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Speaker 1: This is how we do it. This is how we

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Speaker 1: do it. This is how we do it, Shanna. This

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Speaker 1: is how we do it, Shanna. Good morning, good afternoon.

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Speaker 1: Hi everybody, Hi hi, hi, hi Hi everybody. I love you,

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Speaker 1: I love you, I love you. Holy cow. Well Joel,

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Speaker 1: First of all, Joel, you look beautiful. I don't know

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Speaker 1: what's happening you. Oh, I see and Daniel and Daniel

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Speaker 1: you've changed your look and your background. I am I mean,

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Speaker 1: I guess I can tell the fans. I am currently

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Speaker 1: in New York City. Oh, we're all jumping around the world. Indeed,

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Speaker 1: I'm a meeting an you know, you know what's two

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Speaker 1: black people are jumping around the world. Black jumping around

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Speaker 1: the world at all. I had to meet my girlfriend's

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Speaker 1: family for the first time. I'm sorry, that's amazing. Go

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Speaker 1: Do they like you? What's not to like? You're a

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Speaker 1: charming motherfucker? Well you honor me. I really appreciate that.

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Speaker 1: Haven't met yet. We got COVID test this morning, So

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Speaker 1: when we come back with negative results and we quarantine

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Speaker 1: a little bit, then we'll be okay meeting people. But

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Speaker 1: for the time being, were shacked up, just kind of chilling.

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Speaker 1: Did you do the rapid test. Uh it is? I

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Speaker 1: think so. Yeah. We went to the went to the

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Speaker 1: hospital and got the nose swab. It's my first time

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Speaker 1: getting a no swab. This is the thing they go,

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Speaker 1: They go deep like Donald, this isn't wow. This is

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Speaker 1: the thing everybody's doing nowadays, Like everybody's just getting that

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Speaker 1: rapid test to make sure that they can hang out

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Speaker 1: with each other. We should have told me you could

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Speaker 1: have hung out in my apartment. I'm so sorry that's

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Speaker 1: sitting there empty. I didn't want to bother you. I'm

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Speaker 1: so sorry. Next time for it, Daniel. That's very interesting

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Speaker 1: because when I ask for that ship, he tells me

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Speaker 1: no every time. Yeah, you know why. You know why

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Speaker 1: because Daniel will fucking be respectful. I can picture you

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Speaker 1: having like a party and smoking fucking jazz cabbage one.

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Speaker 1: I don't have any friends other than you and Daniel

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Speaker 1: and Joel and Daniel and Joel and I don't hang out. Okay, wait,

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Speaker 1: wait till the tour bus. Wait till the tour bus.

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Speaker 1: Oh my god. That's so dangerous. But I can I

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Speaker 1: can trust. I can picture trusting Daniel in my apartment,

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Speaker 1: and I know that nothing would happen with you. I

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Speaker 1: can picture like you'd forget some candle next to the

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Speaker 1: drapes and then backdraft. I find that one offensive because

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Speaker 1: what makes you think that I like candles? What the

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Speaker 1: fun is that about? I don't like candles candles. I

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Speaker 1: am one of those people who does not like candles,

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Speaker 1: I think. I mean, my wife loves candles, so they

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Speaker 1: burn in our house. But I'm one of those people

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Speaker 1: who's like, you're gonna light a candle? Is this like

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Speaker 1: a fire hazard thing? I just don't. I mean, that

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Speaker 1: smells waxy and scented. The only candles I do like

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Speaker 1: is at the hotel whatever that hotel is that's in

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Speaker 1: New York City, and the lobby smells like it smells

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Speaker 1: like this certain candle, and apparently this candle costs a

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Speaker 1: ship ton of money. I want to say it's the

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Speaker 1: Bowery I could. Is that the one with the club

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Speaker 1: in the lobby. It's not a club, it's like a

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Speaker 1: really sexy lounge. There's there's one that has literally a

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Speaker 1: club right next door, Like on some nights you come

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Speaker 1: downstairs and there's a club popping right next door. It's

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Speaker 1: like and and you can easily you can easily. What

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Speaker 1: is the other one. There's a bunch of them anyway.

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Speaker 1: My point, Josh Rayden stayed at the Bowery so much

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Speaker 1: they gave him an embroidered bathrobe with his name on it.

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Speaker 1: And when he would stay the bathroom would be lying

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Speaker 1: on the bed. But he had to leave the bathrobe

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Speaker 1: there when he left. Literally at the Bowery, when you stay,

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Speaker 1: when you spend enough money there and stay there long enough,

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Speaker 1: you get your own embroidered robe, and they lie in

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Speaker 1: on your bed when you're there, and when you're not there,

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Speaker 1: they stored away in the embroidered road rooms. Good dollar, good?

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Speaker 1: Did you see what? What? First of all, I need

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Speaker 1: to know. First of all, I have a special surprise

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Speaker 1: for you in this episode I planned. Okay, Donald, Joel

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Speaker 1: and Dan will know what the surprise is. You got

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Speaker 1: me to fucking oh shoot, you got to yeah, Zick,

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Speaker 1: you got me to simulator. Now, calm that not that good.

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Speaker 1: It's not a six thousand dollar golf simulator. No. I

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Speaker 1: really appreciate that though. By the way, speaking of speaking

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Speaker 1: of surprises, I don't even know who two Chains is.

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Speaker 1: I imagine he's a very famous rapper. Right, did you

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Speaker 1: just say, Tea Chains, do you do you like to change?

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Speaker 1: You guys? Are you too chains fans? Because the three

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Speaker 1: of you I think like rap right, two Chains is

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Speaker 1: like conic. I was gonna say, you know, I'm just

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Speaker 1: certainly most certainly jump man, jump man jump No, that's

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Speaker 1: the future right up to something right now. I've never

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Speaker 1: heard of two Chain song. I imagine he's very successful.

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Speaker 1: And I can tell you that he's friends with Kanye

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Speaker 1: West because I went on the inner webs today and

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Speaker 1: Kanye West gave two Chains an amphibious a t V.

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Speaker 1: That is the coolest looking thing I've ever seen. Kanye

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Speaker 1: West is a billionaire dude, no I know, but he

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Speaker 1: still gave his friend an amphibious a t V and

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Speaker 1: he put a plaque on it. You got, I mean,

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Speaker 1: if you're listening to this, just google it. It's the

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Speaker 1: coolest thing ever. And I'm hoping that one day Donald

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Speaker 1: will get rich enough to buy me one If I

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Speaker 1: get a billion dollars in my bank account when I

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Speaker 1: should how much union? How much? A billion? Yeah? I

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Speaker 1: think you need a billion? Oh man, it's so it's

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Speaker 1: called a sherma or something. Hold on, I saw because

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Speaker 1: Kanye probably paid for the thing and still still had

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Speaker 1: a billion after he paid Joel, can you look up

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Speaker 1: what it's called. Just look up Amphibious a t V

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Speaker 1: the two chains got from Kanye sharp a t v

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Speaker 1: S shirp a t v S. Yes, it's branded well

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Speaker 1: he he tricked it out and I'm sure there's a

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Speaker 1: dope sound system and he did. Did you see the picture,

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Speaker 1: you guys, if you're listening, you have to google image

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Speaker 1: this thing. Everybody needs one, everybody needs. Do you know

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Speaker 1: what I want? I want the sharp a TV that

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Speaker 1: turned into a sub I want the subversion. I want

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Speaker 1: the one that when because look, it's great to be

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Speaker 1: able to go over hills and it's great to be

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Speaker 1: able to do like you know, uh, go in the water.

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Speaker 1: Wouldn't be in chaste, but you know it's even better

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Speaker 1: than that to be like that's it sucking. I'm out

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Speaker 1: and dive and then dive to the depths of the ocean,

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Speaker 1: depths that you know some people like dude, I want

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Speaker 1: the freaking spy car on ground and water, land and

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Speaker 1: sea and yo, j did you see the picture? Joel

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Speaker 1: just sent us to it. It's fucking amazing. Fighting for freedom,

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Speaker 1: ob wherever there's trouble over land and sea and there

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Speaker 1: Joe is there. Oh my god, that it is tight.

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Speaker 1: If if an erection was an a TV that sh

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Speaker 1: it looks like a g That shi it looks like

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Speaker 1: a Cobra vehicle. It looks like a Cobra vehicle from

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Speaker 1: the g I Joe cartoon. I only wishb Yeah, he

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Speaker 1: put up. He engraved a proverb on a plaque and

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Speaker 1: put it on on the thing. This is wild, you guys.

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Speaker 1: My only wish for Donald Phazon is that he gets

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Speaker 1: rich enough to buy me that thing. I love it.

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Speaker 1: I hope that one day that is possible. I hope

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Speaker 1: tell me, um, hey, Daniel, tell me when, tell me

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Speaker 1: when the surprise is in? Present is present? The surprise

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Speaker 1: is ready and waiting. Okay, so Donald, I got you

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Speaker 1: a present today. No, it's a uh you know Donald.

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Speaker 1: For listeners out there, we were hoping to invite Sarah

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Speaker 1: chalk on today because she's prominent and very funny in

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Speaker 1: this episode. But she is just I think she's like

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Speaker 1: camping in the middle of nowhere, Canada with her family,

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Speaker 1: and uh so she couldn't come. So I reached out

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Speaker 1: to everybody's favorite guest. Let's bring him in, Donald, Donald,

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Speaker 1: close your eyes, close your eyes, Bill. Yeah yeah, Look

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Speaker 1: how happy is Bill? Look how much happiness he ring? Donald?

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Speaker 1: How could I be a surprise? I think about every episode.

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Speaker 1: This is very exciting. But dude, this is it's always

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Speaker 1: a good episode when Bills are count on it being

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Speaker 1: a good episode. When Bill is on the fans love it.

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Speaker 1: I love it. I'm gonna tell you one thing. I

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Speaker 1: was hoping you were a golf simulator. Bill. I'm not

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Speaker 1: gonna lie. Bill, I go, I got you a surprise.

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Speaker 1: He goes a gulf simulator. Although I understand that even

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Speaker 1: by the way, even just like one of those nets

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Speaker 1: you put in your backyard and hit into that would

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Speaker 1: have been that would have been as good as me that. No, no, no, no,

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Speaker 1: this is way better than no. It's by the way, Donald,

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Speaker 1: it's not one of those tiny nets that catches golf

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Speaker 1: balls with the Matt. It's so they're perfect, Matt. That'll

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Speaker 1: be That'll be the next surprise. Bill. I'm I have

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Speaker 1: to tell you that. Um, I love you so much.

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Speaker 1: But one thing that really annoys me is in my

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Speaker 1: in my social media when I'm scrolling and I see

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Speaker 1: and I'm just posted a podcast that Donald and I did,

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Speaker 1: and I'm I think it's funny, and I want to

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Speaker 1: know what everyone thinks, and you weren't on the particular one.

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Speaker 1: And the first comment is more Bill, please, that's all.

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Speaker 1: This is a out for me now it means it's working.

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Speaker 1: That's my I really, I really hate it. I hate

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Speaker 1: it because Donald and I finally launched something successful without you,

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Speaker 1: and you're slowly infiltrating how could this be considered without Bill?

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Speaker 1: It's a fucking mean. It's totally of course with him,

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Speaker 1: but he wasn't. I just think it's funny that everywhere

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Speaker 1: like merch ideas, everyone's like, how about Bill on a

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Speaker 1: hat saying five. I'm not doing a ton of retweeting lately,

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Speaker 1: but I will say anybody that tweets me and says Bill,

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Speaker 1: I'm enjoying your podcast with Zack and Donald, I immediately

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Speaker 1: retweet that it makes me so happy happy. I know

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Speaker 1: that you love it, and and uh and and but

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Speaker 1: the truth is that you're very funny and the people

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Speaker 1: love Bill Lawrence. And also we have to say congratulations,

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Speaker 1: because I don't know if the three of you who

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Speaker 1: are not Bill no, but his show Ted Lasso is

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Speaker 1: a giant hit. People fucking love it. There's aplause, wonders, applause,

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Speaker 1: then oh jeez, thank you Zachie. It's is cool. By

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Speaker 1: the way, it was, you know, it was one of

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Speaker 1: those things I wish I could have done in America

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Speaker 1: because then, you know, I love bringing the people back

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Speaker 1: onto shows that I've worked with before, so i'd see you. Also,

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Speaker 1: it's such a gift that you were in London and

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Speaker 1: got to direct one z but that was super no,

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Speaker 1: I know, And if you were shooting right now, I

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Speaker 1: could be directing another one because I'm here. Um. But

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Speaker 1: but you have you have, you have some of your

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Speaker 1: favorites on the show already. I didn't know you had

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Speaker 1: Brett on the show Man. Oh yeah, yeah, by the way,

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Speaker 1: I forgot. They got with Donald. But the advantage Brett

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Speaker 1: lives there, you know, he that guy, that guy is

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Speaker 1: you know what I mean. Donald did a pilot with

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Speaker 1: me and Brett. I'm trying. By the way, Donald, this

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Speaker 1: is this is where what our life has become. It's

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Speaker 1: like what zach used to with girls is zax in London.

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Speaker 1: Brett lives in London with a love with Brett Goldstein

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Speaker 1: is a writer and producer, and he started the pilot

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Speaker 1: that Donald that Donald and I did together, and he's

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Speaker 1: one of the producers and stars of Ted Wat. So

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Speaker 1: he plays Roy and I'm trying to make exact be

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Speaker 1: friends with him, like Zac, you got a friend, you

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Speaker 1: would love it. You will love him. I don't know

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Speaker 1: if you're talking out with him yet. You will love him.

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Speaker 1: He is our speed. We joked about Donald and I

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Speaker 1: joked about going on a mandate because we had Shay

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Speaker 1: on as you know Bill because you you uh, you

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Speaker 1: did interrupting Bill, And we joked about like wanting if

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Speaker 1: it weren't COVID, like wanting to to go out and

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Speaker 1: hang out with Shay. But it's we're talking about how

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Speaker 1: it's weird in your forties to be like what do

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Speaker 1: you how do you like start a new male friendship.

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Speaker 1: It's like, hey, would you like to go on a

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Speaker 1: on a mandate? And uh? And Bill is trying to

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Speaker 1: set me up on a mandate with Brett, while I'm

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Speaker 1: you should go, dude, you should hang out with him.

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Speaker 1: You guys would laugh a lot man And he doesn't

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Speaker 1: give a ship that You're Zach Brapp and we're on

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Speaker 1: Scrubs or anything like that. He's one I know. I

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Speaker 1: already worked with him, dude. I directed him on ted

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Speaker 1: Lasso and he was He was delightful and funny as ship.

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Speaker 1: Does he write episodes too, Yeah, he's because he's a Donald.

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Speaker 1: He's a writer. First, he got he's someone another one

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Speaker 1: of those people we have to all be friends with.

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Speaker 1: He created his own show on AMC that comes out

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Speaker 1: in two months. It just got picked up for a

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Speaker 1: second season. So he's got his own he's got his

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Speaker 1: own show. He's starting in another one. He's wrote a

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Speaker 1: big movie in the UK called Nan, and he's got

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Speaker 1: a very big podcast that he wants you both to

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Speaker 1: be on. He's his podcast, not to promo it on yours.

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Speaker 1: Is called Films to be Buried With and they sometimes

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Speaker 1: shoot it at the British Film Institute and he basically

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Speaker 1: just interviews you about what movies you'd like to be

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Speaker 1: known for as your favorite. Donald will be all about

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Speaker 1: Star Wars for you when you die, What are the

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Speaker 1: movies you want your kids to see, What movies influenced

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Speaker 1: you the most and all that stuff. He's awesome, that's cool,

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Speaker 1: that's awesome. I'm gonna be on it because he's already

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Speaker 1: hit me up and we're our mandate process has begun.

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Speaker 1: We are we are chatting, we are chatting. He is also,

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Speaker 1: by the way, Zach coupled up with a younger, charismatic,

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Speaker 1: stunningly beautiful and fun British woman like yourself. I mean,

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Speaker 1: it's as if you guys were yet by the way,

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Speaker 1: who her name is Beth. But because they use the

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Speaker 1: word fit over there if a girl is very attractive

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Speaker 1: or if a boy is very attractive, he started calling

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Speaker 1: her fit Beeth when they first started dating, and it

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Speaker 1: has somehow stuck as her nickname. So when you call

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Speaker 1: him up, you'd be like, hey, what are you up to.

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Speaker 1: He's like, oh, I'm just here having dinner with fit

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Speaker 1: Beeth and it's uh. I think it's one of the

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Speaker 1: all time solid British nicknames. Well, I'm excited to take

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Speaker 1: him on a double date with fit Florence. Um, hey,

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Speaker 1: we haven't. We haven't. We haven't started the show with

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Speaker 1: with singing yet. And I think since some it is

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Speaker 1: your catchphrase, you might want to do the honors. I

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Speaker 1: don't like to do it when people ask me to

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Speaker 1: do it. Nobody's asking you nobody's asking five, six, seven

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Speaker 1: about show we made about a bunch of times and nurses,

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Speaker 1: and so get around here, yeah, around here. I'm gonna

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Speaker 1: try something new with the breakdown. I get very excited

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Speaker 1: about the breakdowns. You're not. You're not gonna get excited

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Speaker 1: about this one bill because people who started freaking talking

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Speaker 1: trash on the internet about dude j D does the

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Speaker 1: summary of life and everything at the end of every episode,

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Speaker 1: Please just tell us what's going on because I have

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Speaker 1: no idea. And then part of me said, it's a

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Speaker 1: rewatch podcast. You've had over ten years to catch up

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Speaker 1: and watch these episodes, so what's the problem. And people

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Speaker 1: are still beefing? So I just want to double check

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Speaker 1: somebody double I just want to double check that you're

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Speaker 1: a forty six year old man who's been in the

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Speaker 1: public eye for most of your life and some comment

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Speaker 1: a guy mean on the internet upset you just double

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Speaker 1: checking absolutely yes, and it wasn't just a guy, it's

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Speaker 1: girls and guys. Okay, So literally literally, probably three people,

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Speaker 1: I would say about six six people have unraveled. That's awesome.

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Speaker 1: Six out of the out of the half a million

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Speaker 1: over half a million people that follow me playing now.

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Speaker 1: So wait, you're saying Donald, It's just so I'm clear,

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Speaker 1: you're saying that someone trolled the thing you do and

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Speaker 1: now you're gonna change it, and you're gonna change it

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Speaker 1: to what I'm just gonna give a summary of what

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Speaker 1: happens in the episode. By the way, you know, what

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Speaker 1: you should do is protests once in a while, is

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Speaker 1: you should just read Zack's end voice over words. But Bill,

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Speaker 1: but Bill, as you as you told us, they don't

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Speaker 1: really make much sense out of context. They're like, at

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Speaker 1: the end of the day, the friends that you have

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Speaker 1: are the best friends you're ever gonna have. That's what

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Speaker 1: you need to have. Friends. You're using half a little

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Speaker 1: too much, and that's bad writing, buddy, you're losing. You

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Speaker 1: use half three times. The friends you have are gonna

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Speaker 1: be the friends at the end of the day. The

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Speaker 1: friends you have will always be the friends you get.

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Speaker 1: So being happy with what you have obtained, all you need,

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Speaker 1: all you need is a slow motion crane shot and

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Speaker 1: a stad Indie song And I got tears of my hons. Well,

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Speaker 1: you're the one that taught me that. Actually, you're the

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Speaker 1: one that taught me that, Because it's no bullshit. Bill,

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Speaker 1: You're the one that told me that. And it's it's

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Speaker 1: it's so bad that I go to other jobs now

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Speaker 1: and writers will have, you know, it'll say something like that.

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Speaker 1: It'll be like, uh, we have to get out of

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Speaker 1: here because we have to find a way to you know,

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Speaker 1: do something. And I'm like, we're saying we have to

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Speaker 1: like twice, is there another way that we can do this? Right?

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Speaker 1: I see writers look at me like how do fun?

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Speaker 1: Who do who do? And it's always like I always

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Speaker 1: want to be like, well, you know, legendary comedy writer

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Speaker 1: Bill Lawrence talking you guys can you guys can do

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Speaker 1: it however you'd like. But just so you know, Bill Lawrence,

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Speaker 1: all right, so if I've got if I understand this rightly,

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Speaker 1: you're just gonna summarize the facts of the episode now

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Speaker 1: because you've been successfully trolled. Yes, just this one. And

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Speaker 1: I didn't know it was gonna be on the show.

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Speaker 1: I would have known Bill was gonna be on the show.

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Speaker 1: I said, And yeah, by the way, this is so,

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Speaker 1: this is the this is what you get when you

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Speaker 1: complain petulant recap. I like that, right, this is what

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Speaker 1: you get. This is what you get when you complain

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Speaker 1: ready one two? Alright. This episode shows every level of

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Speaker 1: the relationship. Elliott and Nurse Flowers are at the end

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Speaker 1: of Bears, Jordan and Cox are the brand new baby phase.

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Speaker 1: Turke and Carlor are now engaged and they're feeling the

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Speaker 1: pressure of having to follow through, and j D is

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Speaker 1: single and ready to mingle with tasty. Come a wife,

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Speaker 1: there you go. That's I don't. I don't, I don't,

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Speaker 1: I don't. I don't like it. I know you don't

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Speaker 1: like it. Yeah. For me, I have to be honest

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Speaker 1: with you, Donald, Um, there was something nice about you

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Speaker 1: as this many years later looking back and seeing the

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Speaker 1: episode as a whole and giving your emotional sort of

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Speaker 1: summary of it from someone who wasn't really to what

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Speaker 1: you've said before, wasn't really looking at it very closely

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Speaker 1: at the time, And now this many years later, you're

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Speaker 1: looking back at it and seeing something. I I think

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Speaker 1: that's very valuable and I think listen, if you're one

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Speaker 1: of the six people that successfully troll Donald, you can

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Speaker 1: type in episodes of Scrubs to sixteen summary and you'll

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Speaker 1: beat home run. There We'll go to Trevor Wicky and

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Speaker 1: he'll freaking summarize it for you. This is what you

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Speaker 1: get from being petty. Donald and Zack can't ask for this,

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Speaker 1: but I would ask people that are listening to that,

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Speaker 1: when love Donald's old summations, to please let him know

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Speaker 1: after this episode that you love the way he used

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Speaker 1: to do it, because I found it much more passionate

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Speaker 1: and I loved hearing him talk about it. I like

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Speaker 1: it the other way too. I'm not gonna lie to

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Speaker 1: you guys. So that was the only time, by the way,

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Speaker 1: and if if, no matter how long we do this podcast,

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Speaker 1: that is the only time you will ever hear Donald

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Speaker 1: do a true boring summary of the episode. I like that.

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Speaker 1: I like that you discover something, Donald, because let's be honest,

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Speaker 1: you were either on jazz Cabbage or playing a video

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Speaker 1: game and not really paying attention to what we were doing.

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Speaker 1: So now twenty years later you're looking back. I'll tell you,

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Speaker 1: you know, this episode it really makes you think about

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Speaker 1: the relationship that you're going that I'm going through right now,

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Speaker 1: and made me look at that, you know what I mean.

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Speaker 1: My wife and I have surpassed every level of relationship.

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Speaker 1: In this episode, We've had the kid and we you know,

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Speaker 1: they're growing. Now, we've already did the beginning dates, we

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Speaker 1: did the we did the breakup and then get back

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Speaker 1: together stuff, Like everything that's happened in this episode, my

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Speaker 1: wife and I have done. And that's the one thing,

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Speaker 1: because these characters are so new, that's the one thing

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Speaker 1: in this episode that is missing, if you ask me, uh,

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Speaker 1: is the successful We've done it all, but these guys

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Speaker 1: are finding each other and getting to know each other.

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Speaker 1: In my tasty come of wife this episode. This is

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Speaker 1: a really good episode. Laughed so many times, dude, I thought, Phil,

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Speaker 1: I'm so glad. First of all, I know that you

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Speaker 1: you technically write them all because you're overseeing the writer's room,

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Speaker 1: but your name is actually on this one, along with

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Speaker 1: Adam Bernstein, who's directed the pilot, And so I was

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Speaker 1: just so happy that I happened to ask you to

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Speaker 1: come on, because not only is it a great seminal

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Speaker 1: episode with a lot of great stuff in and very moving,

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Speaker 1: I thought at the end, but you happen to be

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Speaker 1: one with your with your name on the script, so

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Speaker 1: I was I was doubly glad you were here. And

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Speaker 1: Laverne has the best Laverne has the best line in

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Speaker 1: the show. Oh good episod this is good episode, which

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Speaker 1: one way I think I wrote down that line a

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Speaker 1: good Show Today, Good Show Today, Good Show Today. That's

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Speaker 1: sixth wrote that down. So the show opens up guys

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Speaker 1: with I'm trying to go in for a slow kiss

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Speaker 1: with Rowdy and the audience is the visual makes the

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Speaker 1: audience go, what the fuck is going on? And then

399
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Speaker 1: you reveal that Donald is coaching me because I haven't

400
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Speaker 1: been with a woman in a while and I'm rusty,

401
00:22:31,640 --> 00:22:36,000
Speaker 1: and he's giving me some some drills, kissing drills. I

402
00:22:36,000 --> 00:22:37,800
Speaker 1: think you always go left or right, right one of

403
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Speaker 1: the two. I always go right. I always go right,

404
00:22:41,080 --> 00:22:43,200
Speaker 1: and I'm I'm I'm. Basically, I just wanted to say

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Speaker 1: out loud that that Bill Lawrence got on television network television,

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Speaker 1: Um a show that opens with a man French kissing

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Speaker 1: at taxidermy dog. That makes me so happy. You know

408
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Speaker 1: what made me happy about that section? I know Donald's

409
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Speaker 1: heard it before. I wanted Donald to tell me if

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Speaker 1: it was real or not. When you're working your wrap

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Speaker 1: with that dog, I think you use your young Zach

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Speaker 1: Braff's sexy voice and uh, you know when he's like, hey,

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Speaker 1: you want some kibble and put and I put, I

414
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Speaker 1: put my finger on his lips, and I wanted to

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Speaker 1: ask Donald if he ever heard that sexy voice for real,

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Speaker 1: Zach trying to lay that sexy girl, that sexy voice

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Speaker 1: on people back in the day. No, you know, No,

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Speaker 1: I've never been I've never been next to Zach when

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Speaker 1: he has his game down. That's me. You've heared me,

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Speaker 1: never heard You've I've heard I've seen you be like

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Speaker 1: I'm going in and then you go in and then

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Speaker 1: come back like, oh yeah, it worked. But I've never

423
00:23:44,880 --> 00:23:49,080
Speaker 1: seen I've never been privy to Hey girl, I've never

424
00:23:49,200 --> 00:23:52,399
Speaker 1: I've never been pretty the music and you know the

425
00:23:52,480 --> 00:23:55,800
Speaker 1: in the song where the base finally gets to talk,

426
00:23:56,119 --> 00:24:00,240
Speaker 1: Hey girl, you come to the row, I have a

427
00:24:00,280 --> 00:24:05,600
Speaker 1: better I've never heard that moment. Well, my my game

428
00:24:05,640 --> 00:24:09,159
Speaker 1: isn't that good, but my game is certainly Uh. I

429
00:24:09,160 --> 00:24:12,679
Speaker 1: don't have a low base hey baby voice, but I did.

430
00:24:13,119 --> 00:24:15,280
Speaker 1: I did think it was just I loved what I

431
00:24:15,320 --> 00:24:17,080
Speaker 1: loved about the show Bill is what I'm saying is

432
00:24:17,119 --> 00:24:19,919
Speaker 1: that I'm saying in a joking way, but I just

433
00:24:20,000 --> 00:24:23,200
Speaker 1: love that how bizarre this show is that it opens

434
00:24:23,240 --> 00:24:27,159
Speaker 1: like this and then and then just when you think, like, Okay,

435
00:24:27,200 --> 00:24:30,000
Speaker 1: that was random and weird. Way later on, when I

436
00:24:30,040 --> 00:24:33,159
Speaker 1: go to kiss Amy Smart, you call it back because

437
00:24:33,200 --> 00:24:35,159
Speaker 1: here Donald's like, no, man, you go right too much.

438
00:24:35,200 --> 00:24:37,240
Speaker 1: You gotta go left when I'm leaning into kiss. And

439
00:24:37,240 --> 00:24:39,280
Speaker 1: then later I go to kiss Amy Smart and she's like, oh,

440
00:24:39,320 --> 00:24:44,640
Speaker 1: you went left, as if as if, by the way,

441
00:24:44,760 --> 00:24:48,399
Speaker 1: anyone has ever used that as a judgment factor for

442
00:24:48,520 --> 00:24:50,960
Speaker 1: kissing where you went after right? No one has ever

443
00:24:51,000 --> 00:24:53,119
Speaker 1: said that to anybody, right. It makes me think, and

444
00:24:53,119 --> 00:24:55,240
Speaker 1: I'm if you're listening right now, do you think about it?

445
00:24:55,280 --> 00:24:57,280
Speaker 1: Do you do you have a normal way that you

446
00:24:57,400 --> 00:25:00,399
Speaker 1: lean in to make hat with someone. I'm doing it

447
00:25:00,400 --> 00:25:02,280
Speaker 1: alone by myself right now. I think I probably do

448
00:25:02,400 --> 00:25:07,359
Speaker 1: normally favor left. Do you go right? Right? Dud I

449
00:25:07,400 --> 00:25:12,560
Speaker 1: go right? I would walk in well, because we both

450
00:25:12,560 --> 00:25:19,240
Speaker 1: go right, Joel, you go right. I don't know, right, Okay,

451
00:25:19,440 --> 00:25:20,800
Speaker 1: I don't know. I think I might be a lefty

452
00:25:20,840 --> 00:25:23,440
Speaker 1: when it comes to the leaning. Well, you're the question

453
00:25:23,440 --> 00:25:25,880
Speaker 1: that did she go left because that's the only way

454
00:25:25,880 --> 00:25:28,719
Speaker 1: it works, but is if she goes left also, I

455
00:25:28,760 --> 00:25:30,720
Speaker 1: don't know. I gotta tell you it's really I'm gonna

456
00:25:30,720 --> 00:25:32,480
Speaker 1: try later on and see what happens. But I think

457
00:25:32,520 --> 00:25:34,919
Speaker 1: I'm a lefty when it comes to that. Bill, I

458
00:25:34,920 --> 00:25:38,120
Speaker 1: couldn't help but wonder when Krista's being so incredibly horrible

459
00:25:38,119 --> 00:25:43,320
Speaker 1: to Johnny cum during during as they deal with their newborn,

460
00:25:43,440 --> 00:25:45,960
Speaker 1: if any of this could possibly have been based on

461
00:25:46,080 --> 00:25:54,200
Speaker 1: real life. Yeah, you guys are well aware that I

462
00:25:54,240 --> 00:25:56,920
Speaker 1: was just at this stage of having kids with Krista,

463
00:25:57,080 --> 00:25:59,480
Speaker 1: and that, uh, I, without a doubt lived in a

464
00:25:59,520 --> 00:26:02,399
Speaker 1: world that I was supposed to remove my shoes and

465
00:26:02,480 --> 00:26:04,920
Speaker 1: wash my hands, even though I still wasn't allowed to

466
00:26:04,960 --> 00:26:10,720
Speaker 1: hold my daughter. So uh, and it was a lot

467
00:26:10,760 --> 00:26:12,760
Speaker 1: of get out of the room, don't make noise, turn

468
00:26:12,800 --> 00:26:14,800
Speaker 1: that light off, Go get me this, go do that.

469
00:26:15,040 --> 00:26:17,159
Speaker 1: So yes, by the way, the only thing that was

470
00:26:17,240 --> 00:26:21,919
Speaker 1: different was I was not nearly shirtless, is often as

471
00:26:22,000 --> 00:26:24,440
Speaker 1: Johnny C chose to be around his wife in newborn.

472
00:26:25,240 --> 00:26:28,879
Speaker 1: Otherwise we're supposed to. Yeah, so Johnny C is is naked.

473
00:26:28,920 --> 00:26:31,000
Speaker 1: Now why do you do when you're in the writer's room,

474
00:26:31,320 --> 00:26:33,119
Speaker 1: are you guys at this point you know, end of

475
00:26:33,160 --> 00:26:35,760
Speaker 1: season two, sort of laughing like, oh, Johnny C loves

476
00:26:35,800 --> 00:26:37,520
Speaker 1: to be naked. Let's make him be naked and show

477
00:26:37,520 --> 00:26:41,000
Speaker 1: off his muscles. Uh do you do you really think

478
00:26:41,760 --> 00:26:47,199
Speaker 1: that we right? Johnny C shirtless or uh, you know

479
00:26:47,280 --> 00:26:49,960
Speaker 1: that one, that one we did it. Yeah, he normally

480
00:26:50,000 --> 00:26:52,680
Speaker 1: decides on his own, but this one we did script

481
00:26:52,760 --> 00:26:56,040
Speaker 1: because for full disclosure, we had seen so many scenes

482
00:26:56,080 --> 00:26:59,280
Speaker 1: that we hadn't written it um that we decided to

483
00:26:59,280 --> 00:27:01,960
Speaker 1: write it once and have her say we all get it,

484
00:27:02,240 --> 00:27:10,919
Speaker 1: you love your body. Then he puts on a Shocky jersey.

485
00:27:11,040 --> 00:27:13,520
Speaker 1: Is that a real sports player shocky or yeah? Jeremy

486
00:27:13,600 --> 00:27:17,200
Speaker 1: Shocky was a tight end for the New York Giants.

487
00:27:17,240 --> 00:27:20,560
Speaker 1: He was He played really well for us. His you know,

488
00:27:20,800 --> 00:27:24,440
Speaker 1: his football career was short. He had a pretty short

489
00:27:24,440 --> 00:27:27,360
Speaker 1: football career. Actually, he was really good. But then got

490
00:27:27,400 --> 00:27:29,760
Speaker 1: hurt a bunch of yeah, yeah, like a lot of heads,

491
00:27:29,800 --> 00:27:32,000
Speaker 1: Like he broke a lot of bones, I think, and

492
00:27:32,160 --> 00:27:34,239
Speaker 1: got his head hit. But he was a tight end.

493
00:27:34,280 --> 00:27:39,000
Speaker 1: He was like you know, before Tony Gonzalez, tight ends

494
00:27:39,000 --> 00:27:41,639
Speaker 1: were pretty much just blocking and everything like that, and

495
00:27:41,640 --> 00:27:48,560
Speaker 1: then Tony and yeah, yeah, there's a bunch of him

496
00:27:48,600 --> 00:27:53,320
Speaker 1: now And the best one ever is by far Bronkowski.

497
00:27:53,400 --> 00:27:56,800
Speaker 1: Like Gronkowski's taking everything and all of these other Titans

498
00:27:56,800 --> 00:27:59,720
Speaker 1: have done and turned it into a you know a

499
00:27:59,920 --> 00:28:03,160
Speaker 1: k eiver role that is very like it's it's it's

500
00:28:03,240 --> 00:28:06,080
Speaker 1: unheard of to have a bunch of receivers and your

501
00:28:06,119 --> 00:28:08,440
Speaker 1: best receiver be your tight end. You know what I mean?

502
00:28:08,920 --> 00:28:11,719
Speaker 1: And yeah, watch watch you don't watch Zack's eyes roll

503
00:28:11,760 --> 00:28:13,320
Speaker 1: back into his head when I say, but don't you

504
00:28:13,320 --> 00:28:16,520
Speaker 1: think Travis Kelsey is also kind of coming up behind shock,

505
00:28:16,840 --> 00:28:19,840
Speaker 1: coming up behind ground right now, and if he blows

506
00:28:19,920 --> 00:28:25,240
Speaker 1: his brains out? I have a question. I have a question, zactly.

507
00:28:25,240 --> 00:28:26,920
Speaker 1: I'm sorry, but we're talking about tight ends right now.

508
00:28:27,320 --> 00:28:31,960
Speaker 1: I have I literally, like j D, I swear to god,

509
00:28:32,200 --> 00:28:34,280
Speaker 1: you said tight end, and like j D, I went

510
00:28:34,320 --> 00:28:37,040
Speaker 1: off and started thinking about what I picture is a

511
00:28:37,119 --> 00:28:41,080
Speaker 1: tight end, a nice firm bottom. And then you guys

512
00:28:41,120 --> 00:28:43,440
Speaker 1: pulled me back when you said Grunkowski because I think

513
00:28:43,480 --> 00:28:45,560
Speaker 1: I know what that guy looks like. Can you explain

514
00:28:45,640 --> 00:28:47,920
Speaker 1: to the listeners who don't follow football what does a

515
00:28:48,000 --> 00:28:52,200
Speaker 1: tight end do? A tight end? Basically, A tight end

516
00:28:52,280 --> 00:28:55,520
Speaker 1: is basically a blocker. Really, It's like somebody who can

517
00:28:55,600 --> 00:28:59,160
Speaker 1: who you know, is on the line and blocks for

518
00:28:59,320 --> 00:29:03,640
Speaker 1: the quarterback, but is eligible to catch the ball also

519
00:29:03,720 --> 00:29:06,160
Speaker 1: if needed. You know what I mean, So you only

520
00:29:06,200 --> 00:29:09,560
Speaker 1: have a certain uh bunch of players that can actually

521
00:29:09,600 --> 00:29:12,800
Speaker 1: catch the ball. It's illegal for other players to do it. Oh,

522
00:29:12,840 --> 00:29:15,000
Speaker 1: I didn't know that the right. So you're saying, not

523
00:29:15,120 --> 00:29:18,040
Speaker 1: every player is allowed to catch the ball. No, they

524
00:29:18,080 --> 00:29:19,520
Speaker 1: have to be an eligible they have to be an

525
00:29:19,560 --> 00:29:22,600
Speaker 1: eligible receiver. Sometimes someone will have to tell the refs

526
00:29:22,600 --> 00:29:26,000
Speaker 1: that on a certain formation he is eligible, like alignment

527
00:29:26,080 --> 00:29:28,720
Speaker 1: can suddenly be eligible. But not everybody can catch the ball.

528
00:29:29,720 --> 00:29:31,960
Speaker 1: I had I did not know that. And then uh,

529
00:29:32,040 --> 00:29:34,600
Speaker 1: and then what Donald it? To make it more interesting,

530
00:29:34,760 --> 00:29:36,960
Speaker 1: what Donald and I are talking about is the position

531
00:29:37,040 --> 00:29:39,720
Speaker 1: is evolved because these guys are so big there to

532
00:29:40,080 --> 00:29:43,000
Speaker 1: these the new modern tight end is too big to

533
00:29:43,040 --> 00:29:45,360
Speaker 1: be covered by a little defensive back. Were the ones

534
00:29:45,360 --> 00:29:49,080
Speaker 1: that cover receivers and uh, too fast to be covered

535
00:29:49,120 --> 00:29:51,760
Speaker 1: by a big linebacker. And because these guys are now

536
00:29:51,840 --> 00:29:54,920
Speaker 1: become the kind of ultimate athletes on football teams, these

537
00:29:54,960 --> 00:29:58,520
Speaker 1: Travis kelsey Kelsey's and grons and Tony Gonzalez. Right, if

538
00:29:58,560 --> 00:30:00,280
Speaker 1: you have a good tight if you have a good

539
00:30:00,320 --> 00:30:03,640
Speaker 1: tight end, you all you got a good tight end. Donald, there,

540
00:30:04,000 --> 00:30:06,520
Speaker 1: now we're back on thank you very much, thank you.

541
00:30:10,200 --> 00:30:14,800
Speaker 1: Bronkowski has come out of retirement because Yeah, dude, he's

542
00:30:14,840 --> 00:30:17,000
Speaker 1: He's probably the most popular Titan ever in the history

543
00:30:17,040 --> 00:30:20,520
Speaker 1: of Titans. He's a character. He's like, I once worked

544
00:30:20,520 --> 00:30:23,760
Speaker 1: out with this dude, and when I tell you, holy

545
00:30:23,840 --> 00:30:26,560
Speaker 1: sh it, Like the workout I was doing was a

546
00:30:26,600 --> 00:30:28,760
Speaker 1: warm up for him, you know what I mean? And

547
00:30:28,800 --> 00:30:31,880
Speaker 1: I was I was sweating and jumping and lifting weights

548
00:30:31,880 --> 00:30:34,000
Speaker 1: and everything like that, and it was literally a warm

549
00:30:34,080 --> 00:30:36,560
Speaker 1: up for him. And then he went into something else after.

550
00:30:36,680 --> 00:30:42,240
Speaker 1: So you know, um, let's talk about how he's decided

551
00:30:42,280 --> 00:30:45,240
Speaker 1: to call me dogs names. But let's talk about these

552
00:30:45,240 --> 00:30:47,520
Speaker 1: pratfalls first though, man, because there are a couple of

553
00:30:47,520 --> 00:30:51,920
Speaker 1: platfalls in the opening that are pretty dope. One Ricky Schroeder.

554
00:30:53,120 --> 00:30:55,120
Speaker 1: Schroder has a great pratfall over the thing with the

555
00:30:55,160 --> 00:30:58,680
Speaker 1: blindfold on. Yeah, and then you have a great pratfall

556
00:30:59,400 --> 00:31:04,520
Speaker 1: epic one. Yeah. And I even winced it myself. I

557
00:31:04,560 --> 00:31:06,360
Speaker 1: was like, how did that not hurt? Because it's definitely

558
00:31:06,360 --> 00:31:08,360
Speaker 1: me doing it, and it looked like it fucking hurt.

559
00:31:08,800 --> 00:31:11,560
Speaker 1: It looked it looked like it really really hurt. And

560
00:31:11,640 --> 00:31:13,880
Speaker 1: you add the noise on those two, it seemed violent.

561
00:31:13,960 --> 00:31:16,840
Speaker 1: I liked it. I feel like if I was if

562
00:31:16,880 --> 00:31:19,880
Speaker 1: there was a sport that was stunt pratfalls. I could

563
00:31:19,920 --> 00:31:22,240
Speaker 1: I could be good at it. Well, your best pratfall

564
00:31:22,280 --> 00:31:25,440
Speaker 1: of all times with tasty Karma wife, either later this

565
00:31:25,520 --> 00:31:27,760
Speaker 1: year or next year when you fall down the stairs

566
00:31:27,800 --> 00:31:30,880
Speaker 1: at her husband's funeral. That's the next episode. I think.

567
00:31:31,120 --> 00:31:34,280
Speaker 1: I think that's coming up. Um. Also, I want to

568
00:31:34,280 --> 00:31:37,560
Speaker 1: give a shout out to Paige Peterson. She's been on

569
00:31:37,560 --> 00:31:40,560
Speaker 1: the show four times now and we want to and

570
00:31:40,600 --> 00:31:43,480
Speaker 1: we've yet to talk about her. She was the nurse

571
00:31:44,000 --> 00:31:47,000
Speaker 1: that said I'm having surgery right now or I'm having

572
00:31:47,320 --> 00:31:49,480
Speaker 1: whatever it is right now and loving it. This is

573
00:31:49,480 --> 00:31:51,840
Speaker 1: her fourth time on the episode, and she's the one

574
00:31:51,880 --> 00:31:53,520
Speaker 1: that says, you aren't you the one that likes to

575
00:31:54,040 --> 00:31:57,000
Speaker 1: make out with dogs right before you go into Wait

576
00:31:57,000 --> 00:31:58,560
Speaker 1: did you know her? How did you know her name?

577
00:31:58,600 --> 00:32:01,040
Speaker 1: Or you looked it up? I looked it up. Oh yeah,

578
00:32:01,040 --> 00:32:02,880
Speaker 1: that's nice. Yeah, it's good of you to give her

579
00:32:02,880 --> 00:32:06,720
Speaker 1: a shout out because she she actually she She's got

580
00:32:06,720 --> 00:32:08,680
Speaker 1: a lot of funny one liners and she did a

581
00:32:08,680 --> 00:32:11,920
Speaker 1: good job. It's also so hard back then to have

582
00:32:12,120 --> 00:32:15,680
Speaker 1: continuity and do a network show that like you're hoping

583
00:32:15,720 --> 00:32:18,680
Speaker 1: that people would see the same nurses and doctors that

584
00:32:18,760 --> 00:32:22,080
Speaker 1: don't necessarily speak every week, but still have those people

585
00:32:22,120 --> 00:32:24,240
Speaker 1: be in the background every week, you know. So it's

586
00:32:24,280 --> 00:32:26,480
Speaker 1: cool when we were able to do that with somebody. Yeah,

587
00:32:26,680 --> 00:32:28,360
Speaker 1: this was her last I think this is her last

588
00:32:28,360 --> 00:32:31,400
Speaker 1: episode unfortunately, but well I'm hoping that's because she went

589
00:32:31,400 --> 00:32:34,560
Speaker 1: and got lots more work somewhere else. Well she I

590
00:32:34,560 --> 00:32:36,400
Speaker 1: believe she did. I believe she did. I believe she

591
00:32:36,440 --> 00:32:40,200
Speaker 1: did get another job. She when she's she's she's talented

592
00:32:40,200 --> 00:32:42,960
Speaker 1: and funny and pretty. So those are good qualities to

593
00:32:42,960 --> 00:32:45,640
Speaker 1: have in Hollywood. Speaking of which, it leads to a

594
00:32:45,720 --> 00:32:48,440
Speaker 1: conversation about Amy Smart, which we're gonna have after this break,

595
00:32:48,520 --> 00:32:51,600
Speaker 1: because she certainly is pretty, and she certainly is funny,

596
00:32:51,680 --> 00:32:53,600
Speaker 1: and she does a great job in this episode. So

597
00:32:53,640 --> 00:33:07,880
Speaker 1: we will be right back for you, and we're bad

598
00:33:07,280 --> 00:33:13,160
Speaker 1: and back. Come on, Bill, you gotta do it the same.

599
00:33:13,320 --> 00:33:15,320
Speaker 1: I gotta tell you, I'm still by the way. So

600
00:33:15,520 --> 00:33:18,040
Speaker 1: what's the early verdict on interrupting Bill on that? I

601
00:33:18,080 --> 00:33:20,520
Speaker 1: love you guys, how you guys feeling it and people

602
00:33:20,560 --> 00:33:23,239
Speaker 1: really like it and the fans love it, and I

603
00:33:23,280 --> 00:33:26,680
Speaker 1: felt bad because, um, your your your tone in the

604
00:33:26,720 --> 00:33:30,400
Speaker 1: second one was sort of build and I said, I

605
00:33:30,400 --> 00:33:31,800
Speaker 1: don't know if you heard the last episode, but I

606
00:33:31,840 --> 00:33:33,600
Speaker 1: was like, I think we may have heard Bill's feelings.

607
00:33:33,840 --> 00:33:37,040
Speaker 1: And I was like, Bill, You're allowed to go on

608
00:33:37,160 --> 00:33:39,120
Speaker 1: as long as you want, even if you want to

609
00:33:39,120 --> 00:33:41,360
Speaker 1: do a seven minute money log. It is fine by

610
00:33:41,440 --> 00:33:44,840
Speaker 1: us the fans. By the way, we didn't hurt Bill's feeling.

611
00:33:44,840 --> 00:33:47,120
Speaker 1: It was Donald said he was cool with it, and

612
00:33:50,560 --> 00:33:53,000
Speaker 1: Donald said, I'm fine Donalds. I think the quote is

613
00:33:53,000 --> 00:33:54,720
Speaker 1: I'm fine with it. It's Bill, I'm fine with it.

614
00:33:56,480 --> 00:33:59,920
Speaker 1: And then if I'm just I can't remember the specific

615
00:34:00,080 --> 00:34:07,240
Speaker 1: but I think it was exactly Zack who said the

616
00:34:07,240 --> 00:34:09,239
Speaker 1: funny thing was wait, the funny thing was on your

617
00:34:09,280 --> 00:34:11,600
Speaker 1: last bit of trivia? The answer was Elizabeth Banks. And

618
00:34:11,680 --> 00:34:13,400
Speaker 1: I didn't get it at all, but Donald knew it,

619
00:34:13,400 --> 00:34:16,279
Speaker 1: and you and the only thing you'd recorded is thanks Zak,

620
00:34:16,360 --> 00:34:18,400
Speaker 1: I'm sure you're the one who got it. It was

621
00:34:20,840 --> 00:34:22,600
Speaker 1: so by the way, I know, but I don't expect,

622
00:34:22,680 --> 00:34:24,680
Speaker 1: because of Donald's rep on the show for him to

623
00:34:24,680 --> 00:34:26,399
Speaker 1: remember this stuff. So when he does get what, I'm

624
00:34:26,400 --> 00:34:29,399
Speaker 1: happily surprised. Are you kidding me? When Elizabeth Banks came

625
00:34:29,440 --> 00:34:31,359
Speaker 1: on the show, I thought it was the biggest deal

626
00:34:32,120 --> 00:34:35,239
Speaker 1: after watching Uh the four year Old Virgin and he goes,

627
00:34:35,239 --> 00:34:38,000
Speaker 1: I'm gonna put my bicycle in your trunk and she goes, oh.

628
00:34:38,200 --> 00:34:43,759
Speaker 1: And then when she came onto show, I was like,

629
00:34:43,840 --> 00:34:48,239
Speaker 1: I'm paying attention to this. I want to talk about

630
00:34:48,280 --> 00:34:50,640
Speaker 1: something before we go forward with the Amy smart thing.

631
00:34:50,800 --> 00:34:54,960
Speaker 1: Ralph he's back on this episode and and somebody said

632
00:34:55,000 --> 00:34:57,680
Speaker 1: to me on the into Web and I'm not sure

633
00:34:57,680 --> 00:34:59,399
Speaker 1: if this is true because now I don't I don't.

634
00:34:59,400 --> 00:35:02,760
Speaker 1: I didn't remember the young man's name. But apparently Ralphie

635
00:35:02,840 --> 00:35:06,279
Speaker 1: is in Shazam. Oh ship is he really? That's cool?

636
00:35:06,320 --> 00:35:09,240
Speaker 1: Apparently Ralphie's in Shazamn, either as one of the kids

637
00:35:09,800 --> 00:35:16,319
Speaker 1: or as uh, the one of the super kids. This

638
00:35:16,360 --> 00:35:19,000
Speaker 1: is nineteen years ago. He's not a kid or then

639
00:35:19,040 --> 00:35:21,719
Speaker 1: as one of the superheroes. This could because there's a

640
00:35:21,719 --> 00:35:23,440
Speaker 1: whole bunch of there's a whole bunch of Shazam's at

641
00:35:23,440 --> 00:35:26,560
Speaker 1: the end of sam at the end of spoiler were

642
00:35:26,640 --> 00:35:29,160
Speaker 1: you trying to figure out and maybe Joel if you

643
00:35:29,160 --> 00:35:30,719
Speaker 1: could send us in the chat a picture of what

644
00:35:30,760 --> 00:35:33,719
Speaker 1: he looks like today, because I'm dying to know. But

645
00:35:33,760 --> 00:35:36,040
Speaker 1: I actually saw that and I saw that movie in

646
00:35:36,040 --> 00:35:38,239
Speaker 1: the theaters because Zach is the star of Zach play

647
00:35:38,239 --> 00:35:41,040
Speaker 1: Sasam in that no, no bill, that's a different that's

648
00:35:41,080 --> 00:35:47,200
Speaker 1: a different sact. What if I was in Chasam, you

649
00:35:47,280 --> 00:35:51,000
Speaker 1: guys would all have amphibious a t vs like like

650
00:35:51,080 --> 00:35:55,080
Speaker 1: Kanye West just gave three chains. Although I don't think

651
00:35:55,120 --> 00:35:58,239
Speaker 1: you're correct about Joey being in Shazam, Okay, but it

652
00:35:58,360 --> 00:36:02,359
Speaker 1: wasn't me that somebody. Somebody said it to me. Uh

653
00:36:02,400 --> 00:36:04,960
Speaker 1: And now that person was wrong there, that's that's the

654
00:36:05,000 --> 00:36:07,680
Speaker 1: same person that was wrong about how brilliant your summaries

655
00:36:07,680 --> 00:36:10,799
Speaker 1: of the episodes are. Thank you, Thank you person who

656
00:36:10,840 --> 00:36:14,279
Speaker 1: said that Joey was in Shazam. You were wrong. So

657
00:36:14,400 --> 00:36:17,239
Speaker 1: you were correct about something. Though last week Joey was

658
00:36:17,280 --> 00:36:21,200
Speaker 1: in the gag reel um absolutely thrown into the glass

659
00:36:21,239 --> 00:36:28,160
Speaker 1: door exit by accident. Yeah, I remember that, tossed into it.

660
00:36:28,680 --> 00:36:30,640
Speaker 1: I also remembered on the gag reel for those of

661
00:36:30,640 --> 00:36:32,440
Speaker 1: you whould like to go back and look at them.

662
00:36:32,480 --> 00:36:34,080
Speaker 1: And by the way, if you don't know, we sometimes

663
00:36:34,120 --> 00:36:36,960
Speaker 1: use the words interchangeably for those of you who don't know,

664
00:36:37,440 --> 00:36:40,960
Speaker 1: a gag and blooper reel or something we cut together

665
00:36:41,000 --> 00:36:43,080
Speaker 1: at the end of every season they're just kind of

666
00:36:43,120 --> 00:36:46,400
Speaker 1: the mistakes, funny, funny mistakes from when we're filming, and

667
00:36:46,440 --> 00:36:48,200
Speaker 1: I think they're all on YouTube. You can look up

668
00:36:48,360 --> 00:36:52,720
Speaker 1: for example, Season two scrubs. They'll either say blooper or gag.

669
00:36:52,760 --> 00:36:55,839
Speaker 1: They're kind of used interchangeably, and they're very funny. And

670
00:36:56,040 --> 00:36:58,080
Speaker 1: one of the things not only is Ralphie hitting the

671
00:36:58,080 --> 00:37:01,520
Speaker 1: door on there, but in this episode when Donald falls

672
00:37:01,600 --> 00:37:04,319
Speaker 1: over Rowdy. Do you remember this. I don't know if

673
00:37:04,320 --> 00:37:08,080
Speaker 1: I remember. A crew member was like holding up Rowdy

674
00:37:08,400 --> 00:37:11,200
Speaker 1: to make sure he didn't fall over something. We had Rowdy.

675
00:37:11,239 --> 00:37:13,600
Speaker 1: It wasn't held up but Zach. We had Rowdy, uh,

676
00:37:14,120 --> 00:37:17,319
Speaker 1: because he had trouble standing at that point because some

677
00:37:17,440 --> 00:37:23,960
Speaker 1: of his legs strength has deteriorated. Rowdy had to be

678
00:37:24,040 --> 00:37:30,040
Speaker 1: kind of fastened. I was rowdy, Riggs, I forgot he

679
00:37:30,360 --> 00:37:33,200
Speaker 1: was Rowdy was fastened. He was kind of fastened to

680
00:37:33,280 --> 00:37:36,400
Speaker 1: the little carpeting thing there to stand upright, you know

681
00:37:36,440 --> 00:37:39,120
Speaker 1: what I mean. And the assumption was when Donald would

682
00:37:39,200 --> 00:37:42,080
Speaker 1: hit Rowdy that he would go down, but I still couldn't.

683
00:37:42,160 --> 00:37:46,360
Speaker 1: I still couldn't. The joke is I've tripped over Rowdy

684
00:37:46,440 --> 00:37:49,600
Speaker 1: and but Rowdy couldn't fall or didn't look right, and

685
00:37:49,680 --> 00:37:53,160
Speaker 1: so I had to pretend that I tripped over rowdy

686
00:37:53,280 --> 00:37:57,719
Speaker 1: with knocking rowdy over, which makes which makes up to

687
00:37:57,920 --> 00:38:00,680
Speaker 1: stay up as if rowdy was solid it and Donald

688
00:38:00,680 --> 00:38:03,120
Speaker 1: just fell down, not like fell on top of Rowdy.

689
00:38:03,640 --> 00:38:05,719
Speaker 1: So on the gag reel, which you'll see, is that

690
00:38:05,760 --> 00:38:10,000
Speaker 1: Donald trips over rowdy, Rowdy falls down and then magically

691
00:38:10,040 --> 00:38:16,320
Speaker 1: pops back up again. I remember, Donald, you started I

692
00:38:16,360 --> 00:38:19,800
Speaker 1: read the whole crew started cackling. It was so fucking funny.

693
00:38:19,760 --> 00:38:21,840
Speaker 1: I when I saw the when I saw the gag

694
00:38:21,880 --> 00:38:24,920
Speaker 1: on this, when I saw the the stunt fall on this,

695
00:38:25,200 --> 00:38:27,520
Speaker 1: I went, oh my god, I remember that moment, and

696
00:38:27,520 --> 00:38:29,680
Speaker 1: this is like nineteen years ago. That's how funny it was.

697
00:38:30,080 --> 00:38:32,879
Speaker 1: It was very disturbing too, because it made the dog seem,

698
00:38:32,920 --> 00:38:39,320
Speaker 1: you know, like it was. Um, well, Bill, I what

699
00:38:39,640 --> 00:38:42,120
Speaker 1: was the story about Amy? I mean, I'm sure that

700
00:38:42,239 --> 00:38:45,040
Speaker 1: I had if you had asked me, and you would say, hey,

701
00:38:45,160 --> 00:38:48,960
Speaker 1: we need a very funny, attractive new love interest for you.

702
00:38:49,040 --> 00:38:51,680
Speaker 1: If if the year was two thousand two, I probably

703
00:38:51,719 --> 00:38:55,319
Speaker 1: like any heart, because um, I think that you know,

704
00:38:55,880 --> 00:38:58,239
Speaker 1: she's obviously a beauty, but I really think she's got

705
00:38:58,320 --> 00:39:01,000
Speaker 1: comedic chops and I thought she was really really good

706
00:39:01,040 --> 00:39:04,000
Speaker 1: in this episode. Well you know, it's uh, we had

707
00:39:04,520 --> 00:39:09,319
Speaker 1: it randomly, you'd be surprised. But a lot of times casting,

708
00:39:09,960 --> 00:39:13,640
Speaker 1: especially if it's not huge stock, casting starts much like

709
00:39:13,719 --> 00:39:16,640
Speaker 1: Donald said about Elizabeth Banks, who obviously is a huge

710
00:39:16,640 --> 00:39:20,719
Speaker 1: star now and back there was doing uh whatever horse

711
00:39:20,760 --> 00:39:23,160
Speaker 1: movie was and Virgin you know, and all that stuff

712
00:39:23,200 --> 00:39:24,560
Speaker 1: and just kind of getting her career going. What was

713
00:39:24,560 --> 00:39:27,160
Speaker 1: the horse movie she was? She played Jeff Bridge's young

714
00:39:27,200 --> 00:39:31,799
Speaker 1: wife was No one even knows that's her? Um, what

715
00:39:32,600 --> 00:39:35,759
Speaker 1: the horse whisperer? No? Did you guys? You guys get this.

716
00:39:35,840 --> 00:39:38,840
Speaker 1: It's the Sea Biscuit. She played Jeff Bridge's young wife

717
00:39:38,840 --> 00:39:40,840
Speaker 1: in that with brown hair. And she was also in

718
00:39:41,080 --> 00:39:42,880
Speaker 1: Catch Me if you can. I think with Leo. I

719
00:39:42,880 --> 00:39:45,640
Speaker 1: think she had a Leo. She was also in all

720
00:39:45,680 --> 00:39:49,440
Speaker 1: of the Spider Man movies as the secretary for J.

721
00:39:49,640 --> 00:39:53,560
Speaker 1: James J. Jamison. That's his name, right, J. J. Jonah Jamison.

722
00:39:53,760 --> 00:39:56,920
Speaker 1: And then uh so, But the point is like that

723
00:39:57,320 --> 00:40:00,959
Speaker 1: sometimes casting will come us who when people are starting

724
00:40:00,960 --> 00:40:03,000
Speaker 1: to dig the show, and we'll do it from us

725
00:40:03,239 --> 00:40:07,080
Speaker 1: having watched a movie. And I think a bunch of

726
00:40:07,080 --> 00:40:10,160
Speaker 1: the writers in the room saw a road Trip because

727
00:40:10,200 --> 00:40:14,360
Speaker 1: they cast both Amy Smart and remember DJ Qualls or

728
00:40:14,400 --> 00:40:16,600
Speaker 1: whatever his name, the tall kind of dork yet they

729
00:40:16,640 --> 00:40:18,120
Speaker 1: were both from Road Trips. Would be like, hey, this

730
00:40:18,160 --> 00:40:20,880
Speaker 1: is a funny movie with people doing comedy and the

731
00:40:20,920 --> 00:40:23,080
Speaker 1: cool thing was Scrubs. At this point had reached the

732
00:40:23,120 --> 00:40:26,080
Speaker 1: stage that when you reached out to people like that

733
00:40:26,160 --> 00:40:28,359
Speaker 1: if they had seen the show, like Amy was really

734
00:40:28,440 --> 00:40:30,440
Speaker 1: cool about going, yeah, I'll come to a bunch, you know,

735
00:40:30,560 --> 00:40:32,960
Speaker 1: so I think and I knew her. I knew her,

736
00:40:33,200 --> 00:40:35,600
Speaker 1: I knew we're a little bit as a through mutual

737
00:40:35,680 --> 00:40:40,040
Speaker 1: friends and um, through me, dude, No, not through you,

738
00:40:40,160 --> 00:40:43,439
Speaker 1: through Johnson Man. Actually, well, I've known Amy since road

739
00:40:43,440 --> 00:40:45,440
Speaker 1: Trip when I was doing Remember the Titan, she was

740
00:40:45,480 --> 00:40:48,399
Speaker 1: doing road Trip, and then I did Felicity and she

741
00:40:49,080 --> 00:40:51,080
Speaker 1: was on Felicity at the same time as I was,

742
00:40:51,520 --> 00:40:55,160
Speaker 1: and then she came and did Scrubs. So I'm pretty

743
00:40:55,160 --> 00:40:58,440
Speaker 1: sure at some point I there was and it might

744
00:40:58,440 --> 00:41:00,680
Speaker 1: have been Josh Rading but ye, but John was dating

745
00:41:00,800 --> 00:41:05,200
Speaker 1: Josh was dating Um at the time. Um her Amy's

746
00:41:05,200 --> 00:41:09,280
Speaker 1: best friend a woman named Debra, and uh, so I anyway,

747
00:41:09,320 --> 00:41:12,560
Speaker 1: I knew her a little bit, and uh, whatever happened happened,

748
00:41:12,640 --> 00:41:14,440
Speaker 1: and Uh, she's just great on the show. And I

749
00:41:14,480 --> 00:41:16,920
Speaker 1: thought it was very funny Bill, the setup you wrote

750
00:41:17,200 --> 00:41:20,000
Speaker 1: where you're setting up the saddest story ever, Like her

751
00:41:20,040 --> 00:41:23,200
Speaker 1: husband's in a coma, she's a she's been left all alone,

752
00:41:23,239 --> 00:41:26,480
Speaker 1: she's a young bride. It's so tragic, and that you're

753
00:41:26,520 --> 00:41:29,400
Speaker 1: like totally eating the audience down this down this hole.

754
00:41:29,719 --> 00:41:33,759
Speaker 1: And then it cuts to the classic Scrubs sexy turnaround

755
00:41:33,800 --> 00:41:36,600
Speaker 1: with the wind and everything was so funny. Yeah, I

756
00:41:36,600 --> 00:41:38,120
Speaker 1: think your voice are like Also, she happens to be

757
00:41:38,120 --> 00:41:40,520
Speaker 1: incredibly hot. Everybody calls her tasty Comma wife or something

758
00:41:40,520 --> 00:41:44,880
Speaker 1: like that. I remember getting a note on, uh, tasty

759
00:41:44,960 --> 00:41:48,480
Speaker 1: Comma wife of the I don't think it was a

760
00:41:48,560 --> 00:41:51,120
Speaker 1: huge one. But whoever covered the show from NBC thinking

761
00:41:51,160 --> 00:41:54,600
Speaker 1: that was too insensitive for not only thinking that was

762
00:41:54,640 --> 00:41:58,080
Speaker 1: too insensitive for everybody, you know, all my characters what

763
00:41:58,120 --> 00:42:00,319
Speaker 1: you like to call her that? But but us of

764
00:42:00,360 --> 00:42:03,799
Speaker 1: that note, Um, we wrote into the script that you

765
00:42:03,840 --> 00:42:05,399
Speaker 1: were the one, your character was the one that gave

766
00:42:05,440 --> 00:42:08,279
Speaker 1: her that nickname. Remember at the end, she's like, it's like,

767
00:42:08,320 --> 00:42:10,480
Speaker 1: do people call me tasty calm a wife? And you're like,

768
00:42:10,520 --> 00:42:12,000
Speaker 1: I don't know, she's like, I love it, and you're like,

769
00:42:12,000 --> 00:42:15,719
Speaker 1: I thought it up. So I met few people who

770
00:42:15,719 --> 00:42:18,719
Speaker 1: are listening. Bill would be interested to note that that,

771
00:42:18,960 --> 00:42:21,759
Speaker 1: you know, you gotta hit show because, as it says

772
00:42:21,760 --> 00:42:24,440
Speaker 1: on Scrubs Wiki, season two was our biggest season in

773
00:42:24,520 --> 00:42:28,760
Speaker 1: terms of viewership ever. And you're still getting minutia notes

774
00:42:28,840 --> 00:42:33,359
Speaker 1: like that from from a from a network. Yeah, but

775
00:42:33,360 --> 00:42:36,319
Speaker 1: you realized that. Yeah, But it's a good thing because

776
00:42:36,400 --> 00:42:39,000
Speaker 1: all it really means is when the show is doing well.

777
00:42:39,880 --> 00:42:42,320
Speaker 1: The people that work on the networks, they're there because

778
00:42:42,320 --> 00:42:45,239
Speaker 1: they love TV. That's why they're not in business, you know,

779
00:42:45,320 --> 00:42:48,040
Speaker 1: That's why they didn't go to, you know, into the

780
00:42:48,040 --> 00:42:51,799
Speaker 1: financial world. And so once the show has some heat

781
00:42:51,840 --> 00:42:54,799
Speaker 1: and buzz behind it, it's even more exciting to try

782
00:42:54,800 --> 00:42:57,560
Speaker 1: and contribute and give your two cents. And it's never malicious,

783
00:42:57,600 --> 00:42:59,120
Speaker 1: you know, wouldn't it be more interesting if they did this?

784
00:42:59,120 --> 00:43:01,520
Speaker 1: It wouldn't be cool if they did that. And then

785
00:43:01,680 --> 00:43:04,840
Speaker 1: as producers, you make the choice do we let everybody

786
00:43:04,880 --> 00:43:07,120
Speaker 1: feel the pride of ownership, which we like to do

787
00:43:07,120 --> 00:43:11,040
Speaker 1: on this show, or um, do you get jerky and

788
00:43:11,040 --> 00:43:13,120
Speaker 1: go hey, now that we have leverage, we don't those

789
00:43:13,160 --> 00:43:15,000
Speaker 1: in't anything you say, which I think is kind of

790
00:43:15,040 --> 00:43:18,560
Speaker 1: productive because then people aren't looking too And you know,

791
00:43:18,680 --> 00:43:21,720
Speaker 1: with us, especially with the Disney folks who gave us notes,

792
00:43:22,400 --> 00:43:25,520
Speaker 1: you know, we loved them feeling like they were part

793
00:43:25,520 --> 00:43:27,040
Speaker 1: of the creative part of the shop. Remember when we

794
00:43:27,080 --> 00:43:30,280
Speaker 1: did the musical and the president of Disney Studios, Mark Petalitz,

795
00:43:30,280 --> 00:43:32,520
Speaker 1: like rented a whole theater for us and had us

796
00:43:32,560 --> 00:43:35,360
Speaker 1: all go watch the musical on a big movie theater

797
00:43:35,480 --> 00:43:37,160
Speaker 1: and stuff. And that's because they felt like they were

798
00:43:37,200 --> 00:43:38,360
Speaker 1: all part of it, you know what I mean. And

799
00:43:38,400 --> 00:43:41,640
Speaker 1: you also you also become friends with people in time,

800
00:43:41,680 --> 00:43:44,239
Speaker 1: you know what I mean. I'm not gonna lie. I

801
00:43:44,239 --> 00:43:46,320
Speaker 1: have a bunch of friends, well a few, I shan't

802
00:43:46,320 --> 00:43:48,319
Speaker 1: say a bunch. I have a few friends that are

803
00:43:48,400 --> 00:43:51,520
Speaker 1: actual network executives, now you know what I mean. And work,

804
00:43:51,760 --> 00:43:54,080
Speaker 1: you guys would run into Julia friends who helped run

805
00:43:54,120 --> 00:43:56,719
Speaker 1: that run Disney Studios all the time, and she was

806
00:43:56,760 --> 00:43:59,440
Speaker 1: such a huge, you know, cheerleader for the show. I

807
00:44:00,000 --> 00:44:01,840
Speaker 1: remember all you guys having great relationships with it. It

808
00:44:01,880 --> 00:44:04,479
Speaker 1: makes such a difference when you have an executive who

809
00:44:04,520 --> 00:44:08,520
Speaker 1: really gets it and and campaigns for the show. Because

810
00:44:08,560 --> 00:44:11,120
Speaker 1: I feel like these are these decisions on your life

811
00:44:11,200 --> 00:44:14,200
Speaker 1: or death or just made in in conference rooms. I mean,

812
00:44:14,239 --> 00:44:17,320
Speaker 1: the numbers are looked at and judged, and I'm sure,

813
00:44:17,880 --> 00:44:20,440
Speaker 1: but but there's also like the when it's on the bubble,

814
00:44:20,560 --> 00:44:22,840
Speaker 1: the the how many people in the room were going, no,

815
00:44:22,960 --> 00:44:25,839
Speaker 1: trust me, just give it a chance, and and and

816
00:44:26,000 --> 00:44:28,680
Speaker 1: as opposed to people going ah and and if you're

817
00:44:28,800 --> 00:44:30,839
Speaker 1: it sounds like what you're saying is also that if

818
00:44:30,840 --> 00:44:33,080
Speaker 1: you're the show running, you're a dick and you're on

819
00:44:33,120 --> 00:44:35,200
Speaker 1: the bubble, people are like, you know, what funk that guy? No,

820
00:44:35,440 --> 00:44:38,600
Speaker 1: cancel it? You know it's it's it's interesting. I do

821
00:44:38,800 --> 00:44:41,239
Speaker 1: agree with that, you know, I think you have to

822
00:44:41,239 --> 00:44:44,400
Speaker 1: find that fine line of you know, standing up for

823
00:44:44,440 --> 00:44:47,800
Speaker 1: what you care about creatively and not capitulating. But also,

824
00:44:48,520 --> 00:44:51,400
Speaker 1: if people are invested in the show, why not, you know,

825
00:44:52,040 --> 00:44:54,080
Speaker 1: let them feel the private ownership of their working their

826
00:44:54,080 --> 00:44:55,759
Speaker 1: butts off on it. I will say, like for us,

827
00:44:56,200 --> 00:45:01,600
Speaker 1: there's an absolute direct correlation to the seventh year. I

828
00:45:01,600 --> 00:45:05,080
Speaker 1: didn't care when this show ended after we got through

829
00:45:05,160 --> 00:45:07,319
Speaker 1: six years as long as we knew, because I knew

830
00:45:07,320 --> 00:45:10,200
Speaker 1: how I wanted the show to end. In the seventh year,

831
00:45:10,719 --> 00:45:13,080
Speaker 1: the show almost ended without us being able to control

832
00:45:13,120 --> 00:45:16,279
Speaker 1: it because of the writer's strike. And I think it

833
00:45:16,360 --> 00:45:19,560
Speaker 1: was only because how the writers and how all you

834
00:45:19,600 --> 00:45:23,200
Speaker 1: guys reacted towards Disney our studio that when NBC said

835
00:45:23,239 --> 00:45:26,399
Speaker 1: writers strike and we're done, the ABC called up and said,

836
00:45:26,440 --> 00:45:28,480
Speaker 1: how do you guys like to switch to another network

837
00:45:28,520 --> 00:45:31,040
Speaker 1: and do your last season? And I that was one

838
00:45:31,040 --> 00:45:34,320
Speaker 1: of my favorite seasons of the show, season eight. So um,

839
00:45:34,360 --> 00:45:37,000
Speaker 1: I think that happened in part because we considered them

840
00:45:37,040 --> 00:45:39,440
Speaker 1: part of our team. You know what season was it

841
00:45:39,520 --> 00:45:42,080
Speaker 1: that we took so we are hiatus was so long

842
00:45:42,160 --> 00:45:46,880
Speaker 1: one time? No, it wasn't it was. It was almost

843
00:45:46,880 --> 00:45:50,160
Speaker 1: a year. Yeah, it was because season seven ended right

844
00:45:50,280 --> 00:45:53,800
Speaker 1: in the early part of the season and season eight

845
00:45:53,840 --> 00:45:56,640
Speaker 1: we decided to move it over to ABC, and uh,

846
00:45:56,840 --> 00:46:00,279
Speaker 1: there was a long gap before we started shooting. I

847
00:46:00,280 --> 00:46:01,480
Speaker 1: think it might have it might have been a full

848
00:46:01,480 --> 00:46:05,200
Speaker 1: calendar year. It was crazy. Yeah, I feel you reminded

849
00:46:05,239 --> 00:46:09,080
Speaker 1: me that I felt sad. I has a sad about

850
00:46:09,360 --> 00:46:13,680
Speaker 1: the sort of medieval Times episode we we did because

851
00:46:13,719 --> 00:46:17,640
Speaker 1: I put so much love and work in directing it,

852
00:46:17,680 --> 00:46:20,759
Speaker 1: and you put so much love and work into writing it,

853
00:46:21,400 --> 00:46:23,759
Speaker 1: and because of what was happening in the writer strike

854
00:46:23,800 --> 00:46:26,640
Speaker 1: that that would have been the series finale of Scrubs.

855
00:46:27,920 --> 00:46:30,400
Speaker 1: I feel like I was super underappreciated because man, that

856
00:46:30,480 --> 00:46:35,200
Speaker 1: was a expensive, slash artistic, slash fun episode to do,

857
00:46:35,320 --> 00:46:37,800
Speaker 1: and I didn't think it ever got any love. No,

858
00:46:38,040 --> 00:46:41,600
Speaker 1: it was. And remember NBC, because there was a strike

859
00:46:41,640 --> 00:46:45,000
Speaker 1: and they didn't care about anything other than bottom line

860
00:46:45,000 --> 00:46:49,320
Speaker 1: at that point, jig juggled the order of episodes to

861
00:46:49,400 --> 00:46:51,480
Speaker 1: air that last as if it was the season finality,

862
00:46:51,520 --> 00:46:54,200
Speaker 1: and it made no sense. Yeah, and a lot of

863
00:46:54,239 --> 00:46:56,960
Speaker 1: people are like, that's it, that's how you're ending the show,

864
00:46:57,200 --> 00:47:00,319
Speaker 1: and we're like, no, we didn't mean to please like it. Phil.

865
00:47:00,920 --> 00:47:03,960
Speaker 1: It was very upsetting as an homage to the Princess Bride. Man,

866
00:47:03,960 --> 00:47:06,560
Speaker 1: it's a great episode, just so cool. Oh man, I

867
00:47:06,640 --> 00:47:08,680
Speaker 1: love that episode. And no one ever talks about. Whenever

868
00:47:08,719 --> 00:47:11,080
Speaker 1: we like bring up conversations about what's your favorite episode,

869
00:47:11,120 --> 00:47:14,200
Speaker 1: they say the musical, they say the Brandon Frasier episode.

870
00:47:14,200 --> 00:47:16,480
Speaker 1: You know, all the standards, but no one ever ever

871
00:47:16,560 --> 00:47:20,399
Speaker 1: mentioned that episode. And I thought it was really good.

872
00:47:23,440 --> 00:47:26,759
Speaker 1: Um Um, could I say something? I want to We

873
00:47:26,800 --> 00:47:29,719
Speaker 1: almost skipped pasting this one is twenty one. I'm doing

874
00:47:29,719 --> 00:47:33,480
Speaker 1: a thing because it's a compliment to Donald. I loved

875
00:47:33,520 --> 00:47:35,839
Speaker 1: because we did a bunch of different versions over the years,

876
00:47:35,840 --> 00:47:41,000
Speaker 1: and Donald might not remember. Uh. When Laverne went Aloma

877
00:47:41,040 --> 00:47:44,399
Speaker 1: would kind of break into Donald's questions and he would say,

878
00:47:44,520 --> 00:47:46,799
Speaker 1: like you would say, like, we're only deal when people

879
00:47:46,800 --> 00:47:48,400
Speaker 1: are invited. In this one, he says, I checked the

880
00:47:48,440 --> 00:47:50,680
Speaker 1: guest list for this conversation, and you're not on it

881
00:47:51,520 --> 00:47:54,080
Speaker 1: in this one. That's it. I remember that. So this

882
00:47:54,120 --> 00:47:55,520
Speaker 1: is one. This is one. At the end, you made

883
00:47:55,560 --> 00:47:57,960
Speaker 1: a noise and I remember seeing that that and they

884
00:47:58,080 --> 00:48:01,359
Speaker 1: made me so because there's you're not an I don't

885
00:48:01,360 --> 00:48:07,000
Speaker 1: know what, but it was fantastic accepted and received. I

886
00:48:07,000 --> 00:48:08,759
Speaker 1: don't know where that came from. I watched it today

887
00:48:08,760 --> 00:48:15,560
Speaker 1: and I laughed my ass off at this. I noticed now,

888
00:48:15,600 --> 00:48:18,120
Speaker 1: But I noticed now at this point in the show,

889
00:48:18,960 --> 00:48:21,279
Speaker 1: I started getting really comfortable. You know what I mean.

890
00:48:21,440 --> 00:48:25,400
Speaker 1: If you're watching the show from the beginning when we started.

891
00:48:25,760 --> 00:48:27,920
Speaker 1: Like as much as as much as I like to

892
00:48:27,960 --> 00:48:32,200
Speaker 1: think that I knew about comedy when we started, I

893
00:48:32,239 --> 00:48:36,640
Speaker 1: feel like I was, out of everyone, the one who

894
00:48:36,680 --> 00:48:40,920
Speaker 1: had the hardest time picking up jokes. And the crazy

895
00:48:40,960 --> 00:48:43,760
Speaker 1: thing was you kept writing jokes for me, and sometimes

896
00:48:43,800 --> 00:48:46,239
Speaker 1: I would nail them and sometimes I wouldn't. But I'm

897
00:48:46,239 --> 00:48:49,040
Speaker 1: starting to notice as it's going on now I'm starting

898
00:48:49,040 --> 00:48:52,080
Speaker 1: to get comfortable with the character. And it's it doesn't

899
00:48:52,120 --> 00:48:54,160
Speaker 1: feel like like it sounded like it felt like before

900
00:48:54,160 --> 00:48:57,080
Speaker 1: that I was reading it or I was forcing it,

901
00:48:57,239 --> 00:48:59,879
Speaker 1: and now I'm just starting to relax. Yeah, but you're

902
00:49:00,040 --> 00:49:02,880
Speaker 1: you're you're just doing Yes, you can tell how naturalistic

903
00:49:02,880 --> 00:49:04,680
Speaker 1: you are now, but you're just harsh on yourself away

904
00:49:04,719 --> 00:49:07,120
Speaker 1: all performers do. You were always funny, dude. I love

905
00:49:07,200 --> 00:49:09,319
Speaker 1: that you put yourself under that critical eye, but it's

906
00:49:09,360 --> 00:49:11,759
Speaker 1: it's not true. But no. But also one thing I'll

907
00:49:11,760 --> 00:49:14,279
Speaker 1: say Bill is to use a sports term, is that

908
00:49:14,360 --> 00:49:17,600
Speaker 1: he is in the zone in this episode. There's there's

909
00:49:17,640 --> 00:49:20,280
Speaker 1: lots of little riffing. You're doing Donald, You're feeling confident.

910
00:49:20,680 --> 00:49:22,800
Speaker 1: I thought you were really good in this episode, the

911
00:49:23,160 --> 00:49:26,560
Speaker 1: both doing uh and the end when he's mad at

912
00:49:26,640 --> 00:49:28,439
Speaker 1: Ralphie when he says, you shut your mouth right now,

913
00:49:32,600 --> 00:49:41,040
Speaker 1: by the way, which is a surer. Right now, I

914
00:49:41,080 --> 00:49:44,279
Speaker 1: gotta interrupting. It's an interrupting Bill moment. While I'm here,

915
00:49:46,080 --> 00:49:49,560
Speaker 1: I don't know what the song is interrupted. Bill interrupted,

916
00:49:51,400 --> 00:49:54,560
Speaker 1: So for real. We would occasionally have recurred jokes over

917
00:49:54,600 --> 00:49:56,520
Speaker 1: the years that you were listening on the board. You

918
00:49:56,560 --> 00:49:59,560
Speaker 1: guys wouldn't recognize them because they're just tiny jokes that

919
00:49:59,600 --> 00:50:02,920
Speaker 1: we thought keep going. And one of Donald's was there

920
00:50:03,000 --> 00:50:05,879
Speaker 1: was four different times across the years that Donald told

921
00:50:05,960 --> 00:50:09,520
Speaker 1: Laverne that he, uh, unless she got an invitation, she

922
00:50:09,560 --> 00:50:11,960
Speaker 1: should sit down. He's seen the guest list, She's not

923
00:50:12,080 --> 00:50:13,960
Speaker 1: on it. He didn't. He did that to her so

924
00:50:14,000 --> 00:50:17,920
Speaker 1: many times, do you know? And it happened at the

925
00:50:17,920 --> 00:50:20,680
Speaker 1: the nine minute mark. What a weird reoccurring joke was

926
00:50:20,800 --> 00:50:26,960
Speaker 1: for you, Zack in reference to um calling yourself the boat,

927
00:50:27,280 --> 00:50:29,840
Speaker 1: do you know what the reoccurring joke is? The reoccurring

928
00:50:29,960 --> 00:50:34,160
Speaker 1: joke is that I, in my voiceover, I say that

929
00:50:34,360 --> 00:50:37,359
Speaker 1: I clearly wanted a cool nickname for myself and I'm

930
00:50:37,360 --> 00:50:40,200
Speaker 1: always auditioning them. The boat would be a cool nickname.

931
00:50:41,400 --> 00:50:43,480
Speaker 1: And then something and then something happens, and I'm like,

932
00:50:43,560 --> 00:50:47,440
Speaker 1: way to go boat. You have you go back and

933
00:50:47,480 --> 00:50:50,760
Speaker 1: watched this series. There's eight different times that you're trying

934
00:50:50,800 --> 00:50:53,480
Speaker 1: to have a nickname, whether it be a lion or

935
00:50:53,520 --> 00:50:57,040
Speaker 1: tiger or whatever, just catch hold, and it never does.

936
00:50:57,280 --> 00:50:58,680
Speaker 1: And one of the things they said at the beginning

937
00:50:58,680 --> 00:51:00,840
Speaker 1: of this series was j D should always wish he

938
00:51:00,840 --> 00:51:05,600
Speaker 1: had a nickname and never get one. That's funny. That's

939
00:51:05,680 --> 00:51:08,680
Speaker 1: very funny. That's funny. I didn't know. I didn't. I

940
00:51:08,719 --> 00:51:10,839
Speaker 1: didn't clock it as recurring. But I did laugh at

941
00:51:10,960 --> 00:51:13,839
Speaker 1: at at me calling my trying to get my own name.

942
00:51:13,920 --> 00:51:16,200
Speaker 1: It's funny because you can't get your own nickname, going

943
00:51:16,560 --> 00:51:18,880
Speaker 1: like no, yeah, if you try so many times. I

944
00:51:18,920 --> 00:51:21,000
Speaker 1: think sometimes Donald says to your someone says she, no

945
00:51:21,080 --> 00:51:22,759
Speaker 1: matter how bad you want it, no one's ever going

946
00:51:22,800 --> 00:51:24,800
Speaker 1: to call you big cat or call you Lyne or

947
00:51:24,840 --> 00:51:28,799
Speaker 1: something that's in a different episode. Um, I laughed. I

948
00:51:28,800 --> 00:51:31,319
Speaker 1: think I improved this bill when when Amy Smart says

949
00:51:31,360 --> 00:51:34,040
Speaker 1: you have something on your cheek and I go working

950
00:51:34,080 --> 00:51:40,680
Speaker 1: in a hospital, did you make it? Who made was that?

951
00:51:40,760 --> 00:51:43,120
Speaker 1: Adam or you? That made her lick you? I'm about

952
00:51:43,160 --> 00:51:47,040
Speaker 1: to say, where did that come from? No? That was script.

953
00:51:47,640 --> 00:51:50,680
Speaker 1: She wasn't the script. She's not randomly licking me. Well, No,

954
00:51:50,840 --> 00:51:53,200
Speaker 1: I think I think that it's like I'll get it

955
00:51:53,239 --> 00:51:55,319
Speaker 1: and she does something aggressive was there? But I think

956
00:51:55,320 --> 00:51:57,680
Speaker 1: that it was probably an actress or direct or choice

957
00:51:57,680 --> 00:51:59,800
Speaker 1: to go just lick it off. Yeah, I mean I

958
00:51:59,840 --> 00:52:02,239
Speaker 1: think is probably lick your thigh and to kiss it

959
00:52:02,320 --> 00:52:05,360
Speaker 1: or something. I I certainly wasn't being like to Amy

960
00:52:05,440 --> 00:52:09,440
Speaker 1: smart like what if you were to look I was,

961
00:52:09,560 --> 00:52:12,279
Speaker 1: I wasn't implying. I was not implying that you're doing.

962
00:52:12,320 --> 00:52:15,239
Speaker 1: Maybe instead of licking your finger and touch, you should

963
00:52:15,320 --> 00:52:18,200
Speaker 1: lick my face in this moment, Amy, Amy, Amy, Amy,

964
00:52:18,200 --> 00:52:19,960
Speaker 1: do you see on the sides, So it says she

965
00:52:20,280 --> 00:52:23,200
Speaker 1: licks her thumb. What if you just lick my face?

966
00:52:28,760 --> 00:52:33,120
Speaker 1: When Donald goes, when um Donald? When Judy says that

967
00:52:33,760 --> 00:52:36,440
Speaker 1: was there's something about sleep toots? And then you do

968
00:52:36,480 --> 00:52:41,240
Speaker 1: the sound of them? What's the sound you make? You do?

969
00:52:41,239 --> 00:52:47,200
Speaker 1: You do air first you go? I always had that.

970
00:52:47,280 --> 00:52:50,160
Speaker 1: I always wondered why do farts see it? Sound like

971
00:52:50,200 --> 00:53:02,680
Speaker 1: they're asking a question? It always well, I love it,

972
00:53:02,800 --> 00:53:04,440
Speaker 1: I love it. And then Nurse Roberts says, like I

973
00:53:04,520 --> 00:53:15,680
Speaker 1: make Mr Roberts where air tight boxers burnt? By the way,

974
00:53:15,680 --> 00:53:19,120
Speaker 1: and she is always contributing in your ship more than anybody's.

975
00:53:19,320 --> 00:53:21,480
Speaker 1: If she hears you talking to someone, she gets into it,

976
00:53:21,480 --> 00:53:25,080
Speaker 1: which really makes people. Let's talk about Elliott sabotaging her relationship.

977
00:53:25,200 --> 00:53:28,360
Speaker 1: She's finally got some joy. She's finally we in the

978
00:53:28,440 --> 00:53:32,239
Speaker 1: last episode, she finally said that she's happy, um, for

979
00:53:32,280 --> 00:53:33,840
Speaker 1: the first time in her life. Donald and I were

980
00:53:33,880 --> 00:53:36,040
Speaker 1: talking about the last episode how Elliott's sort of bopping

981
00:53:36,080 --> 00:53:39,399
Speaker 1: around in the rare like non neurotic mood, and now

982
00:53:39,440 --> 00:53:42,960
Speaker 1: she's already wanting to sabotage it because she she she's

983
00:53:43,600 --> 00:53:46,200
Speaker 1: I don't know that's what she does. Right, Well, look

984
00:53:46,440 --> 00:53:49,400
Speaker 1: this with this you'll find interesting because we this script

985
00:53:49,520 --> 00:53:53,000
Speaker 1: was easy to write because we come up with premises

986
00:53:53,160 --> 00:53:56,200
Speaker 1: ahead of time, right, and we thought, um, you know

987
00:53:56,239 --> 00:54:00,399
Speaker 1: it'd be cool is Donald and Judy carl in Turk

988
00:54:00,480 --> 00:54:04,080
Speaker 1: we set up because remember that kid had eaten a

989
00:54:04,160 --> 00:54:06,640
Speaker 1: ring and gotten paid. We knew we had to bring

990
00:54:06,640 --> 00:54:08,319
Speaker 1: it back. Donald paid him not to say anything, so

991
00:54:08,360 --> 00:54:10,400
Speaker 1: we knew that was gonna be a problem. Johnny c

992
00:54:10,760 --> 00:54:13,120
Speaker 1: you know Dr Cox and Jordan's you know, had to

993
00:54:13,160 --> 00:54:16,600
Speaker 1: have We didn't have a problem for Rick and h Elliott. Yeah,

994
00:54:16,640 --> 00:54:18,640
Speaker 1: but Dr Cox and Jordan were dealing with the kid.

995
00:54:19,239 --> 00:54:22,200
Speaker 1: And usually our episodes, everybody has to figure out how

996
00:54:22,239 --> 00:54:25,520
Speaker 1: to have a solution, you know, in you know, how

997
00:54:25,520 --> 00:54:27,600
Speaker 1: to get to the solution of their story. And this

998
00:54:27,680 --> 00:54:30,879
Speaker 1: one we said, you know'd be cool is we don't

999
00:54:30,880 --> 00:54:33,040
Speaker 1: ever have to do the solution if they're just all

1000
00:54:33,160 --> 00:54:36,560
Speaker 1: having petty ship go on, And because j D is

1001
00:54:36,600 --> 00:54:39,719
Speaker 1: so alone, he yells at them for not realizing that

1002
00:54:39,719 --> 00:54:42,120
Speaker 1: they got it better than him, and that makes all

1003
00:54:42,160 --> 00:54:44,279
Speaker 1: their problems go away. So you didn't even have to

1004
00:54:44,320 --> 00:54:46,239
Speaker 1: do the story work at the end, you know what

1005
00:54:46,280 --> 00:54:48,400
Speaker 1: I mean. So that's how we came up with the

1006
00:54:48,480 --> 00:54:50,840
Speaker 1: way we came up with the Elliott and Nurse Flowers

1007
00:54:50,880 --> 00:54:53,480
Speaker 1: things to go. What could she cause ship over just

1008
00:54:53,520 --> 00:54:55,359
Speaker 1: because she's scared that she's starting to like the guy?

1009
00:54:55,520 --> 00:54:58,960
Speaker 1: You know? Yeah? Yeah, it's clever the way you structured

1010
00:54:59,000 --> 00:55:05,560
Speaker 1: this because it's j D, who's lonesome and single, who

1011
00:55:05,600 --> 00:55:08,120
Speaker 1: wants more than anything to find love I mean jokingly.

1012
00:55:08,120 --> 00:55:11,600
Speaker 1: The episode opens with him running drills on kissing because

1013
00:55:11,600 --> 00:55:14,640
Speaker 1: it's been so long since he kissed anybody, and and

1014
00:55:14,680 --> 00:55:18,520
Speaker 1: then seeing him seeing all these relationships in various stages,

1015
00:55:19,160 --> 00:55:24,600
Speaker 1: in various you know, forms of of disarray, and then

1016
00:55:24,640 --> 00:55:26,960
Speaker 1: it sort of bubbles up with the monologue at the

1017
00:55:27,040 --> 00:55:29,400
Speaker 1: end where I just explode, like how the how the

1018
00:55:29,520 --> 00:55:31,680
Speaker 1: fund did you? Guys don't realize how lucky you are

1019
00:55:32,000 --> 00:55:35,760
Speaker 1: to be with someone well, because it's it's you almost

1020
00:55:35,920 --> 00:55:38,319
Speaker 1: j D almost crosses a line though, you know what

1021
00:55:38,360 --> 00:55:43,799
Speaker 1: I mean, He almost goes against the moral code. This

1022
00:55:43,880 --> 00:55:46,919
Speaker 1: woman has a husband who's not in the ground yet

1023
00:55:47,040 --> 00:55:51,239
Speaker 1: and still even though he's probably not gonna make it

1024
00:55:51,400 --> 00:55:56,160
Speaker 1: through this, she uh, she needs to handle that first

1025
00:55:56,200 --> 00:55:58,439
Speaker 1: and deal with all of that first before she goes

1026
00:55:58,480 --> 00:56:03,080
Speaker 1: into a relationship. And she shows weakness and j D

1027
00:56:03,320 --> 00:56:06,640
Speaker 1: almost pounces on it, you know what I mean. And

1028
00:56:07,320 --> 00:56:10,560
Speaker 1: so I also think the blow up at the end

1029
00:56:10,760 --> 00:56:14,160
Speaker 1: was you know, him realizing, holy sh it, I almost

1030
00:56:14,200 --> 00:56:17,920
Speaker 1: went there, and these are right his it's his own

1031
00:56:18,000 --> 00:56:20,319
Speaker 1: thing too. You're right, you're right, you're right. I never

1032
00:56:20,320 --> 00:56:22,719
Speaker 1: even saw that. It's it's that's a good point down.

1033
00:56:22,760 --> 00:56:24,440
Speaker 1: It's sort of his own, you know sometimes when like

1034
00:56:24,520 --> 00:56:26,600
Speaker 1: you have your own conscience bubbling up and you don't

1035
00:56:26,600 --> 00:56:29,040
Speaker 1: even know it. And he sort of explodes on everyone else.

1036
00:56:29,120 --> 00:56:31,239
Speaker 1: Part of that monologue at the end, when he's just

1037
00:56:31,360 --> 00:56:36,120
Speaker 1: berating everyone is his own frustration that he's got no

1038
00:56:36,200 --> 00:56:39,440
Speaker 1: one and he's so alone and now all of a sudden,

1039
00:56:39,480 --> 00:56:42,040
Speaker 1: here's this amazing woman who's so pretty and so into

1040
00:56:42,120 --> 00:56:44,760
Speaker 1: him and so in on the joke and silly and funny,

1041
00:56:44,800 --> 00:56:47,960
Speaker 1: and she's like his perfect dream girl, and and his

1042
00:56:47,960 --> 00:56:51,440
Speaker 1: his conscience and his morals make him stop it. And

1043
00:56:51,480 --> 00:56:54,200
Speaker 1: then they're all fighting, and he's like, you fuckers, don't

1044
00:56:54,239 --> 00:56:57,520
Speaker 1: you realize how lucky you are to have someone I

1045
00:56:57,520 --> 00:57:00,520
Speaker 1: don't think it was really good. Yeah, I wrote that down.

1046
00:57:00,800 --> 00:57:04,000
Speaker 1: That's the It's an amazing blow up. Not only you're

1047
00:57:04,040 --> 00:57:09,759
Speaker 1: acting at that moment, but also Okay, you do a

1048
00:57:09,800 --> 00:57:13,960
Speaker 1: great job at it, and uh and and it's very

1049
00:57:14,040 --> 00:57:18,040
Speaker 1: easy for the audience and our characters to have sympathy

1050
00:57:18,080 --> 00:57:20,760
Speaker 1: for you after you have that moment, you know what

1051
00:57:20,800 --> 00:57:25,240
Speaker 1: I mean. Um, but it's amazing how it was, how

1052
00:57:25,280 --> 00:57:29,600
Speaker 1: it's presented. Also, it gets to a point where, you know,

1053
00:57:29,760 --> 00:57:33,920
Speaker 1: the hero of our of our show almost becomes a villain,

1054
00:57:34,520 --> 00:57:37,760
Speaker 1: and it's and stops himself from becoming that person, and

1055
00:57:37,760 --> 00:57:39,840
Speaker 1: he's gonna you know, he's gonna trade. It comes up

1056
00:57:39,880 --> 00:57:41,560
Speaker 1: again later on in the in the next You think

1057
00:57:41,600 --> 00:57:43,880
Speaker 1: the audience would really think him as villainous? I mean,

1058
00:57:43,920 --> 00:57:47,920
Speaker 1: wouldn't Yeah really, but don't you think there'd be a

1059
00:57:47,920 --> 00:57:51,320
Speaker 1: certain percentage of the audience would be like, I get it,

1060
00:57:51,440 --> 00:57:53,360
Speaker 1: I do it, I do it right. Well, that's the

1061
00:57:53,400 --> 00:57:56,040
Speaker 1: dilemma I would you, would you or would you if somebody,

1062
00:57:56,280 --> 00:57:59,200
Speaker 1: if somebody had somebody who was on the verge of

1063
00:57:59,480 --> 00:58:02,680
Speaker 1: passing way but has not yet passed away, would you

1064
00:58:02,760 --> 00:58:05,720
Speaker 1: let that person have the moment to grieve and and

1065
00:58:05,840 --> 00:58:09,440
Speaker 1: move on or would you slide in at their weakest moment?

1066
00:58:09,480 --> 00:58:14,240
Speaker 1: I think, But she asked him out and they're drinking.

1067
00:58:15,440 --> 00:58:17,880
Speaker 1: I love this argument. This is the argument that writers

1068
00:58:17,920 --> 00:58:20,560
Speaker 1: want you guys to have. You guys know that like

1069
00:58:20,680 --> 00:58:23,440
Speaker 1: so much. So is transporting me back one of the

1070
00:58:23,480 --> 00:58:25,200
Speaker 1: things we did in this show when we wrote it,

1071
00:58:25,360 --> 00:58:28,840
Speaker 1: because Donald is correct in that, you know, we wanted

1072
00:58:28,880 --> 00:58:31,360
Speaker 1: people to go and to not want Zach to do

1073
00:58:31,440 --> 00:58:34,200
Speaker 1: this and did not want j D to do this.

1074
00:58:34,800 --> 00:58:37,600
Speaker 1: And the way that we got there was we're so

1075
00:58:37,680 --> 00:58:39,520
Speaker 1: lucky we have a show of fantasies and that the

1076
00:58:39,560 --> 00:58:42,320
Speaker 1: actor was good and it wasn't my pitch. But someone's

1077
00:58:42,360 --> 00:58:44,120
Speaker 1: like for us to really be down on j D

1078
00:58:44,280 --> 00:58:47,960
Speaker 1: doing this, the coma husband has to speak and has

1079
00:58:48,000 --> 00:58:51,440
Speaker 1: to be alive in the fantasies, and the fact that

1080
00:58:51,480 --> 00:58:54,920
Speaker 1: he actually was Jiman and the guy was good, and

1081
00:58:54,960 --> 00:58:58,240
Speaker 1: that you seemed and you've felt his you know, anguish

1082
00:58:58,240 --> 00:59:01,400
Speaker 1: and anger made it because I think if that guy

1083
00:59:01,440 --> 00:59:04,080
Speaker 1: had never spoken and was just a lifeless extra in

1084
00:59:04,120 --> 00:59:06,479
Speaker 1: a bed, you would have been like, j D should

1085
00:59:06,520 --> 00:59:08,080
Speaker 1: go for it. Man, That dude has been like that

1086
00:59:08,160 --> 00:59:11,560
Speaker 1: for a year. But the second he's that was especially

1087
00:59:11,600 --> 00:59:13,120
Speaker 1: when he hands you a chart, you know, when you

1088
00:59:13,160 --> 00:59:15,400
Speaker 1: walk in the next day and you're like, you know,

1089
00:59:15,640 --> 00:59:18,160
Speaker 1: so that you know your conscience is killing you. You know.

1090
00:59:18,280 --> 00:59:20,200
Speaker 1: To me, that's what made that show work, and it

1091
00:59:20,240 --> 00:59:23,240
Speaker 1: wasn't wasn't my idea, but we we argued over exactly

1092
00:59:23,280 --> 00:59:25,960
Speaker 1: what Donald's talking about. Well, it is a real testament

1093
00:59:25,960 --> 00:59:28,360
Speaker 1: I gonna say, it's a real testament to what you

1094
00:59:28,480 --> 00:59:30,760
Speaker 1: what you as a writer are saying about j D's character,

1095
00:59:30,880 --> 00:59:35,000
Speaker 1: because he's got this woman who's being the aggressor on him,

1096
00:59:35,360 --> 00:59:37,960
Speaker 1: and they've had drinks and and she's like where are

1097
00:59:37,960 --> 00:59:41,320
Speaker 1: we going? And he's like, I gotta stop this, and

1098
00:59:41,400 --> 00:59:44,000
Speaker 1: but then he actually goes like, if you really want this,

1099
00:59:45,360 --> 00:59:47,320
Speaker 1: I'll pick you up and run twelve miles with you

1100
00:59:47,400 --> 00:59:50,480
Speaker 1: right now. But but I think it'd be best if

1101
00:59:50,480 --> 00:59:53,200
Speaker 1: you waited, And she's like, I'll call you, and you know,

1102
00:59:53,240 --> 00:59:58,600
Speaker 1: in his head he's like, fuck absolutely, you know, And

1103
00:59:58,760 --> 01:00:02,080
Speaker 1: what makes what makes It's such a scrubs moment though,

1104
01:00:02,520 --> 01:00:05,160
Speaker 1: at the end of the blow up, when everybody's feeling

1105
01:00:05,240 --> 01:00:08,800
Speaker 1: down and out about themselves in walks Nurse Roberts and

1106
01:00:08,840 --> 01:00:15,960
Speaker 1: there's something Remember how she used to lean forward when

1107
01:00:16,000 --> 01:00:23,080
Speaker 1: you would do that too. We're gonna go to break.

1108
01:00:23,200 --> 01:00:24,560
Speaker 1: We're gonna go to break. And then we have a

1109
01:00:24,640 --> 01:00:27,760
Speaker 1: caller who's gonna be very excited that Uncle Bill is here.

1110
01:00:28,440 --> 01:00:37,600
Speaker 1: We will be right back after someone talks to you,

1111
01:00:39,160 --> 01:00:51,080
Speaker 1: and we're back, and we're back and we're back. Come.

1112
01:00:55,880 --> 01:01:03,200
Speaker 1: Oh my god, I'm so sorry. I'm so sorry to

1113
01:01:03,280 --> 01:01:06,520
Speaker 1: the nor do you get that all the time? Do

1114
01:01:06,600 --> 01:01:13,640
Speaker 1: you get that all the time? Nor? Hi? How are you? Hi? Okay?

1115
01:01:14,160 --> 01:01:16,960
Speaker 1: Do you get that all the time? Nor? No, no

1116
01:01:17,000 --> 01:01:19,720
Speaker 1: one does that? And the one we're jogging, I have

1117
01:01:19,760 --> 01:01:26,800
Speaker 1: no earbugs left. I don't think I've ever been introduced

1118
01:01:26,800 --> 01:01:32,080
Speaker 1: like this ever in my entire life's ever seen? Have

1119
01:01:32,160 --> 01:01:34,240
Speaker 1: you ever seen? Have you ever seen? Star trek to

1120
01:01:34,560 --> 01:01:40,120
Speaker 1: the Wrath of Cohn. I'm not a starje yes, thank you,

1121
01:01:40,480 --> 01:01:42,440
Speaker 1: thank you, I've got a start. I don't know a

1122
01:01:42,440 --> 01:01:48,840
Speaker 1: star will I'm sorry. I'm sorry, ladies and gentlemen. That

1123
01:01:48,960 --> 01:01:55,120
Speaker 1: was morn North town. Oh god, oh my god, I

1124
01:01:55,160 --> 01:01:58,080
Speaker 1: can't believe this. Nor it's so nice to meet you.

1125
01:01:58,360 --> 01:02:00,560
Speaker 1: Welcome to the program. Oh, we have a very special

1126
01:02:00,600 --> 01:02:02,920
Speaker 1: episode because we have a surprise guest, Bill Lawrence, the

1127
01:02:02,920 --> 01:02:05,560
Speaker 1: creator of the whole darn things here, So you can't

1128
01:02:05,560 --> 01:02:09,480
Speaker 1: ask anything. I have so much to ask you. But

1129
01:02:09,560 --> 01:02:12,920
Speaker 1: before I get into that, I just want to I

1130
01:02:13,040 --> 01:02:16,400
Speaker 1: have been watching you guys for so long. I have

1131
01:02:16,560 --> 01:02:20,280
Speaker 1: I think watched the series start to finish over thirty

1132
01:02:20,280 --> 01:02:26,800
Speaker 1: times U since where two thousand four. That's that's almost

1133
01:02:26,920 --> 01:02:36,440
Speaker 1: that's almost thirty times more than Donald seen him. So um,

1134
01:02:36,440 --> 01:02:40,880
Speaker 1: it's it's my happy place. It's my husband's cheap cord

1135
01:02:40,960 --> 01:02:43,160
Speaker 1: to my mood. So like, if I'm in a bad mood,

1136
01:02:43,360 --> 01:02:45,880
Speaker 1: like you know, I'm on my period, and you know,

1137
01:02:46,040 --> 01:02:48,320
Speaker 1: usually you need to give women chocolate and wine. No,

1138
01:02:48,520 --> 01:02:50,320
Speaker 1: you just need to put on an episode of Straps.

1139
01:02:50,360 --> 01:02:54,800
Speaker 1: And I'm like, I hate it that he has, like

1140
01:02:54,920 --> 01:02:57,080
Speaker 1: he knows this Achilles heel of mine. I hate it

1141
01:02:57,120 --> 01:03:01,240
Speaker 1: so much. But he also uses it that he very

1142
01:03:01,320 --> 01:03:06,560
Speaker 1: much ridiculous. I wish Donald wishes he could put on

1143
01:03:06,600 --> 01:03:12,520
Speaker 1: Scrubs to calm down his wife when she's listen, she

1144
01:03:12,560 --> 01:03:14,040
Speaker 1: don't even have to be on a paier. My wife

1145
01:03:14,040 --> 01:03:18,720
Speaker 1: just don't like me. Man, I'm I'm now, I'm just convinced.

1146
01:03:19,080 --> 01:03:21,640
Speaker 1: She'm guessing today, I'm guessing today hasn't been the best

1147
01:03:21,760 --> 01:03:26,880
Speaker 1: quarantine day the past ever, since school went back, it's

1148
01:03:26,920 --> 01:03:29,920
Speaker 1: been tough. Well, I'm sure there's a lot of I'm

1149
01:03:29,960 --> 01:03:32,560
Speaker 1: sure there's a lot of parents out there that can relate. Donald,

1150
01:03:32,560 --> 01:03:36,280
Speaker 1: who are who can empathize with you? You should know,

1151
01:03:36,360 --> 01:03:38,520
Speaker 1: nor Donald pointed out while you were waiting that my

1152
01:03:38,560 --> 01:03:41,880
Speaker 1: wife is essentially playing herself on the show, so so

1153
01:03:43,480 --> 01:03:45,160
Speaker 1: so for me, I don't think. I don't I don't think.

1154
01:03:45,160 --> 01:03:48,040
Speaker 1: I don't think popping on maybe exacted. Yeah, I don't

1155
01:03:48,080 --> 01:03:54,680
Speaker 1: think popping on an episode, um, well character, and that's

1156
01:03:54,680 --> 01:03:57,320
Speaker 1: how she's in your life. You just hit the jackpot,

1157
01:03:57,360 --> 01:04:00,240
Speaker 1: my friend. You know you would think that. And it's

1158
01:04:00,240 --> 01:04:03,640
Speaker 1: also very very scary. Uh, I mean, you know what,

1159
01:04:03,840 --> 01:04:05,840
Speaker 1: you know what I always think, Bill, I think that,

1160
01:04:05,960 --> 01:04:08,160
Speaker 1: and you've said a version of this, but I think

1161
01:04:08,280 --> 01:04:11,840
Speaker 1: it's kind of I mean, this is maybe stupid to say,

1162
01:04:11,920 --> 01:04:14,880
Speaker 1: but the universe kind of gives you who you need,

1163
01:04:15,200 --> 01:04:19,520
Speaker 1: and you and Donald both have very tough Cristal I'll

1164
01:04:19,520 --> 01:04:23,760
Speaker 1: give it capital t um wives. But they because you

1165
01:04:23,760 --> 01:04:27,040
Speaker 1: guys have big personalities, they keep you in check and

1166
01:04:27,160 --> 01:04:31,600
Speaker 1: sometimes that's very hard. But some wallflower who's gonna let

1167
01:04:31,600 --> 01:04:33,920
Speaker 1: you do whatever you want is not gonna work for

1168
01:04:33,920 --> 01:04:36,560
Speaker 1: for six months with you guys. I thought you were

1169
01:04:36,600 --> 01:04:38,920
Speaker 1: saying that Donald I should be able to trade wives

1170
01:04:38,920 --> 01:04:40,280
Speaker 1: and have it be cool with them. I thought that's

1171
01:04:40,280 --> 01:04:44,520
Speaker 1: where you're going, Well, that's something you guys can work out,

1172
01:04:47,600 --> 01:04:49,360
Speaker 1: because I don't think it would be cool with Christal.

1173
01:04:49,440 --> 01:04:51,360
Speaker 1: I think it'd be cool with Krista, but not for me,

1174
01:04:51,480 --> 01:04:53,360
Speaker 1: just for her. She's so in love with Donald. It's

1175
01:04:53,360 --> 01:04:56,440
Speaker 1: so upsetting. Case it will be all right when a

1176
01:04:56,480 --> 01:05:01,840
Speaker 1: case would be like, well we get a pool, Crystal, Yeah,

1177
01:05:02,000 --> 01:05:04,440
Speaker 1: case you'd be like, case you'd be like, I'll make

1178
01:05:04,440 --> 01:05:06,440
Speaker 1: out a bill for a pool. Listen, I gotta tell

1179
01:05:06,480 --> 01:05:10,280
Speaker 1: you that Kristen. Kristen does this thing that's so awkward

1180
01:05:10,320 --> 01:05:13,240
Speaker 1: where we're we're in front of Bill and we're hugging,

1181
01:05:14,160 --> 01:05:16,480
Speaker 1: and you know, I give a standard hey, good to

1182
01:05:16,480 --> 01:05:18,640
Speaker 1: see you hug and she's like, and Bill standing right

1183
01:05:18,640 --> 01:05:20,960
Speaker 1: there and she's like, m don't, don't, don't, don't let

1184
01:05:21,000 --> 01:05:26,560
Speaker 1: it go. So it's so awkward and she's doing it

1185
01:05:26,640 --> 01:05:28,360
Speaker 1: just to funk with Bill and I'm sitting there with

1186
01:05:28,400 --> 01:05:32,360
Speaker 1: like a red face. Don't okay, Crystal, let go. I

1187
01:05:32,480 --> 01:05:35,000
Speaker 1: don't like it. I don't like it. Nor where are

1188
01:05:35,000 --> 01:05:42,200
Speaker 1: you going from? I'm calling from India, girl friend, all

1189
01:05:42,240 --> 01:05:47,680
Speaker 1: the way from India, baby. This podcast is truly global.

1190
01:05:47,760 --> 01:05:54,680
Speaker 1: Donald did able to get a mug. No, I actually

1191
01:05:54,680 --> 01:05:57,880
Speaker 1: haven't gone around to ordering it yet. Also, stuff is

1192
01:05:57,920 --> 01:06:00,160
Speaker 1: not coming in from the US right now. They're okay

1193
01:06:00,400 --> 01:06:03,760
Speaker 1: whatever to reach us, So I'm just waiting for ship

1194
01:06:03,840 --> 01:06:05,520
Speaker 1: to get up. I have to say. I have to

1195
01:06:05,560 --> 01:06:07,720
Speaker 1: say on the merge front, this is a slight diggression.

1196
01:06:08,040 --> 01:06:11,080
Speaker 1: When MacDonald and I started this podcast, Um, the people

1197
01:06:11,160 --> 01:06:13,000
Speaker 1: I heard said to us, and we were Donald and

1198
01:06:13,040 --> 01:06:14,880
Speaker 1: I don't know podcast that much. I've listened to a few.

1199
01:06:14,920 --> 01:06:18,160
Speaker 1: He's listening to none. And we said, um, they said,

1200
01:06:18,200 --> 01:06:21,280
Speaker 1: just you know, podcast listeners really like you know, some

1201
01:06:21,360 --> 01:06:24,600
Speaker 1: basic merch a T shirt or a mug, because you're

1202
01:06:24,600 --> 01:06:26,920
Speaker 1: you're building a community and it's sort of a club

1203
01:06:26,960 --> 01:06:29,479
Speaker 1: and people like that stuff. And so Donald and I said, okay,

1204
01:06:29,520 --> 01:06:31,240
Speaker 1: well we'll make merch. That's cool. You know. We we

1205
01:06:31,240 --> 01:06:33,640
Speaker 1: were never in a rock band. Well, that'll be fun

1206
01:06:33,680 --> 01:06:35,800
Speaker 1: for us. So it's taking a long time to get

1207
01:06:35,800 --> 01:06:38,320
Speaker 1: it up. It's and and uh and on the podcast,

1208
01:06:38,320 --> 01:06:41,200
Speaker 1: we've joked about all these funny merch ideas. We put

1209
01:06:41,280 --> 01:06:44,680
Speaker 1: up a mug and a mask and they were gone

1210
01:06:44,680 --> 01:06:48,600
Speaker 1: within like three hours. And Donald I have now been

1211
01:06:48,640 --> 01:06:51,160
Speaker 1: texting like, we need to take this shilling more seriously

1212
01:06:51,600 --> 01:06:54,440
Speaker 1: because people are not fucking around with fucking merch. They

1213
01:06:54,440 --> 01:06:56,920
Speaker 1: want their merch. Donald, there is a lot you guys

1214
01:06:56,960 --> 01:07:00,280
Speaker 1: can do much twise. And I would just like, if

1215
01:07:00,320 --> 01:07:02,240
Speaker 1: I knew this was going to happen, I'd get like,

1216
01:07:03,000 --> 01:07:05,880
Speaker 1: you know, sha bother faces on it or something printed

1217
01:07:05,920 --> 01:07:10,120
Speaker 1: before like I got on this call, but like you

1218
01:07:10,200 --> 01:07:15,680
Speaker 1: look great. You look right just when I got when

1219
01:07:15,680 --> 01:07:17,360
Speaker 1: I got the meal, and I was like, oh shoot,

1220
01:07:17,360 --> 01:07:19,080
Speaker 1: I need to sound looking like a human being again.

1221
01:07:21,400 --> 01:07:24,640
Speaker 1: Just texted me that, just texted me. It's almost one

1222
01:07:24,680 --> 01:07:27,439
Speaker 1: o'clock at night. Nor just texted me that the only

1223
01:07:27,480 --> 01:07:30,200
Speaker 1: merch she wants is a five six seven eight Bill

1224
01:07:30,240 --> 01:07:34,720
Speaker 1: Lawrence thing, which I think is very nice to have said. Hey,

1225
01:07:34,760 --> 01:07:37,480
Speaker 1: by the way, I promise we promised Nor a coffee

1226
01:07:37,520 --> 01:07:39,320
Speaker 1: mug that she doesn't have to order a coffee mug

1227
01:07:39,400 --> 01:07:44,280
Speaker 1: zact that we're gonna send me stop anybody, if anybody

1228
01:07:44,280 --> 01:07:48,120
Speaker 1: would like a coffee mug. All you gotta do. You

1229
01:07:48,120 --> 01:07:50,360
Speaker 1: don't have to pay for him. All you gotta do

1230
01:07:50,520 --> 01:07:53,040
Speaker 1: what I'm not supposed to know. He's right, listen, if

1231
01:07:53,080 --> 01:07:57,440
Speaker 1: you're from here on out, from here on out, Bill Lawrence.

1232
01:07:57,640 --> 01:08:00,800
Speaker 1: Bill Lawrence brought up a great incentive for making it

1233
01:08:00,880 --> 01:08:04,200
Speaker 1: onto the show. Yeah mug, I think you get a

1234
01:08:04,280 --> 01:08:07,600
Speaker 1: mug da And I'm loving that it's starting with me,

1235
01:08:07,680 --> 01:08:10,280
Speaker 1: So I'm going to be expecting that Joel. I see

1236
01:08:10,360 --> 01:08:14,160
Speaker 1: Joel's signed not forgiving rare mug, but trying, trying, trying

1237
01:08:14,160 --> 01:08:18,040
Speaker 1: to get a mug to India. I see Juell holding

1238
01:08:18,040 --> 01:08:20,080
Speaker 1: your head like, how the funk am I going to

1239
01:08:20,160 --> 01:08:22,280
Speaker 1: India right now? And by the way, by the way,

1240
01:08:22,720 --> 01:08:24,280
Speaker 1: I think it should be a rule, no matter where

1241
01:08:24,280 --> 01:08:26,120
Speaker 1: you're calling from, if you don't get that mug within

1242
01:08:26,160 --> 01:08:32,479
Speaker 1: a week, then you get a second mug. And what wait,

1243
01:08:34,840 --> 01:08:40,479
Speaker 1: I love your name. You know it doesn't work. It's

1244
01:08:40,520 --> 01:08:43,000
Speaker 1: not gonna work with Daniel and freaking Joel and I

1245
01:08:43,000 --> 01:08:46,200
Speaker 1: hold on no, no, no, and then and then used

1246
01:08:46,200 --> 01:08:50,920
Speaker 1: to finish my finished, then finished the mug Zach and

1247
01:08:50,920 --> 01:08:52,920
Speaker 1: then gave you like a five or a six or

1248
01:08:53,040 --> 01:08:56,320
Speaker 1: seven eight mug No no, no, no, no, no, no

1249
01:08:55,800 --> 01:09:05,040
Speaker 1: no no, turn it off. Dan. Right, he thinks he

1250
01:09:05,120 --> 01:09:07,840
Speaker 1: can take control over the show. Dan, I'm going to

1251
01:09:07,920 --> 01:09:09,760
Speaker 1: need the ability. I'm gonna need the ability to be

1252
01:09:09,840 --> 01:09:20,320
Speaker 1: able to mute Bill. Are we sharing your name correct? Nor? Yes,

1253
01:09:20,360 --> 01:09:24,920
Speaker 1: you're saying it all right? Nor? What do you do

1254
01:09:25,000 --> 01:09:27,720
Speaker 1: what she does there? What do you do there in

1255
01:09:27,720 --> 01:09:34,840
Speaker 1: Indian North? She collects mugs from fake doctors. Well that's

1256
01:09:34,840 --> 01:09:36,599
Speaker 1: a bit of a loaded question, but like the short

1257
01:09:36,720 --> 01:09:38,639
Speaker 1: version of that is, I have been a wedding plan

1258
01:09:38,720 --> 01:09:42,160
Speaker 1: of eight years. Uh, and I just recently, as like

1259
01:09:43,120 --> 01:09:46,160
Speaker 1: four weeks ago, stepped out of my company, gave the

1260
01:09:46,160 --> 01:09:48,280
Speaker 1: whole thing to my partner because I am going to

1261
01:09:48,320 --> 01:09:54,519
Speaker 1: be a sustainable farmer. Oh that's oh my god. It's

1262
01:09:54,560 --> 01:09:58,200
Speaker 1: like the documentary did you watch The Biggest Little Farm? Yes?

1263
01:09:58,240 --> 01:10:01,240
Speaker 1: We h So my husband and I have always wanted

1264
01:10:01,280 --> 01:10:05,040
Speaker 1: to retire on a farm and do that whole thing. Uh.

1265
01:10:05,080 --> 01:10:07,720
Speaker 1: And then this, this whole COVID situation has just kind

1266
01:10:07,720 --> 01:10:12,160
Speaker 1: of been like why are we waiting? You know? Good

1267
01:10:12,200 --> 01:10:14,280
Speaker 1: for you? What are you going for you? What are

1268
01:10:14,280 --> 01:10:17,559
Speaker 1: you gonna gonna what are you gonna what? What crop

1269
01:10:17,600 --> 01:10:19,680
Speaker 1: are you going to farm? We're actually going to do

1270
01:10:19,960 --> 01:10:24,120
Speaker 1: uparma culture, which is kind of an ecosystem of like

1271
01:10:24,200 --> 01:10:27,360
Speaker 1: different kinds of things together. Uh. And we're also going

1272
01:10:27,400 --> 01:10:29,800
Speaker 1: to live on on the farm away from the city

1273
01:10:29,800 --> 01:10:33,960
Speaker 1: so that I don't have to deal Um. So yeah, no,

1274
01:10:35,240 --> 01:10:37,840
Speaker 1: nor I missed. I missed. If you said that you've

1275
01:10:37,880 --> 01:10:40,920
Speaker 1: seen this documentary, The Biggest Little Farm, yes we have.

1276
01:10:41,520 --> 01:10:43,559
Speaker 1: I love that documentary so much and if you if

1277
01:10:43,560 --> 01:10:45,679
Speaker 1: you're listening and you haven't seen it, please check it out.

1278
01:10:45,720 --> 01:10:49,240
Speaker 1: It's it's about a couple that that does a version

1279
01:10:49,240 --> 01:10:52,240
Speaker 1: of what Nora is saying, where they create a sustainable farm,

1280
01:10:52,240 --> 01:10:56,200
Speaker 1: and it's so moving and amazing and I really loved it. Yeah,

1281
01:10:56,400 --> 01:10:58,720
Speaker 1: And it was just I think, and my husband and

1282
01:10:58,800 --> 01:11:02,160
Speaker 1: I were in came together with like his family and everything,

1283
01:11:02,520 --> 01:11:04,920
Speaker 1: and we were just and Bombay is a very loud

1284
01:11:05,479 --> 01:11:09,320
Speaker 1: city and during like the whole thing was so quiet

1285
01:11:09,400 --> 01:11:10,920
Speaker 1: and was like we were just like, oh my god,

1286
01:11:10,960 --> 01:11:12,640
Speaker 1: this is amazing. Why don't we have this for our

1287
01:11:12,680 --> 01:11:15,280
Speaker 1: whole lives? And and that's when the conversation started, like

1288
01:11:15,320 --> 01:11:16,960
Speaker 1: you know, you really want to wait ten years and

1289
01:11:17,280 --> 01:11:19,360
Speaker 1: then start and you wanted to do it now, and

1290
01:11:19,400 --> 01:11:22,360
Speaker 1: I was like, why not? Oh well, I wish you

1291
01:11:22,439 --> 01:11:24,800
Speaker 1: the best of luck. That would be so awesome. Bill.

1292
01:11:24,840 --> 01:11:27,479
Speaker 1: Do you think you and Kristen might also start a

1293
01:11:27,520 --> 01:11:31,680
Speaker 1: sustainable farm? Yeah, necessarily think that's in the cards for us.

1294
01:11:33,680 --> 01:11:36,479
Speaker 1: But man, man, man, do I think that's super with

1295
01:11:36,560 --> 01:11:39,320
Speaker 1: the with the sustainable farm, still like a luxury four

1296
01:11:39,360 --> 01:11:42,000
Speaker 1: seasons resort? Is that part of it? Yeah? Bill, you can.

1297
01:11:42,040 --> 01:11:47,720
Speaker 1: You can build a four seasons resort on the farm.

1298
01:11:48,040 --> 01:11:51,360
Speaker 1: That's really cool. That is so cool. Nor, go ahead

1299
01:11:51,400 --> 01:11:53,360
Speaker 1: if you have a question. We were ready to answer,

1300
01:11:53,840 --> 01:11:55,600
Speaker 1: so I have a few, so you can stop me

1301
01:11:55,640 --> 01:11:58,439
Speaker 1: whenever you guys are done answering. Well, the way we

1302
01:11:58,479 --> 01:12:01,280
Speaker 1: get ahead it so I'm gonna start with Bill, just

1303
01:12:01,320 --> 01:12:06,200
Speaker 1: because he's the brains behind the operation. Well, no, thank you,

1304
01:12:06,439 --> 01:12:09,320
Speaker 1: thank you so much for enjoying my podcast. It's really cool.

1305
01:12:10,000 --> 01:12:16,760
Speaker 1: I enjoy your podcast. But think I was talking. I

1306
01:12:16,800 --> 01:12:19,479
Speaker 1: totally I totally imagine that. I totally imagine that in

1307
01:12:19,520 --> 01:12:24,519
Speaker 1: season three of this podcast, Donald, I our guests. You guys, Hey,

1308
01:12:24,560 --> 01:12:26,360
Speaker 1: as long as you guys tell me you can come

1309
01:12:26,400 --> 01:12:31,400
Speaker 1: on whatever you want. Just let me know what's going

1310
01:12:31,400 --> 01:12:35,040
Speaker 1: on what's here? So, so if we were to pick

1311
01:12:35,160 --> 01:12:38,479
Speaker 1: up the show today, um X number of years after

1312
01:12:38,720 --> 01:12:40,720
Speaker 1: it has gone off yet, and we had to pick

1313
01:12:40,800 --> 01:12:43,599
Speaker 1: up from where the boys are today and the whole

1314
01:12:43,600 --> 01:12:46,559
Speaker 1: class is today, But where do you see the show going.

1315
01:12:46,640 --> 01:12:49,000
Speaker 1: Do you think that they'll still be at Sacred Art

1316
01:12:49,160 --> 01:12:51,000
Speaker 1: or do you think that Jade and Turf would go

1317
01:12:51,000 --> 01:12:53,400
Speaker 1: into private practice together? Where do you see like the

1318
01:12:53,439 --> 01:12:56,080
Speaker 1: whole show going? Like, just because there was so much

1319
01:12:56,520 --> 01:12:58,679
Speaker 1: towards the end of season eight, I don't consider season

1320
01:12:58,720 --> 01:13:08,599
Speaker 1: nine in actual season instead whatever whatever that was, there

1321
01:13:08,680 --> 01:13:11,240
Speaker 1: was only one nor. There was only one main difference

1322
01:13:11,320 --> 01:13:19,719
Speaker 1: was recalling a major differences hold up you or both

1323
01:13:19,840 --> 01:13:23,719
Speaker 1: you and Bill were gone, so the magic was gone,

1324
01:13:23,920 --> 01:13:27,760
Speaker 1: the Magic dream Team. I'm answering NER's question because I

1325
01:13:27,800 --> 01:13:29,760
Speaker 1: want to hear Donald Zack's answer to this. So, No,

1326
01:13:30,160 --> 01:13:32,960
Speaker 1: we were talking a lot because everybody always asked Donald

1327
01:13:33,080 --> 01:13:35,000
Speaker 1: Zack and me if we're ever going to reboot the show.

1328
01:13:35,520 --> 01:13:38,640
Speaker 1: And what's really interesting is we've always had opportunities. But

1329
01:13:38,840 --> 01:13:42,360
Speaker 1: everybody on this show a works constantly because they're also

1330
01:13:42,400 --> 01:13:46,200
Speaker 1: super talented and be we see each other on our

1331
01:13:46,240 --> 01:13:48,680
Speaker 1: own because we love each other. So you know, we

1332
01:13:49,000 --> 01:13:51,400
Speaker 1: haven't always been driven to do. Even for me getting

1333
01:13:51,439 --> 01:13:54,040
Speaker 1: to come on this show on Zack and Donald's podcast, Yes,

1334
01:13:54,040 --> 01:13:57,320
Speaker 1: it's theirs. For me, it's such a co opportunity to

1335
01:13:57,360 --> 01:14:00,880
Speaker 1: see two guys I love so Uh. Only recently we've

1336
01:14:00,880 --> 01:14:02,800
Speaker 1: been starting talking about that and thinking about what it

1337
01:14:02,840 --> 01:14:05,840
Speaker 1: would be and with the writers, here's the question for

1338
01:14:05,840 --> 01:14:09,000
Speaker 1: you guys. I think that we think Zach and j

1339
01:14:09,120 --> 01:14:11,599
Speaker 1: D and Turk would always be close, and we think

1340
01:14:11,640 --> 01:14:13,439
Speaker 1: that they would always be of service and that those

1341
01:14:13,479 --> 01:14:16,120
Speaker 1: two were doctors for life. But the one thing that

1342
01:14:16,160 --> 01:14:18,479
Speaker 1: we always got caught up on is when you watch

1343
01:14:18,560 --> 01:14:21,320
Speaker 1: the finale of season eight and Zack's voice j D's

1344
01:14:21,400 --> 01:14:24,639
Speaker 1: voice over says, uh, and who's to say that all

1345
01:14:24,680 --> 01:14:28,120
Speaker 1: these things wouldn't come true just this once? You know?

1346
01:14:28,200 --> 01:14:30,200
Speaker 1: And then as writers we fight. Does that mean that

1347
01:14:30,240 --> 01:14:32,800
Speaker 1: they all came true? Or does that mean that j

1348
01:14:33,040 --> 01:14:35,920
Speaker 1: D is hoping they came true? So that's where we

1349
01:14:35,960 --> 01:14:38,240
Speaker 1: always start. What do you guys think because we always

1350
01:14:38,240 --> 01:14:40,200
Speaker 1: started to go, like we rebooted this, does that mean

1351
01:14:40,200 --> 01:14:42,479
Speaker 1: that j D and Donald's kids ultimately are going to

1352
01:14:42,640 --> 01:14:44,800
Speaker 1: end up together and married like they do in the show.

1353
01:14:45,160 --> 01:14:48,320
Speaker 1: Does that mean that those things actually happened, you know,

1354
01:14:49,400 --> 01:14:52,120
Speaker 1: you know, so uh so I would because to me,

1355
01:14:52,200 --> 01:14:54,080
Speaker 1: that's the trap. Do you think, Zach, do you think

1356
01:14:54,080 --> 01:14:55,759
Speaker 1: that those things that we were showing in the finale

1357
01:14:55,840 --> 01:14:59,080
Speaker 1: were real? Or do you think they were your dreams? Um,

1358
01:14:59,120 --> 01:15:01,759
Speaker 1: that's a question I never been asked, and I'm semi

1359
01:15:01,760 --> 01:15:04,160
Speaker 1: embarrassed to admit that it gave me goose bumps on

1360
01:15:04,479 --> 01:15:09,840
Speaker 1: my arm. But I don't hold anything back from your listeners. Um,

1361
01:15:09,880 --> 01:15:11,880
Speaker 1: I've never been asked that question, Bill, and it's a

1362
01:15:11,880 --> 01:15:15,080
Speaker 1: great question. And I as as as as you were

1363
01:15:15,120 --> 01:15:19,080
Speaker 1: talking about it, I kind of answered it automatically and said, no,

1364
01:15:19,439 --> 01:15:22,679
Speaker 1: that was j D's fantasy of how great life could be.

1365
01:15:23,680 --> 01:15:26,320
Speaker 1: And then I started thinking, and then I started thinking, like,

1366
01:15:26,680 --> 01:15:29,160
Speaker 1: if you brought it back, it might be interesting to

1367
01:15:29,280 --> 01:15:31,720
Speaker 1: show that things had not gone that way at all.

1368
01:15:32,439 --> 01:15:37,440
Speaker 1: And in fact, he's um, they they've all been separated,

1369
01:15:37,479 --> 01:15:40,320
Speaker 1: and they were you know, you know, on this podcast

1370
01:15:40,320 --> 01:15:43,479
Speaker 1: a lot we talked about how we're all living life

1371
01:15:43,520 --> 01:15:47,240
Speaker 1: and and COVID aside happy people and doing the best

1372
01:15:47,280 --> 01:15:50,040
Speaker 1: that we can, but we always talked about how we

1373
01:15:50,080 --> 01:15:53,040
Speaker 1: missed the community of this wonderful thing that happened to us.

1374
01:15:53,040 --> 01:15:56,640
Speaker 1: For nearly a decade, and it made me think that

1375
01:15:56,800 --> 01:16:00,200
Speaker 1: it might be interesting that the characters aren't together. They

1376
01:16:00,240 --> 01:16:03,920
Speaker 1: don't have that special bond and there is some reason

1377
01:16:04,000 --> 01:16:06,479
Speaker 1: that has to bring them together, and and and joy

1378
01:16:06,720 --> 01:16:09,599
Speaker 1: and and community come out of bringing them back together.

1379
01:16:10,680 --> 01:16:13,000
Speaker 1: It's always what's messed us up? Broke? You go, Donald,

1380
01:16:13,479 --> 01:16:15,599
Speaker 1: I I agree with you, Zach. I think I think

1381
01:16:15,640 --> 01:16:17,920
Speaker 1: you're right. I think I think that's a better story.

1382
01:16:18,000 --> 01:16:20,000
Speaker 1: Jony Loves Chachi didn't go that long, you know what

1383
01:16:20,000 --> 01:16:25,599
Speaker 1: I mean? That happy ending of of the kids being

1384
01:16:25,840 --> 01:16:31,040
Speaker 1: the next generation of Turk and j D. But it's

1385
01:16:31,080 --> 01:16:33,960
Speaker 1: a love it's the love story that you know, Turke

1386
01:16:34,000 --> 01:16:37,080
Speaker 1: and j D's love story is a great love story,

1387
01:16:37,120 --> 01:16:40,080
Speaker 1: but this is the actual love story where you know

1388
01:16:41,000 --> 01:16:44,880
Speaker 1: their children are together. I think that's too happy. And

1389
01:16:45,640 --> 01:16:49,160
Speaker 1: where do they fucking hate each other? That would be fine,

1390
01:16:49,640 --> 01:16:52,360
Speaker 1: I think, I know. See. No, that's the problem is

1391
01:16:52,400 --> 01:16:55,400
Speaker 1: that I feel like, you know, people wanted when j

1392
01:16:55,520 --> 01:16:58,880
Speaker 1: D says, who's to say my fantasies couldn't come true? Justice?

1393
01:16:58,960 --> 01:17:01,479
Speaker 1: Once that, you want to believe that next Christmas they

1394
01:17:01,479 --> 01:17:04,160
Speaker 1: were all together, you know, and that they stayed friends.

1395
01:17:04,640 --> 01:17:08,599
Speaker 1: And I think people would be really not happy in

1396
01:17:08,640 --> 01:17:10,360
Speaker 1: a in a bad way. If we came up on

1397
01:17:10,400 --> 01:17:12,280
Speaker 1: a world that they were no longer in each other's lives.

1398
01:17:12,280 --> 01:17:21,880
Speaker 1: So I think that's the immediately, let me clarify what

1399
01:17:21,920 --> 01:17:24,280
Speaker 1: I meant. Then I'm saying j D and Turk are

1400
01:17:24,280 --> 01:17:26,960
Speaker 1: still tight, their kids just don't get along. You know

1401
01:17:27,000 --> 01:17:30,439
Speaker 1: what I mean? Well, I was, I was saying that

1402
01:17:30,520 --> 01:17:33,680
Speaker 1: we can be tight but separated, you know. Um, And

1403
01:17:33,720 --> 01:17:36,720
Speaker 1: I think, Bill, you know this, Bill, you know this

1404
01:17:36,760 --> 01:17:40,519
Speaker 1: better than anything. The audience will often say something two

1405
01:17:40,560 --> 01:17:43,160
Speaker 1: things at once. I remember when I when we screen

1406
01:17:43,200 --> 01:17:46,160
Speaker 1: tested Garden State. They were at the very end. We

1407
01:17:46,200 --> 01:17:50,679
Speaker 1: had a focus group about twenty people. No you weren't

1408
01:17:50,680 --> 01:17:53,559
Speaker 1: at this one, and they said, uh um, they said,

1409
01:17:53,640 --> 01:17:56,160
Speaker 1: how many of you this is random strangers? And they said,

1410
01:17:56,160 --> 01:17:59,640
Speaker 1: how many of you feel like the ending was a

1411
01:17:59,680 --> 01:18:02,280
Speaker 1: little to pat? You know, the two lovers get together

1412
01:18:02,920 --> 01:18:05,920
Speaker 1: in the airport. And I would say like seventy five

1413
01:18:05,960 --> 01:18:09,320
Speaker 1: percent of the hands went up and they said, okay, um, honn,

1414
01:18:09,479 --> 01:18:11,719
Speaker 1: how many of you want them to be together? Every

1415
01:18:11,720 --> 01:18:14,759
Speaker 1: single hand went up. So as the writer, you're trying

1416
01:18:14,800 --> 01:18:18,000
Speaker 1: and writer director, you're trying to balance, like you obviously

1417
01:18:18,000 --> 01:18:21,000
Speaker 1: you want to you want to make the audience happy,

1418
01:18:21,040 --> 01:18:23,639
Speaker 1: but you you also want to subvert what they think

1419
01:18:23,640 --> 01:18:25,400
Speaker 1: they want a little bit, you know what I mean? Bill,

1420
01:18:25,479 --> 01:18:27,639
Speaker 1: you can speak to that because this, well, look, I'm

1421
01:18:27,680 --> 01:18:29,920
Speaker 1: as proud of the writing and directing I did on

1422
01:18:29,960 --> 01:18:35,560
Speaker 1: Garden State as I am of my podcast. Do you

1423
01:18:35,560 --> 01:18:37,080
Speaker 1: want to know? I want to know. I want to know.

1424
01:18:37,120 --> 01:18:39,599
Speaker 1: There another funny story, just just while I'm on the subject.

1425
01:18:39,800 --> 01:18:42,000
Speaker 1: So this is the this is the story that's a

1426
01:18:42,080 --> 01:18:45,640
Speaker 1: total tangent. But in that same test screening, Now, when

1427
01:18:45,720 --> 01:18:47,439
Speaker 1: when you when you test screen a movie in your director,

1428
01:18:47,479 --> 01:18:48,920
Speaker 1: you have to go because you have to see where

1429
01:18:48,920 --> 01:18:51,760
Speaker 1: the audience is laughing, where they're board all everything like that. Now,

1430
01:18:51,760 --> 01:18:54,200
Speaker 1: you would never invite an actor who's in the movie

1431
01:18:54,200 --> 01:18:56,040
Speaker 1: to the test screen because there's gonna be a focus

1432
01:18:56,040 --> 01:18:58,000
Speaker 1: group aft and you never know what they're gonna say.

1433
01:18:58,040 --> 01:18:59,760
Speaker 1: They might say they don't like that actor. You would

1434
01:18:59,800 --> 01:19:02,280
Speaker 1: never subject an actor to that. But as a reading director,

1435
01:19:02,320 --> 01:19:04,200
Speaker 1: you have to be there. So there's a focus group

1436
01:19:04,240 --> 01:19:05,960
Speaker 1: in the front row of the movie theater, twenty people

1437
01:19:06,000 --> 01:19:09,320
Speaker 1: lined up. I'm six rows back with my baseball hat down.

1438
01:19:09,520 --> 01:19:11,760
Speaker 1: I don't want to spoil the sampling and have them

1439
01:19:11,760 --> 01:19:14,639
Speaker 1: know that I'm there, and a girl raises her hand

1440
01:19:14,640 --> 01:19:17,759
Speaker 1: and the moderator calls on on her and she goes, look,

1441
01:19:18,439 --> 01:19:22,320
Speaker 1: kudos to Zach Braff for pulling this off. I just

1442
01:19:22,520 --> 01:19:33,639
Speaker 1: don't find him attractive. And I'm sitting there. I'm sitting

1443
01:19:33,720 --> 01:19:36,519
Speaker 1: there like fighting my fist, like this is the most

1444
01:19:36,760 --> 01:19:39,120
Speaker 1: all the producers were in the in the road with me.

1445
01:19:39,160 --> 01:19:41,439
Speaker 1: They all look over at me like, oh, ship, how

1446
01:19:41,479 --> 01:19:44,160
Speaker 1: did that feel? And I'm like, not great. I'm gonna

1447
01:19:44,920 --> 01:19:52,479
Speaker 1: that that right there is a hater, that's all that is. Look. Look,

1448
01:19:52,720 --> 01:19:56,240
Speaker 1: she started the ship off with kudos to Zach Braff

1449
01:19:56,520 --> 01:20:00,160
Speaker 1: pulling this off, meaning this ship is fired, dude, this

1450
01:20:00,200 --> 01:20:05,439
Speaker 1: ship is fire. But he's an ugly dude. Bullshit, dude.

1451
01:20:05,720 --> 01:20:07,599
Speaker 1: You know what's funny though, this is I'm just thinking

1452
01:20:07,600 --> 01:20:10,519
Speaker 1: this out loud in real time. But this is before

1453
01:20:10,560 --> 01:20:14,000
Speaker 1: like social media went crazy, and this was sort of

1454
01:20:14,400 --> 01:20:17,880
Speaker 1: a live anonymous troll because she doesn't know I'm in

1455
01:20:17,920 --> 01:20:22,600
Speaker 1: the room and she's anonymously trooling me to the moderator.

1456
01:20:23,040 --> 01:20:25,080
Speaker 1: But I have to be there because I'm the director

1457
01:20:25,080 --> 01:20:28,240
Speaker 1: of the fucking movie. Whatever, how do you guys fix

1458
01:20:28,320 --> 01:20:38,760
Speaker 1: that in the movie? How do you fix it? There's

1459
01:20:38,800 --> 01:20:42,400
Speaker 1: got more questions. First of all, I want to say,

1460
01:20:42,400 --> 01:20:48,439
Speaker 1: you're such a fucking dick egg and be and be.

1461
01:20:48,880 --> 01:20:54,240
Speaker 1: We spent a hundred graund and lessened my nose. We

1462
01:20:54,280 --> 01:20:56,640
Speaker 1: brought my We brought my nose. I thought it was

1463
01:20:56,680 --> 01:20:58,920
Speaker 1: the green screen mat. Yeah, we we we we We

1464
01:20:59,160 --> 01:21:01,240
Speaker 1: shot some angle is where my nose looks too big

1465
01:21:02,080 --> 01:21:06,200
Speaker 1: and we wanted to please that one fucking woman. All right, sorry, no, no,

1466
01:21:06,400 --> 01:21:10,000
Speaker 1: I'm sorry, no problem, okay, Zach. My next question is

1467
01:21:10,000 --> 01:21:13,840
Speaker 1: for you, um finally, So you've done a lot of

1468
01:21:13,880 --> 01:21:17,479
Speaker 1: like platfalls and and a lot of like funny falls

1469
01:21:17,600 --> 01:21:20,360
Speaker 1: throughout the lnge time of the show. Which is your

1470
01:21:20,400 --> 01:21:23,200
Speaker 1: favorite to shoot and which is the one that you

1471
01:21:23,240 --> 01:21:26,240
Speaker 1: thought came out best on screen? That's a good qument,

1472
01:21:26,760 --> 01:21:28,720
Speaker 1: that's a good question. I'm gonna cheat a little nore

1473
01:21:29,080 --> 01:21:32,600
Speaker 1: um okay. And and I mean, can I can the

1474
01:21:32,600 --> 01:21:34,800
Speaker 1: scooter one on the Wizard of Oz? Count Bill, I'll

1475
01:21:34,840 --> 01:21:38,920
Speaker 1: let you judge. Yes, yes, just just don't say the

1476
01:21:38,960 --> 01:21:41,679
Speaker 1: string line one where you end up in the garbage stuff.

1477
01:21:41,680 --> 01:21:45,599
Speaker 1: You've said it like two many times on this podcast.

1478
01:21:46,680 --> 01:21:48,840
Speaker 1: You know why nor because that I don't know if

1479
01:21:48,840 --> 01:21:52,240
Speaker 1: you know this, but Zack directed that one do you

1480
01:21:52,280 --> 01:22:00,960
Speaker 1: know this you don't even want to podcast religiously? And Nor,

1481
01:22:04,160 --> 01:22:06,599
Speaker 1: Oh my god, Nor, you're very funny, first of all,

1482
01:22:06,680 --> 01:22:08,680
Speaker 1: and I love the fact that you're you're such an

1483
01:22:08,720 --> 01:22:10,920
Speaker 1: avid listener that you're like, please don't say the one

1484
01:22:10,960 --> 01:22:14,160
Speaker 1: where you zip line because I've heard it not But

1485
01:22:14,280 --> 01:22:15,880
Speaker 1: I mean, we're gonna be so funny when we get

1486
01:22:15,960 --> 01:22:18,960
Speaker 1: deeper into this this series, because we're only on season

1487
01:22:19,000 --> 01:22:22,400
Speaker 1: two and she's one point five and people are already like,

1488
01:22:22,479 --> 01:22:26,280
Speaker 1: please don't tell that story. I can't wait for that

1489
01:22:26,320 --> 01:22:31,120
Speaker 1: episode anyway. Anyway, Nor, I do love that episode. But

1490
01:22:31,160 --> 01:22:35,120
Speaker 1: I have to say the funniest it's technically not a pratfall,

1491
01:22:35,160 --> 01:22:38,120
Speaker 1: I guess, but probably the funniest in Scrubs history. It's

1492
01:22:38,120 --> 01:22:40,519
Speaker 1: what Bill always called our most expensive joke in the

1493
01:22:40,560 --> 01:22:44,920
Speaker 1: history of Scrubs is when the scooter goes into the

1494
01:22:45,040 --> 01:22:49,000
Speaker 1: endless puddle in the Wizard of Oz episode, where where

1495
01:22:49,000 --> 01:22:52,799
Speaker 1: I clearly run into Julian the underground manateee who doesn't

1496
01:22:52,800 --> 01:22:58,920
Speaker 1: exchange pleasantries um because um it involved digging two very

1497
01:22:58,960 --> 01:23:02,120
Speaker 1: deep holes. They were very expensive to build because the

1498
01:23:02,160 --> 01:23:05,519
Speaker 1: city demanded they'd be built to code for safety. Because

1499
01:23:05,520 --> 01:23:08,080
Speaker 1: you can't just throw people in a hole that could collapse.

1500
01:23:10,479 --> 01:23:13,599
Speaker 1: And uh. And as a director of the episode, Uh,

1501
01:23:13,680 --> 01:23:15,840
Speaker 1: we came up with the idea that it would be

1502
01:23:16,080 --> 01:23:18,960
Speaker 1: a wonner, which means we did this elaborate thing where

1503
01:23:18,960 --> 01:23:21,640
Speaker 1: the stunt man is riding the scooter with his with

1504
01:23:21,680 --> 01:23:24,920
Speaker 1: his helmet on into the first puddle. Um, the camera

1505
01:23:25,040 --> 01:23:28,840
Speaker 1: keeps panning. They weren't really connected underground obviously, but it

1506
01:23:28,880 --> 01:23:32,840
Speaker 1: compands to the second pile where I was hiding out underwater.

1507
01:23:33,720 --> 01:23:36,040
Speaker 1: Um and and and and then one of the one

1508
01:23:36,040 --> 01:23:38,720
Speaker 1: of the crew members, with a hammer as hard as

1509
01:23:38,720 --> 01:23:41,519
Speaker 1: he could, banged on the asphalt so I could hear

1510
01:23:41,520 --> 01:23:45,240
Speaker 1: it underground, which meant to pop up um because the

1511
01:23:45,280 --> 01:23:49,400
Speaker 1: camera was on me. And Uh. It was very elaborate,

1512
01:23:49,520 --> 01:23:51,960
Speaker 1: and I still think one of the funniest gags we

1513
01:23:52,040 --> 01:23:54,360
Speaker 1: did on Scrubs. Bill, you might want to talk about it.

1514
01:23:54,960 --> 01:23:58,320
Speaker 1: That is so funny though, because Manatee seemed like the

1515
01:23:58,400 --> 01:24:03,840
Speaker 1: happiest creatures in the the fact that the fact that

1516
01:24:03,840 --> 01:24:06,719
Speaker 1: he wouldn't return pleasant tries, is it what a bit funnier?

1517
01:24:08,960 --> 01:24:16,439
Speaker 1: He was rude? Wait, but Bill, talk about that from

1518
01:24:16,479 --> 01:24:18,920
Speaker 1: the writer's room, because there's no way when you guys

1519
01:24:18,920 --> 01:24:20,680
Speaker 1: thought of that, you could have possibly thought it was

1520
01:24:20,720 --> 01:24:22,439
Speaker 1: going to come out as funny as it did, because

1521
01:24:22,439 --> 01:24:26,120
Speaker 1: I think when we thought of it, the most fun

1522
01:24:26,200 --> 01:24:29,120
Speaker 1: was Randall Winston, who's been on the show and is

1523
01:24:29,400 --> 01:24:31,040
Speaker 1: you know, it's the closest thing I have to a

1524
01:24:31,080 --> 01:24:33,639
Speaker 1: life partner besides my wife. He is the line producer

1525
01:24:33,640 --> 01:24:35,320
Speaker 1: in charge of the budget. And he came to us

1526
01:24:35,320 --> 01:24:38,960
Speaker 1: with the first estimates of how much cost Yes, yes,

1527
01:24:39,080 --> 01:24:42,200
Speaker 1: look at you and uh he uh came to us

1528
01:24:42,200 --> 01:24:44,840
Speaker 1: the first estimates of how much that joke cost, and

1529
01:24:44,880 --> 01:24:46,960
Speaker 1: he said he said it to me in a way

1530
01:24:47,000 --> 01:24:49,439
Speaker 1: that he obviously felt so unfortunately we won't do it.

1531
01:24:49,560 --> 01:24:51,759
Speaker 1: And in my head I was like, yeah, it feels

1532
01:24:51,760 --> 01:24:56,439
Speaker 1: like we should still go for it. And that was

1533
01:24:56,560 --> 01:25:00,400
Speaker 1: only that was only a product of youth, because now

1534
01:25:00,600 --> 01:25:03,080
Speaker 1: I think I would look at it and go, oh man,

1535
01:25:03,200 --> 01:25:05,360
Speaker 1: we could have I guess, I don't know, purchased a

1536
01:25:05,360 --> 01:25:08,400
Speaker 1: small home to give to somebody to live in for

1537
01:25:08,439 --> 01:25:10,920
Speaker 1: the price of a joke, you know, But that's that's

1538
01:25:11,000 --> 01:25:13,360
Speaker 1: movie and TV production, is Zack. I want to give

1539
01:25:13,360 --> 01:25:16,880
Speaker 1: you props because Nora asked one of my favorite falls

1540
01:25:16,880 --> 01:25:18,400
Speaker 1: of all time. I randomly saw it when I was

1541
01:25:18,400 --> 01:25:21,400
Speaker 1: searching for this episode. Do you remember what you did

1542
01:25:21,479 --> 01:25:23,280
Speaker 1: when you were singing a song you made up, going

1543
01:25:23,439 --> 01:25:26,720
Speaker 1: I'm feeling so good today. You know at that they'll

1544
01:25:26,760 --> 01:25:31,880
Speaker 1: feel good, but nobody it's all so My favorite is

1545
01:25:31,880 --> 01:25:35,559
Speaker 1: that Zack decided to click his heels and because that's

1546
01:25:35,680 --> 01:25:37,600
Speaker 1: very hard to do, and then fall flat on his

1547
01:25:37,680 --> 01:25:40,720
Speaker 1: face and get back up. And I've never seen that

1548
01:25:40,760 --> 01:25:42,559
Speaker 1: was in a wonder as well, and it looks so

1549
01:25:42,640 --> 01:25:44,960
Speaker 1: incredibly painful and it's so well done. I would vote

1550
01:25:44,960 --> 01:25:47,080
Speaker 1: for that as well. I want you listeners to know

1551
01:25:47,200 --> 01:25:48,760
Speaker 1: that I will do I would do anything to make

1552
01:25:48,800 --> 01:25:51,760
Speaker 1: you guys laugh. I still go to the chiropractor as

1553
01:25:51,800 --> 01:25:54,240
Speaker 1: often as I can, just because of all those years.

1554
01:25:55,320 --> 01:25:57,880
Speaker 1: Thank you, so I I do it all for my fans.

1555
01:25:58,320 --> 01:26:00,519
Speaker 1: Nor you gotta bring you gotta bring a question Donald's way.

1556
01:26:00,520 --> 01:26:05,400
Speaker 1: Now I'm gonna be honest with you. My favorite pratfall

1557
01:26:06,080 --> 01:26:09,360
Speaker 1: is the one from the episode that Zack directed. I

1558
01:26:09,400 --> 01:26:12,040
Speaker 1: hate to take because of what the dude does. It's

1559
01:26:12,080 --> 01:26:14,880
Speaker 1: a stunt man that does it, but after he hits

1560
01:26:14,880 --> 01:26:17,479
Speaker 1: the wall and how he shakes like a fish in

1561
01:26:17,520 --> 01:26:20,479
Speaker 1: the air is one of the funniest things I've ever

1562
01:26:20,800 --> 01:26:23,000
Speaker 1: I remember when he did it and laughed. I was

1563
01:26:23,120 --> 01:26:26,280
Speaker 1: there the night that happened, and I remember laughing when

1564
01:26:26,320 --> 01:26:29,799
Speaker 1: it happened, and then seeing it on camera and laughing

1565
01:26:29,840 --> 01:26:34,080
Speaker 1: it again at it again. So that's that directed that,

1566
01:26:36,960 --> 01:26:39,280
Speaker 1: by the way, I do have to simultaneously give a

1567
01:26:39,280 --> 01:26:41,400
Speaker 1: shout out to to the many stuff man that that

1568
01:26:41,720 --> 01:26:43,760
Speaker 1: the several stuff man that did it over the years,

1569
01:26:43,760 --> 01:26:46,360
Speaker 1: because there were certain things I I definitely couldn't do

1570
01:26:46,720 --> 01:26:50,080
Speaker 1: or wasn't allowed to do, and um, and these guys

1571
01:26:50,080 --> 01:26:52,640
Speaker 1: were hilarious and Donald Donald was right. I was not

1572
01:26:52,720 --> 01:26:56,240
Speaker 1: allowed to zip line into the wall and line but

1573
01:26:56,280 --> 01:27:00,000
Speaker 1: you didn't zip line into zip line. I wasn't allowed

1574
01:27:00,040 --> 01:27:03,040
Speaker 1: to nail the wall. What you also weren't allowed to

1575
01:27:03,120 --> 01:27:06,400
Speaker 1: drive an actual scooter that had to be weighted down

1576
01:27:06,439 --> 01:27:09,120
Speaker 1: with lead so that you would stay underwater in the

1577
01:27:09,160 --> 01:27:11,559
Speaker 1: first puddle while we went over to the next puddle

1578
01:27:11,560 --> 01:27:13,920
Speaker 1: and you came up. Think about that that stuntman had

1579
01:27:13,920 --> 01:27:15,680
Speaker 1: to hold his breath for the whole shot, for that

1580
01:27:15,760 --> 01:27:18,040
Speaker 1: whole shot, Yeah, because he had to go under with

1581
01:27:18,080 --> 01:27:21,280
Speaker 1: the scooter and stay under No, well, technically, Bill, we

1582
01:27:21,360 --> 01:27:23,000
Speaker 1: panned off of him and then he could, yeah, but

1583
01:27:23,080 --> 01:27:26,080
Speaker 1: not right away. Zach, not right away. But I have

1584
01:27:26,160 --> 01:27:28,760
Speaker 1: to say not to toot my own director horn, but

1585
01:27:28,800 --> 01:27:31,920
Speaker 1: how many directors are directing from underwater in a puddle

1586
01:27:31,920 --> 01:27:34,120
Speaker 1: where you can only here with a hammer on asphalts?

1587
01:27:35,320 --> 01:27:39,720
Speaker 1: All right, all right, nor um um, sure we have another?

1588
01:27:39,920 --> 01:27:44,080
Speaker 1: Should we give her one more? I have what I

1589
01:27:44,120 --> 01:27:46,760
Speaker 1: have one more question? This one is predominant because I've

1590
01:27:46,800 --> 01:27:49,080
Speaker 1: always wondered this at what, like I said of wort

1591
01:27:49,160 --> 01:27:51,280
Speaker 1: Up so many times, and I wanted to get perspective

1592
01:27:51,320 --> 01:27:54,600
Speaker 1: on this. Do you wish that your character had a

1593
01:27:54,680 --> 01:27:57,640
Speaker 1: longer run as a single on the show instead of

1594
01:27:57,640 --> 01:28:05,120
Speaker 1: getting into a committed relationship right off the Yes, yes, yes, yes,

1595
01:28:05,800 --> 01:28:09,479
Speaker 1: for you so much. Yes, um, you know I love

1596
01:28:09,720 --> 01:28:12,000
Speaker 1: I love that Donald has tiptoed around it. And Nora

1597
01:28:12,120 --> 01:28:14,439
Speaker 1: is just like, come on, buddy, be on, come on.

1598
01:28:17,360 --> 01:28:20,439
Speaker 1: Is a beautiful woman. And the connection that she and

1599
01:28:20,479 --> 01:28:23,479
Speaker 1: I have, the chemistry that she and I have is

1600
01:28:23,880 --> 01:28:27,200
Speaker 1: by far the best chemistry I've ever had with any

1601
01:28:27,439 --> 01:28:31,720
Speaker 1: female on on screen, by far. I can, I can

1602
01:28:31,760 --> 01:28:36,120
Speaker 1: go down the list, and nobody has ever been on

1603
01:28:36,160 --> 01:28:41,599
Speaker 1: the level that Judy and I were on Uh, Comma, comma, comma.

1604
01:28:43,160 --> 01:28:47,439
Speaker 1: I do, however, wish that Turk was a single for

1605
01:28:47,560 --> 01:28:52,080
Speaker 1: a little bit by the one and to at least

1606
01:28:52,080 --> 01:28:56,080
Speaker 1: season one and two, it was a proct No, I

1607
01:28:56,080 --> 01:28:58,280
Speaker 1: believe it was a product of youth. And I'll say

1608
01:28:58,280 --> 01:29:00,559
Speaker 1: all the same caveats because Judy is so good on

1609
01:29:00,560 --> 01:29:03,400
Speaker 1: the show and so funny and talented. But I remember,

1610
01:29:04,160 --> 01:29:05,679
Speaker 1: and I might be making this up in my head,

1611
01:29:05,800 --> 01:29:09,960
Speaker 1: but I remember as writers telling Judy early on that

1612
01:29:10,200 --> 01:29:12,120
Speaker 1: Turk and Carla we're gonna be together for the run

1613
01:29:12,200 --> 01:29:14,960
Speaker 1: of the show, and her being like, Oh, that's gonna

1614
01:29:14,960 --> 01:29:17,519
Speaker 1: be cool to have a steady relationship, to be the

1615
01:29:17,560 --> 01:29:20,519
Speaker 1: ones that ground it, to explore what that means, to meet,

1616
01:29:20,600 --> 01:29:23,320
Speaker 1: get married, stay together, have children, to follow that whole arc.

1617
01:29:23,800 --> 01:29:25,479
Speaker 1: And Donald, who was a young man at the time,

1618
01:29:25,520 --> 01:29:27,320
Speaker 1: I do remember kind of telling you that and you're

1619
01:29:27,320 --> 01:29:37,120
Speaker 1: being like, h really, as Amy Smart walks by, like morning,

1620
01:29:37,120 --> 01:29:44,840
Speaker 1: Donald was funny? Um? All right? Now, Now, now you

1621
01:29:44,840 --> 01:29:47,080
Speaker 1: know we have this new segment, since you're an avid

1622
01:29:47,160 --> 01:29:50,160
Speaker 1: fan of the podcast, where uh and Bill is going

1623
01:29:50,240 --> 01:29:52,960
Speaker 1: to join us for the first time for a new

1624
01:29:53,040 --> 01:29:58,000
Speaker 1: segment called fix your Life. Nor It's time to fix

1625
01:29:58,080 --> 01:30:03,920
Speaker 1: your life? All right? Nor? How can we fix your life? Bigger? Small?

1626
01:30:03,960 --> 01:30:05,680
Speaker 1: We're gonna do it right now. You don't need to

1627
01:30:05,720 --> 01:30:07,280
Speaker 1: pay for a therapist. You don't need to pay for

1628
01:30:07,320 --> 01:30:11,240
Speaker 1: a handy man. We got it. Okay. My cat utterly

1629
01:30:11,600 --> 01:30:14,160
Speaker 1: scratches me a lot for no reason, especially at night,

1630
01:30:14,240 --> 01:30:16,599
Speaker 1: especial if I haven't fall asleep by his bedtime. How

1631
01:30:16,640 --> 01:30:19,040
Speaker 1: they get him stop doing that? Okay, I can tell

1632
01:30:19,080 --> 01:30:24,559
Speaker 1: you this one real quick. All right, this is this

1633
01:30:24,640 --> 01:30:27,760
Speaker 1: is this is been a great episode to fix your life.

1634
01:30:27,800 --> 01:30:32,320
Speaker 1: You're welcome. Nor as someone is not a cat person

1635
01:30:32,400 --> 01:30:34,760
Speaker 1: and it's allergic to cats, just get rid of the

1636
01:30:34,800 --> 01:30:39,559
Speaker 1: cat u Nor. I don't know too much about cats.

1637
01:30:39,560 --> 01:30:41,679
Speaker 1: I gotta be honest. I'm more of a dog person,

1638
01:30:41,880 --> 01:30:44,160
Speaker 1: and i've I've I've raised a couple of puppies now,

1639
01:30:44,280 --> 01:30:47,360
Speaker 1: so I have some experience with puppies. I do know.

1640
01:30:48,200 --> 01:30:50,920
Speaker 1: Have you tried now with with puppies. There's a canned

1641
01:30:50,960 --> 01:30:54,320
Speaker 1: air thing that they hate. If you do that canned

1642
01:30:54,320 --> 01:30:57,080
Speaker 1: air noise, They're like, I will never do what you

1643
01:30:57,200 --> 01:30:59,320
Speaker 1: what I just did again if you just promise not

1644
01:30:59,400 --> 01:31:01,920
Speaker 1: to make that can so I would try canned air.

1645
01:31:02,400 --> 01:31:05,600
Speaker 1: Another thing is a water gun. Um you can sometimes

1646
01:31:05,640 --> 01:31:08,759
Speaker 1: I don't. Most most pets do not like getting blasted

1647
01:31:08,760 --> 01:31:11,679
Speaker 1: with the water gun to the face. Also, there's uh,

1648
01:31:11,720 --> 01:31:13,919
Speaker 1: I mean, we've we've made jokes about everything on Scrubs,

1649
01:31:13,960 --> 01:31:16,479
Speaker 1: but there's also this one episode that we did in

1650
01:31:16,479 --> 01:31:19,360
Speaker 1: which Zach goes down a zip line and I think

1651
01:31:19,360 --> 01:31:30,880
Speaker 1: he directed that one. That because now I'm going to

1652
01:31:30,960 --> 01:31:35,200
Speaker 1: be really in my head about about mentioning that episode.

1653
01:31:35,479 --> 01:31:39,639
Speaker 1: I mean, I love it, I love it. My only

1654
01:31:39,680 --> 01:31:41,400
Speaker 1: thing is that I just didn't want you to say

1655
01:31:41,439 --> 01:31:48,000
Speaker 1: that that was your best. Okay, yeah, exactly. I truly

1656
01:31:48,040 --> 01:31:49,720
Speaker 1: believe that if you want to make it so the

1657
01:31:49,760 --> 01:31:58,040
Speaker 1: cat stop scratching you, you gotta get rid of that cat.

1658
01:31:58,280 --> 01:32:01,200
Speaker 1: Donald is joking on behalf of pet lovers everywhere. You're

1659
01:32:01,200 --> 01:32:03,479
Speaker 1: gonna keep that cat, and you're going to tame him.

1660
01:32:03,560 --> 01:32:06,800
Speaker 1: You're going to tame him and yeah, he's awesome. So

1661
01:32:06,920 --> 01:32:10,920
Speaker 1: trying try the pet corrector and or a water gun

1662
01:32:11,200 --> 01:32:14,160
Speaker 1: and uh, And I guarantee you that we have just

1663
01:32:14,920 --> 01:32:20,200
Speaker 1: fixed your life. You're welcome. You're welcome, alright. Nor, it's

1664
01:32:20,200 --> 01:32:23,599
Speaker 1: been an extraordinarily long segment because you've been so darn charming.

1665
01:32:23,600 --> 01:32:25,639
Speaker 1: We thank you so much for coming on the show.

1666
01:32:26,200 --> 01:32:29,040
Speaker 1: Nor come back and report on your life. I think

1667
01:32:29,080 --> 01:32:32,160
Speaker 1: what you're doing is so cool and interesting and um,

1668
01:32:32,920 --> 01:32:35,400
Speaker 1: I bet you these guys would love to hear it.

1669
01:32:35,400 --> 01:32:37,120
Speaker 1: And if you do, it is free mugs for your

1670
01:32:37,120 --> 01:32:43,120
Speaker 1: whole family. And oh my god, I have fifty nine

1671
01:32:43,200 --> 01:32:48,599
Speaker 1: people in my family. Just I understand. I understand Nor Nor.

1672
01:32:48,880 --> 01:32:50,800
Speaker 1: In a year and a half, when the mug that

1673
01:32:50,880 --> 01:33:00,760
Speaker 1: Joel is gonna put in the mail tomorrow, I hope

1674
01:33:00,760 --> 01:33:04,240
Speaker 1: you enjoying your mug. Zac. That mug is gonna arrive

1675
01:33:04,320 --> 01:33:13,200
Speaker 1: with like seventeen thousand absentee ballots in one year from now.

1676
01:33:15,120 --> 01:33:17,559
Speaker 1: Because it's a little true, all right. I just want

1677
01:33:17,560 --> 01:33:19,000
Speaker 1: to say, do you want to thank you so much?

1678
01:33:19,160 --> 01:33:20,680
Speaker 1: If there was no COVID, I would can see you

1679
01:33:20,720 --> 01:33:22,280
Speaker 1: on the mouth because I love you so much making

1680
01:33:22,360 --> 01:33:26,840
Speaker 1: this happened. I got you well getting propositioned. Thank you,

1681
01:33:27,080 --> 01:33:30,479
Speaker 1: Thank you. I ain't gonna I love you guys so much,

1682
01:33:30,640 --> 01:33:41,799
Speaker 1: and give it up for North. What a great movie.

1683
01:33:42,479 --> 01:33:45,360
Speaker 1: By the way, that's the that's the best. Uh. That

1684
01:33:45,520 --> 01:33:49,280
Speaker 1: is the best guest, at least in the ones I've

1685
01:33:49,280 --> 01:33:50,720
Speaker 1: been on here for that I gotten to be a

1686
01:33:50,720 --> 01:33:53,240
Speaker 1: part of. They're all so awesome that she was amazing

1687
01:33:53,439 --> 01:33:56,439
Speaker 1: by the way she she not only was she just fun.

1688
01:33:56,600 --> 01:33:59,720
Speaker 1: But she knew the show so well that she was

1689
01:33:59,760 --> 01:34:03,280
Speaker 1: like she was like saying, please don't reference that episode

1690
01:34:03,360 --> 01:34:12,120
Speaker 1: yet again, which which episode, you guys. It was a

1691
01:34:12,240 --> 01:34:14,320
Speaker 1: very special episode for me because I don't know if

1692
01:34:14,320 --> 01:34:15,640
Speaker 1: you know this, but it was the first time I

1693
01:34:15,680 --> 01:34:19,160
Speaker 1: got to direct. Um. All right, um, hey, Bill, I

1694
01:34:19,200 --> 01:34:21,280
Speaker 1: know that you don't control the movement of the background.

1695
01:34:21,360 --> 01:34:23,960
Speaker 1: That's up to the assistant directors. But I just wanted

1696
01:34:23,960 --> 01:34:27,920
Speaker 1: you to know that in serving as the pharmacists, he's

1697
01:34:27,960 --> 01:34:33,160
Speaker 1: the he's behind the pharmacists counter being the pharmacist. And

1698
01:34:33,240 --> 01:34:37,040
Speaker 1: I don't recall hearing the Beard was the pharmacist. No, no, no,

1699
01:34:37,120 --> 01:34:38,720
Speaker 1: we did. We did. I mean we cut it, but

1700
01:34:38,760 --> 01:34:40,439
Speaker 1: we did some things that he had to cover for

1701
01:34:40,479 --> 01:34:44,200
Speaker 1: the pharmacist. We didn't that Just the one that made

1702
01:34:44,240 --> 01:34:45,960
Speaker 1: me the saddest was I think I went back and

1703
01:34:46,000 --> 01:34:48,520
Speaker 1: watched some guy mopping the air because of you guys,

1704
01:34:48,560 --> 01:34:51,479
Speaker 1: really upset man. And also Bill beard Fusse was also

1705
01:34:51,600 --> 01:34:54,080
Speaker 1: a patient. Reason like Beard Fusse was like the go

1706
01:34:54,240 --> 01:34:56,479
Speaker 1: to for the E d s to be like, uh,

1707
01:34:56,479 --> 01:34:59,720
Speaker 1: it's funny that the guy was a patient Beard Fas say,

1708
01:35:00,400 --> 01:35:03,200
Speaker 1: And now I I was drawn to the background going, Hey,

1709
01:35:03,880 --> 01:35:09,719
Speaker 1: Jeff Stevenson is not the pharmacists guys. Okay, he's Dr

1710
01:35:09,800 --> 01:35:12,679
Speaker 1: beard Face. And as you know, by the way, didn't

1711
01:35:12,720 --> 01:35:17,000
Speaker 1: ever did anybody did give you pause that his name

1712
01:35:17,040 --> 01:35:19,200
Speaker 1: was beard to say, which he's a smart guy, he

1713
01:35:19,240 --> 01:35:21,599
Speaker 1: would read it his beard face, and yet he still

1714
01:35:21,720 --> 01:35:27,280
Speaker 1: chose to have such a big beard. I just think, well,

1715
01:35:27,520 --> 01:35:30,440
Speaker 1: you're gonna shave it after you gave him a character. Dude,

1716
01:35:31,520 --> 01:35:34,519
Speaker 1: you're if in real life your name was beard Face,

1717
01:35:34,640 --> 01:35:36,439
Speaker 1: I would think that you would be very careful about

1718
01:35:36,479 --> 01:35:38,639
Speaker 1: not having a beard. That's what always confused me about

1719
01:35:38,640 --> 01:35:41,960
Speaker 1: that character. Um, I have to say one of the

1720
01:35:42,000 --> 01:35:44,280
Speaker 1: hardest I've left in a couple episodes. I don't know

1721
01:35:44,320 --> 01:35:47,360
Speaker 1: if I'm just giddy tonight or what, but when Ralphie

1722
01:35:47,360 --> 01:35:50,559
Speaker 1: pukes in the elevator on Kelso and all you hear

1723
01:35:50,640 --> 01:35:59,720
Speaker 1: is Kelso coo, good god, the oh you want to know?

1724
01:36:00,120 --> 01:36:01,920
Speaker 1: You want to know a joke piece of trivia, This

1725
01:36:01,960 --> 01:36:05,240
Speaker 1: will so And it's the last little show reference I

1726
01:36:05,240 --> 01:36:06,800
Speaker 1: had other than I thought you. By the way, we

1727
01:36:06,800 --> 01:36:08,840
Speaker 1: always give props to Sarah was great in this, Judy,

1728
01:36:08,880 --> 01:36:12,200
Speaker 1: Johnny C. Christop, but I really did think Donald Zack

1729
01:36:12,320 --> 01:36:13,679
Speaker 1: was fun to come on here for this one, because

1730
01:36:13,680 --> 01:36:16,240
Speaker 1: you Tube both slayed it comedically in this episode. I

1731
01:36:16,280 --> 01:36:19,960
Speaker 1: really thought so. Um and since I still since I

1732
01:36:19,960 --> 01:36:22,519
Speaker 1: need your approval no matter how old I get. UM,

1733
01:36:23,640 --> 01:36:27,519
Speaker 1: that means a lot to me. I mean, it's sincerely.

1734
01:36:27,520 --> 01:36:30,160
Speaker 1: You guys were both funny as as all get out. Uh,

1735
01:36:30,360 --> 01:36:33,080
Speaker 1: the last bit of trivias. So comedy writers always get

1736
01:36:33,120 --> 01:36:35,839
Speaker 1: stuck when they think they're stealing jokes from from themselves

1737
01:36:35,960 --> 01:36:39,080
Speaker 1: or jokes that they've written before. And there was one

1738
01:36:39,880 --> 01:36:44,280
Speaker 1: um in this show that because or a rowdy exists

1739
01:36:44,320 --> 01:36:48,120
Speaker 1: because I saw somebody had a dead stuffed dog when

1740
01:36:48,160 --> 01:36:51,479
Speaker 1: I was younger. I had also written about a dead

1741
01:36:51,560 --> 01:36:57,360
Speaker 1: animal joke on Spin City, which was Richard Kind's character says,

1742
01:36:57,800 --> 01:37:00,559
Speaker 1: because they're going to a morgue to try and get

1743
01:37:01,120 --> 01:37:05,719
Speaker 1: a dead cat because for some weird episode and he

1744
01:37:05,720 --> 01:37:09,400
Speaker 1: he he says, Uh, turns out, um, you know it's weird.

1745
01:37:09,439 --> 01:37:10,760
Speaker 1: I went there and we got it. We put in

1746
01:37:10,760 --> 01:37:12,559
Speaker 1: the car and sneeze. It all turns out I'm not

1747
01:37:12,600 --> 01:37:16,599
Speaker 1: allergic to dead cats. And then Mike Fox says, well,

1748
01:37:17,040 --> 01:37:19,280
Speaker 1: the Mike Fox says, well, then you should definitely get one,

1749
01:37:19,520 --> 01:37:23,639
Speaker 1: and uh, and then on this show we then decided

1750
01:37:23,720 --> 01:37:25,800
Speaker 1: we thought about it for a long time. That Amy Smart,

1751
01:37:25,840 --> 01:37:27,360
Speaker 1: do you know the joke I'm talking about Zack that?

1752
01:37:27,400 --> 01:37:30,840
Speaker 1: She says, Perhaps you remember I came finished the story.

1753
01:37:30,840 --> 01:37:33,719
Speaker 1: The joke doesn't get paid off because Casey's there, forget it.

1754
01:37:33,920 --> 01:37:36,160
Speaker 1: Casey carbs in the building the joke, and this one

1755
01:37:36,200 --> 01:37:38,559
Speaker 1: is Amy Smart says, perhaps he smells my dead dog.

1756
01:37:39,080 --> 01:37:41,639
Speaker 1: So we're also living in a word. You're back, bring

1757
01:37:41,720 --> 01:37:43,840
Speaker 1: it back. I care more about cut that out, cut

1758
01:37:43,840 --> 01:37:51,280
Speaker 1: that out. Thunder supplause, Dan thundersupplause, Ladies and gentlemen. I

1759
01:37:51,280 --> 01:37:56,400
Speaker 1: want you to finally meet the Casey com right. Hi guys, Hi, Hi,

1760
01:37:57,200 --> 01:37:59,120
Speaker 1: case is so good to see you. My wife's gonna

1761
01:37:59,120 --> 01:38:00,640
Speaker 1: be so jealous. I gets say hi do you and

1762
01:38:00,680 --> 01:38:03,040
Speaker 1: she didn't? Oh my god, please give her a big hug.

1763
01:38:03,800 --> 01:38:09,800
Speaker 1: Will I will? This is what a mom slash housekeeper

1764
01:38:09,840 --> 01:38:15,600
Speaker 1: slash teacher slash everything looks like? We are you? You

1765
01:38:15,640 --> 01:38:18,280
Speaker 1: look stunning? Are you? Are you? Are you happy that

1766
01:38:18,400 --> 01:38:20,880
Speaker 1: school started? Or is it more and more and more

1767
01:38:20,960 --> 01:38:24,000
Speaker 1: and more and more work. I'm happy it started because

1768
01:38:24,120 --> 01:38:26,240
Speaker 1: the kids are excited to see their friends and their

1769
01:38:26,360 --> 01:38:30,240
Speaker 1: new teachers. But I mean, I just came up here

1770
01:38:30,280 --> 01:38:32,840
Speaker 1: to pee, and this is the first time I've pissed since.

1771
01:38:38,120 --> 01:38:42,679
Speaker 1: And I have my pajamas on, and Bell was saying

1772
01:38:42,680 --> 01:38:52,679
Speaker 1: we should wife swap. Oh my god, what if Krista

1773
01:38:52,760 --> 01:39:01,440
Speaker 1: could come into this house and and set this one straight? Does?

1774
01:39:02,320 --> 01:39:06,080
Speaker 1: Donald said he was the first we've had. Donald said,

1775
01:39:06,080 --> 01:39:08,160
Speaker 1: you're gonna make the decision based on having a pool

1776
01:39:08,160 --> 01:39:10,559
Speaker 1: over here. He's like, she's gonna be like, there's a

1777
01:39:10,560 --> 01:39:12,599
Speaker 1: pool over there. I've hit over for a few days.

1778
01:39:12,600 --> 01:39:19,280
Speaker 1: They'll never get rid of me. I will do anything. WHOA, Alright, well,

1779
01:39:25,520 --> 01:39:35,799
Speaker 1: this is what a joke to you by my Lanta.

1780
01:39:37,360 --> 01:39:39,839
Speaker 1: All Right, I just wanted to say, hi, I'm being summoned.

1781
01:39:40,000 --> 01:39:43,280
Speaker 1: I'm sure, Okay, we love you. We love you. So

1782
01:39:43,479 --> 01:39:49,000
Speaker 1: nice to finally see you, guys. I know I'm excited.

1783
01:39:49,120 --> 01:39:51,559
Speaker 1: I think she probably gets listen to the podcast. Ever

1784
01:39:51,960 --> 01:39:54,920
Speaker 1: I listened. I listened because you know what, Donald likes

1785
01:39:54,960 --> 01:39:58,080
Speaker 1: to listen to it and make his edits on the

1786
01:39:58,120 --> 01:40:01,439
Speaker 1: loudest volume possible in room of the house where we're

1787
01:40:01,439 --> 01:40:06,479
Speaker 1: all sitting. Week casey. I don't listen to it all

1788
01:40:06,520 --> 01:40:08,360
Speaker 1: the time either, but I'm gonna listen to the this

1789
01:40:08,400 --> 01:40:19,280
Speaker 1: section of this one over and over and over. I

1790
01:40:19,280 --> 01:40:20,840
Speaker 1: think it's good that you. I think it's good that

1791
01:40:20,840 --> 01:40:29,160
Speaker 1: you specified that's Joel and that's Daniel, because um, we're

1792
01:40:29,200 --> 01:40:32,519
Speaker 1: almost She had no idea what their names were. That's

1793
01:40:32,520 --> 01:40:35,120
Speaker 1: why I said that because she does not watch, she

1794
01:40:35,160 --> 01:40:37,400
Speaker 1: does not listen to the podcast, and she has not

1795
01:40:37,479 --> 01:40:39,920
Speaker 1: ever seen an episode of Scrubs. I played an episode

1796
01:40:39,960 --> 01:40:43,000
Speaker 1: of Scrubs once for her and she got teary eyed

1797
01:40:43,000 --> 01:40:44,720
Speaker 1: at the end. She was like, Scrubs is like this.

1798
01:40:45,120 --> 01:40:46,519
Speaker 1: If I would have known this, I would have been

1799
01:40:46,520 --> 01:40:51,920
Speaker 1: watching all these years. Oh my god. Um. I wanted

1800
01:40:51,960 --> 01:40:56,400
Speaker 1: to say that I really related to the idea of

1801
01:40:56,479 --> 01:41:01,120
Speaker 1: the end monologue in this, about the idea of feeling

1802
01:41:01,160 --> 01:41:05,120
Speaker 1: alone even at times when there's a ton of people around.

1803
01:41:05,200 --> 01:41:07,960
Speaker 1: I thought that was a moving bill, and I think

1804
01:41:07,960 --> 01:41:10,160
Speaker 1: that there's a lot of people who can who are listening,

1805
01:41:10,160 --> 01:41:12,680
Speaker 1: who can probably relate to that. Sometimes you're surrounded by

1806
01:41:12,720 --> 01:41:17,400
Speaker 1: people and you still feel super alone and and and lonesome,

1807
01:41:17,600 --> 01:41:19,880
Speaker 1: and you're like, what's wrong with me? And and I

1808
01:41:19,920 --> 01:41:23,240
Speaker 1: think you articulated well, especially with the the visual effect,

1809
01:41:23,479 --> 01:41:25,599
Speaker 1: just sort of a call back to the pilot um

1810
01:41:25,640 --> 01:41:29,080
Speaker 1: that Adam Bernstein directed as well, with people moving all

1811
01:41:29,120 --> 01:41:32,520
Speaker 1: around j D and he's just they're feeling so lonesome,

1812
01:41:32,760 --> 01:41:35,200
Speaker 1: and um, I just thought, I don't know it, just

1813
01:41:35,280 --> 01:41:37,959
Speaker 1: thought it struck me this time is as an emotion

1814
01:41:38,439 --> 01:41:40,040
Speaker 1: and a feeling that a lot of people can probably

1815
01:41:40,080 --> 01:41:41,880
Speaker 1: relate to and think that they were the only one

1816
01:41:41,920 --> 01:41:45,639
Speaker 1: feeling it. Well, look, man, you you hit on two things.

1817
01:41:45,720 --> 01:41:48,040
Speaker 1: One is always I'm glad you gave a shout out

1818
01:41:48,040 --> 01:41:50,559
Speaker 1: to Adam Bernstein because he helped create the look of

1819
01:41:50,600 --> 01:41:54,360
Speaker 1: the show, and he intentionally wanted to do a throwback

1820
01:41:54,400 --> 01:41:57,200
Speaker 1: to the pilot where where the pilot you were overwhelmed

1821
01:41:57,200 --> 01:41:58,759
Speaker 1: and off on your own and the world was zipping

1822
01:41:58,800 --> 01:42:02,360
Speaker 1: around around you, and this one you're lonely even though

1823
01:42:02,360 --> 01:42:04,360
Speaker 1: you're comfortable in that world and all those people are

1824
01:42:04,400 --> 01:42:07,000
Speaker 1: around you, and he intentionally pitched that to do it,

1825
01:42:07,160 --> 01:42:08,760
Speaker 1: you know, kind of the same thing twice in a

1826
01:42:08,800 --> 01:42:11,920
Speaker 1: way that I thought was really cool. But more I

1827
01:42:11,960 --> 01:42:16,680
Speaker 1: was struck by the emotion of this episode, not in

1828
01:42:16,840 --> 01:42:19,400
Speaker 1: terms of being a couple, but in terms of we

1829
01:42:19,479 --> 01:42:23,880
Speaker 1: often talk about in the world right now, but you know,

1830
01:42:23,960 --> 01:42:26,920
Speaker 1: empathy is a big thing, okay, And one of the

1831
01:42:26,920 --> 01:42:30,479
Speaker 1: things that comedy writers will often talk about is joking around.

1832
01:42:30,520 --> 01:42:32,559
Speaker 1: We call it don't know how good you got it disease,

1833
01:42:33,120 --> 01:42:35,479
Speaker 1: you know, which is Hey, if you have a job,

1834
01:42:35,640 --> 01:42:38,719
Speaker 1: every job, even being a comedy writer, which is ultimately

1835
01:42:38,760 --> 01:42:40,400
Speaker 1: the greatest gig in the world and I would do

1836
01:42:40,439 --> 01:42:44,519
Speaker 1: it for free. Um, you still sometimes have crazy hours

1837
01:42:44,520 --> 01:42:46,840
Speaker 1: and tough situations, and you'll find yourself with your co

1838
01:42:46,960 --> 01:42:50,680
Speaker 1: workers complaining and saying like, oh, this part of this

1839
01:42:50,800 --> 01:42:53,800
Speaker 1: job sucks, this part's annoying, this part sucks. But then

1840
01:42:53,840 --> 01:42:57,360
Speaker 1: you don't ever take a moment to go holy crap,

1841
01:42:57,479 --> 01:42:59,519
Speaker 1: especially right now. There's a lot of comedy writers that

1842
01:42:59,520 --> 01:43:01,080
Speaker 1: we get to keep working, you know what I mean,

1843
01:43:01,120 --> 01:43:03,160
Speaker 1: because we're writing shows and trying to get ready in

1844
01:43:03,160 --> 01:43:05,559
Speaker 1: case the world ever opens up again, and you don't

1845
01:43:05,560 --> 01:43:09,080
Speaker 1: always take the time to be empathetic towards the people

1846
01:43:09,120 --> 01:43:11,160
Speaker 1: that don't have it as good as you, you know,

1847
01:43:11,320 --> 01:43:14,519
Speaker 1: And that's not only true when it comes to having

1848
01:43:14,520 --> 01:43:16,920
Speaker 1: found the person you're meant to be with, but right

1849
01:43:16,960 --> 01:43:18,559
Speaker 1: now in the world, man, I don't know why this

1850
01:43:18,600 --> 01:43:21,920
Speaker 1: episode touched me so much. I feel like if people

1851
01:43:22,000 --> 01:43:25,439
Speaker 1: could be a little more empathetic as to what other

1852
01:43:25,479 --> 01:43:28,200
Speaker 1: folks are going through out there, that things would be

1853
01:43:28,280 --> 01:43:31,320
Speaker 1: just a lot clearer and a lot more simple, you know,

1854
01:43:31,560 --> 01:43:35,120
Speaker 1: And uh, that's why I don't. I rarely get choked

1855
01:43:35,160 --> 01:43:37,120
Speaker 1: up at these episodes, but I got choked up at

1856
01:43:37,120 --> 01:43:40,720
Speaker 1: this one because you know, what I was hearing j

1857
01:43:40,920 --> 01:43:44,000
Speaker 1: D say was you fuckers are so caught up in

1858
01:43:44,040 --> 01:43:47,320
Speaker 1: your own pettiness right now. You're not really thinking about

1859
01:43:47,320 --> 01:43:49,519
Speaker 1: how hard it is for other people. And you guys

1860
01:43:49,600 --> 01:43:52,640
Speaker 1: do that all the time on this show and empathize

1861
01:43:52,640 --> 01:43:54,559
Speaker 1: and think about what's going on with them. So it

1862
01:43:54,640 --> 01:43:57,200
Speaker 1: really touched me. Yeah, and I just want to see.

1863
01:43:57,320 --> 01:44:00,800
Speaker 1: The last thing is that, you know, I think this

1864
01:44:00,880 --> 01:44:03,640
Speaker 1: is one of the only times I explained spiking the

1865
01:44:03,720 --> 01:44:06,680
Speaker 1: lens to UM to the audience about how you know,

1866
01:44:06,680 --> 01:44:09,719
Speaker 1: it's usually unless it's done on purpose, like Ferris Bueller's

1867
01:44:09,800 --> 01:44:12,400
Speaker 1: Day Off where the characters talking to you, it's usually

1868
01:44:12,400 --> 01:44:15,360
Speaker 1: something that's edited around because you know, we say there's

1869
01:44:15,360 --> 01:44:18,080
Speaker 1: this invisible fourth wall that's the camera, and we don't

1870
01:44:18,600 --> 01:44:20,880
Speaker 1: we we don't look into the lens because that's the

1871
01:44:20,920 --> 01:44:24,479
Speaker 1: invisible fourth wall. Um. This, I believe is one of

1872
01:44:24,520 --> 01:44:28,479
Speaker 1: the only times where you put me looking directly at

1873
01:44:28,479 --> 01:44:30,800
Speaker 1: the audience. And I remember shooting this. I was I

1874
01:44:30,920 --> 01:44:33,080
Speaker 1: watched it, and I remember, like, you know, we did

1875
01:44:33,120 --> 01:44:34,800
Speaker 1: a bunch of takes where I didn't look I just

1876
01:44:34,880 --> 01:44:37,040
Speaker 1: kind of looked off sad, and then I think I

1877
01:44:37,040 --> 01:44:38,920
Speaker 1: said to Adam, like, let me just do one just

1878
01:44:39,000 --> 01:44:40,479
Speaker 1: for the funk of it, where I just looked directly

1879
01:44:40,479 --> 01:44:43,280
Speaker 1: in the lens, And I was so happy you chose it, Bill,

1880
01:44:43,400 --> 01:44:47,080
Speaker 1: because I it almost felt to me like at this

1881
01:44:47,160 --> 01:44:49,799
Speaker 1: point in the run of the show, at to eighteen

1882
01:44:50,240 --> 01:44:53,240
Speaker 1: of the show, it almost I don't know, I'm maybe

1883
01:44:53,240 --> 01:44:55,800
Speaker 1: I'm reading too much into it, but my interpretation was like,

1884
01:44:56,439 --> 01:44:59,519
Speaker 1: I'm checking in with you, the audience. I've been telling

1885
01:44:59,520 --> 01:45:03,240
Speaker 1: you this story for a season and eight plus eighteen episodes,

1886
01:45:03,920 --> 01:45:06,720
Speaker 1: and I'm really fucking lonesome right now, and I'm doing

1887
01:45:06,760 --> 01:45:08,439
Speaker 1: the best that I can. I can't do this all

1888
01:45:08,479 --> 01:45:11,920
Speaker 1: on my own, quote unquote, but I'm I'm I'm looking

1889
01:45:11,960 --> 01:45:14,280
Speaker 1: at you. I don't know, and you never did it.

1890
01:45:14,439 --> 01:45:17,360
Speaker 1: I don't think we ever again. But I thought it

1891
01:45:17,400 --> 01:45:19,240
Speaker 1: was very I thought it was very moving, and it's

1892
01:45:19,280 --> 01:45:21,040
Speaker 1: me so it's bizarre, but I but I was a

1893
01:45:21,040 --> 01:45:23,200
Speaker 1: bit caught off guard by because it's not a technique

1894
01:45:24,160 --> 01:45:27,479
Speaker 1: you ever did again. We ever did again. No, it

1895
01:45:27,600 --> 01:45:30,000
Speaker 1: was supposed to be you're all like me, because I

1896
01:45:30,040 --> 01:45:32,880
Speaker 1: think the world is filled of I think it's very

1897
01:45:32,920 --> 01:45:38,519
Speaker 1: hard to be a single person, uh, and around married

1898
01:45:38,560 --> 01:45:41,400
Speaker 1: couples and happy couples that are bitching and moaning about

1899
01:45:41,439 --> 01:45:45,160
Speaker 1: whatever trivial thing is making their great couple nous hard,

1900
01:45:45,600 --> 01:45:48,280
Speaker 1: you know what I mean. And so it was definitely

1901
01:45:48,320 --> 01:45:50,720
Speaker 1: an effort to say you're all. The other time we

1902
01:45:50,760 --> 01:45:52,840
Speaker 1: did it, you guys might not remember, is the dumbest

1903
01:45:52,880 --> 01:45:56,320
Speaker 1: joke ever, because we talked about spiking the lens. Was

1904
01:45:56,439 --> 01:45:59,639
Speaker 1: we did an episode in which you said, it doesn't

1905
01:45:59,640 --> 01:46:01,880
Speaker 1: really matter ter what you think. I'm really interested in

1906
01:46:01,920 --> 01:46:07,080
Speaker 1: what America and you look directly at the cat camera,

1907
01:46:07,160 --> 01:46:09,160
Speaker 1: and then we revealed a tailor on the other side

1908
01:46:09,200 --> 01:46:15,400
Speaker 1: at the time guy that says it's not America, that's America. Yeah, yeah,

1909
01:46:15,560 --> 01:46:17,960
Speaker 1: but yes, you are correct. By the way, it's funny

1910
01:46:18,000 --> 01:46:21,679
Speaker 1: that um Donald and I always referenced Beverly Hills Cop

1911
01:46:21,880 --> 01:46:26,559
Speaker 1: and uh, there's a there's a handful of times when

1912
01:46:26,560 --> 01:46:28,760
Speaker 1: any Murphy looks directly in the lens, like are you

1913
01:46:28,800 --> 01:46:31,240
Speaker 1: seeing this ship? And I think that in Beverly Hills

1914
01:46:31,280 --> 01:46:33,760
Speaker 1: cop trading places. Yeah, I'd about to say it's not

1915
01:46:33,760 --> 01:46:37,800
Speaker 1: Beverly Hills Cop is creating places. When the Mortimers say

1916
01:46:37,880 --> 01:46:41,720
Speaker 1: to him, uh, it's pork bellies, which is used to

1917
01:46:41,760 --> 01:46:44,240
Speaker 1: make bacon, which you might find in a bacon, lettuce

1918
01:46:44,360 --> 01:46:52,479
Speaker 1: and tomato sandwich. Looked camel like. He looks like, what

1919
01:46:53,400 --> 01:46:55,880
Speaker 1: doesn't he do it in Beverly Hills Cop or no, no, no, no.

1920
01:46:56,000 --> 01:46:59,639
Speaker 1: Beverly Hills Cop is very much straight. He never breaks

1921
01:46:59,680 --> 01:47:04,840
Speaker 1: the the fourth wall. In My favorite thing in the

1922
01:47:04,880 --> 01:47:07,760
Speaker 1: world is in whenever you see a show or a

1923
01:47:07,800 --> 01:47:10,479
Speaker 1: movie that has a kid that is six or under,

1924
01:47:11,120 --> 01:47:12,920
Speaker 1: you just should go back and watch the scene to

1925
01:47:12,960 --> 01:47:15,000
Speaker 1: see how many times they stare directly at the cameras

1926
01:47:15,000 --> 01:47:18,280
Speaker 1: they can't. Oh man. Ralphie at one point says the

1927
01:47:18,400 --> 01:47:21,720
Speaker 1: line that Cox is saying. He's saying it at the

1928
01:47:21,760 --> 01:47:24,639
Speaker 1: exact same day he's mouthing the lines when you see

1929
01:47:25,080 --> 01:47:29,719
Speaker 1: when you reveal him, it's it's yeah, it's you, Yeah,

1930
01:47:29,720 --> 01:47:32,519
Speaker 1: it's kids. In fact, someone told me, someone wrote on

1931
01:47:32,520 --> 01:47:36,000
Speaker 1: my social media. They wrote, Zack, ever since you've you

1932
01:47:36,000 --> 01:47:38,400
Speaker 1: you describe spiking the lens to me, you've ruined the

1933
01:47:38,520 --> 01:47:42,519
Speaker 1: Grassy High for me, Because they said the teen extras

1934
01:47:42,520 --> 01:47:46,200
Speaker 1: are the team background performers are doing it nonstyle. You know,

1935
01:47:46,320 --> 01:47:48,320
Speaker 1: you want to see something really funny. One of the

1936
01:47:48,320 --> 01:47:51,040
Speaker 1: biggest stars in the world right now is Will Smith.

1937
01:47:51,200 --> 01:47:53,680
Speaker 1: Right watch the first season of The Fresh Prince of

1938
01:47:53,720 --> 01:47:59,439
Speaker 1: bel Air. He's mouthing everyone's lines. See him doing it.

1939
01:47:59,520 --> 01:48:03,519
Speaker 1: You see him saying everyone's lines while they're making the show.

1940
01:48:03,600 --> 01:48:06,000
Speaker 1: So you know, and if you go back and watch that,

1941
01:48:06,040 --> 01:48:09,040
Speaker 1: see if you can find Christa Miller playing a girl

1942
01:48:09,120 --> 01:48:12,760
Speaker 1: that Will Smith hits on and dances with. I can't wait.

1943
01:48:12,760 --> 01:48:14,640
Speaker 1: I'm going to look for that right now, as soon

1944
01:48:14,680 --> 01:48:17,479
Speaker 1: as as soon as this episode is done, I'm going

1945
01:48:17,520 --> 01:48:23,200
Speaker 1: to look and see when Will Smith a lot of things.

1946
01:48:22,280 --> 01:48:25,800
Speaker 1: I think it is done. Donald, we we've done it.

1947
01:48:25,880 --> 01:48:29,360
Speaker 1: We've we've we've celebrated this really good episode. And I'm

1948
01:48:29,360 --> 01:48:32,519
Speaker 1: so glad you were here, Bill, because um, it wasn't

1949
01:48:32,560 --> 01:48:35,160
Speaker 1: just your average episode. It was a particularly good one.

1950
01:48:35,160 --> 01:48:37,560
Speaker 1: I think, Well, it means a lot to me to

1951
01:48:37,600 --> 01:48:41,040
Speaker 1: see YouTube, but to see Daniel and Joel, who I

1952
01:48:41,320 --> 01:48:43,559
Speaker 1: come to enjoy spending time with, and I make all

1953
01:48:43,600 --> 01:48:47,280
Speaker 1: my stupid jokes because I wish that this was my podcast,

1954
01:48:47,320 --> 01:48:49,200
Speaker 1: because I enjoy it and I listened to it. My

1955
01:48:49,240 --> 01:48:52,120
Speaker 1: giant earphones at night every Tuesday and Thursday when it

1956
01:48:52,120 --> 01:48:54,679
Speaker 1: comes out. That's my going to bed thing. I miss

1957
01:48:54,720 --> 01:48:56,920
Speaker 1: you both. I love seeing Casey, I love seeing you

1958
01:48:57,040 --> 01:49:00,120
Speaker 1: for um. I really appreciate getting to be involved in

1959
01:49:00,160 --> 01:49:06,200
Speaker 1: this occasional I guess well. We love you, we love you,

1960
01:49:06,240 --> 01:49:08,400
Speaker 1: and we love all of you. Thank you so much

1961
01:49:08,479 --> 01:49:11,080
Speaker 1: for for continuing to tune in, for those of you

1962
01:49:11,120 --> 01:49:13,840
Speaker 1: who were so interested in the merch and are are

1963
01:49:13,880 --> 01:49:17,040
Speaker 1: pitching the funniest fucking ideas for merch I've ever seen.

1964
01:49:17,280 --> 01:49:18,840
Speaker 1: We will, we will get to it. Donald and I

1965
01:49:18,880 --> 01:49:22,320
Speaker 1: are going to dedicate more bandwidth two putting up merch

1966
01:49:22,439 --> 01:49:24,160
Speaker 1: now that we know. I'm gonna be honest with you.

1967
01:49:24,280 --> 01:49:26,479
Speaker 1: I don't think that I can get I don't think

1968
01:49:26,479 --> 01:49:30,200
Speaker 1: we can get I doc leo on a shirt that's no.

1969
01:49:30,360 --> 01:49:33,559
Speaker 1: But but wait wait, but if you if you love

1970
01:49:33,680 --> 01:49:36,200
Speaker 1: the five six seven eight Bill Lawrence thing, I want

1971
01:49:36,280 --> 01:49:41,760
Speaker 1: you to tweet Zach Zael, not Daniel, Donald, not me.

1972
01:49:42,280 --> 01:49:44,679
Speaker 1: Just tweet Zach that you want to and he's gonna

1973
01:49:44,720 --> 01:49:46,680
Speaker 1: need to hear it a lot for him. You know

1974
01:49:46,720 --> 01:49:48,360
Speaker 1: what I'm gonna you know what I'm gonna make. I'm

1975
01:49:48,360 --> 01:49:51,439
Speaker 1: gonna make a T shirt with Bill's face giant on it,

1976
01:49:51,960 --> 01:49:54,519
Speaker 1: and it's just gonna say five eight across the topic.

1977
01:49:55,439 --> 01:49:58,519
Speaker 1: Already got some of those. If anybody wants one, make them,

1978
01:49:58,520 --> 01:50:03,479
Speaker 1: make them in my Bill's bills, made some at home. Wait,

1979
01:50:03,520 --> 01:50:05,519
Speaker 1: there was something I wanted to say. You just reminded

1980
01:50:05,600 --> 01:50:09,400
Speaker 1: me of Oh this girl on my Twitter she wrote

1981
01:50:09,400 --> 01:50:11,519
Speaker 1: the show, but she sent me the funniest picture Donald.

1982
01:50:11,640 --> 01:50:17,240
Speaker 1: It's it's Leo standing on a dock. Um, and it's um.

1983
01:50:17,280 --> 01:50:20,280
Speaker 1: I think it's from Great Gatsby And he's at the

1984
01:50:20,400 --> 01:50:23,000
Speaker 1: end of his dock, and there's a little rowboat and

1985
01:50:23,000 --> 01:50:26,040
Speaker 1: and the and this woman or young woman wrote, Um,

1986
01:50:26,080 --> 01:50:28,000
Speaker 1: I wish I was good at photoshop because I would

1987
01:50:28,040 --> 01:50:36,280
Speaker 1: put Donald in the rowboat because then you can be

1988
01:50:36,320 --> 01:50:42,840
Speaker 1: talking Leo things that will never make it to a shirt. Well,

1989
01:50:43,479 --> 01:50:45,680
Speaker 1: if if you're if you're at home, you can make

1990
01:50:45,680 --> 01:50:48,880
Speaker 1: your own Donald Docking Leo shirt. Thank you for tuning in.

1991
01:50:49,400 --> 01:50:51,840
Speaker 1: We really appreciate you. And hey, Bill, why don't we

1992
01:50:51,880 --> 01:50:54,200
Speaker 1: go out with another Charlotte Lawrence song? What's what's your

1993
01:50:54,240 --> 01:50:57,200
Speaker 1: favorite song? That's not the one we uh we played

1994
01:50:57,240 --> 01:51:01,320
Speaker 1: since we're limited, but we can celebrate your beautiful honor. Well, okay,

1995
01:51:01,479 --> 01:51:03,880
Speaker 1: one of the cool things that UH were Atlantic is

1996
01:51:03,960 --> 01:51:07,360
Speaker 1: doing is that they released a children's album. My daughter

1997
01:51:07,400 --> 01:51:10,559
Speaker 1: did a song called Lavender's Blue on their UM. It's

1998
01:51:10,600 --> 01:51:12,960
Speaker 1: a bunch of huge recording artists that you will know

1999
01:51:13,320 --> 01:51:17,519
Speaker 1: doing kids songs. It's UH at home with the kids,

2000
01:51:18,200 --> 01:51:21,479
Speaker 1: UH and all the proceeds, one of the proceeds go

2001
01:51:21,520 --> 01:51:23,439
Speaker 1: to Save the Children, which is doing amazing work in

2002
01:51:23,439 --> 01:51:26,360
Speaker 1: a hundred different countries. So this will be a little

2003
01:51:26,439 --> 01:51:30,960
Speaker 1: kid's well bye. But it's called Lavender's Blue by Charlotte Lawrence.

2004
01:51:31,000 --> 01:51:41,920
Speaker 1: No relation bloods creen. When I am king, dy shall

2005
01:51:42,200 --> 01:51:52,680
Speaker 1: be queen touches Solida touches so to hord day to

2006
01:51:53,240 --> 01:52:05,960
Speaker 1: shatal soon call up your let Denny Delly, Send them

2007
01:52:06,200 --> 01:52:13,160
Speaker 1: to look, some to plow Denny Delly, some to the phone,

2008
01:52:14,280 --> 01:52:19,000
Speaker 1: some to make it dey doing, some to come cord

2009
01:52:20,320 --> 01:52:33,480
Speaker 1: while I deally do he keep myself swarm the hinters

2010
01:52:33,720 --> 01:52:39,840
Speaker 1: created to he love Finters Blue. If you love me,

2011
01:52:40,240 --> 01:52:45,960
Speaker 1: Deny Dolly, I will love you. Let the pirs say,

2012
01:52:46,200 --> 01:52:53,080
Speaker 1: dey Dolly and Thelabs play we shall be safety Tilly

2013
01:52:53,320 --> 01:53:05,080
Speaker 1: out of HER's way. I love to this siy doy

2014
01:53:05,360 --> 01:53:11,080
Speaker 1: I have to say, when I am great diy Delli

2015
01:53:11,160 --> 01:53:16,960
Speaker 1: you be my king. You told me so, Dinny del

2016
01:53:17,160 --> 01:53:23,360
Speaker 1: you told me so. I told myself, didy dey, I

2017
01:53:23,720 --> 01:53:24,720
Speaker 1: toy so