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Speaker 1: We just talked about it off Mike, but we got

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Speaker 1: to talk about it on Mike. Now, how are you

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Speaker 1: doing with daylight saving time?

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Speaker 2: Every year?

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Speaker 3: It hits me so hard it both times, like one's

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Speaker 3: not better than the other for me.

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Speaker 4: Come on, it's better when you gain sleep.

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Speaker 2: Though, Yeah, but then I'm like tired at night.

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Speaker 3: It's not just being apparent, yes, but then now it's

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Speaker 3: it's you got to fix your kids, right.

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Speaker 2: So last night I.

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Speaker 3: Set Leisure to bed like forty minutes after his bedtime,

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Speaker 3: and then I'll have to transition it back, you know, to.

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Speaker 4: Get back to his what is his bedtime?

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Speaker 2: He goes to bed at eight?

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Speaker 3: My kids are they're late, late sleepers like they you know,

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Speaker 3: they don't they're they're they're party animals.

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Speaker 1: So I remember growing up it was seriously like my

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Speaker 1: bedtime was so early that I would be put to

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Speaker 1: bed when it was still light out and I could

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Speaker 1: hear the kids playing on the street.

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Speaker 4: That's oh that is This was like seven thirty or something,

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Speaker 4: it's still light quarter of.

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Speaker 3: Eight, and it's like, letcher's not as good as a sleeper.

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Speaker 3: Boo Monroe is She's just like me. I didn't have

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Speaker 3: a bedtime when I was growing up, because I just

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Speaker 3: fell asleep on the couch, Like you put me on

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Speaker 3: the couch and put me ond of a TV for

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Speaker 3: ten minutes.

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Speaker 2: I'm out, it's are you still that way? Oh yeah, yeah.

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Speaker 1: So you're the person you don't want to watch a

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Speaker 1: movie with because you're not gonna make.

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Speaker 4: It to the end of the movie. Jordan hates Oh,

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Speaker 4: I know exactly what he's I never.

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Speaker 2: Get to pick the movie.

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Speaker 3: And it's fair because he's like, you're gonna pick this.

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Speaker 2: Chick rom com.

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Speaker 3: You're gonna watch ten minutes of it, and then I

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Speaker 3: will sit and watch I have to watch the whole movie.

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Speaker 3: So no, we don't get to pick the movie. So

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Speaker 3: that's fair. Even I did it to him just last week.

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Speaker 3: I was like, ooh, babe, can we watch this movie.

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Speaker 3: Let's watch it, and he's like, yeah, ten minutes, dea.

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Speaker 4: There you go. I know exactly what that's like. It's

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Speaker 4: the worst to you.

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Speaker 3: Oh oh yeah, it's the worst out that that In

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Speaker 3: car rides, I don't drive at night literally because I

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Speaker 3: get sleep.

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Speaker 4: Wait, you'll fall asleep when you're driving.

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Speaker 3: Oh yeahd hypnotizes me at night time like bad the

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Speaker 3: line and so I just really honestly try to keep

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Speaker 3: my driving to a minimum at my dob Okay, because.

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Speaker 2: I just get sleepy. I fall asleep on planes before

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Speaker 2: we pull out.

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Speaker 1: That's fine, but it's when you're actually operating the vehicle.

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Speaker 1: Maybe that's not a good thing to do.

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Speaker 2: It's not so I don't.

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Speaker 4: Okay, important, safe, very responsible, important, safe to tip, stay

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Speaker 4: safe out there, everybody.

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Speaker 1: Well, welcome back to Magical Rewind, the show that makes

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Speaker 1: you want to grab your friends, your PJS and your

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Speaker 1: popcorn and go back to a time and all the

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Speaker 1: houses are smart, the.

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Speaker 4: Wave tsunamis and the high School's musical.

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Speaker 2: I'm Will for Dell, and I'm Sabrina Brien.

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Speaker 1: So break out the camquarder and document our journey as

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Speaker 1: we cry our way through two thousand and two's True Confessions.

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Speaker 1: First off, I'd like to point out this is true

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Speaker 1: without an ee. Don't you dare put a fee on there,

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Speaker 1: or we're going to shut this whole place down.

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Speaker 2: It's going down good time.

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Speaker 1: This dramatic dcom debut on the Disney Channel April fifth,

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Speaker 1: two thousand and two, and it's based on the debut

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Speaker 1: young adult novel of the same name.

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Speaker 4: From writer Jeanette Tajjin.

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Speaker 1: The nineteen ninety seven book is written in the format

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Speaker 1: of a diary and uses lists and illustrations, all set

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Speaker 1: to look like it's from a computer, and the book

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Speaker 1: was a very big hit, translated into many languages. It

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Speaker 1: was named a New York Public Library Favorite for teens

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Speaker 1: and won multiple awards, including the Dolly Gray Children's Literature Award.

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Speaker 1: Tashin is still writing today, working on a few different

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Speaker 1: popular series of books, including My Life as Einstein, The

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Speaker 1: Class Hamster, and Marty Frye Private Eye. I don't know

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Speaker 1: what that is, but man, I want to read it.

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Speaker 1: Any books that.

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Speaker 2: Rhyme, I'm in It's so good.

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Speaker 4: If the book rhymes, I'll read it a hundred times.

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Speaker 1: And she often collaborates with her son Jake, who illustrates

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Speaker 1: the novels. But this is the only one of her

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Speaker 1: books ever adapted into a movie. It was filmed in

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Speaker 1: Wait for It, Toronto. Yes, I'd love to see it again.

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Speaker 1: Coin Flip is once again in Canada. We get some

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Speaker 1: shots of the famous sea on Tower and the school

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Speaker 1: scenes are all at Danceforth College and Technical Institute, which

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Speaker 1: answers a question I think we.

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Speaker 4: All had later, and we will talk about that, Sabrina.

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Speaker 1: Did you know True Confessions existed before or we were

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Speaker 1: assigned to watch this one?

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Speaker 3: I did, I had not watched it yet, but this

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Speaker 3: was right at the beginning of The Cheetah Girls. We

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Speaker 3: filmed in twenty twenty or twenty sorry, two thousand and two, right,

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Speaker 3: we filmed it. And I remember this was a big

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Speaker 3: one because it really took Shia Labuff from being that funny.

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Speaker 2: You know, just crazy character to be like such a

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Speaker 2: real like.

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Speaker 3: I remember the actors in the Disney Channel at that

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Speaker 3: time saying, like Disney's giving us a chance to really

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Speaker 3: be something different than what we've got to do on

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Speaker 3: our regular shows.

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Speaker 2: So there's a lot of buzz around this one.

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Speaker 4: And it was coy.

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Speaker 1: Yeah, it certainly wasn't a wasn't a dcom like we've seen.

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Speaker 2: I mean, well, yeah, we've seen a couple, couple of them.

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Speaker 1: Yeah, a couple, but this was certainly taking it to

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Speaker 1: the next level. I of course, again everybody knows, I

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Speaker 1: don't even talk about this anymore. Of course I didn't

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Speaker 1: know anything about this, Okay, So let's get this out

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Speaker 1: of the way now. We said this would happen at

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Speaker 1: some point in the show. But did it happen this quickly?

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Speaker 1: Did we both cry? Did you cry, Sabrina?

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Speaker 2: Of course I cried. Will Yes.

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Speaker 3: I started weeping, like at the very beginning because I knew.

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Speaker 3: I knew what Shia's character was, so I was ready

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Speaker 3: for that. But just you hit me with a field

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Speaker 3: and two kids and matching overalls that I'm dead.

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Speaker 4: That was it.

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Speaker 3: I was like, oh God, this is gonna be a

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Speaker 3: sobfest for me. WHOA, okay, I'm please tell.

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Speaker 1: Me you did No, I didn't cry. Oh I didn't cry.

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Speaker 1: It just I'm sorry.

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Speaker 4: It didn't. It didn't get me like that. It didn't

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Speaker 4: get me. Nice movie, you know.

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Speaker 1: I But no, It's it takes a lot to make

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Speaker 1: me cry at something.

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Speaker 4: I mean, it really does.

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Speaker 1: There's like I can list three or four things that

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Speaker 1: make me cry all the time. But other than that,

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Speaker 1: like I am basically a robot with my emotions when

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Speaker 1: it comes to stem, I just don't because it takes

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Speaker 1: a lot to get me so lost into a project,

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Speaker 1: like into a picture that I'm I'm weeping at something

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Speaker 1: and sometimes it happens at strange times.

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Speaker 4: But no, I didn't I didn't.

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Speaker 3: I was like in it, I think a little bit

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Speaker 3: because I knew it, like what kind of character was happening.

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Speaker 2: So I was ready for it.

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Speaker 1: But I was I was in it in and we'll

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Speaker 1: get into this. I was in it because I was

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Speaker 1: watching and I've said this before, arguably one of the

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Speaker 1: greatest child actors ever that's ever acted in the history

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Speaker 1: of child actors. And again, his career is what it

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Speaker 1: is now and we'll get into that as well, and

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Speaker 1: he could be one of the greatest actors of his generation.

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Speaker 1: But as a child actor, I mean, he's one of

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Speaker 1: the best that's ever done it. So that's kind of

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Speaker 1: what I was watching more than anything else.

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Speaker 4: But with some very heavy subject matter.

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Speaker 1: This won't be the same decom category as say a

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Speaker 1: high school musical.

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Speaker 4: Or a Johnny Tsunami.

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Speaker 1: But I wanted to talk about the role of the

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Speaker 1: drama in the history of these films and what do

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Speaker 1: we think of a sad drama when we analyze the

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Speaker 1: entire pantheon of Disney Channel original movies. So, yes, there's

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Speaker 1: a lot going on with this movie. It is completely

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Speaker 1: different than most of the stuff we've seen, even with

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Speaker 1: stuff like color Friends and things like that.

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Speaker 4: It's it's not kind of the same as this.

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Speaker 2: Yeah, I think it it hits again.

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Speaker 3: It just shows Disney's range that they are it does

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Speaker 3: they're going. It shows the range of these incredible actors

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Speaker 3: that they have in these movies. Yeah, like we said,

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Speaker 3: the talent level is just unbelievable, but the writers that

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Speaker 3: they bring in, the directors that take on these this

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Speaker 3: is this is just I think such. It was such

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Speaker 3: a cool movie to watch in the sense we've just

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Speaker 3: seen some really great ones here recently.

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Speaker 4: I mean, yeah, it's like.

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Speaker 3: It's just awesome, and this one was a different, different

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Speaker 3: kind of great, you know what I mean. It was like,

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Speaker 3: oh man, this is great, but it's like not like

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Speaker 3: what we just watched, you know what I mean.

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Speaker 2: It wasn't. It wasn't. It wasn't some Corbin Blue.

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Speaker 4: You know. I thought it was good.

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Speaker 1: I didn't think it was great. I know, and I know,

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Speaker 1: I mean it was and I don't know. I will

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Speaker 1: I'm going to try and try to work out my

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Speaker 1: feelings because we'll get into it. But anyway, let's go

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Speaker 1: push a bully off a bridge because it's time for

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Speaker 1: a synopsis.

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Speaker 2: Shove that dude.

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Speaker 1: Ah Yeah, I cheered teenager, true walker and inspiring filmmaker

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Speaker 1: documents her life and the challenges of having a twin brother, Eddie,

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Speaker 1: who has an intellectual disability. Through her frustrations and their

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Speaker 1: undeniable love, she gains a deeper understanding of family, empathy

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Speaker 1: and self acceptance.

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Speaker 4: All right, so I think we heard your thoughts. You

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Speaker 4: loved this movie you were in.

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Speaker 1: I did not dislike this movie by any stretch of

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Speaker 1: the imagination. I thought the story was a little bit muddled. Frankly,

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Speaker 1: I thought it could have used a rewrite. Just strictly

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Speaker 1: from that standpoint, I thought some of the character turns

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Speaker 1: didn't make a whole lot of sense to me.

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Speaker 4: They went back and forth.

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Speaker 1: From I'm very happy I hate you in like sometimes

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Speaker 1: one sentence and it's like wow. Maybe that's indicative of

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Speaker 1: being a teenager at the time. I don't know, but

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Speaker 1: it came off as a little abrupt to me. But again,

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Speaker 1: the acting was bar none. The cast was incredible. I

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Speaker 1: had some questions, but we will get into those.

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Speaker 3: If I had a critique, I think it could have

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Speaker 3: gone farther.

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Speaker 4: Maybe maybe that was it.

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Speaker 3: With his disabilities, it could have go on farther to

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Speaker 3: as far as showing like the kind of bullying that's someone.

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Speaker 1: That see Maybe you're right, maybe that's what I needed,

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Speaker 1: more of his day to day life than the family life.

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Speaker 1: But it was really about the family, So maybe it

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Speaker 1: was Maybe it was unbalanced, is what I was kind

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Speaker 1: of feeling. Yeah, But again, the director of the directing, acting,

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Speaker 1: and the directing I thought for this one, and Kidden,

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Speaker 1: who directed it was I thought.

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Speaker 4: Way ahead of its time.

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Speaker 1: But anyway, as predicted as the day is long, this

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Speaker 1: movie is directed by the legendary Paul Hohen Oh, yes,

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Speaker 1: Paul Hoan again friend of the pod, the man who's

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Speaker 1: directed everything in the history of Disney. Who else could

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Speaker 1: it be? He is two D coms, what Tom Hanks is?

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Speaker 1: Two movies about World War two. Week after week we

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Speaker 1: seem to review only his films. But as a reminder,

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Speaker 1: here are some of his greatest hits. I feel like

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Speaker 1: our lovely listeners can speak them along with us because

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Speaker 1: we say him every week. Camp Rock to Luck of

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Speaker 1: the Irish, the entire Zombies franchise, Cheetah Girls, One World

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Speaker 1: and read It and weep and Dad napped, Dad napped?

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Speaker 2: What we just did to jump in?

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Speaker 4: Jump in and jump again.

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Speaker 1: If we just talked about his movies all the time,

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Speaker 1: that would be the hour that we're talking.

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Speaker 2: Is just Paul Howan Won or whatever that we haven't

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Speaker 2: seen yet. I can't wait.

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Speaker 4: And he's million dollar bake off. We've got so many.

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Speaker 1: Yeah, this guy makes the D and d COM stand

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Speaker 1: for director Paul Howan, So yes, that means d COM

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Speaker 1: stands for director Paul Hoan.

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Speaker 4: Channel original movie. And let's get to the cast.

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Speaker 1: Of course, because this was just bar Nunn. First up

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Speaker 1: is Clara Bryant, who I thought maybe could be related

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Speaker 1: to you if you added a T.

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Speaker 4: To your name, but you didn't.

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Speaker 2: She's a mix of me and Kobe exactly.

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Speaker 1: She's playing Trudy true Walker. Clara was not a newbie

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Speaker 1: when it came to the Channel. She was the first

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Speaker 1: ever d com star in under Wraps from nineteen ninety seven. Again,

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Speaker 1: depending on where you consider the d comdo started, and

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Speaker 1: I know we will be arguing back and forth on

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Speaker 1: where that actually is with Zooge and Disney Channel Original

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Speaker 1: Movies and everything else, but under Wraps a lot of

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Speaker 1: people consider the first one ever, and she was the

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Speaker 1: first ever d com star.

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Speaker 4: She's a Pioneer. She was also the star of a

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Speaker 4: very short lived.

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Speaker 1: TGIF sitcom called Billy, and appeared on Roseanne, Star Trek,

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Speaker 1: d Space nine and Buffy the Vampire Slayer Awesome List,

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Speaker 1: but left the business around two thousand and seven to

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Speaker 1: attend some small little university called Columbia. Then he was

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Speaker 1: a graduate of the University of Georgia School of Law.

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Speaker 1: And she's now a corporate counsel for Swiss log and

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Speaker 1: a mother of two.

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Speaker 2: Wow, get it, Clara, so me?

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Speaker 1: I mean we have this is She's not the first

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Speaker 1: of these actors we've seen that have gone on to

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Speaker 1: tremendous things outside of the business, and she is one

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Speaker 1: of them. Next, of course, we have Shilah buff As

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Speaker 1: Eddie Bryant. Beginning his career at twelve years old, Shia

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Speaker 1: has grown up in the spotlight, both good and very bad.

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Speaker 1: Though he appeared on TV shows like X Files and

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Speaker 1: Freaks and Geeks at a young age, he first broke

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Speaker 1: out for the Disney Channel crowd or just the Disney

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Speaker 1: crowd in the movie Holes.

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Speaker 4: Phenomenally good movie.

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Speaker 1: I know it wasn't technically adcom, but hopefully we'll get

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Speaker 1: to review it because it's one of my favorites.

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Speaker 4: Then on the classic show of course even Stevens.

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Speaker 1: Which would become a DCM that we've already covered here

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Speaker 1: a magical rewinds go back and check that out. But

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Speaker 1: buff would enter adulthood and the rise to start him

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Speaker 1: after his appearance on HBO's Project green Light, landing roles

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Speaker 1: in I Robot, Transformers, Indiana Jones, and the Wall Street sequel,

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Speaker 1: he became one of the more erratic infamous method actors,

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Speaker 1: focusing on art films like Lars von Truer's Ninfomatiact Volumes

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Speaker 1: and even creating a loud performance art career for himself.

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Speaker 1: But sadly, though proving himself as one of the most

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Speaker 1: arguably impressive actors of his entire generation, he has battled

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Speaker 1: controversies and numerous concerning allegations that have held back his career.

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Speaker 1: He appeared in last year's massive bomb Megalopolis, But here's

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Speaker 1: to hoping he gets his life together and is able

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Speaker 1: to work in a craft he was born to excel in.

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Speaker 1: If he could just get out of his own way,

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Speaker 1: he would truly be one of the greatest in the

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Speaker 1: history of Hollywood, and that is not hyperbole.

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Speaker 4: Are you a Shia fan.

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Speaker 2: I am a Shia fan of his work. Absolutely.

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Speaker 3: He did date Keeley for a while, so's I actually

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Speaker 3: know Shia and got to know his good friend Lorezzo

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Speaker 3: as well, and we had such fun times together, just

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Speaker 3: as like so fun.

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Speaker 2: But you know, when your best sees and her boyfriend

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Speaker 2: break up, that's kind of the end of your.

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Speaker 4: Break, you know, you that's your right or die. I

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Speaker 4: love that, that's absolutely.

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Speaker 3: But as far as his work goes, I just think

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Speaker 3: it's it's you can't question it. He's just a phenomenal actor.

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Speaker 3: When he gets on this on any screen, big or small,

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Speaker 3: he freaking shines.

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Speaker 1: So you know, he's one of those people, especially when

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Speaker 1: you see him when he's eleven twelve years old, he's

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Speaker 1: one of those people that you say, born to do this. Yes,

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Speaker 1: raw talent from the time you were born, and this

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Speaker 1: is what you were meant to do. So here's to

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Speaker 1: hoping he has a wonderful career because we're all missing

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Speaker 1: out as fans and not being able to see him.

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Speaker 2: But we need more Shia in our lives.

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Speaker 5: You do.

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Speaker 1: But he's got to get out of his own way,

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Speaker 1: and some of the allegations are pretty scary anyway.

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Speaker 4: Yeah, Mayor Winningham is mom.

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Speaker 1: Ginny Mayor is one of the original and less mentioned

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Speaker 1: members of one of the greatest troops of all time,

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Speaker 1: the Brat Pack, a group of young actors who took

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Speaker 1: Hollywood by storm in the eighties. She broke out in

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Speaker 1: the movie Sane Almo's Fire, which, if you go back

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Speaker 1: and watch it sucks. It's an awful movie, alongside fellow

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Speaker 1: PAC members Amilia Westevez, rob Lo, Demi Moore, Ali Sheety,

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Speaker 1: and many more. She also appeared in movies like Turner

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Speaker 1: and Hooch, Swing Vote, and Mildred Plays, and as far

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Speaker 1: as TV, she's been on Grey's Anatomy, Dope Sick, four

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Speaker 1: seasons of American Horror Story. She's just does it all.

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Speaker 1: And here's a fun trivia question. Who was her high

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Speaker 1: school boyfriend?

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Speaker 4: Hmm? Her high school boyfriend was Val Kilmer.

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Speaker 1: She was also Oscar nominated for her part in the

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Speaker 1: nineteen ninety five movie Georgia, and was nominated for two

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Speaker 1: Tony's and won two Emmys for her performances in TV

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Speaker 1: mini series or movies.

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Speaker 4: She's incredibly great. What to get for this movie? It

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Speaker 4: is just stacking this cast one after another.

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Speaker 3: Again you're just going, oh my gosh. I mean on screen,

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Speaker 3: I was just like, wow, gep.

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Speaker 4: It.

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Speaker 1: Is what the It showed what, especially in the early

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Speaker 1: two thousands, what Disney Channel thought of their d coms

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Speaker 1: and thought where they were gonna go. Where they could

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Speaker 1: do a movie like this and then a movie like

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Speaker 1: Cheetah Girls within a couple of years of each other.

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Speaker 1: It's like, we're gonna run the gamut, and it was

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Speaker 1: very impressive. William Francis McGuire is Dad Bob. He's been

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Speaker 1: seeing in movies like Day After Tomorrow and Mission Impossible

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Speaker 1: three and TV shows like The Mentalist.

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Speaker 4: And Jack, which is what my dad did for a living.

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Speaker 1: He currently is teaching acting at Saddleback College in Mission Viejo, California,

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Speaker 1: where my wife is from. Once again, I'm thinking all

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Speaker 1: of this about myself.

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Speaker 2: Oh see.

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Speaker 1: Kevin Dehaney is friend Jake. He played a young Dave

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Speaker 1: Chappelle and Half Baked Great movie would later become the

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Speaker 1: Blue Dino thunder Power Ranger on Power Rangers SPD.

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Speaker 4: Yes.

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Speaker 1: You may have also seen him in the movies Honey

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Speaker 1: or Four Brothers, and he now has a very prolific

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Speaker 1: career in voice acting.

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Speaker 4: I hope I get a chance to work with him someday.

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Speaker 4: And then Yanni Gelman is Billy.

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Speaker 1: He is best known Rewinders as Paolo in the Lizzie

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Speaker 1: McGuire movie, and he's a well established TV actor from

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Speaker 1: the Famous Jet Jackson to The Young and the Restless

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Speaker 1: to Pretty Little Liars, where he.

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Speaker 4: Played Garrett Reynolds.

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Speaker 1: Now, I know this one doesn't quite have the big

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Speaker 1: names for the lower down cast as something that you know,

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Speaker 1: like jump In did, But what did you think of

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Speaker 1: this cast?

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Speaker 4: All the way around?

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Speaker 2: I think it was great. I honestly, I loved the

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Speaker 2: two friends. They kind of the one girl kind of

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Speaker 2: irritated me here and.

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Speaker 3: There, but just because that was that's not her fault,

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Speaker 3: that that was her character, her character irritated me. But

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Speaker 3: I thought all around, I mean, you know, I thought

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Speaker 3: that there was moments that it felt very real when

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Speaker 3: it comes to like what you.

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Speaker 2: Think of dealing with the teenage daughter.

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Speaker 3: Like, I thought the parents handled their characters very well,

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Speaker 3: and the kids really like stepped into, you know, the

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Speaker 3: drama of what it would be like to watch their friend,

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Speaker 3: you know, go through something like this.

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Speaker 2: So I thought they were all very like easy too

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Speaker 2: easy to take and I love that.

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Speaker 1: I thought this was truly a movie that I think

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Speaker 1: hits you differently if you have children. Oh yeah, you know,

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Speaker 1: if you watch it as as an older adult or

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Speaker 1: and you've got kids.

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Speaker 4: I think this is different than somebody who doesn't have children.

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Speaker 4: I just I do. But anyway, Yeah.

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Speaker 1: As I mentioned earlier, this is based on a book,

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Speaker 1: so the writer, Jeanette Tajin, gets a credit and she

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Speaker 1: shares it with good old Ironsides and named Disney approached

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Speaker 1: whenever they needed a dcom heavy hitter. Former Magical Rewind

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Speaker 1: guest and friend of the Pods Stu Krieger.

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Speaker 4: He is the daddy of the dcom and he has returned.

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Speaker 1: We know his work from movies like Xenon, Smart House,

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Speaker 1: Going to the Mat, Gotta Kick It Up, the poof Point,

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Speaker 1: cow Bells.

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Speaker 4: List goes on and on and on again.

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Speaker 1: As I said, he was a former guest of ours

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Speaker 1: and the conversation was great, So please go listen to it,

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Speaker 1: even if you have to pause this one able to

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Speaker 1: listen to that, because it's worth it.

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Speaker 4: He is that cool amazing.

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Speaker 1: Okay, get the tissues ready, gang, at least for Sabrina

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Speaker 1: let's get into true confessions. We open with two little

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Speaker 1: kids and Sabrina crying, a brother and a sister in

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Speaker 1: overalls running carelessly through a field. Right on que we

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Speaker 1: hear a female voice, our narrator True. She thinks it's

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Speaker 1: funny that people on TV always live perfect lives. We

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Speaker 1: see some photos and footage of them now as teenagers.

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Speaker 1: They're twins Eddie and True. True admits she's obsessed with

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Speaker 1: her camcorder as we see footage of her brother winning

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Speaker 1: at what we think is the Special Olympics.

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Speaker 4: And then we're in her room.

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Speaker 1: Yes, the trope has returned, even if we didn't open

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Speaker 1: right with it.

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Speaker 4: It is here.

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Speaker 1: It is back, baby, even if it's only for a

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Speaker 1: few seconds. We see a lot of photographs of her

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Speaker 1: family and friends, and we see scattered VHS tapes of

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Speaker 1: movies she makes with classmates who are annoyed.

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Speaker 4: By how much she documents.

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Speaker 1: And again, now everybody's used to that, everybody's used to

441
00:18:36,320 --> 00:18:37,879
Speaker 1: having their phone in their hand and filming everything.

442
00:18:37,920 --> 00:18:39,240
Speaker 4: But back in the day you got you had to

443
00:18:39,280 --> 00:18:39,840
Speaker 4: work for it.

444
00:18:40,000 --> 00:18:42,360
Speaker 1: Oh yeah, if you wanted to document everything, you've got

445
00:18:42,359 --> 00:18:44,920
Speaker 1: the super eight cam quorder going on all the time, and.

446
00:18:44,880 --> 00:18:47,560
Speaker 4: I can see how that would get annoying for your friends.

447
00:18:47,960 --> 00:18:50,239
Speaker 4: I was that person you were you. Did you ever

448
00:18:50,280 --> 00:18:52,240
Speaker 4: get a video, Cameron, You're in your hands all time.

449
00:18:52,400 --> 00:18:56,760
Speaker 3: Wait, I've got a shoe box filled with those mini DVDs,

450
00:18:57,119 --> 00:19:02,680
Speaker 3: the minidvs. Yeah, yeah, and there I've got It's from

451
00:19:02,760 --> 00:19:05,560
Speaker 3: like our whole first tour on the Cheetah Girls that

452
00:19:05,680 --> 00:19:07,200
Speaker 3: I would love to sort through.

453
00:19:07,240 --> 00:19:09,600
Speaker 2: But you can't watch them anymore because I don't have it.

454
00:19:10,119 --> 00:19:11,320
Speaker 2: You know you can.

455
00:19:11,480 --> 00:19:13,639
Speaker 1: Oh my god, I can't believe the synergy we just

456
00:19:13,640 --> 00:19:16,000
Speaker 1: found Sabrina. Throw them all in the Legacy box. Send

457
00:19:16,000 --> 00:19:18,320
Speaker 1: them the Legacy box, and they digitize everything fun.

458
00:19:18,440 --> 00:19:20,240
Speaker 2: I'm so scared someone will take them, and.

459
00:19:20,480 --> 00:19:22,600
Speaker 1: So no one's gonna take anything and do them with them.

460
00:19:22,600 --> 00:19:25,560
Speaker 1: They are a Pod Meets World sponsor. They are wonderful.

461
00:19:25,720 --> 00:19:28,359
Speaker 1: Sending the Legacy box. We've been sending in all our stuff.

462
00:19:28,480 --> 00:19:31,000
Speaker 4: They are great. Look at the synergy Boom just got

463
00:19:31,000 --> 00:19:34,080
Speaker 4: in a commercial. Thank you. Seriously, throw them in a box.

464
00:19:34,119 --> 00:19:34,960
Speaker 4: You'll get them all back.

465
00:19:35,040 --> 00:19:36,840
Speaker 1: It is amazing, and you get to watch everything We've

466
00:19:36,840 --> 00:19:38,800
Speaker 1: been watching stuff from Boy Meets World where Rider was

467
00:19:38,800 --> 00:19:42,639
Speaker 1: taking behind the scenes footage watching it again has been incredible,

468
00:19:42,640 --> 00:19:44,840
Speaker 1: So there you go, shout out to our friends at

469
00:19:44,880 --> 00:19:45,720
Speaker 1: the Legacy box.

470
00:19:46,280 --> 00:19:48,719
Speaker 4: So uh yeah. Anyway, her friends are not feeling it.

471
00:19:48,840 --> 00:19:51,040
Speaker 1: True won't be happy until she turns her life into

472
00:19:51,040 --> 00:19:53,680
Speaker 1: a sitcom, which she's fine with because no matter how

473
00:19:53,680 --> 00:19:56,000
Speaker 1: big the problems are on TV, by the final commercial,

474
00:19:56,080 --> 00:19:59,040
Speaker 1: it's all worked out. Her reality is harsh, but she'd

475
00:19:59,119 --> 00:20:00,040
Speaker 1: much rather live.

476
00:20:00,160 --> 00:20:01,640
Speaker 4: Life in the tube.

477
00:20:01,680 --> 00:20:04,520
Speaker 1: Off the ferry and now biking across beautiful Toronto, and

478
00:20:04,560 --> 00:20:06,879
Speaker 1: it is absolutely beautiful. The three friends end up at

479
00:20:06,880 --> 00:20:09,960
Speaker 1: True's house, where they're welcomed by her brother Eddie, flashing

480
00:20:09,960 --> 00:20:11,040
Speaker 1: a camera in their faces.

481
00:20:10,800 --> 00:20:12,639
Speaker 4: Yelling paparazzi paparazzi.

482
00:20:13,080 --> 00:20:15,920
Speaker 1: True is not thrilled with the jump scare, and he

483
00:20:16,040 --> 00:20:18,000
Speaker 1: really does not know when to give up. Eventually he's

484
00:20:18,000 --> 00:20:20,680
Speaker 1: stopped by their mom, returning home from the day at work.

485
00:20:21,240 --> 00:20:23,480
Speaker 1: We get an awkward silence here, and Denise and Jack

486
00:20:23,600 --> 00:20:25,800
Speaker 1: realize it might be time to go home. True is mad,

487
00:20:25,800 --> 00:20:28,359
Speaker 1: but Eddie isn't sure what he did wrong, And here

488
00:20:28,440 --> 00:20:31,480
Speaker 1: it becomes more obvious that Eddie does have a mental impairment.

489
00:20:31,920 --> 00:20:33,639
Speaker 1: It's worth noting now we do have to say this.

490
00:20:33,720 --> 00:20:35,919
Speaker 1: Of course, the times were then what they are they

491
00:20:35,920 --> 00:20:37,720
Speaker 1: are different now, and look at the past through the

492
00:20:37,760 --> 00:20:38,960
Speaker 1: lens of the future never works.

493
00:20:39,280 --> 00:20:40,920
Speaker 4: However, you do have.

494
00:20:40,880 --> 00:20:43,600
Speaker 1: To point out that the portrayal of disabilities and TV

495
00:20:43,680 --> 00:20:47,080
Speaker 1: and movies appears to still be an evolving standard, with

496
00:20:47,160 --> 00:20:48,879
Speaker 1: more and more actors who are actually part of the

497
00:20:48,920 --> 00:20:52,000
Speaker 1: affected communities finally getting a chance to portray themselves. But

498
00:20:52,240 --> 00:20:55,200
Speaker 1: it's a very new trend, and coincidentally, Shia was early

499
00:20:55,200 --> 00:20:57,760
Speaker 1: on in this development. In the great movie Peter butterfalcon

500
00:20:57,800 --> 00:21:01,000
Speaker 1: Co starring Zach Gottzigen, an actor became the first person

501
00:21:01,040 --> 00:21:03,399
Speaker 1: with Down syndrome to be a presenter at the Academy Awards,

502
00:21:03,400 --> 00:21:05,480
Speaker 1: which he did with Shia. So this is a great

503
00:21:05,520 --> 00:21:07,520
Speaker 1: change has taken place over the last few years, and

504
00:21:07,880 --> 00:21:09,840
Speaker 1: if they did it now, you probably would not see

505
00:21:09,840 --> 00:21:11,680
Speaker 1: Shia in this role anymore in twenty twenty five.

506
00:21:11,720 --> 00:21:13,359
Speaker 4: But this was two thousand and two and this is

507
00:21:13,560 --> 00:21:14,280
Speaker 4: just how it was done.

508
00:21:15,200 --> 00:21:17,760
Speaker 1: Eddie re enters the house ashamed and True doesn't let up.

509
00:21:17,800 --> 00:21:19,640
Speaker 1: Their mom tries to step in, but True is fed

510
00:21:19,720 --> 00:21:22,280
Speaker 1: up with her brother getting his way. He explains he

511
00:21:22,400 --> 00:21:24,280
Speaker 1: just wanted to be funny, but she's still seeing white

512
00:21:24,320 --> 00:21:26,480
Speaker 1: spots and he chased away all of her friends. He

513
00:21:26,520 --> 00:21:29,440
Speaker 1: says he's sorry, and True, of course reluctantly forgives him.

514
00:21:29,640 --> 00:21:32,280
Speaker 1: A very affected Eddie goes off to work on some homework,

515
00:21:32,520 --> 00:21:34,920
Speaker 1: leaving True alone with her mom. Ginny is not happy

516
00:21:34,920 --> 00:21:37,080
Speaker 1: with her daughter, and True doesn't understand the double standard

517
00:21:37,080 --> 00:21:39,679
Speaker 1: her mom has for her kids, but Eddie doesn't want

518
00:21:39,680 --> 00:21:41,880
Speaker 1: to feel left out, and then we see that Eddie

519
00:21:41,880 --> 00:21:44,439
Speaker 1: secretly is listening from the stairs. True doesn't understand how

520
00:21:44,440 --> 00:21:46,960
Speaker 1: her brother can't do anything wrong, but she can't do

521
00:21:47,080 --> 00:21:50,320
Speaker 1: anything right. She storms off, which becomes a big motif

522
00:21:50,359 --> 00:21:52,920
Speaker 1: in this movie, which was one of my problems, and Eddie,

523
00:21:52,920 --> 00:21:55,040
Speaker 1: as if he needed to feel any worse, hangs his

524
00:21:55,119 --> 00:21:57,960
Speaker 1: head in sadness. True slams her bedroom door shut and

525
00:21:58,000 --> 00:22:00,119
Speaker 1: imagines a surreal world where she's the star of a

526
00:22:00,160 --> 00:22:02,800
Speaker 1: Brady Bunch STV sitcom. It's in front of a live

527
00:22:02,840 --> 00:22:05,520
Speaker 1: studio audience and it's all painted as her fantasy. And

528
00:22:05,560 --> 00:22:06,960
Speaker 1: this is where I thought this was way ahead of

529
00:22:06,960 --> 00:22:09,000
Speaker 1: its time. We saw this on I mean in the

530
00:22:09,080 --> 00:22:12,720
Speaker 1: nineties they did it in Natural Born Killers and things

531
00:22:12,760 --> 00:22:14,640
Speaker 1: like that, but I thought the direction of this movie

532
00:22:14,960 --> 00:22:17,520
Speaker 1: taking it to occasionally being on a sitcom stage, going

533
00:22:17,520 --> 00:22:19,879
Speaker 1: into her fantasies. The flashbacks of them running in the

534
00:22:19,880 --> 00:22:22,920
Speaker 1: field really well directed for a d com. This might,

535
00:22:23,160 --> 00:22:27,959
Speaker 1: in my opinion, be the best directed Paul Hohen joint,

536
00:22:28,119 --> 00:22:30,520
Speaker 1: which is saying something because he does everything.

537
00:22:30,520 --> 00:22:34,240
Speaker 4: But it was artsy and fun and different, and I

538
00:22:34,280 --> 00:22:34,639
Speaker 4: loved it.

539
00:22:34,720 --> 00:22:38,280
Speaker 3: The I loved the flashbacks because they were like slower motion,

540
00:22:38,560 --> 00:22:41,600
Speaker 3: they were grainy. You could absolutely tell that this was

541
00:22:42,240 --> 00:22:44,880
Speaker 3: like you instantly go into that flashback mode. And they

542
00:22:44,880 --> 00:22:48,280
Speaker 3: were like very seamless to me, like they didn't seem abrupt,

543
00:22:48,320 --> 00:22:52,040
Speaker 3: which I think sometimes flashbacks can, and especially love. I

544
00:22:52,119 --> 00:22:55,639
Speaker 3: loved this, this this TV show idea that they.

545
00:22:55,520 --> 00:22:57,239
Speaker 4: Did me too. I thought the way they were doing

546
00:22:57,320 --> 00:22:58,679
Speaker 4: it was very very cool.

547
00:22:59,200 --> 00:23:02,000
Speaker 1: Her mom is a June Cleaver type now and on

548
00:23:02,040 --> 00:23:03,959
Speaker 1: this new show and tells her how proud she is

549
00:23:04,080 --> 00:23:06,000
Speaker 1: and how True has the best taste in clothes.

550
00:23:06,119 --> 00:23:06,640
Speaker 4: She gets one.

551
00:23:06,560 --> 00:23:08,760
Speaker 1: Hundred dollar raised, an allowance and a boop on the nose,

552
00:23:08,840 --> 00:23:11,400
Speaker 1: only to quickly return to reality. Alone in her room,

553
00:23:11,880 --> 00:23:14,920
Speaker 1: True sits down and talks into the camera MTV confessional style.

554
00:23:15,040 --> 00:23:17,160
Speaker 1: So there we go, breaking the fourth wall again. It's

555
00:23:17,160 --> 00:23:20,399
Speaker 1: her secret video journal called True tales. She explains her

556
00:23:20,400 --> 00:23:22,920
Speaker 1: life isn't a sitcom, it's a soap opera. She can't

557
00:23:22,920 --> 00:23:24,720
Speaker 1: talk to her mom, who's always so busy with Eddie,

558
00:23:24,800 --> 00:23:27,320
Speaker 1: and her dad is never home because he's a brain surgeon,

559
00:23:27,600 --> 00:23:30,520
Speaker 1: which is a gross profession also kind of an important one.

560
00:23:30,720 --> 00:23:32,960
Speaker 1: One day she'll be incredibly famous on TV and this

561
00:23:33,040 --> 00:23:35,119
Speaker 1: journal will show what her life was really like. But

562
00:23:35,160 --> 00:23:38,160
Speaker 1: more than anything, she just needs something that is completely

563
00:23:38,200 --> 00:23:42,200
Speaker 1: and privately hers. There now, getting ready for a family dinner,

564
00:23:42,320 --> 00:23:44,520
Speaker 1: Eddie is carefully setting the table. Their dad is busy

565
00:23:44,520 --> 00:23:47,359
Speaker 1: at the hospital, so they'll start a little later than usual. Meanwhile,

566
00:23:47,600 --> 00:23:50,240
Speaker 1: True starts correcting Eddie's mistakes with the setting. They don't

567
00:23:50,240 --> 00:23:52,719
Speaker 1: need soup spoons tonight, but this immediately messes with what

568
00:23:52,800 --> 00:23:55,520
Speaker 1: Eddie knows and what he wants. It's truessnight to do

569
00:23:55,520 --> 00:23:57,320
Speaker 1: the dishes, though, and she doesn't want to wash anything

570
00:23:57,320 --> 00:23:59,639
Speaker 1: that they don't use, but her mom says it seems

571
00:23:59,680 --> 00:24:02,280
Speaker 1: like she wants to argue about everything. She grabs her

572
00:24:02,280 --> 00:24:05,399
Speaker 1: camera and instructs her future self to cast someone other

573
00:24:05,520 --> 00:24:07,600
Speaker 1: than her mom when they make a show of her

574
00:24:07,680 --> 00:24:11,240
Speaker 1: life harsh as True storms off, this one obviously hurts

575
00:24:11,240 --> 00:24:14,480
Speaker 1: her mom's feelings. Now in her room, True is talking

576
00:24:14,520 --> 00:24:17,000
Speaker 1: to her camera again, explaining that her mom is vain

577
00:24:17,200 --> 00:24:19,800
Speaker 1: and asks the most embarrassing questions about her in public.

578
00:24:20,000 --> 00:24:22,680
Speaker 1: She also packs intricate lunches for them, which True finds

579
00:24:22,760 --> 00:24:25,600
Speaker 1: very corny, which again I find very nice. Eventually, we

580
00:24:25,640 --> 00:24:28,560
Speaker 1: are back at the dinner table and now finally joined

581
00:24:28,560 --> 00:24:32,040
Speaker 1: by dad. Eddie is retelling the paparazzi story from earlier,

582
00:24:32,080 --> 00:24:33,639
Speaker 1: telling it is a funny moment instead of the one

583
00:24:33,680 --> 00:24:36,520
Speaker 1: that infuriated his sister, but True lets her dad know.

584
00:24:36,440 --> 00:24:37,919
Speaker 4: The truth it wasn't funny.

585
00:24:38,160 --> 00:24:40,600
Speaker 1: Then, while being handed to broccoli, Eddie drops the bowl,

586
00:24:40,760 --> 00:24:44,040
Speaker 1: breaking the glass dish and shards fly everywhere. The dad

587
00:24:44,080 --> 00:24:47,520
Speaker 1: responds on impulse, jumping up and yelling not again, but

588
00:24:47,560 --> 00:24:49,719
Speaker 1: their mom calms him down quickly, she'll get it cleaned up.

589
00:24:49,720 --> 00:24:52,440
Speaker 1: But Bob is still annoyed that the broccoli is covered

590
00:24:52,480 --> 00:24:53,120
Speaker 1: in glass.

591
00:24:53,240 --> 00:24:55,240
Speaker 4: And this is when I was having I was like, okay,

592
00:24:55,240 --> 00:24:55,640
Speaker 4: this is.

593
00:24:57,280 --> 00:25:00,080
Speaker 1: I had a feeling where we were heading with this

594
00:25:00,080 --> 00:25:03,200
Speaker 1: this point. I was getting the the dcom Dad red

595
00:25:03,240 --> 00:25:04,639
Speaker 1: flags instantly.

596
00:25:05,040 --> 00:25:07,760
Speaker 3: Also, first Ball was like, why are you guys not

597
00:25:07,880 --> 00:25:11,520
Speaker 3: using plastic bulls? If this kid drops stuff everywhere. Why

598
00:25:11,560 --> 00:25:15,200
Speaker 3: have we not changed our behavior to help him out

599
00:25:15,240 --> 00:25:18,800
Speaker 3: a little bit clastic, simplest thing in the world.

600
00:25:19,440 --> 00:25:22,280
Speaker 1: It's like, no, I want to have delicate crystal at

601
00:25:22,359 --> 00:25:24,240
Speaker 1: every meal that we serve, like.

602
00:25:24,760 --> 00:25:28,199
Speaker 3: Exactly exactly, because I'm telling you, as a parent, regardless,

603
00:25:28,240 --> 00:25:29,160
Speaker 3: this is something.

604
00:25:28,880 --> 00:25:29,480
Speaker 2: You go through.

605
00:25:29,640 --> 00:25:33,639
Speaker 3: Maybe not at his age, at Eddie's age, that you're

606
00:25:33,680 --> 00:25:36,000
Speaker 3: still going through that, but that's what I'm at right

607
00:25:36,040 --> 00:25:38,280
Speaker 3: now with Like, let's just takes the bowl.

608
00:25:38,680 --> 00:25:41,280
Speaker 2: He's not dropping it, he's chucking it across.

609
00:25:42,160 --> 00:25:46,399
Speaker 3: So Leger will not get glass bulls, plastic bowl.

610
00:25:46,400 --> 00:25:49,320
Speaker 2: Not hard classic bol dang yep.

611
00:25:49,359 --> 00:25:52,120
Speaker 1: So Eddie apologizes any hugs his dad who comes back

612
00:25:52,160 --> 00:25:54,359
Speaker 1: down to earth, and he said, you know, sorry about

613
00:25:54,359 --> 00:25:54,800
Speaker 1: my mistake.

614
00:25:54,840 --> 00:25:55,680
Speaker 4: With a smile on his face.

615
00:25:55,680 --> 00:25:57,520
Speaker 1: He says, one day they'll get through a meal without

616
00:25:57,600 --> 00:26:01,960
Speaker 1: dropping or breaking anything, and again plastic bowls. Brother buy

617
00:26:02,040 --> 00:26:07,240
Speaker 1: a plastic bowl. Eddie, though, is shaken up, but they

618
00:26:07,280 --> 00:26:08,040
Speaker 1: get back to eating.

619
00:26:08,359 --> 00:26:08,719
Speaker 4: That night.

620
00:26:08,760 --> 00:26:10,600
Speaker 1: In her room, True draws in her journal as she

621
00:26:10,720 --> 00:26:13,280
Speaker 1: narrates about baby sharks attacking each other in the womb.

622
00:26:13,320 --> 00:26:16,240
Speaker 1: Her drawings come to life again another like just cool

623
00:26:16,280 --> 00:26:18,800
Speaker 1: directing thing. The sharks now attached to her in her

624
00:26:18,840 --> 00:26:22,080
Speaker 1: brother's head, swim around, and her shark eventually eats her brother.

625
00:26:22,359 --> 00:26:24,919
Speaker 1: She slams the bookshut and wonders, what if everything that

626
00:26:24,960 --> 00:26:25,440
Speaker 1: is wrong.

627
00:26:25,280 --> 00:26:27,040
Speaker 4: With Eddie is her fault.

628
00:26:27,560 --> 00:26:29,320
Speaker 1: She was born first, so maybe things would have been

629
00:26:29,359 --> 00:26:31,680
Speaker 1: different if he was born first. She logs onto a

630
00:26:31,720 --> 00:26:35,199
Speaker 1: special Need Special Care internet message board and posts for

631
00:26:35,280 --> 00:26:37,840
Speaker 1: some answers. She wants to make him more comfortable at

632
00:26:37,880 --> 00:26:41,080
Speaker 1: their new high school and feel more accepted in the

633
00:26:41,119 --> 00:26:43,840
Speaker 1: world and ask people for ideas. It's very sweet. This

634
00:26:43,920 --> 00:26:48,320
Speaker 1: is so, this is where I was going back and

635
00:26:48,359 --> 00:26:50,080
Speaker 1: forth with everything's changing.

636
00:26:50,119 --> 00:26:51,840
Speaker 4: She's mad and then she feels bad.

637
00:26:52,119 --> 00:26:54,520
Speaker 1: But then I started to realize that's probably what it's

638
00:26:54,640 --> 00:26:58,040
Speaker 1: like if you are a a teenager and be dealing

639
00:26:58,040 --> 00:27:00,320
Speaker 1: with somebody who deals with this in their life. I mean,

640
00:27:00,359 --> 00:27:03,199
Speaker 1: it must be this kind of frustrating, and then you're

641
00:27:03,240 --> 00:27:04,880
Speaker 1: guilty for being frustrated and.

642
00:27:04,840 --> 00:27:06,479
Speaker 4: You want to make their life better. It must be

643
00:27:06,600 --> 00:27:07,320
Speaker 4: very difficult.

644
00:27:07,400 --> 00:27:10,840
Speaker 3: I feel like you you have You're still You're still human,

645
00:27:10,920 --> 00:27:15,560
Speaker 3: so your instincts and your reactions are especially as a teenager.

646
00:27:16,320 --> 00:27:19,920
Speaker 3: They have such a hard time kind of filtering these

647
00:27:19,920 --> 00:27:22,800
Speaker 3: things anyway, And then put on the fact that her

648
00:27:22,840 --> 00:27:25,919
Speaker 3: brother really needs a lot of special care, you know,

649
00:27:26,160 --> 00:27:28,920
Speaker 3: and she's in the part where she's wanting to demand

650
00:27:29,200 --> 00:27:32,399
Speaker 3: her time with her parents, and that is even just

651
00:27:32,440 --> 00:27:34,119
Speaker 3: what normal brothers and sisters do.

652
00:27:34,880 --> 00:27:37,240
Speaker 4: And it's just maybe that's the scene that was missing

653
00:27:37,280 --> 00:27:37,600
Speaker 4: for me.

654
00:27:37,600 --> 00:27:40,200
Speaker 3: Feel the guilt of it, you know, going, damn, why

655
00:27:40,200 --> 00:27:42,879
Speaker 3: can't I control my emotions? I know this is going

656
00:27:42,960 --> 00:27:48,040
Speaker 3: to happen, you know, I just that's for me think

657
00:27:48,440 --> 00:27:50,240
Speaker 3: in this movie, just going, this.

658
00:27:51,280 --> 00:27:53,040
Speaker 4: Girl somebody olver.

659
00:27:54,720 --> 00:27:58,000
Speaker 3: I mean, although I did cringe every time she jumps

660
00:27:58,040 --> 00:27:59,560
Speaker 3: in her mom's face.

661
00:27:59,400 --> 00:27:59,920
Speaker 6: It's off.

662
00:28:00,240 --> 00:28:02,160
Speaker 1: But maybe that's the scene I was missing. Maybe I'm

663
00:28:02,160 --> 00:28:04,080
Speaker 1: missing exactly that I'm missing the mom going I know

664
00:28:04,200 --> 00:28:07,160
Speaker 1: this is tough and it's hard on all of us,

665
00:28:07,280 --> 00:28:10,440
Speaker 1: and we I understand how frustrated you must feel. And

666
00:28:10,480 --> 00:28:12,440
Speaker 1: I think you're a great sister, like maybe like maybe

667
00:28:12,440 --> 00:28:14,400
Speaker 1: I need a dad a little more, which I didn't see.

668
00:28:14,480 --> 00:28:16,639
Speaker 1: It was just kind of yelling in it. But anyway,

669
00:28:17,240 --> 00:28:20,240
Speaker 1: True falls quickly asleep again and enters a dream. It's

670
00:28:20,240 --> 00:28:22,560
Speaker 1: the two kids from the beginning, still running through the field.

671
00:28:22,760 --> 00:28:25,639
Speaker 1: They're picking flowers and wrestling. Obviously, it's an easier time

672
00:28:26,000 --> 00:28:28,680
Speaker 1: for what we can guess is these same two siblings.

673
00:28:29,000 --> 00:28:30,720
Speaker 1: The next morning, Two is at our locker talking to

674
00:28:30,760 --> 00:28:33,359
Speaker 1: Denise about how she connected with Billy Meyer, the hottest

675
00:28:33,440 --> 00:28:35,880
Speaker 1: junior at school. But we see a flashback and all

676
00:28:35,920 --> 00:28:38,320
Speaker 1: he did was ask her if there was an assembly today.

677
00:28:38,520 --> 00:28:40,840
Speaker 1: Denise rolls her eyes. Yeah, wow, he must be in

678
00:28:40,840 --> 00:28:43,080
Speaker 1: love with you. Jack runs up, he's got big news,

679
00:28:43,080 --> 00:28:44,959
Speaker 1: but the bell rings before he can dish out all

680
00:28:45,000 --> 00:28:47,800
Speaker 1: the hot goss. But the kids are calling it, and

681
00:28:47,920 --> 00:28:50,280
Speaker 1: instead of walking a home room, True checks in on

682
00:28:50,320 --> 00:28:53,200
Speaker 1: her brother. He's working in the special education class, talking

683
00:28:53,200 --> 00:28:57,080
Speaker 1: to classmates, who, again worth noting, are all actors with

684
00:28:57,120 --> 00:29:00,000
Speaker 1: real disabilities. So you know that was a good thing.

685
00:29:00,280 --> 00:29:01,840
Speaker 4: But I guess what transition?

686
00:29:02,240 --> 00:29:02,720
Speaker 2: Transition?

687
00:29:02,960 --> 00:29:05,920
Speaker 1: Yes, the twins exchange a quick smile, and as she

688
00:29:05,960 --> 00:29:07,840
Speaker 1: turns to get the class, she bumps into.

689
00:29:07,840 --> 00:29:10,120
Speaker 4: What Billy Meyer, the hot junior.

690
00:29:10,880 --> 00:29:14,120
Speaker 1: She awkwardly apologizes, and True knows she's coming off very weird.

691
00:29:14,200 --> 00:29:16,320
Speaker 1: She thinks if she had Billy as her boyfriend, life

692
00:29:16,320 --> 00:29:18,800
Speaker 1: would be perfect, and we're thrown right back on that

693
00:29:18,920 --> 00:29:22,320
Speaker 1: sitcom set. The audience is feverishly applauding as Billy, now

694
00:29:22,360 --> 00:29:25,080
Speaker 1: dressed in a suit, holding flowers, does his best Desi

695
00:29:25,160 --> 00:29:29,120
Speaker 1: Arnaz impression, Trusy I'm home. True is dressed just like

696
00:29:29,200 --> 00:29:32,240
Speaker 1: Lucy o'ball, red Wig and all. They exchange some very

697
00:29:32,280 --> 00:29:35,120
Speaker 1: I Love Lucy inspired dialogue, but as they profess their

698
00:29:35,160 --> 00:29:37,920
Speaker 1: love for each other, we're thrown back to reality and school,

699
00:29:38,160 --> 00:29:41,440
Speaker 1: where True is filming her billy playing basketball from Afar.

700
00:29:42,080 --> 00:29:43,200
Speaker 4: She's interrupted by her.

701
00:29:43,360 --> 00:29:46,480
Speaker 1: Yeah yeah, I'll say yikes, I don't even want to

702
00:29:46,480 --> 00:29:48,360
Speaker 1: find when she later finds all her secret tapes, I

703
00:29:48,360 --> 00:29:50,120
Speaker 1: don't even want to find the secret secret stash.

704
00:29:50,160 --> 00:29:51,040
Speaker 4: She has just a billy.

705
00:29:52,560 --> 00:29:55,840
Speaker 1: She's interrupted by Eddie, Denise and Jack. Ready to eat lunch.

706
00:29:56,000 --> 00:29:58,680
Speaker 1: Jack is grossed out by his Liverworth sandwich. Of course

707
00:29:58,680 --> 00:30:01,280
Speaker 1: he should be, so when he sees True's chicken wings,

708
00:30:01,280 --> 00:30:04,160
Speaker 1: he wants to trade the wings for his hot goss,

709
00:30:04,280 --> 00:30:07,520
Speaker 1: saying it again. She eventually accepts, and he reveals he

710
00:30:07,600 --> 00:30:10,320
Speaker 1: knows a way she could become a TV star. She

711
00:30:10,440 --> 00:30:12,520
Speaker 1: races home to her mom. It's a miracle, the chance

712
00:30:12,520 --> 00:30:15,200
Speaker 1: of a lifetime. She throws down a newspaper ad that reads,

713
00:30:15,280 --> 00:30:18,440
Speaker 1: host your Own TV Show. W TUV is having a

714
00:30:18,480 --> 00:30:21,920
Speaker 1: contest for kids. The winner becomes a host on the channel. True, no,

715
00:30:22,080 --> 00:30:24,560
Speaker 1: she'll win, but her mom sets her expectations. They're going

716
00:30:24,640 --> 00:30:27,200
Speaker 1: to get hundreds of entries. True wanted her mom to

717
00:30:27,200 --> 00:30:29,600
Speaker 1: be supportive. So we're seeing a pattern here, and once

718
00:30:29,640 --> 00:30:32,920
Speaker 1: again she storms off very angry, and she does she

719
00:30:33,000 --> 00:30:34,680
Speaker 1: does this kind of happy angry.

720
00:30:34,760 --> 00:30:37,600
Speaker 4: It's very there's almost no transition between the two. A

721
00:30:37,600 --> 00:30:38,840
Speaker 4: lot of times.

722
00:30:39,160 --> 00:30:41,920
Speaker 1: Now in her room, True is spitballing ideas into her camera.

723
00:30:42,000 --> 00:30:44,800
Speaker 1: The show can be called True Life Adventures or True

724
00:30:44,920 --> 00:30:48,680
Speaker 1: True or NYPD True Mad about True True Tales.

725
00:30:48,880 --> 00:30:49,440
Speaker 4: True wants to.

726
00:30:49,440 --> 00:30:51,880
Speaker 1: Be a millionaire. She keeps thinking on it. All right,

727
00:30:51,960 --> 00:30:53,560
Speaker 1: So if you had a talk show.

728
00:30:53,360 --> 00:30:53,960
Speaker 4: What would you call it?

729
00:30:54,640 --> 00:30:58,040
Speaker 3: Ooh, cheated chatter kind of works.

730
00:30:58,160 --> 00:30:59,200
Speaker 2: Yeah, it's true.

731
00:30:59,240 --> 00:31:02,840
Speaker 3: Actually, Keigly and I did one on YouTube for a

732
00:31:02,880 --> 00:31:05,040
Speaker 3: while called Dinner with Friends. We loved it because it

733
00:31:05,080 --> 00:31:07,960
Speaker 3: was like that dinner. It wasn't a morning talk show

734
00:31:07,960 --> 00:31:10,240
Speaker 3: with coffee. It was like a dinner talk show where

735
00:31:10,280 --> 00:31:12,840
Speaker 3: we were chatting about different things that were happening in

736
00:31:12,920 --> 00:31:14,040
Speaker 3: the world or you know.

737
00:31:15,120 --> 00:31:15,840
Speaker 2: It was really fun.

738
00:31:15,880 --> 00:31:18,120
Speaker 3: I actually really loved it. But yeah, I think kind

739
00:31:18,160 --> 00:31:21,920
Speaker 3: of more around like food. Okay, like a dinner table

740
00:31:21,920 --> 00:31:24,440
Speaker 3: where you really getting at like just some fun you

741
00:31:24,480 --> 00:31:27,680
Speaker 3: know chatter, but cheated chat is always always good.

742
00:31:27,840 --> 00:31:29,360
Speaker 1: We also didn't know each other, so I won't hold

743
00:31:29,360 --> 00:31:30,720
Speaker 1: it against you that you didn't invite me to be.

744
00:31:30,680 --> 00:31:32,920
Speaker 4: On your show. We are now back at school.

745
00:31:33,000 --> 00:31:34,760
Speaker 1: True is on her way out of English class when

746
00:31:34,800 --> 00:31:37,240
Speaker 1: she decides to talk to her teacher, mister Taylor about

747
00:31:37,240 --> 00:31:38,480
Speaker 1: the KTUV contest.

748
00:31:38,720 --> 00:31:40,320
Speaker 4: She needs his help coming up with an idea.

749
00:31:40,440 --> 00:31:42,800
Speaker 1: He says he always teaches you to write what you know,

750
00:31:43,160 --> 00:31:44,920
Speaker 1: and he says that could be applied to TV too, which,

751
00:31:44,960 --> 00:31:46,520
Speaker 1: by the way, for all you young writers out there,

752
00:31:46,560 --> 00:31:49,360
Speaker 1: that is a great rule of thumb. She seems inspired

753
00:31:49,400 --> 00:31:52,600
Speaker 1: by his advice. Now we are at True's mom's work.

754
00:31:52,760 --> 00:31:55,000
Speaker 1: She's at her computer and reveals to a coworker that

755
00:31:55,040 --> 00:31:57,280
Speaker 1: she was on the special needs special care site looking

756
00:31:57,280 --> 00:32:00,400
Speaker 1: for music classes for Eddie and she came across Truth's post.

757
00:32:00,720 --> 00:32:02,480
Speaker 1: She's hurt that True didn't come to her for help

758
00:32:02,520 --> 00:32:04,920
Speaker 1: like she used to. She's definitely growing up. Is this

759
00:32:04,960 --> 00:32:05,880
Speaker 1: a weird kind of take?

760
00:32:05,920 --> 00:32:09,120
Speaker 4: I mean, isn't she? This is again where I was like?

761
00:32:10,400 --> 00:32:13,440
Speaker 1: Her daughter is going out of her way to try

762
00:32:13,440 --> 00:32:15,760
Speaker 1: to learn as much as she can to make her

763
00:32:15,760 --> 00:32:21,320
Speaker 1: brother's life easier. Wouldn't she be proud of that as

764
00:32:21,320 --> 00:32:24,600
Speaker 1: opposed to like getting it wasn't angry, but I just

765
00:32:24,640 --> 00:32:26,080
Speaker 1: feel like she was focused on the wrong thing.

766
00:32:26,200 --> 00:32:28,760
Speaker 3: I don't know if it was like angry. I feel

767
00:32:28,800 --> 00:32:31,560
Speaker 3: like she was just disappointed because I think what what

768
00:32:31,760 --> 00:32:34,360
Speaker 3: parents tend to do is they take on that kind

769
00:32:34,360 --> 00:32:37,240
Speaker 3: of stuff themselves, like where did I go wrong in

770
00:32:37,280 --> 00:32:39,920
Speaker 3: this relationship to where she's not coming to me? You know,

771
00:32:40,520 --> 00:32:43,480
Speaker 3: I'm trying to set the pattern of how I say

772
00:32:43,520 --> 00:32:45,440
Speaker 3: things to Monroe when she comes home and tells me

773
00:32:45,480 --> 00:32:47,800
Speaker 3: things about school. There's a way to do it to

774
00:32:47,840 --> 00:32:50,240
Speaker 3: where you always make sure that they know that when

775
00:32:50,280 --> 00:32:53,080
Speaker 3: you come to you, you're a safe place versus because

776
00:32:53,080 --> 00:32:55,400
Speaker 3: you don't want them to be going out to other people.

777
00:32:55,480 --> 00:32:57,280
Speaker 3: You want them to come in, you want them to

778
00:32:57,320 --> 00:32:58,200
Speaker 3: be you.

779
00:32:58,080 --> 00:32:59,000
Speaker 2: Want to be their safe place.

780
00:32:59,040 --> 00:33:01,160
Speaker 3: I think that's what her takes was she she was

781
00:33:01,200 --> 00:33:03,000
Speaker 3: kind of going what how did.

782
00:33:04,720 --> 00:33:04,800
Speaker 1: So?

783
00:33:04,840 --> 00:33:06,440
Speaker 2: How did I lose this? How did I? Where did

784
00:33:06,480 --> 00:33:10,000
Speaker 2: I go wrong? You know? And and it's just understanding

785
00:33:10,040 --> 00:33:11,680
Speaker 2: that kids are just like this.

786
00:33:11,800 --> 00:33:13,800
Speaker 3: I've got I go I'm in this age with the

787
00:33:13,840 --> 00:33:16,360
Speaker 3: girls that I that I teach and I love that

788
00:33:16,400 --> 00:33:18,920
Speaker 3: I get to sort of be a person that can

789
00:33:18,960 --> 00:33:22,200
Speaker 3: help anything. When when they have this a little bit

790
00:33:22,200 --> 00:33:24,440
Speaker 3: of a disconnect from the people they have gone to

791
00:33:24,440 --> 00:33:26,160
Speaker 3: their whole life, their mom and their dad. You know,

792
00:33:26,920 --> 00:33:29,040
Speaker 3: people kids just at this age are reaching out looking

793
00:33:29,040 --> 00:33:29,800
Speaker 3: for other people.

794
00:33:30,160 --> 00:33:33,680
Speaker 2: I don't know why it happens. That's fair, it's natural, okay.

795
00:33:34,160 --> 00:33:36,600
Speaker 1: Ginny also knows that all that True does is yell

796
00:33:36,640 --> 00:33:39,240
Speaker 1: at her, which is true, so she's insecure about their connection.

797
00:33:39,560 --> 00:33:41,520
Speaker 1: She returns to Tru's post and it looks like she

798
00:33:41,720 --> 00:33:44,480
Speaker 1: just sent a reply. At home that night, True was

799
00:33:44,520 --> 00:33:46,240
Speaker 1: doing her homework and tells her mom that having a

800
00:33:46,280 --> 00:33:49,160
Speaker 1: boy twin stinks. She doesn't get to do cool stuff

801
00:33:49,160 --> 00:33:51,680
Speaker 1: like they did in the parent Trap. Just then, Eddie enters,

802
00:33:51,800 --> 00:33:54,520
Speaker 1: dresses a doctor. He says he's just like his dad.

803
00:33:54,560 --> 00:33:57,080
Speaker 1: He performs an operation on a watermelon or what he

804
00:33:57,160 --> 00:33:59,760
Speaker 1: calls a broken brain, True in Ginny's smile. They play

805
00:33:59,760 --> 00:34:02,800
Speaker 1: a lot until their dad enters and he is mad.

806
00:34:03,920 --> 00:34:05,680
Speaker 1: He wants to know what the hell is going on. Okay,

807
00:34:05,680 --> 00:34:07,520
Speaker 1: we can't avoid it any longer, can we can? We

808
00:34:07,600 --> 00:34:10,000
Speaker 1: already induct Bob Walker into the bad Dad.

809
00:34:09,840 --> 00:34:10,359
Speaker 4: Hall of Fame.

810
00:34:10,440 --> 00:34:12,640
Speaker 1: I mean, he's not even doing anything wrong at this

811
00:34:12,680 --> 00:34:13,879
Speaker 1: point at all.

812
00:34:13,960 --> 00:34:19,800
Speaker 3: No, No, But I feel like it's it's hard because I, yes,

813
00:34:19,880 --> 00:34:21,200
Speaker 3: I could not this.

814
00:34:21,200 --> 00:34:22,680
Speaker 2: This guy was starting to bother me.

815
00:34:23,560 --> 00:34:25,000
Speaker 3: But I feel like there's a lot of things that

816
00:34:25,000 --> 00:34:27,279
Speaker 3: could have been set in place, did not put Eddie

817
00:34:27,320 --> 00:34:29,920
Speaker 3: in a position to keep pissing him off too, Like

818
00:34:30,040 --> 00:34:32,239
Speaker 3: why is your why are these tools if they're so

819
00:34:32,280 --> 00:34:34,600
Speaker 3: important to you in a place that he can get to?

820
00:34:35,040 --> 00:34:37,360
Speaker 1: Yeah, well he's keeping him with all the glass bowls,

821
00:34:38,040 --> 00:34:42,319
Speaker 1: that's what I mean. Why are you in my glass bowl?

822
00:34:42,400 --> 00:34:45,640
Speaker 4: Ancient tech? Yet he doesn't sound like an any problem Bob.

823
00:34:45,680 --> 00:34:47,800
Speaker 4: It sound like a Bob problem. It's like a Bob problem.

824
00:34:47,840 --> 00:34:48,160
Speaker 4: It does.

825
00:34:48,200 --> 00:34:51,120
Speaker 1: But Bob is uh, yeah, he's I get he's busy

826
00:34:51,160 --> 00:34:52,959
Speaker 1: and he's doing all that stuff. And I think they're

827
00:34:53,000 --> 00:34:54,960
Speaker 1: trying to make this movie it's supposed to be about

828
00:34:55,800 --> 00:34:59,359
Speaker 1: how nobody is really taking the time to look at

829
00:34:59,400 --> 00:35:02,080
Speaker 1: anything through anybody else's point of view.

830
00:35:02,200 --> 00:35:04,040
Speaker 2: It's just how you're going through it.

831
00:35:04,040 --> 00:35:06,840
Speaker 1: It's just they're all kind of in selfish mode, at

832
00:35:06,920 --> 00:35:07,800
Speaker 1: least in the beginning.

833
00:35:08,080 --> 00:35:10,720
Speaker 3: But I will say, except for it, speaking of mister

834
00:35:10,880 --> 00:35:14,759
Speaker 3: Stu again, Yeah, remember how he said that he refused

835
00:35:14,760 --> 00:35:17,359
Speaker 3: to do characters where the dad and the daughter have

836
00:35:17,960 --> 00:35:20,399
Speaker 3: like he doesn't like to have characters where the dad

837
00:35:20,680 --> 00:35:22,600
Speaker 3: is looking like a jerk.

838
00:35:22,680 --> 00:35:25,640
Speaker 2: This is this is the jerkiest dad we've seen.

839
00:35:25,719 --> 00:35:30,600
Speaker 1: Steve do exactly and be like, Ah, Stu, we got

840
00:35:30,640 --> 00:35:31,480
Speaker 1: a jerky dad for you.

841
00:35:31,560 --> 00:35:33,400
Speaker 2: I think we forgot about one of your characters.

842
00:35:33,400 --> 00:35:34,759
Speaker 4: I'm telling you because this is you got it.

843
00:35:34,760 --> 00:35:37,480
Speaker 1: You got a jerky dad here, yeah, Stu, Yeah, I'm

844
00:35:37,600 --> 00:35:38,200
Speaker 1: I can't okay.

845
00:35:38,320 --> 00:35:40,000
Speaker 3: And a mom that can't seem to get it together

846
00:35:40,160 --> 00:35:42,320
Speaker 3: very well either. I mean, but they're all struggling.

847
00:35:42,440 --> 00:35:44,680
Speaker 1: They were missing each other. Yeah, and I think the

848
00:35:44,680 --> 00:35:45,799
Speaker 1: struggle was the point of it.

849
00:35:45,840 --> 00:35:47,600
Speaker 4: I get that. And she's supposed to be filming the struggle.

850
00:35:47,640 --> 00:35:47,960
Speaker 4: I get it.

851
00:35:47,960 --> 00:35:50,080
Speaker 1: It's just it was very abrupt at times. But I

852
00:35:50,160 --> 00:35:52,920
Speaker 1: understand what they're going for. Bob tells his son that

853
00:35:52,960 --> 00:35:55,719
Speaker 1: the tools are antiques gifted down from his dad. Eddie

854
00:35:55,760 --> 00:35:58,680
Speaker 1: starts crying and yelling he's not a doctor. Doctors are mean.

855
00:35:59,120 --> 00:36:01,279
Speaker 1: Ginny jumps in. She says Eddie was being careful. Then

856
00:36:01,280 --> 00:36:03,520
Speaker 1: the young boy slams the watermelon to the floor, breaking

857
00:36:03,520 --> 00:36:05,960
Speaker 1: it to pieces. Bob gives his look to his wife

858
00:36:06,000 --> 00:36:10,000
Speaker 1: and yeah, he sucks as a dad. Later in their bedroom,

859
00:36:10,040 --> 00:36:12,279
Speaker 1: Bob is explaining himself to Ginny. It's like everything he

860
00:36:12,320 --> 00:36:12,680
Speaker 1: does with.

861
00:36:12,680 --> 00:36:15,000
Speaker 4: This kid is wrong. She says, it's his tone.

862
00:36:15,120 --> 00:36:17,520
Speaker 1: Bob wonders if they don't put if they don't push him,

863
00:36:17,600 --> 00:36:20,560
Speaker 1: will he ever grow? And this gets slightly heated, and

864
00:36:20,600 --> 00:36:23,759
Speaker 1: things just aren't easy right now for the Walkers, and

865
00:36:23,800 --> 00:36:29,080
Speaker 1: again a very rare, frustrated conversation between two adults.

866
00:36:29,440 --> 00:36:30,920
Speaker 2: And yes, I thought of that.

867
00:36:31,000 --> 00:36:32,680
Speaker 3: I said, this is really kind of one of the

868
00:36:32,680 --> 00:36:36,920
Speaker 3: first times where we're seeing and it's I assume.

869
00:36:36,600 --> 00:36:39,200
Speaker 2: This would be very real of how hard it.

870
00:36:39,120 --> 00:36:41,440
Speaker 3: Is to be in a marriage when you're both having to,

871
00:36:41,960 --> 00:36:45,960
Speaker 3: you know, handle this delicate of a situation, and how

872
00:36:46,160 --> 00:36:50,319
Speaker 3: you're looking at each other somewhat judging each other. Yeah,

873
00:36:50,360 --> 00:36:53,000
Speaker 3: I handle it this way, and this way is better

874
00:36:53,040 --> 00:36:54,799
Speaker 3: than the way you handle it, you know, and how

875
00:36:54,880 --> 00:36:55,920
Speaker 3: much that could affect.

876
00:36:56,360 --> 00:36:59,279
Speaker 1: They're really frustrated and you're yelling, and I think they

877
00:36:59,320 --> 00:37:03,319
Speaker 1: were trying to cap Yes. Yeah, we are now back

878
00:37:03,320 --> 00:37:05,320
Speaker 1: in True's bedroom. She's dreaming once again about her and

879
00:37:05,400 --> 00:37:07,960
Speaker 1: Eddie as kids in the field, but now she can't

880
00:37:07,960 --> 00:37:08,359
Speaker 1: find him.

881
00:37:08,400 --> 00:37:12,760
Speaker 4: She's yelling his name, running all around. Sabrina is still crying, and.

882
00:37:15,120 --> 00:37:18,760
Speaker 1: Somebody find Eddie and over in Eddie's room, He's sleeping

883
00:37:18,840 --> 00:37:21,600
Speaker 1: on the floor, violently tossing and turning, crying and saying

884
00:37:21,600 --> 00:37:23,239
Speaker 1: True's name. We don't know if he's having the same

885
00:37:23,320 --> 00:37:25,359
Speaker 1: dream or he's kind of still reacting to being yelled

886
00:37:25,400 --> 00:37:27,279
Speaker 1: at by his dad. I don't know if twins have

887
00:37:27,320 --> 00:37:29,279
Speaker 1: the same dreams. I bet you they do. Eddie's dad

888
00:37:29,320 --> 00:37:31,000
Speaker 1: eventually puts him in the bed and rubs his head

889
00:37:31,040 --> 00:37:33,800
Speaker 1: until he is back asleep. The next day, Eddie's playing

890
00:37:33,840 --> 00:37:37,000
Speaker 1: catch with his dad. We get a montageing all of

891
00:37:37,080 --> 00:37:39,800
Speaker 1: Eddie's throws sail well over Bob's head or into the ground.

892
00:37:40,120 --> 00:37:42,400
Speaker 1: Bob is all smiles at first, praising his son's attempt,

893
00:37:42,440 --> 00:37:44,680
Speaker 1: so I think he's probably felt guilty about how he

894
00:37:44,719 --> 00:37:46,919
Speaker 1: treated him the day before. But eventually he just gets

895
00:37:46,920 --> 00:37:49,040
Speaker 1: exhausted running everywhere to get the ball, so he decides

896
00:37:49,080 --> 00:37:50,800
Speaker 1: to take Eddie to get a hot fudge Sunday.

897
00:37:50,960 --> 00:37:52,640
Speaker 4: Eddie loves that idea, so do I.

898
00:37:52,640 --> 00:38:01,799
Speaker 1: I'd be eating one right now if I could. It's

899
00:38:01,840 --> 00:38:03,880
Speaker 1: now later and True is still working in her bedroom

900
00:38:03,920 --> 00:38:06,160
Speaker 1: when she turns her attention to the special needs sight. Again,

901
00:38:06,400 --> 00:38:08,920
Speaker 1: her post has gotten some replies. She reads them and

902
00:38:08,960 --> 00:38:11,880
Speaker 1: imagines the contributor. She can cox an old lady yelling

903
00:38:12,680 --> 00:38:17,160
Speaker 1: and again, now this is another great moment of direction

904
00:38:17,239 --> 00:38:19,080
Speaker 1: where it's kind of we're cutting to all these things.

905
00:38:19,120 --> 00:38:21,480
Speaker 1: We could easily just read it off the screen, or

906
00:38:21,640 --> 00:38:24,000
Speaker 1: it could be read in a voiceover, but no, we're

907
00:38:24,040 --> 00:38:27,080
Speaker 1: cutting to these things, which is another cool Paul Holand trick.

908
00:38:27,120 --> 00:38:30,160
Speaker 1: Here she can cox an old lady telling her the

909
00:38:30,239 --> 00:38:33,239
Speaker 1: question isn't what's wrong with her brother, what's wrong with her?

910
00:38:33,880 --> 00:38:34,240
Speaker 4: Harsh?

911
00:38:34,920 --> 00:38:37,680
Speaker 1: She also suggests true just needs a strong sense of faith.

912
00:38:38,120 --> 00:38:40,040
Speaker 1: The next reply is from a motorcycle dude. He has

913
00:38:40,080 --> 00:38:41,719
Speaker 1: a son who sounds a lot like Eddie and their

914
00:38:41,719 --> 00:38:42,879
Speaker 1: school board was a big help.

915
00:38:42,960 --> 00:38:45,520
Speaker 4: Maybe she can try that. What this is?

916
00:38:45,520 --> 00:38:49,080
Speaker 3: When it went uh oh okay, now we're entering the

917
00:38:49,280 --> 00:38:52,600
Speaker 3: scariness of chat rooms and who the heck you could

918
00:38:52,600 --> 00:38:53,239
Speaker 3: be talking to?

919
00:38:53,680 --> 00:38:58,320
Speaker 2: Like, of course, my twenty twenty five brain goes.

920
00:38:58,920 --> 00:39:01,400
Speaker 3: So badly into the dark side once I see this

921
00:39:01,480 --> 00:39:03,600
Speaker 3: motorcycle guy, like, oh god.

922
00:39:03,560 --> 00:39:06,480
Speaker 2: Now he's gonna be gonna and oh gosh, what's going on?

923
00:39:06,520 --> 00:39:08,680
Speaker 2: You know, I couldn't even help it, but this is.

924
00:39:09,440 --> 00:39:14,920
Speaker 3: It's all nice, super scared about.

925
00:39:13,880 --> 00:39:16,720
Speaker 1: Yeah, we'll get scared soon, but we weren't scared yet

926
00:39:17,120 --> 00:39:18,960
Speaker 1: the motorcycle did. He has a son who sounds a

927
00:39:18,960 --> 00:39:20,480
Speaker 1: lot like eddying the school board was a big help.

928
00:39:20,520 --> 00:39:22,920
Speaker 1: Maybe she can try that. And finally, she imagines an

929
00:39:22,960 --> 00:39:25,919
Speaker 1: all American housewife with the screen named Dedi. The woman

930
00:39:25,960 --> 00:39:28,880
Speaker 1: is praising True as a sister. She suggests that support

931
00:39:28,920 --> 00:39:31,120
Speaker 1: and love can do the trick, and she says she's

932
00:39:31,200 --> 00:39:33,040
Speaker 1: always around if True needs her.

933
00:39:33,480 --> 00:39:35,200
Speaker 4: The next day, back on the Very True.

934
00:39:34,960 --> 00:39:37,239
Speaker 1: Ask Denise and Jack if they think Billy meyerd would

935
00:39:37,239 --> 00:39:40,440
Speaker 1: be in her film. Billy My don't, but her friends

936
00:39:40,480 --> 00:39:44,600
Speaker 1: don't really care. They say, I'm sorry, No, I'm just

937
00:39:44,719 --> 00:39:47,840
Speaker 1: I just got a rashly pissed over Yolanda from the

938
00:39:47,840 --> 00:39:54,360
Speaker 1: The Dutch Dragons anyway, the Dutch Dragon don't get me started.

939
00:39:54,520 --> 00:39:57,000
Speaker 1: But her friends don't really care. They say he is

940
00:39:57,040 --> 00:39:59,640
Speaker 1: an ego maniac. True thinks this contest can be the

941
00:39:59,680 --> 00:40:02,319
Speaker 1: beginning the rest of her life, but her friends think

942
00:40:02,440 --> 00:40:05,200
Speaker 1: she's probably overselling it. We are now back on Land,

943
00:40:05,239 --> 00:40:08,279
Speaker 1: being followed by Eddie. She mentions mister Taylor's suggestion, but

944
00:40:08,400 --> 00:40:12,120
Speaker 1: everything she quote unquote knows is incredibly boring. Should she

945
00:40:12,160 --> 00:40:14,960
Speaker 1: do a movie parody and animation and hip hop music?

946
00:40:15,280 --> 00:40:17,920
Speaker 1: And then she gets the most brilliant idea ever and

947
00:40:18,040 --> 00:40:20,719
Speaker 1: races back on the boat to do some research. When

948
00:40:20,760 --> 00:40:23,200
Speaker 1: True eventually returns home, she's carrying a bunch of heavy books.

949
00:40:23,280 --> 00:40:24,759
Speaker 1: Her dad is home early from work, which is a

950
00:40:24,840 --> 00:40:27,160
Speaker 1: rare occurrence, and True is happy to see him. She

951
00:40:27,239 --> 00:40:30,640
Speaker 1: needs his help on the WTUV contest. She decided on

952
00:40:30,680 --> 00:40:33,440
Speaker 1: a new magazine show to teach people about kids like Eddie,

953
00:40:33,640 --> 00:40:35,560
Speaker 1: how they get that way, what doctors are doing to

954
00:40:35,600 --> 00:40:37,600
Speaker 1: try to help them. She wonders if one of his

955
00:40:37,719 --> 00:40:41,239
Speaker 1: really smart and TV friendly doctor coworkers could sit for

956
00:40:41,280 --> 00:40:45,400
Speaker 1: an interview. He slightly suggests himself, but she wants professional,

957
00:40:45,520 --> 00:40:46,240
Speaker 1: not pathetic.

958
00:40:46,960 --> 00:40:47,320
Speaker 6: Ouch.

959
00:40:47,760 --> 00:40:50,239
Speaker 4: The family is just so mean to each other. That's

960
00:40:50,239 --> 00:40:50,600
Speaker 4: what I mean.

961
00:40:51,080 --> 00:40:54,520
Speaker 3: I wrote that one down, meaning she just has them

962
00:40:54,560 --> 00:40:56,600
Speaker 3: coming out one after another.

963
00:40:57,120 --> 00:41:00,239
Speaker 2: It would be hard to live with her, honestly.

964
00:41:02,239 --> 00:41:07,879
Speaker 3: Anyway, Yes it is, yeah, But just then Eddie comes

965
00:41:07,960 --> 00:41:10,240
Speaker 3: rollerblading in, but he's falling all over the place.

966
00:41:10,440 --> 00:41:12,560
Speaker 1: He's proud and wants his dad to come watch him

967
00:41:12,600 --> 00:41:15,040
Speaker 1: skate outside. But that's when Bob gets paid by work.

968
00:41:15,239 --> 00:41:17,760
Speaker 1: He runs the phone just as the doorbell rings. True

969
00:41:17,760 --> 00:41:22,759
Speaker 1: answers it and it's Yolanda. No, it's Billy Meyer. He

970
00:41:22,840 --> 00:41:25,440
Speaker 1: is delivering groceries. He helps her bring in the bags,

971
00:41:25,480 --> 00:41:27,680
Speaker 1: and her brother continues to scream and glide around. He

972
00:41:27,719 --> 00:41:30,200
Speaker 1: eventually bumps into his sister, forcing Oranges to fall to

973
00:41:30,280 --> 00:41:32,440
Speaker 1: the floor. True won't pick them up. It wasn't her fault.

974
00:41:32,760 --> 00:41:35,120
Speaker 1: Eddie accidentally tackles his dad, who's trying to talk on

975
00:41:35,160 --> 00:41:38,040
Speaker 1: the phone, and then skates right over his sister's finger.

976
00:41:38,400 --> 00:41:40,520
Speaker 1: Now Billy is, of course, seeing all of this chaos,

977
00:41:40,560 --> 00:41:41,399
Speaker 1: waiting for his tip.

978
00:41:41,680 --> 00:41:43,959
Speaker 4: He finally exits just as Ginny arrives home.

979
00:41:43,880 --> 00:41:46,040
Speaker 1: Which is good news for Bob because he's got to

980
00:41:46,080 --> 00:41:48,120
Speaker 1: go to the hospital for an emergency. Big shocker, He's

981
00:41:48,160 --> 00:41:51,760
Speaker 1: leaving again, and leaving True without the project help she needed,

982
00:41:52,040 --> 00:41:54,319
Speaker 1: and leaving his wife Ginny with all the mess and

983
00:41:54,360 --> 00:41:57,719
Speaker 1: everything else going on. True is furious and slams her

984
00:41:57,719 --> 00:42:00,719
Speaker 1: brother's uneaten carrots down the garbage to both. She just

985
00:42:00,760 --> 00:42:02,399
Speaker 1: wants it to be normal in her house. For once

986
00:42:02,560 --> 00:42:05,200
Speaker 1: Billy Meyer was in their house. It was Billy Meyer mom,

987
00:42:05,520 --> 00:42:08,719
Speaker 1: and she was so embarrassed. Later that night, We're at

988
00:42:08,719 --> 00:42:11,080
Speaker 1: the Walker's dinner table. Dad, Mom, and Eddie take their

989
00:42:11,120 --> 00:42:13,840
Speaker 1: seats on the glass table with glass bowls and glass plates,

990
00:42:14,120 --> 00:42:17,760
Speaker 1: and True eventually arrives with new carrots, this time paper

991
00:42:17,800 --> 00:42:20,440
Speaker 1: ones she made from construction paper. This gets a smile

992
00:42:20,480 --> 00:42:23,400
Speaker 1: from the family and peace is sort of re established,

993
00:42:23,480 --> 00:42:26,880
Speaker 1: at least for now. That night, True writes back Detie

994
00:42:26,920 --> 00:42:29,080
Speaker 1: on her message board. She goes into detail about how

995
00:42:29,080 --> 00:42:30,839
Speaker 1: her mom is always too busy to hear about her

996
00:42:30,840 --> 00:42:33,799
Speaker 1: TV project and how Eddie is just so content in

997
00:42:33,880 --> 00:42:36,560
Speaker 1: his life. She spends so much time worrying about and

998
00:42:36,600 --> 00:42:38,560
Speaker 1: looking out for him, but maybe he's one of the

999
00:42:38,640 --> 00:42:42,840
Speaker 1: luckiest people in the family. He's happier than anyone she knows.

1000
00:42:43,160 --> 00:42:45,200
Speaker 1: The next day, True is back to work on our project,

1001
00:42:45,280 --> 00:42:48,080
Speaker 1: so we get a montage my favorite. She interviews one

1002
00:42:48,120 --> 00:42:51,040
Speaker 1: of her dad's doctor friends. She edits, she films her brother,

1003
00:42:51,120 --> 00:42:53,960
Speaker 1: and gets some shots. In her science classroom, she's working

1004
00:42:54,080 --> 00:42:56,320
Speaker 1: very hard, in fact, so hard that she falls asleep

1005
00:42:56,320 --> 00:42:57,680
Speaker 1: in class and right out of the chair, which is

1006
00:42:57,719 --> 00:42:58,919
Speaker 1: starting to become a new Disney trope.

1007
00:42:58,920 --> 00:43:00,719
Speaker 4: We've now seen that a few times, because.

1008
00:43:00,440 --> 00:43:02,479
Speaker 1: Didn't he fell asleep in the middle class and jump

1009
00:43:02,480 --> 00:43:05,200
Speaker 1: in ye remember that, So everybody's fall asleep in class?

1010
00:43:05,239 --> 00:43:06,960
Speaker 4: Another enjoyed.

1011
00:43:07,520 --> 00:43:08,520
Speaker 2: I think way back in.

1012
00:43:10,120 --> 00:43:13,480
Speaker 3: Brink when he was going two times with the with

1013
00:43:13,560 --> 00:43:17,000
Speaker 3: the skate rope, he was fall sleeping class. I think

1014
00:43:17,040 --> 00:43:18,960
Speaker 3: as well, fall asleep in class.

1015
00:43:19,239 --> 00:43:20,640
Speaker 1: But of course she's doing this right in front of

1016
00:43:20,680 --> 00:43:23,640
Speaker 1: Billy Meyer. Oh that cute Billy Meyer. She just cannot

1017
00:43:23,719 --> 00:43:24,719
Speaker 1: catch a break with this guy.

1018
00:43:25,239 --> 00:43:26,480
Speaker 4: But the hard work was worth it.

1019
00:43:26,480 --> 00:43:28,520
Speaker 1: The project is now done and it's time to screen

1020
00:43:28,560 --> 00:43:30,920
Speaker 1: it for Denise, Jack and Eddie. They promised to be

1021
00:43:30,960 --> 00:43:33,800
Speaker 1: honest once it begins. Eddie loves seeing himself on the screen,

1022
00:43:33,840 --> 00:43:37,440
Speaker 1: and they all seem interested at first, but it becomes

1023
00:43:37,520 --> 00:43:39,799
Speaker 1: way too scientifically focused on the brain and they start

1024
00:43:39,800 --> 00:43:42,040
Speaker 1: to doze off. Finally, it ends and her friends let

1025
00:43:42,080 --> 00:43:44,640
Speaker 1: out a big sigh. They admit it's just boring.

1026
00:43:44,880 --> 00:43:46,000
Speaker 4: True agrees, she.

1027
00:43:46,080 --> 00:43:48,200
Speaker 1: Knows that she's got to make some changes, and Jack

1028
00:43:48,239 --> 00:43:52,920
Speaker 1: suggests getting a second opinion. Sweetly, Eddie still congratulates.

1029
00:43:52,239 --> 00:43:53,960
Speaker 4: His sister on a job well done.

1030
00:43:54,320 --> 00:43:57,319
Speaker 1: Her second opinion is her mom, who watches it and

1031
00:43:57,440 --> 00:43:59,719
Speaker 1: also thinks it's a little bit boring. She thinks that

1032
00:43:59,760 --> 00:44:01,759
Speaker 1: True played it too safe. She wants to see what

1033
00:44:01,800 --> 00:44:05,560
Speaker 1: True's emotional POV is not just medical explanations. And then

1034
00:44:06,120 --> 00:44:10,239
Speaker 1: guess what happens. True gets irrationally mad and shouts in

1035
00:44:10,360 --> 00:44:11,920
Speaker 1: storms off, oh, I can't even.

1036
00:44:11,840 --> 00:44:14,120
Speaker 4: Believe it again, And that's when I was like, and

1037
00:44:14,160 --> 00:44:15,319
Speaker 4: it was the instant, it was.

1038
00:44:15,280 --> 00:44:19,120
Speaker 3: Like, sure is real life. This is for sure real

1039
00:44:19,160 --> 00:44:22,000
Speaker 3: life with girls and their moms at this age. I

1040
00:44:22,120 --> 00:44:25,759
Speaker 3: swear it is. It happens so quick. You just don't

1041
00:44:25,800 --> 00:44:28,080
Speaker 3: even know what's happening. Even when I was a girl

1042
00:44:28,200 --> 00:44:31,319
Speaker 3: doing this, I don't know what was happening and why

1043
00:44:31,320 --> 00:44:34,400
Speaker 3: all of a sudden, just got so pissed so quick because.

1044
00:44:34,160 --> 00:44:34,960
Speaker 4: I was like, what did what?

1045
00:44:35,040 --> 00:44:35,279
Speaker 6: Wow?

1046
00:44:35,360 --> 00:44:36,560
Speaker 4: That came out of nowhere?

1047
00:44:36,760 --> 00:44:39,960
Speaker 2: Out of nowhere? You cannot see it coming? Will okay,

1048
00:44:40,360 --> 00:44:41,840
Speaker 2: just smash in the face.

1049
00:44:41,960 --> 00:44:45,279
Speaker 4: I will take your word for it. We are now

1050
00:44:45,320 --> 00:44:46,239
Speaker 4: in Eddie's room.

1051
00:44:46,320 --> 00:44:48,399
Speaker 1: True is reading her brother a bedtime story and asks

1052
00:44:48,400 --> 00:44:49,880
Speaker 1: his real opinion on the project.

1053
00:44:50,000 --> 00:44:50,480
Speaker 4: He said it.

1054
00:44:50,520 --> 00:44:53,960
Speaker 1: Needed more car crashes. She laughs, but second guesses are talent.

1055
00:44:54,120 --> 00:44:56,760
Speaker 1: Eddie assures her that she's funny, but then gets serious.

1056
00:44:56,800 --> 00:44:58,440
Speaker 1: He wants to know if True is mad at him.

1057
00:44:58,840 --> 00:45:01,520
Speaker 1: She says, of course. She explains that she's been busy

1058
00:45:01,560 --> 00:45:04,200
Speaker 1: with her tape, but Eddie admits it makes him sad

1059
00:45:04,640 --> 00:45:06,520
Speaker 1: she used to be his twin and now she's not.

1060
00:45:06,680 --> 00:45:08,759
Speaker 1: It's a very touching scene that leads True back to

1061
00:45:08,800 --> 00:45:11,400
Speaker 1: the message board. It is hard not to love Eddie.

1062
00:45:11,640 --> 00:45:15,719
Speaker 4: And I almost teared up here. Okay, it was close.

1063
00:45:15,800 --> 00:45:18,600
Speaker 4: I was like, okay, little language for me is bawling.

1064
00:45:18,680 --> 00:45:21,680
Speaker 1: If I'm like I have a slight emotional feeling, then

1065
00:45:21,719 --> 00:45:22,799
Speaker 1: it's like I'm crying my eyes.

1066
00:45:23,200 --> 00:45:25,600
Speaker 2: I love it, Yes, I know.

1067
00:45:25,920 --> 00:45:29,759
Speaker 3: And he's so honest too about it, you know, and

1068
00:45:29,800 --> 00:45:32,400
Speaker 3: it's like he's learned to be able to express his

1069
00:45:32,480 --> 00:45:34,440
Speaker 3: feelings and you're just going, wow.

1070
00:45:34,480 --> 00:45:37,880
Speaker 2: Yeah, I mean, especially with twins, twins, I do believe

1071
00:45:37,960 --> 00:45:39,160
Speaker 2: I've always wanted.

1072
00:45:38,880 --> 00:45:41,040
Speaker 4: To be you want to have them.

1073
00:45:41,120 --> 00:45:45,040
Speaker 3: I like you just it's like this connection between the

1074
00:45:45,080 --> 00:45:47,319
Speaker 3: two of them, and to imagine what it would be

1075
00:45:47,480 --> 00:45:50,960
Speaker 3: like for one of them to struggle so much. Just like,

1076
00:45:51,239 --> 00:45:53,440
Speaker 3: oh man, this was such a great scene and s

1077
00:45:53,520 --> 00:45:54,560
Speaker 3: I did such a great job.

1078
00:45:54,719 --> 00:45:55,359
Speaker 4: Yeah, he was great.

1079
00:45:56,000 --> 00:45:58,680
Speaker 1: True replies to Dedie again, she feels like a loser

1080
00:45:58,719 --> 00:46:00,719
Speaker 1: who can't figure out this project and her mom isn't

1081
00:46:00,719 --> 00:46:02,680
Speaker 1: helping it all. She ends by asking dede if the

1082
00:46:02,680 --> 00:46:05,040
Speaker 1: project gets too personal, won't people.

1083
00:46:04,880 --> 00:46:07,640
Speaker 4: Just laugh at her? At the next day's soccer game,

1084
00:46:07,719 --> 00:46:09,480
Speaker 4: and I, okay this.

1085
00:46:09,600 --> 00:46:10,440
Speaker 2: I didn't understand.

1086
00:46:10,880 --> 00:46:13,960
Speaker 1: Why is she on the team with the with the

1087
00:46:14,719 --> 00:46:18,000
Speaker 1: because this is obviously a team for people with intellectual disabilities,

1088
00:46:18,080 --> 00:46:20,839
Speaker 1: But why is she the only person on the team

1089
00:46:20,840 --> 00:46:22,440
Speaker 1: who doesn't have intellectual disabilities?

1090
00:46:22,440 --> 00:46:23,359
Speaker 4: I didn't understand that.

1091
00:46:23,640 --> 00:46:24,279
Speaker 2: I didn't get it.

1092
00:46:24,360 --> 00:46:26,959
Speaker 1: Yeah, I didn't either. But True arrives with her family.

1093
00:46:27,000 --> 00:46:28,800
Speaker 1: I figured they'd all just be there to support him.

1094
00:46:29,040 --> 00:46:31,279
Speaker 1: Eddie is also in a jersey. True tells her dad

1095
00:46:31,280 --> 00:46:33,680
Speaker 1: that she's still creatively stuck, but he's convinced she'll do

1096
00:46:33,760 --> 00:46:36,720
Speaker 1: fine in the end. On the field, the coach, who's awesome,

1097
00:46:37,320 --> 00:46:39,680
Speaker 1: seems great, almost like he'd be a better dad for

1098
00:46:39,719 --> 00:46:42,880
Speaker 1: the twins, which he would. He reminds Eddie not to

1099
00:46:43,000 --> 00:46:44,640
Speaker 1: use his hands and tells him to go and have

1100
00:46:44,719 --> 00:46:45,120
Speaker 1: some fun.

1101
00:46:45,160 --> 00:46:45,960
Speaker 4: Now we're mid game.

1102
00:46:46,120 --> 00:46:48,480
Speaker 1: Ginny gets a breakaway and passes to an open Eddie

1103
00:46:48,600 --> 00:46:50,799
Speaker 1: without even looking up. It's almost like they have some

1104
00:46:50,840 --> 00:46:52,960
Speaker 1: sort of twin telepathy, which is what she's talking about

1105
00:46:52,960 --> 00:46:53,600
Speaker 1: in the voiceover.

1106
00:46:53,800 --> 00:46:55,320
Speaker 4: Then Eddie shoots and scores.

1107
00:46:55,400 --> 00:46:58,680
Speaker 1: Everybody celebrates, especially Eddie, who hugs his sister and waves

1108
00:46:58,680 --> 00:47:01,480
Speaker 1: to his parents, who were filming the whole thing back

1109
00:47:01,480 --> 00:47:04,680
Speaker 1: in home. Dede, still being imagined as an old fashioned housewife,

1110
00:47:04,680 --> 00:47:07,480
Speaker 1: has replied. She admits that True's life is intense, but

1111
00:47:07,600 --> 00:47:10,200
Speaker 1: no one makes great art without taking a risk. Dede

1112
00:47:10,280 --> 00:47:13,080
Speaker 1: suggests she should show her true self to be rewarded.

1113
00:47:13,600 --> 00:47:15,160
Speaker 1: True is now in a walk with Denise and Eddie,

1114
00:47:15,200 --> 00:47:18,280
Speaker 1: chatting about her new online friendship with Dede. Denise wonders

1115
00:47:18,280 --> 00:47:20,680
Speaker 1: if it's actually a five hundred pounds man with Nasty

1116
00:47:20,680 --> 00:47:22,960
Speaker 1: bo and Harry Back, which is exactly what you were

1117
00:47:22,960 --> 00:47:25,480
Speaker 1: talking about, which is what people were starting to wonder

1118
00:47:25,520 --> 00:47:27,920
Speaker 1: about in the early chat rooms.

1119
00:47:27,960 --> 00:47:31,440
Speaker 4: Never been in a chat room in my entire.

1120
00:47:31,560 --> 00:47:35,000
Speaker 2: Life, not even those AOL ones.

1121
00:47:35,040 --> 00:47:39,000
Speaker 4: And I'm still AOL by the way, I'm Rider Diol.

1122
00:47:39,120 --> 00:47:42,080
Speaker 1: My email is still AOL, still existing AOL.

1123
00:47:42,160 --> 00:47:44,160
Speaker 4: Well, there's like three of us left. It's me, my mom,

1124
00:47:44,200 --> 00:47:45,640
Speaker 4: and I think some like one of my old friends.

1125
00:47:46,160 --> 00:47:48,480
Speaker 4: That's it. But I am AOL Rider died.

1126
00:47:48,480 --> 00:47:50,560
Speaker 1: But I've never in my because I'm not a computer guy,

1127
00:47:50,600 --> 00:47:52,480
Speaker 1: I've never in my life been in a chat room.

1128
00:47:52,840 --> 00:47:57,560
Speaker 3: Yeah mean I I Yeah, They're mean.

1129
00:47:57,880 --> 00:47:58,400
Speaker 4: No, thank you.

1130
00:47:59,000 --> 00:48:02,239
Speaker 1: Ginny says it's a medical sight, and Dedie is very supportive,

1131
00:48:02,280 --> 00:48:05,120
Speaker 1: so she trusts her. After filming her brother and some ducks,

1132
00:48:05,160 --> 00:48:08,160
Speaker 1: True announces she's decided to include herself in the movie.

1133
00:48:08,320 --> 00:48:10,400
Speaker 1: Denise asks if she's sure she wants to do that.

1134
00:48:10,719 --> 00:48:13,080
Speaker 1: True isn't, but she knows that it's the right thing

1135
00:48:13,160 --> 00:48:15,799
Speaker 1: to do. Back at home, True unlocks a small safe

1136
00:48:15,800 --> 00:48:17,400
Speaker 1: in a room. It's filled with a dozen or so

1137
00:48:17,480 --> 00:48:20,720
Speaker 1: camp quarter tapes, all of Sabrina behind the scenes doing

1138
00:48:21,040 --> 00:48:25,560
Speaker 1: Cheetah Girls, non kidding camp quarter tapes labeled as top secret.

1139
00:48:25,640 --> 00:48:28,640
Speaker 1: We see another montage of home videos, both good and bad,

1140
00:48:29,040 --> 00:48:31,680
Speaker 1: including a family dinner where Bob freaks out on Eddie again.

1141
00:48:31,800 --> 00:48:33,960
Speaker 1: This guy can't get through a meal without yelling at

1142
00:48:34,000 --> 00:48:36,720
Speaker 1: his kid. It ends with footage of Eddie being bullied

1143
00:48:36,760 --> 00:48:39,719
Speaker 1: at school by jocks. They even call him the R word,

1144
00:48:39,760 --> 00:48:41,560
Speaker 1: which is just awful.

1145
00:48:41,800 --> 00:48:44,279
Speaker 2: That just, I mean jumped out at me.

1146
00:48:44,440 --> 00:48:47,520
Speaker 3: It's so bad and it made me think that poor

1147
00:48:47,560 --> 00:48:51,040
Speaker 3: actor now knowing that that is forever on film.

1148
00:48:50,840 --> 00:48:53,200
Speaker 4: I know it's but it just it just hits the

1149
00:48:53,280 --> 00:48:54,240
Speaker 4: ear so wrong.

1150
00:48:54,280 --> 00:48:59,440
Speaker 2: It's wrong, man, And like you know, he wanted a line.

1151
00:48:59,520 --> 00:49:01,600
Speaker 3: He was so soaked to book it, and now it's

1152
00:49:01,600 --> 00:49:03,000
Speaker 3: like he's probably like, oh man, oh.

1153
00:49:03,000 --> 00:49:04,600
Speaker 4: My god, I can't believe. Yeah, I know, I can't

1154
00:49:04,600 --> 00:49:06,800
Speaker 4: believe you've seen the movie. No, it's awful.

1155
00:49:06,880 --> 00:49:09,520
Speaker 1: True is devastated reliving some of these memories.

1156
00:49:09,520 --> 00:49:10,000
Speaker 4: Obviously.

1157
00:49:17,040 --> 00:49:19,520
Speaker 1: The next day, True and a vacation ready Eddie are

1158
00:49:19,520 --> 00:49:20,560
Speaker 1: off to the beach with her mom.

1159
00:49:20,600 --> 00:49:22,960
Speaker 4: It was supposed to be a trip for all four walkers.

1160
00:49:22,600 --> 00:49:26,040
Speaker 1: But you my guess that right, dick. Bob has an

1161
00:49:26,080 --> 00:49:28,759
Speaker 1: emergency and can't join. Now, I understand, he's literally a

1162
00:49:28,800 --> 00:49:32,560
Speaker 1: brain surgeon. He's saving people's lives. I totally get it.

1163
00:49:32,719 --> 00:49:34,759
Speaker 1: You are on call twenty four to seven when you

1164
00:49:34,760 --> 00:49:37,600
Speaker 1: are a doctor of that caliber, I understand. But then

1165
00:49:37,640 --> 00:49:40,319
Speaker 1: you figure maybe you're the coolest dad in the world

1166
00:49:40,400 --> 00:49:42,360
Speaker 1: for the twenty minutes you're with your kid, as opposed

1167
00:49:42,400 --> 00:49:45,040
Speaker 1: to yelling at everybody who knows. So yeah, Bob once

1168
00:49:45,040 --> 00:49:47,719
Speaker 1: again can't join. At the beach, Eddie becomes frustrated with

1169
00:49:47,719 --> 00:49:49,319
Speaker 1: his kite. He can't get it to fly no matter

1170
00:49:49,320 --> 00:49:51,719
Speaker 1: how hard he tries. True, who is filming her brother,

1171
00:49:51,840 --> 00:49:54,239
Speaker 1: suggests there might not be enough wind, but Eddie is

1172
00:49:54,280 --> 00:49:57,080
Speaker 1: taking it really hard. He calls the kite stupid, and

1173
00:49:57,120 --> 00:50:00,719
Speaker 1: he repeats the R word about the kite's crying very

1174
00:50:00,760 --> 00:50:03,320
Speaker 1: hard as True keeps the camera rolling. She eventually turns

1175
00:50:03,320 --> 00:50:05,400
Speaker 1: it off, obviously affected by this episode.

1176
00:50:05,600 --> 00:50:07,759
Speaker 4: It was a very powerful scene watching Shia do that.

1177
00:50:08,239 --> 00:50:08,560
Speaker 2: Yeah.

1178
00:50:08,680 --> 00:50:13,200
Speaker 1: Later that night, it is hoaring rain on the On

1179
00:50:13,239 --> 00:50:16,920
Speaker 1: the drive home, horing rain, True is watching the emotional

1180
00:50:16,960 --> 00:50:19,080
Speaker 1: footage back with her brother fast asleep in the back seat,

1181
00:50:19,400 --> 00:50:21,520
Speaker 1: to think she can't show this tape to anybody. What

1182
00:50:21,560 --> 00:50:24,839
Speaker 1: if they laugh at Eddie. Her mom wonders why they'd

1183
00:50:24,840 --> 00:50:26,960
Speaker 1: even laugh. The footage shows how much he means to

1184
00:50:27,000 --> 00:50:30,400
Speaker 1: True and it's very moving. Also, again unrelated to the film,

1185
00:50:30,400 --> 00:50:34,520
Speaker 1: the rain outside is insane. Go back and watch this scene.

1186
00:50:34,600 --> 00:50:35,839
Speaker 1: It's amazing.

1187
00:50:36,120 --> 00:50:39,239
Speaker 3: I guess it's just Paul just making the decision to

1188
00:50:39,320 --> 00:50:41,799
Speaker 3: film in Toronto so often, but like, I feel.

1189
00:50:41,480 --> 00:50:45,080
Speaker 2: Like this has happened to him so many times during shoots.

1190
00:50:45,120 --> 00:50:48,160
Speaker 2: Like it's pouring. It is literally pouring.

1191
00:50:48,360 --> 00:50:49,239
Speaker 4: It's incredible.

1192
00:50:49,880 --> 00:50:52,640
Speaker 1: Yes, they're in the eye of a tornado or a hurricane,

1193
00:50:52,640 --> 00:50:54,960
Speaker 1: the type of weather that can kill a wicked witch.

1194
00:50:56,560 --> 00:50:57,080
Speaker 4: Incredible.

1195
00:50:58,320 --> 00:51:01,080
Speaker 1: True quotes her message board Paltie saying something along the

1196
00:51:01,080 --> 00:51:03,400
Speaker 1: lines of not being afraid to expose your true feelings.

1197
00:51:03,600 --> 00:51:05,440
Speaker 1: And that's when her mom has a question, can she

1198
00:51:05,560 --> 00:51:06,960
Speaker 1: tell her something about.

1199
00:51:06,640 --> 00:51:07,160
Speaker 2: This d D.

1200
00:51:07,719 --> 00:51:09,880
Speaker 1: True gets defensive, It's not some five hundred brond guy,

1201
00:51:09,920 --> 00:51:12,319
Speaker 1: if that's what you're gonna say. Her mom decides not

1202
00:51:12,440 --> 00:51:13,840
Speaker 1: to tell her whatever she's thinking.

1203
00:51:13,880 --> 00:51:15,240
Speaker 4: It's too sensitive a subject.

1204
00:51:15,239 --> 00:51:18,160
Speaker 1: But we all knew at this point, and we'll we'll

1205
00:51:18,160 --> 00:51:22,480
Speaker 1: get into that. That night, while it's still El Nino outside,

1206
00:51:22,680 --> 00:51:25,440
Speaker 1: True reads a new d D post. Her penpal encourages

1207
00:51:25,480 --> 00:51:28,000
Speaker 1: her to send in her tape. The following day, True

1208
00:51:28,080 --> 00:51:31,720
Speaker 1: and Denise cast a luxpell on the now completed video project.

1209
00:51:31,960 --> 00:51:33,640
Speaker 1: Jake has joined them on a mission to mail it.

1210
00:51:33,880 --> 00:51:36,120
Speaker 1: True is entering the contest without any time left to

1211
00:51:36,160 --> 00:51:38,160
Speaker 1: show her friends. She's just gonna let it fly and

1212
00:51:38,239 --> 00:51:40,719
Speaker 1: hope for the best. True returns home and tells her

1213
00:51:40,719 --> 00:51:42,000
Speaker 1: mom the tape is on the way to the studio.

1214
00:51:42,040 --> 00:51:43,799
Speaker 1: Her mom is very proud of her. She responds with

1215
00:51:44,160 --> 00:51:46,719
Speaker 1: if you show your true self, you will be rewarded,

1216
00:51:46,800 --> 00:51:52,120
Speaker 1: an exact quote from DEDI what man. True imagines the

1217
00:51:52,160 --> 00:51:55,120
Speaker 1: housewife she's been imagining as d D now morphing into

1218
00:51:55,160 --> 00:51:56,000
Speaker 1: her real mom.

1219
00:51:56,120 --> 00:52:00,520
Speaker 4: She's figured it out. Her mom is d d duh.

1220
00:52:00,640 --> 00:52:02,000
Speaker 4: I mean, come on, we all knew it.

1221
00:52:02,040 --> 00:52:03,960
Speaker 1: Do you think anybody watching the movie didn't know this

1222
00:52:04,200 --> 00:52:04,760
Speaker 1: at this point?

1223
00:52:04,800 --> 00:52:06,000
Speaker 4: I mean it was so obvious.

1224
00:52:06,080 --> 00:52:09,240
Speaker 2: Okay, no, no, no, But I can see how she wouldn't.

1225
00:52:08,880 --> 00:52:11,960
Speaker 1: Know, right, But I mean maybe, But yeah, True is

1226
00:52:12,000 --> 00:52:13,600
Speaker 1: the last one to find out, but they didn't try

1227
00:52:13,600 --> 00:52:14,600
Speaker 1: to hide it from the rest of us.

1228
00:52:14,600 --> 00:52:15,080
Speaker 4: We all knew.

1229
00:52:15,120 --> 00:52:18,759
Speaker 1: No, Ginny tries to explain, but True feels tricked and

1230
00:52:18,880 --> 00:52:21,520
Speaker 1: feels stupid for everything going on. She says she hates

1231
00:52:21,560 --> 00:52:24,600
Speaker 1: her mom, and then here it is yet again, she

1232
00:52:24,920 --> 00:52:25,680
Speaker 1: storms out.

1233
00:52:25,880 --> 00:52:28,160
Speaker 4: It's like a catch phrase at this point.

1234
00:52:28,480 --> 00:52:30,920
Speaker 1: Now, at a local carnival, we see that True is

1235
00:52:30,960 --> 00:52:33,680
Speaker 1: on a carousel fevershly looking for Eddie. She's become worried

1236
00:52:33,680 --> 00:52:36,359
Speaker 1: where is he. She eventually finds him by nearby lake,

1237
00:52:36,440 --> 00:52:38,920
Speaker 1: wearing a new hat. He says some boys in the

1238
00:52:38,920 --> 00:52:41,840
Speaker 1: bridge gave it to him. Concerned he's stolen something from strangers,

1239
00:52:41,920 --> 00:52:43,719
Speaker 1: she walks over to these boys to find out what happened,

1240
00:52:43,760 --> 00:52:45,040
Speaker 1: and then she realizes.

1241
00:52:44,640 --> 00:52:46,360
Speaker 4: One of them is Billy Billy Meyer.

1242
00:52:46,880 --> 00:52:48,279
Speaker 1: She tries to give him the hat back, but it

1243
00:52:48,360 --> 00:52:50,560
Speaker 1: dramatically falls to the floor when he rejects it. He

1244
00:52:50,640 --> 00:52:54,520
Speaker 1: then oh, he turns total heel. He asks, true, isn't

1245
00:52:54,520 --> 00:52:56,520
Speaker 1: it be kind? I can't even.

1246
00:52:57,360 --> 00:53:01,040
Speaker 4: Isn't it be kind? To an R word week? And

1247
00:53:01,320 --> 00:53:03,880
Speaker 4: just like that, Billy's a.

1248
00:53:05,280 --> 00:53:08,239
Speaker 2: You know, I had hopes for Billy. I did too

1249
00:53:08,440 --> 00:53:10,000
Speaker 2: when he showed up at the house.

1250
00:53:10,239 --> 00:53:13,920
Speaker 3: I thought his character was gonna see true and see

1251
00:53:13,960 --> 00:53:16,239
Speaker 3: how much she goes through and it was gonna be

1252
00:53:16,320 --> 00:53:20,560
Speaker 3: this like really great character moment for him, and that's

1253
00:53:20,600 --> 00:53:24,160
Speaker 3: what his storyline was going to develop into. I wanted

1254
00:53:24,200 --> 00:53:26,759
Speaker 3: her to push this dick off of this bridge so

1255
00:53:26,920 --> 00:53:30,160
Speaker 3: much faster than she did, like, I can't even.

1256
00:53:30,480 --> 00:53:32,759
Speaker 1: The only part of this that upset me was the

1257
00:53:32,800 --> 00:53:37,240
Speaker 1: fact that it wasn't concrete underneath it, that it was water.

1258
00:53:37,360 --> 00:53:40,480
Speaker 3: That I did love that it wasn't it was it

1259
00:53:40,520 --> 00:53:43,160
Speaker 3: was more shallow than what you thought it was gonna be.

1260
00:53:43,160 --> 00:53:44,640
Speaker 2: Because he stood up and I was like, oh, yeah,

1261
00:53:44,680 --> 00:53:46,719
Speaker 2: you hit your back. You hit your back, I know

1262
00:53:46,760 --> 00:53:47,120
Speaker 2: you did.

1263
00:53:47,520 --> 00:53:49,600
Speaker 1: You wanted to climb through the screen and punch this

1264
00:53:49,680 --> 00:53:52,960
Speaker 1: guy in the jaw so bad it was, I mean,

1265
00:53:53,160 --> 00:53:56,360
Speaker 1: really punch this guy in the jaw so true? Is

1266
00:53:56,400 --> 00:53:58,960
Speaker 1: of course shocked that jerk keeps laying it on, saying

1267
00:53:59,000 --> 00:54:02,839
Speaker 1: the guy's all bit in the hat too, toue ask

1268
00:54:02,960 --> 00:54:05,480
Speaker 1: what the hell is wrong with him? He calls her

1269
00:54:05,480 --> 00:54:08,120
Speaker 1: a freak while his friends are laughing. Did you I

1270
00:54:08,600 --> 00:54:09,160
Speaker 1: feel like you?

1271
00:54:09,280 --> 00:54:11,719
Speaker 4: I was hoping. I had high hopes for Billy Meyer.

1272
00:54:11,760 --> 00:54:13,279
Speaker 4: I thought he was going to be a good guy,

1273
00:54:13,400 --> 00:54:14,399
Speaker 4: even with the hat.

1274
00:54:14,520 --> 00:54:16,000
Speaker 2: I thought he was going to be like No, we

1275
00:54:16,080 --> 00:54:16,879
Speaker 2: gave that to him.

1276
00:54:16,960 --> 00:54:18,960
Speaker 4: We wanted him to have it. He needed to have it, have.

1277
00:54:18,960 --> 00:54:21,360
Speaker 2: It, he needed that. He wanted it too.

1278
00:54:21,480 --> 00:54:23,720
Speaker 4: Yes, it was. It was awful.

1279
00:54:24,080 --> 00:54:28,480
Speaker 2: I got so heated so fast, me too. I switched on.

1280
00:54:28,680 --> 00:54:30,719
Speaker 2: That's when you know you can't trust me. It takes

1281
00:54:30,800 --> 00:54:33,640
Speaker 2: one thing. Billy all right, you're out. You're out. You're

1282
00:54:33,640 --> 00:54:35,839
Speaker 2: all the rest you are out, out out.

1283
00:54:36,040 --> 00:54:38,080
Speaker 1: It's one of those things where I said to myself

1284
00:54:38,239 --> 00:54:40,000
Speaker 1: in my head, I was like, Okay, if I was

1285
00:54:40,120 --> 00:54:42,600
Speaker 1: an adult, my own age forty eight right now and

1286
00:54:42,680 --> 00:54:44,560
Speaker 1: walking on the bridge and heard some kid who's probably

1287
00:54:44,600 --> 00:54:46,839
Speaker 1: fifteen or sixteen saying this to people like this played

1288
00:54:46,840 --> 00:54:48,759
Speaker 1: out in front of me, I don't know what I

1289
00:54:48,760 --> 00:54:51,000
Speaker 1: would do. Oh, I don't know if I would have

1290
00:54:51,000 --> 00:54:52,080
Speaker 1: smacked this kid in the mouth.

1291
00:54:52,520 --> 00:54:55,239
Speaker 3: I have I because we work in the gym at

1292
00:54:55,239 --> 00:54:59,040
Speaker 3: the school, and there are many times it's it's sometimes girls,

1293
00:54:59,040 --> 00:55:01,040
Speaker 3: but a lot of times it's got saying things, and

1294
00:55:01,080 --> 00:55:04,360
Speaker 3: they use such terrible it's not even the curse words

1295
00:55:04,360 --> 00:55:08,040
Speaker 3: that bother me. It's it's the names like this, And

1296
00:55:08,320 --> 00:55:11,600
Speaker 3: I fully go like Grandma mode on the excuse me, sir,

1297
00:55:11,760 --> 00:55:12,200
Speaker 3: excuse me.

1298
00:55:12,239 --> 00:55:12,720
Speaker 2: I'm sorry.

1299
00:55:13,160 --> 00:55:15,960
Speaker 3: I had to have heard you wrong. There's just no

1300
00:55:16,040 --> 00:55:18,360
Speaker 3: way you speak to someone like this. You are not

1301
00:55:18,400 --> 00:55:21,040
Speaker 3: a little kid. You are almost an adult, gonna be

1302
00:55:21,080 --> 00:55:23,040
Speaker 3: in the big world, and someone's gonna smack you in

1303
00:55:23,040 --> 00:55:25,160
Speaker 3: the face. If you do that again, that's not cool.

1304
00:55:25,400 --> 00:55:28,000
Speaker 3: Don't do that again in that room right there. I

1305
00:55:28,040 --> 00:55:28,919
Speaker 3: don't want to hear this again.

1306
00:55:29,200 --> 00:55:32,080
Speaker 4: Oh man, I want to see you happened because they're

1307
00:55:32,160 --> 00:55:32,719
Speaker 4: so mean.

1308
00:55:33,440 --> 00:55:35,560
Speaker 2: They can be, and I know they're probably great kids,

1309
00:55:35,600 --> 00:55:36,160
Speaker 2: but it's like you.

1310
00:55:36,239 --> 00:55:39,640
Speaker 3: Just it's not funny. It's it's it's nothing but wrong.

1311
00:55:39,840 --> 00:55:41,520
Speaker 3: That's just the end of the story.

1312
00:55:41,640 --> 00:55:44,360
Speaker 4: There is a very simple concept to live by. People.

1313
00:55:44,560 --> 00:55:47,160
Speaker 4: Don't be a dick. Yeah, just that simple.

1314
00:55:47,440 --> 00:55:49,520
Speaker 2: It's just just so.

1315
00:55:49,680 --> 00:55:52,839
Speaker 1: True reacts exactly as she should by pushing him off

1316
00:55:52,880 --> 00:55:54,160
Speaker 1: the bridge into the river.

1317
00:55:54,360 --> 00:55:55,280
Speaker 4: Good for you, True.

1318
00:55:55,600 --> 00:55:58,200
Speaker 1: The twins run away, leaving the bully drenched, and they

1319
00:55:58,239 --> 00:56:00,840
Speaker 1: sprint right past their parents, who drive them home in

1320
00:56:00,880 --> 00:56:03,000
Speaker 1: the car. True still feels the tension with her mom

1321
00:56:03,040 --> 00:56:05,000
Speaker 1: and is very disturbed by what happened on the bridge.

1322
00:56:05,040 --> 00:56:07,040
Speaker 1: She closes her eyes and imagines her and her brother

1323
00:56:07,080 --> 00:56:09,560
Speaker 1: in the field again, but she still can't find Eddie.

1324
00:56:09,719 --> 00:56:11,520
Speaker 1: Also worth noting. Back in the car, Eddie is playing

1325
00:56:11,520 --> 00:56:12,840
Speaker 1: with a very nostalgic bop It.

1326
00:56:13,920 --> 00:56:15,040
Speaker 4: Do you remember it?

1327
00:56:15,120 --> 00:56:15,359
Speaker 1: Yeah?

1328
00:56:15,400 --> 00:56:16,600
Speaker 4: Okay, good, all right good?

1329
00:56:16,719 --> 00:56:19,520
Speaker 2: Oh, she was so stoked to see that Bopitt.

1330
00:56:19,080 --> 00:56:19,560
Speaker 4: Was the best.

1331
00:56:19,800 --> 00:56:21,840
Speaker 1: Back at home, Treo was already removing Billy from her

1332
00:56:21,840 --> 00:56:23,920
Speaker 1: footage when her mom enters. True still doesn't want to

1333
00:56:23,960 --> 00:56:26,319
Speaker 1: talk to her, but Ginny apologizes for pretending to be

1334
00:56:26,400 --> 00:56:28,799
Speaker 1: d D. She just wanted to connect with her. True

1335
00:56:28,840 --> 00:56:32,000
Speaker 1: accepts the apology. It was a half exception of apology,

1336
00:56:32,160 --> 00:56:34,080
Speaker 1: but it's really still mad about what that creep Billy

1337
00:56:34,200 --> 00:56:36,480
Speaker 1: did with the hat. She slams the door on her

1338
00:56:36,480 --> 00:56:38,680
Speaker 1: confused mom's face, which again.

1339
00:56:39,280 --> 00:56:39,520
Speaker 4: Later.

1340
00:56:39,640 --> 00:56:42,399
Speaker 1: True decides to call WTUV and ask when the winner

1341
00:56:42,440 --> 00:56:44,760
Speaker 1: of the Host your Own TV Show contest will be announced,

1342
00:56:45,040 --> 00:56:48,000
Speaker 1: But she's been calling so much they recognize her voice.

1343
00:56:48,400 --> 00:56:51,719
Speaker 1: Then we are added a possibly big library.

1344
00:56:52,280 --> 00:56:54,120
Speaker 2: Library is the size of the mall it is.

1345
00:56:54,239 --> 00:56:56,799
Speaker 4: It's like the library Alexandria back in the day.

1346
00:56:56,880 --> 00:56:59,360
Speaker 2: Yes I have Okay, Then it made me go, well

1347
00:56:59,600 --> 00:56:59,840
Speaker 2: I do.

1348
00:57:00,480 --> 00:57:02,640
Speaker 3: I haven't been in like a ton of libraries throughout

1349
00:57:02,680 --> 00:57:05,160
Speaker 3: my life, which is probably not a good look for.

1350
00:57:05,080 --> 00:57:06,400
Speaker 2: Me, but it's true.

1351
00:57:06,480 --> 00:57:09,319
Speaker 3: And I have never been in a library anywhere near this.

1352
00:57:09,480 --> 00:57:11,600
Speaker 3: The biggest is maybe a two story.

1353
00:57:11,480 --> 00:57:13,680
Speaker 2: Yeah you're talking to one, not one with an elevator.

1354
00:57:13,800 --> 00:57:15,759
Speaker 3: Yeah, I mean maybe I have an elevator for like

1355
00:57:16,160 --> 00:57:19,560
Speaker 3: Mandy Kott like reasons, but not not a one.

1356
00:57:20,280 --> 00:57:21,120
Speaker 4: This is huge.

1357
00:57:21,200 --> 00:57:23,640
Speaker 1: This is what they call a bal or a big

1358
00:57:23,640 --> 00:57:26,880
Speaker 1: ass library. Yeah, so it's probably the biggest library in

1359
00:57:26,880 --> 00:57:29,760
Speaker 1: the history of the world, which I'm assuming was actually

1360
00:57:29,760 --> 00:57:32,440
Speaker 1: the library at this Danforth College, which that's true, is

1361
00:57:32,560 --> 00:57:35,400
Speaker 1: a massive library. True is studying with Jake and Eddie

1362
00:57:35,440 --> 00:57:37,560
Speaker 1: is reading kids books next to them. Once Eddie needs

1363
00:57:37,560 --> 00:57:39,160
Speaker 1: a new book to read, he goes to make a trade,

1364
00:57:39,160 --> 00:57:42,520
Speaker 1: but accidentally walks into an open elevator. He, you know,

1365
00:57:42,760 --> 00:57:45,360
Speaker 1: is now going down many many floors. Against library is

1366
00:57:45,360 --> 00:57:47,800
Speaker 1: a sizeable hotel in Vegas. You can feel the fear

1367
00:57:47,840 --> 00:57:49,920
Speaker 1: as he exits onto a new floor. He has no

1368
00:57:49,960 --> 00:57:52,600
Speaker 1: idea where he is. He's roaming the aisles, hearing voices

1369
00:57:52,640 --> 00:57:56,400
Speaker 1: and completely lost. He's panicked now and running screaming for

1370
00:57:56,480 --> 00:57:58,600
Speaker 1: his sister. True and Jake here his cry and run

1371
00:57:58,640 --> 00:58:03,880
Speaker 1: towards him. Eddie eventually is cornered and a librarian walks

1372
00:58:03,920 --> 00:58:05,960
Speaker 1: in and asks him to keep it down. Eddie just

1373
00:58:05,960 --> 00:58:08,200
Speaker 1: wants to find his sister, and when the librarian starts

1374
00:58:08,200 --> 00:58:10,840
Speaker 1: to get a little aggressive, it seems like a scared

1375
00:58:10,920 --> 00:58:12,840
Speaker 1: Eddie backs into a wall, slamming into some of the

1376
00:58:12,840 --> 00:58:15,200
Speaker 1: bookshelves and the books fall on the ground. He then

1377
00:58:15,280 --> 00:58:17,240
Speaker 1: falls to the ground, balls up, and starts to cry.

1378
00:58:17,600 --> 00:58:20,520
Speaker 1: Finally True arrives and immediately embraces him, and then the

1379
00:58:20,560 --> 00:58:23,680
Speaker 1: librarian gets snotty, excuse me, this is a library. Perhaps

1380
00:58:23,720 --> 00:58:26,440
Speaker 1: you'd be better if you took him outside. And I

1381
00:58:26,560 --> 00:58:27,880
Speaker 1: wanted Jake to walk over.

1382
00:58:27,760 --> 00:58:28,919
Speaker 4: And just punch this guy in the face.

1383
00:58:29,000 --> 00:58:34,200
Speaker 1: Yeah, really, handle this, handle your business, because it's like,

1384
00:58:34,240 --> 00:58:35,280
Speaker 1: are you kidding me?

1385
00:58:35,760 --> 00:58:37,840
Speaker 4: But yeah, so awful.

1386
00:58:37,920 --> 00:58:39,880
Speaker 1: But Jake asked for a minute and tells the guy

1387
00:58:39,880 --> 00:58:41,880
Speaker 1: to chill out, eventually leaving to call their mom for

1388
00:58:41,880 --> 00:58:44,880
Speaker 1: a ride home. A defeated, Eddie tells his sister it's

1389
00:58:44,880 --> 00:58:47,000
Speaker 1: not fair. He doesn't want to be different anymore. He

1390
00:58:47,040 --> 00:58:49,919
Speaker 1: wants to be the same as everyone else. True tells

1391
00:58:49,960 --> 00:58:52,280
Speaker 1: him everyone is different, but Eddie says, yeah, but.

1392
00:58:52,280 --> 00:58:53,520
Speaker 4: He's really different.

1393
00:58:54,000 --> 00:58:56,440
Speaker 1: True agrees he is different, but if he was the

1394
00:58:56,480 --> 00:58:58,840
Speaker 1: same as everyone else, he wouldn't get that special help

1395
00:58:58,880 --> 00:59:01,160
Speaker 1: at school, or be allowed to rollerblade in the house,

1396
00:59:01,560 --> 00:59:04,400
Speaker 1: and he wouldn't be such an amazing brother. She starts

1397
00:59:04,400 --> 00:59:06,200
Speaker 1: to cry, but Eddie doesn't want her to be sad.

1398
00:59:06,360 --> 00:59:08,440
Speaker 1: He gives her a big hug and they say I

1399
00:59:08,440 --> 00:59:11,960
Speaker 1: love you to each other. It's a very tough dcom scene.

1400
00:59:12,240 --> 00:59:16,080
Speaker 1: It's arguably the most emotional dcom scene we've seen to date,

1401
00:59:16,520 --> 00:59:18,400
Speaker 1: and it still didn't make me cry. I'm dead inside,

1402
00:59:18,880 --> 00:59:20,720
Speaker 1: but I'm sure you are bawling.

1403
00:59:20,960 --> 00:59:24,400
Speaker 3: I oh man, oh gosh.

1404
00:59:25,040 --> 00:59:26,920
Speaker 2: This is the thing true beautiful.

1405
00:59:27,080 --> 00:59:31,960
Speaker 3: She is such a such a really like relatable teenager

1406
00:59:32,040 --> 00:59:34,280
Speaker 3: and the sense of all her emotions and this is

1407
00:59:34,600 --> 00:59:37,440
Speaker 3: showing that she is a really good sister and she

1408
00:59:37,520 --> 00:59:41,720
Speaker 3: does really care about him. She just struggles because it's hard.

1409
00:59:42,320 --> 00:59:46,320
Speaker 3: She's not struggling because she's she's a rude kid. She's

1410
00:59:46,400 --> 00:59:50,160
Speaker 3: struggling because it's tough, such adult stuff to deal with.

1411
00:59:50,240 --> 00:59:53,480
Speaker 3: It's not a teenager thing to deal with. And it

1412
00:59:53,600 --> 00:59:55,400
Speaker 3: was a really instated.

1413
00:59:55,040 --> 00:59:57,440
Speaker 4: Really beautiful scene between two good actors. It really was.

1414
00:59:59,320 --> 01:00:00,680
Speaker 2: So good, so good.

1415
01:00:00,800 --> 01:00:02,240
Speaker 4: No, still, just eat my popcorn.

1416
01:00:02,360 --> 01:00:04,600
Speaker 1: True is now with her dad, wondering if it's awful

1417
01:00:04,640 --> 01:00:06,720
Speaker 1: that she's mad she didn't have her camera when Eddie

1418
01:00:06,760 --> 01:00:08,640
Speaker 1: was crying at the library. He tells her not to

1419
01:00:08,680 --> 01:00:10,640
Speaker 1: be so hard on herself. She's only a mere mortal.

1420
01:00:10,960 --> 01:00:13,320
Speaker 1: He tells her to get some sleep. The next day,

1421
01:00:13,320 --> 01:00:15,320
Speaker 1: the twins return home from school and True got a

1422
01:00:15,360 --> 01:00:18,280
Speaker 1: letter in the mail. It's from the TV station Eddie

1423
01:00:18,280 --> 01:00:19,960
Speaker 1: and j You are excited as she rips it open

1424
01:00:20,000 --> 01:00:23,600
Speaker 1: to find out she's won. Everyone celebrates, finally some happiness

1425
01:00:23,640 --> 01:00:27,160
Speaker 1: in the family, but after initial excitement, True quickly turns again.

1426
01:00:27,680 --> 01:00:29,360
Speaker 1: She warns her mom if people laugh at her for

1427
01:00:29,400 --> 01:00:31,680
Speaker 1: all the personal stuff she just showed, it'll be her fault.

1428
01:00:32,720 --> 01:00:34,840
Speaker 4: And then she storms off again. And I'm like, what

1429
01:00:35,640 --> 01:00:37,400
Speaker 4: this one is going on?

1430
01:00:38,240 --> 01:00:42,520
Speaker 3: Yes, this one is like okay, well, it's like wait

1431
01:00:43,080 --> 01:00:44,520
Speaker 3: what wow?

1432
01:00:44,760 --> 01:00:47,720
Speaker 1: I mean yeah, yeah, this is where I was kind

1433
01:00:47,760 --> 01:00:50,080
Speaker 1: of like, okay, this is where it was too much.

1434
01:00:50,160 --> 01:00:53,439
Speaker 1: It's too much of the constant changing, storming off.

1435
01:00:53,480 --> 01:00:55,920
Speaker 4: It was, Yeah, she just can't stop doing it for

1436
01:00:55,920 --> 01:00:56,400
Speaker 4: some reason.

1437
01:00:56,560 --> 01:00:58,920
Speaker 1: Eddie and his mom, however, high five because this is

1438
01:00:58,960 --> 01:01:02,040
Speaker 1: good news. The next day, the principal announces that Trudy

1439
01:01:02,040 --> 01:01:04,040
Speaker 1: won the contest to the whole school. Her movie will

1440
01:01:04,040 --> 01:01:06,400
Speaker 1: air tomorrow at eight pm, and he encourages all the

1441
01:01:06,440 --> 01:01:09,400
Speaker 1: students to tune in. And then it is the big night.

1442
01:01:09,560 --> 01:01:12,640
Speaker 1: True Jack and Denise are ready to watch, surrounded by snacks.

1443
01:01:12,640 --> 01:01:14,880
Speaker 1: They're joined by Ginny, but her dad, of course, has

1444
01:01:14,920 --> 01:01:17,360
Speaker 1: not gotten home yet. He swore he'd make it, but

1445
01:01:17,400 --> 01:01:19,560
Speaker 1: he only has a few minutes left. Ed he enters

1446
01:01:19,600 --> 01:01:21,480
Speaker 1: the room in dark sunglasses and a shirt printed to

1447
01:01:21,520 --> 01:01:23,960
Speaker 1: look like a tuxedo. He's ready for his close up.

1448
01:01:24,040 --> 01:01:25,400
Speaker 4: The phone rings. It's Bob.

1449
01:01:25,600 --> 01:01:27,959
Speaker 1: He's still at the hospital and running late. He asks

1450
01:01:27,960 --> 01:01:30,040
Speaker 1: True to tape it. They'll watch it together later, but

1451
01:01:30,120 --> 01:01:33,560
Speaker 1: she's of course extremely disappointed. And then the show starts.

1452
01:01:33,640 --> 01:01:36,280
Speaker 1: Everyone is seated at the walker house and enthralled back

1453
01:01:36,320 --> 01:01:39,120
Speaker 1: at the hospital. Bill sees it on the nearby TV

1454
01:01:39,240 --> 01:01:42,080
Speaker 1: and he stops dead in his tracks. It's time for

1455
01:01:42,200 --> 01:01:49,240
Speaker 1: a day in the life of Trudy Walker.

1456
01:01:48,840 --> 01:01:49,320
Speaker 6: Better than that.

1457
01:01:49,680 --> 01:01:51,800
Speaker 2: Well, why would they use true confessions here?

1458
01:01:52,240 --> 01:01:55,840
Speaker 1: Yeah, you'd think, I don't know, that's a great idea.

1459
01:01:55,880 --> 01:01:56,560
Speaker 1: That's exactly what.

1460
01:01:57,200 --> 01:01:59,920
Speaker 2: Was like in all caps. What the hell is this?

1461
01:02:01,880 --> 01:02:04,800
Speaker 2: We im a title already, True questions.

1462
01:02:04,240 --> 01:02:05,040
Speaker 4: The name of the movie.

1463
01:02:05,840 --> 01:02:08,400
Speaker 1: It is a movie about Eddie splicing together fun memories.

1464
01:02:08,480 --> 01:02:11,200
Speaker 1: Eddie sees himself on TV like Gilligan. It's a bit

1465
01:02:11,200 --> 01:02:13,160
Speaker 1: of a music video. And we see Bill watching at

1466
01:02:13,160 --> 01:02:15,080
Speaker 1: the hospital, still smiling and shaking his head.

1467
01:02:15,080 --> 01:02:16,960
Speaker 4: Why didn't he just come home? If he's just gonna

1468
01:02:16,960 --> 01:02:17,760
Speaker 4: stand there and watch.

1469
01:02:17,680 --> 01:02:21,240
Speaker 2: Then No, it's like you're just standing there.

1470
01:02:22,000 --> 01:02:25,960
Speaker 1: Just go yeah or something, because you're just I'm standing there,

1471
01:02:26,480 --> 01:02:28,560
Speaker 1: So yeah, I didn't understand that. Back in the movie,

1472
01:02:28,600 --> 01:02:31,240
Speaker 1: True calls Eddie the most beautiful and profound person she knows.

1473
01:02:31,320 --> 01:02:34,560
Speaker 1: It is a gorgeous portrait of siblings that eventually shifts

1474
01:02:34,560 --> 01:02:36,920
Speaker 1: when she admits having a brother with a mental disability

1475
01:02:37,000 --> 01:02:40,280
Speaker 1: is not always easy. She includes the hard footage the

1476
01:02:40,320 --> 01:02:43,880
Speaker 1: tough times that she instinctually wanted to exclude. She continues

1477
01:02:43,920 --> 01:02:47,000
Speaker 1: her narration over the tough Kite footage, explaining he throws fits,

1478
01:02:47,280 --> 01:02:50,480
Speaker 1: and True admits it embarrasses her. She wishes others would

1479
01:02:50,520 --> 01:02:52,000
Speaker 1: take the time to get to know him the way

1480
01:02:52,080 --> 01:02:55,200
Speaker 1: that she does. It ends with a return to uplifting

1481
01:02:55,240 --> 01:02:57,600
Speaker 1: footage as True tells the audience not to feel sorry

1482
01:02:57,600 --> 01:02:59,720
Speaker 1: for him or her. He's happy and she gets to

1483
01:02:59,800 --> 01:03:01,720
Speaker 1: learn from him. The movie comes to an end and

1484
01:03:01,760 --> 01:03:04,520
Speaker 1: her friends and family loved it. Eddie tells True she's

1485
01:03:04,520 --> 01:03:07,080
Speaker 1: going to be a star, a big, humongous star. Back

1486
01:03:07,080 --> 01:03:09,480
Speaker 1: at the hospital, her dad watches the whole thing, so

1487
01:03:09,640 --> 01:03:12,320
Speaker 1: watch an entire thing, ignoring whatever dying patient he was

1488
01:03:12,640 --> 01:03:14,959
Speaker 1: supposedly there to see. The patient's probably dead by now.

1489
01:03:15,200 --> 01:03:17,800
Speaker 1: Another doctor watched right next to him. Apparently the doctors

1490
01:03:17,800 --> 01:03:20,240
Speaker 1: have nothing to do. He's very impressed, but didn't see

1491
01:03:20,240 --> 01:03:22,880
Speaker 1: Bob in it at all. Bob realizes he's become an

1492
01:03:22,880 --> 01:03:25,960
Speaker 1: invisible father. Back at the house, True admits it was

1493
01:03:26,000 --> 01:03:29,320
Speaker 1: scary to open herself up. She imagines classmates and teachers

1494
01:03:29,360 --> 01:03:31,200
Speaker 1: calling her a movie cliche and ineffective.

1495
01:03:31,480 --> 01:03:33,280
Speaker 4: She's ready to face the school anyway, though.

1496
01:03:33,280 --> 01:03:35,120
Speaker 1: In the next morning, she walks the halls with her

1497
01:03:35,160 --> 01:03:38,560
Speaker 1: head held high, and to her surprise, everyone loved it.

1498
01:03:39,400 --> 01:03:42,840
Speaker 1: They applaud her and Eddie, who hugged Before class, True

1499
01:03:42,840 --> 01:03:47,520
Speaker 1: captures a glimpse of Billy Billy and just ignores him.

1500
01:03:47,720 --> 01:03:49,840
Speaker 1: When True gets home, her dad wants to talk. He

1501
01:03:49,840 --> 01:03:51,840
Speaker 1: tells her he watched the show and loved it, but

1502
01:03:52,000 --> 01:03:53,240
Speaker 1: most people probably.

1503
01:03:52,880 --> 01:03:54,120
Speaker 4: Think she doesn't even have a dad.

1504
01:03:54,360 --> 01:03:56,760
Speaker 1: She says she tried to include him, but if she

1505
01:03:56,880 --> 01:03:58,800
Speaker 1: used his footage he would have been really mad.

1506
01:03:58,920 --> 01:04:00,960
Speaker 4: He doesn't believe her. He wants to see it. She

1507
01:04:01,000 --> 01:04:03,080
Speaker 4: warns him it might hurt his feelings, but they sit

1508
01:04:03,160 --> 01:04:05,120
Speaker 4: and watch his raw footage anyway.

1509
01:04:05,480 --> 01:04:08,120
Speaker 1: He sees himself overreacting to spilled milk, getting mad at

1510
01:04:08,200 --> 01:04:10,840
Speaker 1: Eddie for playing in the house and repeatedly leaving for work.

1511
01:04:11,080 --> 01:04:13,600
Speaker 1: He's at first defensive, then starts to see his true self.

1512
01:04:13,800 --> 01:04:16,160
Speaker 1: He wonders if it's like this all the time, and

1513
01:04:16,200 --> 01:04:19,320
Speaker 1: True says yes. She tries to make him feel better

1514
01:04:19,440 --> 01:04:21,640
Speaker 1: that they know he's under a lot of stress at work,

1515
01:04:21,840 --> 01:04:24,040
Speaker 1: but he says it's no excuse. They deserve better. He

1516
01:04:24,080 --> 01:04:27,240
Speaker 1: doesn't even recognize himself on the tapes. True says Eddie

1517
01:04:27,280 --> 01:04:29,400
Speaker 1: loves them no matter what they are his entire world.

1518
01:04:29,680 --> 01:04:31,280
Speaker 1: All they have to do is love him back. She

1519
01:04:31,360 --> 01:04:33,600
Speaker 1: hugs her dad and suggests they throw the footage out.

1520
01:04:33,640 --> 01:04:35,840
Speaker 1: He says, no, save it, she may need it to

1521
01:04:35,920 --> 01:04:38,640
Speaker 1: keep him in line. He leaves, and one last scene

1522
01:04:38,680 --> 01:04:40,680
Speaker 1: makes its way to the screen, the one where she

1523
01:04:40,760 --> 01:04:43,080
Speaker 1: says she would want to cast someone else to play

1524
01:04:43,120 --> 01:04:45,960
Speaker 1: her mom on TV. She now notices in the background

1525
01:04:46,040 --> 01:04:48,160
Speaker 1: how much that hurt her mom. As a result, True

1526
01:04:48,160 --> 01:04:50,040
Speaker 1: wants to clear the air. She tells her mom that

1527
01:04:50,080 --> 01:04:51,880
Speaker 1: she didn't need to be d D just to connect.

1528
01:04:52,120 --> 01:04:54,520
Speaker 1: Ginny says she just misses her daughter. They both start

1529
01:04:54,560 --> 01:04:56,880
Speaker 1: to cry, and True admits it just hit her. She

1530
01:04:56,880 --> 01:04:59,360
Speaker 1: grew up with Eddie playing and having fun, but now

1531
01:04:59,440 --> 01:05:01,960
Speaker 1: she'll go to probably get married and have kids, but

1532
01:05:02,160 --> 01:05:05,880
Speaker 1: Eddie will always stay Eddie, and now they're both sobbing.

1533
01:05:06,320 --> 01:05:08,680
Speaker 1: She then turns around, yells at her mom and storms out, No,

1534
01:05:08,680 --> 01:05:10,600
Speaker 1: I'm kidding, that didn't happen. They just ended with them

1535
01:05:10,600 --> 01:05:15,360
Speaker 1: both sobbing. Just seeing everyone's still there with us, True

1536
01:05:15,480 --> 01:05:18,560
Speaker 1: is back in her room talking to her camera. She

1537
01:05:18,600 --> 01:05:21,560
Speaker 1: admits her life isn't a TV show, so what things

1538
01:05:21,560 --> 01:05:24,160
Speaker 1: don't get wrapped up nice and tidy, they can always improve.

1539
01:05:24,440 --> 01:05:27,000
Speaker 1: She updates us on some changes. Her dad is around

1540
01:05:27,040 --> 01:05:29,200
Speaker 1: a lot more and trying to relax her mom promised

1541
01:05:29,200 --> 01:05:31,120
Speaker 1: to be more available to talk and True will be

1542
01:05:31,200 --> 01:05:34,000
Speaker 1: more open with her in return, and Eddie, well, it's

1543
01:05:34,000 --> 01:05:35,240
Speaker 1: safe to say that Eddie will.

1544
01:05:35,120 --> 01:05:36,360
Speaker 4: Always be Eddie.

1545
01:05:36,520 --> 01:05:38,760
Speaker 1: True finally puts down the camera to play with her brother.

1546
01:05:38,880 --> 01:05:41,720
Speaker 1: They're watching his soccer goal and True's assist over and

1547
01:05:41,760 --> 01:05:44,040
Speaker 1: over and over again. Truth says they should watch something else.

1548
01:05:44,080 --> 01:05:46,280
Speaker 1: They don't need this on repeat. It's not going to change,

1549
01:05:46,320 --> 01:05:48,240
Speaker 1: to which Eddie says, I like it. I don't want

1550
01:05:48,240 --> 01:05:50,720
Speaker 1: it to change. It's you and me being twins. We

1551
01:05:50,760 --> 01:05:52,960
Speaker 1: see them as kids back in the field, now reunited

1552
01:05:52,960 --> 01:05:55,280
Speaker 1: and holding hands, and then we get some information about

1553
01:05:55,280 --> 01:05:58,080
Speaker 1: the special Olympics and a support group for siblings than

1554
01:05:58,160 --> 01:06:00,680
Speaker 1: the credits, and that's our movie.

1555
01:06:01,360 --> 01:06:02,800
Speaker 4: And I'm sure Sabrina.

1556
01:06:02,440 --> 01:06:07,200
Speaker 1: Was sob and sobbing, sobbing by this point, ending.

1557
01:06:06,960 --> 01:06:10,840
Speaker 3: With the same overall outfit and in the field I

1558
01:06:11,040 --> 01:06:14,800
Speaker 3: was ill Ohen knows how to do it.

1559
01:06:15,080 --> 01:06:18,880
Speaker 1: He is done, and of course it ends once again

1560
01:06:19,080 --> 01:06:21,360
Speaker 1: with True yelling at her mom and storming out.

1561
01:06:28,600 --> 01:06:30,760
Speaker 4: Let's do some real reviews.

1562
01:06:30,840 --> 01:06:33,120
Speaker 1: I think I have the five star review this week

1563
01:06:33,120 --> 01:06:37,800
Speaker 1: from our old friend who Noma who Nomina is back? Yes, unnamed? Okay,

1564
01:06:37,920 --> 01:06:40,480
Speaker 1: this is like the best movie Disney ever made. Shila

1565
01:06:40,520 --> 01:06:42,280
Speaker 1: buff was so amazing and this is some of the

1566
01:06:42,320 --> 01:06:44,720
Speaker 1: best acting I've ever seen from him. Like the kite scene,

1567
01:06:44,760 --> 01:06:48,440
Speaker 1: it was so sad I cried. I don't disagree with

1568
01:06:48,480 --> 01:06:52,720
Speaker 1: that review. Frankly, yes, very wonderful, Sabrina, what was the

1569
01:06:52,840 --> 01:06:53,680
Speaker 1: one star review?

1570
01:06:54,080 --> 01:06:57,479
Speaker 2: No, one star this week is from Delilah. F this

1571
01:06:57,840 --> 01:06:58,880
Speaker 2: was sad as hell.

1572
01:06:59,640 --> 01:07:03,480
Speaker 3: I all so agree, but one star but one star

1573
01:07:03,600 --> 01:07:05,960
Speaker 3: it was like so good it was that sad it

1574
01:07:06,000 --> 01:07:11,520
Speaker 3: made you feel something, Delilah. That's how you rate a movie.

1575
01:07:13,320 --> 01:07:17,080
Speaker 1: Oh, Delilah, Hey there, Delilah, Hey dere Delilah, you just

1576
01:07:17,160 --> 01:07:19,880
Speaker 1: gave us one star for no real reason. Okay, so

1577
01:07:20,480 --> 01:07:23,320
Speaker 1: we've got are coming once again to Sabrina's favorite part

1578
01:07:23,320 --> 01:07:26,560
Speaker 1: of the program. Here that is producer Jensen's feature of

1579
01:07:26,640 --> 01:07:27,120
Speaker 1: the week.

1580
01:07:27,440 --> 01:07:29,680
Speaker 4: Our feature this week is called public access.

1581
01:07:29,960 --> 01:07:32,680
Speaker 1: So in true Confessions, the main character hopes to show

1582
01:07:32,680 --> 01:07:35,520
Speaker 1: on our local channel will turn into worldwide fame. Now

1583
01:07:35,560 --> 01:07:40,520
Speaker 1: this rings true because many celebrities did start their careers

1584
01:07:40,560 --> 01:07:41,960
Speaker 1: on local news programs.

1585
01:07:41,960 --> 01:07:42,920
Speaker 4: So we're gonna read a.

1586
01:07:42,920 --> 01:07:45,960
Speaker 1: Description of a celebrity whose origin is just like trus

1587
01:07:46,560 --> 01:07:48,960
Speaker 1: and we have to guess who it is three out

1588
01:07:49,000 --> 01:07:51,680
Speaker 1: of five wins. This is gonna be tough.

1589
01:07:51,800 --> 01:07:53,160
Speaker 4: Producer Jensen, you with us.

1590
01:07:53,600 --> 01:07:55,960
Speaker 6: Well, I hear there's no multiple choice though, just reminding

1591
01:07:55,960 --> 01:07:56,480
Speaker 6: you that.

1592
01:07:56,600 --> 01:07:59,520
Speaker 1: I know that's why this is gonna be so hard.

1593
01:08:00,000 --> 01:08:02,320
Speaker 1: There's a couple here where I'll hopefully you have.

1594
01:08:02,240 --> 01:08:08,920
Speaker 3: A key through f key you can pick from.

1595
01:08:09,120 --> 01:08:10,920
Speaker 4: Again, that's just multiple choice.

1596
01:08:12,400 --> 01:08:15,080
Speaker 6: Literally, what's not happening here we go?

1597
01:08:15,160 --> 01:08:18,280
Speaker 1: So number one, this talk show host might have counted

1598
01:08:18,320 --> 01:08:20,479
Speaker 1: down from ten, but his number one was as a

1599
01:08:20,479 --> 01:08:21,920
Speaker 1: weatherman in Indianapolis.

1600
01:08:21,920 --> 01:08:23,080
Speaker 4: You know you must know this one.

1601
01:08:24,280 --> 01:08:26,200
Speaker 6: I mean you should probably define.

1602
01:08:25,920 --> 01:08:31,240
Speaker 1: Must you should probably know this one.

1603
01:08:31,400 --> 01:08:33,400
Speaker 2: Ry Ryan's seekers.

1604
01:08:34,040 --> 01:08:36,559
Speaker 6: You know what? No, but but I actually am fine

1605
01:08:36,720 --> 01:08:39,080
Speaker 6: with where I got it from. Sense.

1606
01:08:39,160 --> 01:08:41,160
Speaker 4: Yeah, but I'm gonna say David Letterman.

1607
01:08:41,439 --> 01:08:42,320
Speaker 6: It's David Letterman.

1608
01:08:42,400 --> 01:08:44,920
Speaker 4: Yeah, Okay, David Letterman did his top tens.

1609
01:08:45,200 --> 01:08:49,800
Speaker 1: Number two, the one who knocks, more like the one

1610
01:08:49,800 --> 01:08:54,200
Speaker 1: who starts his career in local Granada Hills TV commercials.

1611
01:08:54,640 --> 01:08:55,599
Speaker 4: The one who.

1612
01:08:55,560 --> 01:08:57,519
Speaker 2: Knocks like, come and knock on my door.

1613
01:08:59,160 --> 01:09:03,760
Speaker 1: Maybe I I don't even know you said come and

1614
01:09:03,800 --> 01:09:04,479
Speaker 1: knock on our door?

1615
01:09:04,760 --> 01:09:08,160
Speaker 4: Okay, John, you're thinking is John Ritter? Okay?

1616
01:09:08,280 --> 01:09:12,280
Speaker 6: John Ritter Nope, it's Brian Cranston, the one who knocks?

1617
01:09:12,400 --> 01:09:15,160
Speaker 6: Is that what he's called in Breaking Bad? Literally probably

1618
01:09:15,200 --> 01:09:16,360
Speaker 6: the greatest TV show ever?

1619
01:09:16,560 --> 01:09:18,040
Speaker 4: Oh, I've seen it. I don't remember that at all

1620
01:09:18,080 --> 01:09:21,840
Speaker 4: the way. Okay, Brian the one who knocks? Yes, gotcha? Okay.

1621
01:09:21,920 --> 01:09:25,400
Speaker 1: Number three another weatherman, this time in Nashville, which is

1622
01:09:25,439 --> 01:09:28,280
Speaker 1: a name that has three vowels.

1623
01:09:28,960 --> 01:09:33,640
Speaker 6: What oh, this one will really bother you when you

1624
01:09:33,640 --> 01:09:34,800
Speaker 6: don't get it. Well, wait a.

1625
01:09:34,760 --> 01:09:37,800
Speaker 1: Minute, Okay, a weather man this time in Nashville, which

1626
01:09:37,840 --> 01:09:40,360
Speaker 1: is a name that has three vowels.

1627
01:09:40,439 --> 01:09:43,680
Speaker 2: Would it be a country star? It is the Nashville.

1628
01:09:44,680 --> 01:09:46,160
Speaker 4: Three vowels?

1629
01:09:47,160 --> 01:09:49,120
Speaker 1: Oh god, this is going to really upset me when

1630
01:09:49,120 --> 01:09:52,840
Speaker 1: I don't okay, I don't even have a guess.

1631
01:09:53,080 --> 01:09:55,080
Speaker 6: I can't believe it. It's Pat say Jack.

1632
01:09:56,960 --> 01:10:00,840
Speaker 4: Oh, now I get the question out. You're doing it?

1633
01:10:01,200 --> 01:10:04,840
Speaker 6: Well? Still only one right for Will and on reaching

1634
01:10:05,160 --> 01:10:06,040
Speaker 6: going for the goose egg.

1635
01:10:06,200 --> 01:10:06,760
Speaker 4: Here we go.

1636
01:10:07,479 --> 01:10:07,759
Speaker 6: Okay.

1637
01:10:07,800 --> 01:10:08,240
Speaker 4: Number four.

1638
01:10:08,320 --> 01:10:10,920
Speaker 1: Some could argue he's the modern day King of Late night,

1639
01:10:10,960 --> 01:10:13,120
Speaker 1: but his journey started as the Prince of Sports on

1640
01:10:13,320 --> 01:10:15,799
Speaker 1: l A's local alt rock radio station.

1641
01:10:17,040 --> 01:10:18,480
Speaker 4: I think I know this one.

1642
01:10:20,680 --> 01:10:27,480
Speaker 2: Who's that? He?

1643
01:10:27,640 --> 01:10:30,519
Speaker 3: I love his show at night because it's like he's

1644
01:10:30,640 --> 01:10:33,599
Speaker 3: like the biggest fan of everyone that comes on his show.

1645
01:10:33,760 --> 01:10:36,840
Speaker 2: That's that's so cool about him. What is his name?

1646
01:10:37,640 --> 01:10:40,200
Speaker 2: I've been on it too, You've been on the show?

1647
01:10:40,439 --> 01:10:41,360
Speaker 2: Is it Jimmy Fallon?

1648
01:10:42,240 --> 01:10:43,719
Speaker 4: I'm gonna say Jimmy Kimmel.

1649
01:10:44,240 --> 01:10:45,120
Speaker 6: It's Jimmy Kimmel.

1650
01:10:45,600 --> 01:10:49,320
Speaker 4: Okay, Okay, yeah, he does. All right, So here we go.

1651
01:10:49,360 --> 01:10:49,960
Speaker 4: I got one last.

1652
01:10:50,200 --> 01:10:53,160
Speaker 2: He was he was, he was on k Rock he was. Yeah,

1653
01:10:53,520 --> 01:10:54,240
Speaker 2: that's awesome.

1654
01:10:55,800 --> 01:10:58,920
Speaker 6: Were not with him, but we were on the same show.

1655
01:10:59,000 --> 01:11:02,280
Speaker 1: Yeah, all right before ending up. And this is number five,

1656
01:11:02,320 --> 01:11:04,599
Speaker 1: the last one. So I could win with this one.

1657
01:11:04,680 --> 01:11:10,280
Speaker 1: Sabrina could get one right, number five before ending up

1658
01:11:10,320 --> 01:11:13,439
Speaker 1: as a mainstay on The Today Show. This hard to

1659
01:11:13,479 --> 01:11:16,760
Speaker 1: pronounce names started her career in Greenville, Mississippi, as an

1660
01:11:16,840 --> 01:11:20,000
Speaker 1: unsuccessful news anchor with zero experience.

1661
01:11:19,600 --> 01:11:23,280
Speaker 4: The Today Show? Whose name the Today Show? With a

1662
01:11:23,400 --> 01:11:34,280
Speaker 4: hard to pronounce Today's Show are? I don't know either?

1663
01:11:34,479 --> 01:11:35,840
Speaker 1: Is the only one I could think of it? No,

1664
01:11:35,840 --> 01:11:38,080
Speaker 1: I'm thinking, what's the Morning Show? It's George Stephanopolis, but

1665
01:11:38,080 --> 01:11:38,719
Speaker 1: that's not a woman.

1666
01:11:40,479 --> 01:11:41,360
Speaker 4: Today's Show?

1667
01:11:42,280 --> 01:11:42,720
Speaker 2: I don't know.

1668
01:11:45,000 --> 01:11:46,920
Speaker 6: Grat it's Hoda codem.

1669
01:11:48,240 --> 01:11:53,040
Speaker 4: Who what you don't know Hoda, I know Coda, yeah.

1670
01:11:53,280 --> 01:11:54,160
Speaker 6: Codem, I don't.

1671
01:11:54,200 --> 01:11:58,160
Speaker 4: Okay, wow wow, I got two for five. We both lost.

1672
01:11:58,280 --> 01:12:00,960
Speaker 1: Well, thank you, producer Jensen for once making us feel

1673
01:12:01,439 --> 01:12:02,080
Speaker 1: pretty stupid.

1674
01:12:03,040 --> 01:12:05,400
Speaker 6: I means happened recently.

1675
01:12:06,680 --> 01:12:08,720
Speaker 4: I appreciate that. I think I think we definitely need

1676
01:12:08,800 --> 01:12:09,639
Speaker 4: multiple choices.

1677
01:12:10,880 --> 01:12:14,320
Speaker 2: It's really tough. I was just pulling celebrities names out

1678
01:12:14,360 --> 01:12:17,280
Speaker 2: of nowhere. I got Jimmy kill.

1679
01:12:19,720 --> 01:12:21,720
Speaker 6: I can't believe that. Brian Cranston one. I thought I

1680
01:12:21,720 --> 01:12:22,720
Speaker 6: thought you'd have that one for sure.

1681
01:12:22,800 --> 01:12:25,200
Speaker 4: I only I've only seen Breaking Bad once. I'd like

1682
01:12:25,200 --> 01:12:25,960
Speaker 4: to watch through it again.

1683
01:12:26,120 --> 01:12:28,880
Speaker 1: Yeah, but thank you very much, producer Jensen.

1684
01:12:28,880 --> 01:12:30,599
Speaker 4: And now can we do some Sabrina seas?

1685
01:12:34,880 --> 01:12:35,920
Speaker 2: Yes we can?

1686
01:12:36,160 --> 01:12:39,360
Speaker 3: Okay, so god, I gave up all my Sabrita seas

1687
01:12:39,520 --> 01:12:42,040
Speaker 3: or we had them already done from you.

1688
01:12:42,040 --> 01:12:43,559
Speaker 2: You kind of covered most of them.

1689
01:12:43,800 --> 01:12:44,120
Speaker 4: Okay.

1690
01:12:44,120 --> 01:12:46,080
Speaker 2: Two things did this house give you?

1691
01:12:46,120 --> 01:12:48,160
Speaker 3: And it might be and I'm like, it's probably just

1692
01:12:48,160 --> 01:12:50,880
Speaker 3: because Will and I went to the remake of it.

1693
01:12:52,240 --> 01:12:55,719
Speaker 3: Gave me Brady Bunch vibes so much throughout the whole.

1694
01:12:55,479 --> 01:12:56,080
Speaker 2: Did it at all?

1695
01:12:56,400 --> 01:12:57,920
Speaker 4: Yeah, well, it kind of it gave me.

1696
01:12:58,080 --> 01:13:02,040
Speaker 1: It was a cool architecturally design house like that house.

1697
01:13:02,160 --> 01:13:04,679
Speaker 2: Yeah, it gave me such brady bunch of vibes.

1698
01:13:04,680 --> 01:13:07,240
Speaker 3: I kept going, God, every I wrote it like three times,

1699
01:13:07,240 --> 01:13:09,360
Speaker 3: like every time we get back into this that one

1700
01:13:09,439 --> 01:13:11,439
Speaker 3: living room part where you know, like at the very

1701
01:13:11,479 --> 01:13:15,200
Speaker 3: beginning where he overlooks and or overhears their conversation. That Yeah,

1702
01:13:15,240 --> 01:13:16,360
Speaker 3: that whole scene right there.

1703
01:13:16,400 --> 01:13:17,200
Speaker 4: Just a cool constant.

1704
01:13:17,920 --> 01:13:22,200
Speaker 3: Also again very confused on how they were on a

1705
01:13:22,520 --> 01:13:23,479
Speaker 3: soccer team together.

1706
01:13:23,520 --> 01:13:25,640
Speaker 2: I think it's cool. I actually thought it was like

1707
01:13:25,680 --> 01:13:26,719
Speaker 2: a really cool idea.

1708
01:13:26,720 --> 01:13:29,160
Speaker 3: If that's not something that is offered, that it would

1709
01:13:29,200 --> 01:13:32,760
Speaker 3: be cool for especially like siblings or you know, for

1710
01:13:32,840 --> 01:13:35,639
Speaker 3: you to dedicate your time or donate your time to

1711
01:13:35,640 --> 01:13:41,720
Speaker 3: to play with others like that. But Eddie was off

1712
01:13:41,760 --> 01:13:43,280
Speaker 3: sides and that's that gold did not.

1713
01:13:43,439 --> 01:13:45,479
Speaker 1: Way way off side and it didn't count. Yeah, I

1714
01:13:45,720 --> 01:13:47,160
Speaker 1: thought the same thing. I didn't want to bring it up,

1715
01:13:47,200 --> 01:13:47,760
Speaker 1: but Eddie was.

1716
01:13:49,360 --> 01:13:51,280
Speaker 3: It's literally says, not trying to take away from his

1717
01:13:51,360 --> 01:13:53,120
Speaker 3: glory moment, but that gold didn't count.

1718
01:13:53,280 --> 01:13:56,600
Speaker 4: Yeah he was. I know, he was off side.

1719
01:13:56,240 --> 01:13:58,519
Speaker 2: At every single angle they show up.

1720
01:13:58,439 --> 01:14:03,120
Speaker 4: It he was. Obviously it wasn't even close. Unfortunately, No,

1721
01:14:03,439 --> 01:14:05,080
Speaker 4: he was way off side. I know, I thought the

1722
01:14:05,120 --> 01:14:05,479
Speaker 4: same thing.

1723
01:14:05,600 --> 01:14:08,240
Speaker 2: Oh my gosh. And then I did notice, you know,

1724
01:14:08,280 --> 01:14:11,240
Speaker 2: I always music always pops out to me. This was

1725
01:14:12,280 --> 01:14:14,120
Speaker 2: different for us in a lot of ways.

1726
01:14:14,479 --> 01:14:17,960
Speaker 3: The music had a lot of adult artists versus being young.

1727
01:14:18,400 --> 01:14:18,599
Speaker 6: Yeah.

1728
01:14:18,720 --> 01:14:21,160
Speaker 3: A lot of times is the synergy that Disney pulls

1729
01:14:21,200 --> 01:14:24,160
Speaker 3: into it where they have even the actors that are

1730
01:14:24,200 --> 01:14:27,160
Speaker 3: actually on screen doing using their music. And a lot

1731
01:14:27,160 --> 01:14:30,719
Speaker 3: of the music was actually like obviously an adult artist,

1732
01:14:30,720 --> 01:14:33,120
Speaker 3: which I thought was different. And I thought all the

1733
01:14:33,160 --> 01:14:35,040
Speaker 3: songs worked. It wasn't like a bad thing, It just

1734
01:14:35,200 --> 01:14:39,360
Speaker 3: was something very different. And then yes, pushed that over

1735
01:14:39,400 --> 01:14:42,479
Speaker 3: that bridge. I was so excited. That's the last little thing.

1736
01:14:42,520 --> 01:14:46,479
Speaker 3: And then again biggest library, and it was his line,

1737
01:14:46,520 --> 01:14:47,160
Speaker 3: I want.

1738
01:14:46,920 --> 01:14:48,160
Speaker 2: To be done being different.

1739
01:14:48,520 --> 01:14:53,200
Speaker 3: Yeah, just my line that just took me right over

1740
01:14:53,240 --> 01:14:58,400
Speaker 3: that edge myself. I was just so oh god, this poor.

1741
01:14:58,520 --> 01:15:02,040
Speaker 3: I mean, it is so difficult, and I just it was.

1742
01:15:02,200 --> 01:15:04,400
Speaker 3: This was a good movie for me. I loved watching it.

1743
01:15:04,560 --> 01:15:06,240
Speaker 3: All the stuff I said was just the funny thing.

1744
01:15:06,320 --> 01:15:08,680
Speaker 3: The plastic bowls is in bright Yeah, of course, the

1745
01:15:08,920 --> 01:15:12,000
Speaker 3: giant letters are big BoNT bolded, Like, what the hell

1746
01:15:12,040 --> 01:15:13,000
Speaker 3: get the plastic bowls.

1747
01:15:13,000 --> 01:15:15,840
Speaker 2: I will always always backing on the plastic bowls.

1748
01:15:15,840 --> 01:15:18,040
Speaker 4: How hard is that to get plastic bulls? Suit doesn't

1749
01:15:18,040 --> 01:15:19,240
Speaker 4: even let me have glass stuff.

1750
01:15:20,120 --> 01:15:23,719
Speaker 1: Okay, so now let's rate our film for the week

1751
01:15:24,680 --> 01:15:26,599
Speaker 1: one out of ten, one being the worst, ten being

1752
01:15:26,600 --> 01:15:29,439
Speaker 1: the best. We're gonna do that this week, and our

1753
01:15:29,520 --> 01:15:33,599
Speaker 1: options are one out of ten. Absent ease, just remember

1754
01:15:33,680 --> 01:15:35,559
Speaker 1: no e on the end of True Confessions number two

1755
01:15:36,320 --> 01:15:44,360
Speaker 1: one out of ten, Paparazzis Hot Rozzisarazza Rozsi, Hot Junior Boys,

1756
01:15:44,920 --> 01:15:48,439
Speaker 1: Hot Fudge Sundays one out of ten, Girls storming Off

1757
01:15:49,080 --> 01:15:52,960
Speaker 1: one out of ten, Nasty bo and Harrybacks one out

1758
01:15:52,960 --> 01:15:56,240
Speaker 1: of ten, Massive tornado storms one out of ten, Total

1759
01:15:56,720 --> 01:16:00,880
Speaker 1: souls one out of ten, Biggest live praise in the world,

1760
01:16:01,000 --> 01:16:01,599
Speaker 1: or one out.

1761
01:16:01,439 --> 01:16:03,200
Speaker 4: Of ten D coms to cry about Sabrina?

1762
01:16:03,240 --> 01:16:05,840
Speaker 3: You picked this week with d cooms to cry about

1763
01:16:05,880 --> 01:16:09,120
Speaker 3: the one hundred percent hands down, because I cried pretty

1764
01:16:09,240 --> 01:16:12,719
Speaker 3: much top to bottom of this movie. I like, yeah,

1765
01:16:12,960 --> 01:16:16,200
Speaker 3: I just literally was like, geez, I am such a

1766
01:16:16,400 --> 01:16:19,360
Speaker 3: sobby mom, just like my own mom.

1767
01:16:19,479 --> 01:16:20,880
Speaker 2: Now it happened to me.

1768
01:16:21,320 --> 01:16:24,280
Speaker 3: All those times I made fun of her for every

1769
01:16:24,360 --> 01:16:28,040
Speaker 3: car dot she opened and just continuously cried all the time.

1770
01:16:28,920 --> 01:16:33,040
Speaker 3: Now it's happening to me. Payback is a bee for sure.

1771
01:16:33,200 --> 01:16:37,840
Speaker 1: There you go, Karma, Karma, I think, uh, I think

1772
01:16:37,840 --> 01:16:40,040
Speaker 1: you rated first last time, so it's my turn to

1773
01:16:40,040 --> 01:16:43,960
Speaker 1: go first this time. Okay, I liked this movie. I

1774
01:16:44,000 --> 01:16:47,880
Speaker 1: definitely like this movie. The acting is phenomenal. It did

1775
01:16:47,920 --> 01:16:49,800
Speaker 1: not feel like a dcom. It felt just like a

1776
01:16:49,840 --> 01:16:53,360
Speaker 1: Disney film, if that makes sense. I did not I

1777
01:16:53,400 --> 01:16:55,280
Speaker 1: thought I could have used to rewrite a polish. I

1778
01:16:55,320 --> 01:16:58,960
Speaker 1: did not like the constantly storming off and the change.

1779
01:16:58,960 --> 01:17:01,800
Speaker 1: I mean it got to be too much. That being said,

1780
01:17:02,280 --> 01:17:05,240
Speaker 1: the subject matter, what they were covering, the actors doing

1781
01:17:05,280 --> 01:17:10,679
Speaker 1: it amazing. So I am giving this a soft eight.

1782
01:17:11,600 --> 01:17:14,640
Speaker 1: Okay d coms to cry about because I could have

1783
01:17:14,640 --> 01:17:16,679
Speaker 1: gone seven point five. But the acting is so good

1784
01:17:17,200 --> 01:17:19,160
Speaker 1: and the subject matter is so important that I could.

1785
01:17:19,280 --> 01:17:21,519
Speaker 1: I can feel good with myself giving this an eight

1786
01:17:22,760 --> 01:17:23,719
Speaker 1: d cooms to cry about.

1787
01:17:23,720 --> 01:17:24,200
Speaker 4: How about you?

1788
01:17:25,280 --> 01:17:26,400
Speaker 2: I agree?

1789
01:17:26,720 --> 01:17:29,160
Speaker 3: I think it was I really loved it. I think

1790
01:17:29,160 --> 01:17:33,080
Speaker 3: I loved it more than you did. But I again,

1791
01:17:33,360 --> 01:17:35,040
Speaker 3: I'm a sucker for a SOB story.

1792
01:17:35,120 --> 01:17:36,479
Speaker 2: I love it like this.

1793
01:17:36,760 --> 01:17:41,320
Speaker 3: To me, I now am completely affirming the fact that

1794
01:17:41,400 --> 01:17:47,200
Speaker 3: Stu and Paul are like the greatest team, and this

1795
01:17:47,439 --> 01:17:50,120
Speaker 3: was just knocked it out of the ballpark for me.

1796
01:17:50,680 --> 01:17:53,479
Speaker 3: There were and I And again I think it's because

1797
01:17:53,520 --> 01:17:56,960
Speaker 3: I also was a teenager myself. So her storming off

1798
01:17:57,000 --> 01:18:00,000
Speaker 3: that the flip of a hat, how that happens so quick?

1799
01:18:00,840 --> 01:18:02,840
Speaker 3: Didn't It wasn't as jarring to me. It started to

1800
01:18:02,840 --> 01:18:05,800
Speaker 3: get annoying. Yeah, it's like annoyed with her character, you know.

1801
01:18:05,840 --> 01:18:08,839
Speaker 3: And then again you realize what this movie was about,

1802
01:18:08,880 --> 01:18:11,880
Speaker 3: and it was about a young teen struggling through how

1803
01:18:11,920 --> 01:18:14,920
Speaker 3: to handle such a heavy thing. And again it's hard

1804
01:18:15,040 --> 01:18:19,000
Speaker 3: because she's not an adult, so she shouldn't be expected

1805
01:18:19,000 --> 01:18:21,559
Speaker 3: to understand or know how to do this. So her

1806
01:18:21,600 --> 01:18:24,479
Speaker 3: working through her feelings and her emotions was very real

1807
01:18:24,560 --> 01:18:28,120
Speaker 3: in my opinion, and I absolutely loved it. Shia is

1808
01:18:28,360 --> 01:18:31,439
Speaker 3: just phenomenal and I killed it. And I thought both

1809
01:18:31,479 --> 01:18:34,120
Speaker 3: of the leads, I mean, without one of them, the

1810
01:18:34,160 --> 01:18:35,840
Speaker 3: movie might not have been as good as it was,

1811
01:18:35,880 --> 01:18:38,320
Speaker 3: to be honest. So it was just such a great movie.

1812
01:18:38,400 --> 01:18:42,439
Speaker 3: I'm gonna go with nine d coms to cry about.

1813
01:18:42,920 --> 01:18:46,080
Speaker 3: Paul Hoen, I love you, buddy, I love you, Thank

1814
01:18:46,120 --> 01:18:49,240
Speaker 3: you so much. In eighty one minutes, I would do

1815
01:18:49,320 --> 01:18:52,400
Speaker 3: it again. I loved this movie so much. I will

1816
01:18:52,400 --> 01:18:55,599
Speaker 3: probably watch it again. I'm sure on a rainy day.

1817
01:18:55,840 --> 01:18:58,080
Speaker 4: Wow, that's an incredibly rainy.

1818
01:18:57,920 --> 01:18:59,600
Speaker 2: Day when it's a storm outside.

1819
01:19:01,840 --> 01:19:02,439
Speaker 4: Oh man.

1820
01:19:02,640 --> 01:19:04,880
Speaker 1: Okay, well, thank you everybody for joining us. Our next

1821
01:19:04,920 --> 01:19:07,320
Speaker 1: movie is taking us back to the Ice, a movie

1822
01:19:07,360 --> 01:19:10,559
Speaker 1: mentioned when we reviewed Go Figure. This is its spiritual sister.

1823
01:19:10,640 --> 01:19:13,680
Speaker 1: We're talking about two thousand and five's Ice Princess, and

1824
01:19:13,720 --> 01:19:15,000
Speaker 1: this is going to be a tribute to the late

1825
01:19:15,040 --> 01:19:16,040
Speaker 1: Michelle Trachtenberg.

1826
01:19:16,240 --> 01:19:17,840
Speaker 4: We are very excited about this one.

1827
01:19:17,880 --> 01:19:20,760
Speaker 1: But before that, for our park Opper episode, we talked

1828
01:19:20,760 --> 01:19:24,439
Speaker 1: to a Disney Channel legend, Jennifer Stone, also known as

1829
01:19:24,479 --> 01:19:27,160
Speaker 1: Harper Kinkle from Wizards of Waverley Place. She was part

1830
01:19:27,200 --> 01:19:30,120
Speaker 1: of an absolute television phenomenon and we talked to her

1831
01:19:30,160 --> 01:19:30,800
Speaker 1: all about it.

1832
01:19:30,960 --> 01:19:32,080
Speaker 4: Here's a bit of an early listen.

1833
01:19:34,000 --> 01:19:37,200
Speaker 3: So you read with Selena, Yeah, what was your guys's

1834
01:19:37,280 --> 01:19:39,240
Speaker 3: chemistry like like in the audition?

1835
01:19:39,400 --> 01:19:42,240
Speaker 2: Was it like instant? Well, weirdly, I don't know if

1836
01:19:42,280 --> 01:19:42,920
Speaker 2: you guys know this.

1837
01:19:43,040 --> 01:19:46,160
Speaker 5: So I lived clean and I had never met but

1838
01:19:46,240 --> 01:19:48,360
Speaker 5: like I was really close with Demy and we lived

1839
01:19:48,360 --> 01:19:51,400
Speaker 5: ten minutes apart from each other in Texas. We immediately

1840
01:19:51,479 --> 01:19:53,400
Speaker 5: had that like, oh my god, you're from Texas and

1841
01:19:53,439 --> 01:19:55,280
Speaker 5: Demi and like we have that mutual friend that was

1842
01:19:55,320 --> 01:19:57,559
Speaker 5: like her best friend, and so it was this kind

1843
01:19:57,600 --> 01:20:00,960
Speaker 5: of immediate, like just dissolved any sort of like awkward

1844
01:20:01,000 --> 01:20:05,799
Speaker 5: first meeting stuff because we have the Disney Texas Factory connection.

1845
01:20:08,000 --> 01:20:10,200
Speaker 2: That's awesome. That's very cool.

1846
01:20:12,160 --> 01:20:15,040
Speaker 1: So make sure to subscribe to our dedicated Magical Rewine feed.

1847
01:20:15,080 --> 01:20:17,679
Speaker 1: You can search for us on your favorite streaming service

1848
01:20:17,840 --> 01:20:19,920
Speaker 1: and you can hear interviews just like that one. We

1849
01:20:20,000 --> 01:20:22,000
Speaker 1: have so many good ones already, so go check it

1850
01:20:22,040 --> 01:20:26,160
Speaker 1: out on Apple Podcasts, iHeartRadio or wherever you get your podcasts.

1851
01:20:26,240 --> 01:20:28,439
Speaker 1: And for more info, you can follow us at Magical

1852
01:20:28,479 --> 01:20:31,240
Speaker 1: rewind Pod on the Instagram Machine. You can do that now,

1853
01:20:31,479 --> 01:20:43,800
Speaker 1: Bye everybody, bye,