WEBVTT - Episode 425 w/ DJ SPINDERELLA

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<v Speaker 1>He is drinke Chans Motherfucking Podcast. Make He's a legendary

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<v Speaker 1>queens rapper. He's agreed as your boy in O R E.

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<v Speaker 2>He's a Miami hip hop yoneer put up as d

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<v Speaker 2>J e f N.

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<v Speaker 1>Together they drink it up with some of the biggest players,

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<v Speaker 1>you know what I mean.

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<v Speaker 3>And the most professional, unprofessional podcast.

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<v Speaker 1>And your number one source for drunk chans Mother every

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<v Speaker 1>day is New Year's c Listen, It's time for drink Champions.

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<v Speaker 1>Drink up, Mother Mother? What did it good?

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<v Speaker 4>Be?

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<v Speaker 1>Hoping to be your boy in O R E? What's

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<v Speaker 1>going on as DJ e f N this minit tempic

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<v Speaker 1>Cracy World Podcast? Make Some e f N.

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<v Speaker 3>When we started this show, we said we want to

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<v Speaker 3>give the flowers to icons. We said we wanted to

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<v Speaker 3>give the flowers to legends. We said we wanted to

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<v Speaker 3>give the flowers to people that came before us. This

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<v Speaker 3>person that were introduced them today is not only a

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<v Speaker 3>legendary DJ just a legend. It's just an icon. The

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<v Speaker 3>person that catacalyized the game. I don't even know how

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<v Speaker 3>to word spell it first. Definitely don't even even know

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<v Speaker 3>how to spell McDonald's.

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<v Speaker 1>She is icon.

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<v Speaker 3>Legend a person that if it wasn't for her, there

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<v Speaker 3>might not be you. And guess what, there might not

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<v Speaker 3>be me, There might not be us, there might not

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<v Speaker 3>be drink champs, there might not be nothing.

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<v Speaker 1>Respect the DJs, the mother fucking dj When we found

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<v Speaker 1>out that we had we booking her.

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<v Speaker 3>Immediately for a while, but I immediately asks for her

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<v Speaker 3>drink order, and I'm gonna be honest with you, her

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<v Speaker 3>drink order has to be the wildest we've ever saw it.

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<v Speaker 1>Really, I don't think she met all those drinks at

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<v Speaker 1>the same time. Do you do you want to you

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<v Speaker 1>do you want to say?

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<v Speaker 2>The drinks that she ordered, it's all vodka, tequila, Hanny

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<v Speaker 2>not Kanyac.

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<v Speaker 5>No, this was different people. Kanya. Yes, as you noticed,

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<v Speaker 5>ratchetness came out right. And then what else she said? No, no, no,

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<v Speaker 5>it's no no.

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<v Speaker 3>No, tequila whiskey and it's one more vodka.

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<v Speaker 1>That's aboutka first.

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<v Speaker 4>That's a Hennessy, that's a Hennessy privilege.

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<v Speaker 3>Okay, okay, But in case you don't know who we're

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<v Speaker 3>talking about, were talking about the legendary, iconic, oh goddess

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<v Speaker 3>person that I'm mad that we didn't throw flowers at

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<v Speaker 3>her feet when she walked through because I had just landed,

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<v Speaker 3>so I didn't I didn't think she don't.

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<v Speaker 1>Know who he's talking about. It's about the one only mother.

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<v Speaker 6>Wow.

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<v Speaker 1>So I'm I'm off top. I'mnna be honest, Jamie.

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<v Speaker 3>I'm doing vodking club soda immediately. Okay, are you doing

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<v Speaker 3>something doing kah oh yea. I ain't gonna lie, man,

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<v Speaker 3>I've been.

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<v Speaker 4>I've been.

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<v Speaker 1>I've been having conversations with your liver lately, with my

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<v Speaker 1>liver liver.

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<v Speaker 3>No, you're living texting my living and I'd be like,

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<v Speaker 3>like you know what I mean, like your living.

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<v Speaker 1>Chat and your living been. Like yo, man, this guy

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<v Speaker 1>like just drinking too much. Different ship. Like they want

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<v Speaker 1>you to stick. They want you to be black, stick

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<v Speaker 1>with one liquor and you stick with four. I'm sticking

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<v Speaker 1>with one. It's vodka and ma majuana. That's not one.

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<v Speaker 1>That's one combination. Then you got beer. No, I'm not

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<v Speaker 1>drinking beer.

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<v Speaker 4>Beer.

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<v Speaker 1>I drink beer after that's the afternoon. Ain't this drink cher,

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<v Speaker 1>You're mature drink.

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<v Speaker 3>So let's let's take it to the beginning, right, because

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<v Speaker 3>everyone one documents your career from when you got with

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<v Speaker 3>Salt Pepper, But.

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<v Speaker 1>You had a whole life prior to that.

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<v Speaker 4>I had a life period. I was not born in

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<v Speaker 4>Sultan pep. You know you're not having like that. I

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<v Speaker 4>started DJing before Salt and Pepper. But it wasn't like

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<v Speaker 4>I was trying to be a DJ, and I just

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<v Speaker 4>kind of picked it up.

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<v Speaker 6>My high school boyfriend.

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<v Speaker 1>Was a DJ, and I.

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<v Speaker 4>You know, used to go to his house after school

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<v Speaker 4>and we just would you know, be practicing, and he

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<v Speaker 4>had he had a set of turntables. So I was

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<v Speaker 4>learning the art and technique from him, and he did

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<v Speaker 4>a few parties, took me along with him, and so

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<v Speaker 4>I kind of picked it up there.

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<v Speaker 1>So so, okay, what was the DJ name you had done?

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<v Speaker 1>I didn't have a DJ name.

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<v Speaker 4>I was just DD. I mean that's a lot. I

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<v Speaker 4>mean that was enough for me. But I wasn't trying.

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<v Speaker 4>Like again, I wasn't trying to be a DJ. It

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<v Speaker 4>was just something I was interested in. But even before that,

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<v Speaker 4>my dad was a collector, so he collected all this,

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<v Speaker 4>you know, music collect music. He was an avid collector

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<v Speaker 4>of all like the music. He had vinyl all of

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<v Speaker 4>forty five. So I was from a child.

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<v Speaker 1>Familiar thing and hearing all.

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<v Speaker 4>The music, and I adopted you know, the music. You know,

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<v Speaker 4>I guess my vast uh nature of music came from

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<v Speaker 4>my dad. So I had that that before I even

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<v Speaker 4>started on turntables.

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<v Speaker 1>So let me let me, let me let me say something.

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<v Speaker 3>As an MC, I realized the other day I always

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<v Speaker 3>been jealous of the DJ.

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<v Speaker 2>Really, yes, I mean that's how it all started. You

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<v Speaker 2>guys were jealous of the DJ.

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<v Speaker 4>Yeah, you know, I'm not gonna By the way, this

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<v Speaker 4>is so constant.

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<v Speaker 1>This is me talking sub consciousness.

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<v Speaker 3>When we had mad Skills the other day, and MAS

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<v Speaker 3>skills is like, yo, he prefers being a DJ over MC,

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<v Speaker 3>and I was appalled because I'm an MC and I

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<v Speaker 3>can't be a DJ.

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<v Speaker 1>I suck. I tried.

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<v Speaker 3>I could be an eye part DJ, that's about it.

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<v Speaker 3>But when I realized parts anymore. Okay, So so what

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<v Speaker 3>I realized was he said, he said, the reason why

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<v Speaker 3>I like DJ in a little bit more is because I'm.

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<v Speaker 1>Actually in control of the crowd.

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<v Speaker 3>I had never heard that, so I literally cringed you

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<v Speaker 3>a DJ, so you probably didn't catch it. So when

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<v Speaker 3>he said it, I was like, because as an MC,

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<v Speaker 3>if you don't like my music. I can't change your mind.

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<v Speaker 1>DJ can change versus one. So what kind of power

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<v Speaker 1>is that?

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<v Speaker 3>Like, I'm sorry, I know I'm all over the place,

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<v Speaker 3>but my DJ DJ butch Rock.

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<v Speaker 1>We'll go to the club an hour early.

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<v Speaker 3>And because I have a black crowd, I have a

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<v Speaker 3>Latino crowd.

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<v Speaker 1>I have a such a such crowd.

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<v Speaker 3>So he'll go to the our earlier is black tonight.

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<v Speaker 1>We're being Latino tonight. We're being We're being black tonight.

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<v Speaker 1>We're being black Tino. You know what I'm saying, he'll do.

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<v Speaker 3>When I spoke to Mad Skills, he said he didn't

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<v Speaker 3>have to do that, he could just go and just

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<v Speaker 3>read the crowd.

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<v Speaker 1>And I was, I'm jealous of y'all. I'm just being

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<v Speaker 1>I should have told you this off scene, the heart

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<v Speaker 1>to that. I didn't know the heart to that. Like,

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<v Speaker 1>so we're not just hold on, hold on, hold on,

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<v Speaker 1>hold on, hold on, hold on. She need to drink. Yes, yes, yes, yes,

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<v Speaker 1>you noticed. I was like, yes, and ladies, first, ladies, ladies.

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<v Speaker 6>I don't know what do I want on the list?

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<v Speaker 4>Let me see?

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<v Speaker 1>Okay, yeah you got a long list. Yeah that's what

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<v Speaker 1>you want?

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<v Speaker 3>Yeah, okay, so so so let's get back to act.

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<v Speaker 3>The art of DJing. I always.

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<v Speaker 6>There's an art to it.

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<v Speaker 3>I always underestimated you guys until I actually investigating and

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<v Speaker 3>when I realized, holy ship, I ain't ship without a DJ.

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<v Speaker 3>How does that feel to control the crowd?

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<v Speaker 6>First of all, thank you for that.

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<v Speaker 4>I mean, I think that's a compliment because it all

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<v Speaker 4>started with the DJ, that's right. So the DJ would

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<v Speaker 4>would you know, lock their set and they would leave

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<v Speaker 4>a mic there for you know, someone to come up

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<v Speaker 4>and grab the mic into, you know, do some crowd

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<v Speaker 4>stuff in CrowdWork because they're working, they're they're up there

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<v Speaker 4>doing their thing.

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<v Speaker 1>But the power is.

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<v Speaker 6>It just it just feels good because you can change moods.

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<v Speaker 6>You can change.

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<v Speaker 4>You know people's uh wherever they are, they can be sad. Yeah,

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<v Speaker 4>you change the energy the vibes, and that's the most

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<v Speaker 4>beautiful thing. And there were times that I, of course

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<v Speaker 4>second guessed myself, just just as you, as an.

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<v Speaker 1>M C would be like, you know, I idolize the

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<v Speaker 1>m C.

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<v Speaker 4>Well, DJs would feel the same way in a sense

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<v Speaker 4>because we weren't always and I don't I'm going to

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<v Speaker 4>speak for myself. Sometimes the MC was always in it,

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<v Speaker 4>you know, in the front, and the DJ is is

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<v Speaker 4>the one behind. So but when you know your power,

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<v Speaker 4>and this is just with anything in life, when you

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<v Speaker 4>know your power, you use it. And I you know,

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<v Speaker 4>knowing that I could change people's mood and make them happy, sad, mad,

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<v Speaker 4>you know, whatever their vibe is, I can I can

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<v Speaker 4>change that. That that's powerful. So it's an It's inspiring

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<v Speaker 4>to me as well as to those that's listening.

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<v Speaker 3>You know, to every DJ in the world, I apologize

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<v Speaker 3>for underestimating your job because I kid you not. It's

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<v Speaker 3>the first thing I think of when I think of

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<v Speaker 3>a party, I'm like, who's going to DJ?

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<v Speaker 2>You know what you really should think about is every

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<v Speaker 2>successful artist has a DJ. The DJ is the one

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<v Speaker 2>that made them success. Of DJ and the and the

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<v Speaker 2>obviously the consumer the audience was the DJ.

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<v Speaker 3>So let me ask you, I'm spending At one point,

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<v Speaker 3>the DJ was the focal point.

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<v Speaker 1>Like it was like it was like you did not

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<v Speaker 1>to say it like this, but you knew about rockhem

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<v Speaker 1>but you kind of came to see Eric B. I

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<v Speaker 1>don't want to like throw sort of salt and pepper. Damn, right,

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<v Speaker 1>that's not crazy.

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<v Speaker 3>I din't even realize, but at one point, you know,

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<v Speaker 3>people really came to see you, like like they were

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<v Speaker 3>like really like because the DJ was the forefront. When

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<v Speaker 3>did that transition from the DJ being everything to the

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<v Speaker 3>DJ being just behind?

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<v Speaker 4>Okay, I don't don't want to transition. I feel like

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<v Speaker 4>that was in Okay, let's think about it. The golden

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<v Speaker 4>era of hip hop is considered probably the late.

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<v Speaker 1>Eighties, eighties to early nineties, early nineties.

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<v Speaker 4>To early nineties, and in that timeframe, so the late eighties,

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<v Speaker 4>think of all the groups that had DJs, Houdini on DMC,

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<v Speaker 4>l who J, Public Enemy, Public Enemy, Sultan Pepper, Jesse, Jeff,

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<v Speaker 4>First Prince, that was the thing, right, even EPMD would.

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<v Speaker 6>The Scratched you know once that moved, Gnaughty by Nature.

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<v Speaker 1>Boys with Hurricane, the.

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<v Speaker 4>Basti Boys, when that transitioned. I feel like that may

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<v Speaker 4>have happened when the gangster era came in.

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<v Speaker 2>Maybe you don't think instant replay I think had a

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<v Speaker 2>big part in that when when artists said we don't really.

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<v Speaker 3>Need we played equipment period, because we're saying when they moved.

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<v Speaker 1>Well, I'm looking at the time frame. I don't know,

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<v Speaker 1>like you know what particular, uh hardware.

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<v Speaker 4>There was, you know, that transition that I'm looking at

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<v Speaker 4>the time frame and when the DJ started to become

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<v Speaker 4>more like behind the scenes, you know what I'm saying.

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<v Speaker 1>It started to the MC was.

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<v Speaker 4>All in the front.

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<v Speaker 6>So and that to me was around.

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<v Speaker 2>Eighty eight, no later, because because I mean, everybody's gonna say,

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<v Speaker 2>you're defending.

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<v Speaker 1>The groups, we're out in the nineties.

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<v Speaker 2>But even the gangster artists, like if you think about

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<v Speaker 2>nw A had Dre and Yellow Quick DJ Quick after

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<v Speaker 2>the fact, the alcoholics had East Swift and he's in

0:12:44.960 --> 0:12:45.680
<v Speaker 2>mid nineties.

0:12:45.800 --> 0:12:46.800
<v Speaker 6>Stick of mid nineties.

0:12:46.920 --> 0:12:49.920
<v Speaker 4>Yeah, well Tribe was out. You know, Tribe was my

0:12:50.000 --> 0:12:53.400
<v Speaker 4>ship and they had a DJ DJ. I mean even artists.

0:12:54.120 --> 0:12:56.640
<v Speaker 4>I'm just thinking of the time frame that when that

0:12:56.800 --> 0:12:57.920
<v Speaker 4>transition happened.

0:12:58.520 --> 0:13:02.720
<v Speaker 6>You had Wu Tang who was the DJ for Wu Tang.

0:13:05.040 --> 0:13:08.000
<v Speaker 1>Mathematic Yeah, yeah, okay, So but.

0:13:08.120 --> 0:13:10.640
<v Speaker 4>There was a switch there was a switch up that happened,

0:13:10.800 --> 0:13:13.280
<v Speaker 4>and I'm looking at the timeframe and I feel like

0:13:13.800 --> 0:13:16.040
<v Speaker 4>mid nineties to late nineties that changed.

0:13:16.600 --> 0:13:17.480
<v Speaker 1>That changed.

0:13:17.720 --> 0:13:21.520
<v Speaker 6>And I also remember when Kris One used.

0:13:21.320 --> 0:13:23.800
<v Speaker 4>To talk about the DJ back like he actually did

0:13:23.840 --> 0:13:27.839
<v Speaker 4>a song about DJs. This was like late was it

0:13:27.920 --> 0:13:30.520
<v Speaker 4>the late nineties, I'm not sure when it was, but

0:13:30.960 --> 0:13:33.520
<v Speaker 4>it made me think like he gave respect to the

0:13:33.640 --> 0:13:36.480
<v Speaker 4>djh this is after the fact, this is when the

0:13:36.559 --> 0:13:39.280
<v Speaker 4>DJ was kind of like in the background, faded out.

0:13:39.760 --> 0:13:42.400
<v Speaker 4>But yeah, I mean daylight Saw. I mean I could

0:13:42.440 --> 0:13:44.800
<v Speaker 4>go on and on how important the DJ is in

0:13:44.880 --> 0:13:47.400
<v Speaker 4>a group, especially when it comes to hip hop.

0:13:47.640 --> 0:13:49.720
<v Speaker 3>Well, at one point, the DJ was the most important,

0:13:50.480 --> 0:13:56.040
<v Speaker 3>like shit the beginning. Yeah, I would like this in

0:13:56.120 --> 0:13:58.280
<v Speaker 3>my own career. I remember at one point we used

0:13:58.280 --> 0:14:00.679
<v Speaker 3>to go to Europe before and they were like, get

0:14:00.720 --> 0:14:01.080
<v Speaker 3>them a steak.

0:14:01.880 --> 0:14:04.640
<v Speaker 1>Let's see what you DJ got. They said what they said,

0:14:08.120 --> 0:14:10.240
<v Speaker 1>we finished it, get.

0:14:10.160 --> 0:14:12.439
<v Speaker 3>Off and then they were like, because because that's the

0:14:12.520 --> 0:14:15.280
<v Speaker 3>concept we signed, our DJ will performed prior to us

0:14:16.559 --> 0:14:25.000
<v Speaker 3>and then afterwards and the crowd movement so hip hop

0:14:27.240 --> 0:14:30.520
<v Speaker 3>hip hop has been I feel like you come from

0:14:30.520 --> 0:14:34.200
<v Speaker 3>the purest form of hip hop and I feel like, yeah,

0:14:34.240 --> 0:14:41.520
<v Speaker 3>take some because And I'm gonna say it for myself.

0:14:45.040 --> 0:14:46.480
<v Speaker 3>I was in the same time as the other day

0:14:47.640 --> 0:14:51.640
<v Speaker 3>and my wife's friends pulled up and they was playing

0:14:51.680 --> 0:14:56.760
<v Speaker 3>some music that was horrible. I mean, no, no, no, no,

0:14:56.960 --> 0:15:01.120
<v Speaker 3>it wasn't horrible. It was horrible to my tasting. I'm

0:15:01.120 --> 0:15:03.760
<v Speaker 3>a forty six year old man, I'm married, I'm in love,

0:15:04.920 --> 0:15:07.360
<v Speaker 3>I have children, and I don't want to be hereing.

0:15:09.920 --> 0:15:13.840
<v Speaker 1>Okay, okay, I was appalled. What song was that?

0:15:15.000 --> 0:15:17.520
<v Speaker 6>That's what I want to know is St. Thomas?

0:15:18.600 --> 0:15:19.720
<v Speaker 1>It wasn't the St. Thomas song.

0:15:20.040 --> 0:15:24.600
<v Speaker 7>It was now it was you know your And when

0:15:24.640 --> 0:15:30.400
<v Speaker 7>I was listening to these the young woman lyrics, oh ship.

0:15:30.440 --> 0:15:31.440
<v Speaker 4>Who was you talking about?

0:15:32.840 --> 0:15:35.440
<v Speaker 3>You know what I'm saying about, I am now the

0:15:35.520 --> 0:15:38.520
<v Speaker 3>old man because I was saying, She's like, shoot up

0:15:38.520 --> 0:15:39.440
<v Speaker 3>your block to make you know me?

0:15:39.520 --> 0:15:45.200
<v Speaker 1>That shit is appalling. But they told my yeah, you

0:15:45.400 --> 0:15:49.120
<v Speaker 1>have officially crossed that line. I can't say, as I say,

0:15:49.360 --> 0:15:49.760
<v Speaker 1>I don't know what.

0:15:51.160 --> 0:15:53.400
<v Speaker 3>By the way, I don't I'm not offenditive of her,

0:15:54.000 --> 0:15:56.440
<v Speaker 3>but I was just like, damn, there's so much vulgar music,

0:15:56.520 --> 0:15:58.840
<v Speaker 3>Like if I have a kid right now, just I'm

0:15:58.920 --> 0:16:00.640
<v Speaker 3>gonna tell my kids listen to this.

0:16:01.760 --> 0:16:04.360
<v Speaker 1>Okay, So so let me just remind you of what

0:16:04.480 --> 0:16:08.360
<v Speaker 1>we listened to back then, some vulgar. I mean then

0:16:08.640 --> 0:16:11.360
<v Speaker 1>did we not forget Luke?

0:16:12.040 --> 0:16:15.560
<v Speaker 4>Do we not forget I mean little Kim and Foxy

0:16:15.640 --> 0:16:22.000
<v Speaker 4>ground right there? I mean come on, huh.

0:16:23.400 --> 0:16:27.560
<v Speaker 1>Oh, they had great things, but that was us. That

0:16:27.720 --> 0:16:28.520
<v Speaker 1>was us then.

0:16:28.720 --> 0:16:32.160
<v Speaker 4>So you know, we do have to consider that we

0:16:32.280 --> 0:16:36.840
<v Speaker 4>are older and our tastes have probably developed different experience

0:16:37.080 --> 0:16:40.920
<v Speaker 4>in life and just some things is just not suitable

0:16:41.160 --> 0:16:43.000
<v Speaker 4>for you as it was before.

0:16:43.480 --> 0:16:48.800
<v Speaker 6>You know, especially that you have children now different and

0:16:48.920 --> 0:16:49.360
<v Speaker 6>that's okay.

0:16:50.000 --> 0:16:52.320
<v Speaker 4>You know, we got to but we cannot front on

0:16:52.480 --> 0:16:55.640
<v Speaker 4>the fact that we had vulgarity in our in our

0:16:55.720 --> 0:16:56.200
<v Speaker 4>music back.

0:16:56.280 --> 0:16:58.920
<v Speaker 1>I don't think it's vulgarity. It was vulgar. No, No,

0:16:59.040 --> 0:17:01.080
<v Speaker 1>I'm not saying. I'm saying, I'm that's the issue. Maybe

0:17:01.160 --> 0:17:04.640
<v Speaker 1>that I didn't even know push it was a sexual song. Yeah,

0:17:04.680 --> 0:17:10.000
<v Speaker 1>but it wasn't. I mean, talk about it. Let's talk

0:17:10.040 --> 0:17:13.760
<v Speaker 1>about it. I'm gonna be honest with you. But you

0:17:13.920 --> 0:17:17.000
<v Speaker 1>eighties artists listen, let me be honest with you. Eighties artists.

0:17:17.480 --> 0:17:22.080
<v Speaker 3>God exploit it sexuality, but they did it in taste

0:17:22.600 --> 0:17:23.080
<v Speaker 3>that I.

0:17:23.680 --> 0:17:26.720
<v Speaker 1>Later on in life quote on Oh, they're talking about

0:17:26.800 --> 0:17:30.439
<v Speaker 1>this like subliminals. It was slim. It wasn't. It wasn't, yo,

0:17:30.480 --> 0:17:35.919
<v Speaker 1>I'm gonna that's definitely wasn't that, like except I went

0:17:35.960 --> 0:17:39.000
<v Speaker 1>to I'm just saying, this is what they say you nowadays,

0:17:39.000 --> 0:17:39.320
<v Speaker 1>they're like.

0:17:39.320 --> 0:17:42.359
<v Speaker 6>Hey, man, I like that mystery. I like that mystery.

0:17:42.880 --> 0:17:44.800
<v Speaker 4>You know that's subliminate. Think of think of from a

0:17:44.840 --> 0:17:48.040
<v Speaker 4>TV standpoint, remember Three's Company. How how they would have

0:17:48.160 --> 0:17:52.680
<v Speaker 4>those subliminal jokes about sexual and those you know, but

0:17:52.840 --> 0:17:54.440
<v Speaker 4>it made you want to watch because it's like, you

0:17:54.520 --> 0:17:55.520
<v Speaker 4>know they're gonna say something.

0:17:55.600 --> 0:17:59.120
<v Speaker 1>It's gonna be like that, but nothing was ever said.

0:17:59.560 --> 0:18:03.040
<v Speaker 6>But you know, as an example for pushing it was

0:18:03.240 --> 0:18:05.000
<v Speaker 6>not a sexual song.

0:18:05.200 --> 0:18:07.840
<v Speaker 4>We were literally talking about dancing on the you know,

0:18:08.200 --> 0:18:12.879
<v Speaker 4>the dance floor, and people took that and took it.

0:18:12.920 --> 0:18:15.720
<v Speaker 6>The other way and it actually worked for us. So

0:18:16.880 --> 0:18:17.760
<v Speaker 6>I mean, I'm a.

0:18:20.920 --> 0:18:29.000
<v Speaker 4>True I was saying he thought of saying the words

0:18:29.160 --> 0:18:35.440
<v Speaker 4>is really similar, you know, trust me.

0:18:35.600 --> 0:18:36.560
<v Speaker 1>I was not saying that.

0:18:37.040 --> 0:18:39.280
<v Speaker 4>I was not saying that. But people, I mean, gosh,

0:18:39.320 --> 0:18:42.800
<v Speaker 4>we were almost arrested for that song. Like yeah, like

0:18:43.000 --> 0:18:46.199
<v Speaker 4>doing like being on stage and being told that if

0:18:46.240 --> 0:18:48.240
<v Speaker 4>you play that song. That happened to us as well,

0:18:48.760 --> 0:18:51.720
<v Speaker 4>if you play that song here to push it, wow,

0:18:52.000 --> 0:18:54.280
<v Speaker 4>you can get arrested. So there were times that that

0:18:54.840 --> 0:18:57.680
<v Speaker 4>was almost the case, and somehow we got, you know,

0:18:58.000 --> 0:19:00.200
<v Speaker 4>to a point where it was like you know, we

0:19:00.280 --> 0:19:02.760
<v Speaker 4>just had had to convince everybody that this is not

0:19:02.920 --> 0:19:05.560
<v Speaker 4>about what you think it's and that is the truth.

0:19:07.720 --> 0:19:11.520
<v Speaker 1>Matter take it as you want, okay.

0:19:11.600 --> 0:19:13.880
<v Speaker 3>So we interviewed who do we interview and they said

0:19:13.920 --> 0:19:16.320
<v Speaker 3>that they were getting threatened every night. A. T. K.

0:19:16.440 --> 0:19:22.439
<v Speaker 1>Kirk that the easy was that a similar situation.

0:19:22.600 --> 0:19:24.760
<v Speaker 4>It was similar and and trust me, it wasn't just

0:19:24.960 --> 0:19:26.720
<v Speaker 4>n WA was dealing with that. I'm sure there was

0:19:26.760 --> 0:19:29.640
<v Speaker 4>a lot of artists that had that because back then,

0:19:30.720 --> 0:19:33.240
<v Speaker 4>you know, there was I don't know, there was no

0:19:34.560 --> 0:19:37.639
<v Speaker 4>there was no parameters, right, So it was kind of

0:19:37.680 --> 0:19:40.359
<v Speaker 4>like we were doing these songs and just creating this

0:19:40.640 --> 0:19:44.200
<v Speaker 4>you know, vibe, and and it sounded as if we

0:19:44.280 --> 0:19:47.480
<v Speaker 4>were crossing a line and for us, we were just

0:19:47.640 --> 0:19:51.240
<v Speaker 4>girls having a good time party and doing our song.

0:19:51.640 --> 0:19:54.359
<v Speaker 6>They thought it was something else. And so yeah, that

0:19:54.520 --> 0:19:55.560
<v Speaker 6>happened with which was.

0:19:55.600 --> 0:19:58.520
<v Speaker 2>Coming in here in the US and in music it

0:19:58.600 --> 0:20:00.440
<v Speaker 2>was they used to do that, even believe it or not,

0:20:00.600 --> 0:20:03.040
<v Speaker 2>with with the old school music, like with the old

0:20:03.080 --> 0:20:05.440
<v Speaker 2>school rock or whether it be Sinatra, those guys believe

0:20:05.440 --> 0:20:08.600
<v Speaker 2>it or what. If they performed, the local cops would

0:20:08.600 --> 0:20:10.960
<v Speaker 2>show up say that it was profane. In some way

0:20:11.920 --> 0:20:13.840
<v Speaker 2>like it wasn't new to hip hop, but I'm sure

0:20:13.920 --> 0:20:15.080
<v Speaker 2>hip hop took it another notch.

0:20:15.320 --> 0:20:17.359
<v Speaker 3>Yeah, I'm sorry to change the subject, but I just

0:20:17.480 --> 0:20:18.360
<v Speaker 3>performed for Fat Joe.

0:20:18.400 --> 0:20:19.760
<v Speaker 1>Big up to the Fat Joe. You got to keep

0:20:19.880 --> 0:20:23.600
<v Speaker 1>the city right. Get on stage.

0:20:23.920 --> 0:20:27.760
<v Speaker 3>There's five cops waiting for me for you. So I

0:20:27.880 --> 0:20:29.600
<v Speaker 3>get on stage and they're like, you know where you

0:20:29.600 --> 0:20:32.240
<v Speaker 3>could get a photo? And I'm like calling this the

0:20:32.320 --> 0:20:33.159
<v Speaker 3>no warrant photo.

0:20:34.040 --> 0:20:36.040
<v Speaker 1>I wanted to leave. So I'm just I don't know

0:20:36.080 --> 0:20:38.560
<v Speaker 1>I changed the subject, but so let's just take the

0:20:39.000 --> 0:20:39.760
<v Speaker 1>band aid off.

0:20:41.480 --> 0:20:41.679
<v Speaker 4>Let me.

0:20:43.520 --> 0:20:49.040
<v Speaker 3>Because I'm gonna be honest with you as a younger.

0:20:51.080 --> 0:20:52.719
<v Speaker 3>I was about to say citizen, but I don't think

0:20:52.760 --> 0:21:00.720
<v Speaker 3>that's the correct word. Nice shirt, Charlie, you think, But younger,

0:21:00.800 --> 0:21:03.560
<v Speaker 3>I'm gonna be honest with you, and you're gonna, you're gonna,

0:21:03.560 --> 0:21:05.240
<v Speaker 3>you're gonna, you're gonna, you're gonna think that.

0:21:05.320 --> 0:21:09.960
<v Speaker 1>I'm so naive, but I am, and I want to be.

0:21:10.960 --> 0:21:13.320
<v Speaker 3>I didn't want to ever see you in Pepper have

0:21:13.440 --> 0:21:18.159
<v Speaker 3>beef like I honestly, I'm almost tearing up a lot.

0:21:18.520 --> 0:21:22.320
<v Speaker 1>I'm almost hurt me. Damn. I am actually hold home,

0:21:22.560 --> 0:21:23.639
<v Speaker 1>get my life together.

0:21:25.640 --> 0:21:30.360
<v Speaker 3>Because yeah, my childhood heroes, my childhood yeah, my heroes.

0:21:31.200 --> 0:21:36.840
<v Speaker 1>So to see turmoial period, like I almost ignored it.

0:21:39.320 --> 0:21:42.359
<v Speaker 3>Expecting that it would just go away because I was

0:21:42.440 --> 0:21:45.400
<v Speaker 3>so like attached to y'all, like I'm so attached. I'm

0:21:45.480 --> 0:21:48.400
<v Speaker 3>not attached to so Pepper without Spinderrella.

0:21:48.480 --> 0:21:51.720
<v Speaker 1>I'm sorry. I apologize. I don't. I don't.

0:21:51.920 --> 0:21:54.119
<v Speaker 3>I don't care what people think. It's just how I

0:21:54.240 --> 0:21:56.280
<v Speaker 3>see it. I didn't see the other spinder Blla, God

0:21:56.320 --> 0:21:59.800
<v Speaker 3>bless her. I know she she's supposed to be first,

0:22:00.359 --> 0:22:02.720
<v Speaker 3>but I didn't. I don't remember how she looked. I

0:22:02.760 --> 0:22:04.399
<v Speaker 3>don't remember. All I remember is this.

0:22:05.200 --> 0:22:07.680
<v Speaker 1>So when I got the word that it was any turmorial,

0:22:07.720 --> 0:22:09.520
<v Speaker 1>I didn't remember what the turmorial was.

0:22:10.280 --> 0:22:13.440
<v Speaker 3>But I remember me being sad, and I remember me

0:22:13.520 --> 0:22:17.160
<v Speaker 3>continuing to be sad, and then we put this interview.

0:22:17.880 --> 0:22:20.080
<v Speaker 3>I'm watching these interviews and I'm seeing you, you know,

0:22:21.040 --> 0:22:24.159
<v Speaker 3>speaking your piece, and I still to this day, I'm like,

0:22:24.359 --> 0:22:25.400
<v Speaker 3>d what happened?

0:22:25.600 --> 0:22:26.280
<v Speaker 1>Yeah, what happened?

0:22:26.320 --> 0:22:31.800
<v Speaker 3>So in your opinion, what was the first straw on

0:22:31.840 --> 0:22:33.840
<v Speaker 3>the camel's back that you was like, damn, this is

0:22:33.960 --> 0:22:34.320
<v Speaker 3>not right.

0:22:36.040 --> 0:22:41.800
<v Speaker 4>I mean, generally speaking, when you just grow up, just

0:22:41.920 --> 0:22:44.920
<v Speaker 4>get to a point where things will not you will

0:22:45.000 --> 0:22:47.200
<v Speaker 4>not be tolerated and respect.

0:22:47.240 --> 0:22:48.719
<v Speaker 1>This should be mutual.

0:22:50.080 --> 0:22:52.680
<v Speaker 4>And when respect is mutual, we can move and do whatever.

0:22:53.240 --> 0:22:57.800
<v Speaker 4>But when respect is not mutual, then that's you know what,

0:22:57.880 --> 0:23:00.480
<v Speaker 4>are you here for the bag that don't last? Because

0:23:00.520 --> 0:23:02.200
<v Speaker 4>I can do a bag without it, you know what

0:23:02.200 --> 0:23:07.600
<v Speaker 4>I'm saying. So growing up for me, you know, I mean,

0:23:07.680 --> 0:23:13.000
<v Speaker 4>having my grandson changed me, just seeing how the whole

0:23:13.119 --> 0:23:15.679
<v Speaker 4>scope of hip hop is changing, just how things are.

0:23:16.280 --> 0:23:20.359
<v Speaker 4>History is important, like like like being being in the

0:23:20.520 --> 0:23:26.480
<v Speaker 4>history books is important. Legacy is important, absolutely, but yeah,

0:23:26.600 --> 0:23:29.200
<v Speaker 4>you just don't take bullshit anymore. When you get to

0:23:29.280 --> 0:23:33.600
<v Speaker 4>a certain point, it's done. And I felt like if

0:23:33.640 --> 0:23:35.760
<v Speaker 4>we don't have that mutual respect, it's not going to work.

0:23:36.480 --> 0:23:38.280
<v Speaker 1>And so we needed we needed that.

0:23:39.000 --> 0:23:41.199
<v Speaker 4>We needed to do that. We needed to do that, and.

0:23:43.600 --> 0:23:45.840
<v Speaker 6>I know how people feel like it does it really

0:23:45.920 --> 0:23:46.400
<v Speaker 6>hurt people?

0:23:46.640 --> 0:23:50.119
<v Speaker 1>Like I mean, like a dagger on one of them.

0:23:50.160 --> 0:23:51.240
<v Speaker 1>I had to just tears.

0:23:51.280 --> 0:23:53.760
<v Speaker 6>But you have to understand, I'm sorry, but.

0:23:56.680 --> 0:24:00.840
<v Speaker 4>I'm it's like you just have to it's bigger than

0:24:01.040 --> 0:24:04.600
<v Speaker 4>this group, like it's life. It's like you just don't

0:24:04.680 --> 0:24:08.040
<v Speaker 4>want to deal with you know ship that you you know,

0:24:08.400 --> 0:24:11.640
<v Speaker 4>don't have to and we had to get some things

0:24:11.840 --> 0:24:15.320
<v Speaker 4>straight and and we had to do it in a

0:24:15.400 --> 0:24:20.440
<v Speaker 4>way that was not you know, unfortunately it was publicized.

0:24:21.280 --> 0:24:23.200
<v Speaker 1>Uh, but it had to be because there was a

0:24:23.240 --> 0:24:23.920
<v Speaker 1>lot of work.

0:24:23.960 --> 0:24:25.920
<v Speaker 4>There was a lot of you know, like everything from

0:24:26.520 --> 0:24:32.280
<v Speaker 4>legalities involved in dissecting royalties and things like that. So

0:24:32.440 --> 0:24:36.320
<v Speaker 4>all that has been dealt with. All that, thanks you

0:24:37.320 --> 0:24:38.920
<v Speaker 4>been settled. Everything has been good.

0:24:40.800 --> 0:24:42.200
<v Speaker 1>Well, the business side has been dealt with.

0:24:42.359 --> 0:24:46.040
<v Speaker 4>The business side has been handled, But the friendships are

0:24:47.800 --> 0:24:49.679
<v Speaker 4>I'm not going to say it's it's I'm not going

0:24:49.760 --> 0:24:51.440
<v Speaker 4>to say it's not it's dead in the water. I'm

0:24:51.440 --> 0:24:53.879
<v Speaker 4>going to say I'm always going to be open. My

0:24:54.000 --> 0:24:57.200
<v Speaker 4>heart is always open. So what fortunately we did come together,

0:24:57.320 --> 0:24:59.880
<v Speaker 4>We got to a star in a Hollywood Walk of Fame,

0:25:00.880 --> 0:25:08.280
<v Speaker 4>and we acknowledged we got acknowledged you know, for other

0:25:08.359 --> 0:25:12.640
<v Speaker 4>things as well. And it's just it's like in any

0:25:12.680 --> 0:25:17.960
<v Speaker 4>relationship sometimes it just dissolve. There you're there for a time,

0:25:18.040 --> 0:25:21.040
<v Speaker 4>and you're there for a reason and you just you.

0:25:21.119 --> 0:25:22.040
<v Speaker 1>Know, move on.

0:25:25.920 --> 0:25:28.359
<v Speaker 3>I'm sorry, but I just want you to know how

0:25:28.440 --> 0:25:31.280
<v Speaker 3>much y'all meant to us, how much you mean to us,

0:25:31.400 --> 0:25:33.000
<v Speaker 3>not meant meant this past tense.

0:25:33.359 --> 0:25:35.920
<v Speaker 1>And I'm a little smarter than that. Okay, how much

0:25:35.960 --> 0:25:39.480
<v Speaker 1>you mean to us? You guys.

0:25:40.960 --> 0:25:48.639
<v Speaker 3>Evolutionize the woman category, like you made sure that like

0:25:48.880 --> 0:25:52.440
<v Speaker 3>woman was represented in the hip hop and for that,

0:25:52.800 --> 0:25:55.440
<v Speaker 3>like you you could never take that away. What I'm

0:25:55.440 --> 0:25:57.960
<v Speaker 3>saying is again, like I want to reiterate what I

0:25:58.000 --> 0:26:01.680
<v Speaker 3>said earlier, because if this wasn't no Peppa and Spinderella,

0:26:01.920 --> 0:26:05.000
<v Speaker 3>there wouldn't be no fucking compona dj e FN.

0:26:06.080 --> 0:26:07.679
<v Speaker 1>So if there's any way that you.

0:26:07.680 --> 0:26:11.000
<v Speaker 3>Could have meended, I recommend you do because I love

0:26:11.040 --> 0:26:13.440
<v Speaker 3>to see y'all three together, Like it's like Voltron, you

0:26:13.480 --> 0:26:14.960
<v Speaker 3>know what I'm saying, Like it's like when I see

0:26:15.040 --> 0:26:18.520
<v Speaker 3>y'all three, like I actually get goosebumps. I actually do,

0:26:19.920 --> 0:26:21.920
<v Speaker 3>And so I just I just want to commend y'all

0:26:21.960 --> 0:26:26.520
<v Speaker 3>for maintaining that. And it was one of the probably

0:26:26.640 --> 0:26:30.480
<v Speaker 3>the worst fan moments of my life, Oh my god,

0:26:30.560 --> 0:26:33.119
<v Speaker 3>seeing y'all go through it, because I honestly looked at

0:26:33.160 --> 0:26:34.879
<v Speaker 3>it and didn't like try to act like I ignored it,

0:26:35.600 --> 0:26:37.639
<v Speaker 3>like I didn't just see that crazy.

0:26:38.359 --> 0:26:42.159
<v Speaker 4>It was crazy. Think about groups though all the groups,

0:26:43.040 --> 0:26:47.240
<v Speaker 4>it's not perfect, right, especially groups from back in the days,

0:26:47.320 --> 0:26:50.119
<v Speaker 4>it's not not perfect. You name them and they have

0:26:50.320 --> 0:26:51.320
<v Speaker 4>those issues.

0:26:51.160 --> 0:26:53.160
<v Speaker 1>Or starting young and then you grow into different people.

0:26:53.359 --> 0:26:56.639
<v Speaker 4>Yeah, yeah, we all we all like excited, you know

0:26:56.960 --> 0:26:59.600
<v Speaker 4>in the beginning, and then you know, we grow up

0:26:59.640 --> 0:27:02.119
<v Speaker 4>and we turn into who we are, and then we

0:27:02.280 --> 0:27:03.280
<v Speaker 4>just kind of grow apart.

0:27:03.640 --> 0:27:04.919
<v Speaker 6>But I noticed that that's the.

0:27:04.960 --> 0:27:06.639
<v Speaker 1>Case with most groups.

0:27:07.440 --> 0:27:11.000
<v Speaker 6>I love to see, Like I love to see Jeff

0:27:11.080 --> 0:27:12.200
<v Speaker 6>and and Will together.

0:27:12.359 --> 0:27:12.840
<v Speaker 4>I love that.

0:27:13.160 --> 0:27:15.480
<v Speaker 6>I like when I see Chuck, d and Flave come together.

0:27:15.720 --> 0:27:17.040
<v Speaker 6>You know, I like when I.

0:27:17.080 --> 0:27:20.280
<v Speaker 1>See you know, just old groups together.

0:27:20.359 --> 0:27:23.680
<v Speaker 4>What I do understand that you can't make a square

0:27:23.720 --> 0:27:26.760
<v Speaker 4>fit into a certain you cannot, but you might have to.

0:27:27.240 --> 0:27:29.320
<v Speaker 3>You know, all of them have beef too. It's just

0:27:29.640 --> 0:27:32.800
<v Speaker 3>the difference y'all and them is that y'all beef was public.

0:27:33.119 --> 0:27:34.800
<v Speaker 3>And the thing about it is.

0:27:35.000 --> 0:27:36.840
<v Speaker 1>No, their beef was public. A lot of like like

0:27:36.960 --> 0:27:37.840
<v Speaker 1>who's beef was public?

0:27:37.960 --> 0:27:42.680
<v Speaker 2>Who public enemy? Not Jeff, I'm talking about public enemy.

0:27:44.280 --> 0:27:48.920
<v Speaker 2>Just Chuck just at one point was wild too, and right,

0:27:49.000 --> 0:27:49.960
<v Speaker 2>I forgot that wark.

0:27:50.920 --> 0:27:53.760
<v Speaker 4>But when I see them together, it's like, yes, so

0:27:53.920 --> 0:27:56.239
<v Speaker 4>I get what y'all are feeling. I get Look I'm

0:27:56.280 --> 0:27:58.639
<v Speaker 4>talking to me, talking to fans that all of our

0:27:58.720 --> 0:28:00.920
<v Speaker 4>people out there trust me, and you know who. I

0:28:01.000 --> 0:28:05.960
<v Speaker 4>got to give some props to Pepa, So Pep and

0:28:06.200 --> 0:28:06.879
<v Speaker 4>and you know.

0:28:08.480 --> 0:28:12.479
<v Speaker 6>She has been always the glue like she knows.

0:28:12.520 --> 0:28:14.840
<v Speaker 4>Do you know that it hasn't been perfect with the

0:28:14.960 --> 0:28:17.920
<v Speaker 4>three and we got our things about this, but Pep

0:28:18.240 --> 0:28:23.359
<v Speaker 4>will go to no end to make something come together,

0:28:23.520 --> 0:28:26.040
<v Speaker 4>you know what I'm saying. And you know we have,

0:28:26.320 --> 0:28:30.960
<v Speaker 4>We've talked on a bunch of occasions and you know,

0:28:31.040 --> 0:28:32.760
<v Speaker 4>we're just we're just leaving the door open.

0:28:33.320 --> 0:28:34.040
<v Speaker 1>We're at that point.

0:28:34.080 --> 0:28:37.520
<v Speaker 2>But to backtrack a little, for people who don't know

0:28:37.600 --> 0:28:39.000
<v Speaker 2>the situation, you don't have to go into it because

0:28:39.000 --> 0:28:41.280
<v Speaker 2>I'm sure you're sick of talking about it. But on

0:28:41.360 --> 0:28:45.480
<v Speaker 2>the business side of it, what could what did you

0:28:45.640 --> 0:28:47.960
<v Speaker 2>learn that you could have done differently for it to

0:28:48.040 --> 0:28:49.520
<v Speaker 2>not I was.

0:28:49.560 --> 0:28:53.280
<v Speaker 4>Young and there was no contract number one, so contract

0:28:53.360 --> 0:28:55.720
<v Speaker 4>as far as road or contract as far as.

0:28:55.680 --> 0:28:59.200
<v Speaker 6>Its internal internal nothing. There was no contract.

0:29:00.480 --> 0:29:04.040
<v Speaker 4>Yeah, it was like, look, we want you to DJ

0:29:04.280 --> 0:29:07.760
<v Speaker 4>for us, audition for us without a contract. There was

0:29:07.840 --> 0:29:10.320
<v Speaker 4>no contract and that and me I was sixteen, so

0:29:10.440 --> 0:29:11.800
<v Speaker 4>I was like, okay, whatever.

0:29:13.040 --> 0:29:14.000
<v Speaker 6>But even when I got.

0:29:13.920 --> 0:29:17.400
<v Speaker 4>Older, I did ask, you know, can we produce something

0:29:17.520 --> 0:29:19.960
<v Speaker 4>some kind of something assigned to But you know, their

0:29:20.120 --> 0:29:22.720
<v Speaker 4>argument is, it was Herbie who brought me to you know,

0:29:22.800 --> 0:29:24.760
<v Speaker 4>in the group. It was Herbie's group. Herbie was the

0:29:25.880 --> 0:29:26.440
<v Speaker 4>creator of.

0:29:26.520 --> 0:29:29.480
<v Speaker 3>Salt and Pepper, and Salt Pepper both from Queens. You're

0:29:29.520 --> 0:29:34.680
<v Speaker 3>from Brooklyn, Brooklyn, okay, and Herby's You'd be stabbed a

0:29:34.760 --> 0:29:39.080
<v Speaker 3>lot of people. Watch out, guys, watch out.

0:29:40.720 --> 0:29:44.880
<v Speaker 4>But yeah, so Herbie was the one who and he

0:29:45.040 --> 0:29:47.280
<v Speaker 4>was the one who brought Pepper in. And he actually

0:29:47.400 --> 0:29:52.480
<v Speaker 4>was Salt who brought pepper in. But we we we

0:29:52.600 --> 0:29:56.719
<v Speaker 4>didn't have a contract. So that's how important contracts are.

0:29:57.160 --> 0:29:59.080
<v Speaker 4>And if you don't have that, you know, you really

0:29:59.120 --> 0:30:01.360
<v Speaker 4>don't have a leg to stay on. So and that's

0:30:01.360 --> 0:30:04.000
<v Speaker 4>so that's bad on both sides, them as the as

0:30:04.080 --> 0:30:07.200
<v Speaker 4>the unit and me as the DJ coming into the unit.

0:30:09.120 --> 0:30:09.280
<v Speaker 2>You know.

0:30:09.600 --> 0:30:15.720
<v Speaker 4>But you know, to my point, I wanted to make

0:30:15.800 --> 0:30:19.400
<v Speaker 4>things right, you know, from a legal standpoint, make sure,

0:30:20.040 --> 0:30:22.040
<v Speaker 4>let's let's produce a contract. And when I would do that,

0:30:22.160 --> 0:30:23.320
<v Speaker 4>I would get pushed back from that.

0:30:23.560 --> 0:30:25.400
<v Speaker 1>You know, we like it the way it is.

0:30:25.560 --> 0:30:27.840
<v Speaker 3>Leave it alone, you know, so let me stop you

0:30:27.880 --> 0:30:31.920
<v Speaker 3>for a second because I heard you say this, but

0:30:32.080 --> 0:30:35.440
<v Speaker 3>I need to hear you say this. So you say,

0:30:35.480 --> 0:30:37.880
<v Speaker 3>and there was gigs that you were doing and wasn't

0:30:37.880 --> 0:30:38.520
<v Speaker 3>getting paid for?

0:30:39.200 --> 0:30:44.000
<v Speaker 4>Oh no, yeah, there was what's the word promotional promotional,

0:30:44.200 --> 0:30:47.400
<v Speaker 4>But but I would say I got paid for promotional gigs,

0:30:47.440 --> 0:30:49.080
<v Speaker 4>but we weren't getting paid paid.

0:30:49.240 --> 0:30:52.120
<v Speaker 1>It was like there's a you specifically or the whole

0:30:52.160 --> 0:30:57.360
<v Speaker 1>group wasn't getting paid. Well, the whole group emotional.

0:30:58.320 --> 0:31:02.320
<v Speaker 3>When I just say that, I'm thinking they were signaling you.

0:31:02.760 --> 0:31:06.320
<v Speaker 4>Oh no, no, it was it was promotional runs. I mean,

0:31:06.360 --> 0:31:09.440
<v Speaker 4>it was a photo sessions. There was anything that had

0:31:09.480 --> 0:31:10.560
<v Speaker 4>to do with building a brand.

0:31:10.880 --> 0:31:14.480
<v Speaker 2>Group brand, which is your sweat equity.

0:31:14.600 --> 0:31:18.400
<v Speaker 4>It's sweat equity, and so that's your your investment. Okay,

0:31:18.480 --> 0:31:19.040
<v Speaker 4>I'll invest.

0:31:19.160 --> 0:31:19.760
<v Speaker 6>I believe in this.

0:31:20.000 --> 0:31:24.760
<v Speaker 4>I'm here for it, and that to me, I don't

0:31:24.800 --> 0:31:25.320
<v Speaker 4>care about that.

0:31:25.560 --> 0:31:28.880
<v Speaker 6>What I to, you know, to your point earlier, what

0:31:29.360 --> 0:31:30.600
<v Speaker 6>was it? Without speaking on it.

0:31:30.680 --> 0:31:35.080
<v Speaker 4>I had to take them to court to you know,

0:31:35.320 --> 0:31:38.160
<v Speaker 4>to get my royalties divided.

0:31:37.920 --> 0:31:39.920
<v Speaker 1>Ports from records that I performed on.

0:31:40.320 --> 0:31:44.560
<v Speaker 3>Yes, I'm on probably about fifteen three three that super hits.

0:31:45.000 --> 0:31:47.680
<v Speaker 1>Yeah, and you do your own.

0:31:51.360 --> 0:31:54.080
<v Speaker 4>So, yes, what that said, I mean, that's enough. Come on,

0:31:55.080 --> 0:31:56.560
<v Speaker 4>so somebody's getting paid and I'm not.

0:31:57.120 --> 0:31:59.080
<v Speaker 1>When royalties weren't coming from them, it would be the

0:31:59.120 --> 0:31:59.640
<v Speaker 1>record label.

0:31:59.640 --> 0:32:02.000
<v Speaker 4>It would the record label. It would be the record label.

0:32:02.080 --> 0:32:06.840
<v Speaker 4>But they're still here's the thing. They were signed, and

0:32:06.960 --> 0:32:10.320
<v Speaker 4>that means they were signed to the record label, but

0:32:10.800 --> 0:32:14.320
<v Speaker 4>I wasn't. And so with our voices together and our

0:32:14.480 --> 0:32:21.640
<v Speaker 4>performances together on on something they had, they had their

0:32:21.800 --> 0:32:24.960
<v Speaker 4>names as the receivers, as the performers, and I didn't

0:32:25.000 --> 0:32:25.440
<v Speaker 4>have mine.

0:32:25.520 --> 0:32:27.200
<v Speaker 1>So your shares, my share.

0:32:27.640 --> 0:32:32.160
<v Speaker 4>I was fighting for my shares, my proper shares, you know,

0:32:32.320 --> 0:32:35.840
<v Speaker 4>from them. That's separate and apart from being in Sultan Pepa.

0:32:36.040 --> 0:32:39.200
<v Speaker 4>Is like when you perform or when you produce, you

0:32:39.280 --> 0:32:41.840
<v Speaker 4>should have your or you write, you should have your

0:32:42.000 --> 0:32:43.320
<v Speaker 4>shares of yours.

0:32:43.520 --> 0:32:45.280
<v Speaker 2>And so that's what I was fighting and separate from

0:32:45.360 --> 0:32:47.640
<v Speaker 2>because if someone listening, they might confuse it with publishing

0:32:47.760 --> 0:32:49.920
<v Speaker 2>is not publishing, because they would get there publishing for

0:32:49.960 --> 0:32:51.200
<v Speaker 2>whatever they did publish.

0:32:52.160 --> 0:32:55.400
<v Speaker 4>Yeah yeah, but I did produce a couple of things

0:32:55.600 --> 0:32:57.560
<v Speaker 4>for Sultan Peppa, and so I had to fight.

0:32:57.480 --> 0:32:58.040
<v Speaker 1>For that as well.

0:33:00.720 --> 0:33:03.800
<v Speaker 6>And you know, it was like when the end, when

0:33:03.840 --> 0:33:05.520
<v Speaker 6>the end came. It was like, Okay, let's do this

0:33:05.680 --> 0:33:06.000
<v Speaker 6>right then.

0:33:06.600 --> 0:33:08.120
<v Speaker 4>And I didn't want to bring I didn't want it

0:33:08.160 --> 0:33:11.800
<v Speaker 4>to be public, but it went public, and at the

0:33:11.880 --> 0:33:13.160
<v Speaker 4>end of the day, I had to do what I

0:33:13.200 --> 0:33:15.080
<v Speaker 4>had to do because I have you know, I put

0:33:15.160 --> 0:33:19.880
<v Speaker 4>my blood, sweat and tears for thirty five years. Thirty

0:33:19.920 --> 0:33:25.600
<v Speaker 4>five years is a lifetime. It's a lifetime. And so

0:33:26.600 --> 0:33:28.840
<v Speaker 4>when you say sweat equity, you put your all into

0:33:28.920 --> 0:33:32.560
<v Speaker 4>something and then to be dismissed or to be kind

0:33:32.600 --> 0:33:36.160
<v Speaker 4>of put out as if you weren't there, that's the contribution.

0:33:37.040 --> 0:33:41.520
<v Speaker 6>Get what you deserve and then peace out. But you know,

0:33:41.680 --> 0:33:42.440
<v Speaker 6>today I'm not.

0:33:42.520 --> 0:33:42.840
<v Speaker 1>Here to.

0:33:44.680 --> 0:33:47.800
<v Speaker 4>You know, put They're always going to be queen's to me.

0:33:48.640 --> 0:33:52.160
<v Speaker 4>They might not feel the way that I feel about

0:33:53.800 --> 0:33:57.320
<v Speaker 4>but it doesn't matter to me. I'm a grown woman,

0:33:57.400 --> 0:34:00.680
<v Speaker 4>I'm a queen. I'm gonna fix my sister's crime. If

0:34:00.720 --> 0:34:03.600
<v Speaker 4>I can help you, I will always do that. But

0:34:03.680 --> 0:34:06.360
<v Speaker 4>I'm going to fight for mine, show you how to

0:34:06.440 --> 0:34:09.040
<v Speaker 4>fight it, you know, and stand up for yours. So

0:34:09.640 --> 0:34:12.920
<v Speaker 4>that's what I got out of it, you know. You know,

0:34:13.120 --> 0:34:16.320
<v Speaker 4>at the end of the day, I'm happy that I'm

0:34:16.400 --> 0:34:17.520
<v Speaker 4>sorry that it went that way.

0:34:18.120 --> 0:34:19.440
<v Speaker 3>But I had to do what I had to do

0:34:19.520 --> 0:34:21.719
<v Speaker 3>for me, you know, as an outsider that's looking in,

0:34:22.040 --> 0:34:25.320
<v Speaker 3>as an insider that's looking out. I feel like the

0:34:25.480 --> 0:34:29.560
<v Speaker 3>mistake probably was that y'all didn't negotiate together from the beginning,

0:34:29.920 --> 0:34:32.239
<v Speaker 3>because I believe that they had a contract and then

0:34:32.719 --> 0:34:38.080
<v Speaker 3>you had a separate and had y'all showed that women camarbities.

0:34:39.719 --> 0:34:42.520
<v Speaker 1>That word. Okay, yeah, So.

0:34:42.680 --> 0:34:45.759
<v Speaker 3>If that's what I feel like, because I feel like

0:34:45.800 --> 0:34:49.680
<v Speaker 3>they wasn't trying to do you wrong. I feel like

0:34:49.880 --> 0:34:51.880
<v Speaker 3>they were so much trying to look out for theirself

0:34:51.880 --> 0:34:54.800
<v Speaker 3>because women were being done wrong at that time, that

0:34:54.840 --> 0:34:56.200
<v Speaker 3>they were so much trying to look at it for

0:34:56.280 --> 0:35:01.000
<v Speaker 3>themselves that they didn't think of gotcha, you know, by

0:35:01.040 --> 0:35:02.080
<v Speaker 3>the way, No, I understand.

0:35:03.640 --> 0:35:06.440
<v Speaker 6>I understand that point because I tried to sit in

0:35:06.520 --> 0:35:07.239
<v Speaker 6>their shoes too.

0:35:07.880 --> 0:35:08.160
<v Speaker 1>I did.

0:35:08.360 --> 0:35:10.400
<v Speaker 4>And when I was talking with Pet, Pepper explained a

0:35:10.440 --> 0:35:12.839
<v Speaker 4>lot to me about her situation in it and how

0:35:12.920 --> 0:35:17.160
<v Speaker 4>familiar my situation is to her because she was fighting

0:35:17.239 --> 0:35:21.360
<v Speaker 4>for hers too internally, so and I'm like, and you're Pepper,

0:35:21.920 --> 0:35:26.120
<v Speaker 4>and well, I cannot speak for her, but I will

0:35:26.160 --> 0:35:30.040
<v Speaker 4>say that she understood some of the fight that I

0:35:30.200 --> 0:35:33.400
<v Speaker 4>had in fighting for your part and what you have

0:35:33.600 --> 0:35:38.400
<v Speaker 4>provided and contributed, and it's just a bigger picture than

0:35:38.520 --> 0:35:44.120
<v Speaker 4>what everybody thinks. And you know, as a as a writer,

0:35:44.400 --> 0:35:47.440
<v Speaker 4>as a as a producer, as a performer, you you

0:35:48.280 --> 0:35:51.040
<v Speaker 4>should get your share, you know what what you put

0:35:51.120 --> 0:35:51.440
<v Speaker 4>into it.

0:35:51.719 --> 0:35:56.719
<v Speaker 2>And you know, I'll let her speak from the sound

0:35:56.760 --> 0:35:59.240
<v Speaker 2>of it, it's not just them too, it's other entities

0:35:59.400 --> 0:36:01.400
<v Speaker 2>to be her regular way more than this.

0:36:02.640 --> 0:36:05.320
<v Speaker 4>Well, they did have fights with Herbie about stuff, but

0:36:05.480 --> 0:36:08.560
<v Speaker 4>I feel like they absolved it. But at the end

0:36:08.600 --> 0:36:12.120
<v Speaker 4>of the day, I'm looking at my situation right now

0:36:12.400 --> 0:36:14.680
<v Speaker 4>and I can't speak on Peppa. I wish them well,

0:36:15.239 --> 0:36:16.800
<v Speaker 4>you know, and the door's always opened.

0:36:16.920 --> 0:36:19.879
<v Speaker 1>We said that we would love to see you guys together,

0:36:21.440 --> 0:36:22.160
<v Speaker 1>but I got it.

0:36:22.280 --> 0:36:24.319
<v Speaker 4>I have to say, you have to kind of take

0:36:24.360 --> 0:36:26.759
<v Speaker 4>care of you in the end, and you got to

0:36:26.800 --> 0:36:29.160
<v Speaker 4>make sure you're good in order for the door to

0:36:29.239 --> 0:36:32.400
<v Speaker 4>be open for us to come together again. Business got

0:36:32.520 --> 0:36:36.399
<v Speaker 4>be handled. When I handle my business, my team. Shout

0:36:36.400 --> 0:36:40.560
<v Speaker 4>out to my team. Team, shout out to my manager, LJ.

0:36:41.160 --> 0:36:43.200
<v Speaker 4>He's been my manager. I'm a loyal person. I have

0:36:43.360 --> 0:36:47.600
<v Speaker 4>the same people with me for forever. My manager LJ.

0:36:47.760 --> 0:36:50.520
<v Speaker 4>He said to say how to y'all. He's been my

0:36:50.600 --> 0:36:56.719
<v Speaker 4>manager for almost twenty years. So my husband, my husband Q,

0:36:57.120 --> 0:36:59.840
<v Speaker 4>my daughter Christy, she's a DJ too, So you know,

0:36:59.880 --> 0:37:03.480
<v Speaker 4>I'm constantly making sure she's good because she's out there,

0:37:03.719 --> 0:37:07.000
<v Speaker 4>you know, just making sure she's right. Contracts and everything,

0:37:07.440 --> 0:37:12.600
<v Speaker 4>but the right having the right people around you keeps

0:37:12.640 --> 0:37:14.960
<v Speaker 4>you right. And so when I leave my team and

0:37:15.000 --> 0:37:17.120
<v Speaker 4>then I go into Salt and Pepper, I need to

0:37:17.160 --> 0:37:18.040
<v Speaker 4>make sure that's right.

0:37:18.520 --> 0:37:20.279
<v Speaker 1>I know how it should be. And so.

0:37:23.080 --> 0:37:26.360
<v Speaker 4>From this moment on, should a door open there again,

0:37:26.760 --> 0:37:27.560
<v Speaker 4>We're gonna be good.

0:37:28.120 --> 0:37:28.960
<v Speaker 1>We're gonna be good.

0:37:28.840 --> 0:37:32.600
<v Speaker 4>Because all contracts will be right. We'll make sure everybody

0:37:32.719 --> 0:37:36.480
<v Speaker 4>is right. And I feel like back then we didn't

0:37:36.600 --> 0:37:41.000
<v Speaker 4>have the right conversations about doing that, because I did

0:37:41.080 --> 0:37:43.200
<v Speaker 4>bring it up. Let's do contract, Let's do a contract.

0:37:43.280 --> 0:37:46.399
<v Speaker 3>I just pect you with that and say, yo, listen,

0:37:46.640 --> 0:37:49.279
<v Speaker 3>you just you need a contract or that's something you

0:37:49.400 --> 0:37:49.800
<v Speaker 3>came up with.

0:37:50.000 --> 0:37:52.520
<v Speaker 1>I came up okay, cool, continue, I came up with okay.

0:37:53.040 --> 0:37:56.719
<v Speaker 4>And when Herbie was gone, I think when Herbie left

0:37:56.840 --> 0:37:59.200
<v Speaker 4>Herbie left back in the early nineties, it was kind

0:37:59.239 --> 0:38:01.200
<v Speaker 4>of like I'm just kind of floating here.

0:38:02.400 --> 0:38:05.560
<v Speaker 6>I'm just kind of just floating. And I mean they

0:38:05.680 --> 0:38:06.760
<v Speaker 6>they definitely.

0:38:06.400 --> 0:38:08.160
<v Speaker 4>Paid me, you know when you know, when I did

0:38:08.239 --> 0:38:13.719
<v Speaker 4>my gigs or whatever. But when it came to promoting

0:38:13.880 --> 0:38:16.920
<v Speaker 4>and promoting the albums and pushing the albums and performing

0:38:17.000 --> 0:38:21.040
<v Speaker 4>on the albums, I wasn't getting my cut, so I

0:38:21.160 --> 0:38:23.160
<v Speaker 4>had to make sure I got mine, like and so

0:38:23.320 --> 0:38:25.960
<v Speaker 4>that's why it took that long to do it. And

0:38:26.120 --> 0:38:27.759
<v Speaker 4>when it was said and done, we settled. And when

0:38:27.800 --> 0:38:30.480
<v Speaker 4>you settled, that means we're all on the same page.

0:38:31.120 --> 0:38:33.920
<v Speaker 1>You know. As a kid, when I heard this, I

0:38:34.040 --> 0:38:36.440
<v Speaker 1>was like, oh, that's just the rumor. As a kid,

0:38:36.560 --> 0:38:38.200
<v Speaker 1>you heard this, like, yeeah, Well, this.

0:38:38.320 --> 0:38:41.759
<v Speaker 4>Is a long term situation. It's a long time were

0:38:41.800 --> 0:38:43.440
<v Speaker 4>you you talking about Okay, So.

0:38:43.600 --> 0:38:46.080
<v Speaker 1>I mean as a kid, though I was a kid

0:38:46.120 --> 0:38:51.920
<v Speaker 1>in mind my house, like they didn't break up in

0:38:52.000 --> 0:38:53.000
<v Speaker 1>the early nineties.

0:38:53.120 --> 0:38:55.239
<v Speaker 4>It was no, we didn't break up in the early nineties,

0:38:55.280 --> 0:38:57.919
<v Speaker 4>but you said we had issues back in the ninth

0:38:58.000 --> 0:38:59.359
<v Speaker 4>early late night.

0:38:59.400 --> 0:39:04.600
<v Speaker 1>Late nineties. Here I remember forty seven, forty six. I'll

0:39:04.600 --> 0:39:05.799
<v Speaker 1>be forty seven next month.

0:39:05.920 --> 0:39:07.399
<v Speaker 6>We're talking about twenty some years.

0:39:07.520 --> 0:39:11.359
<v Speaker 4>Yeah, and to me it seems like, who, yeah, that's

0:39:11.360 --> 0:39:13.719
<v Speaker 4>a time it's a long time to be going through

0:39:13.719 --> 0:39:14.359
<v Speaker 4>the ship, right.

0:39:15.280 --> 0:39:18.279
<v Speaker 2>It's true that Herbie when he put the group together,

0:39:18.320 --> 0:39:20.480
<v Speaker 2>he thought of it as the female run DMC.

0:39:21.160 --> 0:39:23.279
<v Speaker 1>Yes, and and you would have been the jam master

0:39:23.400 --> 0:39:24.120
<v Speaker 1>j of that run ja.

0:39:24.640 --> 0:39:26.560
<v Speaker 6>Yeah, he thought he thought of Houdini.

0:39:26.640 --> 0:39:32.520
<v Speaker 1>And so do you remember ever going to the Left

0:39:32.600 --> 0:39:33.480
<v Speaker 1>Rock City? I do?

0:39:34.880 --> 0:39:38.560
<v Speaker 2>Oh yeah, that's crazy how this ties into the beginning

0:39:38.600 --> 0:39:39.320
<v Speaker 2>of Dream Champs.

0:39:39.800 --> 0:39:42.879
<v Speaker 1>Really, he's our first guest. You have no idea first

0:39:42.960 --> 0:39:43.680
<v Speaker 1>recorded guests.

0:39:43.800 --> 0:39:46.440
<v Speaker 3>Let me just tall you he's going to go down right,

0:39:46.480 --> 0:39:51.279
<v Speaker 3>And I know your husband is here, respect and you're

0:39:51.320 --> 0:39:51.919
<v Speaker 3>doing this here?

0:39:52.400 --> 0:39:56.160
<v Speaker 1>Who I feel like she's related to me. Let me

0:39:56.239 --> 0:39:56.960
<v Speaker 1>just tell you something.

0:39:58.560 --> 0:40:01.640
<v Speaker 3>Kenny Anderson at the time was the hottest point guard

0:40:01.680 --> 0:40:04.680
<v Speaker 3>in New York City. Katy Anderson, I'm from ninety seventh Street.

0:40:04.760 --> 0:40:08.040
<v Speaker 3>Kny Anderson is from ninety sixth Street. He's from down

0:40:08.120 --> 0:40:12.719
<v Speaker 3>the block. The hottest woman in the game ran the

0:40:12.880 --> 0:40:13.440
<v Speaker 3>chain at the.

0:40:13.480 --> 0:40:19.320
<v Speaker 1>Time was Spendervella. Oh so my childhood.

0:40:20.480 --> 0:40:30.520
<v Speaker 3>Was Spenderella is the most beautifullest woman in the game. Really,

0:40:31.520 --> 0:40:36.600
<v Speaker 3>everyone wants Spenderella. It's prober is the name. Everybody wants.

0:40:36.600 --> 0:40:37.360
<v Speaker 3>Spender Weell.

0:40:38.840 --> 0:40:40.439
<v Speaker 1>Jesus, everybody wants you to turn.

0:40:47.120 --> 0:40:51.280
<v Speaker 3>And it was one day Kenny Anderson, we call him Chipper.

0:40:52.960 --> 0:40:56.800
<v Speaker 3>He comes through my neighborhood with you. And when I

0:40:57.000 --> 0:40:59.400
<v Speaker 3>tell you, that was like a goal.

0:41:00.640 --> 0:41:04.279
<v Speaker 6>That was like I think, I remember, I.

0:41:04.280 --> 0:41:05.960
<v Speaker 1>Ain't gonna lie. I was the little nigga like that.

0:41:10.280 --> 0:41:13.160
<v Speaker 3>In case you don't know, the little dirty nigga probably

0:41:13.200 --> 0:41:14.120
<v Speaker 3>didn't clean my ears.

0:41:16.000 --> 0:41:21.160
<v Speaker 1>I was like, holy shit, and that shit changed my childhood.

0:41:22.440 --> 0:41:26.800
<v Speaker 3>Because it made mean Katy Anderson, which I tell him this,

0:41:27.200 --> 0:41:29.000
<v Speaker 3>and I tell him this off the air, and this

0:41:29.080 --> 0:41:29.840
<v Speaker 3>is kind of corny.

0:41:30.040 --> 0:41:31.879
<v Speaker 1>I just always say this on the air.

0:41:34.840 --> 0:41:37.239
<v Speaker 3>He made me who I am one of those And

0:41:37.320 --> 0:41:39.799
<v Speaker 3>one of those two days, I tell you the LA day,

0:41:39.800 --> 0:41:42.600
<v Speaker 3>Remember when I first hit number one, And it was

0:41:42.680 --> 0:41:43.040
<v Speaker 3>this day.

0:41:43.120 --> 0:41:45.279
<v Speaker 1>This is way before I was a rapper, and he

0:41:45.440 --> 0:41:46.440
<v Speaker 1>came to the hood with you.

0:41:47.440 --> 0:41:50.359
<v Speaker 3>And when I tell you, every man in the hood

0:41:51.280 --> 0:41:53.360
<v Speaker 3>could not take their eyes off you. I'm sorry, husband,

0:41:55.320 --> 0:42:00.560
<v Speaker 3>I'm sorry, husband, but it was one of the greatest

0:42:00.760 --> 0:42:05.360
<v Speaker 3>moments of my life because you represented making it.

0:42:06.120 --> 0:42:06.480
<v Speaker 4>Hm hmm.

0:42:07.640 --> 0:42:11.120
<v Speaker 1>You have no idea what I mean.

0:42:11.760 --> 0:42:14.920
<v Speaker 4>I think I could understand in the sense of just

0:42:15.040 --> 0:42:17.680
<v Speaker 4>coming through and it's just like a picture of what

0:42:17.800 --> 0:42:20.000
<v Speaker 4>it looks like to be success and have the right

0:42:20.600 --> 0:42:23.799
<v Speaker 4>female on your arm. And you know that.

0:42:26.920 --> 0:42:30.680
<v Speaker 1>Let me take you home. You were the hottest chicken game.

0:42:31.520 --> 0:42:36.360
<v Speaker 1>Let's be clear. Did you not feel that? No, I

0:42:36.440 --> 0:42:43.120
<v Speaker 1>did not feel like we sucked. Holy I do know

0:42:43.320 --> 0:42:43.600
<v Speaker 1>that there.

0:42:43.840 --> 0:42:45.560
<v Speaker 6>You know, people tell me they had crushes on me

0:42:45.680 --> 0:42:47.680
<v Speaker 6>or whatever, but no, real like.

0:42:48.120 --> 0:42:51.200
<v Speaker 3>I remember, like like, I'm so proud to call you

0:42:51.320 --> 0:42:55.600
<v Speaker 3>my sister now, but back then, I can't deny.

0:42:55.400 --> 0:42:57.360
<v Speaker 1>That like how it was like.

0:42:57.760 --> 0:43:00.480
<v Speaker 6>But I do know that the fans had their favorites.

0:43:00.520 --> 0:43:01.320
<v Speaker 1>I mean they had.

0:43:03.000 --> 0:43:05.239
<v Speaker 4>I mean, I know that they looked at me like,

0:43:05.520 --> 0:43:07.880
<v Speaker 4>you know, they had questions on me or whatever. So

0:43:08.000 --> 0:43:09.880
<v Speaker 4>and I hear that a lot today, Like you know,

0:43:09.960 --> 0:43:11.400
<v Speaker 4>I still got a crush on any type of thing.

0:43:11.480 --> 0:43:14.520
<v Speaker 1>But no, I didn't know that. You didn't feel it.

0:43:15.360 --> 0:43:17.160
<v Speaker 6>I could feel that they they loved on me.

0:43:17.280 --> 0:43:18.960
<v Speaker 4>Yeah, I could feel that.

0:43:19.320 --> 0:43:20.520
<v Speaker 1>Okay, that's one way of putting it.

0:43:20.800 --> 0:43:24.640
<v Speaker 4>Yeah, I completely loved it on me. I mean, not

0:43:24.800 --> 0:43:28.200
<v Speaker 4>to take away from what you're saying, please, but you know,

0:43:28.560 --> 0:43:31.719
<v Speaker 4>I get how, you know, people look at somebody and

0:43:31.800 --> 0:43:35.680
<v Speaker 4>I remember being like, you know, just on top of

0:43:35.760 --> 0:43:37.920
<v Speaker 4>the world, like Salt and Pepper and myself, we were

0:43:38.080 --> 0:43:39.560
<v Speaker 4>just on top of the way. We were the girls.

0:43:39.640 --> 0:43:43.400
<v Speaker 4>We was those girls back then, and you know they

0:43:43.440 --> 0:43:45.320
<v Speaker 4>had their favorite. Salt was their face. You know, she

0:43:45.400 --> 0:43:48.480
<v Speaker 4>had her favorites. Pep had her favorite, Spin had her favorites.

0:43:48.520 --> 0:43:48.680
<v Speaker 4>You know.

0:43:48.880 --> 0:43:52.759
<v Speaker 2>Like But to take it back to to drink Champs,

0:43:52.960 --> 0:43:56.759
<v Speaker 2>Kenny was recorded guests. Yes, we didn't release it first.

0:43:56.800 --> 0:43:59.040
<v Speaker 2>It was the first person that we tested this concept.

0:43:59.160 --> 0:44:04.120
<v Speaker 1>Wow. Yeah, so you you you are drinking around. Yeah,

0:44:04.600 --> 0:44:05.120
<v Speaker 1>I'm in there.

0:44:06.640 --> 0:44:09.239
<v Speaker 4>I heard your interview some of the you know, the

0:44:09.360 --> 0:44:12.000
<v Speaker 4>interview y'all did with Kenny, and I heard what you

0:44:12.120 --> 0:44:14.600
<v Speaker 4>guys were. I don't know, y'all were talking about baby

0:44:14.640 --> 0:44:15.640
<v Speaker 4>mamas and stuff like that.

0:44:16.360 --> 0:44:19.200
<v Speaker 1>I think that was funny. I was scared. I was

0:44:19.239 --> 0:44:21.680
<v Speaker 1>scared to say your name because to this day, I'm

0:44:21.719 --> 0:44:24.280
<v Speaker 1>still scared of you, like scared.

0:44:24.400 --> 0:44:27.759
<v Speaker 4>From the music standpoint, I'm really proud of what we've

0:44:27.800 --> 0:44:32.520
<v Speaker 4>done together. That is something that nothing, that's nothing that

0:44:32.640 --> 0:44:36.120
<v Speaker 4>we can personally go through, could ever overshadow the.

0:44:36.200 --> 0:44:38.000
<v Speaker 6>Purpose of what Sultan Pepper was.

0:44:38.160 --> 0:44:42.400
<v Speaker 4>The Sultan Pepper, the music, the message, the importance of

0:44:42.520 --> 0:44:45.000
<v Speaker 4>us and music, the importance of us and hip hop,

0:44:45.560 --> 0:44:49.840
<v Speaker 4>the importance of us as women, the contribution as women

0:44:51.000 --> 0:44:56.239
<v Speaker 4>to our our just our generation, and so so don't

0:44:56.320 --> 0:44:59.759
<v Speaker 4>let what personal stuff color that. And that means a

0:44:59.800 --> 0:45:02.759
<v Speaker 4>lot to hear you say that. But yeah, it was

0:45:03.080 --> 0:45:06.880
<v Speaker 4>great times, it was interesting. Just you know, I remember

0:45:07.000 --> 0:45:09.200
<v Speaker 4>that going through left Rack with Kenny. I did a

0:45:09.280 --> 0:45:10.000
<v Speaker 4>lot of left Rack.

0:45:10.160 --> 0:45:10.719
<v Speaker 1>I was out there.

0:45:15.160 --> 0:45:17.400
<v Speaker 4>We used to actually, we used to, actually, me and

0:45:17.520 --> 0:45:19.640
<v Speaker 4>Kenny used to go at it because you know, he

0:45:20.200 --> 0:45:23.600
<v Speaker 4>he called the pink houses the stinkhouses, and I would

0:45:23.640 --> 0:45:25.040
<v Speaker 4>call I'm sorry, y'all.

0:45:25.080 --> 0:45:25.719
<v Speaker 1>It was just a joke.

0:45:26.160 --> 0:45:28.800
<v Speaker 4>I would call Left Right City, left wax City.

0:45:29.640 --> 0:45:29.920
<v Speaker 1>It was.

0:45:30.200 --> 0:45:34.840
<v Speaker 2>It was, it was, it was.

0:45:35.000 --> 0:45:37.360
<v Speaker 1>It was a thing between me and Kenny. She's like,

0:45:37.400 --> 0:45:43.600
<v Speaker 1>look at that little boy. But no, I spent a

0:45:43.680 --> 0:45:47.759
<v Speaker 1>lot of time in Left Right. He did a lot.

0:45:47.800 --> 0:45:49.760
<v Speaker 1>He did a lot, He did a lot for them.

0:45:49.760 --> 0:45:54.200
<v Speaker 1>Not gonna lie. Yeah, I'm not gonna lie to you again.

0:45:54.239 --> 0:45:56.600
<v Speaker 1>I should, I should say this to him off camera.

0:45:57.280 --> 0:46:00.320
<v Speaker 3>But he kept me out of jail for years because

0:46:00.360 --> 0:46:04.120
<v Speaker 3>he had a tournament called Kenny Anderson Tournament, and I

0:46:04.160 --> 0:46:06.400
<v Speaker 3>would I would go there and I would play basketball,

0:46:06.840 --> 0:46:10.520
<v Speaker 3>and I remember I remember one year, I'm sorry, turn

0:46:10.560 --> 0:46:13.840
<v Speaker 3>it back. But I remember one year I was selling

0:46:13.920 --> 0:46:18.759
<v Speaker 3>drugs and I just couldn't stop selling drugs. I was

0:46:18.840 --> 0:46:20.799
<v Speaker 3>addicted to selling drugs. Even though I wasn't a good

0:46:20.880 --> 0:46:24.879
<v Speaker 3>drug dealer. I was like semi, but I would get

0:46:24.880 --> 0:46:27.279
<v Speaker 3>my shirt off. And the coach came to me. I

0:46:27.320 --> 0:46:30.399
<v Speaker 3>can't say the coach name because he's very it's very big.

0:46:32.800 --> 0:46:35.120
<v Speaker 3>The coach said to me, I know you sell drugs,

0:46:36.280 --> 0:46:40.040
<v Speaker 3>but you're gonna come and play this. You gonna play

0:46:40.080 --> 0:46:42.440
<v Speaker 3>this basketball. And I came in and played basketball.

0:46:42.760 --> 0:46:48.760
<v Speaker 1>We want. But by the way, because of Kenny, him doing.

0:46:50.400 --> 0:46:53.680
<v Speaker 3>The contributions that he did, h to the hood, his

0:46:54.080 --> 0:47:00.400
<v Speaker 3>mother as well, first week fall.

0:47:01.160 --> 0:47:03.960
<v Speaker 1>Rest in peace to your day you met.

0:47:03.840 --> 0:47:07.200
<v Speaker 4>Her, she's as first of all my daughters here.

0:47:07.200 --> 0:47:11.320
<v Speaker 1>Yes, yes, immediately connected to her, Yes, my daughter.

0:47:11.520 --> 0:47:15.719
<v Speaker 4>She's like she was like one of I mean, after

0:47:15.840 --> 0:47:18.600
<v Speaker 4>I had Christy, I would bring her to left right

0:47:19.320 --> 0:47:23.719
<v Speaker 4>and leave her with miss A and you want a shot.

0:47:26.719 --> 0:47:31.360
<v Speaker 6>And miss A was just just an incredible woman. She

0:47:31.520 --> 0:47:32.200
<v Speaker 6>was hard coil.

0:47:32.719 --> 0:47:35.040
<v Speaker 4>She was hard on me when I first met when

0:47:35.080 --> 0:47:38.200
<v Speaker 4>I first started dating Kenny, she was like, who's this bitch?

0:47:39.680 --> 0:47:42.040
<v Speaker 1>Yeah, yeah, we're talking about you went too fast? Yeah,

0:47:42.040 --> 0:47:42.479
<v Speaker 1>that's true.

0:47:42.880 --> 0:47:43.160
<v Speaker 2>She was.

0:47:43.320 --> 0:47:46.040
<v Speaker 1>That was the first word. She was, like, who was

0:47:46.120 --> 0:47:50.120
<v Speaker 1>this bitch? She was like protective of her son, but

0:47:50.200 --> 0:47:51.960
<v Speaker 1>by the way you spend at the time, it's not

0:47:52.080 --> 0:47:52.960
<v Speaker 1>like you care.

0:47:53.880 --> 0:47:54.440
<v Speaker 4>She didn't care.

0:47:55.239 --> 0:47:56.000
<v Speaker 1>I love this story.

0:47:56.360 --> 0:47:59.000
<v Speaker 4>So I was very intimidated by miss saying I called

0:47:59.040 --> 0:48:01.600
<v Speaker 4>him miss name was Joan, but I call I called

0:48:01.640 --> 0:48:05.280
<v Speaker 4>him miss A, And she put me through the ringer

0:48:05.600 --> 0:48:08.080
<v Speaker 4>to be to mess with her son.

0:48:08.440 --> 0:48:09.520
<v Speaker 6>I mean, I guess you should.

0:48:09.760 --> 0:48:12.640
<v Speaker 1>You know, kids just can't have any woman rolling up

0:48:12.640 --> 0:48:14.120
<v Speaker 1>on your you know, in your in your home.

0:48:14.239 --> 0:48:16.520
<v Speaker 3>You was his first real relationship, right, I don't know

0:48:16.640 --> 0:48:17.920
<v Speaker 3>that I was his first real relationship.

0:48:17.920 --> 0:48:19.759
<v Speaker 1>I believe the outside of looking at it, and I

0:48:19.840 --> 0:48:22.759
<v Speaker 1>believe it was he was young. He was he was

0:48:22.880 --> 0:48:23.319
<v Speaker 1>very young.

0:48:23.400 --> 0:48:25.440
<v Speaker 4>He was like, come on, in his prime and he

0:48:25.640 --> 0:48:31.279
<v Speaker 4>was like a superstar and oh my god, like for

0:48:31.480 --> 0:48:34.400
<v Speaker 4>him to just come from where he came from to

0:48:35.160 --> 0:48:37.239
<v Speaker 4>you know, just blowing up with all this money and

0:48:37.280 --> 0:48:40.680
<v Speaker 4>all this like notoriety and just the fame, it was crazy.

0:48:40.800 --> 0:48:44.840
<v Speaker 6>So but back to Missay, she was very protective and.

0:48:46.600 --> 0:48:51.080
<v Speaker 4>I will say our relationship really got established because she

0:48:51.440 --> 0:48:53.319
<v Speaker 4>you know, literally taught me like she.

0:48:53.440 --> 0:48:56.560
<v Speaker 6>Was like, you know, I know, I know you love

0:48:56.600 --> 0:48:58.279
<v Speaker 6>my son, because I could have ran you off a.

0:48:58.320 --> 0:49:00.759
<v Speaker 1>Long time ago, girl, like you know, that is the

0:49:01.000 --> 0:49:02.160
<v Speaker 1>gangst that's gangstuff.

0:49:02.200 --> 0:49:05.320
<v Speaker 4>I could have you know, and but you stayed, you know,

0:49:05.520 --> 0:49:08.279
<v Speaker 4>and you stayed and you you know, we didn't work out.

0:49:08.840 --> 0:49:10.319
<v Speaker 4>But our daughter, you know, we had our daughter.

0:49:10.400 --> 0:49:15.160
<v Speaker 1>That was a purpose. God bless God. She's my daughter.

0:49:15.280 --> 0:49:19.120
<v Speaker 1>Was so beautiful and so like the best part of us. Yeah,

0:49:19.480 --> 0:49:21.640
<v Speaker 1>and although I just met her today, I swear to God,

0:49:21.640 --> 0:49:22.400
<v Speaker 1>I feel like I know her.

0:49:22.680 --> 0:49:26.000
<v Speaker 4>Yeah, well you might have seen it is really young

0:49:26.400 --> 0:49:28.359
<v Speaker 4>come the left brack all the time she was wit

0:49:28.400 --> 0:49:30.480
<v Speaker 4>miss s. Yeah, there it is.

0:49:30.880 --> 0:49:31.200
<v Speaker 1>Okay.

0:49:31.560 --> 0:49:36.440
<v Speaker 3>So our show is about giving people they flowers. From

0:49:36.480 --> 0:49:39.960
<v Speaker 3>the beginning, we wanted to give you a flowers. Wanted

0:49:40.000 --> 0:49:42.960
<v Speaker 3>to tell you, face to face, woman, the man, man,

0:49:43.120 --> 0:49:46.080
<v Speaker 3>the woman, that how much you mean the hip hop

0:49:46.239 --> 0:49:57.120
<v Speaker 3>sho this is And I want you to know how

0:49:57.239 --> 0:49:59.880
<v Speaker 3>much you feel being the hip hop how much you

0:50:00.120 --> 0:50:02.440
<v Speaker 3>mean to us, how much you mean to the community.

0:50:03.840 --> 0:50:07.920
<v Speaker 3>We one man percent understand your plight, We understand your struggle,

0:50:07.960 --> 0:50:12.279
<v Speaker 3>we understand your fight, and we got your back. And

0:50:13.120 --> 0:50:15.759
<v Speaker 3>there's nothing in this world that's not going to stop us.

0:50:15.800 --> 0:50:17.600
<v Speaker 3>From doing that and we want to give you.

0:50:21.760 --> 0:50:22.800
<v Speaker 1>Wow, this is huge.

0:50:22.840 --> 0:50:23.520
<v Speaker 6>Thank you so much.

0:50:23.680 --> 0:50:27.560
<v Speaker 4>My heart is real full from that because coming from

0:50:27.600 --> 0:50:31.520
<v Speaker 4>where I came from and just always literally you know,

0:50:31.560 --> 0:50:34.439
<v Speaker 4>I dealt with a lot of doubt, the whole stuff.

0:50:35.000 --> 0:50:36.040
<v Speaker 1>I doubt it myself a lot.

0:50:37.360 --> 0:50:41.800
<v Speaker 4>But to get the love that I've been getting regardless

0:50:41.920 --> 0:50:46.120
<v Speaker 4>of all of that, it makes me feel again. You know,

0:50:46.719 --> 0:50:48.960
<v Speaker 4>when you when you're when you when you're kind of

0:50:49.000 --> 0:50:52.360
<v Speaker 4>shot down for whatever reason, when you're shot down, or

0:50:52.360 --> 0:50:56.120
<v Speaker 4>when you feel that your your worth is or you're

0:50:56.160 --> 0:51:00.279
<v Speaker 4>devalued or any in any of that, you don't like

0:51:00.320 --> 0:51:05.239
<v Speaker 4>you deserve and you know, so to get this kind

0:51:05.239 --> 0:51:06.400
<v Speaker 4>of love, I really appreciate you.

0:51:06.440 --> 0:51:06.600
<v Speaker 8>All.

0:51:06.680 --> 0:51:08.640
<v Speaker 3>Well, let me let me let me stop that not

0:51:09.080 --> 0:51:13.600
<v Speaker 3>feeling deserved, because this is your house, this is built

0:51:13.680 --> 0:51:17.600
<v Speaker 3>for you, and I'm gonna just tell you it's well deserved.

0:51:17.640 --> 0:51:18.040
<v Speaker 1>Over here.

0:51:18.520 --> 0:51:23.560
<v Speaker 3>You are a icon, you are a legend, and we

0:51:23.719 --> 0:51:26.839
<v Speaker 3>are immortal fans over here.

0:51:27.040 --> 0:51:34.040
<v Speaker 1>Immortal. I used that word before. I guess it just

0:51:34.160 --> 0:51:37.799
<v Speaker 1>came out like you're mortal for using it. So we're

0:51:37.800 --> 0:51:42.640
<v Speaker 1>gonna play a game real quick now' storry, Okay, I

0:51:42.640 --> 0:51:43.200
<v Speaker 1>ain't gonna lie.

0:51:43.239 --> 0:51:47.239
<v Speaker 3>I'd be drinking, but I did drink last episode, so

0:51:47.560 --> 0:51:49.759
<v Speaker 3>and I saw Keith very I tell you you gotta

0:51:49.800 --> 0:51:50.279
<v Speaker 3>talk about that.

0:51:51.040 --> 0:51:53.640
<v Speaker 1>You know, me and Keith Mary had fake Keith Oh really?

0:51:56.480 --> 0:51:59.920
<v Speaker 1>What happened with that? They wore taking over.

0:52:03.600 --> 0:52:07.200
<v Speaker 3>I'm at Fat Joe's concert and I feel somebody like

0:52:08.560 --> 0:52:12.160
<v Speaker 3>touching my leg because because by the way, I didn't

0:52:12.160 --> 0:52:13.640
<v Speaker 3>go to Fat Joe concerts to perform.

0:52:13.760 --> 0:52:15.359
<v Speaker 1>I went there to be a fan.

0:52:15.800 --> 0:52:19.200
<v Speaker 3>And there I was like, yo, I cannot leave. I mean,

0:52:19.200 --> 0:52:21.840
<v Speaker 3>I gotta leave tomorrow. And they're like why. I'm like,

0:52:21.840 --> 0:52:22.440
<v Speaker 3>I gotta.

0:52:22.200 --> 0:52:26.600
<v Speaker 1>Spread the brother. I said, I ain't missing this. They're like, okay, cool,

0:52:26.719 --> 0:52:31.600
<v Speaker 1>thank you. I hain't somebody, I said, I hear somebody.

0:52:31.719 --> 0:52:34.880
<v Speaker 1>I felt somebody in my leg. I turn around.

0:52:35.080 --> 0:52:40.160
<v Speaker 3>It's a guy with a bandanna, glasses and a joint

0:52:40.200 --> 0:52:43.279
<v Speaker 3>and I look and I just see his eyes. I'm

0:52:43.400 --> 0:52:49.440
<v Speaker 3>keeping when I tell you, I didn't tell nobody around me.

0:52:49.560 --> 0:52:51.040
<v Speaker 3>I didn't say yo, whook me.

0:52:51.360 --> 0:52:57.920
<v Speaker 1>I just seen some'sc and he was like, my heart,

0:52:59.280 --> 0:53:02.319
<v Speaker 1>my heart, what what? What? What do you mean? That's

0:53:04.040 --> 0:53:07.040
<v Speaker 1>Keith testing me if I'm lying? He said my heart,

0:53:08.040 --> 0:53:11.400
<v Speaker 1>And you know what I said, my heart? I did

0:53:11.719 --> 0:53:19.759
<v Speaker 1>I said, I ain't gonna because I want to. I

0:53:19.840 --> 0:53:20.120
<v Speaker 1>want to.

0:53:20.920 --> 0:53:24.759
<v Speaker 3>Testament the hip hop man. We had a misunderstanding. He

0:53:24.920 --> 0:53:28.680
<v Speaker 3>thought something about me, which I liked it, but it

0:53:28.800 --> 0:53:32.560
<v Speaker 3>was false. He's like, no, he's Hollywood, He's different. Now,

0:53:33.200 --> 0:53:37.440
<v Speaker 3>I don't get pedicureous. Look ship, look at my nails

0:53:37.520 --> 0:53:39.759
<v Speaker 3>is sucked up. I don't get pedicures.

0:53:41.200 --> 0:53:45.120
<v Speaker 1>I should. I should, though, but I seen them. We talked,

0:53:45.200 --> 0:53:45.839
<v Speaker 1>we worked it out.

0:53:45.880 --> 0:53:48.960
<v Speaker 3>They filmed it. They film the whole time, the whole time.

0:53:49.080 --> 0:53:51.960
<v Speaker 3>His people filmed it. And I never said, don't film

0:53:53.080 --> 0:53:55.799
<v Speaker 3>because I wanted to document it. That don't don't don't

0:53:55.800 --> 0:53:57.200
<v Speaker 3>ever say that because drink chances.

0:53:57.239 --> 0:53:58.240
<v Speaker 1>We're for our legends.

0:53:58.280 --> 0:53:58.480
<v Speaker 8>Man.

0:53:58.840 --> 0:54:01.040
<v Speaker 3>And the thing about it is, so many times in

0:54:01.120 --> 0:54:04.759
<v Speaker 3>this game people get ten years or more and you

0:54:04.800 --> 0:54:06.799
<v Speaker 3>know what they say. They say you're washed up, they

0:54:06.840 --> 0:54:09.800
<v Speaker 3>say you you're dark irrelevant. Do they say that in

0:54:09.920 --> 0:54:12.200
<v Speaker 3>rock and roll? Do they say that in jazz? Do

0:54:12.320 --> 0:54:15.239
<v Speaker 3>they say heavy metal? They only say it's only us.

0:54:15.320 --> 0:54:19.600
<v Speaker 1>It's only us. So we're gonna change that fucking narrative.

0:54:21.120 --> 0:54:24.320
<v Speaker 3>If you take food from yesterday and you put it

0:54:24.360 --> 0:54:26.680
<v Speaker 3>in the refrigerator and you work and you warm it

0:54:26.760 --> 0:54:27.359
<v Speaker 3>up in the morning.

0:54:27.400 --> 0:54:34.399
<v Speaker 1>Guess what, it's better. It's better. It's been marinated. It's

0:54:34.440 --> 0:54:39.280
<v Speaker 1>been That means it's been seasoned, preserved. You young motherfuckers

0:54:40.960 --> 0:54:44.080
<v Speaker 1>judging the older people. You are a pizza who just

0:54:44.160 --> 0:54:47.040
<v Speaker 1>came out of gobin. It's too hot.

0:54:49.000 --> 0:54:49.960
<v Speaker 4>You're too hot.

0:54:51.719 --> 0:54:55.800
<v Speaker 1>The fuck often enjoy the pizza, right, my friend.

0:54:55.680 --> 0:55:03.239
<v Speaker 8>He ain't gonna brought me a phenomenal pizza. I have

0:55:03.320 --> 0:55:05.160
<v Speaker 8>to put salt on it and let it come up.

0:55:05.239 --> 0:55:09.319
<v Speaker 8>Day got wrong, and then after that cool.

0:55:10.360 --> 0:55:11.640
<v Speaker 1>I enjoyed the pizza.

0:55:12.360 --> 0:55:15.080
<v Speaker 3>So this is too Oh, you young motherfuckers, you're judging

0:55:15.239 --> 0:55:18.280
<v Speaker 3>you one of the young one of the dumb, dumbest

0:55:18.320 --> 0:55:21.200
<v Speaker 3>shits you can say as a young person, is you old?

0:55:21.320 --> 0:55:21.920
<v Speaker 1>Motherfucker?

0:55:22.680 --> 0:55:22.719
<v Speaker 2>What?

0:55:24.880 --> 0:55:28.800
<v Speaker 1>You don't want to be old like me? One day? Idiot?

0:55:30.080 --> 0:55:33.200
<v Speaker 1>The goal is not to die young, The goal is

0:55:34.200 --> 0:55:39.799
<v Speaker 1>to grow to crow idiots. I guess what. I'm sorry.

0:55:39.880 --> 0:55:41.800
<v Speaker 1>I had a moment. Let me add on to that.

0:55:42.160 --> 0:55:46.799
<v Speaker 4>When someone says you're old, you're older too. We're both old. Look,

0:55:46.960 --> 0:55:49.800
<v Speaker 4>you're not going backwards. We're both going up together.

0:55:50.080 --> 0:55:52.880
<v Speaker 1>Like it doesn't make it. It doesn't.

0:55:53.000 --> 0:55:55.000
<v Speaker 6>It's like, how am I get old and you're not.

0:55:55.280 --> 0:55:57.759
<v Speaker 6>We're both growing, you know, so I don't.

0:55:57.760 --> 0:55:59.839
<v Speaker 4>I don't get that the whole irrelevant thing when people

0:55:59.840 --> 0:56:05.160
<v Speaker 4>say you're irrelevant, I'm like, to who you, I don't know,

0:56:05.360 --> 0:56:07.520
<v Speaker 4>it's it's it's weird, you know what.

0:56:07.640 --> 0:56:11.279
<v Speaker 3>I love the renaissance of hip hop right now, Right now,

0:56:12.040 --> 0:56:15.040
<v Speaker 3>hip hop has grown so much, like I can like

0:56:15.120 --> 0:56:18.640
<v Speaker 3>book a vacation and so max a lot would be

0:56:18.640 --> 0:56:21.960
<v Speaker 3>on the fucking m the cruise line.

0:56:22.680 --> 0:56:26.600
<v Speaker 1>Holy, this is dope, like hip hop has involved so much.

0:56:26.640 --> 0:56:29.200
<v Speaker 3>Do you think that hip hop when you started doing

0:56:29.239 --> 0:56:33.480
<v Speaker 3>it with what, for lack of a better term, whack cliche,

0:56:33.560 --> 0:56:35.120
<v Speaker 3>do you think that hip hop would have came this

0:56:35.239 --> 0:56:35.799
<v Speaker 3>far far?

0:56:37.920 --> 0:56:40.040
<v Speaker 6>No, I didn't think about it neither.

0:56:40.600 --> 0:56:40.960
<v Speaker 4>It wasn't.

0:56:41.000 --> 0:56:43.560
<v Speaker 6>It was like it was not something I was thinking about.

0:56:43.560 --> 0:56:44.520
<v Speaker 6>It was something I was doing.

0:56:45.560 --> 0:56:49.960
<v Speaker 4>So that was like the original question back in the days,

0:56:50.080 --> 0:56:54.480
<v Speaker 4>most most of US artists who were first interviewed was

0:56:54.600 --> 0:56:57.200
<v Speaker 4>asked the question, what are you going to do when

0:56:57.280 --> 0:57:01.680
<v Speaker 4>this is over? And I can say for me, I'm like,

0:57:01.840 --> 0:57:03.880
<v Speaker 4>I don't know nothing know, So I'm just gonna keep doing.

0:57:03.800 --> 0:57:06.239
<v Speaker 1>What until you know? To the wheels fall? Could that

0:57:06.280 --> 0:57:09.080
<v Speaker 1>have played into the bad business nuts foreseeing it?

0:57:09.840 --> 0:57:11.680
<v Speaker 4>You know, yeah, be here so long, of course, but

0:57:11.800 --> 0:57:16.200
<v Speaker 4>look what it won't happen again. Experience is important. So

0:57:16.280 --> 0:57:19.400
<v Speaker 4>when you get older and talk about growing, you grow

0:57:19.520 --> 0:57:24.320
<v Speaker 4>with experience. And these younger you know, I feel, I

0:57:24.400 --> 0:57:26.600
<v Speaker 4>feel if they ain't watching and if they ain't learning,

0:57:27.320 --> 0:57:30.720
<v Speaker 4>you know, they're gonna get hit hard. I always think about,

0:57:30.760 --> 0:57:34.280
<v Speaker 4>like the newer artists, like the younger generation of artists,

0:57:35.240 --> 0:57:40.240
<v Speaker 4>they're gonna need therapy. Yeah, eventually, you know what, They're

0:57:40.240 --> 0:57:43.640
<v Speaker 4>gonna need therapy, Ain't I right or wrong? They're not

0:57:43.960 --> 0:57:45.800
<v Speaker 4>going to need Derby, they need Derby now?

0:57:46.120 --> 0:57:48.760
<v Speaker 1>Well yeah, I mean once you come we all need therapy.

0:57:48.840 --> 0:57:49.560
<v Speaker 6>Though, yeah we do.

0:57:49.840 --> 0:57:54.400
<v Speaker 4>But I really, especially for the young women, it's it's

0:57:54.600 --> 0:57:56.760
<v Speaker 4>not and I'm not just talking about I'm talking about

0:57:56.960 --> 0:58:01.400
<v Speaker 4>I mean whoever the DJ's everything is. It's a lot

0:58:01.920 --> 0:58:04.520
<v Speaker 4>to come through this. And with social media and with

0:58:04.680 --> 0:58:07.240
<v Speaker 4>social media, we didn't and we didn't have social media

0:58:07.400 --> 0:58:10.560
<v Speaker 4>like that. So I just feel like, yeah, get a

0:58:10.560 --> 0:58:12.000
<v Speaker 4>good therapist on deck.

0:58:12.920 --> 0:58:14.320
<v Speaker 6>On your team.

0:58:15.160 --> 0:58:17.040
<v Speaker 1>Get a good therapist on your team. So let me

0:58:17.080 --> 0:58:18.960
<v Speaker 1>ask you, because this has been a question on my mom,

0:58:19.960 --> 0:58:21.160
<v Speaker 1>how did you get the names?

0:58:21.320 --> 0:58:28.600
<v Speaker 4>Bendrella Spinderella was given to me Herbie Herbie. Herbie Herbie said, Okay,

0:58:28.680 --> 0:58:30.439
<v Speaker 4>now it's just so you know, I know you mentioned

0:58:30.480 --> 0:58:32.480
<v Speaker 4>there was a Spinderella before me. Yes, there was a

0:58:32.520 --> 0:58:37.120
<v Speaker 4>Spinderella before me on the first Salt and Pepper album, Hot,

0:58:37.160 --> 0:58:40.000
<v Speaker 4>Cool and Vicious, that there's a picture of another young lady.

0:58:41.120 --> 0:58:46.240
<v Speaker 6>She was the first Sponderella. I don't I can't say

0:58:46.280 --> 0:58:47.320
<v Speaker 6>what the story was.

0:58:48.240 --> 0:58:54.200
<v Speaker 4>But they were looking for another female DJ for their

0:58:54.240 --> 0:58:58.800
<v Speaker 4>first major tour, a tour initially it was a tour,

0:58:59.480 --> 0:59:03.360
<v Speaker 4>and I auditioned. They you know, they heard about me

0:59:03.520 --> 0:59:05.920
<v Speaker 4>and they asked me to audition. I auditioned and then

0:59:05.960 --> 0:59:07.920
<v Speaker 4>I got it. So I don't know what you know,

0:59:08.000 --> 0:59:10.280
<v Speaker 4>what this story is. I can't say what happened before me.

0:59:10.520 --> 0:59:18.040
<v Speaker 1>But yeah, has she ever spoken out?

0:59:19.560 --> 0:59:22.840
<v Speaker 4>Pretty sure she has, But I, you know, I don't know.

0:59:23.360 --> 0:59:26.280
<v Speaker 4>I know there's a story. Everybody has a story.

0:59:26.400 --> 0:59:28.760
<v Speaker 1>So and is it true. Wendy Williams also tried to

0:59:28.880 --> 0:59:29.640
<v Speaker 1>audition to be the.

0:59:30.040 --> 0:59:31.520
<v Speaker 6>She says that too, what.

0:59:37.400 --> 0:59:37.840
<v Speaker 8>Not being.

0:59:40.320 --> 0:59:43.800
<v Speaker 4>It's been the relation So so Herveie was looking for

0:59:44.440 --> 0:59:47.200
<v Speaker 4>originally what we said, he was looking for that N

0:59:47.240 --> 0:59:52.640
<v Speaker 4>D C. J. Houdini, you know, two m season a DJ.

0:59:54.040 --> 0:59:58.800
<v Speaker 4>But as females. All I know is that when I auditioned,

0:59:58.920 --> 0:59:59.400
<v Speaker 4>I got it.

1:00:00.240 --> 1:00:01.720
<v Speaker 1>And that's all I know. That was hard.

1:00:06.080 --> 1:00:08.320
<v Speaker 4>But yes, Herbie gave me the name. But there was

1:00:08.360 --> 1:00:11.960
<v Speaker 4>a Spinderella from the early eighties. Okay, I can't say,

1:00:12.000 --> 1:00:14.240
<v Speaker 4>but you know, give credit where credit is due. I

1:00:14.320 --> 1:00:16.240
<v Speaker 4>can't say I made the name of the story.

1:00:16.360 --> 1:00:18.320
<v Speaker 1>Yeah, I got.

1:00:18.720 --> 1:00:21.600
<v Speaker 4>I'm a collective of old ship So I bought a

1:00:21.680 --> 1:00:25.800
<v Speaker 4>Spinderella doll from like the early seventies and it was her. No,

1:00:26.160 --> 1:00:28.120
<v Speaker 4>it was a little it was a little white doll

1:00:28.240 --> 1:00:30.880
<v Speaker 4>with blonde hair, it was, and she was spinning on

1:00:30.960 --> 1:00:33.400
<v Speaker 4>a spindle or whatever. And her name was Spinder.

1:00:34.640 --> 1:00:35.680
<v Speaker 1>That's where they got the name from.

1:00:36.040 --> 1:00:40.560
<v Speaker 4>I don't know, but I have that doll and I'm like, wow, So,

1:00:41.200 --> 1:00:45.120
<v Speaker 4>and that's how old the name is, right, that is documented,

1:00:45.200 --> 1:00:46.400
<v Speaker 4>so you know, And the.

1:00:47.280 --> 1:00:49.880
<v Speaker 2>First Spender was the one that was before you. She

1:00:50.000 --> 1:00:53.200
<v Speaker 2>comes out in one I think one single or one vinyl.

1:00:52.920 --> 1:00:58.720
<v Speaker 4>That she appears on that first album, right, Yeah, that's crazy.

1:00:58.920 --> 1:01:02.400
<v Speaker 4>But then Thomas, I can't say what happened there because

1:01:02.560 --> 1:01:04.720
<v Speaker 4>I'm not right to their situation.

1:01:05.640 --> 1:01:08.560
<v Speaker 2>And it's and still when you get in it's thirty

1:01:08.600 --> 1:01:11.720
<v Speaker 2>plus years. Yeah, and all the success because Push It

1:01:11.880 --> 1:01:12.680
<v Speaker 2>hadn't come out yet.

1:01:13.480 --> 1:01:16.560
<v Speaker 4>Push It, Push It came out when I got there. Yeah,

1:01:16.680 --> 1:01:18.880
<v Speaker 4>when Yeah, we did the video for it. We shot

1:01:18.920 --> 1:01:20.520
<v Speaker 4>the video. As a matter of fact, the story is

1:01:21.280 --> 1:01:23.640
<v Speaker 4>we were doing we were on that tour and we

1:01:23.720 --> 1:01:26.160
<v Speaker 4>were on the Wipeout tours the Fat Boys, Heavy D

1:01:26.320 --> 1:01:29.520
<v Speaker 4>and the Boys, Salt and Pepper, Dana.

1:01:29.360 --> 1:01:32.920
<v Speaker 6>Dane and Clark Kent.

1:01:33.080 --> 1:01:33.240
<v Speaker 1>DJ.

1:01:33.320 --> 1:01:38.120
<v Speaker 4>Clark Kent was on it, and we weren't doing Push It.

1:01:39.120 --> 1:01:41.480
<v Speaker 4>And then they were like, I guess some DJ and

1:01:43.160 --> 1:01:47.960
<v Speaker 4>in either Hawaii or the Bay played push It and

1:01:48.080 --> 1:01:49.440
<v Speaker 4>it just got viral.

1:01:50.400 --> 1:01:52.200
<v Speaker 1>It, you know, caught fire because it was a B

1:01:52.360 --> 1:01:53.240
<v Speaker 1>side of a record, right.

1:01:53.200 --> 1:01:56.439
<v Speaker 4>It was the B side of Tramp Tramp Tramp, yes

1:01:56.600 --> 1:01:58.960
<v Speaker 4>what you called me. And then they were like you

1:01:59.040 --> 1:02:01.640
<v Speaker 4>got to play push It? And I was like all right,

1:02:01.760 --> 1:02:04.240
<v Speaker 4>they gave me the vinyl and I'll drop push It.

1:02:04.320 --> 1:02:04.800
<v Speaker 8>And it was like.

1:02:06.680 --> 1:02:08.480
<v Speaker 4>And we we really didn't want to do that song.

1:02:08.520 --> 1:02:11.080
<v Speaker 4>We thought it was a parody. Like we were like,

1:02:12.440 --> 1:02:15.520
<v Speaker 4>it was, well, not a parody, but we thought it

1:02:15.680 --> 1:02:19.680
<v Speaker 4>was like a funny like what's the word just being

1:02:19.800 --> 1:02:23.320
<v Speaker 4>fun like fun not parody, but something you know, funny.

1:02:24.320 --> 1:02:27.160
<v Speaker 1>You didn't think that at all. Well he did. It

1:02:27.920 --> 1:02:31.480
<v Speaker 1>was a serious hip hop record. We didn't as in salt.

1:02:32.640 --> 1:02:34.960
<v Speaker 1>And then Herbie, well these are things you want. You

1:02:35.000 --> 1:02:35.480
<v Speaker 1>wanted to know.

1:02:36.920 --> 1:02:40.960
<v Speaker 6>And then Herbie, Herbie you know, was like he was

1:02:41.040 --> 1:02:42.120
<v Speaker 6>really behind the song.

1:02:42.240 --> 1:02:42.720
<v Speaker 4>He wanted it.

1:02:42.840 --> 1:02:44.840
<v Speaker 1>So it was like we gotta do, we gotta do

1:02:44.920 --> 1:02:45.240
<v Speaker 1>push it.

1:02:45.440 --> 1:02:46.320
<v Speaker 6>Let's you know, test it.

1:02:46.800 --> 1:02:47.080
<v Speaker 5>We did.

1:02:48.120 --> 1:02:53.440
<v Speaker 1>Do you realize how many movies pushing it is in?

1:02:54.320 --> 1:02:58.280
<v Speaker 6>It's in a few huh every time watch I'll watch

1:02:58.320 --> 1:02:59.880
<v Speaker 6>a movie and I'll be like.

1:03:00.160 --> 1:03:04.800
<v Speaker 1>Shoe, So is that one of your discrepancies?

1:03:04.880 --> 1:03:05.040
<v Speaker 8>Is that?

1:03:05.240 --> 1:03:08.720
<v Speaker 1>Because I ain't gonna lie to you, this is full discrepancy,

1:03:09.000 --> 1:03:15.200
<v Speaker 1>full disclosureloure. That's what I mean. Every time I hear

1:03:15.240 --> 1:03:17.520
<v Speaker 1>a super Doug played in the movie, I get you

1:03:17.600 --> 1:03:19.560
<v Speaker 1>gotta get your check. I don't get nothing. You got

1:03:19.680 --> 1:03:22.200
<v Speaker 1>to get I get it next year. Next year it

1:03:22.280 --> 1:03:25.520
<v Speaker 1>is my twenty five. It reverts to him. I could

1:03:25.520 --> 1:03:28.640
<v Speaker 1>have brought it back. I have, uh what is it

1:03:28.720 --> 1:03:31.040
<v Speaker 1>called residuals to do it, to buy it.

1:03:31.360 --> 1:03:34.800
<v Speaker 3>But it's like if I wait till March, I get

1:03:34.840 --> 1:03:37.200
<v Speaker 3>it back for free and then I could do business.

1:03:38.120 --> 1:03:41.600
<v Speaker 3>So I'm yeah, I want to wait, but I look

1:03:41.760 --> 1:03:45.640
<v Speaker 3>at like I saw Entourage the movie and then my

1:03:45.840 --> 1:03:49.720
<v Speaker 3>record came on and everybody's like, hey, congratulations, and I'm

1:03:49.760 --> 1:03:51.880
<v Speaker 3>looking at them like I didn't even know this ship

1:03:52.000 --> 1:03:53.680
<v Speaker 3>was in there. But I'm not going to tell them

1:03:53.760 --> 1:03:56.680
<v Speaker 3>that because I don't want them to know. Actually, my business.

1:03:58.600 --> 1:04:01.080
<v Speaker 3>When you here pushed it, do you do you feel.

1:04:00.880 --> 1:04:02.040
<v Speaker 1>Like that, Well, I'm not.

1:04:03.040 --> 1:04:05.240
<v Speaker 4>I'm not a writer on push it, So you have

1:04:05.440 --> 1:04:07.720
<v Speaker 4>to be part of the part of the SA performer.

1:04:08.200 --> 1:04:10.600
<v Speaker 4>You know, Salt and Pepper Food performed that song before

1:04:10.680 --> 1:04:13.840
<v Speaker 4>I joined them, so they they not performed it. They

1:04:14.360 --> 1:04:16.200
<v Speaker 4>recorded it before I joined them.

1:04:17.080 --> 1:04:17.800
<v Speaker 1>It just hadn't hit.

1:04:18.080 --> 1:04:18.880
<v Speaker 6>It just hadn't been.

1:04:19.880 --> 1:04:22.280
<v Speaker 4>It started to hit when I came in and we

1:04:22.800 --> 1:04:24.640
<v Speaker 4>played it in the show. Then it started to blow up.

1:04:25.240 --> 1:04:28.520
<v Speaker 4>But when you're on the song, and when you're writing

1:04:28.640 --> 1:04:30.480
<v Speaker 4>on a song, or when you produce a song, that's

1:04:30.480 --> 1:04:32.480
<v Speaker 4>when you should be able to collect on that.

1:04:33.040 --> 1:04:36.240
<v Speaker 6>You know, Uh, what a man is a different story.

1:04:36.520 --> 1:04:37.040
<v Speaker 1>What a man?

1:04:37.640 --> 1:04:38.120
<v Speaker 2>What a man?

1:04:39.160 --> 1:04:42.400
<v Speaker 4>If you hear what a man on a commercial or anything, man,

1:04:42.600 --> 1:04:47.080
<v Speaker 4>that's a check. Yeah, let's talk about sex is another one.

1:04:47.600 --> 1:04:50.800
<v Speaker 1>Let's let's let's stick with what a man? Though, okay, yeah,

1:04:50.840 --> 1:04:53.120
<v Speaker 1>in the studio, what happens? What is? What is? How

1:04:53.120 --> 1:04:54.040
<v Speaker 1>does his magic work?

1:04:54.360 --> 1:04:54.880
<v Speaker 4>Oh my god?

1:04:55.760 --> 1:04:57.520
<v Speaker 6>Well I know how it worked for me.

1:05:02.320 --> 1:05:05.240
<v Speaker 4>They would do their own recording and then they would

1:05:05.280 --> 1:05:08.360
<v Speaker 4>call me in and I would do mine. So everybody's

1:05:08.440 --> 1:05:12.760
<v Speaker 4>kind of a separate and then piece together. Yeah, everybody

1:05:12.800 --> 1:05:19.360
<v Speaker 4>would be separate and piece together that particular song was done,

1:05:19.440 --> 1:05:24.080
<v Speaker 4>and I you know it's been so long. Yeah, it

1:05:24.080 --> 1:05:25.720
<v Speaker 4>would just be like if I recorded on a song,

1:05:25.800 --> 1:05:27.840
<v Speaker 4>it'd be like, d D, can you come in at

1:05:28.280 --> 1:05:29.360
<v Speaker 4>seven seven o'clock?

1:05:30.000 --> 1:05:32.160
<v Speaker 1>Sorry, said, my name is d D. I love that.

1:05:32.480 --> 1:05:35.640
<v Speaker 1>But they called you, they didn't call you, spend them. Yeah,

1:05:35.640 --> 1:05:36.760
<v Speaker 1>they call they call me d D.

1:05:36.880 --> 1:05:37.920
<v Speaker 4>I call them Cheryl.

1:05:38.120 --> 1:05:38.880
<v Speaker 1>I still call we.

1:05:38.920 --> 1:05:42.640
<v Speaker 4>Called we called Pepa, Sandy. We call us by each other,

1:05:42.720 --> 1:05:43.800
<v Speaker 4>by our first names.

1:05:44.160 --> 1:05:46.440
<v Speaker 1>I don't think you never called me Victor neither. When

1:05:46.520 --> 1:05:48.080
<v Speaker 1>we get pissed, be first name.

1:05:53.600 --> 1:05:57.200
<v Speaker 4>That's how you know you know somebody, you know, Yeah,

1:05:57.240 --> 1:05:59.360
<v Speaker 4>we call each other. But yes, it went like that

1:05:59.520 --> 1:06:02.520
<v Speaker 4>when when it was time to record. And I know

1:06:02.640 --> 1:06:06.160
<v Speaker 4>when I started doing I did. I didn't really know

1:06:06.320 --> 1:06:07.880
<v Speaker 4>that I had the talent of rapping.

1:06:08.360 --> 1:06:09.000
<v Speaker 6>You know what I'm saying.

1:06:09.160 --> 1:06:09.880
<v Speaker 1>I didn't know.

1:06:10.040 --> 1:06:12.560
<v Speaker 4>I was just like, all right, whatever. I was just DJing,

1:06:12.600 --> 1:06:14.600
<v Speaker 4>doing my thing, and then Herbie would call me in

1:06:14.720 --> 1:06:17.320
<v Speaker 4>and be like, come do the song. Oh you sound

1:06:17.360 --> 1:06:19.640
<v Speaker 4>good on that. Come do this one, Come do this one.

1:06:19.840 --> 1:06:21.760
<v Speaker 4>And so that's how it went. It was like, and

1:06:21.840 --> 1:06:25.440
<v Speaker 4>you were writing your own stuff. I wrote, but I

1:06:25.680 --> 1:06:29.680
<v Speaker 4>can't say I wrote what a man? Okay, the songs

1:06:29.760 --> 1:06:32.440
<v Speaker 4>that I produced for Salt and Pepper I wrote on

1:06:33.800 --> 1:06:34.320
<v Speaker 4>Fish today.

1:06:34.640 --> 1:06:38.360
<v Speaker 1>Yeah, that's incredible. With Thomas.

1:06:38.840 --> 1:06:43.640
<v Speaker 4>You explain her the rules, the rules okay. Again, is

1:06:43.640 --> 1:06:47.040
<v Speaker 4>a drinking game, oh ship, Okay, you should have told

1:06:47.080 --> 1:06:48.120
<v Speaker 4>me that before I started drinking.

1:06:48.160 --> 1:06:50.600
<v Speaker 1>I'm gonna be honest with you. I said it earlier.

1:06:50.800 --> 1:06:54.120
<v Speaker 1>But she has the wildest drink order in drink Champs history.

1:06:54.400 --> 1:06:59.480
<v Speaker 1>I do top three. I just don't think she meant

1:06:59.760 --> 1:07:03.520
<v Speaker 1>all that at once. That's why he took it. We

1:07:03.600 --> 1:07:08.200
<v Speaker 1>said that he's like Hanny Ace. It was the other thing.

1:07:08.280 --> 1:07:19.440
<v Speaker 3>No, no, no, yo, wake up brother, Yo, listen man.

1:07:19.840 --> 1:07:22.000
<v Speaker 3>I know you see and Ship and you're trying to

1:07:22.000 --> 1:07:23.320
<v Speaker 3>get somebody to go with you the Turks.

1:07:23.520 --> 1:07:32.360
<v Speaker 1>But you'll her order was vodka, Hannesy, not conjact. That's

1:07:32.400 --> 1:07:33.120
<v Speaker 1>what threw me off.

1:07:33.320 --> 1:07:35.640
<v Speaker 3>I was like, most people say conyact and like they

1:07:35.680 --> 1:07:39.120
<v Speaker 3>will say any she said, you said, Hennessy said.

1:07:39.000 --> 1:07:40.840
<v Speaker 1>Is on my writer. No, I was like, I was

1:07:40.920 --> 1:07:46.040
<v Speaker 1>like spinning brother on a fight because he is on

1:07:46.160 --> 1:07:46.520
<v Speaker 1>my writer.

1:07:47.160 --> 1:07:50.040
<v Speaker 4>That's like, it's like Hennessey privilege. That has to be privileged.

1:07:50.080 --> 1:07:56.240
<v Speaker 3>See, we didn't get the privilege on Hennessy whiskey and tequila.

1:07:56.560 --> 1:07:58.560
<v Speaker 3>By the way, I'm gonna be honest.

1:07:59.400 --> 1:07:59.919
<v Speaker 4>What do you drink?

1:08:00.000 --> 1:08:00.880
<v Speaker 6>I said, I drink all of.

1:08:00.880 --> 1:08:03.600
<v Speaker 1>That since when I see this order, I was like,

1:08:04.480 --> 1:08:05.240
<v Speaker 1>it's going down.

1:08:05.960 --> 1:08:07.560
<v Speaker 6>Yes, you got a drink?

1:08:07.560 --> 1:08:07.720
<v Speaker 2>Bad?

1:08:07.880 --> 1:08:10.640
<v Speaker 1>Yes, please come on, husband, can get your ass a drink.

1:08:10.720 --> 1:08:13.040
<v Speaker 4>Man, Okay, you want to drink?

1:08:13.960 --> 1:08:17.479
<v Speaker 1>My daughter wants to drink. Yes, please, Okay, I'm ready

1:08:17.479 --> 1:08:18.479
<v Speaker 1>for the game. Okay, let's go.

1:08:18.600 --> 1:08:20.519
<v Speaker 2>Actually, before we start, I want to say happy birthday

1:08:20.560 --> 1:08:22.720
<v Speaker 2>to Kayla's her twenty first birthday is Charlie's daughter.

1:08:25.800 --> 1:08:26.519
<v Speaker 1>Shout out to her.

1:08:26.560 --> 1:08:28.160
<v Speaker 2>I told her this would be a great episode for

1:08:28.200 --> 1:08:30.240
<v Speaker 2>her to come. Such a good role model to be here.

1:08:30.560 --> 1:08:35.080
<v Speaker 3>Okay, Leo yo season Hey wait all right, so Leo

1:08:35.280 --> 1:08:38.320
<v Speaker 3>goes and then virgos after right, Yeah, I guess you're next,

1:08:38.360 --> 1:08:38.680
<v Speaker 3>aren't you?

1:08:39.080 --> 1:08:42.920
<v Speaker 1>How you yeah, okay, my daughter is a virgo. You

1:08:43.000 --> 1:08:51.880
<v Speaker 1>a virgo? What's your date? Is that? You? And he

1:08:51.960 --> 1:09:05.960
<v Speaker 1>kept saying we related. You said, look at that, look

1:09:06.000 --> 1:09:08.080
<v Speaker 1>at that. I think he thinks when he saw you

1:09:08.160 --> 1:09:13.080
<v Speaker 1>in left right, I decided to have a baby on

1:09:13.200 --> 1:09:21.360
<v Speaker 1>his birthday. That twins. That's why he said, I got.

1:09:21.280 --> 1:09:25.400
<v Speaker 4>A connection with her. But your literal twins birthday twins?

1:09:25.720 --> 1:09:27.439
<v Speaker 3>How cool is Foxy Brown?

1:09:28.040 --> 1:09:31.320
<v Speaker 1>Real Foxes said I'm gonna take shout out Foxy man.

1:09:31.360 --> 1:09:33.439
<v Speaker 1>We need her on here, we need foxing on whole.

1:09:33.520 --> 1:09:35.360
<v Speaker 3>God let me know when now I booked up my

1:09:35.479 --> 1:09:39.439
<v Speaker 3>childhood and resonated my manhood.

1:09:38.960 --> 1:09:42.679
<v Speaker 1>At the same time. Okay, So we were explaining the rules,

1:09:43.000 --> 1:09:44.519
<v Speaker 1>trying to this this.

1:09:45.560 --> 1:09:48.439
<v Speaker 2>I ain't gonna lie stop no more, no more, stop

1:09:48.479 --> 1:09:49.360
<v Speaker 2>talking no more.

1:09:51.360 --> 1:09:53.960
<v Speaker 1>I'm gonna let you do it. I got yours dates.

1:09:54.520 --> 1:09:57.439
<v Speaker 1>Let you know this stuff. Don't talk no more. So

1:09:58.439 --> 1:10:03.160
<v Speaker 1>Tember sixth, she just came out. I had no idea.

1:10:03.200 --> 1:10:04.519
<v Speaker 1>I'm looking up like still.

1:10:06.960 --> 1:10:09.360
<v Speaker 2>We're going to give you two choices. And this is

1:10:09.400 --> 1:10:11.519
<v Speaker 2>not to pin anybody against each other. It's just random

1:10:11.560 --> 1:10:13.800
<v Speaker 2>two choices. These guys over here, and we would like

1:10:13.880 --> 1:10:17.719
<v Speaker 2>to drink. Yeah, and if you pick one, nobody drinks.

1:10:18.360 --> 1:10:20.960
<v Speaker 2>But if you say both of them or neither of them,

1:10:21.000 --> 1:10:22.720
<v Speaker 2>which would be the PC answer.

1:10:23.200 --> 1:10:23.759
<v Speaker 4>Say it again.

1:10:24.320 --> 1:10:26.840
<v Speaker 2>If I pick one, If you picked one, nobody drinks,

1:10:26.840 --> 1:10:30.160
<v Speaker 2>nobody drinks. And if you don't pick we drink. Basically

1:10:30.479 --> 1:10:32.360
<v Speaker 2>all of us, we all drink together. We're all going

1:10:32.400 --> 1:10:32.920
<v Speaker 2>to get drunks.

1:10:33.280 --> 1:10:33.680
<v Speaker 1>Pick one.

1:10:34.280 --> 1:10:38.160
<v Speaker 2>And if you have stories with anybody, please alladin. And

1:10:38.280 --> 1:10:41.160
<v Speaker 2>it's whatever the reason in your mind is. Don't it's

1:10:41.439 --> 1:10:42.360
<v Speaker 2>maybe you would.

1:10:42.120 --> 1:10:44.519
<v Speaker 4>Be the reason of choosing one one or one.

1:10:44.479 --> 1:10:46.639
<v Speaker 1>Might be more a friend of yours. One, you might

1:10:46.720 --> 1:10:49.439
<v Speaker 1>like the music, whatever it is, it's what stands out

1:10:49.479 --> 1:10:49.840
<v Speaker 1>more to me.

1:10:51.120 --> 1:10:53.400
<v Speaker 3>I love how she's she's never been in the resource room.

1:10:53.720 --> 1:10:56.560
<v Speaker 3>You see how she's she was assessed you.

1:10:56.640 --> 1:10:57.720
<v Speaker 1>No, no, no, no, she's like.

1:11:00.160 --> 1:11:04.000
<v Speaker 3>Very clear like the house. Good tell that she's very smart.

1:11:04.920 --> 1:11:06.759
<v Speaker 3>All right, By the way, all of all the guests

1:11:06.880 --> 1:11:11.160
<v Speaker 3>has not been Oh all right. First one is Primo

1:11:11.320 --> 1:11:12.160
<v Speaker 3>or Pete Rock.

1:11:13.240 --> 1:11:17.479
<v Speaker 4>Pete Rock, And I love Primo Pete Okay, so Pete Rock,

1:11:18.160 --> 1:11:22.240
<v Speaker 4>So oh yeah. I used to date Eddie f Eddief

1:11:22.360 --> 1:11:25.920
<v Speaker 4>was Heavy D and the boys. When it's when I

1:11:25.920 --> 1:11:28.880
<v Speaker 4>would go to Eddief's house, Heavy D would come over.

1:11:29.000 --> 1:11:31.280
<v Speaker 4>They would you know, do their recording or whatever. Pete

1:11:31.360 --> 1:11:33.519
<v Speaker 4>Rock would always be coming coming over there all in

1:11:33.560 --> 1:11:37.040
<v Speaker 4>Mount Vernon, and Pete Rock was like a kid so

1:11:37.680 --> 1:11:40.200
<v Speaker 4>and I was a kid. But it was like we both,

1:11:40.320 --> 1:11:43.080
<v Speaker 4>you know, we're young and just kind of watching heavy

1:11:43.120 --> 1:11:46.240
<v Speaker 4>d and the boys develop and do their thing or whatever.

1:11:46.680 --> 1:11:49.960
<v Speaker 4>And Pete would be there, you know, just messing around

1:11:50.000 --> 1:11:52.720
<v Speaker 4>with the drum machine Eddief's drum machine and stuff like that.

1:11:52.960 --> 1:11:57.599
<v Speaker 1>So I have a like, that's like a brother to me, Pete.

1:11:57.680 --> 1:12:00.880
<v Speaker 1>But you picked Primo, No, I said, Pete. I said,

1:12:00.960 --> 1:12:04.599
<v Speaker 1>Primo is my is my boy. But it's okay, okay, okay,

1:12:05.240 --> 1:12:08.519
<v Speaker 1>Queen of Tea for MC light take a shot.

1:12:08.880 --> 1:12:09.639
<v Speaker 4>Let's take a shot.

1:12:09.800 --> 1:12:12.080
<v Speaker 1>Hey man, no Lean witness bro. I just want to drink.

1:12:12.280 --> 1:12:14.960
<v Speaker 1>I like, and I love both of them. I should say,

1:12:15.640 --> 1:12:19.920
<v Speaker 1>I just came from New York Funk Flex or DJ

1:12:20.080 --> 1:12:33.160
<v Speaker 1>Clue cheers. What what do I say? I don't know.

1:12:34.240 --> 1:12:39.120
<v Speaker 1>You're gonna say nothing. You're drinking. That says enough, all right,

1:12:40.000 --> 1:12:44.439
<v Speaker 1>Lady of Rage or Yo yo oh Ship. I love

1:12:44.520 --> 1:12:50.720
<v Speaker 1>both of them. This is not fair. This is the

1:12:50.840 --> 1:12:52.559
<v Speaker 1>name of the game. We're trying to get you drunk.

1:12:53.840 --> 1:12:55.000
<v Speaker 1>This is where it all goes down there.

1:12:55.640 --> 1:12:56.599
<v Speaker 6>I'm gonna make a decision.

1:12:56.720 --> 1:13:01.040
<v Speaker 1>Okay, see some people do this. My Leo's sister, some

1:13:01.400 --> 1:13:02.840
<v Speaker 1>Leos before Virgo right.

1:13:03.160 --> 1:13:08.160
<v Speaker 4>Leo's yeah, yeah, yeah, Leo's before Virgot.

1:13:08.280 --> 1:13:09.600
<v Speaker 1>Hold out Virgos.

1:13:11.720 --> 1:13:14.679
<v Speaker 6>I'm gonna say, yo yo, Okay, So no drinking, drinking

1:13:15.200 --> 1:13:16.519
<v Speaker 6>all and Rage is going to.

1:13:16.560 --> 1:13:17.679
<v Speaker 1>Actually be on that TV.

1:13:17.960 --> 1:13:19.680
<v Speaker 6>She has a new movie coming out, y'all know.

1:13:19.840 --> 1:13:23.920
<v Speaker 1>The Miss Cleo one Yes, didn't it come out? Is

1:13:23.920 --> 1:13:26.479
<v Speaker 1>going to be Miss Yes. I saw clips.

1:13:28.040 --> 1:13:30.200
<v Speaker 4>It's going to be for her.

1:13:30.360 --> 1:13:31.840
<v Speaker 1>Yeah. I want to be a part of that. We

1:13:31.880 --> 1:13:33.439
<v Speaker 1>need both of them on drinks. By the way, I

1:13:33.520 --> 1:13:36.559
<v Speaker 1>want to watch the movie. Excuse me all right? Next one.

1:13:38.520 --> 1:13:44.880
<v Speaker 2>J J Fat or Oaktown three five seven Oaktown.

1:13:42.920 --> 1:13:44.400
<v Speaker 1>Three f seven really okay?

1:13:45.320 --> 1:13:50.960
<v Speaker 4>Because sweet ld is my girl and she lives in Dallas.

1:13:51.080 --> 1:13:53.080
<v Speaker 6>We live in Dallas. So she comes in, we hang out.

1:13:53.200 --> 1:13:55.400
<v Speaker 1>Did you get you guys tour with with Hammer and them? Yes,

1:13:55.479 --> 1:13:58.400
<v Speaker 1>we did that. That must have been crazy show honey Hammer?

1:13:59.360 --> 1:14:02.680
<v Speaker 1>Did you say, honey, honey, that's old school ship right.

1:14:03.560 --> 1:14:08.320
<v Speaker 4>Let me tell you about Let me tell you about Hamma.

1:14:08.840 --> 1:14:11.559
<v Speaker 4>Hamma was put on like he was when we were

1:14:11.600 --> 1:14:13.519
<v Speaker 4>on that tour. The wipe was if the White Tour

1:14:13.520 --> 1:14:14.880
<v Speaker 4>it might have been. I don't know if it's the

1:14:14.880 --> 1:14:18.040
<v Speaker 4>White All Tour or the other tour, but Hammer would

1:14:18.080 --> 1:14:19.840
<v Speaker 4>be when we would come to the West coast, Hamma

1:14:19.880 --> 1:14:20.479
<v Speaker 4>would open.

1:14:21.240 --> 1:14:24.800
<v Speaker 6>By the end of the tour, Hammo was closing. So

1:14:26.000 --> 1:14:29.320
<v Speaker 6>I mean, because he was that man, he was that dope.

1:14:29.640 --> 1:14:31.720
<v Speaker 2>When he started on his side, he was opening, he

1:14:31.840 --> 1:14:33.800
<v Speaker 2>was opening, and then by the end he was close.

1:14:34.680 --> 1:14:38.240
<v Speaker 1>Jeans that's he had on the baggage. No, he had,

1:14:38.560 --> 1:14:40.680
<v Speaker 1>he had a baggage. He had on a bag of.

1:14:42.360 --> 1:14:43.200
<v Speaker 6>Pants the whole time though.

1:14:43.439 --> 1:14:46.520
<v Speaker 1>Yeah, it was official performers.

1:14:46.840 --> 1:14:51.519
<v Speaker 4>One of the best performers period energy I mean his

1:14:51.720 --> 1:14:54.479
<v Speaker 4>dancers and Sweet Old from three four seven was one

1:14:54.520 --> 1:14:54.720
<v Speaker 4>of them.

1:14:54.720 --> 1:14:56.080
<v Speaker 1>I used to be on the side of the stage like,

1:14:56.160 --> 1:14:58.519
<v Speaker 1>oh my god. They were so like.

1:15:00.120 --> 1:15:03.360
<v Speaker 4>Still going after Himmer. This is this, This was our

1:15:03.400 --> 1:15:05.680
<v Speaker 4>train of thought back then. Nobody wanted to go on

1:15:05.720 --> 1:15:06.200
<v Speaker 4>after Himmer.

1:15:06.240 --> 1:15:13.080
<v Speaker 1>So yeah, I don't even know what that meant. I

1:15:13.200 --> 1:15:18.240
<v Speaker 1>was like, that's hard. Put you in the mix.

1:15:20.920 --> 1:15:28.040
<v Speaker 2>You m TV raps are rap city? M mmm rap City? Okay,

1:15:28.439 --> 1:15:29.639
<v Speaker 2>any rap City stories.

1:15:30.400 --> 1:15:33.760
<v Speaker 4>I've never been on Rap City but uh, oh no,

1:15:33.960 --> 1:15:38.000
<v Speaker 4>you picked Rap City, I picked and I used to

1:15:38.240 --> 1:15:40.640
<v Speaker 4>love watching it. I mean I loved you know, I

1:15:40.760 --> 1:15:43.320
<v Speaker 4>love the Basement. I loved you know, that was my era.

1:15:43.560 --> 1:15:45.000
<v Speaker 1>How about your TV rap stories?

1:15:45.120 --> 1:15:48.280
<v Speaker 2>Now, know you were one of the first, that's right,

1:15:49.200 --> 1:15:51.200
<v Speaker 2>Love Doctor D and Fat Fire Freddy.

1:15:51.400 --> 1:15:54.640
<v Speaker 1>Yes, yes, we were talking about first and then yeah, yeah, right,

1:15:54.720 --> 1:15:57.240
<v Speaker 1>and we won Fat Fire Show. Okay, so yeah, tell

1:15:57.320 --> 1:15:57.760
<v Speaker 1>us about that.

1:15:59.439 --> 1:16:02.840
<v Speaker 4>We would we were like hip hop's darlings, I don't know,

1:16:03.640 --> 1:16:07.280
<v Speaker 4>Salt and Pepper, and they would call us, you know,

1:16:07.720 --> 1:16:11.280
<v Speaker 4>but MTV they you know, they loved on us.

1:16:11.360 --> 1:16:14.479
<v Speaker 6>So we were a part of that earlier stage of

1:16:14.560 --> 1:16:16.439
<v Speaker 6>hip hop being on TV.

1:16:16.760 --> 1:16:20.280
<v Speaker 1>It was an important show. So let me ask you.

1:16:20.320 --> 1:16:22.120
<v Speaker 3>This is a little off topic because we're still on

1:16:22.240 --> 1:16:25.240
<v Speaker 3>Quick Thomas Slim. But you knew Tupac, correct.

1:16:25.680 --> 1:16:29.240
<v Speaker 4>Yes, I met. I can't say I knew him, but

1:16:29.840 --> 1:16:32.479
<v Speaker 4>he had he had he had he had a thing

1:16:32.560 --> 1:16:38.519
<v Speaker 4>for Salt so so so, so your memory of Tupac

1:16:38.840 --> 1:16:43.000
<v Speaker 4>was you seeing him and him saying to you we're Salt, Salt,

1:16:43.479 --> 1:16:46.120
<v Speaker 4>We're your girl, like that, that type of thing. But yeah,

1:16:46.120 --> 1:16:48.000
<v Speaker 4>he was in what a man video.

1:16:49.240 --> 1:16:50.679
<v Speaker 1>That was like he had the hormone.

1:16:51.760 --> 1:16:52.200
<v Speaker 4>I don't know.

1:16:53.720 --> 1:16:56.559
<v Speaker 1>The chain. I don't remember the vio.

1:16:59.120 --> 1:17:00.840
<v Speaker 4>Yeah he did have a chain on now thinking about it,

1:17:01.120 --> 1:17:03.160
<v Speaker 4>but he was turned, his body was turned.

1:17:03.160 --> 1:17:05.680
<v Speaker 1>They wouldn't show his face. It was it was some

1:17:05.760 --> 1:17:09.360
<v Speaker 1>political ship. Really okay, this is after he came home. Yeah, yeah,

1:17:09.600 --> 1:17:10.080
<v Speaker 1>and he was.

1:17:12.040 --> 1:17:14.800
<v Speaker 4>According to I don't know if it was him. He

1:17:14.840 --> 1:17:17.200
<v Speaker 4>had an issue with it because he wasn't shown in

1:17:17.280 --> 1:17:19.040
<v Speaker 4>the video that what a man video. He was mad

1:17:19.080 --> 1:17:21.760
<v Speaker 4>that he wasn't shown, right, but it had something to

1:17:21.880 --> 1:17:28.240
<v Speaker 4>do it was I don't know. I can't say because

1:17:28.280 --> 1:17:29.120
<v Speaker 4>it's like it's.

1:17:31.240 --> 1:17:34.840
<v Speaker 1>Time of the East Coast, West Coast b No, no, no, no,

1:17:35.200 --> 1:17:36.160
<v Speaker 1>this was this one.

1:17:39.880 --> 1:17:44.080
<v Speaker 4>I was considered a bad boy and it was good girls.

1:17:44.200 --> 1:17:46.320
<v Speaker 4>It was like having a bad boy and a good

1:17:46.400 --> 1:17:48.519
<v Speaker 4>girl together in.

1:17:48.560 --> 1:17:51.120
<v Speaker 1>That same video. Yeah, but it was like Tupac was

1:17:51.200 --> 1:17:55.080
<v Speaker 1>like a bad boy, you know, and he shot the

1:17:55.120 --> 1:17:57.479
<v Speaker 1>police I think this time. I think it was around

1:17:57.520 --> 1:17:58.679
<v Speaker 1>that time he shot the Atlanta.

1:17:58.840 --> 1:18:00.280
<v Speaker 6>It was yeah, oh yeah, it was.

1:18:00.640 --> 1:18:02.880
<v Speaker 4>It was some issues around that, but I was like,

1:18:03.000 --> 1:18:06.439
<v Speaker 4>should show him that. It's like sucking Tupac, you know,

1:18:06.840 --> 1:18:10.720
<v Speaker 4>that's pop. But yeah, he was real sweet when when

1:18:11.200 --> 1:18:14.679
<v Speaker 4>when I met him so yeah, but he was interested

1:18:14.680 --> 1:18:15.080
<v Speaker 4>in sall.

1:18:16.880 --> 1:18:24.680
<v Speaker 1>She's such a class act. Man, what I'm like, you

1:18:24.720 --> 1:18:28.040
<v Speaker 1>want me to tell some stuff? Of course he wants

1:18:28.040 --> 1:18:32.639
<v Speaker 1>you to. But I'm like a therapist that analyze people,

1:18:32.800 --> 1:18:37.080
<v Speaker 1>and I'm just telling you your class. I really appreciate you.

1:18:37.640 --> 1:18:41.200
<v Speaker 3>But you didn't expect anything less, So you know what,

1:18:41.520 --> 1:18:44.439
<v Speaker 3>You're right, I didn't expect anything less because you're the.

1:18:44.439 --> 1:18:49.240
<v Speaker 1>Next question Trina or Eve? The way you said that

1:18:50.640 --> 1:18:54.760
<v Speaker 1>he's a hard and I love both of them. I'm

1:18:54.760 --> 1:18:55.519
<v Speaker 1>gonna have to drink.

1:18:56.720 --> 1:19:00.760
<v Speaker 4>I can't say. I can't say, you know, I'm trying

1:19:00.760 --> 1:19:02.800
<v Speaker 4>to see what stories I have for both, but you

1:19:02.880 --> 1:19:04.800
<v Speaker 4>know I have respect for both.

1:19:04.840 --> 1:19:07.360
<v Speaker 1>So do you do you have any stories with any

1:19:07.400 --> 1:19:10.640
<v Speaker 1>one of them? You got to take the shot, though

1:19:11.080 --> 1:19:17.599
<v Speaker 1>I did. It's called drink champs, not sick champs. Jamie.

1:19:17.600 --> 1:19:21.200
<v Speaker 1>You can make you have the ill drink order. Ever

1:19:24.200 --> 1:19:27.920
<v Speaker 1>many more questions have we got? That's we got. We

1:19:28.000 --> 1:19:30.040
<v Speaker 1>got questions for you. Okay, that's what I'm taking about

1:19:30.040 --> 1:19:32.519
<v Speaker 1>that we've been having. I am not a champell you

1:19:32.640 --> 1:19:34.639
<v Speaker 1>right now. I'm not a champ. No, but your drink

1:19:34.760 --> 1:19:37.680
<v Speaker 1>order is a chance. Like when I looked at it,

1:19:37.800 --> 1:19:42.160
<v Speaker 1>I was like, oh my god, whiskey vodka.

1:19:43.000 --> 1:19:46.479
<v Speaker 3>And what's the other one. It's the third one, tequila tequila.

1:19:46.600 --> 1:19:54.639
<v Speaker 3>I said tequila Hennessy. Who scared me? I said it earlier,

1:19:55.240 --> 1:19:59.520
<v Speaker 3>but she said Hennessy when people people usually say kanyak.

1:20:00.320 --> 1:20:05.080
<v Speaker 3>When you say Hennessy, that means you aren't fight. Everybody

1:20:05.120 --> 1:20:05.920
<v Speaker 3>who drinks Hennessy.

1:20:06.240 --> 1:20:07.880
<v Speaker 1>They don't do that for me. It doesn't do that

1:20:07.960 --> 1:20:10.200
<v Speaker 1>for Hennessy calms you down nowhere.

1:20:10.840 --> 1:20:15.200
<v Speaker 4>No, when I drink Hennessee, I'm gonna rock a motherfucker party,

1:20:15.240 --> 1:20:15.560
<v Speaker 4>I know that.

1:20:17.640 --> 1:20:19.760
<v Speaker 1>But yeah, that was it was on my rider. I

1:20:19.800 --> 1:20:21.360
<v Speaker 1>don't even drink it like that anymore.

1:20:21.600 --> 1:20:24.320
<v Speaker 3>This is this is fad, fad, your facetiming. Let's see

1:20:24.320 --> 1:20:27.160
<v Speaker 3>if you see if you pick up yeah, every time

1:20:27.160 --> 1:20:28.000
<v Speaker 3>we feel he loves to.

1:20:28.040 --> 1:20:38.200
<v Speaker 1>Be on drinks chance, Let's see. Yeah, we got spreading Norella.

1:20:38.280 --> 1:20:41.040
<v Speaker 3>We got spread on drinking all right, you got the

1:20:41.120 --> 1:20:52.840
<v Speaker 3>green bottle? Hold on, say how to Sprinderella, Say how

1:20:52.880 --> 1:20:53.600
<v Speaker 3>to Sprenderella.

1:20:54.120 --> 1:20:59.040
<v Speaker 1>Hey, Joe, I'm good in here with the antics right now.

1:20:59.800 --> 1:21:01.600
<v Speaker 6>The Shenanigans.

1:21:07.120 --> 1:21:11.760
<v Speaker 1>Cool, It could never be. Nobody can duplicate that. And

1:21:11.960 --> 1:21:16.599
<v Speaker 1>the women power that you have, it's unlivable.

1:21:17.479 --> 1:21:20.599
<v Speaker 4>I've been on shows that you guys, we it'sn't ten

1:21:20.680 --> 1:21:23.840
<v Speaker 4>thousand people and it's been nine thousand, nine hundred.

1:21:23.600 --> 1:21:28.320
<v Speaker 1>Women, right, I've never seen up. No, Well, yeah, we've

1:21:28.320 --> 1:21:31.559
<v Speaker 1>got the women love. We got the women love. Thank you, bro,

1:21:31.760 --> 1:21:39.560
<v Speaker 1>thank you so much. I'm gonna be honest with you.

1:21:41.320 --> 1:21:44.360
<v Speaker 1>Don't be dishonest. No, I wouldn't. I wouldn't listen.

1:21:44.680 --> 1:21:46.960
<v Speaker 3>I flew up for Joe. He's getting the key to

1:21:47.000 --> 1:21:49.559
<v Speaker 3>the city, so I flew up. But I wouldn't miss

1:21:49.640 --> 1:21:53.240
<v Speaker 3>this for nothing. Really, I really really wanted to give

1:21:53.280 --> 1:21:56.920
<v Speaker 3>you your flowers. I really want you to know how

1:21:56.960 --> 1:22:02.080
<v Speaker 3>important you are the hip hop and your legacy. I'm

1:22:02.120 --> 1:22:04.679
<v Speaker 3>not saying you your legacy with stain people. I'm saying

1:22:04.760 --> 1:22:08.439
<v Speaker 3>your legacy by yourself, because you have a legacy like.

1:22:08.600 --> 1:22:09.439
<v Speaker 1>Just like me and e f N.

1:22:09.600 --> 1:22:12.880
<v Speaker 3>Like ef N has a legacy with me, then I

1:22:13.000 --> 1:22:15.760
<v Speaker 3>have a legacy with Capone, and then I have a

1:22:15.840 --> 1:22:18.000
<v Speaker 3>legacy up here, and e f N has a legacy

1:22:18.080 --> 1:22:19.840
<v Speaker 3>with me that he has a legacy up here.

1:22:19.920 --> 1:22:21.519
<v Speaker 4>Everybody's at their own journey, and.

1:22:21.520 --> 1:22:22.840
<v Speaker 1>I'm talking about your journey.

1:22:24.200 --> 1:22:29.320
<v Speaker 3>And in case you don't know this, it's my job

1:22:29.400 --> 1:22:32.760
<v Speaker 3>to reiterate this and tell you how important you are.

1:22:34.360 --> 1:22:42.120
<v Speaker 3>Our community are I wanted to say Illuminati, but then

1:22:42.240 --> 1:22:44.240
<v Speaker 3>it were kind of like this guy, I don't know

1:22:45.520 --> 1:22:48.560
<v Speaker 3>our fraternity is a fraternity.

1:22:48.880 --> 1:22:49.479
<v Speaker 1>That's better than.

1:22:51.040 --> 1:22:55.479
<v Speaker 3>Is a fraternity that because I don't know about that community.

1:22:55.520 --> 1:23:00.120
<v Speaker 2>You're a good with community community, all right, culture, I'm trying.

1:22:59.960 --> 1:23:03.719
<v Speaker 3>To be smarter than Okay. I feel you though, really

1:23:04.080 --> 1:23:12.160
<v Speaker 3>really love the way that you paved for our generation.

1:23:13.760 --> 1:23:17.040
<v Speaker 1>Is that cool? My community generation is better? That works?

1:23:17.160 --> 1:23:20.080
<v Speaker 4>Okay, Before we continue to came, I just want to

1:23:20.120 --> 1:23:22.400
<v Speaker 4>let y'all know because I kept saying, I remember this,

1:23:22.880 --> 1:23:26.320
<v Speaker 4>this this concept of me coming on here had to

1:23:26.320 --> 1:23:28.120
<v Speaker 4>be a couple of years now, and I was like,

1:23:28.200 --> 1:23:30.000
<v Speaker 4>I don't think i'm ready. I don't think i'm ready.

1:23:30.320 --> 1:23:32.200
<v Speaker 4>I kept saying, I'm not ready. I don't know, you know,

1:23:33.040 --> 1:23:36.240
<v Speaker 4>and I don't know what made it different this time.

1:23:36.680 --> 1:23:38.600
<v Speaker 4>I guess if it's like, you know what, fuck it,

1:23:39.479 --> 1:23:42.200
<v Speaker 4>it's fun. Yeah, just come have fun because I always

1:23:42.240 --> 1:23:44.720
<v Speaker 4>feel like I have to have some ship going on,

1:23:45.880 --> 1:23:48.960
<v Speaker 4>you know, but this is this is your conversation is

1:23:49.040 --> 1:23:51.679
<v Speaker 4>important to me, and you guys have made me feel

1:23:51.800 --> 1:23:52.599
<v Speaker 4>very warm today.

1:23:52.880 --> 1:23:57.679
<v Speaker 6>I just wanted to be very comfortable.

1:23:57.760 --> 1:23:59.720
<v Speaker 1>I don't want to have to like I'm doing this,

1:23:59.880 --> 1:24:02.599
<v Speaker 1>I'm doing that, I'm working. I'm still working everybody.

1:24:02.920 --> 1:24:05.960
<v Speaker 4>But I love that you guys are just like, let's

1:24:06.000 --> 1:24:11.679
<v Speaker 4>have a good conversation, have a good conversation, but let's

1:24:11.760 --> 1:24:15.760
<v Speaker 4>own let's also give you a flowers because I'm gonna

1:24:15.760 --> 1:24:16.400
<v Speaker 4>be honest with you.

1:24:18.800 --> 1:24:25.679
<v Speaker 3>I am an artist. I'm not a DJ, but artists

1:24:25.680 --> 1:24:29.519
<v Speaker 3>and DJs we always like, we'll do this ship if

1:24:29.560 --> 1:24:32.280
<v Speaker 3>we wouldn't get no money. And some of us are liars.

1:24:33.920 --> 1:24:36.000
<v Speaker 3>We wouldn't do this if he was getting no money.

1:24:36.880 --> 1:24:40.400
<v Speaker 3>But then the ones that are doing it, we should

1:24:40.479 --> 1:24:47.200
<v Speaker 3>be saluted because it's a horrible job. You can never

1:24:47.320 --> 1:24:51.200
<v Speaker 3>take your face off. You can never go to ups

1:24:51.320 --> 1:24:53.920
<v Speaker 3>and send the package and say I'm not spending brother

1:24:54.080 --> 1:24:54.360
<v Speaker 3>no more.

1:24:54.560 --> 1:24:57.360
<v Speaker 1>There's somebody back Bran.

1:24:57.720 --> 1:25:05.560
<v Speaker 3>It's gonna be like, I know I love her, and

1:25:05.800 --> 1:25:10.640
<v Speaker 3>that ship deserves to be warranted. Like you can't like

1:25:10.880 --> 1:25:13.280
<v Speaker 3>your fan is my friend. I know he hates fans,

1:25:13.920 --> 1:25:17.280
<v Speaker 3>I can I know he never said it to me,

1:25:17.400 --> 1:25:20.240
<v Speaker 3>He's never said it, he's never said I don't. I

1:25:20.560 --> 1:25:24.240
<v Speaker 3>know he hates fans, but we can't fight it. The

1:25:24.320 --> 1:25:25.720
<v Speaker 3>thing is we are who we are.

1:25:28.520 --> 1:25:31.160
<v Speaker 2>Let's go back because it's a long time.

1:25:31.320 --> 1:25:36.920
<v Speaker 9>Slash took the wrong part of the picked up the

1:25:37.000 --> 1:25:44.320
<v Speaker 9>fire all right, robbas or follow mc robb and rest

1:25:44.360 --> 1:25:46.559
<v Speaker 9>in peace. Easy rock, Yes, Rob.

1:25:48.800 --> 1:25:50.439
<v Speaker 6>Robbase, he has a great state show.

1:25:51.000 --> 1:25:56.280
<v Speaker 1>Everybody to say Missy or Lauren Hill, Oh my.

1:25:56.360 --> 1:25:58.720
<v Speaker 6>God, I love both of them, but I'm gonna say Missy.

1:25:58.600 --> 1:25:59.679
<v Speaker 1>She's not drinking anymore.

1:26:00.120 --> 1:26:02.400
<v Speaker 4>I'm saying I'm gonna say no, but it's true. I

1:26:02.560 --> 1:26:04.760
<v Speaker 4>love I mean, I love Laurence Hill, but I gotta

1:26:04.760 --> 1:26:07.920
<v Speaker 4>say Missy. Missy is my like. I look up to

1:26:08.000 --> 1:26:11.720
<v Speaker 4>Missy like, oh my god, she's beyond just hip hop.

1:26:11.840 --> 1:26:17.280
<v Speaker 4>She's beyond just you know, a female artist. She's iconic now.

1:26:17.360 --> 1:26:21.320
<v Speaker 1>That's iconic to me. And and her talent is her

1:26:21.360 --> 1:26:22.519
<v Speaker 1>show right now is phenomenal.

1:26:22.680 --> 1:26:25.120
<v Speaker 6>I know I haven't gotten to it. I haven't gotten

1:26:25.160 --> 1:26:26.599
<v Speaker 6>to I've been doing my thing.

1:26:26.680 --> 1:26:31.760
<v Speaker 1>But yeah, Busta, Missy and Sierra's all onto. Wow.

1:26:32.000 --> 1:26:35.680
<v Speaker 3>Your Busta definitely told me about yesterday. Yeah, shout out

1:26:35.680 --> 1:26:39.479
<v Speaker 3>to miss you ain't come to my tour alone.

1:26:40.840 --> 1:26:44.040
<v Speaker 1>It's still going though. I mean to day they do.

1:26:45.200 --> 1:26:49.600
<v Speaker 2>Beastie boys are fat boys. Fat boys any stories with

1:26:49.680 --> 1:26:52.360
<v Speaker 2>either of them. Yeah, the Fat Boys, Oh my god.

1:26:53.280 --> 1:26:56.960
<v Speaker 4>That was the first major tour Salt, Pepper, Sponderrella went

1:26:57.000 --> 1:27:00.400
<v Speaker 4>on Boys. That's what when I auditioned was so Pepper

1:27:00.479 --> 1:27:02.920
<v Speaker 4>was for that tour, the Fat Boy's Tour and my

1:27:03.080 --> 1:27:06.840
<v Speaker 4>first show with Salt and Pepper, My first show with

1:27:06.880 --> 1:27:08.439
<v Speaker 4>Salt and Pepper. Let me have a drink.

1:27:10.120 --> 1:27:19.560
<v Speaker 1>Drink, I'm drink my first My first show was with

1:27:19.680 --> 1:27:20.360
<v Speaker 1>Salt and Pepper.

1:27:20.840 --> 1:27:23.200
<v Speaker 4>Salt and Pepper had to do a song called I

1:27:23.360 --> 1:27:27.680
<v Speaker 4>Desire and all I had to do was drop a

1:27:27.840 --> 1:27:33.519
<v Speaker 4>desire and it went like this, we're on a mission.

1:27:33.760 --> 1:27:36.320
<v Speaker 4>This and all the opposition mcs, this is my butcher

1:27:36.520 --> 1:27:40.400
<v Speaker 4>kissing because I desire and I didn't drop it.

1:27:40.880 --> 1:27:43.479
<v Speaker 6>Oh, I did not drop I did not drop it.

1:27:44.080 --> 1:27:45.120
<v Speaker 6>I was so scared.

1:27:45.160 --> 1:27:47.640
<v Speaker 1>I was like, because this is the first tour you're on.

1:27:47.800 --> 1:27:51.479
<v Speaker 4>It's the first show I've ever shown on the first tour,

1:27:51.600 --> 1:27:56.240
<v Speaker 4>which was Fat Boy's Tour. And why was everybody on

1:27:56.320 --> 1:27:59.280
<v Speaker 4>the side heavy d and the boys, the Fat Boys

1:28:00.120 --> 1:28:00.800
<v Speaker 4>cracking up?

1:28:02.160 --> 1:28:06.080
<v Speaker 1>They dropped the ball. Well, they that's a big part

1:28:06.160 --> 1:28:08.080
<v Speaker 1>that the crowd didn't know. The crowded.

1:28:08.160 --> 1:28:10.320
<v Speaker 4>The crowd didn't know and so and Pepper did really

1:28:10.400 --> 1:28:13.679
<v Speaker 4>well in covering it. They was like, I desire you desire,

1:28:13.720 --> 1:28:25.519
<v Speaker 4>spin you desire. I was like, we got the map.

1:28:26.960 --> 1:28:31.400
<v Speaker 1>And eventually we got off the stage.

1:28:31.960 --> 1:28:33.840
<v Speaker 4>Well, I got to drop the song, but I was

1:28:33.920 --> 1:28:40.240
<v Speaker 4>done after that. And on the side, the Fat Boys

1:28:40.960 --> 1:28:49.000
<v Speaker 4>Markie d with kuk Ski and buff rest in.

1:28:49.000 --> 1:28:55.320
<v Speaker 1>Peace one is we need him to come on the

1:28:55.360 --> 1:28:55.800
<v Speaker 1>show Man.

1:28:55.960 --> 1:28:58.360
<v Speaker 4>They was cracking up on the side and at that

1:28:58.439 --> 1:29:00.200
<v Speaker 4>point I was like, I want to go home. I said,

1:29:00.200 --> 1:29:01.800
<v Speaker 4>I don't want to be spending rella no more.

1:29:02.240 --> 1:29:09.479
<v Speaker 1>I don't want to because it was so bad.

1:29:09.840 --> 1:29:11.160
<v Speaker 4>It was so bad, but.

1:29:12.880 --> 1:29:13.560
<v Speaker 1>We got through it.

1:29:14.240 --> 1:29:16.800
<v Speaker 4>They didn't laugh no more after that because he was

1:29:16.840 --> 1:29:20.120
<v Speaker 4>on somehow I figured it out and I dropped it

1:29:20.200 --> 1:29:22.400
<v Speaker 4>on point and look where we you know, we got.

1:29:22.320 --> 1:29:25.040
<v Speaker 2>There, so we don't have to drink to that, okay,

1:29:26.520 --> 1:29:31.759
<v Speaker 2>jam Master J or Doctor Dre jam rest in Peace stories.

1:29:33.880 --> 1:29:37.080
<v Speaker 1>Just he was just a real cool dude. You know.

1:29:37.400 --> 1:29:41.240
<v Speaker 4>I got to be around him in his uh, in

1:29:41.400 --> 1:29:45.280
<v Speaker 4>his space when he was producing. My boy Stanley Brown,

1:29:46.240 --> 1:29:48.240
<v Speaker 4>who's a producer. I don't know if you guys who

1:29:48.320 --> 1:29:52.120
<v Speaker 4>know who Stanley is, He's a big time producer, brought

1:29:52.200 --> 1:29:56.360
<v Speaker 4>me to he was producing with jam Master J. When

1:29:56.560 --> 1:29:59.679
<v Speaker 4>when Jay was doing his stuff and brought me around

1:29:59.720 --> 1:30:03.040
<v Speaker 4>to of the sessions or whatever, and I just got

1:30:03.120 --> 1:30:07.000
<v Speaker 4>to see him at work. So yeah, I'm just he's

1:30:07.040 --> 1:30:11.240
<v Speaker 4>one of my favorites. Yeah, mess the blueprint from me,

1:30:12.880 --> 1:30:15.680
<v Speaker 4>and you have your own academy, right like, Like, well, no,

1:30:15.880 --> 1:30:17.840
<v Speaker 4>I did some clinics.

1:30:18.360 --> 1:30:18.719
<v Speaker 1>I didn't.

1:30:19.000 --> 1:30:21.360
<v Speaker 4>I didn't have an academy. I wanted to, but I didn't.

1:30:21.400 --> 1:30:24.000
<v Speaker 4>I didn't get to get it off the ground. But

1:30:24.120 --> 1:30:24.640
<v Speaker 4>yes I do.

1:30:25.479 --> 1:30:27.200
<v Speaker 6>I do spin clinics every so often.

1:30:27.280 --> 1:30:33.559
<v Speaker 2>Yeah, that's dope clinics. J clinics rock Kim or karas one.

1:30:35.560 --> 1:30:47.320
<v Speaker 1>That's hard going down. She's just so y'all really going in. Look,

1:30:47.320 --> 1:30:49.080
<v Speaker 1>I'm like looking all right.

1:30:49.960 --> 1:30:52.800
<v Speaker 2>Serrato or turntables, I mean nuts, Why would you say

1:30:52.840 --> 1:30:59.200
<v Speaker 2>turntablesto or vinyl? No Serato or vinyl vinyl because you're

1:30:59.240 --> 1:31:04.360
<v Speaker 2>gonna use Serrato on turntables, guys. Okay, okay, hold on,

1:31:04.479 --> 1:31:05.320
<v Speaker 2>that's collector.

1:31:05.400 --> 1:31:07.519
<v Speaker 6>I'm a collector of vinyl. So yes, vinyl.

1:31:07.800 --> 1:31:12.040
<v Speaker 1>Yeah, listen to my detrimental. My favorite DJs all time

1:31:13.320 --> 1:31:15.120
<v Speaker 1>and since it went digital.

1:31:16.400 --> 1:31:21.920
<v Speaker 2>Is not DJs really, I mean DJ offic is my studio.

1:31:23.120 --> 1:31:25.000
<v Speaker 2>I've done some gigs, but I stopped doing what I

1:31:25.120 --> 1:31:28.160
<v Speaker 2>was doing. How active I was before. I didn't do

1:31:28.240 --> 1:31:29.240
<v Speaker 2>a transition.

1:31:30.840 --> 1:31:35.000
<v Speaker 1>DJ right like one of my parties, I'll get together

1:31:35.920 --> 1:31:37.559
<v Speaker 1>and I don't.

1:31:37.520 --> 1:31:38.160
<v Speaker 4>Think, can't know.

1:31:38.800 --> 1:31:41.720
<v Speaker 2>It was a different thing to me, the culture of

1:31:41.840 --> 1:31:45.880
<v Speaker 2>Vinyl DJ going through the records quickly, knowing just by

1:31:45.960 --> 1:31:48.360
<v Speaker 2>the artwork really quick, grabbing the record, you.

1:31:48.439 --> 1:31:50.920
<v Speaker 1>The label, and going this is just a whole thing.

1:31:51.080 --> 1:31:51.160
<v Speaker 4>Now.

1:31:51.240 --> 1:31:53.160
<v Speaker 1>I don't miss carrying the crates. I still have a

1:31:53.479 --> 1:31:55.160
<v Speaker 1>lot of my records. But is it going for you?

1:31:55.600 --> 1:31:57.880
<v Speaker 6>I mean it's not. You don't do it anymore at.

1:31:57.760 --> 1:32:00.840
<v Speaker 1>All at the crib office in the studio.

1:32:02.160 --> 1:32:03.799
<v Speaker 6>Do you know Vinyl is making a comeback.

1:32:04.120 --> 1:32:04.640
<v Speaker 1>I have all my.

1:32:04.880 --> 1:32:08.880
<v Speaker 2>Vinyl Okay, I have all my records and I still

1:32:08.960 --> 1:32:17.360
<v Speaker 2>do mixes put out if Yeah, I don't know people.

1:32:18.400 --> 1:32:19.600
<v Speaker 1>Yeah, yeah, I just know.

1:32:19.760 --> 1:32:21.640
<v Speaker 2>I know, like for example, we have Dante's here and

1:32:21.880 --> 1:32:24.320
<v Speaker 2>yeah that's all Vinyl, but yeah that was.

1:32:24.360 --> 1:32:33.280
<v Speaker 4>Are you going to do a set? You gotta do it,

1:32:33.640 --> 1:32:37.920
<v Speaker 4>and if you do it, I'm gonna do one. I'll

1:32:38.320 --> 1:32:41.240
<v Speaker 4>I'll be I guess on it. They've called me to

1:32:41.360 --> 1:32:44.599
<v Speaker 4>do it. I just I should have probably reach out

1:32:44.600 --> 1:32:46.479
<v Speaker 4>to them since I'm here this time, but they did

1:32:46.600 --> 1:32:48.600
<v Speaker 4>reach out to me to get me to do it.

1:32:48.680 --> 1:32:50.400
<v Speaker 6>So so I don't do a lot of vinyl sets

1:32:50.400 --> 1:32:50.600
<v Speaker 6>I was.

1:32:50.720 --> 1:32:52.960
<v Speaker 4>I used to do this thing called Fresh forty fives

1:32:53.240 --> 1:32:56.519
<v Speaker 4>for me and my DJ crew in Dallas would come

1:32:56.560 --> 1:33:00.640
<v Speaker 4>together every once and once one Thursday out of a

1:33:00.760 --> 1:33:03.880
<v Speaker 4>month and we would just play all forty fives And

1:33:04.080 --> 1:33:06.559
<v Speaker 4>it is the best ship ever. And nothing has been

1:33:07.040 --> 1:33:11.280
<v Speaker 4>as rewarding as that feeling of playing vinyl after you

1:33:11.400 --> 1:33:13.880
<v Speaker 4>do these parties and use the technology, which I love.

1:33:14.040 --> 1:33:16.400
<v Speaker 4>You know, I get paid that way, but it's when

1:33:16.720 --> 1:33:18.920
<v Speaker 4>it's when vinyl plays for me.

1:33:19.080 --> 1:33:20.519
<v Speaker 1>It's just different. It's just different. Yeah.

1:33:20.840 --> 1:33:22.640
<v Speaker 4>So the fact that you are a collector and you

1:33:22.720 --> 1:33:26.280
<v Speaker 4>still have all your vinyl, you should be definitely that's

1:33:26.400 --> 1:33:26.600
<v Speaker 4>just me.

1:33:26.880 --> 1:33:29.519
<v Speaker 2>No, Well, Dante's you heard Rich Medina, who's a part

1:33:29.560 --> 1:33:30.759
<v Speaker 2>of Dante's Rich.

1:33:30.680 --> 1:33:31.280
<v Speaker 6>Give me a call.

1:33:31.720 --> 1:33:31.960
<v Speaker 1>J T.

1:33:32.120 --> 1:33:33.000
<v Speaker 6>Donaldson, give me a call.

1:33:33.080 --> 1:33:33.360
<v Speaker 4>Let me know.

1:33:34.920 --> 1:33:37.320
<v Speaker 1>I'm bringing We're gonna we're.

1:33:37.160 --> 1:33:38.400
<v Speaker 6>Gonna get together.

1:33:38.960 --> 1:33:40.400
<v Speaker 1>Bring I'm gonna bring a bag.

1:33:41.160 --> 1:33:44.160
<v Speaker 3>I want my friend and I'm not gonna make out

1:33:44.160 --> 1:33:48.000
<v Speaker 3>of the eye contact with I like my friend. DJ

1:33:48.320 --> 1:33:51.320
<v Speaker 3>E Finn never called him Erican in my life and

1:33:51.320 --> 1:33:53.559
<v Speaker 3>I'm never gonna call him eric and I don't care.

1:33:53.680 --> 1:33:59.719
<v Speaker 1>Well, I actually didn't. I did use. I was using

1:34:00.320 --> 1:34:00.599
<v Speaker 1>with him.

1:34:00.600 --> 1:34:00.840
<v Speaker 4>I did.

1:34:01.080 --> 1:34:02.519
<v Speaker 1>One of my last things that I was doing was

1:34:02.600 --> 1:34:04.960
<v Speaker 1>a tour DJ with him. We did Canada. I remember,

1:34:05.000 --> 1:34:07.560
<v Speaker 1>I did you attractor on that? But that I was like,

1:34:07.600 --> 1:34:10.880
<v Speaker 1>I don't like it. No, you don't like Serado either. No,

1:34:11.200 --> 1:34:14.160
<v Speaker 1>it's just different for me. It's different. He's a vinyl guy.

1:34:14.280 --> 1:34:16.760
<v Speaker 1>But but but let me ask you that this is

1:34:16.840 --> 1:34:17.200
<v Speaker 1>a DJ.

1:34:18.640 --> 1:34:21.600
<v Speaker 3>People like him, all right, he has Drake Champs, he

1:34:21.640 --> 1:34:24.360
<v Speaker 3>has all the other things going on. But what happens

1:34:24.400 --> 1:34:26.720
<v Speaker 3>to a DJ that's like him that says I only

1:34:26.800 --> 1:34:27.519
<v Speaker 3>want to do vinyl.

1:34:28.600 --> 1:34:30.360
<v Speaker 6>There's plenty of places to do vinyl here.

1:34:30.439 --> 1:34:33.080
<v Speaker 10>No, it has made it a research, it's a feeling.

1:34:33.240 --> 1:34:36.200
<v Speaker 10>So when you it's coming back, you said, but I'm out.

1:34:36.560 --> 1:34:41.160
<v Speaker 10>Then when it just happened, then then like when you say, then,

1:34:41.200 --> 1:34:41.599
<v Speaker 10>what's then?

1:34:41.760 --> 1:34:44.639
<v Speaker 1>Like I'm talking about you know before before it came back.

1:34:44.880 --> 1:34:47.519
<v Speaker 1>You know what happened to one of my last gigs.

1:34:47.600 --> 1:34:49.519
<v Speaker 1>I went to Orlando do a gig. Bors was with me.

1:34:49.560 --> 1:34:52.479
<v Speaker 2>I don't know where borses at. I go to the club,

1:34:53.400 --> 1:34:56.240
<v Speaker 2>everybody's on Serado. Then it goes now now I'm going

1:34:56.320 --> 1:34:58.959
<v Speaker 2>to go with my vinyl set and I brought.

1:34:58.960 --> 1:35:02.719
<v Speaker 1>My mixer, and it's a difference for them to switch.

1:35:02.800 --> 1:35:06.880
<v Speaker 1>Everybody looked at me, like you ruin. I get you.

1:35:07.320 --> 1:35:09.760
<v Speaker 1>That's the hardest thing. I don't know.

1:35:09.880 --> 1:35:13.479
<v Speaker 4>I don't, I don't. I like you do not believe

1:35:13.760 --> 1:35:17.800
<v Speaker 4>that mixing vinyl with a regular technique, you know, like

1:35:17.920 --> 1:35:21.960
<v Speaker 4>controllers and hardware whatever goes together. For some reason, I

1:35:22.000 --> 1:35:24.400
<v Speaker 4>feel like, if you're going to do a vinyl situation,

1:35:24.960 --> 1:35:26.200
<v Speaker 4>stick with that vibe.

1:35:26.520 --> 1:35:28.240
<v Speaker 1>If you're gonna do utilize the.

1:35:28.280 --> 1:35:32.160
<v Speaker 4>Technology in any kind of way, do that vibe because

1:35:32.160 --> 1:35:37.559
<v Speaker 4>it is two different sounds, and audience wise, they're probably

1:35:37.640 --> 1:35:39.160
<v Speaker 4>gonna want to either this or that.

1:35:39.560 --> 1:35:40.920
<v Speaker 1>That's just how I feel about it.

1:35:41.320 --> 1:35:44.640
<v Speaker 2>So and no shade too, because like, for example, my

1:35:44.720 --> 1:35:46.479
<v Speaker 2>boy DJ Craze I think is one of the best

1:35:46.520 --> 1:35:49.400
<v Speaker 2>DJs in the world. He utilizes he was dope on

1:35:49.600 --> 1:35:52.280
<v Speaker 2>vinyl and he's even better using the technology.

1:35:52.880 --> 1:35:53.720
<v Speaker 1>And I do both too.

1:35:54.200 --> 1:35:56.920
<v Speaker 4>I just I just feel like I don't know if

1:35:56.920 --> 1:35:59.320
<v Speaker 4>I would want to do at the same time. So

1:35:59.439 --> 1:36:02.800
<v Speaker 4>my daughter's djaying now and I'm me and her going

1:36:02.880 --> 1:36:03.920
<v Speaker 4>to do a mom and me party?

1:36:04.720 --> 1:36:05.280
<v Speaker 6>A mom and me?

1:36:06.280 --> 1:36:06.640
<v Speaker 1>Where is that?

1:36:07.680 --> 1:36:10.320
<v Speaker 4>She she she has a residency and she has a

1:36:10.360 --> 1:36:13.240
<v Speaker 4>few residencies in Dallas and she has her own night.

1:36:13.920 --> 1:36:16.000
<v Speaker 1>What's the mom and mom and me?

1:36:16.200 --> 1:36:18.120
<v Speaker 4>Is like, she's going to bring her mom so I can.

1:36:18.160 --> 1:36:18.800
<v Speaker 6>DJ with her?

1:36:19.000 --> 1:36:20.200
<v Speaker 1>But what what? What date?

1:36:20.560 --> 1:36:25.200
<v Speaker 4>What's the date? But August thirty, August thirty first in Dallas.

1:36:26.479 --> 1:36:29.760
<v Speaker 4>It's called Lady Love. It's a spot she does and

1:36:29.880 --> 1:36:31.559
<v Speaker 4>she rocks parties, right, and I.

1:36:31.640 --> 1:36:33.360
<v Speaker 1>Could make that you would come?

1:36:33.760 --> 1:36:33.960
<v Speaker 5>Yeah?

1:36:34.120 --> 1:36:38.000
<v Speaker 4>Okay, yes, that's that's the idea is for me to DJ.

1:36:38.160 --> 1:36:41.519
<v Speaker 6>But I'm like, do I use Vinyl? Can I use vinyl?

1:36:41.640 --> 1:36:43.880
<v Speaker 1>And she you know she used? She used?

1:36:45.160 --> 1:36:47.840
<v Speaker 6>I asked her if I can use for her party?

1:36:47.920 --> 1:36:48.120
<v Speaker 4>Yeah?

1:36:48.720 --> 1:36:52.040
<v Speaker 1>So it's but I don't know.

1:36:52.280 --> 1:36:55.639
<v Speaker 6>She uses the technology and me using vinyl.

1:36:55.680 --> 1:36:56.800
<v Speaker 4>I'm not sure how that's going to work.

1:36:56.920 --> 1:37:01.240
<v Speaker 1>But have four turntable setups, like two different setups.

1:37:01.360 --> 1:37:05.360
<v Speaker 4>Yeah, but I still remember me doing vinyl and her

1:37:05.479 --> 1:37:10.040
<v Speaker 4>doing c DJs is one thing working. Tomorrow Me and

1:37:10.160 --> 1:37:13.600
<v Speaker 4>her are playing live tomorrow. Yeah yeah, yeah, me and

1:37:13.680 --> 1:37:14.799
<v Speaker 4>my daughter's playing live tomorrow.

1:37:15.439 --> 1:37:23.639
<v Speaker 1>What what day is tomorrow? Tomorrow? This quick time with slide.

1:37:23.920 --> 1:37:29.320
<v Speaker 2>I've been living a rough fla alright, next one, Jazzy

1:37:29.439 --> 1:37:30.880
<v Speaker 2>Joyce or Coco Chanel.

1:37:32.800 --> 1:37:38.080
<v Speaker 1>Take a shot. No, thank you Joyce. Okay, she's the

1:37:38.120 --> 1:37:39.160
<v Speaker 1>blueprint too. Yes.

1:37:40.240 --> 1:37:43.480
<v Speaker 6>Most of the time, when you mentioned.

1:37:44.880 --> 1:37:48.560
<v Speaker 4>The pivotal DJ female DJs, you're going to say Joyce, Spinderella,

1:37:48.760 --> 1:37:54.080
<v Speaker 4>and Coco Chanel, as in, there's so many female DJs

1:37:54.120 --> 1:37:54.720
<v Speaker 4>out there, but.

1:37:56.760 --> 1:38:00.160
<v Speaker 6>That tear Joyce. I met Joyce.

1:38:01.520 --> 1:38:03.880
<v Speaker 4>On one of those earlier tours and she was so

1:38:04.800 --> 1:38:07.720
<v Speaker 4>I didn't know who she was and Jazzy Joyce and

1:38:08.439 --> 1:38:10.000
<v Speaker 4>Eddie f was my boyfriend at the time, and he

1:38:10.120 --> 1:38:12.560
<v Speaker 4>goes and I got jealous because he was talking to

1:38:12.640 --> 1:38:16.680
<v Speaker 4>Joyce and I was like, you know, I was like.

1:38:16.760 --> 1:38:17.120
<v Speaker 1>Who's that.

1:38:17.479 --> 1:38:19.880
<v Speaker 4>Who are you talking to? And you know, I had

1:38:19.880 --> 1:38:22.960
<v Speaker 4>an attitude with him, and he was like, that's fucking

1:38:23.040 --> 1:38:27.559
<v Speaker 4>Jazzy Joyce. And I was like, oh, Ship, I had

1:38:27.600 --> 1:38:30.200
<v Speaker 4>never really met anybody that does what I do and

1:38:30.320 --> 1:38:30.720
<v Speaker 4>it was her.

1:38:31.200 --> 1:38:37.000
<v Speaker 1>That's crazy. Oh yeah, God damn big Jazzy Joyce. Ready

1:38:37.040 --> 1:38:40.680
<v Speaker 1>to drink to bring over absolutely redd Aler or kick

1:38:40.720 --> 1:38:41.679
<v Speaker 1>Capri Ship.

1:38:42.760 --> 1:38:44.640
<v Speaker 6>Come are you doing this?

1:38:45.080 --> 1:38:48.920
<v Speaker 1>Like skin ship for this? Who did this? These guys

1:38:48.960 --> 1:38:51.400
<v Speaker 1>are there? Respect? To both.

1:38:51.760 --> 1:38:53.840
<v Speaker 4>I'm going to take a drink on that because I can't.

1:38:53.880 --> 1:38:56.960
<v Speaker 1>I've been waiting to take a shot. She's getting so old,

1:39:03.560 --> 1:39:07.360
<v Speaker 1>all right, e p M. D Ornaughty by Nature? Oh,

1:39:09.600 --> 1:39:14.080
<v Speaker 1>I'm gonna say naughty by nature? Any stories because trash was.

1:39:14.120 --> 1:39:19.080
<v Speaker 3>Dave Peppah, Yeah, I'm sorry, I made up.

1:39:21.040 --> 1:39:21.920
<v Speaker 1>I've been around them a.

1:39:21.960 --> 1:39:22.880
<v Speaker 6>Lot, I'll say that.

1:39:24.720 --> 1:39:27.840
<v Speaker 1>Okay, Well i've been around that.

1:39:28.000 --> 1:39:31.320
<v Speaker 3>What I'm like, I'm like a half a therapist. So

1:39:31.800 --> 1:39:34.320
<v Speaker 3>when she said that, she's like around and you can

1:39:34.439 --> 1:39:37.920
<v Speaker 3>just see her thoughts. You can just see it.

1:39:38.080 --> 1:39:41.320
<v Speaker 1>You didn't see that. She was just thinking about everything.

1:39:43.680 --> 1:39:46.360
<v Speaker 4>I'm looking at her, like, no more drinks over here,

1:39:47.040 --> 1:39:51.320
<v Speaker 4>I'm gonna I'm picking somebody, don't worry, somebody getting paid.

1:39:51.560 --> 1:39:54.080
<v Speaker 11>I'm looking at you and you're thinking about like you

1:39:54.280 --> 1:39:57.800
<v Speaker 11>just there's tons and tons of stories and thoughts, trust me,

1:39:58.560 --> 1:40:03.679
<v Speaker 11>Peppa and tre Or just period, just period, period, just period.

1:40:04.400 --> 1:40:07.040
<v Speaker 1>Do you I'm sorry?

1:40:07.160 --> 1:40:11.200
<v Speaker 4>I know Thomas my brother dj My brother is DJing

1:40:11.280 --> 1:40:15.599
<v Speaker 4>for trench right now. Yes, so tretches out on the road,

1:40:15.720 --> 1:40:20.160
<v Speaker 4>doing you know anything? Yeah?

1:40:22.240 --> 1:40:25.400
<v Speaker 1>Yeah, yeah, yeah, I went I went to the that's.

1:40:25.320 --> 1:40:26.680
<v Speaker 6>My brother DJing behind truck.

1:40:27.360 --> 1:40:28.160
<v Speaker 1>Yeah. I went to the.

1:40:31.040 --> 1:40:36.640
<v Speaker 6>DJ boone shoutout, dj J, do.

1:40:36.720 --> 1:40:38.800
<v Speaker 1>We take a shot for d J boy. I feel

1:40:38.800 --> 1:40:40.600
<v Speaker 1>like I feel like that it's warrant and it's his

1:40:40.680 --> 1:40:47.920
<v Speaker 1>birthday to I got you, I gotta, I.

1:40:47.960 --> 1:40:54.800
<v Speaker 12>Gotta, I gotta, I gotta right analog or digital, which

1:40:54.800 --> 1:40:57.960
<v Speaker 12>is kind of like we're already just where my heart is,

1:40:59.280 --> 1:40:59.559
<v Speaker 12>all right?

1:40:59.640 --> 1:41:04.719
<v Speaker 1>Cool or DJ Hollywood, Oh wow, Well.

1:41:05.000 --> 1:41:08.160
<v Speaker 4>Give it up for her because hip hop is here

1:41:08.240 --> 1:41:10.360
<v Speaker 4>because of him. So I'm gonna say her.

1:41:10.560 --> 1:41:11.800
<v Speaker 2>So I don't have to cheat, I don't have to drink,

1:41:12.840 --> 1:41:16.280
<v Speaker 2>and we on the fifty first anniversary exactly.

1:41:16.760 --> 1:41:20.639
<v Speaker 1>No, it's crazy, all right. The source of Double Legs.

1:41:20.520 --> 1:41:24.640
<v Speaker 4>L I'm gonna say the source because I was at

1:41:24.680 --> 1:41:27.200
<v Speaker 4>that show when when Snoop was like New.

1:41:27.160 --> 1:41:30.599
<v Speaker 1>York ain't got no. I was there. That's a moment.

1:41:30.720 --> 1:41:31.960
<v Speaker 1>That was a huge moment there.

1:41:32.200 --> 1:41:34.599
<v Speaker 4>I saw. I saw when Sugar was on that stage,

1:41:34.760 --> 1:41:37.920
<v Speaker 4>like you know, I was in that room. Oh my god,

1:41:38.080 --> 1:41:40.280
<v Speaker 4>it was crazy. We was like this something.

1:41:40.320 --> 1:41:43.080
<v Speaker 1>Pepper and Me was like this, they're gonna go It's

1:41:43.080 --> 1:41:45.240
<v Speaker 1>gonna go down. It's gonna go down.

1:41:45.520 --> 1:41:48.000
<v Speaker 4>Like it was rough, didn't feel like for sure was

1:41:48.360 --> 1:41:49.760
<v Speaker 4>forwards itself was rough.

1:41:49.840 --> 1:41:51.519
<v Speaker 2>Oh yeah, back then I met, but it was it

1:41:51.640 --> 1:41:55.280
<v Speaker 2>was it was entertaining, but it was rough, but it

1:41:55.360 --> 1:41:56.760
<v Speaker 2>was so important at that time.

1:41:56.880 --> 1:41:59.200
<v Speaker 4>It was but you saw it when the beefs were happening,

1:41:59.360 --> 1:42:01.000
<v Speaker 4>and you just knew something's going to go down.

1:42:01.040 --> 1:42:02.360
<v Speaker 1>It's the first time people are seeing each other.

1:42:02.439 --> 1:42:04.240
<v Speaker 2>There was no social media, so this is where they're

1:42:04.280 --> 1:42:07.120
<v Speaker 2>going to see each other at I just to try. Yeah,

1:42:08.840 --> 1:42:11.720
<v Speaker 2>he tries to get me heroin all the time. No,

1:42:11.880 --> 1:42:17.559
<v Speaker 2>thank you, grand Master Flash or Grand Master Theodore.

1:42:18.240 --> 1:42:20.479
<v Speaker 6>Oh wow, respect to both of them.

1:42:22.560 --> 1:42:23.400
<v Speaker 1>Yo, yo, that's good.

1:42:23.600 --> 1:42:27.360
<v Speaker 6>Is a drink ship, right, drink chack.

1:42:30.280 --> 1:42:32.679
<v Speaker 2>Hm and drink champs, Just so you know what it means.

1:42:32.760 --> 1:42:34.760
<v Speaker 2>It's not how bad you get tonight. It's how you

1:42:34.800 --> 1:42:37.519
<v Speaker 2>wake up in the morning. If you can function the

1:42:37.600 --> 1:42:41.040
<v Speaker 2>next day, that's the drink champ. You can pass out

1:42:41.080 --> 1:42:42.240
<v Speaker 2>right now, but as long as you wake up in

1:42:42.280 --> 1:42:42.920
<v Speaker 2>the morning and work.

1:42:42.960 --> 1:42:44.240
<v Speaker 3>By the way, I just want to throw this out

1:42:44.240 --> 1:42:48.160
<v Speaker 3>there because you know, my flight was delayed, so I'm

1:42:48.160 --> 1:42:52.360
<v Speaker 3>looking at him like, where'd you want to privates?

1:42:52.479 --> 1:42:56.800
<v Speaker 1>Just delayed? I was doing somebody else's private I'm not there.

1:42:56.960 --> 1:43:03.360
<v Speaker 3>I'm not ship. So they said, said Spina has something

1:43:03.439 --> 1:43:09.559
<v Speaker 3>to do after this. That yeah, because it's your drink order.

1:43:09.640 --> 1:43:13.280
<v Speaker 3>He's obsessed with your drink list. He's did you have

1:43:13.360 --> 1:43:15.920
<v Speaker 3>something to do for the best of them? Now, I'm like,

1:43:16.120 --> 1:43:19.439
<v Speaker 3>I'm like, wait a minute, she ordered going after this,

1:43:19.760 --> 1:43:23.000
<v Speaker 3>So he said exactly what he said. I don't think

1:43:23.040 --> 1:43:25.800
<v Speaker 3>you go anywhere after that whiskey and the killer. I

1:43:25.920 --> 1:43:30.080
<v Speaker 3>was like, I put those all four combinations together. I'm

1:43:30.120 --> 1:43:32.920
<v Speaker 3>like that that you gotta give. You want to you

1:43:32.920 --> 1:43:33.599
<v Speaker 3>want to pop.

1:43:33.439 --> 1:43:37.280
<v Speaker 1>Ace, Not really, I can take one with me.

1:43:37.560 --> 1:43:39.360
<v Speaker 3>No, of course you can't. You can take as much

1:43:39.360 --> 1:43:41.719
<v Speaker 3>as you want, because you know why you want something.

1:43:45.640 --> 1:43:46.160
<v Speaker 1>You can't.

1:43:46.560 --> 1:43:51.080
<v Speaker 3>You know, He's like, wink because because our show is

1:43:51.160 --> 1:43:53.559
<v Speaker 3>your show. I just want you to know that one

1:43:53.600 --> 1:43:58.840
<v Speaker 3>main percent. If you want to promote pink Lemon seals.

1:44:00.920 --> 1:44:03.200
<v Speaker 1>Want to say toenails this time now, we're just trying

1:44:03.200 --> 1:44:06.000
<v Speaker 1>to change it. I mean, is this normal?

1:44:06.080 --> 1:44:06.240
<v Speaker 4>Though?

1:44:06.400 --> 1:44:09.479
<v Speaker 1>This is this is normal? We love the drinks or

1:44:09.560 --> 1:44:15.519
<v Speaker 1>the talking, just the drinks is normal. Just say you something.

1:44:16.080 --> 1:44:19.760
<v Speaker 3>The love is not okay, this love that we have

1:44:19.920 --> 1:44:23.439
<v Speaker 3>for you, we are so excited. We were so excited

1:44:24.600 --> 1:44:29.840
<v Speaker 3>that you accepted to come to us and tell your

1:44:29.880 --> 1:44:33.920
<v Speaker 3>story that we are about to say a word that

1:44:33.960 --> 1:44:39.080
<v Speaker 3>I don't know what it means. Say manically. We might

1:44:39.160 --> 1:44:41.240
<v Speaker 3>have to make a drink chance for book.

1:44:47.160 --> 1:44:51.639
<v Speaker 1>Let's use it. Yes, yes are you? Yes? Next one

1:44:52.520 --> 1:44:57.000
<v Speaker 1>Buck diamond D shout out the book wild.

1:44:56.960 --> 1:44:59.519
<v Speaker 4>Or diamond D okay, taking into place Diamondy. I just

1:44:59.640 --> 1:45:03.280
<v Speaker 4>actually he reached out to diamond D because he did this.

1:45:03.880 --> 1:45:05.880
<v Speaker 4>I feel like he did this compilation that I was

1:45:05.960 --> 1:45:08.680
<v Speaker 4>looking for. Yeah, he put out an album. He put

1:45:08.720 --> 1:45:11.080
<v Speaker 4>out some stuff, right yeah, and I've been looking for

1:45:11.200 --> 1:45:12.400
<v Speaker 4>it and I found out it was him, and I

1:45:12.439 --> 1:45:14.160
<v Speaker 4>reached out to him. So I'm gonna say, diamond.

1:45:13.960 --> 1:45:17.480
<v Speaker 1>D okay, this is very easy. Podcast or radio.

1:45:18.760 --> 1:45:20.320
<v Speaker 6>Today is National Radio Day?

1:45:20.439 --> 1:45:21.280
<v Speaker 1>Is it today?

1:45:21.400 --> 1:45:22.559
<v Speaker 4>Was it yesterday?

1:45:23.040 --> 1:45:26.519
<v Speaker 1>You guys are around here? No word? Podcast Radio Day.

1:45:27.240 --> 1:45:29.559
<v Speaker 6>I used to do radio. I used to do radio.

1:45:30.560 --> 1:45:33.400
<v Speaker 1>I was on for a while. Yeah, I was on.

1:45:33.720 --> 1:45:37.240
<v Speaker 4>I had my own syndicated radio show back in two

1:45:37.320 --> 1:45:41.479
<v Speaker 4>thousand and six, and it was called The back Spin

1:45:42.600 --> 1:45:44.960
<v Speaker 4>Spin Cycle Radio, and then I then I changed it

1:45:45.000 --> 1:45:45.599
<v Speaker 4>to the back Spin.

1:45:45.760 --> 1:45:48.280
<v Speaker 6>So I'm gonna say radio.

1:45:48.320 --> 1:45:52.280
<v Speaker 1>Okay, not mad at that. A tribe called quest or

1:45:52.320 --> 1:45:55.679
<v Speaker 1>Day call Quest and I loved saw ship.

1:45:55.720 --> 1:45:56.480
<v Speaker 4>I'm drinking.

1:45:58.200 --> 1:45:58.720
<v Speaker 1>Wait for us.

1:45:58.800 --> 1:46:06.040
<v Speaker 4>I'm sorry, it's not tasting good anymore. It's getting harsher,

1:46:06.240 --> 1:46:09.240
<v Speaker 4>it's getting harsher. Yeah, we're close, we're close.

1:46:10.320 --> 1:46:15.920
<v Speaker 1>I see the end. Help Little Kim or REMI ma, oh.

1:46:15.840 --> 1:46:21.040
<v Speaker 4>Wow, this is hard Jesus. I'm gonna say little Kim

1:46:21.200 --> 1:46:25.120
<v Speaker 4>because I don't know. Little Kim did something for me

1:46:26.000 --> 1:46:30.760
<v Speaker 4>with females and hip hop way back when. I just

1:46:30.840 --> 1:46:33.720
<v Speaker 4>feel like she just kind of took that ship like

1:46:33.880 --> 1:46:37.040
<v Speaker 4>let me just and I was like, oh she she Wow,

1:46:37.240 --> 1:46:39.880
<v Speaker 4>she's crazy, but I like her, you know, so Yeah,

1:46:40.160 --> 1:46:40.839
<v Speaker 4>Little Kim.

1:46:42.320 --> 1:46:45.599
<v Speaker 1>N w A or public enemy mm hmm.

1:46:48.200 --> 1:46:49.960
<v Speaker 6>N w A or public public enemy.

1:46:51.320 --> 1:47:01.200
<v Speaker 1>All right. Rhapsody or Bahamada ship really pinning two different generations.

1:47:01.240 --> 1:47:04.639
<v Speaker 4>It's like it's like the seed of Bahamadia is rhaps

1:47:09.000 --> 1:47:14.200
<v Speaker 4>respect respect to Bahamaedia, one of like like to me,

1:47:14.400 --> 1:47:18.000
<v Speaker 4>she's one of like those mcs that's like unsung, and

1:47:19.640 --> 1:47:24.400
<v Speaker 4>Rhapsody to me is unsung today in a way that

1:47:24.680 --> 1:47:26.120
<v Speaker 4>she's kind of creeping in there.

1:47:26.360 --> 1:47:28.120
<v Speaker 1>Her new stuff is amazing.

1:47:27.880 --> 1:47:30.920
<v Speaker 6>Amazing, amazing.

1:47:32.800 --> 1:47:35.240
<v Speaker 4>I had my own Rhapsody for for a long time,

1:47:36.200 --> 1:47:40.080
<v Speaker 4>and I remember I was like, like I would think

1:47:40.160 --> 1:47:44.240
<v Speaker 4>she's probably she should be out on top of the

1:47:44.320 --> 1:47:47.840
<v Speaker 4>situation more than she is. But maybe it's because of

1:47:47.960 --> 1:47:51.120
<v Speaker 4>what people are demanding, you know, out there right now.

1:47:52.880 --> 1:47:54.840
<v Speaker 4>But I'm going to say, rhapsody.

1:47:56.840 --> 1:47:59.760
<v Speaker 1>How about you drink? You can take a drink of.

1:47:59.760 --> 1:48:02.679
<v Speaker 6>You would take a drink, it's right there.

1:48:03.840 --> 1:48:10.240
<v Speaker 1>Eric abad or at Leasta keys Ship. Eric, we were

1:48:10.240 --> 1:48:14.680
<v Speaker 1>a small instance. I didn't. That would have been a

1:48:14.680 --> 1:48:16.439
<v Speaker 1>little weird if you would be like, yeah, that's pretty good.

1:48:16.920 --> 1:48:17.640
<v Speaker 8>I did not.

1:48:19.240 --> 1:48:23.200
<v Speaker 1>I did not, did you. We try to get a

1:48:23.240 --> 1:48:24.160
<v Speaker 1>hold of it. We get.

1:48:26.080 --> 1:48:26.200
<v Speaker 8>Right.

1:48:26.560 --> 1:48:28.800
<v Speaker 3>We wanted to have it on drinks for everybody to smell.

1:48:30.680 --> 1:48:32.560
<v Speaker 3>I even told my wife to order it. I was like,

1:48:33.320 --> 1:48:36.080
<v Speaker 3>but you got to get it. Before she looked at

1:48:36.120 --> 1:48:37.840
<v Speaker 3>what it was called. She was like, you are we

1:48:38.000 --> 1:48:39.360
<v Speaker 3>ordering Eric pussy?

1:48:40.880 --> 1:48:41.559
<v Speaker 4>The real thing?

1:48:42.000 --> 1:48:45.920
<v Speaker 1>We just wore black colture. Baby, I'm sorry I went

1:48:45.960 --> 1:48:46.280
<v Speaker 1>too far.

1:48:47.160 --> 1:48:49.160
<v Speaker 3>Go ahead, and that is the last one. Give her

1:48:49.680 --> 1:48:53.759
<v Speaker 3>the last the last one? All right, there's one more, Yeah, okay,

1:48:54.360 --> 1:48:56.280
<v Speaker 3>loyalty or respect.

1:48:57.720 --> 1:48:58.080
<v Speaker 4>Today?

1:48:58.439 --> 1:48:58.960
<v Speaker 6>Respect?

1:48:59.880 --> 1:49:02.960
<v Speaker 1>I used to do the loyalty thing. Tell us why.

1:49:04.240 --> 1:49:05.360
<v Speaker 6>Loyalty will get you.

1:49:07.080 --> 1:49:07.600
<v Speaker 1>Fucked up.

1:49:08.880 --> 1:49:10.800
<v Speaker 4>It will get you fucked up, and it's good to

1:49:10.880 --> 1:49:12.840
<v Speaker 4>be that. Never give up who you are if you're

1:49:12.840 --> 1:49:16.720
<v Speaker 4>a loyal type or whatever. But remember respect is more

1:49:16.760 --> 1:49:21.519
<v Speaker 4>important because you'll be respecting yourself. When you command respect,

1:49:21.600 --> 1:49:25.320
<v Speaker 4>you're respecting yourself so you can be loyal and people

1:49:25.360 --> 1:49:29.240
<v Speaker 4>could just walk all over that and you'll be hurting

1:49:29.280 --> 1:49:33.559
<v Speaker 4>the end. But respect, it's like you command that. I'm

1:49:33.600 --> 1:49:35.360
<v Speaker 4>giving it. I'm going to receive that.

1:49:37.240 --> 1:49:37.599
<v Speaker 1>Respect.

1:49:37.760 --> 1:49:38.599
<v Speaker 4>I'm picking respect.

1:49:38.880 --> 1:49:41.880
<v Speaker 3>I still want to take a shot. I'm sorry. I

1:49:44.840 --> 1:49:49.560
<v Speaker 3>was supposed to say a shot, but I really.

1:49:51.800 --> 1:49:52.519
<v Speaker 1>And we're done with that.

1:49:53.439 --> 1:49:56.120
<v Speaker 3>Yeah, really, you know, you know what I really wanted.

1:49:56.920 --> 1:49:59.639
<v Speaker 3>I really want you to know how much hip hop

1:49:59.720 --> 1:50:05.360
<v Speaker 3>love it. Because the thing is like I've been studying

1:50:05.400 --> 1:50:08.640
<v Speaker 3>you for studying, studying since you went to Left Rack.

1:50:08.680 --> 1:50:12.120
<v Speaker 3>Remember he's been studying since then. You know what, You're right,

1:50:12.280 --> 1:50:16.720
<v Speaker 3>You're very true. And one of the reasons why me

1:50:16.800 --> 1:50:21.360
<v Speaker 3>and EF and started it is because started this. It's

1:50:21.360 --> 1:50:24.960
<v Speaker 3>like we want to pay respect to our legends, and sometimes,

1:50:25.280 --> 1:50:30.800
<v Speaker 3>very seldomly we realize our legends don't don't understand how

1:50:30.880 --> 1:50:31.599
<v Speaker 3>important they are.

1:50:32.000 --> 1:50:38.280
<v Speaker 1>Their impact their legacy, they impact their legacy with you,

1:50:38.680 --> 1:50:43.400
<v Speaker 1>I'm in between. Do you know how important you are

1:50:43.720 --> 1:50:48.160
<v Speaker 1>to people like us people? Do you understand today? I

1:50:48.280 --> 1:50:49.080
<v Speaker 1>do okay.

1:50:49.439 --> 1:50:51.559
<v Speaker 4>You know, I was in my own way, I think,

1:50:53.320 --> 1:50:58.840
<v Speaker 4>dealing with my own self worth, and I kind of

1:50:58.920 --> 1:51:02.000
<v Speaker 4>got to the point where I'm like, I deserve to

1:51:02.160 --> 1:51:05.080
<v Speaker 4>be you know, the love I give it, so I

1:51:05.160 --> 1:51:07.360
<v Speaker 4>deserve it back. But my husband tells me that all

1:51:07.400 --> 1:51:10.120
<v Speaker 4>the time. You know, do you understand you know how

1:51:10.439 --> 1:51:14.360
<v Speaker 4>major you you are. I'm just DEDI that, you know,

1:51:14.600 --> 1:51:18.200
<v Speaker 4>right to my family, to my loved ones, and that's

1:51:18.360 --> 1:51:20.560
<v Speaker 4>always first to me. And when I step out, I

1:51:20.640 --> 1:51:22.880
<v Speaker 4>put the hat, the spin hat on the gear or whatever.

1:51:23.160 --> 1:51:27.160
<v Speaker 1>But I get it now, I get what I get it.

1:51:27.439 --> 1:51:27.880
<v Speaker 4>I get it.

1:51:31.439 --> 1:51:36.519
<v Speaker 1>You're really Poli. But you're really like.

1:51:41.160 --> 1:51:43.519
<v Speaker 3>I said it earlier, and I said it like from

1:51:43.680 --> 1:51:46.680
<v Speaker 3>like a guy standpoint, and I was like, you know,

1:51:46.880 --> 1:51:50.120
<v Speaker 3>guys had you on that day. But now let's think

1:51:50.120 --> 1:51:53.920
<v Speaker 3>about the girls, especially a girl DJ coming up.

1:51:58.160 --> 1:51:58.880
<v Speaker 1>You're in there.

1:51:58.920 --> 1:52:02.400
<v Speaker 3>It's huge, So you're in their bathroom for real, Like

1:52:02.479 --> 1:52:03.640
<v Speaker 3>I was playing around early in.

1:52:03.640 --> 1:52:04.920
<v Speaker 1>The top of the bathroom though.

1:52:09.160 --> 1:52:09.360
<v Speaker 2>There.

1:52:09.800 --> 1:52:16.760
<v Speaker 1>Yeah, you're in the room. They're in their room. That

1:52:16.960 --> 1:52:22.200
<v Speaker 1>ship is so like to me, it's so dope because.

1:52:24.280 --> 1:52:29.160
<v Speaker 3>You know, obviously we watched Wakanda, right, and I know

1:52:30.120 --> 1:52:32.960
<v Speaker 3>everyone's probably looking at me like what this is bringing Waconda?

1:52:33.200 --> 1:52:38.600
<v Speaker 1>But Wakanda is not fake. Waconda is based on real reality.

1:52:39.880 --> 1:52:40.360
<v Speaker 1>Mm hmmm.

1:52:41.520 --> 1:52:47.320
<v Speaker 3>And if we was the base Wakanda on a real

1:52:47.439 --> 1:52:49.439
<v Speaker 3>life place, who would be the DJ?

1:52:51.400 --> 1:52:56.240
<v Speaker 1>Me? I'll be up in there? You and Jazzy motherfucking Jazzy. Yes, yeah,

1:53:00.080 --> 1:53:00.679
<v Speaker 1>that's huge.

1:53:01.160 --> 1:53:02.320
<v Speaker 6>He's one of my favorites.

1:53:02.400 --> 1:53:03.760
<v Speaker 1>But yeah, they don't kill that. I feel like I

1:53:03.880 --> 1:53:07.360
<v Speaker 1>killed that. I felt like I was like that was hard. Yeah, yeah,

1:53:07.760 --> 1:53:10.920
<v Speaker 1>no no, but but funk that. I'm playing around. But

1:53:11.000 --> 1:53:13.960
<v Speaker 1>I'm not playing around. That's real.

1:53:15.560 --> 1:53:18.519
<v Speaker 3>Like all the guests that we have, if I was

1:53:18.600 --> 1:53:24.360
<v Speaker 3>to tell them your last party of your life, who

1:53:24.400 --> 1:53:25.200
<v Speaker 3>would be the DJ?

1:53:25.960 --> 1:53:26.840
<v Speaker 1>Mm hmm, I.

1:53:26.960 --> 1:53:28.920
<v Speaker 3>Guarantee you and if you want me to do it,

1:53:29.080 --> 1:53:33.639
<v Speaker 3>I will prove it to you. They would say spend

1:53:33.680 --> 1:53:34.639
<v Speaker 3>the Wether or Jesse.

1:53:35.080 --> 1:53:40.920
<v Speaker 4>Really, I don't hear it like that. I'm sorry, I don't.

1:53:41.000 --> 1:53:45.479
<v Speaker 4>I don't let mean brush I appreciate that. That's crazy?

1:53:45.600 --> 1:53:47.120
<v Speaker 1>Are you crazy? You don't know that?

1:53:47.320 --> 1:53:47.920
<v Speaker 6>I don't know that?

1:53:48.120 --> 1:53:48.439
<v Speaker 8>Do I know?

1:53:49.080 --> 1:53:53.760
<v Speaker 1>I love our humble legends? You you you mean saying that.

1:53:56.120 --> 1:53:56.439
<v Speaker 2>That is.

1:53:59.080 --> 1:54:01.280
<v Speaker 1>That's magical? Don't give a what are you drinking and

1:54:01.320 --> 1:54:02.080
<v Speaker 1>get one another one.

1:54:02.360 --> 1:54:04.280
<v Speaker 4>I look up to Jazz Jeff. When you talk about

1:54:04.360 --> 1:54:06.479
<v Speaker 4>when you pay me when I am in the same

1:54:08.439 --> 1:54:11.400
<v Speaker 4>I guess on that line with the great people that

1:54:11.520 --> 1:54:13.840
<v Speaker 4>I look up to, it's wild to me. So as

1:54:13.920 --> 1:54:16.400
<v Speaker 4>wild as it you think it is, trust me, I'll

1:54:16.400 --> 1:54:16.920
<v Speaker 4>be like, but.

1:54:16.960 --> 1:54:19.400
<v Speaker 1>It's wild that you don't see yourself there. Let me

1:54:19.520 --> 1:54:26.600
<v Speaker 1>just say something to you. That's what everyone tests about you.

1:54:27.280 --> 1:54:34.320
<v Speaker 1>M you are and by the way, I want to

1:54:34.760 --> 1:54:38.480
<v Speaker 1>because I don't want to label it female. Mm hmmm.

1:54:39.080 --> 1:54:42.600
<v Speaker 1>Because we labeled female, it kind of brings it down,

1:54:42.640 --> 1:54:47.000
<v Speaker 1>it minimizes it, right you and thank you for that.

1:54:47.880 --> 1:54:49.600
<v Speaker 1>One of the ellist DJs.

1:54:49.800 --> 1:54:57.200
<v Speaker 3>Ever And now who did I say, Jazz Jeff, that's crazy,

1:54:57.320 --> 1:54:58.800
<v Speaker 3>but you know who texts me just now.

1:55:00.680 --> 1:55:06.080
<v Speaker 1>In my mind damn messag Jet mm hmm and damn

1:55:06.120 --> 1:55:09.760
<v Speaker 1>Master j just told me. No, it's not Jasey j

1:55:10.200 --> 1:55:18.000
<v Speaker 1>It's me. I'm getting deep you get indeed, indeed.

1:55:18.080 --> 1:55:19.240
<v Speaker 6>Indeed, but that's how you see it.

1:55:19.320 --> 1:55:21.440
<v Speaker 4>It's like it's because.

1:55:24.400 --> 1:55:27.080
<v Speaker 1>You know, it took me to get out of the

1:55:27.240 --> 1:55:31.360
<v Speaker 1>kind of like the rap game to understand that I was.

1:55:31.880 --> 1:55:36.680
<v Speaker 3>I wasn't ship without the DJ. I wasn't nothing to

1:55:36.800 --> 1:55:43.320
<v Speaker 3>this day, my DJ butch Rock, I don't want to.

1:55:45.200 --> 1:55:45.680
<v Speaker 1>Fat Joe.

1:55:46.040 --> 1:55:49.160
<v Speaker 3>I just went to Bad Joe's concert. I didn't even

1:55:49.160 --> 1:55:50.360
<v Speaker 3>know it was a concert. I thought it was a

1:55:50.440 --> 1:55:53.440
<v Speaker 3>fucking Keys to the City. And then I performed, and

1:55:53.560 --> 1:55:56.200
<v Speaker 3>my DJ literally called me. It was like, you performed

1:55:56.280 --> 1:55:56.680
<v Speaker 3>without me?

1:55:56.800 --> 1:55:57.000
<v Speaker 8>God?

1:55:58.080 --> 1:56:00.360
<v Speaker 1>Right, how you go do that?

1:56:00.640 --> 1:56:00.800
<v Speaker 2>Right?

1:56:02.480 --> 1:56:06.280
<v Speaker 3>But it makes me just reiterate what happens, and the

1:56:06.440 --> 1:56:10.120
<v Speaker 3>DJ is really the most important part of hip hop.

1:56:10.560 --> 1:56:13.200
<v Speaker 1>To me, now that I can see it. No, it

1:56:13.360 --> 1:56:15.400
<v Speaker 1>is now that I could get out of it and

1:56:15.680 --> 1:56:17.640
<v Speaker 1>watch it and appreciate it.

1:56:19.240 --> 1:56:23.440
<v Speaker 4>Yeah, it's amazing to be paired with those greats. It's

1:56:23.520 --> 1:56:26.480
<v Speaker 4>wild to me because I still remember that day that

1:56:26.600 --> 1:56:31.280
<v Speaker 4>I did not drop the song. I just all of

1:56:31.320 --> 1:56:34.080
<v Speaker 4>that plays in my head still in my life, and

1:56:35.520 --> 1:56:37.800
<v Speaker 4>when I'm like talking with Jeff.

1:56:38.120 --> 1:56:40.000
<v Speaker 1>And I'll be like, damn, that's the fucking jazzy Jeff.

1:56:41.440 --> 1:56:42.160
<v Speaker 4>It's wild to me.

1:56:42.280 --> 1:56:46.400
<v Speaker 1>You look at Jesse, Jeff. Do you know how Jesse

1:56:46.520 --> 1:56:49.400
<v Speaker 1>Jeff probably looks as you. I don't know that.

1:56:50.600 --> 1:56:55.160
<v Speaker 4>I don't know that, but you know, I remember saying,

1:56:55.240 --> 1:56:57.560
<v Speaker 4>Jeff on the side watching me play, and.

1:56:57.640 --> 1:57:00.640
<v Speaker 1>I was like, oh my god, mother, Jeff's to yourself.

1:57:00.720 --> 1:57:03.040
<v Speaker 1>This is just me.

1:57:03.600 --> 1:57:05.880
<v Speaker 4>He stood there and he was watching me play. This

1:57:05.960 --> 1:57:08.600
<v Speaker 4>is the wildss feel. Speak somebody that you look up to,

1:57:09.760 --> 1:57:13.560
<v Speaker 4>checking you out to see how you I said, let

1:57:13.600 --> 1:57:14.720
<v Speaker 4>me get my ship together.

1:57:16.840 --> 1:57:17.120
<v Speaker 2>That's it.

1:57:17.320 --> 1:57:21.160
<v Speaker 6>Yeah, but it is a wild feeling. But I guess

1:57:21.200 --> 1:57:21.520
<v Speaker 6>that's my.

1:57:23.160 --> 1:57:23.680
<v Speaker 1>Humility.

1:57:24.120 --> 1:57:27.240
<v Speaker 6>That's just who I am. You know, it's who I am.

1:57:27.440 --> 1:57:32.600
<v Speaker 3>So so let me ask you a question. We have

1:57:32.720 --> 1:57:39.000
<v Speaker 3>never asked this question, and I've never asked this this way. So, Pepper,

1:57:39.120 --> 1:57:39.880
<v Speaker 3>where were they at.

1:57:42.120 --> 1:57:44.120
<v Speaker 1>Listen to this interview? What would you say to them?

1:57:46.320 --> 1:57:46.720
<v Speaker 4>Hm hmm.

1:57:48.240 --> 1:57:51.280
<v Speaker 6>Well I would say, let's give the people what they want.

1:57:52.720 --> 1:57:56.720
<v Speaker 4>And I also would say we have work to do internally,

1:57:58.160 --> 1:58:03.040
<v Speaker 4>and if that doors open, I'm open to that is

1:58:03.120 --> 1:58:07.240
<v Speaker 4>to do in the work internally. So I I you know,

1:58:07.800 --> 1:58:10.440
<v Speaker 4>I don't want to abandon our legacy. I just mentally

1:58:11.240 --> 1:58:13.480
<v Speaker 4>have to do what needs to be done for myself

1:58:14.680 --> 1:58:17.200
<v Speaker 4>and and and there has to be a mutual respect.

1:58:18.320 --> 1:58:20.960
<v Speaker 1>And that's it. That's all needs to be.

1:58:21.040 --> 1:58:25.760
<v Speaker 3>So I love this, like you know, she never what

1:58:25.880 --> 1:58:31.600
<v Speaker 3>does Michelle Obama say? They go to look Michelle Obama, you're.

1:58:31.760 --> 1:58:35.800
<v Speaker 1>Like she said, when they go low we go high.

1:58:35.920 --> 1:58:40.560
<v Speaker 4>That's like, yeah, I respect Michelle Obama because she I mean,

1:58:40.640 --> 1:58:44.720
<v Speaker 4>they have dogged her to the ground and she still

1:58:45.080 --> 1:58:47.040
<v Speaker 4>she will say with her piece and say what she

1:58:47.160 --> 1:58:52.040
<v Speaker 4>has to say with strength. So yeah, I'm I'm a

1:58:52.160 --> 1:58:56.839
<v Speaker 4>part of that side that feels like, you know, let's.

1:58:56.760 --> 1:59:00.760
<v Speaker 1>Make it right. And what do you because you know

1:59:01.040 --> 1:59:05.040
<v Speaker 1>we're at the internet the interview, But what do you

1:59:05.120 --> 1:59:06.600
<v Speaker 1>think it is to make it right?

1:59:08.040 --> 1:59:10.880
<v Speaker 4>I said it mutual respect. When you have respect for somebody,

1:59:10.920 --> 1:59:14.640
<v Speaker 4>you listen for what they with their situation is. You

1:59:14.800 --> 1:59:20.280
<v Speaker 4>understand what their situation. You don't talk, you listen, and

1:59:20.400 --> 1:59:23.400
<v Speaker 4>it goes. It's it's mutual as both sides have to

1:59:23.480 --> 1:59:27.600
<v Speaker 4>do that. So it's almost like a read what's the

1:59:27.680 --> 1:59:36.400
<v Speaker 4>word when you redo something? Read reinvent, reinvent a reinvention,

1:59:37.720 --> 1:59:40.000
<v Speaker 4>and it has to be a reinvention because.

1:59:39.680 --> 1:59:43.560
<v Speaker 3>All right, before we get about it, right, you came

1:59:43.640 --> 1:59:45.320
<v Speaker 3>to them and you said, yo, just this and this

1:59:45.600 --> 1:59:48.400
<v Speaker 3>right whatever it was. I don't want to get into

1:59:48.480 --> 1:59:54.480
<v Speaker 3>particulars because that's your business. And they you felt like

1:59:54.560 --> 1:59:55.400
<v Speaker 3>they didn't comply.

1:59:58.960 --> 2:00:01.520
<v Speaker 6>I feel like they don't see what I'm saying, ok.

2:00:03.600 --> 2:00:06.240
<v Speaker 6>And and and in order for that to happen.

2:00:06.360 --> 2:00:12.920
<v Speaker 4>You have to have a third party explain, mediator, a mediator, therapists,

2:00:13.040 --> 2:00:17.320
<v Speaker 4>something to that that helps to sort what the needs

2:00:17.360 --> 2:00:23.960
<v Speaker 4>are because we're not grasping what They're not grasping what

2:00:24.000 --> 2:00:26.600
<v Speaker 4>I'm saying. I'm grasping what they're saying, but they're not

2:00:26.680 --> 2:00:27.640
<v Speaker 4>grasping what I'm saying.

2:00:27.880 --> 2:00:30.200
<v Speaker 3>But Kevin, canna stop because one second and you said

2:00:30.280 --> 2:00:35.960
<v Speaker 3>earlier you was like you expect Pepper right, And I've

2:00:36.040 --> 2:00:41.520
<v Speaker 3>went I searched every interview and Peppa also addressed you right.

2:00:41.760 --> 2:00:45.840
<v Speaker 3>She said, Spinora is not wrong, like she's not wrong,

2:00:46.880 --> 2:00:51.960
<v Speaker 3>but she she feels like your discrepancy is with the

2:00:52.120 --> 2:00:54.440
<v Speaker 3>label and not sor.

2:00:56.720 --> 2:00:59.520
<v Speaker 1>Herbie's not there anymore. The labels aren't there anymore.

2:00:59.600 --> 2:01:02.760
<v Speaker 4>But I'm still here and the business has to be

2:01:02.880 --> 2:01:06.440
<v Speaker 4>dealt with with who's involved at this point and who's

2:01:06.520 --> 2:01:11.640
<v Speaker 4>involved YouTube and me. There's no Herbie, there's no label.

2:01:12.040 --> 2:01:15.120
<v Speaker 4>But at this point, the three of us are here

2:01:15.560 --> 2:01:18.080
<v Speaker 4>and guess what I'm not getting what I should get

2:01:18.160 --> 2:01:20.280
<v Speaker 4>out of it? Or I didn't I'm not getting what's

2:01:20.760 --> 2:01:20.960
<v Speaker 4>you know?

2:01:21.200 --> 2:01:22.440
<v Speaker 1>Do me right?

2:01:22.640 --> 2:01:24.720
<v Speaker 6>So if I was one.

2:01:24.640 --> 2:01:27.160
<v Speaker 4>Of them, I would go, let's get her what she

2:01:27.360 --> 2:01:30.120
<v Speaker 4>needs it's not going to come out of my pocket,

2:01:30.560 --> 2:01:31.600
<v Speaker 4>but I'm going to get her.

2:01:32.040 --> 2:01:33.480
<v Speaker 6>Let's get her to where what she needs.

2:01:33.560 --> 2:01:36.680
<v Speaker 4>What they what I felt happened was they shut down

2:01:36.760 --> 2:01:40.640
<v Speaker 4>because it was like, you're coming at me. It was

2:01:40.760 --> 2:01:43.360
<v Speaker 4>defensive and it was like, no, I'm coming at whoever,

2:01:44.000 --> 2:01:48.000
<v Speaker 4>because y'all are salt and pepper. I need I need

2:01:48.080 --> 2:01:51.000
<v Speaker 4>somebody to address what I've done and I haven't gotten

2:01:51.040 --> 2:01:55.040
<v Speaker 4>paid for. I need somebody to address my contribution not

2:01:55.200 --> 2:01:59.440
<v Speaker 4>getting handled. And guess what we did it in the end,

2:02:00.080 --> 2:02:04.280
<v Speaker 4>it got handled because I said something, if you closed

2:02:04.360 --> 2:02:08.560
<v Speaker 4>mouths don't get set. So you know, I'm not saying

2:02:09.560 --> 2:02:12.000
<v Speaker 4>they're fully responsible for everything with me.

2:02:14.000 --> 2:02:16.520
<v Speaker 1>It's herbie right there. I'm saying.

2:02:17.440 --> 2:02:20.040
<v Speaker 4>I'm saying I didn't get what I'm supposed to get

2:02:20.080 --> 2:02:22.600
<v Speaker 4>out of this. And at the end of the day,

2:02:22.840 --> 2:02:27.840
<v Speaker 4>we y'all need to address it because I'm still here working,

2:02:28.320 --> 2:02:30.960
<v Speaker 4>I'm still here providing, I'm still here contributing.

2:02:31.680 --> 2:02:33.800
<v Speaker 1>And then it just got really nasty and ugly and

2:02:33.960 --> 2:02:36.880
<v Speaker 1>we don't have to go over that. But at the

2:02:37.000 --> 2:02:38.040
<v Speaker 1>end of the day, we are.

2:02:40.320 --> 2:02:43.720
<v Speaker 4>The hearts are open. I just feel like, you know,

2:02:44.840 --> 2:02:46.440
<v Speaker 4>if the door is going to be opened. It has

2:02:46.480 --> 2:02:48.680
<v Speaker 4>to be a respect for each party involved.

2:02:49.800 --> 2:02:53.760
<v Speaker 3>So right now, God comes down, God comes to spend

2:02:53.800 --> 2:02:56.560
<v Speaker 3>the bell and says, yeah, I want you to make

2:02:56.720 --> 2:02:58.280
<v Speaker 3>one last record.

2:02:59.600 --> 2:03:04.920
<v Speaker 1>To shave humanity. Who are you calling to be the

2:03:05.040 --> 2:03:07.320
<v Speaker 1>producer and the artist?

2:03:08.280 --> 2:03:09.760
<v Speaker 4>Oh ship, that's a good one.

2:03:09.920 --> 2:03:12.720
<v Speaker 6>But yeah, but this is your humanity.

2:03:13.200 --> 2:03:15.160
<v Speaker 1>I mean, you don't really got to be cool.

2:03:15.240 --> 2:03:17.080
<v Speaker 6>I mean that's big, that's big.

2:03:17.480 --> 2:03:19.520
<v Speaker 1>You can still you know. Who would I call?

2:03:23.720 --> 2:03:32.880
<v Speaker 4>Well, I mean call on my favorites, Yeah, favorites, Gosh, Jeff,

2:03:33.000 --> 2:03:36.880
<v Speaker 4>I like Jeff, I like Pete Rock, I like I mean,

2:03:37.600 --> 2:03:40.400
<v Speaker 4>I don't know about saving humanity, but I know about

2:03:40.720 --> 2:03:41.560
<v Speaker 4>the the.

2:03:43.160 --> 2:03:44.000
<v Speaker 1>The vibe I like.

2:03:45.520 --> 2:03:46.600
<v Speaker 6>To get, you know what I'm saying.

2:03:46.840 --> 2:03:50.200
<v Speaker 1>So I would have to call on my folks.

2:03:50.240 --> 2:03:51.760
<v Speaker 4>I don't know, I don't know.

2:03:55.120 --> 2:03:59.720
<v Speaker 1>Mc wise, who you picking? This is me, right, yes,

2:03:59.800 --> 2:04:00.520
<v Speaker 1>this this is me.

2:04:00.760 --> 2:04:06.480
<v Speaker 3>God came to you, okay, he he and Maui. He

2:04:06.640 --> 2:04:11.040
<v Speaker 3>haven't had a haircut in seventeen years. God, Yeah, God, God,

2:04:11.240 --> 2:04:12.040
<v Speaker 3>God's a hippie.

2:04:12.240 --> 2:04:17.640
<v Speaker 1>God is God is a He's in Maui. He's just

2:04:17.760 --> 2:04:23.320
<v Speaker 1>a foul thing. Ye, save the life, save a life.

2:04:23.360 --> 2:04:28.120
<v Speaker 1>He's drinking. Yeah, that's a hard one, dude, I don't know.

2:04:28.320 --> 2:04:28.600
<v Speaker 1>I would.

2:04:29.320 --> 2:04:32.440
<v Speaker 4>I would pick myself. To be honest, I would pick

2:04:32.520 --> 2:04:35.600
<v Speaker 4>I would. I would pick myself on the on the vocals,

2:04:36.400 --> 2:04:37.160
<v Speaker 4>on everything.

2:04:37.440 --> 2:04:41.720
<v Speaker 1>God damn, I mean I picked my lyrics.

2:04:42.000 --> 2:04:43.560
<v Speaker 6>I have a lot of friends that I can call on.

2:04:44.560 --> 2:04:47.000
<v Speaker 6>Oh ship, sorry, oh ship.

2:04:47.360 --> 2:04:48.280
<v Speaker 1>You got give me a.

2:04:50.720 --> 2:04:50.960
<v Speaker 4>Drink?

2:04:51.600 --> 2:04:54.240
<v Speaker 1>K I'm Air Jordans right now. He's so deep.

2:04:54.400 --> 2:05:00.520
<v Speaker 3>Yes, no, but because you know why, I'm really wants

2:05:00.560 --> 2:05:04.360
<v Speaker 3>you to understand how important you are to us, like

2:05:04.480 --> 2:05:07.440
<v Speaker 3>how important you are to everyone in this room. When

2:05:07.600 --> 2:05:11.280
<v Speaker 3>we knew that we had spend the other book, everybody

2:05:11.840 --> 2:05:12.640
<v Speaker 3>became early.

2:05:15.080 --> 2:05:15.440
<v Speaker 8>Is that so.

2:05:18.040 --> 2:05:21.080
<v Speaker 1>That's crazy except your flight was late.

2:05:22.320 --> 2:05:25.520
<v Speaker 3>That's my flight that wasn't And by the way, I

2:05:25.600 --> 2:05:31.760
<v Speaker 3>went and took a shower, came change, he came to shovel. Yes,

2:05:32.000 --> 2:05:38.800
<v Speaker 3>because because it's not that I want to give your flowers,

2:05:40.040 --> 2:05:41.959
<v Speaker 3>it's you deserve your flowers.

2:05:43.000 --> 2:05:44.400
<v Speaker 4>And thank you.

2:05:46.800 --> 2:05:53.520
<v Speaker 3>You're for female, for female DJs, for female DJs, DJs

2:05:53.640 --> 2:05:54.480
<v Speaker 3>for humans.

2:05:56.360 --> 2:05:58.240
<v Speaker 1>I want to let me go over with me for

2:05:58.400 --> 2:06:01.000
<v Speaker 1>human beings, the humanity.

2:06:01.400 --> 2:06:03.640
<v Speaker 3>What you have done and what you have brung to

2:06:03.760 --> 2:06:09.360
<v Speaker 3>the game will never never, ever, ever, ever, ever ever

2:06:09.520 --> 2:06:10.760
<v Speaker 3>be compromised.

2:06:11.040 --> 2:06:16.880
<v Speaker 1>Or erased or ras. We love you. We want you

2:06:17.000 --> 2:06:18.600
<v Speaker 1>to know that we love you. We want you to

2:06:18.760 --> 2:06:28.440
<v Speaker 1>know how much we cherish you because you're a legacy,

2:06:30.360 --> 2:06:35.160
<v Speaker 1>real real legacy spend. Thank you so much man for

2:06:35.320 --> 2:06:37.520
<v Speaker 1>coming to us and.

2:06:37.640 --> 2:06:40.400
<v Speaker 3>Letting us give you your flowers, because your flowers as

2:06:40.440 --> 2:06:48.160
<v Speaker 3>well deserve but by the way, it's deserved, like you're

2:06:48.240 --> 2:06:48.760
<v Speaker 3>really like.

2:06:50.240 --> 2:06:54.080
<v Speaker 1>A leg legend. And thank you for coming to fucking

2:06:54.200 --> 2:07:02.800
<v Speaker 1>drink I said, I said, I tell, I said, babe,

2:07:02.840 --> 2:07:11.040
<v Speaker 1>what they want with me on drink Champs this is

2:07:11.080 --> 2:07:11.720
<v Speaker 1>more than deserve.

2:07:11.840 --> 2:07:13.840
<v Speaker 3>So let me just ask you if you could, if

2:07:13.880 --> 2:07:18.440
<v Speaker 3>you can fix anything in hip hop according to your career,

2:07:18.600 --> 2:07:25.360
<v Speaker 3>what would it be? Oh wow, I guess the gate

2:07:25.520 --> 2:07:29.000
<v Speaker 3>keeping explain that to the people that don't understand.

2:07:29.640 --> 2:07:31.640
<v Speaker 4>I feel like, you know, there's a hold on what

2:07:31.960 --> 2:07:35.160
<v Speaker 4>everybody needs to be doing in hip hop, like we

2:07:35.320 --> 2:07:37.720
<v Speaker 4>gotta sound like this or we gotta do it this way.

2:07:37.840 --> 2:07:39.880
<v Speaker 4>I mean, I like that it's open and people get

2:07:39.960 --> 2:07:43.160
<v Speaker 4>to choose, but I feel like the powers that be

2:07:43.280 --> 2:07:44.000
<v Speaker 4>kind of put in.

2:07:44.080 --> 2:07:45.120
<v Speaker 6>Our face what they.

2:07:46.760 --> 2:07:49.800
<v Speaker 4>What it needs to be, like it has to be

2:07:50.000 --> 2:07:51.800
<v Speaker 4>like this, like it has to be ratchet or it

2:07:51.920 --> 2:07:54.680
<v Speaker 4>has to be you know, gangster or it has to

2:07:54.800 --> 2:07:56.640
<v Speaker 4>be conscious, so it has to be this. It's like

2:07:56.800 --> 2:08:00.200
<v Speaker 4>so much to all of us, and that we we're

2:08:00.280 --> 2:08:04.280
<v Speaker 4>open to go into whatever direction we want. But I

2:08:04.400 --> 2:08:10.560
<v Speaker 4>feel like, you know, mainstream kind of conducts it to

2:08:10.720 --> 2:08:14.880
<v Speaker 4>be mainstream and what they whatever they feel is mainstream.

2:08:15.160 --> 2:08:17.600
<v Speaker 4>And we know, right, I mean, we see right through it.

2:08:18.800 --> 2:08:19.640
<v Speaker 1>Do you not see it?

2:08:19.760 --> 2:08:24.080
<v Speaker 4>I see it? I feel like speaking like Rhapsody, I'm

2:08:24.120 --> 2:08:26.560
<v Speaker 4>a I'm a fan of Rhapsody, but I don't get

2:08:26.600 --> 2:08:29.880
<v Speaker 4>to see her, you know, as much as i'd like to.

2:08:32.600 --> 2:08:35.640
<v Speaker 4>So I follow her, you know, like I follow her,

2:08:35.720 --> 2:08:38.720
<v Speaker 4>but I feel like they push, they push in front

2:08:38.760 --> 2:08:41.560
<v Speaker 4>of you who they want to make a star, and

2:08:41.640 --> 2:08:42.880
<v Speaker 4>it makes you just wonder.

2:08:42.720 --> 2:08:42.800
<v Speaker 2>Like.

2:08:45.440 --> 2:08:48.920
<v Speaker 4>A point the baby that won't even It just makes

2:08:48.960 --> 2:08:52.280
<v Speaker 4>you wonder, like is this all a part of a

2:08:52.440 --> 2:08:55.800
<v Speaker 4>plan to you know, put us put in front of

2:08:55.880 --> 2:08:56.840
<v Speaker 4>us what they want us.

2:08:57.520 --> 2:08:58.480
<v Speaker 1>They want this to be the.

2:09:00.200 --> 2:09:03.920
<v Speaker 2>Uh this freedom because social media, okay, let me democratize it.

2:09:04.000 --> 2:09:07.000
<v Speaker 2>But really, even though these tech companies now are the

2:09:07.080 --> 2:09:09.760
<v Speaker 2>gatekeepers and there's a lot of stuff going on there, but.

2:09:09.840 --> 2:09:13.320
<v Speaker 3>Let me ask you so for lack of a better term,

2:09:13.600 --> 2:09:17.760
<v Speaker 3>and you correct me if I'm wrong. What's so unprepable

2:09:18.200 --> 2:09:26.680
<v Speaker 3>was kind of like the ratchet conscious and sexy you

2:09:26.720 --> 2:09:27.840
<v Speaker 3>feel ratchet was in there.

2:09:27.880 --> 2:09:29.040
<v Speaker 4>I don't think we were ratchet.

2:09:29.120 --> 2:09:30.320
<v Speaker 1>I don't I don't see the ratchet.

2:09:30.760 --> 2:09:31.839
<v Speaker 6>We did a little raunchy.

2:09:33.520 --> 2:09:36.160
<v Speaker 1>If you did raunchy, then that's that's eighties ratchet.

2:09:36.200 --> 2:09:42.320
<v Speaker 4>Our panties like we had.

2:09:45.360 --> 2:09:50.200
<v Speaker 1>Not what it is, but for that time, it would

2:09:50.200 --> 2:09:51.360
<v Speaker 1>have been pushing that envelope.

2:09:51.920 --> 2:09:53.800
<v Speaker 4>It was everything.

2:09:54.200 --> 2:09:57.560
<v Speaker 3>So when all the things you've been when you listened

2:09:59.000 --> 2:10:01.080
<v Speaker 3>by the way, I told you you how I felt earlier.

2:10:03.240 --> 2:10:08.920
<v Speaker 1>Yeah, because but I'm not a female. Yeah we know this.

2:10:09.160 --> 2:10:13.360
<v Speaker 1>But when you listen to knowing you have daughters and

2:10:13.440 --> 2:10:22.080
<v Speaker 1>you listen to the right these records have dances too.

2:10:22.360 --> 2:10:23.000
<v Speaker 1>Because I don't know.

2:10:25.040 --> 2:10:30.240
<v Speaker 3>I'm saying it, I'm saying it. But and by the way,

2:10:30.400 --> 2:10:36.400
<v Speaker 3>I was like, holy ship. Do you feel like, damn

2:10:37.080 --> 2:10:39.920
<v Speaker 3>they didn't listen to me us or do you feel

2:10:39.960 --> 2:10:43.000
<v Speaker 3>like damn they keeping our message going?

2:10:43.280 --> 2:10:45.440
<v Speaker 4>Oh no, I don't feel like they didn't listen to us.

2:10:45.760 --> 2:10:48.800
<v Speaker 4>I feel like they're in their own space. Hm. I

2:10:48.880 --> 2:10:53.760
<v Speaker 4>feel like these artists that are out that come out

2:10:54.240 --> 2:10:56.360
<v Speaker 4>are in their own space, but they have to find

2:10:56.400 --> 2:10:59.680
<v Speaker 4>who they are and do what they do, so I.

2:11:02.000 --> 2:11:02.320
<v Speaker 1>I don't.

2:11:03.040 --> 2:11:05.640
<v Speaker 4>I mean, if you're inspired by our music and about

2:11:05.640 --> 2:11:06.879
<v Speaker 4>how we work, great.

2:11:07.080 --> 2:11:09.840
<v Speaker 1>They've been pushing it real good for a Yeah, if

2:11:09.840 --> 2:11:11.000
<v Speaker 1>you're inspired, great.

2:11:11.240 --> 2:11:14.440
<v Speaker 4>I mean I just remember for us what we've done

2:11:15.000 --> 2:11:20.400
<v Speaker 4>too for a womanhood. I remember how we kind of

2:11:20.480 --> 2:11:24.960
<v Speaker 4>push the movement empowerment, empowering women and that was really

2:11:25.000 --> 2:11:28.440
<v Speaker 4>important that we We could use more of that. Now,

2:11:28.840 --> 2:11:31.680
<v Speaker 4>we definitely could use more of that. So artists today

2:11:32.920 --> 2:11:35.160
<v Speaker 4>can take a page from that book. I'm not saying

2:11:35.480 --> 2:11:38.960
<v Speaker 4>be like us, do you, but a page from that

2:11:39.040 --> 2:11:43.040
<v Speaker 4>book as a woman, you know, is only going to

2:11:43.120 --> 2:11:44.960
<v Speaker 4>make it better for your surroundings.

2:11:45.080 --> 2:11:49.120
<v Speaker 2>I think, right, And we probably need more female groups,

2:11:49.640 --> 2:11:51.240
<v Speaker 2>that's what we're at. We were talking about that with

2:11:51.320 --> 2:11:55.040
<v Speaker 2>mass because there's not as many groups anymore in general, the.

2:11:55.080 --> 2:11:58.520
<v Speaker 1>Old school groups like well let's talk about what a band? Right?

2:12:00.800 --> 2:12:04.040
<v Speaker 1>How does this session happen? Because now you're the DJ,

2:12:04.440 --> 2:12:08.440
<v Speaker 1>now you're stepping up session.

2:12:09.440 --> 2:12:12.480
<v Speaker 4>Well, they called me to m C on regular occasions

2:12:12.600 --> 2:12:15.480
<v Speaker 4>because you know, bless you, bless you, because they knew

2:12:15.600 --> 2:12:16.120
<v Speaker 4>I could.

2:12:16.440 --> 2:12:20.520
<v Speaker 3>You know I could, And just just a little are

2:12:20.560 --> 2:12:25.320
<v Speaker 3>we taking the shot for no reason? No, you are okay, okay,

2:12:25.520 --> 2:12:27.080
<v Speaker 3>I was waiting. If you had one, I would take

2:12:27.080 --> 2:12:29.960
<v Speaker 3>it with you. Let's go you ready, Yeah, my co

2:12:30.200 --> 2:12:35.480
<v Speaker 3>let's go up your cup. I'm doing the guy.

2:12:35.560 --> 2:12:37.280
<v Speaker 1>So what a man? That's called session?

2:12:40.280 --> 2:12:44.920
<v Speaker 4>Freddie Fox? Freddie Fox was was the writer.

2:12:45.920 --> 2:12:50.560
<v Speaker 2>Wait the same bumpy knuckles, knuckles, bumpy knuckles, what a man?

2:12:50.760 --> 2:12:53.640
<v Speaker 3>Yes, what the fuck out of here? It's my friend.

2:12:54.000 --> 2:12:55.360
<v Speaker 3>I'm calling him giving a call.

2:12:55.760 --> 2:13:00.640
<v Speaker 4>Yes, And he said, he said, he said, Salt is

2:13:00.760 --> 2:13:04.880
<v Speaker 4>the person you want to you want to Pepper is

2:13:04.880 --> 2:13:07.160
<v Speaker 4>the person you want to take home. No, so is

2:13:07.160 --> 2:13:10.240
<v Speaker 4>the person you want to take home to mama. Spin

2:13:10.400 --> 2:13:13.600
<v Speaker 4>is the person you want to marry. And Pepper is

2:13:13.640 --> 2:13:15.320
<v Speaker 4>the person you want to fucko.

2:13:16.880 --> 2:13:18.480
<v Speaker 1>This is what he said. This is what he said.

2:13:18.600 --> 2:13:22.840
<v Speaker 6>He said he had this, he had this, He had

2:13:22.920 --> 2:13:24.840
<v Speaker 6>this thing about Salt Pepper.

2:13:24.880 --> 2:13:29.760
<v Speaker 4>This was this is his his right and and and

2:13:30.320 --> 2:13:34.480
<v Speaker 4>he said, he said, Salt is the person to take

2:13:34.520 --> 2:13:38.160
<v Speaker 4>home to mama. Spin is the person you want to marry,

2:13:39.120 --> 2:13:42.520
<v Speaker 4>and ask him. You can ask him yourself. He won't

2:13:42.560 --> 2:13:45.080
<v Speaker 4>say it, he won't say it publicly for whatever reason,

2:13:45.160 --> 2:13:47.840
<v Speaker 4>but you can talk to them. And Pepper is the

2:13:47.920 --> 2:13:49.720
<v Speaker 4>person you want to fuck. It was just this thing

2:13:49.800 --> 2:13:50.839
<v Speaker 4>about salt and pepper.

2:13:51.240 --> 2:13:55.400
<v Speaker 1>Oh oh, you calling her? Go ahead on what's happen?

2:13:55.400 --> 2:14:01.600
<v Speaker 1>I don't know on the regular phone, nigga, ain't fucking me?

2:14:03.440 --> 2:14:10.320
<v Speaker 1>Oh man, do I got his number? I don't know

2:14:10.400 --> 2:14:12.240
<v Speaker 1>if that's is this?

2:14:14.040 --> 2:14:15.280
<v Speaker 4>Just want to see if I can find his number?

2:14:16.080 --> 2:14:21.240
<v Speaker 1>Please? Is this what number you got?

2:14:21.320 --> 2:14:21.720
<v Speaker 4>You got this.

2:14:24.840 --> 2:14:27.080
<v Speaker 1>Exactly? All right? So why am I calling?

2:14:27.320 --> 2:14:27.520
<v Speaker 4>Okay?

2:14:27.600 --> 2:14:28.520
<v Speaker 1>But because.

2:14:29.960 --> 2:14:32.200
<v Speaker 4>You could just talk to him separately. But that was

2:14:32.640 --> 2:14:35.240
<v Speaker 4>the gist of the conversation that I had with him.

2:14:35.640 --> 2:14:38.120
<v Speaker 4>And so when when we went into the studio to

2:14:38.280 --> 2:14:43.320
<v Speaker 4>do it, and he had this idea of how is

2:14:43.360 --> 2:14:48.040
<v Speaker 4>the one they want to suck mom, take home to mom,

2:14:48.320 --> 2:14:49.440
<v Speaker 4>take home mom.

2:14:50.760 --> 2:14:52.440
<v Speaker 1>To get married to marry.

2:14:53.440 --> 2:14:56.280
<v Speaker 4>Is the one you want to suck and and not him?

2:14:56.440 --> 2:14:59.280
<v Speaker 4>But he was like, that's how it seems like the

2:14:59.400 --> 2:15:04.240
<v Speaker 4>world easy, all right. I don't know from what he

2:15:04.400 --> 2:15:07.360
<v Speaker 4>said that's you know, you'd have to talk with him

2:15:07.360 --> 2:15:12.080
<v Speaker 4>about it. But it gave us a picture. It gave

2:15:12.160 --> 2:15:17.520
<v Speaker 4>me a picture of how to vocalize my verse. And

2:15:19.320 --> 2:15:21.960
<v Speaker 4>when you ask how did it come together, it was

2:15:22.000 --> 2:15:25.400
<v Speaker 4>a description of how to deliver my verse.

2:15:25.560 --> 2:15:30.760
<v Speaker 1>So yeah, and that was like your introduction because everyone

2:15:31.240 --> 2:15:31.480
<v Speaker 1>it was.

2:15:31.560 --> 2:15:34.920
<v Speaker 4>Just so it wasn't my introduction to MC and though

2:15:35.000 --> 2:15:38.000
<v Speaker 4>it was because I was on earlier stuff too, but

2:15:38.360 --> 2:15:40.480
<v Speaker 4>but that was a big one.

2:15:44.240 --> 2:15:47.560
<v Speaker 1>World and it was you was you pleased?

2:15:47.960 --> 2:15:51.080
<v Speaker 4>I was very pleased. But you know, I'm a DJ,

2:15:51.400 --> 2:15:53.800
<v Speaker 4>so I just got up there and just did my

2:15:53.920 --> 2:15:58.400
<v Speaker 4>thing or whatever, and I mean for that to be

2:15:58.480 --> 2:16:03.680
<v Speaker 4>a hit, it was. It's still a head to this day.

2:16:03.840 --> 2:16:06.640
<v Speaker 4>It is as soon as the girl leaves somebody, they

2:16:06.720 --> 2:16:08.560
<v Speaker 4>be like, what a man, What a man?

2:16:09.720 --> 2:16:11.280
<v Speaker 3>And as a DJ, to be able to play a

2:16:11.360 --> 2:16:16.040
<v Speaker 3>record somebody incredible. It's either when they leave them or

2:16:16.080 --> 2:16:18.280
<v Speaker 3>when they meet somebody like what a man.

2:16:18.960 --> 2:16:21.240
<v Speaker 4>That by the way, if you want to praise the men,

2:16:21.480 --> 2:16:23.800
<v Speaker 4>you know, like men don't get a lot of praise.

2:16:24.480 --> 2:16:27.800
<v Speaker 3>This woman who played this record? Okay, this woman, and

2:16:28.800 --> 2:16:30.600
<v Speaker 3>they throw it in our face they be like, what

2:16:30.800 --> 2:16:31.160
<v Speaker 3>a man?

2:16:31.320 --> 2:16:31.880
<v Speaker 1>What a man?

2:16:32.120 --> 2:16:33.160
<v Speaker 4>You better be a good man.

2:16:33.320 --> 2:16:34.840
<v Speaker 1>That's what goddamn taket shot.

2:16:37.320 --> 2:16:39.800
<v Speaker 6>Okay, So we got the what a man behind us.

2:16:41.440 --> 2:16:42.680
<v Speaker 6>Shout out to all the men out there.

2:16:42.920 --> 2:16:44.920
<v Speaker 1>Yes, m.

2:16:47.040 --> 2:16:55.039
<v Speaker 4>Look, I'm like, so.

2:16:57.920 --> 2:17:03.440
<v Speaker 3>We have hip hop fifty We had fifty one, now

2:17:03.800 --> 2:17:14.400
<v Speaker 3>fifty one, now right, we had saltemn Pepper. What is

2:17:14.440 --> 2:17:17.400
<v Speaker 3>it thirty year anniversary or twenty year anniversary?

2:17:17.480 --> 2:17:17.600
<v Speaker 8>Oh?

2:17:17.760 --> 2:17:22.920
<v Speaker 1>No, gosh, well thirty five.

2:17:23.800 --> 2:17:28.320
<v Speaker 4>Eighty six, So eighty six would be forty years for

2:17:28.480 --> 2:17:32.040
<v Speaker 4>Salt and Pepper and I came in eighty seven, a

2:17:32.200 --> 2:17:35.400
<v Speaker 4>year after. Yeah, I think they released first in eighty

2:17:35.480 --> 2:17:36.680
<v Speaker 4>six if I'm not mistaken.

2:17:37.480 --> 2:17:42.199
<v Speaker 6>And I came eighty seven, so we're almost the forty

2:17:42.240 --> 2:17:42.640
<v Speaker 6>year mark.

2:17:42.800 --> 2:17:43.959
<v Speaker 1>Wow, I think.

2:17:47.160 --> 2:17:49.320
<v Speaker 4>A little ya A long.

2:17:49.160 --> 2:17:58.040
<v Speaker 1>Time in your opinion? How would this legacy end? Perfect opinion?

2:18:01.959 --> 2:18:05.280
<v Speaker 4>We'll figure our shit out, We'll do a world tour.

2:18:07.120 --> 2:18:12.280
<v Speaker 4>We'll get you know, show the world that we as

2:18:13.000 --> 2:18:19.160
<v Speaker 4>a unit or a movement as opposed to personal situations,

2:18:19.280 --> 2:18:22.279
<v Speaker 4>and we would be able to as women address our ship.

2:18:25.000 --> 2:18:25.600
<v Speaker 1>If it should be.

2:18:26.600 --> 2:18:29.480
<v Speaker 4>If not, the music will always be there and the

2:18:30.080 --> 2:18:33.520
<v Speaker 4>memories will always be there. That stands out for me.

2:18:34.560 --> 2:18:38.959
<v Speaker 4>I always have that, and I think we all will

2:18:39.240 --> 2:18:40.199
<v Speaker 4>always have the music.

2:18:40.320 --> 2:18:45.520
<v Speaker 1>So if you could take anything back, what it would

2:18:45.520 --> 2:18:45.680
<v Speaker 1>it be?

2:18:46.640 --> 2:18:47.280
<v Speaker 6>Nothing at all?

2:18:48.080 --> 2:18:48.320
<v Speaker 1>Fuck?

2:18:48.360 --> 2:18:53.080
<v Speaker 4>I love the answer nothing because it bring you right here.

2:18:53.200 --> 2:18:56.600
<v Speaker 4>It brought you right here, like I can't regret anything.

2:18:56.640 --> 2:18:58.960
<v Speaker 4>I mean, there's things that I wish I would have known,

2:19:00.240 --> 2:19:04.440
<v Speaker 4>known better to do like well, being young and just

2:19:04.560 --> 2:19:08.279
<v Speaker 4>kind of just going with ship and and just following

2:19:08.360 --> 2:19:12.320
<v Speaker 4>along and just being afraid to speak my mind early

2:19:12.400 --> 2:19:17.640
<v Speaker 4>on or say things that would rock the situation. I mean,

2:19:17.680 --> 2:19:19.320
<v Speaker 4>things might have been a little bit different had I

2:19:19.440 --> 2:19:23.600
<v Speaker 4>done that, you know. But I can't regret anything because

2:19:23.640 --> 2:19:28.039
<v Speaker 4>it's all it happened in my time. Yeah, that day,

2:19:28.200 --> 2:19:29.960
<v Speaker 4>when that day came, when I did speak up, it

2:19:30.120 --> 2:19:33.160
<v Speaker 4>was all like, do you imagine something just rushing in.

2:19:34.160 --> 2:19:39.840
<v Speaker 4>I don't regret anything. No, I'm happy where I am.

2:19:41.720 --> 2:19:43.800
<v Speaker 1>The Rock and Roll Hall of Fame calls.

2:19:45.200 --> 2:19:45.600
<v Speaker 4>I'm like the.

2:19:47.760 --> 2:19:54.240
<v Speaker 1>Ring a Lang Lang one day, one day, You're not.

2:19:54.360 --> 2:19:59.439
<v Speaker 1>You're not denouncing it. You're gonna stay with of course should.

2:20:00.160 --> 2:20:05.360
<v Speaker 4>And right there and being grateful, thankful, you know. I

2:20:05.520 --> 2:20:08.160
<v Speaker 4>think I got to say thank you to the girls.

2:20:08.760 --> 2:20:10.680
<v Speaker 4>I got to say thank you to Herbie for what

2:20:10.920 --> 2:20:13.720
<v Speaker 4>they have done for me. And you know, I'm here

2:20:13.840 --> 2:20:17.120
<v Speaker 4>because of that. But I'm also here because of the

2:20:17.240 --> 2:20:21.000
<v Speaker 4>talent that I exusted, and I'm here because of the

2:20:22.160 --> 2:20:24.640
<v Speaker 4>just the door that was open for me. I took

2:20:24.760 --> 2:20:28.879
<v Speaker 4>full advantage of it. And if I ain't live up

2:20:28.920 --> 2:20:31.960
<v Speaker 4>to this name, then I ain't do my job. If

2:20:32.000 --> 2:20:34.400
<v Speaker 4>I didn't live up to Spinderella, Like, there's no other

2:20:34.520 --> 2:20:36.360
<v Speaker 4>Spinderella in this world that would have lived up to

2:20:36.400 --> 2:20:38.640
<v Speaker 4>this job the way I have no one, no one,

2:20:38.920 --> 2:20:45.680
<v Speaker 4>no one, And I'm still to this day doing it.

2:20:45.760 --> 2:20:48.080
<v Speaker 6>But I'm doing a little bit different. I'm enjoying it today.

2:20:48.879 --> 2:20:51.640
<v Speaker 1>I'm enjoying it today. I used to be a job.

2:20:52.320 --> 2:20:54.400
<v Speaker 1>It used to be a job. It used to be work.

2:20:54.560 --> 2:20:56.400
<v Speaker 4>I used to be like, oh my god, the hustle, bustle,

2:20:56.400 --> 2:20:57.959
<v Speaker 4>and I remember that. But now I get to call

2:20:58.040 --> 2:21:00.240
<v Speaker 4>my shots on your term. It's on my terms day

2:21:00.240 --> 2:21:01.160
<v Speaker 4>and it's the best thing ever.

2:21:02.400 --> 2:21:05.720
<v Speaker 3>Fucking I can't think of a better way to end

2:21:05.800 --> 2:21:09.600
<v Speaker 3>this fucking just like that, you know what. That's how

2:21:09.600 --> 2:21:14.560
<v Speaker 3>I'm living life now. Good Fuck everyone, I'm sorry, did

2:21:14.640 --> 2:21:21.920
<v Speaker 3>I say that about all right? Spend thank you, thank

2:21:21.959 --> 2:21:27.920
<v Speaker 3>you so much because I know again I know you didn't.

2:21:27.680 --> 2:21:30.880
<v Speaker 1>Know what you did for me. Yeah earlier what I said,

2:21:31.080 --> 2:21:33.320
<v Speaker 1>I did not at all.

2:21:33.480 --> 2:21:36.120
<v Speaker 4>I did not know that was in the background, like

2:21:36.640 --> 2:21:40.600
<v Speaker 4>I would like, it's the same the same position.

2:21:41.640 --> 2:21:44.800
<v Speaker 1>Oh did she go like that's crazy?

2:21:48.000 --> 2:21:51.879
<v Speaker 3>And thank you so much. But by the way, let's

2:21:52.000 --> 2:21:56.040
<v Speaker 3>reiterate me and e FN, this is your house. Anytime

2:21:56.120 --> 2:21:58.360
<v Speaker 3>you want to promote something, if you want to promote

2:21:58.680 --> 2:22:04.000
<v Speaker 3>that you got yellow ice dropping and it's just your

2:22:04.040 --> 2:22:06.240
<v Speaker 3>PEPs selling yellow ice.

2:22:07.959 --> 2:22:10.760
<v Speaker 1>But guess what, there's certain.

2:22:10.600 --> 2:22:15.400
<v Speaker 3>Niggas that I did, thee.

2:22:19.120 --> 2:22:21.760
<v Speaker 1>The algorithms I look at that it makes one day.

2:22:21.760 --> 2:22:22.200
<v Speaker 1>I'll be back.

2:22:22.400 --> 2:22:25.880
<v Speaker 3>You can be back anytime you want, because this is

2:22:25.959 --> 2:22:31.080
<v Speaker 3>your house. Respect your husband, respect to your daughter, respected

2:22:31.400 --> 2:22:35.200
<v Speaker 3>your family, because your family is the associated family of

2:22:35.320 --> 2:22:35.880
<v Speaker 3>my family.

2:22:36.560 --> 2:22:39.360
<v Speaker 1>And but that's not why you're here.

2:22:39.480 --> 2:22:43.000
<v Speaker 3>You hear it, because you're one of the greatest DJs

2:22:43.040 --> 2:22:46.279
<v Speaker 3>of all time. And I wanted to say that, particularly

2:22:46.520 --> 2:22:51.440
<v Speaker 3>because certain people say greatest female DJs, and I don't.

2:22:51.640 --> 2:22:52.119
<v Speaker 1>I can't.

2:22:53.040 --> 2:22:58.039
<v Speaker 3>I don't identify with that. Identify with DJ yes, not female.

2:22:59.120 --> 2:23:02.920
<v Speaker 3>I'm killing it. The transis period. People gonna fuck with me.

2:23:08.720 --> 2:23:15.039
<v Speaker 3>She is one of the greatest DJs of all fucking time. Amazing,

2:23:15.400 --> 2:23:19.880
<v Speaker 3>not man, not woman, not black, not white, not Puerto Rican,

2:23:20.200 --> 2:23:25.640
<v Speaker 3>not fucking do Dolph, no, not just diuzled off never,

2:23:25.840 --> 2:23:27.560
<v Speaker 3>just great.

2:23:27.840 --> 2:23:39.480
<v Speaker 1>One of the greatest DJs of all fucking time. Thank

2:23:39.560 --> 2:23:43.080
<v Speaker 1>you Thank you so much for coming, Thanks for our president.

2:23:44.520 --> 2:23:45.840
<v Speaker 4>Yes, thank you for my flowers.

2:23:46.760 --> 2:23:51.920
<v Speaker 1>Jesus one love, thank you so much.

2:23:52.440 --> 2:23:55.840
<v Speaker 2>Drink Champs is a Drink Champs LLC production hosts and

2:23:55.959 --> 2:23:58.880
<v Speaker 2>executive producers n O r E and d j e

2:23:59.160 --> 2:24:04.680
<v Speaker 2>f N. Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

2:24:04.959 --> 2:24:08.600
<v Speaker 2>or wherever you get your podcasts. Thanks for joining us

2:24:08.640 --> 2:24:11.279
<v Speaker 2>for another episode of Drink Champs hosted by Yours Truly,

2:24:11.400 --> 2:24:14.320
<v Speaker 2>dj e FN and n r E. Please make sure

2:24:14.360 --> 2:24:16.640
<v Speaker 2>to follow us on all our socials That's at drink

2:24:16.720 --> 2:24:21.039
<v Speaker 2>Champs across all platforms at the Real noriagon ig at

2:24:21.120 --> 2:24:24.440
<v Speaker 2>Noriega on Twitter, mine is at Who's Crazy on ig

2:24:25.200 --> 2:24:28.280
<v Speaker 2>at dj e FN on Twitter, and most importantly, stay

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<v Speaker 2>up to date with the latest releases, news and merch

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<v Speaker 2>by going to drink Champs dot com.

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<v Speaker 13>Hazardy Sounds Rising the Machines Cast Your Mentals Volume one

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<v Speaker 13>available now on all platforms.

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<v Speaker 1>Download today.

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<v Speaker 13>Rising the Machines Song Contest seeking out.

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<v Speaker 1>All artists that want to take their career to the

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<v Speaker 1>next level.

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<v Speaker 13>Go ahead and join today by downloading the album, picking

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<v Speaker 13>out your favorite beat, and making a song versu or

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<v Speaker 13>hook to it submitted to Hazardous Sounds at gmail dot com,

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<v Speaker 13>and you will be judged by celebrity judges. DJ EFN

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<v Speaker 13>Drink Champs owned sp Killer platinum producer and Scram Jones

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<v Speaker 13>Multiplantnum producer as well. You can also summit via ig

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<v Speaker 13>by recording a video and performing the song simply tag

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<v Speaker 13>Rise of the Machines Song Contest and we will repost

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<v Speaker 13>your video as well. Winners will be announced September seventh.

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<v Speaker 13>Join today and may the best artists win

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<v Speaker 8>The gover