WEBVTT - 8-10: Bobby Cast Ep. 2

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<v Speaker 1>Welcome to another edition of the Bobby Cast from Bobby's House,

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<v Speaker 1>from Bobby's Mouth. Bobby will join us soon with special

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<v Speaker 1>guests Trainer Ofmad five Once and now clap your hands

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<v Speaker 1>for Bobby Bones. Thank you, wow, thank you make so

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<v Speaker 1>nice today. Thank you very much in the room today

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<v Speaker 1>producing Mike do what I might and also in the

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<v Speaker 1>room today Trainer Rama. Also no non stagna was going on.

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<v Speaker 1>So here's what happened today as we record the Bobby

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<v Speaker 1>Cast Episode two, as that there's a major flood in

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<v Speaker 1>my house yesterday. If you're the radio show, I talked

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<v Speaker 1>about it a bit where I came home and I

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<v Speaker 1>couldn't drive all the way to my house because there

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<v Speaker 1>were fire trucks everywhere. And when you see fire trucks,

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<v Speaker 1>you never really assume it's at your place. You always

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<v Speaker 1>assume it's at a place near you. And so especially

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<v Speaker 1>living downtown, there are so many places that could have

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<v Speaker 1>had a fire or something could have went wrong. Of course,

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<v Speaker 1>it's not my place that's being flooded. I mean, of

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<v Speaker 1>all the places, it's not my place that has a

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<v Speaker 1>fire is being flooded. And I get there and it's

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<v Speaker 1>my place, and it wasn't me who did it. My

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<v Speaker 1>neighbor who's doing construction banging on pipes, busted a pipe,

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<v Speaker 1>flooded all the way down through many floors. Luckily I'm

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<v Speaker 1>on the top floor and it came through the side

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<v Speaker 1>of mine. So and I'll tell you what's happening there

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<v Speaker 1>in a minute. But I just talked to some of

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<v Speaker 1>the guys. One of the guys lost like a priceless

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<v Speaker 1>guitar to him, like his stuff is destroyed. Waters and

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<v Speaker 1>everybody's floors and most of us have wood floors, and

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<v Speaker 1>there's water underneath all the wood and it's starting to

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<v Speaker 1>bubble and listen, it's not the end of the world.

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<v Speaker 1>But the wall is a little bit annoying right now

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<v Speaker 1>because they're like, hey, we have to get started on

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<v Speaker 1>your place immediately if it can be saved. So it's

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<v Speaker 1>happening right now as we do this. Episode two is

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<v Speaker 1>that there's a team of people that have decided to

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<v Speaker 1>move into my bedroom and they put the humidifiers and

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<v Speaker 1>fans and Matt's and they put it up against a wall.

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<v Speaker 1>Hopefully I don't have to lose a wall. Hopefully I

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<v Speaker 1>don't have to lose the floor. The floor is already

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<v Speaker 1>starting to come up a bit, and so I was like, oh, great,

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<v Speaker 1>so it's gonna take about an hour or so. And

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<v Speaker 1>they were like, but that's gonna take a week, and

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<v Speaker 1>I'm like a week, Like how this is probably be

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<v Speaker 1>real quiet though, Like like the fan that when you

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<v Speaker 1>go to sleep, it's like and you know you got

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<v Speaker 1>sleeping because you get that fan in the background. Yeah,

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<v Speaker 1>and it's a very student I'm like, I can do

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<v Speaker 1>that for a bit. I mean, I'll still watch Nick

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<v Speaker 1>and nine, but I have that fan, that box fan,

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<v Speaker 1>like I just have to kill And so they're like, no, no,

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<v Speaker 1>it's gonna be very loud. I'm like, well that's not good.

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<v Speaker 1>I said, well, what if I go upstairs because I

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<v Speaker 1>have bedrooms above that bedroom? And they say it's gonna

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<v Speaker 1>be so loud it's gonna affect those bedrooms too. So

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<v Speaker 1>then I'm not supposed to enter my bedroom for a week, which,

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<v Speaker 1>by the way, I don't leave my bedroom at my house,

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<v Speaker 1>so it's basically cutting off my house. I can't sleep

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<v Speaker 1>in the bedrooms upstairs for now. I'm going to try

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<v Speaker 1>to sleep on the couch in the living room, which

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<v Speaker 1>probably isn't going to work either. So in the end

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<v Speaker 1>it will probably moved to a hotel for a week.

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<v Speaker 1>You can never leave your bedroom. I don't leave my bedroom.

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<v Speaker 1>I thought, I come here and here and you'll be like,

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<v Speaker 1>I might see you one hour the whole weekend and

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<v Speaker 1>you'd be like, in your bedroom, Hey Bobby, Hey Bobby,

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<v Speaker 1>no answer. He must be sleep. But he's not sleep.

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<v Speaker 1>He's just on the computer doing work. That's not bedroom.

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<v Speaker 1>That's not work. Hole. I don't need a place. It's

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<v Speaker 1>any bigger than a tiny hotel room, Like I really

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<v Speaker 1>don't need, didn't needything big. I believe it. And so anyway,

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<v Speaker 1>that's Batman. That's what we're going through right now. Is

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<v Speaker 1>what am I gonna do with my life for the

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<v Speaker 1>next week? Uh So, I mean that's it. I got

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<v Speaker 1>text this morning from Ahmad because as soon as the

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<v Speaker 1>show is over, I came home and try to get

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<v Speaker 1>a little bit of sleep because I've been out for

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<v Speaker 1>the past a couple of days dealing with these kind

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<v Speaker 1>of issues, and they wake up and them. I was like, hey,

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<v Speaker 1>you love me in and outside right right, I'm sitting outside.

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<v Speaker 1>I'm just wanting to get in the house. But if

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<v Speaker 1>you're not there, I can just chill on the on

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<v Speaker 1>the porch over there and watch some game of Thrones.

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<v Speaker 1>What time did you get to my placebably like okay,

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<v Speaker 1>So Mike didn't get back over until win like ken,

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<v Speaker 1>so you for about an hour and a half. You

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<v Speaker 1>but the porch is inside, by the way, in air conditioned. Luckily,

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<v Speaker 1>somebody was downstairs and it was like, all that black

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<v Speaker 1>dude is trying to get in the building. That's cool.

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<v Speaker 1>And I was like, cheese, you know what's up. He's

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<v Speaker 1>like cheeze, smiling. I had to show him Parley White. Yeah. Right.

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<v Speaker 1>So he was like, you're trying to come in. I

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<v Speaker 1>was like yeah, he could looked at me a little

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<v Speaker 1>bit and I said, all right, thanks man. He let

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<v Speaker 1>me in, So you got in. Got a one point?

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<v Speaker 1>Did anything happened with you being black? Like why would

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<v Speaker 1>that we brought up in this? How about you just

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<v Speaker 1>a dude? Well, he looked at me like I was black?

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<v Speaker 1>But how do you know that? How do you know

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<v Speaker 1>he looked at you like you were black? Because he

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<v Speaker 1>was like you know how when you get the squeenny eye. Know,

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<v Speaker 1>I don't know that because some people you look at

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<v Speaker 1>and you like real bright eye, Like why dine and

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<v Speaker 1>you're like, Oh, that's a cool dude. Then he looked

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<v Speaker 1>at me like, oh, he kind of suspicious. Maybe anyone

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<v Speaker 1>trying to get into a place that they don't belong

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<v Speaker 1>and I have the codes for regardless of race, you go,

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<v Speaker 1>I wonder what their motivation is to get into this building.

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<v Speaker 1>Because someone trying to walk up into the radio station,

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<v Speaker 1>regardless black, white, hispanic, like I'm trying to get in,

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<v Speaker 1>I'd be like, m squinny eyes. So I don't know

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<v Speaker 1>that it was you being black. Maybe that's where I

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<v Speaker 1>took it in my brain. Don't here he's here. We're

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<v Speaker 1>playing a show tonight. We're playing, uh the Raging Idiots

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<v Speaker 1>are playing something called Guitarbecue. And by the time you

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<v Speaker 1>hear this, it'll probably already be over. But we're playing Guitarbecque,

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<v Speaker 1>which is we weren't supposed to do the show to

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<v Speaker 1>begin with, like it was it's a big charity show.

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<v Speaker 1>On the reason we did finally get involved is because

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<v Speaker 1>of the charity. Is because St. Jude and we you know,

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<v Speaker 1>love Saint Jude, do so much for them, but Guitarbecue happens,

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<v Speaker 1>and so they've got a lot of artists that are

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<v Speaker 1>playing the show, and it's it's kind of weird on

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<v Speaker 1>a bunch of levels. First of all, we're like Sandwich

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<v Speaker 1>dry in the middle of a bunch of great artists.

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<v Speaker 1>We're not a great artist group, Like we're just ridiculous.

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<v Speaker 1>I don't think we are that great. But people have fun, right,

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<v Speaker 1>But this is a show where you're going to be

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<v Speaker 1>surrounded by really great artists. And it's not like they

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<v Speaker 1>put us up front. You know, they put you know,

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<v Speaker 1>new people up front, like Chris Lane. He's got number

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<v Speaker 1>one hit right now, he's the first. Brandy Clark really good.

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<v Speaker 1>John Party have a number one song next week, had

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<v Speaker 1>over Boots. It's third. Then we go after John Party,

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<v Speaker 1>so we'll be fourth, only followed by Dustin Lynch and

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<v Speaker 1>Kit More and so everybody's playing for thirty minutes and

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<v Speaker 1>it's like we come out. We're not gonna try to

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<v Speaker 1>win vocalists. These guys can't really sing, so we're just

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<v Speaker 1>gonna go nuts. But we're opening for them, though it's

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<v Speaker 1>not really open. If anything, we have four people playing

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<v Speaker 1>before us. I mean, if anything, everybody's opening for Kip,

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<v Speaker 1>but I mean it keeps not the strongest headliner for

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<v Speaker 1>something like this, right, because because the place is big,

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<v Speaker 1>So then you feel like people will be looking at

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<v Speaker 1>us like we less talented. Oh no, no, for sure

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<v Speaker 1>less talented, but we gotta be super crazy, Like that's

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<v Speaker 1>the point we gotta make up for Like when we

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<v Speaker 1>do raging, it is shows people love them because then

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<v Speaker 1>people know it would expect um. So we we're only

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<v Speaker 1>playing thirty minutes too, so about them. We were just

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<v Speaker 1>getting into our groove. We gotta get all stage you, right,

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<v Speaker 1>So what song do we start with? Though? Like that's

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<v Speaker 1>the question that I've been going to because some people

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<v Speaker 1>will be like, who, why why do people even playing?

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<v Speaker 1>I mean you might as well hit them with the

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<v Speaker 1>Starbucks at the beginning. I can't start with that because

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<v Speaker 1>we all need our instruments to start, like we need

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<v Speaker 1>to play and do you want to and everybody else's

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<v Speaker 1>do you know if we're gonna say we're not gonna

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<v Speaker 1>take yourself seriously, then we should start with a cover

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<v Speaker 1>because nobody likes to do covers because everyone thinks it's uh,

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<v Speaker 1>who wants to do a cover? Because I'm original? So

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<v Speaker 1>I was thinking, like we start with Beastie Boys and

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<v Speaker 1>just freak everybody out oh, I mean that would be

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<v Speaker 1>always a good star based two boys you gotta fight

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<v Speaker 1>go Beastie Boys. Then when I grow up, oh yeah, yeah, yeah,

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<v Speaker 1>that would would hit them hard because they get all

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<v Speaker 1>hype and then they'll be like, I heard what the

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<v Speaker 1>raging Nidia is talking about, because we play Beastie Boys anymore,

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<v Speaker 1>nobody but everybody's still rock the Beasti Boys though they

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<v Speaker 1>still know it. So right now I'm leaning towards that

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<v Speaker 1>Beastie Boys. Then when I grow up, then Devil went

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<v Speaker 1>down to Georgia when nat Lee stove Ball. Then we

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<v Speaker 1>do a thing like Pentatonics. It's called the Panasonics. It's

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<v Speaker 1>like the bad version of Pentatonics where we go all

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<v Speaker 1>like a all of we throw that at him, where

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<v Speaker 1>we make it the face like vocals up with our whole,

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<v Speaker 1>like voices like instruments. Yeah, let's acapella, no instruments. Boom

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<v Speaker 1>boom boom doom bood do do do but like that

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<v Speaker 1>boat do your part boat the boat at the boat

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<v Speaker 1>boat boat the boat at the boat to boat bo

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<v Speaker 1>boat boat your partner A little bit bot, I got

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<v Speaker 1>a warmm well over down, don't really digs on me?

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<v Speaker 1>Who yeah, I got a warm up. Well over down,

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<v Speaker 1>she really digs on me. Who yeah, you really take

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<v Speaker 1>me money? Okay? Cool, So that's the whole thing. Now

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<v Speaker 1>looks like seven of us doing it and we're all

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<v Speaker 1>making and my part on you, now my part, she

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<v Speaker 1>really digs on me. Don't you really digs on me?

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<v Speaker 1>I like that hard of it and she really digs

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<v Speaker 1>on me. She really digs on me. Say, we're playing

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<v Speaker 1>that tonight, okay, uming with that little penis on it.

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<v Speaker 1>Then we'll do Starbucks and then we'll probably do it.

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<v Speaker 1>Every day is a good day. We'll probably do all right.

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<v Speaker 1>So that's tonight and it's what we weren't gonna play

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<v Speaker 1>the show. You're gonna have with that purple rain too.

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<v Speaker 1>I don't think have time. No, we have thirty minutes.

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<v Speaker 1>We'll see that again. We only have thirty minutes, right,

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<v Speaker 1>And as long as Linda gets a song, Natalie gets

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<v Speaker 1>a song, Regge, you get to get a couple of songs,

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<v Speaker 1>that's it. That's over right, So you don't want everybody? Yeah, uh,

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<v Speaker 1>we are planning this event tonight. And we got added

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<v Speaker 1>kind of lake because they needed to sell tickets. I

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<v Speaker 1>don't think tickets on super great. They were like, hey,

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<v Speaker 1>we come on, so what why do you give me

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<v Speaker 1>a side eye? Damn, They're doing okay. I think I

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<v Speaker 1>just think the venue is a little too big. I

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<v Speaker 1>think they got my grandmoa. You said the eyes are

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<v Speaker 1>bigger than their belly. Yeah, okay, and so but I

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<v Speaker 1>think they're doing pretty good now. They we don't when

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<v Speaker 1>they put up that when they put up that bat sign,

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<v Speaker 1>that Bobby signs. I don't know if that's the case.

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<v Speaker 1>I think it help. I think I think that I

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<v Speaker 1>think it helped. Our people are just so loyal to us,

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<v Speaker 1>like so let us are people are so loyal to us.

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<v Speaker 1>I don't even know why, but like we played in

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<v Speaker 1>four wayn and we we played for two hours because

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<v Speaker 1>people come on the play show, we just take our

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<v Speaker 1>phones out and start learning songs as we go. If

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<v Speaker 1>it wasn't for Saint Jude, and if it wasn't like

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<v Speaker 1>our people are just so loyal to us. And I

0:11:46.320 --> 0:11:48.040
<v Speaker 1>was like, I know, people buy tickets as soon as

0:11:48.080 --> 0:11:50.480
<v Speaker 1>we go up because it's for a good cause. We're

0:11:50.480 --> 0:11:53.319
<v Speaker 1>happy to be involved. But it's just weird being surrounded

0:11:53.320 --> 0:11:54.960
<v Speaker 1>by all the real artists because we don't get sider

0:11:54.960 --> 0:11:58.599
<v Speaker 1>ourselves like a legitimate music will act. We're more of

0:11:58.640 --> 0:12:02.839
<v Speaker 1>an entertainment show, right, But isn't it all about entertainment,

0:12:03.480 --> 0:12:05.680
<v Speaker 1>but most entertainment because you're a good musical act. Like

0:12:05.760 --> 0:12:09.600
<v Speaker 1>I considered myself the Puffy of the Raging Idiots. Take that.

0:12:09.640 --> 0:12:13.120
<v Speaker 1>Take that, like, I bring together all the good talent

0:12:13.880 --> 0:12:15.920
<v Speaker 1>because I don't think I have what they called lead singer?

0:12:16.040 --> 0:12:18.960
<v Speaker 1>Does he? I don't have to sing lead singer all time?

0:12:19.240 --> 0:12:22.120
<v Speaker 1>But Puffy did put out a bomb album though, no way,

0:12:22.600 --> 0:12:28.120
<v Speaker 1>and so did I. Right right, But but once everybody

0:12:28.160 --> 0:12:30.520
<v Speaker 1>gets up there, I don't care who sings, right, I

0:12:30.640 --> 0:12:33.440
<v Speaker 1>might sing a third of the songs. I feel you.

0:12:33.640 --> 0:12:36.400
<v Speaker 1>I mean, I witnessed, I saw it. It's been weird

0:12:36.520 --> 0:12:39.600
<v Speaker 1>for Ahmad because of my We're just coming to hang

0:12:39.600 --> 0:12:44.160
<v Speaker 1>out on the road with us for four or five shows. Yeah,

0:12:44.360 --> 0:12:46.200
<v Speaker 1>more than that. Even he would just he would just

0:12:46.240 --> 0:12:50.000
<v Speaker 1>fly in and just hang out and surprise you guys.

0:12:50.000 --> 0:12:52.679
<v Speaker 1>Sometimes I was coming to shows and be like what's up?

0:12:52.760 --> 0:12:55.160
<v Speaker 1>Like what wait, We're in Washington, d C. Why are

0:12:55.160 --> 0:12:59.160
<v Speaker 1>you here? Just come to hang out? And so I

0:12:59.240 --> 0:13:01.200
<v Speaker 1>was like, hey, put up on microphone just sing background,

0:13:01.400 --> 0:13:03.800
<v Speaker 1>and he was like really, yeah, I just think you

0:13:03.800 --> 0:13:08.200
<v Speaker 1>know who at the Rhyman Actually, yeah, the first one,

0:13:09.600 --> 0:13:12.240
<v Speaker 1>that's right. We played this hold that ryme. I was like, hey, well,

0:13:12.360 --> 0:13:13.719
<v Speaker 1>I know you were saying before, but just get me

0:13:13.800 --> 0:13:16.560
<v Speaker 1>athing back for us. That's how we do anything. And

0:13:16.600 --> 0:13:19.320
<v Speaker 1>he's like all right, and you know it's like baby

0:13:19.360 --> 0:13:21.280
<v Speaker 1>I love you. Wait, just you know, just give a

0:13:21.320 --> 0:13:26.160
<v Speaker 1>little bit of something like baby I love now. I

0:13:26.400 --> 0:13:27.880
<v Speaker 1>was like part of the show, like you might as

0:13:27.880 --> 0:13:30.600
<v Speaker 1>well be on the album cover man all I was like,

0:13:30.760 --> 0:13:34.840
<v Speaker 1>you want me to go on this legendary country stage

0:13:35.800 --> 0:13:40.360
<v Speaker 1>and dance and singing Starbucks with you hip hop? Okay,

0:13:40.440 --> 0:13:42.400
<v Speaker 1>that's weird. I never thought I would be doing that

0:13:43.720 --> 0:13:48.800
<v Speaker 1>strange Starbucks. I'll be feeling cup on the Rhyman stage.

0:13:48.840 --> 0:13:54.080
<v Speaker 1>I'll be feeling one more cut. So we're playing tonight,

0:13:54.800 --> 0:13:56.600
<v Speaker 1>we are. I got a lot of message after the

0:13:56.600 --> 0:14:00.520
<v Speaker 1>first Bobby cast, like, hey, you didn't mention na Um

0:14:00.559 --> 0:14:03.280
<v Speaker 1>when I was talking about everybody on the show. And

0:14:03.320 --> 0:14:05.240
<v Speaker 1>I guess a lot of that comes from we were

0:14:05.280 --> 0:14:07.480
<v Speaker 1>talking about people that got written about in the book

0:14:08.000 --> 0:14:10.880
<v Speaker 1>and people that didn't. And Carlos who used to work

0:14:10.920 --> 0:14:13.080
<v Speaker 1>on the show doesn't work on the show anymore, and

0:14:13.120 --> 0:14:16.160
<v Speaker 1>what happened with that, and Noddy got left out of

0:14:16.240 --> 0:14:19.360
<v Speaker 1>last week because she kind of didn't fit in that conversation. Oddly,

0:14:21.680 --> 0:14:24.760
<v Speaker 1>we talk about we talked about them, about Carlos right now,

0:14:24.800 --> 0:14:27.400
<v Speaker 1>I talked about last week. Wow, what we talk about.

0:14:27.440 --> 0:14:30.560
<v Speaker 1>You should listen to the Bobby Cast Episode one. All

0:14:30.600 --> 0:14:32.320
<v Speaker 1>I said was it's tough to be a boss and

0:14:32.360 --> 0:14:37.160
<v Speaker 1>a friend at the same time. Bobby realness. It was yeah, Well,

0:14:37.200 --> 0:14:39.240
<v Speaker 1>because people asked about it, and I've answered the question

0:14:39.280 --> 0:14:41.200
<v Speaker 1>ten times. And first people were like, why didn't you

0:14:41.200 --> 0:14:42.560
<v Speaker 1>write about Carlos in the book? And I was like,

0:14:42.600 --> 0:14:44.560
<v Speaker 1>I don't write about anybody that didn't make the move

0:14:44.640 --> 0:14:46.960
<v Speaker 1>in the book, Like I gotna put Erica in the book,

0:14:46.960 --> 0:14:48.600
<v Speaker 1>and I'm put Noda in the book. He's part of

0:14:48.640 --> 0:14:51.560
<v Speaker 1>the show. Now, I'd put Carlos in the book. And

0:14:51.560 --> 0:14:53.480
<v Speaker 1>then people are like, what happened with Carlos? And I

0:14:53.520 --> 0:14:57.680
<v Speaker 1>was like, basically, Carlos was a really great friend and

0:14:57.720 --> 0:15:00.160
<v Speaker 1>a good worker, but Ray simply outworked him over the

0:15:00.160 --> 0:15:01.640
<v Speaker 1>period of a year a year and a half and

0:15:01.680 --> 0:15:03.840
<v Speaker 1>I had to choose one person to move there was

0:15:04.000 --> 0:15:08.080
<v Speaker 1>better for the entire show, Like who the better at

0:15:08.120 --> 0:15:09.720
<v Speaker 1>that job was? And I had to choose Ray, and

0:15:09.720 --> 0:15:11.600
<v Speaker 1>it was really hard because I didn't know Ray, and

0:15:11.680 --> 0:15:13.800
<v Speaker 1>Ray wasn't like a really close friend. He had just

0:15:13.840 --> 0:15:17.320
<v Speaker 1>been an intern, but he was dominant at his job,

0:15:18.040 --> 0:15:20.280
<v Speaker 1>and so for the best interest of the show, I

0:15:20.280 --> 0:15:22.800
<v Speaker 1>had to bring in the best person. And so Ray

0:15:22.920 --> 0:15:26.000
<v Speaker 1>came and Carlos stayed and kept a job in Austin.

0:15:26.840 --> 0:15:29.200
<v Speaker 1>And so then I said, how Carlos left and might

0:15:29.320 --> 0:15:32.080
<v Speaker 1>d to Carlos's job, and the plan was always hopefully

0:15:32.240 --> 0:15:34.280
<v Speaker 1>eventually bring Carlos to Nashville if we could find a

0:15:34.280 --> 0:15:36.560
<v Speaker 1>spot for him. Well, Carlos left and Mike de goes

0:15:36.600 --> 0:15:38.680
<v Speaker 1>and then we do end up finding a spot we

0:15:38.720 --> 0:15:42.280
<v Speaker 1>move might d over to Nashville. Felt that so it

0:15:42.360 --> 0:15:45.040
<v Speaker 1>was just, I mean the honest part, like Carl's a

0:15:45.120 --> 0:15:47.440
<v Speaker 1>really good dude, but he didn't really have that like

0:15:47.560 --> 0:15:50.400
<v Speaker 1>big ambition to go further or what. I don't know

0:15:50.440 --> 0:15:52.480
<v Speaker 1>what's in his heart or his head, but I know

0:15:52.640 --> 0:15:55.400
<v Speaker 1>Ray his nuts. And Ray will like work a hundred

0:15:55.400 --> 0:15:59.040
<v Speaker 1>hours straight and as an intern, rageous outworked everybody and

0:15:59.120 --> 0:16:03.400
<v Speaker 1>you should be rewarded for that, especially when everyone else

0:16:03.560 --> 0:16:07.200
<v Speaker 1>is being affected like what Ray does affects Amy Lunchbox

0:16:07.920 --> 0:16:10.120
<v Speaker 1>everybody's pay checks, and you just have to put the

0:16:10.160 --> 0:16:13.280
<v Speaker 1>best people in the best situations. And so that that's

0:16:13.280 --> 0:16:17.880
<v Speaker 1>what I explained last week. Okay, I had never heard that. Okay,

0:16:18.000 --> 0:16:21.520
<v Speaker 1>that Bobby Catt getting real y'all getting that real nous. Well,

0:16:21.640 --> 0:16:23.480
<v Speaker 1>just we don't get to talk as long form during

0:16:23.520 --> 0:16:25.680
<v Speaker 1>the morning joke because we gotta play a song. Yeah,

0:16:25.840 --> 0:16:27.800
<v Speaker 1>then we got to a commercial. And most people don't

0:16:27.840 --> 0:16:30.240
<v Speaker 1>care about Carlos if they're not Austin or what you're

0:16:30.240 --> 0:16:32.640
<v Speaker 1>talking because all that we have a hundred cities now

0:16:32.640 --> 0:16:34.680
<v Speaker 1>they don't even know who that is. But with the

0:16:34.760 --> 0:16:36.160
<v Speaker 1>with the podcast, you can talk about whatever you want.

0:16:36.160 --> 0:16:37.560
<v Speaker 1>If somebody want to hear, they just turn it off.

0:16:37.560 --> 0:16:40.120
<v Speaker 1>It's not like their ratings or anything that makes sense.

0:16:40.160 --> 0:16:42.680
<v Speaker 1>But no, I got I mean nothing. I have not

0:16:42.960 --> 0:16:46.720
<v Speaker 1>zero negative things to say about Carlos. It was a

0:16:46.720 --> 0:16:49.920
<v Speaker 1>good friend because back in Austin we used to go hard.

0:16:51.600 --> 0:16:55.040
<v Speaker 1>But it was just sometimes it sucks being a boss

0:16:55.080 --> 0:16:57.560
<v Speaker 1>and a friend because you have to tell your friends

0:16:57.640 --> 0:17:00.600
<v Speaker 1>tough things. Sometimes you think you take it personal. Absolutely,

0:17:01.200 --> 0:17:04.560
<v Speaker 1>why you say, I mean, that's the normal thing to do,

0:17:05.400 --> 0:17:08.760
<v Speaker 1>It's the human thing to do. It's harder to not

0:17:08.840 --> 0:17:11.960
<v Speaker 1>take it personally when someone who's in your life personally

0:17:12.040 --> 0:17:15.440
<v Speaker 1>is telling it to you. And it was like, it's like,

0:17:15.480 --> 0:17:18.080
<v Speaker 1>you're not getting fired, but the show is moving to

0:17:18.200 --> 0:17:22.600
<v Speaker 1>Nashville and you're gonna stay and produced here, no pay cut,

0:17:22.680 --> 0:17:26.240
<v Speaker 1>nothing like that. But Ray has taken a spot and

0:17:26.280 --> 0:17:28.879
<v Speaker 1>here's why. And it was it sucked. And if I

0:17:28.920 --> 0:17:31.400
<v Speaker 1>was a boss that wasn't friends with everyone, it would

0:17:31.400 --> 0:17:34.840
<v Speaker 1>have been much different. I just gonna said, abc D,

0:17:35.119 --> 0:17:36.960
<v Speaker 1>here's your job, We're out. But it wasn't. It was tough.

0:17:37.080 --> 0:17:39.880
<v Speaker 1>Had he tried to reach out to you after that, nah,

0:17:40.280 --> 0:17:43.560
<v Speaker 1>not really did tweet sometimes some people tweet him, but

0:17:43.760 --> 0:17:47.320
<v Speaker 1>and I just felt like it wasn't an issue to

0:17:47.440 --> 0:17:48.800
<v Speaker 1>bring up. I don't want to bring it up and

0:17:48.960 --> 0:17:51.040
<v Speaker 1>put his business out there, so I just didn't. I

0:17:51.119 --> 0:17:53.679
<v Speaker 1>didn't say anything in respect to him. But then he

0:17:53.720 --> 0:17:55.760
<v Speaker 1>was tweeting about it. I was like, I think I

0:17:55.800 --> 0:17:58.320
<v Speaker 1>saw a couple of those tweets too. Yeah, So it's like,

0:17:58.960 --> 0:18:00.480
<v Speaker 1>I mean, if you want to bring it up, I'll

0:18:00.480 --> 0:18:03.520
<v Speaker 1>at least address it. And I have a few times,

0:18:03.520 --> 0:18:05.080
<v Speaker 1>like on Facebook live and stuff, and never on the

0:18:05.160 --> 0:18:08.480
<v Speaker 1>radio radio radio, because again I still think that it's

0:18:08.480 --> 0:18:10.600
<v Speaker 1>a great dude, But it would have been hard to

0:18:10.640 --> 0:18:14.639
<v Speaker 1>not take it personally if one of your friends says, hey,

0:18:15.000 --> 0:18:16.960
<v Speaker 1>you know you're gonna stay here and we all have

0:18:17.040 --> 0:18:21.399
<v Speaker 1>to go, and because this person has done But again,

0:18:21.480 --> 0:18:23.760
<v Speaker 1>look at Ray. What if you're Ray and you're working

0:18:23.800 --> 0:18:25.840
<v Speaker 1>your brains out and you've worked for a year for free,

0:18:26.160 --> 0:18:30.200
<v Speaker 1>and you've dominated and done three times the work as

0:18:30.400 --> 0:18:33.880
<v Speaker 1>whomever else any producer there, and you didn't get picked

0:18:34.000 --> 0:18:37.160
<v Speaker 1>to go like he just simply worked his way into

0:18:37.200 --> 0:18:41.560
<v Speaker 1>where he is now. Right, So uh yeah, Like I said,

0:18:41.880 --> 0:18:45.480
<v Speaker 1>it's hard to be a boss and a friend. And

0:18:45.640 --> 0:18:47.280
<v Speaker 1>most of the time I just get to be the friend.

0:18:47.359 --> 0:18:48.760
<v Speaker 1>Percent of the time I get to be the friend.

0:18:49.520 --> 0:18:51.040
<v Speaker 1>Fifteen percent of the time, it's tough on I have

0:18:51.040 --> 0:18:53.840
<v Speaker 1>to pull somebody in the room and say this isn't working,

0:18:53.880 --> 0:18:57.080
<v Speaker 1>you can't do this, or I guess we talked last

0:18:57.520 --> 0:19:00.679
<v Speaker 1>the show cast. Um that's the guy work in the

0:19:01.359 --> 0:19:03.760
<v Speaker 1>my bedroom right now. If I'm yelling in the background,

0:19:04.280 --> 0:19:09.679
<v Speaker 1>um is that? Um, I don't even know. Most of

0:19:09.680 --> 0:19:11.359
<v Speaker 1>the time is trying to be just a boss and

0:19:11.400 --> 0:19:14.160
<v Speaker 1>a friend. But let me ask you this, So being

0:19:14.200 --> 0:19:18.280
<v Speaker 1>a boss plus a friend, how do you even direct

0:19:18.359 --> 0:19:21.640
<v Speaker 1>people without offending people. You can't worry about it. There's

0:19:21.680 --> 0:19:23.960
<v Speaker 1>just a line, and Amy is the absolute best at

0:19:23.960 --> 0:19:27.000
<v Speaker 1>accepting that line. And Amy's my best friend on the show.

0:19:27.200 --> 0:19:30.439
<v Speaker 1>Eddie's climbing up there because we're together so much, but

0:19:30.440 --> 0:19:33.680
<v Speaker 1>but Amy's probably I'm close. It's close between those two.

0:19:34.640 --> 0:19:36.120
<v Speaker 1>It's hard to even not just to say it's straight,

0:19:36.280 --> 0:19:38.000
<v Speaker 1>because I mean, I've been so close for so long,

0:19:38.600 --> 0:19:42.160
<v Speaker 1>but Eddie and I've just been so much time together. Um,

0:19:42.200 --> 0:19:47.320
<v Speaker 1>it's just okay, we're great friends. But I also have

0:19:47.520 --> 0:19:50.160
<v Speaker 1>to run a company in the company of our morning

0:19:50.160 --> 0:19:53.280
<v Speaker 1>show on a hundred affiliates that builds a bunch of

0:19:53.280 --> 0:19:55.439
<v Speaker 1>the money for we have to make a revenue. And

0:19:55.880 --> 0:19:57.399
<v Speaker 1>you know, it's all funny games, but you have to

0:19:57.480 --> 0:20:00.560
<v Speaker 1>understand when I have to be the boss, it's I

0:20:00.600 --> 0:20:03.160
<v Speaker 1>have to be the boss. And if it's if you're

0:20:03.160 --> 0:20:05.760
<v Speaker 1>coming in, and Amy's great about going, Okay, you can't

0:20:05.800 --> 0:20:08.320
<v Speaker 1>do this anymore. You know you can't do this. Then

0:20:08.359 --> 0:20:11.240
<v Speaker 1>we get researching and it'll say these segments aren't working

0:20:11.240 --> 0:20:15.720
<v Speaker 1>that well. And she's great about the separator of the two.

0:20:16.359 --> 0:20:18.919
<v Speaker 1>Everybody else has problems. Sometimes he goes like, how can

0:20:18.960 --> 0:20:21.160
<v Speaker 1>you be my friend? And then say you gotta stop

0:20:21.200 --> 0:20:24.080
<v Speaker 1>doing this because but people come to me like Rod,

0:20:24.280 --> 0:20:28.240
<v Speaker 1>my boss is a good friend, but there's a there's

0:20:28.280 --> 0:20:30.600
<v Speaker 1>friend time, and I know there's boss time where he

0:20:30.640 --> 0:20:32.400
<v Speaker 1>has to put the boss hat on and be like, Okay,

0:20:32.400 --> 0:20:34.960
<v Speaker 1>this is not good, so fix it. And I'm like

0:20:35.040 --> 0:20:38.080
<v Speaker 1>got it, Like I understand it. But I don't think

0:20:38.280 --> 0:20:41.479
<v Speaker 1>that I expect anything from any single person on my

0:20:41.560 --> 0:20:46.560
<v Speaker 1>staff that I don't expect from myself. Double you expect

0:20:46.560 --> 0:20:50.119
<v Speaker 1>a laugh from yourself, like I'm for sure. Leader by example?

0:20:50.960 --> 0:20:55.399
<v Speaker 1>Do you do you feel like that you explain a

0:20:55.440 --> 0:20:58.800
<v Speaker 1>lot of things that you want to happen to your

0:20:58.840 --> 0:21:01.840
<v Speaker 1>friends as of all. Sometimes I feel like sometimes I

0:21:01.960 --> 0:21:05.639
<v Speaker 1>want them to find their own groove and if they

0:21:05.640 --> 0:21:08.280
<v Speaker 1>can't find their group naturally, because everything's natural because nobody's

0:21:08.320 --> 0:21:10.840
<v Speaker 1>radio people, not ever as the radio people, so it's

0:21:10.840 --> 0:21:12.359
<v Speaker 1>not like, hey, you need to do this in a

0:21:12.440 --> 0:21:14.320
<v Speaker 1>radio way. Sometimes I like them to find their own

0:21:14.320 --> 0:21:16.720
<v Speaker 1>way they don't even know they could find. I feel

0:21:16.720 --> 0:21:19.120
<v Speaker 1>that's what you do. Yeah, Everybody kind of finds their

0:21:19.280 --> 0:21:22.879
<v Speaker 1>path and you go off of that. And I like

0:21:22.920 --> 0:21:24.600
<v Speaker 1>to find what people are good at and then build

0:21:24.600 --> 0:21:27.440
<v Speaker 1>the roads for them because I know what Amy's good

0:21:27.480 --> 0:21:29.199
<v Speaker 1>at and I know where she comes from the heart,

0:21:29.240 --> 0:21:30.640
<v Speaker 1>so I try to put her in those spots where

0:21:30.680 --> 0:21:33.000
<v Speaker 1>she's showing that she is great at and put her

0:21:33.119 --> 0:21:36.560
<v Speaker 1>situations to thrive, you know. Same with lunch Box, same

0:21:36.600 --> 0:21:39.359
<v Speaker 1>with Eddie. And there are places where they go on

0:21:39.400 --> 0:21:41.119
<v Speaker 1>places where it's not good, and so I just try

0:21:41.160 --> 0:21:42.520
<v Speaker 1>to keep them from there, trying to put people in

0:21:42.560 --> 0:21:45.920
<v Speaker 1>the best situations for those hard times when like bosses

0:21:45.960 --> 0:21:50.479
<v Speaker 1>have to like tell somebody exactly what they want, and

0:21:50.560 --> 0:21:53.679
<v Speaker 1>bosses have to like direct them and inspire them, like

0:21:53.720 --> 0:21:55.080
<v Speaker 1>do you feel like you're good at that? Or no?

0:21:56.640 --> 0:21:59.040
<v Speaker 1>Very occasionally, because if you do it too much, it

0:21:59.040 --> 0:22:02.720
<v Speaker 1>doesn't matter anymore. You can only inspire so many times

0:22:02.720 --> 0:22:05.359
<v Speaker 1>before it just becomes another allow of talk. It's like

0:22:05.359 --> 0:22:08.120
<v Speaker 1>getting angry someone yells at you all the time, there's

0:22:08.119 --> 0:22:10.520
<v Speaker 1>another day yelling. But if someone yells at you once

0:22:10.560 --> 0:22:12.679
<v Speaker 1>a year, you're like, holy God, what did I do?

0:22:12.800 --> 0:22:15.320
<v Speaker 1>All right? Like what did I do? So it's that

0:22:15.440 --> 0:22:19.120
<v Speaker 1>you just have to choose your emotions very carefully because

0:22:19.240 --> 0:22:21.840
<v Speaker 1>with me, period of my life, it's never too high,

0:22:21.920 --> 0:22:24.280
<v Speaker 1>never too low. Things are never that great, things never

0:22:24.280 --> 0:22:27.920
<v Speaker 1>that bad. As far as work goes, never too good,

0:22:27.960 --> 0:22:29.840
<v Speaker 1>never too bad. If you can maintain that middle, you're

0:22:29.840 --> 0:22:34.200
<v Speaker 1>always gonna be consistent. Consistency is a key. So that's

0:22:34.440 --> 0:22:36.680
<v Speaker 1>the thing. I like people to find their own place

0:22:37.160 --> 0:22:39.360
<v Speaker 1>and then we build from that. And when it's time

0:22:39.400 --> 0:22:43.080
<v Speaker 1>to inspire, and I'm talking about once twice a year,

0:22:43.200 --> 0:22:45.520
<v Speaker 1>if we have one of those big talks, it's it's

0:22:45.560 --> 0:22:47.080
<v Speaker 1>and it's almost time to have another one of those.

0:22:47.119 --> 0:22:49.679
<v Speaker 1>And it's always when it's kind of a reset for

0:22:49.680 --> 0:22:53.959
<v Speaker 1>the show. You're getting back into it, when school starts

0:22:54.000 --> 0:22:57.600
<v Speaker 1>and you know, you have ratings happening and um or

0:22:57.640 --> 0:23:00.119
<v Speaker 1>you're going away for the summer, you know. But if

0:23:00.119 --> 0:23:03.800
<v Speaker 1>you do it, if you inspire every day, it's just

0:23:04.080 --> 0:23:07.840
<v Speaker 1>more words, just more emotional words, and just go in

0:23:07.840 --> 0:23:10.720
<v Speaker 1>and out the other. I don't impact, like I don't

0:23:10.720 --> 0:23:13.720
<v Speaker 1>ever get angry, Mike. Do I ever get angry? But

0:23:13.800 --> 0:23:17.960
<v Speaker 1>when I do, like people like WHOA, because I don't,

0:23:17.960 --> 0:23:20.080
<v Speaker 1>because I don't get angry, because I'm never too high,

0:23:20.119 --> 0:23:24.840
<v Speaker 1>never too low. So I lead by example and then

0:23:24.920 --> 0:23:29.240
<v Speaker 1>now when it needs to be done, it's done. Like

0:23:30.160 --> 0:23:34.040
<v Speaker 1>like I've had talks, Mike, and individually more than you,

0:23:34.119 --> 0:23:36.320
<v Speaker 1>I don't really get everybody into a room, because as

0:23:36.359 --> 0:23:38.439
<v Speaker 1>a boss you have to look at people differently and

0:23:38.440 --> 0:23:41.240
<v Speaker 1>realize their temperaments are different, and their emotions are different,

0:23:41.240 --> 0:23:47.080
<v Speaker 1>and they take positive and constructive criticism differently. So everybody

0:23:47.080 --> 0:23:50.720
<v Speaker 1>gets talked to separately, like if we have talks, and

0:23:50.840 --> 0:23:55.000
<v Speaker 1>so it's, uh, that's how it is. I don't put

0:23:55.000 --> 0:23:57.840
<v Speaker 1>everybody in a gymnasium and get on the microphone like

0:23:57.840 --> 0:24:04.840
<v Speaker 1>give me give I felt that. But they're so many

0:24:04.880 --> 0:24:08.440
<v Speaker 1>different managerial styles. I just decided that when I was

0:24:08.440 --> 0:24:11.600
<v Speaker 1>gonna put together a group of people, not a group

0:24:11.600 --> 0:24:16.080
<v Speaker 1>of radio people. And people are all different. You have

0:24:16.119 --> 0:24:19.359
<v Speaker 1>to handle people different, Dan, that's gotta be tough as

0:24:19.400 --> 0:24:22.360
<v Speaker 1>a friend and a boss. It's the it's the biggest

0:24:22.400 --> 0:24:25.359
<v Speaker 1>struggle of the show of being a friend and a

0:24:25.400 --> 0:24:27.399
<v Speaker 1>boss because I can't bring someone in. It's not my friend,

0:24:28.200 --> 0:24:30.200
<v Speaker 1>Like nobody comes through the walls. It's not my friend.

0:24:30.440 --> 0:24:32.680
<v Speaker 1>And people asked by Nata, which is where we were?

0:24:33.280 --> 0:24:35.919
<v Speaker 1>Um the thing when Nada, I didn't know Nada. I

0:24:36.000 --> 0:24:38.159
<v Speaker 1>never hired Nada. We were here for a year. I

0:24:38.160 --> 0:24:40.680
<v Speaker 1>still didn't hire Nada. But what happened and not as

0:24:40.720 --> 0:24:46.480
<v Speaker 1>my friend, just like Ray did not showed up on

0:24:46.520 --> 0:24:47.920
<v Speaker 1>her very first day, I was like, hey, I'm here

0:24:47.920 --> 0:24:50.239
<v Speaker 1>to help. She had never been on the radio. She

0:24:50.280 --> 0:24:52.960
<v Speaker 1>had only done digital, like worked on the web stuff, right,

0:24:53.280 --> 0:24:55.959
<v Speaker 1>like built web graphics and stuff. And so she's like, hey,

0:24:55.960 --> 0:24:57.840
<v Speaker 1>I might help web graphics. You guys are a new show.

0:24:58.359 --> 0:25:00.640
<v Speaker 1>So she would come in the morning, and she's coming

0:25:00.640 --> 0:25:02.840
<v Speaker 1>again the next morning. Did she come in the next

0:25:02.840 --> 0:25:04.760
<v Speaker 1>morning like I can't pay you, like we don't have

0:25:04.800 --> 0:25:06.960
<v Speaker 1>a budget. She would do it for free for a

0:25:07.040 --> 0:25:09.320
<v Speaker 1>year and three months a year and three months now

0:25:09.560 --> 0:25:11.720
<v Speaker 1>came in and she came in every day for free,

0:25:11.760 --> 0:25:13.280
<v Speaker 1>and then only that did the rest of her job

0:25:13.320 --> 0:25:14.960
<v Speaker 1>all day long, like she had a real job and

0:25:15.000 --> 0:25:18.000
<v Speaker 1>that building doing digital. What was she trying to prove?

0:25:18.320 --> 0:25:20.479
<v Speaker 1>Not think she was just wanted to She enjoyed being

0:25:20.520 --> 0:25:22.159
<v Speaker 1>a part of the show. Wanted to be a part

0:25:22.200 --> 0:25:23.399
<v Speaker 1>of the show. After she was there for like a

0:25:23.480 --> 0:25:26.919
<v Speaker 1>month and she's like, this is a great environment and

0:25:27.040 --> 0:25:29.159
<v Speaker 1>I can do it. And I realized her importance and

0:25:29.160 --> 0:25:33.040
<v Speaker 1>how good she was. So that's where that's what happened.

0:25:33.040 --> 0:25:35.359
<v Speaker 1>So she worked for over a year and then how

0:25:35.400 --> 0:25:37.600
<v Speaker 1>do I not go to bad for somebody that isn't

0:25:38.960 --> 0:25:41.600
<v Speaker 1>And another thing is too I might say this here,

0:25:41.600 --> 0:25:44.480
<v Speaker 1>I've taken money from my pay my contract and pass

0:25:44.520 --> 0:25:48.560
<v Speaker 1>it out to our show. Because only times whenever there

0:25:48.600 --> 0:25:54.359
<v Speaker 1>aren't raises, like on our level of the company, Like

0:25:54.359 --> 0:25:56.320
<v Speaker 1>it's like we're not there are no raises, right, there's

0:25:56.320 --> 0:25:58.399
<v Speaker 1>no you know whatever, the fiscical coal I don't even

0:25:58.400 --> 0:26:00.520
<v Speaker 1>know what's happening, but like we don't know this. And

0:26:00.560 --> 0:26:03.520
<v Speaker 1>in contracts, you signed contracts and that's just what you get.

0:26:03.760 --> 0:26:05.639
<v Speaker 1>You don't get raises after you signed a contract, like

0:26:05.640 --> 0:26:07.560
<v Speaker 1>if I was signed a contract for five years, unless

0:26:07.560 --> 0:26:09.160
<v Speaker 1>the raisors are built in, you don't get a raise

0:26:09.359 --> 0:26:11.880
<v Speaker 1>because you just signed a contract. And when I signed

0:26:11.880 --> 0:26:13.840
<v Speaker 1>a contract, my first one is a five year contract

0:26:14.240 --> 0:26:15.800
<v Speaker 1>and then a few years into that. But I don't

0:26:15.840 --> 0:26:18.359
<v Speaker 1>go and ask for a raise inside of a contract

0:26:18.520 --> 0:26:21.600
<v Speaker 1>because I've already signed a contract and that tells me

0:26:21.640 --> 0:26:23.840
<v Speaker 1>what my raisors is going to be already, So I

0:26:23.840 --> 0:26:25.639
<v Speaker 1>don't go to them and go, you know, I signed

0:26:25.640 --> 0:26:27.760
<v Speaker 1>this deal, but is there any way maybe you break

0:26:27.800 --> 0:26:31.679
<v Speaker 1>me off flow extra, That's not how it works. But

0:26:31.880 --> 0:26:36.399
<v Speaker 1>what I've been able to do is take my money

0:26:36.640 --> 0:26:40.240
<v Speaker 1>that I've been paid and if people are deserving taking

0:26:40.280 --> 0:26:42.639
<v Speaker 1>and go cut it off of mine and put it

0:26:42.760 --> 0:26:47.680
<v Speaker 1>into them. How do you feel like they're deserving? How

0:26:47.680 --> 0:26:49.360
<v Speaker 1>do you tell? How do you how do you say?

0:26:49.600 --> 0:26:51.560
<v Speaker 1>Do you tell it? Do you do? You divvy it

0:26:51.640 --> 0:26:54.280
<v Speaker 1>up all the same time. If you're given one person

0:26:54.280 --> 0:26:56.159
<v Speaker 1>a raise, you give everybody a raise? Are you just

0:26:56.440 --> 0:26:59.560
<v Speaker 1>because I don't think the world like that? Like I

0:26:59.640 --> 0:27:04.640
<v Speaker 1>think never like after you know, this is Ray's first

0:27:04.680 --> 0:27:06.840
<v Speaker 1>ever radio job. He was an internal til he moved here,

0:27:06.920 --> 0:27:09.520
<v Speaker 1>and he was getting paid nothing. It was this first

0:27:09.560 --> 0:27:11.639
<v Speaker 1>ever job and he was coming in as the audio

0:27:11.680 --> 0:27:14.680
<v Speaker 1>producer and he was getting paid very very little. And

0:27:14.760 --> 0:27:18.240
<v Speaker 1>he signed contract because you have signed contract, meaning so

0:27:18.280 --> 0:27:21.280
<v Speaker 1>you don't run off to another radio station. And so

0:27:21.560 --> 0:27:23.280
<v Speaker 1>he signed a contract and he wasn't gonna paid it.

0:27:23.280 --> 0:27:26.040
<v Speaker 1>So I was like, all right, you've deserved. You deserve

0:27:26.200 --> 0:27:29.280
<v Speaker 1>more than your contract right now. So I'm gonna take

0:27:29.359 --> 0:27:32.920
<v Speaker 1>and some of my money that's my salary, and give

0:27:32.960 --> 0:27:36.919
<v Speaker 1>it to you. And I've done that pretty much everybody

0:27:37.800 --> 0:27:42.679
<v Speaker 1>on the show. If they're if, I feel like they've

0:27:42.720 --> 0:27:44.760
<v Speaker 1>worked into it. But I can tell you the truth

0:27:44.800 --> 0:27:46.800
<v Speaker 1>is I signed a contract when I moved here, and

0:27:46.840 --> 0:27:50.120
<v Speaker 1>I outperformed my contract, according to my boss, is pretty quick,

0:27:50.119 --> 0:27:51.640
<v Speaker 1>and they were like, Okay, rip it up, new deal,

0:27:52.119 --> 0:27:56.400
<v Speaker 1>and I signed a new deal they let me. So

0:27:57.160 --> 0:28:00.199
<v Speaker 1>I think people. I always believe in paying people what

0:28:00.240 --> 0:28:04.240
<v Speaker 1>they're worth, and sometimes over what they're worth if in

0:28:04.280 --> 0:28:08.160
<v Speaker 1>the long term, like it makes them feel respected and

0:28:08.359 --> 0:28:14.119
<v Speaker 1>it keeps them working harder. So I mean, I mean,

0:28:14.119 --> 0:28:16.080
<v Speaker 1>I feel like this is like business fonsophy that could

0:28:16.080 --> 0:28:18.320
<v Speaker 1>probably prove wrong in ten different points, but it's how

0:28:18.400 --> 0:28:20.760
<v Speaker 1>we worked. But I never got tired of the morning show.

0:28:21.280 --> 0:28:22.840
<v Speaker 1>It's like I never went to someone and said, hey,

0:28:22.920 --> 0:28:24.879
<v Speaker 1>you teach me how to do the morning show. I

0:28:25.040 --> 0:28:27.399
<v Speaker 1>started doing it. So I don't know anything other than

0:28:27.440 --> 0:28:30.639
<v Speaker 1>what I know, and my show doesn't anything other than

0:28:30.680 --> 0:28:32.800
<v Speaker 1>what they know and what I know. So it's not

0:28:32.800 --> 0:28:35.440
<v Speaker 1>like we have and I say this in the way

0:28:35.480 --> 0:28:38.400
<v Speaker 1>of that it's not like we don't know a lot

0:28:38.480 --> 0:28:40.440
<v Speaker 1>of things because we won't haven't been exposed a lot

0:28:40.520 --> 0:28:43.560
<v Speaker 1>of things. You know, there's some great morning shows out there,

0:28:43.600 --> 0:28:46.840
<v Speaker 1>like Olvis Duran who worked with some great morning show people.

0:28:47.440 --> 0:28:50.920
<v Speaker 1>Uh like Charlotagne worked with Wendy Williams, so she was

0:28:50.960 --> 0:28:52.800
<v Speaker 1>doing morning like he learned things from these people. I

0:28:52.840 --> 0:28:55.880
<v Speaker 1>don't crap. And then sometimes why the show comes off

0:28:55.960 --> 0:28:59.800
<v Speaker 1>is really rough and uh not polished, but at the

0:28:59.800 --> 0:29:02.400
<v Speaker 1>same time that that's what makes us different as well.

0:29:02.640 --> 0:29:05.000
<v Speaker 1>It's stay done. That makes sense. I know what you're

0:29:05.000 --> 0:29:08.000
<v Speaker 1>talking about, because sometimes I'm like, that don't sound like

0:29:08.480 --> 0:29:12.280
<v Speaker 1>Charlottemagne breakfast club type of thing to say, But well

0:29:12.280 --> 0:29:14.360
<v Speaker 1>we're not Charlotte Magne breakfast Club of course, and not

0:29:14.600 --> 0:29:18.720
<v Speaker 1>they hip how your country? And it's weird that Charlottagne

0:29:18.720 --> 0:29:21.240
<v Speaker 1>are probably the closest to of all the talent and

0:29:21.280 --> 0:29:24.560
<v Speaker 1>all the I heart like the hip hop and the

0:29:24.560 --> 0:29:28.800
<v Speaker 1>country show. We go on each other's shows. Actually, I

0:29:28.840 --> 0:29:30.920
<v Speaker 1>didn't see that interview when you was on there. They

0:29:31.000 --> 0:29:33.640
<v Speaker 1>was trying to kill you about saying what's up to

0:29:34.000 --> 0:29:36.520
<v Speaker 1>what's her name? And they were trying to grow me

0:29:36.560 --> 0:29:38.360
<v Speaker 1>on anything. But you can't grow me like I just

0:29:38.520 --> 0:29:41.560
<v Speaker 1>say what I feel like. Dean Sanders said to me,

0:29:41.840 --> 0:29:43.400
<v Speaker 1>say what do you see? That's all you can do.

0:29:43.480 --> 0:29:44.920
<v Speaker 1>If you always just say we just see them, you

0:29:44.920 --> 0:29:47.360
<v Speaker 1>have to about Lyine because you've always just said what

0:29:48.040 --> 0:29:49.600
<v Speaker 1>you know. You can't cut in the life. You're always

0:29:49.600 --> 0:29:52.040
<v Speaker 1>tell them what you see? Right. They got a little

0:29:52.080 --> 0:29:55.000
<v Speaker 1>bit more fresh Bobby there. They Bobby had the hat

0:29:55.120 --> 0:29:57.720
<v Speaker 1>sideways on that he had a little slang, a little

0:29:57.720 --> 0:30:01.840
<v Speaker 1>sl yeah, yeah, Bobby bones you. I don't think that's

0:30:01.880 --> 0:30:05.200
<v Speaker 1>true that you know. I think this is like when

0:30:05.240 --> 0:30:06.440
<v Speaker 1>you thought the guy thought you were a black so

0:30:06.480 --> 0:30:09.640
<v Speaker 1>they wouldn't let you in the building the interview when

0:30:10.440 --> 0:30:13.479
<v Speaker 1>it was a good interview. But I will say this

0:30:13.640 --> 0:30:15.760
<v Speaker 1>about my hat when I wear a little bit sideways.

0:30:15.760 --> 0:30:18.120
<v Speaker 1>Do you know why wear my hat sideways because Eminem

0:30:18.200 --> 0:30:21.560
<v Speaker 1>does it? No, that's not why, okay about Eminem. When

0:30:21.600 --> 0:30:24.200
<v Speaker 1>I have my big black glasses on, I'm sorry, my

0:30:24.320 --> 0:30:29.440
<v Speaker 1>big darker glasses on. Now, when my big black glasses,

0:30:29.520 --> 0:30:31.920
<v Speaker 1>I can't wear a normal hat down because it hits

0:30:31.920 --> 0:30:34.680
<v Speaker 1>the glasses. So I gotta turn it just a bit

0:30:35.240 --> 0:30:37.080
<v Speaker 1>so I can at least pull it down to normal

0:30:37.080 --> 0:30:40.000
<v Speaker 1>hat level. So I don't do that when I'm wearing

0:30:40.080 --> 0:30:43.640
<v Speaker 1>like these small glasses, okay, And that's why were my

0:30:43.680 --> 0:30:45.600
<v Speaker 1>hat backward a lot of times if I'm on stage

0:30:45.600 --> 0:30:47.320
<v Speaker 1>with those big glasses, so I don't look like I'm

0:30:47.320 --> 0:30:50.520
<v Speaker 1>trying to the Eminem on stage. So it's really just

0:30:51.200 --> 0:30:55.160
<v Speaker 1>I wear big glasses. Everybody always wants to sign rolls

0:30:55.200 --> 0:30:57.560
<v Speaker 1>to people what they're trying to do. It's not even

0:30:57.600 --> 0:30:59.959
<v Speaker 1>the case. I was just saying, just so happen. When

0:31:00.000 --> 0:31:02.200
<v Speaker 1>I saw him on Charlotte Main his hat was down

0:31:02.240 --> 0:31:04.400
<v Speaker 1>because I had big glasses on. But I had seen

0:31:04.400 --> 0:31:06.760
<v Speaker 1>you a lot of times before you went on Charlotte Magne,

0:31:06.760 --> 0:31:09.040
<v Speaker 1>and I never saw your hat download like jay Z.

0:31:09.560 --> 0:31:11.760
<v Speaker 1>It wasn't download like jay Z. Though a little back

0:31:11.760 --> 0:31:13.680
<v Speaker 1>to the side, a little bit lower than it normally.

0:31:13.840 --> 0:31:16.680
<v Speaker 1>Was Okay, whatever you want to think. Okay, that was

0:31:16.720 --> 0:31:19.280
<v Speaker 1>a fun interview, and they were places that you know,

0:31:19.400 --> 0:31:22.200
<v Speaker 1>no interviewers ever taken me. I liked it. It was fun.

0:31:22.400 --> 0:31:24.200
<v Speaker 1>You should check it out of y'all. Don't hear that? Yeah,

0:31:24.200 --> 0:31:28.200
<v Speaker 1>it's not a breakfast clothed website. And then, uh, but y'all,

0:31:28.240 --> 0:31:32.720
<v Speaker 1>I mean, I don't think I got crazy slang, but

0:31:32.880 --> 0:31:35.560
<v Speaker 1>I do feel like a little bit. It's like when

0:31:35.600 --> 0:31:37.280
<v Speaker 1>I go, like, give an example, I go back home,

0:31:37.520 --> 0:31:40.800
<v Speaker 1>my Southern accent comes out. I already have a Southern accent.

0:31:41.120 --> 0:31:42.640
<v Speaker 1>If I go back to Arkansas and I see my

0:31:42.720 --> 0:31:45.280
<v Speaker 1>family a little bit, talking like this a little more,

0:31:45.320 --> 0:31:47.400
<v Speaker 1>you know, it's just how I talk, just how you know,

0:31:47.480 --> 0:31:49.120
<v Speaker 1>you go back home and you talk like this, it's

0:31:49.120 --> 0:31:50.640
<v Speaker 1>like your eyes your eyes and we get some watch

0:31:50.680 --> 0:31:53.160
<v Speaker 1>powers and you know, to go down. You know, that's

0:31:53.200 --> 0:31:55.560
<v Speaker 1>how I grew up talking only two years of speak pathology,

0:31:55.560 --> 0:31:58.120
<v Speaker 1>I still haven't shaken all my accent, but I lost

0:31:58.160 --> 0:31:59.560
<v Speaker 1>a lot of it because I knew that to be

0:31:59.560 --> 0:32:00.600
<v Speaker 1>on the rady, it would have to be in a

0:32:00.640 --> 0:32:03.320
<v Speaker 1>lot of places. Now, where I grew up, there were

0:32:03.360 --> 0:32:05.520
<v Speaker 1>some white folks, there were some black folks. So I

0:32:05.560 --> 0:32:08.040
<v Speaker 1>felt and I feel the most comfortable around black people,

0:32:09.040 --> 0:32:12.200
<v Speaker 1>like and so just like when I back home, it

0:32:12.280 --> 0:32:15.200
<v Speaker 1>felt kind of like I was back home again, and

0:32:15.280 --> 0:32:17.720
<v Speaker 1>so it was like, Okay, well, I guess I'll just

0:32:17.800 --> 0:32:21.360
<v Speaker 1>kind of slide a bit into my back home accent, Okay,

0:32:21.400 --> 0:32:23.040
<v Speaker 1>because y'all was giving me a hard time when I

0:32:23.080 --> 0:32:25.920
<v Speaker 1>was ordering at a mom a. No, no, no, here's different.

0:32:26.920 --> 0:32:30.720
<v Speaker 1>I don't think that's different. Different because where I grew up,

0:32:30.760 --> 0:32:33.000
<v Speaker 1>I grew up with a lot of black friends. And

0:32:33.760 --> 0:32:35.480
<v Speaker 1>you go up a lot of black friends, you hang

0:32:35.480 --> 0:32:37.720
<v Speaker 1>out with your friends, you start talking like your friends

0:32:37.760 --> 0:32:40.120
<v Speaker 1>a little bit. Now, I didn't do it a lot

0:32:40.200 --> 0:32:44.320
<v Speaker 1>because I was a little white kid. But yeah, you

0:32:44.560 --> 0:32:48.320
<v Speaker 1>were talking to a waiter that was Asian and you

0:32:48.400 --> 0:32:53.560
<v Speaker 1>tell Japanese, I like, okay, yeah, Asia, okay. He said,

0:32:54.120 --> 0:32:56.840
<v Speaker 1>you never lived in Japan and you were trying to

0:32:56.840 --> 0:32:59.160
<v Speaker 1>speak Japanese. So he and he was like what you

0:32:59.240 --> 0:33:01.480
<v Speaker 1>like and I'm I said, I want told me so,

0:33:02.360 --> 0:33:07.440
<v Speaker 1>and I like, all, you can't do that. Yes, no,

0:33:07.560 --> 0:33:09.560
<v Speaker 1>he yes, he did that. And I called Hi out

0:33:09.560 --> 0:33:11.840
<v Speaker 1>on the table and I was like, you can't do that.

0:33:11.840 --> 0:33:13.800
<v Speaker 1>That's not the same thing. Like when I was hanging

0:33:14.040 --> 0:33:16.800
<v Speaker 1>with Searlemagne, Envy and Angela, it was kind of like

0:33:16.800 --> 0:33:18.720
<v Speaker 1>I was back home again. So I think it kind

0:33:18.720 --> 0:33:21.440
<v Speaker 1>of slipped back into how I used to be in

0:33:21.480 --> 0:33:23.200
<v Speaker 1>high school a bit. But that was kind of like

0:33:23.320 --> 0:33:25.440
<v Speaker 1>you was talking like them, so they could talking like them.

0:33:25.480 --> 0:33:28.120
<v Speaker 1>I was talking like I felt comfortable talking. It took

0:33:28.120 --> 0:33:30.160
<v Speaker 1>me back to how I used to probably talk a bit.

0:33:31.120 --> 0:33:33.480
<v Speaker 1>You never talked like you were Japanese. Well yeah, I

0:33:33.520 --> 0:33:35.280
<v Speaker 1>mean my sister she was in the Navy. So I

0:33:35.320 --> 0:33:37.200
<v Speaker 1>went to go visit in Okinawa one time and they

0:33:37.280 --> 0:33:39.960
<v Speaker 1>was talking about that and I was like, it was

0:33:40.000 --> 0:33:43.920
<v Speaker 1>like two months. So I got that agent. I got

0:33:43.920 --> 0:33:46.520
<v Speaker 1>that agents, but it's not the same thing. That the

0:33:46.520 --> 0:33:48.320
<v Speaker 1>same thing. But that's like if I go to like

0:33:48.360 --> 0:33:52.360
<v Speaker 1>a real Mexican restaurant sometimes older in Spanish, you feel

0:33:52.440 --> 0:34:01.160
<v Speaker 1>me just one time for ten days, but the way

0:34:01.200 --> 0:34:03.120
<v Speaker 1>it was like he kind of respected me. No he

0:34:03.160 --> 0:34:06.200
<v Speaker 1>did not, because I got my food first and you

0:34:06.480 --> 0:34:09.040
<v Speaker 1>ordered first. No, no, because I was like, did you

0:34:09.120 --> 0:34:14.040
<v Speaker 1>order first? Did you order first? Order first? But everybody

0:34:14.040 --> 0:34:16.480
<v Speaker 1>didn't even get their food and it was also soup,

0:34:16.680 --> 0:34:18.640
<v Speaker 1>and you got the soup first, which is probably just

0:34:18.719 --> 0:34:22.879
<v Speaker 1>the big bowl of soup. Back there, he poured something

0:34:22.920 --> 0:34:26.920
<v Speaker 1>else in because yeah, no, no, I felt like he

0:34:27.040 --> 0:34:29.200
<v Speaker 1>was like there are times though, when I call an

0:34:29.239 --> 0:34:30.960
<v Speaker 1>Asian restaurant and you want to talk in the accent

0:34:30.960 --> 0:34:32.680
<v Speaker 1>because of the answer, and it's really thick, and I

0:34:32.719 --> 0:34:34.480
<v Speaker 1>don't want to do the accent because I don't. I

0:34:34.560 --> 0:34:37.759
<v Speaker 1>don't better go boy and racist. They're like, I'll do

0:34:37.800 --> 0:34:44.000
<v Speaker 1>it like um um, like curb with the frog as

0:34:45.120 --> 0:34:47.640
<v Speaker 1>curb with frog here. Oh thanks for going for Chinese food.

0:34:47.960 --> 0:34:50.480
<v Speaker 1>I want to be like, oh, like some chicken and

0:34:50.560 --> 0:34:54.600
<v Speaker 1>drug please you so, but just insert whatever accent you're

0:34:54.600 --> 0:34:57.279
<v Speaker 1>calling from, the regardless of its Indian food. But you

0:34:57.280 --> 0:34:59.279
<v Speaker 1>do feel that need. But am I did it so

0:34:59.360 --> 0:35:03.760
<v Speaker 1>blatantly in public? I was stunned and I yelled a lot,

0:35:04.560 --> 0:35:07.759
<v Speaker 1>but it was red. It went wrong with it. Watch

0:35:07.760 --> 0:35:10.120
<v Speaker 1>your face get red, but by my face is brown,

0:35:10.160 --> 0:35:11.759
<v Speaker 1>so you can't really see. No, you know, your face

0:35:11.800 --> 0:35:14.120
<v Speaker 1>definitely got red. But I was saying, why would you

0:35:14.160 --> 0:35:16.920
<v Speaker 1>even say that if I didn't think anything wrong with it?

0:35:17.080 --> 0:35:19.640
<v Speaker 1>That waiter didn't think anything was wrong with it. Now

0:35:19.680 --> 0:35:24.799
<v Speaker 1>the way it was just like it was his first day. Okay,

0:35:24.840 --> 0:35:27.040
<v Speaker 1>if you think that, And so why is it racist

0:35:27.080 --> 0:35:29.400
<v Speaker 1>if you make an accent? I don't think it is.

0:35:29.480 --> 0:35:32.840
<v Speaker 1>But it's like, why even because if one person starts

0:35:32.840 --> 0:35:35.759
<v Speaker 1>going that's racist, it wasn't worth it wasn't worth the joke,

0:35:37.040 --> 0:35:38.680
<v Speaker 1>Like it's just not something. It's like we used to

0:35:38.719 --> 0:35:41.600
<v Speaker 1>do street things all the time, like stunts on the

0:35:41.640 --> 0:35:46.160
<v Speaker 1>streets all the time, and it became if we do

0:35:46.400 --> 0:35:49.200
<v Speaker 1>fifteen stunts and fourteen them were successful and we get

0:35:49.200 --> 0:35:53.120
<v Speaker 1>in bad trouble for one, it wasn't worth it. So

0:35:53.160 --> 0:35:56.160
<v Speaker 1>we just stopped doing them. And so there are things

0:35:56.760 --> 0:35:59.360
<v Speaker 1>that just aren't worth it because if just one time

0:36:00.120 --> 0:36:04.719
<v Speaker 1>someone goes that's a racist, or if someone goes that's dangerous,

0:36:04.800 --> 0:36:06.600
<v Speaker 1>or you get in trouble or you get it's just

0:36:06.640 --> 0:36:09.440
<v Speaker 1>not worth it. So a lot of it's picking you

0:36:09.520 --> 0:36:11.520
<v Speaker 1>to risk spots and something. It's just not worth it,

0:36:11.760 --> 0:36:14.120
<v Speaker 1>Like for me to make that joke on a podcast,

0:36:14.320 --> 0:36:16.399
<v Speaker 1>which is gonna there's no reason for me to make

0:36:16.440 --> 0:36:19.359
<v Speaker 1>that joke on a podcast and put it out there

0:36:19.440 --> 0:36:20.719
<v Speaker 1>for someone to cut up and go listen to him

0:36:20.760 --> 0:36:23.879
<v Speaker 1>being racist. So I just come with the frog, right,

0:36:24.280 --> 0:36:26.040
<v Speaker 1>But I wouldn't think it was a joke. It would

0:36:26.040 --> 0:36:30.120
<v Speaker 1>just be you imitating what you heard, fair enough. But

0:36:30.160 --> 0:36:32.799
<v Speaker 1>it's only takes one person to think that and to

0:36:32.840 --> 0:36:34.920
<v Speaker 1>start saying that you don't want to be called a

0:36:35.000 --> 0:36:39.360
<v Speaker 1>racist and listen, I mean, yeah, you know what I

0:36:39.400 --> 0:36:41.200
<v Speaker 1>have people say I ain't a racist. I wall I

0:36:41.200 --> 0:36:45.600
<v Speaker 1>aint a racist, and so it's just it's just not

0:36:45.600 --> 0:36:47.520
<v Speaker 1>worth it. I never say I'm not a racist, That's

0:36:47.520 --> 0:36:49.000
<v Speaker 1>what I'm saying. I don't say it either. It's like,

0:36:49.280 --> 0:36:50.680
<v Speaker 1>you know what, I never say too, And I'm always

0:36:50.880 --> 0:36:52.680
<v Speaker 1>best friends. I never go I got a black friend.

0:36:53.000 --> 0:36:57.400
<v Speaker 1>People who say that, Yeah, people who say that are

0:36:57.400 --> 0:36:59.520
<v Speaker 1>always like the people are like, right, why you gotta

0:36:59.560 --> 0:37:01.440
<v Speaker 1>highlight the you got a black friend. Why can't you

0:37:01.480 --> 0:37:03.879
<v Speaker 1>just have a friend. Right, But the man does bring

0:37:03.880 --> 0:37:07.560
<v Speaker 1>a lot of self racism on himself. Oh you think so?

0:37:07.719 --> 0:37:09.239
<v Speaker 1>Oh yeah, for sure where this is what I see

0:37:09.280 --> 0:37:13.759
<v Speaker 1>in life, though I think you see it in a

0:37:13.800 --> 0:37:18.000
<v Speaker 1>lot of ways that I don't see it. Obviously we're

0:37:18.000 --> 0:37:20.560
<v Speaker 1>from different places, but a little bit, just a little bit,

0:37:21.960 --> 0:37:25.719
<v Speaker 1>like I don't come from a completely white town full

0:37:25.760 --> 0:37:28.200
<v Speaker 1>of all white people where we had classes and we

0:37:28.320 --> 0:37:32.719
<v Speaker 1>just studied about white things. We go to places like

0:37:32.800 --> 0:37:35.680
<v Speaker 1>Alabama University of Alama, and I was like, I can't

0:37:35.719 --> 0:37:37.440
<v Speaker 1>walk outside everyone I love people looking at me, like,

0:37:37.440 --> 0:37:39.160
<v Speaker 1>why is this black guy doing here? I'm like, there

0:37:39.160 --> 0:37:41.840
<v Speaker 1>are ten thousand other black people walking around campus. But

0:37:41.880 --> 0:37:44.080
<v Speaker 1>in mind it's also super ripped up, so they could

0:37:44.120 --> 0:37:47.440
<v Speaker 1>just it's not the fact that he's black. He's like,

0:37:49.320 --> 0:37:51.640
<v Speaker 1>I don't know about that. I think they're looking at

0:37:51.719 --> 0:37:54.839
<v Speaker 1>me because they like another person looking at me with

0:37:54.880 --> 0:37:57.239
<v Speaker 1>a different skin color. I'm gonna say Caucasian, and I'll

0:37:57.239 --> 0:37:59.239
<v Speaker 1>be like, why are you gotta be looking at me

0:37:59.280 --> 0:38:00.840
<v Speaker 1>like that? But Bobby, right this, I mean, why are

0:38:00.840 --> 0:38:02.360
<v Speaker 1>you not looking at But why can't they look at you?

0:38:02.400 --> 0:38:05.680
<v Speaker 1>Because you are built like not You're a monster. You're

0:38:05.719 --> 0:38:08.239
<v Speaker 1>like a bodybuilder. If you walk by and you had

0:38:08.280 --> 0:38:10.239
<v Speaker 1>a tanktop on, I would stare at you and I'll

0:38:10.239 --> 0:38:11.719
<v Speaker 1>be going did that. Dudes, cut up and you'll be going,

0:38:11.880 --> 0:38:13.640
<v Speaker 1>just dude, look at me because I'm black. Every two

0:38:13.719 --> 0:38:18.440
<v Speaker 1>different things. That's what I think, right, But you shouldn't.

0:38:19.000 --> 0:38:21.000
<v Speaker 1>Maybe you shouldn't light But I have the same I

0:38:21.000 --> 0:38:23.799
<v Speaker 1>have the same problem, not about race, but probably with

0:38:24.280 --> 0:38:26.719
<v Speaker 1>I think how maybe girls will procee because I think

0:38:26.760 --> 0:38:30.160
<v Speaker 1>every girl's like I this guy already ugly dude, what

0:38:30.160 --> 0:38:32.880
<v Speaker 1>you're saying, But is that really what's happening. Probably not

0:38:32.920 --> 0:38:36.200
<v Speaker 1>all the time. Sometimes, probably are some people probably looking

0:38:36.239 --> 0:38:40.320
<v Speaker 1>at you going when it was black dude. Occasionally probably

0:38:40.360 --> 0:38:42.680
<v Speaker 1>more than okay, well the probably more than not. Girls

0:38:42.680 --> 0:38:47.080
<v Speaker 1>looking like I've never that guy's ugly. I don't know

0:38:47.120 --> 0:38:51.680
<v Speaker 1>about that exactly exactly. I don't know about that. We

0:38:51.760 --> 0:38:57.960
<v Speaker 1>live in America, check mate, check mate. I'm just saying

0:38:58.040 --> 0:39:02.000
<v Speaker 1>there's some similarities there. He's not exactly correct. Well, that's

0:39:02.040 --> 0:39:03.839
<v Speaker 1>all I mean about that. When I talked to him later,

0:39:04.600 --> 0:39:07.319
<v Speaker 1>do you Ahma did not like Charlett Mane for the

0:39:07.320 --> 0:39:12.719
<v Speaker 1>longest time because Charlemaine he was always talking negative and

0:39:12.800 --> 0:39:15.680
<v Speaker 1>that's what he was getting his his following from, like

0:39:15.719 --> 0:39:21.040
<v Speaker 1>a negative conversation about some talking putting people on spots. Right,

0:39:21.239 --> 0:39:23.760
<v Speaker 1>But he was like attacking people, like when he attacked Kanye.

0:39:24.000 --> 0:39:25.400
<v Speaker 1>He want to get a rise out of here. He

0:39:26.000 --> 0:39:28.600
<v Speaker 1>went after Kanye because he felt like nobody goes after Kanye,

0:39:28.680 --> 0:39:31.520
<v Speaker 1>and there were many things he wanted to know, and

0:39:31.560 --> 0:39:34.200
<v Speaker 1>so he just said if I want to know, And

0:39:34.200 --> 0:39:37.440
<v Speaker 1>it wasn't attack, it was just what everybody wanted to

0:39:37.480 --> 0:39:40.160
<v Speaker 1>ask him. You don't go after people you don't get

0:39:40.200 --> 0:39:42.200
<v Speaker 1>You don't go at people to get a rise out

0:39:42.239 --> 0:39:46.120
<v Speaker 1>of him. Charlotte Mane intentionally goes at the I think

0:39:46.160 --> 0:39:48.640
<v Speaker 1>once he sees that he can, people are weak enough

0:39:48.719 --> 0:39:51.480
<v Speaker 1>to get a ride. But listen to me saying that

0:39:52.000 --> 0:39:53.960
<v Speaker 1>talking about Charte man doing this would be so hypocritical,

0:39:54.000 --> 0:39:56.319
<v Speaker 1>because I do. I get rises out of people too.

0:39:57.440 --> 0:40:02.760
<v Speaker 1>You're just something in different ways, different level, different for type. Um.

0:40:02.840 --> 0:40:05.880
<v Speaker 1>But then now, I mean, would you say you're a fan? No,

0:40:06.680 --> 0:40:08.920
<v Speaker 1>I mean I wouldn't say I was a fan because

0:40:08.960 --> 0:40:12.439
<v Speaker 1>he's your homie, like one of my best friends. Then

0:40:12.480 --> 0:40:14.080
<v Speaker 1>I would be like, and if one of my best

0:40:14.080 --> 0:40:16.080
<v Speaker 1>friends is another best friend, I'm like, okay, they're my friend.

0:40:16.080 --> 0:40:17.719
<v Speaker 1>To a friend of my friend is my friends. So

0:40:17.840 --> 0:40:19.200
<v Speaker 1>that's why I would like I have a picture in

0:40:19.239 --> 0:40:22.480
<v Speaker 1>my hallway of Charlottagne and I together doing a broadcast together,

0:40:22.480 --> 0:40:24.000
<v Speaker 1>because to me, it means a lot, because it's like

0:40:24.040 --> 0:40:26.040
<v Speaker 1>one of the and now we've done each other show

0:40:26.080 --> 0:40:27.839
<v Speaker 1>so many times, and you're not gonna be someone more

0:40:27.880 --> 0:40:30.319
<v Speaker 1>honest in the whole world. It is a period good

0:40:30.400 --> 0:40:33.000
<v Speaker 1>or bad than Charlottagne. Like he's just gonna say how

0:40:33.040 --> 0:40:35.960
<v Speaker 1>he feels all the time at dinner or on the radio,

0:40:36.800 --> 0:40:40.319
<v Speaker 1>and so I respect that, and I think it's kind

0:40:40.320 --> 0:40:43.600
<v Speaker 1>of why we bonded with each other that y'all speak

0:40:43.680 --> 0:40:45.759
<v Speaker 1>on the truth at all times. We try to be

0:40:45.800 --> 0:40:48.840
<v Speaker 1>as authentic as possible all the time, as genuine as possible,

0:40:48.880 --> 0:40:51.680
<v Speaker 1>and we both have I would say weakness is we

0:40:51.719 --> 0:40:54.520
<v Speaker 1>both have areas that we rely on each other for help.

0:40:54.560 --> 0:40:56.200
<v Speaker 1>We call each other. What does he rely on you

0:40:56.239 --> 0:40:59.399
<v Speaker 1>for him? Probably? Uh, I would say, relies the world.

0:40:59.440 --> 0:41:01.960
<v Speaker 1>But hell call Okay, I guess this business thing that

0:41:02.000 --> 0:41:04.880
<v Speaker 1>should handle this because you're a little bit more business

0:41:04.880 --> 0:41:06.719
<v Speaker 1>savvy than he is. Used I wouldn say savvy is

0:41:06.719 --> 0:41:08.680
<v Speaker 1>the word. I think I've just done it. I started

0:41:08.840 --> 0:41:11.320
<v Speaker 1>and had to build my own company from the very beginning,

0:41:11.960 --> 0:41:13.960
<v Speaker 1>and he came up a different way. He came up

0:41:14.000 --> 0:41:16.839
<v Speaker 1>as a side like person. For Wendy got his own

0:41:17.000 --> 0:41:19.239
<v Speaker 1>really good at that, got his own show, you know,

0:41:19.360 --> 0:41:23.279
<v Speaker 1>started show here like I was. I was writing contracts

0:41:23.280 --> 0:41:26.520
<v Speaker 1>at twenty one years old, so I've known how to

0:41:26.520 --> 0:41:29.080
<v Speaker 1>do that stuff by doing it wrong and failing. And

0:41:29.120 --> 0:41:31.200
<v Speaker 1>I can give advice that way, But for me, I'll

0:41:31.239 --> 0:41:35.839
<v Speaker 1>be like listen. UM. An example recently was I did

0:41:35.840 --> 0:41:38.000
<v Speaker 1>an interview and I got some trouble for it, and

0:41:38.040 --> 0:41:39.440
<v Speaker 1>I was like, hey, read this and tell me what

0:41:39.480 --> 0:41:43.239
<v Speaker 1>you think, like where I should have what comes off

0:41:43.280 --> 0:41:44.960
<v Speaker 1>wrong to you? And he read it and was like,

0:41:44.960 --> 0:41:47.759
<v Speaker 1>this is what I probably would have done. Um, I'm

0:41:47.760 --> 0:41:50.120
<v Speaker 1>not you, but just looking at and I looked to

0:41:50.200 --> 0:41:52.600
<v Speaker 1>his opinion for that. So I think we rely on

0:41:52.680 --> 0:41:54.160
<v Speaker 1>to a lot of ways like I looked. I looked

0:41:54.200 --> 0:41:56.600
<v Speaker 1>for him. Whenever i'm it starts to pull, I get

0:41:56.640 --> 0:41:59.279
<v Speaker 1>pulled back from keeping a real Sometimes I like, oh,

0:41:59.360 --> 0:42:01.239
<v Speaker 1>I kind of I just have to be honest all

0:42:01.280 --> 0:42:05.240
<v Speaker 1>the time. And if I feel like something is starting

0:42:05.280 --> 0:42:07.600
<v Speaker 1>to inside of me not feel that way, I'll call

0:42:07.680 --> 0:42:10.520
<v Speaker 1>and be like, let's I'm not feeling something, And he

0:42:10.560 --> 0:42:12.480
<v Speaker 1>gives me that kind of inspiration to be like, it

0:42:12.520 --> 0:42:14.920
<v Speaker 1>doesn't matter, you just have to be real, because once

0:42:14.960 --> 0:42:16.719
<v Speaker 1>you're not, nobody's ever gonna trust you again. And I

0:42:16.719 --> 0:42:18.400
<v Speaker 1>feel the same way. But sometimes I need that kick

0:42:18.440 --> 0:42:22.280
<v Speaker 1>in the butt. I mean, I was trying to figure

0:42:22.280 --> 0:42:26.200
<v Speaker 1>out so you rely on him for inspirational type stuff.

0:42:27.320 --> 0:42:33.000
<v Speaker 1>I just see we're very similar in many ways, and

0:42:33.080 --> 0:42:34.960
<v Speaker 1>so he'll he'll do something and I'd be like, all right,

0:42:34.960 --> 0:42:36.920
<v Speaker 1>how did you do that? Or I'll do something to

0:42:36.920 --> 0:42:38.920
<v Speaker 1>be like, dang, how did you do that? Now he's

0:42:38.920 --> 0:42:42.160
<v Speaker 1>writing a book about to announce soon, and he called.

0:42:42.200 --> 0:42:43.920
<v Speaker 1>We talked multiple times. Guy, I just went to the

0:42:43.920 --> 0:42:49.640
<v Speaker 1>whole process, and so yeah, we'll we'll talk business. He'll

0:42:49.640 --> 0:42:51.160
<v Speaker 1>call me like, hey, are you thinking about this? And

0:42:51.200 --> 0:42:53.560
<v Speaker 1>then uh, for me, I'll be like, hey, I got

0:42:53.600 --> 0:42:56.880
<v Speaker 1>this artist that I really can't stand, but they got

0:42:56.880 --> 0:42:58.839
<v Speaker 1>a huge record. And then I'm getting pressure to do

0:42:58.920 --> 0:43:02.879
<v Speaker 1>this and everybody wants and he's like, you just listen.

0:43:02.960 --> 0:43:04.759
<v Speaker 1>You geting pressure, but you gotta keep it real, like

0:43:04.880 --> 0:43:08.000
<v Speaker 1>do what's in your heart, regardless of what anybody's saying

0:43:08.040 --> 0:43:10.400
<v Speaker 1>to you, what you're always going to do with I

0:43:10.440 --> 0:43:14.280
<v Speaker 1>feel like percent of the time I do. Sometimes pressure

0:43:14.320 --> 0:43:16.960
<v Speaker 1>from places start pushing on you, even from your own bosses.

0:43:17.000 --> 0:43:20.880
<v Speaker 1>At times pressures. There are pressures because you never get pressure.

0:43:20.960 --> 0:43:22.600
<v Speaker 1>And sometimes he's like, you can't let the pressure get you.

0:43:22.680 --> 0:43:25.000
<v Speaker 1>Don't pressure, you should have it within yourself. And I'm like,

0:43:25.080 --> 0:43:27.120
<v Speaker 1>and and I do that, and I get the reset.

0:43:27.120 --> 0:43:28.480
<v Speaker 1>I think we all need somebody like that we can

0:43:28.480 --> 0:43:31.440
<v Speaker 1>rely on. That makes sense? Yeah, So yeah, at first

0:43:31.480 --> 0:43:33.080
<v Speaker 1>I was like, I don't know. I don't like the

0:43:33.120 --> 0:43:34.640
<v Speaker 1>way he treat people. I don't like the way you

0:43:34.680 --> 0:43:37.399
<v Speaker 1>try to interview people. But now I'm like, if Bobby's friends,

0:43:37.480 --> 0:43:43.640
<v Speaker 1>obviously he legits, so whatever, where my my room? This

0:43:43.760 --> 0:43:45.680
<v Speaker 1>the second ever? Bob? How do you feel about this?

0:43:46.040 --> 0:43:50.200
<v Speaker 1>Feel good? So, just hanging out at Bobby's, I was talking,

0:43:50.680 --> 0:43:55.080
<v Speaker 1>how's it? Because you and I've been friends and people

0:43:55.120 --> 0:43:57.920
<v Speaker 1>ask how we met. I guess I was working out

0:43:57.920 --> 0:44:03.560
<v Speaker 1>at twenty four Fitness that's right two in Austin. Yeah,

0:44:03.600 --> 0:44:08.279
<v Speaker 1>and I was probably mentioned like one day hard dude

0:44:08.280 --> 0:44:10.399
<v Speaker 1>and Mike and I was like, damn, I can't work

0:44:10.400 --> 0:44:13.440
<v Speaker 1>out with you. And now I was like, you know,

0:44:13.440 --> 0:44:16.120
<v Speaker 1>I like to keep it heavy, and he's like, okay,

0:44:16.840 --> 0:44:19.000
<v Speaker 1>And so I think I had really like twenty five

0:44:19.200 --> 0:44:22.400
<v Speaker 1>ex side always and I was like he he pushing

0:44:22.400 --> 0:44:26.439
<v Speaker 1>away I was really trying if I wasn't that good

0:44:27.040 --> 0:44:32.120
<v Speaker 1>at it yet, and so um um, I hired him

0:44:32.360 --> 0:44:35.960
<v Speaker 1>to be my trainer. And so you trained me for

0:44:36.000 --> 0:44:38.759
<v Speaker 1>a few months, and then we started hanging out and

0:44:38.800 --> 0:44:42.640
<v Speaker 1>then talking about hanging out. Then we became buddies and

0:44:42.640 --> 0:44:45.160
<v Speaker 1>then friends. I mean in that order, because I'm tough

0:44:45.200 --> 0:44:46.960
<v Speaker 1>to warm up too. I don't think anyone would disagree

0:44:47.000 --> 0:44:50.480
<v Speaker 1>with that. I mean, I wouldn't I would disagree with that.

0:44:50.520 --> 0:44:53.359
<v Speaker 1>I mean he was always cool, like he was always chill,

0:44:53.480 --> 0:44:55.920
<v Speaker 1>like I was like, that's just a regular dude. He

0:44:56.000 --> 0:44:59.000
<v Speaker 1>was always chill, funny, making jokes that you always are

0:44:59.080 --> 0:45:01.719
<v Speaker 1>right now, same as the same thing, same as you

0:45:01.719 --> 0:45:04.560
<v Speaker 1>do right now. I appreciate that. Yeah, it was the

0:45:04.600 --> 0:45:09.200
<v Speaker 1>same that. Maybe my perception is wrong. I felt that. See,

0:45:09.520 --> 0:45:13.239
<v Speaker 1>yeah that's true. Maybe it's wrong. I mean, I feel you.

0:45:13.480 --> 0:45:15.520
<v Speaker 1>But I feel like people be looking at me like

0:45:15.520 --> 0:45:18.680
<v Speaker 1>why is that for the black dude? But and I

0:45:18.719 --> 0:45:21.239
<v Speaker 1>always talk to be like like like girls, be like

0:45:21.520 --> 0:45:23.520
<v Speaker 1>like the nerdy guy, or you know what I get

0:45:23.560 --> 0:45:26.719
<v Speaker 1>a lot is people that don't know me in the

0:45:27.200 --> 0:45:30.839
<v Speaker 1>industry or around Nashville, Like I did said a dick,

0:45:30.880 --> 0:45:32.680
<v Speaker 1>look what I'm sitting there by himself. You know what

0:45:32.680 --> 0:45:35.160
<v Speaker 1>I'm saying by myself because I feel awkward. I felt

0:45:35.160 --> 0:45:37.840
<v Speaker 1>awkward in these places, like I don't do well in

0:45:37.920 --> 0:45:41.040
<v Speaker 1>social situations, so I'm not Mr Life for the party.

0:45:41.320 --> 0:45:44.399
<v Speaker 1>That's something that I did not figure out until later

0:45:44.520 --> 0:45:48.200
<v Speaker 1>on that you were really like anxiety written I don't.

0:45:48.400 --> 0:45:51.680
<v Speaker 1>It makes me nervous and my heartbeats and I don't

0:45:51.719 --> 0:45:54.200
<v Speaker 1>sleep and around people, I'm like, oh I do. I

0:45:54.200 --> 0:45:58.239
<v Speaker 1>don't have good communication skills, like outside of microphone. Yeah,

0:45:58.440 --> 0:46:00.760
<v Speaker 1>that was hard core for me to realize. I was like, wow,

0:46:00.920 --> 0:46:02.799
<v Speaker 1>these just like staying the corner. Why is he not

0:46:02.880 --> 0:46:05.279
<v Speaker 1>just chilling out like with everybody else? Why is he

0:46:05.360 --> 0:46:07.000
<v Speaker 1>not just talking? And he was just like in the

0:46:07.080 --> 0:46:08.719
<v Speaker 1>corner the whole time. And so a lot of people

0:46:09.040 --> 0:46:11.520
<v Speaker 1>look at me and they go, he's black, and I'm like, no,

0:46:11.680 --> 0:46:18.560
<v Speaker 1>I'm just anxiety, right, But no, it's again, I think

0:46:18.719 --> 0:46:23.719
<v Speaker 1>people get that perception of me, and uh, you know,

0:46:23.880 --> 0:46:25.080
<v Speaker 1>it is what it is. You can try to shake

0:46:25.120 --> 0:46:26.680
<v Speaker 1>it the best you can't. I think I've gotten better

0:46:26.800 --> 0:46:29.520
<v Speaker 1>at it. Right. That's like a chick that you see

0:46:29.560 --> 0:46:34.960
<v Speaker 1>and she's just like all beautiful and whatever, and she's

0:46:35.000 --> 0:46:37.759
<v Speaker 1>probably the nicest person ever, and you miss out and

0:46:37.800 --> 0:46:40.880
<v Speaker 1>you're like, dang, But really, we all go, oh, she's pretty,

0:46:40.880 --> 0:46:44.879
<v Speaker 1>she's probably be Really it's not fair. But I think

0:46:44.920 --> 0:46:46.880
<v Speaker 1>what we're talking about is very human. I think we

0:46:46.920 --> 0:46:51.200
<v Speaker 1>all have these in our brain. We assigned roles to

0:46:51.320 --> 0:46:56.160
<v Speaker 1>people without going into them any further. Yes, we need

0:46:56.239 --> 0:46:59.080
<v Speaker 1>to stop that. Until today, I don't even know you're black.

0:46:59.120 --> 0:47:03.839
<v Speaker 1>That's the funny thing. No idea, that no idea. Because

0:47:03.840 --> 0:47:05.879
<v Speaker 1>I've been black long, I didn't even know that. I'm

0:47:05.880 --> 0:47:08.319
<v Speaker 1>not even like light skinny. I didn't know that I'm

0:47:08.360 --> 0:47:13.360
<v Speaker 1>like dark dog. That It's it's been weird to you

0:47:13.680 --> 0:47:15.960
<v Speaker 1>for all your kids. I mean, you're talking about a

0:47:16.000 --> 0:47:18.520
<v Speaker 1>big group of your friends. Me, I was the first one,

0:47:18.680 --> 0:47:22.640
<v Speaker 1>and you kind of came into our group because of me. Huh, yeah, totally.

0:47:23.360 --> 0:47:27.440
<v Speaker 1>And but then we all left right like I like,

0:47:27.560 --> 0:47:29.120
<v Speaker 1>because I took all my friends with me. It was

0:47:29.160 --> 0:47:33.080
<v Speaker 1>like I wasn't taking this job in Nashville, which, by

0:47:33.120 --> 0:47:37.560
<v Speaker 1>the way, I love Nashville. Now I love Austin too, um,

0:47:37.600 --> 0:47:39.920
<v Speaker 1>but I wasn't coming here without all my friends. That

0:47:40.239 --> 0:47:41.960
<v Speaker 1>was part of the deal. And so when I took him,

0:47:42.000 --> 0:47:44.440
<v Speaker 1>it was like the troops moved out. We just took

0:47:44.440 --> 0:47:49.480
<v Speaker 1>everybody said, dang hardcore, like all by myself in Austin.

0:47:49.760 --> 0:47:52.200
<v Speaker 1>Was that weird for you? Oh man? Big time weird.

0:47:52.280 --> 0:47:54.080
<v Speaker 1>I was just like, what am I going to even

0:47:54.120 --> 0:47:57.560
<v Speaker 1>do on the weekends? Who am I even gonna call nobody? Nohing,

0:47:57.960 --> 0:47:59.759
<v Speaker 1>I'm not going to do nothing, just chick at the house.

0:47:59.800 --> 0:48:02.160
<v Speaker 1>But myself, well, now you're here every week now, or

0:48:02.200 --> 0:48:04.319
<v Speaker 1>you're on the road every week, or you're with us

0:48:04.320 --> 0:48:06.279
<v Speaker 1>all the time. You came back, you came back and

0:48:06.320 --> 0:48:09.000
<v Speaker 1>got me. Has it been weird to watch kind of

0:48:09.000 --> 0:48:13.600
<v Speaker 1>the show? Oh man? The evolution to growth, it's been

0:48:13.640 --> 0:48:16.799
<v Speaker 1>crazy weird. And at first it was like, oh man,

0:48:16.840 --> 0:48:19.440
<v Speaker 1>the show is all different. When you hear from Austin

0:48:19.440 --> 0:48:22.120
<v Speaker 1>and you here here in Nashville and you're like, oh

0:48:22.200 --> 0:48:24.400
<v Speaker 1>now they switched it all up. We don't even like it.

0:48:24.440 --> 0:48:28.279
<v Speaker 1>But now it's just like regular. Everybody's still nothing really changed,

0:48:28.400 --> 0:48:30.400
<v Speaker 1>but it sounded like it when it left from all

0:48:30.600 --> 0:48:32.800
<v Speaker 1>just because you thought it was going everyone just assumed

0:48:32.800 --> 0:48:34.600
<v Speaker 1>it was going to So again we went and put

0:48:34.600 --> 0:48:37.719
<v Speaker 1>the label on it like it changed. But I ever

0:48:37.760 --> 0:48:40.360
<v Speaker 1>worked in many formats, even when I was doing sports.

0:48:41.360 --> 0:48:46.279
<v Speaker 1>Nothing's different. I'm always me right. It was just tough

0:48:46.280 --> 0:48:48.640
<v Speaker 1>because everybody was feeling like they was giving you a

0:48:48.680 --> 0:48:51.440
<v Speaker 1>hard time in Nashville, and you was acting like people

0:48:51.480 --> 0:48:53.520
<v Speaker 1>was like, I mean, actually they were. The people were

0:48:53.560 --> 0:48:55.480
<v Speaker 1>pushing you, trying to push you out and stuff out there.

0:48:55.520 --> 0:48:57.239
<v Speaker 1>They were and they still do it. But I've been

0:48:57.280 --> 0:48:59.200
<v Speaker 1>trying to get pushed out everywhere, like I'm used to that,

0:48:59.320 --> 0:49:00.799
<v Speaker 1>and then it did. It seemed like you was a

0:49:00.800 --> 0:49:04.239
<v Speaker 1>little bit like trying to get your groove on in

0:49:04.360 --> 0:49:06.640
<v Speaker 1>Nashville too, But you couldn't really find it at first.

0:49:07.640 --> 0:49:09.279
<v Speaker 1>I don't know that fully found it yet, but I

0:49:09.320 --> 0:49:12.879
<v Speaker 1>found it a bit o a bit okay, you don't

0:49:12.880 --> 0:49:14.960
<v Speaker 1>even feel like you found it yet, not fully yet.

0:49:15.360 --> 0:49:17.000
<v Speaker 1>I don't know that I ever will find it. If

0:49:17.000 --> 0:49:18.759
<v Speaker 1>I ever do find it, I don't think that's a

0:49:18.760 --> 0:49:22.040
<v Speaker 1>comfortable place for me to be, okay. But did you

0:49:22.080 --> 0:49:25.120
<v Speaker 1>ever feel like you found your groove in Austin? So

0:49:25.160 --> 0:49:26.879
<v Speaker 1>that was a great place. I was there ten years

0:49:26.920 --> 0:49:30.120
<v Speaker 1>and there was there wasn't the pressures of now, Oh

0:49:30.239 --> 0:49:32.280
<v Speaker 1>you know, I built my own to the cage company

0:49:32.320 --> 0:49:35.359
<v Speaker 1>with my own money and I had no money, like

0:49:35.400 --> 0:49:37.440
<v Speaker 1>you know where I used other than the Ny apartment

0:49:37.600 --> 0:49:41.000
<v Speaker 1>about my first house, you know, I mean that was crazy,

0:49:41.280 --> 0:49:52.160
<v Speaker 1>like Dana Shay bid from the ground. So we started

0:49:52.200 --> 0:49:56.480
<v Speaker 1>from the bottom, and so are you here yet? No, never,

0:49:56.520 --> 0:49:58.960
<v Speaker 1>I'll never be started from the bottom, still getting start

0:49:59.040 --> 0:50:01.320
<v Speaker 1>from the bottom, down in the middle. That's not a

0:50:01.400 --> 0:50:03.839
<v Speaker 1>good sun. Should have put that out of sun. Start

0:50:03.880 --> 0:50:08.440
<v Speaker 1>it started, started, started from the bottom, in the middle,

0:50:09.120 --> 0:50:17.120
<v Speaker 1>started from the bottom. Not a whole team mint, But yeah,

0:50:17.120 --> 0:50:19.720
<v Speaker 1>it's been a I can't wait till you find a groove.

0:50:19.840 --> 0:50:23.240
<v Speaker 1>Then that's my group. My group is not having a groove.

0:50:24.120 --> 0:50:27.319
<v Speaker 1>But in Austin you found your group because everybody, that's

0:50:27.320 --> 0:50:30.960
<v Speaker 1>why you blew up there. Here's the thing about a

0:50:31.080 --> 0:50:33.839
<v Speaker 1>groove in Austin. As I got like, okay, well this

0:50:33.880 --> 0:50:38.480
<v Speaker 1>is it is easy now, like I had done what

0:50:38.520 --> 0:50:43.359
<v Speaker 1>I could do there, like there wasn't anything else. We

0:50:43.360 --> 0:50:46.840
<v Speaker 1>were number one for ten years. What there was not

0:50:46.960 --> 0:50:50.040
<v Speaker 1>there was nowhere to go. I love it in the

0:50:50.120 --> 0:50:54.680
<v Speaker 1>city there, but I was told, and I won't mention

0:50:54.719 --> 0:50:57.480
<v Speaker 1>any jobs, but if this person leaves, you'll go to

0:50:57.560 --> 0:50:59.720
<v Speaker 1>this place. This person needs to go to this place.

0:51:00.680 --> 0:51:04.120
<v Speaker 1>And they both signed new contracts, major, big, big people.

0:51:04.320 --> 0:51:06.560
<v Speaker 1>And I was stuck and I was like, what do

0:51:06.640 --> 0:51:08.680
<v Speaker 1>I do because I'm expanding show. I built my own

0:51:08.680 --> 0:51:11.400
<v Speaker 1>syndication company. That's what they told you when you was

0:51:11.440 --> 0:51:15.600
<v Speaker 1>in Austin, if this person leaves, you're gonna stuff. But

0:51:15.600 --> 0:51:18.080
<v Speaker 1>but for me, I loved being in Austin, but it

0:51:18.160 --> 0:51:21.560
<v Speaker 1>was almost impossible to syndicate from there, especially with my

0:51:21.560 --> 0:51:24.480
<v Speaker 1>own equipment and so and they we're like, hey, um,

0:51:24.520 --> 0:51:27.080
<v Speaker 1>and I wanted to do country anyway because I mean,

0:51:27.120 --> 0:51:29.920
<v Speaker 1>listen to me talk. I mean, I grew up in Arkansas.

0:51:29.920 --> 0:51:32.960
<v Speaker 1>It's probably overall the best format. I love all music,

0:51:33.520 --> 0:51:36.840
<v Speaker 1>like all music, but overall it's the best format for

0:51:36.840 --> 0:51:40.000
<v Speaker 1>me to be in because I can expose new artists

0:51:40.040 --> 0:51:41.840
<v Speaker 1>and talented artists and put them on the radio. And

0:51:41.880 --> 0:51:44.200
<v Speaker 1>that I'm seeing you can't do that pop. It was

0:51:44.239 --> 0:51:46.759
<v Speaker 1>just difficult. I mean, you can't do that. And here's

0:51:46.760 --> 0:51:48.080
<v Speaker 1>the other thing too, is that if you want to

0:51:48.080 --> 0:51:49.680
<v Speaker 1>be on a national level, you have to be in

0:51:49.680 --> 0:51:52.680
<v Speaker 1>New York, l A. Or in country in Nashville because

0:51:52.719 --> 0:51:55.280
<v Speaker 1>that's where all the stars are. It wasn't even about

0:51:55.280 --> 0:51:57.680
<v Speaker 1>me so much. In Austin. You've got people maybe they

0:51:57.680 --> 0:52:00.560
<v Speaker 1>would come to the radio station once a month maybe,

0:52:01.239 --> 0:52:03.479
<v Speaker 1>and you had to beg them, and it was someone

0:52:03.520 --> 0:52:08.560
<v Speaker 1>like Ashley Simpson. You know, m here. Everyone is here,

0:52:08.800 --> 0:52:12.440
<v Speaker 1>so I'm able to say, hey, come in, let me.

0:52:12.520 --> 0:52:14.239
<v Speaker 1>If you're new, let me, let me expose you and

0:52:14.320 --> 0:52:17.440
<v Speaker 1>blow you up. If you're big, let me show people

0:52:17.480 --> 0:52:19.839
<v Speaker 1>why you're you're as good as you are. Why would

0:52:19.840 --> 0:52:22.440
<v Speaker 1>that work here and not Austin because because the artists,

0:52:23.000 --> 0:52:25.760
<v Speaker 1>every artist lives here. This is where the entire industry

0:52:25.760 --> 0:52:30.200
<v Speaker 1>of country music is. Every label, every recording studio, the

0:52:30.280 --> 0:52:33.839
<v Speaker 1>artist I can just call, like I could call Keith THRP.

0:52:33.880 --> 0:52:35.399
<v Speaker 1>But I go, hey, dude, would you come play You're

0:52:35.440 --> 0:52:37.120
<v Speaker 1>Blue with Paper Color on the show next week? It

0:52:37.160 --> 0:52:40.000
<v Speaker 1>were like, sure, no problem to drive twenty minutes and

0:52:40.040 --> 0:52:43.160
<v Speaker 1>play at the show. So Austin doesn't have as many

0:52:43.640 --> 0:52:48.600
<v Speaker 1>artists for pop none, they have none none. That makes sense.

0:52:48.960 --> 0:52:50.840
<v Speaker 1>And at first I was like, what if I just

0:52:50.880 --> 0:52:52.520
<v Speaker 1>staying Austin to the country show And they were like,

0:52:52.520 --> 0:52:54.799
<v Speaker 1>you're just not gonna get what we need you to do.

0:52:54.840 --> 0:52:57.920
<v Speaker 1>And now I fully get it. I understand. And what's

0:52:57.960 --> 0:53:00.640
<v Speaker 1>great is Nashville is also great because if I had

0:53:00.640 --> 0:53:03.000
<v Speaker 1>to move to somebody somewhere and I don't know what

0:53:03.080 --> 0:53:05.640
<v Speaker 1>came to name a city that would be bad, but

0:53:05.800 --> 0:53:08.799
<v Speaker 1>somewhere super cold, I guess would be awful. That's not

0:53:08.880 --> 0:53:12.400
<v Speaker 1>New York because I would have moved to New York. Um,

0:53:12.520 --> 0:53:16.880
<v Speaker 1>there has been a different story about that. So anything

0:53:16.880 --> 0:53:19.439
<v Speaker 1>else in your mind that makes sense. So, I mean,

0:53:19.520 --> 0:53:23.960
<v Speaker 1>who's your favorite country artist of all time? Darius Rutger, Well,

0:53:24.040 --> 0:53:26.800
<v Speaker 1>of all time, it's Garth Brooks. Oh, that's your favorite?

0:53:26.800 --> 0:53:30.680
<v Speaker 1>For real? Like of my lifetime? Easy Garth Brooke. That's

0:53:30.680 --> 0:53:33.560
<v Speaker 1>the only guitar really I've kept. Am I that someone

0:53:33.600 --> 0:53:36.840
<v Speaker 1>gave me. Um, easy Garth Brooks. We gotta wrap up

0:53:36.840 --> 0:53:39.440
<v Speaker 1>pretty quickly. Got goot guitar picku but easy Garth Brooks.

0:53:39.480 --> 0:53:42.360
<v Speaker 1>Like are you asking? Um? The one that you've interviewed

0:53:43.080 --> 0:53:48.880
<v Speaker 1>like a real person? Uh, Darius is different. Thus Darius

0:53:48.920 --> 0:53:52.840
<v Speaker 1>my first ever radio interview when I was seventeen. Okay, Yeah,

0:53:52.880 --> 0:53:56.919
<v Speaker 1>and he's a friend, Like, that's my dude. I don't

0:53:56.920 --> 0:53:59.040
<v Speaker 1>care if he wasn't in music anymore, he would still

0:53:59.480 --> 0:54:02.319
<v Speaker 1>we would still will be in contact and text and

0:54:02.360 --> 0:54:05.719
<v Speaker 1>talk about sports and like that. He's just so I

0:54:05.800 --> 0:54:08.400
<v Speaker 1>mnna eliminate him too because it was a prior relationship.

0:54:09.200 --> 0:54:11.920
<v Speaker 1>Garthm all time favorite as a kid gotta eliminate him

0:54:11.920 --> 0:54:13.759
<v Speaker 1>because I was totally biased coming in, Like I'm the

0:54:13.760 --> 0:54:15.600
<v Speaker 1>biggest Garth Brooks fan, and he's been so nice to me.

0:54:16.440 --> 0:54:20.600
<v Speaker 1>Uh like, I really like Dirk's as a person. Nice.

0:54:21.200 --> 0:54:24.640
<v Speaker 1>Keith Urban super nice. Like then, Keith Urban so nice

0:54:24.640 --> 0:54:27.839
<v Speaker 1>that you wonder what's like, what's happening here? Like you're

0:54:27.840 --> 0:54:30.919
<v Speaker 1>always nice, genuinely nice, genuinely nice. And we'll like text

0:54:31.000 --> 0:54:34.080
<v Speaker 1>me like eight pm and be like, I just see

0:54:34.080 --> 0:54:35.680
<v Speaker 1>you in a movie. You should watch it if you

0:54:35.760 --> 0:54:38.480
<v Speaker 1>never seen it, and it'll be like something weird, and

0:54:39.600 --> 0:54:44.120
<v Speaker 1>I'm telling you just to be nice because I have

0:54:44.200 --> 0:54:46.400
<v Speaker 1>this movie thing. We're talking about movies and he's like,

0:54:46.440 --> 0:54:48.880
<v Speaker 1>if you haven't seen it started with Dog Day Afternoon,

0:54:49.160 --> 0:54:52.360
<v Speaker 1>I've never never seen anything. You've never seen Dog Day Afternoon.

0:54:52.560 --> 0:54:54.799
<v Speaker 1>I was like that never. It's like, oh, so we

0:54:54.880 --> 0:54:56.920
<v Speaker 1>have we text a lot and he listens to the

0:54:56.920 --> 0:54:59.640
<v Speaker 1>show and they'll invite me out to things, but um,

0:54:59.680 --> 0:55:02.080
<v Speaker 1>I don't go for the most part. But we send

0:55:02.120 --> 0:55:04.960
<v Speaker 1>each other clips and movies and like just a good

0:55:04.960 --> 0:55:06.759
<v Speaker 1>anytime I ask them for anything, and I don't ask

0:55:06.760 --> 0:55:11.000
<v Speaker 1>a lot. Always there that's what I saw. So Urbans

0:55:11.200 --> 0:55:13.680
<v Speaker 1>there are a lot. There are a lot of good ones, genuine,

0:55:13.760 --> 0:55:17.080
<v Speaker 1>genuine good ones. Yeah, most are genuinely good. Not the

0:55:17.120 --> 0:55:20.520
<v Speaker 1>people who are trying to get something from you, for sure,

0:55:20.560 --> 0:55:22.640
<v Speaker 1>those but just trying to be nice, but trying to

0:55:22.680 --> 0:55:26.320
<v Speaker 1>act real, genuine something from There are some of those, yeah,

0:55:26.360 --> 0:55:28.360
<v Speaker 1>but that's just the nature of the business. But you

0:55:28.400 --> 0:55:31.120
<v Speaker 1>know those you know whom you can feel who they

0:55:31.160 --> 0:55:36.000
<v Speaker 1>are quick very quickly. Is it like a weird feeling

0:55:36.040 --> 0:55:39.280
<v Speaker 1>when they step in the room and are y'all getting along?

0:55:39.440 --> 0:55:43.280
<v Speaker 1>Or because there are a couple of artists big artists

0:55:43.719 --> 0:55:45.600
<v Speaker 1>and I won't mention them. I don't think it'll be

0:55:45.600 --> 0:55:48.080
<v Speaker 1>fair to that. We just have a very good professional

0:55:48.120 --> 0:55:51.239
<v Speaker 1>relationship and I love it because of that. It's like,

0:55:51.440 --> 0:55:52.719
<v Speaker 1>if you need me, I'm there. If I need you

0:55:52.800 --> 0:55:56.440
<v Speaker 1>therey we're not really friends, but you need anything, let

0:55:56.440 --> 0:55:58.400
<v Speaker 1>me know, And I'm the same way you needything. Let

0:55:58.400 --> 0:56:03.080
<v Speaker 1>me know. Big artists too, like and I'm great with that.

0:56:03.080 --> 0:56:05.000
<v Speaker 1>I don't have your friends everybody. I'm not here to

0:56:05.000 --> 0:56:06.640
<v Speaker 1>be friends everybody. I need to be objective and give

0:56:06.680 --> 0:56:08.640
<v Speaker 1>opinions about things. I can't do that if I'm friends

0:56:08.640 --> 0:56:12.000
<v Speaker 1>with everybody. I try to not be friends with everybody

0:56:13.040 --> 0:56:18.080
<v Speaker 1>like Eric Passley. I love that dude, like just good dude.

0:56:18.640 --> 0:56:21.799
<v Speaker 1>You know Jansen, Chris Jansen. Some people have been hard

0:56:21.840 --> 0:56:25.560
<v Speaker 1>to not be friends with. So that's it. That's what

0:56:25.560 --> 0:56:30.160
<v Speaker 1>I saw. We're done. You tell me, all right, we're done? Good?

0:56:30.560 --> 0:56:32.800
<v Speaker 1>All right? I got people texting me. That's the Amy's

0:56:32.800 --> 0:56:37.200
<v Speaker 1>texting me right now. See you tonight. Amy's coming to

0:56:37.480 --> 0:56:42.640
<v Speaker 1>guitar Brque. Amy's coming to the Gutarque. I am I

0:56:42.680 --> 0:56:45.000
<v Speaker 1>gonna wear Hey, don't wear a tank, tok, dude, I

0:56:45.000 --> 0:56:46.920
<v Speaker 1>hate it when you do that. I'll probably wear a

0:56:46.960 --> 0:56:51.799
<v Speaker 1>tank time. You can't when you're dancing around the tank

0:56:51.840 --> 0:56:53.759
<v Speaker 1>took you. Hey, when I wear a people aren't looking

0:56:53.760 --> 0:56:55.960
<v Speaker 1>at you because you're black and so you know they're

0:56:55.960 --> 0:56:59.320
<v Speaker 1>looking at you cause you're a built like a machine.

0:56:59.440 --> 0:57:01.759
<v Speaker 1>But when you did that keep urban impression. Was that

0:57:01.920 --> 0:57:12.400
<v Speaker 1>racist though? Probably? I don't think so. Yeah, No, I

0:57:12.400 --> 0:57:15.600
<v Speaker 1>don't think it's I don't think sorr. Hey, thank you

0:57:15.600 --> 0:57:20.160
<v Speaker 1>guys very much for listen to the Bobby Cast episode two.

0:57:20.920 --> 0:57:25.840
<v Speaker 1>We thank you very much everybody for Bobby. For Trainer

0:57:25.840 --> 0:57:28.520
<v Speaker 1>of Moad, you can find him on Instagram at Trainer

0:57:28.520 --> 0:57:32.240
<v Speaker 1>of mod, also on Snapchat at trainer Ofhmad and on

0:57:32.280 --> 0:57:37.000
<v Speaker 1>Twitter at trainer of Maud. That's trainer of mod Catch

0:57:37.000 --> 0:57:41.280
<v Speaker 1>you me Raging idiot shows everywhere nationwide. Thanks to our

0:57:41.320 --> 0:57:45.520
<v Speaker 1>producer Mike D on Instagram and Snapchat at Mike d

0:57:45.720 --> 0:57:50.760
<v Speaker 1>stro d E E S t r O for Bob

0:57:50.800 --> 0:57:54.920
<v Speaker 1>and Bones, have a great day. This has been episode

0:57:54.920 --> 0:57:59.080
<v Speaker 1>two of the Bobby Cast and for dusting the dog.

0:58:00.200 --> 0:58:04.560
<v Speaker 1>Please span new to your Yeah, you gotta go. Good

0:58:04.600 --> 0:58:09.040
<v Speaker 1>Bye everyone. Bobby Cast Episode two is over. The Bobby

0:58:09.080 --> 0:58:11.960
<v Speaker 1>Cast brought to you by our sponsor No One Yet