1 00:00:00,200 --> 00:00:03,600 Speaker 1: Hey friends, this is DJ Daniel. The following episode contains 2 00:00:03,640 --> 00:00:06,480 Speaker 1: spoilers for the show OBI one. If you would like 3 00:00:06,519 --> 00:00:09,920 Speaker 1: to avoid these spoilers, they begin five minutes and fifteen 4 00:00:10,000 --> 00:00:14,000 Speaker 1: seconds after I'm done speaking. The spoiler conversation ends at 5 00:00:14,040 --> 00:00:17,600 Speaker 1: fifteen minutes when the theme song kicks. In a special note, 6 00:00:17,920 --> 00:00:20,840 Speaker 1: these timings do not include the ads place at the 7 00:00:20,840 --> 00:00:23,520 Speaker 1: beginning of the episodes. Those are placed by region, and 8 00:00:23,560 --> 00:00:25,840 Speaker 1: therefore I do not know how long they may be, 9 00:00:26,239 --> 00:00:29,440 Speaker 1: So to keep it simple, five minutes and fifteen seconds 10 00:00:29,480 --> 00:00:32,280 Speaker 1: after I'm done speaking is when the spoilers begin, and 11 00:00:32,440 --> 00:00:35,320 Speaker 1: fifteen minutes after I Am done speaking is when the 12 00:00:35,320 --> 00:00:37,839 Speaker 1: theme song begins. If you want to hear the conversation 13 00:00:37,880 --> 00:00:41,840 Speaker 1: spoilers at all, sit back, relax, and enjoy the show. Wait, 14 00:00:41,880 --> 00:00:46,040 Speaker 1: so how do we talk about this without any spoilers? Okay, 15 00:00:46,080 --> 00:00:49,560 Speaker 1: so you got to be in Star Wars. That's really exciting, 16 00:00:49,680 --> 00:00:52,320 Speaker 1: ABI one. Okay, I got to be in an episode 17 00:00:52,440 --> 00:00:55,880 Speaker 1: of OBI one and you get to talk about let's 18 00:00:55,880 --> 00:00:58,640 Speaker 1: talk about seeing your name in the start with the 19 00:00:58,680 --> 00:01:03,040 Speaker 1: Star Wars background. Very exciting. It was very exciting, and um, 20 00:01:03,800 --> 00:01:06,759 Speaker 1: I'm not in person as myself, I can say I'm 21 00:01:06,800 --> 00:01:10,480 Speaker 1: a creature. Okay, that's not really a spoiler, and we 22 00:01:10,520 --> 00:01:12,920 Speaker 1: can talk about how that was really cool because the 23 00:01:12,959 --> 00:01:16,200 Speaker 1: way the creatures designed it was a puppet UM with 24 00:01:16,400 --> 00:01:21,800 Speaker 1: a person inside and then two puppeteers using UM. It 25 00:01:22,000 --> 00:01:25,160 Speaker 1: had like seventy servos in its head and there's two 26 00:01:25,200 --> 00:01:28,520 Speaker 1: different puppeteers using like RC remotes that are moving. All 27 00:01:28,600 --> 00:01:32,880 Speaker 1: the features of the seventy servos in its faces are 28 00:01:32,920 --> 00:01:35,920 Speaker 1: gears that operate the puppet. Yeah, they're like little motors 29 00:01:36,280 --> 00:01:40,560 Speaker 1: and UM and and this, you know, the different tents, 30 00:01:40,760 --> 00:01:43,720 Speaker 1: the tentacles and the eyebrows and you know, UM and 31 00:01:43,880 --> 00:01:46,000 Speaker 1: UM and then and then the way it's rigged is 32 00:01:46,000 --> 00:01:48,080 Speaker 1: that I wear this headpiece I posted on in my 33 00:01:48,160 --> 00:01:50,680 Speaker 1: Instagram if you're curious what it looks like. And when 34 00:01:50,720 --> 00:01:54,920 Speaker 1: I talk UM, the jaw moves. And so that was 35 00:01:54,960 --> 00:01:57,200 Speaker 1: what was so cool about UM getting to do it. 36 00:01:57,200 --> 00:01:58,560 Speaker 1: It wasn't you know, I would have I would have 37 00:01:58,560 --> 00:02:00,840 Speaker 1: flipped out if it was just a voiceover assignment. UM, 38 00:02:01,440 --> 00:02:04,240 Speaker 1: But I got to be on set. You're you had 39 00:02:04,080 --> 00:02:10,080 Speaker 1: the character, had your mannerisms in your face. Even though 40 00:02:11,120 --> 00:02:15,480 Speaker 1: it did it looked nothing like you, you know what 41 00:02:15,520 --> 00:02:19,920 Speaker 1: I mean, But it still felt like you you know 42 00:02:19,919 --> 00:02:22,040 Speaker 1: what I mean? And that's what that's what makes that 43 00:02:22,200 --> 00:02:25,880 Speaker 1: so cool, you know, because it's like you're acting. You're 44 00:02:25,960 --> 00:02:31,920 Speaker 1: acting with somebody else's face kind of, but your face 45 00:02:32,000 --> 00:02:33,960 Speaker 1: still shines through through it, you know what I mean? 46 00:02:34,200 --> 00:02:36,560 Speaker 1: And your and because your voice is different, Like there's 47 00:02:36,600 --> 00:02:41,000 Speaker 1: so many things that were really spectacular about this for me. One, 48 00:02:41,320 --> 00:02:44,640 Speaker 1: your voice is different, but you're still telling the story 49 00:02:44,800 --> 00:02:50,960 Speaker 1: so well. You play us a pro Empire character. But 50 00:02:51,080 --> 00:02:54,079 Speaker 1: that's a bit of a spoiler, isn't it, Joel, Not 51 00:02:54,160 --> 00:02:57,280 Speaker 1: really the line of it. We got a lot of 52 00:02:57,680 --> 00:03:00,760 Speaker 1: tweets asking how does Donald feel? People were really worried 53 00:03:00,800 --> 00:03:05,120 Speaker 1: about the friendship. Yes, well I know I saw that 54 00:03:05,120 --> 00:03:07,359 Speaker 1: on my Instagram too, because I don't read Twitter anymore. 55 00:03:07,400 --> 00:03:11,000 Speaker 1: But Donald, um all our fans because they know this 56 00:03:11,040 --> 00:03:13,120 Speaker 1: is your fantasy. I saw fun The funniest version of 57 00:03:13,120 --> 00:03:16,800 Speaker 1: it was um someone wrote, did you and Donald accidentally 58 00:03:16,840 --> 00:03:25,200 Speaker 1: mix up your whiteboards? I hope I'm directing something real good, 59 00:03:25,320 --> 00:03:29,040 Speaker 1: real soon. I do want to say that Donald um 60 00:03:29,080 --> 00:03:32,160 Speaker 1: and and and he can he can make jokes about 61 00:03:33,160 --> 00:03:36,680 Speaker 1: hating it, but he has been and I was nervous 62 00:03:36,760 --> 00:03:38,560 Speaker 1: to tell him that I got I got the part. 63 00:03:39,040 --> 00:03:43,360 Speaker 1: But of course, but he as as every good best 64 00:03:43,400 --> 00:03:47,480 Speaker 1: friend should be, was nothing ever more than holy shit, 65 00:03:47,600 --> 00:03:50,040 Speaker 1: I'm so excited for you. Oh. I cried for like 66 00:03:50,120 --> 00:03:54,800 Speaker 1: a day. Don't get it twisted, all right, I was wrong. 67 00:03:55,800 --> 00:03:58,000 Speaker 1: I cried. I cried for a day. But then my 68 00:03:58,080 --> 00:04:01,440 Speaker 1: fucking once, my ego let it go. I was like, dude, 69 00:04:01,720 --> 00:04:04,720 Speaker 1: Zach has an opportunity to do something that's so fucking cool, 70 00:04:05,440 --> 00:04:09,560 Speaker 1: and you let me finish. Dude, let me finish. And 71 00:04:09,680 --> 00:04:13,560 Speaker 1: you know he's gonna fricking kill it. And he's gonna 72 00:04:13,680 --> 00:04:16,480 Speaker 1: and you know he's gonna freaking kill it, you know, 73 00:04:16,680 --> 00:04:19,320 Speaker 1: And dude, you you were amazing. Man, it was really 74 00:04:19,320 --> 00:04:23,599 Speaker 1: it was a It was um refreshing to say, not 75 00:04:23,640 --> 00:04:25,640 Speaker 1: only for that, but you brought my kids back to 76 00:04:25,680 --> 00:04:28,400 Speaker 1: Star Wars. Also, my kids, you know, they adore you 77 00:04:28,440 --> 00:04:33,440 Speaker 1: and they love you tremendously, and I shoved Star Wars 78 00:04:33,480 --> 00:04:36,279 Speaker 1: down their throats so hard that they were turned off 79 00:04:36,320 --> 00:04:39,640 Speaker 1: by it to the point where they won't watch Marvel. 80 00:04:39,680 --> 00:04:41,800 Speaker 1: If you could be in a Marvel movie next, that 81 00:04:41,839 --> 00:04:44,800 Speaker 1: would be great. First of all, because they don't like, 82 00:04:45,200 --> 00:04:48,479 Speaker 1: Thank you, they don't like they don't like uh, Star 83 00:04:48,520 --> 00:04:51,080 Speaker 1: Wars anymore. Or they didn't like Star Wars anymore, and 84 00:04:51,120 --> 00:04:56,520 Speaker 1: they won't watch Marvel because I obsess over it too much. Right, 85 00:04:56,880 --> 00:05:00,479 Speaker 1: And so when you so Cheaper Boy Doesn't came out 86 00:05:00,760 --> 00:05:03,120 Speaker 1: and my kids went to the premiere, and you are 87 00:05:03,200 --> 00:05:06,600 Speaker 1: now like an a lister in our house. You're not 88 00:05:06,760 --> 00:05:10,000 Speaker 1: you know, you are like freaking to you know how 89 00:05:10,040 --> 00:05:13,000 Speaker 1: Dindell and Harrison Ford was to me. You're that to 90 00:05:13,360 --> 00:05:17,560 Speaker 1: my children right now. And so I've seen Cheaper by 91 00:05:17,600 --> 00:05:19,240 Speaker 1: the Doesn't quite a few times, and you are the 92 00:05:19,320 --> 00:05:22,400 Speaker 1: king of sauce. I get you know what I mean, 93 00:05:22,400 --> 00:05:26,480 Speaker 1: I get all of that, right. And so Star Wars 94 00:05:26,560 --> 00:05:30,120 Speaker 1: comes out, and I haven't told anybody about this at all. 95 00:05:30,120 --> 00:05:32,680 Speaker 1: Obi Wan comesn't told anyone either, because I'm so afraid 96 00:05:32,680 --> 00:05:35,440 Speaker 1: of uh, you know obviously on the podcast, these guys 97 00:05:35,480 --> 00:05:38,200 Speaker 1: knew forever and uh we were being a little bit 98 00:05:38,279 --> 00:05:41,359 Speaker 1: cheeky about saying, ohbi obi Wan looks really good, but 99 00:05:41,400 --> 00:05:43,880 Speaker 1: we would have said that anyway because Donald and you know, 100 00:05:43,920 --> 00:05:46,480 Speaker 1: I'm a freak about it and you know well about it, 101 00:05:47,480 --> 00:05:50,880 Speaker 1: and so we had to keep it under wraps because 102 00:05:51,360 --> 00:05:53,960 Speaker 1: you know, it was supposed to be a surprise, top 103 00:05:54,000 --> 00:05:57,040 Speaker 1: secret thing, but we've known about it since before you 104 00:05:57,160 --> 00:05:59,640 Speaker 1: shot it, I was doing it actually simultaneously with Cheaper 105 00:05:59,640 --> 00:06:01,520 Speaker 1: by the Does, And we're gonna talk about a little 106 00:06:01,520 --> 00:06:02,880 Speaker 1: bit more in depth. So if you don't want to 107 00:06:02,880 --> 00:06:05,800 Speaker 1: know anything about Obi wan h, if you haven't watched 108 00:06:05,800 --> 00:06:08,120 Speaker 1: any of it, I guess step ahead before you go on. 109 00:06:08,560 --> 00:06:21,080 Speaker 1: Spoiler alert, spoiler alert or spoiler alert alert. Okay, So, um, 110 00:06:21,320 --> 00:06:24,839 Speaker 1: so that's so fucking cool. I'm sorry, dude, that's the 111 00:06:24,880 --> 00:06:26,839 Speaker 1: coolest shit ever. When you're done with this, let me 112 00:06:26,880 --> 00:06:28,840 Speaker 1: finish my story too. Go ahead. Oh it's sorry, I 113 00:06:28,839 --> 00:06:32,120 Speaker 1: don't story but anyway, Um, like the Mandalorian, a lot 114 00:06:32,160 --> 00:06:34,479 Speaker 1: of this stuff is shot on that this thing called 115 00:06:34,480 --> 00:06:36,679 Speaker 1: the Volume, which is the state of the art stage 116 00:06:36,720 --> 00:06:40,400 Speaker 1: where it's not green screen, it's it's live projected, you know, 117 00:06:40,520 --> 00:06:42,800 Speaker 1: four K resolution. And so when you're in this thing 118 00:06:42,839 --> 00:06:45,400 Speaker 1: called the Volume, it's all really there, all that stuff 119 00:06:45,440 --> 00:06:48,039 Speaker 1: with the in the fish in that wacky market where 120 00:06:48,120 --> 00:06:50,880 Speaker 1: Laya escapes and it's you know, in the in the 121 00:06:51,279 --> 00:06:54,600 Speaker 1: it's sort of futuristic marketplace where they have the chase 122 00:06:54,600 --> 00:06:57,839 Speaker 1: scene in episode two, that's like a small only a 123 00:06:57,880 --> 00:07:01,360 Speaker 1: few set pieces. Everything you're seeing is the is a 124 00:07:01,440 --> 00:07:05,000 Speaker 1: volume screen. Wow, so it's just insane technology, even her 125 00:07:05,120 --> 00:07:08,159 Speaker 1: jumping on across the roof and all of that. I'm saying, 126 00:07:08,480 --> 00:07:11,120 Speaker 1: anything like they're interacting with is a set piece, like 127 00:07:11,120 --> 00:07:13,560 Speaker 1: a roof would be a set piece, but like anything 128 00:07:13,600 --> 00:07:16,000 Speaker 1: beyond it, like where a green screen would be, is 129 00:07:16,040 --> 00:07:19,200 Speaker 1: projected live. So when you're on, when you're in the volume, 130 00:07:19,200 --> 00:07:21,320 Speaker 1: I've never been, but Deborah said, you've got to come 131 00:07:21,400 --> 00:07:23,360 Speaker 1: check it out. It's it's the most insane thing you've 132 00:07:23,360 --> 00:07:26,240 Speaker 1: ever seen. Because what's crazy is it's happening. It's live. 133 00:07:26,280 --> 00:07:28,080 Speaker 1: Like you're just saying, they're looking at it, and she 134 00:07:28,200 --> 00:07:31,120 Speaker 1: could be like, oh, those two extras deep in the background, 135 00:07:31,200 --> 00:07:32,960 Speaker 1: can you delete them? And the guy at the computers 136 00:07:32,960 --> 00:07:35,080 Speaker 1: like do do dude, and then they're gone, and it's like, 137 00:07:35,120 --> 00:07:37,520 Speaker 1: you know, we should probably add like a spaceship landing 138 00:07:37,600 --> 00:07:39,400 Speaker 1: on that building, and like do do do doo doo. 139 00:07:39,480 --> 00:07:41,120 Speaker 1: All of a sudden, there's a spaceship landing on that 140 00:07:41,160 --> 00:07:44,480 Speaker 1: building and you're watching you dude, that's so cool. It's 141 00:07:44,600 --> 00:07:48,640 Speaker 1: so cool. And I believe Mandalorian was the first big 142 00:07:48,680 --> 00:07:52,200 Speaker 1: show to develop this, but now it's becoming a new 143 00:07:52,280 --> 00:07:56,000 Speaker 1: if you can afford it, the new way to do futuristic, well, 144 00:07:56,040 --> 00:07:59,520 Speaker 1: any sort of anything, anything with a budget, anything with 145 00:07:59,560 --> 00:08:01,800 Speaker 1: a budget that can afford it. But anyway, so the 146 00:08:01,800 --> 00:08:06,400 Speaker 1: point is that my scenes, though, um we're all lighting 147 00:08:06,400 --> 00:08:10,520 Speaker 1: and everything, my my scenes were actually shot out in 148 00:08:10,560 --> 00:08:14,120 Speaker 1: the desert, on this ranch ranch desert thing about. She 149 00:08:14,200 --> 00:08:17,080 Speaker 1: had the most practical part in the right and it 150 00:08:17,120 --> 00:08:19,400 Speaker 1: was so hot. I felt so bad for the gentleman 151 00:08:19,440 --> 00:08:22,320 Speaker 1: in the suit because it was really hot, and they 152 00:08:22,360 --> 00:08:25,160 Speaker 1: had like things going inside the suit to help him 153 00:08:25,240 --> 00:08:29,480 Speaker 1: be cool, like cool air being pumped in. But um, 154 00:08:30,080 --> 00:08:32,760 Speaker 1: but it looks so everything you're seeing on the on 155 00:08:33,240 --> 00:08:37,520 Speaker 1: on my scenes were shot on location and and and 156 00:08:37,520 --> 00:08:40,400 Speaker 1: I remember turning to Deborah and there's just that expansive, 157 00:08:40,440 --> 00:08:42,640 Speaker 1: incredible view and I go, you know, people are gonna 158 00:08:42,640 --> 00:08:44,679 Speaker 1: think this is fake, right, the people are gonna think 159 00:08:44,720 --> 00:08:47,520 Speaker 1: this is the volume. She's like, I know, we spend 160 00:08:47,520 --> 00:08:50,080 Speaker 1: all this time and money and effort bringing this enormous 161 00:08:50,160 --> 00:08:52,480 Speaker 1: crew out here, and they're gonna think it's fake because 162 00:08:52,480 --> 00:08:55,600 Speaker 1: it looked so beautiful. But it was just so cool 163 00:08:55,600 --> 00:08:57,560 Speaker 1: and I had to be so top secret about it. 164 00:08:57,840 --> 00:08:59,800 Speaker 1: But they wouldn't even let me to take my sides, 165 00:09:00,200 --> 00:09:02,840 Speaker 1: Like sides are the things, Um, an actor gets on 166 00:09:02,880 --> 00:09:04,599 Speaker 1: the day, they're like a small script of just what 167 00:09:04,960 --> 00:09:08,080 Speaker 1: you're what you're saying that day, and like, never in 168 00:09:08,120 --> 00:09:10,079 Speaker 1: my life has a PA come up to me and like, hey, 169 00:09:10,120 --> 00:09:12,400 Speaker 1: we have to take those I was like, hey, I 170 00:09:12,440 --> 00:09:14,600 Speaker 1: was like, I came have these other superir She's like, no, 171 00:09:15,080 --> 00:09:18,200 Speaker 1: you know that's that's that's that's the crazy thing though, 172 00:09:18,240 --> 00:09:21,480 Speaker 1: when would you ever take sides home as a super No, No, 173 00:09:21,559 --> 00:09:24,199 Speaker 1: of course not. That ship goes in the trash when 174 00:09:24,240 --> 00:09:27,319 Speaker 1: you're done anyway, after her days of work. Yeah, man, 175 00:09:27,360 --> 00:09:30,319 Speaker 1: it's really interesting. Man. Like I was saying, my kids 176 00:09:31,120 --> 00:09:34,079 Speaker 1: now are back on Star Wars because cheaper by the doesn't. 177 00:09:34,080 --> 00:09:37,000 Speaker 1: It is such a huge success in my household. All 178 00:09:37,040 --> 00:09:40,959 Speaker 1: I had to say was Uncle Zach's and Star Wars 179 00:09:41,000 --> 00:09:43,559 Speaker 1: this morning. That is a good sentence though, to say 180 00:09:43,559 --> 00:09:49,839 Speaker 1: to you, my godchildren, right, and they go he is, 181 00:09:50,480 --> 00:09:53,000 Speaker 1: and my son then goes because I forced them to 182 00:09:53,040 --> 00:09:57,440 Speaker 1: watch episode one and they were like, oh god, that's 183 00:09:57,520 --> 00:10:00,360 Speaker 1: your nightmare. Yeah, at least you got him on basketball, dude, 184 00:10:00,360 --> 00:10:02,559 Speaker 1: at least you got that, no doubt. He's he's totally 185 00:10:02,559 --> 00:10:05,400 Speaker 1: playing basketball. And so he goes to me after he 186 00:10:05,400 --> 00:10:08,680 Speaker 1: hears that he goes, maybe I should watch episode two 187 00:10:08,760 --> 00:10:14,160 Speaker 1: first good And I was like a word yeah, And 188 00:10:14,200 --> 00:10:16,320 Speaker 1: I was like, all right, let's put an episode two. Now. 189 00:10:16,360 --> 00:10:18,440 Speaker 1: I could watch this ship all day, It's me, you 190 00:10:18,440 --> 00:10:20,440 Speaker 1: know what I mean. I could watch the Great, I 191 00:10:20,440 --> 00:10:22,720 Speaker 1: could watch the Bad, I could watch the so so 192 00:10:23,120 --> 00:10:26,040 Speaker 1: it doesn't matter to me. It's Star Wars. I'm in right. 193 00:10:26,559 --> 00:10:30,120 Speaker 1: He sits down and he starts watching. Now he's laughing 194 00:10:30,200 --> 00:10:32,280 Speaker 1: through the ship too, you know what I mean. So 195 00:10:32,320 --> 00:10:36,520 Speaker 1: now he's getting the jokes that, uh, I don't want 196 00:10:36,520 --> 00:10:38,520 Speaker 1: to spoil anything. We're still in the spoiler mode. You 197 00:10:38,520 --> 00:10:40,880 Speaker 1: can talk? Are we still in the spoiler mode? Okay? Cool? 198 00:10:40,920 --> 00:10:42,880 Speaker 1: All right. So he's saying he's laughing at the ship. 199 00:10:42,960 --> 00:10:45,520 Speaker 1: The Ley is saying, So now I'm like, wow, this 200 00:10:45,559 --> 00:10:49,319 Speaker 1: little girl's really make it. So now the impact after 201 00:10:49,320 --> 00:10:51,719 Speaker 1: watching it the second time that this little girl has 202 00:10:51,760 --> 00:10:55,480 Speaker 1: on my son is like, oh, snap, she's she works 203 00:10:55,840 --> 00:10:58,480 Speaker 1: perfectly for this, right, you know what I mean? And 204 00:10:58,559 --> 00:11:02,680 Speaker 1: so uh and so and so now every speech Ce has, 205 00:11:02,920 --> 00:11:06,360 Speaker 1: I'm listening to what she's saying instead of listening to 206 00:11:06,440 --> 00:11:10,199 Speaker 1: what you know, Obi wan and and and what everybody 207 00:11:10,240 --> 00:11:12,040 Speaker 1: else is saying. And so that's scene where he talks 208 00:11:12,040 --> 00:11:15,720 Speaker 1: about how you know, you know, you remind me of someone. 209 00:11:16,000 --> 00:11:19,040 Speaker 1: It hits home all of a sudden. Now it's like, oh, 210 00:11:19,040 --> 00:11:21,840 Speaker 1: it's gut wrenching, you know what I mean. It's right anyway, 211 00:11:21,880 --> 00:11:26,680 Speaker 1: So let me finish. Okay, so let me finish. So 212 00:11:26,920 --> 00:11:32,240 Speaker 1: we get through that episode, and we watched the next episode, 213 00:11:33,679 --> 00:11:38,679 Speaker 1: which has you in it, and he's freaking over well, actually, 214 00:11:38,760 --> 00:11:42,160 Speaker 1: he goes away. I put on the next episode. I say, 215 00:11:42,200 --> 00:11:45,160 Speaker 1: this is the part Uncle Zach's, and he comes running in. 216 00:11:45,440 --> 00:11:47,440 Speaker 1: They sit down and watch the rest of the episode 217 00:11:47,440 --> 00:11:51,840 Speaker 1: from that moment on right right, and so uh then anyway, 218 00:11:51,840 --> 00:11:55,000 Speaker 1: so this morning I'm sleeping, he comes down. He wakes 219 00:11:55,080 --> 00:11:58,800 Speaker 1: up early every morning. I walk into we call it 220 00:11:58,840 --> 00:12:00,920 Speaker 1: the Cool Room. It's the room we have the video 221 00:12:00,960 --> 00:12:03,360 Speaker 1: games where we have the arcade. It's like the arcade, right. 222 00:12:03,960 --> 00:12:06,480 Speaker 1: It started off as the kid's room and he named 223 00:12:06,480 --> 00:12:08,320 Speaker 1: it the cool room as a kid. So I walk 224 00:12:08,400 --> 00:12:12,079 Speaker 1: into the room and he's in there watching Obi Wan 225 00:12:12,200 --> 00:12:15,520 Speaker 1: Kenobi and it's your part. He goes, this is one 226 00:12:15,520 --> 00:12:21,920 Speaker 1: of my favorite shows. Dad. Yes I brought them back, Yes, 227 00:12:22,600 --> 00:12:27,560 Speaker 1: I brought them backing zib he came through all I 228 00:12:27,600 --> 00:12:30,920 Speaker 1: want now I'm just praying for an action figure, that's 229 00:12:30,920 --> 00:12:33,480 Speaker 1: all I all I want, or a Lego set. Well 230 00:12:33,520 --> 00:12:36,200 Speaker 1: you have, you have the opportunity to come thinks gonna 231 00:12:36,200 --> 00:12:38,440 Speaker 1: get a figure. I'm not dead, so i'man I could 232 00:12:38,480 --> 00:12:41,360 Speaker 1: come back in. And that was a freaking awesome scene too. 233 00:12:41,480 --> 00:12:46,199 Speaker 1: If you're listening to this, please write in. Um uh 234 00:12:46,360 --> 00:12:52,600 Speaker 1: you guys better bring back Frek. He was amazing. Anyway, 235 00:12:52,640 --> 00:12:55,400 Speaker 1: I gotta think Deborah Chow and Joel is wearing a 236 00:12:55,480 --> 00:12:58,840 Speaker 1: directed by Deborah Chow t shirt which is very cute. Um, 237 00:12:58,880 --> 00:13:01,640 Speaker 1: it's just incredible the amount of pressure that was on 238 00:13:01,679 --> 00:13:04,400 Speaker 1: her shoulders. She directed every single one of these episodes. 239 00:13:05,800 --> 00:13:08,079 Speaker 1: She should get a movie. Man, she should get a movie. Oh, 240 00:13:08,120 --> 00:13:10,520 Speaker 1: I'm sure she'll get They should do an over. I mean, 241 00:13:10,559 --> 00:13:12,160 Speaker 1: I don't know how this ends, so I don't want to, 242 00:13:12,360 --> 00:13:13,760 Speaker 1: you know, if this is it, if this is a 243 00:13:13,800 --> 00:13:16,920 Speaker 1: limited series, I don't want to. But this would be 244 00:13:16,960 --> 00:13:19,520 Speaker 1: a dope movie. Also, all I can say is, uh, 245 00:13:19,960 --> 00:13:23,320 Speaker 1: you know, most of these shows, as you know, several 246 00:13:23,320 --> 00:13:26,480 Speaker 1: directors do them, and she did them all. And she's 247 00:13:26,559 --> 00:13:30,440 Speaker 1: just the amount of pressure on this woman's shoulders. And 248 00:13:30,520 --> 00:13:34,920 Speaker 1: she was always cool and always calm, and you know, 249 00:13:35,400 --> 00:13:38,320 Speaker 1: she's just the number one stream show ever in Disney 250 00:13:38,800 --> 00:13:43,120 Speaker 1: Plus history. Yeah ever, Yeah, And she had all the 251 00:13:43,160 --> 00:13:46,880 Speaker 1: pressure of the fans desires and the studio's desires and 252 00:13:47,160 --> 00:13:50,760 Speaker 1: Ewan's desires and everyone all down on her shoulders and 253 00:13:51,120 --> 00:13:54,280 Speaker 1: every doing every single episode. So she's a pretty incredible 254 00:13:54,720 --> 00:13:57,240 Speaker 1: person and filmmaker, and I want to give her a 255 00:13:57,240 --> 00:14:01,320 Speaker 1: shout out all right before we before we in the 256 00:14:01,360 --> 00:14:03,360 Speaker 1: spoiler section, there is one thing that we have to 257 00:14:03,400 --> 00:14:06,440 Speaker 1: talk about. We can't talk about the positive without talking 258 00:14:06,480 --> 00:14:08,760 Speaker 1: about the little bit of negative. First of all, all 259 00:14:08,800 --> 00:14:12,000 Speaker 1: of these people out there that are bullying or talking 260 00:14:12,160 --> 00:14:19,120 Speaker 1: shit about young Moses. You can eat a capital d 261 00:14:19,320 --> 00:14:23,600 Speaker 1: I c K or your racist comments, dude. Uh, it's 262 00:14:23,640 --> 00:14:25,960 Speaker 1: one thing to not like a performance, but to go 263 00:14:26,040 --> 00:14:28,320 Speaker 1: in on her because of the color her skin. It's 264 00:14:28,400 --> 00:14:33,640 Speaker 1: some bullshit, dude, And or whatever the fuck you identify 265 00:14:33,880 --> 00:14:40,000 Speaker 1: as you can eat and you can that's so that's horrible. 266 00:14:40,520 --> 00:14:42,800 Speaker 1: Then this also happened to the the the Asian woman 267 00:14:42,840 --> 00:14:47,920 Speaker 1: who was the star of the horrible aspect of the 268 00:14:47,920 --> 00:14:50,560 Speaker 1: fan base that that uh, that that of some of 269 00:14:50,560 --> 00:14:54,080 Speaker 1: the fan base obviously that that happens. It's it's really disheartening, 270 00:14:54,640 --> 00:14:56,760 Speaker 1: but it makes it. I mean, come on, this is 271 00:14:56,760 --> 00:15:00,320 Speaker 1: supposed to be somebody's big break, and your idea a 272 00:15:00,360 --> 00:15:05,400 Speaker 1: fandom is unnecessary and not wanted and not needed. So 273 00:15:05,520 --> 00:15:09,920 Speaker 1: please keep that to yourself. If ever you feel like 274 00:15:10,920 --> 00:15:14,240 Speaker 1: the way I'm gonna express how I feel about somebody's 275 00:15:14,280 --> 00:15:18,960 Speaker 1: performances to go directly at their heart and feelings or 276 00:15:19,000 --> 00:15:22,120 Speaker 1: at their race. You are not a fan. You are 277 00:15:22,160 --> 00:15:25,920 Speaker 1: a fucking piece of shit. That's how I go ahead 278 00:15:26,680 --> 00:15:31,160 Speaker 1: like that. There good here here here, WU tank forever 279 00:15:31,400 --> 00:15:33,840 Speaker 1: I think we should. I fell. That's the end of 280 00:15:33,840 --> 00:15:36,960 Speaker 1: the boiler section down. You'll figure out the time there. 281 00:15:37,320 --> 00:15:39,200 Speaker 1: And now let's get into the show. Donal count us 282 00:15:39,240 --> 00:15:45,360 Speaker 1: in five six seven eight about show we made about 283 00:15:45,360 --> 00:15:56,360 Speaker 1: a bunch of doc nurses and stories. So gata around here, 284 00:15:57,040 --> 00:16:05,120 Speaker 1: yeata around here for you. Well, the first thing we 285 00:16:05,160 --> 00:16:08,000 Speaker 1: have to say is Judy Rays. Judy Rays, Judy Rays 286 00:16:08,080 --> 00:16:14,280 Speaker 1: in this episode. Holy, I mean, I just think that 287 00:16:14,360 --> 00:16:19,080 Speaker 1: Judy Ray is that she's just her real of actors 288 00:16:19,360 --> 00:16:24,200 Speaker 1: should just be this scene. Yes, she's just so talented, 289 00:16:24,240 --> 00:16:26,680 Speaker 1: and I'm excited it will have already happened when you 290 00:16:26,720 --> 00:16:30,480 Speaker 1: hear this. But we are all going down to Austin 291 00:16:31,000 --> 00:16:34,040 Speaker 1: and we're all going to reunite and I'm so excited, um, 292 00:16:34,080 --> 00:16:37,360 Speaker 1: Donald to have fun with you. Bill is coming, um uh, 293 00:16:37,400 --> 00:16:40,040 Speaker 1: Donald Knight and Sarah we're planning on going down a 294 00:16:40,160 --> 00:16:43,040 Speaker 1: night early just to have some some fun together. And 295 00:16:43,160 --> 00:16:45,400 Speaker 1: Bill just texted me that he's going to join us 296 00:16:45,400 --> 00:16:49,640 Speaker 1: a day early. Um. And then the whole cast, the 297 00:16:49,640 --> 00:16:52,840 Speaker 1: whole lead, all the leads except for Ken Um, Um 298 00:16:52,920 --> 00:16:56,200 Speaker 1: understandably are are going down to do this panel and 299 00:16:56,200 --> 00:16:59,040 Speaker 1: we're all going to have dinner Saturday night together. Which 300 00:16:59,080 --> 00:17:02,720 Speaker 1: is I mean, we have a dinner together probably? I 301 00:17:02,800 --> 00:17:07,200 Speaker 1: mean ever know, well, yeah, remember after we lost, well 302 00:17:07,480 --> 00:17:10,160 Speaker 1: remember a few times, you know, every time we lost 303 00:17:10,160 --> 00:17:12,800 Speaker 1: an Awards show, we would go to dinner right after 304 00:17:12,840 --> 00:17:15,479 Speaker 1: we lost. I remember that was the one thing that 305 00:17:15,520 --> 00:17:18,200 Speaker 1: I was like, I appreciate Bill for this so much. 306 00:17:18,960 --> 00:17:22,360 Speaker 1: We'd lose and he'd be like, you are ready to go? 307 00:17:22,920 --> 00:17:25,600 Speaker 1: We feel like yeah, it's like we're not, we're not 308 00:17:25,640 --> 00:17:28,800 Speaker 1: sitting here. Well. I couldn't help but think that Judy 309 00:17:28,840 --> 00:17:31,639 Speaker 1: should have been nominated for her performance in this episode. 310 00:17:31,800 --> 00:17:35,199 Speaker 1: Absolutely see it's just so heartbreaking at the end. And um, 311 00:17:36,440 --> 00:17:39,359 Speaker 1: and but we'll get there. Um. So Laverne. If you 312 00:17:39,400 --> 00:17:41,760 Speaker 1: recall this is a to be continued episode, this is 313 00:17:42,000 --> 00:17:45,560 Speaker 1: what's the name of it, Joel. This episode Goye My Long, 314 00:17:45,600 --> 00:17:49,919 Speaker 1: Goodbye and Um, written by Dave Tennant and directed by 315 00:17:49,960 --> 00:17:54,320 Speaker 1: Victor Nella Junior. Um. Laverne is in a coma from 316 00:17:54,320 --> 00:18:00,120 Speaker 1: her car accident and UM, and everybody is dealing Yeah, 317 00:18:00,200 --> 00:18:02,840 Speaker 1: go ahead, we're just saying to say. Everybody's dealing with 318 00:18:03,160 --> 00:18:06,360 Speaker 1: the grief of it in their own different way. Right. 319 00:18:06,400 --> 00:18:11,600 Speaker 1: Elliot's fucking like crazy. Elliot just decided to fuck like crazy. Yeah, 320 00:18:11,640 --> 00:18:14,119 Speaker 1: that's her. That's her go to and we know that 321 00:18:14,200 --> 00:18:19,280 Speaker 1: she's doing it by the number of scratches on Keith's back, right, 322 00:18:19,520 --> 00:18:26,200 Speaker 1: And she gets to the cross mark comes five? Yeah, 323 00:18:26,600 --> 00:18:30,280 Speaker 1: what do they call that? When you're doing the it's 324 00:18:30,280 --> 00:18:32,760 Speaker 1: the cross mark? I thought, right, No, what do they 325 00:18:32,760 --> 00:18:34,480 Speaker 1: call that thing? When you do one, two, three, four? 326 00:18:34,520 --> 00:18:40,480 Speaker 1: And then you put a hash to the five marks? Hash? Hash? 327 00:18:41,240 --> 00:18:45,080 Speaker 1: I keep wanting to say hash, but not hashtag comes 328 00:18:45,160 --> 00:18:48,800 Speaker 1: up in Google is accurate? Oh, hashtag does tally marks? 329 00:18:49,280 --> 00:18:52,000 Speaker 1: Tally marks? Okay, there you go. Okay, so we put 330 00:18:52,240 --> 00:18:54,640 Speaker 1: so she's she's had sex with them five times, so 331 00:18:54,680 --> 00:18:56,720 Speaker 1: she's put she puts the fifth tally mark on, but 332 00:18:56,760 --> 00:18:59,679 Speaker 1: then wants to go again. Then yeah, then wants to 333 00:18:59,760 --> 00:19:02,960 Speaker 1: go again. Remember the Penis doctors, Doctor Penis, he told 334 00:19:03,040 --> 00:19:06,159 Speaker 1: us that that that's called the refractory period. How I 335 00:19:06,200 --> 00:19:09,520 Speaker 1: believe how quickly the man can go again? Keith has 336 00:19:09,520 --> 00:19:12,480 Speaker 1: a very low refractory period. Yes, it is, it is, 337 00:19:12,560 --> 00:19:16,040 Speaker 1: it is. One would say lightning quick. I would say 338 00:19:16,040 --> 00:19:19,240 Speaker 1: it's seconds, because she says, let's go again, and Kee's 339 00:19:19,359 --> 00:19:25,240 Speaker 1: ready and he yes, I do not have. I do 340 00:19:25,359 --> 00:19:28,040 Speaker 1: not have that. It's quick, but it's not that quick. Well, 341 00:19:28,040 --> 00:19:32,000 Speaker 1: you're also forty eight. When I was young, it wasn't 342 00:19:32,040 --> 00:19:35,560 Speaker 1: that quick. Yeah, I was young. My refractory period wasn't 343 00:19:35,600 --> 00:19:38,000 Speaker 1: that quick either. I think only in the movies and 344 00:19:38,040 --> 00:19:41,879 Speaker 1: TV it's that quick, right, especially on this, But I 345 00:19:41,880 --> 00:19:44,040 Speaker 1: don't know. There's probably someone listening who's like, no, my 346 00:19:44,160 --> 00:19:52,240 Speaker 1: refractory period is like five seconds, man. And that person 347 00:19:52,280 --> 00:19:54,719 Speaker 1: has a lot of kids. Yeah, that person has a 348 00:19:54,760 --> 00:19:59,760 Speaker 1: lot of kids. So um JD and Turk have decided 349 00:19:59,800 --> 00:20:02,000 Speaker 1: to do something they've always want to do, which is 350 00:20:02,040 --> 00:20:10,120 Speaker 1: mailbox baseball at Kelso's house. Yes, and Kelso has reinforced 351 00:20:10,280 --> 00:20:15,480 Speaker 1: his mailbox with titanium because Enid, what did she do? 352 00:20:15,920 --> 00:20:19,440 Speaker 1: She hit it with the RV too many times driving. 353 00:20:19,680 --> 00:20:24,560 Speaker 1: I don't think though she had dementia. Sorry, I'm not 354 00:20:24,640 --> 00:20:26,720 Speaker 1: laughing at dementia. I'm laughing at the fact that Enid 355 00:20:26,800 --> 00:20:29,480 Speaker 1: with dementia is driving the RV. I don't think she 356 00:20:29,520 --> 00:20:32,800 Speaker 1: should be. No, I don't think that's a good idea. 357 00:20:33,520 --> 00:20:36,720 Speaker 1: But anyway, you you get kicked off. Now you're stunt man. 358 00:20:37,200 --> 00:20:40,320 Speaker 1: I went back and froze. Frame doesn't look anything like you. 359 00:20:41,920 --> 00:20:44,480 Speaker 1: Um Now, Now, of course, when you're watching something in 360 00:20:44,600 --> 00:20:47,080 Speaker 1: normal speed, you would never notice this. Wow, But I 361 00:20:47,160 --> 00:20:49,960 Speaker 1: was curious by the way the fellow, whoever he is, 362 00:20:49,960 --> 00:20:52,080 Speaker 1: I'm sorry, I don't have your name, he did take 363 00:20:52,119 --> 00:20:55,960 Speaker 1: a very nice uh fall off a scooter. But um, 364 00:20:56,000 --> 00:20:58,680 Speaker 1: but I but I saw that it was clearly not you. Well, 365 00:20:58,680 --> 00:21:02,639 Speaker 1: you know there's the most infamous not the person stunt 366 00:21:02,680 --> 00:21:05,720 Speaker 1: man from Beverly Hills Cop when Eddie Murphy throws the 367 00:21:05,720 --> 00:21:08,760 Speaker 1: guy over the table. The stunt man looks like Richard Pryor, 368 00:21:09,200 --> 00:21:11,159 Speaker 1: and at least the dude had a bald head in 369 00:21:11,240 --> 00:21:13,960 Speaker 1: this one. Yeah, Anie in a mustache. I don't know 370 00:21:13,960 --> 00:21:16,760 Speaker 1: if it was fake or not. Wait and Beverly and 371 00:21:16,840 --> 00:21:19,360 Speaker 1: Beverly Hills cop. No in this one, Oh no, they 372 00:21:19,400 --> 00:21:21,920 Speaker 1: really did the Beverly Hills cop maneuver. Well, just put 373 00:21:21,920 --> 00:21:24,600 Speaker 1: a mustache on the guy. No, if you did, I 374 00:21:24,640 --> 00:21:26,199 Speaker 1: have a much I didn't have a mustache at this 375 00:21:26,240 --> 00:21:29,720 Speaker 1: point this episode. You have a mustache? Really, I'm not. 376 00:21:30,240 --> 00:21:33,200 Speaker 1: I only knew. I only knew because I went back 377 00:21:33,240 --> 00:21:34,720 Speaker 1: and looked at it. I was like, the guy looks 378 00:21:34,840 --> 00:21:36,600 Speaker 1: nothing like him. But I froze frame and it was like, Wow, 379 00:21:36,600 --> 00:21:40,479 Speaker 1: at least they put the mustache on him. Wow. Do 380 00:21:40,520 --> 00:21:43,639 Speaker 1: you remember me rocking a mustache all the time? I 381 00:21:43,720 --> 00:21:46,360 Speaker 1: just remember that sometimes you would and sometimes you wouldn't, 382 00:21:46,440 --> 00:21:48,879 Speaker 1: and when we when we needed to highlight them all, 383 00:21:49,200 --> 00:21:53,000 Speaker 1: we would shake it off. Right, you didn't shake the mustache. 384 00:21:53,560 --> 00:21:56,639 Speaker 1: I thought that was Lonnie playing the guy who gets 385 00:21:56,680 --> 00:21:59,720 Speaker 1: bad news, didn't you? I did, But then I realized 386 00:21:59,760 --> 00:22:02,720 Speaker 1: it was a Lonnie look alike. Yes, because Bill was 387 00:22:02,760 --> 00:22:06,800 Speaker 1: pretty good about not repeating characters ever. Um, I think 388 00:22:06,840 --> 00:22:10,359 Speaker 1: there's like a handful of examples. Maybe, but I was like, 389 00:22:10,400 --> 00:22:13,120 Speaker 1: why is Lonnie getting the bad news from the bad 390 00:22:13,160 --> 00:22:17,560 Speaker 1: news robot? Now the bad news robot is pretty funny. 391 00:22:17,720 --> 00:22:20,720 Speaker 1: It's made of a garbage I don't know what it's 392 00:22:20,760 --> 00:22:24,200 Speaker 1: made of, but that's a freaking very funny soap opera 393 00:22:24,400 --> 00:22:31,119 Speaker 1: fantasy of that with the robot yeah the kid, wait, 394 00:22:31,119 --> 00:22:33,480 Speaker 1: don't get it first. That starts with the guard for 395 00:22:33,520 --> 00:22:35,159 Speaker 1: the first of all, it's the bad news robot. It 396 00:22:35,160 --> 00:22:37,640 Speaker 1: comes in and it's a garbage can with like a 397 00:22:37,680 --> 00:22:44,040 Speaker 1: scooter handabar. Johnny almost have made this thing. It's well, okay, right, 398 00:22:44,160 --> 00:22:47,520 Speaker 1: and it comes in to give bad news, to give 399 00:22:47,560 --> 00:22:50,399 Speaker 1: bad news, and it gives a kid the news that 400 00:22:50,440 --> 00:22:52,920 Speaker 1: he has cancer, and then it dies. No. Wait, and 401 00:22:52,920 --> 00:22:57,520 Speaker 1: then it says, press the button for a pep talk, 402 00:22:57,640 --> 00:23:00,080 Speaker 1: or press the button if you give up. Yeah, And 403 00:23:00,119 --> 00:23:02,720 Speaker 1: the kid presses the button for the pep talk, and 404 00:23:02,800 --> 00:23:06,640 Speaker 1: the robots you have pressed the button for a pep talk. 405 00:23:06,920 --> 00:23:10,720 Speaker 1: You are going. You are strong, you are And then 406 00:23:10,720 --> 00:23:15,800 Speaker 1: he starts smoking because because it breaks him. And then 407 00:23:15,840 --> 00:23:19,440 Speaker 1: the robot dies, and then we cut to the robots 408 00:23:19,520 --> 00:23:22,960 Speaker 1: now in the bed right, and and I had to 409 00:23:23,000 --> 00:23:28,960 Speaker 1: give his robot kids two little smaller robots bad news. 410 00:23:29,600 --> 00:23:32,560 Speaker 1: And then one takes out a laser and blasts you 411 00:23:32,760 --> 00:23:36,320 Speaker 1: and shoots me. Yeah, and then the other one, the 412 00:23:36,359 --> 00:23:45,040 Speaker 1: other one comes through and that was very funny. That 413 00:23:45,119 --> 00:23:49,520 Speaker 1: was yeah, that was very very ston very stonery hilarious. Yeah, 414 00:23:50,080 --> 00:23:53,360 Speaker 1: Jordan and Cox are having the baby. They don't want 415 00:23:53,359 --> 00:23:56,920 Speaker 1: anyone to know about it. She didn't even tell him, right. 416 00:23:57,160 --> 00:23:59,800 Speaker 1: I like that he puts on a Rutger's T shirt 417 00:23:59,840 --> 00:24:05,800 Speaker 1: to represent Jerseys. But I did. I got Rutgers. I 418 00:24:05,840 --> 00:24:08,080 Speaker 1: don't know. I know he went to ny Uh. I 419 00:24:08,080 --> 00:24:09,960 Speaker 1: think it went to Syracuse too, I'm not sure. I 420 00:24:10,000 --> 00:24:12,359 Speaker 1: don't know. But I got in the Rutgers I remember, dude. 421 00:24:12,359 --> 00:24:15,080 Speaker 1: I remember getting into Rutgers. And this the only college 422 00:24:15,119 --> 00:24:17,120 Speaker 1: that I got into. And I only got in because 423 00:24:17,160 --> 00:24:19,400 Speaker 1: my mom went to Rutgers. This is such a bad story, 424 00:24:19,520 --> 00:24:23,000 Speaker 1: but my mom went to Rutgers and her her college professor, 425 00:24:23,040 --> 00:24:26,160 Speaker 1: her drama professor, was Avery Brooks. Right, And so anyway, 426 00:24:27,840 --> 00:24:30,520 Speaker 1: I go out for Rutgers. My grades in the high 427 00:24:30,520 --> 00:24:33,439 Speaker 1: school are shit. I didn't go to high school. I 428 00:24:33,560 --> 00:24:38,080 Speaker 1: was a horrible I mean high school. I cut a 429 00:24:38,080 --> 00:24:40,560 Speaker 1: lot and I have a lot of teachers there that 430 00:24:41,280 --> 00:24:44,640 Speaker 1: helped push me through, and I appreciate you all, but um, 431 00:24:44,760 --> 00:24:47,280 Speaker 1: in all honesty, I wasn't a good student. And so 432 00:24:47,600 --> 00:24:49,600 Speaker 1: my mom's dream was for me to go to Rutgers. 433 00:24:50,160 --> 00:24:53,320 Speaker 1: I went, and I did the audition and I got in, 434 00:24:53,600 --> 00:24:57,239 Speaker 1: and I remember my guidance counselor's face, mister Nap, when 435 00:24:57,280 --> 00:24:59,400 Speaker 1: I told him, Oh, I'm not going to go to college. 436 00:24:59,560 --> 00:25:01,320 Speaker 1: My dream was to go to LA and make it 437 00:25:01,359 --> 00:25:03,720 Speaker 1: as an actor. And I remember his face when I 438 00:25:03,760 --> 00:25:06,760 Speaker 1: said that shit. He was like, oh, Donald, don't you 439 00:25:07,000 --> 00:25:08,879 Speaker 1: oh man like? And I was like nah. He was 440 00:25:08,920 --> 00:25:12,919 Speaker 1: like my My guidance counselor, who was also my history teacher, 441 00:25:13,119 --> 00:25:16,640 Speaker 1: couldn't believe that I got into college. Also, so when 442 00:25:16,640 --> 00:25:19,760 Speaker 1: I saw Johnny See with that Rutgers shirt hunt, I 443 00:25:19,800 --> 00:25:22,600 Speaker 1: was like, holy shit, this is full circle. Man. I 444 00:25:22,680 --> 00:25:25,440 Speaker 1: remember this moment. I remember the moment when I told 445 00:25:25,520 --> 00:25:27,879 Speaker 1: him and my mom that not that should ain't happening. 446 00:25:28,160 --> 00:25:31,080 Speaker 1: Asked Johnny when we see him, why why he decided 447 00:25:31,119 --> 00:25:33,359 Speaker 1: to give Rutgers a shout out. He must have some 448 00:25:33,400 --> 00:25:35,760 Speaker 1: connection to it. There has to be a Jersey pride, 449 00:25:35,960 --> 00:25:40,680 Speaker 1: Jersey Pride Rutgers represent. My dad taught law at Rutgers, 450 00:25:40,680 --> 00:25:43,560 Speaker 1: and he was very loyal, very loyal to UH to 451 00:25:43,640 --> 00:25:45,720 Speaker 1: their football team. He would actually go to the games, 452 00:25:45,760 --> 00:25:47,440 Speaker 1: even though I don't even know if Rutgers was any 453 00:25:47,440 --> 00:25:50,560 Speaker 1: good ever, Oh gosh, yeah, they were absolutely At one 454 00:25:50,600 --> 00:25:53,120 Speaker 1: point they won an into or were in the NC 455 00:25:53,240 --> 00:25:58,200 Speaker 1: double a game, okay, championship, how little line though, right, 456 00:25:58,240 --> 00:25:59,840 Speaker 1: I think they played for I think they played for. 457 00:26:00,040 --> 00:26:04,359 Speaker 1: My stepfather was a professor there too. Uh yeah, let's 458 00:26:04,359 --> 00:26:09,720 Speaker 1: take a break. We'll be right back after these fine words. 459 00:26:13,000 --> 00:26:14,919 Speaker 1: By the way, did you notice that, um it's a 460 00:26:14,960 --> 00:26:17,199 Speaker 1: small little easter egg, but when Kelsel comes out of 461 00:26:17,200 --> 00:26:19,560 Speaker 1: his house after you on the grounds, he's holding a 462 00:26:19,600 --> 00:26:25,440 Speaker 1: plum Ox mug, which is the from yeah, yeah, I 463 00:26:25,560 --> 00:26:27,600 Speaker 1: like the little easter egg that he's still rocking a 464 00:26:27,640 --> 00:26:33,400 Speaker 1: plum Ox mug. Um. So Carr, Cox and Jordan don't 465 00:26:33,400 --> 00:26:36,480 Speaker 1: want anyone to know about there that they're having the 466 00:26:36,520 --> 00:26:40,480 Speaker 1: C section, and um, they've asked JD for a favor, 467 00:26:40,560 --> 00:26:44,200 Speaker 1: but he's so worked up in his head about trying 468 00:26:44,240 --> 00:26:47,320 Speaker 1: to be the godfather and and the fact that he's 469 00:26:47,320 --> 00:26:48,920 Speaker 1: going to be the only one who knows the secret 470 00:26:48,960 --> 00:26:53,000 Speaker 1: that he doesn't hear what Cox is one request is 471 00:26:53,920 --> 00:26:57,240 Speaker 1: and um, and so he misses it. But he's like, 472 00:26:57,280 --> 00:26:59,040 Speaker 1: don't But he's like, should I ask again? No? No No, no, 473 00:26:59,160 --> 00:27:02,240 Speaker 1: And then he'll think he trust you. So he has 474 00:27:02,240 --> 00:27:07,280 Speaker 1: a plan too, well, he was. He remembers he was 475 00:27:07,320 --> 00:27:12,360 Speaker 1: still looking at Cox while he's daydreaming. He just wasn't listening. 476 00:27:12,840 --> 00:27:15,240 Speaker 1: So he goes he has a plan to go to 477 00:27:15,320 --> 00:27:19,320 Speaker 1: some doctor, an audiologist. I guess, right, who can read 478 00:27:19,400 --> 00:27:28,720 Speaker 1: the lips here? Right? He tries to recreate you remembering, Yeah, 479 00:27:29,800 --> 00:27:31,600 Speaker 1: I do a Cox impression, and then I try and 480 00:27:31,640 --> 00:27:35,760 Speaker 1: recreate which is which is bizarre that Jad has such 481 00:27:35,800 --> 00:27:38,840 Speaker 1: a memory that he can remember Cox is what Cox's 482 00:27:38,840 --> 00:27:42,520 Speaker 1: lips were doing. And then the audiologist says, yes, he 483 00:27:42,560 --> 00:27:45,879 Speaker 1: wants you to go buy some more film for his camera. 484 00:27:46,440 --> 00:27:49,080 Speaker 1: And that makes perfect sense because there's a baby on 485 00:27:49,119 --> 00:27:51,560 Speaker 1: the way, so right, So Jad believes that and goes 486 00:27:51,600 --> 00:27:54,280 Speaker 1: to good and for your kids out there. You used 487 00:27:54,320 --> 00:27:58,400 Speaker 1: to put film in a camera. Now what camera used 488 00:27:58,400 --> 00:28:02,159 Speaker 1: to be separate from your eye phone? It used to 489 00:28:02,200 --> 00:28:06,120 Speaker 1: be a whole another apparatus actually. So Elliot's the first 490 00:28:06,160 --> 00:28:10,280 Speaker 1: person to go say goodbye to Laverne. Uh she just 491 00:28:10,359 --> 00:28:16,240 Speaker 1: in case, uh something bad happens before the the cat 492 00:28:16,320 --> 00:28:18,760 Speaker 1: scan comes back. Elliot's the first person to go in 493 00:28:19,280 --> 00:28:23,440 Speaker 1: and she you know, it's a wonderful job. Everybody who 494 00:28:23,440 --> 00:28:27,520 Speaker 1: went into the room to say goodbye to nurse Roberts, 495 00:28:28,000 --> 00:28:30,879 Speaker 1: that's such a wonderful job, including you. You were you were, 496 00:28:30,920 --> 00:28:33,280 Speaker 1: you were very good in your scene. Thank you very much. 497 00:28:33,320 --> 00:28:40,040 Speaker 1: But when Elliott goes, this is what Laverne daughter, Yeah, 498 00:28:40,240 --> 00:28:43,080 Speaker 1: this is Laverne. I want to thank you for all 499 00:28:43,120 --> 00:28:46,320 Speaker 1: the things that you taught me, Like when why do 500 00:28:46,480 --> 00:28:50,400 Speaker 1: people come out of the rain? They smell like wet dog? 501 00:28:52,760 --> 00:28:59,480 Speaker 1: And then Elliott gets caught up in Now Elliot's moved 502 00:28:59,520 --> 00:29:04,280 Speaker 1: by that, and she goes, they do they really do 503 00:29:04,000 --> 00:29:08,880 Speaker 1: we do? Or did she say we do? And then 504 00:29:08,920 --> 00:29:15,840 Speaker 1: there's another moment and she goes, we really do? It 505 00:29:15,920 --> 00:29:18,400 Speaker 1: was great. It was a very funny moment, very hard. 506 00:29:18,560 --> 00:29:21,960 Speaker 1: But also we learned that when uh, we learned that 507 00:29:22,160 --> 00:29:27,040 Speaker 1: when uh, when Carl is being followed around by this ghost, 508 00:29:27,600 --> 00:29:31,520 Speaker 1: that also Cox is followed around by a ghost as well. 509 00:29:32,360 --> 00:29:35,640 Speaker 1: He's followed around by the ghost of Nicole Sullivan's character. Yes, 510 00:29:35,760 --> 00:29:37,520 Speaker 1: and I read on scrubs Wiki that it was originally 511 00:29:37,520 --> 00:29:40,640 Speaker 1: supposed to be bred in Frasier Um, but he was unavailable, 512 00:29:40,760 --> 00:29:45,280 Speaker 1: and so they asked Nicole Sullivan. Oh wow, well scrubs 513 00:29:45,280 --> 00:29:48,720 Speaker 1: WICKI trivia there for you. I think this rumor they 514 00:29:48,720 --> 00:29:51,520 Speaker 1: don't know how did they know? It may have been 515 00:29:51,520 --> 00:29:53,959 Speaker 1: something Sometimes scrubs Wiki, I think gets stuff off the 516 00:29:54,040 --> 00:30:00,080 Speaker 1: DVD commentaries. Um we did um uh so that I 517 00:30:00,080 --> 00:30:03,320 Speaker 1: have been something Bill said uh in he commentary something um. 518 00:30:04,240 --> 00:30:07,920 Speaker 1: Todd says, if doing you right now, gosh, that's the 519 00:30:07,960 --> 00:30:10,200 Speaker 1: best one. When the trio is in there, When that 520 00:30:10,320 --> 00:30:14,560 Speaker 1: trio is in there, that is the best one. Todd's 521 00:30:14,680 --> 00:30:17,640 Speaker 1: Todd's sweet words of of of of Do you want 522 00:30:17,640 --> 00:30:19,440 Speaker 1: to know what he says of pep talk is if 523 00:30:19,640 --> 00:30:21,720 Speaker 1: he goes, you know, he goes, you were the woman 524 00:30:22,240 --> 00:30:26,680 Speaker 1: I'd never do because you're a big girl. But if 525 00:30:26,800 --> 00:30:32,480 Speaker 1: doing you right now would save your life? What is that? 526 00:30:32,520 --> 00:30:34,880 Speaker 1: What do you say? I would right? Doing you right 527 00:30:34,880 --> 00:30:38,080 Speaker 1: now could help? Right? I would like like so sincere 528 00:30:38,200 --> 00:30:47,480 Speaker 1: I would? Um so. We also learned the janitor was 529 00:30:47,520 --> 00:30:52,400 Speaker 1: the lifeguard at LaVerne's pool party party. Yea, even though 530 00:30:52,440 --> 00:30:55,400 Speaker 1: he's not a strong swimmer, right, and he made abundant 531 00:30:55,440 --> 00:30:59,480 Speaker 1: but she somehow made abundantly clear. Yes. And then he 532 00:31:00,000 --> 00:31:03,280 Speaker 1: and he says something that that really is twisted. If 533 00:31:03,320 --> 00:31:06,360 Speaker 1: you see your dog up there, please tell him I'm 534 00:31:06,440 --> 00:31:10,600 Speaker 1: sorry sorry, which means that LaVerne's dog was killed at 535 00:31:10,640 --> 00:31:16,720 Speaker 1: her at one of her no in the pool when 536 00:31:16,760 --> 00:31:19,320 Speaker 1: the janitor was supposed to be a lifeguard. Yes, but 537 00:31:19,320 --> 00:31:21,320 Speaker 1: he couldn't do but he couldn't say the dog because 538 00:31:21,320 --> 00:31:30,000 Speaker 1: he couldn't swea I'm sorry, oh man, Okay, so then 539 00:31:30,040 --> 00:31:32,400 Speaker 1: he then the janet reveals that he converted to the 540 00:31:32,520 --> 00:31:41,840 Speaker 1: Norse religion, right because he thinks that LaVerne's going to Valhalla. Yes, okay, 541 00:31:41,880 --> 00:31:46,560 Speaker 1: we got to go back. Also, what Carla? Also, Carla 542 00:31:46,680 --> 00:31:49,760 Speaker 1: isn't such denial, but she also reveals that there was 543 00:31:49,800 --> 00:31:54,440 Speaker 1: a mister Wang in the hospital who went into a 544 00:31:54,520 --> 00:31:58,160 Speaker 1: coma in nineteen eighty four and just woke up. Yeah, 545 00:31:58,240 --> 00:32:01,520 Speaker 1: but when he woke up, he moonwalking into Michael Jackson 546 00:32:01,600 --> 00:32:10,000 Speaker 1: outfit and says, where's the beef? I love that he 547 00:32:10,520 --> 00:32:13,440 Speaker 1: had all that in his room for for for several years. Yeah, 548 00:32:13,840 --> 00:32:17,600 Speaker 1: look he's moonwalking in in was it the Michael Jackson. Yeah, 549 00:32:17,600 --> 00:32:21,600 Speaker 1: he's in the red Michael Jackson out fit. Thriller from 550 00:32:22,000 --> 00:32:25,880 Speaker 1: from Thriller. It's the Thriller or it was thriller. It 551 00:32:25,960 --> 00:32:30,080 Speaker 1: was thriller because Billy Jean is black. And then um 552 00:32:30,160 --> 00:32:32,280 Speaker 1: and then he and then he got the ruby scube. 553 00:32:32,280 --> 00:32:33,800 Speaker 1: And then he says Where's the beef? For those of 554 00:32:33,880 --> 00:32:37,280 Speaker 1: you who are too young. That was a famous Wendy 555 00:32:37,680 --> 00:32:40,840 Speaker 1: where this old woman would would open up her burger 556 00:32:41,080 --> 00:32:46,920 Speaker 1: button from different from various burger UH fast food place 557 00:32:47,000 --> 00:32:48,959 Speaker 1: and she became famous all around. It was like a 558 00:32:49,080 --> 00:32:52,400 Speaker 1: very very famous, very famous campaign. And she or the 559 00:32:52,400 --> 00:32:55,520 Speaker 1: burger meat was too small, and she go, where's the beef? 560 00:32:56,200 --> 00:33:00,920 Speaker 1: Where's the beef? Yeah? I do remember. The woman was 561 00:33:00,920 --> 00:33:03,080 Speaker 1: like nine years old. I had a T I had that. 562 00:33:03,120 --> 00:33:04,800 Speaker 1: I had one of those T shirts. You didn't have 563 00:33:04,800 --> 00:33:07,280 Speaker 1: it where's the Beef T shirt? When you had a 564 00:33:07,320 --> 00:33:10,840 Speaker 1: Where's the Beef? T shirt? Absolutely? I had Simpson. I dude, 565 00:33:10,840 --> 00:33:13,440 Speaker 1: I had a collection of Simpsons T shirts. And I 566 00:33:13,480 --> 00:33:15,840 Speaker 1: had never watched the Simpsons. But Bart Simpson was so 567 00:33:15,960 --> 00:33:18,920 Speaker 1: popular that fucking I had his face play. You were 568 00:33:18,960 --> 00:33:23,320 Speaker 1: a poser, dude. I said this many times in high school. Dude, 569 00:33:23,360 --> 00:33:25,760 Speaker 1: I walked around dressed as Bell bib de Vot. I 570 00:33:25,800 --> 00:33:28,400 Speaker 1: had hammer pants on. I was. But no, but you 571 00:33:28,440 --> 00:33:30,440 Speaker 1: at least loved those things. You're saying. You were a 572 00:33:30,440 --> 00:33:33,080 Speaker 1: Bart Simpson T shirt and didn't watch the Simpsons. Oh no, 573 00:33:33,160 --> 00:33:35,600 Speaker 1: I love Bart Simpson, but I didn't watch the Simpsons. 574 00:33:35,600 --> 00:33:38,120 Speaker 1: Because I didn't watch I love Bart Simpson because when 575 00:33:38,120 --> 00:33:40,120 Speaker 1: you would go to the movies and they would have 576 00:33:40,200 --> 00:33:43,160 Speaker 1: that those little shorts before the movies and it would 577 00:33:43,160 --> 00:33:46,040 Speaker 1: be the Simpson cartoon and that's how I knew who 578 00:33:46,040 --> 00:33:49,280 Speaker 1: they were. But as far as I remember, it starting 579 00:33:49,280 --> 00:33:52,040 Speaker 1: on the Tray Show as well. Yeah, but if you 580 00:33:52,080 --> 00:33:54,280 Speaker 1: went to the movies, like a couple of movies I 581 00:33:54,320 --> 00:33:56,760 Speaker 1: went to, there was like one where the Simpsons go 582 00:33:56,920 --> 00:34:00,600 Speaker 1: to uh therapist and they're all sitting on a therapist 583 00:34:00,680 --> 00:34:03,600 Speaker 1: chair and by the end of it, uh, Homer's choking 584 00:34:03,600 --> 00:34:07,040 Speaker 1: the shit out of Bart. But right, anyway, I had. 585 00:34:07,160 --> 00:34:10,719 Speaker 1: My favorite shirt was one where Bart a rasta man 586 00:34:10,760 --> 00:34:14,000 Speaker 1: and he's holding a blunt. Oh, I see, that would 587 00:34:14,040 --> 00:34:15,920 Speaker 1: made you look cool with your friends. This is right. 588 00:34:15,920 --> 00:34:17,480 Speaker 1: This is in high school too, So I got a 589 00:34:17,480 --> 00:34:21,400 Speaker 1: lot of like yearbook pictures with me wearing that shirt. 590 00:34:21,480 --> 00:34:26,040 Speaker 1: Really only only in a Manhattan school. Could only at 591 00:34:26,080 --> 00:34:29,840 Speaker 1: the professional children's school? Was that? Possibly at the professional 592 00:34:29,920 --> 00:34:32,399 Speaker 1: Children's School Manhattan? Can you take your class picture with 593 00:34:32,480 --> 00:34:34,799 Speaker 1: Bart as a roster man with a joints? Well, it 594 00:34:34,840 --> 00:34:36,400 Speaker 1: wasn't a class picture. It was like me on a 595 00:34:36,480 --> 00:34:39,319 Speaker 1: freaking uh. It was like a field day and where 596 00:34:39,320 --> 00:34:41,560 Speaker 1: the whole school was on a field. You know, it 597 00:34:41,640 --> 00:34:44,400 Speaker 1: was like in Central Park. We let's digress from and 598 00:34:44,480 --> 00:34:47,080 Speaker 1: how did you feel about the Miami Heat Celtics game. 599 00:34:47,440 --> 00:34:49,759 Speaker 1: I know how you felt. You felt it was over 600 00:34:49,840 --> 00:34:52,160 Speaker 1: after the first five minutes. I was trying to I 601 00:34:52,200 --> 00:34:54,960 Speaker 1: was tiring to convince donaland I was watching. So I 602 00:34:55,320 --> 00:34:57,319 Speaker 1: watched the first five minutes when they where they were 603 00:34:57,360 --> 00:35:01,960 Speaker 1: up by like ten, and I go, it's over. I 604 00:35:02,320 --> 00:35:05,640 Speaker 1: can't watch anymore. It's over. It's over. The lead's too big, 605 00:35:08,120 --> 00:35:11,040 Speaker 1: there's not enough, there's no it was. It was Guel 606 00:35:11,080 --> 00:35:12,600 Speaker 1: It was there really like the first two minutes of 607 00:35:12,600 --> 00:35:15,839 Speaker 1: the game, Dude, that game was. It's such a good 608 00:35:15,880 --> 00:35:20,239 Speaker 1: game until the last Listen, I'm gonna say one thing 609 00:35:21,120 --> 00:35:25,040 Speaker 1: and I'll probably get heat for it, no pun intended, right, 610 00:35:25,800 --> 00:35:29,320 Speaker 1: But he my dude, but he is my favorite player 611 00:35:29,360 --> 00:35:33,160 Speaker 1: in the NBA. But the decision he made at the 612 00:35:33,400 --> 00:35:37,560 Speaker 1: end of the game to pull that three, I'm sure 613 00:35:37,600 --> 00:35:40,680 Speaker 1: he's tired, and I know Al Horford is a beast 614 00:35:40,840 --> 00:35:43,960 Speaker 1: of a defender, but he had Al Horford backing up 615 00:35:44,680 --> 00:35:49,760 Speaker 1: on his heels and Jimmy Butler decided to pull almost 616 00:35:49,840 --> 00:35:55,280 Speaker 1: from the logo A three and you disagree with the decision. 617 00:35:56,160 --> 00:35:57,719 Speaker 1: I don't think that was the right decision. I thought 618 00:35:57,800 --> 00:36:00,560 Speaker 1: he should have put it in Al Horford's and tried 619 00:36:00,600 --> 00:36:03,040 Speaker 1: to get the M one at least, Dald do you 620 00:36:03,400 --> 00:36:05,880 Speaker 1: did you watch the game? Do you agree with Donald's assessment? 621 00:36:06,320 --> 00:36:10,440 Speaker 1: I mean, I definitely agree with Donald's assessment. Um, I 622 00:36:10,480 --> 00:36:12,600 Speaker 1: did not watch the game. I watched the highlights. I'm 623 00:36:12,640 --> 00:36:15,640 Speaker 1: a big Jimmy Butts fan. I love Jimmy Buckets, but 624 00:36:16,200 --> 00:36:18,560 Speaker 1: it's like the Michael Jordan quote, you're past the ball 625 00:36:18,880 --> 00:36:21,880 Speaker 1: to make that shot like forty times. You'll miss it 626 00:36:21,960 --> 00:36:24,879 Speaker 1: thirty times, but it's not going to stop you from trying. Right, 627 00:36:25,080 --> 00:36:26,759 Speaker 1: He missed it on the biggest stage to go to 628 00:36:26,800 --> 00:36:30,279 Speaker 1: the finals, though they would, Yeah, they would if he 629 00:36:30,360 --> 00:36:32,080 Speaker 1: made it, they go to the finals. Yeah, it's a 630 00:36:32,160 --> 00:36:35,359 Speaker 1: rat and he's freaking sports top ten for the year, 631 00:36:35,400 --> 00:36:39,000 Speaker 1: oh my for the for the year. It's freaking Kawhi Leonard. 632 00:36:39,280 --> 00:36:41,680 Speaker 1: When he did it to Joel and beating Jimmy Bucket 633 00:36:41,760 --> 00:36:44,680 Speaker 1: with the bounds, with the bounce, you know what I mean? Yeah, totally, 634 00:36:45,480 --> 00:36:48,920 Speaker 1: I'm gonna pose back. This went beyond anyway you asked 635 00:36:49,000 --> 00:36:52,600 Speaker 1: you asked, No. I wanted for those sports lovers out 636 00:36:52,640 --> 00:36:54,759 Speaker 1: there who listen, I wanted to give you your your 637 00:36:54,920 --> 00:36:58,480 Speaker 1: your little little moment to talk about it. I tried. 638 00:36:59,360 --> 00:37:02,600 Speaker 1: I want you to know I tried. I gave it 639 00:37:02,640 --> 00:37:06,800 Speaker 1: a solid when the score, I'm happy for the Celtics. 640 00:37:06,880 --> 00:37:10,399 Speaker 1: When the Celtics were had seventeen points. Uh, I don't 641 00:37:10,400 --> 00:37:13,840 Speaker 1: think it ever got that big or ten points up whatever. 642 00:37:13,920 --> 00:37:16,279 Speaker 1: I was like, it's over, donaldon. But I was having 643 00:37:16,280 --> 00:37:18,719 Speaker 1: fun with all my friends being like this, I need this, 644 00:37:18,600 --> 00:37:24,160 Speaker 1: this is this is a big one, so stupid. All 645 00:37:24,239 --> 00:37:26,279 Speaker 1: right back, let's take a break. We're gonna say a 646 00:37:26,320 --> 00:37:28,040 Speaker 1: quick break and we'll be right back with some more 647 00:37:28,080 --> 00:37:43,399 Speaker 1: talk about the TV show Scrubs and we're bad. Yeah, 648 00:37:46,960 --> 00:37:50,480 Speaker 1: woo Tank forever, woo Tank forever. What you're trying to 649 00:37:50,560 --> 00:37:55,560 Speaker 1: get into a day of shoom. What you're trying to do, hey, speaking, 650 00:37:55,600 --> 00:37:57,200 Speaker 1: what you're trying to get into, Make sure you pace 651 00:37:57,320 --> 00:38:00,279 Speaker 1: tomorrow because I don't want you, Woozy. I can picture 652 00:38:00,280 --> 00:38:02,759 Speaker 1: you're getting on the plane. Oh you don't know, bro, 653 00:38:03,560 --> 00:38:08,040 Speaker 1: but you don't know. You ain't heard. I'm using this 654 00:38:08,080 --> 00:38:13,879 Speaker 1: trip to get off the marijuana. Okay, good, But you're 655 00:38:13,920 --> 00:38:16,840 Speaker 1: still I imagine going to have a mimosa or something 656 00:38:16,880 --> 00:38:18,960 Speaker 1: on the plane. Yeah, but I can't drink like I 657 00:38:19,040 --> 00:38:20,600 Speaker 1: used to be able to drink like that. You know. 658 00:38:20,719 --> 00:38:22,960 Speaker 1: That's why I'm telling you to pace, because you don't 659 00:38:22,960 --> 00:38:24,480 Speaker 1: need to tell me to pace. I'm already. I'm a 660 00:38:24,520 --> 00:38:27,399 Speaker 1: grown ass man. I know you still want You're gonna 661 00:38:27,400 --> 00:38:30,560 Speaker 1: get boozy. That's not fun for me. It's my point. 662 00:38:31,000 --> 00:38:34,120 Speaker 1: I don't like the feeling of the room spinning. I 663 00:38:34,160 --> 00:38:36,400 Speaker 1: don't like the feeling of I'm about to throw up. 664 00:38:37,000 --> 00:38:39,520 Speaker 1: So I'll have a drink and if that shit's too sweet, 665 00:38:39,600 --> 00:38:42,520 Speaker 1: I'm not gonna finish it. You honor me, listen. I 666 00:38:42,800 --> 00:38:46,839 Speaker 1: want to make sure that you don't mimosa out too 667 00:38:46,920 --> 00:38:50,359 Speaker 1: much on the plane. Yes, hope they die, and I 668 00:38:50,400 --> 00:38:57,240 Speaker 1: hope they burn in hell. What's that airplane? No? Sam Jackson? 669 00:38:57,880 --> 00:39:01,000 Speaker 1: Oh oh the snakes? No? Do you remember an airplane? 670 00:39:01,000 --> 00:39:03,360 Speaker 1: When they when they when they cut to the counterpoint segment, 671 00:39:03,400 --> 00:39:07,280 Speaker 1: and the guys like they bought their tickets, they knew 672 00:39:07,320 --> 00:39:17,160 Speaker 1: what they were getting into. I say, let him crash 673 00:39:17,400 --> 00:39:19,440 Speaker 1: um all right, as long as you promise not to 674 00:39:19,440 --> 00:39:21,759 Speaker 1: get woozy, because I got a nice dinner reservation for us. 675 00:39:22,680 --> 00:39:25,560 Speaker 1: Where are we eating? Is it me you, Sarah and Bill? 676 00:39:26,239 --> 00:39:28,919 Speaker 1: It's me you, Sarah and Bill and Ryan our friend 677 00:39:29,000 --> 00:39:33,520 Speaker 1: Ryan and right, Okay, we're gonna have fun. Just don't 678 00:39:33,520 --> 00:39:36,920 Speaker 1: get too woozy. I can't believe Sarah's coming. She never 679 00:39:36,920 --> 00:39:41,560 Speaker 1: does anything spontaneous. No, no disrespect to Sarah. But she's 680 00:39:41,600 --> 00:39:45,719 Speaker 1: sure sheptain. I'm sure she's sick of being in Canada. Well, 681 00:39:45,760 --> 00:39:48,680 Speaker 1: all I gotta tell us. I guarantee you. We've told 682 00:39:48,680 --> 00:39:52,320 Speaker 1: you on the podcast that, um, there's always a story 683 00:39:52,360 --> 00:39:54,359 Speaker 1: with Sarah, and I know that she's going to show 684 00:39:54,400 --> 00:39:56,240 Speaker 1: up and be like, you guys are not gonna believe 685 00:39:56,520 --> 00:40:00,440 Speaker 1: what happened. My COMMI citizenship is no longer. Yeah, I 686 00:40:01,960 --> 00:40:06,000 Speaker 1: guess the airport they had revoked my Canadians citizens my passport. 687 00:40:06,080 --> 00:40:08,000 Speaker 1: I didn't know it was expired. There's gonna be some 688 00:40:08,239 --> 00:40:10,440 Speaker 1: you never you will never not see Sarah with like 689 00:40:10,680 --> 00:40:15,040 Speaker 1: you're not gonna believe what happened today. It won't even 690 00:40:15,040 --> 00:40:19,799 Speaker 1: be yesterday. It'll be like today. I'm about then they're 691 00:40:19,800 --> 00:40:22,400 Speaker 1: about my passport and it falls through a great in 692 00:40:22,480 --> 00:40:31,080 Speaker 1: the floor. It's all. Sometimes it gets really action in 693 00:40:31,120 --> 00:40:34,359 Speaker 1: the adventury too, man like one time the car one time, Yeah, 694 00:40:34,440 --> 00:40:38,759 Speaker 1: one time it was a car was barreling down a 695 00:40:38,920 --> 00:40:43,880 Speaker 1: hill towards a picnic where Sarah and the kids were eating. 696 00:40:46,200 --> 00:40:48,239 Speaker 1: It was her car. She didn't put the brake on, right, 697 00:40:48,320 --> 00:40:51,720 Speaker 1: she didn't put the brake on, and so is it? 698 00:40:51,840 --> 00:40:55,560 Speaker 1: Was it her sister's husband or was it I don't know, 699 00:40:55,640 --> 00:41:00,520 Speaker 1: but anyway, somebody jumps in the car and you know, 700 00:41:00,600 --> 00:41:04,200 Speaker 1: the car's park, so the wheel is hard to turn 701 00:41:04,360 --> 00:41:08,759 Speaker 1: now and rips the wheel and the car spins out 702 00:41:08,800 --> 00:41:12,120 Speaker 1: and barely misses them. Yeah, this is a this is 703 00:41:12,160 --> 00:41:14,640 Speaker 1: a there's never there was, this is never dull moment 704 00:41:14,680 --> 00:41:16,880 Speaker 1: when when we story at lunch on our next segment, 705 00:41:16,920 --> 00:41:20,160 Speaker 1: on our next episode, we'll tell you what what Sarah's 706 00:41:21,120 --> 00:41:24,080 Speaker 1: assuming we're allowed to, We'll tell you what Sarah's drama 707 00:41:24,160 --> 00:41:27,440 Speaker 1: for the day was when we see her and she's 708 00:41:27,440 --> 00:41:29,279 Speaker 1: always had a breath for some reason. When she tell it, 709 00:41:29,880 --> 00:41:35,880 Speaker 1: and then listen, I'm so excited to see her. I 710 00:41:35,880 --> 00:41:38,440 Speaker 1: can't wait. I can't wait. We're gonna have fun. All right. 711 00:41:38,480 --> 00:41:42,960 Speaker 1: Back to the show. Um, So, we learned that Kelso 712 00:41:43,200 --> 00:41:47,920 Speaker 1: and Laverne had sex a bit. For a bit, he 713 00:41:48,040 --> 00:41:52,960 Speaker 1: goes to kiss her, which feels inappropriate. Um, But then 714 00:41:53,520 --> 00:41:56,279 Speaker 1: LaVerne's ghost tells Carlo like, I don't mind. We once 715 00:41:56,360 --> 00:42:01,600 Speaker 1: did it before, right before I was with mister Roberts. Roberts, 716 00:42:02,200 --> 00:42:04,080 Speaker 1: let me tell you something that man loves him some 717 00:42:04,200 --> 00:42:09,640 Speaker 1: brown sugar. Yeah, but remembered it fondly. It seemed like, 718 00:42:09,960 --> 00:42:12,120 Speaker 1: you know, the audience is a little bit like creeped 719 00:42:12,120 --> 00:42:14,640 Speaker 1: out at first, like why is Kelsel Kissinger? And then 720 00:42:14,640 --> 00:42:18,239 Speaker 1: you cut LaVerne's ghost revealing like it wasn't, as if 721 00:42:18,280 --> 00:42:20,360 Speaker 1: to imply like it was. It was, Oh, no, we 722 00:42:20,400 --> 00:42:22,719 Speaker 1: had a good Yeah, we had a good couple of 723 00:42:22,840 --> 00:42:24,359 Speaker 1: we had a good run. Yeah, we had a good 724 00:42:24,920 --> 00:42:28,759 Speaker 1: we had some good sessions. Yea. Unfortunately I couldn't get 725 00:42:28,760 --> 00:42:37,160 Speaker 1: past the racism and the misogyny. So then JD frantically 726 00:42:37,200 --> 00:42:40,480 Speaker 1: realizes that when Cox says did you go did you 727 00:42:40,520 --> 00:42:42,399 Speaker 1: do what I said? That the lip reading was very 728 00:42:42,400 --> 00:42:45,600 Speaker 1: off and it was will you go pick up my son? Yes, 729 00:42:45,800 --> 00:42:49,880 Speaker 1: So he frantically texts Lloyd, Wow. The fact that Lloyds 730 00:42:49,880 --> 00:42:52,040 Speaker 1: why did he choose Lloyd of all people? The fact 731 00:42:52,040 --> 00:42:54,719 Speaker 1: that Lloyd's go to I mean, I you know, ever 732 00:42:54,760 --> 00:43:01,000 Speaker 1: since Lloyd's reliable, well he's reliable on his with the job, 733 00:43:01,120 --> 00:43:04,040 Speaker 1: and he's reliable with the kid. It turns out to 734 00:43:04,719 --> 00:43:07,919 Speaker 1: I know, but he he yah, well he comes through. Yeah, 735 00:43:08,040 --> 00:43:11,719 Speaker 1: and we cut to Lloyd Um cranking speed metal? Is 736 00:43:11,719 --> 00:43:15,000 Speaker 1: that what it's called, Daniel speed metal? That is a 737 00:43:15,040 --> 00:43:16,880 Speaker 1: form of metal? Yeah, I think I think that's what 738 00:43:16,920 --> 00:43:27,359 Speaker 1: it was. I have to go back. I can't think 739 00:43:27,400 --> 00:43:30,160 Speaker 1: of a kind of music I like that kind of 740 00:43:30,880 --> 00:43:33,799 Speaker 1: what I can't think of. No disrespect to all the 741 00:43:33,840 --> 00:43:36,399 Speaker 1: wonderful artists who created it's just, you know, it's each 742 00:43:36,440 --> 00:43:39,400 Speaker 1: their own. I'm sure you don't like slow, sad, singer 743 00:43:39,440 --> 00:43:43,440 Speaker 1: songwriter music, but I just don't understand. No, no, no, no, no, 744 00:43:49,520 --> 00:44:00,600 Speaker 1: dann do you listen to any of that? At one point, 745 00:44:00,600 --> 00:44:04,560 Speaker 1: at one point, at one point, there's somebody that always 746 00:44:04,560 --> 00:44:08,879 Speaker 1: does this in that song, I get a good pig 747 00:44:08,880 --> 00:44:12,600 Speaker 1: squeal going, what's that called? What's that kind of music called? 748 00:44:12,680 --> 00:44:15,200 Speaker 1: I mean, it's it's metal. There's there's there's also that's 749 00:44:15,200 --> 00:44:18,560 Speaker 1: not metal. It's it's some type type of metal. There's 750 00:44:18,640 --> 00:44:22,279 Speaker 1: there's like guar is that gar? I'm trying to skip 751 00:44:22,320 --> 00:44:23,799 Speaker 1: to the point in the episode so I could hear 752 00:44:23,800 --> 00:44:25,799 Speaker 1: it again because I'm having trouble to remembering exactly what 753 00:44:25,840 --> 00:44:28,360 Speaker 1: the actual music part sounded like. But well, just cuts 754 00:44:28,360 --> 00:44:30,839 Speaker 1: a Lloyd. The kid loves it. The kid is jamming out. 755 00:44:31,080 --> 00:44:34,200 Speaker 1: The kid would not love that, no but really, I 756 00:44:34,239 --> 00:44:36,440 Speaker 1: think some kids anyway, what's cute in this in the 757 00:44:36,480 --> 00:44:39,880 Speaker 1: episode is that Cox's kid is jamming out to it. 758 00:44:39,960 --> 00:44:45,040 Speaker 1: He loves it. You're your kids love noise because they 759 00:44:45,080 --> 00:44:50,200 Speaker 1: make so much of it. So I like, look, I 760 00:44:50,280 --> 00:44:53,799 Speaker 1: love this song. My kids love this song even more 761 00:44:53,840 --> 00:44:56,400 Speaker 1: than I do now. And we don't play the we 762 00:44:56,440 --> 00:45:02,759 Speaker 1: don't play the dirty version, but U Drick Lamars be humble, Yeah, grates. 763 00:45:03,440 --> 00:45:06,680 Speaker 1: They want that song so loud because that bass kick 764 00:45:06,760 --> 00:45:10,640 Speaker 1: in that ship is so hard that I'm telling you, 765 00:45:10,800 --> 00:45:15,960 Speaker 1: kids love that that whatever that is, they love that, 766 00:45:16,080 --> 00:45:23,120 Speaker 1: and speed metal has that hardcore. I just don't know, 767 00:45:23,200 --> 00:45:25,600 Speaker 1: and I'm sure our listeners are. Some of our listeners know. 768 00:45:25,760 --> 00:45:28,680 Speaker 1: I feel like there's probably a more specific term than 769 00:45:28,760 --> 00:45:37,640 Speaker 1: speed metal for the drum behind it, ra ra And 770 00:45:37,680 --> 00:45:40,880 Speaker 1: then it goes into the can you imagine can you 771 00:45:40,920 --> 00:45:43,160 Speaker 1: imagine coming home from work? Can you imagine coming home 772 00:45:43,160 --> 00:45:45,279 Speaker 1: from working? You put on that speed metal track? I 773 00:45:45,360 --> 00:45:54,239 Speaker 1: love what is it? Daniel? Did you hear it, I 774 00:45:54,239 --> 00:45:57,879 Speaker 1: think of speed Metal. Okay, there you go, good call. 775 00:45:58,560 --> 00:46:00,959 Speaker 1: All right, Well I didn't we reference it in the show, 776 00:46:01,000 --> 00:46:03,759 Speaker 1: so we can't take credit for that. Then we learned 777 00:46:03,920 --> 00:46:06,880 Speaker 1: Laverne from the chart and the CT scan is officially 778 00:46:07,480 --> 00:46:11,560 Speaker 1: brain dead. And and when Cox says by Laverne, I'm 779 00:46:11,560 --> 00:46:13,920 Speaker 1: getting goose bumps on my thighs as I as I 780 00:46:13,960 --> 00:46:16,799 Speaker 1: say it, because it was a very powerful moment. And 781 00:46:16,840 --> 00:46:20,120 Speaker 1: then I have the flashback to the pilot when um, 782 00:46:20,480 --> 00:46:23,839 Speaker 1: which was which was a really beautiful thing that Bill did. 783 00:46:24,200 --> 00:46:27,759 Speaker 1: Um cutting to the very first episode when she's like, 784 00:46:27,760 --> 00:46:29,520 Speaker 1: will you just pronounced him? So I can go home? 785 00:46:29,920 --> 00:46:34,960 Speaker 1: And then she hasn't a pilot too, isn't it is that? Um? No, 786 00:46:35,040 --> 00:46:39,120 Speaker 1: I think she's got another one. Okay, um maybe, but 787 00:46:39,200 --> 00:46:41,040 Speaker 1: we remember when we had a Loma on she said 788 00:46:41,080 --> 00:46:42,799 Speaker 1: she just thought she she didn't know she was going 789 00:46:42,840 --> 00:46:46,000 Speaker 1: to come back. Yeah, um, oh wait no, no, I 790 00:46:46,040 --> 00:46:48,280 Speaker 1: know you're right, you know what, because didn't the Loma 791 00:46:48,360 --> 00:46:50,560 Speaker 1: say she had two lines? And then when the episode 792 00:46:50,560 --> 00:46:55,919 Speaker 1: airs she had one or something? You just him? Will 793 00:46:55,920 --> 00:46:57,719 Speaker 1: you just pronounced him? So I can go home? And 794 00:46:57,760 --> 00:47:00,160 Speaker 1: then I and then jad so Cheesley goes you can 795 00:47:00,239 --> 00:47:04,600 Speaker 1: finally go home and she said that, she said that, yeah, 796 00:47:04,680 --> 00:47:08,319 Speaker 1: and she says, that's so cheesy. Do you Okay, if 797 00:47:08,320 --> 00:47:11,279 Speaker 1: you had to choose out of the whole show what 798 00:47:11,480 --> 00:47:14,759 Speaker 1: your favorite joke was in the show, what would it be? 799 00:47:14,800 --> 00:47:17,640 Speaker 1: I have too, Well, my mom had a uterus, I 800 00:47:17,680 --> 00:47:20,120 Speaker 1: lived in it. I think I improved that. And I 801 00:47:20,120 --> 00:47:23,400 Speaker 1: thought that was pretty funny. That it's very jd and 802 00:47:23,520 --> 00:47:26,960 Speaker 1: very random. I take it back, I have three jokes 803 00:47:26,960 --> 00:47:29,120 Speaker 1: that I thought it was funny. I thought because of 804 00:47:29,200 --> 00:47:31,360 Speaker 1: my geeked him, are you on call tonight? Are you 805 00:47:31,440 --> 00:47:34,640 Speaker 1: going to fight Superman? Because you look like Lex Luthor 806 00:47:34,880 --> 00:47:37,880 Speaker 1: was one of the funniest jokes. And it's so fast 807 00:47:38,000 --> 00:47:41,000 Speaker 1: and nobody picks up on it, right. Yeah. And by 808 00:47:41,000 --> 00:47:43,239 Speaker 1: the way, just I read on scrubs WICKI that if 809 00:47:43,239 --> 00:47:47,200 Speaker 1: you recalled Johnny c was bald headed um in the 810 00:47:47,360 --> 00:47:50,520 Speaker 1: previous episode or or was it the last one or 811 00:47:50,520 --> 00:47:53,600 Speaker 1: one before? It was just random? Yeah, yeah, because and 812 00:47:53,640 --> 00:47:55,920 Speaker 1: it was never explained because they changed the order. So 813 00:47:55,960 --> 00:47:59,439 Speaker 1: this was the episode where he shaved his head, Well, 814 00:47:59,520 --> 00:48:01,400 Speaker 1: this was that. So what Johnny showed up with the 815 00:48:01,400 --> 00:48:04,840 Speaker 1: shaped head? No, in the very top of this episode, 816 00:48:04,840 --> 00:48:07,560 Speaker 1: he shaves his head, he goes, He goes, Yeah, there 817 00:48:07,640 --> 00:48:09,799 Speaker 1: must have been a reason behind it. I feel like why, 818 00:48:09,960 --> 00:48:12,200 Speaker 1: why did I wonder why? I don't think Bill would 819 00:48:12,200 --> 00:48:13,719 Speaker 1: have written that in Johnny Seen may me hap. No, 820 00:48:13,800 --> 00:48:15,400 Speaker 1: that's what I'm trying to say. Johnny came in with 821 00:48:15,440 --> 00:48:19,279 Speaker 1: a shaved head. Oh, and that's how that happened. That's 822 00:48:19,400 --> 00:48:21,319 Speaker 1: where this saw comes from. Oh was it from a 823 00:48:21,400 --> 00:48:23,399 Speaker 1: roll or do he just decide to shake his head? 824 00:48:23,680 --> 00:48:26,840 Speaker 1: I don't know, that's a Johnny question. But yeah, I 825 00:48:26,840 --> 00:48:28,799 Speaker 1: remember they had to they had to figure out wheyd 826 00:48:28,800 --> 00:48:32,239 Speaker 1: to write it in. But anyway, it's it's it's it's 827 00:48:32,280 --> 00:48:36,759 Speaker 1: explained in this episode. So that was one of my favorite. 828 00:48:37,160 --> 00:48:39,680 Speaker 1: The other favorite one, other favorite one is when all 829 00:48:39,719 --> 00:48:41,759 Speaker 1: you guys are in the room and you're doing the 830 00:48:41,840 --> 00:48:50,840 Speaker 1: Shadow Public poly shit. We recreate Pearl Harbor. You recreate 831 00:48:51,120 --> 00:49:00,279 Speaker 1: pretty impressively. It's very impressively with planes crashing and fucking Ted. Yeah, 832 00:49:00,480 --> 00:49:03,160 Speaker 1: can't help it. It brings in the alligator. It has 833 00:49:03,200 --> 00:49:05,080 Speaker 1: to bring in the alligator. Yeah, and I go, Ted, 834 00:49:05,120 --> 00:49:09,279 Speaker 1: there were no alligators in Pearl Harbor. Oh, And then 835 00:49:09,320 --> 00:49:11,920 Speaker 1: I go, we can also do the get We can 836 00:49:11,960 --> 00:49:16,919 Speaker 1: do the Gettysburg and the first active Missigan. I would 837 00:49:16,960 --> 00:49:18,720 Speaker 1: have loved to see them do the first active mission, 838 00:49:18,760 --> 00:49:20,840 Speaker 1: or at least a number that would have been amazing. 839 00:49:21,840 --> 00:49:25,240 Speaker 1: And then finally, my last one was the one you said, 840 00:49:25,880 --> 00:49:29,680 Speaker 1: but it's when Elliot's uterus starts glowing like ET made 841 00:49:29,719 --> 00:49:34,400 Speaker 1: me laugh. So yeah, it was like phoning home. It 842 00:49:34,480 --> 00:49:36,839 Speaker 1: was like that. It was like that the uterus phoned home. 843 00:49:36,880 --> 00:49:40,480 Speaker 1: Did somebody just have a baby? Elliot? Elliot can always 844 00:49:40,520 --> 00:49:44,960 Speaker 1: sends and it's just like eats his finger. I've said 845 00:49:45,000 --> 00:49:47,160 Speaker 1: that before in life and forgot that it was a 846 00:49:47,200 --> 00:49:50,200 Speaker 1: scrubs joke. No, but freaking eats chest lights up too. 847 00:49:50,239 --> 00:49:54,360 Speaker 1: It's not his heart like that's I forgot about that. 848 00:49:54,360 --> 00:49:56,520 Speaker 1: I always thought it was just his finger. No, no, no, 849 00:49:56,520 --> 00:49:59,440 Speaker 1: it's chest. That's what freaking turn on your heart lights about. 850 00:50:00,120 --> 00:50:03,719 Speaker 1: Don't turn on your hot light. I think let it 851 00:50:03,840 --> 00:50:07,040 Speaker 1: shine wherever you go. Don't you think Neil Diamond wrote 852 00:50:07,080 --> 00:50:10,399 Speaker 1: that before ET. No, he wrote that for ET. It's 853 00:50:10,440 --> 00:50:15,279 Speaker 1: an ET. No, look it up, it's about turn on 854 00:50:15,520 --> 00:50:19,080 Speaker 1: your hot light. Well, this is mind blowing if true, 855 00:50:20,120 --> 00:50:25,279 Speaker 1: let it shine wherever you go. You're telling me that 856 00:50:25,440 --> 00:50:28,640 Speaker 1: Neil Diamond's heart Light song is about eat. He was 857 00:50:28,719 --> 00:50:33,920 Speaker 1: so inspired by et that he wrote turn on Your 858 00:50:33,960 --> 00:50:41,040 Speaker 1: Hot Light, a reported twenty five thousand dollars in Lawyers 859 00:50:41,040 --> 00:50:43,880 Speaker 1: for MCA felt this song infringed upon the copyright of 860 00:50:43,920 --> 00:50:48,640 Speaker 1: the film What Let It Shine Wherever You Go? Wait 861 00:50:48,640 --> 00:50:52,040 Speaker 1: a second, they suit him, so yeah, succoring Rolling Stone 862 00:50:52,080 --> 00:50:58,319 Speaker 1: they did. Wait, ain't this dude wrote the song inspire 863 00:50:58,800 --> 00:51:05,360 Speaker 1: inspired by eat See and then they sued it. What 864 00:51:05,520 --> 00:51:09,960 Speaker 1: a dumb lawsuit turn on your Hot Light. Sorry you 865 00:51:09,960 --> 00:51:14,960 Speaker 1: can't talk about her alien that way, but a stupid lawsuit. Um, 866 00:51:15,200 --> 00:51:18,759 Speaker 1: all right, shoutout puppet theater. Elliot's uterus is glowing. My 867 00:51:18,840 --> 00:51:22,640 Speaker 1: mom had a uterus, I lived in it. Um. And 868 00:51:22,680 --> 00:51:25,400 Speaker 1: then Jad finally gets to be godfather, and then then 869 00:51:25,480 --> 00:51:28,600 Speaker 1: he gets to name the baby's name is Jennifer Dillon, 870 00:51:29,040 --> 00:51:31,799 Speaker 1: and that was that was the best squeal ever in 871 00:51:31,880 --> 00:51:42,200 Speaker 1: the history of squeals. So thrilled, He's so thrilled. Um. 872 00:51:42,360 --> 00:51:44,640 Speaker 1: And then, of course, as we mentioned at the top, 873 00:51:44,680 --> 00:51:47,120 Speaker 1: it's just beautiful. And I cued up thirty seconds of 874 00:51:47,200 --> 00:51:49,719 Speaker 1: the song because it's a beautiful song by Keene, which 875 00:51:49,760 --> 00:51:52,479 Speaker 1: is a band that's disappeared. And I just used to love, 876 00:51:52,760 --> 00:52:04,799 Speaker 1: I still love. I woke alone. It's to plus yo. 877 00:52:04,920 --> 00:52:11,040 Speaker 1: You know what my song is? Oh Sep, where have 878 00:52:11,120 --> 00:52:17,480 Speaker 1: you gone? Fire? Yeah? You know why it's fired. It's 879 00:52:17,560 --> 00:52:21,600 Speaker 1: fired because it was it dude that that band was 880 00:52:21,640 --> 00:52:23,759 Speaker 1: so dope. They had so many dope songs. Man. Yeah, 881 00:52:23,760 --> 00:52:25,480 Speaker 1: if you don't know, Keen, go back and listen to 882 00:52:25,600 --> 00:52:28,839 Speaker 1: keene that band. We need more from you, Keeneen, come back. 883 00:52:29,239 --> 00:52:32,040 Speaker 1: Let's get back together. I don't know what happened. I 884 00:52:32,120 --> 00:52:35,839 Speaker 1: had a great time backstage with y'all. Keen. If your 885 00:52:35,840 --> 00:52:39,960 Speaker 1: manager's listening, I please get back together. Do you remember 886 00:52:39,960 --> 00:52:42,319 Speaker 1: that time we hung out backstage with them at that 887 00:52:42,520 --> 00:52:44,480 Speaker 1: and they freaking when they tore down the house with 888 00:52:45,000 --> 00:52:49,239 Speaker 1: and if we have a man, and why don't we go? 889 00:52:49,760 --> 00:52:54,000 Speaker 1: The lead singer had the sickest voice. And do you 890 00:52:54,000 --> 00:52:58,520 Speaker 1: remember when they came and ate lunch at scrubs? No, yeah, dude, 891 00:52:58,880 --> 00:53:02,000 Speaker 1: they came to the whole, came to visit and sat 892 00:53:02,040 --> 00:53:04,840 Speaker 1: down and we ate lunch with them, This British band, dude. 893 00:53:05,120 --> 00:53:09,920 Speaker 1: And that's how and then me you raiden U Bill 894 00:53:10,480 --> 00:53:13,440 Speaker 1: was Bill with us when we went I think he was. 895 00:53:13,520 --> 00:53:15,879 Speaker 1: But we went to the freaking see that they met 896 00:53:15,880 --> 00:53:19,080 Speaker 1: that in New York. I told the story on here. Anyway, 897 00:53:19,239 --> 00:53:22,720 Speaker 1: I love them, and if anyone listening knows them, please 898 00:53:22,719 --> 00:53:25,400 Speaker 1: tell them to get back together. They're so talented. Um. 899 00:53:25,440 --> 00:53:31,120 Speaker 1: But anyway, I digress. That beautiful song um that's titled 900 00:53:31,360 --> 00:53:33,080 Speaker 1: a bad Dream if you want to listen to it, 901 00:53:33,280 --> 00:53:36,440 Speaker 1: I'm only allowed to play a little bit. Um is 902 00:53:36,800 --> 00:53:41,240 Speaker 1: underscores Judy's beautiful Goodbye to Laverne that I always see 903 00:53:42,440 --> 00:53:45,520 Speaker 1: people mentioning that's one of the most moving moments in 904 00:53:45,920 --> 00:53:52,000 Speaker 1: Scrubs Judy's Goodbye to Laverne. If anyone's ever lost someone 905 00:53:52,200 --> 00:53:55,359 Speaker 1: and and and had to say goodbye, is is I 906 00:53:55,400 --> 00:54:00,480 Speaker 1: have too many times? I H. It's just really so 907 00:54:00,560 --> 00:54:04,000 Speaker 1: elegantly done and so beautifully acted and h and I 908 00:54:04,080 --> 00:54:08,640 Speaker 1: just think Judy is such a gifted artist Scrubs. Wicky 909 00:54:08,719 --> 00:54:11,960 Speaker 1: mentioned that you can see a tear falling out of 910 00:54:12,000 --> 00:54:16,560 Speaker 1: Aloma's eye. I remember, which I remember, which is just 911 00:54:17,160 --> 00:54:24,960 Speaker 1: so beautiful, because I mean, the actress Aloma right was 912 00:54:25,040 --> 00:54:31,520 Speaker 1: so moved that she cried from from Judy's monologue. Dude, 913 00:54:31,520 --> 00:54:35,800 Speaker 1: I remember, I remember watching it and seeing Aloma crying 914 00:54:36,200 --> 00:54:39,000 Speaker 1: and being like, oh shit, because we were right there 915 00:54:39,160 --> 00:54:42,319 Speaker 1: for when for one of the shots we're right there. 916 00:54:42,320 --> 00:54:45,359 Speaker 1: It's a continuous shot. When she turns around, the three 917 00:54:45,400 --> 00:54:47,400 Speaker 1: of us are standing there and Judy comes out and 918 00:54:47,480 --> 00:54:50,720 Speaker 1: I hugger and everything like that. But I remember during 919 00:54:50,880 --> 00:54:55,400 Speaker 1: in that take you could see the tear coming down 920 00:54:55,920 --> 00:54:58,840 Speaker 1: Aloma's face. That was a very powerful moment. It was 921 00:54:58,840 --> 00:55:02,440 Speaker 1: a really really not only was the scene acted, not 922 00:55:02,520 --> 00:55:08,799 Speaker 1: only was the scene acted well, she she was very 923 00:55:08,800 --> 00:55:11,040 Speaker 1: strategic on how she did it too. I don't know 924 00:55:11,080 --> 00:55:13,600 Speaker 1: if Judy worked on I don't know what it was instinct, 925 00:55:13,640 --> 00:55:15,040 Speaker 1: I don't know what it was. But to be able 926 00:55:15,080 --> 00:55:20,320 Speaker 1: to start a scene and keep it on a joking 927 00:55:20,440 --> 00:55:23,880 Speaker 1: side and trying to be funny the whole way through, 928 00:55:24,120 --> 00:55:27,040 Speaker 1: and then getting to a moment where you can't be 929 00:55:27,160 --> 00:55:30,360 Speaker 1: funny anymore because it hurts so much, and being able 930 00:55:30,400 --> 00:55:34,960 Speaker 1: to convey that through camera is very, very difficult. It's 931 00:55:34,960 --> 00:55:39,760 Speaker 1: a very very challenging exercise in any form of acting 932 00:55:39,800 --> 00:55:43,360 Speaker 1: to do that. To be happy happy, I'm gonna project happiness, 933 00:55:43,560 --> 00:55:46,560 Speaker 1: but really I'm hurting, and then the tears come through, because, 934 00:55:46,680 --> 00:55:48,839 Speaker 1: at least for an actor, at least for me, when 935 00:55:48,840 --> 00:55:51,720 Speaker 1: I'm set on crying, I'm gonna trying get to crying, 936 00:55:51,880 --> 00:55:53,640 Speaker 1: you know what. I mean she didn't do that. She 937 00:55:53,680 --> 00:55:56,200 Speaker 1: started off. She had to start the scene, you know, 938 00:55:56,360 --> 00:55:58,480 Speaker 1: being in denial and trying to make some jokes and 939 00:55:59,120 --> 00:56:03,239 Speaker 1: just really elegantly done and uh and beautifully directed by 940 00:56:03,400 --> 00:56:06,000 Speaker 1: Victor Nelly. Yeah, well done. What else do we want 941 00:56:06,000 --> 00:56:07,239 Speaker 1: to say? I think we did the show. We don't 942 00:56:07,239 --> 00:56:10,200 Speaker 1: have a guest today. Anything you want to add? Donald 943 00:56:10,239 --> 00:56:15,719 Speaker 1: phase On legendary member of the Screen Actors Guild. Um, 944 00:56:17,640 --> 00:56:20,360 Speaker 1: I like Obi Wan and it's not you like Obie 945 00:56:20,680 --> 00:56:23,480 Speaker 1: and it's not because you're my friend. Check out Obi one. 946 00:56:23,560 --> 00:56:26,880 Speaker 1: Checkout episode three. It's masterfully done. I can't wait for 947 00:56:26,960 --> 00:56:30,759 Speaker 1: episode four. I'm not gonna lie either. And I'm very 948 00:56:30,760 --> 00:56:34,279 Speaker 1: interested to see what happens next. And there's something wait, no, 949 00:56:34,320 --> 00:56:37,480 Speaker 1: don't and I'm me. I'm talking about Star wars Man 950 00:56:37,560 --> 00:56:41,239 Speaker 1: who Tank Forever. I am so excited to see what 951 00:56:41,280 --> 00:56:46,320 Speaker 1: happens next because there are things that they need to redo. 952 00:56:46,600 --> 00:56:48,200 Speaker 1: Are you gonna go see Top Gun? It made a 953 00:56:48,280 --> 00:56:52,279 Speaker 1: zillion dollars. My wife wants to see it so bad. 954 00:56:52,600 --> 00:56:55,480 Speaker 1: You know it's so good. You love the well Okay, 955 00:56:55,520 --> 00:56:57,120 Speaker 1: so let me ask you a question. It was good 956 00:56:57,200 --> 00:56:59,920 Speaker 1: to be very very good weekend thing. Can I speak 957 00:57:00,000 --> 00:57:08,960 Speaker 1: even not letting you spoke the whole fucking show, dudek Um, 958 00:57:09,600 --> 00:57:13,840 Speaker 1: did you see Top Gun when you were a young person? Yes? Okay? 959 00:57:14,400 --> 00:57:20,400 Speaker 1: Is it fan service like Spider Man's a very fan services? 960 00:57:21,280 --> 00:57:25,000 Speaker 1: They definitely. It makes many a callback there. The camera 961 00:57:25,080 --> 00:57:28,280 Speaker 1: loves to linger on the photo of a goose and 962 00:57:28,400 --> 00:57:33,400 Speaker 1: Maverick classman hands. It's uh, you get the whole that 963 00:57:33,480 --> 00:57:36,000 Speaker 1: opening montage on the ship deck where they're well, don't 964 00:57:36,080 --> 00:57:40,120 Speaker 1: don't make to Daniel, Um, delineate another spoiler. Um, no 965 00:57:40,520 --> 00:57:42,680 Speaker 1: spoilers here, but yes, there are lots of moments that 966 00:57:42,720 --> 00:57:47,560 Speaker 1: reference the original movie Carrie Brothers. But Carrie Brothers who 967 00:57:48,080 --> 00:57:52,920 Speaker 1: is a very big movie fan and sees everything. Um. Donald. 968 00:57:52,960 --> 00:57:55,040 Speaker 1: We hung out with them on Memorial Day and he 969 00:57:55,240 --> 00:57:57,800 Speaker 1: could not He was like their publicist. He could not 970 00:57:57,920 --> 00:58:01,520 Speaker 1: stop talking about how amazing it was. He said, definitely, 971 00:58:01,560 --> 00:58:05,440 Speaker 1: go seeing an imax if you if you have access 972 00:58:05,440 --> 00:58:07,160 Speaker 1: to one, and here in La he said, go to 973 00:58:07,200 --> 00:58:09,840 Speaker 1: Man's Chinese. It's it's like it's like a ride. He said, 974 00:58:10,600 --> 00:58:12,360 Speaker 1: Oh my god, I want to see it so bad? 975 00:58:12,680 --> 00:58:15,240 Speaker 1: Is it for kids? Can kids watch it? Oh? Yeah, 976 00:58:15,320 --> 00:58:18,480 Speaker 1: because kids couldn't watch that first one. They was fucking 977 00:58:18,560 --> 00:58:22,240 Speaker 1: In the first one, there is a very brief love scene, 978 00:58:22,920 --> 00:58:25,640 Speaker 1: so brief, like, yeah, I can't take my kids, can't 979 00:58:25,680 --> 00:58:27,840 Speaker 1: watch that. They can handle. There's no there's no even 980 00:58:28,800 --> 00:58:31,320 Speaker 1: because then because then sex is out of the question 981 00:58:31,320 --> 00:58:33,800 Speaker 1: in my house, because if they hear any type of 982 00:58:33,840 --> 00:58:37,680 Speaker 1: any sound, they're gonna be like, it's literally Jennifer's tackle 983 00:58:37,800 --> 00:58:42,280 Speaker 1: kissing on a bed. She just falls back with Gabrielle, 984 00:58:42,320 --> 00:58:44,400 Speaker 1: Union and I begin to make out and cheaper by 985 00:58:44,440 --> 00:58:47,720 Speaker 1: the dozen. They couldn't have. All that is is tackle kissing. Okay, 986 00:58:47,800 --> 00:58:51,919 Speaker 1: that's not tackle kissing. They can handle. They can handle 987 00:58:52,000 --> 00:58:56,280 Speaker 1: tackle kissing. They can handle parents tackle kissing, okay. And 988 00:58:56,400 --> 00:58:58,400 Speaker 1: I can get away with when you kissing, I can't. 989 00:58:59,240 --> 00:59:01,320 Speaker 1: I can get away with if they were to walk 990 00:59:01,360 --> 00:59:04,440 Speaker 1: into the room and we were doing something being like 991 00:59:04,480 --> 00:59:07,480 Speaker 1: we're tackle kissing, we're tackle kissing. I could get away 992 00:59:07,480 --> 00:59:11,640 Speaker 1: with that. Probably when you kiss Casey, well it happened 993 00:59:11,600 --> 00:59:15,040 Speaker 1: to be, it ain't gonna is it not gonna be panicking? Joel, Joel? 994 00:59:15,120 --> 00:59:19,560 Speaker 1: Would it not be panicked? It would be the ruining 995 00:59:19,640 --> 00:59:22,360 Speaker 1: of their lives at that moment, kiss Casey in front 996 00:59:22,360 --> 00:59:26,360 Speaker 1: of them, do they go you yeah, absolutely, Oh my god, 997 00:59:26,400 --> 00:59:29,720 Speaker 1: they can't take it. They can't take it if it 998 00:59:29,760 --> 00:59:32,240 Speaker 1: happens on if it happens on screen. I don't think 999 00:59:32,280 --> 00:59:35,160 Speaker 1: they've seen you kiss Gabrielle Union and Cheaper about a dozen. 1000 00:59:35,400 --> 00:59:37,680 Speaker 1: The minute you go in, they're like, oh god, here 1001 00:59:37,680 --> 00:59:41,560 Speaker 1: it looked away. Yeah, they look away. Here goes that 1002 00:59:41,880 --> 00:59:46,800 Speaker 1: nasty shit again. All right, everybody, we love you, We 1003 00:59:46,840 --> 00:59:49,480 Speaker 1: appreciate you. Thank you so much for tuning in. We 1004 00:59:49,520 --> 00:59:53,760 Speaker 1: really love it that you listen. And um, that's it. 1005 00:59:53,920 --> 00:59:59,520 Speaker 1: A beautiful, blessed day. Donald kind of sound seven about 1006 00:59:59,600 --> 01:00:04,080 Speaker 1: s we made about a bunch of docs and nurses 1007 01:00:04,240 --> 01:00:07,040 Speaker 1: and the janitor who loved him. I said, here's the 1008 01:00:07,240 --> 01:00:13,240 Speaker 1: stories net all should know. So Ganda around you, here 1009 01:00:13,320 --> 01:00:13,520 Speaker 1: are