WEBVTT - SYSK's 12 Days of Christmas… Toys: Etch A Sketch!

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<v Speaker 1>Hey, everyone, it's time for our episode on etcha sketch,

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<v Speaker 1>the little tablet that you could draw on using two

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<v Speaker 1>dials for some reason, and then when you made a masterpiece,

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<v Speaker 1>you'd shake it up and start over again. Or if

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<v Speaker 1>you're a real jerk, you could shake up someone else's

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<v Speaker 1>masterpiece when they weren't ready to shake it up yet.

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<v Speaker 1>This is a good one. I guess all of our

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<v Speaker 1>toy episodes were good ones, so it goes without saying,

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<v Speaker 1>but it is a good one.

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<v Speaker 2>Welcome to Stuff you should Know from HowStuffWorks dot com.

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<v Speaker 1>Hey, and welcome to the podcast. I'm Josh Clark. There's

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<v Speaker 1>Charles w. Chucky Bryant, and there's Jerry the Delicious dish

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<v Speaker 1>Rolling And this is stuff you should know. The vintage

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<v Speaker 1>Nostalgia edition that went off to China and then got

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<v Speaker 1>so do a different company edition.

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<v Speaker 3>So do you want to have a rough list of

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<v Speaker 3>classic toys we've covered? You want to hear it?

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<v Speaker 1>Oh? Lay it on me, Charles.

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<v Speaker 3>I'm sure I've missed something, but it did help me

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<v Speaker 3>think of some more that we should do.

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<v Speaker 1>Slinky, We did slinky, Oh yeah, we did sleek okay.

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<v Speaker 3>Yeah, lego Oh yeah, of course Barbie sure, her boyfriend

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<v Speaker 3>g I Joe.

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<v Speaker 1>Yeah, that was a good one. Sorry, wait a minute,

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<v Speaker 1>Wait a minute, I'm sorry. Did we just specifically do

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<v Speaker 1>a G I Joe one or an Action Figures one?

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<v Speaker 3>I think both. We definitely did Action Figures.

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<v Speaker 1>Although not Okay, go ahead, I'll.

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<v Speaker 3>Cross check that. Hot wheels.

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<v Speaker 1>So so this is a made up list, is what

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<v Speaker 1>you're saying.

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<v Speaker 3>Hot wheels.

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<v Speaker 1>Yeah, I'm glad you didn't. You didn't call it hot wheels.

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<v Speaker 3>Easy bake oven mm hm, play dough, silly putty? All right?

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<v Speaker 3>Do you count boomerangs?

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<v Speaker 1>Yeh sure, do.

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<v Speaker 3>You count Monopoly? Yeah, Yo yos?

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<v Speaker 1>Of course.

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<v Speaker 3>Hula Hoops.

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<v Speaker 1>I knew Hula Hoops was after Yo Yos. I just

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<v Speaker 1>knew it.

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<v Speaker 3>Teddy Ruxxban we covered him in our Christmas show this year.

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<v Speaker 1>Oh yeah, that's a deep cut right there.

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<v Speaker 3>And then that's all I have. But I could have

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<v Speaker 3>sworn we did it on Frisbees, but I cannot find it.

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<v Speaker 1>Yeah. I feel like we did Frisbees too, because I

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<v Speaker 1>think we talked about like frawl for something at some point.

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<v Speaker 3>Yeah. I don't know. Maybe it's out there and I

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<v Speaker 3>just didn't or maybe it's under flying disc or something.

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<v Speaker 1>Oh, that's possible, because yeah, we made that joke about it,

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<v Speaker 1>calling it a novelty flying disc because Frisbee like used

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<v Speaker 1>to sue everybody who called anything else to Frisbee.

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<v Speaker 3>Maybe I'll have to look, but there's probably more out there.

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<v Speaker 3>But that's a solid you know, twelve or thirteen.

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<v Speaker 1>That's pretty good, which leads us to Edges sketch. Yes,

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<v Speaker 1>one of the one hundred top hundred toys of the

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<v Speaker 1>century according to I want to say, not the Toy

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<v Speaker 1>Hall of Fame. It's just in the Toy Hall of Fame.

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<v Speaker 3>I think according to some snot nose kid who makes

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<v Speaker 3>lists online.

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<v Speaker 1>All right, this is the one hundred best toys of

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<v Speaker 1>the century. This is the one hundred best guitar solos

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<v Speaker 1>of the seventies.

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<v Speaker 3>Oh man, I'd love to do a show on that.

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<v Speaker 1>That would be pretty cool. I can't remember who named

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<v Speaker 1>that that who made that list, but it's a high honor.

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<v Speaker 1>It's a high accolade, even if we can't remember who

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<v Speaker 1>came up with it. Like the etcher sketches a ubiquitous toy.

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<v Speaker 1>Everybody knows what an ecch of sketches unless you go

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<v Speaker 1>to France and then they'll say, oh, you mean La

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<v Speaker 1>cara megic right, and you might say, like, well, why

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<v Speaker 1>would they have anything to say about the extra sketch

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<v Speaker 1>in France? Turns out, buddy, the etcha sketch is actually

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<v Speaker 1>French in origin. Did you know that before this?

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<v Speaker 3>I did not. I didn't either, because it seems like

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<v Speaker 3>super American, you know, it looks like a TV and

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<v Speaker 3>just feels like pure Americana. So when I realized it

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<v Speaker 3>had some French stank on it, my dreams were dashed.

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<v Speaker 1>You like, it smells like champagne and cheese, which is

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<v Speaker 1>kind of pleasant.

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<v Speaker 3>No, I didn't really care. I thought I thought it

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<v Speaker 3>was great sketch, erase and sketch again the log line

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<v Speaker 3>that will forever be tied to this really interesting little toy.

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<v Speaker 3>And I can't remember who it is in this article,

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<v Speaker 3>but so they were interviewing different folks. I think it

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<v Speaker 3>was someone from the company commented, and I totally agree that, Like,

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<v Speaker 3>it's amazing that today in the digital world and Bluetooth

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<v Speaker 3>and Wi Fi and video gaming as it is, that

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<v Speaker 3>this little lo fi toy that doesn't even have batteries

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<v Speaker 3>in it, much less hook up to the internet is

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<v Speaker 3>still like super popular and still has a little bit

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<v Speaker 3>of mystique, and I agree with them, and I think

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<v Speaker 3>the reason why one of them is like you look

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<v Speaker 3>at it and you're still kind of like, how does

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<v Speaker 3>this thing work?

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<v Speaker 1>Right, Well, we're going to ruin that mystique for everybody

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<v Speaker 1>because we're gonna explain how it works actually in this episode. Right,

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<v Speaker 1>But hopefully it won't affect that you just sketch sales

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<v Speaker 1>because we love that you sketch, you know.

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<v Speaker 3>All right, should we go to France?

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<v Speaker 1>We will go to France sometime. It's apparently not clear

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<v Speaker 1>whether it was nineteen fifty five or nineteen fifty six,

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<v Speaker 1>but in a little town called Vitry sir Sin, which

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<v Speaker 1>means Victory on the Sinn River, there was a company

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<v Speaker 1>called what was the name of the company.

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<v Speaker 3>Chuck uh linn crusta company, right, terrible name.

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<v Speaker 1>It is a terrible name. But the reason they called

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<v Speaker 1>themselves that is because lynn Crusta is a type of

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<v Speaker 1>wall covering that was really popular in the nineteenth and

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<v Speaker 1>early twentieth centuries. You know, like have you ever been

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<v Speaker 1>into an old, creepy, abandoned house and like the walls

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<v Speaker 1>are covered in what looks like dimpled tin with like

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<v Speaker 1>some weird patterns to it or whatever.

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<v Speaker 3>No, but keep going.

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<v Speaker 1>Okay, so where if you you could rub your hand

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<v Speaker 1>over it's very much it's like heavily embossed. Okay, sometimes

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<v Speaker 1>it's painted and it's it just imagined that as like

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<v Speaker 1>Wayne Scotting in the house. That is Lin Crusta. And

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<v Speaker 1>so that is one of the two things that this

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<v Speaker 1>company made in the fifties, link crustal wall coverings and

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<v Speaker 1>artificial leather. That is really neither here nor there, but

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<v Speaker 1>I could. I was with you, I was like, what

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<v Speaker 1>kind of a name is that for a company? I

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<v Speaker 1>looked it up and they just it basically be like

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<v Speaker 1>if you and I called our podcast podcast because that's

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<v Speaker 1>what we did, was make podcasts.

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<v Speaker 3>Or call the company crust pod, Crusta, just the name

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<v Speaker 3>crust Anyway, I think I know what you're talking about

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<v Speaker 3>because I have we have a pie safe that has

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<v Speaker 3>that metal tin stuff. But it's, uh, I've never seen

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<v Speaker 3>it on a wall, but I bet it's about the.

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<v Speaker 1>Same thing, virtually the same thing. Yeah, yep, Okay, So

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<v Speaker 1>that's Link Crusta and that's where this guy worked. His

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<v Speaker 1>name was Andre Cassagnis. I bet that you hill.

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<v Speaker 3>Well, if it's French, wouldn't it be Caissan? Is that

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<v Speaker 3>she pronounced?

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<v Speaker 1>Yeah, I think you just nailed it. Actually, Andre Cassol,

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<v Speaker 1>Well that's.

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<v Speaker 3>What we're gonna call him. And we have gone back

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<v Speaker 3>in time. You didn't know fifty five or fifty six.

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<v Speaker 3>I say we go to fifty four, just to play

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<v Speaker 3>it safe, setup shop in France and maybe get some

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<v Speaker 3>emails done.

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<v Speaker 1>All right for a couple of years.

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<v Speaker 3>Sure, why not? We could use a break because you know,

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<v Speaker 3>podcaster burnouts a real thing.

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<v Speaker 1>He really is as we thought, we're dropping, we're dropping

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<v Speaker 1>like flies.

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<v Speaker 3>All right. So he's working in this factory. It's north

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<v Speaker 3>of Paris, and they are making these wall coverings like

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<v Speaker 3>you're talking about, and he this is a little confusing

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<v Speaker 3>how this actually happens if you asked me, or at

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<v Speaker 3>least the way the first article put it, it's confusing.

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<v Speaker 1>Oh you're leaving it to me by notice, by your

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<v Speaker 1>by your balls. After that?

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<v Speaker 3>Well, I mean, no, let let's I'll start it. But

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<v Speaker 3>I just still don't quite get it. He marked up

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<v Speaker 3>with pencil on a sea through decal, so like he

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<v Speaker 3>was putting on an electrical plate like a light switch

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<v Speaker 3>and on that plate, like many things, has like a

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<v Speaker 3>little sea through plastic that you peel off. So he

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<v Speaker 3>was riding on that he peeled it off. But then

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<v Speaker 3>that's where it loses me. It's to exactly what magic

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<v Speaker 3>took place.

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<v Speaker 1>So okay, remember this is link Krusta and they make

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<v Speaker 1>metal wall coverings, which means there's metal dust in the air,

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<v Speaker 1>metal shavings everywhere.

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<v Speaker 3>Yeah, and he's.

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<v Speaker 1>Right, all of them are. What's crazy. This guy made

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<v Speaker 1>it to the ripe old age of eighty six after

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<v Speaker 1>breathing that for years. But so there's there's metal dust everywhere,

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<v Speaker 1>including on this electrical switch plate that he's installing. And

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<v Speaker 1>I guess the decal against the plate, and I think

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<v Speaker 1>think what happened was when he marked on the decal

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<v Speaker 1>and pulled the decal off, he'd seen that he had

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<v Speaker 1>disturbed the metal shavings that were stuck to the underside

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<v Speaker 1>of the decal. Oh do you see what I mean?

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<v Speaker 1>So he had disturbed the shape, so there was like

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<v Speaker 1>the whole decal is coated in a metal dust. He

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<v Speaker 1>marks on it with a pencil and the impression that

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<v Speaker 1>he makes like gouges out lines on the backside of

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<v Speaker 1>the decal. I know, it's really tough. It was magic. Basically,

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<v Speaker 1>this man witnessed a feat of magic that still cannot

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<v Speaker 1>be explained to this day. And that's where he got

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<v Speaker 1>his idea for the etches sketch amazing.

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<v Speaker 3>So a big, big moment. He has that literal light

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<v Speaker 3>bulb that goes off of his or not literal of course,

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<v Speaker 3>light bulb above his head, although you never know, there

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<v Speaker 3>may have been a light bulb in that factory right

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<v Speaker 3>above his head.

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<v Speaker 1>Why not?

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<v Speaker 3>And he said, all right, this is uh, this, this

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<v Speaker 3>can be something. He however, did not have a lot

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<v Speaker 3>of money to sync into this weird idea, and so

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<v Speaker 3>he had to partner with somebody with money, man named

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<v Speaker 3>Paul Chase Cze or maybe Shaw's if he's French.

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<v Speaker 1>Oh that's good.

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<v Speaker 3>And this guy had some dough because he owned a

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<v Speaker 3>plastic injection molding company.

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<v Speaker 1>This is like early on.

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<v Speaker 3>I wonder if we could count that as a toy,

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<v Speaker 3>the uh the little plastic machines that spit out little

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<v Speaker 3>plastic guitars in Chicago and at zoos.

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<v Speaker 1>Oh, yes, Lama, that would definitely count. Yeah, that goes

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<v Speaker 1>on the list.

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<v Speaker 3>Yeah, so he didn't it wasn't moldorama, but it was

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<v Speaker 3>plastic injection molding that this guy made his money from. Uh.

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<v Speaker 3>And this where things get a little confusing historically, because

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<v Speaker 3>the man who his accountant, his name was Arthur gra.

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<v Speaker 1>You were the French today. Try to run French people,

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<v Speaker 1>you can't. Chuck is pronouncing your words just beautifully.

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<v Speaker 3>So his accountant has actually given credit a lot of

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<v Speaker 3>times because he filed the patent under his name, which

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<v Speaker 3>I'm curious about how that works legally.

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<v Speaker 1>He so he was, do you remember the first time

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<v Speaker 1>we did south By Southwest and on the sign it

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<v Speaker 1>had like somebody I can't remember whose name it was,

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<v Speaker 1>but whoever had like filed the application to get us

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<v Speaker 1>into south By Southwest? It said that like that's who

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<v Speaker 1>was performing in the room that day.

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<v Speaker 3>I don't remember that at all.

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<v Speaker 1>I think this is the same, basically the same thing.

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<v Speaker 1>Where as like the US government bureaucracy, the patent in

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<v Speaker 1>Trademark office basically said whoever's name is on there, that

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<v Speaker 1>is who is the patent holder. And since Grangene, who

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<v Speaker 1>was the accountant of Shay's, who was the partner of Kess,

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<v Speaker 1>and since he was the one who actually filled out

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<v Speaker 1>the application and paid for the application for the patent.

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<v Speaker 1>As far as the government was concerned, he was the

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<v Speaker 1>person who patented the etches sketch in the United States,

0:12:15.360 --> 0:12:17.920
<v Speaker 1>even though gran Gene made no claim on it whatsoever

0:12:18.240 --> 0:12:23.360
<v Speaker 1>immediately transferred the title over to Chase. He's for decades

0:12:23.440 --> 0:12:26.480
<v Speaker 1>everybody thought Arthur Graanjine was the guy who invented the

0:12:26.520 --> 0:12:27.240
<v Speaker 1>etches sketch.

0:12:27.600 --> 0:12:30.120
<v Speaker 3>Interesting, all right, So that was July twenty third, nineteen

0:12:30.200 --> 0:12:34.800
<v Speaker 3>fifty nine, was when this patent was granted. And I

0:12:34.840 --> 0:12:37.280
<v Speaker 3>guess we should just look at the little guy itself,

0:12:37.360 --> 0:12:41.400
<v Speaker 3>the little TV, looking that iconic red frame with the

0:12:41.440 --> 0:12:45.040
<v Speaker 3>two dials, which it didn't have initially. We'll get to that.

0:12:45.160 --> 0:12:49.400
<v Speaker 3>But the underside of this screen here has what's known

0:12:49.440 --> 0:12:53.120
<v Speaker 3>in the patent as a pole virulent material such as

0:12:53.160 --> 0:12:54.080
<v Speaker 3>aluminum powder.

0:12:54.760 --> 0:12:55.720
<v Speaker 1>Is that French as well?

0:12:55.960 --> 0:12:59.320
<v Speaker 3>I don't know. And then to keep that from clumping

0:12:59.400 --> 0:13:03.200
<v Speaker 3>up there a little tiny plastic beads and then the

0:13:03.240 --> 0:13:07.679
<v Speaker 3>two knobs control again from the patent, a movable tracing stylus,

0:13:08.480 --> 0:13:10.839
<v Speaker 3>although initially it was a joystick, isn't that right?

0:13:11.760 --> 0:13:15.959
<v Speaker 1>Yeah? Yeah, basically like an atari, but it served the

0:13:15.960 --> 0:13:19.840
<v Speaker 1>same purpose and it was it was held together the

0:13:19.880 --> 0:13:22.959
<v Speaker 1>same way through an intricate system of pulleys and gears

0:13:23.559 --> 0:13:27.480
<v Speaker 1>that moved the stylus either upward or downward. And then

0:13:27.480 --> 0:13:29.800
<v Speaker 1>if you combine the upward and downward together, you could

0:13:29.840 --> 0:13:32.920
<v Speaker 1>make diagonals and circles and stuff like that. But it's

0:13:33.720 --> 0:13:36.800
<v Speaker 1>it's really tough to describe what's going on in a

0:13:36.920 --> 0:13:39.720
<v Speaker 1>Nutch just sketch. But there's a House Stuff Works article

0:13:39.760 --> 0:13:42.680
<v Speaker 1>from years back called inside a Nutches Sketch where the

0:13:42.679 --> 0:13:45.040
<v Speaker 1>people at House of Verse like took one apart and

0:13:45.120 --> 0:13:47.640
<v Speaker 1>photographed it and explained it step by step, and it

0:13:47.760 --> 0:13:51.240
<v Speaker 1>really becomes much simpler and ruins any bit of magic

0:13:51.280 --> 0:13:53.560
<v Speaker 1>there is to it when you see inside an Etches sketch.

0:13:53.720 --> 0:13:55.520
<v Speaker 1>But it's still kind of wondrous, you know, like the

0:13:55.640 --> 0:13:58.000
<v Speaker 1>engineer in you is like, wow, that's pretty cool.

0:13:58.280 --> 0:14:01.160
<v Speaker 3>Yeah, it's sort of like it's not a negative image,

0:14:01.240 --> 0:14:03.680
<v Speaker 3>I don't think. But what's going on when you're moving

0:14:03.720 --> 0:14:09.120
<v Speaker 3>those knobs. There's a stylus that's actually removing like the

0:14:09.200 --> 0:14:12.440
<v Speaker 3>screen is coated with this powder, so it's actually removing powder,

0:14:12.960 --> 0:14:14.760
<v Speaker 3>not adding something to the screen.

0:14:15.520 --> 0:14:16.559
<v Speaker 1>Yes, exactly.

0:14:16.960 --> 0:14:19.840
<v Speaker 3>And of course if you want to get that away

0:14:20.400 --> 0:14:23.200
<v Speaker 3>and start a new picture, you just shake that thing

0:14:23.280 --> 0:14:26.360
<v Speaker 3>up and that recoats the screen once again with that powder.

0:14:27.480 --> 0:14:30.040
<v Speaker 1>Yeah. So, like you know how your TV screen always

0:14:30.120 --> 0:14:32.280
<v Speaker 1>has tons of dust on it no matter how often

0:14:32.320 --> 0:14:36.320
<v Speaker 1>you dust it. Sure, So that's because like that dust

0:14:36.400 --> 0:14:40.880
<v Speaker 1>is attracted electrostatically through an electrical charge to the glass.

0:14:41.240 --> 0:14:44.520
<v Speaker 1>That's they take advantage of that same thing with the

0:14:44.600 --> 0:14:48.040
<v Speaker 1>underside of the etch a sketch and that aluminum dust

0:14:48.080 --> 0:14:50.360
<v Speaker 1>which sticks to everything like it wants to stick to

0:14:50.400 --> 0:14:52.880
<v Speaker 1>the glass because I think it's missing some electrons or something.

0:14:53.240 --> 0:14:55.440
<v Speaker 1>And then when you move the stylus through it, you're

0:14:55.520 --> 0:14:58.040
<v Speaker 1>just removing that that dust. Like you said, it's not

0:14:58.080 --> 0:15:01.280
<v Speaker 1>a negative. It's the removal of dust. And that's the

0:15:01.600 --> 0:15:04.000
<v Speaker 1>that's just sketch like at its at its core. And

0:15:04.120 --> 0:15:07.160
<v Speaker 1>what's interesting, Chuck, is like that is how I met

0:15:07.280 --> 0:15:09.960
<v Speaker 1>just sketched today works. That's how I not just sketch

0:15:10.040 --> 0:15:14.000
<v Speaker 1>worked in nineteen sixty two, like the two meaning like

0:15:14.080 --> 0:15:19.400
<v Speaker 1>also but that that dude Andre Cassolgne said, this is

0:15:19.440 --> 0:15:21.800
<v Speaker 1>how this is gonna work, and it's it's basically the

0:15:21.840 --> 0:15:22.400
<v Speaker 1>same thing.

0:15:22.680 --> 0:15:25.480
<v Speaker 3>That's pretty awesome. Let's take a break. Yes, we're going

0:15:25.560 --> 0:15:28.560
<v Speaker 3>to come back and talk about coming state side right

0:15:28.560 --> 0:15:28.920
<v Speaker 3>after this.

0:15:47.720 --> 0:15:50.280
<v Speaker 1>All right, so Chuck, So how do we agree on

0:15:50.360 --> 0:15:53.120
<v Speaker 1>his last name? I think I'm butchering it still, and

0:15:53.160 --> 0:15:55.200
<v Speaker 1>I even took years of French in high school.

0:15:55.520 --> 0:15:56.720
<v Speaker 3>I think you said Castle.

0:15:58.320 --> 0:16:03.160
<v Speaker 1>All right, Andre cass Role, that seems that seems wrong.

0:16:03.680 --> 0:16:06.440
<v Speaker 3>Yeah, I'm still gonna go with Caisson.

0:16:08.080 --> 0:16:12.280
<v Speaker 1>Okay, there you go. Andre Caisson. He knew he was

0:16:12.320 --> 0:16:15.160
<v Speaker 1>onto something like this guy was an electrician. He was like,

0:16:15.480 --> 0:16:18.840
<v Speaker 1>this is a great idea, this is a prototype I made,

0:16:18.840 --> 0:16:22.560
<v Speaker 1>this is this is worth something? So he and Cruz

0:16:22.600 --> 0:16:26.520
<v Speaker 1>I guess, funded a trip to the Nuremberg Toy Fair

0:16:28.200 --> 0:16:32.960
<v Speaker 1>in nineteen fifty nine, and it was there that Caisson

0:16:33.240 --> 0:16:36.600
<v Speaker 1>was walking around saying, check this thing out. It is

0:16:36.680 --> 0:16:40.480
<v Speaker 1>yours for a mere one hundred thousand dollars, which at

0:16:40.520 --> 0:16:43.800
<v Speaker 1>the time was a lot of money. One hundred I

0:16:43.800 --> 0:16:46.920
<v Speaker 1>think it was eight hundred and seventy thousand dollars today.

0:16:47.240 --> 0:16:49.360
<v Speaker 1>And that's what this guy wanted for the for the

0:16:49.440 --> 0:16:53.240
<v Speaker 1>right to produce this, and every toy maker at the

0:16:53.280 --> 0:16:57.800
<v Speaker 1>place said no, including a little toy maker called Ohio Art.

0:16:58.320 --> 0:17:01.160
<v Speaker 1>Everybody turned it down, and Casson went home from the

0:17:01.200 --> 0:17:04.560
<v Speaker 1>toy fair empty handed, but he didn't give up. He

0:17:04.680 --> 0:17:08.080
<v Speaker 1>still persisted. But that was a big strikeout for him

0:17:08.119 --> 0:17:08.880
<v Speaker 1>right out of the gate.

0:17:09.800 --> 0:17:13.159
<v Speaker 3>Yeah. So Ohio Art eventually settles on a number of

0:17:13.200 --> 0:17:15.960
<v Speaker 3>twenty five grand for the rights to make this thing

0:17:16.119 --> 0:17:20.560
<v Speaker 3>in the United States. It is still called La cron

0:17:20.680 --> 0:17:24.840
<v Speaker 3>Magique in France because they had a different licensing deal

0:17:24.880 --> 0:17:28.480
<v Speaker 3>over there from the get go, and Ohio Art Company

0:17:28.600 --> 0:17:33.440
<v Speaker 3>is pretty interesting. It started, did you see that thing did? Yeah?

0:17:33.480 --> 0:17:35.959
<v Speaker 3>They started out in nineteen oh eight, founded by a

0:17:36.000 --> 0:17:42.720
<v Speaker 3>man named a dentist named doctor Henry S. Winsler in Archibald, Ohio.

0:17:43.240 --> 0:17:47.840
<v Speaker 3>He gets out of dentistry because he's like, hey, man,

0:17:47.960 --> 0:17:51.040
<v Speaker 3>toys is the future. Toys is the future.

0:17:51.560 --> 0:17:54.359
<v Speaker 1>There's no future in teeth. In a decade, no one

0:17:54.440 --> 0:17:56.520
<v Speaker 1>in America is going to have teeth. It's just a

0:17:56.600 --> 0:17:58.840
<v Speaker 1>losing trade to be in his dentistry.

0:17:59.720 --> 0:18:04.200
<v Speaker 3>Yeah, so he saw the way forward. He rented a

0:18:04.359 --> 0:18:08.760
<v Speaker 3>music hall, hired fifteen women, and they were making metal

0:18:08.800 --> 0:18:12.120
<v Speaker 3>picture frames at first too great great success.

0:18:13.200 --> 0:18:18.160
<v Speaker 1>Yeah. So they use something called the metal lithography, which

0:18:18.200 --> 0:18:22.199
<v Speaker 1>is a type of printing and I think the metal

0:18:22.280 --> 0:18:25.399
<v Speaker 1>refers to like the medium that you're using to print

0:18:25.720 --> 0:18:28.919
<v Speaker 1>with like the like you carve a picture out of

0:18:28.920 --> 0:18:30.600
<v Speaker 1>metal and you put ink on it and then you

0:18:30.640 --> 0:18:34.280
<v Speaker 1>print on whatever you want. But they were printing onto metal,

0:18:34.560 --> 0:18:37.959
<v Speaker 1>like they had like these picture frames and pictures that

0:18:38.000 --> 0:18:41.040
<v Speaker 1>were like a huge cellar of a cupid. It was

0:18:41.080 --> 0:18:43.840
<v Speaker 1>a pair of like oval plates basically, but they were

0:18:43.880 --> 0:18:47.000
<v Speaker 1>metal printed pictures on them of like a cupid hanging

0:18:47.000 --> 0:18:50.800
<v Speaker 1>out and then the same cupid sleeping, and it's just

0:18:50.880 --> 0:18:53.360
<v Speaker 1>kind of like whatever. Like these days, it seems kind

0:18:53.359 --> 0:18:56.520
<v Speaker 1>of it's got a tinge of old timey creepiness. But

0:18:56.600 --> 0:18:59.280
<v Speaker 1>in the first half of the twentieth century, there were

0:18:59.520 --> 0:19:03.880
<v Speaker 1>fifty million sets of those things sold in the United States,

0:19:04.359 --> 0:19:06.960
<v Speaker 1>which is an astounding mouth. It's basically every house in

0:19:07.000 --> 0:19:09.600
<v Speaker 1>America had a pair of this, and that really kind

0:19:09.640 --> 0:19:13.399
<v Speaker 1>of made Ohio art like a very viable business. But

0:19:13.440 --> 0:19:16.960
<v Speaker 1>they eventually got into things like sand pails and little

0:19:17.000 --> 0:19:19.520
<v Speaker 1>trucks and that kind of thing. Anything that was printed

0:19:19.520 --> 0:19:22.040
<v Speaker 1>with metal before the time that plastic toys came along

0:19:22.200 --> 0:19:24.600
<v Speaker 1>they were into So it wasn't a huge leap into

0:19:24.640 --> 0:19:27.040
<v Speaker 1>the edges sketch, but the Edges sketch was definitely different

0:19:27.080 --> 0:19:30.439
<v Speaker 1>than anything that they'd ever kind of messed around with before.

0:19:31.359 --> 0:19:33.600
<v Speaker 3>Did you know I've done metal lithography.

0:19:34.680 --> 0:19:34.760
<v Speaker 2>No?

0:19:36.160 --> 0:19:39.520
<v Speaker 3>Yeah, it was one of our industrial arts. It was,

0:19:39.800 --> 0:19:41.720
<v Speaker 3>you know, in at least at my school, each quarter

0:19:41.800 --> 0:19:46.720
<v Speaker 3>you did a different medium or whatever, and lithography was

0:19:46.720 --> 0:19:47.800
<v Speaker 3>something we did one quarter.

0:19:48.720 --> 0:19:50.000
<v Speaker 1>Do you remember what you printed?

0:19:51.480 --> 0:19:55.240
<v Speaker 3>Uh? I'm trying to remember what I printed. It's funny

0:19:55.280 --> 0:19:57.080
<v Speaker 3>I can remember that because we also at one quarter

0:19:57.240 --> 0:20:00.440
<v Speaker 3>was screen printing, and I remember the T shirt I did

0:20:00.440 --> 0:20:02.680
<v Speaker 3>monkeys T shirts.

0:20:02.800 --> 0:20:05.399
<v Speaker 1>Like the see No Evil, Hear No Evil monkeys.

0:20:05.520 --> 0:20:09.800
<v Speaker 3>No the band the Monkeys. They're they're their logo with

0:20:09.880 --> 0:20:12.040
<v Speaker 3>the guitar spelled out as monkeys.

0:20:13.280 --> 0:20:15.240
<v Speaker 1>Like, Wow, did you draw it yourself?

0:20:15.960 --> 0:20:19.520
<v Speaker 3>No? No, no, of course not. But we did metal

0:20:19.560 --> 0:20:22.800
<v Speaker 3>sheet lithography. I don't remember all of the process, but

0:20:23.760 --> 0:20:28.000
<v Speaker 3>what I do remember was it essentially was like burning

0:20:29.160 --> 0:20:33.280
<v Speaker 3>chemically burning images onto metal plates and then that metal

0:20:33.280 --> 0:20:34.840
<v Speaker 3>plate was used to print.

0:20:36.080 --> 0:20:41.439
<v Speaker 1>Okay, So so the metal in metal lithography does it

0:20:41.560 --> 0:20:44.800
<v Speaker 1>talks about the metal press that you're using to print with.

0:20:45.440 --> 0:20:48.200
<v Speaker 3>Like at the end of There may be different processes,

0:20:48.320 --> 0:20:51.919
<v Speaker 3>but in my class, we would do this thing and

0:20:51.960 --> 0:20:56.199
<v Speaker 3>apply this like image with like this gel onto a

0:20:56.280 --> 0:20:59.320
<v Speaker 3>metal sheet and use this combination of chemicals that would

0:20:59.359 --> 0:21:01.560
<v Speaker 3>burn that in to like make it part of the metal,

0:21:02.080 --> 0:21:03.439
<v Speaker 3>and then all of a sudden you would have a

0:21:03.480 --> 0:21:06.480
<v Speaker 3>metal sheet with a thing on it, like a negative image,

0:21:06.840 --> 0:21:09.520
<v Speaker 3>and then you would use that in the printing process

0:21:09.680 --> 0:21:11.480
<v Speaker 3>to print a positive image.

0:21:11.640 --> 0:21:13.800
<v Speaker 1>Right, and you could print use that to print onto

0:21:13.840 --> 0:21:15.800
<v Speaker 1>anything including other metal. Right.

0:21:16.560 --> 0:21:18.800
<v Speaker 3>Well, hey man, that's where my knowledge and again this

0:21:18.920 --> 0:21:21.119
<v Speaker 3>was ninth grade me, So I've forgotten a lot of

0:21:21.160 --> 0:21:24.720
<v Speaker 3>things over that time period, right, And I'm sure I

0:21:24.800 --> 0:21:27.199
<v Speaker 3>just butchered that. But that's my one little dance with

0:21:27.280 --> 0:21:28.160
<v Speaker 3>metal lithography.

0:21:28.600 --> 0:21:30.320
<v Speaker 1>Well, I'll tell you who would be able to tell

0:21:30.359 --> 0:21:33.800
<v Speaker 1>us exactly how you could how metal lithography works. It's

0:21:33.840 --> 0:21:36.960
<v Speaker 1>anybody who works at Ohio Art, because not only was

0:21:37.000 --> 0:21:39.399
<v Speaker 1>that their bread and butter before the etches sketch, it

0:21:39.600 --> 0:21:44.640
<v Speaker 1>still is today. Actually, so so Ohio Art, like I guess,

0:21:44.680 --> 0:21:49.639
<v Speaker 1>gets in touch with Andre Cassan and either he got

0:21:49.720 --> 0:21:51.200
<v Speaker 1>in touch with them again or they got in touch

0:21:51.200 --> 0:21:53.040
<v Speaker 1>with him. I think it was the ladder of the

0:21:53.080 --> 0:21:55.520
<v Speaker 1>two and said, hey, we heard you're selling this for

0:21:55.520 --> 0:21:57.800
<v Speaker 1>one hundred grand. It's way too rich for our blood.

0:21:58.000 --> 0:22:01.880
<v Speaker 1>How about either fifteen thousand or twenty five thousand, depending

0:22:01.920 --> 0:22:04.679
<v Speaker 1>on who you ask in the future, and Kassan is like,

0:22:04.680 --> 0:22:06.679
<v Speaker 1>what are you talking about. They're like, just take the money,

0:22:07.040 --> 0:22:09.600
<v Speaker 1>and so they either got it for fifteen thousand or

0:22:09.600 --> 0:22:11.879
<v Speaker 1>twenty five thousand, which is still substantial. I mean it

0:22:11.960 --> 0:22:16.159
<v Speaker 1>was like around one hundred k or two hundred k

0:22:16.320 --> 0:22:19.040
<v Speaker 1>something like that, depending on which one it was, and

0:22:19.119 --> 0:22:22.280
<v Speaker 1>Kissan was quite a happy man. There was a story

0:22:22.320 --> 0:22:25.000
<v Speaker 1>where the guy who was running the show at Ohio

0:22:25.160 --> 0:22:28.560
<v Speaker 1>Art and his wife went over to meet Andre Cassan

0:22:28.640 --> 0:22:30.439
<v Speaker 1>and just kind of have like an initial meeting and

0:22:30.480 --> 0:22:32.439
<v Speaker 1>like shake his hand and all that and buy the

0:22:32.640 --> 0:22:35.960
<v Speaker 1>license from him. And Cassan was like welcome and had

0:22:36.000 --> 0:22:39.119
<v Speaker 1>like this huge spread of baguettes and champagne and everything

0:22:39.160 --> 0:22:41.200
<v Speaker 1>at his house, which is pretty cute because it was

0:22:41.240 --> 0:22:43.600
<v Speaker 1>just like this humble guy who came up with a

0:22:43.640 --> 0:22:46.320
<v Speaker 1>really great idea for a toy and was finally like

0:22:46.800 --> 0:22:51.480
<v Speaker 1>selling it for a wad of cash. Interesting lot of

0:22:51.480 --> 0:22:54.800
<v Speaker 1>those what the bagets and champagne.

0:22:54.880 --> 0:22:56.199
<v Speaker 3>Yeah, but you know, what are you gonna do?

0:22:56.800 --> 0:22:59.760
<v Speaker 1>Wait went in France, right, so he.

0:22:59.840 --> 0:23:03.320
<v Speaker 3>Is Once he's on board with Ohio Art, he gets

0:23:03.320 --> 0:23:07.520
<v Speaker 3>together with their chief engineer, Jerry Berger and says, and

0:23:07.600 --> 0:23:11.800
<v Speaker 3>Burger's like, listen here, frenchie, you need to drop the joystick.

0:23:11.840 --> 0:23:15.760
<v Speaker 3>It's all knobs these days. And he said, what is

0:23:15.840 --> 0:23:18.320
<v Speaker 3>that knob? And he was like, well, let me show you,

0:23:18.840 --> 0:23:23.040
<v Speaker 3>and he introduced the idea of the same system like

0:23:23.080 --> 0:23:25.720
<v Speaker 3>you were talking about, but knobs instead of a joystick

0:23:25.840 --> 0:23:30.520
<v Speaker 3>to move that little line horizontal or vertical or as

0:23:30.520 --> 0:23:32.880
<v Speaker 3>you pointed out, if you're really talented and you can

0:23:32.920 --> 0:23:36.720
<v Speaker 3>master both at once, you can actually do root it. Well,

0:23:36.760 --> 0:23:40.159
<v Speaker 3>if you're really good, you can do very nice curve lines.

0:23:40.640 --> 0:23:44.400
<v Speaker 1>But yeah, beyond no, neither am I I can make

0:23:44.760 --> 0:23:46.960
<v Speaker 1>a line go up, in a line go to the

0:23:47.040 --> 0:23:47.680
<v Speaker 1>left or right.

0:23:47.880 --> 0:23:48.639
<v Speaker 3>Yeah, well we'll get to.

0:23:48.640 --> 0:23:49.960
<v Speaker 1>You can't even make it go down.

0:23:50.600 --> 0:23:54.000
<v Speaker 3>We'll get to the art of it maybe at the end,

0:23:54.080 --> 0:23:56.840
<v Speaker 3>but because there are some serious artists out there doing

0:23:56.920 --> 0:23:59.920
<v Speaker 3>some cool stuff, but at any rate, it just skeet.

0:24:00.240 --> 0:24:03.040
<v Speaker 3>It was rebranded as Etches Sketch in the United States,

0:24:03.520 --> 0:24:07.280
<v Speaker 3>Ohio Arts producing them for the nineteen sixty holiday season

0:24:07.800 --> 0:24:13.160
<v Speaker 3>and they sold about six hundred thousand of these that year,

0:24:13.280 --> 0:24:15.240
<v Speaker 3>which is a it's a lot.

0:24:15.840 --> 0:24:17.800
<v Speaker 1>Yeah, and they sold it for a lot of money too.

0:24:17.840 --> 0:24:21.320
<v Speaker 1>They went for sale at two dollars and ninety nine

0:24:21.359 --> 0:24:25.639
<v Speaker 1>cents apiece, which is twenty five sixty four in today's money.

0:24:27.440 --> 0:24:28.920
<v Speaker 1>But I mean, if you go buy an that's just

0:24:28.920 --> 0:24:31.320
<v Speaker 1>sketch today, it's between ten and fifteen bucks. So that

0:24:31.440 --> 0:24:33.600
<v Speaker 1>was a lot of money, especially to sell six hundred

0:24:33.640 --> 0:24:36.560
<v Speaker 1>thousand of these things, especially if you were selling like

0:24:36.680 --> 0:24:41.560
<v Speaker 1>creepy you know, metal waste baskets with an unsettling clown

0:24:41.640 --> 0:24:44.760
<v Speaker 1>painted on it or printed on it, like right before this.

0:24:44.760 --> 0:24:47.440
<v Speaker 1>This is a huge It was a good move by

0:24:47.480 --> 0:24:49.680
<v Speaker 1>the people at Ohio Art to buy the license to

0:24:49.720 --> 0:24:52.040
<v Speaker 1>this thing. In other words, and they say, chok that

0:24:52.680 --> 0:24:57.280
<v Speaker 1>it coincided really perfectly with television, so much so that

0:24:57.640 --> 0:24:59.439
<v Speaker 1>they believe like that is one of the reasons why

0:24:59.520 --> 0:25:01.639
<v Speaker 1>Jerry Burger it was like, you need knobs. This thing

0:25:01.760 --> 0:25:04.320
<v Speaker 1>needs to look like a TV set, because that's what's

0:25:04.359 --> 0:25:06.040
<v Speaker 1>all the rage with the kids right now.

0:25:06.600 --> 0:25:10.080
<v Speaker 3>Yeah, and he it was one of the first toys

0:25:10.440 --> 0:25:13.960
<v Speaker 3>to actually do a TV commercial. And so if it's

0:25:14.080 --> 0:25:18.760
<v Speaker 3>nineteen sixty and you're a child watching, first of all,

0:25:18.760 --> 0:25:20.840
<v Speaker 3>your mind is blown because you're watching in television to

0:25:20.840 --> 0:25:21.320
<v Speaker 3>begin with.

0:25:22.240 --> 0:25:24.240
<v Speaker 1>It's just like, you know, I can't believe this I

0:25:24.280 --> 0:25:25.960
<v Speaker 1>can't believe what's going on right now.

0:25:26.240 --> 0:25:30.720
<v Speaker 3>Then a TV commercial comes on for a toy, and

0:25:30.880 --> 0:25:33.240
<v Speaker 3>this toy has animation in it to where like they

0:25:33.280 --> 0:25:35.719
<v Speaker 3>would etch a sketch a little rocket ship and then

0:25:35.720 --> 0:25:38.800
<v Speaker 3>that rock that rocket ship would animate and take off.

0:25:39.240 --> 0:25:41.840
<v Speaker 3>And this was like these kids might have I mean,

0:25:42.000 --> 0:25:45.040
<v Speaker 3>keep in mind, kids in nineteen sixty were idiots, but

0:25:45.200 --> 0:25:47.560
<v Speaker 3>they might as well have been dosed with LSD.

0:25:49.000 --> 0:25:52.120
<v Speaker 1>You know, they just kept fainting over and over again

0:25:52.119 --> 0:25:54.560
<v Speaker 1>throughout the commercial because they could not believe what they

0:25:54.560 --> 0:25:58.360
<v Speaker 1>were seeing. And it's just an etch a sketch, you know.

0:26:01.840 --> 0:26:06.400
<v Speaker 3>Yeah, but it's genius. I love it, it.

0:26:04.440 --> 0:26:07.640
<v Speaker 1>Is, but it really I think the point was though,

0:26:07.640 --> 0:26:12.879
<v Speaker 1>the like taking advantage of the novelty of TV and

0:26:13.000 --> 0:26:16.320
<v Speaker 1>also now having away like if you we just tried

0:26:16.320 --> 0:26:19.600
<v Speaker 1>to explain an etch just sketch over a podcast prior

0:26:19.600 --> 0:26:21.639
<v Speaker 1>to TV, if that just sketched you come out during

0:26:21.680 --> 0:26:24.560
<v Speaker 1>like the Little Orphan air in the radio era, they

0:26:24.560 --> 0:26:26.200
<v Speaker 1>would have had to have done the same thing. It

0:26:26.200 --> 0:26:28.919
<v Speaker 1>wouldn't have landed quite as well. The fact that a

0:26:29.040 --> 0:26:32.119
<v Speaker 1>kid could see this happening on their TV screen was

0:26:32.119 --> 0:26:34.600
<v Speaker 1>pretty awesome. And then also to say and then you

0:26:34.680 --> 0:26:36.600
<v Speaker 1>just shake it, turn it upside down and shake it

0:26:36.880 --> 0:26:41.399
<v Speaker 1>and coat the glass screen again, and your drawing is

0:26:41.480 --> 0:26:44.800
<v Speaker 1>gone forever. Like to be able to see that TV

0:26:45.080 --> 0:26:48.040
<v Speaker 1>made the Etches sketch what it was like for sure.

0:26:48.119 --> 0:26:52.000
<v Speaker 1>It definitely ushered it into a position where it could

0:26:52.040 --> 0:26:55.960
<v Speaker 1>become like a cultural icon of a nostalgia.

0:26:56.600 --> 0:26:58.439
<v Speaker 3>Yeah. I mean, you know, they perfected it by the

0:26:58.480 --> 0:27:01.440
<v Speaker 3>time they started rolling off in nineteen sixty. Prior to that,

0:27:01.960 --> 0:27:03.439
<v Speaker 3>like any product like this, so it was a lot

0:27:03.480 --> 0:27:05.760
<v Speaker 3>of R and D. One of the people who worked

0:27:05.760 --> 0:27:08.080
<v Speaker 3>there talked about the mountain of red frames behind the

0:27:08.119 --> 0:27:11.360
<v Speaker 3>factory while they were trying to get it right, and

0:27:11.440 --> 0:27:13.080
<v Speaker 3>it was such a huge smash hit out of the

0:27:13.119 --> 0:27:17.240
<v Speaker 3>gate that, as legend has it, they were manufacturing up

0:27:17.400 --> 0:27:20.800
<v Speaker 3>until noon on Christmas Eve just to get them to

0:27:20.880 --> 0:27:23.240
<v Speaker 3>the West Coast in time for Christmas morning.

0:27:23.520 --> 0:27:27.200
<v Speaker 1>Yeah, that's pretty that's pretty cool. I mean, they really

0:27:27.200 --> 0:27:29.480
<v Speaker 1>wanted those kids to have those thatch just ketches. They

0:27:29.520 --> 0:27:30.919
<v Speaker 1>really wanted that money.

0:27:31.880 --> 0:27:34.400
<v Speaker 3>Should we take another break, Yeah, all right, we'll talk

0:27:34.400 --> 0:27:38.159
<v Speaker 3>about some ways Etches Sketches ebbed and flowed in popularity

0:27:38.200 --> 0:27:39.480
<v Speaker 3>and pop culture over the years.

0:27:39.720 --> 0:28:00.680
<v Speaker 1>Right for this, Chuck, I don't know if we said

0:28:00.680 --> 0:28:03.680
<v Speaker 1>it or not. But from what I've seen, more than

0:28:03.680 --> 0:28:08.040
<v Speaker 1>one hundred and seventy five million Etches sketches have been

0:28:08.160 --> 0:28:10.880
<v Speaker 1>sold since nineteen sixty.

0:28:11.200 --> 0:28:12.960
<v Speaker 3>And we should point out we're not just like ticking

0:28:12.960 --> 0:28:15.520
<v Speaker 3>off a list of pop culture references. Right, Like, every

0:28:15.520 --> 0:28:19.600
<v Speaker 3>time this happened, etch A Sketch sales would go up.

0:28:20.080 --> 0:28:23.680
<v Speaker 1>Yeah, like the Mitt Romney one increased sales like thirty percent.

0:28:24.520 --> 0:28:26.560
<v Speaker 1>I guess everybody was like, Oh, I just sketch, I

0:28:26.600 --> 0:28:28.960
<v Speaker 1>forgot about that. I think I'll go buy one right now.

0:28:29.520 --> 0:28:34.359
<v Speaker 3>Well, they actually branded after that Republican and Democrat Etches Sketches, though,

0:28:34.359 --> 0:28:34.760
<v Speaker 3>didn't they.

0:28:35.040 --> 0:28:36.800
<v Speaker 1>Yeah, so you could buy a red one or a

0:28:36.840 --> 0:28:38.960
<v Speaker 1>blue one, but both of them came with a sticker

0:28:39.320 --> 0:28:42.440
<v Speaker 1>which I'm assuming that they printed on their metal lithography

0:28:42.520 --> 0:28:46.160
<v Speaker 1>presses of a donkey and an elephant, like playing Tugo

0:28:46.240 --> 0:28:48.520
<v Speaker 1>war on the front of the White House lawn. Yeah,

0:28:48.600 --> 0:28:51.680
<v Speaker 1>that's just crazy, it is, but it's also that's smart,

0:28:51.760 --> 0:28:54.520
<v Speaker 1>you know, that's how you make the money.

0:28:56.320 --> 0:28:58.240
<v Speaker 3>And then, of course, in the movie Toy Story from

0:28:58.280 --> 0:29:03.360
<v Speaker 3>Pixar was one of the character's name was Etch and

0:29:03.400 --> 0:29:06.479
<v Speaker 3>had the fastest knobs in the West. Yeah, and that

0:29:06.600 --> 0:29:09.640
<v Speaker 3>was that was always a very fun character, I think,

0:29:09.640 --> 0:29:12.080
<v Speaker 3>to see him drawing things out really fast to communicate.

0:29:12.240 --> 0:29:14.719
<v Speaker 1>Yeah, and you know, you said something earlier, you were

0:29:14.760 --> 0:29:17.280
<v Speaker 1>talking about how like, despite the fact that it doesn't

0:29:17.280 --> 0:29:21.560
<v Speaker 1>even have batteries, it's had the staying power for you know,

0:29:21.680 --> 0:29:26.239
<v Speaker 1>fifty something years, almost sixty years, it's been around, and

0:29:26.280 --> 0:29:29.560
<v Speaker 1>it's a really simple thing that the design hasn't changed.

0:29:29.960 --> 0:29:33.080
<v Speaker 1>And I think even more of a testimony to, you know,

0:29:33.200 --> 0:29:36.720
<v Speaker 1>the staying power of the Etches sketch is the fact

0:29:36.760 --> 0:29:40.640
<v Speaker 1>that they have tried stuff with batteries and like things

0:29:40.640 --> 0:29:43.400
<v Speaker 1>that connect to your computer over the years, and nothing

0:29:43.440 --> 0:29:47.600
<v Speaker 1>has managed to improve on the original Etches sketch. Like

0:29:47.640 --> 0:29:52.160
<v Speaker 1>there was you remember the Etches Sketch animator. No, so

0:29:52.280 --> 0:29:55.240
<v Speaker 1>I couldn't quite place it either. By went and watched

0:29:55.240 --> 0:29:57.520
<v Speaker 1>an old ad. It was big in the eighties and

0:29:57.600 --> 0:30:00.680
<v Speaker 1>it was basically like an etch of sketch, but there

0:30:00.760 --> 0:30:04.240
<v Speaker 1>was nothing mechanical about it. It was digital. You're creating

0:30:04.280 --> 0:30:09.240
<v Speaker 1>like a bitmap, digital picture, and then you'd press like

0:30:09.280 --> 0:30:11.080
<v Speaker 1>I guess play or something like that, and it would

0:30:11.160 --> 0:30:14.320
<v Speaker 1>just kind of run it like a flip book over

0:30:14.360 --> 0:30:17.280
<v Speaker 1>and over again. So your it just sketch drawing like

0:30:17.400 --> 0:30:20.240
<v Speaker 1>came to life. But kids were like, I'd rather have

0:30:20.280 --> 0:30:23.440
<v Speaker 1>the original Etches Sketch because the Sketch animator went away

0:30:23.640 --> 0:30:26.800
<v Speaker 1>and the Etches Sketch is still available today.

0:30:26.960 --> 0:30:30.000
<v Speaker 3>Yeah, I mean there have been other variations. They had

0:30:30.040 --> 0:30:35.560
<v Speaker 3>the Doodle Sketch, the plug and Play, which this sounds

0:30:35.560 --> 0:30:37.440
<v Speaker 3>like a bad idea plug and Play allows you to

0:30:37.520 --> 0:30:40.640
<v Speaker 3>draw on the TV screen. That's just asking for trouble

0:30:40.720 --> 0:30:45.720
<v Speaker 3>as a parent, sure, and then the mobile app, which

0:30:45.760 --> 0:30:46.880
<v Speaker 3>I've been playing with today.

0:30:46.920 --> 0:30:48.640
<v Speaker 1>Oh, how's it going well?

0:30:48.720 --> 0:30:50.320
<v Speaker 3>I mean, what do you think of this picture?

0:30:50.560 --> 0:30:53.680
<v Speaker 1>Oh, it's not bad. It looks kind of edges sketchy,

0:30:53.800 --> 0:30:54.000
<v Speaker 1>you know.

0:30:54.560 --> 0:30:56.360
<v Speaker 3>Yeah, So what you can do is it's kind of fun.

0:30:56.840 --> 0:30:59.800
<v Speaker 3>You can you can upload or take a photo on

0:30:59.880 --> 0:31:03.200
<v Speaker 3>your smartphone, plug it into the app, and then it

0:31:03.240 --> 0:31:06.880
<v Speaker 3>will instantly etchify it. And what I've learned is that

0:31:06.960 --> 0:31:11.080
<v Speaker 3>it's the more basic, like a picture of your face,

0:31:11.560 --> 0:31:13.640
<v Speaker 3>works much better than something with a lot of stuff

0:31:13.680 --> 0:31:17.880
<v Speaker 3>in the background. But it's fun, right, Yeah, you know,

0:31:18.240 --> 0:31:18.760
<v Speaker 3>I like it.

0:31:18.920 --> 0:31:21.440
<v Speaker 1>I was reading reviews of the app. I didn't try

0:31:21.480 --> 0:31:25.280
<v Speaker 1>it myself, like you, but it's it did say like,

0:31:25.360 --> 0:31:28.000
<v Speaker 1>if it's a basic picture, you'll look way more etches sketchy.

0:31:28.480 --> 0:31:31.040
<v Speaker 3>Yeah, so my official review is not bad.

0:31:31.080 --> 0:31:32.640
<v Speaker 1>So three stars out of six.

0:31:33.440 --> 0:31:35.959
<v Speaker 3>Sure. I mean for something that downloaded in thirty seconds

0:31:35.960 --> 0:31:38.880
<v Speaker 3>and was free, I'm gonna give it a half a

0:31:38.880 --> 0:31:39.280
<v Speaker 3>thumb up.

0:31:40.960 --> 0:31:45.200
<v Speaker 1>So one of the things that has kind of kept

0:31:45.240 --> 0:31:48.840
<v Speaker 1>etches sketch alive for like the younger kids. If I

0:31:48.880 --> 0:31:52.840
<v Speaker 1>read this article about etch a sketch, and it was

0:31:53.000 --> 0:31:55.400
<v Speaker 1>right before they sold, so a lot of people don't

0:31:55.440 --> 0:31:58.000
<v Speaker 1>know ohio Art doesn't make echa sketch anymore. They sold

0:31:58.000 --> 0:32:01.320
<v Speaker 1>it to a brand called spin Master, and I didn't know.

0:32:01.400 --> 0:32:01.920
<v Speaker 3>I didn't see that.

0:32:02.000 --> 0:32:04.400
<v Speaker 1>Yeah, it's not it's not ohio Art. Ohio ar it

0:32:04.440 --> 0:32:06.640
<v Speaker 1>said we're going back to metal lithography, and that's what

0:32:06.680 --> 0:32:08.840
<v Speaker 1>they did. So they sold that just sketch off to

0:32:09.040 --> 0:32:12.360
<v Speaker 1>spin Master. Spin Masters like, that's fine with us, baby,

0:32:12.400 --> 0:32:16.080
<v Speaker 1>thanks for all these licenses. I mean that just sketch,

0:32:16.080 --> 0:32:19.280
<v Speaker 1>a frozen braided that just sketches. It might as well

0:32:19.360 --> 0:32:22.560
<v Speaker 1>just be like a printing press for money, right. Yeah,

0:32:22.600 --> 0:32:24.280
<v Speaker 1>so it was probably a pretty good bye for spin

0:32:24.360 --> 0:32:26.920
<v Speaker 1>Master and ohio Art was like this thing is It

0:32:27.000 --> 0:32:29.240
<v Speaker 1>was great. It was a good run. While it lasted,

0:32:29.280 --> 0:32:31.680
<v Speaker 1>but they also had to oversee it through some really

0:32:31.760 --> 0:32:37.959
<v Speaker 1>dark times because well, for one, thing like that just sketch,

0:32:38.720 --> 0:32:41.840
<v Speaker 1>is it landing with the millennials, I get the impression

0:32:41.920 --> 0:32:45.560
<v Speaker 1>like it used to with the baby boomers. That was

0:32:45.600 --> 0:32:49.680
<v Speaker 1>one thing, and Ohio Art also almost went bankrupt because

0:32:49.720 --> 0:32:51.520
<v Speaker 1>of it back in like two thousand and one. They

0:32:51.600 --> 0:32:53.920
<v Speaker 1>managed to get some more money back into the business

0:32:53.960 --> 0:32:56.880
<v Speaker 1>and stay afloat. But part of that also was they

0:32:56.920 --> 0:33:00.440
<v Speaker 1>had to send the manufacturing of that just got off

0:33:00.480 --> 0:33:03.120
<v Speaker 1>to China, which they were really unhappy about because they

0:33:03.120 --> 0:33:06.200
<v Speaker 1>lost like thirty five jobs in tiny little Brian, Ohio.

0:33:06.560 --> 0:33:09.200
<v Speaker 1>But eventually, like fifteen years later, they said, you know

0:33:09.280 --> 0:33:11.680
<v Speaker 1>what we're getting out the etch of sketch business and

0:33:11.720 --> 0:33:13.360
<v Speaker 1>sold it off to spin Master.

0:33:14.840 --> 0:33:15.800
<v Speaker 3>Which is a weird name.

0:33:15.920 --> 0:33:17.680
<v Speaker 1>But the but then, one of the things, it's a

0:33:17.720 --> 0:33:20.320
<v Speaker 1>little weird, Ohio Art's a little weird too. You don't

0:33:20.360 --> 0:33:22.360
<v Speaker 1>associate Ohio with art, you.

0:33:22.320 --> 0:33:25.000
<v Speaker 3>Know, Oh, oh, you just don't.

0:33:25.400 --> 0:33:26.200
<v Speaker 1>I'll say it again.

0:33:26.600 --> 0:33:28.640
<v Speaker 3>Tell that to Chrissy hind the Blacks.

0:33:28.720 --> 0:33:32.080
<v Speaker 1>No, Christy, heind gets what I'm saying for sure. So

0:33:32.640 --> 0:33:34.840
<v Speaker 1>the thing, one of the things that is keeping Eucher

0:33:34.880 --> 0:33:37.479
<v Speaker 1>sketch relevant. The reason why, like if you walk up

0:33:37.520 --> 0:33:39.760
<v Speaker 1>to like a seventeen year old and say what do

0:33:39.760 --> 0:33:41.600
<v Speaker 1>you think about that just sketch, they say, oh, yeah,

0:33:41.600 --> 0:33:43.800
<v Speaker 1>I've heard of that. Because every once in a while

0:33:43.880 --> 0:33:48.800
<v Speaker 1>you'll see on the internets a photo or two of

0:33:49.080 --> 0:33:52.160
<v Speaker 1>somebody who is really really good at etcha sketch, and

0:33:52.200 --> 0:33:54.560
<v Speaker 1>it just kind of makes the rounds on social media.

0:33:55.200 --> 0:33:57.960
<v Speaker 3>Yeah. I mean everything from like the Mona Lisa to

0:33:58.120 --> 0:34:01.920
<v Speaker 3>just like portraits of people to land escapes. What's really

0:34:01.920 --> 0:34:03.560
<v Speaker 3>fun is you can go on YouTube and look at

0:34:03.560 --> 0:34:08.040
<v Speaker 3>time laps renderings at just sketch renderings, which when you're

0:34:08.040 --> 0:34:11.840
<v Speaker 3>seeing it done super fast like that, you kind of

0:34:11.840 --> 0:34:14.719
<v Speaker 3>think like, I feel like I could do that. But

0:34:14.800 --> 0:34:18.000
<v Speaker 3>you really have to be a master with those knobs.

0:34:18.040 --> 0:34:20.839
<v Speaker 3>Like what I found is the thing you really need

0:34:20.880 --> 0:34:24.080
<v Speaker 3>to master to do everything that you want to do

0:34:24.400 --> 0:34:28.720
<v Speaker 3>is being able to retrace well, because, as everyone knows,

0:34:29.000 --> 0:34:30.840
<v Speaker 3>it's not like a pencil. You can't pick it up

0:34:30.840 --> 0:34:33.840
<v Speaker 3>off the paper and start somewhere else. You have to

0:34:34.080 --> 0:34:35.799
<v Speaker 3>if you want to go somewhere else, you have to

0:34:35.840 --> 0:34:38.919
<v Speaker 3>retrace as closely to that original line as you can,

0:34:39.040 --> 0:34:40.680
<v Speaker 3>all the way back to that point that you want

0:34:40.680 --> 0:34:42.680
<v Speaker 3>to be at or else it's just going to look

0:34:42.719 --> 0:34:46.480
<v Speaker 3>like something that I did, which looks like something a

0:34:46.560 --> 0:34:47.120
<v Speaker 3>toddler did.

0:34:47.239 --> 0:34:49.120
<v Speaker 1>Yeah, And I mean, like that's a really good point

0:34:49.160 --> 0:34:51.680
<v Speaker 1>when you're making a good at just catch drawing is

0:34:51.719 --> 0:34:56.040
<v Speaker 1>all one single line, so frequently double back over and

0:34:56.040 --> 0:34:59.000
<v Speaker 1>that just sketch artists will use like that frame. They'll

0:34:59.000 --> 0:35:01.480
<v Speaker 1>create a line frame around the edges that they can

0:35:01.560 --> 0:35:04.200
<v Speaker 1>travel back out to and move around the picture like that.

0:35:04.800 --> 0:35:05.440
<v Speaker 3>Pretty brilliant.

0:35:05.520 --> 0:35:09.520
<v Speaker 1>Yeah, there's a guy named George Vlasitch the third who's

0:35:09.520 --> 0:35:13.440
<v Speaker 1>known for some pretty amazing portraits of Muhammad Ali, Barack

0:35:13.440 --> 0:35:18.000
<v Speaker 1>Obama or Bron James. There's an artist named Jane Labowitch

0:35:18.600 --> 0:35:22.600
<v Speaker 1>or Labovich maybe she calls herself Princess etcha sketch. She's

0:35:22.600 --> 0:35:26.160
<v Speaker 1>done some amazing like architectural detail with it. And then

0:35:26.160 --> 0:35:30.000
<v Speaker 1>there's a guy named Ryan Burton who does erotic Simpson's art.

0:35:30.360 --> 0:35:32.719
<v Speaker 1>There you go with the eedches sketch and all three

0:35:32.760 --> 0:35:36.640
<v Speaker 1>of them are like really good at the ches sketch drawings.

0:35:36.960 --> 0:35:41.600
<v Speaker 3>Yeah, the fanfic of etches sketch or artists interesting.

0:35:41.640 --> 0:35:44.319
<v Speaker 1>And then apparently if you when you're very satisfied with

0:35:44.360 --> 0:35:46.680
<v Speaker 1>your etches sketch and you don't want anything to happen

0:35:46.719 --> 0:35:48.680
<v Speaker 1>to it. You drill a hole in the back and

0:35:48.760 --> 0:35:52.080
<v Speaker 1>get the aluminum powder out, and then you lock the

0:35:52.160 --> 0:35:55.200
<v Speaker 1>knobs to keep them from being turned. Then you have

0:35:55.239 --> 0:35:58.000
<v Speaker 1>an etcha sketch masterpiece that you can hang in a museum.

0:35:58.400 --> 0:36:01.040
<v Speaker 3>Oh so that makes it permanent. Yeah, so when the

0:36:01.080 --> 0:36:03.160
<v Speaker 3>little uh so, when a kid comes to the museum

0:36:03.160 --> 0:36:05.040
<v Speaker 3>and rips it off the wall and shakes it, nothing happens.

0:36:05.400 --> 0:36:08.040
<v Speaker 1>No, no, And I think by law you're allowed to

0:36:08.080 --> 0:36:09.520
<v Speaker 1>pick up that kid and shake it.

0:36:10.000 --> 0:36:12.120
<v Speaker 3>Yes, I think so, as long as it's not a baby.

0:36:12.160 --> 0:36:15.200
<v Speaker 1>Don't check right, you know, never shake a baby. Come on, yeah,

0:36:15.280 --> 0:36:17.719
<v Speaker 1>I would never advocate shaking a baby. Everybody just want

0:36:17.760 --> 0:36:19.520
<v Speaker 1>to go on record as say that.

0:36:19.600 --> 0:36:23.200
<v Speaker 3>There was you know, the comedian Nate Bargatzi. No, he

0:36:23.280 --> 0:36:25.279
<v Speaker 3>has a he's great. He's got a very funny bit

0:36:25.320 --> 0:36:26.400
<v Speaker 3>about shaking babies.

0:36:26.400 --> 0:36:28.080
<v Speaker 1>Oh yeah, believe.

0:36:27.840 --> 0:36:28.200
<v Speaker 3>It or not.

0:36:28.280 --> 0:36:30.840
<v Speaker 1>It takes a lot to turn that into something funny.

0:36:31.120 --> 0:36:32.879
<v Speaker 3>Yeah, he did it. Man, good for him.

0:36:33.120 --> 0:36:35.400
<v Speaker 1>Nate Nate Bergotzi, huh.

0:36:35.040 --> 0:36:36.919
<v Speaker 3>Nate Bergazzi, dude, you would love him. He's great.

0:36:36.920 --> 0:36:39.799
<v Speaker 1>So Nate Pergotti just became a cultural icon because we

0:36:39.880 --> 0:36:42.040
<v Speaker 1>did not see him coming up in this episode.

0:36:42.320 --> 0:36:42.799
<v Speaker 3>That's right.

0:36:43.400 --> 0:36:45.680
<v Speaker 1>Uh, well, if you want to know more about Nate Bergatzi,

0:36:45.719 --> 0:36:47.400
<v Speaker 1>you should go check him out on the internet like

0:36:47.480 --> 0:36:51.120
<v Speaker 1>I'm going to. And uh, since I said Nate Bergatzi,

0:36:51.160 --> 0:36:53.600
<v Speaker 1>it's time for listener mail.

0:36:54.520 --> 0:36:58.960
<v Speaker 3>Man. If someone tells Nate, we're plugging him, plugging away,

0:36:59.400 --> 0:37:02.640
<v Speaker 3>plugging Nate. All right here, I'm gonna mention this is

0:37:02.680 --> 0:37:05.960
<v Speaker 3>about Jerry and her eating, and this is from Kim Cooper.

0:37:06.000 --> 0:37:06.920
<v Speaker 1>Did you see this Jerry?

0:37:07.160 --> 0:37:09.560
<v Speaker 3>She says, no. Hey, guys, I notice that you often

0:37:09.600 --> 0:37:12.760
<v Speaker 3>mentioned what Jerry is eating a lot during the podcast.

0:37:13.120 --> 0:37:15.880
<v Speaker 3>I don't know how close to you, how close she

0:37:15.960 --> 0:37:18.640
<v Speaker 3>is to your microphones. I'll go ahead and say that

0:37:18.719 --> 0:37:22.040
<v Speaker 3>from your side over there, she's about five feet Like.

0:37:22.080 --> 0:37:23.600
<v Speaker 1>All I have to do is lean in my seat

0:37:23.600 --> 0:37:26.160
<v Speaker 1>a little bit and I can touch Jerry's miso soup.

0:37:26.640 --> 0:37:29.520
<v Speaker 3>That's right. You could dip your thumb in her suit sometimes,

0:37:29.560 --> 0:37:32.640
<v Speaker 3>I threatened to I don't know how close she is

0:37:32.680 --> 0:37:35.799
<v Speaker 3>to your microphones, but I never hear her eating, which

0:37:35.840 --> 0:37:39.080
<v Speaker 3>is good for your fans with misoponia. But I'm curious

0:37:39.120 --> 0:37:44.080
<v Speaker 3>why she chooses this time to eat do you guys

0:37:44.120 --> 0:37:46.040
<v Speaker 3>spend all day podcasting and that's the only time she

0:37:46.080 --> 0:37:46.680
<v Speaker 3>can fit it in.

0:37:46.880 --> 0:37:49.040
<v Speaker 1>No, No, silly.

0:37:48.800 --> 0:37:51.200
<v Speaker 3>Question that popped into my head listening to this Week

0:37:51.719 --> 0:37:54.120
<v Speaker 3>this week after Josh said, and there's Jerry eating god

0:37:54.200 --> 0:37:59.319
<v Speaker 3>knows what. Anyway, guys, she's got me interested in trying me.

0:37:59.400 --> 0:38:01.839
<v Speaker 3>So I tell her she's doing a great job because

0:38:01.840 --> 0:38:04.279
<v Speaker 3>I don't know, because I know she doesn't get too

0:38:04.320 --> 0:38:07.080
<v Speaker 3>many shout outs. And Josh and Chuck, you guys are

0:38:07.080 --> 0:38:09.280
<v Speaker 3>pretty great too. That is from Kim Cooper.

0:38:09.400 --> 0:38:12.040
<v Speaker 1>Thanks Kim, that's funny. She went all the way around

0:38:12.200 --> 0:38:13.960
<v Speaker 1>just basically say I guess what I'm trying to say

0:38:14.000 --> 0:38:15.440
<v Speaker 1>is I've always wanted to try miso.

0:38:16.120 --> 0:38:16.839
<v Speaker 3>Yeah, pretty much.

0:38:16.840 --> 0:38:18.560
<v Speaker 1>Well go try some meso, Kim. I mean you can

0:38:18.600 --> 0:38:21.600
<v Speaker 1>buy it at like any grocery store. Just go get

0:38:21.640 --> 0:38:24.319
<v Speaker 1>a tub of it, get a big old spoon, try

0:38:24.320 --> 0:38:28.239
<v Speaker 1>your first spoonful and go from there. Do you ever

0:38:28.280 --> 0:38:32.560
<v Speaker 1>eat just miso paste? No, it's good if you're craving

0:38:32.600 --> 0:38:36.200
<v Speaker 1>something salty and savory and dow Mommy, let's just say

0:38:37.200 --> 0:38:39.359
<v Speaker 1>it's good, but you can't you can't eat very much

0:38:39.360 --> 0:38:42.040
<v Speaker 1>of it. I'm just teasing Kim like a spoonful is

0:38:42.080 --> 0:38:43.600
<v Speaker 1>a lot of miso paste?

0:38:44.000 --> 0:38:46.120
<v Speaker 3>Okay, what do you just add that to? Is it

0:38:46.160 --> 0:38:48.719
<v Speaker 3>an ingredient? Yeah, for like soups, sou.

0:38:48.719 --> 0:38:51.319
<v Speaker 1>Stuff like that. Yeah, but you can just eat the paste,

0:38:51.520 --> 0:38:54.839
<v Speaker 1>okay and live to tell about it. I'm proof. Well,

0:38:54.840 --> 0:38:56.200
<v Speaker 1>if you want to get in touch with us to

0:38:56.280 --> 0:38:59.800
<v Speaker 1>talk about Jerry, we're always fine with that. You can

0:39:00.120 --> 0:39:03.120
<v Speaker 1>go to Stuff you Should Know dot com, find out

0:39:03.160 --> 0:39:05.359
<v Speaker 1>all of our social links, and you can always send

0:39:05.400 --> 0:39:08.320
<v Speaker 1>us an email. Attention everybody. We have a new email

0:39:08.400 --> 0:39:12.680
<v Speaker 1>address is wowie Wow wow Wow. It is Stuff Podcast

0:39:13.200 --> 0:39:16.680
<v Speaker 1>at iheartpodcast Network dot com.

0:39:16.719 --> 0:39:17.239
<v Speaker 3>How about that.

0:39:22.200 --> 0:39:24.719
<v Speaker 2>For more on this and thousands of other topics, visit

0:39:24.800 --> 0:39:36.200
<v Speaker 2>HowStuffWorks dot com.