WEBVTT - Tru Confessions

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<v Speaker 1>We just talked about it off Mike, but we got

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<v Speaker 1>to talk about it on Mike. Now, how are you

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<v Speaker 1>doing with daylight saving time?

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<v Speaker 2>Every year?

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<v Speaker 3>It hits me so hard it both times, like one's

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<v Speaker 3>not better than the other for me.

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<v Speaker 4>Come on, it's better when you gain sleep.

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<v Speaker 2>Though, Yeah, but then I'm like tired at night.

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<v Speaker 3>It's not just being apparent, yes, but then now it's

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<v Speaker 3>it's you got to fix your kids, right.

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<v Speaker 2>So last night I.

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<v Speaker 3>Set Leisure to bed like forty minutes after his bedtime,

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<v Speaker 3>and then I'll have to transition it back, you know, to.

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<v Speaker 4>Get back to his what is his bedtime?

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<v Speaker 2>He goes to bed at eight?

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<v Speaker 3>My kids are they're late, late sleepers like they you know,

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<v Speaker 3>they don't they're they're they're party animals.

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<v Speaker 1>So I remember growing up it was seriously like my

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<v Speaker 1>bedtime was so early that I would be put to

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<v Speaker 1>bed when it was still light out and I could

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<v Speaker 1>hear the kids playing on the street.

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<v Speaker 4>That's oh that is This was like seven thirty or something,

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<v Speaker 4>it's still light quarter of.

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<v Speaker 3>Eight, and it's like, letcher's not as good as a sleeper.

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<v Speaker 3>Boo Monroe is She's just like me. I didn't have

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<v Speaker 3>a bedtime when I was growing up, because I just

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<v Speaker 3>fell asleep on the couch, Like you put me on

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<v Speaker 3>the couch and put me ond of a TV for

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<v Speaker 3>ten minutes.

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<v Speaker 2>I'm out, it's are you still that way? Oh yeah, yeah.

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<v Speaker 1>So you're the person you don't want to watch a

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<v Speaker 1>movie with because you're not gonna make.

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<v Speaker 4>It to the end of the movie. Jordan hates Oh,

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<v Speaker 4>I know exactly what he's I never.

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<v Speaker 2>Get to pick the movie.

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<v Speaker 3>And it's fair because he's like, you're gonna pick this.

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<v Speaker 2>Chick rom com.

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<v Speaker 3>You're gonna watch ten minutes of it, and then I

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<v Speaker 3>will sit and watch I have to watch the whole movie.

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<v Speaker 3>So no, we don't get to pick the movie. So

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<v Speaker 3>that's fair. Even I did it to him just last week.

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<v Speaker 3>I was like, ooh, babe, can we watch this movie.

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<v Speaker 3>Let's watch it, and he's like, yeah, ten minutes, dea.

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<v Speaker 4>There you go. I know exactly what that's like. It's

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<v Speaker 4>the worst to you.

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<v Speaker 3>Oh oh yeah, it's the worst out that that In

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<v Speaker 3>car rides, I don't drive at night literally because I

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<v Speaker 3>get sleep.

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<v Speaker 4>Wait, you'll fall asleep when you're driving.

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<v Speaker 3>Oh yeahd hypnotizes me at night time like bad the

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<v Speaker 3>line and so I just really honestly try to keep

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<v Speaker 3>my driving to a minimum at my dob Okay, because.

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<v Speaker 2>I just get sleepy. I fall asleep on planes before

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<v Speaker 2>we pull out.

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<v Speaker 1>That's fine, but it's when you're actually operating the vehicle.

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<v Speaker 1>Maybe that's not a good thing to do.

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<v Speaker 2>It's not so I don't.

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<v Speaker 4>Okay, important, safe, very responsible, important, safe to tip, stay

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<v Speaker 4>safe out there, everybody.

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<v Speaker 1>Well, welcome back to Magical Rewind, the show that makes

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<v Speaker 1>you want to grab your friends, your PJS and your

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<v Speaker 1>popcorn and go back to a time and all the

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<v Speaker 1>houses are smart, the.

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<v Speaker 4>Wave tsunamis and the high School's musical.

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<v Speaker 2>I'm Will for Dell, and I'm Sabrina Brien.

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<v Speaker 1>So break out the camquarder and document our journey as

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<v Speaker 1>we cry our way through two thousand and two's True Confessions.

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<v Speaker 1>First off, I'd like to point out this is true

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<v Speaker 1>without an ee. Don't you dare put a fee on there,

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<v Speaker 1>or we're going to shut this whole place down.

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<v Speaker 2>It's going down good time.

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<v Speaker 1>This dramatic dcom debut on the Disney Channel April fifth,

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<v Speaker 1>two thousand and two, and it's based on the debut

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<v Speaker 1>young adult novel of the same name.

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<v Speaker 4>From writer Jeanette Tajjin.

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<v Speaker 1>The nineteen ninety seven book is written in the format

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<v Speaker 1>of a diary and uses lists and illustrations, all set

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<v Speaker 1>to look like it's from a computer, and the book

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<v Speaker 1>was a very big hit, translated into many languages. It

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<v Speaker 1>was named a New York Public Library Favorite for teens

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<v Speaker 1>and won multiple awards, including the Dolly Gray Children's Literature Award.

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<v Speaker 1>Tashin is still writing today, working on a few different

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<v Speaker 1>popular series of books, including My Life as Einstein, The

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<v Speaker 1>Class Hamster, and Marty Frye Private Eye. I don't know

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<v Speaker 1>what that is, but man, I want to read it.

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<v Speaker 1>Any books that.

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<v Speaker 2>Rhyme, I'm in It's so good.

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<v Speaker 4>If the book rhymes, I'll read it a hundred times.

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<v Speaker 1>And she often collaborates with her son Jake, who illustrates

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<v Speaker 1>the novels. But this is the only one of her

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<v Speaker 1>books ever adapted into a movie. It was filmed in

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<v Speaker 1>Wait for It, Toronto. Yes, I'd love to see it again.

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<v Speaker 1>Coin Flip is once again in Canada. We get some

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<v Speaker 1>shots of the famous sea on Tower and the school

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<v Speaker 1>scenes are all at Danceforth College and Technical Institute, which

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<v Speaker 1>answers a question I think we.

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<v Speaker 4>All had later, and we will talk about that, Sabrina.

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<v Speaker 1>Did you know True Confessions existed before or we were

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<v Speaker 1>assigned to watch this one?

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<v Speaker 3>I did, I had not watched it yet, but this

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<v Speaker 3>was right at the beginning of The Cheetah Girls. We

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<v Speaker 3>filmed in twenty twenty or twenty sorry, two thousand and two, right,

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<v Speaker 3>we filmed it. And I remember this was a big

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<v Speaker 3>one because it really took Shia Labuff from being that funny.

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<v Speaker 2>You know, just crazy character to be like such a

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<v Speaker 2>real like.

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<v Speaker 3>I remember the actors in the Disney Channel at that

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<v Speaker 3>time saying, like Disney's giving us a chance to really

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<v Speaker 3>be something different than what we've got to do on

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<v Speaker 3>our regular shows.

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<v Speaker 2>So there's a lot of buzz around this one.

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<v Speaker 4>And it was coy.

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<v Speaker 1>Yeah, it certainly wasn't a wasn't a dcom like we've seen.

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<v Speaker 2>I mean, well, yeah, we've seen a couple, couple of them.

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<v Speaker 1>Yeah, a couple, but this was certainly taking it to

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<v Speaker 1>the next level. I of course, again everybody knows, I

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<v Speaker 1>don't even talk about this anymore. Of course I didn't

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<v Speaker 1>know anything about this, Okay, So let's get this out

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<v Speaker 1>of the way now. We said this would happen at

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<v Speaker 1>some point in the show. But did it happen this quickly?

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<v Speaker 1>Did we both cry? Did you cry, Sabrina?

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<v Speaker 2>Of course I cried. Will Yes.

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<v Speaker 3>I started weeping, like at the very beginning because I knew.

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<v Speaker 3>I knew what Shia's character was, so I was ready

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<v Speaker 3>for that. But just you hit me with a field

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<v Speaker 3>and two kids and matching overalls that I'm dead.

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<v Speaker 4>That was it.

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<v Speaker 3>I was like, oh God, this is gonna be a

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<v Speaker 3>sobfest for me. WHOA, okay, I'm please tell.

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<v Speaker 1>Me you did No, I didn't cry. Oh I didn't cry.

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<v Speaker 1>It just I'm sorry.

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<v Speaker 4>It didn't. It didn't get me like that. It didn't

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<v Speaker 4>get me. Nice movie, you know.

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<v Speaker 1>I But no, It's it takes a lot to make

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<v Speaker 1>me cry at something.

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<v Speaker 4>I mean, it really does.

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<v Speaker 1>There's like I can list three or four things that

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<v Speaker 1>make me cry all the time. But other than that,

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<v Speaker 1>like I am basically a robot with my emotions when

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<v Speaker 1>it comes to stem, I just don't because it takes

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<v Speaker 1>a lot to get me so lost into a project,

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<v Speaker 1>like into a picture that I'm I'm weeping at something

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<v Speaker 1>and sometimes it happens at strange times.

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<v Speaker 4>But no, I didn't I didn't.

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<v Speaker 3>I was like in it, I think a little bit

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<v Speaker 3>because I knew it, like what kind of character was happening.

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<v Speaker 2>So I was ready for it.

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<v Speaker 1>But I was I was in it in and we'll

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<v Speaker 1>get into this. I was in it because I was

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<v Speaker 1>watching and I've said this before, arguably one of the

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<v Speaker 1>greatest child actors ever that's ever acted in the history

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<v Speaker 1>of child actors. And again, his career is what it

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<v Speaker 1>is now and we'll get into that as well, and

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<v Speaker 1>he could be one of the greatest actors of his generation.

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<v Speaker 1>But as a child actor, I mean, he's one of

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<v Speaker 1>the best that's ever done it. So that's kind of

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<v Speaker 1>what I was watching more than anything else.

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<v Speaker 4>But with some very heavy subject matter.

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<v Speaker 1>This won't be the same decom category as say a

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<v Speaker 1>high school musical.

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<v Speaker 4>Or a Johnny Tsunami.

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<v Speaker 1>But I wanted to talk about the role of the

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<v Speaker 1>drama in the history of these films and what do

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<v Speaker 1>we think of a sad drama when we analyze the

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<v Speaker 1>entire pantheon of Disney Channel original movies. So, yes, there's

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<v Speaker 1>a lot going on with this movie. It is completely

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<v Speaker 1>different than most of the stuff we've seen, even with

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<v Speaker 1>stuff like color Friends and things like that.

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<v Speaker 4>It's it's not kind of the same as this.

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<v Speaker 2>Yeah, I think it it hits again.

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<v Speaker 3>It just shows Disney's range that they are it does

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<v Speaker 3>they're going. It shows the range of these incredible actors

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<v Speaker 3>that they have in these movies. Yeah, like we said,

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<v Speaker 3>the talent level is just unbelievable, but the writers that

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<v Speaker 3>they bring in, the directors that take on these this

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<v Speaker 3>is this is just I think such. It was such

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<v Speaker 3>a cool movie to watch in the sense we've just

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<v Speaker 3>seen some really great ones here recently.

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<v Speaker 4>I mean, yeah, it's like.

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<v Speaker 3>It's just awesome, and this one was a different, different

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<v Speaker 3>kind of great, you know what I mean. It was like,

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<v Speaker 3>oh man, this is great, but it's like not like

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<v Speaker 3>what we just watched, you know what I mean.

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<v Speaker 2>It wasn't. It wasn't. It wasn't some Corbin Blue.

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<v Speaker 4>You know. I thought it was good.

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<v Speaker 1>I didn't think it was great. I know, and I know,

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<v Speaker 1>I mean it was and I don't know. I will

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<v Speaker 1>I'm going to try and try to work out my

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<v Speaker 1>feelings because we'll get into it. But anyway, let's go

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<v Speaker 1>push a bully off a bridge because it's time for

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<v Speaker 1>a synopsis.

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<v Speaker 2>Shove that dude.

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<v Speaker 1>Ah Yeah, I cheered teenager, true walker and inspiring filmmaker

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<v Speaker 1>documents her life and the challenges of having a twin brother, Eddie,

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<v Speaker 1>who has an intellectual disability. Through her frustrations and their

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<v Speaker 1>undeniable love, she gains a deeper understanding of family, empathy

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<v Speaker 1>and self acceptance.

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<v Speaker 4>All right, so I think we heard your thoughts. You

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<v Speaker 4>loved this movie you were in.

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<v Speaker 1>I did not dislike this movie by any stretch of

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<v Speaker 1>the imagination. I thought the story was a little bit muddled. Frankly,

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<v Speaker 1>I thought it could have used a rewrite. Just strictly

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<v Speaker 1>from that standpoint, I thought some of the character turns

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<v Speaker 1>didn't make a whole lot of sense to me.

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<v Speaker 4>They went back and forth.

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<v Speaker 1>From I'm very happy I hate you in like sometimes

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<v Speaker 1>one sentence and it's like wow. Maybe that's indicative of

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<v Speaker 1>being a teenager at the time. I don't know, but

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<v Speaker 1>it came off as a little abrupt to me. But again,

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<v Speaker 1>the acting was bar none. The cast was incredible. I

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<v Speaker 1>had some questions, but we will get into those.

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<v Speaker 3>If I had a critique, I think it could have

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<v Speaker 3>gone farther.

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<v Speaker 4>Maybe maybe that was it.

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<v Speaker 3>With his disabilities, it could have go on farther to

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<v Speaker 3>as far as showing like the kind of bullying that's someone.

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<v Speaker 1>That see Maybe you're right, maybe that's what I needed,

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<v Speaker 1>more of his day to day life than the family life.

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<v Speaker 1>But it was really about the family, So maybe it

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<v Speaker 1>was Maybe it was unbalanced, is what I was kind

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<v Speaker 1>of feeling. Yeah, But again, the director of the directing, acting,

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<v Speaker 1>and the directing I thought for this one, and Kidden,

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<v Speaker 1>who directed it was I thought.

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<v Speaker 4>Way ahead of its time.

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<v Speaker 1>But anyway, as predicted as the day is long, this

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<v Speaker 1>movie is directed by the legendary Paul Hohen Oh, yes,

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<v Speaker 1>Paul Hoan again friend of the pod, the man who's

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<v Speaker 1>directed everything in the history of Disney. Who else could

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<v Speaker 1>it be? He is two D coms, what Tom Hanks is?

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<v Speaker 1>Two movies about World War two. Week after week we

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<v Speaker 1>seem to review only his films. But as a reminder,

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<v Speaker 1>here are some of his greatest hits. I feel like

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<v Speaker 1>our lovely listeners can speak them along with us because

0:09:45.480 --> 0:09:47.840
<v Speaker 1>we say him every week. Camp Rock to Luck of

0:09:47.840 --> 0:09:50.959
<v Speaker 1>the Irish, the entire Zombies franchise, Cheetah Girls, One World

0:09:51.000 --> 0:09:54.360
<v Speaker 1>and read It and weep and Dad napped, Dad napped?

0:09:55.800 --> 0:09:58.400
<v Speaker 2>What we just did to jump in?

0:09:58.559 --> 0:09:59.680
<v Speaker 4>Jump in and jump again.

0:10:00.360 --> 0:10:02.040
<v Speaker 1>If we just talked about his movies all the time,

0:10:02.080 --> 0:10:03.600
<v Speaker 1>that would be the hour that we're talking.

0:10:03.679 --> 0:10:06.080
<v Speaker 2>Is just Paul Howan Won or whatever that we haven't

0:10:06.080 --> 0:10:06.960
<v Speaker 2>seen yet. I can't wait.

0:10:07.000 --> 0:10:09.200
<v Speaker 4>And he's million dollar bake off. We've got so many.

0:10:09.280 --> 0:10:11.600
<v Speaker 1>Yeah, this guy makes the D and d COM stand

0:10:11.640 --> 0:10:14.360
<v Speaker 1>for director Paul Howan, So yes, that means d COM

0:10:14.400 --> 0:10:16.199
<v Speaker 1>stands for director Paul Hoan.

0:10:16.360 --> 0:10:19.599
<v Speaker 4>Channel original movie. And let's get to the cast.

0:10:19.440 --> 0:10:22.280
<v Speaker 1>Of course, because this was just bar Nunn. First up

0:10:22.360 --> 0:10:25.840
<v Speaker 1>is Clara Bryant, who I thought maybe could be related

0:10:25.840 --> 0:10:27.040
<v Speaker 1>to you if you added a T.

0:10:27.080 --> 0:10:27.959
<v Speaker 4>To your name, but you didn't.

0:10:28.160 --> 0:10:30.319
<v Speaker 2>She's a mix of me and Kobe exactly.

0:10:30.720 --> 0:10:34.079
<v Speaker 1>She's playing Trudy true Walker. Clara was not a newbie

0:10:34.120 --> 0:10:36.000
<v Speaker 1>when it came to the Channel. She was the first

0:10:36.280 --> 0:10:39.920
<v Speaker 1>ever d com star in under Wraps from nineteen ninety seven. Again,

0:10:39.960 --> 0:10:42.760
<v Speaker 1>depending on where you consider the d comdo started, and

0:10:42.800 --> 0:10:44.640
<v Speaker 1>I know we will be arguing back and forth on

0:10:44.679 --> 0:10:47.280
<v Speaker 1>where that actually is with Zooge and Disney Channel Original

0:10:47.280 --> 0:10:49.280
<v Speaker 1>Movies and everything else, but under Wraps a lot of

0:10:49.320 --> 0:10:50.920
<v Speaker 1>people consider the first one ever, and she was the

0:10:50.920 --> 0:10:52.000
<v Speaker 1>first ever d com star.

0:10:52.120 --> 0:10:54.520
<v Speaker 4>She's a Pioneer. She was also the star of a

0:10:54.600 --> 0:10:55.439
<v Speaker 4>very short lived.

0:10:55.360 --> 0:10:59.760
<v Speaker 1>TGIF sitcom called Billy, and appeared on Roseanne, Star Trek,

0:10:59.800 --> 0:11:02.880
<v Speaker 1>d Space nine and Buffy the Vampire Slayer Awesome List,

0:11:03.240 --> 0:11:05.559
<v Speaker 1>but left the business around two thousand and seven to

0:11:05.600 --> 0:11:09.520
<v Speaker 1>attend some small little university called Columbia. Then he was

0:11:09.559 --> 0:11:12.600
<v Speaker 1>a graduate of the University of Georgia School of Law.

0:11:12.760 --> 0:11:15.920
<v Speaker 1>And she's now a corporate counsel for Swiss log and

0:11:15.960 --> 0:11:17.240
<v Speaker 1>a mother of two.

0:11:17.720 --> 0:11:20.319
<v Speaker 2>Wow, get it, Clara, so me?

0:11:20.800 --> 0:11:23.000
<v Speaker 1>I mean we have this is She's not the first

0:11:23.040 --> 0:11:24.679
<v Speaker 1>of these actors we've seen that have gone on to

0:11:24.840 --> 0:11:27.079
<v Speaker 1>tremendous things outside of the business, and she is one

0:11:27.080 --> 0:11:30.000
<v Speaker 1>of them. Next, of course, we have Shilah buff As

0:11:30.120 --> 0:11:33.240
<v Speaker 1>Eddie Bryant. Beginning his career at twelve years old, Shia

0:11:33.240 --> 0:11:36.120
<v Speaker 1>has grown up in the spotlight, both good and very bad.

0:11:36.520 --> 0:11:38.560
<v Speaker 1>Though he appeared on TV shows like X Files and

0:11:38.559 --> 0:11:40.440
<v Speaker 1>Freaks and Geeks at a young age, he first broke

0:11:40.440 --> 0:11:43.080
<v Speaker 1>out for the Disney Channel crowd or just the Disney

0:11:43.080 --> 0:11:44.559
<v Speaker 1>crowd in the movie Holes.

0:11:45.360 --> 0:11:46.600
<v Speaker 4>Phenomenally good movie.

0:11:46.600 --> 0:11:48.640
<v Speaker 1>I know it wasn't technically adcom, but hopefully we'll get

0:11:48.640 --> 0:11:50.240
<v Speaker 1>to review it because it's one of my favorites.

0:11:50.520 --> 0:11:53.040
<v Speaker 4>Then on the classic show of course even Stevens.

0:11:52.679 --> 0:11:54.960
<v Speaker 1>Which would become a DCM that we've already covered here

0:11:55.000 --> 0:11:56.960
<v Speaker 1>a magical rewinds go back and check that out. But

0:11:56.960 --> 0:11:58.920
<v Speaker 1>buff would enter adulthood and the rise to start him

0:11:58.920 --> 0:12:02.200
<v Speaker 1>after his appearance on HBO's Project green Light, landing roles

0:12:02.240 --> 0:12:06.080
<v Speaker 1>in I Robot, Transformers, Indiana Jones, and the Wall Street sequel,

0:12:06.400 --> 0:12:09.480
<v Speaker 1>he became one of the more erratic infamous method actors,

0:12:09.800 --> 0:12:13.480
<v Speaker 1>focusing on art films like Lars von Truer's Ninfomatiact Volumes

0:12:13.600 --> 0:12:16.280
<v Speaker 1>and even creating a loud performance art career for himself.

0:12:16.440 --> 0:12:19.280
<v Speaker 1>But sadly, though proving himself as one of the most

0:12:19.720 --> 0:12:23.440
<v Speaker 1>arguably impressive actors of his entire generation, he has battled

0:12:23.440 --> 0:12:27.160
<v Speaker 1>controversies and numerous concerning allegations that have held back his career.

0:12:27.400 --> 0:12:30.920
<v Speaker 1>He appeared in last year's massive bomb Megalopolis, But here's

0:12:30.920 --> 0:12:32.800
<v Speaker 1>to hoping he gets his life together and is able

0:12:32.840 --> 0:12:34.680
<v Speaker 1>to work in a craft he was born to excel in.

0:12:35.120 --> 0:12:36.840
<v Speaker 1>If he could just get out of his own way,

0:12:36.920 --> 0:12:39.040
<v Speaker 1>he would truly be one of the greatest in the

0:12:39.200 --> 0:12:41.920
<v Speaker 1>history of Hollywood, and that is not hyperbole.

0:12:42.440 --> 0:12:43.280
<v Speaker 4>Are you a Shia fan.

0:12:44.840 --> 0:12:47.360
<v Speaker 2>I am a Shia fan of his work. Absolutely.

0:12:47.840 --> 0:12:51.320
<v Speaker 3>He did date Keeley for a while, so's I actually

0:12:51.360 --> 0:12:54.640
<v Speaker 3>know Shia and got to know his good friend Lorezzo

0:12:54.720 --> 0:12:58.160
<v Speaker 3>as well, and we had such fun times together, just

0:12:58.200 --> 0:12:59.680
<v Speaker 3>as like so fun.

0:12:59.720 --> 0:13:02.480
<v Speaker 2>But you know, when your best sees and her boyfriend

0:13:02.520 --> 0:13:04.240
<v Speaker 2>break up, that's kind of the end of your.

0:13:04.200 --> 0:13:08.440
<v Speaker 4>Break, you know, you that's your right or die. I

0:13:08.440 --> 0:13:09.920
<v Speaker 4>love that, that's absolutely.

0:13:10.000 --> 0:13:12.280
<v Speaker 3>But as far as his work goes, I just think

0:13:12.280 --> 0:13:16.200
<v Speaker 3>it's it's you can't question it. He's just a phenomenal actor.

0:13:16.440 --> 0:13:19.440
<v Speaker 3>When he gets on this on any screen, big or small,

0:13:19.920 --> 0:13:21.120
<v Speaker 3>he freaking shines.

0:13:21.240 --> 0:13:23.520
<v Speaker 1>So you know, he's one of those people, especially when

0:13:23.520 --> 0:13:25.280
<v Speaker 1>you see him when he's eleven twelve years old, he's

0:13:25.280 --> 0:13:28.400
<v Speaker 1>one of those people that you say, born to do this. Yes,

0:13:28.800 --> 0:13:31.480
<v Speaker 1>raw talent from the time you were born, and this

0:13:31.520 --> 0:13:33.160
<v Speaker 1>is what you were meant to do. So here's to

0:13:33.200 --> 0:13:36.679
<v Speaker 1>hoping he has a wonderful career because we're all missing

0:13:36.720 --> 0:13:38.520
<v Speaker 1>out as fans and not being able to see him.

0:13:38.559 --> 0:13:40.880
<v Speaker 2>But we need more Shia in our lives.

0:13:40.720 --> 0:13:40.880
<v Speaker 5>You do.

0:13:41.200 --> 0:13:42.640
<v Speaker 1>But he's got to get out of his own way,

0:13:42.679 --> 0:13:45.200
<v Speaker 1>and some of the allegations are pretty scary anyway.

0:13:45.360 --> 0:13:47.240
<v Speaker 4>Yeah, Mayor Winningham is mom.

0:13:47.320 --> 0:13:50.040
<v Speaker 1>Ginny Mayor is one of the original and less mentioned

0:13:50.040 --> 0:13:52.200
<v Speaker 1>members of one of the greatest troops of all time,

0:13:52.320 --> 0:13:55.079
<v Speaker 1>the Brat Pack, a group of young actors who took

0:13:55.080 --> 0:13:57.360
<v Speaker 1>Hollywood by storm in the eighties. She broke out in

0:13:57.440 --> 0:13:59.560
<v Speaker 1>the movie Sane Almo's Fire, which, if you go back

0:13:59.600 --> 0:14:03.920
<v Speaker 1>and watch it sucks. It's an awful movie, alongside fellow

0:14:03.960 --> 0:14:07.240
<v Speaker 1>PAC members Amilia Westevez, rob Lo, Demi Moore, Ali Sheety,

0:14:07.320 --> 0:14:09.800
<v Speaker 1>and many more. She also appeared in movies like Turner

0:14:09.840 --> 0:14:12.760
<v Speaker 1>and Hooch, Swing Vote, and Mildred Plays, and as far

0:14:12.800 --> 0:14:16.280
<v Speaker 1>as TV, she's been on Grey's Anatomy, Dope Sick, four

0:14:16.320 --> 0:14:19.800
<v Speaker 1>seasons of American Horror Story. She's just does it all.

0:14:19.840 --> 0:14:22.720
<v Speaker 1>And here's a fun trivia question. Who was her high

0:14:22.720 --> 0:14:23.480
<v Speaker 1>school boyfriend?

0:14:23.640 --> 0:14:26.600
<v Speaker 4>Hmm? Her high school boyfriend was Val Kilmer.

0:14:27.120 --> 0:14:29.640
<v Speaker 1>She was also Oscar nominated for her part in the

0:14:29.720 --> 0:14:32.920
<v Speaker 1>nineteen ninety five movie Georgia, and was nominated for two

0:14:32.960 --> 0:14:35.760
<v Speaker 1>Tony's and won two Emmys for her performances in TV

0:14:35.840 --> 0:14:37.080
<v Speaker 1>mini series or movies.

0:14:37.160 --> 0:14:40.000
<v Speaker 4>She's incredibly great. What to get for this movie? It

0:14:40.080 --> 0:14:43.440
<v Speaker 4>is just stacking this cast one after another.

0:14:43.880 --> 0:14:48.440
<v Speaker 3>Again you're just going, oh my gosh. I mean on screen,

0:14:48.480 --> 0:14:50.320
<v Speaker 3>I was just like, wow, gep.

0:14:50.160 --> 0:14:50.480
<v Speaker 4>It.

0:14:52.120 --> 0:14:54.760
<v Speaker 1>Is what the It showed what, especially in the early

0:14:54.920 --> 0:14:58.480
<v Speaker 1>two thousands, what Disney Channel thought of their d coms

0:14:58.480 --> 0:15:00.320
<v Speaker 1>and thought where they were gonna go. Where they could

0:15:00.320 --> 0:15:01.760
<v Speaker 1>do a movie like this and then a movie like

0:15:01.840 --> 0:15:03.520
<v Speaker 1>Cheetah Girls within a couple of years of each other.

0:15:03.520 --> 0:15:05.840
<v Speaker 1>It's like, we're gonna run the gamut, and it was

0:15:06.120 --> 0:15:11.840
<v Speaker 1>very impressive. William Francis McGuire is Dad Bob. He's been

0:15:11.840 --> 0:15:14.280
<v Speaker 1>seeing in movies like Day After Tomorrow and Mission Impossible

0:15:14.320 --> 0:15:16.600
<v Speaker 1>three and TV shows like The Mentalist.

0:15:16.160 --> 0:15:18.280
<v Speaker 4>And Jack, which is what my dad did for a living.

0:15:18.480 --> 0:15:22.360
<v Speaker 1>He currently is teaching acting at Saddleback College in Mission Viejo, California,

0:15:22.400 --> 0:15:24.800
<v Speaker 1>where my wife is from. Once again, I'm thinking all

0:15:24.840 --> 0:15:26.000
<v Speaker 1>of this about myself.

0:15:26.280 --> 0:15:27.720
<v Speaker 2>Oh see.

0:15:27.880 --> 0:15:30.760
<v Speaker 1>Kevin Dehaney is friend Jake. He played a young Dave

0:15:30.840 --> 0:15:33.880
<v Speaker 1>Chappelle and Half Baked Great movie would later become the

0:15:33.880 --> 0:15:36.880
<v Speaker 1>Blue Dino thunder Power Ranger on Power Rangers SPD.

0:15:37.240 --> 0:15:37.480
<v Speaker 4>Yes.

0:15:37.920 --> 0:15:40.080
<v Speaker 1>You may have also seen him in the movies Honey

0:15:40.280 --> 0:15:43.000
<v Speaker 1>or Four Brothers, and he now has a very prolific

0:15:43.040 --> 0:15:44.120
<v Speaker 1>career in voice acting.

0:15:44.120 --> 0:15:45.760
<v Speaker 4>I hope I get a chance to work with him someday.

0:15:46.240 --> 0:15:47.840
<v Speaker 4>And then Yanni Gelman is Billy.

0:15:47.920 --> 0:15:50.440
<v Speaker 1>He is best known Rewinders as Paolo in the Lizzie

0:15:50.480 --> 0:15:53.240
<v Speaker 1>McGuire movie, and he's a well established TV actor from

0:15:53.240 --> 0:15:55.280
<v Speaker 1>the Famous Jet Jackson to The Young and the Restless

0:15:55.280 --> 0:15:56.560
<v Speaker 1>to Pretty Little Liars, where he.

0:15:56.480 --> 0:15:57.720
<v Speaker 4>Played Garrett Reynolds.

0:15:58.520 --> 0:16:00.720
<v Speaker 1>Now, I know this one doesn't quite have the big

0:16:00.800 --> 0:16:04.960
<v Speaker 1>names for the lower down cast as something that you know,

0:16:05.080 --> 0:16:07.720
<v Speaker 1>like jump In did, But what did you think of

0:16:07.760 --> 0:16:08.120
<v Speaker 1>this cast?

0:16:08.120 --> 0:16:08.760
<v Speaker 4>All the way around?

0:16:09.240 --> 0:16:11.840
<v Speaker 2>I think it was great. I honestly, I loved the

0:16:11.840 --> 0:16:14.240
<v Speaker 2>two friends. They kind of the one girl kind of

0:16:14.280 --> 0:16:15.200
<v Speaker 2>irritated me here and.

0:16:15.160 --> 0:16:17.360
<v Speaker 3>There, but just because that was that's not her fault,

0:16:17.400 --> 0:16:21.240
<v Speaker 3>that that was her character, her character irritated me. But

0:16:21.400 --> 0:16:23.840
<v Speaker 3>I thought all around, I mean, you know, I thought

0:16:23.920 --> 0:16:28.080
<v Speaker 3>that there was moments that it felt very real when

0:16:28.120 --> 0:16:29.920
<v Speaker 3>it comes to like what you.

0:16:29.800 --> 0:16:31.520
<v Speaker 2>Think of dealing with the teenage daughter.

0:16:31.600 --> 0:16:34.440
<v Speaker 3>Like, I thought the parents handled their characters very well,

0:16:35.320 --> 0:16:38.120
<v Speaker 3>and the kids really like stepped into, you know, the

0:16:38.200 --> 0:16:41.080
<v Speaker 3>drama of what it would be like to watch their friend,

0:16:42.040 --> 0:16:43.640
<v Speaker 3>you know, go through something like this.

0:16:43.720 --> 0:16:46.640
<v Speaker 2>So I thought they were all very like easy too

0:16:46.800 --> 0:16:48.360
<v Speaker 2>easy to take and I love that.

0:16:48.920 --> 0:16:51.360
<v Speaker 1>I thought this was truly a movie that I think

0:16:51.560 --> 0:16:55.640
<v Speaker 1>hits you differently if you have children. Oh yeah, you know,

0:16:55.680 --> 0:16:58.480
<v Speaker 1>if you watch it as as an older adult or

0:16:58.720 --> 0:16:59.720
<v Speaker 1>and you've got kids.

0:16:59.840 --> 0:17:02.280
<v Speaker 4>I think this is different than somebody who doesn't have children.

0:17:02.320 --> 0:17:03.920
<v Speaker 4>I just I do. But anyway, Yeah.

0:17:03.840 --> 0:17:06.000
<v Speaker 1>As I mentioned earlier, this is based on a book,

0:17:06.280 --> 0:17:08.439
<v Speaker 1>so the writer, Jeanette Tajin, gets a credit and she

0:17:08.520 --> 0:17:11.920
<v Speaker 1>shares it with good old Ironsides and named Disney approached

0:17:11.920 --> 0:17:15.119
<v Speaker 1>whenever they needed a dcom heavy hitter. Former Magical Rewind

0:17:15.160 --> 0:17:17.120
<v Speaker 1>guest and friend of the Pods Stu Krieger.

0:17:17.600 --> 0:17:20.280
<v Speaker 4>He is the daddy of the dcom and he has returned.

0:17:20.880 --> 0:17:23.639
<v Speaker 1>We know his work from movies like Xenon, Smart House,

0:17:23.720 --> 0:17:25.760
<v Speaker 1>Going to the Mat, Gotta Kick It Up, the poof Point,

0:17:25.800 --> 0:17:26.359
<v Speaker 1>cow Bells.

0:17:26.400 --> 0:17:28.920
<v Speaker 4>List goes on and on and on again.

0:17:29.000 --> 0:17:31.119
<v Speaker 1>As I said, he was a former guest of ours

0:17:31.119 --> 0:17:34.199
<v Speaker 1>and the conversation was great, So please go listen to it,

0:17:34.840 --> 0:17:36.720
<v Speaker 1>even if you have to pause this one able to

0:17:36.800 --> 0:17:38.080
<v Speaker 1>listen to that, because it's worth it.

0:17:38.200 --> 0:17:40.400
<v Speaker 4>He is that cool amazing.

0:17:47.640 --> 0:17:50.480
<v Speaker 1>Okay, get the tissues ready, gang, at least for Sabrina

0:17:50.600 --> 0:17:54.920
<v Speaker 1>let's get into true confessions. We open with two little

0:17:54.960 --> 0:17:57.159
<v Speaker 1>kids and Sabrina crying, a brother and a sister in

0:17:57.240 --> 0:18:00.560
<v Speaker 1>overalls running carelessly through a field. Right on que we

0:18:00.600 --> 0:18:03.240
<v Speaker 1>hear a female voice, our narrator True. She thinks it's

0:18:03.240 --> 0:18:05.840
<v Speaker 1>funny that people on TV always live perfect lives. We

0:18:05.880 --> 0:18:08.280
<v Speaker 1>see some photos and footage of them now as teenagers.

0:18:08.280 --> 0:18:11.760
<v Speaker 1>They're twins Eddie and True. True admits she's obsessed with

0:18:11.800 --> 0:18:14.440
<v Speaker 1>her camcorder as we see footage of her brother winning

0:18:14.480 --> 0:18:16.160
<v Speaker 1>at what we think is the Special Olympics.

0:18:16.760 --> 0:18:18.200
<v Speaker 4>And then we're in her room.

0:18:18.400 --> 0:18:20.680
<v Speaker 1>Yes, the trope has returned, even if we didn't open

0:18:20.760 --> 0:18:21.320
<v Speaker 1>right with it.

0:18:21.320 --> 0:18:21.760
<v Speaker 4>It is here.

0:18:21.840 --> 0:18:24.399
<v Speaker 1>It is back, baby, even if it's only for a

0:18:24.440 --> 0:18:26.320
<v Speaker 1>few seconds. We see a lot of photographs of her

0:18:26.320 --> 0:18:29.240
<v Speaker 1>family and friends, and we see scattered VHS tapes of

0:18:29.280 --> 0:18:32.719
<v Speaker 1>movies she makes with classmates who are annoyed.

0:18:32.320 --> 0:18:33.640
<v Speaker 4>By how much she documents.

0:18:33.640 --> 0:18:36.280
<v Speaker 1>And again, now everybody's used to that, everybody's used to

0:18:36.320 --> 0:18:37.879
<v Speaker 1>having their phone in their hand and filming everything.

0:18:37.920 --> 0:18:39.240
<v Speaker 4>But back in the day you got you had to

0:18:39.280 --> 0:18:39.840
<v Speaker 4>work for it.

0:18:40.000 --> 0:18:42.360
<v Speaker 1>Oh yeah, if you wanted to document everything, you've got

0:18:42.359 --> 0:18:44.920
<v Speaker 1>the super eight cam quorder going on all the time, and.

0:18:44.880 --> 0:18:47.560
<v Speaker 4>I can see how that would get annoying for your friends.

0:18:47.960 --> 0:18:50.239
<v Speaker 4>I was that person you were you. Did you ever

0:18:50.280 --> 0:18:52.240
<v Speaker 4>get a video, Cameron, You're in your hands all time.

0:18:52.400 --> 0:18:56.760
<v Speaker 3>Wait, I've got a shoe box filled with those mini DVDs,

0:18:57.119 --> 0:19:02.680
<v Speaker 3>the minidvs. Yeah, yeah, and there I've got It's from

0:19:02.760 --> 0:19:05.560
<v Speaker 3>like our whole first tour on the Cheetah Girls that

0:19:05.680 --> 0:19:07.200
<v Speaker 3>I would love to sort through.

0:19:07.240 --> 0:19:09.600
<v Speaker 2>But you can't watch them anymore because I don't have it.

0:19:10.119 --> 0:19:11.320
<v Speaker 2>You know you can.

0:19:11.480 --> 0:19:13.639
<v Speaker 1>Oh my god, I can't believe the synergy we just

0:19:13.640 --> 0:19:16.000
<v Speaker 1>found Sabrina. Throw them all in the Legacy box. Send

0:19:16.000 --> 0:19:18.320
<v Speaker 1>them the Legacy box, and they digitize everything fun.

0:19:18.440 --> 0:19:20.240
<v Speaker 2>I'm so scared someone will take them, and.

0:19:20.480 --> 0:19:22.600
<v Speaker 1>So no one's gonna take anything and do them with them.

0:19:22.600 --> 0:19:25.560
<v Speaker 1>They are a Pod Meets World sponsor. They are wonderful.

0:19:25.720 --> 0:19:28.359
<v Speaker 1>Sending the Legacy box. We've been sending in all our stuff.

0:19:28.480 --> 0:19:31.000
<v Speaker 4>They are great. Look at the synergy Boom just got

0:19:31.000 --> 0:19:34.080
<v Speaker 4>in a commercial. Thank you. Seriously, throw them in a box.

0:19:34.119 --> 0:19:34.960
<v Speaker 4>You'll get them all back.

0:19:35.040 --> 0:19:36.840
<v Speaker 1>It is amazing, and you get to watch everything We've

0:19:36.840 --> 0:19:38.800
<v Speaker 1>been watching stuff from Boy Meets World where Rider was

0:19:38.800 --> 0:19:42.639
<v Speaker 1>taking behind the scenes footage watching it again has been incredible,

0:19:42.640 --> 0:19:44.840
<v Speaker 1>So there you go, shout out to our friends at

0:19:44.880 --> 0:19:45.720
<v Speaker 1>the Legacy box.

0:19:46.280 --> 0:19:48.719
<v Speaker 4>So uh yeah. Anyway, her friends are not feeling it.

0:19:48.840 --> 0:19:51.040
<v Speaker 1>True won't be happy until she turns her life into

0:19:51.040 --> 0:19:53.680
<v Speaker 1>a sitcom, which she's fine with because no matter how

0:19:53.680 --> 0:19:56.000
<v Speaker 1>big the problems are on TV, by the final commercial,

0:19:56.080 --> 0:19:59.040
<v Speaker 1>it's all worked out. Her reality is harsh, but she'd

0:19:59.119 --> 0:20:00.040
<v Speaker 1>much rather live.

0:20:00.160 --> 0:20:01.640
<v Speaker 4>Life in the tube.

0:20:01.680 --> 0:20:04.520
<v Speaker 1>Off the ferry and now biking across beautiful Toronto, and

0:20:04.560 --> 0:20:06.879
<v Speaker 1>it is absolutely beautiful. The three friends end up at

0:20:06.880 --> 0:20:09.960
<v Speaker 1>True's house, where they're welcomed by her brother Eddie, flashing

0:20:09.960 --> 0:20:11.040
<v Speaker 1>a camera in their faces.

0:20:10.800 --> 0:20:12.639
<v Speaker 4>Yelling paparazzi paparazzi.

0:20:13.080 --> 0:20:15.920
<v Speaker 1>True is not thrilled with the jump scare, and he

0:20:16.040 --> 0:20:18.000
<v Speaker 1>really does not know when to give up. Eventually he's

0:20:18.000 --> 0:20:20.680
<v Speaker 1>stopped by their mom, returning home from the day at work.

0:20:21.240 --> 0:20:23.480
<v Speaker 1>We get an awkward silence here, and Denise and Jack

0:20:23.600 --> 0:20:25.800
<v Speaker 1>realize it might be time to go home. True is mad,

0:20:25.800 --> 0:20:28.359
<v Speaker 1>but Eddie isn't sure what he did wrong, And here

0:20:28.440 --> 0:20:31.480
<v Speaker 1>it becomes more obvious that Eddie does have a mental impairment.

0:20:31.920 --> 0:20:33.639
<v Speaker 1>It's worth noting now we do have to say this.

0:20:33.720 --> 0:20:35.919
<v Speaker 1>Of course, the times were then what they are they

0:20:35.920 --> 0:20:37.720
<v Speaker 1>are different now, and look at the past through the

0:20:37.760 --> 0:20:38.960
<v Speaker 1>lens of the future never works.

0:20:39.280 --> 0:20:40.920
<v Speaker 4>However, you do have.

0:20:40.880 --> 0:20:43.600
<v Speaker 1>To point out that the portrayal of disabilities and TV

0:20:43.680 --> 0:20:47.080
<v Speaker 1>and movies appears to still be an evolving standard, with

0:20:47.160 --> 0:20:48.879
<v Speaker 1>more and more actors who are actually part of the

0:20:48.920 --> 0:20:52.000
<v Speaker 1>affected communities finally getting a chance to portray themselves. But

0:20:52.240 --> 0:20:55.200
<v Speaker 1>it's a very new trend, and coincidentally, Shia was early

0:20:55.200 --> 0:20:57.760
<v Speaker 1>on in this development. In the great movie Peter butterfalcon

0:20:57.800 --> 0:21:01.000
<v Speaker 1>Co starring Zach Gottzigen, an actor became the first person

0:21:01.040 --> 0:21:03.399
<v Speaker 1>with Down syndrome to be a presenter at the Academy Awards,

0:21:03.400 --> 0:21:05.480
<v Speaker 1>which he did with Shia. So this is a great

0:21:05.520 --> 0:21:07.520
<v Speaker 1>change has taken place over the last few years, and

0:21:07.880 --> 0:21:09.840
<v Speaker 1>if they did it now, you probably would not see

0:21:09.840 --> 0:21:11.680
<v Speaker 1>Shia in this role anymore in twenty twenty five.

0:21:11.720 --> 0:21:13.359
<v Speaker 4>But this was two thousand and two and this is

0:21:13.560 --> 0:21:14.280
<v Speaker 4>just how it was done.

0:21:15.200 --> 0:21:17.760
<v Speaker 1>Eddie re enters the house ashamed and True doesn't let up.

0:21:17.800 --> 0:21:19.640
<v Speaker 1>Their mom tries to step in, but True is fed

0:21:19.720 --> 0:21:22.280
<v Speaker 1>up with her brother getting his way. He explains he

0:21:22.400 --> 0:21:24.280
<v Speaker 1>just wanted to be funny, but she's still seeing white

0:21:24.320 --> 0:21:26.480
<v Speaker 1>spots and he chased away all of her friends. He

0:21:26.520 --> 0:21:29.440
<v Speaker 1>says he's sorry, and True, of course reluctantly forgives him.

0:21:29.640 --> 0:21:32.280
<v Speaker 1>A very affected Eddie goes off to work on some homework,

0:21:32.520 --> 0:21:34.920
<v Speaker 1>leaving True alone with her mom. Ginny is not happy

0:21:34.920 --> 0:21:37.080
<v Speaker 1>with her daughter, and True doesn't understand the double standard

0:21:37.080 --> 0:21:39.679
<v Speaker 1>her mom has for her kids, but Eddie doesn't want

0:21:39.680 --> 0:21:41.880
<v Speaker 1>to feel left out, and then we see that Eddie

0:21:41.880 --> 0:21:44.439
<v Speaker 1>secretly is listening from the stairs. True doesn't understand how

0:21:44.440 --> 0:21:46.960
<v Speaker 1>her brother can't do anything wrong, but she can't do

0:21:47.080 --> 0:21:50.320
<v Speaker 1>anything right. She storms off, which becomes a big motif

0:21:50.359 --> 0:21:52.920
<v Speaker 1>in this movie, which was one of my problems, and Eddie,

0:21:52.920 --> 0:21:55.040
<v Speaker 1>as if he needed to feel any worse, hangs his

0:21:55.119 --> 0:21:57.960
<v Speaker 1>head in sadness. True slams her bedroom door shut and

0:21:58.000 --> 0:22:00.119
<v Speaker 1>imagines a surreal world where she's the star of a

0:22:00.160 --> 0:22:02.800
<v Speaker 1>Brady Bunch STV sitcom. It's in front of a live

0:22:02.840 --> 0:22:05.520
<v Speaker 1>studio audience and it's all painted as her fantasy. And

0:22:05.560 --> 0:22:06.960
<v Speaker 1>this is where I thought this was way ahead of

0:22:06.960 --> 0:22:09.000
<v Speaker 1>its time. We saw this on I mean in the

0:22:09.080 --> 0:22:12.720
<v Speaker 1>nineties they did it in Natural Born Killers and things

0:22:12.760 --> 0:22:14.640
<v Speaker 1>like that, but I thought the direction of this movie

0:22:14.960 --> 0:22:17.520
<v Speaker 1>taking it to occasionally being on a sitcom stage, going

0:22:17.520 --> 0:22:19.879
<v Speaker 1>into her fantasies. The flashbacks of them running in the

0:22:19.880 --> 0:22:22.920
<v Speaker 1>field really well directed for a d com. This might,

0:22:23.160 --> 0:22:27.959
<v Speaker 1>in my opinion, be the best directed Paul Hohen joint,

0:22:28.119 --> 0:22:30.520
<v Speaker 1>which is saying something because he does everything.

0:22:30.520 --> 0:22:34.240
<v Speaker 4>But it was artsy and fun and different, and I

0:22:34.280 --> 0:22:34.639
<v Speaker 4>loved it.

0:22:34.720 --> 0:22:38.280
<v Speaker 3>The I loved the flashbacks because they were like slower motion,

0:22:38.560 --> 0:22:41.600
<v Speaker 3>they were grainy. You could absolutely tell that this was

0:22:42.240 --> 0:22:44.880
<v Speaker 3>like you instantly go into that flashback mode. And they

0:22:44.880 --> 0:22:48.280
<v Speaker 3>were like very seamless to me, like they didn't seem abrupt,

0:22:48.320 --> 0:22:52.040
<v Speaker 3>which I think sometimes flashbacks can, and especially love. I

0:22:52.119 --> 0:22:55.639
<v Speaker 3>loved this, this this TV show idea that they.

0:22:55.520 --> 0:22:57.239
<v Speaker 4>Did me too. I thought the way they were doing

0:22:57.320 --> 0:22:58.679
<v Speaker 4>it was very very cool.

0:22:59.200 --> 0:23:02.000
<v Speaker 1>Her mom is a June Cleaver type now and on

0:23:02.040 --> 0:23:03.959
<v Speaker 1>this new show and tells her how proud she is

0:23:04.080 --> 0:23:06.000
<v Speaker 1>and how True has the best taste in clothes.

0:23:06.119 --> 0:23:06.640
<v Speaker 4>She gets one.

0:23:06.560 --> 0:23:08.760
<v Speaker 1>Hundred dollar raised, an allowance and a boop on the nose,

0:23:08.840 --> 0:23:11.400
<v Speaker 1>only to quickly return to reality. Alone in her room,

0:23:11.880 --> 0:23:14.920
<v Speaker 1>True sits down and talks into the camera MTV confessional style.

0:23:15.040 --> 0:23:17.160
<v Speaker 1>So there we go, breaking the fourth wall again. It's

0:23:17.160 --> 0:23:20.399
<v Speaker 1>her secret video journal called True tales. She explains her

0:23:20.400 --> 0:23:22.920
<v Speaker 1>life isn't a sitcom, it's a soap opera. She can't

0:23:22.920 --> 0:23:24.720
<v Speaker 1>talk to her mom, who's always so busy with Eddie,

0:23:24.800 --> 0:23:27.320
<v Speaker 1>and her dad is never home because he's a brain surgeon,

0:23:27.600 --> 0:23:30.520
<v Speaker 1>which is a gross profession also kind of an important one.

0:23:30.720 --> 0:23:32.960
<v Speaker 1>One day she'll be incredibly famous on TV and this

0:23:33.040 --> 0:23:35.119
<v Speaker 1>journal will show what her life was really like. But

0:23:35.160 --> 0:23:38.160
<v Speaker 1>more than anything, she just needs something that is completely

0:23:38.200 --> 0:23:42.200
<v Speaker 1>and privately hers. There now, getting ready for a family dinner,

0:23:42.320 --> 0:23:44.520
<v Speaker 1>Eddie is carefully setting the table. Their dad is busy

0:23:44.520 --> 0:23:47.359
<v Speaker 1>at the hospital, so they'll start a little later than usual. Meanwhile,

0:23:47.600 --> 0:23:50.240
<v Speaker 1>True starts correcting Eddie's mistakes with the setting. They don't

0:23:50.240 --> 0:23:52.719
<v Speaker 1>need soup spoons tonight, but this immediately messes with what

0:23:52.800 --> 0:23:55.520
<v Speaker 1>Eddie knows and what he wants. It's truessnight to do

0:23:55.520 --> 0:23:57.320
<v Speaker 1>the dishes, though, and she doesn't want to wash anything

0:23:57.320 --> 0:23:59.639
<v Speaker 1>that they don't use, but her mom says it seems

0:23:59.680 --> 0:24:02.280
<v Speaker 1>like she wants to argue about everything. She grabs her

0:24:02.280 --> 0:24:05.399
<v Speaker 1>camera and instructs her future self to cast someone other

0:24:05.520 --> 0:24:07.600
<v Speaker 1>than her mom when they make a show of her

0:24:07.680 --> 0:24:11.240
<v Speaker 1>life harsh as True storms off, this one obviously hurts

0:24:11.240 --> 0:24:14.480
<v Speaker 1>her mom's feelings. Now in her room, True is talking

0:24:14.520 --> 0:24:17.000
<v Speaker 1>to her camera again, explaining that her mom is vain

0:24:17.200 --> 0:24:19.800
<v Speaker 1>and asks the most embarrassing questions about her in public.

0:24:20.000 --> 0:24:22.680
<v Speaker 1>She also packs intricate lunches for them, which True finds

0:24:22.760 --> 0:24:25.600
<v Speaker 1>very corny, which again I find very nice. Eventually, we

0:24:25.640 --> 0:24:28.560
<v Speaker 1>are back at the dinner table and now finally joined

0:24:28.560 --> 0:24:32.040
<v Speaker 1>by dad. Eddie is retelling the paparazzi story from earlier,

0:24:32.080 --> 0:24:33.639
<v Speaker 1>telling it is a funny moment instead of the one

0:24:33.680 --> 0:24:36.520
<v Speaker 1>that infuriated his sister, but True lets her dad know.

0:24:36.440 --> 0:24:37.919
<v Speaker 4>The truth it wasn't funny.

0:24:38.160 --> 0:24:40.600
<v Speaker 1>Then, while being handed to broccoli, Eddie drops the bowl,

0:24:40.760 --> 0:24:44.040
<v Speaker 1>breaking the glass dish and shards fly everywhere. The dad

0:24:44.080 --> 0:24:47.520
<v Speaker 1>responds on impulse, jumping up and yelling not again, but

0:24:47.560 --> 0:24:49.719
<v Speaker 1>their mom calms him down quickly, she'll get it cleaned up.

0:24:49.720 --> 0:24:52.440
<v Speaker 1>But Bob is still annoyed that the broccoli is covered

0:24:52.480 --> 0:24:53.120
<v Speaker 1>in glass.

0:24:53.240 --> 0:24:55.240
<v Speaker 4>And this is when I was having I was like, okay,

0:24:55.240 --> 0:24:55.640
<v Speaker 4>this is.

0:24:57.280 --> 0:25:00.080
<v Speaker 1>I had a feeling where we were heading with this

0:25:00.080 --> 0:25:03.200
<v Speaker 1>this point. I was getting the the dcom Dad red

0:25:03.240 --> 0:25:04.639
<v Speaker 1>flags instantly.

0:25:05.040 --> 0:25:07.760
<v Speaker 3>Also, first Ball was like, why are you guys not

0:25:07.880 --> 0:25:11.520
<v Speaker 3>using plastic bulls? If this kid drops stuff everywhere. Why

0:25:11.560 --> 0:25:15.200
<v Speaker 3>have we not changed our behavior to help him out

0:25:15.240 --> 0:25:18.800
<v Speaker 3>a little bit clastic, simplest thing in the world.

0:25:19.440 --> 0:25:22.280
<v Speaker 1>It's like, no, I want to have delicate crystal at

0:25:22.359 --> 0:25:24.240
<v Speaker 1>every meal that we serve, like.

0:25:24.760 --> 0:25:28.199
<v Speaker 3>Exactly exactly, because I'm telling you, as a parent, regardless,

0:25:28.240 --> 0:25:29.160
<v Speaker 3>this is something.

0:25:28.880 --> 0:25:29.480
<v Speaker 2>You go through.

0:25:29.640 --> 0:25:33.639
<v Speaker 3>Maybe not at his age, at Eddie's age, that you're

0:25:33.680 --> 0:25:36.000
<v Speaker 3>still going through that, but that's what I'm at right

0:25:36.040 --> 0:25:38.280
<v Speaker 3>now with Like, let's just takes the bowl.

0:25:38.680 --> 0:25:41.280
<v Speaker 2>He's not dropping it, he's chucking it across.

0:25:42.160 --> 0:25:46.399
<v Speaker 3>So Leger will not get glass bulls, plastic bowl.

0:25:46.400 --> 0:25:49.320
<v Speaker 2>Not hard classic bol dang yep.

0:25:49.359 --> 0:25:52.120
<v Speaker 1>So Eddie apologizes any hugs his dad who comes back

0:25:52.160 --> 0:25:54.359
<v Speaker 1>down to earth, and he said, you know, sorry about

0:25:54.359 --> 0:25:54.800
<v Speaker 1>my mistake.

0:25:54.840 --> 0:25:55.680
<v Speaker 4>With a smile on his face.

0:25:55.680 --> 0:25:57.520
<v Speaker 1>He says, one day they'll get through a meal without

0:25:57.600 --> 0:26:01.960
<v Speaker 1>dropping or breaking anything, and again plastic bowls. Brother buy

0:26:02.040 --> 0:26:07.240
<v Speaker 1>a plastic bowl. Eddie, though, is shaken up, but they

0:26:07.280 --> 0:26:08.040
<v Speaker 1>get back to eating.

0:26:08.359 --> 0:26:08.719
<v Speaker 4>That night.

0:26:08.760 --> 0:26:10.600
<v Speaker 1>In her room, True draws in her journal as she

0:26:10.720 --> 0:26:13.280
<v Speaker 1>narrates about baby sharks attacking each other in the womb.

0:26:13.320 --> 0:26:16.240
<v Speaker 1>Her drawings come to life again another like just cool

0:26:16.280 --> 0:26:18.800
<v Speaker 1>directing thing. The sharks now attached to her in her

0:26:18.840 --> 0:26:22.080
<v Speaker 1>brother's head, swim around, and her shark eventually eats her brother.

0:26:22.359 --> 0:26:24.919
<v Speaker 1>She slams the bookshut and wonders, what if everything that

0:26:24.960 --> 0:26:25.440
<v Speaker 1>is wrong.

0:26:25.280 --> 0:26:27.040
<v Speaker 4>With Eddie is her fault.

0:26:27.560 --> 0:26:29.320
<v Speaker 1>She was born first, so maybe things would have been

0:26:29.359 --> 0:26:31.680
<v Speaker 1>different if he was born first. She logs onto a

0:26:31.720 --> 0:26:35.199
<v Speaker 1>special Need Special Care internet message board and posts for

0:26:35.280 --> 0:26:37.840
<v Speaker 1>some answers. She wants to make him more comfortable at

0:26:37.880 --> 0:26:41.080
<v Speaker 1>their new high school and feel more accepted in the

0:26:41.119 --> 0:26:43.840
<v Speaker 1>world and ask people for ideas. It's very sweet. This

0:26:43.920 --> 0:26:48.320
<v Speaker 1>is so, this is where I was going back and

0:26:48.359 --> 0:26:50.080
<v Speaker 1>forth with everything's changing.

0:26:50.119 --> 0:26:51.840
<v Speaker 4>She's mad and then she feels bad.

0:26:52.119 --> 0:26:54.520
<v Speaker 1>But then I started to realize that's probably what it's

0:26:54.640 --> 0:26:58.040
<v Speaker 1>like if you are a a teenager and be dealing

0:26:58.040 --> 0:27:00.320
<v Speaker 1>with somebody who deals with this in their life. I mean,

0:27:00.359 --> 0:27:03.199
<v Speaker 1>it must be this kind of frustrating, and then you're

0:27:03.240 --> 0:27:04.880
<v Speaker 1>guilty for being frustrated and.

0:27:04.840 --> 0:27:06.479
<v Speaker 4>You want to make their life better. It must be

0:27:06.600 --> 0:27:07.320
<v Speaker 4>very difficult.

0:27:07.400 --> 0:27:10.840
<v Speaker 3>I feel like you you have You're still You're still human,

0:27:10.920 --> 0:27:15.560
<v Speaker 3>so your instincts and your reactions are especially as a teenager.

0:27:16.320 --> 0:27:19.920
<v Speaker 3>They have such a hard time kind of filtering these

0:27:19.920 --> 0:27:22.800
<v Speaker 3>things anyway, And then put on the fact that her

0:27:22.840 --> 0:27:25.919
<v Speaker 3>brother really needs a lot of special care, you know,

0:27:26.160 --> 0:27:28.920
<v Speaker 3>and she's in the part where she's wanting to demand

0:27:29.200 --> 0:27:32.399
<v Speaker 3>her time with her parents, and that is even just

0:27:32.440 --> 0:27:34.119
<v Speaker 3>what normal brothers and sisters do.

0:27:34.880 --> 0:27:37.240
<v Speaker 4>And it's just maybe that's the scene that was missing

0:27:37.280 --> 0:27:37.600
<v Speaker 4>for me.

0:27:37.600 --> 0:27:40.200
<v Speaker 3>Feel the guilt of it, you know, going, damn, why

0:27:40.200 --> 0:27:42.879
<v Speaker 3>can't I control my emotions? I know this is going

0:27:42.960 --> 0:27:48.040
<v Speaker 3>to happen, you know, I just that's for me think

0:27:48.440 --> 0:27:50.240
<v Speaker 3>in this movie, just going, this.

0:27:51.280 --> 0:27:53.040
<v Speaker 4>Girl somebody olver.

0:27:54.720 --> 0:27:58.000
<v Speaker 3>I mean, although I did cringe every time she jumps

0:27:58.040 --> 0:27:59.560
<v Speaker 3>in her mom's face.

0:27:59.400 --> 0:27:59.920
<v Speaker 6>It's off.

0:28:00.240 --> 0:28:02.160
<v Speaker 1>But maybe that's the scene I was missing. Maybe I'm

0:28:02.160 --> 0:28:04.080
<v Speaker 1>missing exactly that I'm missing the mom going I know

0:28:04.200 --> 0:28:07.160
<v Speaker 1>this is tough and it's hard on all of us,

0:28:07.280 --> 0:28:10.440
<v Speaker 1>and we I understand how frustrated you must feel. And

0:28:10.480 --> 0:28:12.440
<v Speaker 1>I think you're a great sister, like maybe like maybe

0:28:12.440 --> 0:28:14.400
<v Speaker 1>I need a dad a little more, which I didn't see.

0:28:14.480 --> 0:28:16.639
<v Speaker 1>It was just kind of yelling in it. But anyway,

0:28:17.240 --> 0:28:20.240
<v Speaker 1>True falls quickly asleep again and enters a dream. It's

0:28:20.240 --> 0:28:22.560
<v Speaker 1>the two kids from the beginning, still running through the field.

0:28:22.760 --> 0:28:25.639
<v Speaker 1>They're picking flowers and wrestling. Obviously, it's an easier time

0:28:26.000 --> 0:28:28.680
<v Speaker 1>for what we can guess is these same two siblings.

0:28:29.000 --> 0:28:30.720
<v Speaker 1>The next morning, Two is at our locker talking to

0:28:30.760 --> 0:28:33.359
<v Speaker 1>Denise about how she connected with Billy Meyer, the hottest

0:28:33.440 --> 0:28:35.880
<v Speaker 1>junior at school. But we see a flashback and all

0:28:35.920 --> 0:28:38.320
<v Speaker 1>he did was ask her if there was an assembly today.

0:28:38.520 --> 0:28:40.840
<v Speaker 1>Denise rolls her eyes. Yeah, wow, he must be in

0:28:40.840 --> 0:28:43.080
<v Speaker 1>love with you. Jack runs up, he's got big news,

0:28:43.080 --> 0:28:44.959
<v Speaker 1>but the bell rings before he can dish out all

0:28:45.000 --> 0:28:47.800
<v Speaker 1>the hot goss. But the kids are calling it, and

0:28:47.920 --> 0:28:50.280
<v Speaker 1>instead of walking a home room, True checks in on

0:28:50.320 --> 0:28:53.200
<v Speaker 1>her brother. He's working in the special education class, talking

0:28:53.200 --> 0:28:57.080
<v Speaker 1>to classmates, who, again worth noting, are all actors with

0:28:57.120 --> 0:29:00.000
<v Speaker 1>real disabilities. So you know that was a good thing.

0:29:00.280 --> 0:29:01.840
<v Speaker 4>But I guess what transition?

0:29:02.240 --> 0:29:02.720
<v Speaker 2>Transition?

0:29:02.960 --> 0:29:05.920
<v Speaker 1>Yes, the twins exchange a quick smile, and as she

0:29:05.960 --> 0:29:07.840
<v Speaker 1>turns to get the class, she bumps into.

0:29:07.840 --> 0:29:10.120
<v Speaker 4>What Billy Meyer, the hot junior.

0:29:10.880 --> 0:29:14.120
<v Speaker 1>She awkwardly apologizes, and True knows she's coming off very weird.

0:29:14.200 --> 0:29:16.320
<v Speaker 1>She thinks if she had Billy as her boyfriend, life

0:29:16.320 --> 0:29:18.800
<v Speaker 1>would be perfect, and we're thrown right back on that

0:29:18.920 --> 0:29:22.320
<v Speaker 1>sitcom set. The audience is feverishly applauding as Billy, now

0:29:22.360 --> 0:29:25.080
<v Speaker 1>dressed in a suit, holding flowers, does his best Desi

0:29:25.160 --> 0:29:29.120
<v Speaker 1>Arnaz impression, Trusy I'm home. True is dressed just like

0:29:29.200 --> 0:29:32.240
<v Speaker 1>Lucy o'ball, red Wig and all. They exchange some very

0:29:32.280 --> 0:29:35.120
<v Speaker 1>I Love Lucy inspired dialogue, but as they profess their

0:29:35.160 --> 0:29:37.920
<v Speaker 1>love for each other, we're thrown back to reality and school,

0:29:38.160 --> 0:29:41.440
<v Speaker 1>where True is filming her billy playing basketball from Afar.

0:29:42.080 --> 0:29:43.200
<v Speaker 4>She's interrupted by her.

0:29:43.360 --> 0:29:46.480
<v Speaker 1>Yeah yeah, I'll say yikes, I don't even want to

0:29:46.480 --> 0:29:48.360
<v Speaker 1>find when she later finds all her secret tapes, I

0:29:48.360 --> 0:29:50.120
<v Speaker 1>don't even want to find the secret secret stash.

0:29:50.160 --> 0:29:51.040
<v Speaker 4>She has just a billy.

0:29:52.560 --> 0:29:55.840
<v Speaker 1>She's interrupted by Eddie, Denise and Jack. Ready to eat lunch.

0:29:56.000 --> 0:29:58.680
<v Speaker 1>Jack is grossed out by his Liverworth sandwich. Of course

0:29:58.680 --> 0:30:01.280
<v Speaker 1>he should be, so when he sees True's chicken wings,

0:30:01.280 --> 0:30:04.160
<v Speaker 1>he wants to trade the wings for his hot goss,

0:30:04.280 --> 0:30:07.520
<v Speaker 1>saying it again. She eventually accepts, and he reveals he

0:30:07.600 --> 0:30:10.320
<v Speaker 1>knows a way she could become a TV star. She

0:30:10.440 --> 0:30:12.520
<v Speaker 1>races home to her mom. It's a miracle, the chance

0:30:12.520 --> 0:30:15.200
<v Speaker 1>of a lifetime. She throws down a newspaper ad that reads,

0:30:15.280 --> 0:30:18.440
<v Speaker 1>host your Own TV Show. W TUV is having a

0:30:18.480 --> 0:30:21.920
<v Speaker 1>contest for kids. The winner becomes a host on the channel. True, no,

0:30:22.080 --> 0:30:24.560
<v Speaker 1>she'll win, but her mom sets her expectations. They're going

0:30:24.640 --> 0:30:27.200
<v Speaker 1>to get hundreds of entries. True wanted her mom to

0:30:27.200 --> 0:30:29.600
<v Speaker 1>be supportive. So we're seeing a pattern here, and once

0:30:29.640 --> 0:30:32.920
<v Speaker 1>again she storms off very angry, and she does she

0:30:33.000 --> 0:30:34.680
<v Speaker 1>does this kind of happy angry.

0:30:34.760 --> 0:30:37.600
<v Speaker 4>It's very there's almost no transition between the two. A

0:30:37.600 --> 0:30:38.840
<v Speaker 4>lot of times.

0:30:39.160 --> 0:30:41.920
<v Speaker 1>Now in her room, True is spitballing ideas into her camera.

0:30:42.000 --> 0:30:44.800
<v Speaker 1>The show can be called True Life Adventures or True

0:30:44.920 --> 0:30:48.680
<v Speaker 1>True or NYPD True Mad about True True Tales.

0:30:48.880 --> 0:30:49.440
<v Speaker 4>True wants to.

0:30:49.440 --> 0:30:51.880
<v Speaker 1>Be a millionaire. She keeps thinking on it. All right,

0:30:51.960 --> 0:30:53.560
<v Speaker 1>So if you had a talk show.

0:30:53.360 --> 0:30:53.960
<v Speaker 4>What would you call it?

0:30:54.640 --> 0:30:58.040
<v Speaker 3>Ooh, cheated chatter kind of works.

0:30:58.160 --> 0:30:59.200
<v Speaker 2>Yeah, it's true.

0:30:59.240 --> 0:31:02.840
<v Speaker 3>Actually, Keigly and I did one on YouTube for a

0:31:02.880 --> 0:31:05.040
<v Speaker 3>while called Dinner with Friends. We loved it because it

0:31:05.080 --> 0:31:07.960
<v Speaker 3>was like that dinner. It wasn't a morning talk show

0:31:07.960 --> 0:31:10.240
<v Speaker 3>with coffee. It was like a dinner talk show where

0:31:10.280 --> 0:31:12.840
<v Speaker 3>we were chatting about different things that were happening in

0:31:12.920 --> 0:31:14.040
<v Speaker 3>the world or you know.

0:31:15.120 --> 0:31:15.840
<v Speaker 2>It was really fun.

0:31:15.880 --> 0:31:18.120
<v Speaker 3>I actually really loved it. But yeah, I think kind

0:31:18.160 --> 0:31:21.920
<v Speaker 3>of more around like food. Okay, like a dinner table

0:31:21.920 --> 0:31:24.440
<v Speaker 3>where you really getting at like just some fun you

0:31:24.480 --> 0:31:27.680
<v Speaker 3>know chatter, but cheated chat is always always good.

0:31:27.840 --> 0:31:29.360
<v Speaker 1>We also didn't know each other, so I won't hold

0:31:29.360 --> 0:31:30.720
<v Speaker 1>it against you that you didn't invite me to be.

0:31:30.680 --> 0:31:32.920
<v Speaker 4>On your show. We are now back at school.

0:31:33.000 --> 0:31:34.760
<v Speaker 1>True is on her way out of English class when

0:31:34.800 --> 0:31:37.240
<v Speaker 1>she decides to talk to her teacher, mister Taylor about

0:31:37.240 --> 0:31:38.480
<v Speaker 1>the KTUV contest.

0:31:38.720 --> 0:31:40.320
<v Speaker 4>She needs his help coming up with an idea.

0:31:40.440 --> 0:31:42.800
<v Speaker 1>He says he always teaches you to write what you know,

0:31:43.160 --> 0:31:44.920
<v Speaker 1>and he says that could be applied to TV too, which,

0:31:44.960 --> 0:31:46.520
<v Speaker 1>by the way, for all you young writers out there,

0:31:46.560 --> 0:31:49.360
<v Speaker 1>that is a great rule of thumb. She seems inspired

0:31:49.400 --> 0:31:52.600
<v Speaker 1>by his advice. Now we are at True's mom's work.

0:31:52.760 --> 0:31:55.000
<v Speaker 1>She's at her computer and reveals to a coworker that

0:31:55.040 --> 0:31:57.280
<v Speaker 1>she was on the special needs special care site looking

0:31:57.280 --> 0:32:00.400
<v Speaker 1>for music classes for Eddie and she came across Truth's post.

0:32:00.720 --> 0:32:02.480
<v Speaker 1>She's hurt that True didn't come to her for help

0:32:02.520 --> 0:32:04.920
<v Speaker 1>like she used to. She's definitely growing up. Is this

0:32:04.960 --> 0:32:05.880
<v Speaker 1>a weird kind of take?

0:32:05.920 --> 0:32:09.120
<v Speaker 4>I mean, isn't she? This is again where I was like?

0:32:10.400 --> 0:32:13.440
<v Speaker 1>Her daughter is going out of her way to try

0:32:13.440 --> 0:32:15.760
<v Speaker 1>to learn as much as she can to make her

0:32:15.760 --> 0:32:21.320
<v Speaker 1>brother's life easier. Wouldn't she be proud of that as

0:32:21.320 --> 0:32:24.600
<v Speaker 1>opposed to like getting it wasn't angry, but I just

0:32:24.640 --> 0:32:26.080
<v Speaker 1>feel like she was focused on the wrong thing.

0:32:26.200 --> 0:32:28.760
<v Speaker 3>I don't know if it was like angry. I feel

0:32:28.800 --> 0:32:31.560
<v Speaker 3>like she was just disappointed because I think what what

0:32:31.760 --> 0:32:34.360
<v Speaker 3>parents tend to do is they take on that kind

0:32:34.360 --> 0:32:37.240
<v Speaker 3>of stuff themselves, like where did I go wrong in

0:32:37.280 --> 0:32:39.920
<v Speaker 3>this relationship to where she's not coming to me? You know,

0:32:40.520 --> 0:32:43.480
<v Speaker 3>I'm trying to set the pattern of how I say

0:32:43.520 --> 0:32:45.440
<v Speaker 3>things to Monroe when she comes home and tells me

0:32:45.480 --> 0:32:47.800
<v Speaker 3>things about school. There's a way to do it to

0:32:47.840 --> 0:32:50.240
<v Speaker 3>where you always make sure that they know that when

0:32:50.280 --> 0:32:53.080
<v Speaker 3>you come to you, you're a safe place versus because

0:32:53.080 --> 0:32:55.400
<v Speaker 3>you don't want them to be going out to other people.

0:32:55.480 --> 0:32:57.280
<v Speaker 3>You want them to come in, you want them to

0:32:57.320 --> 0:32:58.200
<v Speaker 3>be you.

0:32:58.080 --> 0:32:59.000
<v Speaker 2>Want to be their safe place.

0:32:59.040 --> 0:33:01.160
<v Speaker 3>I think that's what her takes was she she was

0:33:01.200 --> 0:33:03.000
<v Speaker 3>kind of going what how did.

0:33:04.720 --> 0:33:04.800
<v Speaker 1>So?

0:33:04.840 --> 0:33:06.440
<v Speaker 2>How did I lose this? How did I? Where did

0:33:06.480 --> 0:33:10.000
<v Speaker 2>I go wrong? You know? And and it's just understanding

0:33:10.040 --> 0:33:11.680
<v Speaker 2>that kids are just like this.

0:33:11.800 --> 0:33:13.800
<v Speaker 3>I've got I go I'm in this age with the

0:33:13.840 --> 0:33:16.360
<v Speaker 3>girls that I that I teach and I love that

0:33:16.400 --> 0:33:18.920
<v Speaker 3>I get to sort of be a person that can

0:33:18.960 --> 0:33:22.200
<v Speaker 3>help anything. When when they have this a little bit

0:33:22.200 --> 0:33:24.440
<v Speaker 3>of a disconnect from the people they have gone to

0:33:24.440 --> 0:33:26.160
<v Speaker 3>their whole life, their mom and their dad. You know,

0:33:26.920 --> 0:33:29.040
<v Speaker 3>people kids just at this age are reaching out looking

0:33:29.040 --> 0:33:29.800
<v Speaker 3>for other people.

0:33:30.160 --> 0:33:33.680
<v Speaker 2>I don't know why it happens. That's fair, it's natural, okay.

0:33:34.160 --> 0:33:36.600
<v Speaker 1>Ginny also knows that all that True does is yell

0:33:36.640 --> 0:33:39.240
<v Speaker 1>at her, which is true, so she's insecure about their connection.

0:33:39.560 --> 0:33:41.520
<v Speaker 1>She returns to Tru's post and it looks like she

0:33:41.720 --> 0:33:44.480
<v Speaker 1>just sent a reply. At home that night, True was

0:33:44.520 --> 0:33:46.240
<v Speaker 1>doing her homework and tells her mom that having a

0:33:46.280 --> 0:33:49.160
<v Speaker 1>boy twin stinks. She doesn't get to do cool stuff

0:33:49.160 --> 0:33:51.680
<v Speaker 1>like they did in the parent Trap. Just then, Eddie enters,

0:33:51.800 --> 0:33:54.520
<v Speaker 1>dresses a doctor. He says he's just like his dad.

0:33:54.560 --> 0:33:57.080
<v Speaker 1>He performs an operation on a watermelon or what he

0:33:57.160 --> 0:33:59.760
<v Speaker 1>calls a broken brain, True in Ginny's smile. They play

0:33:59.760 --> 0:34:02.800
<v Speaker 1>a lot until their dad enters and he is mad.

0:34:03.920 --> 0:34:05.680
<v Speaker 1>He wants to know what the hell is going on. Okay,

0:34:05.680 --> 0:34:07.520
<v Speaker 1>we can't avoid it any longer, can we can? We

0:34:07.600 --> 0:34:10.000
<v Speaker 1>already induct Bob Walker into the bad Dad.

0:34:09.840 --> 0:34:10.359
<v Speaker 4>Hall of Fame.

0:34:10.440 --> 0:34:12.640
<v Speaker 1>I mean, he's not even doing anything wrong at this

0:34:12.680 --> 0:34:13.879
<v Speaker 1>point at all.

0:34:13.960 --> 0:34:19.800
<v Speaker 3>No, No, But I feel like it's it's hard because I, yes,

0:34:19.880 --> 0:34:21.200
<v Speaker 3>I could not this.

0:34:21.200 --> 0:34:22.680
<v Speaker 2>This guy was starting to bother me.

0:34:23.560 --> 0:34:25.000
<v Speaker 3>But I feel like there's a lot of things that

0:34:25.000 --> 0:34:27.279
<v Speaker 3>could have been set in place, did not put Eddie

0:34:27.320 --> 0:34:29.920
<v Speaker 3>in a position to keep pissing him off too, Like

0:34:30.040 --> 0:34:32.239
<v Speaker 3>why is your why are these tools if they're so

0:34:32.280 --> 0:34:34.600
<v Speaker 3>important to you in a place that he can get to?

0:34:35.040 --> 0:34:37.360
<v Speaker 1>Yeah, well he's keeping him with all the glass bowls,

0:34:38.040 --> 0:34:42.319
<v Speaker 1>that's what I mean. Why are you in my glass bowl?

0:34:42.400 --> 0:34:45.640
<v Speaker 4>Ancient tech? Yet he doesn't sound like an any problem Bob.

0:34:45.680 --> 0:34:47.800
<v Speaker 4>It sound like a Bob problem. It's like a Bob problem.

0:34:47.840 --> 0:34:48.160
<v Speaker 4>It does.

0:34:48.200 --> 0:34:51.120
<v Speaker 1>But Bob is uh, yeah, he's I get he's busy

0:34:51.160 --> 0:34:52.959
<v Speaker 1>and he's doing all that stuff. And I think they're

0:34:53.000 --> 0:34:54.960
<v Speaker 1>trying to make this movie it's supposed to be about

0:34:55.800 --> 0:34:59.359
<v Speaker 1>how nobody is really taking the time to look at

0:34:59.400 --> 0:35:02.080
<v Speaker 1>anything through anybody else's point of view.

0:35:02.200 --> 0:35:04.040
<v Speaker 2>It's just how you're going through it.

0:35:04.040 --> 0:35:06.840
<v Speaker 1>It's just they're all kind of in selfish mode, at

0:35:06.920 --> 0:35:07.800
<v Speaker 1>least in the beginning.

0:35:08.080 --> 0:35:10.720
<v Speaker 3>But I will say, except for it, speaking of mister

0:35:10.880 --> 0:35:14.759
<v Speaker 3>Stu again, Yeah, remember how he said that he refused

0:35:14.760 --> 0:35:17.359
<v Speaker 3>to do characters where the dad and the daughter have

0:35:17.960 --> 0:35:20.399
<v Speaker 3>like he doesn't like to have characters where the dad

0:35:20.680 --> 0:35:22.600
<v Speaker 3>is looking like a jerk.

0:35:22.680 --> 0:35:25.640
<v Speaker 2>This is this is the jerkiest dad we've seen.

0:35:25.719 --> 0:35:30.600
<v Speaker 1>Steve do exactly and be like, Ah, Stu, we got

0:35:30.640 --> 0:35:31.480
<v Speaker 1>a jerky dad for you.

0:35:31.560 --> 0:35:33.400
<v Speaker 2>I think we forgot about one of your characters.

0:35:33.400 --> 0:35:34.759
<v Speaker 4>I'm telling you because this is you got it.

0:35:34.760 --> 0:35:37.480
<v Speaker 1>You got a jerky dad here, yeah, Stu, Yeah, I'm

0:35:37.600 --> 0:35:38.200
<v Speaker 1>I can't okay.

0:35:38.320 --> 0:35:40.000
<v Speaker 3>And a mom that can't seem to get it together

0:35:40.160 --> 0:35:42.320
<v Speaker 3>very well either. I mean, but they're all struggling.

0:35:42.440 --> 0:35:44.680
<v Speaker 1>They were missing each other. Yeah, and I think the

0:35:44.680 --> 0:35:45.799
<v Speaker 1>struggle was the point of it.

0:35:45.840 --> 0:35:47.600
<v Speaker 4>I get that. And she's supposed to be filming the struggle.

0:35:47.640 --> 0:35:47.960
<v Speaker 4>I get it.

0:35:47.960 --> 0:35:50.080
<v Speaker 1>It's just it was very abrupt at times. But I

0:35:50.160 --> 0:35:52.920
<v Speaker 1>understand what they're going for. Bob tells his son that

0:35:52.960 --> 0:35:55.719
<v Speaker 1>the tools are antiques gifted down from his dad. Eddie

0:35:55.760 --> 0:35:58.680
<v Speaker 1>starts crying and yelling he's not a doctor. Doctors are mean.

0:35:59.120 --> 0:36:01.279
<v Speaker 1>Ginny jumps in. She says Eddie was being careful. Then

0:36:01.280 --> 0:36:03.520
<v Speaker 1>the young boy slams the watermelon to the floor, breaking

0:36:03.520 --> 0:36:05.960
<v Speaker 1>it to pieces. Bob gives his look to his wife

0:36:06.000 --> 0:36:10.000
<v Speaker 1>and yeah, he sucks as a dad. Later in their bedroom,

0:36:10.040 --> 0:36:12.279
<v Speaker 1>Bob is explaining himself to Ginny. It's like everything he

0:36:12.320 --> 0:36:12.680
<v Speaker 1>does with.

0:36:12.680 --> 0:36:15.000
<v Speaker 4>This kid is wrong. She says, it's his tone.

0:36:15.120 --> 0:36:17.520
<v Speaker 1>Bob wonders if they don't put if they don't push him,

0:36:17.600 --> 0:36:20.560
<v Speaker 1>will he ever grow? And this gets slightly heated, and

0:36:20.600 --> 0:36:23.759
<v Speaker 1>things just aren't easy right now for the Walkers, and

0:36:23.800 --> 0:36:29.080
<v Speaker 1>again a very rare, frustrated conversation between two adults.

0:36:29.440 --> 0:36:30.920
<v Speaker 2>And yes, I thought of that.

0:36:31.000 --> 0:36:32.680
<v Speaker 3>I said, this is really kind of one of the

0:36:32.680 --> 0:36:36.920
<v Speaker 3>first times where we're seeing and it's I assume.

0:36:36.600 --> 0:36:39.200
<v Speaker 2>This would be very real of how hard it.

0:36:39.120 --> 0:36:41.440
<v Speaker 3>Is to be in a marriage when you're both having to,

0:36:41.960 --> 0:36:45.960
<v Speaker 3>you know, handle this delicate of a situation, and how

0:36:46.160 --> 0:36:50.319
<v Speaker 3>you're looking at each other somewhat judging each other. Yeah,

0:36:50.360 --> 0:36:53.000
<v Speaker 3>I handle it this way, and this way is better

0:36:53.040 --> 0:36:54.799
<v Speaker 3>than the way you handle it, you know, and how

0:36:54.880 --> 0:36:55.920
<v Speaker 3>much that could affect.

0:36:56.360 --> 0:36:59.279
<v Speaker 1>They're really frustrated and you're yelling, and I think they

0:36:59.320 --> 0:37:03.319
<v Speaker 1>were trying to cap Yes. Yeah, we are now back

0:37:03.320 --> 0:37:05.320
<v Speaker 1>in True's bedroom. She's dreaming once again about her and

0:37:05.400 --> 0:37:07.960
<v Speaker 1>Eddie as kids in the field, but now she can't

0:37:07.960 --> 0:37:08.359
<v Speaker 1>find him.

0:37:08.400 --> 0:37:12.760
<v Speaker 4>She's yelling his name, running all around. Sabrina is still crying, and.

0:37:15.120 --> 0:37:18.760
<v Speaker 1>Somebody find Eddie and over in Eddie's room, He's sleeping

0:37:18.840 --> 0:37:21.600
<v Speaker 1>on the floor, violently tossing and turning, crying and saying

0:37:21.600 --> 0:37:23.239
<v Speaker 1>True's name. We don't know if he's having the same

0:37:23.320 --> 0:37:25.359
<v Speaker 1>dream or he's kind of still reacting to being yelled

0:37:25.400 --> 0:37:27.279
<v Speaker 1>at by his dad. I don't know if twins have

0:37:27.320 --> 0:37:29.279
<v Speaker 1>the same dreams. I bet you they do. Eddie's dad

0:37:29.320 --> 0:37:31.000
<v Speaker 1>eventually puts him in the bed and rubs his head

0:37:31.040 --> 0:37:33.800
<v Speaker 1>until he is back asleep. The next day, Eddie's playing

0:37:33.840 --> 0:37:37.000
<v Speaker 1>catch with his dad. We get a montageing all of

0:37:37.080 --> 0:37:39.800
<v Speaker 1>Eddie's throws sail well over Bob's head or into the ground.

0:37:40.120 --> 0:37:42.400
<v Speaker 1>Bob is all smiles at first, praising his son's attempt,

0:37:42.440 --> 0:37:44.680
<v Speaker 1>so I think he's probably felt guilty about how he

0:37:44.719 --> 0:37:46.919
<v Speaker 1>treated him the day before. But eventually he just gets

0:37:46.920 --> 0:37:49.040
<v Speaker 1>exhausted running everywhere to get the ball, so he decides

0:37:49.080 --> 0:37:50.800
<v Speaker 1>to take Eddie to get a hot fudge Sunday.

0:37:50.960 --> 0:37:52.640
<v Speaker 4>Eddie loves that idea, so do I.

0:37:52.640 --> 0:38:01.799
<v Speaker 1>I'd be eating one right now if I could. It's

0:38:01.840 --> 0:38:03.880
<v Speaker 1>now later and True is still working in her bedroom

0:38:03.920 --> 0:38:06.160
<v Speaker 1>when she turns her attention to the special needs sight. Again,

0:38:06.400 --> 0:38:08.920
<v Speaker 1>her post has gotten some replies. She reads them and

0:38:08.960 --> 0:38:11.880
<v Speaker 1>imagines the contributor. She can cox an old lady yelling

0:38:12.680 --> 0:38:17.160
<v Speaker 1>and again, now this is another great moment of direction

0:38:17.239 --> 0:38:19.080
<v Speaker 1>where it's kind of we're cutting to all these things.

0:38:19.120 --> 0:38:21.480
<v Speaker 1>We could easily just read it off the screen, or

0:38:21.640 --> 0:38:24.000
<v Speaker 1>it could be read in a voiceover, but no, we're

0:38:24.040 --> 0:38:27.080
<v Speaker 1>cutting to these things, which is another cool Paul Holand trick.

0:38:27.120 --> 0:38:30.160
<v Speaker 1>Here she can cox an old lady telling her the

0:38:30.239 --> 0:38:33.239
<v Speaker 1>question isn't what's wrong with her brother, what's wrong with her?

0:38:33.880 --> 0:38:34.240
<v Speaker 4>Harsh?

0:38:34.920 --> 0:38:37.680
<v Speaker 1>She also suggests true just needs a strong sense of faith.

0:38:38.120 --> 0:38:40.040
<v Speaker 1>The next reply is from a motorcycle dude. He has

0:38:40.080 --> 0:38:41.719
<v Speaker 1>a son who sounds a lot like Eddie and their

0:38:41.719 --> 0:38:42.879
<v Speaker 1>school board was a big help.

0:38:42.960 --> 0:38:45.520
<v Speaker 4>Maybe she can try that. What this is?

0:38:45.520 --> 0:38:49.080
<v Speaker 3>When it went uh oh okay, now we're entering the

0:38:49.280 --> 0:38:52.600
<v Speaker 3>scariness of chat rooms and who the heck you could

0:38:52.600 --> 0:38:53.239
<v Speaker 3>be talking to?

0:38:53.680 --> 0:38:58.320
<v Speaker 2>Like, of course, my twenty twenty five brain goes.

0:38:58.920 --> 0:39:01.400
<v Speaker 3>So badly into the dark side once I see this

0:39:01.480 --> 0:39:03.600
<v Speaker 3>motorcycle guy, like, oh god.

0:39:03.560 --> 0:39:06.480
<v Speaker 2>Now he's gonna be gonna and oh gosh, what's going on?

0:39:06.520 --> 0:39:08.680
<v Speaker 2>You know, I couldn't even help it, but this is.

0:39:09.440 --> 0:39:14.920
<v Speaker 3>It's all nice, super scared about.

0:39:13.880 --> 0:39:16.720
<v Speaker 1>Yeah, we'll get scared soon, but we weren't scared yet

0:39:17.120 --> 0:39:18.960
<v Speaker 1>the motorcycle did. He has a son who sounds a

0:39:18.960 --> 0:39:20.480
<v Speaker 1>lot like eddying the school board was a big help.

0:39:20.520 --> 0:39:22.920
<v Speaker 1>Maybe she can try that. And finally, she imagines an

0:39:22.960 --> 0:39:25.919
<v Speaker 1>all American housewife with the screen named Dedi. The woman

0:39:25.960 --> 0:39:28.880
<v Speaker 1>is praising True as a sister. She suggests that support

0:39:28.920 --> 0:39:31.120
<v Speaker 1>and love can do the trick, and she says she's

0:39:31.200 --> 0:39:33.040
<v Speaker 1>always around if True needs her.

0:39:33.480 --> 0:39:35.200
<v Speaker 4>The next day, back on the Very True.

0:39:34.960 --> 0:39:37.239
<v Speaker 1>Ask Denise and Jack if they think Billy meyerd would

0:39:37.239 --> 0:39:40.440
<v Speaker 1>be in her film. Billy My don't, but her friends

0:39:40.480 --> 0:39:44.600
<v Speaker 1>don't really care. They say, I'm sorry, No, I'm just

0:39:44.719 --> 0:39:47.840
<v Speaker 1>I just got a rashly pissed over Yolanda from the

0:39:47.840 --> 0:39:54.360
<v Speaker 1>The Dutch Dragons anyway, the Dutch Dragon don't get me started.

0:39:54.520 --> 0:39:57.000
<v Speaker 1>But her friends don't really care. They say he is

0:39:57.040 --> 0:39:59.640
<v Speaker 1>an ego maniac. True thinks this contest can be the

0:39:59.680 --> 0:40:02.319
<v Speaker 1>beginning the rest of her life, but her friends think

0:40:02.440 --> 0:40:05.200
<v Speaker 1>she's probably overselling it. We are now back on Land,

0:40:05.239 --> 0:40:08.279
<v Speaker 1>being followed by Eddie. She mentions mister Taylor's suggestion, but

0:40:08.400 --> 0:40:12.120
<v Speaker 1>everything she quote unquote knows is incredibly boring. Should she

0:40:12.160 --> 0:40:14.960
<v Speaker 1>do a movie parody and animation and hip hop music?

0:40:15.280 --> 0:40:17.920
<v Speaker 1>And then she gets the most brilliant idea ever and

0:40:18.040 --> 0:40:20.719
<v Speaker 1>races back on the boat to do some research. When

0:40:20.760 --> 0:40:23.200
<v Speaker 1>True eventually returns home, she's carrying a bunch of heavy books.

0:40:23.280 --> 0:40:24.759
<v Speaker 1>Her dad is home early from work, which is a

0:40:24.840 --> 0:40:27.160
<v Speaker 1>rare occurrence, and True is happy to see him. She

0:40:27.239 --> 0:40:30.640
<v Speaker 1>needs his help on the WTUV contest. She decided on

0:40:30.680 --> 0:40:33.440
<v Speaker 1>a new magazine show to teach people about kids like Eddie,

0:40:33.640 --> 0:40:35.560
<v Speaker 1>how they get that way, what doctors are doing to

0:40:35.600 --> 0:40:37.600
<v Speaker 1>try to help them. She wonders if one of his

0:40:37.719 --> 0:40:41.239
<v Speaker 1>really smart and TV friendly doctor coworkers could sit for

0:40:41.280 --> 0:40:45.400
<v Speaker 1>an interview. He slightly suggests himself, but she wants professional,

0:40:45.520 --> 0:40:46.240
<v Speaker 1>not pathetic.

0:40:46.960 --> 0:40:47.320
<v Speaker 6>Ouch.

0:40:47.760 --> 0:40:50.239
<v Speaker 4>The family is just so mean to each other. That's

0:40:50.239 --> 0:40:50.600
<v Speaker 4>what I mean.

0:40:51.080 --> 0:40:54.520
<v Speaker 3>I wrote that one down, meaning she just has them

0:40:54.560 --> 0:40:56.600
<v Speaker 3>coming out one after another.

0:40:57.120 --> 0:41:00.239
<v Speaker 2>It would be hard to live with her, honestly.

0:41:02.239 --> 0:41:07.879
<v Speaker 3>Anyway, Yes it is, yeah, But just then Eddie comes

0:41:07.960 --> 0:41:10.240
<v Speaker 3>rollerblading in, but he's falling all over the place.

0:41:10.440 --> 0:41:12.560
<v Speaker 1>He's proud and wants his dad to come watch him

0:41:12.600 --> 0:41:15.040
<v Speaker 1>skate outside. But that's when Bob gets paid by work.

0:41:15.239 --> 0:41:17.760
<v Speaker 1>He runs the phone just as the doorbell rings. True

0:41:17.760 --> 0:41:22.759
<v Speaker 1>answers it and it's Yolanda. No, it's Billy Meyer. He

0:41:22.840 --> 0:41:25.440
<v Speaker 1>is delivering groceries. He helps her bring in the bags,

0:41:25.480 --> 0:41:27.680
<v Speaker 1>and her brother continues to scream and glide around. He

0:41:27.719 --> 0:41:30.200
<v Speaker 1>eventually bumps into his sister, forcing Oranges to fall to

0:41:30.280 --> 0:41:32.440
<v Speaker 1>the floor. True won't pick them up. It wasn't her fault.

0:41:32.760 --> 0:41:35.120
<v Speaker 1>Eddie accidentally tackles his dad, who's trying to talk on

0:41:35.160 --> 0:41:38.040
<v Speaker 1>the phone, and then skates right over his sister's finger.

0:41:38.400 --> 0:41:40.520
<v Speaker 1>Now Billy is, of course, seeing all of this chaos,

0:41:40.560 --> 0:41:41.399
<v Speaker 1>waiting for his tip.

0:41:41.680 --> 0:41:43.959
<v Speaker 4>He finally exits just as Ginny arrives home.

0:41:43.880 --> 0:41:46.040
<v Speaker 1>Which is good news for Bob because he's got to

0:41:46.080 --> 0:41:48.120
<v Speaker 1>go to the hospital for an emergency. Big shocker, He's

0:41:48.160 --> 0:41:51.760
<v Speaker 1>leaving again, and leaving True without the project help she needed,

0:41:52.040 --> 0:41:54.319
<v Speaker 1>and leaving his wife Ginny with all the mess and

0:41:54.360 --> 0:41:57.719
<v Speaker 1>everything else going on. True is furious and slams her

0:41:57.719 --> 0:42:00.719
<v Speaker 1>brother's uneaten carrots down the garbage to both. She just

0:42:00.760 --> 0:42:02.399
<v Speaker 1>wants it to be normal in her house. For once

0:42:02.560 --> 0:42:05.200
<v Speaker 1>Billy Meyer was in their house. It was Billy Meyer mom,

0:42:05.520 --> 0:42:08.719
<v Speaker 1>and she was so embarrassed. Later that night, We're at

0:42:08.719 --> 0:42:11.080
<v Speaker 1>the Walker's dinner table. Dad, Mom, and Eddie take their

0:42:11.120 --> 0:42:13.840
<v Speaker 1>seats on the glass table with glass bowls and glass plates,

0:42:14.120 --> 0:42:17.760
<v Speaker 1>and True eventually arrives with new carrots, this time paper

0:42:17.800 --> 0:42:20.440
<v Speaker 1>ones she made from construction paper. This gets a smile

0:42:20.480 --> 0:42:23.400
<v Speaker 1>from the family and peace is sort of re established,

0:42:23.480 --> 0:42:26.880
<v Speaker 1>at least for now. That night, True writes back Detie

0:42:26.920 --> 0:42:29.080
<v Speaker 1>on her message board. She goes into detail about how

0:42:29.080 --> 0:42:30.839
<v Speaker 1>her mom is always too busy to hear about her

0:42:30.840 --> 0:42:33.799
<v Speaker 1>TV project and how Eddie is just so content in

0:42:33.880 --> 0:42:36.560
<v Speaker 1>his life. She spends so much time worrying about and

0:42:36.600 --> 0:42:38.560
<v Speaker 1>looking out for him, but maybe he's one of the

0:42:38.640 --> 0:42:42.840
<v Speaker 1>luckiest people in the family. He's happier than anyone she knows.

0:42:43.160 --> 0:42:45.200
<v Speaker 1>The next day, True is back to work on our project,

0:42:45.280 --> 0:42:48.080
<v Speaker 1>so we get a montage my favorite. She interviews one

0:42:48.120 --> 0:42:51.040
<v Speaker 1>of her dad's doctor friends. She edits, she films her brother,

0:42:51.120 --> 0:42:53.960
<v Speaker 1>and gets some shots. In her science classroom, she's working

0:42:54.080 --> 0:42:56.320
<v Speaker 1>very hard, in fact, so hard that she falls asleep

0:42:56.320 --> 0:42:57.680
<v Speaker 1>in class and right out of the chair, which is

0:42:57.719 --> 0:42:58.919
<v Speaker 1>starting to become a new Disney trope.

0:42:58.920 --> 0:43:00.719
<v Speaker 4>We've now seen that a few times, because.

0:43:00.440 --> 0:43:02.479
<v Speaker 1>Didn't he fell asleep in the middle class and jump

0:43:02.480 --> 0:43:05.200
<v Speaker 1>in ye remember that, So everybody's fall asleep in class?

0:43:05.239 --> 0:43:06.960
<v Speaker 4>Another enjoyed.

0:43:07.520 --> 0:43:08.520
<v Speaker 2>I think way back in.

0:43:10.120 --> 0:43:13.480
<v Speaker 3>Brink when he was going two times with the with

0:43:13.560 --> 0:43:17.000
<v Speaker 3>the skate rope, he was fall sleeping class. I think

0:43:17.040 --> 0:43:18.960
<v Speaker 3>as well, fall asleep in class.

0:43:19.239 --> 0:43:20.640
<v Speaker 1>But of course she's doing this right in front of

0:43:20.680 --> 0:43:23.640
<v Speaker 1>Billy Meyer. Oh that cute Billy Meyer. She just cannot

0:43:23.719 --> 0:43:24.719
<v Speaker 1>catch a break with this guy.

0:43:25.239 --> 0:43:26.480
<v Speaker 4>But the hard work was worth it.

0:43:26.480 --> 0:43:28.520
<v Speaker 1>The project is now done and it's time to screen

0:43:28.560 --> 0:43:30.920
<v Speaker 1>it for Denise, Jack and Eddie. They promised to be

0:43:30.960 --> 0:43:33.800
<v Speaker 1>honest once it begins. Eddie loves seeing himself on the screen,

0:43:33.840 --> 0:43:37.440
<v Speaker 1>and they all seem interested at first, but it becomes

0:43:37.520 --> 0:43:39.799
<v Speaker 1>way too scientifically focused on the brain and they start

0:43:39.800 --> 0:43:42.040
<v Speaker 1>to doze off. Finally, it ends and her friends let

0:43:42.080 --> 0:43:44.640
<v Speaker 1>out a big sigh. They admit it's just boring.

0:43:44.880 --> 0:43:46.000
<v Speaker 4>True agrees, she.

0:43:46.080 --> 0:43:48.200
<v Speaker 1>Knows that she's got to make some changes, and Jack

0:43:48.239 --> 0:43:52.920
<v Speaker 1>suggests getting a second opinion. Sweetly, Eddie still congratulates.

0:43:52.239 --> 0:43:53.960
<v Speaker 4>His sister on a job well done.

0:43:54.320 --> 0:43:57.319
<v Speaker 1>Her second opinion is her mom, who watches it and

0:43:57.440 --> 0:43:59.719
<v Speaker 1>also thinks it's a little bit boring. She thinks that

0:43:59.760 --> 0:44:01.759
<v Speaker 1>True played it too safe. She wants to see what

0:44:01.800 --> 0:44:05.560
<v Speaker 1>True's emotional POV is not just medical explanations. And then

0:44:06.120 --> 0:44:10.239
<v Speaker 1>guess what happens. True gets irrationally mad and shouts in

0:44:10.360 --> 0:44:11.920
<v Speaker 1>storms off, oh, I can't even.

0:44:11.840 --> 0:44:14.120
<v Speaker 4>Believe it again, And that's when I was like, and

0:44:14.160 --> 0:44:15.319
<v Speaker 4>it was the instant, it was.

0:44:15.280 --> 0:44:19.120
<v Speaker 3>Like, sure is real life. This is for sure real

0:44:19.160 --> 0:44:22.000
<v Speaker 3>life with girls and their moms at this age. I

0:44:22.120 --> 0:44:25.759
<v Speaker 3>swear it is. It happens so quick. You just don't

0:44:25.800 --> 0:44:28.080
<v Speaker 3>even know what's happening. Even when I was a girl

0:44:28.200 --> 0:44:31.319
<v Speaker 3>doing this, I don't know what was happening and why

0:44:31.320 --> 0:44:34.400
<v Speaker 3>all of a sudden, just got so pissed so quick because.

0:44:34.160 --> 0:44:34.960
<v Speaker 4>I was like, what did what?

0:44:35.040 --> 0:44:35.279
<v Speaker 6>Wow?

0:44:35.360 --> 0:44:36.560
<v Speaker 4>That came out of nowhere?

0:44:36.760 --> 0:44:39.960
<v Speaker 2>Out of nowhere? You cannot see it coming? Will okay,

0:44:40.360 --> 0:44:41.840
<v Speaker 2>just smash in the face.

0:44:41.960 --> 0:44:45.279
<v Speaker 4>I will take your word for it. We are now

0:44:45.320 --> 0:44:46.239
<v Speaker 4>in Eddie's room.

0:44:46.320 --> 0:44:48.399
<v Speaker 1>True is reading her brother a bedtime story and asks

0:44:48.400 --> 0:44:49.880
<v Speaker 1>his real opinion on the project.

0:44:50.000 --> 0:44:50.480
<v Speaker 4>He said it.

0:44:50.520 --> 0:44:53.960
<v Speaker 1>Needed more car crashes. She laughs, but second guesses are talent.

0:44:54.120 --> 0:44:56.760
<v Speaker 1>Eddie assures her that she's funny, but then gets serious.

0:44:56.800 --> 0:44:58.440
<v Speaker 1>He wants to know if True is mad at him.

0:44:58.840 --> 0:45:01.520
<v Speaker 1>She says, of course. She explains that she's been busy

0:45:01.560 --> 0:45:04.200
<v Speaker 1>with her tape, but Eddie admits it makes him sad

0:45:04.640 --> 0:45:06.520
<v Speaker 1>she used to be his twin and now she's not.

0:45:06.680 --> 0:45:08.759
<v Speaker 1>It's a very touching scene that leads True back to

0:45:08.800 --> 0:45:11.400
<v Speaker 1>the message board. It is hard not to love Eddie.

0:45:11.640 --> 0:45:15.719
<v Speaker 4>And I almost teared up here. Okay, it was close.

0:45:15.800 --> 0:45:18.600
<v Speaker 4>I was like, okay, little language for me is bawling.

0:45:18.680 --> 0:45:21.680
<v Speaker 1>If I'm like I have a slight emotional feeling, then

0:45:21.719 --> 0:45:22.799
<v Speaker 1>it's like I'm crying my eyes.

0:45:23.200 --> 0:45:25.600
<v Speaker 2>I love it, Yes, I know.

0:45:25.920 --> 0:45:29.759
<v Speaker 3>And he's so honest too about it, you know, and

0:45:29.800 --> 0:45:32.400
<v Speaker 3>it's like he's learned to be able to express his

0:45:32.480 --> 0:45:34.440
<v Speaker 3>feelings and you're just going, wow.

0:45:34.480 --> 0:45:37.880
<v Speaker 2>Yeah, I mean, especially with twins, twins, I do believe

0:45:37.960 --> 0:45:39.160
<v Speaker 2>I've always wanted.

0:45:38.880 --> 0:45:41.040
<v Speaker 4>To be you want to have them.

0:45:41.120 --> 0:45:45.040
<v Speaker 3>I like you just it's like this connection between the

0:45:45.080 --> 0:45:47.319
<v Speaker 3>two of them, and to imagine what it would be

0:45:47.480 --> 0:45:50.960
<v Speaker 3>like for one of them to struggle so much. Just like,

0:45:51.239 --> 0:45:53.440
<v Speaker 3>oh man, this was such a great scene and s

0:45:53.520 --> 0:45:54.560
<v Speaker 3>I did such a great job.

0:45:54.719 --> 0:45:55.359
<v Speaker 4>Yeah, he was great.

0:45:56.000 --> 0:45:58.680
<v Speaker 1>True replies to Dedie again, she feels like a loser

0:45:58.719 --> 0:46:00.719
<v Speaker 1>who can't figure out this project and her mom isn't

0:46:00.719 --> 0:46:02.680
<v Speaker 1>helping it all. She ends by asking dede if the

0:46:02.680 --> 0:46:05.040
<v Speaker 1>project gets too personal, won't people.

0:46:04.880 --> 0:46:07.640
<v Speaker 4>Just laugh at her? At the next day's soccer game,

0:46:07.719 --> 0:46:09.480
<v Speaker 4>and I, okay this.

0:46:09.600 --> 0:46:10.440
<v Speaker 2>I didn't understand.

0:46:10.880 --> 0:46:13.960
<v Speaker 1>Why is she on the team with the with the

0:46:14.719 --> 0:46:18.000
<v Speaker 1>because this is obviously a team for people with intellectual disabilities,

0:46:18.080 --> 0:46:20.839
<v Speaker 1>But why is she the only person on the team

0:46:20.840 --> 0:46:22.440
<v Speaker 1>who doesn't have intellectual disabilities?

0:46:22.440 --> 0:46:23.359
<v Speaker 4>I didn't understand that.

0:46:23.640 --> 0:46:24.279
<v Speaker 2>I didn't get it.

0:46:24.360 --> 0:46:26.959
<v Speaker 1>Yeah, I didn't either. But True arrives with her family.

0:46:27.000 --> 0:46:28.800
<v Speaker 1>I figured they'd all just be there to support him.

0:46:29.040 --> 0:46:31.279
<v Speaker 1>Eddie is also in a jersey. True tells her dad

0:46:31.280 --> 0:46:33.680
<v Speaker 1>that she's still creatively stuck, but he's convinced she'll do

0:46:33.760 --> 0:46:36.720
<v Speaker 1>fine in the end. On the field, the coach, who's awesome,

0:46:37.320 --> 0:46:39.680
<v Speaker 1>seems great, almost like he'd be a better dad for

0:46:39.719 --> 0:46:42.880
<v Speaker 1>the twins, which he would. He reminds Eddie not to

0:46:43.000 --> 0:46:44.640
<v Speaker 1>use his hands and tells him to go and have

0:46:44.719 --> 0:46:45.120
<v Speaker 1>some fun.

0:46:45.160 --> 0:46:45.960
<v Speaker 4>Now we're mid game.

0:46:46.120 --> 0:46:48.480
<v Speaker 1>Ginny gets a breakaway and passes to an open Eddie

0:46:48.600 --> 0:46:50.799
<v Speaker 1>without even looking up. It's almost like they have some

0:46:50.840 --> 0:46:52.960
<v Speaker 1>sort of twin telepathy, which is what she's talking about

0:46:52.960 --> 0:46:53.600
<v Speaker 1>in the voiceover.

0:46:53.800 --> 0:46:55.320
<v Speaker 4>Then Eddie shoots and scores.

0:46:55.400 --> 0:46:58.680
<v Speaker 1>Everybody celebrates, especially Eddie, who hugs his sister and waves

0:46:58.680 --> 0:47:01.480
<v Speaker 1>to his parents, who were filming the whole thing back

0:47:01.480 --> 0:47:04.680
<v Speaker 1>in home. Dede, still being imagined as an old fashioned housewife,

0:47:04.680 --> 0:47:07.480
<v Speaker 1>has replied. She admits that True's life is intense, but

0:47:07.600 --> 0:47:10.200
<v Speaker 1>no one makes great art without taking a risk. Dede

0:47:10.280 --> 0:47:13.080
<v Speaker 1>suggests she should show her true self to be rewarded.

0:47:13.600 --> 0:47:15.160
<v Speaker 1>True is now in a walk with Denise and Eddie,

0:47:15.200 --> 0:47:18.280
<v Speaker 1>chatting about her new online friendship with Dede. Denise wonders

0:47:18.280 --> 0:47:20.680
<v Speaker 1>if it's actually a five hundred pounds man with Nasty

0:47:20.680 --> 0:47:22.960
<v Speaker 1>bo and Harry Back, which is exactly what you were

0:47:22.960 --> 0:47:25.480
<v Speaker 1>talking about, which is what people were starting to wonder

0:47:25.520 --> 0:47:27.920
<v Speaker 1>about in the early chat rooms.

0:47:27.960 --> 0:47:31.440
<v Speaker 4>Never been in a chat room in my entire.

0:47:31.560 --> 0:47:35.000
<v Speaker 2>Life, not even those AOL ones.

0:47:35.040 --> 0:47:39.000
<v Speaker 4>And I'm still AOL by the way, I'm Rider Diol.

0:47:39.120 --> 0:47:42.080
<v Speaker 1>My email is still AOL, still existing AOL.

0:47:42.160 --> 0:47:44.160
<v Speaker 4>Well, there's like three of us left. It's me, my mom,

0:47:44.200 --> 0:47:45.640
<v Speaker 4>and I think some like one of my old friends.

0:47:46.160 --> 0:47:48.480
<v Speaker 4>That's it. But I am AOL Rider died.

0:47:48.480 --> 0:47:50.560
<v Speaker 1>But I've never in my because I'm not a computer guy,

0:47:50.600 --> 0:47:52.480
<v Speaker 1>I've never in my life been in a chat room.

0:47:52.840 --> 0:47:57.560
<v Speaker 3>Yeah mean I I Yeah, They're mean.

0:47:57.880 --> 0:47:58.400
<v Speaker 4>No, thank you.

0:47:59.000 --> 0:48:02.239
<v Speaker 1>Ginny says it's a medical sight, and Dedie is very supportive,

0:48:02.280 --> 0:48:05.120
<v Speaker 1>so she trusts her. After filming her brother and some ducks,

0:48:05.160 --> 0:48:08.160
<v Speaker 1>True announces she's decided to include herself in the movie.

0:48:08.320 --> 0:48:10.400
<v Speaker 1>Denise asks if she's sure she wants to do that.

0:48:10.719 --> 0:48:13.080
<v Speaker 1>True isn't, but she knows that it's the right thing

0:48:13.160 --> 0:48:15.799
<v Speaker 1>to do. Back at home, True unlocks a small safe

0:48:15.800 --> 0:48:17.400
<v Speaker 1>in a room. It's filled with a dozen or so

0:48:17.480 --> 0:48:20.720
<v Speaker 1>camp quarter tapes, all of Sabrina behind the scenes doing

0:48:21.040 --> 0:48:25.560
<v Speaker 1>Cheetah Girls, non kidding camp quarter tapes labeled as top secret.

0:48:25.640 --> 0:48:28.640
<v Speaker 1>We see another montage of home videos, both good and bad,

0:48:29.040 --> 0:48:31.680
<v Speaker 1>including a family dinner where Bob freaks out on Eddie again.

0:48:31.800 --> 0:48:33.960
<v Speaker 1>This guy can't get through a meal without yelling at

0:48:34.000 --> 0:48:36.720
<v Speaker 1>his kid. It ends with footage of Eddie being bullied

0:48:36.760 --> 0:48:39.719
<v Speaker 1>at school by jocks. They even call him the R word,

0:48:39.760 --> 0:48:41.560
<v Speaker 1>which is just awful.

0:48:41.800 --> 0:48:44.279
<v Speaker 2>That just, I mean jumped out at me.

0:48:44.440 --> 0:48:47.520
<v Speaker 3>It's so bad and it made me think that poor

0:48:47.560 --> 0:48:51.040
<v Speaker 3>actor now knowing that that is forever on film.

0:48:50.840 --> 0:48:53.200
<v Speaker 4>I know it's but it just it just hits the

0:48:53.280 --> 0:48:54.240
<v Speaker 4>ear so wrong.

0:48:54.280 --> 0:48:59.440
<v Speaker 2>It's wrong, man, And like you know, he wanted a line.

0:48:59.520 --> 0:49:01.600
<v Speaker 3>He was so soaked to book it, and now it's

0:49:01.600 --> 0:49:03.000
<v Speaker 3>like he's probably like, oh man, oh.

0:49:03.000 --> 0:49:04.600
<v Speaker 4>My god, I can't believe. Yeah, I know, I can't

0:49:04.600 --> 0:49:06.800
<v Speaker 4>believe you've seen the movie. No, it's awful.

0:49:06.880 --> 0:49:09.520
<v Speaker 1>True is devastated reliving some of these memories.

0:49:09.520 --> 0:49:10.000
<v Speaker 4>Obviously.

0:49:17.040 --> 0:49:19.520
<v Speaker 1>The next day, True and a vacation ready Eddie are

0:49:19.520 --> 0:49:20.560
<v Speaker 1>off to the beach with her mom.

0:49:20.600 --> 0:49:22.960
<v Speaker 4>It was supposed to be a trip for all four walkers.

0:49:22.600 --> 0:49:26.040
<v Speaker 1>But you my guess that right, dick. Bob has an

0:49:26.080 --> 0:49:28.759
<v Speaker 1>emergency and can't join. Now, I understand, he's literally a

0:49:28.800 --> 0:49:32.560
<v Speaker 1>brain surgeon. He's saving people's lives. I totally get it.

0:49:32.719 --> 0:49:34.759
<v Speaker 1>You are on call twenty four to seven when you

0:49:34.760 --> 0:49:37.600
<v Speaker 1>are a doctor of that caliber, I understand. But then

0:49:37.640 --> 0:49:40.319
<v Speaker 1>you figure maybe you're the coolest dad in the world

0:49:40.400 --> 0:49:42.360
<v Speaker 1>for the twenty minutes you're with your kid, as opposed

0:49:42.400 --> 0:49:45.040
<v Speaker 1>to yelling at everybody who knows. So yeah, Bob once

0:49:45.040 --> 0:49:47.719
<v Speaker 1>again can't join. At the beach, Eddie becomes frustrated with

0:49:47.719 --> 0:49:49.319
<v Speaker 1>his kite. He can't get it to fly no matter

0:49:49.320 --> 0:49:51.719
<v Speaker 1>how hard he tries. True, who is filming her brother,

0:49:51.840 --> 0:49:54.239
<v Speaker 1>suggests there might not be enough wind, but Eddie is

0:49:54.280 --> 0:49:57.080
<v Speaker 1>taking it really hard. He calls the kite stupid, and

0:49:57.120 --> 0:50:00.719
<v Speaker 1>he repeats the R word about the kite's crying very

0:50:00.760 --> 0:50:03.320
<v Speaker 1>hard as True keeps the camera rolling. She eventually turns

0:50:03.320 --> 0:50:05.400
<v Speaker 1>it off, obviously affected by this episode.

0:50:05.600 --> 0:50:07.759
<v Speaker 4>It was a very powerful scene watching Shia do that.

0:50:08.239 --> 0:50:08.560
<v Speaker 2>Yeah.

0:50:08.680 --> 0:50:13.200
<v Speaker 1>Later that night, it is hoaring rain on the On

0:50:13.239 --> 0:50:16.920
<v Speaker 1>the drive home, horing rain, True is watching the emotional

0:50:16.960 --> 0:50:19.080
<v Speaker 1>footage back with her brother fast asleep in the back seat,

0:50:19.400 --> 0:50:21.520
<v Speaker 1>to think she can't show this tape to anybody. What

0:50:21.560 --> 0:50:24.839
<v Speaker 1>if they laugh at Eddie. Her mom wonders why they'd

0:50:24.840 --> 0:50:26.960
<v Speaker 1>even laugh. The footage shows how much he means to

0:50:27.000 --> 0:50:30.400
<v Speaker 1>True and it's very moving. Also, again unrelated to the film,

0:50:30.400 --> 0:50:34.520
<v Speaker 1>the rain outside is insane. Go back and watch this scene.

0:50:34.600 --> 0:50:35.839
<v Speaker 1>It's amazing.

0:50:36.120 --> 0:50:39.239
<v Speaker 3>I guess it's just Paul just making the decision to

0:50:39.320 --> 0:50:41.799
<v Speaker 3>film in Toronto so often, but like, I feel.

0:50:41.480 --> 0:50:45.080
<v Speaker 2>Like this has happened to him so many times during shoots.

0:50:45.120 --> 0:50:48.160
<v Speaker 2>Like it's pouring. It is literally pouring.

0:50:48.360 --> 0:50:49.239
<v Speaker 4>It's incredible.

0:50:49.880 --> 0:50:52.640
<v Speaker 1>Yes, they're in the eye of a tornado or a hurricane,

0:50:52.640 --> 0:50:54.960
<v Speaker 1>the type of weather that can kill a wicked witch.

0:50:56.560 --> 0:50:57.080
<v Speaker 4>Incredible.

0:50:58.320 --> 0:51:01.080
<v Speaker 1>True quotes her message board Paltie saying something along the

0:51:01.080 --> 0:51:03.400
<v Speaker 1>lines of not being afraid to expose your true feelings.

0:51:03.600 --> 0:51:05.440
<v Speaker 1>And that's when her mom has a question, can she

0:51:05.560 --> 0:51:06.960
<v Speaker 1>tell her something about.

0:51:06.640 --> 0:51:07.160
<v Speaker 2>This d D.

0:51:07.719 --> 0:51:09.880
<v Speaker 1>True gets defensive, It's not some five hundred brond guy,

0:51:09.920 --> 0:51:12.319
<v Speaker 1>if that's what you're gonna say. Her mom decides not

0:51:12.440 --> 0:51:13.840
<v Speaker 1>to tell her whatever she's thinking.

0:51:13.880 --> 0:51:15.240
<v Speaker 4>It's too sensitive a subject.

0:51:15.239 --> 0:51:18.160
<v Speaker 1>But we all knew at this point, and we'll we'll

0:51:18.160 --> 0:51:22.480
<v Speaker 1>get into that. That night, while it's still El Nino outside,

0:51:22.680 --> 0:51:25.440
<v Speaker 1>True reads a new d D post. Her penpal encourages

0:51:25.480 --> 0:51:28.000
<v Speaker 1>her to send in her tape. The following day, True

0:51:28.080 --> 0:51:31.720
<v Speaker 1>and Denise cast a luxpell on the now completed video project.

0:51:31.960 --> 0:51:33.640
<v Speaker 1>Jake has joined them on a mission to mail it.

0:51:33.880 --> 0:51:36.120
<v Speaker 1>True is entering the contest without any time left to

0:51:36.160 --> 0:51:38.160
<v Speaker 1>show her friends. She's just gonna let it fly and

0:51:38.239 --> 0:51:40.719
<v Speaker 1>hope for the best. True returns home and tells her

0:51:40.719 --> 0:51:42.000
<v Speaker 1>mom the tape is on the way to the studio.

0:51:42.040 --> 0:51:43.799
<v Speaker 1>Her mom is very proud of her. She responds with

0:51:44.160 --> 0:51:46.719
<v Speaker 1>if you show your true self, you will be rewarded,

0:51:46.800 --> 0:51:52.120
<v Speaker 1>an exact quote from DEDI what man. True imagines the

0:51:52.160 --> 0:51:55.120
<v Speaker 1>housewife she's been imagining as d D now morphing into

0:51:55.160 --> 0:51:56.000
<v Speaker 1>her real mom.

0:51:56.120 --> 0:52:00.520
<v Speaker 4>She's figured it out. Her mom is d d duh.

0:52:00.640 --> 0:52:02.000
<v Speaker 4>I mean, come on, we all knew it.

0:52:02.040 --> 0:52:03.960
<v Speaker 1>Do you think anybody watching the movie didn't know this

0:52:04.200 --> 0:52:04.760
<v Speaker 1>at this point?

0:52:04.800 --> 0:52:06.000
<v Speaker 4>I mean it was so obvious.

0:52:06.080 --> 0:52:09.240
<v Speaker 2>Okay, no, no, no, But I can see how she wouldn't.

0:52:08.880 --> 0:52:11.960
<v Speaker 1>Know, right, But I mean maybe, But yeah, True is

0:52:12.000 --> 0:52:13.600
<v Speaker 1>the last one to find out, but they didn't try

0:52:13.600 --> 0:52:14.600
<v Speaker 1>to hide it from the rest of us.

0:52:14.600 --> 0:52:15.080
<v Speaker 4>We all knew.

0:52:15.120 --> 0:52:18.759
<v Speaker 1>No, Ginny tries to explain, but True feels tricked and

0:52:18.880 --> 0:52:21.520
<v Speaker 1>feels stupid for everything going on. She says she hates

0:52:21.560 --> 0:52:24.600
<v Speaker 1>her mom, and then here it is yet again, she

0:52:24.920 --> 0:52:25.680
<v Speaker 1>storms out.

0:52:25.880 --> 0:52:28.160
<v Speaker 4>It's like a catch phrase at this point.

0:52:28.480 --> 0:52:30.920
<v Speaker 1>Now, at a local carnival, we see that True is

0:52:30.960 --> 0:52:33.680
<v Speaker 1>on a carousel fevershly looking for Eddie. She's become worried

0:52:33.680 --> 0:52:36.359
<v Speaker 1>where is he. She eventually finds him by nearby lake,

0:52:36.440 --> 0:52:38.920
<v Speaker 1>wearing a new hat. He says some boys in the

0:52:38.920 --> 0:52:41.840
<v Speaker 1>bridge gave it to him. Concerned he's stolen something from strangers,

0:52:41.920 --> 0:52:43.719
<v Speaker 1>she walks over to these boys to find out what happened,

0:52:43.760 --> 0:52:45.040
<v Speaker 1>and then she realizes.

0:52:44.640 --> 0:52:46.360
<v Speaker 4>One of them is Billy Billy Meyer.

0:52:46.880 --> 0:52:48.279
<v Speaker 1>She tries to give him the hat back, but it

0:52:48.360 --> 0:52:50.560
<v Speaker 1>dramatically falls to the floor when he rejects it. He

0:52:50.640 --> 0:52:54.520
<v Speaker 1>then oh, he turns total heel. He asks, true, isn't

0:52:54.520 --> 0:52:56.520
<v Speaker 1>it be kind? I can't even.

0:52:57.360 --> 0:53:01.040
<v Speaker 4>Isn't it be kind? To an R word week? And

0:53:01.320 --> 0:53:03.880
<v Speaker 4>just like that, Billy's a.

0:53:05.280 --> 0:53:08.239
<v Speaker 2>You know, I had hopes for Billy. I did too

0:53:08.440 --> 0:53:10.000
<v Speaker 2>when he showed up at the house.

0:53:10.239 --> 0:53:13.920
<v Speaker 3>I thought his character was gonna see true and see

0:53:13.960 --> 0:53:16.239
<v Speaker 3>how much she goes through and it was gonna be

0:53:16.320 --> 0:53:20.560
<v Speaker 3>this like really great character moment for him, and that's

0:53:20.600 --> 0:53:24.160
<v Speaker 3>what his storyline was going to develop into. I wanted

0:53:24.200 --> 0:53:26.759
<v Speaker 3>her to push this dick off of this bridge so

0:53:26.920 --> 0:53:30.160
<v Speaker 3>much faster than she did, like, I can't even.

0:53:30.480 --> 0:53:32.759
<v Speaker 1>The only part of this that upset me was the

0:53:32.800 --> 0:53:37.240
<v Speaker 1>fact that it wasn't concrete underneath it, that it was water.

0:53:37.360 --> 0:53:40.480
<v Speaker 3>That I did love that it wasn't it was it

0:53:40.520 --> 0:53:43.160
<v Speaker 3>was more shallow than what you thought it was gonna be.

0:53:43.160 --> 0:53:44.640
<v Speaker 2>Because he stood up and I was like, oh, yeah,

0:53:44.680 --> 0:53:46.719
<v Speaker 2>you hit your back. You hit your back, I know

0:53:46.760 --> 0:53:47.120
<v Speaker 2>you did.

0:53:47.520 --> 0:53:49.600
<v Speaker 1>You wanted to climb through the screen and punch this

0:53:49.680 --> 0:53:52.960
<v Speaker 1>guy in the jaw so bad it was, I mean,

0:53:53.160 --> 0:53:56.360
<v Speaker 1>really punch this guy in the jaw so true? Is

0:53:56.400 --> 0:53:58.960
<v Speaker 1>of course shocked that jerk keeps laying it on, saying

0:53:59.000 --> 0:54:02.839
<v Speaker 1>the guy's all bit in the hat too, toue ask

0:54:02.960 --> 0:54:05.480
<v Speaker 1>what the hell is wrong with him? He calls her

0:54:05.480 --> 0:54:08.120
<v Speaker 1>a freak while his friends are laughing. Did you I

0:54:08.600 --> 0:54:09.160
<v Speaker 1>feel like you?

0:54:09.280 --> 0:54:11.719
<v Speaker 4>I was hoping. I had high hopes for Billy Meyer.

0:54:11.760 --> 0:54:13.279
<v Speaker 4>I thought he was going to be a good guy,

0:54:13.400 --> 0:54:14.399
<v Speaker 4>even with the hat.

0:54:14.520 --> 0:54:16.000
<v Speaker 2>I thought he was going to be like No, we

0:54:16.080 --> 0:54:16.879
<v Speaker 2>gave that to him.

0:54:16.960 --> 0:54:18.960
<v Speaker 4>We wanted him to have it. He needed to have it, have.

0:54:18.960 --> 0:54:21.360
<v Speaker 2>It, he needed that. He wanted it too.

0:54:21.480 --> 0:54:23.720
<v Speaker 4>Yes, it was. It was awful.

0:54:24.080 --> 0:54:28.480
<v Speaker 2>I got so heated so fast, me too. I switched on.

0:54:28.680 --> 0:54:30.719
<v Speaker 2>That's when you know you can't trust me. It takes

0:54:30.800 --> 0:54:33.640
<v Speaker 2>one thing. Billy all right, you're out. You're out. You're

0:54:33.640 --> 0:54:35.839
<v Speaker 2>all the rest you are out, out out.

0:54:36.040 --> 0:54:38.080
<v Speaker 1>It's one of those things where I said to myself

0:54:38.239 --> 0:54:40.000
<v Speaker 1>in my head, I was like, Okay, if I was

0:54:40.120 --> 0:54:42.600
<v Speaker 1>an adult, my own age forty eight right now and

0:54:42.680 --> 0:54:44.560
<v Speaker 1>walking on the bridge and heard some kid who's probably

0:54:44.600 --> 0:54:46.839
<v Speaker 1>fifteen or sixteen saying this to people like this played

0:54:46.840 --> 0:54:48.759
<v Speaker 1>out in front of me, I don't know what I

0:54:48.760 --> 0:54:51.000
<v Speaker 1>would do. Oh, I don't know if I would have

0:54:51.000 --> 0:54:52.080
<v Speaker 1>smacked this kid in the mouth.

0:54:52.520 --> 0:54:55.239
<v Speaker 3>I have I because we work in the gym at

0:54:55.239 --> 0:54:59.040
<v Speaker 3>the school, and there are many times it's it's sometimes girls,

0:54:59.040 --> 0:55:01.040
<v Speaker 3>but a lot of times it's got saying things, and

0:55:01.080 --> 0:55:04.360
<v Speaker 3>they use such terrible it's not even the curse words

0:55:04.360 --> 0:55:08.040
<v Speaker 3>that bother me. It's it's the names like this, And

0:55:08.320 --> 0:55:11.600
<v Speaker 3>I fully go like Grandma mode on the excuse me, sir,

0:55:11.760 --> 0:55:12.200
<v Speaker 3>excuse me.

0:55:12.239 --> 0:55:12.720
<v Speaker 2>I'm sorry.

0:55:13.160 --> 0:55:15.960
<v Speaker 3>I had to have heard you wrong. There's just no

0:55:16.040 --> 0:55:18.360
<v Speaker 3>way you speak to someone like this. You are not

0:55:18.400 --> 0:55:21.040
<v Speaker 3>a little kid. You are almost an adult, gonna be

0:55:21.080 --> 0:55:23.040
<v Speaker 3>in the big world, and someone's gonna smack you in

0:55:23.040 --> 0:55:25.160
<v Speaker 3>the face. If you do that again, that's not cool.

0:55:25.400 --> 0:55:28.000
<v Speaker 3>Don't do that again in that room right there. I

0:55:28.040 --> 0:55:28.919
<v Speaker 3>don't want to hear this again.

0:55:29.200 --> 0:55:32.080
<v Speaker 4>Oh man, I want to see you happened because they're

0:55:32.160 --> 0:55:32.719
<v Speaker 4>so mean.

0:55:33.440 --> 0:55:35.560
<v Speaker 2>They can be, and I know they're probably great kids,

0:55:35.600 --> 0:55:36.160
<v Speaker 2>but it's like you.

0:55:36.239 --> 0:55:39.640
<v Speaker 3>Just it's not funny. It's it's it's nothing but wrong.

0:55:39.840 --> 0:55:41.520
<v Speaker 3>That's just the end of the story.

0:55:41.640 --> 0:55:44.360
<v Speaker 4>There is a very simple concept to live by. People.

0:55:44.560 --> 0:55:47.160
<v Speaker 4>Don't be a dick. Yeah, just that simple.

0:55:47.440 --> 0:55:49.520
<v Speaker 2>It's just just so.

0:55:49.680 --> 0:55:52.839
<v Speaker 1>True reacts exactly as she should by pushing him off

0:55:52.880 --> 0:55:54.160
<v Speaker 1>the bridge into the river.

0:55:54.360 --> 0:55:55.280
<v Speaker 4>Good for you, True.

0:55:55.600 --> 0:55:58.200
<v Speaker 1>The twins run away, leaving the bully drenched, and they

0:55:58.239 --> 0:56:00.840
<v Speaker 1>sprint right past their parents, who drive them home in

0:56:00.880 --> 0:56:03.000
<v Speaker 1>the car. True still feels the tension with her mom

0:56:03.040 --> 0:56:05.000
<v Speaker 1>and is very disturbed by what happened on the bridge.

0:56:05.040 --> 0:56:07.040
<v Speaker 1>She closes her eyes and imagines her and her brother

0:56:07.080 --> 0:56:09.560
<v Speaker 1>in the field again, but she still can't find Eddie.

0:56:09.719 --> 0:56:11.520
<v Speaker 1>Also worth noting. Back in the car, Eddie is playing

0:56:11.520 --> 0:56:12.840
<v Speaker 1>with a very nostalgic bop It.

0:56:13.920 --> 0:56:15.040
<v Speaker 4>Do you remember it?

0:56:15.120 --> 0:56:15.359
<v Speaker 1>Yeah?

0:56:15.400 --> 0:56:16.600
<v Speaker 4>Okay, good, all right good?

0:56:16.719 --> 0:56:19.520
<v Speaker 2>Oh, she was so stoked to see that Bopitt.

0:56:19.080 --> 0:56:19.560
<v Speaker 4>Was the best.

0:56:19.800 --> 0:56:21.840
<v Speaker 1>Back at home, Treo was already removing Billy from her

0:56:21.840 --> 0:56:23.920
<v Speaker 1>footage when her mom enters. True still doesn't want to

0:56:23.960 --> 0:56:26.319
<v Speaker 1>talk to her, but Ginny apologizes for pretending to be

0:56:26.400 --> 0:56:28.799
<v Speaker 1>d D. She just wanted to connect with her. True

0:56:28.840 --> 0:56:32.000
<v Speaker 1>accepts the apology. It was a half exception of apology,

0:56:32.160 --> 0:56:34.080
<v Speaker 1>but it's really still mad about what that creep Billy

0:56:34.200 --> 0:56:36.480
<v Speaker 1>did with the hat. She slams the door on her

0:56:36.480 --> 0:56:38.680
<v Speaker 1>confused mom's face, which again.

0:56:39.280 --> 0:56:39.520
<v Speaker 4>Later.

0:56:39.640 --> 0:56:42.399
<v Speaker 1>True decides to call WTUV and ask when the winner

0:56:42.440 --> 0:56:44.760
<v Speaker 1>of the Host your Own TV Show contest will be announced,

0:56:45.040 --> 0:56:48.000
<v Speaker 1>But she's been calling so much they recognize her voice.

0:56:48.400 --> 0:56:51.719
<v Speaker 1>Then we are added a possibly big library.

0:56:52.280 --> 0:56:54.120
<v Speaker 2>Library is the size of the mall it is.

0:56:54.239 --> 0:56:56.799
<v Speaker 4>It's like the library Alexandria back in the day.

0:56:56.880 --> 0:56:59.360
<v Speaker 2>Yes I have Okay, Then it made me go, well

0:56:59.600 --> 0:56:59.840
<v Speaker 2>I do.

0:57:00.480 --> 0:57:02.640
<v Speaker 3>I haven't been in like a ton of libraries throughout

0:57:02.680 --> 0:57:05.160
<v Speaker 3>my life, which is probably not a good look for.

0:57:05.080 --> 0:57:06.400
<v Speaker 2>Me, but it's true.

0:57:06.480 --> 0:57:09.319
<v Speaker 3>And I have never been in a library anywhere near this.

0:57:09.480 --> 0:57:11.600
<v Speaker 3>The biggest is maybe a two story.

0:57:11.480 --> 0:57:13.680
<v Speaker 2>Yeah you're talking to one, not one with an elevator.

0:57:13.800 --> 0:57:15.759
<v Speaker 3>Yeah, I mean maybe I have an elevator for like

0:57:16.160 --> 0:57:19.560
<v Speaker 3>Mandy Kott like reasons, but not not a one.

0:57:20.280 --> 0:57:21.120
<v Speaker 4>This is huge.

0:57:21.200 --> 0:57:23.640
<v Speaker 1>This is what they call a bal or a big

0:57:23.640 --> 0:57:26.880
<v Speaker 1>ass library. Yeah, so it's probably the biggest library in

0:57:26.880 --> 0:57:29.760
<v Speaker 1>the history of the world, which I'm assuming was actually

0:57:29.760 --> 0:57:32.440
<v Speaker 1>the library at this Danforth College, which that's true, is

0:57:32.560 --> 0:57:35.400
<v Speaker 1>a massive library. True is studying with Jake and Eddie

0:57:35.440 --> 0:57:37.560
<v Speaker 1>is reading kids books next to them. Once Eddie needs

0:57:37.560 --> 0:57:39.160
<v Speaker 1>a new book to read, he goes to make a trade,

0:57:39.160 --> 0:57:42.520
<v Speaker 1>but accidentally walks into an open elevator. He, you know,

0:57:42.760 --> 0:57:45.360
<v Speaker 1>is now going down many many floors. Against library is

0:57:45.360 --> 0:57:47.800
<v Speaker 1>a sizeable hotel in Vegas. You can feel the fear

0:57:47.840 --> 0:57:49.920
<v Speaker 1>as he exits onto a new floor. He has no

0:57:49.960 --> 0:57:52.600
<v Speaker 1>idea where he is. He's roaming the aisles, hearing voices

0:57:52.640 --> 0:57:56.400
<v Speaker 1>and completely lost. He's panicked now and running screaming for

0:57:56.480 --> 0:57:58.600
<v Speaker 1>his sister. True and Jake here his cry and run

0:57:58.640 --> 0:58:03.880
<v Speaker 1>towards him. Eddie eventually is cornered and a librarian walks

0:58:03.920 --> 0:58:05.960
<v Speaker 1>in and asks him to keep it down. Eddie just

0:58:05.960 --> 0:58:08.200
<v Speaker 1>wants to find his sister, and when the librarian starts

0:58:08.200 --> 0:58:10.840
<v Speaker 1>to get a little aggressive, it seems like a scared

0:58:10.920 --> 0:58:12.840
<v Speaker 1>Eddie backs into a wall, slamming into some of the

0:58:12.840 --> 0:58:15.200
<v Speaker 1>bookshelves and the books fall on the ground. He then

0:58:15.280 --> 0:58:17.240
<v Speaker 1>falls to the ground, balls up, and starts to cry.

0:58:17.600 --> 0:58:20.520
<v Speaker 1>Finally True arrives and immediately embraces him, and then the

0:58:20.560 --> 0:58:23.680
<v Speaker 1>librarian gets snotty, excuse me, this is a library. Perhaps

0:58:23.720 --> 0:58:26.440
<v Speaker 1>you'd be better if you took him outside. And I

0:58:26.560 --> 0:58:27.880
<v Speaker 1>wanted Jake to walk over.

0:58:27.760 --> 0:58:28.919
<v Speaker 4>And just punch this guy in the face.

0:58:29.000 --> 0:58:34.200
<v Speaker 1>Yeah, really, handle this, handle your business, because it's like,

0:58:34.240 --> 0:58:35.280
<v Speaker 1>are you kidding me?

0:58:35.760 --> 0:58:37.840
<v Speaker 4>But yeah, so awful.

0:58:37.920 --> 0:58:39.880
<v Speaker 1>But Jake asked for a minute and tells the guy

0:58:39.880 --> 0:58:41.880
<v Speaker 1>to chill out, eventually leaving to call their mom for

0:58:41.880 --> 0:58:44.880
<v Speaker 1>a ride home. A defeated, Eddie tells his sister it's

0:58:44.880 --> 0:58:47.000
<v Speaker 1>not fair. He doesn't want to be different anymore. He

0:58:47.040 --> 0:58:49.919
<v Speaker 1>wants to be the same as everyone else. True tells

0:58:49.960 --> 0:58:52.280
<v Speaker 1>him everyone is different, but Eddie says, yeah, but.

0:58:52.280 --> 0:58:53.520
<v Speaker 4>He's really different.

0:58:54.000 --> 0:58:56.440
<v Speaker 1>True agrees he is different, but if he was the

0:58:56.480 --> 0:58:58.840
<v Speaker 1>same as everyone else, he wouldn't get that special help

0:58:58.880 --> 0:59:01.160
<v Speaker 1>at school, or be allowed to rollerblade in the house,

0:59:01.560 --> 0:59:04.400
<v Speaker 1>and he wouldn't be such an amazing brother. She starts

0:59:04.400 --> 0:59:06.200
<v Speaker 1>to cry, but Eddie doesn't want her to be sad.

0:59:06.360 --> 0:59:08.440
<v Speaker 1>He gives her a big hug and they say I

0:59:08.440 --> 0:59:11.960
<v Speaker 1>love you to each other. It's a very tough dcom scene.

0:59:12.240 --> 0:59:16.080
<v Speaker 1>It's arguably the most emotional dcom scene we've seen to date,

0:59:16.520 --> 0:59:18.400
<v Speaker 1>and it still didn't make me cry. I'm dead inside,

0:59:18.880 --> 0:59:20.720
<v Speaker 1>but I'm sure you are bawling.

0:59:20.960 --> 0:59:24.400
<v Speaker 3>I oh man, oh gosh.

0:59:25.040 --> 0:59:26.920
<v Speaker 2>This is the thing true beautiful.

0:59:27.080 --> 0:59:31.960
<v Speaker 3>She is such a such a really like relatable teenager

0:59:32.040 --> 0:59:34.280
<v Speaker 3>and the sense of all her emotions and this is

0:59:34.600 --> 0:59:37.440
<v Speaker 3>showing that she is a really good sister and she

0:59:37.520 --> 0:59:41.720
<v Speaker 3>does really care about him. She just struggles because it's hard.

0:59:42.320 --> 0:59:46.320
<v Speaker 3>She's not struggling because she's she's a rude kid. She's

0:59:46.400 --> 0:59:50.160
<v Speaker 3>struggling because it's tough, such adult stuff to deal with.

0:59:50.240 --> 0:59:53.480
<v Speaker 3>It's not a teenager thing to deal with. And it

0:59:53.600 --> 0:59:55.400
<v Speaker 3>was a really instated.

0:59:55.040 --> 0:59:57.440
<v Speaker 4>Really beautiful scene between two good actors. It really was.

0:59:59.320 --> 1:00:00.680
<v Speaker 2>So good, so good.

1:00:00.800 --> 1:00:02.240
<v Speaker 4>No, still, just eat my popcorn.

1:00:02.360 --> 1:00:04.600
<v Speaker 1>True is now with her dad, wondering if it's awful

1:00:04.640 --> 1:00:06.720
<v Speaker 1>that she's mad she didn't have her camera when Eddie

1:00:06.760 --> 1:00:08.640
<v Speaker 1>was crying at the library. He tells her not to

1:00:08.680 --> 1:00:10.640
<v Speaker 1>be so hard on herself. She's only a mere mortal.

1:00:10.960 --> 1:00:13.320
<v Speaker 1>He tells her to get some sleep. The next day,

1:00:13.320 --> 1:00:15.320
<v Speaker 1>the twins return home from school and True got a

1:00:15.360 --> 1:00:18.280
<v Speaker 1>letter in the mail. It's from the TV station Eddie

1:00:18.280 --> 1:00:19.960
<v Speaker 1>and j You are excited as she rips it open

1:00:20.000 --> 1:00:23.600
<v Speaker 1>to find out she's won. Everyone celebrates, finally some happiness

1:00:23.640 --> 1:00:27.160
<v Speaker 1>in the family, but after initial excitement, True quickly turns again.

1:00:27.680 --> 1:00:29.360
<v Speaker 1>She warns her mom if people laugh at her for

1:00:29.400 --> 1:00:31.680
<v Speaker 1>all the personal stuff she just showed, it'll be her fault.

1:00:32.720 --> 1:00:34.840
<v Speaker 4>And then she storms off again. And I'm like, what

1:00:35.640 --> 1:00:37.400
<v Speaker 4>this one is going on?

1:00:38.240 --> 1:00:42.520
<v Speaker 3>Yes, this one is like okay, well, it's like wait

1:00:43.080 --> 1:00:44.520
<v Speaker 3>what wow?

1:00:44.760 --> 1:00:47.720
<v Speaker 1>I mean yeah, yeah, this is where I was kind

1:00:47.760 --> 1:00:50.080
<v Speaker 1>of like, okay, this is where it was too much.

1:00:50.160 --> 1:00:53.439
<v Speaker 1>It's too much of the constant changing, storming off.

1:00:53.480 --> 1:00:55.920
<v Speaker 4>It was, Yeah, she just can't stop doing it for

1:00:55.920 --> 1:00:56.400
<v Speaker 4>some reason.

1:00:56.560 --> 1:00:58.920
<v Speaker 1>Eddie and his mom, however, high five because this is

1:00:58.960 --> 1:01:02.040
<v Speaker 1>good news. The next day, the principal announces that Trudy

1:01:02.040 --> 1:01:04.040
<v Speaker 1>won the contest to the whole school. Her movie will

1:01:04.040 --> 1:01:06.400
<v Speaker 1>air tomorrow at eight pm, and he encourages all the

1:01:06.440 --> 1:01:09.400
<v Speaker 1>students to tune in. And then it is the big night.

1:01:09.560 --> 1:01:12.640
<v Speaker 1>True Jack and Denise are ready to watch, surrounded by snacks.

1:01:12.640 --> 1:01:14.880
<v Speaker 1>They're joined by Ginny, but her dad, of course, has

1:01:14.920 --> 1:01:17.360
<v Speaker 1>not gotten home yet. He swore he'd make it, but

1:01:17.400 --> 1:01:19.560
<v Speaker 1>he only has a few minutes left. Ed he enters

1:01:19.600 --> 1:01:21.480
<v Speaker 1>the room in dark sunglasses and a shirt printed to

1:01:21.520 --> 1:01:23.960
<v Speaker 1>look like a tuxedo. He's ready for his close up.

1:01:24.040 --> 1:01:25.400
<v Speaker 4>The phone rings. It's Bob.

1:01:25.600 --> 1:01:27.959
<v Speaker 1>He's still at the hospital and running late. He asks

1:01:27.960 --> 1:01:30.040
<v Speaker 1>True to tape it. They'll watch it together later, but

1:01:30.120 --> 1:01:33.560
<v Speaker 1>she's of course extremely disappointed. And then the show starts.

1:01:33.640 --> 1:01:36.280
<v Speaker 1>Everyone is seated at the walker house and enthralled back

1:01:36.320 --> 1:01:39.120
<v Speaker 1>at the hospital. Bill sees it on the nearby TV

1:01:39.240 --> 1:01:42.080
<v Speaker 1>and he stops dead in his tracks. It's time for

1:01:42.200 --> 1:01:49.240
<v Speaker 1>a day in the life of Trudy Walker.

1:01:48.840 --> 1:01:49.320
<v Speaker 6>Better than that.

1:01:49.680 --> 1:01:51.800
<v Speaker 2>Well, why would they use true confessions here?

1:01:52.240 --> 1:01:55.840
<v Speaker 1>Yeah, you'd think, I don't know, that's a great idea.

1:01:55.880 --> 1:01:56.560
<v Speaker 1>That's exactly what.

1:01:57.200 --> 1:01:59.920
<v Speaker 2>Was like in all caps. What the hell is this?

1:02:01.880 --> 1:02:04.800
<v Speaker 2>We im a title already, True questions.

1:02:04.240 --> 1:02:05.040
<v Speaker 4>The name of the movie.

1:02:05.840 --> 1:02:08.400
<v Speaker 1>It is a movie about Eddie splicing together fun memories.

1:02:08.480 --> 1:02:11.200
<v Speaker 1>Eddie sees himself on TV like Gilligan. It's a bit

1:02:11.200 --> 1:02:13.160
<v Speaker 1>of a music video. And we see Bill watching at

1:02:13.160 --> 1:02:15.080
<v Speaker 1>the hospital, still smiling and shaking his head.

1:02:15.080 --> 1:02:16.960
<v Speaker 4>Why didn't he just come home? If he's just gonna

1:02:16.960 --> 1:02:17.760
<v Speaker 4>stand there and watch.

1:02:17.680 --> 1:02:21.240
<v Speaker 2>Then No, it's like you're just standing there.

1:02:22.000 --> 1:02:25.960
<v Speaker 1>Just go yeah or something, because you're just I'm standing there,

1:02:26.480 --> 1:02:28.560
<v Speaker 1>So yeah, I didn't understand that. Back in the movie,

1:02:28.600 --> 1:02:31.240
<v Speaker 1>True calls Eddie the most beautiful and profound person she knows.

1:02:31.320 --> 1:02:34.560
<v Speaker 1>It is a gorgeous portrait of siblings that eventually shifts

1:02:34.560 --> 1:02:36.920
<v Speaker 1>when she admits having a brother with a mental disability

1:02:37.000 --> 1:02:40.280
<v Speaker 1>is not always easy. She includes the hard footage the

1:02:40.320 --> 1:02:43.880
<v Speaker 1>tough times that she instinctually wanted to exclude. She continues

1:02:43.920 --> 1:02:47.000
<v Speaker 1>her narration over the tough Kite footage, explaining he throws fits,

1:02:47.280 --> 1:02:50.480
<v Speaker 1>and True admits it embarrasses her. She wishes others would

1:02:50.520 --> 1:02:52.000
<v Speaker 1>take the time to get to know him the way

1:02:52.080 --> 1:02:55.200
<v Speaker 1>that she does. It ends with a return to uplifting

1:02:55.240 --> 1:02:57.600
<v Speaker 1>footage as True tells the audience not to feel sorry

1:02:57.600 --> 1:02:59.720
<v Speaker 1>for him or her. He's happy and she gets to

1:02:59.800 --> 1:03:01.720
<v Speaker 1>learn from him. The movie comes to an end and

1:03:01.760 --> 1:03:04.520
<v Speaker 1>her friends and family loved it. Eddie tells True she's

1:03:04.520 --> 1:03:07.080
<v Speaker 1>going to be a star, a big, humongous star. Back

1:03:07.080 --> 1:03:09.480
<v Speaker 1>at the hospital, her dad watches the whole thing, so

1:03:09.640 --> 1:03:12.320
<v Speaker 1>watch an entire thing, ignoring whatever dying patient he was

1:03:12.640 --> 1:03:14.959
<v Speaker 1>supposedly there to see. The patient's probably dead by now.

1:03:15.200 --> 1:03:17.800
<v Speaker 1>Another doctor watched right next to him. Apparently the doctors

1:03:17.800 --> 1:03:20.240
<v Speaker 1>have nothing to do. He's very impressed, but didn't see

1:03:20.240 --> 1:03:22.880
<v Speaker 1>Bob in it at all. Bob realizes he's become an

1:03:22.880 --> 1:03:25.960
<v Speaker 1>invisible father. Back at the house, True admits it was

1:03:26.000 --> 1:03:29.320
<v Speaker 1>scary to open herself up. She imagines classmates and teachers

1:03:29.360 --> 1:03:31.200
<v Speaker 1>calling her a movie cliche and ineffective.

1:03:31.480 --> 1:03:33.280
<v Speaker 4>She's ready to face the school anyway, though.

1:03:33.280 --> 1:03:35.120
<v Speaker 1>In the next morning, she walks the halls with her

1:03:35.160 --> 1:03:38.560
<v Speaker 1>head held high, and to her surprise, everyone loved it.

1:03:39.400 --> 1:03:42.840
<v Speaker 1>They applaud her and Eddie, who hugged Before class, True

1:03:42.840 --> 1:03:47.520
<v Speaker 1>captures a glimpse of Billy Billy and just ignores him.

1:03:47.720 --> 1:03:49.840
<v Speaker 1>When True gets home, her dad wants to talk. He

1:03:49.840 --> 1:03:51.840
<v Speaker 1>tells her he watched the show and loved it, but

1:03:52.000 --> 1:03:53.240
<v Speaker 1>most people probably.

1:03:52.880 --> 1:03:54.120
<v Speaker 4>Think she doesn't even have a dad.

1:03:54.360 --> 1:03:56.760
<v Speaker 1>She says she tried to include him, but if she

1:03:56.880 --> 1:03:58.800
<v Speaker 1>used his footage he would have been really mad.

1:03:58.920 --> 1:04:00.960
<v Speaker 4>He doesn't believe her. He wants to see it. She

1:04:01.000 --> 1:04:03.080
<v Speaker 4>warns him it might hurt his feelings, but they sit

1:04:03.160 --> 1:04:05.120
<v Speaker 4>and watch his raw footage anyway.

1:04:05.480 --> 1:04:08.120
<v Speaker 1>He sees himself overreacting to spilled milk, getting mad at

1:04:08.200 --> 1:04:10.840
<v Speaker 1>Eddie for playing in the house and repeatedly leaving for work.

1:04:11.080 --> 1:04:13.600
<v Speaker 1>He's at first defensive, then starts to see his true self.

1:04:13.800 --> 1:04:16.160
<v Speaker 1>He wonders if it's like this all the time, and

1:04:16.200 --> 1:04:19.320
<v Speaker 1>True says yes. She tries to make him feel better

1:04:19.440 --> 1:04:21.640
<v Speaker 1>that they know he's under a lot of stress at work,

1:04:21.840 --> 1:04:24.040
<v Speaker 1>but he says it's no excuse. They deserve better. He

1:04:24.080 --> 1:04:27.240
<v Speaker 1>doesn't even recognize himself on the tapes. True says Eddie

1:04:27.280 --> 1:04:29.400
<v Speaker 1>loves them no matter what they are his entire world.

1:04:29.680 --> 1:04:31.280
<v Speaker 1>All they have to do is love him back. She

1:04:31.360 --> 1:04:33.600
<v Speaker 1>hugs her dad and suggests they throw the footage out.

1:04:33.640 --> 1:04:35.840
<v Speaker 1>He says, no, save it, she may need it to

1:04:35.920 --> 1:04:38.640
<v Speaker 1>keep him in line. He leaves, and one last scene

1:04:38.680 --> 1:04:40.680
<v Speaker 1>makes its way to the screen, the one where she

1:04:40.760 --> 1:04:43.080
<v Speaker 1>says she would want to cast someone else to play

1:04:43.120 --> 1:04:45.960
<v Speaker 1>her mom on TV. She now notices in the background

1:04:46.040 --> 1:04:48.160
<v Speaker 1>how much that hurt her mom. As a result, True

1:04:48.160 --> 1:04:50.040
<v Speaker 1>wants to clear the air. She tells her mom that

1:04:50.080 --> 1:04:51.880
<v Speaker 1>she didn't need to be d D just to connect.

1:04:52.120 --> 1:04:54.520
<v Speaker 1>Ginny says she just misses her daughter. They both start

1:04:54.560 --> 1:04:56.880
<v Speaker 1>to cry, and True admits it just hit her. She

1:04:56.880 --> 1:04:59.360
<v Speaker 1>grew up with Eddie playing and having fun, but now

1:04:59.440 --> 1:05:01.960
<v Speaker 1>she'll go to probably get married and have kids, but

1:05:02.160 --> 1:05:05.880
<v Speaker 1>Eddie will always stay Eddie, and now they're both sobbing.

1:05:06.320 --> 1:05:08.680
<v Speaker 1>She then turns around, yells at her mom and storms out, No,

1:05:08.680 --> 1:05:10.600
<v Speaker 1>I'm kidding, that didn't happen. They just ended with them

1:05:10.600 --> 1:05:15.360
<v Speaker 1>both sobbing. Just seeing everyone's still there with us, True

1:05:15.480 --> 1:05:18.560
<v Speaker 1>is back in her room talking to her camera. She

1:05:18.600 --> 1:05:21.560
<v Speaker 1>admits her life isn't a TV show, so what things

1:05:21.560 --> 1:05:24.160
<v Speaker 1>don't get wrapped up nice and tidy, they can always improve.

1:05:24.440 --> 1:05:27.000
<v Speaker 1>She updates us on some changes. Her dad is around

1:05:27.040 --> 1:05:29.200
<v Speaker 1>a lot more and trying to relax her mom promised

1:05:29.200 --> 1:05:31.120
<v Speaker 1>to be more available to talk and True will be

1:05:31.200 --> 1:05:34.000
<v Speaker 1>more open with her in return, and Eddie, well, it's

1:05:34.000 --> 1:05:35.240
<v Speaker 1>safe to say that Eddie will.

1:05:35.120 --> 1:05:36.360
<v Speaker 4>Always be Eddie.

1:05:36.520 --> 1:05:38.760
<v Speaker 1>True finally puts down the camera to play with her brother.

1:05:38.880 --> 1:05:41.720
<v Speaker 1>They're watching his soccer goal and True's assist over and

1:05:41.760 --> 1:05:44.040
<v Speaker 1>over and over again. Truth says they should watch something else.

1:05:44.080 --> 1:05:46.280
<v Speaker 1>They don't need this on repeat. It's not going to change,

1:05:46.320 --> 1:05:48.240
<v Speaker 1>to which Eddie says, I like it. I don't want

1:05:48.240 --> 1:05:50.720
<v Speaker 1>it to change. It's you and me being twins. We

1:05:50.760 --> 1:05:52.960
<v Speaker 1>see them as kids back in the field, now reunited

1:05:52.960 --> 1:05:55.280
<v Speaker 1>and holding hands, and then we get some information about

1:05:55.280 --> 1:05:58.080
<v Speaker 1>the special Olympics and a support group for siblings than

1:05:58.160 --> 1:06:00.680
<v Speaker 1>the credits, and that's our movie.

1:06:01.360 --> 1:06:02.800
<v Speaker 4>And I'm sure Sabrina.

1:06:02.440 --> 1:06:07.200
<v Speaker 1>Was sob and sobbing, sobbing by this point, ending.

1:06:06.960 --> 1:06:10.840
<v Speaker 3>With the same overall outfit and in the field I

1:06:11.040 --> 1:06:14.800
<v Speaker 3>was ill Ohen knows how to do it.

1:06:15.080 --> 1:06:18.880
<v Speaker 1>He is done, and of course it ends once again

1:06:19.080 --> 1:06:21.360
<v Speaker 1>with True yelling at her mom and storming out.

1:06:28.600 --> 1:06:30.760
<v Speaker 4>Let's do some real reviews.

1:06:30.840 --> 1:06:33.120
<v Speaker 1>I think I have the five star review this week

1:06:33.120 --> 1:06:37.800
<v Speaker 1>from our old friend who Noma who Nomina is back? Yes, unnamed? Okay,

1:06:37.920 --> 1:06:40.480
<v Speaker 1>this is like the best movie Disney ever made. Shila

1:06:40.520 --> 1:06:42.280
<v Speaker 1>buff was so amazing and this is some of the

1:06:42.320 --> 1:06:44.720
<v Speaker 1>best acting I've ever seen from him. Like the kite scene,

1:06:44.760 --> 1:06:48.440
<v Speaker 1>it was so sad I cried. I don't disagree with

1:06:48.480 --> 1:06:52.720
<v Speaker 1>that review. Frankly, yes, very wonderful, Sabrina, what was the

1:06:52.840 --> 1:06:53.680
<v Speaker 1>one star review?

1:06:54.080 --> 1:06:57.479
<v Speaker 2>No, one star this week is from Delilah. F this

1:06:57.840 --> 1:06:58.880
<v Speaker 2>was sad as hell.

1:06:59.640 --> 1:07:03.480
<v Speaker 3>I all so agree, but one star but one star

1:07:03.600 --> 1:07:05.960
<v Speaker 3>it was like so good it was that sad it

1:07:06.000 --> 1:07:11.520
<v Speaker 3>made you feel something, Delilah. That's how you rate a movie.

1:07:13.320 --> 1:07:17.080
<v Speaker 1>Oh, Delilah, Hey there, Delilah, Hey dere Delilah, you just

1:07:17.160 --> 1:07:19.880
<v Speaker 1>gave us one star for no real reason. Okay, so

1:07:20.480 --> 1:07:23.320
<v Speaker 1>we've got are coming once again to Sabrina's favorite part

1:07:23.320 --> 1:07:26.560
<v Speaker 1>of the program. Here that is producer Jensen's feature of

1:07:26.640 --> 1:07:27.120
<v Speaker 1>the week.

1:07:27.440 --> 1:07:29.680
<v Speaker 4>Our feature this week is called public access.

1:07:29.960 --> 1:07:32.680
<v Speaker 1>So in true Confessions, the main character hopes to show

1:07:32.680 --> 1:07:35.520
<v Speaker 1>on our local channel will turn into worldwide fame. Now

1:07:35.560 --> 1:07:40.520
<v Speaker 1>this rings true because many celebrities did start their careers

1:07:40.560 --> 1:07:41.960
<v Speaker 1>on local news programs.

1:07:41.960 --> 1:07:42.920
<v Speaker 4>So we're gonna read a.

1:07:42.920 --> 1:07:45.960
<v Speaker 1>Description of a celebrity whose origin is just like trus

1:07:46.560 --> 1:07:48.960
<v Speaker 1>and we have to guess who it is three out

1:07:49.000 --> 1:07:51.680
<v Speaker 1>of five wins. This is gonna be tough.

1:07:51.800 --> 1:07:53.160
<v Speaker 4>Producer Jensen, you with us.

1:07:53.600 --> 1:07:55.960
<v Speaker 6>Well, I hear there's no multiple choice though, just reminding

1:07:55.960 --> 1:07:56.480
<v Speaker 6>you that.

1:07:56.600 --> 1:07:59.520
<v Speaker 1>I know that's why this is gonna be so hard.

1:08:00.000 --> 1:08:02.320
<v Speaker 1>There's a couple here where I'll hopefully you have.

1:08:02.240 --> 1:08:08.920
<v Speaker 3>A key through f key you can pick from.

1:08:09.120 --> 1:08:10.920
<v Speaker 4>Again, that's just multiple choice.

1:08:12.400 --> 1:08:15.080
<v Speaker 6>Literally, what's not happening here we go?

1:08:15.160 --> 1:08:18.280
<v Speaker 1>So number one, this talk show host might have counted

1:08:18.320 --> 1:08:20.479
<v Speaker 1>down from ten, but his number one was as a

1:08:20.479 --> 1:08:21.920
<v Speaker 1>weatherman in Indianapolis.

1:08:21.920 --> 1:08:23.080
<v Speaker 4>You know you must know this one.

1:08:24.280 --> 1:08:26.200
<v Speaker 6>I mean you should probably define.

1:08:25.920 --> 1:08:31.240
<v Speaker 1>Must you should probably know this one.

1:08:31.400 --> 1:08:33.400
<v Speaker 2>Ry Ryan's seekers.

1:08:34.040 --> 1:08:36.559
<v Speaker 6>You know what? No, but but I actually am fine

1:08:36.720 --> 1:08:39.080
<v Speaker 6>with where I got it from. Sense.

1:08:39.160 --> 1:08:41.160
<v Speaker 4>Yeah, but I'm gonna say David Letterman.

1:08:41.439 --> 1:08:42.320
<v Speaker 6>It's David Letterman.

1:08:42.400 --> 1:08:44.920
<v Speaker 4>Yeah, Okay, David Letterman did his top tens.

1:08:45.200 --> 1:08:49.800
<v Speaker 1>Number two, the one who knocks, more like the one

1:08:49.800 --> 1:08:54.200
<v Speaker 1>who starts his career in local Granada Hills TV commercials.

1:08:54.640 --> 1:08:55.599
<v Speaker 4>The one who.

1:08:55.560 --> 1:08:57.519
<v Speaker 2>Knocks like, come and knock on my door.

1:08:59.160 --> 1:09:03.760
<v Speaker 1>Maybe I I don't even know you said come and

1:09:03.800 --> 1:09:04.479
<v Speaker 1>knock on our door?

1:09:04.760 --> 1:09:08.160
<v Speaker 4>Okay, John, you're thinking is John Ritter? Okay?

1:09:08.280 --> 1:09:12.280
<v Speaker 6>John Ritter Nope, it's Brian Cranston, the one who knocks?

1:09:12.400 --> 1:09:15.160
<v Speaker 6>Is that what he's called in Breaking Bad? Literally probably

1:09:15.200 --> 1:09:16.360
<v Speaker 6>the greatest TV show ever?

1:09:16.560 --> 1:09:18.040
<v Speaker 4>Oh, I've seen it. I don't remember that at all

1:09:18.080 --> 1:09:21.840
<v Speaker 4>the way. Okay, Brian the one who knocks? Yes, gotcha? Okay.

1:09:21.920 --> 1:09:25.400
<v Speaker 1>Number three another weatherman, this time in Nashville, which is

1:09:25.439 --> 1:09:28.280
<v Speaker 1>a name that has three vowels.

1:09:28.960 --> 1:09:33.640
<v Speaker 6>What oh, this one will really bother you when you

1:09:33.640 --> 1:09:34.800
<v Speaker 6>don't get it. Well, wait a.

1:09:34.760 --> 1:09:37.800
<v Speaker 1>Minute, Okay, a weather man this time in Nashville, which

1:09:37.840 --> 1:09:40.360
<v Speaker 1>is a name that has three vowels.

1:09:40.439 --> 1:09:43.680
<v Speaker 2>Would it be a country star? It is the Nashville.

1:09:44.680 --> 1:09:46.160
<v Speaker 4>Three vowels?

1:09:47.160 --> 1:09:49.120
<v Speaker 1>Oh god, this is going to really upset me when

1:09:49.120 --> 1:09:52.840
<v Speaker 1>I don't okay, I don't even have a guess.

1:09:53.080 --> 1:09:55.080
<v Speaker 6>I can't believe it. It's Pat say Jack.

1:09:56.960 --> 1:10:00.840
<v Speaker 4>Oh, now I get the question out. You're doing it?

1:10:01.200 --> 1:10:04.840
<v Speaker 6>Well? Still only one right for Will and on reaching

1:10:05.160 --> 1:10:06.040
<v Speaker 6>going for the goose egg.

1:10:06.200 --> 1:10:06.760
<v Speaker 4>Here we go.

1:10:07.479 --> 1:10:07.759
<v Speaker 6>Okay.

1:10:07.800 --> 1:10:08.240
<v Speaker 4>Number four.

1:10:08.320 --> 1:10:10.920
<v Speaker 1>Some could argue he's the modern day King of Late night,

1:10:10.960 --> 1:10:13.120
<v Speaker 1>but his journey started as the Prince of Sports on

1:10:13.320 --> 1:10:15.799
<v Speaker 1>l A's local alt rock radio station.

1:10:17.040 --> 1:10:18.480
<v Speaker 4>I think I know this one.

1:10:20.680 --> 1:10:27.480
<v Speaker 2>Who's that? He?

1:10:27.640 --> 1:10:30.519
<v Speaker 3>I love his show at night because it's like he's

1:10:30.640 --> 1:10:33.599
<v Speaker 3>like the biggest fan of everyone that comes on his show.

1:10:33.760 --> 1:10:36.840
<v Speaker 2>That's that's so cool about him. What is his name?

1:10:37.640 --> 1:10:40.200
<v Speaker 2>I've been on it too, You've been on the show?

1:10:40.439 --> 1:10:41.360
<v Speaker 2>Is it Jimmy Fallon?

1:10:42.240 --> 1:10:43.719
<v Speaker 4>I'm gonna say Jimmy Kimmel.

1:10:44.240 --> 1:10:45.120
<v Speaker 6>It's Jimmy Kimmel.

1:10:45.600 --> 1:10:49.320
<v Speaker 4>Okay, Okay, yeah, he does. All right, So here we go.

1:10:49.360 --> 1:10:49.960
<v Speaker 4>I got one last.

1:10:50.200 --> 1:10:53.160
<v Speaker 2>He was he was, he was on k Rock he was. Yeah,

1:10:53.520 --> 1:10:54.240
<v Speaker 2>that's awesome.

1:10:55.800 --> 1:10:58.920
<v Speaker 6>Were not with him, but we were on the same show.

1:10:59.000 --> 1:11:02.280
<v Speaker 1>Yeah, all right before ending up. And this is number five,

1:11:02.320 --> 1:11:04.599
<v Speaker 1>the last one. So I could win with this one.

1:11:04.680 --> 1:11:10.280
<v Speaker 1>Sabrina could get one right, number five before ending up

1:11:10.320 --> 1:11:13.439
<v Speaker 1>as a mainstay on The Today Show. This hard to

1:11:13.479 --> 1:11:16.760
<v Speaker 1>pronounce names started her career in Greenville, Mississippi, as an

1:11:16.840 --> 1:11:20.000
<v Speaker 1>unsuccessful news anchor with zero experience.

1:11:19.600 --> 1:11:23.280
<v Speaker 4>The Today Show? Whose name the Today Show? With a

1:11:23.400 --> 1:11:34.280
<v Speaker 4>hard to pronounce Today's Show are? I don't know either?

1:11:34.479 --> 1:11:35.840
<v Speaker 1>Is the only one I could think of it? No,

1:11:35.840 --> 1:11:38.080
<v Speaker 1>I'm thinking, what's the Morning Show? It's George Stephanopolis, but

1:11:38.080 --> 1:11:38.719
<v Speaker 1>that's not a woman.

1:11:40.479 --> 1:11:41.360
<v Speaker 4>Today's Show?

1:11:42.280 --> 1:11:42.720
<v Speaker 2>I don't know.

1:11:45.000 --> 1:11:46.920
<v Speaker 6>Grat it's Hoda codem.

1:11:48.240 --> 1:11:53.040
<v Speaker 4>Who what you don't know Hoda, I know Coda, yeah.

1:11:53.280 --> 1:11:54.160
<v Speaker 6>Codem, I don't.

1:11:54.200 --> 1:11:58.160
<v Speaker 4>Okay, wow wow, I got two for five. We both lost.

1:11:58.280 --> 1:12:00.960
<v Speaker 1>Well, thank you, producer Jensen for once making us feel

1:12:01.439 --> 1:12:02.080
<v Speaker 1>pretty stupid.

1:12:03.040 --> 1:12:05.400
<v Speaker 6>I means happened recently.

1:12:06.680 --> 1:12:08.720
<v Speaker 4>I appreciate that. I think I think we definitely need

1:12:08.800 --> 1:12:09.639
<v Speaker 4>multiple choices.

1:12:10.880 --> 1:12:14.320
<v Speaker 2>It's really tough. I was just pulling celebrities names out

1:12:14.360 --> 1:12:17.280
<v Speaker 2>of nowhere. I got Jimmy kill.

1:12:19.720 --> 1:12:21.720
<v Speaker 6>I can't believe that. Brian Cranston one. I thought I

1:12:21.720 --> 1:12:22.720
<v Speaker 6>thought you'd have that one for sure.

1:12:22.800 --> 1:12:25.200
<v Speaker 4>I only I've only seen Breaking Bad once. I'd like

1:12:25.200 --> 1:12:25.960
<v Speaker 4>to watch through it again.

1:12:26.120 --> 1:12:28.880
<v Speaker 1>Yeah, but thank you very much, producer Jensen.

1:12:28.880 --> 1:12:30.599
<v Speaker 4>And now can we do some Sabrina seas?

1:12:34.880 --> 1:12:35.920
<v Speaker 2>Yes we can?

1:12:36.160 --> 1:12:39.360
<v Speaker 3>Okay, so god, I gave up all my Sabrita seas

1:12:39.520 --> 1:12:42.040
<v Speaker 3>or we had them already done from you.

1:12:42.040 --> 1:12:43.559
<v Speaker 2>You kind of covered most of them.

1:12:43.800 --> 1:12:44.120
<v Speaker 4>Okay.

1:12:44.120 --> 1:12:46.080
<v Speaker 2>Two things did this house give you?

1:12:46.120 --> 1:12:48.160
<v Speaker 3>And it might be and I'm like, it's probably just

1:12:48.160 --> 1:12:50.880
<v Speaker 3>because Will and I went to the remake of it.

1:12:52.240 --> 1:12:55.719
<v Speaker 3>Gave me Brady Bunch vibes so much throughout the whole.

1:12:55.479 --> 1:12:56.080
<v Speaker 2>Did it at all?

1:12:56.400 --> 1:12:57.920
<v Speaker 4>Yeah, well, it kind of it gave me.

1:12:58.080 --> 1:13:02.040
<v Speaker 1>It was a cool architecturally design house like that house.

1:13:02.160 --> 1:13:04.679
<v Speaker 2>Yeah, it gave me such brady bunch of vibes.

1:13:04.680 --> 1:13:07.240
<v Speaker 3>I kept going, God, every I wrote it like three times,

1:13:07.240 --> 1:13:09.360
<v Speaker 3>like every time we get back into this that one

1:13:09.439 --> 1:13:11.439
<v Speaker 3>living room part where you know, like at the very

1:13:11.479 --> 1:13:15.200
<v Speaker 3>beginning where he overlooks and or overhears their conversation. That Yeah,

1:13:15.240 --> 1:13:16.360
<v Speaker 3>that whole scene right there.

1:13:16.400 --> 1:13:17.200
<v Speaker 4>Just a cool constant.

1:13:17.920 --> 1:13:22.200
<v Speaker 3>Also again very confused on how they were on a

1:13:22.520 --> 1:13:23.479
<v Speaker 3>soccer team together.

1:13:23.520 --> 1:13:25.640
<v Speaker 2>I think it's cool. I actually thought it was like

1:13:25.680 --> 1:13:26.719
<v Speaker 2>a really cool idea.

1:13:26.720 --> 1:13:29.160
<v Speaker 3>If that's not something that is offered, that it would

1:13:29.200 --> 1:13:32.760
<v Speaker 3>be cool for especially like siblings or you know, for

1:13:32.840 --> 1:13:35.639
<v Speaker 3>you to dedicate your time or donate your time to

1:13:35.640 --> 1:13:41.720
<v Speaker 3>to play with others like that. But Eddie was off

1:13:41.760 --> 1:13:43.280
<v Speaker 3>sides and that's that gold did not.

1:13:43.439 --> 1:13:45.479
<v Speaker 1>Way way off side and it didn't count. Yeah, I

1:13:45.720 --> 1:13:47.160
<v Speaker 1>thought the same thing. I didn't want to bring it up,

1:13:47.200 --> 1:13:47.760
<v Speaker 1>but Eddie was.

1:13:49.360 --> 1:13:51.280
<v Speaker 3>It's literally says, not trying to take away from his

1:13:51.360 --> 1:13:53.120
<v Speaker 3>glory moment, but that gold didn't count.

1:13:53.280 --> 1:13:56.600
<v Speaker 4>Yeah he was. I know, he was off side.

1:13:56.240 --> 1:13:58.519
<v Speaker 2>At every single angle they show up.

1:13:58.439 --> 1:14:03.120
<v Speaker 4>It he was. Obviously it wasn't even close. Unfortunately, No,

1:14:03.439 --> 1:14:05.080
<v Speaker 4>he was way off side. I know, I thought the

1:14:05.120 --> 1:14:05.479
<v Speaker 4>same thing.

1:14:05.600 --> 1:14:08.240
<v Speaker 2>Oh my gosh. And then I did notice, you know,

1:14:08.280 --> 1:14:11.240
<v Speaker 2>I always music always pops out to me. This was

1:14:12.280 --> 1:14:14.120
<v Speaker 2>different for us in a lot of ways.

1:14:14.479 --> 1:14:17.960
<v Speaker 3>The music had a lot of adult artists versus being young.

1:14:18.400 --> 1:14:18.599
<v Speaker 6>Yeah.

1:14:18.720 --> 1:14:21.160
<v Speaker 3>A lot of times is the synergy that Disney pulls

1:14:21.200 --> 1:14:24.160
<v Speaker 3>into it where they have even the actors that are

1:14:24.200 --> 1:14:27.160
<v Speaker 3>actually on screen doing using their music. And a lot

1:14:27.160 --> 1:14:30.719
<v Speaker 3>of the music was actually like obviously an adult artist,

1:14:30.720 --> 1:14:33.120
<v Speaker 3>which I thought was different. And I thought all the

1:14:33.160 --> 1:14:35.040
<v Speaker 3>songs worked. It wasn't like a bad thing, It just

1:14:35.200 --> 1:14:39.360
<v Speaker 3>was something very different. And then yes, pushed that over

1:14:39.400 --> 1:14:42.479
<v Speaker 3>that bridge. I was so excited. That's the last little thing.

1:14:42.520 --> 1:14:46.479
<v Speaker 3>And then again biggest library, and it was his line,

1:14:46.520 --> 1:14:47.160
<v Speaker 3>I want.

1:14:46.920 --> 1:14:48.160
<v Speaker 2>To be done being different.

1:14:48.520 --> 1:14:53.200
<v Speaker 3>Yeah, just my line that just took me right over

1:14:53.240 --> 1:14:58.400
<v Speaker 3>that edge myself. I was just so oh god, this poor.

1:14:58.520 --> 1:15:02.040
<v Speaker 3>I mean, it is so difficult, and I just it was.

1:15:02.200 --> 1:15:04.400
<v Speaker 3>This was a good movie for me. I loved watching it.

1:15:04.560 --> 1:15:06.240
<v Speaker 3>All the stuff I said was just the funny thing.

1:15:06.320 --> 1:15:08.680
<v Speaker 3>The plastic bowls is in bright Yeah, of course, the

1:15:08.920 --> 1:15:12.000
<v Speaker 3>giant letters are big BoNT bolded, Like, what the hell

1:15:12.040 --> 1:15:13.000
<v Speaker 3>get the plastic bowls.

1:15:13.000 --> 1:15:15.840
<v Speaker 2>I will always always backing on the plastic bowls.

1:15:15.840 --> 1:15:18.040
<v Speaker 4>How hard is that to get plastic bulls? Suit doesn't

1:15:18.040 --> 1:15:19.240
<v Speaker 4>even let me have glass stuff.

1:15:20.120 --> 1:15:23.719
<v Speaker 1>Okay, so now let's rate our film for the week

1:15:24.680 --> 1:15:26.599
<v Speaker 1>one out of ten, one being the worst, ten being

1:15:26.600 --> 1:15:29.439
<v Speaker 1>the best. We're gonna do that this week, and our

1:15:29.520 --> 1:15:33.599
<v Speaker 1>options are one out of ten. Absent ease, just remember

1:15:33.680 --> 1:15:35.559
<v Speaker 1>no e on the end of True Confessions number two

1:15:36.320 --> 1:15:44.360
<v Speaker 1>one out of ten, Paparazzis Hot Rozzisarazza Rozsi, Hot Junior Boys,

1:15:44.920 --> 1:15:48.439
<v Speaker 1>Hot Fudge Sundays one out of ten, Girls storming Off

1:15:49.080 --> 1:15:52.960
<v Speaker 1>one out of ten, Nasty bo and Harrybacks one out

1:15:52.960 --> 1:15:56.240
<v Speaker 1>of ten, Massive tornado storms one out of ten, Total

1:15:56.720 --> 1:16:00.880
<v Speaker 1>souls one out of ten, Biggest live praise in the world,

1:16:01.000 --> 1:16:01.599
<v Speaker 1>or one out.

1:16:01.439 --> 1:16:03.200
<v Speaker 4>Of ten D coms to cry about Sabrina?

1:16:03.240 --> 1:16:05.840
<v Speaker 3>You picked this week with d cooms to cry about

1:16:05.880 --> 1:16:09.120
<v Speaker 3>the one hundred percent hands down, because I cried pretty

1:16:09.240 --> 1:16:12.719
<v Speaker 3>much top to bottom of this movie. I like, yeah,

1:16:12.960 --> 1:16:16.200
<v Speaker 3>I just literally was like, geez, I am such a

1:16:16.400 --> 1:16:19.360
<v Speaker 3>sobby mom, just like my own mom.

1:16:19.479 --> 1:16:20.880
<v Speaker 2>Now it happened to me.

1:16:21.320 --> 1:16:24.280
<v Speaker 3>All those times I made fun of her for every

1:16:24.360 --> 1:16:28.040
<v Speaker 3>car dot she opened and just continuously cried all the time.

1:16:28.920 --> 1:16:33.040
<v Speaker 3>Now it's happening to me. Payback is a bee for sure.

1:16:33.200 --> 1:16:37.840
<v Speaker 1>There you go, Karma, Karma, I think, uh, I think

1:16:37.840 --> 1:16:40.040
<v Speaker 1>you rated first last time, so it's my turn to

1:16:40.040 --> 1:16:43.960
<v Speaker 1>go first this time. Okay, I liked this movie. I

1:16:44.000 --> 1:16:47.880
<v Speaker 1>definitely like this movie. The acting is phenomenal. It did

1:16:47.920 --> 1:16:49.800
<v Speaker 1>not feel like a dcom. It felt just like a

1:16:49.840 --> 1:16:53.360
<v Speaker 1>Disney film, if that makes sense. I did not I

1:16:53.400 --> 1:16:55.280
<v Speaker 1>thought I could have used to rewrite a polish. I

1:16:55.320 --> 1:16:58.960
<v Speaker 1>did not like the constantly storming off and the change.

1:16:58.960 --> 1:17:01.800
<v Speaker 1>I mean it got to be too much. That being said,

1:17:02.280 --> 1:17:05.240
<v Speaker 1>the subject matter, what they were covering, the actors doing

1:17:05.280 --> 1:17:10.679
<v Speaker 1>it amazing. So I am giving this a soft eight.

1:17:11.600 --> 1:17:14.640
<v Speaker 1>Okay d coms to cry about because I could have

1:17:14.640 --> 1:17:16.679
<v Speaker 1>gone seven point five. But the acting is so good

1:17:17.200 --> 1:17:19.160
<v Speaker 1>and the subject matter is so important that I could.

1:17:19.280 --> 1:17:21.519
<v Speaker 1>I can feel good with myself giving this an eight

1:17:22.760 --> 1:17:23.719
<v Speaker 1>d cooms to cry about.

1:17:23.720 --> 1:17:24.200
<v Speaker 4>How about you?

1:17:25.280 --> 1:17:26.400
<v Speaker 2>I agree?

1:17:26.720 --> 1:17:29.160
<v Speaker 3>I think it was I really loved it. I think

1:17:29.160 --> 1:17:33.080
<v Speaker 3>I loved it more than you did. But I again,

1:17:33.360 --> 1:17:35.040
<v Speaker 3>I'm a sucker for a SOB story.

1:17:35.120 --> 1:17:36.479
<v Speaker 2>I love it like this.

1:17:36.760 --> 1:17:41.320
<v Speaker 3>To me, I now am completely affirming the fact that

1:17:41.400 --> 1:17:47.200
<v Speaker 3>Stu and Paul are like the greatest team, and this

1:17:47.439 --> 1:17:50.120
<v Speaker 3>was just knocked it out of the ballpark for me.

1:17:50.680 --> 1:17:53.479
<v Speaker 3>There were and I And again I think it's because

1:17:53.520 --> 1:17:56.960
<v Speaker 3>I also was a teenager myself. So her storming off

1:17:57.000 --> 1:18:00.000
<v Speaker 3>that the flip of a hat, how that happens so quick?

1:18:00.840 --> 1:18:02.840
<v Speaker 3>Didn't It wasn't as jarring to me. It started to

1:18:02.840 --> 1:18:05.800
<v Speaker 3>get annoying. Yeah, it's like annoyed with her character, you know.

1:18:05.840 --> 1:18:08.839
<v Speaker 3>And then again you realize what this movie was about,

1:18:08.880 --> 1:18:11.880
<v Speaker 3>and it was about a young teen struggling through how

1:18:11.920 --> 1:18:14.920
<v Speaker 3>to handle such a heavy thing. And again it's hard

1:18:15.040 --> 1:18:19.000
<v Speaker 3>because she's not an adult, so she shouldn't be expected

1:18:19.000 --> 1:18:21.559
<v Speaker 3>to understand or know how to do this. So her

1:18:21.600 --> 1:18:24.479
<v Speaker 3>working through her feelings and her emotions was very real

1:18:24.560 --> 1:18:28.120
<v Speaker 3>in my opinion, and I absolutely loved it. Shia is

1:18:28.360 --> 1:18:31.439
<v Speaker 3>just phenomenal and I killed it. And I thought both

1:18:31.479 --> 1:18:34.120
<v Speaker 3>of the leads, I mean, without one of them, the

1:18:34.160 --> 1:18:35.840
<v Speaker 3>movie might not have been as good as it was,

1:18:35.880 --> 1:18:38.320
<v Speaker 3>to be honest. So it was just such a great movie.

1:18:38.400 --> 1:18:42.439
<v Speaker 3>I'm gonna go with nine d coms to cry about.

1:18:42.920 --> 1:18:46.080
<v Speaker 3>Paul Hoen, I love you, buddy, I love you, Thank

1:18:46.120 --> 1:18:49.240
<v Speaker 3>you so much. In eighty one minutes, I would do

1:18:49.320 --> 1:18:52.400
<v Speaker 3>it again. I loved this movie so much. I will

1:18:52.400 --> 1:18:55.599
<v Speaker 3>probably watch it again. I'm sure on a rainy day.

1:18:55.840 --> 1:18:58.080
<v Speaker 4>Wow, that's an incredibly rainy.

1:18:57.920 --> 1:18:59.600
<v Speaker 2>Day when it's a storm outside.

1:19:01.840 --> 1:19:02.439
<v Speaker 4>Oh man.

1:19:02.640 --> 1:19:04.880
<v Speaker 1>Okay, well, thank you everybody for joining us. Our next

1:19:04.920 --> 1:19:07.320
<v Speaker 1>movie is taking us back to the Ice, a movie

1:19:07.360 --> 1:19:10.559
<v Speaker 1>mentioned when we reviewed Go Figure. This is its spiritual sister.

1:19:10.640 --> 1:19:13.680
<v Speaker 1>We're talking about two thousand and five's Ice Princess, and

1:19:13.720 --> 1:19:15.000
<v Speaker 1>this is going to be a tribute to the late

1:19:15.040 --> 1:19:16.040
<v Speaker 1>Michelle Trachtenberg.

1:19:16.240 --> 1:19:17.840
<v Speaker 4>We are very excited about this one.

1:19:17.880 --> 1:19:20.760
<v Speaker 1>But before that, for our park Opper episode, we talked

1:19:20.760 --> 1:19:24.439
<v Speaker 1>to a Disney Channel legend, Jennifer Stone, also known as

1:19:24.479 --> 1:19:27.160
<v Speaker 1>Harper Kinkle from Wizards of Waverley Place. She was part

1:19:27.200 --> 1:19:30.120
<v Speaker 1>of an absolute television phenomenon and we talked to her

1:19:30.160 --> 1:19:30.800
<v Speaker 1>all about it.

1:19:30.960 --> 1:19:32.080
<v Speaker 4>Here's a bit of an early listen.

1:19:34.000 --> 1:19:37.200
<v Speaker 3>So you read with Selena, Yeah, what was your guys's

1:19:37.280 --> 1:19:39.240
<v Speaker 3>chemistry like like in the audition?

1:19:39.400 --> 1:19:42.240
<v Speaker 2>Was it like instant? Well, weirdly, I don't know if

1:19:42.280 --> 1:19:42.920
<v Speaker 2>you guys know this.

1:19:43.040 --> 1:19:46.160
<v Speaker 5>So I lived clean and I had never met but

1:19:46.240 --> 1:19:48.360
<v Speaker 5>like I was really close with Demy and we lived

1:19:48.360 --> 1:19:51.400
<v Speaker 5>ten minutes apart from each other in Texas. We immediately

1:19:51.479 --> 1:19:53.400
<v Speaker 5>had that like, oh my god, you're from Texas and

1:19:53.439 --> 1:19:55.280
<v Speaker 5>Demi and like we have that mutual friend that was

1:19:55.320 --> 1:19:57.559
<v Speaker 5>like her best friend, and so it was this kind

1:19:57.600 --> 1:20:00.960
<v Speaker 5>of immediate, like just dissolved any sort of like awkward

1:20:01.000 --> 1:20:05.799
<v Speaker 5>first meeting stuff because we have the Disney Texas Factory connection.

1:20:08.000 --> 1:20:10.200
<v Speaker 2>That's awesome. That's very cool.

1:20:12.160 --> 1:20:15.040
<v Speaker 1>So make sure to subscribe to our dedicated Magical Rewine feed.

1:20:15.080 --> 1:20:17.679
<v Speaker 1>You can search for us on your favorite streaming service

1:20:17.840 --> 1:20:19.920
<v Speaker 1>and you can hear interviews just like that one. We

1:20:20.000 --> 1:20:22.000
<v Speaker 1>have so many good ones already, so go check it

1:20:22.040 --> 1:20:26.160
<v Speaker 1>out on Apple Podcasts, iHeartRadio or wherever you get your podcasts.

1:20:26.240 --> 1:20:28.439
<v Speaker 1>And for more info, you can follow us at Magical

1:20:28.479 --> 1:20:31.240
<v Speaker 1>rewind Pod on the Instagram Machine. You can do that now,

1:20:31.479 --> 1:20:43.800
<v Speaker 1>Bye everybody, bye,