1
00:00:05,840 --> 00:00:16,080
Speaker 1: So I'm on stage with Tay Zon Day Yes and Tay.

2
00:00:17,040 --> 00:00:23,040
Speaker 2: And Zoe Dash.

3
00:00:21,400 --> 00:00:22,480
Speaker 1: And Rebel.

4
00:00:23,840 --> 00:00:26,400
Speaker 2: Wilson and we're doing the Live Beauty and the Beast

5
00:00:26,400 --> 00:00:32,720
Speaker 2: of the Hollywood Bowl and it's terrible, and I'm going,

6
00:00:32,920 --> 00:00:35,040
Speaker 2: why does anyone want to see this?

7
00:00:35,200 --> 00:00:38,720
Speaker 3: And like who is? You never really settled on who

8
00:00:38,800 --> 00:00:42,560
Speaker 3: was going to be beauty, well, because everyone on stage

9
00:00:42,640 --> 00:00:43,600
Speaker 3: is beautiful.

10
00:00:43,159 --> 00:00:43,239
Speaker 1: And.

11
00:00:45,280 --> 00:00:47,080
Speaker 3: You just kind of felt like it would shake out

12
00:00:47,120 --> 00:00:48,879
Speaker 3: you like kind of figure it out when you were out.

13
00:00:48,920 --> 00:00:51,080
Speaker 2: And honestly, who's going to beauty is not the problem.

14
00:00:51,120 --> 00:00:53,000
Speaker 2: It's who's going to be beast? And I think we

15
00:00:53,040 --> 00:00:53,720
Speaker 2: all kind.

16
00:00:53,560 --> 00:00:56,680
Speaker 3: Of agree who it should be, uh huh, but nobody

17
00:00:56,720 --> 00:01:02,080
Speaker 3: wants to say it, right And so yeah, yeah, I mean.

18
00:01:02,040 --> 00:01:07,440
Speaker 2: I'm the fucking beast mode. I woke up in beast mode, right, yeah,

19
00:01:07,480 --> 00:01:09,560
Speaker 2: and so bid you that day.

20
00:01:10,319 --> 00:01:13,319
Speaker 1: That day I had not just did not wake No.

21
00:01:13,400 --> 00:01:17,120
Speaker 2: But you know why, never went to sleep? Okay, never

22
00:01:17,120 --> 00:01:19,280
Speaker 2: went to sleep. How could I wake up in beast modem?

23
00:01:20,040 --> 00:01:24,440
Speaker 2: Because I'm doing bulletproof coffee, which you don't sleeping here

24
00:01:24,440 --> 00:01:25,720
Speaker 2: on that Yeah, it keeps you awake.

25
00:01:26,120 --> 00:01:30,880
Speaker 3: So the butters time releases just as you're just as

26
00:01:30,880 --> 00:01:34,160
Speaker 3: you're about to enter your rim cycle. The butter kicks

27
00:01:34,200 --> 00:01:40,039
Speaker 3: you in the took us. So I am.

28
00:01:38,600 --> 00:01:41,560
Speaker 2: Doing it and singing and kind of going like, and

29
00:01:41,720 --> 00:01:43,920
Speaker 2: is that every time somebody mentions beast, I'm kind of

30
00:01:43,920 --> 00:01:46,560
Speaker 2: like giving a little thumb towards myself subtly so the

31
00:01:46,600 --> 00:01:50,120
Speaker 2: audience can't see, but they can, and but not singing,

32
00:01:50,320 --> 00:01:54,120
Speaker 2: and and Taste no, I'm never singing. Taste keeps shaking

33
00:01:54,160 --> 00:01:57,080
Speaker 2: it off because he's thinking maybe he can do it. Okay,

34
00:01:57,680 --> 00:01:59,880
Speaker 2: but he didn't woke up in beast mode and I

35
00:02:00,080 --> 00:02:01,680
Speaker 2: us neither did I.

36
00:02:01,200 --> 00:02:06,680
Speaker 1: And Zoe is like yeah, and Rebel Wilson is going.

37
00:02:07,360 --> 00:02:09,000
Speaker 2: I'm a rebel, just a kicks man.

38
00:02:10,000 --> 00:02:12,440
Speaker 1: I'm a kicking sixty six man.

39
00:02:15,919 --> 00:02:26,200
Speaker 2: Day so uh we you know, we suddenly just like

40
00:02:26,960 --> 00:02:29,359
Speaker 2: turn to the stage manager to go cut the lights,

41
00:02:29,440 --> 00:02:32,600
Speaker 2: cut the whole thing. Thank god, this is just a rehearsal.

42
00:02:32,639 --> 00:02:36,280
Speaker 3: There's no one here, right, and we go tough to

43
00:02:36,320 --> 00:02:40,360
Speaker 3: get off stage. At that point, well, yeah, and me

44
00:02:40,440 --> 00:02:42,520
Speaker 3: and Tay the first one just leave.

45
00:02:42,960 --> 00:02:45,519
Speaker 2: Yeah, we say good luck to you. So I guess

46
00:02:45,520 --> 00:02:47,239
Speaker 2: they're still doing it, but I don't know who would

47
00:02:47,320 --> 00:02:47,959
Speaker 2: want to see that.

48
00:02:48,120 --> 00:02:52,519
Speaker 3: Hey, welcome to Hollywood Handbook and Insider's Guide, name of

49
00:02:52,560 --> 00:02:55,200
Speaker 3: the red carpet lineback always of this industry, we call show.

50
00:02:56,400 --> 00:03:00,640
Speaker 1: Uh hate being sad, and we love.

51
00:03:00,360 --> 00:03:02,000
Speaker 2: To feel happy and have friends.

52
00:03:02,040 --> 00:03:08,240
Speaker 3: We love happiness and having fun and and light. But

53
00:03:08,280 --> 00:03:11,800
Speaker 3: we also love to do a tribute, and that can

54
00:03:11,880 --> 00:03:13,760
Speaker 3: be almost both.

55
00:03:14,680 --> 00:03:17,880
Speaker 2: Do you know of a flavor that has both bitter

56
00:03:17,919 --> 00:03:22,120
Speaker 2: blue raspberry? Yes, the sweet blue and the sweet houru

57
00:03:22,240 --> 00:03:25,400
Speaker 2: and the sour from the rotten raspberries that have turned

58
00:03:25,440 --> 00:03:31,000
Speaker 2: blue from molding over in the trunkier car. So we're

59
00:03:31,000 --> 00:03:36,040
Speaker 2: doing a show today that is blue raspberry or blue sasberry,

60
00:03:37,520 --> 00:03:40,000
Speaker 2: you know, and it's.

61
00:03:41,560 --> 00:03:43,640
Speaker 1: Do you want to go off of that for one

62
00:03:43,680 --> 00:03:46,320
Speaker 1: second longer? Blue sasberry? Yes?

63
00:03:47,160 --> 00:03:53,640
Speaker 2: Well to me, if you're not having fun with the name,

64
00:03:55,240 --> 00:03:58,600
Speaker 2: why are you even doing a podcast? It's an audio format, yes,

65
00:03:59,200 --> 00:04:01,320
Speaker 2: So let's take some of these sounds that we know

66
00:04:01,680 --> 00:04:06,040
Speaker 2: raspberry and dress him up with a little zazz, you know.

67
00:04:06,280 --> 00:04:09,760
Speaker 2: And I think that it creates in the listener's mind

68
00:04:11,040 --> 00:04:17,200
Speaker 2: a sort of new feature at the playground. Blue raspberry, Okay,

69
00:04:17,200 --> 00:04:21,880
Speaker 2: that's a swing, but blue Zasberry. This swing goes all

70
00:04:21,920 --> 00:04:30,960
Speaker 2: the way up to eleven. The sound of it, I guess, so, Julie,

71
00:04:31,040 --> 00:04:31,920
Speaker 2: can you help me out?

72
00:04:32,080 --> 00:04:34,719
Speaker 4: I was just admiring how polished this intro was, because

73
00:04:34,880 --> 00:04:36,680
Speaker 4: usually I feel like you guys are a little off

74
00:04:36,680 --> 00:04:37,800
Speaker 4: the cuff, there's some riffing.

75
00:04:37,880 --> 00:04:40,560
Speaker 3: But well, I was going to take my to surprise,

76
00:04:40,920 --> 00:04:44,479
Speaker 3: so sounded really scripted. Well, I know, and I'm trying

77
00:04:44,480 --> 00:04:47,240
Speaker 3: to follow. I'm trying to take everyone smash down the

78
00:04:47,279 --> 00:04:51,080
Speaker 3: garden path here. I just didn't want to make you know,

79
00:04:51,279 --> 00:04:52,960
Speaker 3: just like blow By Blue Sasberry.

80
00:04:53,080 --> 00:04:55,960
Speaker 4: I was like, did he know that Hayes is going

81
00:04:56,040 --> 00:04:59,560
Speaker 4: to ask him about like to unpack the Zasberry.

82
00:04:59,080 --> 00:05:04,080
Speaker 3: Well, because he did, yes, Yeah, But otherwise people online

83
00:05:04,080 --> 00:05:07,000
Speaker 3: are like, oh, he's just blue By Blue Esasberry.

84
00:05:06,720 --> 00:05:09,880
Speaker 4: And he had that whole playground metaphor. Yes, what a

85
00:05:09,920 --> 00:05:10,880
Speaker 4: way to describe a swing.

86
00:05:11,120 --> 00:05:15,279
Speaker 3: We want to do a tribute to our friend Cody.

87
00:05:15,920 --> 00:05:20,440
Speaker 3: Cody's an engineer, our former friend Cody's and our former

88
00:05:20,480 --> 00:05:23,320
Speaker 3: engineer Cody used to be an engineer.

89
00:05:23,960 --> 00:05:26,000
Speaker 1: Has anyone else done any kind of tribute to you?

90
00:05:27,320 --> 00:05:28,120
Speaker 2: Absolutely not.

91
00:05:28,279 --> 00:05:31,039
Speaker 3: We're the first ones who were talking about this. Yeah,

92
00:05:31,200 --> 00:05:32,160
Speaker 3: Cody quit.

93
00:05:34,160 --> 00:05:35,320
Speaker 1: Congra out of.

94
00:05:36,200 --> 00:05:41,840
Speaker 3: I can only assume guilt at having made people work

95
00:05:41,920 --> 00:05:43,119
Speaker 3: with him for this long.

96
00:05:43,960 --> 00:05:45,760
Speaker 2: Well, and it must have felt fucked up to be

97
00:05:45,800 --> 00:05:46,680
Speaker 2: getting paid for this.

98
00:05:47,000 --> 00:05:51,560
Speaker 1: It's so great, And Julie, I'm going to bring you

99
00:05:51,800 --> 00:05:52,440
Speaker 1: as a surprise.

100
00:05:53,360 --> 00:05:54,880
Speaker 2: It's going to be important that you're here.

101
00:05:56,760 --> 00:06:00,320
Speaker 3: Why so you felt bad for having done such a

102
00:06:00,320 --> 00:06:03,120
Speaker 3: bad job for so long? You basically have committed the

103
00:06:03,120 --> 00:06:06,800
Speaker 3: crime of the century at Earwolf. You stole a huge

104
00:06:06,839 --> 00:06:09,680
Speaker 3: amount of money, and now the heist is complete and

105
00:06:09,720 --> 00:06:12,640
Speaker 3: you're going to go to the to the islands or whatever.

106
00:06:13,880 --> 00:06:17,279
Speaker 2: You could characterize it that way. I suppose do you.

107
00:06:17,360 --> 00:06:19,720
Speaker 5: Not think, though, that I did the job, that that

108
00:06:19,760 --> 00:06:21,880
Speaker 5: got me the money, That did the job that got

109
00:06:21,920 --> 00:06:22,440
Speaker 5: me the money.

110
00:06:22,800 --> 00:06:26,440
Speaker 2: Well, no, I would disagree with that.

111
00:06:27,360 --> 00:06:29,800
Speaker 3: I would disagree. It's an interesting premise, I would. I

112
00:06:29,839 --> 00:06:32,479
Speaker 3: would have to also say, no, you did not do it.

113
00:06:33,000 --> 00:06:40,400
Speaker 4: Are you drinking beer? Is that a stout? You are gone?

114
00:06:40,480 --> 00:06:40,640
Speaker 1: You?

115
00:06:41,720 --> 00:06:45,200
Speaker 3: Tody's drinking a lower since it's his last week, a

116
00:06:45,279 --> 00:06:51,200
Speaker 3: lower alcohol content beer he will normally have for a

117
00:06:51,240 --> 00:06:52,640
Speaker 3: Monday morning record.

118
00:06:52,839 --> 00:06:54,920
Speaker 1: It's like always like daytime kind.

119
00:06:55,320 --> 00:06:57,240
Speaker 4: Does it have butter in it? Like the bulletproof?

120
00:06:57,520 --> 00:06:58,400
Speaker 1: Does look at that froth?

121
00:06:58,520 --> 00:07:00,200
Speaker 4: I like to go to the movie theater and just

122
00:07:00,240 --> 00:07:05,600
Speaker 4: pump that butter into like duncan. Yeah, I run on Duncan.

123
00:07:06,360 --> 00:07:08,720
Speaker 3: He says it's butter for his it's like he calls

124
00:07:08,760 --> 00:07:15,040
Speaker 3: it white butter, which is mayonnaise. It's mayonnaise, yeah, and

125
00:07:15,080 --> 00:07:18,080
Speaker 3: it's and it has a little coffee on subway.

126
00:07:18,720 --> 00:07:19,560
Speaker 4: The light mayonnaise.

127
00:07:19,720 --> 00:07:21,040
Speaker 1: Yes, yeah, yeah.

128
00:07:21,440 --> 00:07:28,320
Speaker 2: Yeah, cool mayonnaise. Yeah, m A n a's you know

129
00:07:28,400 --> 00:07:41,280
Speaker 2: what I mean? What it's come man, Julie's.

130
00:07:36,960 --> 00:07:38,520
Speaker 4: The one drinking beer with mayonnaise.

131
00:07:40,480 --> 00:07:43,280
Speaker 3: Man, haise is what That's what he has to call you, now,

132
00:07:43,960 --> 00:07:46,000
Speaker 3: that's what he Yeah.

133
00:07:45,560 --> 00:07:47,600
Speaker 4: Guys, it's fascinating because I have been here a lot

134
00:07:47,680 --> 00:07:49,280
Speaker 4: and thank you so much for having me back.

135
00:07:49,280 --> 00:07:50,880
Speaker 1: And we are going to do it as you have

136
00:07:51,160 --> 00:07:52,400
Speaker 1: been here a lot and you.

137
00:07:52,360 --> 00:07:53,120
Speaker 2: Still go long.

138
00:07:53,920 --> 00:07:59,320
Speaker 4: I do every time, but your dynamic changes statics. Well,

139
00:07:59,320 --> 00:08:01,440
Speaker 4: now he has to call well.

140
00:08:01,320 --> 00:08:03,640
Speaker 2: I am that I am the co host at best,

141
00:08:03,960 --> 00:08:05,840
Speaker 2: you think Hayes is the host. I'm sort of a

142
00:08:05,880 --> 00:08:07,120
Speaker 2: sidekick figure.

143
00:08:07,160 --> 00:08:09,640
Speaker 3: As evidence by how I am leading everyone down this

144
00:08:09,720 --> 00:08:12,760
Speaker 3: garden path. I am driving the bus to a specific goal,

145
00:08:12,960 --> 00:08:16,120
Speaker 3: which is bringing out Julie as a surprise for the

146
00:08:16,280 --> 00:08:17,120
Speaker 3: Cody tribute.

147
00:08:17,200 --> 00:08:17,520
Speaker 6: M H.

148
00:08:17,960 --> 00:08:19,520
Speaker 1: Cody quit right.

149
00:08:19,360 --> 00:08:21,400
Speaker 4: But I'm his favorite. I'm like the Bette Miller, like

150
00:08:21,440 --> 00:08:26,280
Speaker 4: the Penultimate Night easily, Johnny's yeah, Rain, Yeah.

151
00:08:26,040 --> 00:08:29,360
Speaker 5: I've seen a lot of guest types and number one

152
00:08:29,480 --> 00:08:32,240
Speaker 5: for one and Cody.

153
00:08:32,400 --> 00:08:36,160
Speaker 1: Talk about some of the guests that you've seen over

154
00:08:36,200 --> 00:08:36,760
Speaker 1: the years.

155
00:08:37,920 --> 00:08:42,199
Speaker 5: You wouldn't believe, like every shape, size, color, everything.

156
00:08:41,960 --> 00:08:44,480
Speaker 1: Wow and personality.

157
00:08:44,720 --> 00:08:45,160
Speaker 4: Thank you.

158
00:08:45,440 --> 00:08:48,959
Speaker 2: Just a huge variety. It's been a joy.

159
00:08:49,679 --> 00:08:52,520
Speaker 1: What's your favorite moment with a guest?

160
00:08:52,800 --> 00:08:54,760
Speaker 2: Ooh, can we circle back?

161
00:08:57,360 --> 00:09:00,560
Speaker 4: It's so scripted now, it's the show's changed.

162
00:09:01,440 --> 00:09:03,800
Speaker 1: This show is very organized now. Well, here's what we

163
00:09:03,840 --> 00:09:04,240
Speaker 1: want to do.

164
00:09:04,400 --> 00:09:06,160
Speaker 2: Cody used to be a little rough around the edge.

165
00:09:06,920 --> 00:09:07,640
Speaker 2: Here's what we.

166
00:09:07,559 --> 00:09:10,760
Speaker 1: Want to do. Loosing your bun for me please.

167
00:09:12,040 --> 00:09:15,480
Speaker 3: Where you know we're here to you know we work together,

168
00:09:15,600 --> 00:09:18,400
Speaker 3: but now you're here is like our friend a little bit.

169
00:09:18,640 --> 00:09:22,480
Speaker 2: So let's do lower that fun wow you.

170
00:09:23,760 --> 00:09:26,960
Speaker 3: What we want to do is we will celebrate Cody

171
00:09:27,040 --> 00:09:32,840
Speaker 3: because Cody quit with a musical and who better to

172
00:09:32,920 --> 00:09:35,720
Speaker 3: do the musical and loves them and it's her main

173
00:09:35,880 --> 00:09:38,200
Speaker 3: thing is Julie.

174
00:09:38,760 --> 00:09:41,319
Speaker 4: I've ever done something on the show that wasn't a musical. Oh,

175
00:09:41,360 --> 00:09:42,800
Speaker 4: the Vampire Novels.

176
00:09:42,480 --> 00:09:45,719
Speaker 3: Episode, Yeah, when that was like a big thing.

177
00:09:46,120 --> 00:09:46,400
Speaker 2: Yep.

178
00:09:46,480 --> 00:09:47,559
Speaker 1: But now it's musical.

179
00:09:47,640 --> 00:09:52,040
Speaker 2: Musicals are back, thanks uh, and Julie's here to.

180
00:09:52,040 --> 00:09:54,840
Speaker 1: Do and and.

181
00:09:54,160 --> 00:09:58,200
Speaker 3: And we're bringing out a special surprise to do the

182
00:09:58,320 --> 00:10:01,280
Speaker 3: musical with you, and it it's Julie.

183
00:10:01,800 --> 00:10:04,319
Speaker 4: By guys.

184
00:10:02,480 --> 00:10:06,520
Speaker 3: I was kind of hoping, Cody, that you would say

185
00:10:06,520 --> 00:10:08,440
Speaker 3: that Julie was like a great guy, like one of

186
00:10:08,440 --> 00:10:10,240
Speaker 3: your favorite guests that you love, and then we'd bring

187
00:10:10,240 --> 00:10:11,199
Speaker 3: her out as a surprise.

188
00:10:11,280 --> 00:10:14,000
Speaker 7: But if you're just kind of trying to do a

189
00:10:14,040 --> 00:10:25,160
Speaker 7: circle back, but Julie, okay.

190
00:10:25,480 --> 00:10:27,840
Speaker 3: Uh, But Cody, now, and so what we want to

191
00:10:27,840 --> 00:10:30,600
Speaker 3: do is do a musical that celebrates your career are Wolf.

192
00:10:30,880 --> 00:10:33,079
Speaker 3: So tell us not with Julie, but tell us about

193
00:10:33,080 --> 00:10:36,000
Speaker 3: like a great experience with a guest that you had,

194
00:10:36,440 --> 00:10:39,000
Speaker 3: and we'll do an improvise musical because where the podcast

195
00:10:39,000 --> 00:10:39,439
Speaker 3: that does that.

196
00:10:40,160 --> 00:10:44,120
Speaker 2: Though Hayes just has a hang up about this because you.

197
00:10:44,000 --> 00:10:47,400
Speaker 4: Are different to him. It's like alpha beta.

198
00:10:47,160 --> 00:10:49,280
Speaker 1: Dogs their status fluid.

199
00:10:49,440 --> 00:10:53,240
Speaker 3: Because because I feel like it's it's more for you

200
00:10:53,280 --> 00:10:56,240
Speaker 3: to like be able to play a different character than yourself,

201
00:10:56,280 --> 00:10:58,760
Speaker 3: and the musical it can be Julie if you want

202
00:10:58,800 --> 00:10:59,040
Speaker 3: it to be.

203
00:10:59,080 --> 00:11:02,560
Speaker 4: But also here's a taking this as a suggestion.

204
00:11:02,880 --> 00:11:05,959
Speaker 1: Is this yes, okay? Where the podcast that does these?

205
00:11:06,520 --> 00:11:08,440
Speaker 3: And another thing with Cody is if you say, like,

206
00:11:08,760 --> 00:11:11,319
Speaker 3: pick a moment with a guess I've had, it's your favorite,

207
00:11:11,320 --> 00:11:11,840
Speaker 3: and it can.

208
00:11:11,760 --> 00:11:14,760
Speaker 2: Be Julie, He'll just be like, oh, yeah, it's Julie.

209
00:11:15,400 --> 00:11:15,640
Speaker 4: Yeah.

210
00:11:15,960 --> 00:11:19,679
Speaker 3: He'll go straight for whatever you offer as a possibility.

211
00:11:19,679 --> 00:11:21,000
Speaker 1: He will go right for that.

212
00:11:21,200 --> 00:11:21,400
Speaker 2: Yeah.

213
00:11:21,480 --> 00:11:25,120
Speaker 4: That's a Cody impression. That is for the ages.

214
00:11:25,440 --> 00:11:27,880
Speaker 3: Yeah, And so I want to challenge him a little bit.

215
00:11:28,360 --> 00:11:31,720
Speaker 3: Have you thought of anything yet you've seen Well, you

216
00:11:31,760 --> 00:11:33,240
Speaker 3: mentioned ten thousand guests.

217
00:11:33,320 --> 00:11:34,960
Speaker 1: Do not say Julie.

218
00:11:35,200 --> 00:11:36,719
Speaker 4: You can say Julie.

219
00:11:38,679 --> 00:11:39,239
Speaker 2: Julius.

220
00:11:39,679 --> 00:11:40,800
Speaker 4: See good one, thank you?

221
00:11:40,920 --> 00:11:43,319
Speaker 1: Okay, name one more and what's okay?

222
00:11:43,840 --> 00:11:44,319
Speaker 2: More specific?

223
00:11:44,360 --> 00:11:47,560
Speaker 1: Okay, say a great memory that you had with Julie.

224
00:11:47,679 --> 00:11:51,760
Speaker 2: Yeah, that'll be good. Well one, it can't be from

225
00:11:51,800 --> 00:11:53,360
Speaker 2: this episode.

226
00:11:54,200 --> 00:11:55,480
Speaker 4: I don't think that's possible.

227
00:11:56,320 --> 00:11:58,520
Speaker 5: One thing about this place is we really haven't had

228
00:11:58,800 --> 00:12:01,360
Speaker 5: like an employee hand book or anything like that for

229
00:12:01,400 --> 00:12:02,160
Speaker 5: a real long time.

230
00:12:03,440 --> 00:12:06,720
Speaker 1: So I don't remember.

231
00:12:06,640 --> 00:12:08,600
Speaker 2: A ton of details on certain things.

232
00:12:08,600 --> 00:12:12,120
Speaker 1: And that's like you would if there were an employee handbook,

233
00:12:12,559 --> 00:12:15,280
Speaker 1: you would have a better memory of your own life.

234
00:12:16,160 --> 00:12:18,880
Speaker 3: This I think is what's happening now, Cody, is what's

235
00:12:18,920 --> 00:12:22,080
Speaker 3: happening now? Let me try to follow the Cody's thought process.

236
00:12:22,160 --> 00:12:24,559
Speaker 3: He was told to do something. He had to look

237
00:12:24,600 --> 00:12:26,800
Speaker 3: on his computer and say, what show is this? What

238
00:12:27,000 --> 00:12:27,640
Speaker 3: show am.

239
00:12:27,559 --> 00:12:28,920
Speaker 1: I doing right now?

240
00:12:29,679 --> 00:12:34,880
Speaker 3: Probably like says handbooks somewhere on his screen, And so

241
00:12:34,960 --> 00:12:36,640
Speaker 3: that's what he's kind of riffing off of.

242
00:12:36,760 --> 00:12:37,000
Speaker 1: Now.

243
00:12:37,720 --> 00:12:40,880
Speaker 3: Mmmm, that's the only explanation I can come up with.

244
00:12:40,960 --> 00:12:42,280
Speaker 3: Nothing else makes any sense.

245
00:12:43,480 --> 00:12:51,559
Speaker 2: Yeah, So, Cody, maybe let's not make it about podcasts

246
00:12:51,800 --> 00:12:55,600
Speaker 2: or being an engineer here. Just give me a positive

247
00:12:55,679 --> 00:12:58,920
Speaker 2: memory from your life and we can work off of

248
00:12:58,960 --> 00:13:00,240
Speaker 2: that a little because a the end the day, it's

249
00:13:00,240 --> 00:13:02,520
Speaker 2: a celebration of you. And if what you like and

250
00:13:02,559 --> 00:13:06,360
Speaker 2: what you remember is not anything at all from the

251
00:13:06,400 --> 00:13:10,200
Speaker 2: place where you've spent most of your days for the

252
00:13:10,280 --> 00:13:14,520
Speaker 2: past eight years, how on six six years?

253
00:13:14,600 --> 00:13:14,920
Speaker 1: Wow?

254
00:13:15,000 --> 00:13:18,120
Speaker 2: Okay, so so you don't remember anything from the past

255
00:13:18,160 --> 00:13:22,560
Speaker 2: six years here, Okay, let's let's just take that as

256
00:13:22,600 --> 00:13:26,600
Speaker 2: a given. Hey, your life not mine. What do you

257
00:13:26,679 --> 00:13:28,000
Speaker 2: remember period?

258
00:13:28,880 --> 00:13:32,800
Speaker 4: Yeah, it could be bad memory.

259
00:13:33,000 --> 00:13:35,040
Speaker 2: It could also be bad because we did mention it

260
00:13:35,080 --> 00:13:37,520
Speaker 2: is supposed to be bluees asberry flavored. So maybe it's

261
00:13:37,559 --> 00:13:38,520
Speaker 2: an upbeat.

262
00:13:38,160 --> 00:13:40,600
Speaker 3: Song about a bad experience, something about you getting hurt.

263
00:13:40,760 --> 00:13:41,760
Speaker 1: That's one of your things.

264
00:13:41,880 --> 00:13:46,199
Speaker 5: Mm hmm oh those were real bad yeah physically. Yeah,

265
00:13:46,840 --> 00:13:49,360
Speaker 5: well we could talk about maybe now is the time

266
00:13:49,440 --> 00:13:54,079
Speaker 5: I could confess to when I was fifteen, we burned

267
00:13:54,160 --> 00:13:55,440
Speaker 5: down a shed.

268
00:13:56,520 --> 00:13:58,599
Speaker 2: Okay, and we I knew it.

269
00:13:58,679 --> 00:14:00,600
Speaker 1: I knew you and your other personalities.

270
00:14:00,800 --> 00:14:02,040
Speaker 4: I knew this was going to happen.

271
00:14:02,960 --> 00:14:05,920
Speaker 1: Yeah, because it's all written out, like you.

272
00:14:05,880 --> 00:14:10,040
Speaker 5: Said, Yeah, I got my side sometimes he sheds.

273
00:14:11,440 --> 00:14:14,280
Speaker 4: You know what you doing after this? Now that you

274
00:14:14,280 --> 00:14:15,120
Speaker 4: know that you're moving on?

275
00:14:15,200 --> 00:14:15,640
Speaker 1: Where you go?

276
00:14:15,920 --> 00:14:19,160
Speaker 2: What's your next step? Is that what the musical is about.

277
00:14:20,000 --> 00:14:20,920
Speaker 1: I'm going freelance?

278
00:14:21,080 --> 00:14:22,120
Speaker 4: Yeah what does that mean?

279
00:14:22,400 --> 00:14:22,760
Speaker 1: Nothing?

280
00:14:26,040 --> 00:14:28,680
Speaker 4: You're going to be doing this but on your own schedule.

281
00:14:29,160 --> 00:14:32,680
Speaker 2: He's working at medieval times, he calls jousting free lancing.

282
00:14:32,960 --> 00:14:34,000
Speaker 4: Oh that's fun.

283
00:14:34,200 --> 00:14:35,600
Speaker 2: Yeah, yep.

284
00:14:36,320 --> 00:14:37,760
Speaker 1: I just want to point out to you, Cud.

285
00:14:37,880 --> 00:14:39,840
Speaker 3: I know, I guess you don't remember this, but you

286
00:14:39,920 --> 00:14:41,680
Speaker 3: got to meet Lebron James here.

287
00:14:43,600 --> 00:14:44,920
Speaker 2: You took a picture with him.

288
00:14:45,520 --> 00:14:47,200
Speaker 1: Oh wow, that's true.

289
00:14:47,360 --> 00:14:48,160
Speaker 2: That was a good one.

290
00:14:49,200 --> 00:14:50,840
Speaker 1: Now that you do, you guys.

291
00:14:50,640 --> 00:14:51,800
Speaker 4: Do a musical with him too.

292
00:14:52,720 --> 00:14:55,320
Speaker 3: Yeah, he's the other the guy that comes in here

293
00:14:55,320 --> 00:14:57,240
Speaker 3: and like that's our kind of our thing with him.

294
00:14:57,280 --> 00:14:59,440
Speaker 2: We did vampire novels with him, and then we did

295
00:14:59,480 --> 00:15:02,440
Speaker 2: musical with him. He is very funny and smart.

296
00:15:02,800 --> 00:15:04,960
Speaker 4: Well, I wish he was here now.

297
00:15:06,320 --> 00:15:08,120
Speaker 2: Why would you say that that? What does that mean?

298
00:15:08,760 --> 00:15:11,080
Speaker 2: You wish he was here? Now? I mean I wish

299
00:15:11,480 --> 00:15:13,680
Speaker 2: I'm also gonna have Cody's thing instead of who?

300
00:15:13,840 --> 00:15:14,560
Speaker 4: No, I didn't say.

301
00:15:14,560 --> 00:15:17,840
Speaker 1: Instead, I like, why do we need him? This is

302
00:15:17,960 --> 00:15:21,800
Speaker 1: going great? Why do we need lebron James?

303
00:15:21,880 --> 00:15:23,720
Speaker 4: You sound drunk to get.

304
00:15:23,600 --> 00:15:25,840
Speaker 2: Out of here? Drunk?

305
00:15:27,120 --> 00:15:31,520
Speaker 1: You just fucking so sweet even talking about.

306
00:15:31,400 --> 00:15:32,360
Speaker 4: You sleep last night?

307
00:15:32,600 --> 00:15:40,200
Speaker 2: No, why butter little man Hayes.

308
00:15:41,640 --> 00:15:42,640
Speaker 1: He likes to say.

309
00:15:42,920 --> 00:15:44,480
Speaker 2: The reason he says it that way is he likes

310
00:15:44,480 --> 00:15:44,960
Speaker 2: to say.

311
00:15:44,800 --> 00:15:48,160
Speaker 3: Man Hayes kept him up all that, What did you do? Well,

312
00:15:48,200 --> 00:15:50,840
Speaker 3: it's the mayonnaise. But I think it's a funny, like

313
00:15:50,920 --> 00:15:52,080
Speaker 3: sort of lewd way.

314
00:15:52,240 --> 00:15:56,000
Speaker 1: You know, it's like we were having Oh that's the implication.

315
00:15:56,840 --> 00:15:59,200
Speaker 1: I guess it's a joe.

316
00:15:59,200 --> 00:16:02,200
Speaker 2: As soon as my head hit the pillow, that man

317
00:16:02,240 --> 00:16:05,880
Speaker 2: Hayes would leave me alone say.

318
00:16:05,920 --> 00:16:08,360
Speaker 1: It's like a joke. It's a little joke.

319
00:16:08,440 --> 00:16:13,480
Speaker 2: It's funny to us just the idea of two men.

320
00:16:15,360 --> 00:16:15,720
Speaker 1: Kissing.

321
00:16:16,120 --> 00:16:18,240
Speaker 2: Yeah, it's like kissing and everything.

322
00:16:17,920 --> 00:16:18,600
Speaker 1: Would be insane.

323
00:16:18,640 --> 00:16:19,720
Speaker 4: It's such a funny joke, and.

324
00:16:19,680 --> 00:16:22,120
Speaker 2: We wouldn't do it. Well, it's a joke. It's a

325
00:16:22,120 --> 00:16:25,560
Speaker 2: timeless joke through the age. Is all the funniest people

326
00:16:25,600 --> 00:16:26,520
Speaker 2: that have had that joke.

327
00:16:27,000 --> 00:16:33,360
Speaker 4: You guys kiss the cz of that. I mean, it's

328
00:16:33,360 --> 00:16:35,920
Speaker 4: so funny because it's like it is something that's timeless.

329
00:16:36,040 --> 00:16:37,600
Speaker 4: But at the same time, whenever I see it, I'm like,

330
00:16:37,640 --> 00:16:38,320
Speaker 4: I've never seen that.

331
00:16:38,680 --> 00:16:41,080
Speaker 2: Yeah, it feels fresh. And one big regret we have

332
00:16:41,200 --> 00:16:44,720
Speaker 2: in doing an audio format is that we can't cross

333
00:16:44,800 --> 00:16:49,920
Speaker 2: dress as well. Because when you really look back at

334
00:16:49,960 --> 00:16:53,240
Speaker 2: the Annals of Comedy and there and I almost could

335
00:16:53,240 --> 00:16:55,520
Speaker 2: have said anal there, which also is something funny to us.

336
00:16:57,200 --> 00:17:02,240
Speaker 2: You see that all the legends at one point, like

337
00:17:02,240 --> 00:17:02,720
Speaker 2: A two.

338
00:17:02,800 --> 00:17:04,399
Speaker 4: Is like the funniest Can I just say that to

339
00:17:04,560 --> 00:17:08,400
Speaker 4: two If people are listening for comedy school, which they are,

340
00:17:09,280 --> 00:17:11,960
Speaker 4: because my comedy school pays performers by the.

341
00:17:11,960 --> 00:17:16,160
Speaker 2: Way, Oh my gosh, no, we can't.

342
00:17:15,880 --> 00:17:21,000
Speaker 4: Talk about Yeah, I just wanted to put that out there.

343
00:17:21,040 --> 00:17:26,600
Speaker 4: In a dollar a minute of stage time, well, it

344
00:17:26,680 --> 00:17:29,879
Speaker 4: expenses it to me because I end up well, actually,

345
00:17:29,920 --> 00:17:31,679
Speaker 4: I don't make much in the wrong direction.

346
00:17:32,240 --> 00:17:35,600
Speaker 2: I'm sorry, that's like the business. I'm sorry that's not art.

347
00:17:36,119 --> 00:17:37,480
Speaker 4: But I was just going to say, like a two

348
00:17:37,520 --> 00:17:39,560
Speaker 4: two is the funniest way for a man to cross dress.

349
00:17:39,560 --> 00:17:41,880
Speaker 2: That was too is funny. Yeah, I was going to say,

350
00:17:41,880 --> 00:17:47,080
Speaker 2: all the legends have leggings, So I, you know, I

351
00:17:47,080 --> 00:17:48,000
Speaker 2: don't know what's better.

352
00:17:48,600 --> 00:17:50,640
Speaker 1: Maybe if you did to two and then some.

353
00:17:52,600 --> 00:17:54,920
Speaker 3: And somebody wear the two two and the man uh

354
00:17:55,280 --> 00:17:58,320
Speaker 3: says oh, I looked to meet like a different man

355
00:17:58,720 --> 00:18:01,480
Speaker 3: who's like an old rich man an so it's like, oh,

356
00:18:01,520 --> 00:18:03,680
Speaker 3: I'd like to make some time with that's sweetie, or

357
00:18:03,720 --> 00:18:06,960
Speaker 3: there the doo dooo. And the guy is like, buddy

358
00:18:07,080 --> 00:18:08,080
Speaker 3: has to keep it up?

359
00:18:08,320 --> 00:18:12,119
Speaker 2: Yes, keep what up? The the.

360
00:18:15,200 --> 00:18:23,400
Speaker 3: Yeah funny Michael, Right, yeah, yes, Cody. Have you thought

361
00:18:23,440 --> 00:18:26,160
Speaker 3: of anything else that we can do something on about?

362
00:18:26,160 --> 00:18:27,440
Speaker 1: Sure, yeah, sure did.

363
00:18:27,920 --> 00:18:28,160
Speaker 6: Yes.

364
00:18:29,760 --> 00:18:32,200
Speaker 5: One of my absolute favorite, and this is a real one,

365
00:18:33,119 --> 00:18:35,520
Speaker 5: was the Pauly Shore Up Your Guys show.

366
00:18:35,760 --> 00:18:36,600
Speaker 1: Did you do that one?

367
00:18:36,640 --> 00:18:36,760
Speaker 4: Oh?

368
00:18:36,840 --> 00:18:40,000
Speaker 2: Yeah, that's he did? Remember, yeah, yeah he.

369
00:18:40,040 --> 00:18:42,240
Speaker 4: Said a slur on that show, if I remember.

370
00:18:41,960 --> 00:18:45,400
Speaker 1: Correctly, Yeah, yeah I did, yes.

371
00:18:45,280 --> 00:18:48,040
Speaker 4: No, yes, sure, yes you did.

372
00:18:48,080 --> 00:18:52,840
Speaker 2: Cody. Yeah, Julie gets the raw feeds.

373
00:18:54,240 --> 00:18:57,280
Speaker 4: I give notes. I have a lot of notes. I

374
00:18:57,280 --> 00:19:01,000
Speaker 4: have my micro have micro and macro notes, which is.

375
00:19:00,960 --> 00:19:03,600
Speaker 2: Great because we Julie always has an eye on world

376
00:19:03,600 --> 00:19:06,320
Speaker 2: building for the show. Yeah, she wants us to be

377
00:19:06,359 --> 00:19:09,520
Speaker 2: protecting our characters, which is something we sometimes lose sight

378
00:19:09,560 --> 00:19:11,240
Speaker 2: of when we go for the joke.

379
00:19:12,320 --> 00:19:14,720
Speaker 3: It always begins so much funny stuff in here, which

380
00:19:14,720 --> 00:19:16,160
Speaker 3: I really appreciate.

381
00:19:16,400 --> 00:19:19,240
Speaker 1: I love reading that at the beginning of and it

382
00:19:19,320 --> 00:19:20,840
Speaker 1: lets me know that I did a good job.

383
00:19:20,920 --> 00:19:22,840
Speaker 4: And then I send you checks because I believe in

384
00:19:22,880 --> 00:19:24,080
Speaker 4: paying performers.

385
00:19:24,880 --> 00:19:27,200
Speaker 2: Yeah, yes, which actually does make it not art.

386
00:19:28,359 --> 00:19:30,639
Speaker 4: I'm fine with that. I mean, are you guys find it?

387
00:19:30,720 --> 00:19:35,880
Speaker 3: There's no amount of money that could like properly commodify

388
00:19:36,400 --> 00:19:38,960
Speaker 3: the exposure that you get from being like one of

389
00:19:39,000 --> 00:19:43,879
Speaker 3: seven hundred people on a team at this theater.

390
00:19:44,200 --> 00:19:46,920
Speaker 2: It's pretty it's pretty complicated. And I don't know what

391
00:19:47,040 --> 00:19:52,280
Speaker 2: theater you're talking about. We're just talking about my comedy school, okay,

392
00:19:52,320 --> 00:19:57,399
Speaker 2: so okay, great, and it's and it's pretty complicated, actually.

393
00:19:57,640 --> 00:20:00,280
Speaker 4: My comedy school or just the.

394
00:19:59,760 --> 00:20:02,919
Speaker 2: I Yeah, people, you must be up to your fringing

395
00:20:03,280 --> 00:20:04,200
Speaker 2: neck and paperwork.

396
00:20:05,240 --> 00:20:11,280
Speaker 4: Yeah, the checks I get have the green eminem squirting, has.

397
00:20:11,119 --> 00:20:13,280
Speaker 2: The green eminem squorted it the.

398
00:20:13,240 --> 00:20:16,680
Speaker 4: First time, and the John Lovett one is like that's

399
00:20:16,720 --> 00:20:17,480
Speaker 4: never happened.

400
00:20:17,640 --> 00:20:18,399
Speaker 6: M m hm.

401
00:20:19,680 --> 00:20:23,120
Speaker 4: Wow, those are my checks. And if you guys want

402
00:20:23,160 --> 00:20:24,120
Speaker 4: to say that that's.

403
00:20:23,920 --> 00:20:27,919
Speaker 2: Not art, that is as long as the artist who

404
00:20:27,960 --> 00:20:29,000
Speaker 2: drew that wasn't paid.

405
00:20:29,480 --> 00:20:31,960
Speaker 1: Okay, So, Cody, you have a lot of songs.

406
00:20:32,800 --> 00:20:36,040
Speaker 5: I uh, yeah, we got one here. Did you want

407
00:20:36,040 --> 00:20:36,639
Speaker 5: to do music?

408
00:20:36,960 --> 00:20:39,000
Speaker 1: Yeah, let's have to. Yeah.

409
00:20:39,240 --> 00:20:42,480
Speaker 2: So Julie, how does a musical about Cody open?

410
00:20:42,560 --> 00:20:43,320
Speaker 1: How does it start?

411
00:20:43,440 --> 00:20:46,000
Speaker 4: I feel like it would be like, well, I've never

412
00:20:46,000 --> 00:20:49,440
Speaker 4: seen Hamilton, but I know the Hamilton poka okay.

413
00:20:50,400 --> 00:20:54,120
Speaker 3: Oh okay, the weird al version of the of him.

414
00:20:54,440 --> 00:20:58,560
Speaker 4: Fallon lipsyn two. Wow, it was like a total surprise.

415
00:20:58,760 --> 00:21:03,800
Speaker 2: Did y'all see Jimmy Allan do the freshing Hamilton? No,

416
00:21:03,880 --> 00:21:04,840
Speaker 2: but did y'all see.

417
00:21:04,800 --> 00:21:09,639
Speaker 8: Jimmy Fallon do the Bob Dylan song and basically freaking

418
00:21:10,520 --> 00:21:15,720
Speaker 8: roast my man Trump? And they had been previously pretty

419
00:21:15,760 --> 00:21:16,639
Speaker 8: good friends.

420
00:21:16,680 --> 00:21:17,520
Speaker 1: What was the song?

421
00:21:18,520 --> 00:21:21,320
Speaker 2: Well, it's like the times they are a changing. Oh

422
00:21:21,600 --> 00:21:25,879
Speaker 2: but it's about the times now and are changing. Okay,

423
00:21:26,200 --> 00:21:29,280
Speaker 2: there's one joke in it, and then there's a lot

424
00:21:29,320 --> 00:21:30,719
Speaker 2: of observations.

425
00:21:30,840 --> 00:21:33,360
Speaker 1: Yeah about the times.

426
00:21:33,560 --> 00:21:33,760
Speaker 6: Now.

427
00:21:33,960 --> 00:21:38,520
Speaker 2: Hey, the song is old and it look like a

428
00:21:38,600 --> 00:21:43,040
Speaker 2: black and white movie. Yeah, and he's singing like just

429
00:21:43,119 --> 00:21:43,720
Speaker 2: like the guy.

430
00:21:44,080 --> 00:21:47,760
Speaker 8: Yeah, but the words are like whoa.

431
00:21:47,920 --> 00:21:53,840
Speaker 2: And the joke almost softened me up to receive the message, yeah,

432
00:21:53,880 --> 00:21:57,600
Speaker 2: which was powerful as hell. It's one of those ones

433
00:21:57,640 --> 00:22:01,160
Speaker 2: where I just sat on my couch and stared afterward.

434
00:22:01,720 --> 00:22:03,320
Speaker 4: That's a note I like to give him. My comedy

435
00:22:03,320 --> 00:22:05,960
Speaker 4: school is have one joke and then the rest should

436
00:22:05,960 --> 00:22:07,520
Speaker 4: just be supporting evidence.

437
00:22:07,240 --> 00:22:10,840
Speaker 1: And the rest should be yes, and and message.

438
00:22:12,560 --> 00:22:15,480
Speaker 3: Is like the sweet sugar on the broccoli and then

439
00:22:15,520 --> 00:22:18,280
Speaker 3: you want to eat your vegetables and then yeah, downloads

440
00:22:18,320 --> 00:22:18,960
Speaker 3: of the medicine.

441
00:22:19,400 --> 00:22:25,360
Speaker 4: So in the Hamilton PoCA, he opens with, uh, you know,

442
00:22:25,600 --> 00:22:29,560
Speaker 4: how does a how does a man so and so? Yeah,

443
00:22:29,600 --> 00:22:32,520
Speaker 4: so maybe we could do that, but it's about Cody instead.

444
00:22:32,960 --> 00:22:35,119
Speaker 3: Should we play the Hamilton Poka just to hear what

445
00:22:35,119 --> 00:22:38,320
Speaker 3: it sounds like because he took it already first from Hamilton.

446
00:22:38,520 --> 00:22:42,760
Speaker 3: He can't get it that way right, Okay, we're actually

447
00:22:42,960 --> 00:22:47,280
Speaker 3: being we're playing it like to like.

448
00:22:48,400 --> 00:22:50,800
Speaker 2: Hearing some of that Bob Dylan one too.

449
00:22:50,960 --> 00:22:53,040
Speaker 4: Yeah, we all have requests.

450
00:22:54,400 --> 00:22:56,760
Speaker 2: Cody, why don't you play DJ for the day?

451
00:22:56,840 --> 00:22:57,080
Speaker 4: Man?

452
00:22:57,760 --> 00:22:58,000
Speaker 2: Sure?

453
00:22:58,040 --> 00:22:58,200
Speaker 9: Man?

454
00:22:58,280 --> 00:23:00,159
Speaker 3: Yeah, And we can play the Jimmy Fallon one too,

455
00:23:00,200 --> 00:23:03,880
Speaker 3: because he stole that from So we're Robinhood and we're

456
00:23:03,920 --> 00:23:06,080
Speaker 3: taking Prince John stole it from the people.

457
00:23:06,280 --> 00:23:06,920
Speaker 4: Papa John.

458
00:23:07,200 --> 00:23:11,320
Speaker 2: Yes, Papa John stolen from the people and Fallon took

459
00:23:11,320 --> 00:23:15,080
Speaker 2: it back and or wait no, he's Papa's Papa John

460
00:23:15,200 --> 00:23:17,400
Speaker 2: and and where Yes.

461
00:23:17,200 --> 00:23:20,439
Speaker 4: I love lip syncing. Oh, it's so funny when we

462
00:23:20,440 --> 00:23:23,320
Speaker 4: should do like straight guys do it. It's so funny.

463
00:23:23,359 --> 00:23:25,720
Speaker 3: It's like I wish we could do that. That's another

464
00:23:25,760 --> 00:23:28,359
Speaker 3: thing I wish we could do. It just sounds like

465
00:23:28,400 --> 00:23:30,119
Speaker 3: we have tried to do it before. It just sounds

466
00:23:30,160 --> 00:23:31,040
Speaker 3: like playing the song.

467
00:23:31,800 --> 00:23:35,560
Speaker 2: Picture this though, because you just mentioned straight guys. A

468
00:23:35,720 --> 00:23:40,080
Speaker 2: stud and he's doing like Shakira, but he's we're really

469
00:23:40,080 --> 00:23:40,520
Speaker 2: into it.

470
00:23:40,840 --> 00:23:42,640
Speaker 4: What do you mean he's doing Shakira like.

471
00:23:42,560 --> 00:23:43,720
Speaker 2: That's the song and lip sticking.

472
00:23:44,000 --> 00:23:47,320
Speaker 3: Oh, and he's doing his hips like a girl and

473
00:23:47,800 --> 00:23:48,639
Speaker 3: really doing it.

474
00:23:49,520 --> 00:23:51,040
Speaker 4: Have you guys seen this before? Is this just th

475
00:23:51,160 --> 00:23:52,440
Speaker 4: you're coming up with right now?

476
00:23:52,640 --> 00:23:58,080
Speaker 2: I'm picturing what I want on TV. I'm sorry, but

477
00:23:58,240 --> 00:24:01,080
Speaker 2: what you want to see on TV out there, you.

478
00:24:01,040 --> 00:24:03,920
Speaker 4: Know what you want to watch, that's what actually that fight.

479
00:24:03,840 --> 00:24:04,760
Speaker 1: For a better world.

480
00:24:04,800 --> 00:24:07,960
Speaker 3: Don't say that like you can't actually make change in

481
00:24:08,000 --> 00:24:08,359
Speaker 3: the world.

482
00:24:08,520 --> 00:24:11,080
Speaker 4: Can I use this in my comedy school.

483
00:24:12,880 --> 00:24:16,679
Speaker 7: I'll pay you both, Okay, okay, Yeah.

484
00:24:16,520 --> 00:24:18,280
Speaker 4: Why do you sound so reluctant about people?

485
00:24:18,320 --> 00:24:20,280
Speaker 2: Well, I just it's art hard because it's art for me.

486
00:24:20,600 --> 00:24:22,200
Speaker 4: Oh, I understand, and.

487
00:24:22,160 --> 00:24:23,919
Speaker 3: Like the exposure is already so valuable.

488
00:24:23,920 --> 00:24:24,879
Speaker 1: I don't want to cheap at it.

489
00:24:24,920 --> 00:24:27,040
Speaker 4: Okay, okay, I understand. If you guys have stuff like

490
00:24:27,080 --> 00:24:28,919
Speaker 4: ideas that are in art, you know where to go.

491
00:24:29,200 --> 00:24:30,520
Speaker 2: It can be pretty complicated.

492
00:24:31,600 --> 00:24:33,080
Speaker 1: I know. I agree that it's complicated.

493
00:24:33,119 --> 00:24:33,800
Speaker 2: People's system.

494
00:24:33,880 --> 00:24:36,520
Speaker 3: People come to see the show and then they pay

495
00:24:36,560 --> 00:24:38,560
Speaker 3: money to the theater for the show, and then the

496
00:24:38,600 --> 00:24:42,600
Speaker 3: money goes away the end. It's very it's very Why

497
00:24:42,680 --> 00:24:44,200
Speaker 3: are we still talking what happens?

498
00:24:44,400 --> 00:24:47,879
Speaker 2: They got to rent the theater? Maybe they should not

499
00:24:47,960 --> 00:24:51,200
Speaker 2: open as many new theaters. Hang on, hang on, I

500
00:24:51,320 --> 00:24:52,960
Speaker 2: have been there wouldn't be enough stage.

501
00:24:53,440 --> 00:24:54,760
Speaker 1: I agree with you.

502
00:24:58,040 --> 00:24:59,879
Speaker 4: I've made love to the Hamilton Poco.

503
00:25:00,480 --> 00:25:05,520
Speaker 3: Hi, Kevin, sit down, Kevin, Kevin, chef, Kevin, what was

504
00:25:05,560 --> 00:25:07,240
Speaker 3: it like in the office when Cody said he was

505
00:25:07,280 --> 00:25:07,800
Speaker 3: going to quit.

506
00:25:08,080 --> 00:25:10,560
Speaker 2: Hey, guys, Chef Kevin here, we were devastated.

507
00:25:11,440 --> 00:25:13,200
Speaker 1: How did he do it?

508
00:25:13,720 --> 00:25:14,760
Speaker 2: I mean via email?

509
00:25:14,920 --> 00:25:17,200
Speaker 4: It wasn't a Jerry McGuire moment.

510
00:25:17,920 --> 00:25:19,080
Speaker 2: Can we read the email?

511
00:25:20,520 --> 00:25:24,600
Speaker 4: We just score it though. Maybe Can I have a pitch?

512
00:25:24,720 --> 00:25:26,920
Speaker 4: Can we play the Hamilton poka and have him read

513
00:25:26,920 --> 00:25:27,679
Speaker 4: the email over it?

514
00:25:27,760 --> 00:25:28,000
Speaker 9: Yeah?

515
00:25:28,040 --> 00:25:29,280
Speaker 1: Is there a Hamilton poka?

516
00:25:30,720 --> 00:25:30,920
Speaker 9: Yeah?

517
00:25:31,359 --> 00:25:37,720
Speaker 1: No? Like no vocals instrument instrumental?

518
00:25:37,840 --> 00:25:42,159
Speaker 2: All right, clock and then hold on come leaders who bully,

519
00:25:42,320 --> 00:25:45,760
Speaker 2: like internet trolls, will curse you with four letter words

520
00:25:45,800 --> 00:25:48,840
Speaker 2: love and hope, for we will go high even when

521
00:25:48,880 --> 00:25:53,840
Speaker 2: you go low. The order is rearranging the lyrics.

522
00:25:55,520 --> 00:26:02,479
Speaker 4: No, that's very strong. I' you're burning some bridges, my friend.

523
00:26:03,440 --> 00:26:05,480
Speaker 4: What if you need a recommendation from this?

524
00:26:05,640 --> 00:26:07,400
Speaker 2: Is crazy?

525
00:26:07,520 --> 00:26:08,440
Speaker 4: That's true? Fair enough?

526
00:26:09,400 --> 00:26:11,080
Speaker 1: Is there a Hamilton poka instrumental?

527
00:26:11,240 --> 00:26:11,280
Speaker 9: No?

528
00:26:12,320 --> 00:26:13,480
Speaker 4: I think the words will help.

529
00:26:14,040 --> 00:26:15,760
Speaker 2: Okay, So play the Hamilton poka?

530
00:26:16,160 --> 00:26:17,400
Speaker 1: How long? Is it?

531
00:26:17,560 --> 00:26:18,840
Speaker 2: For? Minutes?

532
00:26:18,920 --> 00:26:19,080
Speaker 5: Long?

533
00:26:19,160 --> 00:26:19,520
Speaker 1: Okay?

534
00:26:19,560 --> 00:26:19,840
Speaker 2: Great?

535
00:26:20,359 --> 00:26:22,239
Speaker 3: Yeah, and just play that started and then you can

536
00:26:22,280 --> 00:26:24,880
Speaker 3: lower the volley of must have been and then start

537
00:26:24,920 --> 00:26:27,280
Speaker 3: to read at least like excerpts from your resignation.

538
00:26:27,440 --> 00:26:29,200
Speaker 4: I just realized I must have been fucking to it

539
00:26:29,240 --> 00:26:30,200
Speaker 4: while it was unrepeat.

540
00:26:30,640 --> 00:26:35,040
Speaker 2: Hang on, here's Cody's here's Cody's email from the beginning.

541
00:26:35,040 --> 00:26:39,159
Speaker 4: You know what I'm saying, Yes, come gather around commercials.

542
00:26:39,200 --> 00:26:41,560
Speaker 1: If this is us, wherever you run without.

543
00:26:41,320 --> 00:26:44,280
Speaker 4: Commercials, I should say forty five right and admit that

544
00:26:44,320 --> 00:26:48,200
Speaker 4: our country don't feel like our home and that silence

545
00:26:48,200 --> 00:26:51,800
Speaker 4: speaks louder than those who candone page a minute.

546
00:26:52,400 --> 00:26:54,520
Speaker 2: And here's where it really gets crazy. I'm trying to

547
00:26:54,560 --> 00:26:57,840
Speaker 2: listen to this. If a tweet to you is worth faving,

548
00:26:58,520 --> 00:27:01,240
Speaker 2: then lift up your voices and put down your phones

549
00:27:01,280 --> 00:27:03,000
Speaker 2: for the times they are a changeing.

550
00:27:04,000 --> 00:27:07,400
Speaker 1: Dan couldn't have said that. Only Cody could say that.

551
00:27:08,240 --> 00:27:10,120
Speaker 4: Wait, that was the lyrics of the Fallent song.

552
00:27:11,000 --> 00:27:11,520
Speaker 1: I don't know.

553
00:27:11,800 --> 00:27:15,560
Speaker 2: I think that Cody took a lot of the Fallon

554
00:27:15,680 --> 00:27:18,720
Speaker 2: song lyrics and put them in his emails.

555
00:27:18,760 --> 00:27:20,119
Speaker 4: He's stealing from the thief.

556
00:27:20,280 --> 00:27:22,560
Speaker 1: You know what I'm saying, Well, yes, he's bringing it

557
00:27:22,560 --> 00:27:23,240
Speaker 1: back to the people.

558
00:27:23,280 --> 00:27:24,639
Speaker 2: It's just what we wanted to do.

559
00:27:25,160 --> 00:27:28,960
Speaker 3: Okay, ready, Cody, Yeah.

560
00:27:27,800 --> 00:27:28,600
Speaker 2: I found the joke.

561
00:27:30,400 --> 00:27:35,520
Speaker 7: How does a bastard orben Son drops in the minute just.

562
00:27:35,440 --> 00:27:38,360
Speaker 5: Like that's actually we're only allowed to play five seconds.

563
00:27:38,680 --> 00:27:44,200
Speaker 3: It's stolen music, returning the stolen music to the people.

564
00:27:44,480 --> 00:27:47,760
Speaker 4: My bra was still on, and you know what I mean.

565
00:27:48,119 --> 00:27:51,920
Speaker 3: And we are criticizing it. We're doing it for criticism.

566
00:27:52,040 --> 00:27:53,680
Speaker 4: My panties were on the floor though.

567
00:27:53,520 --> 00:27:56,280
Speaker 3: And it's that's that's criticism.

568
00:27:56,640 --> 00:27:58,439
Speaker 4: Bathroom floor, all right.

569
00:27:58,520 --> 00:28:00,760
Speaker 1: I mean, it's the legal risk. Just it is my

570
00:28:00,880 --> 00:28:01,840
Speaker 1: job to say that.

571
00:28:01,800 --> 00:28:08,320
Speaker 2: The man hayes, Okay, play this, do it?

572
00:28:08,480 --> 00:28:13,760
Speaker 1: Play the song flower it.

573
00:28:14,760 --> 00:28:19,720
Speaker 5: I'm writing to officially inform you that I am resigning

574
00:28:21,600 --> 00:28:25,560
Speaker 5: from my position as an Earwolf audio engineer. Is there

575
00:28:25,560 --> 00:28:29,879
Speaker 5: a subject the subject my official resignation?

576
00:28:30,800 --> 00:28:38,280
Speaker 1: Wow? Okay, any other good parts.

577
00:28:39,000 --> 00:28:43,160
Speaker 5: I would be loathed to leave the company entirely, depending

578
00:28:43,240 --> 00:28:47,160
Speaker 5: on my availability and the company's willingness, I would be

579
00:28:47,200 --> 00:28:50,280
Speaker 5: more than happy to offer freelance services upon request.

580
00:28:51,680 --> 00:28:55,800
Speaker 1: Okay, I'll be out of state coming up soon.

581
00:28:55,960 --> 00:28:58,000
Speaker 2: And I can see as I can see a screen

582
00:28:58,040 --> 00:29:00,960
Speaker 2: and it actually says I loathe the company me entirely.

583
00:29:03,720 --> 00:29:07,640
Speaker 2: So he's adding some stuff here, sort of sugarcoating the message.

584
00:29:07,920 --> 00:29:12,480
Speaker 1: So you're gonna be out of state. Yes, this is true.

585
00:29:12,600 --> 00:29:14,400
Speaker 4: This point is mutual oral.

586
00:29:16,400 --> 00:29:17,520
Speaker 1: At this point, there's the.

587
00:29:17,480 --> 00:29:19,600
Speaker 3: World turned upside down, and it's like I was sixty

588
00:29:19,760 --> 00:29:20,400
Speaker 3: ninety there.

589
00:29:23,440 --> 00:29:25,320
Speaker 1: My time with your wolf has been more than incredible.

590
00:29:26,000 --> 00:29:28,840
Speaker 5: The direction and collaboration and inspiration I've experienced here is

591
00:29:28,880 --> 00:29:31,720
Speaker 5: an all honesty, a contributor to my desire to leave

592
00:29:31,760 --> 00:29:33,640
Speaker 5: my employment as a recording engineer.

593
00:29:33,680 --> 00:29:37,520
Speaker 3: It's our ful you had such a good time here.

594
00:29:38,000 --> 00:29:38,920
Speaker 1: You want to leave.

595
00:29:39,600 --> 00:29:42,040
Speaker 2: The job is so good I realized I shouldn't do it.

596
00:29:42,080 --> 00:29:43,240
Speaker 1: Definitely want to quit.

597
00:29:44,440 --> 00:29:46,400
Speaker 4: This ice cream is too good. Take it away from me.

598
00:29:46,520 --> 00:29:47,760
Speaker 4: I can't keep it in my house.

599
00:29:48,600 --> 00:29:51,640
Speaker 1: Wow, and advance my skills further.

600
00:29:53,080 --> 00:29:56,640
Speaker 2: Uh huh uh oh.

601
00:29:56,680 --> 00:29:59,320
Speaker 1: No one else was in the room where it happened.

602
00:29:59,080 --> 00:30:03,600
Speaker 5: The room where it and in earnest sincerity, Cody's scully.

603
00:30:06,160 --> 00:30:06,880
Speaker 1: Okay, you can.

604
00:30:06,760 --> 00:30:12,480
Speaker 2: Turn it off now, Okay, Cody, I got some other

605
00:30:12,520 --> 00:30:15,000
Speaker 2: parts of his email if you want to hear it. Okay,

606
00:30:17,400 --> 00:30:20,120
Speaker 2: we did the part about uh if a tweet to

607
00:30:20,160 --> 00:30:23,239
Speaker 2: you was worth faving right. I found the joke, and

608
00:30:23,440 --> 00:30:25,560
Speaker 2: it's in a good spot for a joke because it's

609
00:30:25,560 --> 00:30:28,040
Speaker 2: in sort of a lighter section of what he was

610
00:30:28,080 --> 00:30:31,600
Speaker 2: talking about. Come women and men who hashtag me too,

611
00:30:32,200 --> 00:30:34,560
Speaker 2: and believe me when I say that we believe you.

612
00:30:35,160 --> 00:30:38,920
Speaker 2: For weeks the man who calls truth fake news. Times up,

613
00:30:39,000 --> 00:30:42,640
Speaker 2: our silence were breaking and even though melt Gibson was

614
00:30:42,640 --> 00:30:46,160
Speaker 2: in Daddy's home too, well, the times they are a chase.

615
00:30:46,520 --> 00:30:47,200
Speaker 4: That is good.

616
00:30:47,640 --> 00:30:52,320
Speaker 3: So legend status, yes, legends wear leggings.

617
00:30:52,400 --> 00:30:56,640
Speaker 2: My man, we are about to go there, because it's like,

618
00:30:57,840 --> 00:30:59,920
Speaker 2: how did that guy get to be in that movie?

619
00:31:00,160 --> 00:31:02,760
Speaker 2: Mm hmmmm, excuse me?

620
00:31:04,120 --> 00:31:07,280
Speaker 4: How about this? Remember that? Remember that movie?

621
00:31:07,440 --> 00:31:13,040
Speaker 1: Remember that's a joke? And how yes, remember that movie?

622
00:31:15,400 --> 00:31:19,000
Speaker 1: What else do you guys remember? He didn't call him drums,

623
00:31:19,120 --> 00:31:24,160
Speaker 1: He didn't let me see, let me see. I hope

624
00:31:24,160 --> 00:31:24,560
Speaker 1: he did.

625
00:31:24,960 --> 00:31:26,520
Speaker 4: That's that's me and Sean.

626
00:31:26,640 --> 00:31:27,480
Speaker 2: That might be too fun.

627
00:31:27,520 --> 00:31:31,160
Speaker 1: Sean, do you really hope that some of this.

628
00:31:31,200 --> 00:31:36,080
Speaker 2: Ship fucking you trip out on athletes with platforms throughout

629
00:31:36,080 --> 00:31:38,000
Speaker 2: the land who by taking a knee or taking a

630
00:31:38,000 --> 00:31:39,280
Speaker 2: stand away? That's the opposite.

631
00:31:40,320 --> 00:31:43,720
Speaker 1: Wait, that's not the opposite. Yeah, oh yeah, that's interesting.

632
00:31:44,080 --> 00:31:46,440
Speaker 3: Did he stop for a while to let people think

633
00:31:46,480 --> 00:31:48,040
Speaker 3: about that part?

634
00:31:48,120 --> 00:31:51,920
Speaker 2: Cody, there's a big break. There's a bunch of blank

635
00:31:52,000 --> 00:31:53,520
Speaker 2: space in the email.

636
00:31:53,920 --> 00:31:57,120
Speaker 4: For this because it's pul mm hmm art beat.

637
00:31:57,480 --> 00:31:57,840
Speaker 1: That was.

638
00:32:00,080 --> 00:32:01,680
Speaker 4: Wow, you guys seem grownish.

639
00:32:02,400 --> 00:32:04,600
Speaker 2: That's actually where I'm going to work, and that's all good.

640
00:32:04,800 --> 00:32:06,560
Speaker 4: We're going to go work at Grownish.

641
00:32:06,640 --> 00:32:10,720
Speaker 2: Yep, it's funny you brought that up. You know.

642
00:32:10,760 --> 00:32:15,360
Speaker 4: When I was making love in the toilet, I was

643
00:32:15,360 --> 00:32:16,720
Speaker 4: a little grownish.

644
00:32:17,400 --> 00:32:23,760
Speaker 1: Mutual mutual ooral on a toilet, it was okay.

645
00:32:23,960 --> 00:32:26,720
Speaker 4: There was privacy or privacy is the rich.

646
00:32:26,880 --> 00:32:30,000
Speaker 2: Like to say, Oh, then you'd be in the water closet.

647
00:32:31,200 --> 00:32:36,440
Speaker 2: So I think it's time. Look, we've heard the email,

648
00:32:36,800 --> 00:32:39,440
Speaker 2: we've heard a great song. I think now we have

649
00:32:39,560 --> 00:32:43,880
Speaker 2: a real vision of Cody. Yeah, what his message is?

650
00:32:44,040 --> 00:32:44,280
Speaker 1: Cody?

651
00:32:44,320 --> 00:32:47,040
Speaker 3: You know what would actually be really nice, just since

652
00:32:47,080 --> 00:32:48,240
Speaker 3: we did play the song, is.

653
00:32:48,200 --> 00:32:49,600
Speaker 1: To say that was my idea.

654
00:32:49,640 --> 00:32:52,760
Speaker 3: You're leaving, so what you can't get in any trouble,

655
00:32:53,200 --> 00:32:54,960
Speaker 3: so to say, like just something we could put in

656
00:32:55,000 --> 00:32:57,600
Speaker 3: at the beginning, like I'm playing the song, it's my Cody.

657
00:32:57,760 --> 00:33:00,000
Speaker 4: Maybe maybe there's a song like what what You're Gonna Do?

658
00:33:00,520 --> 00:33:00,840
Speaker 2: Yes?

659
00:33:01,400 --> 00:33:02,640
Speaker 1: Yes, like bad Boys?

660
00:33:04,000 --> 00:33:06,800
Speaker 2: Yes, Yeah, it wouldn't be bad if it had a

661
00:33:06,800 --> 00:33:09,160
Speaker 2: little reggae beat to it, that's for sure.

662
00:33:10,840 --> 00:33:13,480
Speaker 1: So Cody, like just a song where you're like taunting.

663
00:33:14,240 --> 00:33:17,160
Speaker 4: I played more than five seconds. What you're gonna do.

664
00:33:17,200 --> 00:33:22,160
Speaker 1: Yes, and I stole your paper, maybe you say, maybe.

665
00:33:21,880 --> 00:33:24,480
Speaker 4: You said what you're gonna do?

666
00:33:24,680 --> 00:33:29,440
Speaker 2: I Cody Scully am fully financially responsible for any kind of,

667
00:33:30,400 --> 00:33:31,840
Speaker 2: you know, repercussions that come.

668
00:33:32,040 --> 00:33:34,200
Speaker 3: That could be a really good tribute to Cody. That

669
00:33:34,240 --> 00:33:36,880
Speaker 3: could be really cool, just kind of send them out

670
00:33:36,880 --> 00:33:38,040
Speaker 3: with a great tribute.

671
00:33:38,200 --> 00:33:41,040
Speaker 2: Mm hmm. Cody, see if you can find a reggae

672
00:33:41,080 --> 00:33:46,200
Speaker 2: beat and then maybe you're just jamming right? Yeah, yeah,

673
00:33:46,880 --> 00:33:51,440
Speaker 2: about how it's your fault, but there are no repercussions

674
00:33:51,440 --> 00:33:53,400
Speaker 2: coming to you because you don't work here is what.

675
00:33:53,360 --> 00:33:53,960
Speaker 1: Are they gonna do it?

676
00:33:54,000 --> 00:33:55,440
Speaker 2: Well, they can't even find you. You're not gonna be

677
00:33:55,440 --> 00:33:56,000
Speaker 2: in the state.

678
00:33:56,720 --> 00:33:58,320
Speaker 4: Oh is there going to be like a catch if you.

679
00:33:58,560 --> 00:34:01,160
Speaker 3: Clearly doesn't want people to know what state he's going

680
00:34:01,240 --> 00:34:03,600
Speaker 3: to be in. And it almost makes me think that

681
00:34:03,640 --> 00:34:05,320
Speaker 3: he is going to be maybe not in LA, but

682
00:34:05,360 --> 00:34:06,800
Speaker 3: he is going to be in California.

683
00:34:06,840 --> 00:34:08,680
Speaker 2: He'll be in California, but he's going to be in

684
00:34:08,880 --> 00:34:11,520
Speaker 2: a different state. I mean, he's gonna be suited to

685
00:34:11,560 --> 00:34:15,600
Speaker 2: the freaking mode. Yeah, he's gonna be in an altered state.

686
00:34:15,800 --> 00:34:17,120
Speaker 4: He's going to be free lancing.

687
00:34:17,719 --> 00:34:20,200
Speaker 2: Oh, he'll be free Lancing? All right?

688
00:34:25,360 --> 00:34:25,879
Speaker 1: What's up?

689
00:34:26,239 --> 00:34:29,400
Speaker 3: It just sounded like the beginning to thought you're going

690
00:34:29,480 --> 00:34:31,520
Speaker 3: to say something else, free lancing, you.

691
00:34:31,480 --> 00:34:34,560
Speaker 2: Know, just like oh right, I thought it was going

692
00:34:34,600 --> 00:34:37,200
Speaker 2: to be be a setup to a yeah second half

693
00:34:37,200 --> 00:34:41,360
Speaker 2: of something. Oh yeah, that would be terrific. Do you

694
00:34:41,400 --> 00:34:42,720
Speaker 2: guys have anything.

695
00:34:43,239 --> 00:34:45,640
Speaker 4: Maybe like Daddy's Home to something something?

696
00:34:46,360 --> 00:34:46,680
Speaker 1: Huh?

697
00:34:46,960 --> 00:34:48,800
Speaker 4: Okay, because it's a sequel.

698
00:34:49,000 --> 00:34:51,759
Speaker 2: M he'll be free lancing? All right?

699
00:34:51,920 --> 00:34:53,000
Speaker 1: Did you find the music?

700
00:34:53,280 --> 00:34:57,520
Speaker 4: Yeah, it'd be like Cody's Home to Cody's Home.

701
00:34:58,440 --> 00:35:01,319
Speaker 2: That could be good to all.

702
00:35:01,360 --> 00:35:04,840
Speaker 5: Right, so you requested a reggae song, Yes, all right,

703
00:35:04,880 --> 00:35:05,239
Speaker 5: here we go.

704
00:35:12,040 --> 00:35:13,480
Speaker 4: This doesn't sound like reggae.

705
00:35:13,600 --> 00:35:13,680
Speaker 9: Me.

706
00:35:13,760 --> 00:35:15,200
Speaker 1: No, it doesn't to me either. I think that might

707
00:35:15,239 --> 00:35:15,680
Speaker 1: be the joke.

708
00:35:16,200 --> 00:35:20,520
Speaker 3: But can you can you just say, oh, there's a joke. Yeah,

709
00:35:20,800 --> 00:35:22,000
Speaker 3: it's kind of you guys have to.

710
00:35:21,920 --> 00:35:23,880
Speaker 4: Point these out to me, because like that one.

711
00:35:23,760 --> 00:35:25,000
Speaker 1: Was hidden Cody.

712
00:35:25,040 --> 00:35:27,960
Speaker 3: Can you say, uh, it was my idea to play

713
00:35:28,000 --> 00:35:29,719
Speaker 3: the Hamilton Polka.

714
00:35:30,120 --> 00:35:32,640
Speaker 1: It was my idea to play the Hamilton Polka.

715
00:35:32,560 --> 00:35:36,040
Speaker 4: More than five seconds of it, more than five seconds.

716
00:35:35,719 --> 00:35:37,040
Speaker 1: Of it and keep going.

717
00:35:38,360 --> 00:35:40,560
Speaker 2: And I will be.

718
00:35:40,520 --> 00:35:45,840
Speaker 5: Held responsible for all legal and financial ramifications of said decision.

719
00:35:46,400 --> 00:35:48,960
Speaker 2: What're you going to do ram handifications Remember when I

720
00:35:49,120 --> 00:35:52,680
Speaker 2: was your name ram Hand m m seek.

721
00:35:52,440 --> 00:35:55,160
Speaker 1: Out ram Hand for a financial restitution.

722
00:35:55,320 --> 00:35:56,520
Speaker 4: I would cut that part later.

723
00:35:57,120 --> 00:35:59,799
Speaker 2: Yeah, yeah, was.

724
00:35:59,719 --> 00:36:05,120
Speaker 1: It your goal just to outlast Coolop? Yes? Is that?

725
00:36:05,160 --> 00:36:05,520
Speaker 1: What was that?

726
00:36:05,600 --> 00:36:07,120
Speaker 2: Kind of like it was just like a hands on,

727
00:36:07,160 --> 00:36:08,200
Speaker 2: a hard body type thing.

728
00:36:09,000 --> 00:36:09,400
Speaker 4: A song.

729
00:36:10,440 --> 00:36:12,279
Speaker 1: We really just have a song and.

730
00:36:13,840 --> 00:36:16,560
Speaker 3: To cool Op in the musical that we've been doing

731
00:36:16,400 --> 00:36:16,719
Speaker 3: to me.

732
00:36:16,880 --> 00:36:20,000
Speaker 4: Like an angel, like beckoning him to like the gates

733
00:36:20,040 --> 00:36:23,400
Speaker 4: of Heaven. Oh yeah, and be like join me, join me,

734
00:36:23,480 --> 00:36:24,600
Speaker 4: Cody on the.

735
00:36:24,560 --> 00:36:26,200
Speaker 1: Other side, that's nice.

736
00:36:26,800 --> 00:36:27,880
Speaker 4: It's nicer here.

737
00:36:28,360 --> 00:36:30,400
Speaker 3: It's like in Black Panthers. Okay, so they're in the

738
00:36:30,440 --> 00:36:46,480
Speaker 3: Black Panther like ancestral world. Yes, and Kolop comes walking up. Yes, okay, No, Cody,

739
00:36:46,520 --> 00:36:50,120
Speaker 3: do yours? Cody, you go, Cody by all these Yeah,

740
00:36:50,280 --> 00:36:51,920
Speaker 3: finish your finish your idea.

741
00:36:52,000 --> 00:36:53,759
Speaker 4: And obviously it needs to be a female singing voice,

742
00:36:53,800 --> 00:36:54,400
Speaker 4: so you go ahead.

743
00:36:55,160 --> 00:36:56,200
Speaker 2: Yep, how you been?

744
00:36:57,960 --> 00:36:58,799
Speaker 10: Oh good?

745
00:36:59,680 --> 00:37:02,680
Speaker 2: You do both sides of it, and.

746
00:37:04,520 --> 00:37:07,920
Speaker 4: There's no very you're going to be cool No, Melissa,

747
00:37:07,960 --> 00:37:08,720
Speaker 4: it's like the same.

748
00:37:08,640 --> 00:37:11,760
Speaker 2: Voice that was trippy.

749
00:37:11,880 --> 00:37:13,400
Speaker 4: I like art, I like art films.

750
00:37:16,440 --> 00:37:17,359
Speaker 1: It's a like out here.

751
00:37:19,360 --> 00:37:20,120
Speaker 2: You tell me.

752
00:37:22,040 --> 00:37:23,160
Speaker 4: You're here too.

753
00:37:24,160 --> 00:37:30,360
Speaker 2: We're all here. Everything is like, join us, Cody, it's glowing.

754
00:37:33,000 --> 00:37:36,320
Speaker 2: That's right, it's the light of a burning shed.

755
00:37:37,120 --> 00:37:38,839
Speaker 4: Your eyes still work.

756
00:37:39,400 --> 00:37:41,360
Speaker 1: Go into the shed, Cody.

757
00:37:41,600 --> 00:37:53,200
Speaker 9: It's me Drew Droji, the Apple Sisters, Yeah.

758
00:37:52,480 --> 00:37:59,560
Speaker 10: Harmer, superstars far join us in the Grave of her Wolf.

759
00:37:59,400 --> 00:38:08,520
Speaker 1: Has to be less old. Oh mfg, would.

760
00:38:08,360 --> 00:38:09,719
Speaker 4: You like a halo?

761
00:38:09,920 --> 00:38:10,440
Speaker 10: Now?

762
00:38:10,920 --> 00:38:11,120
Speaker 9: Yes?

763
00:38:11,200 --> 00:38:11,560
Speaker 1: Please?

764
00:38:12,000 --> 00:38:13,719
Speaker 2: Hi, it's me Professor blast off here.

765
00:38:14,880 --> 00:38:16,560
Speaker 1: Oh hey, Professor the hatch.

766
00:38:17,800 --> 00:38:20,040
Speaker 4: You look so nice in gowns.

767
00:38:21,160 --> 00:38:23,759
Speaker 2: Oh thanks, it's me Mike, Detective.

768
00:38:30,960 --> 00:38:32,080
Speaker 4: That was a great ending.

769
00:38:33,360 --> 00:38:33,839
Speaker 1: Way to go.

770
00:38:34,239 --> 00:38:37,120
Speaker 4: It was, I mean it was again, this show seems

771
00:38:37,120 --> 00:38:37,880
Speaker 4: scripted now.

772
00:38:38,040 --> 00:38:40,640
Speaker 1: Very strong wrap up, almost too perfect.

773
00:38:40,760 --> 00:38:40,960
Speaker 9: Yeah.

774
00:38:40,960 --> 00:38:43,000
Speaker 4: People are like, they didn't provise that, and they're right,

775
00:38:43,040 --> 00:38:43,480
Speaker 4: we didn't.

776
00:38:44,040 --> 00:38:46,759
Speaker 1: So Cody, you went in the grave of the Iarwolf legends.

777
00:38:46,560 --> 00:38:49,480
Speaker 5: Jeez, and I wake up out of the dust and

778
00:38:49,520 --> 00:38:50,359
Speaker 5: I'm back here now.

779
00:38:50,400 --> 00:38:52,120
Speaker 4: Well, look who's writing the show.

780
00:38:52,480 --> 00:38:56,280
Speaker 1: Breathe, man, just breathe.

781
00:38:56,320 --> 00:38:57,359
Speaker 4: Do you want that to be a song?

782
00:38:57,960 --> 00:38:58,440
Speaker 8: Uh?

783
00:38:58,520 --> 00:38:59,719
Speaker 2: Yeah, I want to listen to that.

784
00:38:59,680 --> 00:39:02,640
Speaker 4: Doesn't sing like you do. I need you to be

785
00:39:02,680 --> 00:39:07,480
Speaker 4: excited about it. Oh fucked no, no, no, let's put

786
00:39:07,520 --> 00:39:08,919
Speaker 4: that I've got plenty more.

787
00:39:09,040 --> 00:39:11,120
Speaker 1: Okay, okay, I'll just circle back.

788
00:39:11,239 --> 00:39:16,040
Speaker 2: Okay, okay, let's circle back. I'm going to circle back

789
00:39:16,040 --> 00:39:17,160
Speaker 2: to the freelance thing.

790
00:39:17,200 --> 00:39:18,840
Speaker 1: I think you want.

791
00:39:18,760 --> 00:39:20,640
Speaker 4: Him to have a freelancing song, like a like a

792
00:39:20,680 --> 00:39:25,840
Speaker 4: bull fighter like that. That's actually more like like throwing pizzas.

793
00:39:25,400 --> 00:39:28,080
Speaker 3: Or that one setup you want to finish like, oh, yeah,

794
00:39:28,120 --> 00:39:30,120
Speaker 3: he'll be freelancing.

795
00:39:30,160 --> 00:39:33,880
Speaker 2: I remember, No, no, I'm just remembering that. We're allowed

796
00:39:33,880 --> 00:39:35,399
Speaker 2: to circle back to stuff like that.

797
00:39:35,520 --> 00:39:36,719
Speaker 4: Allowed, we're encouraged.

798
00:39:37,520 --> 00:39:40,640
Speaker 2: Yeah, I just didn't call it at the time. Well

799
00:39:41,160 --> 00:39:46,440
Speaker 2: I call it now. Maybe it's something about Lance Armstrong.

800
00:39:46,880 --> 00:39:48,400
Speaker 4: Yes, oh like free Lance.

801
00:39:49,080 --> 00:39:55,719
Speaker 1: Yeah. Oh, he'll be freelancing Armstrong from jail. Yeah.

802
00:39:55,760 --> 00:39:58,799
Speaker 4: I love when Sean's quiet because it means he's like

803
00:39:59,719 --> 00:40:01,840
Speaker 4: he's an the oven. And then where are those cookies

804
00:40:01,920 --> 00:40:03,480
Speaker 4: gooey come out?

805
00:40:04,640 --> 00:40:09,759
Speaker 2: Yeah that's good. Yeah, maybe I'll circle back to a

806
00:40:09,800 --> 00:40:10,560
Speaker 2: response to that.

807
00:40:11,320 --> 00:40:11,839
Speaker 1: What did you.

808
00:40:11,800 --> 00:40:18,960
Speaker 11: Say, Cody, I said, marinating Mark marinating, Oh, Podcats, that's

809
00:40:19,000 --> 00:40:23,200
Speaker 11: another show that you're in the Oh yeah, that was

810
00:40:23,239 --> 00:40:26,480
Speaker 11: a show about Mark Maren's cats who hosted it.

811
00:40:27,920 --> 00:40:29,600
Speaker 3: So I know people by the way that have gotten

812
00:40:29,600 --> 00:40:31,719
Speaker 3: shows rejected at Earwolf.

813
00:40:32,840 --> 00:40:33,960
Speaker 2: Good too good.

814
00:40:34,360 --> 00:40:35,440
Speaker 1: Just a preface for this.

815
00:40:36,239 --> 00:40:39,640
Speaker 3: It was a show starring Mark Maron's Three Cats. I

816
00:40:39,680 --> 00:40:42,400
Speaker 3: think the voice was Eddie peppatone was one of the voices.

817
00:40:43,600 --> 00:40:44,960
Speaker 1: Do you remember who the other ones were?

818
00:40:45,120 --> 00:40:50,080
Speaker 2: Jim Davis could have been. I don't remember who anyone was.

819
00:40:50,120 --> 00:40:50,640
Speaker 1: I don't even know.

820
00:40:52,480 --> 00:40:54,839
Speaker 3: He was definitely one of them, and it was like that.

821
00:40:54,880 --> 00:40:58,240
Speaker 3: Mark Maron was never on the show and never involved

822
00:40:58,239 --> 00:40:58,800
Speaker 3: the boomer.

823
00:40:58,880 --> 00:40:59,600
Speaker 2: The cat was.

824
00:40:59,560 --> 00:41:04,120
Speaker 4: One of the Blessing. I'm sure wasn't a just Chaffin

825
00:41:04,440 --> 00:41:05,040
Speaker 4: one of them.

826
00:41:05,120 --> 00:41:05,799
Speaker 1: She could have been.

827
00:41:05,960 --> 00:41:10,160
Speaker 5: That sounds right, And I say Chaffin, Like I said,

828
00:41:10,200 --> 00:41:11,799
Speaker 5: the handbook is very vague.

829
00:41:11,480 --> 00:41:13,080
Speaker 4: On all the stuff I've stayed in her home.

830
00:41:13,160 --> 00:41:14,399
Speaker 2: The employee handbook I've been.

831
00:41:14,280 --> 00:41:14,880
Speaker 4: A house guest.

832
00:41:15,120 --> 00:41:16,080
Speaker 2: Okay, you're probably right.

833
00:41:16,360 --> 00:41:18,719
Speaker 5: I definitely like I wouldn't know because it's not in

834
00:41:18,760 --> 00:41:20,440
Speaker 5: the employee handbook to know that stuff.

835
00:41:20,520 --> 00:41:25,120
Speaker 4: The handbook Again, he says, yeah, he knows because there

836
00:41:25,239 --> 00:41:26,120
Speaker 4: wasn't a handbook.

837
00:41:27,440 --> 00:41:29,920
Speaker 5: I mean, there's a lot of things that play into

838
00:41:29,920 --> 00:41:30,600
Speaker 5: a decisions, a.

839
00:41:30,640 --> 00:41:33,040
Speaker 4: Lot of things in Beetlejuice that aren't in real life.

840
00:41:34,000 --> 00:41:38,920
Speaker 3: This is such a good summary of Cody's career it's true.

841
00:41:39,080 --> 00:41:40,479
Speaker 3: It's the perfect way.

842
00:41:40,600 --> 00:41:44,200
Speaker 2: This episode is the most fitting tribute. I could imagine.

843
00:41:45,440 --> 00:41:50,839
Speaker 2: It feels like Cody. Yeah, I didn't know going in

844
00:41:50,840 --> 00:41:53,120
Speaker 2: that we'd be able to recreate who's.

845
00:41:52,880 --> 00:41:56,840
Speaker 4: The love interest? There has to be a romance.

846
00:41:57,840 --> 00:41:58,760
Speaker 2: Yeah, that's true.

847
00:41:59,320 --> 00:42:02,279
Speaker 3: Oh should we do? I mean, should we do a

848
00:42:02,320 --> 00:42:03,840
Speaker 3: song about Cody's confront?

849
00:42:04,560 --> 00:42:06,040
Speaker 2: Sure? Yeah, that would be good.

850
00:42:06,120 --> 00:42:07,399
Speaker 1: Wouldn't that be nice? Yeah?

851
00:42:07,480 --> 00:42:08,560
Speaker 2: Can you get us some music?

852
00:42:08,600 --> 00:42:09,120
Speaker 1: Sure? Here you go.

853
00:42:09,360 --> 00:42:10,800
Speaker 4: Wait, wait, what kind of I need to know a

854
00:42:10,840 --> 00:42:18,800
Speaker 4: little more about NEMA.

855
00:42:18,120 --> 00:42:23,320
Speaker 9: Dollar fifty four tpe, two dollars for bowling three twenty

856
00:42:23,360 --> 00:42:27,080
Speaker 9: five four sponges and dish detergent.

857
00:42:27,280 --> 00:42:31,479
Speaker 1: Love is settling up. If you love someone, you settle up.

858
00:42:31,719 --> 00:42:35,720
Speaker 1: You've been moved for everything. Either one of you boys

859
00:42:36,360 --> 00:42:38,040
Speaker 1: keep it public.

860
00:42:38,719 --> 00:42:43,560
Speaker 9: Everyone has to know exactly how petty you are about

861
00:42:43,600 --> 00:42:46,000
Speaker 9: the money you spend in your relation.

862
00:42:47,680 --> 00:42:51,960
Speaker 4: I mentioned it before. I stole a couple passwords, but

863
00:42:52,160 --> 00:42:53,799
Speaker 4: I've since reformed.

864
00:42:53,880 --> 00:43:01,680
Speaker 1: Thank you, Julie and Cody.

865
00:43:01,760 --> 00:43:05,600
Speaker 3: You want to say something special to Alyssa?

866
00:43:07,280 --> 00:43:12,880
Speaker 1: Farris Square turned it out to do that.

867
00:43:15,320 --> 00:43:19,000
Speaker 3: He blasted the music very good, Edgineary sais, I could

868
00:43:19,000 --> 00:43:21,200
Speaker 3: see why you feel like you've grown.

869
00:43:21,000 --> 00:43:23,279
Speaker 4: Out of and that you earned that money you stole.

870
00:43:23,080 --> 00:43:26,600
Speaker 3: Ear Wolf, and that now it's time to really learn more.

871
00:43:27,040 --> 00:43:29,160
Speaker 3: That you know that what the engineer does is when

872
00:43:29,160 --> 00:43:30,120
Speaker 3: it's time to say.

873
00:43:29,880 --> 00:43:33,719
Speaker 2: Something to my one moment, to deliver any message I

874
00:43:33,760 --> 00:43:36,200
Speaker 2: want to the love of my life. Let me just

875
00:43:36,400 --> 00:43:40,359
Speaker 2: blast the music under what I say, over what I say.

876
00:43:41,920 --> 00:43:43,200
Speaker 2: The music's playing under it.

877
00:43:44,080 --> 00:43:44,480
Speaker 4: That's over.

878
00:43:45,480 --> 00:43:46,360
Speaker 2: Should I propose to it?

879
00:43:46,520 --> 00:43:52,480
Speaker 4: Maybe I thought you just did show.

880
00:43:53,040 --> 00:43:55,719
Speaker 3: Yeah, yeah, you can propose on the show. It would

881
00:43:55,760 --> 00:43:58,480
Speaker 3: also be fun to buy a wedding ring to the

882
00:43:58,520 --> 00:44:01,080
Speaker 3: way you propose would be to buy a ring and

883
00:44:01,080 --> 00:44:05,880
Speaker 3: then then Bill see a payment on VENMO a payment request.

884
00:44:06,080 --> 00:44:08,600
Speaker 1: That's great.

885
00:44:08,840 --> 00:44:13,280
Speaker 4: I love That's what I meant. I love it because

886
00:44:13,280 --> 00:44:17,200
Speaker 4: it's official. You could ignore a text. It's like you

887
00:44:17,280 --> 00:44:19,719
Speaker 4: only five hundred and five dollars in one cent, you

888
00:44:19,840 --> 00:44:20,279
Speaker 4: know what I mean?

889
00:44:20,520 --> 00:44:21,880
Speaker 1: Just an honest proposal.

890
00:44:22,719 --> 00:44:23,040
Speaker 2: Mmm.

891
00:44:23,680 --> 00:44:25,520
Speaker 4: You put that in the note section of the invoice,

892
00:44:25,560 --> 00:44:29,600
Speaker 4: like memo. That's a trick question. There are no memo sections.

893
00:44:29,600 --> 00:44:36,000
Speaker 2: It's a check gotcha, gotcha, bitch. I never seen anybody

894
00:44:36,000 --> 00:44:41,840
Speaker 2: get busted that bad. Hey, what was I going to

895
00:44:41,880 --> 00:44:43,000
Speaker 2: circle back to before?

896
00:44:43,360 --> 00:44:47,480
Speaker 4: Well, you were talking about the Lance Armstrong thing.

897
00:44:47,880 --> 00:44:50,000
Speaker 2: Yeah, yeah, yeah, did we not put that to bed?

898
00:44:50,560 --> 00:44:52,040
Speaker 4: Well, you said you were going to circle back to Well,

899
00:44:52,040 --> 00:44:54,800
Speaker 4: we gave you a lot of compliments and then you

900
00:44:54,800 --> 00:44:57,680
Speaker 4: you know, assort the compliments, but you go, yeah, that's good,

901
00:44:57,719 --> 00:44:59,759
Speaker 4: like you gave yourself one two and then you said

902
00:45:00,000 --> 00:45:00,719
Speaker 4: going to circle.

903
00:45:00,520 --> 00:45:00,920
Speaker 2: Back to it.

904
00:45:01,160 --> 00:45:01,640
Speaker 1: M hmm.

905
00:45:01,920 --> 00:45:05,680
Speaker 3: Okay, should we do like just like another theme for Cody,

906
00:45:05,880 --> 00:45:08,640
Speaker 3: just like in a theme just like Cody, you know,

907
00:45:08,760 --> 00:45:11,160
Speaker 3: just like a Cody's theme, a scene in the musical

908
00:45:12,120 --> 00:45:13,240
Speaker 3: for just him doing.

909
00:45:13,440 --> 00:45:14,440
Speaker 4: Have you seen a musical?

910
00:45:15,040 --> 00:45:16,480
Speaker 1: Yeah, it has scenes in it.

911
00:45:16,600 --> 00:45:17,840
Speaker 4: Oh, I thought you said theme.

912
00:45:18,400 --> 00:45:19,680
Speaker 1: No, they also have themes.

913
00:45:19,760 --> 00:45:21,799
Speaker 4: What are you talking about? I don't understand what you're

914
00:45:21,880 --> 00:45:24,200
Speaker 4: getting at, Casey. I'm just challenging you the way that

915
00:45:24,280 --> 00:45:26,719
Speaker 4: I like to challenge my students because I know I

916
00:45:26,719 --> 00:45:27,680
Speaker 4: have like a double bag.

917
00:45:27,840 --> 00:45:29,000
Speaker 1: Am I being crazy?

918
00:45:29,680 --> 00:45:33,759
Speaker 2: No, don't, Julie Julius, don't gang up on me. Wait,

919
00:45:34,280 --> 00:45:37,520
Speaker 2: I have to be honest. This is my freaking host here,

920
00:45:37,600 --> 00:45:40,520
Speaker 2: this is my captive as a sidekick. I can't go

921
00:45:40,640 --> 00:45:46,560
Speaker 2: against man Hayes. This is the music for your theme. Okay,

922
00:45:47,520 --> 00:45:48,200
Speaker 2: hit record.

923
00:45:51,360 --> 00:45:57,040
Speaker 1: Everybody's talking? What's going on?

924
00:45:59,480 --> 00:46:04,000
Speaker 2: Press vices I know what we're doing now, Okay, this

925
00:46:04,160 --> 00:46:06,120
Speaker 2: is like a day in the life, basically like what

926
00:46:06,200 --> 00:46:08,560
Speaker 2: he usually does before he realizes.

927
00:46:08,200 --> 00:46:08,919
Speaker 6: That he's gonna quit.

928
00:46:09,080 --> 00:46:16,200
Speaker 10: I'm loving this vice news. I'm learning so much vice news.

929
00:46:18,040 --> 00:46:20,960
Speaker 4: Why is this nice news?

930
00:46:22,880 --> 00:46:27,240
Speaker 9: What about a bible for lads?

931
00:46:31,080 --> 00:46:35,399
Speaker 10: A picture of a man playing PlayStation in the up.

932
00:46:37,120 --> 00:46:40,680
Speaker 10: I'm laughing so hard I can barely host the show.

933
00:46:43,400 --> 00:46:47,480
Speaker 10: You can hear the multiple things I'm watching and listening

934
00:46:47,520 --> 00:46:51,320
Speaker 10: to through the computer as we're trying to record.

935
00:46:51,400 --> 00:46:54,400
Speaker 9: And I'm Editing's Globorough Country to.

936
00:46:56,719 --> 00:47:03,480
Speaker 2: Oh. No, they're talking to me. Why do I keep

937
00:47:03,520 --> 00:47:05,839
Speaker 2: hearing my name in my headphones?

938
00:47:06,000 --> 00:47:12,520
Speaker 4: No, I got a stappy response. I got a snappy response.

939
00:47:12,600 --> 00:47:17,280
Speaker 4: I gotta think of a snappy response with my snappy response.

940
00:47:17,440 --> 00:47:20,319
Speaker 2: I must have been misleading when I said I got

941
00:47:20,320 --> 00:47:23,319
Speaker 2: a snappy response. What I meant to say was I

942
00:47:23,480 --> 00:47:24,960
Speaker 2: need a snappy response.

943
00:47:25,680 --> 00:47:27,680
Speaker 1: Snappy, sappy response.

944
00:47:27,239 --> 00:47:28,320
Speaker 4: My stappy response.

945
00:47:30,120 --> 00:47:30,960
Speaker 2: Hey, it's Cody.

946
00:47:31,160 --> 00:47:34,600
Speaker 1: I uploaded the episode. Try to play it. The file

947
00:47:34,680 --> 00:47:41,880
Speaker 1: size is zero. Heading to the drop box now.

948
00:47:43,280 --> 00:47:47,560
Speaker 3: Thirty minutes later, Hey, I checked to the drop box.

949
00:47:47,600 --> 00:47:53,719
Speaker 3: There's nothing in here. Sorry, the internet out aren't is

950
00:47:53,800 --> 00:47:54,920
Speaker 3: being really slow?

951
00:47:56,440 --> 00:47:59,880
Speaker 9: No problem, will do, No problem, will do? Why is

952
00:48:00,080 --> 00:48:02,040
Speaker 9: everyone's so mad at me?

953
00:48:06,560 --> 00:48:07,600
Speaker 2: Cody's theme?

954
00:48:10,400 --> 00:48:11,640
Speaker 4: I owe you an apology?

955
00:48:11,960 --> 00:48:12,160
Speaker 1: Right?

956
00:48:12,400 --> 00:48:14,600
Speaker 4: Yeah, I know I know when to admit that I

957
00:48:14,640 --> 00:48:15,080
Speaker 4: am wrong.

958
00:48:15,360 --> 00:48:17,840
Speaker 2: And that felt like something not of a musical that

959
00:48:17,920 --> 00:48:22,839
Speaker 2: you're kind of getting the fee already apologized Sean. Okay,

960
00:48:22,920 --> 00:48:27,000
Speaker 2: but is there any reason that I shouldn't twist the knife?

961
00:48:27,960 --> 00:48:28,479
Speaker 1: That's good?

962
00:48:28,600 --> 00:48:33,440
Speaker 12: Pod h o OOFA.

963
00:48:34,239 --> 00:48:37,120
Speaker 2: Well, do we need any more songs? What time is it?

964
00:48:37,239 --> 00:48:38,839
Speaker 1: Is there anything else you want to say?

965
00:48:38,920 --> 00:48:44,040
Speaker 4: Cody apron finale, I'd say a song that's more Chef

966
00:48:44,120 --> 00:48:46,840
Speaker 4: Kevin's thing? Right, fine, I guess I'll just shut the

967
00:48:46,880 --> 00:48:47,600
Speaker 4: fuck up then.

968
00:48:47,680 --> 00:48:55,040
Speaker 5: Okay, I I have I'm at a loss for words

969
00:48:55,200 --> 00:48:58,200
Speaker 5: at what I would say. I think I've said quite

970
00:48:58,200 --> 00:48:58,440
Speaker 5: a bit.

971
00:48:59,560 --> 00:49:01,640
Speaker 4: That's a and like like Gilbert and sell like. I'm

972
00:49:01,640 --> 00:49:03,600
Speaker 4: at all lots of words. I don't know what I say,

973
00:49:03,600 --> 00:49:05,520
Speaker 4: I don't know what like, but like he's saying a lot.

974
00:49:05,680 --> 00:49:06,920
Speaker 1: I think that's what he was trying to do.

975
00:49:08,360 --> 00:49:10,040
Speaker 2: What do you guys think? What would you say if

976
00:49:10,040 --> 00:49:15,279
Speaker 2: you were me? If I was you, Oh nothing, I'd

977
00:49:15,280 --> 00:49:15,839
Speaker 2: clam up.

978
00:49:16,680 --> 00:49:18,960
Speaker 3: I would have been gone already this like you're here

979
00:49:19,000 --> 00:49:21,040
Speaker 3: for like two more weeks.

980
00:49:21,760 --> 00:49:24,000
Speaker 2: Who's replacing you?

981
00:49:24,080 --> 00:49:28,919
Speaker 4: Oh that's a good what about that is the finale? Like? Look,

982
00:49:28,960 --> 00:49:29,279
Speaker 4: it's me.

983
00:49:29,480 --> 00:49:30,480
Speaker 1: I'm a fresh.

984
00:49:32,800 --> 00:49:34,080
Speaker 4: I'm eager, and you.

985
00:49:34,000 --> 00:49:37,399
Speaker 1: Know takes off his backpack? Is his?

986
00:49:39,640 --> 00:49:40,279
Speaker 4: It's not a woman.

987
00:49:41,719 --> 00:49:44,160
Speaker 2: I just I've been at her Wolf long enough to know,

988
00:49:44,520 --> 00:49:46,960
Speaker 2: if anything, it will be a man dressed as a woman,

989
00:49:47,640 --> 00:49:50,759
Speaker 2: which is really funny. But it's not going to be

990
00:49:50,800 --> 00:49:51,200
Speaker 2: a woman.

991
00:49:52,600 --> 00:49:54,520
Speaker 4: And it ends with him. He like puts the headphones

992
00:49:54,520 --> 00:49:55,600
Speaker 4: on at the end.

993
00:49:56,360 --> 00:49:58,239
Speaker 2: Yeah, okay, let's do it.

994
00:49:58,760 --> 00:50:00,840
Speaker 1: Here we go up beat.

995
00:49:59,760 --> 00:50:00,560
Speaker 2: Up here you go.

996
00:50:03,080 --> 00:50:08,000
Speaker 3: Yes here, I am on my first day. Can't wait

997
00:50:08,040 --> 00:50:11,920
Speaker 3: to sit in codyc turn on the computer. The only

998
00:50:12,000 --> 00:50:15,040
Speaker 3: program is at our hood for its nigger soundboard?

999
00:50:17,320 --> 00:50:19,759
Speaker 1: How did this guy do his job? What has he

1000
00:50:19,840 --> 00:50:22,040
Speaker 1: been doing for six years?

1001
00:50:22,880 --> 00:50:26,279
Speaker 2: Chef Kevin here? Can I get you anything? New engineer?

1002
00:50:26,719 --> 00:50:27,560
Speaker 4: You bet you can.

1003
00:50:27,719 --> 00:50:32,480
Speaker 2: I'd like some stuff, Oly brub hope you fit roll.

1004
00:50:32,880 --> 00:50:34,960
Speaker 1: It's me Colin. I'm jumped.

1005
00:50:36,440 --> 00:50:39,520
Speaker 3: Hey's me, Josh, I'm kind of the alpha dog in

1006
00:50:39,640 --> 00:50:40,400
Speaker 3: this office.

1007
00:50:40,480 --> 00:50:41,880
Speaker 1: Hi, it's Julie Klausner.

1008
00:50:42,000 --> 00:50:50,120
Speaker 4: I'm lost again. Can you give me some directions? Sean?

1009
00:50:50,160 --> 00:50:51,520
Speaker 4: Can you just come down?

1010
00:50:53,800 --> 00:50:58,240
Speaker 2: Ooh yeah, hang on, yeah, I'm getting texted.

1011
00:50:58,360 --> 00:51:00,920
Speaker 1: Hold on. Yeah, Okay, I see her.

1012
00:51:00,960 --> 00:51:02,760
Speaker 2: She's right directly in front of the building.

1013
00:51:02,880 --> 00:51:05,560
Speaker 1: Can I can? I say? Walk straight?

1014
00:51:05,600 --> 00:51:06,959
Speaker 2: I'm afraid she'll go into the road.

1015
00:51:10,080 --> 00:51:21,680
Speaker 12: Help help, I'd be coming down. Goodbye, Cody, good bye.

1016
00:51:22,400 --> 00:51:25,719
Speaker 4: Wait wait, and he goes, I think I'm gonna like

1017
00:51:25,800 --> 00:51:27,799
Speaker 4: it here, and then he puts the things on.

1018
00:51:28,320 --> 00:51:32,880
Speaker 1: Oh that's cool. Yeah, sets us up for a sequel

1019
00:51:32,920 --> 00:51:33,440
Speaker 1: as well. What.

1020
00:51:33,480 --> 00:51:38,240
Speaker 3: I'm glad you didn't shut the fuck up before. Thanks, guys,

1021
00:51:38,880 --> 00:51:40,600
Speaker 3: that was a cool ending you.

1022
00:51:41,080 --> 00:51:42,120
Speaker 2: I can picture it.

1023
00:51:43,000 --> 00:51:44,480
Speaker 4: Are you done? I'm circling back.

1024
00:51:44,600 --> 00:51:45,760
Speaker 1: We gotta do ads.

1025
00:51:45,840 --> 00:51:49,360
Speaker 2: Unfortunately we do have we don't have a ton of time. Yeah,

1026
00:51:49,440 --> 00:51:51,920
Speaker 2: we've got to do ads, so I'm not gonna be

1027
00:51:51,960 --> 00:51:55,360
Speaker 2: able to circle back. It's something to tune in for

1028
00:51:55,520 --> 00:51:55,960
Speaker 2: next week.

1029
00:51:56,000 --> 00:51:56,359
Speaker 1: I guess.

1030
00:51:56,760 --> 00:52:01,239
Speaker 2: Hm uh, Julie, got anything you want to plug? Just

1031
00:52:01,440 --> 00:52:02,920
Speaker 2: the meetings you're taking while you're here.

1032
00:52:03,040 --> 00:52:06,000
Speaker 3: Yeah, you want to kind of vision board your meetings

1033
00:52:06,040 --> 00:52:07,600
Speaker 3: and visualize how they're gonna go.

1034
00:52:08,600 --> 00:52:12,359
Speaker 4: The Fish out of Water by Gilmo del Toro. It's

1035
00:52:12,400 --> 00:52:15,000
Speaker 4: such a fun movie and kind of messed up.

1036
00:52:15,719 --> 00:52:16,279
Speaker 1: Yeah.

1037
00:52:16,400 --> 00:52:17,920
Speaker 4: Yeah, it's called The Fish out of Water.

1038
00:52:18,200 --> 00:52:24,879
Speaker 2: Mm. Okay, uh, I don't know what that means. I mean,

1039
00:52:24,920 --> 00:52:25,560
Speaker 2: I just don't know.

1040
00:52:25,680 --> 00:52:26,000
Speaker 4: Really.

1041
00:52:26,239 --> 00:52:28,160
Speaker 2: Yeah, I'm not up on the movies this year.

1042
00:52:28,280 --> 00:52:31,920
Speaker 4: That's fascinating. That's someone like you brand. Are you depressed?

1043
00:52:32,280 --> 00:52:42,359
Speaker 6: Yes, I'm a horny girl wolf. This has been an

1044
00:52:42,360 --> 00:52:46,640
Speaker 6: Earwolf production, executive produced by Scott Ackerman, Colin Anderson, and

1045
00:52:46,719 --> 00:52:50,919
Speaker 6: Chris Bannon. For more information and content, visit earwolf dot com.

1046
00:52:51,200 --> 00:52:54,120
Speaker 4: Oh