Speaker 1: Look man, oh I see you? Why and look over there?
Speaker 1: How is that culture? Yes? Goodness culture? And listen to
Speaker 1: this sound. Oh my god, that's a little bottle of
Speaker 1: ove for your nerves. Move to move the spirits of
Speaker 1: a nation as we absolutely get together today bow for
Speaker 1: what is the three episode of Lost Culture? Can you
Speaker 1: even raise your glass? If you are wrong hitting all
Speaker 1: the runaways? More on that one later. I mean, we
Speaker 1: started with that song pretty recently in an episode raise
Speaker 1: your Glass Bay Pink. Well, not to sort of get
Speaker 1: ahead of ourselves because it was the Jared episode I
Speaker 1: believe it was, and I sort of get ahead of ourselves.
Speaker 1: But the reason why it were so easy to sort
Speaker 1: of quote unquote, as you said, start with raise your
Speaker 1: Glass in that episode is because it's at the forefront
Speaker 1: of the culture. Absolutely, and that is what this series
Speaker 1: of episodes is about. Say that, say that keeps saying that. Well,
Speaker 1: if you don't know, um, we've been sort of building
Speaker 1: up to it for a while now, for a couple
Speaker 1: of months at least. We are presenting you, the readers,
Speaker 1: the publicists, with the three hundred songs of the Great
Speaker 1: Global Songbook. What does that mean? What does it mean
Speaker 1: to be on this book being the great global songbook.
Speaker 1: It means that when you were released, whether that was
Speaker 1: by streaming or even on a record years ago, you
Speaker 1: had international impact instantly. This is the great global song book.
Speaker 1: This is not the national song now. Lost culture has
Speaker 1: no national pride. It's actually a world culture. Number sixteen
Speaker 1: has no national pride. Nationalism will destroy us all and
Speaker 1: it's destroying us currently now. But speaking sort of about
Speaker 1: the world, um, one of the most important things in
Speaker 1: the world is music. I think you can agree. Cheers
Speaker 1: to that, cheers to that, and absolutely, let's just say
Speaker 1: that the whole community, the whole Lost Coach expanded community
Speaker 1: is here. We have you know, Hans, we have Anna,
Speaker 1: we have Doug, and you know it's just family tonight.
Speaker 1: We've been hearing the calls. Everyone's saying, we want lost culture.
Speaker 1: Do culture catch up? Yes, we hear you will. Do
Speaker 1: you want even better? Do you three hundred? Will do
Speaker 1: you three d even better? Culture? Catch up? How about
Speaker 1: how about for all time? For all how about from
Speaker 1: music of all time? How about you wanted Lost Coach
Speaker 1: to sort of get together in the room, look each
Speaker 1: other dead in the eyes, and talk culture. You're gonna
Speaker 1: get fucked in your asks. You're gonna get sucked in
Speaker 1: your ass. Let me just say it's vibes, and the
Speaker 1: vibe is different that we we we we say this
Speaker 1: every time we meet back up again in person. It's
Speaker 1: just not the same over zoom. It's just not the
Speaker 1: same over zoom. And one of the one of the
Speaker 1: great things about this is that not only can Bone
Speaker 1: and I be together, but like we said, we have
Speaker 1: the lost Coach expanded family here and they're all gonna
Speaker 1: be making cameos today, which they don't even know, but
Speaker 1: they're all going to come in and they're all gonna
Speaker 1: tell us at some point, not right now, because I
Speaker 1: saw you get up, Doug, and I didn't say now.
Speaker 1: He went to go grab a coffee. He made a pot. Well,
Speaker 1: don't come in yet, because I didn't say you didn't
Speaker 1: say either, right, I did not make a peep. So
Speaker 1: he was not invited. He's not invited in. So later
Speaker 1: when he's invited and he can come in and he
Speaker 1: can sort of say what lost culture he thinks has
Speaker 1: done for him his career, Uh, you know, and really
Speaker 1: the international community at large. Absolutely, I I think we
Speaker 1: should waste no time. Well, and before we sort of
Speaker 1: get into it, there is a twist. There's a twist,
Speaker 1: there's a lot, there's a classic Lost Cultures twist. Um
Speaker 1: with this episode, not only are you presenting the Great
Speaker 1: Global Songbook, the songbook is a list, and the list
Speaker 1: is a countdown. It's a countdown. There is a number
Speaker 1: one song of all time we're in the world, and
Speaker 1: there is a number three trid song in the world,
Speaker 1: and it will be We have meticulously gone through this
Speaker 1: list and it's an honor to be on the list.
Speaker 1: It's an honor to be on the list. There is
Speaker 1: no such thing as being on the list and being
Speaker 1: a failure of a of a piece of culture, of
Speaker 1: a song. You are in the Great Global Song But
Speaker 1: this is some celebrated, celebrated this is people will be
Speaker 1: singing this for generations to come. The children will be
Speaker 1: singing the songs at graduations, weddings, funerals, children will be
Speaker 1: singing the songs at weddings, at funerals. You know, here's
Speaker 1: the thing, too, um, When when you when you get
Speaker 1: when you If you are an artist on the list
Speaker 1: and you want to reach out to us, please do
Speaker 1: it through channels. Please do it through proper channels. Do
Speaker 1: it through proper channels because the d M, you know,
Speaker 1: it's so overwhelmed, so overwhelming for us. Oh my god,
Speaker 1: you gotta go through your requests. So let's just say,
Speaker 1: like I'm going through the list right now, Donna Summer,
Speaker 1: if you're out there, you have some songs on the
Speaker 1: go through channels, through channels, whatever that means. Yeah, whatever
Speaker 1: that means to you, And I think we should start. Um,
Speaker 1: you know, right before we we hit play bowen um
Speaker 1: what he said something to us. He said, I'm just
Speaker 1: reading the quote he came into this room earlier and said,
Speaker 1: the flow can dictate the feel, the flow can dictate
Speaker 1: the field. That's one of the hottest things he's ever said.
Speaker 1: It really was sort of jarring, and I think in
Speaker 1: the moment I sort of like responded in like a
Speaker 1: nagging way because I think I was scared and how
Speaker 1: aroused I was. When you when you have fear over
Speaker 1: the arousal, when it feels forbidden, When it feels forbidden,
Speaker 1: that can be some of the hottest moments in your life.
Speaker 1: That's actually really coaching number fifty. When it feels forbidden,
Speaker 1: that can actually some of the hottest moments in your life.
Speaker 1: You know, what does that mean to you? The flow
Speaker 1: can dictate the field. I think what he was trying
Speaker 1: to say was that, you know, we don't have to
Speaker 1: feel like we're spending too much time or not enough
Speaker 1: time on and he saw in the flow can dictate
Speaker 1: the field. You know, we're gonna be sitting here for
Speaker 1: six hours. That's another thing. We're gonna be here all day.
Speaker 1: And maybe we're even gonna have some surprise guests. Maybe
Speaker 1: some surprise guests, maybe not too many, maybe not too few,
Speaker 1: maybe not, maybe none. We'll see. We really created a playground,
Speaker 1: a sandbox for different people to come through. We lay
Speaker 1: and build castles. Yes, so, because that's what happens in
Speaker 1: a sandbox. Really, you get into it and you build
Speaker 1: a castle. And so I think that all we're really
Speaker 1: trying to do with this is build a castle. That
Speaker 1: is the three well, I think, and I'm being completely honest.
Speaker 1: I looked through this list this morning. We've built a monument.
Speaker 1: This will stand the test of cultural time. This is
Speaker 1: a cannon list. This is cannon. This is like the
Speaker 1: top two moments of culture. This is canon. I feel
Speaker 1: like this list by self is its own moment in
Speaker 1: culture history may have to make a new list. Well,
Speaker 1: what do you say? I say, let's begin, because guess
Speaker 1: what to quote a famous person? My ass been on pause? Yeah,
Speaker 1: but I'm about to I'm about to press play, and
Speaker 1: let's press play. What do you say? Um? Play that podcast?
Speaker 1: Being a visual medium, I just totally mind hitting play
Speaker 1: a button. But the wait, everyone listen. Okay, with that,
Speaker 1: we have number three. Someone to watch over me. Ella Fitzgerald,
Speaker 1: one of the most incredible communicators of story and music
Speaker 1: of all times. Absolutely longing um the first time, you know,
Speaker 1: one of the only times the word monogram is used
Speaker 1: in a song, one of Gershwan's finest best songs, effortlessly
Speaker 1: performed by whose vibrato is singular. You know, she just
Speaker 1: and and just the last notes of the song You'll
Speaker 1: never forget, oh me, that was sort of my Ella,
Speaker 1: I was that was beautiful, So she congratulations Ella, that
Speaker 1: you ain't You've just eked the three hundred spots you
Speaker 1: made the list Number two hundred blurredlines Glee cast version cast.
Speaker 1: I mean this was this elevated the material. This elevated
Speaker 1: the material because the material, the source material is you know,
Speaker 1: a little a little dubious. Let's just say it's a
Speaker 1: little thick. It's a little thick. It's so to speak,
Speaker 1: so to speak, and so does be spoken, so to
Speaker 1: be spoken. But to have the artists of their generation,
Speaker 1: the Glee cast be able to make it palatable, presentable,
Speaker 1: appropriate for a Fox network for kids. Yeah, kids, kids,
Speaker 1: Now we're singing a out the blurred lines. You know
Speaker 1: what I means. We're singing it. It's not and it's
Speaker 1: not kids, Bob, No, no, no, no, it's it's it's
Speaker 1: gleek half. It's adult doing kids teens, four kids. That's
Speaker 1: not kids, Bob. It's very different. You're passing down something
Speaker 1: through intergenerational access. Absolutely, and I think that blurred lines
Speaker 1: isn't important if you just read the lyrics sometimes on
Speaker 1: some of these songs, if you really want to just
Speaker 1: internalize the song, just read the lyrics and then be
Speaker 1: like understand the kids, of course should hear this absolutely
Speaker 1: palatable number. Venus, Lady Gaga, I mean transport me. Why
Speaker 1: don't you why don't show another galaxy or or or
Speaker 1: or our own solar system? Well to up for debate,
Speaker 1: up for debate, you you what you might say, Venus
Speaker 1: is not in this galaxy. We don't share a galaxy
Speaker 1: with Venus. Well, honey, you I'll tell you what song
Speaker 1: is in my heart, Venus Venus. Do you remember years
Speaker 1: ago me, you and David went to karaoke in Williamsburg. Yes,
Speaker 1: we did. But do you remember the time we performed
Speaker 1: Venus at the People's Impromm. Yes? Oh, we had different memories.
Speaker 1: See the fact that we have different indelible memories of Venus,
Speaker 1: because I remember the time you and I did it
Speaker 1: a karaoke and Willingsburg with Michael Hartney sitting in the
Speaker 1: corner hearing this song for the first time, going what
Speaker 1: the hell is this? And were we not the purveyors
Speaker 1: of joy in that moment? Girl? We were? We were
Speaker 1: like you know, importing. You know when you when you
Speaker 1: meet a white lady in Los Angeles who sells artisanal
Speaker 1: vinegar or whatever our vinegar was. Venus. We were the
Speaker 1: people who were like, let me show you this beautiful
Speaker 1: product before we move on. Favorite planet Neptune. I'm gonna
Speaker 1: say Jupita, but I also have a spot for Mercury Mars.
Speaker 1: Okay number two. I I will always love you with Houston.
Speaker 1: Would you say this is a low placement for this
Speaker 1: song that is considered by many to be one of
Speaker 1: the greatest of all time. I think people will be
Speaker 1: surprised by its placement, but I do not think it
Speaker 1: is a low placement because it is where it is
Speaker 1: in the list, and that means that's where it's falling
Speaker 1: in the cannons. Where's the surprise coming from, then, Mama,
Speaker 1: I guess people would people I think have really built
Speaker 1: this song up. And let's just say it should be
Speaker 1: built up. It's on the list. And when Dolly parton,
Speaker 1: God created, God created and God, I think God was
Speaker 1: really speaking through Dolly when he when she wrote this,
Speaker 1: Dolly was channeling, was channeling the muse a God. Yeah,
Speaker 1: God is the mused. That's actually a look out number.
Speaker 1: God is first of all. And I think that I
Speaker 1: think we can all agree that when Whitney Houston sang
Speaker 1: the song, it really it got more famous. I would
Speaker 1: say so, but there are two nine songs that are
Speaker 1: better than this according to this songbook can Tonically, we
Speaker 1: should also say this was not up to us. This
Speaker 1: was not up to know. We did not decide where
Speaker 1: things landed. Um, I'm sorry, can I ask I think
Speaker 1: you might have more visibility into this process. Was it
Speaker 1: was that the committee was, was Megan involved? I think that, um,
Speaker 1: there was a blue ribbon panel of Megan McCain and
Speaker 1: Abbey Huntsman and ribbon panel an even number of people
Speaker 1: in case in case, they were just assuming that they
Speaker 1: would be no ties and they would be in unanimous agreement,
Speaker 1: and unanimous being two people mutual agreement exactly because usually
Speaker 1: what happens is Megan sort of says, we're doing this,
Speaker 1: and Abbey sort of says, maybe not, and then Megan says,
Speaker 1: and then they do that thing. So, um, that's sort
Speaker 1: of the way that list was decided, and we mere
Speaker 1: we merely received the list. And with all that in mind,
Speaker 1: just know that I will always love you. Does Land
Speaker 1: of Two. That was an amazing essence of Megan McCain, Like,
Speaker 1: but you don't have to say, you know, you know,
Speaker 1: what would you say? My essence, like in um in
Speaker 1: a sound is no, no, you can't use any words.
Speaker 1: I can do you first because I was gonna go
Speaker 1: for you. I was gonna go yeah. And I feel
Speaker 1: that that's so I have them more. It's more a
Speaker 1: little bit more like Rougher and yours is more analytical.
Speaker 1: It's more m but sometimes people love the rougher and
Speaker 1: with and and and with. That's in that spirit. Let's
Speaker 1: get number two D. I'm gonna get you a good
Speaker 1: green version. This is the country version. I'm gonna get
Speaker 1: your good the green version. What makes it green? Is
Speaker 1: there a synesthesia? They're like, I'm pleased that you asked?
Speaker 1: So she she has two versions of the song, and
Speaker 1: I guess we'll see if the other version made it off.
Speaker 1: But this is a green version, so green version being
Speaker 1: country version. She released two versions of her album Up.
Speaker 1: One was more country and almost more top because she
Speaker 1: was to one of the original crossover women. Absolutely greenest
Speaker 1: country because the hills and I see it. Yeah, so
Speaker 1: you can imagine the nature. Of course, country music is
Speaker 1: very much made in nature outside. I didn't know that.
Speaker 1: Oh yeah, yeah, yeah, yes, so they before they record
Speaker 1: outside that well yeah, so so with country music, it
Speaker 1: it's more about you know, hey, barley forces, fields, all
Speaker 1: things that happen outside. So you have to sort of
Speaker 1: be outside in order to sing correctly country. You know
Speaker 1: what I mean, totally understand. For example, the song um
Speaker 1: this Kiss, This Kiss was performed outside and when you
Speaker 1: sing it inside try it's though, it doesn't sound right,
Speaker 1: it's though I am I mean, I wasn't nenunciating. I
Speaker 1: don't know what. I don't know what's going on. It
Speaker 1: didn't fit well. It's because you were inside. That's really
Speaker 1: what it was. That's really what it was. Let's most
Speaker 1: move on two. I'm gonna get you a good Red
Speaker 1: version Chia Twain more pop and Red is pop could
Speaker 1: happen inside when you want to give this one a shot.
Speaker 1: I don't know. I'm not familiar with the song. I'm
Speaker 1: not you don't know. I'm gonna get you good. I'm
Speaker 1: gonna get you some matter of it. We'll see. That's perfect.
Speaker 1: We're inside and that's Red version. It was really resonant.
Speaker 1: There was resident Red. You can bet your bottom dollar
Speaker 1: and I'm you gonna be man just like I should.
Speaker 1: I'll get you a good Oh my god, Red version,
Speaker 1: Pokemon Found Dead, Pokemon Hilt Kilt, Red version, Green version,
Speaker 1: more like Shanya Shanya Red version, Green version, We're like
Speaker 1: fuck off. The number two on the list Italiano Kate Hudson.
Speaker 1: The only time I've ever felt represented on screen is
Speaker 1: Kate Hudson in the film nine person with long legs
Speaker 1: singing about singing about Italian movies. Yes, so she The
Speaker 1: thing about Kate Hudson and nine is she really wants
Speaker 1: to live in an Italian movie, you know what I mean?
Speaker 1: And she's she wants to go down the Yea minetto
Speaker 1: and you know, like and you know she's just so
Speaker 1: horned up for Italian cinema. Have you not been to Italy?
Speaker 1: I have not been to Italy, So I guess you
Speaker 1: could say I'm just as horny as she is for Italy.
Speaker 1: And I don't think you need to go to I
Speaker 1: have only been to Rome. I have not been to
Speaker 1: the nice parts of Italy, and not that Romans in
Speaker 1: a nice part. Butt Rome feels very touristy and not
Speaker 1: quite as um. You don't get that Chinny my Italiano field, No, no, no.
Speaker 1: If you want to do Chinny my Italiana to Venice, Venice,
Speaker 1: what I meant, you gonna go Como exactly, gotta go
Speaker 1: to Tera. Yeah. And you know the thing about Rome is,
Speaker 1: you know, I'm sure the bathroom facilities aren't updated. Oh,
Speaker 1: it's giving Colosseum, it's giving, it's giving the Forum, it's
Speaker 1: giving the Forum and I'll tell you something about Rome.
Speaker 1: There's death everywhere you look around the Colosseum. People were
Speaker 1: people were dying. People were dying everywhere. And if that's
Speaker 1: what you want to think about on your vacation, you
Speaker 1: have to go to therapy. To go to therapy for
Speaker 1: that one. I have a good therapist for you, Deborah, Deborah,
Speaker 1: let's move on alright. So this is number Thunder by
Speaker 1: Jesse j. One of the craziest vocals on any song
Speaker 1: ever recorded. Oh it sounds like that that, it sounds
Speaker 1: just like that. And talk about the reasons why this
Speaker 1: was released in the UK before years before it was
Speaker 1: ever released in the US. It's really shocking to know
Speaker 1: this wasn't a hit song because it is so incredible
Speaker 1: and amazing. And something that about Jesse J is like
Speaker 1: Nicole Scherzing Or She's really only very famous in England,
Speaker 1: which is really more acceptable for Jesse because she is English.
Speaker 1: Nicole is sort of extremely American, but somehow can only
Speaker 1: really register in the UK. Changing now here for Nicole.
Speaker 1: I mean I recently saw Nicole do an intimate performance
Speaker 1: and she was singing like she was Kate Hudson. What
Speaker 1: does that mean? Very well, very well, yeah, extremely well. Yes,
Speaker 1: I love the black and white. I love the play
Speaker 1: of light, the way Contini puts his image through a prism.
Speaker 1: We're on a different song, I know. But that's the
Speaker 1: power of some songs on the But what a shame
Speaker 1: for Jesse j that she sort of got overshadowed by Kate. No, no, no, well,
Speaker 1: well they're technically in the placement. Jesse is overshadowing Kate.
Speaker 1: But we we must. I think we might have to
Speaker 1: revisit this throughout this list. Named Italiana was a better
Speaker 1: song than I Will Always Love You by Whitney Houston. Sorry,
Speaker 1: and that wasn't up to as that was up that
Speaker 1: wasn't up to out of the Blue Ribbon panel. And also,
Speaker 1: let's just say it, God created. Let's move on State
Speaker 1: of Grace Scooter's version Taylor Swift. You know, there are
Speaker 1: those subtle differences that you notice anytime an artist rerecords
Speaker 1: one of their classic songs, and Taylor Swift is of
Speaker 1: course doing this in her project to re record her
Speaker 1: albums to own her masters. Every now and then you
Speaker 1: listen to a song and go, I liked the original better.
Speaker 1: I liked it when they didn't think of They didn't
Speaker 1: have to think about what we might have to re
Speaker 1: record this in the future. And there are multiple songs
Speaker 1: on Red Taylor's version that I think we're maybe glossed over,
Speaker 1: and State of Grace as the opening track of that
Speaker 1: epic album, genre expansive, genre bending album, crossover smash hit.
Speaker 1: It's it's interesting to listen to Taylor's version of State
Speaker 1: of Grace and go I think I like Scooter's version.
Speaker 1: You listen to the song and you say, now, where's
Speaker 1: the girl? I knew, Now where's the girl? I knew
Speaker 1: because I'm not hearing her. Because I'm not hearing her,
Speaker 1: let me find her. I'm not feeling enough of the
Speaker 1: color red and red is pop as we've as we've
Speaker 1: learned from Jania Twain, red means pop, Red means pop,
Speaker 1: and that there was something about in a post folk
Speaker 1: folklore evermore world. I hope that Taylor re visits the
Speaker 1: pop the truth you spoke just now. I hope she
Speaker 1: hears it. You know, I would say this to her face.
Speaker 1: I really would. I would watch, you would watch you
Speaker 1: like to watch. Let's move on. This is a TI
Speaker 1: The tie is sugar, We're going down fall Out boy
Speaker 1: and stands sort of like, you know, two two energies
Speaker 1: that were so undeniable that we could not as a
Speaker 1: as a lost culture community decide which one would go
Speaker 1: above and beyond below the other one. So this is
Speaker 1: the only tie on the Great, great Great on the
Speaker 1: Great Global Song but the Great Global Song Book. I mean,
Speaker 1: you're you know, it's a little bit of a spoiler.
Speaker 1: There are no other ties, and the rest of the
Speaker 1: list I'm comfortable spoiling. I'm coomfortable spoiling that too. We
Speaker 1: as a community, and again, it wasn't up to us,
Speaker 1: it's except the community this we could not decide which
Speaker 1: one was above or below the other. We do know
Speaker 1: that both are above I will Always love You. Both
Speaker 1: are above I Will Always Love You, which is great,
Speaker 1: and they and everyone did an amazing job on it,
Speaker 1: including Whitney. Well it's her version that's on the list.
Speaker 1: I mean, I Will Always Love You by Dolly Partons.
Speaker 1: It's not on the list, and so therefore sort of
Speaker 1: doesn't really matter. So in the end, Whitney still want
Speaker 1: out in a way. Now, Sugar, we're going down. What's
Speaker 1: the feeling that you get when the song comes on?
Speaker 1: Oh my god, Just as soon as Pete comes in with,
Speaker 1: am I more than you bargained for? Yet you I'm
Speaker 1: buckling in, up, down around. You know what I love
Speaker 1: When he says the word weird, he goes sugar sugar swaga.
Speaker 1: That's I never noticed that before. There are layers. There
Speaker 1: are still layers even years later. To peel back now
Speaker 1: just to sort of, you know, drop over to a
Speaker 1: more sort of you know, dance moment, dance dance. How
Speaker 1: do you feel when you hear this? I go now,
Speaker 1: I guess, I guess I gotta follow. Anytime someone in
Speaker 1: a song tells you to dance, I command you to dance.
Speaker 1: You must follow the order military floor filler, the dance dances,
Speaker 1: the floor filler. And you know it absolutely popped off
Speaker 1: the music video when they're like thisance, etcetera, etcetera. It's
Speaker 1: one of the greatest songs, and it's it's tied for
Speaker 1: two on the Great Global Song Book two School in Life.
Speaker 1: Beyonce a song that you've described to saving your life.
Speaker 1: I will still say that I still believe that's true
Speaker 1: about snaps me out of my depression. It's a song
Speaker 1: let the readers get to know you in this moment. Well,
Speaker 1: the song is about how, at any age you are
Speaker 1: in school, and isn't that something amazing? That's something amazing
Speaker 1: for people who miss school, for people who hate school,
Speaker 1: for people who never who still have stressed dreams about
Speaker 1: school even though they've been away from it for decades,
Speaker 1: like me, decades. I think this song is a wonderful
Speaker 1: encapsulation of life that you know you don't need. Who
Speaker 1: needs a degree? Who needs a degree? And especially in
Speaker 1: a post, in a post sort of COVID lance ape,
Speaker 1: when student debt, student loan debt is still sort of
Speaker 1: being foisted upon multiple generations of students, this really liberates
Speaker 1: you from that thinking. Beyonce said, gap year, gap year.
Speaker 1: With this one, she said, gap life, gap life. She said,
Speaker 1: I don't even go to third grade. Girl, she said,
Speaker 1: skip it all. Who needs that degree when your school?
Speaker 1: In life? Who didn't go to school, didn't go point
Speaker 1: blank period. Jesus Christ. You think Jesus went to school. No,
Speaker 1: Jesus was helping out on the farm. Jesus Christ had
Speaker 1: it was getting his hands dirty like a man should.
Speaker 1: All right, let's say that right now. Jesus Christ getting
Speaker 1: his hands dirty like a man. It ru culture number five,
Speaker 1: Jesus Christ was getting his hands dirty like a man should,
Speaker 1: getting schooled in the school of life. And then they
Speaker 1: remembered her, and they remembered her beyond. Never forgot Beyonce.
Speaker 1: Remember Jesus, I think for sure and more about Destiny
Speaker 1: his child and members of Jesus later, members of Jesus
Speaker 1: n total of the heart body build. Turn around. Every
Speaker 1: now and then I take a look in the mirror,
Speaker 1: and I'm never coming round every now and then. Every
Speaker 1: now and then I get a little bit like your version,
Speaker 1: and I'm coming out coming round every now and then
Speaker 1: I take I get a little bit. What is it?
Speaker 1: Every now and then I get a little bit. Then
Speaker 1: I see the look in your brighte us every now
Speaker 1: and then I follow upon, Hey, don't need you now tonight,
Speaker 1: and I need you you home tied molle holding off
Speaker 1: forever hell only get it right Good'll never be wrong,
Speaker 1: Better than to the end of the night, forever to
Speaker 1: night forever. Once upon a time I was falling in love. No,
Speaker 1: I'm only falling apart. Nothing I can say totally that
Speaker 1: says it all. When I hear that song, I feel
Speaker 1: better than I did before, because I feel like I
Speaker 1: exercised Catharsis. That's the word that there's no more cathartic song.
Speaker 1: There are no more cathartic songs. I feel nothing when
Speaker 1: I turn on the radio. I need Catharsis. Can TikTok song.
Speaker 1: You can't experience Catharsis in two minutes. No, it's never ever,
Speaker 1: ever gonna happen. Let's move on. Two seven Rape. This
Speaker 1: is just this is just one of the best. This
Speaker 1: is when she came forth. Number two six dorma classical.
Speaker 1: Talk about this, this is one of the most beautiful
Speaker 1: classical songs. You might hear Pavarotti spin this tune. You
Speaker 1: might hear, um, he's at the turntable, yo, like all
Speaker 1: the girls in the club, like playing my fucking song
Speaker 1: play which didn't make the list. Um. And then Luciana
Speaker 1: Pavarotti sort of spins Nestma, you are Italian deeply, no
Speaker 1: I know, but you have Italian gene in you quality
Speaker 1: and you fine. You think I'm just an Italian girl
Speaker 1: from New York. Spiritually, I picture you in Amalfi The
Speaker 1: Beautiful Man too. I think this is your spirit, especially
Speaker 1: when I think about you ever since I mean talking
Speaker 1: about Kata. How then it's a constant thing that even
Speaker 1: I forget about you, having known you for so long,
Speaker 1: you have that spirit in you of Kate. Well, when
Speaker 1: I meet Kate Hudson one day, I'm just gonna go
Speaker 1: up to her, tap around the shoulder and say you're
Speaker 1: like me, and she'll get it. She's gonna be like, yeah,
Speaker 1: for sure. And then she's gonna be like, wait, do
Speaker 1: you want to go out back? Because it doesn't matter.
Speaker 1: I'm Kate. Who is going to say anything to me.
Speaker 1: My dad is Kurt Russell. My mom is Goldion, Like,
Speaker 1: we can go out and smoke a fucking month. It's
Speaker 1: not a big don't be a fucking nark on me. Now. Wait,
Speaker 1: is her as her dad? No, her dad is literally
Speaker 1: not not not So you know what her father figure
Speaker 1: is Kurt Russell. And father figures are just as important
Speaker 1: as father's. Oh absolutely, yeah, they really are. Father figures
Speaker 1: are justin that's a real culture. Yeah, it's really call
Speaker 1: at your number ninety nine. Father figures are just as
Speaker 1: importan and his father's. Let's um, pretty girl rock Carrie Hilston.
Speaker 1: Harry Hilson has a huge career, has a huge career
Speaker 1: and you never, you never for her to identify to
Speaker 1: I d herself so quickly in a song. My name
Speaker 1: is Carrie. I'm so very fly. Oh my, it's a
Speaker 1: little bit scary. I know, I know everything I need
Speaker 1: to know about this girl. Yeah, it's like she's she's
Speaker 1: begun the song and we know who she is and
Speaker 1: that allows us to you know, really invest in her,
Speaker 1: which we did, and now she's got a huge career.
Speaker 1: Talk about the impact the line don't hate me because
Speaker 1: I'm beautiful hat on the culture. Oh my god, major
Speaker 1: major impact. I wouldn't stop hearing it for years. Don't
Speaker 1: hate me because I'm beautiful. It's sort of a chicken
Speaker 1: of the egg. Chicken of the egg. It's sort of
Speaker 1: a chicken of the egg. Did Carrie say it? Or
Speaker 1: or did your you know, your floor mat in your
Speaker 1: dorm at you know, Pace University say it? And it's
Speaker 1: that's the start of Chicken of the the Chicken of
Speaker 1: the egg. All right, let's move on number four. Get
Speaker 1: ready for this one? A thousand miles Vanessa Carlton No no, no, no, no, no, dude,
Speaker 1: no no no. You know immediately what song is you
Speaker 1: already know and immediately like it's crazy that it's not
Speaker 1: a lot would you agree? And I'm being serious. Not
Speaker 1: a lot of songs are recognizable by the first lyrics.
Speaker 1: Sometimes you gotta you gotta hook someone in with the chorus.
Speaker 1: Sometimes like the way that you can index the song
Speaker 1: is by singing the chorus or the bridge the first
Speaker 1: first lyrics like I just you can say pretty, gird
Speaker 1: rock is the same, but don't he because of beautiful
Speaker 1: is maybe more important? Then my name is Carrie for
Speaker 1: a thousand miles, the most important lyric of that song
Speaker 1: is making my way downtown, wagon, fast phase, the spass,
Speaker 1: and a homebound And also not even just the first words,
Speaker 1: the first musical notes, Yes, I don't know better notes,
Speaker 1: I don't know a better note. Better notes put together,
Speaker 1: put together in terms of song two three tiny moves
Speaker 1: Miss Beginnings Chang played by Maya Rudolph on Deep House
Speaker 1: Dish on Saturday Night Live. This was one of the
Speaker 1: greatest moments in sketch comedy history for me, Deep Hout
Speaker 1: Dish absolutely same um, James Anderson, We do not deserve you.
Speaker 1: These are many moves, these are the moves I do well.
Speaker 1: I'll just not to move with you. I start with
Speaker 1: my tiny moves. Tilt and freak tilt, tilt and freak
Speaker 1: tilt and freak tilt, tilt and freak, don't start a
Speaker 1: dangerous situation, tilt and freak tilt tilt Parameters. I was waiting.
Speaker 1: I thought it was exploring your frames, but it was parameters.
Speaker 1: It's just you. There's It doesn't get better than that
Speaker 1: on a comedy level, on a songwriting level, like on
Speaker 1: a on a corio level, like the moves. I honestly
Speaker 1: I'll never forget watching it. It was the Matthew Fox
Speaker 1: episode of SNL that was like you, like, that's your culture.
Speaker 1: My culture was literally coming up in one and also,
Speaker 1: never forget it did not make the list, but that
Speaker 1: was when Amy Poehler played Miss Latissa stro and co
Speaker 1: Co Co Cologne. I wanted co Co co Co cologne
Speaker 1: for Christmas. Two ounces is not enough, Three ounces is
Speaker 1: not enough, fun ounces is not enough. Five depends on
Speaker 1: the brand. I want to spray myself in spray cologne.
Speaker 1: It's Christmas um and that is more. There's more to
Speaker 1: the song, but wow, put respect on James Anderson's name now.
Speaker 1: Prior guest of Hey, listen to this episode of Last culture,
Speaker 1: go back and listen or else or else the next up,
Speaker 1: number two, I'm here Cynthia talk about the importance of
Speaker 1: the Color Purple. Noah, The Color Purple was an incredibly
Speaker 1: important and influential film. You know. Steven Spielberg directed this
Speaker 1: film in the mid eighties, and not only was it
Speaker 1: a launching pad, you know, not only for the careers
Speaker 1: of Whoopi Goldberg and Oprah Winfrey, um, but really what
Speaker 1: this did was it told a story that needed to
Speaker 1: be told. Alice Walker novel and you know, like we've
Speaker 1: also seen it, you know, brought to Broadway by Oprah
Speaker 1: Winfrey and great Tony winning success by Lashawn's and Cynthia
Speaker 1: Arriva myself. And you know, now Cynthia Arrivo is Alphabet
Speaker 1: is Alphabet. So that's sort of if you can sort
Speaker 1: of see the trajectory there. It's like you go, this
Speaker 1: is and this is what everyone dreams of. You You
Speaker 1: dream of Celey and then Alphabet and then Alphabet. See
Speaker 1: the alphab The pipeline is the dream. It is any
Speaker 1: actor you know that Cynthia Riba has played Sey, Aretha
Speaker 1: Franklin and Alphaba, the Three Dolls. And then I'm I
Speaker 1: feel like we're missing one. I feel like there's a
Speaker 1: fourth doll. Um it's Celey, Alphaba Aretha and who else
Speaker 1: did Cynthia play? Who's the Oh my god, let me
Speaker 1: let me just see really quickly. I need to there's
Speaker 1: one doll that we're missing. I just know it. I
Speaker 1: just know it. Well, Harriet, Oh, of course, Harriet iconic
Speaker 1: Harriet Tubman is is with a fourth doll. Okay, moving on,
Speaker 1: and this, this is true. This song is better than
Speaker 1: the previous song on a roll number as isn't an
Speaker 1: iconic that Miley Cyrus said, you know what, I Am
Speaker 1: going to be another perfection. So many characters live inside Miley.
Speaker 1: She's like, um, a chameleon. She's a chameleon. She's like
Speaker 1: David bow So many characters David. She's like David Bowie.
Speaker 1: You know what Miley Cyrus said. She said, fuck you
Speaker 1: David Bowie, David Bowie, she said, fuck you, Daniel day Lewis,
Speaker 1: fuck you Jared Leto. I'm gonna do my way. I'm
Speaker 1: gonna do my way and sing a nine inch nails
Speaker 1: banger and make it slutty pop. Oh my god, when
Speaker 1: you hear, oh honey, it's like a thousand miles. It's
Speaker 1: you're so right. It is truly one of those songs
Speaker 1: that is welcome every time, every time. Drug alert. Uh,
Speaker 1: there's gonna be a few songs on this list that
Speaker 1: we're gonna say drug alert. Sometimes you listen to a
Speaker 1: song and it feels like a drug and then whether
Speaker 1: or not you're whether or not you're sober, you can
Speaker 1: experience the high of listening to a song like on
Speaker 1: a Roll by Ashley, I feel like them on Papa's
Speaker 1: even talking about to come on, come on. She's basically singing, Hey,
Speaker 1: I'm a whole and not no, not no for me.
Speaker 1: Number two. My hair looks fierce Amanda Lapore nightlife legend,
Speaker 1: pop music superstar. My hair looks fierce is amazing. I'm
Speaker 1: also partial to doing it my way, doing it my way.
Speaker 1: I wake up in the morning between three and four,
Speaker 1: and I go to the bathroom between four and five.
Speaker 1: Like she's giving us her schedule. What I mean what?
Speaker 1: And but she she's constantly walking us through what she's life.
Speaker 1: So in this song, she says, I just show up
Speaker 1: all done up, dance, doing my thing, get paid, and
Speaker 1: I'm out. And you know what that is? Exactly how
Speaker 1: I want my night to go. Oh my god. Okay,
Speaker 1: can we say that we were recently somewhere where Amandalapore
Speaker 1: showed up, Yes, and it was just like, this is
Speaker 1: her life and she's figured it out. She comes in,
Speaker 1: sits down, shows up, shows up, chats to a couple
Speaker 1: of chats with a couple of people, all done up.
Speaker 1: She's out, she gets paid, she's out. I just show
Speaker 1: up all done up, dance, do my thing, get paid,
Speaker 1: and I'm out. Sometimes she doesn't even dance, and that's amazing.
Speaker 1: She needn't. She has to prove nothing to God, it's
Speaker 1: really cultural. Number two, Amandola Port has nothing to prove
Speaker 1: that Tatiana doing same parts instead of Roxy Andrews first
Speaker 1: and Rude Paul's Jack Race all starts to there's nothing
Speaker 1: there's nothing wrong with rox Anderson's now and we've all
Speaker 1: as a community. I was thinking about this today, You
Speaker 1: were thinking about this today. I was thinking about this
Speaker 1: today when I was reviewing the list. As a community,
Speaker 1: have we have we bullied this poor person. See here's
Speaker 1: the thing about Roxy Andrews, and we can say this
Speaker 1: a natural bully herself, but had to do work to
Speaker 1: not be that and then wasn't And now I think
Speaker 1: it's all good fun, but I wonder if it was
Speaker 1: okay for us as a community. And I'm saying us
Speaker 1: because I feel because I've I've taken ownership, taking ownership,
Speaker 1: I've partaken in this using her trauma the bus to
Speaker 1: make fun of her, and I'm kind of being I'm
Speaker 1: kind of seriously opening up this conversation saying, you know,
Speaker 1: everyone in agreement that her verse in Reggie Roche is garbage,
Speaker 1: like it's the only one I know by heart. And
Speaker 1: to make it clear, I know you want my baby.
Speaker 1: That's why we're skipping. Were sipping um something like I forget.
Speaker 1: So maybe I'm not off so but and that's the
Speaker 1: beauty of that's the beauty of that versus that you
Speaker 1: think you have a total understanding of it and yet
Speaker 1: you don't. And that's why I think we should maybe reconsider.
Speaker 1: I know that the version with Tatiana doing the same
Speaker 1: parts is what's on the list. I think as a
Speaker 1: community we really have to examine ourselves. Should we make
Speaker 1: history right now and spit in the face of the
Speaker 1: blue ribbon panel and say the original ide wrote you
Speaker 1: is actually what's here? Yeah, number RuPaul atendum. I never
Speaker 1: would have predicted that we would have spit in the
Speaker 1: face of the Blue Ribbon panel, and we're gonna be
Speaker 1: hearing about it, probably on Twitter, which we should all
Speaker 1: be leaving. I know I'm not I know we're on
Speaker 1: the last um and I am telling you I'm not
Speaker 1: going by both Jennifers and Amber Riley for multiple women
Speaker 1: to definitively approach this song a very difficult song to sing.
Speaker 1: Oh yeah, but for the fact that multiple women can
Speaker 1: walk up to this goliath as David herself, I'm gonna
Speaker 1: fling my stone and and it's range, she sung. You
Speaker 1: have to be able to go all the way up
Speaker 1: there with your voice, you know, and be powerful, and
Speaker 1: you have to go. You have to be able to
Speaker 1: say and make it like your own every time. You know.
Speaker 1: No disrespect to Hudson and Amber, but something about Jennifer
Speaker 1: Holiday doing that eight shows a week is a lot.
Speaker 1: She had to do that a lot, a lot more
Speaker 1: times than the other girls. And of course we never
Speaker 1: forget her American Idol performance of the song where she
Speaker 1: I don't know what happened, I don't know what happened.
Speaker 1: She she's a little possessed. Every time she's saying, I
Speaker 1: think you have to did there has to be a
Speaker 1: demon inside? Well, Effie takes over your Effie and Effie
Speaker 1: is demonic. Effie has had a demon put in her,
Speaker 1: the reverse exorcism. In that scene, I think it's the
Speaker 1: moment where they say, Effie, we all got pain. A
Speaker 1: demon entered her. Did you see me get the chills?
Speaker 1: A demon might have entered you, honey. I might need
Speaker 1: I might need a shaman to come. I might have
Speaker 1: to blow air through a tube and they suck out
Speaker 1: you know the team. I hate it when that happens.
Speaker 1: Number two hundred seventy. Do you want to come over?
Speaker 1: Britney spears. It's a song that causes joy in the
Speaker 1: hearts of I think many millions, but I can pinpoint
Speaker 1: the moment when I brought us much much joy. Was
Speaker 1: New Year's Eve a couple of years ago, COVID New Year's,
Speaker 1: COVID New Year's, that first COVID New Year's where we
Speaker 1: we're very careful. We obviously got tested, but that we
Speaker 1: got a house and it was just a few of us,
Speaker 1: had a few drinks, absolutely played some songs, had a
Speaker 1: good time, but the tide shift did honey, when do
Speaker 1: you want to come over? By Britney Spears came on, Yeah,
Speaker 1: do you want to come over? Sort of will make
Speaker 1: you really move And it made us sort of all
Speaker 1: strut around a little pool table. Remember that, I remember
Speaker 1: that we all just ran around a pool table. But okay,
Speaker 1: can I say what what do we say? What song
Speaker 1: do we say? We said total comes to the hardest.
Speaker 1: Catharsis no song just catharsis better. No song does coy
Speaker 1: better than do you want to come over? Do you
Speaker 1: want to come over? I love that it's like a
Speaker 1: little bit not even a V sound, it's a B sound.
Speaker 1: Do you want to come over? Do you want to
Speaker 1: come over? Just let me know, like, do you want
Speaker 1: to come over? If I could, you know, I don't
Speaker 1: think I'm the greatest flirt, but I think if I
Speaker 1: were to remember, if I were to, you know, access
Speaker 1: the part of me that is, I would just think
Speaker 1: of this song. Yeah. I think next time you have
Speaker 1: a flirty um uh instinct, just think of yourself as
Speaker 1: Britney Spears And do you want to come over? Should
Speaker 1: we change the I was gonna say change the V
Speaker 1: would be come over? It This is freedom. This is
Speaker 1: We've earned this. This is our three hundred episode three hundred.
Speaker 1: We have earned the right to do everything we do today,
Speaker 1: such as say that this next song is only a
Speaker 1: little bit better than do you want to Come Over?
Speaker 1: Number two Natural Woman the Franklin written by Carol King
Speaker 1: looking out on the morning I used to feel someone
Speaker 1: inspired m hm. One of the best bridges. Oh baby,
Speaker 1: what you done to me? What you done to me?
Speaker 1: Making me feel so good at side? Not just don't
Speaker 1: want to be close to you, you'll make me feel
Speaker 1: so I mean any of these songs that make us sing.
Speaker 1: I had to look back at Doug. Let's get Dug
Speaker 1: in here. Do we want to hear your is this
Speaker 1: Mike gone? Okay? This is an important moment because you
Speaker 1: know we've we've now gone through twenty five of the
Speaker 1: songs of the top three hundred, and we need and
Speaker 1: which is surreal, come in and close the door for
Speaker 1: sound purposes. Thank you to use this one which which
Speaker 1: makes you an Well here, there's lots of ship on
Speaker 1: that seat. That one's on over here, so come on
Speaker 1: over here. So I guess what I want to know
Speaker 1: is so far, what do you think of the list.
Speaker 1: Do you think do you agree? Do you even know
Speaker 1: a lot of you know about half of the songs
Speaker 1: that you said, okay and they're great and they're great.
Speaker 1: What what kind of songs are you looking for? Like?
Speaker 1: What do you hope makes the list? I hope it's diverse. Okay, Well,
Speaker 1: I think we've done that. I do too. I mean
Speaker 1: you went from Beyonce to fall Out Boy to Bonnie
Speaker 1: Tyler to Aretha, Like, yeah, that's what I like. That's culture.
Speaker 1: That's a culture. That's right. I've heard, I've heard you.
Speaker 1: We've had nice Beatles conversations with you before, We've had
Speaker 1: nice Katie Perry Celine de Young conversations. What what do
Speaker 1: you think is the pinnacle of music Beatles for me?
Speaker 1: Of pop music? Yeah, the Beatles, I think that changed
Speaker 1: every Well, we can reveal to you right now, that's okay,
Speaker 1: there's nothing. Here's what Here's what I would say to you,
Speaker 1: here's what I throw out there. I don't think our
Speaker 1: next artist on the list gave a funk about the
Speaker 1: Beatles when she recorded this track. And I want to know,
Speaker 1: a if you even know this song or if you
Speaker 1: even know this artist, because number two hundred and seventy
Speaker 1: five My Head and My Heart Ava Max. Do you
Speaker 1: know who Ava Max is? No? I think you would
Speaker 1: do a better job. Okay, So that's sort of a
Speaker 1: pop singer songwriter. And one thing about her is she
Speaker 1: has one side of her hair is really long and
Speaker 1: one side of her hair is really short. You've you've
Speaker 1: seen her, yes, yeah, impressions on that. You think it's
Speaker 1: a great She's been doing it for years now. At
Speaker 1: this point, do you think it's it's something she can
Speaker 1: just sustain for the rest of her career. I doubt
Speaker 1: she'll want to. Yeah. I think at this point she
Speaker 1: has committed too long and she just has to stick
Speaker 1: with it for the rest of her life. Yeah, so
Speaker 1: she's gonna be an old woman in the nursing home
Speaker 1: with you know, with with one with one side long
Speaker 1: and one side short. Now, but when this song, oh
Speaker 1: my god, it's it's a it's kind of a sampling
Speaker 1: of around the world, but it's just one of the
Speaker 1: most powerful. This is what this is. This is a
Speaker 1: Drugg Alert song. Drugg Alert. Yeah, there's gonna be lots
Speaker 1: of drugs done. So you So, Doug, just to ask
Speaker 1: you a question, Um, what's the sort of um when
Speaker 1: you were out there are going to concerts were you
Speaker 1: would into the Grateful Dead. I've been to a bunch
Speaker 1: of Grateful Dead shows and you smoked reefer. Yes, m m,
Speaker 1: so this is sort of the straight culture with drugs.
Speaker 1: But I really I want that. Oh my god. Josh
Speaker 1: Sharp and Aaron Jackson just went to a fish concert
Speaker 1: at Madison Square Garden where a man fell from fell
Speaker 1: from the nosebleeds and lived and lived to tell the tale.
Speaker 1: That is. But you know, but a fish concert, I
Speaker 1: think everyone is is vibing, sort of fucked up, but
Speaker 1: but having a good time. I I respect it. I
Speaker 1: would love to. I would love to have gone to
Speaker 1: a Grateful Dead concert. But dot would you want to
Speaker 1: go to the Gramatical Ball the Lady Gaga concerts? I
Speaker 1: like Lady's talentible. She appears on the list many times.
Speaker 1: She appears on the list many are you excited for her?
Speaker 1: Her Top Gun song? I haven't I didn't know it
Speaker 1: was coming. She'll be doing the song from the new
Speaker 1: Top Gun film starring Tom Cruise. Well, that will encourage
Speaker 1: me to actually tune in. I have a few Okay,
Speaker 1: so it's gonna be. It's sort of trying to be
Speaker 1: the new take my breath away. I like it kind
Speaker 1: of cool. Doug, what do you think has been the
Speaker 1: cultural impact of Lost cultures? Doesn't? How has it changed
Speaker 1: your life to be a part of it? Oh man,
Speaker 1: that's that's a lot. That's a lot to put into words.
Speaker 1: But I would have to say, you really opened me
Speaker 1: up culturally to the gay community more than I ever
Speaker 1: have and I love it. Well, We're happy, Tony. What
Speaker 1: do you love and not like about the gay community?
Speaker 1: I mean, what's not to love? Thank you, thank you,
Speaker 1: and we really want to thank you for being here
Speaker 1: to announce help us announce two hundred seventy five My
Speaker 1: Head in My Heart by Eva Max. Thank you so much.
Speaker 1: Thank you so much. Now let's let's to be really
Speaker 1: love Doug so much. We love Doug, and thank you
Speaker 1: for being part of the fabric of lost culture. I mean,
Speaker 1: thanks for having me, Thanks for always making us sound
Speaker 1: really good, making us laugh, setting a good vibe for
Speaker 1: the guess get lost. Thanks, Thanks, it's been amazing to
Speaker 1: have you. And then we'll be checking in with you later.
Speaker 1: Everyone give an Aposta product. We're not making good time
Speaker 1: at all. No so keeping number two seventy four Stronger
Speaker 1: Martie Cover and Girls Alison Williams. I think it was
Speaker 1: better than Kanye West. Absolutely, here we go. Number two three,
Speaker 1: Meet Me at Our spot Willow and a boy named Tyler.
Speaker 1: The band the duo between Tyler and Willow is called
Speaker 1: The Anxiety The Anxiety, so it's kind of chaotically credited
Speaker 1: and listed on Spotify or the streaming services or whatever.
Speaker 1: It's Willow The Anxiety and this this this Tyler Fellow.
Speaker 1: Well speaking of um, you know, Roxy Andrews and Willow
Speaker 1: the number two seventy two with My Hair Willow speaking
Speaker 1: of Roxy Andrews from several songs ago. I mean, remember
Speaker 1: when Willow came out with this. I'll never forget. I
Speaker 1: had an internship at the show teen Mom Too, and
Speaker 1: I worked for a woman named Unique and I one
Speaker 1: day Unique was playing the song with My Hair by
Speaker 1: Willow and she said to me. She turned to me,
Speaker 1: I was an intern, and she said, I love this song.
Speaker 1: And I was like, you know, she's twelve. And she
Speaker 1: sat back in her chair and she looked at me
Speaker 1: and she said, are you telling me I was dancing
Speaker 1: to a twelve year old in the club, and I
Speaker 1: was like, I think that's what happened, and she laughed
Speaker 1: and laughed and laughed, and then she couldn't ever get
Speaker 1: over that she was twelve. I still am not over
Speaker 1: the fact that she was twelve years old. I think
Speaker 1: it made me a little a little uneasy. Even at
Speaker 1: the time, I was like, yeah, but this is a
Speaker 1: this is a little girl pop up up the beds
Speaker 1: on the swag on it. It was like watching like
Speaker 1: Chloe Chloe Grace murat State Hunt in k Yeah, but
Speaker 1: I don't know what sort of it sort of makes
Speaker 1: you really hopeful about the younger kids. Huh yeah, number
Speaker 1: two hundred seventy one, and this is gonna get us
Speaker 1: into trouble, get us into trouble. Wild Wild West, Sorry Smith,
Speaker 1: Wild Wild West? Is that song that's pretty good? Oh
Speaker 1: my god? Even the trailer of the movie Do Do
Speaker 1: Do It would play on TV growing up, and it'd
Speaker 1: be like, that looks like the coolest movie ever made.
Speaker 1: Salamahayak culture, Salmahiak culture. Garcel Beauvais culture so lutely Kevin
Speaker 1: Klein Cluvin Klein culture, and yes, Will Smith culture and
Speaker 1: also you see a little bit of his butt in
Speaker 1: the movie. You always say this every time we mentioned
Speaker 1: in our three hundred episodes. It's a recurring theme. Let's
Speaker 1: I think you've mentioned it number two seventy Men in
Speaker 1: Black apologies Will Smith, this Men in Black, this song
Speaker 1: Man in Black. Yeah, then they go then black. You know.
Speaker 1: As as as much as Will Smith's music hasn't aged
Speaker 1: terribly well and it but it's been, it's aged well
Speaker 1: enough to end up on the list, he did do
Speaker 1: a great job of blending the R and B with
Speaker 1: the hip hop absolutely, and also he always he he
Speaker 1: was always going to say, I have a movie, Well,
Speaker 1: I'm gonna make that title of synergy. And what I
Speaker 1: what I want to shout out most respect to is
Speaker 1: everyone that works in the Men in Black Attraction at
Speaker 1: Universal Studios, Florida, because that song plays in a loop
Speaker 1: at the gift shop and it's never anything else. And
Speaker 1: I have to I have to really salute everyone that
Speaker 1: works there for not we're raising and all the right ways,
Speaker 1: all my underdogs, the people working at Men in Black,
Speaker 1: the rhyme, the dirty little freaks, dirty little freaks. We
Speaker 1: hope you survive hearing Men in Black at least um
Speaker 1: two hundred times a day, number two Miami truly graphically
Speaker 1: but definitely putting in the city when the heat is
Speaker 1: on on that on, the abuse to the brick and
Speaker 1: then malcome to Miamimi iconical. I'm there, I see the neon,
Speaker 1: I see the art deco. I'm I'm at South Beach,
Speaker 1: I'm on coke. I was gonna bring up cocaine. I'm
Speaker 1: at the w Hotel getting sucked off. I'm there, I'm
Speaker 1: getting sucked off while I'm sucking on a mohedo? Thank you?
Speaker 1: How good does that sound? Right now? A mohedo sounds
Speaker 1: so good? But how do we order mohitos? Hey? Is
Speaker 1: it a thing of you can still order cocktails to go?
Speaker 1: Maybe not in l a. Okay, find out to figure
Speaker 1: it out, because we're because we're craving mohitoes, because we
Speaker 1: started talking about the city of Miami. Because because the
Speaker 1: song with Miami by Will Smith is on the list. Okay,
Speaker 1: alright to sixty eight Smooth Operator by shot Day Smooth
Speaker 1: she really was a smooth uperator from the album Diamond Life.
Speaker 1: She had a diamond life. She has a diamond life still. Yeah,
Speaker 1: you know when you when you sort of this is
Speaker 1: what I would call like like heightened advanced, like elevated elevator.
Speaker 1: Oh yeah, elevated elevator. Elevated elevator. That's all there is
Speaker 1: to say. I have nothing else to say about that.
Speaker 1: Let's move on. Although wait, can I say no? I
Speaker 1: want you to say it's not off of this album,
Speaker 1: but we played um we did play Promise, the follow
Speaker 1: up to Diamond Life, this album on Fire Island. Yes, Oh,
Speaker 1: I remember when we were making like grilling stuff vibe.
Speaker 1: It was and the sun was setting and we were
Speaker 1: like eating food. It was the perfect vibe that was iconic,
Speaker 1: sort of bow and yang um vibe creation. I put
Speaker 1: it on. I was like, this is like cooking music
Speaker 1: and cook We did and cook. Sometimes elevator music goes
Speaker 1: into cooking music, smooth, more like good cooking, good cookie. Hey,
Speaker 1: let's go number two seven on my own from Who's
Speaker 1: Your Favorite? Who's your Favorite? M What's Your Face? This
Speaker 1: is a really complicated, difficult to explore, but the best
Speaker 1: singer of all time. Michelle took Epony into New Heights
Speaker 1: and it's not on the list, but when she dies
Speaker 1: in a little fall of rain, she gives it everything.
Speaker 1: She's in that fucking page boy, cap the trench coat
Speaker 1: on stage. Go go to YouTube. And also, here's the thing.
Speaker 1: When you're listening to on my Own and it starts
Speaker 1: with on my Own, you funked up. It's supposed to
Speaker 1: listen to the version that starts with and now I'm
Speaker 1: on alone again. Don't want to Yeah, his three, I
Speaker 1: goes and she goes, the city goes to Beth and
Speaker 1: I can live in son my head. Beautiful song, and
Speaker 1: you're transported to a time when everyone was dirty and
Speaker 1: wet except for Marius. Mary's was always clean, keeping it clean,
Speaker 1: and Miss Cosette too, squeaky clean, weaky clean. You know,
Speaker 1: there's a lot of cloud more like no no dirt
Speaker 1: on my face. Honey, honey, let's keep going. Stole Stole
Speaker 1: by Kelly Rowland is do you know this? I don't
Speaker 1: get noticed. Oh my god, Bowen, you're playing it. We
Speaker 1: don't have time. We the flow will dictate the field.
Speaker 1: We didn't even we didn't even have this problem in
Speaker 1: the two hundred and the two. We got to this
Speaker 1: point at like number Okay, here's what I'll say. I'm
Speaker 1: not going to play the song, but Stole by Kelly
Speaker 1: Rowland is all about people who died too young, and
Speaker 1: it was her first big single, and she talks about
Speaker 1: someone who played basketball and then I think got involved
Speaker 1: in bad ship and ended up dying. And one of
Speaker 1: her riffs at the end of the song is he
Speaker 1: had game. Oh Greg was always getting bang from twenty
Speaker 1: oh wait and then this is the sun when she
Speaker 1: goes um like Marilyn Monroe. Yeah, I know this song.
Speaker 1: Still wait, we are mixing horrible time. I'm so stressed out.
Speaker 1: Number two Bang bang my Baby shot me Down, Nancy Sinatra,
Speaker 1: number two D sixty four, Bang bang my Baby shot
Speaker 1: me Down. And number two D sixty three Bang bang
Speaker 1: my Baby shot me down. Oh my, would you like
Speaker 1: to perform it? I was five and he was six.
Speaker 1: Weet rode on horses made of sticks. He wont black
Speaker 1: and dye will white. He would always win the fight.
Speaker 1: Bang bang he shut me down. Oh my god, vulnerable
Speaker 1: bang bang the ground, bang bang that awful sound bang
Speaker 1: bang my baby shot me down. We'll have to perform
Speaker 1: that scene at the Duke Pleaux this summer. Just do
Speaker 1: the end, uh oh like like the last chorus. I'll
Speaker 1: just do the little the last like the last sort
Speaker 1: of belt. Yes, bang Bang Baby shot me down. Number
Speaker 1: two D sixty two Bang Bang este Jay Enough said,
Speaker 1: I mean three of the greatest talents coming together to
Speaker 1: sort of deliver an answer to Lady Marmalade, which do
Speaker 1: not make the list. It's mean Jesse and Ari. If
Speaker 1: they test me, they sorry, Let's keep going. It's the botlet.
Speaker 1: It was number If I Dream, If I Dream, It's
Speaker 1: one of the most beautiful melodies and whenever you hear it,
Speaker 1: start to play when one of the queens gets emotional
Speaker 1: talking to their child self. You are a fine god.
Speaker 1: You are really affective. Do do do do do do do?
Speaker 1: You're so affected. I think that Lucian guy wrote this.
Speaker 1: Number two D sixty Satisfied one of the greats Renee
Speaker 1: Lynn Lynn Shout Shout out to Lynn shout out, who
Speaker 1: was writing new songs for the Little Mermaids. Let's not
Speaker 1: forget new songs for the Little Mermaids. P chance we
Speaker 1: get a fish singing something like satisfied by her Chance
Speaker 1: Scuttle played by Nora lom Aquafina. He's at to me
Speaker 1: because I'm a Scott His sister satuside. I have to
Speaker 1: be naive to sit that aside to that is why
Speaker 1: Hi interesting to his eyes and now that's his ride.
Speaker 1: Now that's going in delicate, don't satisfied Num jungle Ki
Speaker 1: and the music video really elevated this one. High production value,
Speaker 1: high production value, like I could have seen, you know,
Speaker 1: this could be a big budget film. And I love
Speaker 1: when the music video tells a story, and I love
Speaker 1: to see pop stars act. Yes, you know, and BB's
Speaker 1: a harbor a pop star. She's one of the biggest
Speaker 1: pop stars and she's really acting. And there's no scene
Speaker 1: in the I don't really want to spoil, but there
Speaker 1: is a scene in the beginning of the music video
Speaker 1: where she is interrogating someone and she says, who sent you? Said?
Speaker 1: Who sent you me? Using line read and she laughs
Speaker 1: like this, yeah, I'm pussy bit, which did not make
Speaker 1: the list. La la la la. That is that is
Speaker 1: Jungle Kitty. You're right. Next up Seasons of Seasons of
Speaker 1: Love rents one of the most amazing songs when you
Speaker 1: can just stand on stage as a company and connect
Speaker 1: with an audience merely through song, and it really is
Speaker 1: like sort of like it's it's like a transitional song
Speaker 1: into into you know, an act of of rent. You know,
Speaker 1: it's it's really it's really powerful. And I think measuring
Speaker 1: your life and love is something we can all live by.
Speaker 1: It all live by that. And Tracy Towns in the
Speaker 1: movie version measure Measure Your Live seven King of Anything.
Speaker 1: I love this song because it made us. It gave
Speaker 1: us a new comeback, which was dade you King of Anything.
Speaker 1: So far we have two of out of the four
Speaker 1: leads of girls five ever represented on the song, Renee Sarah,
Speaker 1: and there will be no more, There will be no
Speaker 1: Busy Phillips and Paula Pell did not make this. They
Speaker 1: did not actually did not make the last What are
Speaker 1: we supposed to have Paula Pell on this podcast? She'll
Speaker 1: be on. Yeah, she's the best. But I remember like
Speaker 1: it was like confirmed happening, and then didn't I know.
Speaker 1: I think I think I got sick. You got sick.
Speaker 1: Something happened. I think everyone was sick. Everyone was sick,
Speaker 1: shallow Live at the Oscars, Lady Gaga and Bradley Cooper.
Speaker 1: Who could forget? I was gonna say, who could forget?
Speaker 1: Oh my god, any one to three? Who could forget?
Speaker 1: When she was a little sharp and he was really
Speaker 1: flat and they signed together and you know to be
Speaker 1: real though, that moment at the end where the cameras
Speaker 1: in their face and they basically like have a post coital,
Speaker 1: post nut clarity, look at each other as if we
Speaker 1: had just watched them fuck in front of hundreds of people,
Speaker 1: thousands of people, and that it was culture. It was.
Speaker 1: It was like it was like it did. And not
Speaker 1: that this goes without saying and everyone agrees with this,
Speaker 1: but it was one of those Oscar moments that you're like, Wow,
Speaker 1: this is the os only at the Oscars. It was
Speaker 1: only at the Oscars moment, and it was culture and
Speaker 1: shallow talk about knowing it from the beginning. Tell them
Speaker 1: is something girl, that we were recording this epid this
Speaker 1: podcast the day the trailer dropped in June or something
Speaker 1: too long ago, too long ago, but like we were
Speaker 1: off book on the fucking song that day. Business Modern
Speaker 1: wound an amazing singer and Grammy Award winner Bradley Cooper,
Speaker 1: all about that base trainer. This was a body positivity,
Speaker 1: body positivity, Bobby positivity, more like a Bobby positivity, say
Speaker 1: that I love that body as a really culture number seventeen,
Speaker 1: body positivity more like body positivity. Number hands Sea little
Speaker 1: Little Number two, Sending the clowns Stephens. This is a
Speaker 1: moment in A Little Night Music where Desiree realizes that,
Speaker 1: you know, while she really truly believed and invested in
Speaker 1: this man who is the love of her life, that
Speaker 1: per chance he is really not going to go on
Speaker 1: that ride with her. He will not opt into the
Speaker 1: love that they share. And she has to sit there
Speaker 1: and really debate out loud with herself just exactly you know,
Speaker 1: not even really a debate. I mean, she's really she's
Speaker 1: it's contemplative, and it's devastating. This is one of the
Speaker 1: most devastating songs in musical theater. But I have a question, Yeah,
Speaker 1: is this one of the songs? Is this a song
Speaker 1: about realizing that you're a jester? Flop? Mhm, sending the
Speaker 1: clowns More like I am the jester, Like I really flopped.
Speaker 1: I am a low Jesse flowing in the square the
Speaker 1: clowns square, send it in the clowns. And then she
Speaker 1: goes me, I am the clown, beautiful, beautiful Jimmy Buffett,
Speaker 1: go on vacation. Why don't you listen to a song
Speaker 1: and go right to vacation in your head? Oh my god,
Speaker 1: and I'm there. The songs that are on this list
Speaker 1: are in some way transportive. I think there are not
Speaker 1: that many songs on this list that take you to
Speaker 1: a place. Maybe we'll smith me Miami, but Margarita, built
Speaker 1: by Jimmy Buffett takes you there. And can we talk
Speaker 1: about being a global brand, honey entrepreneur? He wrote a
Speaker 1: song and it became a global brand. Where I want
Speaker 1: to go have a confortter today? Today, I want to
Speaker 1: have a cheeseburger in Paradise. You can get it today.
Speaker 1: Hind fifty seven and French fried potatoes. You better know
Speaker 1: that's going to be on the plate. Nowhere else did
Speaker 1: they serve Hind fifty seven and French fried potatoes? Wasted
Speaker 1: away again, Let's go alcoholic rightsholic rights leader of the pack.
Speaker 1: This is this is just It's a stage play at
Speaker 1: one of an innovative song in that it starts out
Speaker 1: with a scene starting multiple people. Yes, well there she
Speaker 1: is a tasking Betty. Is that Jimmy's bringing your wearing must?
Speaker 1: Is he coming to? Is it coming to? Is it
Speaker 1: coming to? Day by way? Waiting? I'm mad, I'm at again?
Speaker 1: He turned around inside me get the picture yes, we
Speaker 1: see that we are those two A girl, we are
Speaker 1: those girls, but we know we're kind of I think
Speaker 1: you and I are both. I met him at the
Speaker 1: candy store. I'm at the cast. Remember when Hillary Duff
Speaker 1: played this girl on American Dreams, the television show No
Speaker 1: Perfect all right, the next song two Girls Go Bad
Speaker 1: the starship and Layton mister annoy it sime, Yeah, you're
Speaker 1: Daddy's little girl. This was peak Layton Mester. And you know,
Speaker 1: I would say she might have peaked when she's still
Speaker 1: peeking because she's married to Adam Brody. Huge, huge, hot,
Speaker 1: What a great couple. I'm really obsessed with that. Imagine
Speaker 1: being the star of the c and then the star
Speaker 1: of Gossip Girl, gossip Girl itself and they get together
Speaker 1: and didn't he also date Rachel Bilson. They did date
Speaker 1: when when they were shooting. So he sort of has
Speaker 1: a type which is like Brunette's star of a teen soap.
Speaker 1: He was. I think he's one of the most He's
Speaker 1: one of the most attractive people in the world. He's
Speaker 1: really good. Seth Cohen, I was like, there's no one better.
Speaker 1: Remember there was? He was the original Internet boyfriend. Seth
Speaker 1: and also like, how genius to make him like such
Speaker 1: a fucking freako nerd. And I was like, this guy's
Speaker 1: a fucking Cretan. And meanwhile he was like, literally, I would,
Speaker 1: I would, I would like to equal parts sit on
Speaker 1: his face and he could sit on mine, which I
Speaker 1: can't say about everyone so pretty and like the episode
Speaker 1: where he loses his virginity, um to summer, it's like
Speaker 1: he has like he has a shirt off. But he
Speaker 1: was like, no, one's looked better. No, he looked so
Speaker 1: good and also natural because so that was sex. And
Speaker 1: she goes, yep, oh my god. They were so great together.
Speaker 1: They were so good to comestract when she would go Cohen, Cohen,
Speaker 1: remember Samara, And then she ended up being I think
Speaker 1: she was she at the big event. She might have
Speaker 1: been at the big events, but she um, I mean
Speaker 1: her line was confidence Cohen. If you leave that sounded
Speaker 1: the last confidence that she was so good in that.
Speaker 1: But if you do go back and watch it, like
Speaker 1: does not really hold up on a writing, You're like, wait,
Speaker 1: this is horrible writing. It gives me hope, though you
Speaker 1: can write a horrible show that lasted impacts that in
Speaker 1: the hearts thinking about that number Firework by Katy Perry.
Speaker 1: There's so for you songs that could ever start. I
Speaker 1: mean talking about first opening lyrics do you ever feel
Speaker 1: like a Plastic bag? And then it went on to
Speaker 1: become a hit despite do you ever feel like a
Speaker 1: plastic bag? Amazing. Okay, we're actually making good time because
Speaker 1: we're at fifty and we're an hour end. That's perfect,
Speaker 1: so we have fifty more to go. If we spend
Speaker 1: another hour to two hour episode of a hundred songs,
Speaker 1: and if we keep it up, well, let's just keep going.
Speaker 1: Let's just keep going. Number two hundred drivers License by
Speaker 1: documented moment and on this podcast of me not knowing
Speaker 1: this song, you introducing it to me, Me going, who's this?
Speaker 1: Olivia Rodrigo girl? Weeks later, I stand even more weeks
Speaker 1: after that, the whole country stand, and then the world
Speaker 1: because this again is the great global song, is an
Speaker 1: international galactic even the great tattoo Jan Sparks just lack
Speaker 1: a tattoo. I always have you really? Kind of that lyric?
Speaker 1: Is really it just like a tattoo? I always have you? Yeah?
Speaker 1: You really? I guess it's kind of giving, Stucker, It's giving.
Speaker 1: It's giving. Girl. Here's a laser treatment. You can go
Speaker 1: to yeah, hello Hello. It might hurt, but what hurts
Speaker 1: more the embarrassment you have to carry with you because
Speaker 1: of that damn tattoo. It's two, so big and colorful.
Speaker 1: I assume colorful tattoos. Yeah, your name, it depends, okay,
Speaker 1: Number two for delicious definition make the boys go loc
Speaker 1: This is an autobiography one hundred percent. And we've said
Speaker 1: it's a rural culture. That Actually Ashley Simpson's autobiography is
Speaker 1: the best autobiography, but this is a close second. It's
Speaker 1: number two. It's number two, and even autobiography isn't even
Speaker 1: on the list, So it's different strokes. It's different strokes.
Speaker 1: There are songs from autobiography on the list, that's that's
Speaker 1: for certain. But for Delicious by Fergy, I it's a
Speaker 1: crazy song. This this is actually a specific time in
Speaker 1: the culture when you could write a song like let's
Speaker 1: say Wind It Up by Gwen Stefani or for Delicious
Speaker 1: by Fergie London Bridge by Fergie, songs that like had
Speaker 1: nine different things going on in this like there's this
Speaker 1: is a crazy it's one of the most insane songs ever.
Speaker 1: And it starts with that like bee hivel like but
Speaker 1: and then also FLEs this definition. First of all, there
Speaker 1: is no definition. It's not and and so so. And
Speaker 1: what she's saying is that for delicious, by definition, make
Speaker 1: the boys go loco, which doesn't make sense, like for
Speaker 1: delicious meaning make the boys logo, Like that's a verb.
Speaker 1: What did you do last night, delicious? Huh? For delicious,
Speaker 1: well I went out and for delicious that, oh you
Speaker 1: made the boys go loco? Well, yeah, that's what it
Speaker 1: means by definition for delicious definition, And it's one of
Speaker 1: those grammatical things in a song that like people only
Speaker 1: focus on concrete jungle over dreams are made of. Oh
Speaker 1: that doesn't make grammatical sense. No, furgolicious definition make the
Speaker 1: boys go crazy. They always claim they know me, come
Speaker 1: to me, But I'm the f to the r G
Speaker 1: the end can know other Lady put it down like me.
Speaker 1: Think about how famous you have to be to even
Speaker 1: put this song out. People have to know who you are.
Speaker 1: They have to buy into the reality that we as
Speaker 1: the listening audience, know who Furgi is, so that when
Speaker 1: she's saying all these things, we sort of understand. We
Speaker 1: can see it, smell it, taste, to fuck its snort
Speaker 1: it that her name is Fergi and that and also
Speaker 1: that people call her Stacy but she's the F to
Speaker 1: the r G the and cannot the lady put it down?
Speaker 1: Like U work it, Miss Elliott? Is it worth it?
Speaker 1: Say yes? This was one of the songs. I think
Speaker 1: I was like nine years old when this song came
Speaker 1: out eleven but slamming your bussy to the ground. My
Speaker 1: mom was in was driving her Toyota c N, a
Speaker 1: minivan on my way to piano lessons, and the song
Speaker 1: would come on Kiss FM and like call before you
Speaker 1: come and need to shave my chat shot. I go, okay,
Speaker 1: I guess I am an adult now because I am.
Speaker 1: I want to shave my chot chop before the man
Speaker 1: comes over. Speaking of the man, number one minute man,
Speaker 1: Miss Elliott bricked me up. Show me what No one minute?
Speaker 1: Ms Elliott one of the greatest. You. Everyone needs to
Speaker 1: if you partake in marijuana, smoke a bowl. Just watch
Speaker 1: the old the videos, the I can't stand the rain
Speaker 1: one what what? What? What? Which One's that? What's that
Speaker 1: one called? It doesn't matter. We're a little we're a
Speaker 1: little buzzed already drinking Champs tonight, I'm gonna Mick you
Speaker 1: want me, Mike, you want me, and I'm gonna give
Speaker 1: you some sent ship. Oh yeah, the rains fly. That's
Speaker 1: what I meant, okay. Number two Control Elliott. This is
Speaker 1: one of those songs that could make you snap, like
Speaker 1: if you hear it, like music makes you lose kids.
Speaker 1: And then it's just like it's it's like it's like
Speaker 1: for Delicio at the beginning, where you're just like your
Speaker 1: brain has no choice, like it has to like four,
Speaker 1: It's like it's like the equivalent of a strobe light Yes,
Speaker 1: musically like ultraman like strobe effect gives kids seizures in Japan.
Speaker 1: You could get a seizure from listening. You could Number
Speaker 1: two hundred, get your freak on, Mr Elliott, now go,
Speaker 1: now go. I mean like she fucking hawks the Lugi
Speaker 1: in this song, and we still said I would like
Speaker 1: to listen to it again and again and again and again.
Speaker 1: I just had a visceral response to you doing it
Speaker 1: because she fucking ghost for it. She really let's keep going.
Speaker 1: Number two forty one so beautiful, My immortal Evanescence talk
Speaker 1: about this song, this song like Skyrocket and Evanescence. You know,
Speaker 1: they're so famous still and they're they're as big as
Speaker 1: you two. You know, the big cold Play. It's cold Play,
Speaker 1: you too, Evanescence. These are the big names of now.
Speaker 1: And it started with of course bring Me to Life,
Speaker 1: which did not make the list because when they followed
Speaker 1: it up with My Immortal, that's when you need to
Speaker 1: ever here, to stay. When you'll cry, I boy your tears,
Speaker 1: you'll not hold your years, and he'll see me. It's
Speaker 1: like a hymn, hymn number two hundred and forty Bitty
Speaker 1: Batty bum Bum Selena, the queen of the Hanno music
Speaker 1: gone too soon, and she said, Betty bum Bum. The
Speaker 1: world said absolutely absolutely number two nine. Leave get out Jojo.
Speaker 1: When she was thirteen years old, she came out and
Speaker 1: she said, I'm singing this song the house down, Leave
Speaker 1: gett out now now now you and me now can't
Speaker 1: for you two big back. Wonder about you said that
Speaker 1: you would treat me right when you were just a
Speaker 1: wish waste of time. But this there was something major
Speaker 1: about Jojo being in at least being class of two
Speaker 1: thousand and eight in high school, like she was our age.
Speaker 1: I think she was like the first big pop star
Speaker 1: that was our Age putting out. I think she was, well,
Speaker 1: you're famously a little younger than me, but like she
Speaker 1: was young. I think she's borne. When can we look
Speaker 1: it up? Really puts her in your sort of purview.
Speaker 1: She's she's decemb So, she's our Age. She's she's not Taylor,
Speaker 1: She's she's she's Jojo. I'll never forget sitting in information
Speaker 1: processing class in ninth grade when she really came out
Speaker 1: with leave Gut Out. And the senior that I used
Speaker 1: to sit next to her name was Jasmine, and she
Speaker 1: turned to me and she said, I can't believe this
Speaker 1: girl's thirteen, and you're like, I'm thirteen, and I was
Speaker 1: like I was fourteen. And that's when we started hooking up.
Speaker 1: You hooked up with the senior. Oh my god, just
Speaker 1: a little bit better than that song is number two eight.
Speaker 1: Don't stop believing Arnie. I mean, an amazing sound that
Speaker 1: has so many lives, so many live journey and then
Speaker 1: Family Guy brings it back, Glee brings it back. Sopranos,
Speaker 1: The Sopranos brings it back. Oh my god, stop the
Speaker 1: end blackout just and when the Glee kids sang this one.
Speaker 1: You knew the Glee kids were going to be then
Speaker 1: capable of something like blurred lines or then capable of
Speaker 1: something like walking on Sunshine mashed up with Halo by Beyonce.
Speaker 1: You know, Darren Chris would sing Teenage Dreams so beautifully,
Speaker 1: even though he didn't sing this, He didn't sing in
Speaker 1: the store, and you know in the story. Don't stop believing.
Speaker 1: I know what you mean. Don't give me that look
Speaker 1: you I'm not just respecting Darren Chris as a gay king.
Speaker 1: He's not even gay. Hey, at number two seven, this
Speaker 1: one really is fame us single Ladies Famous, Oh do
Speaker 1: you remember? Do you remember the dance that she used
Speaker 1: to do? To remember this? Dance like this? Didn't she
Speaker 1: have two people? Yeah, there was two girls behind her
Speaker 1: and they were all doing the dance. And I think
Speaker 1: the dance if we were we're not. But if this
Speaker 1: was a dance list, I think it might even make
Speaker 1: the top of the world. It would be Salsa, Ramba,
Speaker 1: single Ladies, the click, ballet, freestyle, wedding dances, father Daughter,
Speaker 1: um Cho, smooth Macarena, Soldier Boy, Soldier Boy. Those are
Speaker 1: those would be the sort of the top ten, but
Speaker 1: this is not a dance list and the Great Galactic song.
Speaker 1: This is the Great Galactic song, but it's sort of changing.
Speaker 1: Um okay, So next up, and speaking of dances number
Speaker 1: two or thirty six, rio, do you remember the dance
Speaker 1: I think so red two together? Hey, did you ever
Speaker 1: get self conscious when you were doing the Maccarina dance
Speaker 1: about shaking your ass at the end? I always committed,
Speaker 1: and you know, I would get so shy so that
Speaker 1: that girl who sings in between the choruses was was
Speaker 1: telling the story that people don't pay attention to. Yeah
Speaker 1: no if they weren't, Like she was flirting with a
Speaker 1: boy named Nicorino in the song yeah Nico no no
Speaker 1: no no, oh yeah me. Well and then and then
Speaker 1: like literally one of my first moments in the culture
Speaker 1: of going now who is she? Yeah right, It was
Speaker 1: one of the first now who is she? Moments? Can
Speaker 1: I just say that, Um, this is how the song goes. Wait,
Speaker 1: that's not how it goes that's this is not the pops,
Speaker 1: the pop version, oh radio version, No, what the fuck
Speaker 1: you're here? You go? This is my girl? Oh my god,
Speaker 1: bo that you're transporting. Oh my god, you're absolutely shaking
Speaker 1: your ass when this comes on. It's so this was
Speaker 1: a simpler time. This is the time was so simple.
Speaker 1: Oh my god, does she start the song? I think so?
Speaker 1: Oh you oh but he and he's really good going
Speaker 1: for it. You can hear her grinning, Yeah, you can. Wow,
Speaker 1: she is And then you said you hear the men
Speaker 1: sort of saying, hey, ma wow. People don't realize that
Speaker 1: that's a real storytelling song. Yeah. That she's like the best,
Speaker 1: the fucking star of the show. Absolutely of the venue.
Speaker 1: Number two. There are worst things I could do. Stockard Channing.
Speaker 1: You know, it's interesting that you put Stockard on this
Speaker 1: because I know I know of one other person who's
Speaker 1: done a good version of this, The Hudgeons. The Hudgeons well,
Speaker 1: stay tuned, Stay tuned. Stockard should have been Oscar nominated
Speaker 1: for this. Absolutely absolutely number two four. Since you've been gone,
Speaker 1: Kelly Clarkson, this feels low, well, this feels low. Speak
Speaker 1: on your behalf and I think you agree. I didn't
Speaker 1: make the list. It wasn't up to me, I know,
Speaker 1: but I think, but you must have a response to this,
Speaker 1: or an emotional response to being at two hundred thirty four.
Speaker 1: Here's what I'll say it's on the list, and so
Speaker 1: therefore it's like I can only complain so much. I
Speaker 1: would say that this is a sort of banger forever,
Speaker 1: and it did sort of kick start the conversation about
Speaker 1: Max Martin. Okay the first that's not really true though,
Speaker 1: because I was working at Factory Boys for years Britney spears.
Speaker 1: But anyway, I know what you mean. What I want
Speaker 1: to say is that since You've been gone made Max
Speaker 1: Martin Okay, okay, number two D thirty three a better
Speaker 1: song woman since You've been gone. The Electric Slide. Disc
Speaker 1: jockeys at block parties bought Mitzvah's Sweet sixteen's graduation parties.
Speaker 1: You hear the Electric Slide and you're expected to know
Speaker 1: it and you're expected to sort of dance to it
Speaker 1: the same way that like, do they do it? Don't
Speaker 1: the dance student thirteen going on thirty? I think they
Speaker 1: do Thriller? Well, I think before Thriller at some point
Speaker 1: they do not on the list. Nonetheless they do the
Speaker 1: Electric Slide. May maybe not. No, I'm getting it wrong.
Speaker 1: Do you if you if if it came on right now,
Speaker 1: could you do it? Well? I don't really remember it
Speaker 1: anything electrics like you go you go do do do
Speaker 1: Do Do Do Do Do Do Do Do Do Do
Speaker 1: Do Do Do Do do do do do do I
Speaker 1: guess I could sort of fake it can see it's electric. Wow,
Speaker 1: this is one of the best songs ever. It's on
Speaker 1: the list. Yeah, okay. Number Frosty the Snowman Apple our
Speaker 1: first Christmas song, and Fiona Apple has her own amazing
Speaker 1: original songs, but she chose to cover Frosty the Snowman
Speaker 1: and that was the most impactful song in her career.
Speaker 1: I think that she she knows what's going to move people,
Speaker 1: and it's Frosty. Yeah, and I don't. I never thought
Speaker 1: of Frosty as being like angsty until now. Well, the
Speaker 1: story is angsty. He melts, he goes away, he dies,
Speaker 1: he dies, he gets Frosty dies, and he like carrals
Speaker 1: the child, He like manipulates the children like Frosty is not.
Speaker 1: Frosty was a sick pedophile and that's what Fiona is
Speaker 1: good about writing about is good with is good writing
Speaker 1: about men who manipulate predators, predators. Frosty the Snowman was
Speaker 1: a predator. Rot ro number slide chat chat. Now, y'all
Speaker 1: this is another one I would get self conscious about
Speaker 1: at the chi because they when they say cha, you
Speaker 1: sort of have to like shake a little ass. I
Speaker 1: guess I just wasn't in my body as much as
Speaker 1: you were as a child. Oh I I mean you
Speaker 1: didn't do the thing like you know a middle school
Speaker 1: dance where you're grinding. I mean that we we we
Speaker 1: were dancing in the age of the grind. We definitely
Speaker 1: came of age in the time of grind um. But
Speaker 1: I wasn't grinding to chat child, real smooth. No, but
Speaker 1: I'm saying like you weren't comfortable in your body while
Speaker 1: like chocha slide would play like after Yeah by Usser,
Speaker 1: remember get low by little John, Oh my god, to
Speaker 1: the windows, to the wow, to the sweat drop down.
Speaker 1: Men are so disgusting, Little John Frosty. It's insane. Let's
Speaker 1: move away from men. Number it's raining man the weather.
Speaker 1: Girls couldn't I guess we couldn't escape from this? Is
Speaker 1: this is this is a song that he is really beautiful.
Speaker 1: I mean, and could you imagine it's raining men? Well,
Speaker 1: first of all, like practically this would be a lot
Speaker 1: of thinking about the men. What are they thinking? Oh
Speaker 1: my God, I'm falling down. You know what? This is
Speaker 1: iconically like sort of like disposable men, you know what
Speaker 1: I mean? Like it's raining then like whatever, who cares?
Speaker 1: But you know what I love about this song when
Speaker 1: it starts and she goes hi and the other one
Speaker 1: goes hi. Way, y'all were and have we got news
Speaker 1: for you? Better listen? Just the levels there, you could
Speaker 1: tell it was different people and also the choice to
Speaker 1: do to save these lines like this get ready, are
Speaker 1: your lovely girls? And leave those umbrellas at all? It
Speaker 1: just keeps getting higher and bigger and build to build.
Speaker 1: They and they started at a ten Hi Hi. What
Speaker 1: do you think they end up? What number do you
Speaker 1: think they end up at? Absolutely way off the charts number?
Speaker 1: Where are Your Christmas? Taylor Momson and Faith Hill We
Speaker 1: have the film version and the sort of pop radio version,
Speaker 1: both equally valid. It would be a tie if it
Speaker 1: weren't for the fact that they're basically the same song. Now,
Speaker 1: what do you think this question is asking she can't
Speaker 1: find Christmas? And she's asked it's like very Judy Bloom.
Speaker 1: It's like, are you there, God, where are you Christmas? Yeah,
Speaker 1: it's really a song about maturation. I think it's not
Speaker 1: just fear about losing Christmas. It's I think a fear
Speaker 1: of what am I going to become as I get older,
Speaker 1: as I'm exposed to more truths, as i move forward
Speaker 1: in my life Me Cindy lu Who What's going to
Speaker 1: become of me as I stepped forward into adulthood? If
Speaker 1: Christmas changes, does that mean I'm going to change as well?
Speaker 1: And what will I become as I become an adult?
Speaker 1: This song is deeper than it's being given credit for it.
Speaker 1: And it was written by Maria Carrey. There is no
Speaker 1: song quite like this in the Christmas cannon, and it
Speaker 1: made the list, and it made the last number two
Speaker 1: corn Natalie, and I mean this bitch wore a fucking
Speaker 1: zip up hoodie, a sweater or whatever the hell, and
Speaker 1: she made into a moment she gave, she gave when
Speaker 1: she was like when she goes and it goes, and
Speaker 1: she's like spins around that iconic thing that years ago.
Speaker 1: I tried to write a sketch wou it was like,
Speaker 1: I don't know what it was, but I think it
Speaker 1: was just people hanging out and the people would just
Speaker 1: go do the dance. I think no one got it
Speaker 1: and it did not make it into the show. That's okay.
Speaker 1: But you can use the for us to know if
Speaker 1: you want. I'll use it for us to know. I'll
Speaker 1: try to find it. I thought I saw a man
Speaker 1: brought to life. He was warm, he came around, and
Speaker 1: he was dignified, showing me what it was to cry.
Speaker 1: But she couldn't be then, man, I don't You don't
Speaker 1: seem to know, seem to care. What's your heart is for? Well,
Speaker 1: I don't know him anymore. There's nothing where he used
Speaker 1: to lie. Inspiration has gone dry. That's what's going on.
Speaker 1: Nothing's right out time. I'm about out of faith. This
Speaker 1: is how fel I'm called the nye am shame lying
Speaker 1: naked on the floor. Lusion never changed and do something real.
Speaker 1: I'm wide away and I can see the perfect sky
Speaker 1: is tie. You're I'm already turne turn amazing. It's so good,
Speaker 1: it's amazing, Oh my god. Then the lyrics are like
Speaker 1: low key amazing, like you're thinking about it. Illusion never
Speaker 1: changed into something real. I'm why the waken. I can
Speaker 1: see the perfect sky is torn? What the fuck? I
Speaker 1: remember just being scandalized by lying naked on the floor.
Speaker 1: It was like naked on the floor. How many times
Speaker 1: have you been lying? How many times in your life
Speaker 1: have you lined naked on the floor? Not that many.
Speaker 1: Now I don't really like naked on the floor. I
Speaker 1: light naked in the bed. I like naked in the couch.
Speaker 1: I I yeah, all the time. I walk around naked often.
Speaker 1: But on the floor, you are at your lowest. Now
Speaker 1: the floor is filthy. But you and why you had
Speaker 1: to get naked before you ended up on the floor.
Speaker 1: You can't get lower than the floor. Number two, just
Speaker 1: a little bit, a little bit more mm hmm. Number
Speaker 1: two creep. Famously, Katrina Rogers is famous favorite song of
Speaker 1: all time. There was a time when she would call
Speaker 1: this her favorite song, which is so funny to me
Speaker 1: and knowing what this is about, so creep. Yeah, just
Speaker 1: keep it on the download. It's about cheating. If Katrina
Speaker 1: loves it, it's like it's like my dad real and
Speaker 1: loving believe by share Maybe on the list we'll see
Speaker 1: say anyway, that almost for you, Katrina two Vita Loca
Speaker 1: Ricky Martina Rights. This is a song about a gay
Speaker 1: man worshiping a woman. Yeah, she is also to sing
Speaker 1: it like that black cats, and it's like almost not singing.
Speaker 1: It's sort of like it's Bob Dylan. Yeah, Ricky Martin,
Speaker 1: this isle is a Bob Dylan song, and that's a rule.
Speaker 1: Culture Culture. Number twenty four is a Bob Dylan song.
Speaker 1: That Cat's gonna make Me fun. That girl to consider
Speaker 1: covering the song before he perishing, croaks, croaks, Hey, it's
Speaker 1: do the next one. Number two intuition from oh three
Speaker 1: oh four her pop horror moment, And unfortunately Jewel has
Speaker 1: sort of politically been troublesome lately, has she. She's very
Speaker 1: she loves, she loves one Joe Rogan, Yeah, she loves.
Speaker 1: She's from Alaska, girl, I don't know what that means.
Speaker 1: Are very contrivutive, We're gonna we're gonna cut that, okay,
Speaker 1: intuition probably all hartre here Sean, what is that in direction?
Speaker 1: What a weird singer, crazy singer. But we love her
Speaker 1: and she appears on the list numerous more times. Number
Speaker 1: two twenty three Cottony Joe Rednecks the band not necessarily
Speaker 1: the people. Sure Rednecks like the song contnight Joe. I
Speaker 1: used to love this song. Remember this song, Cotton it
Speaker 1: was there's a time when Cotton Eye Joe and like
Speaker 1: the fucking Hamster song. Cotton Joe was always my favorite
Speaker 1: song at like one of these types of events where
Speaker 1: these songs would be because and do you know Cotton
Speaker 1: I Joe? Do you know the dance? I don't know
Speaker 1: the dance? Would you like to see? Yes? Okay, Matt,
Speaker 1: it's taking off the headphones. It goes like this, well, man,
Speaker 1: go Nando. I've been married a long time ago to
Speaker 1: come from it and to go to come from Nando. Oh.
Speaker 1: So it's like honestly in my bones, like in my
Speaker 1: body for yeah. But you saw and watching me do
Speaker 1: the dance, you thought it was fun, right, it was?
Speaker 1: It looked so fun. I was. I was. I was
Speaker 1: square dancing with the guys and girls. Yeah, yeah, yeah,
Speaker 1: I love it and it really gets everyone onto the floor.
Speaker 1: And also it's it's like it's better than the Electric
Speaker 1: Slide in Marcarina because when you get it right, it
Speaker 1: feels like you actually challenge yourself via have you dance?
Speaker 1: This is the thing though, and this is part of
Speaker 1: why Marcarina and Chaa Slide and Earn the Electric Slide
Speaker 1: took office because they're slow. Right, it's boom boom boom boom.
Speaker 1: Cone Joe is but that, but that, but that, but
Speaker 1: it's it's just that, like the BPM is a little
Speaker 1: bit more engaging. It's it's a it gets your heart
Speaker 1: rate up. It actually predated Berries, predated Cottony Joe was
Speaker 1: the original Berries. And that's a real culture. Number one
Speaker 1: Hunt Cottony was the original Berries. Just even doing Cottony Joel,
Speaker 1: you get the same workout that you would add Berries.
Speaker 1: You just burned a thousand calories. Shout out to Ian,
Speaker 1: Shout out to Ian mcganrew Um, Okay, number two. Number
Speaker 1: talk about another fast paced song, be My Lover Love Bush.
Speaker 1: We did a performance of this when we hosted our
Speaker 1: show The List at the Public Hotel. Um. That was
Speaker 1: a great performance. I wish we still had it, I
Speaker 1: know where, I don't know. We never filmed anything we did.
Speaker 1: I know we sept popular, let except popular let But
Speaker 1: this song, I mean like and just a great I
Speaker 1: like quintessentially this and like show Me Love by Robin
Speaker 1: s like might be on the List, like quintessential, like pop,
Speaker 1: huge pop house, nineties house moments brought it into the mainstream,
Speaker 1: and this song just like the the vocal the vocal
Speaker 1: who at all the time you want? If you want
Speaker 1: to be my love, I wanna beat my lava. No,
Speaker 1: you got You know what I love about this vocal
Speaker 1: is it's full thrownd Yes. They said, hey girl, you
Speaker 1: don't know. You don't have to do all that, And
Speaker 1: she said, you don't know what. I don't know what
Speaker 1: I have to do. I'm a la bush la bush
Speaker 1: the mouth the mouth is that what that means? What
Speaker 1: la boca? Oh my god that French laboush is the
Speaker 1: mouth in French. Someone's opening a door. Oh my god.
Speaker 1: We have our first guest. Yeah, first Cup game, come
Speaker 1: on good? Oh my god, oh my god. We have
Speaker 1: our first special guest here to help us with the
Speaker 1: top three with the Great Global Songbook Introduce Yourself Now
Speaker 1: credit titled yes that's working now, Greta, You've come in
Speaker 1: an amazing time. We are at number two two on
Speaker 1: the list. It was be my Lover by love anything
Speaker 1: anything you want to say about this song. I don't
Speaker 1: want to say thank you for wearing the jest for
Speaker 1: my boys today, I mean every day. But I was
Speaker 1: going to a little sweitch around to go to the gym,
Speaker 1: and I said it has to be a less culture.
Speaker 1: So are you are you stopping here on your way
Speaker 1: to the gym? I'm stopping here on my way to
Speaker 1: the gym, so sort of endorphans before the endorphants exactly.
Speaker 1: We're so thrilled to see a shocking honor to be
Speaker 1: on the three hundredth episode. Well in your family or
Speaker 1: your family and you need a mimosa. You can't possibly
Speaker 1: because you can't possibly because I'm gonna go and bust
Speaker 1: my ass on the stair mask because tonight I do
Speaker 1: believe and hope that we are all eating fajita. Yes,
Speaker 1: we're having a little birthday to me. Now, I'm really
Speaker 1: excited that that you are gonna be here for this
Speaker 1: next one because bow and by the way, let's just
Speaker 1: I'm cutting this out. I see that is also Frosty
Speaker 1: the Snowman. Oh Ship. Okay, so it should be what
Speaker 1: do you want to replace that with? Um, we're actually
Speaker 1: gonna it's gonna be iconic because we're gonna have gratitudes.
Speaker 1: What is the song that should be on the top
Speaker 1: three hundred that should be here? Um, no doubt, it
Speaker 1: should be Natalie and Bruglia line Naked Trusted It. You
Speaker 1: know what else. It should be. It should be um,
Speaker 1: it should be it should be liquid Dream, Liquid Dream,
Speaker 1: liquid dream by Okay, okay, perfect, all right, but that's
Speaker 1: not yet. The number two is push It sep iconic song, now,
Speaker 1: push It, et cetera. Oh baby, baby, baby baby, get
Speaker 1: up on this probably the most like performed song in cinema.
Speaker 1: One might very not only do we get the song,
Speaker 1: you has to get dance, dance and the thing is
Speaker 1: this song. Let's just put it out there on the table.
Speaker 1: It makes you want to fuck and get down and
Speaker 1: have sex, you know if that beat that he and
Speaker 1: you push it by night sweat Come girls? What was?
Speaker 1: What is the movie I'm thinking of where that is
Speaker 1: like the friendship thing between that Is it sweetest thing?
Speaker 1: I don't know, but it's like their thing where they
Speaker 1: meet up and they do it out like a sleep overnight.
Speaker 1: Oh my god, I'm seeing like I think it's sweetest thing.
Speaker 1: Push It, Push it movie in a movie, friends, push
Speaker 1: it in a movie. Something Borrowed, Something borrowed, borrowed, and
Speaker 1: first of the films Something Borrowed to take real estate
Speaker 1: on our top three is absolutely perfect. Perfect Something World
Speaker 1: one of those movies that had a good trailer and
Speaker 1: then was not good. Now two twenty we had a
Speaker 1: repeat of a prior song, so we did ask Gretta
Speaker 1: to give us her contribution to this and I'm thrilled.
Speaker 1: I'm thrilled. It's the perfect liquid Dream. Yes, Ashley Parker
Speaker 1: angel everyone yea remember him. They were all really attractive.
Speaker 1: We were all really attractive, and not only did they
Speaker 1: offer liquid Dream, but also is it all Let's talk
Speaker 1: about the lyrics of liquid Dream, then painting the perfect woman.
Speaker 1: She's got a body like Jennifer, Right, I do about
Speaker 1: a girl who's a mix of Destiny's Child. There we
Speaker 1: go with a little touch of Madonna's with Janet Jackson's
Speaker 1: throwing a body like Jennifer. You got the star of
Speaker 1: my liquid Dream, which is about coming. Yes, and like
Speaker 1: I knew that at the time. Also the line, she's
Speaker 1: a morph a morphraudic dream from a magazine. Now this
Speaker 1: hot girl, she's not your average girl, she's a mad
Speaker 1: dream from a magazine. Well, she's so fine day designed
Speaker 1: to blow your mind. She's a dominator, supermodel, beauty Queen's dominator,
Speaker 1: supermodel beauty Angelina Jolie's lips to kiss in the dark
Speaker 1: underneath Cindy C's beauty mark. When it comes to the test,
Speaker 1: she's Tyras the best and Selmahiac brings the rest. These
Speaker 1: men are gay, These are game man, these are gay.
Speaker 1: Liquid Dream says them standing and they're talking. The Liquid
Speaker 1: Dream was them having a martini with them. I've ever
Speaker 1: been hearing Liquid Dream play blast in the clubs this pride.
Speaker 1: You will appreciate this, both of you will. It's just
Speaker 1: unlocked memory for me. The first time I went to
Speaker 1: Universal Videos Hollywood, the first time it was in l A.
Speaker 1: Don't tell me were it? Well? Know that album had
Speaker 1: just come out, and that album that my sister bought
Speaker 1: was in my disc man that entire time. We were
Speaker 1: in Los Angeles and I just we played. I played
Speaker 1: that album start to finish, over and over and over again.
Speaker 1: Was Oh Town a Pearlman creation they were making the band.
Speaker 1: Watched them come together, we did did and they really
Speaker 1: were like they were a group of like horny looking guys.
Speaker 1: Really I wonder how much of them were gay? There
Speaker 1: was four, right, it was four, I think it was four.
Speaker 1: Ashley Parker angel as he well he just looks gay.
Speaker 1: I think, Am I making this up? But was Ashley
Speaker 1: Parker Angel in a relationship with Ashley Simpson. Spiritually that
Speaker 1: feels right, but of course Ashley Simpson I con dated
Speaker 1: Ryan Cabrera for sure. Who's not on the Ashley wait?
Speaker 1: Oh my god? They had once Wait okay, Ashley had
Speaker 1: a son named Lyric Lenon born August two five, and
Speaker 1: Lyric is an actor and appeared in American horror story Hotel. Well,
Speaker 1: you know how he came to be because Ashley Parker
Speaker 1: Angel had a liquid reality into a woman and that
Speaker 1: he basically like probably was thinking of a dominated supermanol
Speaker 1: beauty and Salma Hayak brought the rest. What does that mean?
Speaker 1: I would just like to say that lou Perlman did
Speaker 1: manage them. He did iconic, so he probably was like
Speaker 1: you guys thinking about how you want to come and
Speaker 1: they're like okay, um, So number two, I love you
Speaker 1: always forever, Lewis. This is that song you hear in
Speaker 1: the doctor's office. It's that song you hear on FM
Speaker 1: radio in the car when you're driving around. You always
Speaker 1: love me forever and never stopping up but whatever, everywhere
Speaker 1: and everything, I'll never forget. She really sang this from
Speaker 1: her beautiful soul and she said, you go the most
Speaker 1: unbelievable blue I've seen. She made me say you could
Speaker 1: see the blue eyes eyes. This song gives me a
Speaker 1: gorgeous fall afternoon. It's an autumnal romance for me. Or yeah, no,
Speaker 1: fall Afternoon is good. I was going to say, but
Speaker 1: it's not quite that. It's like pool side and spring,
Speaker 1: but maybe not. But fall in Spring speak to each
Speaker 1: other because they're not hot or too cold. Absolutely, they're mirrors. No,
Speaker 1: definitely no, no j is on the list en hold
Speaker 1: on Wilson Phillips sort of living in the same time period. Totally.
Speaker 1: I really do appreciate it coming back in a big
Speaker 1: way after bridesmaid I was going to say Bridesmaids gorgeous
Speaker 1: song when you're hold hold on the Falling Monday, I
Speaker 1: mean really, really, really just And you know what I
Speaker 1: love about this song is they're saying, I know this pain.
Speaker 1: Why do you lock yourself up in these chains? No
Speaker 1: one can live your life except for you. Don't ever
Speaker 1: let nobody st open your heart and you'll find open
Speaker 1: your heart and your mind. Is it really fair to
Speaker 1: Is it really fair to feel this way inside? Some
Speaker 1: day somebody's going to make you want to turn around
Speaker 1: and say goodbye. Until then, baby, are you gonna let
Speaker 1: him hold it? Time to make you cry? This is
Speaker 1: Girl by Destiny's Child's spiritual successor successor. This is white Girl,
Speaker 1: White Girl. This is white Girl. It's actually a culture number.
Speaker 1: Forty holds Phillips is White Girl by Destiny's Child. Let's
Speaker 1: move on And this song is very famous, but it's
Speaker 1: only a little bit better than hold On and liquid Dream.
Speaker 1: Respect et Queen Queen of Soul, A wreath of Franklin.
Speaker 1: The Franklin. I mean, there's not to say, come on.
Speaker 1: She she literally spelled it out just a little bit, mr,
Speaker 1: just a little bit, just a little bit. Hey. Then
Speaker 1: when she went rear reary respect just so you know, Um,
Speaker 1: I wasn't my gospel choir in high school and truly
Speaker 1: as a prank, they made me sing respect in front
Speaker 1: of my entire high school my senior year. Uh, let's
Speaker 1: just say it was not what you want because you're
Speaker 1: more jazz vocalist, You're not really a vocalist. But that
Speaker 1: was good. It maybe got it. Remember when Kelly Clarkson
Speaker 1: was a iconic white girl who's saying respect on American
Speaker 1: idol and then shot into the hearts of millions. Yeah
Speaker 1: you think that was the moment? Yes, respect, she slayd that,
Speaker 1: she slaved that all right? And better than respect, they're
Speaker 1: just a little bit better than our yes ect, bring
Speaker 1: back my girls, RuPaul. So at the there comes a
Speaker 1: time in every episode of RuPaul's Drag Race where RuPaul
Speaker 1: has to bring back her girls to get critiqued and
Speaker 1: to find out it's going to be eliminated. And so
Speaker 1: naturally this was an opportunity for her to make a song.
Speaker 1: Hence we have bring back what's the famous lyric in
Speaker 1: the first In the first verse, she's going back to
Speaker 1: the workroom. Do you think, oh no, no, no, no,
Speaker 1: it's with Cranberry. Thank you, Dolly think you're do? I
Speaker 1: just know bring back my Yes, that's sort of thing,
Speaker 1: bye bye, bring back bye talk with cranberry. Thank you? Do?
Speaker 1: I think I ordered that from both I voted that
Speaker 1: from both of you at certain times. V thank you
Speaker 1: for me. It's more with grapefruit, right, what's your favorite
Speaker 1: thing to put with vodka? Um? Gosh, like an espresso?
Speaker 1: This cold bitch okay number two hundred fifteen, obsessed, carry
Speaker 1: you a mom and pop, I'm a corporation, I'm the
Speaker 1: press conference. You a conversation? Oh why are you so
Speaker 1: obsessed with me? Want to en it's really a testament
Speaker 1: to mean girls. Yeah, what is that? Lying? That just
Speaker 1: sex with me? When everybody knows God that you're good? Impressed?
Speaker 1: Last man, I still couldn't get this. Get to Losional.
Speaker 1: You get to Losional, but you're losing your mind. It's confused.
Speaker 1: And y'all you're confused. You know why you wasteing your time?
Speaker 1: Because I got you offpu, I got blex thing? Are right?
Speaker 1: So you're like a baby when next? Oh, oh boy,
Speaker 1: why are you so obsessed with me? Do you feel
Speaker 1: that that's great? Yes? And how do you feel that
Speaker 1: this is the first time Maria carry has been on
Speaker 1: this list? I believe I feel that, um where it's
Speaker 1: the beginning of something. I would have said. I would
Speaker 1: have voted for honey, Okay, interesting, that's interesting that you think.
Speaker 1: And I also would have voted for no, that's what myo? No, no, no, no, no, no. Yeah.
Speaker 1: Um Number two fourteen, Get out of my dreams, Get
Speaker 1: into my car. Are you guys familiar with this? Get
Speaker 1: out of my dreams? Oh? Get into mock up. This
Speaker 1: was at a time when you know, pedophiles were everywhere.
Speaker 1: Get into my white van and never see your parents again.
Speaker 1: I mean, that's what I think. It's it's not, it's not.
Speaker 1: It hasn't aged well. Pedophiles were everywhere. The song came out,
Speaker 1: and now you had kids listening to the song anytime
Speaker 1: some some cube bitches like that person is a pedophile.
Speaker 1: I know. That was the eighties, that was the It
Speaker 1: was a different time. Pedophiles joining anymore. Now they're gone,
Speaker 1: they're eradicated because we don't have songs like this on
Speaker 1: the radio. Yes, it made the list. A better song
Speaker 1: than Respect by Aretha Franklin. He's huge, he's so famous.
Speaker 1: Goodbye el checks. Speaking of speaking of killing a man,
Speaker 1: I don't know when we the last time we talked
Speaker 1: about this was but speaking of killing a man, goodbye earl,
Speaker 1: goodbye earl. And you know it's it sort of says
Speaker 1: to women like, here's a way out. They should make
Speaker 1: a movie of this. Who would be the stars, the
Speaker 1: three of us? Yeah, you're so right. Why did I
Speaker 1: why did you ask that question? Wait? Can we option this? Yes?
Speaker 1: I think that hold on getting a call? Actually did
Speaker 1: just I did just get a call. Oh Sagamore Beach, Massachusetts.
Speaker 1: Pick up, it's Hollywood. Hello, talk to me of thing.
Speaker 1: You just came across my desk. What's the desk? Look
Speaker 1: sounds really real, Jennifer, Jennifer, Jennifer. I am now only
Speaker 1: picking up the phone like in an eighties movie in Hollywood.
Speaker 1: Talk to me, Talk to me, to me, you got
Speaker 1: you got Greta? Yeah, talk me. Who's playing Earl Sebastian
Speaker 1: He he's born Earl? Yeah? Yeah, I love him? Oh
Speaker 1: my god. Anyway, I think I'm serious, like we should
Speaker 1: be option Okay, I'm techting. We're texting Olivia right after
Speaker 1: this literally flick called me. Yeah, I like our agents.
Speaker 1: Fucking That's what you get with the chicks. You get
Speaker 1: narrative that can be so easily translated to something cinematic.
Speaker 1: You get a whole movie written on spack. Where where
Speaker 1: is you get? You get beat cheeks, the whole thing.
Speaker 1: You take it into the meeting. You say it's gonna
Speaker 1: take us a week. Oh my god, all the time,
Speaker 1: all this time, alright, Number number two hundred and twelve,
Speaker 1: Work from Home, The fifth Harmony. I Ain't worried about nothing,
Speaker 1: I ain't worried about Nada. When I put this song on,
Speaker 1: I'm sending you pick after picture. I'm gonna get you fired.
Speaker 1: These bitches want to fire one of this man to
Speaker 1: lose his job. They said executive decisions, and who could
Speaker 1: forget that? That live performance, I think it was the
Speaker 1: Billboard Music Awards or something where they're on the construction
Speaker 1: site and I think Normany with the little tool. With
Speaker 1: the little tool, someone's hammering a tractor tire. She's like
Speaker 1: hammering a tire. She's like. One of my favorites is
Speaker 1: in the music video when one of the hot, you know,
Speaker 1: construction guys unrolls the blooper in the upside down there
Speaker 1: and then she puts a big hammer on the table
Speaker 1: and basically just suggest like your dick should be this big,
Speaker 1: and she points to it like what is that? What
Speaker 1: is that mine? You know her always on the night.
Speaker 1: I can stand nights alone and I don't need explanation,
Speaker 1: because baby, you don't gotta go to work work work, work, work,
Speaker 1: work work. You gotta put to work work work, work, work,
Speaker 1: work work one note, one note, one one dream, one
Speaker 1: Dream number two eleven Concrete Angel Martina McBride. Do you
Speaker 1: guys know this one? Of course do I know this song?
Speaker 1: It's about a kid that dies. Cong cong Crete sad.
Speaker 1: I know everyone paused the episode, listen to the song
Speaker 1: and come back for more fun. Okay, we're back. This
Speaker 1: is an original song, number ten number. He's a little
Speaker 1: obsessed with me culture it should be Matt Rodgers. It's
Speaker 1: just it's all credit goes. Let it. He's a little
Speaker 1: obsessed with me. He's a little obsessed with me. He's
Speaker 1: a little obsessed with me in the morning and night.
Speaker 1: He's a little obsessed with me. When us say all right,
Speaker 1: he's a little obsessed with me. He's a little obsessed
Speaker 1: with me. It's Matt Rogers down. I want that to
Speaker 1: be my ringtone. It can be, It can be. You
Speaker 1: can figure that out on the old internet garage bandits
Speaker 1: number two hundred and nine. Get the Party Started, Shirley
Speaker 1: Bassie is that. It's Get the Party Started by Pink
Speaker 1: but performed by Shirley Bassey. God, this party on a sad.
Speaker 1: You've not seen it. I've seen this. MAT's body just
Speaker 1: became one of those like floats that you say, yeah,
Speaker 1: body started on a Saturday everybody's waiting for me to
Speaker 1: number gold Golden Night, Weakness, Golden Night. I'll do what
Speaker 1: I please. This is peak Tina Peaked, Tina, hair on point,
Speaker 1: gown on point, giving James Bond like galvanized theme song.
Speaker 1: Would you say this is the best Bond song I
Speaker 1: ever made? It's my favorite, It's one of the best.
Speaker 1: I actually I do love Madonna. I do love die Another.
Speaker 1: I guess another day. That is a good one. I'm
Speaker 1: gonna make. That was like her true Robot era. I
Speaker 1: love that I missed. I think we're going back to that.
Speaker 1: I think so. I hope, so, I hope. So We're
Speaker 1: We're almost We're almost there. Number two Dred seven never
Speaker 1: Enough from the Greatest Showman Lauren Already. When I first
Speaker 1: saw The Greatest Showman and this song played, I was
Speaker 1: in tears, crying because I was so high. And you
Speaker 1: thought I was going to say so moved that too,
Speaker 1: that it's a chicken of the egg, the Chicken of
Speaker 1: the Egg. And I turned to Sudy and I said,
Speaker 1: this is the greatest song of all time, and she said,
Speaker 1: you're so stupid. We forget the zendaia of it all
Speaker 1: as well. I would just like ear. I'm not gonna no,
Speaker 1: no no. It looks like Zendia sticks and Diet. It
Speaker 1: looks like it should be's and Diet. Replay, rewrite the Stars.
Speaker 1: It's a gorgeous song. You know want you. It's not
Speaker 1: a secret A no you want Zach g Effron is
Speaker 1: one of our greatest singers. It's true you. I mean
Speaker 1: everyone hopes that he like revisits that he does. He
Speaker 1: does have his roots in musical theater, specifically high school,
Speaker 1: and I wish he wouldn't forget that. I think he's forgotten.
Speaker 1: I don't want to see him like with bear grills
Speaker 1: eating raw chicken. I don't want to see him like,
Speaker 1: you know, in in a gross out comedy with Roberts
Speaker 1: in Narrow. I don't want to see anyone debasing themselves.
Speaker 1: I want to see my guy in a fucking suit.
Speaker 1: Tap dancing, Yeah, that's show biz, kid kid number. This
Speaker 1: was probably we were all in high school in this huge, big, big, big,
Speaker 1: big big. Remember when Tato was I'm like a bird
Speaker 1: and then all of a sudden she was promiscuous girl.
Speaker 1: It was insane And the collaboration with Timberland, Yeah, huge,
Speaker 1: don't don't be mad, don't be mean. You are the
Speaker 1: Nelly and you are the Timberland. Yeah. I was really
Speaker 1: I was really shocked as a as a as a teenager,
Speaker 1: I was like, wow, you can really have it all
Speaker 1: you can. This song made me be proud to be
Speaker 1: a promiscuous girl. Did you identify as a promiscuous girl?
Speaker 1: It's just so funny that it's called promiscuous. It's not
Speaker 1: even like like she used the big word promiscuous girl.
Speaker 1: Like imagine like someone refers to as promiscuous girl, like
Speaker 1: we know you fuck a lot of people. Promiscuous girl. Hey,
Speaker 1: promiscuous girl. I think it's a sexy little turn. It
Speaker 1: just kind of doesn't roll off the tongue. Promiscuous girl.
Speaker 1: It's very it's very Cinderella in trouble. You're getting in
Speaker 1: trouble by the headmaster at school. Girl, promiscuous girl, you're
Speaker 1: teasing me, you're teasing me. I know what I won't
Speaker 1: and I got what need can missus by. Let's get
Speaker 1: to the point, because we got a rule you. Next
Speaker 1: number two five, RuPaul appears again to see that walk RuPaul.
Speaker 1: I listened to this song a lot more than I
Speaker 1: think people know. Still this was a big song, you
Speaker 1: knoween season six of drag Race, the Ncle del rio
Speaker 1: a doorge Laano Courtney act era of drag Race. That's
Speaker 1: one of my favorite seasons, absolutely, and I think this
Speaker 1: was like the first true RuPaul bop supermodel, supermodel. But
Speaker 1: what about Me? That was after But season five was
Speaker 1: the beginning. There's no beginning of the US do your
Speaker 1: life so people sleep on. Don't be jealous of my buggie.
Speaker 1: Don't be jealous of my buggy. You can say that
Speaker 1: you are not, but I always you looking. When did
Speaker 1: they call me mother? Calling mother? Was after season eight
Speaker 1: or nine, around eight nine, that was amery. That was ten.
Speaker 1: I can't back in the house. I can't believe you
Speaker 1: know that that sound was really good. Oh my god,
Speaker 1: but it's not on the left on the list number.
Speaker 1: This is one of the greatest songs of all time,
Speaker 1: no more truly a lisp a lisp legend song. Oh
Speaker 1: I'm getting a little tired of your broken promise. And
Speaker 1: then just like but then the second verse like like
Speaker 1: a lady, when you open doors and doors that you
Speaker 1: want to friend when you're with your boys and boys,
Speaker 1: how are you gonna play me? When about your clothes,
Speaker 1: your clothes, where your doors and girls? You know what
Speaker 1: you know. But I have the nerve and nerve but
Speaker 1: there when I'm up pages that you want a chance
Speaker 1: to chance this is Please. No, I'm not the one
Speaker 1: say it Again't say it again. Oh I believe that
Speaker 1: I don't. I mean Kennie Williams, who I iconically had
Speaker 1: another single come out that I that I listened to.
Speaker 1: But we always forget Adrian Bylon was. But the thing is,
Speaker 1: and we will never forget her. But we need to
Speaker 1: get her a new job because the real is being canceled.
Speaker 1: So we have to protect Adrian, violent and all costs.
Speaker 1: I stand number two D three. Don't rain on my parade,
Speaker 1: Barber stands. I mean, the son's a ball of butter.
Speaker 1: Don't bring around the cloud rain on my parade. She said,
Speaker 1: um hap, sir, she demanded it. Yes what there was
Speaker 1: no debate. There's no debate. You were to handle her hat.
Speaker 1: I gotta have my by sir, amazing the fanny number
Speaker 1: beneath my wings. Bette Midler must have been cold there
Speaker 1: in my shadow. Hi flies the flyer, high fly, so high, sky,
Speaker 1: so high. I almost touched this guy. Thank you, Thank you,
Speaker 1: Thank God for you wouldn't beneath my high. It's one
Speaker 1: of the best songs ever. Sing it to you your
Speaker 1: Canty Center honors. No, you're I'm not your hero, You're
Speaker 1: my hero. You'll sing it to me. You're everything I
Speaker 1: wish I could be, I could fly high. I'll sing
Speaker 1: it for both of you. Must have been cold there
Speaker 1: in my shadow. Never have sunline on your face? Wow, wow,
Speaker 1: number class Catherine Data Jones And that's it. No other renditions.
Speaker 1: Can you know the song? Class from Chicago? Give it
Speaker 1: to me really quick? Whatever happened to you? Please? Thank you?
Speaker 1: And yes, yeah I do, hold on, hold on, I'm
Speaker 1: pulling up the lyrics. Yeah, we should do a close read.
Speaker 1: Whatever happened to fair dealing and pure ethics and nice matters?
Speaker 1: Why is it everyone? Now? Is this a pay to
Speaker 1: the What have I happened to? Class Class? And whatever
Speaker 1: happened to please Mehi? And yes, thank you? When how
Speaker 1: charming there are we? Son of a bitch? Is that
Speaker 1: a snake in the grass? Whatever happened to class class? Oh,
Speaker 1: there ain't no Jennalan Joven up the doors. There ain't
Speaker 1: no ladies down, There's only pigs and whores and even
Speaker 1: kids will not get down to past. Nobody's got no class.
Speaker 1: Oh you were about today? It's ripe and theft Jesus Christ. Hey,
Speaker 1: there's no decency, lad, nobody's got no class. Every guy,
Speaker 1: that's not every girl. It is a twat. Holy shit,
Speaker 1: holy shit, what a shame? A shame? What became class
Speaker 1: this episode? If we found our harmony, we would slay that.
Speaker 1: Oh my god, can we just do this next one
Speaker 1: because it connects again? This next one is meaningful to me.
Speaker 1: And you're gonna this is the last song of this episode,
Speaker 1: number all that Jazz Katherine Dada Jones and that's it.
Speaker 1: Why is a specialty? Puck the car No spot with
Speaker 1: jan has Coal in the piano. This was a moment.
Speaker 1: This was a moment in cinema history. And oh the
Speaker 1: remember when Renee popped in Oh my god, that was
Speaker 1: when you understood what the diagetic of the whole movie was.
Speaker 1: This is a song. And tell me if I sounds stupid,
Speaker 1: I watched this movie and I see this song being performed,
Speaker 1: and I go, well, the twenties wasn't that long ago.
Speaker 1: The twenties people wanted sex, alcohol, just mystery, they want
Speaker 1: to hot whoopie. Yeah, I can I say something. I
Speaker 1: don't think I've ever really had hotcha whoopee. I don't
Speaker 1: think I've ever had hot whoope either. I think we
Speaker 1: can hotcha whoopee to me means like that whoopee that
Speaker 1: is so good it gets it gets you feeling like
Speaker 1: we can't have hotcha whoopee in our culture because there's
Speaker 1: no I don't deserve it. We don't deserve it. We
Speaker 1: also the phones have the Internet, and phones have taken
Speaker 1: away hot to whoopee. I think we need we need
Speaker 1: to try our best to get back to hotch whoopee.
Speaker 1: For the sake of the planet, for the sake of
Speaker 1: human kind. Oh my god, we have made it through
Speaker 1: one hundred of the top three hundred songs in the
Speaker 1: Great Global Song Book. How do you feel so far above?
Speaker 1: I'm really terrified that we are going too slowly, But
Speaker 1: each of these songs deserves their praise for being on
Speaker 1: the list. We are talking. I mean, they told us
Speaker 1: they want a culture catch up, and they're getting one.
Speaker 1: Greta Tilman, as a family member of last culture, want
Speaker 1: to thank you as a merch owner. Oh my god,
Speaker 1: I'm so I like it was an honor to even
Speaker 1: be thought of, said, we only reached out to a
Speaker 1: few family members of last coach to come in and
Speaker 1: help us count down the three hundred, and we're so
Speaker 1: happy that we can send you on an endorphin high
Speaker 1: to the gym. I'm just you know this, this podcast
Speaker 1: is culture. Thank you. We can't say it, so we
Speaker 1: have to look to other people. It is culture. It's culture,
Speaker 1: and it's an honored part of the l see you.
Speaker 1: You are one of the heroes the pantheon. Bo I
Speaker 1: think we're gonna see all the kids tomorrow. For the
Speaker 1: continuation of the list, see tomorrow, two hundred through one
Speaker 1: hundred in theory, in theory, in theory, we'll see, we'll
Speaker 1: see in practice this and we end every episode with
Speaker 1: a song, Oh, I'm already to see you tomorrow, Seeing
Speaker 1: it tomorrow in Station Station Sta