WEBVTT -  The Woman Who Will Not Die

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<v Speaker 1>Oh Why Ozzy Media Productions. Marilyn Monroe was called the

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<v Speaker 1>Woman who Will Not Die by Glorious Steinham. It's true

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<v Speaker 1>the world remains obsessed with Monroe even more than half

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<v Speaker 1>a century after her death. One of the most famous

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<v Speaker 1>stars in Hollywood history is dead. At thirty six, Marilan

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<v Speaker 1>Monroe was found dead in bed under circumstances that were

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<v Speaker 1>in tragic contrast to her glamorous career as a comic talent,

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<v Speaker 1>Monroe was an icon whose life was cut short. She

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<v Speaker 1>started hits like Some Like It, Hot, The Seven Year Itch,

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<v Speaker 1>and Gentlemen Prefer Blondes. It was said that her films

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<v Speaker 1>had grossed more than two hundred million dollars at the

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<v Speaker 1>time of her death. She acted, she cracked jokes, and

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<v Speaker 1>she sang, I wanna be loved by you, just your else.

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<v Speaker 1>But Monroe's death held in irony, as Gloria Steinham later wrote,

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<v Speaker 1>America's biggest star died alone. On a Saturday night. The

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<v Speaker 1>young actress was found dead in her bed from a

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<v Speaker 1>drug overdose. The rumors were numerous, Monroe biographer Sarah Church Well.

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<v Speaker 1>Of course, as everybody knows, all kinds of conspiracy theories

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<v Speaker 1>have developed around her death. It's been fifty years and

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<v Speaker 1>we are still talking about the rumors surrounding her death.

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<v Speaker 1>Some believe Monroe committed suicide. Others have more elaborate theories.

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<v Speaker 1>So what happens is a lot of people um conclude

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<v Speaker 1>that she must have been deliberately murdered, either by one

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<v Speaker 1>of the Kennedy's, or by Kristov, or by Castro, or

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<v Speaker 1>you know, by aliens landing in Roswell. But of course

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<v Speaker 1>that leaps over an enormous excluded middle, which is known

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<v Speaker 1>as accident, which is how many many things happen in

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<v Speaker 1>real life. Marilan Monroe may have appeared larger than life,

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<v Speaker 1>but she wasn't every woman, one who suffered the same

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<v Speaker 1>misfortune as others, but out in the open for all

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<v Speaker 1>the world to see and without much help. This led

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<v Speaker 1>feminist Glorious Steinem to fixate on Monroe. You know, I

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<v Speaker 1>just was haunted by the idea that that the women's

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<v Speaker 1>movement might have been able to support her enough so

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<v Speaker 1>she would still be with us. But like Gloria Steinham,

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<v Speaker 1>Monroe lived and worked in a world dominated by men,

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<v Speaker 1>and Hugh Hefner, who launched Playboy magazine using Monroe's nude

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<v Speaker 1>image was far from the only one to exploit her

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<v Speaker 1>along the way. Oh hear me, Lord, I could be

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<v Speaker 1>good to love, but then I always discovered the body

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<v Speaker 1>every man. Welcome to the Thread a podcast from Azzi Media.

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<v Speaker 1>I'm Sean Braswell. This season is about the remarkable road

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<v Speaker 1>to the modern day women's movement through one of the

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<v Speaker 1>leaders of that movement, Gloria Steinham. So how does Marilyn

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<v Speaker 1>Monroe fit in this thread? Well? An episode one, we

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<v Speaker 1>heard how Steinham stent as an undercover Playboy Bunny impacted

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<v Speaker 1>her career and her outlook as a young reporter and feminist.

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<v Speaker 1>Then in episode two, we told the story of how

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<v Speaker 1>the Playboy clubs came to be. They all started with

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<v Speaker 1>Hugh Hefner, who had the idea to create a male

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<v Speaker 1>magazine called Playboy, and that magazine's launch was not possible

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<v Speaker 1>without its first nude centerfold, Marilyn Monroe. Now, in episode three,

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<v Speaker 1>how Monroe wound up in Playboy. It wasn't her choice.

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<v Speaker 1>Throughout her brief life, she endured many things, including many

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<v Speaker 1>powerful men, and she tried to fight back. Monroe was

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<v Speaker 1>a star, a wife, a model, and a silence breaker

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<v Speaker 1>for all of her accomplishments. Most people only remember Marilyn

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<v Speaker 1>Monroe for the unforgettable persona she crafted for herself, the

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<v Speaker 1>good humored, platinum blonde with the ruby lips and a

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<v Speaker 1>sultry innocence. Few recognized the achievement behind it. Sarah Churchwell, again,

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<v Speaker 1>she had started with nothing, and she went on to

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<v Speaker 1>become the most successful actress of her day, the most famous,

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<v Speaker 1>the best known um. But you know, the biggest movie

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<v Speaker 1>star in the world, and she remains the biggest movie

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<v Speaker 1>star in the world fifty years after her death. And

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<v Speaker 1>she just wanted people to recognize that as an accomplishment.

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<v Speaker 1>She wanted people to give her the credit for having

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<v Speaker 1>achieved that, and they never did. They mostly still don't.

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<v Speaker 1>Monroe begged to be taken seriously as an actress throughout

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<v Speaker 1>her career. The frustrated star asked a reporter who interviewed

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<v Speaker 1>her not long before her death, quote, please don't make

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<v Speaker 1>me a joke. That decision to have a very strong brand,

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<v Speaker 1>as it were, this this iconic lookum did have a

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<v Speaker 1>lot to do with her success, but of course it

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<v Speaker 1>also led to her being typecast. It meant that she

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<v Speaker 1>couldn't break out of that brand identity that she had

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<v Speaker 1>created and become the kind of actress that she wanted

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<v Speaker 1>to be. Here's Monroe in a television interview. Well, would

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<v Speaker 1>it be fair to say that you got rather tired

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<v Speaker 1>of playing the same kind of roles all the time

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<v Speaker 1>and wanted to buy something different. Well, I it's not

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<v Speaker 1>that I objected doing musicals or comedy. In fact, I

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<v Speaker 1>read and enjoy it, but I would like to do

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<v Speaker 1>unto dramatic parts too. Through it all, Monroe's hell bent

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<v Speaker 1>on self improvement. She took acting classes at every opportunity.

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<v Speaker 1>Even once she was a star. She pushed back on

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<v Speaker 1>the stereotype that she was a dumb blonde. As she

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<v Speaker 1>told one instructor, I want to be an artist, not

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<v Speaker 1>an erotic freak. But few in Hollywood took her seriously,

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<v Speaker 1>even Steinham did not at first. Monroe's on screen persona

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<v Speaker 1>made an impression on the young steinem and it wasn't

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<v Speaker 1>a positive one. It was a big Hollywood movie, and

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<v Speaker 1>I was a teenager, I think, and I loved the movies.

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<v Speaker 1>You know, I was just escaping every Saturday afternoon in

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<v Speaker 1>the movies. This is Steinham remembering when she saw the

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<v Speaker 1>nineteen fifty three film. Gentlemen prefer blondes, but watching her

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<v Speaker 1>being so vulnerable on screen just made me sad. It's

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<v Speaker 1>a terrible thing to be lonesome, especially in the middle

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<v Speaker 1>of a crowd, do you know what I mean? And

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<v Speaker 1>it also made Steinham angry. Steinham later wrote of Monroe,

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<v Speaker 1>how dare she exposed the neediness that so many women

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<v Speaker 1>feel but try so hard to hide. How dare she

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<v Speaker 1>a movie star be just as unconfident as I was?

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<v Speaker 1>Cheap piggy? A girl like I almost never gets to

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<v Speaker 1>me really interesting, man, sometimes my brain gets real starting

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<v Speaker 1>Steinham walked out of the movie. She was one of

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<v Speaker 1>the images that I grew up with, and she always

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<v Speaker 1>seemed so silenced, playing as if she could only come

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<v Speaker 1>to the public as as a almost a parody of

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<v Speaker 1>a whispery sexy woman not not has her own self.

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<v Speaker 1>But as Dynham later discovered, Monroe was more than a

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<v Speaker 1>whispery sexy woman. She was one of the first women

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<v Speaker 1>to stand up against the culture of sexual harassment in

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<v Speaker 1>Hollywood and to talk about her experiences there. To understand why,

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<v Speaker 1>we have to go back to Monroe's early days in

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<v Speaker 1>Hollywood and those famous nude photographs. One of the first

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<v Speaker 1>cameramen to film Monroe was blown away by her. She was,

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<v Speaker 1>as he put it, sex on a piece of film.

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<v Speaker 1>Monroe did not set out to be a model. When

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<v Speaker 1>she was still a teenager named Norma Jean Doherty, she

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<v Speaker 1>worked at a parachute factory during World War Two, where

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<v Speaker 1>she sprayed and inspected parachutes for ten hours a day.

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<v Speaker 1>One day, an Army photographer assigned to take photographs of

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<v Speaker 1>women at work in the war effort stopped by the factory.

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<v Speaker 1>He realized her potential right away. You're a real morale booster,

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<v Speaker 1>he told her, with all of the cheese and sleeves

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<v Speaker 1>of a red blooded American male in the nineteen forties.

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<v Speaker 1>Soon marylyn career as a model and morale booster and

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<v Speaker 1>men's magazines was off to the races. Well, now your

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<v Speaker 1>picture has been on the cover of almost all popular magazines,

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<v Speaker 1>hasn't it. No, it's not the lady's ton journey that

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<v Speaker 1>you would like. What do you? Men's magazines in the

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<v Speaker 1>nineteen forties didn't mean what they meant after the Playboy era.

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<v Speaker 1>Um there was no real nudity to speak of in

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<v Speaker 1>the magazines that she was modeling in she was wearing

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<v Speaker 1>bikinis and you know, swimsuits and that kind of thing.

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<v Speaker 1>Marilyn Monroe enjoyed posing and performing for the camera as

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<v Speaker 1>a young model, but the job often came with some

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<v Speaker 1>additional responsibilities. Models were expected to show their gratitude to

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<v Speaker 1>the men who controlled the camera and their livelihoods. Things

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<v Speaker 1>were no different when Monroe started to pursue a career

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<v Speaker 1>in acting. She talked later about how even in those

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<v Speaker 1>early days of modeling, when she was trying to break

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<v Speaker 1>into Hollywood, that you know, men would would accost her

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<v Speaker 1>and tell her that they could help her break into

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<v Speaker 1>the movies and um, and so she was very clear

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<v Speaker 1>about the fact that there were always men on the

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<v Speaker 1>make um. She called them wolves eager to become an actress.

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<v Speaker 1>Monroe tolerated the wolves, but it was not easy to

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<v Speaker 1>break into Hollywood without their support. When Marilyn was a

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<v Speaker 1>struggling actress and starlett she was uh still finding jobs

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<v Speaker 1>hard to come by and living very much hand to mouth.

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<v Speaker 1>Monroe struggled to pay her rent. She ate two meals

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<v Speaker 1>per day. Sometimes she subsisted on peanut butter and hamburger meat.

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<v Speaker 1>She went to auditions and modeling gigs in one of

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<v Speaker 1>three dresses, which she washed herself by hand. In the evenings,

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<v Speaker 1>she would go out stargazing in Hollywood. She would place

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<v Speaker 1>her hands in the handprints of the movie stars. She

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<v Speaker 1>would stand for a few hours in front of Clark

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<v Speaker 1>Gable's house, hoping to catch a glimpse of her favorite star.

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<v Speaker 1>The beautiful Monroe didn't have to struggle. She had other options.

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<v Speaker 1>Many men offered to set her up as their mistress,

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<v Speaker 1>to pay for her expenses and her apartment in return

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<v Speaker 1>for shall we say, the pleasure of her company, but

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<v Speaker 1>Monroe refused. Eventually, she landed her first big job, a

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<v Speaker 1>contract with twentieth Century Fox in ninety she was twenty.

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<v Speaker 1>The following year, she signed a new contract with Columbia Pictures.

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<v Speaker 1>That didn't stop the unsolicited offers, including at least one

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<v Speaker 1>alleged experience with me two parallels. There isn't much question

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<v Speaker 1>that Maryland turned down sexual advances from powerful men in Hollywood.

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<v Speaker 1>One of the best known was the producer Harry Cohne,

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<v Speaker 1>who um ran Columbia Studios, and the story goes that

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<v Speaker 1>he um he tried to get Maryland on his yacht

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<v Speaker 1>when she was a contract player for Columbia, and when

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<v Speaker 1>she refused to go alone with him onto his yacht,

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<v Speaker 1>he fired her and she never worked for Columbia again.

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<v Speaker 1>Monroe persisted even as she grew more contemptuous of the

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<v Speaker 1>wolves who pursued her, and after one of those offers um,

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<v Speaker 1>when it became clear to her that that money was

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<v Speaker 1>really becoming tight, she decided that she would instead take

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<v Speaker 1>up the offer of a photographer who had been trying

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<v Speaker 1>to convince her to do some nude photos. It sounds

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<v Speaker 1>like a risky thing to do for a woman with

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<v Speaker 1>serious acting ambitions, but remember Monroe is twenty three years old.

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<v Speaker 1>She could never have imagined in her wildest dreams she

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<v Speaker 1>would be one of the most famous women on the

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<v Speaker 1>planet in a few years. At that moment, she was

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<v Speaker 1>just a struggling actress who was worried that the bank

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<v Speaker 1>would repossess the car she depended upon to drive to auditions.

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<v Speaker 1>She let herself be convinced that the nude photos were

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<v Speaker 1>no big deal. The photographer had told her that his

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<v Speaker 1>wife would be present all the way through the shoot.

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<v Speaker 1>Um he had assured her that that it was above board.

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<v Speaker 1>He would pay her fifty dollars and that the images

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<v Speaker 1>would be tasteful, they weren't pornographic. Monroe agreed. Here's how

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<v Speaker 1>she described the nude photo shoot in an interview. So

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<v Speaker 1>we did it, and that's only just to spread up

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<v Speaker 1>some red velvets and had me lie down in the red.

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<v Speaker 1>It was very simple drafty. Monroe also joked that she

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<v Speaker 1>had quote nothing on but the radio. The photographs were

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<v Speaker 1>then sold to a nude calendar and they started to

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<v Speaker 1>appear on on walls, on in garages and um, you know,

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<v Speaker 1>mechanics workshops. Three years after the nude photographs were taken,

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<v Speaker 1>Marilyn Monroe was in a completely different orbit. Later, thousands

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<v Speaker 1>of fans lined up in front of the Stanley Theater,

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<v Speaker 1>located on Atlantic City's famous boardwalk, where Hollywood's newest sterling

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<v Speaker 1>arrived for the world premiere of her twentieth century Fox

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<v Speaker 1>comedy Monkey Business, in which she co stars would carry

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<v Speaker 1>granted ginger rogers. All in all, it was a day

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<v Speaker 1>in which Miss Monroe truly won the hearts of these

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<v Speaker 1>grateful New Jersey ins. In March ninety two, Maryland was

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<v Speaker 1>starting to become a star. She'd had a couple of

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<v Speaker 1>big roles and she was starting to be noticed. She

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<v Speaker 1>also began dating Joe DiMaggio, the baseball star and you know,

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<v Speaker 1>kind of national hero. Monroe had only been seeing di

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<v Speaker 1>Maggio for a few days when the scandal over her

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<v Speaker 1>nude photographs broke. Many fans started to recognize her nude

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<v Speaker 1>pin up and calendars all over the country. Studio executives

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<v Speaker 1>freaked out, and of course, the standard response to that

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<v Speaker 1>kind of scandal up until that point would have been

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<v Speaker 1>to just deny it was you, and that was what

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<v Speaker 1>stars had always done in the studio, would engineer some

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<v Speaker 1>kind of cover up and they would just claim it

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<v Speaker 1>wasn't her. But Marilyn did not do that. She said

0:13:34.240 --> 0:13:37.440
<v Speaker 1>it was her. It was a bold strategy instead of

0:13:37.480 --> 0:13:40.920
<v Speaker 1>being shamed or as we might now say, slut shamed. Um.

0:13:40.960 --> 0:13:43.440
<v Speaker 1>It worked and she managed to make the scandal die down,

0:13:43.679 --> 0:13:47.040
<v Speaker 1>and uh and and people just accepted that it was her.

0:13:47.559 --> 0:13:49.920
<v Speaker 1>The photo shoot was forgotten for the most part until

0:13:50.000 --> 0:13:52.040
<v Speaker 1>Hugh Hefner got his hands on the image and made

0:13:52.040 --> 0:13:54.320
<v Speaker 1>sure that millions more Americans saw her as the first

0:13:54.400 --> 0:13:59.640
<v Speaker 1>Playboy centerfold, the centerfold that launched Heffner's Playboy empire. But

0:13:59.679 --> 0:14:01.719
<v Speaker 1>the same year that Hefner used her nude image to

0:14:01.800 --> 0:14:04.520
<v Speaker 1>launch Playboy. The twenty six year old man Rode did

0:14:04.559 --> 0:14:11.000
<v Speaker 1>something far bolder in another magazine. The article that ran

0:14:11.040 --> 0:14:14.120
<v Speaker 1>in the January nineteen fifty three issue of Motion Picture

0:14:14.120 --> 0:14:18.120
<v Speaker 1>and Television Magazine was called Wolves I Have Known and

0:14:18.240 --> 0:14:21.080
<v Speaker 1>was penned by Monroe. At the time, the young actress

0:14:21.080 --> 0:14:24.360
<v Speaker 1>was fast becoming a household name. In the article, Monroe

0:14:24.400 --> 0:14:27.080
<v Speaker 1>described the different types of men she had met in Hollywood,

0:14:27.440 --> 0:14:31.360
<v Speaker 1>men she called wolves. The article covered multiple examples of

0:14:31.400 --> 0:14:35.560
<v Speaker 1>harassment and proposition from unnamed men, the directors who cornered

0:14:35.560 --> 0:14:38.120
<v Speaker 1>her at parties, the producers who invited her to their

0:14:38.160 --> 0:14:41.640
<v Speaker 1>offices on a Saturday afternoon. Maryland was one of the

0:14:41.720 --> 0:14:45.040
<v Speaker 1>first um to call out the culture of sexual harassment.

0:14:45.160 --> 0:14:47.640
<v Speaker 1>She doesn't use that phrase, but um, but that's what

0:14:47.720 --> 0:14:51.160
<v Speaker 1>she's talking about. And to really um call attention to

0:14:51.200 --> 0:14:53.480
<v Speaker 1>the fact that it was indemic, that it was pervasive.

0:14:54.080 --> 0:14:57.040
<v Speaker 1>Her whole point was to say this happens over and

0:14:57.280 --> 0:15:01.120
<v Speaker 1>over and over. Monroe wrote, quote, there are many types

0:15:01.120 --> 0:15:05.000
<v Speaker 1>of wolves, summer sinister. Others are just good time Charlie's

0:15:05.040 --> 0:15:07.560
<v Speaker 1>trying to get something for nothing, and others make a

0:15:07.600 --> 0:15:10.520
<v Speaker 1>game of it, so she wasn't necessarily naming names, she

0:15:10.600 --> 0:15:13.600
<v Speaker 1>wasn't identifying a single individual, but that was the point.

0:15:13.680 --> 0:15:17.600
<v Speaker 1>She was talking about a culture in which women were unsafe,

0:15:17.600 --> 0:15:20.640
<v Speaker 1>in which women were treated as sexual objects, and she

0:15:20.720 --> 0:15:23.560
<v Speaker 1>was starting to speak out very early. The Hollywood that

0:15:23.600 --> 0:15:27.760
<v Speaker 1>Monroe was challenging was extremely powerful, but once Monroe had

0:15:27.760 --> 0:15:30.720
<v Speaker 1>star power, she used it to help other women in Hollywood,

0:15:31.040 --> 0:15:34.600
<v Speaker 1>and not just in her magazine story. Actress Joan Collins

0:15:34.640 --> 0:15:37.480
<v Speaker 1>remembers in a television interview how Monroe helped her when

0:15:37.520 --> 0:15:40.040
<v Speaker 1>she met her at a party and then she told me,

0:15:40.120 --> 0:15:42.840
<v Speaker 1>she said, watch out for the wolves in Hollywood, honey.

0:15:43.240 --> 0:15:45.400
<v Speaker 1>And I said, well, I've been in British films for

0:15:45.480 --> 0:15:47.960
<v Speaker 1>three years. I can handle wolves. And she said, well,

0:15:48.200 --> 0:15:51.800
<v Speaker 1>not the power busses, honey. And she said, if they

0:15:51.800 --> 0:15:54.360
<v Speaker 1>don't get what they want, they'll drop you here contract.

0:15:55.000 --> 0:15:57.280
<v Speaker 1>So clearly it was always there, It was always in

0:15:57.280 --> 0:15:59.680
<v Speaker 1>the air. There was no protection. Women had to look

0:15:59.720 --> 0:16:03.400
<v Speaker 1>out of themselves. In her unfinished autobiography, Monroe wrote of

0:16:03.440 --> 0:16:07.000
<v Speaker 1>the wolves, quote, Phoniness and failure were all over them.

0:16:07.320 --> 0:16:09.040
<v Speaker 1>But they were as near to the movies as you

0:16:09.080 --> 0:16:12.400
<v Speaker 1>could get, So you sat with them listening to their

0:16:12.440 --> 0:16:16.080
<v Speaker 1>lies and schemes, and you saw Hollywood with their eyes,

0:16:16.520 --> 0:16:20.680
<v Speaker 1>an overcrowded brothel, a merry go round with beds for horses.

0:16:21.760 --> 0:16:24.400
<v Speaker 1>The sad truth is that even Monroe could not avoid

0:16:24.400 --> 0:16:28.640
<v Speaker 1>the Hollywood merry go round forever. She once admitted, I've

0:16:28.640 --> 0:16:31.280
<v Speaker 1>slept with producers. I'd be a liar if I said

0:16:31.320 --> 0:16:37.680
<v Speaker 1>I didn't. For Monroe and many other actresses, it was

0:16:37.720 --> 0:16:40.920
<v Speaker 1>a constant struggle both to fend off the wolves and

0:16:41.000 --> 0:16:44.000
<v Speaker 1>to get them to take you seriously. What I'd like

0:16:44.120 --> 0:16:47.760
<v Speaker 1>to do, that is what I would like to accomplish.

0:16:47.800 --> 0:16:51.200
<v Speaker 1>I would like to be a good actress. Denied shelter

0:16:51.280 --> 0:16:54.760
<v Speaker 1>in respect in her career, Monroe sought them elsewhere. Twice.

0:16:54.760 --> 0:16:56.760
<v Speaker 1>She put her career on hold at the peak of

0:16:56.800 --> 0:17:00.120
<v Speaker 1>her startom to marry a prominent man, first based all

0:17:00.120 --> 0:17:04.800
<v Speaker 1>star Joe DiMaggio in and two years later renowned playwright

0:17:04.920 --> 0:17:10.480
<v Speaker 1>Arthur Miller. Marilyn married to symbolic men. But I think

0:17:10.480 --> 0:17:12.600
<v Speaker 1>that one of the one of the things that drew

0:17:12.640 --> 0:17:16.000
<v Speaker 1>her two men like this was the feeling she felt

0:17:16.080 --> 0:17:19.400
<v Speaker 1>great respect for them for their achievements, and the feeling

0:17:19.600 --> 0:17:23.840
<v Speaker 1>unconsciously perhaps that that sense of respect might get transferred

0:17:23.840 --> 0:17:28.040
<v Speaker 1>to her. Unfortunately for Monroe, it didn't, and Monroe often

0:17:28.080 --> 0:17:32.359
<v Speaker 1>struggled to find satisfaction or happiness. Uh do I feel

0:17:32.400 --> 0:17:41.919
<v Speaker 1>happy in life? Um? Um, let's see. Let's say I

0:17:42.000 --> 0:17:50.560
<v Speaker 1>hope I'm finding happiness right. Well for me, if I

0:17:50.560 --> 0:17:55.959
<v Speaker 1>can realize certain things in my work, I come the

0:17:56.000 --> 0:18:01.560
<v Speaker 1>closest to being happy. Monroe constantly saw satisfaction in her career,

0:18:01.840 --> 0:18:04.840
<v Speaker 1>and she gave up a lot just to have one up. Next,

0:18:04.960 --> 0:18:07.119
<v Speaker 1>we find out just how far Monroe was willing to

0:18:07.160 --> 0:18:09.480
<v Speaker 1>go to launch her career, and we go back to

0:18:09.520 --> 0:18:13.359
<v Speaker 1>the moment when Norma Jean transformed into Marilyn Monroe. Without

0:18:13.359 --> 0:18:15.920
<v Speaker 1>this period in her life, when she fought for her freedom,

0:18:16.240 --> 0:18:36.600
<v Speaker 1>the world would never have had its biggest star. Maril

0:18:36.720 --> 0:18:39.520
<v Speaker 1>Monroe was born Norma Jean Mortenson in Los Angeles in

0:18:39.640 --> 0:18:44.720
<v Speaker 1>n Her troubles began early on her mother, Gladys, struggled

0:18:44.720 --> 0:18:47.439
<v Speaker 1>to care for her young daughter. She was diagnosed as

0:18:47.440 --> 0:18:50.680
<v Speaker 1>schizophrenic when Marilyn was a young girl, and Marilyn never

0:18:50.760 --> 0:18:53.239
<v Speaker 1>knew who her father was, and the result of that

0:18:53.359 --> 0:18:56.240
<v Speaker 1>was that she became a ward of the state of

0:18:56.280 --> 0:19:00.159
<v Speaker 1>California and throughout the nineteen thirties. One, of course, it

0:19:00.200 --> 0:19:03.320
<v Speaker 1>was the Great Depression. Maryland was sent to a number

0:19:03.320 --> 0:19:06.400
<v Speaker 1>of foster homes and UM and she was at one

0:19:06.440 --> 0:19:09.119
<v Speaker 1>point also sent to an orphanage, which she found a

0:19:09.240 --> 0:19:12.040
<v Speaker 1>very traumatic experience because she knew that her mother was

0:19:12.080 --> 0:19:14.720
<v Speaker 1>alive and um she wasn't an orphan, but she was

0:19:14.800 --> 0:19:20.320
<v Speaker 1>being treated as one, and things only got worse. Monroe

0:19:20.320 --> 0:19:22.440
<v Speaker 1>would later claim that she had been molested more than

0:19:22.520 --> 0:19:25.040
<v Speaker 1>once in the foster home she stayed in as a child.

0:19:25.359 --> 0:19:27.320
<v Speaker 1>She said that she was living in a boarding house

0:19:27.400 --> 0:19:30.080
<v Speaker 1>at one point in her childhood and that a man

0:19:30.240 --> 0:19:35.359
<v Speaker 1>she called Mr. Kimmel Um offered her some money. He

0:19:35.400 --> 0:19:37.840
<v Speaker 1>was asking her for some kind of sexual favor. As

0:19:37.840 --> 0:19:41.320
<v Speaker 1>a child, Monroe told her foster mother what had happened.

0:19:41.800 --> 0:19:44.040
<v Speaker 1>She slapped her and told her not to say such

0:19:44.119 --> 0:19:47.160
<v Speaker 1>things about such a nice man. People didn't believe her,

0:19:47.600 --> 0:19:52.520
<v Speaker 1>and then this was was only compounded by her later biographers,

0:19:52.680 --> 0:19:57.040
<v Speaker 1>who mostly also didn't believe her. Of course, now we're

0:19:57.119 --> 0:20:01.120
<v Speaker 1>all too aware of how frequently women historically have been

0:20:01.160 --> 0:20:04.560
<v Speaker 1>disbelieved when they came forward with stories about sexual assault,

0:20:05.040 --> 0:20:09.359
<v Speaker 1>um or molestation. Monroe's life grew even harder when she

0:20:09.400 --> 0:20:12.960
<v Speaker 1>faced a difficult choice as a teenager, the orphanage or

0:20:12.960 --> 0:20:16.560
<v Speaker 1>an arranged marriage. Her foster family announced that they were

0:20:16.600 --> 0:20:20.000
<v Speaker 1>moving to West Virginia, and basically that she wasn't moving

0:20:20.000 --> 0:20:24.000
<v Speaker 1>with them. She and her husband were going to West

0:20:24.119 --> 0:20:26.560
<v Speaker 1>Virginia and they were going to put me in a

0:20:27.040 --> 0:20:32.119
<v Speaker 1>home or you know, like I've been before, or I

0:20:32.160 --> 0:20:38.159
<v Speaker 1>could marry this boy who was twenty one. So I'm married.

0:20:40.200 --> 0:20:43.359
<v Speaker 1>That twenty one year old was a neighbor named Jim Doherty.

0:20:43.480 --> 0:20:45.880
<v Speaker 1>In the span of just a few months, Monroe went

0:20:45.920 --> 0:20:49.159
<v Speaker 1>from being a fun loving teenager to a devoted housewife.

0:20:49.560 --> 0:20:51.560
<v Speaker 1>She even dropped out of high school to focus on

0:20:51.600 --> 0:20:54.440
<v Speaker 1>her marriage, a decision she would regret for the rest

0:20:54.480 --> 0:20:57.000
<v Speaker 1>of her life. They didn't know each other, they weren't

0:20:57.000 --> 0:21:00.240
<v Speaker 1>in love. Um. Jim Doherty, by all accounts, was a

0:21:00.320 --> 0:21:04.760
<v Speaker 1>perfectly um, a nice decent man um. But you know,

0:21:04.840 --> 0:21:07.200
<v Speaker 1>this was not a marriage that was going to last.

0:21:07.280 --> 0:21:09.399
<v Speaker 1>You know, it was again, it was two. So he

0:21:09.440 --> 0:21:11.639
<v Speaker 1>expected her to stay home and you know, cook his

0:21:11.680 --> 0:21:15.879
<v Speaker 1>dinners and um, you know in mendes socks. Doherty enlisted

0:21:15.880 --> 0:21:18.639
<v Speaker 1>in the Merchant Marine when America entered the war. He

0:21:18.760 --> 0:21:21.879
<v Speaker 1>was overseas for months at a time. Monroe started her

0:21:21.920 --> 0:21:25.119
<v Speaker 1>job at the parachute factory, then became a model. She

0:21:25.240 --> 0:21:27.880
<v Speaker 1>enjoyed being a working woman and being a model mint.

0:21:27.880 --> 0:21:34.000
<v Speaker 1>She was one step closer to her real dream, and

0:21:34.040 --> 0:21:36.879
<v Speaker 1>then Monroe had to make another hard decision. She had

0:21:36.920 --> 0:21:39.760
<v Speaker 1>signed with a modeling agency run by a professional agent.

0:21:40.480 --> 0:21:43.840
<v Speaker 1>That agent was frank with her young client. Hollywood was

0:21:43.840 --> 0:21:47.520
<v Speaker 1>not interested in married starletts. No studio wanted to invest

0:21:47.560 --> 0:21:50.719
<v Speaker 1>in a woman who could get pregnant and leave her

0:21:50.760 --> 0:21:53.080
<v Speaker 1>husband wanted to start a family when the war was over.

0:21:53.600 --> 0:21:57.760
<v Speaker 1>He didn't understand Monroe's dream. Hollywood is full of beautiful girls,

0:21:57.800 --> 0:22:00.280
<v Speaker 1>he informed her, what makes you think you're any better

0:22:00.320 --> 0:22:04.560
<v Speaker 1>than them. Monroe was just nineteen years old, confronted with

0:22:04.560 --> 0:22:07.159
<v Speaker 1>the realization that she could not have a career and

0:22:07.400 --> 0:22:12.200
<v Speaker 1>a husband, so she chose a career. Maryland clearly felt

0:22:12.280 --> 0:22:14.479
<v Speaker 1>that it would be easier for her to pursue her

0:22:14.520 --> 0:22:19.360
<v Speaker 1>modeling and acting career if she were single. In May

0:22:19.480 --> 0:22:23.040
<v Speaker 1>and Row packed her bags. Maryland went to Las Vegas,

0:22:23.080 --> 0:22:27.280
<v Speaker 1>where they had in the nineteen thirties. They had loosened

0:22:27.680 --> 0:22:30.199
<v Speaker 1>the divorce laws and if you were a resident in

0:22:30.600 --> 0:22:33.359
<v Speaker 1>Nevada for six weeks you could get a divorce, which

0:22:33.400 --> 0:22:35.919
<v Speaker 1>was much more difficult to get anywhere else in the country.

0:22:36.119 --> 0:22:39.040
<v Speaker 1>Doherty was blindsided. In an interview before his death in

0:22:39.080 --> 0:22:41.760
<v Speaker 1>two thousand five, he recalled the moment he found out

0:22:41.840 --> 0:22:45.320
<v Speaker 1>his wife was in Vegas. One day, I was sitting

0:22:45.320 --> 0:22:47.679
<v Speaker 1>in the Yanksty River waiting to go into Shanga. I

0:22:47.680 --> 0:22:50.080
<v Speaker 1>had a mail come aboard, and there's a dear job

0:22:51.359 --> 0:22:54.560
<v Speaker 1>and it was set by her attorney from Las Vegas,

0:22:55.200 --> 0:22:58.960
<v Speaker 1>and she wanted a divorce. Monroe made plans to stay

0:22:58.960 --> 0:23:01.159
<v Speaker 1>with the aunt of one of her former foster mothers

0:23:01.160 --> 0:23:03.560
<v Speaker 1>in Las Vegas. She was not too thrilled to put

0:23:03.600 --> 0:23:05.960
<v Speaker 1>her modeling career on hold to spend a hot summer

0:23:05.960 --> 0:23:09.480
<v Speaker 1>in Nevada, but she knew it was necessary. Six weeks later,

0:23:09.600 --> 0:23:12.840
<v Speaker 1>on j Monroe sped away from Las Vegas in her

0:23:12.840 --> 0:23:16.040
<v Speaker 1>Ford coupe to Los Angeles. She was a free woman

0:23:16.359 --> 0:23:19.760
<v Speaker 1>in more ways than one. A week after she returned

0:23:19.760 --> 0:23:22.679
<v Speaker 1>from Vegas, Monroe landed a meeting with Ben lyon, the

0:23:22.720 --> 0:23:26.440
<v Speaker 1>head of talent at twentieth Century Fox. The impressed executive

0:23:26.440 --> 0:23:28.919
<v Speaker 1>scheduled a screen test for her, and they agreed that

0:23:28.960 --> 0:23:32.160
<v Speaker 1>the young Norma Jean needed a new name. That night,

0:23:32.520 --> 0:23:35.199
<v Speaker 1>the newly christened Marilyn Monroe stood in front of a

0:23:35.240 --> 0:23:38.199
<v Speaker 1>mirror at home. She picked up some red lipstick and

0:23:38.240 --> 0:23:41.600
<v Speaker 1>wrote a seven word manifesto on the mirror. It read,

0:23:42.440 --> 0:23:49.480
<v Speaker 1>this is the end of Norma Jean. We are now

0:23:49.560 --> 0:23:52.320
<v Speaker 1>halfway through the second season of The Thread. In the

0:23:52.359 --> 0:23:54.800
<v Speaker 1>first three episodes, we traced a path through history that

0:23:54.840 --> 0:23:59.560
<v Speaker 1>connects the lives and careers of three American icons, Gloria Steinen,

0:24:00.000 --> 0:24:05.080
<v Speaker 1>You Heffner, and Marilyn Monroe. To recap Merril, Monroe poses

0:24:05.119 --> 0:24:07.560
<v Speaker 1>for her one and only nude photography session as a

0:24:07.600 --> 0:24:10.280
<v Speaker 1>young model in nineteen forty nine in order to pay

0:24:10.320 --> 0:24:14.320
<v Speaker 1>the bills. Four years later, a bowl Chicago entrepreneur named

0:24:14.400 --> 0:24:17.280
<v Speaker 1>Hugh Hefner gets his hands on one of those photos,

0:24:17.600 --> 0:24:21.440
<v Speaker 1>turning Monroe, now a Hollywood star, into the first centerfold

0:24:21.440 --> 0:24:25.480
<v Speaker 1>for his new Playboy magazine. That magazine, thanks to Monroe's

0:24:25.520 --> 0:24:29.600
<v Speaker 1>star power, becomes a hit. It spawns an entire Playboy empire,

0:24:29.920 --> 0:24:34.120
<v Speaker 1>including a series of Playboy clubs. An aspiring journalist named

0:24:34.160 --> 0:24:36.720
<v Speaker 1>Gloria Steinem walks through the doors of one of those

0:24:36.720 --> 0:24:40.120
<v Speaker 1>clubs in New York. Ten years later. Her experience there

0:24:40.119 --> 0:24:42.600
<v Speaker 1>will lead her to write a stunning expose of Playboy

0:24:42.760 --> 0:24:45.960
<v Speaker 1>and kick start her own career as an activist and feminist.

0:24:47.000 --> 0:24:50.800
<v Speaker 1>Next episode, Our Thread continues not with a person, but

0:24:50.880 --> 0:24:53.520
<v Speaker 1>with a place, the place where Monroe came for the

0:24:53.600 --> 0:24:57.120
<v Speaker 1>quickie divorce that launched her career. Monroe was far from

0:24:57.119 --> 0:24:59.280
<v Speaker 1>the only woman who came to Nevada to seek a

0:24:59.320 --> 0:25:02.919
<v Speaker 1>newly san life. During the nineteen thirties and forties, the

0:25:02.960 --> 0:25:08.440
<v Speaker 1>state became a wild West of marriage, divorce, gambling, and reinvention.

0:25:10.440 --> 0:25:20.719
<v Speaker 1>You know, I know how friendly you are so far.

0:25:20.760 --> 0:25:28.159
<v Speaker 1>I'm not going too far being nice and make me

0:25:28.240 --> 0:25:37.640
<v Speaker 1>a star being nice, and make me a start being

0:25:37.800 --> 0:25:48.000
<v Speaker 1>nice and make me up. Stop the Threat is produced

0:25:48.000 --> 0:25:51.840
<v Speaker 1>by Libby Coleman and me Sean braswell. Chris Hoff engineered

0:25:51.840 --> 0:25:55.520
<v Speaker 1>Our Show special thanks to Cindy Carpian, Tracy Moran, and

0:25:55.640 --> 0:25:59.600
<v Speaker 1>James Watkins. This episode features the song Prayer and the

0:25:59.640 --> 0:26:03.200
<v Speaker 1>Bad in every Man, performed by Elvi Yost. To learn

0:26:03.200 --> 0:26:05.960
<v Speaker 1>more about the Thread, visit Ausi dot com, Slash the

0:26:06.040 --> 0:26:09.080
<v Speaker 1>Thread all one word, and make sure to subscribe to

0:26:09.080 --> 0:26:12.200
<v Speaker 1>the Thread on Apple Podcasts. Check us out at Aussie

0:26:12.280 --> 0:26:15.600
<v Speaker 1>dot com or on Twitter and Facebook. If you love surprising,

0:26:15.600 --> 0:26:19.000
<v Speaker 1>engaging stories from history. Look no further than the flashback

0:26:19.080 --> 0:26:22.480
<v Speaker 1>section of ausi dot com. That's o z y dot

0:26:22.520 --> 0:26:31.359
<v Speaker 1>com with gable wind, that rehearsing while