1 00:00:01,000 --> 00:00:03,880 Speaker 1: Dear listeners of hollywood Land, does it feel like you're 2 00:00:03,880 --> 00:00:07,120 Speaker 1: stuck in limbo? Standing under a flickering street light at 3 00:00:07,160 --> 00:00:09,880 Speaker 1: the corner of Hollywood and True Crime, waiting for the 4 00:00:09,920 --> 00:00:13,159 Speaker 1: next episode of hollywood Land to drop. I got you. 5 00:00:13,960 --> 00:00:28,920 Speaker 1: Welcome to hollywood Land, the Rap Party. Hello, all you 6 00:00:29,040 --> 00:00:31,680 Speaker 1: beautiful people out there in hollywood Land. We are back 7 00:00:31,720 --> 00:00:34,080 Speaker 1: at it once again, back in the saddle, back in 8 00:00:34,120 --> 00:00:36,760 Speaker 1: this thing we call the Rap Party. This is the 9 00:00:36,760 --> 00:00:39,159 Speaker 1: show that gets you from one full episode of hollywood 10 00:00:39,200 --> 00:00:42,080 Speaker 1: Land to the next. The place for obsessives just like you, 11 00:00:42,479 --> 00:00:45,319 Speaker 1: the movie geeks, the true crime freaks, the ones who 12 00:00:45,400 --> 00:00:48,440 Speaker 1: like their movie history with a side of grit and grime. 13 00:00:48,920 --> 00:00:51,640 Speaker 1: My name is Zeth Lundi, writer at Double Elvis, showrunner 14 00:00:51,640 --> 00:00:54,760 Speaker 1: for hollywood Land, the sister show to Disgrace Land, the 15 00:00:54,840 --> 00:00:58,440 Speaker 1: og music in True Crime Pod. And on this episode 16 00:00:58,480 --> 00:01:01,800 Speaker 1: of Hollywoodland, we are talking about this week's full episode subject, 17 00:01:02,080 --> 00:01:06,280 Speaker 1: Chris Farley. We are previewing next week's episode on Britney Murphy. 18 00:01:06,480 --> 00:01:10,160 Speaker 1: We're talking about the funniest film performances of all time. 19 00:01:10,240 --> 00:01:12,800 Speaker 1: And of course we're gonna check out your voicemails, text 20 00:01:12,920 --> 00:01:15,720 Speaker 1: dms and emails, So come on everybody. 21 00:01:15,800 --> 00:01:29,240 Speaker 2: Let's party. 22 00:01:31,000 --> 00:01:34,880 Speaker 1: Merry Christmas Eve to all of you out there in Hollywoodland, 23 00:01:34,920 --> 00:01:37,720 Speaker 1: and a belated Happy Hanukah as well, which just wrapped 24 00:01:37,800 --> 00:01:40,319 Speaker 1: up a few days back. We are getting down to 25 00:01:40,360 --> 00:01:43,880 Speaker 1: the wire here in the Lundee household. The stockings are hung, 26 00:01:44,319 --> 00:01:47,080 Speaker 1: the tree is trimmed, the gifts are wrapped, the kids 27 00:01:47,120 --> 00:01:50,720 Speaker 1: are stoked. I am stoked. Christmas has always been my 28 00:01:50,760 --> 00:01:54,440 Speaker 1: favorite holiday, my favorite time of year. I love the anticipation, 29 00:01:55,040 --> 00:01:57,800 Speaker 1: the magic and mystery of it. Even when I was 30 00:01:57,840 --> 00:01:59,960 Speaker 1: a kid and my folks made us go to church, 31 00:02:00,120 --> 00:02:03,680 Speaker 1: me and my brother on Christmas Eve every year because 32 00:02:04,200 --> 00:02:07,040 Speaker 1: I enjoyed that service because it was such an event, 33 00:02:07,560 --> 00:02:11,680 Speaker 1: and some of my favorite hymns in church every year 34 00:02:11,840 --> 00:02:15,400 Speaker 1: were only sung at that night's service, which made it 35 00:02:15,480 --> 00:02:17,760 Speaker 1: extra special. Though it was always strange to me how 36 00:02:17,800 --> 00:02:22,679 Speaker 1: many unfamiliar faces I would see on Christmas Eve. I mean, 37 00:02:23,320 --> 00:02:26,040 Speaker 1: the church would be packed like standing room only when 38 00:02:26,080 --> 00:02:28,280 Speaker 1: it usually wasn't. And as a kid who had to 39 00:02:28,360 --> 00:02:31,840 Speaker 1: go to church every single Sunday, I was always like, 40 00:02:31,880 --> 00:02:34,040 Speaker 1: where the hell have you people have been the rest 41 00:02:34,080 --> 00:02:37,040 Speaker 1: of the year, You fairweather church people. I mean, your 42 00:02:37,040 --> 00:02:39,440 Speaker 1: mom doesn't make you go every single week. 43 00:02:40,120 --> 00:02:40,280 Speaker 3: You know. 44 00:02:40,360 --> 00:02:43,000 Speaker 1: Man, those hymns, the stories, they all added to the 45 00:02:43,040 --> 00:02:46,760 Speaker 1: magic and mystery of the holiday for me. And years later, 46 00:02:47,120 --> 00:02:50,560 Speaker 1: as an adult who didn't go to church every Sunday anymore, 47 00:02:50,680 --> 00:02:52,920 Speaker 1: I still loved Christmas and still look forward to it, 48 00:02:53,480 --> 00:02:56,160 Speaker 1: especially during the years when I lived in Los Angeles 49 00:02:56,160 --> 00:02:58,200 Speaker 1: and my family all lived back on the East Coast, 50 00:02:58,280 --> 00:03:02,160 Speaker 1: because then the holiday became something else entirely. It became 51 00:03:02,320 --> 00:03:04,880 Speaker 1: the way in which you kept yourself honest. It was 52 00:03:04,919 --> 00:03:08,000 Speaker 1: an annual reminder of who you really were, because it's 53 00:03:08,040 --> 00:03:10,919 Speaker 1: easy to be anyone when you're living three thousand miles 54 00:03:10,960 --> 00:03:13,600 Speaker 1: away from those who know you best. Right. But when 55 00:03:13,639 --> 00:03:16,240 Speaker 1: I had kids of my own, the magic and mystery 56 00:03:16,280 --> 00:03:19,080 Speaker 1: of Christmas came back big time because you get to 57 00:03:19,080 --> 00:03:21,320 Speaker 1: watch it all unfold through their eyes, which I know 58 00:03:21,440 --> 00:03:24,480 Speaker 1: sounds super cheesy. Everything about it being a parent sounds 59 00:03:24,560 --> 00:03:27,480 Speaker 1: cheesy and cliched when you say it out loud, but 60 00:03:27,560 --> 00:03:29,760 Speaker 1: it's all true, you know. And then as my kids 61 00:03:29,800 --> 00:03:32,400 Speaker 1: have gotten older, they're all between the ages of twelve 62 00:03:32,440 --> 00:03:35,960 Speaker 1: and sixteen. Now the holiday has changed again slightly. It's 63 00:03:36,000 --> 00:03:38,480 Speaker 1: still the most wonderful time of the year. They're all 64 00:03:38,560 --> 00:03:41,200 Speaker 1: still super excited but it's not exactly the same as 65 00:03:41,200 --> 00:03:43,720 Speaker 1: it was when they were little and they could fully 66 00:03:43,720 --> 00:03:46,560 Speaker 1: immerse themselves in the magic and mystery of it all. 67 00:03:46,600 --> 00:03:49,800 Speaker 1: I think this is an example of why Christmas can 68 00:03:49,840 --> 00:03:52,600 Speaker 1: be such a melancholy time too. Like you know, we 69 00:03:52,640 --> 00:03:54,920 Speaker 1: think of the people we've lost in our lives that 70 00:03:54,960 --> 00:03:57,560 Speaker 1: we can't visit and celebrate with one last time. I 71 00:03:57,600 --> 00:04:00,120 Speaker 1: have those people missing from my life, and I know 72 00:04:00,160 --> 00:04:02,440 Speaker 1: a lot of you do too, and we all miss 73 00:04:02,480 --> 00:04:05,200 Speaker 1: them a little harder right now. As a parent, I 74 00:04:05,320 --> 00:04:09,800 Speaker 1: miss other things. Leaving behind those truly magical years is 75 00:04:09,880 --> 00:04:12,480 Speaker 1: just like all these other things you eventually are forced 76 00:04:12,480 --> 00:04:14,760 Speaker 1: to leave behind as a parent, you know, the last 77 00:04:14,800 --> 00:04:16,880 Speaker 1: time your kid wants to hold your hand, or the 78 00:04:16,920 --> 00:04:19,120 Speaker 1: last time they get to ride on your shoulders, or 79 00:04:19,600 --> 00:04:21,719 Speaker 1: when they finally learn how to pronounce that word the 80 00:04:21,800 --> 00:04:25,000 Speaker 1: right way and no longer say it in that cute 81 00:04:25,040 --> 00:04:29,000 Speaker 1: like Lewis Carroll gobbledy good kind of way. And maybe 82 00:04:29,040 --> 00:04:32,679 Speaker 1: the melancholy is brought on by nostalgia, which Christmas also 83 00:04:33,000 --> 00:04:36,159 Speaker 1: is largely nostalgic. It's like that Phil Collins song that 84 00:04:36,240 --> 00:04:38,000 Speaker 1: used to be on the radio NonStop when we were 85 00:04:38,120 --> 00:04:41,160 Speaker 1: kids and hated it. Then and now when you hear it, 86 00:04:41,160 --> 00:04:43,600 Speaker 1: it brings your right back to that time, perhaps a 87 00:04:43,680 --> 00:04:46,440 Speaker 1: simpler time, a time when magic and mystery were more 88 00:04:46,520 --> 00:04:49,320 Speaker 1: readily available, a time before you put your life in 89 00:04:49,480 --> 00:04:53,760 Speaker 1: adult mode and then broke the switch forever. This potent 90 00:04:53,839 --> 00:04:57,400 Speaker 1: mixture of joy in melancholy is at the heart of 91 00:04:57,440 --> 00:05:01,320 Speaker 1: this week's episode on Chris Farley, who died this month 92 00:05:01,360 --> 00:05:05,200 Speaker 1: way back in nineteen ninety seven, December eighteenth, to be exact, 93 00:05:05,520 --> 00:05:08,760 Speaker 1: right before Christmas, at the age of thirty three. We 94 00:05:08,920 --> 00:05:12,160 Speaker 1: now know in hindsight about the melancholy that was at 95 00:05:12,200 --> 00:05:16,479 Speaker 1: the core of Chris Farley's undeniably brilliant comedy. Just like 96 00:05:16,560 --> 00:05:20,760 Speaker 1: Robin Williams, Chris Farley's larger than life persona masked whatever 97 00:05:20,800 --> 00:05:24,120 Speaker 1: demons he was wrestling with on the inside. For me 98 00:05:24,320 --> 00:05:26,279 Speaker 1: and I know a lot of you, he was a 99 00:05:26,400 --> 00:05:29,800 Speaker 1: part of the greatest cast in SNL history, in my mind, 100 00:05:29,839 --> 00:05:31,599 Speaker 1: at least while there were two, and he sort of 101 00:05:31,600 --> 00:05:36,039 Speaker 1: bridged the gap. There was the cast that included Dana Carvey, 102 00:05:36,080 --> 00:05:40,760 Speaker 1: Phil Hartman, Jane Hooks, Victoria Jackson, Dennis Miller, Mike Myers, 103 00:05:41,360 --> 00:05:43,920 Speaker 1: and then Farley came on around the same time as 104 00:05:44,000 --> 00:05:47,560 Speaker 1: Chris Rock and then right after him comes Adam Sandler, 105 00:05:47,680 --> 00:05:51,560 Speaker 1: David Spade, Tim Meadows, Rob Schneider. If I had to 106 00:05:51,720 --> 00:05:54,680 Speaker 1: list off my twenty favorite Saturday and Live skits of 107 00:05:54,720 --> 00:05:57,960 Speaker 1: all time, I'd have a really hard time not having 108 00:05:57,960 --> 00:06:00,440 Speaker 1: half of them beat Chris Farley skits. You know, I 109 00:06:00,480 --> 00:06:04,080 Speaker 1: think of immediately of Matt Foley, the motivational Speaker, the 110 00:06:04,160 --> 00:06:08,839 Speaker 1: Chippendale's audition, the Schmid's Gay Beer commercial, or the coffee 111 00:06:08,839 --> 00:06:12,159 Speaker 1: commercial where they secretly swap his coffee with Decalf, the 112 00:06:12,200 --> 00:06:16,000 Speaker 1: interview with Paul McCartney. Of course, in movies, he's got 113 00:06:16,160 --> 00:06:19,919 Speaker 1: scene stealing cameos and everything from Billy Madison to Wayne's 114 00:06:19,920 --> 00:06:23,200 Speaker 1: World two and his lead in Tommy Boy in particular 115 00:06:23,240 --> 00:06:26,520 Speaker 1: as an Alzheimer. But one of the ultimate displays of 116 00:06:26,600 --> 00:06:30,320 Speaker 1: Chris Farley's comedy and his physicality is his entrance to 117 00:06:30,320 --> 00:06:32,240 Speaker 1: The Letterman Show when he was on one time. Just 118 00:06:32,279 --> 00:06:34,520 Speaker 1: go to YouTube if you haven't seen this and search 119 00:06:34,640 --> 00:06:37,920 Speaker 1: for Chris Farley Letterman entrance and you'll see what I mean. 120 00:06:37,920 --> 00:06:41,200 Speaker 1: It's like the single greatest entrance anyone's ever made on 121 00:06:41,240 --> 00:06:44,480 Speaker 1: a talk show before. Chris Farley keeps coming up in 122 00:06:44,520 --> 00:06:48,039 Speaker 1: the news because Josh Gadd is trying to get this 123 00:06:48,120 --> 00:06:51,479 Speaker 1: biopic about Farley off the ground. It's based on a 124 00:06:51,520 --> 00:06:54,560 Speaker 1: book called The Chris Farley Show, which was co written 125 00:06:54,560 --> 00:06:58,760 Speaker 1: by Farley's brother Tom along with Tanner Colby, in which 126 00:06:58,800 --> 00:07:02,479 Speaker 1: incidentally we used for research on this episode. I didn't 127 00:07:02,480 --> 00:07:05,320 Speaker 1: write this episode. Bob Prohl wrote this. Bob wrote a 128 00:07:05,320 --> 00:07:08,360 Speaker 1: bunch of bad Lands episodes back in the day when 129 00:07:08,360 --> 00:07:11,400 Speaker 1: they were bad Lands episodes, now they're Hollywoodland episodes. This 130 00:07:11,480 --> 00:07:12,640 Speaker 1: is one of the ones he wrote, one of my 131 00:07:12,680 --> 00:07:15,280 Speaker 1: favorites that he wrote, and he used that book. The 132 00:07:15,360 --> 00:07:18,360 Speaker 1: Chris Farley Show was a major part of the research. 133 00:07:18,920 --> 00:07:22,080 Speaker 1: Josh Gadd already has an actor attached to the film 134 00:07:22,120 --> 00:07:25,280 Speaker 1: as well, and that is the incredible Paul Walter Hauser. 135 00:07:26,000 --> 00:07:27,880 Speaker 1: I think if this is done right, this could be 136 00:07:28,000 --> 00:07:32,440 Speaker 1: like Timothy Shallomey doing Bob Dylan. But they have expressed 137 00:07:32,480 --> 00:07:36,080 Speaker 1: some concern that as time drags on, Paul Walter Hauser 138 00:07:36,120 --> 00:07:39,480 Speaker 1: isn't getting any younger. He's thirty nine now and he 139 00:07:39,520 --> 00:07:42,320 Speaker 1: can't be like forty five years old playing Farley at 140 00:07:42,360 --> 00:07:44,960 Speaker 1: twenty five, you know. So I do hope this gets 141 00:07:45,000 --> 00:07:47,040 Speaker 1: into production soon because I do think it could be 142 00:07:47,080 --> 00:07:50,640 Speaker 1: a special movie, especially with an actor like Paul Walter Hauser, 143 00:07:50,640 --> 00:07:53,520 Speaker 1: who seems so careful and so thoughtful in the way 144 00:07:53,600 --> 00:07:57,160 Speaker 1: he approaches his characters and performances, and he also has 145 00:07:57,160 --> 00:08:00,880 Speaker 1: that sweet spot of joy and melancholy I've been talking about, 146 00:08:00,960 --> 00:08:04,400 Speaker 1: you know. Okay, so switching gears. Next week in your 147 00:08:04,400 --> 00:08:08,000 Speaker 1: feed on Monday, we're bringing you our episode on Britney Murphy, 148 00:08:08,040 --> 00:08:10,600 Speaker 1: who also tragically passed away at this time of year. 149 00:08:11,000 --> 00:08:14,080 Speaker 1: Brittany died on December twentieth of two thousand and nine. 150 00:08:14,400 --> 00:08:16,680 Speaker 1: There was some mystery around her death, especially when her 151 00:08:16,680 --> 00:08:19,880 Speaker 1: father later pursued this theory that she had been poisoned, 152 00:08:20,400 --> 00:08:25,400 Speaker 1: which got me thinking about movies in which characters are poisoned. 153 00:08:25,440 --> 00:08:27,760 Speaker 1: Kind of morbid, I know, but we always talk a 154 00:08:27,760 --> 00:08:30,280 Speaker 1: lot about movies in which people are stabs, shot, murdered 155 00:08:30,280 --> 00:08:32,480 Speaker 1: in one way or another. But what about films in 156 00:08:32,480 --> 00:08:35,000 Speaker 1: which people are poisoned? What are some great examples, your 157 00:08:35,040 --> 00:08:39,439 Speaker 1: favorite examples, your favorite films with poison in the plot? 158 00:08:39,559 --> 00:08:42,520 Speaker 1: Let me know, call or text me at six one 159 00:08:42,640 --> 00:08:46,640 Speaker 1: seven nine oh six six six three eight and maybe 160 00:08:46,720 --> 00:08:49,360 Speaker 1: your textraor voicemail will make it onto the wrap party 161 00:08:49,559 --> 00:08:53,160 Speaker 1: next week. However, before we get into Britney Murphy, I've 162 00:08:53,200 --> 00:08:57,520 Speaker 1: got another holiday surprise for you. Jake Brennan and I 163 00:08:57,559 --> 00:09:01,280 Speaker 1: recorded another special bonus episode of hollywood Land all about 164 00:09:01,360 --> 00:09:05,640 Speaker 1: New Year's Eve movies that are clearly in the Disgraceland 165 00:09:05,720 --> 00:09:08,920 Speaker 1: hollywood Land lane, and that is dropping here in the 166 00:09:08,960 --> 00:09:12,480 Speaker 1: feed this Friday, so make sure you do not miss that. 167 00:09:12,880 --> 00:09:14,719 Speaker 1: Now to the matter at hand, we got to talk 168 00:09:14,720 --> 00:09:17,520 Speaker 1: about this week's question, which was all about the funniest 169 00:09:17,679 --> 00:09:20,360 Speaker 1: movie performances of all time. I got a ton of 170 00:09:20,400 --> 00:09:22,920 Speaker 1: responses from you guys, and we'll get into it right 171 00:09:23,000 --> 00:09:39,360 Speaker 1: after this quick break. Okay, so we're talking about the 172 00:09:39,400 --> 00:09:43,240 Speaker 1: funniest movie performances of all time here today in the 173 00:09:43,320 --> 00:09:46,040 Speaker 1: rap party. For those of you who are members of 174 00:09:46,080 --> 00:09:50,120 Speaker 1: Disgraceland All Access over on Patreon, we've already been talking 175 00:09:50,160 --> 00:09:53,040 Speaker 1: about this for the past week in the chat over there. 176 00:09:53,600 --> 00:09:55,720 Speaker 1: If you aren't over there and you want to be 177 00:09:55,760 --> 00:09:57,640 Speaker 1: involved in the chat, or maybe you just want to 178 00:09:57,679 --> 00:10:01,520 Speaker 1: listen to Disgraceland or hollywood Land add free, maybe you 179 00:10:01,559 --> 00:10:04,679 Speaker 1: want bonus mini episodes of Disgraceland, you want to hear 180 00:10:04,720 --> 00:10:08,000 Speaker 1: the exclusive section of the after party over in Disgraceland 181 00:10:08,040 --> 00:10:10,720 Speaker 1: with me and Jake every week. Or maybe you want 182 00:10:10,720 --> 00:10:13,240 Speaker 1: to check out this brand new video podcast we just 183 00:10:13,360 --> 00:10:17,840 Speaker 1: launched exclusive to Patreon called this Film Should Be Played Loud, 184 00:10:18,320 --> 00:10:21,440 Speaker 1: all about the greatest music from the greatest movies of 185 00:10:21,480 --> 00:10:25,000 Speaker 1: all time. Then just come come on over and join us. 186 00:10:25,040 --> 00:10:28,120 Speaker 1: The water is warm. You can join for free, you 187 00:10:28,160 --> 00:10:30,280 Speaker 1: can join for a dollar a month, you can join 188 00:10:30,320 --> 00:10:32,880 Speaker 1: for five bucks a month, you can join for ten 189 00:10:32,920 --> 00:10:35,600 Speaker 1: bucks a month, and then every tier gets you something different. Okay, 190 00:10:36,040 --> 00:10:38,400 Speaker 1: all you gotta do is just go to disgracelandpod dot 191 00:10:38,440 --> 00:10:42,480 Speaker 1: com for more information and to sign up today. And 192 00:10:42,800 --> 00:10:45,560 Speaker 1: maybe you're already a member and you're freaking out because 193 00:10:45,559 --> 00:10:47,880 Speaker 1: here it is Christmas Eve and you need a last 194 00:10:47,880 --> 00:10:52,319 Speaker 1: minute gift for that fellow music movie true crime obsessive 195 00:10:52,400 --> 00:10:55,400 Speaker 1: in your life. Remember, you can buy gift memberships right 196 00:10:55,440 --> 00:10:57,800 Speaker 1: there in the Patreon app, and you even get a 197 00:10:57,840 --> 00:11:00,920 Speaker 1: discount on an annual membership when you buy those for 198 00:11:01,000 --> 00:11:03,800 Speaker 1: other people. Hell yeah, rock and rolla baby, all right. 199 00:11:03,880 --> 00:11:06,920 Speaker 1: So back to the question of the week and back 200 00:11:06,960 --> 00:11:12,440 Speaker 1: to Patreon. So much so much activity over in Patreon 201 00:11:12,559 --> 00:11:16,400 Speaker 1: on this question. I really, you guys are awesome. I 202 00:11:16,400 --> 00:11:20,520 Speaker 1: want to dive right in here. First, first, Kimberly. Kimberly 203 00:11:20,600 --> 00:11:22,840 Speaker 1: is always bringing the heat with her Rex and her 204 00:11:22,920 --> 00:11:26,560 Speaker 1: takes over in Patreon Love You Kimberly. She dropped a 205 00:11:26,559 --> 00:11:30,360 Speaker 1: ton Adam Sandler in Big Daddy, Fifty First Dates and 206 00:11:30,400 --> 00:11:33,560 Speaker 1: The Wedding Singer. Also Eddie Murphy in Beverly Hills cop 207 00:11:33,640 --> 00:11:36,800 Speaker 1: in Forty eight Hours. Yes, I love Ednie Murphy and 208 00:11:36,840 --> 00:11:40,000 Speaker 1: Adam Sandler two of my favorites. Annie Murphy just iconic 209 00:11:40,040 --> 00:11:44,120 Speaker 1: in those films. Coco brought up Nicholas Cage in Raising Arizona, 210 00:11:44,200 --> 00:11:46,760 Speaker 1: which I agree, Coco, That's one of my favorites of 211 00:11:46,800 --> 00:11:49,520 Speaker 1: all time, one of the most quotable movies of all time. 212 00:11:49,920 --> 00:11:53,560 Speaker 1: The physical comedy in that performance, that Nicholas Cage's performance 213 00:11:53,640 --> 00:11:57,640 Speaker 1: is perhaps the greatest physical comedic performance of the last 214 00:11:57,720 --> 00:12:00,240 Speaker 1: Like I'm going to say, like forty odd years right, 215 00:12:00,360 --> 00:12:01,040 Speaker 1: might be right? 216 00:12:01,480 --> 00:12:01,800 Speaker 2: Okay? 217 00:12:01,840 --> 00:12:05,120 Speaker 1: Barry sent us a list Mark Addie in The Full Monty, 218 00:12:05,559 --> 00:12:09,640 Speaker 1: Steve Martin and Dirty Rotten Scoundrels John Cena and Ricky 219 00:12:09,720 --> 00:12:13,160 Speaker 1: Sinicky haven't seen that one yet. Barry and John Candy 220 00:12:13,240 --> 00:12:18,320 Speaker 1: and Splash John Candy icon John Candy some of the 221 00:12:18,320 --> 00:12:22,400 Speaker 1: best line deliveries in comedy, such as your wife's on 222 00:12:22,440 --> 00:12:28,040 Speaker 1: my Whammo from summer rental. Here's a quarter. Why don't 223 00:12:28,040 --> 00:12:30,000 Speaker 1: you go downtown and have a rat gnaw that thing 224 00:12:30,040 --> 00:12:32,360 Speaker 1: off your face? You ever heard of a ritual killing? 225 00:12:32,920 --> 00:12:33,079 Speaker 3: Right? 226 00:12:33,120 --> 00:12:36,200 Speaker 1: I know those are all from Uncle Buck and not 227 00:12:36,280 --> 00:12:38,840 Speaker 1: from Splash. Sorry, I'm just sitting over here cracking myself 228 00:12:38,920 --> 00:12:41,760 Speaker 1: up thinking about John Candy quotes. I have not seen 229 00:12:41,800 --> 00:12:46,040 Speaker 1: this new John Candy documentary that's on Prime. I think 230 00:12:46,120 --> 00:12:49,360 Speaker 1: that Colin Hanks and Ryan Reynolds made. I've been voiding 231 00:12:49,440 --> 00:12:51,199 Speaker 1: it because I know it's going to be super sad. 232 00:12:51,600 --> 00:12:54,040 Speaker 1: I know it's going to be awesome to see all 233 00:12:54,040 --> 00:12:57,600 Speaker 1: the great footage of John Candy and be reminded of 234 00:12:57,679 --> 00:13:01,520 Speaker 1: what fucking stud he was. But I know it's gonna 235 00:13:01,520 --> 00:13:03,480 Speaker 1: be super sad, So I've been kind of holding off 236 00:13:03,480 --> 00:13:05,360 Speaker 1: on that. But I got to get to that soon. Barry, 237 00:13:05,480 --> 00:13:09,120 Speaker 1: have you seen that new John Candy doc Let me know. 238 00:13:09,679 --> 00:13:13,920 Speaker 1: Back to your guys' recommendations here, Jackie, she said, Richard 239 00:13:13,920 --> 00:13:17,560 Speaker 1: Grant in with Nail and I, Jackie, I have a 240 00:13:17,600 --> 00:13:21,120 Speaker 1: confession to make. It's been one week since my last 241 00:13:21,360 --> 00:13:25,240 Speaker 1: Since my last confession, I have never seen this movie. 242 00:13:25,880 --> 00:13:29,079 Speaker 1: This has been on my dude, you got to fucking 243 00:13:29,120 --> 00:13:32,760 Speaker 1: see this movie list for years, and I'm not sure 244 00:13:32,760 --> 00:13:35,120 Speaker 1: why I have not rectified that. But I will rectify that, 245 00:13:35,559 --> 00:13:37,959 Speaker 1: and I will be absolved in my sins, I promise you. 246 00:13:38,360 --> 00:13:41,480 Speaker 1: Jackie also says Peter sellers all three of his roles 247 00:13:41,480 --> 00:13:45,480 Speaker 1: in Doctor Strangelove. I could not agree more talk about range. 248 00:13:46,800 --> 00:13:49,520 Speaker 1: This is like Mike Myers before Mike Myers, or Eddie 249 00:13:49,600 --> 00:13:53,080 Speaker 1: Murphy before Eddie Murphy. Peter Seller is playing the President 250 00:13:53,120 --> 00:13:57,000 Speaker 1: of the United States, playing the wacko Doctor Strangelove, and 251 00:13:57,040 --> 00:14:03,720 Speaker 1: then playing the military guy in Doctor Strangelove. Just incredible stuff. Eric. 252 00:14:04,360 --> 00:14:08,959 Speaker 1: He goes for Jeff Anderson and Trevor Fairman and Clerks too. Eric, 253 00:14:09,000 --> 00:14:11,679 Speaker 1: it's been an eternity since I don't even know if 254 00:14:11,679 --> 00:14:14,360 Speaker 1: I've seen Clerks too. I know I've seen Clerks, but 255 00:14:14,640 --> 00:14:16,400 Speaker 1: I do not know what you're talking about here, so 256 00:14:16,400 --> 00:14:18,760 Speaker 1: I need to check that out. Eric also says John 257 00:14:18,800 --> 00:14:21,480 Speaker 1: c Riley in the extended cut of Walk Hard, I 258 00:14:21,520 --> 00:14:24,440 Speaker 1: didn't know there was an extended cut, and also John 259 00:14:24,480 --> 00:14:28,760 Speaker 1: c Riley and Will Ferrell in Stepbrothers and Talladega Knights. Now, Eric, 260 00:14:28,960 --> 00:14:31,840 Speaker 1: I hated on Step Brothers for the longest time, I 261 00:14:31,880 --> 00:14:34,360 Speaker 1: thought it was Will Ferrell taking a big step back. 262 00:14:34,400 --> 00:14:36,720 Speaker 1: I thought it was Will Ferrell like doing a parody 263 00:14:36,760 --> 00:14:39,560 Speaker 1: of himself. But I don't know what clicked. I think 264 00:14:39,560 --> 00:14:42,440 Speaker 1: it's because it's one of my wife's favorite movies, and 265 00:14:42,560 --> 00:14:45,880 Speaker 1: she just made me watch it a bunch and one 266 00:14:45,960 --> 00:14:47,720 Speaker 1: day I just kind of gave myself over to it. 267 00:14:47,760 --> 00:14:52,880 Speaker 1: And it is a transcendent comedy experience. I'm reminded of 268 00:14:52,920 --> 00:14:56,160 Speaker 1: an interview I read once with Joaquin Phoenix where they 269 00:14:56,200 --> 00:14:58,360 Speaker 1: asked him what his favorite movie of all time was, 270 00:14:58,400 --> 00:15:01,920 Speaker 1: and I shit you not, he said, Step Brothers. It's 271 00:15:01,960 --> 00:15:06,600 Speaker 1: incredible stuff. Eric, I completely agree. Cynthia in Patreon, she 272 00:15:06,720 --> 00:15:11,160 Speaker 1: mentioned Melissa McCarthy in The Heat, not Heat, The Heat, 273 00:15:11,520 --> 00:15:15,080 Speaker 1: which Fight Me Guys is a superior film to Heat. Okay, 274 00:15:15,120 --> 00:15:17,680 Speaker 1: I'm just gonna underscore now as much as possible how 275 00:15:17,760 --> 00:15:20,640 Speaker 1: much I don't like Heat whenever I can. Okay, Cynthia 276 00:15:20,720 --> 00:15:23,480 Speaker 1: is talking about The Heat Melissa McCarthy. Cynthia, this is 277 00:15:23,480 --> 00:15:28,000 Speaker 1: one of my favorite comedic performances of all time. Everything 278 00:15:28,000 --> 00:15:30,080 Speaker 1: that comes out of Melissa McCarthy's mouth in that movie 279 00:15:30,120 --> 00:15:33,600 Speaker 1: is hysterical. She is so locked into the character it's 280 00:15:33,800 --> 00:15:38,120 Speaker 1: just the best that scene. I guess, well, that scene 281 00:15:38,840 --> 00:15:41,560 Speaker 1: with the family, it doesn't involve Melissa McCarthy, but the 282 00:15:42,200 --> 00:15:45,320 Speaker 1: a you are aye you not a knack is is 283 00:15:45,440 --> 00:15:48,560 Speaker 1: just great gold. And it helps, of course that Sandra 284 00:15:48,600 --> 00:15:51,000 Speaker 1: Bullock is playing the straight man or straight woman, I guess, 285 00:15:51,200 --> 00:15:54,600 Speaker 1: which lets all of Melissa McCarthy's gags land even harder. 286 00:15:54,760 --> 00:15:59,200 Speaker 1: So good, great, great choice. Becky mentioned Tropic Thunder among 287 00:15:59,240 --> 00:16:02,400 Speaker 1: her picks, and this was seconded by Rick. Rick said, 288 00:16:02,480 --> 00:16:06,360 Speaker 1: quote Les Grossman was epic, as you never expected Tom 289 00:16:06,400 --> 00:16:09,080 Speaker 1: Cruise to appear and then throw ninety nine miles an 290 00:16:09,120 --> 00:16:13,240 Speaker 1: hour for the whole movie unquote exactly right, Rick, exactly right, Becky. 291 00:16:13,800 --> 00:16:16,240 Speaker 1: In my post on Patreon when I asked you guys, 292 00:16:16,240 --> 00:16:17,800 Speaker 1: when I brought this question up again a couple of 293 00:16:17,840 --> 00:16:20,920 Speaker 1: days ago, I included three images from three of my 294 00:16:20,960 --> 00:16:24,160 Speaker 1: favorite performances. One of them was Tom Cruise as Les 295 00:16:24,240 --> 00:16:27,200 Speaker 1: Grossman and Tropic Thunder. Like Rick said, epic. The first 296 00:16:27,240 --> 00:16:29,320 Speaker 1: time you see it, it's just the shock of seeing 297 00:16:29,320 --> 00:16:33,400 Speaker 1: Tom Cruise doing this role. He's balding, Harry overweight, this 298 00:16:33,520 --> 00:16:35,640 Speaker 1: total asshole movie executive. 299 00:16:36,240 --> 00:16:36,680 Speaker 3: What is it? 300 00:16:36,680 --> 00:16:39,880 Speaker 1: He says to the guys that are holding Ben Stiller captive. 301 00:16:39,920 --> 00:16:41,880 Speaker 1: He's like, I want you to step back and literally 302 00:16:42,000 --> 00:16:45,760 Speaker 1: fuck your own face. So good. A couple of my 303 00:16:45,760 --> 00:16:48,280 Speaker 1: other votes here the other images I posted in this post. 304 00:16:48,280 --> 00:16:51,280 Speaker 1: The first was Philip Seymour Hoffman in Along King Paully. 305 00:16:51,920 --> 00:16:55,080 Speaker 1: This is the perfect example of how a performer can 306 00:16:55,200 --> 00:16:58,560 Speaker 1: elevate an otherwise shitty movie. Like that movie is an 307 00:16:58,640 --> 00:17:03,680 Speaker 1: okay rom com best, but every single Philip Seymour Hoffman 308 00:17:03,760 --> 00:17:09,760 Speaker 1: scene is absolute, one hundred percent pure frame it gold. 309 00:17:10,400 --> 00:17:13,000 Speaker 1: It's one of his greatest performances of all time, and 310 00:17:13,040 --> 00:17:15,399 Speaker 1: it's in an otherwise shitty movie. It's incredible. There's a 311 00:17:15,440 --> 00:17:19,800 Speaker 1: supercut on YouTube of all of his scenes and it's 312 00:17:19,840 --> 00:17:21,920 Speaker 1: one of the greatest things you can watch, the rain 313 00:17:21,920 --> 00:17:23,760 Speaker 1: maker man making it rain out there on the on 314 00:17:23,800 --> 00:17:27,920 Speaker 1: the court throwing bricks. And then my other vote was 315 00:17:28,000 --> 00:17:30,760 Speaker 1: an image that I added from Stir Crazy, one of 316 00:17:30,800 --> 00:17:34,000 Speaker 1: the three I think film collaborations between Gene Wylder and 317 00:17:34,080 --> 00:17:37,640 Speaker 1: Richard Pryor. The scene in that movie in particular, where 318 00:17:37,640 --> 00:17:40,240 Speaker 1: they're going to prison and Richard Pryor is trying to 319 00:17:40,240 --> 00:17:42,760 Speaker 1: get Gene Wilder to to act bad. You gotta get 320 00:17:42,760 --> 00:17:45,600 Speaker 1: bad Jack, and then you know Prior is trying to 321 00:17:45,720 --> 00:17:48,840 Speaker 1: light that big dude's cigarette. So this this vote is 322 00:17:48,880 --> 00:17:51,160 Speaker 1: kind of for any of those movies Stir Crazy, Silver 323 00:17:51,200 --> 00:17:53,439 Speaker 1: Streak or see No Evil Here No Evo, which I 324 00:17:53,440 --> 00:17:56,560 Speaker 1: gotta say is so underrated and so good, probably wouldn't 325 00:17:56,560 --> 00:17:59,840 Speaker 1: get made today. Gene Wilder plays a deaf man and 326 00:18:00,520 --> 00:18:03,359 Speaker 1: Richard Pryor is blind. But it's just one of my 327 00:18:03,359 --> 00:18:07,159 Speaker 1: favorite comedy duo movies of all time. I really appreciate 328 00:18:07,200 --> 00:18:11,359 Speaker 1: everyone for the feedback here in Patreon for this question. 329 00:18:11,800 --> 00:18:15,080 Speaker 1: Now we have a list of incredible comedic performances to 330 00:18:15,160 --> 00:18:18,720 Speaker 1: check out and keep you all laughing in these times 331 00:18:18,760 --> 00:18:22,080 Speaker 1: of major melancholy real quick. I wanted to get to 332 00:18:22,119 --> 00:18:25,520 Speaker 1: a few other messages from you guys. We were talking 333 00:18:25,560 --> 00:18:27,600 Speaker 1: about some other things. We were talking about weird movies. 334 00:18:27,760 --> 00:18:29,600 Speaker 1: We were talking about movies set in the cold and 335 00:18:29,680 --> 00:18:32,159 Speaker 1: the snow, and we were talking about holiday movies. So 336 00:18:32,200 --> 00:18:34,439 Speaker 1: we got some more feedback on all these things, and 337 00:18:34,520 --> 00:18:35,920 Speaker 1: I just wanted to get to some of these things 338 00:18:35,960 --> 00:18:38,880 Speaker 1: quick as well. There's a text here from the eight 339 00:18:39,280 --> 00:18:43,399 Speaker 1: eight that says, listening to the list of weirdest movies. 340 00:18:43,480 --> 00:18:45,640 Speaker 1: I didn't chime in because I felt like someone would 341 00:18:45,680 --> 00:18:49,400 Speaker 1: have brought it up, but it wasn't Tetsuo the Iron Man. 342 00:18:49,760 --> 00:18:52,000 Speaker 1: I first saw it at a goth club I frequented. 343 00:18:52,320 --> 00:18:55,199 Speaker 1: Don't think I've seen any more WTF movie than this, 344 00:18:56,240 --> 00:18:59,639 Speaker 1: well eight oh eight. First up, there's nothing more punk 345 00:19:00,080 --> 00:19:02,399 Speaker 1: or DIY than getting your movies at a goth club. 346 00:19:02,400 --> 00:19:04,399 Speaker 1: That's incredible. I feel like this used to be a 347 00:19:04,440 --> 00:19:07,119 Speaker 1: thing that maybe isn't a thing anymore. Maybe it's just 348 00:19:07,119 --> 00:19:09,479 Speaker 1: because I don't live in a major city anymore. But 349 00:19:09,520 --> 00:19:12,040 Speaker 1: the clubs and the bars that showed weird ass shit 350 00:19:12,400 --> 00:19:14,960 Speaker 1: on the TV suspended up in the corner. You'd see 351 00:19:14,960 --> 00:19:16,960 Speaker 1: something and you wouldn't know what the fuck you'd seen 352 00:19:17,000 --> 00:19:20,199 Speaker 1: for days or weeks or months. Maybe because again, to 353 00:19:20,240 --> 00:19:21,920 Speaker 1: circle back to the top of this episode, there was 354 00:19:22,000 --> 00:19:24,639 Speaker 1: more magic and more mystery in the world in those days. 355 00:19:25,240 --> 00:19:28,440 Speaker 1: Also aoaight, Tetsuo the Iron Man. I have not heard 356 00:19:28,440 --> 00:19:30,160 Speaker 1: of this one, so I looked it up, and here's 357 00:19:30,200 --> 00:19:35,040 Speaker 1: the log line from IMDb. A businessman accidentally kills the 358 00:19:35,080 --> 00:19:39,240 Speaker 1: metal fetishist, who gets his revenge by slowly turning the 359 00:19:39,280 --> 00:19:43,680 Speaker 1: man into a grotesque hybrid of flesh and rusty metal. Yeah, 360 00:19:43,720 --> 00:19:47,680 Speaker 1: that sounds WTF for sure, thanks for the recommendation there 361 00:19:47,920 --> 00:19:50,280 Speaker 1: eight o eight, or I should say the shout out 362 00:19:50,280 --> 00:19:51,840 Speaker 1: to I don't know if you're recommending it so much 363 00:19:51,880 --> 00:19:55,520 Speaker 1: as you're just saying it's weird as fuck. Another text 364 00:19:55,560 --> 00:19:59,520 Speaker 1: here from the three to four weird movies Nicholas Rogues, 365 00:19:59,600 --> 00:20:02,320 Speaker 1: The Man Who Fell to Earth with David Bowie, The 366 00:20:02,400 --> 00:20:06,080 Speaker 1: Layer of the White Worm by Ken Russell tim Burton's 367 00:20:06,200 --> 00:20:09,199 Speaker 1: ed Wood, and you must have a Peter Greenaway so 368 00:20:09,400 --> 00:20:13,000 Speaker 1: the Cook, the Thief, his wife and her lover. Three 369 00:20:13,080 --> 00:20:15,760 Speaker 1: or four awesome list of weird movies. The Man who 370 00:20:15,840 --> 00:20:18,480 Speaker 1: Fell to Earth. I first saw that in college. My 371 00:20:18,720 --> 00:20:23,119 Speaker 1: screenwriting professor played it for us. My professor was Stephen Geller. 372 00:20:23,200 --> 00:20:27,119 Speaker 1: He wrote the screenplay for the nineteen seventy two adaptation 373 00:20:27,240 --> 00:20:30,960 Speaker 1: of Kurt Vonnegut's books Slaughterhouse five BT dubs. I think 374 00:20:30,960 --> 00:20:33,440 Speaker 1: he played us a couple of Nicholas Rogue movies. Actually 375 00:20:33,560 --> 00:20:35,600 Speaker 1: he played us The Man Who Fell to Earth and 376 00:20:35,640 --> 00:20:39,760 Speaker 1: then also Don't Look Now with Donald Sutherland and Julie Christy, 377 00:20:40,080 --> 00:20:44,520 Speaker 1: which is also super weird and very haunting and very 378 00:20:44,520 --> 00:20:46,960 Speaker 1: fucked up. And I don't know if I'm saying the 379 00:20:46,960 --> 00:20:50,920 Speaker 1: praises of Edwood here, but I think it's my favorite 380 00:20:50,960 --> 00:20:54,520 Speaker 1: Tim Burton movie. Just a lights out performance by Martin 381 00:20:54,560 --> 00:20:57,400 Speaker 1: Landau as Baale Legosi. You guys have seen ed Wood wright. 382 00:20:58,040 --> 00:21:00,560 Speaker 1: If you haven't, and you long for the golden years 383 00:21:00,600 --> 00:21:03,440 Speaker 1: of Tim Burton's career, back before he was making all 384 00:21:03,440 --> 00:21:06,000 Speaker 1: that Disney schlock, you got to listen to the three 385 00:21:06,080 --> 00:21:10,160 Speaker 1: h four here and check out ed Wood and stay weird, y'all. Okay, 386 00:21:10,200 --> 00:21:14,359 Speaker 1: another text here from the nine to one seven, and 387 00:21:14,400 --> 00:21:17,359 Speaker 1: this is about we're talking about cold movies, movies in 388 00:21:17,400 --> 00:21:21,040 Speaker 1: the snow, uh nine seven, writes in favorite cold movie 389 00:21:21,320 --> 00:21:26,240 Speaker 1: Insomnia nine one seven. Thanks for the reminder. I need 390 00:21:26,280 --> 00:21:29,359 Speaker 1: to watch this again. This is Christopher Nolan's two thousand 391 00:21:29,359 --> 00:21:32,919 Speaker 1: and two film starring Al Pacino and Robin Williams. Nolan 392 00:21:33,080 --> 00:21:35,679 Speaker 1: is all the talk again right now because the trailer 393 00:21:35,680 --> 00:21:38,240 Speaker 1: for his upcoming adaptation of the Odyssey he hit the 394 00:21:38,320 --> 00:21:43,120 Speaker 1: internet yesterday. Not gonna lie. I'm stoked. Event movie making, 395 00:21:43,160 --> 00:21:46,200 Speaker 1: when done right, is so undeniable to me, and Nolan 396 00:21:46,840 --> 00:21:48,800 Speaker 1: does it right. I know my guy Matt Bowden here 397 00:21:48,840 --> 00:21:51,840 Speaker 1: will disagree with me, but I thought Oppenheimer was incredible. 398 00:21:51,880 --> 00:21:53,960 Speaker 1: I thought Tenant was incredible, even if I still don't 399 00:21:53,960 --> 00:21:56,920 Speaker 1: totally understand it, but insomnia. This was a different time 400 00:21:56,920 --> 00:22:00,040 Speaker 1: in Nolan's career when he was making smaller films, and 401 00:22:00,280 --> 00:22:03,520 Speaker 1: I'll take any chance to watch Rom Williams veer into 402 00:22:03,520 --> 00:22:06,600 Speaker 1: a dramatic lane. So nine one seventh, thanks for the 403 00:22:07,040 --> 00:22:12,240 Speaker 1: reminder there. Back into the holiday movie topic here we 404 00:22:12,359 --> 00:22:16,560 Speaker 1: got two more listeners reaching out here. This text from 405 00:22:16,560 --> 00:22:20,440 Speaker 1: the six one five reads like, seriously, how is Beautiful 406 00:22:20,440 --> 00:22:24,080 Speaker 1: Girls not your most favorite holiday movie ever? Timothy Hutton, 407 00:22:24,200 --> 00:22:28,119 Speaker 1: Matt Dillon, Natalie Portman, Mira Sorvino. Set in Massachusetts, the 408 00:22:28,160 --> 00:22:32,240 Speaker 1: freaking snowplow Seine six one five. This is why I 409 00:22:32,280 --> 00:22:35,399 Speaker 1: love all of you, because you help me remember these things. 410 00:22:35,720 --> 00:22:39,679 Speaker 1: Of course. Beautiful Girls nineteen ninety six. This was a 411 00:22:39,800 --> 00:22:43,840 Speaker 1: film directed by Ted Demi, Jonathan Demi's nephew, I think, 412 00:22:44,359 --> 00:22:47,840 Speaker 1: written by Scott Rosenberg. And I know that name because 413 00:22:48,320 --> 00:22:51,520 Speaker 1: Scott Rosenberg was a graduate of Boston University a few 414 00:22:51,600 --> 00:22:54,119 Speaker 1: years before I went there, and I remember this was 415 00:22:54,160 --> 00:22:57,479 Speaker 1: a huge deal around campus when it came out, because 416 00:22:58,000 --> 00:22:59,800 Speaker 1: you know, it was a BU grad and there weren't 417 00:22:59,800 --> 00:23:01,600 Speaker 1: a lot of b U grads who were at the 418 00:23:01,600 --> 00:23:05,080 Speaker 1: time who were making big movies. Nowadays you've got the 419 00:23:05,080 --> 00:23:09,680 Speaker 1: Safty Brothers and some others, but back then the Pickens 420 00:23:09,680 --> 00:23:12,080 Speaker 1: were slim, so it was like a big deal. And 421 00:23:14,200 --> 00:23:15,960 Speaker 1: this came out, of course when I was a student 422 00:23:16,000 --> 00:23:19,359 Speaker 1: at BU and I don't did Scott Rosenberg come and 423 00:23:19,359 --> 00:23:21,120 Speaker 1: talk to us. I feel like he made an appearance, 424 00:23:21,160 --> 00:23:23,399 Speaker 1: so he either showed the movie or he talked to 425 00:23:23,440 --> 00:23:26,440 Speaker 1: our class or something. But anyways, six one five, Yes, 426 00:23:26,480 --> 00:23:30,120 Speaker 1: beautiful girls, thank you so much for that mention. And finally, 427 00:23:30,160 --> 00:23:34,320 Speaker 1: here we've got a voicemail from the nine oh one 428 00:23:35,000 --> 00:23:38,879 Speaker 1: talking about New Year's movies. Matt, can you play this 429 00:23:38,960 --> 00:23:40,120 Speaker 1: voicemail from the nine oh one. 430 00:23:40,680 --> 00:23:43,160 Speaker 3: It's Elizabeth in the shove of the nine oh one, 431 00:23:43,200 --> 00:23:45,600 Speaker 3: but I'm currently in the seven three one, my hometown 432 00:23:45,680 --> 00:23:49,240 Speaker 3: taking care of my mom. This is so the Hollywood 433 00:23:49,280 --> 00:23:53,440 Speaker 3: Land actually talking about New Year's Eve movies and Christmas. 434 00:23:53,960 --> 00:23:56,680 Speaker 3: The best New Year's Eve movie, hands down, is the 435 00:23:57,480 --> 00:24:02,679 Speaker 3: nineteen ninety nine two hundred Cigarette. It's got everybody, Paul Rudd, 436 00:24:02,720 --> 00:24:07,120 Speaker 3: Courtney Love, Pete Hudson, Christina Ritchie. I mean, the list 437 00:24:07,200 --> 00:24:09,600 Speaker 3: is on and on and on. Check it out. It's 438 00:24:09,600 --> 00:24:12,320 Speaker 3: one of my favorite movies. That's year I graduated and 439 00:24:12,600 --> 00:24:16,680 Speaker 3: it was like the best movie with music that's about 440 00:24:17,240 --> 00:24:19,200 Speaker 3: I'm not in New York City for New Year's Eve. 441 00:24:19,480 --> 00:24:24,920 Speaker 3: It's awesome, total Indie rock Field. What I'm watching. I'm 442 00:24:25,000 --> 00:24:27,080 Speaker 3: just finished The Beast in Me. I know it's very 443 00:24:27,080 --> 00:24:31,040 Speaker 3: cliche on Netflix, but it's really good. A little seeing 444 00:24:31,080 --> 00:24:34,760 Speaker 3: with the psycho killer plan on the turntable was pretty cool. 445 00:24:35,119 --> 00:24:39,040 Speaker 3: That's it. Trying to catch on mad Men. Since it's 446 00:24:39,080 --> 00:24:42,640 Speaker 3: now back on HBO, dug in for the long haul 447 00:24:43,080 --> 00:24:46,040 Speaker 3: to finish all seventh seasons. So that's it. 448 00:24:46,160 --> 00:24:50,440 Speaker 1: Thanks Elizabeth, thank you for the two hundred cigarettes shout out. 449 00:24:50,480 --> 00:24:52,600 Speaker 1: I mentioned earlier in this episode that Jake and I 450 00:24:52,640 --> 00:24:55,080 Speaker 1: are doing this New Year's Eve movie bonus episode later 451 00:24:55,119 --> 00:24:58,440 Speaker 1: this week. On Friday. We briefly talk about two hundred 452 00:24:58,440 --> 00:25:01,600 Speaker 1: Cigarettes in there, mainly the kill Or soundtrack, but neither 453 00:25:01,600 --> 00:25:03,920 Speaker 1: of us was able to rewatch this before we talked 454 00:25:03,920 --> 00:25:07,159 Speaker 1: about New Year's Eve movies. Because you can't stream it anywhere. 455 00:25:07,200 --> 00:25:09,159 Speaker 1: I'm not sure you can even rent it on vod 456 00:25:09,320 --> 00:25:12,560 Speaker 1: You got to go find a used DVD copy. My 457 00:25:12,640 --> 00:25:14,240 Speaker 1: guess is it has something to do with the music 458 00:25:14,359 --> 00:25:18,800 Speaker 1: licensing because the soundtrack is stacked. But yeah, make sure, Elizabeth, 459 00:25:18,880 --> 00:25:21,480 Speaker 1: you check out this New Year's Eve episode on Friday 460 00:25:21,640 --> 00:25:25,480 Speaker 1: for more talk up that particular HOLLI, I too watched 461 00:25:25,680 --> 00:25:28,640 Speaker 1: The Beast to Me on Netflix. I too found it cliched, 462 00:25:29,240 --> 00:25:33,720 Speaker 1: I too found it impossible to stop watching. There's this comedian, 463 00:25:33,800 --> 00:25:36,080 Speaker 1: by the way, on Instagram I stumbled upon. She does 464 00:25:36,119 --> 00:25:40,680 Speaker 1: these incredible Claire Danes impressions, like Claire Danes on a peloton. 465 00:25:41,359 --> 00:25:44,520 Speaker 1: There's another one Claire Danes being told last minute that 466 00:25:44,600 --> 00:25:47,879 Speaker 1: she has to bring aside to Thanksgiving. It's just it's 467 00:25:47,920 --> 00:25:52,119 Speaker 1: so so funny. Speaking of comedic performances, I forget the 468 00:25:52,160 --> 00:25:54,439 Speaker 1: comedian's name, but it's easy enough to find it worth it. 469 00:25:54,920 --> 00:25:57,679 Speaker 1: And I have yet to revisit mad Men on HBO, 470 00:25:57,800 --> 00:26:00,080 Speaker 1: but I heard that they put the ron version of 471 00:26:00,160 --> 00:26:03,080 Speaker 1: these episodes on there, and you can, like Roger's like 472 00:26:03,240 --> 00:26:05,000 Speaker 1: thrown up. At one point, you can see the guy 473 00:26:05,080 --> 00:26:08,640 Speaker 1: operating the puke machine on the side. Have you seen this, Elizabeth? 474 00:26:08,640 --> 00:26:11,520 Speaker 1: Did they fix it yet? But I'm curious. You guys 475 00:26:11,560 --> 00:26:14,200 Speaker 1: are awesome. So many messages, so many great conversations happening 476 00:26:14,200 --> 00:26:16,320 Speaker 1: out there. I love it. But I gotta pause here 477 00:26:16,359 --> 00:26:18,800 Speaker 1: for a moment really quick. When we come back, I'll 478 00:26:18,800 --> 00:26:21,760 Speaker 1: get into the stuff I've been watching, reading and listening to, 479 00:26:21,960 --> 00:26:37,639 Speaker 1: so stick around. Okay. So a while back, I watched 480 00:26:37,680 --> 00:26:40,640 Speaker 1: the first two episodes of Pluribus, which is the new 481 00:26:40,760 --> 00:26:43,920 Speaker 1: Apple TV show from Vince Gilligan, who did Breaking Bad 482 00:26:43,960 --> 00:26:46,840 Speaker 1: and Better Call Saul. This is his first series since 483 00:26:46,960 --> 00:26:50,480 Speaker 1: Better Call Saul ended. At the time, the first episode 484 00:26:50,520 --> 00:26:52,880 Speaker 1: intrigued me, and then the second episode kind of bored 485 00:26:52,920 --> 00:26:55,080 Speaker 1: me a little bit, so I stopped, but I kept 486 00:26:55,119 --> 00:26:57,480 Speaker 1: hearing from people that it was so excellent, you know, 487 00:26:57,560 --> 00:26:59,600 Speaker 1: one of the best of the year. Jake was telling 488 00:26:59,640 --> 00:27:01,720 Speaker 1: me how much he loved it. So I went back 489 00:27:01,760 --> 00:27:03,920 Speaker 1: and gave another chance, and now I got to say 490 00:27:03,960 --> 00:27:09,480 Speaker 1: I'm totally into it, albeit with some reservations. If you 491 00:27:09,480 --> 00:27:12,159 Speaker 1: don't know about the show, it's set in Albuquerque, like 492 00:27:12,240 --> 00:27:15,240 Speaker 1: Breaking Bad was, and it stars Ria Sea Horn, who 493 00:27:15,280 --> 00:27:18,680 Speaker 1: was in Better Call Saul. She plays a romance fantasy 494 00:27:18,720 --> 00:27:20,560 Speaker 1: novelist who is one of the only people in the 495 00:27:20,640 --> 00:27:23,879 Speaker 1: world who is immune to this new alien virus that 496 00:27:24,000 --> 00:27:28,399 Speaker 1: basically turns everybody in the world into this docile like 497 00:27:28,640 --> 00:27:32,320 Speaker 1: hive mind. Everyone shares memories and thoughts. They're all like 498 00:27:32,359 --> 00:27:36,560 Speaker 1: happy little zombies, but not Ria se Horn's character Carol. 499 00:27:37,119 --> 00:27:40,000 Speaker 1: She's one of thirteen people in the world who are 500 00:27:40,040 --> 00:27:42,800 Speaker 1: immune to this right and the rest of the world, 501 00:27:43,680 --> 00:27:46,080 Speaker 1: everyone else in the world. It bends over backwards to 502 00:27:46,119 --> 00:27:49,280 Speaker 1: make Carol and the others comfortable, to basically cater to 503 00:27:49,359 --> 00:27:52,680 Speaker 1: every need and desire, but ultimately they want to figure 504 00:27:52,680 --> 00:27:55,000 Speaker 1: out why Carol and the others are immune so that 505 00:27:55,000 --> 00:27:58,040 Speaker 1: they can fix it and Carol can become one of them. 506 00:27:58,680 --> 00:28:01,399 Speaker 1: What their endgame is here, but the alien virus is 507 00:28:01,440 --> 00:28:04,520 Speaker 1: ultimately trying to do we don't know, which is part 508 00:28:04,560 --> 00:28:06,919 Speaker 1: of the intriguing part of the show. But Carol doesn't 509 00:28:06,920 --> 00:28:09,200 Speaker 1: want any part of it at all, so she resists 510 00:28:09,200 --> 00:28:11,399 Speaker 1: it all while she's trying to figure out, like what 511 00:28:11,440 --> 00:28:12,200 Speaker 1: the fuck's going on? 512 00:28:12,280 --> 00:28:12,480 Speaker 3: Right? 513 00:28:13,160 --> 00:28:16,119 Speaker 1: I think my boredom initially with this show had is 514 00:28:16,320 --> 00:28:20,040 Speaker 1: simply that I had to find it's tempo and it's cadence. 515 00:28:20,080 --> 00:28:22,680 Speaker 1: It's very different than anything else out there right now. 516 00:28:23,560 --> 00:28:28,520 Speaker 1: It unfolds very deliberately. It's a very lonely show. The 517 00:28:28,600 --> 00:28:32,480 Speaker 1: show rests largely on the shoulders of Rhea Seahorn. She's 518 00:28:32,480 --> 00:28:34,040 Speaker 1: not the only person in it, but she is like 519 00:28:34,080 --> 00:28:37,160 Speaker 1: eighty percent of the show and it's a very very 520 00:28:37,160 --> 00:28:41,960 Speaker 1: impressive performance. She is so captivating and really is sort 521 00:28:42,000 --> 00:28:45,360 Speaker 1: of like a star making urn, which is I don't know, 522 00:28:45,440 --> 00:28:46,960 Speaker 1: I guess that's really not the way to put it. 523 00:28:47,160 --> 00:28:50,000 Speaker 1: I don't know that she's like angling for a star 524 00:28:50,080 --> 00:28:52,240 Speaker 1: making term. But it is one of those performances where 525 00:28:52,240 --> 00:28:54,520 Speaker 1: you go, you know, maybe some an actress or an 526 00:28:54,520 --> 00:28:56,240 Speaker 1: actor that you slept on for a while, it's like, damn, 527 00:28:56,320 --> 00:28:56,760 Speaker 1: she's great. 528 00:28:56,800 --> 00:28:57,000 Speaker 2: You know. 529 00:28:57,520 --> 00:29:00,560 Speaker 1: It's also this fascinating look at how different people would 530 00:29:00,640 --> 00:29:04,000 Speaker 1: react to being immune to this thing. You know, like 531 00:29:04,120 --> 00:29:07,320 Speaker 1: Carol refuses that the Hive Mind. They prepare her like 532 00:29:07,920 --> 00:29:10,320 Speaker 1: all this luxury food and bring it to her and 533 00:29:09,960 --> 00:29:12,520 Speaker 1: she dumps it in the trash. But there's this other 534 00:29:12,560 --> 00:29:16,120 Speaker 1: guy who's one of the immune people, and he creates 535 00:29:16,160 --> 00:29:18,960 Speaker 1: this whole like James Bond esque persona. He's living in 536 00:29:18,960 --> 00:29:21,920 Speaker 1: a penthouse suite of a luxury hotel in Vegas, and 537 00:29:21,960 --> 00:29:24,959 Speaker 1: he's using the Hive Mind to basically entertain him. This 538 00:29:25,080 --> 00:29:28,520 Speaker 1: reminds me a lot. This almost like an extended episode 539 00:29:28,720 --> 00:29:32,440 Speaker 1: of the Twilight Zone or maybe Black Mirror. And my 540 00:29:32,520 --> 00:29:36,160 Speaker 1: reservation that I mentioned earlier is I suppose that I 541 00:29:36,240 --> 00:29:39,160 Speaker 1: just I wanted to be going somewhere. The season finale 542 00:29:39,200 --> 00:29:42,720 Speaker 1: actually drops today Christmas Eve, and I just want the 543 00:29:42,800 --> 00:29:44,680 Speaker 1: juice to be worth the squeeze, so to speak. I'm 544 00:29:44,680 --> 00:29:47,040 Speaker 1: not really sure where the show is heading, which is 545 00:29:47,040 --> 00:29:49,600 Speaker 1: a good thing, and you know it's Vince Gilligan is 546 00:29:50,080 --> 00:29:52,200 Speaker 1: behind this, so I know we're in good hands. But 547 00:29:52,440 --> 00:29:55,080 Speaker 1: just because of the pace, the rhythm, the cadence, I 548 00:29:55,120 --> 00:29:57,960 Speaker 1: really want this all to pay off in a meaningful way, 549 00:29:58,000 --> 00:30:01,760 Speaker 1: and I really hope the finale not disappoint. Let me 550 00:30:01,800 --> 00:30:05,160 Speaker 1: know if you've been watching Pluribus and what your thoughts 551 00:30:05,240 --> 00:30:10,680 Speaker 1: are about this show. I've also been rewatching the Beatles 552 00:30:10,720 --> 00:30:14,640 Speaker 1: Anthology series on Disney Plus with my son. We're like 553 00:30:14,680 --> 00:30:20,240 Speaker 1: three episodes in, so Disney has like re remastered this 554 00:30:20,240 --> 00:30:22,720 Speaker 1: this old series that came out back in the nineties. 555 00:30:23,080 --> 00:30:25,960 Speaker 1: We often bitch about this kind of stuff here in Disgraceland. 556 00:30:26,000 --> 00:30:29,800 Speaker 1: In Hollywood Land, these artists sanctioned projects that don't really 557 00:30:29,880 --> 00:30:32,880 Speaker 1: get into the real story most of the time, and 558 00:30:33,120 --> 00:30:36,600 Speaker 1: anthology is certainly guilty of that. But all that says, 559 00:30:36,760 --> 00:30:39,440 Speaker 1: you know, the visuals have been used up here by 560 00:30:39,520 --> 00:30:43,160 Speaker 1: Peter Jackson's team, who worked on the incredible Get Back 561 00:30:43,240 --> 00:30:46,520 Speaker 1: doc series. The music has been remixed by Giles Martin, 562 00:30:47,000 --> 00:30:50,880 Speaker 1: so it looks and it sounds incredible. It's way better 563 00:30:50,880 --> 00:30:53,880 Speaker 1: than my old DVD copies. And for my son, you know, 564 00:30:54,000 --> 00:30:55,840 Speaker 1: he's watching all this for the first time and he's 565 00:30:55,840 --> 00:30:58,560 Speaker 1: just loving it. He's loving the music, he's loving their humor. 566 00:30:59,000 --> 00:31:01,640 Speaker 1: And for me, it's just awesome to see this stuff 567 00:31:01,680 --> 00:31:04,040 Speaker 1: with such clarity, you know, like you can like hear 568 00:31:04,160 --> 00:31:07,240 Speaker 1: ringos kick drum on, like the Ed Sullivan footage and 569 00:31:07,280 --> 00:31:10,200 Speaker 1: the other concert footage from the time. The definition in 570 00:31:10,240 --> 00:31:13,080 Speaker 1: the sound between the instruments and the voices is wild. 571 00:31:13,160 --> 00:31:14,000 Speaker 2: It really is. 572 00:31:15,600 --> 00:31:17,480 Speaker 1: Sort of like hearing it for the first time, seeing 573 00:31:17,480 --> 00:31:19,520 Speaker 1: it for the first time. So you know, for all 574 00:31:19,560 --> 00:31:22,040 Speaker 1: of its defects and its faults, if you just want 575 00:31:22,080 --> 00:31:24,920 Speaker 1: to watch and listen to incredible footage of the Beatles 576 00:31:24,920 --> 00:31:26,800 Speaker 1: for like eight or nine hours, you could do a 577 00:31:26,800 --> 00:31:30,920 Speaker 1: lot worse than the anthology on Disney Plus. In the 578 00:31:31,000 --> 00:31:33,600 Speaker 1: music department, I kind of went no holds barred on 579 00:31:33,680 --> 00:31:36,880 Speaker 1: Christmas music this past week. I just opened the floodgates. Man. 580 00:31:36,960 --> 00:31:39,640 Speaker 1: I think I have like five or six different Christmas 581 00:31:39,680 --> 00:31:43,520 Speaker 1: playlists in my Apple Music, including one that Jake created 582 00:31:43,640 --> 00:31:48,280 Speaker 1: for Disgraceland the non traditionh Christmas and Disgraceland playlist, which, 583 00:31:48,360 --> 00:31:51,360 Speaker 1: by the way, you can find over in the Patreon feed. 584 00:31:51,760 --> 00:31:54,840 Speaker 1: There's links to both Spotify and Apple Music. There some 585 00:31:54,920 --> 00:31:58,040 Speaker 1: of my favorite non tradition Christmas albums that are getting 586 00:31:58,040 --> 00:32:03,280 Speaker 1: heavy rotation right now in JD. McPherson's album Socks. My 587 00:32:03,400 --> 00:32:05,920 Speaker 1: kids love this one. I think I have Jake to 588 00:32:05,960 --> 00:32:08,600 Speaker 1: thank for turning me onto this record. It's all originals. 589 00:32:08,640 --> 00:32:11,400 Speaker 1: They're all kind of like jump blues style, really funny, 590 00:32:11,520 --> 00:32:15,880 Speaker 1: really sharp, great playing. I also love Nick Lowe's album 591 00:32:16,040 --> 00:32:20,320 Speaker 1: Quality Street. Again all originals. No like well worn traditionals. 592 00:32:20,320 --> 00:32:22,760 Speaker 1: Here are just great original tunes that center around the 593 00:32:22,760 --> 00:32:27,240 Speaker 1: holiday season. I love old blues Christmas songs like Lightnin' 594 00:32:27,280 --> 00:32:30,840 Speaker 1: Hopkins has one called Santa that's so raw and loose. 595 00:32:30,880 --> 00:32:33,320 Speaker 1: You can feel the wood grain on his guitar, you 596 00:32:33,360 --> 00:32:36,880 Speaker 1: can smell the spiked egg nog on his breath. Big 597 00:32:36,960 --> 00:32:40,000 Speaker 1: Joe Williams has one called Christmas Blues that is phenomenal. 598 00:32:40,040 --> 00:32:42,680 Speaker 1: And then, of course Dexter Gordon, one of my favorite 599 00:32:42,680 --> 00:32:44,880 Speaker 1: sax players. He's got a rendition of have Yourself at 600 00:32:44,920 --> 00:32:47,320 Speaker 1: Merry Little Christmas. But I think as an outtake or 601 00:32:47,320 --> 00:32:50,280 Speaker 1: a bonus track on his album Gotham City. I think 602 00:32:50,280 --> 00:32:53,960 Speaker 1: that's from the early eighties. Don't quote me. Dexter's tone 603 00:32:54,680 --> 00:32:57,320 Speaker 1: is winter for me. He's got my favorite tone, not 604 00:32:57,440 --> 00:33:00,640 Speaker 1: just for sacks, but for any instrument, and it just 605 00:33:00,720 --> 00:33:03,000 Speaker 1: feels like winter to me to hear him play. It 606 00:33:03,000 --> 00:33:05,640 Speaker 1: feels right on the stereo right now, where it's warm 607 00:33:05,680 --> 00:33:08,800 Speaker 1: inside and it's freezing cold outside. Let me know what 608 00:33:08,800 --> 00:33:10,960 Speaker 1: you guys think. What are you watching, what are you 609 00:33:11,000 --> 00:33:13,720 Speaker 1: listening to? What are you reading? I'm here. I want 610 00:33:13,720 --> 00:33:17,040 Speaker 1: to hear your recommendations. Maybe it's something I've been talking about. 611 00:33:17,080 --> 00:33:19,719 Speaker 1: Maybe it's something completely different. Six one seven nine oh 612 00:33:19,800 --> 00:33:23,560 Speaker 1: six six six three eight. Let's pause here for another 613 00:33:23,640 --> 00:33:26,280 Speaker 1: quick break. But don't nobody go nowhere, because I'll be 614 00:33:26,400 --> 00:33:50,960 Speaker 1: right back in a flash. All right, y'all, we are 615 00:33:50,960 --> 00:33:53,480 Speaker 1: winding things down here in the wrap party for the week. 616 00:33:53,560 --> 00:33:57,200 Speaker 1: But do not forget for next week. Brittany Murphy week. 617 00:33:57,320 --> 00:34:00,560 Speaker 1: I want to know what is a great movie about poison? 618 00:34:00,800 --> 00:34:04,320 Speaker 1: A film where poisoning plays a big role in the plot. 619 00:34:04,360 --> 00:34:07,160 Speaker 1: I don't think you can sort films by poison on 620 00:34:07,640 --> 00:34:10,800 Speaker 1: Netflix yet, but hey, who knows you know the future 621 00:34:10,960 --> 00:34:12,839 Speaker 1: is coming at as fast hit me up at six 622 00:34:12,960 --> 00:34:16,000 Speaker 1: one seven nine oh six six six three eight. You 623 00:34:16,040 --> 00:34:19,880 Speaker 1: can email disgrace Landpod at gmail dot com, jump in 624 00:34:19,880 --> 00:34:23,440 Speaker 1: the chat over in Patreon, and listen wherever you are 625 00:34:23,440 --> 00:34:25,879 Speaker 1: today or tonight, whatever it is you might be doing. 626 00:34:26,120 --> 00:34:29,520 Speaker 1: Maybe you're celebrating Christmas Eve, maybe you don't celebrate. All 627 00:34:29,560 --> 00:34:32,000 Speaker 1: that matters to me is that you are here. You 628 00:34:32,080 --> 00:34:34,080 Speaker 1: are one of us, one of the movie and true 629 00:34:34,120 --> 00:34:37,239 Speaker 1: crime obsessives. And we could not do this show. I 630 00:34:37,280 --> 00:34:39,920 Speaker 1: could not do this show without all of you guys. 631 00:34:40,120 --> 00:34:43,759 Speaker 1: So yes, Christmas is a time of joy and melancholy, 632 00:34:43,880 --> 00:34:46,759 Speaker 1: as I said, but it's also one of reflection of 633 00:34:46,760 --> 00:34:50,759 Speaker 1: being thankful and thoughtful, as the sage sly Stone once said. 634 00:34:50,760 --> 00:34:52,680 Speaker 1: And I just want you all to know how much 635 00:34:52,680 --> 00:34:54,719 Speaker 1: it means to me that you're here week to week, 636 00:34:54,800 --> 00:34:57,520 Speaker 1: even if you're not speaking up, even if you're just 637 00:34:57,640 --> 00:35:00,200 Speaker 1: chilling in the background, not reaching out, It's all good. 638 00:35:00,400 --> 00:35:02,600 Speaker 1: I love you just the same. Please be safe this 639 00:35:02,640 --> 00:35:07,200 Speaker 1: holiday season. Be kind, be weird, be adventurous, be forgiving, 640 00:35:07,520 --> 00:35:10,120 Speaker 1: be humble, and be here next time for more of 641 00:35:10,120 --> 00:35:13,040 Speaker 1: that sweet, sweet movie and true crime action. All right 642 00:35:13,440 --> 00:35:15,600 Speaker 1: now before you go watch It's a Wonderful Life or 643 00:35:15,600 --> 00:35:18,520 Speaker 1: Scrooged or Elf or Bad Sanna or whatever movie you 644 00:35:18,600 --> 00:35:21,920 Speaker 1: throw on late Christmas Eve night. Let me remind you 645 00:35:22,040 --> 00:35:25,360 Speaker 1: of a few things. Number one in your feed right now, 646 00:35:25,640 --> 00:35:29,680 Speaker 1: our episode on Chris Farley. Number two coming this Friday, 647 00:35:29,880 --> 00:35:32,920 Speaker 1: A special bonus episode on New Year's Eve Movies. A 648 00:35:33,000 --> 00:35:36,960 Speaker 1: really fun and really irreverent conversation between me and Jay Brennan. 649 00:35:37,200 --> 00:35:41,160 Speaker 1: Number three next week on Monday, our episode on Brittany Murphy. 650 00:35:41,560 --> 00:35:45,080 Speaker 1: Number four. Over in the feed of our sister show, Disgraceland, 651 00:35:45,239 --> 00:35:48,440 Speaker 1: we have our episode on Elvis Presley and Johnny Ace, 652 00:35:48,760 --> 00:35:51,760 Speaker 1: all about another myth from the halls of music history 653 00:35:51,920 --> 00:35:54,239 Speaker 1: and how we disrupt those myths. Here to set the 654 00:35:54,320 --> 00:35:58,640 Speaker 1: record straight. Number five, don't sleep on Disgraceland All access 655 00:35:58,680 --> 00:36:00,879 Speaker 1: over in Patreon, where you you can check out our 656 00:36:00,920 --> 00:36:04,359 Speaker 1: new video podcast. This film should be played loud right 657 00:36:04,520 --> 00:36:08,480 Speaker 1: now disgracelandpod dot com or just go rate to Patreon 658 00:36:08,800 --> 00:36:12,480 Speaker 1: dot com slash Disgraceland. And now, in honor of this 659 00:36:12,520 --> 00:36:15,200 Speaker 1: week's episode, here's what America is checking out at the 660 00:36:15,200 --> 00:36:18,319 Speaker 1: movies in the month of December nineteen ninety seven, the 661 00:36:18,360 --> 00:36:21,120 Speaker 1: month that Chris Farley died at the age of thirty three. 662 00:36:23,120 --> 00:36:29,280 Speaker 1: Number one Titanic directed by James Cameron. Number two Scream 663 00:36:29,360 --> 00:36:35,000 Speaker 1: two directed by Wes Craven. Number three Tomorrow Never Dies 664 00:36:35,719 --> 00:36:39,239 Speaker 1: directed by Roger Spottiswood directed by Francis For Number four, 665 00:36:39,360 --> 00:36:42,319 Speaker 1: Number seven, Slubber, number ten directed by Less Mayfield by 666 00:36:42,680 --> 00:36:46,719 Speaker 1: direct Device. Number five, Alien Resurrection Number eight directed by 667 00:36:46,800 --> 00:36:50,720 Speaker 1: Jean Pierre j Cameron, directed by Number six mouse Hunt 668 00:36:50,760 --> 00:36:55,120 Speaker 1: Screams directed by Gore Roisic. Number seventh us Is in 669 00:36:55,160 --> 00:37:00,200 Speaker 1: a Stage directed by them Wolfe and quit talking and 670 00:37:00,400 --> 00:37:01,480 Speaker 1: start mixing.