to

656
00:40:18,719 --> 00:40:21,160
Speaker 1: go knocking on other people, and then you're already fucked

657
00:40:21,239 --> 00:40:23,759
Speaker 1: up in the game. Once you leave, once you're in

658
00:40:23,760 --> 00:40:26,360
Speaker 1: the hallway with your lowfout, you're you're in. You're in.

659
00:40:27,000 --> 00:40:30,560
Speaker 1: You're in trouble of something bad happening. You're a deep ship.

660
00:40:30,680 --> 00:40:33,000
Speaker 1: You're in deep ship. So you you funked up by

661
00:40:33,040 --> 00:40:36,359
Speaker 1: letting it get that far. This is the Iron rapp

662
00:40:36,400 --> 00:40:40,280
Speaker 1: Before podcast. I'm with my my co host Gimo Netti

663
00:40:40,320 --> 00:40:42,760
Speaker 1: in the place to be back from Bangkok. We are

664
00:40:42,800 --> 00:40:47,239
Speaker 1: we are sponsored by the American Giant Clothing Company. American

665
00:40:47,280 --> 00:40:52,000
Speaker 1: Giant Clothing apparel homemade in the United States, well crafted,

666
00:40:52,360 --> 00:40:55,439
Speaker 1: well made. I'm proud to say that that I'm doing

667
00:40:55,480 --> 00:40:58,040
Speaker 1: some other work with him. I directed a short film

668
00:40:58,160 --> 00:41:00,840
Speaker 1: that was fantastic. It's coming. People are gonna see it

669
00:41:00,840 --> 00:41:04,759
Speaker 1: on Freddie Roach and the wild Card Boxing Gym and

670
00:41:04,800 --> 00:41:09,719
Speaker 1: we'll have exclusive They made an exclusive wild Card American

671
00:41:09,719 --> 00:41:13,759
Speaker 1: Giant hoodie. Maybe we give one away. I gotta speak

672
00:41:13,800 --> 00:41:15,680
Speaker 1: to my people that maybe we give one away that

673
00:41:15,760 --> 00:41:20,080
Speaker 1: they've only made. It didn't even make five. They're fucking beautiful, tough,

674
00:41:20,760 --> 00:41:27,719
Speaker 1: fucking rugged, well made, good zippers, strong laces, manly, womanly,

675
00:41:28,640 --> 00:41:34,839
Speaker 1: well crafted sportswear. The American Giant Clothing Company Champion. Can't

676
00:41:34,840 --> 00:41:36,839
Speaker 1: funk with this ship, yo. The c Iron Wrap War

677
00:41:36,920 --> 00:41:45,759
Speaker 1: podcast will be right back ce Iron Wrapped four podcast.

678
00:41:46,160 --> 00:41:50,120
Speaker 1: We're Rocket Hard. I fucking was listening to you mand

679
00:41:50,160 --> 00:41:52,359
Speaker 1: me right. I heard you in Bangkok. You you heard

680
00:41:52,360 --> 00:41:54,719
Speaker 1: me over there? Whout you You missed the All Star Game.

681
00:41:54,760 --> 00:41:56,759
Speaker 1: People are still coming up to me about the All

682
00:41:56,760 --> 00:41:59,120
Speaker 1: Star Game. There's one thing you fucking went in on.

683
00:41:59,400 --> 00:42:01,359
Speaker 1: Oh what what was it? Thinks? But you kind of

684
00:42:01,400 --> 00:42:08,440
Speaker 1: glossed over. What was it this Brian Williams character. Oh, man, okay,

685
00:42:08,480 --> 00:42:14,600
Speaker 1: this is a lion, motherfucker speak on it. He said

686
00:42:14,719 --> 00:42:21,040
Speaker 1: he was in the helicopters that took fire in Iraq.

687
00:42:21,600 --> 00:42:26,360
Speaker 1: Damn right. The motherfucker's that was in that helicopter said

688
00:42:26,800 --> 00:42:31,240
Speaker 1: he didn't come He came in another helicopter hour later.

689
00:42:32,040 --> 00:42:37,480
Speaker 1: Right now, NBC finds this ship out. You know what

690
00:42:37,560 --> 00:42:41,480
Speaker 1: this motherfucker says. Listen, listen to arrogance of Brian Williams,

691
00:42:41,560 --> 00:42:44,439
Speaker 1: which is what. Oh, I'm gonna take myself off the air.

692
00:42:44,560 --> 00:42:48,400
Speaker 1: Oh you get determined to the boss? Is your punishment

693
00:42:48,680 --> 00:42:52,520
Speaker 1: after you lying and your credibility is shocked, and you're

694
00:42:52,520 --> 00:42:56,080
Speaker 1: gonna tell the boss. I'm gonna punish myself for three days.

695
00:42:56,880 --> 00:43:00,879
Speaker 1: You see, I would give him the truth. You're five, motherfucker.

696
00:43:02,040 --> 00:43:05,280
Speaker 1: That's the truth. You've been lying at all the fucking times.

697
00:43:05,360 --> 00:43:08,640
Speaker 1: Now you're fucking fired. Here's the truth. That's the real

698
00:43:08,680 --> 00:43:14,000
Speaker 1: ship the funk out of here? Hey, why is that motherfucker?

699
00:43:14,360 --> 00:43:16,839
Speaker 1: You know? Brian? I like Brian Williams. Soon I fun

700
00:43:16,920 --> 00:43:21,279
Speaker 1: with Brian was you know is he's coming back? I

701
00:43:21,400 --> 00:43:23,160
Speaker 1: think and they know when he comes back he'll be

702
00:43:23,239 --> 00:43:26,640
Speaker 1: more popular than ever. That's why they're not firing him. No,

703
00:43:26,800 --> 00:43:28,920
Speaker 1: they may know. They're not gonna fall out of his

704
00:43:29,000 --> 00:43:35,160
Speaker 1: stories that they're finding out our bullshit. Allegedly, the old

705
00:43:35,239 --> 00:43:37,200
Speaker 1: time is in red He said he got stuck up

706
00:43:37,239 --> 00:43:40,239
Speaker 1: in Red Bank, New Jersey. Red Bank, New Jersey is

707
00:43:40,280 --> 00:43:43,200
Speaker 1: like Mallible. The old time is there, said, Yo, that's

708
00:43:43,239 --> 00:43:45,239
Speaker 1: hard to believe. We know we didn't have a crime

709
00:43:45,280 --> 00:43:48,080
Speaker 1: in this fucking community in forty years. Is that where

710
00:43:48,080 --> 00:43:50,400
Speaker 1: he grew up? Yeah, he said, Yo. Somebody stuck a

711
00:43:50,440 --> 00:43:53,719
Speaker 1: gun in his face and took So now they're questioning that,

712
00:43:53,760 --> 00:43:56,560
Speaker 1: they're already fucking they're not gonna fire him. I'm telling

713
00:43:56,560 --> 00:43:58,600
Speaker 1: you're not gonna find him. This is my prediction because

714
00:43:59,800 --> 00:44:02,960
Speaker 1: when he comes back, the ratings are gonna be through

715
00:44:03,000 --> 00:44:06,040
Speaker 1: the roof, of course, and if he goes to another

716
00:44:06,080 --> 00:44:08,279
Speaker 1: network then they get to benefit from it. So they're

717
00:44:08,320 --> 00:44:10,200
Speaker 1: gonna be like, you know what, We're gonna put him

718
00:44:10,239 --> 00:44:12,600
Speaker 1: on ice for a few months, I don't know how long,

719
00:44:12,840 --> 00:44:14,960
Speaker 1: and they're gonna put him back. He's gonna be back.

720
00:44:16,239 --> 00:44:20,960
Speaker 1: America likes Brian, but he's a lion motherfucker. Yeah, man,

721
00:44:21,000 --> 00:44:23,120
Speaker 1: why don't you guys. Just have me and Gerald do

722
00:44:23,200 --> 00:44:27,000
Speaker 1: the news. Just feed us the information, and we're gonna

723
00:44:27,040 --> 00:44:29,279
Speaker 1: tell ship and we're gonna funk it up a lot

724
00:44:29,320 --> 00:44:33,879
Speaker 1: of times, and we're gonna miss misrepresent things, and we're

725
00:44:33,920 --> 00:44:37,960
Speaker 1: going to not fact check, and we're gonna say things wrong,

726
00:44:38,080 --> 00:44:42,240
Speaker 1: and we're gonna give partial truths and partial fucking stories.

727
00:44:42,360 --> 00:44:45,080
Speaker 1: But it'll be fun and entertaining. Don't you think I

728
00:44:45,200 --> 00:44:47,880
Speaker 1: know it would be. I want to be fuck Cable,

729
00:44:48,120 --> 00:44:51,280
Speaker 1: fuck these podcasts. I want to get on fucking NBC News.

730
00:44:51,360 --> 00:44:53,680
Speaker 1: You and me, let's go for the big time. Why

731
00:44:53,719 --> 00:44:56,600
Speaker 1: limit ourselves too? Oh, we're just for the podcast. I

732
00:44:56,640 --> 00:44:59,439
Speaker 1: think we should put that out there. Okay, We've put

733
00:44:59,440 --> 00:45:01,480
Speaker 1: it out there that we wanted to funk with Snapple.

734
00:45:01,560 --> 00:45:03,000
Speaker 1: We put it out there. Do we want to funk

735
00:45:03,000 --> 00:45:04,840
Speaker 1: with New Balance? We put it out there that we

736
00:45:04,840 --> 00:45:09,200
Speaker 1: want to funk with our real sponsor, American Giant. We

737
00:45:09,239 --> 00:45:10,799
Speaker 1: want to put it out there now that we want

738
00:45:10,800 --> 00:45:13,680
Speaker 1: to be on fucking NBC News. Is that far fetched dream?

739
00:45:13,880 --> 00:45:17,200
Speaker 1: I have a dreamy Black history mom. I've done so

740
00:45:17,280 --> 00:45:19,279
Speaker 1: much in the podcast world. Me and Gerald are ready

741
00:45:19,320 --> 00:45:22,080
Speaker 1: for fucking prime time. We want to do the NBC

742
00:45:22,320 --> 00:45:25,239
Speaker 1: nightly news at six thirty. Is that is that is that?

743
00:45:25,320 --> 00:45:28,719
Speaker 1: Can that happen? Somebody need to make it happen. Make

744
00:45:28,760 --> 00:45:31,000
Speaker 1: it happen. Man. We will do a good job. Man,

745
00:45:31,120 --> 00:45:33,960
Speaker 1: we will do a good job. Fucking we will will.

746
00:45:34,000 --> 00:45:36,680
Speaker 1: We'll get you the news well and we'll have a

747
00:45:36,719 --> 00:45:39,440
Speaker 1: good time. We'll do man on the street ship, we'll go.

748
00:45:39,440 --> 00:45:43,360
Speaker 1: Imagine you and me we go to like Turkey, you

749
00:45:43,400 --> 00:45:47,080
Speaker 1: and mean we go to fucking like Israel. You talk

750
00:45:47,120 --> 00:45:49,760
Speaker 1: about comedy, that'd be a good show. Talk about comedy,

751
00:45:50,320 --> 00:45:52,000
Speaker 1: that would be a really good show. We should do

752
00:45:52,040 --> 00:45:54,719
Speaker 1: the nightly fucking news. I'm putting it out there. It's

753
00:45:54,719 --> 00:46:03,600
Speaker 1: the I N Wrap Poor podcast. We out at a