1 00:00:02,000 --> 00:00:06,200 Speaker 1: Live from the Mercedes Bands Interview Lounge. Well, I gotta 2 00:00:06,240 --> 00:00:08,640 Speaker 1: tell you, even though the Jonas brothers are here in 3 00:00:08,640 --> 00:00:11,000 Speaker 1: the room with us and they performed unbelievably a few 4 00:00:11,000 --> 00:00:15,240 Speaker 1: moments ago, I'm getting that sad. That's sad feeling. Do 5 00:00:15,280 --> 00:00:17,360 Speaker 1: you guys get this feeling when they're breaking down after 6 00:00:17,400 --> 00:00:20,520 Speaker 1: a show and a show's done. This is a bit somber. 7 00:00:20,880 --> 00:00:24,560 Speaker 1: Usually gone show depression, usually gone by that. You're usually 8 00:00:24,920 --> 00:00:27,480 Speaker 1: at the waffle house by that. Yeah, we played five 9 00:00:27,520 --> 00:00:31,800 Speaker 1: shows on Broadway two weeks ago and it was so 10 00:00:31,880 --> 00:00:34,520 Speaker 1: exciting and then you just like there's nothing right after. 11 00:00:34,800 --> 00:00:37,599 Speaker 1: So there's that moment where you have to like get 12 00:00:37,600 --> 00:00:40,760 Speaker 1: your your feet back wet, you know. So is there 13 00:00:40,760 --> 00:00:45,040 Speaker 1: a post show like, Oh, yeah, for sure, there's like 14 00:00:45,040 --> 00:00:48,200 Speaker 1: a come down. All cases, it lasts like a week, 15 00:00:48,560 --> 00:00:52,960 Speaker 1: r two or three lifetime. Oh no, Look, I shouldn't 16 00:00:53,000 --> 00:00:54,880 Speaker 1: be so rude as a rude host, like I'm so 17 00:00:54,880 --> 00:00:57,600 Speaker 1: glad you're here, but I'm so sad. Say I'm getting 18 00:00:58,160 --> 00:01:00,400 Speaker 1: full of crap. I want you guys to hear something 19 00:01:01,320 --> 00:01:03,200 Speaker 1: when you're when you're out in the living room doing 20 00:01:03,200 --> 00:01:05,000 Speaker 1: your thing. I mean, you hear this and that, and 21 00:01:05,200 --> 00:01:08,200 Speaker 1: you're vocalizing with each other way, I want you to 22 00:01:08,240 --> 00:01:09,800 Speaker 1: hear what it sounded like for the rest of the 23 00:01:09,880 --> 00:01:14,399 Speaker 1: world we have just listen to what is Listen to 24 00:01:14,440 --> 00:01:26,160 Speaker 1: what you just did conversions a double bus. It's not 25 00:01:26,760 --> 00:01:30,920 Speaker 1: bad for a rickety old studio. It sounds like that 26 00:01:31,080 --> 00:01:43,600 Speaker 1: uptown music, right. Is that what it's like when you're 27 00:01:43,640 --> 00:01:46,479 Speaker 1: in the studio working, working these songs. It's pretty good 28 00:01:46,520 --> 00:01:48,600 Speaker 1: for seven thirty in the morning. Well, no, and that 29 00:01:48,720 --> 00:01:50,520 Speaker 1: I'll take it when you guys go to the studio, 30 00:01:50,520 --> 00:01:52,200 Speaker 1: when you get to listen to the mix and they 31 00:01:52,400 --> 00:01:55,120 Speaker 1: do it, And are you ever just amazed at what 32 00:01:55,200 --> 00:01:57,240 Speaker 1: you guys and all the people around you can create 33 00:01:57,280 --> 00:02:02,480 Speaker 1: these incredible sounds, incredible lyrics, everything. Um, Austin, amazed at 34 00:02:02,480 --> 00:02:06,800 Speaker 1: how incredible everyone else's. Um. You know the people we 35 00:02:06,840 --> 00:02:09,640 Speaker 1: have with us here this morning. Uh, these two guys 36 00:02:10,919 --> 00:02:14,480 Speaker 1: very impressive musicians. Um. But it's it's amazing, you know, 37 00:02:14,840 --> 00:02:18,120 Speaker 1: getting to work with talented people. It is such a gift, 38 00:02:18,480 --> 00:02:20,639 Speaker 1: you know, we were saying earlier, you can always tell 39 00:02:20,680 --> 00:02:22,480 Speaker 1: a lot about the artist or the band by the 40 00:02:22,520 --> 00:02:25,520 Speaker 1: people they surround themselves with. Your crew was here yesterday, 41 00:02:25,600 --> 00:02:27,520 Speaker 1: last night and then this morning before you got here 42 00:02:27,840 --> 00:02:30,880 Speaker 1: the nicest guys. It makes us very happy. I mean, 43 00:02:30,880 --> 00:02:32,960 Speaker 1: we all agree that, you know, it's way too early 44 00:02:33,000 --> 00:02:35,840 Speaker 1: to be functioning, but they're just the great guys. I 45 00:02:35,919 --> 00:02:38,200 Speaker 1: think it's because they really I'm assuming they just really 46 00:02:38,200 --> 00:02:40,520 Speaker 1: like working with you guys. Why is that? What do 47 00:02:40,600 --> 00:02:43,720 Speaker 1: they see in you? We're trying to figure it out. 48 00:02:44,680 --> 00:02:46,040 Speaker 1: We've had the same we have a lot of the 49 00:02:46,040 --> 00:02:48,840 Speaker 1: same band and crew for many many years. I think 50 00:02:48,840 --> 00:02:51,640 Speaker 1: it's like becomes a family. Even outside of the Brothers. 51 00:02:51,680 --> 00:02:53,880 Speaker 1: It's like those who, like you said, the people that 52 00:02:53,880 --> 00:02:56,720 Speaker 1: you surround yourself with and you want to travel the 53 00:02:56,760 --> 00:02:59,160 Speaker 1: world with your friends, and and even though your your 54 00:02:59,200 --> 00:03:03,320 Speaker 1: colleagues and you're you know, everyone has a different role. Uh. 55 00:03:03,680 --> 00:03:05,560 Speaker 1: It's it's so amazing when you can all come together 56 00:03:05,600 --> 00:03:07,280 Speaker 1: and say, like, all right, let's go get a drink 57 00:03:07,320 --> 00:03:09,240 Speaker 1: after the show, let's go have dinner, because you know 58 00:03:09,320 --> 00:03:11,520 Speaker 1: the person, rather than it's just in and out right 59 00:03:11,520 --> 00:03:13,600 Speaker 1: out the venue. There's so many moving parts when it 60 00:03:13,600 --> 00:03:16,960 Speaker 1: comes to a Jonas Brothers concert, right absolutely. I mean 61 00:03:17,120 --> 00:03:18,680 Speaker 1: I know a ton of people in here were very 62 00:03:18,680 --> 00:03:21,000 Speaker 1: excited and did see you guys on Broadway And we 63 00:03:21,080 --> 00:03:22,640 Speaker 1: had a listener call us and tell us that they 64 00:03:22,639 --> 00:03:25,360 Speaker 1: almost tripped you, specifically Joe while you are on stage 65 00:03:25,440 --> 00:03:28,160 Speaker 1: by accidents. Yes, I do remember this, and whoever you are, 66 00:03:28,800 --> 00:03:34,280 Speaker 1: I will find you. Oh wow, he was. He was humiliated. 67 00:03:34,320 --> 00:03:36,640 Speaker 1: He was like, oh my god, he's hopefully he forgot it, 68 00:03:36,680 --> 00:03:39,640 Speaker 1: but you didn't. I totally forgot Okay, I don't remember 69 00:03:39,680 --> 00:03:41,320 Speaker 1: any of this. I was just trying to make it 70 00:03:41,360 --> 00:03:44,320 Speaker 1: back to Actually, so for those who weren't there and 71 00:03:44,360 --> 00:03:46,840 Speaker 1: have no idea, again, it's the Jonas brothers here at 72 00:03:46,880 --> 00:03:49,800 Speaker 1: the radio station. Yea, thank you in the morning show 73 00:03:50,240 --> 00:03:54,600 Speaker 1: at the morning show radio station. So makes sense to me. 74 00:03:54,800 --> 00:03:57,360 Speaker 1: I took off during Kicked by the Ocean and ran 75 00:03:57,440 --> 00:04:00,240 Speaker 1: through the crowd. But these theaters are much smaller than 76 00:04:00,480 --> 00:04:04,120 Speaker 1: some of the places we've played, like Yankee Stadium, so 77 00:04:04,400 --> 00:04:07,520 Speaker 1: as we as I as I took off, I ran 78 00:04:07,560 --> 00:04:10,280 Speaker 1: into the lobby of the then you because that's as 79 00:04:10,280 --> 00:04:12,080 Speaker 1: far as I go, And then I'm just there. I'm 80 00:04:12,080 --> 00:04:13,800 Speaker 1: at the bar. I was like, or a drink I 81 00:04:13,920 --> 00:04:16,120 Speaker 1: hast some time in the middle of the song, yes, 82 00:04:16,120 --> 00:04:17,640 Speaker 1: and I was like, you know what, I'll grab some merch. 83 00:04:18,000 --> 00:04:20,120 Speaker 1: So I grabbed a bunch of merch. I grabbed as 84 00:04:20,200 --> 00:04:22,560 Speaker 1: much as I could and ran back in. And what 85 00:04:22,600 --> 00:04:25,119 Speaker 1: I didn't know is apparently the person working the merched 86 00:04:25,200 --> 00:04:27,359 Speaker 1: end and I hats off to them, thought I was 87 00:04:27,360 --> 00:04:32,479 Speaker 1: stealing merch. You chased me down to the stage. I am. 88 00:04:32,520 --> 00:04:35,000 Speaker 1: Technically they chased you to the stage. Yes, apparently, but 89 00:04:35,040 --> 00:04:37,080 Speaker 1: then I tried yeah, and then then I guess then 90 00:04:37,120 --> 00:04:39,320 Speaker 1: that person tried to trip me. Whoever you are, well no, 91 00:04:39,480 --> 00:04:41,479 Speaker 1: I mean, if you work for the Cadillac dealership, you 92 00:04:41,520 --> 00:04:43,600 Speaker 1: just can't get an escalator. Drive them off the frigging lot. 93 00:04:43,680 --> 00:04:47,280 Speaker 1: There's more two it unless your name's Cadillac. Okay, thank you, 94 00:04:48,480 --> 00:04:51,120 Speaker 1: touche Joe Cadillac. For now one you'll be known as 95 00:04:51,200 --> 00:04:55,360 Speaker 1: Joe Cadillac Cadillac. Yes, Um, where do we start? I mean, 96 00:04:55,360 --> 00:04:57,279 Speaker 1: you're talking a few moments ago about the people you've 97 00:04:57,440 --> 00:04:59,760 Speaker 1: you've collected as your friends, and they've collected you over 98 00:04:59,800 --> 00:05:04,080 Speaker 1: the years. We're talking about years of this, Jonas Brothers. 99 00:05:04,440 --> 00:05:07,120 Speaker 1: Now you're doing things like selling out on Broadway. How 100 00:05:07,120 --> 00:05:10,480 Speaker 1: many nights four or five? It was five? Five? And 101 00:05:10,520 --> 00:05:13,680 Speaker 1: then off the heels of that, we announced, Uh Yankee 102 00:05:13,720 --> 00:05:16,279 Speaker 1: sitting right, Yankee, very excited about Look at you. You You 103 00:05:16,360 --> 00:05:18,120 Speaker 1: have a little grin on your face, the sight of 104 00:05:18,160 --> 00:05:21,560 Speaker 1: your mouth, like a lifelong Yankees fan right as you know, 105 00:05:21,640 --> 00:05:23,560 Speaker 1: we grew up in Jersey, so this is in the 106 00:05:23,600 --> 00:05:27,520 Speaker 1: era of Derek Jeter Um. So it was really special. 107 00:05:27,560 --> 00:05:28,640 Speaker 1: We got to go to the game the other day 108 00:05:28,680 --> 00:05:31,640 Speaker 1: actually and meet some of the players. Uh, it was 109 00:05:31,680 --> 00:05:33,840 Speaker 1: just a great time, and you know, we're kind of 110 00:05:34,200 --> 00:05:36,160 Speaker 1: riding high off of all that, and then eventually, you know, 111 00:05:36,200 --> 00:05:38,800 Speaker 1: announcing the tour as well and the album coming out 112 00:05:38,880 --> 00:05:41,080 Speaker 1: next month. At much fun was it for you guys 113 00:05:41,120 --> 00:05:44,880 Speaker 1: to call that game? It was? It was kind of stressful. Yeah, 114 00:05:44,920 --> 00:05:46,200 Speaker 1: we tried to do I thought it was just gonna 115 00:05:46,240 --> 00:05:48,280 Speaker 1: be like one thing and then they just they just 116 00:05:48,320 --> 00:05:51,000 Speaker 1: do it. Stepped back and then we have this the 117 00:05:51,080 --> 00:05:53,479 Speaker 1: MIC's right on our mouths and we're like and that 118 00:05:53,600 --> 00:05:58,800 Speaker 1: the guys, the guys kind of swe the mess ball 119 00:05:58,839 --> 00:06:02,240 Speaker 1: and it's exciting. Dist I felt like I was. They 120 00:06:02,240 --> 00:06:04,200 Speaker 1: were in the stadium with you. No, that thing went viral, 121 00:06:04,200 --> 00:06:07,599 Speaker 1: everyone just talking about it. It's those things that matter, 122 00:06:07,680 --> 00:06:09,479 Speaker 1: you know, the things, those are the things that you 123 00:06:09,480 --> 00:06:12,880 Speaker 1: don't expect to go that just happened. Well, that's what's you. 124 00:06:12,960 --> 00:06:15,039 Speaker 1: What you guys do beautifully in My opinion is you 125 00:06:15,040 --> 00:06:17,360 Speaker 1: could easily just play out of stadium and then leave 126 00:06:17,440 --> 00:06:20,800 Speaker 1: and go play another auditorium. But you're doing exciting things 127 00:06:20,800 --> 00:06:25,040 Speaker 1: like the baseball field, the world famous Yankees, Broadway stages 128 00:06:25,480 --> 00:06:27,480 Speaker 1: and stuff like that. Is that what you need to do? 129 00:06:27,600 --> 00:06:29,520 Speaker 1: Is that? Is that how you keep a marriage happy? 130 00:06:29,520 --> 00:06:34,039 Speaker 1: You got to mix it up. Those are two different questions. 131 00:06:34,279 --> 00:06:36,520 Speaker 1: Absolutely not, it's the same thing. Do you mix it 132 00:06:36,560 --> 00:06:40,760 Speaker 1: away one night Yankees another? Exactly? You keep it excited. Really, 133 00:06:40,839 --> 00:06:44,719 Speaker 1: just we're building a tour for couples. Bring your partner, 134 00:06:44,839 --> 00:06:47,400 Speaker 1: you'll see us on Broadway or a baseball game. Well, 135 00:06:47,440 --> 00:06:49,599 Speaker 1: it depends why you're into. There are many successful artists 136 00:06:49,640 --> 00:06:52,360 Speaker 1: that can easily just you know, do venues at venues, 137 00:06:52,480 --> 00:06:54,320 Speaker 1: But you guys, your venues and things you choose to 138 00:06:54,360 --> 00:06:58,279 Speaker 1: do are fun. Yeah. So I think with this whole campaign, 139 00:06:58,440 --> 00:07:00,240 Speaker 1: we were like, what haven't we done? You know, we've 140 00:07:00,240 --> 00:07:02,840 Speaker 1: been in this for almost twenty years, so we're checking 141 00:07:02,839 --> 00:07:05,720 Speaker 1: off bucket list items and Yankees one, we always want 142 00:07:05,760 --> 00:07:09,320 Speaker 1: to do something on Broadway And the next was that 143 00:07:09,520 --> 00:07:15,800 Speaker 1: flud Ruckers. Yeah, exactly, outer space and space I bet 144 00:07:15,880 --> 00:07:17,920 Speaker 1: you have in the meeting, I didn't, would you write down, Nate, 145 00:07:18,000 --> 00:07:21,560 Speaker 1: I can't read that. He said they are all fathers 146 00:07:21,680 --> 00:07:26,400 Speaker 1: now than statement. Thank god he's here, otherwise I really 147 00:07:26,400 --> 00:07:28,360 Speaker 1: wouldn't know where to go with this interview. Okay, so 148 00:07:28,400 --> 00:07:31,400 Speaker 1: you're all dads now, yes, yes, dot dot dot and 149 00:07:31,480 --> 00:07:33,320 Speaker 1: that's when you're supposed to like field in the blank. 150 00:07:33,880 --> 00:07:36,480 Speaker 1: It's pretty cool. Okay, there you go. Thing. I love 151 00:07:36,520 --> 00:07:40,120 Speaker 1: being a dad. It's really wonderful. Um, girls are ninety 152 00:07:40,200 --> 00:07:41,840 Speaker 1: six now, they're about to have spring breaks, so they're 153 00:07:41,960 --> 00:07:44,640 Speaker 1: actually now they're on spring breaks, so they're pumped, right, 154 00:07:45,320 --> 00:07:47,440 Speaker 1: but it would be good. Well, that's cool to see. 155 00:07:47,480 --> 00:07:50,920 Speaker 1: It's cool. I'm sorry, god, no, you do you go ahead? Okay, Um, 156 00:07:50,960 --> 00:07:53,680 Speaker 1: it's just amazing that we actually are all girl dads. 157 00:07:54,400 --> 00:07:57,240 Speaker 1: Oh yeah, and that's my mom is our mom is 158 00:07:57,320 --> 00:08:00,960 Speaker 1: very excited about it. I bet yeah. Well, Glammy's pumped. 159 00:08:01,560 --> 00:08:04,280 Speaker 1: Oh glammy Glammy? Is that the name that they chose 160 00:08:04,320 --> 00:08:08,640 Speaker 1: or she chose? She chose? Please? My mother would have said, please, 161 00:08:08,680 --> 00:08:12,560 Speaker 1: don't ever call me glammy. I'm mom. And even then, 162 00:08:12,560 --> 00:08:14,480 Speaker 1: don't address me, don't look me in the eye. Thanks. 163 00:08:15,360 --> 00:08:18,920 Speaker 1: The album is called The Album. It's out next month, 164 00:08:19,440 --> 00:08:22,560 Speaker 1: and of course John Bellion, who I know you guys 165 00:08:22,560 --> 00:08:25,360 Speaker 1: worked with him either. There's no finer person. I just 166 00:08:25,520 --> 00:08:28,240 Speaker 1: I love him the best. See that ship you saw 167 00:08:28,280 --> 00:08:30,200 Speaker 1: in the green room, I was on that ship with 168 00:08:30,280 --> 00:08:33,440 Speaker 1: John Bellian. It was just so happened. He was there 169 00:08:33,800 --> 00:08:36,080 Speaker 1: with his girlfriend or whoever it was at the time, 170 00:08:36,480 --> 00:08:40,600 Speaker 1: and uh, I just love his lyrics. But he he 171 00:08:40,880 --> 00:08:44,360 Speaker 1: loved working with you guys, and it was what do 172 00:08:44,400 --> 00:08:46,720 Speaker 1: you learn when you work with you merge in with 173 00:08:46,760 --> 00:08:49,520 Speaker 1: someone new like that. Does it totally change your perspective 174 00:08:49,559 --> 00:08:52,120 Speaker 1: about what you're doing and why you do it? Yeah? 175 00:08:52,120 --> 00:08:54,280 Speaker 1: I mean with with John specifically, it was a really 176 00:08:54,400 --> 00:08:57,120 Speaker 1: unique experience because he's, you know, obviously a brilliant artist 177 00:08:57,120 --> 00:09:00,800 Speaker 1: in his own right, an incredible writer, producer, um. And 178 00:09:00,880 --> 00:09:02,480 Speaker 1: we came to the table with him and said, here's 179 00:09:02,800 --> 00:09:06,360 Speaker 1: kind of the sounds were we're feeling with this next album, 180 00:09:06,400 --> 00:09:09,720 Speaker 1: some seventies influences and uh, you know BG's and Stevie 181 00:09:09,720 --> 00:09:14,640 Speaker 1: Wonder and the Eagles, and he really took that and executed. 182 00:09:14,720 --> 00:09:17,000 Speaker 1: He did it, which which you know, sometimes the idea 183 00:09:17,080 --> 00:09:18,960 Speaker 1: to what you end up with is a very different thing. 184 00:09:19,840 --> 00:09:22,520 Speaker 1: But to put our trust in him like that and 185 00:09:22,559 --> 00:09:24,120 Speaker 1: have him deliver in such a big way meant the 186 00:09:24,160 --> 00:09:27,760 Speaker 1: world to us because we we care so deeply about 187 00:09:27,800 --> 00:09:29,560 Speaker 1: you know, the music and what we're saying. And that 188 00:09:29,600 --> 00:09:31,400 Speaker 1: was the other thing he understood is, you know, I 189 00:09:31,440 --> 00:09:34,040 Speaker 1: think that at this point the themes and the stories 190 00:09:34,080 --> 00:09:36,440 Speaker 1: were telling like it's important that it's really authentic to us. 191 00:09:36,520 --> 00:09:38,840 Speaker 1: So there's a lot of back and forth about you know, 192 00:09:38,960 --> 00:09:42,559 Speaker 1: brotherhood and family and obviously relationships, but also fatherhood was 193 00:09:42,559 --> 00:09:44,320 Speaker 1: a big theme, and he was able to help us 194 00:09:44,400 --> 00:09:46,960 Speaker 1: kind of craft all of that into this body of work. 195 00:09:46,960 --> 00:09:49,839 Speaker 1: And it's just been a great experience we're using. I mean, 196 00:09:49,920 --> 00:09:53,599 Speaker 1: those examples of Stevie Wonder and who else did you 197 00:09:53,679 --> 00:09:57,120 Speaker 1: mention us? Did you actually did he actually say here, 198 00:09:57,160 --> 00:09:59,480 Speaker 1: listen to this cut they did back in nineteen seventy whatever, 199 00:10:00,080 --> 00:10:01,760 Speaker 1: see see what you think about this sound? Did you 200 00:10:01,800 --> 00:10:04,800 Speaker 1: gu guys actually know that our dad, you know, back 201 00:10:04,800 --> 00:10:06,600 Speaker 1: in the day, our dad raised us on on all 202 00:10:06,600 --> 00:10:08,600 Speaker 1: that great music, and so I think it's always been 203 00:10:08,600 --> 00:10:11,360 Speaker 1: within us. But our music throughout our career is like 204 00:10:11,440 --> 00:10:14,600 Speaker 1: taking kind of different, you know shape, and the early 205 00:10:14,679 --> 00:10:17,360 Speaker 1: days it was sort of that pop punk emo thing 206 00:10:17,720 --> 00:10:20,280 Speaker 1: and and over time it's it's evolved, and I think 207 00:10:20,320 --> 00:10:22,920 Speaker 1: that's the beauty of the kind of moment where now 208 00:10:22,960 --> 00:10:24,840 Speaker 1: is that Actually going back and playing you know, like 209 00:10:24,840 --> 00:10:26,920 Speaker 1: we did on Broadway, an album from that point in 210 00:10:26,920 --> 00:10:29,480 Speaker 1: our life, and then coming back after an intermission and 211 00:10:29,480 --> 00:10:32,079 Speaker 1: playing you know, an hour of our more recent, more 212 00:10:32,120 --> 00:10:34,800 Speaker 1: familiar songs. It just shows, you know, the journey that 213 00:10:34,840 --> 00:10:37,080 Speaker 1: we've been on, and it's it's fun for us to reflect. 214 00:10:37,120 --> 00:10:40,719 Speaker 1: But also this album, the album I feel like, embodies 215 00:10:40,920 --> 00:10:44,960 Speaker 1: where we are now, as as brothers, as husbands and fathers, 216 00:10:44,960 --> 00:10:47,040 Speaker 1: and it's just great to to kind of lean into 217 00:10:47,080 --> 00:10:49,000 Speaker 1: that and share that with with the world. When you 218 00:10:49,040 --> 00:10:51,440 Speaker 1: guys were performing waffle House, we actually received a text 219 00:10:51,440 --> 00:10:54,400 Speaker 1: you said, is this the Jonah's Brothers with the Dubie Brothers. 220 00:10:54,720 --> 00:10:57,320 Speaker 1: Well that was very stutill take it. You'll take it. 221 00:10:57,640 --> 00:10:59,959 Speaker 1: Dubie Brothers, the Jonah's Brothers are here, by the way, 222 00:11:00,480 --> 00:11:03,040 Speaker 1: Saturday Night Live this weekend. Yes, how many times have 223 00:11:03,120 --> 00:11:06,199 Speaker 1: you guys done Saturday Live? This is interesting? This is controversial, 224 00:11:06,280 --> 00:11:09,200 Speaker 1: but it's on who you ask. Okay, we've done it three. 225 00:11:09,360 --> 00:11:11,439 Speaker 1: I've actually been on it fourth as a camera when 226 00:11:11,520 --> 00:11:15,400 Speaker 1: Nick did it. But um, okay, can we back this 227 00:11:15,440 --> 00:11:18,920 Speaker 1: truck up just a moment I've watched button. Oh well, 228 00:11:19,120 --> 00:11:25,800 Speaker 1: you use the brown word. I love it again. We 229 00:11:25,840 --> 00:11:28,079 Speaker 1: had Cedric the entertainer here, the only sitting right here. 230 00:11:28,720 --> 00:11:30,520 Speaker 1: Cedric would say the F word and go let me 231 00:11:30,559 --> 00:11:33,720 Speaker 1: push it. He pushed it himself. I'm like, okay, great, okay, 232 00:11:33,760 --> 00:11:38,160 Speaker 1: so yeah, back to this, So sorry, this seems my 233 00:11:38,160 --> 00:11:42,080 Speaker 1: my fifth time right the show. I've done it. This 234 00:11:42,160 --> 00:11:44,800 Speaker 1: is the third time with the brothers uh and twice 235 00:11:45,000 --> 00:11:49,559 Speaker 1: solo and uh, you know they get that five timers 236 00:11:49,600 --> 00:11:53,360 Speaker 1: jacket out. There's a jacket. There's a jacket, and I'm 237 00:11:53,440 --> 00:11:55,920 Speaker 1: just we'll see if I get it, and I will 238 00:11:55,960 --> 00:11:58,000 Speaker 1: I will certainly rub it in their faces if I 239 00:11:58,040 --> 00:12:02,559 Speaker 1: do well five times jacket. Are you nervous? Are you 240 00:12:02,600 --> 00:12:03,960 Speaker 1: guys going to be in any sketches or can you 241 00:12:04,000 --> 00:12:06,959 Speaker 1: not tell us that? I don't know if we can 242 00:12:07,040 --> 00:12:11,360 Speaker 1: say or not. That means yes, yeah, that's the idea 243 00:12:11,400 --> 00:12:13,520 Speaker 1: that we'll be in some sketches. But here's the thing 244 00:12:13,640 --> 00:12:15,160 Speaker 1: is that you never know what's going to make the 245 00:12:15,160 --> 00:12:17,000 Speaker 1: show until the very last minute, right, So you could 246 00:12:17,040 --> 00:12:20,760 Speaker 1: really prep and read the script and be ready and 247 00:12:20,800 --> 00:12:24,560 Speaker 1: then it gets cut an hour before you're like, okay, 248 00:12:24,760 --> 00:12:26,440 Speaker 1: we're doing that other one I didn't read. A lot 249 00:12:26,440 --> 00:12:28,320 Speaker 1: of people don't know the rehearsal is actually a show 250 00:12:28,360 --> 00:12:31,000 Speaker 1: to go to because they do they do everything, and 251 00:12:31,040 --> 00:12:32,640 Speaker 1: it's so fun to see some of the ones that 252 00:12:32,880 --> 00:12:35,360 Speaker 1: don't really work well sometimes in front of an audience. 253 00:12:35,400 --> 00:12:37,240 Speaker 1: Sometimes the wrong ones are chosen and the right ones 254 00:12:37,240 --> 00:12:39,080 Speaker 1: they throw in the trash can. By the way, So 255 00:12:39,200 --> 00:12:40,440 Speaker 1: whether or not you're going to be in a skit, 256 00:12:40,520 --> 00:12:42,520 Speaker 1: I don't know, it'll be a surprise. But Lewis Capaldi 257 00:12:42,559 --> 00:12:44,920 Speaker 1: said in this chair yesterday didn't say one word about 258 00:12:44,920 --> 00:12:49,600 Speaker 1: you being on stage with him at it was it 259 00:12:49,679 --> 00:12:51,480 Speaker 1: was great and I thought you totally opened up and 260 00:12:51,559 --> 00:12:53,160 Speaker 1: we had and opened up. Man. He was talking about 261 00:12:53,200 --> 00:12:55,800 Speaker 1: his penis size, you're talking about his parents, talking about tots. 262 00:12:55,840 --> 00:12:57,280 Speaker 1: He talked about everything. We had to use a dumb 263 00:12:57,280 --> 00:13:00,240 Speaker 1: button with him yesterday. Yeah, that's not surprising. We have 264 00:13:00,360 --> 00:13:02,440 Speaker 1: dumped a lot this week. We'll leave it at that, 265 00:13:02,559 --> 00:13:06,319 Speaker 1: but we have. It's just been like the laxative of weeks. Anyway, 266 00:13:06,360 --> 00:13:09,480 Speaker 1: back to you this week sponsored by Exactly Thank You. 267 00:13:09,720 --> 00:13:12,400 Speaker 1: So I mean at what point, I mean, do you 268 00:13:12,440 --> 00:13:15,800 Speaker 1: guys in around a conference room going okay, we got 269 00:13:15,800 --> 00:13:18,520 Speaker 1: a top everything we just did we gotta do Yankee 270 00:13:18,559 --> 00:13:22,560 Speaker 1: Stadium done? We gotta do Broadway done. I mean, we 271 00:13:22,600 --> 00:13:27,160 Speaker 1: definitely have bucket lists items places that we'd love to play, 272 00:13:27,720 --> 00:13:29,560 Speaker 1: cities we'd like to see, so we're like, let's build 273 00:13:29,559 --> 00:13:32,319 Speaker 1: a tour around that city. I think it's just been 274 00:13:32,400 --> 00:13:35,320 Speaker 1: amazing to see that we've had a loyal fan base 275 00:13:35,440 --> 00:13:37,680 Speaker 1: for many, many years and it continues to seem to 276 00:13:37,720 --> 00:13:40,560 Speaker 1: grow and new listeners are coming along the way, and 277 00:13:40,600 --> 00:13:43,240 Speaker 1: we're just so excited to share this this new music 278 00:13:43,280 --> 00:13:46,400 Speaker 1: with people. So the bigger the stage, the better. I 279 00:13:46,440 --> 00:13:49,800 Speaker 1: guess that's the cool part about this moment. Now playing 280 00:13:49,840 --> 00:13:51,280 Speaker 1: the shows, you know, we're looking out at the audience, 281 00:13:51,280 --> 00:13:54,160 Speaker 1: and our fans have grown up with us, right and 282 00:13:54,280 --> 00:13:56,800 Speaker 1: they're going through some of the same life experiences, which 283 00:13:56,800 --> 00:13:59,800 Speaker 1: is amazing to see, and we're all around the same age. 284 00:13:59,840 --> 00:14:01,800 Speaker 1: But what we're seeing now is that the parents who 285 00:14:02,120 --> 00:14:03,800 Speaker 1: used to bring their kids, who are now in their 286 00:14:03,920 --> 00:14:07,559 Speaker 1: you know, late twenties thirties, are still coming to the 287 00:14:07,559 --> 00:14:10,360 Speaker 1: shows with their kids and now their grandchildren. And that 288 00:14:10,440 --> 00:14:12,360 Speaker 1: new generation who are introduced to us as like a 289 00:14:12,400 --> 00:14:15,839 Speaker 1: new band is hilarious and great to see that it's 290 00:14:15,920 --> 00:14:19,600 Speaker 1: hitting so many different generations, and it's sort of like 291 00:14:19,640 --> 00:14:21,600 Speaker 1: our family. You know, our kids come to the shows 292 00:14:21,600 --> 00:14:23,800 Speaker 1: and our our parents come and it just feels like 293 00:14:23,800 --> 00:14:26,920 Speaker 1: one big, happy Jonas family. It's kind of like this show, 294 00:14:27,560 --> 00:14:29,760 Speaker 1: is it. We've been around long time? Yeah, but I'll 295 00:14:29,760 --> 00:14:32,360 Speaker 1: tell you why, happy coup and go. You know what, 296 00:14:32,400 --> 00:14:33,720 Speaker 1: I used to listen to you when I was a kid, 297 00:14:33,720 --> 00:14:38,200 Speaker 1: and now my grandkids listening. Holy crap, I'm old. Um, 298 00:14:38,400 --> 00:14:40,400 Speaker 1: talk to me. We have a few seconds left, but 299 00:14:40,440 --> 00:14:42,960 Speaker 1: talk to me about the dynamics of being on a 300 00:14:43,040 --> 00:14:48,200 Speaker 1: stage doing a live, lights on stadium show versus just 301 00:14:48,240 --> 00:14:50,960 Speaker 1: the three of you in a studio or just in 302 00:14:50,960 --> 00:14:53,600 Speaker 1: the living room when you're together in making your music. 303 00:14:53,880 --> 00:14:56,160 Speaker 1: What's it like? Take us there if you can in 304 00:14:56,240 --> 00:15:00,000 Speaker 1: words on stage or just no, well okay, on stage moment, 305 00:15:00,120 --> 00:15:03,240 Speaker 1: like to give me your vital signs and then talk 306 00:15:03,280 --> 00:15:05,480 Speaker 1: to me about what it's like just the three of you. Well, 307 00:15:05,520 --> 00:15:07,560 Speaker 1: the IROs chan that you know, when it's just the 308 00:15:07,560 --> 00:15:09,800 Speaker 1: three of us writing music or in the studio, we're 309 00:15:09,840 --> 00:15:12,120 Speaker 1: thinking about, you know, being on stage in front of 310 00:15:12,200 --> 00:15:15,440 Speaker 1: thousands of people performing that song. Um, and so we 311 00:15:15,760 --> 00:15:18,600 Speaker 1: really kind of write our music with that in mind 312 00:15:18,640 --> 00:15:21,040 Speaker 1: and with that feeling in mind, because for us, it's 313 00:15:21,120 --> 00:15:23,040 Speaker 1: it's like our our bread and butter, you know, our 314 00:15:23,280 --> 00:15:25,920 Speaker 1: live shows are are the thing we love the most 315 00:15:25,960 --> 00:15:29,000 Speaker 1: and the thing that I think inspires us all and 316 00:15:29,080 --> 00:15:32,160 Speaker 1: so um, we really do kind of create with that 317 00:15:32,240 --> 00:15:34,680 Speaker 1: in mind. And that's I think pretty evident in this 318 00:15:34,680 --> 00:15:37,320 Speaker 1: this album, which is uh, you know, I'm excited for 319 00:15:37,360 --> 00:15:41,680 Speaker 1: people to hear. Okay, So what's the story behind waffle House? Ah? Well, 320 00:15:41,760 --> 00:15:43,960 Speaker 1: waffle House, you just it's more of an idea of 321 00:15:43,960 --> 00:15:46,640 Speaker 1: a place that we can go to that's a comfort 322 00:15:46,680 --> 00:15:48,200 Speaker 1: place where I think for a lot of people, a 323 00:15:48,240 --> 00:15:50,600 Speaker 1: lot of listeners out there, you have a spot maybe 324 00:15:50,600 --> 00:15:52,560 Speaker 1: your family went to growing up, or you go with 325 00:15:52,600 --> 00:15:55,520 Speaker 1: friends and you laugh, you cry, you fight and you 326 00:15:55,600 --> 00:15:57,720 Speaker 1: make up at the spot if your living room, if 327 00:15:57,720 --> 00:15:59,720 Speaker 1: your living room, it could be the waffle house was 328 00:15:59,760 --> 00:16:02,240 Speaker 1: for us because when growing up and we were too 329 00:16:02,280 --> 00:16:04,000 Speaker 1: young to go have a drink after the show with 330 00:16:04,040 --> 00:16:06,560 Speaker 1: our band and crew, we'd go to places like the 331 00:16:06,600 --> 00:16:08,800 Speaker 1: waffle House where it was the only spot open on 332 00:16:08,840 --> 00:16:12,280 Speaker 1: the road. Um. And so I think we've spoken to 333 00:16:12,320 --> 00:16:13,880 Speaker 1: a lot of different people and they're like, oh my, 334 00:16:14,000 --> 00:16:15,920 Speaker 1: that was that was this diner for me or that 335 00:16:16,040 --> 00:16:19,040 Speaker 1: was um TikTok diner in New Jersey. You know, like 336 00:16:19,080 --> 00:16:24,200 Speaker 1: things still there. Three. I think it's got a crazy story. 337 00:16:24,320 --> 00:16:26,760 Speaker 1: There's a murder mystery story there is, you know I've 338 00:16:26,800 --> 00:16:30,640 Speaker 1: heard about that. Let's co host a podcastrapping the murder 339 00:16:30,680 --> 00:16:34,640 Speaker 1: mystery of ticket TikTok, the TikTok murders. Yeah, I mean 340 00:16:34,800 --> 00:16:36,920 Speaker 1: that's actually that he was the son of law try 341 00:16:36,960 --> 00:16:41,800 Speaker 1: to take out the boss. Well allegedly allegedly hit man 342 00:16:42,000 --> 00:16:45,640 Speaker 1: hitman allegedly alleged. I don't think it's alleged. Actually, there's 343 00:16:45,760 --> 00:16:49,920 Speaker 1: time about New Jersey people Joe Jonas proclaiming there was 344 00:16:49,920 --> 00:16:52,960 Speaker 1: a murder by the boss that wasn't me attempted and 345 00:16:53,000 --> 00:16:54,520 Speaker 1: there is no mob, but there is. There are a 346 00:16:54,520 --> 00:16:59,600 Speaker 1: great bunch of guys. I love them, but I love 347 00:16:59,640 --> 00:17:01,800 Speaker 1: thee When I hear the waffle I hear waffle House. 348 00:17:01,800 --> 00:17:03,360 Speaker 1: The song is fantastic. But I also thinking of all 349 00:17:03,360 --> 00:17:05,480 Speaker 1: the TikTok videos where they're beating the living crap out 350 00:17:05,520 --> 00:17:07,520 Speaker 1: of each other at the waffle house. There's so many 351 00:17:07,520 --> 00:17:10,040 Speaker 1: things they're working something out there. Thank you guys so 352 00:17:10,119 --> 00:17:13,040 Speaker 1: much for coming. Thank you. This is always a highlight 353 00:17:13,040 --> 00:17:15,400 Speaker 1: for us getting spent time with you. Well, thank you, Nick, 354 00:17:15,440 --> 00:17:17,880 Speaker 1: and I appreciate it so much. And listening to you guys, 355 00:17:17,920 --> 00:17:20,439 Speaker 1: I mean it sounded so good. I'm now going to 356 00:17:20,440 --> 00:17:24,040 Speaker 1: give you the studio version of waffle House. The album 357 00:17:24,119 --> 00:17:26,360 Speaker 1: is out next month. Jonas Brothers. Of course, you can 358 00:17:26,359 --> 00:17:28,879 Speaker 1: see them Saturday Night Live with Molly Shannon hosting s 359 00:17:29,080 --> 00:17:33,560 Speaker 1: n L and also Yankee Stadium. Wait, tickets, how do 360 00:17:33,560 --> 00:17:37,520 Speaker 1: you have a pery on you? Yeah? You? Why is 361 00:17:37,520 --> 00:17:40,480 Speaker 1: there a pointing? People are pointing, Scotty. Is there a script? Oh, 362 00:17:40,520 --> 00:17:43,960 Speaker 1: there's a script. Let's not have tickets. Okay, but where's 363 00:17:44,000 --> 00:17:46,520 Speaker 1: the script? Neat has it? I have to read a script? 364 00:17:47,119 --> 00:17:49,720 Speaker 1: Apparently there are people we have to think. There's legal sponsors, 365 00:17:50,280 --> 00:17:53,600 Speaker 1: like a sausage company is sponsoring. All right, welcome to 366 00:17:53,680 --> 00:17:59,240 Speaker 1: radio sponsored by oh tamp brands. This is great. Okay, 367 00:17:59,320 --> 00:18:01,200 Speaker 1: here's a script. Hey man, we take money when we 368 00:18:01,240 --> 00:18:04,359 Speaker 1: can get it. Z one hundred and everyone listening to 369 00:18:04,400 --> 00:18:05,879 Speaker 1: the sound of my voice with a pair of tickets 370 00:18:05,880 --> 00:18:08,359 Speaker 1: to see Jonas Brothers Yankee Stadium August twelfth, which is 371 00:18:08,359 --> 00:18:11,200 Speaker 1: gonna be way cool. I've got a sneak in if 372 00:18:11,200 --> 00:18:13,160 Speaker 1: you call it one hundred eight hundred, two four twos 373 00:18:13,240 --> 00:18:15,639 Speaker 1: or one hundred. You win tickets. Tickets drown sale next 374 00:18:15,680 --> 00:18:19,320 Speaker 1: Friday through Ticketmaster and what could go wrong? Ticketmaster always 375 00:18:19,320 --> 00:18:24,840 Speaker 1: on top of the game. Anyway, you will win tickets 376 00:18:24,880 --> 00:18:26,679 Speaker 1: if you call it one hundred, eight hundred, two four 377 00:18:26,720 --> 00:18:29,000 Speaker 1: twos or one hundred what how do you rename the show, Joe? 378 00:18:29,040 --> 00:18:31,000 Speaker 1: I forgot what you call us. It's the Other End 379 00:18:31,040 --> 00:18:37,639 Speaker 1: and the Morning The Morning Zuozo exactly nailed it. You 380 00:18:37,760 --> 00:18:40,800 Speaker 1: did totally nailed the radio show, Kevin, Joe, Nick, thank 381 00:18:40,840 --> 00:18:41,280 Speaker 1: you for coming in.