WEBVTT - Horror Roundtable: The VVitch

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to movie Crush for our first

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<v Speaker 1>horror movie round table. That's spooky voices you're hearing that's

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<v Speaker 1>actually null, believe it or not. Okay, I'm okay, I'm okay,

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<v Speaker 1>I'm okay. And we have uh, Lauren and Annie with

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<v Speaker 1>us as well, they too, are spooky. Finest compliment that

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<v Speaker 1>you could give us anytime. So, Noel, when you got

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<v Speaker 1>up for a minute and left the room, it was

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<v Speaker 1>just the three of us left to talk about you,

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<v Speaker 1>and we posed the question, when was the last time

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<v Speaker 1>you had on hard pants? Not so, I'm sorry? Hard pants?

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<v Speaker 1>Is that a thing? Did you like wooden pants like

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<v Speaker 1>wicker Man style? You know? Yeah, you know? I gosh,

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<v Speaker 1>you're making me, really putting me on the spot here.

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<v Speaker 1>I mean, look, these are comfy, uh kind of puma

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<v Speaker 1>type shorts, you know. I wear them when I'm around

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<v Speaker 1>the house. I've I've occasionally dawned a pant. I've been

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<v Speaker 1>known to donn a pant. But why who cares? Why

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<v Speaker 1>bother unless you're going you know, out or something, and

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<v Speaker 1>most of us aren't doing too much of that. But

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<v Speaker 1>I've I've I've well, I've been out and I wore

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<v Speaker 1>a pant, but you know what, I've also been out

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<v Speaker 1>and worn these shorts. So to roll the dice, folks

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<v Speaker 1>get well, We're here to kick off our official Halloween

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<v Speaker 1>season on the Friday at ish with the two film

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<v Speaker 1>The Witch Uh Colon, a New England folk tale, and

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<v Speaker 1>that is from the great at the time new writer

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<v Speaker 1>and director Robert Eggers, who was quickly established himself as

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<v Speaker 1>one of the new masters. I think we can all loogree,

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<v Speaker 1>right absolutely, And let's just go around with our our

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<v Speaker 1>history here of seeing this movie and how many times

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<v Speaker 1>and when the first time was Lauren and I saw

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<v Speaker 1>it together for the first time. If I'm not mistaken,

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<v Speaker 1>I believe so, yeah, at Midtown Arts Cinema. I think

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<v Speaker 1>it was one of huh yeah, we um. It's one

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<v Speaker 1>of the movies that we like stumbled out of. And

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<v Speaker 1>I don't know what day or a month or year

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<v Speaker 1>or time of day it was at the time, seems

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<v Speaker 1>like so long ago, but but yeah, we stumbled out

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<v Speaker 1>and we were like, okay, we need a whiskey about this,

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<v Speaker 1>and so like just stumbled directly to the Highlander, the

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<v Speaker 1>Little bar next door and proceeded to drink about it.

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<v Speaker 1>Just go like, what just happened? What happened to our faces?

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<v Speaker 1>That's amazing, Annie, what about you? I also saw it

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<v Speaker 1>in theaters at Midtown Arts. I think I saw it

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<v Speaker 1>a couple of times. Um, yeah, yeah, yeah, And I've

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<v Speaker 1>since seen it enough. I know. We jokingly said when

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<v Speaker 1>we chose this movie in our email chain that the

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<v Speaker 1>three of us Lauren Nolan I could just quote it um,

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<v Speaker 1>which is probably true. But I watched it again nonetheless,

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<v Speaker 1>because I'm always going to be prepared and I will

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<v Speaker 1>always take an excuse to rewatch it and over on

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<v Speaker 1>stuff I've never told you. The other podcast I do,

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<v Speaker 1>we did a whole episode on it, um, so I'm

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<v Speaker 1>quite familiar. Well, that's perfect. I saw it in New

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<v Speaker 1>York City when it came out, muting my computer. And uh,

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<v Speaker 1>there is a story in there that I've said before

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<v Speaker 1>on the show to both Nolan the movie crushers. But

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<v Speaker 1>when we get to that part, I will retell it

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<v Speaker 1>for your benefit. But I saw in New York and

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<v Speaker 1>then that was the only time I had seen it

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<v Speaker 1>until again last night. And are you ready to live deliciously? Everyone?

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<v Speaker 1>The line that spawned a thousand cross stitches. Have you

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<v Speaker 1>seen me? There's a bunch of them with like little

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<v Speaker 1>goati's with like live deliciously. Maybe it's not a thousand,

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<v Speaker 1>but definitely a few of the I'd say a thousand. Yeah,

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<v Speaker 1>I've I've got a T shirt that says that, and

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<v Speaker 1>it's got a cute little goat on it. Absolutely. Yeah.

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<v Speaker 1>The newest season of what we do in the Shadows,

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<v Speaker 1>there's a black Philip. It's clearly black Philip. Right, He's

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<v Speaker 1>like an all was washed out goat. I wish I

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<v Speaker 1>had a photo to show you. I have goats that

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<v Speaker 1>live across the street. I was raised with goats. I

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<v Speaker 1>had goats as pets a couple of different times when

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<v Speaker 1>I was a kid. And then I have goats across

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<v Speaker 1>the street from my house here and that. There have

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<v Speaker 1>been up to ten at various times. Now they're down

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<v Speaker 1>to two. But one of the two, uh is it?

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<v Speaker 1>You know? He looks like a black Philip. He's a

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<v Speaker 1>big boy. Um. He has a habit of been pregnating

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<v Speaker 1>all the lady goats. So there's been little babies here

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<v Speaker 1>and there. There's a lady over there there's pregnant, right, now,

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<v Speaker 1>but he has the horns that curl out to the side.

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<v Speaker 1>Oh yeah, very creepy. Look yeah, it's sort of different

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<v Speaker 1>than Black Philip. But I call him black Philip, but

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<v Speaker 1>everyone else in our house calls him Billy of course. Yeah, chuck.

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<v Speaker 1>When you when you just set up to ten goats,

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<v Speaker 1>in my mind immediately the phrase up to ten goats agree,

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<v Speaker 1>satan is cool? He's nine out of tints. Well, yeah,

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<v Speaker 1>there's no outl or they all agree to as many

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<v Speaker 1>as ten. Okay, okay, by the way, for in town Atlanta,

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<v Speaker 1>you can have you can only have ten goats, So

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<v Speaker 1>that's is that true? That is true? Ten farm animals?

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<v Speaker 1>Now in your experience, because I've never really hung out

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<v Speaker 1>with goats, Um are are they chill? Is this like?

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<v Speaker 1>Did you have a good experience with these pets as

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<v Speaker 1>a child. Yeah, oh yeah, they're great. And they were

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<v Speaker 1>raised in the outdoor pin with my dogs, so they

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<v Speaker 1>were very doglike and very playful. And uh the one

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<v Speaker 1>my one goat, Nestor had he was de horned before

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<v Speaker 1>we got him, but he didn't know that, so he

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<v Speaker 1>still played Billy goat games with me. So I would

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<v Speaker 1>put my head up against his head and we would

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<v Speaker 1>push back and forth and kind of a reverse tug

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<v Speaker 1>of war, and he would get up on his hind

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<v Speaker 1>legs like Philip does and like butt down at me

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<v Speaker 1>and stuff. It was a lot of fun. They're great.

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<v Speaker 1>That is so darling, I've heard. I've heard that in contrast,

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<v Speaker 1>the the Goat actor who played Black Philip was an

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<v Speaker 1>actual unholy terror on set, just the worst co star.

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<v Speaker 1>Um that the rabbit was super chill. Black Philip not

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<v Speaker 1>so much, right, Chuck. You think you buried the lead

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<v Speaker 1>real quick. Nestor is that of the biblical Nestor? Is that? Like?

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<v Speaker 1>I don't know. I'm not sure who in my family

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<v Speaker 1>named him Nestor, but we had Nestor and Ramesses and

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<v Speaker 1>then later on I think another goat. But nest there

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<v Speaker 1>was really my love. He was the best. Nestre is

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<v Speaker 1>an interesting name. I don't think I've ever met anyone

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<v Speaker 1>or met a pet named Nester. So yeah, well there

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<v Speaker 1>you have it. Nester's long gone. One of the kind. Apparently,

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<v Speaker 1>when Heracles invaded the country of Nilius, he slew his

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<v Speaker 1>son's Nestor alone was spared. I'm just gonna start calling

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<v Speaker 1>you Nolopedia. Yeah, that's yeah, that was actually not that

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<v Speaker 1>was from Bible history dot com. Just egg on my face,

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<v Speaker 1>goat smolk on my face. Uh. So this is, like

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<v Speaker 1>I said, subtitled a New England folk tale and I

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<v Speaker 1>kind of forgot that part until that title screen came up.

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<v Speaker 1>And it really is a folk tale and all the best,

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<v Speaker 1>most rich ways and in that sort of folk tale tradition. Uh.

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<v Speaker 1>And one of my favorite things that I jumped onto

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<v Speaker 1>last night was how quickly and this movie was an

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<v Speaker 1>hour and a half and it could have been a

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<v Speaker 1>two hour film. There could have been a whole first

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<v Speaker 1>act that really detailed their life before they left, but

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<v Speaker 1>it just jumps right into that premise of them being

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<v Speaker 1>basically expelled from whatever colony they're in. Yeah. The first

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<v Speaker 1>time I saw it with the witch shows up immediately

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<v Speaker 1>because I thought like maybe there isn't a witch and

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<v Speaker 1>you're like, oh my god, they're yeah, yeah, yeah, they

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<v Speaker 1>waste no time. It's like twenty seconds after that baby

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<v Speaker 1>first disappears, they're like, Noah, which took it. That's what's

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<v Speaker 1>going on, let's see, And then they drop that line

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<v Speaker 1>for like forty five minutes and you're like, did I

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<v Speaker 1>hallucinate it, Am I hallucinating what's going on here? Which line,

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<v Speaker 1>the line about the witch, the the entire just storyline

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<v Speaker 1>of like it's just normal family drama for forty five minutes,

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<v Speaker 1>and I'm like, cool, thank you. Yeah, I was surprised.

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<v Speaker 1>You know, it's a different approach to play it, uh

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<v Speaker 1>that way and not play it out longer and build

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<v Speaker 1>that suspense. Yet it is totally suspenseful, sill because I

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<v Speaker 1>guess you do sort of wonder whether or not there

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<v Speaker 1>really is a witch, even though it shows that which,

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<v Speaker 1>you know, crushing up that baby and rubbing it all

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<v Speaker 1>over her body and one of the more disturbing parts

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<v Speaker 1>of a very disturbing movie. But I also feel like

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<v Speaker 1>there was some restraints involved in the movie just in general,

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<v Speaker 1>Like it only showed the which a couple of times.

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<v Speaker 1>That sequence is obviously incredible, and then you see her

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<v Speaker 1>taking flights, you know, against the moon or whatever, and

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<v Speaker 1>all of that and all of this, you know, the

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<v Speaker 1>folk tale part of it is interesting because it is

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<v Speaker 1>based in you know, folklore, the idea of which is

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<v Speaker 1>creating this like ointment that they can use to coat

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<v Speaker 1>themselves and their brooms that give them the power of flight,

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<v Speaker 1>which in you know, uh, folklore and history is also

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<v Speaker 1>like the thought to be hallucinogenic. And there's definitely some

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<v Speaker 1>hallucinogenic elements in this movie. And it even implies at

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<v Speaker 1>times maybe that there was a rot on their crops

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<v Speaker 1>that was that or got poisoning situation that was involved

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<v Speaker 1>in the Salem witch trials. Potentially that has like an

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<v Speaker 1>LSD type uh component to it. Interesting, I didn't pick

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<v Speaker 1>up on that, so uh yeah. So so one of

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<v Speaker 1>the lines of thought is that is that there is

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<v Speaker 1>no witch and that this family suffering suffering from like

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<v Speaker 1>mass hallucination maybe but but but but but yet there

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<v Speaker 1>it's not like you're seeing everything through their perspective. All

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<v Speaker 1>the witch stuff is just you're there with the witch.

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<v Speaker 1>So the implication to me would be that that which

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<v Speaker 1>is damn real. Um, but they also might have their

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<v Speaker 1>madness might have been furthered by this hallucinogenic contamination or

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<v Speaker 1>something like that. I don't know a lot of fun

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<v Speaker 1>ways to look at it, for sure, I love it. Um.

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<v Speaker 1>Let's talk about the cast. It's it's a very cheap

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<v Speaker 1>way to make make a movie. I think they spent

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<v Speaker 1>about four million bucks against a forty to fifty million

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<v Speaker 1>dollar take, which is a very big hit in those terms.

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<v Speaker 1>But the cast is so perfect. Um. I think that's

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<v Speaker 1>the first time that we had all seen Anya Taylor Joy,

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<v Speaker 1>wasn't it before the Night Channelain movie she was in. Yeah,

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<v Speaker 1>he was awesome. That face, those big she just looks

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<v Speaker 1>so perfect. Yeah. That that beautiful first shot that you

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<v Speaker 1>really get of her when she's at prayer in the

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<v Speaker 1>beginning of the movie and she's like, bless me father,

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<v Speaker 1>for I have sin, I've done all of this terrible stuff.

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<v Speaker 1>And you're looking at this beautiful, perfect darling face in

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<v Speaker 1>in this time and place where like, clearly this this

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<v Speaker 1>tiny child has done nothing, but it's so fearful. Um,

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<v Speaker 1>and it just really kicks on and she's great. She's

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<v Speaker 1>great in it, like like what a little shit kicker. Gosh,

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<v Speaker 1>I love how fired up she gets by the end

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<v Speaker 1>of the film. And then we have Ralph Innison. Um,

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<v Speaker 1>fans of the original BBC Office you know know him. Well,

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<v Speaker 1>it's so great. He was the asshole character, right, he

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<v Speaker 1>was like sort of yeah, he was always playing pranks

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<v Speaker 1>and being a misogynist, a douche bag. He's so good,

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<v Speaker 1>and there's there's just uh, there's I mean, they they

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<v Speaker 1>they're great actors, but there's something about casting certain looks

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<v Speaker 1>for time periods. And all of them boys, especially that mom,

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<v Speaker 1>I mean look like they just stepped right off the colony,

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<v Speaker 1>you know. Oh yeah yeah, And Kate Dickie is so strong,

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<v Speaker 1>like I I just can't well, Hey, I feel a

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<v Speaker 1>little bit bad because I'm at this point. I'm like,

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<v Speaker 1>you're getting typecast is like weird breastfeeding mama and this

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<v Speaker 1>is this is right because you do something else Game

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<v Speaker 1>of Thrones. Yeah. Yeah, she played um oh gosh, the

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<v Speaker 1>lady of the Eerie who continues breastfeeding her son until

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<v Speaker 1>he's like thirteen. So yeah, okay, I'm not gonna judge.

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<v Speaker 1>Her name is like Lisa or something like that. There

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<v Speaker 1>you go. That's I didn't watch Game of Thrones. I

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<v Speaker 1>know that makes me weird, not at all. It's not.

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<v Speaker 1>It's not for everybody, but quite enjoyed it until you know,

0:12:56.559 --> 0:13:03.920
<v Speaker 1>I didn't anymore. Uh. We got Harvey Scrimshaw as Caleb, who, boy,

0:13:04.200 --> 0:13:06.400
<v Speaker 1>I read a big I read an article I think

0:13:06.400 --> 0:13:09.040
<v Speaker 1>it was maybe Film School Rejects, just about that one

0:13:09.080 --> 0:13:12.280
<v Speaker 1>scene and Edgar's was talking about how nervous he was,

0:13:12.760 --> 0:13:15.480
<v Speaker 1>because it's eleven pages in a in a not super

0:13:15.520 --> 0:13:18.160
<v Speaker 1>long script, very big chunk of the script, and that

0:13:18.200 --> 0:13:21.440
<v Speaker 1>possession I guess scene for lack of a better description,

0:13:21.960 --> 0:13:25.199
<v Speaker 1>and it is just so fucking great. Man. I I

0:13:25.240 --> 0:13:27.960
<v Speaker 1>don't know how that boy brought that. And and they

0:13:28.000 --> 0:13:29.560
<v Speaker 1>were in such a tight space. He was talking about

0:13:29.559 --> 0:13:31.880
<v Speaker 1>shooting it with all those cast members in there, and

0:13:32.120 --> 0:13:36.000
<v Speaker 1>those two little ship head twins you kind of want

0:13:36.080 --> 0:13:38.440
<v Speaker 1>to die or disappear. And I say that as a

0:13:38.480 --> 0:13:41.880
<v Speaker 1>loving bother, but they're all packed in this space. And

0:13:41.920 --> 0:13:45.000
<v Speaker 1>he was like, I knew that we just had to um,

0:13:45.080 --> 0:13:48.000
<v Speaker 1>we had to block around them because it's all about

0:13:48.760 --> 0:13:52.360
<v Speaker 1>them bringing the performance. And he really did. Yeah. Yeah.

0:13:52.520 --> 0:13:54.640
<v Speaker 1>Every time I watched that, I'm like, wow, did they

0:13:55.120 --> 0:13:58.520
<v Speaker 1>what did they tell him to do? And they talked

0:13:58.559 --> 0:14:01.960
<v Speaker 1>about soccer, they did. They said, you know some of

0:14:01.960 --> 0:14:05.120
<v Speaker 1>the stuff that felt sort of overtly sexual. He's he

0:14:05.200 --> 0:14:07.280
<v Speaker 1>was getting him kind of fired up about soccer and

0:14:07.320 --> 0:14:13.640
<v Speaker 1>stuff like that. That's the thing too about like a director,

0:14:14.360 --> 0:14:16.959
<v Speaker 1>like you know, to be able to direct like blocking

0:14:17.080 --> 0:14:19.120
<v Speaker 1>and all of the period accurate stuff, and then also

0:14:19.200 --> 0:14:21.280
<v Speaker 1>to be able to direct like kid like that and

0:14:21.320 --> 0:14:24.160
<v Speaker 1>just you know, such a tight cast with the weird

0:14:24.240 --> 0:14:27.120
<v Speaker 1>period dialogue. Like that's what really sets this dude a part,

0:14:27.200 --> 0:14:29.480
<v Speaker 1>in my opinion, is like his ability to just be

0:14:29.600 --> 0:14:32.640
<v Speaker 1>the full package, you know, and what a scene and

0:14:32.640 --> 0:14:36.160
<v Speaker 1>then he pukes up the apple and all of that stuff.

0:14:36.360 --> 0:14:39.240
<v Speaker 1>Iconic moment. Really, honestly, this movie I think we can

0:14:39.440 --> 0:14:42.360
<v Speaker 1>already call a classic and say his iconic. So many

0:14:42.360 --> 0:14:44.920
<v Speaker 1>things about it. Yeah, you mentioned that script. Let's talk

0:14:44.920 --> 0:14:47.600
<v Speaker 1>about that because as we all know that he he

0:14:47.640 --> 0:14:50.920
<v Speaker 1>did I think several months worth of research before he

0:14:50.920 --> 0:14:53.920
<v Speaker 1>even started putting his little fingers on the keyboard, and

0:14:54.000 --> 0:14:57.080
<v Speaker 1>it really shows. And it was for a first movie too.

0:14:57.080 --> 0:15:00.840
<v Speaker 1>It's a very brave, bold move, I think. Yeah, I

0:15:01.000 --> 0:15:03.480
<v Speaker 1>feel like the first time that I watched it, it

0:15:03.520 --> 0:15:06.600
<v Speaker 1>took me about the length of that opening kind of

0:15:06.640 --> 0:15:10.280
<v Speaker 1>like court sequence where the family is being banished um

0:15:10.800 --> 0:15:15.120
<v Speaker 1>to to to really get into um into the linguistics

0:15:15.200 --> 0:15:18.040
<v Speaker 1>of that dialogue, and then I kind of forgot about

0:15:18.080 --> 0:15:19.280
<v Speaker 1>it for the rest of the film the first time

0:15:19.320 --> 0:15:21.120
<v Speaker 1>I was watching it. But now every time I go back,

0:15:21.160 --> 0:15:24.360
<v Speaker 1>it's just so it's just really beautiful and in the

0:15:24.400 --> 0:15:26.640
<v Speaker 1>way that the actors managed to wrangle it and especially

0:15:26.720 --> 0:15:29.960
<v Speaker 1>the kids, what are they doing? I'm like, how dare

0:15:30.000 --> 0:15:34.720
<v Speaker 1>they be so good? How dare the yeah? And the uh?

0:15:35.080 --> 0:15:39.440
<v Speaker 1>Have you have you all watched it with subtitles or not?

0:15:39.600 --> 0:15:43.200
<v Speaker 1>I have in a subsequent viewing with with a friend. Yes,

0:15:43.560 --> 0:15:45.400
<v Speaker 1>it's you know, I mean, if you've if you've seen

0:15:45.440 --> 0:15:48.560
<v Speaker 1>it a few times, I would recommend it because it's

0:15:49.000 --> 0:15:50.840
<v Speaker 1>there's a lot of stuff in there that I have

0:15:51.360 --> 0:15:55.160
<v Speaker 1>missed before, and a lot of little subtleties. But um,

0:15:55.200 --> 0:15:58.520
<v Speaker 1>it definitely helped, but it is distracting, of course. I

0:15:58.520 --> 0:16:01.800
<v Speaker 1>would definitely say, like, at this point you can take

0:16:01.840 --> 0:16:03.640
<v Speaker 1>your eye away from the screen enough to read those

0:16:03.920 --> 0:16:16.320
<v Speaker 1>Oh sure, yeah it was Ellie Granger and who's that

0:16:16.360 --> 0:16:21.240
<v Speaker 1>other little kid that's one of the twins, When Lucas

0:16:21.320 --> 0:16:26.880
<v Speaker 1>Dawson is Jonas. They're disturbing and unsettling. Everything adds an

0:16:26.880 --> 0:16:30.760
<v Speaker 1>air of unsettledness. Yeah, And I do love a kids

0:16:30.760 --> 0:16:34.040
<v Speaker 1>are Creepy troupe because I mean kids are creepy so

0:16:34.600 --> 0:16:36.880
<v Speaker 1>uh that you don't know what's going on in their heads.

0:16:36.920 --> 0:16:39.880
<v Speaker 1>They're they're they're people, but not yet I don't know,

0:16:40.080 --> 0:16:43.120
<v Speaker 1>like what's going on with that? Yeah, the first time

0:16:43.160 --> 0:16:46.240
<v Speaker 1>I saw it, I never ever thought Black Philip was real,

0:16:47.160 --> 0:16:48.840
<v Speaker 1>and so when the Twins came on, I thought they

0:16:48.880 --> 0:16:51.640
<v Speaker 1>were just being annoying, Like I really was, like jeez.

0:16:51.960 --> 0:16:55.840
<v Speaker 1>But then in the end it turns out, yeah, it

0:16:55.880 --> 0:16:59.560
<v Speaker 1>is the implication that the devil Goat was whispering to

0:16:59.640 --> 0:17:04.080
<v Speaker 1>the chill dren and getting them to do things, and yeah, okay, yeah,

0:17:04.280 --> 0:17:07.720
<v Speaker 1>I mean the whole family kind of turns at the

0:17:07.840 --> 0:17:09.720
<v Speaker 1>end of that. That's the scariest part to me is

0:17:09.760 --> 0:17:13.080
<v Speaker 1>I've never ever so we all grew up hearing about

0:17:13.119 --> 0:17:15.160
<v Speaker 1>like the Salem witch trials, but this is the first

0:17:15.200 --> 0:17:17.200
<v Speaker 1>time I watched something. I was like, oh my god,

0:17:17.280 --> 0:17:20.760
<v Speaker 1>you could not prove that you weren't a witch, and

0:17:20.800 --> 0:17:25.080
<v Speaker 1>how terrifying that is. And like, the whole family turns

0:17:25.119 --> 0:17:28.760
<v Speaker 1>against thomasin and she's just so isolated. And that's what

0:17:28.800 --> 0:17:33.400
<v Speaker 1>Black Philip wanted is just see, see the society has

0:17:33.440 --> 0:17:38.359
<v Speaker 1>failed you. Now come this way, have some butter, the

0:17:38.480 --> 0:17:43.880
<v Speaker 1>taste of butter. He never promises her butter, but I'm out,

0:17:44.040 --> 0:17:50.359
<v Speaker 1>I'm out a little dipping in a butter turn. Uh. Yeah,

0:17:50.400 --> 0:17:53.600
<v Speaker 1>there's there's something about a One of my favorite kinds

0:17:53.640 --> 0:17:59.880
<v Speaker 1>of movies is small cast, isolated setting and everyone slowly

0:18:00.480 --> 0:18:03.879
<v Speaker 1>losing their minds one by one. It's such an effective

0:18:04.040 --> 0:18:06.280
<v Speaker 1>set up, and we've seen it time and time again,

0:18:06.320 --> 0:18:08.600
<v Speaker 1>but it works so well here because, like you were saying,

0:18:08.640 --> 0:18:12.640
<v Speaker 1>any all, all someone has to do is, especially after

0:18:12.720 --> 0:18:16.040
<v Speaker 1>they start kind of spiraling out of control mentally, is

0:18:16.680 --> 0:18:20.080
<v Speaker 1>you know, she's our sisters a witch? And she squirted

0:18:20.080 --> 0:18:24.919
<v Speaker 1>blood from that goat, which happened I guess rightly? Was

0:18:24.960 --> 0:18:26.640
<v Speaker 1>she a witch? I mean, I know she became one,

0:18:26.720 --> 0:18:30.720
<v Speaker 1>but I mean, you know that the goat could have

0:18:30.760 --> 0:18:33.679
<v Speaker 1>just had blood in its milk. Um, that could have

0:18:33.720 --> 0:18:38.080
<v Speaker 1>been just a normal natural medical thing. Um. She also

0:18:38.080 --> 0:18:40.560
<v Speaker 1>found that chicken egg, the that that broken egg that

0:18:40.680 --> 0:18:46.159
<v Speaker 1>was an unborn chicken. But you know it's it's it

0:18:46.200 --> 0:18:50.160
<v Speaker 1>could have been just black Philip fucking with them, right. Yeah,

0:18:50.400 --> 0:18:53.399
<v Speaker 1>Squirting blood is a good classic creepy thing to do.

0:18:53.720 --> 0:18:59.399
<v Speaker 1>You know, if I were Lucifer in the Sevres, blood

0:18:59.400 --> 0:19:01.520
<v Speaker 1>coming out of he says, where non blood thing should

0:19:01.560 --> 0:19:05.200
<v Speaker 1>be coming out, like yeah, like in it, crying blood

0:19:05.280 --> 0:19:07.360
<v Speaker 1>or like in it when she turns on the faucet

0:19:07.400 --> 0:19:10.280
<v Speaker 1>and blood comes out or whatever, or it even actually

0:19:10.280 --> 0:19:13.200
<v Speaker 1>makes use of a creepy chicken embryo situation that comes

0:19:13.200 --> 0:19:16.200
<v Speaker 1>out of the fortune cookie in the Chinese restaurant. So

0:19:16.240 --> 0:19:20.200
<v Speaker 1>the implication is that like a bedeviling force is wreaking

0:19:20.240 --> 0:19:23.360
<v Speaker 1>havoc on on on everything you know, and causing things

0:19:23.400 --> 0:19:26.480
<v Speaker 1>to be unnatural and yeah, you know, you know evil

0:19:26.520 --> 0:19:28.520
<v Speaker 1>in some way. Well, what was your take, Annie, the

0:19:28.560 --> 0:19:30.520
<v Speaker 1>first time you saw it? Do you remember if you

0:19:31.560 --> 0:19:33.880
<v Speaker 1>were weighing whether or not she was an actual witch,

0:19:33.920 --> 0:19:36.159
<v Speaker 1>because that's kind of what they're playing out, you know

0:19:36.440 --> 0:19:39.200
<v Speaker 1>through a lot of this movie. I don't. I never

0:19:39.280 --> 0:19:42.840
<v Speaker 1>thought she was a witch. Um, I did think that.

0:19:43.040 --> 0:19:47.960
<v Speaker 1>I never ever suspected Black Philip. I just assumed like

0:19:48.000 --> 0:19:50.280
<v Speaker 1>this witch was waiting for them to kill themselves or

0:19:50.320 --> 0:19:54.440
<v Speaker 1>something like take each other out. Um. But like even

0:19:54.480 --> 0:19:56.560
<v Speaker 1>in the scene where she's threatening Mercy and she's like,

0:19:56.640 --> 0:19:58.240
<v Speaker 1>I am the Witch of the id, be the witch

0:19:58.280 --> 0:20:00.200
<v Speaker 1>of the woods, and I'll eat you in what ever,

0:20:00.560 --> 0:20:02.840
<v Speaker 1>I was just like, you know, this is a frustrated

0:20:03.680 --> 0:20:06.760
<v Speaker 1>young girl who doesn't have much avenue for power or

0:20:06.800 --> 0:20:12.760
<v Speaker 1>agency in any other way, and she's tasting this power. Um.

0:20:12.800 --> 0:20:14.600
<v Speaker 1>And that's what always gives me about horror movies. As

0:20:14.640 --> 0:20:17.920
<v Speaker 1>I get there's this line of being empowered to these

0:20:17.920 --> 0:20:20.959
<v Speaker 1>female characters. But even if you taste that power, if

0:20:20.960 --> 0:20:23.040
<v Speaker 1>you accept that, people are so afraid of you, they're

0:20:23.080 --> 0:20:25.359
<v Speaker 1>so afraid of which is, they'll kill you for it.

0:20:25.840 --> 0:20:29.680
<v Speaker 1>Like then you can't prove that you're not. So why

0:20:29.720 --> 0:20:34.040
<v Speaker 1>not accept it? Why not take the label? But then

0:20:34.080 --> 0:20:36.840
<v Speaker 1>they'll kill you for it either way, I guess. So,

0:20:36.880 --> 0:20:40.080
<v Speaker 1>how how do you think the Witch figured into all

0:20:40.119 --> 0:20:43.520
<v Speaker 1>of this? Because the Which is clearly not the focus.

0:20:43.760 --> 0:20:45.399
<v Speaker 1>It's the devil. I mean, it's sort of like a

0:20:45.440 --> 0:20:48.879
<v Speaker 1>bait and switch, right, So the Which exists on the periphery,

0:20:48.920 --> 0:20:52.320
<v Speaker 1>but isn't necessarily Like how what where's the connection to

0:20:52.800 --> 0:20:56.200
<v Speaker 1>from the Witch to black fill up to the relationship

0:20:56.280 --> 0:21:00.320
<v Speaker 1>with thomasin I think the Witch was there, you know,

0:21:00.440 --> 0:21:03.840
<v Speaker 1>his sort of agents of evil, and she was the

0:21:03.880 --> 0:21:08.679
<v Speaker 1>first step in, uh start like driving this wedge and

0:21:08.720 --> 0:21:11.760
<v Speaker 1>what's going to destroy this family? And also you get

0:21:11.760 --> 0:21:13.720
<v Speaker 1>a baby that's not baptized out of it, which I

0:21:14.359 --> 0:21:19.600
<v Speaker 1>hear satan bonus, But yeah, that that's how you get

0:21:19.600 --> 0:21:22.480
<v Speaker 1>to this, to this impressionable young girl as you drive

0:21:22.520 --> 0:21:25.480
<v Speaker 1>her family apart through just just a just an innocent

0:21:25.520 --> 0:21:29.600
<v Speaker 1>babe stealing, simple direct to the point, right, yeah, get

0:21:29.640 --> 0:21:35.080
<v Speaker 1>through the scariest game of peekaboo in movie history. I mean,

0:21:35.560 --> 0:21:39.320
<v Speaker 1>as a filmmaker, there's there's something so effective about these little,

0:21:39.359 --> 0:21:42.480
<v Speaker 1>simple shots. Whether it's that baby is gone and that

0:21:42.560 --> 0:21:44.760
<v Speaker 1>look on her face you see it on her face first,

0:21:45.600 --> 0:21:49.359
<v Speaker 1>or a very slow camera push into the forest with

0:21:49.440 --> 0:21:54.159
<v Speaker 1>that droning score, or the ability to make a fucking

0:21:54.280 --> 0:21:58.840
<v Speaker 1>rabbit look scary just just looking at your face. You

0:21:58.880 --> 0:22:01.000
<v Speaker 1>know that rabbit looks scary. I've never been so upset

0:22:01.040 --> 0:22:04.320
<v Speaker 1>by a rabbit in my life. I mean, I get

0:22:04.359 --> 0:22:08.080
<v Speaker 1>the goat because those sideways, sideways pupils, that's what does it.

0:22:08.119 --> 0:22:10.600
<v Speaker 1>That's what it really gets people. And then that first

0:22:10.600 --> 0:22:13.679
<v Speaker 1>shot of Philip is so great when it uh someone's

0:22:13.680 --> 0:22:15.719
<v Speaker 1>got a steadicam and he's just like kind of bucking

0:22:15.720 --> 0:22:18.480
<v Speaker 1>and jumping around through the yard, like right away that

0:22:18.600 --> 0:22:20.960
<v Speaker 1>he that's just like, this goat is not right, everybody,

0:22:24.680 --> 0:22:30.120
<v Speaker 1>this is a bad goat. Um yeah, yeah, yeah. And

0:22:30.119 --> 0:22:33.159
<v Speaker 1>and the I was thinking as I was just rewatching it,

0:22:33.240 --> 0:22:36.320
<v Speaker 1>about about that camera movement and about that score, because

0:22:36.640 --> 0:22:39.800
<v Speaker 1>because the score is so barren um, it's really only

0:22:39.800 --> 0:22:42.400
<v Speaker 1>in these big dramatic moments that it comes in so

0:22:42.600 --> 0:22:45.600
<v Speaker 1>huge um. But but the rest of the time, it's

0:22:45.640 --> 0:22:49.480
<v Speaker 1>just silence. It's just watching these actors chew their lines

0:22:49.520 --> 0:22:52.159
<v Speaker 1>in the best possible way. And the camera movement is

0:22:52.240 --> 0:22:53.720
<v Speaker 1>is sort of similar, like like a lot of the

0:22:53.760 --> 0:22:57.240
<v Speaker 1>time the camera is very still, just just really letting

0:22:57.960 --> 0:23:02.359
<v Speaker 1>these scenes play out, um intill Yeah, like until I

0:23:02.400 --> 0:23:05.120
<v Speaker 1>don't know, like like almost like um, you know, using

0:23:05.160 --> 0:23:08.800
<v Speaker 1>the movement to to to to show what's going on

0:23:08.840 --> 0:23:12.400
<v Speaker 1>in someone's head, almost as though he's a filmmaker. Strange, unusual.

0:23:12.680 --> 0:23:15.760
<v Speaker 1>But it also doesn't have any like crazy editing tricks.

0:23:15.880 --> 0:23:19.040
<v Speaker 1>It's all really matter of fact, and even like the

0:23:19.080 --> 0:23:23.160
<v Speaker 1>thomasin Perspective shot or whatever, is super straightforward and and

0:23:23.160 --> 0:23:24.960
<v Speaker 1>and and to me, it's a lot of it really

0:23:25.000 --> 0:23:27.639
<v Speaker 1>has to do with the lighting from of the indoor stuff.

0:23:27.880 --> 0:23:30.840
<v Speaker 1>It all looks like a Caravaggio paintings, you know, uses

0:23:30.880 --> 0:23:33.400
<v Speaker 1>this kind of curescirl lighting to give it this sort

0:23:33.400 --> 0:23:36.879
<v Speaker 1>of holy quality. But then of course that's all turned

0:23:36.880 --> 0:23:40.200
<v Speaker 1>on its head by making it, you know, unholy. Um.

0:23:40.200 --> 0:23:42.919
<v Speaker 1>But it's really it was literally candled it at times.

0:23:43.359 --> 0:23:45.400
<v Speaker 1>I mean they may have had some supplemental lighting, but

0:23:45.800 --> 0:23:48.160
<v Speaker 1>some of those shots it looks like practical candles, which

0:23:48.160 --> 0:23:52.360
<v Speaker 1>I know something Kuberc has done before. UM know that

0:23:52.359 --> 0:23:56.720
<v Speaker 1>that dinner scene, UM where her mother accuses Thomasin of

0:23:56.800 --> 0:24:00.240
<v Speaker 1>stealing the cup. UM. Edgar's talks in the in the

0:24:00.880 --> 0:24:04.080
<v Speaker 1>director's commentary about he's so dear. If you have not

0:24:04.160 --> 0:24:07.480
<v Speaker 1>listened to the director's commentary, he seems like the sweetest,

0:24:07.560 --> 0:24:10.520
<v Speaker 1>nerdiest human person on the planet. It's so darling because

0:24:10.520 --> 0:24:13.000
<v Speaker 1>he's just like, he just goes on this rant for

0:24:13.040 --> 0:24:15.480
<v Speaker 1>that entire scene. He's like, you know, it really would

0:24:15.480 --> 0:24:18.520
<v Speaker 1>have been more historically accurate to do a single braided candlewick.

0:24:18.720 --> 0:24:20.639
<v Speaker 1>But I just wasn't getting I wasn't getting enough light

0:24:20.680 --> 0:24:22.560
<v Speaker 1>out of it. I really needed more lights. So we

0:24:22.560 --> 0:24:24.639
<v Speaker 1>we triple braided the wicks. I'm so sorry. We just

0:24:25.480 --> 0:24:27.640
<v Speaker 1>we just had to use and I was just like,

0:24:27.800 --> 0:24:32.200
<v Speaker 1>what are you doing? I love you if every time

0:24:32.200 --> 0:24:34.159
<v Speaker 1>I watched that scene, I think how dark it is?

0:24:34.640 --> 0:24:39.120
<v Speaker 1>Look at this? Yeah, yeah, and that's it also accomplishes

0:24:39.160 --> 0:24:43.400
<v Speaker 1>that thing where it's beautiful and UM looks great, but

0:24:44.080 --> 0:24:47.000
<v Speaker 1>the things in the shadows that could be there that

0:24:47.080 --> 0:24:50.080
<v Speaker 1>are never there really in this movie. But you add

0:24:50.080 --> 0:24:55.760
<v Speaker 1>that drone e score and audience up to to expect

0:24:56.160 --> 0:25:00.359
<v Speaker 1>whatever is coming your way. Yeah, the film takes up

0:25:00.359 --> 0:25:03.280
<v Speaker 1>a lot of space like um, like the in in

0:25:03.320 --> 0:25:06.800
<v Speaker 1>a lot of horror um. Some of the fear comes

0:25:06.840 --> 0:25:10.119
<v Speaker 1>from like a confinement and a closing in. But but

0:25:10.160 --> 0:25:12.159
<v Speaker 1>I feel I feel like the scariest moments for me

0:25:12.280 --> 0:25:14.359
<v Speaker 1>are just these shots of the woods that are so

0:25:14.480 --> 0:25:19.080
<v Speaker 1>vast and you just feel so lonely, um and and

0:25:19.880 --> 0:25:22.200
<v Speaker 1>separated and just I don't know, like the idea of

0:25:22.359 --> 0:25:25.720
<v Speaker 1>living out there like that, like hoof, hoof, I would

0:25:25.760 --> 0:25:27.840
<v Speaker 1>start accusing my sisters a being, which is too I

0:25:27.920 --> 0:25:31.840
<v Speaker 1>don't know. Like that's another thing that this movie made

0:25:31.840 --> 0:25:34.399
<v Speaker 1>me really appreciate about history that I've learned but have

0:25:34.560 --> 0:25:37.520
<v Speaker 1>never really thought of, Like how frightening it would be

0:25:38.440 --> 0:25:41.760
<v Speaker 1>if you did come to these new colonies you don't

0:25:41.760 --> 0:25:44.400
<v Speaker 1>know what to expect, and it's harsh and how are

0:25:44.440 --> 0:25:48.399
<v Speaker 1>you literally going to survive? And in that scene, like

0:25:48.440 --> 0:25:51.719
<v Speaker 1>in that dinner scene, it's so dark and I kept thinking,

0:25:51.760 --> 0:25:54.760
<v Speaker 1>you know, those candles go out and it's just darkness

0:25:54.800 --> 0:25:59.800
<v Speaker 1>and emptiness and that's it, and how like ominous and

0:26:00.480 --> 0:26:03.040
<v Speaker 1>foreboding and over that there's hanging like we don't have

0:26:03.080 --> 0:26:04.960
<v Speaker 1>food and we don't know, if we're gonna get food

0:26:04.960 --> 0:26:06.879
<v Speaker 1>and we don't know why there's not food and how

0:26:06.920 --> 0:26:09.879
<v Speaker 1>to fix it, Like all of this stuff that's just

0:26:11.000 --> 0:26:13.560
<v Speaker 1>had to have been like the actual life people lived

0:26:13.760 --> 0:26:16.160
<v Speaker 1>when they first came here, and like the one thing

0:26:16.280 --> 0:26:19.640
<v Speaker 1>kind of holding them together is the power of belief,

0:26:20.400 --> 0:26:23.600
<v Speaker 1>you know, and God, and that's the thing that's tested

0:26:24.040 --> 0:26:27.200
<v Speaker 1>through all these ordeals they're going through and ultimately taken

0:26:27.240 --> 0:26:29.440
<v Speaker 1>from them, I mean, Thomas, and you know, like you said,

0:26:29.480 --> 0:26:31.280
<v Speaker 1>the first scene you see with her is more her

0:26:31.720 --> 0:26:37.600
<v Speaker 1>presenting that fear mongering aspect of religion, and that continues

0:26:37.640 --> 0:26:40.520
<v Speaker 1>to be a thread, you know, But for the father

0:26:40.920 --> 0:26:43.840
<v Speaker 1>and the mother, I think it's more of a comforting

0:26:44.240 --> 0:26:47.840
<v Speaker 1>aspect perhaps, but that's obviously taken from them, and it's

0:26:47.840 --> 0:26:50.359
<v Speaker 1>sort of bastardized that that their belief and it's turned

0:26:50.400 --> 0:26:52.960
<v Speaker 1>on them. It's you weaponized against them, you know. Yeah.

0:26:53.160 --> 0:26:55.040
<v Speaker 1>He kind of admits at the end too, and that

0:26:55.119 --> 0:26:58.399
<v Speaker 1>one great scene where he's just sort of has that monologue,

0:26:59.040 --> 0:27:02.240
<v Speaker 1>I guess that's probably that's right before Philip takes care

0:27:02.240 --> 0:27:04.879
<v Speaker 1>of business, right where he sort of admits it was

0:27:04.920 --> 0:27:09.680
<v Speaker 1>his pride and not like some divine calling to bring

0:27:09.800 --> 0:27:12.879
<v Speaker 1>his family out there and uh, you know when they

0:27:12.880 --> 0:27:14.879
<v Speaker 1>first get there too, that great shot of them just

0:27:14.960 --> 0:27:18.880
<v Speaker 1>like thanks, so thankful that they came to this place. Yeah,

0:27:21.880 --> 0:27:25.880
<v Speaker 1>the sun shall not shine here, no, not once. Yeah,

0:27:25.880 --> 0:27:29.200
<v Speaker 1>and his i mean, his pride. This whole movie they

0:27:29.200 --> 0:27:32.320
<v Speaker 1>spend blaming Thomason, but really he's the one that got

0:27:32.320 --> 0:27:34.879
<v Speaker 1>them kicked out because he was arrogant. He thought he

0:27:34.960 --> 0:27:39.560
<v Speaker 1>knew more about religion than anybody else and refused to

0:27:39.600 --> 0:27:41.960
<v Speaker 1>hear anything else. He's the one that got them out there.

0:27:42.000 --> 0:27:45.720
<v Speaker 1>And then he's just constantly proving that he's failing and

0:27:45.760 --> 0:27:48.560
<v Speaker 1>it's unwilling to see it or admit it, and let's

0:27:48.560 --> 0:27:51.240
<v Speaker 1>Thomason be blamed for it over and over. So finally

0:27:51.240 --> 0:27:54.560
<v Speaker 1>it's like he was such a religious pious man. He

0:27:54.600 --> 0:27:57.120
<v Speaker 1>finally like confesses, oh, it's my pride, and then black

0:27:57.160 --> 0:27:59.879
<v Speaker 1>Philips like, yep, now I'm gonna kill you. Pride cometh

0:28:00.040 --> 0:28:04.919
<v Speaker 1>before the fall into a stack of fucking logs. The

0:28:04.960 --> 0:28:08.919
<v Speaker 1>only thing he did shopping that was pretty great, Like

0:28:09.000 --> 0:28:11.400
<v Speaker 1>that was his undoing in the end, the huge wall

0:28:11.480 --> 0:28:14.680
<v Speaker 1>of logs just dumbling us and you know, the the

0:28:15.080 --> 0:28:19.080
<v Speaker 1>goat holes in his stomach, right, yeah, go gourd so

0:28:19.640 --> 0:28:22.760
<v Speaker 1>so the colony that they came from, I'm sorry that

0:28:22.840 --> 0:28:27.959
<v Speaker 1>whatever the town in England, they would have been Reform Christians.

0:28:28.200 --> 0:28:30.080
<v Speaker 1>And then he was a Puritan. Is that sort of

0:28:30.080 --> 0:28:33.000
<v Speaker 1>the deal? Or I think they're Puritans, right, Yeah, they're Puritans,

0:28:33.040 --> 0:28:37.760
<v Speaker 1>but he's like way intense period. Yeah, they're they're like whoa,

0:28:37.840 --> 0:28:40.120
<v Speaker 1>Like the other Puritans are like woe dude. So they

0:28:40.120 --> 0:28:43.719
<v Speaker 1>were Puritans too. He was just like an extremist, escensional Okay,

0:28:43.720 --> 0:28:49.640
<v Speaker 1>so it wasn't a Calvinish yeah, uh yeah. I mean

0:28:50.000 --> 0:28:53.040
<v Speaker 1>it's interesting because he I think he thinks he's a

0:28:53.040 --> 0:28:58.720
<v Speaker 1>good dad and a good provider because he's very I

0:28:58.760 --> 0:29:00.800
<v Speaker 1>think he's very conflicted because is at times he is

0:29:00.800 --> 0:29:04.720
<v Speaker 1>a good father and he is destroyed when his uh

0:29:05.160 --> 0:29:08.440
<v Speaker 1>baby son and when Caleb is gone, and when he

0:29:08.520 --> 0:29:10.520
<v Speaker 1>when he finally has that moment where he meets up

0:29:10.560 --> 0:29:13.240
<v Speaker 1>with thomasin in the woods, like you really get a

0:29:13.280 --> 0:29:16.560
<v Speaker 1>sense of how genuine it it is that he's found her,

0:29:16.640 --> 0:29:18.840
<v Speaker 1>but he has he also sold her down the river

0:29:18.880 --> 0:29:22.360
<v Speaker 1>about that goddamn cup. Yeah, and admitted it. But it's

0:29:22.400 --> 0:29:24.560
<v Speaker 1>like like an he said, like he's he makes all

0:29:24.560 --> 0:29:29.920
<v Speaker 1>the wrong moves, that's right. Yeah, pride. Yeah, I don't know.

0:29:30.160 --> 0:29:33.800
<v Speaker 1>And it's so like like some of some of the

0:29:33.960 --> 0:29:37.120
<v Speaker 1>some of the things that he says, um are just

0:29:37.200 --> 0:29:42.400
<v Speaker 1>so dire, like like even about even about uh uh,

0:29:42.640 --> 0:29:44.840
<v Speaker 1>this god in this religion that that he is so

0:29:44.920 --> 0:29:49.000
<v Speaker 1>steeped in. Like there's there's one line where he's like

0:29:49.360 --> 0:29:51.600
<v Speaker 1>his son maybe in the woods. Oh, I mean all

0:29:51.640 --> 0:29:53.560
<v Speaker 1>of it, all of it. Like I mean the two

0:29:53.640 --> 0:29:55.280
<v Speaker 1>that the two that super stood out to me and

0:29:55.280 --> 0:29:57.160
<v Speaker 1>I wrote them down. Um. One of them was a

0:29:57.200 --> 0:29:59.320
<v Speaker 1>quick little throw away line. He's like, oh, yeah, of

0:29:59.320 --> 0:30:01.960
<v Speaker 1>course everyone else is still asleep on a gray day.

0:30:02.000 --> 0:30:07.800
<v Speaker 1>The devil holds fast your eyelids. I was like, what, Like, holy,

0:30:09.080 --> 0:30:12.120
<v Speaker 1>that is the direst fucking way of thinking about sleeping in.

0:30:12.600 --> 0:30:17.400
<v Speaker 1>I know, then why is it so gloomy? Because that

0:30:17.640 --> 0:30:20.960
<v Speaker 1>makes me want to sleep in. I didn't want to

0:30:21.000 --> 0:30:24.760
<v Speaker 1>research on the religion, like when I did this episode

0:30:24.760 --> 0:30:27.200
<v Speaker 1>for Sminty on the religious what would be going on?

0:30:27.800 --> 0:30:29.640
<v Speaker 1>And at the time, it was like a moral good.

0:30:29.760 --> 0:30:34.000
<v Speaker 1>Drudgery was a moral good. So you wanted, like to

0:30:34.080 --> 0:30:37.440
<v Speaker 1>be miserable essentially proved that you were a good person. Well,

0:30:37.440 --> 0:30:39.200
<v Speaker 1>he said, the rain doesn't he said, the rain doesn't

0:30:39.240 --> 0:30:41.240
<v Speaker 1>bother me, you know, when he was going to go

0:30:41.280 --> 0:30:44.800
<v Speaker 1>in the middle of the night, Dude, it is fucking pouring. Yeah,

0:30:46.040 --> 0:30:48.320
<v Speaker 1>and thomasin when she's like, like you said, Lauren, and

0:30:48.400 --> 0:30:51.040
<v Speaker 1>she's confessing all those things that sound like she's just

0:30:51.080 --> 0:30:54.520
<v Speaker 1>basically confessing to I'm not miserable all the time and

0:30:54.560 --> 0:30:57.400
<v Speaker 1>I'm a kid and feeling bad for it. And she's

0:30:57.440 --> 0:31:01.080
<v Speaker 1>really the only one in this soup a religious family

0:31:01.120 --> 0:31:06.200
<v Speaker 1>that has that sort of confession moment um. She's also

0:31:06.400 --> 0:31:09.160
<v Speaker 1>other than going off on Mercy that one time, I'd

0:31:09.160 --> 0:31:11.040
<v Speaker 1>be the witch of the woods. Um. Other than that,

0:31:12.200 --> 0:31:15.240
<v Speaker 1>though she does that was a brady child and she

0:31:15.320 --> 0:31:19.680
<v Speaker 1>deserved it. Um Mercy started it. But but but now,

0:31:19.760 --> 0:31:22.120
<v Speaker 1>other than that is like the only bad thing that

0:31:22.200 --> 0:31:25.840
<v Speaker 1>Thomason does the entire film. Literally everything else is just

0:31:25.880 --> 0:31:28.960
<v Speaker 1>a reaction to what's being thrown at. She's trying so

0:31:29.080 --> 0:31:32.920
<v Speaker 1>hard to be good and devoted and like and like

0:31:32.960 --> 0:31:35.440
<v Speaker 1>her little brother is lusting after her, and her dad

0:31:35.520 --> 0:31:38.320
<v Speaker 1>is is a dick, and her mom is mean to her,

0:31:38.760 --> 0:31:43.640
<v Speaker 1>and I think like covetous of her youth. And what

0:31:43.680 --> 0:31:45.720
<v Speaker 1>was your other line, Lauren that you had picked out

0:31:48.440 --> 0:31:51.320
<v Speaker 1>again at that dinner scene when when the father is

0:31:51.360 --> 0:31:53.760
<v Speaker 1>doing that prayer. One of the things that he says,

0:31:53.760 --> 0:31:55.320
<v Speaker 1>and I don't know if this is like a traditional

0:31:55.360 --> 0:31:57.040
<v Speaker 1>thing to say or not, but it really struck me.

0:31:57.120 --> 0:31:59.880
<v Speaker 1>He says, um, let us finish soon our days of

0:32:00.080 --> 0:32:05.760
<v Speaker 1>sin and be like released up into the Lord's what's

0:32:06.400 --> 0:32:09.680
<v Speaker 1>you're the only one sin? And Lauren. A minute ago

0:32:09.800 --> 0:32:11.880
<v Speaker 1>I mentioned the scene about when he and his son

0:32:12.000 --> 0:32:16.160
<v Speaker 1>go hunt or whatever, and there's a really similar line

0:32:16.200 --> 0:32:19.120
<v Speaker 1>to that that actually answers that question. Um. He this

0:32:19.200 --> 0:32:21.360
<v Speaker 1>is a little back and forth. Or he says to

0:32:21.440 --> 0:32:24.480
<v Speaker 1>his son, art thou then born a sinner? And Caleb says, I,

0:32:24.480 --> 0:32:27.320
<v Speaker 1>I was conceived in sin and born in iniquity, And

0:32:27.360 --> 0:32:30.760
<v Speaker 1>William says uh, and what is thy birth sin? And

0:32:30.840 --> 0:32:34.120
<v Speaker 1>Caleb says, Adam, sin imputed to me, and a corrupt

0:32:34.280 --> 0:32:37.800
<v Speaker 1>nature dwelling within me. And then William says, well, remembered

0:32:37.800 --> 0:32:40.680
<v Speaker 1>Caleb very well. And then he goes and canst thou

0:32:40.840 --> 0:32:44.560
<v Speaker 1>tell me what thy corrupt nature is? And then Caleb says,

0:32:44.600 --> 0:32:47.959
<v Speaker 1>this is the kicker. My corrupt nature is empty of grace,

0:32:48.160 --> 0:32:54.400
<v Speaker 1>bent unto sin, only unto sin, And that continually, and

0:32:57.080 --> 0:32:58.880
<v Speaker 1>I was like a wrote lesson like that was something

0:32:58.880 --> 0:33:03.920
<v Speaker 1>that he was clearly heating from memory. Yeah, yeah, it's uh,

0:33:04.000 --> 0:33:06.400
<v Speaker 1>I mean I grew up Southern Baptist and it's obviously

0:33:06.440 --> 0:33:10.080
<v Speaker 1>nothing like this. But um, so much and you know

0:33:10.680 --> 0:33:13.640
<v Speaker 1>on my religious soapbox, but so much damage has done

0:33:13.640 --> 0:33:17.600
<v Speaker 1>to kids at a young age. Um, whether it's stuffing

0:33:17.760 --> 0:33:20.720
<v Speaker 1>really heavy like this back in the six hundreds or

0:33:20.760 --> 0:33:25.520
<v Speaker 1>a kid growing up in the eighties being taught that, uh,

0:33:25.600 --> 0:33:29.400
<v Speaker 1>you know, nudity is ugly and dirty and sex is

0:33:29.480 --> 0:33:32.480
<v Speaker 1>wrong and dirty, and you know that stuff is still

0:33:32.520 --> 0:33:36.320
<v Speaker 1>being bandied about and two two children, Um, and and

0:33:36.360 --> 0:33:38.760
<v Speaker 1>it's funny. And you mentioned earlier something I wanted to

0:33:38.800 --> 0:33:42.040
<v Speaker 1>talk about that really really hit me last night was

0:33:42.120 --> 0:33:44.280
<v Speaker 1>that for all the horror and the witchiness and the

0:33:44.360 --> 0:33:49.160
<v Speaker 1>double goats, this movie is such a family drama. And

0:33:49.280 --> 0:33:53.000
<v Speaker 1>Egger's I think was so wise to include so much

0:33:53.040 --> 0:33:56.000
<v Speaker 1>of that stuff because it really made it accessible to

0:33:56.040 --> 0:33:58.720
<v Speaker 1>an audience like that. The scene that really got me

0:33:58.760 --> 0:34:03.120
<v Speaker 1>is when they were overhearing them downstairs fighting, and like

0:34:03.200 --> 0:34:05.760
<v Speaker 1>I think we we can all probably point to at

0:34:05.840 --> 0:34:08.360
<v Speaker 1>some point in our childhood that feeling of insecurity you

0:34:08.400 --> 0:34:10.719
<v Speaker 1>have as a kid hearing your parents go at it

0:34:10.760 --> 0:34:13.719
<v Speaker 1>in the other room. Um, and like that's something we

0:34:13.719 --> 0:34:17.560
<v Speaker 1>can all identify with, whether it's sixteen hundreds New England

0:34:17.760 --> 0:34:22.720
<v Speaker 1>or or like modern times. Yeah. Absolutely, Like it's strange,

0:34:22.800 --> 0:34:24.799
<v Speaker 1>it feels so removed in some ways because they are

0:34:24.800 --> 0:34:28.200
<v Speaker 1>speaking so differently than us and clearly like the technologies

0:34:28.200 --> 0:34:30.799
<v Speaker 1>are there, and but there are things like that that

0:34:30.840 --> 0:34:33.000
<v Speaker 1>you can just relate to. I have been there. I

0:34:33.680 --> 0:34:36.680
<v Speaker 1>remember this terror and like this feeling of powerlessness. What

0:34:36.719 --> 0:34:38.839
<v Speaker 1>am I going to do? And in this case, they're

0:34:38.840 --> 0:34:44.840
<v Speaker 1>talking about giving her like giving her away another family. Really, yeah,

0:34:45.320 --> 0:34:48.200
<v Speaker 1>serve another families. I think it's what they said. Yeah,

0:34:48.440 --> 0:34:55.239
<v Speaker 1>it's like or you could just be parents. No, and

0:34:55.239 --> 0:34:58.399
<v Speaker 1>it specifically because they think she's like gone astray, right

0:34:58.640 --> 0:35:02.600
<v Speaker 1>or like is in way whether you know a witch.

0:35:02.800 --> 0:35:04.759
<v Speaker 1>Not yet they're not really quite thinking that yet. There's

0:35:04.840 --> 0:35:07.000
<v Speaker 1>more thinking that she's sort of a bad egg. I

0:35:07.080 --> 0:35:09.239
<v Speaker 1>think they just need to make money and they're just like, well,

0:35:09.239 --> 0:35:11.520
<v Speaker 1>what else have we got that's worth something? Our kid? Yeah,

0:35:11.600 --> 0:35:13.920
<v Speaker 1>we can just made We'll give her away as a

0:35:13.960 --> 0:35:17.120
<v Speaker 1>maid or yeah. Yeah, and no, you can't say bad

0:35:17.120 --> 0:35:19.040
<v Speaker 1>egg in this movie because we've already talked about the

0:35:19.080 --> 0:35:23.760
<v Speaker 1>bad egg. Very true about bad bad seed the literal

0:35:23.800 --> 0:35:25.839
<v Speaker 1>bad egg. Well the bad seed was the corn keep

0:35:25.880 --> 0:35:31.239
<v Speaker 1>going bad apple? We got one of those two. Holy shit,

0:35:31.560 --> 0:35:37.000
<v Speaker 1>I think we just picked up on something does well.

0:35:37.080 --> 0:35:39.600
<v Speaker 1>The whole movie is really about corruption, though, you know,

0:35:39.880 --> 0:35:43.600
<v Speaker 1>it's about being corrupted and being susceptible to corruption. And

0:35:43.680 --> 0:35:46.359
<v Speaker 1>you do see that in like the crops that are

0:35:46.400 --> 0:35:48.680
<v Speaker 1>withering and causing them to like you know, not have

0:35:48.800 --> 0:35:51.400
<v Speaker 1>their livelihood or their ability to survive, and then that

0:35:51.560 --> 0:35:54.279
<v Speaker 1>slowly causing them to go mad. Just the fear and

0:35:54.280 --> 0:35:56.839
<v Speaker 1>then the isolation and then the ability to be corrupted

0:35:56.880 --> 0:36:00.400
<v Speaker 1>spiritually and this fear of the devil being ever awhere

0:36:00.480 --> 0:36:04.120
<v Speaker 1>and being susceptible to that corruption and fighting against it,

0:36:04.160 --> 0:36:07.440
<v Speaker 1>when ultimately you're creating this problem that maybe doesn't even exist,

0:36:07.600 --> 0:36:11.879
<v Speaker 1>only in this case it did exist, which is interesting. Um. Yeah,

0:36:11.920 --> 0:36:14.600
<v Speaker 1>I don't know, it's a lot. Yeah, you know, I

0:36:14.760 --> 0:36:17.520
<v Speaker 1>think and I think all of the corruption comes back

0:36:17.560 --> 0:36:21.080
<v Speaker 1>to this like toxic masculinity of of the father and

0:36:21.160 --> 0:36:24.400
<v Speaker 1>also of the religion that the father subscribes to Um

0:36:24.400 --> 0:36:26.960
<v Speaker 1>and just everything that he's trying to do. That there's

0:36:26.960 --> 0:36:28.800
<v Speaker 1>a there's a couple of scenes that that scene where

0:36:28.960 --> 0:36:32.480
<v Speaker 1>um thomasin winds up yelling at him, um um is

0:36:32.520 --> 0:36:36.479
<v Speaker 1>that true? Like like like what about that, dad? All

0:36:36.520 --> 0:36:39.920
<v Speaker 1>you're good for is cutting wood? Dad? And it's about

0:36:39.920 --> 0:36:43.560
<v Speaker 1>to shake her head off her neck right now. Now.

0:36:43.640 --> 0:36:45.880
<v Speaker 1>That was a very powerful scene and I think we

0:36:45.920 --> 0:36:57.320
<v Speaker 1>all needed that scene. Yeah. I do want to say

0:36:57.360 --> 0:36:59.879
<v Speaker 1>that this movie when it came out, it partnered with

0:37:00.200 --> 0:37:08.080
<v Speaker 1>um the is it the Satanic Temple? Uh? Yes? And

0:37:08.440 --> 0:37:12.880
<v Speaker 1>they called it like a story about feminine independence and

0:37:12.920 --> 0:37:16.440
<v Speaker 1>how I mean, so many which movies are seen as

0:37:16.480 --> 0:37:18.480
<v Speaker 1>like a feminist tale, but a lot of times the

0:37:18.640 --> 0:37:22.880
<v Speaker 1>which does end up as a victim. And they were saying,

0:37:22.920 --> 0:37:26.840
<v Speaker 1>like in this case, another author called it a feminist

0:37:26.920 --> 0:37:31.799
<v Speaker 1>kick in the balls. And because she is, she's like,

0:37:32.560 --> 0:37:35.120
<v Speaker 1>she's so like you said, Lauren, she's trying to be

0:37:35.200 --> 0:37:37.240
<v Speaker 1>a good daughter. She's trying to fit in the system.

0:37:37.400 --> 0:37:41.920
<v Speaker 1>It's continuously being blamed, continuously had fear like cast upon her,

0:37:42.280 --> 0:37:45.960
<v Speaker 1>and no one's even concerned that maybe she has like

0:37:46.120 --> 0:37:48.600
<v Speaker 1>fears of her own. They don't care, Like she's the witch.

0:37:48.640 --> 0:37:51.680
<v Speaker 1>It's the easy way out. Let's blame this young girl

0:37:51.680 --> 0:37:55.719
<v Speaker 1>who's transitioning into womanhood and how threatening that is. And

0:37:55.760 --> 0:37:58.919
<v Speaker 1>then in the end, when she's sort of out of options,

0:37:59.680 --> 0:38:03.080
<v Speaker 1>she becomes this thing I'm afraid of the whole time.

0:38:03.880 --> 0:38:06.160
<v Speaker 1>It looks happy and empowered for the first time in

0:38:06.160 --> 0:38:10.760
<v Speaker 1>the movie. Oh, in that in that horrifying final shot

0:38:10.800 --> 0:38:15.120
<v Speaker 1>where she's just in this like terrible ecstasy. Oh gosh,

0:38:16.280 --> 0:38:18.040
<v Speaker 1>I just got him. I just got him. Literally just

0:38:18.120 --> 0:38:20.640
<v Speaker 1>you even invoking that moment. Yeah, I mean one of

0:38:20.680 --> 0:38:24.160
<v Speaker 1>the bad one of the most badass final shots and

0:38:24.200 --> 0:38:26.919
<v Speaker 1>sequences in movie history. I remember sitting in the theater

0:38:27.000 --> 0:38:30.080
<v Speaker 1>in New York and like once that happened, and then

0:38:30.120 --> 0:38:32.919
<v Speaker 1>the movie was over, kind of like this silence where

0:38:32.960 --> 0:38:36.720
<v Speaker 1>everyone was just like a collective what the fuck falling

0:38:36.719 --> 0:38:39.920
<v Speaker 1>over the theater, like what did we just see? It

0:38:40.040 --> 0:38:42.640
<v Speaker 1>was such a great payoff. He had to he had

0:38:42.680 --> 0:38:45.400
<v Speaker 1>to do it that way. You can't tease it out anymore,

0:38:45.440 --> 0:38:48.239
<v Speaker 1>like show those witches man and And I think the

0:38:48.280 --> 0:38:51.560
<v Speaker 1>implication there is that they're all flying in a big

0:38:51.560 --> 0:38:56.000
<v Speaker 1>way because they mashed up those twins, right, Oh, I

0:38:56.040 --> 0:38:58.879
<v Speaker 1>didn't think about that. Maybe that's what I took from

0:38:58.920 --> 0:39:02.279
<v Speaker 1>it was they're all the twins disappeared too, right, that's right. Yeah,

0:39:02.280 --> 0:39:04.480
<v Speaker 1>they're all super flighty at the end. Because I think

0:39:04.480 --> 0:39:11.400
<v Speaker 1>they're wearing uh Jonas and Mercy didn't even super powerful

0:39:11.400 --> 0:39:14.680
<v Speaker 1>twin June. That's a two for one deal, right, double

0:39:14.719 --> 0:39:19.319
<v Speaker 1>the flight power. That is the first time she didn't

0:39:19.400 --> 0:39:23.359
<v Speaker 1>kill them. Thomason didn't like. I don't know. I mean

0:39:23.400 --> 0:39:26.560
<v Speaker 1>those goats were dead too, those that goat carcass. Yeah,

0:39:26.560 --> 0:39:29.000
<v Speaker 1>there was a goat carcass, but I don't if they

0:39:29.640 --> 0:39:34.080
<v Speaker 1>if there was an implied Twins carcasses, I don't remember it.

0:39:34.400 --> 0:39:36.160
<v Speaker 1>I think they just think they were just gone. They

0:39:36.760 --> 0:39:39.239
<v Speaker 1>they were announced to have kind of been vanished. I

0:39:39.280 --> 0:39:43.200
<v Speaker 1>believe at some point they disappeared or whatever. So because

0:39:43.239 --> 0:39:45.040
<v Speaker 1>some I think some people think it's a loose end

0:39:45.040 --> 0:39:53.280
<v Speaker 1>and I do not interesting twin Juice yea. The production design,

0:39:54.360 --> 0:39:57.600
<v Speaker 1>it's just amazing. It's feels so authentic in this and

0:39:57.680 --> 0:40:01.360
<v Speaker 1>the Lighthouse, which I'm sure we've all seen. Uh, there's

0:40:01.400 --> 0:40:05.279
<v Speaker 1>a um the extra work that you put in as

0:40:05.320 --> 0:40:09.440
<v Speaker 1>a director to make it so real really pays off. Uh.

0:40:09.480 --> 0:40:12.400
<v Speaker 1>And it's just such a fun world to set a

0:40:12.440 --> 0:40:16.600
<v Speaker 1>movie in with those rickety carts and that was so overstuffed,

0:40:16.640 --> 0:40:19.719
<v Speaker 1>and and the Witch's hovel in the woods was just

0:40:19.800 --> 0:40:22.360
<v Speaker 1>like you want to run away from from it, but

0:40:22.400 --> 0:40:23.880
<v Speaker 1>you also want to like poke your head in to

0:40:23.880 --> 0:40:26.879
<v Speaker 1>see what's in there. Yeah, and it's just dark enough

0:40:26.880 --> 0:40:29.279
<v Speaker 1>that there's like this urge of I want it to

0:40:29.320 --> 0:40:31.120
<v Speaker 1>be lighter, but do I do? I really want to

0:40:31.120 --> 0:40:35.440
<v Speaker 1>see more? Man, it looks so good and all the

0:40:35.520 --> 0:40:38.239
<v Speaker 1>like texture of of the of the clothing, and there's

0:40:38.239 --> 0:40:41.360
<v Speaker 1>so much rough wood in that film. It's really beautiful.

0:40:41.480 --> 0:40:43.440
<v Speaker 1>And I remember when I was reading about how it's

0:40:43.520 --> 0:40:46.520
<v Speaker 1>made because it's so like neutral. A lot of it's

0:40:46.560 --> 0:40:48.520
<v Speaker 1>kind of dark and neutral. And some days they would

0:40:48.560 --> 0:40:51.600
<v Speaker 1>just wait for clouds, like they wouldn't film on sunny days,

0:40:52.320 --> 0:40:54.640
<v Speaker 1>and it caused like this huge hold up or like

0:40:54.680 --> 0:40:58.759
<v Speaker 1>where's the bad weather? Where these clouds? I know you had,

0:40:58.880 --> 0:41:00.880
<v Speaker 1>I mean I read I read that too that he

0:41:00.920 --> 0:41:03.760
<v Speaker 1>had to kind of stay in that gray palette. Yeah,

0:41:04.000 --> 0:41:05.560
<v Speaker 1>and you can do some stuff to fake it, but

0:41:05.600 --> 0:41:07.600
<v Speaker 1>if it's a sunny day, you can't. It's really hard

0:41:07.640 --> 0:41:10.520
<v Speaker 1>to fake that believable way. He said, the crew was

0:41:10.560 --> 0:41:13.560
<v Speaker 1>not very happy on this on this shoot. Imagine the

0:41:13.600 --> 0:41:15.640
<v Speaker 1>same for the light. Oh gosh, I imagine the same

0:41:15.680 --> 0:41:19.200
<v Speaker 1>for the lighthouse. It's like making his crew pretty miserable. Yeah,

0:41:20.080 --> 0:41:23.160
<v Speaker 1>suffering for the art. Yeah it works, Oh it does. Yeah,

0:41:23.200 --> 0:41:25.799
<v Speaker 1>because just all of those neutrals and the only pop

0:41:25.840 --> 0:41:28.480
<v Speaker 1>of color that you ever get is the reds the

0:41:28.600 --> 0:41:31.680
<v Speaker 1>like five times that it's like it's like blood or

0:41:31.920 --> 0:41:36.000
<v Speaker 1>um or or little dream baby Sam's wrappings when he

0:41:36.040 --> 0:41:38.600
<v Speaker 1>comes back, and the Witches, except it's not a dream

0:41:38.640 --> 0:41:41.520
<v Speaker 1>because our boob is bleeding. Oh my heck. Anyway, young

0:41:41.760 --> 0:41:47.400
<v Speaker 1>young sexy witch, young sex. Yeah, yeah, Apple and the Apple.

0:41:47.520 --> 0:41:52.279
<v Speaker 1>Let's let's talk about the the breastfeeding scene because that

0:41:52.400 --> 0:41:54.960
<v Speaker 1>is where my New York story comes in. Uh. And

0:41:55.000 --> 0:41:57.080
<v Speaker 1>like I said, I've told this story before to null

0:41:57.160 --> 0:42:00.840
<v Speaker 1>in the audience, but for you too, seeing movies in

0:42:00.880 --> 0:42:02.160
<v Speaker 1>New York is the best. I don't know if you've

0:42:02.160 --> 0:42:04.000
<v Speaker 1>ever done it, because you never know what you're gonna

0:42:04.040 --> 0:42:07.799
<v Speaker 1>get because New York. But um, that movie had built

0:42:07.880 --> 0:42:10.000
<v Speaker 1>up so much tension up to that point, and it

0:42:10.040 --> 0:42:12.120
<v Speaker 1>was a pretty crowded theater and I was by myself,

0:42:12.680 --> 0:42:15.080
<v Speaker 1>and that showed the shot of the crow pecking away

0:42:15.120 --> 0:42:19.640
<v Speaker 1>at her breast and this woman like tin rose in

0:42:19.640 --> 0:42:23.720
<v Speaker 1>front of me. All you hear is and really loudly,

0:42:24.320 --> 0:42:30.840
<v Speaker 1>that is so fucked up, And everybody broke out in laughter.

0:42:31.000 --> 0:42:33.960
<v Speaker 1>The whole theater. I think we all wanted to like

0:42:34.080 --> 0:42:37.319
<v Speaker 1>hug that lady because it's like we needed that so much,

0:42:38.280 --> 0:42:40.960
<v Speaker 1>and it broke the ice and everyone just started laughing,

0:42:41.480 --> 0:42:42.880
<v Speaker 1>and it was just one of those great sort of

0:42:42.920 --> 0:42:45.640
<v Speaker 1>movie moments where talking back to the screen really kind

0:42:45.640 --> 0:42:48.520
<v Speaker 1>of helped out. Oh yeah, I adore that kind of thing.

0:42:48.520 --> 0:42:50.880
<v Speaker 1>That that's what I truly miss about seeing um and

0:42:51.040 --> 0:42:54.000
<v Speaker 1>especially horror films with a live audience, because when when

0:42:54.000 --> 0:42:57.799
<v Speaker 1>you get that break intension, it's so beautiful and such

0:42:57.840 --> 0:43:01.759
<v Speaker 1>a like like human collect to experience. No, I miss

0:43:01.800 --> 0:43:05.360
<v Speaker 1>it so much. It's a there's a different you know,

0:43:05.440 --> 0:43:07.279
<v Speaker 1>sitting around watching movies at home is fun and all,

0:43:07.320 --> 0:43:11.360
<v Speaker 1>but that whether it's comedy or horror, those seemed to

0:43:11.400 --> 0:43:13.480
<v Speaker 1>be the kind of two that really lends itself to

0:43:13.600 --> 0:43:23.000
<v Speaker 1>the collective experience. Yeah, we're all sad. So he has

0:43:23.040 --> 0:43:25.120
<v Speaker 1>that one great scene where you know, she tells him

0:43:25.120 --> 0:43:27.600
<v Speaker 1>off and everything, and he's going to take her in

0:43:27.800 --> 0:43:30.960
<v Speaker 1>to be tried as a witch, like that's the plan, right,

0:43:31.480 --> 0:43:34.320
<v Speaker 1>and and locks him in there with Black Philip. Little

0:43:34.360 --> 0:43:37.520
<v Speaker 1>does he know that was a big fat mistake, like

0:43:37.600 --> 0:43:40.960
<v Speaker 1>literally locking them in a room with the devil. Uh,

0:43:41.000 --> 0:43:45.040
<v Speaker 1>and and when it's revealed, I don't think you ever

0:43:45.040 --> 0:43:46.759
<v Speaker 1>see his face, do you? Or does it show his

0:43:46.800 --> 0:43:50.840
<v Speaker 1>face briefly? Oh the like human form of black? Yeah, No,

0:43:51.360 --> 0:43:53.440
<v Speaker 1>you don't see his face. But I don't know if

0:43:53.440 --> 0:43:55.560
<v Speaker 1>this is maybe it's just really good at suggesting what

0:43:55.640 --> 0:43:58.759
<v Speaker 1>he looks like. But I feel like, I knowbody looks

0:43:58.520 --> 0:44:02.839
<v Speaker 1>it's super handsome. I think, yeah, yeah, dark hair, dark

0:44:02.880 --> 0:44:08.320
<v Speaker 1>guys grows. Yeah, because you see his boot and you

0:44:08.400 --> 0:44:11.040
<v Speaker 1>see his glove and that's it. And then you just

0:44:11.560 --> 0:44:15.880
<v Speaker 1>f no and you get that beautiful voice and whatever

0:44:16.080 --> 0:44:18.320
<v Speaker 1>whatever audio effects that they were doing where it's just

0:44:18.440 --> 0:44:20.799
<v Speaker 1>kind of coming from everywhere and inside you at the

0:44:20.840 --> 0:44:25.280
<v Speaker 1>same time. Yeah, it was pretty surrupy. I will guide

0:44:25.480 --> 0:44:29.080
<v Speaker 1>the hand Man. The first time I watched this, I

0:44:29.120 --> 0:44:31.640
<v Speaker 1>remember at this part, I was like, what the fuck?

0:44:33.360 --> 0:44:37.920
<v Speaker 1>So there w black Philip was satan Wow. Well, and

0:44:38.040 --> 0:44:42.480
<v Speaker 1>again it's about this payoff. This movie has such great payoffs, uh,

0:44:42.560 --> 0:44:45.439
<v Speaker 1>because you're sort of wondering the whole time, and then yeah,

0:44:45.440 --> 0:44:48.319
<v Speaker 1>when that reveal happens, it's just it's like a gift

0:44:48.360 --> 0:44:49.960
<v Speaker 1>to the audience, you know, like, I'm not going to

0:44:50.080 --> 0:44:52.919
<v Speaker 1>leave you guesting anymore. Here here, you are, Well, that's

0:44:52.920 --> 0:44:56.759
<v Speaker 1>what's so clever about introducing the witch early on and

0:44:56.920 --> 0:44:59.680
<v Speaker 1>kind of leaving it be, because then I just assumed, well,

0:44:59.680 --> 0:45:03.520
<v Speaker 1>it's all the bitch must be the witch, there's nothing

0:45:03.560 --> 0:45:06.440
<v Speaker 1>else beyond that, and then at the end it's like, no,

0:45:06.640 --> 0:45:15.799
<v Speaker 1>actually there's a lot of witches and they're satan. So yeah,

0:45:13.640 --> 0:45:19.520
<v Speaker 1>the way mom gets it too is so brutal, yet

0:45:19.600 --> 0:45:24.080
<v Speaker 1>somehow satisfying because I get the feeling that one of

0:45:24.080 --> 0:45:26.000
<v Speaker 1>them was going to walk out of their dead, you know,

0:45:26.040 --> 0:45:30.240
<v Speaker 1>in that confrontation. Oh yeah, um it killed. That seem

0:45:30.320 --> 0:45:33.440
<v Speaker 1>kills me every time because when when her mom first

0:45:33.480 --> 0:45:35.400
<v Speaker 1>pushes her down Thomas and is like it is like no,

0:45:35.520 --> 0:45:37.839
<v Speaker 1>I love you, I love you, I love you, like

0:45:38.040 --> 0:45:39.960
<v Speaker 1>fight like fighting her off, and I'm just like that

0:45:40.080 --> 0:45:45.480
<v Speaker 1>was brutal. Who uh yeah, I mean she's fighting for

0:45:45.520 --> 0:45:51.440
<v Speaker 1>her literal life and also trying to like I mean,

0:45:51.480 --> 0:45:53.239
<v Speaker 1>you think it's hard dealing with parents like when we

0:45:53.239 --> 0:45:56.560
<v Speaker 1>were growing up, Like imagine this like calvinist puritanical ship

0:45:57.400 --> 0:45:59.960
<v Speaker 1>to where you you can't even have a real conversation

0:46:00.040 --> 0:46:04.319
<v Speaker 1>and yeah, yeah, I mean it's so sad because she

0:46:04.560 --> 0:46:07.239
<v Speaker 1>is just kind of pleading with her mom. Don't you

0:46:07.360 --> 0:46:10.000
<v Speaker 1>love I love you, I love you, don't you love me?

0:46:10.040 --> 0:46:14.040
<v Speaker 1>And that kind of throughout comes up of how her

0:46:14.080 --> 0:46:16.960
<v Speaker 1>mom is so ready to throw her under the bus

0:46:16.960 --> 0:46:21.040
<v Speaker 1>and under the car here, right, I should be period

0:46:21.080 --> 0:46:25.719
<v Speaker 1>accurate in my idioms that I use um and she

0:46:26.000 --> 0:46:29.680
<v Speaker 1>has this insecurity of does her mother actually love her?

0:46:30.520 --> 0:46:34.799
<v Speaker 1>Can she find favor in her eyes? Yeah, it's such

0:46:34.840 --> 0:46:37.719
<v Speaker 1>a I mean again with this in the Lighthouse, I

0:46:37.719 --> 0:46:39.680
<v Speaker 1>think we're seeing the beginnings of a career. That's just

0:46:40.480 --> 0:46:42.120
<v Speaker 1>you know, we're all going to be seeing his movies

0:46:42.160 --> 0:46:43.880
<v Speaker 1>on like the first weekend that they come out. I

0:46:43.880 --> 0:46:46.239
<v Speaker 1>think he's making like a Viking movie next. And I

0:46:46.320 --> 0:46:49.200
<v Speaker 1>heard that and I was like, of course he is perfect.

0:46:50.080 --> 0:46:53.520
<v Speaker 1>Sure he will never make a contemporary peace and why

0:46:53.520 --> 0:46:56.520
<v Speaker 1>should he when like, you see something like this and

0:46:56.560 --> 0:46:59.360
<v Speaker 1>you just think, why is in every horror movie a

0:46:59.440 --> 0:47:04.799
<v Speaker 1>period a movie? This is so funny because it's not.

0:47:04.920 --> 0:47:09.400
<v Speaker 1>But recently I just did a research on a period

0:47:09.440 --> 0:47:12.399
<v Speaker 1>supernatural horror which it's actually about menstruation. But every time

0:47:12.400 --> 0:47:14.799
<v Speaker 1>I say it, people think I'm talking about this, and

0:47:14.840 --> 0:47:20.520
<v Speaker 1>I always have to explain no, so that that that

0:47:20.560 --> 0:47:23.759
<v Speaker 1>the period, not the period that Yeah, yeah, it's like

0:47:23.800 --> 0:47:25.839
<v Speaker 1>that period. It's like that joke, have you seen there

0:47:25.880 --> 0:47:28.600
<v Speaker 1>will be blood? And they're like, yeah, it's a period piece.

0:47:29.080 --> 0:47:37.400
<v Speaker 1>A great way to wrap this one up. Does anyone

0:47:37.520 --> 0:47:39.399
<v Speaker 1>else have anything on their list? I mean, I think

0:47:39.400 --> 0:47:41.239
<v Speaker 1>we kind of covered it. No, Just that it is

0:47:41.280 --> 0:47:46.000
<v Speaker 1>so interesting that this guy is really sticking in this lane.

0:47:46.200 --> 0:47:50.560
<v Speaker 1>Obviously with the historical accuracy stuff is obviously a much

0:47:50.600 --> 0:47:53.960
<v Speaker 1>more challenging thing to do for film, but he's also

0:47:54.120 --> 0:47:57.920
<v Speaker 1>managed to keep it pretty tightly laser focused, even with

0:47:58.000 --> 0:48:00.520
<v Speaker 1>like the Lighthouse. I wonder if became as the Lighthouse

0:48:00.560 --> 0:48:03.879
<v Speaker 1>was also such a success, if maybe this Viking movie

0:48:03.920 --> 0:48:05.719
<v Speaker 1>is going to broaden that world a little bit and

0:48:05.880 --> 0:48:09.360
<v Speaker 1>go massive with it. Um, I'm sure you can do

0:48:09.440 --> 0:48:13.560
<v Speaker 1>that too. But really interesting economy of filmmaking and in

0:48:13.640 --> 0:48:16.239
<v Speaker 1>terms of the way he uses locations, and I mean,

0:48:16.360 --> 0:48:18.279
<v Speaker 1>lighthouse wasn't cheap, you know, they had to build that

0:48:18.360 --> 0:48:20.640
<v Speaker 1>lighthouse and do all that stuff and make sure they

0:48:20.719 --> 0:48:23.600
<v Speaker 1>get the cameras in places, and but he seems to

0:48:23.640 --> 0:48:26.239
<v Speaker 1>know where to spend his money, you know. Uh. And

0:48:26.400 --> 0:48:30.719
<v Speaker 1>I think he's ambitious for sure. Yeah, I mean, just

0:48:30.760 --> 0:48:33.200
<v Speaker 1>one of the new geniuses. He's Uh. I can't wait

0:48:33.239 --> 0:48:34.719
<v Speaker 1>to see what he does. I mean, I know, all

0:48:34.719 --> 0:48:38.160
<v Speaker 1>I know is Vikings. I'm sure it'll be a lighthearted romp.

0:48:39.800 --> 0:48:42.040
<v Speaker 1>Actually have two quotes, Can I share? One of those?

0:48:42.080 --> 0:48:46.440
<v Speaker 1>My favorite of all time about Okay, so one Diane

0:48:46.520 --> 0:48:48.360
<v Speaker 1>Cohen when she was writing about this, she said, the

0:48:48.440 --> 0:48:50.879
<v Speaker 1>real horror and Robert Egger's new film Levich a new

0:48:50.920 --> 0:48:53.920
<v Speaker 1>income folktell isn't satanic goats, baby abduction or even the

0:48:53.960 --> 0:48:56.640
<v Speaker 1>fariest witches in the woods is all limited and punishing

0:48:56.719 --> 0:49:01.960
<v Speaker 1>road to womanhood. Yeah, now here's my favorite quote. This

0:49:02.040 --> 0:49:05.680
<v Speaker 1>is from the Malleus Malfacarum. Do you all know what

0:49:05.719 --> 0:49:09.719
<v Speaker 1>that is? It's like a tomb, It's like a grimoire,

0:49:09.960 --> 0:49:14.080
<v Speaker 1>right kind of Yes, it was a bestseller witch hunting

0:49:14.120 --> 0:49:19.000
<v Speaker 1>book from It was written by Catholic inquisitors, and there

0:49:19.040 --> 0:49:20.960
<v Speaker 1>was this fear at the time, and this is legit

0:49:21.400 --> 0:49:26.080
<v Speaker 1>that women were cutting off men's penises for their own

0:49:26.120 --> 0:49:31.000
<v Speaker 1>personal use. So it's like bookmarks or what. No, here's

0:49:31.000 --> 0:49:35.040
<v Speaker 1>the quote. Okay, how as it were, which is deprived

0:49:35.040 --> 0:49:37.520
<v Speaker 1>man of his virile member? And what then is to

0:49:37.520 --> 0:49:39.239
<v Speaker 1>be thought of those which is who in this way

0:49:39.320 --> 0:49:43.359
<v Speaker 1>sometimes collect male organs in great numbers, as many as

0:49:43.400 --> 0:49:46.239
<v Speaker 1>twenty or thirty members together and put them in a

0:49:46.239 --> 0:49:48.719
<v Speaker 1>bird's nest or shut them up in a box where

0:49:48.719 --> 0:49:52.400
<v Speaker 1>they move themselves like living members and eat oats and corn,

0:49:52.680 --> 0:49:55.440
<v Speaker 1>as has been seen by many and as a matter

0:49:55.640 --> 0:49:59.840
<v Speaker 1>of common report. Wow, Yeah, they thought they were a

0:50:00.400 --> 0:50:03.600
<v Speaker 1>penises like pets and feeding them because it was a

0:50:03.640 --> 0:50:07.439
<v Speaker 1>matter of common report. Wow. And you know, it's it's

0:50:07.440 --> 0:50:10.480
<v Speaker 1>funny because you can say, oh, back then then they

0:50:10.480 --> 0:50:12.319
<v Speaker 1>were so crazy with how they did things, but you

0:50:12.360 --> 0:50:16.680
<v Speaker 1>can draw direct lines to modern society and ways that

0:50:17.320 --> 0:50:19.560
<v Speaker 1>the same things are happening that don't seem quite as

0:50:20.320 --> 0:50:24.799
<v Speaker 1>crazy on the surface, but are still still have the

0:50:24.800 --> 0:50:27.640
<v Speaker 1>same means to the same end. You know. Yeah, they

0:50:27.920 --> 0:50:31.120
<v Speaker 1>were so afraid that women could have sexual pleasure by themselves.

0:50:31.400 --> 0:50:33.240
<v Speaker 1>But I mean, I laugh at this, But a hundred

0:50:33.239 --> 0:50:36.160
<v Speaker 1>thousand people did die in these two centuries because they

0:50:36.160 --> 0:50:40.000
<v Speaker 1>were suspected of being which is of them were women? Wow?

0:50:40.360 --> 0:50:43.960
<v Speaker 1>So there were there were male witches? Oh yeah, they

0:50:44.040 --> 0:50:46.960
<v Speaker 1>could be pretty rare though. I wonder if some of

0:50:46.960 --> 0:50:50.520
<v Speaker 1>those men were gay men. Very likely not, I wonder.

0:50:50.640 --> 0:50:54.920
<v Speaker 1>I'm sure probably feminate in whatever way was considered yeah,

0:50:55.239 --> 0:50:59.160
<v Speaker 1>equally evil or someone with a disability or learning disability

0:50:59.280 --> 0:51:02.680
<v Speaker 1>or anything that is just not quite right by their eye, right.

0:51:02.719 --> 0:51:05.360
<v Speaker 1>I mean, that's what the Witch stands for so many times,

0:51:05.480 --> 0:51:09.239
<v Speaker 1>is someone who doesn't fit into societal norms. Is it's

0:51:09.239 --> 0:51:12.560
<v Speaker 1>somehow trespassing that, whether it's a single woman, god forbid,

0:51:12.600 --> 0:51:17.200
<v Speaker 1>what is she doing, just anyone who isn't quite what

0:51:17.320 --> 0:51:23.520
<v Speaker 1>society says you should be right and it's still going on. Well,

0:51:23.520 --> 0:51:28.240
<v Speaker 1>this is hard, it really is. And I'm sure Edgar's

0:51:28.600 --> 0:51:30.840
<v Speaker 1>was not, you know, blind to that. You know, it

0:51:30.880 --> 0:51:33.680
<v Speaker 1>seems to be one of the messages. And I think

0:51:33.719 --> 0:51:36.120
<v Speaker 1>it was nice and subtle too. Yeah, it was great

0:51:36.120 --> 0:51:38.080
<v Speaker 1>because he said he never meant to make a feminist

0:51:38.080 --> 0:51:40.000
<v Speaker 1>movie and he was kind of surprised by it afterwards.

0:51:40.640 --> 0:51:43.600
<v Speaker 1>That's what it is, and that's what it is, all right,

0:51:43.640 --> 0:51:46.000
<v Speaker 1>Thank good for him. That's great. Yeah, because I feel

0:51:46.000 --> 0:51:49.320
<v Speaker 1>like The Lighthouse is also equally about toxic masculinity anyway, Okay,

0:51:49.320 --> 0:51:52.120
<v Speaker 1>that's a that's a topic for a. I'd love to

0:51:52.160 --> 0:51:57.560
<v Speaker 1>know his family background. That's the interesting thing about Horror

0:51:57.600 --> 0:51:59.600
<v Speaker 1>to me is there's always this question after I watch

0:51:59.640 --> 0:52:02.520
<v Speaker 1>a hormone for like, I wonder, I wonder, what's up

0:52:02.560 --> 0:52:07.360
<v Speaker 1>with them? Yeah. I mean the lighthouse is so clearly

0:52:07.920 --> 0:52:11.080
<v Speaker 1>a father son bone to pick and this is a

0:52:11.160 --> 0:52:14.320
<v Speaker 1>father daughter a little bit of father son, but maybe

0:52:14.320 --> 0:52:17.279
<v Speaker 1>it's just parents child dynamic is simpler said, you know,

0:52:19.239 --> 0:52:23.400
<v Speaker 1>I wonder if he has kids. These questions are easily

0:52:23.440 --> 0:52:28.200
<v Speaker 1>answered or coats google this stuff. All right, Well, I'm

0:52:28.200 --> 0:52:30.200
<v Speaker 1>gonna go across the street and play with my black

0:52:30.239 --> 0:52:35.200
<v Speaker 1>Philip and bring him some salary. And uh, thank you Lauren,

0:52:35.239 --> 0:52:38.160
<v Speaker 1>thank you Annie, and thank you Noel. This is a

0:52:38.160 --> 0:52:41.839
<v Speaker 1>great way to kick off the official Friday holiday season. Yes,

0:52:42.040 --> 0:52:43.640
<v Speaker 1>thank you so much. Trying to call it a holiday

0:52:43.800 --> 0:52:46.200
<v Speaker 1>like it's Christmas or something, but it kind of is

0:52:46.239 --> 0:52:50.440
<v Speaker 1>for us about all right. Well, thanks you guys, and

0:52:50.600 --> 0:52:52.160
<v Speaker 1>you'll probably be in one of these other ones. So

0:52:52.440 --> 0:52:55.160
<v Speaker 1>look forward to hearing from you again soon. Thank you,

0:52:55.440 --> 0:53:00.080
<v Speaker 1>bye everybody, Bye bye bye. Smothe Crash. It's produced and

0:53:00.120 --> 0:53:03.320
<v Speaker 1>written by Charles Bryant and Meel Brown, edited and engineered

0:53:03.360 --> 0:53:06.600
<v Speaker 1>by Seth Nicholas Johnson, and scored by Noel Brown here

0:53:06.640 --> 0:53:09.680
<v Speaker 1>in our home studio at Pontsty Market, Atlanta, Georgia. For

0:53:09.760 --> 0:53:12.640
<v Speaker 1>I Heart Radio. For more podcasts for my Heart Radio,

0:53:12.719 --> 0:53:15.440
<v Speaker 1>visit the i Heart Radio app Apple Podcast or wherever

0:53:15.520 --> 0:53:16.840
<v Speaker 1>you listen to your favorite shows.