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Speaker 1: The week. We've got the week. Hey y'all, it's Morgan

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Speaker 1: number two. In this episode is going to be just

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Speaker 1: a little bit different. We're gonna do kind of a

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Speaker 1: hybrid of the last two weeks because we had two

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Speaker 1: short weeks. It was the Thanksgiving holiday and the Saint

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Speaker 1: Jude Radio thon, so we had some shorter content days

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Speaker 1: than we usually do. Now this is your first time

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Speaker 1: ever tuning in to the Best Bits of the Week show.

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Speaker 1: What we do is we basically take seven of the

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Speaker 1: best bits from the show the week of and it's

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Speaker 1: all based on your engagement from online, to calling us

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Speaker 1: in the show, to texting us. Every single thing that

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Speaker 1: you guys give us is how we determine the best

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Speaker 1: bits from the show this week, and then we're going

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Speaker 1: to count them down from seven to one. So yeah,

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Speaker 1: we kind of ranked them. And along the way, we're

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Speaker 1: gonna give you guys some behind the scenes of what's

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Speaker 1: happening with show members that come on. You know, they'll

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Speaker 1: provide some input after the segment aired, or they'll just

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Speaker 1: tell us more things that didn't get to be talked

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Speaker 1: about on air. So we're gonna get things going in.

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Speaker 1: First up is the jingle bells game. One thing that's

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Speaker 1: always a staple on our show is gamed. And since

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Speaker 1: Christmas is almost here, we've been playing a lot of

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Speaker 1: Christmas games and this one is gonna make you feel

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Speaker 1: like you're riding in a one horse open slagh. Yeah

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Speaker 1: I did that. That was a pun. It's a Christmas

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Speaker 1: jingle bells game. Here we go, number seven, So I'm

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Speaker 1: gonna play you a country artist doing jingle bells. All

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Speaker 1: you have to do is name the artist singing jingle bells. Again,

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Speaker 1: they're all singing the same song. This is an example.

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Speaker 1: Shot through the snow, gout and a one horror, so

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Speaker 1: open slate over the fields we go on the count

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Speaker 1: of three. You would have missed and you'd be out.

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Speaker 1: But that was an example. Who is to r and sing?

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Speaker 1: Slay song? On purpose? Right? Jingle bells? Jingle bell jingle?

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Speaker 1: Name the artist singing jingle bells. It's Survivors style. Gotta

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Speaker 1: stay in to win first one up, dashing through the

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Speaker 1: snow in a one horse and slay or the fields

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Speaker 1: we go, laughing all the ways, ring making speerit bro struggle.

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Speaker 1: I have a scratch out? Who just scratch out? I

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Speaker 1: scratched out Dolly okay, and who'd you play for? Reba Eddie? Yeah,

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Speaker 1: I thought Dolly at first, but then I play Rebo

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Speaker 1: Amy Reba. The answer is Rebo. Okay. Name this person

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Speaker 1: singing jingle bells dashing through the snow in one horse

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Speaker 1: open say or the steels me go lacked it all

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Speaker 1: the way, bills on the tilly, making spirits bright? What lunchbox?

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Speaker 1: That's easy. That's my girl, Dolly Eddie, Now that one's

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Speaker 1: Dolly Amy, Dolly Craig. I like it on this song

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Speaker 1: when they go ha ha played again. They should always

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Speaker 1: do this part dashing through the snow, you know, one

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Speaker 1: horse say or the feels we do it all the

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Speaker 1: way part of the song. Yeah, you needn't get ha haha.

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Speaker 1: Next up, can you name this country artist singing jingle

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Speaker 1: bells shing through the snow? Oh? That fields me good

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Speaker 1: Lan all the way, make king spirits bright? One fun

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Speaker 1: it is to run sing slang some too, oh, jingle

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Speaker 1: bell lunchbox man, I'm just gonna go off the vibe.

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Speaker 1: I felt like that was an island vibe. I put

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Speaker 1: Kenny chest Eddie from the island's mind. Kenny Chestni n

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Speaker 1: steel drums. Yeah, nice, good everybody, Thank you. Next up,

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Speaker 1: can you name this? They get a little harder now

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Speaker 1: this country artist doing jingle bells, shing through the snow

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Speaker 1: and a one horsber slave little feuge week go laughing

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Speaker 1: all the way, bells on my pale stream make king

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Speaker 1: spirits bright? What fun it is? The lapping sing a

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Speaker 1: sling song tonight? Who jingle bells? Jingle bells jing munch

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Speaker 1: Watch your answer George Straight, Eddie, that is George Straight

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Speaker 1: by George Strait correct you guess it. At that one,

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Speaker 1: I felt okay about it, but I was, like Bobby said,

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Speaker 1: they're gonna get harder, so that's maybe too obvious. Next up,

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Speaker 1: dashing through the snow and one hole soaping slave the fields.

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Speaker 1: Where do you go laughing? No way feels it's nating

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Speaker 1: spirits right? What is too right? And sing a slave

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Speaker 1: and song tonight will jog bill jingle. It's a tough

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Speaker 1: one because there's a few artists that sound like that,

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Speaker 1: Ye lunchbox, did he have I'll put Alan Jackson not

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Speaker 1: one of the artists that I was thinking sounded like that,

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Speaker 1: But okay, I mean I have no idea Eddie, let

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Speaker 1: me go with Josh Turner jingle bit what I I'm

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Speaker 1: gonna be the only one who gets this? Oh you

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Speaker 1: don't think that. Do you think I'm wrong? You don't

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Speaker 1: think I gotta right? You'm so sure about yours? I

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Speaker 1: thought I was Yeah, what do you have? Garth rugs,

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Speaker 1: Oh that's not Garth. Do you listen to Gartha? And

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Speaker 1: she laughed at our answer. Yeah, none of you are right.

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Speaker 1: Oh that was very much Garth. Listen for it. No,

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Speaker 1: I'm okay, that's you. Okay, that's Scotty McCreary played again.

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Speaker 1: Well nobody got it. So now we gotta go to

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Speaker 1: speed round. Oh boy, buzz in with your name. As

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Speaker 1: soon as you know who this is, here we go

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Speaker 1: dashing through snow Eddie Alan Jackson, Alan Jackson is correct, Eddie.

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Speaker 1: Would you like to say to all your everybody there Christmas?

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Speaker 1: It's the best bits of the week with Morgan number two.

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Speaker 1: So have you been to me mall ever in your

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Speaker 1: life or have you've even been a teenager, which we

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Speaker 1: all have, then you will remember Abercrombie and Fitch. And

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Speaker 1: if you don't remember Abercrombie and Fitch, then you at

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Speaker 1: least remember the smell that came with him, because we

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Speaker 1: all know that smell. It was a great thing and

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Speaker 1: we all wanted it. So Amy this week decided to

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Speaker 1: bring on a segment talking about if she's getting old

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Speaker 1: and if she can wear a certain brand, and we

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Speaker 1: all debated it. The guys weren't very nice. She also

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Speaker 1: is going to come on a little bit later in

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Speaker 1: this show to talk about another segment with her. But

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Speaker 1: first up, we're talking Abercrombie and getting old number six.

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Speaker 1: That's good, Okay, Amy, you think you're too old to do?

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Speaker 1: What shop at Abercrombie? Oh for sure? Well hold on

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Speaker 1: what happened? Well, So I recently went to the mall

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Speaker 1: with my daughter. We were having a little girl's day

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Speaker 1: and we walked by and she thought it smelled good,

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Speaker 1: So she wanted to come in. That place smells just

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Speaker 1: like it did in high school. Still heavy on the cologne.

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Speaker 1: But we go in and suddenly I'm drawn in by

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Speaker 1: all of the super cute things that they have that

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Speaker 1: seem age appropriate for me, not just my daughter. So

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Speaker 1: she found some things, and I found some things, and

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Speaker 1: now I'm wearing them and I like them so much

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Speaker 1: that I find myself on the Abercrombie website, and I

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Speaker 1: was thinking about gifting some Abercrombie things to friends, but

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Speaker 1: then they might be wondering, why are you giving me Abercrombie.

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Speaker 1: I don't know. I just feel I'm approaching forty and

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Speaker 1: it feels too old for me. But I don't care.

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Speaker 1: I think I'm just gonna own it because they have

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Speaker 1: some super cute stuff right now? Is Amy too old

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Speaker 1: for Abercrombie Eddie? Yes? Yes, Like would you guys think

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Speaker 1: anything if I came in dressed like an Ambercrombie dude?

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Speaker 1: We like, okay, that's my point? Old even say it right?

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Speaker 1: And I'm like two years older than Amy. Come on,

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Speaker 1: too old, Amy Morgan? What about you? You think she

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Speaker 1: too old for it? No? I don't think so. I

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Speaker 1: think brands like if they adjust the time, which Abercrombie

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Speaker 1: has done. I think Amy's totally fine to keep wearing it.

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Speaker 1: It don't matter. It's not like somebody. She's not wearing

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Speaker 1: Abercrombie across her child. She's wearing like sweaters and stuff

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Speaker 1: that you don't even know where it came from, so

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Speaker 1: it really doesn't matter. Yeah, I got a cute jacket

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Speaker 1: and some little leopard pre oh, you already bought it.

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Speaker 1: I've already bought lots of stuff. It's a problem. And

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Speaker 1: then I started to feel weird about it and like

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Speaker 1: I need not. But then I'm just gonna own it

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Speaker 1: and it's okay. And I figured there might be some

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Speaker 1: people that disagreed, But Eddie, I'm not walking around looking

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Speaker 1: like a teenager. I don't think Raymundo, what do you think?

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Speaker 1: Is Amy too old for Abercrombie? No, she's good because

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Speaker 1: I thought Old Navy was fourth and fifth grader. Not

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Speaker 1: the case. It's maybe my new favorite brand that is.

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Speaker 1: Yes see, that was back to school shopping for it.

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Speaker 1: I could never afford Old Navy. Maybe yeah, okay, sorry, no, no, no,

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Speaker 1: I'm not saying like that, but that's funny. How we

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Speaker 1: stuff for me. We would go to j C Pennies

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Speaker 1: and we had a credit card, and so we put

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Speaker 1: it on the credit card at j C. Penny as

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Speaker 1: we called it pennies, and then we'd try to pay

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Speaker 1: it off all year. But yeah, okay, lunchbox. Is Amy

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Speaker 1: too old for Abercrombie? Look, I think Amy's got style.

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Speaker 1: If she wears Abercrombie on the butt, maybe a no go.

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Speaker 1: But I mean, I can't tell that sweater could be Abercrombie.

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Speaker 1: I don't know. So if Amy says it's okay, I

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Speaker 1: say it's good to go. But Eddie, you out of touch. Yes,

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Speaker 1: you cannot shop at Abercrombie. Like a couple of years ago,

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Speaker 1: I went to the mall, like for Christmas shopping or something,

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Speaker 1: and I saw American Eagle and I walked in there

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Speaker 1: and I bought some jeans from American Eagle and I

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Speaker 1: brought him home and my wife laughed at me. I

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Speaker 1: was like, okay, so no, yeah, great, American Eagle has

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Speaker 1: really cute things too. Right. I think if you want it,

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Speaker 1: wear it, and if you feel good in it, great,

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Speaker 1: It doesn't matter. An age is just a number, right, No,

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Speaker 1: but still if you feel good at it, say oh,

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Speaker 1: your daughter is gonna love this. Age isn't just a number.

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Speaker 1: But if you feel good, great. You know what you

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Speaker 1: like to wear, Okay, don't let anybody tell you what

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Speaker 1: you can get where you wear Abercrombie. Because they have

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Speaker 1: some cute stuff for guys. I don't think it's for me.

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Speaker 1: But if someone brought me something that was like, hey,

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Speaker 1: this is abert if they didn't tell me, and I

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Speaker 1: liked it and then like it's also abercar be, Like, oh,

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Speaker 1: who knew they're making an adult clothes now? Although am

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Speaker 1: I too old to wear hoodies? I wear them all

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Speaker 1: the time, you know, that's something that I wonder. No,

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Speaker 1: And I think you can wear a backwards hat too. Well.

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Speaker 1: I don't do that, really, but you kid, but I don't.

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Speaker 1: The Only time my hat goes backwards, I'm an airplane,

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Speaker 1: I need to rest my head on the seat in

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Speaker 1: front of me because you can't do it with the bills. Oh,

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Speaker 1: but you can't do that anymore anyway. Yeah, true, Um,

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Speaker 1: you're good, Amy, Okay, thank you. I did go to

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Speaker 1: the mall and I saw Santa was in the mall,

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Speaker 1: but he was wearing a mask, and I felt so

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Speaker 1: bad for him, and I was going to post a

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Speaker 1: picture of manscram, going poor Santa has to wear a mask.

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Speaker 1: And he saw me about to grab my phone. He

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Speaker 1: knew your intentions and he looked at me and was

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Speaker 1: like I could just tell by his eyes. He's like, please,

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Speaker 1: don't You're like, I'm already I'm already embarrassed. A red

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Speaker 1: velvet one or just no, it was just a white one.

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Speaker 1: Poor Santa can't even be at the store with the

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Speaker 1: kids now without a mask on. I go to our

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Speaker 1: Facebook page? Is Amy too old for Abercrombie Bobby Bones

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Speaker 1: show facebook page? Like girls that wearie old songs? If

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Speaker 1: I have one? What wish wish? We could get lost

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Speaker 1: in the summer, but the summer it's the best bits

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Speaker 1: of the week with Morgan. Number two. If you're an

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Speaker 1: avid listener of our show, then you know just how

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Speaker 1: much Lunchbox always tries to use his cloud. And for

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Speaker 1: those who don't know what cloud is, it's basically like

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Speaker 1: you're ranking in society. So he tries to use his

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Speaker 1: celebrity status from being on our radio show to get

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Speaker 1: some cool treatment out in the wild. So he went

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Speaker 1: to a cool little Christmas show and thought he could

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Speaker 1: get VIP treatment based on the fact that he's Lunchbox,

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Speaker 1: and people were not happy about it. So listen back

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Speaker 1: to this segment and you may just get a little unhappy.

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Speaker 1: To number five, here's Lunchbox dropping his name to get

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Speaker 1: VIP treatment. Where were you? I was at the Dancing Lights.

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Speaker 1: It's like a display where they have lights Christmas lights

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Speaker 1: and they're SYNCD with the music in your car and

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Speaker 1: I'm talking. The line was hours long, hours long. I

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Speaker 1: was like, there is no way I'm sitting in this

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Speaker 1: of radio. So I just pull up to the cop

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Speaker 1: I just went up to the left side and said, hey, man, look,

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Speaker 1: I'm Lunchbox. Come on, like you gotta let me go

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Speaker 1: on the left side. Right. So this is audio of

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Speaker 1: By the way, I don't agree with this. This is

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Speaker 1: me showing you that when you drop your name, you

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Speaker 1: get VIP treatment. This is how you operate in the

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Speaker 1: world when there's a long line and you're you got stature,

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Speaker 1: use it. Okay, I'm gonna have a little something to

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Speaker 1: say after this clips, but I want to hear the

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Speaker 1: clip first. All right, here as Lunchbox apparently dropping his

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Speaker 1: name to cut a long line. I'm supposed to be

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Speaker 1: going to the far left lane. Yeah, big deal, celebrity,

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Speaker 1: you can get to cut the line. Yeah yeah, yeah, yeah.

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Speaker 1: So how Lunchbox does it if you want to follow

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Speaker 1: this plane all the way? All the way? All right,

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Speaker 1: that's all I'm talking about. Don't understand. I don't want

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Speaker 1: to wait. They would have beat you up. They were

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Speaker 1: not happy. They were not happy because I was holding

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Speaker 1: up the line because I was trying to convince this cop. Hey, man,

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Speaker 1: let me go over here to the left. I see

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Speaker 1: that there's another like coned off entrance. Let me go

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Speaker 1: that way and not sit in this line. Here's the

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Speaker 1: problem I have. You didn't just get by with statue.

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Speaker 1: You lied to the copet said you were supposed to

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Speaker 1: be in the left land. Well, I saw one car

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Speaker 1: do it, and I was like, that must be a

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Speaker 1: VIP lane. That makes be something special. And so that's

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Speaker 1: how I got the idea. I would have had no idea,

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Speaker 1: but just go up and say, hey, your lunch box

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Speaker 1: Bobby Bone show. And the cop knew what the show was.

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Speaker 1: Did the cop know the show? Yeah? He was like, okay, yeah,

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Speaker 1: that's cool. And then they say because he's I guess

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Speaker 1: he was radio and people to see if it was

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Speaker 1: okay if I went the other way, and hey, when

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Speaker 1: you got statue, you got statue. That's like when you

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Speaker 1: go into a restaurant back when there used to be

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Speaker 1: a weight you always say, hey, lunchbox by Bone show,

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Speaker 1: Oh okay, yeah, we got a table available right now

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Speaker 1: for you. Gotta do it. Guys. That's the perks of

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Speaker 1: having this job. I've never done that. I would never

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Speaker 1: it's ears, and I know for a fact there's times

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Speaker 1: you've done that and they have said, okay, take a sup,

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Speaker 1: we'll buzze your beeper when we have Sometimes people don't

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Speaker 1: respect mister lunch whoever you are. We'll get to you

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Speaker 1: after everybody else. But it did work there. If you

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Speaker 1: knew it was gonna work, would you do it? No,

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Speaker 1: me either. You'd rather wait in line for hours. I

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Speaker 1: wouldn't go and wait in line for hours. Well, I

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Speaker 1: think I think the smarter thing would have been to

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Speaker 1: go on the weeknights when not as many people are there.

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Speaker 1: We you know, tried to go on a weekend when

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Speaker 1: it's busier. But I'm telling you, guys, when you have

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Speaker 1: the chance, use your name. Bobby Bones carries a lot

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Speaker 1: of clout. Amy, you carry a lot of clout with

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Speaker 1: your name. That's true because he probably wouldn't have been

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Speaker 1: able to get in if he didn't say the Bobby

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Speaker 1: Bones show like lunch, I'm lunchbox. He'd been like, I

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Speaker 1: don't know who you are. I'm lunchbox from the Sore

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Speaker 1: Loser's podcast. Definitely get turned around and get back in line.

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Speaker 1: Just go home, go home. Yeah, I don't agree with that.

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Speaker 1: For the record, I don't agree with that. I wouldn't

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Speaker 1: do that, but I did it. It worked, and here

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Speaker 1: we are. We're happier for it. The kids had a

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Speaker 1: great time, wife was happy. Heay, Oh my gosh. I

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Speaker 1: just thought about how embarrassed his wife must be when

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Speaker 1: he does that. Yeah, you have to convince her to

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Speaker 1: do that. She doesn't like it. But when I'm driving,

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Speaker 1: I'm driving, so what is she gonna do? But once

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Speaker 1: we get done, she's like, man, that's better than waiting

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Speaker 1: in line. She feels good. A right, Okay, we've got

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Speaker 1: more business of the week with more. November of twenty

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Speaker 1: twenty marked the very first time in show history that

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Speaker 1: we awarded an employee of the Month, and the winner

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Speaker 1: was our own producer, Scuba Steve And aside from just

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Speaker 1: winning one hundred dollars, he also got to do his

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Speaker 1: very own segment that Bobby didn't get to approve beforehand.

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Speaker 1: When things happen on the show, we typically just sitting

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Speaker 1: in a lot of story ideas and things that happen

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Speaker 1: in our life to Bobby, and then we never know

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Speaker 1: what gets chosen and we may or may talk about it,

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Speaker 1: who knows. But this time Scooba Steve got to do

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Speaker 1: a segment that was never approved, never talked about, and

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Speaker 1: it was just totally winging it. So I brought on

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Speaker 1: Scooba Steve to talk a little bit about his win

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Speaker 1: and getting to do something that none of us have

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Speaker 1: literally ever gotten to do. Hey, Steve, how's it going.

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Speaker 1: I want to know how it felt to do a

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Speaker 1: segment that you didn't have to get approved. Were you

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Speaker 1: scared or were you like so excited? Well, there was

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Speaker 1: two sides to it. One. I was like, well, on

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Speaker 1: the EP of the show, I should be able to

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Speaker 1: just we should be able to just do bits, and

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Speaker 1: he should trust kind of my judgment on it, which

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Speaker 1: I was, Okay, I feel like he's gonna like this.

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Speaker 1: I'm gonna test that trust and see if it works.

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Speaker 1: And it did work out. But I'll be honest. On

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Speaker 1: the other side of it, I was hella nervously. I

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Speaker 1: was sitting in that chair and my heart was pounding,

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Speaker 1: being like, Okay, I've set all these things up for this.

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Speaker 1: I made production for it, which, by the way, it

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Speaker 1: is like I put in that to make that I

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Speaker 1: set up callers. I like, did a bunch of stuff

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Speaker 1: behind the scenes to get it going, and I'm like,

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Speaker 1: if this doesn't work, I have just wasted all this

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Speaker 1: time putting it together, or if it fails on air,

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Speaker 1: I'm like, oh my god. And it was our first

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Speaker 1: ever Bobby Graham or any Graham from a show member,

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Speaker 1: so that was also very new. Yeah, totally, it was

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Speaker 1: a whole Yeah, it was all new, a new idea,

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Speaker 1: a new concept, a lot of things going, a lot

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Speaker 1: of things in play to make it come together. Do

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Speaker 1: you think so in this segment, basically Steve brings out

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Speaker 1: a listener and Bobby does a Bobby Graham for a

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Speaker 1: really big fan this listener, do you think, like you know,

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Speaker 1: somebody was just looking out for you because they kind

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Speaker 1: of fell in your lap at the right time, or

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Speaker 1: had you known about this for a while and what

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Speaker 1: happened there? Well, it was I had a couple ideas.

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Speaker 1: I actually I had several things that I wanted to

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Speaker 1: do and I still have those those things I want

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Speaker 1: to do for the show in general, and then this one,

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Speaker 1: like you said it literally it was almost like the

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Speaker 1: stars aligned and the script was written and I was

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Speaker 1: meant to meet this guy out in the wild, and

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Speaker 1: he was meant to come up to me and ask

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Speaker 1: me for this favor, and everything just happened to just

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Speaker 1: come together nicely and it worked out. So yeah, it

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Speaker 1: was It was cool. I think we should give listeners

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Speaker 1: a little taste of some of these other things that

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Speaker 1: you want to do. Oh yeah, I'm gonna pull up

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Speaker 1: my phone. I have all my notes. All right, we're

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Speaker 1: just gonna wait. We're waiting for mom. Philipsto for a

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Speaker 1: second as Ratios elevator music. Okay, Harry Funnel. So this

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Speaker 1: is the one that I was really banking on and

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Speaker 1: I had planned on doing this that week that Amy

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Speaker 1: ended up calling out and I needed her for this.

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Speaker 1: So the idea was almost kind of like Undercover Boss,

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Speaker 1: but Undercover Boss Bobby Bones Show edition. So for listeners,

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Speaker 1: we have like one hundred and fifty plus affiliates, and

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Speaker 1: it would be kind of like that where I'm calling

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Speaker 1: this affiliate. They have no idea, so it's a cold

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Speaker 1: call and we would talk to them and ask them

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Speaker 1: questions about the Bobby Bones Show, say we're doing a

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Speaker 1: survey and how they feel about the show, just kind

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Speaker 1: of like see their natural reaction if they're like, oh, yeah,

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Speaker 1: it's great, everything's fine, everything's good over here, Like God,

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Speaker 1: those guys are so annoying. I can't believe it. Mama,

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Speaker 1: that is almost like perfect. I almost wonder if you

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Speaker 1: should get Lunchbox to do that, but his voice is

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Speaker 1: so distinct. I don't think we could. That's the problem.

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Speaker 1: So it's very distinct. So that's why I was going

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Speaker 1: to call as the representative, like collecting survey information for

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Speaker 1: the area, and then as I talked to them, depending

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Speaker 1: on how it goes, i'd be like, well, it's funny

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Speaker 1: you say that, because tell them hi Bobby, and Bobby

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Speaker 1: will go hey, and there's Amy over there and lunchboxs

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Speaker 1: and Eddie and Morgan, and just kind of get that

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Speaker 1: reaction whether it was good or bad, and see how

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Speaker 1: it goes. Oh yeah, I definitely want to see this

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Speaker 1: one pan out. Okay, give it, give us two more,

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Speaker 1: two more. I have it on my Costco list. That's

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Speaker 1: why I couldn't find it. The other one was dramatic

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Speaker 1: readings of Yelp reviews. So if you ever go on Yelp,

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Speaker 1: you see all those snarky people who like whenever you

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Speaker 1: go on there. I look at a rating and I'll

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Speaker 1: see something. If it's three or four, it's like almost

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Speaker 1: a shoe, and five like it's gonna be good no

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Speaker 1: matter what. I see places that are one in two stars,

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Speaker 1: and I'm like, well, what's wrong with this place? I've

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Speaker 1: been there before myself. I know this place is just fine.

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Speaker 1: And you'll see the ones that are four and five

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Speaker 1: stars within there that are like, oh, the place is great,

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Speaker 1: everything's fine. And then you'll see those jerks that give

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Speaker 1: one in two reviews. And usually the reviews are so

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Speaker 1: snarkying about crap that we don't usually ever care about,

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Speaker 1: Like I asked for more napkins and then you give

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Speaker 1: me enough napkins one star. We're like, how does that?

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Speaker 1: The foods? I think it's great? How is How are

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Speaker 1: you going to give them one star and ruin their

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Speaker 1: entire business over not getting extra napkins. So I wanted

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Speaker 1: to find a bunch of those Yelp reviews and do

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Speaker 1: like almost like a dead Poet Society drum circle, where

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Speaker 1: we do dramatic readings of them, almost kind of like

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Speaker 1: a Valley Basic girl. Oh I love that, you know,

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Speaker 1: I had pitched before that we should do like the

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Speaker 1: worst tweets of the week, you know how like there's

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Speaker 1: the Jimmy Kimmel where they do like mean tweets. Yes, yeah, yeah, yeah,

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Speaker 1: But I wanted to do like the worst tweets of

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Speaker 1: the week on our socials because everyone knows there's so many,

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Speaker 1: especially on Facebook, the worst Facebook comments exactly. So I

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Speaker 1: like had started pulling them, but I think it might

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Speaker 1: have been too much negativity in the room. Yeah, maybe

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Speaker 1: like a once a month thing. It wouldn't be a

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Speaker 1: weekly feature. But there's there's so many good ones. Like

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Speaker 1: I say good ones loosely because like there's some trolls

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Speaker 1: that are just brutally mean, but then there's some that

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Speaker 1: I'm like, where do you even get the idea to

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00:21:53,440 --> 00:21:56,720
Speaker 1: say something that you just said? Yeah, yeah, like what mood?

422
00:21:57,200 --> 00:21:59,359
Speaker 1: Where were you at to be able to just feel

423
00:21:59,359 --> 00:22:01,000
Speaker 1: like you could say something like that? Like we are

424
00:22:01,080 --> 00:22:03,320
Speaker 1: people too, Like you know, these are things that we

425
00:22:03,400 --> 00:22:05,359
Speaker 1: are creating and we're doing so it may seem like

426
00:22:05,400 --> 00:22:06,840
Speaker 1: it's an easy job where we come and pop the

427
00:22:06,880 --> 00:22:08,760
Speaker 1: microsoners roll. No, there's a lot of thought. Like you

428
00:22:08,880 --> 00:22:10,840
Speaker 1: mentioned earlier, a lot of thought goes into this, a

429
00:22:10,880 --> 00:22:13,159
Speaker 1: lot of pre production. It isn't just a slap in

430
00:22:13,200 --> 00:22:15,200
Speaker 1: this thing together. So when you say those comments, it

431
00:22:15,280 --> 00:22:17,719
Speaker 1: actually kind of hurts when we see those things, like, hey,

432
00:22:17,840 --> 00:22:19,520
Speaker 1: we put a lot of time into this, like everyone

433
00:22:19,560 --> 00:22:21,800
Speaker 1: else seems to like except for you. So yeah, yeah,

434
00:22:21,840 --> 00:22:24,959
Speaker 1: there's always a few, and it grinds my gears when

435
00:22:25,000 --> 00:22:27,159
Speaker 1: they pop up and they're like a top fan and

436
00:22:27,320 --> 00:22:29,880
Speaker 1: I'm like, excuse me, Yeah, how am I a top

437
00:22:29,920 --> 00:22:32,240
Speaker 1: fan when you're rolling us right now? Totally? But I

438
00:22:32,280 --> 00:22:34,080
Speaker 1: always put it as like the Howard Stern effect. Have

439
00:22:34,080 --> 00:22:36,200
Speaker 1: you ever seen Private Parts the movie? Yes, okay, yeah,

440
00:22:36,200 --> 00:22:37,719
Speaker 1: there's the Howard ctnin effect where it's like what are

441
00:22:37,720 --> 00:22:40,080
Speaker 1: the numbers? Like, well, the numbers are up. People love it,

442
00:22:40,119 --> 00:22:41,600
Speaker 1: and like what about the ones that hated? Tell about

443
00:22:41,600 --> 00:22:43,520
Speaker 1: the hated numbers? It's like, wow, funny enough. The people

444
00:22:43,560 --> 00:22:45,520
Speaker 1: who hate it actually listen longer. They listen for two

445
00:22:45,560 --> 00:22:47,240
Speaker 1: and a half hours. So even when I see a

446
00:22:47,320 --> 00:22:48,879
Speaker 1: negative comment, it kind of hurts. But I also know

447
00:22:48,960 --> 00:22:51,480
Speaker 1: that those people listen even more because they were just

448
00:22:51,600 --> 00:22:54,879
Speaker 1: finding those moments to complain about, so they're listening, so

449
00:22:55,160 --> 00:22:58,400
Speaker 1: I appreciate it. It's like a love hate relationship, yeah exactly. Yeah,

450
00:22:58,480 --> 00:23:01,480
Speaker 1: very unhealthy one like reality television shows we all watch.

451
00:23:01,840 --> 00:23:03,320
Speaker 1: I don't particularly, but I know a lot of people

452
00:23:03,320 --> 00:23:06,119
Speaker 1: watch shows like The Kardashians and they watch it because

453
00:23:06,119 --> 00:23:08,200
Speaker 1: they love it to hate it. Like trash reality. I

454
00:23:08,280 --> 00:23:11,359
Speaker 1: hope we're not in the trash radio reality. Yeah, that's

455
00:23:11,400 --> 00:23:14,320
Speaker 1: not a good category, but we still appreciate your listenership.

456
00:23:14,560 --> 00:23:17,960
Speaker 1: This is true. Okay, So back to our award that

457
00:23:18,119 --> 00:23:21,399
Speaker 1: you had won. Are you doing more things to hopefully

458
00:23:21,440 --> 00:23:24,119
Speaker 1: get the next Employee of the Month award or are

459
00:23:24,160 --> 00:23:26,000
Speaker 1: you like, yeah, I'm gonna let somebody else have it.

460
00:23:27,000 --> 00:23:29,880
Speaker 1: The competitor in me wants to continue winning because I've

461
00:23:29,880 --> 00:23:31,359
Speaker 1: seen those boards in the walls and I worked at

462
00:23:31,359 --> 00:23:33,679
Speaker 1: places on McDonald's way back in the day, and someone's

463
00:23:33,760 --> 00:23:37,520
Speaker 1: name pops up multiple times month, month, month in a row.

464
00:23:37,560 --> 00:23:39,280
Speaker 1: So I feel like, why not shoot for the stars

465
00:23:39,320 --> 00:23:41,400
Speaker 1: and keep trying to win it. But at the same time, though,

466
00:23:41,480 --> 00:23:43,240
Speaker 1: I would like to give it to somebody else, because

467
00:23:43,240 --> 00:23:44,800
Speaker 1: I feel like we all deserve it at some point,

468
00:23:44,960 --> 00:23:47,000
Speaker 1: because we all work really hard on this show in

469
00:23:47,119 --> 00:23:49,280
Speaker 1: some form or fashion. But I want to win again,

470
00:23:49,320 --> 00:23:50,439
Speaker 1: and I feel like if you listen to the end

471
00:23:50,440 --> 00:23:51,840
Speaker 1: of this, she'll hear Bobby say that I may win

472
00:23:51,880 --> 00:23:56,280
Speaker 1: it again. This is true. I mean, you're a really

473
00:23:56,359 --> 00:23:59,840
Speaker 1: hard worker, so I would believe it. But one more

474
00:24:00,040 --> 00:24:02,040
Speaker 1: thing before you go, I want you to tell me

475
00:24:02,720 --> 00:24:05,840
Speaker 1: how high you rank the segment you did and how

476
00:24:05,880 --> 00:24:08,680
Speaker 1: it ended up panning out. How do you feel about

477
00:24:08,720 --> 00:24:10,840
Speaker 1: the segment that went on the show for your winning

478
00:24:11,200 --> 00:24:12,879
Speaker 1: I feel like it was pretty good. I feel like

479
00:24:13,200 --> 00:24:14,800
Speaker 1: the value that I put into it, like getting that

480
00:24:14,880 --> 00:24:17,639
Speaker 1: production made, having those jingle singers make that production was

481
00:24:17,760 --> 00:24:24,000
Speaker 1: one element. The meeting of the guy in the while

482
00:24:24,200 --> 00:24:26,040
Speaker 1: and putting it together and talking to him and kind

483
00:24:26,040 --> 00:24:27,439
Speaker 1: of coming up with the logistics of how we can

484
00:24:27,480 --> 00:24:30,080
Speaker 1: pull this off surprising his wife, And I feel like

485
00:24:30,119 --> 00:24:32,960
Speaker 1: this could also be a long standing segment on the show.

486
00:24:33,000 --> 00:24:34,320
Speaker 1: Doesn't have to be every week, but every once in

487
00:24:34,400 --> 00:24:37,399
Speaker 1: a while if a listener wants to. It's basically a telegram.

488
00:24:37,480 --> 00:24:39,160
Speaker 1: So if you're listening right now, we called a Bobby

489
00:24:39,200 --> 00:24:42,000
Speaker 1: Graham because it's essentially a radio version of a telegram,

490
00:24:42,080 --> 00:24:44,119
Speaker 1: and a telegram is something you would send to somebody

491
00:24:44,160 --> 00:24:47,480
Speaker 1: back like in the nineteen twenties. Yeah, it wasn't alive then, see. Yeah,

492
00:24:49,000 --> 00:24:51,200
Speaker 1: but they're in those old movies that Eddie watches, but

493
00:24:52,000 --> 00:24:54,520
Speaker 1: where you basically send a message somebody and it's in

494
00:24:54,560 --> 00:24:56,240
Speaker 1: a form of a type letter, and it'd be like

495
00:24:56,680 --> 00:24:58,600
Speaker 1: sent to you and you read it, and this is

496
00:24:58,640 --> 00:25:01,959
Speaker 1: just an audio version of it, trying to basically connect

497
00:25:02,000 --> 00:25:05,280
Speaker 1: to listeners in a different way by surprising them with this.

498
00:25:05,840 --> 00:25:08,680
Speaker 1: You know you'll hear it, but basically you connect with

499
00:25:08,720 --> 00:25:10,720
Speaker 1: Bobby not knowing it's Bobby, and you realize, holy crap,

500
00:25:10,760 --> 00:25:12,960
Speaker 1: I'm a super fan. Bobby Bones has literally just called

501
00:25:13,000 --> 00:25:16,200
Speaker 1: me because of some other person connecting me for whether

502
00:25:16,200 --> 00:25:18,199
Speaker 1: it be you're going through a tough time, it's your birthday,

503
00:25:18,240 --> 00:25:20,840
Speaker 1: or whatever it may be, we're hoping that this Bobby

504
00:25:20,880 --> 00:25:23,200
Speaker 1: Graham brings a smile to your face. Oh and it

505
00:25:23,320 --> 00:25:25,480
Speaker 1: brought a lot of smiles even to the person who

506
00:25:25,560 --> 00:25:28,040
Speaker 1: received it, and she could not quite guess that it

507
00:25:28,160 --> 00:25:30,520
Speaker 1: was Bobby, so she realized it was a cool moment.

508
00:25:30,760 --> 00:25:33,280
Speaker 1: It was. Well, thanks for coming by talking about it.

509
00:25:33,359 --> 00:25:35,880
Speaker 1: I hope you win again next month. That you really

510
00:25:35,920 --> 00:25:37,880
Speaker 1: mean that, I do really mean that for real, for real,

511
00:25:38,480 --> 00:25:42,879
Speaker 1: all right, for real, for real, alright. Number four. So,

512
00:25:43,200 --> 00:25:46,440
Speaker 1: if you remember, a few weeks ago, I awarded the

513
00:25:46,640 --> 00:25:49,440
Speaker 1: very first ever Employee of the Month and our winner

514
00:25:49,560 --> 00:25:51,920
Speaker 1: was Scuba Steve. Yeah, and not only did I send

515
00:25:52,000 --> 00:25:55,679
Speaker 1: him one hundred bucks in cold hard cash, but I said, hey,

516
00:25:55,680 --> 00:25:57,639
Speaker 1: you get to do any one segment you want about

517
00:25:57,680 --> 00:26:00,680
Speaker 1: anything you want. And so I don't know what's about

518
00:26:00,680 --> 00:26:03,280
Speaker 1: to happen here. All I know is that Scoopa Steve

519
00:26:03,400 --> 00:26:07,600
Speaker 1: is cashing in his cupon Hi Scuba, what's up Bobby? Okay,

520
00:26:07,640 --> 00:26:09,520
Speaker 1: So what's what's the deal here? So I had a

521
00:26:09,560 --> 00:26:12,000
Speaker 1: few different ideas as your employee of the Month, and

522
00:26:12,119 --> 00:26:14,040
Speaker 1: I mulled over them, thought about it. It's why here

523
00:26:14,040 --> 00:26:15,879
Speaker 1: we are later in the month with the idea and

524
00:26:16,000 --> 00:26:17,480
Speaker 1: I thought about this one, and I'm like, you know what,

525
00:26:17,720 --> 00:26:20,280
Speaker 1: I'm gonna give us back to the listeners. Without their support,

526
00:26:20,280 --> 00:26:22,000
Speaker 1: I wouldn't be here right now as your employee of

527
00:26:22,040 --> 00:26:25,400
Speaker 1: the month. So enter a guy named Wayne. He approached

528
00:26:25,520 --> 00:26:27,800
Speaker 1: me socially distance. I met him out in the wild

529
00:26:27,920 --> 00:26:29,320
Speaker 1: and he wanted to give something to his wife for

530
00:26:29,400 --> 00:26:32,480
Speaker 1: her birthday. It's on the twenty seventh. They've been married

531
00:26:32,520 --> 00:26:34,480
Speaker 1: for twenty eight years. When I mix it up, she's

532
00:26:34,480 --> 00:26:36,840
Speaker 1: a massive fan of you and Bobby the show. So

533
00:26:36,920 --> 00:26:38,639
Speaker 1: I figured a nice way to help out a listener

534
00:26:38,800 --> 00:26:41,600
Speaker 1: and help out. Another listener was doing this bit for

535
00:26:41,640 --> 00:26:48,760
Speaker 1: them versus something for myself. By the way, so I

536
00:26:48,880 --> 00:26:52,200
Speaker 1: see this play out of confused on what's happening so far. Okay,

537
00:26:52,240 --> 00:26:54,080
Speaker 1: it's a Bobby game. Go ahead. So it's a Bobby Graham.

538
00:26:54,119 --> 00:26:55,520
Speaker 1: So the way I see is playing out this is

539
00:26:55,520 --> 00:26:57,000
Speaker 1: almost like me pitching it to you live on the

540
00:26:57,119 --> 00:26:59,240
Speaker 1: radio and everyone involved listening to this ahead. This is

541
00:26:59,320 --> 00:27:01,239
Speaker 1: kind of the pitch we're doing here for it. It's

542
00:27:01,280 --> 00:27:03,800
Speaker 1: a Bobby Graham. So enter Wayne. Wayne comes in the line.

543
00:27:04,440 --> 00:27:05,959
Speaker 1: He's going to then talk to us kind of give

544
00:27:06,040 --> 00:27:08,000
Speaker 1: us a little backstory about himself and his wife. He

545
00:27:08,200 --> 00:27:11,000
Speaker 1: is outside the house kind of doing like a publisher's

546
00:27:11,000 --> 00:27:12,879
Speaker 1: cleared the house kind of thing, and he's gonna then

547
00:27:12,920 --> 00:27:14,919
Speaker 1: bumb brush his wife inside the house, and surprised her

548
00:27:14,960 --> 00:27:16,840
Speaker 1: with his birthday gift, which that's why I call it.

549
00:27:21,600 --> 00:27:24,320
Speaker 1: So Wayne's in the line right now. Hello, Wayne, Hey, Bobby,

550
00:27:24,680 --> 00:27:27,200
Speaker 1: how are you? What's up? Wayne? You having a good day, man,

551
00:27:27,280 --> 00:27:30,560
Speaker 1: I'm having a really good day. This is really exciting.

552
00:27:30,640 --> 00:27:34,320
Speaker 1: My wife is a super big fan of yours. And

553
00:27:35,440 --> 00:27:38,240
Speaker 1: just give you a little background, we were our youngest

554
00:27:38,280 --> 00:27:41,400
Speaker 1: son is in the army, he's staying at four Cars

555
00:27:41,440 --> 00:27:44,000
Speaker 1: in Colorado, and we had to move him out there

556
00:27:44,040 --> 00:27:47,360
Speaker 1: about a month ago. Low and Behold, you're syndicated out there,

557
00:27:47,560 --> 00:27:49,879
Speaker 1: and it just made her day. She was able to

558
00:27:49,960 --> 00:27:53,160
Speaker 1: hear the Bobby's Bones show while we were in Colorado.

559
00:27:53,400 --> 00:27:57,320
Speaker 1: I appreciate that. Well, So what I'm understanding, Wayne, is

560
00:27:57,320 --> 00:27:59,639
Speaker 1: that we're about to do something called a Bobby Graham. Okay,

561
00:28:02,400 --> 00:28:04,080
Speaker 1: this is where Wayne, this is where you run into

562
00:28:04,080 --> 00:28:05,760
Speaker 1: the house and handle phoned your wife and bumb rush

563
00:28:05,800 --> 00:28:07,320
Speaker 1: her and kind of a surprised her with this. Let's

564
00:28:07,320 --> 00:28:10,040
Speaker 1: do this. Do this, Wayne, go up to her and say, Hey,

565
00:28:10,080 --> 00:28:11,320
Speaker 1: someone's on the phone. I want to talk to you,

566
00:28:11,520 --> 00:28:13,879
Speaker 1: and don't tell her it's me, Okay, and let me

567
00:28:13,920 --> 00:28:15,760
Speaker 1: talk with her until she can guess who it is. Okay,

568
00:28:16,040 --> 00:28:23,280
Speaker 1: you got him here, Wayne's walking in the house. Let's

569
00:28:23,320 --> 00:28:26,119
Speaker 1: not bumb rush anybody. Yeah, that was a little of

570
00:28:26,119 --> 00:28:28,000
Speaker 1: a harsh one. I'm sorry about that. Choice of God.

571
00:28:28,359 --> 00:28:30,520
Speaker 1: Put a bag overhead, order back of the van driver

572
00:28:30,640 --> 00:28:36,840
Speaker 1: down to happen. Hello, Hey, who's this? Well, I'm just

573
00:28:36,880 --> 00:28:39,000
Speaker 1: so happy to talk with you. Well, good, who is it?

574
00:28:39,280 --> 00:28:41,280
Speaker 1: Who do you? Let's play a game because I'm someone

575
00:28:41,360 --> 00:28:43,280
Speaker 1: in your life, and I guess you don't reckons my voice,

576
00:28:43,320 --> 00:28:45,800
Speaker 1: but I'm someone in your life. Who am I guess

577
00:28:45,920 --> 00:28:52,800
Speaker 1: Number one? Is it Daniel? It isn't. It's not Daniel.

578
00:28:53,280 --> 00:28:56,120
Speaker 1: It's not Daniel. Okay, it's about to you. Yeah, that

579
00:28:56,160 --> 00:28:58,280
Speaker 1: would be okay. It's about to be your birthday. And

580
00:28:58,440 --> 00:29:00,720
Speaker 1: I hear that you have a son that you're so

581
00:29:00,840 --> 00:29:03,480
Speaker 1: proud of that's in the military. Yeah, And so you

582
00:29:03,640 --> 00:29:06,480
Speaker 1: go to where is he? Is he in school? Is

583
00:29:06,480 --> 00:29:08,760
Speaker 1: that what it was? Or he's just stationed there in Colorado?

584
00:29:08,920 --> 00:29:11,560
Speaker 1: You go to Tory's stationed there in Colorado. And I,

585
00:29:12,400 --> 00:29:16,320
Speaker 1: in a way, am in Colorado every single morning. Come on,

586
00:29:16,520 --> 00:29:18,040
Speaker 1: come on a net, you can do this. You're in

587
00:29:18,120 --> 00:29:21,760
Speaker 1: Colorado every morning. Well, here's the thing, in net, I'm

588
00:29:21,840 --> 00:29:25,680
Speaker 1: not physically there every morning. I'm there sometimes, but I'm

589
00:29:25,720 --> 00:29:28,760
Speaker 1: not physically there every morning, but I am. My presence

590
00:29:28,880 --> 00:29:37,360
Speaker 1: is in Colorado in Denver. Yes, I thought it is.

591
00:29:37,800 --> 00:29:41,040
Speaker 1: How are you? Oh, my Lord? Like I love you? Oh,

592
00:29:41,200 --> 00:29:44,960
Speaker 1: thank you very much. I appreciate that. He So, first

593
00:29:45,000 --> 00:29:46,600
Speaker 1: of all, let's talk about this son of yours that

594
00:29:46,680 --> 00:29:48,320
Speaker 1: you're so proud of. How does how does he make

595
00:29:48,360 --> 00:29:50,640
Speaker 1: you feel? Out there? Oh, very proud. He hasn't been

596
00:29:50,720 --> 00:29:53,080
Speaker 1: there long, but he makes me very proud. Okay, good

597
00:29:53,080 --> 00:29:54,680
Speaker 1: for you. And then your other kid. How old and

598
00:29:54,920 --> 00:29:58,560
Speaker 1: where are they tightened? He's almost twenty five. He's in Nashville. Okay,

599
00:29:58,640 --> 00:30:01,880
Speaker 1: well that's that's where I am. And so we've never met,

600
00:30:02,240 --> 00:30:04,200
Speaker 1: but your husband lined this whole thing up, and I

601
00:30:04,320 --> 00:30:07,800
Speaker 1: just wanted to tell you happy birthday. I'm just such

602
00:30:07,840 --> 00:30:09,880
Speaker 1: a big fan of your husband. He's the greatest guy

603
00:30:09,920 --> 00:30:11,840
Speaker 1: ever met my whole life. Like sometimes we just talk

604
00:30:11,920 --> 00:30:14,160
Speaker 1: all night on the phone and it's just so you know,

605
00:30:14,440 --> 00:30:16,200
Speaker 1: he's my guy. He's been secretly keeping this from you,

606
00:30:16,680 --> 00:30:20,680
Speaker 1: but happy birthday, right, Well. I enjoy listening to you

607
00:30:20,920 --> 00:30:23,680
Speaker 1: every morning. I love your show. I'm excited that you're

608
00:30:23,720 --> 00:30:26,040
Speaker 1: in Colorado Springs. I told Brandon as soon as I

609
00:30:26,600 --> 00:30:28,240
Speaker 1: when we were out there, and I said, I got

610
00:30:28,280 --> 00:30:32,840
Speaker 1: the Boppy Bone show. So I just you. He brings

611
00:30:32,880 --> 00:30:34,920
Speaker 1: such joy to so many people, and y'all are so

612
00:30:35,080 --> 00:30:37,880
Speaker 1: positive and I love everything that you do. Well, that's

613
00:30:38,000 --> 00:30:40,080
Speaker 1: I'm happy for you and Titlan. Thank you very much,

614
00:30:40,240 --> 00:30:43,920
Speaker 1: very kind. I can't wait till this nutty pandemic's over

615
00:30:44,000 --> 00:30:45,440
Speaker 1: and I can meet you in person. But I hope

616
00:30:45,440 --> 00:30:53,160
Speaker 1: your birthday is amazing. Thank you, all right, Buyonette, I

617
00:30:53,280 --> 00:30:57,080
Speaker 1: brought you by Scoopa Steve, yea is Wayne's still there? Ye? Wayne,

618
00:30:57,160 --> 00:30:59,880
Speaker 1: how'd that go? I thought it was fantastic. I really

619
00:31:00,080 --> 00:31:01,640
Speaker 1: trying to put you over. I acted like you and

620
00:31:01,680 --> 00:31:03,440
Speaker 1: our best friends. We talked every night. I don't feel

621
00:31:03,480 --> 00:31:08,640
Speaker 1: like she believed that. Okay, well, I hope that she

622
00:31:08,840 --> 00:31:11,200
Speaker 1: liked it. I appreciate you calling us and hopefully i'll

623
00:31:11,200 --> 00:31:13,000
Speaker 1: see you out in about soon. Hey, thank you all

624
00:31:13,040 --> 00:31:15,160
Speaker 1: so much. All Right, there he is Wayne and Nette.

625
00:31:15,200 --> 00:31:25,040
Speaker 1: What a lovely couple. It's a bobby good jobs, Hey,

626
00:31:25,120 --> 00:31:28,040
Speaker 1: good jobs Scooba and nice. Appreciate thank you. I appreciate

627
00:31:28,080 --> 00:31:29,480
Speaker 1: you guys to make me employ the month. You guys

628
00:31:29,520 --> 00:31:31,280
Speaker 1: are actual the real winner. So I really appreciate this. Well,

629
00:31:31,320 --> 00:31:32,959
Speaker 1: he's so giving. Maybe he'll be even play the month

630
00:31:32,960 --> 00:31:38,440
Speaker 1: again for this second. It's the best bits of the

631
00:31:38,520 --> 00:31:43,760
Speaker 1: week with Morgan. Number two. So Eddie brought Amy a

632
00:31:43,880 --> 00:31:47,320
Speaker 1: gift the other day, and it was a pretty different gift.

633
00:31:47,440 --> 00:31:50,400
Speaker 1: He brought her his old TV so that Amy could

634
00:31:50,440 --> 00:31:53,040
Speaker 1: smash it because you know, live's been a little crazy lately,

635
00:31:53,120 --> 00:31:55,600
Speaker 1: and who doesn't want to smash an old TV. So

636
00:31:55,800 --> 00:31:58,040
Speaker 1: I brought Amy on to let us know how she's

637
00:31:58,120 --> 00:32:01,400
Speaker 1: feeling after she got to smash his old TV. Hey me,

638
00:32:01,520 --> 00:32:05,520
Speaker 1: what's up? Hey? The first thing I would say is

639
00:32:05,840 --> 00:32:10,440
Speaker 1: the sledgehammer that the got for me was really heavy,

640
00:32:11,160 --> 00:32:13,320
Speaker 1: and I first of all didn't even know what's to

641
00:32:13,400 --> 00:32:15,000
Speaker 1: be able to pick it up to smash the TV.

642
00:32:15,280 --> 00:32:18,040
Speaker 1: But I powered through, and in the next day I

643
00:32:18,200 --> 00:32:21,080
Speaker 1: was so store when I woke up and it first

644
00:32:21,120 --> 00:32:24,560
Speaker 1: had been registered. Why, I just thought to myself, what

645
00:32:25,400 --> 00:32:28,040
Speaker 1: is going on with my body? Why do I ache everywhere?

646
00:32:28,160 --> 00:32:31,360
Speaker 1: I'm so store? And so it dawned on me, Oh,

647
00:32:31,720 --> 00:32:36,160
Speaker 1: it was my smashing incident with the sledgehammer. And I

648
00:32:36,280 --> 00:32:38,600
Speaker 1: will say I did get to a certain point where

649
00:32:38,840 --> 00:32:41,479
Speaker 1: the weight of the sledgehammer just didn't bother me anymore.

650
00:32:41,560 --> 00:32:44,600
Speaker 1: I was so into it and the zone of the smashing.

651
00:32:44,680 --> 00:32:48,360
Speaker 1: But it felt really good. I don't, you know, just

652
00:32:48,520 --> 00:32:54,160
Speaker 1: condone people smashing things irresponsibly, but to have a gift

653
00:32:54,280 --> 00:32:56,440
Speaker 1: like that given to me from Eddie, and it was

654
00:32:56,520 --> 00:33:00,280
Speaker 1: a controlled environment and everybody was safe, and I was

655
00:33:00,440 --> 00:33:03,040
Speaker 1: not actually in a state of rage at the time.

656
00:33:03,560 --> 00:33:06,240
Speaker 1: I think are some key components because you don't want to.

657
00:33:07,320 --> 00:33:09,920
Speaker 1: You want to be able to address the rage without

658
00:33:10,000 --> 00:33:12,560
Speaker 1: having to smash things. But I do think it was

659
00:33:12,800 --> 00:33:17,120
Speaker 1: very theraceutic and awesome. I don't know if there's scientific

660
00:33:17,320 --> 00:33:21,160
Speaker 1: evidence behind that, but it just feel good and I

661
00:33:21,400 --> 00:33:23,960
Speaker 1: certainly have never received a gift like that before in

662
00:33:24,040 --> 00:33:28,840
Speaker 1: my life. So besides your back problems and probably body

663
00:33:28,920 --> 00:33:31,480
Speaker 1: problems you were facing the next day from the sledgehammer,

664
00:33:32,040 --> 00:33:34,200
Speaker 1: do you think that for the next few days it

665
00:33:34,320 --> 00:33:37,120
Speaker 1: kind of helped you in letting go some of the

666
00:33:37,360 --> 00:33:39,680
Speaker 1: feelings that you were having. It did give me some

667
00:33:39,880 --> 00:33:43,320
Speaker 1: sort of release. I'm actually stocked that when I got

668
00:33:43,480 --> 00:33:46,080
Speaker 1: done with it, but I didn't just break down and

669
00:33:46,280 --> 00:33:49,240
Speaker 1: start crying. I had some people comment when I posted

670
00:33:49,320 --> 00:33:53,920
Speaker 1: it on Instagram, so that a comment that are therapeutic

671
00:33:54,040 --> 00:33:56,240
Speaker 1: for them to just even watch something like that, and

672
00:33:56,320 --> 00:34:00,280
Speaker 1: it almost bringing them to tears because certain emotions they

673
00:34:00,360 --> 00:34:03,160
Speaker 1: have going on. And I think that I not had

674
00:34:03,280 --> 00:34:06,720
Speaker 1: to go back on air and continue doing the show,

675
00:34:07,640 --> 00:34:12,200
Speaker 1: I probably would have allowed myself a proper breakdown because

676
00:34:13,120 --> 00:34:17,520
Speaker 1: it does release a lot. And yeah, I again I

677
00:34:17,560 --> 00:34:22,520
Speaker 1: would recommend it, but in a controlled way because I

678
00:34:22,600 --> 00:34:25,759
Speaker 1: don't want to endure just being reckless and oh, I'm

679
00:34:25,880 --> 00:34:29,160
Speaker 1: feeling angry, so I'm going to smash stuff. I was. Actually,

680
00:34:29,800 --> 00:34:33,440
Speaker 1: I am going through a lot, and I do have

681
00:34:33,560 --> 00:34:35,800
Speaker 1: a lot going on. I don't know I would classify

682
00:34:35,880 --> 00:34:39,200
Speaker 1: what I'm going through the rage, but you know I

683
00:34:39,320 --> 00:34:42,439
Speaker 1: could have. I have had in the last several months.

684
00:34:42,480 --> 00:34:44,520
Speaker 1: You know, when I've walked into my school and I've

685
00:34:44,719 --> 00:34:47,880
Speaker 1: expressed on the air that I have felt certain moments

686
00:34:47,960 --> 00:34:50,640
Speaker 1: where I couldn't control things. But I'm working through some

687
00:34:50,800 --> 00:34:52,920
Speaker 1: of that in therapy. And I know it's thirty nine

688
00:34:53,000 --> 00:34:56,360
Speaker 1: years old, but even some of the stuff they've dated

689
00:34:56,480 --> 00:35:00,960
Speaker 1: back to my childhood. So you know, when I slammed

690
00:35:01,040 --> 00:35:02,960
Speaker 1: the milk on the counter in front of the kids,

691
00:35:03,000 --> 00:35:05,880
Speaker 1: and I thought, why that seems so out of character

692
00:35:06,040 --> 00:35:08,520
Speaker 1: for me. Any milk went everywhere, and I was definitely

693
00:35:08,600 --> 00:35:13,560
Speaker 1: not in control. But it's crazy to think that I'm

694
00:35:13,640 --> 00:35:17,400
Speaker 1: reacting that way because of how I maybe dealt with

695
00:35:17,600 --> 00:35:21,000
Speaker 1: some stuff, stuffing things down when I was a child.

696
00:35:21,160 --> 00:35:24,600
Speaker 1: So it's interesting when you really dig into it, and

697
00:35:24,719 --> 00:35:28,879
Speaker 1: I'm I'm only sharing that because again, I don't want

698
00:35:28,960 --> 00:35:33,360
Speaker 1: us to be a part of endorsing something reckless. It was.

699
00:35:33,560 --> 00:35:35,840
Speaker 1: It was also a funny thing that Eddie did and

700
00:35:36,120 --> 00:35:38,480
Speaker 1: there was some humor to it which made me smile,

701
00:35:39,440 --> 00:35:42,600
Speaker 1: and it was it was thoughtful. But at the same time,

702
00:35:42,640 --> 00:35:46,000
Speaker 1: if you're feeling a certain level of anger or rage,

703
00:35:46,120 --> 00:35:51,240
Speaker 1: there's likely a deep rooted problem there and it should

704
00:35:51,280 --> 00:35:55,520
Speaker 1: be addressed. So maybe you're suggesting to listeners if they

705
00:35:55,600 --> 00:35:57,759
Speaker 1: want to do something like this, like go to a

706
00:35:57,880 --> 00:36:00,600
Speaker 1: rage room where it's that's an option, and then also

707
00:36:00,640 --> 00:36:04,000
Speaker 1: go to therapy, so like a combination of the two. Yeah,

708
00:36:04,280 --> 00:36:08,200
Speaker 1: and I understand therapy may not be accessible to everybody,

709
00:36:08,360 --> 00:36:13,359
Speaker 1: but if there's books you can get or I under

710
00:36:13,480 --> 00:36:17,200
Speaker 1: my podcast network, Catherine Defata, who's the licensed therapist here

711
00:36:17,239 --> 00:36:20,239
Speaker 1: in Nashville, has a podcast, Unique Therapy with a lot

712
00:36:20,320 --> 00:36:24,760
Speaker 1: of helpful episodes. There are tools out there and books

713
00:36:24,800 --> 00:36:29,279
Speaker 1: and and you know, whether you pray or meditate, can

714
00:36:29,480 --> 00:36:31,680
Speaker 1: breathe through some of that too. It doesn't have to

715
00:36:31,800 --> 00:36:36,200
Speaker 1: be Rachel. You can do it in a calm manner.

716
00:36:36,520 --> 00:36:39,360
Speaker 1: But yeah, I recommend if you more smash something, that

717
00:36:39,480 --> 00:36:40,640
Speaker 1: you find a way to do it. I think I

718
00:36:40,719 --> 00:36:42,840
Speaker 1: even recommend it on the show, or maybe it was

719
00:36:42,880 --> 00:36:45,560
Speaker 1: on my podcast when I talked about it later, I said,

720
00:36:46,239 --> 00:36:48,680
Speaker 1: maybe you know someone like a firm that's remodeling their

721
00:36:48,719 --> 00:36:51,080
Speaker 1: house and they need a walt demote or you know,

722
00:36:51,400 --> 00:36:55,880
Speaker 1: smash down. I think you call it like demote, debite

723
00:36:55,880 --> 00:36:59,239
Speaker 1: yourself over and have a little fun with that. So

724
00:36:59,600 --> 00:37:02,080
Speaker 1: again that's something that needs to get done. But you

725
00:37:02,280 --> 00:37:06,880
Speaker 1: get to express some things. There is something therapeutic about

726
00:37:06,880 --> 00:37:10,600
Speaker 1: putting stuff in the motion, even sort of arcballs. Have

727
00:37:10,800 --> 00:37:12,640
Speaker 1: I told you about the art ball? No, I don't

728
00:37:12,640 --> 00:37:15,040
Speaker 1: think I know about these, Okay, So it's a stress

729
00:37:15,080 --> 00:37:17,120
Speaker 1: and anxiety ball. I think we talked about it on

730
00:37:17,360 --> 00:37:20,080
Speaker 1: the show, but a lot of times Morgan is on

731
00:37:20,480 --> 00:37:24,560
Speaker 1: Instagram or Twitter show socials during the show, so she

732
00:37:24,640 --> 00:37:30,080
Speaker 1: doesn't everything. But it's a it's a stress. You can

733
00:37:30,120 --> 00:37:32,840
Speaker 1: find it on Amazon. It's fourteen ninety nine and you

734
00:37:32,920 --> 00:37:37,560
Speaker 1: can leave it um throwed it like it's been. Really

735
00:37:37,680 --> 00:37:39,560
Speaker 1: my son and I have thrown it to each other

736
00:37:39,640 --> 00:37:42,560
Speaker 1: as hard as we possibly can, and it has helped

737
00:37:42,960 --> 00:37:47,160
Speaker 1: us get through a couple of different things. Uh. One

738
00:37:47,280 --> 00:37:49,719
Speaker 1: of the therapists that he works for us as talking

739
00:37:49,800 --> 00:37:53,240
Speaker 1: about how you can go outside and through ice cubes

740
00:37:53,480 --> 00:37:56,839
Speaker 1: because that's like a state of doing something but it's

741
00:37:56,880 --> 00:37:59,600
Speaker 1: not going to hurt anything, and you can just throw

742
00:37:59,640 --> 00:38:02,279
Speaker 1: it as hard as you possibly can, and there's some

743
00:38:02,880 --> 00:38:07,399
Speaker 1: sensory thing happening that is willing to help calm you down.

744
00:38:08,040 --> 00:38:11,520
Speaker 1: Oh wow. I don't know the science behind it, but

745
00:38:11,680 --> 00:38:15,440
Speaker 1: the art wall, I think it's felt a R R

746
00:38:15,640 --> 00:38:19,120
Speaker 1: g H H like R and I have it on

747
00:38:19,200 --> 00:38:22,520
Speaker 1: my Amazon's favorite page if you're having trouble finding it.

748
00:38:22,960 --> 00:38:25,400
Speaker 1: My family, everyone in our family has one now, so

749
00:38:25,600 --> 00:38:30,480
Speaker 1: I've ordered several and I there as not an endorsement

750
00:38:30,560 --> 00:38:33,959
Speaker 1: by any means that you can find it like my radio.

751
00:38:34,040 --> 00:38:36,360
Speaker 1: Amy dot com is how you can find my Amazon favorites.

752
00:38:36,400 --> 00:38:37,960
Speaker 1: It much the best way to send you there if

753
00:38:38,000 --> 00:38:40,200
Speaker 1: you all want it, because that's a that could be

754
00:38:40,239 --> 00:38:42,680
Speaker 1: a good gift for somebody in your life or maybe yourself,

755
00:38:42,800 --> 00:38:47,680
Speaker 1: or stocking stuff or for someone this Christmas, because that

756
00:38:47,880 --> 00:38:50,280
Speaker 1: is another way to I think get out some anxiety

757
00:38:50,360 --> 00:38:53,680
Speaker 1: and stress and anger. Is it's it's a sensory tool.

758
00:38:54,000 --> 00:38:56,319
Speaker 1: And I know there is science about that part up

759
00:38:56,520 --> 00:38:59,480
Speaker 1: but you'll you can research it yourself. Yeah, I love

760
00:38:59,520 --> 00:39:01,600
Speaker 1: that You're I mean, everybody so many options. We got

761
00:39:01,760 --> 00:39:05,080
Speaker 1: rage room therapy if that's an option, an arcaball or

762
00:39:05,120 --> 00:39:07,640
Speaker 1: even just ice cubes, and everybody has ice cubes. So

763
00:39:08,120 --> 00:39:10,200
Speaker 1: I think those are all some great options if you're

764
00:39:10,680 --> 00:39:13,000
Speaker 1: you know, twenty twenty has been a crazy year for everybody,

765
00:39:13,120 --> 00:39:15,800
Speaker 1: so I think everybody could be throwing some ice cubes

766
00:39:15,840 --> 00:39:21,319
Speaker 1: right now. Absolutely, dy in your family might think you're

767
00:39:21,360 --> 00:39:25,240
Speaker 1: crazy if really now and you are throwing ice cubes.

768
00:39:25,560 --> 00:39:28,200
Speaker 1: But just say Amy from the Bobby Bones for to

769
00:39:28,400 --> 00:39:31,440
Speaker 1: me to do it. Well, thanks for coming by and

770
00:39:31,600 --> 00:39:34,640
Speaker 1: telling us how you're feeling afterwards. It's definitely a cool moment.

771
00:39:34,719 --> 00:39:36,680
Speaker 1: We're gonna listen back to it now. But you can

772
00:39:36,719 --> 00:39:39,320
Speaker 1: also go to Bobbybones dot com and watch Amy smashes

773
00:39:39,360 --> 00:39:41,400
Speaker 1: a TV, which is even more cool. Well, thanks for

774
00:39:41,520 --> 00:39:44,359
Speaker 1: having me on your podcast, Morgan. Yeah, of course you're

775
00:39:44,360 --> 00:39:49,439
Speaker 1: always welcome. Bye bye number three. You're ready stretched out? Yeah,

776
00:39:49,440 --> 00:39:52,120
Speaker 1: I'm ready. If you go over to our Facebook page,

777
00:39:52,600 --> 00:39:54,840
Speaker 1: just search for Bobby Bones Show, you can watch Amy.

778
00:39:55,360 --> 00:39:57,640
Speaker 1: You can go ahead and go okay, she's taking her

779
00:39:57,640 --> 00:40:02,480
Speaker 1: headphones out. Eddie was inspired. He had a TV that

780
00:40:02,600 --> 00:40:05,120
Speaker 1: wasn't working anymore. But you know, you have to demolish

781
00:40:05,200 --> 00:40:07,399
Speaker 1: it or someone can take all the personal information from

782
00:40:07,400 --> 00:40:09,879
Speaker 1: exactly because the TV wouldn't turn on and has all

783
00:40:09,920 --> 00:40:12,120
Speaker 1: my log ins, my Netflix, all that stuff on there.

784
00:40:12,160 --> 00:40:14,040
Speaker 1: So I'm like, I have to destroy this somehow. So

785
00:40:14,200 --> 00:40:16,040
Speaker 1: he knows Amy's been going through a tough time. Yeah,

786
00:40:16,200 --> 00:40:17,560
Speaker 1: so we've set it up for her to go on

787
00:40:17,640 --> 00:40:20,080
Speaker 1: the alley and just start wrecking it with a sledgehammer.

788
00:40:20,600 --> 00:40:22,439
Speaker 1: By the way, who brought the sledge hammer? I don't

789
00:40:22,440 --> 00:40:25,440
Speaker 1: know who owns that, Steve. They probably won't buy Home

790
00:40:25,480 --> 00:40:27,960
Speaker 1: Deep or something, right, So okay, So Amy's walking out

791
00:40:27,960 --> 00:40:30,320
Speaker 1: to the back alley. Now I think she has the

792
00:40:30,400 --> 00:40:37,759
Speaker 1: phone on her. Amy there else is it going to be?

793
00:40:38,040 --> 00:40:40,360
Speaker 1: He's like, hey, man, you gotta call let's Bobby on

794
00:40:40,400 --> 00:40:45,719
Speaker 1: the phoney. Do you see the TV? Yes? And in

795
00:40:45,760 --> 00:40:49,400
Speaker 1: the oh wow, we're watching her right now. I see it. Okay,

796
00:40:49,640 --> 00:40:51,560
Speaker 1: So Amy, we need you to put the gloves and

797
00:40:51,600 --> 00:40:54,920
Speaker 1: the goggles on please. Okay, Um, well I have to

798
00:40:54,960 --> 00:40:59,080
Speaker 1: hand the phone off. Hold on. It is a blue

799
00:40:59,200 --> 00:41:02,000
Speaker 1: sledge hammer, Eddie. That's a pretty big TV. That's like

800
00:41:02,080 --> 00:41:04,320
Speaker 1: over a fifty five in Yeah, it's fifty something. And

801
00:41:04,360 --> 00:41:06,640
Speaker 1: they couldn't fix that thing. I mean they could. They

802
00:41:06,680 --> 00:41:08,680
Speaker 1: said it's gonna it's gonna cost more than just buying

803
00:41:08,719 --> 00:41:10,439
Speaker 1: a new one. So I just bought a new one, Okay,

804
00:41:10,480 --> 00:41:12,640
Speaker 1: she's put both gloves on. She is now putting the

805
00:41:13,000 --> 00:41:17,920
Speaker 1: goggles on her head. She's looking at the TV. She

806
00:41:18,000 --> 00:41:19,880
Speaker 1: just did one of those crouches where you cratched down

807
00:41:19,880 --> 00:41:21,680
Speaker 1: and look underneath the car. But she's looking at the TV.

808
00:41:22,840 --> 00:41:25,680
Speaker 1: I hope this is very therapeutic to her. Okay, Amy,

809
00:41:25,760 --> 00:41:29,200
Speaker 1: how do you feel? I feel? I don't know. I'm nervous.

810
00:41:29,280 --> 00:41:31,840
Speaker 1: I'm shaking like I don't know why, but I'm sticking.

811
00:41:32,200 --> 00:41:36,000
Speaker 1: How heavy is the sledgehammer? It's very heavy? Okay, I

812
00:41:36,120 --> 00:41:38,360
Speaker 1: just take a little swing without hitting the TV. I

813
00:41:38,400 --> 00:41:41,399
Speaker 1: just want to see, like, hit the wood back behind it. Yeah,

814
00:41:41,480 --> 00:41:43,120
Speaker 1: grab top. I was henna get some leverage. I just

815
00:41:43,120 --> 00:41:44,480
Speaker 1: want to see how heavy that thing's gonna be. Hit

816
00:41:44,480 --> 00:41:47,000
Speaker 1: the wood behind it. Don't hit the TV. You could

817
00:41:47,000 --> 00:41:55,399
Speaker 1: do it. Oh okay, good, how'd that feel? Okay, she's

818
00:41:55,480 --> 00:41:58,160
Speaker 1: hitting the wood right now? Oh again? Okay, Well tell

819
00:41:58,160 --> 00:42:02,319
Speaker 1: her relax. We're good to go. Yeah, right, but now

820
00:42:02,360 --> 00:42:04,760
Speaker 1: it's a bad day at work. She's out of control already.

821
00:42:04,880 --> 00:42:07,200
Speaker 1: All right, are you ready? Amy? On the scooba? You

822
00:42:07,280 --> 00:42:10,080
Speaker 1: need glasses too, if you're gonna or put the phone

823
00:42:10,120 --> 00:42:12,440
Speaker 1: on the ground. Okay, I put on the ground, but

824
00:42:12,560 --> 00:42:16,040
Speaker 1: I'm okay, I've done this before. Him and his wife.

825
00:42:16,080 --> 00:42:17,920
Speaker 1: Every Thursday they go buy a TV and wreck it

826
00:42:18,160 --> 00:42:25,160
Speaker 1: all Amy, here we go, three two, one go. Oh

827
00:42:28,719 --> 00:42:30,640
Speaker 1: it almost killed her. She hit it. Oh, here we go,

828
00:42:38,520 --> 00:42:42,040
Speaker 1: it's not really breaking. Okay, hey, put the TV back up.

829
00:42:43,360 --> 00:42:45,560
Speaker 1: She knocked it over immediately. Then it started beating on

830
00:42:45,560 --> 00:42:49,319
Speaker 1: the back side of it. Amy is beating a TV

831
00:42:49,440 --> 00:42:56,040
Speaker 1: with oh, and she's back at it. Hold on, Scooba

832
00:42:56,080 --> 00:43:02,640
Speaker 1: is gonna get hit by the sledgehammer. I can get

833
00:43:05,320 --> 00:43:17,600
Speaker 1: a sledgehammers too heavy for her. Oh it's breaking. Oh. Man,

834
00:43:17,719 --> 00:43:22,919
Speaker 1: Amy is busting a TV. Oh, I think it's working. Buzz.

835
00:43:25,360 --> 00:43:32,600
Speaker 1: Oh she's going to class coming out. He's going to

836
00:43:32,680 --> 00:43:41,000
Speaker 1: town on it now three more one two, Oh, it's

837
00:43:41,040 --> 00:43:47,160
Speaker 1: breaking now. Well man, she keeps going all right, scuba,

838
00:43:48,680 --> 00:43:51,840
Speaker 1: all right, let me talk to her. Okay, she'd like me,

839
00:43:55,239 --> 00:44:04,800
Speaker 1: how do you feel? That requires a lot? It was

840
00:44:04,800 --> 00:44:11,680
Speaker 1: like nine guys, I'll be honest with you. I don't know, guys.

841
00:44:11,920 --> 00:44:14,680
Speaker 1: I felt really really good that. I'm like, now I'm

842
00:44:14,680 --> 00:44:17,520
Speaker 1: all worked up, and I don't know. I neither like

843
00:44:17,640 --> 00:44:22,600
Speaker 1: go run or cry or I don't know, but it

844
00:44:22,800 --> 00:44:26,200
Speaker 1: definitely was amazing. Thank you. Eddie, You're welcome. Maybe it's nice.

845
00:44:26,239 --> 00:44:29,320
Speaker 1: Good look at the TV. Hey, take a picture of

846
00:44:29,440 --> 00:44:32,239
Speaker 1: Amy holding that TV up with our goggles on. She

847
00:44:32,360 --> 00:44:35,640
Speaker 1: really went to town on that sucker. All right, thanks guys,

848
00:44:36,239 --> 00:44:40,080
Speaker 1: All right, come on back. I think we both I

849
00:44:40,160 --> 00:44:41,799
Speaker 1: think we both got what we wanted out of that, right,

850
00:44:41,880 --> 00:44:44,279
Speaker 1: What did you want to destroyed TV? I don't think

851
00:44:44,280 --> 00:44:46,160
Speaker 1: anyone's gonna be watching TV on that thing, right, So

852
00:44:46,320 --> 00:44:48,919
Speaker 1: this was all just moved by you to save some money. Yeah,

853
00:44:49,000 --> 00:44:51,840
Speaker 1: and and she got some release. Okay, there she is.

854
00:44:51,920 --> 00:44:53,360
Speaker 1: Am you gonna watch that? We'll put it up on

855
00:44:53,400 --> 00:44:56,400
Speaker 1: her Instagram later. Amy destroying a TV hasn't had the

856
00:44:56,480 --> 00:45:00,200
Speaker 1: easiest last few weeks. Hopefully that was able to help

857
00:45:00,239 --> 00:45:03,759
Speaker 1: her get through today. Good good, although although she kind

858
00:45:03,800 --> 00:45:06,799
Speaker 1: of sounds exhausted, she started going pretty good that hammer though.

859
00:45:10,560 --> 00:45:14,279
Speaker 1: It's the best bits of the week with Morgan number two.

860
00:45:15,920 --> 00:45:18,280
Speaker 1: All right, So, one of the biggest things that happened

861
00:45:18,320 --> 00:45:20,520
Speaker 1: on the show the last few weeks was this whole

862
00:45:20,640 --> 00:45:24,040
Speaker 1: debate over Eddie selling his soul to Bobby. And for

863
00:45:24,120 --> 00:45:26,319
Speaker 1: a while there Eddie was going to and then things

864
00:45:26,360 --> 00:45:28,680
Speaker 1: took a really different turn. So I brought Eddie on

865
00:45:28,760 --> 00:45:30,600
Speaker 1: with me so we can kind of break this all down.

866
00:45:30,760 --> 00:45:33,000
Speaker 1: How weird was that, by the way, so weird? And

867
00:45:33,160 --> 00:45:35,279
Speaker 1: also the fact that we brought on a special guest,

868
00:45:35,320 --> 00:45:37,880
Speaker 1: which was John Morgan of Morgan and Morgan, who's a lawyer.

869
00:45:38,360 --> 00:45:41,440
Speaker 1: So okay, So, how are you feeling You didn't end

870
00:45:41,520 --> 00:45:44,160
Speaker 1: up selling your soul? And they'll hear this through this

871
00:45:44,239 --> 00:45:46,560
Speaker 1: whole bit, but you didn't end up selling your soul.

872
00:45:46,719 --> 00:45:48,920
Speaker 1: How are you feeling? I feel good about it. I mean,

873
00:45:49,280 --> 00:45:51,520
Speaker 1: I think the listeners were a big part of this,

874
00:45:51,680 --> 00:45:53,920
Speaker 1: because this started, you know, I don't know a few

875
00:45:53,960 --> 00:45:57,759
Speaker 1: weeks ago, and he brought it up to me. He says, hey,

876
00:45:58,000 --> 00:46:00,040
Speaker 1: I want to buy your soul. What would you and

877
00:46:00,120 --> 00:46:02,120
Speaker 1: he named the price and he'll buy it at that

878
00:46:02,360 --> 00:46:04,080
Speaker 1: price or whatever. And I think I said something like,

879
00:46:04,080 --> 00:46:05,960
Speaker 1: I don't know, two hundred dollars, I'll do it or whatever.

880
00:46:06,280 --> 00:46:08,879
Speaker 1: Because at the beginning, I was like, lunchbox, it's free money,

881
00:46:08,960 --> 00:46:11,920
Speaker 1: it's not the soul. He's not gonna literally take the

882
00:46:12,080 --> 00:46:14,279
Speaker 1: soul out of my body. But then if you start

883
00:46:14,360 --> 00:46:18,680
Speaker 1: thinking about it, like the fact that you're exchanging money

884
00:46:18,760 --> 00:46:21,280
Speaker 1: for your soul, there's some kind of mental thing attached

885
00:46:21,280 --> 00:46:24,880
Speaker 1: to that. Where like you are literally selling whatever you

886
00:46:25,040 --> 00:46:27,879
Speaker 1: think a soul is for money. Well there's a word

887
00:46:27,960 --> 00:46:30,080
Speaker 1: for that, and I can't remember what that word is,

888
00:46:30,160 --> 00:46:34,080
Speaker 1: but it's like um or you're feeling like conscious, like

889
00:46:34,239 --> 00:46:37,400
Speaker 1: you don't take medicine but instead but you still feel

890
00:46:37,480 --> 00:46:42,440
Speaker 1: sick or something. Oh, yes, it's called get hit up.

891
00:46:43,160 --> 00:46:45,680
Speaker 1: I know what this phrase is all the time. I know,

892
00:46:45,920 --> 00:46:50,239
Speaker 1: but that's what That's what I'm saying. Effects welcome. Hey,

893
00:46:50,360 --> 00:46:52,680
Speaker 1: I'm smarter than you. Got any chance, lunchbox and get

894
00:46:52,719 --> 00:46:54,920
Speaker 1: on your podcast. He's gonna do it. Yeah, yeah, he

895
00:46:55,000 --> 00:46:57,960
Speaker 1: always interrupts everything that I do. It's fine, lunch Box,

896
00:46:58,040 --> 00:47:00,840
Speaker 1: I still love you. Let's seebo effect, yes, And so

897
00:47:01,160 --> 00:47:04,560
Speaker 1: do you think had you sold it, you would be

898
00:47:04,680 --> 00:47:08,040
Speaker 1: having this placebo effect? Like probably no real effect on

899
00:47:08,080 --> 00:47:10,440
Speaker 1: your actual life, probably not. But in moments when like

900
00:47:10,560 --> 00:47:12,359
Speaker 1: something bad happens to you, it's like, because I don't

901
00:47:12,400 --> 00:47:14,600
Speaker 1: have a soul, you know, it would be moments where

902
00:47:14,719 --> 00:47:17,839
Speaker 1: like Bobby and I twenty years down the road, get

903
00:47:17,880 --> 00:47:20,080
Speaker 1: into some argument or whatever and we get really bad.

904
00:47:20,120 --> 00:47:22,239
Speaker 1: It's like and then I start thinking, like, crap, he

905
00:47:22,360 --> 00:47:25,400
Speaker 1: owns my soul, Like I can't do anything about this,

906
00:47:25,840 --> 00:47:28,520
Speaker 1: even though it's not real. That was the struggle. And

907
00:47:28,560 --> 00:47:30,600
Speaker 1: then on Twitter, I would get on and there would

908
00:47:30,600 --> 00:47:33,520
Speaker 1: be people dead serious saying like don't do it, like,

909
00:47:33,760 --> 00:47:36,520
Speaker 1: don't do it. God owns your soul. And then I'm

910
00:47:36,560 --> 00:47:39,399
Speaker 1: just like, it's a valid point. We did. We had

911
00:47:39,520 --> 00:47:43,120
Speaker 1: so many religious, very religious listeners who came out and

912
00:47:43,239 --> 00:47:46,160
Speaker 1: we're like, this is a horrible segment. I can't believe

913
00:47:46,200 --> 00:47:50,040
Speaker 1: you're even discussing this. And even my wife the night before,

914
00:47:50,400 --> 00:47:52,520
Speaker 1: you know, I came in and John Morgan was gonna

915
00:47:52,520 --> 00:47:55,560
Speaker 1: call we're gonna do the deciding deciding thing, like, well,

916
00:47:55,600 --> 00:47:57,879
Speaker 1: we were gonna name the price at my wife says,

917
00:47:57,960 --> 00:48:00,239
Speaker 1: I don't feel really good about it, Like I don't.

918
00:48:00,320 --> 00:48:01,600
Speaker 1: She's like, and I don't even know what it is.

919
00:48:01,760 --> 00:48:04,200
Speaker 1: I'm not scared or anything, because yeah, it's your soul,

920
00:48:04,200 --> 00:48:06,160
Speaker 1: he's not going to take it, but there's something about

921
00:48:06,160 --> 00:48:09,200
Speaker 1: it I don't feel good about. So was she encouraging

922
00:48:09,280 --> 00:48:11,120
Speaker 1: you not to do it? Take the money? Do you

923
00:48:11,239 --> 00:48:14,560
Speaker 1: need the money? Though? No, no, But like Lunchbox again,

924
00:48:14,760 --> 00:48:17,520
Speaker 1: it's that mentality of like, don't be stupid, it's not real.

925
00:48:17,800 --> 00:48:21,520
Speaker 1: That is free money. Yeah, but even Lunchbox, who did

926
00:48:21,600 --> 00:48:23,719
Speaker 1: the free money for what when it was all the

927
00:48:24,000 --> 00:48:25,560
Speaker 1: things that are supposed to bring you bad luck. I

928
00:48:25,640 --> 00:48:27,560
Speaker 1: think he did give them bad luck after he did

929
00:48:27,600 --> 00:48:30,520
Speaker 1: them all. When he called it free money, it's true.

930
00:48:30,680 --> 00:48:33,759
Speaker 1: So I don't really believe money, anything attached to money

931
00:48:33,880 --> 00:48:36,239
Speaker 1: is ever free. And in a weird way, you are

932
00:48:36,360 --> 00:48:39,600
Speaker 1: selling your soul for that money. Yes, and you know what,

933
00:48:39,840 --> 00:48:42,200
Speaker 1: maybe nothing happens in your life if you were to

934
00:48:42,280 --> 00:48:44,239
Speaker 1: do it, but maybe at the end of your life

935
00:48:44,600 --> 00:48:47,279
Speaker 1: it comes back to haunt you, right Gates. Yeah, and

936
00:48:47,320 --> 00:48:50,440
Speaker 1: they're like, well, look, buddy, you sold your soul. Have

937
00:48:50,520 --> 00:48:53,000
Speaker 1: that option. Saint Peter's look at this list going like,

938
00:48:53,160 --> 00:48:55,640
Speaker 1: oh wait a second, you're the guy that sold your

939
00:48:55,680 --> 00:48:58,359
Speaker 1: soul for two hundred dollars to Bobby Bones. I see

940
00:48:58,360 --> 00:49:00,560
Speaker 1: that right here. I think that's why our listeners were

941
00:49:00,600 --> 00:49:02,320
Speaker 1: kind of coming out of the woodworks, like do not

942
00:49:02,440 --> 00:49:04,359
Speaker 1: even think about doing this segment because I think it's

943
00:49:04,400 --> 00:49:07,400
Speaker 1: like this mentality thing of kind of that afterlife. I

944
00:49:07,480 --> 00:49:09,160
Speaker 1: think that had a big part of it. Yeah, and

945
00:49:09,480 --> 00:49:10,880
Speaker 1: right when it came down to it, I look at

946
00:49:10,880 --> 00:49:12,640
Speaker 1: Amy and I'm thinking, like, Amy, tell it, you know,

947
00:49:12,840 --> 00:49:14,080
Speaker 1: tell me what to do. And I can see it

948
00:49:14,120 --> 00:49:15,680
Speaker 1: in her eyes to like I wouldn't do this, like

949
00:49:15,840 --> 00:49:18,239
Speaker 1: seriously wouldn't do it. And then people on Twitter and

950
00:49:18,480 --> 00:49:20,520
Speaker 1: our listeners were saying, don't do it, and I'm like,

951
00:49:20,520 --> 00:49:22,600
Speaker 1: all right, there's no point in doing it. If somebody

952
00:49:22,680 --> 00:49:24,600
Speaker 1: down the road, maybe it's not Bobby, but maybe it

953
00:49:24,680 --> 00:49:28,160
Speaker 1: is Bobby offers you like million dollars realistically, like one

954
00:49:28,239 --> 00:49:33,600
Speaker 1: hundred thousand dollars for your soul, would you do it? Then? See,

955
00:49:33,600 --> 00:49:35,560
Speaker 1: I don't know. I'll be at the same position then

956
00:49:35,680 --> 00:49:38,120
Speaker 1: than I am. Now that's actually more money that could

957
00:49:38,160 --> 00:49:40,480
Speaker 1: be life changing, right. Well would be cool though, is

958
00:49:40,480 --> 00:49:42,359
Speaker 1: if I got two hundred from Bobby and then later

959
00:49:42,440 --> 00:49:45,239
Speaker 1: down the road got offered the one hundred thousand, and

960
00:49:45,280 --> 00:49:47,040
Speaker 1: I'd be like, well, nothing's happened to me with Bobby.

961
00:49:47,040 --> 00:49:49,759
Speaker 1: Should all sell you part of my soul too? Yeah,

962
00:49:49,840 --> 00:49:52,120
Speaker 1: But like two hundred dollars is nothing invary to like

963
00:49:52,280 --> 00:49:54,400
Speaker 1: a bank of like one hundred thousand that could actually

964
00:49:54,440 --> 00:49:56,359
Speaker 1: change your life. Two hundred thousand dollars maybe s been

965
00:49:56,440 --> 00:49:59,600
Speaker 1: on some wine or whatever. I don't know. Look, Morgan,

966
00:50:00,000 --> 00:50:01,920
Speaker 1: I decided not to do it, and that's where that's

967
00:50:01,920 --> 00:50:03,640
Speaker 1: where I ended it. So for the rest of your life,

968
00:50:03,760 --> 00:50:06,040
Speaker 1: you're just know you're you're done. The soul is mine.

969
00:50:06,200 --> 00:50:11,160
Speaker 1: There's no more. There's nobody that can convince you otherwise. Okay, Well,

970
00:50:11,239 --> 00:50:13,359
Speaker 1: there you have it. Eddie did not sell his soul

971
00:50:13,400 --> 00:50:15,719
Speaker 1: to Bobby, and he's never ever going to in his

972
00:50:15,960 --> 00:50:17,880
Speaker 1: entire life. So thanks for hanging out with us for

973
00:50:17,920 --> 00:50:20,279
Speaker 1: a minute, Thanks for having me lunchbox, Thanks for chiming

974
00:50:20,320 --> 00:50:23,439
Speaker 1: in number two. That's right. I gave Eddie a week

975
00:50:24,239 --> 00:50:26,920
Speaker 1: and I offered him one hundred and fifty dollars for

976
00:50:27,160 --> 00:50:30,160
Speaker 1: his soul. Now what that means is you have to

977
00:50:30,200 --> 00:50:32,839
Speaker 1: write it down a piece of paper. Sure, I, Eddie,

978
00:50:33,440 --> 00:50:38,080
Speaker 1: give Bobby my soul and then sign it yes, and

979
00:50:38,280 --> 00:50:41,320
Speaker 1: we'll find a notary public can watch it, make it official.

980
00:50:41,440 --> 00:50:45,440
Speaker 1: Will you sell me your soul for two hundred dollars?

981
00:50:46,040 --> 00:50:48,960
Speaker 1: I will sell you my soul. And I thought about this.

982
00:50:49,160 --> 00:50:51,680
Speaker 1: I thought about it long and hard, okay, And I said,

983
00:50:51,840 --> 00:50:53,279
Speaker 1: you know, because the first thing, because of my mind

984
00:50:53,560 --> 00:50:55,840
Speaker 1: is a devil went down to Georgia. You know, the

985
00:50:55,880 --> 00:50:57,560
Speaker 1: devil win down Georgie. He's looking for a soul to steel.

986
00:50:57,560 --> 00:51:00,239
Speaker 1: And I'm just like, why does Bobby want me? I thought?

987
00:51:00,239 --> 00:51:01,719
Speaker 1: I was like, why does he want my soul. And

988
00:51:01,760 --> 00:51:04,400
Speaker 1: then I'm thinking, well, Bobby's not the devil. Bobby's actually

989
00:51:04,400 --> 00:51:07,840
Speaker 1: a nice guy. So I'm selling my soul to someone

990
00:51:07,880 --> 00:51:10,919
Speaker 1: who's actually a nice guy, probably gonna do something good

991
00:51:11,000 --> 00:51:13,520
Speaker 1: with it. Oh you're not. You're not gonna do bad

992
00:51:13,600 --> 00:51:15,000
Speaker 1: things with it. So I'm like, this is a win

993
00:51:15,080 --> 00:51:17,959
Speaker 1: win for you, win win for me. Let's do it, dude.

994
00:51:18,400 --> 00:51:21,560
Speaker 1: So for two hundred dollars, you will sell me your soul.

995
00:51:22,760 --> 00:51:24,959
Speaker 1: You'll write it out, write it out? Would you do it? Amy?

996
00:51:25,520 --> 00:51:27,719
Speaker 1: I don't think so. But he makes a good point

997
00:51:28,120 --> 00:51:33,359
Speaker 1: about the type of person you are, so I oh, yes, yes, yes,

998
00:51:33,520 --> 00:51:35,920
Speaker 1: I know you're gonna do good things with my soul. Okay,

999
00:51:36,280 --> 00:51:38,120
Speaker 1: now I've been told to that. Hopefully later on in

1000
00:51:38,120 --> 00:51:40,560
Speaker 1: the show we'll have an attorney on Oh great, yeah great,

1001
00:51:40,560 --> 00:51:42,440
Speaker 1: Because I never really got a straight answer from any

1002
00:51:42,480 --> 00:51:45,440
Speaker 1: attorneys out there on Twitter about what about like legally,

1003
00:51:45,560 --> 00:51:47,360
Speaker 1: what does this mean? You know? Does this mean he

1004
00:51:47,440 --> 00:51:52,000
Speaker 1: can legally use my quote unquote soul for whatever? I

1005
00:51:52,080 --> 00:51:54,880
Speaker 1: don't know, because to me, it's just a word like

1006
00:51:55,040 --> 00:51:57,319
Speaker 1: you're literally not sucking the soul out of my body.

1007
00:51:57,360 --> 00:51:59,360
Speaker 1: You know. Well, if that's the case, why didn't you

1008
00:51:59,400 --> 00:52:01,440
Speaker 1: sell him if bucks, but just a word, because just

1009
00:52:01,719 --> 00:52:05,000
Speaker 1: in case there is a chance that you're actually gonna

1010
00:52:05,000 --> 00:52:07,160
Speaker 1: have my actual soul, which I don't know what that means,

1011
00:52:08,600 --> 00:52:11,239
Speaker 1: then that's gonna happen. But again, I still think that

1012
00:52:11,320 --> 00:52:12,840
Speaker 1: you're a good guy and you're not gonna do anything

1013
00:52:12,880 --> 00:52:16,280
Speaker 1: bad with it. Lunchbox listen, Eddie, you are such a weirdo.

1014
00:52:16,440 --> 00:52:18,399
Speaker 1: Take the two. I can't believe it took you this long.

1015
00:52:18,680 --> 00:52:20,800
Speaker 1: I'm Bobby, you're getting ripped off. I'll do it for

1016
00:52:20,840 --> 00:52:25,719
Speaker 1: one eighty five. I don't want your soul. Why what's

1017
00:52:25,760 --> 00:52:29,680
Speaker 1: the difference. There's just nothing special about your soul, Eddie. Okay, indeed,

1018
00:52:29,800 --> 00:52:33,880
Speaker 1: it just just kind of for fun. Any ideas what

1019
00:52:33,960 --> 00:52:35,400
Speaker 1: you're gonna do with my soul. I can't believe you're

1020
00:52:35,440 --> 00:52:37,680
Speaker 1: gonna pay that much for his soul, Like he is

1021
00:52:37,880 --> 00:52:39,920
Speaker 1: just driving the price up for nothing. You are getting

1022
00:52:40,000 --> 00:52:42,359
Speaker 1: nothing in return. I feel like my soul's worth at

1023
00:52:42,400 --> 00:52:44,640
Speaker 1: least two hundred dollars. What if I flip it and

1024
00:52:44,760 --> 00:52:47,200
Speaker 1: I sell it to somebody else like Taylor swepts music. Okay,

1025
00:52:47,239 --> 00:52:50,160
Speaker 1: you know how they had it and then they resold it.

1026
00:52:50,360 --> 00:52:52,400
Speaker 1: I have the masters to your soul. Interesting what I'm

1027
00:52:52,400 --> 00:52:53,480
Speaker 1: gonna do is I wanna put it in a jar.

1028
00:52:53,520 --> 00:52:54,879
Speaker 1: First of all, I'm gonna keep it here at my desk.

1029
00:52:55,040 --> 00:52:56,960
Speaker 1: But you know what Taylor did too, or is gonna do.

1030
00:52:57,160 --> 00:52:59,239
Speaker 1: She's just gonna rerecord those songs, so I might just

1031
00:52:59,640 --> 00:53:01,239
Speaker 1: go getting the same. They won't be that you have

1032
00:53:01,280 --> 00:53:04,759
Speaker 1: to buy somebody else's soul won't be the same. Later

1033
00:53:04,840 --> 00:53:06,839
Speaker 1: on in the show, I will pay you this money.

1034
00:53:07,000 --> 00:53:10,080
Speaker 1: Good cool. Two hundred that's the deal. Two hundred dollars.

1035
00:53:10,160 --> 00:53:12,480
Speaker 1: I accept the deal. And what do I do? Do

1036
00:53:12,560 --> 00:53:14,560
Speaker 1: I breathe into a bottle Like what I do. I'm

1037
00:53:14,600 --> 00:53:16,600
Speaker 1: going to have you come near me and I'm going

1038
00:53:16,640 --> 00:53:20,120
Speaker 1: to touch your heart. Oh my yeah, And then I'm

1039
00:53:20,160 --> 00:53:22,200
Speaker 1: gonna take that and put it into the jar in

1040
00:53:22,320 --> 00:53:25,520
Speaker 1: my heart. No, but the aura comeback, and then you're

1041
00:53:25,560 --> 00:53:28,399
Speaker 1: gonna sign the paper. Then I own your soul. Okay, deal,

1042
00:53:29,440 --> 00:53:31,400
Speaker 1: This is great, man. I'm glad we can do business

1043
00:53:31,520 --> 00:53:35,040
Speaker 1: me too. You're not You're not a bad dude. I

1044
00:53:35,120 --> 00:53:38,480
Speaker 1: got you on the phone right now. Is John Morgan

1045
00:53:39,080 --> 00:53:42,800
Speaker 1: from Morgan and Morgan. Hey, mister Morgan, is it Morgan

1046
00:53:42,880 --> 00:53:45,560
Speaker 1: and Morgan and Associates? How do you? How's the law

1047
00:53:45,600 --> 00:53:53,319
Speaker 1: firm described exactly. That's it. That's a sweeten. What kind

1048
00:53:53,360 --> 00:53:58,040
Speaker 1: of law do you guys specialize in, Well, we specialize

1049
00:53:58,040 --> 00:54:03,719
Speaker 1: in personal injury, medical map practice that all contingency fee work.

1050
00:54:04,360 --> 00:54:06,239
Speaker 1: Has anyone ever come to you and saiday, I'm trying

1051
00:54:06,280 --> 00:54:12,960
Speaker 1: to buy someone's soul? Well, the devil has come to

1052
00:54:13,080 --> 00:54:16,319
Speaker 1: me many times and said I'd like to buy my soul,

1053
00:54:16,440 --> 00:54:21,040
Speaker 1: but the price was too high he didn't, Yes, obviously.

1054
00:54:21,880 --> 00:54:24,680
Speaker 1: So right now, John Morgan from Morgan and Morgan's on

1055
00:54:24,719 --> 00:54:29,160
Speaker 1: the phone and Eddie, my bestest friend and a guy

1056
00:54:29,280 --> 00:54:33,000
Speaker 1: that I love dearly, has offered up his soul for sale,

1057
00:54:33,040 --> 00:54:35,439
Speaker 1: and I've agreed to purchase his soul. And what's gonna

1058
00:54:35,440 --> 00:54:37,120
Speaker 1: happen is he's gonna write me out to contract that

1059
00:54:37,160 --> 00:54:39,400
Speaker 1: says I, Eddie, give Bobby my soul, and he's going

1060
00:54:39,440 --> 00:54:43,799
Speaker 1: to sign it. What exactly, in your best legal perspective,

1061
00:54:43,840 --> 00:54:48,279
Speaker 1: happens once he signs that contract, mister Morgan with you, yeah,

1062
00:54:49,200 --> 00:54:56,800
Speaker 1: I believe that he has just sold his soul for

1063
00:54:56,920 --> 00:54:59,200
Speaker 1: a bowl of rice. What do you mean a bowl

1064
00:54:59,200 --> 00:55:00,960
Speaker 1: of rice? It's it's a I'm giving him nothing two

1065
00:55:02,480 --> 00:55:07,879
Speaker 1: that that's a bowl of rice. Because when you sell

1066
00:55:07,920 --> 00:55:10,680
Speaker 1: your soul to the devil. I'm not the devil. Let's not.

1067
00:55:11,440 --> 00:55:16,520
Speaker 1: I'm going to go ahead. Then then the devil owns you.

1068
00:55:18,719 --> 00:55:23,080
Speaker 1: And when the devil owns you, you have sold your

1069
00:55:23,120 --> 00:55:26,239
Speaker 1: soul for a bowl of rice. Are there any legal

1070
00:55:26,360 --> 00:55:31,520
Speaker 1: implications of selling your soul? Is it illegal? First of all? No, Yes,

1071
00:55:32,000 --> 00:55:35,239
Speaker 1: is one thing, the one thing we're giving given the

1072
00:55:35,440 --> 00:55:41,680
Speaker 1: day we're born is free will. So your best buddy

1073
00:55:41,760 --> 00:55:45,239
Speaker 1: has free will. Nice, if he wants to do this,

1074
00:55:45,560 --> 00:55:49,200
Speaker 1: this is this is all within his power. Is it

1075
00:55:49,400 --> 00:55:52,920
Speaker 1: legally binding that once he signs over his soul that

1076
00:55:53,000 --> 00:55:58,000
Speaker 1: I get it? Well, this is a new area of

1077
00:55:58,080 --> 00:56:00,840
Speaker 1: law for me. Now with with most real estate, it

1078
00:56:01,040 --> 00:56:06,080
Speaker 1: has to be in writing. So the question first of

1079
00:56:06,200 --> 00:56:11,400
Speaker 1: all is will this be in writing? Well? Yes. The

1080
00:56:11,560 --> 00:56:16,360
Speaker 1: second thing you have to have is consideration. What without consideration,

1081
00:56:17,000 --> 00:56:21,640
Speaker 1: there's no contract. So you're talking about two hundred dollars,

1082
00:56:23,440 --> 00:56:27,040
Speaker 1: so that would be that would be proper consideration. Nice,

1083
00:56:27,600 --> 00:56:32,279
Speaker 1: because he's agreed on two hundred dollars. So you've got

1084
00:56:32,360 --> 00:56:36,879
Speaker 1: a written contract. You have consideration, and then and then

1085
00:56:37,160 --> 00:56:40,520
Speaker 1: but here comes a big big if he then has

1086
00:56:40,600 --> 00:56:47,880
Speaker 1: to accept the consideration once he takes the money, you

1087
00:56:49,680 --> 00:56:52,960
Speaker 1: you have a valid contract and you own his soul? Okay?

1088
00:56:53,160 --> 00:56:55,239
Speaker 1: Can he sue me down the line to get his

1089
00:56:55,320 --> 00:56:59,200
Speaker 1: soul back and use Morgan and Morgan to come after me? Nice? Well,

1090
00:56:59,640 --> 00:57:02,399
Speaker 1: he could. It's it's kind of like a pre nup.

1091
00:57:04,719 --> 00:57:08,920
Speaker 1: Now with the pre nup you can get those things overturned,

1092
00:57:09,040 --> 00:57:12,640
Speaker 1: but you have to prove some certain things like did

1093
00:57:12,760 --> 00:57:17,919
Speaker 1: he sign it under duress? Did you threaten his job?

1094
00:57:18,120 --> 00:57:21,920
Speaker 1: Did you threaten him? Did you threaten his family? And

1095
00:57:22,040 --> 00:57:24,440
Speaker 1: then the other thing would be was he in right?

1096
00:57:24,840 --> 00:57:32,160
Speaker 1: Didn't mind? What was he saying? No? Was he mentally competent?

1097
00:57:32,280 --> 00:57:33,920
Speaker 1: I haven't threatened this guy in any way. I've tried

1098
00:57:33,960 --> 00:57:35,720
Speaker 1: to give him some gambling money. That's all this is.

1099
00:57:36,080 --> 00:57:37,840
Speaker 1: He wants to gamble on the weekends. I think you

1100
00:57:37,840 --> 00:57:40,200
Speaker 1: forget about threatening my family. I didn't threaten your family.

1101
00:57:41,120 --> 00:57:44,240
Speaker 1: Family is duress? Yes? Did you tell your wife about this? Yes?

1102
00:57:44,440 --> 00:57:48,480
Speaker 1: And she said didn't like it, but did not like it. So,

1103
00:57:48,800 --> 00:57:51,360
Speaker 1: mister Morgan, can I ask you a question? Sure? What

1104
00:57:51,600 --> 00:57:58,040
Speaker 1: can he legally do with my quote unquote soul? Once

1105
00:57:58,120 --> 00:58:04,280
Speaker 1: you have someone's soul, you really own that person. You

1106
00:58:04,400 --> 00:58:07,840
Speaker 1: can tell the most about a person by looking in

1107
00:58:07,920 --> 00:58:14,360
Speaker 1: their heart and soul. He owns you legally, what could

1108
00:58:14,400 --> 00:58:16,720
Speaker 1: he do with it? He could actually sell it, That's

1109
00:58:16,720 --> 00:58:19,600
Speaker 1: what I say. See, they could turn it over. He

1110
00:58:19,760 --> 00:58:24,680
Speaker 1: now owns He now owns your soul. And because if

1111
00:58:24,720 --> 00:58:27,480
Speaker 1: the contract is valid, if there was consideration, if you

1112
00:58:27,600 --> 00:58:29,880
Speaker 1: accepted it, if you took the money, if there was

1113
00:58:29,960 --> 00:58:33,920
Speaker 1: no duress, then and only then would he have the

1114
00:58:34,040 --> 00:58:37,800
Speaker 1: right to sell your soul right and sell your soul.

1115
00:58:37,840 --> 00:58:40,439
Speaker 1: He could sell your soul to Howard Stern. Could that'd

1116
00:58:40,440 --> 00:58:43,000
Speaker 1: be cool? Listen, I will I'm ben mowing you the

1117
00:58:43,080 --> 00:58:46,560
Speaker 1: money right now. Yeah. And and mister Morgan, you're listening

1118
00:58:46,560 --> 00:58:50,560
Speaker 1: to this under my address or what's whatever. There's no

1119
00:58:50,680 --> 00:58:53,440
Speaker 1: duress happening here. You want it, you can hang one.

1120
00:58:53,560 --> 00:58:55,880
Speaker 1: Have you been mow me? I'm not accepting that. That

1121
00:58:56,000 --> 00:59:00,160
Speaker 1: just goes into some account, right if I never? Uh so?

1122
00:59:00,320 --> 00:59:02,760
Speaker 1: Now so now you're pulling back. Well, I'm talking to

1123
00:59:02,840 --> 00:59:04,520
Speaker 1: my lawyer right now. Are you going to do it

1124
00:59:04,600 --> 00:59:09,240
Speaker 1: with bitcoin? No, he's gonna do it with Vinmo Yeah yeah, yeah.

1125
00:59:10,520 --> 00:59:14,880
Speaker 1: Well my advice is, if you're going to sell it,

1126
00:59:15,200 --> 00:59:19,440
Speaker 1: two hundreds not enough. I'm not paying more. He already negotiated.

1127
00:59:19,480 --> 00:59:21,720
Speaker 1: That's my lawyer speaking. Listen to that. Okay, it's not

1128
00:59:22,120 --> 00:59:26,439
Speaker 1: valid until there has been an acceptance and exchange of money. Wow,

1129
00:59:26,520 --> 00:59:31,800
Speaker 1: all right, I like. And so now if he forges

1130
00:59:31,920 --> 00:59:35,680
Speaker 1: your signature, if he starts using your soul nothing without

1131
00:59:35,800 --> 00:59:40,160
Speaker 1: your permission, without a valid contract, that my best advice

1132
00:59:40,200 --> 00:59:44,360
Speaker 1: will be to call Morgan and Morgan for a free consultation.

1133
00:59:45,200 --> 00:59:47,720
Speaker 1: Are you just so rich? Is that your commercials? Are

1134
00:59:48,320 --> 00:59:53,919
Speaker 1: you so rich? John Morgan? Rich? I'm I'm as I've

1135
00:59:53,960 --> 00:59:58,560
Speaker 1: told my children to say, we are comfortable. Yeah, but

1136
00:59:58,680 --> 01:00:03,440
Speaker 1: are you really comfortable? I have a falcon. I have

1137
01:00:03,520 --> 01:00:05,919
Speaker 1: a home in Mauie, A real falcon, like a bird,

1138
01:00:06,320 --> 01:00:10,760
Speaker 1: a bird an airplane? Airplane? Do you fly it yourself?

1139
01:00:10,840 --> 01:00:12,960
Speaker 1: Or do you have a pilot? I drink Maker's mark

1140
01:00:13,000 --> 01:00:16,200
Speaker 1: in the back. Oh yeah, he's comfortable, all right? And

1141
01:00:16,320 --> 01:00:21,560
Speaker 1: I eat Cheetos and the pilots fly. Dang? Can I borrow?

1142
01:00:21,680 --> 01:00:23,760
Speaker 1: Can I borrow that plane? As a Christmas gift? I

1143
01:00:23,760 --> 01:00:25,720
Speaker 1: think it would be a nice little Christmas gift, like

1144
01:00:26,240 --> 01:00:29,120
Speaker 1: five hours on it for your soul if you yeah,

1145
01:00:29,160 --> 01:00:33,320
Speaker 1: if you give me your soul, I will let you

1146
01:00:33,440 --> 01:00:37,320
Speaker 1: take the falcon to Maui and play poker with Willie Nelson.

1147
01:00:37,600 --> 01:00:40,280
Speaker 1: Can I just googled your net worth? Can I ask

1148
01:00:40,320 --> 01:00:42,560
Speaker 1: you if it's true or not? What is that? Can

1149
01:00:42,600 --> 01:00:45,480
Speaker 1: I ask you what the number says? Here? Yes, okay,

1150
01:00:45,800 --> 01:00:47,760
Speaker 1: it says as of twenty twenty, the net worth of

1151
01:00:47,840 --> 01:00:50,080
Speaker 1: John Morgan is more than a one hundred ten million dollars.

1152
01:00:53,920 --> 01:00:59,560
Speaker 1: I hope. But so it's it's near that, you know.

1153
01:01:00,440 --> 01:01:03,480
Speaker 1: I have never have been asked a million times about

1154
01:01:03,560 --> 01:01:08,680
Speaker 1: my net worth, but I have never ever answered that question. Okay,

1155
01:01:08,800 --> 01:01:15,840
Speaker 1: I think it's uh, it's just kind of unseemly. Here's

1156
01:01:16,160 --> 01:01:19,360
Speaker 1: here's what I'll tell you about net worth. There's a

1157
01:01:19,400 --> 01:01:22,880
Speaker 1: guy that owned a big Toyota store called Jimmy Brian Toyota.

1158
01:01:23,880 --> 01:01:26,040
Speaker 1: At one time I asked Jimmy Bran, I said how

1159
01:01:26,160 --> 01:01:30,840
Speaker 1: much are you worth? And he said, if you know

1160
01:01:31,040 --> 01:01:35,320
Speaker 1: how much you're worth, you're not worth much. What do

1161
01:01:35,360 --> 01:01:38,400
Speaker 1: you think about that? Well, I know how much I'm worth,

1162
01:01:38,480 --> 01:01:42,200
Speaker 1: so that might be worth much. Well, you really don't know.

1163
01:01:42,280 --> 01:01:44,880
Speaker 1: I means you buy a piece of real estate, what's

1164
01:01:44,920 --> 01:01:47,840
Speaker 1: it worth? What's it worth? Is it worth what you

1165
01:01:47,960 --> 01:01:50,280
Speaker 1: paid for? Is it worth something more? Is it worth

1166
01:01:50,400 --> 01:01:57,320
Speaker 1: something less? But here's the thing about money. I watched.

1167
01:01:57,360 --> 01:02:00,320
Speaker 1: I'm looking at birds fly outside right now. I'm at

1168
01:02:00,360 --> 01:02:04,680
Speaker 1: the beach at pont Inlet. The birds are flying, They're happy,

1169
01:02:05,440 --> 01:02:09,040
Speaker 1: they seem to be mating, and they have no money.

1170
01:02:10,440 --> 01:02:12,960
Speaker 1: That's what we should be doing, and they and the

1171
01:02:13,120 --> 01:02:18,000
Speaker 1: surf is up. Yeah. The women are beautiful, nice, and

1172
01:02:18,240 --> 01:02:22,720
Speaker 1: you know what. I look at these birds and I think, dude,

1173
01:02:23,560 --> 01:02:26,520
Speaker 1: you're the luckiest one of all. Where are you right now?

1174
01:02:27,320 --> 01:02:30,840
Speaker 1: Ponce Inlet, Florida, in Florida? Okay, you have a house

1175
01:02:30,920 --> 01:02:33,880
Speaker 1: in Florida too, I have a house. I have houses

1176
01:02:33,920 --> 01:02:39,280
Speaker 1: in Florida, New Hampshire and Hawaii. Nice. But where do

1177
01:02:39,360 --> 01:02:45,640
Speaker 1: you I reside mostly in uh Now. When I go

1178
01:02:45,760 --> 01:02:48,520
Speaker 1: to Nashville, I stayed with Mark Miller. When Mark Miller

1179
01:02:48,600 --> 01:02:51,760
Speaker 1: you all know who Mark Miller is. Mark Miller was

1180
01:02:51,800 --> 01:02:55,040
Speaker 1: the lead singer for Sawyer Brown. Oh yeah I know Mark, Yeah,

1181
01:02:55,080 --> 01:02:58,760
Speaker 1: sure do. Yeah. When Mark and I were kids, we

1182
01:02:58,880 --> 01:03:01,280
Speaker 1: were we were we were both It's plutou at Walt

1183
01:03:01,360 --> 01:03:05,080
Speaker 1: Disney World. So when I come to Nashville, I stay

1184
01:03:05,120 --> 01:03:10,480
Speaker 1: with Sawyer Brown. Where do you live? Mostly? I live mostly?

1185
01:03:10,880 --> 01:03:14,080
Speaker 1: I live about four and five months a year in Hawaii.

1186
01:03:15,520 --> 01:03:19,000
Speaker 1: I live two months or so in New Hampshire in

1187
01:03:19,040 --> 01:03:24,480
Speaker 1: the summer and then I live in Florida. Well, we

1188
01:03:24,560 --> 01:03:27,360
Speaker 1: appreciate your time. I think you've given Eddie some very

1189
01:03:27,480 --> 01:03:30,280
Speaker 1: valuable legal advice. On with us now, John Morgan from

1190
01:03:30,280 --> 01:03:34,560
Speaker 1: Morgan and Morgan, don't let me forget the most important advice.

1191
01:03:36,280 --> 01:03:38,800
Speaker 1: If you've been injured in an automobile accident, hur of

1192
01:03:38,880 --> 01:03:43,440
Speaker 1: the job, or the victim of medical malpractice, called Morgan

1193
01:03:43,480 --> 01:03:48,720
Speaker 1: and Morgan fighting for the people. Love it. The offices

1194
01:03:48,760 --> 01:03:52,520
Speaker 1: in Nashville. I mean, we're our shows all over the country.

1195
01:03:52,600 --> 01:03:56,400
Speaker 1: So I mean, do you have offices the United States

1196
01:03:56,600 --> 01:03:59,280
Speaker 1: of America. I have offices at all fifty states, by

1197
01:03:59,360 --> 01:04:02,720
Speaker 1: the way, go hey, So here's the here's the deal

1198
01:04:03,440 --> 01:04:08,320
Speaker 1: wherever you are. I am nice. Sounds creepy, but I'll

1199
01:04:08,360 --> 01:04:11,320
Speaker 1: do it. Everyone's looking over their shoulder right now, like

1200
01:04:11,600 --> 01:04:15,160
Speaker 1: John Morgan is, and and his second best advice be

1201
01:04:15,240 --> 01:04:20,600
Speaker 1: a bird mate, yea, women are beautiful, Come to Mallie,

1202
01:04:22,800 --> 01:04:27,800
Speaker 1: smoke some Willie weed and play poker with Willie Nelson. Right, yeah, yeah,

1203
01:04:28,240 --> 01:04:32,160
Speaker 1: right now. I live to quarantine for fourteen days, not

1204
01:04:32,160 --> 01:04:34,560
Speaker 1: any more. You get a test before you go. Maie wow,

1205
01:04:35,000 --> 01:04:38,560
Speaker 1: maie wowing. John Morgan, thank you for your time. We

1206
01:04:38,640 --> 01:04:41,960
Speaker 1: appreciate your your guidance and hope you have a great day.

1207
01:04:43,200 --> 01:04:45,480
Speaker 1: Happy holiday, Happy holidays to you too. My friend there

1208
01:04:45,520 --> 01:04:51,200
Speaker 1: he is John Morgan, right, an interesting guest for sure. Yeah,

1209
01:04:51,240 --> 01:04:53,080
Speaker 1: they advice. I don't want to understand. I don't know.

1210
01:04:53,560 --> 01:04:56,640
Speaker 1: Do you want to here? We are? It's crunch time? Yes,

1211
01:04:56,760 --> 01:04:59,960
Speaker 1: yor no? One So dude, I'm from Morgan, John Moore,

1212
01:05:00,040 --> 01:05:02,040
Speaker 1: Organ and Morgan and Morgan like and all the people

1213
01:05:02,120 --> 01:05:04,560
Speaker 1: on Twitter. I'm terrified now. But do you yes or no?

1214
01:05:04,800 --> 01:05:07,360
Speaker 1: It's it's make or break time, buddy. Bowl of rice

1215
01:05:07,520 --> 01:05:09,400
Speaker 1: is the one that threw me off. But he from

1216
01:05:09,440 --> 01:05:11,240
Speaker 1: one hundred and ten million dollars. I know he's in

1217
01:05:11,320 --> 01:05:15,280
Speaker 1: Hawaii and MAUI like with Willie Weed and yes or no, Eddie,

1218
01:05:17,200 --> 01:05:19,200
Speaker 1: Oh my god? Yes or no, Eddie, oh my god?

1219
01:05:19,320 --> 01:05:23,280
Speaker 1: Five seconds, oh my god. Or it's off the table, Amy,

1220
01:05:23,360 --> 01:05:26,760
Speaker 1: look at me. Four? No, I don't need it. Three no, two?

1221
01:05:27,040 --> 01:05:29,120
Speaker 1: No mess around with this one. No, they say, don't

1222
01:05:29,160 --> 01:05:31,560
Speaker 1: mess around. Why you listen to the lunch bunch? Did

1223
01:05:31,560 --> 01:05:32,680
Speaker 1: you have done it? I would have done it. You're

1224
01:05:32,680 --> 01:05:34,640
Speaker 1: such an idiot, Eddie two hundred dollars you just paid

1225
01:05:34,680 --> 01:05:39,440
Speaker 1: four hundred dollars for what bowl of rice? Exactly, so

1226
01:05:39,560 --> 01:05:41,680
Speaker 1: there have been a half price, but no, I'm too

1227
01:05:41,760 --> 01:05:44,440
Speaker 1: cool would be half price and I give him my

1228
01:05:44,520 --> 01:05:46,960
Speaker 1: soul terrible. You're not doing it. I don't think of

1229
01:05:47,040 --> 01:05:49,640
Speaker 1: the table. Off the table. Okay, there we go, off

1230
01:05:49,680 --> 01:05:54,360
Speaker 1: the table. It's the Best Bits of the Week with

1231
01:05:54,600 --> 01:05:59,280
Speaker 1: Morgan number two. And now for our biggest segment from

1232
01:05:59,280 --> 01:06:01,640
Speaker 1: the show over thelast couple of weeks was, of course

1233
01:06:02,120 --> 01:06:05,000
Speaker 1: Sam Hunt. No, he didn't actually stop by to say

1234
01:06:05,040 --> 01:06:07,920
Speaker 1: hi to Raymundo, although ray Mundo would let you think that,

1235
01:06:08,240 --> 01:06:11,120
Speaker 1: he actually came in to do a really cool performance.

1236
01:06:11,240 --> 01:06:13,800
Speaker 1: He did a version of one of his big songs

1237
01:06:14,240 --> 01:06:16,680
Speaker 1: and it was a bluegrass version. So we brought in

1238
01:06:16,760 --> 01:06:19,520
Speaker 1: this whole bluegrass band in the studio and it was

1239
01:06:19,560 --> 01:06:23,040
Speaker 1: like opry style. We've never seen Sam like this before,

1240
01:06:23,440 --> 01:06:25,480
Speaker 1: and I'm telling you it was one of the best

1241
01:06:25,560 --> 01:06:29,840
Speaker 1: performances we've seen. Definitely in twenty twenty. We love us

1242
01:06:29,880 --> 01:06:32,919
Speaker 1: some Sam Hunt here. Nobody quite like Raymundo. But listen

1243
01:06:33,000 --> 01:06:35,040
Speaker 1: back to this and you're probably gonna put it on

1244
01:06:35,160 --> 01:06:40,600
Speaker 1: repeat number one on the Bobby Bones Show. Now, Sam Hunt, Sam,

1245
01:06:40,640 --> 01:06:43,920
Speaker 1: how are you good? Good to see you're all right? Yeah, man,

1246
01:06:44,040 --> 01:06:45,760
Speaker 1: I wanted to speaking of this mic here. Yeah, yeah,

1247
01:06:45,760 --> 01:06:48,480
Speaker 1: that's the one I mean. Yeah, No, Sam is here

1248
01:06:48,560 --> 01:06:50,320
Speaker 1: was his band and they're all they're gonna play Aufrey

1249
01:06:50,360 --> 01:06:52,320
Speaker 1: style in a second, so it is a kind of

1250
01:06:52,360 --> 01:06:53,960
Speaker 1: a weird setup. Why did you want to come in

1251
01:06:54,080 --> 01:06:58,160
Speaker 1: and play this more acoustic way? Yeah, well we've been

1252
01:06:58,200 --> 01:07:01,120
Speaker 1: shut down, you know, all summer, and I have been

1253
01:07:01,200 --> 01:07:03,720
Speaker 1: a big fan of bluegrass music for a long time. Now.

1254
01:07:03,920 --> 01:07:05,880
Speaker 1: I'm not good enough to keep up with these guys,

1255
01:07:05,960 --> 01:07:10,040
Speaker 1: but I have my brother in law who just married

1256
01:07:10,080 --> 01:07:13,480
Speaker 1: into the family. Is a great picker and player, and

1257
01:07:13,560 --> 01:07:15,880
Speaker 1: he lives about two hundred yards from my house. So

1258
01:07:16,000 --> 01:07:19,880
Speaker 1: we've been getting together during the summer and entertaining ourselves.

1259
01:07:19,920 --> 01:07:21,720
Speaker 1: He's been showing me the ropes a little bit. It's

1260
01:07:21,720 --> 01:07:23,320
Speaker 1: one of these guys, your brother in law. Yeah, this

1261
01:07:23,400 --> 01:07:25,000
Speaker 1: is Mason. This is my brother, Mason. How are you?

1262
01:07:26,160 --> 01:07:27,400
Speaker 1: He was talking about his brother in law and I

1263
01:07:27,440 --> 01:07:29,520
Speaker 1: was like, hopefully one of the guys. Hey, you know,

1264
01:07:29,680 --> 01:07:31,080
Speaker 1: my brother in law taught me a lot. Didn't bring

1265
01:07:31,160 --> 01:07:35,040
Speaker 1: him today. Yeah, he's here in flesh. You guys are

1266
01:07:35,080 --> 01:07:36,720
Speaker 1: gonna I was listening to sound check. I think our

1267
01:07:36,720 --> 01:07:38,400
Speaker 1: audience is really gonna love what you guys are about

1268
01:07:38,400 --> 01:07:40,400
Speaker 1: to do. But I was thinking about you because you

1269
01:07:40,680 --> 01:07:43,080
Speaker 1: put out Southside April third. It was right in the

1270
01:07:43,120 --> 01:07:45,479
Speaker 1: middle of the pandemic. Yeah, I guess the front side

1271
01:07:45,480 --> 01:07:47,760
Speaker 1: of it. And I was admitting to this that because

1272
01:07:48,000 --> 01:07:49,840
Speaker 1: there was so much news happening and we were all

1273
01:07:49,880 --> 01:07:52,360
Speaker 1: like looking left and right, and I didn't get a

1274
01:07:52,440 --> 01:07:54,480
Speaker 1: chance to really listen to Outside til about two or

1275
01:07:54,520 --> 01:07:55,960
Speaker 1: three months ago. And now I think it's like the

1276
01:07:56,000 --> 01:07:58,320
Speaker 1: greatest record of the year. Oh man, I appreciate that.

1277
01:07:58,480 --> 01:08:01,480
Speaker 1: But I think though, that so many people missed out

1278
01:08:01,560 --> 01:08:04,040
Speaker 1: on the impact of not just your music, but all

1279
01:08:04,280 --> 01:08:08,440
Speaker 1: music because the impact hit a little different. Did you

1280
01:08:08,520 --> 01:08:10,880
Speaker 1: find that, Yeah, we all had more important things to

1281
01:08:10,920 --> 01:08:13,880
Speaker 1: worry about about the time that we dropped that record.

1282
01:08:13,960 --> 01:08:15,720
Speaker 1: But you know, I had taken a little bit of

1283
01:08:15,760 --> 01:08:17,680
Speaker 1: a break and had not put out much music in

1284
01:08:17,720 --> 01:08:19,640
Speaker 1: a while. So when we picked this date back in

1285
01:08:20,000 --> 01:08:22,160
Speaker 1: you know, I'd had tentative days in the past, and

1286
01:08:22,200 --> 01:08:23,920
Speaker 1: this is one of those times when it was like, Okay, hello,

1287
01:08:24,040 --> 01:08:25,760
Speaker 1: come hell to high water this date, We're gonna make

1288
01:08:25,760 --> 01:08:29,519
Speaker 1: it work. And then the the pandemic hit, And that

1289
01:08:29,640 --> 01:08:31,760
Speaker 1: was before we really knew. I think the trajectory of

1290
01:08:31,840 --> 01:08:33,640
Speaker 1: it that was back when we were hearing that, oh

1291
01:08:33,760 --> 01:08:36,479
Speaker 1: here by Easter, it'll be cleared up. So at that

1292
01:08:36,600 --> 01:08:39,280
Speaker 1: point in time, I thought, well, you know, let's put this.

1293
01:08:39,400 --> 01:08:40,960
Speaker 1: We may even still tour, you know, so let's put

1294
01:08:41,000 --> 01:08:43,360
Speaker 1: this record out. And even if I knew what I

1295
01:08:43,439 --> 01:08:44,800
Speaker 1: know now, I think I still would have put the

1296
01:08:44,840 --> 01:08:47,680
Speaker 1: record out because from there I've I've been inspired to

1297
01:08:47,800 --> 01:08:49,360
Speaker 1: go on and start trying to work on new music

1298
01:08:49,400 --> 01:08:51,760
Speaker 1: and wake up for lost time. But but yeah, it's

1299
01:08:51,800 --> 01:08:53,080
Speaker 1: it's one of those things that maybe it'll have a

1300
01:08:53,120 --> 01:08:55,880
Speaker 1: slow creep and and you know, like yourself, folks will

1301
01:08:55,920 --> 01:08:57,479
Speaker 1: listen to it down the road, even if they have

1302
01:08:57,560 --> 01:08:59,040
Speaker 1: to listen to it. Yet, you know, it's probably gonna

1303
01:08:59,040 --> 01:09:00,720
Speaker 1: be a little while where we get to them live again,

1304
01:09:00,800 --> 01:09:03,880
Speaker 1: so people have plenty of time to hopefully tune in

1305
01:09:04,000 --> 01:09:05,800
Speaker 1: to check it out. You know, I was, I was

1306
01:09:05,840 --> 01:09:07,439
Speaker 1: thinking about you and have a bunch of friends who

1307
01:09:07,520 --> 01:09:09,960
Speaker 1: work in the industry, either working at record labels or

1308
01:09:10,000 --> 01:09:12,479
Speaker 1: even artists that are doing deals now. I don't know

1309
01:09:12,560 --> 01:09:15,120
Speaker 1: if you realize your impact on that, and that a

1310
01:09:15,160 --> 01:09:17,599
Speaker 1: lot of artists now don't want to do full records

1311
01:09:17,920 --> 01:09:20,200
Speaker 1: as far as a deal, and they're like, well, listen,

1312
01:09:20,360 --> 01:09:22,160
Speaker 1: Sam's putting out a couple of songs at a time,

1313
01:09:22,640 --> 01:09:26,479
Speaker 1: and what you're doing is influencing other record deals. Do

1314
01:09:26,560 --> 01:09:29,360
Speaker 1: you do you realize that? Yeah, I think the the

1315
01:09:31,479 --> 01:09:35,240
Speaker 1: the that was inevitable. I think I think, you know,

1316
01:09:35,479 --> 01:09:37,560
Speaker 1: I was in a position to start doing that a

1317
01:09:37,600 --> 01:09:39,479
Speaker 1: little bit, but I think that was inevitable. Whether you

1318
01:09:39,520 --> 01:09:41,840
Speaker 1: know I started doing that or not, but it um

1319
01:09:42,520 --> 01:09:44,960
Speaker 1: But you know, about two years ago, I thought, you know,

1320
01:09:44,960 --> 01:09:46,439
Speaker 1: I don't know if I'll put out another record, and

1321
01:09:46,479 --> 01:09:48,000
Speaker 1: then I changed my tune on that a little bit

1322
01:09:48,000 --> 01:09:50,680
Speaker 1: because I still appreciate records and when some of the

1323
01:09:50,800 --> 01:09:52,760
Speaker 1: artists I like put out full records, I like to

1324
01:09:52,800 --> 01:09:54,560
Speaker 1: sit down and listen to a whole record, So I

1325
01:09:54,600 --> 01:09:56,640
Speaker 1: don't I think it'll be sort of a hybrid, Like

1326
01:09:56,720 --> 01:09:58,880
Speaker 1: there'll be times when some songs fit on a record

1327
01:09:59,040 --> 01:10:00,559
Speaker 1: or don't fit on a record, where you just put

1328
01:10:00,600 --> 01:10:02,560
Speaker 1: them out, and then other times, you know, you'll have

1329
01:10:02,640 --> 01:10:05,640
Speaker 1: a body of work that has a little more continuity

1330
01:10:05,720 --> 01:10:07,280
Speaker 1: and you put that out as a record. I have

1331
01:10:07,360 --> 01:10:10,600
Speaker 1: no attention span anymore. Well, what happens is I'll go

1332
01:10:10,680 --> 01:10:12,479
Speaker 1: through a record, right that's a big that's a big

1333
01:10:12,560 --> 01:10:14,200
Speaker 1: part of it. And also we have access to so

1334
01:10:14,320 --> 01:10:16,920
Speaker 1: much music, so you got you know, there's so much

1335
01:10:17,040 --> 01:10:19,519
Speaker 1: music out there, so you just give them, give them

1336
01:10:19,600 --> 01:10:22,960
Speaker 1: nuggets at a time. And let's say your record, for example,

1337
01:10:23,000 --> 01:10:25,360
Speaker 1: how many tracks from this record, the slash record Southside

1338
01:10:25,360 --> 01:10:27,200
Speaker 1: we ended up with toil might be on there if

1339
01:10:27,320 --> 01:10:29,320
Speaker 1: I will unfairly listen all the way through and go,

1340
01:10:29,360 --> 01:10:30,439
Speaker 1: you know, and that one's not for me, and then

1341
01:10:30,479 --> 01:10:33,840
Speaker 1: wipe it off immediately, even though I probably shouldn't have

1342
01:10:33,920 --> 01:10:36,439
Speaker 1: done that. Well, yeah, so the old, you know, the

1343
01:10:36,520 --> 01:10:39,880
Speaker 1: old back when we songs would grow on you. You know,

1344
01:10:40,040 --> 01:10:42,599
Speaker 1: you listen to songs because you were listening to a record,

1345
01:10:42,680 --> 01:10:44,760
Speaker 1: and you you know, you skip for the next song,

1346
01:10:44,800 --> 01:10:47,760
Speaker 1: and eventually, you know, you might a song might grow

1347
01:10:47,800 --> 01:10:49,200
Speaker 1: and un it becomes one of your favorite songs. But

1348
01:10:49,280 --> 01:10:51,200
Speaker 1: now it's like you kind of get one shot, never

1349
01:10:51,280 --> 01:10:54,320
Speaker 1: give it a chance. Yeah, anyway, Southside's awesome. Love it?

1350
01:10:54,880 --> 01:10:57,000
Speaker 1: Do you constantly have a song in your head? Being

1351
01:10:57,080 --> 01:10:59,439
Speaker 1: the songwriter that you are, is there always something up there? No?

1352
01:10:59,640 --> 01:11:01,800
Speaker 1: I will, because I probably get more songs written, but

1353
01:11:02,600 --> 01:11:05,760
Speaker 1: they come in little births and uh and and you know, Um,

1354
01:11:06,400 --> 01:11:09,479
Speaker 1: I'm always thinking about it. I'm constantly like trying to uh,

1355
01:11:09,760 --> 01:11:11,360
Speaker 1: you know, I wake up in the morning sometimes with

1356
01:11:11,439 --> 01:11:12,960
Speaker 1: a tune in my head and I'll sing it, write

1357
01:11:12,960 --> 01:11:15,960
Speaker 1: it down. But ninety percent of what, you know, what

1358
01:11:16,120 --> 01:11:18,720
Speaker 1: hits me is having potential ends up, you know, not

1359
01:11:18,920 --> 01:11:20,960
Speaker 1: having so much potential, So you just kind of wait

1360
01:11:21,040 --> 01:11:23,280
Speaker 1: for those ones that come along. Every I'd say every

1361
01:11:23,800 --> 01:11:25,439
Speaker 1: two or three months, a song will come along and

1362
01:11:25,479 --> 01:11:26,880
Speaker 1: I'm like, Okay, this could be a song I could

1363
01:11:26,920 --> 01:11:29,040
Speaker 1: write and put on a record. But in the meantime,

1364
01:11:29,080 --> 01:11:31,240
Speaker 1: you know, you're you're like fishing or digging for gold

1365
01:11:31,280 --> 01:11:32,960
Speaker 1: every day. You just you just keep it up until

1366
01:11:32,960 --> 01:11:35,640
Speaker 1: you finally try to hit something worth putting out. Are

1367
01:11:35,720 --> 01:11:38,400
Speaker 1: you still writing for other artists at all? Or is

1368
01:11:38,400 --> 01:11:39,920
Speaker 1: it all when you go into a room you're trying

1369
01:11:39,920 --> 01:11:41,880
Speaker 1: to find your next thing. I've just been writing for

1370
01:11:41,960 --> 01:11:45,680
Speaker 1: myself because, um, I'm if I write for myself all

1371
01:11:45,720 --> 01:11:47,479
Speaker 1: the time, I'm able to scratch out a record, you know,

1372
01:11:47,560 --> 01:11:50,080
Speaker 1: over to year period, and that's about all I can manage.

1373
01:11:50,439 --> 01:11:53,320
Speaker 1: But I miss, um. Sometimes I get in my head

1374
01:11:53,360 --> 01:11:54,800
Speaker 1: and I got this bull's eye of what I want

1375
01:11:54,800 --> 01:11:57,040
Speaker 1: to write or you know, and and it gets harder

1376
01:11:57,040 --> 01:11:59,040
Speaker 1: and harder to hit as opposed to when you're writing

1377
01:11:59,080 --> 01:12:02,120
Speaker 1: for just maybe somebody could cut this. You know, there's

1378
01:12:02,120 --> 01:12:04,200
Speaker 1: a lot more options in terms of ideas, and you're

1379
01:12:04,200 --> 01:12:05,960
Speaker 1: not sitting there saying what I say it like this?

1380
01:12:06,120 --> 01:12:07,800
Speaker 1: What I say it like that? Or does this sound

1381
01:12:07,840 --> 01:12:11,840
Speaker 1: like me? So, um, I miss writing with a more

1382
01:12:12,520 --> 01:12:15,920
Speaker 1: you know, more openly with the idea that somebody could

1383
01:12:15,920 --> 01:12:18,839
Speaker 1: record it other than me in mind. Um So I'm

1384
01:12:19,000 --> 01:12:20,600
Speaker 1: trying to lean back on that a little bit. You

1385
01:12:20,680 --> 01:12:23,040
Speaker 1: ever write a song and it's a very personal song

1386
01:12:23,080 --> 01:12:24,800
Speaker 1: about where you are in your life, then, but it's

1387
01:12:24,880 --> 01:12:27,840
Speaker 1: so long before you're going to cut it that you go,

1388
01:12:27,960 --> 01:12:29,160
Speaker 1: you know what, it's a good song. But I just

1389
01:12:29,200 --> 01:12:32,160
Speaker 1: don't feel that way anymore. Yeah, for sure, especially the

1390
01:12:32,240 --> 01:12:34,760
Speaker 1: songs that are like a little more honest or it's

1391
01:12:34,800 --> 01:12:36,640
Speaker 1: like I'm you're in a whole new head space and

1392
01:12:36,920 --> 01:12:39,720
Speaker 1: you almost can't can't you have to remember that guy,

1393
01:12:40,160 --> 01:12:42,160
Speaker 1: that guy who what was he thinking about or feeling

1394
01:12:42,200 --> 01:12:44,759
Speaker 1: at that time? But um, so you've sacrificed good songs

1395
01:12:44,840 --> 01:12:49,360
Speaker 1: because you don't feel that way anymore. Possibly, Um yeah,

1396
01:12:49,400 --> 01:12:51,200
Speaker 1: there there have been some songs that I think are

1397
01:12:51,360 --> 01:12:53,400
Speaker 1: you know, and this is the same a lot because

1398
01:12:53,400 --> 01:12:56,840
Speaker 1: I put out some fairly honest, I guess, vulnerable songs,

1399
01:12:56,920 --> 01:12:58,640
Speaker 1: but there have been something that I'm like, No, I'm not.

1400
01:12:58,680 --> 01:13:03,400
Speaker 1: I can't. I can't say Sam Hunt is here, he's

1401
01:13:03,400 --> 01:13:06,519
Speaker 1: got the band with them. This is a very interesting setup.

1402
01:13:06,760 --> 01:13:08,240
Speaker 1: Do you want to interest that body real quick before

1403
01:13:08,240 --> 01:13:09,599
Speaker 1: we play? Do you know all their names are? Because

1404
01:13:09,600 --> 01:13:10,840
Speaker 1: I want to put you in a bad spody. I'll

1405
01:13:10,840 --> 01:13:14,040
Speaker 1: just have met this morning. Is that right? That's freaking crazy,

1406
01:13:15,000 --> 01:13:16,560
Speaker 1: except for your brother in law, because if that was

1407
01:13:16,600 --> 01:13:18,760
Speaker 1: only this morning, you're in trouble. Wait and then y'all

1408
01:13:19,000 --> 01:13:22,280
Speaker 1: like because we heard them, yes, like it seemed like

1409
01:13:22,400 --> 01:13:24,360
Speaker 1: y'all have been practicing. I mean they don't. They don't

1410
01:13:24,400 --> 01:13:26,760
Speaker 1: need to rehearsal warm up. They just step up and go, Wow,

1411
01:13:27,040 --> 01:13:29,479
Speaker 1: I got everybody's first name down. Cody come you left

1412
01:13:29,520 --> 01:13:34,880
Speaker 1: him Cody, he'll be, he'll be. And Evan windsor this

1413
01:13:35,040 --> 01:13:39,599
Speaker 1: is Mason Nolan, my brother in law. So how wait,

1414
01:13:39,680 --> 01:13:42,280
Speaker 1: hold on, how do y'all who brings y'all together? If

1415
01:13:42,280 --> 01:13:46,519
Speaker 1: you're meaning, is there like a bumble for everybody in

1416
01:13:46,560 --> 01:13:48,240
Speaker 1: the help on that mike, Sam, Help on that mike.

1417
01:13:48,640 --> 01:13:51,760
Speaker 1: Everybody in the bluegrass community knows they pretty much. I mean,

1418
01:13:51,840 --> 01:13:53,720
Speaker 1: you guys all know each other, and at least one

1419
01:13:53,760 --> 01:13:56,840
Speaker 1: person removed, and um, so I called Mason knowing that

1420
01:13:56,920 --> 01:13:59,760
Speaker 1: he was he's plugged in because he's playing jams. And

1421
01:13:59,920 --> 01:14:01,760
Speaker 1: I actually saw these guys play at the station in

1422
01:14:01,880 --> 01:14:06,760
Speaker 1: about two months ago with Greg's brother, and uh, I

1423
01:14:06,920 --> 01:14:09,719
Speaker 1: just had a blast watching them play. So m Mason

1424
01:14:09,800 --> 01:14:13,479
Speaker 1: knows these guys and he was nice enough to reach out,

1425
01:14:13,560 --> 01:14:15,479
Speaker 1: and these guys are nice enough to join us this morning.

1426
01:14:15,640 --> 01:14:17,240
Speaker 1: All right, Well I heard one of them go it

1427
01:14:17,479 --> 01:14:19,360
Speaker 1: is early, and I'm like, touch your mouth right now.

1428
01:14:19,360 --> 01:14:22,200
Speaker 1: We've been up like seven hours already. It is early

1429
01:14:22,320 --> 01:14:24,960
Speaker 1: for you guys though, So um, how about this. Let's

1430
01:14:25,000 --> 01:14:27,360
Speaker 1: do you might do a little take your time, yeah,

1431
01:14:27,400 --> 01:14:30,400
Speaker 1: because by the way, Sam Hunt is here, and play

1432
01:14:30,400 --> 01:14:35,120
Speaker 1: a little music for us. Yeah. We haven't really rehearsed

1433
01:14:35,160 --> 01:14:36,400
Speaker 1: a lot of these songs, and we're gonna kind of

1434
01:14:36,439 --> 01:14:38,840
Speaker 1: just kind of let her rest feel along and see

1435
01:14:38,880 --> 01:14:52,559
Speaker 1: how it goes. I don't know if you were looking

1436
01:14:52,600 --> 01:14:54,280
Speaker 1: to me or not. You probably smile like that all

1437
01:14:54,280 --> 01:14:56,360
Speaker 1: the time. I don't mean to bother you, but I

1438
01:14:56,439 --> 01:15:03,200
Speaker 1: couldn't just walk by and i'd say hi, and I

1439
01:15:03,320 --> 01:15:05,439
Speaker 1: know your name because everybody in here knows your name.

1440
01:15:05,520 --> 01:15:08,599
Speaker 1: You're not looking for anything right now, so I don't

1441
01:15:08,640 --> 01:15:13,040
Speaker 1: want to come home strong. But don't getting me wrong.

1442
01:15:13,840 --> 01:15:17,080
Speaker 1: Your eyes are so intimidating. My heart is pounding, Bud.

1443
01:15:17,400 --> 01:15:20,880
Speaker 1: It's just a conversation. No, girl, I'm not wasted. You

1444
01:15:21,080 --> 01:15:27,519
Speaker 1: don't know me. I don't know you, but I want to.

1445
01:15:28,400 --> 01:15:32,160
Speaker 1: And I don't want to steal your freedom. I don't

1446
01:15:32,240 --> 01:15:35,920
Speaker 1: want to change your mind. I don't have to make

1447
01:15:36,040 --> 01:15:40,160
Speaker 1: you love me. I just want to take your time,

1448
01:15:40,880 --> 01:15:44,559
Speaker 1: and I don't want to wreck your Friday. I ain't

1449
01:15:44,600 --> 01:15:49,120
Speaker 1: gonna eat smile lies. I don't have to take your heart.

1450
01:15:50,360 --> 01:15:56,439
Speaker 1: I just want to take your time. That's awesome. That

1451
01:15:56,600 --> 01:15:59,599
Speaker 1: sounds so cool like that. It's not even just stripped down.

1452
01:16:00,040 --> 01:16:03,760
Speaker 1: It's like again blue grassed up. Yeah, and even a

1453
01:16:03,840 --> 01:16:05,840
Speaker 1: moody song like that can kind of make you smile.

1454
01:16:08,360 --> 01:16:11,080
Speaker 1: Holy gob Okay, let me challenge you guys then, because

1455
01:16:11,720 --> 01:16:18,240
Speaker 1: um hard to forget. Sonically is the opposite of this, right, Yeah,

1456
01:16:18,320 --> 01:16:20,439
Speaker 1: it's it's got that. You know that old Web Pierce song.

1457
01:16:21,320 --> 01:16:23,920
Speaker 1: Uh in there? But what you say, we put some

1458
01:16:24,240 --> 01:16:26,360
Speaker 1: drums and we might make it what I guess you

1459
01:16:26,439 --> 01:16:28,640
Speaker 1: call swing a little bit more so. The rhythm is

1460
01:16:28,680 --> 01:16:30,720
Speaker 1: not a rhythm that you would find in traditional music

1461
01:16:30,800 --> 01:16:33,280
Speaker 1: and a lot of the you know, blue blue rest

1462
01:16:33,520 --> 01:16:35,800
Speaker 1: songs and some of the old country music. There's there's

1463
01:16:35,800 --> 01:16:38,519
Speaker 1: a lot more over overlap there. So can you guys

1464
01:16:38,600 --> 01:16:42,240
Speaker 1: pull that off hard to forget? Let's see, let's see

1465
01:16:43,840 --> 01:16:45,360
Speaker 1: what kind of we'll have to lean on? Like play

1466
01:16:45,360 --> 01:17:06,720
Speaker 1: a little more like web Pierce would play. Okay, I

1467
01:17:06,880 --> 01:17:10,760
Speaker 1: saw your sister work. I saw your mama church. I'm

1468
01:17:10,840 --> 01:17:14,920
Speaker 1: pretty sure I saw your card and mama. I see

1469
01:17:15,000 --> 01:17:18,479
Speaker 1: you're facing a cloud. I smell your perfuming crowd. I

1470
01:17:18,600 --> 01:17:22,519
Speaker 1: swell your numbers. All my phone wants to call. It's

1471
01:17:22,680 --> 01:17:27,759
Speaker 1: kind of funny how I can't sing to get away

1472
01:17:28,280 --> 01:17:34,880
Speaker 1: from you. It's almost fly. You don't want me to.

1473
01:17:37,439 --> 01:17:41,960
Speaker 1: You've got a cold heart and the cold hard truth

1474
01:17:42,400 --> 01:17:45,200
Speaker 1: got him by the little whisky good. I got no

1475
01:17:45,640 --> 01:17:49,160
Speaker 1: proof that you showed up tonight and that dress just

1476
01:17:49,320 --> 01:17:56,000
Speaker 1: to mess with my head so much for so bone,

1477
01:17:56,200 --> 01:17:59,639
Speaker 1: out of sight, out of mind. Here you're looking so good,

1478
01:18:00,160 --> 01:18:04,120
Speaker 1: driving me out of mind? Are you breaking my heart? Baby?

1479
01:18:04,320 --> 01:18:11,479
Speaker 1: You're playing hard to fuki. That's awesome. So good. Is

1480
01:18:11,520 --> 01:18:13,760
Speaker 1: that fun to play it that way? Yeah, it is fun.

1481
01:18:13,880 --> 01:18:15,559
Speaker 1: It's a lot of fun. Yeah, I was hearing these

1482
01:18:15,640 --> 01:18:17,840
Speaker 1: guys play is just yeah. But when I want to

1483
01:18:17,880 --> 01:18:19,479
Speaker 1: get in a good mood, I put on bluegrass music

1484
01:18:19,520 --> 01:18:21,599
Speaker 1: at the house. So it is fun, so much fun.

1485
01:18:21,680 --> 01:18:23,519
Speaker 1: I also wanted to mention I saw Sam walking through

1486
01:18:23,520 --> 01:18:28,120
Speaker 1: the glass room talking to Raymundo, who is your's a stoker.

1487
01:18:28,520 --> 01:18:30,680
Speaker 1: Let's be honest. Do you ever see him on your

1488
01:18:30,800 --> 01:18:33,960
Speaker 1: Instagram posting things? Or do you just not even back

1489
01:18:34,320 --> 01:18:37,479
Speaker 1: a couple of years ago. I did, but he still

1490
01:18:38,520 --> 01:18:41,000
Speaker 1: all the time. Love. I tell him that every time

1491
01:18:41,000 --> 01:18:43,920
Speaker 1: we come in. He's so that what he's wearing today

1492
01:18:44,120 --> 01:18:46,760
Speaker 1: is a flannel. Do you recognize that flannel? Yeah? I do,

1493
01:18:46,880 --> 01:18:49,800
Speaker 1: because he I remember he was. He complimented my outfit

1494
01:18:49,960 --> 01:18:52,479
Speaker 1: last time and U so we seen him over some

1495
01:18:52,760 --> 01:18:56,040
Speaker 1: h some shirt and some sheet and we talked. We

1496
01:18:56,160 --> 01:19:00,240
Speaker 1: talked about playing basketball. They shut us down. Get our

1497
01:19:00,280 --> 01:19:02,519
Speaker 1: hooping in yea. Yeah, well, Ray as your biggest fan.

1498
01:19:02,600 --> 01:19:04,719
Speaker 1: And when we were talking about these guys were always

1499
01:19:04,720 --> 01:19:06,799
Speaker 1: talking to your band here and I was like, raymund

1500
01:19:06,880 --> 01:19:09,360
Speaker 1: was in heaven right now. When you meet a man

1501
01:19:09,720 --> 01:19:13,120
Speaker 1: who was obsessed with you. I love it because it

1502
01:19:13,280 --> 01:19:15,320
Speaker 1: takes some humility to bits to say, like because a

1503
01:19:15,360 --> 01:19:17,080
Speaker 1: lot of times, you know, I'll be playing the show

1504
01:19:17,160 --> 01:19:20,400
Speaker 1: and I can tell when like the the girlfriend drug

1505
01:19:20,560 --> 01:19:22,720
Speaker 1: the boyfriend of the show, and he's just got his

1506
01:19:22,840 --> 01:19:25,120
Speaker 1: arms crossed and he doesn't want to show any sort

1507
01:19:25,160 --> 01:19:27,000
Speaker 1: of he doesn't want to you know, he wan't want

1508
01:19:27,000 --> 01:19:29,559
Speaker 1: me to know that he's got any interest in being there. Um,

1509
01:19:29,720 --> 01:19:33,440
Speaker 1: So it takes them. H I love it. I appreciate it, Raymundo,

1510
01:19:33,520 --> 01:19:35,120
Speaker 1: he appreciate I know he can't hear me, but you

1511
01:19:35,160 --> 01:19:37,559
Speaker 1: can't hear you. Yeah, okay, well does he but maybe

1512
01:19:37,560 --> 01:19:38,760
Speaker 1: he has something to say. Do you have something you

1513
01:19:38,800 --> 01:19:41,200
Speaker 1: want to say? Can't hear those headphones on? Lay it? Okay?

1514
01:19:41,479 --> 01:19:43,519
Speaker 1: Raise everything you want to say? We caught up coming in. Yeah,

1515
01:19:43,520 --> 01:19:45,479
Speaker 1: I mean we had a great talk for one minute.

1516
01:19:45,520 --> 01:19:47,360
Speaker 1: I mean the dude probably changed my day, my week,

1517
01:19:47,479 --> 01:19:49,200
Speaker 1: my month. Was that he changed his day as week

1518
01:19:49,240 --> 01:19:54,920
Speaker 1: as month. Love. Yeah, and like he just got married too,

1519
01:19:55,040 --> 01:19:58,840
Speaker 1: So congreg did you. Yeah, me and his brother got

1520
01:19:58,880 --> 01:20:01,679
Speaker 1: married the same weekend. That's definitely your brother got married

1521
01:20:01,680 --> 01:20:04,120
Speaker 1: the same weekend. Definitely that your friends So you're three,

1522
01:20:04,240 --> 01:20:08,400
Speaker 1: you're oh, yeah, we'll all double date. I'll be a

1523
01:20:08,439 --> 01:20:13,400
Speaker 1: triple date. Yeah. Okay, he's a stalker, but it's like safe.

1524
01:20:13,479 --> 01:20:16,479
Speaker 1: He's a safe Absolutely, if you gotta have stalker, raise

1525
01:20:16,560 --> 01:20:20,080
Speaker 1: the one you want, absolutely have to have one. Thank you, guys.

1526
01:20:20,120 --> 01:20:25,000
Speaker 1: Good to see you, guys. It's the Best Bits of

1527
01:20:25,080 --> 01:20:29,760
Speaker 1: the Week with Morgan number two. That's a rap for

1528
01:20:29,840 --> 01:20:32,840
Speaker 1: this week's show. I appreciate y'all taking the time to

1529
01:20:32,960 --> 01:20:35,240
Speaker 1: hang out with me. Listen then, and maybe here's some

1530
01:20:35,320 --> 01:20:37,960
Speaker 1: segments again that you already heard, or maybe hearing them

1531
01:20:38,000 --> 01:20:40,400
Speaker 1: all for the first time. Either way, thanks for hanging

1532
01:20:40,439 --> 01:20:43,080
Speaker 1: out with me and Amy and Scuba, Steve and Eddie.

1533
01:20:43,360 --> 01:20:45,200
Speaker 1: It was a fun day getting to hang out with

1534
01:20:45,360 --> 01:20:48,519
Speaker 1: them and hang out with you, guys. Don't forget follow

1535
01:20:48,560 --> 01:20:52,800
Speaker 1: the show on All Things at Bobby Bones Show, Twitter, Instagram, Facebook,

1536
01:20:53,040 --> 01:20:55,400
Speaker 1: and you can even follow me on all Things at

1537
01:20:55,439 --> 01:20:57,960
Speaker 1: web Girl Morgan. And if you go to Bobby Bones

1538
01:20:58,000 --> 01:20:59,960
Speaker 1: dot com you can relive every single one of the

1539
01:21:00,080 --> 01:21:03,120
Speaker 1: moments I talked about, plus more in the video versions.

1540
01:21:03,400 --> 01:21:05,519
Speaker 1: So go follow it, go follow all the things, watch

1541
01:21:05,640 --> 01:21:09,439
Speaker 1: all the things. Thanks for joining me. Bye. The best

1542
01:21:09,520 --> 01:21:12,880
Speaker 1: Bits of the week, and we've got a Morgan Best

1543
01:21:12,960 --> 01:21:17,200
Speaker 1: Bits of the Week with morganon