WEBVTT - I'll Buy That for a Dollar: Antiques Roadshow

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<v Speaker 1>Ridiculous crime. It's a production of iHeartRadio.

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<v Speaker 2>Hi Zaren, Hello Elizabeth?

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<v Speaker 3>How are you today?

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<v Speaker 2>I'm doing well. How about you? You look like you're

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<v Speaker 2>doing well? Am I right? Is that a good read

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<v Speaker 2>on my part?

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<v Speaker 4>I am?

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<v Speaker 3>Well, you know it's ridiculous, I do tell me all right?

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<v Speaker 2>You know how hockey they allow fighting, yes, which I imagine

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<v Speaker 2>you're probably not a fan of.

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<v Speaker 3>It depends on my mood.

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<v Speaker 2>Oh really, okay, Well, are you familiar with the NHL's

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<v Speaker 2>Washington Capitals. No team, They're a hockey team, and so

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<v Speaker 2>they have minor league teams in hockey, just like in baseball.

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<v Speaker 2>The lowercase, Yes.

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<v Speaker 3>The Washington lowercase. Then see what I did?

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<v Speaker 2>I did. I was trying to let it.

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<v Speaker 3>Go sometimes sometimes I'm so funny and I don't even

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<v Speaker 3>know what to do about that.

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<v Speaker 2>So they're minor league team. Is the Hershey Bears? Yes,

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<v Speaker 2>so you think of it had like a chocolate thing

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<v Speaker 2>with the other anyway, So the Hershey Bears, they were

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<v Speaker 2>having a game. They just had to have the competition.

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<v Speaker 2>They let some people out on the ice, and uh,

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<v Speaker 2>I'll kind of skip ahead to point out that the

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<v Speaker 2>Bears had to afterwards release his statement that said quote,

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<v Speaker 2>this did not reflect the values of the sport or

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<v Speaker 2>the standards we expect when young athletes are on the ice.

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<v Speaker 2>So apparently a bunch of young athletes got into a

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<v Speaker 2>fight on the ice. And when I say young athletes, Elizabeth,

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<v Speaker 2>it was an eight and undersquad from Pennsylvania, no squad

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<v Speaker 2>scrimmage between the American Hockey League teams. And so while

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<v Speaker 2>these like eight and unders, the fight lasted for more

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<v Speaker 2>like basically about a minute long. And there's all these

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<v Speaker 2>clips because you know, everybody always records everything. Yeah, so

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<v Speaker 2>the people at the Giant Center, they could be heard cheering.

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<v Speaker 2>Particularly there was like this one the goalie he delivered

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<v Speaker 2>a hard hit to an opponent who was like, you know,

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<v Speaker 2>messing with his The crowds cheering under eight these kids

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<v Speaker 2>are under it. Oh no, the goalie comes out of

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<v Speaker 2>the box and just like levels another crowd or RUPs, right,

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<v Speaker 2>so they uh, And this is why the Bears team

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<v Speaker 2>had to release the statement that quote, this did not

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<v Speaker 2>reflect the values of the sport or the standards we expect.

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<v Speaker 2>I was like, wait, hockey, Yeah, you guys are all

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<v Speaker 2>about the fighting. And then they had to add to

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<v Speaker 2>that little like a qualifier when young athletes are apparently

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<v Speaker 2>if you shave, you can then somebody.

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<v Speaker 3>So yeah, oh my goodness.

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<v Speaker 2>So there you go. I thought that was kind of ridiculous.

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<v Speaker 3>That is ridiculous. Do you want to know what else

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<v Speaker 3>is ridiculous?

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<v Speaker 2>Please? I love ridiculous.

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<v Speaker 3>Keepsake, send curios. This is Ridiculous Crime A podcast about

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<v Speaker 3>absurd and outrageous capers. Heis and cons It's always ninety

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<v Speaker 3>nine percent murder free and one hundred percent ridiculous. Damn right,

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<v Speaker 3>I know, I am. You know that show Antiques Roadshow?

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<v Speaker 2>Yes, I love that show.

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<v Speaker 3>Yeah. Just to just to clarify before we start chopping

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<v Speaker 3>it up about the show, let me explain what it

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<v Speaker 3>is for non PBS watchers. Okay, So Antiques Road Show

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<v Speaker 3>started as a British reality TV.

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<v Speaker 2>Show Oh really, of course, a.

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<v Speaker 3>BBC jam and in that one, antiques appraisers appraise antiques

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<v Speaker 3>brought in by local people all across the UK. They

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<v Speaker 3>would talk about provenance, history, the value of the items,

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<v Speaker 3>all those things. And it's actually started as a documentary

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<v Speaker 3>in nineteen seventy seven, oh wow, and then it became

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<v Speaker 3>this regular show in nineteen seventy nine.

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<v Speaker 2>We get more of that I want, I want one a.

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<v Speaker 3>Week and they all right, here you go. So nineteen

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<v Speaker 3>seventy nine is when that kicked off, and then there

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<v Speaker 3>are like subsequent inner national versions all throughout Europe, North America,

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<v Speaker 3>other countries, same format, So Roadshow was big. The British

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<v Speaker 3>version was big in the US on Public Broadcasting Service PBS, Yes,

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<v Speaker 3>public television stations. So they created their own American version,

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<v Speaker 3>same format, local antiques owners bring in their prize possessions

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<v Speaker 3>to be appraised by experts. The American version first aired

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<v Speaker 3>in nineteen ninety.

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<v Speaker 2>Seven thanks to viewers like me, thanks Aunt.

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<v Speaker 3>Darlene Shiley, and it has been nominated twenty two times

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<v Speaker 3>for the Primetime Emmys.

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<v Speaker 2>Really twenty two times times. That's crazy.

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<v Speaker 3>And so in the UK version they set up shop

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<v Speaker 3>at some like Grand Manor, and it feels like you

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<v Speaker 3>either get folks with very charming items that their families

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<v Speaker 3>had passed down and also rescued from the blitz, or

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<v Speaker 3>like super blase folks with very expensive art who should

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<v Speaker 3>know better than to go flaunting that stuff on TV. Oh,

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<v Speaker 3>I have some grace, don't be crass.

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<v Speaker 2>Oh I thought, you know they're making themselves marks for.

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<v Speaker 3>Like no, but it's just like you know, darn well

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<v Speaker 3>how much this is worth and what the story is

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<v Speaker 3>in it. You're just bragging on.

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<v Speaker 2>I misread cat. So they're basically like, can I have

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<v Speaker 2>an expert? Just kind of like shine me off on TV?

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<v Speaker 3>Precisely. Then we have the American version. There are great

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<v Speaker 3>segments where people bring in things that actually belong in

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<v Speaker 3>a museum, like they get listed as priceless.

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<v Speaker 2>Yes, I love when I see that.

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<v Speaker 3>A lot of Native American and Inuit pieces are like that,

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<v Speaker 3>or the good ones where people who think they have

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<v Speaker 3>a priceless artifact but they do not. They've been told

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<v Speaker 3>some lie by a family member about how it was

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<v Speaker 3>gifted to their great great grandma from a Chinese princess.

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<v Speaker 3>It was traveling through their town in North Dakota, and

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<v Speaker 3>the appraisers all actually it's circa nineteen eighty six from

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<v Speaker 3>the Bombay company at the local Westfield mall. Love that.

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<v Speaker 3>The best, though, are the ones where the person has

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<v Speaker 3>something that they like and they think it's interesting, but

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<v Speaker 3>they don't really know anything about it. Yeah, so maybe

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<v Speaker 3>they like bought a bought like an item that they

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<v Speaker 3>thought was cool at a garage sale three bucks, like

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<v Speaker 3>a bowl or something, or like a painting caught their

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<v Speaker 3>eye at a thrift store and they paid thirty bucks

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<v Speaker 3>for it, or it was their grandma's and they always

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<v Speaker 3>liked it, and then grandma passes away. They get it

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<v Speaker 3>always reminds them of her sits on the side table

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<v Speaker 3>in the living room. So they're just curious about how

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<v Speaker 3>old the thing is or like any background it might have.

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<v Speaker 2>It's like, tell me the story of this object.

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<v Speaker 3>Yeah, they're not looking to get rich. But then the

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<v Speaker 3>appraiser just like blows their mind and the thing is

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<v Speaker 3>where hundreds of thousands and they start to cry. Those

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<v Speaker 3>are my favorite.

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<v Speaker 2>I do love that. Those are good.

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<v Speaker 3>So do you watch antiques road show?

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<v Speaker 2>My sister loves all shows where there's like either bargains

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<v Speaker 2>or appraisals or anything like that. So she's like a

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<v Speaker 2>big like shopper and she likes to, like, you know,

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<v Speaker 2>she actually does really well. She finds things at places

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<v Speaker 2>like you know, antiques, like antique houses, is Good Wills wherever,

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<v Speaker 2>and she'll like be like, oh, this is because she

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<v Speaker 2>watches these shows. She knows a ton of different things

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<v Speaker 2>that are valuable. So shout out to my sister. I've

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<v Speaker 2>always impressed, like how much she knows about these things.

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<v Speaker 2>I dislike watching the human reactions, and then I like

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<v Speaker 2>watching the experts kind of glaze people off, like going,

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<v Speaker 2>oh man, this is really cool. It's actually beginning, they

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<v Speaker 2>tell him, like the school of artists who made it,

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<v Speaker 2>and then I learned something or else. I also like

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<v Speaker 2>it when it's like like some personal like shame where

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<v Speaker 2>it's like this is actually a slave made bracelet, so

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<v Speaker 2>your family was likely. Yeah, those are brutal. So I'm

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<v Speaker 2>a little dark.

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<v Speaker 3>And my the show when I was younger, we'd watch it.

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<v Speaker 3>My brother would start scanning around the house. Could I

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<v Speaker 3>take it? And we're just like, there's nothing of value here, trap,

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<v Speaker 3>there's absolutely nothing. You actually you caught me watching an

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<v Speaker 3>episode here at headquarters while I was eating my lunch

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<v Speaker 3>the other.

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<v Speaker 2>Yes, totally. When you slam shut your laptop like you,

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<v Speaker 2>I was waiting.

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<v Speaker 3>For the interns to finish changing my oil and I

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<v Speaker 3>was it was just killing time. Yeah, because they did.

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<v Speaker 3>There's an air filter change so on it. Because we

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<v Speaker 3>Americans can't seem to do anything without grift and fraud.

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<v Speaker 3>There's a reason. There's a reason I'm talking about the

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<v Speaker 3>American version of Antiques Roadshow today. There's crime. That's why

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<v Speaker 3>we're here. So I've got three American Antiques road Show

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<v Speaker 3>adjacent crimes for you today. Let's start with a couple

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<v Speaker 3>of Civil War appraisers, Russell Pritchard the third and George Juno.

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<v Speaker 3>So Pritchard, he's like, he's this third generation antiques dealer

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<v Speaker 3>from New Jersey, and he presents himself as an expert

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<v Speaker 3>in Americana, ethnographic objects, especially Native American artifacts, and his

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<v Speaker 3>family business background and he has like this polished demeanor.

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<v Speaker 3>They they helped him cultivate incredible credibility in the antiques trade.

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<v Speaker 2>It's a great place, so I imagine to establish that.

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<v Speaker 3>Yeah, his dad, Russell Pritchard Junior, was the former director

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<v Speaker 3>of the Civil War Library and Museum in Philadelphia. Huh,

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<v Speaker 3>So he's got it's just in the family. So he

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<v Speaker 3>positions himself not only as doing you know, the Americana

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<v Speaker 3>and such, he becomes a military as specialist and appraiser.

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<v Speaker 3>By like the mid nineties, he was the co owner

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<v Speaker 3>of the American Ordnance Preservation Association AOPA.

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<v Speaker 2>Like the Canniball Finders.

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<v Speaker 3>I guess they're like Save the Cannibals, which was in

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<v Speaker 3>the quote business of dealing in and appraising eighteenth and

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<v Speaker 3>nineteenth century military items and also serving quote as a

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<v Speaker 3>consultant to various museums and libraries.

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<v Speaker 2>Okay, so you got spent call him right.

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<v Speaker 3>You're like, what's this? Gunde? Like, no, put it down.

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<v Speaker 3>So George Juneo he was an associate of Pritchard, and

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<v Speaker 3>he was not a recognized antiques authority, but instead he

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<v Speaker 3>just kind of worked with Pritchard in like acquiring and

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<v Speaker 3>reselling objects.

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<v Speaker 2>So he didn't know like a claymore from a clay

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<v Speaker 2>achm precisely.

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<v Speaker 3>So Pritchard's the expert, Juno's just like the facilitator got you.

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<v Speaker 3>In the late nineties early two thousand's, Antiques road Show

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<v Speaker 3>had established itself as this widely trusted public television program

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<v Speaker 3>and they would do these appraisal events all over the US.

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<v Speaker 3>Appraisers and guests were expected to disclose any conflicts of interest,

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<v Speaker 3>and the items that they brought for appraisal were assumed

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<v Speaker 3>to be owned by the person presenting them. Yes, that's

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<v Speaker 3>just part of the country. So Pritchard and Juno they

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<v Speaker 3>would purchase valuable antiques privately at relatively low prices, and

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<v Speaker 3>then they would present those same items on antiques road

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<v Speaker 3>show like they belonged to some clueless owner who had

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<v Speaker 3>recently discovered they.

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<v Speaker 2>Would have a shilling, and then they appraise.

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<v Speaker 3>So that the televised appraisal, well, it would totally spike

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<v Speaker 3>the object's perceived value and marketability. So to pull this off,

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<v Speaker 3>friends of Theirs appeared on camera as the quote owner,

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<v Speaker 3>and then Pritchard used his insider knowledge of the market

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<v Speaker 3>to select things that would be likely to receive high appraisals.

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<v Speaker 3>Here's the thing. The show wasn't told that the items

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<v Speaker 3>had already been purchased for resale and that the presenters

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<v Speaker 3>had this financial interest in the outcome of the appraisal.

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<v Speaker 2>Yeah, of course not so.

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<v Speaker 3>In nineteen ninety six, Juno and Pritchard had this guy

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<v Speaker 3>named Steve come on and he brought a Civil War sword. Now,

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<v Speaker 3>behind the scenes, they told Steve what to say about

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<v Speaker 3>the sword, rehearsing it. Oh, they had to have he

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<v Speaker 3>was he was supposed to come out and tell them

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<v Speaker 3>that he used to cut watermelons with the sword when

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<v Speaker 3>he was a boy. And they're like, okay, you wild's

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<v Speaker 3>so so good and like all everyone can picture it,

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<v Speaker 3>and it's just so wholesome with a sword and like

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<v Speaker 3>you know, back when I was knee high to aggress.

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<v Speaker 2>How you want more watermelon?

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<v Speaker 3>Mo my arm? So Steve tells the story and everyone, oh,

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<v Speaker 3>they'll chuckle, but then they gasp when Prigard and Juno

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<v Speaker 3>revealed that the sword is actually worth a cool thirty

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<v Speaker 3>five thousand dollars. Steve, he's gobsmacked.

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<v Speaker 2>I bet acting.

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<v Speaker 3>So they didn't get any money out of this scam,

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<v Speaker 3>but it was used to lay the groundwork. So this

0:12:37.200 --> 0:12:40.800
<v Speaker 3>would get them more airtime on Antique's road show so

0:12:40.840 --> 0:12:44.840
<v Speaker 3>they could promote their business, American Ordnance Preservation Association.

0:12:44.880 --> 0:12:46.680
<v Speaker 2>They were just water yeah at this.

0:12:46.760 --> 0:12:49.240
<v Speaker 3>Point, Yeah, lay in the ground, where chum the waters.

0:12:49.520 --> 0:12:53.880
<v Speaker 3>So another incident involved a Navajo chief's blanket, which is

0:12:53.920 --> 0:12:58.240
<v Speaker 3>a highly prized category in terms of nineteenth century Native

0:12:58.240 --> 0:12:58.840
<v Speaker 3>American text.

0:12:58.960 --> 0:12:59.720
<v Speaker 2>Sure those patterns.

0:13:00.320 --> 0:13:04.480
<v Speaker 3>Yeah, so Pritchard and Juno, Oh yeah, they bought the

0:13:04.520 --> 0:13:07.560
<v Speaker 3>blanket from its original owner for like five thousand dollars.

0:13:08.240 --> 0:13:10.480
<v Speaker 3>They didn't tell the seller that they were going to

0:13:10.640 --> 0:13:14.599
<v Speaker 3>use it for a televised appraisal, and so the blanket

0:13:15.120 --> 0:13:18.920
<v Speaker 3>is later presented on Antique's Roadshow as a newly discovered

0:13:19.000 --> 0:13:22.360
<v Speaker 3>family heirloom, like, look who we found in this chest?

0:13:22.679 --> 0:13:27.640
<v Speaker 3>Is what is this thing? So during the broadcast, Pritchard

0:13:27.760 --> 0:13:30.240
<v Speaker 3>is like, you know what, I would value it at

0:13:30.280 --> 0:13:34.200
<v Speaker 3>approximately three hundred and fifty thousand dollars. What he's like,

0:13:34.240 --> 0:13:36.720
<v Speaker 3>it is so rare, it's in perfect condition.

0:13:37.120 --> 0:13:40.240
<v Speaker 2>Purchase for five grand.

0:13:40.400 --> 0:13:45.680
<v Speaker 3>So the episode airs and it dramatically inflates the blanket's

0:13:45.760 --> 0:13:50.000
<v Speaker 3>perceived market value viewers. They have no idea that a

0:13:50.240 --> 0:13:53.320
<v Speaker 3>the presenters already own the item and that b this

0:13:53.440 --> 0:13:57.439
<v Speaker 3>appraisal is like directly benefiting them. So after the broadcast,

0:13:57.559 --> 0:14:01.240
<v Speaker 3>the blanket gets resold for this huge, huge profit, and

0:14:01.280 --> 0:14:05.280
<v Speaker 3>then it's directly tied to the credibility and the exposure

0:14:05.679 --> 0:14:08.960
<v Speaker 3>provided by the show. Of course, so they didn't do

0:14:09.080 --> 0:14:11.200
<v Speaker 3>this with just the blanket.

0:14:11.280 --> 0:14:13.000
<v Speaker 2>A bunch of like that.

0:14:13.160 --> 0:14:18.400
<v Speaker 3>Investigators later identified multiple items that followed the same trajectory

0:14:18.720 --> 0:14:23.960
<v Speaker 3>private purchase, deceptive on air presentation, profitable resale. So Juno

0:14:24.040 --> 0:14:28.480
<v Speaker 3>and Pritchard they did attract new customers with that watermelon

0:14:28.560 --> 0:14:31.960
<v Speaker 3>sword segment, and then they conned them all over again.

0:14:32.040 --> 0:14:36.280
<v Speaker 3>They convinced the descendants of Major Samuel Wilson, who was

0:14:36.320 --> 0:14:40.440
<v Speaker 3>a Civil War Army a Union Army officer, to sell

0:14:40.480 --> 0:14:43.000
<v Speaker 3>one of his swords. And they told the family that

0:14:43.040 --> 0:14:46.520
<v Speaker 3>they were acting on behalf of the Harrisburg National Civil

0:14:46.560 --> 0:14:51.000
<v Speaker 3>War Museum. Oh and the sword's worth eight grand and

0:14:51.240 --> 0:14:55.400
<v Speaker 3>would they accept this offer? So Juno and Pritchard, you know,

0:14:55.440 --> 0:14:57.760
<v Speaker 3>They're like, the sword will be on display at the

0:14:57.840 --> 0:15:00.200
<v Speaker 3>museum so that everyone can learn about your ani as

0:15:01.160 --> 0:15:03.720
<v Speaker 3>the Wilson family. They're like so honored. They're like, yes,

0:15:03.800 --> 0:15:06.440
<v Speaker 3>we agree to the deal. So they pay the eight

0:15:06.480 --> 0:15:09.040
<v Speaker 3>thousand for the sword. Then they turn around and they

0:15:09.080 --> 0:15:12.520
<v Speaker 3>sell it to a private collector for twenty grand. Nothing

0:15:12.560 --> 0:15:14.440
<v Speaker 3>to do with the museum. And there was an even

0:15:14.560 --> 0:15:18.080
<v Speaker 3>bigger scam run on the descendants of George E. Pickett.

0:15:18.760 --> 0:15:22.720
<v Speaker 3>He charged huh major general and the Confederate side.

0:15:22.600 --> 0:15:24.280
<v Speaker 2>During the Civil War Gettysburg.

0:15:25.440 --> 0:15:28.040
<v Speaker 3>He was one of the commanders at Pickett's charged, thus

0:15:28.080 --> 0:15:32.200
<v Speaker 3>the name a quote futile and bloody Confederate offensive. On

0:15:32.280 --> 0:15:34.120
<v Speaker 3>the third day of the Battle of Gettysburg.

0:15:34.200 --> 0:15:35.360
<v Speaker 2>Oh I watch ken Burns.

0:15:35.200 --> 0:15:39.000
<v Speaker 3>Yeah you do. So Juno and Pritchard, they set their

0:15:39.040 --> 0:15:42.960
<v Speaker 3>sights on George E. Pickett the fifth. Okay, so Picket

0:15:42.960 --> 0:15:45.400
<v Speaker 3>the fifth had a sword and other items that the

0:15:45.440 --> 0:15:50.040
<v Speaker 3>og George Pickett had, and then Juno and Pritchard they're like,

0:15:50.080 --> 0:15:51.800
<v Speaker 3>they look at all this stuff and they're like, this

0:15:51.880 --> 0:15:56.520
<v Speaker 3>is worth about eighty eight thousand dollars, and pick At

0:15:56.520 --> 0:15:57.320
<v Speaker 3>the Fifth's.

0:15:57.040 --> 0:15:59.200
<v Speaker 2>Like dang, okay, yeah, I bet he was.

0:15:59.360 --> 0:16:01.960
<v Speaker 3>So they buy it and then they turned around and

0:16:02.000 --> 0:16:04.800
<v Speaker 3>they sold it all for eight hundred and eighty thousand dollars.

0:16:04.920 --> 0:16:06.480
<v Speaker 2>Oh he dropped a dicil point so.

0:16:06.520 --> 0:16:10.600
<v Speaker 3>Yeah, put loopsy. So Piket sued them in nineteen ninety nine.

0:16:10.880 --> 0:16:14.160
<v Speaker 3>He got an eight hundred thousand dollars settlement from a jury. Good,

0:16:14.680 --> 0:16:18.160
<v Speaker 3>but their time in court was just beginning. Oh yeah.

0:16:18.520 --> 0:16:22.320
<v Speaker 3>Back Meanwhile, over at Antiques road Show, the suspicions are

0:16:22.800 --> 0:16:27.600
<v Speaker 3>rising because producers and outside experts are starting to notice

0:16:27.680 --> 0:16:32.240
<v Speaker 3>these inconsistencies, So items appearing on the show later get

0:16:32.280 --> 0:16:37.440
<v Speaker 3>traced to dealers rather than private owners. Similar objects resurfaced

0:16:37.640 --> 0:16:41.960
<v Speaker 3>on the antiques market just after broadcast, and they're marketed

0:16:42.000 --> 0:16:44.520
<v Speaker 3>with references to their road show appearance.

0:16:44.720 --> 0:16:46.880
<v Speaker 2>Okay, I was figuring out on TV.

0:16:47.120 --> 0:16:51.560
<v Speaker 3>Yeah, here's my favorite. The same individuals appeared repeatedly with

0:16:51.840 --> 0:16:53.640
<v Speaker 3>unusually significant objects.

0:16:54.080 --> 0:16:55.040
<v Speaker 2>They used the same show.

0:16:55.200 --> 0:16:56.200
<v Speaker 3>The biggest screw up.

0:16:56.320 --> 0:16:57.560
<v Speaker 2>They couldn't even come up.

0:16:57.480 --> 0:17:01.120
<v Speaker 3>With characters and costumes, do some wig stuff, like I

0:17:01.200 --> 0:17:04.280
<v Speaker 3>know these dudes are into wing stuff, make up fun

0:17:04.400 --> 0:17:06.919
<v Speaker 3>names and backstories. I mean, look, they did it with

0:17:06.960 --> 0:17:10.600
<v Speaker 3>the watermelon. That's the best part of crime, the.

0:17:12.080 --> 0:17:12.359
<v Speaker 2>Character.

0:17:12.840 --> 0:17:15.840
<v Speaker 3>Yes, So PBS and the show's producers they begin an

0:17:15.920 --> 0:17:20.520
<v Speaker 3>internal review, and once the concerns were like solidified, they

0:17:20.680 --> 0:17:23.600
<v Speaker 3>turned everything over to the FEDS. Oh, and they're like,

0:17:23.800 --> 0:17:26.040
<v Speaker 3>you know, we're not going to handle this internally. You

0:17:26.080 --> 0:17:30.600
<v Speaker 3>do it. So the US Attorney's Office investigated, uh, these

0:17:30.640 --> 0:17:34.760
<v Speaker 3>two for wire fraud because it was involved in interstate

0:17:34.840 --> 0:17:41.240
<v Speaker 3>television broadcasting communications. Oh wow, so Juno and Prechers they

0:17:41.280 --> 0:17:45.600
<v Speaker 3>catch these federal charges, fake appraisals, wire fraud, federal mail.

0:17:46.240 --> 0:17:49.399
<v Speaker 3>All of this was beyond what they'd done on TV.

0:17:49.680 --> 0:17:49.840
<v Speaker 2>Like it.

0:17:50.480 --> 0:17:54.080
<v Speaker 3>It went so much further than that. So Juno cut

0:17:54.119 --> 0:17:57.240
<v Speaker 3>a deal for a reduced sentence. He testified against Pritchers.

0:17:57.280 --> 0:17:58.760
<v Speaker 2>I was just about to say, I know, they flipped

0:17:58.760 --> 0:17:59.280
<v Speaker 2>on each other.

0:17:59.359 --> 0:18:01.440
<v Speaker 3>And he got a six month sentence in a work

0:18:01.480 --> 0:18:03.800
<v Speaker 3>release program. Six months, and then he had to pay

0:18:03.840 --> 0:18:08.239
<v Speaker 3>thirty thousand dollars as a fine. Pritchard, different story. He

0:18:08.280 --> 0:18:11.399
<v Speaker 3>got sentenced to one year for the military antiques fraud.

0:18:11.440 --> 0:18:14.480
<v Speaker 3>He had to pay that eight eight hundred and thirty

0:18:14.680 --> 0:18:19.679
<v Speaker 3>thousand dollars in restitution. PBS responded publicly, and they were

0:18:19.800 --> 0:18:23.840
<v Speaker 3>very decisive. They pulled those episodes that the guys were on.

0:18:24.720 --> 0:18:29.040
<v Speaker 3>They tightened disclosure and conflict of interest rules, particularly around

0:18:29.080 --> 0:18:33.080
<v Speaker 3>the dealers and their intermediaries. They also started to really

0:18:33.119 --> 0:18:37.760
<v Speaker 3>emphasize that they don't authenticate ownership and they're relying on

0:18:37.920 --> 0:18:42.160
<v Speaker 3>honest disclosure from participants, and so that trust had been violated,

0:18:42.200 --> 0:18:45.600
<v Speaker 3>but they want to remain trusting of the people participating.

0:18:45.720 --> 0:18:47.920
<v Speaker 2>And I don't know how you would have everybody when

0:18:47.920 --> 0:18:49.879
<v Speaker 2>you have him just showing up it basically an expo.

0:18:50.119 --> 0:18:53.960
<v Speaker 3>Yeah, exactly. Yeah. So Pritchard, he did his time, but

0:18:54.000 --> 0:18:58.879
<v Speaker 3>he didn't learn his lesson. He got pinched in Pennsylvania

0:18:59.000 --> 0:19:02.080
<v Speaker 3>on theft charges and he did time in the state prison.

0:19:02.160 --> 0:19:04.240
<v Speaker 3>That was in two thousand and eight. In two thousand

0:19:04.280 --> 0:19:06.720
<v Speaker 3>and nine, he copped a guilty plead of more theft

0:19:06.880 --> 0:19:11.359
<v Speaker 3>charges as well as deceptive business practices, and for that

0:19:11.480 --> 0:19:13.919
<v Speaker 3>he got another four to eight in state prison. Okay,

0:19:14.240 --> 0:19:15.000
<v Speaker 3>let's take a break.

0:19:15.000 --> 0:19:16.600
<v Speaker 2>They're not giving him enough time for him to learn

0:19:16.680 --> 0:19:19.360
<v Speaker 2>his lesson. He needs a longer time out.

0:19:21.119 --> 0:19:23.080
<v Speaker 3>Let's take our own time out and we come back

0:19:23.240 --> 0:19:24.760
<v Speaker 3>more antique antics.

0:19:25.080 --> 0:19:47.440
<v Speaker 4>Yeah, Zara's Elizabeth.

0:19:46.840 --> 0:19:50.200
<v Speaker 3>Five six eight? Are you going to do your dance routine?

0:19:50.359 --> 0:19:51.640
<v Speaker 3>I already can't see it though.

0:19:51.680 --> 0:19:53.960
<v Speaker 2>Share dancing over here so good. So I had you

0:19:54.000 --> 0:19:56.679
<v Speaker 2>count down. I was like, I want you to come in.

0:19:56.800 --> 0:19:58.639
<v Speaker 3>I just realized no one can see us.

0:19:58.880 --> 0:20:00.600
<v Speaker 2>When I did the dip. Yours as to come in,

0:20:01.440 --> 0:20:02.679
<v Speaker 2>just down on the ground.

0:20:03.320 --> 0:20:06.760
<v Speaker 3>So we had that gruesome twosome of Russell Pritchard the

0:20:06.800 --> 0:20:10.400
<v Speaker 3>Third and George Juneau. Now let's take a look, rather

0:20:11.000 --> 0:20:13.480
<v Speaker 3>a double take at some identical twins.

0:20:13.880 --> 0:20:16.280
<v Speaker 2>Oh my goodness, Yes.

0:20:16.000 --> 0:20:22.320
<v Speaker 3>Lee and Leslie Keino, Lee and Leslie Blonde, twin antiquarians, authors,

0:20:22.520 --> 0:20:25.320
<v Speaker 3>TV personalities, and almost fronsters.

0:20:25.400 --> 0:20:27.960
<v Speaker 2>I was about to ask if they were both like sisters,

0:20:28.040 --> 0:20:30.879
<v Speaker 2>and you said they're identical. And I've made this mistake before.

0:20:31.640 --> 0:20:34.080
<v Speaker 2>If they're identical, then they're both going to be the same.

0:20:35.240 --> 0:20:37.240
<v Speaker 2>They're not going to be fraternal. Where they just shared

0:20:37.280 --> 0:20:37.960
<v Speaker 2>the uterus.

0:20:39.119 --> 0:20:41.919
<v Speaker 3>You said something like that, Yeah, time, what happened.

0:20:41.920 --> 0:20:44.760
<v Speaker 2>But I was like, you're like, how that works there?

0:20:45.000 --> 0:20:50.520
<v Speaker 3>Yeah. So anyway, so Lee and Leslie's two dudes, and

0:20:50.760 --> 0:20:52.600
<v Speaker 3>you would if you see a picture of them, you'll

0:20:52.640 --> 0:20:55.520
<v Speaker 3>recognize them from if you've ever seen Anos road show,

0:20:55.520 --> 0:20:59.840
<v Speaker 3>because they're about it. So they describe their collecting impulse

0:21:00.560 --> 0:21:05.800
<v Speaker 3>as starting with like basic scavenging. Okay, so well, no,

0:21:05.840 --> 0:21:08.359
<v Speaker 3>you'll find out so okay, they had the National Endowment

0:21:08.400 --> 0:21:11.560
<v Speaker 3>for the Humanities did this whole profile about them because

0:21:11.560 --> 0:21:15.040
<v Speaker 3>they got the National Humanities metal well at one point.

0:21:15.359 --> 0:21:17.639
<v Speaker 3>So they talked about how they grew up in upstate

0:21:17.720 --> 0:21:20.840
<v Speaker 3>New York and they rode this Suzuki trail bike around

0:21:20.880 --> 0:21:24.680
<v Speaker 3>to explore ruined barns and houses. So they start out

0:21:24.720 --> 0:21:30.760
<v Speaker 3>collecting utilitarian architectural iron work from the late eighteenth century

0:21:30.960 --> 0:21:34.840
<v Speaker 3>early nineteenth century, like stuff like wrot iron door handles.

0:21:34.720 --> 0:21:37.560
<v Speaker 2>Gotcha hinges and like fire pokers and things like that.

0:21:37.680 --> 0:21:40.679
<v Speaker 3>Yeah, and so that early phase quickly became what they

0:21:40.720 --> 0:21:43.879
<v Speaker 3>called training in the way that you know antiques people

0:21:43.920 --> 0:21:47.160
<v Speaker 3>mean it. So they find an object, they chase down

0:21:47.160 --> 0:21:51.119
<v Speaker 3>the maker, the date, the method. In that same National

0:21:51.280 --> 0:21:56.000
<v Speaker 3>Endowment for the Humanities account, Leslie talks about how they

0:21:56.040 --> 0:21:58.879
<v Speaker 3>would research what they found look all this stuff up,

0:21:58.960 --> 0:22:01.680
<v Speaker 3>trying to understand exactly how things were made and get

0:22:01.720 --> 0:22:05.800
<v Speaker 3>down to the mechanics of like a potter's leave. When

0:22:05.800 --> 0:22:09.199
<v Speaker 3>they moved into stoneware collecting, so by the time they

0:22:09.240 --> 0:22:12.920
<v Speaker 3>were in college, they were already operating like working dealers.

0:22:13.359 --> 0:22:17.800
<v Speaker 3>They're real party animals. So there was this Hamilton College

0:22:17.840 --> 0:22:20.560
<v Speaker 3>news feature that came out in two thousand that talks

0:22:20.600 --> 0:22:24.320
<v Speaker 3>about them. The brothers. They sold most of their croc

0:22:24.400 --> 0:22:26.560
<v Speaker 3>collection to help pay for college.

0:22:26.359 --> 0:22:30.159
<v Speaker 2>Like crockwear cooking, like country croc. I imagine they have

0:22:30.240 --> 0:22:31.800
<v Speaker 2>a crazy sweater game, these twos.

0:22:31.840 --> 0:22:33.560
<v Speaker 3>Oh my gosh, you had no idea and the three

0:22:33.640 --> 0:22:34.200
<v Speaker 3>piece suits.

0:22:34.440 --> 0:22:35.120
<v Speaker 2>Get out of town.

0:22:35.520 --> 0:22:38.280
<v Speaker 3>These are wild boys. Right, Let's sell our crocs and

0:22:38.320 --> 0:22:41.480
<v Speaker 3>then go to college. So Leslie went to Williams College

0:22:41.480 --> 0:22:45.080
<v Speaker 3>in Massachusetts. Lee went to Hamilton College in New York.

0:22:45.240 --> 0:22:48.120
<v Speaker 3>So while they're in school, each of them cataloged their

0:22:48.160 --> 0:22:52.800
<v Speaker 3>colleges antique furniture collection and they just so this was

0:22:52.880 --> 0:22:56.360
<v Speaker 3>like the way that they educated themselves. Very practical object

0:22:56.440 --> 0:22:59.960
<v Speaker 3>by objects, and that's super close to how specialists get

0:23:00.080 --> 0:23:02.560
<v Speaker 3>trained in the trade. But they're doing it for themselves.

0:23:02.680 --> 0:23:05.080
<v Speaker 2>Yeah, they're not apprenticing under somebody, right.

0:23:05.200 --> 0:23:08.840
<v Speaker 3>So Lee he served as a graduate fellow at Historic

0:23:08.920 --> 0:23:13.120
<v Speaker 3>Deerfield and then was a visiting scholar at this museum,

0:23:13.280 --> 0:23:18.679
<v Speaker 3>and every place that he went was a key point

0:23:18.720 --> 0:23:21.959
<v Speaker 3>for American decorative arts. So it put him inside all

0:23:21.960 --> 0:23:26.199
<v Speaker 3>these collections, the connoisseurship of it all that kind of

0:23:26.200 --> 0:23:30.960
<v Speaker 3>feed the auction world. Leslie, he got out of Williams

0:23:30.960 --> 0:23:33.639
<v Speaker 3>College with honors and American arts. So they have this

0:23:33.840 --> 0:23:36.560
<v Speaker 3>educational pedigree, but they also go and they work in

0:23:36.600 --> 0:23:41.200
<v Speaker 3>these places and gather real world experience. So they went

0:23:41.240 --> 0:23:45.040
<v Speaker 3>from college into auction housework, and they both specialize in

0:23:45.160 --> 0:23:49.320
<v Speaker 3>American furniture. There's this New York Magazine profile that talks

0:23:49.320 --> 0:23:52.480
<v Speaker 3>about how after they graduated, the twins moved in together

0:23:52.520 --> 0:23:56.320
<v Speaker 3>in Manhattan and they took jobs at competing auction houses.

0:23:56.359 --> 0:23:59.800
<v Speaker 3>So Leslie got a gig at Sotheby's. Lee wound up at.

0:23:59.760 --> 0:24:02.560
<v Speaker 2>Chris Oh like the the aug auction.

0:24:02.440 --> 0:24:05.640
<v Speaker 3>Houses, and so while they were working at these rival houses,

0:24:05.680 --> 0:24:09.040
<v Speaker 3>they sometimes found themselves going after the same stuff, and

0:24:09.119 --> 0:24:12.280
<v Speaker 3>so they had to avoid talking shop in order to

0:24:12.400 --> 0:24:13.760
<v Speaker 3>prevent conflicts.

0:24:14.320 --> 0:24:16.040
<v Speaker 2>Totally feels like the script of an eighties movie.

0:24:17.480 --> 0:24:19.639
<v Speaker 3>So Leslie and this happened in the eighties there and

0:24:19.680 --> 0:24:23.879
<v Speaker 3>so right there, Leslie, he hooked up at Sotheby's in

0:24:23.880 --> 0:24:27.359
<v Speaker 3>their American Furniture and Decorative Arts department as a cataloger.

0:24:27.400 --> 0:24:30.640
<v Speaker 3>In nineteen eighty he becomes the director of the department

0:24:30.680 --> 0:24:31.879
<v Speaker 3>in nineteen eighty three.

0:24:31.920 --> 0:24:33.360
<v Speaker 2>That's not bad, not bad at all.

0:24:34.240 --> 0:24:37.400
<v Speaker 3>And then you know he spent twenty six years overseeing

0:24:37.840 --> 0:24:42.520
<v Speaker 3>like the headline Americana sales at Setheby's.

0:24:42.640 --> 0:24:45.240
<v Speaker 2>Yeah, like the big like, oh, this is on our catalog.

0:24:46.359 --> 0:24:49.280
<v Speaker 3>Yeah. And so Lee he worked as director of the

0:24:49.320 --> 0:24:52.400
<v Speaker 3>American Furniture department at Doyle Galleries and then went over

0:24:52.440 --> 0:24:55.960
<v Speaker 3>to Christie's for their American Furniture department. And then they

0:24:56.000 --> 0:25:00.879
<v Speaker 3>have like Lee started Lee Keino American Antiques Auction. So

0:25:01.040 --> 0:25:04.520
<v Speaker 3>you know, they have like they are public facing authorities,

0:25:05.119 --> 0:25:08.520
<v Speaker 3>and they start making appearances on Antiques Road Show, and

0:25:08.560 --> 0:25:12.040
<v Speaker 3>the show's executive producer, Marsha Bemco told The New York

0:25:12.080 --> 0:25:15.000
<v Speaker 3>Times quote, our audience fell in love with them and

0:25:15.040 --> 0:25:16.200
<v Speaker 3>made them stars.

0:25:16.600 --> 0:25:19.320
<v Speaker 2>I mean, if the charming as they say they are,

0:25:19.359 --> 0:25:22.560
<v Speaker 2>they have like not to borrow the word too greedily,

0:25:22.600 --> 0:25:25.040
<v Speaker 2>but they have the provenance of what you would want

0:25:25.040 --> 0:25:28.000
<v Speaker 2>for the type of expert twins, I mean, just like

0:25:28.040 --> 0:25:28.960
<v Speaker 2>a great story, and.

0:25:28.920 --> 0:25:31.800
<v Speaker 3>So they're like the most influential figures in the American

0:25:31.840 --> 0:25:35.840
<v Speaker 3>antiques market at this point, and their opinions carry serious

0:25:35.880 --> 0:25:41.240
<v Speaker 3>weight and they can affect market value. So twenty sixteen, though,

0:25:41.560 --> 0:25:46.520
<v Speaker 3>things went a little sideways. New Orleans Auction Galleries had

0:25:46.560 --> 0:25:49.359
<v Speaker 3>an auction in April of that year, and the Keynots

0:25:49.359 --> 0:25:54.200
<v Speaker 3>did something unusual. They each apparently wanted the same Turkish

0:25:54.240 --> 0:25:58.960
<v Speaker 3>Angora carpet. Okay, so one of one of the twins

0:25:59.040 --> 0:26:01.200
<v Speaker 3>was bidding online and the other was on the phone,

0:26:01.800 --> 0:26:04.199
<v Speaker 3>and there were a few opening bids, but then the

0:26:04.280 --> 0:26:07.120
<v Speaker 3>brothers just like racked it up, back and forth, back

0:26:07.119 --> 0:26:10.240
<v Speaker 3>and forth. In all, they bid against each other about

0:26:10.280 --> 0:26:14.040
<v Speaker 3>fifty times, and everyone else dropped out. They kept going.

0:26:14.080 --> 0:26:16.359
<v Speaker 2>He was climbing higher and hire like two fighter pilots.

0:26:16.359 --> 0:26:18.560
<v Speaker 3>Well and the rug so the rocklig had a low

0:26:18.680 --> 0:26:22.399
<v Speaker 3>estimate of eight hundred dollars, Leslie snagged the winning bid

0:26:22.480 --> 0:26:26.119
<v Speaker 3>at fourteen five hundred. Well, they bid it up.

0:26:26.359 --> 0:26:29.159
<v Speaker 2>That's like me and a fantasy football auction, just just

0:26:29.200 --> 0:26:31.520
<v Speaker 2>going higher and higher for the wrong player. I want

0:26:31.600 --> 0:26:32.119
<v Speaker 2>Joe Burrow.

0:26:32.240 --> 0:26:36.000
<v Speaker 3>Damnit, here's the thing. He did not pay for it.

0:26:36.880 --> 0:26:38.679
<v Speaker 2>Why did he get according to that.

0:26:38.640 --> 0:26:40.920
<v Speaker 3>According to the auction house, this wasn't the first time

0:26:40.960 --> 0:26:46.200
<v Speaker 3>they'd done this. So Lee he bid two hundred and

0:26:46.200 --> 0:26:48.320
<v Speaker 3>fifty for an Italian painting that was supposed to go

0:26:48.359 --> 0:26:51.840
<v Speaker 3>for four hundred bucks. He also landed an antique bed

0:26:51.880 --> 0:26:55.200
<v Speaker 3>for sixteen hundred that had only been valued at around

0:26:55.200 --> 0:26:58.600
<v Speaker 3>three hundred and On both of these auctions, the brother

0:26:58.800 --> 0:26:59.960
<v Speaker 3>was the only other bidder.

0:27:00.240 --> 0:27:01.880
<v Speaker 2>Is this gonna be like a reveal where you tell

0:27:01.880 --> 0:27:04.120
<v Speaker 2>me there's actually not twin brothers. Is one guy who's

0:27:04.160 --> 0:27:08.800
<v Speaker 2>been pretending to the whole time working two jobs?

0:27:08.960 --> 0:27:11.639
<v Speaker 3>I wish, but no, Okay, I don't have that reveal.

0:27:12.240 --> 0:27:15.160
<v Speaker 3>So they're so they're they're bidding these up, but they're

0:27:15.200 --> 0:27:17.800
<v Speaker 3>not paying for it. Yeah, so I was paying time

0:27:17.840 --> 0:27:20.760
<v Speaker 3>for the auction house to lawyer up. They filed the lawsuit.

0:27:21.320 --> 0:27:23.680
<v Speaker 2>Wait when they don't pay, they just like they walk

0:27:23.720 --> 0:27:25.680
<v Speaker 2>out of the auction like, well.

0:27:25.560 --> 0:27:27.920
<v Speaker 3>They're not even there. They're online, they're like log off.

0:27:28.040 --> 0:27:30.040
<v Speaker 2>So it's like me at like a county auction where

0:27:30.040 --> 0:27:31.760
<v Speaker 2>they have cars for saying, when I make a bid

0:27:31.800 --> 0:27:34.960
<v Speaker 2>and I walk out of my grandfather who brought me there. Look,

0:27:35.000 --> 0:27:36.280
<v Speaker 2>look I don't have the money, and he's like, what

0:27:36.280 --> 0:27:38.000
<v Speaker 2>are you talking about? We got to go get it

0:27:38.040 --> 0:27:38.400
<v Speaker 2>in the car.

0:27:38.480 --> 0:27:39.840
<v Speaker 3>Sounds like it's from experience.

0:27:39.880 --> 0:27:40.879
<v Speaker 2>It is.

0:27:42.040 --> 0:27:45.280
<v Speaker 3>So the auction house they filed the lawsuit. They accused

0:27:45.320 --> 0:27:50.040
<v Speaker 3>the Twins of quote auction misconduct which resulted in unjustifiably

0:27:50.160 --> 0:27:54.719
<v Speaker 3>higher purchase prices of auction items. So back at the

0:27:54.760 --> 0:27:58.160
<v Speaker 3>auction with the rug, the brothers bought two hundred and

0:27:58.280 --> 0:28:01.639
<v Speaker 3>forty four items in total, and they ran up a

0:28:01.680 --> 0:28:02.919
<v Speaker 3>bill for four.

0:28:02.880 --> 0:28:05.520
<v Speaker 2>Hundred thousands, say like half mil easy.

0:28:05.359 --> 0:28:08.760
<v Speaker 3>Didn't pay the bill and quote. We have never had

0:28:08.840 --> 0:28:13.200
<v Speaker 3>an unpaid invoice of this size, said Ashton Thomas, president

0:28:13.240 --> 0:28:14.600
<v Speaker 3>of the New Orleans auction House.

0:28:14.600 --> 0:28:17.080
<v Speaker 2>And these are like the faces of places. I mean,

0:28:17.119 --> 0:28:19.280
<v Speaker 2>these are the guys experts. Yes.

0:28:19.720 --> 0:28:22.879
<v Speaker 3>So there was this other auction house, Camelot Auctions in

0:28:22.960 --> 0:28:26.160
<v Speaker 3>Philadelphia where they bought eighty nine items. Bill was two

0:28:26.240 --> 0:28:28.320
<v Speaker 3>hundred thousand, and they skipped on that one too.

0:28:28.720 --> 0:28:29.960
<v Speaker 2>Are they compulsive bidding?

0:28:30.240 --> 0:28:34.040
<v Speaker 3>They get confronted and Leslie tells the New Orleans auction

0:28:34.160 --> 0:28:37.359
<v Speaker 3>House that that dual bidding was a mix up, just

0:28:37.400 --> 0:28:38.760
<v Speaker 3>like a silly misunderstanding.

0:28:38.800 --> 0:28:40.600
<v Speaker 2>I don't know, how the mass works on Like He's.

0:28:40.480 --> 0:28:44.280
<v Speaker 3>Like, we got excited and then we just got Yeah.

0:28:44.360 --> 0:28:46.440
<v Speaker 3>In an email to the auction house, this is what

0:28:46.520 --> 0:28:49.880
<v Speaker 3>Leslie said, quote. This was a situation where my brother

0:28:49.920 --> 0:28:52.240
<v Speaker 3>thought I was bidding on the lot and I thought

0:28:52.600 --> 0:28:54.960
<v Speaker 3>he was bidding on it. We made a mistake, and

0:28:55.000 --> 0:28:57.560
<v Speaker 3>I would hope that, given the amount of property we purchased,

0:28:57.680 --> 0:29:01.040
<v Speaker 3>you would forgive us for this mistake. And then, according

0:29:01.120 --> 0:29:04.160
<v Speaker 3>to the New York Times, quote, the auction house recorded

0:29:04.200 --> 0:29:06.800
<v Speaker 3>Leslie during the sale saying that he and his brother

0:29:06.880 --> 0:29:11.880
<v Speaker 3>were buying auction items quote together, according to its court papers.

0:29:12.200 --> 0:29:14.880
<v Speaker 3>So when The New York Times approached the twins for comment,

0:29:15.120 --> 0:29:16.880
<v Speaker 3>they were like, you, we're too busy for an interview.

0:29:16.960 --> 0:29:21.040
<v Speaker 3>I'm so sorry, But they're like, we'll send you an email. Quote.

0:29:21.280 --> 0:29:24.040
<v Speaker 3>They did not directly address why they had been willing

0:29:24.080 --> 0:29:27.160
<v Speaker 3>to pay escalated prices on some items, except to say,

0:29:27.760 --> 0:29:31.440
<v Speaker 3>as specialists in our business, we seek hidden treasures, and

0:29:31.480 --> 0:29:36.560
<v Speaker 3>as researchers, we search for unique provenas of every object. Wow,

0:29:36.600 --> 0:29:39.440
<v Speaker 3>what does that even? So why didn't they pay? I'm

0:29:39.480 --> 0:29:43.680
<v Speaker 3>so well, First things first, they didn't have the money.

0:29:44.040 --> 0:29:47.080
<v Speaker 3>So for most of us, that stops us trying to

0:29:47.120 --> 0:29:51.120
<v Speaker 3>buy things. Yes, you did, their lawyers said, quote it

0:29:51.200 --> 0:29:55.560
<v Speaker 3>was a temporary issue of liquidity, unprecedented for them, but

0:29:55.760 --> 0:29:59.800
<v Speaker 3>hardly unheard of in the auction business. So like translation,

0:30:00.160 --> 0:30:02.960
<v Speaker 3>all these folks are sketchy, yes, right, but that's something

0:30:02.960 --> 0:30:05.160
<v Speaker 3>we've talked about before. How like the art world and

0:30:05.280 --> 0:30:08.360
<v Speaker 3>art auctions are such a cover for money laundering and

0:30:08.440 --> 0:30:11.040
<v Speaker 3>shady business. That's not what I'm saying happened here.

0:30:11.280 --> 0:30:12.240
<v Speaker 2>No, it's not at all.

0:30:13.360 --> 0:30:16.800
<v Speaker 3>I'm just making an observation. So eventually the twins paid

0:30:16.880 --> 0:30:19.520
<v Speaker 3>part of the New Orleans tab. They paid seventy grand

0:30:19.560 --> 0:30:22.520
<v Speaker 3>on it, and then they settled with the place in Philly.

0:30:23.000 --> 0:30:24.920
<v Speaker 3>And then after a while they made the New Orleans

0:30:24.920 --> 0:30:27.800
<v Speaker 3>outfit hole. So everyone was taken care of, sure, And

0:30:27.960 --> 0:30:30.400
<v Speaker 3>they also told the New Orleans folks that they were

0:30:30.440 --> 0:30:34.920
<v Speaker 3>going to sell quote literally a national treasure end quote

0:30:34.920 --> 0:30:35.480
<v Speaker 3>of their own.

0:30:35.680 --> 0:30:37.920
<v Speaker 2>Why did they sound so much like influencers too?

0:30:38.160 --> 0:30:40.040
<v Speaker 3>I have no idea what it was, but I pray

0:30:40.080 --> 0:30:42.400
<v Speaker 3>it had something to do with Nicholas Cage. Were they

0:30:42.440 --> 0:30:47.520
<v Speaker 3>going to sell Nicholas Cage? Perhaps, unlike the other guys,

0:30:47.880 --> 0:30:51.040
<v Speaker 3>the keynot Twins, they didn't lose their spot on road show.

0:30:52.080 --> 0:30:53.880
<v Speaker 2>Road shows, you know how they say.

0:30:53.720 --> 0:30:56.520
<v Speaker 3>Turn about is fair play, or in the words of

0:30:56.560 --> 0:31:01.320
<v Speaker 3>Michael Scott, oh how the turntables turn? Well, that we've

0:31:01.320 --> 0:31:04.200
<v Speaker 3>got that here. So less than a decade later, Lee

0:31:04.360 --> 0:31:08.320
<v Speaker 3>Keino got a taste of his own medicine. He got

0:31:08.360 --> 0:31:11.120
<v Speaker 3>scammed at his auction house for north of one hundred

0:31:11.160 --> 0:31:14.800
<v Speaker 3>thousand dollars. He said, the buyer seemed legit. She won

0:31:14.880 --> 0:31:18.400
<v Speaker 3>bids that totaled five thousand to ten thousand dollars worth

0:31:18.440 --> 0:31:20.959
<v Speaker 3>of items at a time, and she paid her bills.

0:31:21.440 --> 0:31:25.080
<v Speaker 3>So the buyer was this woman, Grace Lou. She then

0:31:25.200 --> 0:31:28.160
<v Speaker 3>upped her game. She went after a huge lot of

0:31:28.320 --> 0:31:31.920
<v Speaker 3>Asian furniture and decorative items. There was like a bronze

0:31:32.120 --> 0:31:35.800
<v Speaker 3>libation cup that had the handle looked like a beast

0:31:36.080 --> 0:31:41.880
<v Speaker 3>libeans a watercolor painting of a cat. And then this

0:31:42.280 --> 0:31:45.720
<v Speaker 3>carved dragon like a display cabinet with dragons all over.

0:31:46.680 --> 0:31:48.960
<v Speaker 3>So it kind of reminds me of when my friend,

0:31:49.040 --> 0:31:52.400
<v Speaker 3>the author Kim Wong Keltner, she went on a buying spree,

0:31:52.440 --> 0:31:55.280
<v Speaker 3>grabbing up all the Kingfisher pins and such that she

0:31:55.360 --> 0:31:57.680
<v Speaker 3>could find in order to keep them out of the

0:31:57.720 --> 0:32:03.600
<v Speaker 3>hands of white ladies. Well, like the pins were pieces

0:32:03.640 --> 0:32:07.760
<v Speaker 3>that were broken off of these enormous ornate headdresses for

0:32:07.840 --> 0:32:11.240
<v Speaker 3>sale to the West, and so they yeah, the feathers.

0:32:11.280 --> 0:32:15.680
<v Speaker 3>So there's these like really beautiful luminous sometimes irridescent blue feathers. Sure,

0:32:15.840 --> 0:32:20.040
<v Speaker 3>and they are inlaid into silver. And Kim took this personally.

0:32:20.560 --> 0:32:22.720
<v Speaker 3>And I used to love going with her to Anne's

0:32:22.760 --> 0:32:25.440
<v Speaker 3>tique shops and like little stores in Chinatown as she

0:32:25.600 --> 0:32:28.320
<v Speaker 3>sought out new pieces. It was like the most righteous

0:32:28.360 --> 0:32:29.440
<v Speaker 3>shopping spree.

0:32:29.880 --> 0:32:31.360
<v Speaker 2>Amazing cool.

0:32:31.520 --> 0:32:34.960
<v Speaker 3>So anyway, and she would tell the owner, I need

0:32:34.960 --> 0:32:36.840
<v Speaker 3>to make sure white ladies don't buy this. As I'm

0:32:36.840 --> 0:32:38.600
<v Speaker 3>standing there, I'm like, yeah, we don't, let.

0:32:38.520 --> 0:32:40.560
<v Speaker 2>Us, we must stop.

0:32:41.200 --> 0:32:46.720
<v Speaker 3>We up anyway, Chracelu. So she bought one hundred and

0:32:46.760 --> 0:32:49.800
<v Speaker 3>seventy eight four hundred and fifty dollars worth of stuff.

0:32:50.600 --> 0:32:52.920
<v Speaker 3>Keno let her walk off with it with the promise

0:32:52.960 --> 0:32:55.920
<v Speaker 3>to pay late. I I was wondering, And then he

0:32:56.040 --> 0:32:59.160
<v Speaker 3>later told the New York Post quote, I kicked myself

0:32:59.160 --> 0:33:01.240
<v Speaker 3>that I allowed it to happen. I've been in the

0:33:01.280 --> 0:33:03.880
<v Speaker 3>business my entire life. This is the first time that

0:33:03.920 --> 0:33:08.840
<v Speaker 3>this has happened. Is it the Is it so A

0:33:08.920 --> 0:33:12.480
<v Speaker 3>lawsuit filed by the auction house against Lou in Manhattan

0:33:12.680 --> 0:33:16.160
<v Speaker 3>in twenty twenty one says that Lou took about forty

0:33:16.200 --> 0:33:19.760
<v Speaker 3>pieces in July of twenty twenty, paid forty five grand,

0:33:20.080 --> 0:33:22.000
<v Speaker 3>but then refused to hand over the balance of one

0:33:22.080 --> 0:33:25.560
<v Speaker 3>hundred and thirty three thousand dollars. Ok. She said she

0:33:25.680 --> 0:33:28.600
<v Speaker 3>tried to resell some of the items and was told

0:33:28.760 --> 0:33:31.480
<v Speaker 3>that they were like later copies, because.

0:33:31.280 --> 0:33:33.000
<v Speaker 2>Like, I'll pay a little less than twenty five percent

0:33:33.000 --> 0:33:33.760
<v Speaker 2>on this, how about that.

0:33:34.480 --> 0:33:36.080
<v Speaker 3>She's like, all right, let me get let me raise

0:33:36.120 --> 0:33:38.080
<v Speaker 3>some money some of the stuff I paid for. I'm

0:33:38.080 --> 0:33:39.920
<v Speaker 3>going to turn around and sell it. And people are like, no,

0:33:40.000 --> 0:33:45.040
<v Speaker 3>that's a reproduction. Yeah. And so then Keino's like, hold.

0:33:44.920 --> 0:33:48.000
<v Speaker 2>Up now, ma'am, I don't know what to believe now. Yeah.

0:33:48.040 --> 0:33:51.880
<v Speaker 3>So then he's like, these were not represented as antiques

0:33:51.920 --> 0:33:56.240
<v Speaker 3>from a particular period. This was just something that she assumed,

0:33:56.440 --> 0:33:57.640
<v Speaker 3>is what I suppose he's saying.

0:33:58.000 --> 0:33:59.560
<v Speaker 2>So everyone's game and everything.

0:33:59.320 --> 0:34:01.800
<v Speaker 3>Everybody, and he's like, you know, she had the opportunity

0:34:01.880 --> 0:34:05.440
<v Speaker 3>to examine every single piece multiple times over a period

0:34:05.480 --> 0:34:08.400
<v Speaker 3>of weeks before she bought it. She wasn't done with

0:34:08.480 --> 0:34:13.239
<v Speaker 3>Keno she'd and another of his auctions in January of

0:34:13.280 --> 0:34:15.960
<v Speaker 3>twenty twenty two came back under a different name.

0:34:16.400 --> 0:34:17.560
<v Speaker 2>Oh goodness, and in.

0:34:17.480 --> 0:34:20.960
<v Speaker 3>This case she plucked up half the sale. So auction

0:34:21.120 --> 0:34:25.080
<v Speaker 3>house staff realized it was her and they told her like,

0:34:25.120 --> 0:34:26.640
<v Speaker 3>all right, you know what, you have to pay your

0:34:26.800 --> 0:34:28.239
<v Speaker 3>entire bill right now.

0:34:28.239 --> 0:34:28.800
<v Speaker 2>On the spot.

0:34:28.960 --> 0:34:33.239
<v Speaker 3>And they never heard from her again. Yeah, maybe she

0:34:33.360 --> 0:34:34.520
<v Speaker 3>just got excited. Lee.

0:34:34.800 --> 0:34:36.880
<v Speaker 2>Yeah, you know how it goes, Lee.

0:34:36.880 --> 0:34:39.239
<v Speaker 3>So Keno. He went to The New York Post to

0:34:39.280 --> 0:34:42.600
<v Speaker 3>tell his story, he said, because she was like hitting

0:34:42.719 --> 0:34:45.520
<v Speaker 3>multiple auction houses in the area and he wanted everyone

0:34:45.560 --> 0:34:46.160
<v Speaker 3>on high alert.

0:34:46.280 --> 0:34:48.480
<v Speaker 2>Of course, that's what. Yeah, this was public information.

0:34:48.800 --> 0:34:52.040
<v Speaker 3>According to the Post quote, since twenty twenty, she has

0:34:52.120 --> 0:34:54.880
<v Speaker 3>been on more than two hundred and thirty thousand dollars

0:34:54.920 --> 0:34:58.000
<v Speaker 3>worth of treasures sold by various auction houses through the

0:34:58.040 --> 0:35:02.560
<v Speaker 3>Live Auctioneer's website and ever completed the transactions. Among those

0:35:02.560 --> 0:35:05.840
<v Speaker 3>she allegedly stiffed was David Killen, who runs an eponymous

0:35:05.880 --> 0:35:08.799
<v Speaker 3>auction house in Chelsea. He told the Post that Lou

0:35:08.960 --> 0:35:12.000
<v Speaker 3>was the winning bidder on about thirteen thousand dollars in

0:35:12.120 --> 0:35:14.719
<v Speaker 3>Asian objects a month ago and refused to pay for

0:35:14.760 --> 0:35:17.239
<v Speaker 3>the goods or pick them up. Winning an item at

0:35:17.239 --> 0:35:20.200
<v Speaker 3>auction is considered a legal agreement to buy it, he said.

0:35:20.600 --> 0:35:23.080
<v Speaker 3>Killen said they would lose value if placed up for

0:35:23.160 --> 0:35:26.800
<v Speaker 3>auction again. Can we go back again to the Keno

0:35:26.880 --> 0:35:30.880
<v Speaker 3>brothers please, I mean, hello, it's a legal agreement to

0:35:30.920 --> 0:35:35.040
<v Speaker 3>buy it anyway. He goes on quote. People think, oh,

0:35:35.080 --> 0:35:37.120
<v Speaker 3>there must be something wrong with it because the person

0:35:37.160 --> 0:35:39.319
<v Speaker 3>who bought it never paid for it. He said, it

0:35:39.360 --> 0:35:41.560
<v Speaker 3>gets what we call in the business a bad smell

0:35:41.600 --> 0:35:41.880
<v Speaker 3>to it.

0:35:42.160 --> 0:35:44.120
<v Speaker 2>Oh, in the biz.

0:35:43.760 --> 0:35:47.719
<v Speaker 3>They call it a bad smell. So there's no right.

0:35:48.040 --> 0:35:51.000
<v Speaker 3>There's no word on whether anyone got lu to pay

0:35:51.120 --> 0:35:54.759
<v Speaker 3>for all of her one bids or whatever happened with

0:35:54.800 --> 0:35:57.320
<v Speaker 3>the lawsuit. But I think the twins and then plus

0:35:57.360 --> 0:36:01.120
<v Speaker 3>their older brother now does this too. I think they're

0:36:01.160 --> 0:36:04.319
<v Speaker 3>all still rocking the road show. Let's stop for some

0:36:04.400 --> 0:36:07.239
<v Speaker 3>ads from the good people at whatever product or services

0:36:07.360 --> 0:36:10.759
<v Speaker 3>has bought time from. iHeart we thank them, and when

0:36:10.760 --> 0:36:29.400
<v Speaker 3>we come back, Antiques Roadshow works for truth and justice,

0:36:34.200 --> 0:36:37.640
<v Speaker 3>zaren Yes, all right, so we've had people who used

0:36:37.680 --> 0:36:41.879
<v Speaker 3>the venerated Antiques Roadshow to enrich their coffers, up their

0:36:41.920 --> 0:36:45.879
<v Speaker 3>status for negative gain. But what about when Antiques Road

0:36:45.920 --> 0:36:46.759
<v Speaker 3>Show helps.

0:36:46.520 --> 0:36:48.600
<v Speaker 2>Out splitting watermelon?

0:36:48.680 --> 0:36:51.120
<v Speaker 3>What about when they let their goodness shine through?

0:36:51.320 --> 0:36:53.000
<v Speaker 2>Oh the show Antique Roadshow.

0:36:53.000 --> 0:36:54.520
<v Speaker 3>Saren, Have I got a story for you?

0:36:54.719 --> 0:36:55.720
<v Speaker 2>Yes? I love stories.

0:36:55.800 --> 0:36:57.279
<v Speaker 3>Do you know what a Digerett type is?

0:36:57.520 --> 0:36:59.560
<v Speaker 2>Yeah? The first photographs, right, So.

0:36:59.520 --> 0:37:02.880
<v Speaker 3>It's a tie of portrait photo developed in eighteen thirty

0:37:02.960 --> 0:37:06.560
<v Speaker 3>nine by the French chemist Louis de guerre Ye.

0:37:07.040 --> 0:37:10.520
<v Speaker 2>So creating the image, that's true.

0:37:11.080 --> 0:37:15.520
<v Speaker 3>Creating the image involves chemically preparing a polished silver plate,

0:37:16.120 --> 0:37:18.120
<v Speaker 3>and that makes it a photo. Yeah, makes it a

0:37:18.160 --> 0:37:21.719
<v Speaker 3>photo sensitive surface. The surface is exposed to light and

0:37:21.800 --> 0:37:25.520
<v Speaker 3>the subject and then developed with mercury vapor fixed with

0:37:25.560 --> 0:37:28.279
<v Speaker 3>the solution of hyposulfate of soda.

0:37:28.400 --> 0:37:29.880
<v Speaker 2>Nice. You can go mad as a hatter while you're

0:37:29.880 --> 0:37:30.160
<v Speaker 2>making a.

0:37:30.120 --> 0:37:36.080
<v Speaker 3>Photo, that's right. It makes those like moody evocative pictures

0:37:36.120 --> 0:37:37.760
<v Speaker 3>that are incredibly fragile.

0:37:37.840 --> 0:37:40.160
<v Speaker 2>Yeah, and also a little uneven because of the use

0:37:40.200 --> 0:37:41.799
<v Speaker 2>of the chemicals. You get those little dots on the

0:37:41.880 --> 0:37:42.880
<v Speaker 2>edges right.

0:37:42.719 --> 0:37:45.880
<v Speaker 3>Right, You have to keep them in like velvet lined cases.

0:37:45.920 --> 0:37:46.520
<v Speaker 2>You can't touch them.

0:37:46.600 --> 0:37:49.440
<v Speaker 3>Now, you can't touch them because they will smear the image.

0:37:49.840 --> 0:37:52.920
<v Speaker 3>Despite all that, they were an improvement over like the

0:37:52.960 --> 0:37:57.160
<v Speaker 3>earlier attempts at photos, and for a decade or so

0:37:57.520 --> 0:38:00.759
<v Speaker 3>it was the yeah, people love them. But then a

0:38:00.800 --> 0:38:05.160
<v Speaker 3>new process came along, a simpler, cheaper, more resilient photograph,

0:38:05.440 --> 0:38:07.800
<v Speaker 3>and just like that, de gerotypes were a thing of

0:38:07.840 --> 0:38:13.040
<v Speaker 3>the past with the oh yes. But that made them collectible.

0:38:13.840 --> 0:38:17.080
<v Speaker 3>To this day there they are in demand for like history,

0:38:17.120 --> 0:38:21.600
<v Speaker 3>photography and antique buffs. So they get de gerotypes on

0:38:22.120 --> 0:38:25.319
<v Speaker 3>Antique's road Show every now and then, and the guy

0:38:25.400 --> 0:38:28.080
<v Speaker 3>to get as you're appraiser for those is a fellow

0:38:28.120 --> 0:38:33.120
<v Speaker 3>named Wes Cowen. So Cowen. He's an anthropologist, he's an auctioneer,

0:38:33.200 --> 0:38:37.960
<v Speaker 3>he's an appraiser, and he knows deagerotypes. Nice Sally Guest.

0:38:38.719 --> 0:38:41.959
<v Speaker 3>She lucked out when she went on Antiques Roach Guest

0:38:42.160 --> 0:38:46.040
<v Speaker 3>as a guest. Sally the guest. She's something of a

0:38:46.080 --> 0:38:49.560
<v Speaker 3>de gharatype expert, or at least like a collector. She

0:38:49.680 --> 0:38:52.240
<v Speaker 3>knows how to research them. She has a huge collection,

0:38:52.360 --> 0:38:55.200
<v Speaker 3>almost four hundred and fifty of them, and she's always

0:38:55.200 --> 0:38:57.719
<v Speaker 3>on the hunt for interesting ones. And she stumbled upon

0:38:57.800 --> 0:39:01.239
<v Speaker 3>one in particular and was really intrigued, so she bought it,

0:39:02.040 --> 0:39:04.200
<v Speaker 3>did a little research, had like a vague sense of

0:39:04.239 --> 0:39:06.239
<v Speaker 3>the subject of the portrait and the age, and that's

0:39:06.239 --> 0:39:09.200
<v Speaker 3>about it. So off she went to road show to

0:39:09.200 --> 0:39:12.800
<v Speaker 3>get some answers and show off her cool. Fine Saron,

0:39:13.200 --> 0:39:22.840
<v Speaker 3>close your eyes, eyes closed, I want you to picture it.

0:39:22.840 --> 0:39:27.480
<v Speaker 3>It's July of two thousand and four, Omaha, Nebraska. You've

0:39:27.520 --> 0:39:31.400
<v Speaker 3>brought with you to this crowded convention center a Neon

0:39:31.600 --> 0:39:35.320
<v Speaker 3>moosehead beer sign that you've found behind a dumpster about

0:39:35.320 --> 0:39:39.200
<v Speaker 3>twenty years ago. It still works. It hangs in your garage,

0:39:39.200 --> 0:39:41.000
<v Speaker 3>but you rarely plug it in and light it up.

0:39:41.040 --> 0:39:43.319
<v Speaker 3>You don't want to use up all the juice. You're

0:39:43.360 --> 0:39:45.960
<v Speaker 3>standing in line to get it appraised by the Americana

0:39:46.000 --> 0:39:50.320
<v Speaker 3>and advertising specialist. People all around you chat and laugh

0:39:50.400 --> 0:39:53.200
<v Speaker 3>as they wait to see if what they've brought today

0:39:53.400 --> 0:39:56.520
<v Speaker 3>is some sort of lost treasure. In the meantime, you

0:39:56.680 --> 0:39:59.200
<v Speaker 3>watch as folks with fancy stuff get set up at

0:39:59.200 --> 0:40:01.640
<v Speaker 3>special table in the middle of the room and get

0:40:01.680 --> 0:40:04.600
<v Speaker 3>filmed for the actual show. You wonder if that will

0:40:04.640 --> 0:40:08.520
<v Speaker 3>happen to you. You just never know. You look over

0:40:08.920 --> 0:40:12.040
<v Speaker 3>and you see that blonde appraiser guy Lee Keino, giving

0:40:12.080 --> 0:40:14.800
<v Speaker 3>a man all the details about the Chippendale desk he

0:40:14.880 --> 0:40:18.000
<v Speaker 3>brought with him. It looks fancy. You can't quite hear

0:40:18.040 --> 0:40:20.239
<v Speaker 3>what they're saying, but it's cool to watch them under

0:40:20.239 --> 0:40:22.960
<v Speaker 3>the stage lights. You move up a little in the line.

0:40:23.440 --> 0:40:26.520
<v Speaker 3>There's a guy with some old baseball memorabilia being interviewed

0:40:26.520 --> 0:40:30.040
<v Speaker 3>by the appraiser. He seems excited when the final value

0:40:30.080 --> 0:40:33.640
<v Speaker 3>is revealed. Man, this thrill is infectious. It's not even

0:40:33.680 --> 0:40:36.480
<v Speaker 3>your stuff, but you are beaming for the man. You

0:40:36.560 --> 0:40:39.080
<v Speaker 3>move up a little more in the line. You're usually

0:40:39.080 --> 0:40:42.320
<v Speaker 3>pretty impatient standing in line, but this is just too interesting.

0:40:42.360 --> 0:40:45.279
<v Speaker 3>There's no way anyone could get bored here. You do

0:40:45.360 --> 0:40:47.279
<v Speaker 3>feel a little bad for some of the people who

0:40:47.360 --> 0:40:50.719
<v Speaker 3>are carrying around what is most certainly junk, but maybe

0:40:50.719 --> 0:40:53.640
<v Speaker 3>they're like you, they're just enjoying being here. What if

0:40:53.680 --> 0:40:56.720
<v Speaker 3>the neon sign, though, is worth a couple thousand, you think,

0:40:57.160 --> 0:41:01.120
<v Speaker 3>man alive, that would be amazing the hall, someone drops

0:41:01.120 --> 0:41:03.840
<v Speaker 3>his ceramic vase. It shatters on the floor. In the

0:41:03.840 --> 0:41:07.799
<v Speaker 3>crowd gasps. That's a shame. One of the dangers of

0:41:07.840 --> 0:41:10.880
<v Speaker 3>bringing these treasures out of the house, especially with nervous,

0:41:10.920 --> 0:41:14.200
<v Speaker 3>sweaty hands. The line you're in snakes around, and you

0:41:14.239 --> 0:41:17.400
<v Speaker 3>find yourself right next to an on camera appraisal. You

0:41:17.440 --> 0:41:20.280
<v Speaker 3>stand just outside of the camera shot, but you're close

0:41:20.400 --> 0:41:24.200
<v Speaker 3>enough this time to hear everything. A kind faced woman

0:41:24.360 --> 0:41:26.560
<v Speaker 3>in an embroidered T shirt and a short salt and

0:41:26.600 --> 0:41:29.480
<v Speaker 3>pepperish haircut sits across the table from a man in

0:41:29.520 --> 0:41:33.240
<v Speaker 3>a pale gray suit. You recognize him as Wes Cowan.

0:41:33.800 --> 0:41:37.160
<v Speaker 3>He's always got cool civil war appraisals and stuff like that.

0:41:37.520 --> 0:41:41.279
<v Speaker 3>The man knows history and you respect that. In between them,

0:41:41.280 --> 0:41:44.200
<v Speaker 3>on a tiny lacquered wooden stand sits one of those

0:41:44.239 --> 0:41:48.240
<v Speaker 3>old tiny photographs, the ones in grayscale civil war looking things.

0:41:48.640 --> 0:41:51.200
<v Speaker 3>The guy in the picture looks kind of familiar. The

0:41:51.280 --> 0:41:54.680
<v Speaker 3>lady said she was browsing in a quote antique slash

0:41:54.760 --> 0:41:58.879
<v Speaker 3>junk shop in Walnut, Illinois, when this dagaratype caught her eye.

0:41:59.280 --> 0:42:03.040
<v Speaker 3>De Garati that's the name of those things, She says.

0:42:03.080 --> 0:42:05.000
<v Speaker 3>There was a stack of pictures in the shop, but

0:42:05.120 --> 0:42:08.200
<v Speaker 3>this was the most interesting one. She collects them, see,

0:42:08.200 --> 0:42:11.040
<v Speaker 3>and this one looks sort of special, and she thought

0:42:11.080 --> 0:42:15.959
<v Speaker 3>she recognized the guy. Edgar Allan Poe, Poe, that's the guy.

0:42:16.719 --> 0:42:20.239
<v Speaker 3>She tells Collen that she paid ninety six dollars including

0:42:20.360 --> 0:42:23.560
<v Speaker 3>tax for the photo. That's a pretty penny, you think.

0:42:23.960 --> 0:42:26.399
<v Speaker 3>But she's a collector, so she must know what it's worth.

0:42:26.760 --> 0:42:29.839
<v Speaker 3>You doubt she'd get scammed. She tells Collen that she's

0:42:29.920 --> 0:42:32.439
<v Speaker 3>proud of it and has it on her mantelpiece at home,

0:42:32.480 --> 0:42:35.239
<v Speaker 3>even though, as she puts it, Poe Quote is not

0:42:35.360 --> 0:42:39.800
<v Speaker 3>the best looking man. Cowen confirms everything she says. Tells

0:42:39.800 --> 0:42:42.520
<v Speaker 3>her it's a Dagarrett type of Poe and that's pretty rare.

0:42:42.920 --> 0:42:45.439
<v Speaker 3>He says, only six photographs of the guy were known

0:42:45.440 --> 0:42:48.239
<v Speaker 3>to exist. He tells her there's a little damage to

0:42:48.320 --> 0:42:51.360
<v Speaker 3>the face area, probably from someone wiping it with their finger.

0:42:51.880 --> 0:42:54.160
<v Speaker 3>The lady backs us up and talks about how delicate

0:42:54.200 --> 0:42:56.319
<v Speaker 3>these things are that you can't even blow on them.

0:42:56.600 --> 0:42:57.000
<v Speaker 2>Yikes.

0:42:57.840 --> 0:43:01.080
<v Speaker 3>Collen looks thoughtfully at the picture and then announces its

0:43:01.160 --> 0:43:05.560
<v Speaker 3>value at between thirty thousand and fifty thousand dollars conservatively.

0:43:06.040 --> 0:43:10.040
<v Speaker 3>Your jaw drops. The lady is overjoyed. I liked the

0:43:10.080 --> 0:43:12.760
<v Speaker 3>picture anyway, but now I really like it, she says.

0:43:13.480 --> 0:43:15.680
<v Speaker 3>Cowan tells her that if this thing went to auction,

0:43:15.960 --> 0:43:17.799
<v Speaker 3>a ton of people would want to bid on it.

0:43:18.360 --> 0:43:21.040
<v Speaker 3>Great day in the morning, this is a fine You

0:43:21.120 --> 0:43:23.360
<v Speaker 3>feel so much joy for the woman. That's what this

0:43:23.440 --> 0:43:26.120
<v Speaker 3>show is all about. You finally make your way to

0:43:26.120 --> 0:43:29.680
<v Speaker 3>the appraisal table. The expert looks over your sign, plugs

0:43:29.680 --> 0:43:32.360
<v Speaker 3>it into confirm it still works, looks at the back

0:43:32.400 --> 0:43:34.520
<v Speaker 3>and the bottom. She hands it back to you and

0:43:34.560 --> 0:43:37.960
<v Speaker 3>tells you it's worth about three hundred dollars. You could cry,

0:43:38.000 --> 0:43:41.440
<v Speaker 3>this is amazing. I found it behind a dumpster, you

0:43:41.520 --> 0:43:45.440
<v Speaker 3>tell her excitedly. She smiles warmly at you. Isn't that

0:43:45.480 --> 0:43:48.719
<v Speaker 3>the best place to find a treasure, she responds. You

0:43:48.800 --> 0:43:50.759
<v Speaker 3>thank her, and then head out to your car, your

0:43:50.800 --> 0:43:54.440
<v Speaker 3>prized moosehead sign cradled in your arms. You are walking

0:43:54.520 --> 0:44:00.440
<v Speaker 3>on air. Thank you Antiques Roadshow, and thank you PBS.

0:44:00.960 --> 0:44:06.560
<v Speaker 3>So a cool story, but rather uneventful, as roadshow tales go. Right,

0:44:06.719 --> 0:44:08.919
<v Speaker 3>possibly we're going to fast forward a year and a half,

0:44:10.000 --> 0:44:13.440
<v Speaker 3>Sally Guest, owner of the Dea gherettype, decides she wants

0:44:13.480 --> 0:44:16.120
<v Speaker 3>to sell it. Okay, cool, it's worth quite a bit,

0:44:16.760 --> 0:44:20.520
<v Speaker 3>and the estimate of value from Antique's Road Show just

0:44:20.680 --> 0:44:24.279
<v Speaker 3>wasn't enough. She needed to get it authenticated to prove

0:44:24.360 --> 0:44:27.439
<v Speaker 3>up that it actually is Edgar Allan Poe since that's

0:44:27.440 --> 0:44:30.160
<v Speaker 3>where the value really is. So she reaches out to

0:44:30.239 --> 0:44:34.080
<v Speaker 3>the Edgar Allen Poe Society in Baltimore. She sends them

0:44:34.080 --> 0:44:36.920
<v Speaker 3>a copy of the de gerrettype. They reach out to

0:44:36.960 --> 0:44:40.680
<v Speaker 3>a specialist, This artist and historian named Michael J. Deese.

0:44:41.160 --> 0:44:43.680
<v Speaker 3>He wrote a book called The Portraits and de Garatt

0:44:43.680 --> 0:44:47.440
<v Speaker 3>Types of Edgar Allan Poe. Right, so I think we

0:44:47.480 --> 0:44:51.439
<v Speaker 3>call that a special Yeah, So the Poet Society contacted

0:44:51.520 --> 0:44:53.800
<v Speaker 3>Guest and told her that it looked like her de

0:44:53.880 --> 0:44:55.080
<v Speaker 3>garrettype was the real deal.

0:44:55.280 --> 0:44:56.600
<v Speaker 2>Oh, I thought was gonna be like, oh, it's actually

0:44:56.600 --> 0:44:57.960
<v Speaker 2>a photo of Robert Todd Lincoln.

0:44:59.200 --> 0:45:02.160
<v Speaker 3>But here's the thing. Though it looked familiar to dece

0:45:02.880 --> 0:45:07.279
<v Speaker 3>he actually recognized it pretty much immediately. And because there

0:45:07.280 --> 0:45:10.440
<v Speaker 3>weren't that many of these deguera types of po he

0:45:10.520 --> 0:45:13.040
<v Speaker 3>wrote the book on him. So, remember how there was

0:45:13.080 --> 0:45:15.719
<v Speaker 3>a smudge or a scratch on the face of the image.

0:45:16.120 --> 0:45:21.839
<v Speaker 3>He'd seen that before. In fact, of the only of

0:45:22.000 --> 0:45:25.479
<v Speaker 3>all likely there's only a handful of these existence, only

0:45:25.600 --> 0:45:29.360
<v Speaker 3>two had this slight flaw. And like he looked closely

0:45:29.440 --> 0:45:32.600
<v Speaker 3>closely at the copy and he's like, I've examined this

0:45:32.640 --> 0:45:36.000
<v Speaker 3>one before, back in nineteen eighty one. Whoa He handled

0:45:36.000 --> 0:45:38.920
<v Speaker 3>the real thing when he was doing research for his book,

0:45:39.200 --> 0:45:41.440
<v Speaker 3>and then it was at the hand In Booth Theater

0:45:41.600 --> 0:45:45.480
<v Speaker 3>Library in New York City, a private collection inside the

0:45:45.520 --> 0:45:48.800
<v Speaker 3>Player's Theatrical Club. That's how they do it at the

0:45:48.800 --> 0:45:52.480
<v Speaker 3>Players Club, rubbing the toes on a mink rug as such,

0:45:52.920 --> 0:45:55.839
<v Speaker 3>at least according to Rap and Forte in his hit

0:45:55.960 --> 0:45:59.520
<v Speaker 3>playas Club. Hold on, I'm being told that's a different

0:45:59.560 --> 0:46:01.880
<v Speaker 3>play as Club. Okay, So I'm glad we got that

0:46:01.920 --> 0:46:06.200
<v Speaker 3>cleared up. Their interns are just like waving and yeah

0:46:06.239 --> 0:46:10.959
<v Speaker 3>and the thanks guys. So d'z called the library and

0:46:11.040 --> 0:46:17.319
<v Speaker 3>he asked about the DEA gherettype. Guess what theirs was missing? What? Yeah? So, meanwhile,

0:46:18.200 --> 0:46:22.160
<v Speaker 3>Guest had contacted Cowen to tell him that she wanted

0:46:22.160 --> 0:46:24.520
<v Speaker 3>to sell the de Garrett type and she wanted his

0:46:24.680 --> 0:46:25.640
<v Speaker 3>help with it, and he's like.

0:46:25.640 --> 0:46:26.520
<v Speaker 2>Yeah, sure of course.

0:46:26.960 --> 0:46:28.640
<v Speaker 3>So he picks it up and takes it to his

0:46:28.719 --> 0:46:32.600
<v Speaker 3>auction house's office in Cincinnati. And it's around this time

0:46:32.640 --> 0:46:36.080
<v Speaker 3>that the episode actually airs, and that's when Cowen gets

0:46:36.080 --> 0:46:41.200
<v Speaker 3>another call, this time from the FBI. So special Agent

0:46:41.280 --> 0:46:44.879
<v Speaker 3>Joanna Looney from the FBI's Manhattan office let him know

0:46:45.000 --> 0:46:47.360
<v Speaker 3>that the de Garrett type that he checked out for

0:46:47.440 --> 0:46:50.920
<v Speaker 3>guests on the show was stolen and it had obviously

0:46:50.960 --> 0:46:54.760
<v Speaker 3>crossed a few state lines since being lifted. So Cowen,

0:46:54.760 --> 0:46:57.080
<v Speaker 3>he's a little rattled. He calls guest and he's like,

0:46:57.200 --> 0:46:59.040
<v Speaker 3>you know what, sit tight. The Feds are on the way.

0:46:59.680 --> 0:47:03.240
<v Speaker 3>So that the special Agent David Bass of the FBI's

0:47:03.320 --> 0:47:05.080
<v Speaker 3>Midwest Art Crime.

0:47:04.800 --> 0:47:07.799
<v Speaker 2>Team Bassin looney, massive, looney, I know, are.

0:47:07.760 --> 0:47:11.000
<v Speaker 3>You kidding shows up at the office in Cincinnati and

0:47:11.400 --> 0:47:13.600
<v Speaker 3>he's like, I'm here to take custody of the da

0:47:13.640 --> 0:47:17.160
<v Speaker 3>Gett type. Give me po and what's crazy?

0:47:17.280 --> 0:47:19.640
<v Speaker 2>I love that if the guy who invents the detective book,

0:47:19.760 --> 0:47:21.040
<v Speaker 2>here's my favorite.

0:47:20.640 --> 0:47:24.839
<v Speaker 3>Deeese hadn't contacted the FBI. What they The FBI saw

0:47:24.880 --> 0:47:27.040
<v Speaker 3>the episode and I d'd the Dea Garrett type as

0:47:27.080 --> 0:47:29.759
<v Speaker 3>the stolen one, which means it's someone's job at the

0:47:29.840 --> 0:47:32.480
<v Speaker 3>FBI to watch antiques road show and keep an eye

0:47:32.520 --> 0:47:35.520
<v Speaker 3>out for possibly hot kids. Oh wow, who knows if

0:47:35.560 --> 0:47:37.640
<v Speaker 3>they still have that position, but I would be very

0:47:37.640 --> 0:47:38.040
<v Speaker 3>good at it.

0:47:38.080 --> 0:47:39.560
<v Speaker 2>You don't think they're at at home watching it and

0:47:39.560 --> 0:47:41.239
<v Speaker 2>there all of a sudden, they just drop the remote, like.

0:47:41.320 --> 0:47:44.120
<v Speaker 3>Wait, I think that someone gets the episode. They just

0:47:44.160 --> 0:47:45.839
<v Speaker 3>start typing stuff in every time.

0:47:45.960 --> 0:47:48.240
<v Speaker 2>Probably, I mean, I'm always blown away by how people

0:47:48.400 --> 0:47:50.040
<v Speaker 2>kept to do these jobs. Yeah, so I'm sure the

0:47:50.120 --> 0:47:51.799
<v Speaker 2>FBI has people. I mean, you hear about how the

0:47:51.840 --> 0:47:53.440
<v Speaker 2>CIA has people reading books.

0:47:53.160 --> 0:47:56.799
<v Speaker 3>And know exactly. So the FEDS wanted to get their

0:47:56.840 --> 0:48:00.200
<v Speaker 3>hands on the de Garrett type to like officially authenticate it.

0:48:00.719 --> 0:48:03.880
<v Speaker 3>But here's the thing. The DEA gherettype wasn't on display

0:48:03.960 --> 0:48:06.640
<v Speaker 3>at the library. It was in the archives, and the

0:48:06.760 --> 0:48:09.759
<v Speaker 3>last known sighting of it was when D's gave it

0:48:09.840 --> 0:48:14.040
<v Speaker 3>the once over for the research Library couldn't pin down

0:48:14.080 --> 0:48:18.719
<v Speaker 3>exactly when it was stolen stolen like this, So they're like,

0:48:18.800 --> 0:48:21.040
<v Speaker 3>we know it was stolen, but just in the last

0:48:21.120 --> 0:48:25.000
<v Speaker 3>thirty years, okay, because they're well, I guess twenty years.

0:48:25.360 --> 0:48:29.120
<v Speaker 3>Because there was no hard timeline for this theft, the

0:48:29.160 --> 0:48:31.960
<v Speaker 3>FEDS are like, well, we can't really file charges against anyone.

0:48:32.320 --> 0:48:35.560
<v Speaker 3>So they could prove that guests had indeed bought the

0:48:35.640 --> 0:48:38.160
<v Speaker 3>da Geat type at the shop in Iowa.

0:48:38.360 --> 0:48:40.319
<v Speaker 2>Okay, so she's clear, So she's clean Oka.

0:48:40.560 --> 0:48:43.000
<v Speaker 3>And then it didn't look like the shop owners knew

0:48:43.040 --> 0:48:44.839
<v Speaker 3>that they were trafficking and stolen goods.

0:48:44.920 --> 0:48:47.680
<v Speaker 2>So they're doing like a reverse prove multice Falcon style.

0:48:48.440 --> 0:48:51.359
<v Speaker 3>Yes, but the owners of the shop, they couldn't pin

0:48:51.520 --> 0:48:53.880
<v Speaker 3>down how they wound up with the photos. There's all

0:48:53.880 --> 0:48:57.319
<v Speaker 3>these dead ends. Guests had to turn it over to

0:48:57.480 --> 0:49:01.040
<v Speaker 3>the library, and so she called it donation. But there

0:49:01.160 --> 0:49:03.359
<v Speaker 3>wasn't a whole lot of choice in it for her.

0:49:03.880 --> 0:49:06.640
<v Speaker 3>And so while it was worth thirty to fifty thousand,

0:49:06.920 --> 0:49:09.120
<v Speaker 3>she'd paid less than one hundred for it. So she's

0:49:09.160 --> 0:49:12.080
<v Speaker 3>not like left, you know, in debt.

0:49:12.200 --> 0:49:14.440
<v Speaker 2>And she also does she get like a thirty thousand

0:49:14.440 --> 0:49:16.440
<v Speaker 2>dollars tax credit for the donation, I don't know, or

0:49:16.520 --> 0:49:19.319
<v Speaker 2>she get a three hundred dollars tax donation one hundred.

0:49:19.360 --> 0:49:21.799
<v Speaker 3>She paid one hundred hundred, So yeah, I don't know.

0:49:22.360 --> 0:49:24.400
<v Speaker 3>But she was cool about the whole thing. I mean,

0:49:24.440 --> 0:49:28.040
<v Speaker 3>she's a little irritated, but she understood the situation. She said, quote,

0:49:28.160 --> 0:49:31.279
<v Speaker 3>I'm glad the piece is hopefully where it belongs, that

0:49:31.320 --> 0:49:33.239
<v Speaker 3>they will take care of it and that people will

0:49:33.239 --> 0:49:37.800
<v Speaker 3>eventually get to see it. And so it was eventually authenticated.

0:49:37.880 --> 0:49:41.879
<v Speaker 3>The FBI returned the Degherett type to the library in

0:49:41.880 --> 0:49:44.439
<v Speaker 3>New York City on November eight, two thousand and five.

0:49:45.000 --> 0:49:51.120
<v Speaker 3>According to PBS, quote. Raymond Wemlinger, the library's curator, confirmed

0:49:51.120 --> 0:49:53.239
<v Speaker 3>that the Poe picture is once again back in the

0:49:53.280 --> 0:49:57.440
<v Speaker 3>library's possession and after an absence of many years, available

0:49:57.480 --> 0:49:59.800
<v Speaker 3>for viewing by qualified.

0:49:59.160 --> 0:50:01.320
<v Speaker 2>Researchers like bring your white gloves.

0:50:01.480 --> 0:50:06.200
<v Speaker 3>Yeah, well it was so just just a few months

0:50:06.239 --> 0:50:09.680
<v Speaker 3>after that, the library put the Daguerat type up for

0:50:09.760 --> 0:50:10.840
<v Speaker 3>auction at Sotheby's.

0:50:11.480 --> 0:50:12.200
<v Speaker 2>They sold it.

0:50:12.239 --> 0:50:17.359
<v Speaker 3>They sold it winning bid one hundred and fifty thousand dollars. Wow,

0:50:17.520 --> 0:50:20.920
<v Speaker 3>I'm guessing exactly got bills too. Sally is probably feeling

0:50:21.000 --> 0:50:24.360
<v Speaker 3>less charitable about the whole thing at this point. She's like,

0:50:24.440 --> 0:50:26.399
<v Speaker 3>as long as it's in the museum. Oh no, it's

0:50:26.480 --> 0:50:31.480
<v Speaker 3>not so, Zara, what's your ridiculous takeaway?

0:50:31.840 --> 0:50:34.319
<v Speaker 2>I love these are all great stories, but I love

0:50:34.400 --> 0:50:36.600
<v Speaker 2>that the ground Post story at the end, with the

0:50:36.680 --> 0:50:39.480
<v Speaker 2>basically the guy who invents the detective novel, there is

0:50:39.520 --> 0:50:43.600
<v Speaker 2>a whole mystery about his photograph, which is the craziest

0:50:43.640 --> 0:50:46.960
<v Speaker 2>evidence they have. Like, because photographs, as you know, is

0:50:46.960 --> 0:50:50.000
<v Speaker 2>where we start to get the unreality. Between like eighteen

0:50:50.080 --> 0:50:53.800
<v Speaker 2>thirty nine, when you invent the photograph, essentially all art changes,

0:50:53.880 --> 0:50:56.520
<v Speaker 2>especially on painting and in particular, and you get you know,

0:50:56.560 --> 0:51:00.319
<v Speaker 2>start getting abstracted and more expressionists and all that the

0:51:00.400 --> 0:51:03.080
<v Speaker 2>art no longer has to portray a scene, right, Yeah,

0:51:03.760 --> 0:51:06.600
<v Speaker 2>they're all for free. It's basically like what Einstein did

0:51:06.640 --> 0:51:09.480
<v Speaker 2>with like general relativity, where or like Freud did, we

0:51:09.480 --> 0:51:12.000
<v Speaker 2>all of a sudden like we don't know what to believe anymore,

0:51:12.160 --> 0:51:15.200
<v Speaker 2>you know, it's like, oh, everything becomes interpretive. So I

0:51:15.239 --> 0:51:18.960
<v Speaker 2>love that that somehow Poe is tied to that history

0:51:19.560 --> 0:51:25.320
<v Speaker 2>is so beautiful. That's my ridiculous takeaway. You know what's yours?

0:51:25.360 --> 0:51:28.160
<v Speaker 3>Oh my takeaway? Well, I didn't know you were interested in.

0:51:28.400 --> 0:51:30.480
<v Speaker 2>I don't always ask, but I'm always in.

0:51:30.600 --> 0:51:35.840
<v Speaker 3>H my takeaway, I think that the appeal of antiques roadshow,

0:51:35.920 --> 0:51:39.600
<v Speaker 3>Like we talked about all the different kinds of appraisals

0:51:39.640 --> 0:51:42.400
<v Speaker 3>that happen on the show, but this notion of that

0:51:42.440 --> 0:51:46.879
<v Speaker 3>you could stumble into something that is worth far more

0:51:46.960 --> 0:51:48.960
<v Speaker 3>than you would think. And you were talking about how

0:51:49.000 --> 0:51:51.520
<v Speaker 3>your sister can identify all these things like based on

0:51:51.600 --> 0:51:53.480
<v Speaker 3>much he's learned. And one of the things that I

0:51:53.560 --> 0:51:56.640
<v Speaker 3>learned is like never refinished furniture. Yes, so it'll look

0:51:56.680 --> 0:51:58.200
<v Speaker 3>all beat up and they're like, no, no, no, you

0:51:58.239 --> 0:52:01.560
<v Speaker 3>don't want to clean this thing. Yeah yeah, so it's

0:52:01.640 --> 0:52:03.799
<v Speaker 3>like all these little things. And then why why that

0:52:04.000 --> 0:52:05.920
<v Speaker 3>is that you have to have the patina and the

0:52:06.200 --> 0:52:07.640
<v Speaker 3>and the look of age and such.

0:52:07.840 --> 0:52:09.239
<v Speaker 2>Let the accumulated age be there.

0:52:09.280 --> 0:52:11.960
<v Speaker 3>And I think for me, I sometimes I don't understand

0:52:12.000 --> 0:52:14.359
<v Speaker 3>it's appealed to me because I am not someone who

0:52:14.400 --> 0:52:15.200
<v Speaker 3>saves anything.

0:52:15.360 --> 0:52:16.960
<v Speaker 2>That's why I don't clean anything, because one day these

0:52:16.960 --> 0:52:18.799
<v Speaker 2>will all be antiques and they'll be really val.

0:52:19.600 --> 0:52:22.200
<v Speaker 3>You collect a lot of stuff. I don't collect stuff.

0:52:22.280 --> 0:52:24.480
<v Speaker 2>I have penny collections right now and trying desperately to

0:52:24.480 --> 0:52:26.440
<v Speaker 2>get a twenty twenty five penny so I can have.

0:52:26.520 --> 0:52:28.719
<v Speaker 3>The last penny, all right, So if anyone out there

0:52:28.719 --> 0:52:31.520
<v Speaker 3>has a twenty twenty five.

0:52:30.600 --> 0:52:32.680
<v Speaker 2>Twenty twenty five penny to hard to get.

0:52:32.520 --> 0:52:33.359
<v Speaker 3>Your collector guy?

0:52:33.560 --> 0:52:34.680
<v Speaker 2>Yeah, fact so.

0:52:35.080 --> 0:52:37.759
<v Speaker 3>But and I think, like, I'm not a collector, but

0:52:37.800 --> 0:52:39.720
<v Speaker 3>I love watching the excitement.

0:52:40.160 --> 0:52:41.920
<v Speaker 2>What does it for you? Just the human moments?

0:52:42.280 --> 0:52:46.040
<v Speaker 3>Yeah yeah, And I think like sometimes it's when someone gets,

0:52:46.120 --> 0:52:47.919
<v Speaker 3>you know, the wind taken out of their sails because

0:52:47.920 --> 0:52:50.080
<v Speaker 3>they think that they've got, you know, they know everything.

0:52:50.239 --> 0:52:52.319
<v Speaker 3>But I really do love the moments where people are

0:52:52.320 --> 0:52:55.120
<v Speaker 3>just totally stunned and it's just I loved this bowl

0:52:55.320 --> 0:52:58.080
<v Speaker 3>and it you know, it's weird looking and it's crazy,

0:52:58.120 --> 0:52:59.440
<v Speaker 3>but I love it. And like you were saying too,

0:52:59.520 --> 0:53:02.200
<v Speaker 3>learning about the various schools of.

0:53:02.320 --> 0:53:04.279
<v Speaker 2>Art and yeah, because you're like maybe you have the

0:53:04.320 --> 0:53:06.960
<v Speaker 2>big story in your head. You're always adding different chapters too.

0:53:07.360 --> 0:53:09.239
<v Speaker 2>So when you learn about something like that, does that, like,

0:53:09.560 --> 0:53:11.839
<v Speaker 2>you know, make you feel some kind of way really like, oh,

0:53:11.920 --> 0:53:14.080
<v Speaker 2>this is the Adirondack school.

0:53:13.800 --> 0:53:18.040
<v Speaker 3>Of other arrow for the quiver I got you. Yeah,

0:53:19.040 --> 0:53:21.520
<v Speaker 3>let's have a talk back to celebrate this.

0:53:21.840 --> 0:53:22.400
<v Speaker 2>Cheers to that.

0:53:25.400 --> 0:53:32.719
<v Speaker 4>Oh my god, I let cheat.

0:53:36.040 --> 0:53:39.080
<v Speaker 5>So I learned recently that I can't listen to your

0:53:39.160 --> 0:53:42.319
<v Speaker 5>podcast while I'm working out because I start laughing too hard.

0:53:43.560 --> 0:53:45.960
<v Speaker 5>The most recent time that this happened was when I

0:53:46.040 --> 0:53:48.440
<v Speaker 5>was listening to the Johnny Cash episode and you were

0:53:48.440 --> 0:53:52.440
<v Speaker 5>talking about Banana Winds and Elizabeth said this album will

0:53:52.520 --> 0:53:54.799
<v Speaker 5>knock the fruit out of your banana wins, and I

0:53:54.880 --> 0:53:57.520
<v Speaker 5>started laughing so hard that I actually fell off of

0:53:57.560 --> 0:54:02.640
<v Speaker 5>a pull up bark.

0:54:02.680 --> 0:54:06.720
<v Speaker 2>You is done.

0:54:09.600 --> 0:54:13.040
<v Speaker 3>Oh my gosh, it's it for today. You can find

0:54:13.120 --> 0:54:16.880
<v Speaker 3>us online at ridiculous Crime dot com. We're also at

0:54:16.960 --> 0:54:19.879
<v Speaker 3>Ridiculous Crime on both Bluesky and Instagram, and we're on

0:54:19.920 --> 0:54:24.560
<v Speaker 3>YouTube at Ridiculous Crime pod, email us at Ridiculous Crime

0:54:24.560 --> 0:54:27.279
<v Speaker 3>at gmail dot com, and then, most importantly, leave a

0:54:27.360 --> 0:54:36.640
<v Speaker 3>talkback on the free iHeart app reach out. Ridiculous Crime

0:54:36.719 --> 0:54:39.560
<v Speaker 3>is hosted by Elizabeth Dutton and Zaren Burnett, produced and

0:54:39.680 --> 0:54:43.520
<v Speaker 3>edited by Auctioneer to the Stars Dave Kusten, starring EMILYE.

0:54:43.600 --> 0:54:47.520
<v Speaker 3>Rutger as Judith. Research is by Vintage hot Dog authenticator

0:54:47.600 --> 0:54:52.359
<v Speaker 3>Marissa Brown and basketball memorabilia specialist Jabari Davis. The theme

0:54:52.400 --> 0:54:55.560
<v Speaker 3>song is by composers and performers of the Antiques Roadshow

0:54:55.600 --> 0:54:59.719
<v Speaker 3>alternate theme song Thomas Lee and Travis Dutton. Post wardrobe

0:54:59.760 --> 0:55:02.520
<v Speaker 3>is for by Botany five hundred guests. Hair and makeup

0:55:02.560 --> 0:55:06.840
<v Speaker 3>by a Sparkleshot and Mister Andre. Executive producers are Hopeful

0:55:06.920 --> 0:55:17.400
<v Speaker 3>Thrifter Ben Bolen and Garage Sale enthusiast Noel Brown. Ridicous

0:55:18.160 --> 0:55:22.000
<v Speaker 3>Crime Say It One More Timequious Crime.

0:55:23.000 --> 0:55:26.360
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio four More Podcasts

0:55:26.480 --> 0:55:29.640
<v Speaker 1>my Heart Radio, visit the iHeartRadio app, Apple Podcasts, or

0:55:29.680 --> 0:55:31.480
<v Speaker 1>wherever you listen to your favorite shows.