WEBVTT - It's Still There (S2 E21, "Lorelai's Graduation Day")

0:00:00.720 --> 0:00:18.000
<v Speaker 1>I am all in as I Am all In with

0:00:18.120 --> 0:00:22.639
<v Speaker 1>Scott Patterson and I Heart Radio podcast. Hey everybody, Scott Patterson,

0:00:22.720 --> 0:00:26.040
<v Speaker 1>I Am all In Podcast one eleven Productions, I Heart Radio.

0:00:26.760 --> 0:00:32.199
<v Speaker 1>We're gonna be breaking down and discussing Loyalize Graduation Day,

0:00:32.200 --> 0:00:38.120
<v Speaker 1>episode twenty one, season two, and uh, we are so

0:00:38.159 --> 0:00:40.199
<v Speaker 1>close to the end of season two. I know, how

0:00:40.240 --> 0:00:43.320
<v Speaker 1>do we get here this fast? It's like being married,

0:00:43.520 --> 0:00:46.280
<v Speaker 1>you know, and having a kid. Being married and having

0:00:46.280 --> 0:00:49.320
<v Speaker 1>a kid makes speeds things up. It just speeds life up.

0:00:49.360 --> 0:00:52.680
<v Speaker 1>Everything just zooms by. And I think that's really That's

0:00:52.680 --> 0:00:55.080
<v Speaker 1>one of the main takeaways for me from this episode

0:00:55.160 --> 0:01:00.560
<v Speaker 1>is is you know, Richard and Emily were so good

0:01:00.640 --> 0:01:03.840
<v Speaker 1>about showing up to the graduation, they were so distraught

0:01:03.960 --> 0:01:07.840
<v Speaker 1>at the experience of it. Emily shed a tear, not

0:01:08.080 --> 0:01:11.600
<v Speaker 1>of joy. That was not a joyful tear. That was

0:01:11.680 --> 0:01:15.600
<v Speaker 1>a tear of what could have been. Oh see, I

0:01:15.600 --> 0:01:21.840
<v Speaker 1>don't I didn't see it like mm she was so proud.

0:01:22.319 --> 0:01:26.919
<v Speaker 1>I don't think so. No, No, it was just because

0:01:26.959 --> 0:01:29.480
<v Speaker 1>it's the way they looked at each other. Because Laurel

0:01:29.520 --> 0:01:31.480
<v Speaker 1>I was welling up and her mother was welling up,

0:01:31.520 --> 0:01:35.119
<v Speaker 1>Emily was welling up and she and Emily looked down.

0:01:35.240 --> 0:01:38.600
<v Speaker 1>She just she had to put her head down because

0:01:38.640 --> 0:01:42.160
<v Speaker 1>it was just gosh darn at the listen, if you're

0:01:42.200 --> 0:01:44.760
<v Speaker 1>a parent and you put all that time and effort

0:01:45.400 --> 0:01:49.559
<v Speaker 1>into breeding and raising your daughter in a certain way.

0:01:49.600 --> 0:01:52.080
<v Speaker 1>And Laurel I said it best herself when in the

0:01:52.360 --> 0:01:54.840
<v Speaker 1>scene with Rory, when she was having trouble studying, when

0:01:54.880 --> 0:01:57.480
<v Speaker 1>Laurel I was having trouble studying for her final exam

0:01:57.560 --> 0:02:00.360
<v Speaker 1>or whatever it was, Um, and she she's built it

0:02:00.440 --> 0:02:03.120
<v Speaker 1>right out. She said, My I'm a huge you know,

0:02:03.320 --> 0:02:05.440
<v Speaker 1>Please don't invite mom and dad because it will be

0:02:05.480 --> 0:02:08.720
<v Speaker 1>to the graduation ceremony, because it'll they'll be humiliated. I'll

0:02:08.760 --> 0:02:10.560
<v Speaker 1>feel bad, it won't be good for them, it won't

0:02:10.600 --> 0:02:13.360
<v Speaker 1>be good for me. So please don't do it. Um.

0:02:13.600 --> 0:02:16.359
<v Speaker 1>That's exactly what Richard and Emily had to fight through

0:02:16.360 --> 0:02:18.160
<v Speaker 1>the humiliation of it because they here, they are in

0:02:18.160 --> 0:02:23.360
<v Speaker 1>a community college. They hilariously brought their own cameraman role

0:02:25.200 --> 0:02:28.919
<v Speaker 1>to film the whole thing and hi deaf, um, and

0:02:29.760 --> 0:02:32.560
<v Speaker 1>it was just very sad. It was very very sad.

0:02:33.440 --> 0:02:38.639
<v Speaker 1>That so fascinating. I thought completely differently. I thought it

0:02:38.800 --> 0:02:43.799
<v Speaker 1>as look how much we've been through and look where

0:02:43.880 --> 0:02:48.800
<v Speaker 1>we are now, and that those were like tears of joy,

0:02:48.919 --> 0:02:54.799
<v Speaker 1>like we're here watching this moment and you know, I'm

0:02:54.800 --> 0:02:58.080
<v Speaker 1>not gonna say it's all peachy, but like they're getting

0:02:58.080 --> 0:03:00.919
<v Speaker 1>along and they got to exp aarens this with her.

0:03:01.360 --> 0:03:04.080
<v Speaker 1>And that's why I thought it was so poignant, Like

0:03:04.120 --> 0:03:07.560
<v Speaker 1>when they take that photo, when when Loure lies like, wait, wait, wait,

0:03:07.600 --> 0:03:10.200
<v Speaker 1>aren't we going to take that photo at the classic

0:03:10.560 --> 0:03:14.440
<v Speaker 1>parents surrounding the graduate photo? I just thought so differently.

0:03:14.720 --> 0:03:17.240
<v Speaker 1>I I got emotional twice during this episode, and this

0:03:17.280 --> 0:03:20.640
<v Speaker 1>was one of the times when I'm like, wow, we've

0:03:20.639 --> 0:03:23.480
<v Speaker 1>been through the mud and we're kind of digging ourselves out,

0:03:23.520 --> 0:03:26.560
<v Speaker 1>and look at how they've come far. They've come. I

0:03:26.639 --> 0:03:28.840
<v Speaker 1>just don't think Emily and Richard are ever going to

0:03:29.000 --> 0:03:32.280
<v Speaker 1>meet her halfway even I think they're humiliated. I think

0:03:32.280 --> 0:03:36.040
<v Speaker 1>they're going to to go to their graves humiliated, and

0:03:36.040 --> 0:03:39.040
<v Speaker 1>and they're constantly thinking of what could have been when

0:03:39.400 --> 0:03:42.480
<v Speaker 1>because look at her, I mean, she could have had

0:03:42.560 --> 0:03:46.800
<v Speaker 1>everything and they could have been with her as grandparents

0:03:47.280 --> 0:03:52.800
<v Speaker 1>in in their status conscious world where they exist. They

0:03:52.920 --> 0:03:57.480
<v Speaker 1>don't exist anywhere else. They can't maneuver or function anywhere else.

0:03:57.560 --> 0:04:00.680
<v Speaker 1>They tried today and I thought, uh, I mean in

0:04:00.800 --> 0:04:04.000
<v Speaker 1>today's in the episode I watched this morning, Um, and

0:04:04.080 --> 0:04:09.840
<v Speaker 1>Richard gave her a check I know, I thought, But

0:04:09.880 --> 0:04:13.520
<v Speaker 1>he couldn't say anything else, but because he was emotional,

0:04:14.080 --> 0:04:18.200
<v Speaker 1>because he didn't know what to say, because he was

0:04:18.240 --> 0:04:21.400
<v Speaker 1>trying so hard. He was trying so hard. There was

0:04:21.560 --> 0:04:26.000
<v Speaker 1>another perspective. But man, do I see this so differently? No,

0:04:26.160 --> 0:04:27.960
<v Speaker 1>I get it, I get it, I get it. But

0:04:28.080 --> 0:04:31.200
<v Speaker 1>here's the thing. For me, it was Richard doing the

0:04:31.320 --> 0:04:33.279
<v Speaker 1>right thing, and there was a part of him that

0:04:33.440 --> 0:04:35.960
<v Speaker 1>was was proud of his daughter. There was a part

0:04:36.000 --> 0:04:38.800
<v Speaker 1>of him that wanted to come together because they've now

0:04:38.880 --> 0:04:41.960
<v Speaker 1>he sees Laurela in a different light because of the

0:04:42.000 --> 0:04:46.479
<v Speaker 1>experience left last episode. How capable she is, what a

0:04:46.560 --> 0:04:48.719
<v Speaker 1>what a terrific mother she is, what a terrific woman

0:04:48.760 --> 0:04:52.000
<v Speaker 1>she's turned out to be. It wasn't the way they

0:04:52.160 --> 0:04:56.080
<v Speaker 1>envisioned it, but she's still a Gilmore and he's still

0:04:56.320 --> 0:05:00.120
<v Speaker 1>kind of proud of her. Now it's like so out

0:05:00.120 --> 0:05:02.479
<v Speaker 1>of her and got to have that moment, but he

0:05:02.560 --> 0:05:04.880
<v Speaker 1>still didn't know what else to say to her. There

0:05:04.960 --> 0:05:09.279
<v Speaker 1>was still, you know, the pangs of disappointment, the pangs

0:05:09.360 --> 0:05:14.680
<v Speaker 1>that that come from, you know, a woman in their

0:05:14.760 --> 0:05:18.120
<v Speaker 1>eyes that did not reach her full potential. I mean,

0:05:18.240 --> 0:05:21.800
<v Speaker 1>I I thought so differently. I thought he was sort

0:05:21.839 --> 0:05:27.240
<v Speaker 1>of like filled with pride that moment, like I get

0:05:27.320 --> 0:05:31.440
<v Speaker 1>to give my daughter that college graduate check, but so

0:05:31.560 --> 0:05:35.560
<v Speaker 1>many dads get to do that. Almost like he didn't

0:05:35.560 --> 0:05:38.440
<v Speaker 1>need words, Like he waited till Emily walked away so

0:05:38.480 --> 0:05:40.240
<v Speaker 1>he could share that moment with just a little light.

0:05:40.320 --> 0:05:42.840
<v Speaker 1>And I thought it was so important. She said thank

0:05:42.880 --> 0:05:46.400
<v Speaker 1>you daddy, But right I know, I that was that

0:05:46.440 --> 0:05:49.120
<v Speaker 1>was that was moving. It was but I think it

0:05:49.200 --> 0:05:53.160
<v Speaker 1>meant so much to her and to him for them

0:05:53.200 --> 0:05:55.640
<v Speaker 1>to have that just between the two of them. I

0:05:55.720 --> 0:05:57.800
<v Speaker 1>want you to have this, Like I could cry right now,

0:05:57.839 --> 0:06:01.400
<v Speaker 1>I like literally could cry right now. It was. That

0:06:01.520 --> 0:06:05.120
<v Speaker 1>is why I love this episode so much. I don't know,

0:06:05.480 --> 0:06:08.560
<v Speaker 1>I just I think he just he wanted to say more.

0:06:08.760 --> 0:06:12.920
<v Speaker 1>He just didn't know. He he never prepared himself for

0:06:12.960 --> 0:06:15.559
<v Speaker 1>this moment. He couldn't have prepared himself for this moment

0:06:15.560 --> 0:06:17.800
<v Speaker 1>when he was giving a check to his daughter who

0:06:17.839 --> 0:06:22.880
<v Speaker 1>had graduated community college at thirty well now thirty three

0:06:22.920 --> 0:06:27.040
<v Speaker 1>years old. It was he wasn't prepared for that and

0:06:27.080 --> 0:06:29.080
<v Speaker 1>he didn't know what to say to her. It was

0:06:29.160 --> 0:06:34.200
<v Speaker 1>so far below his station and Emily station. They did

0:06:34.240 --> 0:06:36.960
<v Speaker 1>the best they could that Emily did it in you

0:06:37.000 --> 0:06:40.120
<v Speaker 1>know her her style, right, she went over the top

0:06:40.160 --> 0:06:45.640
<v Speaker 1>of everything, and you know she was doing all that

0:06:45.680 --> 0:06:48.599
<v Speaker 1>stuff to make herself feel comfortable so that she could

0:06:48.640 --> 0:06:52.200
<v Speaker 1>stay in control. You know, she didn't want to really

0:06:52.240 --> 0:06:55.400
<v Speaker 1>participate in the ceremony and and make it about Laurel.

0:06:55.400 --> 0:06:57.560
<v Speaker 1>I she had to make it about herself, didn't she.

0:06:57.839 --> 0:06:59.680
<v Speaker 1>She had to make it about how she still has

0:06:59.680 --> 0:07:02.080
<v Speaker 1>control role And this is going to be such an

0:07:02.080 --> 0:07:05.920
<v Speaker 1>awful experience for her because you can't say no to Rory, right,

0:07:06.000 --> 0:07:09.080
<v Speaker 1>I mean, she she really she that was an amazing

0:07:09.680 --> 0:07:12.200
<v Speaker 1>so that we'll talk about. I see what you're saying,

0:07:12.200 --> 0:07:13.720
<v Speaker 1>But you know what I mean, It's like she had

0:07:13.760 --> 0:07:16.440
<v Speaker 1>to take she had to exert that level of control

0:07:16.720 --> 0:07:19.400
<v Speaker 1>and just be herself so that she could get through it.

0:07:20.600 --> 0:07:23.120
<v Speaker 1>So see that's where we disagree. So I look at

0:07:23.120 --> 0:07:24.760
<v Speaker 1>it at me, I totally agree with you on me.

0:07:25.240 --> 0:07:28.360
<v Speaker 1>She had to have control. She has to Emily everything,

0:07:28.440 --> 0:07:30.360
<v Speaker 1>do you know what I mean? Because she doesn't want

0:07:30.360 --> 0:07:33.800
<v Speaker 1>to trust some other camera are not getting capturing the moment.

0:07:34.160 --> 0:07:36.360
<v Speaker 1>The only part that you and I diverge is I

0:07:36.400 --> 0:07:39.240
<v Speaker 1>think she did it because she's like, I'm going to

0:07:39.400 --> 0:07:42.640
<v Speaker 1>capture this moment. This is my moment as a mother

0:07:43.000 --> 0:07:45.880
<v Speaker 1>to sit here while my daughter graduates. And what I

0:07:45.880 --> 0:07:49.119
<v Speaker 1>think is for the last ten years twelve years since

0:07:49.120 --> 0:07:51.440
<v Speaker 1>she would have been college aged, they never thought they

0:07:51.440 --> 0:07:55.600
<v Speaker 1>would get this moment, and now they're so overwhelmed. Oh,

0:07:55.680 --> 0:07:58.440
<v Speaker 1>I see Riley nodding. Riley, I agree to. And I

0:07:58.480 --> 0:08:01.400
<v Speaker 1>think the silent from Richard it is like he was

0:08:01.440 --> 0:08:03.680
<v Speaker 1>just you know, when you reconnect with somebody, there's still

0:08:03.680 --> 0:08:05.720
<v Speaker 1>that awkwardness, like you're still trying to figure each other

0:08:05.720 --> 0:08:07.320
<v Speaker 1>out and read each other. And I think he was

0:08:07.360 --> 0:08:09.400
<v Speaker 1>just doing the best he could and what he knew

0:08:09.600 --> 0:08:11.720
<v Speaker 1>and what he knew about lor La. And I think Emily,

0:08:11.840 --> 0:08:14.080
<v Speaker 1>the cameras and all that, that was how she knows

0:08:14.120 --> 0:08:16.040
<v Speaker 1>how to show love and support, So that's how she

0:08:16.240 --> 0:08:22.840
<v Speaker 1>was showing up. I tend to agree a little bit. Yeah, Okay, no, no,

0:08:22.960 --> 0:08:26.520
<v Speaker 1>it makes sense. No, I mean I think it can

0:08:26.560 --> 0:08:28.600
<v Speaker 1>be both, right, it doesn't have to be one of it.

0:08:28.720 --> 0:08:30.400
<v Speaker 1>It doesn't have to be either or I think is

0:08:30.440 --> 0:08:35.080
<v Speaker 1>that not the magic of the show, right, right, it's

0:08:37.320 --> 0:08:42.280
<v Speaker 1>all at one right, these scenes are operating on many levels. Yeah,

0:08:42.360 --> 0:08:45.360
<v Speaker 1>and did you see Seth McFarland, he stole it for me.

0:08:45.440 --> 0:08:49.360
<v Speaker 1>I'm sorry those Alicia what's her name, Alicia Bergman was

0:08:49.400 --> 0:08:52.880
<v Speaker 1>the actress that played the girlfriend that that I was

0:08:53.000 --> 0:08:56.800
<v Speaker 1>laughing out loud. I mean that was just pure joy

0:08:57.000 --> 0:09:01.440
<v Speaker 1>to watch that. You would be the expert on this,

0:09:01.559 --> 0:09:05.240
<v Speaker 1>but like you really see, like obviously Seth McFarlane, now

0:09:05.520 --> 0:09:09.280
<v Speaker 1>it's so massive and brilliant, like you can see it

0:09:09.360 --> 0:09:12.199
<v Speaker 1>right from the start with someone. But wasn't he already

0:09:12.320 --> 0:09:16.880
<v Speaker 1>popular back then? Was before like Family Guy? Was it?

0:09:18.040 --> 0:09:21.559
<v Speaker 1>I mean, wasn't it was? It was about that time.

0:09:21.679 --> 0:09:24.040
<v Speaker 1>Let's see how long Family Guys been on? Didn't he

0:09:24.080 --> 0:09:27.000
<v Speaker 1>have stuff? He had stuff going on? But going yeah

0:09:27.040 --> 0:09:30.880
<v Speaker 1>he was, he was already Family Guys, right, but he

0:09:30.880 --> 0:09:33.320
<v Speaker 1>hadn't kind he had stuff going on. I mean, I'm sure.

0:09:33.520 --> 0:09:36.480
<v Speaker 1>Don't you think they knew of Seth McFarlane because of

0:09:37.320 --> 0:09:42.120
<v Speaker 1>Alex Yeah? Yeah right, I mean maybe that was the

0:09:42.160 --> 0:09:45.640
<v Speaker 1>Family Guy premiered in We're just three years later? So

0:09:45.679 --> 0:09:49.120
<v Speaker 1>he wasn't massive now he was. I think that show

0:09:49.240 --> 0:09:53.040
<v Speaker 1>was a hit right away. It was, but he wasn't

0:09:53.160 --> 0:09:57.559
<v Speaker 1>like I mean, later on he hosted the Oscars, Like definitely,

0:09:57.960 --> 0:10:01.600
<v Speaker 1>I know, I know, I I've been invited to a

0:10:01.600 --> 0:10:04.280
<v Speaker 1>place where he sings every once in a while. Yeah yeah,

0:10:04.320 --> 0:10:06.319
<v Speaker 1>and it's probably only the first time someone saw his face.

0:10:08.280 --> 0:10:12.040
<v Speaker 1>But it was hysterical his delivery and his his temperament.

0:10:12.120 --> 0:10:15.720
<v Speaker 1>And and Alicia Bergmann, she was just her. Her delivery

0:10:15.760 --> 0:10:19.040
<v Speaker 1>was so droll and deadpan. It was so great, and

0:10:19.040 --> 0:10:21.640
<v Speaker 1>it made it so much more cringe e. Everything Emily

0:10:21.800 --> 0:10:30.160
<v Speaker 1>was like the corsages was so cringe e. I know, well,

0:10:30.200 --> 0:10:36.280
<v Speaker 1>you know she Emily wanted to do her thing, but listen, yeah,

0:10:36.280 --> 0:10:41.160
<v Speaker 1>it's it's again when you have a child. And man,

0:10:41.240 --> 0:10:44.319
<v Speaker 1>just I kept thinking what was her life like to

0:10:44.480 --> 0:10:47.360
<v Speaker 1>make her do this? You know that. That's why I

0:10:47.360 --> 0:10:49.040
<v Speaker 1>want to do the prequel. That's why I want to

0:10:49.040 --> 0:10:52.840
<v Speaker 1>think about doing the prequel. It's like, like, what was

0:10:52.960 --> 0:10:57.000
<v Speaker 1>in you know, Amy and Dan's minds when they created

0:10:57.000 --> 0:11:01.560
<v Speaker 1>this scenario. What did they picture happened between Richard, Emily

0:11:01.640 --> 0:11:04.880
<v Speaker 1>and Laurela before you know, two years before she got pregnant.

0:11:05.360 --> 0:11:07.520
<v Speaker 1>You know what I mean? You know what I'm saying,

0:11:08.559 --> 0:11:11.880
<v Speaker 1>what the heck was going on? Was was her pregnancy

0:11:11.960 --> 0:11:17.120
<v Speaker 1>a result of her saying, I'm rejecting you, I'm rebelling hard,

0:11:17.880 --> 0:11:20.320
<v Speaker 1>and this is what I'm doing. Was it a conscious

0:11:20.320 --> 0:11:22.320
<v Speaker 1>thing or was it just an accident. I love this guy.

0:11:23.280 --> 0:11:26.000
<v Speaker 1>I love this guy, and this happened. And look at

0:11:26.040 --> 0:11:31.040
<v Speaker 1>what a child does to a person's life. I mean,

0:11:31.160 --> 0:11:35.680
<v Speaker 1>in one sense, it it made her diverge from the

0:11:35.720 --> 0:11:40.080
<v Speaker 1>Emily Richard pattern that she was, you know, deeply, deeply

0:11:40.120 --> 0:11:42.679
<v Speaker 1>embedded in her life. Was supposed to go a certain

0:11:42.720 --> 0:11:46.000
<v Speaker 1>way and it went another way. And I think the

0:11:46.080 --> 0:11:49.600
<v Speaker 1>thing about Laurela is, as soon as she's pregnant and

0:11:49.640 --> 0:11:53.480
<v Speaker 1>she has a baby, it's like her, it's not about

0:11:53.559 --> 0:11:56.720
<v Speaker 1>her anymore. It never gets to be about her. It's

0:11:56.800 --> 0:12:00.360
<v Speaker 1>really about that child. And life sixteen years goes by

0:12:00.440 --> 0:12:03.160
<v Speaker 1>like that, like you blink and it's you know, my

0:12:03.240 --> 0:12:06.000
<v Speaker 1>son is seventies almost eight years old. You blink and

0:12:06.080 --> 0:12:09.120
<v Speaker 1>he's eight years old. It's wild how fast life goes

0:12:09.160 --> 0:12:12.320
<v Speaker 1>and how fast paced every day is and how full

0:12:12.400 --> 0:12:15.760
<v Speaker 1>they are. And you're not thinking once about yourself, and

0:12:15.800 --> 0:12:18.440
<v Speaker 1>if you are, you feel guilty about it. So it goes, goes, goes,

0:12:18.480 --> 0:12:21.319
<v Speaker 1>goes goes. So Laura La is not just she's not

0:12:21.800 --> 0:12:24.800
<v Speaker 1>and she's not back there still with the parents, which

0:12:24.840 --> 0:12:26.720
<v Speaker 1>is why she wants to kind of keep a distance.

0:12:27.240 --> 0:12:30.079
<v Speaker 1>It's like, I'm on my path with my kid. Life

0:12:30.120 --> 0:12:32.720
<v Speaker 1>is moving fast, it's great. My kid is doing great,

0:12:32.760 --> 0:12:35.280
<v Speaker 1>and that's all that matters. None of this other status

0:12:35.280 --> 0:12:39.080
<v Speaker 1>garbage in your money matter compared to my child doing

0:12:39.120 --> 0:12:43.360
<v Speaker 1>well and feeling safe. So I literally love that you

0:12:43.480 --> 0:12:47.800
<v Speaker 1>just said that, because it's why the scene between Laurel

0:12:48.080 --> 0:12:55.319
<v Speaker 1>and Rory after she misses the graduations so amazing, because

0:12:55.640 --> 0:12:58.680
<v Speaker 1>she is so about Rory and then she took one

0:12:58.760 --> 0:13:02.120
<v Speaker 1>minute to be about her and it went sideways. That

0:13:02.200 --> 0:13:04.559
<v Speaker 1>scene was amazing between the two of them. I mean

0:13:04.640 --> 0:13:09.440
<v Speaker 1>I was bawling, bawling because she you're You're so right on,

0:13:09.520 --> 0:13:13.800
<v Speaker 1>and then immediately once she realizes, like what Rory's going

0:13:13.840 --> 0:13:17.720
<v Speaker 1>through is more important again. I mean, Lorel sacrifices everything

0:13:17.800 --> 0:13:22.720
<v Speaker 1>every time, and it's you love her for it because

0:13:22.760 --> 0:13:27.199
<v Speaker 1>it's like, what would how would Emily have reacted to

0:13:27.360 --> 0:13:30.840
<v Speaker 1>Laurel if Laura la Well, we see how Emily reacted.

0:13:31.200 --> 0:13:34.880
<v Speaker 1>Laurel I missed her her graduation, Laura L I missed

0:13:34.880 --> 0:13:39.559
<v Speaker 1>her life. According to Emily and Emily and Richard rejected them,

0:13:39.760 --> 0:13:42.880
<v Speaker 1>rejected her rejected. I mean, can you imagine at some

0:13:42.960 --> 0:13:46.080
<v Speaker 1>point there was no there were no there was no

0:13:46.120 --> 0:13:50.760
<v Speaker 1>Olive Branch Uh extended to Laurel to like, come back,

0:13:50.840 --> 0:13:53.920
<v Speaker 1>bring us our grandaugh. I mean, what happened in those

0:13:54.000 --> 0:13:57.480
<v Speaker 1>sixteen years, not only what happened when she was probably

0:13:57.840 --> 0:14:01.120
<v Speaker 1>we don't know. We don't know was it was it

0:14:01.440 --> 0:14:04.000
<v Speaker 1>Laurel I reaching out to them and then rejecting her,

0:14:04.120 --> 0:14:06.000
<v Speaker 1>or was it Richard and Emily reaching out to them?

0:14:06.000 --> 0:14:08.959
<v Speaker 1>Because I mean, they have this granddaughter, and do you

0:14:09.080 --> 0:14:13.520
<v Speaker 1>know is they never sent her away, they never disowned her.

0:14:13.960 --> 0:14:18.440
<v Speaker 1>They wanted her to marry Christopher and do it their way,

0:14:18.640 --> 0:14:22.080
<v Speaker 1>and she said no. But it's not like they shunned

0:14:22.120 --> 0:14:25.960
<v Speaker 1>her or you know, so maybe there were all of

0:14:26.040 --> 0:14:30.360
<v Speaker 1>branches and Laura I just was like, no, I'm going

0:14:30.400 --> 0:14:38.160
<v Speaker 1>to do this my way. So here's the question, who's

0:14:38.160 --> 0:14:42.640
<v Speaker 1>a better mother, Emily or Lorela. I mean, look at

0:14:42.640 --> 0:14:45.400
<v Speaker 1>look at how Laurela deals with her child, and look

0:14:45.400 --> 0:14:49.640
<v Speaker 1>at how spectacular Rory is. Right, and I'm not saying

0:14:49.680 --> 0:14:53.280
<v Speaker 1>that Layla is any less spectacular, but there's can you

0:14:53.560 --> 0:14:57.240
<v Speaker 1>imagine at this point, Rory, what what if Rory gets

0:14:57.240 --> 0:15:00.000
<v Speaker 1>pregnant with jesser Deine. How do you think Laureli reacts,

0:15:00.040 --> 0:15:02.200
<v Speaker 1>She's gonna is she going to react like emilyin is

0:15:02.200 --> 0:15:05.440
<v Speaker 1>not going to happen because she's already invent that. But

0:15:06.040 --> 0:15:09.160
<v Speaker 1>could dialogue. That's one of the major tensions of the show.

0:15:10.040 --> 0:15:12.880
<v Speaker 1>They talk about. But you can't, you can't stop that

0:15:13.000 --> 0:15:14.920
<v Speaker 1>kind of I mean, it's mother nature and kids and

0:15:15.000 --> 0:15:17.720
<v Speaker 1>hormones kicking in. No, you can't. You can't stop her

0:15:17.760 --> 0:15:22.040
<v Speaker 1>from having sex. But Laura La has such a different

0:15:22.360 --> 0:15:25.360
<v Speaker 1>open dialogue with Lori. They addressed it when she was

0:15:25.440 --> 0:15:28.440
<v Speaker 1>dating Dean. Al Right, so what happens? What happens when

0:15:28.440 --> 0:15:31.640
<v Speaker 1>there's I mean, now she's she's thirty, Rory's thirty two,

0:15:31.680 --> 0:15:34.400
<v Speaker 1>well not thirty two, but she's older now she's what thirty?

0:15:34.680 --> 0:15:36.320
<v Speaker 1>I was, so how old is she now? Yeah, they

0:15:36.360 --> 0:15:40.840
<v Speaker 1>did the real time kind of thing. Um, now she's pregnant,

0:15:40.840 --> 0:15:42.440
<v Speaker 1>but what if she what if she was pregnant when

0:15:42.480 --> 0:15:47.000
<v Speaker 1>she was sixteen? Just like, just like Laurela when it happened,

0:15:47.280 --> 0:15:50.400
<v Speaker 1>I'm just hypothetically just go with me there, just just

0:15:50.440 --> 0:15:56.080
<v Speaker 1>go with playing again. But just hypothetically speaking, Roy comes

0:15:56.120 --> 0:15:59.640
<v Speaker 1>home mom. I was with Jess in New York and

0:15:59.640 --> 0:16:04.440
<v Speaker 1>and it happened. What do you mean, I'm pregnant? How

0:16:04.480 --> 0:16:07.720
<v Speaker 1>does Lorelai would have done it differently. She's not going

0:16:07.760 --> 0:16:10.680
<v Speaker 1>to be thrilled, but she would have handled it differently

0:16:10.720 --> 0:16:15.320
<v Speaker 1>because lor Light makes lore Light sacrifices her own needs

0:16:15.560 --> 0:16:18.320
<v Speaker 1>and desires for Rory's, which you saw in that scene

0:16:18.400 --> 0:16:21.440
<v Speaker 1>in the end. You saw it immediately. She was hurt.

0:16:21.520 --> 0:16:24.160
<v Speaker 1>It was her graduation that Rory missed. She had all

0:16:24.200 --> 0:16:26.200
<v Speaker 1>the right in the world to be upset at Rory.

0:16:26.440 --> 0:16:29.440
<v Speaker 1>As soon as she realizes, oh my god, my kid

0:16:29.560 --> 0:16:34.160
<v Speaker 1>is really struggling, she forgets the graduation. It's gone, it's done.

0:16:34.480 --> 0:16:37.800
<v Speaker 1>There's no holding a grudge on it. It's like, boom,

0:16:37.840 --> 0:16:40.280
<v Speaker 1>We're going to deal with what you're going through. I

0:16:40.320 --> 0:16:42.360
<v Speaker 1>loved that scene. Should we skip to that scene? You

0:16:42.400 --> 0:16:45.800
<v Speaker 1>want to talk about that scene? What did you think?

0:16:47.040 --> 0:16:49.960
<v Speaker 1>I thought it was a monster of a monologue for

0:16:50.000 --> 0:16:52.360
<v Speaker 1>Alexis to handle, and I think she handled it very

0:16:52.400 --> 0:16:56.760
<v Speaker 1>well because on the page, you know, on and the script,

0:16:56.840 --> 0:16:59.880
<v Speaker 1>it's just it says Rory, and then it's just blacking

0:17:00.200 --> 0:17:01.800
<v Speaker 1>all the way down the page. And then you turn

0:17:01.840 --> 0:17:03.680
<v Speaker 1>the page and there's black inkle all the way down

0:17:03.720 --> 0:17:05.240
<v Speaker 1>the page for Roy, and then you turn the next

0:17:05.240 --> 0:17:07.159
<v Speaker 1>page and there's black ink and you're looking at that,

0:17:07.200 --> 0:17:10.960
<v Speaker 1>going a, I gotta memory. I saw this and the

0:17:11.560 --> 0:17:16.320
<v Speaker 1>tone and the delivery, the way Alexis said those lines,

0:17:16.560 --> 0:17:18.600
<v Speaker 1>and for me, I try not to even think about

0:17:18.600 --> 0:17:20.439
<v Speaker 1>them as actors. I really want to be in it

0:17:20.480 --> 0:17:23.560
<v Speaker 1>with the characters. And just the way she's like, no,

0:17:23.680 --> 0:17:25.880
<v Speaker 1>and then I've grounded and I'm never leaving my room again,

0:17:25.920 --> 0:17:27.840
<v Speaker 1>and you should take my food away, like I'm just

0:17:27.960 --> 0:17:32.040
<v Speaker 1>going and going and doing it, and you you realize

0:17:32.080 --> 0:17:35.840
<v Speaker 1>how sorry she was, and then you realize that turmoil

0:17:35.960 --> 0:17:41.639
<v Speaker 1>she's in. Yeah, and Laura Lie was. God, Laura is

0:17:41.640 --> 0:17:44.840
<v Speaker 1>such an awesome mom in that because she's like, wait

0:17:44.840 --> 0:17:50.679
<v Speaker 1>a minute, like you have fallen for him, like you know, like,

0:17:50.720 --> 0:17:53.960
<v Speaker 1>oh my god, I just tears are rolling down because

0:17:54.000 --> 0:17:58.679
<v Speaker 1>I just thought, is this history repeating itself? Though you

0:17:58.720 --> 0:18:01.479
<v Speaker 1>know it's uh, you know, is that is that one

0:18:01.520 --> 0:18:04.800
<v Speaker 1>of the fears for for lauralize that she's gonna, oh boy,

0:18:04.840 --> 0:18:07.800
<v Speaker 1>here we go again, and what's you know, what's Emily? However,

0:18:07.880 --> 0:18:10.679
<v Speaker 1>Emily and Richard going to react to this one. Now Rory,

0:18:10.800 --> 0:18:13.320
<v Speaker 1>Now Rory can't go to Harvard because she's going to

0:18:13.440 --> 0:18:19.160
<v Speaker 1>get knocked up. For me, it was like, look, any

0:18:19.280 --> 0:18:21.679
<v Speaker 1>mom knows the first boyfriend is not going to be

0:18:21.720 --> 0:18:25.520
<v Speaker 1>the forever boyfriend. And lordly, lordly, deep down those like,

0:18:25.560 --> 0:18:27.920
<v Speaker 1>oh my god, she likes Jess and even one more

0:18:27.920 --> 0:18:30.320
<v Speaker 1>he is like, Dean's my Boyfriend's gonna be my boyfriend forever?

0:18:30.400 --> 0:18:38.320
<v Speaker 1>And no, right, he's talking about skeet shooting. You know,

0:18:38.640 --> 0:18:43.240
<v Speaker 1>she cuts school and on a bus to New York.

0:18:44.000 --> 0:18:47.720
<v Speaker 1>Do the clay pigeons bleed? No, they're clay, they're the

0:18:47.760 --> 0:18:51.040
<v Speaker 1>pigeons bleed. What if you shoot the guy? It's stending

0:18:51.040 --> 0:18:55.600
<v Speaker 1>off the clay pigeons. Oh my god, you too. I'm like,

0:18:56.920 --> 0:19:00.760
<v Speaker 1>I'm like crying over this amazing moment. Okay, so let's

0:19:00.760 --> 0:19:02.879
<v Speaker 1>go back to that. No, no, no, no, you're on

0:19:03.040 --> 0:19:05.359
<v Speaker 1>you're on an island all by yourself and tears and

0:19:05.440 --> 0:19:08.880
<v Speaker 1>we're out on the yacht having drinks. It's not fair

0:19:08.920 --> 0:19:11.040
<v Speaker 1>to you, all right, So let's come back to the shore.

0:19:12.400 --> 0:19:17.560
<v Speaker 1>Let's let's get on misery island here. Um. I it was.

0:19:17.680 --> 0:19:22.840
<v Speaker 1>It was an enthralling scene, for sure. I don't I

0:19:22.880 --> 0:19:27.760
<v Speaker 1>don't know that it impacted me the way it impacted you, okay, um,

0:19:29.160 --> 0:19:34.520
<v Speaker 1>but it's certainly showed, Uh in my mind, what what

0:19:34.720 --> 0:19:37.800
<v Speaker 1>kind of a mother Laurela I really is compared to

0:19:37.840 --> 0:19:40.439
<v Speaker 1>her own mother, and how her own mother would have

0:19:40.440 --> 0:19:45.680
<v Speaker 1>reacted to that, because because because Emily would have read

0:19:45.720 --> 0:19:48.920
<v Speaker 1>Laurela the riot Act, I mean absolutely would have read

0:19:48.960 --> 0:19:51.479
<v Speaker 1>her the riot Act and that would have gone so

0:19:51.800 --> 0:19:54.800
<v Speaker 1>put her down and humiliated her about it and walked away.

0:19:55.560 --> 0:19:59.560
<v Speaker 1>You know, I love seeing is that is the fans,

0:19:59.600 --> 0:20:02.359
<v Speaker 1>people listening to the podcast and huge fans of Gilm Girls,

0:20:02.800 --> 0:20:06.200
<v Speaker 1>when they write us on the Instagram about how they've

0:20:06.320 --> 0:20:08.879
<v Speaker 1>changed their perspective. I think we've talked about it before,

0:20:08.920 --> 0:20:11.159
<v Speaker 1>how they when they watched it in the you know,

0:20:11.280 --> 0:20:14.600
<v Speaker 1>two thousand, they saw it one way, and now twenty

0:20:14.760 --> 0:20:17.760
<v Speaker 1>years later, because they've aged, they see it differently. And

0:20:17.800 --> 0:20:20.440
<v Speaker 1>I think maybe that's why that I'm almost like getting

0:20:20.520 --> 0:20:22.480
<v Speaker 1>a little choked up. I think maybe that's why that

0:20:22.640 --> 0:20:27.240
<v Speaker 1>scene just is so impacted me so much, because it

0:20:27.320 --> 0:20:29.520
<v Speaker 1>was like, did you have a scene like this with

0:20:29.560 --> 0:20:34.879
<v Speaker 1>your own mother? I'm venturing I guess here, no, I

0:20:35.080 --> 0:20:37.320
<v Speaker 1>I That's what I was thinking to know. But for

0:20:37.400 --> 0:20:44.000
<v Speaker 1>some reason, I mean maybe maybe kind of but it's

0:20:44.080 --> 0:20:47.800
<v Speaker 1>but no, it's a big deal. It's so it's a

0:20:47.840 --> 0:20:50.840
<v Speaker 1>big moment. I mean, these these these two to this

0:20:50.960 --> 0:20:53.399
<v Speaker 1>girl and this woman are having moments in their lives

0:20:53.520 --> 0:21:02.920
<v Speaker 1>right and you know, Laura la quite um appropriately took

0:21:02.960 --> 0:21:06.480
<v Speaker 1>a step back and realized that, you know, her daughter's

0:21:06.680 --> 0:21:13.360
<v Speaker 1>uh blossoming sexuality is a very powerful thing, and it's

0:21:13.400 --> 0:21:15.480
<v Speaker 1>something that she needs to pay attention to, and it's

0:21:15.480 --> 0:21:18.359
<v Speaker 1>something she's very familiar with because the same thing happened

0:21:18.359 --> 0:21:21.960
<v Speaker 1>to her when she was sixteen, and so she gets it.

0:21:22.080 --> 0:21:25.120
<v Speaker 1>So she's she went immediately into mom mode. And it's

0:21:25.160 --> 0:21:28.040
<v Speaker 1>the first time that she was not asking everybody to

0:21:28.080 --> 0:21:29.960
<v Speaker 1>make a big deal about it. But she was happy

0:21:30.000 --> 0:21:32.080
<v Speaker 1>that people you know that Rory wanted to make a

0:21:32.080 --> 0:21:34.440
<v Speaker 1>big deal. Me it was Rory's idea. Anyway, to invite

0:21:34.680 --> 0:21:38.320
<v Speaker 1>Richard Emily, it was Rory's idea, and to have Laura

0:21:38.320 --> 0:21:40.399
<v Speaker 1>I go participate and even go, Laura, I was going

0:21:40.480 --> 0:21:42.840
<v Speaker 1>to blow it off. You know, we need to talk

0:21:42.880 --> 0:21:46.879
<v Speaker 1>about that too. Yeah. It's like, I'm like, I'm not

0:21:46.920 --> 0:21:51.000
<v Speaker 1>gonna cry, like I bleed together right now, but like

0:21:51.080 --> 0:21:54.639
<v Speaker 1>I can feel like almost crying. I'm like having that

0:21:54.720 --> 0:21:57.199
<v Speaker 1>about to cry moment. And I think one of the

0:21:57.280 --> 0:22:02.320
<v Speaker 1>things maybe is it was so puppies and rainbows with

0:22:02.440 --> 0:22:05.800
<v Speaker 1>Dean and Rory. We like each other. You know, they've

0:22:05.800 --> 0:22:07.880
<v Speaker 1>had a couple of moments, but for the most part,

0:22:07.880 --> 0:22:10.000
<v Speaker 1>it's like, oh, we like each other. Here's your bracelet,

0:22:10.480 --> 0:22:12.800
<v Speaker 1>like you know, here's your you know, it's just very

0:22:12.880 --> 0:22:16.920
<v Speaker 1>like here's a car, like sweet sweet, sweet puppies and unicorns.

0:22:18.240 --> 0:22:25.160
<v Speaker 1>Rory is now experiencing like angst, Like it's different. She's

0:22:25.200 --> 0:22:29.639
<v Speaker 1>got ankst. She she kind of wigged when he called,

0:22:30.040 --> 0:22:35.080
<v Speaker 1>and you know, she's like, oh, like, it's just such

0:22:35.160 --> 0:22:39.199
<v Speaker 1>a different love now it's I'm not saying this well,

0:22:39.240 --> 0:22:42.520
<v Speaker 1>I don't know. Hopefully people are like understand where going.

0:22:43.520 --> 0:22:46.280
<v Speaker 1>It's a different thing. And it's so much more like,

0:22:46.960 --> 0:22:50.840
<v Speaker 1>oh boy, it's a side of her that she recognized.

0:22:50.880 --> 0:22:55.560
<v Speaker 1>There's a darkness there, you know, she because Rory looks

0:22:55.560 --> 0:22:59.120
<v Speaker 1>a certain way. Let's not assume that she hasn't had

0:22:59.160 --> 0:23:03.560
<v Speaker 1>her own struggle, internal struggles, her darkness, fighting off demons,

0:23:03.600 --> 0:23:07.400
<v Speaker 1>whatever it is, right, um and Jess is really being

0:23:07.480 --> 0:23:12.879
<v Speaker 1>quite demonstrative with with this trouble, so I think, but

0:23:12.920 --> 0:23:15.680
<v Speaker 1>I and I also think that there's a side of

0:23:15.680 --> 0:23:20.439
<v Speaker 1>of Rory that is so altruistic and and so giving

0:23:21.280 --> 0:23:24.600
<v Speaker 1>that she really wants this kid too, And it's in

0:23:24.640 --> 0:23:27.240
<v Speaker 1>her bones because it's you know, it's it's it's Gilmore,

0:23:27.440 --> 0:23:30.800
<v Speaker 1>it's a Gilmore thing where she she wants him to

0:23:31.240 --> 0:23:33.880
<v Speaker 1>get on the right path. Everybody's trying to keep everybody

0:23:33.880 --> 0:23:36.159
<v Speaker 1>on the right path. Emily and Richard are trying to

0:23:36.240 --> 0:23:38.120
<v Speaker 1>try to get Laurel on the right path. Now they're

0:23:38.119 --> 0:23:39.800
<v Speaker 1>trying to get Rory into the right path, and they're

0:23:39.840 --> 0:23:41.800
<v Speaker 1>paying for it. And they went there Friday night dinners

0:23:41.920 --> 0:23:45.720
<v Speaker 1>and now and now Rory wants to keep or get

0:23:45.960 --> 0:23:49.199
<v Speaker 1>Jess on the straight and narrow because he's got tremendous potential.

0:23:49.240 --> 0:23:52.040
<v Speaker 1>It's all about potential. Don't blow your potential, don't waste

0:23:52.080 --> 0:23:55.280
<v Speaker 1>your potential, don't hiss it away. And I think she

0:23:55.359 --> 0:24:00.000
<v Speaker 1>sees something very very intriguing and very smart and um

0:24:00.320 --> 0:24:05.360
<v Speaker 1>artistic and soulful in in Jess, and she wants him

0:24:05.359 --> 0:24:08.440
<v Speaker 1>to realize his potential. I think that's real love, it's

0:24:08.480 --> 0:24:11.959
<v Speaker 1>real care. Two questions, Yeah, One is what did you

0:24:12.000 --> 0:24:15.600
<v Speaker 1>think of the scene, Like, he doesn't know she's coming.

0:24:15.720 --> 0:24:18.000
<v Speaker 1>These people don't have cell phones. She just knows the

0:24:18.080 --> 0:24:21.000
<v Speaker 1>parky things out in, which is also kind of ridiculous.

0:24:22.320 --> 0:24:24.720
<v Speaker 1>So what did you think of the scene when she

0:24:24.840 --> 0:24:28.840
<v Speaker 1>just shows up and like taps him on the shoulder

0:24:29.520 --> 0:24:33.200
<v Speaker 1>and he's very nonchalant. She's very nonchalant. It's not like,

0:24:34.240 --> 0:24:40.119
<v Speaker 1>what are you doing here? So like subtle, like hey,

0:24:40.200 --> 0:24:42.800
<v Speaker 1>by the way, I lived to block away from Washington

0:24:42.840 --> 0:24:45.280
<v Speaker 1>Square Park in New York. One of one of my apartments.

0:24:45.320 --> 0:24:48.199
<v Speaker 1>Was it like right at tenth and tenth Avenue, I

0:24:48.200 --> 0:24:53.560
<v Speaker 1>mean our fifth avenue. No, you it's right by n

0:24:53.680 --> 0:24:55.240
<v Speaker 1>y U. You can't miss it. I mean, it's not

0:24:55.280 --> 0:24:57.560
<v Speaker 1>a huge it's not a huge, huge park. It's it's

0:24:57.880 --> 0:25:00.280
<v Speaker 1>it's a lot of concrete and there's some good there's

0:25:00.320 --> 0:25:03.040
<v Speaker 1>a there's a uh you know, there's a center part

0:25:03.040 --> 0:25:05.119
<v Speaker 1>of it that's round and it's it's a lot of

0:25:05.160 --> 0:25:07.480
<v Speaker 1>concrete and then there's some seating areas and there's some

0:25:07.560 --> 0:25:10.880
<v Speaker 1>trees and grass. You know, it's the typical small, smallish

0:25:10.920 --> 0:25:13.560
<v Speaker 1>I mean, it's larger than your your average New York

0:25:14.520 --> 0:25:18.240
<v Speaker 1>inner city park. It's not Central Park. But but they

0:25:18.320 --> 0:25:20.680
<v Speaker 1>really nailed the look of it. When when she went

0:25:20.720 --> 0:25:23.080
<v Speaker 1>up behind us, I said, did they fly to New York?

0:25:23.119 --> 0:25:24.840
<v Speaker 1>And I mean because it kind of they kind of

0:25:25.880 --> 0:25:28.399
<v Speaker 1>because you know, that's my area. And I was like, wow,

0:25:28.440 --> 0:25:32.040
<v Speaker 1>that put me right back in you know, into late eighties,

0:25:32.280 --> 0:25:35.040
<v Speaker 1>early nineties. But but then the other stuff, it was

0:25:35.119 --> 0:25:39.399
<v Speaker 1>it's harder to to create walking around town. Yeah, that's harder.

0:25:39.880 --> 0:25:41.840
<v Speaker 1>That's a little harder. But they did. You know, they

0:25:41.840 --> 0:25:44.280
<v Speaker 1>had the full trash cans and you know, trash building

0:25:44.280 --> 0:25:47.960
<v Speaker 1>out people walking around. What did you think of the

0:25:48.000 --> 0:25:52.879
<v Speaker 1>bus scene? Outside the bus window and she opens the

0:25:52.880 --> 0:25:55.760
<v Speaker 1>window and he's like, why did you come? It was

0:25:56.440 --> 0:25:59.560
<v Speaker 1>for me? It was It says everything about how she feels,

0:25:59.600 --> 0:26:02.640
<v Speaker 1>about how they both feel about each other. I mean,

0:26:02.680 --> 0:26:06.080
<v Speaker 1>he knows why, he wants to be sure, but she

0:26:06.280 --> 0:26:10.920
<v Speaker 1>just she looked so smitten. It's like she's gone. I mean,

0:26:11.000 --> 0:26:18.520
<v Speaker 1>she loves that guy. Do you see her face? Right?

0:26:19.160 --> 0:26:25.359
<v Speaker 1>It's school. You know, she's still happy with him and

0:26:25.480 --> 0:26:29.399
<v Speaker 1>also authentic. I still think she's playing the role of

0:26:29.480 --> 0:26:33.879
<v Speaker 1>the the perfect girlfriend to Dean. It's not her and

0:26:33.960 --> 0:26:35.960
<v Speaker 1>she knows it too. That's why she's like pulling away

0:26:35.960 --> 0:26:40.359
<v Speaker 1>from him. She's she's she's she's giving Dean what Dean wants.

0:26:41.240 --> 0:26:43.879
<v Speaker 1>You know, it's an act. No, I think there's some

0:26:43.920 --> 0:26:48.560
<v Speaker 1>feelings there, but it's not but Jess. Jess moves her

0:26:49.119 --> 0:26:51.920
<v Speaker 1>and they move each other. Jess moves her and she

0:26:52.000 --> 0:26:55.959
<v Speaker 1>doesn't know why. That's why she got on a bus,

0:26:56.400 --> 0:26:59.399
<v Speaker 1>you know, and she can't stop thinking of she can.

0:26:59.800 --> 0:27:03.240
<v Speaker 1>I was actually surprised how sort of happy she's been

0:27:04.960 --> 0:27:07.720
<v Speaker 1>following the car accident and him leaving, because I think

0:27:07.800 --> 0:27:15.119
<v Speaker 1>in real life that teenager is like way more sad

0:27:15.200 --> 0:27:19.000
<v Speaker 1>and MOPy and weird about it. Right, I'm a question,

0:27:20.240 --> 0:27:23.879
<v Speaker 1>do you think Rory likes Jess more because Jess is

0:27:23.920 --> 0:27:26.760
<v Speaker 1>more like Christopher, like her dad, like she finds comfort

0:27:26.760 --> 0:27:29.320
<v Speaker 1>in him. I don't see any similarities between the two.

0:27:29.400 --> 0:27:32.280
<v Speaker 1>I mean, I know they try to pawn that off,

0:27:33.080 --> 0:27:38.040
<v Speaker 1>but I'm not saying, you know, you know, Christopher's to

0:27:38.080 --> 0:27:42.960
<v Speaker 1>the manner born and Jess is not. That's so that's

0:27:44.160 --> 0:27:48.359
<v Speaker 1>that's yeah. I don't see any similarities at all. Here's

0:27:48.359 --> 0:27:52.359
<v Speaker 1>the similarity I see. Give me a scene between Lorla

0:27:52.480 --> 0:27:56.840
<v Speaker 1>and Christopher ping pong ping pong, bo ping pong, very

0:27:56.880 --> 0:28:01.200
<v Speaker 1>similar to Luke and lor Lai. That yeah, oh, there's

0:28:01.240 --> 0:28:03.360
<v Speaker 1>some ping ponging, although this scene we need to talk

0:28:03.400 --> 0:28:10.280
<v Speaker 1>about coward in the market. But Jess Rory ping ping

0:28:10.440 --> 0:28:14.000
<v Speaker 1>pong boom boom, Like it's a very similar sort of

0:28:15.680 --> 0:28:19.760
<v Speaker 1>where they really are jamming and Dean and Rory do

0:28:19.840 --> 0:28:23.240
<v Speaker 1>not have that. But here's the problem, the fact that

0:28:23.280 --> 0:28:26.359
<v Speaker 1>she skipped school to get on a bus without telling

0:28:26.359 --> 0:28:30.480
<v Speaker 1>her mother at sixteen, went to New York City without knowing,

0:28:30.560 --> 0:28:34.800
<v Speaker 1>have never having been there, h and found him at

0:28:34.840 --> 0:28:40.440
<v Speaker 1>Washington Square Park. Okay, that is trouble. That means Jesse

0:28:40.640 --> 0:28:43.840
<v Speaker 1>is just more trouble, like this is the guy that

0:28:43.960 --> 0:28:48.080
<v Speaker 1>is actually and in reality throwing her off her game,

0:28:48.440 --> 0:28:52.960
<v Speaker 1>throwing her off her trajectory because she's going straight up

0:28:53.000 --> 0:28:56.600
<v Speaker 1>to Harvard Yale, right, and man, what's she doing in

0:28:56.640 --> 0:29:00.520
<v Speaker 1>New York City chasing you know, jack kiroac around. So

0:29:00.600 --> 0:29:03.880
<v Speaker 1>that's a concern, correct, That never came up, But that's

0:29:03.880 --> 0:29:06.760
<v Speaker 1>gonna come up. It's like this is it'll come up.

0:29:06.800 --> 0:29:09.600
<v Speaker 1>And I know this will come up in in ensuing episodes.

0:29:10.120 --> 0:29:13.400
<v Speaker 1>Well yeah, and we already know Lore lies super nervous

0:29:12.840 --> 0:29:15.840
<v Speaker 1>and has been trying to like, oh, please don't make

0:29:15.880 --> 0:29:18.960
<v Speaker 1>this be real even though she knows. But Jesse, Jesse

0:29:19.120 --> 0:29:22.479
<v Speaker 1>has knocked down or not. He's he's hurting, he's lost,

0:29:22.720 --> 0:29:27.920
<v Speaker 1>he's um and what is he is? Liz is Liz

0:29:28.000 --> 0:29:29.960
<v Speaker 1>my sister in New York City? Is that is that?

0:29:30.040 --> 0:29:32.760
<v Speaker 1>The deal? Is that why he's there? You haven't seen her? Okay,

0:29:32.800 --> 0:29:35.560
<v Speaker 1>so she's there, come home to mom and probably called

0:29:35.600 --> 0:29:38.840
<v Speaker 1>Liz and said you need to deal with this, like

0:29:39.040 --> 0:29:41.960
<v Speaker 1>you need to take him back. So that's why he's there.

0:29:42.000 --> 0:29:44.360
<v Speaker 1>But he's obviously cutting school and Liz is still Liz,

0:29:44.440 --> 0:29:46.920
<v Speaker 1>so she's not taking care of him right now. So

0:29:46.960 --> 0:29:51.640
<v Speaker 1>he's a cool, edgy, good looking, uh smart, New York

0:29:51.720 --> 0:29:59.040
<v Speaker 1>City kid, and man, there's very tempting for a suburban girl, right,

0:29:59.120 --> 0:30:00.960
<v Speaker 1>I mean she went to New York. I don't want

0:30:00.960 --> 0:30:04.840
<v Speaker 1>to go to New York now. I'd be scared on

0:30:04.920 --> 0:30:12.600
<v Speaker 1>my own walking around New York? Are kidding? Yeah? So

0:30:12.720 --> 0:30:16.240
<v Speaker 1>what did you think of um Luke and lorel bumping

0:30:16.240 --> 0:30:20.800
<v Speaker 1>into each other in the market? Um hmm, I don't know.

0:30:20.960 --> 0:30:26.200
<v Speaker 1>I mean it was necessary scene. I thought it was

0:30:26.240 --> 0:30:29.520
<v Speaker 1>a little I don't know. I found I don't want

0:30:29.520 --> 0:30:31.440
<v Speaker 1>to be too critical here, but I found a lot

0:30:31.480 --> 0:30:35.800
<v Speaker 1>of these scenes just sort of awkward. Um. I thought

0:30:35.840 --> 0:30:38.880
<v Speaker 1>the timing was off on on a couple of different scenes.

0:30:38.880 --> 0:30:41.720
<v Speaker 1>There was one between lore Lae and Emily at the

0:30:42.560 --> 0:30:45.280
<v Speaker 1>at the at the community college when oh, you're here

0:30:45.400 --> 0:30:46.800
<v Speaker 1>four hours early, what are you doing? You know this

0:30:46.880 --> 0:30:49.040
<v Speaker 1>kind of thing, and then maybe it's an Irish conference.

0:30:49.040 --> 0:30:50.800
<v Speaker 1>I thought that. I thought the end of that scene

0:30:50.880 --> 0:30:54.360
<v Speaker 1>was very, very awkward. Um the time, the timing wasn't right.

0:30:54.400 --> 0:30:58.280
<v Speaker 1>There was something off about it. Um, I'm sure you're right.

0:30:58.680 --> 0:31:00.920
<v Speaker 1>I didn't nobody noticed, is it right? And I'm getting

0:31:00.960 --> 0:31:03.719
<v Speaker 1>into the weeds here on stuff and I shouldn't get

0:31:03.800 --> 0:31:06.840
<v Speaker 1>into the weeds they do. Um anyway, It's just things, really,

0:31:07.440 --> 0:31:10.480
<v Speaker 1>you know, sometimes things don't click, and whether it's the

0:31:10.480 --> 0:31:12.480
<v Speaker 1>writing or whether it's the directing, or whether it's whatever

0:31:12.920 --> 0:31:14.640
<v Speaker 1>it is. The actors didn't feel it that day or

0:31:14.680 --> 0:31:17.360
<v Speaker 1>something like that. But something was a little bit off

0:31:17.440 --> 0:31:22.120
<v Speaker 1>for me for Mene everything, No, no, just in that

0:31:22.280 --> 0:31:24.840
<v Speaker 1>and part of that scene. So I'm I'm, you know,

0:31:24.880 --> 0:31:27.760
<v Speaker 1>watching like a hawk and making notes. And that's kind

0:31:27.760 --> 0:31:30.200
<v Speaker 1>of what I scribbled down I thought. I thought the

0:31:30.480 --> 0:31:35.440
<v Speaker 1>Luke Laurel like Taylor Dozie Dozies market scene was a

0:31:35.480 --> 0:31:37.680
<v Speaker 1>little bit like that too. It was a little close. Yeah,

0:31:37.760 --> 0:31:41.760
<v Speaker 1>I'm done with their fight and need them to make up.

0:31:45.440 --> 0:31:47.400
<v Speaker 1>I'm like, I feel like they would have would have

0:31:47.440 --> 0:31:49.640
<v Speaker 1>been better if he reached for lemon and handed it

0:31:49.680 --> 0:31:54.120
<v Speaker 1>to her. Yeah, like I felt like they should have. Um,

0:31:54.240 --> 0:31:55.800
<v Speaker 1>I don't know. I felt like that I was ready

0:31:55.840 --> 0:32:00.960
<v Speaker 1>for the moment of like bygones, you know kind of

0:32:01.000 --> 0:32:03.080
<v Speaker 1>I get that they probably have to like talk it out,

0:32:03.120 --> 0:32:07.160
<v Speaker 1>but like I'm done with it. Um yeah, but Jesse

0:32:07.240 --> 0:32:12.080
<v Speaker 1>is gone, right and she hasn't. I think Luke is

0:32:12.080 --> 0:32:14.920
<v Speaker 1>is Luke. So Luke is not the guy who's going

0:32:14.960 --> 0:32:17.840
<v Speaker 1>to go to her because they don't have a quote

0:32:17.920 --> 0:32:23.200
<v Speaker 1>unquote relationship. They don't. They do not. Okay, So they're

0:32:23.240 --> 0:32:25.720
<v Speaker 1>friends and they had a spat and you know, they're

0:32:25.720 --> 0:32:29.560
<v Speaker 1>both piste off at each other. And Jesse is gone,

0:32:29.960 --> 0:32:34.280
<v Speaker 1>and you know, it's not like Luke is going to

0:32:34.400 --> 0:32:36.720
<v Speaker 1>go to her and said, gosh, you know, I'm sorry,

0:32:36.720 --> 0:32:39.720
<v Speaker 1>and here's some donuts and some brownies. And I feel

0:32:39.760 --> 0:32:44.800
<v Speaker 1>really about about that. He's not that guy. She's that

0:32:44.880 --> 0:32:50.000
<v Speaker 1>girl though. Yeah she hasn't done that yet. But am

0:32:50.000 --> 0:32:54.360
<v Speaker 1>I being But am I being sexist for for expecting

0:32:54.400 --> 0:32:57.880
<v Speaker 1>her to do that and he is not capable of it.

0:32:58.160 --> 0:33:02.880
<v Speaker 1>That's not sexist? What is it? It's that's not him.

0:33:02.960 --> 0:33:05.960
<v Speaker 1>It's just not easily just be a woman that isn't

0:33:06.040 --> 0:33:09.520
<v Speaker 1>like that, and that Luke would have to do that.

0:33:09.520 --> 0:33:13.040
<v Speaker 1>That's just him, and I think that's totally fine. And

0:33:13.120 --> 0:33:16.880
<v Speaker 1>like for him, is it a situation where nobody's wrong

0:33:16.880 --> 0:33:19.440
<v Speaker 1>and nobody's right. Yeah, and one of them is just

0:33:19.520 --> 0:33:22.120
<v Speaker 1>going to have to It's a game of chicken. Nobody's wrong,

0:33:22.160 --> 0:33:23.640
<v Speaker 1>nobody's right, and one of them is just gonna have to.

0:33:24.520 --> 0:33:26.840
<v Speaker 1>And Luke is not the guy to continue to stir

0:33:26.960 --> 0:33:29.640
<v Speaker 1>the pot. You know, he won't. He won't go to her,

0:33:30.320 --> 0:33:32.800
<v Speaker 1>like I've said, so, I guess he's just waiting for her.

0:33:32.920 --> 0:33:35.760
<v Speaker 1>If she says something, he'll immediately forgive her. But she

0:33:35.800 --> 0:33:38.560
<v Speaker 1>hasn't done it yet, which is why he didn't really

0:33:38.560 --> 0:33:42.720
<v Speaker 1>want to engage her. No, I mean she she tore

0:33:42.800 --> 0:33:45.520
<v Speaker 1>him a new one man, you know, Yeah, I mean

0:33:45.560 --> 0:33:49.719
<v Speaker 1>she really tore him a new one. And he's just

0:33:49.840 --> 0:33:52.080
<v Speaker 1>not I mean, they're not in a relationship. So if

0:33:52.120 --> 0:33:54.520
<v Speaker 1>he's in a relationship with her, then he's you know,

0:33:55.080 --> 0:33:57.400
<v Speaker 1>he's a little more inclined to make things right, you know,

0:33:57.400 --> 0:33:59.560
<v Speaker 1>because he wants to make things right. I think that's

0:33:59.560 --> 0:34:02.160
<v Speaker 1>but they're no, I mean it's like your friends. Look,

0:34:02.880 --> 0:34:05.240
<v Speaker 1>we've all had spats with our friends and when they

0:34:05.280 --> 0:34:08.440
<v Speaker 1>get you know, when they get amped up like that,

0:34:08.440 --> 0:34:11.040
<v Speaker 1>that can end to friendship, you know, really can It

0:34:11.160 --> 0:34:14.960
<v Speaker 1>changes the friendship totally, totally, you know, and it too

0:34:14.960 --> 0:34:17.680
<v Speaker 1>will get through it. But yeah, you're right, but friendships

0:34:17.680 --> 0:34:20.400
<v Speaker 1>are a little more fragile than than than you know,

0:34:20.480 --> 0:34:24.160
<v Speaker 1>actual relationships and even marriages when it comes to kids.

0:34:24.920 --> 0:34:29.760
<v Speaker 1>Really you make up real fast. I have a question

0:34:30.040 --> 0:34:35.120
<v Speaker 1>for YouTube, what did you make of the gift from Christopher?

0:34:36.800 --> 0:34:39.760
<v Speaker 1>You know, Riley, I'm gonna let you go first, go ahead.

0:34:40.640 --> 0:34:45.400
<v Speaker 1>An awful lot of thought went into that gift. That

0:34:45.560 --> 0:34:52.879
<v Speaker 1>was a highly specific gift, highly specific. Anyone getting the

0:34:52.960 --> 0:34:59.759
<v Speaker 1>feeling that Christopher likes Laurel Oh, they may as well

0:34:59.800 --> 0:35:02.120
<v Speaker 1>just hit us over the head with a hammer. I mean,

0:35:02.640 --> 0:35:09.879
<v Speaker 1>Jesus talk about you know, that was subtle. I even

0:35:09.920 --> 0:35:18.280
<v Speaker 1>got your camera. I'm going I'm going to mock this scene.

0:35:18.480 --> 0:35:22.520
<v Speaker 1>I will mock this scene. I loved it because I

0:35:22.560 --> 0:35:30.799
<v Speaker 1>love Christopher love so yeah, that was pretty cool. And

0:35:30.840 --> 0:35:34.520
<v Speaker 1>then it kind of leaves us hanging like, what is

0:35:34.640 --> 0:35:37.000
<v Speaker 1>going you know what for me? It is? You know

0:35:37.040 --> 0:35:39.279
<v Speaker 1>what it is for me? And and I don't want

0:35:39.280 --> 0:35:43.520
<v Speaker 1>to sound hypocritical because Luke isn't exactly the most aggressive guy,

0:35:43.800 --> 0:35:46.520
<v Speaker 1>you know, making a bee line to her door, like

0:35:46.640 --> 0:35:50.640
<v Speaker 1>I I must have you. Uh, you know, at least

0:35:50.760 --> 0:35:52.680
<v Speaker 1>at least Christopher is doing something about it. But it's

0:35:52.680 --> 0:35:56.799
<v Speaker 1>like with Christopher, it's like, dude, you know, blank or

0:35:56.840 --> 0:35:59.600
<v Speaker 1>get off the pot. I mean, stop stop with this,

0:36:00.520 --> 0:36:05.120
<v Speaker 1>you know the stuff. Just go get her, you know what,

0:36:05.120 --> 0:36:07.680
<v Speaker 1>what is? What's up? You're in a relationship, you don't

0:36:07.680 --> 0:36:11.279
<v Speaker 1>live there, obviously you want her back, you know, just

0:36:11.640 --> 0:36:14.040
<v Speaker 1>go do it. Didn't he try to do it and

0:36:14.040 --> 0:36:17.400
<v Speaker 1>she got rejected. He tried to know, he tried to

0:36:17.440 --> 0:36:20.560
<v Speaker 1>do it in season one, but when he tried to

0:36:20.600 --> 0:36:22.920
<v Speaker 1>do it in season one and she said nap, sorry.

0:36:23.000 --> 0:36:24.600
<v Speaker 1>And I think they were even in the better because

0:36:24.640 --> 0:36:26.920
<v Speaker 1>he stayed up. He stayed over. Remember they hooked up

0:36:26.960 --> 0:36:33.919
<v Speaker 1>at the balcony Gilmore, It's like what on the balcony? Yeah,

0:36:34.000 --> 0:36:37.000
<v Speaker 1>exactly right. And then he spends it like there's all

0:36:37.120 --> 0:36:40.919
<v Speaker 1>kinds of Yeah they have a complex relationship. Yeah, well

0:36:41.080 --> 0:36:43.640
<v Speaker 1>look he's he's the father of their child, of her child.

0:36:44.520 --> 0:36:46.759
<v Speaker 1>What are you gonna do for me? I'm sorry that

0:36:47.000 --> 0:36:50.120
<v Speaker 1>scene was just so sappy. Uh, And I know people

0:36:50.200 --> 0:36:53.080
<v Speaker 1>love that stuff. I'm not a fan of SAP. It's

0:36:53.120 --> 0:36:58.960
<v Speaker 1>just love. I literally, yeah, that was just beyond beyond. Okay,

0:36:58.960 --> 0:37:00.719
<v Speaker 1>So I made some notes that I just want to

0:37:00.760 --> 0:37:04.600
<v Speaker 1>give to you guys and and get your thoughts. I'll

0:37:04.640 --> 0:37:10.000
<v Speaker 1>do fashion at the end. Um question, is that the

0:37:10.040 --> 0:37:13.200
<v Speaker 1>first time we ever saw the gates of Chiltern, Parris

0:37:13.200 --> 0:37:16.040
<v Speaker 1>and Rory are walking. That looked like a new look.

0:37:16.120 --> 0:37:18.319
<v Speaker 1>It did look like a new location. I agree, Yes,

0:37:18.480 --> 0:37:21.960
<v Speaker 1>it did. It did look. It gave it some some scope,

0:37:22.400 --> 0:37:24.160
<v Speaker 1>you know, Okay, it us a different angle in the place.

0:37:25.440 --> 0:37:29.080
<v Speaker 1>How about the tassel hat. Suki made a tassel hat

0:37:29.719 --> 0:37:33.680
<v Speaker 1>pretty amazing? Again, you know, I thought, wouldn't it be

0:37:33.719 --> 0:37:35.520
<v Speaker 1>wonderful to live in a place like that where everybody

0:37:35.560 --> 0:37:38.359
<v Speaker 1>knew each other and did things like that? You had

0:37:38.400 --> 0:37:40.480
<v Speaker 1>friends that did that kind of stuff for you, and

0:37:40.520 --> 0:37:46.560
<v Speaker 1>there's places like that and friendships like it. Isn't that wonderful? Uh?

0:37:46.760 --> 0:37:50.960
<v Speaker 1>Was anyone else totally panicked that Rory lost her backpack

0:37:51.440 --> 0:37:54.480
<v Speaker 1>when she came off the bus and into the park.

0:37:54.920 --> 0:37:57.160
<v Speaker 1>And then I was so grateful that they wrote a

0:37:57.200 --> 0:38:00.680
<v Speaker 1>line acknowledging where the backpack was that she put it

0:38:00.680 --> 0:38:04.040
<v Speaker 1>in a locker. Yeah, was I the only one just

0:38:04.080 --> 0:38:06.360
<v Speaker 1>getting real anxious, like where is her back? Did not

0:38:06.680 --> 0:38:10.000
<v Speaker 1>did not get anxious. I was too busy marveling at

0:38:10.040 --> 0:38:12.479
<v Speaker 1>the Did they take those guys to New York City

0:38:12.480 --> 0:38:14.680
<v Speaker 1>Washington swear part and film that little scene? No, they

0:38:14.680 --> 0:38:16.640
<v Speaker 1>couldn't know. But that is how I felt during the

0:38:16.680 --> 0:38:22.880
<v Speaker 1>English tea circus. What a spread? What a spread? And like,

0:38:22.960 --> 0:38:25.879
<v Speaker 1>let's yell at the server for the no doilies, I mean,

0:38:25.920 --> 0:38:32.000
<v Speaker 1>for God's sake, amazing. Um. Let me see if I

0:38:32.000 --> 0:38:33.920
<v Speaker 1>have a few other notes before we get to fashion.

0:38:34.920 --> 0:38:37.640
<v Speaker 1>I think those were other than you know. What I

0:38:37.680 --> 0:38:39.719
<v Speaker 1>thought was a little gross was the dude on the

0:38:39.760 --> 0:38:43.680
<v Speaker 1>bus with his like, oh that was hysterical? Dipping? Is

0:38:43.719 --> 0:38:48.040
<v Speaker 1>that called dipping? Spitting into the camp? Okay? Do you

0:38:48.080 --> 0:38:49.400
<v Speaker 1>want me to rattle it down? Do you want to

0:38:49.400 --> 0:38:51.719
<v Speaker 1>like just amuse yourself. Do you want to try and

0:38:51.800 --> 0:38:56.720
<v Speaker 1>participate in the fashion recap? Okay? If you If something

0:38:56.760 --> 0:39:00.239
<v Speaker 1>is a standout, you tell us. So here's were here

0:39:00.280 --> 0:39:05.080
<v Speaker 1>were my picksloraized red pants, Riley with the black flower

0:39:06.440 --> 0:39:09.919
<v Speaker 1>in the beginning. Yes, yeah, yeah, she looked good, right,

0:39:10.200 --> 0:39:13.959
<v Speaker 1>yeah she did look good. Those parents made those were

0:39:14.000 --> 0:39:17.520
<v Speaker 1>that's yeah, she looked good. I agree, and I still

0:39:17.560 --> 0:39:20.400
<v Speaker 1>think there was something new about the children sweater. Now.

0:39:20.560 --> 0:39:23.359
<v Speaker 1>Then she wore Lorea Lie I'm always like partial Lorea

0:39:23.360 --> 0:39:25.439
<v Speaker 1>Lize fashion. That's really what I looked for. She wore

0:39:25.480 --> 0:39:28.600
<v Speaker 1>a blue sweatshirt with like an eagle on it, maybe

0:39:28.640 --> 0:39:31.400
<v Speaker 1>a butterfly, like a bird. It was very sparkly and

0:39:31.440 --> 0:39:33.880
<v Speaker 1>just super cool. Then there was one scene where she

0:39:33.920 --> 0:39:36.920
<v Speaker 1>had a crossbody bag. Did you notice that? I was like,

0:39:37.080 --> 0:39:42.360
<v Speaker 1>I want that bag now, thought that was amazing. Um,

0:39:42.400 --> 0:39:45.400
<v Speaker 1>I've got more Madonna sweatshirt? Did you notice she was

0:39:45.400 --> 0:39:48.520
<v Speaker 1>wearing a Madonna sweatshirt? At one point, Rory had a

0:39:48.520 --> 0:39:51.200
<v Speaker 1>gray hoodie that I thought was like super on point.

0:39:51.960 --> 0:39:54.640
<v Speaker 1>So yeah, I mean I thought the fashion in this

0:39:54.680 --> 0:40:00.799
<v Speaker 1>episode was a real step up from the week before. Definitely,

0:40:01.040 --> 0:40:04.920
<v Speaker 1>she had an angel long sleeve sweatshirt on that one

0:40:04.960 --> 0:40:09.600
<v Speaker 1>scene whatever it was he said things said an angel

0:40:09.640 --> 0:40:12.960
<v Speaker 1>on it. Yes, that was super cool. She's she's a

0:40:13.080 --> 0:40:22.800
<v Speaker 1>she's a cool check. You know she dresses she dresses great. Yeah. Okay,

0:40:22.880 --> 0:40:27.880
<v Speaker 1>So there were a couple of inconsistencies that I noticed

0:40:28.760 --> 0:40:32.520
<v Speaker 1>in the episode. There was a big ups with Rory

0:40:32.520 --> 0:40:34.080
<v Speaker 1>when she's sitting on the bus waiting for it to

0:40:34.160 --> 0:40:37.080
<v Speaker 1>leave to go back to Stars Hollow, and she's talking

0:40:37.120 --> 0:40:40.200
<v Speaker 1>with the guy sitting next to her right, and around

0:40:40.239 --> 0:40:44.680
<v Speaker 1>thirty seven she lifts her arm and you can see

0:40:44.680 --> 0:40:56.120
<v Speaker 1>that she isn't wearing the cast. No no, sorry. Also

0:40:56.600 --> 0:40:59.040
<v Speaker 1>let me see in the cold open right in the beginning,

0:40:59.800 --> 0:41:03.680
<v Speaker 1>the fifties style vinyl chairs in Suki's kitchen were in

0:41:03.800 --> 0:41:07.520
<v Speaker 1>Luke's diner a few episodes ago. Jess was sitting and

0:41:09.480 --> 0:41:12.320
<v Speaker 1>Rory was trying to tutor him and teach me tonight.

0:41:13.200 --> 0:41:15.759
<v Speaker 1>So how did they end up in Sukise m hm.

0:41:17.040 --> 0:41:23.080
<v Speaker 1>They both bought them at the local okay, from from

0:41:23.200 --> 0:41:29.080
<v Speaker 1>four to four. I think that it's probably worth noting

0:41:29.160 --> 0:41:33.839
<v Speaker 1>that Rory is making coffee in a French press, which

0:41:33.880 --> 0:41:37.719
<v Speaker 1>is pretty sophisticated for her girls, don't you think. Definitely

0:41:38.680 --> 0:41:43.960
<v Speaker 1>very much so. But they are coffee connoisseurs. And you

0:41:44.000 --> 0:41:48.800
<v Speaker 1>know the record store proprietor and I knew it was somebody,

0:41:49.120 --> 0:41:53.480
<v Speaker 1>And you'll help identify who this person is, the guy

0:41:53.560 --> 0:41:56.800
<v Speaker 1>that had the line the proprietor, you know, the older

0:41:56.800 --> 0:41:59.840
<v Speaker 1>guy in the wig with the with the leather vest on,

0:42:00.600 --> 0:42:02.640
<v Speaker 1>because he because he made a comment on who the

0:42:02.840 --> 0:42:06.200
<v Speaker 1>who the record was and oh that band broke Yes, yeah, yeah, yeah, yeah,

0:42:06.239 --> 0:42:08.160
<v Speaker 1>yeah yeah, Okay, I'm with you. I'm up to speed now.

0:42:08.520 --> 0:42:12.799
<v Speaker 1>It was none other than Chuck E. Weiss. Is that

0:42:13.239 --> 0:42:18.600
<v Speaker 1>who uh? Ricky Lee Jones is singing about Chuck E?

0:42:20.160 --> 0:42:26.280
<v Speaker 1>Because it's Chuck E like the letter, not Chucky like Chucky. Yes, yeah,

0:42:26.400 --> 0:42:29.120
<v Speaker 1>I wonder, Yes it is he is because here's the headline,

0:42:29.160 --> 0:42:32.480
<v Speaker 1>Chucky's in love. He was the subject. So that is

0:42:32.520 --> 0:42:36.880
<v Speaker 1>the legendary Chucky. He helped launch the Viper Room in

0:42:37.080 --> 0:42:39.319
<v Speaker 1>l A on Sunset Strip with Johnny Depp. I've been

0:42:39.360 --> 0:42:42.319
<v Speaker 1>to the Viper Room many times. Whoa And he did

0:42:42.360 --> 0:42:45.239
<v Speaker 1>Gilmore Girls. Hold on, are we sure that's him? You

0:42:45.280 --> 0:42:49.720
<v Speaker 1>are correct. Weiss appeared on a two thousand two episode

0:42:49.719 --> 0:42:52.840
<v Speaker 1>of the series Gilmore Girls as the proprietor of a

0:42:52.880 --> 0:42:56.319
<v Speaker 1>New York City record store. He also did cameos in

0:42:57.160 --> 0:43:03.720
<v Speaker 1>Um Married with Children, brotherly of Whoa And he died

0:43:03.840 --> 0:43:08.719
<v Speaker 1>in two thousand. Oh my god, he just died like

0:43:08.800 --> 0:43:12.920
<v Speaker 1>in last July. And he's so do yourself a favor

0:43:13.520 --> 0:43:16.880
<v Speaker 1>and hit on the iTunes or however you listen to

0:43:16.920 --> 0:43:21.280
<v Speaker 1>your music. People not say iTunes, I do iTunes. Chucky's

0:43:21.320 --> 0:43:23.640
<v Speaker 1>in love because that was like the best song by

0:43:23.760 --> 0:43:27.600
<v Speaker 1>Ricky Lee Jones. Do you know the song? I do

0:43:27.680 --> 0:43:31.359
<v Speaker 1>not know the song only Chucky. I know it's Chucky Cheese. Right.

0:43:31.600 --> 0:43:35.000
<v Speaker 1>So the story is that he was on the phone

0:43:35.080 --> 0:43:38.960
<v Speaker 1>with Tom Waits and he was talking to Tom Waits

0:43:38.960 --> 0:43:44.560
<v Speaker 1>about being in love. Yeah, because Chuck in the Fall

0:43:44.600 --> 0:43:49.560
<v Speaker 1>of Seven, So so Ricky Lee Jones must have had

0:43:49.600 --> 0:43:52.759
<v Speaker 1>a thing with Chucky. Maybe, So wait to put the

0:43:52.760 --> 0:43:57.200
<v Speaker 1>phone down and he announced to Ricky Lee Jones Chucky's

0:43:57.360 --> 0:44:02.200
<v Speaker 1>in love. And did Ricky Lee Jones say, Okay, this

0:44:02.320 --> 0:44:04.359
<v Speaker 1>is making so much sense to me. Now I need

0:44:04.400 --> 0:44:08.600
<v Speaker 1>to find out if Ricky Lee Jones and Chucky Because

0:44:08.640 --> 0:44:11.239
<v Speaker 1>basically what happened is everyone was talking that Chucky's in

0:44:11.320 --> 0:44:14.360
<v Speaker 1>love and then Ricky Lee Jones reveals in the song

0:44:14.680 --> 0:44:18.719
<v Speaker 1>He's in love with the girls singing this song, did

0:44:18.719 --> 0:44:22.000
<v Speaker 1>we just like figure out a mystery from the seventies

0:44:22.000 --> 0:44:26.040
<v Speaker 1>that no One. Wits worked as a dishwasher at the

0:44:26.120 --> 0:44:30.279
<v Speaker 1>Troubadour in West Hollywood, Um, and he met Ricky Lee

0:44:30.320 --> 0:44:34.680
<v Speaker 1>Jones there and Tom Waits and they became Tom Waits

0:44:34.719 --> 0:44:37.200
<v Speaker 1>and Jones became an item, and the three of them

0:44:37.239 --> 0:44:41.600
<v Speaker 1>became inseparable as they caroused through Hollywood, stealing law and ornaments.

0:44:42.680 --> 0:44:48.360
<v Speaker 1>That's where that's wheremy got the thing. Uh. And pranking

0:44:48.400 --> 0:44:52.800
<v Speaker 1>people at music industry parties like shaking hands with dip

0:44:52.840 --> 0:44:57.600
<v Speaker 1>smeared in their palms. Okay, oh my gosh. And here's

0:44:57.600 --> 0:45:01.200
<v Speaker 1>a quote. It seems sometimes like we're real romantic dreamers

0:45:01.200 --> 0:45:04.279
<v Speaker 1>who got stuck in the wrong time zone, Jones told

0:45:04.400 --> 0:45:08.279
<v Speaker 1>Rolling Stone in v. Nine, describing Weiss and Watts as

0:45:08.320 --> 0:45:11.320
<v Speaker 1>her family. At the time, they lived at the Tropicanum

0:45:11.360 --> 0:45:17.520
<v Speaker 1>Motel on Santa Monico Boulevard. Um. I've gone down a

0:45:17.560 --> 0:45:20.800
<v Speaker 1>wormhole here that I'm not totally certain everyone listening cares about.

0:45:21.000 --> 0:45:25.400
<v Speaker 1>But it is interesting, very interesting, great spots. No, no,

0:45:25.440 --> 0:45:28.080
<v Speaker 1>I agree. They can edit what they want. You can,

0:45:28.440 --> 0:45:31.120
<v Speaker 1>you can edit and whatever you want. Um, let me

0:45:31.120 --> 0:45:33.320
<v Speaker 1>ask you another question. Is this the first time we

0:45:33.400 --> 0:45:37.040
<v Speaker 1>knew laurea lized middle name is Victoria? And and forgive

0:45:37.080 --> 0:45:39.440
<v Speaker 1>me we maybe first time? First time I heard it

0:45:40.000 --> 0:45:44.400
<v Speaker 1>me too? Okay, great, glad to hear it. I'm ready

0:45:44.440 --> 0:45:49.680
<v Speaker 1>for the favorite lines because I've got mine. Who wants

0:45:49.719 --> 0:45:55.640
<v Speaker 1>to go first? Riley go ahead? Um? I highly related

0:45:55.640 --> 0:45:58.560
<v Speaker 1>to this line. Laurel I says, my pursuit of higher

0:45:58.640 --> 0:46:01.520
<v Speaker 1>education hasn't led me to an interesting discovery about myself.

0:46:01.840 --> 0:46:07.959
<v Speaker 1>I despise academics, learning knowledge. It's all worthless. You want mine.

0:46:09.000 --> 0:46:11.799
<v Speaker 1>It was my kindergarten salute to vegetables passion, and I

0:46:11.880 --> 0:46:13.920
<v Speaker 1>was broccoli and I did a tap dance with a

0:46:13.960 --> 0:46:15.920
<v Speaker 1>guy that was playing beats. It was kind of a

0:46:15.960 --> 0:46:19.200
<v Speaker 1>life lesson for me. That was amazing. And then the

0:46:19.239 --> 0:46:21.719
<v Speaker 1>other one that was so good is she goes through

0:46:21.719 --> 0:46:25.600
<v Speaker 1>her whole spiel to Richard and Emily and they say,

0:46:26.640 --> 0:46:30.080
<v Speaker 1>we accept your terms. That we accept your terms. Yes,

0:46:30.719 --> 0:46:34.439
<v Speaker 1>that was funny, that was good. Yes, because we didn't

0:46:34.440 --> 0:46:37.000
<v Speaker 1>really talk about that, did we. Rory taking the bull

0:46:37.040 --> 0:46:40.399
<v Speaker 1>by the horns and and going over the going over

0:46:40.640 --> 0:46:46.360
<v Speaker 1>and scheduling an afternoon or a midday t with Emily

0:46:46.360 --> 0:46:50.520
<v Speaker 1>and Richard to plead with them, or actually not plead

0:46:50.560 --> 0:46:52.960
<v Speaker 1>but just sort of gave them the information. You can

0:46:52.960 --> 0:46:55.200
<v Speaker 1>do with it what you will, no hard feelings. If

0:46:55.200 --> 0:46:57.600
<v Speaker 1>you say no, we got it, but spelled it out,

0:46:58.920 --> 0:47:01.440
<v Speaker 1>said you gotta. We'd like you to be there, and

0:47:01.480 --> 0:47:03.440
<v Speaker 1>I would be very nice if you were at the graduation.

0:47:03.520 --> 0:47:08.319
<v Speaker 1>And you know what could they say, like get off

0:47:08.320 --> 0:47:14.000
<v Speaker 1>your freaking high horse and go support your daughter. A

0:47:14.040 --> 0:47:21.160
<v Speaker 1>couple of snoots snooty tunes. Come on, get off your

0:47:21.239 --> 0:47:28.920
<v Speaker 1>high horse, snooty tunes. You did, although I'm proud of

0:47:28.960 --> 0:47:30.520
<v Speaker 1>you because you said we were going to dig into

0:47:30.600 --> 0:47:34.000
<v Speaker 1>music more and really did. We really nailed it in

0:47:34.040 --> 0:47:38.160
<v Speaker 1>this episode not did not not live up to our

0:47:38.239 --> 0:47:43.080
<v Speaker 1>promise on that. Um, there's a great led Zeplin song

0:47:43.120 --> 0:47:46.359
<v Speaker 1>in here too, going what was it? Going to California?

0:47:48.360 --> 0:47:50.799
<v Speaker 1>Ramble on not going to California, ramble on what a

0:47:50.840 --> 0:47:56.440
<v Speaker 1>great song? That song is so often played at my

0:47:56.600 --> 0:48:00.040
<v Speaker 1>high school parties. Everybody had a guitar and everybody's and

0:48:00.320 --> 0:48:03.360
<v Speaker 1>ramble on. Everybody wanted to go to California, And I

0:48:03.400 --> 0:48:05.080
<v Speaker 1>think I think I'm the only one that did. Ma

0:48:05.120 --> 0:48:08.040
<v Speaker 1>and me and one other guy was Stairway to Heaven

0:48:08.120 --> 0:48:11.120
<v Speaker 1>led zepone. Yeah, isn't it like an eleven minute song?

0:48:11.280 --> 0:48:13.719
<v Speaker 1>I just remember that like its school dances. You were like,

0:48:14.000 --> 0:48:17.719
<v Speaker 1>I don't get stuck with someone, It's really not. It's

0:48:17.760 --> 0:48:20.640
<v Speaker 1>like kind of a doorway to hell if you're the

0:48:20.680 --> 0:48:27.200
<v Speaker 1>wrong purpose karaoke Stairway in the in the music store

0:48:27.200 --> 0:48:31.279
<v Speaker 1>where I grew up, they were signs saying, you know,

0:48:31.320 --> 0:48:34.600
<v Speaker 1>they're guitars they were signed, saying no playing Stairway to

0:48:34.640 --> 0:48:36.840
<v Speaker 1>Heaven because all the employees were sick of hearing it

0:48:36.840 --> 0:48:40.000
<v Speaker 1>because that's the only song that people were learning, and

0:48:40.000 --> 0:48:42.280
<v Speaker 1>they come in and play the guitars all day. Stay.

0:48:43.800 --> 0:48:48.200
<v Speaker 1>I give this double double double thumbs up. Listen. If

0:48:48.239 --> 0:48:51.120
<v Speaker 1>it wasn't for if it wasn't for the guy with

0:48:51.160 --> 0:48:56.080
<v Speaker 1>a spit can and the kids stuff, um and Seth

0:48:56.200 --> 0:49:00.000
<v Speaker 1>McFarlane and Alicia Bergman, I would have liked this episode.

0:49:00.000 --> 0:49:04.160
<v Speaker 1>It far less. I mean I did. I did enjoy it.

0:49:04.360 --> 0:49:07.360
<v Speaker 1>I got a lot of laughs out of Seth McFarland

0:49:07.400 --> 0:49:13.200
<v Speaker 1>and Alicia Bergman. Rory made me laugh. Um, you know,

0:49:13.200 --> 0:49:15.719
<v Speaker 1>they're just there. Michelle made me laugh. He had a

0:49:15.760 --> 0:49:19.000
<v Speaker 1>great appearance and he they lorea. I asked him to

0:49:19.000 --> 0:49:22.600
<v Speaker 1>describe his high school friend graduation in France and the

0:49:23.360 --> 0:49:29.840
<v Speaker 1>typical great response, Um and uh yeah. I don't know.

0:49:29.920 --> 0:49:31.840
<v Speaker 1>I don't know if it was that strong of an episode,

0:49:31.920 --> 0:49:35.560
<v Speaker 1>but it's certainly it certainly moved the ball forward, didn't it.

0:49:35.560 --> 0:49:40.080
<v Speaker 1>It's certainly um deep in some conflict. It's set up

0:49:40.480 --> 0:49:44.200
<v Speaker 1>the next wave, which is going to be Jess and

0:49:44.320 --> 0:49:49.120
<v Speaker 1>Rory and maybe Christopher and and Laura la and Lucan

0:49:49.360 --> 0:49:52.120
<v Speaker 1>and Laureli maybe getting back together. I mean, there's there's

0:49:52.160 --> 0:49:56.200
<v Speaker 1>a lot going on here. I described this episode as

0:49:56.239 --> 0:50:01.439
<v Speaker 1>like the crescendo, but but it's really laying the new

0:50:01.520 --> 0:50:05.520
<v Speaker 1>track down for uh, these narratives to continue. So it's

0:50:05.560 --> 0:50:09.640
<v Speaker 1>it was a necessary episode. It was entertaining as hell. Um,

0:50:09.800 --> 0:50:15.200
<v Speaker 1>some awkward clunkiness in it, but overall, uh, pretty enjoyable

0:50:15.239 --> 0:50:18.279
<v Speaker 1>to watch and some really good belly laughs. I mean,

0:50:18.800 --> 0:50:22.000
<v Speaker 1>I did not know Seth McFarland was that funny. I

0:50:22.040 --> 0:50:24.560
<v Speaker 1>had no idea. I just you know, I just but

0:50:25.080 --> 0:50:27.759
<v Speaker 1>why should I be surprised? He created this magical show

0:50:27.800 --> 0:50:29.960
<v Speaker 1>that's hysterically funny, right, I just didn't know that he

0:50:29.960 --> 0:50:33.240
<v Speaker 1>could perform that well as as a comedic actor, because

0:50:33.239 --> 0:50:36.880
<v Speaker 1>he really nailed that stuff, man, I mean he committed

0:50:36.880 --> 0:50:39.760
<v Speaker 1>to those lines and so did that and that obviously

0:50:39.760 --> 0:50:42.239
<v Speaker 1>that Alicia Bergman was you know, you should try to

0:50:42.239 --> 0:50:44.560
<v Speaker 1>get her on. She was. She was great. I don't

0:50:44.560 --> 0:50:48.160
<v Speaker 1>know if her time's passed because this this is, but

0:50:48.280 --> 0:50:52.000
<v Speaker 1>she was. I mean she just fascinates me with that delivery.

0:50:52.040 --> 0:50:55.520
<v Speaker 1>She's one of those, you know, naturally gifted people with that,

0:50:55.719 --> 0:50:57.919
<v Speaker 1>with that delivery, who has the confidence is to lay

0:50:57.920 --> 0:50:59.920
<v Speaker 1>back on it and know how I mean she was

0:51:00.120 --> 0:51:04.680
<v Speaker 1>really funny. Um, when when everything out of somebody's mouth

0:51:04.800 --> 0:51:09.640
<v Speaker 1>is funny, then you've got something really special. So but

0:51:09.760 --> 0:51:13.200
<v Speaker 1>no terrific episode. All right, everybody, that's gonna wrap it

0:51:13.280 --> 0:51:16.120
<v Speaker 1>up for this episode. Uh, next week we're gonna get

0:51:16.120 --> 0:51:19.280
<v Speaker 1>into the season two finale, episode twenty two. I can't

0:51:19.320 --> 0:51:22.480
<v Speaker 1>get started. That is gonna put a cap on season

0:51:22.480 --> 0:51:27.879
<v Speaker 1>two and this is flying by or what. Wow? We've

0:51:27.920 --> 0:51:30.279
<v Speaker 1>been doing this for what less than a year and

0:51:30.320 --> 0:51:35.560
<v Speaker 1>we've already done season two. Huh. Anyway, thanks everybody, Thanks Riley,

0:51:35.560 --> 0:51:39.400
<v Speaker 1>Thanks Amy. We'll see you next time. Best fans on

0:51:39.440 --> 0:51:42.520
<v Speaker 1>the planet. Much appreciated. Keep download and keep emailing us

0:51:42.600 --> 0:51:46.120
<v Speaker 1>for getting a lot of great emails, and stay sick.

0:52:00.120 --> 0:52:18.920
<v Speaker 1>Uh hey everybody, and don't forget follow us on Instagram

0:52:18.960 --> 0:52:23.400
<v Speaker 1>at I Am all In podcast and Emailie at Gilmore

0:52:23.680 --> 0:52:27.319
<v Speaker 1>at I heart radio dot com. Oh you Gilmore fans.

0:52:27.360 --> 0:52:29.080
<v Speaker 1>If you're looking for the best cup of coffee in

0:52:29.080 --> 0:52:32.520
<v Speaker 1>the world, go to my website for my company scott

0:52:32.520 --> 0:52:34.719
<v Speaker 1>EP dot com, s C O T T y P

0:52:34.920 --> 0:52:46.680
<v Speaker 1>dot com. Scott ep dot com Grade one specialty coffee. Yeah.