WEBVTT - Control w/ Samantha Mathis

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<v Speaker 1>Of the Law and Order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on. These are our stories.

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<v Speaker 1>Done done, Hello and welcome to That's Messed Up NSVU podcast.

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<v Speaker 3>I'm Kara Klank.

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<v Speaker 2>And I'm Lee's a Tragger coming to you live from

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<v Speaker 2>New York City.

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<v Speaker 3>Oh, we're by coastal Babies.

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<v Speaker 2>And even though it is in the top intro thing,

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<v Speaker 2>we always like to explain we talk SVU, we talk crime,

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<v Speaker 2>we have a guest, and we really love this podcast.

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<v Speaker 1>I like to imagine people are tuning into episode number

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<v Speaker 1>seventy for their first taste of this podcast, so we

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<v Speaker 1>always to explain what it is.

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<v Speaker 3>Yeah, they love just this specific episode and they only

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<v Speaker 3>watched this one. Listen. Life is good.

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<v Speaker 2>I do have to update everybody and say I've fallen

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<v Speaker 2>twice since last week. Oh my gosh, I sprained my

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<v Speaker 2>ankle Friday, south by Southwestern and alley walking like fully,

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<v Speaker 2>I felt my ankle give out, fell fell on my

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<v Speaker 2>knee again like like I have a mark, not big,

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<v Speaker 2>you know, it wasn't like bleeding. And then last night

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<v Speaker 2>I got a little sauced whatever I'm eating pizza. I

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<v Speaker 2>finally got to go to Prince Street Pizza. We're all

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<v Speaker 2>having fun. I turn around. I didn't see there was

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<v Speaker 2>a ledge. Fully fell again on my knee.

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<v Speaker 3>Like another huge fall.

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<v Speaker 2>But everyone made fun of me because immediately got up

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<v Speaker 2>and goes.

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<v Speaker 3>I fell again. I can't stop falling. I don't know

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<v Speaker 3>what it is.

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<v Speaker 2>I feel it's the Kerry Bradshaw Karma episode where with

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<v Speaker 2>a dorm room party and she falls. I just I

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<v Speaker 2>don't know why I keep falling.

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<v Speaker 1>You know, I feel as though you're cosmically connected to Rosie,

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<v Speaker 1>and Rosie has not stopped falling in a week, like truly,

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<v Speaker 1>you know, we have one step in our house. There

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<v Speaker 1>is one step in our house. It's like in the hallway.

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<v Speaker 1>It just goes from one. It is a dumb stack,

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<v Speaker 1>just stupid. But she's been around, she's been walking in

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<v Speaker 1>her whole life. Yesterday just fell doing it, you know

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<v Speaker 1>what I mean. Like she just keeps falling. But for her,

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<v Speaker 1>I think it's a growth spurt. For you, I don't

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<v Speaker 1>know what the fuck is going.

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<v Speaker 2>Well, well, she's obviously my tether is what I'm learning,

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<v Speaker 2>and so that's why I'm falling.

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<v Speaker 3>Oh my god.

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<v Speaker 1>Yes, when you gave her a Daniel tiger sleep, Matt,

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<v Speaker 1>you guys got tethered, and now you're she's.

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<v Speaker 3>Like your voodoo doll. Baby.

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<v Speaker 2>I can't wait for her birthday party. I know, you know,

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<v Speaker 2>we're trying not to do gifts. We're not doing stuffies.

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<v Speaker 2>I might go shop in my garage. I might see

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<v Speaker 2>what I have been there. You know she loves knickknacks. Yeah,

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<v Speaker 2>I think maybe I'll get her a bag of used

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<v Speaker 2>nick knacks, just to save the environment but keep keep

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<v Speaker 2>my girl happy.

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<v Speaker 3>Well, well, I was gonna.

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<v Speaker 2>Try to make your husband mad and get her temporary tattoos.

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<v Speaker 3>But you said she doesn't like it. Well no, yeah,

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<v Speaker 3>he wouldn't even care.

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<v Speaker 1>But like, yeah, I put one on her and she

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<v Speaker 1>goes cool, can you take it off now? Like she

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<v Speaker 1>just did not want it the second I put it on,

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<v Speaker 1>so you know, but she did the same thing when

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<v Speaker 1>I painted her nails. She goes, Okay, take it off now,

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<v Speaker 1>Yeah that's annoying. Anyway, let me do a little bit

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<v Speaker 1>of Let me do a little bit of announcement before

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<v Speaker 1>I before I forget, because I just want to So

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<v Speaker 1>we told you guys about San Francisco. That link is

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<v Speaker 1>now live. Please buy tickets to our San Francisco show.

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<v Speaker 1>We're so excited. You guys begged for it, We gave

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<v Speaker 1>it to you.

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<v Speaker 3>Let's go.

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<v Speaker 1>The other announcement is that our show this coming week

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<v Speaker 1>at Dynasty Typewriter in Los Angeles is going to be

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<v Speaker 1>live streamed. We have not announced this on the podcast yet,

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<v Speaker 1>We've only announced it on our socials. So if you're

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<v Speaker 1>one of our listeners that doesn't follow us on Instagram

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<v Speaker 1>or Twitter, now you know you can go to That's

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<v Speaker 1>Messed Up Live dot com and click on the LA

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<v Speaker 1>show and you can buy tickets for the live stream.

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<v Speaker 1>It is on YouTube, so you can watch it anywhere

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<v Speaker 1>in the world. If you're one of our UK or

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<v Speaker 1>Canada people that couldn't watch our first live stream, you

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<v Speaker 1>can watch this one because it's YouTube. There is going

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<v Speaker 1>to be a chat so you guys can all chit

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<v Speaker 1>chat and have fun with each other and talk and

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<v Speaker 1>we're going to be reading your chat like at the

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<v Speaker 1>show as well. And it's our only show we're going

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<v Speaker 1>to live stream from the tour, so and I also

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<v Speaker 1>want to mention we are doing different episodes at every

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<v Speaker 1>city stop. So even if you're coming to Denver or

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<v Speaker 1>you're coming to like Tempe, Hey, maybe you want to

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<v Speaker 1>see what we're doing in La.

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<v Speaker 3>It's a totally different episode.

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<v Speaker 1>And yeah, the live stream is also good for seven days,

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<v Speaker 1>so I know it's like, if you live in New York,

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<v Speaker 1>you don't want to watch it at one am. I

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<v Speaker 1>get that, but it's good for seven days. Wake up

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<v Speaker 1>on Sunday, drink your coffee, watch a little a little murder,

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<v Speaker 1>you know, Oh.

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<v Speaker 3>My god, while you were is that it for announcement? Yeah,

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<v Speaker 3>it really kills it. Well, let me give you a

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<v Speaker 3>shout out.

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<v Speaker 2>I don't know if any of you know how many

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<v Speaker 2>emails it takes to do anything, but Kara has answered

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<v Speaker 2>all of them. So thank god the tour is happening.

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<v Speaker 2>It would not have happened if she did not keep

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<v Speaker 2>responding to the countless fucking emails, particular links and post.

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<v Speaker 1>I mean, it's a lot of logistics, a lot of

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<v Speaker 1>moving parts.

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<v Speaker 2>Please like, keep supporting us so we can get an assistant.

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<v Speaker 2>I mean, I don't even know what else to say.

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<v Speaker 2>We can't Kara cannot keep answering these emails.

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<v Speaker 1>I'm gonna have to hire Rosie soon. No, And then

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<v Speaker 1>I one more thing I was gonna say is there's

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<v Speaker 1>like a handful of tickets left for LA. Please help

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<v Speaker 1>us sell out. If you haven't bought your LA ticket yet,

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<v Speaker 1>please come, there's only a few left. And then yeah,

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<v Speaker 1>obviously come join us on the live baby, and that's it.

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<v Speaker 3>Tell me what else is going on? You were in text?

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<v Speaker 2>Well, guess so I met yesterday Miss Cracker. Uh, but

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<v Speaker 2>I flailed and lost it and I know her. I

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<v Speaker 2>went up to her and I was just like, oh my,

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<v Speaker 2>I like I couldn't get it together and I don't

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<v Speaker 2>really know why. I mean, I know, and I was like,

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<v Speaker 2>I am so so I'm nervous and she looks at

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<v Speaker 2>me and I go, but I know, mateo.

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<v Speaker 3>And then whatever, Yeah, I kept name dropping mateo.

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<v Speaker 2>I couldn't get a sentence out, and Miss Cracker went,

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<v Speaker 2>I'm just a man in address, there's no reason to

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<v Speaker 2>be nervous.

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<v Speaker 1>And also, Miss Cracker, it is truly five feet tall,

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<v Speaker 1>the smallest person, yeah, like so diminutive, like not scary.

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<v Speaker 1>While she was in full drag though at a party

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<v Speaker 1>where no one else I mean maybe the star of

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<v Speaker 1>the hour.

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<v Speaker 3>I went to.

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<v Speaker 2>I got to go to Cat Cohen's like Netflix special

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<v Speaker 2>premiere gathering, and it was a Who's who. I'll tell

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<v Speaker 2>you that it was really wild, but that crazy bitch.

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<v Speaker 2>Her signature drink was a martini. A man left in

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<v Speaker 2>an ambulance. People were out of their mind. The signature

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<v Speaker 2>drink was martini. I mean, a recipe for disaster. I

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<v Speaker 2>can't even Everyone was just losing it on these martinis

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<v Speaker 2>all night long.

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<v Speaker 3>It was really wild.

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<v Speaker 1>I'm like, you classy bit, yeah, that's but also so chaotic.

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<v Speaker 3>So chaotic. Miss Cracker, though, is cool.

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<v Speaker 1>Like I helped Miss Cracker on a improv challenge that

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<v Speaker 1>she won, and she like thanked me afterwards. She's like,

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<v Speaker 1>you really got me out of my head. Thank you

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<v Speaker 1>so much for your help on this, and you'll love this.

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<v Speaker 1>Ms Cracker for you anything for a fellow jewis well?

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<v Speaker 3>Okay, wait, do you follow each other?

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<v Speaker 2>Can you message her and apologize that I couldn't stop stuttering?

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<v Speaker 3>No, I don't follow her. I'm not.

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<v Speaker 2>Oh my god, I don't know cut this or not.

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<v Speaker 3>We're all having.

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<v Speaker 1>Fun, I say, if we're gonna chat about drag, this

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<v Speaker 1>season is killing me.

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<v Speaker 2>Well, I didn't watch the one Friday, but I obviously

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<v Speaker 2>someone's golden ticket came out.

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<v Speaker 3>I'm assuming no someone again it No, nope, there was

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<v Speaker 3>no fucking golden ticket and no one got sent home. Nope.

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<v Speaker 1>Why it's like a setup for Okay, if you haven't

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<v Speaker 1>wont if you're not caught up on drag Race, please

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<v Speaker 1>I want to know. Yeah, yeah, if you're not caught

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<v Speaker 1>up under I don't want anyone to spoil. Also, this

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<v Speaker 1>comes out after the next episode will have already happened,

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<v Speaker 1>so I'm like, this will be kind of moot, but

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<v Speaker 1>we love to talk about shit. We're on the time machine.

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<v Speaker 1>So basically, they bombed snatch game. They did bad, like

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<v Speaker 1>all of them, Like the only person that did well

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<v Speaker 1>won the whole challenge and the rest of them are

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<v Speaker 1>in the bottom. So rub basically said, next week, you're

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<v Speaker 1>all lip syncing for your life.

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<v Speaker 3>But it's gonna be like Lolla Perusa or whatever they

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<v Speaker 3>did before.

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<v Speaker 1>Okay, just leading it into that instead of eliminating someone.

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<v Speaker 1>But I really hope there's like a double elimination. It

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<v Speaker 1>makes me feel like the show's gonna go on until

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<v Speaker 1>the like fucking fall. I mean, it's like, no one's

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<v Speaker 1>gone home and like it's crazy.

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<v Speaker 3>Yeah, I'm and they all just.

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<v Speaker 1>Did super bad on Snatch Game, like George just did

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<v Speaker 1>a lot of Glazer. It was not good, Like you

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<v Speaker 1>just gotta watch it. I cannot wait. Yeah, it's just

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<v Speaker 1>wild to me. You've watched fourteen thirteen seasons of this show.

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<v Speaker 1>You've watched five seasons of All Stars, six six seasons

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<v Speaker 1>of All Stars.

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<v Speaker 3>You know what snatch game is.

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<v Speaker 1>Get a bunch of your friends together, brainstorm workshop, figure

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<v Speaker 1>out how you're gonna kill the snatch game. Like it

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<v Speaker 1>doesn't seem call mateo.

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<v Speaker 2>Yeah you're all happy with Mateo, Like why yeah, why

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<v Speaker 2>wouldn't you work with someone?

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<v Speaker 3>But yeah, but I don't.

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<v Speaker 2>I think I get it because if I got on Survivor,

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<v Speaker 2>I would not learn how to make a fire before

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<v Speaker 2>I got and then everyone would be like why didn't

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<v Speaker 2>you learn to make a fire, And I'd be like

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<v Speaker 2>I didn't want to, Like I get it, Like I

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<v Speaker 2>don't know if I would learn to sew, I don't know. Yeah,

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<v Speaker 2>well that's why I can't fully juge. Just so learning

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<v Speaker 2>to make a fire, I don't know.

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<v Speaker 1>Those are like, yeah, I get learning to make a

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<v Speaker 1>fire's not that hard, but learning to sew seems very

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<v Speaker 1>hard to me at least, but like, yeah, I don't know.

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<v Speaker 1>It's just like figure out with your friends, like an accent,

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<v Speaker 1>you can do a voice, like it's just you know.

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<v Speaker 1>What's also tough is that you're not allowed to be

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<v Speaker 1>any fictional characters. You have to be like real people,

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<v Speaker 1>and there's just not that many real people that are

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<v Speaker 1>that big of a character or that interest you know

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<v Speaker 1>what I mean, Like, but.

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<v Speaker 2>You make them interesting because like I'm sorry, Adele is

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<v Speaker 2>not like ha, you know, but Gingerminge killed.

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<v Speaker 3>Yeah, yeah, Adele's pretty funny.

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<v Speaker 1>But yeah, he say, like it's like when they do Gaga,

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<v Speaker 1>when three of them do Gaga, Gaga's not really a

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<v Speaker 1>big personality.

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<v Speaker 3>There's not like a thing where you're like, oh, that's

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<v Speaker 3>but I believe that I can make Gaga fun. I do.

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<v Speaker 2>I think there's ways to make Gaga funny and silly

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<v Speaker 2>and weird.

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<v Speaker 3>He's weird.

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<v Speaker 2>If you saw her Thanksgiving special or her banter, She's

0:10:12.640 --> 0:10:16.400
<v Speaker 2>a fucking psycho. Her movements are nuts. Like, there are

0:10:16.520 --> 0:10:19.760
<v Speaker 2>ways to do it. They're just like comedy is hard.

0:10:19.840 --> 0:10:21.600
<v Speaker 2>I mean at the end of the day, yeah, of course.

0:10:21.320 --> 0:10:23.080
<v Speaker 3>Of course, but you also have to come in with

0:10:23.160 --> 0:10:24.080
<v Speaker 3>multiple jokes.

0:10:24.120 --> 0:10:26.000
<v Speaker 1>You have to come in not just going, oh this

0:10:26.040 --> 0:10:28.440
<v Speaker 1>person does this, you have to come in with multiple

0:10:28.480 --> 0:10:29.160
<v Speaker 1>things that they do.

0:10:29.240 --> 0:10:30.520
<v Speaker 3>Anyway, I'm here as.

0:10:30.360 --> 0:10:34.800
<v Speaker 2>Your stating to be in the moment because RuPaul does lobby,

0:10:34.960 --> 0:10:38.439
<v Speaker 2>lob him up, lob them up. You know, like, yeah,

0:10:38.600 --> 0:10:43.000
<v Speaker 2>RuPaul is on your side. It hard Listen if any

0:10:43.080 --> 0:10:45.040
<v Speaker 2>drag queens are listening to this, I mean, I think

0:10:45.080 --> 0:10:45.720
<v Speaker 2>Shay listens.

0:10:45.720 --> 0:10:48.560
<v Speaker 1>Sometimes some other queens might listen. If you get on

0:10:48.640 --> 0:10:51.400
<v Speaker 1>drag Race, I will be your snatch game consultant. I

0:10:51.440 --> 0:10:54.600
<v Speaker 1>will help you figure something out. Please contact me DM me.

0:10:54.679 --> 0:10:57.199
<v Speaker 1>My dms are open. Lisa, what were you gonna say?

0:10:57.200 --> 0:11:00.400
<v Speaker 1>I'm well, not as good as this. So do you

0:11:00.440 --> 0:11:03.560
<v Speaker 1>remember last year you're in a half quote whatever. A

0:11:03.600 --> 0:11:04.280
<v Speaker 1>book came out.

0:11:04.920 --> 0:11:06.920
<v Speaker 2>Amy Beth Sall put it together and it was like

0:11:06.920 --> 0:11:10.160
<v Speaker 2>thee hundred and fifty Funniest Girl Comics, and it was

0:11:10.200 --> 0:11:12.600
<v Speaker 2>all these stories and drawings and it was like a big.

0:11:12.720 --> 0:11:15.480
<v Speaker 3>Notes on a bathroom the bathroom line or whatever. Yeah.

0:11:15.640 --> 0:11:17.920
<v Speaker 2>So I got to meet her, and as I said,

0:11:17.960 --> 0:11:20.520
<v Speaker 2>the martinis were pouring, and I did say, I go.

0:11:20.640 --> 0:11:21.800
<v Speaker 2>You know, when the book came out, I was a

0:11:21.800 --> 0:11:24.040
<v Speaker 2>little bit like where am I and I got to

0:11:24.160 --> 0:11:26.960
<v Speaker 2>kind of confront her and it felt funny. I said,

0:11:27.000 --> 0:11:27.920
<v Speaker 2>that's very funny.

0:11:27.920 --> 0:11:31.040
<v Speaker 1>But I saw I knew some female comedians who spiraled

0:11:31.040 --> 0:11:32.240
<v Speaker 1>that they were not in that book.

0:11:33.040 --> 0:11:33.600
<v Speaker 3>I know I was.

0:11:33.720 --> 0:11:38.640
<v Speaker 2>Some were not taking it well, no, and everyone was great.

0:11:38.640 --> 0:11:40.320
<v Speaker 2>We were talking about all the artists, but I was like,

0:11:40.480 --> 0:11:43.040
<v Speaker 2>you know, I did. I was like one hundred and

0:11:43.080 --> 0:11:44.800
<v Speaker 2>fifty I didn't even make and she goes, I know,

0:11:44.880 --> 0:11:45.360
<v Speaker 2>it was tough.

0:11:45.400 --> 0:11:46.480
<v Speaker 3>There's so many cool ones.

0:11:46.480 --> 0:11:49.200
<v Speaker 1>I wish this and that, and there were I mean

0:11:49.200 --> 0:11:51.640
<v Speaker 1>there were like big names that don't do comedy at all,

0:11:51.760 --> 0:11:54.720
<v Speaker 1>you know, like so well, we can't all be in everything.

0:11:54.720 --> 0:11:57.079
<v Speaker 1>But it was just funny to be able to be like, oh,

0:11:57.080 --> 0:11:58.959
<v Speaker 1>I noticed bitch and I did take note on a

0:11:59.000 --> 0:12:01.960
<v Speaker 1>bathroom line that I was not in it.

0:12:02.040 --> 0:12:04.040
<v Speaker 3>But yeah, it was cool.

0:12:04.200 --> 0:12:06.800
<v Speaker 2>All these like Princeton people were at the I don't know,

0:12:06.880 --> 0:12:09.160
<v Speaker 2>you're your friends with summer camp and college you guys

0:12:09.240 --> 0:12:11.680
<v Speaker 2>keep Yeah, most of my friends I would say I

0:12:11.760 --> 0:12:12.520
<v Speaker 2>met in comedy.

0:12:12.559 --> 0:12:17.200
<v Speaker 1>That's yeah, not all industry people. It was like lots

0:12:17.200 --> 0:12:18.040
<v Speaker 1>of hours.

0:12:18.040 --> 0:12:19.160
<v Speaker 3>But because and you.

0:12:19.120 --> 0:12:21.360
<v Speaker 2>Guys might know this because you listen to our podcast,

0:12:21.440 --> 0:12:23.600
<v Speaker 2>but I listened to all these people's podcasts, and so

0:12:23.679 --> 0:12:25.640
<v Speaker 2>it is crazy to meet people and be like, well,

0:12:25.679 --> 0:12:27.600
<v Speaker 2>I know you're in couple's therapy, so how's that going?

0:12:27.880 --> 0:12:32.840
<v Speaker 2>Like I'm like, so you did antal with your boyfriend?

0:12:32.880 --> 0:12:33.800
<v Speaker 2>I heard that, how did it go?

0:12:34.040 --> 0:12:34.160
<v Speaker 3>Like?

0:12:34.200 --> 0:12:36.600
<v Speaker 2>It is why you just know so much about all

0:12:36.600 --> 0:12:39.840
<v Speaker 2>these loose people. They are guests on podcasts or you

0:12:39.880 --> 0:12:42.560
<v Speaker 2>listen to their podcasts and you have to kind of

0:12:42.640 --> 0:12:45.800
<v Speaker 2>keep it tight. But the Martinez very blunt. It was

0:12:45.840 --> 0:12:46.600
<v Speaker 2>a blunt party.

0:12:47.280 --> 0:12:49.680
<v Speaker 1>Surprised that did not devolve into like a full orgy

0:12:49.720 --> 0:12:51.120
<v Speaker 1>that sounds so crazy.

0:12:51.400 --> 0:12:53.959
<v Speaker 2>Not a full orgy, but definitely like we were all

0:12:54.240 --> 0:12:57.000
<v Speaker 2>we had to like pull a person who could not stand.

0:12:57.360 --> 0:12:59.120
<v Speaker 2>But we're all theater kids, so it was like eight

0:12:59.160 --> 0:13:01.120
<v Speaker 2>of us trying to very one little man.

0:13:03.000 --> 0:13:05.559
<v Speaker 3>It was like it was make a gurney.

0:13:08.880 --> 0:13:12.080
<v Speaker 2>And if you guys don't know Cat Cohen Special, our

0:13:12.160 --> 0:13:15.480
<v Speaker 2>amazing friend who did our theme song for this podcast.

0:13:15.559 --> 0:13:18.520
<v Speaker 2>Henry Koperski is the musical director of that special. He

0:13:18.559 --> 0:13:20.760
<v Speaker 2>plays the piano, so you get to see him sitting.

0:13:20.880 --> 0:13:24.280
<v Speaker 2>He like co wrote the songs, so shout out to

0:13:24.320 --> 0:13:26.920
<v Speaker 2>Henry as well. It was so looking like a Kendall

0:13:27.080 --> 0:13:29.840
<v Speaker 2>fucking cutie and brought insomniac cookies.

0:13:29.920 --> 0:13:30.679
<v Speaker 3>That's a stock.

0:13:31.559 --> 0:13:33.400
<v Speaker 1>I used to live around a corner from one of those.

0:13:34.280 --> 0:13:35.040
<v Speaker 1>He's so talented.

0:13:35.120 --> 0:13:37.280
<v Speaker 3>Yeah, guys, check out Cat Cohen special on Netflix.

0:13:37.600 --> 0:13:39.880
<v Speaker 2>I'm trying to think of his south By Southwest story.

0:13:39.920 --> 0:13:43.000
<v Speaker 2>It is such a giant festival. But I truly I did.

0:13:42.880 --> 0:13:43.400
<v Speaker 3>Do a zoom.

0:13:43.800 --> 0:13:46.199
<v Speaker 1>I did do a zoom with Lisa by the pool.

0:13:46.640 --> 0:13:49.360
<v Speaker 1>She was very living her best life.

0:13:49.520 --> 0:13:49.840
<v Speaker 3>Cool.

0:13:50.160 --> 0:13:54.960
<v Speaker 2>Yeah, working at a cabana pool is awesome. But I

0:13:55.000 --> 0:13:57.240
<v Speaker 2>felt like all the other south By douches. We were

0:13:57.240 --> 0:13:59.680
<v Speaker 2>all just like douche on our zoom calls at the pool.

0:13:59.720 --> 0:14:01.360
<v Speaker 2>But it's, you know.

0:14:01.320 --> 0:14:02.439
<v Speaker 3>Well that's kind of good though.

0:14:02.480 --> 0:14:04.560
<v Speaker 1>I don't want to be somewhere where people are relaxing

0:14:04.720 --> 0:14:06.679
<v Speaker 1>and I'm on a zoom call. Like I'd rather we

0:14:06.720 --> 0:14:08.360
<v Speaker 1>all be on the fucking zoom calls.

0:14:08.400 --> 0:14:11.960
<v Speaker 3>We're all the worst people, you know, Yeah, we all

0:14:12.000 --> 0:14:13.280
<v Speaker 3>just can't take a break.

0:14:13.480 --> 0:14:16.720
<v Speaker 1>Well, you know, it's you know, it basically goes elon Musk,

0:14:16.920 --> 0:14:18.880
<v Speaker 1>the guys who found a Google Lisa trigger. I mean

0:14:18.960 --> 0:14:21.280
<v Speaker 1>it's like this, these are the great tech minds that

0:14:21.320 --> 0:14:23.320
<v Speaker 1>are at south By, so they need.

0:14:23.200 --> 0:14:25.520
<v Speaker 2>To know the audience. Are so many tech people. I

0:14:25.560 --> 0:14:28.680
<v Speaker 2>did meet Bever's his name is John, but from Broad City.

0:14:29.240 --> 0:14:32.600
<v Speaker 3>Remember I know John Gemberling very well. We've known each other. Oh,

0:14:32.640 --> 0:14:33.320
<v Speaker 3>oh amazing.

0:14:33.400 --> 0:14:34.680
<v Speaker 2>I don't know him at all, and I just went,

0:14:34.720 --> 0:14:37.160
<v Speaker 2>I know you from television, points right at him.

0:14:37.200 --> 0:14:39.240
<v Speaker 3>But then we became friends. So that was he. And

0:14:39.320 --> 0:14:42.600
<v Speaker 3>I met Danielle Schneider from Bitch. Oh yeah, she was

0:14:42.760 --> 0:14:44.320
<v Speaker 3>yeuse because her husband goes there.

0:14:44.840 --> 0:14:47.760
<v Speaker 2>Yeah, and they brought their daughter, who had a giant

0:14:47.760 --> 0:14:49.360
<v Speaker 2>bow and I got to be like you a Jojo

0:14:49.520 --> 0:14:52.120
<v Speaker 2>Sewa fan and uh so I got to bond with

0:14:52.560 --> 0:14:53.000
<v Speaker 2>their daughter.

0:14:53.040 --> 0:14:53.240
<v Speaker 3>Today.

0:14:53.280 --> 0:14:55.600
<v Speaker 1>They recently did a live show and Sydney came out

0:14:55.600 --> 0:14:57.800
<v Speaker 1>on stage in New York to like, I think like

0:14:57.840 --> 0:15:00.480
<v Speaker 1>a couple thousand people like the daughter like came out

0:15:00.640 --> 0:15:03.720
<v Speaker 1>and did like a they do like reenactments of housewives

0:15:03.760 --> 0:15:04.240
<v Speaker 1>and stuff.

0:15:04.920 --> 0:15:06.160
<v Speaker 3>We could do that on our podcast.

0:15:06.240 --> 0:15:08.160
<v Speaker 1>I think they would just be sad, but they do

0:15:08.200 --> 0:15:09.960
<v Speaker 1>that on their podcast and it's funny. And I think

0:15:09.960 --> 0:15:12.720
<v Speaker 1>the little girl like did a part and it sounded

0:15:12.760 --> 0:15:14.360
<v Speaker 1>I don't I mean, I obviously wasn't there, but it

0:15:14.440 --> 0:15:15.280
<v Speaker 1>sounded really cute.

0:15:15.600 --> 0:15:17.280
<v Speaker 3>So she wasn't mean age with.

0:15:17.240 --> 0:15:19.000
<v Speaker 2>A map, but yeah, I was like, I'm a Bravo

0:15:19.160 --> 0:15:22.600
<v Speaker 2>girl and it was very thrilling to chat.

0:15:22.400 --> 0:15:22.880
<v Speaker 3>A little bit.

0:15:23.680 --> 0:15:25.840
<v Speaker 2>But it sounds like a lot of fun, not so great,

0:15:26.360 --> 0:15:28.240
<v Speaker 2>and it's just a lot of us haven't seen each other.

0:15:28.280 --> 0:15:29.800
<v Speaker 2>Like I didn't see any movies, I didn't go to

0:15:29.800 --> 0:15:31.600
<v Speaker 2>any bars, I didn't go dancing. I sat in like

0:15:31.640 --> 0:15:34.120
<v Speaker 2>the lounge and just like talk to everyone that I

0:15:34.160 --> 0:15:36.200
<v Speaker 2>was so excited to see and our friends, and I

0:15:36.200 --> 0:15:38.480
<v Speaker 2>want to give a shout out to I would say,

0:15:38.520 --> 0:15:41.000
<v Speaker 2>one of the best photographers in the whole world, Mindy Tucker.

0:15:41.280 --> 0:15:44.840
<v Speaker 2>Like I was not feeling my best. I didn't feel

0:15:44.880 --> 0:15:47.920
<v Speaker 2>that cool. And then one moment in front of her

0:15:47.960 --> 0:15:50.560
<v Speaker 2>camera and I looked at the photos and I go, oh, okay,

0:15:50.640 --> 0:15:51.200
<v Speaker 2>I'm changing.

0:15:51.280 --> 0:15:53.440
<v Speaker 3>No, you look awesome in her photos. She is. She

0:15:53.600 --> 0:15:54.280
<v Speaker 3>is incredible.

0:15:54.400 --> 0:15:57.000
<v Speaker 1>She's you're on the East call my headshots of my

0:15:57.080 --> 0:15:59.280
<v Speaker 1>first like six headshots before I moved to La.

0:15:59.440 --> 0:16:01.040
<v Speaker 3>She's she was invited to my.

0:16:01.000 --> 0:16:03.560
<v Speaker 1>Wedding, she just couldn't come because she was shooting another wedding.

0:16:04.240 --> 0:16:06.840
<v Speaker 1>Like she's a friend of mine and I love it.

0:16:06.840 --> 0:16:08.960
<v Speaker 3>It was awesome to see.

0:16:08.760 --> 0:16:10.800
<v Speaker 2>Her and you get to catch up while she's shooting you.

0:16:11.120 --> 0:16:15.520
<v Speaker 3>And that was very truly the best She's in.

0:16:15.440 --> 0:16:18.720
<v Speaker 2>Between the falls. That was the big, the big thing

0:16:18.800 --> 0:16:20.040
<v Speaker 2>for me, and I think I met some.

0:16:20.040 --> 0:16:24.480
<v Speaker 1>Listening in between the falls, the highlights in between falls,

0:16:24.520 --> 0:16:25.600
<v Speaker 1>the Lisa trigger story.

0:16:25.640 --> 0:16:28.360
<v Speaker 3>Okay, but well listen, listen.

0:16:28.400 --> 0:16:31.600
<v Speaker 2>And I did have an espresso martini at the four seasons. Listen,

0:16:31.760 --> 0:16:35.320
<v Speaker 2>I am I'm doing. Someone had a prettium, someone had

0:16:35.320 --> 0:16:35.760
<v Speaker 2>a pretty am.

0:16:36.440 --> 0:16:39.360
<v Speaker 1>Well, let's get started, because this episode is a classic.

0:16:39.400 --> 0:16:41.760
<v Speaker 3>I'm so excited. We've wanted to do it for a

0:16:41.880 --> 0:16:42.800
<v Speaker 3>very long time.

0:16:43.280 --> 0:16:47.160
<v Speaker 2>And happy porum to everyone, and let's get fucking started.

0:16:51.600 --> 0:16:52.120
<v Speaker 3>All right.

0:16:52.920 --> 0:16:57.560
<v Speaker 1>We are talking today about Control season five, episode nine,

0:16:57.760 --> 0:16:59.800
<v Speaker 1>clearly a banger of a season. Lisa, this is our

0:17:00.000 --> 0:17:01.520
<v Speaker 1>even episode from season five.

0:17:02.320 --> 0:17:03.800
<v Speaker 3>Wow. When I was going through, I was like, wait,

0:17:03.840 --> 0:17:04.800
<v Speaker 3>we've done that long, We've done that.

0:17:04.800 --> 0:17:06.960
<v Speaker 1>I was like, damn, We've done a lot from this episode,

0:17:07.160 --> 0:17:11.359
<v Speaker 1>I mean, this season. So we get an opening card

0:17:11.400 --> 0:17:14.760
<v Speaker 1>on this episode that says, although inspired in part by

0:17:14.760 --> 0:17:17.880
<v Speaker 1>a true incident, the following story is fictional blah blah blah.

0:17:18.000 --> 0:17:20.320
<v Speaker 1>And I wonder why sometimes they have this card and

0:17:20.400 --> 0:17:22.560
<v Speaker 1>other times they don't. We'll have to ask Neil, like,

0:17:22.560 --> 0:17:26.320
<v Speaker 1>I wonder how much information, like what percentage of information

0:17:26.400 --> 0:17:28.040
<v Speaker 1>has to be ripped in order for them to give

0:17:28.080 --> 0:17:30.200
<v Speaker 1>you this little although inspired in part.

0:17:29.960 --> 0:17:32.719
<v Speaker 2>By I've actually never noticed that I have.

0:17:32.800 --> 0:17:34.760
<v Speaker 1>I've noticed it a few times, like sometimes they'll be like,

0:17:35.680 --> 0:17:37.720
<v Speaker 1>it's like crazy to me, because it's like some episodes

0:17:37.800 --> 0:17:40.159
<v Speaker 1>it's like this is Michael Jackson, this is Woody All

0:17:40.240 --> 0:17:42.560
<v Speaker 1>and like you're not, like no, you're fooling no one,

0:17:42.720 --> 0:17:44.920
<v Speaker 1>you know. And so I don't even know if those

0:17:44.960 --> 0:17:46.880
<v Speaker 1>come with those. We'll have to see when we cover those.

0:17:46.920 --> 0:17:50.960
<v Speaker 1>But so we start on an escalator going down into

0:17:50.960 --> 0:17:53.320
<v Speaker 1>the subway where there's this little cutie holding hands with

0:17:53.320 --> 0:17:56.920
<v Speaker 1>her grandpa and he is played by none other than

0:17:57.480 --> 0:18:02.800
<v Speaker 1>Mickey hargatea father of RISHKAHARGAATEA Wow, that is her father,

0:18:03.040 --> 0:18:05.280
<v Speaker 1>and he didn't do really much acting, it looks like

0:18:05.320 --> 0:18:08.159
<v Speaker 1>according to his IMDb after the early seventies, so this

0:18:08.240 --> 0:18:09.919
<v Speaker 1>was probably just like a fun thing to do with

0:18:09.960 --> 0:18:10.480
<v Speaker 1>his daughter.

0:18:10.760 --> 0:18:12.119
<v Speaker 3>And then he died in two thousand and six, a

0:18:12.119 --> 0:18:15.200
<v Speaker 3>few years later. So I love this. So the little

0:18:15.200 --> 0:18:17.360
<v Speaker 3>girl's like Grandpa who made the world.

0:18:17.600 --> 0:18:21.200
<v Speaker 1>It's a little bit too precocious almost, and he's answering

0:18:21.240 --> 0:18:23.480
<v Speaker 1>her and it's really cute because he's like some people say,

0:18:23.480 --> 0:18:26.840
<v Speaker 1>it's God, some people. And then we're sort of flashing

0:18:26.880 --> 0:18:29.159
<v Speaker 1>on a man who's coming to the up escalator and

0:18:29.200 --> 0:18:30.720
<v Speaker 1>he's like moaning in pain.

0:18:30.800 --> 0:18:33.000
<v Speaker 3>We don't know what's going on with him, and.

0:18:32.960 --> 0:18:36.080
<v Speaker 1>He's getting closer and closer to passing them, and the

0:18:36.320 --> 0:18:38.879
<v Speaker 1>little girl's like, I think Bob the Builder made the world.

0:18:38.920 --> 0:18:41.480
<v Speaker 3>That's his job. And it's like, okay, cute little shout

0:18:41.520 --> 0:18:42.440
<v Speaker 3>out to Bob the Builder.

0:18:42.720 --> 0:18:44.600
<v Speaker 1>And then right when the grandpa and the little girl

0:18:44.640 --> 0:18:47.520
<v Speaker 1>are getting close to this man, the grandpa notices that

0:18:47.520 --> 0:18:50.040
<v Speaker 1>the guy is covered in blood from like in his

0:18:50.119 --> 0:18:53.400
<v Speaker 1>genital region, and he screams, Oh my god. And then

0:18:53.400 --> 0:18:56.119
<v Speaker 1>the man stumbles back to the bottom of the escalator.

0:18:56.680 --> 0:19:00.480
<v Speaker 1>And it's very dramatic and it reminded me of the

0:19:00.560 --> 0:19:04.159
<v Speaker 1>subway stop. I think it's like Lexington in fiftieth or

0:19:04.200 --> 0:19:05.440
<v Speaker 1>something where it's like just.

0:19:05.480 --> 0:19:06.960
<v Speaker 3>A million escalators.

0:19:07.040 --> 0:19:08.560
<v Speaker 1>You feel like you're coming up from the center of

0:19:08.560 --> 0:19:09.960
<v Speaker 1>the earth, you know what I'm talking about.

0:19:10.040 --> 0:19:10.640
<v Speaker 3>Oh my god.

0:19:10.880 --> 0:19:12.840
<v Speaker 1>It's like I'm not even scared of heights, and I'm like,

0:19:12.840 --> 0:19:17.399
<v Speaker 1>don't look back, it's like too many escalators and by Bloomingdale's.

0:19:16.840 --> 0:19:17.880
<v Speaker 3>Yeah, yeah.

0:19:18.119 --> 0:19:20.159
<v Speaker 1>So now we cut to CSU on the scene and

0:19:20.160 --> 0:19:22.840
<v Speaker 1>I believe it's a CSU. Captain Judish Cipher on the

0:19:22.840 --> 0:19:26.040
<v Speaker 1>scene again, and Marishka is questioning her dad and it's

0:19:26.080 --> 0:19:28.320
<v Speaker 1>really cute and they kind of have like matching swoopy

0:19:28.359 --> 0:19:30.760
<v Speaker 1>hair in it, and I really am loving it. And

0:19:30.920 --> 0:19:33.600
<v Speaker 1>he tells Olivia the whole story, and then he says

0:19:33.640 --> 0:19:35.679
<v Speaker 1>he called nine one one, and when she said, did

0:19:35.720 --> 0:19:38.040
<v Speaker 1>he say anything, the guy said, he just kept saying

0:19:38.119 --> 0:19:43.240
<v Speaker 1>it's a mistake. It's a mistake. And now Stabler is

0:19:44.200 --> 0:19:46.040
<v Speaker 1>on the scene and he's got the victim's name. His

0:19:46.119 --> 0:19:49.680
<v Speaker 1>name is Horace Gorman and the actor that plays him

0:19:49.960 --> 0:19:52.680
<v Speaker 1>is named Austin Pendleton. And I feel like I've seen

0:19:52.720 --> 0:19:55.240
<v Speaker 1>this man my entire life in different stuff. He's got

0:19:55.280 --> 0:19:59.520
<v Speaker 1>one hundred and fifty five credits. Interesting credit. One of

0:19:59.520 --> 0:20:02.280
<v Speaker 1>them is he plays Gurgle and Finding Nemo and Dory,

0:20:02.480 --> 0:20:04.200
<v Speaker 1>all of those movies he plays one of this fish

0:20:04.240 --> 0:20:07.040
<v Speaker 1>called Gurgle. That's his voice. He's also in Oz My

0:20:07.119 --> 0:20:10.119
<v Speaker 1>Cousin Vinnie, Short Circuit and one of my favorite movies

0:20:10.119 --> 0:20:13.280
<v Speaker 1>of the eighties, hello again with Shelley long obsessed with

0:20:13.280 --> 0:20:16.199
<v Speaker 1>this movie and he's basically all over the place working

0:20:16.720 --> 0:20:19.120
<v Speaker 1>and then Stabler is in here with the big pre

0:20:19.119 --> 0:20:22.720
<v Speaker 1>credits reveal Gorman's penis and texticles were cut off and

0:20:22.760 --> 0:20:23.840
<v Speaker 1>they are nowhere to be found.

0:20:24.880 --> 0:20:29.880
<v Speaker 3>Done done, and now on them. Baby. So it's one

0:20:29.920 --> 0:20:30.320
<v Speaker 3>of those.

0:20:30.600 --> 0:20:32.760
<v Speaker 1>I think we've had more than one person get their

0:20:32.800 --> 0:20:34.800
<v Speaker 1>dick chopped off, Like definitely, there was I think in

0:20:34.880 --> 0:20:36.720
<v Speaker 1>one of the first episodes ever.

0:20:36.680 --> 0:20:38.200
<v Speaker 3>The pilot season one, Baby.

0:20:38.320 --> 0:20:41.000
<v Speaker 1>Yeah, yeah, he gets his uh dick, either dick's stash's

0:20:41.359 --> 0:20:45.119
<v Speaker 1>or criminal yeah from Serbia or something. We've had some

0:20:45.280 --> 0:20:49.000
<v Speaker 1>other pedophiles on the show that cast straight themselves to

0:20:49.080 --> 0:20:51.879
<v Speaker 1>get out of like for parole reasons or something.

0:20:51.960 --> 0:20:52.760
<v Speaker 3>Yeah.

0:20:52.920 --> 0:20:56.520
<v Speaker 1>Yeah, but we've seen missing We've heard missing family jewels,

0:20:56.560 --> 0:20:57.480
<v Speaker 1>puns from these guys.

0:20:57.520 --> 0:20:59.359
<v Speaker 2>Oh yeah, there's also one where it's like an old

0:20:59.400 --> 0:21:02.120
<v Speaker 2>teacher that molested a bunch of the girls and they

0:21:02.119 --> 0:21:03.480
<v Speaker 2>saw him in a hotel room.

0:21:03.520 --> 0:21:05.160
<v Speaker 3>They chop they castraight him.

0:21:05.440 --> 0:21:05.680
<v Speaker 4>Mmm.

0:21:06.440 --> 0:21:08.480
<v Speaker 3>So yeah, there's been some dicks. There's been a few

0:21:08.760 --> 0:21:10.840
<v Speaker 3>cut penises on this show for sure.

0:21:11.960 --> 0:21:14.840
<v Speaker 1>So in the hospital, Gorman is sitting up in bed

0:21:14.880 --> 0:21:17.320
<v Speaker 1>talking to the cops with one of these cartoony like

0:21:17.359 --> 0:21:19.520
<v Speaker 1>all the way around the nog and bandages, which I

0:21:19.600 --> 0:21:22.960
<v Speaker 1>just am always like what is that? What's happening? And

0:21:23.000 --> 0:21:25.879
<v Speaker 1>he doesn't remember anything that happened. He just remembers stepping

0:21:25.880 --> 0:21:29.720
<v Speaker 1>off the train onto the platform and then that was it,

0:21:29.960 --> 0:21:32.479
<v Speaker 1>and he said everything else is a bore, and they go, well,

0:21:32.520 --> 0:21:32.919
<v Speaker 1>you were.

0:21:32.760 --> 0:21:33.240
<v Speaker 3>Saying it was.

0:21:33.280 --> 0:21:35.160
<v Speaker 1>It's a mistake. It's a mistake. What did you mean,

0:21:35.200 --> 0:21:37.480
<v Speaker 1>And he goes, I must have been delirious. The last

0:21:37.480 --> 0:21:39.240
<v Speaker 1>thing I felt was something hitting the back of my

0:21:39.320 --> 0:21:43.000
<v Speaker 1>head and then darkness. But he does remember, and suddenly

0:21:43.040 --> 0:21:44.520
<v Speaker 1>he's like, I remember nothing, and then it's like, but

0:21:44.560 --> 0:21:48.080
<v Speaker 1>I remember this very specific detail. He remembers an unhoused

0:21:48.119 --> 0:21:51.680
<v Speaker 1>man in black rags ranting and about a Judas tree

0:21:51.720 --> 0:21:54.720
<v Speaker 1>and other like religious stuff, and then he starts to

0:21:54.720 --> 0:21:57.320
<v Speaker 1>get upset and is like I'm not a man anymore,

0:21:57.480 --> 0:22:00.760
<v Speaker 1>and he's all like crying and upset. So back at

0:22:00.800 --> 0:22:04.040
<v Speaker 1>the precinct, Olivia is like looking at all the info

0:22:04.040 --> 0:22:05.879
<v Speaker 1>on the board and she's kind of like, maybe he

0:22:05.960 --> 0:22:08.679
<v Speaker 1>wanted to be castrated, Like the emmy said. It was

0:22:08.680 --> 0:22:10.960
<v Speaker 1>cut with something sharp like a scalpel, like this was

0:22:10.960 --> 0:22:14.320
<v Speaker 1>obviously like maybe he went in for some kind of

0:22:14.400 --> 0:22:17.240
<v Speaker 1>you know, penis removal, which is a wild way to

0:22:17.280 --> 0:22:19.159
<v Speaker 1>go Olivia. I feel like it's like, let's wait till

0:22:19.200 --> 0:22:21.160
<v Speaker 1>we get the tapes before we decide that this guy

0:22:21.200 --> 0:22:22.440
<v Speaker 1>maybe wanted his dick cut off.

0:22:23.359 --> 0:22:26.720
<v Speaker 3>But Munch suggests that it might be part of a cult.

0:22:26.720 --> 0:22:28.879
<v Speaker 1>And of course he knows everything about history and is

0:22:28.920 --> 0:22:32.760
<v Speaker 1>like Roman priests men used to get castrated for divine status.

0:22:32.800 --> 0:22:36.800
<v Speaker 1>Like again, this guy doesn't seem happy that his penis

0:22:36.840 --> 0:22:38.840
<v Speaker 1>is gone, right, he didn't see like, oh it was

0:22:38.880 --> 0:22:41.600
<v Speaker 1>my it was my dick. Surgery went wrong. Oh no,

0:22:41.840 --> 0:22:44.240
<v Speaker 1>Like he seems like he would like to have it back.

0:22:45.320 --> 0:22:48.680
<v Speaker 1>So Daddy Craigan is like, so he was either snipped

0:22:48.680 --> 0:22:51.240
<v Speaker 1>by a homeless guy or he had a voluntary penectomy.

0:22:51.400 --> 0:22:53.199
<v Speaker 1>Not a word I get to use every day, and

0:22:53.280 --> 0:22:57.280
<v Speaker 1>I just I love a Captain Craigan Zinger. And I

0:22:57.359 --> 0:23:00.280
<v Speaker 1>never really heard the name penectomy. I guess castration is

0:23:00.320 --> 0:23:04.119
<v Speaker 1>really about cutting off your balls, right, and then penectomy

0:23:04.240 --> 0:23:04.880
<v Speaker 1>is the penis.

0:23:04.920 --> 0:23:06.400
<v Speaker 3>So we learn something new every day.

0:23:07.520 --> 0:23:10.879
<v Speaker 1>The lowdown on Gorman is he's sixty two, single and rich.

0:23:11.000 --> 0:23:13.840
<v Speaker 1>He retired at thirty and he invented the games where

0:23:13.880 --> 0:23:18.320
<v Speaker 1>you play games on bottle caps underneath bottle caps, and

0:23:18.359 --> 0:23:21.000
<v Speaker 1>Finn goes, I never went at that, and Munch is like,

0:23:21.160 --> 0:23:23.359
<v Speaker 1>cause it's a scam dum dumb, Like it's a cute

0:23:23.400 --> 0:23:24.320
<v Speaker 1>little interaction.

0:23:24.960 --> 0:23:27.359
<v Speaker 3>And then Munch obviously is.

0:23:27.320 --> 0:23:30.480
<v Speaker 1>On the net googling castration and finds some guy up

0:23:30.520 --> 0:23:34.240
<v Speaker 1>in Riverdale who does this, and I keep thinking like,

0:23:34.280 --> 0:23:36.119
<v Speaker 1>can you check the tapes, like where are the tapes

0:23:36.119 --> 0:23:38.040
<v Speaker 1>from the subway? And then Craigan is like, did we

0:23:38.080 --> 0:23:40.439
<v Speaker 1>get the tapes yet? And they're still waiting for them

0:23:40.480 --> 0:23:42.280
<v Speaker 1>to be sent, So in the meantime he wants to

0:23:42.320 --> 0:23:44.760
<v Speaker 1>keep everyone busy, so he's like, Ben's in his stable,

0:23:44.800 --> 0:23:47.760
<v Speaker 1>or go check with CSU about this unhoused man.

0:23:47.880 --> 0:23:48.920
<v Speaker 3>Maybe that's a lead.

0:23:49.240 --> 0:23:51.320
<v Speaker 1>And then Munch and Finn go up to that dick

0:23:51.400 --> 0:23:54.840
<v Speaker 1>chopper in Riverdale. So at the doctor's house, this is

0:23:54.880 --> 0:23:57.600
<v Speaker 1>like a full just Red Herring is that is silly.

0:23:57.960 --> 0:23:59.800
<v Speaker 1>He shows them where he cuts the dicks off and

0:23:59.800 --> 0:24:02.040
<v Speaker 1>it's on his kitchen table, which is so nasty. But

0:24:02.080 --> 0:24:05.199
<v Speaker 1>he's like, I still realize it first, and it's like,

0:24:05.240 --> 0:24:07.120
<v Speaker 1>still you eat at the same place where you chop

0:24:07.119 --> 0:24:07.880
<v Speaker 1>off peenies, but.

0:24:07.840 --> 0:24:09.479
<v Speaker 2>Like, to me, it's like, how badly do you need

0:24:09.520 --> 0:24:11.080
<v Speaker 2>to chop your dick off that you're going to do

0:24:11.119 --> 0:24:14.680
<v Speaker 2>it at some dermatologists, septometrists whatever. He is, Yeah, on

0:24:14.760 --> 0:24:17.320
<v Speaker 2>a kitchen table, Like I'm just trying to understand, and

0:24:17.359 --> 0:24:18.040
<v Speaker 2>it's hard for me.

0:24:18.600 --> 0:24:21.080
<v Speaker 1>Yeah, well, I'm sure it's like he just takes cash.

0:24:21.080 --> 0:24:22.440
<v Speaker 1>You don't have to go to the doctor and deal

0:24:22.480 --> 0:24:24.320
<v Speaker 1>with it. I don't know what people. Some people are

0:24:24.320 --> 0:24:25.720
<v Speaker 1>probably I don't know why you want to get your

0:24:25.760 --> 0:24:27.920
<v Speaker 1>dick cut off. I'm sure there's a fucking reddit subreddit

0:24:27.960 --> 0:24:30.240
<v Speaker 1>about that. I really do think there probably is, and

0:24:30.280 --> 0:24:34.159
<v Speaker 1>I will look for it. He shows Finn his license,

0:24:34.160 --> 0:24:36.360
<v Speaker 1>and Fins like you're an out or Munch his license,

0:24:36.400 --> 0:24:39.040
<v Speaker 1>and Munch is like, you're an allergist, and then he

0:24:39.080 --> 0:24:40.640
<v Speaker 1>goes he has a point. He goes, if you ask

0:24:40.720 --> 0:24:42.080
<v Speaker 1>me to beat you up and I beat you up,

0:24:42.119 --> 0:24:44.359
<v Speaker 1>am I committing a crime? If these guys want their

0:24:44.359 --> 0:24:44.960
<v Speaker 1>dicks cut off?

0:24:45.000 --> 0:24:45.399
<v Speaker 3>I do it?

0:24:45.600 --> 0:24:48.240
<v Speaker 1>Like, so you know, it is a free country, I guess,

0:24:48.920 --> 0:24:52.399
<v Speaker 1>although I still think, yeah, I don't know if you're

0:24:52.400 --> 0:24:54.280
<v Speaker 1>allowed to do that with just a medical license. I

0:24:54.320 --> 0:24:56.920
<v Speaker 1>think you have to have an like I don't think

0:24:56.960 --> 0:24:59.399
<v Speaker 1>my mom can just perform open heart surgery because she's

0:24:59.400 --> 0:25:01.040
<v Speaker 1>a pediatrician, you know what I mean. I think you

0:25:01.040 --> 0:25:04.120
<v Speaker 1>have to have other certifications. But this guy doesn't seem

0:25:04.160 --> 0:25:06.439
<v Speaker 1>to think so. So they show him Horus and he's like,

0:25:06.480 --> 0:25:08.439
<v Speaker 1>I've never seen him before, and then it's like a

0:25:08.440 --> 0:25:10.600
<v Speaker 1>dead end. So Benson is Stabler are now at the

0:25:10.640 --> 0:25:14.560
<v Speaker 1>crime scene, the subway platform with Judith Cziber, and she's

0:25:14.560 --> 0:25:17.040
<v Speaker 1>showing them the footprints and she's like, look, these footprints

0:25:17.040 --> 0:25:19.520
<v Speaker 1>are Gorman shoes. They lead back to this construction area

0:25:19.560 --> 0:25:21.639
<v Speaker 1>at the end of the platform. There's a pool of

0:25:21.640 --> 0:25:24.840
<v Speaker 1>blood here, but it's unfortunately an area that's out of

0:25:24.920 --> 0:25:27.359
<v Speaker 1>range for the cameras. So they think, okay, maybe this

0:25:27.480 --> 0:25:30.280
<v Speaker 1>unhoused guy jumped him and then took off down the

0:25:30.280 --> 0:25:34.240
<v Speaker 1>abandoned tunnel. And another cop calls out and he goes,

0:25:34.440 --> 0:25:37.640
<v Speaker 1>I found blood drops down in the tunnel and there's

0:25:37.720 --> 0:25:40.880
<v Speaker 1>a bunch of encampments set up there for like where

0:25:40.920 --> 0:25:41.760
<v Speaker 1>unhoused people live.

0:25:41.800 --> 0:25:42.679
<v Speaker 3>It's a lot of people.

0:25:43.560 --> 0:25:47.480
<v Speaker 1>And so then this side cop who's there grabs this

0:25:47.560 --> 0:25:50.560
<v Speaker 1>unhoused woman and she's like struggling against him, and look

0:25:50.560 --> 0:25:53.240
<v Speaker 1>who it is. It's Abigail Savage from Orange is the

0:25:53.240 --> 0:25:57.040
<v Speaker 1>New Black, and she played the masturbator in Sugar and

0:25:57.119 --> 0:26:01.280
<v Speaker 1>she goes on to become Sister Nina in later SVU episode.

0:26:01.320 --> 0:26:03.359
<v Speaker 1>So she's an SVU champ and this is her first

0:26:03.400 --> 0:26:06.080
<v Speaker 1>SVU episode. And when I was looking her up, I

0:26:06.119 --> 0:26:07.879
<v Speaker 1>noticed that she has one hundred and five credits as

0:26:07.920 --> 0:26:12.439
<v Speaker 1>a sound editor and a sound engineer, so she just

0:26:13.119 --> 0:26:16.000
<v Speaker 1>I guess before she started acting, she just was doing

0:26:16.040 --> 0:26:17.439
<v Speaker 1>sound and then was like, maybe I'm gonna do a

0:26:17.440 --> 0:26:18.000
<v Speaker 1>career change.

0:26:18.000 --> 0:26:18.560
<v Speaker 3>And I love that.

0:26:19.320 --> 0:26:22.720
<v Speaker 1>So she tells them her name is Dot, and Olivia's like,

0:26:22.760 --> 0:26:24.760
<v Speaker 1>did you see anyone come down here this morning? And

0:26:24.800 --> 0:26:28.119
<v Speaker 1>She's like, one of my favorite names, Dot. Yeah, it

0:26:28.240 --> 0:26:31.119
<v Speaker 1>is a cute name. I my friend has a Dot daughter,

0:26:31.520 --> 0:26:35.439
<v Speaker 1>but she's Dorothy and she's actually Dorothy Rose, which I'm like,

0:26:35.440 --> 0:26:38.119
<v Speaker 1>two golden girls might be overkilled, but Dottie's very cute.

0:26:39.080 --> 0:26:42.800
<v Speaker 1>She says, I can't tell you. He'll cut my eyes out,

0:26:42.840 --> 0:26:46.359
<v Speaker 1>and she explains that Samuel sees everything and that she

0:26:46.440 --> 0:26:49.200
<v Speaker 1>saw him earlier. His hands were bloody and he said

0:26:49.200 --> 0:26:53.960
<v Speaker 1>he got an offering a human sacrifice. So she They're like, well,

0:26:54.000 --> 0:26:56.760
<v Speaker 1>where can we find Samuel, and she's like, Samuel lives

0:26:56.800 --> 0:27:00.679
<v Speaker 1>down below at the Grand Center. And now we're in

0:27:00.720 --> 0:27:04.000
<v Speaker 1>this huge, like underground village where all these on house

0:27:04.000 --> 0:27:06.040
<v Speaker 1>people live. Like I don't know how where they shot this,

0:27:06.200 --> 0:27:09.720
<v Speaker 1>but it's like multiple levels, people in their own little areas,

0:27:09.840 --> 0:27:12.800
<v Speaker 1>lots of garbage, campfires and stuff. It's like a full

0:27:13.200 --> 0:27:17.800
<v Speaker 1>community down here. And this is when I noticed that

0:27:17.800 --> 0:27:20.840
<v Speaker 1>the other cop that they're with is Ben Bailey, host

0:27:20.880 --> 0:27:23.040
<v Speaker 1>of Cash Cab and a stand up comedian.

0:27:23.119 --> 0:27:26.520
<v Speaker 3>I didn't notice that that's fucked up. There's so many

0:27:26.560 --> 0:27:28.800
<v Speaker 3>people in this episode that are famous. It's graazy or

0:27:28.880 --> 0:27:29.639
<v Speaker 3>like famous. To me.

0:27:30.000 --> 0:27:33.320
<v Speaker 2>I've like sat you know, like he's a seller person,

0:27:33.440 --> 0:27:36.320
<v Speaker 2>so I've sat with him on many of occasions. Did

0:27:36.320 --> 0:27:38.480
<v Speaker 2>not catch this. For one second I knew.

0:27:38.520 --> 0:27:40.280
<v Speaker 1>I was like, he's familiar. Who is that guy? And

0:27:40.280 --> 0:27:41.520
<v Speaker 1>then I was like, oh my god, it's fucking Ben

0:27:41.560 --> 0:27:43.600
<v Speaker 1>Bailey who used to follow me on Twitter and I

0:27:43.600 --> 0:27:47.240
<v Speaker 1>have no idea why, but uh, he might not anymore anyway,

0:27:48.800 --> 0:27:50.199
<v Speaker 1>So why would he unfollow you?

0:27:50.240 --> 0:27:50.920
<v Speaker 3>Did you guys fight?

0:27:51.400 --> 0:27:51.560
<v Speaker 4>No?

0:27:51.640 --> 0:27:52.159
<v Speaker 3>I don't know.

0:27:52.160 --> 0:27:53.680
<v Speaker 1>I thought he was one of those like Tay Diggs

0:27:53.720 --> 0:27:55.400
<v Speaker 1>people that was just following a lot of people because

0:27:55.400 --> 0:27:59.000
<v Speaker 1>we've never met, you know. But I always remember this

0:27:59.240 --> 0:28:03.320
<v Speaker 1>city like this, like little unhoused city in the bowels

0:28:03.400 --> 0:28:06.160
<v Speaker 1>of Grand Central that they're talking about, and I would

0:28:06.160 --> 0:28:08.560
<v Speaker 1>always think about it when I road the subway. I'd

0:28:08.600 --> 0:28:11.080
<v Speaker 1>be like, I wonder how far deep down is like

0:28:11.119 --> 0:28:12.359
<v Speaker 1>the Grand Center, you know.

0:28:12.800 --> 0:28:15.680
<v Speaker 3>So I actually looked into it. And this is based

0:28:15.760 --> 0:28:16.560
<v Speaker 3>on the so.

0:28:16.480 --> 0:28:19.639
<v Speaker 1>Called Mole people quote unquote, who live in an abandoned

0:28:19.680 --> 0:28:22.320
<v Speaker 1>section of New York City subway system which is called

0:28:22.320 --> 0:28:23.200
<v Speaker 1>the Freedom Tunnel.

0:28:23.200 --> 0:28:24.840
<v Speaker 3>And it's actually not under Grand Central.

0:28:25.119 --> 0:28:28.200
<v Speaker 1>It goes from Penn Station and it stretches up past Harlem,

0:28:28.200 --> 0:28:32.000
<v Speaker 1>which is a lot of blocks that's like, off the

0:28:32.000 --> 0:28:33.520
<v Speaker 1>top of it, eighty blocks.

0:28:33.640 --> 0:28:37.440
<v Speaker 2>What's fucked up and scary is when sandy or storms

0:28:37.480 --> 0:28:40.120
<v Speaker 2>and rain happens, like what happens to these mole people.

0:28:40.760 --> 0:28:44.280
<v Speaker 1>Yeah, hopefully people come through and say, like there's a

0:28:44.280 --> 0:28:45.400
<v Speaker 1>big storm coming like that.

0:28:45.480 --> 0:28:47.040
<v Speaker 3>I don't know, I mean, who knows.

0:28:47.880 --> 0:28:50.880
<v Speaker 1>But so there was a documentary about this in two

0:28:50.920 --> 0:28:53.800
<v Speaker 1>thousand by Mark Singer called Dark Days, and it followed

0:28:53.800 --> 0:28:56.560
<v Speaker 1>a group of people living down there. And then there

0:28:56.680 --> 0:29:00.880
<v Speaker 1>was another book by tiun Votin called Tunnel People, and

0:29:01.320 --> 0:29:03.840
<v Speaker 1>he lived with them for five months, and it's about

0:29:03.840 --> 0:29:06.240
<v Speaker 1>all the inhabitants of the Freedom Tunnel. So there's more

0:29:06.240 --> 0:29:08.000
<v Speaker 1>information if you want to learn about this, but this

0:29:08.120 --> 0:29:09.360
<v Speaker 1>is based on like a real thing.

0:29:10.160 --> 0:29:12.400
<v Speaker 2>I also love that we're like being careful, I being

0:29:12.480 --> 0:29:14.760
<v Speaker 2>like and our unhoused neighbors.

0:29:14.360 --> 0:29:15.960
<v Speaker 3>And then we're like and these mole people.

0:29:16.440 --> 0:29:16.680
<v Speaker 5>I know.

0:29:17.240 --> 0:29:19.320
<v Speaker 1>I well, that's why I said quote unquote, because that's

0:29:19.320 --> 0:29:22.680
<v Speaker 1>like what they're called, Like that's what the documentaries call

0:29:22.760 --> 0:29:25.640
<v Speaker 1>them and stuff, so you know. But then mole people

0:29:25.680 --> 0:29:28.520
<v Speaker 1>also has a second definition because it's in like science fiction.

0:29:28.680 --> 0:29:31.760
<v Speaker 1>There's something about mole people. So that's that's separate, that's

0:29:31.800 --> 0:29:35.920
<v Speaker 1>not these people. So Ben Bailey, as we're walking through

0:29:35.960 --> 0:29:38.520
<v Speaker 1>the Grand Center is giving us the scoop on Samuel,

0:29:38.560 --> 0:29:40.680
<v Speaker 1>and he's like he's been living underneath Grand Central for

0:29:40.800 --> 0:29:44.160
<v Speaker 1>years and this guy just happens to know exactly where

0:29:44.200 --> 0:29:46.720
<v Speaker 1>Samuel's like area is. So maybe this man is like

0:29:46.760 --> 0:29:51.160
<v Speaker 1>a transit cop or something. And they go into Samuel's

0:29:51.160 --> 0:29:54.479
<v Speaker 1>little home and he's not there, but live spots fresh

0:29:54.520 --> 0:29:57.640
<v Speaker 1>blood leading to a paper bag that is being held

0:29:57.680 --> 0:29:59.760
<v Speaker 1>by a mannequin in its hands. And this reminds me

0:29:59.800 --> 0:30:01.720
<v Speaker 1>I I talk about it all the time. It does

0:30:01.760 --> 0:30:03.320
<v Speaker 1>remind me of Silence of the Lambs when they go

0:30:03.400 --> 0:30:05.920
<v Speaker 1>to the storage unit and they see all that freaky

0:30:05.920 --> 0:30:07.520
<v Speaker 1>shit in the storage unit and they find Benjamin.

0:30:07.720 --> 0:30:09.480
<v Speaker 2>I don't know if we've talked about this, but have

0:30:09.560 --> 0:30:11.880
<v Speaker 2>you seen the tweet Like Silence of the Lambs really

0:30:11.960 --> 0:30:14.880
<v Speaker 2>ruined it for nice people and casts that need help

0:30:15.080 --> 0:30:16.680
<v Speaker 2>pushing a couch into a truck?

0:30:16.960 --> 0:30:19.880
<v Speaker 3>Yes, so true.

0:30:20.280 --> 0:30:23.120
<v Speaker 1>So I can't hear the song American Girl by Tom

0:30:23.160 --> 0:30:26.800
<v Speaker 1>Petty without thinking of somebody getting shoved into a truck. Yeah, like,

0:30:26.920 --> 0:30:28.959
<v Speaker 1>because that's what she's listening to right as she pulls up.

0:30:29.200 --> 0:30:29.560
<v Speaker 3>Anyway.

0:30:29.640 --> 0:30:31.600
<v Speaker 2>Yeah, that's how we feel about stuck in the middle

0:30:31.600 --> 0:30:36.000
<v Speaker 2>with you. You know that ear chopping moment in Reservoir Docs.

0:30:36.080 --> 0:30:38.680
<v Speaker 1>Yes, yes, I know the soundtrack. I've never actually seen

0:30:38.680 --> 0:30:39.320
<v Speaker 1>that movie.

0:30:39.520 --> 0:30:42.760
<v Speaker 3>Oh good one. I know I've done it, and I

0:30:42.880 --> 0:30:43.680
<v Speaker 3>know he's acting.

0:30:43.840 --> 0:30:46.280
<v Speaker 2>It's like Harvey Kaitel and that other guy at the

0:30:46.520 --> 0:30:47.520
<v Speaker 2>tim Roth or whatever.

0:30:49.600 --> 0:30:51.239
<v Speaker 3>So good. I don't know.

0:30:51.360 --> 0:30:55.000
<v Speaker 1>I'm a huge Tarantino person. I met him one time

0:30:55.000 --> 0:30:56.320
<v Speaker 1>and he got mad at me. Did I tell you?

0:30:56.360 --> 0:30:56.960
<v Speaker 3>Wait? Did you?

0:30:57.400 --> 0:31:01.360
<v Speaker 1>I escorted him on Conan and he was so nice

0:31:01.400 --> 0:31:04.680
<v Speaker 1>to me, and then it was Christmas and when I

0:31:04.680 --> 0:31:06.560
<v Speaker 1>feel like I've talked about this either on this podcast

0:31:06.600 --> 0:31:08.840
<v Speaker 1>or another one. But when we got him down to

0:31:09.480 --> 0:31:12.640
<v Speaker 1>the street level for him to leave his car was

0:31:12.680 --> 0:31:15.200
<v Speaker 1>just like stuck in traffic and He's like, where's my car, Cara,

0:31:15.280 --> 0:31:16.720
<v Speaker 1>And I was like, it's coming. It's like it's like

0:31:16.880 --> 0:31:18.920
<v Speaker 1>a block away, like the guys. I'm on the phone

0:31:18.920 --> 0:31:20.760
<v Speaker 1>with the guy, like he's coming. But he was like

0:31:20.800 --> 0:31:22.760
<v Speaker 1>piss because people were starting to mob him and I

0:31:22.800 --> 0:31:23.760
<v Speaker 1>was like, I'm really sorry.

0:31:23.800 --> 0:31:25.640
<v Speaker 3>I'm really sorry he was, but he was nice to me.

0:31:25.680 --> 0:31:26.040
<v Speaker 3>In the end.

0:31:26.040 --> 0:31:28.520
<v Speaker 1>It was fine, But what can I do. I can't

0:31:28.520 --> 0:31:31.640
<v Speaker 1>move New York City traffic around thirty Rock, you know. Anyway,

0:31:32.360 --> 0:31:37.320
<v Speaker 1>at Christmas anyway, they go into this bag that this

0:31:37.400 --> 0:31:42.200
<v Speaker 1>mannequin is holding and we have found mister Gorman's family

0:31:42.320 --> 0:31:43.840
<v Speaker 1>jewels or whatever they want to call it. They're his

0:31:43.920 --> 0:31:47.200
<v Speaker 1>dick and balls are in this bag and suddenly a

0:31:47.240 --> 0:31:50.960
<v Speaker 1>trash campfire blazes and Ben Bailey turns around and goes

0:31:51.240 --> 0:31:55.480
<v Speaker 1>it's him. And it's like very cinematic, like.

0:31:55.760 --> 0:31:58.760
<v Speaker 3>In Jurassic Park. It's like when the t Rex shows up, like.

0:31:58.880 --> 0:32:01.800
<v Speaker 1>And Samuel is like up on some kind of high

0:32:02.120 --> 0:32:05.000
<v Speaker 1>platform and he's like ah, and then they flash their

0:32:05.000 --> 0:32:07.160
<v Speaker 1>flashlights on him and that like spooks him and he

0:32:07.240 --> 0:32:11.000
<v Speaker 1>runs for it. Stabler chases him, sacks him. They take

0:32:11.040 --> 0:32:13.480
<v Speaker 1>off his goggles and he's like in pain from the

0:32:13.560 --> 0:32:15.959
<v Speaker 1>light of the flashlight and he's like begging them like,

0:32:16.000 --> 0:32:18.239
<v Speaker 1>please don't take me into the light. Like, so this

0:32:18.280 --> 0:32:21.720
<v Speaker 1>man has something going on and he's got like white, white, white, white,

0:32:21.760 --> 0:32:26.040
<v Speaker 1>pale skin. So the next scene, Samuel is cuffed to

0:32:26.120 --> 0:32:28.520
<v Speaker 1>a wall in an interrogation room and Huang enters and

0:32:28.560 --> 0:32:30.400
<v Speaker 1>he turns the lights down and then he turns them

0:32:30.400 --> 0:32:32.680
<v Speaker 1>all the way off, and that's when Samuel kind of

0:32:32.800 --> 0:32:36.480
<v Speaker 1>like is like I'll talk and he's like, my name

0:32:36.520 --> 0:32:39.920
<v Speaker 1>isn't Samuel, It's Samuel. And Huang, of course, who knows

0:32:39.920 --> 0:32:43.200
<v Speaker 1>everything about everything, is like h Lucifer before he was

0:32:43.240 --> 0:32:46.840
<v Speaker 1>in heaven when he was still an angel, and Samuel

0:32:46.960 --> 0:32:49.440
<v Speaker 1>is like, God wants Samuel to return to heaven, but

0:32:49.480 --> 0:32:52.640
<v Speaker 1>he belongs to the darkness, and Huang asks do you

0:32:52.720 --> 0:32:53.360
<v Speaker 1>talk to God?

0:32:53.400 --> 0:32:55.200
<v Speaker 3>And he says no. God sends his.

0:32:55.280 --> 0:32:58.840
<v Speaker 1>Arch angel who brings me offerings, and she was wearing

0:32:58.880 --> 0:33:01.120
<v Speaker 1>a white hood and she cares is a shining sword.

0:33:01.480 --> 0:33:05.360
<v Speaker 1>She cut the limb from the Judas tree, so hints, hints,

0:33:05.400 --> 0:33:10.600
<v Speaker 1>hints all over the place from Samiel Hwang steps out

0:33:10.600 --> 0:33:12.959
<v Speaker 1>of interrogation and talks to Benson and Stabler, and he's like,

0:33:13.000 --> 0:33:16.160
<v Speaker 1>I think Sam. I think Sammy Sam has a genetic

0:33:16.240 --> 0:33:20.040
<v Speaker 1>disorder called porphyria, which is light sensitivity and could be

0:33:20.080 --> 0:33:23.600
<v Speaker 1>responsible for his abdominal pains and possibly his delusions as well.

0:33:24.600 --> 0:33:28.560
<v Speaker 1>And Huang's like, it's possible he's violent, but the light

0:33:28.720 --> 0:33:30.960
<v Speaker 1>literally hurts him, So I really don't think he would

0:33:31.000 --> 0:33:33.760
<v Speaker 1>have stepped out into the subway platform to cut someone's

0:33:33.800 --> 0:33:37.360
<v Speaker 1>dick off, Like your flashlight was bothering him, So I

0:33:37.360 --> 0:33:39.080
<v Speaker 1>don't think he would have been able to handle like

0:33:39.440 --> 0:33:43.080
<v Speaker 1>subway fluorescent lighting. And just then Craigan lets us know

0:33:43.200 --> 0:33:45.640
<v Speaker 1>those tapes are finally here. Thank God. I'm like waiting

0:33:45.640 --> 0:33:48.840
<v Speaker 1>for these tapes. So now they're watching the tapes. It

0:33:48.920 --> 0:33:52.440
<v Speaker 1>shows Gorman getting off the subway strolling down the platform

0:33:52.480 --> 0:33:55.480
<v Speaker 1>when suddenly a woman in a white puffy coat with

0:33:55.560 --> 0:33:58.880
<v Speaker 1>the hood up confronts him and then she follows him

0:33:58.960 --> 0:34:01.280
<v Speaker 1>down the They talk for a few seconds, and then

0:34:01.320 --> 0:34:04.040
<v Speaker 1>she follows him down the platform, but her head is

0:34:04.080 --> 0:34:06.400
<v Speaker 1>tilted down and we never see her face. It's almost

0:34:06.480 --> 0:34:08.319
<v Speaker 1>like she knows that there are cameras and we never

0:34:08.320 --> 0:34:11.680
<v Speaker 1>see her face. And Live is like, uh, well, Gorman

0:34:11.760 --> 0:34:13.759
<v Speaker 1>clearly lied to us. Let's go talk to him, like

0:34:13.800 --> 0:34:15.840
<v Speaker 1>he spoke to this woman on the platform. But the

0:34:15.840 --> 0:34:19.359
<v Speaker 1>hospital just called and told them that Gorman has checked

0:34:19.400 --> 0:34:24.480
<v Speaker 1>himself out against medical advice. So we go to his apartment,

0:34:24.600 --> 0:34:28.560
<v Speaker 1>this fancy rich man who's retired since for thirty years.

0:34:28.640 --> 0:34:31.600
<v Speaker 1>Let's go check out his beautiful apartment. So the doorman.

0:34:31.680 --> 0:34:33.440
<v Speaker 1>You can tell it's a nice building because the doorman

0:34:33.560 --> 0:34:37.640
<v Speaker 1>is like in a full uniform, and he's like, uh.

0:34:36.960 --> 0:34:39.759
<v Speaker 2>That's the dream of mine. I wanna I wanna have

0:34:39.840 --> 0:34:43.040
<v Speaker 2>a door guy and I want to be friends with him. Yeah,

0:34:43.200 --> 0:34:45.440
<v Speaker 2>that'd be nice. And give him a nice Christmas present.

0:34:46.080 --> 0:34:48.120
<v Speaker 3>Oh cash, you're supposed to tip, I read.

0:34:48.280 --> 0:34:50.480
<v Speaker 1>I'm sure you'd give something else too, though, I'm sure

0:34:50.520 --> 0:34:52.200
<v Speaker 1>you'd be like, I know your son like soccer.

0:34:52.320 --> 0:34:53.520
<v Speaker 3>Here's something I found on EDS.

0:34:53.719 --> 0:34:58.719
<v Speaker 1>Please you'd give one other thing besides the cash. So

0:34:59.600 --> 0:35:02.160
<v Speaker 1>the guy he opens the apartment for Benson and Stabler,

0:35:02.200 --> 0:35:04.480
<v Speaker 1>and when they get in there, it is full hoarders,

0:35:04.520 --> 0:35:07.719
<v Speaker 1>like this guy has stacks and stacks of newspapers and magazines.

0:35:07.760 --> 0:35:12.480
<v Speaker 1>It's really nasty looking. He's got toilet paper, like all

0:35:12.520 --> 0:35:15.319
<v Speaker 1>this shit. So the doorman they're like, oh, does he

0:35:15.360 --> 0:35:16.960
<v Speaker 1>have a woman in his life? And the Dorman's like, no,

0:35:17.040 --> 0:35:20.440
<v Speaker 1>he's a confirmed bachelor. And I'm like, what a weird concept.

0:35:20.480 --> 0:35:21.840
<v Speaker 1>I'm a confirmed bachelor.

0:35:21.880 --> 0:35:25.680
<v Speaker 3>I don't know. But they're like, that's weird that he's

0:35:25.680 --> 0:35:26.080
<v Speaker 3>a bachelor.

0:35:26.080 --> 0:35:28.480
<v Speaker 1>Because Stabler flips open the first thing he sees and

0:35:28.520 --> 0:35:31.360
<v Speaker 1>it's a photo album of a woman in a wedding dress,

0:35:31.440 --> 0:35:33.600
<v Speaker 1>and so he's like, well, I see that he's been married.

0:35:34.040 --> 0:35:36.920
<v Speaker 1>And then Live finds two more and realizes that all

0:35:36.960 --> 0:35:39.359
<v Speaker 1>these women are wearing the same wedding dress and a

0:35:39.440 --> 0:35:43.920
<v Speaker 1>dog collar. And Live sees one of the brides and

0:35:44.040 --> 0:35:47.439
<v Speaker 1>is like, holy shit, I know this girl. She came

0:35:47.480 --> 0:35:51.040
<v Speaker 1>into the squad four years ago and told me she'd

0:35:51.080 --> 0:35:53.520
<v Speaker 1>been kept in a dungeon by some freak and forced

0:35:53.600 --> 0:35:56.440
<v Speaker 1>to marry him. And Live is like, I didn't believe

0:35:56.440 --> 0:36:00.359
<v Speaker 1>her because she was drunk, and it's always sad. Live

0:36:00.440 --> 0:36:04.000
<v Speaker 1>makes those mistakes. Yeah, yeah, we expect yeah from her.

0:36:04.080 --> 0:36:06.160
<v Speaker 1>She's not a perfect person, but she does we do

0:36:06.280 --> 0:36:10.120
<v Speaker 1>expect more, and she's believed wilder people. I mean, she's

0:36:10.120 --> 0:36:12.400
<v Speaker 1>believed people that were in the middle. I mean remember

0:36:12.440 --> 0:36:17.120
<v Speaker 1>the fucking episode with Amanda Plumber where she's in a

0:36:17.280 --> 0:36:21.120
<v Speaker 1>full uh, she's in a full manic episode and like

0:36:21.160 --> 0:36:24.920
<v Speaker 1>they believe everything she's talking about, you know. So anyway,

0:36:25.120 --> 0:36:27.240
<v Speaker 1>a top of AC two, we find out this woman's

0:36:27.320 --> 0:36:30.160
<v Speaker 1>name is Hillary Barclay. And then so four years ago

0:36:30.200 --> 0:36:31.680
<v Speaker 1>she got into a car with this guy on a

0:36:31.760 --> 0:36:33.840
<v Speaker 1>rainy night. He locked her up for three months and

0:36:33.840 --> 0:36:37.480
<v Speaker 1>then just let her go, which is pretty wild, and

0:36:37.640 --> 0:36:40.839
<v Speaker 1>he blindfolds her and then drives her around and then

0:36:40.840 --> 0:36:41.640
<v Speaker 1>just dumped her somewhere.

0:36:41.640 --> 0:36:44.520
<v Speaker 3>He just let her out. And Craigan asks if live

0:36:44.640 --> 0:36:46.080
<v Speaker 3>checked it out, and she was like, there was nothing

0:36:46.120 --> 0:36:46.520
<v Speaker 3>to check.

0:36:46.640 --> 0:36:48.560
<v Speaker 1>She just said it was a white, older male driving

0:36:48.560 --> 0:36:51.480
<v Speaker 1>a dark Tudor like and he's like, you didn't buy

0:36:51.520 --> 0:36:53.879
<v Speaker 1>her story, and she's like, I wish I had. And

0:36:53.920 --> 0:36:56.600
<v Speaker 1>then Munch and Stabler are backing her up, being like, no,

0:36:56.920 --> 0:36:59.920
<v Speaker 1>I remember her. She was drinking, drugging incoherent. Meanwhile, I

0:37:00.320 --> 0:37:03.560
<v Speaker 1>don't remember people like, no, that's not true. I remember

0:37:03.600 --> 0:37:06.880
<v Speaker 1>like everybody that I meet, but I don't remember. So

0:37:07.000 --> 0:37:09.359
<v Speaker 1>many things that happen or what people told me, and

0:37:09.400 --> 0:37:11.440
<v Speaker 1>it's just wild that they're like, oh, yeah, four years ago,

0:37:11.480 --> 0:37:14.960
<v Speaker 1>I remember this girl drinking drug and you know whatever,

0:37:15.040 --> 0:37:18.279
<v Speaker 1>she was incoherent. And then they said she also had

0:37:18.320 --> 0:37:20.640
<v Speaker 1>a court date that she'd missed for a drug charge,

0:37:20.640 --> 0:37:22.279
<v Speaker 1>and they thought she might be making up this whole

0:37:22.320 --> 0:37:24.359
<v Speaker 1>abduction thing as a way to be like, that's why

0:37:24.400 --> 0:37:28.760
<v Speaker 1>I miss my court date. And so they also reveal

0:37:29.160 --> 0:37:33.400
<v Speaker 1>that Hillary's mother is Juliet Barclay and Craigan goes the

0:37:33.440 --> 0:37:35.880
<v Speaker 1>supermodel and I just love the idea that Craigan just

0:37:35.920 --> 0:37:39.399
<v Speaker 1>knows who all the models are. And they find out

0:37:39.480 --> 0:37:42.279
<v Speaker 1>that she now owns and runs an antiquity shop on

0:37:42.320 --> 0:37:45.240
<v Speaker 1>Madison Avenue. So we cut to the shop and Juliet

0:37:45.360 --> 0:37:49.440
<v Speaker 1>is played by gorgeous Jacqueline Bassett, who is It's weird.

0:37:49.520 --> 0:37:52.120
<v Speaker 1>She's a very famous British actress. And I've known who

0:37:52.200 --> 0:37:55.200
<v Speaker 1>Jacqueline Bassett was my entire life, but I look at

0:37:55.239 --> 0:37:57.120
<v Speaker 1>her IMDb and I'm like, I don't even know what

0:37:57.200 --> 0:37:59.680
<v Speaker 1>I've watched that she's been in, Like she's been in

0:37:59.680 --> 0:38:01.880
<v Speaker 1>so much, but like I remember her mostly from this

0:38:01.960 --> 0:38:05.040
<v Speaker 1>episode as an older person, but I think my dad

0:38:05.080 --> 0:38:07.440
<v Speaker 1>also used to say she was really gorgeous or something

0:38:07.480 --> 0:38:10.160
<v Speaker 1>like I remember him telling me she was beautiful or something.

0:38:10.480 --> 0:38:13.040
<v Speaker 1>But she's in the original Murder on the Orient Express.

0:38:13.080 --> 0:38:15.920
<v Speaker 1>And she's also in this movie called Airport, which is

0:38:15.960 --> 0:38:18.400
<v Speaker 1>a disaster movie and was one of the first big

0:38:18.440 --> 0:38:22.160
<v Speaker 1>movies that brought in like disaster movies, and she played

0:38:22.200 --> 0:38:25.480
<v Speaker 1>a pregnant stewardess carrying Dean Martin's baby, which I love.

0:38:26.360 --> 0:38:31.719
<v Speaker 1>She's also Angelina Jolie's godmother. Also, this is kind of

0:38:31.760 --> 0:38:33.520
<v Speaker 1>cool and I thought you would like this Lisa. She's

0:38:33.560 --> 0:38:36.680
<v Speaker 1>seventy seven years old. She's had all these romances with

0:38:36.760 --> 0:38:39.439
<v Speaker 1>like wealthy men, but she's never been married, and she's

0:38:39.520 --> 0:38:42.200
<v Speaker 1>child free, and she's just like I never wanted any

0:38:42.239 --> 0:38:42.840
<v Speaker 1>of that stuff.

0:38:43.160 --> 0:38:44.040
<v Speaker 4>I have.

0:38:44.200 --> 0:38:46.239
<v Speaker 3>The people she had romances with.

0:38:46.400 --> 0:38:49.719
<v Speaker 1>It's like high profile Moroccan architects or like you know,

0:38:50.200 --> 0:38:51.360
<v Speaker 1>real estate people, you.

0:38:51.360 --> 0:38:51.799
<v Speaker 3>Know what I mean.

0:38:51.840 --> 0:38:54.000
<v Speaker 1>It was like never I mean maybe there were actors,

0:38:54.000 --> 0:38:55.880
<v Speaker 1>but not in what I was reading about her, And

0:38:55.920 --> 0:39:03.799
<v Speaker 1>I didn't do a deep dive. But she's like Brian Saftie. Yeah.

0:39:03.840 --> 0:39:05.279
<v Speaker 1>I just think it's cool that she was like I

0:39:05.280 --> 0:39:06.640
<v Speaker 1>wanted to be an actor and like, this is what

0:39:06.719 --> 0:39:08.440
<v Speaker 1>means the most to me, and I didn't really need

0:39:08.440 --> 0:39:10.400
<v Speaker 1>that other stuff, Like I don't think I could have

0:39:10.440 --> 0:39:12.560
<v Speaker 1>done that stuff well and still done my craft well,

0:39:12.560 --> 0:39:14.879
<v Speaker 1>which I think you can. But she didn't think she could,

0:39:14.920 --> 0:39:17.320
<v Speaker 1>so she didn't do it. So she's in her shop

0:39:17.360 --> 0:39:19.560
<v Speaker 1>being like, I don't talk to my daughter. She's got

0:39:19.600 --> 0:39:23.040
<v Speaker 1>a very posh accent, and she's like, if this is

0:39:23.080 --> 0:39:25.280
<v Speaker 1>another one of her schemes, you guys better skid atle

0:39:25.360 --> 0:39:27.640
<v Speaker 1>She hasn't talked to Hillary in two years, and she

0:39:27.719 --> 0:39:30.480
<v Speaker 1>said Hillary was a junkie who stole from me, wrecked

0:39:30.480 --> 0:39:33.759
<v Speaker 1>my marriages, told out rageous lies, and my pregnancy with

0:39:33.800 --> 0:39:35.200
<v Speaker 1>her ended my modeling career.

0:39:36.160 --> 0:39:40.280
<v Speaker 3>Ouch. And she's like, back then, women didn't have a choice.

0:39:40.360 --> 0:39:43.040
<v Speaker 3>So she clearly has like a lot of resentment towards

0:39:43.080 --> 0:39:43.520
<v Speaker 3>her daughter.

0:39:44.120 --> 0:39:47.080
<v Speaker 1>And they tell her, hey, guess what that story about

0:39:47.120 --> 0:39:50.240
<v Speaker 1>her being kidnapped by a psycho and kept hostage was true,

0:39:50.680 --> 0:39:52.959
<v Speaker 1>and she looked shocked, and she's like, oh my god,

0:39:53.040 --> 0:39:55.400
<v Speaker 1>Like you can tell you can see the regret on

0:39:55.440 --> 0:39:57.759
<v Speaker 1>her face. And she's like, she wrote me a letter

0:39:57.800 --> 0:39:59.719
<v Speaker 1>about a month ago. I've got an address for her

0:39:59.719 --> 0:40:02.120
<v Speaker 1>on the Lower East Side So now they're at her

0:40:02.160 --> 0:40:05.080
<v Speaker 1>apartment Lower East Side and the door opens and it's

0:40:05.120 --> 0:40:07.759
<v Speaker 1>Samantha Mathis and I recognized her from the photo, but

0:40:07.920 --> 0:40:11.040
<v Speaker 1>now we're seeing her in person. Superstar of the nineties,

0:40:11.160 --> 0:40:13.439
<v Speaker 1>like she was in Pump Up the Volume, so many

0:40:13.480 --> 0:40:14.640
<v Speaker 1>cool movies.

0:40:14.719 --> 0:40:16.200
<v Speaker 3>I grew up like watching her.

0:40:16.360 --> 0:40:19.320
<v Speaker 1>She also dated like tons of cool guys like Christian Slater,

0:40:19.800 --> 0:40:22.200
<v Speaker 1>River Phoenix, like she was like a hot it girl

0:40:22.360 --> 0:40:26.760
<v Speaker 1>and is still working constantly. And this is her first

0:40:26.800 --> 0:40:28.680
<v Speaker 1>of three episodes of s View she's been on, and

0:40:28.719 --> 0:40:32.520
<v Speaker 1>she always plays like a significant part, so she's an

0:40:32.600 --> 0:40:37.080
<v Speaker 1>SVU legend. And she looks at Olivia remembers her immediately

0:40:37.120 --> 0:40:38.880
<v Speaker 1>and is like pissed, like what the hell are you

0:40:38.960 --> 0:40:42.960
<v Speaker 1>doing here? I remember you, And they're like, well, your mom.

0:40:43.040 --> 0:40:44.680
<v Speaker 1>We talked to your mom. That's how we found you.

0:40:44.719 --> 0:40:46.520
<v Speaker 1>And she's like, screw my mom and screw you, and

0:40:46.560 --> 0:40:48.359
<v Speaker 1>she walks back into the apartment, but leaves the door

0:40:48.400 --> 0:40:50.120
<v Speaker 1>wide open for them to follow her, which is a

0:40:50.160 --> 0:40:53.040
<v Speaker 1>weird move, and Stabler's like, we know you were telling

0:40:53.080 --> 0:40:56.640
<v Speaker 1>the truth, and she's like burning incense and she's got

0:40:56.640 --> 0:40:58.799
<v Speaker 1>a big Buddha on her coffee table, like I think

0:40:58.800 --> 0:41:01.439
<v Speaker 1>she's trying for like very he's zen vibes and she's

0:41:01.480 --> 0:41:04.160
<v Speaker 1>telling them like, I'm sober now, I'm trying to get

0:41:04.200 --> 0:41:07.600
<v Speaker 1>my life together. And she's skeptical about talking to the

0:41:07.600 --> 0:41:09.520
<v Speaker 1>cops though rightfully so she's like, what are you gonna

0:41:09.840 --> 0:41:10.640
<v Speaker 1>do anything about it?

0:41:10.680 --> 0:41:11.560
<v Speaker 3>On like last time?

0:41:12.080 --> 0:41:15.319
<v Speaker 1>And then they mentioned that they know who the guy is,

0:41:15.480 --> 0:41:16.880
<v Speaker 1>and she's like, oh my god, who is it? Like

0:41:16.920 --> 0:41:18.600
<v Speaker 1>tell me everything, and they're like, well, we obviously can't

0:41:18.640 --> 0:41:21.320
<v Speaker 1>tell you anything, but they need her alibi for the

0:41:21.440 --> 0:41:23.880
<v Speaker 1>night that he was attacked, and she says, I was

0:41:23.920 --> 0:41:26.840
<v Speaker 1>at an NA meeting. Olivia asks her about the details

0:41:26.880 --> 0:41:29.720
<v Speaker 1>of where she was held and she goes. She starts

0:41:29.760 --> 0:41:31.640
<v Speaker 1>like she walks to the window and is giving like

0:41:31.640 --> 0:41:34.279
<v Speaker 1>a tearful monologue about like you know, her captivity, and

0:41:34.320 --> 0:41:37.840
<v Speaker 1>she's like, he called it his party place or maybe

0:41:37.840 --> 0:41:38.560
<v Speaker 1>party palace.

0:41:38.600 --> 0:41:39.399
<v Speaker 3>Did I write that wrong?

0:41:39.480 --> 0:41:42.160
<v Speaker 1>Anyway, he called it his party something and it was

0:41:42.200 --> 0:41:43.640
<v Speaker 1>a hell hole, And she said, I thought I was

0:41:43.640 --> 0:41:45.759
<v Speaker 1>going to die there. I would have tried to kill him,

0:41:45.800 --> 0:41:47.440
<v Speaker 1>but there was a combo lock on the door, so

0:41:47.480 --> 0:41:49.080
<v Speaker 1>if I had attacked him, I would have been like

0:41:49.160 --> 0:41:54.279
<v Speaker 1>stuck there forever, there were no windows, and it was

0:41:54.320 --> 0:41:57.640
<v Speaker 1>like a cold and damp basement, and she heard chanting

0:41:57.680 --> 0:42:00.760
<v Speaker 1>in a strange language, like some kind of Satan Tannic cult.

0:42:00.960 --> 0:42:04.120
<v Speaker 1>So these are the details, and so Munch when they

0:42:04.120 --> 0:42:06.960
<v Speaker 1>go back to the precinct, and Munch has discovered that Gorman,

0:42:07.200 --> 0:42:10.240
<v Speaker 1>despite being a Christian, has given a lot of money

0:42:10.280 --> 0:42:13.120
<v Speaker 1>to the Jews, specifically to a synagogue on the Lower

0:42:13.160 --> 0:42:17.400
<v Speaker 1>East Side. He funded a restoration and supervised a restoration

0:42:17.640 --> 0:42:21.440
<v Speaker 1>of this synagogue and lives like the chanting. And I

0:42:21.520 --> 0:42:24.040
<v Speaker 1>just think, lol, that Hebrew sounds like a Satanic cult,

0:42:24.080 --> 0:42:26.279
<v Speaker 1>Like I grew up going to Hebrew school singing all

0:42:26.280 --> 0:42:28.719
<v Speaker 1>these songs and people are like Satanic cult.

0:42:29.239 --> 0:42:30.920
<v Speaker 2>Well, anything sounds like a call if you don't know

0:42:30.960 --> 0:42:33.080
<v Speaker 2>what the hymning is, if you're like lock in the baseman,

0:42:33.239 --> 0:42:37.160
<v Speaker 2>just hear people, you know, all together humming, yeah, yeah,

0:42:36.920 --> 0:42:41.040
<v Speaker 2>you know, oh yeah, I could get that guy who knew.

0:42:40.880 --> 0:42:41.440
<v Speaker 3>Where she grew up.

0:42:41.440 --> 0:42:43.240
<v Speaker 2>Maybe she didn't go to Bot mitzvas all the time,

0:42:44.080 --> 0:42:46.440
<v Speaker 2>but in New York, Well she grew up in New York, right,

0:42:46.680 --> 0:42:49.160
<v Speaker 2>you are you're avoiding about Mitzvah if you're not going

0:42:49.160 --> 0:42:49.879
<v Speaker 2>to want in New York.

0:42:51.120 --> 0:42:54.960
<v Speaker 1>So they go to this temple where he had supervised

0:42:54.960 --> 0:42:57.359
<v Speaker 1>this restoration, and they're talking to the rabbi and this

0:42:57.400 --> 0:43:00.000
<v Speaker 1>man is played by Pierre Epstein, who you may also

0:43:00.200 --> 0:43:03.040
<v Speaker 1>recognized as Charlotte's rabbi from Sex and the City.

0:43:03.320 --> 0:43:05.239
<v Speaker 3>He's in like three episodes of Sex and the City.

0:43:05.280 --> 0:43:10.080
<v Speaker 1>It when like during her conversion it yeah, and he's

0:43:10.120 --> 0:43:12.600
<v Speaker 1>I've seen him and other stuff too, this man, and

0:43:13.440 --> 0:43:15.719
<v Speaker 1>he's going on and on about oh Gorman, like we

0:43:15.760 --> 0:43:18.200
<v Speaker 1>love him. He saved our temple, like we gave him

0:43:18.239 --> 0:43:20.240
<v Speaker 1>on supervised access to the whole shool.

0:43:20.320 --> 0:43:21.799
<v Speaker 3>And then it's like uh oh.

0:43:21.960 --> 0:43:25.400
<v Speaker 1>Finn rolls in and he's got major info and he's like,

0:43:25.560 --> 0:43:26.480
<v Speaker 1>I've been here before.

0:43:26.800 --> 0:43:27.919
<v Speaker 3>My parents brought me here.

0:43:28.000 --> 0:43:30.160
<v Speaker 1>It wasn't always a temple, it was a church, and

0:43:30.239 --> 0:43:33.080
<v Speaker 1>it was a stop on the underground railroad. So it's like,

0:43:33.320 --> 0:43:36.040
<v Speaker 1>now we know there are tunnels, let's get going. So

0:43:36.200 --> 0:43:39.640
<v Speaker 1>downstairs we're in the tunnels. We've immediately got that ominous

0:43:39.680 --> 0:43:42.120
<v Speaker 1>dripping noise that I talk about all the time, like drip, drip,

0:43:42.200 --> 0:43:43.839
<v Speaker 1>You're always going to find something bad when you hear

0:43:43.880 --> 0:43:48.760
<v Speaker 1>the dripping. CSU Captain Ciper's with them using a machine

0:43:49.280 --> 0:43:52.719
<v Speaker 1>like which they used in another episode that we that

0:43:52.760 --> 0:43:58.160
<v Speaker 1>we the one where the guy was behind the wall. Anyway,

0:43:58.200 --> 0:44:00.200
<v Speaker 1>it's like to detect if there's like a void hind

0:44:00.239 --> 0:44:03.160
<v Speaker 1>a wall, and so she finds this big wall and

0:44:03.160 --> 0:44:05.319
<v Speaker 1>she goes, there's a hidden there's a space behind here,

0:44:05.400 --> 0:44:07.360
<v Speaker 1>like there's a big void here, so obviously a hidden

0:44:07.400 --> 0:44:08.200
<v Speaker 1>room of some kind.

0:44:08.560 --> 0:44:09.680
<v Speaker 3>We got two cops.

0:44:10.000 --> 0:44:11.640
<v Speaker 1>I don't know they did not give these guys enough

0:44:11.640 --> 0:44:14.120
<v Speaker 1>direction because I'm watching these two cops just like very

0:44:14.160 --> 0:44:16.799
<v Speaker 1>casually sledgehammer a wall. They didn't seem like they had

0:44:16.880 --> 0:44:20.160
<v Speaker 1>much urgency to their mission. But they finally get through

0:44:20.320 --> 0:44:24.440
<v Speaker 1>and inside it's like a nightmare cell, but it's not unlike.

0:44:24.160 --> 0:44:25.120
<v Speaker 3>Things we've seen before.

0:44:25.160 --> 0:44:28.200
<v Speaker 1>There's like a bucket toilet, you know, a dirty fridge

0:44:28.200 --> 0:44:30.960
<v Speaker 1>and microwave, a bed, like an old ass TV with

0:44:31.000 --> 0:44:33.800
<v Speaker 1>bunny ears, so like we've seen these kind of cells

0:44:33.840 --> 0:44:37.600
<v Speaker 1>before where unfortunately men are always holding women. And then

0:44:37.640 --> 0:44:39.720
<v Speaker 1>they turn the light on and that's when they notice

0:44:39.760 --> 0:44:42.360
<v Speaker 1>a girl in a bron underwear just chained to the wall,

0:44:42.960 --> 0:44:48.120
<v Speaker 1>which is super fucked and there is a tunnel exit

0:44:48.160 --> 0:44:49.840
<v Speaker 1>that they find that leads right to the street.

0:44:49.920 --> 0:44:51.880
<v Speaker 3>So this is like a perfect setup for a psycho.

0:44:51.960 --> 0:44:55.320
<v Speaker 1>He's got his own entryway to go in, bring these girls,

0:44:55.400 --> 0:44:58.439
<v Speaker 1>do what he wants with them, and then bring them out.

0:44:58.920 --> 0:45:03.319
<v Speaker 1>And obvious when he was discovered, he came back and

0:45:04.000 --> 0:45:06.680
<v Speaker 1>bricked up this wall with his last victim inside it,

0:45:06.719 --> 0:45:09.680
<v Speaker 1>which is so horrifying that he was just gonna leave

0:45:09.680 --> 0:45:12.040
<v Speaker 1>her there to die. Well, yeah, because it adds to it,

0:45:12.080 --> 0:45:15.480
<v Speaker 1>because that's the thing, like he is, he is releasing

0:45:15.520 --> 0:45:19.759
<v Speaker 1>these women. He's not quote unquote a murderer, but he

0:45:19.920 --> 0:45:22.000
<v Speaker 1>knows there's someone in there, and he was willing to

0:45:22.080 --> 0:45:24.600
<v Speaker 1>let her die, Like, yeah, are you a murderer?

0:45:24.960 --> 0:45:27.520
<v Speaker 3>But I it's just it's all fucked. Yeah.

0:45:27.600 --> 0:45:30.160
<v Speaker 1>I think maybe he was just like scrambling because now

0:45:30.200 --> 0:45:31.680
<v Speaker 1>he knows the cops are eventually going to find out

0:45:31.719 --> 0:45:32.239
<v Speaker 1>what's up with him.

0:45:32.280 --> 0:45:32.440
<v Speaker 4>Yeah.

0:45:32.480 --> 0:45:34.200
<v Speaker 2>I've said this before and I'll say it again, Like

0:45:34.200 --> 0:45:35.920
<v Speaker 2>why can't you just make the room nice? Like I

0:45:35.920 --> 0:45:37.680
<v Speaker 2>don't get it, Like you can't just put them on

0:45:37.760 --> 0:45:40.560
<v Speaker 2>toilet in there that flushes. It's just so annoying. I

0:45:40.560 --> 0:45:41.880
<v Speaker 2>guess the flushing is annoyed.

0:45:41.960 --> 0:45:44.320
<v Speaker 1>Well, but that's a whole and that's a whole plumbing issue.

0:45:44.320 --> 0:45:47.600
<v Speaker 1>But like, yeah, I get why it has to be

0:45:47.800 --> 0:45:52.080
<v Speaker 1>the worst possible way to live. Yeah, yeah, it's horrific,

0:45:52.200 --> 0:45:53.400
<v Speaker 1>like a pillow would kill you.

0:45:53.600 --> 0:45:56.120
<v Speaker 3>Like I just I don't get it right.

0:45:56.680 --> 0:46:01.280
<v Speaker 1>Right, And Munch finds all this guy diaries too, because

0:46:01.320 --> 0:46:03.920
<v Speaker 1>of course all these psychos they diary and they fucking

0:46:04.040 --> 0:46:06.839
<v Speaker 1>chronicle every awful crime that they do because I don't

0:46:06.840 --> 0:46:08.680
<v Speaker 1>know what they think. They're like Stephen King of their

0:46:08.719 --> 0:46:12.920
<v Speaker 1>own crimes. And when we are back at the precinct,

0:46:13.000 --> 0:46:15.080
<v Speaker 1>we find out that the victim that they found is

0:46:15.120 --> 0:46:17.120
<v Speaker 1>dehydrated and pretty sick, so they won't be able to

0:46:17.160 --> 0:46:18.319
<v Speaker 1>talk to her for a while, but it sounds like

0:46:18.320 --> 0:46:21.240
<v Speaker 1>she's gonna make it, which is good news. And Kang

0:46:21.360 --> 0:46:24.120
<v Speaker 1>is explaining, you know, he's doing his psychological profile of Gorman,

0:46:24.160 --> 0:46:27.040
<v Speaker 1>and he's like, by marrying these women, he owns them.

0:46:27.200 --> 0:46:28.480
<v Speaker 3>And Stabler's like, yeah, this.

0:46:28.440 --> 0:46:31.920
<v Speaker 1>Guy is a collector, like he collects toilet paper, magazines, women,

0:46:32.360 --> 0:46:35.319
<v Speaker 1>and this very much. If you haven't watched Dexter new

0:46:35.360 --> 0:46:37.920
<v Speaker 1>Blood and you are planning to watch it, please fast

0:46:37.960 --> 0:46:41.560
<v Speaker 1>forward thirty seconds. This reminds me of this guy in

0:46:41.600 --> 0:46:43.960
<v Speaker 1>Dexter new Blood who is collecting women.

0:46:44.200 --> 0:46:48.400
<v Speaker 3>He kills them and then he like embalms them.

0:46:48.280 --> 0:46:50.799
<v Speaker 1>So he can collect them in literal trophy cases, like

0:46:50.840 --> 0:46:51.960
<v Speaker 1>he's collecting women.

0:46:52.120 --> 0:46:54.239
<v Speaker 3>So one of the wildest twists, Like that's the thing.

0:46:54.280 --> 0:46:58.239
<v Speaker 2>Like Dexter new Blood definitely had moments where I was taken.

0:46:57.960 --> 0:46:59.719
<v Speaker 3>Out or didn't love it or was it and then

0:47:00.120 --> 0:47:02.000
<v Speaker 3>but always.

0:47:01.600 --> 0:47:04.680
<v Speaker 2>So twisted, twisted and good and pushes it to the limits.

0:47:04.719 --> 0:47:08.319
<v Speaker 1>And that kill Room was so good. It's just I

0:47:08.400 --> 0:47:10.799
<v Speaker 1>love it. And we'll see, We'll see what happens next season.

0:47:10.880 --> 0:47:12.839
<v Speaker 2>You know, Michael Shall has a concert with his band

0:47:12.920 --> 0:47:16.520
<v Speaker 2>March twenty second at zebulon Do we like the music?

0:47:16.880 --> 0:47:20.160
<v Speaker 3>I don't know, but I'm going okay.

0:47:21.960 --> 0:47:26.799
<v Speaker 1>So liv notices as she's going through the pictures of

0:47:26.840 --> 0:47:28.960
<v Speaker 1>the bride, She's like, hold on a minute. The dungeon

0:47:29.000 --> 0:47:32.200
<v Speaker 1>that we just discovered has stone walls because it's a basement,

0:47:32.440 --> 0:47:35.200
<v Speaker 1>and the wedding photos here are taken against a plaster wall,

0:47:35.400 --> 0:47:38.640
<v Speaker 1>so uh, he must have brought them somewhere else to

0:47:38.719 --> 0:47:42.080
<v Speaker 1>marry them. Like, and then in walks Lauren White, who

0:47:42.160 --> 0:47:45.279
<v Speaker 1>is a recurring character, but I believe this is her

0:47:45.320 --> 0:47:48.799
<v Speaker 1>first episode, and she is she knows Elliott, and they're

0:47:48.840 --> 0:47:51.920
<v Speaker 1>very they're chumming right away. She works for the NYC

0:47:52.000 --> 0:47:55.359
<v Speaker 1>Administration of Children's Services. So she tells Elliott, I've got

0:47:55.400 --> 0:47:58.239
<v Speaker 1>a client, seventeen year old who reported being raped in

0:47:58.280 --> 0:48:02.040
<v Speaker 1>a dungeon. Her name is Neva. So now we're in

0:48:02.120 --> 0:48:05.640
<v Speaker 1>interrogation with Niva. She's played by Kelly Stewart, who has

0:48:05.640 --> 0:48:07.359
<v Speaker 1>been in all kinds of shit like The Hot Tub,

0:48:07.400 --> 0:48:10.920
<v Speaker 1>Time Machine, Movies on My Block, Chicago, med etc. And

0:48:10.960 --> 0:48:14.399
<v Speaker 1>she's explaining how Gorman made her call him sir, and

0:48:14.480 --> 0:48:16.880
<v Speaker 1>he said that he owned her, and he made her

0:48:16.960 --> 0:48:19.640
<v Speaker 1>keep diaries of everything she did, when she ate, when

0:48:19.680 --> 0:48:22.640
<v Speaker 1>she peed, when he had sex with her, although I

0:48:22.640 --> 0:48:26.440
<v Speaker 1>mean it is rape, but and now we are basically

0:48:26.520 --> 0:48:31.120
<v Speaker 1>cutting back and forth between Olivia reinterviewing Hillary and Niva

0:48:31.160 --> 0:48:33.720
<v Speaker 1>being interviewed by Stabler, so we're seeing that their stories

0:48:33.760 --> 0:48:35.239
<v Speaker 1>match up exactly pretty much.

0:48:35.760 --> 0:48:39.200
<v Speaker 3>And she said, he took me to a ratty hotel.

0:48:40.080 --> 0:48:43.640
<v Speaker 1>The manager saw and Sir said if I screamed, he'd

0:48:43.719 --> 0:48:46.440
<v Speaker 1>kill my family. So, you know, typical stuff we hear

0:48:46.480 --> 0:48:48.080
<v Speaker 1>all the time that he's going to kill my family.

0:48:48.600 --> 0:48:52.960
<v Speaker 1>And he called the room the honeymoon suite. There were candles, flowers,

0:48:53.040 --> 0:48:55.879
<v Speaker 1>cheap champagne, and then he took pictures and told her

0:48:55.920 --> 0:48:57.920
<v Speaker 1>that they were man and wife. He made a toast

0:48:57.920 --> 0:49:00.080
<v Speaker 1>and then said it was time to consummate the marriage,

0:49:00.200 --> 0:49:05.360
<v Speaker 1>and he raped them. So Hillary remembers hearing bullhorns like

0:49:05.400 --> 0:49:10.480
<v Speaker 1>they were near the river and helicopters. So the you

0:49:10.480 --> 0:49:14.360
<v Speaker 1>know kings of New York City geography, the SVU sixteenth

0:49:14.360 --> 0:49:16.920
<v Speaker 1>Threecinct all put their heads together and they're like, this

0:49:17.000 --> 0:49:21.239
<v Speaker 1>sounds like one of those single room occupancy hotels on

0:49:21.360 --> 0:49:24.319
<v Speaker 1>the West Side near Chelsea Piers, which is funny because

0:49:24.320 --> 0:49:27.040
<v Speaker 1>they're probably literally at Chelsea Piers while they're talking about this,

0:49:27.600 --> 0:49:30.840
<v Speaker 1>and then he's like, that's got to be what it is.

0:49:30.920 --> 0:49:34.359
<v Speaker 1>Let's go wait, where's live And then they say, oh,

0:49:34.360 --> 0:49:36.719
<v Speaker 1>she walked out with Hillary a while ago, and Stabler's like, well,

0:49:36.719 --> 0:49:38.080
<v Speaker 1>we can't wait on her, let's just go.

0:49:38.560 --> 0:49:41.080
<v Speaker 3>So they go to the Lydia Hotel and the desk

0:49:41.120 --> 0:49:41.759
<v Speaker 3>clerk like.

0:49:41.800 --> 0:49:44.360
<v Speaker 1>Wants a bribe, and instead he gets a headlock from Finn,

0:49:44.400 --> 0:49:47.640
<v Speaker 1>which is another fun I like when Finn takes matters

0:49:47.640 --> 0:49:48.319
<v Speaker 1>into his own hands.

0:49:48.320 --> 0:49:49.560
<v Speaker 3>He's like, I'm not giving you twenty dollars.

0:49:49.560 --> 0:49:51.399
<v Speaker 1>I'm going to put you in a headlock, and then

0:49:51.480 --> 0:49:55.440
<v Speaker 1>he the guy is like yeah, Gorman's well. They show

0:49:55.480 --> 0:49:57.319
<v Speaker 1>him a picture of Gorman and he's like, yeah, he's here,

0:49:57.360 --> 0:50:00.160
<v Speaker 1>but he's busy, and so they run up there. When

0:50:00.160 --> 0:50:04.000
<v Speaker 1>they bust open the door, Olivia is standing over Gorman's

0:50:04.080 --> 0:50:07.480
<v Speaker 1>dead body, bloody in the bed or maybe on the ground,

0:50:07.960 --> 0:50:10.960
<v Speaker 1>and Stabler is like what the fuck, and Live is

0:50:11.000 --> 0:50:12.279
<v Speaker 1>like he was dead when I got here.

0:50:12.920 --> 0:50:13.800
<v Speaker 3>And it's sketchy.

0:50:13.880 --> 0:50:16.360
<v Speaker 1>It is like they purposely the show makes it sketchy,

0:50:16.480 --> 0:50:19.439
<v Speaker 1>like lives by herself, like why wouldn't she have called

0:50:19.440 --> 0:50:21.640
<v Speaker 1>for backup? You know? Like then she kind of walks

0:50:21.680 --> 0:50:23.359
<v Speaker 1>out of the room, like I don't want to talk

0:50:23.400 --> 0:50:24.360
<v Speaker 1>about it with you anymore.

0:50:24.600 --> 0:50:26.200
<v Speaker 2>They can make it as sketchy as they want, But

0:50:26.239 --> 0:50:28.359
<v Speaker 2>I have no doubt in my mind that Benson did

0:50:28.400 --> 0:50:29.279
<v Speaker 2>not kill this guy.

0:50:29.600 --> 0:50:31.480
<v Speaker 3>I wouldn't, of course.

0:50:31.560 --> 0:50:34.680
<v Speaker 1>I'm just pointing out the devices they're using to make

0:50:34.719 --> 0:50:37.640
<v Speaker 1>you try to doubt Benson that maybe she feels so

0:50:37.760 --> 0:50:40.399
<v Speaker 1>bad about her mistake that she fucking stabbed this guy.

0:50:40.520 --> 0:50:40.680
<v Speaker 3>Right.

0:50:41.440 --> 0:50:45.000
<v Speaker 1>So, top of act three, the corner is packing up

0:50:45.040 --> 0:50:47.880
<v Speaker 1>Gorman's bod and Munch is giving us like the whole rundown.

0:50:47.960 --> 0:50:50.760
<v Speaker 1>He's been dead less than an hour of a single

0:50:50.800 --> 0:50:53.600
<v Speaker 1>stab wound to the chest with a smooth blade and

0:50:53.640 --> 0:50:55.000
<v Speaker 1>it might be the same one that was used to

0:50:55.000 --> 0:50:58.200
<v Speaker 1>cut his Wiener off, and Stabler's like, you said, Wiener,

0:50:59.000 --> 0:51:01.279
<v Speaker 1>I wrote Dick's so many times that I was trying

0:51:01.280 --> 0:51:02.560
<v Speaker 1>to think of different things to write.

0:51:02.560 --> 0:51:03.920
<v Speaker 3>But now I just want a hot dog.

0:51:04.480 --> 0:51:06.439
<v Speaker 1>I'm sorry, and I know you like a big beef dog,

0:51:07.360 --> 0:51:10.200
<v Speaker 1>as you said on A four proud a previous episode.

0:51:11.560 --> 0:51:12.840
<v Speaker 3>I like a big beef dog.

0:51:13.880 --> 0:51:19.200
<v Speaker 1>So now Stabler and Benson are alone and he's like,

0:51:19.440 --> 0:51:20.359
<v Speaker 1>are you protecting her?

0:51:20.400 --> 0:51:21.840
<v Speaker 3>So Stabler doesn't think she did it.

0:51:22.040 --> 0:51:25.160
<v Speaker 1>He thinks she's covering for Hillary, and she goes, I

0:51:25.239 --> 0:51:27.560
<v Speaker 1>left Hillary at her mother's house a couple hours ago,

0:51:27.880 --> 0:51:31.400
<v Speaker 1>and I don't need your interrogation, Stabler, you know. And

0:51:31.440 --> 0:51:33.000
<v Speaker 1>he's like, I don't get why you didn't come back

0:51:33.000 --> 0:51:34.759
<v Speaker 1>to the squad and she's like, look, I had a

0:51:34.840 --> 0:51:37.120
<v Speaker 1>hunch that it was one of these hotels, kind of

0:51:37.160 --> 0:51:38.319
<v Speaker 1>like you guys came up with.

0:51:38.800 --> 0:51:41.279
<v Speaker 3>I checked five hotels. This was number six.

0:51:41.640 --> 0:51:44.480
<v Speaker 1>And Stabler's like, you did this all without backup, and

0:51:44.520 --> 0:51:47.799
<v Speaker 1>he's pissed, and Elliott goes to her, You're out of control,

0:51:48.120 --> 0:51:50.640
<v Speaker 1>and liv goes, I never had control with this one, remember,

0:51:51.040 --> 0:51:53.440
<v Speaker 1>and I didn't even realize. I always think when I

0:51:53.480 --> 0:51:55.600
<v Speaker 1>think about this episode that it's called control because of

0:51:55.600 --> 0:51:57.720
<v Speaker 1>the way this guy was controlling them, But it's also

0:51:57.760 --> 0:52:01.520
<v Speaker 1>about Olivia and of the control she has over the

0:52:01.560 --> 0:52:04.320
<v Speaker 1>situation and her role so interesting when.

0:52:04.120 --> 0:52:06.719
<v Speaker 2>They always think of well, I think that's what the

0:52:06.760 --> 0:52:08.640
<v Speaker 2>Internet wants me to do. But I just think about

0:52:08.640 --> 0:52:12.640
<v Speaker 2>the Leonardo DiCaprio meme now where he's pointing. Have you

0:52:12.640 --> 0:52:14.200
<v Speaker 2>ever seen the one where he gets up like he's

0:52:14.239 --> 0:52:18.359
<v Speaker 2>the Howard Hughes point No. Oh, yeah, it's a fun meme,

0:52:18.440 --> 0:52:20.920
<v Speaker 2>And it's like usually like when you hear the title

0:52:20.960 --> 0:52:23.440
<v Speaker 2>episode be said, oh.

0:52:23.239 --> 0:52:25.640
<v Speaker 3>And you're like, oh, yes, is that not from Gatsby?

0:52:26.080 --> 0:52:28.560
<v Speaker 1>Once upon a Time in Hollywood? We made it back

0:52:28.560 --> 0:52:31.359
<v Speaker 1>to Tarantino. I think I have seen that for sure.

0:52:32.040 --> 0:52:35.799
<v Speaker 1>So Olivia is beating herself up about this mistake and

0:52:35.840 --> 0:52:38.839
<v Speaker 1>Elliott is like, get over it, and I just think

0:52:38.840 --> 0:52:41.960
<v Speaker 1>it's we always talk about cops fucking up cases and

0:52:42.000 --> 0:52:44.799
<v Speaker 1>a lot of the research that we do, and like,

0:52:44.880 --> 0:52:46.759
<v Speaker 1>I kind of like how in this show they at

0:52:46.840 --> 0:52:48.960
<v Speaker 1>least show the cops fuck up, you know, Like I

0:52:49.000 --> 0:52:51.480
<v Speaker 1>know it's a fantasy where the cops are totally not

0:52:51.600 --> 0:52:53.959
<v Speaker 1>really how they are, but it's also how they're really

0:52:53.960 --> 0:52:55.759
<v Speaker 1>not how they are in a bad way. Like Live

0:52:55.840 --> 0:52:58.440
<v Speaker 1>did fuck up, and at least she's trying to rectify

0:52:58.480 --> 0:53:01.440
<v Speaker 1>it and feels bad. Like Stabler's the kind of cop

0:53:01.440 --> 0:53:03.960
<v Speaker 1>who would just double down and be like, never admit

0:53:03.960 --> 0:53:06.000
<v Speaker 1>that he did something wrong. He'd just be like, all right,

0:53:06.040 --> 0:53:07.839
<v Speaker 1>I just got to fix it now, you know. Like,

0:53:07.880 --> 0:53:09.600
<v Speaker 1>and I think that it just shows the different sides

0:53:09.600 --> 0:53:11.680
<v Speaker 1>of them. She's kind of letting it eat at her,

0:53:12.000 --> 0:53:13.880
<v Speaker 1>and he's just like get over it, Like let's just

0:53:13.880 --> 0:53:16.719
<v Speaker 1>find the guy, you know, or find who did this,

0:53:16.880 --> 0:53:19.880
<v Speaker 1>I guess because we have already found the guy. So

0:53:20.000 --> 0:53:22.399
<v Speaker 1>now we're back at the precinct and all these women

0:53:22.440 --> 0:53:25.600
<v Speaker 1>have come forward as victims of Gorman. Okay, like we're

0:53:25.640 --> 0:53:27.839
<v Speaker 1>getting a little pan of the precinct and all these

0:53:27.880 --> 0:53:30.680
<v Speaker 1>women are sitting there, like one woman is like Cambodian

0:53:30.719 --> 0:53:32.760
<v Speaker 1>and she's like telling her story to Finn and Cambo

0:53:32.880 --> 0:53:36.400
<v Speaker 1>in another language and don't I don't think Finn's I

0:53:36.400 --> 0:53:36.839
<v Speaker 1>don't think.

0:53:36.760 --> 0:53:37.840
<v Speaker 3>Finn speaks that language.

0:53:37.840 --> 0:53:39.560
<v Speaker 1>So it's like a lot of them are just like

0:53:39.600 --> 0:53:43.319
<v Speaker 1>telling their story and unfortunately Finn reveals to Olivia that

0:53:43.440 --> 0:53:46.480
<v Speaker 1>all of these women were taken after Hillary, which causes

0:53:46.520 --> 0:53:48.960
<v Speaker 1>her to feel even more guilt because every woman that's

0:53:48.960 --> 0:53:50.960
<v Speaker 1>sitting in front of her would not have had this

0:53:51.040 --> 0:53:53.960
<v Speaker 1>experience if Olivia had believed Hillary and they had investigated

0:53:54.000 --> 0:53:54.680
<v Speaker 1>the crime.

0:53:54.880 --> 0:53:55.480
<v Speaker 3>Yeah, it sucks.

0:53:55.480 --> 0:53:59.040
<v Speaker 2>The thing is, it's like everyone makes mistakes. These mistakes

0:53:59.040 --> 0:54:01.560
<v Speaker 2>have really long line, huge consequences.

0:54:02.680 --> 0:54:05.520
<v Speaker 3>Yeah, so this kind of breaks Olivia.

0:54:06.080 --> 0:54:08.239
<v Speaker 1>She goes to her locker and starts packing her shit,

0:54:08.280 --> 0:54:10.040
<v Speaker 1>which I don't think we've seen her do before. Like,

0:54:10.040 --> 0:54:12.960
<v Speaker 1>I don't think we've seen her almost quip before. And

0:54:13.360 --> 0:54:15.360
<v Speaker 1>Craigan confronts her and she's just like I can't do

0:54:15.400 --> 0:54:18.320
<v Speaker 1>this anymore. And he's like trying to explain, like, look,

0:54:18.360 --> 0:54:21.120
<v Speaker 1>this guy picks women who no one would believe, Like

0:54:21.440 --> 0:54:24.600
<v Speaker 1>he picks women specifically that he can just let go

0:54:24.680 --> 0:54:26.440
<v Speaker 1>and leave back on the street and knows that no

0:54:26.440 --> 0:54:28.840
<v Speaker 1>one will believe them. And he's like, there's always going

0:54:28.920 --> 0:54:30.760
<v Speaker 1>to be purps and there's always going to be victims.

0:54:30.960 --> 0:54:33.160
<v Speaker 1>And Olivia is like the only reason I'm standing here

0:54:33.200 --> 0:54:35.240
<v Speaker 1>is because my mom let herself get raped.

0:54:35.280 --> 0:54:37.680
<v Speaker 3>And you've never heard that from Olivia before.

0:54:37.760 --> 0:54:40.680
<v Speaker 1>I've never heard her like blame her mom like that before,

0:54:41.080 --> 0:54:43.319
<v Speaker 1>and it's weird to hear her like vict and he's like,

0:54:43.360 --> 0:54:46.160
<v Speaker 1>since when do you victim blame? And she's like, my

0:54:46.239 --> 0:54:49.640
<v Speaker 1>mother was drunk when she was attacked, and so was Hillary.

0:54:50.200 --> 0:54:52.080
<v Speaker 1>And I'm like, you know what, so am I most

0:54:52.120 --> 0:54:55.400
<v Speaker 1>weekend nights. That doesn't mean anything, Like it doesn't mean anything,

0:54:55.520 --> 0:54:58.680
<v Speaker 1>and Craigan is like, the people responsible for these crimes

0:54:58.719 --> 0:55:01.400
<v Speaker 1>are the purpse, like, not the victims, no matter how

0:55:01.480 --> 0:55:04.120
<v Speaker 1>drunk or fucked up they were or whatever their pasts were,

0:55:04.520 --> 0:55:07.120
<v Speaker 1>and lives saying, but the reason I didn't believe Hillary

0:55:07.280 --> 0:55:09.080
<v Speaker 1>is because of my past with my mom and like

0:55:09.120 --> 0:55:11.000
<v Speaker 1>that my mom was an alcoholic and that she was

0:55:11.080 --> 0:55:14.440
<v Speaker 1>drunk when she got rapes and so it's all connected.

0:55:15.280 --> 0:55:17.560
<v Speaker 1>And Craigan's like, okay, fine, quit throw away all the

0:55:17.560 --> 0:55:19.480
<v Speaker 1>good you've done and all the good you will do

0:55:19.600 --> 0:55:22.400
<v Speaker 1>over one mistake, and live looks like she got got

0:55:22.560 --> 0:55:25.000
<v Speaker 1>and she sucks it up and grabs pictures of the

0:55:25.000 --> 0:55:28.360
<v Speaker 1>brides and is like, let's go to Stabler. So crisis averted.

0:55:28.640 --> 0:55:30.799
<v Speaker 1>I don't know if you guys, no spoiler, but she

0:55:30.880 --> 0:55:36.120
<v Speaker 1>does not leave the squad. So now they're back in

0:55:36.160 --> 0:55:41.000
<v Speaker 1>the tunnel in the Grand Center and they're showing Sami

0:55:41.160 --> 0:55:44.760
<v Speaker 1>l aka Samuel the photos of these brides, who's.

0:55:44.600 --> 0:55:47.319
<v Speaker 3>Now just a full time informat. Yeah.

0:55:47.760 --> 0:55:50.319
<v Speaker 1>He's like, oh, hey, old cop friends, let's talk keep

0:55:50.360 --> 0:55:54.160
<v Speaker 1>things dark. And they show him this photo array of

0:55:54.160 --> 0:55:56.760
<v Speaker 1>all these brides and say which one is your angel?

0:55:57.239 --> 0:55:59.840
<v Speaker 3>And he id's don't done. Hillary.

0:56:00.480 --> 0:56:04.440
<v Speaker 1>And so now we're at this very upscale maud apartment

0:56:04.560 --> 0:56:07.440
<v Speaker 1>of Juliet Barclay and she's in a silky PJ in

0:56:07.560 --> 0:56:09.600
<v Speaker 1>robe and she's got a view of the Empire State

0:56:09.600 --> 0:56:13.640
<v Speaker 1>Building and the Chrysler Building, so not bad. And Hillary

0:56:13.719 --> 0:56:16.400
<v Speaker 1>is there with some pjs onto more of like a

0:56:16.520 --> 0:56:20.080
<v Speaker 1>hippie hippy silky. Yeah, hers are more. No, Hillary's are

0:56:20.120 --> 0:56:23.720
<v Speaker 1>more like she got them on a trip to Tibet,

0:56:23.800 --> 0:56:25.360
<v Speaker 1>you know what I mean. That's like what the vibe

0:56:25.440 --> 0:56:27.920
<v Speaker 1>was for me. But they're not as silky as her mom's.

0:56:28.400 --> 0:56:32.440
<v Speaker 1>And then they tell them, hey, we found Gorman and

0:56:32.480 --> 0:56:34.640
<v Speaker 1>he's dead and she says, good, I hope he suffered.

0:56:35.320 --> 0:56:38.080
<v Speaker 1>And then they're like you killed him and she denies it.

0:56:38.120 --> 0:56:39.759
<v Speaker 1>She's like, I didn't do it, and her mom gets

0:56:39.800 --> 0:56:42.160
<v Speaker 1>angry and is like, you can't take her you can't

0:56:42.160 --> 0:56:42.440
<v Speaker 1>take her.

0:56:42.440 --> 0:56:43.200
<v Speaker 3>You can't do this to her.

0:56:43.239 --> 0:56:45.319
<v Speaker 1>She's been through enough, so I'm kind of it's nice

0:56:45.320 --> 0:56:47.880
<v Speaker 1>to see that these two have kind of reconnected. And

0:56:47.920 --> 0:56:51.279
<v Speaker 1>then Juliet confesses to the murder. She goes, take me,

0:56:51.719 --> 0:56:54.000
<v Speaker 1>I killed the bastard. I had to protect my daughter.

0:56:54.560 --> 0:57:00.239
<v Speaker 1>So they arrest Juliette while Hillary is protesting and like,

0:57:00.280 --> 0:57:03.000
<v Speaker 1>you can't take her, you can't take her. So now

0:57:03.200 --> 0:57:06.279
<v Speaker 1>Juliet is in interrogation, out of her silky robe.

0:57:06.320 --> 0:57:06.520
<v Speaker 3>PJ.

0:57:06.640 --> 0:57:08.000
<v Speaker 1>Look. I don't know if they got her a sweatshirt

0:57:08.040 --> 0:57:12.160
<v Speaker 1>or whatever, but she explains that Horace Gorman murdered my

0:57:12.280 --> 0:57:15.239
<v Speaker 1>daughter's soul. I did what any mother would do. And

0:57:15.280 --> 0:57:19.160
<v Speaker 1>they want to know how she knew where to find Gorman,

0:57:19.680 --> 0:57:22.400
<v Speaker 1>and she said, last week, Hillary saw him leaving his

0:57:22.440 --> 0:57:25.440
<v Speaker 1>apartment building and she was shocked. So she said, so

0:57:25.560 --> 0:57:27.720
<v Speaker 1>I followed him for a few days and then I

0:57:27.760 --> 0:57:30.280
<v Speaker 1>castrated him at the subway station. I didn't want to

0:57:30.360 --> 0:57:32.840
<v Speaker 1>kill him in case he was holding another victim smart

0:57:33.280 --> 0:57:35.320
<v Speaker 1>the day before the day he was killed. He never

0:57:35.360 --> 0:57:37.800
<v Speaker 1>went to the dungeon, and she remembered that he would

0:57:37.800 --> 0:57:40.080
<v Speaker 1>hang out with all these quote unquote hookers at this

0:57:40.200 --> 0:57:43.560
<v Speaker 1>Dingy Hotel. So when the cops told Hillary that Gorman

0:57:43.720 --> 0:57:46.360
<v Speaker 1>was on the lamb, like she knew exactly where he was,

0:57:46.920 --> 0:57:49.000
<v Speaker 1>she went to the hotel, knocked on his door and

0:57:49.040 --> 0:57:50.240
<v Speaker 1>asked if he wanted company.

0:57:50.640 --> 0:57:52.840
<v Speaker 3>When he let her in, she says she stabbed.

0:57:52.480 --> 0:57:55.360
<v Speaker 1>Him, and she goes, there was so much blood, and

0:57:55.400 --> 0:57:57.080
<v Speaker 1>then she says she threw the knife down the sewer

0:57:57.160 --> 0:57:58.200
<v Speaker 1>grade a few blocks away.

0:57:58.320 --> 0:58:00.200
<v Speaker 3>So she's got a pretty good storyline up.

0:58:01.240 --> 0:58:04.880
<v Speaker 1>Now we're in Judge Petrovsky's chambers with the Dream Team. Okay,

0:58:04.920 --> 0:58:08.440
<v Speaker 1>it's Petrovsky, it's Casey Novic, and it's Cyndi Lauper's husband

0:58:08.520 --> 0:58:09.240
<v Speaker 1>Lionel Grainger.

0:58:09.800 --> 0:58:10.280
<v Speaker 3>Love this.

0:58:10.960 --> 0:58:14.160
<v Speaker 1>So Granger is arguing that Juliet's confession is a Peyton

0:58:14.240 --> 0:58:18.680
<v Speaker 1>violation because and the Peyton violation is essentially what we've

0:58:18.680 --> 0:58:20.720
<v Speaker 1>talked about on this podcast before. The cops are not

0:58:20.760 --> 0:58:23.439
<v Speaker 1>allowed to without a warrant, arrest someone in their home.

0:58:23.640 --> 0:58:26.920
<v Speaker 1>They need to step out of their home. So what

0:58:26.960 --> 0:58:30.520
<v Speaker 1>we saw in the episode was a little bit walking

0:58:30.560 --> 0:58:33.440
<v Speaker 1>the line there because they did kind of bring her

0:58:33.520 --> 0:58:36.480
<v Speaker 1>out of her apartment and then they arrested her, but

0:58:36.840 --> 0:58:39.000
<v Speaker 1>she didn't walk out of her apartment really on her

0:58:39.000 --> 0:58:43.840
<v Speaker 1>own accord, So that's what he's arguing, and there he's

0:58:43.920 --> 0:58:45.840
<v Speaker 1>kind of right. I hate to say, you know, like

0:58:46.720 --> 0:58:48.680
<v Speaker 1>we love our girl, Casey Novak, but I think this

0:58:48.760 --> 0:58:50.400
<v Speaker 1>guy's she would argue the same thing if it was

0:58:50.440 --> 0:58:54.840
<v Speaker 1>reversed for her. And she's saying she wasn't arrested until

0:58:54.840 --> 0:58:56.760
<v Speaker 1>she stepped outside, and he's like, yeah, but she was

0:58:56.800 --> 0:59:00.360
<v Speaker 1>intimidated and dragged out by cops and Novak like, no,

0:59:00.480 --> 0:59:04.400
<v Speaker 1>she volunteered. But Petrovsky's like, Novak, come on, I'm throwing

0:59:04.400 --> 0:59:07.200
<v Speaker 1>out this confession. And then Granger is like, all right, baby,

0:59:07.280 --> 0:59:10.160
<v Speaker 1>let's talk plea deal, and Novak is like, scram buddy,

0:59:10.360 --> 0:59:12.560
<v Speaker 1>I've got the spontaneous admission in the apartment, and I

0:59:12.560 --> 0:59:13.479
<v Speaker 1>think that'll be just fine.

0:59:13.520 --> 0:59:16.400
<v Speaker 3>Thank you so much for coming out. And then in.

0:59:16.280 --> 0:59:20.640
<v Speaker 1>The courtroom, Novak is making her argument that even though

0:59:20.880 --> 0:59:23.920
<v Speaker 1>Gorman Novak's wearing a wild outfit in this episode, it's

0:59:23.960 --> 0:59:26.800
<v Speaker 1>such a long skirt, she looks like a Hasidic Jewish wife.

0:59:26.880 --> 0:59:28.280
<v Speaker 3>I don't think I noticed it.

0:59:28.360 --> 0:59:30.280
<v Speaker 1>Oh it was like black and then like a long

0:59:30.320 --> 0:59:33.600
<v Speaker 1>black pleated skirt to below the knee. I was like, Casey,

0:59:33.840 --> 0:59:36.360
<v Speaker 1>this I think they later let her dress a little hotter.

0:59:36.120 --> 0:59:39.040
<v Speaker 2>Because I'm also extra sensitive to Orthodox outfits, and i

0:59:39.080 --> 0:59:41.280
<v Speaker 2>always feel like I'm dressed like an Orthodox Jew or

0:59:41.280 --> 0:59:44.680
<v Speaker 2>like a Menna night on a night out. So I

0:59:44.720 --> 0:59:46.120
<v Speaker 2>do feel sad I didn't notice.

0:59:46.400 --> 0:59:51.320
<v Speaker 1>Meanwhile, you never are, but I'll just say it was

0:59:51.440 --> 0:59:52.440
<v Speaker 1>just very black.

0:59:52.560 --> 0:59:54.200
<v Speaker 3>Pilgrimy like, you know.

0:59:54.320 --> 0:59:57.919
<v Speaker 1>Sort of we like some skin, we want skins. Yeah,

0:59:58.000 --> 0:59:59.760
<v Speaker 1>she just usually is dressed a little bit more.

0:59:59.800 --> 1:00:00.680
<v Speaker 3>She that's all.

1:00:01.000 --> 1:00:04.200
<v Speaker 1>And so she's making the argument that even though Gorman

1:00:04.280 --> 1:00:06.880
<v Speaker 1>was a monster who absolutely should have been sentenced to

1:00:06.920 --> 1:00:10.680
<v Speaker 1>life in prison and died in prison, she cannot prosecute

1:00:10.720 --> 1:00:13.920
<v Speaker 1>him because Juliette Barclay went vigilante and no one is.

1:00:13.880 --> 1:00:16.400
<v Speaker 3>Above the law. Murder is murder, no matter who or why.

1:00:16.520 --> 1:00:18.320
<v Speaker 1>And you know, we all know our girl Casey takes

1:00:18.320 --> 1:00:19.600
<v Speaker 1>that shit very seriously.

1:00:20.080 --> 1:00:22.760
<v Speaker 3>And then Grainger is like, I agree with everything.

1:00:22.800 --> 1:00:25.920
<v Speaker 1>Miss Novak is saying, here's the thing, we don't know

1:00:26.040 --> 1:00:30.240
<v Speaker 1>who killed him. There's another suspect, someone with means, motive,

1:00:30.240 --> 1:00:34.960
<v Speaker 1>an opportunity, and that person is Detective Olivia Benson. This

1:00:35.080 --> 1:00:37.560
<v Speaker 1>up is so fucking wild. This guy's fully just trying

1:00:37.560 --> 1:00:40.640
<v Speaker 1>to frame Olivia for this not really, you know, I

1:00:40.680 --> 1:00:42.720
<v Speaker 1>don't think he would ever say that she really really

1:00:42.720 --> 1:00:45.040
<v Speaker 1>did it, But he's trying to create reasonable doubt because

1:00:45.280 --> 1:00:48.080
<v Speaker 1>she did have all this access and it really could

1:00:48.080 --> 1:00:48.480
<v Speaker 1>have been her.

1:00:48.520 --> 1:00:49.240
<v Speaker 3>On the timeline.

1:00:49.880 --> 1:00:52.800
<v Speaker 1>Novak objects as like objection in the whole court room

1:00:52.880 --> 1:00:55.600
<v Speaker 1>is like hub hub hub hub. While we're on Olivia's

1:00:55.640 --> 1:00:59.880
<v Speaker 1>face as we go out to commercial coming back act

1:01:00.120 --> 1:01:03.280
<v Speaker 1>for at the precinct, Novak's like, I know what he's doing.

1:01:03.320 --> 1:01:06.040
<v Speaker 1>He's trying to create reasonable doubt. Why don't you just admit,

1:01:06.200 --> 1:01:08.120
<v Speaker 1>go on the stand, admit you screwed up and went

1:01:08.120 --> 1:01:11.160
<v Speaker 1>to the hotel alone, but testify that you didn't kill him.

1:01:11.640 --> 1:01:14.520
<v Speaker 1>And then Novak walks away and lives like she didn't

1:01:14.520 --> 1:01:16.240
<v Speaker 1>even ask me if I did it. And then she

1:01:16.280 --> 1:01:18.600
<v Speaker 1>says to Stabler and neither did you, and Stabler goes,

1:01:18.680 --> 1:01:20.360
<v Speaker 1>I know you didn't do it. You would have shot

1:01:20.400 --> 1:01:22.160
<v Speaker 1>the bastard. So I like that they know each other

1:01:22.200 --> 1:01:24.120
<v Speaker 1>that well. But also she might not have shot him

1:01:24.120 --> 1:01:26.640
<v Speaker 1>because it's well, actually, yeah, what she could have done

1:01:26.640 --> 1:01:31.400
<v Speaker 1>is say he attacked me and shot him. Back in court,

1:01:31.760 --> 1:01:34.880
<v Speaker 1>Olivia is testifying, explaining how she was checking with all

1:01:34.880 --> 1:01:36.960
<v Speaker 1>these motel desk clerks, and that she was gonna call

1:01:37.000 --> 1:01:39.400
<v Speaker 1>for backup if she got a positive ID. But then

1:01:39.440 --> 1:01:42.080
<v Speaker 1>the Lydia Hotel, she went in and the guy goes, yeah,

1:01:42.080 --> 1:01:44.400
<v Speaker 1>he's here, and she was worried he was with another victim,

1:01:44.880 --> 1:01:46.840
<v Speaker 1>so she said she ran up there and she saw

1:01:46.880 --> 1:01:49.320
<v Speaker 1>Gorman lying on the floor dead when she walked in.

1:01:49.400 --> 1:01:51.640
<v Speaker 1>And when he goes, she says, did you kill him?

1:01:51.640 --> 1:01:53.520
<v Speaker 1>And she goes, I did not kill him, Like it's

1:01:53.640 --> 1:01:56.120
<v Speaker 1>very it's very believable, I think, but maybe that's just

1:01:56.120 --> 1:02:01.120
<v Speaker 1>because I'm obsessed with Olivia Benson. Now on cross examination,

1:02:01.320 --> 1:02:03.720
<v Speaker 1>Granger's not pulling any punches. He brings up the fact

1:02:03.720 --> 1:02:06.720
<v Speaker 1>that six victims were taken because Olivia didn't believe Hillary,

1:02:07.240 --> 1:02:09.800
<v Speaker 1>and she's like, well, actually that happened because Gorman is

1:02:09.800 --> 1:02:12.960
<v Speaker 1>a psychopath. And he's still like just leaning into the

1:02:13.120 --> 1:02:15.040
<v Speaker 1>like you did it angle, and he's like, why didn't

1:02:15.040 --> 1:02:16.920
<v Speaker 1>you radio for backup? And she's like, I was about

1:02:16.920 --> 1:02:19.080
<v Speaker 1>to the desk clerk, and he goes, but the desk

1:02:19.080 --> 1:02:21.240
<v Speaker 1>clerk said there was ten minutes between your arrival and

1:02:21.280 --> 1:02:24.480
<v Speaker 1>your partner's arrival, And she's like, that guy was playing

1:02:24.520 --> 1:02:28.840
<v Speaker 1>cards to fucking he doesn't notice anything like who like irrelevant,

1:02:29.280 --> 1:02:32.120
<v Speaker 1>and then he brings up how Benson has quote unquote

1:02:32.200 --> 1:02:34.480
<v Speaker 1>murdered to other people, and she goes, I shot two

1:02:34.520 --> 1:02:37.240
<v Speaker 1>suspects who were armed and about to commit murder, and

1:02:37.320 --> 1:02:41.800
<v Speaker 1>he's like, hmm, two killings, no charges, third times a charm.

1:02:41.880 --> 1:02:45.160
<v Speaker 1>At the precinct, they're all brainstorming because this isn't really

1:02:45.160 --> 1:02:47.400
<v Speaker 1>looking very good, Like they're trying to figure out, like

1:02:47.480 --> 1:02:51.920
<v Speaker 1>how we can get the jury to disregard that it

1:02:51.960 --> 1:02:54.120
<v Speaker 1>could have been Olivia, like even if there's a small,

1:02:54.120 --> 1:02:57.000
<v Speaker 1>small chance. That's the whole concept of reasonable doubt right there.

1:02:57.400 --> 1:03:00.120
<v Speaker 1>And so munch Waltz is in with this little nerd

1:03:00.280 --> 1:03:02.680
<v Speaker 1>man who's so cute and like looks so excited to

1:03:02.720 --> 1:03:06.720
<v Speaker 1>be there, and he is a forensics metallurgist and when

1:03:06.840 --> 1:03:09.920
<v Speaker 1>so he knows about metals and shit. So apparently when

1:03:09.920 --> 1:03:13.320
<v Speaker 1>the knife stabbed Gorman, it left traces of a metal

1:03:13.440 --> 1:03:16.160
<v Speaker 1>on his sternum and the metal was gold, and this

1:03:16.200 --> 1:03:18.400
<v Speaker 1>little dork is like so excited, he's how often do

1:03:18.440 --> 1:03:20.400
<v Speaker 1>you think he gets called? He was probably like, yes,

1:03:20.480 --> 1:03:23.960
<v Speaker 1>I'm useful, and he says a bunch of nerd shit

1:03:24.120 --> 1:03:26.880
<v Speaker 1>and then finally reveals that the knife is from the

1:03:26.920 --> 1:03:29.960
<v Speaker 1>mid ninth century, and Benson and Stabler are like, yeah,

1:03:30.000 --> 1:03:32.280
<v Speaker 1>like one you might find at Juliette's antique shop.

1:03:32.640 --> 1:03:34.080
<v Speaker 3>So now we're at the antique shop.

1:03:34.120 --> 1:03:36.160
<v Speaker 1>This is another episode where there's just so much going on,

1:03:36.240 --> 1:03:38.960
<v Speaker 1>so many locations at the antique shop, where with qut

1:03:39.080 --> 1:03:43.080
<v Speaker 1>o'hallerin rip and he's there scanning knife after knife of

1:03:43.120 --> 1:03:46.680
<v Speaker 1>all these antiquity all these antique knives for blood, and

1:03:46.720 --> 1:03:47.360
<v Speaker 1>he's striking out.

1:03:47.400 --> 1:03:48.760
<v Speaker 3>He's like, sorry, I haven't found anything.

1:03:49.600 --> 1:03:53.000
<v Speaker 1>Then Finn comes out of nowhere with some Indiana Jones

1:03:53.080 --> 1:03:55.120
<v Speaker 1>knife that he found under the sink and boom, it's

1:03:55.120 --> 1:03:57.360
<v Speaker 1>been cleaned, but it definitely has blood on it and

1:03:57.360 --> 1:03:59.680
<v Speaker 1>there's some blood in like the carvings on the handle.

1:04:00.440 --> 1:04:03.840
<v Speaker 1>Back in court, Granger is still trying to implicate Benson

1:04:03.880 --> 1:04:06.720
<v Speaker 1>in his cross examination of Hillary, but Hillary's like, my

1:04:06.800 --> 1:04:09.400
<v Speaker 1>mom couldn't have done it, And when they confront her

1:04:09.440 --> 1:04:11.880
<v Speaker 1>with the whole knife thing, she confesses she's like, I

1:04:11.960 --> 1:04:13.720
<v Speaker 1>did it. I stole the knife from my mom's store

1:04:13.960 --> 1:04:16.600
<v Speaker 1>and I used it to castrate and kill Gorman. And

1:04:16.680 --> 1:04:18.840
<v Speaker 1>she tells her mom, you don't have to protect me anymore,

1:04:19.280 --> 1:04:20.840
<v Speaker 1>and she says she still has a key to the

1:04:20.840 --> 1:04:22.840
<v Speaker 1>store because she used to steal some of the shit

1:04:22.880 --> 1:04:25.240
<v Speaker 1>from her mom's store to sell for drugs, and that's

1:04:25.280 --> 1:04:27.520
<v Speaker 1>how she got access. And they've all got a story.

1:04:27.560 --> 1:04:30.400
<v Speaker 1>Everybody's got all their details wrapped up. So then Novak

1:04:30.440 --> 1:04:33.640
<v Speaker 1>goes to the bench with Granger and is like to Petrovsky,

1:04:33.720 --> 1:04:36.160
<v Speaker 1>you got to give me a mistrial, like the we can't,

1:04:36.680 --> 1:04:39.240
<v Speaker 1>you know, as they say, too loud a bell to unring,

1:04:39.400 --> 1:04:43.080
<v Speaker 1>like we can't. We can't make the jury not have

1:04:43.200 --> 1:04:46.440
<v Speaker 1>heard this confession. Oh, and then so Petrovski asked Novak,

1:04:46.480 --> 1:04:50.040
<v Speaker 1>do you have reasonable doubt about Juliette being guilty? And

1:04:50.080 --> 1:04:52.600
<v Speaker 1>she goes, I have to admit that I do, And

1:04:52.640 --> 1:04:55.200
<v Speaker 1>then she that leaves no choice but for the people

1:04:55.240 --> 1:04:59.439
<v Speaker 1>to dismiss the case against juliet Barclay, which means double

1:04:59.480 --> 1:05:01.960
<v Speaker 1>jeopardy as attached and she cannot be tried again for

1:05:02.000 --> 1:05:05.120
<v Speaker 1>this crime. But now they have to arrest Hillary. So

1:05:05.160 --> 1:05:08.080
<v Speaker 1>Olivia is saying, I know Hillary made her own choices,

1:05:08.080 --> 1:05:09.560
<v Speaker 1>but it doesn't mean I have to be happy about

1:05:09.560 --> 1:05:12.360
<v Speaker 1>her going away for murder. And then Novak enters and goes,

1:05:12.640 --> 1:05:16.120
<v Speaker 1>she's not and Juliete's attorney just shared this with me,

1:05:16.520 --> 1:05:19.040
<v Speaker 1>and it's this VHS tape, which is what that is.

1:05:19.040 --> 1:05:21.280
<v Speaker 1>In case you're like twenty and you haven't don't know

1:05:21.320 --> 1:05:25.120
<v Speaker 1>what that is, it's a VHS tape. So next scene

1:05:25.160 --> 1:05:29.480
<v Speaker 1>we see is Olivia standing in the interrogate into in

1:05:29.520 --> 1:05:32.959
<v Speaker 1>a cell in the holding cell, going, VENTI whole milk

1:05:33.040 --> 1:05:36.920
<v Speaker 1>latte sounds like a lot of dairy and she says

1:05:36.920 --> 1:05:39.000
<v Speaker 1>that to Hillary and she.

1:05:39.040 --> 1:05:39.960
<v Speaker 3>Goes, the whole milk.

1:05:40.320 --> 1:05:42.800
<v Speaker 1>Yeah, a whole milk in a latte, that's like all

1:05:42.880 --> 1:05:46.160
<v Speaker 1>that's like tea that sounds like a fart. And so

1:05:46.600 --> 1:05:49.680
<v Speaker 1>she goes, that's what you ordered at the coffee shop

1:05:49.680 --> 1:05:51.200
<v Speaker 1>when your mother murdered Gorman.

1:05:51.440 --> 1:05:52.080
<v Speaker 3>We saw you.

1:05:52.640 --> 1:05:55.200
<v Speaker 1>We can't arrest your mom now because of Double Jeopardy,

1:05:55.600 --> 1:05:57.880
<v Speaker 1>and Hillary's like, I don't mind going to jail for

1:05:57.920 --> 1:06:00.640
<v Speaker 1>castrating him. So we know Hillary's the one that did castration,

1:06:00.760 --> 1:06:03.600
<v Speaker 1>but we think now we know that her mom's the

1:06:03.600 --> 1:06:06.400
<v Speaker 1>one that did the killing. She followed him for days

1:06:06.440 --> 1:06:08.600
<v Speaker 1>to kill him, but he saw her on the subway.

1:06:08.680 --> 1:06:11.320
<v Speaker 1>She confronted him and said he was she was going

1:06:11.360 --> 1:06:12.880
<v Speaker 1>to tell the whole world what he did. And he

1:06:12.880 --> 1:06:15.320
<v Speaker 1>said go ahead. No one's gonna believe a whoring junkie.

1:06:15.640 --> 1:06:15.760
<v Speaker 3>Ugh.

1:06:16.520 --> 1:06:19.000
<v Speaker 1>She hits him and drags him back to the platform,

1:06:19.160 --> 1:06:21.240
<v Speaker 1>and she goes, I had the perfect chance to kill him,

1:06:21.720 --> 1:06:24.480
<v Speaker 1>but I realized castration would make him suffer even more.

1:06:24.880 --> 1:06:26.360
<v Speaker 1>And then she just said I couldn't let my mother

1:06:26.440 --> 1:06:28.440
<v Speaker 1>go to jail. And then Novak was like, yeah, but

1:06:28.480 --> 1:06:30.440
<v Speaker 1>she belongs there, and no one gives you the right

1:06:30.480 --> 1:06:35.600
<v Speaker 1>to lie or your mother to murder, and Samantha Mathis goes, well,

1:06:35.840 --> 1:06:38.240
<v Speaker 1>he'll never torture another woman again, will.

1:06:38.040 --> 1:06:39.800
<v Speaker 3>He seems more important?

1:06:40.520 --> 1:06:42.720
<v Speaker 1>Yeah, and that's dick wolf Baby.

1:06:43.320 --> 1:06:45.080
<v Speaker 2>I've said this once and I'll say it again. I

1:06:45.120 --> 1:06:49.680
<v Speaker 2>am pro vigilante justice. Yeah, thank you, Kara, and I

1:06:49.720 --> 1:06:54.400
<v Speaker 2>think you'll all be saddened by how much overlap with

1:06:54.440 --> 1:06:55.320
<v Speaker 2>the real thing I have.

1:06:55.600 --> 1:06:58.240
<v Speaker 1>I am going into this totally blind. I know nothing

1:06:58.240 --> 1:06:59.680
<v Speaker 1>about this case, so I'm excited.

1:06:59.720 --> 1:07:14.640
<v Speaker 2>All right, we'll see you guys soon. Okay, So this

1:07:14.800 --> 1:07:17.640
<v Speaker 2>case I've actually been wanting to cover for a very

1:07:17.760 --> 1:07:22.000
<v Speaker 2>very long time because it has one of my favorite

1:07:22.040 --> 1:07:24.920
<v Speaker 2>slash least favorite things, which is cops fucking up.

1:07:24.800 --> 1:07:26.400
<v Speaker 3>Over and over and over again.

1:07:26.960 --> 1:07:30.040
<v Speaker 2>And so we have an Olivia Benson moment here where

1:07:30.160 --> 1:07:34.240
<v Speaker 2>all these women were not believed. And so I've wanted

1:07:34.280 --> 1:07:37.880
<v Speaker 2>to cover this because not that I get glee or satisfaction,

1:07:38.120 --> 1:07:42.680
<v Speaker 2>but I do. I'd like to talk about why cops suck. Yeah,

1:07:42.760 --> 1:07:44.160
<v Speaker 2>I do. I wish I wasn't true.

1:07:44.360 --> 1:07:48.439
<v Speaker 1>I wish we did the Alaskan butcher Baker butcher guy

1:07:48.520 --> 1:07:48.920
<v Speaker 1>or whatever.

1:07:48.960 --> 1:07:50.400
<v Speaker 3>And it was like one of the only.

1:07:50.200 --> 1:07:52.040
<v Speaker 1>Reasons they believe the girl they found there was because

1:07:52.080 --> 1:07:54.200
<v Speaker 1>she was like naked in the fucking middle of the

1:07:54.280 --> 1:07:56.720
<v Speaker 1>highway with like a tire iron around her neck or

1:07:56.720 --> 1:07:58.800
<v Speaker 1>something like that. It's like that's but they're like, well,

1:07:58.840 --> 1:08:01.120
<v Speaker 1>that does look kind of weird. I guess we can believe.

1:08:00.880 --> 1:08:03.320
<v Speaker 2>This girl, you know, Like, yeah, I mean the fact

1:08:03.360 --> 1:08:06.000
<v Speaker 2>that they didn't like search thoroughly at Kemper's house and

1:08:06.000 --> 1:08:09.120
<v Speaker 2>there was a head in his closet, like, oh.

1:08:08.720 --> 1:08:11.880
<v Speaker 3>My god, I would I wish it wasn't true, but

1:08:12.680 --> 1:08:13.880
<v Speaker 3>it does. You know.

1:08:14.520 --> 1:08:17.280
<v Speaker 2>I like having ammunition for myself when I have to

1:08:17.280 --> 1:08:20.120
<v Speaker 2>get into arguments or any sort of situations out in

1:08:20.160 --> 1:08:23.360
<v Speaker 2>the world, to like have these cases to be like, no,

1:08:23.760 --> 1:08:27.080
<v Speaker 2>they fuck up constantly, and let's stop calling them heroes

1:08:27.080 --> 1:08:28.000
<v Speaker 2>and giving them parades.

1:08:28.040 --> 1:08:29.320
<v Speaker 3>Like do your fucking jobs.

1:08:30.000 --> 1:08:33.840
<v Speaker 2>So anyways, this happens in the suburbs of Syracuse, New York.

1:08:34.720 --> 1:08:39.639
<v Speaker 2>The criminal here we're talking about is John Jamelski. He's

1:08:39.680 --> 1:08:42.800
<v Speaker 2>a retired handy man and he was a well known eccentric,

1:08:43.040 --> 1:08:45.280
<v Speaker 2>so a freak. Okay, he was known as a resident

1:08:45.360 --> 1:08:49.960
<v Speaker 2>crank and freak, a Republican who rarely missed an election.

1:08:50.360 --> 1:08:52.479
<v Speaker 2>So I don't know, he's like a Karen you know,

1:08:54.080 --> 1:08:56.200
<v Speaker 2>junk hording like Gorris Horman.

1:08:56.479 --> 1:09:02.560
<v Speaker 3>He was. He was very into pigeon feeding. Oh Jesus, yeah.

1:09:02.400 --> 1:09:05.680
<v Speaker 1>You're if you feed pigeons in Venice, I don't care

1:09:05.680 --> 1:09:08.400
<v Speaker 1>where you're doing it. You are feeding rats, you are

1:09:08.400 --> 1:09:11.760
<v Speaker 1>feeding flying rats. I do not think it's cute to

1:09:11.800 --> 1:09:14.720
<v Speaker 1>put bird seed on yourself in San Marco Piazza in

1:09:14.840 --> 1:09:17.240
<v Speaker 1>Venice and have a bunch of rats eat it off

1:09:17.240 --> 1:09:19.680
<v Speaker 1>of your jacket. And I stand by that.

1:09:20.240 --> 1:09:23.120
<v Speaker 2>No one just doing well in life, is, you know,

1:09:23.200 --> 1:09:24.480
<v Speaker 2>summoning pigeons.

1:09:25.240 --> 1:09:25.920
<v Speaker 3>It's not happening.

1:09:25.960 --> 1:09:28.040
<v Speaker 2>And so yeah, the town thought he was irksome, but

1:09:28.160 --> 1:09:31.559
<v Speaker 2>like he was seldom menacing, like no one, no one

1:09:31.640 --> 1:09:35.080
<v Speaker 2>was scared of him. But we're also not talking casual

1:09:35.200 --> 1:09:38.679
<v Speaker 2>junk hoarding. We're talking. The police when they got into

1:09:38.720 --> 1:09:41.799
<v Speaker 2>his home found thirteen thousand bottles.

1:09:42.400 --> 1:09:46.160
<v Speaker 3>Oh my god. And it's a well to do suburbs.

1:09:46.160 --> 1:09:48.639
<v Speaker 2>So like when the crimes came out, it was kind

1:09:48.640 --> 1:09:51.000
<v Speaker 2>of like shocking. I know what you're thinking, Cara. I

1:09:51.040 --> 1:09:53.479
<v Speaker 2>know what you're thinking. You don't have to be get

1:09:53.640 --> 1:09:58.000
<v Speaker 2>We're on the zoom. I see your face. Tell them.

1:09:58.760 --> 1:10:01.160
<v Speaker 1>I was just gonna bring up when I moved Lisa

1:10:01.200 --> 1:10:04.759
<v Speaker 1>out of her LA apartment, I did find no, nowhere

1:10:04.800 --> 1:10:08.360
<v Speaker 1>close to thirteen thousand, but I found probably two dozen

1:10:08.760 --> 1:10:10.400
<v Speaker 1>water bottles with one zip left.

1:10:10.760 --> 1:10:16.800
<v Speaker 3>Yeah, it's comforting, just drewn about.

1:10:17.439 --> 1:10:21.280
<v Speaker 2>Yeah, I'm right now, I'm looking at four Yeah, okay,

1:10:21.520 --> 1:10:25.240
<v Speaker 2>well then so yeah, getting better and better, oh, getting better,

1:10:25.800 --> 1:10:27.280
<v Speaker 2>and they all have just a little bit.

1:10:27.760 --> 1:10:29.800
<v Speaker 3>My car is filled with bottles. I don't know what

1:10:29.840 --> 1:10:30.120
<v Speaker 3>it is.

1:10:30.200 --> 1:10:33.559
<v Speaker 2>I'll bring it up in therapy next week, but I yeah,

1:10:33.600 --> 1:10:36.960
<v Speaker 2>I don't know why I need bottles around me in

1:10:37.000 --> 1:10:42.000
<v Speaker 2>my car, just crunching around. So this guy, you know,

1:10:42.080 --> 1:10:44.800
<v Speaker 2>we're talking about what a weirdo, what a junk guy,

1:10:44.920 --> 1:10:45.360
<v Speaker 2>or like what?

1:10:45.840 --> 1:10:47.479
<v Speaker 3>He is a horrific man.

1:10:47.920 --> 1:10:50.800
<v Speaker 2>He kidnapped five women and girls and kept them as

1:10:50.800 --> 1:10:54.640
<v Speaker 2>sex slaves and a homemade bunker. The concrete bunker was

1:10:54.680 --> 1:10:58.559
<v Speaker 2>two rooms and barren. He built it in nineteen eighty

1:10:58.600 --> 1:11:01.519
<v Speaker 2>eight and it was linked to his basement by his

1:11:01.600 --> 1:11:06.240
<v Speaker 2>seven foot long tunnel underneath his backyard. And they later

1:11:06.360 --> 1:11:08.720
<v Speaker 2>did ask the man who delivered all the concrete, like,

1:11:09.200 --> 1:11:12.040
<v Speaker 2>what did you think was happening? He's like, I don't

1:11:12.040 --> 1:11:17.679
<v Speaker 2>know some rooms, So concrete high was not suspicious. Town

1:11:17.720 --> 1:11:20.880
<v Speaker 2>officials of course, that they never knew about the underground structures,

1:11:20.880 --> 1:11:22.760
<v Speaker 2>but it would be crazy if they did, like, what.

1:11:22.800 --> 1:11:28.080
<v Speaker 3>You're not going to register? Yeah, kid, that's getting Yeah, Hi,

1:11:28.160 --> 1:11:31.960
<v Speaker 3>I'm here to permit my rape. Dungep what's the fee?

1:11:32.160 --> 1:11:32.920
<v Speaker 3>Can I write a check?

1:11:33.960 --> 1:11:36.280
<v Speaker 2>And his go to answer if anyone asked about it,

1:11:36.320 --> 1:11:39.200
<v Speaker 2>he said it was a storm shelter. Anyone that has

1:11:39.240 --> 1:11:42.520
<v Speaker 2>crawled through it. Post investigation everything said, you know, it's windowless,

1:11:43.040 --> 1:11:48.559
<v Speaker 2>dank and claustrophobic and utterly terrifying. So it was a

1:11:48.600 --> 1:11:52.679
<v Speaker 2>twelve by twelve room and it was eight feet high,

1:11:53.320 --> 1:11:55.240
<v Speaker 2>and there was graffiti. I wonder who he got to

1:11:55.280 --> 1:11:56.800
<v Speaker 2>do some graffiti art down there.

1:11:57.400 --> 1:11:59.320
<v Speaker 3>He's like, I have a banksy down there.

1:12:00.560 --> 1:12:05.599
<v Speaker 2>So just so and again like disgusting, there's no comforts.

1:12:05.600 --> 1:12:08.040
<v Speaker 2>There was a strip of foam for sleeping, a television

1:12:08.080 --> 1:12:11.680
<v Speaker 2>set and a bible, and then the second room had

1:12:11.720 --> 1:12:14.720
<v Speaker 2>a portable toilet and then a bathtub that was filled with.

1:12:14.680 --> 1:12:15.559
<v Speaker 3>A garden hose.

1:12:16.479 --> 1:12:20.719
<v Speaker 2>And the Daily News called him the Dungeon Dragon, which

1:12:20.760 --> 1:12:23.000
<v Speaker 2>sounds like something that Jared would like to be called in.

1:12:23.040 --> 1:12:26.480
<v Speaker 1>No, and also that's too cool of a name, Like, yeah,

1:12:26.560 --> 1:12:29.320
<v Speaker 1>you're not the dungeon Dragon. Yeah, Like that's gonna make

1:12:29.360 --> 1:12:33.320
<v Speaker 1>him sound like he's dungeons. Dragons aren't real, So that's like,

1:12:34.000 --> 1:12:36.280
<v Speaker 1>all right, well we got Karra while and out. I

1:12:36.360 --> 1:12:38.760
<v Speaker 1>just don't I don't like giving somebody like a name

1:12:38.880 --> 1:12:42.599
<v Speaker 1>like Ted Bundy was like the Mountain Murderer. Like, it's

1:12:42.640 --> 1:12:45.360
<v Speaker 1>not like a cool thing to give someone a nickname.

1:12:45.439 --> 1:12:47.400
<v Speaker 3>I agree, agree, agree, So.

1:12:49.040 --> 1:12:52.600
<v Speaker 2>Basically, he would snatch women off the streets over a

1:12:52.640 --> 1:12:55.679
<v Speaker 2>span of fifteen years from eighty eight to two thousand

1:12:55.720 --> 1:12:59.400
<v Speaker 2>and two, and literal snatching okay, this isn't hyperbole.

1:12:59.520 --> 1:12:59.960
<v Speaker 3>Snatching.

1:13:00.040 --> 1:13:03.679
<v Speaker 2>He would cruise in his Mercury comment and seeking women

1:13:03.800 --> 1:13:06.040
<v Speaker 2>from the wrong side of the tracks. So again, picking

1:13:06.080 --> 1:13:09.240
<v Speaker 2>women that no one would believe or care about or miss.

1:13:10.080 --> 1:13:12.519
<v Speaker 2>He imprisoned them, raped them, and he kept one of

1:13:12.560 --> 1:13:16.439
<v Speaker 2>them as long as three years. The victim's age range

1:13:16.479 --> 1:13:19.000
<v Speaker 2>was about fourteen to fifty three years old.

1:13:19.280 --> 1:13:20.920
<v Speaker 3>Three teenagers and two women.

1:13:21.720 --> 1:13:25.600
<v Speaker 2>He picked up runaways, atticts, young girls with no strong anchors.

1:13:27.200 --> 1:13:32.120
<v Speaker 2>His wife lived upstairs the whole time, just like Fritzel. Yeah,

1:13:32.479 --> 1:13:34.599
<v Speaker 2>the wife lived upstairs the whole time he had victims.

1:13:35.080 --> 1:13:38.000
<v Speaker 2>And not only was she just upstairs chilling, she had cancer.

1:13:38.880 --> 1:13:41.599
<v Speaker 2>And he started doing this after he couldn't have sex

1:13:41.600 --> 1:13:42.879
<v Speaker 2>with his wife who had cancer.

1:13:43.080 --> 1:13:45.120
<v Speaker 3>So he that's like the catalyst.

1:13:45.320 --> 1:13:48.960
<v Speaker 2>So if his wife didn't have cancer, so let's blame

1:13:49.080 --> 1:13:53.000
<v Speaker 2>this cancer woman. I mean, now this is from the

1:13:53.120 --> 1:13:56.280
<v Speaker 2>Daily News, so I don't know how credible the Daily

1:13:56.360 --> 1:13:59.760
<v Speaker 2>News is or not. But in the eighties it said

1:13:59.760 --> 1:14:02.519
<v Speaker 2>that he had an open affair with a teenager who

1:14:02.560 --> 1:14:07.000
<v Speaker 2>he brought to family functions as his wife sat by awkwardly.

1:14:08.040 --> 1:14:11.800
<v Speaker 2>So yeah, I mean, maybe he was abusive to her too,

1:14:11.920 --> 1:14:14.559
<v Speaker 2>you know, like maybe she was like a person that

1:14:14.680 --> 1:14:17.920
<v Speaker 2>was like I can't but the whole family events bringing it,

1:14:18.040 --> 1:14:20.680
<v Speaker 2>I know, like because everyone's like, oh, he's just the

1:14:20.720 --> 1:14:23.760
<v Speaker 2>silly guy of grump of a guy with cans and

1:14:23.800 --> 1:14:26.400
<v Speaker 2>it's like, but he is doing weird.

1:14:26.240 --> 1:14:28.400
<v Speaker 1>Shit, Like I have had a fan, I've had a

1:14:28.400 --> 1:14:33.599
<v Speaker 1>family member bring a affair to a family event but

1:14:33.640 --> 1:14:36.960
<v Speaker 1>their wife was not there. We all were there and

1:14:36.960 --> 1:14:40.920
<v Speaker 1>we're like, this is your friend, but the wife was

1:14:40.920 --> 1:14:42.599
<v Speaker 1>not there, which is.

1:14:42.560 --> 1:14:46.439
<v Speaker 2>Even fuck because now that's implying and implicating all of you.

1:14:46.560 --> 1:14:49.160
<v Speaker 2>Now you have to hold this your family members lie.

1:14:49.280 --> 1:14:51.200
<v Speaker 2>Because we had a friend who would always cheat all

1:14:51.240 --> 1:14:54.600
<v Speaker 2>the time, and I had to have kind of a

1:14:54.120 --> 1:14:56.760
<v Speaker 2>u an intervention with him because I was like, it's

1:14:56.800 --> 1:14:59.400
<v Speaker 2>not fair. We're hanging out with this girl constantly want

1:14:59.479 --> 1:15:01.840
<v Speaker 2>us to be friend with her, and yet we know

1:15:01.880 --> 1:15:04.320
<v Speaker 2>you're openly cheating on her, and it's not fair to us.

1:15:04.360 --> 1:15:06.160
<v Speaker 2>Like I don't like to be put in this position.

1:15:06.760 --> 1:15:08.280
<v Speaker 2>And I was like, and you have to stop like

1:15:08.400 --> 1:15:09.960
<v Speaker 2>lying to all of us. And then he lied to

1:15:10.000 --> 1:15:12.400
<v Speaker 2>me while I was doing an intervention about him lying

1:15:12.400 --> 1:15:14.360
<v Speaker 2>and cheating, and I go, I know you're lying to

1:15:14.400 --> 1:15:15.040
<v Speaker 2>me right now.

1:15:15.479 --> 1:15:16.680
<v Speaker 3>He goes, oh you knew about that.

1:15:16.760 --> 1:15:18.600
<v Speaker 2>I go, that's what I'm trying to tell you, Like

1:15:19.320 --> 1:15:21.640
<v Speaker 2>here lying to your friends and we all know and

1:15:21.680 --> 1:15:23.680
<v Speaker 2>we talk to each other and it's fucked up.

1:15:24.280 --> 1:15:26.640
<v Speaker 3>But whatever, people have problems.

1:15:27.240 --> 1:15:31.920
<v Speaker 2>So anyways, and this relationship with the teen I guess

1:15:31.960 --> 1:15:34.360
<v Speaker 2>inspired his new kidnapping rape hobby.

1:15:34.760 --> 1:15:35.160
<v Speaker 3>I don't know.

1:15:35.560 --> 1:15:37.920
<v Speaker 2>His wife did eventually die of cancer, and then he

1:15:38.000 --> 1:15:41.800
<v Speaker 2>continued the crime, So you can't really blame because you

1:15:41.800 --> 1:15:43.840
<v Speaker 2>can't fuck your cancer written wife. And then when she's

1:15:43.840 --> 1:15:45.559
<v Speaker 2>dead and you could cheat on her. Also, you're already

1:15:45.600 --> 1:15:47.599
<v Speaker 2>having affairs. I mean, I don't know why I'm asking.

1:15:47.720 --> 1:15:49.120
<v Speaker 2>I don't know why I'm asking this guy to like

1:15:49.120 --> 1:15:51.160
<v Speaker 2>a moral high grounder, makes sense in any of his

1:15:51.280 --> 1:15:54.439
<v Speaker 2>behaviors or ethics. Like, I'm just confused why people in

1:15:54.439 --> 1:15:58.599
<v Speaker 2>the town we were shocked about this when it seems

1:15:58.640 --> 1:16:02.559
<v Speaker 2>like he was a shitty guy before the crimes came out.

1:16:04.040 --> 1:16:08.840
<v Speaker 2>He said that he would hold his victims captive to

1:16:09.200 --> 1:16:12.840
<v Speaker 2>avoid STDs because he needed a cheat, but he didn't

1:16:12.840 --> 1:16:17.200
<v Speaker 2>want to get STDs, so that's why he held him captive.

1:16:17.240 --> 1:16:19.760
<v Speaker 2>I mean, you can explain anything away if you're a psychopath,

1:16:20.680 --> 1:16:23.880
<v Speaker 2>would chain the women to a to a steal like

1:16:24.360 --> 1:16:27.559
<v Speaker 2>rod for twelve hours or more a day, and then

1:16:27.600 --> 1:16:28.679
<v Speaker 2>you know, obviously raped.

1:16:28.680 --> 1:16:29.479
<v Speaker 3>I already mentioned that.

1:16:29.600 --> 1:16:31.800
<v Speaker 2>I don't know, I mentioned it again, and like in

1:16:31.840 --> 1:16:34.320
<v Speaker 2>the show, he determined when the women could bathe, sleep,

1:16:34.400 --> 1:16:36.559
<v Speaker 2>and when they were forced to have sex. He had

1:16:36.600 --> 1:16:40.680
<v Speaker 2>total control over their lives, said County Sheriff Kevin E.

1:16:40.800 --> 1:16:41.360
<v Speaker 3>Walsh.

1:16:41.680 --> 1:16:43.880
<v Speaker 2>He also said that in his forty years on the

1:16:43.960 --> 1:16:47.960
<v Speaker 2>job that this is the most bizarre case and that

1:16:48.040 --> 1:16:50.360
<v Speaker 2>seems to make light of what happened. Bizarre isn't the

1:16:50.400 --> 1:16:54.840
<v Speaker 2>word that I did. Yeah, how about horrific? How about yeah,

1:16:55.120 --> 1:16:56.960
<v Speaker 2>humanity at its bottom?

1:16:57.400 --> 1:17:02.559
<v Speaker 3>Yeah? Bizarre? You know what's that's not bizarre? Right? Yeah?

1:17:02.600 --> 1:17:06.160
<v Speaker 2>In elementary school, we our principal's name was doctor mister bizarre.

1:17:06.280 --> 1:17:07.559
<v Speaker 2>I don't know, well, I don't know. I was about

1:17:07.560 --> 1:17:10.600
<v Speaker 2>to say doctor. He was just a mister, mister mister bizarre.

1:17:10.680 --> 1:17:13.120
<v Speaker 2>I love that. That's a fun I think he was

1:17:13.120 --> 1:17:16.479
<v Speaker 2>a good principal. I didn't really have any issues with

1:17:16.600 --> 1:17:20.439
<v Speaker 2>him anyways. But after he would get tired of each woman,

1:17:20.760 --> 1:17:24.519
<v Speaker 2>he would blindfold them and return her home and of

1:17:24.560 --> 1:17:26.479
<v Speaker 2>course did the classic if you go to the cops,

1:17:26.520 --> 1:17:29.000
<v Speaker 2>I'll kill you and kill your family and whatever threats.

1:17:29.040 --> 1:17:32.479
<v Speaker 2>But he wasn't a killer. And so that's like a

1:17:32.520 --> 1:17:38.720
<v Speaker 2>strange thing. And I would like to see studies, psychology

1:17:38.800 --> 1:17:41.880
<v Speaker 2>information on this type of behavior of.

1:17:41.840 --> 1:17:45.880
<v Speaker 3>The letting go. I'm curious, yeah, because it is a risk.

1:17:46.720 --> 1:17:49.559
<v Speaker 1>Yeah for some people like Ted Bundy. The thrill was

1:17:49.600 --> 1:17:52.080
<v Speaker 1>all in the murdering. And I think this man is

1:17:52.120 --> 1:17:56.080
<v Speaker 1>a rapist and he does he Yeah, he just a

1:17:56.120 --> 1:17:58.040
<v Speaker 1>lot of times I think that a rapist will kill

1:17:58.200 --> 1:17:59.280
<v Speaker 1>just to cover their tracks.

1:17:59.320 --> 1:18:01.960
<v Speaker 3>And I guess he thought, I'm scary enough. If I

1:18:02.040 --> 1:18:07.040
<v Speaker 3>scare them, they'll never go to the cops. Yeah.

1:18:07.120 --> 1:18:11.280
<v Speaker 2>So September nineteen eighty eight, he lured fourteen year old

1:18:11.320 --> 1:18:14.800
<v Speaker 2>victim into his car. Her family reported her missing, but

1:18:14.920 --> 1:18:17.280
<v Speaker 2>then they were shocked when she just came home in

1:18:17.360 --> 1:18:21.080
<v Speaker 2>nineteen eighty nine. So the victim later said that he

1:18:21.160 --> 1:18:23.519
<v Speaker 2>threatened to kill her brother, so she lied and said

1:18:23.520 --> 1:18:26.080
<v Speaker 2>she had run away from home. And then in nineteen

1:18:26.160 --> 1:18:28.920
<v Speaker 2>ninety five, he kidnapped his next teenage victim, so there

1:18:28.960 --> 1:18:29.759
<v Speaker 2>was long breaks.

1:18:30.720 --> 1:18:32.400
<v Speaker 3>It was another fourteen year old victim.

1:18:32.479 --> 1:18:35.000
<v Speaker 2>She was held for two years, and when she went

1:18:35.000 --> 1:18:37.880
<v Speaker 2>home she told her mother, but was so terrified that

1:18:37.920 --> 1:18:39.080
<v Speaker 2>she didn't report the crime.

1:18:39.840 --> 1:18:40.360
<v Speaker 3>Wow.

1:18:40.720 --> 1:18:43.920
<v Speaker 2>In nineteen ninety seven, he abducted his third victim, a

1:18:43.960 --> 1:18:47.639
<v Speaker 2>fifty three year old Vietnamese immigrant, and she was held

1:18:47.680 --> 1:18:50.719
<v Speaker 2>for five months. She went to the police but said

1:18:50.800 --> 1:18:53.519
<v Speaker 2>cops were skeptical of her allegations and only made a

1:18:53.560 --> 1:18:54.840
<v Speaker 2>cursory investigation.

1:18:55.840 --> 1:18:56.639
<v Speaker 3>I wonder if.

1:18:56.520 --> 1:18:59.000
<v Speaker 1>There was like a language barrier two and the cops

1:18:59.040 --> 1:19:00.559
<v Speaker 1>were just like, we don't know what you know what

1:19:00.600 --> 1:19:02.600
<v Speaker 1>I mean, like in Syracuse, Like I don't know if

1:19:02.640 --> 1:19:05.040
<v Speaker 1>they got like a Vietnamese interpreter, you know.

1:19:05.320 --> 1:19:07.840
<v Speaker 2>Yeah, oh, or they were a racist too. You're giving

1:19:07.880 --> 1:19:09.120
<v Speaker 2>him a more.

1:19:08.680 --> 1:19:11.720
<v Speaker 3>Credit than I think they did. Yeah, yeah, yeah, just

1:19:11.760 --> 1:19:14.160
<v Speaker 3>in the episode there was a Cambodian immigrant, you know,

1:19:14.320 --> 1:19:16.040
<v Speaker 3>So it's like, yeah.

1:19:15.840 --> 1:19:18.680
<v Speaker 1>Yeah, this is really a lot of parallels to the

1:19:18.720 --> 1:19:21.679
<v Speaker 1>episode where like very closely Neil Behar I think found

1:19:21.800 --> 1:19:26.600
<v Speaker 1>this information and a gave it a close close rewrite.

1:19:27.520 --> 1:19:28.160
<v Speaker 3>So in two.

1:19:28.040 --> 1:19:30.840
<v Speaker 2>Thousand and one, his wife died and he grabbed his

1:19:30.920 --> 1:19:33.920
<v Speaker 2>fourth victim, who was a single mother who was twenty

1:19:34.000 --> 1:19:35.800
<v Speaker 2>six years old at the time. And for me, I'm like,

1:19:35.840 --> 1:19:38.679
<v Speaker 2>what happened to the kid? She's a single mom.

1:19:39.280 --> 1:19:39.719
<v Speaker 4>Yeah.

1:19:39.760 --> 1:19:42.320
<v Speaker 2>She hurried to the police after she was released after

1:19:42.360 --> 1:19:45.120
<v Speaker 2>two months, and she didn't know his name or address,

1:19:45.200 --> 1:19:47.640
<v Speaker 2>and since she was blindfolded, like she didn't have the

1:19:47.680 --> 1:19:52.400
<v Speaker 2>information that they needed, but did give a very helpful tip.

1:19:52.840 --> 1:19:55.160
<v Speaker 2>She told them the car was a nineteen seventy five

1:19:55.240 --> 1:20:00.200
<v Speaker 2>Mercury comment. Okay, so there was one in the area. Yeah,

1:20:00.240 --> 1:20:04.040
<v Speaker 2>but it was someone else's. His was in nineteen seventy four.

1:20:04.560 --> 1:20:07.599
<v Speaker 2>But the cops didn't bother to broaden their records or search,

1:20:07.800 --> 1:20:09.759
<v Speaker 2>not even a little bit to help find this person.

1:20:10.560 --> 1:20:13.760
<v Speaker 3>Like what the fuck, Oh my god, they.

1:20:13.720 --> 1:20:16.200
<v Speaker 2>Would just believe this eyewitness account of a nineteen ninety

1:20:16.200 --> 1:20:19.240
<v Speaker 2>five and it was a ninety four, like lazy, lazy,

1:20:20.040 --> 1:20:22.200
<v Speaker 2>And at this point he was sixty seven, and so

1:20:22.280 --> 1:20:27.280
<v Speaker 2>he was popping viagraa daily to maintain an obsessive rape regime.

1:20:28.840 --> 1:20:31.639
<v Speaker 2>October two thousand and two, he took his next victim,

1:20:31.840 --> 1:20:36.040
<v Speaker 2>a sixteen year old who he called Mika. He got

1:20:36.080 --> 1:20:39.120
<v Speaker 2>caught because of this victim. She was sixteen years old.

1:20:39.160 --> 1:20:41.559
<v Speaker 2>She was held capture for four to six months, but

1:20:41.720 --> 1:20:44.160
<v Speaker 2>she managed to call her sister when he took her

1:20:44.160 --> 1:20:47.080
<v Speaker 2>along on an errand to his weekly visit to the

1:20:47.120 --> 1:20:49.799
<v Speaker 2>bottle depot to hand in his cans and bottles.

1:20:50.880 --> 1:20:53.040
<v Speaker 1>I'm surprised he's parting with cans and bottles. I thought

1:20:53.040 --> 1:20:57.679
<v Speaker 1>he was collecting them, that's I know. Oh my god,

1:20:58.000 --> 1:20:58.880
<v Speaker 1>he had so many.

1:20:58.920 --> 1:21:01.919
<v Speaker 2>It was his like main was collecting cans and bottles,

1:21:02.520 --> 1:21:05.519
<v Speaker 2>and I've been making money off of them and hoarding them.

1:21:05.600 --> 1:21:08.240
<v Speaker 2>I just I just don't get how I get it

1:21:08.280 --> 1:21:11.280
<v Speaker 2>because the cops suck. But like to have people that

1:21:11.320 --> 1:21:14.080
<v Speaker 2>are this dirty and careless and gross to be able

1:21:14.120 --> 1:21:17.400
<v Speaker 2>to get away with such like horrific rhymes for so long,

1:21:17.439 --> 1:21:21.760
<v Speaker 2>it's so strange to me. But she convinced him that

1:21:21.840 --> 1:21:24.400
<v Speaker 2>she was under his spell, and he believed that they

1:21:24.400 --> 1:21:26.400
<v Speaker 2>were friends, and so he allowed her out of the

1:21:26.400 --> 1:21:28.960
<v Speaker 2>bunker and into the house, still with padlocks, but like

1:21:29.439 --> 1:21:31.720
<v Speaker 2>they had a thing going, and he started to take

1:21:31.760 --> 1:21:35.839
<v Speaker 2>her out on outings, bowling bar where she's saying, karaoke,

1:21:36.120 --> 1:21:39.800
<v Speaker 2>and always the Bottle Redemption Center was his number one

1:21:40.000 --> 1:21:43.280
<v Speaker 2>hangout spot. So April ninth, two thousand and three, she

1:21:43.439 --> 1:21:46.160
<v Speaker 2>managed to like finangle a brief call to her sister

1:21:46.800 --> 1:21:48.960
<v Speaker 2>while they were at this bottle depot. She asked to

1:21:49.040 --> 1:21:51.120
<v Speaker 2>use the phone to call a church, and he fell

1:21:51.160 --> 1:21:53.360
<v Speaker 2>for it, and I bet that's like ego thinking that

1:21:53.479 --> 1:21:56.160
<v Speaker 2>she was under his spell. The girl actually called her

1:21:56.200 --> 1:21:59.040
<v Speaker 2>sister and he was arrested as he as he and

1:21:59.120 --> 1:22:01.599
<v Speaker 2>this girl sat in his car, so he was busted.

1:22:01.640 --> 1:22:04.040
<v Speaker 2>On April third, two thousand and three. Well the other

1:22:04.240 --> 1:22:06.800
<v Speaker 2>news said April ninth, So April two thousand and three.

1:22:06.880 --> 1:22:09.719
<v Speaker 2>I don't know if it was the Alliance or maybe. Yeah,

1:22:09.800 --> 1:22:12.200
<v Speaker 2>I have no idea. Like that's why it's hard, no

1:22:12.240 --> 1:22:14.320
<v Speaker 2>matter how credible the sources are. It's like, I don't

1:22:14.360 --> 1:22:16.320
<v Speaker 2>know how credible they are. How are their two fucking

1:22:16.360 --> 1:22:20.320
<v Speaker 2>different dates to his apprehension. Yeah, it's annoying. Okay, So

1:22:20.360 --> 1:22:22.200
<v Speaker 2>the bottle guy is the worst and has the worst

1:22:22.280 --> 1:22:24.280
<v Speaker 2>quote ever, And he was like, oh, I was so shocked.

1:22:24.360 --> 1:22:26.400
<v Speaker 2>Like I've known John forever. I like, John comes with

1:22:26.439 --> 1:22:28.839
<v Speaker 2>his bottles every fucking week, so he was a regular.

1:22:29.120 --> 1:22:31.280
<v Speaker 2>But this is the bottle guy's quote, and this is

1:22:31.320 --> 1:22:34.440
<v Speaker 2>from the New York Times. I feel bad for the victims,

1:22:34.479 --> 1:22:36.840
<v Speaker 2>but I also feel bad for John. I know there's

1:22:36.880 --> 1:22:38.320
<v Speaker 2>a good guy in there somewhere.

1:22:39.160 --> 1:22:43.920
<v Speaker 1>Yeah, Like, let's hut the bottle though it's so ingrained

1:22:43.960 --> 1:22:46.479
<v Speaker 1>to try to find like an excuse for like a

1:22:46.479 --> 1:22:49.920
<v Speaker 1>fellow man, like I really do think that. How do

1:22:50.000 --> 1:22:52.240
<v Speaker 1>you want to find goodness in someone that kidnapped and

1:22:52.320 --> 1:22:54.120
<v Speaker 1>raped five people? Like I don't get it.

1:22:54.240 --> 1:22:58.920
<v Speaker 2>Yeah, built a bunker, calculated, held for months, threatened.

1:22:59.400 --> 1:23:01.120
<v Speaker 3>Yeah, we didn't just like.

1:23:01.080 --> 1:23:03.760
<v Speaker 1>He also didn't just like transform his basement, like he

1:23:04.080 --> 1:23:06.840
<v Speaker 1>dug a tunnel every day. That man went in and

1:23:06.920 --> 1:23:09.040
<v Speaker 1>dug a fucking tunnel and was like this is for

1:23:09.280 --> 1:23:13.240
<v Speaker 1>my rape dungeon, like every day, like he was committed

1:23:13.280 --> 1:23:13.839
<v Speaker 1>to this.

1:23:14.320 --> 1:23:16.519
<v Speaker 2>And this bottle guy's like, I feel bad for him?

1:23:16.640 --> 1:23:19.200
<v Speaker 2>What about the good parts of his personality? Like what

1:23:19.240 --> 1:23:20.880
<v Speaker 2>the fuck are you even talking about?

1:23:20.960 --> 1:23:21.400
<v Speaker 3>Yeah?

1:23:21.400 --> 1:23:23.760
<v Speaker 2>Why In the days after his arrest, he really didn't

1:23:23.760 --> 1:23:26.080
<v Speaker 2>deem any of his behavior wrong and thought the sex

1:23:26.240 --> 1:23:29.680
<v Speaker 2>was consensual. But if it's consensual, why do you need

1:23:29.720 --> 1:23:32.280
<v Speaker 2>to lock someone up? Like what are we what is happening?

1:23:32.439 --> 1:23:34.920
<v Speaker 2>But didn't Fritzel say something like that too. He was

1:23:35.000 --> 1:23:36.920
<v Speaker 2>kind of like my daughter wanted it or I needed

1:23:36.960 --> 1:23:38.920
<v Speaker 2>to do it to keep my daughter like safe from

1:23:38.920 --> 1:23:39.759
<v Speaker 2>the rest of the world.

1:23:39.800 --> 1:23:43.040
<v Speaker 3>Like they all have fucking some wacko idea.

1:23:43.080 --> 1:23:46.439
<v Speaker 2>Also, in the days after the rest, three other women

1:23:46.479 --> 1:23:49.000
<v Speaker 2>came forward to say they two were being held hostage

1:23:49.000 --> 1:23:52.000
<v Speaker 2>and sexually abused in the bunker, which leads to the

1:23:52.120 --> 1:23:54.240
<v Speaker 2>question of whether the police did all they could to

1:23:54.240 --> 1:23:58.240
<v Speaker 2>stop and prevent these crimes. Two years before he was apprehended,

1:23:58.280 --> 1:24:01.640
<v Speaker 2>one victim told them about her experts. Kate Flannery, a

1:24:01.720 --> 1:24:04.360
<v Speaker 2>director of the Rape Crisis Center of Syracuse, said that

1:24:04.439 --> 1:24:07.320
<v Speaker 2>the victim in question was a substance abuser and had

1:24:07.360 --> 1:24:10.320
<v Speaker 2>trouble convincing the authorities that her tale was the truth.

1:24:11.160 --> 1:24:12.320
<v Speaker 3>The cops say.

1:24:12.040 --> 1:24:14.600
<v Speaker 2>They couldn't do much because she didn't know where or

1:24:14.640 --> 1:24:17.280
<v Speaker 2>by who, And it's like, yeah, you're supposed.

1:24:16.880 --> 1:24:17.920
<v Speaker 3>To figure that out.

1:24:18.520 --> 1:24:22.720
<v Speaker 2>You're expecting a kidnap victim to give you the address, Like,

1:24:22.760 --> 1:24:26.719
<v Speaker 2>what are you talking about. Also, what I think hindred

1:24:26.800 --> 1:24:29.320
<v Speaker 2>the case was there's a six foot fence that was

1:24:29.360 --> 1:24:33.320
<v Speaker 2>built around his property by a developer who owned nice

1:24:33.360 --> 1:24:37.240
<v Speaker 2>houses around his shittys house with all this junk and cans,

1:24:37.280 --> 1:24:40.160
<v Speaker 2>and so they it made the neighborhood look bad. So

1:24:40.200 --> 1:24:43.840
<v Speaker 2>these developers built a fortress around his house so no

1:24:43.880 --> 1:24:45.600
<v Speaker 2>one could see what he was doing. So it was

1:24:45.680 --> 1:24:48.320
<v Speaker 2>kind of like he had secrecy too. And then they

1:24:48.360 --> 1:24:51.840
<v Speaker 2>also found dozens of photographs of girls that the authorities

1:24:51.880 --> 1:24:54.680
<v Speaker 2>still need to identify. So we just know about the

1:24:54.760 --> 1:24:57.240
<v Speaker 2>victims that we know about, but like there were photos

1:24:57.280 --> 1:25:00.360
<v Speaker 2>of other women and he's a victim blamer, obvious. He

1:25:00.360 --> 1:25:03.639
<v Speaker 2>said that these women were very promiscuous and they manipulated him,

1:25:04.080 --> 1:25:08.120
<v Speaker 2>he told the Syracuse Post Standard. No I never considered

1:25:08.200 --> 1:25:12.880
<v Speaker 2>anybody a kidnap victim because he didn't demand cash ransoms

1:25:13.479 --> 1:25:15.439
<v Speaker 2>and he knew it was wrong. He just thought it

1:25:15.520 --> 1:25:20.439
<v Speaker 2>was detaining somebody or unlawful imprisonment, not kidnapping. So he's

1:25:20.439 --> 1:25:23.679
<v Speaker 2>playing semantics games with crimes. I mean, he's a bad cycle.

1:25:23.720 --> 1:25:27.760
<v Speaker 2>He's a Teresa Judas like honestly, the first chief Assistant

1:25:27.800 --> 1:25:31.840
<v Speaker 2>District Attorney, Rick trun Feo, said that he is that

1:25:31.880 --> 1:25:32.559
<v Speaker 2>this guy.

1:25:33.360 --> 1:25:35.960
<v Speaker 3>Jake Jamalki or what are John whatever his name is.

1:25:36.160 --> 1:25:39.920
<v Speaker 2>He's a very controlling, very manipulative, and very smart guy.

1:25:40.439 --> 1:25:42.280
<v Speaker 3>He knows that legally.

1:25:41.920 --> 1:25:44.559
<v Speaker 2>He's done something wrong, but I don't think in his

1:25:44.640 --> 1:25:46.960
<v Speaker 2>heart he really thinks he's done anything wrong. So that

1:25:47.120 --> 1:25:51.599
<v Speaker 2>was the district attorney. That's that Jamalski took a plea agreement,

1:25:51.640 --> 1:25:54.120
<v Speaker 2>and because of that, it didn't include charges of rape,

1:25:54.160 --> 1:25:58.479
<v Speaker 2>even though it like it is rape, but he didn't

1:25:58.520 --> 1:26:01.040
<v Speaker 2>want to be charged for rape because he didn't believe it.

1:26:01.080 --> 1:26:05.760
<v Speaker 2>So he took this plea deal because he's still going

1:26:05.840 --> 1:26:08.080
<v Speaker 2>to be there for life. So it's like, yeah, it's

1:26:08.160 --> 1:26:11.040
<v Speaker 2>kind of like if no one has to take the stand,

1:26:11.160 --> 1:26:14.320
<v Speaker 2>there's no trial. He's going to be locked up, and

1:26:14.400 --> 1:26:16.280
<v Speaker 2>maybe it wasn't.

1:26:15.960 --> 1:26:19.040
<v Speaker 1>If you don't have to put the woman through testifying,

1:26:19.080 --> 1:26:24.200
<v Speaker 1>I guess that's worth it. Yeah, but I obviously understand

1:26:24.240 --> 1:26:28.120
<v Speaker 1>like the disappointment of not being charged with things that

1:26:28.160 --> 1:26:31.040
<v Speaker 1>you obviously did, and it would probably be like per

1:26:31.160 --> 1:26:32.280
<v Speaker 1>rape as well.

1:26:32.200 --> 1:26:34.840
<v Speaker 2>You know, it would be a lot of charges. But

1:26:34.920 --> 1:26:37.439
<v Speaker 2>after months and months he did admit. He's like, well,

1:26:37.479 --> 1:26:40.879
<v Speaker 2>I did some things wrong, and the judge greed obviously,

1:26:40.920 --> 1:26:43.960
<v Speaker 2>So yeah, he pled guilty, and at his sentencing he

1:26:44.040 --> 1:26:46.759
<v Speaker 2>cried and asked for leniency and said he was sorry

1:26:46.840 --> 1:26:49.400
<v Speaker 2>and like about how it affected, but the judge did

1:26:49.400 --> 1:26:54.160
<v Speaker 2>not give a fuck. Love Judge Anthony Alloy, who rejected

1:26:54.160 --> 1:26:56.519
<v Speaker 2>his requests and said that he hoped that he died

1:26:56.600 --> 1:26:59.280
<v Speaker 2>in prison. So I love that, And the judge said

1:27:00.160 --> 1:27:03.439
<v Speaker 2>called him a sick coward. He said, you're an evil man.

1:27:03.880 --> 1:27:07.760
<v Speaker 2>You are a kidnapper and rapist, a master manipulator of

1:27:07.840 --> 1:27:11.559
<v Speaker 2>people and the truth. But your reign of terror is over.

1:27:12.439 --> 1:27:14.840
<v Speaker 2>Like does a judge plan that? Like does he rehearse it?

1:27:15.479 --> 1:27:15.599
<v Speaker 3>Like?

1:27:15.840 --> 1:27:19.599
<v Speaker 2>Is he waited for this moment to fucking rip at someone?

1:27:19.720 --> 1:27:19.960
<v Speaker 5>Yeah?

1:27:20.120 --> 1:27:22.640
<v Speaker 1>I think they probably write their comments out right. I

1:27:22.680 --> 1:27:25.280
<v Speaker 1>don't probably do. I think they probably write their like

1:27:25.439 --> 1:27:27.640
<v Speaker 1>final comments. I don't think that many judges are like

1:27:27.640 --> 1:27:29.639
<v Speaker 1>good at imbrov or Exteparani's speaking.

1:27:29.720 --> 1:27:31.840
<v Speaker 3>But maybe he so.

1:27:32.160 --> 1:27:35.600
<v Speaker 2>The judge gave him eighteen to life, but could have

1:27:35.640 --> 1:27:38.360
<v Speaker 2>given him one hundred and twenty five years. But he

1:27:38.439 --> 1:27:41.960
<v Speaker 2>took the plea, but it's still eighteen to life. He

1:27:42.000 --> 1:27:45.240
<v Speaker 2>had a possibility for parole in twenty twenty one. That's

1:27:45.280 --> 1:27:49.400
<v Speaker 2>a tease. Stay tuned, give me a second. So he's

1:27:49.400 --> 1:27:53.679
<v Speaker 2>like eighty six around twenty twenty one. Part of the plea, though,

1:27:53.800 --> 1:27:56.120
<v Speaker 2>is that his assets are to be used to compensate

1:27:56.160 --> 1:27:59.519
<v Speaker 2>his victims. And you're thinking of this junkyard fool, where

1:27:59.560 --> 1:28:02.800
<v Speaker 2>did he have money? This is like the show. Even

1:28:02.840 --> 1:28:05.519
<v Speaker 2>though he was a junkyard bottleman, he was not poor.

1:28:05.720 --> 1:28:09.760
<v Speaker 2>He actually had around a million dollars in mostly real

1:28:09.840 --> 1:28:12.920
<v Speaker 2>estate investments, and all the money went to the victims.

1:28:13.560 --> 1:28:17.040
<v Speaker 1>Wow, that's great. Yeah, that's like silver little silver lining.

1:28:17.720 --> 1:28:21.880
<v Speaker 2>There's also rumor that he inherited money, and he also

1:28:21.960 --> 1:28:24.599
<v Speaker 2>got a giant payday when the developers bought the land

1:28:24.640 --> 1:28:27.479
<v Speaker 2>around his place to build luxury homes. So that's like

1:28:27.520 --> 1:28:30.439
<v Speaker 2>where his money came from. So the proceeds from the

1:28:30.439 --> 1:28:34.599
<v Speaker 2>house sale also went to the victims, and the bunker

1:28:34.720 --> 1:28:38.439
<v Speaker 2>was demolished, but so that money also went there. He

1:28:38.560 --> 1:28:42.719
<v Speaker 2>is now currently at the Clinton Correctional Facility in Dana Mora, New.

1:28:42.640 --> 1:28:45.240
<v Speaker 3>York, Oh. Escape from Dana Mora Baby.

1:28:45.640 --> 1:28:49.080
<v Speaker 2>Yes, and you mentioned that case in this episode about

1:28:49.080 --> 1:28:50.839
<v Speaker 2>the wall, the empty wall, and like what's.

1:28:50.680 --> 1:28:53.519
<v Speaker 3>Going on else? Yeah, So I.

1:28:53.479 --> 1:28:56.840
<v Speaker 2>Found an article from February ninth, twenty twenty one about

1:28:56.840 --> 1:29:00.719
<v Speaker 2>his virtual parole hearing that happened December fifteenth, twenty twenty.

1:29:01.080 --> 1:29:04.639
<v Speaker 3>They denied his parole. Of course, he still.

1:29:04.400 --> 1:29:07.599
<v Speaker 2>Denies he did anything wrong and refuses treatment. And that's

1:29:07.760 --> 1:29:10.160
<v Speaker 2>basically it, like they need you to learn a lesson.

1:29:11.000 --> 1:29:13.800
<v Speaker 2>The were Parole Board ruled that his release would be

1:29:13.920 --> 1:29:18.640
<v Speaker 2>incompatible with the welfare of society. Also, after being in

1:29:18.680 --> 1:29:22.559
<v Speaker 2>prison for eighteen years, he did state I had a bunker,

1:29:22.640 --> 1:29:24.800
<v Speaker 2>and people knew I had a bunker. We partied a

1:29:24.800 --> 1:29:27.040
<v Speaker 2>lot there, and I was approached every now and then

1:29:27.080 --> 1:29:28.920
<v Speaker 2>by someone that said it would be a good idea

1:29:29.000 --> 1:29:31.280
<v Speaker 2>for a friend of hers that's a runaway to be

1:29:31.439 --> 1:29:33.920
<v Speaker 2>there rather than out on the streets and that they

1:29:33.960 --> 1:29:36.320
<v Speaker 2>came and as a trade off, we had sex.

1:29:37.479 --> 1:29:40.120
<v Speaker 1>That's so fucking dexter new Blood, because the guy would

1:29:40.160 --> 1:29:42.160
<v Speaker 1>get these girls that were runaways and be like, you

1:29:42.200 --> 1:29:44.080
<v Speaker 1>want a nice warm bed, you want a bottle of

1:29:44.160 --> 1:29:47.160
<v Speaker 1>champagne and some strawberries, And they were like they thought

1:29:47.200 --> 1:29:48.520
<v Speaker 1>they hit the fucking jackpot.

1:29:48.600 --> 1:29:49.280
<v Speaker 3>Oh my god.

1:29:51.160 --> 1:29:54.080
<v Speaker 2>He also made requests in his official prison record to

1:29:54.160 --> 1:29:56.960
<v Speaker 2>state certain things, and none of them really I don't understand.

1:29:57.000 --> 1:29:59.479
<v Speaker 2>But he wanted everyone to know that he gave his

1:29:59.560 --> 1:30:01.080
<v Speaker 2>victims scented candles.

1:30:01.920 --> 1:30:03.240
<v Speaker 3>Wow, oh thanks for that.

1:30:03.920 --> 1:30:06.160
<v Speaker 2>Yeah, and that he's like, oh, and I still have

1:30:06.280 --> 1:30:09.240
<v Speaker 2>contacts with the victims once they left, like we're friends.

1:30:09.280 --> 1:30:12.519
<v Speaker 3>Like he truly does not pe a person, like there's

1:30:12.560 --> 1:30:15.759
<v Speaker 3>nothing really to it. I'm not. I'm not the bottle

1:30:15.800 --> 1:30:18.120
<v Speaker 3>dispense guy. I don't see much good, monk.

1:30:19.840 --> 1:30:23.599
<v Speaker 2>The only thing he closely got to admitting was that

1:30:23.680 --> 1:30:26.800
<v Speaker 2>maybe he caused them direct harm, and he said, I

1:30:26.840 --> 1:30:31.040
<v Speaker 2>probably inadvertently. Probably, yes, yes, I could have talked them

1:30:31.040 --> 1:30:34.400
<v Speaker 2>into returning to their families sooner. But when it did happen,

1:30:34.560 --> 1:30:36.960
<v Speaker 2>you know, they gathered their stuff together, we jumped in

1:30:36.960 --> 1:30:41.040
<v Speaker 2>a car and I drove them to their families like what, Sorry,

1:30:41.040 --> 1:30:42.760
<v Speaker 2>I make him sound like a valley girl if you

1:30:42.800 --> 1:30:43.320
<v Speaker 2>google him?

1:30:43.439 --> 1:30:44.840
<v Speaker 3>Why would you? Why would you?

1:30:44.960 --> 1:30:48.600
<v Speaker 1>Fucking why is there a lock on the door done like,

1:30:49.400 --> 1:30:51.240
<v Speaker 1>you know, to protect them?

1:30:51.400 --> 1:30:56.920
<v Speaker 3>You know it's it's yeah, yeah, it's it's fucking insane, insane.

1:30:56.479 --> 1:30:59.200
<v Speaker 2>It's nonsense. But that's what I got for you, guys.

1:31:00.280 --> 1:31:02.760
<v Speaker 2>I hope you hated every second of it. And I

1:31:02.800 --> 1:31:05.640
<v Speaker 2>hate him and I hate the police, but I'm impressed

1:31:05.680 --> 1:31:10.280
<v Speaker 2>with Dick Wolf and Sview and Neil Baert to create

1:31:10.320 --> 1:31:12.400
<v Speaker 2>such an intertwined episode.

1:31:13.200 --> 1:31:15.040
<v Speaker 1>Yeah, thank you so much Lisa for all of that.

1:31:15.360 --> 1:31:18.720
<v Speaker 1>And stick around because we have an amazing interview coming up,

1:31:26.240 --> 1:31:29.960
<v Speaker 1>you guys. I was truly gagged when this guest said

1:31:30.000 --> 1:31:32.639
<v Speaker 1>that they would do our podcast. She has a resume

1:31:32.680 --> 1:31:35.320
<v Speaker 1>that you would not believe. I grew up watching her.

1:31:36.200 --> 1:31:39.360
<v Speaker 1>She was the star of movies like Pump Up the Volume.

1:31:39.439 --> 1:31:42.080
<v Speaker 1>She was a voice Infermully, she was in the original

1:31:42.080 --> 1:31:45.759
<v Speaker 1>Little Women and American Psycho, and recently had a recurring

1:31:45.840 --> 1:31:50.559
<v Speaker 1>role on Billions. She's truly working, booked, blessed, and so talented.

1:31:50.640 --> 1:31:54.519
<v Speaker 1>And you guys knew her today as Hillary Barclay. Guys,

1:31:54.760 --> 1:31:56.639
<v Speaker 1>the one and only Samantha Mathis.

1:31:57.720 --> 1:31:58.040
<v Speaker 4>Yay.

1:31:58.280 --> 1:32:01.640
<v Speaker 1>Oh my gosh, Samantha, we cannot believe we're talking to

1:32:02.000 --> 1:32:03.040
<v Speaker 1>an SVU queen.

1:32:03.479 --> 1:32:06.160
<v Speaker 4>Oh my goodness, thank you. I guess I have been

1:32:06.200 --> 1:32:07.280
<v Speaker 4>on the show a few times.

1:32:08.000 --> 1:32:09.960
<v Speaker 3>Yeah, and you're never a tiny part.

1:32:10.320 --> 1:32:13.280
<v Speaker 1>In fact, I remember when I watched Swimming with Sharks,

1:32:14.080 --> 1:32:16.160
<v Speaker 1>that the most recent one you did. When I saw

1:32:16.200 --> 1:32:17.840
<v Speaker 1>your name in the credits and then the way that

1:32:17.880 --> 1:32:19.840
<v Speaker 1>they were sort of like not featuring you at the beginning,

1:32:19.920 --> 1:32:21.360
<v Speaker 1>I was like, oh, well, now I just know she

1:32:21.479 --> 1:32:24.160
<v Speaker 1>did this, Like I know that she's involved, because they're

1:32:24.200 --> 1:32:26.840
<v Speaker 1>not bringing Samantha Mathis in to just be an assistant

1:32:26.840 --> 1:32:29.160
<v Speaker 1>that I see in one scene, or like not an assistant,

1:32:29.160 --> 1:32:31.519
<v Speaker 1>but like a side character that I see in one scene.

1:32:31.720 --> 1:32:34.920
<v Speaker 1>So unfortunately, your celebrity is ruining plot lines.

1:32:35.560 --> 1:32:39.160
<v Speaker 4>Oh well, I suppose that's just how it goes on

1:32:39.280 --> 1:32:41.720
<v Speaker 4>Law and Order. You know, if a certain level of

1:32:41.760 --> 1:32:45.519
<v Speaker 4>actors on the show, they are either a perpetrator or victim.

1:32:47.360 --> 1:32:47.639
<v Speaker 3>Yep.

1:32:47.680 --> 1:32:50.360
<v Speaker 2>Since we started with that episode, the Swimming with Sharks,

1:32:50.439 --> 1:32:52.000
<v Speaker 2>I really love this scene where you have all these

1:32:52.040 --> 1:32:55.479
<v Speaker 2>potions and bottles behind you. Did it look as pretty

1:32:55.720 --> 1:32:58.920
<v Speaker 2>in person or was this just a set and movie magic.

1:32:59.240 --> 1:33:01.680
<v Speaker 4>Oh no, it was actually really beautiful. Yeah, I know,

1:33:01.760 --> 1:33:05.240
<v Speaker 4>they they surprised me. I mean, not that they wouldn't

1:33:05.280 --> 1:33:07.880
<v Speaker 4>have incredible sense, but yeah, I walked in there and

1:33:07.920 --> 1:33:10.840
<v Speaker 4>I was like, oh, nice, nice lab, very very free,

1:33:11.439 --> 1:33:12.920
<v Speaker 4>so many different color potions.

1:33:13.080 --> 1:33:13.479
<v Speaker 5>Yeah.

1:33:13.600 --> 1:33:17.559
<v Speaker 2>Yeah, Well, and then my thing that I just need

1:33:17.560 --> 1:33:19.080
<v Speaker 2>to say, you're very very lucky.

1:33:19.080 --> 1:33:19.920
<v Speaker 3>And I don't know if you know this.

1:33:20.040 --> 1:33:21.840
<v Speaker 2>You got to work, you got you were there for

1:33:21.920 --> 1:33:25.679
<v Speaker 2>the Stabler years, the Amorrow years, and the Kreesi years,

1:33:25.960 --> 1:33:28.400
<v Speaker 2>So you got to work with each of the Hunk detectives,

1:33:28.960 --> 1:33:32.920
<v Speaker 2>which not very many people can have had time with

1:33:33.000 --> 1:33:35.559
<v Speaker 2>each of those men, so kind of thrilling.

1:33:35.600 --> 1:33:36.560
<v Speaker 3>Do you have a favorite?

1:33:36.840 --> 1:33:42.639
<v Speaker 4>Oh golly, I think they're all hunky and delicious. I'm

1:33:42.720 --> 1:33:45.520
<v Speaker 4>just lucky to keep being asked back over the years.

1:33:46.040 --> 1:33:48.840
<v Speaker 3>Yeah, So, how did like, how did your SVU like

1:33:49.000 --> 1:33:51.920
<v Speaker 3>journey start? Like when you did Control season five, the

1:33:51.960 --> 1:33:54.479
<v Speaker 3>show's like sort of on a roll, maybe not quite

1:33:54.479 --> 1:33:57.120
<v Speaker 3>as well known as it is now, Like did you

1:33:58.120 --> 1:33:59.960
<v Speaker 3>watch it in advance or were you like, yeah, do

1:34:00.400 --> 1:34:03.160
<v Speaker 3>this or you know, was what was the vibe with

1:34:03.200 --> 1:34:03.679
<v Speaker 3>that one?

1:34:04.040 --> 1:34:07.200
<v Speaker 4>I'm pretty sure at that point Warren Light had been

1:34:07.280 --> 1:34:09.479
<v Speaker 4>on the show, and you know, Warren was on it

1:34:09.520 --> 1:34:11.240
<v Speaker 4>and then he stepped away from it, and then he

1:34:11.280 --> 1:34:15.559
<v Speaker 4>came back to it. So I'm pretty sure because Warren

1:34:15.600 --> 1:34:20.160
<v Speaker 4>and I had met when he was looking to produce

1:34:20.600 --> 1:34:26.120
<v Speaker 4>another play he'd written after Sideman and then pivoted to

1:34:26.200 --> 1:34:28.120
<v Speaker 4>Law and Order. So I'm pretty sure that's when when

1:34:28.160 --> 1:34:29.559
<v Speaker 4>I was asked to do it. But you know what,

1:34:30.040 --> 1:34:33.720
<v Speaker 4>with COVID in the last two years, my memory is

1:34:33.960 --> 1:34:37.559
<v Speaker 4>just I know, so what is time? Who was I

1:34:37.600 --> 1:34:40.120
<v Speaker 4>in two thousand and five? Who am I now? I

1:34:40.160 --> 1:34:46.400
<v Speaker 4>don't know. I was certainly familiar with the show, but

1:34:47.040 --> 1:34:49.559
<v Speaker 4>I hope I don't disappoint anyone. I was never a

1:34:49.920 --> 1:34:51.040
<v Speaker 4>weekly junkie.

1:34:51.600 --> 1:34:53.880
<v Speaker 3>That's fine, that's plenty of people. But plenty of.

1:34:53.880 --> 1:34:58.880
<v Speaker 4>People say but like, it is obviously a notch in

1:34:59.040 --> 1:35:03.080
<v Speaker 4>any actors out to be on the mother Ship or

1:35:03.120 --> 1:35:06.160
<v Speaker 4>any one of the Law Orders. It's like, as particularly

1:35:06.200 --> 1:35:08.639
<v Speaker 4>if you're a New York actor, which I've now been

1:35:08.800 --> 1:35:13.640
<v Speaker 4>for going on thirteen years, it's like, you can't be

1:35:13.680 --> 1:35:15.160
<v Speaker 4>a New York actor and not get on one of

1:35:15.160 --> 1:35:15.920
<v Speaker 4>the Law and Orders.

1:35:16.280 --> 1:35:17.679
<v Speaker 3>It's just it's required.

1:35:18.400 --> 1:35:21.960
<v Speaker 2>How was the wedding dress photo shoot?

1:35:22.240 --> 1:35:24.120
<v Speaker 1>I wonder if they do you think they photoshopped it?

1:35:24.200 --> 1:35:25.680
<v Speaker 1>Or do you think did they make you guys like

1:35:25.760 --> 1:35:26.679
<v Speaker 1>put on wedding dress.

1:35:26.720 --> 1:35:30.280
<v Speaker 3>I found it for you. I found there's you and.

1:35:31.240 --> 1:35:35.320
<v Speaker 4>Oh my god, oh my god, wow with the dog

1:35:35.360 --> 1:35:40.120
<v Speaker 4>collar on. Yeah, yes, yeah, yeah, I'm pretty sure they

1:35:40.160 --> 1:35:42.200
<v Speaker 4>put that wedding dress on me. I'm pretty sure that's

1:35:42.200 --> 1:35:45.400
<v Speaker 4>the real deal. Yeah.

1:35:45.479 --> 1:35:48.320
<v Speaker 1>I love that because you're all wearing the same one.

1:35:48.479 --> 1:35:50.840
<v Speaker 1>So many actresses must have had to pop into that

1:35:50.880 --> 1:35:52.120
<v Speaker 1>thing for a quick photo shoot.

1:35:52.160 --> 1:35:54.439
<v Speaker 4>They probably had it cut down the back and they

1:35:54.520 --> 1:35:57.040
<v Speaker 4>just slipped it on each of us. Yeah, and then

1:35:57.120 --> 1:36:00.120
<v Speaker 4>like took like grip clips and just closed it up

1:36:00.160 --> 1:36:00.599
<v Speaker 4>on the back.

1:36:00.840 --> 1:36:02.920
<v Speaker 3>Yeah, like when you're shopping for a real wedding dress.

1:36:03.600 --> 1:36:04.120
<v Speaker 4>Totally.

1:36:04.400 --> 1:36:07.000
<v Speaker 3>So okay, that's so.

1:36:07.080 --> 1:36:10.280
<v Speaker 1>Funny, But so can can I ask more about Jacqueline Bessett,

1:36:10.360 --> 1:36:11.599
<v Speaker 1>Like what was it like working with her?

1:36:11.760 --> 1:36:13.480
<v Speaker 3>Like I was in silk pajamas.

1:36:13.520 --> 1:36:15.000
<v Speaker 2>I like, there's a scene where you both are in

1:36:15.080 --> 1:36:18.280
<v Speaker 2>silk robes and I really must have been maybe fun

1:36:18.840 --> 1:36:19.760
<v Speaker 2>Oh my god.

1:36:19.760 --> 1:36:22.040
<v Speaker 4>I mean it was just the whole time was just

1:36:22.080 --> 1:36:24.479
<v Speaker 4>like pinch me. I can't believe I'm acting, but Jacqueline

1:36:24.479 --> 1:36:30.480
<v Speaker 4>is set playing her daughter. She's so classy and beautiful

1:36:30.800 --> 1:36:36.599
<v Speaker 4>and just a total total professional and a class act

1:36:36.640 --> 1:36:40.960
<v Speaker 4>a real you know, example of someone who's had incredible

1:36:41.439 --> 1:36:45.879
<v Speaker 4>fame and and it's just a grounded good actress.

1:36:46.320 --> 1:36:47.160
<v Speaker 3>Yeah, amazing.

1:36:47.240 --> 1:36:51.679
<v Speaker 2>Your episode Reasonable Doubt was pretty star studded too.

1:36:51.720 --> 1:36:53.240
<v Speaker 1>You had you There was a bit a lot of

1:36:53.280 --> 1:36:58.000
<v Speaker 1>guest actors in it. Did you guys fraternize enjoy each other?

1:36:58.680 --> 1:37:02.080
<v Speaker 4>Reasonable Doubt was the one where I was playing a

1:37:02.320 --> 1:37:03.599
<v Speaker 4>version of me affair.

1:37:03.720 --> 1:37:05.480
<v Speaker 3>I was like the Woody Allen episode.

1:37:05.640 --> 1:37:06.360
<v Speaker 4>Oh my god.

1:37:06.520 --> 1:37:12.280
<v Speaker 6>Yeah, Bradley Winford and and and Jeffrey and and and

1:37:12.360 --> 1:37:18.160
<v Speaker 6>Celia Keenan Bulger, who's like such a genius theater actress.

1:37:18.360 --> 1:37:21.000
<v Speaker 4>Yeah, that that was a ridiculous one. There were definitely

1:37:21.040 --> 1:37:24.439
<v Speaker 4>some fun days and that, you know they have. Have

1:37:24.520 --> 1:37:26.120
<v Speaker 4>you guys ever visited this set?

1:37:27.080 --> 1:37:29.120
<v Speaker 3>Yeah, we started this.

1:37:29.200 --> 1:37:31.800
<v Speaker 1>We started this podcast in COVID, so we're hoping that's

1:37:31.800 --> 1:37:32.880
<v Speaker 1>a future visit.

1:37:33.080 --> 1:37:35.559
<v Speaker 3>We fan we want to find a bad body.

1:37:36.080 --> 1:37:39.599
<v Speaker 4>Well, you know, you should go. Warren Light's on Twitter

1:37:39.840 --> 1:37:42.120
<v Speaker 4>a lot, so you know, maybe you should get on

1:37:42.200 --> 1:37:43.880
<v Speaker 4>Twitter and just let him know that we did an

1:37:43.880 --> 1:37:47.120
<v Speaker 4>interview and at him and see if he responds.

1:37:47.160 --> 1:37:51.759
<v Speaker 7>But so yeah, there's like uh uh an area along

1:37:51.920 --> 1:37:54.960
<v Speaker 7>hallway with everyone's dressing rooms.

1:37:55.640 --> 1:37:59.200
<v Speaker 4>So that was a fun episode to just you know,

1:37:59.360 --> 1:38:02.840
<v Speaker 4>lots of like being in the hallways and going in

1:38:02.960 --> 1:38:07.120
<v Speaker 4>and having chit chats and as people do when you're

1:38:07.120 --> 1:38:10.040
<v Speaker 4>shooting and you're in between scenes. But that was definitely

1:38:10.479 --> 1:38:13.680
<v Speaker 4>a star studed collection of people in the hallways.

1:38:14.320 --> 1:38:17.720
<v Speaker 2>Yeah, and you got to do a scene in the courtroom,

1:38:17.720 --> 1:38:20.880
<v Speaker 2>which is kind of one of the iconic SVU moments.

1:38:21.680 --> 1:38:23.880
<v Speaker 3>Do they like, is everyone really sitting there or.

1:38:23.840 --> 1:38:26.280
<v Speaker 2>Do they cut the Yeah, film it in sections.

1:38:26.320 --> 1:38:27.120
<v Speaker 3>It's okay, wow.

1:38:27.920 --> 1:38:30.720
<v Speaker 4>I mean they film in one direction and then they

1:38:30.760 --> 1:38:35.519
<v Speaker 4>film in the other, but everyone's there. Yeah. I mean,

1:38:36.280 --> 1:38:41.600
<v Speaker 4>you know sometimes they'll excuse someone for turnaround purposes. Do

1:38:41.640 --> 1:38:44.120
<v Speaker 4>you guys know what that means? Like there's a certain

1:38:44.120 --> 1:38:46.400
<v Speaker 4>amount of time that they have to give us off

1:38:46.520 --> 1:38:49.679
<v Speaker 4>between when we finish at the end of the day

1:38:50.160 --> 1:38:53.280
<v Speaker 4>and when we come back the next morning, so you

1:38:53.320 --> 1:38:57.160
<v Speaker 4>know it's possible that, Like, I mean, they definitely shoot

1:38:57.160 --> 1:38:59.800
<v Speaker 4>the direction of Marishka first. You know they're going to

1:38:59.840 --> 1:39:04.479
<v Speaker 4>get but they're gonna get the Queen's coverage first, right,

1:39:05.040 --> 1:39:08.720
<v Speaker 4>So I'm not gonna lie I it may be possible

1:39:09.040 --> 1:39:12.599
<v Speaker 4>that by the time they turned around and and it was,

1:39:12.720 --> 1:39:15.479
<v Speaker 4>you know, twelve hours later, because these scenes just take

1:39:15.520 --> 1:39:18.800
<v Speaker 4>forever to shoot, you know. I mean, they're sup they're

1:39:18.880 --> 1:39:22.960
<v Speaker 4>super fun and iconic, but they're also like every single

1:39:23.080 --> 1:39:26.599
<v Speaker 4>character gets like a wide shot, a medium shot, a

1:39:26.640 --> 1:39:29.080
<v Speaker 4>close up shot, and you know, it's a big show,

1:39:29.200 --> 1:39:31.519
<v Speaker 4>so they've got two or three cameras going at the

1:39:31.520 --> 1:39:34.519
<v Speaker 4>same time. But what I'm trying to say is it's

1:39:34.720 --> 1:39:38.280
<v Speaker 4>possible that maybe someone wasn't on the other side of

1:39:38.320 --> 1:39:43.800
<v Speaker 4>my coverage by the time they got to cross examining me.

1:39:45.040 --> 1:39:49.840
<v Speaker 4>And I do recall that they saved my cross examination

1:39:49.920 --> 1:39:53.760
<v Speaker 4>and the direction of the bench and myself for the

1:39:53.800 --> 1:39:57.280
<v Speaker 4>second half of the day, which, quite frankly, in a

1:39:57.320 --> 1:40:01.640
<v Speaker 4>situation like that where you're so dialogue have is fantastic

1:40:01.880 --> 1:40:05.760
<v Speaker 4>because you get to practice and practice and practice and

1:40:05.800 --> 1:40:09.520
<v Speaker 4>practice off camera before they come in and like boom,

1:40:09.760 --> 1:40:12.599
<v Speaker 4>you're close up. Yeah. Yeah, but I'm not gonna lie.

1:40:12.680 --> 1:40:18.040
<v Speaker 4>It's entirely possible that the Divine Marishkat might have might

1:40:18.040 --> 1:40:20.000
<v Speaker 4>have been sent home at that point because they have

1:40:20.040 --> 1:40:22.400
<v Speaker 4>to bring her in so early the next morning, and

1:40:22.439 --> 1:40:24.840
<v Speaker 4>they got to give her the twelve hours off. You know,

1:40:24.880 --> 1:40:26.080
<v Speaker 4>it's Union rules.

1:40:26.479 --> 1:40:30.840
<v Speaker 1>Yeah, so you did this episode control in season five,

1:40:31.040 --> 1:40:33.840
<v Speaker 1>and then you did Reasonable Doubt in season fifteen, so

1:40:33.880 --> 1:40:35.920
<v Speaker 1>like ten years later, and then Swimming with the Sharks

1:40:36.040 --> 1:40:39.040
<v Speaker 1>was six seasons later. Have you noticed, like I know,

1:40:39.479 --> 1:40:41.040
<v Speaker 1>if you don't remember, it's fine, but like, have you

1:40:41.120 --> 1:40:43.759
<v Speaker 1>noticed like changes in the show every time you go back,

1:40:43.840 --> 1:40:46.840
<v Speaker 1>like anything that like rings different, like the feeling on

1:40:46.880 --> 1:40:49.360
<v Speaker 1>the set or anything, or every time you go back,

1:40:49.439 --> 1:40:51.840
<v Speaker 1>is it like I'm back the same again.

1:40:51.920 --> 1:40:53.719
<v Speaker 3>I really, it's just like if.

1:40:53.600 --> 1:40:57.000
<v Speaker 4>I remember my lines, that's really where all my memory

1:40:57.040 --> 1:40:57.360
<v Speaker 4>goes to.

1:40:57.520 --> 1:41:02.519
<v Speaker 7>So I can't I can't really say any particular change.

1:41:02.920 --> 1:41:05.439
<v Speaker 4>I mean I would imagine. I guess the show has

1:41:05.479 --> 1:41:09.479
<v Speaker 4>just grown more and more in its success. But it

1:41:09.640 --> 1:41:12.639
<v Speaker 4>is one of those shows where the crew has been

1:41:12.680 --> 1:41:15.200
<v Speaker 4>on it forever, you know, So you come back into

1:41:15.200 --> 1:41:17.160
<v Speaker 4>the into the makeup and hair room and it's like,

1:41:17.200 --> 1:41:20.640
<v Speaker 4>oh my god, I haven't seen you in six years. Yeah,

1:41:21.479 --> 1:41:23.800
<v Speaker 4>you know, maybe the Croft service table is a little

1:41:23.840 --> 1:41:26.599
<v Speaker 4>bit bigger than it was in two thousand and five.

1:41:27.080 --> 1:41:27.719
<v Speaker 4>That's possible.

1:41:27.720 --> 1:41:30.360
<v Speaker 3>We've heard good things. We've heard good things. We threws,

1:41:30.520 --> 1:41:31.879
<v Speaker 3>we heard there's fresh juice.

1:41:32.280 --> 1:41:34.880
<v Speaker 4>Oh yeah, oh yeah. Look, you got to keep your

1:41:35.360 --> 1:41:39.599
<v Speaker 4>cast and crew healthy and happy. When you're pulling twelve

1:41:39.720 --> 1:41:44.800
<v Speaker 4>fourteen sixteen hour days, twenty to twenty six episodes a year,

1:41:45.040 --> 1:41:46.639
<v Speaker 4>like ten and a half months out of the year,

1:41:47.000 --> 1:41:50.160
<v Speaker 4>you got to keep people well fed. So yeah, they

1:41:50.160 --> 1:41:50.879
<v Speaker 4>got some juice.

1:41:51.640 --> 1:41:55.080
<v Speaker 2>How's the schedule for billions? Is it as grueling as

1:41:55.120 --> 1:41:56.840
<v Speaker 2>like a Law and Order schedule?

1:41:57.560 --> 1:42:00.559
<v Speaker 4>I mean, any one hour series is going to be

1:42:01.240 --> 1:42:03.720
<v Speaker 4>is going to be long days. So yeah, you know

1:42:03.880 --> 1:42:09.720
<v Speaker 4>they're they're usually for a lady in particular. You know,

1:42:09.880 --> 1:42:13.360
<v Speaker 4>it's a fourteen hour day, so they're long days. But

1:42:14.000 --> 1:42:17.880
<v Speaker 4>that's another you know, it's a very successful show. They

1:42:17.960 --> 1:42:22.639
<v Speaker 4>take excellent care of everyone. Everyone's very well looked after,

1:42:22.880 --> 1:42:24.160
<v Speaker 4>so they're long days.

1:42:24.200 --> 1:42:27.600
<v Speaker 2>But we know, Dan Soder, is that impressive to you?

1:42:28.240 --> 1:42:30.479
<v Speaker 4>That is super impressive to me. Dan.

1:42:31.360 --> 1:42:34.720
<v Speaker 2>We're we're both stand up comedians and we were in

1:42:34.720 --> 1:42:37.240
<v Speaker 2>New York for many years and so we just I

1:42:37.280 --> 1:42:39.519
<v Speaker 2>was at the Comedy Cellar with Dan for a lot

1:42:39.560 --> 1:42:42.240
<v Speaker 2>of years, Comedy Fest, Dance Soda.

1:42:42.760 --> 1:42:45.760
<v Speaker 3>Sweet. He's such a great He's such a great guy.

1:42:45.840 --> 1:42:46.400
<v Speaker 3>We love him.

1:42:46.520 --> 1:42:48.400
<v Speaker 2>All of your co stars would be good on SVU

1:42:48.640 --> 1:42:51.120
<v Speaker 2>Oh my god, I would love some Gamati on.

1:42:52.840 --> 1:42:56.760
<v Speaker 4>Totes. What do you think that Asia Kate Dylan could

1:42:56.840 --> 1:43:00.200
<v Speaker 4>play on Order SVU. I'd like to see that. I'm

1:43:00.200 --> 1:43:00.639
<v Speaker 4>on the show.

1:43:01.400 --> 1:43:05.080
<v Speaker 1>Oh yes, yes, that's another. That's another Orange is the

1:43:05.120 --> 1:43:06.040
<v Speaker 1>new Black Alum too?

1:43:06.160 --> 1:43:06.639
<v Speaker 4>Right? Yeah?

1:43:06.760 --> 1:43:08.800
<v Speaker 3>Oh yeah, And there has.

1:43:08.720 --> 1:43:11.400
<v Speaker 1>Been like the this is like the Venn diagram of

1:43:11.439 --> 1:43:13.680
<v Speaker 1>Orange is the new Blacklane or a recpeo. It's like

1:43:13.720 --> 1:43:14.719
<v Speaker 1>every single person.

1:43:15.200 --> 1:43:17.400
<v Speaker 2>I would see them as a crime boss. I want

1:43:17.439 --> 1:43:19.040
<v Speaker 2>like Russian crime boss.

1:43:19.200 --> 1:43:25.639
<v Speaker 3>Yeah, yeah, splitting up maybe on organized crime? Organized crime?

1:43:26.240 --> 1:43:27.280
<v Speaker 4>Is that the new one?

1:43:27.880 --> 1:43:30.840
<v Speaker 3>Yeah, that's the new one with Maloney. Maloney's back.

1:43:30.960 --> 1:43:35.440
<v Speaker 2>Okay, I'm curious what you get recognized from the most.

1:43:35.800 --> 1:43:39.439
<v Speaker 4>You know, it's interesting because I've been around for a

1:43:39.520 --> 1:43:42.879
<v Speaker 4>few years. So sometimes it's.

1:43:42.760 --> 1:43:46.400
<v Speaker 8>Just like someone thinks they know me, and I'm like,

1:43:46.840 --> 1:43:51.639
<v Speaker 8>I don't think so, but you know, I'm I'm actually

1:43:51.680 --> 1:43:55.360
<v Speaker 8>heading to Pensacola, Florida for one of these horror sci

1:43:55.400 --> 1:43:58.880
<v Speaker 8>fi conventions, which I do from time to.

1:43:58.880 --> 1:44:03.519
<v Speaker 7>Time, and Super Mario Brothers is always a big wow.

1:44:04.160 --> 1:44:08.960
<v Speaker 7>Just you know, there's some there, there's some nostalgia for

1:44:09.120 --> 1:44:12.840
<v Speaker 7>people from their childhood of it being something that they

1:44:12.840 --> 1:44:13.400
<v Speaker 7>watched when.

1:44:13.240 --> 1:44:15.960
<v Speaker 4>They were kids, so I get some Princess Daisy action.

1:44:16.600 --> 1:44:20.000
<v Speaker 4>And then of course Norah de Niro from Pump Up

1:44:20.040 --> 1:44:24.000
<v Speaker 4>the Volume the which you know, I guess I was

1:44:24.240 --> 1:44:27.720
<v Speaker 4>like the first crush for a lot of dudes and

1:44:27.800 --> 1:44:31.640
<v Speaker 4>some women and women who were around that age and

1:44:31.680 --> 1:44:34.479
<v Speaker 4>wanted to emulate being as cool as that character was,

1:44:34.560 --> 1:44:36.920
<v Speaker 4>which I wanted to be as cool as that character was. Yeah,

1:44:37.720 --> 1:44:40.599
<v Speaker 4>And it's so exciting because I just realized on Twitter

1:44:40.640 --> 1:44:44.640
<v Speaker 4>in the last week that HBO Max actually released it.

1:44:44.640 --> 1:44:48.200
<v Speaker 4>It hasn't been available, it hasn't been streaming anywhere, and

1:44:48.280 --> 1:44:50.719
<v Speaker 4>so it's finally out.

1:44:51.280 --> 1:44:52.160
<v Speaker 3>I'm going to watch it.

1:44:52.600 --> 1:44:55.719
<v Speaker 2>I'm really glad that it's back on the internet.

1:44:56.400 --> 1:45:00.000
<v Speaker 4>I know, I'm curious to see. So the big problem

1:45:00.360 --> 1:45:03.559
<v Speaker 4>with it being released in this day and age had

1:45:03.600 --> 1:45:06.840
<v Speaker 4>been that, like there's so much incredible music on it,

1:45:06.920 --> 1:45:10.560
<v Speaker 4>and I guess they hadn't licensed that music in perpetuity.

1:45:10.680 --> 1:45:13.160
<v Speaker 4>You know, You've got like Leonard Cohen and the Pixy's

1:45:13.200 --> 1:45:17.160
<v Speaker 4>and Lenny Kravitz and like it's a crazy good soundtrack,

1:45:17.960 --> 1:45:19.880
<v Speaker 4>and they didn't have the licensing for it. So I

1:45:19.920 --> 1:45:25.160
<v Speaker 4>guess Warner Brothers now that it's all HBO, MEX whatever.

1:45:25.320 --> 1:45:28.719
<v Speaker 4>It's one big universe. They will. I think it's got

1:45:28.760 --> 1:45:30.280
<v Speaker 4>the soundtrack. I think it does.

1:45:30.360 --> 1:45:32.519
<v Speaker 3>But oh good, you have to check it out.

1:45:32.800 --> 1:45:34.599
<v Speaker 4>Yeah you did mention.

1:45:34.880 --> 1:45:38.000
<v Speaker 2>You know, you've been working and for a while from

1:45:38.040 --> 1:45:40.640
<v Speaker 2>the night like doing so much. What are things that

1:45:40.680 --> 1:45:43.120
<v Speaker 2>have changed in the industry that you like vers not

1:45:43.400 --> 1:45:44.880
<v Speaker 2>bring me back to the nineties.

1:45:45.840 --> 1:45:50.400
<v Speaker 4>You know, when I started out in nineteen eighty six,

1:45:52.000 --> 1:45:55.600
<v Speaker 4>you know, the desired trajectory of an actor was to

1:45:55.640 --> 1:45:58.000
<v Speaker 4>get to film, you know, and once you got out

1:45:58.080 --> 1:46:01.800
<v Speaker 4>of television, you didn't want to be television anymore because

1:46:01.800 --> 1:46:05.360
<v Speaker 4>you were labeled a television actor. That obviously is not

1:46:05.439 --> 1:46:11.000
<v Speaker 4>the case anymore. It's a whole new landscape. And you know,

1:46:11.120 --> 1:46:17.160
<v Speaker 4>in the eighties, independent cinema was just on fire, so

1:46:17.360 --> 1:46:20.200
<v Speaker 4>it was an incredible time to be making small movies.

1:46:20.720 --> 1:46:25.200
<v Speaker 4>Now it's all about television or streaming content, and that

1:46:25.280 --> 1:46:28.160
<v Speaker 4>to me is actually really exciting. It's been interesting to see.

1:46:28.280 --> 1:46:29.800
<v Speaker 4>I don't know what it's been like for you guys

1:46:29.920 --> 1:46:34.160
<v Speaker 4>during the last two years of this pandemic, but my

1:46:34.280 --> 1:46:39.839
<v Speaker 4>attention span has really craved television shows over film. Same

1:46:41.000 --> 1:46:43.799
<v Speaker 4>It's like, I just want to dive into five seasons

1:46:43.800 --> 1:46:44.720
<v Speaker 4>of something.

1:46:45.439 --> 1:46:49.519
<v Speaker 2>So on IMDb, your first credit is Aaron's Way And

1:46:50.000 --> 1:46:52.479
<v Speaker 2>was that really like your first professional gig, being a

1:46:52.520 --> 1:46:53.880
<v Speaker 2>series regular on a show?

1:46:54.920 --> 1:46:55.200
<v Speaker 4>Yeah?

1:46:55.439 --> 1:46:57.600
<v Speaker 3>Yeah, wow. Were you like Wow, I'm incredible.

1:46:58.479 --> 1:47:02.240
<v Speaker 4>I was like, Wow, this is great. I'm totally gonna

1:47:02.280 --> 1:47:04.760
<v Speaker 4>have this amazing career. And my mom was like, it's

1:47:04.880 --> 1:47:08.759
<v Speaker 4>really not that easy. And I was like, yeah, whatever,

1:47:08.800 --> 1:47:11.840
<v Speaker 4>We're shooting the pilot in Australia, bye, and she was like,

1:47:11.920 --> 1:47:15.120
<v Speaker 4>oh God, it's not going to be so glamorous. You're

1:47:15.120 --> 1:47:17.000
<v Speaker 4>gonna be in the middle of nowhere. You're going to

1:47:17.080 --> 1:47:19.360
<v Speaker 4>be staying in a motel six and you know I

1:47:19.400 --> 1:47:23.800
<v Speaker 4>have and she was right. But I was very blessed. Yeah,

1:47:23.840 --> 1:47:26.840
<v Speaker 4>you know, because my mom was an actress. Enough of

1:47:26.840 --> 1:47:29.639
<v Speaker 4>her friends knew that I wanted to pursue a career

1:47:30.479 --> 1:47:33.680
<v Speaker 4>at the age of twelve, to which my mother said no.

1:47:34.400 --> 1:47:38.000
<v Speaker 4>But after four years of begging, she said, Okay, you know,

1:47:38.400 --> 1:47:41.280
<v Speaker 4>you can give it a shot. And I knew just

1:47:41.439 --> 1:47:44.519
<v Speaker 4>enough people from her universe that were like, yeah, I'll

1:47:44.560 --> 1:47:48.439
<v Speaker 4>read your kid, and within like two months, I got

1:47:48.479 --> 1:47:50.160
<v Speaker 4>this TV series. It was incredible.

1:47:51.000 --> 1:47:53.360
<v Speaker 1>Yeah, and then like I'm one of these people that

1:47:53.720 --> 1:47:56.920
<v Speaker 1>watched you like all growing up, like Pump Up the Volume.

1:47:56.960 --> 1:47:59.040
<v Speaker 3>This is my life, little woman, like Fern Gully.

1:47:59.080 --> 1:48:02.080
<v Speaker 1>You're a voice on Fern, Like I just can't it's

1:48:02.800 --> 1:48:09.360
<v Speaker 1>it's just so wild. Like but like you did this

1:48:09.400 --> 1:48:12.400
<v Speaker 1>TV show in eighty eight and by ninety you were

1:48:12.400 --> 1:48:14.320
<v Speaker 1>on Pump Up the Volume, which you were a huge

1:48:14.400 --> 1:48:16.720
<v Speaker 1>leading role. So like that, it seems like things went

1:48:16.760 --> 1:48:18.800
<v Speaker 1>pretty fast for you at the beginning.

1:48:19.280 --> 1:48:21.880
<v Speaker 4>Well Erin's Way was eighty six eighty.

1:48:22.120 --> 1:48:24.680
<v Speaker 3>Oh, I'm looking at on on dB. It might be off, it.

1:48:24.680 --> 1:48:27.000
<v Speaker 9>Might be yeah, it might be off, but yeah, I

1:48:27.040 --> 1:48:29.640
<v Speaker 9>mean it was about three years and suddenly I was

1:48:29.680 --> 1:48:32.639
<v Speaker 9>doing my first feature film that we made a big

1:48:32.680 --> 1:48:35.560
<v Speaker 9>fancy premiere at Grandma's Chinese Theater and suddenly I was

1:48:35.600 --> 1:48:36.759
<v Speaker 9>in it girl, and.

1:48:36.680 --> 1:48:40.320
<v Speaker 4>Like having that that yeah moment in Hollywood, which was

1:48:40.520 --> 1:48:42.040
<v Speaker 4>just amazing.

1:48:42.760 --> 1:48:44.200
<v Speaker 3>Did you ever work with your mom?

1:48:45.040 --> 1:48:48.360
<v Speaker 4>She did a very small role in a TV movie

1:48:48.600 --> 1:48:50.439
<v Speaker 4>just for fun, for us to get to do a

1:48:50.479 --> 1:48:54.000
<v Speaker 4>scene together. It was called Extreme Close Up and it

1:48:54.120 --> 1:49:01.360
<v Speaker 4>was produced by Edswick and Marshall Hurstkovetz of thirty something Same.

1:49:01.760 --> 1:49:04.160
<v Speaker 4>They produced it, and Peter Horton, who was an actor

1:49:04.240 --> 1:49:07.040
<v Speaker 4>on that, directed this and so it was like a

1:49:07.080 --> 1:49:09.160
<v Speaker 4>really tiny scene and I was like, do you want

1:49:09.200 --> 1:49:11.679
<v Speaker 4>to just come do this for fun? And so she did.

1:49:12.320 --> 1:49:15.680
<v Speaker 4>We were supposed to do a play together once and

1:49:17.560 --> 1:49:20.360
<v Speaker 4>I had to pull out of it, so we didn't

1:49:20.479 --> 1:49:23.120
<v Speaker 4>really get to act together that much, which is a bummer.

1:49:23.280 --> 1:49:24.479
<v Speaker 3>And do you do theater a lot?

1:49:25.439 --> 1:49:29.200
<v Speaker 4>I tried to. I mean, you know, I can't afford

1:49:29.280 --> 1:49:32.080
<v Speaker 4>to do it all the time. But I actually just

1:49:32.160 --> 1:49:35.200
<v Speaker 4>closed in a small musical in New York City. We

1:49:35.320 --> 1:49:37.880
<v Speaker 4>just finished doing it about a week and a half ago,

1:49:38.520 --> 1:49:41.960
<v Speaker 4>called Whisper House. The music was written by Duncan Chic.

1:49:43.040 --> 1:49:46.240
<v Speaker 1>He did another big musical he did Bring Awakening, which

1:49:46.479 --> 1:49:47.240
<v Speaker 1>awakened at all.

1:49:47.720 --> 1:49:50.360
<v Speaker 4>Yes, just did either of you see that?

1:49:50.720 --> 1:49:51.240
<v Speaker 3>Oh? I did.

1:49:51.360 --> 1:49:54.840
<v Speaker 2>I got fired from fat Camp. I was a counselor.

1:49:54.960 --> 1:49:57.679
<v Speaker 2>I was I was twenty years old. I got fired

1:49:57.680 --> 1:50:00.760
<v Speaker 2>from fat Camp and was They just dropped me off

1:50:00.760 --> 1:50:02.599
<v Speaker 2>at a bus and so I had to go to

1:50:02.640 --> 1:50:04.559
<v Speaker 2>New York City and I saw the sign of Spring

1:50:04.600 --> 1:50:06.600
<v Speaker 2>Awakening and I went, I have to see it. And

1:50:06.600 --> 1:50:08.919
<v Speaker 2>I called my dad and I was like, please buy.

1:50:08.680 --> 1:50:12.320
<v Speaker 1>Me a ticket to this play. Oh yeah. So it

1:50:12.360 --> 1:50:14.280
<v Speaker 1>was a big moment for me. Sorry to go on

1:50:14.320 --> 1:50:15.920
<v Speaker 1>and on. But yeah, I saw it and it meant

1:50:15.920 --> 1:50:17.200
<v Speaker 1>a lot to me to be able to see it.

1:50:17.760 --> 1:50:20.280
<v Speaker 4>Yeah, I mean it was revolutionary at the time, like

1:50:20.360 --> 1:50:26.360
<v Speaker 4>the choreography, the whole notion of the juxtaposition between rock

1:50:26.400 --> 1:50:30.080
<v Speaker 4>and roll music with these kids in German little pinaphores

1:50:30.160 --> 1:50:33.840
<v Speaker 4>and school was amazing. Anyway, Yeah, we just did this

1:50:33.960 --> 1:50:37.679
<v Speaker 4>musical called Whisper House, which we were supposed to do

1:50:39.640 --> 1:50:42.240
<v Speaker 4>in twenty twenty, and we were about to go on

1:50:42.320 --> 1:50:45.080
<v Speaker 4>stage on March the twelfth to do our very first

1:50:45.120 --> 1:50:49.360
<v Speaker 4>performance and Broadway shut down and then we shut down.

1:50:49.920 --> 1:50:52.040
<v Speaker 4>It was an off Broadway show, but so we never

1:50:52.120 --> 1:50:55.200
<v Speaker 4>did it. We never got to do it, and so

1:50:56.640 --> 1:50:59.960
<v Speaker 4>it's been a wild time, ladies, because like two years later,

1:51:00.240 --> 1:51:04.800
<v Speaker 4>we reassembled in New York City in December to start rehearsals,

1:51:04.960 --> 1:51:10.720
<v Speaker 4>and what happens, Yeah, and what happens We have an

1:51:10.760 --> 1:51:14.439
<v Speaker 4>outbreak in the rehearsal room the second week and six

1:51:14.479 --> 1:51:18.360
<v Speaker 4>of us get COVID, including myself. So then we.

1:51:18.280 --> 1:51:22.040
<v Speaker 5>Moved to Zoom and we rehearsed on Zoom, which is

1:51:22.080 --> 1:51:25.960
<v Speaker 5>not ideal theater. Took a Christmas break, which is me

1:51:26.160 --> 1:51:29.599
<v Speaker 5>home with COVID for a week and then we went

1:51:29.640 --> 1:51:33.599
<v Speaker 5>back and rehearsed entirely in mosques the rest of the time.

1:51:34.120 --> 1:51:38.760
<v Speaker 4>The first time, well, the first time we were in

1:51:38.760 --> 1:51:40.479
<v Speaker 4>front of a live audience was only the second time

1:51:40.479 --> 1:51:43.120
<v Speaker 4>we'd ever done the plate see each other's faces. It

1:51:43.200 --> 1:51:47.320
<v Speaker 4>was a wild experience and a miracle because we actually

1:51:47.360 --> 1:51:50.920
<v Speaker 4>got through the run. We had no understudies, and so

1:51:51.000 --> 1:51:53.080
<v Speaker 4>if any of the three cast members who didn't get

1:51:53.080 --> 1:51:55.800
<v Speaker 4>COVID got COVID, we would be shut down. Every day

1:51:56.040 --> 1:51:57.840
<v Speaker 4>shows in New York were shutting down. I don't know

1:51:57.880 --> 1:51:59.720
<v Speaker 4>if you guys follow that stuff, but like so many

1:51:59.760 --> 1:52:02.200
<v Speaker 4>plays that somehow we made it through. We were like

1:52:02.200 --> 1:52:04.800
<v Speaker 4>the little plate that could. So, yeah, I just did

1:52:04.800 --> 1:52:08.680
<v Speaker 4>a play and now I'm recovering.

1:52:09.400 --> 1:52:11.640
<v Speaker 2>And are you like New York till you die? Or

1:52:11.720 --> 1:52:14.679
<v Speaker 2>you enjoy the West Coast and you're like, you'll dat?

1:52:14.840 --> 1:52:18.880
<v Speaker 4>I mean, I would look. I grew up in Los Angeles.

1:52:18.960 --> 1:52:21.559
<v Speaker 4>There are things I really love about it. I love

1:52:21.760 --> 1:52:25.960
<v Speaker 4>being an actor in LA when I'm working. I don't

1:52:26.000 --> 1:52:28.040
<v Speaker 4>like being an actor in LA when I'm not working.

1:52:28.200 --> 1:52:31.439
<v Speaker 4>There's something that's just mentally healthier for me about being

1:52:31.479 --> 1:52:37.519
<v Speaker 4>on the East Coast. And I had been NYC writer die.

1:52:37.760 --> 1:52:43.000
<v Speaker 4>But then the pandemic happened, and I bought this house

1:52:43.200 --> 1:52:47.720
<v Speaker 4>in the country and was in contract on it to

1:52:47.800 --> 1:52:50.080
<v Speaker 4>have it like to use a little bit of the time,

1:52:50.120 --> 1:52:52.000
<v Speaker 4>but to also be able to rent it out and

1:52:53.000 --> 1:52:56.320
<v Speaker 4>have an Airbnb, And then the pandemic hit and I

1:52:56.400 --> 1:52:58.559
<v Speaker 4>moved up here. So I'm living in upstate New York.

1:52:58.680 --> 1:52:59.920
<v Speaker 4>I'm a country girl now.

1:53:00.479 --> 1:53:00.839
<v Speaker 3>Whoa.

1:53:01.720 --> 1:53:03.840
<v Speaker 1>Yeah, we talked to a couple of other actors that

1:53:03.880 --> 1:53:06.880
<v Speaker 1>have done that. Actually, it sounds like the move like

1:53:06.960 --> 1:53:09.880
<v Speaker 1>you can still get to the city easily, but you're

1:53:10.760 --> 1:53:12.759
<v Speaker 1>got some space out there and it's beautiful.

1:53:12.840 --> 1:53:14.000
<v Speaker 3>Yeah.

1:53:14.040 --> 1:53:16.160
<v Speaker 1>Do you have any other like upcoming projects now that

1:53:16.200 --> 1:53:18.240
<v Speaker 1>the play is done that you want, like our listeners

1:53:18.280 --> 1:53:21.400
<v Speaker 1>to be sort of eyes peeled for or anything.

1:53:21.520 --> 1:53:25.800
<v Speaker 4>Well, I did a little part in pet Cemetery in

1:53:25.920 --> 1:53:30.040
<v Speaker 4>nineteen sixty nine and that's coming out in April on

1:53:30.200 --> 1:53:36.320
<v Speaker 4>Paramount Plus. Oh wow, there's a very handsome lad named

1:53:36.400 --> 1:53:40.559
<v Speaker 4>Jackson White who's the lead of the movie, and Henry

1:53:40.600 --> 1:53:47.400
<v Speaker 4>Thomas and myself play his parents. Okay, yeah, oh it's

1:53:47.400 --> 1:53:52.360
<v Speaker 4>pet Cemetery. Yeah, I've pet Cemetery the origin story. So

1:53:52.439 --> 1:53:55.599
<v Speaker 4>we go back to nineteen sixty nine and learn even

1:53:55.680 --> 1:54:00.400
<v Speaker 4>more of the origin of why these pets are possessed.

1:54:00.840 --> 1:54:03.080
<v Speaker 1>And that just is it what what is this thing

1:54:03.120 --> 1:54:05.559
<v Speaker 1>called the Georgetown Project that you did? Is that like

1:54:05.600 --> 1:54:07.320
<v Speaker 1>a that's another horrory type of thing.

1:54:07.600 --> 1:54:10.880
<v Speaker 4>Yeah, it is. It's I don't know when it's coming out.

1:54:11.080 --> 1:54:15.000
<v Speaker 4>It's sort of stuck in a limbo period right now

1:54:16.120 --> 1:54:20.439
<v Speaker 4>with the editing process, but it is. It is a

1:54:20.479 --> 1:54:24.640
<v Speaker 4>retelling of the Exorcist in present time. They're trying to

1:54:24.680 --> 1:54:28.040
<v Speaker 4>remake the movie it, so it's sort of meta. It's

1:54:28.080 --> 1:54:31.280
<v Speaker 4>about these these people that are trying to remake the

1:54:31.320 --> 1:54:35.000
<v Speaker 4>movie and no one wants to touch it because it's cursed.

1:54:35.080 --> 1:54:38.680
<v Speaker 4>You know, the actual movie when they shot it back

1:54:38.720 --> 1:54:40.880
<v Speaker 4>in the day, there were several people who died during

1:54:40.880 --> 1:54:43.000
<v Speaker 4>the production of the movie, and so there's this lore

1:54:43.200 --> 1:54:47.160
<v Speaker 4>that anyone getting involved with the Exorcist, they die. So

1:54:47.320 --> 1:54:50.640
<v Speaker 4>that's what's happening in present time. And so they hire

1:54:50.760 --> 1:54:56.240
<v Speaker 4>a washed up action star to play the lead and

1:54:56.280 --> 1:55:01.200
<v Speaker 4>that's uh, that's Russell Crowe and he's kind of an

1:55:01.240 --> 1:55:04.800
<v Speaker 4>alcoholic and a bit of a mess. And then and

1:55:04.840 --> 1:55:08.120
<v Speaker 4>then you know, is he losing his mind or is

1:55:08.160 --> 1:55:11.080
<v Speaker 4>he being haunted? And strange things start to happen during

1:55:11.080 --> 1:55:12.440
<v Speaker 4>the production of the movie.

1:55:12.840 --> 1:55:15.480
<v Speaker 3>And did weird things happen and.

1:55:15.480 --> 1:55:18.800
<v Speaker 4>Weird things, Oh, did weird things happen while I was there?

1:55:19.240 --> 1:55:21.480
<v Speaker 3>Yeah, you know no, but I'm.

1:55:21.320 --> 1:55:24.600
<v Speaker 4>Gonna tell you that there's like a witchy shop in

1:55:24.640 --> 1:55:27.200
<v Speaker 4>the Lower East Side, No, in the East Village, And

1:55:27.320 --> 1:55:29.960
<v Speaker 4>I went there and I talked to some of these

1:55:30.000 --> 1:55:31.880
<v Speaker 4>white witches and I was like, I'm going to do

1:55:31.960 --> 1:55:36.160
<v Speaker 4>this thing and I just need like a candle to

1:55:36.320 --> 1:55:39.440
<v Speaker 4>protect me. And they were like, aha, incredible. And they'd

1:55:39.480 --> 1:55:42.520
<v Speaker 4>take out a candle and start carving in it and

1:55:42.560 --> 1:55:45.280
<v Speaker 4>they were like, what, there's Satan involved, okay, And they

1:55:45.400 --> 1:55:50.040
<v Speaker 4>like created this whole candle that had like spells and

1:55:50.120 --> 1:55:53.720
<v Speaker 4>ointments and sparkles and all these things. I just I

1:55:53.800 --> 1:55:55.880
<v Speaker 4>was like, you know what, you can never be too safe.

1:55:56.080 --> 1:56:03.280
<v Speaker 3>Wow, we love it. We love witchy stuff. She's badass.

1:56:03.560 --> 1:56:05.280
<v Speaker 1>I can't believe we got to talk to her, like

1:56:05.320 --> 1:56:07.600
<v Speaker 1>I truly, Like I remember watching pop up the volume

1:56:07.640 --> 1:56:11.040
<v Speaker 1>being like this girl is so cool, like and she like.

1:56:11.040 --> 1:56:12.520
<v Speaker 3>I don't know, I don't know.

1:56:12.600 --> 1:56:15.360
<v Speaker 1>And I dated all these Hollywood people in the eighties,

1:56:15.400 --> 1:56:16.920
<v Speaker 1>like I mean, sorry, the nineties.

1:56:16.960 --> 1:56:20.320
<v Speaker 2>She's just like very very cool and chill, and this

1:56:20.600 --> 1:56:23.480
<v Speaker 2>rarely happens that people are like, oh, yeah, my mom

1:56:23.520 --> 1:56:26.000
<v Speaker 2>helped me meet an age you know, like, yeah, I

1:56:26.040 --> 1:56:28.040
<v Speaker 2>love that she was able to be like, yeah, my

1:56:28.120 --> 1:56:30.440
<v Speaker 2>mom was an actoring and she knew this person and

1:56:30.480 --> 1:56:34.840
<v Speaker 2>then I got booked. Instead of pretending that doesn't exist, right,

1:56:34.880 --> 1:56:35.640
<v Speaker 2>you know, yeah.

1:56:35.520 --> 1:56:36.720
<v Speaker 3>Yeah, I just enjoyed that.

1:56:36.800 --> 1:56:38.440
<v Speaker 2>Or when someone goes, oh yeah, I grew up wealthy

1:56:38.600 --> 1:56:42.320
<v Speaker 2>or something like it's weird that people aren't honest about you.

1:56:42.400 --> 1:56:44.400
<v Speaker 1>Yeah, And I mean, it doesn't that cool. It doesn't

1:56:44.680 --> 1:56:47.240
<v Speaker 1>to mean how much she's worked. Sure, she's worked very hard.

1:56:47.280 --> 1:56:50.280
<v Speaker 1>I mean, judging by the fact that she literally started

1:56:50.280 --> 1:56:52.680
<v Speaker 1>in the late eighties and by the early nineties was

1:56:52.800 --> 1:56:55.680
<v Speaker 1>like a household name, basically sounds like she worked sucking hard.

1:56:55.760 --> 1:56:58.520
<v Speaker 2>Well, it's the Kim Kardashian of it all. Katherine Ryan,

1:56:59.240 --> 1:57:02.160
<v Speaker 2>superstar in life, she was saying, she goes. People are

1:57:02.240 --> 1:57:04.320
<v Speaker 2>mad at the Kim Kardashian statement. It's not about you.

1:57:04.400 --> 1:57:06.240
<v Speaker 2>She's not talking to you. She's talking to other rich

1:57:06.280 --> 1:57:09.080
<v Speaker 2>people who don't do stuff. Yeah, stop taking it as

1:57:09.080 --> 1:57:13.000
<v Speaker 2>a personal attack, Like maybe like she doesn't realize people

1:57:13.240 --> 1:57:15.040
<v Speaker 2>have it different. She is trying to help people get

1:57:15.040 --> 1:57:18.080
<v Speaker 2>out of jail. Like I think she understands inequality in

1:57:18.120 --> 1:57:20.800
<v Speaker 2>the world. Maybe not, but I did like that perspective.

1:57:20.840 --> 1:57:22.840
<v Speaker 2>I just didn't hear someone go, yeah, it's not about you.

1:57:22.920 --> 1:57:24.839
<v Speaker 2>She's not talking about the people that are working hourly

1:57:25.400 --> 1:57:28.440
<v Speaker 2>like at jud you know, jobs that fucking exploit you.

1:57:28.520 --> 1:57:30.640
<v Speaker 2>I think she's talking to like her peers that she

1:57:30.640 --> 1:57:31.280
<v Speaker 2>went to high.

1:57:31.160 --> 1:57:33.560
<v Speaker 1>School, or like influencers that are like I just want

1:57:33.600 --> 1:57:36.560
<v Speaker 1>to like post post like bikini shots and make a

1:57:36.600 --> 1:57:38.400
<v Speaker 1>bunch of money, you know, And She's like, you actually

1:57:38.440 --> 1:57:39.760
<v Speaker 1>have to do a lot more if you want to

1:57:39.760 --> 1:57:42.120
<v Speaker 1>like get to my level, which is probably true.

1:57:42.800 --> 1:57:43.080
<v Speaker 3>Yeah.

1:57:43.080 --> 1:57:46.240
<v Speaker 2>So that was just interesting because everyone it's like people

1:57:46.320 --> 1:57:48.520
<v Speaker 2>just rage so hard. It's kind of like my tweet

1:57:48.520 --> 1:57:51.200
<v Speaker 2>where I go parents that post their kids constantly, and

1:57:51.240 --> 1:57:53.760
<v Speaker 2>then it was like you hate kids, you have no soul.

1:57:53.840 --> 1:57:56.480
<v Speaker 3>I'm just like, what that is not what I want? Yeah,

1:57:56.640 --> 1:57:58.760
<v Speaker 3>people about what I wrote. That's the Internet.

1:57:58.800 --> 1:58:01.200
<v Speaker 1>But like, look, I'm not even like a huge Kim

1:58:01.280 --> 1:58:03.800
<v Speaker 1>fan or anything. I just like, I fucking hate what

1:58:03.880 --> 1:58:05.760
<v Speaker 1>Kanye is doing to her right now. So right now

1:58:05.760 --> 1:58:07.600
<v Speaker 1>I'm on her side about pretty much anything.

1:58:07.640 --> 1:58:10.000
<v Speaker 3>I didn't love the work comment when I first heard it.

1:58:10.000 --> 1:58:12.040
<v Speaker 1>I was like, obviously you have to put it in

1:58:12.120 --> 1:58:13.920
<v Speaker 1>the right context and not everyone's going to take it

1:58:13.920 --> 1:58:16.640
<v Speaker 1>out of context. But like, he is being such a

1:58:16.680 --> 1:58:20.000
<v Speaker 1>fucking nightmare continually to her, and I just I got

1:58:20.120 --> 1:58:24.000
<v Speaker 1>to support her on that because it's he's he's the worst.

1:58:24.520 --> 1:58:28.800
<v Speaker 3>He is the worst. And I'm glad, not really, I'm.

1:58:29.600 --> 1:58:33.360
<v Speaker 2>I don't know the adjective, but that people are seeing

1:58:33.440 --> 1:58:36.560
<v Speaker 2>what it's like to leave an abusive relationship on such.

1:58:36.360 --> 1:58:38.680
<v Speaker 3>A big scale. Like, yeah, I don't know.

1:58:38.760 --> 1:58:40.920
<v Speaker 2>I think it's important and it sucks that she has

1:58:41.000 --> 1:58:44.160
<v Speaker 2>to go through it, but I hope it penetrates people's

1:58:44.200 --> 1:58:47.840
<v Speaker 2>brains a little bit and makes people understand or become empathetic.

1:58:47.880 --> 1:58:48.280
<v Speaker 3>I don't know.

1:58:48.360 --> 1:58:51.040
<v Speaker 2>But it's also weird that Pete Davidson's in the middle

1:58:51.080 --> 1:58:51.440
<v Speaker 2>of it all.

1:58:51.640 --> 1:58:52.839
<v Speaker 3>I'm like, what is happening.

1:58:52.840 --> 1:58:55.880
<v Speaker 1>He's calling out Michael Chay and I'm like, it's so fun,

1:58:55.960 --> 1:58:56.800
<v Speaker 1>it's so weird.

1:58:57.200 --> 1:58:58.920
<v Speaker 3>Wait, what's the Michael Chay of it at all?

1:58:58.960 --> 1:59:03.040
<v Speaker 1>I didn't see just like posted on it Kanye Kanye,

1:59:03.600 --> 1:59:07.240
<v Speaker 1>oh wow, yeah, Like it was basically what he deleted

1:59:07.240 --> 1:59:09.040
<v Speaker 1>it already, but it was basically like this what he

1:59:09.040 --> 1:59:10.880
<v Speaker 1>did for Trevor Noah, but he did it for Michael Chai.

1:59:11.880 --> 1:59:13.520
<v Speaker 3>What's the Trevor. I don't know any of this.

1:59:14.320 --> 1:59:17.160
<v Speaker 1>He just like it's just his erratic posts, you know

1:59:17.200 --> 1:59:19.200
<v Speaker 1>how he deletes everything, like he only ever has like

1:59:19.240 --> 1:59:21.800
<v Speaker 1>ten posts up. I don't know he had one up

1:59:21.840 --> 1:59:24.560
<v Speaker 1>that was just the Google results of Michael Shay. He's

1:59:24.600 --> 1:59:26.400
<v Speaker 1>always like trying to like poke at Michael Chay. I

1:59:26.440 --> 1:59:28.520
<v Speaker 1>think it's because of the Peat connection, but I don't

1:59:28.520 --> 1:59:32.320
<v Speaker 1>know anyway, what else to this episode.

1:59:32.960 --> 1:59:37.720
<v Speaker 2>I would just say, you know, fucking believe women, even

1:59:37.760 --> 1:59:40.040
<v Speaker 2>if it's the craziest story you've ever heard, because the

1:59:40.080 --> 1:59:42.720
<v Speaker 2>depths of evil are all around us.

1:59:43.000 --> 1:59:45.560
<v Speaker 3>Yeah, wow, that's very eloquently foot.

1:59:46.000 --> 1:59:48.600
<v Speaker 2>You know, everyone's evil, so like it doesn't matter if

1:59:48.640 --> 1:59:51.800
<v Speaker 2>someone's drunk or this story is wild, Like I'm sure

1:59:51.800 --> 1:59:52.280
<v Speaker 2>it's real.

1:59:52.400 --> 1:59:54.840
<v Speaker 3>I don't know. Yeah, it just sucks to know.

1:59:56.320 --> 1:59:58.480
<v Speaker 1>But people are always gonna people are always gonna like

1:59:58.520 --> 2:00:01.920
<v Speaker 1>prey upon people that won't be you know, they prey

2:00:02.000 --> 2:00:04.800
<v Speaker 1>upon people that have like, you know, vulnerabilities. And that's

2:00:05.800 --> 2:00:07.880
<v Speaker 1>what's so fucked up. When she tried, we need to

2:00:07.920 --> 2:00:08.680
<v Speaker 1>help more people.

2:00:08.760 --> 2:00:12.000
<v Speaker 2>And if someone brings a teenager as a date and

2:00:12.040 --> 2:00:14.480
<v Speaker 2>they're a grown person to a family party, kick him

2:00:14.480 --> 2:00:15.440
<v Speaker 2>off out of the party.

2:00:15.800 --> 2:00:18.680
<v Speaker 1>Yeah, and it just it really did make me not

2:00:18.760 --> 2:00:21.800
<v Speaker 1>that I wanted, like Samantha Mathis's character to not exist,

2:00:21.840 --> 2:00:24.520
<v Speaker 1>but it did make me realize how much like that

2:00:24.640 --> 2:00:26.800
<v Speaker 1>this mother did not look like she had a lot

2:00:26.800 --> 2:00:28.800
<v Speaker 1>of resentment for her child because she felt like her

2:00:28.840 --> 2:00:30.760
<v Speaker 1>child ended her life in a lot of ways. And

2:00:30.760 --> 2:00:33.320
<v Speaker 1>that's why we need to have choice. You know, Like

2:00:34.000 --> 2:00:36.640
<v Speaker 1>I don't wish that she wasn't didn't exist, but you

2:00:36.680 --> 2:00:38.280
<v Speaker 1>know what I mean, Like the mom was like she

2:00:38.400 --> 2:00:40.880
<v Speaker 1>ended my modeling career, she ended my relationships. It's like

2:00:40.920 --> 2:00:42.480
<v Speaker 1>you didn't want a kid, and she's like, I didn't

2:00:42.520 --> 2:00:45.480
<v Speaker 1>have a choice, and it's like, well, luckily, we still

2:00:45.520 --> 2:00:48.360
<v Speaker 1>for the minute have choice. Who knows how long it's

2:00:48.400 --> 2:00:50.280
<v Speaker 1>going to take the Supreme Court to dismantle that, but

2:00:50.400 --> 2:00:51.080
<v Speaker 1>right now we have it.

2:00:51.600 --> 2:00:55.280
<v Speaker 2>Also And shout out to Joyel Nicole Johnson. She was

2:00:55.320 --> 2:00:58.080
<v Speaker 2>nominated for a Critics Choice Award this last week or

2:00:58.120 --> 2:01:02.000
<v Speaker 2>two weeks ago for her Comedies special on Peacock. But

2:01:02.080 --> 2:01:05.560
<v Speaker 2>she brought her clutch on the red carpets that abortion

2:01:05.720 --> 2:01:08.760
<v Speaker 2>is normal, Oh awesome, And so she was really pumping

2:01:08.840 --> 2:01:11.040
<v Speaker 2>up that purse and built her whole outfit and look

2:01:11.080 --> 2:01:11.880
<v Speaker 2>around her purse.

2:01:12.040 --> 2:01:14.000
<v Speaker 1>I shouldn't have doubted you, but I really did not

2:01:14.080 --> 2:01:15.600
<v Speaker 1>know where you were going with that, and I thought

2:01:15.600 --> 2:01:17.680
<v Speaker 1>you were just going into a shout out for Joyel,

2:01:17.720 --> 2:01:20.520
<v Speaker 1>and I was like, okay, right from abortion, how bad.

2:01:20.560 --> 2:01:22.120
<v Speaker 3>I shouldn't have doubted you. I knew there was a

2:01:22.200 --> 2:01:22.480
<v Speaker 3>tie in.

2:01:22.960 --> 2:01:26.240
<v Speaker 2>Well, she's she's worked with Lady Parts Justice and she's

2:01:26.360 --> 2:01:29.080
<v Speaker 2>very good, Like she will go to a group of

2:01:29.120 --> 2:01:33.240
<v Speaker 2>people protesting abortion and choice and calmly talk to them

2:01:33.280 --> 2:01:35.400
<v Speaker 2>for like hours to try to change their mind. Like

2:01:35.720 --> 2:01:39.360
<v Speaker 2>she does the groundwork and goes to these fucking dumb

2:01:39.520 --> 2:01:44.320
<v Speaker 2>towns and talks to like dumb teenage boys who think

2:01:44.360 --> 2:01:45.600
<v Speaker 2>they have an opinion on anything.

2:01:45.720 --> 2:01:47.200
<v Speaker 1>And so she really does a lot of the work.

2:01:47.320 --> 2:01:49.840
<v Speaker 1>So that's shout out, shout out to Joel. Yeah, everybody

2:01:49.960 --> 2:01:53.640
<v Speaker 1>check out her special And then let's just segue into

2:01:53.640 --> 2:01:57.040
<v Speaker 1>what would Sister Peg do. This is our weekly segment

2:01:57.040 --> 2:01:59.920
<v Speaker 1>where we give you guys an organization, a link of books,

2:02:00.000 --> 2:02:01.440
<v Speaker 1>one thing that will give you more info about what

2:02:01.440 --> 2:02:04.000
<v Speaker 1>we talked about in today's episode. This week, we want

2:02:04.040 --> 2:02:07.680
<v Speaker 1>to highlight the national sexual Violence Resource Center which is

2:02:07.720 --> 2:02:13.480
<v Speaker 1>at www dot NSVRC dot org and they are the

2:02:13.560 --> 2:02:16.400
<v Speaker 1>leading nonprofit and providing information and tools to prevent and

2:02:16.440 --> 2:02:20.440
<v Speaker 1>respond to sexual violence. They address the causes and impact

2:02:20.440 --> 2:02:24.120
<v Speaker 1>of sexual violence through collaboration, prevention and resources, offering comprehensive

2:02:24.120 --> 2:02:28.879
<v Speaker 1>support through helping communities prevent sexual violence using research, community

2:02:28.920 --> 2:02:32.920
<v Speaker 1>based practices to create safe and respectful environments. They identify

2:02:33.000 --> 2:02:36.280
<v Speaker 1>and disseminate resources related to all aspects of sexual violence

2:02:36.320 --> 2:02:40.680
<v Speaker 1>and promote research and statistics, trends, and best practices and

2:02:40.720 --> 2:02:43.040
<v Speaker 1>sexual assault preventions. And they do so much more so.

2:02:43.400 --> 2:02:45.560
<v Speaker 1>While they are not a direct service provider, they do

2:02:45.640 --> 2:02:50.280
<v Speaker 1>refer callers seeking counseling and support to partner organizations in

2:02:50.320 --> 2:02:52.840
<v Speaker 1>your area on local, state, national levels. So if you

2:02:52.880 --> 2:02:54.880
<v Speaker 1>want to learn more, check out their website again that's

2:02:54.960 --> 2:03:00.720
<v Speaker 1>www dot NSVRC and that will also be as always

2:03:00.960 --> 2:03:03.400
<v Speaker 1>in our stories the day that this episode comes out,

2:03:03.680 --> 2:03:07.840
<v Speaker 1>and always in our Instagram highlight called WWSPD.

2:03:08.280 --> 2:03:10.560
<v Speaker 2>And you guys are such incredible people and I know

2:03:10.600 --> 2:03:13.040
<v Speaker 2>you're gonna check out all the resources that touch your heart.

2:03:13.120 --> 2:03:16.000
<v Speaker 3>And you guys really showed up for Ukraine.

2:03:16.640 --> 2:03:19.560
<v Speaker 1>Yeah, we earned a bunch of money for the Ukraine

2:03:20.520 --> 2:03:24.120
<v Speaker 1>more than twenty four hundred dollars and that was so like,

2:03:24.440 --> 2:03:26.160
<v Speaker 1>so awesome of all of you guys to give.

2:03:26.200 --> 2:03:27.440
<v Speaker 3>I'm sure people gave, but.

2:03:28.080 --> 2:03:29.680
<v Speaker 1>That was just what we counted of the donations that

2:03:29.720 --> 2:03:30.520
<v Speaker 1>were fifty plus.

2:03:30.560 --> 2:03:32.960
<v Speaker 3>And you guys are so generous.

2:03:33.000 --> 2:03:35.960
<v Speaker 1>We love you and we hope to see you live

2:03:36.120 --> 2:03:39.400
<v Speaker 1>at our shows. That's messed up live dot com, check

2:03:39.400 --> 2:03:40.880
<v Speaker 1>out the live stream, etc.

2:03:42.240 --> 2:03:45.240
<v Speaker 2>I did run into Nick Foon at south By and

2:03:45.280 --> 2:03:48.320
<v Speaker 2>he goes I love that podcast now at the top

2:03:48.400 --> 2:03:50.800
<v Speaker 2>up to start with like listing out the thank yous

2:03:50.840 --> 2:03:53.360
<v Speaker 2>to all the gifts they get. I thought that was

2:03:53.400 --> 2:03:55.640
<v Speaker 2>funny where it's like and thank you so much for

2:03:55.680 --> 2:03:58.120
<v Speaker 2>bringing that knitted handbag.

2:03:57.800 --> 2:04:01.760
<v Speaker 3>To the show. It's true and people are so cool.

2:04:02.800 --> 2:04:05.880
<v Speaker 2>Next week we got a fucking Warren light tongue twister.

2:04:06.520 --> 2:04:11.880
<v Speaker 2>Remember me in Quarantine Season twenty two, episode three, Peacock

2:04:12.000 --> 2:04:15.080
<v Speaker 2>Hulu VPN sticks fire sticks everywhere.

2:04:15.680 --> 2:04:18.200
<v Speaker 1>VPNs are not sticks. But you've been saying it for

2:04:18.280 --> 2:04:20.280
<v Speaker 1>so long that I didn't want to change your mind.

2:04:20.400 --> 2:04:22.720
<v Speaker 1>But somebody did write into us and I was like,

2:04:22.760 --> 2:04:24.760
<v Speaker 1>I do know that, but I sometimes I just let

2:04:24.760 --> 2:04:29.680
<v Speaker 1>Lisa go, you know, no, but yeah, get a VPN

2:04:29.760 --> 2:04:32.680
<v Speaker 1>and watch us illegally across the world. We'll see you

2:04:32.720 --> 2:04:33.560
<v Speaker 1>guys next week.

2:04:33.640 --> 2:04:45.720
<v Speaker 3>Bye. That's Messed Up is an Exactly Right production.

2:04:46.160 --> 2:04:47.920
<v Speaker 1>If you have compliments you'd like to give us or

2:04:48.000 --> 2:04:50.200
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:04:50.240 --> 2:04:52.680
<v Speaker 1>at That's Messed uppod at gmail dot com.

2:04:52.840 --> 2:04:55.680
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

2:04:55.800 --> 2:04:58.560
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

2:04:58.640 --> 2:05:01.440
<v Speaker 2>personally at Caraca and at glitter Cheese.

2:05:01.640 --> 2:05:04.080
<v Speaker 1>As always, please see our show notes for sources and

2:05:04.080 --> 2:05:04.760
<v Speaker 1>more information.

2:05:05.160 --> 2:05:08.160
<v Speaker 3>Thank you so much to our producer Analie Nelson and

2:05:08.280 --> 2:05:11.680
<v Speaker 3>to our mixing engineer RYO Baum, and to Henry Kaperski

2:05:11.720 --> 2:05:12.800
<v Speaker 3>for our theme song.

2:05:13.000 --> 2:05:15.600
<v Speaker 1>And to Carly Geen Andrews for our artwork. Thank you

2:05:15.640 --> 2:05:19.680
<v Speaker 1>to our executive producers Georgia Hardstark, Karen Kilgarriff, Daniel Kramer

2:05:19.760 --> 2:05:21.760
<v Speaker 1>and everyone at Exactly Right Media.

2:05:21.880 --> 2:05:25.280
<v Speaker 2>Listen, subscribe, and leave us a review on Apple podcast, Stitcher,

2:05:25.520 --> 2:05:27.000
<v Speaker 2>or wherever you get your podcasts.

2:05:27.840 --> 2:05:28.400
<v Speaker 1>Dun, Dun,