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Speaker 1: Nicholas Cage has been been every version of a person

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Speaker 1: in Hollywood. He's been a joke, he's been a fraud,

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Speaker 1: he's been somebody we we treated like an idiot.

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Speaker 2: But he's always been white. We haven't seen him switching.

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Speaker 2: We haven't seen.

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Speaker 3: Like So I would like that.

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Speaker 1: I would like that quite a bit.

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Speaker 4: I think Tyler Perry can make that happen. Nicholas Cage,

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Speaker 4: Tyler Berry.

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Speaker 2: I think inside.

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Speaker 5: And I think I think together for evil.

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Speaker 6: I think I think two can make it happen anyway.

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Speaker 7: Racist money, many turkey stuff.

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Speaker 8: I can't tell me, so I creep.

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Speaker 5: Yeah, I just keep it on the download because no

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Speaker 5: one else is supposed to know. Welcome to O Mama's

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Speaker 5: and gentiles alike to another phenomenal episode of My Mama Told.

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Speaker 1: Me the podcast What We Died, deep deep into the

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Speaker 1: pockets of black conspiracy theories, and.

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Speaker 5: We finally worked to prove that Andre three thousand has

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Speaker 5: lost a couple of those numbers is Andre twenty six

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Speaker 5: forty two? After that flute ship, My name is David

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Speaker 5: ford Man.

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Speaker 1: I don't like hearing it, but I'm like stick German.

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Speaker 5: Yeah, I think that I exaggerated the number of the

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Speaker 5: amount of numbers he lost.

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Speaker 1: Because yeah, it's like it's like it's in like that.

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Speaker 5: Twenty three eighty nine. He's good, he's yeah, And I

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Speaker 5: just don't like flutes.

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Speaker 1: That's not I think he's I think he's still only

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Speaker 1: lost a few points. But but it is you.

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Speaker 8: You just want that rap album.

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Speaker 5: Baby, Yeah, someday, someday, I feel like a Trump presidency

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Speaker 5: if it pushes us to a new three thousand album.

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Speaker 8: Finish it's all I'm.

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Speaker 9: Saying, finish your sentence four days, four days. And you're like,

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Speaker 9: this ain't so bad. Oh man, I've already resigned to it.

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Speaker 1: Man, this man's not even in the Oval office again yet.

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Speaker 1: And you're like, I will be all right.

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Speaker 8: We'll Callie. We can't.

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Speaker 1: We can't deleet or dally anymore than we already have.

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Speaker 1: Our guest today is in studio with us. She's phenomenal,

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Speaker 1: a dear friend, an artist, a comedian, a a a.

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Speaker 2: Unit comes to do it, but so much more.

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Speaker 1: She she's a she's a dear friend or so happy

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Speaker 1: she's here. Give it up for Sydney, Washington. Everybody you

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Speaker 1: know black.

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Speaker 2: Man won an intro. I mean, no credits, just she's

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Speaker 2: a person.

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Speaker 3: I love you's funny.

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Speaker 2: Thank you. I appreciate y'all.

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Speaker 1: We love all vibes over here.

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Speaker 4: So I have So you don't like the Fluke, I'm not. Uh,

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Speaker 4: you're not here for the fluke.

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Speaker 8: I don't have discerning a taste enough to understand how

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Speaker 8: good it is.

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Speaker 2: I think, really, So that's a that's a that's a

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Speaker 2: you thing.

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Speaker 8: That's what I said.

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Speaker 1: Ye like, it's you know, I'm not a flu guy.

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Speaker 1: It doesn't mean he's not expanding.

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Speaker 2: No, he's already expanded. Baby, he did it.

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Speaker 5: So he left us, you know, and I'm hurt.

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Speaker 8: I'm just a bitter ax.

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Speaker 4: Yeah, a bitter ax. He's doing better than you, babe.

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Speaker 4: He's working hard.

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Speaker 1: The way you're going hard for this suggests to me

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Speaker 1: that you did like the flute album. That you not.

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Speaker 4: But it's all about elevation. You have to elevate. You

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Speaker 4: have to be a taste maker. You can't be doing

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Speaker 4: what everybody else is doing because they're doing it, you understand.

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Speaker 4: If if everybody is on the train rapping for dollar bills,

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Speaker 4: Andre is like, no, no, no, I don't want to be

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Speaker 4: associated without flutes.

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Speaker 2: I don't see flutes everywhere.

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Speaker 5: Implies that he's not competitive like anybody. He's still rapping

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Speaker 5: better than all the people for dollars.

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Speaker 2: We've moved on, We've done you moved on.

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Speaker 8: Yes, we like it.

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Speaker 2: I don't like it because I don't want your ear

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Speaker 2: for it.

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Speaker 3: That's what I said. You know what, I just.

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Speaker 2: Christopher Columbus, your whole ship. How does it feel? Does

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Speaker 2: feel a white man?

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Speaker 4: Yeah?

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Speaker 8: My shirt doesn't mean there's one in my world?

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Speaker 1: Why did you direct that at means?

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Speaker 10: I was got.

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Speaker 2: Yere to dismantle this brotherhood.

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Speaker 1: And it's working.

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Speaker 5: In and of itself. What were united? We got pictures

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Speaker 5: on our shirt, stronger than we've ever been.

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Speaker 4: It hurts to see this like you Obviously y'all are

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Speaker 4: really good at whatever you're doing, and.

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Speaker 2: I have to support it.

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Speaker 3: So I think I think by whatever you're doing you mean.

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Speaker 1: Talking to niggas at the mall. Excuse me, man, you

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Speaker 1: think you could pull this off and he could shut out?

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Speaker 2: It looks good, y'all J.

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Speaker 8: Romero, and I'm all, I don't know the name of

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Speaker 8: how much.

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Speaker 2: It costs enough.

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Speaker 1: This don't come cheap, sweetheart. You're gonna want that podcast

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Speaker 1: to get at least a few more episodes and clearly

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Speaker 1: if I want to start buying shirts and I'm a

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Speaker 1: Bill will Ferroll for this, This is.

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Speaker 2: Absolutely invoice Andre as well.

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Speaker 1: It feels like you were on my side and then

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Speaker 1: I lost it for a little bit. Okay, we enough

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Speaker 1: a goddamn enough. We have a conspiracy that you brought.

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Speaker 1: You brought to us. Uh no more than than two

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Speaker 1: hours ago. You said I have a conspiracy. This is

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Speaker 1: something I believe passionately. And we broadened that conspiracy a

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Speaker 1: little just to be able to open this conversation up.

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Speaker 1: But you said, my mama told.

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Speaker 3: Me Tyler Perry is the devil.

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Speaker 4: Absolutely and specifically Cicily Tyson died to get out of

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Speaker 4: her contract with him.

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Speaker 2: Wow, the new death row.

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Speaker 11: Okay, if you don't want me all address.

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Speaker 3: Hidden people with your yeah that has a gun in it.

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Speaker 9: Diary, glitten niggas down the stairs and they wheel chair.

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Speaker 2: Got Janet Jackson in a curly, wet and wavy crying.

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Speaker 1: That was a good cry though about her husband on

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Speaker 1: the down load.

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Speaker 4: So you're doing but that is another movie, that's all.

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Speaker 4: That's not Janet did multiple that's for that was.

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Speaker 2: For colored Girls that I considered suicide.

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Speaker 1: That's but she did multiple.

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Speaker 2: Yeah, all the day I think I know, why did

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Speaker 2: I get married?

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Speaker 1: Well, I knew she did multiple? Why did I get married?

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Speaker 1: I didn't know that. She then also extended into like

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Speaker 1: the multi verse of Tyler Perry.

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Speaker 2: Yes, that's you know what I mean.

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Speaker 8: I think that's how you do it.

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Speaker 4: That's how you do it. You don't just do If

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Speaker 4: you do one thing, you're bad. That means you're not useful.

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Speaker 2: He can't.

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Speaker 1: But some people sober up to it to some extent,

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Speaker 1: like Taraji did one. She's not going back to talk.

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Speaker 8: Did she do more than one? Was it just I

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Speaker 8: can do bad all by I.

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Speaker 1: Think she only did that. I can do bad, but

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Speaker 1: all by myself. I could be wrong. But even if

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Speaker 1: she did Idris it's another example. Yeah, I fucked around

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Speaker 1: over here for a second, but I'm not do.

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Speaker 4: Daddy's Little Girl. Yeah, that wasn't That wasn't terrible.

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Speaker 1: That The issue is not the quality of the movie.

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Speaker 1: Some of them I really.

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Speaker 2: Like, Really, that's it's not the quality.

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Speaker 4: Yeah, I already I'm gonna already say.

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Speaker 1: I consume some of those movies like junk food.

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Speaker 5: It's just like so it's not there's no Yeah, yeah, yeah,

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Speaker 5: in small doses though, it feels good.

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Speaker 8: You know what I mean.

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Speaker 5: Like it's just like there's no major problems. It's just

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Speaker 5: rich black people running around. Oh that's interesting. That's like

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Speaker 5: I like that.

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Speaker 10: You.

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Speaker 8: I'm cool with.

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Speaker 5: You don't see them in the comedies, not in the

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Speaker 5: ones where it's like, but you don't see.

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Speaker 1: Them in any way like morally corrupt or sort of

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Speaker 1: like harmful.

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Speaker 5: The characters within the movie. Yeah, not more so than

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Speaker 5: like I see anybody in any other movie.

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Speaker 8: Like, I don't know, are you are you?

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Speaker 2: Are you all the way awake when you're watching us?

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Speaker 8: Yeah?

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Speaker 2: Are you conscious?

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Speaker 5: It's like it's like, yeah, it's like, if you're feeling down,

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Speaker 5: you just watch like a funny, happy movie.

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Speaker 2: If you're feeling down, you put on Tyler Perry.

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Speaker 1: There's a couple of movies. Yeah, there's a couple of

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Speaker 1: movies watch Do.

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Speaker 3: You have a Therapist? In between?

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Speaker 8: It's a movie.

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Speaker 2: Silo Perry, a silent Perry.

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Speaker 5: He says, Hello, I'm just saying it's a big there's

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Speaker 5: a big market for it. The reason I think He's

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Speaker 5: the Devil is not the actual movie. WHOA Okay, I

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Speaker 5: think it's the u the labor practices to really kind

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Speaker 5: of get to me, Okay, like not being union and

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Speaker 5: stuff like that in an industry where like the standard

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Speaker 5: is to work unions. So it's like you're already putting

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Speaker 5: the people work with you like a little bit of

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Speaker 5: a disadvantage, right, And then it's like so it's like

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Speaker 5: you build this thing that is massive and does give

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Speaker 5: a lot of jobs, and that's very important, but you

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Speaker 5: make it so that these people are tied to you

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Speaker 5: in a way. Yeah, if you were getting if you

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Speaker 5: were allowing people to bounce over here and here and

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Speaker 5: here and get money and that was cool, then it

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Speaker 5: makes sense. But now it feels like if you're keeping

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Speaker 5: a stable it feels like you're not allowing people to grow.

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Speaker 1: I I know a few barbers who have like dipped

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Speaker 1: in and out of like the Tyler Perry space, and

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Speaker 1: all of them sort of like in a weird way,

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Speaker 1: it gets sort of like, h like, no, I'm not

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Speaker 1: going back over there or I over there. I gotta

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Speaker 1: really be down to be over there, because that's you.

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Speaker 1: You're working crazy hours, you're sort of being manipulated in

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Speaker 1: this space. And then I think they're they're expecting a

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Speaker 1: commitment that you can't like back out of easy.

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Speaker 4: You know, because it's like again it's that thing about

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Speaker 4: like exposure. You're like, well, I'm in this, so this

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Speaker 4: is actually gonna help me, and then after a couple

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Speaker 4: of rounds of it, you're like, wait, I'm still a bartender.

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Speaker 2: Yeah, I mean I'm a well known bar.

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Speaker 4: People know me, but I still have to bartend on

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Speaker 4: the side because I can't.

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Speaker 2: I can't make everything ends me.

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Speaker 1: I also think where it gets complicated is to your point,

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Speaker 1: the stink that it puts on you once you do

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Speaker 1: become a little bit of a Tyler Perry person, you

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Speaker 1: know what I mean? Like, did we see maximum Allen

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Speaker 1: Payne potential?

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Speaker 8: Wow? This is.

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Speaker 2: You?

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Speaker 3: You you it is the third time.

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Speaker 8: Second time we're talking about Alan Paid the Week.

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Speaker 3: You know what I mean?

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Speaker 4: You mean you mean Jason's lyric the Alan pay He

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Speaker 4: was a great He was in everything.

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Speaker 3: He was everything.

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Speaker 2: Yeah, he was in every sick he was making.

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Speaker 3: He was lot for.

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Speaker 2: That curl pattern. We don't see that kind of curl pattern, and.

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Speaker 8: It was he was.

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Speaker 1: He was a clearly black man with a natural curl.

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Speaker 1: This nigga had it all you would have I would

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Speaker 1: have bet the house. Yeah, I would have bet the

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Speaker 1: house and he and he sunk his fucking ship over there.

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Speaker 1: What happened?

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Speaker 8: Do you know what I mean?

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Speaker 3: Give us back Alan Payne, Tyler Perry or.

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Speaker 2: What oh wait was it? Was it Tyler Perry? Or

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Speaker 2: that it was just like Alan Payne.

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Speaker 4: Hey, y'all type cast so many times were like we

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Speaker 4: didn't seen this song and dance.

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Speaker 5: But that is a difficult thing, right if you get

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Speaker 5: typecast that much. Yeah, but you don't grow to a

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Speaker 5: level where it's unanimous that people know you're that you

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Speaker 5: kind of can't work in that forever.

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Speaker 1: But I'll challenge you all. I will challenge you on

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Speaker 1: this because because on the flip look at Bokeem woodbind

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Speaker 1: who came who went through it had like this heightened

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Speaker 1: moment where he was sort of typecast as this like

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Speaker 1: crazy eyed villain and ship, but then took a break

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Speaker 1: and came back and came back chubby and now has

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Speaker 1: had a whole new career, do you know what I mean?

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Speaker 1: As older he was, he did Fargo, which was amazing.

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Speaker 4: Yeah, they said, and they said that was the best

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Speaker 4: part of the movie.

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Speaker 1: Listen, bokem Woodbine is the best, but he never went

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Speaker 1: over there. And that's what I'm saying is that maybe

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Speaker 1: there's a world where Alan Payne finds his true detective moment.

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Speaker 2: We got to put him in the A twenty four.

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Speaker 4: I think some people, or once you get in mainstream,

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Speaker 4: you have that opportunity to do all things like bad

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Speaker 4: good things that you're like, why are you even a

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Speaker 4: part of this? But certain specifically black people, once you

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Speaker 4: get into that little corner, that's it.

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Speaker 2: That's all you have.

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Speaker 4: Like Glenn Close, she was in Deliverance. I'm coughing because

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Speaker 4: I can't even catch I can't even breathe. The work

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Speaker 4: that she did in that movie. One I was like, oh,

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Speaker 4: She's like, I've done everything that I need to do.

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Speaker 4: I've I have ascended to the point of let's play,

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Speaker 4: let's have fun.

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Speaker 1: She's like, I'll learn some pato.

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Speaker 4: Yeah, now, now the wigs. The wigs were not by

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Speaker 4: Tyler Perry in that movie. Glenn Close almost was like,

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Speaker 4: is she by Rachel? She was giving Rachel jose All

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Speaker 4: a run for her funn I'm gonna say that on air.

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Speaker 1: As somebody who has not seen the movie. I assure

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Speaker 1: you she is not she is. I looked at all

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Speaker 1: them clips y'all were posting, and I was sober when

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Speaker 1: I you know what I mean, like y'all were. Y'all

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Speaker 1: were enthralled, so you were bought into the whole experience

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Speaker 1: as somebody who did not experience it. I was like,

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Speaker 1: this looks insane.

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Speaker 2: No, she said nappy pussy on in the movie.

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Speaker 4: And I said, We're gone. She's gone, She's like, but

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Speaker 4: they were. Every everybody black was like, she's got to

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Speaker 4: win a Golden Globe for this.

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Speaker 1: And everybody white was like, what are you talking?

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Speaker 3: Is she unwell?

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Speaker 4: Is her?

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Speaker 2: Where is he?

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Speaker 3: Is it the braids? Is it the braids? That's what

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Speaker 3: the white.

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Speaker 4: People were saying with Glenn. But Glenn has done it all.

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Speaker 4: She has proven herself, so she can do that. But

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Speaker 4: once you get into the I feel like Tyler Perry Rome,

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Speaker 4: it's kind of wrapped up.

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Speaker 1: And I think that's the scary part, right Is that?

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Speaker 1: Is that even that movie? I don't It's not a

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Speaker 1: Tyler Perry production.

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Speaker 2: It's Lee Daniels, which is the cousin the cousin of

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Speaker 2: Tyler Perry.

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Speaker 1: I think there, I think, and I don't disagree with you.

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Speaker 1: I think Lee Daniels is certainly Tyler Perry junior.

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Speaker 3: Yes, he would love.

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Speaker 1: To be Tyler Perry in some former fashion. That said,

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Speaker 1: I think Lee Daniels still they let Lee Daniels do

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Speaker 1: too much, you know what I mean in the legitimate

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Speaker 1: spaces where they gave him oscars and nominations and he.

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Speaker 4: Is first of all, we have to no, let's not

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Speaker 4: be anti black. These brothers have done some good work.

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Speaker 4: There have been some things I know, Dave, I'm sorry

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Speaker 4: they have done. Really, they've been some pieces where you're like,

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Speaker 4: you know what this is?

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Speaker 3: What are give me?

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Speaker 11: Uh?

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Speaker 1: And maybe we should take the break. This is a

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Speaker 1: good way for us to go on break. I think

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Speaker 1: this will be fun. When we come back. We're gonna

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Speaker 1: unpack some projects that we think are defendable for Tyler

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Speaker 1: Perry and or Lee Daniels. We'll talk through the ones

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Speaker 1: that we think are truly defendable and we'll talk about why.

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Speaker 1: But we'll come back and we'll be back with more

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Speaker 1: Sydney Washington and more. Ma Mama told me, My Mama

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Speaker 1: told me presents the Start to Steal tour. We're very

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Speaker 1: excited about it. Yeah, I'm not about to bite my tongue.

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Speaker 1: We want to sell it out and the dates are

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Speaker 1: coming up fast, and so if you live in one

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Speaker 1: of these areas, we want you to buy your tickets now.

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Speaker 1: It's all available on our instagrams, on our websites, on

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Speaker 1: our link tree. December twelfth, we're in Seattle, and December fifteenth,

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Speaker 1: you're closing it out in Portland, Oregon. We want y'all

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Speaker 1: to come out. We want y'all to kick it. We

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Speaker 1: will be doing our coveted live show with special guests,

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Speaker 1: with just me and David. Depending on the city, it'll

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Speaker 1: be a great time all that meet and greets. You

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Speaker 1: think Chris Brown has a good meet and greet.

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Speaker 3: Bro, let's be clear.

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Speaker 7: I'll take a weird picture with you for free.

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Speaker 5: We are back discussing our favorite Tyler Perry movies.

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Speaker 1: Oh God, is that not I don't know that that

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Speaker 1: was the assignment at all.

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Speaker 8: Had to tweak it because your parameters weren't working. Okay.

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Speaker 1: I think what it should be is more this question.

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Speaker 1: If we're talking about these figures as evil rights, as

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Speaker 1: sort of spawn of Satans, as is sort of implied here.

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Speaker 1: I think we should be careful to remind ourselves, which

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Speaker 1: pieces at least hold some value for the greater good

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Speaker 1: of society. That it's less about whether or not that

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Speaker 1: we like them and more do they actually benefit the

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Speaker 1: larger world around us?

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Speaker 2: And I'm gonna go first.

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Speaker 4: Yeah, so precious that Lee Daniels. That was probably the

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Speaker 4: most controversial.

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Speaker 1: And Tyler Perry production.

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Speaker 2: Everybody was involved, they had everybody, They had the.

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Speaker 3: Carrio movie.

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Speaker 4: I watch it and I say, yes, this definitely gives

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Speaker 4: sun Dance this gift.

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Speaker 2: It's indie.

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Speaker 4: Yes, this is like it's it feels like low budget

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Speaker 4: but in such an artistic way that I'm like, I

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Speaker 4: can appreciate this now.

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Speaker 2: The masses, the.

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Speaker 4: Masses watching this, this this story from the book Push

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Speaker 4: It was.

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Speaker 2: It was hard. It was so hard. And that and

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Speaker 2: Monique playing.

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Speaker 4: That mother so well to the point where like do

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Speaker 4: we like Monique?

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Speaker 3: Do we like her?

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Speaker 4: I almost think that people weren't on her side because

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Speaker 4: they almost thought you are that mother that was in question.

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Speaker 2: You were touching your daughter like that. That's how That's

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Speaker 2: how controversial the movie was.

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Speaker 4: That everybody was playing the role so well that you're like,

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Speaker 4: this might be their real lives. Riah carry Riah Carry

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Speaker 4: rough draft Mariah Carey.

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Speaker 3: That was alarming.

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Speaker 4: It was alarming, and they threw on the beauty supply

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Speaker 4: wig and they said, go, yeah, a little bit of concealer.

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Speaker 2: But she was great, incredible.

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Speaker 1: I love this as an answer because I similarly felt

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Speaker 1: all of those things in seeing the film in theaters.

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Speaker 1: You went in theater. I went in theater, and I

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Speaker 1: had my little sisters with me. I swear to God,

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Speaker 1: because I was like, this is gonna be like a

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Speaker 1: beautiful film of empowerment for for them to see, like

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Speaker 1: this big girl who overcomes and like figures out a

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Speaker 1: way to move forward. I didn't read the book, No

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Speaker 1: you didn't, and truly was just haunted by the experience.

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Speaker 1: And so I asked this because I agree with you.

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Speaker 1: I felt all those things, But how much of that

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Speaker 1: was just a weird stacking of awful on top of

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Speaker 1: awful and not really a human experience to make us better?

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Speaker 4: Well, t I had a friend in it, Zosia, and

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Speaker 4: I think this was her first big role.

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Speaker 2: She killed it.

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Speaker 4: I was like, so there, I'm being honest, I'm there supporting,

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Speaker 4: I enjoy right, But then it is somebody's story, so

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Speaker 4: should we not?

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Speaker 1: But it's not somebody's story that you know what I mean,

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Speaker 1: Like parts of this are somebody's story. The experience of

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Speaker 1: abuse is somebody's story. The experience of you know, being overweight,

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Speaker 1: and like the challenges of being poor is somebody's story.

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Speaker 1: The experience of getting AIDS is somebody's story. But all

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Speaker 1: of those combined into this single person, you know what

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Speaker 1: I mean, Like it was just this.

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Speaker 2: You don't think all that stuff can happen. Yes, I'm

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Speaker 2: sure this is somebody's story.

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Speaker 4: If you're listening and this is your story, I need you.

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Speaker 1: If if you're listening and this is your story, please

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Speaker 1: stop listening to this.

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Speaker 3: Go seek help now, because.

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Speaker 1: You have so much going on that you don't have

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Speaker 1: time to dilly or dally with podcasts. Truly, this is

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Speaker 1: that's She was pregnant and didn't know she was pregnant.

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Speaker 1: She was being assaulted by her mama and her daddy.

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Speaker 1: She was Mariah Carey was trying to or was trying

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Speaker 1: to save her. But then they had Yes.

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Speaker 4: Yes, I be on TikTok all day, all night.

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Speaker 2: That is somebody's story.

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Speaker 4: The way people be just diarrhea of the mouth, just

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Speaker 4: telling their business, they mama business, They cousins cousins, and

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Speaker 4: bad after bad after bad. I mean, I don't even

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Speaker 4: turn on the TV no more because people are telling

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Speaker 4: us our problems.

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Speaker 1: I guess, I guess less than me saying it's impossible

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Speaker 1: for anybody to experience this. I'm saying there's a point

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Speaker 1: where it stops being any version of universal. Okay, it

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Speaker 1: just starts being a singular fucked up story that nobodying.

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Speaker 1: It doesn't belong to black people. It doesn't belong to

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Speaker 1: brown people. That bitch's life sucks, perishspec I'm just saying,

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Speaker 1: And there's some people in this building that also have

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Speaker 1: stories that are closer to like a universal experience. And

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Speaker 1: I wonder about the tragedy porn even though for for me,

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Speaker 1: a person watching it, it worked, I was like, Holy shit,

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Speaker 1: this this motherfucker is crazy.

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Speaker 2: Okay, what about Monsters Ball?

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Speaker 1: WHOA?

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Speaker 2: What about that Holly.

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00:24:05,640 --> 00:24:10,320
Speaker 4: Berry won it won, that won that award, won that

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Speaker 4: Golden Ticket.

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Speaker 1: This movie, it's worth noting Monsters Ball? You said is

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Speaker 1: a Lee Daniels production. Yes, right, okay.

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Speaker 2: Thoughts, I mean, she is getting banged out by Billy

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Speaker 2: Bob Thornton, not a drop of makeup, not a comb

448
00:24:29,520 --> 00:24:30,320
Speaker 2: going through the hair.

449
00:24:31,320 --> 00:24:32,960
Speaker 3: Did he's in it?

450
00:24:33,240 --> 00:24:33,720
Speaker 2: He's in it.

451
00:24:33,720 --> 00:24:38,480
Speaker 1: It's actually, I think one of his first serious roles,

452
00:24:38,640 --> 00:24:39,720
Speaker 1: if I'm not mistaken.

453
00:24:39,920 --> 00:24:43,320
Speaker 2: Honestly, he ate he ate he was in jail.

454
00:24:43,520 --> 00:24:43,760
Speaker 8: He did.

455
00:24:46,600 --> 00:24:50,359
Speaker 4: He was on death row maybe the way the way

456
00:24:50,560 --> 00:24:53,200
Speaker 4: the art works it always.

457
00:24:52,880 --> 00:24:54,600
Speaker 3: I don't like he was on death row and they

458
00:24:54,680 --> 00:24:55,920
Speaker 3: never told us why either.

459
00:24:57,640 --> 00:24:58,400
Speaker 2: He did not know.

460
00:24:58,840 --> 00:25:02,439
Speaker 1: They're just like he did. So he was he was

461
00:25:02,480 --> 00:25:03,720
Speaker 1: acting up the ledger.

462
00:25:04,720 --> 00:25:06,200
Speaker 8: Well he's er.

463
00:25:06,400 --> 00:25:08,280
Speaker 2: Was it amazing?

464
00:25:08,520 --> 00:25:08,720
Speaker 8: Wow?

465
00:25:09,119 --> 00:25:10,679
Speaker 4: L RP shout out to him. I'm a him in

466
00:25:10,720 --> 00:25:14,240
Speaker 4: real life and sweet sweet sweet guy. Okay, yeah, gave

467
00:25:14,359 --> 00:25:14,919
Speaker 4: good tip to.

468
00:25:15,280 --> 00:25:18,280
Speaker 1: Okay, yeah, yeah, that's good. That's good.

469
00:25:18,600 --> 00:25:20,720
Speaker 2: Some people like to speak ill of the dead, not me.

470
00:25:20,960 --> 00:25:23,800
Speaker 1: Sydney came on here and so far his only defended

471
00:25:23,840 --> 00:25:24,320
Speaker 1: white men.

472
00:25:24,440 --> 00:25:29,520
Speaker 4: But yo, whoa the cameras dead ass could be like,

473
00:25:29,680 --> 00:25:33,880
Speaker 4: no share you. You've been dragging Bax left and right,

474
00:25:34,240 --> 00:25:35,879
Speaker 4: all dark skinned mind.

475
00:25:35,640 --> 00:25:38,600
Speaker 1: You, that's my style. You, on the other hand, are

476
00:25:38,640 --> 00:25:39,640
Speaker 1: selling your people out.

477
00:25:42,119 --> 00:25:46,159
Speaker 4: I mean, I I enjoyed the rawness of it again,

478
00:25:46,560 --> 00:25:49,600
Speaker 4: Like if this was like an eight twenty four production,

479
00:25:49,720 --> 00:25:51,280
Speaker 4: we'd be like, yeah, we're.

480
00:25:51,480 --> 00:25:55,520
Speaker 1: Leg Well I think it did get all the love right.

481
00:25:55,920 --> 00:25:58,760
Speaker 1: It's another example of one. I think it won well,

482
00:25:58,840 --> 00:26:01,640
Speaker 1: she won the Oscar for it, certainly. I think it's

483
00:26:01,800 --> 00:26:04,640
Speaker 1: just like a lot of films where we sober up

484
00:26:04,680 --> 00:26:08,119
Speaker 1: to what the fuck we watched three years ago?

485
00:26:08,480 --> 00:26:11,280
Speaker 4: Do you know what I mean saying it won then,

486
00:26:11,440 --> 00:26:13,720
Speaker 4: but it wouldn't It wouldn't hold up right now?

487
00:26:13,960 --> 00:26:17,800
Speaker 1: Crash won the Oscar for Best Picture and is now

488
00:26:17,960 --> 00:26:22,560
Speaker 1: like people laugh at the idea that Crash was now.

489
00:26:23,400 --> 00:26:26,760
Speaker 2: Ya, I didn't like the invisible cloak. He tried to

490
00:26:26,840 --> 00:26:27,199
Speaker 2: cheat me.

491
00:26:27,359 --> 00:26:33,560
Speaker 3: You don't like.

492
00:26:30,920 --> 00:26:34,600
Speaker 4: Wait a minute, hold up, they're dragging Crash.

493
00:26:34,720 --> 00:26:38,679
Speaker 1: Yeah, the people don't like Crashing. We come because it

494
00:26:38,880 --> 00:26:43,720
Speaker 1: starred Ludacris.

495
00:26:43,760 --> 00:26:45,119
Speaker 2: He was in Too Fast, two Furious.

496
00:26:45,119 --> 00:26:49,680
Speaker 1: They loved it, Guys. I'm not saying that Luda didn't

497
00:26:49,720 --> 00:26:52,080
Speaker 1: do a fine job. I'm saying that you don't give

498
00:26:52,200 --> 00:26:54,040
Speaker 1: a Ludacris film best Picture.

499
00:26:54,520 --> 00:26:57,719
Speaker 2: Then Tate was in it. They had everybody your name,

500
00:26:57,800 --> 00:27:06,719
Speaker 2: Mama and Crash talking about yeah, the patient queen, you

501
00:27:06,760 --> 00:27:08,600
Speaker 2: know who, Samuel Bullock.

502
00:27:09,600 --> 00:27:12,000
Speaker 1: You know the only other type of movie that does

503
00:27:12,200 --> 00:27:15,280
Speaker 1: movies like that where everybody's in it is like them

504
00:27:15,400 --> 00:27:18,240
Speaker 1: shitty movies where it's like Valentine's dad.

505
00:27:21,760 --> 00:27:22,560
Speaker 8: Cameons.

506
00:27:23,000 --> 00:27:24,280
Speaker 2: Ryan Philippe was in it.

507
00:27:24,400 --> 00:27:28,560
Speaker 1: Yeah, it was too many big names for you to

508
00:27:28,640 --> 00:27:32,400
Speaker 1: be managing a good story. So then you just.

509
00:27:34,440 --> 00:27:38,040
Speaker 4: Like in a in a cheesy way, they were making

510
00:27:38,080 --> 00:27:41,160
Speaker 4: their points. Yeah, but then we found out the people

511
00:27:41,160 --> 00:27:43,159
Speaker 4: who wrote it were white. So that's what that's what

512
00:27:43,200 --> 00:27:45,520
Speaker 4: sucked us up. That's what it was, which is why

513
00:27:45,600 --> 00:27:48,360
Speaker 4: you and then you okay, you look at it as

514
00:27:48,359 --> 00:27:51,560
Speaker 4: a whole. Yeah, it did just that, Yeah.

515
00:27:52,320 --> 00:27:53,960
Speaker 8: Just what you thought they would do. Okay.

516
00:27:54,080 --> 00:27:58,600
Speaker 1: So so Monsters Ball is a defendable for you. Precious

517
00:27:58,680 --> 00:27:59,720
Speaker 1: is a defendable for you.

518
00:28:00,080 --> 00:28:00,520
Speaker 2: I wasn't.

519
00:28:00,840 --> 00:28:05,520
Speaker 4: I wasn't mad at the movie Holly Berry winning the

520
00:28:05,640 --> 00:28:08,880
Speaker 4: Oscar for it. I was like, damn, why we gotta

521
00:28:08,920 --> 00:28:11,080
Speaker 4: be down and out to win? But they do that

522
00:28:11,119 --> 00:28:15,359
Speaker 4: for everybody either. You gotta what's her name? Charlista rone.

523
00:28:15,400 --> 00:28:18,080
Speaker 4: She she had to get ugly and murder niggas, like

524
00:28:19,040 --> 00:28:19,240
Speaker 4: you know.

525
00:28:19,960 --> 00:28:23,400
Speaker 1: I think the only difference is they can also escape

526
00:28:23,560 --> 00:28:27,080
Speaker 1: through like musicals. Do you know what I mean?

527
00:28:27,119 --> 00:28:27,199
Speaker 3: That?

528
00:28:27,400 --> 00:28:32,920
Speaker 1: Like Chicago, what's the la one that they stars? No, no, no,

529
00:28:33,359 --> 00:28:35,760
Speaker 1: Although a Star is Born is another good example, it's

530
00:28:35,840 --> 00:28:38,240
Speaker 1: not quite it is a musical to some extent, but

531
00:28:38,280 --> 00:28:44,200
Speaker 1: the one where they're La la land. Those they can

532
00:28:44,240 --> 00:28:47,680
Speaker 1: be joyful, they can be not like look like shit.

533
00:28:47,920 --> 00:28:51,040
Speaker 4: And when Leonardo DiCaprio was in Everything, they didn't give

534
00:28:51,120 --> 00:28:53,200
Speaker 4: him that award until he got raped by bear.

535
00:28:53,320 --> 00:28:56,080
Speaker 2: So you know what, maybe Academy is just doing everybody wrong.

536
00:28:58,160 --> 00:28:59,680
Speaker 2: Actually it's one for one.

537
00:29:00,760 --> 00:29:01,280
Speaker 8: I like that.

538
00:29:01,280 --> 00:29:03,120
Speaker 1: That's what you think happened with that bear.

539
00:29:03,800 --> 00:29:05,960
Speaker 8: That's what I said. It looked like. That's what it

540
00:29:06,720 --> 00:29:07,080
Speaker 8: looks like.

541
00:29:07,120 --> 00:29:09,920
Speaker 4: Am I wrong When they said when they said would

542
00:29:09,960 --> 00:29:12,280
Speaker 4: you rather be trapped in the forest with a bear

543
00:29:13,000 --> 00:29:13,440
Speaker 4: or a man?

544
00:29:13,480 --> 00:29:16,520
Speaker 2: I'm like, well, which bear? Because bear in the movie

545
00:29:16,520 --> 00:29:16,720
Speaker 2: with you.

546
00:29:19,120 --> 00:29:20,240
Speaker 8: Yeah, he's gonna take it.

547
00:29:20,800 --> 00:29:27,560
Speaker 1: That bear got him. I remember just learning what the

548
00:29:27,600 --> 00:29:30,720
Speaker 1: premise of that movie was and thinking, damn, this is

549
00:29:31,680 --> 00:29:33,120
Speaker 1: give this man the award.

550
00:29:33,280 --> 00:29:35,240
Speaker 2: This they did, and they did.

551
00:29:35,320 --> 00:29:38,360
Speaker 4: He I think heat he read the script and said,

552
00:29:38,840 --> 00:29:40,280
Speaker 4: you know what, it's time.

553
00:29:41,000 --> 00:29:41,440
Speaker 3: It's time.

554
00:29:42,960 --> 00:29:44,560
Speaker 2: Now I got a lock in. He said.

555
00:29:45,480 --> 00:29:48,280
Speaker 4: He ro to death in Titanic, Right, this is a

556
00:29:48,280 --> 00:29:49,760
Speaker 4: different it's a different type of death.

557
00:29:49,760 --> 00:29:50,400
Speaker 8: I'm not dying.

558
00:29:50,520 --> 00:29:54,840
Speaker 2: I'm not dying. I'm living. Jack Jack.

559
00:29:56,560 --> 00:30:07,600
Speaker 1: Sweet voice, my mama told me presents the start to

560
00:30:07,720 --> 00:30:10,960
Speaker 1: steal tour. We're very excited about it. Yeah, I'm not

561
00:30:11,000 --> 00:30:13,959
Speaker 1: about to bite my tongue. We want to sell it

562
00:30:14,000 --> 00:30:16,640
Speaker 1: out and the dates are coming up fast and so

563
00:30:16,720 --> 00:30:18,520
Speaker 1: if you live in one of these areas, we want

564
00:30:18,560 --> 00:30:21,480
Speaker 1: you to buy your tickets now. It's all available on

565
00:30:21,520 --> 00:30:27,200
Speaker 1: our instagrams, on our websites, on our link tree. December twelfth,

566
00:30:27,200 --> 00:30:30,680
Speaker 1: we're in Seattle and December fifteenth, you're closing it out

567
00:30:30,760 --> 00:30:32,240
Speaker 1: in Portland, Ore.

568
00:30:32,240 --> 00:30:32,520
Speaker 8: Again.

569
00:30:32,640 --> 00:30:34,800
Speaker 1: We want y'all to come out. We want y'all to

570
00:30:34,880 --> 00:30:38,720
Speaker 1: kick it. We will be doing our coveted live show

571
00:30:39,200 --> 00:30:41,920
Speaker 1: with special guests, with just me and David. Depending on

572
00:30:41,960 --> 00:30:43,680
Speaker 1: the city, it'll be a great time.

573
00:30:43,960 --> 00:30:46,760
Speaker 8: All that meet and greets you've been Chris Brown has

574
00:30:46,800 --> 00:30:47,760
Speaker 8: a good meet and greet.

575
00:30:48,440 --> 00:30:53,160
Speaker 7: Bro Let's be clear, I'll take a weird picture with

576
00:30:53,200 --> 00:30:56,560
Speaker 7: you for free.

577
00:30:57,600 --> 00:30:58,680
Speaker 8: Okay, here's what I'll say.

578
00:30:58,800 --> 00:31:01,400
Speaker 5: Okay, here we go and get at the full Tyler

579
00:31:01,640 --> 00:31:02,720
Speaker 5: Perry filmography.

580
00:31:02,880 --> 00:31:06,120
Speaker 1: Well, okay, And it's worth noting she only defended Lee,

581
00:31:06,200 --> 00:31:08,760
Speaker 1: didn't Yeah, she brought nothing to the table for Tyler.

582
00:31:08,880 --> 00:31:10,920
Speaker 1: Tyler so far as in defensible for you?

583
00:31:11,600 --> 00:31:12,160
Speaker 8: Is that true?

584
00:31:13,720 --> 00:31:15,560
Speaker 2: Why did I get married? I fucked you? That heavy.

585
00:31:15,680 --> 00:31:20,640
Speaker 2: I thought that was valid and into and mah two.

586
00:31:20,840 --> 00:31:22,360
Speaker 4: I said, I don't know if we need this, but

587
00:31:22,440 --> 00:31:24,320
Speaker 4: I heard they was doing a Why Why Did I

588
00:31:24,360 --> 00:31:24,800
Speaker 4: Get Married?

589
00:31:24,800 --> 00:31:26,320
Speaker 2: Three? And that's why Sisily was like.

590
00:31:26,640 --> 00:31:27,440
Speaker 8: And then she died.

591
00:31:27,680 --> 00:31:27,800
Speaker 11: Oh.

592
00:31:28,800 --> 00:31:30,040
Speaker 8: She was like, I'm tired.

593
00:31:30,160 --> 00:31:34,880
Speaker 4: Because Tyler said I paid Cicily a million dollars for

594
00:31:35,000 --> 00:31:37,120
Speaker 4: one day of work, and she was like, wait, why

595
00:31:37,160 --> 00:31:39,320
Speaker 4: are you telling them about my business? Yeah, because he

596
00:31:39,440 --> 00:31:41,480
Speaker 4: was trying to let her know, Hey, you're gonna have

597
00:31:41,520 --> 00:31:42,760
Speaker 4: to work some other days, babe.

598
00:31:43,200 --> 00:31:45,920
Speaker 2: You we got mourning we got for you.

599
00:31:46,120 --> 00:31:47,720
Speaker 1: That million was in advance.

600
00:31:48,960 --> 00:31:52,560
Speaker 3: Yeah, you got work to do my death throw.

601
00:31:52,880 --> 00:31:55,160
Speaker 8: We gotta shoot season forty of Sisters?

602
00:32:00,000 --> 00:32:00,600
Speaker 3: Where are we going to?

603
00:32:00,680 --> 00:32:00,840
Speaker 10: Hell?

604
00:32:01,400 --> 00:32:01,640
Speaker 11: Yeah?

605
00:32:01,840 --> 00:32:03,960
Speaker 3: But Tyler, it's only been out three years?

606
00:32:07,480 --> 00:32:08,360
Speaker 8: How wash? He was back.

607
00:32:08,800 --> 00:32:10,240
Speaker 2: Yeah.

608
00:32:10,400 --> 00:32:13,560
Speaker 5: I think that I'll take Why Did I Get Married?

609
00:32:13,640 --> 00:32:16,280
Speaker 5: Just in the idea of just a romantic comedy. I

610
00:32:16,320 --> 00:32:20,760
Speaker 5: don't think it detracts anything from art or the conversation

611
00:32:20,880 --> 00:32:23,240
Speaker 5: or anything like that. Okay, because I do think that,

612
00:32:23,320 --> 00:32:25,720
Speaker 5: like when we're talking about him as a whole and

613
00:32:25,880 --> 00:32:28,520
Speaker 5: like his output, I don't think it needs to be

614
00:32:29,560 --> 00:32:33,800
Speaker 5: He doesn't have to be a twenty four to be worthy.

615
00:32:33,440 --> 00:32:35,800
Speaker 1: Of existing in the space, you know what I mean? Yeah,

616
00:32:36,000 --> 00:32:38,600
Speaker 1: I think that's always been my issue with it, right

617
00:32:38,720 --> 00:32:41,760
Speaker 1: is it's not that I'm expecting him to be.

618
00:32:42,040 --> 00:32:43,400
Speaker 8: And worthy isn't even the right word.

619
00:32:43,400 --> 00:32:44,920
Speaker 1: I just mean, like, it doesn't have to be bad

620
00:32:44,920 --> 00:32:48,200
Speaker 1: bad that stylized. But I guess that's my point is

621
00:32:48,240 --> 00:32:50,840
Speaker 1: I don't need it to be some high art. I

622
00:32:51,000 --> 00:32:53,640
Speaker 1: just needed to hold itself to some standard.

623
00:32:54,120 --> 00:32:54,760
Speaker 8: Do you know what I mean?

624
00:32:54,800 --> 00:32:54,880
Speaker 4: That?

625
00:32:55,080 --> 00:33:00,200
Speaker 1: Like Adam Sandler movies, I don't like all of them.

626
00:33:00,280 --> 00:33:03,880
Speaker 1: I don't like honestly most of them, but every single

627
00:33:03,920 --> 00:33:06,880
Speaker 1: one of them, I go, Oh, Adam really thought this

628
00:33:07,080 --> 00:33:09,120
Speaker 1: was funny, do you know what I mean? He really

629
00:33:09,160 --> 00:33:13,800
Speaker 1: believed in like whatever this configuration of funny people and

630
00:33:14,040 --> 00:33:17,240
Speaker 1: jokes was, and he put it out believing that it

631
00:33:17,320 --> 00:33:20,239
Speaker 1: was going to serve an audience, whereas like Tyler, I

632
00:33:20,320 --> 00:33:22,760
Speaker 1: don't think gives a fuck, but it does.

633
00:33:26,280 --> 00:33:29,120
Speaker 8: Degrees in what he does. No, I don't.

634
00:33:29,160 --> 00:33:30,960
Speaker 5: I don't mean that some of the stuff is like

635
00:33:31,520 --> 00:33:33,640
Speaker 5: definitely just put together and rushed out. But some of

636
00:33:33,680 --> 00:33:35,840
Speaker 5: them you could tell. It's like he wanted this to

637
00:33:35,880 --> 00:33:39,440
Speaker 5: be a good film, right, Like he wanted to Yeah,

638
00:33:40,120 --> 00:33:41,360
Speaker 5: and it served his audience.

639
00:33:41,400 --> 00:33:44,200
Speaker 1: But I'm saying that that's the violence, is to put

640
00:33:44,240 --> 00:33:48,080
Speaker 1: out the rush shit knowing you had more potential for

641
00:33:48,480 --> 00:33:52,040
Speaker 1: a quality film even as you see it, right, like,

642
00:33:52,120 --> 00:33:55,880
Speaker 1: even if it's not objectively quality, you knew, like, all right,

643
00:33:55,880 --> 00:33:58,000
Speaker 1: when I put this out, I stand on that.

644
00:33:59,760 --> 00:34:02,480
Speaker 4: What if Tyler Perry is ahead of the curve and

645
00:34:02,520 --> 00:34:06,719
Speaker 4: he said, these audiences they're pretty bad, So what are

646
00:34:06,720 --> 00:34:09,040
Speaker 4: we spending years.

647
00:34:09,760 --> 00:34:12,839
Speaker 2: Together and care about. Throw it out there. They don't

648
00:34:12,920 --> 00:34:15,000
Speaker 2: watch it, they're gonna pay money, they're gonna.

649
00:34:14,800 --> 00:34:18,360
Speaker 8: Go if you look at it that way, and and honestly.

650
00:34:18,640 --> 00:34:21,879
Speaker 5: Genie, right, if you look at it that way, Helazer, Well,

651
00:34:24,200 --> 00:34:24,719
Speaker 5: it's just.

652
00:34:24,680 --> 00:34:29,080
Speaker 4: Like comedians right now, stand up comedians posting clips. You're like,

653
00:34:29,160 --> 00:34:32,480
Speaker 4: that joke's not done, that needs some tags whatever. It's like,

654
00:34:32,760 --> 00:34:33,600
Speaker 4: what are we waiting for?

655
00:34:33,719 --> 00:34:34,000
Speaker 2: Put it?

656
00:34:34,040 --> 00:34:37,960
Speaker 4: And sometimes the stuff that's the most unfinished gets the

657
00:34:37,960 --> 00:34:39,080
Speaker 4: most viral moments.

658
00:34:39,239 --> 00:34:45,200
Speaker 2: So Tyler Perry is, oh, want you want to.

659
00:34:45,160 --> 00:34:48,439
Speaker 3: Stand up while let's go with your hand on your heart?

660
00:34:48,520 --> 00:34:49,920
Speaker 1: What the fuck is about that appen?

661
00:34:51,640 --> 00:34:54,480
Speaker 4: I think stand up comedians took a note from Tyler

662
00:34:54,520 --> 00:34:55,760
Speaker 4: Perry and they say, I put it out.

663
00:34:55,640 --> 00:34:58,600
Speaker 1: But I think that's what where I start to go like, yeah,

664
00:34:58,640 --> 00:35:02,360
Speaker 1: but that is a greater instruction of the world, right, yes,

665
00:35:02,440 --> 00:35:06,319
Speaker 1: because I do think the deterioration of art is like

666
00:35:06,400 --> 00:35:10,160
Speaker 1: a fundamental reflection of like what's happening in the larger

667
00:35:10,200 --> 00:35:11,080
Speaker 1: world around us.

668
00:35:12,040 --> 00:35:15,680
Speaker 8: It doesn't necessarily mean good still, right, No.

669
00:35:15,640 --> 00:35:19,320
Speaker 1: He's an innovator for sure, Like he really broke ground

670
00:35:19,400 --> 00:35:28,080
Speaker 1: on some vile, vile ship, right, Like, yeah, and that's.

671
00:35:28,880 --> 00:35:34,160
Speaker 4: All yet what we know how it's done. You're like, oh, sir,

672
00:35:34,239 --> 00:35:37,000
Speaker 4: how much? Tell me what the prescription is.

673
00:35:37,080 --> 00:35:39,680
Speaker 1: But but even even the idea that you have, like

674
00:35:40,040 --> 00:35:44,640
Speaker 1: all these shoots happening constantly on this large property that

675
00:35:44,719 --> 00:35:47,680
Speaker 1: you're not doing multiple takes on that you're not even

676
00:35:47,760 --> 00:35:49,000
Speaker 1: fucking like you.

677
00:35:48,920 --> 00:35:51,600
Speaker 2: Know, you're not there, Sidney, what do.

678
00:35:51,640 --> 00:35:52,760
Speaker 3: We What game are we playing?

679
00:35:56,800 --> 00:35:57,080
Speaker 2: Fact?

680
00:35:57,160 --> 00:35:59,960
Speaker 1: That's the whole boy, yeah, is that we're not allowed

681
00:36:00,080 --> 00:36:03,520
Speaker 1: to see it because they're doing crazy ship with these

682
00:36:03,680 --> 00:36:06,880
Speaker 1: these people whose lives that will never come.

683
00:36:06,719 --> 00:36:11,239
Speaker 2: Back, these people Black people. Don't just say these people.

684
00:36:11,000 --> 00:36:14,440
Speaker 3: These dumb dumbs trapped in a cave.

685
00:36:18,000 --> 00:36:22,560
Speaker 4: I can't now your hairline is nice, but don't push

686
00:36:22,560 --> 00:36:22,919
Speaker 4: you back.

687
00:36:23,120 --> 00:36:24,680
Speaker 3: Alan fucking pain.

688
00:36:26,800 --> 00:36:30,279
Speaker 4: You if you if you love Alan, so much.

689
00:36:30,320 --> 00:36:32,200
Speaker 2: I want you to get his tattoo. Get a tattoo,

690
00:36:32,239 --> 00:36:33,239
Speaker 2: Alan Allen.

691
00:36:34,000 --> 00:36:34,759
Speaker 8: I just miss him.

692
00:36:34,880 --> 00:36:39,160
Speaker 2: Okay, he's alive. Is he find him on Instagram?

693
00:36:40,920 --> 00:36:42,480
Speaker 1: I bet he got a different Instagram.

694
00:36:45,600 --> 00:36:47,640
Speaker 2: He said that pain fucked him up.

695
00:36:47,840 --> 00:36:50,680
Speaker 1: I bet it's at Alan Tyler Payne.

696
00:36:52,320 --> 00:36:55,960
Speaker 4: There was a there was a new movie recently, not recently,

697
00:36:56,000 --> 00:37:00,200
Speaker 4: but like earlier this year that Tyler Perry made with

698
00:37:00,280 --> 00:37:04,560
Speaker 4: Kelly Rowland Mia Coppola, and I watched it.

699
00:37:04,760 --> 00:37:08,400
Speaker 2: Yeah, I watched it. Was it terrible?

700
00:37:09,560 --> 00:37:09,799
Speaker 8: No?

701
00:37:10,760 --> 00:37:13,120
Speaker 2: Was it amazing? No?

702
00:37:13,960 --> 00:37:15,920
Speaker 3: But I enjoyed it.

703
00:37:16,480 --> 00:37:19,480
Speaker 4: I enjoyed it, and that sometimes we just need something

704
00:37:19,480 --> 00:37:21,680
Speaker 4: that we could put our eyes on, take us out

705
00:37:21,680 --> 00:37:22,200
Speaker 4: of the moment.

706
00:37:22,400 --> 00:37:25,160
Speaker 1: But again, I think the point is less that he

707
00:37:25,400 --> 00:37:29,400
Speaker 1: can't do it. I don't think my suggestion is everything

708
00:37:29,400 --> 00:37:34,240
Speaker 1: he's ever made has been a violent violation Daddy's little girls.

709
00:37:34,239 --> 00:37:36,520
Speaker 1: I like, and I was like, all right, that's cool.

710
00:37:36,640 --> 00:37:38,400
Speaker 1: It's not I'm not offended by this.

711
00:37:38,680 --> 00:37:41,000
Speaker 4: It just is you just you want to do things

712
00:37:41,000 --> 00:37:43,280
Speaker 4: that you want things made that doesn't offend you.

713
00:37:43,320 --> 00:37:45,960
Speaker 1: No, I'm saying I want there to be a standard

714
00:37:45,960 --> 00:37:49,120
Speaker 1: of quality so that we're not getting clips of a

715
00:37:49,239 --> 00:37:51,839
Speaker 1: dude getting punched in the face and spinning a full

716
00:37:51,920 --> 00:37:56,319
Speaker 1: three sixty and saying oh as he falls down. I'm

717
00:37:56,320 --> 00:38:00,520
Speaker 1: saying I want the I want a billionaire who owned

718
00:38:00,920 --> 00:38:05,200
Speaker 1: literally half of Atlanta to invest in quality wigs and

719
00:38:05,239 --> 00:38:07,279
Speaker 1: that not to be part of the conversation.

720
00:38:07,960 --> 00:38:11,760
Speaker 3: I want to explore the world beyond mister Brown.

721
00:38:11,800 --> 00:38:12,720
Speaker 2: Can they put music.

722
00:38:14,880 --> 00:38:18,960
Speaker 4: Olivia everything that he's saying right now, I want a

723
00:38:19,080 --> 00:38:23,000
Speaker 4: real story that you believe in every time, because you

724
00:38:23,000 --> 00:38:23,319
Speaker 4: have the.

725
00:38:23,360 --> 00:38:26,640
Speaker 1: Resources and frankly, you present to us to be this

726
00:38:26,719 --> 00:38:30,120
Speaker 1: healer of our community. So put the effort in to

727
00:38:30,280 --> 00:38:32,000
Speaker 1: show us that love every single time.

728
00:38:32,040 --> 00:38:34,560
Speaker 4: So once you say once all that done is Tyler

729
00:38:34,640 --> 00:38:36,359
Speaker 4: Langston will be right on that motherfucking lot.

730
00:38:36,400 --> 00:38:38,440
Speaker 2: That's what he's trying to tell you. It's trying to

731
00:38:38,440 --> 00:38:38,719
Speaker 2: tell you.

732
00:38:38,719 --> 00:38:42,680
Speaker 1: Get you when buddy, when I run out, I'll come

733
00:38:42,760 --> 00:38:53,120
Speaker 1: be a slave of slave away and with me.

734
00:38:54,200 --> 00:38:59,640
Speaker 8: This is really just it's ending pro Tyler Perry, which.

735
00:38:59,440 --> 00:39:00,680
Speaker 2: Is tew you know it.

736
00:39:00,880 --> 00:39:03,239
Speaker 1: No, I want to be clear. I'm I could not

737
00:39:03,360 --> 00:39:08,720
Speaker 1: be more anti Tyler Perry. You too are pro Tyler Perry.

738
00:39:08,800 --> 00:39:11,799
Speaker 1: For me, I am the exact opposite. I think he's

739
00:39:11,840 --> 00:39:12,320
Speaker 1: the worst.

740
00:39:12,520 --> 00:39:16,800
Speaker 4: I'm pro you know, we should be able to be

741
00:39:17,280 --> 00:39:21,759
Speaker 4: as messy and ridiculous and unprofessional as everybody else in

742
00:39:21,800 --> 00:39:23,160
Speaker 4: this business, and we're not.

743
00:39:23,280 --> 00:39:24,040
Speaker 2: We're not allowed to.

744
00:39:24,160 --> 00:39:31,080
Speaker 4: And Tyler Perry is doing that and so therefore but

745
00:39:31,480 --> 00:39:34,719
Speaker 4: what he But it also is like bad because, like

746
00:39:34,760 --> 00:39:36,839
Speaker 4: you said, there's so many people who are trapped in

747
00:39:36,880 --> 00:39:38,960
Speaker 4: this circle of Perry production.

748
00:39:39,160 --> 00:39:41,919
Speaker 1: I just dream of a day when we don't have

749
00:39:42,000 --> 00:39:45,359
Speaker 1: to hold it hold ourselves to the standard of the

750
00:39:45,400 --> 00:39:47,880
Speaker 1: worst white person.

751
00:39:48,000 --> 00:39:51,560
Speaker 2: I didn't say white. Now you said white, well it

752
00:39:51,600 --> 00:39:56,160
Speaker 2: was I said the industry. I said, I said the industry.

753
00:39:56,239 --> 00:39:57,200
Speaker 2: I feel like we are.

754
00:39:57,239 --> 00:40:01,080
Speaker 3: You almost said jewish.

755
00:40:01,719 --> 00:40:04,880
Speaker 2: I did not say that.

756
00:40:05,280 --> 00:40:08,759
Speaker 4: What I'm saying is we always have to do black excellence,

757
00:40:08,800 --> 00:40:11,200
Speaker 4: black excellence. We gotta have autocrest, we got to we've

758
00:40:11,200 --> 00:40:12,839
Speaker 4: got to go to school for we have to be

759
00:40:13,000 --> 00:40:16,319
Speaker 4: so about this life. And it's just like that's that's

760
00:40:16,320 --> 00:40:18,439
Speaker 4: not how art is made all the time. We didn't

761
00:40:18,480 --> 00:40:20,640
Speaker 4: go to NYU, we didn't go to Juilliar. So that

762
00:40:20,800 --> 00:40:24,520
Speaker 4: means that the way we conduct you know, acting and

763
00:40:24,600 --> 00:40:26,640
Speaker 4: comedy or whatever is not up to standard.

764
00:40:26,719 --> 00:40:30,200
Speaker 1: No, I think I'm not suggesting even for a second

765
00:40:30,239 --> 00:40:33,680
Speaker 1: that there needs to be a standardization of quality. I'm

766
00:40:33,680 --> 00:40:36,319
Speaker 1: not suggesting that there needs to be a standardization of

767
00:40:36,360 --> 00:40:40,480
Speaker 1: this industry, but I do think that like this breaks

768
00:40:40,520 --> 00:40:43,080
Speaker 1: down to questions of human decency.

769
00:40:43,200 --> 00:40:45,120
Speaker 2: For me, human decency this is.

770
00:40:45,320 --> 00:40:48,840
Speaker 1: This is not just oh, I made the best movie

771
00:40:48,880 --> 00:40:51,680
Speaker 1: I could make and if you like it, you like it.

772
00:40:51,719 --> 00:40:54,200
Speaker 1: If you don't, you don't. I've seen plenty of those movies,

773
00:40:54,400 --> 00:40:56,839
Speaker 1: and we can argue all day about which one souls are.

774
00:40:57,280 --> 00:41:03,279
Speaker 1: But there's nothing he's putting in on sisters. Do you

775
00:41:03,280 --> 00:41:03,960
Speaker 1: know what I'm saying?

776
00:41:04,160 --> 00:41:07,239
Speaker 4: Oh Yo, when I tell you the B E. T.

777
00:41:07,440 --> 00:41:10,640
Speaker 4: Bandits is going to be after you, I don't want

778
00:41:10,640 --> 00:41:12,400
Speaker 4: to be a I don't want to be a party.

779
00:41:12,520 --> 00:41:13,000
Speaker 3: I get it.

780
00:41:13,120 --> 00:41:17,680
Speaker 2: Someone makes sure you untagged. Somebody's gonna be they are,

781
00:41:18,160 --> 00:41:19,359
Speaker 2: they will ride at dawn.

782
00:41:19,440 --> 00:41:20,360
Speaker 3: But that's what I'm saying.

783
00:41:20,480 --> 00:41:25,400
Speaker 1: I get it that, I'm I understand that there is

784
00:41:25,440 --> 00:41:26,000
Speaker 1: an audience.

785
00:41:26,040 --> 00:41:27,480
Speaker 2: The feelers even better.

786
00:41:28,280 --> 00:41:30,839
Speaker 1: I don't think that he's trying his best on all

787
00:41:30,880 --> 00:41:32,719
Speaker 1: of these things, and I think we got to be

788
00:41:32,760 --> 00:41:34,959
Speaker 1: honest about that, Dave.

789
00:41:36,200 --> 00:41:39,160
Speaker 5: I think that what are we talking about is it

790
00:41:39,200 --> 00:41:41,040
Speaker 5: like a ratios thing, Like what do you think is

791
00:41:41,080 --> 00:41:41,560
Speaker 5: good to bad?

792
00:41:41,640 --> 00:41:42,000
Speaker 8: Ratio?

793
00:41:42,040 --> 00:41:44,640
Speaker 2: Is yeah, tell me, let us know what you right now,

794
00:41:44,719 --> 00:41:47,480
Speaker 2: right now? Hold on? What is good for you movie?

795
00:41:47,560 --> 00:41:47,959
Speaker 2: Right now?

796
00:41:48,280 --> 00:41:48,560
Speaker 3: Show?

797
00:41:48,840 --> 00:41:48,960
Speaker 2: No?

798
00:41:48,960 --> 00:41:53,640
Speaker 1: No, No, that's that feels that that's complicating the conversation.

799
00:41:53,640 --> 00:41:55,520
Speaker 2: Okay, because you want to you want to keep your jobs.

800
00:41:55,600 --> 00:41:59,920
Speaker 1: Yeah, I'm not going to play this nasty hold me

801
00:42:00,400 --> 00:42:02,960
Speaker 1: if I wouldn't do what I did right now, that's

802
00:42:03,040 --> 00:42:04,560
Speaker 1: not the point of this conversation.

803
00:42:06,520 --> 00:42:11,520
Speaker 3: A good tribe, sister, I can't even.

804
00:42:11,560 --> 00:42:12,840
Speaker 2: They won't even see me a script.

805
00:42:13,360 --> 00:42:14,080
Speaker 3: I can't even.

806
00:42:18,320 --> 00:42:20,960
Speaker 1: I think if we're talking ratio of what I think

807
00:42:20,960 --> 00:42:23,960
Speaker 1: he offers up good to bad, I think it's ninety

808
00:42:24,000 --> 00:42:27,440
Speaker 1: percent bad and ten percent good.

809
00:42:27,719 --> 00:42:30,040
Speaker 2: Let me ask you a question. Did you like Vampire

810
00:42:30,080 --> 00:42:30,560
Speaker 2: in Brooklyn?

811
00:42:31,760 --> 00:42:33,520
Speaker 1: I don't think it was a good movie.

812
00:42:34,840 --> 00:42:37,480
Speaker 2: It was a good movie. No, what is good?

813
00:42:37,840 --> 00:42:38,279
Speaker 8: Not that?

814
00:42:38,960 --> 00:42:42,160
Speaker 4: Why wasn't it good? Eddie Murphy was in it? Angela Basket, Yeah,

815
00:42:42,239 --> 00:42:45,040
Speaker 4: Eddie Murphy is in a female Peg was in it.

816
00:42:45,960 --> 00:42:50,359
Speaker 3: He was Yo, yo, you think it's a good movie.

817
00:42:51,040 --> 00:42:52,560
Speaker 1: Excuse me, you think it's a good.

818
00:42:52,400 --> 00:42:53,960
Speaker 2: Movie, iconic, legendary.

819
00:42:54,360 --> 00:42:57,120
Speaker 3: No, no, no, boo boo.

820
00:42:57,200 --> 00:43:00,960
Speaker 1: I'm not gonna play this game where we worve around it.

821
00:43:01,040 --> 00:43:02,600
Speaker 1: Because a bunch of people we like are.

822
00:43:02,480 --> 00:43:04,719
Speaker 2: In butter Scotch behavior.

823
00:43:07,840 --> 00:43:08,920
Speaker 1: Off the stage.

824
00:43:09,080 --> 00:43:13,000
Speaker 2: I love it. I loved it. There's a lot of

825
00:43:13,040 --> 00:43:16,520
Speaker 2: movie context also, it's sponsoring.

826
00:43:16,640 --> 00:43:17,400
Speaker 3: That's crazy.

827
00:43:17,480 --> 00:43:20,400
Speaker 5: But it's not a great movie, thank you, And that's fine,

828
00:43:20,520 --> 00:43:22,640
Speaker 5: that's okay. That's kind of how it is with the

829
00:43:22,719 --> 00:43:23,720
Speaker 5: Tyler Perry stuff.

830
00:43:24,000 --> 00:43:27,359
Speaker 3: That's a good evil good who laugh?

831
00:43:31,719 --> 00:43:34,359
Speaker 1: What's in his coffee?

832
00:43:34,680 --> 00:43:34,919
Speaker 8: Meth?

833
00:43:36,880 --> 00:43:41,480
Speaker 1: This is meth like behavior. This whole episode has been

834
00:43:41,520 --> 00:43:43,080
Speaker 1: brought to you by meth.

835
00:43:43,280 --> 00:43:45,080
Speaker 2: How dare you there?

836
00:43:45,120 --> 00:43:47,160
Speaker 4: You text me an hour before the podcast and I

837
00:43:47,239 --> 00:43:50,760
Speaker 4: brought my my sisterly love here to save the pod,

838
00:43:51,239 --> 00:43:52,480
Speaker 4: and now you said, I'm on meth.

839
00:43:53,800 --> 00:43:57,160
Speaker 2: Brothers, Where's where's brothers?

840
00:43:57,520 --> 00:44:03,719
Speaker 12: It is he has that it literally exists sides. No, right,

841
00:44:06,040 --> 00:44:09,080
Speaker 12: that's the problem. You don't even know how thorough this

842
00:44:09,239 --> 00:44:13,160
Speaker 12: man is. There's an auntie, I'm hurting.

843
00:44:17,800 --> 00:44:20,839
Speaker 1: This man made all the stuff and you I hear

844
00:44:20,960 --> 00:44:24,480
Speaker 1: being like, it's already it could be subjective, no.

845
00:44:25,000 --> 00:44:27,759
Speaker 5: Stop, how it is him being the devil to me

846
00:44:27,920 --> 00:44:31,440
Speaker 5: does come down to more than content or anything. I

847
00:44:31,440 --> 00:44:34,680
Speaker 5: think it's the way that he runs the ship that's

848
00:44:34,960 --> 00:44:37,239
Speaker 5: that is the thing that I think that regardless of

849
00:44:37,280 --> 00:44:40,080
Speaker 5: whether or not you enjoy it or you don't enjoy it.

850
00:44:40,200 --> 00:44:44,080
Speaker 5: That is the sinister thread that we can all agree on, right,

851
00:44:44,600 --> 00:44:46,040
Speaker 5: And that's the problem with Tyler.

852
00:44:46,160 --> 00:44:49,000
Speaker 1: He's saving insane amounts of money it's fit to hoard

853
00:44:49,080 --> 00:44:52,360
Speaker 1: for himself by not paying people what they're worth and

854
00:44:52,440 --> 00:44:56,200
Speaker 1: not unionizing. And more than that, he then even saves

855
00:44:56,800 --> 00:45:00,480
Speaker 1: more and more money by forcing people to work hours

856
00:45:00,560 --> 00:45:04,040
Speaker 1: that are far beyond reason to stay sort of like

857
00:45:04,200 --> 00:45:10,520
Speaker 1: insular inside of this fucking dome that it's It feels

858
00:45:10,640 --> 00:45:14,440
Speaker 1: like we would be irresponsible to walk away from this

859
00:45:14,520 --> 00:45:18,319
Speaker 1: episode and say that Tyler Perry is like a good guy.

860
00:45:18,520 --> 00:45:21,480
Speaker 4: I just want to say, if we if Dave Langston

861
00:45:21,800 --> 00:45:25,319
Speaker 4: and me die, we did not commit to.

862
00:45:29,560 --> 00:45:33,280
Speaker 2: We did not kill ourselves. We did on this podcast.

863
00:45:34,320 --> 00:45:37,480
Speaker 1: If if they find my body on Tyler Perry's studios,

864
00:45:37,640 --> 00:45:39,080
Speaker 1: I did kill myself.

865
00:45:40,280 --> 00:45:43,359
Speaker 8: Anywhere else.

866
00:45:44,880 --> 00:45:46,719
Speaker 2: How is this down?

867
00:45:48,719 --> 00:45:51,160
Speaker 8: I don't think anybody's paid attention because.

868
00:45:56,280 --> 00:46:04,759
Speaker 1: Crazy supports it. No, they never listened to a single episode,

869
00:46:05,480 --> 00:46:14,000
Speaker 1: mister James, iHeart plugged in the end phones. Well, I

870
00:46:14,000 --> 00:46:16,080
Speaker 1: think we did it. I think we're I think we've

871
00:46:16,200 --> 00:46:19,440
Speaker 1: concluded our all our positions on Tyler Perry, and they

872
00:46:19,440 --> 00:46:22,719
Speaker 1: do seem vast and a little diverse. We we have

873
00:46:22,920 --> 00:46:25,520
Speaker 1: varying sort of scales of what we consider to be

874
00:46:25,600 --> 00:46:26,560
Speaker 1: evil about him.

875
00:46:26,640 --> 00:46:28,320
Speaker 2: Is that Yeah, it's just crazy.

876
00:46:28,400 --> 00:46:29,799
Speaker 4: We said all this stuff, and it's like we in

877
00:46:29,840 --> 00:46:31,400
Speaker 4: this industry do we want to work?

878
00:46:31,640 --> 00:46:31,719
Speaker 11: Like?

879
00:46:33,120 --> 00:46:35,840
Speaker 1: Yeah, I got a good feeling. I'll be okay.

880
00:46:36,280 --> 00:46:39,840
Speaker 4: Well, I mean our good brother here English teacher, Abby,

881
00:46:39,880 --> 00:46:44,640
Speaker 4: I mean you you living you like before me, like skinfore.

882
00:46:45,680 --> 00:46:48,000
Speaker 2: I don't know what.

883
00:46:46,239 --> 00:46:50,799
Speaker 8: We don't worry about me.

884
00:46:54,000 --> 00:47:02,480
Speaker 10: The woman to fend for herself, Tyler, right you holding

885
00:47:02,560 --> 00:47:04,760
Speaker 10: on his legs as he's trying to leave the house.

886
00:47:04,880 --> 00:47:10,000
Speaker 1: You know what, I'm ready give her a call, Sidney,

887
00:47:10,040 --> 00:47:12,880
Speaker 1: before you, before you go on down to the compound,

888
00:47:12,960 --> 00:47:13,960
Speaker 1: will you tell us?

889
00:47:14,239 --> 00:47:14,520
Speaker 8: Uh?

890
00:47:15,080 --> 00:47:17,280
Speaker 1: Will you tell us some cool shit you got.

891
00:47:17,160 --> 00:47:22,000
Speaker 4: Going on new, brand new podcast. Well it's remixed, but

892
00:47:22,640 --> 00:47:25,919
Speaker 4: it's called Mess. It's with me and your fabe, Marie

893
00:47:25,960 --> 00:47:31,719
Speaker 4: Foston on my Heart Big Money Players Network, and we

894
00:47:31,800 --> 00:47:33,880
Speaker 4: just came out and I'm very excited to be a

895
00:47:33,880 --> 00:47:37,120
Speaker 4: part of the family. And obviously I'm on Instagram. Please

896
00:47:37,160 --> 00:47:39,800
Speaker 4: follow me in order for me to get the promo

897
00:47:40,200 --> 00:47:42,200
Speaker 4: and the brand deals that I deserve, I need.

898
00:47:42,080 --> 00:47:43,319
Speaker 2: More followers, So follow me.

899
00:47:43,440 --> 00:47:44,080
Speaker 1: I think that's fair.

900
00:47:44,239 --> 00:47:44,880
Speaker 2: Just sid b W.

901
00:47:45,000 --> 00:47:47,319
Speaker 4: I should be doing something with hair or makeup or

902
00:47:47,920 --> 00:47:51,600
Speaker 4: you know. If the lesbians follow this, I'm sure they don't,

903
00:47:51,600 --> 00:47:54,560
Speaker 4: but if you do, please follow me, just sid BW.

904
00:47:55,239 --> 00:47:59,000
Speaker 8: We can have some lesbians to come a few three.

905
00:47:59,680 --> 00:48:03,120
Speaker 1: Yeah, it's always uh it's a girl and then her

906
00:48:03,440 --> 00:48:06,279
Speaker 1: her much more more masculine.

907
00:48:06,600 --> 00:48:09,360
Speaker 3: Watch your mouth, friend, watch your.

908
00:48:09,200 --> 00:48:13,640
Speaker 1: Mouth, masculine presenting girlfriend who who is less happy to

909
00:48:13,680 --> 00:48:17,920
Speaker 1: be there. It's usually the Yeah, it's like a small

910
00:48:17,920 --> 00:48:20,920
Speaker 1: girl with glasses, and he was very nice, very nice,

911
00:48:21,080 --> 00:48:25,440
Speaker 1: very excited, and then a a masculine presenting lady behind

912
00:48:25,440 --> 00:48:27,719
Speaker 1: a camera being like, hey, y'all was y'all was cool?

913
00:48:27,760 --> 00:48:29,440
Speaker 5: But I have seen a couple of times where it

914
00:48:29,520 --> 00:48:32,560
Speaker 5: was a masculine lady and she put her small lady on.

915
00:48:32,640 --> 00:48:34,920
Speaker 8: Oh nice. Oh yeah, I don't know the shot to

916
00:48:34,960 --> 00:48:35,800
Speaker 8: that couple in d C.

917
00:48:36,280 --> 00:48:39,240
Speaker 2: So it's only so it's only one couple of show coming.

918
00:48:39,840 --> 00:48:42,520
Speaker 3: Yeah, usually do better, do better?

919
00:48:42,680 --> 00:48:45,600
Speaker 8: What can we do? What we talk about?

920
00:48:46,520 --> 00:48:47,600
Speaker 2: I saved the podcast.

921
00:48:47,640 --> 00:48:50,600
Speaker 4: I don't think you know, you understand they were looking

922
00:48:50,680 --> 00:48:52,799
Speaker 4: for to be seen and that was me.

923
00:48:53,000 --> 00:48:56,640
Speaker 1: Oh thank god, good job. Hell yeah, And you can

924
00:48:56,640 --> 00:48:58,640
Speaker 1: follow me at Langston Kerman and we're still on the

925
00:48:58,640 --> 00:49:01,000
Speaker 1: start to Steal tour. We want you to come out

926
00:49:01,040 --> 00:49:02,240
Speaker 1: to the next couple of shows.

927
00:49:02,600 --> 00:49:02,719
Speaker 7: Uh.

928
00:49:02,840 --> 00:49:10,320
Speaker 1: We We've got Seattle, We've got Portland, we and Okay,

929
00:49:10,400 --> 00:49:12,759
Speaker 1: that's all the ones that I think we're probably gonna have.

930
00:49:13,120 --> 00:49:15,520
Speaker 8: Yeah, I think that's it should be all right?

931
00:49:15,640 --> 00:49:17,759
Speaker 1: Well, yeah, anyway, and if you want to send us

932
00:49:17,800 --> 00:49:20,520
Speaker 1: your own drops, your own conspiracy theories, if you want

933
00:49:20,520 --> 00:49:23,600
Speaker 1: to tell us what Tyler Perry does for you, send

934
00:49:23,640 --> 00:49:26,160
Speaker 1: it all to My Mama pod at gmail dot com.

935
00:49:26,160 --> 00:49:27,960
Speaker 1: We would love to hear from you. By the merch

936
00:49:28,440 --> 00:49:35,440
Speaker 1: of call your Mother, Sucker, Dick, myye Bitch. My Mama

937
00:49:35,480 --> 00:49:38,040
Speaker 1: Told Me is a production of Will Ferrell's Big Money

938
00:49:38,040 --> 00:49:42,200
Speaker 1: Players Network and iHeart Podcasts.

939
00:49:41,920 --> 00:49:44,120
Speaker 8: Created and hosted by Langston KRK.

940
00:49:44,239 --> 00:49:46,080
Speaker 1: Co hosted by David Bori.

941
00:49:46,080 --> 00:49:50,040
Speaker 5: Executive produced by Will Ferrell, Hansani and Olivia.

942
00:49:49,640 --> 00:49:52,560
Speaker 1: Akilo, co produced by Bee Wayne.

943
00:49:52,480 --> 00:49:54,480
Speaker 8: Edited and engineered by Justin.

944
00:49:54,320 --> 00:49:57,040
Speaker 1: Kopfon, music by Nick Chambers.

945
00:49:56,880 --> 00:49:58,000
Speaker 8: Artwork by Dogon.

946
00:49:58,800 --> 00:50:01,359
Speaker 1: You can now watch happen pisodes of My Mama Told

947
00:50:01,440 --> 00:50:05,120
Speaker 1: Me on YouTube. Follow at My Mama Told Me and

948
00:50:05,200 --> 00:50:06,720
Speaker 1: subscribe to our channel