WEBVTT - #296: Chubby Glutes

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<v Speaker 1>Start Up, dot Up, start Up, Brooklyn.

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<v Speaker 2>Boys, start Up, Brooklyn Boys, start up.

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<v Speaker 1>Up, dot Up. They making noise, dot up, start up up,

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<v Speaker 1>Dadas dot up. Episode two ninety six of the Brooklyn

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<v Speaker 1>Boys Podcast. Oh my god, we're getting so close to

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<v Speaker 1>two hundred three hundred even, Look, we just got one

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<v Speaker 1>hundred closer. I was gonna say, we're getting further away

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<v Speaker 1>from two hundred. Yeah, I mean, do you want to

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<v Speaker 1>relive the last ninety six episodes? Not right now, but

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<v Speaker 1>I will in that point.

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<v Speaker 3>All right.

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<v Speaker 4>That sounds like a plan. I'm cool with that, are you?

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<v Speaker 1>Yeah?

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<v Speaker 4>Yeah, yeah, I'm fine with that.

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<v Speaker 1>How you doing today?

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<v Speaker 4>Not the beautiful sunny day?

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<v Speaker 1>Scary's got a rooftop dinner planned, which is why we're

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<v Speaker 1>recording in the afternoon on Thursday.

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<v Speaker 4>Yeah.

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<v Speaker 1>Do I have a dinner plant? You bet, I have

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<v Speaker 1>a fucking dinner plan. After what you put me through,

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<v Speaker 1>I have dinner coming up later, I guess, I don't know.

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<v Speaker 4>I have to pack.

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<v Speaker 1>I'm going to the shore tomorrow. Oh, another vacation. No,

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<v Speaker 1>it's just our Z one hundred jumpstart to summer. We're

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<v Speaker 1>having a concert at Jenkinson's on the boardwalk. Oh fantastic.

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<v Speaker 1>Should I tell you to hit the jingle Jenkinson's Boardwalk. No, no,

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<v Speaker 1>it's a radio station concert. Are you getting Are you

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<v Speaker 1>getting anything for showing up? No, I'm just patting on

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<v Speaker 1>the back. Seriously. Maybe a handshake, hit the jingle, maybe

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<v Speaker 1>a hug, hit the jingle, maybe a bag of cash. Yeah,

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<v Speaker 1>hit it, hit the summertime, fuck you jingle.

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<v Speaker 4>That's bullshit.

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<v Speaker 1>I should invite the the slices should be able to

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<v Speaker 1>know about it so they could join me.

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<v Speaker 4>It's a free concert. It's a free concert.

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<v Speaker 1>Yeah, it's free exactly if we're going out of the

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<v Speaker 1>goodness to your hearts to stop it. Who gives a ship?

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<v Speaker 1>People want to take pictures. Yeah, that's not true. That's

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<v Speaker 1>not true. You know that.

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<v Speaker 4>I always go to the shore on the week. It

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<v Speaker 4>just happens. I know, it's a great event. That happens.

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<v Speaker 1>I think somebody that's okay, it's all right, it doesn't matter.

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<v Speaker 1>I'm a fan of the location as well. It's a

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<v Speaker 1>good place. It's fun time. That is not a product

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<v Speaker 1>you gotta take. I owe you one doctor fat loss.

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<v Speaker 1>Damn it.

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<v Speaker 4>Yeah, that was not there.

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<v Speaker 1>That was not an endorsement product endorsement telling people to

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<v Speaker 1>come down for a free concert. Jack out friend Jacks

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<v Speaker 1>is gonna be there.

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<v Speaker 4>I don't yeah, oh, Jacks, she's.

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<v Speaker 1>Been on you know what Jackson has been on tour

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<v Speaker 1>in Europe with like Simple Plan and other rock bands

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<v Speaker 1>in the early two thousands, Knocks, not the nineteen seventy

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<v Speaker 1>five they got. Yeah, he's got a song and some

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<v Speaker 1>up and commerce. She's recently married, right, Jacks, I believe

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<v Speaker 1>so yeah. And then uh and then we got shined down,

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<v Speaker 1>oh shin oh and uh yeah, so so it'll be starting.

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<v Speaker 1>Oh and Kyle Cook from Summerhouse, that guy's now a DJ,

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<v Speaker 1>and then he basically is going to be opening up.

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<v Speaker 1>So the door's open at ten am. Let's take take

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<v Speaker 1>a deep breath, go to see one hundred dot com

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<v Speaker 1>and look up the details. I'll tell you right here

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<v Speaker 1>because you're you're not gonna go to see the podcast.

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<v Speaker 4>Eleven am. Door, can we get stop it?

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<v Speaker 1>Eleven am? DJ? Youow me a jingle again? If you

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<v Speaker 1>one more thing? All ages anyway, I'm kind of pissed. Fuck,

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<v Speaker 1>I'm pissed. Yeah, what would Brody do? I know what

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<v Speaker 1>you would have done? Yeah, exactly. What's to get gas

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<v Speaker 1>at an excellent station? It was sixty three seventy seven

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<v Speaker 1>to fill up my tank. Sixty two dollars seventy seven cents.

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<v Speaker 1>You have a little car. How much were you paying

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<v Speaker 1>for gas? I don't know, No, I know it's I

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<v Speaker 1>put ninety three in there. The oh, that's why I

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<v Speaker 1>have a ninety a bougie bass. No, I'm not if

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<v Speaker 1>I put regular in. If I put eighty seven, and

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<v Speaker 1>people look at me funny, They're like, real, wait a minute,

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<v Speaker 1>your car doesn't require premium. It does. That's why I'm

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<v Speaker 1>That's why I put in ninety three. She bought a

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<v Speaker 1>bougie car that needs bougie gas. You realize my car

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<v Speaker 1>has more horse power and is a much larger engine,

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<v Speaker 1>and you could use regular, regular gas, regular gas, regular gas.

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<v Speaker 1>I paid three forty one for gas this week? How

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<v Speaker 1>would you pay three forty one? Yep? Three cents? No,

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<v Speaker 1>I'm talking about uh uh a star trek money? Yes, drakma,

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<v Speaker 1>what the hell?

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<v Speaker 4>What did you?

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<v Speaker 1>What did you fucking get your car run on water?

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<v Speaker 5>No?

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<v Speaker 1>That's how much gas is at any reasonably priced place.

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<v Speaker 1>Although I did pass the place yesterday.

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<v Speaker 4>Two blocks a gallon? Right? Okay, Well, but I think

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<v Speaker 4>I'm in a leader.

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<v Speaker 1>Well, I said, my gas bill is sixty Okay, I

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<v Speaker 1>came on talking these you. Yes, I was talking about

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<v Speaker 1>the totals. Scary, I paid three forty one. Again, so

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<v Speaker 1>what did you pass?

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<v Speaker 4>What did you pay on? I paid three forty one

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<v Speaker 4>for nine tens?

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<v Speaker 1>Oh my god? How much do you have? An American mistake?

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<v Speaker 1>How much do you pay to fill your tank? Eh?

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<v Speaker 4>Forty something forty seven?

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<v Speaker 5>Right?

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<v Speaker 4>Scary?

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<v Speaker 1>Wait a minute, wait wit, wait, wait, wait wait, I

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<v Speaker 1>can't answer that question because it depends on how much

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<v Speaker 1>heads guess I have a thereabout. Let's say I'm an

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<v Speaker 1>empty tank. No scary, ask me how many gallons of

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<v Speaker 1>guess my car hold twelve gallons? Fifteen gallons? How many gays?

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<v Speaker 4>I think eighteen and a half.

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<v Speaker 1>Somebody really reading into this too much. If you if

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<v Speaker 1>your car is near empty, how much approximate does it

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<v Speaker 1>cost to fill your tank? You said forty five bucks?

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<v Speaker 1>Usually I don't know, fifty forty five? Great.

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<v Speaker 4>So my point is I was eighteen and a half gallons, I.

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<v Speaker 1>Was near empty. Sixty three dollars and seventy seven cents

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<v Speaker 1>for this gas. Okay, but doesn't it say how many

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<v Speaker 1>how much per gallon? On the receipt.

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<v Speaker 4>Yeah, how much per gallon did you pay for forty seven?

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<v Speaker 4>Oh my god, you paid a dollar more per gallon?

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<v Speaker 1>It's in ninety three.

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<v Speaker 4>It's ninety three.

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<v Speaker 1>It's it's the ninety three in most gas stations is

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<v Speaker 1>like three ninety the most.

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<v Speaker 4>What susy gas station are you going to? It's not, dude,

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<v Speaker 4>I bought Supreme.

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<v Speaker 1>Supreme is ninety three from That's not that's that's the

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<v Speaker 1>third grade, third with the velvet ropes. When you pulled

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<v Speaker 1>in for the gas. Holy shit, dude, I live in

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<v Speaker 1>Jersey City. What are you talking about? That's well, did

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<v Speaker 1>you get gas coming out of the tunnel or going

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<v Speaker 1>into the tunnel? No, gum, I'm going uh going into

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<v Speaker 1>the tunnel? You know there's a thirty to forty cent

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<v Speaker 1>tax on going into the tunnel gas prices. How long

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<v Speaker 1>have you lived there? You didn't know that?

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<v Speaker 4>No, no, no, no, no no.

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<v Speaker 1>When you come out of the tunnel, the gas is

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<v Speaker 1>thirty cents a gallon, cheaper than right around the corner

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<v Speaker 1>in the other direction. Are you're going into the tunnel?

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<v Speaker 1>You didn't know that, right? The sixty dollars and seventy

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<v Speaker 1>seven cents is assumed that I'm gonna pay that because

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<v Speaker 1>that's what I pay. But but that's not why I'm pissed.

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<v Speaker 4>No, No, I'm not done yet.

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<v Speaker 1>You didn't know that the road into the tunnel, the

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<v Speaker 1>gas is money because it's your last stop before you

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<v Speaker 1>go into Manhattan versus the first stop coming out of

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<v Speaker 1>the tunnel. For this, like Exon and Exon the same

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<v Speaker 1>gas company, it's almost forty cents a gallon difference. Really,

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<v Speaker 1>how do you not know this? You've lived there for

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<v Speaker 1>twenty years. I don't think that's true. Scary you're asking me,

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<v Speaker 1>you think I know the difference to tomorrow. I'm gonna actually,

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<v Speaker 1>I'm gonna. Actually they just Scamboni. It's it's last exit

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<v Speaker 1>before Manhattan. They raised the price when you're going into

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<v Speaker 1>the tunnel. I'm like, well, I better get gas before

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<v Speaker 1>I go into Manhattan. So you pay whatever. Coming out

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<v Speaker 1>of the tunnel, it's the same. The shell is less

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<v Speaker 1>money than the other shell. The Exon is less money

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<v Speaker 1>than the other Exon. I don't know that to be

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<v Speaker 1>the case. Go pull up gas, buddy right now. I

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<v Speaker 1>look at the prices outside the Jersey the Jersey City

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<v Speaker 1>holl On Tunnel, all right, you're getting yourself full worked out. Oh,

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<v Speaker 1>I'm all upset. You're throwing money in the card. You're

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<v Speaker 1>about to get more upset when you find out why

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<v Speaker 1>I'm pissed. I can't imagine anything is gonna be more

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<v Speaker 1>upset because something.

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<v Speaker 4>If I'm pissed, how do you think you're gonna feel?

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<v Speaker 4>You're gonna be?

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<v Speaker 1>I rate about this because I don't get bossed about

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<v Speaker 1>much what happened, because up till this point, there's no problems.

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<v Speaker 1>All right, your gas was sixty three you're already fucking

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<v Speaker 1>in a tizzy.

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<v Speaker 4>Okay, your gas was sixty three seventy seven?

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<v Speaker 5>Yes?

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<v Speaker 4>Was it sixty three forty? And he kept clicking it

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<v Speaker 4>to get more.

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<v Speaker 1>In No, came to sixty three seventy seven, okay, And

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<v Speaker 1>I paid him cash, gave him I gave him a

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<v Speaker 1>hundred dollar bill. Wait a minute. You paid four dollars

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<v Speaker 1>and forty cents a gallon, and you paid the cash price.

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<v Speaker 4>That's the cash price. Well, for shit, what's the credit

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<v Speaker 4>card price?

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<v Speaker 1>Seven dollars? Okay, that's neither here nor there. Oh my god,

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<v Speaker 1>this still can't We're still not at the point where

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<v Speaker 1>you should be angry. But you're already what, You're already

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<v Speaker 1>to the moon. Here's the problem. Oh, what could be worse?

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<v Speaker 1>The change he gives me back. So it's one hundred dollars, right,

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<v Speaker 1>is what I gave him? One hundred, one hundred dollar bill,

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<v Speaker 1>one hundred dollar bill, you bougie bastard.

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<v Speaker 4>Hold on?

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<v Speaker 1>How much should he give me back? Thirty six dollars

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<v Speaker 1>and twenty three cents? Thirty six dollars and twenty three cents? Right, then,

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<v Speaker 1>I take too long doing that.

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<v Speaker 4>He gave me back thirty six dollars.

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<v Speaker 1>He rounded up, So not only was the gas sixty

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<v Speaker 1>three seventy seven, it was sixty four dollars. Oh, he

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<v Speaker 1>I paid sixty three cents. He couldn't give you a quarter.

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<v Speaker 1>He didn't have changed my change. He didn't have change

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<v Speaker 1>on me on him. Then you say, that's your problem, sir.

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<v Speaker 1>How do you not have change? You work in a

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<v Speaker 1>gas station. People pay cash, because he's used to doing

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<v Speaker 1>the clickup to the nearest dollars. That's why, first of all,

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<v Speaker 1>if I'm paying forty four dollars and forty cents a gallon,

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<v Speaker 1>whatever the shit you got ripped off, I want my

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<v Speaker 1>my twenty three cents worth of gas. Then we'll have

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<v Speaker 1>to pump back in.

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<v Speaker 4>And put it back in a click click, do a

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<v Speaker 4>clicking click.

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<v Speaker 1>Look, if you don't know you you don't have changed,

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<v Speaker 1>then you better stop that shit. At sixty three, this guy,

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<v Speaker 1>this guy fucked me, and I'm like, you know what, Brodie,

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<v Speaker 1>I didn't care.

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<v Speaker 4>I cared at the time, but I cared.

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<v Speaker 1>But I'm like, you know what, I'm not gonna let

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<v Speaker 1>this guy because he started doing the thing where he

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<v Speaker 1>starts like, you know, putting his hands on his pockets, like, oh,

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<v Speaker 1>I don't have any get alligator arms. Now he's got

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<v Speaker 1>torno sources. Look, let no, he's checking his pockets for

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<v Speaker 1>change nothing. He didn't have a quarter. No, he handed

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<v Speaker 1>me sixty three dollars and walked and I'm sorry thirty

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<v Speaker 1>thirty six dollars or yeah, and he walked away. He

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<v Speaker 1>should he walked away giving you, giving you tow. He

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<v Speaker 1>made the assumption like I could keep the change right, Yeah,

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<v Speaker 1>that does that? No, uhhah, No, he made the assumption. Yeah,

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<v Speaker 1>he made the assumption that Okay, okay, this guy's gonna do.

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<v Speaker 1>This guy's good. This guy's gonna be out twenty three cents.

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<v Speaker 1>He should say to you, sir, I don't have change.

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<v Speaker 1>I'm terribly sorry. First of all, acknowledge it and round it. Well,

0:10:45.200 --> 0:10:47.240
<v Speaker 1>he should go, you know what, let me clean your windows.

0:10:47.640 --> 0:10:50.160
<v Speaker 1>Let me do something for you. I gotta get something.

0:10:50.160 --> 0:10:53.480
<v Speaker 1>You gotta get something. You twenty three cents? Did you

0:10:53.520 --> 0:10:55.800
<v Speaker 1>turn your engine off as the engine run again? I

0:10:55.800 --> 0:10:57.960
<v Speaker 1>always look my engine run. Doesn't matter your burning gas

0:10:58.040 --> 0:11:00.520
<v Speaker 1>while you're getting gas gives a fuck you. You've probably

0:11:00.520 --> 0:11:02.880
<v Speaker 1>wasted seventy seven cents worth the gas to.

0:11:02.880 --> 0:11:04.240
<v Speaker 4>Put in it's nominal.

0:11:06.360 --> 0:11:08.120
<v Speaker 1>Dude. I'm just so disgusted with you.

0:11:08.440 --> 0:11:11.920
<v Speaker 4>I'm disgusted. I'm disgusting with Exxon Express pay.

0:11:12.000 --> 0:11:13.920
<v Speaker 1>Why would you pay a dollar more per gallon than

0:11:13.960 --> 0:11:15.800
<v Speaker 1>you have to coming out of the Holland Tunnel in

0:11:15.880 --> 0:11:17.679
<v Speaker 1>Jersey City or going into the Holland Tunnel? Yeah?

0:11:17.720 --> 0:11:17.840
<v Speaker 5>Going?

0:11:17.920 --> 0:11:22.360
<v Speaker 1>It was what gas station? Exxon? Hold on, old, let's

0:11:22.400 --> 0:11:24.960
<v Speaker 1>look up gas prices. Hold on, yeah, okay, you can

0:11:25.000 --> 0:11:28.800
<v Speaker 1>look up gas prices. I just want to know if

0:11:28.840 --> 0:11:31.520
<v Speaker 1>I'm right to be angry because of all things to

0:11:31.520 --> 0:11:35.120
<v Speaker 1>piss me off, it's the fact that he assumed that

0:11:35.160 --> 0:11:36.920
<v Speaker 1>he was going to keep the twenty three cents, and

0:11:36.960 --> 0:11:37.760
<v Speaker 1>he just walked away.

0:11:38.520 --> 0:11:40.600
<v Speaker 4>That's what gets me angry. How much did you pay?

0:11:40.720 --> 0:11:42.400
<v Speaker 4>Not the fact that I paid four forty seven a

0:11:42.440 --> 0:11:43.080
<v Speaker 4>gallon or.

0:11:43.120 --> 0:11:45.640
<v Speaker 1>Forty seven a gallon? Holy crap, we look up on gas.

0:11:45.760 --> 0:11:46.640
<v Speaker 1>That's how much it was.

0:11:46.880 --> 0:11:48.680
<v Speaker 4>Hold on, look up on gas, buddy, hold on.

0:11:50.160 --> 0:11:53.359
<v Speaker 1>Oh my god, what are you doing up on gas prices?

0:11:53.440 --> 0:11:55.480
<v Speaker 4>And I have to put ninety three in because of

0:11:55.520 --> 0:11:56.440
<v Speaker 4>the car that I drive.

0:11:57.440 --> 0:12:00.640
<v Speaker 1>It's not my choice three sixty nine. I can destroy

0:12:00.720 --> 0:12:05.720
<v Speaker 1>the freaking engine if I if I use regular three

0:12:05.800 --> 0:12:08.480
<v Speaker 1>sixty nine a gallon in hither direction? And how much

0:12:08.600 --> 0:12:13.400
<v Speaker 1>in my direction for forty seven paid three sixty nine? Yep,

0:12:14.120 --> 0:12:15.960
<v Speaker 1>I'm on gas buddy right now? What is that? A

0:12:16.000 --> 0:12:19.839
<v Speaker 1>difference of about seventy something? Since I don't remember what

0:12:19.880 --> 0:12:23.600
<v Speaker 1>you paid, it was around seventy Yeah, you got ripped off, dude.

0:12:23.600 --> 0:12:26.040
<v Speaker 4>You always get gas in another direction, dumbass.

0:12:26.880 --> 0:12:28.520
<v Speaker 1>Wow. By the way, that's the same at every I'm

0:12:28.520 --> 0:12:31.280
<v Speaker 1>sure that's the same at every bridge and tunnel crossing.

0:12:31.440 --> 0:12:33.679
<v Speaker 1>When you're going into a state where gas is more expensive,

0:12:33.920 --> 0:12:38.920
<v Speaker 1>they charge you more going in. So I probably saved

0:12:38.920 --> 0:12:40.520
<v Speaker 1>you hundreds of dollars a year. But you're such a

0:12:40.559 --> 0:12:42.839
<v Speaker 1>bougie bastard. You won't even you won't even care. You

0:12:42.840 --> 0:12:45.000
<v Speaker 1>won't even go like a block away in the direction

0:12:45.120 --> 0:12:49.200
<v Speaker 1>to save money. Wow. Speaking of boogie bastards, I have

0:12:49.240 --> 0:12:50.600
<v Speaker 1>I have a surprise for you later in the show.

0:12:50.760 --> 0:12:54.240
<v Speaker 1>You do, I have some boogie bastard related surprises for you.

0:12:55.000 --> 0:13:04.120
<v Speaker 1>Cannot wait? All right, my boys podcast, I'm still befuddled

0:13:06.160 --> 0:13:09.880
<v Speaker 1>and you have you're not even so concerned about the

0:13:09.880 --> 0:13:11.640
<v Speaker 1>fact he didn't give you my twenty three cents back.

0:13:12.040 --> 0:13:16.320
<v Speaker 1>But okay, no, I'm concerned. I don't like it. I'm upset.

0:13:16.559 --> 0:13:19.200
<v Speaker 1>It's gonna ruin my day thinking about it. But I

0:13:19.200 --> 0:13:20.720
<v Speaker 1>also think you wasted more money.

0:13:20.559 --> 0:13:21.720
<v Speaker 4>By you're at the gas station.

0:13:22.679 --> 0:13:25.079
<v Speaker 1>Yeah, you're hung up on and the fact that I'm

0:13:25.120 --> 0:13:28.559
<v Speaker 1>putting the best possible gas in my car because it's

0:13:28.600 --> 0:13:31.839
<v Speaker 1>a high performance, a high performance the best gas.

0:13:31.880 --> 0:13:36.120
<v Speaker 4>But it's a high high octane, high performance vehicle, high

0:13:36.160 --> 0:13:39.480
<v Speaker 4>performance vehicle. Yeah, it's a sports car.

0:13:39.800 --> 0:13:41.760
<v Speaker 1>Watch is zero to sixty in that little little uh,

0:13:41.800 --> 0:13:45.320
<v Speaker 1>I don't know, hamster wheel car. Yeah, but it's you

0:13:45.320 --> 0:13:46.439
<v Speaker 1>gotta put ninety three in if.

0:13:46.400 --> 0:13:49.000
<v Speaker 4>You put eighty seven in, Apparently it's not good for

0:13:49.040 --> 0:13:49.400
<v Speaker 4>the engine.

0:13:49.440 --> 0:13:51.960
<v Speaker 1>The last car I owned that forced me to put

0:13:51.960 --> 0:13:53.920
<v Speaker 1>in ninety three or premium whatever it was at the time.

0:13:53.960 --> 0:13:56.000
<v Speaker 1>But I should have had a nineteen eighty Buick Park

0:13:56.040 --> 0:13:59.880
<v Speaker 1>Avenue which was like a boat and had a big

0:14:00.040 --> 0:14:02.160
<v Speaker 1>as three fifty engine and you needed to put premium

0:14:02.160 --> 0:14:05.240
<v Speaker 1>in or the engine went knock and a climk like

0:14:05.320 --> 0:14:06.080
<v Speaker 1>the Three Stooges.

0:14:06.480 --> 0:14:10.160
<v Speaker 4>Yeah, knock knock, knock, knock knock.

0:14:10.400 --> 0:14:11.959
<v Speaker 1>Hey, you got the text message I sent you in

0:14:12.000 --> 0:14:14.520
<v Speaker 1>the audio clips I sent you. Yeah, I want to

0:14:14.520 --> 0:14:15.640
<v Speaker 1>get the s out of the way because I've waited

0:14:15.679 --> 0:14:17.600
<v Speaker 1>for like four weeks now since the NFL draft about

0:14:17.600 --> 0:14:18.040
<v Speaker 1>the week.

0:14:17.960 --> 0:14:20.320
<v Speaker 4>About the audio clips, Yeah, yeah.

0:14:20.320 --> 0:14:23.600
<v Speaker 1>You have the one that that pronounces the football player's name.

0:14:24.160 --> 0:14:27.120
<v Speaker 1>Yet now youk I am looking. I'm looking at the

0:14:27.160 --> 0:14:29.800
<v Speaker 1>note you sent me that was attached to that. Okay,

0:14:29.840 --> 0:14:32.560
<v Speaker 1>So the man's name is Ruke are u k e yep.

0:14:32.840 --> 0:14:35.360
<v Speaker 1>And his name is spelled oh r h o r

0:14:35.840 --> 0:14:40.720
<v Speaker 1>h o r oh rouke or hor horror is how

0:14:41.440 --> 0:14:42.840
<v Speaker 1>I would say.

0:14:43.360 --> 0:14:49.360
<v Speaker 4>His name is pronounced oh hor horror or.

0:14:49.640 --> 0:14:54.080
<v Speaker 1>Horror or horror or horror horror. Okay, lay the clip

0:14:54.120 --> 0:14:56.480
<v Speaker 1>of him being drafted and then the announcer saying it

0:14:56.520 --> 0:15:11.600
<v Speaker 1>the right way twenty four NFL Atlanta Falcons. Oh, let's

0:15:11.640 --> 0:15:12.040
<v Speaker 1>go ahead.

0:15:13.200 --> 0:15:14.080
<v Speaker 5>I will help him out.

0:15:14.120 --> 0:15:23.960
<v Speaker 1>And Rodd that's his name, Row, all right, Astro Yeah,

0:15:24.200 --> 0:15:24.800
<v Speaker 1>a rubber row.

0:15:24.880 --> 0:15:26.880
<v Speaker 4>Okay, all right, you got anything else?

0:15:26.960 --> 0:15:29.720
<v Speaker 1>Yeah? I got a lot, I got project, I got project.

0:15:30.320 --> 0:15:33.800
<v Speaker 1>Oh uh this was a commercial. Uh. It's sort of

0:15:33.880 --> 0:15:38.480
<v Speaker 1>like Peter Malar mm hmm. They he's kind of hammering home.

0:15:38.760 --> 0:15:40.720
<v Speaker 1>It's a little annoying. He keeps saying the same get

0:15:40.720 --> 0:15:43.120
<v Speaker 1>play to get played at play a clip project text

0:15:43.200 --> 0:15:46.000
<v Speaker 1>project to two hundred three hundred to buy one window

0:15:46.080 --> 0:15:49.280
<v Speaker 1>or door and get one and right now, save an

0:15:49.280 --> 0:15:52.560
<v Speaker 1>extra thirty dollars off every unit. The text project to

0:15:52.560 --> 0:15:53.560
<v Speaker 1>two hundred three hundred.

0:15:53.640 --> 0:15:56.360
<v Speaker 6>Text the word project to two hundred three hundred, project

0:15:56.560 --> 0:15:57.680
<v Speaker 6>to two hundred three hundred.

0:15:58.000 --> 0:15:59.640
<v Speaker 1>Yeah, they want to they want to drill it into

0:15:59.680 --> 0:16:01.400
<v Speaker 1>your head. You don't forget that you drive. I think

0:16:01.400 --> 0:16:03.360
<v Speaker 1>that was a bit much. Chances are you're not. You're

0:16:03.440 --> 0:16:07.320
<v Speaker 1>not stopping down to write that. So you've to write

0:16:07.320 --> 0:16:11.880
<v Speaker 1>what project project to two hundred and three hundred. Okay,

0:16:12.120 --> 0:16:15.880
<v Speaker 1>all right, we have the black business owners. Okay, so

0:16:16.440 --> 0:16:19.960
<v Speaker 1>sometimes people when people speak, and you've seen this with

0:16:20.120 --> 0:16:22.680
<v Speaker 1>they put the words in the wrong order, so they

0:16:22.680 --> 0:16:25.560
<v Speaker 1>take on a different meaning. He was trying to talk

0:16:25.600 --> 0:16:29.320
<v Speaker 1>about black people that own small businesses. Yeah, but listen

0:16:29.320 --> 0:16:30.280
<v Speaker 1>to what he said.

0:16:30.840 --> 0:16:34.000
<v Speaker 4>President Kamala Harris traveled to the battleground state of Georgia

0:16:34.120 --> 0:16:39.240
<v Speaker 4>and met with small black business owners. Whoops, small black

0:16:39.280 --> 0:16:40.000
<v Speaker 4>business owners.

0:16:40.200 --> 0:16:46.720
<v Speaker 1>Yeah, business owners. And I don't know how big they are,

0:16:46.720 --> 0:16:50.720
<v Speaker 1>but I assume they're not small black people, black men,

0:16:51.000 --> 0:16:54.040
<v Speaker 1>black small business owners. Right, he said small black? He

0:16:54.080 --> 0:16:58.800
<v Speaker 1>got it backwards, Yeah, honest mistake. How about inside out?

0:16:59.080 --> 0:17:03.040
<v Speaker 1>Oh uh, yeah, well it's this is a DJ and

0:17:03.120 --> 0:17:05.159
<v Speaker 1>I I don't know what he's talking about.

0:17:05.320 --> 0:17:08.479
<v Speaker 4>And then he admits he might be stoned. Is it

0:17:08.520 --> 0:17:11.159
<v Speaker 4>better to be inside out or outside in?

0:17:11.520 --> 0:17:14.120
<v Speaker 1>Does that even make any sense? I don't know.

0:17:14.480 --> 0:17:17.320
<v Speaker 4>I smoked a lot of weed. Wait what I need

0:17:17.320 --> 0:17:17.960
<v Speaker 4>to hear that again?

0:17:18.600 --> 0:17:20.760
<v Speaker 1>It was he was talking after a song called inside

0:17:20.800 --> 0:17:25.399
<v Speaker 1>Out by Eve six. I think it was by different

0:17:26.160 --> 0:17:29.960
<v Speaker 1>YYZ but anyway, a different band, all right, But anyways.

0:17:29.560 --> 0:17:32.280
<v Speaker 4>It better to be inside out or outside in?

0:17:32.680 --> 0:17:35.000
<v Speaker 1>Does that even make any sense? No, it doesn't.

0:17:35.280 --> 0:17:37.560
<v Speaker 4>And then it doesn't make any sense, he says, is

0:17:37.600 --> 0:17:38.440
<v Speaker 4>that make any sense?

0:17:39.119 --> 0:17:41.200
<v Speaker 1>You know what the crazy thing is. And I think

0:17:41.200 --> 0:17:44.280
<v Speaker 1>we've pointed this out before on these DJ tracks of

0:17:44.720 --> 0:17:47.280
<v Speaker 1>I guess serious ExM is that where you got that? Yeah,

0:17:48.520 --> 0:17:51.959
<v Speaker 1>that shit yep is voice tracked were recorded pre recorded,

0:17:52.000 --> 0:17:55.680
<v Speaker 1>which means he actually went over the material and had

0:17:55.720 --> 0:17:58.080
<v Speaker 1>a chance to take it out and redo it, but

0:17:58.119 --> 0:18:00.480
<v Speaker 1>instead left it in and said this is great. I'm

0:18:00.520 --> 0:18:01.600
<v Speaker 1>leaving this. Yeah.

0:18:01.680 --> 0:18:04.639
<v Speaker 4>If you think the DJ is there on satellite radio,

0:18:04.760 --> 0:18:05.879
<v Speaker 4>they're not. They're not.

0:18:06.160 --> 0:18:08.480
<v Speaker 1>They recorded it on Monday for the whole week, right,

0:18:08.880 --> 0:18:10.760
<v Speaker 1>and then they went home and then he pushing the

0:18:10.760 --> 0:18:13.840
<v Speaker 1>buttons or it's automated. It's automated. He made a conscious

0:18:13.880 --> 0:18:17.879
<v Speaker 1>decision though, Yeah, to leave that in and not redo that.

0:18:17.880 --> 0:18:20.240
<v Speaker 1>That's the whole point of recording. You could do it over,

0:18:20.560 --> 0:18:25.320
<v Speaker 1>you could erase your mistakes. Yeah, that's why this podcast is.

0:18:25.560 --> 0:18:28.240
<v Speaker 1>We say, like like live with no editing, We're just

0:18:28.280 --> 0:18:30.560
<v Speaker 1>recording it right in with no edits, so you hear

0:18:30.640 --> 0:18:32.920
<v Speaker 1>all the mistakes, one hundred bits well out.

0:18:32.800 --> 0:18:34.240
<v Speaker 4>There for you, very unpolished.

0:18:34.480 --> 0:18:37.480
<v Speaker 1>I could make this if I spent three hours of

0:18:37.640 --> 0:18:40.520
<v Speaker 1>editing on each episode of The Brooking Boys, I could

0:18:40.560 --> 0:18:42.160
<v Speaker 1>make us both sound like geniuses.

0:18:42.960 --> 0:18:46.040
<v Speaker 4>But I don't believe that do you have Do you

0:18:46.119 --> 0:18:47.720
<v Speaker 4>have a Ben Lively clip?

0:18:48.640 --> 0:18:51.840
<v Speaker 1>No? I don't. That was the last one. Okay, because

0:18:51.840 --> 0:18:53.440
<v Speaker 1>I'm gonna I'm gonna can I if I send you

0:18:53.440 --> 0:18:54.640
<v Speaker 1>an email, will you play it right away?

0:18:54.840 --> 0:18:56.399
<v Speaker 4>Well if your phone, I mean, if you want me to,

0:18:56.520 --> 0:18:56.800
<v Speaker 4>I could.

0:18:56.840 --> 0:18:57.439
<v Speaker 1>I would like you to.

0:18:57.480 --> 0:18:58.399
<v Speaker 4>Yeah, because it's timely.

0:18:58.800 --> 0:19:01.040
<v Speaker 1>I'm gonna call it clips and send it to you

0:19:01.080 --> 0:19:02.199
<v Speaker 1>because it's pretty funny.

0:19:02.359 --> 0:19:06.280
<v Speaker 4>Okay, you know when you get the email? All right?

0:19:06.280 --> 0:19:09.679
<v Speaker 1>Perfect, this is see what we're doing here. We're not

0:19:09.720 --> 0:19:12.199
<v Speaker 1>even editing this. We'll just live. This is live. I

0:19:12.240 --> 0:19:14.199
<v Speaker 1>did this deliberately so that this license can hear that

0:19:14.240 --> 0:19:15.679
<v Speaker 1>we just do this on the week. Just do this

0:19:15.760 --> 0:19:18.280
<v Speaker 1>on the fly, on the fly, in the meantime as

0:19:18.480 --> 0:19:20.480
<v Speaker 1>I'm waiting for this email to get here.

0:19:21.280 --> 0:19:23.680
<v Speaker 4>All right, the Ben Lively clip just came in good.

0:19:23.720 --> 0:19:24.000
<v Speaker 4>All right.

0:19:24.040 --> 0:19:27.879
<v Speaker 1>So Cleveland pitcher Ben Lively pictures for the Cleveland Guardians

0:19:27.920 --> 0:19:30.679
<v Speaker 1>formerly the Cleveland Indians, and he was pitching against the

0:19:30.680 --> 0:19:32.840
<v Speaker 1>Mets a couple of days ago. Ben Lively play the

0:19:32.840 --> 0:19:36.199
<v Speaker 1>clip with the announcer Gary Gohen. Last year, Blake Lively

0:19:36.280 --> 0:19:37.800
<v Speaker 1>made his first appearance.

0:19:37.359 --> 0:19:37.720
<v Speaker 4>Of the year.

0:19:38.359 --> 0:19:42.080
<v Speaker 1>Again, He's got Blake Lively, the actress pitching for the

0:19:42.119 --> 0:19:44.359
<v Speaker 1>Cleveland Gardian. He's got he's got Blake Lively on the brain.

0:19:45.200 --> 0:19:48.520
<v Speaker 1>But can you can you blame him? Uh? Okay, So

0:19:48.600 --> 0:19:49.679
<v Speaker 1>you have the ozempic clip.

0:19:50.640 --> 0:19:50.840
<v Speaker 4>Yep.

0:19:51.560 --> 0:19:53.679
<v Speaker 1>I need your involvement with this scary Now when you

0:19:53.720 --> 0:19:55.400
<v Speaker 1>do your I'm gonna say, when you do your your

0:19:55.520 --> 0:19:59.520
<v Speaker 1>your fat losing program, when you do the commercials, you

0:19:59.640 --> 0:20:00.960
<v Speaker 1>how many pounds can you lose?

0:20:01.600 --> 0:20:04.680
<v Speaker 4>For my, my, my commercial commercials.

0:20:04.720 --> 0:20:09.080
<v Speaker 1>You can lose up to forty pounds right in a

0:20:09.119 --> 0:20:12.159
<v Speaker 1>matter of like a month and a half, two four days? Yes, right.

0:20:12.640 --> 0:20:14.800
<v Speaker 1>Whenever you see a weight loss commercial, they say, oh,

0:20:15.040 --> 0:20:16.679
<v Speaker 1>you could lose twenty pounds in a month. Yeah, they

0:20:16.720 --> 0:20:19.439
<v Speaker 1>give you a range. Yes, all right. So I just

0:20:19.440 --> 0:20:22.199
<v Speaker 1>saw an ozempic commercial. Now, Azempic is to lower your

0:20:22.240 --> 0:20:24.000
<v Speaker 1>A one C. It's not really designed for weight loss,

0:20:24.040 --> 0:20:26.760
<v Speaker 1>but people using it. Listen to this testimonial of this

0:20:26.840 --> 0:20:30.639
<v Speaker 1>guy on his weight loss with ozempic. Adult faster at

0:20:30.640 --> 0:20:37.159
<v Speaker 1>the fourteen pounds, I lost some weight up to fourteen No,

0:20:37.280 --> 0:20:40.080
<v Speaker 1>so she says, she said, could lose up to fourteen pounds.

0:20:40.080 --> 0:20:40.760
<v Speaker 1>I lost some weight.

0:20:41.119 --> 0:20:42.480
<v Speaker 4>He goes, I lost some weight.

0:20:43.280 --> 0:20:45.040
<v Speaker 1>He's not committal. Not yet.

0:20:45.240 --> 0:20:46.920
<v Speaker 4>He could have lost an played again, he could have

0:20:46.960 --> 0:20:49.680
<v Speaker 4>lost an ounce. He won't say how much he lost.

0:20:49.800 --> 0:20:53.359
<v Speaker 1>He won't. No adult faust at the fourteen pounds. I

0:20:53.480 --> 0:20:57.880
<v Speaker 1>lost weight? Great? So is that the worst weight loss commercial?

0:20:58.760 --> 0:21:00.240
<v Speaker 1>One pound is losing weight?

0:21:00.440 --> 0:21:02.480
<v Speaker 4>I lost. I lost some weight. I lost a pound.

0:21:02.720 --> 0:21:05.879
<v Speaker 1>We'd like you to invest in Harper and Harper financial industries.

0:21:06.080 --> 0:21:08.000
<v Speaker 4>Listen to this man, I made some money.

0:21:08.000 --> 0:21:08.840
<v Speaker 1>I made some money.

0:21:09.040 --> 0:21:13.320
<v Speaker 4>Oh my god, with Scary and Brodie.

0:21:14.080 --> 0:21:15.560
<v Speaker 1>Hey man, I had one more clip I wanted you

0:21:15.600 --> 0:21:16.159
<v Speaker 1>to play before we.

0:21:16.160 --> 0:21:16.760
<v Speaker 4>Went to commercial.

0:21:16.760 --> 0:21:19.680
<v Speaker 1>Can you would you? I could spare a square?

0:21:20.240 --> 0:21:21.640
<v Speaker 4>Yeah? Side effects one more?

0:21:22.119 --> 0:21:24.880
<v Speaker 1>Okay? Now you know when when when medicine commercials list

0:21:24.880 --> 0:21:27.480
<v Speaker 1>the side effects might cause diarrhea, anxiety?

0:21:27.680 --> 0:21:29.480
<v Speaker 4>Yeah, right this commercial.

0:21:29.800 --> 0:21:31.280
<v Speaker 1>Listen to what they do and then what they add

0:21:31.280 --> 0:21:32.880
<v Speaker 1>to the end of it.

0:21:32.880 --> 0:21:34.800
<v Speaker 7>It may harm them. Do not take lensass if you

0:21:34.840 --> 0:21:37.080
<v Speaker 7>have a belt blockage, get immediate help. If you develop

0:21:37.160 --> 0:21:40.400
<v Speaker 7>unusual or severe stomach pain, especially with bloody or black stools.

0:21:40.520 --> 0:21:43.439
<v Speaker 7>The most common side effect is diarrhea, sometimes severe. If

0:21:43.480 --> 0:21:46.120
<v Speaker 7>it's severe, stop taking windsas and call your doctor right away.

0:21:46.320 --> 0:21:47.560
<v Speaker 7>These aren't all the side effects.

0:21:47.840 --> 0:21:50.560
<v Speaker 1>Imagine What did you catch that those aren't all the

0:21:50.560 --> 0:21:54.959
<v Speaker 1>side effects? You have black and black stools, Yeah, black stools, diarrhea, cramps,

0:21:54.960 --> 0:21:57.679
<v Speaker 1>and they go, these aren't all the side effects. What

0:21:57.720 --> 0:22:00.040
<v Speaker 1>are they not telling you in the commercial that it

0:22:00.080 --> 0:22:03.560
<v Speaker 1>could be worse than blackstools and diarrhea and vomiting and

0:22:03.640 --> 0:22:07.320
<v Speaker 1>coma death. Yeah, they left it out and some other stuff. Hey,

0:22:07.359 --> 0:22:09.199
<v Speaker 1>you might get an upset stomach, you might get like,

0:22:09.800 --> 0:22:12.280
<v Speaker 1>you might blink a lot, yeah, and some other stuff. Right,

0:22:13.920 --> 0:22:14.199
<v Speaker 1>that's it.

0:22:14.200 --> 0:22:16.199
<v Speaker 4>We don't blame more's out. Yeah, m.

0:22:18.560 --> 0:22:21.920
<v Speaker 1>So oh lost some were on this. Yeah, I lost

0:22:22.040 --> 0:22:26.600
<v Speaker 1>some weight. I went to see Back to the Future.

0:22:27.240 --> 0:22:29.439
<v Speaker 1>Did we talk about this? No we did not.

0:22:29.880 --> 0:22:31.440
<v Speaker 4>What's see Back to the Future on Broadway?

0:22:31.680 --> 0:22:32.960
<v Speaker 1>I mean you and I talked about it, but I don't

0:22:32.960 --> 0:22:34.760
<v Speaker 1>think we're talk about in the podcast. If you remember

0:22:34.840 --> 0:22:36.920
<v Speaker 1>Back to the Future, the movie, why does he go

0:22:37.040 --> 0:22:39.880
<v Speaker 1>eighty eight miles and accidentally time travel?

0:22:41.640 --> 0:22:43.960
<v Speaker 4>If I remember correctly, Yeah, it's been a while.

0:22:44.680 --> 0:22:47.080
<v Speaker 1>They were in the shopping mall parking lot, yes, and

0:22:47.320 --> 0:22:51.640
<v Speaker 1>dark and yeah they were terrorists with bombs or guns Bolibyans.

0:22:52.600 --> 0:22:54.320
<v Speaker 4>I don't remember that part. Yeah, I went there with the.

0:22:54.280 --> 0:23:00.000
<v Speaker 1>Giant ass Volkswagon, the big giant nineteen seventies Volkswagon bus. Yes, okay,

0:23:00.160 --> 0:23:04.440
<v Speaker 1>and they were they would They wanted the nuclear material platoniums.

0:23:04.520 --> 0:23:08.159
<v Speaker 1>Doc had stolen the platonium and they were coming to

0:23:08.160 --> 0:23:11.919
<v Speaker 1>get him. So Michael J. Fox's character jumps into the

0:23:11.960 --> 0:23:15.920
<v Speaker 1>car speeds away eighty eight miles an hour in Back

0:23:15.960 --> 0:23:18.959
<v Speaker 1>to the Future. In the play, he gets into the

0:23:19.000 --> 0:23:23.760
<v Speaker 1>car after Doc accidentally gets plutonium on his body and

0:23:23.800 --> 0:23:27.200
<v Speaker 1>he feels like he's gonna die because so so Marty's

0:23:27.200 --> 0:23:29.040
<v Speaker 1>like jumping in the car to go to the hospital

0:23:29.320 --> 0:23:30.200
<v Speaker 1>to get some help.

0:23:30.640 --> 0:23:33.440
<v Speaker 4>That whole plot line is gone, But I just found

0:23:33.480 --> 0:23:34.040
<v Speaker 4>it interesting.

0:23:34.400 --> 0:23:36.840
<v Speaker 1>Well, maybe they didn't want to hire like fifteen people

0:23:36.880 --> 0:23:40.000
<v Speaker 1>to play the Libyans and have them on stage and

0:23:40.400 --> 0:23:41.240
<v Speaker 1>bombs and stuff.

0:23:42.600 --> 0:23:44.440
<v Speaker 4>Anything else was pretty much close to the film.

0:23:44.480 --> 0:23:47.359
<v Speaker 1>I gotta say I enjoyed it more importantly, you liked it,

0:23:47.359 --> 0:23:49.800
<v Speaker 1>though I loved it. If you if you have a

0:23:49.880 --> 0:23:51.439
<v Speaker 1>chance and you're in New York City, see Back to

0:23:51.480 --> 0:23:53.560
<v Speaker 1>the Future on Broadway. I thought the kid that played

0:23:53.560 --> 0:23:57.920
<v Speaker 1>Michael J. Fox was spot on his an Yes, Doc,

0:23:59.720 --> 0:24:02.600
<v Speaker 1>he was. He was fantastic. Can't finishes He runs out

0:24:02.600 --> 0:24:04.480
<v Speaker 1>of breath before he finishes a sentence that Michael J.

0:24:04.600 --> 0:24:07.879
<v Speaker 1>Fox style. He the guy who played Doc h the

0:24:07.960 --> 0:24:11.040
<v Speaker 1>Christopher Lloyd role, terrific. In fact, he was so good

0:24:11.359 --> 0:24:13.119
<v Speaker 1>the minute the play ended I had to I MDB

0:24:13.240 --> 0:24:15.200
<v Speaker 1>him and see what else he was in. Yeah, and

0:24:15.280 --> 0:24:19.400
<v Speaker 1>because he's terrific, the whole cast aspect is I want

0:24:19.400 --> 0:24:21.960
<v Speaker 1>to say, the whole cast is fantastic. Yeah, but the

0:24:22.040 --> 0:24:25.360
<v Speaker 1>two leads are incredible. I don't want to give too

0:24:25.400 --> 0:24:29.359
<v Speaker 1>much away, uh, because don't give it away. Don't give

0:24:29.400 --> 0:24:31.080
<v Speaker 1>it away, let people go see it. No, No, the

0:24:31.119 --> 0:24:33.920
<v Speaker 1>car thing and uh yeah, that's what I was talking about,

0:24:33.960 --> 0:24:35.720
<v Speaker 1>but it was it was real. If the guy who

0:24:35.720 --> 0:24:41.879
<v Speaker 1>plays Biff his career win a Tony Award, I really great.

0:24:42.080 --> 0:24:44.359
<v Speaker 1>There was the diner scene where where they do all

0:24:44.359 --> 0:24:47.680
<v Speaker 1>those fast one liner jokes, Hey give me a tab

0:24:48.400 --> 0:24:51.560
<v Speaker 1>and then he how I'm gonna give you a tabet?

0:24:52.000 --> 0:24:54.560
<v Speaker 4>How about a pepsi free? Ps No, you got to

0:24:54.560 --> 0:24:55.280
<v Speaker 4>pay for that kid.

0:24:56.119 --> 0:24:59.240
<v Speaker 1>None of those jokes were there because I realized people

0:24:59.280 --> 0:25:01.960
<v Speaker 1>don't know what tab even is today, and people don't

0:25:01.960 --> 0:25:03.280
<v Speaker 1>know what pepsi free is today.

0:25:03.320 --> 0:25:04.679
<v Speaker 4>I think they know what it even is.

0:25:04.760 --> 0:25:06.679
<v Speaker 1>I think people know what tab is Pepsi three one

0:25:06.760 --> 0:25:09.359
<v Speaker 1>hundred percent not Yeah, but tab Is didn't tab come

0:25:09.400 --> 0:25:12.560
<v Speaker 1>back a few years ago for a minute. It wasn't popular. No,

0:25:12.640 --> 0:25:13.960
<v Speaker 1>but I think they at least might remember that. But

0:25:14.000 --> 0:25:16.119
<v Speaker 1>the Pepsi Free No, yeah, so some of those jokes

0:25:16.160 --> 0:25:19.440
<v Speaker 1>were long. They didn't do those and rightfully so anyway, Yeah,

0:25:19.440 --> 0:25:23.439
<v Speaker 1>but they added songs. So phenomenal show. Yeah, it was

0:25:23.480 --> 0:25:27.520
<v Speaker 1>really good. And my girlfriend turns to me and at

0:25:27.520 --> 0:25:32.280
<v Speaker 1>the end and she goes, hey, was so so did

0:25:32.280 --> 0:25:34.959
<v Speaker 1>that follow the movie? She never saw Back to the Future,

0:25:35.280 --> 0:25:38.119
<v Speaker 1>And I said with her, she had never seen back

0:25:38.240 --> 0:25:40.280
<v Speaker 1>She still has never seen Back to the Future. Okay,

0:25:40.880 --> 0:25:43.199
<v Speaker 1>so you can see all three of the movies, but

0:25:43.440 --> 0:25:46.359
<v Speaker 1>one and two are all time American classic felf of course.

0:25:46.600 --> 0:25:48.800
<v Speaker 4>But Free is fine. Yeah, but she was four years

0:25:48.840 --> 0:25:49.720
<v Speaker 4>old when it was released.

0:25:49.720 --> 0:25:52.440
<v Speaker 1>You gotta cut her from slack, so I said, Robe,

0:25:52.760 --> 0:25:54.479
<v Speaker 1>So if you look at movies when you were four

0:25:54.560 --> 0:25:57.240
<v Speaker 1>years old, you didn't see them, not that well, it

0:25:57.359 --> 0:25:59.239
<v Speaker 1>was lost upon her. I don't know. She never got

0:25:59.280 --> 0:26:02.000
<v Speaker 1>around to that one. Have you have you seen Star Wars? Yes,

0:26:02.240 --> 0:26:04.960
<v Speaker 1>you were four years old, seventy seven, I know. Yeah,

0:26:05.160 --> 0:26:08.520
<v Speaker 1>so well for her, she didn't see it so I

0:26:08.560 --> 0:26:09.480
<v Speaker 1>was like, I was shocked.

0:26:09.640 --> 0:26:10.720
<v Speaker 4>I can't, I can't, I can't.

0:26:10.760 --> 0:26:12.440
<v Speaker 1>But she's gonna go back and watch it now. She goes,

0:26:12.680 --> 0:26:15.320
<v Speaker 1>that's so cool. I said, yeah, it was exactly I said.

0:26:15.800 --> 0:26:17.360
<v Speaker 1>She was, and that was in there, and that part

0:26:17.440 --> 0:26:19.280
<v Speaker 1>was in there. I'm not going to say anything about

0:26:19.600 --> 0:26:21.320
<v Speaker 1>all this part. You don't want to say about the car.

0:26:21.800 --> 0:26:24.800
<v Speaker 1>All I'm gonna say is, obviously the DeLorean is roughly

0:26:24.920 --> 0:26:27.520
<v Speaker 1>they use the classic lines, and of course the Deloreian

0:26:27.600 --> 0:26:29.120
<v Speaker 1>is in it. Yeah, the Deloorian is in the show.

0:26:30.200 --> 0:26:33.560
<v Speaker 1>When they show movement, it's the center movement of the

0:26:33.600 --> 0:26:38.479
<v Speaker 1>car racing down the road. Unbelievable, the special effects and

0:26:38.520 --> 0:26:39.680
<v Speaker 1>the visual elements.

0:26:40.000 --> 0:26:42.200
<v Speaker 4>Yeah, anyway, Yeah, that's it. I'm good.

0:26:42.680 --> 0:26:44.320
<v Speaker 1>I just it was. It's just a lot of fun.

0:26:44.359 --> 0:26:47.120
<v Speaker 1>I just get a kick out of. Did you see

0:26:47.119 --> 0:26:50.320
<v Speaker 1>the ad I posted? What's that? Uh, it's a it's

0:26:50.359 --> 0:26:56.920
<v Speaker 1>a it's an ad for slip covers, like a seat

0:26:56.960 --> 0:26:59.720
<v Speaker 1>covers for your couch furniture. Yeah, yeah, like you could.

0:26:59.880 --> 0:27:02.240
<v Speaker 1>They're fitted to your couch. They fit all sized couches,

0:27:02.240 --> 0:27:04.040
<v Speaker 1>which I find hard to believe. But you send the

0:27:04.080 --> 0:27:06.280
<v Speaker 1>measurements and they custom make them and it's what you

0:27:06.320 --> 0:27:08.919
<v Speaker 1>put over your couch pillows so your your dogs and

0:27:08.960 --> 0:27:11.440
<v Speaker 1>cats don't rip apart your furniture. See, I feel like

0:27:11.480 --> 0:27:14.040
<v Speaker 1>there was something my million great grandmother used to buy

0:27:14.440 --> 0:27:17.560
<v Speaker 1>in their cloth. It's not plastic. Okay, okay, they put

0:27:17.680 --> 0:27:23.879
<v Speaker 1>clear plastic over everything. That's they even stevens to this

0:27:24.000 --> 0:27:27.800
<v Speaker 1>Facebook ad is attention American mothers with dogs at home?

0:27:30.680 --> 0:27:31.880
<v Speaker 4>Okay?

0:27:32.080 --> 0:27:36.600
<v Speaker 1>Wait, what attention American mothers with dogs at home? The

0:27:36.680 --> 0:27:42.680
<v Speaker 1>sofa covers? American mothers are obsessed about just American mothers, right,

0:27:42.760 --> 0:27:44.720
<v Speaker 1>and and not women without kids. It has to be

0:27:44.760 --> 0:27:47.399
<v Speaker 1>women with kids who have dogs. And it can't be

0:27:47.440 --> 0:27:50.760
<v Speaker 1>men with dogs who are are not married. It can

0:27:50.840 --> 0:27:55.920
<v Speaker 1>only be American mothers with dogs? Who wrote? Who wrote

0:27:55.920 --> 0:27:58.240
<v Speaker 1>that ad? I don't know you look at my Instagram

0:27:58.280 --> 0:28:01.280
<v Speaker 1>at David Rody see the ad. Okay, but that's though,

0:28:01.320 --> 0:28:03.800
<v Speaker 1>isn't that terrible advertising? Yeah? Pretty shitty?

0:28:04.840 --> 0:28:05.240
<v Speaker 4>All right?

0:28:05.760 --> 0:28:09.359
<v Speaker 1>On TikTok And I'm watching a video of a guy

0:28:09.440 --> 0:28:13.000
<v Speaker 1>at Low's in a red pickup truck. Yeah, And as

0:28:13.040 --> 0:28:16.760
<v Speaker 1>he's pulling away the belt he put around the flatbed

0:28:16.800 --> 0:28:18.800
<v Speaker 1>of his pickup truck to hold the stuff in that

0:28:18.840 --> 0:28:22.600
<v Speaker 1>he bought, starts pulling it got caught and it crushes

0:28:22.680 --> 0:28:28.080
<v Speaker 1>the fenders on his red pickup truck. So somebody writes,

0:28:29.240 --> 0:28:31.600
<v Speaker 1>please tell me this is staged, and he didn't ruin

0:28:31.640 --> 0:28:35.840
<v Speaker 1>his truck, and one guy writes, no, it's not staged.

0:28:36.160 --> 0:28:40.600
<v Speaker 1>It's whistling diesel. He does this all the time. Well,

0:28:40.640 --> 0:28:44.400
<v Speaker 1>isn't that stage. That's definitely staged. If he does it

0:28:44.440 --> 0:28:46.440
<v Speaker 1>all the time, then that means it's not an accident.

0:28:46.840 --> 0:28:49.800
<v Speaker 1>He does it on purpose. No, it's not staged. This

0:28:49.840 --> 0:28:52.880
<v Speaker 1>guy who has a famous account on TikTok does it

0:28:52.920 --> 0:28:56.000
<v Speaker 1>all the time. Then he staged it. Am I wrong?

0:28:56.360 --> 0:28:58.800
<v Speaker 4>No, you're not. Did you argue with these people?

0:28:59.320 --> 0:28:59.400
<v Speaker 7>No?

0:28:59.480 --> 0:29:02.239
<v Speaker 1>I did, not good. But how would you feel about this?

0:29:02.480 --> 0:29:11.120
<v Speaker 1>Vincent Lardo on Instagram sent me a screenshot of his order. Yeah,

0:29:11.640 --> 0:29:14.160
<v Speaker 1>and I forget where it was. It doesn't really matter

0:29:14.240 --> 0:29:17.239
<v Speaker 1>what business it was. It says, don't forget, Oh it

0:29:17.280 --> 0:29:21.160
<v Speaker 1>was one of the delivery services. Don't forget to tip

0:29:21.200 --> 0:29:25.120
<v Speaker 1>your driver. And then it gives, you know, suggested amounts.

0:29:25.680 --> 0:29:31.200
<v Speaker 1>His total bill with tax and delivery and everything was

0:29:32.360 --> 0:29:39.120
<v Speaker 1>forty six dollars and sixty cents. Okay, it says suggested

0:29:39.120 --> 0:29:43.320
<v Speaker 1>tips for your driver fifteen percent nine dollars eighty and

0:29:43.360 --> 0:29:47.560
<v Speaker 1>thirty three cents, twenty percent twelve dollars and forty five cents,

0:29:48.200 --> 0:29:50.640
<v Speaker 1>and twenty five percent fifteen dollars.

0:29:50.320 --> 0:29:51.160
<v Speaker 4>And fifty six cents.

0:29:51.160 --> 0:29:55.120
<v Speaker 1>How much was the bill? Forty six dollars and sixty cents? Fuck?

0:29:55.560 --> 0:29:56.040
<v Speaker 1>Do you know what?

0:29:57.720 --> 0:30:00.000
<v Speaker 4>I'm gonna do the math now on that on forty

0:29:59.880 --> 0:30:02.360
<v Speaker 4>s six dollars. Can already tell you that it's off.

0:30:02.280 --> 0:30:06.520
<v Speaker 1>Forty six dollars and sixty cents. And we're going to

0:30:06.560 --> 0:30:11.320
<v Speaker 1>figure out that's like a nine dollars tip for twenty percent,

0:30:11.800 --> 0:30:14.560
<v Speaker 1>So fifteen percent is six dollars and ninety nine cents.

0:30:14.800 --> 0:30:18.960
<v Speaker 1>But they're suggesting a nine dollars and thirty three cent tip.

0:30:18.800 --> 0:30:20.240
<v Speaker 4>For fifteen that's fifteen percent.

0:30:20.520 --> 0:30:24.520
<v Speaker 1>Yeah, according to that percent, twenty percent is roughly nine

0:30:24.520 --> 0:30:28.440
<v Speaker 1>dollars and forty cents. They're suggesting twelve dollars and forty

0:30:28.480 --> 0:30:31.880
<v Speaker 1>five cent, Wow, and so on? Is that Is that

0:30:32.360 --> 0:30:34.960
<v Speaker 1>an honest mistake or is that a scamboni? This is

0:30:35.000 --> 0:30:40.160
<v Speaker 1>the actual app oh that put in these prices. So

0:30:40.160 --> 0:30:45.240
<v Speaker 1>somebody miscalculated that unless they're hoping that you wo won't notice,

0:30:45.240 --> 0:30:47.120
<v Speaker 1>You won't notice because you don't know how to two percentages.

0:30:47.240 --> 0:30:49.560
<v Speaker 1>I want to give the driver fifteen percent so you

0:30:49.640 --> 0:30:52.200
<v Speaker 1>click it, but you're actually giving like twenty two percent.

0:30:52.440 --> 0:30:54.880
<v Speaker 4>Sounds like a tax for people who are bad at math.

0:30:55.520 --> 0:30:57.840
<v Speaker 1>Yeah. H people don't pay attention. So my point is

0:30:57.840 --> 0:31:01.960
<v Speaker 1>a tip for what Uh be careful of those preset

0:31:02.080 --> 0:31:06.280
<v Speaker 1>tips because they're fucking you. They are.

0:31:07.400 --> 0:31:09.280
<v Speaker 4>Now my friend Eric. You know Eric from the It's

0:31:09.400 --> 0:31:10.240
<v Speaker 4>Eric Nagel podcast.

0:31:10.320 --> 0:31:12.560
<v Speaker 1>I love that guy. He's about to celebrate his tenth

0:31:12.600 --> 0:31:16.440
<v Speaker 1>anniversary of podcasting the It's Eric Nagel podcast. That's Eric

0:31:16.480 --> 0:31:19.800
<v Speaker 1>with a K and Nagel Nagel. He does a again

0:31:19.840 --> 0:31:21.920
<v Speaker 1>I've mentioned before he filled in as a coast on

0:31:21.920 --> 0:31:22.640
<v Speaker 1>my Walkers.

0:31:22.320 --> 0:31:23.160
<v Speaker 4>And Talkers podcast.

0:31:23.320 --> 0:31:26.560
<v Speaker 1>He does a pop culture, sci fi, geek, mostly pop

0:31:26.560 --> 0:31:27.560
<v Speaker 1>culture podcast.

0:31:27.640 --> 0:31:29.800
<v Speaker 4>You'll enjoy it. Yeah, anyway, this is what he wrote

0:31:29.800 --> 0:31:30.000
<v Speaker 4>to me.

0:31:31.000 --> 0:31:33.640
<v Speaker 1>I was in seven eleven where the guy who worked

0:31:33.640 --> 0:31:36.520
<v Speaker 1>there leaned over to the monitor after he turned the

0:31:36.520 --> 0:31:39.320
<v Speaker 1>screen around where I put my information for my seven

0:31:39.360 --> 0:31:42.680
<v Speaker 1>eleven points. Because he's a club member, he was automatically

0:31:42.760 --> 0:31:46.160
<v Speaker 1>hitting buttons for me and then said to tap my card.

0:31:46.680 --> 0:31:48.680
<v Speaker 1>I said, I know what I'm doing. I know how

0:31:48.680 --> 0:31:52.760
<v Speaker 1>to tap my card, right, So then he says. So

0:31:53.360 --> 0:31:55.280
<v Speaker 1>he says to the guy, don't please, don't touch my screen.

0:31:56.000 --> 0:31:58.320
<v Speaker 1>But he had his finger hovering over the tip portion,

0:31:58.720 --> 0:32:00.600
<v Speaker 1>and he says, which tip would you like me to

0:32:00.680 --> 0:32:01.160
<v Speaker 1>hit for you?

0:32:01.640 --> 0:32:02.320
<v Speaker 8>Wow?

0:32:02.360 --> 0:32:06.760
<v Speaker 1>That's me feel uncomfortable. So I pushed his hand away

0:32:07.000 --> 0:32:09.480
<v Speaker 1>and I hit no tip. You shouldn't fuck you should

0:32:09.560 --> 0:32:12.920
<v Speaker 1>hit custom zero, hit no tip.

0:32:13.120 --> 0:32:13.280
<v Speaker 5>No.

0:32:13.720 --> 0:32:15.560
<v Speaker 1>This guy was reaching over going ele me, I'll hit

0:32:15.560 --> 0:32:17.640
<v Speaker 1>that for you. Which tip would you like to give me?

0:32:17.800 --> 0:32:18.400
<v Speaker 4>Wow?

0:32:19.040 --> 0:32:21.360
<v Speaker 1>Wow? Go Like, you can't say to the guy, no tip.

0:32:21.520 --> 0:32:25.640
<v Speaker 1>You can't say the guy two percent. The tipping culture

0:32:25.720 --> 0:32:30.800
<v Speaker 1>is out of hand. It is out of hand of hand.

0:32:33.240 --> 0:32:34.560
<v Speaker 1>I got one more quick, rand Field.

0:32:35.520 --> 0:32:36.080
<v Speaker 4>Do I have time?

0:32:36.480 --> 0:32:38.880
<v Speaker 1>Of course, of course if you'd like. I mean, we

0:32:39.360 --> 0:32:43.640
<v Speaker 1>have plenty of time. We got Yeah, We're like, we're

0:32:43.640 --> 0:32:46.520
<v Speaker 1>only about two thirds through the show. All right, I

0:32:46.560 --> 0:32:48.560
<v Speaker 1>had enough. You need to take a break. Okay, all right,

0:32:48.840 --> 0:32:51.880
<v Speaker 1>I'll tell you what. Take a deep breath. We'll take

0:32:51.920 --> 0:32:52.320
<v Speaker 1>the break.

0:32:53.600 --> 0:32:57.440
<v Speaker 4>Get my new bumper, No play the Bumper.

0:32:57.800 --> 0:32:59.800
<v Speaker 3>The Brooklyn Boys Podcast.

0:33:00.120 --> 0:33:01.280
<v Speaker 8>We will be right back.

0:33:02.360 --> 0:33:04.840
<v Speaker 1>We're gonna we wouldn't do a whole segment where we're

0:33:04.840 --> 0:33:08.920
<v Speaker 1>gonna play some some new AI songs and we got

0:33:08.920 --> 0:33:11.080
<v Speaker 1>a new bumper for you. We'll play that next.

0:33:11.360 --> 0:33:11.720
<v Speaker 4>Very good.

0:33:11.960 --> 0:33:14.240
<v Speaker 1>So I get a d M from a guy named

0:33:14.320 --> 0:33:18.760
<v Speaker 1>Gary Signor s I n yo R. I don't know

0:33:18.760 --> 0:33:22.040
<v Speaker 1>who he is, and he says, now, scary. This is

0:33:22.080 --> 0:33:23.800
<v Speaker 1>the guy I sent you the clips of his TV show.

0:33:24.640 --> 0:33:28.000
<v Speaker 1>He writes, Hi, David, I don't know what your podcast is,

0:33:28.400 --> 0:33:34.160
<v Speaker 1>but my sitcom Hapless is now on Peacock and has

0:33:34.200 --> 0:33:37.960
<v Speaker 1>great reviews. Let me know if it's of interest to you,

0:33:38.120 --> 0:33:39.920
<v Speaker 1>and if you'd like to have me on. Hey, guess what,

0:33:40.640 --> 0:33:44.080
<v Speaker 1>Maybe he should take interest in us because our podcast

0:33:44.120 --> 0:33:44.920
<v Speaker 1>is highly reviewed.

0:33:45.000 --> 0:33:48.840
<v Speaker 4>Yeah, and he's hold on scary. I'll just asn't thought.

0:33:48.880 --> 0:33:51.920
<v Speaker 4>I'll finish my bit. Okay, continue, So you and I

0:33:51.960 --> 0:33:52.720
<v Speaker 4>are very similar?

0:33:52.800 --> 0:33:53.720
<v Speaker 1>I bet yeah?

0:33:53.760 --> 0:33:54.560
<v Speaker 4>Fuck you?

0:33:54.600 --> 0:33:59.640
<v Speaker 1>Who wrote? I wrote back, Hi Gary, Basically what you

0:33:59.800 --> 0:34:02.480
<v Speaker 1>just said was you have a thing, but I don't

0:34:02.520 --> 0:34:04.560
<v Speaker 1>care about it. But I want you to care about

0:34:04.600 --> 0:34:07.480
<v Speaker 1>my thing. What if I said, Hey, Gary, I don't

0:34:07.520 --> 0:34:10.279
<v Speaker 1>know about your sitcom, but my podcast to Brooklyn Boys

0:34:10.320 --> 0:34:13.520
<v Speaker 1>is on iHeartRadio and Spotify and Apple Podcasts and Amazon

0:34:13.600 --> 0:34:15.880
<v Speaker 1>Music and has great reviews. Let me know if that

0:34:15.960 --> 0:34:19.040
<v Speaker 1>interests you and you'd like to have us on your

0:34:19.080 --> 0:34:23.960
<v Speaker 1>TV show? How would you feel? So then he writes back,

0:34:24.040 --> 0:34:28.719
<v Speaker 1>by the way, fucking excellent. Thank you all right, but yeah,

0:34:28.880 --> 0:34:32.760
<v Speaker 1>the nerve that's so obvious. How do you do podcast?

0:34:32.920 --> 0:34:35.000
<v Speaker 1>You've got a show to promote? Read you'd like to

0:34:35.000 --> 0:34:37.120
<v Speaker 1>have me on? I'll do your podcast? What if it

0:34:37.160 --> 0:34:40.160
<v Speaker 1>was what if we did a Nazi podcast? What if

0:34:40.160 --> 0:34:43.160
<v Speaker 1>we did like a wife abuse podcast. He doesn't even

0:34:43.160 --> 0:34:45.680
<v Speaker 1>know what our podcast is. He just wants press. He

0:34:45.760 --> 0:34:47.799
<v Speaker 1>just wants to be on something. I don't care about

0:34:47.800 --> 0:34:48.600
<v Speaker 1>your podcast.

0:34:48.280 --> 0:34:50.480
<v Speaker 4>I don't give a promote. I don't give a fuck.

0:34:50.880 --> 0:34:55.400
<v Speaker 1>Oh wow, continue, he writes back, Hi, David, that's not

0:34:55.520 --> 0:34:57.040
<v Speaker 1>the most diplomatic of my messages.

0:34:57.080 --> 0:34:57.600
<v Speaker 4>I'll give you that.

0:34:58.160 --> 0:35:00.760
<v Speaker 1>In my defense, the show is called hap us because

0:35:00.760 --> 0:35:03.680
<v Speaker 1>the lead character is not great at communication. If I

0:35:03.760 --> 0:35:06.720
<v Speaker 1>received the message that you received from me, i'd respond

0:35:06.760 --> 0:35:07.760
<v Speaker 1>the same way or worse.

0:35:08.120 --> 0:35:09.040
<v Speaker 4>My apologies.

0:35:09.360 --> 0:35:11.600
<v Speaker 1>I will never get a job in pr Thanks for

0:35:11.640 --> 0:35:16.320
<v Speaker 1>even responding, Gary. Now. I was like, fuck you, Gary,

0:35:16.400 --> 0:35:21.239
<v Speaker 1>and you fucking show hapless on Peacock. But then I thought, well,

0:35:21.280 --> 0:35:23.200
<v Speaker 1>if his character is happless and he's trying to say

0:35:23.200 --> 0:35:26.200
<v Speaker 1>that he's a loser kind of guy, he was leading

0:35:26.200 --> 0:35:30.280
<v Speaker 1>it's he's a method actor there, Brody leading into the material.

0:35:30.800 --> 0:35:33.839
<v Speaker 1>So I said, you know what, let me check out

0:35:33.880 --> 0:35:38.120
<v Speaker 1>his show on you on his page and I sent

0:35:38.160 --> 0:35:40.759
<v Speaker 1>you a clips scary So before I say anything, what

0:35:40.760 --> 0:35:44.560
<v Speaker 1>did you think of the clips of his show? Oh

0:35:44.920 --> 0:35:47.319
<v Speaker 1>my god, he may be checking out a podcast for

0:35:47.360 --> 0:35:50.040
<v Speaker 1>the first time. Do I really have to tell you? Yes,

0:35:50.080 --> 0:35:53.080
<v Speaker 1>you do, because he did check out our podcast. He

0:35:53.320 --> 0:35:58.440
<v Speaker 1>actually wrote me back and check on the podcast to

0:35:58.520 --> 0:36:01.759
<v Speaker 1>dud I don't like it. Oh you told me, you

0:36:02.000 --> 0:36:03.239
<v Speaker 1>told me it wasn't bad.

0:36:04.160 --> 0:36:04.919
<v Speaker 4>I didn't like it.

0:36:05.960 --> 0:36:08.560
<v Speaker 1>Well, I checked it out. Sorry about that's my personal

0:36:08.600 --> 0:36:11.440
<v Speaker 1>British humor. It's British humor. You have to like the

0:36:11.440 --> 0:36:13.360
<v Speaker 1>British humor. Yeah, I'm sorry. I actually thought it was

0:36:13.440 --> 0:36:17.720
<v Speaker 1>pretty darn good. I thought his sarcasm is it was okay.

0:36:18.000 --> 0:36:18.400
<v Speaker 4>I don't know.

0:36:18.520 --> 0:36:22.000
<v Speaker 1>It's not my humor though, Okay, maybe it will grow,

0:36:22.080 --> 0:36:23.680
<v Speaker 1>Maybe you'll grow on me. I'm I don't want to

0:36:23.719 --> 0:36:26.239
<v Speaker 1>shit on the guy. Well, he wrote back, and he said,

0:36:26.320 --> 0:36:29.239
<v Speaker 1>we already does your podcast. That bit with the gold

0:36:29.280 --> 0:36:32.080
<v Speaker 1>microphone sounding like crap was hilarious. I'm gonna have to

0:36:32.080 --> 0:36:36.080
<v Speaker 1>listen to more episodes. Did go and listen to our podcast. Okay,

0:36:36.080 --> 0:36:37.960
<v Speaker 1>so he's listening to this right now. Now I feel

0:36:38.000 --> 0:36:40.400
<v Speaker 1>like a schmuck because I just I just took a

0:36:40.480 --> 0:36:41.240
<v Speaker 1>dump on him.

0:36:41.320 --> 0:36:42.760
<v Speaker 4>So here's my question. Slices.

0:36:42.960 --> 0:36:44.840
<v Speaker 1>Now, this is where you leave talkbacks related to what

0:36:44.880 --> 0:36:48.120
<v Speaker 1>we're asking. Okay, I need to leave it talk back

0:36:48.120 --> 0:36:49.880
<v Speaker 1>in our radio app. Hit the microphone button, leave his

0:36:49.920 --> 0:36:54.560
<v Speaker 1>talk back? Should I be mad at this guy even

0:36:54.600 --> 0:36:57.440
<v Speaker 1>though you apologize? Right? And should we have him on?

0:36:58.239 --> 0:37:01.960
<v Speaker 1>His show's on Peacock? He's now a slice. Maybe we

0:37:02.000 --> 0:37:04.360
<v Speaker 1>get some press out of it. Maybe he gets some

0:37:04.400 --> 0:37:07.799
<v Speaker 1>press out of it. He apologized. Should we have him

0:37:07.840 --> 0:37:14.839
<v Speaker 1>on Scary? What do you think I'm gonna go? I'm

0:37:14.840 --> 0:37:15.440
<v Speaker 1>gonna go with no.

0:37:16.280 --> 0:37:18.759
<v Speaker 4>Really, I'm gonna go with yes.

0:37:19.480 --> 0:37:21.719
<v Speaker 1>I like initially because I want to call him out

0:37:21.719 --> 0:37:23.520
<v Speaker 1>on the carpet fit and read his message to him.

0:37:23.719 --> 0:37:26.360
<v Speaker 1>But also I feel like, what if he blows up?

0:37:26.400 --> 0:37:28.399
<v Speaker 1>What if this show gets huge and he's the next

0:37:28.480 --> 0:37:33.040
<v Speaker 1>Larry David and we didn't have him on? I mean,

0:37:33.520 --> 0:37:35.440
<v Speaker 1>you know I want to Okay, let me give it

0:37:35.440 --> 0:37:37.560
<v Speaker 1>a second. Watch Yeah, do that?

0:37:37.560 --> 0:37:37.920
<v Speaker 5>I do?

0:37:38.280 --> 0:37:42.160
<v Speaker 1>Sorry, I read on it's on. There's probably YouTube trailers

0:37:42.160 --> 0:37:44.759
<v Speaker 1>for the show start for Hapless on Peacock and let

0:37:44.840 --> 0:37:46.360
<v Speaker 1>us know what you think of the clips and if we.

0:37:46.320 --> 0:37:48.600
<v Speaker 4>Should have him on. I wear my emotions on my sleeve.

0:37:48.680 --> 0:37:51.080
<v Speaker 1>I can't say yes just because he checked out our

0:37:51.080 --> 0:37:55.080
<v Speaker 1>podcast now and he apologized and he's backpedaling doesn't make

0:37:55.160 --> 0:37:57.000
<v Speaker 1>me like his material anymore.

0:37:57.080 --> 0:37:59.120
<v Speaker 4>But you're saying it's too late to apologize.

0:37:59.760 --> 0:38:01.480
<v Speaker 1>No, it's not about that, and I'm not doing it.

0:38:02.480 --> 0:38:05.120
<v Speaker 1>Not doing it as on spite with the clip you

0:38:05.239 --> 0:38:09.560
<v Speaker 1>sent me. Yeah, took a little bit. I don't know.

0:38:09.880 --> 0:38:12.440
<v Speaker 1>It took a little long for it to develop or

0:38:12.480 --> 0:38:15.600
<v Speaker 1>for me to like chuckle. But okay, maybe it's because

0:38:15.640 --> 0:38:18.279
<v Speaker 1>I saw just that clip. Maybe I need to watch

0:38:18.280 --> 0:38:21.240
<v Speaker 1>an entire episode. Maybe I would be hooked after an episode.

0:38:21.320 --> 0:38:25.120
<v Speaker 1>I mean, listen, even Seinfeld wasn't a hit when it

0:38:25.160 --> 0:38:27.880
<v Speaker 1>first aired. When it first aired, it was, in fact,

0:38:27.880 --> 0:38:31.640
<v Speaker 1>it was almost it almost got canceled. So you're basing

0:38:31.640 --> 0:38:33.000
<v Speaker 1>whether or not we should have him on whether or

0:38:33.000 --> 0:38:34.960
<v Speaker 1>not you enjoyed the clip, as opposed to whether or

0:38:34.960 --> 0:38:36.279
<v Speaker 1>not it would be interesting to have a guy on

0:38:36.600 --> 0:38:40.080
<v Speaker 1>who totally fucked up when he contacted me, or or

0:38:40.239 --> 0:38:43.359
<v Speaker 1>rewarding him. I think, well, if we have him on.

0:38:43.520 --> 0:38:46.600
<v Speaker 1>It would just be to have a dump fest on him,

0:38:46.600 --> 0:38:47.920
<v Speaker 1>and I don't want to do that. I want to

0:38:48.080 --> 0:38:51.560
<v Speaker 1>I want to acknowledge his merits. I want to say

0:38:51.600 --> 0:38:54.960
<v Speaker 1>that I'm a fan of his, of his of his

0:38:55.000 --> 0:38:58.040
<v Speaker 1>hapless show on Peacock. But now, what if we get him?

0:38:58.080 --> 0:38:59.600
<v Speaker 1>What if we get him in season two? To mention

0:38:59.640 --> 0:39:04.439
<v Speaker 1>our pop guest, I mean, listen, we're gonna play that game.

0:39:04.560 --> 0:39:07.000
<v Speaker 4>That play that game. It's a real, a real deal thing.

0:39:07.280 --> 0:39:09.799
<v Speaker 1>I'm gonna go. I'm gonna watch an entire episode. That's

0:39:09.840 --> 0:39:12.200
<v Speaker 1>my homework. Let's all right, very good, Let's let's show.

0:39:12.360 --> 0:39:14.120
<v Speaker 1>By the way, not a paid advertisement. He's not paying

0:39:14.120 --> 0:39:15.960
<v Speaker 1>me to promote the show. I thought it wasn't bad.

0:39:16.040 --> 0:39:20.239
<v Speaker 1>Let's shelve it for now, all right. Hey god, I

0:39:20.239 --> 0:39:24.960
<v Speaker 1>don't even know how to approach this without because so

0:39:25.600 --> 0:39:26.600
<v Speaker 1>you think you know people?

0:39:27.239 --> 0:39:27.759
<v Speaker 4>What did I do?

0:39:27.920 --> 0:39:31.040
<v Speaker 1>No, this is something that I was at dinner with

0:39:31.120 --> 0:39:33.960
<v Speaker 1>a friend of ours last week. It was I was,

0:39:34.040 --> 0:39:37.760
<v Speaker 1>it was Robin and me m and it was another couple.

0:39:38.640 --> 0:39:41.040
<v Speaker 1>You say that, right, and another couple, and and and

0:39:41.440 --> 0:39:44.560
<v Speaker 1>a fifth party. I'm not gonna say who. It was

0:39:44.680 --> 0:39:47.759
<v Speaker 1>a fifth party meeting a solo person. Yes, a guy. Yeah,

0:39:47.840 --> 0:39:52.200
<v Speaker 1>our buddy, our old friend who I know. Yes, Okay,

0:39:54.000 --> 0:39:56.880
<v Speaker 1>So he's like, hey, when was the last time you

0:39:56.920 --> 0:39:57.680
<v Speaker 1>talked to so and so?

0:39:58.600 --> 0:40:00.840
<v Speaker 4>And by the way, you know who so and And

0:40:00.880 --> 0:40:02.600
<v Speaker 4>I'm like, it's been a while.

0:40:02.680 --> 0:40:04.720
<v Speaker 1>I know he's out in west in the West Coast,

0:40:05.600 --> 0:40:09.560
<v Speaker 1>and he's got you know, he's happily married, and you know,

0:40:09.640 --> 0:40:11.480
<v Speaker 1>I know he went through some things. A couple of

0:40:11.520 --> 0:40:16.880
<v Speaker 1>years ago. He was in the hospital. He was uh,

0:40:17.040 --> 0:40:20.400
<v Speaker 1>he suffered a really bad heart attack. And then he

0:40:20.560 --> 0:40:23.720
<v Speaker 1>changed his life. He turned his life around and lost

0:40:23.760 --> 0:40:26.879
<v Speaker 1>all the weight, started working out vigorously. Now the guy's

0:40:26.880 --> 0:40:27.560
<v Speaker 1>a health nut.

0:40:27.880 --> 0:40:32.200
<v Speaker 4>Now the guy's jacked. He's got a beard, mustache.

0:40:32.200 --> 0:40:33.320
<v Speaker 1>I don't know if you still if you know what

0:40:33.320 --> 0:40:34.759
<v Speaker 1>I'm talking about yet, don't say who it is.

0:40:34.800 --> 0:40:37.160
<v Speaker 4>If you do, and I is it someone you are

0:40:37.280 --> 0:40:39.840
<v Speaker 4>old school? It's old school radio, old school radio on

0:40:40.200 --> 0:40:40.760
<v Speaker 4>West Coast.

0:40:41.040 --> 0:40:44.399
<v Speaker 1>Yeah, so, I said, I said no, I said, I said, yeah,

0:40:44.440 --> 0:40:50.120
<v Speaker 1>I've really seen him lately. You didn't hear I said, what, yes, dude,

0:40:52.120 --> 0:40:56.279
<v Speaker 1>him and his wife they came out as being in

0:40:56.280 --> 0:41:05.200
<v Speaker 1>an open marriage as bisexual swingers. What yes, brody, Yes, Yes,

0:41:05.360 --> 0:41:07.960
<v Speaker 1>it's the person we're thinking of. So I'm like, wait

0:41:07.960 --> 0:41:13.000
<v Speaker 1>what he and he goes, yeah, he he And apparently

0:41:13.160 --> 0:41:18.520
<v Speaker 1>he talked about it publicly. And until I get confirmation

0:41:18.600 --> 0:41:21.960
<v Speaker 1>that he did, then we can't say his name because

0:41:22.239 --> 0:41:24.680
<v Speaker 1>if he did do it publicly, we gotta have we

0:41:24.760 --> 0:41:27.600
<v Speaker 1>gotta call him up and talk to him about this brody.

0:41:28.719 --> 0:41:31.440
<v Speaker 1>So apparently him and his wife were going through some hardships,

0:41:31.560 --> 0:41:33.680
<v Speaker 1>and he and his wife he had the health scare.

0:41:34.520 --> 0:41:37.319
<v Speaker 1>Now he's right with himself and now he's jacked and

0:41:37.360 --> 0:41:43.719
<v Speaker 1>he realizes that he's into men and other women, and

0:41:43.760 --> 0:41:48.839
<v Speaker 1>his wife is into other men. So he's got boyfriends,

0:41:49.920 --> 0:41:54.760
<v Speaker 1>he's got girlfriends, she's got other boyfriends. Apparently she's uh,

0:41:55.640 --> 0:41:58.759
<v Speaker 1>she's straight, but they're in an open marriage. I can't

0:41:58.760 --> 0:41:59.080
<v Speaker 1>see that.

0:41:59.280 --> 0:42:00.800
<v Speaker 4>Like I'm trying to fit. I get you see this

0:42:00.840 --> 0:42:02.520
<v Speaker 4>hold on like whatever?

0:42:02.640 --> 0:42:08.360
<v Speaker 1>All right? Nope. Anyway point is I was like, you

0:42:08.440 --> 0:42:11.760
<v Speaker 1>think you know someone, I guess you don't. This person

0:42:11.840 --> 0:42:15.640
<v Speaker 1>know all this stuff because he's still connected to that

0:42:15.680 --> 0:42:19.600
<v Speaker 1>whole crew of people. So and anyway, this this doesn't

0:42:19.640 --> 0:42:24.399
<v Speaker 1>change my opinion to the guy. It's more about the

0:42:24.440 --> 0:42:28.160
<v Speaker 1>wow factor, the shock factor of why I just didn't

0:42:29.320 --> 0:42:31.080
<v Speaker 1>I mean, was it was it like this all along

0:42:31.200 --> 0:42:34.440
<v Speaker 1>and we didn't know or and and I know this

0:42:34.440 --> 0:42:38.560
<v Speaker 1>person a long time. Yeah no, Brodie, you're not. No,

0:42:38.800 --> 0:42:41.640
<v Speaker 1>I'm just gonna text. I'm gonna texting you. Okay, it's

0:42:41.680 --> 0:42:45.120
<v Speaker 1>not the person I just text. No, it's not okay,

0:42:45.560 --> 0:42:48.920
<v Speaker 1>that's no no no.

0:42:52.080 --> 0:42:55.360
<v Speaker 4>See oh yeah they are jacked.

0:42:56.040 --> 0:43:01.000
<v Speaker 2>Yeah yeah yeah. So so now isn't that crazy though?

0:43:02.600 --> 0:43:06.000
<v Speaker 2>So I get I'm I'm fascinated. I want to talk

0:43:06.080 --> 0:43:06.799
<v Speaker 2>more about it.

0:43:07.160 --> 0:43:07.840
<v Speaker 4>I have a question.

0:43:08.200 --> 0:43:10.399
<v Speaker 1>I have plenty of dude. This is like, I don't

0:43:10.400 --> 0:43:12.279
<v Speaker 1>know the last time I had this many questions. It

0:43:12.320 --> 0:43:14.680
<v Speaker 1>was when we found out that the conjoined twins got married.

0:43:14.719 --> 0:43:14.879
<v Speaker 5>Yeah.

0:43:15.040 --> 0:43:18.120
<v Speaker 1>Yeah, yeah, here's my question. You went to dinner? Was

0:43:18.120 --> 0:43:22.000
<v Speaker 1>you and Robin? Yes? Another couple yes? And this person

0:43:22.040 --> 0:43:25.200
<v Speaker 1>by themselves yes? Yeah, who lives in the Central Jersey

0:43:25.200 --> 0:43:29.880
<v Speaker 1>who we know? So theoretically you could have invited someone

0:43:30.200 --> 0:43:34.399
<v Speaker 1>just single to dinner, went out a date like someone

0:43:34.400 --> 0:43:37.160
<v Speaker 1>else made it six? No, well he was the fifth,

0:43:37.239 --> 0:43:42.200
<v Speaker 1>this guy, but he made it six like okay, yeah, oh,

0:43:42.280 --> 0:43:44.879
<v Speaker 1>meaning you meaning you, I imagine saying, so I could

0:43:44.880 --> 0:43:48.520
<v Speaker 1>have come, you know, oh okay, I see I say

0:43:48.560 --> 0:43:49.959
<v Speaker 1>my wife wouldn't have wanted to come, so I would

0:43:49.960 --> 0:43:52.640
<v Speaker 1>have just come alone. Okay, So back to back to

0:43:52.680 --> 0:43:55.719
<v Speaker 1>this now, Oh you had to first tag me for that. Yeah,

0:43:55.800 --> 0:43:57.279
<v Speaker 1>to just get on my fucking case and give me

0:43:57.280 --> 0:43:58.920
<v Speaker 1>a share. This person, I did invite you to a

0:43:58.960 --> 0:44:04.200
<v Speaker 1>bougie restaurant, okay, you of course you sent me. You

0:44:04.239 --> 0:44:07.279
<v Speaker 1>sent me a TikTok video today of a restaurant with

0:44:07.440 --> 0:44:10.879
<v Speaker 1>some girl reviewing it where she said everything was delish. Dude,

0:44:10.920 --> 0:44:13.120
<v Speaker 1>I know you're laying. You would not have liked this restaurant.

0:44:13.160 --> 0:44:14.919
<v Speaker 1>That's why I thought I thought of you, but didn't

0:44:14.920 --> 0:44:17.000
<v Speaker 1>invite you. Go to a restaurant where the girls like,

0:44:17.040 --> 0:44:21.400
<v Speaker 1>oh my gokay, why the truffled the truffles, the truffled

0:44:21.400 --> 0:44:22.840
<v Speaker 1>potatoes are delish?

0:44:23.160 --> 0:44:25.439
<v Speaker 4>So then why did you insinuate I should have invited you?

0:44:25.960 --> 0:44:26.600
<v Speaker 1>Why you bring them?

0:44:26.920 --> 0:44:27.239
<v Speaker 3>Shut up?

0:44:27.280 --> 0:44:29.080
<v Speaker 1>And she give me the opportunity to say, no, no,

0:44:29.520 --> 0:44:31.839
<v Speaker 1>break my balls. I know what you like to pay

0:44:31.840 --> 0:44:33.440
<v Speaker 1>for my dinner. I don't care what it is, all right?

0:44:33.760 --> 0:44:37.080
<v Speaker 1>So this person yes and not? Okay, So first of all,

0:44:37.680 --> 0:44:39.759
<v Speaker 1>I never would have guessed that they would buy. But

0:44:39.960 --> 0:44:44.319
<v Speaker 1>it's fine whatever he's by. But and she just gets

0:44:44.320 --> 0:44:48.040
<v Speaker 1>to bang other guys. Yes, they have an open relationship.

0:44:48.280 --> 0:44:52.279
<v Speaker 1>He's not by right, so sheky she just hooks up dude.

0:44:52.360 --> 0:44:55.360
<v Speaker 1>So step one, he's by no idea. Step two he

0:44:55.440 --> 0:44:59.080
<v Speaker 1>has an open marriage now yes, and step three his

0:44:59.080 --> 0:45:00.320
<v Speaker 1>wife's banging other guy.

0:45:00.560 --> 0:45:02.960
<v Speaker 4>Now, I have a question. You don't know the answer

0:45:02.960 --> 0:45:03.880
<v Speaker 4>to this. I don't put it.

0:45:04.280 --> 0:45:06.600
<v Speaker 1>If you're suddenly into guys and tell your wife she

0:45:06.640 --> 0:45:08.200
<v Speaker 1>can bang other guys. Well, I don't know if you

0:45:08.280 --> 0:45:11.240
<v Speaker 1>suddenly at the guys. I think it's at some point, okay, whatever,

0:45:11.440 --> 0:45:15.640
<v Speaker 1>like you'll leave it, whatever, And okay, it's known now

0:45:15.680 --> 0:45:18.160
<v Speaker 1>you're by or you've always been buying. You realize that whatever.

0:45:18.920 --> 0:45:20.839
<v Speaker 1>Are you banging the other guys with your wife? Are

0:45:20.880 --> 0:45:22.560
<v Speaker 1>you in that like three way? Like I'll help you

0:45:22.600 --> 0:45:25.759
<v Speaker 1>with that. Okay, that's what I want to know. That's

0:45:25.760 --> 0:45:27.600
<v Speaker 1>why I want to have him on the podcast. I

0:45:27.640 --> 0:45:29.319
<v Speaker 1>don't think he's gonna talk about I don't think that's

0:45:29.360 --> 0:45:32.360
<v Speaker 1>like that's it's I feel weed. I want to say

0:45:32.600 --> 0:45:37.919
<v Speaker 1>he surprised his two co hosts. I would imagine those

0:45:37.960 --> 0:45:38.920
<v Speaker 1>two guys with.

0:45:39.080 --> 0:45:41.880
<v Speaker 4>The story live on their radio show.

0:45:42.640 --> 0:45:45.719
<v Speaker 1>Oh yes, So if that's the case, then it's fair

0:45:45.760 --> 0:45:46.600
<v Speaker 1>game because it's out.

0:45:46.520 --> 0:45:46.879
<v Speaker 8>In the ether.

0:45:47.600 --> 0:45:48.640
<v Speaker 4>Why it's not fair game?

0:45:49.160 --> 0:45:52.200
<v Speaker 1>He's telling his co host because they're his best friends

0:45:52.239 --> 0:45:54.880
<v Speaker 1>on air, I know, and because it's content for their

0:45:54.960 --> 0:45:57.879
<v Speaker 1>radio show. But coming on our podcast is like we're

0:45:57.880 --> 0:45:58.520
<v Speaker 1>walking at it.

0:45:59.440 --> 0:46:00.080
<v Speaker 4>No, it's not.

0:46:00.360 --> 0:46:03.000
<v Speaker 1>We're old friends of his, yes, but I don't think

0:46:03.000 --> 0:46:05.000
<v Speaker 1>he wants to answer the kind of questions we're gonna ask.

0:46:07.280 --> 0:46:10.800
<v Speaker 1>I think, really, hey, old friend, come on our podcast

0:46:10.880 --> 0:46:13.560
<v Speaker 1>and like, hey, so are you a top or a

0:46:13.560 --> 0:46:15.880
<v Speaker 1>bottom or both? He's not gonna answer that question, right,

0:46:15.920 --> 0:46:18.319
<v Speaker 1>So for the slices for the next slice time, let's

0:46:18.360 --> 0:46:22.040
<v Speaker 1>be focused. Leave us a talk back and tell us

0:46:22.080 --> 0:46:24.960
<v Speaker 1>what you learned that I asked for in addition to

0:46:25.000 --> 0:46:27.279
<v Speaker 1>what brod he asked for. Leave us a talk back

0:46:27.320 --> 0:46:31.920
<v Speaker 1>and tell us, with your own personal lives what you

0:46:32.040 --> 0:46:35.759
<v Speaker 1>found out several years later through friends or on Facebook

0:46:35.960 --> 0:46:39.279
<v Speaker 1>about someone in your in your past. It could be

0:46:39.600 --> 0:46:42.160
<v Speaker 1>suddenly decided to change your public persona and all of

0:46:42.160 --> 0:46:44.359
<v Speaker 1>a sudden you're like, hey, just everyone, let you know

0:46:44.520 --> 0:46:46.239
<v Speaker 1>and how did you do it? In other words, if

0:46:46.280 --> 0:46:47.880
<v Speaker 1>you were coming out as buy with an open marriage

0:46:47.920 --> 0:46:49.520
<v Speaker 1>or your wife us sleep with other people, would you

0:46:49.560 --> 0:46:51.279
<v Speaker 1>do it on a podcast or a radio show or

0:46:51.280 --> 0:46:52.680
<v Speaker 1>would you be like, I'm not telling you aboud, somebody's

0:46:52.680 --> 0:46:55.480
<v Speaker 1>fucking If you're in an open marriage, leave us a

0:46:55.520 --> 0:46:56.879
<v Speaker 1>talk back, let us know about it. Or if you're

0:46:56.920 --> 0:47:00.600
<v Speaker 1>by in an open marriage or or not whatever. If

0:47:00.600 --> 0:47:02.480
<v Speaker 1>you're in an open marriage, not by choices because they're

0:47:02.520 --> 0:47:03.440
<v Speaker 1>cheating on you, that's not the same.

0:47:03.560 --> 0:47:04.160
<v Speaker 4>I just wanted it.

0:47:04.200 --> 0:47:06.520
<v Speaker 1>I just want to hear stories of people that were

0:47:06.560 --> 0:47:10.320
<v Speaker 1>like shocked, like several years later finding out something about

0:47:10.320 --> 0:47:11.799
<v Speaker 1>someone like what.

0:47:12.000 --> 0:47:14.279
<v Speaker 4>And what was that news? You know, the same way

0:47:14.280 --> 0:47:14.799
<v Speaker 4>that I give you.

0:47:14.880 --> 0:47:17.080
<v Speaker 1>I'll give you two examples, because now Brody and I

0:47:17.120 --> 0:47:21.120
<v Speaker 1>are both shocked about this old friend of ours.

0:47:21.520 --> 0:47:23.360
<v Speaker 4>So you got to give you I'll.

0:47:23.200 --> 0:47:24.600
<v Speaker 1>Give you a I don't know if I should talk.

0:47:24.680 --> 0:47:27.120
<v Speaker 1>It's public, so it's not. He's not a friend of mine.

0:47:27.320 --> 0:47:29.600
<v Speaker 1>He's an acquaintance of mine that I'm a fan of.

0:47:29.640 --> 0:47:34.080
<v Speaker 1>I've met him a few times. I'm gonna say his name.

0:47:34.080 --> 0:47:37.320
<v Speaker 1>He's a very famous comedian. Okay, and again, his information

0:47:37.440 --> 0:47:39.360
<v Speaker 1>is public. It's not for me to talk about, Okay.

0:47:41.360 --> 0:47:43.279
<v Speaker 1>He always had it. He always talked about his sex

0:47:43.360 --> 0:47:46.280
<v Speaker 1>life being very He was into a lot of things,

0:47:46.320 --> 0:47:49.720
<v Speaker 1>and he was open about it. He did not have traditional.

0:47:50.360 --> 0:47:53.799
<v Speaker 1>He liked non traditional things. He was into kinky shit,

0:47:54.239 --> 0:47:55.120
<v Speaker 1>which fine.

0:47:54.920 --> 0:47:56.919
<v Speaker 4>Okay, fine to each his own.

0:47:56.960 --> 0:47:59.960
<v Speaker 1>I lost track of him. I didn't follow his life closely.

0:48:00.960 --> 0:48:01.600
<v Speaker 4>In my world.

0:48:01.600 --> 0:48:05.800
<v Speaker 1>He was always a straight guy with some weird i'm sorry,

0:48:06.200 --> 0:48:09.520
<v Speaker 1>different and unusual things he was into. And I just

0:48:09.640 --> 0:48:11.920
<v Speaker 1>saw I found and again it's been out in the

0:48:12.200 --> 0:48:14.640
<v Speaker 1>public for a couple of years now. He he and

0:48:14.680 --> 0:48:17.840
<v Speaker 1>a significant other have a podcast and and and video

0:48:18.000 --> 0:48:20.400
<v Speaker 1>and whole thing. I just didn't know. And I'm on

0:48:20.440 --> 0:48:27.400
<v Speaker 1>social media. I find out he married a trans woman okay,

0:48:27.760 --> 0:48:33.040
<v Speaker 1>who is still biologically male, right, And that was.

0:48:33.000 --> 0:48:33.759
<v Speaker 4>Shocking to me.

0:48:34.520 --> 0:48:37.600
<v Speaker 1>I don't have a problem with it, but he basically

0:48:37.880 --> 0:48:42.000
<v Speaker 1>he's married to a sexual private parts of a man,

0:48:43.239 --> 0:48:46.399
<v Speaker 1>So that would mean would that make him gay? For Bibe,

0:48:47.520 --> 0:48:49.800
<v Speaker 1>I don't know. I think I think he's by I

0:48:49.840 --> 0:48:50.239
<v Speaker 1>think someone.

0:48:50.360 --> 0:48:51.279
<v Speaker 4>So I asked someone.

0:48:51.360 --> 0:48:54.359
<v Speaker 1>They were like, oh, no, he's bye, he's you know again.

0:48:54.400 --> 0:48:56.279
<v Speaker 1>I don't care what they what they're what they love,

0:48:56.360 --> 0:48:56.919
<v Speaker 1>who they love.

0:48:57.280 --> 0:48:58.839
<v Speaker 4>I don't mean to say what they love. I don't

0:48:58.840 --> 0:49:00.799
<v Speaker 4>care who they love. I'm just saying I.

0:49:00.719 --> 0:49:04.840
<v Speaker 1>Had no clue as a fan and a casual acquaintance,

0:49:05.360 --> 0:49:08.239
<v Speaker 1>so I guess. My point is you never know, right,

0:49:09.600 --> 0:49:11.960
<v Speaker 1>you never know, and it doesn't matter, doesn't affect me

0:49:12.000 --> 0:49:13.640
<v Speaker 1>one way or another. I don't care. I don't care

0:49:13.680 --> 0:49:16.160
<v Speaker 1>who you love, who you're married. My point is the

0:49:16.239 --> 0:49:17.640
<v Speaker 1>person you mentioned just.

0:49:17.560 --> 0:49:19.680
<v Speaker 4>Blew my mind exactly.

0:49:21.040 --> 0:49:26.440
<v Speaker 1>Because I and why the open marriage is an open marriage,

0:49:26.440 --> 0:49:28.680
<v Speaker 1>because you're like, well, listen, I want to bang guys,

0:49:28.719 --> 0:49:31.640
<v Speaker 1>and I don't want to bang you anymore. But some people,

0:49:31.920 --> 0:49:35.600
<v Speaker 1>some people like that. I it's I listen, we know,

0:49:35.960 --> 0:49:38.880
<v Speaker 1>we know somebody. So I got a lot of questions. Okay,

0:49:38.920 --> 0:49:40.040
<v Speaker 1>we do, but I don't know if he wants to

0:49:40.080 --> 0:49:42.040
<v Speaker 1>come on our podcast and answer. I think I should

0:49:42.040 --> 0:49:43.640
<v Speaker 1>give him a private phone call. I'll tell you, why,

0:49:44.320 --> 0:49:47.399
<v Speaker 1>Why don't you talk to the co host that we're

0:49:47.560 --> 0:49:51.400
<v Speaker 1>very good friends with and ask their opinion of what

0:49:51.440 --> 0:49:53.600
<v Speaker 1>you should do next. That's a great idea because that

0:49:53.640 --> 0:49:55.920
<v Speaker 1>guy I'm very close with, so right, and he would

0:49:55.960 --> 0:49:58.320
<v Speaker 1>know and he yeah, he'll give you an honest answer

0:49:58.960 --> 0:50:01.240
<v Speaker 1>if if it's an approachable situation.

0:50:01.719 --> 0:50:05.200
<v Speaker 4>Right, All right, Okay, that works for me.

0:50:05.600 --> 0:50:12.040
<v Speaker 1>All right, Brody, you've left what a lot of things

0:50:12.120 --> 0:50:15.000
<v Speaker 1>dangling for future episodes. Yeah, we did, we did.

0:50:15.239 --> 0:50:17.080
<v Speaker 4>We're giving a lot of homework to this license.

0:50:17.239 --> 0:50:21.680
<v Speaker 1>Yeah, hey, I know, I know you have to run

0:50:21.800 --> 0:50:25.799
<v Speaker 1>very soon, but you really got very excited about your

0:50:25.920 --> 0:50:31.640
<v Speaker 1>latest in the AI world of of jingles. Brony's found

0:50:31.680 --> 0:50:35.080
<v Speaker 1>this his new calling. First of all, he found it finally,

0:50:35.160 --> 0:50:37.080
<v Speaker 1>all these years later, how many years have been writing

0:50:37.120 --> 0:50:40.759
<v Speaker 1>parodies and ship my whole life, your whole life, And

0:50:40.800 --> 0:50:45.600
<v Speaker 1>now finally the technology has caught up and he doesn't

0:50:45.600 --> 0:50:47.000
<v Speaker 1>have to pay for He doesn't have to pay a

0:50:47.200 --> 0:50:51.880
<v Speaker 1>penny for it. He does are not parodies, But I

0:50:51.960 --> 0:50:54.759
<v Speaker 1>wrote the lyrics. So when you hear the lyrics, just

0:50:54.840 --> 0:50:58.000
<v Speaker 1>know that I wrote them. The AI created the music.

0:50:58.160 --> 0:51:02.040
<v Speaker 1>I selected the genre. And so here's the thing. This,

0:51:02.040 --> 0:51:07.520
<v Speaker 1>this this software and website that I'm using only allows

0:51:07.520 --> 0:51:09.920
<v Speaker 1>a certain amount of parodies based on what I paid

0:51:10.320 --> 0:51:13.759
<v Speaker 1>for twenty four hours, right, so at midnight I can

0:51:13.760 --> 0:51:16.799
<v Speaker 1>get more. So I'm up watching the clock like like

0:51:16.800 --> 0:51:19.280
<v Speaker 1>a drug fiend, right, waiting to create more music.

0:51:20.480 --> 0:51:20.960
<v Speaker 4>I love it.

0:51:21.320 --> 0:51:23.640
<v Speaker 1>But the fact now is that we've caught up so

0:51:23.760 --> 0:51:26.200
<v Speaker 1>much that you don't have to go into a studio

0:51:26.400 --> 0:51:30.239
<v Speaker 1>with singers and stuff. There's a process behind each one.

0:51:30.320 --> 0:51:33.480
<v Speaker 1>Anything that you hear, any piece of sound audio, the Brooklyn,

0:51:34.200 --> 0:51:37.960
<v Speaker 1>The Brooklyn Boys podcasts ruddy and scary. That was I

0:51:38.000 --> 0:51:40.280
<v Speaker 1>had to get people in to sing that, right, yeah,

0:51:40.400 --> 0:51:43.200
<v Speaker 1>the Brooklyn Boys podcast We will be right back now.

0:51:43.280 --> 0:51:45.200
<v Speaker 4>That that get you people to come in. Now, that

0:51:45.280 --> 0:51:46.240
<v Speaker 4>was the Forbreeze jingle.

0:51:46.400 --> 0:51:48.880
<v Speaker 1>Right so now you know, but the pay people, my

0:51:48.960 --> 0:51:52.600
<v Speaker 1>company paid people sing that. They they come in, they

0:51:52.640 --> 0:51:55.359
<v Speaker 1>do several takes, They spend an hour or two there,

0:51:55.760 --> 0:51:58.160
<v Speaker 1>they harmonize, they go through the whole thing, and then

0:51:58.440 --> 0:52:01.799
<v Speaker 1>then it goes into the back room and some produces it.

0:52:01.840 --> 0:52:05.440
<v Speaker 1>And it's a lot of effort. Right now, I decided

0:52:05.480 --> 0:52:08.120
<v Speaker 1>to come up with some songs. Now I wrote, I wrote,

0:52:08.920 --> 0:52:12.080
<v Speaker 1>the lyrics are the same, but I did six versions

0:52:12.360 --> 0:52:15.280
<v Speaker 1>because I I think number three and six of my favorites.

0:52:15.800 --> 0:52:17.279
<v Speaker 1>But I wanted you to hear the different ones, see

0:52:17.280 --> 0:52:19.120
<v Speaker 1>which ones you like, because I think this can be

0:52:19.080 --> 0:52:19.919
<v Speaker 1>a someone we.

0:52:19.800 --> 0:52:20.799
<v Speaker 4>Play often on the show.

0:52:20.880 --> 0:52:22.960
<v Speaker 1>So now you get to pay a damn person and

0:52:23.000 --> 0:52:25.040
<v Speaker 1>you just you've typed a bunch of words into a

0:52:25.040 --> 0:52:27.799
<v Speaker 1>computer and into a search whatever a program I want

0:52:27.840 --> 0:52:28.160
<v Speaker 1>to put out.

0:52:28.160 --> 0:52:30.560
<v Speaker 4>I wrote lyrics, they rhyme, restructured lyrics.

0:52:30.600 --> 0:52:32.680
<v Speaker 1>You write the lyrics and now they just it just

0:52:32.760 --> 0:52:36.319
<v Speaker 1>belts out on its own ray. I produces this and

0:52:36.360 --> 0:52:38.719
<v Speaker 1>I picked the ones I like. Now, now listen, one

0:52:38.760 --> 0:52:42.240
<v Speaker 1>of these cuts off the first syllable, so it's like scary,

0:52:42.280 --> 0:52:44.640
<v Speaker 1>but it's like eerie. So I'm gonna have to fix

0:52:44.680 --> 0:52:47.400
<v Speaker 1>that somehow. Well, when you don't hear the name the

0:52:47.400 --> 0:52:50.200
<v Speaker 1>first word, that's why. So this play jingle number one,

0:52:51.400 --> 0:52:54.080
<v Speaker 1>Scary Jones is a hold a scary hold on stuff

0:52:54.560 --> 0:52:54.960
<v Speaker 1>you told me.

0:52:54.960 --> 0:52:55.160
<v Speaker 5>I know.

0:52:55.640 --> 0:52:56.680
<v Speaker 4>Now you tell me to stop.

0:52:56.920 --> 0:53:00.879
<v Speaker 1>I got that. I need you to turn the volume off.

0:53:00.920 --> 0:53:04.440
<v Speaker 1>I can barely hear the clips. Okay, here it is

0:53:06.120 --> 0:53:08.800
<v Speaker 1>tempo tempo steering.

0:53:08.880 --> 0:53:12.360
<v Speaker 6>Lost of the Way brand names his son. The shirt

0:53:12.480 --> 0:53:18.239
<v Speaker 6>is all money exchange sneering tea shirt really sucks. It's

0:53:18.239 --> 0:53:23.080
<v Speaker 6>ames tight hundred bucks. She gotta not go paything suit.

0:53:24.080 --> 0:53:29.400
<v Speaker 6>It doesn't it You should be glutes private beaches, scary on.

0:53:29.960 --> 0:53:34.120
<v Speaker 1>What the s slops on by lucentshn geez.

0:53:34.200 --> 0:53:39.440
<v Speaker 6>A boushie master, a busie master steerious, a busie faster.

0:53:40.280 --> 0:53:42.120
<v Speaker 1>He's a boogie.

0:53:41.680 --> 0:53:43.480
<v Speaker 3>Bastard, a boogie master.

0:53:43.880 --> 0:53:45.920
<v Speaker 8>Beliziana is his master.

0:53:46.600 --> 0:53:51.400
<v Speaker 4>He's a boogie master bushie faster. Now he's gone, my

0:53:51.719 --> 0:53:52.520
<v Speaker 4>gone faster?

0:53:55.840 --> 0:54:01.440
<v Speaker 1>Is that it. Yeah, he's a poogy boogie bastard bullet. Okay,

0:54:01.719 --> 0:54:03.239
<v Speaker 1>a golden mic broadcast.

0:54:03.280 --> 0:54:06.400
<v Speaker 4>Okay, thank you? Wait, so now what did you?

0:54:06.600 --> 0:54:08.320
<v Speaker 1>I want you to keep playing play too and throwing

0:54:08.360 --> 0:54:09.800
<v Speaker 1>it I want is it the same lyrics?

0:54:10.200 --> 0:54:10.399
<v Speaker 5>Yeah?

0:54:10.400 --> 0:54:12.439
<v Speaker 1>I want the slices to pick a favorite. Oh yeah,

0:54:12.440 --> 0:54:16.640
<v Speaker 1>that's the bit. Here we go. Oh okay, so number two.

0:54:16.760 --> 0:54:21.840
<v Speaker 3>He really loves tlibrand names his undershirt is a money

0:54:21.920 --> 0:54:24.560
<v Speaker 3>exchange scary shirt.

0:54:24.719 --> 0:54:29.000
<v Speaker 6>Really sucks that dumb ass paid one hundred bucks.

0:54:29.320 --> 0:54:33.640
<v Speaker 3>He got a knock off bathing suit that doesn't say

0:54:34.000 --> 0:54:40.640
<v Speaker 3>his chubby goots private beach is scary on he's clip flopsy.

0:54:42.880 --> 0:54:44.680
<v Speaker 1>He's a boosy fast.

0:54:49.320 --> 0:54:50.880
<v Speaker 6>Scary is a boogie.

0:54:53.960 --> 0:55:06.480
<v Speaker 4>Okay, he's a boozy past. Wait hany, he's a busy

0:55:08.360 --> 0:55:12.480
<v Speaker 4>thank you all right now, okay, thank you there, Brody.

0:55:12.800 --> 0:55:14.759
<v Speaker 1>That's the number three is my favorite, I think, And

0:55:14.800 --> 0:55:17.040
<v Speaker 1>then we got we get through these. Okay, they're very

0:55:17.120 --> 0:55:19.120
<v Speaker 1>very different. They're gonna get different, right, but the lyrics

0:55:19.160 --> 0:55:20.000
<v Speaker 1>are the same. Yeah.

0:55:20.040 --> 0:55:21.640
<v Speaker 4>Do I have to listen to me being yes, you

0:55:21.680 --> 0:55:23.160
<v Speaker 4>do six times?

0:55:23.160 --> 0:55:25.640
<v Speaker 1>I have to listen to the slices yes about me

0:55:26.320 --> 0:55:28.959
<v Speaker 1>about hearing suit not fitting my glutes. Thanks yep, six

0:55:29.000 --> 0:55:30.479
<v Speaker 1>times Its great. It Ryan would suit.

0:55:31.040 --> 0:55:34.799
<v Speaker 5>We love to wear Brandleys this sun the shirt is

0:55:34.920 --> 0:55:39.800
<v Speaker 5>on money Yesta.

0:55:40.520 --> 0:55:41.920
<v Speaker 1>Stearie tea shirt.

0:55:42.080 --> 0:55:50.080
<v Speaker 5>Really sucks that Thomas paid one hundred bucks. Great he

0:55:50.360 --> 0:55:53.839
<v Speaker 5>bought a look of bathing suit that doesn't fit?

0:55:54.239 --> 0:56:01.400
<v Speaker 1>Is chubby clues? What genre is? What a bitch is? Scary?

0:56:01.640 --> 0:56:02.120
<v Speaker 6>Honest?

0:56:02.160 --> 0:56:03.239
<v Speaker 8>Firefox on my.

0:56:03.400 --> 0:56:04.000
<v Speaker 5>Little bit.

0:56:05.719 --> 0:56:08.720
<v Speaker 4>Brody Wait, he's.

0:56:08.600 --> 0:56:13.760
<v Speaker 8>A boogy bastard, boogie bastard scar. He's a boosy baster.

0:56:14.600 --> 0:56:19.120
<v Speaker 8>He's a boogy pastor. He tell sworty basterlusist.

0:56:19.640 --> 0:56:23.240
<v Speaker 5>He's a boogie baster. You see others's nest.

0:56:24.120 --> 0:56:25.080
<v Speaker 1>He's a boogy faster.

0:56:26.320 --> 0:56:28.080
<v Speaker 3>Oh he's a gold Mike broadcaster.

0:56:29.040 --> 0:56:29.839
<v Speaker 4>Okay, thank you.

0:56:31.080 --> 0:56:33.080
<v Speaker 1>That was in the key of Taylor Swift. Is that

0:56:33.360 --> 0:56:35.520
<v Speaker 1>in the style? In the style of Taylor Swift? Yeah?

0:56:35.920 --> 0:56:37.040
<v Speaker 1>What what's this? Rock?

0:56:37.080 --> 0:56:37.279
<v Speaker 5>One?

0:56:37.320 --> 0:56:37.520
<v Speaker 1>Here?

0:56:37.800 --> 0:56:39.960
<v Speaker 4>Here you go style of rock four, five and six?

0:56:40.000 --> 0:56:40.360
<v Speaker 4>Here we go?

0:56:40.520 --> 0:56:45.600
<v Speaker 1>Oh boy, scary? What's cever? He's on your shirt? Is

0:56:45.640 --> 0:56:48.560
<v Speaker 1>a mine? Change staring sea shirt?

0:56:48.680 --> 0:56:51.400
<v Speaker 4>Really shot stats on nass fame.

0:56:51.320 --> 0:56:55.440
<v Speaker 1>One hundred bucks on knockoff bathing suits.

0:56:55.840 --> 0:56:58.320
<v Speaker 3>It doesn't fit his choppy glues.

0:56:58.440 --> 0:57:01.080
<v Speaker 1>Okay it beats scary wait for.

0:57:01.040 --> 0:57:04.080
<v Speaker 4>The chorus, the fop sort by bats On.

0:57:05.680 --> 0:57:08.600
<v Speaker 3>He's a boozy bastard and a boozie bastard.

0:57:08.840 --> 0:57:11.640
<v Speaker 4>Scary is a boot to please?

0:57:16.480 --> 0:57:16.720
<v Speaker 5>Okay?

0:57:16.760 --> 0:57:17.440
<v Speaker 4>Can we can we go on?

0:57:17.560 --> 0:57:21.200
<v Speaker 1>Can we move? O? No? No?

0:57:21.360 --> 0:57:24.880
<v Speaker 4>Okay, I get it, I get the gist. Okay, what

0:57:25.080 --> 0:57:26.919
<v Speaker 4>version is this is? I don't know number five?

0:57:27.160 --> 0:57:34.240
<v Speaker 1>Okay, probably swe brand names, acoustic sod.

0:57:35.480 --> 0:57:41.080
<v Speaker 2>Alright, steary shirt really sucks that dumb ass pain or

0:57:41.120 --> 0:57:42.120
<v Speaker 2>one hundred.

0:57:41.840 --> 0:57:44.920
<v Speaker 1>Bucks okay, really not thumb.

0:57:45.400 --> 0:57:49.400
<v Speaker 5>Suits that doesn't ubby blots.

0:57:49.880 --> 0:57:52.280
<v Speaker 1>I don't want to be called a dumb ass one

0:57:52.360 --> 0:57:52.919
<v Speaker 1>hundred times.

0:57:53.520 --> 0:57:55.280
<v Speaker 5>He's the bomb sor.

0:57:56.880 --> 0:57:59.280
<v Speaker 4>Thank you, wait for the course, appreciate.

0:58:00.040 --> 0:58:06.720
<v Speaker 1>Boozy bastard, a boogie baster e ste He's a boozye master.

0:58:07.840 --> 0:58:15.800
<v Speaker 1>He's a boozyster, a boozye fast. Do they take liberties? Amastard?

0:58:15.920 --> 0:58:21.000
<v Speaker 5>He's a booze cis his master.

0:58:22.160 --> 0:58:23.720
<v Speaker 1>He's a boozy master.

0:58:24.520 --> 0:58:25.959
<v Speaker 4>Get your lighters out and see.

0:58:29.080 --> 0:58:33.520
<v Speaker 1>Oh my god, wait, a boozy bastard, a boozie fast.

0:58:33.640 --> 0:58:34.000
<v Speaker 1>Here it is.

0:58:35.400 --> 0:58:38.480
<v Speaker 5>Well, he's a gold My broadcast.

0:58:39.480 --> 0:58:41.720
<v Speaker 1>It dropped out. Okay, this one's my favorite, is the

0:58:41.800 --> 0:58:44.840
<v Speaker 1>last one. It's my favorite don't talk over it, let

0:58:44.920 --> 0:58:48.160
<v Speaker 1>it play. This one is a classic. You think is

0:58:48.240 --> 0:58:52.400
<v Speaker 1>gonna love this version? It turned up loud. Boodie is

0:58:52.640 --> 0:58:55.280
<v Speaker 1>the best, funnier than the rest.

0:58:56.240 --> 0:59:00.440
<v Speaker 6>Such a private guy made this song with a I the.

0:59:00.520 --> 0:59:04.040
<v Speaker 1>Brooklyn Was Podcast. We hope you always have.

0:59:05.080 --> 0:59:08.680
<v Speaker 5>Brodie's Lizz is so fast, he's quicker down the flash.

0:59:09.280 --> 0:59:09.680
<v Speaker 1>It's f.

0:59:11.640 --> 0:59:15.720
<v Speaker 5>Roy and skinny and so sounds spro with.

0:59:15.840 --> 0:59:22.560
<v Speaker 1>Skins, scary, spry, scary.

0:59:22.320 --> 0:59:23.120
<v Speaker 5>But Roy.

0:59:24.720 --> 0:59:28.480
<v Speaker 4>Scary? You're an asshole?

0:59:29.360 --> 0:59:31.560
<v Speaker 1>Seriously? Was that necessary?

0:59:32.840 --> 0:59:33.800
<v Speaker 4>Was that necessary?

0:59:34.320 --> 0:59:37.880
<v Speaker 1>Yes? That was by Brodie A steak dinner. Scary was

0:59:37.920 --> 0:59:42.720
<v Speaker 1>the last line of that song. I guess anyone could

0:59:42.840 --> 0:59:44.400
<v Speaker 1>use AI fun with AI?

0:59:45.800 --> 0:59:47.200
<v Speaker 4>How how fantastic is AI?

0:59:47.360 --> 0:59:48.280
<v Speaker 1>Which program is that?

0:59:48.960 --> 0:59:49.080
<v Speaker 5>Uh?

0:59:49.800 --> 0:59:53.400
<v Speaker 1>I used different ones for different ones? Just Google create

0:59:53.400 --> 0:59:57.280
<v Speaker 1>a custom song with AI and you'll find something. All right,

0:59:59.400 --> 1:00:01.200
<v Speaker 1>you know you you'll like that last one though. You

1:00:01.320 --> 1:00:04.320
<v Speaker 1>inspired me with that last one. Oh yeah, yeah, yeah,

1:00:04.600 --> 1:00:08.600
<v Speaker 1>you come up with Okay, you do, we'll figure it out,

1:00:08.960 --> 1:00:09.280
<v Speaker 1>all right.

1:00:12.120 --> 1:00:13.640
<v Speaker 4>I'm gonna have to write a new opening song for

1:00:13.720 --> 1:00:14.160
<v Speaker 4>the podcast.

1:00:15.720 --> 1:00:23.400
<v Speaker 1>Brock Boys Boys