WEBVTT - A Visit From Kevin Harlan

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<v Speaker 1>From the King of Sports Books becomes the key sports

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<v Speaker 1>podcast Unleashed presented by MGM. Here's your host, Olivia Harlan Decker.

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<v Speaker 1>Welcome into Unleashed by bet MGM. I am very, very

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<v Speaker 1>excited for today's episode. This is a real treat for me.

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<v Speaker 1>A lot of you loyal listeners have heard me talk

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<v Speaker 1>about my dad on here before. Some of our guests

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<v Speaker 1>have even brought him up before I did. Jalen Rose

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<v Speaker 1>called him the Goat, which I wholeheartedly agree with. He's

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<v Speaker 1>played by play announcer Kevin Harland and he is my

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<v Speaker 1>co host this week. Hi Dad Hilvy, how are you, sweetie?

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<v Speaker 1>Good to see you. I'm good. Sound like did don't?

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<v Speaker 1>I just like I did? Hi? Sweet Yeah? Uh you know.

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<v Speaker 1>And you're in Phoenix. You just finished up the Phoenix

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<v Speaker 1>Denver game. You're covering that series, so I want to

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<v Speaker 1>to start there quickly before we get more into your story.

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<v Speaker 1>But I mean, what a game two teams people are

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<v Speaker 1>so excited about. You must be excited to be assigned

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<v Speaker 1>this series, I am. I thought this was one of

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<v Speaker 1>the more electric series that took us to the second round.

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<v Speaker 1>I'm a fan of both these coaches. I truly admire.

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<v Speaker 1>Sometimes we we get coaches, you're just kind of you know,

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<v Speaker 1>But these are two guys that I respect so much,

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<v Speaker 1>not only as basketball coaches, but as men, and how

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<v Speaker 1>they lead, how they have changed cultures, live at two

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<v Speaker 1>places that needed some revampment. And they've taken superstar players,

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<v Speaker 1>They've messed them with role players, they've built benches, but

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<v Speaker 1>they built cultures, a winning culture, culture of you know,

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<v Speaker 1>work and teamwork and team first attitude. So it's been terrific.

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<v Speaker 1>Chris Paul was great in Game one, Mickael Bridges over

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<v Speaker 1>twenty points. Devin Booker did what he needed to do,

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<v Speaker 1>and probably at the core of this series is the

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<v Speaker 1>center matchup with Yokich for Denver and Eighten with Phoenix,

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<v Speaker 1>and all Eton has to do is basically stay step

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<v Speaker 1>for step and not get in foul trouble guarding Yoki,

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<v Speaker 1>which is a chore, and he did that last night

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<v Speaker 1>and they won handling. So if that's a precursor, this

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<v Speaker 1>is gonna be an interesting series, and I think Denver

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<v Speaker 1>will certainly give him a shot. But Phoenix looks very

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<v Speaker 1>good coming off their first series went off of the

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<v Speaker 1>defending champion Lakers, and hey, even bigger news for you

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<v Speaker 1>personally if this was your first game in an arena

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<v Speaker 1>in what over a year. Yeah, we had done that

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<v Speaker 1>the m c A tournament for CBS and Turner in Indianapolis,

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<v Speaker 1>but we were in a bubble. We were in arenas

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<v Speaker 1>and off the floor. We were not traveling around. We

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<v Speaker 1>stayed in one city. Yeah, this is kind of nice

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<v Speaker 1>to get back out there. And they were very limited

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<v Speaker 1>in attendance, only a couple of thousand people at the

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<v Speaker 1>n c A tournament games, parents, family, friends, some school administrators.

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<v Speaker 1>This is unleashed, unleashed bedlam, seventeen thousand people in the

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<v Speaker 1>building and full throat, and it was exciting and energizing

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<v Speaker 1>and actually weird. I was working with with Reggie Miller,

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<v Speaker 1>and I said, it's odd to be seeing it with

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<v Speaker 1>the naked eye because we've been doing games with so

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<v Speaker 1>long off of monitors, and your hesitant when you do

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<v Speaker 1>it off a monitor, But when you're there, you could

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<v Speaker 1>have your quick twitch call and those are always fun.

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<v Speaker 1>And last night was a blast to be back in

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<v Speaker 1>in a full, full theater. I thought both you and

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<v Speaker 1>Reggie sounded so great last night. You know, you take

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<v Speaker 1>this for granted. You've been doing this, however, many years,

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<v Speaker 1>and to get back in there that that had to

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<v Speaker 1>be a lot of fun and it was a lot

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<v Speaker 1>of fun to watch. But man, those fans were electric

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<v Speaker 1>and deservedly so. They're too looked great. I want to

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<v Speaker 1>go over quickly your bio for those who don't know,

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<v Speaker 1>if we've mentioned you do NBA on T and T,

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<v Speaker 1>college basketball on CBS, NFL on CBS Monday Night Football,

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<v Speaker 1>and the Super Bowl on Westwood One. If you're of

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<v Speaker 1>a certain age. For some of our viewers, you may

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<v Speaker 1>know him best as the voice of NBA two K,

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<v Speaker 1>the video game. And you've made history as calling the

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<v Speaker 1>most consecutive Super Bowls. The count is now up to eleven,

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<v Speaker 1>passing Jack Buck a couple of years ago. That's impressive.

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<v Speaker 1>And you also made history a couple of years ago

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<v Speaker 1>as part of the first father daughter tandem to call

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<v Speaker 1>an NFL game. You can talk more about that later.

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<v Speaker 1>And something I'm very proud of you for two time

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<v Speaker 1>National Sportscaster of the Year winner that's voted on by

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<v Speaker 1>your peers, and I know that has meant so much

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<v Speaker 1>to you. Before we get much deeper in your story,

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<v Speaker 1>what's something you're you're more excited about that's ahead of you.

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<v Speaker 1>You've accomplished so much, what's like a benchmark or an

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<v Speaker 1>award or some opportunity that you still want to accomplish.

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<v Speaker 1>You know, I'm I'm pretty comfortable just trying to evolve

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<v Speaker 1>in what I'm doing right now. It's hard to maintain

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<v Speaker 1>in this business, to keep the jobs at a certain

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<v Speaker 1>address and to stay at a high level. And that's

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<v Speaker 1>enough of a challenge for me. I think sometimes, and

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<v Speaker 1>you and I have talked our upon our upon hour

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<v Speaker 1>about if you're looking too far ahead, you're not looking

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<v Speaker 1>at what's right in front of you. So for me,

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<v Speaker 1>the most important thing right now is Game two coming

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<v Speaker 1>up tomorrow night Phoenix, between the Nuggets and the Suns.

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<v Speaker 1>We all want to, you know, we all aspire to

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<v Speaker 1>be the best we can be. And I think if

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<v Speaker 1>we're looking at I want to I want to get

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<v Speaker 1>there there, or I want to do this, or I

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<v Speaker 1>want to have that, I think we're missing the message

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<v Speaker 1>in the successful people in this world handle what's in

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<v Speaker 1>front of them the best, and I strive to do that.

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<v Speaker 1>So the challenge of just staying current and evolving and

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<v Speaker 1>making sure I get better every broadcast. That's enough for me,

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<v Speaker 1>right now, that's enough of a challenge. And then I've

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<v Speaker 1>always felt as I've again told you and you've heard

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<v Speaker 1>piece and nauseam. But if you're trying to please other people,

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<v Speaker 1>if you're trying to look beyond and engage yourself on

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<v Speaker 1>what others are doing, that's a fools Aaron. You're never

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<v Speaker 1>gonna as a black hole. You're you're never going to emerge.

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<v Speaker 1>So just be the best that you can be and

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<v Speaker 1>let things happen the way they're naturally supposed to happen. Now,

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<v Speaker 1>it's hard to bring up your trajectory and your start

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<v Speaker 1>in the business without bringing up your dad. And it's

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<v Speaker 1>a question I get all the time. What's it like

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<v Speaker 1>having a dad in the industry. You get it all

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<v Speaker 1>the time because especially the people of an older generation

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<v Speaker 1>know so much what your dad did with the Green

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<v Speaker 1>Bay Packers and have such reverence for the importance of

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<v Speaker 1>his role in that franchise. His dad, Bob Harlan, is

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<v Speaker 1>my grandfather, Papa Boy's president and CEO of the Green

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<v Speaker 1>Bay Packers for almost twenty years. Dad, just as you

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<v Speaker 1>grew up, especially when I think back the furthest as

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<v Speaker 1>like a ball boy at Green Bay Packers training camp.

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<v Speaker 1>And mean, how much influence did that early access half

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<v Speaker 1>on your career and just kind of what you wrap

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<v Speaker 1>what you absorbed from watching your dad work, Well, it

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<v Speaker 1>shaped everything. It gave me a look behind the curtain.

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<v Speaker 1>It showed me what professional sports was like. And I

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<v Speaker 1>think if you're ever around it, you're molded by it

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<v Speaker 1>and influenced by it. And I certainly was so that

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<v Speaker 1>portion being in press boxes, being on NFL sidelines. My

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<v Speaker 1>dad before that, as you know, your grandfather's with the

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<v Speaker 1>Baseball Cardinals and St. Louis when they had Bob Gibson

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<v Speaker 1>and Roger Marris and Orlando Cepeda and Joe Tory and

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<v Speaker 1>Lou Brock and Kurt Flood and all those magnificent, magnificent

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<v Speaker 1>Cardinal players in the sixties. And I used to go

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<v Speaker 1>down to training camp. I used to be a bat

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<v Speaker 1>boy at Bush Stadium, sitting back at home plate and

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<v Speaker 1>chart games, sat in the back of Jack Buck and

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<v Speaker 1>Harry Carey's booth at Camboex broadcasting at Bush Stadium. So

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<v Speaker 1>I got to see things that other kids didn't. And

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<v Speaker 1>when you talk about having an advantage, yep, I agree.

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<v Speaker 1>I was exposed two things that most kids don't dream about,

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<v Speaker 1>and was so fortunate. And that's truly one of the

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<v Speaker 1>only reasons why I am where I am right now,

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<v Speaker 1>is that I began at a young age in my mind,

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<v Speaker 1>was directed in that portion of the business, in media

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<v Speaker 1>and broadcasting, and it did everything. The other part of it, Olivia,

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<v Speaker 1>is that Joe ju is watching my dad deal with people.

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<v Speaker 1>He treated as the CEO of the Packers, as the

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<v Speaker 1>president of the Green Bay Packers, he treated the lowest

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<v Speaker 1>employee as well as he treated the starting quarterback or

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<v Speaker 1>the vice president or whoever he was dealing with. He

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<v Speaker 1>treated everybody the same. And when you watch someone act

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<v Speaker 1>in everyday life like that, you can't help but be

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<v Speaker 1>influenced by it. And I truly felt that that was

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<v Speaker 1>a big component of his success, his rise. He always said,

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<v Speaker 1>I'm not the smartest guy in the room, but dealing

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<v Speaker 1>with people, listening to people, understanding them was a big

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<v Speaker 1>part of his success. And so I've followed that, and

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<v Speaker 1>I think you've taken after your grandfather too, because I

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<v Speaker 1>worked with someone last night here in Phoenix who had

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<v Speaker 1>worked with you in an ESPN game, and they said,

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<v Speaker 1>your daughter is the only one who says thank you

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<v Speaker 1>after every little thing that I would do. Oh my gosh. Yeah,

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<v Speaker 1>And you've done bowl games out here in the Valley

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<v Speaker 1>of the Sun, so they know you out here. If

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<v Speaker 1>they know you out here from your sideline work with

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<v Speaker 1>the ESPN, and you know, it makes your father proud

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<v Speaker 1>to hear those kind of stories, and you and I

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<v Speaker 1>feel very fortunate we're in this business, blessed beyond measure.

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<v Speaker 1>And so when you hear those stories, you know, you

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<v Speaker 1>feel like, let's treat others the way you want to

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<v Speaker 1>be treated. And I saw my dad do that for

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<v Speaker 1>a lifetime, absolutely, and then us as his grandchildren observing

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<v Speaker 1>that too. And it's it's just very cool in any

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<v Speaker 1>industry to watch someone who's at peak success and have

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<v Speaker 1>peak humility. And I think he's always carried himself that way.

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<v Speaker 1>And I was going to bring up that same story

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<v Speaker 1>of it's such a small business, so yeah, if it's

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<v Speaker 1>a cameraman, a graphics producer, audio tech. All the time

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<v Speaker 1>people say I've worked with your dad and man to

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<v Speaker 1>see the nicest no one else stops to like remember

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<v Speaker 1>names and ask about our kids and how we're doing.

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<v Speaker 1>And I just have definitely watched you and Papa Boy

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<v Speaker 1>do that, and that's that's huge. And really, your legacy

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<v Speaker 1>is unfinished. You know, no one knows what their legacy

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<v Speaker 1>will be. I remember Oprah saying Maya Angelou told her that,

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<v Speaker 1>And I think your legacy, just from what I've observed

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<v Speaker 1>and as your only child in the industry and kind

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<v Speaker 1>of gets to be in these circles, is I think

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<v Speaker 1>your legacy will be kindness. I think that that is

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<v Speaker 1>what ultimately you will be known for. Do you ever

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<v Speaker 1>think of it like that? Well, I think everybody strives

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<v Speaker 1>to be kind and oh, I don't know, I don't think.

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<v Speaker 1>I mean, it's because it's it's such a tough business.

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<v Speaker 1>You're under so much stress, it's very time sensitive. Everything's live,

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<v Speaker 1>and you've done so much work, you've traveled there, you're

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<v Speaker 1>doing the game. So much can go wrong at any moment,

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<v Speaker 1>and unfortunately, not everyone does lead kindness. Well, it's hard

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<v Speaker 1>because there's a lot of frustration, and you're working around

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<v Speaker 1>people in a very public business, and mistakes are glaring

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<v Speaker 1>and for all to see. No one sees sometimes a

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<v Speaker 1>mistake made in an office cubicle and sees a mistake

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<v Speaker 1>made you know, at home as you're cooking dinner, right,

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<v Speaker 1>I mean, and and those are simple examples, but this

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<v Speaker 1>is a pretty of course. You know we've always signed

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<v Speaker 1>up for so you know there shouldn't be any challenge

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<v Speaker 1>and understanding, well, why is this happening? You want to

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<v Speaker 1>do and you want to treat people the way you

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<v Speaker 1>want to be treated. I think we all know that saying,

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<v Speaker 1>but to execute it when their stress is very difficult.

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<v Speaker 1>And there are times that it is stressful and someone

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<v Speaker 1>has made a mistake or someone is wanting to talk.

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<v Speaker 1>When you've got, you know, a set amount of time

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<v Speaker 1>to get something done, whether it's writing a lead for

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<v Speaker 1>a story or trying to make sure you've got the

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<v Speaker 1>information correct on a player, and it's time sensitive, you

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<v Speaker 1>don't have the the time to spend with that person.

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<v Speaker 1>So you you remember that and you store it away

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<v Speaker 1>and hopefully the next time around you can say, hey,

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<v Speaker 1>I am so you caught me at a time when

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<v Speaker 1>I had to I had to get something done in

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<v Speaker 1>two minutes. You came by to say hi, And I

0:12:20.160 --> 0:12:21.880
<v Speaker 1>have thought about it and I slept on it. I

0:12:21.960 --> 0:12:24.880
<v Speaker 1>feel bad about it. So I guess if there is

0:12:24.920 --> 0:12:27.720
<v Speaker 1>ever that that little speed bump where you can't be

0:12:27.760 --> 0:12:30.040
<v Speaker 1>the person that you want to be. You go back

0:12:30.080 --> 0:12:33.320
<v Speaker 1>and rectify it so you can be that person that

0:12:33.320 --> 0:12:35.480
<v Speaker 1>that you want to be. And I just I guess

0:12:35.520 --> 0:12:37.680
<v Speaker 1>you feel like everybody around you wants to do the

0:12:37.720 --> 0:12:41.000
<v Speaker 1>best job they can, and everybody is trying hard. They

0:12:41.000 --> 0:12:42.800
<v Speaker 1>don't want to make a mistake. They don't want to,

0:12:43.400 --> 0:12:45.640
<v Speaker 1>you know, be imposing that. You know, that's that's not

0:12:45.760 --> 0:12:48.000
<v Speaker 1>their goal. They're just trying to help and trying to

0:12:48.000 --> 0:12:50.640
<v Speaker 1>do the best that they can do. So you appreciate

0:12:50.720 --> 0:12:53.440
<v Speaker 1>that fact of it. And I do love the business

0:12:53.480 --> 0:12:56.120
<v Speaker 1>because there are characters, and there are it's made up

0:12:56.120 --> 0:12:58.840
<v Speaker 1>of people. You can have all the bells and whistles

0:12:58.880 --> 0:13:00.440
<v Speaker 1>you can, but at the end of the day, it's

0:13:00.480 --> 0:13:03.920
<v Speaker 1>people punching buttons, making decisions, talking in your ear, at

0:13:03.960 --> 0:13:07.240
<v Speaker 1>your side, on your you know, it's it's all about people.

0:13:07.360 --> 0:13:10.679
<v Speaker 1>So you and I have talked about this many many times,

0:13:11.200 --> 0:13:13.079
<v Speaker 1>and I think a little bit of kindness probably goes

0:13:13.240 --> 0:13:15.560
<v Speaker 1>a long way. Now you kind of brought this up.

0:13:15.600 --> 0:13:19.480
<v Speaker 1>The business is changing, and when I got in verse

0:13:19.559 --> 0:13:21.959
<v Speaker 1>when you got in and it's just a different world.

0:13:22.000 --> 0:13:25.559
<v Speaker 1>And you and I kind of disagree on this one topic.

0:13:26.200 --> 0:13:28.520
<v Speaker 1>I love social media. I make it work for me.

0:13:28.720 --> 0:13:30.640
<v Speaker 1>I think it's a great way to interact. I think

0:13:30.640 --> 0:13:33.320
<v Speaker 1>it's a great way to share stuff. You recently got

0:13:33.400 --> 0:13:35.520
<v Speaker 1>rid of your Twitter. I know you still have an Instagram,

0:13:35.600 --> 0:13:37.679
<v Speaker 1>but I don't think you're veronic because I've tagged you

0:13:37.720 --> 0:13:39.520
<v Speaker 1>in a couple of things. I don't think you see it.

0:13:39.559 --> 0:13:42.160
<v Speaker 1>But my generation I don't know how to tag. I

0:13:42.160 --> 0:13:43.880
<v Speaker 1>don't know. I don't know how to say yeah, thanks

0:13:43.960 --> 0:13:47.559
<v Speaker 1>for that week for that tag. I don't know what that.

0:13:48.040 --> 0:13:51.959
<v Speaker 1>But I just think my generation is using it for us,

0:13:52.400 --> 0:13:54.880
<v Speaker 1>and there's I don't think either ways right or wrong.

0:13:54.960 --> 0:13:57.760
<v Speaker 1>But why do you think your approach is the way

0:13:57.840 --> 0:13:59.319
<v Speaker 1>it is? And what why do you kind of you're

0:13:59.360 --> 0:14:02.760
<v Speaker 1>more tradition know in the sense? Well, first of all,

0:14:02.800 --> 0:14:06.160
<v Speaker 1>I only got Twitter because you girls thought it would

0:14:06.200 --> 0:14:08.880
<v Speaker 1>be good for me to get on, But I never

0:14:09.000 --> 0:14:12.600
<v Speaker 1>felt I had anything really important to say. And my

0:14:12.679 --> 0:14:16.560
<v Speaker 1>main goal with Twitter has always been as a news feed,

0:14:17.040 --> 0:14:19.280
<v Speaker 1>because by having an account, it allows you to get

0:14:19.320 --> 0:14:23.040
<v Speaker 1>on and then follow the people that are reporters like yourself,

0:14:23.080 --> 0:14:26.880
<v Speaker 1>who have updates on stories, who may be breaking a story.

0:14:27.000 --> 0:14:32.480
<v Speaker 1>So I use it strictly as a news feed. I

0:14:32.840 --> 0:14:35.360
<v Speaker 1>Burned one Quist said something to me many years ago

0:14:35.440 --> 0:14:39.520
<v Speaker 1>at a CBS NFL seminar, and he said, you know,

0:14:39.560 --> 0:14:42.440
<v Speaker 1>I always thought I was pretty good. I always thought

0:14:42.520 --> 0:14:44.400
<v Speaker 1>that I had kind of nailed a broadcast. I always

0:14:44.480 --> 0:14:47.000
<v Speaker 1>kind of thought, you know, that I had gotten it.

0:14:47.480 --> 0:14:50.160
<v Speaker 1>And then I got on Twitter and read what they

0:14:50.160 --> 0:14:54.080
<v Speaker 1>were saying about me. And I've never felt so low

0:14:54.840 --> 0:15:01.200
<v Speaker 1>and so degraded and so deflated then eating comments by

0:15:01.240 --> 0:15:04.720
<v Speaker 1>people who have nothing but comments to shoot out there

0:15:05.040 --> 0:15:07.520
<v Speaker 1>with no accountability. And this is one of the greatest

0:15:07.560 --> 0:15:09.680
<v Speaker 1>to ever do it, and just one of the greatest men,

0:15:10.160 --> 0:15:14.960
<v Speaker 1>one of the one of the greatest, and one of

0:15:15.000 --> 0:15:20.240
<v Speaker 1>the kindest, warmest souls you'll ever come across. I can't

0:15:20.280 --> 0:15:22.520
<v Speaker 1>tell you how much I respect him as a man

0:15:22.680 --> 0:15:25.680
<v Speaker 1>and as a broadcaster, one of the great one of

0:15:25.720 --> 0:15:29.480
<v Speaker 1>the legends in our business, Burne Lnquist. And when he

0:15:29.520 --> 0:15:33.360
<v Speaker 1>said that to me, it's shut off. So I purposely

0:15:33.680 --> 0:15:36.320
<v Speaker 1>never look what they say about me. I don't want

0:15:36.360 --> 0:15:39.000
<v Speaker 1>to know what they say about me. I've told people

0:15:39.000 --> 0:15:42.160
<v Speaker 1>at both CBS and Turner. If something is said that

0:15:42.400 --> 0:15:46.320
<v Speaker 1>is wrong, patent le blatantly wrong, then I guess I'd

0:15:46.360 --> 0:15:48.600
<v Speaker 1>like to be notified of it, like if they said

0:15:48.960 --> 0:15:52.920
<v Speaker 1>I saw so and so uh punching out you know

0:15:53.000 --> 0:15:55.200
<v Speaker 1>so and so right, or or I saw him at

0:15:55.520 --> 0:15:58.000
<v Speaker 1>doing something where he said this. I mean, if it's

0:15:58.040 --> 0:16:01.320
<v Speaker 1>blatantly wrong, then I would like to know about and

0:16:01.360 --> 0:16:04.080
<v Speaker 1>then I'll go through them and say how can we

0:16:04.160 --> 0:16:07.080
<v Speaker 1>handle this? Or should I handle it at all? But

0:16:07.160 --> 0:16:10.200
<v Speaker 1>otherwise I don't know what they say. I don't want

0:16:10.240 --> 0:16:12.720
<v Speaker 1>to know what they say. I'll come home and your

0:16:12.800 --> 0:16:18.640
<v Speaker 1>mom and my wife will say, well, people on Twitter like, yeah, yeah,

0:16:18.720 --> 0:16:21.600
<v Speaker 1>you do you do? I don't want to. I can't,

0:16:21.680 --> 0:16:23.920
<v Speaker 1>and I guess I don't know if that's a frail

0:16:24.080 --> 0:16:26.960
<v Speaker 1>portion of my psyche. I'm not afraid of criticism. I

0:16:27.000 --> 0:16:30.120
<v Speaker 1>love criticism because it's the only way. There's always a

0:16:30.200 --> 0:16:35.160
<v Speaker 1>truth in every critical remark. There's always a vein of

0:16:35.400 --> 0:16:40.600
<v Speaker 1>some kind of truth. Even if it's outlandish. Five may

0:16:40.800 --> 0:16:43.920
<v Speaker 1>have a smidge of truth it maybe a d percent.

0:16:44.000 --> 0:16:47.640
<v Speaker 1>The criticism is warranted, and you know what, I love

0:16:47.680 --> 0:16:49.720
<v Speaker 1>that stuff. Bring it on. It's the only way you're

0:16:49.720 --> 0:16:51.840
<v Speaker 1>going to get better. But I don't look at it

0:16:51.920 --> 0:16:55.160
<v Speaker 1>because I'm afraid of what it will do. It. I

0:16:55.160 --> 0:16:58.120
<v Speaker 1>don't want it to change the lane that I'm going in,

0:16:58.600 --> 0:17:01.480
<v Speaker 1>and I had people, I'll be notified if I'm messing up,

0:17:02.080 --> 0:17:05.080
<v Speaker 1>and I'll know that, and I trust my gut. But

0:17:05.119 --> 0:17:07.320
<v Speaker 1>I also trust if my wife, you know your mom,

0:17:07.440 --> 0:17:11.000
<v Speaker 1>She'll say, you might want to look at this, or

0:17:11.040 --> 0:17:13.280
<v Speaker 1>you might want to pair it back a little bit,

0:17:13.359 --> 0:17:16.160
<v Speaker 1>or you might want to whatever. And I trust her,

0:17:16.400 --> 0:17:20.040
<v Speaker 1>you know, intuitiveness and subjects like that. Now that being said,

0:17:20.600 --> 0:17:23.000
<v Speaker 1>I get what you do. I get it, and you

0:17:23.040 --> 0:17:26.920
<v Speaker 1>should do it because everybody your age is doing this,

0:17:27.560 --> 0:17:29.320
<v Speaker 1>but not a lot of people my age are doing it.

0:17:29.359 --> 0:17:31.000
<v Speaker 1>I don't know that al Michaels has a Twitter. I

0:17:31.040 --> 0:17:33.440
<v Speaker 1>don't know that NaNs. I don't know that the late

0:17:33.520 --> 0:17:35.720
<v Speaker 1>Keith Jackson at a Twitter. I don't think any of

0:17:35.720 --> 0:17:38.840
<v Speaker 1>them do. I think they follow it with what they

0:17:38.880 --> 0:17:42.639
<v Speaker 1>call that fake name or whatever. And but because they

0:17:42.680 --> 0:17:45.320
<v Speaker 1>just want to get one of those do a fake Twitter.

0:17:45.840 --> 0:17:48.000
<v Speaker 1>I do have one because I need you got to

0:17:48.040 --> 0:17:51.320
<v Speaker 1>get on there to read the to read the news feed.

0:17:51.440 --> 0:17:54.760
<v Speaker 1>I want to read what Dave mcmanam or Winner Store,

0:17:54.800 --> 0:17:57.520
<v Speaker 1>any of these guys or Woes or any of these people,

0:17:57.960 --> 0:18:00.200
<v Speaker 1>you know, Chefty, what they have to say. That the

0:18:00.280 --> 0:18:02.639
<v Speaker 1>only way I can do it, So, yeah, I came out.

0:18:02.680 --> 0:18:04.760
<v Speaker 1>You'll never guess what it is and I'll never tell,

0:18:04.880 --> 0:18:07.280
<v Speaker 1>and I only use it. It's like jayhawk boy with

0:18:07.400 --> 0:18:11.320
<v Speaker 1>an eye. Uh No, it's not. It is not. Actually

0:18:11.440 --> 0:18:14.479
<v Speaker 1>you might. You might, if you dug enough, you might

0:18:14.560 --> 0:18:16.679
<v Speaker 1>be able to figure and find it. But I never

0:18:16.840 --> 0:18:19.040
<v Speaker 1>post on it. I never say anything on it, and

0:18:19.080 --> 0:18:21.639
<v Speaker 1>I all use it so I can follow the reporters

0:18:21.760 --> 0:18:24.000
<v Speaker 1>that I feel I've got to follow in the NFL

0:18:24.040 --> 0:18:27.440
<v Speaker 1>and in the NBA. Well, I used this crazy world

0:18:27.480 --> 0:18:30.160
<v Speaker 1>of Twitter to get some good content. When I asked

0:18:30.200 --> 0:18:32.200
<v Speaker 1>everyone for questions for you, I said, you know, my

0:18:32.320 --> 0:18:35.240
<v Speaker 1>dad's coming on if anyone wants me to ask him anything.

0:18:35.560 --> 0:18:40.000
<v Speaker 1>And I got so many of aspiring broadcasters asking about

0:18:40.119 --> 0:18:42.639
<v Speaker 1>your process. And I'm putting my own spin on this

0:18:42.800 --> 0:18:46.200
<v Speaker 1>question because I know you have such a really, really

0:18:46.440 --> 0:18:50.000
<v Speaker 1>steady voice process. On the day of a game. You're

0:18:50.440 --> 0:18:53.560
<v Speaker 1>very your purest when it comes to voice performance. So

0:18:53.760 --> 0:18:56.400
<v Speaker 1>what do you do on game day for your voice? Well,

0:18:56.480 --> 0:18:59.320
<v Speaker 1>I'm big into delivery, and unfortunately you have heard that

0:18:59.480 --> 0:19:01.480
<v Speaker 1>from me of the time that you were in high school.

0:19:02.200 --> 0:19:04.879
<v Speaker 1>And I apologize in that because I've beaten you over

0:19:04.920 --> 0:19:06.879
<v Speaker 1>the head with delivery. Deliver, It's all about deliver. What

0:19:06.920 --> 0:19:09.840
<v Speaker 1>do I What do I say? A well delivered story

0:19:10.400 --> 0:19:15.600
<v Speaker 1>with poor content is so much more effective than a

0:19:15.800 --> 0:19:21.280
<v Speaker 1>great story poorly delivered, Yes, because all you're doing is

0:19:21.320 --> 0:19:25.520
<v Speaker 1>a viewer or a listener is listening to uh, you know,

0:19:25.760 --> 0:19:28.280
<v Speaker 1>and and the stuttering and the trying to find the

0:19:28.400 --> 0:19:30.960
<v Speaker 1>right word. But if you zip your way through a

0:19:31.040 --> 0:19:34.600
<v Speaker 1>story and tell it in a compelling way, even if

0:19:34.640 --> 0:19:37.919
<v Speaker 1>it's about grass growing, it's still a story that you remember.

0:19:38.680 --> 0:19:41.000
<v Speaker 1>And I tell you that because it was the first

0:19:41.080 --> 0:19:43.560
<v Speaker 1>thing when I was about eight or nine years old

0:19:44.000 --> 0:19:47.000
<v Speaker 1>that got me into sports, the first thing that I

0:19:47.119 --> 0:19:49.280
<v Speaker 1>can remember, not just that my dad was in it.

0:19:49.359 --> 0:19:51.439
<v Speaker 1>I loved being, you know, a part of my dad's

0:19:51.840 --> 0:19:54.119
<v Speaker 1>spring training with the Cardinals and everything else. But I

0:19:54.240 --> 0:19:59.439
<v Speaker 1>heard the great John Facenda of NFL Films narrate Super

0:19:59.520 --> 0:20:03.680
<v Speaker 1>Bowl between the Packers and the Chiefs. And it wasn't

0:20:03.800 --> 0:20:07.399
<v Speaker 1>the play on the field and on the screen. It

0:20:07.680 --> 0:20:11.159
<v Speaker 1>was the voice. It was the delivery. And when I

0:20:11.320 --> 0:20:14.960
<v Speaker 1>heard that, something went off in my head. And then

0:20:15.119 --> 0:20:17.920
<v Speaker 1>I began to listen for voices, and then I listened

0:20:17.920 --> 0:20:19.960
<v Speaker 1>to Ray Scott and I listened to the past summer,

0:20:20.560 --> 0:20:22.800
<v Speaker 1>and I listened to all Don Crickey and all in

0:20:23.080 --> 0:20:27.560
<v Speaker 1>Jim Simpson and Keith Jackson and all these great voices

0:20:27.640 --> 0:20:30.800
<v Speaker 1>of my youth that I still hear in my head.

0:20:31.320 --> 0:20:34.320
<v Speaker 1>I hear voices in my head and that's what I hear,

0:20:34.400 --> 0:20:36.600
<v Speaker 1>that's what I listened. That's what got me into sports,

0:20:37.240 --> 0:20:41.360
<v Speaker 1>and not into sports broadcasting, but into sports, and then

0:20:41.440 --> 0:20:44.040
<v Speaker 1>that led to sports broadcasting. You say, wait a minute,

0:20:44.359 --> 0:20:47.680
<v Speaker 1>these guys are broadcasters and they're talking about these games

0:20:47.760 --> 0:20:51.680
<v Speaker 1>I'm watching. So yeah, I'm big on delivery, and think

0:20:51.720 --> 0:20:56.200
<v Speaker 1>about it. Think about it during the games I'm doing,

0:20:56.800 --> 0:21:00.680
<v Speaker 1>and we'll have little things in my mind that I

0:21:00.800 --> 0:21:02.880
<v Speaker 1>have felt in the past, that I have said, well,

0:21:03.240 --> 0:21:05.600
<v Speaker 1>that I will do to get me back on track.

0:21:05.720 --> 0:21:10.119
<v Speaker 1>It's not different than a singer, an opera singer taking

0:21:10.200 --> 0:21:13.320
<v Speaker 1>that little musical harmonica thing that they used to get

0:21:13.359 --> 0:21:16.440
<v Speaker 1>a tone whatever that's called, and to get the right

0:21:16.560 --> 0:21:20.520
<v Speaker 1>tone and how they warm up before a performance. And

0:21:20.920 --> 0:21:24.760
<v Speaker 1>I do that occasionally during my games. I've said some

0:21:25.000 --> 0:21:27.879
<v Speaker 1>things that I know exactly how I said it to

0:21:28.080 --> 0:21:31.600
<v Speaker 1>get me back to kind of ground zero, to my foundation.

0:21:31.680 --> 0:21:35.600
<v Speaker 1>You're talking about the words that you write down. Yeah, yeah, yeah,

0:21:35.720 --> 0:21:37.480
<v Speaker 1>I won't get too deep in the weeds here, but

0:21:37.760 --> 0:21:41.639
<v Speaker 1>I feel sometimes a game can get so frenetic that

0:21:41.920 --> 0:21:45.200
<v Speaker 1>I got to reel myself back in. And so I

0:21:45.359 --> 0:21:48.040
<v Speaker 1>have things that I have said that when I've listened

0:21:48.080 --> 0:21:50.520
<v Speaker 1>back to my games, that I say, I like that

0:21:50.640 --> 0:21:54.239
<v Speaker 1>little five second, I like my the tonality and how

0:21:54.320 --> 0:21:57.359
<v Speaker 1>I sounded, And so I'll hit my mute button and

0:21:57.440 --> 0:21:59.720
<v Speaker 1>I'll turn my head because if I say it, you know,

0:22:00.040 --> 0:22:01.880
<v Speaker 1>my partners will look at me, going, what are you doing?

0:22:02.480 --> 0:22:05.440
<v Speaker 1>And I'll say something completely having nothing to do with

0:22:05.560 --> 0:22:08.280
<v Speaker 1>where I am. But I use that to get my

0:22:08.520 --> 0:22:12.240
<v Speaker 1>voice back to where I wanted to get to. So yeah,

0:22:12.280 --> 0:22:16.000
<v Speaker 1>I'm big on performance. I'm big on pacing. I'm big

0:22:16.080 --> 0:22:19.240
<v Speaker 1>on all those kinds of things and have used that

0:22:19.320 --> 0:22:22.720
<v Speaker 1>as kind of my guide in my broadcasting career. That's

0:22:22.760 --> 0:22:25.399
<v Speaker 1>a great tip that broadcasters should write down, and one

0:22:25.440 --> 0:22:27.520
<v Speaker 1>I share a lot as well. We kind of have

0:22:27.560 --> 0:22:29.840
<v Speaker 1>a little joke about the start of our careers because

0:22:29.920 --> 0:22:32.800
<v Speaker 1>I technically beat you to the NBA by one year.

0:22:33.160 --> 0:22:37.040
<v Speaker 1>Yes you did. Now you your longevity and success. I'm

0:22:37.119 --> 0:22:40.000
<v Speaker 1>sure our far past would all end up accomplishing, but

0:22:40.440 --> 0:22:43.360
<v Speaker 1>the groundwork was there. We both got our main big

0:22:43.480 --> 0:22:45.879
<v Speaker 1>gig in the n b A. You with the Kansas

0:22:45.880 --> 0:22:48.040
<v Speaker 1>City Kings, Me with the Atlanta Hawks. You were just

0:22:48.160 --> 0:22:50.840
<v Speaker 1>twenty two years old when you got that job at

0:22:50.880 --> 0:22:54.560
<v Speaker 1>that time, did that feel like you had really made it?

0:22:54.720 --> 0:22:57.080
<v Speaker 1>Like if that was as far as your career had gone,

0:22:57.240 --> 0:23:00.560
<v Speaker 1>would that have felt like enough? Like that's that's what

0:23:00.680 --> 0:23:03.480
<v Speaker 1>you wanted? That was such a great gig. Well, I

0:23:03.640 --> 0:23:06.439
<v Speaker 1>dreamt big when I was young in college and always

0:23:06.520 --> 0:23:09.760
<v Speaker 1>felt like because I started in high school at our

0:23:09.840 --> 0:23:12.720
<v Speaker 1>radio station, at our high school in Green Bay, Wisconsin,

0:23:13.520 --> 0:23:16.120
<v Speaker 1>so I knew I was on a faster path. It's

0:23:16.160 --> 0:23:17.959
<v Speaker 1>not unlike a kid who learned to play golf when

0:23:18.000 --> 0:23:20.920
<v Speaker 1>he's three and four years old, he's just probably gonna

0:23:21.040 --> 0:23:23.600
<v Speaker 1>be better when he's fifteen or sixteen then the other

0:23:23.680 --> 0:23:26.240
<v Speaker 1>fifteen or sixteen year olds. And it just gave me

0:23:26.359 --> 0:23:28.879
<v Speaker 1>kind of a head start. And you were kind of

0:23:28.920 --> 0:23:31.359
<v Speaker 1>the same way. You began at such a young age,

0:23:31.520 --> 0:23:34.440
<v Speaker 1>knew what you wanted to do. It benefited both of

0:23:34.520 --> 0:23:37.680
<v Speaker 1>us and getting a start. The big difference was if

0:23:37.720 --> 0:23:39.720
<v Speaker 1>I go back and listen to twenty two year old

0:23:39.800 --> 0:23:43.840
<v Speaker 1>me and twenty one year old you, twenty one year

0:23:43.880 --> 0:23:45.960
<v Speaker 1>old you sounds like they should have been on an

0:23:46.119 --> 0:23:51.000
<v Speaker 1>NBA broadcast twenty two year old me, sounds like I

0:23:51.040 --> 0:23:54.280
<v Speaker 1>should have been in Paduka, Kentucky doing Paduka High School

0:23:54.280 --> 0:23:57.600
<v Speaker 1>of Basketball. That was the difference, not like the business

0:23:57.760 --> 0:24:01.600
<v Speaker 1>was different. And I got the job at the intersection

0:24:02.200 --> 0:24:05.120
<v Speaker 1>of so many things happening. The guy that was doing

0:24:05.200 --> 0:24:07.560
<v Speaker 1>the Kansas City Kings left to go to the Philadelphia

0:24:07.600 --> 0:24:11.119
<v Speaker 1>seventy sixers. The Kansas City Kings were not long for

0:24:11.240 --> 0:24:14.639
<v Speaker 1>Kansas City because they eventually moved to Sacramento, and I

0:24:14.760 --> 0:24:17.520
<v Speaker 1>worked for a station that had the rights. I was

0:24:17.600 --> 0:24:21.080
<v Speaker 1>producing the Chiefs pregame show on the radio network. I

0:24:21.160 --> 0:24:24.200
<v Speaker 1>was doing segments on the station and on the Chiefs

0:24:24.320 --> 0:24:28.359
<v Speaker 1>Radio network as a college student, and so they saw me.

0:24:28.880 --> 0:24:32.080
<v Speaker 1>I was young, I was cheap, and I was available,

0:24:32.560 --> 0:24:35.520
<v Speaker 1>and that really led to that job. So it was

0:24:35.640 --> 0:24:41.520
<v Speaker 1>by total, total luck and good fortune. You earned it

0:24:41.640 --> 0:24:45.080
<v Speaker 1>because the Hawks, so you were doing on Fox Sports

0:24:45.320 --> 0:24:50.359
<v Speaker 1>with the Southeastern Conference football game sideline reports, and these guys.

0:24:50.520 --> 0:24:52.879
<v Speaker 1>I know for a fact that Fox Sports were like,

0:24:53.040 --> 0:24:55.679
<v Speaker 1>wait a minute, what's going on here? And the Hawks

0:24:56.200 --> 0:24:58.440
<v Speaker 1>brought you on board. It was the smartest thing they've done.

0:24:58.480 --> 0:24:59.800
<v Speaker 1>And I was with one of the owners. The other

0:25:00.000 --> 0:25:03.440
<v Speaker 1>I said, we miss Olivia Harlan so much. That was

0:25:03.480 --> 0:25:07.480
<v Speaker 1>before you became Olivia Decker. Yeah, the business now is

0:25:07.560 --> 0:25:10.920
<v Speaker 1>probably far more competitive than when I was breaking in.

0:25:12.160 --> 0:25:15.040
<v Speaker 1>When I got in, I oh my god, it's unbelieving.

0:25:15.040 --> 0:25:17.520
<v Speaker 1>I wouldn't go back to be two years old getting

0:25:17.560 --> 0:25:21.240
<v Speaker 1>in the business for anything in the world. It'sating. No,

0:25:21.480 --> 0:25:25.119
<v Speaker 1>I tell these kids, I say, as I told you,

0:25:26.000 --> 0:25:28.960
<v Speaker 1>I say, you know, it may not happen is fast

0:25:29.040 --> 0:25:32.240
<v Speaker 1>for you. But if you love the business, if you

0:25:32.400 --> 0:25:35.080
<v Speaker 1>love what it takes to get better in the business,

0:25:35.480 --> 0:25:39.960
<v Speaker 1>and you just drink in seven everything about broadcast, how

0:25:40.040 --> 0:25:43.600
<v Speaker 1>to be better, watching others, you know, using them as

0:25:43.640 --> 0:25:48.000
<v Speaker 1>a roadmap, all these things, and if you enjoy the journey,

0:25:48.640 --> 0:25:51.359
<v Speaker 1>this will be a fulfilling business for you. But if

0:25:51.400 --> 0:25:53.399
<v Speaker 1>you're just in it to make money and trying to

0:25:53.440 --> 0:25:55.760
<v Speaker 1>get to the next market and hop scotch and leap

0:25:55.800 --> 0:25:58.399
<v Speaker 1>frog and do all that stuff, you'll be left empty

0:25:58.480 --> 0:26:00.080
<v Speaker 1>at the end of the day because you'll never it

0:26:00.200 --> 0:26:02.560
<v Speaker 1>to where you want to go, to an endless string

0:26:03.080 --> 0:26:06.159
<v Speaker 1>of disappointments. But if you love the business, and you

0:26:06.280 --> 0:26:09.320
<v Speaker 1>and I love the business, it can be very fulfilling.

0:26:10.119 --> 0:26:13.560
<v Speaker 1>And I just make sure that they've got the right

0:26:14.320 --> 0:26:18.760
<v Speaker 1>compass heading when when they jump in, because it can

0:26:18.800 --> 0:26:21.959
<v Speaker 1>be frustrating, and it can be degrading, and it can

0:26:22.040 --> 0:26:26.520
<v Speaker 1>be very, very disappointing. Absolutely, it's it's as tough an

0:26:26.560 --> 0:26:30.080
<v Speaker 1>industry as there is in terms of competition, paranoia, all

0:26:30.160 --> 0:26:32.000
<v Speaker 1>of that. One thing I want to wrap up with

0:26:32.440 --> 0:26:34.520
<v Speaker 1>is something that I feel like we don't talk a

0:26:34.560 --> 0:26:36.640
<v Speaker 1>lot about in our family because we know you don't

0:26:36.880 --> 0:26:38.959
<v Speaker 1>like to talk about it, and I don't know why

0:26:39.040 --> 0:26:43.400
<v Speaker 1>you keep doing it. Then it's the goofy calls, the streaker,

0:26:43.960 --> 0:26:47.960
<v Speaker 1>the cat um calling two games at once, the guy

0:26:48.040 --> 0:26:50.600
<v Speaker 1>and the bra at the Super Bowl, And it's so

0:26:50.840 --> 0:26:53.440
<v Speaker 1>what you're known for. And I hate saying that because

0:26:53.520 --> 0:26:57.600
<v Speaker 1>you do so much good, serious work, such great journalism,

0:26:58.000 --> 0:27:00.760
<v Speaker 1>great play by play, But you know, it's click bait.

0:27:00.840 --> 0:27:03.080
<v Speaker 1>It's it's funny, it's memorable. And we're going to bring

0:27:03.160 --> 0:27:05.000
<v Speaker 1>on Peter Andrew later in the show and we're going

0:27:05.040 --> 0:27:06.720
<v Speaker 1>to play a little game because he's brought up a

0:27:06.800 --> 0:27:09.040
<v Speaker 1>bunch of your great calls. I've just got to ask,

0:27:09.080 --> 0:27:10.880
<v Speaker 1>because this is one of the top questions I kept

0:27:10.920 --> 0:27:14.680
<v Speaker 1>getting on Twitter, is what's going through your mind when

0:27:14.760 --> 0:27:17.760
<v Speaker 1>these calls are happening, because it sometimes I hear you

0:27:17.880 --> 0:27:21.480
<v Speaker 1>and I'm just like, oh my god, what's he saying? Well,

0:27:21.720 --> 0:27:23.760
<v Speaker 1>clearly not much is going on in my mind, right,

0:27:23.800 --> 0:27:26.560
<v Speaker 1>I mean clearly we're we're we're cutting to the lowest

0:27:26.760 --> 0:27:30.600
<v Speaker 1>common denominator. But now, the only technical way I can

0:27:30.680 --> 0:27:33.800
<v Speaker 1>explain it, I mean, you never go into it planning. Okay,

0:27:34.440 --> 0:27:36.639
<v Speaker 1>you know, like if a squirrel runs out on the field,

0:27:36.760 --> 0:27:39.120
<v Speaker 1>or if a you know, fat, you know, naked guy

0:27:39.240 --> 0:27:41.920
<v Speaker 1>is out there doing somersaults, what am I gonna? You know, like,

0:27:42.040 --> 0:27:44.399
<v Speaker 1>you never you never think of that. But here's what

0:27:44.480 --> 0:27:46.680
<v Speaker 1>it is when I'm doing these games, and you know

0:27:46.840 --> 0:27:50.000
<v Speaker 1>this because you go through the same process. I am

0:27:50.119 --> 0:27:53.360
<v Speaker 1>so lost in the game, Like I am so into

0:27:53.640 --> 0:27:58.000
<v Speaker 1>every detail of the game. And when you get lost

0:27:58.119 --> 0:28:01.960
<v Speaker 1>in something and you're so immersed in it that you

0:28:02.040 --> 0:28:05.399
<v Speaker 1>are just reacting to the next thing that happens, and

0:28:05.520 --> 0:28:07.840
<v Speaker 1>you almost do it kind of in an out of body,

0:28:07.960 --> 0:28:11.120
<v Speaker 1>subconscious way, like you're like you're not thinking about really

0:28:11.200 --> 0:28:14.600
<v Speaker 1>what you're even saying. And the things that people remember

0:28:14.640 --> 0:28:18.720
<v Speaker 1>I've done on radio on NFL radio broadcasts, and we're

0:28:18.800 --> 0:28:23.000
<v Speaker 1>doing radio, you are looking for every detail on the field.

0:28:23.480 --> 0:28:25.320
<v Speaker 1>You know, you're looking at the color of the sky.

0:28:25.440 --> 0:28:27.320
<v Speaker 1>You're looking at the wind and what it's doing to

0:28:27.440 --> 0:28:30.640
<v Speaker 1>a hotdog rapper that's blown across the field. And you're

0:28:30.640 --> 0:28:35.120
<v Speaker 1>watching the quarterback, you know, white white, brauer the eye

0:28:35.160 --> 0:28:37.440
<v Speaker 1>black that's beginning to run under his eye, Like you're

0:28:37.560 --> 0:28:41.200
<v Speaker 1>trying to paint this unbelievable picture because you want to

0:28:41.240 --> 0:28:44.680
<v Speaker 1>give the listener everything that the viewer is seeing. So

0:28:45.440 --> 0:28:47.800
<v Speaker 1>when these things have happened, whether it's been a cat

0:28:47.920 --> 0:28:50.680
<v Speaker 1>on the field or a couple of drug guys rolling

0:28:50.680 --> 0:28:53.840
<v Speaker 1>across the field, I'm doing it in the context because,

0:28:53.920 --> 0:28:57.360
<v Speaker 1>by the way, both drunk guys ran right through the

0:28:57.520 --> 0:29:01.160
<v Speaker 1>formation as the ball is getting ready to be stamped

0:29:01.520 --> 0:29:03.720
<v Speaker 1>and the play is going to be run, and so

0:29:04.120 --> 0:29:06.440
<v Speaker 1>you just pick it up here now a second down

0:29:06.480 --> 0:29:08.160
<v Speaker 1>and ten wait a minute, a guy who's run right

0:29:08.200 --> 0:29:10.840
<v Speaker 1>through that, you know he's so it's all a part

0:29:11.080 --> 0:29:14.400
<v Speaker 1>of what I'm seeing, and I guess I forget for

0:29:14.480 --> 0:29:16.800
<v Speaker 1>a time what's going on now. The other night we

0:29:16.920 --> 0:29:21.360
<v Speaker 1>were doing a game with Philadelphia in Washington and a

0:29:21.480 --> 0:29:23.520
<v Speaker 1>guy I was on TV was on TNT and the

0:29:23.560 --> 0:29:26.680
<v Speaker 1>guy ran on the floor. I swear it's always your

0:29:26.760 --> 0:29:29.760
<v Speaker 1>games when this happens, though I think it happens, but

0:29:30.320 --> 0:29:32.760
<v Speaker 1>being on television, you don't want to, you know, give

0:29:33.000 --> 0:29:36.800
<v Speaker 1>him any kind of notoriety, so they turned the cameras away.

0:29:37.200 --> 0:29:39.720
<v Speaker 1>On radio, you don't see the guy. You don't know

0:29:39.840 --> 0:29:43.440
<v Speaker 1>his name. It's just a guy. So there's a little

0:29:43.480 --> 0:29:46.040
<v Speaker 1>bit of anonymity there that that really didn't get us

0:29:46.040 --> 0:29:48.080
<v Speaker 1>in trouble and tell us, you know, would because if

0:29:48.080 --> 0:29:49.920
<v Speaker 1>he showed the face, the guy is getting exactly what

0:29:50.000 --> 0:29:53.320
<v Speaker 1>he wants. He's getting that fifteen seconds of fame. So

0:29:53.400 --> 0:29:55.240
<v Speaker 1>we don't show it. And we just said a security

0:29:55.280 --> 0:29:57.560
<v Speaker 1>guy makes the tackle and they're gonna take him off,

0:29:58.080 --> 0:30:01.040
<v Speaker 1>and that's what happened. So only is a byproduct of

0:30:01.160 --> 0:30:04.120
<v Speaker 1>losing myself in the game and being so into it,

0:30:04.160 --> 0:30:06.480
<v Speaker 1>and that's kind of where some of those weird calls

0:30:06.640 --> 0:30:08.800
<v Speaker 1>come in. You know, when a guy has a big

0:30:08.880 --> 0:30:11.360
<v Speaker 1>dunk or he it's a big shot and we go crazy.

0:30:12.000 --> 0:30:15.719
<v Speaker 1>You're so into the game that you kind of sometimes

0:30:16.360 --> 0:30:20.080
<v Speaker 1>lose your bearings and you've got to quickly, you know,

0:30:20.240 --> 0:30:23.040
<v Speaker 1>reclaim them because you've got to realize, hey, you know,

0:30:23.480 --> 0:30:25.520
<v Speaker 1>i'm a reporter here and I've better bring it back

0:30:25.560 --> 0:30:28.800
<v Speaker 1>in a little bit, you do. But that kind of

0:30:28.960 --> 0:30:31.840
<v Speaker 1>is it. It's very simple. It's like the stone cutter

0:30:32.240 --> 0:30:34.200
<v Speaker 1>who's got a chisel and knock a stone that's in

0:30:34.240 --> 0:30:36.960
<v Speaker 1>the middle of a road, right, and he's hitting he's

0:30:37.040 --> 0:30:40.000
<v Speaker 1>hitting that stone once and ten times, and twenty times

0:30:40.080 --> 0:30:43.280
<v Speaker 1>and thirty times and pounding away and trying to crack

0:30:43.400 --> 0:30:46.840
<v Speaker 1>that rock into and on the four crack of that

0:30:47.080 --> 0:30:51.080
<v Speaker 1>rocket finally splits, right, it finally splits in half. And

0:30:51.160 --> 0:30:53.520
<v Speaker 1>a guy walks in and sees this final hammer, that

0:30:53.720 --> 0:30:56.440
<v Speaker 1>rock that splits on the four taking it goes, wow,

0:30:57.000 --> 0:30:58.920
<v Speaker 1>you must have really tookn a wall up on that

0:30:59.040 --> 0:31:00.800
<v Speaker 1>h and he goes, no, no, no, yeah, it wasn't

0:31:00.840 --> 0:31:05.320
<v Speaker 1>the four hundred. It was before it that led to

0:31:05.400 --> 0:31:07.600
<v Speaker 1>the four hundred. And that's kind of what play by

0:31:07.640 --> 0:31:10.160
<v Speaker 1>play is all about. Here's a two yard game, there's

0:31:10.160 --> 0:31:12.560
<v Speaker 1>a four yard game. Here's a little lay up. You know,

0:31:12.960 --> 0:31:16.080
<v Speaker 1>it's the little plays, but it's every play that lead

0:31:16.200 --> 0:31:18.360
<v Speaker 1>up to the big play. And that's that's the best

0:31:18.400 --> 0:31:20.560
<v Speaker 1>way I can explain it. Well, I've never heard you

0:31:20.680 --> 0:31:23.000
<v Speaker 1>describe it like that, but I know you hate becoming

0:31:23.080 --> 0:31:26.840
<v Speaker 1>the story and it's always after something like that happens,

0:31:26.880 --> 0:31:29.440
<v Speaker 1>and it's like Kevin Harland's call of the cat on

0:31:29.520 --> 0:31:31.400
<v Speaker 1>the field, whatever it is. And I know you get

0:31:31.480 --> 0:31:33.560
<v Speaker 1>so shy. You never want to be the story. You

0:31:33.680 --> 0:31:36.080
<v Speaker 1>never want attention. But I will tell you, as as

0:31:36.120 --> 0:31:39.000
<v Speaker 1>your daughter and also someone in the business, I think

0:31:39.040 --> 0:31:41.680
<v Speaker 1>when you show that kind of levity, it's really refreshing.

0:31:41.800 --> 0:31:44.200
<v Speaker 1>And you're so funny. We know how funny you are

0:31:44.200 --> 0:31:46.680
<v Speaker 1>at home, but you're so serious about your work, and

0:31:46.760 --> 0:31:48.360
<v Speaker 1>I like when you do that because I think it

0:31:48.440 --> 0:31:50.680
<v Speaker 1>shows that you take the work seriously, but you don't

0:31:50.720 --> 0:31:53.760
<v Speaker 1>take yourself too seriously. So again, I just want to

0:31:53.840 --> 0:31:56.120
<v Speaker 1>commend you on those moments because not only are they

0:31:56.440 --> 0:31:59.520
<v Speaker 1>great viral social media moments that people are just like

0:32:00.040 --> 0:32:02.400
<v Speaker 1>Kevin Harlan's a national treasure. I see that tweet more

0:32:02.440 --> 0:32:05.520
<v Speaker 1>than anything. But I just I appreciate that you're able

0:32:05.560 --> 0:32:07.760
<v Speaker 1>to switch into a kind of a fun place and

0:32:07.840 --> 0:32:10.200
<v Speaker 1>you're you're very very good at that. Thank you, sweet.

0:32:11.120 --> 0:32:13.160
<v Speaker 1>But I look forward. We're going to bring in Peter Andrew,

0:32:13.160 --> 0:32:14.800
<v Speaker 1>who has told me he's a big fan of yours,

0:32:15.040 --> 0:32:17.560
<v Speaker 1>and we're gonna play a little game and see if

0:32:17.600 --> 0:32:20.680
<v Speaker 1>I know some who your most famous calls. So I

0:32:20.760 --> 0:32:22.680
<v Speaker 1>could ask you a million more questions about your career,

0:32:22.920 --> 0:32:24.959
<v Speaker 1>and I'll be I'll be disappointed if you do. If

0:32:25.000 --> 0:32:26.840
<v Speaker 1>you do know him, I'm going to be very disappointed

0:32:27.600 --> 0:32:30.880
<v Speaker 1>because you should be doing something much more constructive with

0:32:30.960 --> 0:32:34.400
<v Speaker 1>your time and something I want that chill in your

0:32:34.440 --> 0:32:38.840
<v Speaker 1>head in this business. Oh man, Well, thanks so much, Dad,

0:32:38.920 --> 0:33:02.479
<v Speaker 1>And with that, let's go to Peter Andrew. Well, now

0:33:02.600 --> 0:33:04.560
<v Speaker 1>is the segment in our show where we help you

0:33:04.720 --> 0:33:07.520
<v Speaker 1>look a little smarter, have better conversations with your friends

0:33:07.560 --> 0:33:10.280
<v Speaker 1>as you're watching all these exciting games, and help you

0:33:10.480 --> 0:33:13.280
<v Speaker 1>maybe put some cash in your wallet. Peter Andrew from

0:33:13.320 --> 0:33:16.720
<v Speaker 1>bed MGM joins us. Now, Peter, how are you, hey?

0:33:16.800 --> 0:33:18.880
<v Speaker 1>How's it going with you? We are good, and you've

0:33:18.920 --> 0:33:22.120
<v Speaker 1>got double Harlan duty today, so we can't wait to

0:33:22.200 --> 0:33:25.400
<v Speaker 1>go over some of the prop bets, series bets, star

0:33:25.560 --> 0:33:28.600
<v Speaker 1>player bets, everything. But this is such a fun time

0:33:28.680 --> 0:33:31.040
<v Speaker 1>of year to be talking with you. And remember last

0:33:31.120 --> 0:33:34.000
<v Speaker 1>week you were saying kind of a fun crazy bet

0:33:34.160 --> 0:33:36.440
<v Speaker 1>that was interesting, and I want to start with this one,

0:33:36.520 --> 0:33:39.040
<v Speaker 1>he said Trey Young for Finals m v P. He

0:33:39.120 --> 0:33:41.520
<v Speaker 1>had thirty five. The other night, I believe he was

0:33:41.640 --> 0:33:44.840
<v Speaker 1>plus sixty six hundred last week when we talked, that's

0:33:44.880 --> 0:33:48.920
<v Speaker 1>now down to what are you seen in Trey Young? Yeah,

0:33:49.040 --> 0:33:52.320
<v Speaker 1>I mean crazy to think it was a really solid

0:33:52.400 --> 0:33:55.440
<v Speaker 1>game one. But they have a shot. I mean, if

0:33:55.480 --> 0:33:57.960
<v Speaker 1>they play well and they play team basketball and Tray

0:33:58.040 --> 0:34:00.560
<v Speaker 1>Young does Tray Young things, I'm and you're gonna see

0:34:00.560 --> 0:34:03.440
<v Speaker 1>that number continue to go down. We're recording ahead of

0:34:03.520 --> 0:34:06.520
<v Speaker 1>game two. But massive game. Let's see what happens. You know,

0:34:06.560 --> 0:34:08.839
<v Speaker 1>I've been high on the Sixers, but if they play

0:34:08.880 --> 0:34:10.920
<v Speaker 1>the way they've been playing against the Knicks and now Philly,

0:34:11.480 --> 0:34:13.239
<v Speaker 1>I mean, he's got a legitimate shot and no one

0:34:13.280 --> 0:34:15.799
<v Speaker 1>else is gonna win finals MVP if they end up

0:34:15.840 --> 0:34:18.560
<v Speaker 1>going all the way from that team, Yeah, absolutely, Yeah,

0:34:18.600 --> 0:34:21.640
<v Speaker 1>but about three quarters of their game and study, they

0:34:21.719 --> 0:34:23.759
<v Speaker 1>let their foot off the gas there a little bit. Yeah,

0:34:23.840 --> 0:34:25.480
<v Speaker 1>they got some work to do for sure for game

0:34:25.520 --> 0:34:27.920
<v Speaker 1>tea tonight. Yeah, Dad, have you seen the Hawks much

0:34:27.960 --> 0:34:31.680
<v Speaker 1>this year? I am not. You know, I've enjoyed Tray

0:34:32.080 --> 0:34:34.719
<v Speaker 1>over his career at Oklahoma, as short as it was

0:34:34.920 --> 0:34:37.520
<v Speaker 1>and as a short time in the NBA. And I

0:34:37.680 --> 0:34:39.960
<v Speaker 1>was with someone actually the other night who was in

0:34:40.080 --> 0:34:44.600
<v Speaker 1>the room when the Atlanta Hawks we're deciding about done

0:34:44.719 --> 0:34:49.399
<v Speaker 1>Itch or Trey, and it was interesting because they saw

0:34:49.640 --> 0:34:53.560
<v Speaker 1>Curry in that kind of frame and what Trey presented.

0:34:54.120 --> 0:34:58.000
<v Speaker 1>But they love the size of done and that trade

0:34:58.480 --> 0:35:00.239
<v Speaker 1>is going to go down in history. It's think is

0:35:00.320 --> 0:35:03.560
<v Speaker 1>one of the more analyzed trades in the history of

0:35:03.640 --> 0:35:07.640
<v Speaker 1>pro basketball, kind of like the Philip Rivers Eli Manning

0:35:07.719 --> 0:35:10.760
<v Speaker 1>deal between the Giants and the then San Diego Chargers.

0:35:11.120 --> 0:35:13.080
<v Speaker 1>Who would be better? Who was destined for the Hall

0:35:13.120 --> 0:35:15.000
<v Speaker 1>of Fame? You know, one guy won a couple of

0:35:15.040 --> 0:35:18.360
<v Speaker 1>Super Bowl m vps, the other guy put up historic numbers.

0:35:18.680 --> 0:35:21.400
<v Speaker 1>It could be that way with Trey and with Luca

0:35:21.560 --> 0:35:25.440
<v Speaker 1>as well. I think they're both getting marvelous careers, different frames,

0:35:26.040 --> 0:35:29.560
<v Speaker 1>different styles, but both electrifying players and they're gonna be

0:35:29.640 --> 0:35:32.160
<v Speaker 1>fun to watch for years. That's a good story. I

0:35:32.280 --> 0:35:34.560
<v Speaker 1>like that. Sticking in the East a little bit. Peter

0:35:34.800 --> 0:35:37.720
<v Speaker 1>James Harden's injury now I believe he has officially ruled

0:35:37.760 --> 0:35:40.120
<v Speaker 1>out for the next game. How much will that affect

0:35:40.160 --> 0:35:43.400
<v Speaker 1>Brooklyn and some of the lines you're seeing. Yeah, yesterday

0:35:43.480 --> 0:35:45.800
<v Speaker 1>was a little crazy. When the news came out that

0:35:45.880 --> 0:35:48.399
<v Speaker 1>Harden was out for for the game. They were down

0:35:48.480 --> 0:35:50.400
<v Speaker 1>to minus two and they actually went to plus two

0:35:50.440 --> 0:35:53.640
<v Speaker 1>the nets, which is crazy, and they obviously they blew

0:35:53.680 --> 0:35:55.920
<v Speaker 1>out in Milwaukee, so I think there was a lot

0:35:56.000 --> 0:35:59.280
<v Speaker 1>of money unevenly going back and forth, but it seems

0:35:59.280 --> 0:36:01.520
<v Speaker 1>like it doesn't matter. This team is just so well oiled.

0:36:02.040 --> 0:36:04.080
<v Speaker 1>I mean, Katie at any given moment can go for

0:36:04.160 --> 0:36:08.000
<v Speaker 1>thirty forty. Kyrie didn't have a particuarly amazing game and

0:36:08.040 --> 0:36:10.720
<v Speaker 1>they still just ran the show. And you have great shooters.

0:36:10.800 --> 0:36:13.480
<v Speaker 1>Blake Griffin looks like Blake Griffin from five years ago.

0:36:14.040 --> 0:36:17.960
<v Speaker 1>What happened? Someone made the joke that they cryogenically froze

0:36:18.040 --> 0:36:20.160
<v Speaker 1>him in in Detroit for the last couple of years,

0:36:20.280 --> 0:36:22.440
<v Speaker 1>and and now he's back and better than ever. So

0:36:23.000 --> 0:36:25.920
<v Speaker 1>if you have those guys playing like that, I mean,

0:36:26.000 --> 0:36:28.560
<v Speaker 1>it's it's so hard to bet against them. And I

0:36:28.640 --> 0:36:30.680
<v Speaker 1>know I've been trying to go against the band leg

0:36:30.719 --> 0:36:32.840
<v Speaker 1>and a little bit just for some value perspective, But

0:36:33.360 --> 0:36:36.359
<v Speaker 1>but they are a good, good team. Dad, you see

0:36:36.400 --> 0:36:38.879
<v Speaker 1>this a lot with players. You know, people have written

0:36:38.960 --> 0:36:41.680
<v Speaker 1>off Blake Griffin. He's what thirty two years old. He's

0:36:41.719 --> 0:36:44.759
<v Speaker 1>not too old by basketball standards. He definitely has some

0:36:44.880 --> 0:36:47.040
<v Speaker 1>years ahead of him. But when you have this kind

0:36:47.080 --> 0:36:50.279
<v Speaker 1>of revival of a better surrounding cast, a lot of

0:36:50.360 --> 0:36:53.080
<v Speaker 1>hope in the city, a lot to play for in

0:36:53.160 --> 0:36:55.520
<v Speaker 1>a chance to win this title. Finally, I mean, what

0:36:55.719 --> 0:36:58.040
<v Speaker 1>what other like player does this remind you of this

0:36:58.160 --> 0:37:01.120
<v Speaker 1>kind of trajectory in any sport when you see someone

0:37:01.239 --> 0:37:03.880
<v Speaker 1>kind of come back to life. Well, you said it

0:37:04.000 --> 0:37:07.399
<v Speaker 1>live because he has had kind of a resurgence here late,

0:37:08.000 --> 0:37:09.880
<v Speaker 1>and he's not the guy. He doesn't have to be

0:37:10.280 --> 0:37:12.919
<v Speaker 1>the guy, and he's playing with a better supporting cast.

0:37:13.000 --> 0:37:15.759
<v Speaker 1>It really didn't have that with the Clippers, certainly hasn't

0:37:15.800 --> 0:37:18.920
<v Speaker 1>had that with the Pistons, And I think that he senses,

0:37:18.960 --> 0:37:22.560
<v Speaker 1>as you were alluding to, that that window is shutting.

0:37:22.640 --> 0:37:25.840
<v Speaker 1>Is at a history of injuries. This has been a

0:37:26.120 --> 0:37:29.200
<v Speaker 1>stroke of good fortune in his career that he's able

0:37:29.239 --> 0:37:31.719
<v Speaker 1>to finish like that with these players. But when you

0:37:31.840 --> 0:37:34.320
<v Speaker 1>don't have to be the guy, when you don't have

0:37:34.480 --> 0:37:37.520
<v Speaker 1>to be the target on your back, everything comes easier.

0:37:37.760 --> 0:37:41.120
<v Speaker 1>You move easier within the offense, it's easier to defend

0:37:41.160 --> 0:37:44.839
<v Speaker 1>because your assignment is easier. The pressure is off. Plus,

0:37:44.920 --> 0:37:46.759
<v Speaker 1>he's at a stage in his career where people know

0:37:46.920 --> 0:37:50.280
<v Speaker 1>his name. He's an all star, he's a gifted player,

0:37:50.680 --> 0:37:54.359
<v Speaker 1>but he clearly has things on his resume he needs

0:37:54.440 --> 0:37:57.279
<v Speaker 1>to fill. So when you have a motivated player at

0:37:57.320 --> 0:38:00.120
<v Speaker 1>this stage, not playing for money nor fame, but just

0:38:00.239 --> 0:38:04.200
<v Speaker 1>playing as part of a better overall story, you get

0:38:04.320 --> 0:38:06.520
<v Speaker 1>things like this. I'm trying to think if I can,

0:38:06.840 --> 0:38:10.000
<v Speaker 1>you could probably mention some examples of guys that have

0:38:10.120 --> 0:38:12.640
<v Speaker 1>been like this and have gone to other teams. We've

0:38:12.680 --> 0:38:15.839
<v Speaker 1>seen it before. Andrea Gudala, I guess is maybe an

0:38:15.880 --> 0:38:18.120
<v Speaker 1>example too, and he only played a year in Denver

0:38:18.239 --> 0:38:21.080
<v Speaker 1>after a lot of years in Philadelphia, goes to Golden State.

0:38:21.360 --> 0:38:23.279
<v Speaker 1>He eventually became the finals m v P. But he

0:38:23.400 --> 0:38:25.800
<v Speaker 1>wasn't the guy in Denver. He was the guy. In Philly,

0:38:26.440 --> 0:38:29.080
<v Speaker 1>he was the guy. But at Golden State he just

0:38:29.120 --> 0:38:31.800
<v Speaker 1>had to fill a role, be a defensive player, be

0:38:31.880 --> 0:38:35.120
<v Speaker 1>the consummate team guy, come off the bench, willingly accept

0:38:35.200 --> 0:38:38.279
<v Speaker 1>that role. He did, and it led to an ease

0:38:38.320 --> 0:38:42.000
<v Speaker 1>of play, the best certainly stint of his career, and

0:38:42.080 --> 0:38:46.120
<v Speaker 1>a championship and the finals MVP. So you've got stories

0:38:46.200 --> 0:38:51.200
<v Speaker 1>like this littered throughout sports. But there is a mentality

0:38:51.280 --> 0:38:53.759
<v Speaker 1>that follows that, and we're seeing a play out right now.

0:38:53.840 --> 0:38:57.120
<v Speaker 1>Blake Griffin and the nets. Absolutely. We're talking about Kevin

0:38:57.200 --> 0:38:59.919
<v Speaker 1>Durant earlier. He leads the pack right now for fine

0:39:00.000 --> 0:39:02.319
<v Speaker 1>as M v P favorites. I believe he's at plus

0:39:02.400 --> 0:39:05.080
<v Speaker 1>one fifty. And Sam and I were watching that game

0:39:05.120 --> 0:39:07.239
<v Speaker 1>the other night and he said Kevin Durant is his

0:39:07.320 --> 0:39:09.400
<v Speaker 1>favorite player to watch play right now. He said he

0:39:09.520 --> 0:39:12.480
<v Speaker 1>cannot believe what he's witnessing. Do you feel in that same,

0:39:12.560 --> 0:39:16.040
<v Speaker 1>Dame Peter. Yeah, it was funny yesterday. I think one

0:39:16.040 --> 0:39:19.400
<v Speaker 1>of the announcers asked, two years ago when he had

0:39:19.440 --> 0:39:20.800
<v Speaker 1>that injury, I think it was two years ago, almost

0:39:20.800 --> 0:39:22.719
<v Speaker 1>to the date, did he think he could come back

0:39:22.800 --> 0:39:24.160
<v Speaker 1>the way he did. He kind of laughed at it

0:39:24.200 --> 0:39:25.920
<v Speaker 1>and was like, well, of course I thought so, But

0:39:26.160 --> 0:39:28.800
<v Speaker 1>to be fair, that wasn't a great crush. It was

0:39:29.400 --> 0:39:32.680
<v Speaker 1>very awkward and awkward, and he said, are you serious?

0:39:33.280 --> 0:39:35.640
<v Speaker 1>Is that a real question? Was kind of cringing and

0:39:35.760 --> 0:39:38.759
<v Speaker 1>laughing at the same time. But Katie has always known it,

0:39:38.880 --> 0:39:41.560
<v Speaker 1>but we really know it now. I mean, he has

0:39:41.640 --> 0:39:43.800
<v Speaker 1>come back and he's playing that same type of basketball.

0:39:43.800 --> 0:39:46.279
<v Speaker 1>I mean, mid range is on point, he's distributing to

0:39:46.320 --> 0:39:48.600
<v Speaker 1>the basketball when he needs to. I mean, he's playing defense.

0:39:48.880 --> 0:39:50.839
<v Speaker 1>He just looks like the guy that we expect him

0:39:50.880 --> 0:39:53.480
<v Speaker 1>to be. Again, it's you know, we're throwing a little

0:39:53.480 --> 0:39:55.719
<v Speaker 1>bit of money on some of these other players of

0:39:55.800 --> 0:39:58.920
<v Speaker 1>Paul George A Trey Young to win finals MVP. But

0:39:59.400 --> 0:40:01.719
<v Speaker 1>I mean every road leads to Kevin Durant, especially with

0:40:01.800 --> 0:40:04.120
<v Speaker 1>Harden being a little bit banged up. Kevin Durant is

0:40:04.160 --> 0:40:06.000
<v Speaker 1>going to be the guy they rely on down the stretch.

0:40:06.320 --> 0:40:09.520
<v Speaker 1>It's hard to go against it. Absolutely. You said last

0:40:09.560 --> 0:40:11.640
<v Speaker 1>week the West is wide open. What are you thinking

0:40:11.680 --> 0:40:13.839
<v Speaker 1>now that we're getting into some of these games. Yeah,

0:40:14.120 --> 0:40:16.000
<v Speaker 1>I mean yesterday was kind of a shock to me,

0:40:16.160 --> 0:40:18.000
<v Speaker 1>but I had mentioned one of my bets to you

0:40:18.200 --> 0:40:20.080
<v Speaker 1>was around the lines of Devin Booker to be the

0:40:20.160 --> 0:40:23.800
<v Speaker 1>high score and around the Phoenix Suns are a great team. Denver,

0:40:24.200 --> 0:40:26.480
<v Speaker 1>I think still a little bit iffy. I mean, we

0:40:26.560 --> 0:40:29.399
<v Speaker 1>know how good Yokich is, but their backcourt is it's

0:40:29.400 --> 0:40:32.160
<v Speaker 1>a cause for concern. I like Devin Booker to kind

0:40:32.160 --> 0:40:33.799
<v Speaker 1>of take control of the series. I know he's shot

0:40:33.800 --> 0:40:36.480
<v Speaker 1>a bit more I don't know if cautious the right word,

0:40:36.520 --> 0:40:39.200
<v Speaker 1>but a bit more efficient yesterday. But I really like

0:40:39.320 --> 0:40:42.320
<v Speaker 1>the Sun's I'm still really intrigued on what the Clippers

0:40:42.360 --> 0:40:45.240
<v Speaker 1>could potentially do in the series against Utah that starts tonight.

0:40:45.719 --> 0:40:47.520
<v Speaker 1>Those are probably my two teams that I see you

0:40:47.600 --> 0:40:50.960
<v Speaker 1>going into the conference finals, but it really is wide open.

0:40:51.040 --> 0:40:53.440
<v Speaker 1>All four teams have put super basketball throughout the playoffs,

0:40:53.480 --> 0:40:56.200
<v Speaker 1>but certainly throughout the year and then on you know,

0:40:56.320 --> 0:40:58.600
<v Speaker 1>on that series with the Clippers, there's a couple of

0:40:58.680 --> 0:41:00.600
<v Speaker 1>unique bets we have, and I really like this bed

0:41:00.680 --> 0:41:04.400
<v Speaker 1>of most points within the series Paul George plus eight fifty.

0:41:04.480 --> 0:41:06.279
<v Speaker 1>I think it is. I mean, why not take a

0:41:06.320 --> 0:41:08.120
<v Speaker 1>flyer on him and have a great series. There's gonna

0:41:08.120 --> 0:41:10.000
<v Speaker 1>be a lot of pressure on Kauai. There's gonna be

0:41:10.000 --> 0:41:12.320
<v Speaker 1>a lot of focus defensively on Kauai. PG can have

0:41:12.360 --> 0:41:14.440
<v Speaker 1>a couple of really decent games and at that odds,

0:41:14.440 --> 0:41:17.680
<v Speaker 1>in that price can find yourself making a couple of bucks. Well,

0:41:17.760 --> 0:41:20.040
<v Speaker 1>let's ask the guy who was at the game last night. Dad,

0:41:20.080 --> 0:41:23.080
<v Speaker 1>you're covering the Phoenix Denver series. What did you think

0:41:23.160 --> 0:41:27.040
<v Speaker 1>from maybe shot selection, especially with Devin Booker. You know,

0:41:27.120 --> 0:41:29.160
<v Speaker 1>I think Booker was just kind of feeling his way

0:41:29.640 --> 0:41:32.080
<v Speaker 1>last night because other guys were hot. You know, I

0:41:32.120 --> 0:41:35.560
<v Speaker 1>always try to get a handle on what the best players.

0:41:35.719 --> 0:41:39.359
<v Speaker 1>The leaders on teams do early and Booker and Chris

0:41:39.480 --> 0:41:44.000
<v Speaker 1>Paul are emat category. But Bridges was great. Eyton did

0:41:44.040 --> 0:41:47.480
<v Speaker 1>not get in foul trouble. He was great. He's been terrific.

0:41:47.600 --> 0:41:50.560
<v Speaker 1>In fact, I would dare say that the Suns will

0:41:50.600 --> 0:41:53.560
<v Speaker 1>go as far as Eton goes if he stays out

0:41:53.600 --> 0:41:57.960
<v Speaker 1>of foul trouble and can control Yokich with his defense

0:41:58.120 --> 0:42:01.239
<v Speaker 1>as he's done in previous meetings and stay even just

0:42:01.360 --> 0:42:04.520
<v Speaker 1>toe to toe, not even supersede what yok Is do.

0:42:04.680 --> 0:42:07.840
<v Speaker 1>If he can just stay on pace with Yokich, I

0:42:07.960 --> 0:42:10.320
<v Speaker 1>think there's no doubt that Phoenix is going to be

0:42:10.440 --> 0:42:13.080
<v Speaker 1>favored to win this series. Their favored going in right now,

0:42:13.120 --> 0:42:15.239
<v Speaker 1>and Peter probably is alluded to this the best, but

0:42:15.680 --> 0:42:18.239
<v Speaker 1>last night confirmed a lot of things. Now they got

0:42:18.320 --> 0:42:21.960
<v Speaker 1>another worldly performance from mckel Bridges, and then the kind

0:42:22.000 --> 0:42:25.680
<v Speaker 1>of the last two games. Something has happened that I

0:42:25.760 --> 0:42:28.279
<v Speaker 1>think has really kind of gone under the radar. In

0:42:28.440 --> 0:42:32.000
<v Speaker 1>Game six that we did Lakers Phoenix in Los Angeles,

0:42:32.680 --> 0:42:35.279
<v Speaker 1>Chris Paul came in in the fourth quarter of that

0:42:35.440 --> 0:42:38.719
<v Speaker 1>Game six, and the Lakers were creeping back and they

0:42:38.800 --> 0:42:42.120
<v Speaker 1>got within single digits after being down by twenty plus

0:42:42.239 --> 0:42:46.840
<v Speaker 1>points and Paul came in, scored seven quick points, dished

0:42:46.840 --> 0:42:50.120
<v Speaker 1>a couple of passes, got the pace back up, took

0:42:50.200 --> 0:42:52.800
<v Speaker 1>control on the floor, and they were often running and

0:42:52.880 --> 0:42:55.920
<v Speaker 1>sealed the win in the series last night. Same thing

0:42:56.120 --> 0:42:59.279
<v Speaker 1>comes into the fourth quarter because sometimes Olivis use this

0:42:59.440 --> 0:43:01.839
<v Speaker 1>term took their foot off the gas. It's a perfect term,

0:43:01.880 --> 0:43:04.440
<v Speaker 1>and they did. And it's very natural. It's human nature

0:43:04.520 --> 0:43:08.239
<v Speaker 1>when you have the lead and you're in control, to exhale.

0:43:08.760 --> 0:43:12.200
<v Speaker 1>And the Sons barely did that last night. But then

0:43:12.320 --> 0:43:15.200
<v Speaker 1>Paul comes in and the fourth quarter. See, that's the

0:43:15.320 --> 0:43:18.800
<v Speaker 1>difference between a championship team and a team that is

0:43:18.840 --> 0:43:21.560
<v Speaker 1>just tread and water. And the Sons had the markings

0:43:21.640 --> 0:43:26.719
<v Speaker 1>because Paul knows when to say when, he knows when

0:43:27.200 --> 0:43:30.040
<v Speaker 1>to grab the game by a throat and squeeze. He

0:43:30.160 --> 0:43:32.480
<v Speaker 1>did a Game six to close out the defending Jamps.

0:43:32.719 --> 0:43:35.040
<v Speaker 1>He did it last night Game one when when the

0:43:35.120 --> 0:43:38.160
<v Speaker 1>when the Nuggets were creeping back in the game, chiseling

0:43:38.200 --> 0:43:40.399
<v Speaker 1>their way to get back in there, and he took

0:43:40.480 --> 0:43:44.640
<v Speaker 1>that game over. So Booker who can score when they

0:43:44.719 --> 0:43:46.719
<v Speaker 1>need him, and they felt they needed that push in

0:43:46.800 --> 0:43:49.520
<v Speaker 1>Game six, they thought they needed kind of a turbo

0:43:49.640 --> 0:43:52.520
<v Speaker 1>boost early in that game on the road. They knew

0:43:52.560 --> 0:43:55.399
<v Speaker 1>the Lakers would be jazz. They were starting Anthony Davis

0:43:55.440 --> 0:43:58.120
<v Speaker 1>and only lasted a couple of minutes. But Booker was

0:43:58.200 --> 0:44:01.560
<v Speaker 1>aggressive last night, picking and poking and kind of working

0:44:01.680 --> 0:44:04.279
<v Speaker 1>his way. And what did the team need? They didn't

0:44:04.280 --> 0:44:06.719
<v Speaker 1>need him last night. They will, but last night was

0:44:06.800 --> 0:44:09.560
<v Speaker 1>not one of those games. The others filled in perfectly.

0:44:10.200 --> 0:44:12.200
<v Speaker 1>That's what you want to see from your team. And

0:44:12.320 --> 0:44:15.080
<v Speaker 1>that is the beauty of playoffs. Different guy, different night,

0:44:15.200 --> 0:44:19.040
<v Speaker 1>different lineups, and that is why we love watching You

0:44:19.160 --> 0:44:22.040
<v Speaker 1>know that exactly. You've covered him absolutely well. That was

0:44:22.120 --> 0:44:25.719
<v Speaker 1>a great playoff catch up and preview. But now we

0:44:25.800 --> 0:44:27.560
<v Speaker 1>have a little game to play, and Peter, this is

0:44:27.600 --> 0:44:29.640
<v Speaker 1>gonna be a lot of fun. We were My dad

0:44:29.680 --> 0:44:32.040
<v Speaker 1>has no idea what's going on? Let me just say so.

0:44:32.320 --> 0:44:35.040
<v Speaker 1>Peter explained the rules well, and this this I'm looking

0:44:35.120 --> 0:44:37.800
<v Speaker 1>at the instruct the instructions. Don't say there's nothing about this.

0:44:38.160 --> 0:44:40.160
<v Speaker 1>Are you talking about a game? I thought we're just

0:44:40.200 --> 0:44:43.319
<v Speaker 1>gonna talk hoops here. No, no, Peter, you tell him, Peter,

0:44:43.480 --> 0:44:45.040
<v Speaker 1>is this are you up to this? Peter? Was this

0:44:45.160 --> 0:44:47.600
<v Speaker 1>your idea to do? To do this? Here? This is

0:44:47.640 --> 0:44:49.759
<v Speaker 1>a little bit of a little bit of half and

0:44:49.800 --> 0:44:52.920
<v Speaker 1>half of me and Olivia. Okay, so this started. I

0:44:53.040 --> 0:44:55.239
<v Speaker 1>admittedly I am a big fan of yours, and you

0:44:55.360 --> 0:44:59.200
<v Speaker 1>are known for a lot of fantastic quotes ran b A,

0:44:59.360 --> 0:45:01.400
<v Speaker 1>but across a couple of different sports as well. So

0:45:01.680 --> 0:45:04.399
<v Speaker 1>what Olivia thought would be good and myself, I'm gonna

0:45:04.480 --> 0:45:07.279
<v Speaker 1>name a quote, I'm gonna skip out the player or

0:45:07.360 --> 0:45:10.480
<v Speaker 1>whatever it's directly pertaining to. Olivia is going to take

0:45:10.480 --> 0:45:12.000
<v Speaker 1>the first stab at and see if she gets it,

0:45:12.080 --> 0:45:14.120
<v Speaker 1>and then if she doesn't, we're gonna tish it off

0:45:14.160 --> 0:45:15.480
<v Speaker 1>to you and see if you know it. So I

0:45:15.560 --> 0:45:18.960
<v Speaker 1>have five NBA focused questions and then I have two

0:45:19.040 --> 0:45:21.600
<v Speaker 1>that are kind of a little bit more off topic

0:45:21.680 --> 0:45:24.320
<v Speaker 1>from NBA. But we'll go through each of them, okay,

0:45:24.520 --> 0:45:26.040
<v Speaker 1>and I'm going to give you a little preview. I

0:45:26.440 --> 0:45:29.000
<v Speaker 1>do not know these as well as I should. And

0:45:29.080 --> 0:45:31.040
<v Speaker 1>this goes back to when I'd be in school or

0:45:31.080 --> 0:45:33.319
<v Speaker 1>something and my teachers would say, what games your dad

0:45:33.360 --> 0:45:35.480
<v Speaker 1>have this weekend? Where's your dad? I would never know

0:45:35.560 --> 0:45:38.759
<v Speaker 1>because my dad never brings work home. So we I

0:45:39.160 --> 0:45:41.560
<v Speaker 1>don't know as much as I should, and I am

0:45:41.600 --> 0:45:43.160
<v Speaker 1>already embarrassed I'm not going to know a lot of

0:45:43.239 --> 0:45:46.839
<v Speaker 1>these calls, but they are legendary and people have brought

0:45:46.920 --> 0:45:49.279
<v Speaker 1>them to my attention, so I'll try my hardest. And

0:45:49.440 --> 0:45:51.839
<v Speaker 1>I did crowdsource a couple of them with some colleagues too,

0:45:51.920 --> 0:45:54.759
<v Speaker 1>so they're not totally out of the blue, but I

0:45:54.840 --> 0:45:57.440
<v Speaker 1>think these will be fun. Okay, so the first one,

0:45:58.200 --> 0:46:01.239
<v Speaker 1>when you're aerodynamically designed with that hair, do you can

0:46:01.320 --> 0:46:05.880
<v Speaker 1>do those things? Oh God, no idea. I'm waving the

0:46:05.880 --> 0:46:10.040
<v Speaker 1>white flag early dad. That was the birdman in Miami

0:46:10.160 --> 0:46:12.400
<v Speaker 1>against Milwaukee in a playoff game, and he had the

0:46:12.480 --> 0:46:15.320
<v Speaker 1>spiked tear and the heavily tadded arms, the sleeves, he

0:46:15.400 --> 0:46:18.239
<v Speaker 1>had it up through to the jaw line. He was

0:46:18.320 --> 0:46:20.960
<v Speaker 1>painted all over and piercings. I mean like it was

0:46:21.040 --> 0:46:24.960
<v Speaker 1>like everything, Like it was everything you can imagine. But

0:46:25.120 --> 0:46:29.360
<v Speaker 1>the guy was an energizer. He was a rodman like player,

0:46:29.880 --> 0:46:32.560
<v Speaker 1>and he was literally flying all over the place and

0:46:32.680 --> 0:46:34.759
<v Speaker 1>waving his arms and trying to get the crowd. I

0:46:34.880 --> 0:46:37.560
<v Speaker 1>mean like he was leaping and hanging and driving and

0:46:37.719 --> 0:46:40.800
<v Speaker 1>scoring and rebounding and feeding and blocking. I mean like

0:46:40.840 --> 0:46:44.000
<v Speaker 1>he's doing everything. And you know when a guy takes

0:46:44.080 --> 0:46:47.480
<v Speaker 1>over a game like that I kind of lose my mind. Unfortunately,

0:46:47.680 --> 0:46:50.600
<v Speaker 1>it's a shock me still will continue to employ me

0:46:50.920 --> 0:46:52.880
<v Speaker 1>because stuff like that just kind of comes out. But

0:46:52.960 --> 0:46:55.840
<v Speaker 1>I love the game and I love players like that

0:46:56.000 --> 0:47:00.440
<v Speaker 1>that are unique, and he was is unique, and on

0:47:00.520 --> 0:47:04.360
<v Speaker 1>that particular Miami team, he was terrific and really filled

0:47:04.400 --> 0:47:06.400
<v Speaker 1>a niche which you don't find a lot in the NBA.

0:47:06.520 --> 0:47:08.840
<v Speaker 1>But that was the birdman for the Miami Heat. Am

0:47:08.840 --> 0:47:11.399
<v Speaker 1>I right? Peter against Bill walk in a playoff game?

0:47:11.520 --> 0:47:13.480
<v Speaker 1>You are correct? I think that was it. You are correct.

0:47:14.480 --> 0:47:18.279
<v Speaker 1>It's calls like that that as fans entergy. So I

0:47:18.360 --> 0:47:20.480
<v Speaker 1>have a ton of friends that if they know you're

0:47:20.520 --> 0:47:23.480
<v Speaker 1>calling the game, they'll all tune in. So it's you're

0:47:23.520 --> 0:47:27.279
<v Speaker 1>watching in shanity at play? Is what you're watching? Is it? Here?

0:47:27.320 --> 0:47:29.959
<v Speaker 1>We have a guy cracking up on the air. Let's

0:47:30.000 --> 0:47:31.600
<v Speaker 1>let's watch here because we all want to see the

0:47:31.640 --> 0:47:36.200
<v Speaker 1>car wreck right there? It is right there there, it is.

0:47:37.680 --> 0:47:41.960
<v Speaker 1>That's amazing, all right, Olivia number two here? So he

0:47:42.040 --> 0:47:44.680
<v Speaker 1>goes players name and then we just saw a man

0:47:44.840 --> 0:47:49.200
<v Speaker 1>fly ride him? Cowboy? What a play? I know, I've

0:47:49.280 --> 0:47:54.800
<v Speaker 1>heard it. We just saw a man fly Is it Lebron? Nope?

0:47:55.600 --> 0:48:00.120
<v Speaker 1>Give me a hint ten for Nuggets. We just oh

0:48:00.160 --> 0:48:08.840
<v Speaker 1>man fly Denver. I don't know Big Carmelo, No, no, okay,

0:48:08.960 --> 0:48:14.800
<v Speaker 1>what is it? Kevin Well? That was JR. Smith. I

0:48:14.880 --> 0:48:18.600
<v Speaker 1>think it was like a mid season like, oh my god,

0:48:18.680 --> 0:48:20.560
<v Speaker 1>let's get rid of the regular season, let's get to

0:48:20.600 --> 0:48:23.960
<v Speaker 1>the playoffs type of game. We were in Denver, and

0:48:24.040 --> 0:48:26.520
<v Speaker 1>he took off in and around the free throw line

0:48:27.120 --> 0:48:29.040
<v Speaker 1>and kind of about a note place exploding. No, he's

0:48:29.120 --> 0:48:31.400
<v Speaker 1>kind of sneaky athletic. We think of him with threes,

0:48:32.200 --> 0:48:35.320
<v Speaker 1>and Jr. Is gifted, you know, certainly athletically. But he

0:48:35.680 --> 0:48:37.640
<v Speaker 1>took it and it was a two handed dunc as

0:48:37.760 --> 0:48:40.440
<v Speaker 1>Eric called Peter, and took it high and hard and

0:48:40.600 --> 0:48:43.279
<v Speaker 1>came down and the bench, you know, you kind of

0:48:43.320 --> 0:48:45.360
<v Speaker 1>get sometimes as a broadcast, you kind of watch the

0:48:45.440 --> 0:48:49.280
<v Speaker 1>reaction of the bench because those guys see it seven

0:48:49.760 --> 0:48:53.239
<v Speaker 1>they know the guy, know his game, nobody can do

0:48:53.400 --> 0:48:56.560
<v Speaker 1>or can't do. And when the bench exploded, that's usually

0:48:56.600 --> 0:48:58.600
<v Speaker 1>a pretty good sign that maybe you should explode to

0:48:59.440 --> 0:49:02.160
<v Speaker 1>and and I think it was against the Spurs, maybe

0:49:02.160 --> 0:49:06.239
<v Speaker 1>it was it against Santa Antonio Spurs, and he came

0:49:06.320 --> 0:49:10.239
<v Speaker 1>up with just kind of an iconic mid season February

0:49:10.600 --> 0:49:17.000
<v Speaker 1>in Denver regular season dunk. I must have been bored.

0:49:17.280 --> 0:49:20.480
<v Speaker 1>I'm sure I was bored. Okay, I'm over two. We

0:49:20.600 --> 0:49:23.120
<v Speaker 1>gotta we gotta get this better for you. What's your

0:49:23.160 --> 0:49:26.920
<v Speaker 1>what's your third need? Redemption? Third one? This is a

0:49:27.040 --> 0:49:29.319
<v Speaker 1>tough one, I think, but I'll give you hint after

0:49:29.360 --> 0:49:32.040
<v Speaker 1>if you need it. Flight nine is cleared for landing,

0:49:32.520 --> 0:49:35.359
<v Speaker 1>and the nine I'll give you the hint. The nine

0:49:35.480 --> 0:49:40.480
<v Speaker 1>is referencing the player's number number. And another hint, i've

0:49:40.520 --> 0:49:42.920
<v Speaker 1>already said his name in the last ten or fifteen

0:49:42.960 --> 0:49:47.759
<v Speaker 1>minutes that you did. Just how good attention I'm paying

0:49:49.440 --> 0:49:53.160
<v Speaker 1>Finals m v P is was the reference, Olivia. I

0:49:53.200 --> 0:49:55.920
<v Speaker 1>would be disappointed as your father if you knew these.

0:49:56.000 --> 0:49:58.920
<v Speaker 1>I'm so glad you don't. This is the last thing

0:49:59.520 --> 0:50:01.279
<v Speaker 1>you need to be worried about. This is stuff that

0:50:01.360 --> 0:50:03.879
<v Speaker 1>pills your brain that should not be in your head.

0:50:03.960 --> 0:50:07.880
<v Speaker 1>So I'm glad you don't know. Was it recent? No,

0:50:09.520 --> 0:50:14.120
<v Speaker 1>I don't know. Tell me go ahead, Kevin, Well, Peter.

0:50:14.280 --> 0:50:16.440
<v Speaker 1>Was it a playoff game? Am I right? Or was

0:50:16.480 --> 0:50:18.200
<v Speaker 1>it just it? Was it just a game? No? I

0:50:18.239 --> 0:50:20.560
<v Speaker 1>think it was. I think it was a playoff game

0:50:20.600 --> 0:50:24.480
<v Speaker 1>against Chicago. Well, they could have been in Philly because

0:50:24.520 --> 0:50:27.920
<v Speaker 1>it probably got zipped up by the stands. That was

0:50:28.160 --> 0:50:31.800
<v Speaker 1>Andrea Goodall, and and he had come in with another,

0:50:32.000 --> 0:50:35.279
<v Speaker 1>you know, skywalking type of dunk that he would do

0:50:35.440 --> 0:50:37.960
<v Speaker 1>from time to time. He did more of it as

0:50:38.000 --> 0:50:40.320
<v Speaker 1>a young player with the Sixers that he's done it

0:50:40.400 --> 0:50:43.000
<v Speaker 1>certainly as he's aged. But it came in with a

0:50:43.040 --> 0:50:47.080
<v Speaker 1>pretty good dunk and White nine you're clear dre landing

0:50:47.120 --> 0:50:51.640
<v Speaker 1>or whatever. I would ever. Oh, I think my living

0:50:51.719 --> 0:50:56.680
<v Speaker 1>room shook when that happened, right along the base. Well,

0:50:56.800 --> 0:50:59.359
<v Speaker 1>I think we better wrap up with Peter, just since

0:50:59.400 --> 0:51:00.840
<v Speaker 1>I know you do have a list in front of you.

0:51:01.000 --> 0:51:04.760
<v Speaker 1>What would you say is your favorite of the calls? Okay,

0:51:04.880 --> 0:51:08.000
<v Speaker 1>so the j R. Smith one is I think is

0:51:08.239 --> 0:51:10.480
<v Speaker 1>iconic and me and my brother always talk about it.

0:51:11.040 --> 0:51:13.680
<v Speaker 1>I'll give one last one, which is kind of one

0:51:13.719 --> 0:51:16.280
<v Speaker 1>of the funny ones. And I need you to guess

0:51:16.440 --> 0:51:22.839
<v Speaker 1>a part of this. It's so ridiculous. She's embarrassed even

0:51:22.920 --> 0:51:26.160
<v Speaker 1>repeating this is at a I think this is at

0:51:26.200 --> 0:51:28.439
<v Speaker 1>an old Miss. I want to say, an old Miss game,

0:51:28.640 --> 0:51:32.759
<v Speaker 1>college game. Wow, that's way back. So he goes, Kevin

0:51:32.840 --> 0:51:36.640
<v Speaker 1>goes here, here goes baby name she's on top of

0:51:36.719 --> 0:51:39.640
<v Speaker 1>those wonderful Oh look at her move, and she accelerates

0:51:39.680 --> 0:51:42.399
<v Speaker 1>and takes it for the win. It's a baby going

0:51:42.520 --> 0:51:45.440
<v Speaker 1>across the half court line, one of those little halftime shows,

0:51:46.640 --> 0:51:49.680
<v Speaker 1>and the baby crosses the line to the other parents

0:51:49.719 --> 0:51:52.520
<v Speaker 1>and wins. What is the baby's name? And again it's

0:51:52.719 --> 0:51:56.960
<v Speaker 1>it's so but it is iconic that everybody knows it. Dad,

0:51:57.000 --> 0:52:00.480
<v Speaker 1>do you remember the baby's name? I do because it

0:52:00.560 --> 0:52:02.960
<v Speaker 1>was during a commercial. It was not live on the air.

0:52:03.040 --> 0:52:06.320
<v Speaker 1>It was during a commercial, well was it? And we

0:52:06.440 --> 0:52:08.799
<v Speaker 1>were just again it was probably a blowout, and we're

0:52:08.840 --> 0:52:11.799
<v Speaker 1>trying to amuse ourselves. And I think I was working

0:52:11.840 --> 0:52:15.440
<v Speaker 1>with Bill Raftery and they had this baby crawling contest

0:52:15.520 --> 0:52:19.480
<v Speaker 1>at halftime and we were sitting there watching it and

0:52:19.920 --> 0:52:21.880
<v Speaker 1>the crowd was into it, and we started calling the

0:52:22.080 --> 0:52:24.839
<v Speaker 1>play by play of it. I will tell you, I'll

0:52:24.880 --> 0:52:28.359
<v Speaker 1>give you a hand, Olivia, the baby's name was one

0:52:28.400 --> 0:52:34.680
<v Speaker 1>of your sister's names. Have a gil Yeah, and why

0:52:34.840 --> 0:52:40.520
<v Speaker 1>I do not know. Well, that's a good place to have.

0:52:41.760 --> 0:52:44.080
<v Speaker 1>That's a funny one and one i've never heard before.

0:52:44.120 --> 0:52:47.399
<v Speaker 1>I've never heard that story. So that's that's really good. Peter,

0:52:47.680 --> 0:52:51.120
<v Speaker 1>great research, yeah, we might have to have because I

0:52:51.200 --> 0:52:53.719
<v Speaker 1>had a couple of funny ones. I would love to

0:52:53.760 --> 0:52:55.120
<v Speaker 1>do a part two. I would love to have my

0:52:55.239 --> 0:52:57.680
<v Speaker 1>dad back on here because having the two of you, Peter,

0:52:57.760 --> 0:52:59.880
<v Speaker 1>You're a rational I can tell right now. Peter's a

0:53:00.040 --> 0:53:02.719
<v Speaker 1>national And I'm gonna have a leary next time I

0:53:02.800 --> 0:53:07.879
<v Speaker 1>come out with you, if there is next time. Thank

0:53:07.920 --> 0:53:10.399
<v Speaker 1>you so much, Thank you both for joining me today.

0:53:10.440 --> 0:53:20.960
<v Speaker 1>I really enjoyed that segment a lot of fun. Thanks guys, Well,

0:53:21.040 --> 0:53:23.320
<v Speaker 1>that was a lot of fun. Thanks so much everyone

0:53:23.400 --> 0:53:26.359
<v Speaker 1>for listening, and remember for all future episodes, just listen

0:53:26.440 --> 0:53:29.600
<v Speaker 1>wherever you find podcasts, rate and review, and make sure

0:53:29.640 --> 0:53:31.239
<v Speaker 1>you stick around with us because we're having a lot

0:53:31.280 --> 0:53:33.080
<v Speaker 1>of fun, have a lot of cool guests coming up.

0:53:33.320 --> 0:53:35.839
<v Speaker 1>So Dad, if anyone wanted to keep up with bet

0:53:35.960 --> 0:53:39.279
<v Speaker 1>MGM content, where would they go? Well, first of all,

0:53:39.520 --> 0:53:43.239
<v Speaker 1>don't follow me. Follow at MGM. That's what I do.

0:53:43.920 --> 0:53:46.120
<v Speaker 1>You got it. Thanks so much for listening to everyone,

0:53:46.200 --> 0:53:46.919
<v Speaker 1>See you next week.