1
00:00:01,400 --> 00:00:05,840
Speaker 1: Welcome to another edition of the Bobby Cast from Bobby's House,

2
00:00:06,000 --> 00:00:09,879
Speaker 1: from Bobby's Mouth. Bobby will join us soon with special

3
00:00:09,960 --> 00:00:15,320
Speaker 1: guests Trainer Ofmad five Once and now clap your hands

4
00:00:16,040 --> 00:00:24,840
Speaker 1: for Bobby Bones. Thank you, wow, thank you make so

5
00:00:25,000 --> 00:00:27,880
Speaker 1: nice today. Thank you very much in the room today

6
00:00:27,920 --> 00:00:30,400
Speaker 1: producing Mike do what I might and also in the

7
00:00:30,480 --> 00:00:36,640
Speaker 1: room today Trainer Rama. Also no non stagna was going on.

8
00:00:36,960 --> 00:00:39,200
Speaker 1: So here's what happened today as we record the Bobby

9
00:00:39,200 --> 00:00:43,320
Speaker 1: Cast Episode two, as that there's a major flood in

10
00:00:43,400 --> 00:00:45,440
Speaker 1: my house yesterday. If you're the radio show, I talked

11
00:00:45,440 --> 00:00:48,199
Speaker 1: about it a bit where I came home and I

12
00:00:48,240 --> 00:00:50,519
Speaker 1: couldn't drive all the way to my house because there

13
00:00:50,520 --> 00:00:53,120
Speaker 1: were fire trucks everywhere. And when you see fire trucks,

14
00:00:53,159 --> 00:00:55,360
Speaker 1: you never really assume it's at your place. You always

15
00:00:55,360 --> 00:00:58,640
Speaker 1: assume it's at a place near you. And so especially

16
00:00:58,680 --> 00:01:00,720
Speaker 1: living downtown, there are so many places that could have

17
00:01:00,760 --> 00:01:03,800
Speaker 1: had a fire or something could have went wrong. Of course,

18
00:01:03,840 --> 00:01:07,200
Speaker 1: it's not my place that's being flooded. I mean, of

19
00:01:07,240 --> 00:01:09,040
Speaker 1: all the places, it's not my place that has a

20
00:01:09,080 --> 00:01:11,560
Speaker 1: fire is being flooded. And I get there and it's

21
00:01:11,640 --> 00:01:14,800
Speaker 1: my place, and it wasn't me who did it. My

22
00:01:14,920 --> 00:01:19,000
Speaker 1: neighbor who's doing construction banging on pipes, busted a pipe,

23
00:01:19,000 --> 00:01:22,880
Speaker 1: flooded all the way down through many floors. Luckily I'm

24
00:01:22,920 --> 00:01:26,199
Speaker 1: on the top floor and it came through the side

25
00:01:26,200 --> 00:01:28,720
Speaker 1: of mine. So and I'll tell you what's happening there

26
00:01:28,760 --> 00:01:30,440
Speaker 1: in a minute. But I just talked to some of

27
00:01:30,440 --> 00:01:33,200
Speaker 1: the guys. One of the guys lost like a priceless

28
00:01:33,240 --> 00:01:36,640
Speaker 1: guitar to him, like his stuff is destroyed. Waters and

29
00:01:36,680 --> 00:01:40,880
Speaker 1: everybody's floors and most of us have wood floors, and

30
00:01:40,959 --> 00:01:42,880
Speaker 1: there's water underneath all the wood and it's starting to

31
00:01:42,920 --> 00:01:46,840
Speaker 1: bubble and listen, it's not the end of the world.

32
00:01:47,280 --> 00:01:49,240
Speaker 1: But the wall is a little bit annoying right now

33
00:01:49,320 --> 00:01:51,440
Speaker 1: because they're like, hey, we have to get started on

34
00:01:51,440 --> 00:01:54,840
Speaker 1: your place immediately if it can be saved. So it's

35
00:01:54,880 --> 00:01:58,560
Speaker 1: happening right now as we do this. Episode two is

36
00:01:58,560 --> 00:02:01,000
Speaker 1: that there's a team of people that have decided to

37
00:02:01,040 --> 00:02:04,280
Speaker 1: move into my bedroom and they put the humidifiers and

38
00:02:04,320 --> 00:02:07,120
Speaker 1: fans and Matt's and they put it up against a wall.

39
00:02:07,160 --> 00:02:09,400
Speaker 1: Hopefully I don't have to lose a wall. Hopefully I

40
00:02:09,440 --> 00:02:11,440
Speaker 1: don't have to lose the floor. The floor is already

41
00:02:11,440 --> 00:02:14,040
Speaker 1: starting to come up a bit, and so I was like, oh, great,

42
00:02:14,040 --> 00:02:16,080
Speaker 1: so it's gonna take about an hour or so. And

43
00:02:16,080 --> 00:02:18,240
Speaker 1: they were like, but that's gonna take a week, and

44
00:02:18,240 --> 00:02:20,280
Speaker 1: I'm like a week, Like how this is probably be

45
00:02:20,360 --> 00:02:22,440
Speaker 1: real quiet though, Like like the fan that when you

46
00:02:22,440 --> 00:02:24,840
Speaker 1: go to sleep, it's like and you know you got

47
00:02:24,880 --> 00:02:29,919
Speaker 1: sleeping because you get that fan in the background. Yeah,

48
00:02:29,960 --> 00:02:31,600
Speaker 1: and it's a very student I'm like, I can do

49
00:02:31,680 --> 00:02:33,760
Speaker 1: that for a bit. I mean, I'll still watch Nick

50
00:02:33,760 --> 00:02:35,720
Speaker 1: and nine, but I have that fan, that box fan,

51
00:02:36,040 --> 00:02:39,920
Speaker 1: like I just have to kill And so they're like, no, no,

52
00:02:39,960 --> 00:02:43,280
Speaker 1: it's gonna be very loud. I'm like, well that's not good.

53
00:02:43,320 --> 00:02:45,079
Speaker 1: I said, well, what if I go upstairs because I

54
00:02:45,120 --> 00:02:47,679
Speaker 1: have bedrooms above that bedroom? And they say it's gonna

55
00:02:47,720 --> 00:02:51,000
Speaker 1: be so loud it's gonna affect those bedrooms too. So

56
00:02:51,040 --> 00:02:55,160
Speaker 1: then I'm not supposed to enter my bedroom for a week, which,

57
00:02:55,200 --> 00:02:57,520
Speaker 1: by the way, I don't leave my bedroom at my house,

58
00:02:58,240 --> 00:03:00,920
Speaker 1: so it's basically cutting off my house. I can't sleep

59
00:03:00,919 --> 00:03:04,200
Speaker 1: in the bedrooms upstairs for now. I'm going to try

60
00:03:04,240 --> 00:03:06,040
Speaker 1: to sleep on the couch in the living room, which

61
00:03:06,080 --> 00:03:08,760
Speaker 1: probably isn't going to work either. So in the end

62
00:03:08,760 --> 00:03:11,720
Speaker 1: it will probably moved to a hotel for a week.

63
00:03:12,160 --> 00:03:15,160
Speaker 1: You can never leave your bedroom. I don't leave my bedroom.

64
00:03:15,880 --> 00:03:17,680
Speaker 1: I thought, I come here and here and you'll be like,

65
00:03:17,960 --> 00:03:21,360
Speaker 1: I might see you one hour the whole weekend and

66
00:03:21,440 --> 00:03:26,600
Speaker 1: you'd be like, in your bedroom, Hey Bobby, Hey Bobby,

67
00:03:27,320 --> 00:03:29,400
Speaker 1: no answer. He must be sleep. But he's not sleep.

68
00:03:29,480 --> 00:03:33,639
Speaker 1: He's just on the computer doing work. That's not bedroom.

69
00:03:33,639 --> 00:03:37,000
Speaker 1: That's not work. Hole. I don't need a place. It's

70
00:03:37,040 --> 00:03:41,800
Speaker 1: any bigger than a tiny hotel room, Like I really

71
00:03:41,840 --> 00:03:45,760
Speaker 1: don't need, didn't needything big. I believe it. And so anyway,

72
00:03:45,840 --> 00:03:48,240
Speaker 1: that's Batman. That's what we're going through right now. Is

73
00:03:48,560 --> 00:03:50,120
Speaker 1: what am I gonna do with my life for the

74
00:03:50,160 --> 00:03:54,200
Speaker 1: next week? Uh So, I mean that's it. I got

75
00:03:54,280 --> 00:03:57,120
Speaker 1: text this morning from Ahmad because as soon as the

76
00:03:57,120 --> 00:03:58,840
Speaker 1: show is over, I came home and try to get

77
00:03:58,880 --> 00:04:01,480
Speaker 1: a little bit of sleep because I've been out for

78
00:04:01,520 --> 00:04:04,920
Speaker 1: the past a couple of days dealing with these kind

79
00:04:04,920 --> 00:04:07,320
Speaker 1: of issues, and they wake up and them. I was like, hey,

80
00:04:08,080 --> 00:04:11,160
Speaker 1: you love me in and outside right right, I'm sitting outside.

81
00:04:11,320 --> 00:04:13,240
Speaker 1: I'm just wanting to get in the house. But if

82
00:04:13,280 --> 00:04:15,520
Speaker 1: you're not there, I can just chill on the on

83
00:04:15,600 --> 00:04:17,440
Speaker 1: the porch over there and watch some game of Thrones.

84
00:04:17,520 --> 00:04:22,320
Speaker 1: What time did you get to my placebably like okay,

85
00:04:22,440 --> 00:04:25,280
Speaker 1: So Mike didn't get back over until win like ken,

86
00:04:25,839 --> 00:04:27,039
Speaker 1: so you for about an hour and a half. You

87
00:04:27,120 --> 00:04:31,560
Speaker 1: but the porch is inside, by the way, in air conditioned. Luckily,

88
00:04:31,680 --> 00:04:34,880
Speaker 1: somebody was downstairs and it was like, all that black

89
00:04:34,920 --> 00:04:36,839
Speaker 1: dude is trying to get in the building. That's cool.

90
00:04:37,320 --> 00:04:40,960
Speaker 1: And I was like, cheese, you know what's up. He's

91
00:04:41,000 --> 00:04:45,600
Speaker 1: like cheeze, smiling. I had to show him Parley White. Yeah. Right.

92
00:04:45,680 --> 00:04:48,120
Speaker 1: So he was like, you're trying to come in. I

93
00:04:48,160 --> 00:04:50,200
Speaker 1: was like yeah, he could looked at me a little

94
00:04:50,240 --> 00:04:53,800
Speaker 1: bit and I said, all right, thanks man. He let

95
00:04:53,839 --> 00:04:56,880
Speaker 1: me in, So you got in. Got a one point?

96
00:04:56,880 --> 00:04:59,760
Speaker 1: Did anything happened with you being black? Like why would

97
00:04:59,760 --> 00:05:01,200
Speaker 1: that we brought up in this? How about you just

98
00:05:01,240 --> 00:05:04,320
Speaker 1: a dude? Well, he looked at me like I was black?

99
00:05:04,480 --> 00:05:05,800
Speaker 1: But how do you know that? How do you know

100
00:05:05,839 --> 00:05:07,840
Speaker 1: he looked at you like you were black? Because he

101
00:05:07,920 --> 00:05:10,040
Speaker 1: was like you know how when you get the squeenny eye. Know,

102
00:05:10,480 --> 00:05:12,760
Speaker 1: I don't know that because some people you look at

103
00:05:12,800 --> 00:05:15,600
Speaker 1: and you like real bright eye, Like why dine and

104
00:05:15,640 --> 00:05:18,960
Speaker 1: you're like, Oh, that's a cool dude. Then he looked

105
00:05:19,000 --> 00:05:24,479
Speaker 1: at me like, oh, he kind of suspicious. Maybe anyone

106
00:05:24,600 --> 00:05:27,000
Speaker 1: trying to get into a place that they don't belong

107
00:05:27,279 --> 00:05:31,120
Speaker 1: and I have the codes for regardless of race, you go,

108
00:05:31,200 --> 00:05:33,679
Speaker 1: I wonder what their motivation is to get into this building.

109
00:05:33,760 --> 00:05:35,800
Speaker 1: Because someone trying to walk up into the radio station,

110
00:05:36,320 --> 00:05:40,800
Speaker 1: regardless black, white, hispanic, like I'm trying to get in,

111
00:05:40,880 --> 00:05:46,080
Speaker 1: I'd be like, m squinny eyes. So I don't know

112
00:05:46,120 --> 00:05:49,560
Speaker 1: that it was you being black. Maybe that's where I

113
00:05:49,600 --> 00:05:56,120
Speaker 1: took it in my brain. Don't here he's here. We're

114
00:05:56,120 --> 00:05:59,480
Speaker 1: playing a show tonight. We're playing, uh the Raging Idiots

115
00:05:59,520 --> 00:06:01,960
Speaker 1: are playing something called Guitarbecue. And by the time you

116
00:06:02,000 --> 00:06:05,280
Speaker 1: hear this, it'll probably already be over. But we're playing Guitarbecque,

117
00:06:05,360 --> 00:06:07,640
Speaker 1: which is we weren't supposed to do the show to

118
00:06:07,680 --> 00:06:10,400
Speaker 1: begin with, like it was it's a big charity show.

119
00:06:10,400 --> 00:06:12,279
Speaker 1: On the reason we did finally get involved is because

120
00:06:12,320 --> 00:06:14,640
Speaker 1: of the charity. Is because St. Jude and we you know,

121
00:06:14,760 --> 00:06:18,159
Speaker 1: love Saint Jude, do so much for them, but Guitarbecue happens,

122
00:06:18,400 --> 00:06:21,960
Speaker 1: and so they've got a lot of artists that are

123
00:06:21,960 --> 00:06:24,600
Speaker 1: playing the show, and it's it's kind of weird on

124
00:06:24,640 --> 00:06:27,720
Speaker 1: a bunch of levels. First of all, we're like Sandwich

125
00:06:27,800 --> 00:06:29,400
Speaker 1: dry in the middle of a bunch of great artists.

126
00:06:29,480 --> 00:06:32,200
Speaker 1: We're not a great artist group, Like we're just ridiculous.

127
00:06:33,360 --> 00:06:37,039
Speaker 1: I don't think we are that great. But people have fun, right,

128
00:06:37,040 --> 00:06:38,840
Speaker 1: But this is a show where you're going to be

129
00:06:38,920 --> 00:06:42,360
Speaker 1: surrounded by really great artists. And it's not like they

130
00:06:42,360 --> 00:06:45,480
Speaker 1: put us up front. You know, they put you know,

131
00:06:45,960 --> 00:06:48,000
Speaker 1: new people up front, like Chris Lane. He's got number

132
00:06:48,000 --> 00:06:52,279
Speaker 1: one hit right now, he's the first. Brandy Clark really good.

133
00:06:52,520 --> 00:06:54,520
Speaker 1: John Party have a number one song next week, had

134
00:06:54,520 --> 00:06:57,920
Speaker 1: over Boots. It's third. Then we go after John Party,

135
00:06:58,200 --> 00:07:01,200
Speaker 1: so we'll be fourth, only followed by Dustin Lynch and

136
00:07:01,279 --> 00:07:04,920
Speaker 1: Kit More and so everybody's playing for thirty minutes and

137
00:07:04,920 --> 00:07:07,360
Speaker 1: it's like we come out. We're not gonna try to

138
00:07:07,360 --> 00:07:09,640
Speaker 1: win vocalists. These guys can't really sing, so we're just

139
00:07:09,640 --> 00:07:13,640
Speaker 1: gonna go nuts. But we're opening for them, though it's

140
00:07:13,640 --> 00:07:15,679
Speaker 1: not really open. If anything, we have four people playing

141
00:07:15,680 --> 00:07:19,400
Speaker 1: before us. I mean, if anything, everybody's opening for Kip,

142
00:07:19,520 --> 00:07:24,080
Speaker 1: but I mean it keeps not the strongest headliner for

143
00:07:24,160 --> 00:07:28,120
Speaker 1: something like this, right, because because the place is big,

144
00:07:29,360 --> 00:07:31,600
Speaker 1: So then you feel like people will be looking at

145
00:07:31,720 --> 00:07:34,600
Speaker 1: us like we less talented. Oh no, no, for sure

146
00:07:34,680 --> 00:07:36,480
Speaker 1: less talented, but we gotta be super crazy, Like that's

147
00:07:36,480 --> 00:07:38,240
Speaker 1: the point we gotta make up for Like when we

148
00:07:38,240 --> 00:07:41,400
Speaker 1: do raging, it is shows people love them because then

149
00:07:41,560 --> 00:07:44,960
Speaker 1: people know it would expect um. So we we're only

150
00:07:44,960 --> 00:07:46,720
Speaker 1: playing thirty minutes too, so about them. We were just

151
00:07:46,760 --> 00:07:49,840
Speaker 1: getting into our groove. We gotta get all stage you, right,

152
00:07:50,280 --> 00:07:53,640
Speaker 1: So what song do we start with? Though? Like that's

153
00:07:53,640 --> 00:07:55,560
Speaker 1: the question that I've been going to because some people

154
00:07:55,560 --> 00:07:58,000
Speaker 1: will be like, who, why why do people even playing?

155
00:07:58,880 --> 00:08:00,400
Speaker 1: I mean you might as well hit them with the

156
00:08:00,400 --> 00:08:04,160
Speaker 1: Starbucks at the beginning. I can't start with that because

157
00:08:04,200 --> 00:08:06,920
Speaker 1: we all need our instruments to start, like we need

158
00:08:07,000 --> 00:08:10,800
Speaker 1: to play and do you want to and everybody else's

159
00:08:10,800 --> 00:08:12,880
Speaker 1: do you know if we're gonna say we're not gonna

160
00:08:12,880 --> 00:08:14,720
Speaker 1: take yourself seriously, then we should start with a cover

161
00:08:14,760 --> 00:08:17,760
Speaker 1: because nobody likes to do covers because everyone thinks it's uh,

162
00:08:18,080 --> 00:08:20,360
Speaker 1: who wants to do a cover? Because I'm original? So

163
00:08:20,400 --> 00:08:22,040
Speaker 1: I was thinking, like we start with Beastie Boys and

164
00:08:22,080 --> 00:08:25,200
Speaker 1: just freak everybody out oh, I mean that would be

165
00:08:25,280 --> 00:08:27,800
Speaker 1: always a good star based two boys you gotta fight

166
00:08:28,440 --> 00:08:31,840
Speaker 1: go Beastie Boys. Then when I grow up, oh yeah, yeah, yeah,

167
00:08:31,880 --> 00:08:33,679
Speaker 1: that would would hit them hard because they get all

168
00:08:33,760 --> 00:08:36,280
Speaker 1: hype and then they'll be like, I heard what the

169
00:08:36,360 --> 00:08:39,520
Speaker 1: raging Nidia is talking about, because we play Beastie Boys anymore,

170
00:08:39,679 --> 00:08:42,600
Speaker 1: nobody but everybody's still rock the Beasti Boys though they

171
00:08:42,640 --> 00:08:45,719
Speaker 1: still know it. So right now I'm leaning towards that

172
00:08:46,080 --> 00:08:49,760
Speaker 1: Beastie Boys. Then when I grow up, then Devil went

173
00:08:49,800 --> 00:08:53,880
Speaker 1: down to Georgia when nat Lee stove Ball. Then we

174
00:08:53,960 --> 00:08:57,600
Speaker 1: do a thing like Pentatonics. It's called the Panasonics. It's

175
00:08:57,640 --> 00:08:59,719
Speaker 1: like the bad version of Pentatonics where we go all

176
00:08:59,720 --> 00:09:01,640
Speaker 1: like a all of we throw that at him, where

177
00:09:01,640 --> 00:09:04,559
Speaker 1: we make it the face like vocals up with our whole,

178
00:09:04,600 --> 00:09:09,800
Speaker 1: like voices like instruments. Yeah, let's acapella, no instruments. Boom

179
00:09:10,160 --> 00:09:14,840
Speaker 1: boom boom doom bood do do do but like that

180
00:09:14,920 --> 00:09:17,600
Speaker 1: boat do your part boat the boat at the boat

181
00:09:17,720 --> 00:09:20,679
Speaker 1: boat boat the boat at the boat to boat bo

182
00:09:21,400 --> 00:09:28,360
Speaker 1: boat boat your partner A little bit bot, I got

183
00:09:28,360 --> 00:09:33,319
Speaker 1: a warmm well over down, don't really digs on me?

184
00:09:34,760 --> 00:09:41,600
Speaker 1: Who yeah, I got a warm up. Well over down,

185
00:09:41,679 --> 00:09:47,120
Speaker 1: she really digs on me. Who yeah, you really take

186
00:09:47,240 --> 00:09:50,200
Speaker 1: me money? Okay? Cool, So that's the whole thing. Now

187
00:09:51,480 --> 00:09:53,880
Speaker 1: looks like seven of us doing it and we're all

188
00:09:53,920 --> 00:09:56,480
Speaker 1: making and my part on you, now my part, she

189
00:09:56,640 --> 00:10:00,160
Speaker 1: really digs on me. Don't you really digs on me?

190
00:10:00,360 --> 00:10:02,360
Speaker 1: I like that hard of it and she really digs

191
00:10:02,400 --> 00:10:07,520
Speaker 1: on me. She really digs on me. Say, we're playing

192
00:10:07,559 --> 00:10:11,079
Speaker 1: that tonight, okay, uming with that little penis on it.

193
00:10:11,400 --> 00:10:13,599
Speaker 1: Then we'll do Starbucks and then we'll probably do it.

194
00:10:13,600 --> 00:10:21,719
Speaker 1: Every day is a good day. We'll probably do all right.

195
00:10:23,440 --> 00:10:25,800
Speaker 1: So that's tonight and it's what we weren't gonna play

196
00:10:25,840 --> 00:10:27,559
Speaker 1: the show. You're gonna have with that purple rain too.

197
00:10:27,679 --> 00:10:30,280
Speaker 1: I don't think have time. No, we have thirty minutes.

198
00:10:32,400 --> 00:10:34,960
Speaker 1: We'll see that again. We only have thirty minutes, right,

199
00:10:35,559 --> 00:10:37,719
Speaker 1: And as long as Linda gets a song, Natalie gets

200
00:10:37,760 --> 00:10:39,560
Speaker 1: a song, Regge, you get to get a couple of songs,

201
00:10:40,320 --> 00:10:45,520
Speaker 1: that's it. That's over right, So you don't want everybody? Yeah, uh,

202
00:10:46,800 --> 00:10:49,959
Speaker 1: we are planning this event tonight. And we got added

203
00:10:50,120 --> 00:10:51,959
Speaker 1: kind of lake because they needed to sell tickets. I

204
00:10:51,960 --> 00:10:55,240
Speaker 1: don't think tickets on super great. They were like, hey,

205
00:10:55,720 --> 00:10:58,079
Speaker 1: we come on, so what why do you give me

206
00:10:58,080 --> 00:11:03,000
Speaker 1: a side eye? Damn, They're doing okay. I think I

207
00:11:03,040 --> 00:11:04,559
Speaker 1: just think the venue is a little too big. I

208
00:11:04,600 --> 00:11:06,480
Speaker 1: think they got my grandmoa. You said the eyes are

209
00:11:06,480 --> 00:11:10,040
Speaker 1: bigger than their belly. Yeah, okay, and so but I

210
00:11:10,040 --> 00:11:13,000
Speaker 1: think they're doing pretty good now. They we don't when

211
00:11:13,000 --> 00:11:15,040
Speaker 1: they put up that when they put up that bat sign,

212
00:11:15,120 --> 00:11:16,839
Speaker 1: that Bobby signs. I don't know if that's the case.

213
00:11:16,880 --> 00:11:19,960
Speaker 1: I think it help. I think I think that I

214
00:11:20,000 --> 00:11:22,520
Speaker 1: think it helped. Our people are just so loyal to us,

215
00:11:23,360 --> 00:11:26,760
Speaker 1: like so let us are people are so loyal to us.

216
00:11:26,920 --> 00:11:30,120
Speaker 1: I don't even know why, but like we played in

217
00:11:30,160 --> 00:11:32,280
Speaker 1: four wayn and we we played for two hours because

218
00:11:32,280 --> 00:11:36,280
Speaker 1: people come on the play show, we just take our

219
00:11:36,280 --> 00:11:42,520
Speaker 1: phones out and start learning songs as we go. If

220
00:11:42,520 --> 00:11:44,199
Speaker 1: it wasn't for Saint Jude, and if it wasn't like

221
00:11:44,240 --> 00:11:46,280
Speaker 1: our people are just so loyal to us. And I

222
00:11:46,320 --> 00:11:48,040
Speaker 1: was like, I know, people buy tickets as soon as

223
00:11:48,080 --> 00:11:50,480
Speaker 1: we go up because it's for a good cause. We're

224
00:11:50,480 --> 00:11:53,319
Speaker 1: happy to be involved. But it's just weird being surrounded

225
00:11:53,320 --> 00:11:54,960
Speaker 1: by all the real artists because we don't get sider

226
00:11:54,960 --> 00:11:58,599
Speaker 1: ourselves like a legitimate music will act. We're more of

227
00:11:58,640 --> 00:12:02,839
Speaker 1: an entertainment show, right, But isn't it all about entertainment,

228
00:12:03,480 --> 00:12:05,680
Speaker 1: but most entertainment because you're a good musical act. Like

229
00:12:05,760 --> 00:12:09,600
Speaker 1: I considered myself the Puffy of the Raging Idiots. Take that.

230
00:12:09,640 --> 00:12:13,120
Speaker 1: Take that, like, I bring together all the good talent

231
00:12:13,880 --> 00:12:15,920
Speaker 1: because I don't think I have what they called lead singer?

232
00:12:16,040 --> 00:12:18,960
Speaker 1: Does he? I don't have to sing lead singer all time?

233
00:12:19,240 --> 00:12:22,120
Speaker 1: But Puffy did put out a bomb album though, no way,

234
00:12:22,600 --> 00:12:28,120
Speaker 1: and so did I. Right right, But but once everybody

235
00:12:28,160 --> 00:12:30,520
Speaker 1: gets up there, I don't care who sings, right, I

236
00:12:30,640 --> 00:12:33,440
Speaker 1: might sing a third of the songs. I feel you.

237
00:12:33,640 --> 00:12:36,400
Speaker 1: I mean, I witnessed, I saw it. It's been weird

238
00:12:36,520 --> 00:12:39,600
Speaker 1: for Ahmad because of my We're just coming to hang

239
00:12:39,600 --> 00:12:44,160
Speaker 1: out on the road with us for four or five shows. Yeah,

240
00:12:44,360 --> 00:12:46,200
Speaker 1: more than that. Even he would just he would just

241
00:12:46,240 --> 00:12:50,000
Speaker 1: fly in and just hang out and surprise you guys.

242
00:12:50,000 --> 00:12:52,679
Speaker 1: Sometimes I was coming to shows and be like what's up?

243
00:12:52,760 --> 00:12:55,160
Speaker 1: Like what wait, We're in Washington, d C. Why are

244
00:12:55,160 --> 00:12:59,160
Speaker 1: you here? Just come to hang out? And so I

245
00:12:59,240 --> 00:13:01,200
Speaker 1: was like, hey, put up on microphone just sing background,

246
00:13:01,400 --> 00:13:03,800
Speaker 1: and he was like really, yeah, I just think you

247
00:13:03,800 --> 00:13:08,200
Speaker 1: know who at the Rhyman Actually, yeah, the first one,

248
00:13:09,600 --> 00:13:12,240
Speaker 1: that's right. We played this hold that ryme. I was like, hey, well,

249
00:13:12,360 --> 00:13:13,719
Speaker 1: I know you were saying before, but just get me

250
00:13:13,800 --> 00:13:16,560
Speaker 1: athing back for us. That's how we do anything. And

251
00:13:16,600 --> 00:13:19,320
Speaker 1: he's like all right, and you know it's like baby

252
00:13:19,360 --> 00:13:21,280
Speaker 1: I love you. Wait, just you know, just give a

253
00:13:21,320 --> 00:13:26,160
Speaker 1: little bit of something like baby I love now. I

254
00:13:26,400 --> 00:13:27,880
Speaker 1: was like part of the show, like you might as

255
00:13:27,880 --> 00:13:30,600
Speaker 1: well be on the album cover man all I was like,

256
00:13:30,760 --> 00:13:34,840
Speaker 1: you want me to go on this legendary country stage

257
00:13:35,800 --> 00:13:40,360
Speaker 1: and dance and singing Starbucks with you hip hop? Okay,

258
00:13:40,440 --> 00:13:42,400
Speaker 1: that's weird. I never thought I would be doing that

259
00:13:43,720 --> 00:13:48,800
Speaker 1: strange Starbucks. I'll be feeling cup on the Rhyman stage.

260
00:13:48,840 --> 00:13:54,080
Speaker 1: I'll be feeling one more cut. So we're playing tonight,

261
00:13:54,800 --> 00:13:56,600
Speaker 1: we are. I got a lot of message after the

262
00:13:56,600 --> 00:14:00,520
Speaker 1: first Bobby cast, like, hey, you didn't mention na Um

263
00:14:00,559 --> 00:14:03,280
Speaker 1: when I was talking about everybody on the show. And

264
00:14:03,320 --> 00:14:05,240
Speaker 1: I guess a lot of that comes from we were

265
00:14:05,280 --> 00:14:07,480
Speaker 1: talking about people that got written about in the book

266
00:14:08,000 --> 00:14:10,880
Speaker 1: and people that didn't. And Carlos who used to work

267
00:14:10,920 --> 00:14:13,080
Speaker 1: on the show doesn't work on the show anymore, and

268
00:14:13,120 --> 00:14:16,160
Speaker 1: what happened with that, and Noddy got left out of

269
00:14:16,240 --> 00:14:19,360
Speaker 1: last week because she kind of didn't fit in that conversation. Oddly,

270
00:14:21,680 --> 00:14:24,760
Speaker 1: we talk about we talked about them, about Carlos right now,

271
00:14:24,800 --> 00:14:27,400
Speaker 1: I talked about last week. Wow, what we talk about.

272
00:14:27,440 --> 00:14:30,560
Speaker 1: You should listen to the Bobby Cast Episode one. All

273
00:14:30,600 --> 00:14:32,320
Speaker 1: I said was it's tough to be a boss and

274
00:14:32,360 --> 00:14:37,160
Speaker 1: a friend at the same time. Bobby realness. It was yeah, Well,

275
00:14:37,200 --> 00:14:39,240
Speaker 1: because people asked about it, and I've answered the question

276
00:14:39,280 --> 00:14:41,200
Speaker 1: ten times. And first people were like, why didn't you

277
00:14:41,200 --> 00:14:42,560
Speaker 1: write about Carlos in the book? And I was like,

278
00:14:42,600 --> 00:14:44,560
Speaker 1: I don't write about anybody that didn't make the move

279
00:14:44,640 --> 00:14:46,960
Speaker 1: in the book, Like I gotna put Erica in the book,

280
00:14:46,960 --> 00:14:48,600
Speaker 1: and I'm put Noda in the book. He's part of

281
00:14:48,640 --> 00:14:51,560
Speaker 1: the show. Now, I'd put Carlos in the book. And

282
00:14:51,560 --> 00:14:53,480
Speaker 1: then people are like, what happened with Carlos? And I

283
00:14:53,520 --> 00:14:57,680
Speaker 1: was like, basically, Carlos was a really great friend and

284
00:14:57,720 --> 00:15:00,160
Speaker 1: a good worker, but Ray simply outworked him over the

285
00:15:00,160 --> 00:15:01,640
Speaker 1: period of a year a year and a half and

286
00:15:01,680 --> 00:15:03,840
Speaker 1: I had to choose one person to move there was

287
00:15:04,000 --> 00:15:08,080
Speaker 1: better for the entire show, Like who the better at

288
00:15:08,120 --> 00:15:09,720
Speaker 1: that job was? And I had to choose Ray, and

289
00:15:09,720 --> 00:15:11,600
Speaker 1: it was really hard because I didn't know Ray, and

290
00:15:11,680 --> 00:15:13,800
Speaker 1: Ray wasn't like a really close friend. He had just

291
00:15:13,840 --> 00:15:17,320
Speaker 1: been an intern, but he was dominant at his job,

292
00:15:18,040 --> 00:15:20,280
Speaker 1: and so for the best interest of the show, I

293
00:15:20,280 --> 00:15:22,800
Speaker 1: had to bring in the best person. And so Ray

294
00:15:22,920 --> 00:15:26,000
Speaker 1: came and Carlos stayed and kept a job in Austin.

295
00:15:26,840 --> 00:15:29,200
Speaker 1: And so then I said, how Carlos left and might

296
00:15:29,320 --> 00:15:32,080
Speaker 1: d to Carlos's job, and the plan was always hopefully

297
00:15:32,240 --> 00:15:34,280
Speaker 1: eventually bring Carlos to Nashville if we could find a

298
00:15:34,280 --> 00:15:36,560
Speaker 1: spot for him. Well, Carlos left and Mike de goes

299
00:15:36,600 --> 00:15:38,680
Speaker 1: and then we do end up finding a spot we

300
00:15:38,720 --> 00:15:42,280
Speaker 1: move might d over to Nashville. Felt that so it

301
00:15:42,360 --> 00:15:45,040
Speaker 1: was just, I mean the honest part, like Carl's a

302
00:15:45,120 --> 00:15:47,440
Speaker 1: really good dude, but he didn't really have that like

303
00:15:47,560 --> 00:15:50,400
Speaker 1: big ambition to go further or what. I don't know

304
00:15:50,440 --> 00:15:52,480
Speaker 1: what's in his heart or his head, but I know

305
00:15:52,640 --> 00:15:55,400
Speaker 1: Ray his nuts. And Ray will like work a hundred

306
00:15:55,400 --> 00:15:59,040
Speaker 1: hours straight and as an intern, rageous outworked everybody and

307
00:15:59,120 --> 00:16:03,400
Speaker 1: you should be rewarded for that, especially when everyone else

308
00:16:03,560 --> 00:16:07,200
Speaker 1: is being affected like what Ray does affects Amy Lunchbox

309
00:16:07,920 --> 00:16:10,120
Speaker 1: everybody's pay checks, and you just have to put the

310
00:16:10,160 --> 00:16:13,280
Speaker 1: best people in the best situations. And so that that's

311
00:16:13,280 --> 00:16:17,880
Speaker 1: what I explained last week. Okay, I had never heard that. Okay,

312
00:16:18,000 --> 00:16:21,520
Speaker 1: that Bobby Catt getting real y'all getting that real nous. Well,

313
00:16:21,640 --> 00:16:23,480
Speaker 1: just we don't get to talk as long form during

314
00:16:23,520 --> 00:16:25,680
Speaker 1: the morning joke because we gotta play a song. Yeah,

315
00:16:25,840 --> 00:16:27,800
Speaker 1: then we got to a commercial. And most people don't

316
00:16:27,840 --> 00:16:30,240
Speaker 1: care about Carlos if they're not Austin or what you're

317
00:16:30,240 --> 00:16:32,640
Speaker 1: talking because all that we have a hundred cities now

318
00:16:32,640 --> 00:16:34,680
Speaker 1: they don't even know who that is. But with the

319
00:16:34,760 --> 00:16:36,160
Speaker 1: with the podcast, you can talk about whatever you want.

320
00:16:36,160 --> 00:16:37,560
Speaker 1: If somebody want to hear, they just turn it off.

321
00:16:37,560 --> 00:16:40,120
Speaker 1: It's not like their ratings or anything that makes sense.

322
00:16:40,160 --> 00:16:42,680
Speaker 1: But no, I got I mean nothing. I have not

323
00:16:42,960 --> 00:16:46,720
Speaker 1: zero negative things to say about Carlos. It was a

324
00:16:46,720 --> 00:16:49,920
Speaker 1: good friend because back in Austin we used to go hard.

325
00:16:51,600 --> 00:16:55,040
Speaker 1: But it was just sometimes it sucks being a boss

326
00:16:55,080 --> 00:16:57,560
Speaker 1: and a friend because you have to tell your friends

327
00:16:57,640 --> 00:17:00,600
Speaker 1: tough things. Sometimes you think you take it personal. Absolutely,

328
00:17:01,200 --> 00:17:04,560
Speaker 1: why you say, I mean, that's the normal thing to do,

329
00:17:05,400 --> 00:17:08,760
Speaker 1: It's the human thing to do. It's harder to not

330
00:17:08,840 --> 00:17:11,960
Speaker 1: take it personally when someone who's in your life personally

331
00:17:12,040 --> 00:17:15,440
Speaker 1: is telling it to you. And it was like, it's like,

332
00:17:15,480 --> 00:17:18,080
Speaker 1: you're not getting fired, but the show is moving to

333
00:17:18,200 --> 00:17:22,600
Speaker 1: Nashville and you're gonna stay and produced here, no pay cut,

334
00:17:22,680 --> 00:17:26,240
Speaker 1: nothing like that. But Ray has taken a spot and

335
00:17:26,280 --> 00:17:28,879
Speaker 1: here's why. And it was it sucked. And if I

336
00:17:28,920 --> 00:17:31,400
Speaker 1: was a boss that wasn't friends with everyone, it would

337
00:17:31,400 --> 00:17:34,840
Speaker 1: have been much different. I just gonna said, abc D,

338
00:17:35,119 --> 00:17:36,960
Speaker 1: here's your job, We're out. But it wasn't. It was tough.

339
00:17:37,080 --> 00:17:39,880
Speaker 1: Had he tried to reach out to you after that, nah,

340
00:17:40,280 --> 00:17:43,560
Speaker 1: not really did tweet sometimes some people tweet him, but

341
00:17:43,760 --> 00:17:47,320
Speaker 1: and I just felt like it wasn't an issue to

342
00:17:47,440 --> 00:17:48,800
Speaker 1: bring up. I don't want to bring it up and

343
00:17:48,960 --> 00:17:51,040
Speaker 1: put his business out there, so I just didn't. I

344
00:17:51,119 --> 00:17:53,679
Speaker 1: didn't say anything in respect to him. But then he

345
00:17:53,720 --> 00:17:55,760
Speaker 1: was tweeting about it. I was like, I think I

346
00:17:55,800 --> 00:17:58,320
Speaker 1: saw a couple of those tweets too. Yeah, So it's like,

347
00:17:58,960 --> 00:18:00,480
Speaker 1: I mean, if you want to bring it up, I'll

348
00:18:00,480 --> 00:18:03,520
Speaker 1: at least address it. And I have a few times,

349
00:18:03,520 --> 00:18:05,080
Speaker 1: like on Facebook live and stuff, and never on the

350
00:18:05,160 --> 00:18:08,480
Speaker 1: radio radio radio, because again I still think that it's

351
00:18:08,480 --> 00:18:10,600
Speaker 1: a great dude, But it would have been hard to

352
00:18:10,640 --> 00:18:14,639
Speaker 1: not take it personally if one of your friends says, hey,

353
00:18:15,000 --> 00:18:16,960
Speaker 1: you know you're gonna stay here and we all have

354
00:18:17,040 --> 00:18:21,399
Speaker 1: to go, and because this person has done But again,

355
00:18:21,480 --> 00:18:23,760
Speaker 1: look at Ray. What if you're Ray and you're working

356
00:18:23,800 --> 00:18:25,840
Speaker 1: your brains out and you've worked for a year for free,

357
00:18:26,160 --> 00:18:30,200
Speaker 1: and you've dominated and done three times the work as

358
00:18:30,400 --> 00:18:33,880
Speaker 1: whomever else any producer there, and you didn't get picked

359
00:18:34,000 --> 00:18:37,160
Speaker 1: to go like he just simply worked his way into

360
00:18:37,200 --> 00:18:41,560
Speaker 1: where he is now. Right, So uh yeah, Like I said,

361
00:18:41,880 --> 00:18:45,480
Speaker 1: it's hard to be a boss and a friend. And

362
00:18:45,640 --> 00:18:47,280
Speaker 1: most of the time I just get to be the friend.

363
00:18:47,359 --> 00:18:48,760
Speaker 1: Percent of the time I get to be the friend.

364
00:18:49,520 --> 00:18:51,040
Speaker 1: Fifteen percent of the time, it's tough on I have

365
00:18:51,040 --> 00:18:53,840
Speaker 1: to pull somebody in the room and say this isn't working,

366
00:18:53,880 --> 00:18:57,080
Speaker 1: you can't do this, or I guess we talked last

367
00:18:57,520 --> 00:19:00,679
Speaker 1: the show cast. Um that's the guy work in the

368
00:19:01,359 --> 00:19:03,760
Speaker 1: my bedroom right now. If I'm yelling in the background,

369
00:19:04,280 --> 00:19:09,679
Speaker 1: um is that? Um, I don't even know. Most of

370
00:19:09,680 --> 00:19:11,359
Speaker 1: the time is trying to be just a boss and

371
00:19:11,400 --> 00:19:14,160
Speaker 1: a friend. But let me ask you this, So being

372
00:19:14,200 --> 00:19:18,280
Speaker 1: a boss plus a friend, how do you even direct

373
00:19:18,359 --> 00:19:21,640
Speaker 1: people without offending people. You can't worry about it. There's

374
00:19:21,680 --> 00:19:23,960
Speaker 1: just a line, and Amy is the absolute best at

375
00:19:23,960 --> 00:19:27,000
Speaker 1: accepting that line. And Amy's my best friend on the show.

376
00:19:27,200 --> 00:19:30,439
Speaker 1: Eddie's climbing up there because we're together so much, but

377
00:19:30,440 --> 00:19:33,680
Speaker 1: but Amy's probably I'm close. It's close between those two.

378
00:19:34,640 --> 00:19:36,120
Speaker 1: It's hard to even not just to say it's straight,

379
00:19:36,280 --> 00:19:38,000
Speaker 1: because I mean, I've been so close for so long,

380
00:19:38,600 --> 00:19:42,160
Speaker 1: but Eddie and I've just been so much time together. Um,

381
00:19:42,200 --> 00:19:47,320
Speaker 1: it's just okay, we're great friends. But I also have

382
00:19:47,520 --> 00:19:50,160
Speaker 1: to run a company in the company of our morning

383
00:19:50,160 --> 00:19:53,280
Speaker 1: show on a hundred affiliates that builds a bunch of

384
00:19:53,280 --> 00:19:55,439
Speaker 1: the money for we have to make a revenue. And

385
00:19:55,880 --> 00:19:57,399
Speaker 1: you know, it's all funny games, but you have to

386
00:19:57,480 --> 00:20:00,560
Speaker 1: understand when I have to be the boss, it's I

387
00:20:00,600 --> 00:20:03,160
Speaker 1: have to be the boss. And if it's if you're

388
00:20:03,160 --> 00:20:05,760
Speaker 1: coming in, and Amy's great about going, Okay, you can't

389
00:20:05,800 --> 00:20:08,320
Speaker 1: do this anymore. You know you can't do this. Then

390
00:20:08,359 --> 00:20:11,240
Speaker 1: we get researching and it'll say these segments aren't working

391
00:20:11,240 --> 00:20:15,720
Speaker 1: that well. And she's great about the separator of the two.

392
00:20:16,359 --> 00:20:18,919
Speaker 1: Everybody else has problems. Sometimes he goes like, how can

393
00:20:18,960 --> 00:20:21,160
Speaker 1: you be my friend? And then say you gotta stop

394
00:20:21,200 --> 00:20:24,080
Speaker 1: doing this because but people come to me like Rod,

395
00:20:24,280 --> 00:20:28,240
Speaker 1: my boss is a good friend, but there's a there's

396
00:20:28,280 --> 00:20:30,600
Speaker 1: friend time, and I know there's boss time where he

397
00:20:30,640 --> 00:20:32,400
Speaker 1: has to put the boss hat on and be like, Okay,

398
00:20:32,400 --> 00:20:34,960
Speaker 1: this is not good, so fix it. And I'm like

399
00:20:35,040 --> 00:20:38,080
Speaker 1: got it, Like I understand it. But I don't think

400
00:20:38,280 --> 00:20:41,479
Speaker 1: that I expect anything from any single person on my

401
00:20:41,560 --> 00:20:46,560
Speaker 1: staff that I don't expect from myself. Double you expect

402
00:20:46,560 --> 00:20:50,119
Speaker 1: a laugh from yourself, like I'm for sure. Leader by example?

403
00:20:50,960 --> 00:20:55,399
Speaker 1: Do you do you feel like that you explain a

404
00:20:55,440 --> 00:20:58,800
Speaker 1: lot of things that you want to happen to your

405
00:20:58,840 --> 00:21:01,840
Speaker 1: friends as of all. Sometimes I feel like sometimes I

406
00:21:01,960 --> 00:21:05,639
Speaker 1: want them to find their own groove and if they

407
00:21:05,640 --> 00:21:08,280
Speaker 1: can't find their group naturally, because everything's natural because nobody's

408
00:21:08,320 --> 00:21:10,840
Speaker 1: radio people, not ever as the radio people, so it's

409
00:21:10,840 --> 00:21:12,359
Speaker 1: not like, hey, you need to do this in a

410
00:21:12,440 --> 00:21:14,320
Speaker 1: radio way. Sometimes I like them to find their own

411
00:21:14,320 --> 00:21:16,720
Speaker 1: way they don't even know they could find. I feel

412
00:21:16,720 --> 00:21:19,120
Speaker 1: that's what you do. Yeah, Everybody kind of finds their

413
00:21:19,280 --> 00:21:22,879
Speaker 1: path and you go off of that. And I like

414
00:21:22,920 --> 00:21:24,600
Speaker 1: to find what people are good at and then build

415
00:21:24,600 --> 00:21:27,440
Speaker 1: the roads for them because I know what Amy's good

416
00:21:27,480 --> 00:21:29,199
Speaker 1: at and I know where she comes from the heart,

417
00:21:29,240 --> 00:21:30,640
Speaker 1: so I try to put her in those spots where

418
00:21:30,680 --> 00:21:33,000
Speaker 1: she's showing that she is great at and put her

419
00:21:33,119 --> 00:21:36,560
Speaker 1: situations to thrive, you know. Same with lunch Box, same

420
00:21:36,600 --> 00:21:39,359
Speaker 1: with Eddie. And there are places where they go on

421
00:21:39,400 --> 00:21:41,119
Speaker 1: places where it's not good, and so I just try

422
00:21:41,160 --> 00:21:42,520
Speaker 1: to keep them from there, trying to put people in

423
00:21:42,560 --> 00:21:45,920
Speaker 1: the best situations for those hard times when like bosses

424
00:21:45,960 --> 00:21:50,479
Speaker 1: have to like tell somebody exactly what they want, and

425
00:21:50,560 --> 00:21:53,679
Speaker 1: bosses have to like direct them and inspire them, like

426
00:21:53,720 --> 00:21:55,080
Speaker 1: do you feel like you're good at that? Or no?

427
00:21:56,640 --> 00:21:59,040
Speaker 1: Very occasionally, because if you do it too much, it

428
00:21:59,040 --> 00:22:02,720
Speaker 1: doesn't matter anymore. You can only inspire so many times

429
00:22:02,720 --> 00:22:05,359
Speaker 1: before it just becomes another allow of talk. It's like

430
00:22:05,359 --> 00:22:08,120
Speaker 1: getting angry someone yells at you all the time, there's

431
00:22:08,119 --> 00:22:10,520
Speaker 1: another day yelling. But if someone yells at you once

432
00:22:10,560 --> 00:22:12,679
Speaker 1: a year, you're like, holy God, what did I do?

433
00:22:12,800 --> 00:22:15,320
Speaker 1: All right? Like what did I do? So it's that

434
00:22:15,440 --> 00:22:19,120
Speaker 1: you just have to choose your emotions very carefully because

435
00:22:19,240 --> 00:22:21,840
Speaker 1: with me, period of my life, it's never too high,

436
00:22:21,920 --> 00:22:24,280
Speaker 1: never too low. Things are never that great, things never

437
00:22:24,280 --> 00:22:27,920
Speaker 1: that bad. As far as work goes, never too good,

438
00:22:27,960 --> 00:22:29,840
Speaker 1: never too bad. If you can maintain that middle, you're

439
00:22:29,840 --> 00:22:34,200
Speaker 1: always gonna be consistent. Consistency is a key. So that's

440
00:22:34,440 --> 00:22:36,680
Speaker 1: the thing. I like people to find their own place

441
00:22:37,160 --> 00:22:39,360
Speaker 1: and then we build from that. And when it's time

442
00:22:39,400 --> 00:22:43,080
Speaker 1: to inspire, and I'm talking about once twice a year,

443
00:22:43,200 --> 00:22:45,520
Speaker 1: if we have one of those big talks, it's it's

444
00:22:45,560 --> 00:22:47,080
Speaker 1: and it's almost time to have another one of those.

445
00:22:47,119 --> 00:22:49,679
Speaker 1: And it's always when it's kind of a reset for

446
00:22:49,680 --> 00:22:53,959
Speaker 1: the show. You're getting back into it, when school starts

447
00:22:54,000 --> 00:22:57,600
Speaker 1: and you know, you have ratings happening and um or

448
00:22:57,640 --> 00:23:00,119
Speaker 1: you're going away for the summer, you know. But if

449
00:23:00,119 --> 00:23:03,800
Speaker 1: you do it, if you inspire every day, it's just

450
00:23:04,080 --> 00:23:07,840
Speaker 1: more words, just more emotional words, and just go in

451
00:23:07,840 --> 00:23:10,720
Speaker 1: and out the other. I don't impact, like I don't

452
00:23:10,720 --> 00:23:13,720
Speaker 1: ever get angry, Mike. Do I ever get angry? But

453
00:23:13,800 --> 00:23:17,960
Speaker 1: when I do, like people like WHOA, because I don't,

454
00:23:17,960 --> 00:23:20,080
Speaker 1: because I don't get angry, because I'm never too high,

455
00:23:20,119 --> 00:23:24,840
Speaker 1: never too low. So I lead by example and then

456
00:23:24,920 --> 00:23:29,240
Speaker 1: now when it needs to be done, it's done. Like

457
00:23:30,160 --> 00:23:34,040
Speaker 1: like I've had talks, Mike, and individually more than you,

458
00:23:34,119 --> 00:23:36,320
Speaker 1: I don't really get everybody into a room, because as

459
00:23:36,359 --> 00:23:38,439
Speaker 1: a boss you have to look at people differently and

460
00:23:38,440 --> 00:23:41,240
Speaker 1: realize their temperaments are different, and their emotions are different,

461
00:23:41,240 --> 00:23:47,080
Speaker 1: and they take positive and constructive criticism differently. So everybody

462
00:23:47,080 --> 00:23:50,720
Speaker 1: gets talked to separately, like if we have talks, and

463
00:23:50,840 --> 00:23:55,000
Speaker 1: so it's, uh, that's how it is. I don't put

464
00:23:55,000 --> 00:23:57,840
Speaker 1: everybody in a gymnasium and get on the microphone like

465
00:23:57,840 --> 00:24:04,840
Speaker 1: give me give I felt that. But they're so many

466
00:24:04,880 --> 00:24:08,440
Speaker 1: different managerial styles. I just decided that when I was

467
00:24:08,440 --> 00:24:11,600
Speaker 1: gonna put together a group of people, not a group

468
00:24:11,600 --> 00:24:16,080
Speaker 1: of radio people. And people are all different. You have

469
00:24:16,119 --> 00:24:19,359
Speaker 1: to handle people different, Dan, that's gotta be tough as

470
00:24:19,400 --> 00:24:22,360
Speaker 1: a friend and a boss. It's the it's the biggest

471
00:24:22,400 --> 00:24:25,359
Speaker 1: struggle of the show of being a friend and a

472
00:24:25,400 --> 00:24:27,399
Speaker 1: boss because I can't bring someone in. It's not my friend,

473
00:24:28,200 --> 00:24:30,200
Speaker 1: Like nobody comes through the walls. It's not my friend.

474
00:24:30,440 --> 00:24:32,680
Speaker 1: And people asked by Nata, which is where we were?

475
00:24:33,280 --> 00:24:35,919
Speaker 1: Um the thing when Nada, I didn't know Nada. I

476
00:24:36,000 --> 00:24:38,159
Speaker 1: never hired Nada. We were here for a year. I

477
00:24:38,160 --> 00:24:40,680
Speaker 1: still didn't hire Nada. But what happened and not as

478
00:24:40,720 --> 00:24:46,480
Speaker 1: my friend, just like Ray did not showed up on

479
00:24:46,520 --> 00:24:47,920
Speaker 1: her very first day, I was like, hey, I'm here

480
00:24:47,920 --> 00:24:50,239
Speaker 1: to help. She had never been on the radio. She

481
00:24:50,280 --> 00:24:52,960
Speaker 1: had only done digital, like worked on the web stuff, right,

482
00:24:53,280 --> 00:24:55,959
Speaker 1: like built web graphics and stuff. And so she's like, hey,

483
00:24:55,960 --> 00:24:57,840
Speaker 1: I might help web graphics. You guys are a new show.

484
00:24:58,359 --> 00:25:00,640
Speaker 1: So she would come in the morning, and she's coming

485
00:25:00,640 --> 00:25:02,840
Speaker 1: again the next morning. Did she come in the next

486
00:25:02,840 --> 00:25:04,760
Speaker 1: morning like I can't pay you, like we don't have

487
00:25:04,800 --> 00:25:06,960
Speaker 1: a budget. She would do it for free for a

488
00:25:07,040 --> 00:25:09,320
Speaker 1: year and three months a year and three months now

489
00:25:09,560 --> 00:25:11,720
Speaker 1: came in and she came in every day for free,

490
00:25:11,760 --> 00:25:13,280
Speaker 1: and then only that did the rest of her job

491
00:25:13,320 --> 00:25:14,960
Speaker 1: all day long, like she had a real job and

492
00:25:15,000 --> 00:25:18,000
Speaker 1: that building doing digital. What was she trying to prove?

493
00:25:18,320 --> 00:25:20,479
Speaker 1: Not think she was just wanted to She enjoyed being

494
00:25:20,520 --> 00:25:22,159
Speaker 1: a part of the show. Wanted to be a part

495
00:25:22,200 --> 00:25:23,399
Speaker 1: of the show. After she was there for like a

496
00:25:23,480 --> 00:25:26,919
Speaker 1: month and she's like, this is a great environment and

497
00:25:27,040 --> 00:25:29,159
Speaker 1: I can do it. And I realized her importance and

498
00:25:29,160 --> 00:25:33,040
Speaker 1: how good she was. So that's where that's what happened.

499
00:25:33,040 --> 00:25:35,359
Speaker 1: So she worked for over a year and then how

500
00:25:35,400 --> 00:25:37,600
Speaker 1: do I not go to bad for somebody that isn't

501
00:25:38,960 --> 00:25:41,600
Speaker 1: And another thing is too I might say this here,

502
00:25:41,600 --> 00:25:44,480
Speaker 1: I've taken money from my pay my contract and pass

503
00:25:44,520 --> 00:25:48,560
Speaker 1: it out to our show. Because only times whenever there

504
00:25:48,600 --> 00:25:54,359
Speaker 1: aren't raises, like on our level of the company, Like

505
00:25:54,359 --> 00:25:56,320
Speaker 1: it's like we're not there are no raises, right, there's

506
00:25:56,320 --> 00:25:58,399
Speaker 1: no you know whatever, the fiscical coal I don't even

507
00:25:58,400 --> 00:26:00,520
Speaker 1: know what's happening, but like we don't know this. And

508
00:26:00,560 --> 00:26:03,520
Speaker 1: in contracts, you signed contracts and that's just what you get.

509
00:26:03,760 --> 00:26:05,639
Speaker 1: You don't get raises after you signed a contract, like

510
00:26:05,640 --> 00:26:07,560
Speaker 1: if I was signed a contract for five years, unless

511
00:26:07,560 --> 00:26:09,160
Speaker 1: the raisors are built in, you don't get a raise

512
00:26:09,359 --> 00:26:11,880
Speaker 1: because you just signed a contract. And when I signed

513
00:26:11,880 --> 00:26:13,840
Speaker 1: a contract, my first one is a five year contract

514
00:26:14,240 --> 00:26:15,800
Speaker 1: and then a few years into that. But I don't

515
00:26:15,840 --> 00:26:18,359
Speaker 1: go and ask for a raise inside of a contract

516
00:26:18,520 --> 00:26:21,600
Speaker 1: because I've already signed a contract and that tells me

517
00:26:21,640 --> 00:26:23,840
Speaker 1: what my raisors is going to be already, So I

518
00:26:23,840 --> 00:26:25,639
Speaker 1: don't go to them and go, you know, I signed

519
00:26:25,640 --> 00:26:27,760
Speaker 1: this deal, but is there any way maybe you break

520
00:26:27,800 --> 00:26:31,679
Speaker 1: me off flow extra, That's not how it works. But

521
00:26:31,880 --> 00:26:36,399
Speaker 1: what I've been able to do is take my money

522
00:26:36,640 --> 00:26:40,240
Speaker 1: that I've been paid and if people are deserving taking

523
00:26:40,280 --> 00:26:42,639
Speaker 1: and go cut it off of mine and put it

524
00:26:42,760 --> 00:26:47,680
Speaker 1: into them. How do you feel like they're deserving? How

525
00:26:47,680 --> 00:26:49,360
Speaker 1: do you tell? How do you how do you say?

526
00:26:49,600 --> 00:26:51,560
Speaker 1: Do you tell it? Do you do? You divvy it

527
00:26:51,640 --> 00:26:54,280
Speaker 1: up all the same time. If you're given one person

528
00:26:54,280 --> 00:26:56,159
Speaker 1: a raise, you give everybody a raise? Are you just

529
00:26:56,440 --> 00:26:59,560
Speaker 1: because I don't think the world like that? Like I

530
00:26:59,640 --> 00:27:04,640
Speaker 1: think never like after you know, this is Ray's first

531
00:27:04,680 --> 00:27:06,840
Speaker 1: ever radio job. He was an internal til he moved here,

532
00:27:06,920 --> 00:27:09,520
Speaker 1: and he was getting paid nothing. It was this first

533
00:27:09,560 --> 00:27:11,639
Speaker 1: ever job and he was coming in as the audio

534
00:27:11,680 --> 00:27:14,680
Speaker 1: producer and he was getting paid very very little. And

535
00:27:14,760 --> 00:27:18,240
Speaker 1: he signed contract because you have signed contract, meaning so

536
00:27:18,280 --> 00:27:21,280
Speaker 1: you don't run off to another radio station. And so

537
00:27:21,560 --> 00:27:23,280
Speaker 1: he signed a contract and he wasn't gonna paid it.

538
00:27:23,280 --> 00:27:26,040
Speaker 1: So I was like, all right, you've deserved. You deserve

539
00:27:26,200 --> 00:27:29,280
Speaker 1: more than your contract right now. So I'm gonna take

540
00:27:29,359 --> 00:27:32,920
Speaker 1: and some of my money that's my salary, and give

541
00:27:32,960 --> 00:27:36,919
Speaker 1: it to you. And I've done that pretty much everybody

542
00:27:37,800 --> 00:27:42,679
Speaker 1: on the show. If they're if, I feel like they've

543
00:27:42,720 --> 00:27:44,760
Speaker 1: worked into it. But I can tell you the truth

544
00:27:44,800 --> 00:27:46,800
Speaker 1: is I signed a contract when I moved here, and

545
00:27:46,840 --> 00:27:50,120
Speaker 1: I outperformed my contract, according to my boss, is pretty quick,

546
00:27:50,119 --> 00:27:51,640
Speaker 1: and they were like, Okay, rip it up, new deal,

547
00:27:52,119 --> 00:27:56,400
Speaker 1: and I signed a new deal they let me. So

548
00:27:57,160 --> 00:28:00,199
Speaker 1: I think people. I always believe in paying people what

549
00:28:00,240 --> 00:28:04,240
Speaker 1: they're worth, and sometimes over what they're worth if in

550
00:28:04,280 --> 00:28:08,160
Speaker 1: the long term, like it makes them feel respected and

551
00:28:08,359 --> 00:28:14,119
Speaker 1: it keeps them working harder. So I mean, I mean,

552
00:28:14,119 --> 00:28:16,080
Speaker 1: I feel like this is like business fonsophy that could

553
00:28:16,080 --> 00:28:18,320
Speaker 1: probably prove wrong in ten different points, but it's how

554
00:28:18,400 --> 00:28:20,760
Speaker 1: we worked. But I never got tired of the morning show.

555
00:28:21,280 --> 00:28:22,840
Speaker 1: It's like I never went to someone and said, hey,

556
00:28:22,920 --> 00:28:24,879
Speaker 1: you teach me how to do the morning show. I

557
00:28:25,040 --> 00:28:27,399
Speaker 1: started doing it. So I don't know anything other than

558
00:28:27,440 --> 00:28:30,639
Speaker 1: what I know, and my show doesn't anything other than

559
00:28:30,680 --> 00:28:32,800
Speaker 1: what they know and what I know. So it's not

560
00:28:32,800 --> 00:28:35,440
Speaker 1: like we have and I say this in the way

561
00:28:35,480 --> 00:28:38,400
Speaker 1: of that it's not like we don't know a lot

562
00:28:38,480 --> 00:28:40,440
Speaker 1: of things because we won't haven't been exposed a lot

563
00:28:40,520 --> 00:28:43,560
Speaker 1: of things. You know, there's some great morning shows out there,

564
00:28:43,600 --> 00:28:46,840
Speaker 1: like Olvis Duran who worked with some great morning show people.

565
00:28:47,440 --> 00:28:50,920
Speaker 1: Uh like Charlotagne worked with Wendy Williams, so she was

566
00:28:50,960 --> 00:28:52,800
Speaker 1: doing morning like he learned things from these people. I

567
00:28:52,840 --> 00:28:55,880
Speaker 1: don't crap. And then sometimes why the show comes off

568
00:28:55,960 --> 00:28:59,800
Speaker 1: is really rough and uh not polished, but at the

569
00:28:59,800 --> 00:29:02,400
Speaker 1: same time that that's what makes us different as well.

570
00:29:02,640 --> 00:29:05,000
Speaker 1: It's stay done. That makes sense. I know what you're

571
00:29:05,000 --> 00:29:08,000
Speaker 1: talking about, because sometimes I'm like, that don't sound like

572
00:29:08,480 --> 00:29:12,280
Speaker 1: Charlottemagne breakfast club type of thing to say, But well

573
00:29:12,280 --> 00:29:14,360
Speaker 1: we're not Charlotte Magne breakfast Club of course, and not

574
00:29:14,600 --> 00:29:18,720
Speaker 1: they hip how your country? And it's weird that Charlottagne

575
00:29:18,720 --> 00:29:21,240
Speaker 1: are probably the closest to of all the talent and

576
00:29:21,280 --> 00:29:24,560
Speaker 1: all the I heart like the hip hop and the

577
00:29:24,560 --> 00:29:28,800
Speaker 1: country show. We go on each other's shows. Actually, I

578
00:29:28,840 --> 00:29:30,920
Speaker 1: didn't see that interview when you was on there. They

579
00:29:31,000 --> 00:29:33,640
Speaker 1: was trying to kill you about saying what's up to

580
00:29:34,000 --> 00:29:36,520
Speaker 1: what's her name? And they were trying to grow me

581
00:29:36,560 --> 00:29:38,360
Speaker 1: on anything. But you can't grow me like I just

582
00:29:38,520 --> 00:29:41,560
Speaker 1: say what I feel like. Dean Sanders said to me,

583
00:29:41,840 --> 00:29:43,400
Speaker 1: say what do you see? That's all you can do.

584
00:29:43,480 --> 00:29:44,920
Speaker 1: If you always just say we just see them, you

585
00:29:44,920 --> 00:29:47,360
Speaker 1: have to about Lyine because you've always just said what

586
00:29:48,040 --> 00:29:49,600
Speaker 1: you know. You can't cut in the life. You're always

587
00:29:49,600 --> 00:29:52,040
Speaker 1: tell them what you see? Right. They got a little

588
00:29:52,080 --> 00:29:55,000
Speaker 1: bit more fresh Bobby there. They Bobby had the hat

589
00:29:55,120 --> 00:29:57,720
Speaker 1: sideways on that he had a little slang, a little

590
00:29:57,720 --> 00:30:01,840
Speaker 1: sl yeah, yeah, Bobby bones you. I don't think that's

591
00:30:01,880 --> 00:30:05,200
Speaker 1: true that you know. I think this is like when

592
00:30:05,240 --> 00:30:06,440
Speaker 1: you thought the guy thought you were a black so

593
00:30:06,480 --> 00:30:09,640
Speaker 1: they wouldn't let you in the building the interview when

594
00:30:10,440 --> 00:30:13,479
Speaker 1: it was a good interview. But I will say this

595
00:30:13,640 --> 00:30:15,760
Speaker 1: about my hat when I wear a little bit sideways.

596
00:30:15,760 --> 00:30:18,120
Speaker 1: Do you know why wear my hat sideways because Eminem

597
00:30:18,200 --> 00:30:21,560
Speaker 1: does it? No, that's not why, okay about Eminem. When

598
00:30:21,600 --> 00:30:24,200
Speaker 1: I have my big black glasses on, I'm sorry, my

599
00:30:24,320 --> 00:30:29,440
Speaker 1: big darker glasses on. Now, when my big black glasses,

600
00:30:29,520 --> 00:30:31,920
Speaker 1: I can't wear a normal hat down because it hits

601
00:30:31,920 --> 00:30:34,680
Speaker 1: the glasses. So I gotta turn it just a bit

602
00:30:35,240 --> 00:30:37,080
Speaker 1: so I can at least pull it down to normal

603
00:30:37,080 --> 00:30:40,000
Speaker 1: hat level. So I don't do that when I'm wearing

604
00:30:40,080 --> 00:30:43,640
Speaker 1: like these small glasses, okay, And that's why were my

605
00:30:43,680 --> 00:30:45,600
Speaker 1: hat backward a lot of times if I'm on stage

606
00:30:45,600 --> 00:30:47,320
Speaker 1: with those big glasses, so I don't look like I'm

607
00:30:47,320 --> 00:30:50,520
Speaker 1: trying to the Eminem on stage. So it's really just

608
00:30:51,200 --> 00:30:55,160
Speaker 1: I wear big glasses. Everybody always wants to sign rolls

609
00:30:55,200 --> 00:30:57,560
Speaker 1: to people what they're trying to do. It's not even

610
00:30:57,600 --> 00:30:59,959
Speaker 1: the case. I was just saying, just so happen. When

611
00:31:00,000 --> 00:31:02,200
Speaker 1: I saw him on Charlotte Main his hat was down

612
00:31:02,240 --> 00:31:04,400
Speaker 1: because I had big glasses on. But I had seen

613
00:31:04,400 --> 00:31:06,760
Speaker 1: you a lot of times before you went on Charlotte Magne,

614
00:31:06,760 --> 00:31:09,040
Speaker 1: and I never saw your hat download like jay Z.

615
00:31:09,560 --> 00:31:11,760
Speaker 1: It wasn't download like jay Z. Though a little back

616
00:31:11,760 --> 00:31:13,680
Speaker 1: to the side, a little bit lower than it normally.

617
00:31:13,840 --> 00:31:16,680
Speaker 1: Was Okay, whatever you want to think. Okay, that was

618
00:31:16,720 --> 00:31:19,280
Speaker 1: a fun interview, and they were places that you know,

619
00:31:19,400 --> 00:31:22,200
Speaker 1: no interviewers ever taken me. I liked it. It was fun.

620
00:31:22,400 --> 00:31:24,200
Speaker 1: You should check it out of y'all. Don't hear that? Yeah,

621
00:31:24,200 --> 00:31:28,200
Speaker 1: it's not a breakfast clothed website. And then, uh, but y'all,

622
00:31:28,240 --> 00:31:32,720
Speaker 1: I mean, I don't think I got crazy slang, but

623
00:31:32,880 --> 00:31:35,560
Speaker 1: I do feel like a little bit. It's like when

624
00:31:35,600 --> 00:31:37,280
Speaker 1: I go, like, give an example, I go back home,

625
00:31:37,520 --> 00:31:40,800
Speaker 1: my Southern accent comes out. I already have a Southern accent.

626
00:31:41,120 --> 00:31:42,640
Speaker 1: If I go back to Arkansas and I see my

627
00:31:42,720 --> 00:31:45,280
Speaker 1: family a little bit, talking like this a little more,

628
00:31:45,320 --> 00:31:47,400
Speaker 1: you know, it's just how I talk, just how you know,

629
00:31:47,480 --> 00:31:49,120
Speaker 1: you go back home and you talk like this, it's

630
00:31:49,120 --> 00:31:50,640
Speaker 1: like your eyes your eyes and we get some watch

631
00:31:50,680 --> 00:31:53,160
Speaker 1: powers and you know, to go down. You know, that's

632
00:31:53,200 --> 00:31:55,560
Speaker 1: how I grew up talking only two years of speak pathology,

633
00:31:55,560 --> 00:31:58,120
Speaker 1: I still haven't shaken all my accent, but I lost

634
00:31:58,160 --> 00:31:59,560
Speaker 1: a lot of it because I knew that to be

635
00:31:59,560 --> 00:32:00,600
Speaker 1: on the rady, it would have to be in a

636
00:32:00,640 --> 00:32:03,320
Speaker 1: lot of places. Now, where I grew up, there were

637
00:32:03,360 --> 00:32:05,520
Speaker 1: some white folks, there were some black folks. So I

638
00:32:05,560 --> 00:32:08,040
Speaker 1: felt and I feel the most comfortable around black people,

639
00:32:09,040 --> 00:32:12,200
Speaker 1: like and so just like when I back home, it

640
00:32:12,280 --> 00:32:15,200
Speaker 1: felt kind of like I was back home again, and

641
00:32:15,280 --> 00:32:17,720
Speaker 1: so it was like, Okay, well, I guess I'll just

642
00:32:17,800 --> 00:32:21,360
Speaker 1: kind of slide a bit into my back home accent, Okay,

643
00:32:21,400 --> 00:32:23,040
Speaker 1: because y'all was giving me a hard time when I

644
00:32:23,080 --> 00:32:25,920
Speaker 1: was ordering at a mom a. No, no, no, here's different.

645
00:32:26,920 --> 00:32:30,720
Speaker 1: I don't think that's different. Different because where I grew up,

646
00:32:30,760 --> 00:32:33,000
Speaker 1: I grew up with a lot of black friends. And

647
00:32:33,760 --> 00:32:35,480
Speaker 1: you go up a lot of black friends, you hang

648
00:32:35,480 --> 00:32:37,720
Speaker 1: out with your friends, you start talking like your friends

649
00:32:37,760 --> 00:32:40,120
Speaker 1: a little bit. Now, I didn't do it a lot

650
00:32:40,200 --> 00:32:44,320
Speaker 1: because I was a little white kid. But yeah, you

651
00:32:44,560 --> 00:32:48,320
Speaker 1: were talking to a waiter that was Asian and you

652
00:32:48,400 --> 00:32:53,560
Speaker 1: tell Japanese, I like, okay, yeah, Asia, okay. He said,

653
00:32:54,120 --> 00:32:56,840
Speaker 1: you never lived in Japan and you were trying to

654
00:32:56,840 --> 00:32:59,160
Speaker 1: speak Japanese. So he and he was like what you

655
00:32:59,240 --> 00:33:01,480
Speaker 1: like and I'm I said, I want told me so,

656
00:33:02,360 --> 00:33:07,440
Speaker 1: and I like, all, you can't do that. Yes, no,

657
00:33:07,560 --> 00:33:09,560
Speaker 1: he yes, he did that. And I called Hi out

658
00:33:09,560 --> 00:33:11,840
Speaker 1: on the table and I was like, you can't do that.

659
00:33:11,840 --> 00:33:13,800
Speaker 1: That's not the same thing. Like when I was hanging

660
00:33:14,040 --> 00:33:16,800
Speaker 1: with Searlemagne, Envy and Angela, it was kind of like

661
00:33:16,800 --> 00:33:18,720
Speaker 1: I was back home again. So I think it kind

662
00:33:18,720 --> 00:33:21,440
Speaker 1: of slipped back into how I used to be in

663
00:33:21,480 --> 00:33:23,200
Speaker 1: high school a bit. But that was kind of like

664
00:33:23,320 --> 00:33:25,440
Speaker 1: you was talking like them, so they could talking like them.

665
00:33:25,480 --> 00:33:28,120
Speaker 1: I was talking like I felt comfortable talking. It took

666
00:33:28,120 --> 00:33:30,160
Speaker 1: me back to how I used to probably talk a bit.

667
00:33:31,120 --> 00:33:33,480
Speaker 1: You never talked like you were Japanese. Well yeah, I

668
00:33:33,520 --> 00:33:35,280
Speaker 1: mean my sister she was in the Navy. So I

669
00:33:35,320 --> 00:33:37,200
Speaker 1: went to go visit in Okinawa one time and they

670
00:33:37,280 --> 00:33:39,960
Speaker 1: was talking about that and I was like, it was

671
00:33:40,000 --> 00:33:43,920
Speaker 1: like two months. So I got that agent. I got

672
00:33:43,920 --> 00:33:46,520
Speaker 1: that agents, but it's not the same thing. That the

673
00:33:46,520 --> 00:33:48,320
Speaker 1: same thing. But that's like if I go to like

674
00:33:48,360 --> 00:33:52,360
Speaker 1: a real Mexican restaurant sometimes older in Spanish, you feel

675
00:33:52,440 --> 00:34:01,160
Speaker 1: me just one time for ten days, but the way

676
00:34:01,200 --> 00:34:03,120
Speaker 1: it was like he kind of respected me. No he

677
00:34:03,160 --> 00:34:06,200
Speaker 1: did not, because I got my food first and you

678
00:34:06,480 --> 00:34:09,040
Speaker 1: ordered first. No, no, because I was like, did you

679
00:34:09,120 --> 00:34:14,040
Speaker 1: order first? Did you order first? Order first? But everybody

680
00:34:14,040 --> 00:34:16,480
Speaker 1: didn't even get their food and it was also soup,

681
00:34:16,680 --> 00:34:18,640
Speaker 1: and you got the soup first, which is probably just

682
00:34:18,719 --> 00:34:22,879
Speaker 1: the big bowl of soup. Back there, he poured something

683
00:34:22,920 --> 00:34:26,920
Speaker 1: else in because yeah, no, no, I felt like he

684
00:34:27,040 --> 00:34:29,200
Speaker 1: was like there are times though, when I call an

685
00:34:29,239 --> 00:34:30,960
Speaker 1: Asian restaurant and you want to talk in the accent

686
00:34:30,960 --> 00:34:32,680
Speaker 1: because of the answer, and it's really thick, and I

687
00:34:32,719 --> 00:34:34,480
Speaker 1: don't want to do the accent because I don't. I

688
00:34:34,560 --> 00:34:37,759
Speaker 1: don't better go boy and racist. They're like, I'll do

689
00:34:37,800 --> 00:34:44,000
Speaker 1: it like um um, like curb with the frog as

690
00:34:45,120 --> 00:34:47,640
Speaker 1: curb with frog here. Oh thanks for going for Chinese food.

691
00:34:47,960 --> 00:34:50,480
Speaker 1: I want to be like, oh, like some chicken and

692
00:34:50,560 --> 00:34:54,600
Speaker 1: drug please you so, but just insert whatever accent you're

693
00:34:54,600 --> 00:34:57,279
Speaker 1: calling from, the regardless of its Indian food. But you

694
00:34:57,280 --> 00:34:59,279
Speaker 1: do feel that need. But am I did it so

695
00:34:59,360 --> 00:35:03,760
Speaker 1: blatantly in public? I was stunned and I yelled a lot,

696
00:35:04,560 --> 00:35:07,759
Speaker 1: but it was red. It went wrong with it. Watch

697
00:35:07,760 --> 00:35:10,120
Speaker 1: your face get red, but by my face is brown,

698
00:35:10,160 --> 00:35:11,759
Speaker 1: so you can't really see. No, you know, your face

699
00:35:11,800 --> 00:35:14,120
Speaker 1: definitely got red. But I was saying, why would you

700
00:35:14,160 --> 00:35:16,920
Speaker 1: even say that if I didn't think anything wrong with it?

701
00:35:17,080 --> 00:35:19,640
Speaker 1: That waiter didn't think anything was wrong with it. Now

702
00:35:19,680 --> 00:35:24,799
Speaker 1: the way it was just like it was his first day. Okay,

703
00:35:24,840 --> 00:35:27,040
Speaker 1: if you think that, And so why is it racist

704
00:35:27,080 --> 00:35:29,400
Speaker 1: if you make an accent? I don't think it is.

705
00:35:29,480 --> 00:35:32,840
Speaker 1: But it's like, why even because if one person starts

706
00:35:32,840 --> 00:35:35,759
Speaker 1: going that's racist, it wasn't worth it wasn't worth the joke,

707
00:35:37,040 --> 00:35:38,680
Speaker 1: Like it's just not something. It's like we used to

708
00:35:38,719 --> 00:35:41,600
Speaker 1: do street things all the time, like stunts on the

709
00:35:41,640 --> 00:35:46,160
Speaker 1: streets all the time, and it became if we do

710
00:35:46,400 --> 00:35:49,200
Speaker 1: fifteen stunts and fourteen them were successful and we get

711
00:35:49,200 --> 00:35:53,120
Speaker 1: in bad trouble for one, it wasn't worth it. So

712
00:35:53,160 --> 00:35:56,160
Speaker 1: we just stopped doing them. And so there are things

713
00:35:56,760 --> 00:35:59,360
Speaker 1: that just aren't worth it because if just one time

714
00:36:00,120 --> 00:36:04,719
Speaker 1: someone goes that's a racist, or if someone goes that's dangerous,

715
00:36:04,800 --> 00:36:06,600
Speaker 1: or you get in trouble or you get it's just

716
00:36:06,640 --> 00:36:09,440
Speaker 1: not worth it. So a lot of it's picking you

717
00:36:09,520 --> 00:36:11,520
Speaker 1: to risk spots and something. It's just not worth it,

718
00:36:11,760 --> 00:36:14,120
Speaker 1: Like for me to make that joke on a podcast,

719
00:36:14,320 --> 00:36:16,399
Speaker 1: which is gonna there's no reason for me to make

720
00:36:16,440 --> 00:36:19,359
Speaker 1: that joke on a podcast and put it out there

721
00:36:19,440 --> 00:36:20,719
Speaker 1: for someone to cut up and go listen to him

722
00:36:20,760 --> 00:36:23,879
Speaker 1: being racist. So I just come with the frog, right,

723
00:36:24,280 --> 00:36:26,040
Speaker 1: But I wouldn't think it was a joke. It would

724
00:36:26,040 --> 00:36:30,120
Speaker 1: just be you imitating what you heard, fair enough. But

725
00:36:30,160 --> 00:36:32,799
Speaker 1: it's only takes one person to think that and to

726
00:36:32,840 --> 00:36:34,920
Speaker 1: start saying that you don't want to be called a

727
00:36:35,000 --> 00:36:39,360
Speaker 1: racist and listen, I mean, yeah, you know what I

728
00:36:39,400 --> 00:36:41,200
Speaker 1: have people say I ain't a racist. I wall I

729
00:36:41,200 --> 00:36:45,600
Speaker 1: aint a racist, and so it's just it's just not

730
00:36:45,600 --> 00:36:47,520
Speaker 1: worth it. I never say I'm not a racist, That's

731
00:36:47,520 --> 00:36:49,000
Speaker 1: what I'm saying. I don't say it either. It's like,

732
00:36:49,280 --> 00:36:50,680
Speaker 1: you know what, I never say too, And I'm always

733
00:36:50,880 --> 00:36:52,680
Speaker 1: best friends. I never go I got a black friend.

734
00:36:53,000 --> 00:36:57,400
Speaker 1: People who say that, Yeah, people who say that are

735
00:36:57,400 --> 00:36:59,520
Speaker 1: always like the people are like, right, why you gotta

736
00:36:59,560 --> 00:37:01,440
Speaker 1: highlight the you got a black friend. Why can't you

737
00:37:01,480 --> 00:37:03,879
Speaker 1: just have a friend. Right, But the man does bring

738
00:37:03,880 --> 00:37:07,560
Speaker 1: a lot of self racism on himself. Oh you think so?

739
00:37:07,719 --> 00:37:09,239
Speaker 1: Oh yeah, for sure where this is what I see

740
00:37:09,280 --> 00:37:13,759
Speaker 1: in life, though I think you see it in a

741
00:37:13,800 --> 00:37:18,000
Speaker 1: lot of ways that I don't see it. Obviously we're

742
00:37:18,000 --> 00:37:20,560
Speaker 1: from different places, but a little bit, just a little bit,

743
00:37:21,960 --> 00:37:25,719
Speaker 1: like I don't come from a completely white town full

744
00:37:25,760 --> 00:37:28,200
Speaker 1: of all white people where we had classes and we

745
00:37:28,320 --> 00:37:32,719
Speaker 1: just studied about white things. We go to places like

746
00:37:32,800 --> 00:37:35,680
Speaker 1: Alabama University of Alama, and I was like, I can't

747
00:37:35,719 --> 00:37:37,440
Speaker 1: walk outside everyone I love people looking at me, like,

748
00:37:37,440 --> 00:37:39,160
Speaker 1: why is this black guy doing here? I'm like, there

749
00:37:39,160 --> 00:37:41,840
Speaker 1: are ten thousand other black people walking around campus. But

750
00:37:41,880 --> 00:37:44,080
Speaker 1: in mind it's also super ripped up, so they could

751
00:37:44,120 --> 00:37:47,440
Speaker 1: just it's not the fact that he's black. He's like,

752
00:37:49,320 --> 00:37:51,640
Speaker 1: I don't know about that. I think they're looking at

753
00:37:51,719 --> 00:37:54,839
Speaker 1: me because they like another person looking at me with

754
00:37:54,880 --> 00:37:57,239
Speaker 1: a different skin color. I'm gonna say Caucasian, and I'll

755
00:37:57,239 --> 00:37:59,239
Speaker 1: be like, why are you gotta be looking at me

756
00:37:59,280 --> 00:38:00,840
Speaker 1: like that? But Bobby, right this, I mean, why are

757
00:38:00,840 --> 00:38:02,360
Speaker 1: you not looking at But why can't they look at you?

758
00:38:02,400 --> 00:38:05,680
Speaker 1: Because you are built like not You're a monster. You're

759
00:38:05,719 --> 00:38:08,239
Speaker 1: like a bodybuilder. If you walk by and you had

760
00:38:08,280 --> 00:38:10,239
Speaker 1: a tanktop on, I would stare at you and I'll

761
00:38:10,239 --> 00:38:11,719
Speaker 1: be going did that. Dudes, cut up and you'll be going,

762
00:38:11,880 --> 00:38:13,640
Speaker 1: just dude, look at me because I'm black. Every two

763
00:38:13,719 --> 00:38:18,440
Speaker 1: different things. That's what I think, right, But you shouldn't.

764
00:38:19,000 --> 00:38:21,000
Speaker 1: Maybe you shouldn't light But I have the same I

765
00:38:21,000 --> 00:38:23,799
Speaker 1: have the same problem, not about race, but probably with

766
00:38:24,280 --> 00:38:26,719
Speaker 1: I think how maybe girls will procee because I think

767
00:38:26,760 --> 00:38:30,160
Speaker 1: every girl's like I this guy already ugly dude, what

768
00:38:30,160 --> 00:38:32,880
Speaker 1: you're saying, But is that really what's happening. Probably not

769
00:38:32,920 --> 00:38:36,200
Speaker 1: all the time. Sometimes, probably are some people probably looking

770
00:38:36,239 --> 00:38:40,320
Speaker 1: at you going when it was black dude. Occasionally probably

771
00:38:40,360 --> 00:38:42,680
Speaker 1: more than okay, well the probably more than not. Girls

772
00:38:42,680 --> 00:38:47,080
Speaker 1: looking like I've never that guy's ugly. I don't know

773
00:38:47,120 --> 00:38:51,680
Speaker 1: about that exactly exactly. I don't know about that. We

774
00:38:51,760 --> 00:38:57,960
Speaker 1: live in America, check mate, check mate. I'm just saying

775
00:38:58,040 --> 00:39:02,000
Speaker 1: there's some similarities there. He's not exactly correct. Well, that's

776
00:39:02,040 --> 00:39:03,839
Speaker 1: all I mean about that. When I talked to him later,

777
00:39:04,600 --> 00:39:07,319
Speaker 1: do you Ahma did not like Charlett Mane for the

778
00:39:07,320 --> 00:39:12,719
Speaker 1: longest time because Charlemaine he was always talking negative and

779
00:39:12,800 --> 00:39:15,680
Speaker 1: that's what he was getting his his following from, like

780
00:39:15,719 --> 00:39:21,040
Speaker 1: a negative conversation about some talking putting people on spots. Right,

781
00:39:21,239 --> 00:39:23,760
Speaker 1: But he was like attacking people, like when he attacked Kanye.

782
00:39:24,000 --> 00:39:25,400
Speaker 1: He want to get a rise out of here. He

783
00:39:26,000 --> 00:39:28,600
Speaker 1: went after Kanye because he felt like nobody goes after Kanye,

784
00:39:28,680 --> 00:39:31,520
Speaker 1: and there were many things he wanted to know, and

785
00:39:31,560 --> 00:39:34,200
Speaker 1: so he just said if I want to know, And

786
00:39:34,200 --> 00:39:37,440
Speaker 1: it wasn't attack, it was just what everybody wanted to

787
00:39:37,480 --> 00:39:40,160
Speaker 1: ask him. You don't go after people you don't get

788
00:39:40,200 --> 00:39:42,200
Speaker 1: You don't go at people to get a rise out

789
00:39:42,239 --> 00:39:46,120
Speaker 1: of him. Charlotte Mane intentionally goes at the I think

790
00:39:46,160 --> 00:39:48,640
Speaker 1: once he sees that he can, people are weak enough

791
00:39:48,719 --> 00:39:51,480
Speaker 1: to get a ride. But listen to me saying that

792
00:39:52,000 --> 00:39:53,960
Speaker 1: talking about Charte man doing this would be so hypocritical,

793
00:39:54,000 --> 00:39:56,319
Speaker 1: because I do. I get rises out of people too.

794
00:39:57,440 --> 00:40:02,760
Speaker 1: You're just something in different ways, different level, different for type. Um.

795
00:40:02,840 --> 00:40:05,880
Speaker 1: But then now, I mean, would you say you're a fan? No,

796
00:40:06,680 --> 00:40:08,920
Speaker 1: I mean I wouldn't say I was a fan because

797
00:40:08,960 --> 00:40:12,439
Speaker 1: he's your homie, like one of my best friends. Then

798
00:40:12,480 --> 00:40:14,080
Speaker 1: I would be like, and if one of my best

799
00:40:14,080 --> 00:40:16,080
Speaker 1: friends is another best friend, I'm like, okay, they're my friend.

800
00:40:16,080 --> 00:40:17,719
Speaker 1: To a friend of my friend is my friends. So

801
00:40:17,840 --> 00:40:19,200
Speaker 1: that's why I would like I have a picture in

802
00:40:19,239 --> 00:40:22,480
Speaker 1: my hallway of Charlottagne and I together doing a broadcast together,

803
00:40:22,480 --> 00:40:24,000
Speaker 1: because to me, it means a lot, because it's like

804
00:40:24,040 --> 00:40:26,040
Speaker 1: one of the and now we've done each other show

805
00:40:26,080 --> 00:40:27,839
Speaker 1: so many times, and you're not gonna be someone more

806
00:40:27,880 --> 00:40:30,319
Speaker 1: honest in the whole world. It is a period good

807
00:40:30,400 --> 00:40:33,000
Speaker 1: or bad than Charlottagne. Like he's just gonna say how

808
00:40:33,040 --> 00:40:35,960
Speaker 1: he feels all the time at dinner or on the radio,

809
00:40:36,800 --> 00:40:40,319
Speaker 1: and so I respect that, and I think it's kind

810
00:40:40,320 --> 00:40:43,600
Speaker 1: of why we bonded with each other that y'all speak

811
00:40:43,680 --> 00:40:45,759
Speaker 1: on the truth at all times. We try to be

812
00:40:45,800 --> 00:40:48,840
Speaker 1: as authentic as possible all the time, as genuine as possible,

813
00:40:48,880 --> 00:40:51,680
Speaker 1: and we both have I would say weakness is we

814
00:40:51,719 --> 00:40:54,520
Speaker 1: both have areas that we rely on each other for help.

815
00:40:54,560 --> 00:40:56,200
Speaker 1: We call each other. What does he rely on you

816
00:40:56,239 --> 00:40:59,399
Speaker 1: for him? Probably? Uh, I would say, relies the world.

817
00:40:59,440 --> 00:41:01,960
Speaker 1: But hell call Okay, I guess this business thing that

818
00:41:02,000 --> 00:41:04,880
Speaker 1: should handle this because you're a little bit more business

819
00:41:04,880 --> 00:41:06,719
Speaker 1: savvy than he is. Used I wouldn say savvy is

820
00:41:06,719 --> 00:41:08,680
Speaker 1: the word. I think I've just done it. I started

821
00:41:08,840 --> 00:41:11,320
Speaker 1: and had to build my own company from the very beginning,

822
00:41:11,960 --> 00:41:13,960
Speaker 1: and he came up a different way. He came up

823
00:41:14,000 --> 00:41:16,839
Speaker 1: as a side like person. For Wendy got his own

824
00:41:17,000 --> 00:41:19,239
Speaker 1: really good at that, got his own show, you know,

825
00:41:19,360 --> 00:41:23,279
Speaker 1: started show here like I was. I was writing contracts

826
00:41:23,280 --> 00:41:26,520
Speaker 1: at twenty one years old, so I've known how to

827
00:41:26,520 --> 00:41:29,080
Speaker 1: do that stuff by doing it wrong and failing. And

828
00:41:29,120 --> 00:41:31,200
Speaker 1: I can give advice that way, But for me, I'll

829
00:41:31,239 --> 00:41:35,839
Speaker 1: be like listen. UM. An example recently was I did

830
00:41:35,840 --> 00:41:38,000
Speaker 1: an interview and I got some trouble for it, and

831
00:41:38,040 --> 00:41:39,440
Speaker 1: I was like, hey, read this and tell me what

832
00:41:39,480 --> 00:41:43,239
Speaker 1: you think, like where I should have what comes off

833
00:41:43,280 --> 00:41:44,960
Speaker 1: wrong to you? And he read it and was like,

834
00:41:44,960 --> 00:41:47,759
Speaker 1: this is what I probably would have done. Um, I'm

835
00:41:47,760 --> 00:41:50,120
Speaker 1: not you, but just looking at and I looked to

836
00:41:50,200 --> 00:41:52,600
Speaker 1: his opinion for that. So I think we rely on

837
00:41:52,680 --> 00:41:54,160
Speaker 1: to a lot of ways like I looked. I looked

838
00:41:54,200 --> 00:41:56,600
Speaker 1: for him. Whenever i'm it starts to pull, I get

839
00:41:56,640 --> 00:41:59,279
Speaker 1: pulled back from keeping a real Sometimes I like, oh,

840
00:41:59,360 --> 00:42:01,239
Speaker 1: I kind of I just have to be honest all

841
00:42:01,280 --> 00:42:05,240
Speaker 1: the time. And if I feel like something is starting

842
00:42:05,280 --> 00:42:07,600
Speaker 1: to inside of me not feel that way, I'll call

843
00:42:07,680 --> 00:42:10,520
Speaker 1: and be like, let's I'm not feeling something, And he

844
00:42:10,560 --> 00:42:12,480
Speaker 1: gives me that kind of inspiration to be like, it

845
00:42:12,520 --> 00:42:14,920
Speaker 1: doesn't matter, you just have to be real, because once

846
00:42:14,960 --> 00:42:16,719
Speaker 1: you're not, nobody's ever gonna trust you again. And I

847
00:42:16,719 --> 00:42:18,400
Speaker 1: feel the same way. But sometimes I need that kick

848
00:42:18,440 --> 00:42:22,280
Speaker 1: in the butt. I mean, I was trying to figure

849
00:42:22,280 --> 00:42:26,200
Speaker 1: out so you rely on him for inspirational type stuff.

850
00:42:27,320 --> 00:42:33,000
Speaker 1: I just see we're very similar in many ways, and

851
00:42:33,080 --> 00:42:34,960
Speaker 1: so he'll he'll do something and I'd be like, all right,

852
00:42:34,960 --> 00:42:36,920
Speaker 1: how did you do that? Or I'll do something to

853
00:42:36,920 --> 00:42:38,920
Speaker 1: be like, dang, how did you do that? Now he's

854
00:42:38,920 --> 00:42:42,160
Speaker 1: writing a book about to announce soon, and he called.

855
00:42:42,200 --> 00:42:43,920
Speaker 1: We talked multiple times. Guy, I just went to the

856
00:42:43,920 --> 00:42:49,640
Speaker 1: whole process, and so yeah, we'll we'll talk business. He'll

857
00:42:49,640 --> 00:42:51,160
Speaker 1: call me like, hey, are you thinking about this? And

858
00:42:51,200 --> 00:42:53,560
Speaker 1: then uh, for me, I'll be like, hey, I got

859
00:42:53,600 --> 00:42:56,880
Speaker 1: this artist that I really can't stand, but they got

860
00:42:56,880 --> 00:42:58,839
Speaker 1: a huge record. And then I'm getting pressure to do

861
00:42:58,920 --> 00:43:02,879
Speaker 1: this and everybody wants and he's like, you just listen.

862
00:43:02,960 --> 00:43:04,759
Speaker 1: You geting pressure, but you gotta keep it real, like

863
00:43:04,880 --> 00:43:08,000
Speaker 1: do what's in your heart, regardless of what anybody's saying

864
00:43:08,040 --> 00:43:10,400
Speaker 1: to you, what you're always going to do with I

865
00:43:10,440 --> 00:43:14,280
Speaker 1: feel like percent of the time I do. Sometimes pressure

866
00:43:14,320 --> 00:43:16,960
Speaker 1: from places start pushing on you, even from your own bosses.

867
00:43:17,000 --> 00:43:20,880
Speaker 1: At times pressures. There are pressures because you never get pressure.

868
00:43:20,960 --> 00:43:22,600
Speaker 1: And sometimes he's like, you can't let the pressure get you.

869
00:43:22,680 --> 00:43:25,000
Speaker 1: Don't pressure, you should have it within yourself. And I'm like,

870
00:43:25,080 --> 00:43:27,120
Speaker 1: and and I do that, and I get the reset.

871
00:43:27,120 --> 00:43:28,480
Speaker 1: I think we all need somebody like that we can

872
00:43:28,480 --> 00:43:31,440
Speaker 1: rely on. That makes sense? Yeah, So yeah, at first

873
00:43:31,480 --> 00:43:33,080
Speaker 1: I was like, I don't know. I don't like the

874
00:43:33,120 --> 00:43:34,640
Speaker 1: way he treat people. I don't like the way you

875
00:43:34,680 --> 00:43:37,399
Speaker 1: try to interview people. But now I'm like, if Bobby's friends,

876
00:43:37,480 --> 00:43:43,640
Speaker 1: obviously he legits, so whatever, where my my room? This

877
00:43:43,760 --> 00:43:45,680
Speaker 1: the second ever? Bob? How do you feel about this?

878
00:43:46,040 --> 00:43:50,200
Speaker 1: Feel good? So, just hanging out at Bobby's, I was talking,

879
00:43:50,680 --> 00:43:55,080
Speaker 1: how's it? Because you and I've been friends and people

880
00:43:55,120 --> 00:43:57,920
Speaker 1: ask how we met. I guess I was working out

881
00:43:57,920 --> 00:44:03,560
Speaker 1: at twenty four Fitness that's right two in Austin. Yeah,

882
00:44:03,600 --> 00:44:08,279
Speaker 1: and I was probably mentioned like one day hard dude

883
00:44:08,280 --> 00:44:10,399
Speaker 1: and Mike and I was like, damn, I can't work

884
00:44:10,400 --> 00:44:13,440
Speaker 1: out with you. And now I was like, you know,

885
00:44:13,440 --> 00:44:16,120
Speaker 1: I like to keep it heavy, and he's like, okay,

886
00:44:16,840 --> 00:44:19,000
Speaker 1: And so I think I had really like twenty five

887
00:44:19,200 --> 00:44:22,400
Speaker 1: ex side always and I was like he he pushing

888
00:44:22,400 --> 00:44:26,439
Speaker 1: away I was really trying if I wasn't that good

889
00:44:27,040 --> 00:44:32,120
Speaker 1: at it yet, and so um um, I hired him

890
00:44:32,360 --> 00:44:35,960
Speaker 1: to be my trainer. And so you trained me for

891
00:44:36,000 --> 00:44:38,759
Speaker 1: a few months, and then we started hanging out and

892
00:44:38,800 --> 00:44:42,640
Speaker 1: then talking about hanging out. Then we became buddies and

893
00:44:42,640 --> 00:44:45,160
Speaker 1: then friends. I mean in that order, because I'm tough

894
00:44:45,200 --> 00:44:46,960
Speaker 1: to warm up too. I don't think anyone would disagree

895
00:44:47,000 --> 00:44:50,480
Speaker 1: with that. I mean, I wouldn't I would disagree with that.

896
00:44:50,520 --> 00:44:53,359
Speaker 1: I mean he was always cool, like he was always chill,

897
00:44:53,480 --> 00:44:55,920
Speaker 1: like I was like, that's just a regular dude. He

898
00:44:56,000 --> 00:44:59,000
Speaker 1: was always chill, funny, making jokes that you always are

899
00:44:59,080 --> 00:45:01,719
Speaker 1: right now, same as the same thing, same as you

900
00:45:01,719 --> 00:45:04,560
Speaker 1: do right now. I appreciate that. Yeah, it was the

901
00:45:04,600 --> 00:45:09,200
Speaker 1: same that. Maybe my perception is wrong. I felt that. See,

902
00:45:09,520 --> 00:45:13,239
Speaker 1: yeah that's true. Maybe it's wrong. I mean, I feel you.

903
00:45:13,480 --> 00:45:15,520
Speaker 1: But I feel like people be looking at me like

904
00:45:15,520 --> 00:45:18,680
Speaker 1: why is that for the black dude? But and I

905
00:45:18,719 --> 00:45:21,239
Speaker 1: always talk to be like like like girls, be like

906
00:45:21,520 --> 00:45:23,520
Speaker 1: like the nerdy guy, or you know what I get

907
00:45:23,560 --> 00:45:26,719
Speaker 1: a lot is people that don't know me in the

908
00:45:27,200 --> 00:45:30,839
Speaker 1: industry or around Nashville, Like I did said a dick,

909
00:45:30,880 --> 00:45:32,680
Speaker 1: look what I'm sitting there by himself. You know what

910
00:45:32,680 --> 00:45:35,160
Speaker 1: I'm saying by myself because I feel awkward. I felt

911
00:45:35,160 --> 00:45:37,840
Speaker 1: awkward in these places, like I don't do well in

912
00:45:37,920 --> 00:45:41,040
Speaker 1: social situations, so I'm not Mr Life for the party.

913
00:45:41,320 --> 00:45:44,399
Speaker 1: That's something that I did not figure out until later

914
00:45:44,520 --> 00:45:48,200
Speaker 1: on that you were really like anxiety written I don't.

915
00:45:48,400 --> 00:45:51,680
Speaker 1: It makes me nervous and my heartbeats and I don't

916
00:45:51,719 --> 00:45:54,200
Speaker 1: sleep and around people, I'm like, oh I do. I

917
00:45:54,200 --> 00:45:58,239
Speaker 1: don't have good communication skills, like outside of microphone. Yeah,

918
00:45:58,440 --> 00:46:00,760
Speaker 1: that was hard core for me to realize. I was like, wow,

919
00:46:00,920 --> 00:46:02,799
Speaker 1: these just like staying the corner. Why is he not

920
00:46:02,880 --> 00:46:05,279
Speaker 1: just chilling out like with everybody else? Why is he

921
00:46:05,360 --> 00:46:07,000
Speaker 1: not just talking? And he was just like in the

922
00:46:07,080 --> 00:46:08,719
Speaker 1: corner the whole time. And so a lot of people

923
00:46:09,040 --> 00:46:11,520
Speaker 1: look at me and they go, he's black, and I'm like, no,

924
00:46:11,680 --> 00:46:18,560
Speaker 1: I'm just anxiety, right, But no, it's again, I think

925
00:46:18,719 --> 00:46:23,719
Speaker 1: people get that perception of me, and uh, you know,

926
00:46:23,880 --> 00:46:25,080
Speaker 1: it is what it is. You can try to shake

927
00:46:25,120 --> 00:46:26,680
Speaker 1: it the best you can't. I think I've gotten better

928
00:46:26,800 --> 00:46:29,520
Speaker 1: at it. Right. That's like a chick that you see

929
00:46:29,560 --> 00:46:34,960
Speaker 1: and she's just like all beautiful and whatever, and she's

930
00:46:35,000 --> 00:46:37,759
Speaker 1: probably the nicest person ever, and you miss out and

931
00:46:37,800 --> 00:46:40,880
Speaker 1: you're like, dang, But really, we all go, oh, she's pretty,

932
00:46:40,880 --> 00:46:44,879
Speaker 1: she's probably be Really it's not fair. But I think

933
00:46:44,920 --> 00:46:46,880
Speaker 1: what we're talking about is very human. I think we

934
00:46:46,920 --> 00:46:51,200
Speaker 1: all have these in our brain. We assigned roles to

935
00:46:51,320 --> 00:46:56,160
Speaker 1: people without going into them any further. Yes, we need

936
00:46:56,239 --> 00:46:59,080
Speaker 1: to stop that. Until today, I don't even know you're black.

937
00:46:59,120 --> 00:47:03,839
Speaker 1: That's the funny thing. No idea, that no idea. Because

938
00:47:03,840 --> 00:47:05,879
Speaker 1: I've been black long, I didn't even know that. I'm

939
00:47:05,880 --> 00:47:08,319
Speaker 1: not even like light skinny. I didn't know that I'm

940
00:47:08,360 --> 00:47:13,360
Speaker 1: like dark dog. That It's it's been weird to you

941
00:47:13,680 --> 00:47:15,960
Speaker 1: for all your kids. I mean, you're talking about a

942
00:47:16,000 --> 00:47:18,520
Speaker 1: big group of your friends. Me, I was the first one,

943
00:47:18,680 --> 00:47:22,640
Speaker 1: and you kind of came into our group because of me. Huh, yeah, totally.

944
00:47:23,360 --> 00:47:27,440
Speaker 1: And but then we all left right like I like,

945
00:47:27,560 --> 00:47:29,120
Speaker 1: because I took all my friends with me. It was

946
00:47:29,160 --> 00:47:33,080
Speaker 1: like I wasn't taking this job in Nashville, which, by

947
00:47:33,120 --> 00:47:37,560
Speaker 1: the way, I love Nashville. Now I love Austin too, um,

948
00:47:37,600 --> 00:47:39,920
Speaker 1: but I wasn't coming here without all my friends. That

949
00:47:40,239 --> 00:47:41,960
Speaker 1: was part of the deal. And so when I took him,

950
00:47:42,000 --> 00:47:44,440
Speaker 1: it was like the troops moved out. We just took

951
00:47:44,440 --> 00:47:49,480
Speaker 1: everybody said, dang hardcore, like all by myself in Austin.

952
00:47:49,760 --> 00:47:52,200
Speaker 1: Was that weird for you? Oh man? Big time weird.

953
00:47:52,280 --> 00:47:54,080
Speaker 1: I was just like, what am I going to even

954
00:47:54,120 --> 00:47:57,560
Speaker 1: do on the weekends? Who am I even gonna call nobody? Nohing,

955
00:47:57,960 --> 00:47:59,759
Speaker 1: I'm not going to do nothing, just chick at the house.

956
00:47:59,800 --> 00:48:02,160
Speaker 1: But myself, well, now you're here every week now, or

957
00:48:02,200 --> 00:48:04,319
Speaker 1: you're on the road every week, or you're with us

958
00:48:04,320 --> 00:48:06,279
Speaker 1: all the time. You came back, you came back and

959
00:48:06,320 --> 00:48:09,000
Speaker 1: got me. Has it been weird to watch kind of

960
00:48:09,000 --> 00:48:13,600
Speaker 1: the show? Oh man? The evolution to growth, it's been

961
00:48:13,640 --> 00:48:16,799
Speaker 1: crazy weird. And at first it was like, oh man,

962
00:48:16,840 --> 00:48:19,440
Speaker 1: the show is all different. When you hear from Austin

963
00:48:19,440 --> 00:48:22,120
Speaker 1: and you here here in Nashville and you're like, oh

964
00:48:22,200 --> 00:48:24,400
Speaker 1: now they switched it all up. We don't even like it.

965
00:48:24,440 --> 00:48:28,279
Speaker 1: But now it's just like regular. Everybody's still nothing really changed,

966
00:48:28,400 --> 00:48:30,400
Speaker 1: but it sounded like it when it left from all

967
00:48:30,600 --> 00:48:32,800
Speaker 1: just because you thought it was going everyone just assumed

968
00:48:32,800 --> 00:48:34,600
Speaker 1: it was going to So again we went and put

969
00:48:34,600 --> 00:48:37,719
Speaker 1: the label on it like it changed. But I ever

970
00:48:37,760 --> 00:48:40,360
Speaker 1: worked in many formats, even when I was doing sports.

971
00:48:41,360 --> 00:48:46,279
Speaker 1: Nothing's different. I'm always me right. It was just tough

972
00:48:46,280 --> 00:48:48,640
Speaker 1: because everybody was feeling like they was giving you a

973
00:48:48,680 --> 00:48:51,440
Speaker 1: hard time in Nashville, and you was acting like people

974
00:48:51,480 --> 00:48:53,520
Speaker 1: was like, I mean, actually they were. The people were

975
00:48:53,560 --> 00:48:55,480
Speaker 1: pushing you, trying to push you out and stuff out there.

976
00:48:55,520 --> 00:48:57,239
Speaker 1: They were and they still do it. But I've been

977
00:48:57,280 --> 00:48:59,200
Speaker 1: trying to get pushed out everywhere, like I'm used to that,

978
00:48:59,320 --> 00:49:00,799
Speaker 1: and then it did. It seemed like you was a

979
00:49:00,800 --> 00:49:04,239
Speaker 1: little bit like trying to get your groove on in

980
00:49:04,360 --> 00:49:06,640
Speaker 1: Nashville too, But you couldn't really find it at first.

981
00:49:07,640 --> 00:49:09,279
Speaker 1: I don't know that fully found it yet, but I

982
00:49:09,320 --> 00:49:12,879
Speaker 1: found it a bit o a bit okay, you don't

983
00:49:12,880 --> 00:49:14,960
Speaker 1: even feel like you found it yet, not fully yet.

984
00:49:15,360 --> 00:49:17,000
Speaker 1: I don't know that I ever will find it. If

985
00:49:17,000 --> 00:49:18,759
Speaker 1: I ever do find it, I don't think that's a

986
00:49:18,760 --> 00:49:22,040
Speaker 1: comfortable place for me to be, okay. But did you

987
00:49:22,080 --> 00:49:25,120
Speaker 1: ever feel like you found your groove in Austin? So

988
00:49:25,160 --> 00:49:26,879
Speaker 1: that was a great place. I was there ten years

989
00:49:26,920 --> 00:49:30,120
Speaker 1: and there was there wasn't the pressures of now, Oh

990
00:49:30,239 --> 00:49:32,280
Speaker 1: you know, I built my own to the cage company

991
00:49:32,320 --> 00:49:35,359
Speaker 1: with my own money and I had no money, like

992
00:49:35,400 --> 00:49:37,440
Speaker 1: you know where I used other than the Ny apartment

993
00:49:37,600 --> 00:49:41,000
Speaker 1: about my first house, you know, I mean that was crazy,

994
00:49:41,280 --> 00:49:52,160
Speaker 1: like Dana Shay bid from the ground. So we started

995
00:49:52,200 --> 00:49:56,480
Speaker 1: from the bottom, and so are you here yet? No, never,

996
00:49:56,520 --> 00:49:58,960
Speaker 1: I'll never be started from the bottom, still getting start

997
00:49:59,040 --> 00:50:01,320
Speaker 1: from the bottom, down in the middle. That's not a

998
00:50:01,400 --> 00:50:03,839
Speaker 1: good sun. Should have put that out of sun. Start

999
00:50:03,880 --> 00:50:08,440
Speaker 1: it started, started, started from the bottom, in the middle,

1000
00:50:09,120 --> 00:50:17,120
Speaker 1: started from the bottom. Not a whole team mint, But yeah,

1001
00:50:17,120 --> 00:50:19,720
Speaker 1: it's been a I can't wait till you find a groove.

1002
00:50:19,840 --> 00:50:23,240
Speaker 1: Then that's my group. My group is not having a groove.

1003
00:50:24,120 --> 00:50:27,319
Speaker 1: But in Austin you found your group because everybody, that's

1004
00:50:27,320 --> 00:50:30,960
Speaker 1: why you blew up there. Here's the thing about a

1005
00:50:31,080 --> 00:50:33,839
Speaker 1: groove in Austin. As I got like, okay, well this

1006
00:50:33,880 --> 00:50:38,480
Speaker 1: is it is easy now, like I had done what

1007
00:50:38,520 --> 00:50:43,359
Speaker 1: I could do there, like there wasn't anything else. We

1008
00:50:43,360 --> 00:50:46,840
Speaker 1: were number one for ten years. What there was not

1009
00:50:46,960 --> 00:50:50,040
Speaker 1: there was nowhere to go. I love it in the

1010
00:50:50,120 --> 00:50:54,680
Speaker 1: city there, but I was told, and I won't mention

1011
00:50:54,719 --> 00:50:57,480
Speaker 1: any jobs, but if this person leaves, you'll go to

1012
00:50:57,560 --> 00:50:59,720
Speaker 1: this place. This person needs to go to this place.

1013
00:51:00,680 --> 00:51:04,120
Speaker 1: And they both signed new contracts, major, big, big people.

1014
00:51:04,320 --> 00:51:06,560
Speaker 1: And I was stuck and I was like, what do

1015
00:51:06,640 --> 00:51:08,680
Speaker 1: I do because I'm expanding show. I built my own

1016
00:51:08,680 --> 00:51:11,400
Speaker 1: syndication company. That's what they told you when you was

1017
00:51:11,440 --> 00:51:15,600
Speaker 1: in Austin, if this person leaves, you're gonna stuff. But

1018
00:51:15,600 --> 00:51:18,080
Speaker 1: but for me, I loved being in Austin, but it

1019
00:51:18,160 --> 00:51:21,560
Speaker 1: was almost impossible to syndicate from there, especially with my

1020
00:51:21,560 --> 00:51:24,480
Speaker 1: own equipment and so and they we're like, hey, um,

1021
00:51:24,520 --> 00:51:27,080
Speaker 1: and I wanted to do country anyway because I mean,

1022
00:51:27,120 --> 00:51:29,920
Speaker 1: listen to me talk. I mean, I grew up in Arkansas.

1023
00:51:29,920 --> 00:51:32,960
Speaker 1: It's probably overall the best format. I love all music,

1024
00:51:33,520 --> 00:51:36,840
Speaker 1: like all music, but overall it's the best format for

1025
00:51:36,840 --> 00:51:40,000
Speaker 1: me to be in because I can expose new artists

1026
00:51:40,040 --> 00:51:41,840
Speaker 1: and talented artists and put them on the radio. And

1027
00:51:41,880 --> 00:51:44,200
Speaker 1: that I'm seeing you can't do that pop. It was

1028
00:51:44,239 --> 00:51:46,759
Speaker 1: just difficult. I mean, you can't do that. And here's

1029
00:51:46,760 --> 00:51:48,080
Speaker 1: the other thing too, is that if you want to

1030
00:51:48,080 --> 00:51:49,680
Speaker 1: be on a national level, you have to be in

1031
00:51:49,680 --> 00:51:52,680
Speaker 1: New York, l A. Or in country in Nashville because

1032
00:51:52,719 --> 00:51:55,280
Speaker 1: that's where all the stars are. It wasn't even about

1033
00:51:55,280 --> 00:51:57,680
Speaker 1: me so much. In Austin. You've got people maybe they

1034
00:51:57,680 --> 00:52:00,560
Speaker 1: would come to the radio station once a month maybe,

1035
00:52:01,239 --> 00:52:03,479
Speaker 1: and you had to beg them, and it was someone

1036
00:52:03,520 --> 00:52:08,560
Speaker 1: like Ashley Simpson. You know, m here. Everyone is here,

1037
00:52:08,800 --> 00:52:12,440
Speaker 1: so I'm able to say, hey, come in, let me.

1038
00:52:12,520 --> 00:52:14,239
Speaker 1: If you're new, let me, let me expose you and

1039
00:52:14,320 --> 00:52:17,440
Speaker 1: blow you up. If you're big, let me show people

1040
00:52:17,480 --> 00:52:19,839
Speaker 1: why you're you're as good as you are. Why would

1041
00:52:19,840 --> 00:52:22,440
Speaker 1: that work here and not Austin because because the artists,

1042
00:52:23,000 --> 00:52:25,760
Speaker 1: every artist lives here. This is where the entire industry

1043
00:52:25,760 --> 00:52:30,200
Speaker 1: of country music is. Every label, every recording studio, the

1044
00:52:30,280 --> 00:52:33,839
Speaker 1: artist I can just call, like I could call Keith THRP.

1045
00:52:33,880 --> 00:52:35,399
Speaker 1: But I go, hey, dude, would you come play You're

1046
00:52:35,440 --> 00:52:37,120
Speaker 1: Blue with Paper Color on the show next week? It

1047
00:52:37,160 --> 00:52:40,000
Speaker 1: were like, sure, no problem to drive twenty minutes and

1048
00:52:40,040 --> 00:52:43,160
Speaker 1: play at the show. So Austin doesn't have as many

1049
00:52:43,640 --> 00:52:48,600
Speaker 1: artists for pop none, they have none none. That makes sense.

1050
00:52:48,960 --> 00:52:50,840
Speaker 1: And at first I was like, what if I just

1051
00:52:50,880 --> 00:52:52,520
Speaker 1: staying Austin to the country show And they were like,

1052
00:52:52,520 --> 00:52:54,799
Speaker 1: you're just not gonna get what we need you to do.

1053
00:52:54,840 --> 00:52:57,920
Speaker 1: And now I fully get it. I understand. And what's

1054
00:52:57,960 --> 00:53:00,640
Speaker 1: great is Nashville is also great because if I had

1055
00:53:00,640 --> 00:53:03,000
Speaker 1: to move to somebody somewhere and I don't know what

1056
00:53:03,080 --> 00:53:05,640
Speaker 1: came to name a city that would be bad, but

1057
00:53:05,800 --> 00:53:08,799
Speaker 1: somewhere super cold, I guess would be awful. That's not

1058
00:53:08,880 --> 00:53:12,400
Speaker 1: New York because I would have moved to New York. Um,

1059
00:53:12,520 --> 00:53:16,880
Speaker 1: there has been a different story about that. So anything

1060
00:53:16,880 --> 00:53:19,439
Speaker 1: else in your mind that makes sense. So, I mean,

1061
00:53:19,520 --> 00:53:23,960
Speaker 1: who's your favorite country artist of all time? Darius Rutger, Well,

1062
00:53:24,040 --> 00:53:26,800
Speaker 1: of all time, it's Garth Brooks. Oh, that's your favorite?

1063
00:53:26,800 --> 00:53:30,680
Speaker 1: For real? Like of my lifetime? Easy Garth Brooke. That's

1064
00:53:30,680 --> 00:53:33,560
Speaker 1: the only guitar really I've kept. Am I that someone

1065
00:53:33,600 --> 00:53:36,840
Speaker 1: gave me. Um, easy Garth Brooks. We gotta wrap up

1066
00:53:36,840 --> 00:53:39,440
Speaker 1: pretty quickly. Got goot guitar picku but easy Garth Brooks.

1067
00:53:39,480 --> 00:53:42,360
Speaker 1: Like are you asking? Um? The one that you've interviewed

1068
00:53:43,080 --> 00:53:48,880
Speaker 1: like a real person? Uh, Darius is different. Thus Darius

1069
00:53:48,920 --> 00:53:52,840
Speaker 1: my first ever radio interview when I was seventeen. Okay, Yeah,

1070
00:53:52,880 --> 00:53:56,919
Speaker 1: and he's a friend, Like, that's my dude. I don't

1071
00:53:56,920 --> 00:53:59,040
Speaker 1: care if he wasn't in music anymore, he would still

1072
00:53:59,480 --> 00:54:02,319
Speaker 1: we would still will be in contact and text and

1073
00:54:02,360 --> 00:54:05,719
Speaker 1: talk about sports and like that. He's just so I

1074
00:54:05,800 --> 00:54:08,400
Speaker 1: mnna eliminate him too because it was a prior relationship.

1075
00:54:09,200 --> 00:54:11,920
Speaker 1: Garthm all time favorite as a kid gotta eliminate him

1076
00:54:11,920 --> 00:54:13,759
Speaker 1: because I was totally biased coming in, Like I'm the

1077
00:54:13,760 --> 00:54:15,600
Speaker 1: biggest Garth Brooks fan, and he's been so nice to me.

1078
00:54:16,440 --> 00:54:20,600
Speaker 1: Uh like, I really like Dirk's as a person. Nice.

1079
00:54:21,200 --> 00:54:24,640
Speaker 1: Keith Urban super nice. Like then, Keith Urban so nice

1080
00:54:24,640 --> 00:54:27,839
Speaker 1: that you wonder what's like, what's happening here? Like you're

1081
00:54:27,840 --> 00:54:30,919
Speaker 1: always nice, genuinely nice, genuinely nice. And we'll like text

1082
00:54:31,000 --> 00:54:34,080
Speaker 1: me like eight pm and be like, I just see

1083
00:54:34,080 --> 00:54:35,680
Speaker 1: you in a movie. You should watch it if you

1084
00:54:35,760 --> 00:54:38,480
Speaker 1: never seen it, and it'll be like something weird, and

1085
00:54:39,600 --> 00:54:44,120
Speaker 1: I'm telling you just to be nice because I have

1086
00:54:44,200 --> 00:54:46,400
Speaker 1: this movie thing. We're talking about movies and he's like,

1087
00:54:46,440 --> 00:54:48,880
Speaker 1: if you haven't seen it started with Dog Day Afternoon,

1088
00:54:49,160 --> 00:54:52,360
Speaker 1: I've never never seen anything. You've never seen Dog Day Afternoon.

1089
00:54:52,560 --> 00:54:54,799
Speaker 1: I was like that never. It's like, oh, so we

1090
00:54:54,880 --> 00:54:56,920
Speaker 1: have we text a lot and he listens to the

1091
00:54:56,920 --> 00:54:59,640
Speaker 1: show and they'll invite me out to things, but um,

1092
00:54:59,680 --> 00:55:02,080
Speaker 1: I don't go for the most part. But we send

1093
00:55:02,120 --> 00:55:04,960
Speaker 1: each other clips and movies and like just a good

1094
00:55:04,960 --> 00:55:06,759
Speaker 1: anytime I ask them for anything, and I don't ask

1095
00:55:06,760 --> 00:55:11,000
Speaker 1: a lot. Always there that's what I saw. So Urbans

1096
00:55:11,200 --> 00:55:13,680
Speaker 1: there are a lot. There are a lot of good ones, genuine,

1097
00:55:13,760 --> 00:55:17,080
Speaker 1: genuine good ones. Yeah, most are genuinely good. Not the

1098
00:55:17,120 --> 00:55:20,520
Speaker 1: people who are trying to get something from you, for sure,

1099
00:55:20,560 --> 00:55:22,640
Speaker 1: those but just trying to be nice, but trying to

1100
00:55:22,680 --> 00:55:26,320
Speaker 1: act real, genuine something from There are some of those, yeah,

1101
00:55:26,360 --> 00:55:28,360
Speaker 1: but that's just the nature of the business. But you

1102
00:55:28,400 --> 00:55:31,120
Speaker 1: know those you know whom you can feel who they

1103
00:55:31,160 --> 00:55:36,000
Speaker 1: are quick very quickly. Is it like a weird feeling

1104
00:55:36,040 --> 00:55:39,280
Speaker 1: when they step in the room and are y'all getting along?

1105
00:55:39,440 --> 00:55:43,280
Speaker 1: Or because there are a couple of artists big artists

1106
00:55:43,719 --> 00:55:45,600
Speaker 1: and I won't mention them. I don't think it'll be

1107
00:55:45,600 --> 00:55:48,080
Speaker 1: fair to that. We just have a very good professional

1108
00:55:48,120 --> 00:55:51,239
Speaker 1: relationship and I love it because of that. It's like,

1109
00:55:51,440 --> 00:55:52,719
Speaker 1: if you need me, I'm there. If I need you

1110
00:55:52,800 --> 00:55:56,440
Speaker 1: therey we're not really friends, but you need anything, let

1111
00:55:56,440 --> 00:55:58,400
Speaker 1: me know, And I'm the same way you needything. Let

1112
00:55:58,400 --> 00:56:03,080
Speaker 1: me know. Big artists too, like and I'm great with that.

1113
00:56:03,080 --> 00:56:05,000
Speaker 1: I don't have your friends everybody. I'm not here to

1114
00:56:05,000 --> 00:56:06,640
Speaker 1: be friends everybody. I need to be objective and give

1115
00:56:06,680 --> 00:56:08,640
Speaker 1: opinions about things. I can't do that if I'm friends

1116
00:56:08,640 --> 00:56:12,000
Speaker 1: with everybody. I try to not be friends with everybody

1117
00:56:13,040 --> 00:56:18,080
Speaker 1: like Eric Passley. I love that dude, like just good dude.

1118
00:56:18,640 --> 00:56:21,799
Speaker 1: You know Jansen, Chris Jansen. Some people have been hard

1119
00:56:21,840 --> 00:56:25,560
Speaker 1: to not be friends with. So that's it. That's what

1120
00:56:25,560 --> 00:56:30,160
Speaker 1: I saw. We're done. You tell me, all right, we're done? Good?

1121
00:56:30,560 --> 00:56:32,800
Speaker 1: All right? I got people texting me. That's the Amy's

1122
00:56:32,800 --> 00:56:37,200
Speaker 1: texting me right now. See you tonight. Amy's coming to

1123
00:56:37,480 --> 00:56:42,640
Speaker 1: guitar Brque. Amy's coming to the Gutarque. I am I

1124
00:56:42,680 --> 00:56:45,000
Speaker 1: gonna wear Hey, don't wear a tank, tok, dude, I

1125
00:56:45,000 --> 00:56:46,920
Speaker 1: hate it when you do that. I'll probably wear a

1126
00:56:46,960 --> 00:56:51,799
Speaker 1: tank time. You can't when you're dancing around the tank

1127
00:56:51,840 --> 00:56:53,759
Speaker 1: took you. Hey, when I wear a people aren't looking

1128
00:56:53,760 --> 00:56:55,960
Speaker 1: at you because you're black and so you know they're

1129
00:56:55,960 --> 00:56:59,320
Speaker 1: looking at you cause you're a built like a machine.

1130
00:56:59,440 --> 00:57:01,759
Speaker 1: But when you did that keep urban impression. Was that

1131
00:57:01,920 --> 00:57:12,400
Speaker 1: racist though? Probably? I don't think so. Yeah, No, I

1132
00:57:12,400 --> 00:57:15,600
Speaker 1: don't think it's I don't think sorr. Hey, thank you

1133
00:57:15,600 --> 00:57:20,160
Speaker 1: guys very much for listen to the Bobby Cast episode two.

1134
00:57:20,920 --> 00:57:25,840
Speaker 1: We thank you very much everybody for Bobby. For Trainer

1135
00:57:25,840 --> 00:57:28,520
Speaker 1: of Moad, you can find him on Instagram at Trainer

1136
00:57:28,520 --> 00:57:32,240
Speaker 1: of mod, also on Snapchat at trainer Ofhmad and on

1137
00:57:32,280 --> 00:57:37,000
Speaker 1: Twitter at trainer of Maud. That's trainer of mod Catch

1138
00:57:37,000 --> 00:57:41,280
Speaker 1: you me Raging idiot shows everywhere nationwide. Thanks to our

1139
00:57:41,320 --> 00:57:45,520
Speaker 1: producer Mike D on Instagram and Snapchat at Mike d

1140
00:57:45,720 --> 00:57:50,760
Speaker 1: stro d E E S t r O for Bob

1141
00:57:50,800 --> 00:57:54,920
Speaker 1: and Bones, have a great day. This has been episode

1142
00:57:54,920 --> 00:57:59,080
Speaker 1: two of the Bobby Cast and for dusting the dog.

1143
00:58:00,200 --> 00:58:04,560
Speaker 1: Please span new to your Yeah, you gotta go. Good

1144
00:58:04,600 --> 00:58:09,040
Speaker 1: Bye everyone. Bobby Cast Episode two is over. The Bobby

1145
00:58:09,080 --> 00:58:11,960
Speaker 1: Cast brought to you by our sponsor No One Yet