1 00:00:03,760 --> 00:00:08,400 Speaker 1: Ring, Rang, Ring, Ring, Ring, Ring Ring. 2 00:00:08,440 --> 00:00:11,520 Speaker 2: Oh no, I said six. Well, that is so messed 3 00:00:11,600 --> 00:00:11,960 Speaker 2: up of me. 4 00:00:13,240 --> 00:00:16,160 Speaker 1: On the night of my son's wedding on the night 5 00:00:16,239 --> 00:00:20,079 Speaker 1: before the opening ceremony of the Paris Olympics in twenty twenty. 6 00:00:19,840 --> 00:00:23,880 Speaker 2: Four, I've completely blown it. I said six rings when 7 00:00:23,920 --> 00:00:26,120 Speaker 2: this is famously two guys, five rings. 8 00:00:26,520 --> 00:00:29,000 Speaker 1: Let's take it again, Yeah, let's take it again. 9 00:00:28,800 --> 00:00:38,040 Speaker 2: Reddy ring Ring Ring Ring Lang. Way, I have the yips. 10 00:00:38,720 --> 00:00:40,839 Speaker 1: You've got the yips. But I think maybe you are 11 00:00:42,240 --> 00:00:44,479 Speaker 1: just just answer the question odds or evens? 12 00:00:45,120 --> 00:00:47,559 Speaker 2: Oh my god, oh Evans. I think I'm even. 13 00:00:47,440 --> 00:00:49,839 Speaker 1: Said, there you go, and are you odds? You know, 14 00:00:49,920 --> 00:00:51,400 Speaker 1: in my past I would have said evans, but in 15 00:00:51,479 --> 00:00:54,440 Speaker 1: my maturity, I would say odds. And I think you're 16 00:00:54,480 --> 00:00:56,640 Speaker 1: an evens guy. And so that's why you said it 17 00:00:56,720 --> 00:00:57,720 Speaker 1: six times in five. 18 00:00:57,960 --> 00:01:00,440 Speaker 2: I mean, I have one number to two down my 19 00:01:00,520 --> 00:01:03,480 Speaker 2: body and it is an even number, even number, So 20 00:01:03,560 --> 00:01:05,320 Speaker 2: you know what I mean. I feel like I feel 21 00:01:05,360 --> 00:01:08,919 Speaker 2: like I am very attracted to things that divide. 22 00:01:08,680 --> 00:01:12,880 Speaker 1: Cleanly, and I like something that has a center. 23 00:01:13,240 --> 00:01:18,200 Speaker 2: You love mess, I love mess. You love it's challengers coded, 24 00:01:18,800 --> 00:01:23,160 Speaker 2: I mean, yeah, it's challengers coded one two, three you, Brittany, 25 00:01:24,040 --> 00:01:27,360 Speaker 2: not only you and me. Honestly, you know who's in 26 00:01:27,440 --> 00:01:32,360 Speaker 2: my camp fiance famous even numbered queen for for what else? 27 00:01:32,920 --> 00:01:41,080 Speaker 2: Eight eight? Because she ate that? Well, I guess, I guess, yes, exactly, 28 00:01:41,120 --> 00:01:42,160 Speaker 2: that's exactly how it meant it. 29 00:01:43,000 --> 00:01:43,600 Speaker 1: What did you mean? 30 00:01:44,240 --> 00:01:46,000 Speaker 2: Well, remember at the end of Get My Body, she 31 00:01:46,080 --> 00:01:51,240 Speaker 2: goes nine four eight one b DA, And I was 32 00:01:51,280 --> 00:01:52,800 Speaker 2: going to sort of use that as an example, but 33 00:01:52,880 --> 00:01:55,800 Speaker 2: there's actually equal part even and odd numbers in that, 34 00:01:55,960 --> 00:01:57,400 Speaker 2: so it would not be the case. 35 00:01:57,560 --> 00:01:59,400 Speaker 1: So then that, no, it does help your case because 36 00:01:59,440 --> 00:02:02,760 Speaker 1: she didn't even number of both. Oh wow, interesting, See 37 00:02:02,840 --> 00:02:06,040 Speaker 1: this is what I'm saying. You think about things from 38 00:02:06,080 --> 00:02:08,960 Speaker 1: a way that would suggest you have a greater mind 39 00:02:09,080 --> 00:02:12,840 Speaker 1: than the rest of a beautiful mind, even like Russell Crowe. Oh, 40 00:02:13,000 --> 00:02:15,760 Speaker 1: let's hope not because that man was troubled. 41 00:02:22,440 --> 00:02:24,519 Speaker 2: Are you doing the soundtrack of a beautiful mind? 42 00:02:24,960 --> 00:02:28,079 Speaker 1: And it's really ingrained? Because you know, what was my 43 00:02:28,200 --> 00:02:32,639 Speaker 1: first starring role? What my sister in the eighth grade 44 00:02:32,800 --> 00:02:37,320 Speaker 1: made a film quote unquote from her clack. I don't 45 00:02:37,320 --> 00:02:38,960 Speaker 1: know she was, she was just she made. She made 46 00:02:39,120 --> 00:02:41,919 Speaker 1: She was a filmmaker. She wrote a film that was 47 00:02:42,000 --> 00:02:44,520 Speaker 1: kind of like a beautiful Mind meets the miracle Worker. 48 00:02:45,120 --> 00:02:45,720 Speaker 2: Oh my god. 49 00:02:46,200 --> 00:02:49,920 Speaker 1: But it was called an Unbeautiful Mind, and I played 50 00:02:50,840 --> 00:02:55,760 Speaker 1: a very troubled child. And there was like an Anne 51 00:02:55,840 --> 00:02:59,920 Speaker 1: Bancroft kind of like person who came in played by 52 00:03:00,040 --> 00:03:03,440 Speaker 1: Rachel Pontius, one of my sister's friends. Uh huh. And 53 00:03:03,520 --> 00:03:05,240 Speaker 1: it was just this whole like there was a scene 54 00:03:05,240 --> 00:03:06,959 Speaker 1: where I ate cereal without a spoon. 55 00:03:07,760 --> 00:03:08,760 Speaker 2: That's so troubled. 56 00:03:09,560 --> 00:03:11,440 Speaker 1: It was very It was a very tough role. 57 00:03:11,639 --> 00:03:14,200 Speaker 2: You clearly were disturbed. Did you throw yourself into it? 58 00:03:14,240 --> 00:03:16,880 Speaker 2: Were you method? Were you being a rascal? I was? 59 00:03:17,040 --> 00:03:19,000 Speaker 1: I mean that that was a whole day shoot. And 60 00:03:20,880 --> 00:03:25,040 Speaker 1: I really I didn't know what first team second team was, like, 61 00:03:25,120 --> 00:03:27,679 Speaker 1: I really did. I did not even really know what 62 00:03:27,840 --> 00:03:30,040 Speaker 1: you were doing. I mean, you never know how to 63 00:03:30,160 --> 00:03:32,720 Speaker 1: perform your show up in either it's like crackling or 64 00:03:32,760 --> 00:03:35,960 Speaker 1: it's not. And it sounds like your performance was crackling. 65 00:03:36,000 --> 00:03:38,080 Speaker 1: And we clearly know that you would go on to 66 00:03:38,200 --> 00:03:41,320 Speaker 1: develop your talent so that audiences worldwide could share in it. 67 00:03:41,560 --> 00:03:44,200 Speaker 1: And girl, I'm sorry, are you talking about your own trajectory, 68 00:03:44,240 --> 00:03:46,120 Speaker 1: because I think you've done exactly the same. 69 00:03:46,680 --> 00:03:49,000 Speaker 2: I don't like this thing or I don't. It's not 70 00:03:49,080 --> 00:03:50,840 Speaker 2: that I don't like it. I don't want you to 71 00:03:50,920 --> 00:03:54,720 Speaker 2: feel the need to, but I feel I don't like 72 00:03:54,840 --> 00:03:56,640 Speaker 2: this is your moment. I don't feel. 73 00:03:56,520 --> 00:04:00,640 Speaker 1: Anything except the equivalent sentiment. You know how I feel 74 00:04:00,640 --> 00:04:02,760 Speaker 1: about you and your work and the way you show 75 00:04:02,880 --> 00:04:05,960 Speaker 1: up and show out every day. You are one of 76 00:04:06,000 --> 00:04:06,920 Speaker 1: the great talents. 77 00:04:07,160 --> 00:04:11,800 Speaker 2: Thank you for saying this. It moves me. I want 78 00:04:11,840 --> 00:04:13,520 Speaker 2: to know. So you are someone who did a lot 79 00:04:13,560 --> 00:04:16,080 Speaker 2: of home videos as a kid. You yang, you got 80 00:04:16,200 --> 00:04:16,720 Speaker 2: you got to it? 81 00:04:16,880 --> 00:04:22,080 Speaker 1: Not really? Well, God, yeah, my away message on aim 82 00:04:22,160 --> 00:04:25,560 Speaker 1: for a little bit after I had like developed a 83 00:04:25,640 --> 00:04:29,360 Speaker 1: sort of filmography as it were, at school, I announced 84 00:04:29,360 --> 00:04:31,000 Speaker 1: to be a way message that I was working on 85 00:04:31,080 --> 00:04:33,520 Speaker 1: a film called Varsity Chicks that was going to be 86 00:04:33,560 --> 00:04:36,640 Speaker 1: about cheerleaders, and I like designed the fonts and like, 87 00:04:36,760 --> 00:04:39,200 Speaker 1: I like, I like really graphic design. 88 00:04:39,360 --> 00:04:41,800 Speaker 2: This this is this is a huge tip to what 89 00:04:41,920 --> 00:04:42,480 Speaker 2: you would become. 90 00:04:42,880 --> 00:04:46,320 Speaker 1: Well, it was like, it's so my thing now my 91 00:04:46,480 --> 00:04:49,880 Speaker 1: bag now, which is to publicize and announce the project 92 00:04:49,920 --> 00:04:51,480 Speaker 1: that I'm doing and then never follow through on it. 93 00:04:51,839 --> 00:04:54,160 Speaker 2: I can't remember the last time that that happened with you. 94 00:04:54,760 --> 00:04:57,440 Speaker 2: I think that you're now that's where you again, you're 95 00:04:57,560 --> 00:05:01,400 Speaker 2: casting aspersion on this narrative when they're be any. Every 96 00:05:01,520 --> 00:05:05,039 Speaker 2: time we've announced something, it has come to fruish. We've 97 00:05:05,080 --> 00:05:06,520 Speaker 2: never canceled the show, I. 98 00:05:06,640 --> 00:05:11,440 Speaker 1: Know, but I've like I've canceled like my screenplay ideas. 99 00:05:11,600 --> 00:05:13,880 Speaker 2: Oh okay, well that's just private. I mean we all 100 00:05:13,960 --> 00:05:14,920 Speaker 2: do that, I know. 101 00:05:15,320 --> 00:05:18,200 Speaker 1: Still I feel a little something. I'm like, oh, man, 102 00:05:18,279 --> 00:05:19,760 Speaker 1: I didn't I didn't do that. 103 00:05:20,320 --> 00:05:22,200 Speaker 2: We can't talk about this, but in terms of the 104 00:05:22,240 --> 00:05:24,520 Speaker 2: stuff that has materialized, like I wonder, like, do you 105 00:05:24,560 --> 00:05:26,920 Speaker 2: ever have you rewatched any of the videos that you 106 00:05:27,000 --> 00:05:28,880 Speaker 2: did as a kid, and do you ever think, wow, 107 00:05:29,040 --> 00:05:30,000 Speaker 2: my tour? 108 00:05:30,839 --> 00:05:32,840 Speaker 1: No, I have no interest. Oh my god, I have 109 00:05:33,000 --> 00:05:35,640 Speaker 1: like really put that away. 110 00:05:36,200 --> 00:05:38,360 Speaker 2: There's one video that we did when we were kids. 111 00:05:38,600 --> 00:05:40,160 Speaker 2: By the way, this is a her getting back to 112 00:05:40,200 --> 00:05:42,760 Speaker 2: the last episode. I did recreate the entire music video 113 00:05:42,839 --> 00:05:44,920 Speaker 2: to behind Me Seselies with my cousin Michael. I was 114 00:05:44,960 --> 00:05:46,680 Speaker 2: the star and he was the director. And yes, I 115 00:05:46,760 --> 00:05:49,960 Speaker 2: did run through a sprinkler and throw myself in the pool. 116 00:05:49,720 --> 00:05:50,160 Speaker 1: At the end. 117 00:05:51,279 --> 00:05:55,880 Speaker 2: Okay, now, okay, it's true. It's true. The rumors are 118 00:05:55,960 --> 00:06:00,480 Speaker 2: out there. The like sympathy is a knife, like everyone 119 00:06:00,600 --> 00:06:02,719 Speaker 2: is trying to get me like it's true. Okay, I'll 120 00:06:02,720 --> 00:06:06,320 Speaker 2: come out and say it. I did that, you did that, 121 00:06:06,600 --> 00:06:08,480 Speaker 2: But that is not the one I'm talking about. We 122 00:06:08,600 --> 00:06:12,760 Speaker 2: did a short film called The Spy You and Michael, Yeah, well, 123 00:06:12,800 --> 00:06:14,280 Speaker 2: I have to show you. It's what I have to 124 00:06:14,320 --> 00:06:16,000 Speaker 2: find it it is and Chelsea's in it too, my 125 00:06:16,080 --> 00:06:18,400 Speaker 2: little sister. But I have a scene where I talk 126 00:06:18,440 --> 00:06:21,360 Speaker 2: on the phone to someone off screen. I talk on 127 00:06:21,400 --> 00:06:25,720 Speaker 2: the phone some of the most natural talking on the 128 00:06:25,800 --> 00:06:29,000 Speaker 2: phone and high intensity and like it was. I watched it. 129 00:06:29,080 --> 00:06:30,800 Speaker 2: I remember watching it with all my aunts and my 130 00:06:30,839 --> 00:06:33,520 Speaker 2: Aunta Laine turned to my aunt Laurie and said, he's 131 00:06:33,600 --> 00:06:34,200 Speaker 2: actually good. 132 00:06:34,760 --> 00:06:36,599 Speaker 1: Ah, I'm sure. 133 00:06:37,400 --> 00:06:39,159 Speaker 2: It was the first time I realized I had something 134 00:06:39,440 --> 00:06:41,120 Speaker 2: I could have been in twenty four. I wanted to 135 00:06:41,200 --> 00:06:43,320 Speaker 2: be on the show twenty four so bad. That was 136 00:06:43,360 --> 00:06:45,960 Speaker 2: what informed the Spy film. I wanted to keep. For 137 00:06:46,080 --> 00:06:49,160 Speaker 2: Sutherland to get me in a choke cold, throw me 138 00:06:49,279 --> 00:06:53,000 Speaker 2: up against the wall and scream wherrishy. I wanted that 139 00:06:53,200 --> 00:06:56,880 Speaker 2: more than and for me to respond, oh, I don't know, 140 00:06:57,520 --> 00:06:59,200 Speaker 2: and then him like choked me hard and be like 141 00:06:59,440 --> 00:07:04,680 Speaker 2: eh it Like Mikhael took her, but you'll be too late. 142 00:07:04,760 --> 00:07:06,480 Speaker 2: And then I take a cyanide pill and die and 143 00:07:06,520 --> 00:07:09,440 Speaker 2: they cut to their commercial like, dun't dun, doun't dun, 144 00:07:09,880 --> 00:07:11,760 Speaker 2: dun't dun, and you never see me again. 145 00:07:14,000 --> 00:07:18,320 Speaker 1: Let's start the campaign. That's what I wanted more than anything, 146 00:07:18,640 --> 00:07:20,400 Speaker 1: and I think part of you still wants it. 147 00:07:21,880 --> 00:07:26,280 Speaker 2: So bad. I want to be a morally compromised character 148 00:07:27,040 --> 00:07:30,920 Speaker 2: that Kei for Sutherland, screams at and physically intimidates in 149 00:07:31,320 --> 00:07:32,560 Speaker 2: such a major way. 150 00:07:33,080 --> 00:07:37,600 Speaker 1: But the phone call is giving me like Liam Neeson vibes, 151 00:07:37,760 --> 00:07:41,160 Speaker 1: maybe Jason Statham like like just really. 152 00:07:42,760 --> 00:07:54,800 Speaker 3: Oh oh wow, hell, yes, yes, got it, thank you, I. 153 00:07:54,960 --> 00:07:57,000 Speaker 2: Just did it. And podcasts are individual medium. 154 00:07:57,040 --> 00:08:00,520 Speaker 1: But that was okay. So now I got three things. 155 00:08:00,680 --> 00:08:05,640 Speaker 1: It's Liam Neeson, Jason Statham, Sandra owned the Princess Diaries. 156 00:08:06,920 --> 00:08:12,120 Speaker 1: Got mm hm m hm. The Queen is coming to 157 00:08:12,240 --> 00:08:12,920 Speaker 1: govis coming. 158 00:08:15,240 --> 00:08:18,760 Speaker 2: She's should have been a nomination. 159 00:08:19,280 --> 00:08:25,520 Speaker 1: Also, I think that what you're describing in the twenty 160 00:08:25,600 --> 00:08:29,280 Speaker 1: four fantasy for yourself, it reminds me of that one 161 00:08:29,320 --> 00:08:31,400 Speaker 1: guy who made a meal out of two or three 162 00:08:31,440 --> 00:08:34,719 Speaker 1: lines in Charlie's Angels, the first movie, the guy who 163 00:08:34,880 --> 00:08:37,839 Speaker 1: tries to kill Cameron Diaz at the club, at the 164 00:08:37,920 --> 00:08:41,800 Speaker 1: Soul Training Club. Mm hmmm, and she like hasn't hasn't 165 00:08:42,120 --> 00:08:46,000 Speaker 1: is choking him with her heel yep, who sent you? 166 00:08:47,200 --> 00:08:51,960 Speaker 2: What? Who? Vivian Wood, bitch? 167 00:08:52,880 --> 00:08:55,480 Speaker 1: And then she like Roundhouse kicks him, but he slayd 168 00:08:55,520 --> 00:08:56,280 Speaker 1: his lines. 169 00:08:56,520 --> 00:08:58,040 Speaker 2: Killed it. Vivian Wood. 170 00:09:00,080 --> 00:09:01,000 Speaker 1: It spits out class. 171 00:09:01,200 --> 00:09:03,160 Speaker 2: Oh my god, what a great film, just the best, 172 00:09:03,440 --> 00:09:05,480 Speaker 2: the best. I really like talking about these early filming 173 00:09:05,559 --> 00:09:08,440 Speaker 2: experiences because you almost could say, Bo that these were 174 00:09:08,960 --> 00:09:13,160 Speaker 2: in terms of our artistic lives. And that's how we 175 00:09:13,240 --> 00:09:15,959 Speaker 2: bring it back to Paris. And we always bring it 176 00:09:16,000 --> 00:09:17,760 Speaker 2: back to Paris on this podcast, even if we only 177 00:09:17,800 --> 00:09:19,960 Speaker 2: stay on Paris at that point for about three minutes, 178 00:09:20,280 --> 00:09:21,240 Speaker 2: but we always bring it back. 179 00:09:21,360 --> 00:09:23,040 Speaker 1: But we always bring it back. So now we're past 180 00:09:23,080 --> 00:09:25,360 Speaker 1: the two guys portion of the podcast. We are firmly 181 00:09:25,440 --> 00:09:27,840 Speaker 1: in five Rings territory. When we come back, we are 182 00:09:27,920 --> 00:09:33,040 Speaker 1: talking all about the Paris Opening ceremonies and opening ceremonies. 183 00:09:32,480 --> 00:09:45,880 Speaker 2: Of old, and we're back Bo. It's tightly held secret 184 00:09:45,920 --> 00:09:48,800 Speaker 2: what's going to happen tomorrow at the opening ceremonies. Literally, 185 00:09:48,920 --> 00:09:51,880 Speaker 2: even our trust that NBC researchers and people behind the curtain. 186 00:09:52,040 --> 00:09:54,960 Speaker 2: Yes we have them. They could not tell us a thing. 187 00:09:55,040 --> 00:09:56,880 Speaker 2: I don't even know if they know. So maybe we 188 00:09:57,000 --> 00:09:59,640 Speaker 2: make some educated guesses about what's in store, like what 189 00:09:59,679 --> 00:10:01,680 Speaker 2: do you think thinking? What do you want to see 190 00:10:02,120 --> 00:10:04,480 Speaker 2: light Paris up on opening night? 191 00:10:04,840 --> 00:10:06,959 Speaker 1: I well as what we do know is that it 192 00:10:07,000 --> 00:10:09,960 Speaker 1: will be outside. It will not be limited to a stadium, 193 00:10:10,080 --> 00:10:12,959 Speaker 1: it will be along the send. I'm hoping that we 194 00:10:13,160 --> 00:10:16,760 Speaker 1: get much like the nineteen eighty nine Oscars produced by 195 00:10:16,800 --> 00:10:19,559 Speaker 1: Alan Carr, in which snow White shows up out of 196 00:10:19,640 --> 00:10:23,959 Speaker 1: nowhere for no reason. I want Bell, for good reason, 197 00:10:24,080 --> 00:10:26,679 Speaker 1: to show up and think about how provincial of the 198 00:10:26,760 --> 00:10:28,800 Speaker 1: life she has. There must be more of this provincial life. 199 00:10:29,160 --> 00:10:32,880 Speaker 2: Yeah, I would love Bell to sort of kick off 200 00:10:33,080 --> 00:10:37,079 Speaker 2: the ceremony with something that's really about France, which is 201 00:10:37,960 --> 00:10:40,920 Speaker 2: getting in the beast of that song, that provincial life. 202 00:10:41,400 --> 00:10:44,679 Speaker 2: Bringing that to the large stage of the Olympics, I 203 00:10:44,720 --> 00:10:49,360 Speaker 2: think would unite those across political boundaries. And we're not 204 00:10:49,480 --> 00:10:51,400 Speaker 2: here to talk about politics, but I'm going to imagine 205 00:10:51,440 --> 00:10:54,360 Speaker 2: I also have it in Paris, and I'm going to 206 00:10:54,440 --> 00:10:57,120 Speaker 2: imagine that things are very difficult there because I feel 207 00:10:57,240 --> 00:11:01,520 Speaker 2: like nowhere politics is good. So I'm gonna assume comparison 208 00:11:01,760 --> 00:11:04,400 Speaker 2: A has politics and B needs to heal from it. 209 00:11:04,880 --> 00:11:07,280 Speaker 2: And I think that Belle could really speak to that. 210 00:11:08,080 --> 00:11:10,520 Speaker 1: I think Belle could really speak to that. And I 211 00:11:11,120 --> 00:11:16,000 Speaker 1: just want, here's my casting for bell at the opening ceremony. 212 00:11:17,559 --> 00:11:20,200 Speaker 1: And I know she's not French. Kirsten Dunst. 213 00:11:20,600 --> 00:11:22,560 Speaker 2: We've seen her play Marion and out, we've seen her 214 00:11:22,679 --> 00:11:23,440 Speaker 2: play French. 215 00:11:24,120 --> 00:11:27,840 Speaker 1: And that's enough. So that's my prediction so far. Let's 216 00:11:27,880 --> 00:11:30,880 Speaker 1: just keep bouncing back and forth anything anything you are 217 00:11:30,920 --> 00:11:32,079 Speaker 1: hoping to see your predictacy. 218 00:11:33,880 --> 00:11:36,400 Speaker 2: I mean, you know, I feel like if we're to 219 00:11:36,520 --> 00:11:39,160 Speaker 2: think about our great moments in history when it comes 220 00:11:39,200 --> 00:11:41,599 Speaker 2: to opening ceremonies, I of course think of something I 221 00:11:41,640 --> 00:11:43,760 Speaker 2: can recently remember, which was the Spice Girls coming out 222 00:11:43,800 --> 00:11:44,199 Speaker 2: in London. 223 00:11:44,760 --> 00:11:48,240 Speaker 1: That was closing closing, Wow. 224 00:11:48,840 --> 00:11:51,000 Speaker 2: Okay, well, then then retract all of what I said 225 00:11:51,080 --> 00:11:53,040 Speaker 2: and pretend I said it on a later episode that 226 00:11:53,120 --> 00:11:55,679 Speaker 2: covers the closing ceremony. In fact, we'll just copy paste it. 227 00:11:56,120 --> 00:11:58,360 Speaker 2: When the Spice Girls came out in London, like in 228 00:11:58,480 --> 00:12:02,280 Speaker 2: all truth here, that was a moment in culture for me. 229 00:12:02,559 --> 00:12:05,679 Speaker 2: It really made me happy when they wrote out on 230 00:12:06,200 --> 00:12:08,200 Speaker 2: the cars and they were on top of the cars 231 00:12:08,240 --> 00:12:10,600 Speaker 2: and they sang Spice Up Your Life and they came 232 00:12:10,640 --> 00:12:14,719 Speaker 2: out and like themed you know, London town cars and 233 00:12:15,559 --> 00:12:18,400 Speaker 2: ate it up. So I'm thinking, what's the Paris version 234 00:12:18,440 --> 00:12:19,640 Speaker 2: of the Spice Girls. 235 00:12:19,679 --> 00:12:20,520 Speaker 1: At Lily Collins? 236 00:12:21,040 --> 00:12:23,560 Speaker 2: Yeah, Lily Collins, Lily Collins and. 237 00:12:23,600 --> 00:12:26,640 Speaker 1: The cast of Emily in Paris, that is the French equivalent. 238 00:12:27,000 --> 00:12:29,160 Speaker 2: That will have to be what we get? 239 00:12:29,640 --> 00:12:33,840 Speaker 1: Or what if Carrie and the Russian Night in Paris? 240 00:12:34,000 --> 00:12:38,120 Speaker 1: Oh my god, right Petrov burst of Kov It's burst 241 00:12:38,200 --> 00:12:38,480 Speaker 1: of CoV. 242 00:12:38,880 --> 00:12:40,920 Speaker 2: Yeah, yes, Alexander Petrowski, Oh. 243 00:12:40,840 --> 00:12:46,199 Speaker 1: My god, that would be so cool. I think I 244 00:12:46,320 --> 00:12:50,000 Speaker 1: want to see Gaga singing Le'Veon Rose. 245 00:12:50,640 --> 00:12:53,640 Speaker 2: I would love Gaga in any capacity. I don't know. 246 00:12:54,000 --> 00:12:56,920 Speaker 2: Maybe you know what, joker, folio, do you know what? Wait? 247 00:12:57,040 --> 00:13:00,240 Speaker 2: Are we onto something here? Could Gaga appear at the Olympic. 248 00:13:00,960 --> 00:13:02,920 Speaker 1: As Harley Quinn, whoa. 249 00:13:04,640 --> 00:13:05,920 Speaker 2: Doesn't get more French. 250 00:13:06,320 --> 00:13:07,520 Speaker 1: Doesn't get more French than that? 251 00:13:08,040 --> 00:13:10,400 Speaker 2: I don't think we're ready for. How scary, joke erfolio, 252 00:13:10,520 --> 00:13:12,439 Speaker 2: do it is going to be? Think about Gaga unleash 253 00:13:12,720 --> 00:13:14,360 Speaker 2: musically and psychotically. 254 00:13:15,280 --> 00:13:18,959 Speaker 1: We can't talk about the Olympics for more than like 255 00:13:19,280 --> 00:13:20,040 Speaker 1: two minutes. 256 00:13:22,840 --> 00:13:26,800 Speaker 2: They knew what they were getting. And look, people love 257 00:13:26,840 --> 00:13:29,760 Speaker 2: the podcast as a cultural institution. Everyone's talking about it. 258 00:13:30,080 --> 00:13:34,800 Speaker 2: It's on everyone's lips. Should we talk about some great 259 00:13:34,840 --> 00:13:38,400 Speaker 2: moments in Olympic opening ceremony history. I mean there's been 260 00:13:38,520 --> 00:13:38,920 Speaker 2: quite a bit. 261 00:13:39,240 --> 00:13:43,199 Speaker 1: There's been quite a bit, I would say, So let's 262 00:13:43,320 --> 00:13:46,120 Speaker 1: just start off with I remember when I where I 263 00:13:46,400 --> 00:13:49,720 Speaker 1: was and how I felt when eight Asian Olympics opening 264 00:13:49,760 --> 00:13:53,160 Speaker 1: ceremony happened. Yeah, that was a wild one. They had 265 00:13:53,200 --> 00:13:54,520 Speaker 1: two thousand and eight of everything. So they had two 266 00:13:54,520 --> 00:13:56,200 Speaker 1: thousand and eight drummers in the beginning, they had two 267 00:13:56,200 --> 00:13:58,679 Speaker 1: thousand and eight tiles in this printing press where it 268 00:13:58,800 --> 00:14:01,880 Speaker 1: was actual people on like pushing each It wasn't like 269 00:14:01,920 --> 00:14:06,760 Speaker 1: a machine. It was all like manual labor, just on 270 00:14:06,840 --> 00:14:10,280 Speaker 1: a grandeur on a scale level like that is I 271 00:14:10,320 --> 00:14:12,600 Speaker 1: think one of the more impressive. 272 00:14:12,200 --> 00:14:14,160 Speaker 2: Ones absolutely, That was. 273 00:14:15,640 --> 00:14:18,920 Speaker 1: Sarah Brighton, I think singing a song with a Chinese singer. 274 00:14:19,960 --> 00:14:22,760 Speaker 1: They sang something, but that's when I was like, that's 275 00:14:23,480 --> 00:14:27,120 Speaker 1: Sarah Brightman, like like Phantom of the Opera. Wow, the 276 00:14:27,200 --> 00:14:28,600 Speaker 1: original Christine. 277 00:14:28,200 --> 00:14:31,400 Speaker 2: Wow came out and carried at the Beijing Olympics opening ceremony. 278 00:14:31,320 --> 00:14:34,080 Speaker 1: For whatever reason she was in Beijing. Our Christine was 279 00:14:34,120 --> 00:14:34,560 Speaker 1: in Beijing. 280 00:14:34,760 --> 00:14:37,200 Speaker 2: I get it, though, so I guess Beijing kind of 281 00:14:37,240 --> 00:14:37,720 Speaker 2: went all out. 282 00:14:37,760 --> 00:14:41,080 Speaker 1: They went very extra, They went extra absolutely. 283 00:14:41,320 --> 00:14:43,400 Speaker 2: Do you remember the Queen Elizabeth the second skit with 284 00:14:43,520 --> 00:14:46,200 Speaker 2: James Bond aka Daniel Craig at the twenty twelve London 285 00:14:46,240 --> 00:14:49,400 Speaker 2: Olympics opening ceremony, because a queen look alike fully jumped 286 00:14:49,400 --> 00:14:52,880 Speaker 2: out of a plane and the actual queen arrived wearing 287 00:14:52,960 --> 00:14:55,720 Speaker 2: the same peach color dress. She actually was down to 288 00:14:55,800 --> 00:14:58,640 Speaker 2: clown that Queen Elizabeth. I think we're not giving her 289 00:14:58,800 --> 00:15:01,720 Speaker 2: enough credit for how she held together with the royal 290 00:15:01,760 --> 00:15:04,000 Speaker 2: family because Loki look at them now, and that's not 291 00:15:04,120 --> 00:15:06,600 Speaker 2: slander because we're talking about the Paris Olympics. This isn't 292 00:15:06,640 --> 00:15:09,360 Speaker 2: the London Olympics, where I'm sure we'd have way more decorum. 293 00:15:09,440 --> 00:15:13,760 Speaker 2: Maybe maybe not. But she also had a sense of humor. 294 00:15:14,840 --> 00:15:17,280 Speaker 1: She had a sense of humor. Where's the Crown episode 295 00:15:17,320 --> 00:15:19,960 Speaker 1: on that? About how funny she was, well, not only 296 00:15:20,000 --> 00:15:22,640 Speaker 1: about how funny she was, but also about the opening ceremony. 297 00:15:23,000 --> 00:15:23,200 Speaker 2: Hmm. 298 00:15:24,040 --> 00:15:29,880 Speaker 1: I want her meeting Daniel them discussing, yeah, what it's 299 00:15:29,920 --> 00:15:31,160 Speaker 1: gonna be like on the day I just want to 300 00:15:31,200 --> 00:15:33,840 Speaker 1: hear Queen Elizabeth the iond say on. 301 00:15:33,960 --> 00:15:37,360 Speaker 3: The day, I'll do it on the day. 302 00:15:38,600 --> 00:15:40,480 Speaker 2: I don't know why I'm talking, Like, is that Adele, 303 00:15:40,600 --> 00:15:41,520 Speaker 2: I'll do it on the day. 304 00:15:41,960 --> 00:15:42,400 Speaker 1: That's good. 305 00:15:42,760 --> 00:15:43,880 Speaker 2: On the day. You'll be better. 306 00:15:44,360 --> 00:15:46,400 Speaker 1: Now you have an Adele and a ray. Now that 307 00:15:46,560 --> 00:15:48,720 Speaker 1: ray is becoming more of a more, more of a. 308 00:15:49,200 --> 00:15:53,840 Speaker 2: Ray, more like like ray less bothered than a doe. 309 00:15:54,560 --> 00:15:57,120 Speaker 2: Day was up here, raise more down here. 310 00:15:57,240 --> 00:16:03,200 Speaker 1: Raise down here. I can't believe I'm snl. That's what 311 00:16:03,320 --> 00:16:03,760 Speaker 1: she said to me. 312 00:16:04,480 --> 00:16:07,760 Speaker 2: She said, it's so cute, it's amazing. 313 00:16:08,080 --> 00:16:09,560 Speaker 1: I can't believe I'm amazing. 314 00:16:09,880 --> 00:16:17,240 Speaker 2: I can't believe I'm sn ol so amazing. I've never 315 00:16:17,400 --> 00:16:21,160 Speaker 2: dreamed this spake you were when I was a young girl, 316 00:16:21,800 --> 00:16:24,520 Speaker 2: I never thought I could dream this spike. 317 00:16:25,040 --> 00:16:28,760 Speaker 1: You're so good at accents. I'm getting a horny from you. 318 00:16:30,520 --> 00:16:33,400 Speaker 2: Don't don't don't horny in the middle of the day, 319 00:16:34,480 --> 00:16:37,080 Speaker 2: getting horny, because then the whole day goes. When you're 320 00:16:37,080 --> 00:16:40,560 Speaker 2: getting horny too early, honey, honey, then you're you're just 321 00:16:40,680 --> 00:16:45,680 Speaker 2: empty the rest of the day. Did they tell us 322 00:16:45,800 --> 00:16:48,600 Speaker 2: at the when we started recording this, like, hey, don't curse. 323 00:16:49,440 --> 00:16:51,960 Speaker 1: I I don't think they did, and I think it's okay. 324 00:16:52,680 --> 00:16:54,400 Speaker 1: I think they did say that they might bleep us. 325 00:16:55,200 --> 00:16:57,280 Speaker 2: Well that's fine. I kind of think a bleep as 326 00:16:57,320 --> 00:17:00,520 Speaker 2: she I think blea takes me back, bleeps me back 327 00:17:00,560 --> 00:17:04,240 Speaker 2: to like, you know, hell television. Yeah, like like you 328 00:17:04,280 --> 00:17:06,560 Speaker 2: know what I mean? And hearing that bleep so totaling 329 00:17:06,680 --> 00:17:10,080 Speaker 2: talk about getting horny? What was the word? Your body thinks? Right? 330 00:17:10,160 --> 00:17:12,600 Speaker 1: Well, talk about linear TV. And this is the Olympics. 331 00:17:12,680 --> 00:17:14,879 Speaker 1: This is a celebration of linear television. 332 00:17:15,119 --> 00:17:17,359 Speaker 2: Oh yeah, this is so old school. This is bringing 333 00:17:17,400 --> 00:17:18,680 Speaker 2: TV back down. 334 00:17:18,520 --> 00:17:20,760 Speaker 1: With the streamers. Sorry, Peacock, we love you. 335 00:17:21,200 --> 00:17:22,000 Speaker 2: You know that we love you. 336 00:17:22,080 --> 00:17:22,520 Speaker 1: Peacock. 337 00:17:22,600 --> 00:17:25,200 Speaker 2: You won the last Cherisa's Culture Award You're a Coach 338 00:17:25,280 --> 00:17:30,520 Speaker 2: Award winner for Best Streaming Service, presented by Peacock. The 339 00:17:30,560 --> 00:17:31,400 Speaker 2: winner was Peacock. 340 00:17:31,520 --> 00:17:46,760 Speaker 1: The winner was Peacock. Now, the ninety six Atlanta Games, 341 00:17:47,000 --> 00:17:49,800 Speaker 1: I wasn't totally keyed to the Olympics at this very 342 00:17:49,840 --> 00:17:52,160 Speaker 1: young age. I must have been five or six years old. 343 00:17:52,560 --> 00:17:53,080 Speaker 2: We were young. 344 00:17:53,359 --> 00:17:56,439 Speaker 1: We were young. But I have seen images of these. 345 00:17:56,560 --> 00:18:02,280 Speaker 2: Hot silhouettes, gorgeous hot silhouet to the Atlanta Olympics opening 346 00:18:02,359 --> 00:18:06,680 Speaker 2: ceremony was certainly giving, and especially to note we would 347 00:18:06,720 --> 00:18:08,920 Speaker 2: have enjoyed this very much because if you bring out 348 00:18:08,920 --> 00:18:12,480 Speaker 2: Gladys Knight singing Georgia on my Mind now today I'm 349 00:18:12,600 --> 00:18:17,199 Speaker 2: on my feet screaming the word respect and six year 350 00:18:17,240 --> 00:18:19,639 Speaker 2: old me, I don't think could really receive that and 351 00:18:19,720 --> 00:18:24,520 Speaker 2: could maybe identify with Georgia on my Mind. But adult me, 352 00:18:24,840 --> 00:18:26,840 Speaker 2: who in a word? Who in a word? 353 00:18:26,920 --> 00:18:29,080 Speaker 1: Who in a word? I would have signed up to 354 00:18:29,200 --> 00:18:31,520 Speaker 1: be a pip mm hmm. 355 00:18:34,520 --> 00:18:38,320 Speaker 2: Leave on the mind the train Georgia. 356 00:18:39,520 --> 00:18:39,720 Speaker 3: Rain. 357 00:18:41,760 --> 00:18:44,320 Speaker 2: That's a great song. That's a great tune, almost as 358 00:18:44,359 --> 00:18:45,440 Speaker 2: good as Great Balls of Fire. 359 00:18:47,119 --> 00:18:49,359 Speaker 1: The second time mentioning Great Balls of Fire on this 360 00:18:49,440 --> 00:18:55,199 Speaker 1: podcast amazing. The two thousand Sydney Olympics. I really really loved. 361 00:18:55,840 --> 00:18:58,360 Speaker 1: This was the first opening ceremonies that I sat down. 362 00:18:58,240 --> 00:19:02,040 Speaker 2: For that you can really remember in your heart in lluins. 363 00:19:02,200 --> 00:19:04,320 Speaker 1: Yeah, I just remember when all the nations would come 364 00:19:04,359 --> 00:19:06,520 Speaker 1: out with their flags, just feeling an immense and this 365 00:19:06,640 --> 00:19:09,520 Speaker 1: is what the Olympics give. Yeah, you really see the 366 00:19:09,720 --> 00:19:12,800 Speaker 1: breath of the world. You see all different kinds of people. 367 00:19:13,880 --> 00:19:16,760 Speaker 2: I could cry. You see the breath of the world 368 00:19:16,920 --> 00:19:19,800 Speaker 2: b R E A D H. And you also see 369 00:19:19,920 --> 00:19:22,200 Speaker 2: the breath of the world. The breath because you see 370 00:19:22,280 --> 00:19:24,080 Speaker 2: them living in such pride. 371 00:19:23,880 --> 00:19:26,760 Speaker 1: And you see the bread of the world because I 372 00:19:26,880 --> 00:19:28,560 Speaker 1: want to take a bite off. 373 00:19:28,480 --> 00:19:31,960 Speaker 2: Of that period. And no matter who it is, no 374 00:19:32,080 --> 00:19:35,639 Speaker 2: matter who, that's where we're at. Remember the phrase playing 375 00:19:35,720 --> 00:19:38,720 Speaker 2: hard to get? Yeah, I forgot what that phrase even means. 376 00:19:38,960 --> 00:19:41,720 Speaker 1: Honey. When I when I watched the Sydney Olympic opening ceremony, 377 00:19:41,800 --> 00:19:45,119 Speaker 1: I said, what is that phrase? I don't know her? 378 00:19:45,280 --> 00:19:48,119 Speaker 2: I said, what, I don't know her? What do you 379 00:19:48,160 --> 00:19:50,399 Speaker 2: feel about North and South Korea marching together in the 380 00:19:50,480 --> 00:19:53,080 Speaker 2: opening ceremony of the two thousand Sydney Olympics behind a 381 00:19:53,160 --> 00:19:57,200 Speaker 2: flag depicting a unified Korean peninsula? That kind of two 382 00:19:57,240 --> 00:20:01,440 Speaker 2: words for me, fat chance, two words for me false, hope, 383 00:20:01,680 --> 00:20:05,680 Speaker 2: much that's three. But don't don't dangle that in front 384 00:20:05,680 --> 00:20:08,480 Speaker 2: of us. It's giving me announcing to the world via 385 00:20:08,560 --> 00:20:12,879 Speaker 2: my aim away message Varsity Chicks coming summer two thousand 386 00:20:12,880 --> 00:20:17,840 Speaker 2: and four. Yeah, it's just it's not gonna happen. It 387 00:20:17,880 --> 00:20:22,560 Speaker 2: ain't gonna happen. It's giving. When no Mary Poppins ride 388 00:20:22,600 --> 00:20:29,000 Speaker 2: in Epcot, it's exactly that. It's literally just as hurtful. 389 00:20:30,240 --> 00:20:34,159 Speaker 2: We're so excited for Dark Universe at Universal, at the 390 00:20:34,280 --> 00:20:38,880 Speaker 2: University for Steakhouse Das Steakhouse, which I thought was it's 391 00:20:38,880 --> 00:20:41,320 Speaker 2: gonna be really good, you guys, And this is NBC Universal, 392 00:20:41,400 --> 00:20:42,639 Speaker 2: so this is good that we bring this up and 393 00:20:42,680 --> 00:20:44,680 Speaker 2: it's relevant. You're gonna be able to eat at this 394 00:20:44,840 --> 00:20:47,040 Speaker 2: theme park in the Dark Universe section, which is Classic 395 00:20:47,119 --> 00:20:49,520 Speaker 2: Monster's theme, You're gonna be able to eat steak on 396 00:20:49,720 --> 00:20:52,760 Speaker 2: a steak and there's going to be familiars of vampires 397 00:20:52,800 --> 00:20:54,119 Speaker 2: serving it to you, and those are going to be 398 00:20:54,119 --> 00:20:57,920 Speaker 2: the way staff. Name another legendary theme park. You can't 399 00:20:58,119 --> 00:20:59,520 Speaker 2: that this is going to be number one. 400 00:20:59,640 --> 00:21:01,680 Speaker 1: Do you remember the two thousand and four Athens Olympics 401 00:21:01,720 --> 00:21:09,119 Speaker 1: opening ceremony, giant cycladic head rising from the flooded stadium floor, 402 00:21:10,080 --> 00:21:15,720 Speaker 1: breaks apart, falls into the water. It represents what the 403 00:21:15,840 --> 00:21:21,040 Speaker 1: Greek islands. Yeah, we're talking archipelago legends. 404 00:21:21,320 --> 00:21:23,560 Speaker 2: It's just, you know, to be honest with you, Bowen, 405 00:21:23,680 --> 00:21:26,680 Speaker 2: this is a tough Olympics for me, really, and also 406 00:21:27,080 --> 00:21:29,520 Speaker 2: just the entire Olympics actually is hard for me. Like 407 00:21:29,600 --> 00:21:31,840 Speaker 2: this whole thing has been very traumatizing to do this 408 00:21:31,960 --> 00:21:34,399 Speaker 2: podcast so far because as we know, the Olympics has 409 00:21:34,400 --> 00:21:37,400 Speaker 2: its roots in Greece, and I felt that I had 410 00:21:37,440 --> 00:21:39,560 Speaker 2: my roots in Greece, and then I did a twenty 411 00:21:39,640 --> 00:21:43,720 Speaker 2: three in me that, let's just say, I was sorely mistaken. 412 00:21:44,359 --> 00:21:46,439 Speaker 2: So I think I watched this as a fourteen year 413 00:21:46,440 --> 00:21:49,080 Speaker 2: old person, newly excited about the Olympics and the Games 414 00:21:49,119 --> 00:21:52,119 Speaker 2: and the whole pumping circumstance, thinking Wow, they're in my homeland, 415 00:21:52,480 --> 00:21:55,240 Speaker 2: and to know that I was wrong. No, man, I 416 00:21:55,240 --> 00:21:57,720 Speaker 2: don't know if I'll ever get over it, Matt, because 417 00:21:57,720 --> 00:21:58,640 Speaker 2: I'm Turkish as hell. 418 00:21:59,040 --> 00:22:00,760 Speaker 1: Well, this is what I was to say, is that 419 00:22:01,080 --> 00:22:03,600 Speaker 1: the thing about twenty three in Me and these ancestry 420 00:22:03,680 --> 00:22:09,440 Speaker 1: things is like Turkey. It's like Turkey, Greece. It's just 421 00:22:09,520 --> 00:22:12,760 Speaker 1: giving Mediterranean. You are of that part of the world. 422 00:22:12,920 --> 00:22:18,640 Speaker 1: You are from the Middle Earth, from Mediterra. You are 423 00:22:19,800 --> 00:22:23,639 Speaker 1: Greek down you if you were raised Greek with a 424 00:22:23,760 --> 00:22:27,680 Speaker 1: Greek identity, don't let a little test, a little percentage 425 00:22:27,760 --> 00:22:30,800 Speaker 1: on a little slip of paper or a little website 426 00:22:30,880 --> 00:22:31,919 Speaker 1: tell you anything different. 427 00:22:32,240 --> 00:22:34,080 Speaker 2: I can't be sad about who I am and who 428 00:22:34,119 --> 00:22:35,560 Speaker 2: I ended up being, you know what I mean, even 429 00:22:35,600 --> 00:22:37,680 Speaker 2: if I thought it was something different. I still ended 430 00:22:37,760 --> 00:22:39,760 Speaker 2: up being someone who genetically was made up of the 431 00:22:39,800 --> 00:22:41,520 Speaker 2: stuff that could cause me to run a four to 432 00:22:41,560 --> 00:22:43,720 Speaker 2: thirty six mile in the sixteen hundred meters when I 433 00:22:43,800 --> 00:22:47,680 Speaker 2: was but fifteen years old. Woow. So I guess I 434 00:22:47,760 --> 00:22:51,440 Speaker 2: can't have regrets genetically, but it stings. 435 00:22:51,920 --> 00:22:54,720 Speaker 1: I hope you can think back on the Athens Olympics 436 00:22:54,840 --> 00:22:57,119 Speaker 1: and feel that same pride you felt when you were 437 00:22:57,200 --> 00:22:58,400 Speaker 1: fourteen thirteen years old. 438 00:22:58,680 --> 00:23:01,560 Speaker 2: Sometimes boe, I wish I had never spit four times 439 00:23:01,600 --> 00:23:04,080 Speaker 2: into that tube. And I don't just say that about this. 440 00:23:04,960 --> 00:23:08,400 Speaker 1: Oh what now? What could that mean? 441 00:23:10,680 --> 00:23:14,480 Speaker 2: You know that classic and nuendo, the tube, the twobe oh, 442 00:23:14,560 --> 00:23:17,440 Speaker 2: the twenty twenty Tokyo Olympics. There was some drama around 443 00:23:17,480 --> 00:23:20,080 Speaker 2: this year, twenty twenty, But I mean, at least what 444 00:23:20,200 --> 00:23:23,200 Speaker 2: happened in performers. At least we had human performers bringing 445 00:23:23,240 --> 00:23:27,280 Speaker 2: sport pictograms to life. What happened in twenty. 446 00:23:26,880 --> 00:23:29,359 Speaker 1: Yeah, no, no, I now I remember what happened in 447 00:23:29,359 --> 00:23:31,880 Speaker 1: twenty twenty, But you're right, at least we had humans 448 00:23:32,400 --> 00:23:35,960 Speaker 1: bringing sport pictrograms to life at the twenty twenty Tokyo Olympics. 449 00:23:36,760 --> 00:23:38,479 Speaker 2: You know, I was watching the weakest link the other 450 00:23:38,560 --> 00:23:41,719 Speaker 2: day with my parents because it was on television program 451 00:23:42,119 --> 00:23:45,639 Speaker 2: and one of the questions was the twenty twenty Tokyo 452 00:23:45,680 --> 00:23:48,680 Speaker 2: Olympics was held in what year? And when he said 453 00:23:48,680 --> 00:23:51,280 Speaker 2: twenty twenty one, I jumped out of my seat, like idiot, 454 00:23:51,560 --> 00:23:53,200 Speaker 2: And then she was like, correct, and I was like 455 00:23:53,720 --> 00:23:55,960 Speaker 2: and then I remembered I was the idiot for having 456 00:23:56,040 --> 00:24:00,159 Speaker 2: completely erased the coronavirus pandemic from existence. Of course it 457 00:24:00,200 --> 00:24:01,320 Speaker 2: took place in twenty twenty one. 458 00:24:01,359 --> 00:24:03,160 Speaker 1: It had to be delayed, so it's kind of nice 459 00:24:03,200 --> 00:24:05,520 Speaker 1: that we're getting it only three years after the last 460 00:24:05,600 --> 00:24:06,879 Speaker 1: one in the summertime. 461 00:24:07,240 --> 00:24:09,440 Speaker 2: Yeah, it's kind of nice. Yeah. 462 00:24:10,880 --> 00:24:16,040 Speaker 1: And remember the twenty sixteen Rio Games Gizelle strutting her 463 00:24:16,080 --> 00:24:19,080 Speaker 1: stuff to girl from Apanima. Oh yeah, kind of a 464 00:24:19,240 --> 00:24:22,200 Speaker 1: weird one. I would say that was a weird one. 465 00:24:22,760 --> 00:24:25,480 Speaker 2: You know what, though, the weirder the better. I love 466 00:24:25,560 --> 00:24:27,760 Speaker 2: that they were like, you know, who should represent us 467 00:24:27,760 --> 00:24:30,520 Speaker 2: at the Olympics, Gisell. I think it's the most chaotic 468 00:24:31,000 --> 00:24:33,440 Speaker 2: and yet cheek choice we've spoken about. 469 00:24:33,920 --> 00:24:38,600 Speaker 1: Okay, I just that is that, But that's like the 470 00:24:38,760 --> 00:24:41,520 Speaker 1: main image that we remember, which is so interesting to me. 471 00:24:42,160 --> 00:24:46,399 Speaker 1: Why it's weird, It's weird. Oh we have to just 472 00:24:46,520 --> 00:24:50,080 Speaker 1: mention going back to Athens, b York, Oh yeah, say 473 00:24:50,119 --> 00:24:53,160 Speaker 1: her name b York singing and then having her whole 474 00:24:53,240 --> 00:24:56,600 Speaker 1: dress on furl to cover the entire floor of the stadium. 475 00:24:57,000 --> 00:24:59,040 Speaker 1: That is, I'm sorry to say, and they're gonna bleet me. 476 00:25:00,680 --> 00:25:05,040 Speaker 2: Yep. She is an Olympic type of performer, Like you 477 00:25:05,280 --> 00:25:10,919 Speaker 2: want someone who's gonna give the global impact that can 478 00:25:11,000 --> 00:25:13,240 Speaker 2: only be delivered by an artist like York. 479 00:25:13,520 --> 00:25:15,520 Speaker 1: Who do you think that artist would be for Paris? 480 00:25:16,040 --> 00:25:19,080 Speaker 1: As we go into tomorrow, as we wait with baited breath, 481 00:25:19,119 --> 00:25:21,080 Speaker 1: with the Parisis, I have I have a pitch. 482 00:25:21,400 --> 00:25:23,639 Speaker 2: You go because we said Gaga, But I feel like 483 00:25:23,720 --> 00:25:25,199 Speaker 2: now it's too good to be true. It makes too 484 00:25:25,280 --> 00:25:25,760 Speaker 2: much sense. 485 00:25:26,440 --> 00:25:30,040 Speaker 1: Enya, Oh, I think Enya could come out of you know, 486 00:25:30,240 --> 00:25:31,480 Speaker 1: her break that she's taken. 487 00:25:31,600 --> 00:25:33,320 Speaker 2: I think, you know, I jumped into my mind. What 488 00:25:33,440 --> 00:25:34,320 Speaker 2: did come to my mind? 489 00:25:35,320 --> 00:25:35,760 Speaker 1: Selene? 490 00:25:36,520 --> 00:25:38,320 Speaker 2: Wouldn't that be a major mode? 491 00:25:38,320 --> 00:25:43,200 Speaker 1: Oh my god, we would all let's just call it there, 492 00:25:43,520 --> 00:25:46,240 Speaker 1: like we don't have to do anything else in civilization. 493 00:25:46,800 --> 00:25:49,119 Speaker 1: Selene could come out and just do whatever it is 494 00:25:49,240 --> 00:25:51,760 Speaker 1: she wanted. But then I was like, oh is that dumb? 495 00:25:51,840 --> 00:25:54,800 Speaker 1: Because She's French Canadian, but like, I still think Paris 496 00:25:55,160 --> 00:25:57,959 Speaker 1: would welcome Celine Dijon with open arms as an international 497 00:25:58,240 --> 00:26:01,280 Speaker 1: icon and what would be more hopeful than seeing her 498 00:26:01,320 --> 00:26:04,520 Speaker 1: go up there and like, no, Selena her space again. 499 00:26:04,760 --> 00:26:07,920 Speaker 1: Selene has represented other countries in the past, since the beginning, 500 00:26:08,119 --> 00:26:09,479 Speaker 1: since Eurovision. 501 00:26:09,040 --> 00:26:11,000 Speaker 2: She's since zero Vision. You're right about that, she. 502 00:26:11,119 --> 00:26:15,239 Speaker 1: Was for Switzerland. There is something French about her. 503 00:26:15,320 --> 00:26:17,399 Speaker 2: No matter what, I think this is the only answer 504 00:26:17,560 --> 00:26:19,800 Speaker 2: not to set an expectation that will disappoint us because 505 00:26:19,840 --> 00:26:22,359 Speaker 2: she is still getting well. But that would be pretty 506 00:26:22,480 --> 00:26:25,520 Speaker 2: amazing in a real way and not in a silly 507 00:26:25,600 --> 00:26:27,719 Speaker 2: way like we've been talking on the rest of this episode. 508 00:26:27,760 --> 00:26:30,840 Speaker 2: Now we've been talking in a very silly manner. I 509 00:26:30,960 --> 00:26:35,040 Speaker 2: think we have Let's get serious and let's give out 510 00:26:35,080 --> 00:26:39,320 Speaker 2: our medals. Let's do gold, silver and bronze to some 511 00:26:39,440 --> 00:26:43,200 Speaker 2: of these opening ceremonies that we just listed. I think 512 00:26:43,280 --> 00:26:45,960 Speaker 2: we might be in conflict here because I do believe 513 00:26:46,040 --> 00:26:49,200 Speaker 2: that Giselle Bunchen is a medalist. Here, I'm okay to 514 00:26:49,240 --> 00:26:51,560 Speaker 2: give her the bronze medal, just like they've probably got 515 00:26:51,640 --> 00:26:55,240 Speaker 2: bronze before the event that one, because guess what, even 516 00:26:55,320 --> 00:26:59,560 Speaker 2: Giselle doesn't wake up looking like she's ready for the runway. 517 00:26:59,640 --> 00:27:01,280 Speaker 2: I want all the women out there to know she 518 00:27:01,440 --> 00:27:04,359 Speaker 2: doesn't just wake up looking like that. Okay, she gets 519 00:27:04,400 --> 00:27:06,040 Speaker 2: a lot of help and the team that got her 520 00:27:06,119 --> 00:27:09,960 Speaker 2: ready for events like sure, the twenty sixteen Rio Olympics 521 00:27:10,000 --> 00:27:13,919 Speaker 2: opening ceremony, but you could too, you could too. 522 00:27:14,080 --> 00:27:18,200 Speaker 1: Yeah, okay, we'll give it that. On Metal, I'm gonna 523 00:27:18,280 --> 00:27:22,760 Speaker 1: give the silver to I think Sydney doesn't get a 524 00:27:22,840 --> 00:27:25,399 Speaker 1: medal because of that North Korean moment, because of that 525 00:27:25,520 --> 00:27:30,040 Speaker 1: Korea unified Korea moment that's locked, that was like teasing 526 00:27:30,440 --> 00:27:33,280 Speaker 1: something that was never going to happen. I'm going to 527 00:27:33,359 --> 00:27:37,639 Speaker 1: give silver to Athens, okay, because guess what. It is 528 00:27:37,720 --> 00:27:40,200 Speaker 1: a huge part of your journey of the self to 529 00:27:40,320 --> 00:27:44,320 Speaker 1: reconnect with your Greek culture. That is that will always 530 00:27:44,359 --> 00:27:44,760 Speaker 1: be with you. 531 00:27:45,600 --> 00:27:48,520 Speaker 2: And I can appreciate the you know what they were 532 00:27:48,520 --> 00:27:51,240 Speaker 2: doing there with the cycladic head rising from the flooded 533 00:27:51,280 --> 00:27:53,760 Speaker 2: stadium floor which ultimately broke apart, and piece of stone 534 00:27:53,760 --> 00:27:55,480 Speaker 2: in the water representing the Greek islands. I think that's 535 00:27:55,520 --> 00:27:56,879 Speaker 2: really I get that. 536 00:27:57,480 --> 00:27:57,920 Speaker 1: I get that. 537 00:27:58,560 --> 00:28:04,280 Speaker 2: Definitely gold for me. The humor of Queen Elizabeth jumping 538 00:28:04,320 --> 00:28:07,240 Speaker 2: out of a plane, human arriving in a James Bond 539 00:28:07,280 --> 00:28:10,639 Speaker 2: skit to me that just like you, just like me, 540 00:28:10,840 --> 00:28:13,040 Speaker 2: just like Ariano. Mattox back in the day takes sketch 541 00:28:13,119 --> 00:28:15,760 Speaker 2: comedy very seriously in a way that I think does 542 00:28:15,840 --> 00:28:16,960 Speaker 2: belong on a world stage. 543 00:28:17,119 --> 00:28:19,720 Speaker 1: Absolutely, and that's why we are happy to give the 544 00:28:19,760 --> 00:28:23,280 Speaker 1: gold medal to the London twenty twelve Olympics opening ceremonies. 545 00:28:25,800 --> 00:28:28,440 Speaker 2: But in any final words that lead us into what 546 00:28:28,560 --> 00:28:33,119 Speaker 2: is going to be surely an exciting and really moving 547 00:28:33,359 --> 00:28:34,919 Speaker 2: opening ceremony, you. 548 00:28:35,080 --> 00:28:40,760 Speaker 1: Can catch us doing an Instagram live after the opening ceremonies. 549 00:28:41,000 --> 00:28:42,680 Speaker 1: I did not discuss this with matt Do you are 550 00:28:42,720 --> 00:28:43,480 Speaker 1: you down? Let's do it. 551 00:28:43,520 --> 00:28:47,040 Speaker 2: I'm so down. I'm so down. We'll actually be in 552 00:28:47,080 --> 00:28:48,920 Speaker 2: the same place, you know that, we actually will. 553 00:28:49,120 --> 00:28:50,640 Speaker 1: That's right, we will be in the same place. 554 00:28:50,880 --> 00:28:55,560 Speaker 2: So this Instagram Live is fully happening, and we'll see 555 00:28:55,600 --> 00:28:59,160 Speaker 2: you tomorrow. Watch every moment of the twenty twenty four 556 00:28:59,200 --> 00:29:03,280 Speaker 2: Paris Olympics beginning July twenty sixth, that's tomorrow on NBC 557 00:29:03,520 --> 00:29:05,600 Speaker 2: and Peacock. And for the first time, you can stream 558 00:29:05,640 --> 00:29:08,320 Speaker 2: the twenty twenty four Paris Games on the iHeartRadio app 559 00:29:08,520 --> 00:29:12,000 Speaker 2: we'll see tomorrow, but for now, we end every episode 560 00:29:12,080 --> 00:29:14,680 Speaker 2: with an iconic little tune that you might know.