1 00:00:00,040 --> 00:00:03,160 Speaker 1: I have to ask, did either of you ever dress 2 00:00:03,240 --> 00:00:05,039 Speaker 1: up for a rocky horror screening? 3 00:00:05,480 --> 00:00:05,840 Speaker 2: I did. 4 00:00:06,160 --> 00:00:09,240 Speaker 3: I've been to those, but I never participated. 5 00:00:08,600 --> 00:00:12,120 Speaker 1: Dressed up, brought toast to throw at the screen whole 6 00:00:12,200 --> 00:00:14,560 Speaker 1: nine yards, begged my parents to let me go to 7 00:00:14,600 --> 00:00:25,599 Speaker 1: a midnight screening. Welcome to Daily Variety, your daily dose 8 00:00:25,640 --> 00:00:29,680 Speaker 1: of news and analysis for entertainment industry insiders. It's Tuesday, 9 00:00:29,720 --> 00:00:33,680 Speaker 1: November twenty fifth, twenty twenty five. I'm your host, Cynthia Littleton. 10 00:00:33,960 --> 00:00:37,240 Speaker 1: I am co editor in chief of Variety alongside Ramin Setuda. 11 00:00:37,360 --> 00:00:39,640 Speaker 1: I'm in LA He's in New York, and Bridy has 12 00:00:39,640 --> 00:00:43,040 Speaker 1: reporters around the world covering the business of entertainment. In 13 00:00:43,080 --> 00:00:46,280 Speaker 1: today's episode, We Yuck It Up, we talk with Variety's 14 00:00:46,360 --> 00:00:49,519 Speaker 1: chief film critics Owen Gleiberman and Peter de Bruges. The 15 00:00:49,600 --> 00:00:52,839 Speaker 1: two have just assembled the one hundred Best Comedy Movies 16 00:00:52,880 --> 00:00:55,960 Speaker 1: of All Time list that published on Variety dot com 17 00:00:56,000 --> 00:00:59,760 Speaker 1: and is in Variety's November twenty sixth print edition. Owen 18 00:00:59,840 --> 00:01:02,720 Speaker 1: in Peter dive into the how and why of their 19 00:01:02,760 --> 00:01:06,679 Speaker 1: great selections in a very animated conversation. But before we 20 00:01:06,720 --> 00:01:09,160 Speaker 1: get to that, here are a few headlines just in 21 00:01:09,200 --> 00:01:12,160 Speaker 1: this morning that you need to know. Scarlett Johansson is 22 00:01:12,200 --> 00:01:15,440 Speaker 1: following in Linda Blair's footsteps. She'll star in a new 23 00:01:15,600 --> 00:01:19,880 Speaker 1: Exorcist movie from Universal and Blumhouse. Mike Flanagan is writing 24 00:01:19,880 --> 00:01:23,880 Speaker 1: and directing. India's Reliance Animation is producing a scripted series 25 00:01:24,000 --> 00:01:27,919 Speaker 1: about Argentine soccer great Diego Maridona. The company is working 26 00:01:27,959 --> 00:01:31,840 Speaker 1: with the Late Stars Family. My colleague Nomen Ramachandron has 27 00:01:31,840 --> 00:01:35,200 Speaker 1: the scoop. Speaking of the Global Village, Disney Entertainment co 28 00:01:35,400 --> 00:01:38,560 Speaker 1: chair Dana Walden received the Founder's Award on Monday night 29 00:01:38,640 --> 00:01:42,319 Speaker 1: at the International Emmy Awards. Ryan Murphy presented her the honor. 30 00:01:42,520 --> 00:01:44,920 Speaker 1: Walden told the crowd in New York that she believes 31 00:01:44,920 --> 00:01:48,320 Speaker 1: in the strong bond that quote exists between the creator 32 00:01:48,360 --> 00:01:51,320 Speaker 1: who dreams the dream and the team that believes in 33 00:01:51,360 --> 00:01:54,120 Speaker 1: it enough to clear the path. All of these stories 34 00:01:54,200 --> 00:01:56,400 Speaker 1: ends so much more can be found on Variety dot 35 00:01:56,400 --> 00:02:03,920 Speaker 1: com Right now and now it's time for conversations with 36 00:02:04,000 --> 00:02:07,440 Speaker 1: Friday journalists about news and trends and show business. By now, 37 00:02:07,840 --> 00:02:12,359 Speaker 1: most Daily Variety listeners probably know that Variety chose police 38 00:02:12,360 --> 00:02:15,440 Speaker 1: squad from the files of the Naked Gun as our 39 00:02:15,560 --> 00:02:19,720 Speaker 1: number one comedy movie of all time. It's an unconventional choice. 40 00:02:19,919 --> 00:02:23,560 Speaker 1: I love it. It's not predictable. The nineteen eighty eight release 41 00:02:23,680 --> 00:02:28,120 Speaker 1: came from the zany, raunchy trio of Jerry Zucker, Jim Abrams, 42 00:02:28,160 --> 00:02:32,760 Speaker 1: and David Zucker or Zaz or Zazz as they're sometimes known. 43 00:02:33,040 --> 00:02:36,519 Speaker 1: The Naked Gun had its origins in the Zazz produced 44 00:02:36,600 --> 00:02:40,720 Speaker 1: ABC TV series Police Squad that was a relentless spoof 45 00:02:40,800 --> 00:02:44,280 Speaker 1: of TV cop shows. Lease Squad introduced Leslie Nielsen as 46 00:02:44,320 --> 00:02:47,360 Speaker 1: the Lieutenant Frank Dreben character. It ran for all of 47 00:02:47,480 --> 00:02:50,160 Speaker 1: six episodes in nineteen eighty two, but it was the 48 00:02:50,240 --> 00:02:54,119 Speaker 1: velvet underground of TV series because it inspired a generation 49 00:02:54,240 --> 00:02:57,079 Speaker 1: of comedy writers to get weird and bend the form, 50 00:02:57,240 --> 00:03:00,639 Speaker 1: and six years after Police Squad, the concept was adapted 51 00:03:00,639 --> 00:03:04,040 Speaker 1: into a feature film starring Nielsen and Priscilla Presley. Here's 52 00:03:04,080 --> 00:03:06,960 Speaker 1: a clip from the Police Squad series that captures the 53 00:03:07,040 --> 00:03:10,960 Speaker 1: fast paced, gag filled style that marked Police Squad and 54 00:03:11,040 --> 00:03:14,440 Speaker 1: later The Naked Gun. It's a spoof of the stereotypical 55 00:03:14,520 --> 00:03:18,320 Speaker 1: police interview of the victim. Here's Leslie Nielsen, he's co 56 00:03:18,480 --> 00:03:21,720 Speaker 1: star Alex North and an actress. I can't quite identify. 57 00:03:21,919 --> 00:03:23,200 Speaker 1: I'm Captain Frank Grevin. 58 00:03:23,880 --> 00:03:25,600 Speaker 4: I understand you had a pretty red time. 59 00:03:26,000 --> 00:03:27,200 Speaker 2: Yeah, it was pretty bad. 60 00:03:27,520 --> 00:03:29,600 Speaker 4: When was the first time you noticed something was wrong? 61 00:03:29,960 --> 00:03:32,040 Speaker 3: Well, when I first heard the shot, and as I turned, 62 00:03:32,160 --> 00:03:33,079 Speaker 3: Jim felt. 63 00:03:33,440 --> 00:03:35,960 Speaker 4: He's a teller, Frank, Jim Fell's a teller. 64 00:03:36,120 --> 00:03:37,760 Speaker 1: No, Jim Johnson Who. 65 00:03:37,720 --> 00:03:39,680 Speaker 4: Jim Fell, He's the auditor, Frank. 66 00:03:39,920 --> 00:03:41,920 Speaker 3: He had the flu. So Jim filled in. 67 00:03:42,600 --> 00:03:43,960 Speaker 2: Philip filled in. 68 00:03:44,160 --> 00:03:47,120 Speaker 3: He's a night watcher, Frank, police fill it. Be here 69 00:03:47,320 --> 00:03:50,160 Speaker 3: and wait a minute, let me get this straight. Twice 70 00:03:50,200 --> 00:03:52,080 Speaker 3: came in and shot the teller and Jim Fell. 71 00:03:52,280 --> 00:03:55,080 Speaker 2: No, he only shot a teller, Jim Johnson Fell is ill? 72 00:03:55,960 --> 00:03:58,600 Speaker 4: Okay? Then after he shot the teller, you shot twice? 73 00:03:58,720 --> 00:03:58,760 Speaker 3: No? 74 00:03:58,880 --> 00:03:59,840 Speaker 1: I only shot once? 75 00:04:00,800 --> 00:04:02,080 Speaker 2: Twice? Is the hold up man? 76 00:04:03,040 --> 00:04:05,360 Speaker 1: Then I guess I did shoo twice? Wasn't how you're 77 00:04:05,440 --> 00:04:08,880 Speaker 1: changing a story? The absurdity goes on forever, and now 78 00:04:08,920 --> 00:04:11,880 Speaker 1: here's our conversation about the hundred best comedy movies of 79 00:04:11,880 --> 00:04:16,279 Speaker 1: all time. Peter de Bruges and Owen Gleiberman Varieties, Intrepid 80 00:04:16,400 --> 00:04:18,280 Speaker 1: Chief film Critics. Thank you for joining me. 81 00:04:18,400 --> 00:04:20,040 Speaker 2: Thanks Santa, good to be here. 82 00:04:20,080 --> 00:04:23,040 Speaker 1: Cynthia, Well, you two have definitely been busy've done some 83 00:04:23,080 --> 00:04:27,039 Speaker 1: heavy lifting on a big list. It's a list designed 84 00:04:27,080 --> 00:04:31,320 Speaker 1: to spark debate, discussion social media means you too, put 85 00:04:31,360 --> 00:04:35,960 Speaker 1: your minds to assembling the one hundred best comedy films 86 00:04:36,000 --> 00:04:39,920 Speaker 1: of all time. That's a big assignment. It shot right 87 00:04:39,960 --> 00:04:42,360 Speaker 1: to the top of our most read stories. Was there 88 00:04:42,400 --> 00:04:45,120 Speaker 1: something about this year? Was there an anniversary or something 89 00:04:45,120 --> 00:04:47,640 Speaker 1: that made you want to focus on comedy right now? 90 00:04:47,839 --> 00:04:50,160 Speaker 3: This was more than a year in the making, and 91 00:04:50,320 --> 00:04:54,080 Speaker 3: it comes out of a series of these greatest Movies lists, 92 00:04:54,080 --> 00:04:56,360 Speaker 3: starting with the one hundred Greatest Films of All Time 93 00:04:56,360 --> 00:04:59,400 Speaker 3: that we did a few years back. Giving ourselves this 94 00:04:59,480 --> 00:05:02,480 Speaker 3: long run way really allowed us to brush up on 95 00:05:02,600 --> 00:05:06,880 Speaker 3: films we hadn't watched in years, to incorporate the opinion 96 00:05:07,000 --> 00:05:09,480 Speaker 3: of our colleagues, and so we really had the luxury 97 00:05:09,520 --> 00:05:10,960 Speaker 3: of time to get this list right. 98 00:05:11,839 --> 00:05:14,840 Speaker 1: Owen, what did you find most challenging about winnowing it 99 00:05:14,880 --> 00:05:15,919 Speaker 1: to one hundred titles? 100 00:05:16,000 --> 00:05:18,680 Speaker 2: The thing about comedy is that you've really got to 101 00:05:18,680 --> 00:05:22,320 Speaker 2: look at it with fresh eyes, because there are comedies 102 00:05:22,320 --> 00:05:24,480 Speaker 2: that stand the test of time, and then a lot 103 00:05:24,520 --> 00:05:28,240 Speaker 2: of comedy doesn't because comedy is always about raising the 104 00:05:28,279 --> 00:05:31,680 Speaker 2: bar on what is shocking and what has an edge 105 00:05:31,720 --> 00:05:33,760 Speaker 2: to it. Our agenda in this list, to the extent 106 00:05:33,800 --> 00:05:35,719 Speaker 2: that we had one, was to just go back to 107 00:05:35,760 --> 00:05:39,760 Speaker 2: the drawing board and see all these movies with fresh eyes, 108 00:05:40,080 --> 00:05:45,000 Speaker 2: and also really kind of obliterate any sense of demarcation 109 00:05:45,080 --> 00:05:49,039 Speaker 2: between highbrow and lowbrow, because comedy is really the ultimate 110 00:05:49,160 --> 00:05:52,479 Speaker 2: form where it's one or the other. And there's plenty 111 00:05:52,560 --> 00:05:56,880 Speaker 2: of lowbrow comedies that are just completely hilarious and deserve 112 00:05:56,960 --> 00:05:58,120 Speaker 2: to place on this list. 113 00:05:58,120 --> 00:06:01,800 Speaker 1: Like country music comedy is three jokes and the truth 114 00:06:02,120 --> 00:06:04,440 Speaker 1: it is you've got to hit a truth. And when 115 00:06:04,480 --> 00:06:07,479 Speaker 1: you look at the indelible titles on this list, it 116 00:06:07,560 --> 00:06:10,919 Speaker 1: all put a light on some hilarious, funny aspects of 117 00:06:11,000 --> 00:06:14,880 Speaker 1: the human condition. The relationship comedy that is featured in 118 00:06:14,880 --> 00:06:17,760 Speaker 1: The Philadelphia Story, which is one of my all time 119 00:06:17,920 --> 00:06:21,039 Speaker 1: favorite movies. I'm so glad you included it. That is timeless, 120 00:06:21,080 --> 00:06:23,320 Speaker 1: that is boy Meets Girl for all time. I'm just 121 00:06:23,320 --> 00:06:26,360 Speaker 1: gonna run down the top ten listeners. Run to Variety 122 00:06:26,400 --> 00:06:28,080 Speaker 1: dot com, where you can find the list. You won't 123 00:06:28,120 --> 00:06:30,599 Speaker 1: be able to miss it on our website. It's also 124 00:06:30,800 --> 00:06:34,680 Speaker 1: in our Precious November twenty fifth print edition. It's a 125 00:06:34,720 --> 00:06:38,680 Speaker 1: beautiful layout. The top ten in order, starting with number one, 126 00:06:38,880 --> 00:06:41,440 Speaker 1: The Naked Gun from the Files of Police Squad, the 127 00:06:41,520 --> 00:06:44,640 Speaker 1: nineteen eighty eight film. That's a bold choice, followed by 128 00:06:45,080 --> 00:06:48,880 Speaker 1: some like It, Hot Annie Hall, The Great Dictator, Waiting 129 00:06:48,920 --> 00:06:53,640 Speaker 1: for Guffman, Monty Python and The Holy Grail, Duck Soup Fargo, 130 00:06:54,240 --> 00:06:56,880 Speaker 1: Young Frankenstein, and Groundhog Day. 131 00:06:57,080 --> 00:06:59,800 Speaker 2: It makes me realize, listening to that top ten, there's 132 00:06:59,839 --> 00:07:02,640 Speaker 2: no assignment actually more fun than making a list like this, 133 00:07:02,760 --> 00:07:05,479 Speaker 2: a comedy list. But I think the most fun thing 134 00:07:05,520 --> 00:07:09,279 Speaker 2: about it is to see the way that certain titles 135 00:07:09,600 --> 00:07:12,400 Speaker 2: jump forward into your top ten or even to your 136 00:07:12,480 --> 00:07:16,280 Speaker 2: number one, that people aren't expecting. And we didn't do 137 00:07:16,320 --> 00:07:18,640 Speaker 2: it for that reason. It's because we realize these are 138 00:07:18,720 --> 00:07:23,320 Speaker 2: great comedies that now people have a certain feeling about, 139 00:07:23,360 --> 00:07:26,240 Speaker 2: and they've become classics. I think The Naked Gun is 140 00:07:26,360 --> 00:07:28,200 Speaker 2: like that. I mean, if this wore back in nineteen 141 00:07:28,240 --> 00:07:31,520 Speaker 2: eighty eight and you ask someone do you think comedies 142 00:07:31,560 --> 00:07:35,040 Speaker 2: by the Marx Brothers and Charlie Chaplin are great works 143 00:07:35,040 --> 00:07:37,560 Speaker 2: of art? They would go yeah, of course. And then 144 00:07:37,640 --> 00:07:39,240 Speaker 2: if you asked that same person, well, all right, what 145 00:07:39,280 --> 00:07:41,800 Speaker 2: about the Naked Gun? They would probably say, well, that's 146 00:07:41,840 --> 00:07:44,360 Speaker 2: a very silly movie, but it's got some great laughs 147 00:07:44,400 --> 00:07:46,440 Speaker 2: in it. But our feeling about The Naked Gun and 148 00:07:46,520 --> 00:07:51,080 Speaker 2: the whole Airplane School, Pucker, Abraham's and Zucker is that 149 00:07:51,480 --> 00:07:55,480 Speaker 2: these guys were working on this absolutely insane and inspired 150 00:07:55,560 --> 00:07:58,160 Speaker 2: level that was very much like the contemporary equivalent of 151 00:07:58,200 --> 00:08:01,200 Speaker 2: the Marx Brothers, and now movie like The Naked Gun 152 00:08:01,280 --> 00:08:04,480 Speaker 2: can take its place alongside the Marx Brothers as being 153 00:08:04,520 --> 00:08:06,560 Speaker 2: the media age equivalent of that. 154 00:08:06,960 --> 00:08:08,600 Speaker 3: In that top ten, I think you really see to 155 00:08:09,200 --> 00:08:13,360 Speaker 3: reflected just the power of certain voices who really shaped 156 00:08:13,520 --> 00:08:15,840 Speaker 3: what we think of is comedy. You know the Zaz 157 00:08:15,880 --> 00:08:18,920 Speaker 3: school there with Naked Gun and of course Airplane, and 158 00:08:18,960 --> 00:08:23,160 Speaker 3: we have the Christopher Guest innovation with mockumentaries represented by 159 00:08:23,240 --> 00:08:26,560 Speaker 3: Waiting for Guffman. Monty Python was a huge force really 160 00:08:26,600 --> 00:08:29,480 Speaker 3: on TV, but starting with Monty Python, the Holy Grail 161 00:08:29,720 --> 00:08:33,360 Speaker 3: began this wave into film. If their tagline was now 162 00:08:33,400 --> 00:08:36,600 Speaker 3: for something completely different, the challenge and the movies became 163 00:08:36,920 --> 00:08:40,280 Speaker 3: finding some sort of cohesive lunacy to tie everything together. 164 00:08:40,679 --> 00:08:44,719 Speaker 3: Of course, chaplain the Marx Brothers and let's not leave 165 00:08:44,720 --> 00:08:45,520 Speaker 3: off Mel Brooks, and. 166 00:08:45,520 --> 00:08:47,839 Speaker 1: It's interesting that we're doing this right now because comedies, 167 00:08:48,120 --> 00:08:50,320 Speaker 1: I know from talking to Rebecca Rubin every week about 168 00:08:50,360 --> 00:08:54,160 Speaker 1: the box office, traditional adult comedies are really struggling. And 169 00:08:54,200 --> 00:08:56,480 Speaker 1: it strikes me that there's nothing on the top ten 170 00:08:56,880 --> 00:08:59,680 Speaker 1: that was produced later than the late nineties. 171 00:09:00,000 --> 00:09:02,600 Speaker 3: We've got movies like Bride'smaids, Everything everywhere, all at once. 172 00:09:02,720 --> 00:09:04,720 Speaker 3: From the list. You've got things up right there at 173 00:09:04,720 --> 00:09:07,000 Speaker 3: the turn of the century, like Being John Malkovich that 174 00:09:07,160 --> 00:09:09,920 Speaker 3: are still reverberating today. Some of it, though, is that 175 00:09:10,240 --> 00:09:12,720 Speaker 3: there's a disposability maybe to a lot of the comedy 176 00:09:12,720 --> 00:09:15,640 Speaker 3: that's coming out of studios. Quite recently, I think that 177 00:09:15,800 --> 00:09:17,679 Speaker 3: television has really stepped up. 178 00:09:17,720 --> 00:09:19,920 Speaker 2: The movie that I'm very proud is in the Top 179 00:09:20,000 --> 00:09:22,600 Speaker 2: ten is Waiting for Guffman, because it's a movie I 180 00:09:22,640 --> 00:09:25,520 Speaker 2: feel very close to and I just watch again and again. 181 00:09:26,240 --> 00:09:29,480 Speaker 2: And it's interesting because it goes out of the same 182 00:09:29,480 --> 00:09:32,400 Speaker 2: school as Spinal Tap. You can say that Spinal Tap 183 00:09:32,440 --> 00:09:34,880 Speaker 2: in spirit, even though it was directed by Rob Reiner, 184 00:09:35,080 --> 00:09:38,360 Speaker 2: was the first Christopher Guest movie. It's the invention of 185 00:09:38,360 --> 00:09:41,760 Speaker 2: that mockumentary form. And Spinal Tap is a hilarious movie 186 00:09:41,760 --> 00:09:45,479 Speaker 2: that is on our list, but we thought Waiting for Guffman. Ultimately, 187 00:09:45,720 --> 00:09:48,040 Speaker 2: this one of a kind movie about a small town 188 00:09:48,120 --> 00:09:52,120 Speaker 2: theater troop with just this amazing performance by Christopher guests 189 00:09:52,160 --> 00:09:55,080 Speaker 2: quirky Saint Clair, the closeted head of the theater troop, 190 00:09:55,160 --> 00:09:59,360 Speaker 2: and there is just something magical about it, and it 191 00:09:59,440 --> 00:10:03,160 Speaker 2: just touches the bone of reality, almost like reality TV 192 00:10:03,320 --> 00:10:06,440 Speaker 2: before its time. And so that's a movie that we found. 193 00:10:06,720 --> 00:10:09,120 Speaker 2: There is quite an enraptured cult for it, and we're 194 00:10:09,160 --> 00:10:11,000 Speaker 2: part of the cult. I noticed as I was going 195 00:10:11,000 --> 00:10:13,959 Speaker 2: through the final list. Naked Gunn was released in nineteen 196 00:10:14,080 --> 00:10:16,400 Speaker 2: eighty eight, and as I was going through, teen eighty 197 00:10:16,480 --> 00:10:19,400 Speaker 2: eight was a hell of a year for comedies. Titles 198 00:10:19,400 --> 00:10:22,920 Speaker 2: that made the list include Hairspray, A fish called Wanda, 199 00:10:23,040 --> 00:10:26,480 Speaker 2: Big Coming to America. There's probably a few more in there. 200 00:10:26,520 --> 00:10:28,200 Speaker 2: It goes to tell you that the volume was a 201 00:10:28,200 --> 00:10:32,080 Speaker 2: lot bigger, but also just the playing field was bigger 202 00:10:32,120 --> 00:10:35,280 Speaker 2: because there just was less competition for movies. I hadn't 203 00:10:35,280 --> 00:10:37,440 Speaker 2: really thought about that till you mentioned it, but now 204 00:10:37,440 --> 00:10:40,200 Speaker 2: that I think about it, the East was really a 205 00:10:40,200 --> 00:10:43,800 Speaker 2: big period for comedy. It often seemed as if Hollywood 206 00:10:43,840 --> 00:10:46,199 Speaker 2: would have been taken over by common and it seems 207 00:10:46,280 --> 00:10:48,760 Speaker 2: like as the decade went on, a lot of film 208 00:10:48,840 --> 00:10:52,319 Speaker 2: artists figured out how to do it. John Waters had 209 00:10:52,320 --> 00:10:56,360 Speaker 2: been playing with his post Pink Flamingo's career throughout the eighties, 210 00:10:56,360 --> 00:10:59,160 Speaker 2: and then he makes this great movie where he actually 211 00:10:59,240 --> 00:11:02,200 Speaker 2: moves into the main stream and it remains just enchanting. 212 00:11:02,640 --> 00:11:04,400 Speaker 2: Is really a high concept movie, and there were a 213 00:11:04,400 --> 00:11:06,640 Speaker 2: lot of dope high concept movies in the eighties, but 214 00:11:06,760 --> 00:11:11,000 Speaker 2: Penny Marshall figured out how to do it artfully. So 215 00:11:11,160 --> 00:11:13,440 Speaker 2: some of those movies from eighty eight building on things 216 00:11:13,440 --> 00:11:15,000 Speaker 2: that had been done in the years before and now 217 00:11:15,200 --> 00:11:16,200 Speaker 2: just doing them better. 218 00:11:16,280 --> 00:11:19,400 Speaker 3: We were reminded this year on the fiftieth anniversary of 219 00:11:19,440 --> 00:11:24,080 Speaker 3: two Titanic movies of comedy genius. One is Money, Python 220 00:11:24,120 --> 00:11:27,800 Speaker 3: in the Holy Grail celebrating its mid century anniversary, and 221 00:11:27,920 --> 00:11:31,200 Speaker 3: also The Rocky Horror Picture Show. Those are two just 222 00:11:31,720 --> 00:11:35,200 Speaker 3: iconic cult comedies that arrived at a time when it 223 00:11:35,240 --> 00:11:38,560 Speaker 3: seemed like maybe audiences were really receptive to things that 224 00:11:38,640 --> 00:11:44,559 Speaker 3: were major counterprogramming. The Academy debuted The four K Restoration 225 00:11:44,679 --> 00:11:46,960 Speaker 3: earlier this year, and it was so cool. It felt 226 00:11:46,960 --> 00:11:49,680 Speaker 3: like the lunatics had taken over the asylum to see 227 00:11:50,000 --> 00:11:53,120 Speaker 3: rocky horror play at the museum on their kind of 228 00:11:53,120 --> 00:11:53,880 Speaker 3: hallowed screen. 229 00:11:54,000 --> 00:11:57,320 Speaker 1: You have a couple of key international filmmakers represented, including 230 00:11:57,360 --> 00:12:01,680 Speaker 1: the great Jacques Tati, who delivers slapstick entertainment with a 231 00:12:01,720 --> 00:12:04,960 Speaker 1: French twist. But how did you balance those considerations when 232 00:12:05,080 --> 00:12:07,400 Speaker 1: comedy is a so American. 233 00:12:07,080 --> 00:12:10,240 Speaker 3: You know, sometimes it just works differently across borders. Tati, 234 00:12:10,360 --> 00:12:14,040 Speaker 3: of course, is partly because his is a silent form 235 00:12:14,080 --> 00:12:18,559 Speaker 3: of comedy, like chaplain, he became this just beloved international figure. 236 00:12:18,920 --> 00:12:21,760 Speaker 3: But I think we were very selective about the international films. 237 00:12:21,760 --> 00:12:24,600 Speaker 3: We did choose Adovars, while this film Women on the 238 00:12:24,800 --> 00:12:27,680 Speaker 3: Verge of a nervous breakdown? Is there the really anarchic 239 00:12:27,760 --> 00:12:31,280 Speaker 3: Bertromplier movie going places. The one that I think really 240 00:12:31,320 --> 00:12:35,080 Speaker 3: stands in for a major phenomenon is The Tall Blonde 241 00:12:35,080 --> 00:12:38,640 Speaker 3: Man with One Black Shoe, because that is representative of 242 00:12:38,679 --> 00:12:42,480 Speaker 3: this thing that happened in France where these high concept 243 00:12:42,559 --> 00:12:45,600 Speaker 3: farces were ripe for remake, and that movie was a 244 00:12:45,720 --> 00:12:49,280 Speaker 3: huge hit with Pierrie shar in its original form. And 245 00:12:49,360 --> 00:12:51,320 Speaker 3: I also think The Tall Blonde Man with One Black 246 00:12:51,320 --> 00:12:53,480 Speaker 3: Shoe is a very special movie. It just came out 247 00:12:53,480 --> 00:12:56,200 Speaker 3: of this time in the early seventies when that kind 248 00:12:56,200 --> 00:12:59,400 Speaker 3: of French farce had become much crazier than it had 249 00:12:59,440 --> 00:13:00,000 Speaker 3: ever been before. 250 00:13:00,240 --> 00:13:02,360 Speaker 2: And I said in the capsule right up that to me, 251 00:13:02,520 --> 00:13:05,960 Speaker 2: that movie was funnier than all the Pink Panther movies. 252 00:13:06,200 --> 00:13:08,360 Speaker 2: But together, that was my little dig at the Pink 253 00:13:08,400 --> 00:13:10,400 Speaker 2: Panther movies because I'm not so crazy about them. 254 00:13:10,480 --> 00:13:13,600 Speaker 1: Are there any other movies and maybe even some lesser 255 00:13:13,640 --> 00:13:16,240 Speaker 1: known titles on the list that are really important to you? 256 00:13:16,640 --> 00:13:18,720 Speaker 2: Well, I have two of them that I was just 257 00:13:18,760 --> 00:13:20,640 Speaker 2: particularly interested in having on the list. One of them 258 00:13:20,679 --> 00:13:23,040 Speaker 2: is Richard Pryor Live in Concert, because I think it's 259 00:13:23,080 --> 00:13:25,520 Speaker 2: a movie that a lot of people today probably haven't seen. 260 00:13:26,120 --> 00:13:29,000 Speaker 2: And stand up comedy is bigger than ever, but when 261 00:13:29,040 --> 00:13:32,520 Speaker 2: it comes to stand up comedy, Richard Pryor was I think, 262 00:13:32,640 --> 00:13:36,520 Speaker 2: unquestionably the greatest artist in that form who ever lived. 263 00:13:36,760 --> 00:13:39,360 Speaker 2: So if you want to see the best stand up 264 00:13:39,400 --> 00:13:43,920 Speaker 2: comedy performance that ever exist, watch Richard Pryor Live in Concert. 265 00:13:44,040 --> 00:13:47,480 Speaker 2: It really is just a great movie. The other one 266 00:13:47,520 --> 00:13:50,719 Speaker 2: for me is My best Friend's Wedding because we are 267 00:13:50,760 --> 00:13:54,960 Speaker 2: also in a rom com centric universe. I think it's 268 00:13:55,000 --> 00:13:58,400 Speaker 2: my Best Friend's Wedding was actually the greatest romantic comedy 269 00:13:58,520 --> 00:14:01,160 Speaker 2: of its time. I remember the second time especially I 270 00:14:01,200 --> 00:14:04,520 Speaker 2: saw that movie. I just got blown away by how 271 00:14:04,520 --> 00:14:08,280 Speaker 2: incredible it is. It is so moving, it is so funny. 272 00:14:08,400 --> 00:14:11,600 Speaker 2: I think it's Julia Roberts's greatest role as an actor, 273 00:14:11,880 --> 00:14:14,040 Speaker 2: and I think it's a movie that still does not 274 00:14:14,760 --> 00:14:17,559 Speaker 2: have the reputation that it deserves. So I was very 275 00:14:17,559 --> 00:14:19,440 Speaker 2: happy to see it on this list and have people 276 00:14:19,680 --> 00:14:21,560 Speaker 2: hopefully go and check it out and see how it 277 00:14:21,720 --> 00:14:22,640 Speaker 2: really is a classic. 278 00:14:22,920 --> 00:14:26,120 Speaker 3: There is a director who appears on this list more 279 00:14:26,160 --> 00:14:29,720 Speaker 3: than many people might expect. That's Rob Reiner, who I 280 00:14:29,840 --> 00:14:32,560 Speaker 3: think is the Billy Wilder of our time, the Ernst 281 00:14:32,640 --> 00:14:34,880 Speaker 3: Lubitch of our time. Those three movies are This is 282 00:14:34,880 --> 00:14:38,800 Speaker 3: Spinal Tap, of course, Garnie de Berghee exactly When Harry 283 00:14:38,800 --> 00:14:42,040 Speaker 3: Met Sally, which is the movie that relaunched the rom 284 00:14:42,160 --> 00:14:46,160 Speaker 3: com and my Desert Island favorite The Princess Bride, which 285 00:14:46,760 --> 00:14:49,960 Speaker 3: just is like the ultimate remix of all those funny 286 00:14:49,960 --> 00:14:51,240 Speaker 3: movies from the classic era. 287 00:14:51,640 --> 00:14:54,680 Speaker 1: This gives people a lot to look for during the downtime. 288 00:14:55,040 --> 00:14:58,120 Speaker 1: Thank you both so much for taking the time, because again, 289 00:14:58,400 --> 00:15:01,080 Speaker 1: at this time in the world. We all need some 290 00:15:01,200 --> 00:15:08,320 Speaker 1: good laughs, really appreciate it. All of this talk about 291 00:15:08,320 --> 00:15:11,040 Speaker 1: great comedies made me want to share some clips from 292 00:15:11,040 --> 00:15:14,560 Speaker 1: my most recent Strictly Business podcast interview. I spoke with 293 00:15:14,720 --> 00:15:18,520 Speaker 1: UTA partners Blair Cohen and Jason Hayman about the business 294 00:15:18,520 --> 00:15:22,720 Speaker 1: of comedy, from stand up to showrunners to directors and writers. 295 00:15:23,040 --> 00:15:25,920 Speaker 1: They address the challenges that the genre faces, and they 296 00:15:25,960 --> 00:15:28,280 Speaker 1: pointed to where they see a lot of growth. Here 297 00:15:28,320 --> 00:15:31,800 Speaker 1: are some excerpts from that conversation, published last week on 298 00:15:31,880 --> 00:15:35,320 Speaker 1: our companion long form interview podcast, Strictly Business. 299 00:15:35,440 --> 00:15:39,040 Speaker 4: Can Modern Family exist again? Can Everybody Loves Raymond exist? 300 00:15:39,200 --> 00:15:42,040 Speaker 4: It's a really good question. The good side of it 301 00:15:42,080 --> 00:15:45,240 Speaker 4: is that schedule, that routine that we all grew up 302 00:15:45,240 --> 00:15:47,760 Speaker 4: with of you know, pilot season and upfronts and fall 303 00:15:47,800 --> 00:15:50,480 Speaker 4: schedule and all of that, right, that's all gone. So 304 00:15:50,560 --> 00:15:54,200 Speaker 4: you have a little more flexibility and the talent can 305 00:15:55,480 --> 00:15:57,800 Speaker 4: go off to do other things, come back when they 306 00:15:57,840 --> 00:16:01,720 Speaker 4: feel creatively inspired. And and there's something great about that 307 00:16:01,720 --> 00:16:05,640 Speaker 4: that you're not just churning it out based on you know, 308 00:16:06,200 --> 00:16:11,520 Speaker 4: existential things that you actually the creative ambition and what 309 00:16:11,560 --> 00:16:13,880 Speaker 4: the creator is feeling they want to put out there 310 00:16:14,080 --> 00:16:15,400 Speaker 4: they can do it on their urn. 311 00:16:15,920 --> 00:16:18,800 Speaker 5: I think people want to laugh in community. I think 312 00:16:18,960 --> 00:16:24,200 Speaker 5: what's driving this live experience is being together in a 313 00:16:24,280 --> 00:16:27,680 Speaker 5: room and laughing together. And that was what when we 314 00:16:27,720 --> 00:16:31,200 Speaker 5: talk about all these great movies, these great comedies of 315 00:16:31,280 --> 00:16:34,840 Speaker 5: the last twenty five to fifty However many years it 316 00:16:34,920 --> 00:16:37,200 Speaker 5: was going to the theater and laughing in community. And 317 00:16:37,320 --> 00:16:39,760 Speaker 5: I think we are missing that in the old days, 318 00:16:39,800 --> 00:16:43,200 Speaker 5: where the holy grail was the half hour network show 319 00:16:43,880 --> 00:16:48,480 Speaker 5: or a movie. Now so many of our clients they 320 00:16:48,520 --> 00:16:51,000 Speaker 5: had twenty different things. They can do a podcast, they 321 00:16:51,000 --> 00:16:55,600 Speaker 5: can write book, they have so many things to explore 322 00:16:55,640 --> 00:16:58,280 Speaker 5: their passion that isn't the holy grail. And we just 323 00:16:58,360 --> 00:17:02,360 Speaker 5: want to provide them with every possible opportunity, even things 324 00:17:02,360 --> 00:17:03,280 Speaker 5: they're not thinking about. 325 00:17:03,400 --> 00:17:06,080 Speaker 1: As we close out today's episode, here's a few things 326 00:17:06,080 --> 00:17:08,840 Speaker 1: we're watching for today, we unveiled that Elton John is 327 00:17:08,920 --> 00:17:12,760 Speaker 1: Variety's Philanthropist of the Year. He's raised more than six 328 00:17:12,920 --> 00:17:15,879 Speaker 1: hundred and fifty million dollars for the Elton John Aids 329 00:17:15,960 --> 00:17:19,199 Speaker 1: Foundation over the past few decades, and he does a 330 00:17:19,200 --> 00:17:22,119 Speaker 1: whole lot more. We have a great interview with Elton 331 00:17:22,200 --> 00:17:24,960 Speaker 1: by our own Chris Willman in case you hadn't heard, 332 00:17:25,280 --> 00:17:29,120 Speaker 1: the first hunk of Stranger Things final season episodes drop 333 00:17:29,200 --> 00:17:33,000 Speaker 1: tomorrow on Netflix. We have everything you need to know 334 00:17:33,119 --> 00:17:36,200 Speaker 1: about this at Variety dot com, and tomorrow on Daily 335 00:17:36,280 --> 00:17:40,120 Speaker 1: Variety we'll hear from Ike Baronholtz. He's helping the Motion 336 00:17:40,240 --> 00:17:43,440 Speaker 1: Picture and Television Fund raise money for its second act 337 00:17:43,520 --> 00:17:48,240 Speaker 1: capital campaign. Baron Holtz explains his personal connection to the MPTF, 338 00:17:48,640 --> 00:17:51,520 Speaker 1: and of course he answers the question, what would sal 339 00:17:51,640 --> 00:17:56,080 Speaker 1: Sapristin do to support this great industry institution? Jeene Herschelt 340 00:17:56,119 --> 00:17:58,920 Speaker 1: would be so proud. Once again, we'd love to hear 341 00:17:58,960 --> 00:18:02,960 Speaker 1: from our listeners on Variety's Core podcasts, Daily Variety, Strictly Business, 342 00:18:02,960 --> 00:18:06,960 Speaker 1: Aword Circuit and Variety Confidential, So please send feedback to 343 00:18:07,200 --> 00:18:11,600 Speaker 1: podcasts at Variety dot com. That's podcasts at Variety dot 344 00:18:11,640 --> 00:18:15,320 Speaker 1: com before we go. Congrats to Moirahgan. She's been appointed 345 00:18:15,440 --> 00:18:18,800 Speaker 1: Executive VP of Sales for the Asia Pacific region of 346 00:18:18,880 --> 00:18:23,160 Speaker 1: ITV Studios. She'll lead sales teams out of Singapore and Sydney. 347 00:18:23,440 --> 00:18:25,800 Speaker 1: She was most recently part of the team that launched 348 00:18:25,840 --> 00:18:29,639 Speaker 1: Brittbox Australia. Thanks for listening. This episode was written and 349 00:18:29,680 --> 00:18:33,560 Speaker 1: reported by me Cynthia Littleton, with contributions from Peter Debruges 350 00:18:33,600 --> 00:18:37,080 Speaker 1: and Owen Gleiberman. Stick Snick's hick picks. Please leave us 351 00:18:37,119 --> 00:18:39,679 Speaker 1: a review at the podcast platform of your choice, and 352 00:18:39,760 --> 00:18:42,760 Speaker 1: please tune in tomorrow for another episode of Daily Variety, 353 00:18:42,880 --> 00:18:44,720 Speaker 1: And don't forget to tell us what you think at 354 00:18:44,760 --> 00:18:46,679 Speaker 1: podcasts at variety dot com