1 00:00:00,160 --> 00:00:03,480 Speaker 1: Hello the Internet, and welcome to this episode of the 2 00:00:03,560 --> 00:00:07,880 Speaker 1: Weekly Zeitgeist. Uh. These are some of our favorite segments 3 00:00:08,119 --> 00:00:14,880 Speaker 1: from this week, all edited together into one NonStop infotainment 4 00:00:16,079 --> 00:00:22,440 Speaker 1: laugh stravaganza. Uh yeah, So, without further ado, here is 5 00:00:22,680 --> 00:00:26,560 Speaker 1: the Weekly Zeitgeist. All right, guys, let's talk about Little 6 00:00:26,560 --> 00:00:30,680 Speaker 1: Te speaking of myths. You know remember Little te legends? 7 00:00:31,040 --> 00:00:34,040 Speaker 1: Do you remember rise to fame? Vaguely? Okay, So for 8 00:00:34,080 --> 00:00:36,880 Speaker 1: people who don't remember Little Te, she was a young 9 00:00:37,960 --> 00:00:41,320 Speaker 1: Asian girl who was talking like she was from the 10 00:00:41,320 --> 00:00:44,280 Speaker 1: hood and was always popping up with wol VICKI un know. 11 00:00:44,479 --> 00:00:46,839 Speaker 1: She was that way girl. Who do you know? I'm black? Yes, 12 00:00:46,960 --> 00:00:50,200 Speaker 1: So it don't matter how you know that wild segment 13 00:00:50,240 --> 00:00:53,519 Speaker 1: of Instagram up as a refresher. You may recognize this 14 00:00:53,760 --> 00:00:57,800 Speaker 1: voice of Little Te you're bawling into. I g I 15 00:00:57,880 --> 00:01:01,240 Speaker 1: dropped two in your racks on this car. Only nine 16 00:01:01,320 --> 00:01:07,160 Speaker 1: years old. I got the cheese to this car. You'll 17 00:01:07,240 --> 00:01:12,000 Speaker 1: haven't seen this car around Barely Hills area. I don't 18 00:01:12,040 --> 00:01:19,840 Speaker 1: only nine years old. I don't know she's nine. She's nine, 19 00:01:19,920 --> 00:01:24,880 Speaker 1: she's around the area. Yeah, if you remind saying wild 20 00:01:24,959 --> 00:01:27,880 Speaker 1: ship yeah and talking like a true want to be 21 00:01:28,040 --> 00:01:30,280 Speaker 1: blingling error rapper like she used to do a lot 22 00:01:30,319 --> 00:01:34,920 Speaker 1: of money phone type holding thousands of dollars, like almost exclusively. 23 00:01:35,080 --> 00:01:37,080 Speaker 1: Like I don't think I ever saw her without a 24 00:01:37,120 --> 00:01:40,119 Speaker 1: giant stack of money. That was where she would cease 25 00:01:40,160 --> 00:01:43,400 Speaker 1: to exist her main thing. I don't know that everybody 26 00:01:43,400 --> 00:01:45,160 Speaker 1: knows who Woa Vicki is. Do you know who wo 27 00:01:45,319 --> 00:01:49,240 Speaker 1: Vicki is? Woll Vicki is another problem and she's more 28 00:01:49,320 --> 00:01:53,600 Speaker 1: like a teenager. She's kind of in the US side 29 00:01:53,600 --> 00:01:58,600 Speaker 1: girl who Vicki? It's like white girls okay, yes, yeah, 30 00:01:58,880 --> 00:02:02,520 Speaker 1: outwardly projectness, but you know, very in a way that 31 00:02:02,680 --> 00:02:08,160 Speaker 1: is like terrible appropriating and offensive and racist offensive. And 32 00:02:08,720 --> 00:02:11,680 Speaker 1: she yeah, and she claims she's black to which is 33 00:02:11,680 --> 00:02:14,560 Speaker 1: on top of it. She may have pushed back now, 34 00:02:14,639 --> 00:02:16,560 Speaker 1: but at the time they were like, what are you 35 00:02:16,600 --> 00:02:18,880 Speaker 1: doing that? You know, Yeah, I don't know, I'm actually black, 36 00:02:18,919 --> 00:02:26,600 Speaker 1: you're not and me and he said, she talks. She 37 00:02:26,720 --> 00:02:29,800 Speaker 1: saw Rachel Doll's album was like that, what if that 38 00:02:29,880 --> 00:02:33,600 Speaker 1: was like a cartoon character, like a like a fucking 39 00:02:33,600 --> 00:02:37,480 Speaker 1: wrestling persona. Yeah. So they were part of disgusting Instagram 40 00:02:37,880 --> 00:02:40,320 Speaker 1: and everyone was at the in the beginning, it was 41 00:02:40,400 --> 00:02:42,520 Speaker 1: kind of a funny thing about Little Te because they're like, 42 00:02:42,560 --> 00:02:45,160 Speaker 1: what is this wild nine year old talking about? She 43 00:02:45,280 --> 00:02:50,440 Speaker 1: drives cars and then she kind of things went just character. Yeah. 44 00:02:50,639 --> 00:02:54,360 Speaker 1: So there have been a couple articles sort of catching 45 00:02:54,440 --> 00:02:58,080 Speaker 1: up with Little Te. What uncovering the truth about Little Te. 46 00:02:58,600 --> 00:03:01,960 Speaker 1: People have been doing some internet sleuthing for the past 47 00:03:02,400 --> 00:03:04,800 Speaker 1: like six months. I think she disappeared from the internet 48 00:03:04,800 --> 00:03:08,360 Speaker 1: back in June or something. Um, And it turns out 49 00:03:09,080 --> 00:03:13,000 Speaker 1: she that this is gonna shock people. She is from 50 00:03:13,040 --> 00:03:20,040 Speaker 1: not the most stable parenting situation. Uh her mom is 51 00:03:20,680 --> 00:03:22,960 Speaker 1: uh so the way that she was able to get 52 00:03:23,560 --> 00:03:26,240 Speaker 1: like next all these expensive cars and in these like 53 00:03:26,320 --> 00:03:28,640 Speaker 1: giant mansions, as her mom was a real estate agent 54 00:03:28,680 --> 00:03:33,360 Speaker 1: who was using her boss's car and like these trying 55 00:03:33,400 --> 00:03:37,040 Speaker 1: to sell to like make it look like she had 56 00:03:37,080 --> 00:03:40,480 Speaker 1: all this all this stuff without any kind of actual 57 00:03:40,800 --> 00:03:44,000 Speaker 1: talent or backstory explaining the source of the wealth. Like 58 00:03:44,040 --> 00:03:46,440 Speaker 1: it was never like here all my albums that I've 59 00:03:46,480 --> 00:03:49,280 Speaker 1: put out, it's like I'm Little Te. I'm the youngest 60 00:03:49,320 --> 00:03:51,960 Speaker 1: flex or on Earth, right you yes? And it was 61 00:03:52,000 --> 00:03:57,800 Speaker 1: like okay, fine. So as she became famous, her father 62 00:03:58,120 --> 00:04:04,400 Speaker 1: reached out and who is divorced and was like right, 63 00:04:04,480 --> 00:04:06,960 Speaker 1: but he was also like, you know, he kind of 64 00:04:07,000 --> 00:04:08,920 Speaker 1: has a point in the sense that she's out there 65 00:04:09,000 --> 00:04:12,960 Speaker 1: like saying really offensive ship and she's nine and she 66 00:04:13,840 --> 00:04:17,520 Speaker 1: her mother taken her out of school to pursue this dream. 67 00:04:17,600 --> 00:04:21,560 Speaker 1: And there's actually an incredible video that I think we 68 00:04:21,600 --> 00:04:24,239 Speaker 1: have the audio from. Yeah, so a lot of people 69 00:04:24,440 --> 00:04:27,720 Speaker 1: were like this just is very inauthentic. A lot of 70 00:04:27,760 --> 00:04:30,159 Speaker 1: people like her parents are putting her up to this 71 00:04:30,320 --> 00:04:33,559 Speaker 1: or whatever. And then there was there's this video where 72 00:04:33,600 --> 00:04:36,159 Speaker 1: you can clearly here it's her brother off camera essentially 73 00:04:36,160 --> 00:04:39,480 Speaker 1: coaching her to talk all this ship little tybee popping 74 00:04:39,560 --> 00:04:48,000 Speaker 1: on YouTube right now really really be like more ignorant, like, 75 00:04:48,760 --> 00:04:54,200 Speaker 1: oh little te littlete out here, But what did he say? 76 00:04:54,960 --> 00:05:01,080 Speaker 1: She's still irrelevant, Like I said last time, what do 77 00:05:01,160 --> 00:05:08,280 Speaker 1: I say? Oh I know, and it's line yeah, ignorant. 78 00:05:08,560 --> 00:05:13,720 Speaker 1: Bit okay, right, ignorant. She's just a little nine year 79 00:05:13,760 --> 00:05:17,160 Speaker 1: old girl who doesn't know and what the Yeah her 80 00:05:17,200 --> 00:05:23,080 Speaker 1: brother or some family members more like so, yeah, it's 81 00:05:23,080 --> 00:05:25,760 Speaker 1: just as fucked up persona. And Yeah, there's a lot 82 00:05:25,800 --> 00:05:27,960 Speaker 1: of interviews now because people like what happened to her 83 00:05:28,160 --> 00:05:30,720 Speaker 1: Instagram got like hacked, is what they claimed. And all 84 00:05:30,760 --> 00:05:32,240 Speaker 1: of her videos were deleted and then there was just 85 00:05:32,240 --> 00:05:34,560 Speaker 1: like one post that just had helped me, and people 86 00:05:34,600 --> 00:05:36,600 Speaker 1: like what the fund is going on? And then we 87 00:05:36,680 --> 00:05:39,560 Speaker 1: come to find out her father basically like went to 88 00:05:39,600 --> 00:05:42,600 Speaker 1: the equivalent of like child Protective Services in in uh, 89 00:05:42,880 --> 00:05:46,120 Speaker 1: British Columbia and was like had the court order her 90 00:05:46,200 --> 00:05:48,920 Speaker 1: back to Vancouver because like, I can't have my child 91 00:05:49,000 --> 00:05:52,280 Speaker 1: running wild in the streets acting like this. And she's back, 92 00:05:52,320 --> 00:05:54,680 Speaker 1: and it's weird. This is where it gets odd because 93 00:05:55,040 --> 00:05:58,000 Speaker 1: the mother claims that he's just like out to take 94 00:05:58,040 --> 00:06:01,120 Speaker 1: her money, but there really isn't money. Yeah, she's I 95 00:06:01,160 --> 00:06:04,239 Speaker 1: saw the interview. She's claiming both things. First, the father's 96 00:06:04,240 --> 00:06:07,400 Speaker 1: out to take money several questions later, we have made 97 00:06:07,400 --> 00:06:11,960 Speaker 1: no money, right, and also that he's not interested enough 98 00:06:12,120 --> 00:06:16,000 Speaker 1: in her career. So it's like she's both stage mom 99 00:06:16,200 --> 00:06:19,600 Speaker 1: and also claiming that the father is a stage mom 100 00:06:19,800 --> 00:06:23,360 Speaker 1: and then also claiming that they never made any money. 101 00:06:23,160 --> 00:06:27,040 Speaker 1: The mom definitely comes off as you know, it's it's 102 00:06:27,080 --> 00:06:30,880 Speaker 1: obviously just a snapshot, but comes off as somewhat suspicious. 103 00:06:30,920 --> 00:06:34,520 Speaker 1: There's like but the dad doesn't come off great either, 104 00:06:34,600 --> 00:06:37,720 Speaker 1: just in terms of not being involved until now right, 105 00:06:37,839 --> 00:06:40,360 Speaker 1: and then but his thing is like it's weird. It's 106 00:06:40,360 --> 00:06:42,560 Speaker 1: almost like the dad has a better mind to be 107 00:06:42,600 --> 00:06:44,599 Speaker 1: the stage parent than the mom because he's like, I 108 00:06:44,640 --> 00:06:47,280 Speaker 1: had to trade Mark lilta she didn't even trade Mark 109 00:06:47,360 --> 00:06:50,080 Speaker 1: lilt And he's like his whole thing was like, if 110 00:06:50,120 --> 00:06:52,000 Speaker 1: you're gonna go and do this and make a career 111 00:06:52,040 --> 00:06:54,160 Speaker 1: for her, like at least do the bare minimum from 112 00:06:54,160 --> 00:06:56,920 Speaker 1: a business standpoint, that it's protected and you can actually 113 00:06:56,920 --> 00:06:59,800 Speaker 1: like profit properly off of it. But at the same time, 114 00:06:59,800 --> 00:07:02,560 Speaker 1: it's wait, are your gripes that it wasn't copy written 115 00:07:03,040 --> 00:07:05,120 Speaker 1: or I'm sorry copy they didn't get the copy right. 116 00:07:05,160 --> 00:07:08,520 Speaker 1: Someone on twitters like you can copy written anyway. Little 117 00:07:08,560 --> 00:07:11,920 Speaker 1: miss Elliott said that in a song, so cashim outside um, 118 00:07:12,440 --> 00:07:15,000 Speaker 1: and you know, it seems like that was more of 119 00:07:15,000 --> 00:07:17,960 Speaker 1: the issue. There were also claims that like his sister, 120 00:07:18,160 --> 00:07:21,400 Speaker 1: her aunt or her his cousin had like babysat her 121 00:07:21,440 --> 00:07:23,320 Speaker 1: and just locked her in a closet and she had 122 00:07:23,320 --> 00:07:26,960 Speaker 1: gone for his girlfriend's sister and that was like the 123 00:07:27,040 --> 00:07:29,680 Speaker 1: closest thing that I saw to some kind of abuse, 124 00:07:29,920 --> 00:07:35,560 Speaker 1: but it's no one actually sounds believable in all of it, Like, yeah, 125 00:07:35,560 --> 00:07:38,320 Speaker 1: there's no there's nobody good here that she can go to. 126 00:07:38,720 --> 00:07:42,280 Speaker 1: It's it's kind of terrifying there are no good parents, right, 127 00:07:42,600 --> 00:07:45,480 Speaker 1: isn't this scenario? Yeah, it's pretty familiar if you've ever 128 00:07:45,920 --> 00:07:48,440 Speaker 1: been involved with or no people who were involved in 129 00:07:48,480 --> 00:07:52,720 Speaker 1: like a horrible childcare, child custody thing, because it's just 130 00:07:52,880 --> 00:07:56,680 Speaker 1: both sides just using the kid as leverage. And then 131 00:07:56,800 --> 00:07:59,760 Speaker 1: because little Te is with her mom and the thing, 132 00:08:00,040 --> 00:08:02,920 Speaker 1: she's like, yeah, no, the father's bad. I don't want 133 00:08:02,960 --> 00:08:05,160 Speaker 1: to talk about it. And it's just like she calls 134 00:08:05,240 --> 00:08:08,000 Speaker 1: him by her father's last name. His name is Chris Hope, 135 00:08:08,000 --> 00:08:10,040 Speaker 1: and he's like, well, Hope never was interested in blah 136 00:08:10,040 --> 00:08:13,080 Speaker 1: blah blah, and it's right, yeah, so it's just impossible 137 00:08:13,080 --> 00:08:14,320 Speaker 1: to know. I mean, at the end of the day, 138 00:08:14,360 --> 00:08:16,160 Speaker 1: I think the only person is being harmed here is 139 00:08:16,360 --> 00:08:19,720 Speaker 1: Claire what's Littlete's real name? Because she says like she 140 00:08:19,760 --> 00:08:21,840 Speaker 1: can't go to school, But then she's like, I can't 141 00:08:21,880 --> 00:08:24,120 Speaker 1: go to school because I'm too famous, and it's like 142 00:08:24,560 --> 00:08:28,600 Speaker 1: hold on, wait, hold is that the concern or is 143 00:08:28,600 --> 00:08:31,320 Speaker 1: it that you could be bullied at school or is 144 00:08:31,360 --> 00:08:34,480 Speaker 1: it that you are too famous or that one of 145 00:08:34,520 --> 00:08:36,840 Speaker 1: your parents are saying you're too famous and that they 146 00:08:36,880 --> 00:08:41,000 Speaker 1: want you work in full time on your career. Um. Yeah, 147 00:08:41,200 --> 00:08:43,640 Speaker 1: you know, we're gonna talk a couple of times in 148 00:08:43,679 --> 00:08:48,080 Speaker 1: today's episode about sort of the Internet being an unregulated 149 00:08:48,160 --> 00:08:53,360 Speaker 1: place where these crazy ideas or bad ideas can bubble 150 00:08:53,400 --> 00:08:56,959 Speaker 1: to the surface. And this is one place where the 151 00:08:57,000 --> 00:09:01,800 Speaker 1: fact that there is no bared and tree for fame 152 00:09:02,080 --> 00:09:05,040 Speaker 1: is probably not a great thing because you just exploit 153 00:09:05,080 --> 00:09:08,719 Speaker 1: your kid into making them a spectacle and then try 154 00:09:08,760 --> 00:09:11,400 Speaker 1: to make money off of this. Yeah, I mean like 155 00:09:12,000 --> 00:09:15,439 Speaker 1: child stars always existed, Yeah, they did. Yeah, this one 156 00:09:15,480 --> 00:09:17,800 Speaker 1: seems like because they asked her in one of the interviews, 157 00:09:17,880 --> 00:09:20,560 Speaker 1: you know, whose idea was it, and she wasn't really 158 00:09:20,600 --> 00:09:23,320 Speaker 1: convinced it was even her own. She's sort of like, oh, 159 00:09:23,480 --> 00:09:25,800 Speaker 1: I think I wanted to do it around this time. 160 00:09:26,320 --> 00:09:28,800 Speaker 1: It's like my brother thought, we thought we could do it. 161 00:09:28,800 --> 00:09:32,120 Speaker 1: It seems like her brother may have told his mom like, hey, 162 00:09:32,160 --> 00:09:34,360 Speaker 1: maybe there's a way to get really ignorant on Instagram 163 00:09:34,400 --> 00:09:38,120 Speaker 1: and give her some kind of weird fifteen minutes. But 164 00:09:38,320 --> 00:09:42,160 Speaker 1: you know it's so, you know, I hope she can 165 00:09:42,880 --> 00:09:47,360 Speaker 1: grow up to be a healthily functioning adult person, because 166 00:09:47,440 --> 00:09:49,600 Speaker 1: you do not. I'll tell you this, Claire, you don't 167 00:09:49,640 --> 00:09:51,600 Speaker 1: want to go down this little tay road. It is 168 00:09:51,640 --> 00:09:55,960 Speaker 1: not going to last very long. Let's talk about a 169 00:09:56,000 --> 00:10:00,720 Speaker 1: guy who goes by the name of Ra Ra Ra. Okay, 170 00:10:00,800 --> 00:10:04,360 Speaker 1: so one of the characters from the Cohen testimony. So 171 00:10:04,400 --> 00:10:07,200 Speaker 1: there was was the name again Matt Calamari, right who 172 00:10:07,200 --> 00:10:11,640 Speaker 1: everybody was getting real excited over on Twitter. And there 173 00:10:11,720 --> 00:10:14,360 Speaker 1: was another you know, this is sort of in passing, 174 00:10:14,400 --> 00:10:17,400 Speaker 1: but during Michael Cohen's testimony, he mentioned there was a 175 00:10:17,440 --> 00:10:20,640 Speaker 1: scheme where Trump used a straw bidder at an auction 176 00:10:20,679 --> 00:10:22,800 Speaker 1: in the Hampton's of like a bunch of portraits that 177 00:10:22,840 --> 00:10:26,960 Speaker 1: were paintings people, and they hired this man Stewart rr 178 00:10:27,360 --> 00:10:30,640 Speaker 1: R a h R to bid like at the very end. 179 00:10:30,679 --> 00:10:32,760 Speaker 1: So Trump's portrait was going to be auctioned off at 180 00:10:32,760 --> 00:10:35,280 Speaker 1: the the very last item of the auction, and the 181 00:10:35,360 --> 00:10:38,000 Speaker 1: sole purpose of Stuart Roar was to put in the 182 00:10:38,120 --> 00:10:41,000 Speaker 1: highest bid, no matter what the person before you bid, 183 00:10:41,240 --> 00:10:44,560 Speaker 1: just make the highest bid so that Donald Trump's portrait 184 00:10:44,640 --> 00:10:47,760 Speaker 1: sells for the highest possible amount of any other item induction. 185 00:10:47,800 --> 00:10:50,040 Speaker 1: I mean, it's pretty straightforward. It's a it's a disservice 186 00:10:50,160 --> 00:10:53,840 Speaker 1: to schemes to call it a scheme. Just Trump was like, hey, 187 00:10:54,200 --> 00:10:56,760 Speaker 1: rich friends, that make it look like a lot of 188 00:10:56,760 --> 00:11:00,360 Speaker 1: people want to buy my portrait exactly, And eventually this 189 00:11:00,400 --> 00:11:03,240 Speaker 1: man he bid the sixty thousand Trump's thing was the 190 00:11:03,320 --> 00:11:06,600 Speaker 1: highest bid thing mission complete, and he was about it. 191 00:11:06,679 --> 00:11:09,320 Speaker 1: Trump tweeted about it at the time. Yeah, there's like 192 00:11:09,360 --> 00:11:11,360 Speaker 1: a great tweet from back then being like, hey, I 193 00:11:11,480 --> 00:11:14,600 Speaker 1: just heard that apparently my portrait went for the highest 194 00:11:14,600 --> 00:11:19,000 Speaker 1: amount of Yeah, yeah, I didn't know it was in 195 00:11:19,000 --> 00:11:24,120 Speaker 1: the Twitter era. So anyway, this guy Stuart Are so 196 00:11:24,120 --> 00:11:26,200 Speaker 1: a few people started kind of looking into this guy 197 00:11:26,760 --> 00:11:30,600 Speaker 1: and he's fucking he of course he's caught up with 198 00:11:30,640 --> 00:11:33,679 Speaker 1: the Trump's because no one is a regular person who's 199 00:11:33,679 --> 00:11:36,880 Speaker 1: in this orbit. His First of all, he has a 200 00:11:37,000 --> 00:11:39,679 Speaker 1: k s like us, like Jesus and Marrow, like every 201 00:11:39,720 --> 00:11:42,800 Speaker 1: great superhero, like any public figures who was a god. 202 00:11:43,520 --> 00:11:47,360 Speaker 1: One is ra ra or the number one King of 203 00:11:47,440 --> 00:11:52,360 Speaker 1: all Fun. Repeatedly would describe himself as number one King 204 00:11:52,559 --> 00:11:55,640 Speaker 1: of all fun. I don't know how many like superlative 205 00:11:55,679 --> 00:11:57,760 Speaker 1: sort of things. You have to put it number one 206 00:11:57,920 --> 00:12:03,400 Speaker 1: king all all um, that's three levels of superlative. Number 207 00:12:03,400 --> 00:12:06,720 Speaker 1: one king, which is usually the highest and then of 208 00:12:06,880 --> 00:12:09,480 Speaker 1: all Yeah, and of course the number one King of 209 00:12:09,520 --> 00:12:13,160 Speaker 1: all Fun is a great guy, so great that he 210 00:12:13,280 --> 00:12:17,080 Speaker 1: has received a lifetime ban from the sushi chain No 211 00:12:17,280 --> 00:12:21,760 Speaker 1: boot wow. Why do you ask? Well, one time when 212 00:12:21,840 --> 00:12:24,200 Speaker 1: he was at one of the Midtown Manhattan locations, he 213 00:12:24,240 --> 00:12:29,000 Speaker 1: cursed out a manager. According to this manager, she says, quote, 214 00:12:29,120 --> 00:12:31,480 Speaker 1: he called me the C word and said he would 215 00:12:31,600 --> 00:12:34,560 Speaker 1: kill me in response to a conflict in which are 216 00:12:34,640 --> 00:12:37,760 Speaker 1: allegedly confronted restaurant staff after not being able to sit 217 00:12:37,840 --> 00:12:41,520 Speaker 1: at his favorite table. Yeah, so the King of Fun 218 00:12:41,640 --> 00:12:44,600 Speaker 1: comes in, I'm sorry, your table isn't available. I'm gonna 219 00:12:44,640 --> 00:12:49,760 Speaker 1: fucking kill you. Like what, So he's a straw man bidder, 220 00:12:49,800 --> 00:12:54,120 Speaker 1: he's a billionaire. He like owned a pharmacy and then 221 00:12:54,440 --> 00:12:58,160 Speaker 1: used that position to he realized that he could buy 222 00:12:58,400 --> 00:13:01,840 Speaker 1: up a bunch of medicine, wait for people to need 223 00:13:01,920 --> 00:13:05,199 Speaker 1: that medicine really bad, and then charge people extra money 224 00:13:05,240 --> 00:13:09,000 Speaker 1: for that medicine. Essentially, Uh so that's how he made 225 00:13:09,080 --> 00:13:14,680 Speaker 1: his billions. And at the time, yeah, yeah, exactly. Back 226 00:13:14,679 --> 00:13:18,679 Speaker 1: in two thousand thirteen, he was involved in a divorce 227 00:13:18,720 --> 00:13:21,440 Speaker 1: that cost him two d and fifty million dollars and 228 00:13:21,559 --> 00:13:25,840 Speaker 1: so to let off some steam, he began furiously sending 229 00:13:25,960 --> 00:13:29,960 Speaker 1: a sex tape of himself out to various acquaintances, which 230 00:13:30,000 --> 00:13:33,840 Speaker 1: is such a weird thing to do furiously. Yeah, I 231 00:13:33,880 --> 00:13:36,240 Speaker 1: mean that's weird. I wonder what really happened for the 232 00:13:37,080 --> 00:13:41,079 Speaker 1: journalists who wrote this article to describe it as furious sending, 233 00:13:41,480 --> 00:13:44,520 Speaker 1: not just like distributing his own sex sex tape to 234 00:13:44,520 --> 00:13:48,800 Speaker 1: equip furiously Like, is it just all caps in the ship? 235 00:13:49,080 --> 00:13:52,400 Speaker 1: Check this video on to me? Yeah? So, I mean 236 00:13:52,440 --> 00:13:55,600 Speaker 1: that's how anyone would get over a divorce, right yeah? Uh. 237 00:13:55,679 --> 00:13:57,480 Speaker 1: And then when they asked about it, he says, I 238 00:13:57,520 --> 00:14:00,880 Speaker 1: was I was in France, I was single, number one 239 00:14:00,960 --> 00:14:03,120 Speaker 1: King of Fun, of all Fun. I'm sorry, I don't 240 00:14:03,160 --> 00:14:09,000 Speaker 1: want to disrespect the title of throne. I already out 241 00:14:09,000 --> 00:14:12,439 Speaker 1: when you said number one king of all anyone who 242 00:14:12,480 --> 00:14:14,800 Speaker 1: has a title? Have you ever met anyone who's like 243 00:14:14,880 --> 00:14:18,280 Speaker 1: sort of given themselves a nicknameless like I remember a 244 00:14:18,320 --> 00:14:20,960 Speaker 1: dude who called himself the king of Tustin, right, and 245 00:14:21,040 --> 00:14:25,320 Speaker 1: Tustin is in Orange County. Yeah, nobody wants to be 246 00:14:25,360 --> 00:14:27,080 Speaker 1: the king of Tustin. Nobody wants to be the king 247 00:14:27,160 --> 00:14:29,520 Speaker 1: of any of the Tustins. But that one's worse. What 248 00:14:29,560 --> 00:14:32,120 Speaker 1: are the other Tustins. There's one in Arizona. Okay, yeah, 249 00:14:32,400 --> 00:14:36,640 Speaker 1: I'm sure I'm that one might be too, or Tustin Tustin. Okay, no, 250 00:14:36,720 --> 00:14:39,560 Speaker 1: there's there's both, I think. Okay, Okay, someone on Twitter, 251 00:14:39,600 --> 00:14:43,280 Speaker 1: please tell me that I'm sure I'm the king of Arizona. 252 00:14:43,360 --> 00:14:46,160 Speaker 1: I just became immediate. I just got worried that I 253 00:14:46,200 --> 00:14:53,960 Speaker 1: was just pronouncing tusons. Yeah yeah, yeah yeah. We were 254 00:14:54,480 --> 00:14:59,800 Speaker 1: in college a group of kids who wanted to be 255 00:14:59,840 --> 00:15:03,440 Speaker 1: the uh we're kind of the happier, more happy go 256 00:15:03,600 --> 00:15:07,160 Speaker 1: lucky group of guys who threw parties than my group 257 00:15:07,160 --> 00:15:11,680 Speaker 1: of friends. Called themselves the Access of Fun. Oh my god, 258 00:15:11,840 --> 00:15:15,040 Speaker 1: which is weird that you would go with axes because 259 00:15:15,080 --> 00:15:23,320 Speaker 1: it has well, there's fucking Tommy GILBERTI and Adolf Hitler, right, 260 00:15:24,240 --> 00:15:27,200 Speaker 1: the crew Unfortunate. Wait, what do you mean if you 261 00:15:27,240 --> 00:15:29,280 Speaker 1: said they were the happy go lucky and you're like 262 00:15:29,360 --> 00:15:34,840 Speaker 1: unlike my group who were group No, we were just 263 00:15:34,960 --> 00:15:38,280 Speaker 1: were the moked around too much? Okay you know, oh 264 00:15:38,320 --> 00:15:40,920 Speaker 1: so were they kind of like really all smiles having parties? 265 00:15:40,920 --> 00:15:47,840 Speaker 1: Like hey man, yeah, no black people. Right, I gotta 266 00:15:47,920 --> 00:15:51,800 Speaker 1: leave this motherfucking party. Alright, guys, let's talk about movies. 267 00:15:51,960 --> 00:15:57,440 Speaker 1: Let's get yeah, you talking about movies because you guys 268 00:15:57,480 --> 00:16:01,720 Speaker 1: have never heard of probably less Chinese Zight Gang out there. 269 00:16:02,080 --> 00:16:05,200 Speaker 1: Apologies for speaking past you, but I think a lot 270 00:16:05,200 --> 00:16:08,000 Speaker 1: of our audience probably has never heard of the number 271 00:16:08,040 --> 00:16:11,720 Speaker 1: one movie in the world for two nine. It's called 272 00:16:11,760 --> 00:16:14,800 Speaker 1: The Wandering Earth. Uh. It takes place in the future 273 00:16:14,880 --> 00:16:19,120 Speaker 1: where the sun ever heard of it? The Sun is 274 00:16:19,160 --> 00:16:24,160 Speaker 1: about to swallow our planet and so they've started a 275 00:16:24,200 --> 00:16:29,360 Speaker 1: Wandering Earth. Uh like NASA project, except not NASA because 276 00:16:29,400 --> 00:16:34,479 Speaker 1: it's China, so there's like a global confederation of countries. Anyways, 277 00:16:34,920 --> 00:16:38,680 Speaker 1: it's wait this conceit is really interesting. Yeah, it is 278 00:16:38,720 --> 00:16:40,680 Speaker 1: kind of cool. It's so the idea that it's the 279 00:16:40,720 --> 00:16:43,280 Speaker 1: thing that in your first science class when like a 280 00:16:43,320 --> 00:16:46,040 Speaker 1: teacher goes, you know, the Sun too will also explode 281 00:16:46,080 --> 00:16:49,080 Speaker 1: exactly one day and consume us. All is taking it 282 00:16:49,160 --> 00:16:52,920 Speaker 1: to that moment where it's about to splode and we 283 00:16:53,000 --> 00:16:56,400 Speaker 1: got to literally just tow the Earth somewhere and somewhere else. Yeah, 284 00:16:56,440 --> 00:16:58,520 Speaker 1: the best we have come up with is put giant 285 00:16:58,680 --> 00:17:03,240 Speaker 1: like thrusters on plan and like turn them on. But 286 00:17:03,320 --> 00:17:07,160 Speaker 1: like everybody has died or a lot of the coastal elites, 287 00:17:07,440 --> 00:17:10,719 Speaker 1: thank God, good riddance, are dead because they stopped at 288 00:17:10,720 --> 00:17:13,480 Speaker 1: the rotation of the earth so that the thrusters would work. 289 00:17:13,880 --> 00:17:17,680 Speaker 1: And uh that that created like all sorts of wild floods, 290 00:17:18,400 --> 00:17:22,040 Speaker 1: which you would they should have seen coming. I guess yes, 291 00:17:22,119 --> 00:17:25,520 Speaker 1: we weren't planning that one. That that well. But anyways, 292 00:17:25,720 --> 00:17:28,919 Speaker 1: it's not even close. In terms of worldwide box office, 293 00:17:28,960 --> 00:17:32,000 Speaker 1: this movie has made six d and fifty six million dollars. 294 00:17:32,520 --> 00:17:35,200 Speaker 1: The second place movie, How To Train Your Dragon three, 295 00:17:35,280 --> 00:17:41,159 Speaker 1: has made three seventy eight So it's like lapping Hollywood movies. 296 00:17:41,600 --> 00:17:43,679 Speaker 1: It's destroying them. And it hasn't done well in the 297 00:17:43,760 --> 00:17:47,760 Speaker 1: United States. It's just crushing with has been released in 298 00:17:47,800 --> 00:17:50,679 Speaker 1: the United States, it has, It's made about ten million 299 00:17:50,680 --> 00:17:55,399 Speaker 1: dollars total. I haven't seen it in any theaters in 300 00:17:55,560 --> 00:17:58,040 Speaker 1: l A. Yeah, and they put everything in theaters in 301 00:17:58,200 --> 00:18:05,040 Speaker 1: l A. Everything. Roma shout out to Spielberg on that one. 302 00:18:05,600 --> 00:18:07,800 Speaker 1: And I think you see a couple of things in 303 00:18:07,840 --> 00:18:11,000 Speaker 1: this first you see that most of the U S 304 00:18:11,040 --> 00:18:14,000 Speaker 1: movies in the top five are sequels. You got Lego 305 00:18:14,040 --> 00:18:17,240 Speaker 1: Movie two, Glass and How to Train Your Dragon three 306 00:18:17,800 --> 00:18:20,440 Speaker 1: and that probably has something to do with why Hollywood 307 00:18:20,480 --> 00:18:24,960 Speaker 1: is will soon be lapped by whatever part of China 308 00:18:25,119 --> 00:18:27,600 Speaker 1: they make movies in. Yeah, what's the Bollywood? What do 309 00:18:27,640 --> 00:18:30,119 Speaker 1: we call it Chinese Hollywood? Yeah, we gotta come up 310 00:18:30,160 --> 00:18:34,200 Speaker 1: with something that is based on Hollywood Hollywood. That's the 311 00:18:34,280 --> 00:18:40,840 Speaker 1: naming convention we've all decided would be Chollywood. Yeah, Chollywood. Yeah, Oh, 312 00:18:40,880 --> 00:18:43,280 Speaker 1: that sounds like it could be racist if said in 313 00:18:43,320 --> 00:18:45,879 Speaker 1: an Australian accent. I don't want you want to avoid 314 00:18:45,920 --> 00:18:49,960 Speaker 1: that one my uh yeah, we'll just call it China's 315 00:18:50,080 --> 00:18:53,600 Speaker 1: movie industry that's thriving, Yes, and we'll overtake the United 316 00:18:53,640 --> 00:18:58,720 Speaker 1: States paltry little baby movie industry. The it also seems 317 00:18:58,760 --> 00:19:03,679 Speaker 1: like it's a metaphor for future environmental destruction of the world, 318 00:19:03,960 --> 00:19:07,520 Speaker 1: and it makes sense to me that that would be 319 00:19:08,080 --> 00:19:11,520 Speaker 1: more popular in China than like we had that what 320 00:19:11,680 --> 00:19:14,800 Speaker 1: is it Day after Tomorrow? That's like our only environmental 321 00:19:15,359 --> 00:19:19,000 Speaker 1: that and the happening. Yeah, there's all I mean, yeah, 322 00:19:18,560 --> 00:19:20,960 Speaker 1: sure was the core. No, the core was just about 323 00:19:20,960 --> 00:19:26,680 Speaker 1: the oh yeah yeah yeah. I've only seen the YouTube 324 00:19:26,680 --> 00:19:29,159 Speaker 1: clips that shows the best parts of Shift falling apart 325 00:19:29,240 --> 00:19:33,199 Speaker 1: really high. Yeah, so maybe there have been others, but 326 00:19:33,320 --> 00:19:36,359 Speaker 1: it does seem like, I don't know, at the US 327 00:19:36,680 --> 00:19:41,600 Speaker 1: hasn't totally tangled with the future. I hope in that movie, 328 00:19:41,760 --> 00:19:45,639 Speaker 1: the US are like the scorned people and they're just 329 00:19:45,720 --> 00:19:48,040 Speaker 1: like or just like, you know what, fuck y'all, we're 330 00:19:48,040 --> 00:19:50,399 Speaker 1: all not part of this because y'all denied it for 331 00:19:50,440 --> 00:19:52,920 Speaker 1: so long. I wish they put that little narrative in there. 332 00:19:52,960 --> 00:19:59,119 Speaker 1: I hope, Uh, one country that's like I don't know. Yeah, alright, 333 00:19:59,160 --> 00:20:09,359 Speaker 1: we're gonna take a brake. We'll be right back, and 334 00:20:09,480 --> 00:20:13,159 Speaker 1: we're back. Guys, let's talk about Stevie Spielberg. Why what 335 00:20:13,200 --> 00:20:17,679 Speaker 1: do you do? Uh? He is taken on Netflix Ladies 336 00:20:17,680 --> 00:20:19,520 Speaker 1: in germs. What do you mean, like he's starting his 337 00:20:19,520 --> 00:20:23,600 Speaker 1: own streaming service. Yes, it's just e t it's all 338 00:20:23,640 --> 00:20:28,879 Speaker 1: amblant films. Yeah, so he has Uh he's going to 339 00:20:29,200 --> 00:20:33,439 Speaker 1: the Academy with a case that movies like Roma should 340 00:20:33,480 --> 00:20:39,760 Speaker 1: not be eligible for the Oscars. Okay, hater, he said, yeah, 341 00:20:39,800 --> 00:20:43,160 Speaker 1: they're perfectly fine films that should be eligible for Emmy's 342 00:20:44,040 --> 00:20:51,520 Speaker 1: The shade, Steven Spielberg shade, what go on? Film? Film 343 00:20:51,520 --> 00:20:56,399 Speaker 1: Master's degree? The Emmys are for television, right, so you 344 00:20:56,440 --> 00:21:00,440 Speaker 1: know they're they're not movies, right, But his ore ument is, 345 00:21:00,480 --> 00:21:02,280 Speaker 1: I think, you know, the second you go to the 346 00:21:02,320 --> 00:21:06,639 Speaker 1: streaming platform, now you're dabbling in a TV movie despite 347 00:21:07,280 --> 00:21:13,240 Speaker 1: Alfonso Karne directing it, because who's he He's he might 348 00:21:13,280 --> 00:21:15,840 Speaker 1: as well the director of Harry Potter three and a 349 00:21:15,880 --> 00:21:18,800 Speaker 1: bunch of other better movies. Yes, yes, but I mean 350 00:21:19,080 --> 00:21:22,320 Speaker 1: that's it's an interesting argument. I think he's really I think, 351 00:21:22,359 --> 00:21:24,960 Speaker 1: as he says, once you commit to a television format, 352 00:21:25,080 --> 00:21:28,320 Speaker 1: you're a TV you're a TV movie. You certainly, if 353 00:21:28,320 --> 00:21:30,680 Speaker 1: it's a good show, deserve an Emmy, but not an Oscar. 354 00:21:30,800 --> 00:21:33,320 Speaker 1: I don't believe films that are just given token qualifications 355 00:21:33,320 --> 00:21:34,880 Speaker 1: in a couple of theaters for less than a week 356 00:21:34,920 --> 00:21:38,320 Speaker 1: should qualify for the Academy Award nomination, which I get 357 00:21:39,040 --> 00:21:41,040 Speaker 1: to us. I get that sort of the logic of 358 00:21:41,080 --> 00:21:44,600 Speaker 1: that argument, but that doesn't take away from the actual 359 00:21:44,680 --> 00:21:47,200 Speaker 1: product that is being created. Like you wouldn't be like, oh, 360 00:21:47,240 --> 00:21:51,760 Speaker 1: that was Roma's a lifetime movie, right, Yeah, exactly, it's 361 00:21:51,800 --> 00:21:55,480 Speaker 1: and Roma is better than anything Steven Spielberg has made 362 00:21:55,480 --> 00:22:01,720 Speaker 1: in decades. So Warhorse, I did that student, Yeah, yeah, yeah, 363 00:22:01,720 --> 00:22:03,920 Speaker 1: I did not. It's it's he's it's gotten so bad 364 00:22:03,920 --> 00:22:07,439 Speaker 1: that I'm not even I'm not I don't even remember 365 00:22:07,440 --> 00:22:10,480 Speaker 1: that he's directed. His last good movie was Minority Report. 366 00:22:10,560 --> 00:22:16,600 Speaker 1: And I stand by that it sounds like like an old, 367 00:22:16,720 --> 00:22:20,280 Speaker 1: out of touch guy who is like failing to evolve 368 00:22:20,440 --> 00:22:25,280 Speaker 1: with the evolving times and wants to preserve something that 369 00:22:25,840 --> 00:22:30,200 Speaker 1: is like kind of going obsolete. So and I mean, 370 00:22:30,440 --> 00:22:34,800 Speaker 1: maybe this will because you know, your Netflix is to 371 00:22:35,560 --> 00:22:39,280 Speaker 1: put more muscle behind putting these movies out in theaters, 372 00:22:39,440 --> 00:22:42,119 Speaker 1: in which case, like I don't hate it, like the 373 00:22:42,160 --> 00:22:45,440 Speaker 1: ballot of Buster scrugs. The Collen Brothers movie like that 374 00:22:45,840 --> 00:22:50,399 Speaker 1: was not very well handled in terms of its theatrical release. 375 00:22:50,440 --> 00:22:52,920 Speaker 1: It was like out for a week and a handful 376 00:22:52,920 --> 00:22:56,240 Speaker 1: of theaters and that was it. Um And that would 377 00:22:56,240 --> 00:22:58,240 Speaker 1: have been a fun one to see on the big screen. 378 00:22:58,359 --> 00:23:03,080 Speaker 1: And roma like it was available both at theaters and 379 00:23:03,440 --> 00:23:07,080 Speaker 1: on Netflix for most of it's run. Yeah. Well, also, 380 00:23:07,160 --> 00:23:10,280 Speaker 1: Netflix is like a good incubator to like it allows 381 00:23:10,320 --> 00:23:13,400 Speaker 1: for more independent filmmakers to kind of get a shot 382 00:23:13,440 --> 00:23:17,760 Speaker 1: at doing something big. So like, while I want to 383 00:23:17,800 --> 00:23:21,160 Speaker 1: say I understand what his argument is, I just think 384 00:23:21,200 --> 00:23:24,200 Speaker 1: it's it's sort of it's a little bit ridiculous too. 385 00:23:24,320 --> 00:23:25,720 Speaker 1: And a lot of people point to the fact it's like, 386 00:23:25,760 --> 00:23:27,639 Speaker 1: well a lot of these screeners people are watching these 387 00:23:27,640 --> 00:23:31,200 Speaker 1: films on DVD anyway, so like they're not getting the 388 00:23:31,200 --> 00:23:34,560 Speaker 1: theatrical experience. And I don't think in any way as 389 00:23:34,640 --> 00:23:38,199 Speaker 1: Netflix necessarily a threat to the like the motion picture industry. 390 00:23:38,240 --> 00:23:40,240 Speaker 1: They're just trying to get in on the awards in 391 00:23:40,280 --> 00:23:43,880 Speaker 1: a sort of like indirect way. Yeah. I mean that's 392 00:23:43,920 --> 00:23:47,280 Speaker 1: something that I think I had always assumed until this 393 00:23:47,280 --> 00:23:51,199 Speaker 1: piece was written for us by jam McNabb, one of 394 00:23:51,200 --> 00:23:53,919 Speaker 1: our writers, and he pointed out that actually, when you 395 00:23:54,000 --> 00:23:59,120 Speaker 1: look at statistics and studies, the streaming services don't take 396 00:23:59,160 --> 00:24:02,040 Speaker 1: away from the number of people who are going to 397 00:24:02,080 --> 00:24:05,600 Speaker 1: see movies or it's fairly negligible, And in fact, the 398 00:24:05,640 --> 00:24:08,440 Speaker 1: people who stream more hours of TV are the ones 399 00:24:08,480 --> 00:24:10,879 Speaker 1: who are most likely to go out to the theater 400 00:24:11,000 --> 00:24:15,359 Speaker 1: to see movies. Maybe working with the streaming services to 401 00:24:15,920 --> 00:24:19,200 Speaker 1: kind of use there that platform to drive people out 402 00:24:19,200 --> 00:24:22,000 Speaker 1: to theaters would be the smarter way to go, as 403 00:24:22,000 --> 00:24:29,200 Speaker 1: opposed to being a salty little bit I'm calling my 404 00:24:29,240 --> 00:24:36,320 Speaker 1: favorite filmmaker of all time? Uh, I mean, what do 405 00:24:36,359 --> 00:24:38,920 Speaker 1: you guys think like that? I think the more interesting 406 00:24:38,960 --> 00:24:43,080 Speaker 1: conversation and Chris Kelly, I think it was I'm Chris 407 00:24:43,200 --> 00:24:45,520 Speaker 1: Kelly add I'm Chris Kelly tweeted on the night of 408 00:24:45,560 --> 00:24:48,360 Speaker 1: the Oscars my top ten list of movies for this year, 409 00:24:48,440 --> 00:24:51,639 Speaker 1: where it was like one a TV show to a 410 00:24:51,720 --> 00:24:54,480 Speaker 1: TV show, three a TV show for the favorite, five 411 00:24:54,560 --> 00:24:57,920 Speaker 1: a TV show like all Like that is a question 412 00:24:57,960 --> 00:25:02,119 Speaker 1: that I wonder, like, should we just be having the 413 00:25:02,160 --> 00:25:07,800 Speaker 1: Academy Awards for the Best film filmic things like things 414 00:25:07,840 --> 00:25:11,440 Speaker 1: that are made that are like at that level of art, 415 00:25:11,680 --> 00:25:16,520 Speaker 1: Like the O J Documentary was one that started this 416 00:25:16,560 --> 00:25:21,480 Speaker 1: conversation a few years back because it was ESPN documentary 417 00:25:21,560 --> 00:25:24,600 Speaker 1: that was aired in four parts on ESPN, not known 418 00:25:24,680 --> 00:25:28,360 Speaker 1: for their art house cinema, but they won the Academy 419 00:25:28,400 --> 00:25:33,879 Speaker 1: Award because it was released in theaters. Briefly, the question 420 00:25:34,600 --> 00:25:39,720 Speaker 1: what was it again? Should we like prestige TV shows, 421 00:25:39,760 --> 00:25:42,480 Speaker 1: should they be eligible for Academy We don't know because 422 00:25:42,480 --> 00:25:44,919 Speaker 1: they're not really comparable in that sense, like if you 423 00:25:44,960 --> 00:25:48,280 Speaker 1: have like eight hours to tell your story versus two. Yeah, 424 00:25:48,720 --> 00:25:50,879 Speaker 1: I have a feeling like over the long term, I 425 00:25:50,880 --> 00:25:52,679 Speaker 1: don't know, it could affect you differently, but also a 426 00:25:52,680 --> 00:25:55,159 Speaker 1: great movie you're gonna be like fun that was, that was? 427 00:25:55,000 --> 00:26:00,000 Speaker 1: That was. I don't know, I mean, keep them separate 428 00:26:00,040 --> 00:26:06,240 Speaker 1: but equal answer for everything. Yeah, you know, it's just 429 00:26:06,320 --> 00:26:09,520 Speaker 1: a cowardly response to anything, like there's no problems. Yeah, 430 00:26:09,560 --> 00:26:11,560 Speaker 1: I mean I don't know it. To me, I just 431 00:26:11,600 --> 00:26:13,880 Speaker 1: feel like, you know, if it's a movie, because it's 432 00:26:13,880 --> 00:26:16,800 Speaker 1: a format. You know, the film is a format. So 433 00:26:16,960 --> 00:26:20,359 Speaker 1: in that sense, I feel like you should have awards 434 00:26:20,400 --> 00:26:23,560 Speaker 1: for them. But we're watching TV shows on they're made 435 00:26:23,560 --> 00:26:27,800 Speaker 1: by filmmakers. They're on like screens that are the size 436 00:26:28,040 --> 00:26:33,080 Speaker 1: of movie theater screens, like relatively, like you you have 437 00:26:33,200 --> 00:26:36,679 Speaker 1: as much access to, like the composition of what is 438 00:26:37,240 --> 00:26:40,320 Speaker 1: in what is being photographed as you as people in 439 00:26:40,359 --> 00:26:44,000 Speaker 1: the past did when they're sitting in giant like thousands 440 00:26:44,440 --> 00:26:49,280 Speaker 1: see movie theaters. So they have thousands movie theaters. There 441 00:26:49,280 --> 00:26:51,760 Speaker 1: were big theaters back in the day, the Golden era. 442 00:26:52,520 --> 00:26:56,760 Speaker 1: I think that for me, I have a complicated relationship 443 00:26:56,840 --> 00:27:00,240 Speaker 1: with the Academy Awards because I watched them every year. 444 00:27:00,359 --> 00:27:03,960 Speaker 1: I'm disappointed by most of the stuff that happens every year. Uh, 445 00:27:04,000 --> 00:27:06,640 Speaker 1: and everyone's like they don't matter, like just like like 446 00:27:06,720 --> 00:27:08,720 Speaker 1: what you like and it doesn't matter if something wins 447 00:27:08,800 --> 00:27:11,320 Speaker 1: or doesn't, but it does kind of matter because that 448 00:27:11,400 --> 00:27:16,680 Speaker 1: influences people's decisions to, you know, go see other things. Right, 449 00:27:17,040 --> 00:27:19,760 Speaker 1: So I don't I don't quite know how I feel 450 00:27:19,960 --> 00:27:22,840 Speaker 1: about that specifically. What I do want to mention I 451 00:27:22,880 --> 00:27:26,080 Speaker 1: want to read a tweet from Ava DuVernay. Is this 452 00:27:26,160 --> 00:27:32,119 Speaker 1: your green book tweet? Green Book is not about a 453 00:27:32,200 --> 00:27:36,720 Speaker 1: book that gets bitten by a radioactive green anyway. Um 454 00:27:36,800 --> 00:27:40,240 Speaker 1: Avia says, one of the things I value about Netflix 455 00:27:40,320 --> 00:27:43,679 Speaker 1: is that it distributes um black work far and wide. 456 00:27:43,760 --> 00:27:46,359 Speaker 1: A hundred ninety countries will get when they see us. 457 00:27:47,040 --> 00:27:49,640 Speaker 1: Here's a promo for South Africa. And then she has 458 00:27:49,680 --> 00:27:54,280 Speaker 1: retweeted something from Netflix South Africa, and then she says, 459 00:27:54,320 --> 00:27:58,920 Speaker 1: I I've had just one film distributed wide internationally, not Selma, 460 00:27:59,200 --> 00:28:02,600 Speaker 1: not Wrinkling Time. It was by Netflix. That matters. So 461 00:28:02,640 --> 00:28:06,679 Speaker 1: she's talking about the widespread, the distribution, the accessibility of 462 00:28:06,960 --> 00:28:12,280 Speaker 1: Netflix movies that don't get sometimes that widespread of a 463 00:28:12,359 --> 00:28:16,000 Speaker 1: release when it's you know, whatever studio that's not Netflix. 464 00:28:16,680 --> 00:28:18,919 Speaker 1: So that and then I had read other things to 465 00:28:18,960 --> 00:28:23,160 Speaker 1: that effect, where you know, Netflix and similar platforms are 466 00:28:23,200 --> 00:28:25,320 Speaker 1: willing to take more of a chance on filmmakers who 467 00:28:25,320 --> 00:28:28,840 Speaker 1: are people of color who are queer you know, um 468 00:28:28,880 --> 00:28:34,639 Speaker 1: from other modernalized filmmakers. And that is huge in this 469 00:28:34,880 --> 00:28:39,160 Speaker 1: time when representation is so important, when inclusion is so important. 470 00:28:39,880 --> 00:28:42,480 Speaker 1: So well yeah, and also all the barriers to entry 471 00:28:42,520 --> 00:28:47,360 Speaker 1: for traditional filmmaking right that exists within our established film industry. 472 00:28:47,400 --> 00:28:50,040 Speaker 1: That Netflix is a disruptor in that sense because they're 473 00:28:50,160 --> 00:28:53,600 Speaker 1: allowing the giving people in roads to that through this thing. 474 00:28:53,960 --> 00:28:56,200 Speaker 1: And that's where you know, Steven Spielberg sounds like an 475 00:28:56,200 --> 00:28:59,360 Speaker 1: old cranky guy because he's like responding to this disruptor. 476 00:28:59,400 --> 00:29:01,800 Speaker 1: Now that's like, oh, what the heck this day? Oh 477 00:29:01,840 --> 00:29:04,240 Speaker 1: this thing Now that's a movie. It's like, yeah, it is, 478 00:29:04,640 --> 00:29:06,480 Speaker 1: and it's better than the ship you've been making, so 479 00:29:06,600 --> 00:29:09,960 Speaker 1: fall back, so you know, more powered Netflix. Although I'm 480 00:29:10,000 --> 00:29:13,640 Speaker 1: still worried about your deficits. Hey, but if you want 481 00:29:13,640 --> 00:29:14,959 Speaker 1: to spend, if you want to send any of that 482 00:29:15,000 --> 00:29:18,000 Speaker 1: fifteen billion dollar production budget that you've got for this 483 00:29:18,080 --> 00:29:20,480 Speaker 1: year over to us, we will be more than happy 484 00:29:20,520 --> 00:29:25,560 Speaker 1: to make you a TV show. So Netflix, holler, yeah, no, 485 00:29:25,640 --> 00:29:30,400 Speaker 1: I agree. We would be willing to take some of 486 00:29:31,800 --> 00:29:33,760 Speaker 1: even though it's like taking it from a guy who's 487 00:29:33,800 --> 00:29:40,720 Speaker 1: writing bad checks. Probably the chord has been officially cut, 488 00:29:40,800 --> 00:29:45,480 Speaker 1: it was truly cut because the numbers were learning this 489 00:29:45,720 --> 00:29:51,400 Speaker 1: because of the numbers for pay TV subscribers versus cable subscribers. 490 00:29:51,480 --> 00:29:54,880 Speaker 1: Right well, yeah, I mean, you know, the whole idea 491 00:29:54,920 --> 00:29:57,360 Speaker 1: of cable or chord cutters used to be like hippie 492 00:29:57,400 --> 00:29:59,880 Speaker 1: people are just like people who were like against the establishment, 493 00:29:59,920 --> 00:30:03,280 Speaker 1: like I'm not paying from our corporate entertainment. And now 494 00:30:03,280 --> 00:30:07,080 Speaker 1: as people become like have less money to just throw 495 00:30:07,120 --> 00:30:10,120 Speaker 1: away on like eighty dollars a month on cable, uh, 496 00:30:10,200 --> 00:30:12,840 Speaker 1: you know, people like streaming more, and the streaming has 497 00:30:12,840 --> 00:30:14,960 Speaker 1: now sort of led to like this other form of 498 00:30:15,040 --> 00:30:16,560 Speaker 1: cord cutting where people just don't want to, you know, 499 00:30:16,680 --> 00:30:19,040 Speaker 1: give their money to Spectrum or whoever, because you know, 500 00:30:19,080 --> 00:30:23,440 Speaker 1: how however liable that is. But yet they went from 501 00:30:23,600 --> 00:30:28,720 Speaker 1: two point nine million pay TV subscribers ended their subscriptions 502 00:30:29,000 --> 00:30:31,640 Speaker 1: and so that's almost twice what it was in seventeen 503 00:30:31,680 --> 00:30:34,040 Speaker 1: when it was one and a half million. And there's 504 00:30:34,040 --> 00:30:35,400 Speaker 1: a lot of people that you know, there's like Sling 505 00:30:35,440 --> 00:30:37,920 Speaker 1: TV or direct TV now, which they call skinny bundles 506 00:30:38,200 --> 00:30:40,880 Speaker 1: just try and like keep people still on the hook. 507 00:30:41,040 --> 00:30:44,400 Speaker 1: But even then that's not really offsetting the deserters. Yeah, 508 00:30:44,520 --> 00:30:47,240 Speaker 1: so they had these skinny bundles that they introduced in 509 00:30:47,400 --> 00:30:51,320 Speaker 1: two thousand and seventeen and there was like growth year 510 00:30:51,400 --> 00:30:54,800 Speaker 1: over year, but then in a lot of people probably 511 00:30:54,800 --> 00:30:57,880 Speaker 1: lost their job at those cable companies because it's slowed 512 00:30:57,920 --> 00:31:02,400 Speaker 1: from growth to teen percent growth. Yeah. Man, I have 513 00:31:02,480 --> 00:31:05,440 Speaker 1: PlayStation View and I just cut it, like I don't 514 00:31:05,520 --> 00:31:09,840 Speaker 1: watch TV. I watched programs, right, but I don't channel 515 00:31:09,840 --> 00:31:13,160 Speaker 1: surf anymore. Right exactly. That's that is over. That air 516 00:31:13,280 --> 00:31:15,000 Speaker 1: is over. And let me tell you what the real 517 00:31:15,040 --> 00:31:19,040 Speaker 1: cable bundle is. Your mom's password, that's what the real 518 00:31:19,080 --> 00:31:21,080 Speaker 1: cable buddy, you know, because you know somebody and your 519 00:31:21,120 --> 00:31:24,120 Speaker 1: family still got cable and all you need is just 520 00:31:24,280 --> 00:31:28,400 Speaker 1: their log and information that you can dot com. Yeah, 521 00:31:28,480 --> 00:31:30,640 Speaker 1: that's the real cable r. Yeah. It's funny. I found 522 00:31:30,640 --> 00:31:33,760 Speaker 1: myself giving my dad my direct TV now thing because 523 00:31:33,760 --> 00:31:35,120 Speaker 1: he was like, I don't know how to watch this thing. 524 00:31:35,160 --> 00:31:38,400 Speaker 1: I'm like, let me help you out. Brot me now. 525 00:31:38,680 --> 00:31:41,479 Speaker 1: Now the child has become the parent, and that all 526 00:31:41,520 --> 00:31:45,680 Speaker 1: happened yesterday after yesterday's episode when we made amends. But yeah, 527 00:31:45,840 --> 00:31:47,800 Speaker 1: I think you know the other thing too, that this 528 00:31:47,840 --> 00:31:51,160 Speaker 1: whole thing that the growth of like streaming has also 529 00:31:51,280 --> 00:31:55,240 Speaker 1: just created a huge clog in like awards competition too, 530 00:31:55,480 --> 00:31:57,840 Speaker 1: because now there's so many people offering all kinds of 531 00:31:57,880 --> 00:32:01,440 Speaker 1: like premium content. In example, for the Emmy's there were 532 00:32:01,440 --> 00:32:07,080 Speaker 1: twenty nine dramas in fifty comedies submitted for eligibility. Uh, 533 00:32:07,480 --> 00:32:11,520 Speaker 1: one hundred fifty nine drama contenders, and one hundred seventeen 534 00:32:11,680 --> 00:32:15,720 Speaker 1: comedy interests. They're gonna need to start making the voting 535 00:32:15,760 --> 00:32:20,560 Speaker 1: for this ship like a full time job. Yeah, nobody's 536 00:32:20,600 --> 00:32:24,160 Speaker 1: watching any of these things. Yeah, it is too much 537 00:32:24,240 --> 00:32:28,760 Speaker 1: TV on right now. And I just started watching fucking 538 00:32:28,840 --> 00:32:32,440 Speaker 1: Umbrella Academy. Ship is really good. But like I didn't 539 00:32:32,480 --> 00:32:35,640 Speaker 1: even don't listen to culture took. It took so long 540 00:32:35,720 --> 00:32:37,200 Speaker 1: for me to be like, all right, I got through 541 00:32:37,440 --> 00:32:39,400 Speaker 1: Russian Doll, I got through all these other things. I'm like, 542 00:32:39,440 --> 00:32:42,360 Speaker 1: now let me watch this. I'm actually pretty impressed so far. 543 00:32:42,400 --> 00:32:44,240 Speaker 1: I've only seen like the first three episodes was great. 544 00:32:44,280 --> 00:32:47,120 Speaker 1: I'm liking it. It's great. That's that's the one thing 545 00:32:47,160 --> 00:32:51,200 Speaker 1: that I do like about the streaming aspect is because 546 00:32:51,240 --> 00:32:56,280 Speaker 1: there aren't advertisers, because the channel doesn't really go off, 547 00:32:56,840 --> 00:33:00,800 Speaker 1: like there is no downtime or streaming services. Right, it's 548 00:33:00,800 --> 00:33:04,120 Speaker 1: on demanding the freedom. Yeah, you get more freedom. So 549 00:33:04,200 --> 00:33:08,200 Speaker 1: because of that, people are taking bigger swings and because 550 00:33:08,240 --> 00:33:12,360 Speaker 1: you have to, but also you're getting like really good 551 00:33:12,400 --> 00:33:15,719 Speaker 1: fucking content where they don't have to ease into a story. 552 00:33:16,680 --> 00:33:19,240 Speaker 1: You can just get right into the story. And it's 553 00:33:19,280 --> 00:33:23,960 Speaker 1: pretty dope, man, it's pretty dope. Let's talk about the 554 00:33:24,080 --> 00:33:29,000 Speaker 1: true danger to America that is ill han O mark 555 00:33:29,400 --> 00:33:35,000 Speaker 1: anti semitic statements about Israel. So she was at a 556 00:33:35,000 --> 00:33:40,080 Speaker 1: bookstore answering somebody's question about her perceived anti Semitic comments 557 00:33:40,240 --> 00:33:44,440 Speaker 1: when she pointed out that there are Israeli lobbies that 558 00:33:45,080 --> 00:33:49,600 Speaker 1: fund various lobbying efforts, yeah, that shape our foreign policy, 559 00:33:50,160 --> 00:33:52,520 Speaker 1: foreign policy, and she said, I want to talk about 560 00:33:52,560 --> 00:33:55,320 Speaker 1: the political influence in this country that says it's okay 561 00:33:55,360 --> 00:33:58,240 Speaker 1: for people to push for allegiance to a foreign country. 562 00:33:58,320 --> 00:33:59,960 Speaker 1: I want to ask why is it okay for me 563 00:34:00,120 --> 00:34:01,840 Speaker 1: to talk about the influence of the n r A 564 00:34:02,120 --> 00:34:04,840 Speaker 1: or fossil fuel industries are a big pharma and not 565 00:34:04,920 --> 00:34:08,560 Speaker 1: talk about a powerful lobbying group that is influencing policy. 566 00:34:08,800 --> 00:34:12,719 Speaker 1: So that I don't know if you could hear, but 567 00:34:12,880 --> 00:34:16,839 Speaker 1: those that hate clearly the words of an anti Semite. Well, 568 00:34:16,880 --> 00:34:20,040 Speaker 1: the thing that her critics are jumping on is this 569 00:34:20,640 --> 00:34:25,160 Speaker 1: dual loyalty trope that has been used anti semitically, that 570 00:34:25,239 --> 00:34:28,200 Speaker 1: people who are loyal to America and Israel that their 571 00:34:28,320 --> 00:34:31,279 Speaker 1: allegiance to Israel makes them anti American. And a lot 572 00:34:31,280 --> 00:34:34,120 Speaker 1: of people take that go further and they say, by extension, 573 00:34:34,200 --> 00:34:38,080 Speaker 1: every Jewish person can't be trusted if this trope, if 574 00:34:38,080 --> 00:34:40,080 Speaker 1: this is what they're actually hanging on, is the evidence 575 00:34:40,080 --> 00:34:44,600 Speaker 1: for the anti Semitism use of the word allegiance right exactly? Um, 576 00:34:44,640 --> 00:34:47,640 Speaker 1: And I mean the dual loyalty thing, it's not exclusively 577 00:34:47,800 --> 00:34:51,440 Speaker 1: for Jews. I mean Japanese Americans had to deal with 578 00:34:51,480 --> 00:34:55,480 Speaker 1: it during World War Two, and Muslims especially have this 579 00:34:55,600 --> 00:34:57,960 Speaker 1: same thing of Oh, you don't know, like who are 580 00:34:57,960 --> 00:35:00,839 Speaker 1: they loyal to? Are they really American? Are they not? 581 00:35:01,280 --> 00:35:04,759 Speaker 1: So it's just one of these moments where I'm when 582 00:35:04,800 --> 00:35:07,879 Speaker 1: I look at it, I'm like, what I get that 583 00:35:08,760 --> 00:35:12,719 Speaker 1: her words, you know, as maybe it was slightly awkwardly 584 00:35:12,800 --> 00:35:15,920 Speaker 1: worded that it opened her up again to being able 585 00:35:15,920 --> 00:35:18,400 Speaker 1: for people to criticize what she's saying, But at the 586 00:35:18,440 --> 00:35:22,160 Speaker 1: same time I know what she's getting at with this statement, 587 00:35:22,200 --> 00:35:25,000 Speaker 1: she's saying that I can talk about the n r A, 588 00:35:25,120 --> 00:35:29,000 Speaker 1: these other industries that influence policy. I'm talking specifically about 589 00:35:29,040 --> 00:35:31,880 Speaker 1: a foreign country that is also influencing our foreign policy. 590 00:35:32,200 --> 00:35:35,080 Speaker 1: But all of her critics just want to avoid having 591 00:35:35,080 --> 00:35:39,600 Speaker 1: a proper like nuanced debate over the relationship between the 592 00:35:39,680 --> 00:35:42,600 Speaker 1: United States and Israel, Right, And I think they're also 593 00:35:42,680 --> 00:35:46,480 Speaker 1: reacting to what she looks like. Right, She's yeah, she's 594 00:35:46,480 --> 00:35:50,120 Speaker 1: in his job, and she's Muslim, and so it's very 595 00:35:50,160 --> 00:35:52,120 Speaker 1: That's what I'm saying, Like, I think y'all are more 596 00:35:52,280 --> 00:35:56,760 Speaker 1: Islamophobic than her being anti Semitic, because when other people 597 00:35:56,960 --> 00:36:00,680 Speaker 1: like you know, for example, Jim Jordan's the fucking creating 598 00:36:00,760 --> 00:36:03,759 Speaker 1: man out of Ohio, comes out saying he tweeted at 599 00:36:03,840 --> 00:36:07,160 Speaker 1: Jerry Nadler, who's Jewish. I said, at least pretend to 600 00:36:07,200 --> 00:36:09,640 Speaker 1: be serious about fact finding, Jerry Nadler, as we said, 601 00:36:09,719 --> 00:36:12,720 Speaker 1: Judiciary Committee Chairman. He goes on, he says, quote Nadler 602 00:36:12,760 --> 00:36:16,040 Speaker 1: feeling the heat big time, jumps to Tom Styre's conclusion, 603 00:36:16,239 --> 00:36:19,120 Speaker 1: the s is a dollar sign. Impeaching our president before 604 00:36:19,160 --> 00:36:23,160 Speaker 1: first document request. Okay, that is textbook anti semitism. You 605 00:36:23,200 --> 00:36:26,120 Speaker 1: know what I mean, Tom Styre is also Jewish. You know, 606 00:36:26,160 --> 00:36:29,600 Speaker 1: I'm not seeing much backlash from his party about this 607 00:36:29,719 --> 00:36:33,920 Speaker 1: tweet when that's straight straight up you know, anti Semitism. 608 00:36:33,920 --> 00:36:41,279 Speaker 1: You're not seeing much from this damn wish it. So, 609 00:36:41,440 --> 00:36:43,080 Speaker 1: I mean, and I'm sure that this is just going 610 00:36:43,160 --> 00:36:47,360 Speaker 1: to keep happening, and you know, think God, she is 611 00:36:47,440 --> 00:36:52,960 Speaker 1: just like pretty direct and relentless with her viewpoints on things. 612 00:36:53,320 --> 00:36:56,000 Speaker 1: But it's just like if if people don't come at 613 00:36:56,080 --> 00:36:58,960 Speaker 1: her just treating or like she's not even a legitimate member, 614 00:37:00,200 --> 00:37:02,919 Speaker 1: then it's I don't know, it's it's like that there's 615 00:37:02,960 --> 00:37:07,600 Speaker 1: no respect for her position at all, which is completely delegitimizing. 616 00:37:07,719 --> 00:37:10,319 Speaker 1: So that the House is now you know, Democrats are 617 00:37:10,360 --> 00:37:13,759 Speaker 1: now trying to drag her uh and put a resolution 618 00:37:13,800 --> 00:37:18,400 Speaker 1: on the floor condemning anti Democrats are because they're the 619 00:37:18,400 --> 00:37:20,799 Speaker 1: ones being like, okay, we gotta snuff this out, like 620 00:37:20,920 --> 00:37:23,960 Speaker 1: this is no place for quote unquote anti semitism, and 621 00:37:23,960 --> 00:37:26,759 Speaker 1: it's a resolution condemning anti semitism, but they don't name 622 00:37:26,760 --> 00:37:29,799 Speaker 1: her directly, so it's sort of like an indirect rebuke, right, 623 00:37:29,840 --> 00:37:32,360 Speaker 1: But they're basically going on the floor and saying we 624 00:37:32,480 --> 00:37:36,840 Speaker 1: do not stand with her in asking these questions or 625 00:37:36,920 --> 00:37:39,719 Speaker 1: just saying or it's more just point blank, step by 626 00:37:39,760 --> 00:37:43,160 Speaker 1: step saying these are these are anti Semitic tropes we condemn, 627 00:37:43,360 --> 00:37:46,319 Speaker 1: you know, And at the end of a live subtweet, yeah, 628 00:37:46,320 --> 00:37:49,280 Speaker 1: oh yeah, just subbing the ship out of her. But meanwhile, 629 00:37:49,400 --> 00:37:52,799 Speaker 1: ilhan Omar in her own district there are people saying, like, 630 00:37:52,840 --> 00:37:56,400 Speaker 1: assassinate ilhan Omar. And West Virginia there were like signs 631 00:37:56,440 --> 00:37:59,280 Speaker 1: calling for her death at gas stations. Then at CEPAC 632 00:37:59,400 --> 00:38:02,200 Speaker 1: there was a poster like a meme that had nine 633 00:38:02,239 --> 00:38:04,840 Speaker 1: eleven above that says never forget and then it shows 634 00:38:04,880 --> 00:38:07,520 Speaker 1: ilhan Omar like seated in Congress and says, I guess 635 00:38:07,520 --> 00:38:11,600 Speaker 1: we forgot, uh. Like it's and but yet I don't 636 00:38:11,640 --> 00:38:14,839 Speaker 1: see people defending her and trying to put forward resolutions 637 00:38:14,840 --> 00:38:18,359 Speaker 1: that condemned this kind of Islamophobic rhetoric that's coming out, 638 00:38:18,440 --> 00:38:22,400 Speaker 1: especially from the right. So it's just it reads very uh. 639 00:38:22,440 --> 00:38:24,919 Speaker 1: There's just there's just a double standard when it comes 640 00:38:24,960 --> 00:38:26,440 Speaker 1: to it. And I think a lot of us to 641 00:38:26,480 --> 00:38:31,359 Speaker 1: do with because like Israel, the uh, the alliance between 642 00:38:31,360 --> 00:38:33,839 Speaker 1: the United States and Israel has been just an accepted 643 00:38:34,040 --> 00:38:37,600 Speaker 1: fact of like our foreign policy that ilhan Omar is 644 00:38:37,600 --> 00:38:39,400 Speaker 1: a like, I guess it disrupt her, for lack of 645 00:38:39,400 --> 00:38:43,000 Speaker 1: a better word, because she's openly constantly questioning, like, what 646 00:38:43,120 --> 00:38:45,719 Speaker 1: about what's going on with Palestinians? Are we saying we 647 00:38:45,760 --> 00:38:48,800 Speaker 1: also support this behavior of what Israel is doing to Palestinians. 648 00:38:49,280 --> 00:38:52,880 Speaker 1: And that's the thing that's a facet of this conversation. 649 00:38:52,920 --> 00:38:56,359 Speaker 1: I wish entered the coverage more rather than just saying like, oh, 650 00:38:56,400 --> 00:38:59,160 Speaker 1: she's saying, she's talking spicy about Israel, Like why not 651 00:38:59,239 --> 00:39:02,000 Speaker 1: actually talk about some of the things that is happening. 652 00:39:02,160 --> 00:39:04,879 Speaker 1: The things that she's saying and acknowledging are things that 653 00:39:05,160 --> 00:39:08,480 Speaker 1: the U N have pointed out, like that Israel was 654 00:39:08,880 --> 00:39:14,719 Speaker 1: actually sniping private citizen Palestinians, journalists, paramedics, Yeah, shooting them 655 00:39:14,960 --> 00:39:19,080 Speaker 1: indiscriminately in the head, murdering them. And as unsurprising as 656 00:39:19,080 --> 00:39:22,880 Speaker 1: it is that the Democratic Party does not support people 657 00:39:22,880 --> 00:39:26,399 Speaker 1: who are like trying to start an actual conversation, it's 658 00:39:26,440 --> 00:39:29,080 Speaker 1: like Jesus fucking credible. Well, some Democrats are saying, like 659 00:39:29,120 --> 00:39:33,560 Speaker 1: to even question the alliance is unacceptable right now? That 660 00:39:33,760 --> 00:39:36,520 Speaker 1: I think is actually very dangerous, you know what I mean? 661 00:39:36,560 --> 00:39:39,360 Speaker 1: I think again, anti Semitism is very real. We're not 662 00:39:39,360 --> 00:39:41,320 Speaker 1: trying to say this is some kind of boogeyman. Argument 663 00:39:41,360 --> 00:39:43,799 Speaker 1: is very real and very dangerous, but using it as 664 00:39:43,840 --> 00:39:48,799 Speaker 1: a shield to avoid reasonable constructive debate is absurd and 665 00:39:48,920 --> 00:39:52,080 Speaker 1: dangerous in and of itself. It's very real, as illustrated 666 00:39:52,200 --> 00:39:58,120 Speaker 1: by the Republicans politicians and the white supremacists who support 667 00:39:58,200 --> 00:40:03,200 Speaker 1: them and who support the president. But it's okay for 668 00:40:03,440 --> 00:40:07,120 Speaker 1: white men to be racist apparently. Yeah. And again, I 669 00:40:07,200 --> 00:40:10,760 Speaker 1: just you know, a clip has been going around Alexandroocazio Cortez, 670 00:40:10,880 --> 00:40:13,799 Speaker 1: you know, caping for her girl ilhan Omar, defending her, 671 00:40:13,880 --> 00:40:17,160 Speaker 1: thank you and saying pointing to a quote thing that 672 00:40:17,239 --> 00:40:20,279 Speaker 1: Jerry Falwell Jr. Said at CEPAC over the weekend. He 673 00:40:20,320 --> 00:40:22,279 Speaker 1: was basically like, I'll shoot aoc if she tries to 674 00:40:22,280 --> 00:40:24,480 Speaker 1: take my cows. Basically you know what I mean when 675 00:40:24,480 --> 00:40:28,120 Speaker 1: he completely obscured the substance of the Green New Deal 676 00:40:28,160 --> 00:40:30,880 Speaker 1: to be take my cows bill. Uh. And then in 677 00:40:31,000 --> 00:40:34,920 Speaker 1: December of Jerry Folwell said this to like ten thousand 678 00:40:34,960 --> 00:40:37,239 Speaker 1: students at Liberty University where the Fall wars. You know, 679 00:40:37,280 --> 00:40:40,319 Speaker 1: that's like their conservative Christian college. Uh. And these are 680 00:40:40,360 --> 00:40:46,240 Speaker 1: his takes regarding guns and Muslims. If some of those 681 00:40:46,360 --> 00:40:49,319 Speaker 1: people in that community center had had what I've got 682 00:40:49,320 --> 00:40:58,320 Speaker 1: in my back pocket right now, see, Alice, there's a 683 00:41:00,600 --> 00:41:02,600 Speaker 1: is it allego to pull it out? I don't know. 684 00:41:02,960 --> 00:41:12,800 Speaker 1: Is that anyway? More and more good people had concealed 685 00:41:12,800 --> 00:41:16,680 Speaker 1: carry permits, then we could end those Muslims before they 686 00:41:16,719 --> 00:41:23,680 Speaker 1: before they walked to kill end those Muslims. So so 687 00:41:24,719 --> 00:41:26,759 Speaker 1: I just want to I just wanted to take this 688 00:41:26,840 --> 00:41:30,359 Speaker 1: opportunity to encourage them. So again, a lot of people 689 00:41:30,360 --> 00:41:33,640 Speaker 1: were like, oh, she's mischaracterizing what he said there. He 690 00:41:33,680 --> 00:41:36,520 Speaker 1: wasn't talking about a genocide of Muslims. He just meant 691 00:41:36,600 --> 00:41:39,760 Speaker 1: end those Muslims who came in and shot up that Sandberg. 692 00:41:39,960 --> 00:41:43,160 Speaker 1: I think he's referring to the Sandburdino shooting. Again, even 693 00:41:43,160 --> 00:41:47,680 Speaker 1: the rhetoric being used is fucking wild. We are in 694 00:41:47,719 --> 00:41:51,320 Speaker 1: the wilderness officially. And this shouldn't be a surprise because 695 00:41:51,680 --> 00:41:55,480 Speaker 1: you know, Israel and the far right Christian Conservatives have 696 00:41:55,600 --> 00:41:58,720 Speaker 1: just forged an alliance with each other over the years 697 00:41:59,080 --> 00:42:02,120 Speaker 1: because they like the Holy Land. For Christian Conservatives, they 698 00:42:02,120 --> 00:42:04,279 Speaker 1: do a lot of pr to invite them over to 699 00:42:04,360 --> 00:42:09,040 Speaker 1: Israel and help to build, like to make them allies essentially. Uh. 700 00:42:09,080 --> 00:42:12,799 Speaker 1: And so this is a very prevalent thing that's happening. Uh. 701 00:42:12,800 --> 00:42:15,600 Speaker 1: And you can tell that this sort of anti Muslim 702 00:42:15,800 --> 00:42:20,240 Speaker 1: or Islamophobic rhetoric is definitely definitely situated on the right. However, 703 00:42:20,560 --> 00:42:23,799 Speaker 1: you would think that the Democrats too could also understand 704 00:42:23,840 --> 00:42:26,320 Speaker 1: what ilhan Omar is trying to say. She's not saying 705 00:42:26,320 --> 00:42:29,920 Speaker 1: anything about Judaism as a religion or the or people 706 00:42:29,920 --> 00:42:33,040 Speaker 1: who are Jewish. She's talking about as a matter of policy. 707 00:42:33,080 --> 00:42:35,200 Speaker 1: Are we can we go to sleep at night in 708 00:42:35,239 --> 00:42:39,080 Speaker 1: good conscience knowing that we're supporting a country that is 709 00:42:39,160 --> 00:42:43,200 Speaker 1: committing just terrible atrocities. Right, And then the Democrats like 710 00:42:43,280 --> 00:42:46,239 Speaker 1: refusing to have the conversation basically by naking everything she 711 00:42:46,320 --> 00:42:49,160 Speaker 1: said accomplishes nothing. It just like it means that the 712 00:42:49,160 --> 00:42:51,440 Speaker 1: conversation isn't gonna happen. And I think that's a testament 713 00:42:51,480 --> 00:42:54,799 Speaker 1: to the influence or the sort of not influence, but 714 00:42:54,920 --> 00:42:57,480 Speaker 1: just sort of how hard lined the idea is that 715 00:42:57,640 --> 00:43:00,719 Speaker 1: the US and Israel are just together for ever, don't 716 00:43:00,760 --> 00:43:04,280 Speaker 1: talk about his BFFs and avoid any of the ugly stuff. 717 00:43:05,320 --> 00:43:08,240 Speaker 1: But again, you know, you you would hope that people 718 00:43:08,360 --> 00:43:12,480 Speaker 1: could see what she's trying to say and understand that 719 00:43:12,520 --> 00:43:15,400 Speaker 1: this is a more nuanced conversation she's trying to have 720 00:43:15,760 --> 00:43:19,280 Speaker 1: about our foreign policy. And I would also say, please 721 00:43:19,640 --> 00:43:22,960 Speaker 1: phone your representatives, because these people are signing bills right 722 00:43:22,960 --> 00:43:25,560 Speaker 1: now and they're trying to throw ilhan Omar under the bus. 723 00:43:25,560 --> 00:43:29,160 Speaker 1: I understand that she could awarded that differently. I can 724 00:43:29,200 --> 00:43:31,239 Speaker 1: see that, because that that did open her up to 725 00:43:31,320 --> 00:43:33,479 Speaker 1: them using a very indirect way to try and paint 726 00:43:33,480 --> 00:43:36,600 Speaker 1: her comments as anti semitic. However, all these Democrats are 727 00:43:36,600 --> 00:43:39,080 Speaker 1: piling on in the sort of this performative thing of 728 00:43:39,120 --> 00:43:41,560 Speaker 1: saying like, oh, yeah, that's that's terrible, that's it. We're 729 00:43:41,600 --> 00:43:44,120 Speaker 1: not going to discuss it either. But then the question is, 730 00:43:44,360 --> 00:43:48,200 Speaker 1: how can we have a actual discussion about this without 731 00:43:48,280 --> 00:43:51,120 Speaker 1: it being some kind of weird navigation of a mine 732 00:43:51,200 --> 00:43:55,480 Speaker 1: field of being like this could go into anti Semitic territory, right, 733 00:43:55,560 --> 00:43:58,319 Speaker 1: you have to let a white man say it, apparently, yes, yeah, 734 00:43:58,440 --> 00:44:01,040 Speaker 1: well that's like if if if a white like male 735 00:44:01,120 --> 00:44:03,680 Speaker 1: Democratic said stuff like that, probably wouldn't be having this 736 00:44:03,719 --> 00:44:06,440 Speaker 1: conversation right now, right Yeah, But even then, I just 737 00:44:06,480 --> 00:44:09,880 Speaker 1: don't know how how can we actually put down on 738 00:44:09,920 --> 00:44:12,399 Speaker 1: the list this is what the u N. Human Rights 739 00:44:12,400 --> 00:44:14,840 Speaker 1: Watch people are talking about. This is that this is 740 00:44:14,880 --> 00:44:17,879 Speaker 1: the aid we're giving them. What is our role in this, 741 00:44:18,120 --> 00:44:21,160 Speaker 1: What is the influence we have over them maybe changing 742 00:44:21,200 --> 00:44:25,120 Speaker 1: their policies? What how can we have this discussion it 743 00:44:25,200 --> 00:44:27,399 Speaker 1: might be, I mean, this is like assuming that people 744 00:44:27,400 --> 00:44:30,080 Speaker 1: would react in a reasonable way, but just like maybe 745 00:44:30,120 --> 00:44:32,120 Speaker 1: couching it. And the fact that you know, she's not 746 00:44:32,520 --> 00:44:34,839 Speaker 1: the first person to have this thought. It's she's one 747 00:44:34,840 --> 00:44:37,279 Speaker 1: of the only people in the whole body willing to 748 00:44:37,280 --> 00:44:39,640 Speaker 1: say anything about it. But it's like, if this conversation 749 00:44:39,760 --> 00:44:42,640 Speaker 1: is happening in other you know, like in the u N. 750 00:44:42,760 --> 00:44:46,560 Speaker 1: Then I don't know start what's happening in Israel, Like 751 00:44:47,280 --> 00:44:49,960 Speaker 1: it's even happen if people in power in Israel are 752 00:44:50,040 --> 00:44:53,600 Speaker 1: the furthest to the right, like of the of the 753 00:44:53,680 --> 00:44:56,880 Speaker 1: right powerful people and even the party that Nin Yahoo 754 00:44:56,920 --> 00:44:59,520 Speaker 1: was courting too for his coalition government, it was so 755 00:44:59,560 --> 00:45:01,960 Speaker 1: far right. Even a pack was like, oh no, no, no, 756 00:45:02,000 --> 00:45:04,960 Speaker 1: not them, like that's you're going too far, my guy, 757 00:45:05,160 --> 00:45:08,320 Speaker 1: And that says something. And I think these are reasonable 758 00:45:08,320 --> 00:45:11,120 Speaker 1: conversations to have. This is as a country, we need 759 00:45:11,160 --> 00:45:14,640 Speaker 1: to be aware of who we align with, what is 760 00:45:14,680 --> 00:45:18,279 Speaker 1: being done with our help, indirectly or directly. And I 761 00:45:18,280 --> 00:45:20,400 Speaker 1: think these are all very reasonable questions to ask, and 762 00:45:20,480 --> 00:45:24,600 Speaker 1: I think it's just really counterproductive to just instantly dismiss 763 00:45:24,680 --> 00:45:28,160 Speaker 1: these questions as as being anti Semitic. And again, yes, 764 00:45:28,640 --> 00:45:31,520 Speaker 1: probably could have worded that differently, And I think that's 765 00:45:31,520 --> 00:45:35,839 Speaker 1: part of ilhan Omar's process of, you know, understanding how 766 00:45:36,120 --> 00:45:38,480 Speaker 1: the people are going to just react to every single 767 00:45:38,480 --> 00:45:42,440 Speaker 1: thing she says, and its it sucks that that's her 768 00:45:42,840 --> 00:45:44,719 Speaker 1: language has to be even more nuanced, But again, I 769 00:45:44,760 --> 00:45:46,320 Speaker 1: think at the end of the day, the aim is 770 00:45:46,360 --> 00:45:48,160 Speaker 1: still the same. Is this the right thing? Are we 771 00:45:48,239 --> 00:45:51,880 Speaker 1: doing the right thing? Can we have a discussion about this? Uh, 772 00:45:51,920 --> 00:45:53,879 Speaker 1: We're gonna take a quick break. We'll be right back, 773 00:46:02,320 --> 00:46:06,560 Speaker 1: and we're back. What is something you think is underrated? Underrated? Uh? 774 00:46:07,160 --> 00:46:12,000 Speaker 1: Millions branded merchandise. Listen, I've never seen the Millions. I've 775 00:46:12,000 --> 00:46:14,040 Speaker 1: never seen any of the Millions movies. I couldn't really 776 00:46:14,040 --> 00:46:15,920 Speaker 1: tell you what they're about, but I know that I 777 00:46:15,960 --> 00:46:18,160 Speaker 1: like the Millions and I think they're fun and people 778 00:46:18,160 --> 00:46:21,319 Speaker 1: who are hating on them are the same kind of 779 00:46:21,320 --> 00:46:24,560 Speaker 1: people that hate on Guy Fieri, like that Grain Shade 780 00:46:24,560 --> 00:46:27,279 Speaker 1: and torust joke. They're just fucking bored and they're mean 781 00:46:27,400 --> 00:46:29,799 Speaker 1: spirited and they got nothing better to do. And I 782 00:46:29,840 --> 00:46:32,840 Speaker 1: think the millions are fun. I do. I think that 783 00:46:32,920 --> 00:46:35,080 Speaker 1: it's a little scary. They're all guys. Sure, I do. 784 00:46:35,320 --> 00:46:38,440 Speaker 1: But I got hurt the other day. Brag, I tripped, 785 00:46:39,600 --> 00:46:44,799 Speaker 1: I got I got to I got two scabs. There're 786 00:46:44,960 --> 00:46:48,080 Speaker 1: wet too long. I was where they're infected. Now they're 787 00:46:48,120 --> 00:46:51,719 Speaker 1: dry past the weeping face there. But but I went 788 00:46:51,760 --> 00:46:53,560 Speaker 1: to CVS because I didn't have a first aid kit 789 00:46:53,640 --> 00:46:56,200 Speaker 1: at my house. And there is a regular first aid kit, 790 00:46:56,280 --> 00:46:59,719 Speaker 1: and there's a million it costs a dollar fifty extra 791 00:46:59,800 --> 00:47:02,680 Speaker 1: of them. Like, man, those guys make me smile. I 792 00:47:02,760 --> 00:47:06,000 Speaker 1: got my first aid kit and all the band aids 793 00:47:06,000 --> 00:47:08,919 Speaker 1: are funny. The one that I'm wearing right now is says, uh, 794 00:47:08,960 --> 00:47:11,120 Speaker 1: it feels right to be a little wrong. And then 795 00:47:11,120 --> 00:47:13,360 Speaker 1: there's a minion and I was like, I'm laughing already. 796 00:47:13,560 --> 00:47:15,799 Speaker 1: I love feels right to be a little wrong. That's 797 00:47:15,840 --> 00:47:18,680 Speaker 1: like a lyric from a song from the eighties about 798 00:47:18,719 --> 00:47:22,640 Speaker 1: having an affair, and it's also how the minions feel 799 00:47:22,640 --> 00:47:26,640 Speaker 1: about my scab. I think they're is. One's name is 800 00:47:28,040 --> 00:47:36,320 Speaker 1: One is one named Kevin, I don't know one Despicable 801 00:47:36,360 --> 00:47:38,399 Speaker 1: Me movie, and I was like, all right, I don't 802 00:47:38,480 --> 00:47:40,440 Speaker 1: understand what why people need to hate on the minions, 803 00:47:40,480 --> 00:47:43,719 Speaker 1: Like it's just edge lord, bullshit, Mendians are fine. It's 804 00:47:43,719 --> 00:47:45,640 Speaker 1: not even edgy, you know what I mean. Like, it's 805 00:47:45,680 --> 00:47:48,080 Speaker 1: not even a thing where I'm like, oh yeah, like 806 00:47:48,200 --> 00:47:50,080 Speaker 1: funck or I can even see. It's just like you 807 00:47:50,560 --> 00:47:55,640 Speaker 1: just like a weird humanoid whatever these things are? What 808 00:47:55,680 --> 00:47:58,840 Speaker 1: are they're not They're they're technically not humanoid even what 809 00:47:58,880 --> 00:48:01,560 Speaker 1: actually it's officially, I don't know. They're little like cough 810 00:48:01,680 --> 00:48:04,440 Speaker 1: drop it. There's a lot of it's weird because they're 811 00:48:05,080 --> 00:48:10,400 Speaker 1: they're kind of like the Olympas, except their slavery narrative 812 00:48:10,480 --> 00:48:12,919 Speaker 1: is not as heavily. But they are deaf. They only 813 00:48:12,920 --> 00:48:15,640 Speaker 1: work for bananas, which is not okay. Yeah, right, so 814 00:48:15,800 --> 00:48:19,040 Speaker 1: they're but they weren't captured from a rainforest by some 815 00:48:19,440 --> 00:48:22,839 Speaker 1: like imperialist what's their I don't really know. I haven't 816 00:48:22,840 --> 00:48:27,440 Speaker 1: seen the movie. I just know I checked with I checked. Sorry. 817 00:48:27,440 --> 00:48:30,040 Speaker 1: My boyfriend says they're bad in bananas, not money, right, 818 00:48:30,239 --> 00:48:34,759 Speaker 1: so they should unionize Oh yeah, yeah yeah republic. Now 819 00:48:35,760 --> 00:48:39,400 Speaker 1: do you think for a community, a fictional community, to 820 00:48:39,480 --> 00:48:43,640 Speaker 1: be all boys like the Minions, which I didn't realize that, 821 00:48:44,360 --> 00:48:50,319 Speaker 1: or or to have a single female like no, I 822 00:48:50,360 --> 00:48:52,600 Speaker 1: think that well, I think that, you know, it would 823 00:48:52,600 --> 00:48:55,160 Speaker 1: be interesting to see Minions. Maybe they have I don't. 824 00:48:55,200 --> 00:48:58,959 Speaker 1: There's like, what seven hundred Minions movies. Maybe there has 825 00:48:59,040 --> 00:49:03,279 Speaker 1: been a female Minion that's become canonical over time. I'm 826 00:49:03,280 --> 00:49:07,520 Speaker 1: sorry about that. That's my Minions alert. They've been talking 827 00:49:07,560 --> 00:49:10,279 Speaker 1: about Minions for over five minutes. I mean, I don't 828 00:49:10,280 --> 00:49:14,520 Speaker 1: care for the whole narrative of that one female minion 829 00:49:14,640 --> 00:49:17,200 Speaker 1: must colonize the world. But it seems like the Minions 830 00:49:17,239 --> 00:49:19,960 Speaker 1: maybe a sexual and that they just pop in up 831 00:49:20,120 --> 00:49:22,040 Speaker 1: what I was thinking. I don't know. But in that 832 00:49:22,120 --> 00:49:24,879 Speaker 1: case it's on their creator. Who is what goofy Steve 833 00:49:24,880 --> 00:49:28,719 Speaker 1: Carell or something. His name is grew Okay, maybe he was. 834 00:49:28,760 --> 00:49:32,600 Speaker 1: I went to Universal Studios last week and there's Minions Land, 835 00:49:32,640 --> 00:49:34,239 Speaker 1: and I could not figure. I was like, this movie 836 00:49:34,320 --> 00:49:39,560 Speaker 1: must be crazy. There's an orphanage, there's an orphanage world. 837 00:49:39,719 --> 00:49:43,240 Speaker 1: I think he's evil and has some interaction with orphans, 838 00:49:43,320 --> 00:49:47,279 Speaker 1: whether he like adopts them. There's there's Despicable Me fans 839 00:49:47,280 --> 00:49:51,239 Speaker 1: who are like punching their staring wheels right now. I 840 00:49:51,239 --> 00:49:53,279 Speaker 1: went on the ride and it was something about there 841 00:49:53,320 --> 00:49:55,799 Speaker 1: was a very sad adoption narrative that happens on the 842 00:49:55,800 --> 00:49:58,359 Speaker 1: Minions right that it was like, this is like, it's 843 00:49:58,400 --> 00:50:01,680 Speaker 1: like Steve Carrell forgot about adopting a daughter, and at 844 00:50:01,680 --> 00:50:04,279 Speaker 1: the end of the riot he's like, just kidding. I remembered. 845 00:50:04,440 --> 00:50:06,440 Speaker 1: I was like, what the fun it is? I just 846 00:50:06,520 --> 00:50:11,280 Speaker 1: came here, rominions. You can't have real parents in American cinema. 847 00:50:11,440 --> 00:50:13,640 Speaker 1: You gott you gotta be an orphan of some sort. 848 00:50:13,719 --> 00:50:16,840 Speaker 1: Your parents have to die horribly or else. You're too soft, 849 00:50:17,400 --> 00:50:19,480 Speaker 1: you have too many advantage. That's your I mean that 850 00:50:19,520 --> 00:50:23,640 Speaker 1: was always your parenting creed right exactly. Don't be soft. 851 00:50:23,719 --> 00:50:26,399 Speaker 1: Ghost your kids and let them lift themselves up by 852 00:50:26,400 --> 00:50:29,520 Speaker 1: their bootstraps. I faked my death about a month ago. 853 00:50:30,120 --> 00:50:32,919 Speaker 1: Both of my boys, you know, I'll watch them grow 854 00:50:33,000 --> 00:50:43,160 Speaker 1: from afar and then right from behind a door. All right, 855 00:50:43,480 --> 00:50:47,840 Speaker 1: that's gonna do it. For this week's Weekly Zeitgeist, please 856 00:50:47,960 --> 00:50:51,280 Speaker 1: like and review the show. If you like the show, 857 00:50:51,840 --> 00:50:56,240 Speaker 1: uh means the world to Miles. He needs your validation, folks. 858 00:50:56,880 --> 00:50:59,919 Speaker 1: I hope you're having a great weekend and I will 859 00:51:00,000 --> 00:51:41,400 Speaker 1: talk to you Monday. Bye.