1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff You Missed in History Class, a production 2 00:00:04,360 --> 00:00:13,840 Speaker 1: of I Heart Radio, Hello and Happy Friday. I'm Tracy 3 00:00:13,920 --> 00:00:17,360 Speaker 1: Vee Wilson, and I'm Holly Fry. This week on the show, 4 00:00:17,400 --> 00:00:21,160 Speaker 1: we talked about Barrett Morrisso, whose work I really fell 5 00:00:21,160 --> 00:00:22,959 Speaker 1: in love with in France, and here is a little 6 00:00:23,000 --> 00:00:26,239 Speaker 1: story about that that we didn't get into it all. 7 00:00:27,120 --> 00:00:29,760 Speaker 1: Uh So, when we took that trip to France, we 8 00:00:29,840 --> 00:00:32,120 Speaker 1: had a lot of time that was scheduled with like 9 00:00:32,280 --> 00:00:35,360 Speaker 1: group outings and walking tours and things like that, and 10 00:00:35,360 --> 00:00:39,159 Speaker 1: then we also had free time, uh that was up 11 00:00:39,159 --> 00:00:42,440 Speaker 1: to us um and so early in the trip was 12 00:00:42,479 --> 00:00:45,479 Speaker 1: when we went to the muse Marmattan Money and I 13 00:00:45,520 --> 00:00:48,520 Speaker 1: saw the paintings that they had on display by Barrett 14 00:00:48,520 --> 00:00:52,559 Speaker 1: morris which there were multiple of, but by far not 15 00:00:52,720 --> 00:00:57,120 Speaker 1: the entire collection that they have there in their own collection. 16 00:00:58,520 --> 00:01:01,480 Speaker 1: Later on in a trip, we went to the Music 17 00:01:01,560 --> 00:01:04,800 Speaker 1: do or Say and as I was walking around the 18 00:01:04,880 --> 00:01:07,520 Speaker 1: music door Say, there was a big sign on the 19 00:01:07,520 --> 00:01:10,440 Speaker 1: wall that said Bert morris So. And I was so excited. 20 00:01:10,480 --> 00:01:12,560 Speaker 1: I was like, I just saw I just really fell 21 00:01:12,600 --> 00:01:14,639 Speaker 1: in love with Bert morris So is art. I'm so excited. 22 00:01:14,640 --> 00:01:16,760 Speaker 1: I'm gonna go see this, and I kept just having 23 00:01:16,760 --> 00:01:19,160 Speaker 1: this you can't get there from here situation. I was 24 00:01:19,200 --> 00:01:23,280 Speaker 1: stymied every time I tried, and then I learned it 25 00:01:23,400 --> 00:01:27,440 Speaker 1: was a temporary exhibition that was literally opening something like 26 00:01:27,640 --> 00:01:31,759 Speaker 1: six days after we left Paris, and I was so 27 00:01:31,840 --> 00:01:36,880 Speaker 1: sad about it. Um One of the sources for this podcast, though, 28 00:01:37,600 --> 00:01:42,200 Speaker 1: was the exhibition catalog from that exhibition, which traveled I 29 00:01:42,240 --> 00:01:46,399 Speaker 1: think to three cities. One of them was Dallas. It 30 00:01:46,520 --> 00:01:48,800 Speaker 1: was at the Dallas Museum of Art. We did not 31 00:01:49,080 --> 00:01:51,560 Speaker 1: narrowly miss it the time that we went to Dallas, 32 00:01:51,640 --> 00:01:54,360 Speaker 1: it was like three years afterwards. That would have been 33 00:01:54,680 --> 00:01:58,640 Speaker 1: super frustrating had that been the case. I just love 34 00:01:58,720 --> 00:02:00,480 Speaker 1: looking at her work. A lot of it I just 35 00:02:00,520 --> 00:02:06,120 Speaker 1: find to be like really comforting and peaceful, which is 36 00:02:06,640 --> 00:02:11,360 Speaker 1: interesting because as a person, most of the accounts I 37 00:02:11,560 --> 00:02:14,880 Speaker 1: found of her were that she was like very reserved 38 00:02:15,720 --> 00:02:19,320 Speaker 1: and very precise about how she wanted to do things, 39 00:02:19,320 --> 00:02:21,480 Speaker 1: but also discreet about it. And this may have been 40 00:02:21,520 --> 00:02:23,440 Speaker 1: one of the things that caused her to butt heads 41 00:02:23,440 --> 00:02:25,960 Speaker 1: with Mary Sat a bit, because Mary Sat also had 42 00:02:26,040 --> 00:02:29,240 Speaker 1: very strong ideas, but she would be very very blunt 43 00:02:29,280 --> 00:02:32,320 Speaker 1: about it. And Barrett Morissa was more like having very 44 00:02:32,360 --> 00:02:35,880 Speaker 1: strong ideas but also being kind of discreet and delicate, 45 00:02:35,919 --> 00:02:37,880 Speaker 1: and how she talked about it. So I think that 46 00:02:37,960 --> 00:02:41,160 Speaker 1: may have been what seems to have led to them 47 00:02:41,160 --> 00:02:44,080 Speaker 1: maybe having some kind of a falling out that I 48 00:02:44,120 --> 00:02:46,520 Speaker 1: wish I had more to tail about because I'm nosy. 49 00:02:47,840 --> 00:02:50,359 Speaker 1: Do you have a favorite piece of hers? Um, So 50 00:02:50,440 --> 00:02:56,720 Speaker 1: there's one that is of her sister watering plants out 51 00:02:56,800 --> 00:02:59,880 Speaker 1: on a terrace that's really lovely. One of the ones 52 00:03:00,120 --> 00:03:03,760 Speaker 1: that I saw at the museum Marmatan Monet that I 53 00:03:03,800 --> 00:03:07,720 Speaker 1: really liked is of Julie and another child and they're 54 00:03:07,840 --> 00:03:12,799 Speaker 1: playing in a large bowl that I think has a 55 00:03:12,880 --> 00:03:14,840 Speaker 1: fish in it. There's like a little splotch of color 56 00:03:14,960 --> 00:03:17,120 Speaker 1: that suggests to me a fish that's swimming around in 57 00:03:17,160 --> 00:03:21,000 Speaker 1: the bowl. Um, And it just it sort of captures 58 00:03:21,040 --> 00:03:23,240 Speaker 1: the two of them in this moment of just being 59 00:03:24,120 --> 00:03:27,120 Speaker 1: entranced by what's happening in the in the bowl, and 60 00:03:27,200 --> 00:03:32,800 Speaker 1: also maybe they're about to knock it over. Are you 61 00:03:32,800 --> 00:03:37,600 Speaker 1: you're generally a fan of the Impressionist correct, Yes, very much, thanks, 62 00:03:38,040 --> 00:03:41,400 Speaker 1: I really um. I like a lot of Many's portraits 63 00:03:41,400 --> 00:03:44,320 Speaker 1: of her. Oh yeah, yeah, I didn't mention most of 64 00:03:44,320 --> 00:03:46,360 Speaker 1: those really at all, is aside from saying that he 65 00:03:46,400 --> 00:03:51,160 Speaker 1: painted her like fourteen times. Yeah, within the Impressionist movement, 66 00:03:51,200 --> 00:03:53,040 Speaker 1: those tend to be a little darker than a lot 67 00:03:53,080 --> 00:03:55,480 Speaker 1: of the others, which is probably why I'm like, I 68 00:03:55,560 --> 00:03:58,960 Speaker 1: love that, UM. Many of them are just very very 69 00:03:59,040 --> 00:04:02,160 Speaker 1: pretty though. Yeah. The painting that we that I have 70 00:04:02,320 --> 00:04:08,160 Speaker 1: chosen for our social media promotion of the episode is 71 00:04:08,200 --> 00:04:11,880 Speaker 1: her self portrait UM, which is very brown in its 72 00:04:11,920 --> 00:04:14,400 Speaker 1: color palette, whereas a lot of her other painting is 73 00:04:14,400 --> 00:04:16,640 Speaker 1: a lot more on the like blue and white and 74 00:04:16,920 --> 00:04:20,400 Speaker 1: green end of the spectrum. UM, but it has that 75 00:04:20,600 --> 00:04:24,320 Speaker 1: very unfinished quality to it where you look at it 76 00:04:24,360 --> 00:04:25,760 Speaker 1: and you're like, did you paint the edges at the 77 00:04:25,760 --> 00:04:31,520 Speaker 1: campus right? Which apparently was something that Edward Money felt 78 00:04:31,600 --> 00:04:35,039 Speaker 1: the need to correct. Correct It was not. It was 79 00:04:35,080 --> 00:04:38,840 Speaker 1: not incorrect in the first place, just his aesthetic a 80 00:04:38,920 --> 00:04:43,520 Speaker 1: little different, same grouping I um. I recently was very entranced, 81 00:04:43,520 --> 00:04:46,160 Speaker 1: and I even mentioned it on on Twitter. I think 82 00:04:46,200 --> 00:04:49,240 Speaker 1: that I just happened to stumble across a painting I 83 00:04:49,279 --> 00:04:53,200 Speaker 1: love of his, which is a bar at the fully Berger, 84 00:04:53,920 --> 00:04:55,760 Speaker 1: and it's one of those things where if you just 85 00:04:55,800 --> 00:04:59,320 Speaker 1: look at that painting in terms of portraiture and then hers. 86 00:04:59,800 --> 00:05:02,760 Speaker 1: You can see where he would have been like no, no, no, 87 00:05:02,760 --> 00:05:07,360 Speaker 1: no no, yeah, more like this show more detail, um, 88 00:05:07,400 --> 00:05:11,440 Speaker 1: and she would have been more defined like there's you know. Yeah, 89 00:05:11,520 --> 00:05:15,400 Speaker 1: she's felt absolutely sick about him quote retouching her painting 90 00:05:15,520 --> 00:05:18,360 Speaker 1: that she was submitting to the seen all. She did 91 00:05:18,440 --> 00:05:20,720 Speaker 1: not like that at all. I would not like that either. 92 00:05:20,880 --> 00:05:25,320 Speaker 1: It's a pretty conceited move to be like, oh, I'll 93 00:05:25,360 --> 00:05:30,039 Speaker 1: fix this before we turn it in. Yeah. Apparently her 94 00:05:30,120 --> 00:05:34,360 Speaker 1: mom found the whole situation hilarious and she did not 95 00:05:34,440 --> 00:05:40,080 Speaker 1: find it funny at all. One of the cool things 96 00:05:40,120 --> 00:05:45,320 Speaker 1: about there being more interest and more more exhibitions of 97 00:05:45,320 --> 00:05:48,400 Speaker 1: her work UM in the more more recent years is 98 00:05:48,440 --> 00:05:52,719 Speaker 1: that actually I was able to find two different catalogs 99 00:05:52,760 --> 00:05:59,279 Speaker 1: from two different exhibitions two go through as part of 100 00:05:59,320 --> 00:06:04,400 Speaker 1: the research for this episode, which was pleasantly surprising to 101 00:06:04,480 --> 00:06:08,920 Speaker 1: me because there, I mean, there are plenty of artists 102 00:06:08,880 --> 00:06:11,480 Speaker 1: who can find tons and tons and tons of exhibition 103 00:06:11,480 --> 00:06:15,400 Speaker 1: catalogs from, but not not as much with Bert MORRISO. 104 00:06:15,640 --> 00:06:20,520 Speaker 1: So getting to flip through two books of art really lovely. 105 00:06:20,760 --> 00:06:23,520 Speaker 1: Not a bad way to spend some time mm hmm. 106 00:06:24,200 --> 00:06:37,040 Speaker 1: Super delicious We got to have Andrew Feiler on the 107 00:06:37,080 --> 00:06:40,880 Speaker 1: show this week, which took a while to arrange, um, 108 00:06:40,880 --> 00:06:43,440 Speaker 1: but I'm thankful we did. Between his schedule and mine, 109 00:06:43,480 --> 00:06:45,520 Speaker 1: it got a little dicey, and I ended up booking 110 00:06:45,560 --> 00:06:46,920 Speaker 1: him on a day that I was out of town 111 00:06:46,960 --> 00:06:49,200 Speaker 1: because I'm a ding dong, But we got it all 112 00:06:49,240 --> 00:06:52,760 Speaker 1: worked out, uh, and he was just marvelous. And now 113 00:06:52,800 --> 00:06:56,719 Speaker 1: he's off running around because as a consequence of this work, 114 00:06:56,760 --> 00:06:59,599 Speaker 1: he has booked everywhere to give talks and and talk 115 00:06:59,680 --> 00:07:06,000 Speaker 1: about his his road trip around America, but documenting these schools. 116 00:07:06,800 --> 00:07:10,960 Speaker 1: It's funny, you know when he talks about particularly the 117 00:07:11,600 --> 00:07:14,840 Speaker 1: I mean I mentioned at the end of the episode 118 00:07:14,840 --> 00:07:16,600 Speaker 1: that when we talked about John Lewis, I mean I 119 00:07:16,600 --> 00:07:19,240 Speaker 1: got completely choked up because how could you not and 120 00:07:19,240 --> 00:07:22,360 Speaker 1: and his story I think is quite moving in having 121 00:07:22,360 --> 00:07:25,160 Speaker 1: that discussion with John Lewis and taking his picture, um, 122 00:07:25,880 --> 00:07:29,160 Speaker 1: but even him just talking about how important it became 123 00:07:29,200 --> 00:07:33,280 Speaker 1: to include portraits in this book as well as just 124 00:07:33,360 --> 00:07:35,760 Speaker 1: images of the schools and the states. They are now, 125 00:07:35,840 --> 00:07:39,360 Speaker 1: some of them, as we said, still living, working, breathing spaces, 126 00:07:39,440 --> 00:07:43,640 Speaker 1: some of them literally piles of rubble. But I I 127 00:07:43,680 --> 00:07:46,000 Speaker 1: love that you know, he ran into so many people 128 00:07:46,560 --> 00:07:49,280 Speaker 1: that had connections to them and wanted to share their 129 00:07:49,320 --> 00:07:51,920 Speaker 1: stories and wanted to be part of this project, and 130 00:07:51,960 --> 00:07:55,600 Speaker 1: I'm so grateful that he incorporated their portraits into it. Yeah, 131 00:07:55,920 --> 00:07:58,120 Speaker 1: it is a good reminder that history. We are all 132 00:07:58,120 --> 00:08:00,920 Speaker 1: writing history all the time, no matter whether you are 133 00:08:01,040 --> 00:08:03,960 Speaker 1: a child sitting in a classroom or the philanthropist that 134 00:08:04,000 --> 00:08:07,600 Speaker 1: funds that school, like, you're all part of that story. Um. 135 00:08:07,680 --> 00:08:09,800 Speaker 1: And so it's it's to me very cool. And I 136 00:08:09,840 --> 00:08:12,920 Speaker 1: love some of those pictures that are portraits because you 137 00:08:13,000 --> 00:08:15,920 Speaker 1: just get a different flavor and an insight into some 138 00:08:15,960 --> 00:08:19,440 Speaker 1: of these people that is so beautiful and fun. Um, 139 00:08:19,480 --> 00:08:22,320 Speaker 1: I love it. I love it. Okay, I tell you 140 00:08:22,520 --> 00:08:25,320 Speaker 1: a John Lewis story. It's not about this episode, what 141 00:08:25,440 --> 00:08:30,200 Speaker 1: it is about the show. When the third volume of 142 00:08:30,320 --> 00:08:37,160 Speaker 1: John Lewis's graphic novel March came out, I tried to 143 00:08:37,200 --> 00:08:40,560 Speaker 1: get him onto the show to talk about it. Uh. 144 00:08:40,640 --> 00:08:43,600 Speaker 1: As In I started trying to contact people to basically 145 00:08:43,760 --> 00:08:46,240 Speaker 1: be like, is John Lewis doing publicity for this book? 146 00:08:46,600 --> 00:08:49,200 Speaker 1: We'd love to have him on the show. And uh, 147 00:08:49,320 --> 00:08:57,000 Speaker 1: basically having not tried harder is one of my biggest regrets. 148 00:08:57,040 --> 00:09:02,600 Speaker 1: About my whatever eight years, but I've been on this podcast. Yeah, 149 00:09:02,880 --> 00:09:05,200 Speaker 1: because it wasn't like I just asked somebody and gave 150 00:09:05,320 --> 00:09:09,800 Speaker 1: up that. I think had I known some of the 151 00:09:09,840 --> 00:09:12,880 Speaker 1: things I know now about trying to get guests onto 152 00:09:12,880 --> 00:09:16,800 Speaker 1: the show, I might have made different decisions. And uh, 153 00:09:16,960 --> 00:09:20,120 Speaker 1: I don't know. It's one of my true regrets that 154 00:09:20,120 --> 00:09:25,079 Speaker 1: that did not end up working. Yeah, that's understandable. Um. 155 00:09:25,240 --> 00:09:29,839 Speaker 1: I always tell people I'm I don't get starstruck, and 156 00:09:29,920 --> 00:09:32,400 Speaker 1: the times I have, there have been very few. And 157 00:09:32,440 --> 00:09:34,160 Speaker 1: I can name two off the top of my head. 158 00:09:34,679 --> 00:09:36,679 Speaker 1: And one was meeting Charlie Bolden when he was the 159 00:09:36,720 --> 00:09:40,920 Speaker 1: administrator of NASA. Totally cried. And two was like literally 160 00:09:40,960 --> 00:09:44,599 Speaker 1: I met John Lewis at the airport during a protest 161 00:09:46,080 --> 00:09:47,760 Speaker 1: and he reached out and shook my hand and I 162 00:09:47,800 --> 00:09:50,520 Speaker 1: just burst into tears, like a complete mess, and I 163 00:09:50,559 --> 00:09:53,520 Speaker 1: was just like cant he was. So we didn't we 164 00:09:53,559 --> 00:09:56,360 Speaker 1: spent seconds together total, like he was. There were a 165 00:09:56,360 --> 00:09:58,640 Speaker 1: lot of people that wanted to talk with him, but 166 00:09:58,679 --> 00:10:01,760 Speaker 1: it was U You just realize you're holding the hand 167 00:10:01,760 --> 00:10:04,120 Speaker 1: of history and it's a little bit much. That was 168 00:10:04,160 --> 00:10:07,720 Speaker 1: a lot to take in, uh um, and was just 169 00:10:07,880 --> 00:10:10,280 Speaker 1: as lovely as one would ever hope in that situation, 170 00:10:10,440 --> 00:10:17,000 Speaker 1: and to his extraordinary credit and skill, and it's not surprising, 171 00:10:17,000 --> 00:10:20,439 Speaker 1: but it still took me by surprise. In a situation 172 00:10:20,480 --> 00:10:22,360 Speaker 1: like that where they were just throngs of people and 173 00:10:22,400 --> 00:10:25,280 Speaker 1: everyone wants to talk to him. I think he made 174 00:10:25,280 --> 00:10:27,360 Speaker 1: everyone feel like they had a connection with him for 175 00:10:27,360 --> 00:10:30,120 Speaker 1: at least a second or two, which is difficult to 176 00:10:30,200 --> 00:10:34,720 Speaker 1: do in crowd situations, and shows extraordinary grace. I've heard 177 00:10:35,320 --> 00:10:39,640 Speaker 1: similar descriptions from other people who had similar experiences. Just 178 00:10:39,720 --> 00:10:43,120 Speaker 1: a lovely human and we are poorer for not having 179 00:10:43,200 --> 00:10:46,720 Speaker 1: him with us anymore. But boy his I feel like 180 00:10:46,840 --> 00:10:50,920 Speaker 1: his legacy continues, and it is part of this legacy 181 00:10:51,040 --> 00:10:54,640 Speaker 1: that that Andrew wanted to document, you know. He he 182 00:10:54,720 --> 00:10:57,720 Speaker 1: mentions in that interview that you know, he had all 183 00:10:57,760 --> 00:11:01,640 Speaker 1: the history parts covered, but he didn't have really inexperiential 184 00:11:01,679 --> 00:11:03,480 Speaker 1: writing about what it was like to go to these 185 00:11:03,520 --> 00:11:06,600 Speaker 1: schools and just you know, sit in the schoolhouse, many 186 00:11:06,640 --> 00:11:09,480 Speaker 1: of them so tiny, and just you know that be 187 00:11:10,040 --> 00:11:14,440 Speaker 1: your um, you know, your primary education, and and how 188 00:11:14,480 --> 00:11:18,680 Speaker 1: that shapes a person um And it was just lovely. 189 00:11:18,800 --> 00:11:20,720 Speaker 1: I was so glad I got to talk to Andrew 190 00:11:20,880 --> 00:11:23,600 Speaker 1: and I was glad that he kind of continued that 191 00:11:23,640 --> 00:11:25,760 Speaker 1: discussion that we had a little bit of with Jeremy 192 00:11:25,800 --> 00:11:29,200 Speaker 1: Katz from the Breman Center about how in many ways 193 00:11:29,480 --> 00:11:33,200 Speaker 1: Atlanta's Black community and Jewish community have always been so 194 00:11:33,320 --> 00:11:37,800 Speaker 1: closely linked, um and really kind of dependent on each 195 00:11:37,840 --> 00:11:40,560 Speaker 1: other in a lot of ways. UM, and really you know, 196 00:11:40,640 --> 00:11:44,520 Speaker 1: had a um a sort of kinship born out of 197 00:11:44,520 --> 00:11:47,920 Speaker 1: their positions on the social ladder at that point. So 198 00:11:48,040 --> 00:11:49,840 Speaker 1: I was glad that that he got to kind of 199 00:11:49,840 --> 00:11:54,320 Speaker 1: book in that, uh in this interview as well. So again, 200 00:11:54,760 --> 00:11:57,319 Speaker 1: boy do I love that book. Um. His use of 201 00:11:57,400 --> 00:11:59,560 Speaker 1: light is just really extraordinary. It's the same kind of 202 00:11:59,600 --> 00:12:02,959 Speaker 1: thing that I respond to you in paintings, UM, in 203 00:12:03,000 --> 00:12:05,600 Speaker 1: the way that he uses light to frame and alter 204 00:12:05,679 --> 00:12:08,640 Speaker 1: a scene. And so of course I'm like, yeah, I 205 00:12:08,800 --> 00:12:14,400 Speaker 1: page through this all day long. I'll be great. I 206 00:12:14,440 --> 00:12:17,960 Speaker 1: also love that he accidentally found himself writing about history, 207 00:12:18,040 --> 00:12:19,800 Speaker 1: because he didn't know he was going to want to 208 00:12:19,800 --> 00:12:23,400 Speaker 1: write a story for every picture until he was actually 209 00:12:23,440 --> 00:12:26,560 Speaker 1: in it and then was like, oh, I guess I 210 00:12:26,600 --> 00:12:31,760 Speaker 1: am researching and writing. Now that's a whole different uh. 211 00:12:31,840 --> 00:12:34,120 Speaker 1: And also I just wanted to have him on because, 212 00:12:34,320 --> 00:12:37,679 Speaker 1: as I always try to do UM and you know 213 00:12:37,760 --> 00:12:39,600 Speaker 1: you do as well. We try to have people on 214 00:12:39,679 --> 00:12:42,640 Speaker 1: that have history careers that maybe aren't history careers. People 215 00:12:42,640 --> 00:12:45,520 Speaker 1: always think about UM and that it is not always 216 00:12:45,520 --> 00:12:49,800 Speaker 1: about teaching, but sometimes about discovering and and sharing art 217 00:12:49,920 --> 00:12:53,160 Speaker 1: and showing things in new ways. So super duper lucky. 218 00:12:53,200 --> 00:12:55,360 Speaker 1: I am hoping to get down to the exhibit before 219 00:12:55,400 --> 00:12:59,000 Speaker 1: it goes to its next position on tour, because it's 220 00:12:59,559 --> 00:13:02,520 Speaker 1: I I suspect it is rather mind blowing to see 221 00:13:02,520 --> 00:13:06,200 Speaker 1: those photographs at huge scale in a beautiful setting like that. 222 00:13:06,320 --> 00:13:10,280 Speaker 1: So if you're in Atlanta, maybe I'll run into you. 223 00:13:12,520 --> 00:13:14,560 Speaker 1: I'll be the one in the corner crying. It'll be great. 224 00:13:17,800 --> 00:13:20,600 Speaker 1: I hope your weekend the head is delightful. If you 225 00:13:20,640 --> 00:13:22,560 Speaker 1: are not having time off, I hope it is still 226 00:13:22,600 --> 00:13:24,719 Speaker 1: as delightful as can be, and that you managed to 227 00:13:24,760 --> 00:13:28,240 Speaker 1: find some some moments of peace and perhaps even happiness 228 00:13:28,240 --> 00:13:30,520 Speaker 1: in there. Uh. And we will be right back here 229 00:13:30,520 --> 00:13:32,480 Speaker 1: tomorrow with a classic and then we'll see you again 230 00:13:32,480 --> 00:13:40,480 Speaker 1: on Monday when new content. Stuff you missed in History 231 00:13:40,480 --> 00:13:43,240 Speaker 1: Class is a production of I Heart Radio. For more 232 00:13:43,280 --> 00:13:46,040 Speaker 1: podcasts from I heart Radio, visit the i heart Radio 233 00:13:46,080 --> 00:13:49,640 Speaker 1: app Apple Podcasts or wherever you listen to your favorite shows.