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Speaker 1: Welcome to pod meets Twirled, the Dancing with the Stars

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Speaker 1: recap hosted by two guys who can't dance don't want

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Speaker 1: to dance, and I have now seen exactly one episode

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Speaker 1: of Dancing with the Stars. But since our best friend

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Speaker 1: Danielle has joined the cast for season thirty four, we're

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Speaker 1: going all in. We're Wilfred Oh and Ryder Strong aka

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Speaker 1: the two dudes standing next to Tapanga aka Danielle Fishal's

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Speaker 1: backup aka the dan Yettes.

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Speaker 2: How you doing, Will, I'm doing great, rider, other than

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Speaker 2: the fact that I've got a little bit of a cold,

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Speaker 2: but I think it's a dancing cold.

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Speaker 3: What are your legs doing? My legs are okay.

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Speaker 2: I found that as long as I don't leave my

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Speaker 2: home or do any exercise whatsoever, my legs.

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Speaker 3: Are pretty fine. How are your legs? My legs are fine.

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Speaker 1: I could not believe un when Danielle sent me the

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Speaker 1: photos crazy bruises, crazy, you know, days before, I was like, well,

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Speaker 1: she's gonna have to cancel. That's what I thought to

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Speaker 1: do this, And then she did it. Yeah, amazing.

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Speaker 3: I sneezed once and I've been in bed for three days.

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Speaker 4: I know.

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Speaker 3: I don't know how she's doing it. I can't believe it.

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Speaker 1: She did incredible, and I you know, you you talked

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Speaker 1: about how last week you could kind of tell she

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Speaker 1: was nerves. This week, I could tell she was in pain. Yeah,

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Speaker 1: I could.

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Speaker 2: Because she's obviously I mean, I mean she's having trouble walking.

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Speaker 3: I don't know how she's dancing. Yeah.

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Speaker 1: So, apparently, just to update everybody there, she has seen

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Speaker 1: all kinds of experts. She is undergoing all kinds of treatments,

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Speaker 1: some things I've never heard of, but for the most part,

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Speaker 1: they're just managing pain, which apparently does not mean any

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Speaker 1: good actual pain pills. And she's grinning and bearing it.

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Speaker 1: And I thought she did incredible and she's never gonna

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Speaker 1: need surgery, which is great news.

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Speaker 3: It's a pretty common torn hamstring.

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Speaker 2: She does more damage to it, which you know, dancing

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Speaker 2: and rehearsing every week.

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Speaker 3: In a really good way.

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Speaker 2: I mean, the doctor literally told her he's treating her

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Speaker 2: like an athlete in the middle of the playoffs.

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Speaker 3: Yes, you're going to keep going.

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Speaker 1: Yeah, I mean I texted on our little text chanin,

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Speaker 1: I was like, low kicks this week, and Jensen immediately

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Speaker 1: wrote back, like this is Danielle. And sure enough she

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Speaker 1: was doing the splits this week. Oh yeah, she was

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Speaker 1: jumping around like the best of them.

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Speaker 3: I believe, just ahead.

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Speaker 2: She's still going to go and compete. That's just that's Danielle. Yeah,

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Speaker 2: she's she's not going to stop.

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Speaker 1: Well, you know that's funny because that's something that I

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Speaker 1: didn't think about when she first told us she was

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Speaker 1: doing the show, you know we are.

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Speaker 3: Our first question was like, do you know how to dance?

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Speaker 3: Why are you doing this? Just in terms of your

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Speaker 3: your your life and your time. Yeah.

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Speaker 1: Uh. And then there was this moment when we were

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Speaker 1: talking about the show before it started, you know, two

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Speaker 1: or three weeks ago, and uh.

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Speaker 3: I remembered she is very competitive. Danielle has a hugely

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Speaker 3: She's one of those people that, like if you're playing,

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Speaker 3: you know, a game of pickup or baseball or one

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Speaker 3: of these other sports ball things, but anything, she wants

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Speaker 3: to win. Yeah.

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Speaker 1: And I realized, like, oh, this is that's like adding

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Speaker 1: a whole new wrinkle to this endeavor. She's not just

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Speaker 1: doing this, you know, as a fun romp or you know, it's.

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Speaker 3: It's she's actually into it for the competition.

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Speaker 2: Which is a percent and not just that, but she

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Speaker 2: also she we we know Danielle very well for thirty years.

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Speaker 2: Danielle likes to be in control, and so something like

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Speaker 2: an injury, yeah that's just out of her control. Is

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Speaker 2: just that I sends her into a tailspin because she's like, no, no, no, no,

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Speaker 2: this is not part of the plan. The plan was

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Speaker 2: I do this, this, this, this and this and this

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Speaker 2: thing out of my control.

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Speaker 3: No no, no, no no.

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Speaker 2: So she'll ignore it for as long as she can,

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Speaker 2: and I just hope she doesn't end up doing more

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Speaker 2: damage to her leg because she's she ain't gonna stop.

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Speaker 3: It's not gonna happen. Yeah. So all right, well let's

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Speaker 3: get into episode two. Week two. The theme this week

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Speaker 3: was one hit Wonders.

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Speaker 1: You know, I have to say because I actually knew

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Speaker 1: a lot of the songs this time.

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Speaker 3: As much as I like that there's live music, sometimes

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Speaker 3: I wanted to hear the original, I don't disagree with you.

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Speaker 2: I also some of the song picks to me were like,

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Speaker 2: these are the one hit wonders you're picking. There's some

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Speaker 2: classic one hit wonders that like right fell by the Wayside, sou.

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Speaker 1: But also, how do they define one hit wonders, like

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Speaker 1: they couldn't have another hit, like they had to be somebody.

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Speaker 3: Who, yeah, you have one hit, you have a one

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Speaker 3: hit wonder. Absolutely. Yeah.

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Speaker 2: So it was there were some some music choices where

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Speaker 2: and I still.

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Speaker 3: Don't know enough about are they picking? Is it like

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Speaker 3: they get it they get a big pool.

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Speaker 2: Of songs and they each have to pick one. Who

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Speaker 2: gets to pick first? There's so many questions, dude.

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Speaker 1: I I have questions about that because it seemed like

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Speaker 1: when the people when the stars showed up, the dancer

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Speaker 1: was telling them what's song. But then another time it

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Speaker 1: looked like somebody came in and said I picked this,

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Speaker 1: and I write and then.

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Speaker 3: I still don't understand the judging. Oh don't get me

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Speaker 3: started on the judges. I have no idea because they

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Speaker 3: say we add the judges numbers.

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Speaker 1: I mean what you also can't vote on the West coast? Okay,

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Speaker 1: So yeah, I know I noticed that.

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Speaker 2: So it's like, I don't understand what's going on with this.

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Speaker 1: So if there's somebody out there who can tell us

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Speaker 1: the math of the judging numbers, how you go from

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Speaker 1: having a seven seven seven and then that combines with

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Speaker 1: millions of votes, I would love to know how they're

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Speaker 1: actually doing this, thank you. I feel like they're they're

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Speaker 1: playing it a little loosey goosey. But Jensen did inform

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Speaker 1: us that there's somebody like on set who's actually like

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Speaker 1: a representative of some insurance organization or whatever, to like

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Speaker 1: monitor that it's legit, like that they're actually counting the

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Speaker 1: votes correctly.

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Speaker 3: Or that the call in votes are legit like the

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Speaker 3: testing votes. I guess that the number. I don't know, man,

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Speaker 3: I don't know how any of this works.

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Speaker 2: I still don't understand entirely how it's working. But my

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Speaker 2: best friend's on the show.

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Speaker 1: The first couple the dance last night, Alex Earl and

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Speaker 1: Val Schmerkowsky, all right, their dance was the jive. They

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Speaker 1: did the song Mambo number five by lou Bega.

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Speaker 3: What'd you think of this one?

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Speaker 2: To be honest, I thought it was great that I

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Speaker 2: thought it was I loved their outfits.

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Speaker 3: I can't believe I just said that on a podcast,

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Speaker 3: but it's true. We should talk about the wardrobe. I

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Speaker 3: was in the wardrobe this week. Yeah, I thought this

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Speaker 3: week was.

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Speaker 1: Maybe I'm just like like the first week, I was

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Speaker 1: so dazzled by dancing but this week I really noticed

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Speaker 1: the wardrobe and how important.

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Speaker 2: That is, hugely important, and I thought it was great.

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Speaker 2: It was vibrant. I thought the dance looked wonderful. They

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Speaker 2: really worked well together.

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Speaker 3: It was she.

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Speaker 1: I think she really uped her game because she was

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Speaker 1: always she was good last week, but we talked about

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Speaker 1: how she had this sort of like lack of presence

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Speaker 1: or lack of personality when she did the Circus number.

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Speaker 3: Yeah, she had the whip.

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Speaker 1: But this this week I was there. I was the thought,

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Speaker 1: so too, we're out of the gate. This is this

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Speaker 1: is a tough competition.

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Speaker 2: I thought the same thing, and I thought, really setting

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Speaker 2: the bar high to start the competition this week was

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Speaker 2: I will say.

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Speaker 3: He started lip syncing the first couple of lines of

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Speaker 3: the song, and I do not want to see lip.

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Speaker 1: Syncing on the show. I realized that's like the I

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Speaker 1: was like, it's a dance show. It's not a singing show.

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Speaker 1: It's not and it's not like the performance. He was

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Speaker 1: camera and then someone else.

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Speaker 3: Lip synced later I forget who it was. Maybe it

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Speaker 3: was Corey Fellman. People do and I was like, lot, stop,

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Speaker 3: just use your body.

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Speaker 2: I don't know why that drives me crazy. It's like

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Speaker 2: a comedian laughing at his own jokes. Yes, it's the

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Speaker 2: same kind of thing.

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Speaker 3: I'm not either.

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Speaker 1: But did you notice in this d when this dance finished,

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Speaker 1: which I thought was fantastic, Yeah, there was a really

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Speaker 1: tepid response from the people in the audience.

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Speaker 3: I didn't.

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Speaker 2: I also thought the dance, if you watch it again,

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Speaker 2: because so I've been doing. I've been watching it through

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Speaker 2: one time, the entire show like a fan, and then

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Speaker 2: I go back and I just watched the dances again

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Speaker 2: a second time.

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Speaker 3: That's smart. I should do that. I should do that.

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Speaker 3: Did it once this week.

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Speaker 2: The thing that I noticed was if you watch this

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Speaker 2: first dance. I think one of the reasons why it

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Speaker 2: might have gotten a tepid response is it seemed like

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Speaker 2: they did not end on the beat. Oh the song ended,

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Speaker 2: and then there was a beat and they did their

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Speaker 2: big flourish and I was like, oh, I think they

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Speaker 2: were supposed to end on the beat, and then it

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Speaker 2: would have been a big hey, look at everything that

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Speaker 2: just happened. But I think they just ended offbeat, and

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Speaker 2: I think that might have thrown their responsible.

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Speaker 1: Yeah, because it was weird because I was we were

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Speaker 1: at home. I mean like, this was great, and then

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Speaker 1: it cut to the audience and they were just like.

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Speaker 3: Go clap.

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Speaker 2: They had that a couple of times that the audience

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Speaker 2: it was a little bit kind of like hey.

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Speaker 3: Or the reverse. There were sometimes like when the audience

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Speaker 3: was going nuts and I was like, real, really is that? Yeah?

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Speaker 3: All right?

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Speaker 1: Well, the judges were pretty pretty effusive. Carrie Anne, who

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Speaker 1: is back this week.

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Speaker 3: I welcome back carry An.

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Speaker 1: She was great, a great source of feedback and slightly

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Speaker 1: different than the guys. You could see there was some

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Speaker 1: tension there when they got to the gymnast. We'll talk

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Speaker 1: about that when we'll get there, yes, but anyway, she

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Speaker 1: said incredible. Derek called them a power couple, and then

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Speaker 1: they did this weird thing where they made the judges

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Speaker 1: only say one word.

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Speaker 3: Is this what they do every week? No?

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Speaker 2: I think this was because it's one hit wonder, so

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Speaker 2: they did what you have to do it with one word.

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Speaker 3: I think they were trying to it. I felt like

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Speaker 3: the judges hated it. I just talked, just tell me

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Speaker 3: what you're thinking. Bruno, I think it was Bruno kept

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Speaker 3: cheating and just saying like three words.

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Speaker 1: And then like it was like putting them on the

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Speaker 1: spot in a way that was not helpful to anybody.

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Speaker 1: It was like, just let them talk for a little bit.

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Speaker 1: I mean, keep them limited if you want to, but

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Speaker 1: I don't know.

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Speaker 2: Yeah, no, I felt exactly the same way. It's like,

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Speaker 2: I get what you're trying to do, but just let

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Speaker 2: them go. And I've also, having watched American Idol for

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Speaker 2: as long as I have, you can kind to see

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Speaker 2: the roles that each of the judges are taking, and

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Speaker 2: you can tell that she seems to be like the

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Speaker 2: Paula kind of like she gives good notes, but she

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Speaker 2: also gives more generous scores than I think the other

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Speaker 2: two judges.

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Speaker 3: Do, which I kind of feels like.

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Speaker 1: I feel like there's scoring in general is pretty low

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Speaker 1: on this show, Like we have not seen anything above

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Speaker 1: an eight, and I'm literally it's I'm incapable of imagining

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Speaker 1: some of these dances being that much better, do you

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Speaker 1: know what I mean? I don't disagree, especially because the

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Speaker 1: girls are really good, Yeah, really good, So how much

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Speaker 1: better can they? I want to see a ten, I

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Speaker 1: guess now having never seen the show, like I want

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Speaker 1: to see a ten ten ten, And maybe.

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Speaker 2: I think the first person to do. That was my

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Speaker 2: fellow co host, Abrina Brian. I think she was the

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Speaker 2: first one to get the first perfect score.

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Speaker 1: All right, I could google and watch that, but I

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Speaker 1: feel like the purity of our recap is that we've

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Speaker 1: never seen a shower.

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Speaker 3: I have not either. For the record, I've never seen

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Speaker 3: her do a dance there.

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Speaker 2: I've heard about it, but I have not that I've

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Speaker 2: seen as much as you have at this point.

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Speaker 3: So they ended up with a score of twenty one

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Speaker 3: out of thirty.

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Speaker 1: And then next up Danielle Fischle and Pasha Poshkov.

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Speaker 3: They were upfront about her injury.

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Speaker 1: They were the pre show or pre dance package, and

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Speaker 1: they actually showed some photographs of those bruises. I was

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Speaker 1: holding my breath at hooom me too. I couldn't believe it.

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Speaker 3: They danced the Chatcha to the Rhythm of the Night

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Speaker 3: by Corona, and I thought it was great. I did you, Yeah,

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Speaker 3: I thought it was.

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Speaker 1: I mean, it's hard to separate my feelings from knowing

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Speaker 1: she has her injury. But here's the thing, Danielle, it

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Speaker 1: is like for me and I am totally biased. Sure

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Speaker 1: she has more presence as a as a person, as

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Speaker 1: a personality than I would say any of the other dancers.

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Speaker 1: Like she moves into her she it's on her face

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Speaker 1: and when she commits to any little thing, she's feeling it.

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Speaker 1: There's her whole body and with her whole face, and

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Speaker 1: you believe it.

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Speaker 3: It's that acting thing.

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Speaker 1: And there's a lot of good acting and personality being

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Speaker 1: inserted by people. But from Danielle, it feels like fully

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Speaker 1: committed and so genuine to me, and it never feels ironic,

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Speaker 1: Like you know, there's a there's a tendency to Andy

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Speaker 1: Richter being the obvious example, but there's a tendency to

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Speaker 1: be a little ironic about like making a face doing

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Speaker 1: a thing. I'm committing to this. Danielle's committing and committing

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Speaker 1: to whatever I feel like that that kick or that

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Speaker 1: move or I don't know. All I can say is

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Speaker 1: kick because I don't know any other dance terms. But

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Speaker 1: whatever she's doing in the moment, she's committing to it

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Speaker 1: with her face, her body, her eyes. It's just wonderful.

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Speaker 2: See, I felt like she was definitely in her head

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Speaker 2: last night, okay, and I think she's dealing with an injury,

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Speaker 2: and I think you just she's probably at this point,

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Speaker 2: like has to grit her teeth because of the pain.

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Speaker 2: She's literally doing splits and cartwheels. But it's so funny

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Speaker 2: that the note that the judges gave, because it was

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Speaker 2: the same exact thing.

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Speaker 3: I was literally looking at her going like, I don't think.

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Speaker 2: She's breathing, yeah and so, and then at the end

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Speaker 2: she obviously they missed the slide where she she You know,

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Speaker 2: you could see she missed her hand.

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Speaker 3: Okay, So I watched it. I tried to.

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Speaker 1: I couldn't do slow motion, so I kept watching it

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Speaker 1: and pausing because I was At first I was like,

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Speaker 1: that was his fault, he missed that. Then I went

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Speaker 1: back and watched it, trying to go frame by frame.

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Speaker 3: I think she, I think I think it was I

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Speaker 3: think it was her. I mean, he's the professional, so responsibility.

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Speaker 2: No, I don't disagree. First of all, again, we know Danielle. Danielle.

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Speaker 2: If if her leg is bleeding, if her leg is

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Speaker 2: half cut off, she's still.

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Speaker 3: Going to go out there and dance every week.

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Speaker 2: And I think, as awful as as this is to say,

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Speaker 2: she's going to get used to the pain to where

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Speaker 2: next week it's just going to be She's so used

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Speaker 2: to it that she can just go back to dancing,

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Speaker 2: whereas last night, I think she was in her head

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Speaker 2: about like I have to get through this, and I

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Speaker 2: think because of that, it came off as a little

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Speaker 2: bit stiffer than it was last week. And I can't wait,

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Speaker 2: because again we know Danielle. Danielle likes to be in control.

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Speaker 2: She likes to be in charge. She likes to know

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Speaker 2: what's going on. So something like an injury like we

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Speaker 2: just talked about, is very much out of her control.

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Speaker 2: The week where she actually feels good, where she's one

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Speaker 2: hundred percent, where it's not the first week because oh

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Speaker 2: my god, the nerves you must be feeling, but where

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Speaker 2: she just lets go, that's going to be the week

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Speaker 2: where people are really going to see Danielle.

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Speaker 3: And I think she I.

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Speaker 2: Think her first dance the first week was better than

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Speaker 2: last night, and I think it's because she was in

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Speaker 2: her head about her injury. And with the injury, she

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Speaker 2: I thought did a phenomenal job with what she had,

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Speaker 2: but she had a couple bobbles and she had the

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Speaker 2: little slide at the end, and I think she was

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Speaker 2: just so in her head. I mean, again, she's like

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Speaker 2: when she jokes. Thank God for body makeup. We did

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Speaker 2: podmets Wirl with her this morning. She showed us her leg.

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Speaker 3: Her leg is like black.

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Speaker 2: Yeah, so this is not like, oh, she's got a

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Speaker 2: slight thing going on, she has a tear. This is

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Speaker 2: like a massive thing. And she's still doing what she

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Speaker 2: did last night. So better I thought the first week

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Speaker 2: than the second week. But she didn't have the injury

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Speaker 2: the first week, so it's this is where it's tough

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Speaker 2: to judge these things. And I think she's gonna make

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Speaker 2: it through gotten knocking what as I say this, I

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Speaker 2: think she's gonna We all voted, everybody I know voted.

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Speaker 3: I think she's gonna make it through to the next week.

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Speaker 2: And when she does, and I think she's kind of

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Speaker 2: used to the pain, because the pain ain't gonna go away.

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Speaker 2: So when she's just more used to it and can

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Speaker 2: get out of her head about whether her leg's actually

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Speaker 2: gonna hold up underneath her, then I think we're gonna

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Speaker 2: see it a much better Danielle next week.

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Speaker 3: I think she was just in her head.

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Speaker 2: She wasn't breathing and was like, oh, dear God, let

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Speaker 2: my leg hold up through what I have to do

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Speaker 2: here all.

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Speaker 1: Right, Well carry anet verse seven Derek A six Bruno six,

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Speaker 1: which I thought was pretty good.

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Speaker 3: I do too, until the later scores were really high.

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Speaker 3: As the show went on, I was getting a little worried.

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Speaker 3: I was getting a little worried as well.

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Speaker 2: And I frankly, and this is where, And we'll talk

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Speaker 2: about it when we get to people like like.

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Speaker 3: Efron.

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Speaker 2: Dylan Efron, Yeah, because how do you judge something where?

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Speaker 2: And again we'll I know, we'll get into his dance more.

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Speaker 2: But for something like that, since we're talking about Danielle,

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Speaker 2: I thought Danielle's dance was better than Dylan Ephron's dance. Yes,

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Speaker 2: I agree, but Dylan Efron improved from week one to

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Speaker 2: week two, and I thought Danielle did not do as well.

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Speaker 2: So even though her dance was better, he showed improvements.

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Speaker 2: So how do you score that?

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Speaker 1: That's a good call, man, Well, maybe her journey is

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Speaker 1: going to be about the injury and that'll help her

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Speaker 1: next week.

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Speaker 3: Right maybe? Yeah, who knows.

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Speaker 2: But as you know that, since we are talking about Danielle,

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Speaker 2: and because of my encyclopedic knowledge, we always do a very.

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Speaker 3: Brief Will's history of dance.

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Speaker 2: I don't know exactly the song that I sung last time,

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Speaker 2: but it was very similar to that, I believe, And

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Speaker 2: once again just using my encyclopedic knowledge, this week, Danielle

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Speaker 2: did the Cha Cha Cha, which I don't know if

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Speaker 2: you're a ware writer, but it originated in Cuba in

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Speaker 2: the late nineteen forties early nineteen fifties as a simpler,

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Speaker 2: more accessible evolution of the mambo and the dan zion.

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Speaker 2: Cuban composer and violinist Enrique Yurin developed its distinctive less.

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Speaker 1: And told me this, I can't sure watch for featuring

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Speaker 1: a prominent triple step, which was named after the sound

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Speaker 1: of dancer shuffling feet.

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Speaker 3: I'll shut my eye sorry.

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Speaker 2: Popularized in Havana and then the United States, it quickly

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Speaker 2: became a global ballroom dance craze due to its infectious

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Speaker 2: energy and straightforward steps.

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Speaker 3: So it started It started in Cuba, huh, Yeah, in

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Speaker 3: the forties and fifties. Yeah, just as a just off

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Speaker 3: the top of my head. I thought you'd be interested

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Speaker 3: in knowing that, So there you go, all right.

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Speaker 1: Next up was Andy Richter and Emma Slater. Andy seemed

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Speaker 1: like he was really kind of going for it. Yeah,

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Speaker 1: like trying to up his game because I think he

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Speaker 1: felt a little bad about last week, which didn't really

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Speaker 1: help him all that much.

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Speaker 2: I also don't do social media at all, but I

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Speaker 2: think I think they are following their journeys on social media.

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Speaker 2: They talk about it when people think he's gonna have

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Speaker 2: a heart attack or something.

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Speaker 3: No, I just wouldn't do that if I was.

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Speaker 1: I mean, I guess you have to maybe to sort

404
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Speaker 1: of see what the storyline has been, but I would

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Speaker 1: probably put somebody else in charge and be like, just

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Speaker 1: give me.

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Speaker 3: The cliff notes on the internets. All right.

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Speaker 1: Well, they danced the tango to It's Raining Men, which

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Speaker 1: I thought was a funny choice and really leans into

410
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Speaker 1: him his personality and and you know, going for kind

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Speaker 1: of a comedy version. This was you know, once again

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Speaker 1: I like Andy, I like his personality, but this time

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Speaker 1: I really was just like, the legs just aren't there.

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Speaker 2: No, I know, I know I felt the same way.

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Speaker 2: And again I think he's doing exactly the right thing.

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Speaker 3: He's leaning it.

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Speaker 2: I mean, them starting where it's like a weather report

418
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Speaker 2: and they pull off his rain slicker and his dance partner.

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Speaker 3: I mean, you kind of have to get gimmicky.

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Speaker 2: Yep, if you can't dance like Danielle or like Alex

421
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Speaker 2: or like these people that are that have the legs

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Speaker 2: underneath them. Yeah, and so you know, he survived this week,

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Speaker 2: so he did.

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Speaker 1: I think there's a chance that he could keep winning

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Speaker 1: on sheer personality. But I was watching his legs at

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Speaker 1: this time, because you know, he's he's made an issue

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Speaker 1: out of his legs when he's talking about it and

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Speaker 1: watching it, was like, Oh, they're just not keeping up.

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Speaker 1: They're you know, it's like they're just not there. It's

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Speaker 1: like they're not and that's going to get harder and harder, right,

431
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Speaker 1: Like I mean, maybe he can get stronger. I don't know,

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Speaker 1: but I was like, man, you're doing a lot of

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Speaker 1: standing and holding, which is great, but like you're not

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Speaker 1: keeping up with her.

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Speaker 3: Yeah.

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Speaker 2: I have knowing nothing about the show, I have to

437
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Speaker 2: imagine that what they do is every dancer who remains

438
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Speaker 2: has to do a different style.

439
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Speaker 3: So they all do the cha cha cha, they all

440
00:20:10,040 --> 00:20:10,600
Speaker 3: do the tango.

441
00:20:11,280 --> 00:20:14,040
Speaker 2: So when he gets to something like the jive talked

442
00:20:14,040 --> 00:20:16,040
Speaker 2: about is all legs And what was.

443
00:20:16,040 --> 00:20:17,720
Speaker 3: The new one that somebody did this week that we

444
00:20:17,720 --> 00:20:19,560
Speaker 3: hadn't seen last week that I was like, that is all?

445
00:20:20,280 --> 00:20:21,760
Speaker 3: Was it a fox trot? Is that the Fox t

446
00:20:21,880 --> 00:20:23,320
Speaker 3: I think it was the Fox? It was like so

447
00:20:23,440 --> 00:20:24,440
Speaker 3: much crazy legworker.

448
00:20:24,760 --> 00:20:28,040
Speaker 2: Yeah, I mean, there's there's gonna get to be somewhere.

449
00:20:27,800 --> 00:20:29,879
Speaker 2: You're You're only going to get so far with having

450
00:20:29,920 --> 00:20:32,560
Speaker 2: your professional dancer dance around you while you hold their

451
00:20:32,560 --> 00:20:35,000
Speaker 2: hand kind of thing. And he is personable and it

452
00:20:35,080 --> 00:20:37,080
Speaker 2: is funny and it is tongue in cheek, but I

453
00:20:37,080 --> 00:20:39,240
Speaker 2: think eventually it's going to be about the dancing and

454
00:20:39,240 --> 00:20:40,760
Speaker 2: that's where he's gonna fall short.

455
00:20:40,880 --> 00:20:44,720
Speaker 3: All right, So they got a six five five, which

456
00:20:44,800 --> 00:20:48,600
Speaker 3: is fair I thought, totally, Yeah, totally. I mean, actually

457
00:20:48,640 --> 00:20:51,080
Speaker 3: to your point that you made earlier carry one does

458
00:20:51,119 --> 00:20:52,720
Speaker 3: seem pretty generous.

459
00:20:53,280 --> 00:21:09,960
Speaker 1: Yeah, right right. Next up Lauren Hereggie and Brandon Armstrong.

460
00:21:11,600 --> 00:21:16,600
Speaker 1: These guys did very well last week. We saw in

461
00:21:16,680 --> 00:21:20,080
Speaker 1: their h they're behind the scenes, that she's happy, her

462
00:21:20,400 --> 00:21:23,200
Speaker 1: her hard work is paying off, and she talked about

463
00:21:23,200 --> 00:21:26,639
Speaker 1: her grandmother who had passed away, who she's used to

464
00:21:26,680 --> 00:21:29,920
Speaker 1: watch the show with, and they danced the foxtrot first

465
00:21:29,920 --> 00:21:33,399
Speaker 1: time we saw this to the song love Fool, What

466
00:21:33,480 --> 00:21:33,679
Speaker 1: do you.

467
00:21:33,680 --> 00:21:38,920
Speaker 3: Think hate the song Always have? But the dance was good.

468
00:21:39,160 --> 00:21:41,720
Speaker 2: I mean again, I thought I thought it was the

469
00:21:42,520 --> 00:21:46,080
Speaker 2: Having never seen this show before, I don't know if

470
00:21:46,240 --> 00:21:48,040
Speaker 2: this is kind of par for the course where it

471
00:21:48,080 --> 00:21:50,600
Speaker 2: comes to the talent of dancer and you know, from

472
00:21:50,680 --> 00:21:53,800
Speaker 2: dancer to dancer to dancer. But there there are some

473
00:21:53,840 --> 00:21:55,240
Speaker 2: really good dancers out there.

474
00:21:55,280 --> 00:21:58,960
Speaker 3: Yeah. She was another one. Yeah, she was great. I

475
00:21:59,080 --> 00:22:02,199
Speaker 3: was really impressed with her last week. Yeah, and I

476
00:22:02,480 --> 00:22:05,159
Speaker 3: felt like this week was falling a little flat for me,

477
00:22:05,760 --> 00:22:06,800
Speaker 3: maybe a little boring.

478
00:22:07,400 --> 00:22:07,720
Speaker 5: Interesting.

479
00:22:08,119 --> 00:22:12,200
Speaker 1: Yeah, there was something just a little like Okay, Derek

480
00:22:12,280 --> 00:22:16,040
Speaker 1: compared her to a willow tree. Bruno's one word was classy,

481
00:22:16,160 --> 00:22:17,840
Speaker 1: and I think, you know that's all true.

482
00:22:17,920 --> 00:22:20,520
Speaker 3: Like she Yeah, she is good. I thought they were

483
00:22:20,560 --> 00:22:24,720
Speaker 3: scored a little high. They got seven seven seven. I

484
00:22:24,840 --> 00:22:26,840
Speaker 3: think a six could have been thrown in there. Interesting.

485
00:22:26,920 --> 00:22:29,200
Speaker 2: I thought I kind of agreed with the seven seven seven.

486
00:22:29,680 --> 00:22:31,440
Speaker 2: I thought it was it was fun to watch. It

487
00:22:31,560 --> 00:22:33,680
Speaker 2: might also be because of I think our first fox trot.

488
00:22:33,760 --> 00:22:36,000
Speaker 2: So maybe it was just that I hadn't noticed the

489
00:22:36,080 --> 00:22:36,679
Speaker 2: dance before.

490
00:22:37,440 --> 00:22:38,760
Speaker 1: But I thought she was good. I thought they were

491
00:22:38,760 --> 00:22:43,920
Speaker 1: both good. Next up Jordan Chiles and Ezra Sosa. This

492
00:22:44,000 --> 00:22:47,119
Speaker 1: was they were doing the jive to Maniac classic.

493
00:22:48,600 --> 00:22:51,880
Speaker 3: Yeah, I thought this was super fun. Me too, I'm

494
00:22:51,920 --> 00:22:52,320
Speaker 3: me too.

495
00:22:52,840 --> 00:22:56,679
Speaker 1: Yep, just what a way like she I feel like

496
00:22:56,800 --> 00:23:01,439
Speaker 1: she really took the notes from last week and really

497
00:23:02,280 --> 00:23:04,960
Speaker 1: just danced her off like it wasn't it wasn't just

498
00:23:05,000 --> 00:23:08,080
Speaker 1: the athleticism that she had brought last week, but you know,

499
00:23:08,240 --> 00:23:10,600
Speaker 1: she still brought this week doing the jumping over him

500
00:23:10,640 --> 00:23:11,680
Speaker 1: and the forward role.

501
00:23:12,080 --> 00:23:15,960
Speaker 3: But man, she was just dancing so well. And this

502
00:23:16,000 --> 00:23:19,320
Speaker 3: was where I loved the wardrobe choices because those little wants,

503
00:23:19,720 --> 00:23:22,439
Speaker 3: the white pants really worked for her, and I was like,

504
00:23:22,640 --> 00:23:25,240
Speaker 3: you know what, this this dance is made better by

505
00:23:25,280 --> 00:23:29,800
Speaker 3: that wardrobe. I also, I literally I couldn't believe it.

506
00:23:29,800 --> 00:23:31,800
Speaker 2: I had to stop and rewind it and watch again

507
00:23:31,880 --> 00:23:36,320
Speaker 2: and again and again. She jumps over him and then

508
00:23:36,400 --> 00:23:39,160
Speaker 2: does the role in high heels.

509
00:23:39,560 --> 00:23:40,760
Speaker 3: Oh I didn't even think about that.

510
00:23:40,800 --> 00:23:43,840
Speaker 2: Do you not understand how these women are doing these

511
00:23:43,880 --> 00:23:45,760
Speaker 2: things in high heels?

512
00:23:45,840 --> 00:23:47,160
Speaker 3: It's unreal.

513
00:23:47,240 --> 00:23:49,640
Speaker 2: How she's even landing a jump like that in high

514
00:23:49,680 --> 00:23:50,760
Speaker 2: heels is crazy to me.

515
00:23:51,000 --> 00:23:55,040
Speaker 3: Yeah, she's so strong too. It was just rat though. Yeah.

516
00:23:55,080 --> 00:23:58,800
Speaker 3: All right, so they got eight, seven and seven, which

517
00:23:58,920 --> 00:24:00,800
Speaker 3: this is our first eight, right, this is our first

518
00:24:00,800 --> 00:24:03,120
Speaker 3: eid of the competition. I would have I would have gone,

519
00:24:03,200 --> 00:24:05,800
Speaker 3: it's across the boarder. I would have too. I thought

520
00:24:05,840 --> 00:24:08,800
Speaker 3: this was low. I thought this was low. I thought

521
00:24:08,800 --> 00:24:09,320
Speaker 3: this was low.

522
00:24:09,359 --> 00:24:11,120
Speaker 1: And I feel like that's happened to her twice now

523
00:24:11,119 --> 00:24:13,119
Speaker 1: because I thought the first week she really.

524
00:24:12,840 --> 00:24:16,159
Speaker 3: Got screwed because carry the same thing. Yes, And this

525
00:24:16,240 --> 00:24:18,840
Speaker 3: is where the tension came in, because I was like, yeah,

526
00:24:18,960 --> 00:24:22,080
Speaker 3: like this is a five. She got fives last week,

527
00:24:22,160 --> 00:24:23,560
Speaker 3: Like come on, yeah.

528
00:24:23,680 --> 00:24:25,600
Speaker 1: It was just it was the first dance, and like,

529
00:24:25,720 --> 00:24:28,400
Speaker 1: I didn't think they had to like recalibrate. But even

530
00:24:28,440 --> 00:24:31,040
Speaker 1: with this one eight seven seven, when I saw some

531
00:24:31,119 --> 00:24:33,320
Speaker 1: of the eights that were going out later, I was.

532
00:24:33,359 --> 00:24:36,160
Speaker 2: Like, how is this not? I would have given triple

533
00:24:36,160 --> 00:24:38,040
Speaker 2: eights for this one. I would absolutely would have. This

534
00:24:38,160 --> 00:24:40,719
Speaker 2: was a very very engaging dance.

535
00:24:40,920 --> 00:24:43,080
Speaker 1: I'm with you, man, And if it had gotten triple eights,

536
00:24:43,080 --> 00:24:45,080
Speaker 1: it would have been the highest score scoring dance of

537
00:24:45,119 --> 00:24:45,400
Speaker 1: the night.

538
00:24:45,640 --> 00:24:48,159
Speaker 3: Yeah, and yeah it wouldn't be. I'd be okay with that.

539
00:24:48,359 --> 00:24:50,399
Speaker 2: I don't disagree. I think it could have been. It

540
00:24:50,480 --> 00:24:53,320
Speaker 2: absolutely could have been. It was so much fun to watch,

541
00:24:53,480 --> 00:24:54,040
Speaker 2: it really was.

542
00:24:54,560 --> 00:24:58,760
Speaker 3: Next up, we had Corey Feldman and Jenna Johnson. Uh,

543
00:24:58,760 --> 00:25:01,639
Speaker 3: it was interesting how Corey seemed like he was really

544
00:25:01,720 --> 00:25:05,760
Speaker 3: affected by his score last the week, last week's score,

545
00:25:06,760 --> 00:25:09,959
Speaker 3: and I feel like he, you know, was giving it

546
00:25:10,040 --> 00:25:13,240
Speaker 3: as all they did the chop chaw to Babies Got Back,

547
00:25:13,440 --> 00:25:18,600
Speaker 3: which not a great song choice none. This is just

548
00:25:18,600 --> 00:25:21,919
Speaker 3: why I'm wondering, are they given these or do you

549
00:25:22,040 --> 00:25:26,320
Speaker 3: picked out it got? You think they picked Baby Got Back.

550
00:25:26,960 --> 00:25:30,840
Speaker 1: I think Corey Felderman probably thought I need to just entertain,

551
00:25:31,720 --> 00:25:33,399
Speaker 1: I just need to and so he went for a

552
00:25:33,560 --> 00:25:34,600
Speaker 1: song from when.

553
00:25:34,480 --> 00:25:39,000
Speaker 3: He was a teenager or a young he was probably

554
00:25:39,040 --> 00:25:40,199
Speaker 3: what he's a little bit older than me.

555
00:25:41,200 --> 00:25:43,000
Speaker 1: I just feel like it's one of those I think

556
00:25:43,000 --> 00:25:44,679
Speaker 1: he was maybe going for a little bit of the

557
00:25:44,720 --> 00:25:48,440
Speaker 1: nostalgia vibe and by picking a hip hop song maybe

558
00:25:48,440 --> 00:25:51,080
Speaker 1: he could just sort of bring more personality to it.

559
00:25:51,119 --> 00:25:53,800
Speaker 3: But this was not great.

560
00:25:54,160 --> 00:25:59,320
Speaker 2: No, I agree, And I'm actually a little surprised because

561
00:26:00,680 --> 00:26:05,200
Speaker 2: Corey's known for dancing. I mean again, it's like thing though,

562
00:26:05,280 --> 00:26:07,679
Speaker 2: right right, But if you can dance like Michael Jackson,

563
00:26:07,720 --> 00:26:09,360
Speaker 2: and he can, I've seen it, I mean we've seen

564
00:26:09,400 --> 00:26:11,320
Speaker 2: him do it. He did it in License to Drive,

565
00:26:11,359 --> 00:26:12,800
Speaker 2: he did it in some of his movies, he's done

566
00:26:12,800 --> 00:26:15,560
Speaker 2: it on stage. If you can do any kind of dancing,

567
00:26:15,560 --> 00:26:17,240
Speaker 2: then you've got to have some sort of rhythm.

568
00:26:17,960 --> 00:26:20,120
Speaker 1: And he noticed that this one even had all those

569
00:26:20,160 --> 00:26:21,919
Speaker 1: other dancers on stage.

570
00:26:21,720 --> 00:26:25,040
Speaker 3: Yes, question dancers. I was like, is that happy? Yeah.

571
00:26:25,359 --> 00:26:27,800
Speaker 1: I think he's really used to being a front man

572
00:26:27,880 --> 00:26:31,320
Speaker 1: who also dances, you know, because he does music, like

573
00:26:31,359 --> 00:26:35,080
Speaker 1: his own music performances where he's dancing, and I think

574
00:26:35,119 --> 00:26:38,960
Speaker 1: that's his wheelhouse, maybe having a partner not having to

575
00:26:38,960 --> 00:26:42,320
Speaker 1: share the spotlight to the same degree, and I just

576
00:26:42,440 --> 00:26:44,600
Speaker 1: it's just it's it doesn't fit, you know. It's too

577
00:26:44,600 --> 00:26:47,240
Speaker 1: bad because I could tell that he kind of wanted it,

578
00:26:47,320 --> 00:26:48,440
Speaker 1: you know, and he.

579
00:26:48,480 --> 00:26:52,000
Speaker 3: Left it all out there. He tried. He seriously, he wasn't.

580
00:26:52,320 --> 00:26:54,040
Speaker 3: He wasn't happying yet. He wasn't.

581
00:26:54,080 --> 00:26:55,760
Speaker 2: He didn't make it look like, oh god, I don't

582
00:26:55,760 --> 00:26:58,200
Speaker 2: want to be here. I mean he really, he really tried,

583
00:26:58,240 --> 00:26:59,800
Speaker 2: but it was it wasn't great.

584
00:27:00,800 --> 00:27:04,400
Speaker 3: Yeah. Yeah, So fives across the board and they were

585
00:27:04,840 --> 00:27:07,000
Speaker 3: booted off at the end of this episode. Yeah, I

586
00:27:07,000 --> 00:27:08,720
Speaker 3: think that was fair. The fives across the board.

587
00:27:08,720 --> 00:27:13,680
Speaker 1: Frankly, Yeah, next up Jen Affleck and Jan Rovnick.

588
00:27:13,880 --> 00:27:16,720
Speaker 2: Wait very quickly Yeah, one of the things I think

589
00:27:16,760 --> 00:27:20,280
Speaker 2: we need to talk about Jenna Johnson. Okay, so last

590
00:27:20,320 --> 00:27:22,880
Speaker 2: season she won the Mirror Ball. So this has got

591
00:27:22,920 --> 00:27:25,840
Speaker 2: to be really tough for the professional dancers too, because

592
00:27:25,840 --> 00:27:27,159
Speaker 2: I'm sure they want to go as far in the

593
00:27:27,160 --> 00:27:29,440
Speaker 2: competition as they can, and they want to they want

594
00:27:29,440 --> 00:27:30,200
Speaker 2: to win if they can.

595
00:27:30,440 --> 00:27:32,440
Speaker 1: Oh, and she was trying, you know what I mean,

596
00:27:32,480 --> 00:27:35,480
Speaker 1: Like you could tell she was doing everything she could

597
00:27:36,600 --> 00:27:37,720
Speaker 1: that dance YEA.

598
00:27:38,880 --> 00:27:41,879
Speaker 3: Almost to a fault. Like it was like it almost

599
00:27:41,960 --> 00:27:42,280
Speaker 3: hurt it.

600
00:27:42,720 --> 00:27:45,560
Speaker 1: I know why she tried so hard, but it almost

601
00:27:45,720 --> 00:27:48,600
Speaker 1: made it even worse because it was like he's still

602
00:27:48,640 --> 00:27:50,640
Speaker 1: just kind of standing there and lip.

603
00:27:50,480 --> 00:27:52,399
Speaker 3: Saying, and she's trying so hard.

604
00:27:53,119 --> 00:27:55,159
Speaker 2: But I felt bad for I felt bad for them

605
00:27:55,160 --> 00:27:57,600
Speaker 2: both obviously because they're both trying. But I mean, when

606
00:27:57,640 --> 00:28:00,399
Speaker 2: you've got a champion from last season he wants to

607
00:28:00,440 --> 00:28:02,960
Speaker 2: maybe repeat and then it's it's kind of like.

608
00:28:02,880 --> 00:28:05,240
Speaker 3: It just doesn't work with the partner. That's gonna be tough.

609
00:28:05,240 --> 00:28:07,639
Speaker 2: And I think, you know, props to Corey for calling

610
00:28:07,640 --> 00:28:09,600
Speaker 2: that out too, because he says that where he's like,

611
00:28:09,640 --> 00:28:12,119
Speaker 2: it's not fair to her because you know, she's she

612
00:28:12,240 --> 00:28:14,080
Speaker 2: was the champion, and I thought that was very classy

613
00:28:14,119 --> 00:28:16,480
Speaker 2: of him to kind of call out his partner and

614
00:28:16,480 --> 00:28:18,280
Speaker 2: how hard she worked and that, yeah, it's gotta be

615
00:28:18,320 --> 00:28:18,920
Speaker 2: that's gonna be.

616
00:28:18,880 --> 00:28:19,760
Speaker 3: Tough, all right.

617
00:28:19,800 --> 00:28:23,560
Speaker 1: So Jen and Jan were doing the quick step, which

618
00:28:23,680 --> 00:28:24,600
Speaker 1: that's the one that I.

619
00:28:24,560 --> 00:28:26,320
Speaker 3: Was like, what is that? Stay there, you go, That's

620
00:28:26,359 --> 00:28:29,200
Speaker 3: what it is. It's literally so much quick stepping. Yeah.

621
00:28:29,240 --> 00:28:31,360
Speaker 1: I was like, oh, this is the kind of and

622
00:28:31,359 --> 00:28:33,080
Speaker 1: Andy Richter is just not going to be able to

623
00:28:33,080 --> 00:28:33,560
Speaker 1: do right.

624
00:28:33,960 --> 00:28:36,160
Speaker 3: Right, But I thought this was really good.

625
00:28:37,520 --> 00:28:40,280
Speaker 1: It was a little bit of a downgrade from last

626
00:28:40,320 --> 00:28:43,360
Speaker 1: week for me because I thought they were great last week.

627
00:28:45,280 --> 00:28:47,360
Speaker 1: And I also it was interesting. Did you notice that

628
00:28:47,760 --> 00:28:49,640
Speaker 1: Carrie Ann gave Yan a note?

629
00:28:50,080 --> 00:28:52,720
Speaker 3: Yes? After I was like, yeah, so they get notes too.

630
00:28:52,800 --> 00:28:54,960
Speaker 3: I was like, well, this is I think Yan.

631
00:28:55,160 --> 00:28:57,120
Speaker 2: I think Yan is the guy if I listened to

632
00:28:57,160 --> 00:28:59,200
Speaker 2: my wife, which I do, my lovely wife, I think

633
00:28:59,280 --> 00:29:01,880
Speaker 2: Yan is the guy who was Taylor Swift's backup dancer.

634
00:29:01,960 --> 00:29:04,920
Speaker 3: So this is his first season as a professional. Oh right,

635
00:29:05,000 --> 00:29:06,800
Speaker 3: they introduced him when we were there, that's.

636
00:29:06,680 --> 00:29:09,040
Speaker 2: Right, Yeah, so this is so he's so this is

637
00:29:09,080 --> 00:29:11,800
Speaker 2: only his second time dancing on Dancing with the Stars with.

638
00:29:11,760 --> 00:29:13,200
Speaker 3: Everybody too, So interesting.

639
00:29:13,200 --> 00:29:15,400
Speaker 2: It's interesting that he's getting a note as well, but

640
00:29:15,520 --> 00:29:16,880
Speaker 2: he's he's a he's a rookie.

641
00:29:16,880 --> 00:29:18,120
Speaker 3: Too interesting.

642
00:29:18,320 --> 00:29:23,440
Speaker 1: Okay, Okay, they got eight, seven and seven. So at

643
00:29:23,440 --> 00:29:27,560
Speaker 1: this point this is they them and Jordan and Ezra

644
00:29:27,600 --> 00:29:29,600
Speaker 1: are the highest scorers of the Night Right.

645
00:29:29,440 --> 00:29:32,120
Speaker 2: And they're pushing Danielle down the leaderboard. And I'm going like, oh,

646
00:29:32,160 --> 00:29:33,520
Speaker 2: I don't like that. Now, I don't like this. I

647
00:29:33,560 --> 00:29:35,280
Speaker 2: was getting really nervous. It's like, I don't like this.

648
00:29:35,360 --> 00:29:37,640
Speaker 3: And I kept going like, she says she's an injury,

649
00:29:37,840 --> 00:29:39,440
Speaker 3: she's an injury, Like, how do you factor that in?

650
00:29:39,520 --> 00:29:42,000
Speaker 3: She has an injury? I just I also think going

651
00:29:42,080 --> 00:29:43,080
Speaker 3: earlier is worse.

652
00:29:43,480 --> 00:29:47,040
Speaker 1: Yes, I think the order, yes, the judges so much

653
00:29:47,080 --> 00:29:49,960
Speaker 1: because I think it really killed Jordan last week and

654
00:29:50,000 --> 00:29:51,600
Speaker 1: I think it hurt Danielle this week. I think if

655
00:29:51,680 --> 00:29:55,560
Speaker 1: Danielle had come particularly, I just think, you know, after

656
00:29:56,120 --> 00:29:59,200
Speaker 1: Corey for instance, you know, or after it would have

657
00:29:59,200 --> 00:30:01,600
Speaker 1: been so much more like I think the judges would

658
00:30:01,600 --> 00:30:02,680
Speaker 1: have been in a more giving mood.

659
00:30:02,920 --> 00:30:03,120
Speaker 3: Yeah.

660
00:30:03,240 --> 00:30:06,280
Speaker 2: Really, I don't disagree by mood because there were some

661
00:30:06,480 --> 00:30:09,640
Speaker 2: that got eights or seven's that got lower scores last week.

662
00:30:09,680 --> 00:30:11,480
Speaker 3: Then again, I thought Danielle did better.

663
00:30:11,320 --> 00:30:13,800
Speaker 2: Than yeah, so it was like, I don't I don't

664
00:30:13,800 --> 00:30:14,840
Speaker 2: fully get the scoring.

665
00:30:15,600 --> 00:30:19,720
Speaker 1: All right, Robert Irwin and Whitney Carson, Uh, this is

666
00:30:19,760 --> 00:30:20,680
Speaker 1: the team to be, man.

667
00:30:20,960 --> 00:30:23,840
Speaker 3: Yeah, I agree with you one hundred percent. It's the

668
00:30:23,880 --> 00:30:25,520
Speaker 3: team to beat. It's good.

669
00:30:25,720 --> 00:30:29,520
Speaker 1: Yeah they did the tango to move your feet and yeah,

670
00:30:29,600 --> 00:30:32,160
Speaker 1: I was like, okay, this guy. And what I liked

671
00:30:32,280 --> 00:30:34,680
Speaker 1: was that they really were you know, they sort of

672
00:30:34,960 --> 00:30:37,720
Speaker 1: dialed back the fireworks from last week. Yeah, they just

673
00:30:37,800 --> 00:30:41,840
Speaker 1: are doing more of a just a classic tango and uh,

674
00:30:41,960 --> 00:30:42,680
Speaker 1: it was really good.

675
00:30:43,200 --> 00:30:43,520
Speaker 3: It was.

676
00:30:43,600 --> 00:30:48,320
Speaker 2: It's also, look, let's be honest, this is an incredibly

677
00:30:49,280 --> 00:30:53,080
Speaker 2: going back to Daniel's injury, an incredibly physical thing to

678
00:30:53,160 --> 00:30:57,040
Speaker 2: do all week, every week, dancing, dancing, dancing.

679
00:30:57,480 --> 00:30:59,320
Speaker 3: He's twenty or twenty one.

680
00:30:59,400 --> 00:31:02,720
Speaker 2: I mean, it's like that the twenty year old body

681
00:31:02,760 --> 00:31:04,760
Speaker 2: is going to be able to hold up this more.

682
00:31:04,600 --> 00:31:06,920
Speaker 3: Than the fifty year old body. It just is I know,

683
00:31:07,440 --> 00:31:10,160
Speaker 3: so it but he's but he also is really bringing

684
00:31:10,200 --> 00:31:11,240
Speaker 3: it like great.

685
00:31:11,640 --> 00:31:15,000
Speaker 1: And you know, my wife was watching with me and

686
00:31:15,040 --> 00:31:18,680
Speaker 1: she was like, because he said somewhere either in this

687
00:31:18,680 --> 00:31:21,800
Speaker 1: package or last week, that he hasn't been dancing his

688
00:31:21,840 --> 00:31:23,760
Speaker 1: whole life, and she's like, that guy's.

689
00:31:23,480 --> 00:31:24,479
Speaker 3: A professional dancing.

690
00:31:25,240 --> 00:31:28,120
Speaker 1: She's like, he's been dancing, And I don't think he's

691
00:31:28,120 --> 00:31:30,760
Speaker 1: a professional dancer, but I do think his sister won

692
00:31:30,840 --> 00:31:31,520
Speaker 1: this competition.

693
00:31:32,160 --> 00:31:34,240
Speaker 3: Yeah, so I think he's been practicing.

694
00:31:34,440 --> 00:31:36,800
Speaker 1: I think I think that there's a big part of

695
00:31:36,840 --> 00:31:40,360
Speaker 1: his adolescence that was like, well, someday, maybe I'll do

696
00:31:40,400 --> 00:31:42,320
Speaker 1: it because he is so out of the gate good

697
00:31:43,600 --> 00:31:46,160
Speaker 1: Carrie Anne pointed out his charisma, and I agree with that,

698
00:31:46,240 --> 00:31:46,920
Speaker 1: like that, it's.

699
00:31:46,760 --> 00:31:51,120
Speaker 3: Not just the dancing. I like them. You just like them. Yeah,

700
00:31:51,120 --> 00:31:51,960
Speaker 3: they're great together.

701
00:31:52,160 --> 00:31:55,480
Speaker 1: It's and like I said, they Bruno pointed out that

702
00:31:55,480 --> 00:31:58,920
Speaker 1: they don't need gimmicks, and I think I was glad

703
00:31:58,920 --> 00:32:01,160
Speaker 1: to see that, right, because we were talking last week

704
00:32:01,200 --> 00:32:02,560
Speaker 1: about like where do you go from here?

705
00:32:03,080 --> 00:32:04,480
Speaker 3: And then's like this is where you go. You put

706
00:32:04,480 --> 00:32:07,480
Speaker 3: on a classier tuxedo and you do it, yes, and

707
00:32:07,840 --> 00:32:08,400
Speaker 3: all the stuff.

708
00:32:08,440 --> 00:32:10,640
Speaker 2: We talked about exactly the same thing last week, where

709
00:32:10,640 --> 00:32:12,080
Speaker 2: does he go from here? And I got well, then

710
00:32:12,120 --> 00:32:15,920
Speaker 2: he just danced and it was really really good. And

711
00:32:15,960 --> 00:32:18,320
Speaker 2: they look good together, I mean, daniel That's the thing

712
00:32:18,320 --> 00:32:20,640
Speaker 2: about Danielle and Pasha's they also they've got the good

713
00:32:20,680 --> 00:32:23,160
Speaker 2: height together, they look good together, they fit together, they're

714
00:32:23,160 --> 00:32:25,920
Speaker 2: looking at each other's eyes. That's I mean, I agree

715
00:32:25,960 --> 00:32:27,960
Speaker 2: with you one hundred percent. Robert and Whitney are the

716
00:32:27,960 --> 00:32:30,120
Speaker 2: team to beat. They just seemed to really have it

717
00:32:30,200 --> 00:32:31,000
Speaker 2: going on right now.

718
00:32:31,200 --> 00:32:33,560
Speaker 1: So they got an eight seven seven, matching the last

719
00:32:33,600 --> 00:32:36,320
Speaker 1: score I think they love. Maybe, yeah, they could have

720
00:32:36,360 --> 00:32:38,280
Speaker 1: had all eight.

721
00:32:37,760 --> 00:32:40,160
Speaker 2: One hundred percent. It even could have possibly been the

722
00:32:40,200 --> 00:32:43,280
Speaker 2: first nine. But I know they're holding that off. But this,

723
00:32:43,400 --> 00:32:45,240
Speaker 2: to me is where I was like, Wow, they're really

724
00:32:45,320 --> 00:32:46,680
Speaker 2: they're really scoring low.

725
00:32:46,600 --> 00:32:50,680
Speaker 1: For all of a sudden, all right, Elaine Hendricks, Alan Burston,

726
00:32:52,120 --> 00:32:53,920
Speaker 1: this was she was one of my favorites last week,

727
00:32:54,080 --> 00:32:54,600
Speaker 1: the actress.

728
00:32:55,280 --> 00:33:00,320
Speaker 3: They did the jive to Mickey. You know, she's great.

729
00:33:00,600 --> 00:33:03,520
Speaker 3: I thought this was good. Just wasn't my style. I

730
00:33:03,520 --> 00:33:06,800
Speaker 3: don't know, I'm not a cheerleading person. I liked what

731
00:33:06,840 --> 00:33:07,200
Speaker 3: they did.

732
00:33:07,240 --> 00:33:09,240
Speaker 2: I liked how they started with exactly the same way

733
00:33:09,280 --> 00:33:11,560
Speaker 2: the video starts. I mean they did they literally mimicked

734
00:33:11,560 --> 00:33:15,480
Speaker 2: the video, which is great. Yeah, you've got backup dancers. Also,

735
00:33:16,160 --> 00:33:21,600
Speaker 2: why for her dance does everyone in the audience get

736
00:33:21,640 --> 00:33:23,120
Speaker 2: pomp pomps too, So it's.

737
00:33:22,960 --> 00:33:26,840
Speaker 3: Like everybody's involved in this dance. I liked it. I

738
00:33:26,880 --> 00:33:28,920
Speaker 3: thought last week she I thought she was better last week.

739
00:33:28,960 --> 00:33:31,760
Speaker 1: This is really superficial, but I'm kind of realizing it now.

740
00:33:31,800 --> 00:33:35,320
Speaker 1: I think part of the reason is, like I like

741
00:33:35,400 --> 00:33:40,280
Speaker 1: that she's classier and older, and to see her dressed

742
00:33:40,280 --> 00:33:44,720
Speaker 1: as a cheerleader and like it was like play acting

743
00:33:44,840 --> 00:33:46,680
Speaker 1: younger or something, and it just made me.

744
00:33:46,800 --> 00:33:49,160
Speaker 3: I was like, no, this isn't you. This doesn't fit

745
00:33:49,280 --> 00:33:51,680
Speaker 3: you. You know, like, make me do your own version.

746
00:33:51,720 --> 00:33:54,040
Speaker 1: You're like what she did last week with a hat,

747
00:33:54,080 --> 00:33:55,880
Speaker 1: and like, yes, like I want to see her sort

748
00:33:55,920 --> 00:33:58,600
Speaker 1: of playing to her age a little bit and like

749
00:33:58,960 --> 00:34:01,360
Speaker 1: and there was something about dressing up like a you know,

750
00:34:01,520 --> 00:34:04,000
Speaker 1: a high school cheerleader, which I guess is unfair because

751
00:34:04,000 --> 00:34:07,240
Speaker 1: there are older cheerleaders, I'm sure, but it's still something

752
00:34:07,240 --> 00:34:10,080
Speaker 1: that I associate with like young girls, you know.

753
00:34:10,120 --> 00:34:12,479
Speaker 3: And I was like, uh, this isn't you, this doesn't

754
00:34:12,520 --> 00:34:12,960
Speaker 3: fit Yeah.

755
00:34:13,080 --> 00:34:14,719
Speaker 2: I mean that was again straight up taken from the

756
00:34:14,800 --> 00:34:16,799
Speaker 2: video from the music video. That's how that's how she's

757
00:34:16,880 --> 00:34:18,640
Speaker 2: dressed in the music video. They were dressed exactly the

758
00:34:18,640 --> 00:34:22,320
Speaker 2: same way. But the Yeah, the thing that was amazing

759
00:34:22,320 --> 00:34:24,840
Speaker 2: to me was I was watching her and I was like,

760
00:34:24,880 --> 00:34:26,640
Speaker 2: it's so funny, and a lot of her spin, she's

761
00:34:26,680 --> 00:34:28,160
Speaker 2: like tilting one way or another.

762
00:34:28,200 --> 00:34:30,400
Speaker 3: It's things that I'm now starting to pick up little things.

763
00:34:30,560 --> 00:34:33,200
Speaker 2: And then that's one of these One of the comments was, yeah,

764
00:34:33,360 --> 00:34:35,160
Speaker 2: holding your core because you're tilting, and I was like,

765
00:34:35,160 --> 00:34:35,880
Speaker 2: oh my god.

766
00:34:35,880 --> 00:34:37,880
Speaker 1: And I noticed the thing you're getting good man, I

767
00:34:37,880 --> 00:34:41,840
Speaker 1: don't not at all kilter a little bit interesting.

768
00:34:42,400 --> 00:34:44,680
Speaker 2: Yeah, I still like her. She's still very personal. I

769
00:34:44,680 --> 00:34:46,320
Speaker 2: think she's going to go far in the competition. I

770
00:34:46,360 --> 00:34:47,520
Speaker 2: thought she was better last week.

771
00:34:47,840 --> 00:34:50,560
Speaker 3: All right, seven's across the board. I think that's fair.

772
00:34:50,719 --> 00:34:51,439
Speaker 3: I think that's fair.

773
00:34:51,680 --> 00:34:55,360
Speaker 1: Yeah, but when I saw them get seven's, I was like, really,

774
00:34:55,480 --> 00:34:58,200
Speaker 1: Danielle only get But that's what started.

775
00:34:57,920 --> 00:34:59,960
Speaker 2: To piss me off, is that's why I think Danielle

776
00:35:00,040 --> 00:35:04,160
Speaker 2: all should have been at the minimum triple sevens. And

777
00:35:04,200 --> 00:35:05,840
Speaker 2: I think that would have been fair for Danielle this

778
00:35:05,880 --> 00:35:08,000
Speaker 2: week if if she had three sevens. I thought they

779
00:35:08,000 --> 00:35:10,200
Speaker 2: were stingy with her, and I think you're one hundred

780
00:35:10,200 --> 00:35:10,759
Speaker 2: percent right.

781
00:35:10,840 --> 00:35:12,640
Speaker 3: It's because she was at the start of the competition.

782
00:35:13,600 --> 00:35:20,920
Speaker 1: Baron and Britt heartbreaking that he had this wonderful reunion

783
00:35:20,960 --> 00:35:21,439
Speaker 1: with his coach.

784
00:35:22,680 --> 00:35:25,840
Speaker 3: Yeah, It was a great pre dance package and was

785
00:35:25,880 --> 00:35:28,600
Speaker 3: really sweet to see his coach and his relationship there.

786
00:35:29,200 --> 00:35:31,480
Speaker 3: They did the samba to return of.

787
00:35:31,440 --> 00:35:34,359
Speaker 2: The Mac Best song of the night, Yeah, the Turn

788
00:35:34,400 --> 00:35:36,520
Speaker 2: of the Mac Mark Morrison best song of the night.

789
00:35:36,719 --> 00:35:39,840
Speaker 1: I thought, Yeah, the judges, you know, I thought it

790
00:35:39,880 --> 00:35:41,279
Speaker 1: was a real improvement over last week.

791
00:35:41,320 --> 00:35:42,320
Speaker 3: Actually agree.

792
00:35:42,520 --> 00:35:44,719
Speaker 1: I was like, oh, I didn't give this guy enough

793
00:35:44,760 --> 00:35:49,000
Speaker 1: credit in week one, maybe he should stick around. He

794
00:35:49,120 --> 00:35:52,359
Speaker 1: was still kind of running after her, you know, yeah,

795
00:35:52,480 --> 00:35:54,520
Speaker 1: like trying to keep up with her. Yeah, And that

796
00:35:54,600 --> 00:35:57,239
Speaker 1: turns out the judges I think pointed that out. They

797
00:35:57,239 --> 00:35:59,120
Speaker 1: say they kept referring to a mistake, and I think

798
00:35:59,120 --> 00:36:01,200
Speaker 1: it was because he fell behind in the rhythm.

799
00:36:01,280 --> 00:36:03,560
Speaker 2: And then although I think at one point she they

800
00:36:04,600 --> 00:36:06,719
Speaker 2: their arms, he was supposed to grab her arm and

801
00:36:06,800 --> 00:36:08,680
Speaker 2: missed her arm, and so her arm went one way

802
00:36:08,680 --> 00:36:10,960
Speaker 2: and then his went the other. So she then did

803
00:36:10,960 --> 00:36:12,799
Speaker 2: this big flourish thing, which is why they gave her

804
00:36:12,840 --> 00:36:14,400
Speaker 2: like a nod like, hey, you pulled.

805
00:36:14,160 --> 00:36:16,640
Speaker 3: It out kind of yeah. Yeah, Okay.

806
00:36:17,160 --> 00:36:21,719
Speaker 1: So because they didn't mention Danielle's fall, do you think

807
00:36:21,760 --> 00:36:23,920
Speaker 1: it's possible the judges couldn't see it from where.

808
00:36:23,719 --> 00:36:26,279
Speaker 2: They were very if they're looking at they're not looking

809
00:36:26,320 --> 00:36:28,600
Speaker 2: at their monitors, and they're looking at them, and she's

810
00:36:28,640 --> 00:36:29,560
Speaker 2: she was right in the camera.

811
00:36:29,600 --> 00:36:33,560
Speaker 3: I mean obviously the TV her his back was too.

812
00:36:34,120 --> 00:36:36,719
Speaker 2: Yes, the judges, so there are play You wouldn't know this,

813
00:36:36,760 --> 00:36:38,719
Speaker 2: but there's plenty of times in sports ball where the

814
00:36:38,719 --> 00:36:41,360
Speaker 2: refs don't see something that the audience sees on camera.

815
00:36:41,640 --> 00:36:42,680
Speaker 3: Because I was surprised they.

816
00:36:42,560 --> 00:36:45,440
Speaker 1: Didn't mention it, and I was just thinking about it

817
00:36:45,520 --> 00:36:48,480
Speaker 1: was so obvious to us, mostly because Danielle started laughing

818
00:36:48,560 --> 00:36:50,879
Speaker 1: and you know, had her like sort of recovery, which

819
00:36:50,880 --> 00:36:54,200
Speaker 1: I thought was great. But if if it happened so

820
00:36:54,280 --> 00:36:56,399
Speaker 1: fast that maybe they wouldn't might not have noticed, It's great.

821
00:36:56,440 --> 00:36:59,560
Speaker 3: Possible didn't didn't didn't carry Inn say something, Tara.

822
00:37:00,000 --> 00:37:01,600
Speaker 4: Do you think Carriyan said? I think she said I

823
00:37:01,640 --> 00:37:03,719
Speaker 4: saw a small thing there at the end, didn't she say?

824
00:37:04,160 --> 00:37:05,359
Speaker 3: Did she? I didn't remember that.

825
00:37:05,480 --> 00:37:07,160
Speaker 4: I mean, listen, I don't think they saw what the

826
00:37:07,160 --> 00:37:08,200
Speaker 4: TV audience saw at all.

827
00:37:08,440 --> 00:37:08,919
Speaker 3: I do you think?

828
00:37:09,000 --> 00:37:10,920
Speaker 4: I do think Carrie Anne mentioned it. I also think

829
00:37:10,960 --> 00:37:13,440
Speaker 4: a lot of people think it was like a very

830
00:37:13,480 --> 00:37:14,640
Speaker 4: minor issue.

831
00:37:14,440 --> 00:37:17,040
Speaker 3: Like almost like it was literally the last moment.

832
00:37:17,280 --> 00:37:19,160
Speaker 4: What I was saying, yeah, it's almost like she slithered

833
00:37:19,160 --> 00:37:21,080
Speaker 4: out instead of slid out.

834
00:37:21,360 --> 00:37:23,239
Speaker 2: Yeah, right, and then had a big smile on her

835
00:37:23,239 --> 00:37:25,600
Speaker 2: face and it was liked made something out of it,

836
00:37:25,840 --> 00:37:27,120
Speaker 2: so it was still having a blast.

837
00:37:27,160 --> 00:37:28,640
Speaker 3: So yeah, I mean, it wasn't It wasn't the end

838
00:37:28,640 --> 00:37:29,080
Speaker 3: of the world.

839
00:37:29,200 --> 00:37:30,799
Speaker 4: I'll watch back, but I do think Harrien may have

840
00:37:30,800 --> 00:37:32,239
Speaker 4: said and I saw that a little slip at the end,

841
00:37:32,280 --> 00:37:32,919
Speaker 4: and she gave her.

842
00:37:32,800 --> 00:37:34,560
Speaker 3: A all right.

843
00:37:34,600 --> 00:37:40,160
Speaker 1: Well, Baron Brick got sixes, which seemed a little high. Yeah,

844
00:37:40,160 --> 00:37:41,480
Speaker 1: I think maybe a five could have.

845
00:37:42,040 --> 00:37:44,479
Speaker 3: I think such an improvement from the week before.

846
00:37:44,680 --> 00:37:47,560
Speaker 2: It was so personable. You want to see him go.

847
00:37:48,040 --> 00:37:51,759
Speaker 2: You wanted to see him move forward because he was wanted. Yes, tense, Yeah,

848
00:37:51,800 --> 00:37:52,040
Speaker 2: I know.

849
00:37:52,360 --> 00:37:53,680
Speaker 4: And I guess that's a that's a question I have

850
00:37:53,760 --> 00:37:56,280
Speaker 4: for you guys, Like, let's say you were celebrity judges

851
00:37:56,320 --> 00:37:59,920
Speaker 4: for a week or something and you have to judge Baron.

852
00:38:00,160 --> 00:38:04,680
Speaker 4: Are you taking into consideration in your number though.

853
00:38:04,360 --> 00:38:05,839
Speaker 3: He did last week?

854
00:38:07,080 --> 00:38:10,560
Speaker 1: I think so, yeah, because I think it's a it's

855
00:38:10,600 --> 00:38:13,560
Speaker 1: a show. I mean, the show is about people who

856
00:38:14,320 --> 00:38:16,440
Speaker 1: aren't dancers, right, who aren't doing it, And maybe they

857
00:38:16,440 --> 00:38:18,920
Speaker 1: were at some point, but I thought I think that

858
00:38:18,960 --> 00:38:21,800
Speaker 1: a conceit of the show is that they are getting coached.

859
00:38:21,800 --> 00:38:25,040
Speaker 3: So seeing how they respond to coaching, and the judge

860
00:38:25,040 --> 00:38:29,200
Speaker 3: in is reward is that's part of what you reward.

861
00:38:30,160 --> 00:38:32,440
Speaker 4: Because I had Jordan, I had Jordan's dance of the night,

862
00:38:32,640 --> 00:38:34,480
Speaker 4: and I think and I think I have her as

863
00:38:34,520 --> 00:38:37,839
Speaker 4: an eight because her dance was was not as good

864
00:38:37,920 --> 00:38:40,840
Speaker 4: last week. But if she was, but if she was

865
00:38:40,920 --> 00:38:42,960
Speaker 4: Robert Irwin, she gets a seven from me because like

866
00:38:43,040 --> 00:38:44,919
Speaker 4: there's no true you know, you know what I mean,

867
00:38:44,960 --> 00:38:46,840
Speaker 4: like there's no the improvement is important.

868
00:38:47,000 --> 00:38:48,160
Speaker 3: That's what That's what I'm talking about.

869
00:38:48,160 --> 00:38:50,040
Speaker 2: That's why again that's exactly what I said, Like the

870
00:38:50,080 --> 00:38:52,640
Speaker 2: perfect thing is is the Dylan Ephron where I thought

871
00:38:52,719 --> 00:38:56,200
Speaker 2: Danielle's dance was better than Dylan Ephron's, but he improved

872
00:38:56,200 --> 00:38:58,279
Speaker 2: from last week and I didn't think Danielle did.

873
00:38:58,320 --> 00:39:00,400
Speaker 3: So how do you judge that in there? Even though

874
00:39:00,440 --> 00:39:01,600
Speaker 3: her dance was better.

875
00:39:01,360 --> 00:39:03,520
Speaker 4: I think, and she got her tricks in this week,

876
00:39:03,600 --> 00:39:05,480
Speaker 4: so that's also you know that helped the score I

877
00:39:05,480 --> 00:39:07,239
Speaker 4: think too, which is you didn't see any last time.

878
00:39:07,480 --> 00:39:10,440
Speaker 3: Yeah, it's very yeah, very strange. Also to jump in

879
00:39:10,520 --> 00:39:12,520
Speaker 3: real quick, I went back and watched Carrie. Anne did

880
00:39:12,520 --> 00:39:15,960
Speaker 3: not mention the little thing at the apple. He just

881
00:39:16,040 --> 00:39:19,520
Speaker 3: said she asked if Danielle was breathing through the right right,

882
00:39:19,640 --> 00:39:21,080
Speaker 3: which which I think she might be right.

883
00:39:21,120 --> 00:39:23,160
Speaker 4: I'm not sure Danielle breathed like she wasn't go.

884
00:39:23,160 --> 00:39:25,200
Speaker 2: Back and watch. I watched it twice last night. She

885
00:39:25,280 --> 00:39:28,040
Speaker 2: clearly was not, I'm telling you. In her mind, she

886
00:39:28,239 --> 00:39:31,160
Speaker 2: was just praying that her leg held up like she

887
00:39:31,239 --> 00:39:33,000
Speaker 2: when she put weight on it, it wasn't gonna buckle

888
00:39:33,080 --> 00:39:33,640
Speaker 2: underneath her.

889
00:39:33,719 --> 00:39:34,760
Speaker 4: She was scuba diving.

890
00:39:35,360 --> 00:39:36,359
Speaker 3: Yeah, pretty much.

891
00:39:36,480 --> 00:39:50,200
Speaker 5: Yeah.

892
00:39:50,239 --> 00:39:54,759
Speaker 1: Whitney Levitt and Mark Ballast all right, they did the

893
00:39:54,840 --> 00:39:57,719
Speaker 1: cha chaw to play that funky music.

894
00:39:59,360 --> 00:39:59,720
Speaker 2: Us.

895
00:40:00,480 --> 00:40:02,800
Speaker 3: It was good. I mean again, he's he's.

896
00:40:04,640 --> 00:40:07,040
Speaker 2: I could you could argue that he's the best dancer

897
00:40:07,840 --> 00:40:10,359
Speaker 2: on the stage at any time. I mean, really, he's

898
00:40:10,520 --> 00:40:12,439
Speaker 2: he's really good. I mean you can tell this guy

899
00:40:12,520 --> 00:40:13,319
Speaker 2: is really really good.

900
00:40:13,480 --> 00:40:18,320
Speaker 3: I think she's incredible. She's great, she's great. So yeah,

901
00:40:18,400 --> 00:40:18,919
Speaker 3: it was.

902
00:40:20,640 --> 00:40:25,200
Speaker 2: So sexy yep, and she was just so in it,

903
00:40:25,280 --> 00:40:28,640
Speaker 2: and her body's moving the whole time. This was really

904
00:40:28,640 --> 00:40:30,600
Speaker 2: this was a really great dance. The two of them

905
00:40:30,840 --> 00:40:33,680
Speaker 2: danced very well together. I was with Danielle's aunt. She

906
00:40:33,880 --> 00:40:36,439
Speaker 2: danced so well that Danielle's aunt turned to me and said,

907
00:40:36,440 --> 00:40:38,600
Speaker 2: the guy is the pro, right, yep.

908
00:40:38,840 --> 00:40:41,640
Speaker 3: I literally can't tell the difference between the pro and

909
00:40:41,680 --> 00:40:44,360
Speaker 3: the star. One hundred percent agree with you, you know.

910
00:40:44,480 --> 00:40:49,200
Speaker 1: I also I realized watching the show, how much just

911
00:40:49,480 --> 00:40:52,680
Speaker 1: somebody's body, you know, like there's dancer bodies.

912
00:40:53,080 --> 00:40:57,040
Speaker 3: She's tall, and she fits his body as well. It

913
00:40:57,280 --> 00:40:59,600
Speaker 3: just yeah, it's like you realize, like, oh right.

914
00:40:59,520 --> 00:41:02,759
Speaker 1: It's not really a judgment on somebody's dancing ability, but

915
00:41:02,880 --> 00:41:06,520
Speaker 1: sometimes certain body types just do it better, and certain

916
00:41:06,560 --> 00:41:07,120
Speaker 1: types of dance.

917
00:41:07,120 --> 00:41:09,560
Speaker 3: I'm sure they do better. But for whatever reason, this

918
00:41:09,760 --> 00:41:12,120
Speaker 3: just work. I thought. I was shocked they only got

919
00:41:12,160 --> 00:41:12,919
Speaker 3: seven to seven eight.

920
00:41:13,160 --> 00:41:16,200
Speaker 2: I don't know how that happened that seven seven eight,

921
00:41:16,239 --> 00:41:18,480
Speaker 2: How this was not another triple A? I did not understand.

922
00:41:18,840 --> 00:41:23,000
Speaker 4: Can I ask a question, a hot, hot hot take question? Yeah,

923
00:41:23,760 --> 00:41:26,399
Speaker 4: is the fact that the Mormon wives aren't telling any

924
00:41:26,480 --> 00:41:30,560
Speaker 4: true stories about like their journey, like it's just kind

925
00:41:30,560 --> 00:41:32,640
Speaker 4: of happening and they're good dancers?

926
00:41:33,320 --> 00:41:34,040
Speaker 3: Is that affecting?

927
00:41:34,160 --> 00:41:37,480
Speaker 2: It is hurting, meaning there's no like there's nothing really

928
00:41:37,520 --> 00:41:40,279
Speaker 2: about them yet in the you don't know anyages's don't

929
00:41:40,280 --> 00:41:40,960
Speaker 2: mean yet exactly.

930
00:41:40,920 --> 00:41:44,000
Speaker 3: Well, isn't that because people already know them? Like, well,

931
00:41:45,520 --> 00:41:46,440
Speaker 3: I think it's part of it.

932
00:41:46,520 --> 00:41:49,160
Speaker 4: I think it's part of Like they're telling stories, like

933
00:41:49,280 --> 00:41:53,200
Speaker 4: Jordan's story is clearly right now, redemption, right, she redeemed herself,

934
00:41:53,200 --> 00:41:56,120
Speaker 4: she's truly athletic, she's now she's on her way back.

935
00:41:56,160 --> 00:41:59,120
Speaker 4: We have Alane who kind of has a story building

936
00:41:59,160 --> 00:42:02,080
Speaker 4: I can see it coming. Obviously getting hit by a car.

937
00:42:02,120 --> 00:42:04,120
Speaker 3: A car, yeah, huge, you know.

938
00:42:04,120 --> 00:42:07,640
Speaker 4: And they're pushing how many kids Hilaria has, you know,

939
00:42:07,680 --> 00:42:11,440
Speaker 4: there's all these things sort of going on. Danielle obviously perfectionist,

940
00:42:11,719 --> 00:42:13,960
Speaker 4: and now the injury. Like, there's these stories being told.

941
00:42:14,320 --> 00:42:15,640
Speaker 3: I love.

942
00:42:17,520 --> 00:42:20,360
Speaker 4: The Mormon Wives as people behind the scenes. Whitney is

943
00:42:20,400 --> 00:42:23,200
Speaker 4: really one of my favorite people. I'm bummed they don't

944
00:42:23,239 --> 00:42:26,839
Speaker 4: have any sort of real story right, It's just they're

945
00:42:26,880 --> 00:42:30,319
Speaker 4: good dancers and that's great. But I really hope that

946
00:42:30,360 --> 00:42:32,080
Speaker 4: we start to get to know them as people because

947
00:42:32,200 --> 00:42:35,800
Speaker 4: I think it's affecting the way people see them as dancers.

948
00:42:36,040 --> 00:42:38,560
Speaker 2: It may one of the things that amazed me from

949
00:42:38,560 --> 00:42:41,120
Speaker 2: the prepackage to this one was seeing how far they

950
00:42:41,160 --> 00:42:44,480
Speaker 2: have to come because from the prepackage, she's like stumbling

951
00:42:44,760 --> 00:42:47,120
Speaker 2: and I can't do a spin and I can't do this,

952
00:42:47,239 --> 00:42:49,279
Speaker 2: and then she goes out and does that four days later,

953
00:42:49,280 --> 00:42:50,520
Speaker 2: and you're like, what the hell.

954
00:42:50,520 --> 00:42:53,000
Speaker 3: Well, I think that's a little manipulative editing.

955
00:42:52,920 --> 00:42:56,560
Speaker 2: I'm sure, but it was manipulated me perfectly because I

956
00:42:56,600 --> 00:42:58,480
Speaker 2: was like, oh my god, you got to that from that,

957
00:42:58,680 --> 00:42:59,200
Speaker 2: So it was.

958
00:42:59,719 --> 00:43:02,520
Speaker 3: But right, there is nothing personal really about it.

959
00:43:02,560 --> 00:43:04,560
Speaker 2: I guess it's more about their children and the fact

960
00:43:04,560 --> 00:43:06,200
Speaker 2: that they have a lot of kids that that I

961
00:43:06,239 --> 00:43:07,000
Speaker 2: think it.

962
00:43:07,320 --> 00:43:09,520
Speaker 4: But it's also such a good bad story when someone

963
00:43:09,560 --> 00:43:11,319
Speaker 4: else on the cast has seven I know.

964
00:43:11,520 --> 00:43:14,080
Speaker 3: I know that also might be part of the reason

965
00:43:14,120 --> 00:43:17,200
Speaker 3: that there was a feeling that we couldn't tell the

966
00:43:17,200 --> 00:43:17,880
Speaker 3: difference dween.

967
00:43:17,760 --> 00:43:21,280
Speaker 1: The pro because she's a little like she's just blending

968
00:43:21,320 --> 00:43:22,080
Speaker 1: in with the dancers.

969
00:43:22,120 --> 00:43:22,560
Speaker 3: It's not.

970
00:43:24,080 --> 00:43:27,879
Speaker 2: Was also like early twenties something like that, I mean,

971
00:43:28,200 --> 00:43:28,920
Speaker 2: mid twenties.

972
00:43:29,080 --> 00:43:32,680
Speaker 3: It's yeah, it's makes a difference, man, all right. Hilario

973
00:43:32,760 --> 00:43:37,120
Speaker 3: Baldwin and Gleb Salfchenko. This was the tango to What

974
00:43:37,400 --> 00:43:41,359
Speaker 3: Is Love. I thought she was one of the better.

975
00:43:41,320 --> 00:43:44,839
Speaker 1: If not best dancer last week, and I was thought

976
00:43:44,840 --> 00:43:45,399
Speaker 1: it was just.

977
00:43:45,760 --> 00:43:47,719
Speaker 3: Solid this week. It was a little a little bit

978
00:43:47,800 --> 00:43:49,759
Speaker 3: bland for me. Yeah, I don't disagree.

979
00:43:50,000 --> 00:43:52,080
Speaker 2: She has and again I'm learning, Oh my god, I'm

980
00:43:52,160 --> 00:43:54,760
Speaker 2: learning all the phrases and everything.

981
00:43:54,800 --> 00:43:55,160
Speaker 3: Please.

982
00:43:55,920 --> 00:43:58,839
Speaker 2: She has a good frame, like she looked like she

983
00:43:59,760 --> 00:44:02,319
Speaker 2: it doesn't. It looks like to me, she spent most

984
00:44:02,320 --> 00:44:06,520
Speaker 2: of her her life dancing, maybe even professionally dancing. However,

985
00:44:06,560 --> 00:44:09,000
Speaker 2: she's been dancing and now she's on Dancing with the Stars.

986
00:44:09,040 --> 00:44:10,520
Speaker 2: That's what it looks like to me. It doesn't look

987
00:44:10,600 --> 00:44:12,440
Speaker 2: like she's learning any of this. It looks like she's

988
00:44:12,480 --> 00:44:14,440
Speaker 2: showing everybody what she learned when she was fifteen.

989
00:44:14,960 --> 00:44:16,799
Speaker 3: Ah, that's a good call, man. I think that's what

990
00:44:16,840 --> 00:44:17,120
Speaker 3: it is.

991
00:44:17,160 --> 00:44:20,120
Speaker 1: Because last week it was it had a revelatory quality

992
00:44:20,120 --> 00:44:22,080
Speaker 1: to it because you had the story and right not

993
00:44:22,239 --> 00:44:27,320
Speaker 1: dancing and kids and now dancing and knowing more, knowing

994
00:44:27,360 --> 00:44:28,080
Speaker 1: that story.

995
00:44:27,880 --> 00:44:29,560
Speaker 3: Now, it was just kind of like, yes, you can

996
00:44:29,600 --> 00:44:29,920
Speaker 3: do this.

997
00:44:30,440 --> 00:44:33,439
Speaker 1: Yeah, And I wanted to see more personality, a little more.

998
00:44:33,480 --> 00:44:35,799
Speaker 1: I don't know, and maybe it's nitpicky, but.

999
00:44:35,880 --> 00:44:39,719
Speaker 2: It seemed like it seemed like dance by numbers, right,

1000
00:44:39,960 --> 00:44:42,440
Speaker 2: like it was you you hit the steps, You definitely

1001
00:44:42,480 --> 00:44:44,600
Speaker 2: hit the steps, You looked great, hit but there's nothing

1002
00:44:44,719 --> 00:44:47,719
Speaker 2: kind of memorable, memorable about it. There's nothing special about it.

1003
00:44:47,719 --> 00:44:50,200
Speaker 2: It was like you, you danced the way you were

1004
00:44:50,200 --> 00:44:51,040
Speaker 2: supposed to dance.

1005
00:44:51,320 --> 00:44:55,120
Speaker 3: Right, they got sevens across the board. It's fair. Oh see,

1006
00:44:55,120 --> 00:44:57,240
Speaker 3: I think that's fair because again, it wasn't special.

1007
00:44:57,320 --> 00:45:01,480
Speaker 1: When I compare it to everybody else, I'm like, but yeah, I.

1008
00:45:01,440 --> 00:45:04,200
Speaker 2: Still I still think Daniels and again totally biased. I

1009
00:45:04,200 --> 00:45:07,040
Speaker 2: still think Daniels were low. I really do think Daniels

1010
00:45:07,040 --> 00:45:08,320
Speaker 2: were low. And I think you're right, they would have

1011
00:45:08,320 --> 00:45:10,960
Speaker 2: been higher if she was Later in the in the program.

1012
00:45:10,800 --> 00:45:16,360
Speaker 1: Dylan Efron and Daniella karagoch he chose the Makarina.

1013
00:45:16,080 --> 00:45:19,480
Speaker 2: Goodly song from He chooses the Makarina Writer the Makarena

1014
00:45:19,560 --> 00:45:20,239
Speaker 2: chooses you.

1015
00:45:22,040 --> 00:45:22,920
Speaker 3: I love what he was like.

1016
00:45:23,000 --> 00:45:26,239
Speaker 1: You couldn't pronounce the word choreography, choreography?

1017
00:45:26,360 --> 00:45:28,160
Speaker 3: What do you think you're doing right now? How did

1018
00:45:28,160 --> 00:45:31,200
Speaker 3: you get invited to this? I love that it's the

1019
00:45:31,200 --> 00:45:32,840
Speaker 3: first choreography I ever learned.

1020
00:45:33,080 --> 00:45:36,600
Speaker 1: Yeah, I again, I think she's the best dancer in

1021
00:45:36,600 --> 00:45:37,520
Speaker 1: this entire thing.

1022
00:45:37,920 --> 00:45:39,400
Speaker 3: I love her.

1023
00:45:39,560 --> 00:45:41,920
Speaker 1: I just I just love everything about her. I love

1024
00:45:41,960 --> 00:45:45,759
Speaker 1: watching her just like yes, and I really like him.

1025
00:45:45,880 --> 00:45:46,680
Speaker 3: I feel too.

1026
00:45:46,840 --> 00:45:51,000
Speaker 1: I'm coming around like he's trying. He's trying, and I

1027
00:45:51,040 --> 00:45:51,800
Speaker 1: thought it was fun.

1028
00:45:52,280 --> 00:45:52,480
Speaker 3: You know.

1029
00:45:52,600 --> 00:45:57,560
Speaker 2: Definitely, it seems like he's becoming like America's little brother totally,

1030
00:45:57,600 --> 00:45:59,560
Speaker 2: where it's like, you know, hey, come on, you know,

1031
00:45:59,680 --> 00:46:01,560
Speaker 2: let's he had Kelly, He's doing great.

1032
00:46:02,000 --> 00:46:04,360
Speaker 3: My little brother's out there. Dad Like, that's the vibe

1033
00:46:04,400 --> 00:46:07,160
Speaker 3: he gives off, and it's a great vibe. Is Can

1034
00:46:07,200 --> 00:46:07,839
Speaker 3: I tell you something?

1035
00:46:08,480 --> 00:46:11,160
Speaker 4: Andy Richter is on the Conan O'Brien podcast this week

1036
00:46:11,280 --> 00:46:13,879
Speaker 4: talking about his experience, and he makes a really good point,

1037
00:46:13,880 --> 00:46:17,359
Speaker 4: which is that early in his rehearsal, a producer told

1038
00:46:17,480 --> 00:46:20,560
Speaker 4: him and reminded him, they don't ask you to dance

1039
00:46:21,000 --> 00:46:24,080
Speaker 4: to vote for the best dance. They ask you to

1040
00:46:24,160 --> 00:46:26,080
Speaker 4: vote for your favorite dance.

1041
00:46:26,760 --> 00:46:29,720
Speaker 3: Oh yeah, I guess that's true. That is two different things.

1042
00:46:29,800 --> 00:46:32,600
Speaker 4: And that is and Dylan last night showed that he

1043
00:46:32,640 --> 00:46:35,680
Speaker 4: could be voted for, and so did Andy Richter and

1044
00:46:35,800 --> 00:46:38,319
Speaker 4: Danielle all all showed that you can vote for your

1045
00:46:38,360 --> 00:46:41,879
Speaker 4: favorite dance. Can I think that Dylan really succeeded last

1046
00:46:41,960 --> 00:46:42,480
Speaker 4: night in that way?

1047
00:46:42,640 --> 00:46:43,160
Speaker 3: He was great.

1048
00:46:43,160 --> 00:46:45,560
Speaker 2: He also did the thing that I think is super

1049
00:46:45,600 --> 00:46:48,040
Speaker 2: important where he showed progress.

1050
00:46:48,480 --> 00:46:50,400
Speaker 3: I mean he looked he looked way better than he

1051
00:46:50,440 --> 00:46:52,160
Speaker 3: did in the first week. He just looked more.

1052
00:46:52,000 --> 00:46:54,600
Speaker 2: Comfortable and he was getting there and he just it

1053
00:46:54,680 --> 00:46:55,320
Speaker 2: looked better.

1054
00:46:55,719 --> 00:46:59,040
Speaker 3: Yep. He's also young, yeah, exactly.

1055
00:46:58,760 --> 00:47:02,840
Speaker 1: Earlier point and you can see that he you know,

1056
00:47:02,920 --> 00:47:06,640
Speaker 1: he's not used to moving, like he has a good body,

1057
00:47:06,680 --> 00:47:09,080
Speaker 1: like he's fit, but it's not used to being moved

1058
00:47:09,080 --> 00:47:11,680
Speaker 1: in this way, right, And I felt like it's getting.

1059
00:47:11,400 --> 00:47:12,680
Speaker 3: More used to it, do you know what I mean?

1060
00:47:12,680 --> 00:47:13,920
Speaker 3: Like he's literally.

1061
00:47:13,600 --> 00:47:16,080
Speaker 1: Adjusting and I feel like the muscles are growing or

1062
00:47:16,120 --> 00:47:18,359
Speaker 1: whatever is happening. So I was like, oh, by like

1063
00:47:18,719 --> 00:47:21,480
Speaker 1: week four or five, you're gonna be really good at

1064
00:47:21,520 --> 00:47:22,200
Speaker 1: this if.

1065
00:47:22,080 --> 00:47:24,520
Speaker 2: He could put it together. She shows improvement every week.

1066
00:47:24,680 --> 00:47:26,400
Speaker 2: I mean, that's what you got to show. And he's

1067
00:47:26,400 --> 00:47:28,799
Speaker 2: personable and you like him, and he's just yeah, and

1068
00:47:28,840 --> 00:47:30,319
Speaker 2: he's got a great partner, and.

1069
00:47:30,320 --> 00:47:34,239
Speaker 3: I think you're real contender. You're rooting for him, all.

1070
00:47:34,200 --> 00:47:37,279
Speaker 1: Right, seven six and seven from the judges, and then

1071
00:47:37,719 --> 00:47:41,200
Speaker 1: we rounded it out with Scott and Riley. That's Scott

1072
00:47:41,200 --> 00:47:46,360
Speaker 1: Hoyne and Riley Arnold. Yeah, this one didn't really do

1073
00:47:46,400 --> 00:47:46,840
Speaker 1: it for me.

1074
00:47:47,080 --> 00:47:51,640
Speaker 3: It didn't for me. She's adorable, she's utterly adorable. He's fair.

1075
00:47:51,719 --> 00:47:53,880
Speaker 3: I like both of their personalities in terms of like

1076
00:47:54,040 --> 00:47:57,560
Speaker 3: the effort and but yeah, there I don't know. Did

1077
00:47:57,600 --> 00:47:58,960
Speaker 3: they seem mismatched to you?

1078
00:47:59,120 --> 00:47:59,719
Speaker 2: Yes, what they do?

1079
00:48:00,080 --> 00:48:00,839
Speaker 3: Yes, it is right.

1080
00:48:01,040 --> 00:48:04,880
Speaker 1: Yeah, And he's going back to the sort of you know,

1081
00:48:05,480 --> 00:48:07,280
Speaker 1: potentially unfair criticism.

1082
00:48:06,880 --> 00:48:07,720
Speaker 3: About body types.

1083
00:48:07,800 --> 00:48:11,080
Speaker 1: He's very tall, and he's you know, I just feel

1084
00:48:11,080 --> 00:48:15,040
Speaker 1: like there's something. There's something not quite happening that I

1085
00:48:15,040 --> 00:48:17,400
Speaker 1: I just I think maybe it's a different partner and

1086
00:48:17,440 --> 00:48:19,680
Speaker 1: it's not a knock on her or him. I just

1087
00:48:19,719 --> 00:48:22,719
Speaker 1: think there's something because I think they're really trying with

1088
00:48:22,760 --> 00:48:24,719
Speaker 1: the style and the approach.

1089
00:48:24,880 --> 00:48:27,640
Speaker 3: But I don't know, it's not landing for me. I

1090
00:48:27,680 --> 00:48:28,399
Speaker 3: don't think he's work.

1091
00:48:28,600 --> 00:48:31,680
Speaker 2: I can't put my finger on why, because again, personality wise,

1092
00:48:31,680 --> 00:48:32,759
Speaker 2: he seems like he's a fun guy.

1093
00:48:32,800 --> 00:48:34,400
Speaker 3: He's the whole guy and they get.

1094
00:48:34,280 --> 00:48:36,799
Speaker 1: And he is a performer, right, he has music. So

1095
00:48:37,280 --> 00:48:40,240
Speaker 1: it's interesting that it's just not like falling into place.

1096
00:48:40,520 --> 00:48:42,160
Speaker 1: I think they're really on the bubble this week.

1097
00:48:42,239 --> 00:48:44,840
Speaker 3: Like I think so too. I think there's nothing for

1098
00:48:44,920 --> 00:48:46,080
Speaker 3: a body his style.

1099
00:48:46,200 --> 00:48:49,160
Speaker 2: There's nothing fluid about the way he moves it, right,

1100
00:48:49,400 --> 00:48:51,600
Speaker 2: it's it's it's I don't want to use the word clunky.

1101
00:48:51,719 --> 00:48:55,239
Speaker 2: It's almost robotic the way he used his body, and

1102
00:48:55,280 --> 00:48:58,000
Speaker 2: there's nothing like like Dylan Effron's a perfect example where

1103
00:48:58,320 --> 00:49:00,239
Speaker 2: he might not be hitting all the moves, but there's

1104
00:49:00,280 --> 00:49:03,640
Speaker 2: a there's a sinewy like a sinew we miss to

1105
00:49:03,760 --> 00:49:06,040
Speaker 2: his if that's even a word, to his body. There's

1106
00:49:06,080 --> 00:49:08,360
Speaker 2: like a litheness the way that he kind of flows,

1107
00:49:08,480 --> 00:49:13,040
Speaker 2: which I don't think Scott has. It just seems more clunky.

1108
00:49:12,719 --> 00:49:15,520
Speaker 1: Which is another you know, to your point about Corey Feldman,

1109
00:49:15,680 --> 00:49:18,520
Speaker 1: who should be able to dance because he is a dancer.

1110
00:49:18,520 --> 00:49:22,040
Speaker 1: It's really just like there are different body types for

1111
00:49:22,280 --> 00:49:24,920
Speaker 1: different types of dances too, right, yeah, right, I mean

1112
00:49:25,280 --> 00:49:28,440
Speaker 1: it seems like this really leans towards a certain like

1113
00:49:29,080 --> 00:49:32,200
Speaker 1: broad you know, holding your shoulders up, broad shoulder like

1114
00:49:32,280 --> 00:49:36,000
Speaker 1: basically the you know, Dylan's body, you know, or like

1115
00:49:36,080 --> 00:49:38,840
Speaker 1: somebody who just like, yeah, it's a certain type.

1116
00:49:39,080 --> 00:49:41,360
Speaker 2: He could Scott could have the perfect type and the

1117
00:49:41,360 --> 00:49:44,920
Speaker 2: perfect partner to kill something like the tango, where he might.

1118
00:49:44,760 --> 00:49:46,959
Speaker 3: Have that big, square body.

1119
00:49:46,640 --> 00:49:48,680
Speaker 2: Type where he can kind of maybe he has the

1120
00:49:48,719 --> 00:49:50,680
Speaker 2: frame for something like that, but so far it's been

1121
00:49:50,760 --> 00:49:53,480
Speaker 2: it has it's been a little I don't know, Rusty.

1122
00:49:53,440 --> 00:49:55,560
Speaker 4: And for more of your point too, like he's doing

1123
00:49:55,640 --> 00:49:58,960
Speaker 4: really well in the side by sides, yeah, but he's

1124
00:49:59,000 --> 00:50:00,560
Speaker 4: not doing well when they're connecting.

1125
00:50:00,719 --> 00:50:05,600
Speaker 1: Like the problem yes, yes, and it's and and and

1126
00:50:05,640 --> 00:50:09,760
Speaker 1: it's not what like what they're doing with Corey or

1127
00:50:09,920 --> 00:50:13,520
Speaker 1: Andy where there's well Andy's uh. With Corey, you know,

1128
00:50:13,520 --> 00:50:15,680
Speaker 1: they're sort of just putting him in the middle and

1129
00:50:15,760 --> 00:50:18,560
Speaker 1: letting him to stand side by side by himself or

1130
00:50:18,680 --> 00:50:20,919
Speaker 1: you know, and have her dancing dancing around him. He's

1131
00:50:20,960 --> 00:50:24,520
Speaker 1: really trying, and I appreciate that, but it's still yeah,

1132
00:50:24,520 --> 00:50:26,720
Speaker 1: when you're right when they're dancing together, it's a little

1133
00:50:27,080 --> 00:50:27,480
Speaker 1: I don't know.

1134
00:50:29,080 --> 00:50:31,600
Speaker 3: And she's adorable, by the way, she's absolutely adorable.

1135
00:50:31,680 --> 00:50:34,000
Speaker 1: Six is across the board. And then we went into

1136
00:50:34,040 --> 00:50:35,319
Speaker 1: the elimination, which was.

1137
00:50:36,280 --> 00:50:38,440
Speaker 3: Like hard to watch. I felt bad for Corey.

1138
00:50:38,800 --> 00:50:40,520
Speaker 2: I think that for all, I mean, first of all,

1139
00:50:40,560 --> 00:50:43,040
Speaker 2: the idea that I have to imagine. Obviously they don't

1140
00:50:43,040 --> 00:50:44,479
Speaker 2: know who's going to go and who's going to stay,

1141
00:50:44,480 --> 00:50:45,880
Speaker 2: so you're just got to be standing there with a

1142
00:50:45,880 --> 00:50:48,080
Speaker 2: big lump in your throat wondering if America hates you,

1143
00:50:48,640 --> 00:50:49,319
Speaker 2: which has to.

1144
00:50:49,239 --> 00:50:51,160
Speaker 3: Just be the worst feeling in the world.

1145
00:50:51,560 --> 00:50:54,040
Speaker 1: But I mean some of those people could have died

1146
00:50:54,040 --> 00:50:57,120
Speaker 1: back their surprise a little bit. I mean right, I

1147
00:50:57,120 --> 00:50:59,759
Speaker 1: mean there was there was everybody who got through.

1148
00:51:00,000 --> 00:51:03,040
Speaker 3: They were like, and I'm like, you got eight yeah,

1149
00:51:03,239 --> 00:51:04,440
Speaker 3: like let it just be.

1150
00:51:04,719 --> 00:51:06,680
Speaker 2: That's also that's one thing I was thinking about Danielle

1151
00:51:06,680 --> 00:51:08,560
Speaker 2: because God lover and we know Danielle.

1152
00:51:08,640 --> 00:51:09,400
Speaker 3: We love Danielle.

1153
00:51:09,560 --> 00:51:12,439
Speaker 2: She had a giant smile on her face all night

1154
00:51:12,480 --> 00:51:15,399
Speaker 2: for every contestant. Her face must have hurt so much

1155
00:51:15,440 --> 00:51:17,160
Speaker 2: by the time the show was over, just from sitting

1156
00:51:17,160 --> 00:51:18,680
Speaker 2: there at the giant smile on her face because they're

1157
00:51:18,719 --> 00:51:21,400
Speaker 2: all trying to be supportive of each other and doing everything,

1158
00:51:21,400 --> 00:51:23,040
Speaker 2: and it's like she must have just.

1159
00:51:23,520 --> 00:51:25,560
Speaker 4: Her face must have killed. I wish I could tell

1160
00:51:25,600 --> 00:51:27,600
Speaker 4: you that behind the scenes, some of that is fake.

1161
00:51:28,040 --> 00:51:30,640
Speaker 4: I'm like, wildly surprised because even last night I was like,

1162
00:51:31,000 --> 00:51:32,719
Speaker 4: I was like, man, you're really you know.

1163
00:51:32,760 --> 00:51:34,920
Speaker 3: Excited for everybody. She's like, yeah, this is the best.

1164
00:51:34,920 --> 00:51:35,759
Speaker 3: These people are the best.

1165
00:51:35,800 --> 00:51:37,000
Speaker 4: Like I'm waiting for her to say, like, you know,

1166
00:51:37,040 --> 00:51:40,759
Speaker 4: who's a real pos But she liked.

1167
00:51:40,280 --> 00:51:43,200
Speaker 3: She's liked everybody. She said she liked everybody. Yes, she

1168
00:51:43,239 --> 00:51:45,120
Speaker 3: really has, Yeah, she really has, which is awesome.

1169
00:51:46,160 --> 00:51:47,759
Speaker 2: But yeah, that was tough and it was so nice.

1170
00:51:47,800 --> 00:51:50,200
Speaker 2: I've got to be again totally biased, but so nice

1171
00:51:50,200 --> 00:51:51,200
Speaker 2: to hear her name first.

1172
00:51:51,840 --> 00:51:56,040
Speaker 3: All Right, any predictions on who's out next week? Uh?

1173
00:51:56,280 --> 00:51:59,279
Speaker 2: Yeah, I think Scott and Riley are going to be

1174
00:51:59,320 --> 00:52:01,759
Speaker 2: on the bubble. I think Hilaria is going to be

1175
00:52:01,800 --> 00:52:06,719
Speaker 2: on the bubble again. Interesting, and I think there's a chance.

1176
00:52:11,239 --> 00:52:16,320
Speaker 2: I think there's a chance that it's gonna be Andy

1177
00:52:16,560 --> 00:52:17,880
Speaker 2: again on the bubble.

1178
00:52:17,960 --> 00:52:19,640
Speaker 3: I don't think so. I think Andy's going to make

1179
00:52:19,680 --> 00:52:22,480
Speaker 3: a comeback. He could. I told your point about Hilaria

1180
00:52:22,640 --> 00:52:27,160
Speaker 3: is interesting. I think she might. She could somewhat unfairly

1181
00:52:27,239 --> 00:52:27,880
Speaker 3: be kicked.

1182
00:52:27,640 --> 00:52:30,640
Speaker 1: Off, you know, because I think she could if she

1183
00:52:30,640 --> 00:52:33,120
Speaker 1: could turn this around, if she gets sticks, if she stays,

1184
00:52:33,520 --> 00:52:35,799
Speaker 1: and like next week, I guess she'll dance before she

1185
00:52:35,840 --> 00:52:36,600
Speaker 1: gets kicked off.

1186
00:52:37,000 --> 00:52:38,319
Speaker 3: But I'm kind of with you.

1187
00:52:38,360 --> 00:52:40,200
Speaker 1: I think there might have been something a little like

1188
00:52:40,280 --> 00:52:44,640
Speaker 1: flatlining or like let downy about her dance compared from

1189
00:52:44,680 --> 00:52:47,480
Speaker 1: last week to this week, and maybe some of that,

1190
00:52:47,640 --> 00:52:51,000
Speaker 1: like you've got seven kids, you're married to Alec Baldwin,

1191
00:52:51,080 --> 00:52:52,640
Speaker 1: like there might be some blowback there.

1192
00:52:52,880 --> 00:52:55,320
Speaker 2: There's also apparently some hot goss going around, as the

1193
00:52:55,400 --> 00:52:59,160
Speaker 2: kids say, about the fact that she like lobbied to

1194
00:52:59,200 --> 00:52:59,839
Speaker 2: be on the show.

1195
00:53:00,800 --> 00:53:02,920
Speaker 3: So it wasn't like, oh there's a bit hey, what

1196
00:53:03,000 --> 00:53:04,840
Speaker 3: are the hey wow, I got picked for Dancing Stars.

1197
00:53:04,840 --> 00:53:06,360
Speaker 3: Like she's been pushing and pushing and pushing.

1198
00:53:06,400 --> 00:53:08,480
Speaker 2: I don't know if that's true or not, but apparently

1199
00:53:08,520 --> 00:53:10,600
Speaker 2: that's a big thing and some people don't like that either.

1200
00:53:11,200 --> 00:53:16,160
Speaker 3: Okay, so is that those are the three? We think? Yeah, possible.

1201
00:53:16,360 --> 00:53:18,600
Speaker 3: I think so I'll be the bottom three, I think so.

1202
00:53:19,320 --> 00:53:21,719
Speaker 3: Do you have a question for me? I do have

1203
00:53:21,719 --> 00:53:22,120
Speaker 3: a quell.

1204
00:53:22,760 --> 00:53:24,360
Speaker 2: I do have a question for you, because, as you know,

1205
00:53:24,480 --> 00:53:27,160
Speaker 2: every week, we are doing what we like to call

1206
00:53:27,680 --> 00:53:30,520
Speaker 2: the Strong Incentive. Now, if you remember, this is a

1207
00:53:30,560 --> 00:53:32,399
Speaker 2: piece where we are going to be asking riders strong

1208
00:53:32,440 --> 00:53:34,680
Speaker 2: every week what it would take to get him to

1209
00:53:34,719 --> 00:53:36,960
Speaker 2: be a contestant on Dancing with the Stars. They've asked

1210
00:53:36,960 --> 00:53:38,560
Speaker 2: me to be one of the professional dancers. I've turned

1211
00:53:38,680 --> 00:53:41,640
Speaker 2: down several times. It wouldn't be fair but for a

1212
00:53:41,760 --> 00:53:44,399
Speaker 2: rider to come on and actually be a contestant. If

1213
00:53:44,440 --> 00:53:46,640
Speaker 2: you remember, last week, somebody showed up at Ryder's house

1214
00:53:46,640 --> 00:53:49,840
Speaker 2: with a suitcase filled with five hundred thousand dollars in cash,

1215
00:53:49,880 --> 00:53:52,400
Speaker 2: and Rider said no. So the incentive that we're going

1216
00:53:52,440 --> 00:53:55,680
Speaker 2: to be adding this week a lot not in lieu of,

1217
00:53:55,800 --> 00:53:57,040
Speaker 2: but along with.

1218
00:53:57,000 --> 00:53:59,320
Speaker 3: The five hundred thousand dollars in cash.

1219
00:53:59,239 --> 00:54:02,480
Speaker 2: Is also a one twenty five Airstream Atlas Murphy suite

1220
00:54:02,480 --> 00:54:05,480
Speaker 2: retail value three hundred and seventeen thousand dollars, which is

1221
00:54:05,480 --> 00:54:09,000
Speaker 2: on sale right now for two hundred fifty dollars. No,

1222
00:54:09,200 --> 00:54:12,600
Speaker 2: it is the world's one of the best family camper

1223
00:54:12,719 --> 00:54:14,360
Speaker 2: vans on the market.

1224
00:54:14,520 --> 00:54:19,839
Speaker 3: Oh, you bastard. It opens up. It is this beautiful, gorgeous,

1225
00:54:20,080 --> 00:54:20,560
Speaker 3: top of.

1226
00:54:20,520 --> 00:54:23,960
Speaker 2: The line airstream camper van where you can take your

1227
00:54:24,120 --> 00:54:27,640
Speaker 2: entire family anywhere you'd like with these suites that pop out.

1228
00:54:28,360 --> 00:54:30,319
Speaker 3: It's really a gorgeous rider.

1229
00:54:30,440 --> 00:54:33,000
Speaker 1: How big are we talking? It's like, would you like

1230
00:54:33,040 --> 00:54:35,080
Speaker 1: to like to school RV size?

1231
00:54:35,160 --> 00:54:38,840
Speaker 2: It's it's it's not like it's like bigger than yours,

1232
00:54:38,880 --> 00:54:40,640
Speaker 2: but not crazy bus size.

1233
00:54:40,680 --> 00:54:42,719
Speaker 3: So it's it's something that you would be able to

1234
00:54:42,800 --> 00:54:43,200
Speaker 3: But it's.

1235
00:54:43,080 --> 00:54:46,880
Speaker 1: Still a camper van more than it's an RV. Correct,

1236
00:54:47,160 --> 00:54:48,360
Speaker 1: I'm not a fan of RV's.

1237
00:54:48,560 --> 00:54:51,359
Speaker 2: No, no, no, it's a camper van, but it's an

1238
00:54:51,400 --> 00:54:55,640
Speaker 2: airstream camper van. You're okay, No, no, no, you're still

1239
00:54:55,640 --> 00:54:56,360
Speaker 2: at You're still at it.

1240
00:54:56,440 --> 00:54:58,239
Speaker 3: No, you're still at it. Know you realize at this

1241
00:54:58,239 --> 00:54:59,400
Speaker 3: point you might have gotten me.

1242
00:54:59,560 --> 00:55:02,680
Speaker 1: You might have me if you just took like a sprinter,

1243
00:55:03,000 --> 00:55:05,719
Speaker 1: like a regular sprinter campra van and decked it out

1244
00:55:05,760 --> 00:55:06,520
Speaker 1: with like all.

1245
00:55:06,400 --> 00:55:08,319
Speaker 3: The awesome stuff. This is so much better.

1246
00:55:08,480 --> 00:55:10,880
Speaker 1: But the idea of something bigger than like my campra

1247
00:55:10,960 --> 00:55:12,200
Speaker 1: van not that much bigger.

1248
00:55:12,239 --> 00:55:14,560
Speaker 3: It's not that much bigger. But I don't keep some rooms.

1249
00:55:14,640 --> 00:55:17,240
Speaker 1: I want more like bells and whistles in a small campus.

1250
00:55:17,760 --> 00:55:21,359
Speaker 3: So you're telling me it was just as style or caravan. Yeah,

1251
00:55:21,480 --> 00:55:24,520
Speaker 3: because the camper van was a very good call. That

1252
00:55:24,760 --> 00:55:27,840
Speaker 3: might have gotten me. But y'all messed up, buddy. I

1253
00:55:29,520 --> 00:55:31,279
Speaker 3: go look it up. Go look it up. Look up

1254
00:55:31,320 --> 00:55:32,200
Speaker 3: the twenty twenty.

1255
00:55:31,960 --> 00:55:35,080
Speaker 1: Five, say a Mercedes sprinter van with X y Z

1256
00:55:35,320 --> 00:55:37,080
Speaker 1: pop top, and I would.

1257
00:55:36,840 --> 00:55:39,279
Speaker 3: Have been like, uh, this is I'll look it up.

1258
00:55:39,320 --> 00:55:43,560
Speaker 3: But uh, I'll just say no, okay, well that's dancing.

1259
00:55:44,040 --> 00:55:46,000
Speaker 3: That is two now.

1260
00:55:46,200 --> 00:55:48,839
Speaker 2: So far, he has turned down five hundred thousand dollars

1261
00:55:48,880 --> 00:55:51,120
Speaker 2: in cash and a twenty twenty five Airstream Atlas and

1262
00:55:51,160 --> 00:55:54,920
Speaker 2: Murphy sweet unbelievable. Okay, we will see you back here

1263
00:55:55,000 --> 00:55:57,040
Speaker 2: next week as we sweeten the.

1264
00:55:57,000 --> 00:55:58,759
Speaker 3: Pot for the Strong incentive.

1265
00:55:59,040 --> 00:56:01,480
Speaker 1: All Right, that's it for the episode of Podmets Tworld.

1266
00:56:01,760 --> 00:56:04,360
Speaker 1: Join us next week as we continue watching season thirty

1267
00:56:04,360 --> 00:56:06,880
Speaker 1: four of Dancing with the Stars. We may not know

1268
00:56:06,960 --> 00:56:09,360
Speaker 1: a cha chaw from a chimney changa, but we know

1269
00:56:09,760 --> 00:56:13,080
Speaker 1: what we learned way back in Phoenie's class. Danielle Fischel

1270
00:56:13,280 --> 00:56:14,200
Speaker 1: is the star of the show.

1271
00:56:16,440 --> 00:56:19,240
Speaker 6: Pod Meets World is an iHeart podcast produced and hosted

1272
00:56:19,239 --> 00:56:23,240
Speaker 6: by Danielle Fischl, Wilfredell and Wright Strong. Executive producers Jensen

1273
00:56:23,280 --> 00:56:26,840
Speaker 6: Karp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1274
00:56:27,120 --> 00:56:31,400
Speaker 6: producer and editor, Tara Subachsch producer, Maddy Moore, engineer and

1275
00:56:31,480 --> 00:56:34,719
Speaker 6: Boy Meets World super fan Easton Allen. Our theme song

1276
00:56:34,800 --> 00:56:37,719
Speaker 6: is by Kyle Morton of Typhoon. Follow us on Instagram

1277
00:56:37,719 --> 00:56:40,360
Speaker 6: at Pod Meets World Show or email us at Podmeets

1278
00:56:40,360 --> 00:56:42,120
Speaker 6: Worldshow at gmail dot com.