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Speaker 1: All right, this is Michael Rapp Report, and you were

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Speaker 1: listening to the I Am Rapp Report podcast. Al Pacino

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Speaker 1: Line of the week. We're going right back to Scarface.

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Speaker 1: There's so many fucking lines from Scarface, which if you

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Speaker 1: didn't know, again, the the the film Scarface was written

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Speaker 1: by director Oliver Stone. A young Oliver Stone wrote the

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Speaker 1: script for Scarface. Um, and it's just I mean ship.

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Speaker 1: The movie speaks for itself. I there's so if you've

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Speaker 1: never seen scar Face, I don't know what to tell you.

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Speaker 1: But the we're gonna do Tony Montana. Late in the film,

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Speaker 1: the pressure is on and uh he kills the guy

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Speaker 1: and uh, you know, he tells them I never fucked

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Speaker 1: anybody over in my life that didn't have it coming

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Speaker 1: to them. You got that. All I have in this

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Speaker 1: world is my bowls and my word, and I don't

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Speaker 1: break them for no one. All right, right there, I

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Speaker 1: could I could stop because that line has been quoted

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Speaker 1: by rappers many, many fucking times. This film has been

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Speaker 1: quoted by rappers, And I wonder how many Scarface name

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Speaker 1: drops have been on on on on on rap albums,

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Speaker 1: hip hop albums, gangster rap albums. Fucking Scarface the Rapper

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Speaker 1: names itself Scarface because of this film jay Z and

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Speaker 1: one of my favorite jay Z songs. He said, scar

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Speaker 1: Face the movie. He did more than Scarface the Rapper

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Speaker 1: to me on Ignorant Ship, him and him and Bennie Seagull.

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Speaker 1: I never fucked anybody over my life that didn't have

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Speaker 1: it coming to them. You got that. All I have

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Speaker 1: in this world is my balls in my world, and

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Speaker 1: I don't break them for no one. You understand that

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Speaker 1: piece of ship up there. I never liked him, I

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Speaker 1: never trusted him. For all I know, he had me

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Speaker 1: set up and had my friend Angel Fernandez killed. But

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Speaker 1: that's history. I'm here, he's not. You want to go

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Speaker 1: on with me? You say you don't, then you make

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Speaker 1: a move. That is the Pacino line of the week,

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Speaker 1: the out Pacino line of the week from the classic

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Speaker 1: film Scarface. It doesn't get any better than that performance

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Speaker 1: that movie. Is so much going on in Scarface. A

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Speaker 1: matter of fact, I'm gonna I'm gonna watch scar Face

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Speaker 1: tonight so I could come back with another Pacino line

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Speaker 1: of the Week from Scarface on the next episode. All Right,

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Speaker 1: this is the I Am Wrappport podcast coming live from

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Speaker 1: the gloom tune many of them. Man. G Moody, Yes,

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Speaker 1: yes we are. You could find us everywhere. You can

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Speaker 1: find us on play it, iTunes, tune in Spotify. If

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Speaker 1: we're not on Spotify yet, we're going to be on

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Speaker 1: Spotify soon. You can find us. Check out the website

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Speaker 1: I am rapp Report dot com. We have a website.

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Speaker 1: We don't sell anything, we don't hawk anything. Okay, Uh,

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Speaker 1: we just are doing it for the love. We're doing

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Speaker 1: it for the people. We we go hardcore, we go

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Speaker 1: raw dog without a bag. It's the I M Rapport pockets.

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Speaker 1: We're not fucking around here. No, okay, we're not fucking

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Speaker 1: around here. No, no, right, G Moody, No, we're not working.

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Speaker 1: We're we're not playing games here and ship okay. Um,

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Speaker 1: so me and me and G. Moody we're being sort of,

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Speaker 1: you know, going back and forth on the past and

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Speaker 1: the current, and you're from something you know that I

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Speaker 1: wanted to ask you about. G. Moody is again and

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Speaker 1: we we can't make any lighthearted thing about the the tragedy.

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Speaker 1: It's just hurts my heart what happened in Charleston, South Carolina.

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Speaker 1: You know you think about that kind of thing and

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Speaker 1: and and that kind of terror and that kind of

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Speaker 1: craziness and that kind of hate and and and and

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Speaker 1: you know, like there's been the debate is it a

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Speaker 1: terrorist crime? Is it a hate crime? You know it's

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Speaker 1: it's it's a crime of insanity. You can't put a

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Speaker 1: finger on these things. It's one thing to say things.

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Speaker 1: It's one thing. But when you are like and that,

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Speaker 1: like like is he crazy? Easy? Easy? Is it into?

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Speaker 1: He's everything? He's every fucking thing, that guy that shot

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Speaker 1: those people in the churches. Everything to try to late.

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Speaker 1: That's the thing about craziness. You can't label it. Just

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Speaker 1: call it that and and and and and and whatever

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Speaker 1: that word means to you. That's what somebody that would

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Speaker 1: do something at that church in South Carolina, or some

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Speaker 1: person that carries out an act of violence like that, horrendous,

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Speaker 1: horrendous violence. It doesn't there's no need to give it up.

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Speaker 1: There's no proper label and arguing over it is is

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Speaker 1: especially someone like this with the ray stuff, like black

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Speaker 1: people are saying it's this, White people are saying it's that.

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Speaker 1: There's no debate, ladies and gentlemen and childre there's no debate.

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Speaker 1: We this is the last thing that people need to

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Speaker 1: uh figure out. This is a horrible, crazy, just hateful,

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Speaker 1: sick person more than anything, is a sick fuck and

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Speaker 1: not in a good way. The sick funk of the

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Speaker 1: week who won UH the award last week, Who's a

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Speaker 1: sick funck but obviously not a murderer. The gentleman uh

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Speaker 1: down in Alabama who he mentioned who was He was

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Speaker 1: raping his dog and people are like, wait, what do

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Speaker 1: you you gotta segue he's a shit sue dogs. She's

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Speaker 1: ten pounds ship suit dog. He was fucking it. And

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Speaker 1: and his wife caught him on videotape because she thought

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Speaker 1: she was he was fucking another woman. Will surprised, surprised,

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Speaker 1: And I wonder if the dog was even female, Like, no,

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Speaker 1: he wasn't sucking a woman. He was actually he was

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Speaker 1: sucking a male dog. That's who you've been living with,

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Speaker 1: Jesus So, so we're not so this South Carolina, but

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Speaker 1: your family is from South Carolina, and and and you

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Speaker 1: you know, you spent a lot of time in South

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Speaker 1: Carolina and Eddie Stow, South Carolina. I've never been down there.

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Speaker 1: And obviously Charleston is a city, but it's close to happen. Okay, So, so,

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Speaker 1: so what did you want to say about South and

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Speaker 1: the Confederate I've never seen a Confederate flag. A Confederate

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Speaker 1: flag is the symbol of slavery. And you have to

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Speaker 1: understand we're in the you're in the South. It's different

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Speaker 1: and perfectly. I think there are some listeners who and

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Speaker 1: I've never been, I've never lived down there. You gotta

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Speaker 1: you gotta understand how you know, they view the black

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Speaker 1: people that they're around. And now you have to understand

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Speaker 1: that from most of our history here we've been owned, right,

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Speaker 1: so in the South, it's it was very like brutal

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Speaker 1: for for black people. So they look at us in

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Speaker 1: the South, not as a full citizen, not as you know,

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Speaker 1: we still have their name, we still have those names, Jackson,

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Speaker 1: Williams Moody me. So they don't look at you as anything.

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Speaker 1: But and that brings me back to what I'm saying,

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Speaker 1: that hatred is woven into the fabric the culture of

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Speaker 1: the United States, full of deine. Judge, the fucking judge

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Speaker 1: on this case. Look at this guy in South Carolina.

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Speaker 1: Uh he he said, the victor are there are nine?

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Speaker 1: Of course there are nine victims on this but this

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Speaker 1: is the right right away, there's maybe some time that's

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Speaker 1: appropriate to acknowledge the family, but the next day to

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Speaker 1: like go out of your way. He says, there are

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Speaker 1: nine victims, and then goes on a three three sent

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Speaker 1: this thing about worrying about this guy's family who apparently

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Speaker 1: obviously the family didn't didn't take the actions. But but

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Speaker 1: but there apparently the father is the one who gave

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Speaker 1: him the gun. Still no reason he there shouldn't be compassionate.

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Speaker 1: But for that judge to go on a diet tribe,

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Speaker 1: diet tribe is that a fucking word, diet tribe. We

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Speaker 1: don't know, we don't know ship. But but for that,

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Speaker 1: but for that judge to to do that just goes

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Speaker 1: to show and and I mean that judge, he's like,

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Speaker 1: that's a white motherfucking guy. That's that's white folks, that's

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Speaker 1: that slave master mentality. Not you. This doesn't apply to you.

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Speaker 1: You know, we don't look at you like that. You know,

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Speaker 1: these are one of our guys. But it happened to you.

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Speaker 1: You see, that's that slave We're in the South, we're

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Speaker 1: in this South. And now they're saying this dude wanted

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Speaker 1: to set off a race war. I mean, there's now

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Speaker 1: they're saying those kinds of and and where am I

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Speaker 1: getting my fucking terrorism? It is that terrorism or is

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Speaker 1: it hate? Or it's terrorism? And because in the history

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Speaker 1: of this country, we have we've had a lot of

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Speaker 1: ship when it was burning churches down and killing folks

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Speaker 1: in churches. This is not unusual, right for United States.

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Speaker 1: It's not against the black citizens. Terrorism likely documentary. I mean,

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Speaker 1: it's it's always terrorism against the black citizens. And and

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Speaker 1: and we're a transracial we consider are we transracial? We

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Speaker 1: can't be. I want to be something you're transracial. I

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Speaker 1: feel like if we consider, if we say we're the

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Speaker 1: first transracial podcast, it could do one just for the podcast.

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Speaker 1: Look what it did for Bruce, And look what it

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Speaker 1: did for fucking Dozel. Like she's got a fucking book

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Speaker 1: deal or something already, reality show, she got two reality

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Speaker 1: shows in the world. Okay, And we're sitting here in

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Speaker 1: the fucking gloom tomb. So I'm saying, if we say

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Speaker 1: we're transracial podcast, let's fucking listen, let's do it. Our

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Speaker 1: viewers won't tell they could be in on a with us,

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Speaker 1: so they can witness me like, yes, we're transracial. Can

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Speaker 1: we can we do something if Dozel what does she

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Speaker 1: have like a hair show? Well, they're offering her all

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Speaker 1: kind of ship. Well they wind up like well BT Bravo, Like,

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Speaker 1: well she she donna want to be on BT. Yeah,

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Speaker 1: she's gonna want to be on NBAS could come with

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Speaker 1: big bucks. But she's like, I'm so black, I'm going

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Speaker 1: I'm so about it, bound it. Yeah, she'll say that

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Speaker 1: in all in the meetings. I'm about about it. Yeah,

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Speaker 1: we're not gonna, we won't bat Yeah, we'll be there,

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Speaker 1: but there. But NBC is offer you fifteen thousand dollars

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Speaker 1: a month more. No, but wait, maybe not understanding you

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Speaker 1: can make more money if you're on NBC. No, that's

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Speaker 1: not for me. That's not for me. That's why I

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Speaker 1: want my people to see my show. Okay, all right.

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Speaker 1: So that was us interviewing Rachel Dozell and why she

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Speaker 1: decided to do her her show on B two as

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Speaker 1: opposed to NBC. So I did this once when I

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Speaker 1: had my young guns Dean Collins and Logan Lerman, and

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Speaker 1: I was trying to think of like some of the

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Speaker 1: dopest ship that we've got to do an experience over

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Speaker 1: the years, So what would be something like me and

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Speaker 1: joall we've set many courtside seats uh for Knicks games,

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Speaker 1: but you know, have we ever went to a good

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Speaker 1: Knicks game? I feel, what what Knicks game do we

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Speaker 1: go to with that was good? Jordan's in eighties six

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Speaker 1: with Okay, but we Jordan's and eighty six with Ice Gervin.

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Speaker 1: We snuck down. There was no one at the game,

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Speaker 1: or there were people at the game, but somehow me

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Speaker 1: and g Moody at the at the garden a masisteron's court.

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Speaker 1: We made it to like the scorer's table, like the

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Speaker 1: reporter's table. We were sitting there and we watched the

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Speaker 1: second half of the game from and it was Jordan's

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Speaker 1: first year or second year, second year, and we watched

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Speaker 1: from from the courtside at the scores. When we watched

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Speaker 1: George Gervin and Michael Jordan playing, well, what do we

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Speaker 1: remember that? Remember that? Right? Yeah? You could smell weed

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Speaker 1: in the garden, like people were smoking weed in the garden,

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Speaker 1: like it was bugged out. But like we watched Jordan

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Speaker 1: and Gervin playing. Gervin was like, oh, Mike was shipping

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Speaker 1: on somebody and George Gervin was like just enjoying it.

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Speaker 1: And we heard George go, oh, don't get yeah, he

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Speaker 1: was he what did he say? He said, don't do it,

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Speaker 1: don't do He was loving watching him playing. George Gervin

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Speaker 1: was at the end of his career, but he was

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Speaker 1: still doing his ship. But we this was Jordan's like,

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Speaker 1: you know, he wasn't super duper star. He had the

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Speaker 1: sneakers and all that ship and we watched that game. Second.

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Speaker 1: I put that as a as an Iron Rappor podcast

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Speaker 1: historical mountin top moment, top moment, What what would be

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Speaker 1: one you would you would pick? I mean when we

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Speaker 1: were do you think of one? But I could just

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Speaker 1: tell you the whole trip. Gerald was with me, from

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Speaker 1: the whole trip of filming Beautiful Girls in Minnesota. And

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Speaker 1: if you never saw that film, it's a movie that

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Speaker 1: I'm in with Natalie Portman, Matt Dylan, Uma Thurman in

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Speaker 1: her prime, Rose o'donnalll Martha Plimpton, Uh ship, there's a

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Speaker 1: Timothy Hutton directed by the late great Ted Demi, and

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Speaker 1: we were out there going fucking nuts in Minnesota. Now,

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Speaker 1: now you could just use your imagination in terms of

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Speaker 1: what we were going on. But let's just say this.

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Speaker 1: I mean we were young. I mean no, not drugs.

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Speaker 1: Me and Moody are not drugs Like. I didn't even

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Speaker 1: I didn't even drink at the time. You don't an

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Speaker 1: I don't drink now. And I've never here's a straight

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Speaker 1: up thing. I've never have you here, I've never tried cocaine.

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Speaker 1: G Moody ever tried cocaine. I would never tried any pills,

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Speaker 1: any Molly's. I don't. I drink rarely on the set

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Speaker 1: of Beautiful Girls. The first time I ever got drunk

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Speaker 1: because a matter of fact, first time I ever drink alcohol.

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Speaker 1: It's a story I'll tell on another episode. But it

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Speaker 1: was with Ted Demi, Matt Dylan, and Timothy Hutton. I'll

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Speaker 1: tell that. So the first time I ever got drunk,

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Speaker 1: And I could tell you the scenes we were shooting

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Speaker 1: and the whole experience of that. But but but so

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Speaker 1: when we say we were going nuts out there, we

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Speaker 1: weren't doing it with drugs. And and Gerald would drink

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Speaker 1: a little bit, but he's not a big, big, big

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Speaker 1: drink um. So usually it's drugs um alcohol and women

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Speaker 1: and and and and that's the part that we were young.

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Speaker 1: We were young. We were like what year was at

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Speaker 1: nine twenties And so we were out there in Minnesota

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Speaker 1: and the women out there were just so friendly. And

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Speaker 1: we were there for like two or three months, and

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Speaker 1: I was working on this movie and it was great.

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Speaker 1: Everything was fantastic. We had this rented apartment somewhere downtown

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Speaker 1: and Minneapolis, and we would go to this club called

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Speaker 1: the Glam Slam which was owned by Prince and and

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Speaker 1: and we would go there a couple of times a

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Speaker 1: weekend and we would be with women and pick him up.

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Speaker 1: This is not strip club, this is a disco like

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Speaker 1: a disco like and they play hip hop and soulo

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Speaker 1: Auntion and the NBA players would come to that club.

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Speaker 1: So the team, the local NBA players, They had j R.

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Speaker 1: Ryder plan for the Timberwolves at that time. Um was

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Speaker 1: KG on that team. Yeah, yeah, I never saw him

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Speaker 1: at the club, but we would see the people from

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Speaker 1: the opposing I remember I met Mitch Richmond. Remember we

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Speaker 1: saw a Mitch Richmond the club. Mitch Richmond, we saw

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Speaker 1: you in the club in Minnesota, and you had on

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Speaker 1: what the fund did you have on? He had on

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Speaker 1: some motherfucking stoned wash. He had a stoned washed Jane suit.

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Speaker 1: And this is when if you were not if you

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Speaker 1: were from New York, Stonewash was the thing of the eighties.

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Speaker 1: So to see Mitch Richmond in the club, and he

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Speaker 1: was one of those barrel chest big motherfucker's. He's about

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Speaker 1: six five, but he was like built like a football player.

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Speaker 1: And I remember seeing Mitch rich in the with a

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Speaker 1: full Stonewah outfit, being like, God damns Mitch. He was

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Speaker 1: with the Kings at the time, right, and he his

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Speaker 1: outfit was so fucked up and at a date as

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Speaker 1: far as I'm but we talked to him, he knew

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Speaker 1: who I was. We were like yo ship like Mitch.

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Speaker 1: Mitch Richmond is Hall of Famer. Mitch Richmond gave Michael

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Speaker 1: Jordan's fits. He was a physical guard. But to see

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Speaker 1: him in the club, there was nothing dope about him

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Speaker 1: other than the fact that he was Mitch Richmond. Because

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Speaker 1: he looked crazy in a in a blue stone wash

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Speaker 1: top to bottom ship. Well, and we so we go

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Speaker 1: to this club. Um, I remember being in a club.

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Speaker 1: Here's a good story. Here's an NBA story. We were

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Speaker 1: hanging out with j R. Rider, Isaiah Rider Slam Dunk

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Speaker 1: Champ winner. I remember it was his birthday. So whenever JR.

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Speaker 1: Rider's birthday is it at midnight? It turned it was

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Speaker 1: Saturday night at midnight. The next day that Sunday was

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Speaker 1: his birthday, and I remember we were in the club

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Speaker 1: Tull three thirty in the morning with j R. Ryder

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Speaker 1: at the Glam Slam and again the women out there

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Speaker 1: were just just just just fucking phenomenal, nice women. And

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Speaker 1: I had never seen white girls with asses like they had.

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Speaker 1: What listen, I don't know if they still have it,

293
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Speaker 1: but there was white girls with fat asses, hormond milk

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Speaker 1: fed and they were like in the club with fat.

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Speaker 1: I remember we saw that for the That's why I

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00:16:25,240 --> 00:16:26,840
Speaker 1: saw it, like you would see it every now and

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Speaker 1: then in New York and l A. But it was

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Speaker 1: like consistent, was like, you know, these girls have fat

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Speaker 1: as not Kardashian fat, like real, real, real asses. But

300
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Speaker 1: that night we were in the club with with J.

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Speaker 1: Ryder until three thirty in the morning, celebrating his birthday.

302
00:16:42,520 --> 00:16:44,440
Speaker 1: And the next day they had a twelve thirty or

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00:16:44,480 --> 00:16:48,440
Speaker 1: one thirty game and he hit forty three. I saw that,

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Speaker 1: and I was like this motherfucker. We left the club

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00:16:50,720 --> 00:16:53,400
Speaker 1: at three thirty and he was still in the club. Damn.

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00:16:53,800 --> 00:16:57,120
Speaker 1: J R. Ryder was a motherfucker. And and then Christian

307
00:16:57,200 --> 00:16:59,760
Speaker 1: later they played for that Minnesota Timberwolves team, and I

308
00:16:59,760 --> 00:17:01,640
Speaker 1: saw him like Hecko with a fan and like kind

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00:17:01,680 --> 00:17:03,360
Speaker 1: of getting a fan's face, like we'd go to the

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00:17:03,400 --> 00:17:05,800
Speaker 1: games and ship like. That was a good time making

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00:17:05,800 --> 00:17:08,080
Speaker 1: that movie Beautiful Girls. We had a lot of fun

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00:17:08,200 --> 00:17:10,800
Speaker 1: out there making that movie beautiful So because so go ahead,

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00:17:10,800 --> 00:17:15,120
Speaker 1: I asked you, um about mountaintop moments or some ship

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00:17:15,240 --> 00:17:18,720
Speaker 1: like we said, Jordan's watching Jordan's making Beautiful Girls. Go ahead,

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Speaker 1: just going to Union Square and seeing all the you know,

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00:17:24,320 --> 00:17:28,760
Speaker 1: burgeoning hip hop seeing come out articulate what Union Square was.

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Speaker 1: It was a club in Manhattan in Union Square, Yeah,

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Speaker 1: and it was hip hop club and people from Brooklyn

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00:17:38,720 --> 00:17:41,760
Speaker 1: all over the Five Burns would come there just chill

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Speaker 1: hip hop. No no, no, no, no, not chill you.

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Speaker 1: It was at nighttime and and and it would be

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Speaker 1: and they didn't serve alcohol in the club. So that's

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Speaker 1: why we went there when we were I was fifteen,

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Speaker 1: you were sixteen, and and and but the things they

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00:17:56,440 --> 00:18:00,359
Speaker 1: were also grown ups grown man and grown ass women.

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00:18:00,600 --> 00:18:02,639
Speaker 1: It was just like but not like growing like thirty,

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Speaker 1: like twenty five, big strong motherfucker's with like side burns

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00:18:06,520 --> 00:18:09,560
Speaker 1: and ship and real women like they were in there

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00:18:09,600 --> 00:18:13,160
Speaker 1: and ship with teenagers. I don't know why we got

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Speaker 1: in there, but the first time we went to Union Square,

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00:18:15,800 --> 00:18:17,879
Speaker 1: there was a line down the block. And and I

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Speaker 1: hate to make this like my badge of honor because

333
00:18:19,880 --> 00:18:22,040
Speaker 1: it's really not. I'm just trying to paint a picture.

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00:18:22,080 --> 00:18:24,920
Speaker 1: I was the only white person in the club besides

335
00:18:25,119 --> 00:18:27,919
Speaker 1: mc search and I remember, but when we got out there,

336
00:18:27,960 --> 00:18:30,840
Speaker 1: like we were at this club there was motherfucker's from Brooklyn,

337
00:18:30,880 --> 00:18:35,520
Speaker 1: the Bronx, Harlem Queens like it was. It was Motherfucker's

338
00:18:35,520 --> 00:18:38,560
Speaker 1: were there to put people were getting robbed. Somebody tried

339
00:18:38,600 --> 00:18:41,159
Speaker 1: to literally one time in there, tried to dig my

340
00:18:41,200 --> 00:18:43,959
Speaker 1: fucking pockets. They put their hand in my people. They

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00:18:43,960 --> 00:18:46,960
Speaker 1: got what then are you doing? We saw women get

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00:18:47,000 --> 00:18:51,320
Speaker 1: their fucking eerie snatched every week like Brooklyn, not just once,

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00:18:51,640 --> 00:18:54,719
Speaker 1: you see it multiple times in one night. And they

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00:18:54,760 --> 00:18:57,320
Speaker 1: were playing like and Red Alert DJ. Red Alert would

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00:18:57,320 --> 00:18:59,520
Speaker 1: be in there, DJ, and who did who did anyone else? DJ?

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00:18:59,680 --> 00:19:02,159
Speaker 1: In there? We just saw Red Red was the one.

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00:19:02,160 --> 00:19:03,880
Speaker 1: I mean, there had to be other DJs, but DJ

348
00:19:04,720 --> 00:19:07,240
Speaker 1: and we we you know, you'd see like rappers in

349
00:19:07,280 --> 00:19:09,119
Speaker 1: there and she like, you'd see Big Daddy. Can you

350
00:19:09,200 --> 00:19:11,240
Speaker 1: see bis Market? And they wouldn't be there was no

351
00:19:11,359 --> 00:19:14,199
Speaker 1: v I P. You'd be amongst them. It was crazy.

352
00:19:14,200 --> 00:19:16,000
Speaker 1: And then and then the same thing with Latin Cords.

353
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Speaker 1: Latin Cord is the same club that it's been around

354
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Speaker 1: for years, and then if it had a hip hop

355
00:19:20,560 --> 00:19:23,040
Speaker 1: night on a Saturday night, and and and this is

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Speaker 1: the Latin Cords if you may have heard a bit

357
00:19:24,800 --> 00:19:28,240
Speaker 1: more recently, because that's the club where Plexico Burris walked

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Speaker 1: into the club with his gun and his sweapons and

359
00:19:30,640 --> 00:19:39,520
Speaker 1: shot himself. You dumb, dumb fuck Flaxico Burus, You dumb

360
00:19:39,600 --> 00:19:42,080
Speaker 1: fuck you. He's like he's in the mirror at home

361
00:19:42,240 --> 00:19:44,399
Speaker 1: when I get in the club, fucking things up and

362
00:19:44,400 --> 00:19:46,240
Speaker 1: then he isn't gonna do ship to me and then

363
00:19:46,280 --> 00:19:49,639
Speaker 1: you shoot yourself. Who did we say, made Plexico Bursts

364
00:19:49,680 --> 00:19:53,760
Speaker 1: look like a fucking road scar? Oh right, right, Aarona

365
00:19:53,880 --> 00:19:58,080
Speaker 1: Nandez makes Plexico Burst look like the guy who fucking

366
00:19:58,160 --> 00:20:02,720
Speaker 1: invented ice cream? You're so I mean, I mean obviously

367
00:20:02,760 --> 00:20:05,960
Speaker 1: they're you're sick, but but dumb factors into it. Yeah,

368
00:20:06,000 --> 00:20:07,800
Speaker 1: you gotta, you can't, you can't leave that out. But so,

369
00:20:07,880 --> 00:20:09,600
Speaker 1: but when we would go to this club, I remember

370
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Speaker 1: being in the club one that I saw this with

371
00:20:11,960 --> 00:20:15,760
Speaker 1: my own eyes in Land Quarters. Well, first of all,

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Speaker 1: we would see Salt and Pepper in there when they're

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Speaker 1: Salt and Pepper arrest one and the club wasn't big,

374
00:20:23,000 --> 00:20:24,800
Speaker 1: so after they got off stage, you'd be in there.

375
00:20:24,800 --> 00:20:29,440
Speaker 1: It's like right there and we're in fifteen sixteen, like yeah,

376
00:20:29,640 --> 00:20:32,320
Speaker 1: there's no picture taking because no one has, but you'd

377
00:20:32,320 --> 00:20:34,359
Speaker 1: be in there. I remember getting like having like like

378
00:20:34,359 --> 00:20:37,080
Speaker 1: a Coca Cola with Salt and Pepper and like talking

379
00:20:37,080 --> 00:20:39,959
Speaker 1: to the Finesse and Saint Quiss remember them. They were

380
00:20:39,960 --> 00:20:43,080
Speaker 1: on Uptown label. I was like, I got her number.

381
00:20:43,280 --> 00:20:45,960
Speaker 1: That was like a huge fucking deal. It was it

382
00:20:46,040 --> 00:20:49,080
Speaker 1: Finesse or Quiz, you know. I got her number. She

383
00:20:49,160 --> 00:20:51,400
Speaker 1: was from Queens. I don't remember her name. I don't

384
00:20:51,400 --> 00:20:53,840
Speaker 1: I don't think it was. And she gave me her

385
00:20:53,840 --> 00:20:55,800
Speaker 1: phone number in the club and it was like as

386
00:20:55,840 --> 00:21:00,879
Speaker 1: if you know, I found twentys like getting her number.

387
00:21:00,920 --> 00:21:03,240
Speaker 1: She gave me her number first of all, it's hard

388
00:21:03,320 --> 00:21:05,800
Speaker 1: enough to get anyone's number at that time. You're sixteen,

389
00:21:05,840 --> 00:21:07,760
Speaker 1: you don't know how to talk. I was probably fifteen.

390
00:21:07,800 --> 00:21:10,040
Speaker 1: I probably just got my first piece of ass, like

391
00:21:10,080 --> 00:21:12,639
Speaker 1: a year ago. But you're in there with women and

392
00:21:12,840 --> 00:21:16,080
Speaker 1: like Finescence a question. They were in that uptown with

393
00:21:16,080 --> 00:21:20,080
Speaker 1: with Heavy d and Aaron Horrell and who else was

394
00:21:20,119 --> 00:21:22,920
Speaker 1: in that video Anyway, they were. They were a group

395
00:21:22,960 --> 00:21:26,080
Speaker 1: that had a couple of songs Finescencing Quiz and I

396
00:21:26,119 --> 00:21:29,840
Speaker 1: got I got her fucking phone number, and I never

397
00:21:29,840 --> 00:21:31,760
Speaker 1: closed the deal. We never hooked out. She probably, like

398
00:21:31,760 --> 00:21:33,919
Speaker 1: I just wasn't. She was probably a kid too, but

399
00:21:33,960 --> 00:21:35,840
Speaker 1: we would be in there. I remember seeing this with

400
00:21:35,920 --> 00:21:39,800
Speaker 1: my own eyes. A huge fight broke out, and this

401
00:21:39,880 --> 00:21:41,240
Speaker 1: is the last time I went there, you know. I

402
00:21:41,240 --> 00:21:43,439
Speaker 1: actually I went there again afterwards, but this is one

403
00:21:43,480 --> 00:21:46,000
Speaker 1: of the last times because the fights were so fucking bad.

404
00:21:46,280 --> 00:21:49,320
Speaker 1: And this is right after Howard Beach, so you I

405
00:21:49,359 --> 00:21:51,520
Speaker 1: would see crazy Ship and I was like a white

406
00:21:51,560 --> 00:21:54,160
Speaker 1: dude in this coming. I was the the I again, Hey,

407
00:21:54,320 --> 00:21:56,159
Speaker 1: this isn't a badge of honor, but I was the

408
00:21:56,240 --> 00:21:58,679
Speaker 1: only white motherfucker in the club. Sometimes used to go

409
00:21:58,760 --> 00:22:00,320
Speaker 1: and I'd be like, yo, I'm not going Yeah, I

410
00:22:00,400 --> 00:22:03,320
Speaker 1: go by myself at a certaple King's Son. I remember

411
00:22:03,359 --> 00:22:07,680
Speaker 1: remember King so he love yo. King's Son got me

412
00:22:07,720 --> 00:22:09,280
Speaker 1: in the Latin quarters when I when they were front

413
00:22:09,320 --> 00:22:10,680
Speaker 1: on me. And then when I ran in the King's

414
00:22:10,720 --> 00:22:13,919
Speaker 1: Son about five years ago, he remembered getting because he

415
00:22:14,520 --> 00:22:17,080
Speaker 1: and he this one King's son. He walked around with

416
00:22:17,119 --> 00:22:19,320
Speaker 1: that like we're going deep into some hip hop ship.

417
00:22:19,760 --> 00:22:21,440
Speaker 1: Like yo, if you don't know who these people are

418
00:22:21,480 --> 00:22:24,400
Speaker 1: looking up like I'm not trying to be exclusive at all, Like, Yo,

419
00:22:24,440 --> 00:22:27,600
Speaker 1: we're going into deep. I wanted everyone to understand, like

420
00:22:27,640 --> 00:22:29,720
Speaker 1: we're painting. I hope I'm painting a good enough picture

421
00:22:29,720 --> 00:22:31,360
Speaker 1: of it, because we're not trying to be like we're

422
00:22:31,400 --> 00:22:34,600
Speaker 1: so cool, because we we we we were just telling

423
00:22:34,600 --> 00:22:36,840
Speaker 1: you experience. But I remember I saw a huge fight

424
00:22:37,280 --> 00:22:41,480
Speaker 1: breakout and and and I remember I was standing right

425
00:22:41,600 --> 00:22:43,520
Speaker 1: next to he was on the left of me, Scott L.

426
00:22:43,640 --> 00:22:46,359
Speaker 1: Rock and and in front of me, I saw a dude.

427
00:22:46,560 --> 00:22:48,800
Speaker 1: I swear on my kids, I saw a dude pull

428
00:22:48,800 --> 00:22:52,399
Speaker 1: out of his sheepskin jacket a machete like a sword.

429
00:22:52,680 --> 00:22:54,520
Speaker 1: And when we saw that, I was like, oh, ship,

430
00:22:54,600 --> 00:22:57,040
Speaker 1: and I fucking left, and you'd walk down the steps,

431
00:22:57,119 --> 00:22:59,840
Speaker 1: probably the same flight of steps that Plexico Bird shot himself.

432
00:22:59,840 --> 00:23:01,919
Speaker 1: And what does Plexico burst would have shot himself in

433
00:23:01,920 --> 00:23:06,040
Speaker 1: the dick. He's like, he didn't shoot his dick anyway.

434
00:23:06,280 --> 00:23:08,399
Speaker 1: So I walked down the stairs, and I needed my

435
00:23:08,440 --> 00:23:10,239
Speaker 1: coat because it was winter, and you would check your

436
00:23:10,240 --> 00:23:11,920
Speaker 1: coat because you don't want to be he's hot in

437
00:23:11,960 --> 00:23:14,240
Speaker 1: the club. I think it was a mandatory checking, except

438
00:23:14,240 --> 00:23:16,600
Speaker 1: for the guy with the sheep skin. He obviously didn't

439
00:23:16,640 --> 00:23:18,560
Speaker 1: check his coat because he took out of machete. And

440
00:23:18,560 --> 00:23:22,040
Speaker 1: then when I came down, somebody tried to bash a

441
00:23:22,119 --> 00:23:25,480
Speaker 1: bottle over the person next to me head and then

442
00:23:25,520 --> 00:23:27,520
Speaker 1: it busted on their shoulder and the glass got on me.

443
00:23:27,680 --> 00:23:31,440
Speaker 1: So now like talk about bitching out, Like I'm like,

444
00:23:31,840 --> 00:23:35,480
Speaker 1: my body's shaking. My body is literally shaking. So I'm

445
00:23:35,480 --> 00:23:38,840
Speaker 1: in the corner carran cower ring with a woman, a girl,

446
00:23:39,280 --> 00:23:41,720
Speaker 1: the girl where I'm fifteen. I'm sixteen at this point.

447
00:23:42,000 --> 00:23:46,359
Speaker 1: I'm sixteen years old, so soft and and and I

448
00:23:46,400 --> 00:23:49,600
Speaker 1: had no business being in here. I'm cowering in the corner.

449
00:23:49,760 --> 00:23:53,119
Speaker 1: So finally that little ruckus stops and me and the

450
00:23:53,119 --> 00:23:55,479
Speaker 1: girl get up we don't know each other. It's like

451
00:23:55,560 --> 00:24:01,359
Speaker 1: it's like we're under attack. It's like literally being under attack.

452
00:24:01,720 --> 00:24:04,520
Speaker 1: And I go to go downstairs. This might be this,

453
00:24:04,520 --> 00:24:06,240
Speaker 1: This is the second flight of steps. Maybe this is

454
00:24:06,280 --> 00:24:09,760
Speaker 1: the one where Plexico Burr's you dumb fuck you shot himself.

455
00:24:09,920 --> 00:24:12,000
Speaker 1: And I swear, with my own two eyes, I saw

456
00:24:12,000 --> 00:24:15,480
Speaker 1: a guy get out of a car with a revolver

457
00:24:15,560 --> 00:24:18,520
Speaker 1: and go boom boom boom. I saw that with my

458
00:24:18,560 --> 00:24:20,639
Speaker 1: own fucking I just went out to go hear some

459
00:24:20,680 --> 00:24:24,919
Speaker 1: fucking music. You told me that the next day. You know,

460
00:24:24,960 --> 00:24:27,399
Speaker 1: it fucked me up. So I saw that with my

461
00:24:27,480 --> 00:24:32,159
Speaker 1: own fucking eyes. Now I'm sixteen. That's fucking insane. This

462
00:24:32,240 --> 00:24:35,760
Speaker 1: is happening in Times Square in Manhattan, and I'm seeing this.

463
00:24:35,760 --> 00:24:38,200
Speaker 1: This is not something I heard about, Like I am

464
00:24:38,200 --> 00:24:40,879
Speaker 1: fucking seeing this. Who but I mean, it was crazy.

465
00:24:40,920 --> 00:24:43,280
Speaker 1: But we would see Stetsi Sonic in the club where

466
00:24:43,280 --> 00:24:46,560
Speaker 1: you'd be amongst him. I remember they first dropped public Enemy,

467
00:24:46,600 --> 00:24:51,760
Speaker 1: Public Enemy number one. They were like, damn Stetzis Sonic

468
00:24:51,840 --> 00:24:54,400
Speaker 1: had a show. Well, what do you remember about being

469
00:24:54,400 --> 00:24:56,640
Speaker 1: in those clubs? Like what is like the little ship?

470
00:24:56,720 --> 00:25:01,479
Speaker 1: You remember trying to keep your ass safe nobody fun

471
00:25:01,600 --> 00:25:03,840
Speaker 1: with you. Nobody yet that was always a big thing.

472
00:25:04,720 --> 00:25:08,840
Speaker 1: Don't wander off. And then but when we first went

473
00:25:08,880 --> 00:25:13,639
Speaker 1: in there, man from Brownsville and then were safe. What

474
00:25:13,760 --> 00:25:18,640
Speaker 1: was his name, Kylie Right, I said, we're good, yeah, klife.

475
00:25:19,560 --> 00:25:21,920
Speaker 1: He held us down, he held us week. People gotta

476
00:25:22,000 --> 00:25:24,960
Speaker 1: understand we're little kids. We're little kids, and you're a

477
00:25:24,960 --> 00:25:27,720
Speaker 1: little kid with a little white kid who's probably gotta

478
00:25:27,760 --> 00:25:30,480
Speaker 1: like I have a nice jacket on. Yeah, yeah, like

479
00:25:30,560 --> 00:25:33,879
Speaker 1: the jacket is like, you're not leaving with the jacket like,

480
00:25:34,240 --> 00:25:38,800
Speaker 1: motherfucker's like see that people went there to rob people, anybody,

481
00:25:38,800 --> 00:25:40,600
Speaker 1: He'll tell you who was in these guds. They went

482
00:25:40,680 --> 00:25:43,640
Speaker 1: there to rob. The Bronx was no fucking joke either.

483
00:25:43,920 --> 00:25:47,480
Speaker 1: Brooklyn was known. They are known for going to the

484
00:25:47,520 --> 00:25:52,040
Speaker 1: club to do that. Hence brook Biggie Small saying that

485
00:25:52,200 --> 00:25:58,040
Speaker 1: Brooklyn bullshit. We on it. That's what that means. Yeah,

486
00:25:58,200 --> 00:26:01,280
Speaker 1: and now Brooklyn gentle fight. I wonder if that Brooklyn

487
00:26:01,280 --> 00:26:03,639
Speaker 1: bullshit exists, not that it should. See I'm not like

488
00:26:03,680 --> 00:26:05,480
Speaker 1: one of these guys in the city and be like, oh,

489
00:26:05,520 --> 00:26:07,000
Speaker 1: the old days are better, because there's a lot of

490
00:26:07,000 --> 00:26:10,040
Speaker 1: things about the old days that were sucking up, okay,

491
00:26:10,080 --> 00:26:13,160
Speaker 1: But I wonder if like the Williamsburg crew like from

492
00:26:13,160 --> 00:26:15,760
Speaker 1: that show girls like that, like like the hipsters are

493
00:26:15,760 --> 00:26:19,679
Speaker 1: they on that Brooklyn bullshit? Hipsters are on that Brooklyn bullshit?

494
00:26:20,359 --> 00:26:22,440
Speaker 1: It's over all right? So what else do you remember see?

495
00:26:22,440 --> 00:26:26,000
Speaker 1: Who do you remember seeing performing there? We saw a

496
00:26:26,040 --> 00:26:29,440
Speaker 1: care Rest through the bridges over like I think three

497
00:26:29,520 --> 00:26:31,800
Speaker 1: or four times in a row. But when he first debuty,

498
00:26:32,359 --> 00:26:34,240
Speaker 1: it was when the bridge is over when the video

499
00:26:34,359 --> 00:26:37,800
Speaker 1: was shot. Yes, we were there. Motherfucker's were when they

500
00:26:37,800 --> 00:26:42,879
Speaker 1: would play that fucking song in the club d motherfucker's

501
00:26:43,359 --> 00:26:46,240
Speaker 1: would go nuts and then they would mix the bridges

502
00:26:46,280 --> 00:26:48,720
Speaker 1: over with South Bronx. I'm surprised the fucking placed in

503
00:26:49,359 --> 00:26:53,080
Speaker 1: riot and it was like that really, like is Brooklyn

504
00:26:53,080 --> 00:26:55,560
Speaker 1: in the house? Is the Bronx in the house when

505
00:26:55,640 --> 00:26:58,200
Speaker 1: cares wants and then they would be like his Queen's

506
00:26:58,240 --> 00:27:01,760
Speaker 1: and that like eruption, every place would be. You know,

507
00:27:01,800 --> 00:27:06,399
Speaker 1: where do you remember Staaten Island being mentioned was mentioned

508
00:27:06,480 --> 00:27:10,520
Speaker 1: until Wu Tang. Staten Island was not mentioned. No disrespect

509
00:27:10,520 --> 00:27:13,840
Speaker 1: to anybody from Staten Island, but they but it wasn't

510
00:27:13,880 --> 00:27:15,720
Speaker 1: mentioned like it would be as Brooklyn in the House

511
00:27:16,000 --> 00:27:18,480
Speaker 1: is the bronx in the house is Queen's in the house,

512
00:27:19,040 --> 00:27:22,360
Speaker 1: is uptown in the house, right am I forgetting any

513
00:27:22,400 --> 00:27:24,960
Speaker 1: Maybe they'll say long Island, Long Island in the house.

514
00:27:25,200 --> 00:27:27,920
Speaker 1: It would be rowdy. We saw a chick we were

515
00:27:27,800 --> 00:27:30,280
Speaker 1: we went to go see. We didn't go see like

516
00:27:30,320 --> 00:27:32,040
Speaker 1: they would just perform. We didn't know what the funk

517
00:27:32,119 --> 00:27:37,240
Speaker 1: was going on. A female MC Sparky D. What was

518
00:27:37,320 --> 00:27:39,840
Speaker 1: her her famous song? She was aded? She was under

519
00:27:39,920 --> 00:27:45,240
Speaker 1: d J Rennoler point seven. I got an attitude that's

520
00:27:45,240 --> 00:27:47,919
Speaker 1: antoinette that I don't know the song off the top

521
00:27:47,960 --> 00:27:52,880
Speaker 1: of my head of but but we were watching her perform.

522
00:27:53,080 --> 00:27:55,560
Speaker 1: Me Gerald now this I think this was eight seven.

523
00:27:56,240 --> 00:27:59,439
Speaker 1: We were watching her perform and I remember saying to

524
00:27:59,520 --> 00:28:03,120
Speaker 1: this funk guy, now we're kids, you know, I feel hot.

525
00:28:03,119 --> 00:28:06,280
Speaker 1: He's like, yo, just chilling, non salant. I'm like, yo,

526
00:28:06,320 --> 00:28:10,480
Speaker 1: I feel hot. Nothing. I get fucking nothing. The next

527
00:28:10,520 --> 00:28:12,560
Speaker 1: thing you know, I wake up in a bathroom and

528
00:28:12,600 --> 00:28:15,520
Speaker 1: people are throwing water on me. I fainted in the

529
00:28:15,520 --> 00:28:18,600
Speaker 1: club wall. Sparky D was on the fucking stage and

530
00:28:18,640 --> 00:28:21,800
Speaker 1: they had to like carry me and carge to the bathroom.

531
00:28:21,800 --> 00:28:23,800
Speaker 1: I thought I gotten beat up or something, and and

532
00:28:24,119 --> 00:28:25,679
Speaker 1: you're like, why would you think that, because it was

533
00:28:25,680 --> 00:28:28,400
Speaker 1: a reality. We would see people get the ship, be out,

534
00:28:30,000 --> 00:28:35,720
Speaker 1: people skint their faces, slashed, girls getting their earrings pulled

535
00:28:35,720 --> 00:28:38,840
Speaker 1: out of their ear, not just one time at night.

536
00:28:38,960 --> 00:28:40,560
Speaker 1: I have to explain. It wasn't just like oh I

537
00:28:40,600 --> 00:28:44,520
Speaker 1: saw that once. That was like every weekend. That's a

538
00:28:44,640 --> 00:28:48,920
Speaker 1: disturbing thing to see. And the party, the turntable still rocket.

539
00:28:49,200 --> 00:28:52,360
Speaker 1: They never stopped. They didn't think about stopping, and it

540
00:28:52,480 --> 00:28:55,080
Speaker 1: was never a consideration of the the music and to stop.

541
00:28:55,480 --> 00:28:57,960
Speaker 1: No if it was like I was like fucking drag

542
00:28:58,000 --> 00:29:00,760
Speaker 1: them out and then like like keep it going. They

543
00:29:00,920 --> 00:29:03,880
Speaker 1: keep it going. We should get mc Search on this ship.

544
00:29:03,920 --> 00:29:05,840
Speaker 1: And we saw a Search. We saw Search. He had

545
00:29:05,880 --> 00:29:08,040
Speaker 1: the eight ball jacket on the high top fade and

546
00:29:08,080 --> 00:29:11,400
Speaker 1: the class. I saw him many times. He when we

547
00:29:11,480 --> 00:29:14,240
Speaker 1: first met during z Brand like we knew each other

548
00:29:14,280 --> 00:29:16,640
Speaker 1: because I knew him. I knew him before he was

549
00:29:16,720 --> 00:29:18,520
Speaker 1: Michael Search. I knew him as that white dude who

550
00:29:18,600 --> 00:29:21,200
Speaker 1: was in the club and he was yeah he was

551
00:29:21,240 --> 00:29:23,880
Speaker 1: doing all that ship and he knew me, Like you

552
00:29:23,880 --> 00:29:25,520
Speaker 1: you had to like see that that's the only other

553
00:29:25,560 --> 00:29:28,800
Speaker 1: white motherfucker in the club, and Search is a Jewpiri

554
00:29:29,000 --> 00:29:31,880
Speaker 1: just like me. So so so we were in there

555
00:29:31,920 --> 00:29:35,480
Speaker 1: and ship so alright, so so one more moment, like

556
00:29:35,600 --> 00:29:39,840
Speaker 1: we were like, oh ship. When I came out here

557
00:29:40,160 --> 00:29:43,600
Speaker 1: for the first time when I was fourteen, Yeah, me

558
00:29:43,720 --> 00:29:46,920
Speaker 1: coming from Brooklyn to be visited you in Los Angeles,

559
00:29:46,960 --> 00:29:49,040
Speaker 1: and and we have been. We would go to the

560
00:29:49,080 --> 00:29:52,600
Speaker 1: improvisation the Comedy Club Man and we used to see

561
00:29:53,400 --> 00:29:58,080
Speaker 1: uh fucking Keenan Ivory Wayne Way when they was like

562
00:29:58,360 --> 00:30:00,520
Speaker 1: but when they were just regular comics. We watch someone

563
00:30:00,600 --> 00:30:05,640
Speaker 1: stage and ship. Yeah at the improv, Robby Williams. Many

564
00:30:05,640 --> 00:30:08,160
Speaker 1: times we would see Robin Williams at the club. And

565
00:30:08,160 --> 00:30:11,600
Speaker 1: we're kids. We're seeing many, many, many times up on

566
00:30:11,680 --> 00:30:13,960
Speaker 1: stays late at night. There'll be six or seven people

567
00:30:13,960 --> 00:30:20,920
Speaker 1: in there. Bill Bill maher Ronnie Dangerfield, Uh, Jerry Seinfeld,

568
00:30:21,280 --> 00:30:23,720
Speaker 1: Larry David. Remember we would see Larry David and there

569
00:30:23,760 --> 00:30:26,400
Speaker 1: he was just a regular comic at the improv. Johnny

570
00:30:26,440 --> 00:30:29,040
Speaker 1: Carson that was like the big to Jay Leno. We

571
00:30:29,040 --> 00:30:32,360
Speaker 1: would see in there, George Wallace all the fucking time,

572
00:30:32,880 --> 00:30:35,719
Speaker 1: Fucking Bill Mark. Yeah, man, that fucked me up because

573
00:30:35,800 --> 00:30:40,320
Speaker 1: I'm from the Project, so I didn't expect for that

574
00:30:40,680 --> 00:30:45,280
Speaker 1: and and this is when seeing stars, Uh, Bruce Willis.

575
00:30:45,280 --> 00:30:47,560
Speaker 1: We when Bruce Willis was on moonlighting, he was at

576
00:30:47,560 --> 00:30:49,880
Speaker 1: the Improv and we were there like, you know, chilling

577
00:30:49,920 --> 00:30:54,360
Speaker 1: and ship because my sister, her stepfather, was one of

578
00:30:54,400 --> 00:30:56,640
Speaker 1: the owners of the That's why we had the access.

579
00:30:56,640 --> 00:30:59,479
Speaker 1: So we were in there late at night, inappropriate hours

580
00:30:59,520 --> 00:31:03,200
Speaker 1: and ship. Cool J call cool J came to the

581
00:31:03,240 --> 00:31:06,040
Speaker 1: Improv when he was l O cool J Radio when

582
00:31:06,040 --> 00:31:08,240
Speaker 1: the album Radio, and he was like and we saw

583
00:31:08,320 --> 00:31:11,920
Speaker 1: him there. We were like, oh shit, fuck man, who

584
00:31:11,960 --> 00:31:14,280
Speaker 1: who did you ever see Eddie Murphy in there? No?

585
00:31:14,960 --> 00:31:16,640
Speaker 1: I remember I saw him in there once. I was like,

586
00:31:16,840 --> 00:31:19,720
Speaker 1: we saw Anthony Michael Hall in there when he's like

587
00:31:19,760 --> 00:31:22,480
Speaker 1: Weird Science Breakfast Club Anthony Michael I think he was.

588
00:31:22,760 --> 00:31:26,560
Speaker 1: He was on that ship back then. Yeah, yeah, yeah,

589
00:31:26,600 --> 00:31:29,160
Speaker 1: so yeah, that was crazy. We have a do we

590
00:31:29,200 --> 00:31:33,160
Speaker 1: have that Bruce Willis photo? You have it, the photo

591
00:31:33,160 --> 00:31:35,360
Speaker 1: of me you will and we have to try to

592
00:31:35,400 --> 00:31:37,920
Speaker 1: find that and post that ship. We have a picture

593
00:31:37,960 --> 00:31:40,560
Speaker 1: will post from from being at the Improv in eight five.

594
00:31:40,920 --> 00:31:43,440
Speaker 1: Because the Iron Rapports podcast and and and and the

595
00:31:43,560 --> 00:31:45,280
Speaker 1: and the and the Michael Rapp Report, I hate to

596
00:31:45,280 --> 00:31:48,000
Speaker 1: talk about myself but our relationship me and g Moo

597
00:31:48,080 --> 00:31:51,040
Speaker 1: Moody relationship, it goes back. That's why you can't funk

598
00:31:51,040 --> 00:31:56,200
Speaker 1: with the Iron Rapp podcast. American Giants sponsors the Iron

599
00:31:56,280 --> 00:32:00,640
Speaker 1: Rapp Report Podcast. Go to American hyphen Giant dot com.

600
00:32:00,960 --> 00:32:05,360
Speaker 1: Check it out. T shirts, sweatshirts, American made, American manufactured,

601
00:32:05,960 --> 00:32:11,840
Speaker 1: really good quality soft rugged hoodies, sweatpants, all of it.

602
00:32:11,920 --> 00:32:16,480
Speaker 1: American Giant dot Com, American hyphen Giant dot Com. The

603
00:32:16,560 --> 00:32:20,000
Speaker 1: slogan for American Giant that we created this American Giant

604
00:32:20,160 --> 00:32:25,640
Speaker 1: Clothing champion. Can't funk with this ship? Uh this the

605
00:32:25,720 --> 00:32:29,080
Speaker 1: Iron Rapport pockets. Well what else? Mr Moody. Uh, you know,

606
00:32:29,120 --> 00:32:32,200
Speaker 1: we can't get into the whole history of Moody and Rappaport.

607
00:32:32,560 --> 00:32:34,480
Speaker 1: We don't. We can't go to all those things. I

608
00:32:34,520 --> 00:32:37,640
Speaker 1: wish those footage of how good Gerald was in basketball,

609
00:32:38,040 --> 00:32:42,720
Speaker 1: Like this motherfucker could play ball, like this guy could

610
00:32:42,720 --> 00:32:44,600
Speaker 1: play like he played with the best, like he was

611
00:32:44,640 --> 00:32:46,280
Speaker 1: at that level. I just don't. I think it came

612
00:32:46,320 --> 00:32:48,400
Speaker 1: to ease like you never thought about, like taking it

613
00:32:48,440 --> 00:32:51,240
Speaker 1: to the next level. But gee, Moody, the name ring

614
00:32:51,360 --> 00:32:53,200
Speaker 1: bells for a short period of time in New York

615
00:32:53,200 --> 00:32:56,239
Speaker 1: he played with Kenny Anderson. Who else? Wait, let's go

616
00:32:56,280 --> 00:32:59,600
Speaker 1: back to Kenny Anderson. Kenny Anderson, let's talk about kill

617
00:32:59,840 --> 00:33:01,680
Speaker 1: the first All right, when was the first time you

618
00:33:01,720 --> 00:33:03,640
Speaker 1: saw Kenny Anderson. Kenny Anderson If you don't know, he

619
00:33:03,720 --> 00:33:06,880
Speaker 1: is former NBA player, considered the best high school basketball

620
00:33:06,880 --> 00:33:09,720
Speaker 1: player and he played he's the same age as us.

621
00:33:10,040 --> 00:33:12,400
Speaker 1: I met Kenny Anderson when I was twelve and he

622
00:33:12,480 --> 00:33:15,720
Speaker 1: was eleven playing ball and he was a lot better

623
00:33:15,760 --> 00:33:21,760
Speaker 1: than me. I saw him in the Madison Square Boys

624
00:33:21,760 --> 00:33:25,120
Speaker 1: Clubs Boys Cup on the East side of Manhattan. First time.

625
00:33:25,440 --> 00:33:28,400
Speaker 1: I'm coming from Brooklyn. I'm thinking, I'm pretty good. See

626
00:33:28,440 --> 00:33:31,400
Speaker 1: this fucking little kid like we would see him low

627
00:33:32,000 --> 00:33:35,320
Speaker 1: low chop Chuck Taylors. No, no, I don't think I

628
00:33:35,320 --> 00:33:38,480
Speaker 1: saw him play with me. You know, he bust my

629
00:33:38,560 --> 00:33:41,080
Speaker 1: ask with low top Chuck Taylor. And maybe they were

630
00:33:41,160 --> 00:33:43,360
Speaker 1: high top Chuck Taylors, Kenny, You'd have to verify what

631
00:33:43,440 --> 00:33:45,680
Speaker 1: you played, but they were Chuck Taylor and they weren't

632
00:33:45,720 --> 00:33:48,600
Speaker 1: Chuck Taylors like, Oh, I'm rocking Chuck Taylors like yo.

633
00:33:48,760 --> 00:33:50,960
Speaker 1: That was like the sneakers he had and he was

634
00:33:51,000 --> 00:33:53,520
Speaker 1: on some ship Yo. So for me to see him

635
00:33:53,960 --> 00:33:56,920
Speaker 1: dribble with both hands, both balls like that Steph Curry

636
00:33:56,960 --> 00:33:59,320
Speaker 1: ship step the ship you see Steph Curry doing, Kenny

637
00:33:59,360 --> 00:34:02,960
Speaker 1: Anderson was doing that ship was left. That's real talk.

638
00:34:03,240 --> 00:34:06,160
Speaker 1: He was like a fucking freak, Like he had a ball,

639
00:34:06,880 --> 00:34:09,680
Speaker 1: like he had the total control of a basketball. Twelve

640
00:34:09,760 --> 00:34:12,239
Speaker 1: years old, you knew he was gonna Like you knew.

641
00:34:13,200 --> 00:34:15,280
Speaker 1: You knew it twelve And they're like, what do you mean? Like, Yo,

642
00:34:15,520 --> 00:34:18,319
Speaker 1: you knew at twelve years old, Kenny Anderson was gonna

643
00:34:18,360 --> 00:34:21,600
Speaker 1: play professional basketball like it was known. Like he was

644
00:34:21,719 --> 00:34:24,640
Speaker 1: that good? Does that make sense you? Like you knew

645
00:34:25,200 --> 00:34:30,920
Speaker 1: he was. I saw him. He's like a professional. Especially

646
00:34:30,960 --> 00:34:32,799
Speaker 1: he was like a professional, like he handled the ball

647
00:34:32,840 --> 00:34:37,560
Speaker 1: like a professional basketball. Fucked my head up and Gerald

648
00:34:37,640 --> 00:34:40,719
Speaker 1: was really good. It always big. When I saw him,

649
00:34:41,200 --> 00:34:44,319
Speaker 1: I went back to Brooklyn. I was like, Yo, I'm

650
00:34:44,360 --> 00:34:46,960
Speaker 1: not what I thought I would. I played him one

651
00:34:47,000 --> 00:34:48,920
Speaker 1: on one, and I remember I would play dudes one

652
00:34:48,920 --> 00:34:51,120
Speaker 1: on one because I was left handed. I was tall,

653
00:34:51,400 --> 00:34:53,719
Speaker 1: and being lefty at that age is in advantage because

654
00:34:53,719 --> 00:34:56,480
Speaker 1: it's hard. I had never lost the one on one

655
00:34:56,560 --> 00:34:59,160
Speaker 1: I played one on one with Kenny Anderson that motherfucker

656
00:34:59,520 --> 00:35:02,160
Speaker 1: bust my asked, and he used his right hand, which

657
00:35:02,200 --> 00:35:04,279
Speaker 1: was his weekend after he played his signam will use

658
00:35:04,360 --> 00:35:07,040
Speaker 1: my left, And I was like, oh fuck. It was

659
00:35:07,080 --> 00:35:09,680
Speaker 1: like no, no, no, it was like I knew, like,

660
00:35:09,760 --> 00:35:13,160
Speaker 1: you know, this guy was on another fucking you know,

661
00:35:13,239 --> 00:35:16,200
Speaker 1: and then you'd see him play Kenny Anderson in high school,

662
00:35:16,320 --> 00:35:19,000
Speaker 1: like you'd hear about him. It was like there wasn't

663
00:35:19,000 --> 00:35:21,719
Speaker 1: like YouTube, there wasn't Internet ship, but you here, like

664
00:35:21,760 --> 00:35:24,000
Speaker 1: he he was here, he scored fifty, he played here,

665
00:35:24,000 --> 00:35:25,600
Speaker 1: and then he played another game in the same day.

666
00:35:25,600 --> 00:35:28,000
Speaker 1: There was like a few people were talking about Keny,

667
00:35:28,040 --> 00:35:29,399
Speaker 1: but like you know, there was a few people you'd

668
00:35:29,400 --> 00:35:33,320
Speaker 1: hear about that, obviously Lloyd Daniels, but Kenny Anderson. Watching

669
00:35:33,400 --> 00:35:36,480
Speaker 1: him play, it was fucking crazy. And it wasn't just

670
00:35:36,520 --> 00:35:38,919
Speaker 1: that he was good. There was no dunking. It wasn't

671
00:35:38,960 --> 00:35:41,360
Speaker 1: like he was a freak athlete like he was super tall.

672
00:35:41,520 --> 00:35:45,360
Speaker 1: He wasn't particularly fast, like he was quick and he

673
00:35:45,360 --> 00:35:47,640
Speaker 1: you know, he had but it was like he just

674
00:35:47,719 --> 00:35:49,680
Speaker 1: had a skill set, like he wasn't like you know,

675
00:35:49,719 --> 00:35:51,960
Speaker 1: one of these thirteen year old like you watch footage

676
00:35:51,960 --> 00:35:54,240
Speaker 1: of Lebron He's dunking and ship like that, her Corless

677
00:35:54,239 --> 00:35:57,480
Speaker 1: Williams dunking at thirteen and breaking it back like he

678
00:35:57,560 --> 00:36:01,680
Speaker 1: was our size skating. He was just on another level.

679
00:36:01,719 --> 00:36:04,200
Speaker 1: I played on a fucking team with him. Yo, that

680
00:36:04,320 --> 00:36:06,560
Speaker 1: was you know. He came in the game and it

681
00:36:06,640 --> 00:36:08,680
Speaker 1: was like he only played a few minutes because I

682
00:36:08,680 --> 00:36:10,160
Speaker 1: think he was young. I don't know why I didn't

683
00:36:10,160 --> 00:36:11,799
Speaker 1: play the whole game. He was the best player in

684
00:36:11,840 --> 00:36:15,520
Speaker 1: the fucking Like if Kenny Anderson was in a three vicinity,

685
00:36:15,560 --> 00:36:18,160
Speaker 1: he was to guarantee the best player in three jamal vicinity.

686
00:36:18,440 --> 00:36:21,560
Speaker 1: And we're talking about New York City. When there's Malik Seeley,

687
00:36:21,640 --> 00:36:25,880
Speaker 1: there's older dudes, there's Poco Scurry, there's Poco Screen Carlton,

688
00:36:26,120 --> 00:36:32,080
Speaker 1: Carlton Screen PC, There's there's b J. Carver getting so

689
00:36:32,120 --> 00:36:35,080
Speaker 1: many like you know, I mean, there's there's guys like

690
00:36:35,160 --> 00:36:37,560
Speaker 1: Gerald that don't have a nickname like there's and he

691
00:36:37,600 --> 00:36:41,640
Speaker 1: was the man among boys at fifteen. He was the

692
00:36:42,239 --> 00:36:45,480
Speaker 1: fourteen He was the best best. Kenny Smith will tell

693
00:36:45,520 --> 00:36:47,960
Speaker 1: it like he talks about that ship. Kenny Smith and

694
00:36:48,040 --> 00:36:50,239
Speaker 1: him grew up in the same neighbor So we're just

695
00:36:50,280 --> 00:36:53,399
Speaker 1: throwing like little historical iron rapports podcast. Ship, I don't

696
00:36:53,400 --> 00:36:56,760
Speaker 1: know what. Let's do one more and then we'll we'll

697
00:36:56,760 --> 00:36:59,920
Speaker 1: we'll shut this pod. I just did uh basketball you

698
00:37:00,400 --> 00:37:04,600
Speaker 1: Kenny Anderson, Uh funk man Ship, I don't know. I

699
00:37:04,640 --> 00:37:07,800
Speaker 1: mean it's I don't know. How's your how's your Casper mattress?

700
00:37:09,040 --> 00:37:13,279
Speaker 1: Is your back? Good? Yo? I have absolutely no problems.

701
00:37:13,400 --> 00:37:16,920
Speaker 1: Casper mattresses are a motherfucker. My Casper mattress showed up

702
00:37:16,920 --> 00:37:20,560
Speaker 1: in a box. I I cut open the box. They

703
00:37:20,600 --> 00:37:22,480
Speaker 1: give you some kind of cutting device that comes with

704
00:37:22,760 --> 00:37:25,520
Speaker 1: and then the fucking mattress expanded on its own, not

705
00:37:25,600 --> 00:37:28,120
Speaker 1: a blow up mattress, and and and and and then

706
00:37:28,600 --> 00:37:30,439
Speaker 1: I put it on the bed. I threw that other

707
00:37:30,520 --> 00:37:34,160
Speaker 1: piss piss mattress out, throw right out the fucking window.

708
00:37:34,560 --> 00:37:36,600
Speaker 1: There's so many fucking homeless people around, and they fucking

709
00:37:36,600 --> 00:37:38,800
Speaker 1: took it out. It was gone, like in thirty five minutes,

710
00:37:40,160 --> 00:37:42,320
Speaker 1: skid role being using. It's a it's a good mattress,

711
00:37:42,360 --> 00:37:44,480
Speaker 1: but in the casper. I put the sheets on that

712
00:37:44,600 --> 00:37:48,160
Speaker 1: casper and it's just unprecedented. What goes on on that

713
00:37:49,000 --> 00:37:51,840
Speaker 1: My back is fucking good man. Did you see me

714
00:37:51,880 --> 00:37:54,680
Speaker 1: out there have balling a little bit uh no, we

715
00:37:54,760 --> 00:37:58,120
Speaker 1: are now now listen, listen, listen, listen now you're you're

716
00:37:58,160 --> 00:38:00,279
Speaker 1: you're bawling. Was good. But the thing that I like

717
00:38:00,760 --> 00:38:04,520
Speaker 1: about you, uh, since you've gotten on your cashpers, you

718
00:38:04,560 --> 00:38:08,360
Speaker 1: don't I don't hear this fuck my fucking back like

719
00:38:08,440 --> 00:38:10,800
Speaker 1: I I haven't heard you say my fucking back since

720
00:38:10,840 --> 00:38:12,719
Speaker 1: you had a Casper mattress. And if you want to

721
00:38:12,719 --> 00:38:16,760
Speaker 1: get a Casper mattress, you go to Casper dot com

722
00:38:16,800 --> 00:38:19,240
Speaker 1: and if you put in the promo code wrap report,

723
00:38:19,520 --> 00:38:22,640
Speaker 1: not only do you already get an already cheap mattress,

724
00:38:22,680 --> 00:38:26,359
Speaker 1: but then you save fifty fucking bucks and and and you,

725
00:38:26,920 --> 00:38:30,600
Speaker 1: like g Moody, will never be saying my fucking back.

726
00:38:31,640 --> 00:38:34,640
Speaker 1: My fucking back hurts, and you feel like, you know,

727
00:38:35,000 --> 00:38:36,719
Speaker 1: it's a fun bet to sleep in, like you know,

728
00:38:36,760 --> 00:38:40,359
Speaker 1: like I'm saying, like is your fu style buck your mattress? Yeah?

729
00:38:40,400 --> 00:38:43,080
Speaker 1: I like the ladies, they like it. The ladies like

730
00:38:43,160 --> 00:38:46,960
Speaker 1: the mattress, right, Ladies like Caspper mattresses. Guys, if if

731
00:38:47,000 --> 00:38:48,960
Speaker 1: if you're trying to impress your lady and you want

732
00:38:48,960 --> 00:38:53,240
Speaker 1: to have a comfortable evening, Casper mattresses they do big things.

733
00:38:53,360 --> 00:38:56,040
Speaker 1: We spend a lot of our time sleeping, Yo, spend

734
00:38:56,080 --> 00:38:58,279
Speaker 1: a lot of time sleeping. Well, what what's the what

735
00:38:58,320 --> 00:38:59,640
Speaker 1: the way you want to leave out of here? On

736
00:38:59,640 --> 00:39:04,960
Speaker 1: one omen that you said when you and I were

737
00:39:05,000 --> 00:39:08,840
Speaker 1: little kids in l A throwing eggs people and the

738
00:39:08,960 --> 00:39:12,440
Speaker 1: cops called, here's a story. We're gonna tell you. This

739
00:39:12,480 --> 00:39:14,520
Speaker 1: is a good story. You could chime in. In nineteen

740
00:39:14,960 --> 00:39:18,479
Speaker 1: six I was sixteen. I just gotta don't. I didn't

741
00:39:18,480 --> 00:39:22,280
Speaker 1: have a license. I just learned to drive. And and

742
00:39:22,280 --> 00:39:25,680
Speaker 1: and uh, I'll call her my step mom or my

743
00:39:25,760 --> 00:39:30,680
Speaker 1: god mom. Joanne. She she is just a big part

744
00:39:30,680 --> 00:39:33,640
Speaker 1: of my life. She's it's my half sister's mom. But

745
00:39:33,760 --> 00:39:35,840
Speaker 1: we were we were living with her and her husband

746
00:39:35,880 --> 00:39:40,200
Speaker 1: Mark okay in the summertime, and and and and me

747
00:39:40,280 --> 00:39:44,640
Speaker 1: and G. Moody. This is we fucking we fucking stole

748
00:39:44,719 --> 00:39:46,600
Speaker 1: the trans am. They were out of town, were they

749
00:39:46,600 --> 00:39:49,720
Speaker 1: were away. So can you imagine me and G. Moody

750
00:39:49,760 --> 00:39:53,080
Speaker 1: were we're alone in Why would they leave us in

751
00:39:53,080 --> 00:39:55,719
Speaker 1: the house alone for two or three days? You they

752
00:39:55,719 --> 00:39:58,919
Speaker 1: got they just Joanne, you deserve to get your fucking

753
00:39:58,960 --> 00:40:03,480
Speaker 1: trans amptant to New York. Motherfucker's And we're sixteen, so

754
00:40:03,560 --> 00:40:06,400
Speaker 1: we take the fucking trans am out for a fucking

755
00:40:06,480 --> 00:40:09,920
Speaker 1: joy ride, and we're driving around all over Los Angeles.

756
00:40:10,160 --> 00:40:14,640
Speaker 1: Now there's no map quest, there's no UM, there's no

757
00:40:14,719 --> 00:40:18,880
Speaker 1: fucking Google Maps, there's nothing. So not only we're not

758
00:40:19,120 --> 00:40:23,520
Speaker 1: from here, I could barely fucking drive, Okay, I could

759
00:40:23,600 --> 00:40:27,520
Speaker 1: barely drive at this point. But but on top of that,

760
00:40:27,960 --> 00:40:32,680
Speaker 1: we don't know we know, like a three block vicinity, okay,

761
00:40:32,719 --> 00:40:35,040
Speaker 1: So we would just drive anywhere, Like if we wound

762
00:40:35,080 --> 00:40:37,799
Speaker 1: up on Sunset Boulevard, who we wouldn't know how to

763
00:40:37,840 --> 00:40:40,480
Speaker 1: get back. We didn't know whether, like if we wound

764
00:40:40,560 --> 00:40:43,759
Speaker 1: up on Crunshaw Boulevard, we just wound up there, Like

765
00:40:43,800 --> 00:40:46,319
Speaker 1: if we wound up downtown, we wound up there. We

766
00:40:46,320 --> 00:40:48,960
Speaker 1: would just drive and then when we're at a certain point,

767
00:40:49,360 --> 00:40:51,640
Speaker 1: we would start asking for directions to get home because

768
00:40:51,640 --> 00:40:53,080
Speaker 1: we didn't know how to get home. Like when the

769
00:40:53,160 --> 00:40:56,759
Speaker 1: joy ride was over, that's that's real ship. But one

770
00:40:56,880 --> 00:41:00,520
Speaker 1: night in or eight might have been eight seven, stole

771
00:41:00,640 --> 00:41:03,839
Speaker 1: the fucking the fucking car that we went out for

772
00:41:03,920 --> 00:41:07,480
Speaker 1: another joy because at this point it was like risky business.

773
00:41:07,600 --> 00:41:10,440
Speaker 1: No movie, risky business when Tom Cruise is left alone,

774
00:41:10,800 --> 00:41:13,040
Speaker 1: Like at this point, like we're just driving around in

775
00:41:13,040 --> 00:41:16,759
Speaker 1: a car. We would we would we Now again, we

776
00:41:16,840 --> 00:41:19,120
Speaker 1: never knew how to get home. We're gonna we never

777
00:41:19,200 --> 00:41:21,360
Speaker 1: knew how to get anywhere, but we would just it

778
00:41:21,440 --> 00:41:23,880
Speaker 1: was like risky business. Like for two days, we have

779
00:41:23,960 --> 00:41:27,520
Speaker 1: a trans am, a brand new trans am we're driving.

780
00:41:27,560 --> 00:41:30,480
Speaker 1: So one night we're out driving and and this is

781
00:41:30,520 --> 00:41:32,400
Speaker 1: something we do. I don't feel proud of it. But

782
00:41:32,520 --> 00:41:35,040
Speaker 1: we would go to the store when we find one

783
00:41:35,080 --> 00:41:37,000
Speaker 1: because again we like, we didn't know how to get

784
00:41:37,000 --> 00:41:38,680
Speaker 1: to a store. But when you see us seven eleven

785
00:41:38,800 --> 00:41:41,080
Speaker 1: or a bodega or a supermarket, we'd go in there

786
00:41:41,120 --> 00:41:42,879
Speaker 1: and get eggs. And you know where this is going,

787
00:41:43,080 --> 00:41:47,200
Speaker 1: And we would drive by an egg people, the old,

788
00:41:47,640 --> 00:41:52,480
Speaker 1: the the the innocent, innocent, I'm sorry, they were all

789
00:41:52,520 --> 00:41:54,640
Speaker 1: innocent victims, and we would we would catch them at

790
00:41:54,640 --> 00:41:58,600
Speaker 1: bus stops. We would egg other cars. We're so dumb

791
00:41:59,520 --> 00:42:01,799
Speaker 1: and so such risk, like if the car was going

792
00:42:01,800 --> 00:42:06,839
Speaker 1: the other way, this is too dumb, fox, so dumb.

793
00:42:07,160 --> 00:42:10,160
Speaker 1: And that's what frightens me about having teenagers, especially teenage boys,

794
00:42:10,200 --> 00:42:12,879
Speaker 1: because think about the reality of how dumb we were,

795
00:42:13,440 --> 00:42:16,320
Speaker 1: and think about it, the reality how dumb we didn't

796
00:42:16,320 --> 00:42:21,520
Speaker 1: know we were. We were so dumb and didn't know it.

797
00:42:21,719 --> 00:42:25,520
Speaker 1: Teenage boys are the dumbest fox. I can't speak on

798
00:42:25,560 --> 00:42:29,880
Speaker 1: teenage girls, but I can tell you teenage boys. Of

799
00:42:29,880 --> 00:42:35,120
Speaker 1: them fifteen, sixteen, and seventeen, you're at your dumbest. You

800
00:42:35,239 --> 00:42:37,120
Speaker 1: come out, you start to learn, and then your brain

801
00:42:37,560 --> 00:42:41,359
Speaker 1: it starts to heat or cool. You're so dumb you're

802
00:42:41,360 --> 00:42:44,520
Speaker 1: sold them. So we're driving around town, egging people left

803
00:42:44,560 --> 00:42:49,400
Speaker 1: and fucking right left, and sometimes somehow or another, we

804
00:42:49,480 --> 00:42:54,080
Speaker 1: get to what is like the Sunset Strip and we

805
00:42:54,080 --> 00:42:57,319
Speaker 1: we we get pulled over. Explain this because I want

806
00:42:57,320 --> 00:42:59,279
Speaker 1: to get into the Ricky Schroeder store. The story of

807
00:42:59,280 --> 00:43:02,239
Speaker 1: it all. I forgot about Ricky shrow but you know,

808
00:43:03,000 --> 00:43:05,840
Speaker 1: so we so, but we we got pulled over. We

809
00:43:05,880 --> 00:43:08,520
Speaker 1: got pulled over by the cops, probably because they were like,

810
00:43:08,719 --> 00:43:12,120
Speaker 1: these are children's going to trans am and this is

811
00:43:12,160 --> 00:43:14,719
Speaker 1: a busy Friday or Saturday or Thursday night. It was.

812
00:43:14,760 --> 00:43:16,840
Speaker 1: We were in the hot like the sunset and we

813
00:43:16,880 --> 00:43:19,319
Speaker 1: get pulled over into like a strip mall and the

814
00:43:19,360 --> 00:43:22,600
Speaker 1: cops get the whoopoop and we're like like, I'm surprised

815
00:43:22,640 --> 00:43:26,120
Speaker 1: and literally didn't piss myself. I don't have a license,

816
00:43:26,160 --> 00:43:28,200
Speaker 1: I don't have idea. I have not. I have nothing

817
00:43:28,239 --> 00:43:32,640
Speaker 1: to show for myself. A little kid, a fucking kid

818
00:43:32,719 --> 00:43:36,880
Speaker 1: droving a fucking trans am or is it red or red? No?

819
00:43:37,040 --> 00:43:41,120
Speaker 1: I feel like it was like brown maroon, maroon burgundy,

820
00:43:41,600 --> 00:43:44,080
Speaker 1: so dumb. And we get pulled into a ship mall

821
00:43:44,400 --> 00:43:47,359
Speaker 1: and and the cops go, what are you guys doing?

822
00:43:47,360 --> 00:43:49,720
Speaker 1: And I go listen, and I tell him I'm begging.

823
00:43:49,760 --> 00:43:52,160
Speaker 1: I do my best white ship, like it's the kind

824
00:43:52,160 --> 00:43:54,799
Speaker 1: of white ship that Rachel Dozel and I know how

825
00:43:54,840 --> 00:43:57,440
Speaker 1: to do what we need to out, Please can you

826
00:43:57,480 --> 00:43:59,920
Speaker 1: help me? And I'm really scared, I'm sixing, but it's

827
00:44:00,040 --> 00:44:02,400
Speaker 1: it's the best white should I could do. And and

828
00:44:02,400 --> 00:44:04,960
Speaker 1: then the cop, you know, like it seemed like there's

829
00:44:04,960 --> 00:44:07,279
Speaker 1: a lot of things going on. And the cop goes

830
00:44:07,400 --> 00:44:09,400
Speaker 1: all right, and and then he goes, you have anything

831
00:44:09,400 --> 00:44:10,799
Speaker 1: in the car, and we we we show him the

832
00:44:10,840 --> 00:44:14,600
Speaker 1: eggs Carniggs, and he makes us. He goes, all right,

833
00:44:14,640 --> 00:44:17,080
Speaker 1: take those eggs and put them down your pants, and

834
00:44:17,080 --> 00:44:19,359
Speaker 1: and and he makes me and General split the eggs

835
00:44:19,400 --> 00:44:21,200
Speaker 1: and put them in our pants. And then he goes, now,

836
00:44:21,280 --> 00:44:23,719
Speaker 1: smash him. So we have to smash the eggs in

837
00:44:23,760 --> 00:44:26,000
Speaker 1: our pants. So and and right after that he goes,

838
00:44:26,040 --> 00:44:28,520
Speaker 1: now take this car and go the fuck home. And

839
00:44:28,560 --> 00:44:31,319
Speaker 1: then right after the guy leaves in the Strip Mall

840
00:44:31,560 --> 00:44:34,840
Speaker 1: in the peak of his stardom in a blue sweater.

841
00:44:35,360 --> 00:44:37,400
Speaker 1: It was it was. It was a Carolina blue sweater.

842
00:44:37,480 --> 00:44:39,680
Speaker 1: This is like in the cos Vierra when like sweaters,

843
00:44:39,719 --> 00:44:42,239
Speaker 1: like big sweaters were in and Ricky Shoulders are And

844
00:44:42,280 --> 00:44:45,000
Speaker 1: we grew up our entire life watching Ricker's Ricky Shorter.

845
00:44:45,320 --> 00:44:50,120
Speaker 1: I loved him from the Champ Champ Get Up Chip, Champ.

846
00:44:50,520 --> 00:44:55,319
Speaker 1: That was one of the first move Champ Champ, Get

847
00:44:55,400 --> 00:44:58,279
Speaker 1: Up Chip. That's my Ricky shoulder impression. Come on, Chimp,

848
00:44:59,080 --> 00:45:01,879
Speaker 1: No Jackie, he's gonna get up Champ, Come on, Chimp.

849
00:45:01,960 --> 00:45:04,480
Speaker 1: And John Voyd died in so we're seeing so I've

850
00:45:04,480 --> 00:45:07,640
Speaker 1: seen Ricky Schorterer from that, from some other spoons and

851
00:45:07,680 --> 00:45:10,800
Speaker 1: then Silver Spoons, and he's on Silver Spoons at this time.

852
00:45:11,400 --> 00:45:13,920
Speaker 1: So Ricky shoulders like, it's a big fucking deal, c

853
00:45:14,080 --> 00:45:17,000
Speaker 1: Ricky Shorder And we see Ricky shorting and we're like yo, ship,

854
00:45:17,840 --> 00:45:19,439
Speaker 1: and he's like, what's up, guys, how are you doing

855
00:45:19,680 --> 00:45:21,719
Speaker 1: And we're like yeah, We're like yeah, we gotta go,

856
00:45:21,760 --> 00:45:24,359
Speaker 1: and we're sitting there talking with broken eggs in our

857
00:45:24,360 --> 00:45:27,719
Speaker 1: fucking pants. Ricky Shorterer didn't notice it. Maybe he did,

858
00:45:27,800 --> 00:45:30,759
Speaker 1: I don't know. And obviously and Ricky Shorter probably there's

859
00:45:30,800 --> 00:45:33,359
Speaker 1: no way he would remember. Why would he remember that,

860
00:45:33,520 --> 00:45:37,279
Speaker 1: But we remembered meeting you, Ricky Shorty suck and then

861
00:45:37,320 --> 00:45:39,440
Speaker 1: we went home and it was a great night. We

862
00:45:39,480 --> 00:45:41,799
Speaker 1: had the fucking eggs in our pants. But that was

863
00:45:42,120 --> 00:45:44,000
Speaker 1: that was one of That was some classic l a

864
00:45:44,120 --> 00:45:47,880
Speaker 1: Hollywood ship. This is the Iron Wrapper podcast. I don't know, man,

865
00:45:47,960 --> 00:45:49,600
Speaker 1: this is a good story. We're gonna start Pepper in

866
00:45:49,640 --> 00:45:52,399
Speaker 1: these these stories, just to show that the The Iron

867
00:45:52,480 --> 00:45:56,840
Speaker 1: Rapper Podcast bond is long history, historical. This is an

868
00:45:57,000 --> 00:46:01,759
Speaker 1: historical document. You were documented history. We've been doing this

869
00:46:01,840 --> 00:46:05,239
Speaker 1: ship since two eight three, just haven't been recorded. That's

870
00:46:05,239 --> 00:46:08,520
Speaker 1: why you can't funk with us. Okay, in anybody any

871
00:46:08,560 --> 00:46:11,520
Speaker 1: other podcast. We respect them, we love them, but if

872
00:46:11,520 --> 00:46:14,040
Speaker 1: you want to play two on two, we take all comers.

873
00:46:14,120 --> 00:46:19,000
Speaker 1: We like the cold crushed Brothers against the Fantastic. Yeah yeah,

874
00:46:19,080 --> 00:46:21,640
Speaker 1: we're cold coming at him. We're coming at you. We're

875
00:46:21,640 --> 00:46:25,920
Speaker 1: like Moldy going after Busy be on that Bob did

876
00:46:25,960 --> 00:46:29,480
Speaker 1: he Bob? Bull shit? On the hole. Yeah, put that Bob,

877
00:46:29,600 --> 00:46:33,160
Speaker 1: did he? Bob? Bull shit? Hole to see Iron Wrap

878
00:46:33,280 --> 00:46:34,600
Speaker 1: four podcast We're Out