WEBVTT - I'm a Leggs Man 

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<v Speaker 1>It's four fifty eight AM at a non denominational church

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<v Speaker 1>service in the Coachella Valley, and you're listening tonight Call. Hello,

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<v Speaker 1>and welcome to Night Call, a podcast for your strange

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<v Speaker 1>days and lonely nights. My name is Emily Yoshida. I

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<v Speaker 1>am in New York, and with me on the other line,

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<v Speaker 1>as always, we have Molly Lambert, and across from me, Hello,

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<v Speaker 1>I'm Test Lynch, and of course I'm Test Lynch, and

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<v Speaker 1>of course I never stopped doing it, and I won't.

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<v Speaker 1>I did the intro for today's episode somewhat blindly because

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<v Speaker 1>I know that there is a new hot religion that

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<v Speaker 1>has taken seed in californ but I don't know all

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<v Speaker 1>the details of it other than it involves Kanye West

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<v Speaker 1>and that it is headed for Coachella. All cultural phenomena

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<v Speaker 1>are eventually, but please tell me everything Molly Sunday Service

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<v Speaker 1>is expert Molly Lambert logging on. Except what I learned

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<v Speaker 1>from treating about this is that Kanye fans get really

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<v Speaker 1>mad if you call it a church. It's an apparently,

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<v Speaker 1>They're like, it's not a church. Nobody called it a church.

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<v Speaker 1>It's just a gathering. But it's a religious gathering. Well,

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<v Speaker 1>but it is not a church service. There's no pastor.

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<v Speaker 1>It's just people gathering in an outdoor space in Calabasas

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<v Speaker 1>somewhere to listen to a gospel choir and Kanye play

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<v Speaker 1>Kanye songs and like classic R and B songs. Okay, okay.

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<v Speaker 1>So is Chris Jenner the kind of like puppet Master.

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<v Speaker 1>I learned about this because I was like, oh, like

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<v Speaker 1>I saw these blind items. Emily also saw them about

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<v Speaker 1>Chris Jenner starting a religion. Then I like into it

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<v Speaker 1>turns out christ Jenner did start a church. It's different

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<v Speaker 1>than this. No, she started a church, and I believe

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<v Speaker 1>twenty fourteen it was twenty fourteen or twenty sixteen that

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<v Speaker 1>is called uh. I should have looked it up, but

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<v Speaker 1>it's called something very banal and Christian. It's like the

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<v Speaker 1>Christian Fellowship Association or something. And it is not yet

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<v Speaker 1>confirmed that the Kanye Sunday services have anything to do

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<v Speaker 1>with Chris Jenner's own, But how could they not. I

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<v Speaker 1>feel like there's a lot of ways that they could not.

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<v Speaker 1>Like the Blinded and that I read actually had nothing

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<v Speaker 1>to do with Chris Jenner. It was hinting that Kanye

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<v Speaker 1>was starting a church that was going to be like ostensibly,

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<v Speaker 1>you know, non denominational, just sort of like a gathering,

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<v Speaker 1>but the end result was that it was like they

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<v Speaker 1>would literally be worshiping him. That's like it would be

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<v Speaker 1>a church. It's like, I want to read it. Have

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<v Speaker 1>you've seen the if you watch the video, because Okay,

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<v Speaker 1>so they've been like promoting this. It's clearly like all

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<v Speaker 1>of a sudden, we're hearing about it because they're information

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<v Speaker 1>being seated by Chris Jenner for us to find out.

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<v Speaker 1>But they've been posting videos of like here's Northwest like

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<v Speaker 1>dancing at church, but they are not at church, but

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<v Speaker 1>just like dancing at Sunday services or whatever. And they

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<v Speaker 1>didn't say specifically where it was. And then they were like, hey,

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<v Speaker 1>it's this thing Sunday Services. We all just hang out

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<v Speaker 1>in this rented outdoor space somewhere and we invited all

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<v Speaker 1>these celebrities such as Orlando Bloom and Katy Perry I

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<v Speaker 1>believe attended. And you would think that Katy Perry would

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<v Speaker 1>stay the hell away find given her background. I know,

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<v Speaker 1>and I think a lot of these people would still

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<v Speaker 1>be staying away from Kanye given yeah, all the Trump stuff.

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<v Speaker 1>For Yeah, if this were like ten years ago and

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<v Speaker 1>this were like the direction he went, and people would

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<v Speaker 1>be like, oh, interesting a gospel album. Sure, But because

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<v Speaker 1>it's now, yeah, it doesn't. Yeah, it doesn't seem like

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<v Speaker 1>it's gonna go in a good direction. It's hard for

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<v Speaker 1>me to look at these things even at this point,

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<v Speaker 1>because I feel like I do not want to, Like,

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<v Speaker 1>I just I feel like it's out of respect for Kanye,

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<v Speaker 1>I need to look away, which is the thing we've

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<v Speaker 1>kind of talked about, okay, for it has this weird

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<v Speaker 1>sense of like as like an influencer church, even if

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<v Speaker 1>it's a small one. For right now, I cannot help

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<v Speaker 1>but think of like, this is such a nerdy comparison.

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<v Speaker 1>But it's like Disney no longer taking movies to comic Con,

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<v Speaker 1>Like if Hillsong is comic Con, it's like, we'll do

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<v Speaker 1>our own thing. We'll have all the best properties and

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<v Speaker 1>people at this thing. It definitely seems like inspired directly

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<v Speaker 1>by proximity to Hillsong, you know, which also is yeah, yeah,

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<v Speaker 1>West Value. Everybody went there. Yeah, all the people have

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<v Speaker 1>gone to Hillsong, which you know is a cult yeah,

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<v Speaker 1>and is a Christian called that. How's a lot of

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<v Speaker 1>the music festival Christianity the sort of like more recent

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<v Speaker 1>rebranding of Christianity is like Jesus liked to wander in

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<v Speaker 1>the est and sandals, that's what we're all doing at Coachella. Oh,

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<v Speaker 1>come on, I don't wear sandals. You don't. It's so hot,

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<v Speaker 1>the fool's errands so hot. Then again, I wore I

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<v Speaker 1>wore sandals, Jesus ella and stepped on a chopstick and God,

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<v Speaker 1>but Jesus, Jesus wouldn't complain. Jesus wouldn't complain. That's true. Stigmata. Yeah, yeah, yeah,

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<v Speaker 1>you christ like. I was extremely christ Like the whole

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<v Speaker 1>time at Coachella, and don't let anyone tell you I wasn't.

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<v Speaker 1>So this is eventually he's taking the service to like

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<v Speaker 1>a an outpost or something, or they're doing like a

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<v Speaker 1>they're doing a pop up pop up at Coachella. But

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<v Speaker 1>it seems to me like they're recruiting people actively, right,

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<v Speaker 1>and whether the goal is to recruit people into an

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<v Speaker 1>actual organization or just to sell them merch like, I

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<v Speaker 1>guess what's the difference a little bit, but they're definitely

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<v Speaker 1>going to sell some merch. Oh, for sure. By all reports,

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<v Speaker 1>Kanye is rather hurting financially. That's the last I heard

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<v Speaker 1>when I read anything in depth or even just gossipy

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<v Speaker 1>about him, was that like all was not well. I mean,

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<v Speaker 1>I will say also that like when you see the

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<v Speaker 1>footage of this, because like a lot of Kanye fans

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<v Speaker 1>again my mentions being like, why are you being so cynical.

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<v Speaker 1>It's just people celebrating, you know, God and music, Like,

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<v Speaker 1>don't be a hater. Uh, but it's a little sinister looking,

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<v Speaker 1>just because it's like everybody's wearing these white outfits. It's

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<v Speaker 1>very it's a little culty looking. It looks CULTI exacinitely.

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<v Speaker 1>Polyphonic Spree was like not that long ago, but I

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<v Speaker 1>guess everybody's too young to remember that. Wait what happened

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<v Speaker 1>with the Polyphonic spress cult themed stuff? Oh yeah, the optics.

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<v Speaker 1>It doesn't seem like the time for Kanye to go

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<v Speaker 1>in the cult themedh yeah, he has to wait a

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<v Speaker 1>little a little while. I mean, I think that he

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<v Speaker 1>could have done it right after like Ultra Light Beams,

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<v Speaker 1>like that performance on SNL. I feel like the world

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<v Speaker 1>was ready for like Kanye to pivot to to being

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<v Speaker 1>a pastor Jesus makes sense, but he has that. I mean,

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<v Speaker 1>other people were like, but that was before all this

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<v Speaker 1>other shit happened, right, yeah, but people were like, he

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<v Speaker 1>has a lot of the qualities of like a mega

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<v Speaker 1>pastor anyway does he? Though he seems very unsure of

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<v Speaker 1>himself at times, which seems to be not what a

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<v Speaker 1>like cult leader needs to have. I mean, I was

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<v Speaker 1>reminded of because the Pitchfork, you know, they sometimes run

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<v Speaker 1>reviews of older albums that they didn't have reviewed, and

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<v Speaker 1>so they had done a review of the second Fiona

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<v Speaker 1>Apple album, When the Pond, which is like one of

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<v Speaker 1>my favorite albums of all time, but I've forgotten that

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<v Speaker 1>that was also one of Kanye's favorite albums of all time,

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<v Speaker 1>and he said he listened to Fiona Apple because he

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<v Speaker 1>wanted to be able to rap as if he was

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<v Speaker 1>rapping from the top of a mountain. I believe was

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<v Speaker 1>the quote, WHOA So like this triangle between like uh

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<v Speaker 1>like being a yeah, yeah, like an evangelical or like

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<v Speaker 1>like you know that televangelist quality Fiona Apple and Kanye

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<v Speaker 1>West is like an odd one. But I like trying

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<v Speaker 1>to put it together, and you're saying something good on

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<v Speaker 1>Twitter the other day where you were like, Jesus never

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<v Speaker 1>had a midlife crisis, Like that's the whole appeal. All right,

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<v Speaker 1>Well that's because of this Mary Magdalene movie that's that's

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<v Speaker 1>coming out with Uh with right, you were like you

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<v Speaker 1>were like, what in Phoenix is too old to play Jesus. Yeah,

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<v Speaker 1>he's like in his mid forties and he's basically giving

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<v Speaker 1>the same performance that he gave and you were never

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<v Speaker 1>really here as like a PTSD he's suffering, uh like

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<v Speaker 1>hit man who like like it's it's like that's how

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<v Speaker 1>the Jesus is presented. I was hoping for, like sportella Jesus.

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<v Speaker 1>Well it's sort of there. It's a very it's a

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<v Speaker 1>very slurry Jesus. So yeah, it's it's it's an interesting performance.

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<v Speaker 1>Jesus is hot now Jesus is cool? Uh? And that

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<v Speaker 1>that that movie also has a lot of like white

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<v Speaker 1>gauze and stuff. It's similar, isn't that like what all

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<v Speaker 1>the cool churches are, just like Jesus was hot, Jesus cool. Hey,

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<v Speaker 1>speaking of spectacular performances, we have been talking about Siegfried

0:11:10.280 --> 0:11:14.560
<v Speaker 1>and Roy because Sigfried and Roy's animal handler Chris Lawrence,

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<v Speaker 1>recently gave an interview to the Hollywood Reporter about what

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<v Speaker 1>really happened with Manticore? Yike, Emily, you said this was

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<v Speaker 1>one of your biggest fears. Yeah, so I was sort

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<v Speaker 1>of surprised to go back and realize that this happened

0:11:29.720 --> 0:11:33.520
<v Speaker 1>in two thousand and three. This was like fine, you know,

0:11:33.640 --> 0:11:36.360
<v Speaker 1>in front of a live audience. Roy Horn was attacked

0:11:36.360 --> 0:11:39.760
<v Speaker 1>by one of the Tigers during a show, which effectively

0:11:39.800 --> 0:11:42.040
<v Speaker 1>just shut down the Sigfreedo and Roy Show like they

0:11:42.080 --> 0:11:44.520
<v Speaker 1>had been, you know, the biggest show in Vegas for

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<v Speaker 1>most of the nineties. And I swore that this happened

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<v Speaker 1>when I was younger, because I just remember this giving

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<v Speaker 1>me nightmares, like just you know, you're hearing the hearing

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<v Speaker 1>it on the news on television, like it's it's one

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<v Speaker 1>of the most horrifying things I can imagine being somebody

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<v Speaker 1>in the audience watching it happen. Oh yeah, well, he's

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<v Speaker 1>like Also, there's like a whole lead up that I'd

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<v Speaker 1>kind of forgotten about where they realized that manticor the

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<v Speaker 1>tiger is not like doing what he's supposed to do. Yeah.

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<v Speaker 1>So there's a lot of like Manticre, are you okay,

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<v Speaker 1>Like say hello, Manticorp. Yeah, and so it's like that

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<v Speaker 1>awful feeling of being in the audience when something's going

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<v Speaker 1>wrong and you don't know, nothing bad happens, but this

0:12:26.559 --> 0:12:29.280
<v Speaker 1>is like the worst thing happened. Yeah, imagine if you

0:12:29.320 --> 0:12:31.560
<v Speaker 1>saw that. No, that's what I'm saying. It would scar

0:12:31.679 --> 0:12:34.880
<v Speaker 1>you forever. And apparently it did scar this guy, Uh,

0:12:34.960 --> 0:12:38.840
<v Speaker 1>Chris Lawrence, the trainer, the main handler, and so he

0:12:38.840 --> 0:12:40.680
<v Speaker 1>he hadn't talked to the media for some time, but

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<v Speaker 1>he's like, you know, he's been diagnosed with PTSD. Understandably,

0:12:44.600 --> 0:12:46.240
<v Speaker 1>I mean, he was right there on stage as it

0:12:46.320 --> 0:12:48.720
<v Speaker 1>was happening, and he like feels like he bears this

0:12:48.800 --> 0:12:51.240
<v Speaker 1>responsibility for how it played out because he had like

0:12:52.000 --> 0:12:54.600
<v Speaker 1>agreed to have this tiger be used for the show,

0:12:54.679 --> 0:12:56.599
<v Speaker 1>even though they had planned on another one. Like it

0:12:56.960 --> 0:12:59.360
<v Speaker 1>was just like all the stuff that obviously, you know,

0:12:59.400 --> 0:13:02.720
<v Speaker 1>nobody could have predicted. But he's been blaming himself forever since.

0:13:03.320 --> 0:13:09.120
<v Speaker 1>And also so there's the investigation that happened afterwards, was

0:13:09.200 --> 0:13:11.840
<v Speaker 1>it seems shady as hell. They would not take Chris

0:13:11.880 --> 0:13:14.640
<v Speaker 1>Lawrence's statement, so he said he felt as though he

0:13:14.679 --> 0:13:17.080
<v Speaker 1>had to kind of clear his conscience. But it's like

0:13:17.360 --> 0:13:20.480
<v Speaker 1>the brand, the like Siegfried and Roy brand, kind of

0:13:20.520 --> 0:13:25.080
<v Speaker 1>remains of just like, you can't blame the animals. It's

0:13:25.080 --> 0:13:27.160
<v Speaker 1>not the animal's fault. And I guess that there was

0:13:27.280 --> 0:13:29.360
<v Speaker 1>some people kind of were like, well, maybe Roy was

0:13:29.400 --> 0:13:33.080
<v Speaker 1>having a stroke and the tiger wanted to Yeah that's history. Yeah,

0:13:33.120 --> 0:13:35.240
<v Speaker 1>that he was having a stroke on stage. But he

0:13:35.280 --> 0:13:38.040
<v Speaker 1>did suffer a stroke, but it was after the tiger

0:13:38.160 --> 0:13:41.880
<v Speaker 1>had punctured his artery and you know, he has suffered

0:13:41.880 --> 0:13:43.600
<v Speaker 1>a loss of blood from his brain, so he did

0:13:43.600 --> 0:13:46.560
<v Speaker 1>have a stroke. But yeah, it feels like the whole

0:13:46.600 --> 0:13:49.400
<v Speaker 1>thing was just to you know, even if they weren't

0:13:49.400 --> 0:13:51.840
<v Speaker 1>going to have a show anymore, if they were going

0:13:51.880 --> 0:13:54.199
<v Speaker 1>to merchandise in it anyway, and they you know, they

0:13:54.240 --> 0:13:57.200
<v Speaker 1>produced some kids show afterwards about a lion or whatever,

0:13:57.320 --> 0:14:01.040
<v Speaker 1>like the idea that the lions are our friends needed

0:14:01.040 --> 0:14:04.840
<v Speaker 1>to stay intact. You know, big cats are our friends

0:14:04.880 --> 0:14:08.120
<v Speaker 1>and they won't hurt us, and they've been improperly branded,

0:14:08.200 --> 0:14:12.840
<v Speaker 1>which you know, uh, it's a nice Yeah, clearly, well

0:14:12.960 --> 0:14:16.000
<v Speaker 1>Roy also, Roy was like I guess, Siegfried was more

0:14:16.040 --> 0:14:19.120
<v Speaker 1>the illusionist and Roy was more like the tiger guy.

0:14:19.680 --> 0:14:23.240
<v Speaker 1>He always claimed like he had never never even faced

0:14:23.280 --> 0:14:25.720
<v Speaker 1>any aggression from any of the animals and he had

0:14:25.760 --> 0:14:29.040
<v Speaker 1>like a psychic bond with them. I mean, this was

0:14:29.080 --> 0:14:32.360
<v Speaker 1>all like, you know, there was cat dancers in I

0:14:32.360 --> 0:14:34.760
<v Speaker 1>think two thousand and seven, right, and then you know

0:14:34.800 --> 0:14:37.160
<v Speaker 1>there's the Sigfreed and Roy thing coming out, and then

0:14:37.480 --> 0:14:41.040
<v Speaker 1>Grizzly Man. There's like this trifect of Grizzly Man also

0:14:41.320 --> 0:14:44.920
<v Speaker 1>seven I think too. Yeah, yeah, but like Werner Herdsog voice,

0:14:45.080 --> 0:14:48.960
<v Speaker 1>like you cannot you cannot tame the cats, cont tame nature,

0:14:49.000 --> 0:14:51.640
<v Speaker 1>you cannot tame the cat. Cat dancers in the Sigfreed

0:14:51.640 --> 0:14:54.440
<v Speaker 1>and Noy story have this sort of like sheen of

0:14:54.560 --> 0:14:57.440
<v Speaker 1>Vegas showmanship on top of it, which is like the

0:14:57.480 --> 0:15:01.840
<v Speaker 1>show must go on because we're in the ca dancing business. Well,

0:15:01.880 --> 0:15:05.360
<v Speaker 1>also cat dancers was like the most interesting love trying,

0:15:05.480 --> 0:15:08.760
<v Speaker 1>oh my god, ever and that came out that was

0:15:08.800 --> 0:15:11.440
<v Speaker 1>like packaged with crazy love I remember, which was the

0:15:11.480 --> 0:15:15.280
<v Speaker 1>love story the scare quotes love story of a couple

0:15:15.560 --> 0:15:18.440
<v Speaker 1>where the man had blinded the woman by throwing poison

0:15:18.520 --> 0:15:21.600
<v Speaker 1>in her face. And those two came out at the

0:15:21.600 --> 0:15:25.000
<v Speaker 1>same time. And I remember being on HBO. Yes, they

0:15:25.000 --> 0:15:29.480
<v Speaker 1>were both on HBO and they were I believe interviewed together.

0:15:29.560 --> 0:15:33.160
<v Speaker 1>Whereas cat Dancers. There's the one remaining right member of

0:15:33.240 --> 0:15:36.200
<v Speaker 1>the love trying and it's like this guy, the Chris Lawrence,

0:15:36.280 --> 0:15:38.240
<v Speaker 1>the trainer for Sick Food and Roy like he's obviously

0:15:38.240 --> 0:15:40.360
<v Speaker 1>traumatized and he had worked with these guys for a

0:15:40.360 --> 0:15:42.480
<v Speaker 1>few years and worked with these animals for a while.

0:15:42.520 --> 0:15:46.480
<v Speaker 1>But like the added like brutality of cat dancers is

0:15:46.520 --> 0:15:49.400
<v Speaker 1>that the guy and I'm blanking on his name, Uh,

0:15:49.920 --> 0:15:52.520
<v Speaker 1>the guy who's the main storyteller in the Ron Holliday.

0:15:52.680 --> 0:15:56.040
<v Speaker 1>Ron Holliday, like he watched not just like people he

0:15:56.080 --> 0:15:58.440
<v Speaker 1>had been working with, but like literally the two people

0:15:58.480 --> 0:16:02.400
<v Speaker 1>he loved most in the world get you know, torn

0:16:02.400 --> 0:16:06.840
<v Speaker 1>apart of it well, so it's also such an unreliable

0:16:07.000 --> 0:16:10.680
<v Speaker 1>narrator type of thing because he was I think you

0:16:10.720 --> 0:16:15.040
<v Speaker 1>could probably feel some jealousy going on from Ron. And

0:16:15.080 --> 0:16:19.960
<v Speaker 1>so when first the tiger attacked the guy who was

0:16:20.000 --> 0:16:24.160
<v Speaker 1>like the third person, Chuck, Uh that happened, and then

0:16:24.320 --> 0:16:28.560
<v Speaker 1>Joy was like so grieved, and I think that that

0:16:28.760 --> 0:16:30.400
<v Speaker 1>kind of like didn't sit well with Ron. And then

0:16:30.440 --> 0:16:34.600
<v Speaker 1>you add to that the fact that Joy is death spoilers,

0:16:35.520 --> 0:16:38.440
<v Speaker 1>we got we got to spoil spoils. I wilso say

0:16:38.480 --> 0:16:40.400
<v Speaker 1>that like this came up. I had not seen cat

0:16:40.480 --> 0:16:44.800
<v Speaker 1>Dancers before last week. Oh oh yeah, No, I hadn't

0:16:44.800 --> 0:16:47.440
<v Speaker 1>seen it because I was talking about the Siga food

0:16:47.480 --> 0:16:51.080
<v Speaker 1>and Roy story. And then huge shout out to both

0:16:51.120 --> 0:16:54.000
<v Speaker 1>Price Peterson and Gideon Yago who both pointed me towards

0:16:54.040 --> 0:16:56.400
<v Speaker 1>cat Dancers, which I had heard of. I just I

0:16:56.440 --> 0:16:59.440
<v Speaker 1>think it came out during my dark ages with cable

0:16:59.440 --> 0:17:01.400
<v Speaker 1>where I just didn't have any like it NMHBO or

0:17:01.440 --> 0:17:03.880
<v Speaker 1>anything like that. Ended on DVD for some reason, and

0:17:03.880 --> 0:17:06.040
<v Speaker 1>I would think for all the right reasons, I made

0:17:06.040 --> 0:17:09.240
<v Speaker 1>a lot of people watch it. Yeah, maybe including tests. Yeah,

0:17:09.280 --> 0:17:11.800
<v Speaker 1>you definitely told me to watch cat Dancers. And it

0:17:11.840 --> 0:17:13.840
<v Speaker 1>took like two seconds into the pitch. I was like,

0:17:13.880 --> 0:17:16.720
<v Speaker 1>I will, my name is very doesn't tell you that much.

0:17:17.000 --> 0:17:18.959
<v Speaker 1>It feels in a lot of ways like we're just

0:17:19.000 --> 0:17:21.880
<v Speaker 1>like litigating the eighties. Finally, is that I was saying,

0:17:21.880 --> 0:17:24.480
<v Speaker 1>because there's like Michael Jackson mentioned in this and also

0:17:24.840 --> 0:17:27.760
<v Speaker 1>just all the things You're like, everything is so weird

0:17:27.880 --> 0:17:31.840
<v Speaker 1>that they're talking about like a magician stage show with

0:17:31.920 --> 0:17:35.280
<v Speaker 1>tigers on stage that's for children. Michael Jackson used to

0:17:35.320 --> 0:17:38.320
<v Speaker 1>just come and hang out with the animals. Apparently, according

0:17:38.359 --> 0:17:41.160
<v Speaker 1>to the Hollywood Reporter article, like and to the point

0:17:41.160 --> 0:17:44.840
<v Speaker 1>where the trainers were like annoyed with him, just stay

0:17:44.840 --> 0:17:48.800
<v Speaker 1>and linger. It's also like Siegfried and Roy were lovers

0:17:48.840 --> 0:17:51.320
<v Speaker 1>and then just work partners, which makes you wonder. I

0:17:51.359 --> 0:17:54.120
<v Speaker 1>didn't realize they weren't. I thought that they were still together. No,

0:17:54.480 --> 0:17:57.679
<v Speaker 1>they broke up. No, because's still taking care of me,

0:17:57.840 --> 0:18:00.240
<v Speaker 1>taking care. But I think they're still like best friend.

0:18:00.359 --> 0:18:01.879
<v Speaker 1>I think they talked about it like they were no

0:18:01.960 --> 0:18:05.040
<v Speaker 1>longer together romantically, but they were still like life partners. Look,

0:18:05.320 --> 0:18:08.600
<v Speaker 1>all I want is the Steven Soderberg sigfreedin Roy movie

0:18:08.640 --> 0:18:11.919
<v Speaker 1>like so badly. Yeah, you said you said that, And

0:18:11.960 --> 0:18:13.719
<v Speaker 1>then I was like, that is so correct, And then

0:18:13.760 --> 0:18:17.119
<v Speaker 1>I pitched that it should be Matt Damon and Ben Affleck. Yes,

0:18:17.760 --> 0:18:20.360
<v Speaker 1>with Ben Affleck as Roy Horn. I feel like this

0:18:20.440 --> 0:18:24.040
<v Speaker 1>could really mean the rule of a lifetime. Yeah, I

0:18:24.040 --> 0:18:26.000
<v Speaker 1>think we should make it happen. You guys will start

0:18:26.000 --> 0:18:28.800
<v Speaker 1>a seed and spark about it. Yes, Yeah, raise that money,

0:18:28.880 --> 0:18:33.240
<v Speaker 1>Steven Soderberg, come on night call. I already told Molly

0:18:33.240 --> 0:18:35.040
<v Speaker 1>and Emily this, but I do just want to share

0:18:35.080 --> 0:18:37.560
<v Speaker 1>that I had an encounter with Siegfried and Roy that

0:18:37.600 --> 0:18:40.320
<v Speaker 1>like haunts me forever, which is that I was going

0:18:40.359 --> 0:18:42.720
<v Speaker 1>to a cousin's wedding in New York and this would

0:18:42.760 --> 0:18:46.160
<v Speaker 1>have been like three to four years so it would

0:18:46.160 --> 0:18:49.560
<v Speaker 1>have been ninety nine or two thousand, and my whole

0:18:49.840 --> 0:18:54.160
<v Speaker 1>family was staying in this hotel and I was having

0:18:54.200 --> 0:18:56.959
<v Speaker 1>a guest in my room and I'd lit candles and

0:18:57.080 --> 0:19:00.960
<v Speaker 1>in the lobby there was a giant like pet carrier

0:19:01.680 --> 0:19:05.840
<v Speaker 1>and there was a tiger inside, and then Sigfried and

0:19:05.960 --> 0:19:08.800
<v Speaker 1>Roy like walked through the lobby and I was like,

0:19:08.920 --> 0:19:11.920
<v Speaker 1>this is the weirdest day ever. And then at the

0:19:12.080 --> 0:19:15.520
<v Speaker 1>end of the same day, I accidentally lit a lampshade

0:19:15.520 --> 0:19:18.399
<v Speaker 1>on fire with a votive candle and it was my

0:19:18.480 --> 0:19:21.600
<v Speaker 1>most cinematic day. So thank you Sigfried and Roy. Did

0:19:21.600 --> 0:19:25.639
<v Speaker 1>you that the tiger? Yeah, I saw the tiger. It

0:19:25.680 --> 0:19:28.760
<v Speaker 1>was a white tiger. And then I fact checked myself

0:19:28.840 --> 0:19:31.480
<v Speaker 1>before I came here, because I was like, am I

0:19:31.520 --> 0:19:33.440
<v Speaker 1>sure it was this hotel? Like it seems really weird

0:19:33.440 --> 0:19:35.600
<v Speaker 1>that they would allow those in the hotel. And one

0:19:35.600 --> 0:19:38.040
<v Speaker 1>of the people who worked at the hotel gave an

0:19:38.080 --> 0:19:40.560
<v Speaker 1>interview and was like, one of the weirdest things I

0:19:40.640 --> 0:19:44.080
<v Speaker 1>ever did working at this hotel was to watch the

0:19:44.119 --> 0:19:47.000
<v Speaker 1>tigers from Sigfried and Roy's Tigers in the lobby to

0:19:47.000 --> 0:19:51.439
<v Speaker 1>make sure nobody approached them. Yeah again, you're just like, okay,

0:19:51.440 --> 0:19:53.960
<v Speaker 1>so they just let the tigers be in the lobby

0:19:54.000 --> 0:19:58.159
<v Speaker 1>of a hotel in New York. They were in cages on.

0:19:59.080 --> 0:20:01.760
<v Speaker 1>I have no idea. I mean, I would assume that

0:20:01.880 --> 0:20:04.400
<v Speaker 1>has to be like a publicity thing or something too.

0:20:04.480 --> 0:20:06.400
<v Speaker 1>It's like they have to get them around. I mean

0:20:06.440 --> 0:20:08.919
<v Speaker 1>it's weird to think, like, how do you get on

0:20:09.000 --> 0:20:11.960
<v Speaker 1>a private plane. I don't know, they're four hundred pounds. Look,

0:20:12.080 --> 0:20:14.800
<v Speaker 1>let's just get to the point. It's not the tiger's fault.

0:20:15.359 --> 0:20:18.399
<v Speaker 1>It's never it's never the animal's fault. But it is like,

0:20:18.560 --> 0:20:21.240
<v Speaker 1>maybe you have to be an insane person to be

0:20:21.560 --> 0:20:23.320
<v Speaker 1>like you have to have a little bit of a

0:20:23.359 --> 0:20:25.840
<v Speaker 1>death wish to work with big cats like that. So

0:20:26.000 --> 0:20:28.680
<v Speaker 1>no way. I don't know though, It's like I think

0:20:28.720 --> 0:20:32.679
<v Speaker 1>you can just brainwash yourself into thinking that you're somehow

0:20:32.800 --> 0:20:35.520
<v Speaker 1>a like special person. It is not. Well I do

0:20:35.560 --> 0:20:38.920
<v Speaker 1>that with my small cat, yes, so you know, yeah,

0:20:39.040 --> 0:20:42.280
<v Speaker 1>I mean I think everyone does that with animals. We

0:20:42.320 --> 0:20:45.200
<v Speaker 1>should go to Tippy Hudron's big cat preserved. Oh my god,

0:20:46.119 --> 0:20:48.639
<v Speaker 1>I don't think it's Now's not the time. After talking

0:20:48.680 --> 0:20:52.200
<v Speaker 1>about this, I'm just like, let them be like face

0:20:52.359 --> 0:20:54.920
<v Speaker 1>death by like looking it in the eye across the

0:20:55.560 --> 0:20:58.600
<v Speaker 1>void of species. No. And I say this as a

0:20:58.640 --> 0:21:12.320
<v Speaker 1>person with way too many pets. No, not really. This

0:21:12.359 --> 0:21:14.640
<v Speaker 1>week's episode of Night Call is brought to you by

0:21:14.800 --> 0:21:19.000
<v Speaker 1>Cheers Health. This is Emily, and I am an old lady,

0:21:19.320 --> 0:21:22.440
<v Speaker 1>and I have gotten to the point where the amount

0:21:22.440 --> 0:21:24.600
<v Speaker 1>of drinks that used to just kind of roll off

0:21:24.600 --> 0:21:26.520
<v Speaker 1>me and I didn't care about anymore, are actually kind

0:21:26.520 --> 0:21:30.080
<v Speaker 1>of impacting my life. It is a problem, I think

0:21:30.200 --> 0:21:33.239
<v Speaker 1>for anybody who's past the age of twenty five. If

0:21:33.280 --> 0:21:34.800
<v Speaker 1>you drink more than a couple drinks in a night,

0:21:34.800 --> 0:21:36.880
<v Speaker 1>you're not gonna feel one hundred percent the next day.

0:21:37.440 --> 0:21:39.840
<v Speaker 1>This is true. I think it was literally like the

0:21:40.000 --> 0:21:43.879
<v Speaker 1>day I turned twenty five, I noticed that I was like, Okay,

0:21:43.880 --> 0:21:46.479
<v Speaker 1>I can have one glass of wine with dinner and

0:21:46.480 --> 0:21:49.400
<v Speaker 1>be fine. But if I'm I wasn't going crazy or anything.

0:21:49.840 --> 0:21:52.159
<v Speaker 1>Once a year I do go crazy to do drunk history,

0:21:52.280 --> 0:21:55.679
<v Speaker 1>but normally I do not because I want to stay alive.

0:21:56.520 --> 0:21:58.160
<v Speaker 1>But yeah, I noticed I was like, Okay, I can

0:21:58.200 --> 0:22:00.359
<v Speaker 1>have one glass of wine. If I have any more

0:22:00.400 --> 0:22:01.919
<v Speaker 1>than one glass of wine, I wake up, I have

0:22:01.920 --> 0:22:05.080
<v Speaker 1>a headache. I just don't feel great, and especially since

0:22:05.119 --> 0:22:07.359
<v Speaker 1>having kids, because you have to wake up no matter

0:22:07.400 --> 0:22:10.320
<v Speaker 1>what at like six. But it also kind of sucks

0:22:10.359 --> 0:22:14.440
<v Speaker 1>to miss out on celebrating birthdays New Year's. Just being

0:22:14.480 --> 0:22:17.800
<v Speaker 1>able to like relax with a couple drinks and not

0:22:17.920 --> 0:22:21.040
<v Speaker 1>feel like garbage the next day is really nice. So

0:22:21.160 --> 0:22:23.719
<v Speaker 1>Cheers is really helpful for that. Yeah, we got our

0:22:23.840 --> 0:22:27.960
<v Speaker 1>samples of Cheers just last week, and I was very curious.

0:22:28.080 --> 0:22:31.080
<v Speaker 1>So I went out after a day of spending the

0:22:31.160 --> 0:22:32.879
<v Speaker 1>day inside. I was like, I'm just gonna go to

0:22:32.920 --> 0:22:35.280
<v Speaker 1>my local bar and I'm gonna have maybe one more

0:22:35.359 --> 0:22:37.480
<v Speaker 1>drink than I would usually have, just to see how

0:22:37.520 --> 0:22:40.399
<v Speaker 1>this thing works. So I had three glasses of wine

0:22:40.440 --> 0:22:43.960
<v Speaker 1>and pretended to watch basketball, and then came home and

0:22:44.440 --> 0:22:48.880
<v Speaker 1>took both the oral rehydration system powder and the three

0:22:48.960 --> 0:22:51.680
<v Speaker 1>after alcohol aid tablets which is what you're supposed to take,

0:22:52.200 --> 0:22:56.240
<v Speaker 1>and watch cat dancers and woke up the next morning

0:22:56.440 --> 0:22:59.760
<v Speaker 1>and felt amazing. It really helped me get the rest

0:22:59.800 --> 0:23:01.639
<v Speaker 1>of my day back in a way that like I

0:23:01.640 --> 0:23:04.200
<v Speaker 1>think normally, I would have felt sluggish and not able

0:23:04.240 --> 0:23:06.680
<v Speaker 1>to work as much the next day, and I kind

0:23:06.680 --> 0:23:09.359
<v Speaker 1>of just felt more or less on top of things,

0:23:09.400 --> 0:23:12.679
<v Speaker 1>which was a great help. I took it, and I

0:23:12.720 --> 0:23:14.480
<v Speaker 1>had three glasses of wine, and I woke up the

0:23:14.520 --> 0:23:16.440
<v Speaker 1>next day and the thing I noticed the most was

0:23:16.480 --> 0:23:18.560
<v Speaker 1>that I always get a headache, and I didn't have one.

0:23:18.760 --> 0:23:21.000
<v Speaker 1>And Cheers is healthy for your liver too, so you

0:23:21.000 --> 0:23:24.239
<v Speaker 1>can feel good about taking it. To use Cheers, you

0:23:24.359 --> 0:23:26.920
<v Speaker 1>just take two to four capsules after your last alcohol

0:23:27.000 --> 0:23:29.040
<v Speaker 1>beverage or before you go to bed. If you don't

0:23:29.080 --> 0:23:31.600
<v Speaker 1>wake up feeling at least fifty percent better the next day,

0:23:31.680 --> 0:23:33.840
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0:23:33.840 --> 0:23:36.600
<v Speaker 1>felt more than fifty percent better, I will say so.

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0:23:58.119 --> 0:24:01.439
<v Speaker 1>remember to Cheers which years you're going to start feeling

0:24:01.480 --> 0:24:04.080
<v Speaker 1>better when you wake up and your Liver is going

0:24:04.119 --> 0:24:15.320
<v Speaker 1>to thank you. Speaking of brushes with death that'll weaken

0:24:15.400 --> 0:24:19.120
<v Speaker 1>the fire within. We are going to talk about another movie, four,

0:24:20.040 --> 0:24:37.240
<v Speaker 1>The Erotic Odyssey, we watched this week. Adrian lyons nine

0:24:37.240 --> 0:24:39.920
<v Speaker 1>and a half weeks as promised? Is it Lanner line?

0:24:39.920 --> 0:24:42.760
<v Speaker 1>I think it's I think it's l I don't know,

0:24:42.800 --> 0:24:45.840
<v Speaker 1>and I'm glad someone else said it. Here's what I

0:24:45.880 --> 0:24:50.239
<v Speaker 1>have to say about nine and a half weeks An

0:24:50.240 --> 0:24:55.920
<v Speaker 1>Airport the best movie we've watched. It is so good.

0:24:56.880 --> 0:24:59.920
<v Speaker 1>I mean, Fatal Attraction will always be really loyal to.

0:25:00.080 --> 0:25:02.760
<v Speaker 1>But this came very close to toppling it. I was

0:25:02.840 --> 0:25:05.760
<v Speaker 1>I had low, low, low expectations. I'd never seen you

0:25:05.880 --> 0:25:08.639
<v Speaker 1>never seen it. No, I don't see why. No. I

0:25:08.680 --> 0:25:11.439
<v Speaker 1>went through a period when I had a lot of

0:25:11.480 --> 0:25:14.359
<v Speaker 1>time when I watched all the erotic film It was

0:25:14.440 --> 0:25:17.560
<v Speaker 1>right when you could first watch movies on the internet, right,

0:25:17.720 --> 0:25:19.520
<v Speaker 1>oh oh yeah. And I was just like, oh, I'm

0:25:19.520 --> 0:25:21.680
<v Speaker 1>going to watch every movie I ever wanted to watch

0:25:21.760 --> 0:25:23.720
<v Speaker 1>the uncut version, or that's what I was about to

0:25:23.760 --> 0:25:27.280
<v Speaker 1>ask you, guys. I have no idea. I watched whatever

0:25:27.440 --> 0:25:30.600
<v Speaker 1>was on the it's on iTunes, it's fifteen dollars. I

0:25:30.640 --> 0:25:33.800
<v Speaker 1>was like it was a horrible moment. I sat there

0:25:33.800 --> 0:25:36.240
<v Speaker 1>for like five minutes, being like, I don't know. Fourteen

0:25:36.280 --> 0:25:38.840
<v Speaker 1>dollars you did it? No, I didn't. I didn't end

0:25:38.920 --> 0:25:42.160
<v Speaker 1>up doing it like I might buy it just to sadly,

0:25:42.240 --> 0:25:44.840
<v Speaker 1>I'm right behind you. I do it too. I'm going

0:25:44.920 --> 0:25:47.880
<v Speaker 1>to watch this movie again. It is so good. Like

0:25:48.080 --> 0:25:50.920
<v Speaker 1>I feel foolish for not having seen it now, but

0:25:50.960 --> 0:25:52.919
<v Speaker 1>I also feel like maybe I needed to be I

0:25:52.960 --> 0:25:54.560
<v Speaker 1>needed to wait till this moment in my life to

0:25:54.600 --> 0:25:58.040
<v Speaker 1>see it. It contains volumes. I think it's like a

0:25:58.080 --> 0:25:59.800
<v Speaker 1>fascinating film and I could probably talk about it for

0:25:59.840 --> 0:26:03.200
<v Speaker 1>two hours. This no me too. We have to get

0:26:03.200 --> 0:26:06.919
<v Speaker 1>through everything, like we've already had text chains and everything

0:26:06.920 --> 0:26:10.480
<v Speaker 1>about this. But let's for the uninitiated. This movie came

0:26:10.520 --> 0:26:13.760
<v Speaker 1>out in nineteen eighty six. It stars Kim Basinger as

0:26:13.800 --> 0:26:16.920
<v Speaker 1>Elizabeth Mickey Rourke, which, by the way, I have never

0:26:17.040 --> 0:26:22.160
<v Speaker 1>in my life been like Mickey Yorkey. I've never seen

0:26:22.200 --> 0:26:24.639
<v Speaker 1>a Mickey Rourke movie from from a while, No I

0:26:24.680 --> 0:26:28.320
<v Speaker 1>had this. I have to say, I was like Diners,

0:26:28.400 --> 0:26:31.000
<v Speaker 1>not even drawn in He's hot and Diner. But there's

0:26:31.040 --> 0:26:34.639
<v Speaker 1>something specially going on with Mickey Rourke. Margaret Whitten plays

0:26:34.680 --> 0:26:39.719
<v Speaker 1>Molly Tony, Soprano's lawyer is in this movie ordering a

0:26:39.840 --> 0:26:42.879
<v Speaker 1>hot water with lemon and sweet and low in like

0:26:42.920 --> 0:26:44.399
<v Speaker 1>one of an early scene that I was like, I

0:26:44.480 --> 0:26:47.720
<v Speaker 1>like this movie. It's a very weird movie. Christine Baranski

0:26:47.840 --> 0:26:50.320
<v Speaker 1>has like one line and she puts a spoon on

0:26:50.359 --> 0:26:52.960
<v Speaker 1>her nose and everyone laughs and that's it. And it

0:26:53.080 --> 0:26:57.400
<v Speaker 1>also stars Karen Young, who I did not know who

0:26:57.440 --> 0:26:59.600
<v Speaker 1>this woman was, but I knew she was in something

0:26:59.640 --> 0:27:02.520
<v Speaker 1>else I loved, and she was the FBI agent in

0:27:02.560 --> 0:27:05.320
<v Speaker 1>the Sopranos who plays a capital role. That's such an

0:27:05.359 --> 0:27:07.119
<v Speaker 1>amazing call because I did not see that. And as

0:27:07.160 --> 0:27:08.760
<v Speaker 1>soon as you said that on the text chain, I

0:27:08.800 --> 0:27:11.159
<v Speaker 1>was like, oh my god, it was gonna make me insane.

0:27:11.160 --> 0:27:16.160
<v Speaker 1>I was like, Emily introduced an idea, which is the Bingo,

0:27:16.400 --> 0:27:19.920
<v Speaker 1>the Eurotic thriller bing. Yeah. Based on our observations thus far,

0:27:21.520 --> 0:27:23.280
<v Speaker 1>we have a long list. I can go through the

0:27:23.320 --> 0:27:25.160
<v Speaker 1>ones I have written down because I started to write

0:27:25.200 --> 0:27:27.600
<v Speaker 1>them down while I was watching this as they occurred

0:27:27.600 --> 0:27:29.840
<v Speaker 1>to me. But okay, so we have house Boat, which

0:27:29.880 --> 0:27:31.800
<v Speaker 1>this movie has a house boat. Check it's not his

0:27:31.880 --> 0:27:34.040
<v Speaker 1>only residence in fact, it's like a friend's house, but

0:27:34.080 --> 0:27:35.800
<v Speaker 1>it's the first place that he takes her to, So

0:27:35.840 --> 0:27:39.360
<v Speaker 1>it's like subduction via houseboat, which very much fits into

0:27:39.400 --> 0:27:43.040
<v Speaker 1>the genre. Venetian blinds. Of course, uh, future Stars of

0:27:43.080 --> 0:27:50.359
<v Speaker 1>the Sopranos, Cocaine, an art gallery separately, an art collector, opera, music,

0:27:51.080 --> 0:27:55.680
<v Speaker 1>sex tapes, sex on stairs or elevators, the Pacific Northwest,

0:27:56.440 --> 0:28:00.640
<v Speaker 1>and exhibitionism. Spaghetti dinners with red wine. Spaghetti dinner. Yes,

0:28:01.359 --> 0:28:04.280
<v Speaker 1>garter belts, which I swear to god, I was like,

0:28:04.440 --> 0:28:06.840
<v Speaker 1>no one wore garter belts except in these movies in

0:28:06.880 --> 0:28:09.880
<v Speaker 1>the eighties, like everyone there a lot of garter belts

0:28:09.920 --> 0:28:12.840
<v Speaker 1>in music videos. Also in the eighties, everyone was just

0:28:12.960 --> 0:28:15.040
<v Speaker 1>wearing legs with two g's. They came in the egg.

0:28:15.119 --> 0:28:18.000
<v Speaker 1>Everybody was like a leg person in the eighties. Leg

0:28:18.080 --> 0:28:22.040
<v Speaker 1>I'm a leg man. I made the eighties. That's legs. No,

0:28:22.200 --> 0:28:26.520
<v Speaker 1>you're a There's like so many videos that involved just

0:28:26.560 --> 0:28:29.280
<v Speaker 1>like high heels and like socks. You know that that

0:28:29.440 --> 0:28:30.959
<v Speaker 1>was such a big thing in the eighties that I'm

0:28:31.000 --> 0:28:35.160
<v Speaker 1>still like the height of sexiness high heels with philly socks.

0:28:35.400 --> 0:28:38.840
<v Speaker 1>I also just like the weird ging is gleeking, No

0:28:38.880 --> 0:28:41.240
<v Speaker 1>I didn't know what gleeking was, and during the spaghetti dinner,

0:28:41.280 --> 0:28:42.920
<v Speaker 1>I was like, did he just gleek at her? Like

0:28:42.960 --> 0:28:45.680
<v Speaker 1>this is the whole movie was so funny. We squirt

0:28:45.800 --> 0:28:48.400
<v Speaker 1>saliva through your TeV something only some people can do,

0:28:48.600 --> 0:28:51.480
<v Speaker 1>but they can gleek, roy Our producer saying he can gleek,

0:28:51.680 --> 0:28:56.760
<v Speaker 1>you can gleek, right, thing I just learned last week

0:28:56.800 --> 0:28:58.560
<v Speaker 1>about gleeking And I was like what And then I

0:28:58.600 --> 0:29:01.240
<v Speaker 1>was like, I just caught an accident gleek with that spaghetti.

0:29:01.720 --> 0:29:05.160
<v Speaker 1>They have sex on stairs in this in this movie, uh,

0:29:05.160 --> 0:29:08.800
<v Speaker 1>when they are underground in this sewer, like basically in

0:29:08.880 --> 0:29:11.640
<v Speaker 1>a sewer. Well before we saw it, I was it

0:29:11.720 --> 0:29:14.640
<v Speaker 1>was again like like he hand the rocks of Cradle,

0:29:14.680 --> 0:29:17.800
<v Speaker 1>where I was like, is this an erotic thriller? Because

0:29:18.040 --> 0:29:19.680
<v Speaker 1>I knew that it was like a drama and it's

0:29:19.800 --> 0:29:21.880
<v Speaker 1>essentially like I was thinking of it as like the

0:29:21.920 --> 0:29:25.480
<v Speaker 1>prototypical fifty shades of gray, like it's just the story

0:29:25.520 --> 0:29:28.280
<v Speaker 1>of a love affair. I didn't know how nobody Dollar

0:29:28.480 --> 0:29:31.400
<v Speaker 1>Aspect would beat it. But it is extremely tends to

0:29:31.440 --> 0:29:34.280
<v Speaker 1>watch an extreme like I was nervous while watching a

0:29:34.280 --> 0:29:37.080
<v Speaker 1>lot of this because it is they use horror music. Yes,

0:29:37.360 --> 0:29:39.440
<v Speaker 1>I mean the horror music will come on like during

0:29:39.440 --> 0:29:41.400
<v Speaker 1>a sex scene and you're like, holy shit. And he

0:29:41.440 --> 0:29:43.360
<v Speaker 1>also on the houseboat, he's like no one can hear

0:29:43.400 --> 0:29:45.840
<v Speaker 1>you scream, and he talks at this low register and

0:29:45.880 --> 0:29:49.240
<v Speaker 1>he's always smiling, always smirking. You know. One of the

0:29:49.320 --> 0:29:52.160
<v Speaker 1>like early scenes where I was like, everyone's gonna die.

0:29:52.320 --> 0:29:55.160
<v Speaker 1>He puts her on a ferrisviel by herself. He has

0:29:55.240 --> 0:29:57.520
<v Speaker 1>a guy like cranker to the top of the ferris wheel.

0:29:57.560 --> 0:30:00.360
<v Speaker 1>And then I was like, ah, I'm leaving goodbye, And

0:30:00.400 --> 0:30:02.920
<v Speaker 1>I was like I can't believe she's gonna stay, Like,

0:30:02.960 --> 0:30:05.080
<v Speaker 1>how is there a more movie? Unless he like puts

0:30:05.120 --> 0:30:07.800
<v Speaker 1>her in a basement. She's into it. She's into it.

0:30:08.840 --> 0:30:11.200
<v Speaker 1>That reminds me of like The Bachelor or anything where

0:30:11.200 --> 0:30:13.200
<v Speaker 1>they like have to jump off of a cliff together

0:30:13.360 --> 0:30:16.160
<v Speaker 1>and like the girl is like always genuinely terrified and

0:30:16.200 --> 0:30:19.320
<v Speaker 1>screaming and sometimes a guy too, and then like, but

0:30:19.360 --> 0:30:22.120
<v Speaker 1>that's what like, that's like a psychologically proven thing that

0:30:22.160 --> 0:30:24.120
<v Speaker 1>will draw people together because it's like, oh my god,

0:30:24.160 --> 0:30:26.360
<v Speaker 1>we went through this intense thing together, or like I

0:30:26.440 --> 0:30:30.800
<v Speaker 1>went through this intense thing with you, and now I

0:30:30.840 --> 0:30:32.719
<v Speaker 1>feel like that much more of a bond, even if

0:30:32.720 --> 0:30:37.240
<v Speaker 1>it's not necessarily a positive bond. Yeah no, this it

0:30:37.360 --> 0:30:39.880
<v Speaker 1>introduces the s and m that will come into play.

0:30:40.040 --> 0:30:43.240
<v Speaker 1>Yeah matter. So like this movie is basically just like

0:30:43.760 --> 0:30:46.680
<v Speaker 1>John Gray. Is that his name? Yes, John Gray. I

0:30:46.680 --> 0:30:48.840
<v Speaker 1>mean it's like meant to be the most anonymous name

0:30:48.880 --> 0:30:51.640
<v Speaker 1>and like definitely a precursor to Christian Gray as well.

0:30:52.080 --> 0:30:55.640
<v Speaker 1>But like he's just this like a Wall Street guy

0:30:55.760 --> 0:31:00.800
<v Speaker 1>who meets Elizabeth who works at an art gallery when

0:31:00.800 --> 0:31:04.520
<v Speaker 1>they're in Chinatown, and then instant spark. He had to

0:31:04.600 --> 0:31:07.280
<v Speaker 1>have her type things. They go out, what did they

0:31:07.280 --> 0:31:09.200
<v Speaker 1>do on They go for a drink like a Polish

0:31:09.240 --> 0:31:12.520
<v Speaker 1>restaurant or something. It starts as a normal Relationshi. Yeah,

0:31:12.520 --> 0:31:15.040
<v Speaker 1>it's very cute. It's like a very then it's weird.

0:31:15.200 --> 0:31:19.320
<v Speaker 1>Yeah yeah, but it's like it gets really weird. Well.

0:31:19.360 --> 0:31:21.560
<v Speaker 1>The other thing that this movie has in its favorite

0:31:21.640 --> 0:31:24.040
<v Speaker 1>is just that it's like so gorgeous. It's one of

0:31:24.080 --> 0:31:27.400
<v Speaker 1>the prettiest New York movies I've ever seen, on top

0:31:27.480 --> 0:31:29.760
<v Speaker 1>of all the bizarre sex that's happening. Like yeah, all

0:31:29.800 --> 0:31:32.920
<v Speaker 1>these movies make me realize why it's just like everyone

0:31:33.000 --> 0:31:36.080
<v Speaker 1>lived in eighties New York. Yeah, and too. It's a

0:31:36.120 --> 0:31:39.760
<v Speaker 1>wonderful touch. Also that all the intertitle fonts are Woody

0:31:39.760 --> 0:31:44.320
<v Speaker 1>Allen font but in like six fact he read also

0:31:44.520 --> 0:31:48.920
<v Speaker 1>shout out to using roxy music really well in this movie.

0:31:48.960 --> 0:31:52.080
<v Speaker 1>I was like, ooh, it is eighties New York. It's like,

0:31:52.280 --> 0:31:54.040
<v Speaker 1>here's what I learned about this movie too. It was

0:31:54.040 --> 0:31:56.680
<v Speaker 1>a bomb yeah in America, and then it became a

0:31:56.680 --> 0:32:00.840
<v Speaker 1>big hit internationally in the uncut vers unedited yeah cut version,

0:32:01.440 --> 0:32:06.280
<v Speaker 1>because the Europeans love the softcore. So, like the arc

0:32:06.400 --> 0:32:10.040
<v Speaker 1>of this movie is basically like he starts introducing this weird,

0:32:10.120 --> 0:32:14.240
<v Speaker 1>sort of dominant and also kind of unconventional. His tastes

0:32:14.240 --> 0:32:20.160
<v Speaker 1>are unconventional, like element into the relationship. She's like continually

0:32:20.200 --> 0:32:22.520
<v Speaker 1>and sort of like I don't know place, and then

0:32:22.600 --> 0:32:24.960
<v Speaker 1>goes along with it, and it keeps going like further

0:32:25.040 --> 0:32:27.840
<v Speaker 1>and further. She gets like more and more spacey at

0:32:27.840 --> 0:32:30.360
<v Speaker 1>her job. She thinks she's being hypnotized by the watch

0:32:30.400 --> 0:32:33.120
<v Speaker 1>he gives her, and then it kind of hits this point.

0:32:33.640 --> 0:32:36.959
<v Speaker 1>I feel like the breaking point is the like crawl

0:32:37.160 --> 0:32:41.200
<v Speaker 1>on your knees from any point, which is like so alarming,

0:32:41.320 --> 0:32:43.080
<v Speaker 1>even after all this other stuff, because some of the

0:32:43.080 --> 0:32:45.880
<v Speaker 1>stuff I genuinely think is sort of amazing, like like

0:32:46.160 --> 0:32:49.360
<v Speaker 1>sending her men's clothing to dress up and a mustache.

0:32:49.400 --> 0:32:52.560
<v Speaker 1>It's so, it was great. It's great, and it's and

0:32:52.600 --> 0:32:54.920
<v Speaker 1>then that culminates in like the best sex scene of

0:32:54.960 --> 0:32:57.880
<v Speaker 1>the entire movie as well, I think, which is the

0:32:58.160 --> 0:33:03.360
<v Speaker 1>which is the underground source. But because she's like, I

0:33:03.400 --> 0:33:05.040
<v Speaker 1>just want to be one of the guys. And then

0:33:05.080 --> 0:33:07.320
<v Speaker 1>he like takes her out for a drink and like

0:33:07.400 --> 0:33:10.080
<v Speaker 1>talks about her as if he's like another guy, like

0:33:10.320 --> 0:33:13.560
<v Speaker 1>locker room talk or something. And then they go and

0:33:13.560 --> 0:33:16.720
<v Speaker 1>like get in a fight in a street fight. Okay,

0:33:16.760 --> 0:33:22.959
<v Speaker 1>but you're gay, people think, and then yeah, and then

0:33:23.000 --> 0:33:27.800
<v Speaker 1>she stabs the people in the stabs him, but then

0:33:27.840 --> 0:33:31.280
<v Speaker 1>they like backs to celebrate. It's so weird. It is

0:33:31.360 --> 0:33:35.120
<v Speaker 1>so weird that I mean it is. It's a very

0:33:35.160 --> 0:33:39.640
<v Speaker 1>confusing reaction that the opera kind of. I mean, he

0:33:39.960 --> 0:33:42.240
<v Speaker 1>is very much like I don't want to meet your friends,

0:33:43.520 --> 0:33:47.840
<v Speaker 1>even a sewer. You can only belong sewer. It's the

0:33:47.880 --> 0:33:50.880
<v Speaker 1>Phantom of the Opera. But he's also Patrick Bateman and

0:33:50.920 --> 0:33:53.240
<v Speaker 1>Emily and I both had this thought. And there's this

0:33:53.280 --> 0:33:56.160
<v Speaker 1>part where he like when he first brings her. I don't.

0:33:56.320 --> 0:33:58.080
<v Speaker 1>I think it's when he first brings her to his apartment,

0:33:58.120 --> 0:34:00.120
<v Speaker 1>but it may actually be on the house boat and

0:34:00.160 --> 0:34:02.959
<v Speaker 1>he goes, do you like music? And then he's like

0:34:03.200 --> 0:34:06.080
<v Speaker 1>Billie Holiday and he puts on strange fruit and it's like,

0:34:06.560 --> 0:34:11.840
<v Speaker 1>what weird? And I was just picturing Breddystonellis like watching

0:34:11.840 --> 0:34:14.799
<v Speaker 1>this movie and being like, the logical conclusion is that

0:34:14.880 --> 0:34:18.600
<v Speaker 1>he's like a PSYCHOA Bertie ston Ellis is probably watching

0:34:18.640 --> 0:34:21.719
<v Speaker 1>it and being like, this is the coolest guy. Yeah,

0:34:21.760 --> 0:34:24.800
<v Speaker 1>that's it. Then he takes her back to his apartment

0:34:24.840 --> 0:34:27.360
<v Speaker 1>where he has like the six TVs, which is totally

0:34:27.600 --> 0:34:32.480
<v Speaker 1>like I associate with like less than zero again, well,

0:34:32.520 --> 0:34:35.400
<v Speaker 1>American Psycho. The movie is so good because it parodies

0:34:35.480 --> 0:34:38.080
<v Speaker 1>all of the stuff that's a balance also sell the

0:34:38.120 --> 0:34:40.680
<v Speaker 1>remove of being made in the late nineties, so you

0:34:40.719 --> 0:34:43.280
<v Speaker 1>have that kind of fifteen year at least fan peak

0:34:43.320 --> 0:34:47.719
<v Speaker 1>of like Wall Street extreme. Yeah, made by a woman, Yeah,

0:34:47.920 --> 0:34:50.600
<v Speaker 1>made by a woman in the nineties. But yeah, this

0:34:50.680 --> 0:34:52.880
<v Speaker 1>is definitely all the stuff that I thought was like

0:34:53.000 --> 0:34:56.160
<v Speaker 1>grown and sexy when you first because that's like when

0:34:56.200 --> 0:34:57.759
<v Speaker 1>we were kids in the eighties, We're like, this is

0:34:57.760 --> 0:35:00.200
<v Speaker 1>what grown ups were like they wear suits and have

0:35:00.280 --> 0:35:04.360
<v Speaker 1>Venetian blinds. They go to art gallery and eat caviar

0:35:04.400 --> 0:35:07.080
<v Speaker 1>and then have sex and a sewer after an elaborate

0:35:07.120 --> 0:35:09.920
<v Speaker 1>fantasy role play. Okay, well, speaking of the sex scenes,

0:35:10.360 --> 0:35:13.040
<v Speaker 1>can we talk about the fridge. Yeah, the fridge scene,

0:35:13.320 --> 0:35:16.520
<v Speaker 1>that's like an upsetting scene for me. It was it

0:35:16.560 --> 0:35:19.120
<v Speaker 1>was so funny and like over the and it was

0:35:19.200 --> 0:35:21.759
<v Speaker 1>parodied like every year. Well, I mean, I've seen like

0:35:21.760 --> 0:35:23.640
<v Speaker 1>three different parodies of this, but you don't need to

0:35:23.640 --> 0:35:26.360
<v Speaker 1>parody it because it's its own parody. And the funniest

0:35:26.360 --> 0:35:29.560
<v Speaker 1>thing is that he like cracks an egg and then

0:35:30.160 --> 0:35:33.160
<v Speaker 1>slices with an egg slicer a hard boiled egg, as

0:35:33.160 --> 0:35:36.879
<v Speaker 1>if he's just like hard boiled with his mind. And

0:35:36.920 --> 0:35:39.720
<v Speaker 1>then he gives her like seventy different kinds of cherries.

0:35:39.760 --> 0:35:43.359
<v Speaker 1>He's like, here's a real cherry, here's Maraschino cherries, here's

0:35:43.400 --> 0:35:46.480
<v Speaker 1>some cherry liquor. He's like, I and meanwhile, you're looking

0:35:46.520 --> 0:35:48.239
<v Speaker 1>into her fridge at all you see is like half

0:35:48.239 --> 0:35:50.600
<v Speaker 1>a watermelon, and the thing is open for so long

0:35:50.640 --> 0:35:57.320
<v Speaker 1>it's insane, exactly like the electricity bills. They all kiss

0:35:57.400 --> 0:35:59.520
<v Speaker 1>for a really long time. He's just feeding her. He

0:35:59.560 --> 0:36:01.799
<v Speaker 1>feeds her. He starts off with the marichino cherry. Then

0:36:01.840 --> 0:36:05.120
<v Speaker 1>I think he goes to strawberries and cherry tomatoes, and

0:36:05.160 --> 0:36:07.239
<v Speaker 1>then he gives her a hall of panio. Then he

0:36:07.360 --> 0:36:10.839
<v Speaker 1>yeses her. It's her breaths and he's so weird. No,

0:36:10.920 --> 0:36:13.000
<v Speaker 1>she gives her the pepper and then he dumps milk

0:36:13.040 --> 0:36:15.279
<v Speaker 1>into her mouth and then he like, but they I

0:36:15.320 --> 0:36:18.600
<v Speaker 1>don't think they kiss until after he's like squirted honey

0:36:18.640 --> 0:36:20.759
<v Speaker 1>all over her. And the only thing I could think

0:36:20.800 --> 0:36:22.840
<v Speaker 1>of is, like, right before this scene, you see the

0:36:22.880 --> 0:36:25.680
<v Speaker 1>cat come in. She has a cat, and like he's

0:36:25.719 --> 0:36:29.680
<v Speaker 1>gonna get covered in honey. Like she's on the floor,

0:36:29.920 --> 0:36:33.279
<v Speaker 1>which is probably disgusting, and she's covered in honey and

0:36:33.320 --> 0:36:36.759
<v Speaker 1>he's like licking it off. Thinking about it. I do

0:36:36.920 --> 0:36:40.200
<v Speaker 1>love the shot where the cat like just walks out,

0:36:40.280 --> 0:36:46.080
<v Speaker 1>like sees himself out around the cats go in the bingo.

0:36:46.239 --> 0:36:48.120
<v Speaker 1>I feel like there's some cats, Yeah, there's been some

0:36:48.160 --> 0:36:51.360
<v Speaker 1>good cats. Well, there's only a bunny and a dog.

0:36:51.440 --> 0:36:53.960
<v Speaker 1>I believe in fatal attractions, so we can't check that.

0:36:54.040 --> 0:36:56.640
<v Speaker 1>But there has to be the domesticated animal because these

0:36:56.640 --> 0:37:00.800
<v Speaker 1>are all there, you know, the domestic domesticating a human

0:37:01.120 --> 0:37:03.319
<v Speaker 1>kind of thing. I was very interested to read about

0:37:03.320 --> 0:37:05.359
<v Speaker 1>the book that this is based off of. Also, there's

0:37:05.360 --> 0:37:10.520
<v Speaker 1>a really interesting article about Ingeborg Day, who is the

0:37:10.560 --> 0:37:15.799
<v Speaker 1>author of the book. She she published it sudonamously. It's

0:37:15.800 --> 0:37:18.000
<v Speaker 1>called Nine and a half Weeks, and she published it

0:37:18.040 --> 0:37:20.359
<v Speaker 1>in the name of the character Elizabeth something, but now

0:37:20.640 --> 0:37:23.200
<v Speaker 1>her name is out there. But there's a twenty twelve

0:37:23.200 --> 0:37:27.560
<v Speaker 1>New Yorker article by Sarah Wineman about she also wrote

0:37:27.560 --> 0:37:31.399
<v Speaker 1>a memoir under her own name about the fact she'd

0:37:31.400 --> 0:37:34.120
<v Speaker 1>grown up with her dad was a Nazi and she's

0:37:34.160 --> 0:37:39.040
<v Speaker 1>just been trying to reckon with this her entire life. Yeah. Yeah,

0:37:38.080 --> 0:37:42.320
<v Speaker 1>And then she also had this, you know, this memoir

0:37:42.360 --> 0:37:46.760
<v Speaker 1>of this you know, sado masochistic affair that like seems

0:37:46.800 --> 0:37:51.480
<v Speaker 1>to have really upset her and like permanently altered her life. Well,

0:37:51.480 --> 0:37:54.279
<v Speaker 1>because it was so much worse than what happened in

0:37:54.320 --> 0:37:57.400
<v Speaker 1>the adaptation, because if this had been adapted truthfully, you

0:37:57.400 --> 0:38:00.120
<v Speaker 1>would have been like noping out of there. Interesting thing

0:38:00.200 --> 0:38:01.560
<v Speaker 1>about it to me, though, it was like all the

0:38:01.600 --> 0:38:05.440
<v Speaker 1>stuff about Nickey Rourke's version of this guy being this

0:38:05.520 --> 0:38:08.239
<v Speaker 1>sort of domesticated man, like he's like I want to

0:38:08.280 --> 0:38:10.160
<v Speaker 1>take care of you. I want to cook for you

0:38:10.280 --> 0:38:12.840
<v Speaker 1>and feed you and like lay out your clothes in

0:38:12.880 --> 0:38:16.359
<v Speaker 1>the morning like a housewife. Basically. Yeah, then I want

0:38:16.400 --> 0:38:20.040
<v Speaker 1>to like dominate you at night, which but also I

0:38:20.080 --> 0:38:23.360
<v Speaker 1>won't meet your friends, right, Yeah, it's very like pretty woman. Also,

0:38:23.440 --> 0:38:25.360
<v Speaker 1>it's like we can do all this weird ship, but

0:38:25.400 --> 0:38:28.200
<v Speaker 1>we can't kiss on the mouth because that's too intimate. Right.

0:38:29.680 --> 0:38:32.440
<v Speaker 1>It's so much more interesting than just being a straight

0:38:32.680 --> 0:38:37.440
<v Speaker 1>up like fantasy like erotica type thing, because it's such

0:38:37.480 --> 0:38:40.480
<v Speaker 1>a mind fuck to have this guy who's like both

0:38:40.640 --> 0:38:44.040
<v Speaker 1>at acting out. Like I was saying to Tessa, I

0:38:44.040 --> 0:38:46.200
<v Speaker 1>was just like, it's like he read that porn for

0:38:46.280 --> 0:38:48.799
<v Speaker 1>women book or something, and he's like, oh, yes, I

0:38:48.800 --> 0:38:52.280
<v Speaker 1>shall be this for her. But it's like super super disturbed.

0:38:52.640 --> 0:38:55.719
<v Speaker 1>I don't mean to say that, like BDSM relationships are

0:38:55.800 --> 0:38:58.640
<v Speaker 1>are disturbed in some way, but clearly this guy has

0:38:59.040 --> 0:39:02.000
<v Speaker 1>some issues. Wow. And there's a lot of stuff that's

0:39:02.040 --> 0:39:05.760
<v Speaker 1>like on the border of consensual in this Like yeah,

0:39:05.840 --> 0:39:08.320
<v Speaker 1>that's sort of why the whole thing feels so tense,

0:39:08.400 --> 0:39:10.560
<v Speaker 1>because you're just like, is she into it or is

0:39:10.640 --> 0:39:12.360
<v Speaker 1>she not? I need to know whether she's into this.

0:39:12.480 --> 0:39:15.319
<v Speaker 1>Or not. And her performance is great because there are

0:39:15.360 --> 0:39:19.239
<v Speaker 1>times when you are very surprised, especially at the end.

0:39:19.320 --> 0:39:22.359
<v Speaker 1>I think you can by her. Yeah, she rules. She's

0:39:22.440 --> 0:39:25.480
<v Speaker 1>so good in this Yeah. Also, though, what's interesting about

0:39:25.560 --> 0:39:29.520
<v Speaker 1>the memoir Nine and a half Weeks is that Ingborg

0:39:29.640 --> 0:39:34.239
<v Speaker 1>Day worked at Miss magazine. Yeah, and then she she

0:39:34.400 --> 0:39:37.120
<v Speaker 1>left because this affair drove her to have a nervous breakdown.

0:39:37.120 --> 0:39:39.120
<v Speaker 1>And actually the guy she was having the affair with

0:39:39.560 --> 0:39:42.520
<v Speaker 1>dropped her off and a mental asylum and then was

0:39:42.600 --> 0:39:44.880
<v Speaker 1>like peace out on gone and she was there for

0:39:45.000 --> 0:39:47.640
<v Speaker 1>months and months. But what's really interesting about this movie

0:39:47.680 --> 0:39:51.200
<v Speaker 1>and all of the movies on our Erotic Odyssey, I

0:39:51.239 --> 0:39:54.120
<v Speaker 1>think is that part of the real tension is that,

0:39:54.480 --> 0:39:57.520
<v Speaker 1>you know, Elizabeth seems to like love her job so much,

0:39:58.000 --> 0:40:02.120
<v Speaker 1>and her affair with John makes it impossible for her

0:40:02.320 --> 0:40:05.200
<v Speaker 1>to be able to be on task at work, to

0:40:05.239 --> 0:40:08.280
<v Speaker 1>the point where like as a weird like sea plot,

0:40:08.440 --> 0:40:10.920
<v Speaker 1>she ends up like finding an artist who is maybe

0:40:10.920 --> 0:40:13.680
<v Speaker 1>suffering from dementia and because she's like it's also yeah,

0:40:13.719 --> 0:40:17.040
<v Speaker 1>it's so weird, yeah, where she's just like come to

0:40:17.080 --> 0:40:19.640
<v Speaker 1>this gallery opening and everyone's like he's so weird. And

0:40:19.680 --> 0:40:21.840
<v Speaker 1>then she feels like she's kind of like dropped the

0:40:21.880 --> 0:40:25.360
<v Speaker 1>ball and like really harmed someone, and that kind of contributes.

0:40:25.400 --> 0:40:27.440
<v Speaker 1>But it's interesting because all of the erotic thrillers that

0:40:27.480 --> 0:40:30.279
<v Speaker 1>we've watched from the eighties and early nineties kind of

0:40:30.280 --> 0:40:33.400
<v Speaker 1>deal with like a woman feeling well, just like a

0:40:33.440 --> 0:40:37.200
<v Speaker 1>woman who's like chasing her career or like balancing the

0:40:37.360 --> 0:40:40.239
<v Speaker 1>like her like sex life or her family life with

0:40:40.360 --> 0:40:45.920
<v Speaker 1>her career, and like he's just like money corrupting her.

0:40:46.040 --> 0:40:49.160
<v Speaker 1>Well that's wants her to be, yeah, exactly, it's like capitalism.

0:40:49.320 --> 0:40:51.799
<v Speaker 1>So this scene that takes place after they hit like

0:40:52.560 --> 0:40:55.400
<v Speaker 1>they go like they have this huge fight because she

0:40:55.560 --> 0:40:58.640
<v Speaker 1>he like brings a third without her consent to the

0:40:58.719 --> 0:41:01.399
<v Speaker 1>like to the Chelsea hotel. He like has a sex

0:41:01.440 --> 0:41:03.839
<v Speaker 1>worker who comes and meets them there and she wasn't

0:41:03.840 --> 0:41:06.600
<v Speaker 1>okay with it, and then like they run into like

0:41:06.640 --> 0:41:10.160
<v Speaker 1>they like they basically have this traumatic like fight slash,

0:41:10.320 --> 0:41:13.320
<v Speaker 1>like they make out at this sex show and Times Square.

0:41:13.400 --> 0:41:16.759
<v Speaker 1>It's just like horrifying and like real like her performance

0:41:16.760 --> 0:41:19.319
<v Speaker 1>and it is like totally like it's I don't know,

0:41:19.440 --> 0:41:21.480
<v Speaker 1>she's so so so good in it. But then she

0:41:21.520 --> 0:41:25.399
<v Speaker 1>has to go from that to this opening and it's

0:41:25.400 --> 0:41:29.360
<v Speaker 1>like when she's in this completely emotionally you know rot place,

0:41:29.440 --> 0:41:32.279
<v Speaker 1>and then she sees, you know, this artist who's just

0:41:32.320 --> 0:41:34.600
<v Speaker 1>sort of lost at this gallery full of these like

0:41:34.719 --> 0:41:36.840
<v Speaker 1>yuppies and like New York art people and stuff, and

0:41:36.880 --> 0:41:39.120
<v Speaker 1>he's just like this kind of older man who apparently

0:41:39.120 --> 0:41:41.160
<v Speaker 1>like lives upstate or lives in the country or something,

0:41:41.800 --> 0:41:44.600
<v Speaker 1>and they both kind of meet eyes and like that

0:41:44.840 --> 0:41:47.880
<v Speaker 1>really I thought that, like I kind of I started crying,

0:41:48.040 --> 0:41:49.920
<v Speaker 1>like I like tear it after in that because like

0:41:50.040 --> 0:41:52.200
<v Speaker 1>it's so good for me. It was like it wasn't

0:41:52.239 --> 0:41:54.319
<v Speaker 1>just that she had like neglected her job. It was

0:41:54.360 --> 0:41:56.600
<v Speaker 1>like as much as she had kind of like co

0:41:56.640 --> 0:41:58.600
<v Speaker 1>opted this guy to be a part of like this

0:41:59.040 --> 0:42:01.759
<v Speaker 1>New York art scener whatever, like her being a part

0:42:01.800 --> 0:42:03.600
<v Speaker 1>of this New York art scene or being like a

0:42:03.680 --> 0:42:06.759
<v Speaker 1>creative class person was co opted by this guy just

0:42:06.800 --> 0:42:09.880
<v Speaker 1>for his like amusement. It's just like this like Turtles

0:42:09.880 --> 0:42:12.600
<v Speaker 1>all the way down type thing and like realizing that

0:42:12.600 --> 0:42:15.040
<v Speaker 1>you're a part of this system and it feels like

0:42:15.080 --> 0:42:17.520
<v Speaker 1>this origin story for like the next twenty years of

0:42:17.560 --> 0:42:20.680
<v Speaker 1>New York development, and like all the artists and creative

0:42:20.680 --> 0:42:23.840
<v Speaker 1>people being pushed on and everything too because it's like

0:42:23.960 --> 0:42:26.160
<v Speaker 1>she has an art gallery where it's like she's part

0:42:26.160 --> 0:42:28.760
<v Speaker 1>of the problem, but she doesn't even know it. Probably, Yeah,

0:42:28.840 --> 0:42:33.560
<v Speaker 1>what a great movie, Agian. Whatever they are, they're all

0:42:33.640 --> 0:42:37.600
<v Speaker 1>kind of about. Faithful is also a like tremendously sexy movie. Yeah,

0:42:37.640 --> 0:42:40.680
<v Speaker 1>they're all about like sex taking over your life to

0:42:40.719 --> 0:42:43.680
<v Speaker 1>the point of mania where you like can't accomplish anything else,

0:42:43.719 --> 0:42:46.600
<v Speaker 1>which is like a good thing for movies to Yeah. Yeah,

0:42:46.600 --> 0:42:49.920
<v Speaker 1>and I feel like he really like he respects the

0:42:50.040 --> 0:42:53.239
<v Speaker 1>characters enough and like clearly respects the actors enough to

0:42:53.239 --> 0:42:55.560
<v Speaker 1>get these incredible performances out of them, so that like

0:42:55.840 --> 0:42:58.200
<v Speaker 1>when you do have what otherwise would feel like a

0:42:58.280 --> 0:43:03.360
<v Speaker 1>completely unner and sex scene or just like gratuitous, like

0:43:03.400 --> 0:43:06.000
<v Speaker 1>you're totally in it by that point you're like, yeah, yeah,

0:43:06.000 --> 0:43:08.799
<v Speaker 1>they're good doing it in the clock and things can

0:43:08.880 --> 0:43:11.560
<v Speaker 1>have know and like something that has like like the

0:43:11.640 --> 0:43:13.799
<v Speaker 1>sex scenes only are going to be good if you're

0:43:13.800 --> 0:43:16.359
<v Speaker 1>like interested in the character exactly. The characters are so

0:43:16.440 --> 0:43:18.600
<v Speaker 1>much more interesting than in Jade Her Body of Evidence

0:43:18.600 --> 0:43:21.400
<v Speaker 1>for that. It's like and they're a quirky and whimsical

0:43:21.400 --> 0:43:24.200
<v Speaker 1>and there's like some like weird like I was like,

0:43:24.280 --> 0:43:26.600
<v Speaker 1>is she basing this off of Annie Hall or is

0:43:26.640 --> 0:43:28.880
<v Speaker 1>that the hat and the coats? But there's a like

0:43:29.160 --> 0:43:32.960
<v Speaker 1>I'm carrying all these balloons and laughing at everything. Are

0:43:33.000 --> 0:43:37.240
<v Speaker 1>they run the levels on Coachy Island like board walk?

0:43:39.880 --> 0:43:42.200
<v Speaker 1>I want to go to that New York right. Well.

0:43:42.239 --> 0:43:44.680
<v Speaker 1>Also what's interesting is so I didn't realize that Kim

0:43:44.719 --> 0:43:48.000
<v Speaker 1>Basinger like had a horrible bout of agoraphobia where she

0:43:48.040 --> 0:43:51.000
<v Speaker 1>didn't leave her house for like months. I guess because

0:43:51.000 --> 0:43:52.799
<v Speaker 1>she was she just like couldn't handle it. But it's

0:43:52.840 --> 0:43:57.080
<v Speaker 1>also a really good, uh view into living in New

0:43:57.160 --> 0:43:59.960
<v Speaker 1>York when there's like it just it it's such a

0:44:00.280 --> 0:44:02.640
<v Speaker 1>weird snapshot of eating New York. And I kind of

0:44:02.680 --> 0:44:04.839
<v Speaker 1>remember from like being a kid of just like there

0:44:04.920 --> 0:44:07.279
<v Speaker 1>was like lots of yelling. Nobody was like on their phone.

0:44:07.360 --> 0:44:09.800
<v Speaker 1>I sound so old. There's nobody was on their phone.

0:44:09.920 --> 0:44:12.360
<v Speaker 1>So they were hitting cabs all the time. Yuppies. But

0:44:12.400 --> 0:44:14.960
<v Speaker 1>you still have the Times Square sex shows, right, but

0:44:15.760 --> 0:44:19.839
<v Speaker 1>still genuinely downtown, like yes, yeah, but it feels like

0:44:19.880 --> 0:44:24.239
<v Speaker 1>this like very chaotic, like over overly like sensory kind

0:44:24.239 --> 0:44:28.680
<v Speaker 1>of experience. And then his apartment is so sterile and

0:44:28.719 --> 0:44:31.640
<v Speaker 1>so quiet and so calm, and he brings her there

0:44:31.640 --> 0:44:33.520
<v Speaker 1>and won't let her leave, and it's almost like he's

0:44:33.600 --> 0:44:35.960
<v Speaker 1>kind of like shielding and protecting her and like almost

0:44:35.960 --> 0:44:38.880
<v Speaker 1>depriving her from like any sensory stuff. Yeah. Well right,

0:44:38.920 --> 0:44:41.640
<v Speaker 1>it's also just like what you yeah, like this the

0:44:41.680 --> 0:44:45.040
<v Speaker 1>site is gonna win, Like yeah, you know, just that

0:44:45.080 --> 0:44:47.799
<v Speaker 1>thing of like I'm taking care of you. But like

0:44:47.840 --> 0:44:51.000
<v Speaker 1>maybe you don't realize, like you don't want it. It's

0:44:51.040 --> 0:44:53.200
<v Speaker 1>about it. But she did want it, but then she

0:44:53.320 --> 0:44:56.680
<v Speaker 1>did not to do a psycho val on Kim Basinger,

0:44:56.719 --> 0:45:01.200
<v Speaker 1>but then she did marry Alec Baldwin, who seems very controlling,

0:45:01.560 --> 0:45:06.320
<v Speaker 1>you think, Yeah, I mean again, like I feel like

0:45:06.320 --> 0:45:08.400
<v Speaker 1>all these movies are just like they're such good roles

0:45:08.400 --> 0:45:10.839
<v Speaker 1>for women. Yeah what I'm like, Oh, look at all

0:45:10.840 --> 0:45:13.520
<v Speaker 1>these great actresses who got undervalued because they were also

0:45:13.600 --> 0:45:16.920
<v Speaker 1>like good sex symbols like Kim basing her back into mourning.

0:45:17.200 --> 0:45:22.280
<v Speaker 1>I think about like somebody's internal sensual and romantic interior,

0:45:22.600 --> 0:45:25.319
<v Speaker 1>Like it's not so much more interesting than just being

0:45:25.400 --> 0:45:27.719
<v Speaker 1>like pretty women where it's like yeah, like I was

0:45:27.760 --> 0:45:29.040
<v Speaker 1>paid for it, and that's how it got in this

0:45:29.200 --> 0:45:33.120
<v Speaker 1>crazy situation. It's like she wanted something. She clearly wanted this,

0:45:33.360 --> 0:45:36.520
<v Speaker 1>and like having a character who wants something and is

0:45:36.680 --> 0:45:39.680
<v Speaker 1>like interested in a certain kind of like unconventional affair

0:45:39.880 --> 0:45:43.640
<v Speaker 1>is really interesting and it's like very dramatically compelling on screen.

0:45:44.880 --> 0:45:49.680
<v Speaker 1>But all anyone talks about is the food stuff because

0:45:49.840 --> 0:45:52.360
<v Speaker 1>you have we should rank all of all of the

0:45:52.440 --> 0:45:54.520
<v Speaker 1>sex scenes in this. For the first half of it,

0:45:54.680 --> 0:45:55.960
<v Speaker 1>I was like, are there not going to be that

0:45:56.080 --> 0:45:58.359
<v Speaker 1>many sex scenes other than like this crazy food scene

0:45:58.400 --> 0:46:03.120
<v Speaker 1>that's happened. And then I really I thought that the

0:46:03.239 --> 0:46:06.239
<v Speaker 1>ice Cube sex scene and the Sewer sex scene were

0:46:06.280 --> 0:46:08.200
<v Speaker 1>really up there for me. Yeah, ice Cube is the

0:46:08.280 --> 0:46:12.160
<v Speaker 1>first one. It's it's pretty good. Yeah, I mean the

0:46:12.280 --> 0:46:14.239
<v Speaker 1>only thing that kind of ruins ice Cube one for

0:46:14.360 --> 0:46:17.920
<v Speaker 1>me is that he's like smiling through the He's smiling

0:46:17.960 --> 0:46:20.520
<v Speaker 1>through the whole movie though. That's one of the weird

0:46:20.600 --> 0:46:23.480
<v Speaker 1>things where you're like this, So there's that one. The

0:46:23.560 --> 0:46:27.239
<v Speaker 1>Sewer one is good, There's the the one that goes

0:46:27.360 --> 0:46:31.279
<v Speaker 1>away at the Chelsea Hotel, which is not so fun.

0:46:31.600 --> 0:46:34.480
<v Speaker 1>Let's push that down the list. Yeah, and then uh,

0:46:35.960 --> 0:46:38.800
<v Speaker 1>clock tower, clock tower is really good. The clock is

0:46:38.880 --> 0:46:41.239
<v Speaker 1>that the same one as you can leave your hat

0:46:41.320 --> 0:46:45.719
<v Speaker 1>on or do they just one that's like her doing

0:46:46.719 --> 0:46:49.480
<v Speaker 1>for him? That was like too goofy. Yeah, I was like,

0:46:49.560 --> 0:46:52.320
<v Speaker 1>way too different. Music could have made this work, I

0:46:52.680 --> 0:46:55.799
<v Speaker 1>feel like, but yeah it was. It was a little silly.

0:46:55.880 --> 0:46:57.719
<v Speaker 1>You guys don't put you can leave your hat on

0:46:57.880 --> 0:47:05.719
<v Speaker 1>to sex times. It's just a no answered such a

0:47:05.840 --> 0:47:08.640
<v Speaker 1>fast song. Again, in the eighties, I feel like people

0:47:08.719 --> 0:47:12.040
<v Speaker 1>were constantly putting on a man's shirt and hat to

0:47:12.760 --> 0:47:16.560
<v Speaker 1>a strip tease, right, and a mustache everyone did. Everyone

0:47:16.680 --> 0:47:19.440
<v Speaker 1>did the mustache. The fact that he didn't peel off

0:47:19.480 --> 0:47:22.479
<v Speaker 1>the mustache for so long it was like, oh choice again,

0:47:22.560 --> 0:47:25.880
<v Speaker 1>this movie full of surprises. I liked the selection of

0:47:25.960 --> 0:47:31.200
<v Speaker 1>hotels as well, like Algonquin for the boy date and

0:47:31.360 --> 0:47:35.480
<v Speaker 1>then and then Chelsea for the like nonccessual threesome. There

0:47:35.480 --> 0:47:38.960
<v Speaker 1>are all these different moods and spaces set and setting. Yeah,

0:47:39.480 --> 0:47:41.239
<v Speaker 1>and he he was like, oh, I used to like

0:47:41.320 --> 0:47:44.399
<v Speaker 1>live in hotels all my life or something like right, yeah,

0:47:44.640 --> 0:47:47.440
<v Speaker 1>you become obsessed with finding out anything about him, because

0:47:47.440 --> 0:47:49.400
<v Speaker 1>that's the whole thing is you won't tell her anything

0:47:49.480 --> 0:47:51.520
<v Speaker 1>about it, which is interesting because like then you watch

0:47:51.600 --> 0:47:53.120
<v Speaker 1>fifty Shades of Gray and you're like, I don't care

0:47:53.160 --> 0:47:55.359
<v Speaker 1>what his deal is whatever his deala is. I don't care.

0:47:55.400 --> 0:47:58.360
<v Speaker 1>I mean, it's it's so it's so like sanitized compared

0:47:58.360 --> 0:48:00.880
<v Speaker 1>to this movie. They didn't have sex any sewers as

0:48:00.920 --> 0:48:03.000
<v Speaker 1>far as I know, in Fifty Shades of Gray or

0:48:03.040 --> 0:48:06.240
<v Speaker 1>any of any of that franchise. Well, the whole premise

0:48:06.320 --> 0:48:08.680
<v Speaker 1>of Fifty Shades of Gray and not to knock it

0:48:08.719 --> 0:48:11.239
<v Speaker 1>because it has a place in our culture and I don't,

0:48:11.400 --> 0:48:14.000
<v Speaker 1>I don't, I don't deny its importance and something yeah

0:48:14.080 --> 0:48:17.279
<v Speaker 1>I saw, yeah, but like the premise of it is

0:48:17.840 --> 0:48:21.279
<v Speaker 1>what if a rich, hot guy was into you and

0:48:21.480 --> 0:48:24.279
<v Speaker 1>like why not fuck you expensively? Like I wanted to

0:48:24.320 --> 0:48:27.120
<v Speaker 1>spend a lot of money on things. But that first movie,

0:48:27.520 --> 0:48:29.839
<v Speaker 1>that first fifty Shades of Gray movie, is good because

0:48:29.840 --> 0:48:32.000
<v Speaker 1>it does also go with the downer ending where it's

0:48:32.080 --> 0:48:34.920
<v Speaker 1>like she's getting her agency taken away from herself and

0:48:35.000 --> 0:48:38.359
<v Speaker 1>she's like actually about yeah, actually I can't do this. Yeah,

0:48:39.360 --> 0:48:42.239
<v Speaker 1>I guess. Well, all Finndomb stuff is sort of like

0:48:42.440 --> 0:48:45.319
<v Speaker 1>the other way around now, like right, like like men

0:48:45.360 --> 0:48:47.320
<v Speaker 1>who want to be dominated by women, right, do you

0:48:47.360 --> 0:48:51.600
<v Speaker 1>know what I'm talking about? You're talking about how yeah, yeah, yeah,

0:48:51.719 --> 0:48:55.400
<v Speaker 1>if anybody wants to be finndombed by night calls. I

0:48:55.480 --> 0:48:58.200
<v Speaker 1>don't think we have the resources to find any but

0:48:58.480 --> 0:49:02.040
<v Speaker 1>we did. We sure knew he was to know we

0:49:02.239 --> 0:49:04.800
<v Speaker 1>just as people send you money. But like the idea

0:49:05.800 --> 0:49:10.640
<v Speaker 1>heterosexuality is all about being phantom, draw attention to the

0:49:10.719 --> 0:49:13.959
<v Speaker 1>fact that there's like a transactional nature which were money

0:49:14.080 --> 0:49:17.000
<v Speaker 1>there on sort of a under the surface level at first,

0:49:17.560 --> 0:49:21.880
<v Speaker 1>and then I think it really becomes explicit once he starts,

0:49:21.960 --> 0:49:25.040
<v Speaker 1>like the bed scene when they buy the bed. I

0:49:25.239 --> 0:49:28.560
<v Speaker 1>laughed out loud when he they like buy a bed.

0:49:29.320 --> 0:49:31.040
<v Speaker 1>I was I was kind of confused as to what

0:49:31.200 --> 0:49:35.640
<v Speaker 1>was even going on. But there's a whole, very long

0:49:35.800 --> 0:49:39.759
<v Speaker 1>conversation with him and this bed saleswoman where they're like

0:49:39.920 --> 0:49:42.920
<v Speaker 1>customizing the mattress and like picking out the ticking for

0:49:43.000 --> 0:49:46.839
<v Speaker 1>the mattress ticking what is dicking? And then and then

0:49:47.120 --> 0:49:49.799
<v Speaker 1>he's like, can my lady friend lie on on the bed.

0:49:50.960 --> 0:49:54.480
<v Speaker 1>It's it's like it's another absurd scene. I think it's

0:49:55.040 --> 0:49:58.319
<v Speaker 1>and it's a long, really long, but there's it's part

0:49:58.360 --> 0:50:00.480
<v Speaker 1>of this whole sequence where he's buying stuff for her,

0:50:00.680 --> 0:50:03.120
<v Speaker 1>like he buys her like yuppie clothes, and he buys

0:50:03.160 --> 0:50:06.279
<v Speaker 1>her like a writing crop and stuff and like all

0:50:06.360 --> 0:50:09.200
<v Speaker 1>this stuff and that that is like more centralized than

0:50:09.280 --> 0:50:11.359
<v Speaker 1>something like Fifty Shades of Gray, where it's like, cool,

0:50:11.480 --> 0:50:14.279
<v Speaker 1>we're going to go sex shopping. This is like after

0:50:14.400 --> 0:50:18.000
<v Speaker 1>they're kind of really in the throes of the relationship,

0:50:18.960 --> 0:50:21.160
<v Speaker 1>but that definitely exists there. And then like obviously, once

0:50:21.239 --> 0:50:23.600
<v Speaker 1>the money starts to become more and more explicitly a

0:50:23.680 --> 0:50:25.839
<v Speaker 1>part of the relationship from the point where he's making

0:50:25.880 --> 0:50:28.600
<v Speaker 1>her crawl across the room for it, then that feels

0:50:28.680 --> 0:50:31.799
<v Speaker 1>like everybody gets a little bummed out. He also makes

0:50:31.840 --> 0:50:35.440
<v Speaker 1>her steal, which is like, I guess that that has

0:50:35.520 --> 0:50:38.960
<v Speaker 1>its place, but I was like, don't steal. That's apparently

0:50:39.120 --> 0:50:40.440
<v Speaker 1>she knows. I have a hang up about that. No,

0:50:40.560 --> 0:50:42.640
<v Speaker 1>I know, I'm agree, I agree, but I think I

0:50:42.680 --> 0:50:44.440
<v Speaker 1>saw that in the book. That's like, yeah, that's a

0:50:44.480 --> 0:50:47.000
<v Speaker 1>big part of it. That was real life that he

0:50:47.280 --> 0:50:49.680
<v Speaker 1>like it escalated into like now we're going to feeling

0:50:49.680 --> 0:50:53.160
<v Speaker 1>and mugging someone, Like, yeah, it escalated into crime, which

0:50:53.200 --> 0:50:54.759
<v Speaker 1>is what it kind of feels like it might in

0:50:54.880 --> 0:50:58.160
<v Speaker 1>this movie. Yeah, but it is interesting because it is like, hey,

0:50:58.280 --> 0:51:00.480
<v Speaker 1>you know, when you're first dating somebody for the first

0:51:00.520 --> 0:51:03.759
<v Speaker 1>ten weeks and they might be a serial killer, right, Yeah, sure,

0:51:04.360 --> 0:51:07.440
<v Speaker 1>they're either just doing nice things for you or it's

0:51:07.520 --> 0:51:10.239
<v Speaker 1>because like it's a lead up to they're gonna kill you. Yes,

0:51:10.600 --> 0:51:13.080
<v Speaker 1>and this movie really captures that and that's exciting. What

0:51:13.200 --> 0:51:16.040
<v Speaker 1>an exciting time. If you have thoughts on nine and

0:51:16.080 --> 0:51:19.440
<v Speaker 1>a half weeks or on anything else, give us a

0:51:19.520 --> 0:51:21.759
<v Speaker 1>call at two four oh four six night. You can

0:51:21.760 --> 0:51:24.279
<v Speaker 1>also drop us an email at Night Call Podcast at

0:51:24.320 --> 0:51:27.880
<v Speaker 1>gmail dot com, and you can follow us on social media.

0:51:28.080 --> 0:51:31.040
<v Speaker 1>Night Call Podcast on Facebook and Instagram, Night Call Pod

0:51:31.120 --> 0:51:34.640
<v Speaker 1>on Twitter. We're going to continue our erotic odyssey until

0:51:34.680 --> 0:51:37.640
<v Speaker 1>we run out of erotic thrillers. Yeah. If you have

0:51:37.719 --> 0:51:40.719
<v Speaker 1>any suggestions, yes, we've been enjoying getting the suggestions. That's

0:51:40.719 --> 0:51:42.680
<v Speaker 1>where some of these have come from, so please keep

0:51:42.760 --> 0:51:47.080
<v Speaker 1>sending them. I heard another request for Jagged Edge. Okay,

0:51:47.200 --> 0:51:48.839
<v Speaker 1>we'll do jagged Edge. I'm a friend of the pod

0:51:48.920 --> 0:51:52.440
<v Speaker 1>Karina Longworth. So Karina, we will do jagget Edge for you. Perfect,

0:51:52.560 --> 0:51:55.680
<v Speaker 1>let's do it on Yes, Karina has to come on

0:51:55.760 --> 0:52:00.239
<v Speaker 1>the pot see y'all next week. That's it. It's my

0:52:00.360 --> 0:52:15.120
<v Speaker 1>bye bye bye. Okay,