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Speaker 1: And it's Drinks motherfucking podcast. He's a legendary Queen's wrapper.

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Speaker 1: He's like Green is your boy in no R. He's

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Speaker 1: a Miami hippop pioneer d j e f N. Together

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Speaker 1: they drink it up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast. And your number one

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Speaker 1: sorts for drunk fast drink every day is New Year's

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Speaker 1: just time for drink chimps, drink up for the mother.

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Speaker 1: What's that real vote? How many of your West to

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Speaker 1: Breakfast club on revote every morning or maybe you listen

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Speaker 1: to us on I heart Well, first of all, I'm

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Speaker 1: honored to be here because Nora is my brother dj

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Speaker 1: e f N. I think I've on a lot of

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Speaker 1: provocative interviews, but for some reason, everybody cares the most

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Speaker 1: about Drink Champs. So I'm on it to be here today. Now,

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Speaker 1: we got some very special guests. Can y'all hear me? Okay,

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Speaker 1: you need me up here, all right, So we're gonna

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Speaker 1: have a good time. Everybody got a drink in their

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Speaker 1: hand because you guys are party. You said no, because

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Speaker 1: you guys are participating to this is a Drink Champs podcast,

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Speaker 1: So y'all gotta be Drink Champs with us and be

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Speaker 1: enthusiastic now. Drink Drink Champs has had many special guests

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Speaker 1: on including ll O COO, J, White Clip, of course,

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Speaker 1: didd He's been on there, I've been on there, DJ

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Speaker 1: and be Charlomage in the whole breakfast club. So let

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Speaker 1: me bring to this days d J E f N.

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Speaker 1: We don't get no theme music. Okay, what's that music?

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Speaker 1: Whe's the rocky music? Agap and Nori. It's all you

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Speaker 1: gotta relax, you guys, don't relax. Okay, little too, there's

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Speaker 1: no relaxing today. I don't want here. I don't like that.

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Speaker 1: I'm all right, you got it all right. We gotta

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Speaker 1: feel the energy. I hope there's no children here. This

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Speaker 1: is not a children friendly show. Yeah yeah, I don't

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Speaker 1: know overbold music conferences of children friendly events. No, I

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Speaker 1: saw like two year olds walking around earlier. But badges

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Speaker 1: and ship. Where's my Marijuani artist? Yeah? You see, I

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Speaker 1: got a bogie. Baby. We're gonna do We're gonna set

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Speaker 1: it off. How will you set it off? Let's do it.

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Speaker 1: Let's go hang Hanks. We're hoping, say is your boy?

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Speaker 1: And what up? Is d J and his drink chance.

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Speaker 1: Motherfucking happy hour makes some no I don't. I don't

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Speaker 1: go to join doing. We don't got a joint right now.

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Speaker 1: Tonight we're doing a live event. We got good friend

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Speaker 1: Angela yet as a co host because they always say

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Speaker 1: it's not enough females on the show. I was the

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Speaker 1: first woman. He was the first word you were. And

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Speaker 1: we also got a good friend of all t K Kirkland,

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Speaker 1: who raised you come out. I make some more noise

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Speaker 1: but he can't. Got damn TK sit there, go over

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Speaker 1: there because you don't you Yeah, listen, Oh yeah, you

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Speaker 1: take a bottom. God damn you take the line. Take

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Speaker 1: the line, yo. Yeah, you give me my bottom, give

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Speaker 1: my bottle. I hope, I hope you have age. Shout

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Speaker 1: out to rock in the building and they saw you

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Speaker 1: share that about it. That's not just for you. Don't

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Speaker 1: take that to the head. So t K let me

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Speaker 1: ask you, tcasting one too well? Has been yourr experience

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Speaker 1: to drink champs? Yo, it's been an awesome experience. Excuse me? Fellers,

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Speaker 1: I said, hey, fellers, Hey fellers, you'll calm down. Yeah,

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Speaker 1: you can rank on them. TK got many here, Yeah, yeah, yeah, listen.

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Speaker 1: The last time I was here, these brothers gave me

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Speaker 1: a five thousand dollar bottom of champagne. Only what I

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Speaker 1: got for you? So I got shirts. God damn, here

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Speaker 1: you go, fan. Everybody got a who gott and your

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Speaker 1: ship just waiting to number ten? Right, and we got something? Okay?

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Speaker 1: T K? You always bringing gifts, nigga? Right, I can

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Speaker 1: tell you steal before. People who give gifts its steal

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Speaker 1: back in the day, so they gotta make things up,

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Speaker 1: you know what I man? Yeah, so you know n

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Speaker 1: t K every time he comes to the Preface Club,

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Speaker 1: he brings your gift to right, that's right. I get flowers,

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Speaker 1: Get flowers, get flowers. That's crazy. Make sure you get

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Speaker 1: you who raised his T shirts later, make sure you're

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Speaker 1: downloaded on iTunes and number ten album in the country.

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Speaker 1: I'm too proud of it. Thank you guys so much. Yeah, yo,

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Speaker 1: so listen, this is what we're doing. I don't know

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Speaker 1: if y'all know, but My Vault is a black owned

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Speaker 1: television show. We you know. Yeah, you can make some

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Speaker 1: noise for that, God damn it. And the thing about

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Speaker 1: it is it's about time hip hop stocks and trolling

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Speaker 1: hip hop. Uh you know, and so we came up

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Speaker 1: with this show called Drink Chaces where we actually just

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Speaker 1: get artists just drunk. We support them, we salute them.

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Speaker 1: I don't know why hand Mr Lead out of everybody,

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Speaker 1: all these people in the crowd, I m the lead

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Speaker 1: and Inish and you know, damn it, Mr Lead, Mr

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Speaker 1: lea Spanish. He texting reggae Throne, Like when he texts you,

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Speaker 1: it's reggae Throne subtitles. Let me get the fun. So

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Speaker 1: we got who we got coming up? Okay, we got

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Speaker 1: Grand Hustle. I'll sue gang King t I. I'm so

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Speaker 1: proud of him what he's doing with the Houston with

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Speaker 1: Houston's because they let some black people in and he

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Speaker 1: was out there marching. I gotta respect this guy. Let's

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Speaker 1: pick up the King's up. Thank you for coming back? Yeah, yeah,

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Speaker 1: thank you for coming here. He was set over there, bro,

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Speaker 1: M you your man? Okay, Okay, they get out the

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Speaker 1: gang with him? Now, what's going on? What's going on?

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Speaker 1: What's going on? Get around you doing? Guy? Now? He's

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Speaker 1: an all new art ACTI I welcome back to the show.

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Speaker 1: What's going on? Boss? Welcome back? Yeah, he's an all

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Speaker 1: new artist. Her let me be like, these are all

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Speaker 1: new artists. He yeah, these these artists are you know,

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Speaker 1: mostly new. We have something to have stop already, icy

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Speaker 1: out already again, you know what I mean. They have

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Speaker 1: hustled their way to a certain position, you know what,

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Speaker 1: you know, which would allow them to have certain perks

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Speaker 1: right now to work right. I'm with you. Not recently

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Speaker 1: you've been doing a lot of black activated active activism,

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Speaker 1: activism like he's activating the actor. I love I love

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Speaker 1: what you did because what happened in Houston's exactly and

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Speaker 1: you let them, you let like, well, they won't know

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Speaker 1: one thing that happened. A lot of things going on.

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Speaker 1: That's the thing. You can't have just one thing to

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Speaker 1: happen that got that got chairs. Come on, sit down.

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Speaker 1: We were heard we heard this house drink yeah yeah, yeah, yeah,

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Speaker 1: we found Yeah. So there is no it isn't just

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Speaker 1: it isn't just one thing that happened. You know, it's

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Speaker 1: a series of of of incidents, you know what I'm saying.

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Speaker 1: Houston's and Heelstones Corporation man had proved that they have

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Speaker 1: a culture of discrimination. And I've heard from different people

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Speaker 1: at different times, at different locations about different levels of discrimination,

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Speaker 1: even people like Rick Ross. You know what I'm saying,

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Speaker 1: he experienced uh walking flockmass den my old lady to

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Speaker 1: me cool, you know what I'm saying. Like you know,

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Speaker 1: they have this uh loose, broad based policy of things

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Speaker 1: that they choose to enforce when they're dealing with us,

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Speaker 1: you know what I mean. But like fanciers, let's just

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Speaker 1: say no hats. If it's no hats. But I go

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Speaker 1: in there and I see other people that don't look

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Speaker 1: like me with hats on. But you just turned somebody

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Speaker 1: who did look like me away for ahead. You know

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Speaker 1: what I'm saying. That's that's systemic discrimination. Alright, alright, let's

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Speaker 1: make some noise with t I standing up for us.

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Speaker 1: God damn it. So now, how how how is it work?

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Speaker 1: Start with you? You start the ladies first? So how

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Speaker 1: is it working with I'm nothing like TA? I mean,

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Speaker 1: it's it's a competition. You're trying. You're trying to take

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Speaker 1: him out. You get on the track with him and

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Speaker 1: burn them down. Okay, okay, okay, and you enjoy that,

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Speaker 1: You enjoy being in competition? Yeah, enjoy because I do

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Speaker 1: it well? Okay? And you for mylantup? Oh no, no, no, no,

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Speaker 1: I'm sorry. Okay, I'm going for all. Yeah yeah, I'm

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Speaker 1: New York. I'm so sorry. Yeah. So how about you brothers.

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Speaker 1: How about your brothers working with Yeah? Yeah, and she

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Speaker 1: bought translate. Man, we're in the building. Alabama is in

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Speaker 1: the building, lady. But it's just it's an honor. Man,

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Speaker 1: whenever you get to work with the King, man, you know,

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Speaker 1: you really want to go in there and do your best.

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Speaker 1: And this man is the greatest of what he does,

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Speaker 1: so he make everybody else be the greatest at what

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Speaker 1: they do, you know what I'm saying. So it's a

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Speaker 1: blessed man. We're blessed. It's a blessing to stand in

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Speaker 1: front of y'all today. So hustle game. We want smokers

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Speaker 1: out right now, man, So let's get it. That's what

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Speaker 1: you're smoking. My wanna you're good smoke, every kind of smoke,

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Speaker 1: not j Mary. I want to smoke. We want all

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Speaker 1: the smoke. Okay, broke stove, smoke, five place, smoke, busted manifold,

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Speaker 1: cracked the exhaust smoke. We won't train smoke. We want

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Speaker 1: all the smoke. We want the bird we've smoke. We

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Speaker 1: won't I don't look ye you know when the girl

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Speaker 1: man when they were doing birthday, we've got it caught

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Speaker 1: in the in the hot curla. Yeah, we want that

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Speaker 1: smoke to bring it on. We won't got to bring

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Speaker 1: it to you. Quick question. I want to share with

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Speaker 1: you what I like about what the South is doing

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Speaker 1: is how y'all always put people on. It's like no hating,

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Speaker 1: You're always showing success for other artists. And can you

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Speaker 1: explain the success of that on? What gives you all

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Speaker 1: the motivation to keep putting people on, because everybody needs

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Speaker 1: to understand that once you get to a certain level,

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Speaker 1: you gotta get back and put other people on to

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Speaker 1: just to build an empire. Well, I mean, I do

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Speaker 1: agree that you know, you're only gonna be remembered for

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Speaker 1: the amount of opportunities you created for other people, you

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Speaker 1: know what I'm saying, more so than you all remember

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Speaker 1: for the amount of opportunities that you created for yourself.

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Speaker 1: I think that's anyway, not just the salve, but it's

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Speaker 1: just that we've we have so much talent around us

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Speaker 1: people that like it's just it it flows through us.

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Speaker 1: Like you you can't be in Atlanta and not meet

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Speaker 1: somebody who dope you know what I'm saying. And and

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Speaker 1: if we meet somebody who dope and we have a

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Speaker 1: platform or a connect where we can introduce this someone

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Speaker 1: who we know, this dope to someone who can you know,

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Speaker 1: help create opportunities and expand they expand their horizons and

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Speaker 1: let them cultivate their talent. Right, I just think it's

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Speaker 1: a blessing. So I just want to give your heads

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Speaker 1: up in Atlanta. So I've always been that way and

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Speaker 1: it's been a great example for everybody else around the country,

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Speaker 1: the industry. Right, I totally agree. Does this mean there's

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Speaker 1: a Hustle game compilation album? It does. It's already out.

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Speaker 1: We Won't Smoke came out yesterday and it's still Hustle.

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Speaker 1: It's still a grand Hustle. You know what I'm saying. Uh,

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Speaker 1: Hustle Gang, Grand House Gang, Grand Hustle is one and

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Speaker 1: the same. Yeah, Okay, well that's what I'm talking about, man, y'all.

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Speaker 1: I said I had to pull my old drint how No,

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Speaker 1: like we were scared because last time we didn't know.

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Speaker 1: Let's want what you were. I didn't want to drink that. Yeah,

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Speaker 1: let's talk, can do whatever we could do whatever, man,

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Speaker 1: we we we support our artists overhead baby. So you

200
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Speaker 1: just was on the panel hip hop first time on Trump.

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Speaker 1: He was just on that path. Yeah, we was just

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Speaker 1: on that by the way, Man Puff and French Damn

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Speaker 1: French Vanilla Rock. It's a problem. This is Dame vanill

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Speaker 1: be blowing up. Yeah, I was coming to the Vanilla

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Speaker 1: They you haven't. If you ain't had no man, you should,

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Speaker 1: you should? Ye, where's talky talkyo jets? I gotta ask

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Speaker 1: you what's the male group? He's like for you? What's

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Speaker 1: the male group? He's like for you? You got any

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Speaker 1: good stories for us? I have like stalkers we um.

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Speaker 1: We went on the Hustle Game tour and this guy

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Speaker 1: just kept telling me he wasna love me. Then he

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Speaker 1: started posting pictures of me that I've never seen. So

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Speaker 1: he was like at six or seven of our shows

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Speaker 1: and I've never seen him. He never hears somewhere. I

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Speaker 1: see you, all right that don't be scared because of

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Speaker 1: all the guys around. No, they protect me. Okay, that's

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Speaker 1: what's up. That's what sucks. How about y'all y'a y'are

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Speaker 1: smashing group? He's yet. We don't play no game. We

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Speaker 1: don't play no game. By to don't play no game.

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Speaker 1: I'm gonna come play. She's doing. It's okay. She striped

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Speaker 1: me to be offensive. But I'm scared, you know what

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Speaker 1: I'm saying. Good, it's a rough world up. I'm just work.

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Speaker 1: I don't know what's going on. It's a rough world

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Speaker 1: out there. But be be careful, man, Be careful. Man,

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Speaker 1: hey man. But you know one thing I can say

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Speaker 1: about everybody up here on this state, Man, they all

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Speaker 1: dope in different ways. You did what I'm saying. And

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Speaker 1: that's one thing about about Hustle Game Man. With I

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Speaker 1: was I always envisioned was like an institution of culture,

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Speaker 1: not just like a record label. You know what I'm

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Speaker 1: saying something You can come here, man, whatever it is

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Speaker 1: that you have it in your eyes, in your heart,

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Speaker 1: in your mind to do with this fashion, with this film,

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Speaker 1: with this television, you know, with the technology or whatever

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Speaker 1: it is, you come here and we're gonna find a

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Speaker 1: way to do even real estate. You know, whatever it

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Speaker 1: is in your in your in your mind and your

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Speaker 1: heart that you like to do. You know, we want

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Speaker 1: to create. We want to create a platform and a

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Speaker 1: connection for it. Now, another artist that you worked with

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Speaker 1: worked with right now, still trade the truth. Like, I'm

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Speaker 1: so bro VP he presidents President to know him to

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Speaker 1: be involved with man Yo because because like like immediately

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Speaker 1: when I seen the disaster strike, he was immediately on

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Speaker 1: the like nobody called him like yeah, and you've been

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Speaker 1: in it ever since. You knew that about him prior

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Speaker 1: to this, Yeah, you knew that he had heard absolutely okayute, okay,

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Speaker 1: free you want a little bottom, then you gotta relax.

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Speaker 1: It's all good, man. Now, this is the Reboute Music Conference,

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Speaker 1: and I know there's a lot of aspiring artists out there.

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Speaker 1: What makes somebody stand out enough for you to say, okay,

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Speaker 1: I want them to be part of the game. I mean,

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Speaker 1: it's give me some examples of some of the artists

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Speaker 1: up here how they stood out to you. I mean,

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Speaker 1: it's vision, it's vision. I can go from how I

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Speaker 1: saw Tokyo Jets freestyle and her call Instagram and that's

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Speaker 1: where it created, you know, our relationship to when I

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Speaker 1: saw Rob you know what I'm saying, kicking in flame,

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Speaker 1: when I found he was a producer as well as

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Speaker 1: a rapper, and we all, you know, we all just

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Speaker 1: jailed so well together. Man. Lyndon Jade your boot translate.

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Speaker 1: I mean, it's a lot of us because we all

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Speaker 1: do so many things. You know what I'm saying. I

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Speaker 1: think that if you listen to the album is gonna

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Speaker 1: be real heart. Did not find something that you relate

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Speaker 1: to it, that you gravitate to? And we introduce everybody

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Speaker 1: on stage. Yeah, let's go ahead and make sure that

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Speaker 1: they introduce themselves. Just kidd let what's saying, Hey man,

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Speaker 1: that's your boy dope you know over there? Yeah? Yeah,

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Speaker 1: you know what's good? This is your boy j from

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Speaker 1: Bryce from from the Brounson, New York out now had

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Speaker 1: this boy, y'all boot man say yea without without Brandon

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Speaker 1: routs to the kad to George translate straight out of

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Speaker 1: Alabama was handing, Yeah, so yo, I'm from Duvall of course,

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Speaker 1: T K. Kirk from Jersey City. You don't put yourself

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Speaker 1: with your regulate coming out first right this app You

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Speaker 1: think this a lot, but this ain't even all of them.

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Speaker 1: Your drawing here ain't here the truth thing here. You

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Speaker 1: know what I'm saying, that's awesome in the comedy. In

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Speaker 1: the comedy this year, we gott duval k d You

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Speaker 1: know what I'm saying, oh five, Mike is ain't here

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Speaker 1: like we got. We got you bad boy, y'all, but

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Speaker 1: we won't smoke so anybody. You know, whatever it is

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Speaker 1: you do, man, you know what I'm saying, whatever it

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Speaker 1: is you do, gonna sign you got some ship. Sorry

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Speaker 1: I missed that one. I'm getting some notes from her vote.

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Speaker 1: First of all, shout out to Hustle Hour for the

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Speaker 1: open bar and for all of the vote Music conference.

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Speaker 1: You guys can answer this, what's your biggest tip to

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Speaker 1: keep your hustle going? Oh man, you gotta be willing

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Speaker 1: to You gotta be willing to put in the work.

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Speaker 1: You know, you gotta, you gotta. You gotta not not

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Speaker 1: complaining about how long you've been grinding before you get paid.

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Speaker 1: You know what I'm saying. That's that's the that's the

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Speaker 1: first thing you gotta. You just gotta work with your

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Speaker 1: head down and be doing so much work that you

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Speaker 1: don't even notice that the money is coming in. Yeah,

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Speaker 1: you know what I'm saying, You don't even know you

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Speaker 1: got the words or to the money coming in so

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Speaker 1: fast you ain't got time to spend it, you know,

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Speaker 1: and don't celebrate success so long. Take some tired. Thank god.

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Speaker 1: You know what I'm saying, have a good meal about it,

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Speaker 1: turn up a night and get back to it. It's

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Speaker 1: trying to prepare for the celebration of the success of tomorrow. Uh.

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Speaker 1: And you know you just gotta remain true to who

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Speaker 1: you are. Now, what's the hustle TV? Gangum, I ready

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Speaker 1: got hustle TV. Yeah, television, film and television Okay, yeah,

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Speaker 1: in particular projects that's on that right now. It's a

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Speaker 1: mouth for let me see because then you do a

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Speaker 1: movie with my gaps. Yeah, yeah, absolutely. On the film side. Absolutely,

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Speaker 1: on the film side, that's actually grandhust of films. Uh.

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Speaker 1: It's called the Trap myself, Mike Yel's Tiana Taylor, Uh,

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Speaker 1: queenly you know what I'm saying, big budget k dub

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Speaker 1: so many people man and DC young fly well you

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Speaker 1: know what I mean. Uh. And it's basically me and

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Speaker 1: Mike play brothers that we hold a chicken a chicken

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Speaker 1: ship family on a chicken ship. You might get doing

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Speaker 1: another seller weed out of that. You know what I'm

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Speaker 1: saying That Mama, how mamma end up in a position

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Speaker 1: where we need some money. We gotta figure that. So

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Speaker 1: you know, you know, just seeing all of us, man

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Speaker 1: that that I could have did that for ten years.

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Speaker 1: If that was a TV show we have did. That's

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Speaker 1: the most fun I had on set. Like now, now

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Speaker 1: being in this game all these years, what's what's the

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Speaker 1: motivation to keep going? Besides the money? Like the money

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Speaker 1: is one thing. We know, the money fees our family,

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Speaker 1: But when you're in this game for as long as

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Speaker 1: you've been in, there has to be something more than money.

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Speaker 1: What keeps what keeps tr gone? I mean, it's the passion.

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Speaker 1: It's the passion of wanting to to create something great

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Speaker 1: and just push the culture forward, contribute to the contribute

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Speaker 1: to the to the generation, like creating oppet tunities and

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Speaker 1: you know, being the example. I think it gotta be

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Speaker 1: a bigger It gotta get bigger than music at some point.

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Speaker 1: Got it can't that being about rapping and dropping an album.

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Speaker 1: And you know, because I've had so many platinum are,

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Speaker 1: so many number ones and so many awards, well you

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Speaker 1: gotta I mean what I'm just saying like, you can

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Speaker 1: only do that for so long until it's like all right,

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Speaker 1: come on man, Okay, it's another album. Okay, he's gonna

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Speaker 1: you know what I'm saying, in order for you to

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Speaker 1: remain relevant to the culture, you gotta create opportunities for

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Speaker 1: the people around you. You know what I'm saying. You

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Speaker 1: gotta create, You gotta introduce something to the game is

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Speaker 1: bigger than you. Based on what you're saying, though, do

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Speaker 1: you think the South is obviously making its money? Do

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Speaker 1: you think it got its respect that it was always

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Speaker 1: trying to vibe for and and within hip hop specifically?

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Speaker 1: I mean I think that. I think I think that

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Speaker 1: that comes with performance. You know, like if you perform

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Speaker 1: at a high level, then you you cannot you refuse

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Speaker 1: to be ignored. You can't. You can't ignore something that

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Speaker 1: is clearly dominating a field continuously, over and over, year

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Speaker 1: after year after year. You must respect it because you

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Speaker 1: look like the fool at this point. If not, you know,

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Speaker 1: would you watch your son Demani to sign the Grand Hustle.

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Speaker 1: I mean, he don't. And me and him had this discussion.

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Speaker 1: By the way, I gave him a chain, and he

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Speaker 1: would like, I don't know what does this mean? You

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Speaker 1: know what I'm saying? Uh? And I told him, I say, man,

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Speaker 1: I don't care what you do with your music. You

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Speaker 1: still own a piece of it. So you were boy,

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Speaker 1: it's yours by right. You choose. You know, you can

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Speaker 1: put your music out wherever you want to, but you

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Speaker 1: still on the piece of this. So man, we're a

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Speaker 1: rep both. Well. They tell them they're giving us a

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Speaker 1: text telling us that the hustle gang gotta go. I

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Speaker 1: want anybody to show them some love. Yo, y'all. Yo,

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Speaker 1: Matt cho and listen, man, we're gonna continue to support you.

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Speaker 1: This is a hip hop format. We want to keep

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Speaker 1: it hip hop. So we want to throw that out

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Speaker 1: there and thank you for coming again because it was

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Speaker 1: because it was awkward the last time because we just

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Speaker 1: wasn't ready. No, man, it was okay. I think I

376
00:21:12,160 --> 00:21:15,800
Speaker 1: think it was that awcome this and play that everybody.

377
00:21:16,480 --> 00:21:20,200
Speaker 1: It was very entertaining. Yeah, we got way for both.

378
00:21:21,080 --> 00:21:30,679
Speaker 1: Thank you. Let's up, y'all. It's hot as hell out here.

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Speaker 1: It's hot. The devil is right there. That's how hot

380
00:21:34,240 --> 00:21:36,520
Speaker 1: it is. The devil just go over there, chilling smoking weed.

381
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Speaker 1: He gotta relax. They gotta nigga what we're doing you

382
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Speaker 1: always do. We always doing that, yo. My brother. Always

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Speaker 1: good to see you, my brother. So right now, okay,

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Speaker 1: right now, we're gonna we're gonna do something a little

385
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Speaker 1: different for y'all. Gonna beat you, my brother, We're gonna

386
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Speaker 1: do something a little different for y'all. We're gonna bring

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Speaker 1: an executive from Atlantic Records. All right, he sighed, Oh ship,

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Speaker 1: am I bad? Why are you telling me? Then? Don't

389
00:22:10,280 --> 00:22:14,480
Speaker 1: you trying too? And wait? How's that? Nor makes some

390
00:22:14,600 --> 00:22:20,320
Speaker 1: noise for Nori. We're gonna do something a little different

391
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Speaker 1: right now. Yeah, you're trying to make a professional think

392
00:22:23,440 --> 00:22:26,800
Speaker 1: you always tink a woman, get your get your Yeah,

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Speaker 1: we got my guy, DZ Clark Kent. Well, we're clocking

394
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Speaker 1: at the legendary Clarky DJ Clark Kent. We got to

395
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Speaker 1: my basket at and we got Orlando executive sheet right now,

396
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Speaker 1: y'all got the whole clicking. I'm gonna tell you all

397
00:22:43,920 --> 00:22:46,240
Speaker 1: right now. I'm gonna tell you all right now, y'all

398
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Speaker 1: inspiring artists. When you see your artists and you come

399
00:22:49,960 --> 00:22:51,879
Speaker 1: up to an artist, this is where you're sucking up.

400
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Speaker 1: These are the motherfucker's you gotta come up to. These

401
00:22:54,960 --> 00:22:58,960
Speaker 1: motherfucker's right here. Who you listen, listen who you sign?

402
00:22:59,040 --> 00:23:02,760
Speaker 1: Tell them who you signed? Fatty Fetty Wak makes some

403
00:23:03,200 --> 00:23:07,800
Speaker 1: fat Yeah, who else you sign? Kodak Bo Bo Black,

404
00:23:08,720 --> 00:23:11,080
Speaker 1: Kodak Black, you got, you got CARDI, he got me

405
00:23:11,160 --> 00:23:15,720
Speaker 1: fucked up sorry, Kodak Black and P and b Rock. Listen, man,

406
00:23:16,080 --> 00:23:18,239
Speaker 1: this guy got the hot hand in the industry right now.

407
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Speaker 1: Makes some noise for a land or my mother. Yeah,

408
00:23:23,600 --> 00:23:25,840
Speaker 1: this is the legendary d J. Clark can't he got

409
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Speaker 1: every pair of sneakers, every pair of sneakers everywhere. I

410
00:23:30,200 --> 00:23:33,000
Speaker 1: go on his gram just to hate sometimes, you know,

411
00:23:33,080 --> 00:23:34,280
Speaker 1: I just go on your gram just to be like

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Speaker 1: he's disgusting with it. You're allowed, yo, yo yo, Clark.

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Speaker 1: You've worked with so many people. What was your what

414
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Speaker 1: was your favorite session? You ever had favorite session? I

415
00:23:46,520 --> 00:23:48,240
Speaker 1: know it's a bigger Jason. I know we're going to

416
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Speaker 1: you gonna keep it b K and it's a bigger j.

417
00:23:51,440 --> 00:23:54,040
Speaker 1: Don't put words in his mouth. I'm actually gonna I'm

418
00:23:54,080 --> 00:23:57,160
Speaker 1: not gonna say bigger or J. I'm gonna assist because

419
00:23:57,160 --> 00:23:59,119
Speaker 1: you want to be petty when we made Closer, I'm

420
00:23:59,160 --> 00:24:06,080
Speaker 1: gonna be you. But the reason why is because big

421
00:24:06,200 --> 00:24:08,879
Speaker 1: and J we were all made making records, but me

422
00:24:09,000 --> 00:24:12,080
Speaker 1: and you never made a record, right, and you did

423
00:24:12,200 --> 00:24:14,760
Speaker 1: not know how to make record, to make a record, no,

424
00:24:15,200 --> 00:24:17,680
Speaker 1: it's a fact, but you listen, and we made a

425
00:24:17,720 --> 00:24:19,440
Speaker 1: great record. I think. I think it was like the

426
00:24:19,520 --> 00:24:23,120
Speaker 1: first time I listened to because probably back then producers

427
00:24:23,200 --> 00:24:24,800
Speaker 1: would they would have to come and have the lay

428
00:24:24,880 --> 00:24:27,160
Speaker 1: the beat, although that was super dumb about to play.

429
00:24:27,960 --> 00:24:30,560
Speaker 1: They producers would have to come and play to beat,

430
00:24:30,960 --> 00:24:34,520
Speaker 1: and they would usually leave. You came, made the beat,

431
00:24:34,840 --> 00:24:37,720
Speaker 1: did it there, and you stayed. So I figured if

432
00:24:37,760 --> 00:24:40,640
Speaker 1: this siger stayed, its had like niggers there he would

433
00:24:40,640 --> 00:24:45,639
Speaker 1: just beat makers later beat and producers make the record,

434
00:24:46,440 --> 00:24:51,720
Speaker 1: make some noise, but that goddamn it. Now we got

435
00:24:51,800 --> 00:24:55,440
Speaker 1: my good friend dropping. This is this now, if you

436
00:24:55,520 --> 00:24:58,240
Speaker 1: gotta get on Spotify, you gotta get your ship. Let

437
00:24:58,320 --> 00:25:01,400
Speaker 1: me tell you how something I've been coming, artists upcoming exists.

438
00:25:01,920 --> 00:25:05,879
Speaker 1: I haven't thought out a record legitimate, legitimately legate you

439
00:25:05,960 --> 00:25:10,119
Speaker 1: know what I mean, getting the years right. So we

440
00:25:10,280 --> 00:25:12,719
Speaker 1: called it all the top radio guys right, because that's

441
00:25:12,760 --> 00:25:14,520
Speaker 1: what you gotta do when you're coming out of the record.

442
00:25:14,520 --> 00:25:17,080
Speaker 1: You call. Weren't on no labels, so we call ourselves.

443
00:25:17,080 --> 00:25:20,320
Speaker 1: We gotta cometa get the bag. The first thing they

444
00:25:20,440 --> 00:25:24,800
Speaker 1: said is I said, uh, we want to attack this record.

445
00:25:24,840 --> 00:25:26,879
Speaker 1: We want to get you know, the street teams. The

446
00:25:26,960 --> 00:25:29,719
Speaker 1: first thing they said is you gotta get your Spotify right.

447
00:25:30,200 --> 00:25:32,000
Speaker 1: And in case you don't know who this man is

448
00:25:32,119 --> 00:25:34,159
Speaker 1: right here when it comes to Spotify and they come

449
00:25:34,200 --> 00:25:36,119
Speaker 1: to hip hop and they got serial at Spotify for

450
00:25:36,200 --> 00:25:38,600
Speaker 1: no reason, like you're just walking the Spotify office they

451
00:25:38,680 --> 00:25:43,320
Speaker 1: got serial. Everything was so fly. But this is a

452
00:25:43,359 --> 00:25:47,560
Speaker 1: two makes now now two of them? Are you worked

453
00:25:47,600 --> 00:25:53,320
Speaker 1: from mtv BT? How different is it? Vot vote um, yeah,

454
00:25:53,359 --> 00:25:56,479
Speaker 1: big up, vot definitely always. How different is that from

455
00:25:56,520 --> 00:26:00,800
Speaker 1: going from that to Spotify type of staff different. It's

456
00:26:00,840 --> 00:26:04,840
Speaker 1: different because of the access to like information that we have.

457
00:26:05,240 --> 00:26:08,760
Speaker 1: Like in Spotify, we can see what people are searching for,

458
00:26:09,160 --> 00:26:12,080
Speaker 1: what people are saving, people added to their own playlists,

459
00:26:12,720 --> 00:26:17,680
Speaker 1: what we can see people are skipping records. So serious, Yeah,

460
00:26:17,760 --> 00:26:21,200
Speaker 1: exactly exactly. So the other places, Yeah, you had like

461
00:26:21,320 --> 00:26:23,119
Speaker 1: call out research and you know, you can look at

462
00:26:23,160 --> 00:26:26,920
Speaker 1: BDS a lot, but it was what was happening now outside,

463
00:26:26,960 --> 00:26:31,040
Speaker 1: This is happening inside. So it's very very accurate and instant.

464
00:26:31,040 --> 00:26:33,119
Speaker 1: I would assume it's real time. You know, no, no,

465
00:26:33,760 --> 00:26:36,040
Speaker 1: I snory when when you can look at your fan inside.

466
00:26:36,080 --> 00:26:37,960
Speaker 1: You can even see like how many people listen to

467
00:26:38,000 --> 00:26:41,040
Speaker 1: you in that moment. It's like a stop ticking, changing, changing,

468
00:26:41,119 --> 00:26:43,240
Speaker 1: changing changing. Yeah, I'm gonna tell you something. I went

469
00:26:43,280 --> 00:26:46,199
Speaker 1: to Spotify our office. It was so rich. They had

470
00:26:46,280 --> 00:26:49,560
Speaker 1: beds there. You get a massage, you get your nails done,

471
00:26:50,440 --> 00:26:54,960
Speaker 1: ro Dice can't get a haircut? Was crazy. I said no,

472
00:26:55,119 --> 00:26:58,639
Speaker 1: I said work. You know what I'm saying. So with

473
00:26:58,840 --> 00:27:02,920
Speaker 1: that being said, Orlando being at Atlantic and I've seen how,

474
00:27:03,080 --> 00:27:05,240
Speaker 1: I've seen how when you first was there, and I've

475
00:27:05,240 --> 00:27:07,840
Speaker 1: seen how you are now, Like it's it's you right

476
00:27:07,920 --> 00:27:11,199
Speaker 1: there like the top people getting you're getting it. Get

477
00:27:11,760 --> 00:27:13,879
Speaker 1: god damn it. It's like you know you're getting it,

478
00:27:13,960 --> 00:27:17,159
Speaker 1: got damn it. But how is that working in the office?

479
00:27:17,280 --> 00:27:20,159
Speaker 1: How how is that just you know, going from a

480
00:27:20,200 --> 00:27:22,520
Speaker 1: street dude, because because they don't know, but I know

481
00:27:24,240 --> 00:27:33,400
Speaker 1: you relax, Okay, okay, smoking room, you gotta smoke rooms

482
00:27:33,400 --> 00:27:35,680
Speaker 1: like I get signed Atlantic, somebody cut me in check Atlantic.

483
00:27:36,359 --> 00:27:39,119
Speaker 1: I gotta like the nice of life. Let me tell

484
00:27:39,160 --> 00:27:43,480
Speaker 1: you something about hip hop office officers and studios. A

485
00:27:43,520 --> 00:27:46,840
Speaker 1: lot of hip hop artists oh so much to officers

486
00:27:46,880 --> 00:27:49,960
Speaker 1: and studios because we would hang out there. Just not

487
00:27:50,119 --> 00:27:52,280
Speaker 1: to be on the street. You know what I'm saying,

488
00:27:52,400 --> 00:27:54,720
Speaker 1: Just not to be on the street. So I pick

489
00:27:54,760 --> 00:27:57,440
Speaker 1: you up. So Clark, can't you all right? What do

490
00:27:57,520 --> 00:28:02,639
Speaker 1: you enjoy more producing on djan DJ? He said that

491
00:28:02,760 --> 00:28:07,240
Speaker 1: very fast. Yeah, I enjoyed DJ and way better because

492
00:28:07,280 --> 00:28:09,159
Speaker 1: it's instinct. I was about to say that it was

493
00:28:10,000 --> 00:28:12,119
Speaker 1: was a DJ first. I mean, you know, I've been

494
00:28:12,160 --> 00:28:15,080
Speaker 1: a DJ for a long time. Producing it is cool.

495
00:28:15,720 --> 00:28:18,119
Speaker 1: But for me to produce now, I have to be

496
00:28:18,200 --> 00:28:21,520
Speaker 1: inspired and there's so much that's not inspiring that you know,

497
00:28:21,600 --> 00:28:24,040
Speaker 1: I'd rather play the records. And you think the DJ

498
00:28:24,160 --> 00:28:25,920
Speaker 1: is always gonna be a better producer than someone that

499
00:28:26,000 --> 00:28:28,320
Speaker 1: wasn't a DJ. I would like to hope so, and

500
00:28:28,359 --> 00:28:31,120
Speaker 1: I would like to say so. But Leon Wayre wasn't

501
00:28:31,119 --> 00:28:34,080
Speaker 1: a producer. I mean, it wasn't a DJ. Quincy Jones

502
00:28:34,160 --> 00:28:38,720
Speaker 1: wasn't a DJ. Parrell's not a DJ, and Prell's top

503
00:28:39,600 --> 00:28:43,960
Speaker 1: two and he's not number two? Okay with me and

504
00:28:44,000 --> 00:28:48,040
Speaker 1: Farrell got a record out, but gotta record out. I

505
00:28:48,080 --> 00:28:50,080
Speaker 1: don't know why, shameless bug I felt like Claude gave

506
00:28:50,080 --> 00:28:51,520
Speaker 1: me the alle you I just had to dunk it.

507
00:28:51,640 --> 00:28:55,200
Speaker 1: What's the remix. Wait. Wait, if you think about it,

508
00:28:55,600 --> 00:28:59,080
Speaker 1: you gave Perella Hall, are you. That's a fact. That's

509
00:28:59,120 --> 00:29:05,400
Speaker 1: a fact. I wish your favorite place to DJ Japan.

510
00:29:05,480 --> 00:29:07,000
Speaker 1: I just feel like you're gonna go SA say Japan.

511
00:29:07,240 --> 00:29:09,360
Speaker 1: I don't know what to say. Any club that's full,

512
00:29:10,760 --> 00:29:12,760
Speaker 1: I don't care where it's that. If it's full, I'm

513
00:29:12,760 --> 00:29:15,720
Speaker 1: gonna beat the club down. Let's say that again. I'm

514
00:29:15,720 --> 00:29:17,840
Speaker 1: so if it's full, I'm gonna beat the club down.

515
00:29:17,920 --> 00:29:19,920
Speaker 1: Bottom line, you with the three if there's just three

516
00:29:19,920 --> 00:29:21,840
Speaker 1: people in the room. Now, if it's three people in

517
00:29:21,880 --> 00:29:23,400
Speaker 1: the room, they're gonna walk away and say I did

518
00:29:23,480 --> 00:29:25,160
Speaker 1: my thing. But if it's a if it's a club

519
00:29:25,240 --> 00:29:27,280
Speaker 1: and it's pack, I don't care where it's something. It

520
00:29:27,360 --> 00:29:29,360
Speaker 1: could be a hotel room. If it's packed, i'm gonna

521
00:29:29,440 --> 00:29:33,200
Speaker 1: murder that ship. That's the real DJ ship. That's real

522
00:29:33,320 --> 00:29:39,240
Speaker 1: DJ ship. You gotta relax. That's about friend. I don't

523
00:29:39,240 --> 00:29:41,400
Speaker 1: know if you know, I don't know left right there,

524
00:29:41,520 --> 00:29:43,479
Speaker 1: that's like I'm a little bit I'm a little bit

525
00:29:43,640 --> 00:29:46,680
Speaker 1: before his error. Right. So my name is Poppy and

526
00:29:46,760 --> 00:29:48,760
Speaker 1: left frack. So every time I come around, I'll make

527
00:29:48,800 --> 00:29:51,120
Speaker 1: sure that he knows your little Poppy. You know what

528
00:29:51,120 --> 00:29:53,760
Speaker 1: I'm saying. He's my man though not just no disrespect,

529
00:29:53,800 --> 00:29:55,720
Speaker 1: but you know I come first. You know he's still

530
00:29:55,800 --> 00:29:57,959
Speaker 1: my nigga. I love you, man, so listen to him.

531
00:29:58,440 --> 00:30:01,440
Speaker 1: How's an artist ever came up there plays you some ship.

532
00:30:01,800 --> 00:30:04,600
Speaker 1: It was trash and you had to tell them it's

533
00:30:04,640 --> 00:30:07,920
Speaker 1: not gonna happen. No, no, no, it's all good music.

534
00:30:08,040 --> 00:30:11,640
Speaker 1: No it's not all good music. Yeah, it's not. It's

535
00:30:11,680 --> 00:30:13,760
Speaker 1: not it's not about me and somebod audience. Let's say,

536
00:30:14,360 --> 00:30:17,640
Speaker 1: let's say that it's not good. But how do you

537
00:30:17,840 --> 00:30:20,200
Speaker 1: approach that it's not good? What you do? You don't,

538
00:30:20,520 --> 00:30:24,440
Speaker 1: it's not basic. If you like what mothers tell you,

539
00:30:24,520 --> 00:30:26,120
Speaker 1: If you don't have nothing nice to say, don't say

540
00:30:26,120 --> 00:30:31,800
Speaker 1: anything at all. Goddamnit, goddamn it, goddamn it, goddamn my mom.

541
00:30:33,320 --> 00:30:36,880
Speaker 1: So h yeah, listen, good buddy, Boddy, come on, man,

542
00:30:37,040 --> 00:30:41,440
Speaker 1: I get your bottom. We got more guests out listen. Alright, cool,

543
00:30:41,480 --> 00:30:43,200
Speaker 1: I don't even know what's going on. We're out here,

544
00:30:43,760 --> 00:30:46,280
Speaker 1: clock and see everybody. Listen, everybody who didn't drink that

545
00:30:46,400 --> 00:30:54,080
Speaker 1: much before? Stopping Poppy, Poppy, okay, stopping about the drinking? Okay, yes, yes, okay,

546
00:30:54,320 --> 00:30:55,600
Speaker 1: we got some rock for you. I don't know you

547
00:30:55,680 --> 00:30:58,000
Speaker 1: know so rock is the best vodka on the planet

548
00:30:58,360 --> 00:31:00,720
Speaker 1: last time. Yes, you you, you into everything and we

549
00:31:00,800 --> 00:31:03,640
Speaker 1: got and we got Delion the Ultra Smooth to kill her.

550
00:31:04,280 --> 00:31:07,400
Speaker 1: Yeah yeah, yeah killer. So we got more coming on

551
00:31:07,560 --> 00:31:10,120
Speaker 1: right now. Mony Love, God damn it, got legends in

552
00:31:10,160 --> 00:31:15,640
Speaker 1: the building, Mony Love. What's you guys do it? Holy

553
00:31:15,680 --> 00:31:19,120
Speaker 1: Moli glaca moli. And she looked younger and younger every

554
00:31:19,160 --> 00:31:24,200
Speaker 1: Mony doesn't age at all every time. All right, where's

555
00:31:24,280 --> 00:31:28,480
Speaker 1: are the ladies at? Yeah? Yeah, because we're about to

556
00:31:28,560 --> 00:31:33,520
Speaker 1: have some ladies up here. That's what's sucks. We got

557
00:31:33,680 --> 00:31:37,600
Speaker 1: Mony Love, and y'all really gotta make some noise for

558
00:31:37,720 --> 00:31:44,840
Speaker 1: Mony love. Okay, and carre sib where's my girl caring at?

559
00:31:45,120 --> 00:31:49,400
Speaker 1: Ladies in the buildings we're taking over? I got I

560
00:31:49,400 --> 00:31:51,959
Speaker 1: got a question. The three Chips logo is here, yo,

561
00:31:52,120 --> 00:31:55,520
Speaker 1: thank you, my brother, thank you. I got a question immediately. Okay,

562
00:31:56,200 --> 00:31:58,400
Speaker 1: guys go down right, let's let's let let's carry and

563
00:31:58,440 --> 00:32:07,080
Speaker 1: get up here. Okay, I'll powerful people. Let the women

564
00:32:07,120 --> 00:32:10,080
Speaker 1: take over now. Yeah yeah, my brother da need y'all

565
00:32:10,120 --> 00:32:13,360
Speaker 1: Holy mom got to offer them and drink of course, please,

566
00:32:14,200 --> 00:32:16,560
Speaker 1: we have no k Kirkland, who raised you? Gotta offer

567
00:32:16,600 --> 00:32:19,320
Speaker 1: the ladies to drink you about to go somewhere else.

568
00:32:19,320 --> 00:32:21,520
Speaker 1: Put that back, put that back to came come on

569
00:32:22,200 --> 00:32:27,040
Speaker 1: and look at look at that's an awkard time to

570
00:32:27,080 --> 00:32:32,320
Speaker 1: bring him up and raise to raise him. It's an

571
00:32:32,320 --> 00:32:35,240
Speaker 1: awkward time to bring it up. What is this mony?

572
00:32:36,360 --> 00:32:39,320
Speaker 1: I see that. I've seen you with a drink chap shirt. Okay,

573
00:32:39,480 --> 00:32:44,320
Speaker 1: he's always but you you definitely critiqued us about Amberrow.

574
00:32:44,520 --> 00:32:47,320
Speaker 1: I did you did? Because that was your that was

575
00:32:47,400 --> 00:32:50,840
Speaker 1: your first, right the first female was answer that? No, no,

576
00:32:51,960 --> 00:32:55,320
Speaker 1: it was it was tagged as the first, people were

577
00:32:55,360 --> 00:32:57,920
Speaker 1: saying because she was the first by herself. Okay, right,

578
00:32:58,320 --> 00:33:00,360
Speaker 1: so I was I was just like, really a right

579
00:33:00,400 --> 00:33:02,720
Speaker 1: A right? I think we had a conversation. Oh yeah,

580
00:33:02,760 --> 00:33:04,360
Speaker 1: we see, we went. We went back and forth a

581
00:33:04,360 --> 00:33:08,120
Speaker 1: bit absolutely friendly. I was like, I don't know, I

582
00:33:08,200 --> 00:33:14,240
Speaker 1: expected to see laughs, which we been wanting to yea, yeah, yeah,

583
00:33:15,120 --> 00:33:19,760
Speaker 1: we wanted one? Did you one like we wanted him?

584
00:33:19,840 --> 00:33:22,680
Speaker 1: I'm sorry, hill wait, I need to allow everybody to

585
00:33:22,800 --> 00:33:26,440
Speaker 1: understand this. This is my family. I lived in Miami's right,

586
00:33:26,520 --> 00:33:29,440
Speaker 1: that's right, that's right and right and this is my family.

587
00:33:29,640 --> 00:33:32,800
Speaker 1: Right before you guys kicked off the podcast, I moved

588
00:33:33,360 --> 00:33:36,640
Speaker 1: and I was so upset. So that's that's another reason

589
00:33:36,720 --> 00:33:42,800
Speaker 1: why I rep you constantly and you looking younger and younger.

590
00:33:43,120 --> 00:33:50,040
Speaker 1: Tell that to my knee. Yeah, because drink the same water.

591
00:33:51,440 --> 00:33:58,160
Speaker 1: So now, Karen Hi, being powerful and very in hip hop,

592
00:33:58,880 --> 00:34:00,800
Speaker 1: how does that? How does that? I feel? I mean,

593
00:34:00,880 --> 00:34:03,200
Speaker 1: it's an incredible feeling. It's it's a lot of us. Now.

594
00:34:03,280 --> 00:34:04,960
Speaker 1: It's not like it's like one or two. It's so

595
00:34:05,080 --> 00:34:07,040
Speaker 1: many to choot from sitting here with Angela, who I

596
00:34:07,080 --> 00:34:09,560
Speaker 1: call a great friend of mine. So it's it's a

597
00:34:09,640 --> 00:34:11,640
Speaker 1: lot of us toasted us. I don't even really drink

598
00:34:11,680 --> 00:34:15,879
Speaker 1: like that, but I'm drinking. I'm comfortable this drink Champs.

599
00:34:16,480 --> 00:34:20,080
Speaker 1: She understands the branding of drink Champs means you gotta

600
00:34:20,120 --> 00:34:23,520
Speaker 1: have a drink. Okay, So what's your friend if you've

601
00:34:23,560 --> 00:34:25,719
Speaker 1: been being in hip hop? I want to toss this

602
00:34:25,840 --> 00:34:29,400
Speaker 1: question to both for y'all. Right, Okay, uh, obviously we

603
00:34:29,440 --> 00:34:32,760
Speaker 1: were from different eras, all right, but what's your favorite

604
00:34:32,840 --> 00:34:37,960
Speaker 1: era of hip hop? And why? M you can pick whatever?

605
00:34:38,000 --> 00:34:40,239
Speaker 1: I don't, It doesn't mind. I'm gonna say I liked

606
00:34:40,320 --> 00:34:47,440
Speaker 1: vooting that nineties look because I'm from Brooklyn, so you know,

607
00:34:47,640 --> 00:34:49,719
Speaker 1: I used to have a good time listening to all

608
00:34:49,800 --> 00:34:55,960
Speaker 1: of that, even like um, black Moon and everybody. Why

609
00:34:57,600 --> 00:34:59,640
Speaker 1: wife for yet? Why for you? Why Why would you

610
00:34:59,680 --> 00:35:02,239
Speaker 1: say that? Why would you say that? I think for

611
00:35:02,400 --> 00:35:04,440
Speaker 1: me when I was listening to Voutan and it was

612
00:35:04,520 --> 00:35:06,839
Speaker 1: so different from everything else that was out at the time,

613
00:35:07,080 --> 00:35:10,040
Speaker 1: because I went through the whole error like the actually

614
00:35:10,120 --> 00:35:13,480
Speaker 1: really enjoyed Moni La when you guys were part of

615
00:35:13,560 --> 00:35:18,880
Speaker 1: the whole right before Ye time before quest, so the

616
00:35:18,960 --> 00:35:21,680
Speaker 1: whole Daisy age. I enjoyed that a lot. It's hard

617
00:35:21,760 --> 00:35:24,120
Speaker 1: to say because I think both those errors kind of

618
00:35:24,160 --> 00:35:26,879
Speaker 1: like ran both those It's not ran into you touched

619
00:35:26,920 --> 00:35:31,560
Speaker 1: on something so key, so key, honestly, despite the fact

620
00:35:31,640 --> 00:35:34,719
Speaker 1: that my error was right before what you was just

621
00:35:34,800 --> 00:35:37,680
Speaker 1: talking about, right, and it kind of overlaps because those

622
00:35:37,680 --> 00:35:40,399
Speaker 1: are like like Nori, that's like my little brother, Black

623
00:35:40,480 --> 00:35:42,960
Speaker 1: Moon and them, they're like my little brother, not my

624
00:35:43,040 --> 00:35:46,200
Speaker 1: little brother. We were before them, right, And despite the

625
00:35:46,239 --> 00:35:49,640
Speaker 1: fact that that was my introduction into the US of

626
00:35:49,800 --> 00:35:54,200
Speaker 1: A and into the music business, my favorite error is

627
00:35:54,239 --> 00:35:58,800
Speaker 1: actually what you're talking about, for the simple reason that, like,

628
00:36:00,000 --> 00:36:03,360
Speaker 1: I appreciate other artists that were saying things that I

629
00:36:03,520 --> 00:36:07,040
Speaker 1: wasn't necessarily saying. You know what I'm saying lyrically, you're

630
00:36:07,080 --> 00:36:10,000
Speaker 1: talking about absolutely like you you put on m O P.

631
00:36:10,719 --> 00:36:13,160
Speaker 1: You know what I'm saying, it's grimy. It was like, no,

632
00:36:13,440 --> 00:36:15,480
Speaker 1: I love and you put on Wou Tang. I love

633
00:36:15,600 --> 00:36:18,440
Speaker 1: the music despite the fact that I'm Daisy Age and

634
00:36:18,560 --> 00:36:21,239
Speaker 1: I'm native tongue and I love that and I rap it,

635
00:36:21,520 --> 00:36:22,960
Speaker 1: but I love to be able to go in the

636
00:36:23,040 --> 00:36:27,720
Speaker 1: club and like I'm getting ready rob lick a store something.

637
00:36:27,880 --> 00:36:30,040
Speaker 1: And that's what that did to me. You know what

638
00:36:30,040 --> 00:36:32,799
Speaker 1: I'm saying. You put on shock ones, I still black ass,

639
00:36:34,239 --> 00:36:38,200
Speaker 1: don't do it, you know what I'm saying. So I

640
00:36:38,400 --> 00:36:41,160
Speaker 1: totally understand what you're talking about when you when you

641
00:36:41,239 --> 00:36:44,480
Speaker 1: talk about that specific error and we was we were daunting,

642
00:36:44,680 --> 00:36:49,440
Speaker 1: but I didn't love that Budie remix. Oh yeah, that's

643
00:36:49,440 --> 00:36:51,279
Speaker 1: the face I would definitely have to say. For me,

644
00:36:51,360 --> 00:36:55,360
Speaker 1: it's like the late nineties, early two thousand's because of

645
00:36:55,520 --> 00:36:58,759
Speaker 1: what video music, like what the video music is meant

646
00:36:58,760 --> 00:37:02,440
Speaker 1: to only thousands, like early two thousand's, it's just like

647
00:37:02,800 --> 00:37:05,120
Speaker 1: just what music videos was we had one or six

648
00:37:05,200 --> 00:37:07,239
Speaker 1: in park. We had t r L and the things

649
00:37:07,280 --> 00:37:08,839
Speaker 1: like that, and it's just like they had the big

650
00:37:08,960 --> 00:37:12,640
Speaker 1: budgets now new offense. It's like the videos don't really

651
00:37:12,680 --> 00:37:15,319
Speaker 1: mean it don't really mean the same thing anymore. Half

652
00:37:15,360 --> 00:37:17,960
Speaker 1: the time. I don't even know songs got videos before.

653
00:37:18,040 --> 00:37:24,280
Speaker 1: It's just like I just said ja million on the video, right, Yeah, yeah, Williams,

654
00:37:26,200 --> 00:37:28,759
Speaker 1: Williams and everybody meant. It's just like I just I

655
00:37:28,880 --> 00:37:31,040
Speaker 1: just felt like like hip hop was just felt like

656
00:37:31,160 --> 00:37:34,160
Speaker 1: rock stars. So it's just incredible feeling. Yeah. But as

657
00:37:34,200 --> 00:37:36,760
Speaker 1: far as all, there was a lot of money flying around.

658
00:37:37,200 --> 00:37:41,520
Speaker 1: Definitely that was money time for sure. Definitely definitely the

659
00:37:41,560 --> 00:37:43,239
Speaker 1: big money time and the are you guys are talking

660
00:37:43,239 --> 00:37:46,960
Speaker 1: about the qote unquote golden era, but absolutely that some

661
00:37:47,000 --> 00:37:49,520
Speaker 1: people would argue that that's the golden era, could be

662
00:37:49,560 --> 00:37:52,680
Speaker 1: whatever they thought was the best time, true, true, I

663
00:37:52,719 --> 00:37:57,440
Speaker 1: can see that. I agree. I agree. So now, but

664
00:37:57,600 --> 00:37:59,920
Speaker 1: wait and herrel is hair and he had something that

665
00:38:00,040 --> 00:38:01,960
Speaker 1: he wants to say. He is actually wants to come

666
00:38:02,040 --> 00:38:03,680
Speaker 1: up right now and interject and get in on this

667
00:38:03,800 --> 00:38:09,319
Speaker 1: conversation conversation, because that's not that's the big old g. Yeah.

668
00:38:11,280 --> 00:38:15,000
Speaker 1: Videos there's a lot of powerful people on this table, artists,

669
00:38:15,160 --> 00:38:17,880
Speaker 1: a lot of way. If it wasn't for him, like

670
00:38:18,000 --> 00:38:20,319
Speaker 1: single handedly, none of us would be here right now.

671
00:38:20,400 --> 00:38:23,920
Speaker 1: And there's certain talk in my mike cup and I

672
00:38:24,000 --> 00:38:28,359
Speaker 1: need a drink. I've been working hard to Okay, Now

673
00:38:28,840 --> 00:38:32,880
Speaker 1: what man? What? What? What I better say? So Rock Japan?

674
00:38:39,360 --> 00:38:41,319
Speaker 1: What do y'all want to talk about? What's the what's

675
00:38:41,360 --> 00:38:45,759
Speaker 1: the best era and hip hop? According to you? The

676
00:38:46,160 --> 00:38:49,040
Speaker 1: terrors the nineties, the best terrors, the nineties, the best

677
00:38:49,120 --> 00:38:52,400
Speaker 1: lyricists came from the nineties, the most finties. When we

678
00:38:52,440 --> 00:38:55,160
Speaker 1: say the nineties, are we saying early nineties or just

679
00:38:55,280 --> 00:38:57,759
Speaker 1: the whole time early the mid nineties? You got to

680
00:38:57,800 --> 00:39:01,360
Speaker 1: give it you. You gotta go from Kim to Tupac,

681
00:39:01,640 --> 00:39:05,120
Speaker 1: to Nas to jay Z to eminem Like. You had

682
00:39:05,239 --> 00:39:08,880
Speaker 1: so many great outcasts. You had so many great artists,

683
00:39:09,320 --> 00:39:12,640
Speaker 1: many fun artists, brand newbian you had artists. We had

684
00:39:13,080 --> 00:39:17,239
Speaker 1: dayl Soul, Latifa, you had some Fox Boogie. You had

685
00:39:17,360 --> 00:39:20,000
Speaker 1: so many different ways we were hitting from. You walked

686
00:39:20,040 --> 00:39:22,440
Speaker 1: in the party. You didn't go to the bullthing in

687
00:39:22,600 --> 00:39:25,279
Speaker 1: front and champagne up. You walked straight into the club,

688
00:39:25,360 --> 00:39:29,279
Speaker 1: straight to the dance floor. That was the difference and

689
00:39:29,440 --> 00:39:34,759
Speaker 1: your motherfucker's party all night and got up to go

690
00:39:34,880 --> 00:39:36,920
Speaker 1: to work on time. I feel like people go to

691
00:39:36,960 --> 00:39:39,279
Speaker 1: the club and stay at the table. You know, they

692
00:39:39,360 --> 00:39:48,000
Speaker 1: don't know not you. Yeah, it's not the same. I

693
00:39:48,040 --> 00:39:50,319
Speaker 1: got a question. I got a question. Why why don't

694
00:39:50,360 --> 00:39:52,560
Speaker 1: we party like we used to party? Why does this

695
00:39:52,760 --> 00:39:54,719
Speaker 1: generation party like that? We don't want to be called

696
00:39:54,719 --> 00:39:58,800
Speaker 1: on social media? Look at crazy that. I don't know.

697
00:39:58,960 --> 00:40:02,879
Speaker 1: It's it's definitely not the same. And everybody thinks they're

698
00:40:02,880 --> 00:40:09,919
Speaker 1: a star because everybody he's literally standing around party. Were

699
00:40:10,040 --> 00:40:14,040
Speaker 1: not really doing much. Bottle service, change things up to

700
00:40:14,239 --> 00:40:16,839
Speaker 1: bottle service. You gotta get some bottles. It can't even

701
00:40:16,920 --> 00:40:19,759
Speaker 1: just nobody wants to let me pay ten dollars. It

702
00:40:19,840 --> 00:40:22,359
Speaker 1: feels like there's no more fans, like everybody thinks day

703
00:40:22,360 --> 00:40:26,280
Speaker 1: and artists. Yes, that is true. Every Yeah, what about

704
00:40:26,360 --> 00:40:28,800
Speaker 1: the music? Is the music that makes you not party

705
00:40:28,880 --> 00:40:30,759
Speaker 1: like we used to party? I think the music is

706
00:40:30,800 --> 00:40:33,320
Speaker 1: still incredible. There's still songs out there that are popping,

707
00:40:33,360 --> 00:40:36,359
Speaker 1: And then there's people just are really moving because it's

708
00:40:36,440 --> 00:40:40,400
Speaker 1: more artists and influencers than they are fans. Because it's

709
00:40:40,640 --> 00:40:43,040
Speaker 1: dancing on social media. There's more, but they're not dancing

710
00:40:43,080 --> 00:40:44,960
Speaker 1: in the club. But why do you got to be

711
00:40:45,040 --> 00:40:47,080
Speaker 1: a fan to dance to good music? Can't you just

712
00:40:47,200 --> 00:40:49,560
Speaker 1: appreciate the music? Well, you're a fan of it. Yeah,

713
00:40:49,560 --> 00:40:52,719
Speaker 1: you're a fan like music is like a soulful thing

714
00:40:53,120 --> 00:40:56,560
Speaker 1: that you just appreciate past the the ideology of being

715
00:40:56,600 --> 00:40:59,080
Speaker 1: a fan. It makes good at that, but that's deep.

716
00:40:59,120 --> 00:41:03,480
Speaker 1: But I think that could be fan like. Okay, I'm

717
00:41:03,520 --> 00:41:06,040
Speaker 1: gonna let that go. Dare any of that has Do

718
00:41:06,080 --> 00:41:07,799
Speaker 1: you think any of it has anything to do I'm sorry,

719
00:41:07,800 --> 00:41:10,520
Speaker 1: angel listen torupt you, but I'm asking you you ladies. Also,

720
00:41:10,840 --> 00:41:12,680
Speaker 1: do you think any of it the lack of party

721
00:41:12,719 --> 00:41:16,239
Speaker 1: it has anything to do with possibly the lack of

722
00:41:16,400 --> 00:41:19,520
Speaker 1: venues to party because they've shut a lot of hip

723
00:41:19,560 --> 00:41:22,320
Speaker 1: hop venues down. Not to say that that doesn't exist

724
00:41:22,360 --> 00:41:24,920
Speaker 1: any because I'm sure there does, but it's not like

725
00:41:25,080 --> 00:41:27,480
Speaker 1: lounges and c Yeah, do you think that has to

726
00:41:27,520 --> 00:41:29,680
Speaker 1: do with it too? And l A there's definitely you

727
00:41:29,840 --> 00:41:32,320
Speaker 1: definitely have your options of clubs, but the problem is

728
00:41:32,520 --> 00:41:35,200
Speaker 1: no no offense is the DJs aren't the best with

729
00:41:35,360 --> 00:41:38,279
Speaker 1: the blends. You'll go from like a hot song you

730
00:41:38,400 --> 00:41:40,279
Speaker 1: feel in the moment, and then they'll just go to

731
00:41:40,400 --> 00:41:43,200
Speaker 1: some techno song and you're like, what the I concurse? Right,

732
00:41:43,920 --> 00:41:47,919
Speaker 1: And you're like, so it's like they're trying to cater

733
00:41:48,080 --> 00:41:50,960
Speaker 1: to all the crowds as opposed to like, listen, I

734
00:41:51,080 --> 00:41:53,360
Speaker 1: want to hear this three or four times like a

735
00:41:53,440 --> 00:41:55,600
Speaker 1: funk Master flex or somebody will do. They don't do

736
00:41:55,760 --> 00:42:01,920
Speaker 1: that lifted up because any J. Yeah, now everybody's a DJ.

737
00:42:02,200 --> 00:42:05,560
Speaker 1: Everybody is a DJ. Put some songs on your iTunes.

738
00:42:06,040 --> 00:42:07,920
Speaker 1: You know, you can no offense to the models. Just

739
00:42:08,080 --> 00:42:10,400
Speaker 1: take a few pictures and it's like, I'm DJ. Whoever,

740
00:42:10,480 --> 00:42:16,719
Speaker 1: Now that's a whole another show. Yeah, I still got

741
00:42:16,800 --> 00:42:19,160
Speaker 1: my records. God damn it. Why we got carrying them?

742
00:42:19,719 --> 00:42:24,200
Speaker 1: Drink Champce is our first time having three female but

743
00:42:24,239 --> 00:42:26,560
Speaker 1: it's great, great, we need we always have guys on

744
00:42:26,600 --> 00:42:28,920
Speaker 1: the show. Right, So let me just ask you that

745
00:42:29,000 --> 00:42:33,840
Speaker 1: female winning, can they smoke as well? I didn't know.

746
00:42:33,840 --> 00:42:35,160
Speaker 1: I didn't know what the pastor what are we doing

747
00:42:38,960 --> 00:42:41,960
Speaker 1: as a man. Sometimes we look at we look at

748
00:42:43,280 --> 00:42:45,799
Speaker 1: female m c s and we're like, why they can't

749
00:42:45,840 --> 00:42:50,560
Speaker 1: get along? Like why is it more to start? I

750
00:42:50,600 --> 00:42:54,080
Speaker 1: don't care where the Nicknas Okay, so I don't necessarily

751
00:42:54,280 --> 00:42:57,480
Speaker 1: think that's true. But the way we were raised in

752
00:42:57,520 --> 00:42:59,800
Speaker 1: our mentality. Go back to some of your favorite shows,

753
00:43:00,280 --> 00:43:03,440
Speaker 1: Like when you think of girl clicks, there's always a

754
00:43:03,520 --> 00:43:06,480
Speaker 1: smart one, there's a dumb one, and there's a follower.

755
00:43:06,840 --> 00:43:13,160
Speaker 1: We were taught to believe in. Okay, we we were taught.

756
00:43:13,400 --> 00:43:16,120
Speaker 1: We were taught that there can only be one of

757
00:43:16,200 --> 00:43:19,440
Speaker 1: a certain type in criteria. So now you know Nikki

758
00:43:19,600 --> 00:43:22,400
Speaker 1: Rain for however long. Now we have options. It's not

759
00:43:22,560 --> 00:43:25,279
Speaker 1: a bad thing. Like I'm a fan of Cardi b

760
00:43:25,760 --> 00:43:27,920
Speaker 1: I'm a fan of Cash though I'm a fan of

761
00:43:28,040 --> 00:43:30,520
Speaker 1: Nicki Minaj. There's nothing wrong. There's men out here that

762
00:43:32,560 --> 00:43:34,279
Speaker 1: just as many. We don't have to pity each other

763
00:43:34,320 --> 00:43:37,880
Speaker 1: against everyone. And it's like to me, media and society

764
00:43:38,000 --> 00:43:40,480
Speaker 1: are creating those issues with like a Nicki and Cardi.

765
00:43:40,520 --> 00:43:43,880
Speaker 1: There ain't got no beef at all. It could be

766
00:43:43,960 --> 00:43:50,719
Speaker 1: Instagram and social media creating those problems. Somebody, somebody does

767
00:43:50,760 --> 00:43:53,240
Speaker 1: the industry, Like, does a label benefit from those beefs?

768
00:43:53,680 --> 00:43:56,840
Speaker 1: To me, sometimes yeah, sometimes maybe like a network or

769
00:43:56,920 --> 00:43:58,839
Speaker 1: something who get hype off of it, say like now

770
00:43:58,960 --> 00:44:01,240
Speaker 1: Nicki may not be winning. Oh we got a new winner.

771
00:44:01,280 --> 00:44:03,279
Speaker 1: They get higed. You get to see this person and

772
00:44:03,400 --> 00:44:07,160
Speaker 1: they continue that stereotype, which isn't fair, like why it

773
00:44:07,200 --> 00:44:09,840
Speaker 1: should be more than one of us in my In

774
00:44:09,960 --> 00:44:15,000
Speaker 1: my opinion, I don't think that the I don't think

775
00:44:15,040 --> 00:44:18,880
Speaker 1: that social media and stuff is totally creating issues between women.

776
00:44:19,680 --> 00:44:23,120
Speaker 1: And I say this because I'm gonna be one honest here.

777
00:44:23,960 --> 00:44:27,919
Speaker 1: We didn't all get along, Like who created that myth?

778
00:44:28,800 --> 00:44:31,160
Speaker 1: You say women don't get along, No, I'm talking about

779
00:44:31,360 --> 00:44:36,560
Speaker 1: people like to always pin these girls nowadays, these female mcs, nowadays,

780
00:44:36,840 --> 00:44:39,759
Speaker 1: they're all catty against each other and this and that

781
00:44:39,880 --> 00:44:41,799
Speaker 1: and that one don't like this one, and this one's

782
00:44:41,840 --> 00:44:44,600
Speaker 1: beefing with that one, and that didn't used to happen

783
00:44:44,719 --> 00:44:47,120
Speaker 1: back in the days. We'll let me be the first

784
00:44:47,200 --> 00:44:52,440
Speaker 1: to tell you that, yes, the who is being with okay,

785
00:44:52,920 --> 00:44:59,880
Speaker 1: she got listen, listen man who was beeping? Between people

786
00:45:00,239 --> 00:45:03,640
Speaker 1: in general, it's happen, made up, happens. Yeah, happy one

787
00:45:03,760 --> 00:45:07,640
Speaker 1: doesn't have to like each other exactly, but we have

788
00:45:07,800 --> 00:45:11,400
Speaker 1: to pretend it can only be one popping female tattle

789
00:45:11,640 --> 00:45:14,520
Speaker 1: right now on my iTunes. It's plenty of women out

790
00:45:14,520 --> 00:45:17,560
Speaker 1: there who's killing it. And it's great that we have

791
00:45:17,719 --> 00:45:20,160
Speaker 1: options and kind of because it's a smaller pool of

792
00:45:20,560 --> 00:45:23,320
Speaker 1: women than men, So it really stands out when the

793
00:45:23,440 --> 00:45:26,680
Speaker 1: women we want to see that you and we want

794
00:45:26,680 --> 00:45:29,839
Speaker 1: to see them doing songs together, just like the guys

795
00:45:29,920 --> 00:45:32,560
Speaker 1: do songs together. We just have a I'm just saying

796
00:45:32,600 --> 00:45:34,520
Speaker 1: that way because I can't let the cat out the back.

797
00:45:34,520 --> 00:45:35,799
Speaker 1: There are a lot of women who are getting ready

798
00:45:35,800 --> 00:45:37,839
Speaker 1: to come out. They got collapsed together, They're gonna shut

799
00:45:39,400 --> 00:45:44,319
Speaker 1: Do you think there's more in the industry? Um, I can't. Really.

800
00:45:44,440 --> 00:45:46,880
Speaker 1: Like we had Ladies Night, that record was, that was

801
00:45:46,960 --> 00:45:48,839
Speaker 1: a moment where I don't know if weever gets something

802
00:45:48,920 --> 00:45:52,160
Speaker 1: like that again. I never want, okay, but it's never

803
00:45:53,160 --> 00:45:57,640
Speaker 1: can we can we agree to admit that right now today.

804
00:45:57,800 --> 00:46:01,400
Speaker 1: As far as being on the exact same plateau and

805
00:46:01,640 --> 00:46:06,400
Speaker 1: level of stardom with each other, it's not happening at

806
00:46:06,440 --> 00:46:08,880
Speaker 1: the exact same rate as it happened when I was

807
00:46:08,920 --> 00:46:12,040
Speaker 1: putting records out that I would wind up on the

808
00:46:12,120 --> 00:46:15,520
Speaker 1: same bill with Latifa. I would wind upon the same

809
00:46:15,600 --> 00:46:17,960
Speaker 1: bill with a rage ana yo yo and a light

810
00:46:18,560 --> 00:46:22,279
Speaker 1: and uh, we're not getting Yeah, we don't tell five

811
00:46:22,360 --> 00:46:24,960
Speaker 1: seven like we would all end up a lot of

812
00:46:25,080 --> 00:46:28,000
Speaker 1: times on the same bills with each other, and I'm

813
00:46:28,239 --> 00:46:31,279
Speaker 1: seeing that happen as back to the caddy bullshit, where

814
00:46:31,280 --> 00:46:32,839
Speaker 1: it's like I don't want to open for this person

815
00:46:32,920 --> 00:46:34,960
Speaker 1: who's gonna close for this. I don't want to be

816
00:46:35,040 --> 00:46:37,160
Speaker 1: on the same bill. We don't want to do this together.

817
00:46:37,520 --> 00:46:39,640
Speaker 1: It's a lot of it's a lot of that impact.

818
00:46:40,040 --> 00:46:42,000
Speaker 1: We just all wanted to get it's paid and be

819
00:46:42,160 --> 00:46:45,439
Speaker 1: on the show. So we wasn't we wasn't We wasn't

820
00:46:45,520 --> 00:46:48,000
Speaker 1: fighting about that. We was like we could have been

821
00:46:48,520 --> 00:46:51,640
Speaker 1: like against each other. And to be quite honest, Angel,

822
00:46:51,640 --> 00:46:53,840
Speaker 1: I'm gonna admit it. Right as far as on the

823
00:46:53,920 --> 00:46:56,960
Speaker 1: East Coast and me being prodigal daughter of the East

824
00:46:57,000 --> 00:47:00,440
Speaker 1: Coast by way of England considered New York, you know,

825
00:47:01,120 --> 00:47:02,960
Speaker 1: we thought we was way better as far as lyric

826
00:47:03,080 --> 00:47:05,680
Speaker 1: the only West Coast chick that could funk with us

827
00:47:05,760 --> 00:47:07,759
Speaker 1: was Yo yo. And we was looking at the rest

828
00:47:07,800 --> 00:47:10,560
Speaker 1: of them girls like that, like, all y'all do is

829
00:47:10,640 --> 00:47:15,080
Speaker 1: when motherfucking spand that's okay, you get it. Mony all

830
00:47:15,160 --> 00:47:17,600
Speaker 1: y'all do is we're spending. I mean, I'm just being honest.

831
00:47:17,640 --> 00:47:19,600
Speaker 1: That's where we were. We're at now with each other

832
00:47:19,680 --> 00:47:23,400
Speaker 1: Karen is I have. I have personally walked up to

833
00:47:23,480 --> 00:47:27,640
Speaker 1: Sweet l d from uh Ohtown three through seven and

834
00:47:27,760 --> 00:47:31,560
Speaker 1: personally apologize for being a bit back in the day

835
00:47:31,600 --> 00:47:35,839
Speaker 1: because I was like, man, I spent lyrical fucking hey,

836
00:47:36,800 --> 00:47:40,319
Speaker 1: you were spand with me, you know what I mean?

837
00:47:41,520 --> 00:47:44,279
Speaker 1: And that's we had that that right, there's growth. We're

838
00:47:44,320 --> 00:47:46,279
Speaker 1: not gonna get that, unfortunately from a lot of women,

839
00:47:46,280 --> 00:47:49,000
Speaker 1: because it's like I had that hairstyle first, I wore

840
00:47:49,040 --> 00:47:52,160
Speaker 1: those jeans first, I water color green first. Everybody's like

841
00:47:52,200 --> 00:47:54,480
Speaker 1: I did it first, first, first, and now everybody can

842
00:47:54,480 --> 00:47:57,320
Speaker 1: see it. And I do think that's a social media question.

843
00:47:57,920 --> 00:48:01,000
Speaker 1: I got one more question. Yes, for the whole planel

844
00:48:01,760 --> 00:48:05,319
Speaker 1: us as hip hop, We're getting along, we love everybody's

845
00:48:05,520 --> 00:48:08,400
Speaker 1: getting almost getting back to being happy, right because everybody,

846
00:48:09,120 --> 00:48:12,560
Speaker 1: what do we need to do to squash Nicki Minaj

847
00:48:12,800 --> 00:48:20,520
Speaker 1: and Rimmy Mars beef female and it's never happened, you know.

848
00:48:20,680 --> 00:48:23,080
Speaker 1: I think that sometimes we have to realize there's bigger

849
00:48:23,320 --> 00:48:26,319
Speaker 1: issues and tragedies in this world and it's so much

850
00:48:26,320 --> 00:48:29,280
Speaker 1: more important for us to at least attempt to be united.

851
00:48:29,520 --> 00:48:31,960
Speaker 1: I think sometimes people have to have a conversation one

852
00:48:32,000 --> 00:48:33,960
Speaker 1: on one without other people in the middle of it,

853
00:48:34,520 --> 00:48:37,040
Speaker 1: because at some point somebody has to be the bigger

854
00:48:37,160 --> 00:48:40,920
Speaker 1: person and reach out and the other person has to

855
00:48:41,040 --> 00:48:43,640
Speaker 1: accept that. But I think it's hard when it's people

856
00:48:43,840 --> 00:48:47,360
Speaker 1: like mediating and in the middle of it and third parties,

857
00:48:47,480 --> 00:48:49,200
Speaker 1: egos and everything. But at the end of the day,

858
00:48:49,239 --> 00:48:52,640
Speaker 1: they both get money, so they both get money. So

859
00:48:53,239 --> 00:49:00,680
Speaker 1: what happened? He said something sexual? Alright, we said, we

860
00:49:00,719 --> 00:49:04,759
Speaker 1: got a little harvy man funk out of here. Come on, son,

861
00:49:05,600 --> 00:49:07,840
Speaker 1: come on, son, get the funk out of here with

862
00:49:07,960 --> 00:49:14,480
Speaker 1: that bullshit rais. But Noah, I wanted to ask you, No,

863
00:49:14,800 --> 00:49:18,040
Speaker 1: you witness a lot of beef between women who are

864
00:49:18,160 --> 00:49:21,560
Speaker 1: rap artists. So tell us some stories about that, because

865
00:49:21,640 --> 00:49:25,040
Speaker 1: I know I have no stories. Yes you do? Are

866
00:49:25,040 --> 00:49:29,160
Speaker 1: you lying? Who did you have? Beat? How did tell

867
00:49:29,200 --> 00:49:32,440
Speaker 1: you something? Let me tell you something about about like

868
00:49:32,680 --> 00:49:36,280
Speaker 1: when it comes to females, it's always been a touchy situation.

869
00:49:36,800 --> 00:49:39,440
Speaker 1: Like I'm just saying, like, you know when when like

870
00:49:39,960 --> 00:49:43,200
Speaker 1: I learned my lesson when I did a record called

871
00:49:43,280 --> 00:49:49,120
Speaker 1: Bang Bang right and on the record bang Bang, Remember

872
00:49:49,680 --> 00:49:51,720
Speaker 1: who did I have on the record? Have Foxy Brown?

873
00:49:52,000 --> 00:49:56,760
Speaker 1: Record right? And Foxy came and look she was ready,

874
00:49:56,960 --> 00:50:01,920
Speaker 1: like I'm talking off. She had seven just like how

875
00:50:01,960 --> 00:50:04,440
Speaker 1: about this one? And we were all like no, but

876
00:50:04,600 --> 00:50:07,520
Speaker 1: none of us said don't do it. Okay, and she

877
00:50:07,640 --> 00:50:10,440
Speaker 1: got on the record and she just little Kim and

878
00:50:11,360 --> 00:50:13,960
Speaker 1: it was just although I had nothing to do with it,

879
00:50:14,040 --> 00:50:15,720
Speaker 1: but you knew what it was though it was your record,

880
00:50:16,120 --> 00:50:19,520
Speaker 1: so technically, but that was my lesson I learned now.

881
00:50:19,640 --> 00:50:22,359
Speaker 1: I know that even though somebody can get on your

882
00:50:22,440 --> 00:50:25,120
Speaker 1: record and they can just somebody else, they feel like

883
00:50:25,160 --> 00:50:28,920
Speaker 1: your coat. It's almost like it's your beef too. Yeah. Okay,

884
00:50:29,040 --> 00:50:31,440
Speaker 1: So in hindsight, if you had to, if you had

885
00:50:31,520 --> 00:50:36,600
Speaker 1: that moment again, that same studio session, okay and you

886
00:50:36,800 --> 00:50:39,880
Speaker 1: hit she goes into booth and she spits the sixteen

887
00:50:39,920 --> 00:50:42,439
Speaker 1: and within the sixteen she's this, and Kim, you going

888
00:50:42,480 --> 00:50:45,120
Speaker 1: back there? What would you do? And they get the

889
00:50:45,160 --> 00:50:48,240
Speaker 1: biggest song, but the biggest. If I was that age

890
00:50:48,520 --> 00:50:50,680
Speaker 1: and that that same age, I would let her go.

891
00:50:51,160 --> 00:50:54,040
Speaker 1: But the person now will be like, let's let's do

892
00:50:54,160 --> 00:50:56,560
Speaker 1: another record. But can I say this? Aren't you now

893
00:50:56,719 --> 00:50:59,080
Speaker 1: messing with the artist's integrity? Like this is how she

894
00:50:59,239 --> 00:51:01,839
Speaker 1: spent her round. It's like you going no, I don't

895
00:51:01,880 --> 00:51:05,840
Speaker 1: want that spit something better, it's a spat something whack. No,

896
00:51:06,040 --> 00:51:09,719
Speaker 1: but it was a hard birth, so it's like it's

897
00:51:09,760 --> 00:51:12,200
Speaker 1: not whacked. So how do I expla Yo, I don't

898
00:51:12,200 --> 00:51:14,040
Speaker 1: want to be in the middle of your beef. Yeah,

899
00:51:14,080 --> 00:51:16,279
Speaker 1: and see to me, it's nothing you really can you

900
00:51:16,400 --> 00:51:20,880
Speaker 1: can't do it is. But the problem is if you

901
00:51:22,239 --> 00:51:25,320
Speaker 1: put somebody on the record and they this that person,

902
00:51:26,160 --> 00:51:29,120
Speaker 1: you become a part of it. You become a part

903
00:51:29,160 --> 00:51:31,200
Speaker 1: of it because you knew it. You mixed the record,

904
00:51:31,520 --> 00:51:34,279
Speaker 1: you knew and especially so I was doing I was

905
00:51:34,400 --> 00:51:38,160
Speaker 1: doing um, I said this story before, I was doing

906
00:51:38,239 --> 00:51:41,080
Speaker 1: the correct thing. So I actually because she this puff

907
00:51:41,160 --> 00:51:43,520
Speaker 1: on the record too, so I actually call a puff

908
00:51:43,920 --> 00:51:46,560
Speaker 1: and I was like, I would like your puff. He's

909
00:51:46,640 --> 00:51:50,560
Speaker 1: that So you don't want me to put the record out?

910
00:51:50,600 --> 00:51:54,439
Speaker 1: And he goes, now still get money. Listen, it was raining.

911
00:51:54,520 --> 00:52:03,440
Speaker 1: This is hard. Dat chased it makes But I don't

912
00:52:03,480 --> 00:52:06,160
Speaker 1: think the camera guys gonna say, y'all, listen, I want

913
00:52:06,239 --> 00:52:08,719
Speaker 1: you to know, we don't. We don't do things like this.

914
00:52:08,840 --> 00:52:12,719
Speaker 1: We can find audience and we go crazy. This is

915
00:52:12,800 --> 00:52:15,879
Speaker 1: an audience we don't know. We expect y'all. Thank y'all

916
00:52:15,920 --> 00:52:19,719
Speaker 1: for coming out. I love like. We gotta wrap it up. No,

917
00:52:20,480 --> 00:52:25,759
Speaker 1: I got more time. I'm just saying the rain yo.

918
00:52:26,040 --> 00:52:28,719
Speaker 1: I want to thank everybody for coming, and we're gonna

919
00:52:28,719 --> 00:52:30,960
Speaker 1: all do this again. But we want all y'all individually

920
00:52:31,040 --> 00:52:37,880
Speaker 1: by yourself for a right sound right, But you know

921
00:52:37,960 --> 00:52:41,120
Speaker 1: what I mean. You're happy to be yeah, yeah, yeah,

922
00:52:41,160 --> 00:52:42,920
Speaker 1: and we got meet you with people say we got love.

923
00:52:43,600 --> 00:52:46,000
Speaker 1: So we're gonna keep this going. Man, drink chance, we

924
00:52:46,080 --> 00:52:48,560
Speaker 1: got the bungalow. Okay, we're gonna keep you smoking in there,

925
00:52:48,719 --> 00:52:50,160
Speaker 1: my man, come over here. You have a question. You

926
00:52:50,200 --> 00:52:52,920
Speaker 1: said so and you did it respectfully, and I acknowledge you,

927
00:52:53,120 --> 00:52:55,279
Speaker 1: but hopefully, hopefully what you're about to say so smart.

928
00:52:55,400 --> 00:53:04,160
Speaker 1: It's some good ship ladies hip. See, I knew what

929
00:53:04,239 --> 00:53:06,800
Speaker 1: you were saying was small. You didn't respectful, I respect

930
00:53:06,880 --> 00:53:08,879
Speaker 1: I looked at you. I knew you was a real man.

931
00:53:09,160 --> 00:53:10,400
Speaker 1: You know what I mean. We're it up and we

932
00:53:10,440 --> 00:53:11,960
Speaker 1: got to wrap it up right all right? Cool? This

933
00:53:12,000 --> 00:53:14,920
Speaker 1: is great chance, motherfucker's. We got the bungalow. We're gonna smoke,

934
00:53:15,080 --> 00:53:17,959
Speaker 1: we're gonna drink, and we're gonna chill. Just get because

935
00:53:18,680 --> 00:53:25,600
Speaker 1: and make sure you get to listen. We with ladies

936
00:53:25,640 --> 00:53:27,520
Speaker 1: and ladies care about their hair. You know how that go.

937
00:53:27,960 --> 00:53:38,000
Speaker 1: So thank you Dad, Thanks Mari, thank you. Take Before

938
00:53:38,040 --> 00:53:39,640
Speaker 1: we get out of here, we just want to remind

939
00:53:39,719 --> 00:53:41,880
Speaker 1: you that you can buy Drink Champs gear at your

940
00:53:41,960 --> 00:53:44,800
Speaker 1: local detail our store, so look up the store nearest

941
00:53:44,880 --> 00:53:47,360
Speaker 1: to you. You can also buy Drink Champs gear and

942
00:53:47,520 --> 00:53:50,320
Speaker 1: other merch at drink Champs dot com or eight and

943
00:53:50,400 --> 00:53:53,600
Speaker 1: nine dot com. Check us on Revolt TV every Thursday

944
00:53:53,680 --> 00:53:57,040
Speaker 1: night at ten pm, then unedited audio drops Monday nights

945
00:53:57,080 --> 00:54:00,440
Speaker 1: going into Tuesday at midnight. Then check for the United

946
00:54:00,520 --> 00:54:03,960
Speaker 1: video Wednesdays on Revolt dot Tv, Drink Champs dot com,

947
00:54:04,280 --> 00:54:06,600
Speaker 1: or you can go directly to YouTube. Look out for

948
00:54:06,680 --> 00:54:09,480
Speaker 1: Nori's new food show coming soon, as well as new

949
00:54:09,560 --> 00:54:13,800
Speaker 1: project featuring the upcoming single Uno mass Produced and featuring Farrell.

950
00:54:14,360 --> 00:54:17,600
Speaker 1: Check from my Coming Home documentaries Coming Home Vietnam documentary

951
00:54:17,680 --> 00:54:21,000
Speaker 1: right now currently airing on Revolt TV and coming soon

952
00:54:21,440 --> 00:54:24,920
Speaker 1: Coming Home Columbia. Follow us at Drink Champs on i G,

953
00:54:25,400 --> 00:54:29,320
Speaker 1: Twitter and Facebook, and Nori at the Real Noriega on Instagram,

954
00:54:29,719 --> 00:54:32,799
Speaker 1: at Noriega on Twitter, and me e f n at

955
00:54:32,880 --> 00:54:35,080
Speaker 1: Who's Crazy on i G and at d j e

956
00:54:35,239 --> 00:54:37,520
Speaker 1: f n on Twitter, and until next week we had

957
00:54:37,600 --> 00:54:38,160
Speaker 1: to hear peace