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Speaker 1: He is drinke Chans Motherfucking Podcast. Make He's a legendary

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Speaker 1: queens rapper. He's agreed as your boy in O R E.

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Speaker 2: He's a Miami hip hop yoneer put up as d

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Speaker 2: J e f N.

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Speaker 1: Together they drink it up with some of the biggest players,

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Speaker 1: you know what I mean.

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Speaker 3: And the most professional, unprofessional podcast.

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Speaker 1: And your number one source for drunk chans Mother every

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Speaker 1: day is New Year's c Listen, It's time for drink Champions.

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Speaker 1: Drink up, Mother Mother? What did it good?

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Speaker 4: Be?

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Speaker 1: Hoping to be your boy in O R E? What's

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Speaker 1: going on as DJ e f N this minit tempic

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Speaker 1: Cracy World Podcast? Make Some e f N.

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Speaker 3: When we started this show, we said we want to

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Speaker 3: give the flowers to icons. We said we wanted to

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Speaker 3: give the flowers to legends. We said we wanted to

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Speaker 3: give the flowers to people that came before us. This

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Speaker 3: person that were introduced them today is not only a

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Speaker 3: legendary DJ just a legend. It's just an icon. The

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Speaker 3: person that catacalyized the game. I don't even know how

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Speaker 3: to word spell it first. Definitely don't even even know

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Speaker 3: how to spell McDonald's.

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Speaker 1: She is icon.

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Speaker 3: Legend a person that if it wasn't for her, there

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Speaker 3: might not be you. And guess what, there might not

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Speaker 3: be me, There might not be us, there might not

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Speaker 3: be drink champs, there might not be nothing.

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Speaker 1: Respect the DJs, the mother fucking dj When we found

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Speaker 1: out that we had we booking her.

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Speaker 3: Immediately for a while, but I immediately asks for her

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Speaker 3: drink order, and I'm gonna be honest with you, her

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Speaker 3: drink order has to be the wildest we've ever saw it.

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Speaker 1: Really, I don't think she met all those drinks at

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Speaker 1: the same time. Do you do you want to you

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Speaker 1: do you want to say?

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Speaker 2: The drinks that she ordered, it's all vodka, tequila, Hanny

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Speaker 2: not Kanyac.

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Speaker 5: No, this was different people. Kanya. Yes, as you noticed,

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Speaker 5: ratchetness came out right. And then what else she said? No, no, no,

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Speaker 5: it's no no.

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Speaker 3: No, tequila whiskey and it's one more vodka.

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Speaker 1: That's aboutka first.

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Speaker 4: That's a Hennessy, that's a Hennessy privilege.

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Speaker 3: Okay, okay, But in case you don't know who we're

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Speaker 3: talking about, were talking about the legendary, iconic, oh goddess

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Speaker 3: person that I'm mad that we didn't throw flowers at

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Speaker 3: her feet when she walked through because I had just landed,

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Speaker 3: so I didn't I didn't think she don't.

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Speaker 1: Know who he's talking about. It's about the one only mother.

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Speaker 6: Wow.

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Speaker 1: So I'm I'm off top. I'mnna be honest, Jamie.

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Speaker 3: I'm doing vodking club soda immediately. Okay, are you doing

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Speaker 3: something doing kah oh yea. I ain't gonna lie, man,

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Speaker 3: I've been.

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Speaker 4: I've been.

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Speaker 1: I've been having conversations with your liver lately, with my

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Speaker 1: liver liver.

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Speaker 3: No, you're living texting my living and I'd be like,

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Speaker 3: like you know what I mean, like your living.

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Speaker 1: Chat and your living been. Like yo, man, this guy

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Speaker 1: like just drinking too much. Different ship. Like they want

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Speaker 1: you to stick. They want you to be black, stick

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Speaker 1: with one liquor and you stick with four. I'm sticking

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Speaker 1: with one. It's vodka and ma majuana. That's not one.

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Speaker 1: That's one combination. Then you got beer. No, I'm not

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Speaker 1: drinking beer.

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Speaker 4: Beer.

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Speaker 1: I drink beer after that's the afternoon. Ain't this drink cher,

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Speaker 1: You're mature drink.

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Speaker 3: So let's let's take it to the beginning, right, because

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Speaker 3: everyone one documents your career from when you got with

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Speaker 3: Salt Pepper, But.

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Speaker 1: You had a whole life prior to that.

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Speaker 4: I had a life period. I was not born in

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Speaker 4: Sultan pep. You know you're not having like that. I

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Speaker 4: started DJing before Salt and Pepper. But it wasn't like

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Speaker 4: I was trying to be a DJ, and I just

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Speaker 4: kind of picked it up.

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Speaker 6: My high school boyfriend.

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Speaker 1: Was a DJ, and I.

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Speaker 4: You know, used to go to his house after school

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Speaker 4: and we just would you know, be practicing, and he

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Speaker 4: had he had a set of turntables. So I was

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Speaker 4: learning the art and technique from him, and he did

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Speaker 4: a few parties, took me along with him, and so

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Speaker 4: I kind of picked it up there.

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Speaker 1: So so, okay, what was the DJ name you had done?

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Speaker 1: I didn't have a DJ name.

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Speaker 4: I was just DD. I mean that's a lot. I

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Speaker 4: mean that was enough for me. But I wasn't trying.

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Speaker 4: Like again, I wasn't trying to be a DJ. It

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Speaker 4: was just something I was interested in. But even before that,

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Speaker 4: my dad was a collector, so he collected all this,

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Speaker 4: you know, music collect music. He was an avid collector

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Speaker 4: of all like the music. He had vinyl all of

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Speaker 4: forty five. So I was from a child.

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Speaker 1: Familiar thing and hearing all.

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Speaker 4: The music, and I adopted you know, the music. You know,

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Speaker 4: I guess my vast uh nature of music came from

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Speaker 4: my dad. So I had that that before I even

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Speaker 4: started on turntables.

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Speaker 1: So let me let me, let me let me say something.

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Speaker 3: As an MC, I realized the other day I always

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Speaker 3: been jealous of the DJ.

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Speaker 2: Really, yes, I mean that's how it all started. You

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Speaker 2: guys were jealous of the DJ.

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Speaker 4: Yeah, you know, I'm not gonna By the way, this

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Speaker 4: is so constant.

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Speaker 1: This is me talking sub consciousness.

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Speaker 3: When we had mad Skills the other day, and MAS

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Speaker 3: skills is like, yo, he prefers being a DJ over MC,

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Speaker 3: and I was appalled because I'm an MC and I

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Speaker 3: can't be a DJ.

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Speaker 1: I suck. I tried.

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Speaker 3: I could be an eye part DJ, that's about it.

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Speaker 3: But when I realized parts anymore. Okay, So so what

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Speaker 3: I realized was he said, he said, the reason why

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Speaker 3: I like DJ in a little bit more is because I'm.

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Speaker 1: Actually in control of the crowd.

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Speaker 3: I had never heard that, so I literally cringed you

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Speaker 3: a DJ, so you probably didn't catch it. So when

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Speaker 3: he said it, I was like, because as an MC,

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Speaker 3: if you don't like my music. I can't change your mind.

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Speaker 1: DJ can change versus one. So what kind of power

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Speaker 1: is that?

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Speaker 3: Like, I'm sorry, I know I'm all over the place,

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Speaker 3: but my DJ DJ butch Rock.

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Speaker 1: We'll go to the club an hour early.

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Speaker 3: And because I have a black crowd, I have a

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Speaker 3: Latino crowd.

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Speaker 1: I have a such a such crowd.

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Speaker 3: So he'll go to the our earlier is black tonight.

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Speaker 1: We're being Latino tonight. We're being We're being black tonight.

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Speaker 1: We're being black Tino. You know what I'm saying, he'll do.

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Speaker 3: When I spoke to Mad Skills, he said he didn't

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Speaker 3: have to do that, he could just go and just

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Speaker 3: read the crowd.

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Speaker 1: And I was, I'm jealous of y'all. I'm just being

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Speaker 1: I should have told you this off scene, the heart

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Speaker 1: to that. I didn't know the heart to that. Like,

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Speaker 1: so we're not just hold on, hold on, hold on,

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Speaker 1: hold on, hold on, hold on. She need to drink. Yes, yes, yes, yes,

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Speaker 1: you noticed. I was like, yes, and ladies, first, ladies, ladies.

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Speaker 6: I don't know what do I want on the list?

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Speaker 4: Let me see?

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Speaker 1: Okay, yeah you got a long list. Yeah that's what

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Speaker 1: you want?

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Speaker 3: Yeah, okay, so so so let's get back to act.

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Speaker 3: The art of DJing. I always.

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Speaker 6: There's an art to it.

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Speaker 3: I always underestimated you guys until I actually investigating and

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Speaker 3: when I realized, holy ship, I ain't ship without a DJ.

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Speaker 3: How does that feel to control the crowd?

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Speaker 6: First of all, thank you for that.

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Speaker 4: I mean, I think that's a compliment because it all

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Speaker 4: started with the DJ, that's right. So the DJ would

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Speaker 4: would you know, lock their set and they would leave

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Speaker 4: a mic there for you know, someone to come up

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Speaker 4: and grab the mic into, you know, do some crowd

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Speaker 4: stuff in CrowdWork because they're working, they're they're up there

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Speaker 4: doing their thing.

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Speaker 1: But the power is.

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Speaker 6: It just it just feels good because you can change moods.

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Speaker 6: You can change.

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Speaker 4: You know people's uh wherever they are, they can be sad. Yeah,

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Speaker 4: you change the energy the vibes, and that's the most

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Speaker 4: beautiful thing. And there were times that I, of course

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Speaker 4: second guessed myself, just just as you, as an.

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Speaker 1: M C would be like, you know, I idolize the

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Speaker 1: m C.

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Speaker 4: Well, DJs would feel the same way in a sense

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Speaker 4: because we weren't always and I don't I'm going to

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Speaker 4: speak for myself. Sometimes the MC was always in it,

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Speaker 4: you know, in the front, and the DJ is is

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Speaker 4: the one behind. So but when you know your power,

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Speaker 4: and this is just with anything in life, when you

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Speaker 4: know your power, you use it. And I you know,

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Speaker 4: knowing that I could change people's mood and make them happy, sad, mad,

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Speaker 4: you know, whatever their vibe is, I can I can

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Speaker 4: change that. That that's powerful. So it's an It's inspiring

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Speaker 4: to me as well as to those that's listening.

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Speaker 3: You know, to every DJ in the world, I apologize

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Speaker 3: for underestimating your job because I kid you not. It's

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Speaker 3: the first thing I think of when I think of

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Speaker 3: a party, I'm like, who's going to DJ?

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Speaker 2: You know what you really should think about is every

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Speaker 2: successful artist has a DJ. The DJ is the one

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Speaker 2: that made them success. Of DJ and the and the

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Speaker 2: obviously the consumer the audience was the DJ.

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Speaker 3: So let me ask you, I'm spending At one point,

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Speaker 3: the DJ was the focal point.

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Speaker 1: Like it was like it was like you did not

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Speaker 1: to say it like this, but you knew about rockhem

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Speaker 1: but you kind of came to see Eric B. I

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Speaker 1: don't want to like throw sort of salt and pepper. Damn, right,

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Speaker 1: that's not crazy.

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Speaker 3: I din't even realize, but at one point, you know,

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Speaker 3: people really came to see you, like like they were

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Speaker 3: like really like because the DJ was the forefront. When

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Speaker 3: did that transition from the DJ being everything to the

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Speaker 3: DJ being just behind?

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Speaker 4: Okay, I don't don't want to transition. I feel like

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Speaker 4: that was in Okay, let's think about it. The golden

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Speaker 4: era of hip hop is considered probably the late.

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Speaker 1: Eighties, eighties to early nineties, early nineties.

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Speaker 4: To early nineties, and in that timeframe, so the late eighties,

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Speaker 4: think of all the groups that had DJs, Houdini on DMC,

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Speaker 4: l who J, Public Enemy, Public Enemy, Sultan Pepper, Jesse, Jeff,

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Speaker 4: First Prince, that was the thing, right, even EPMD would.

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Speaker 6: The Scratched you know once that moved, Gnaughty by Nature.

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Speaker 1: Boys with Hurricane, the.

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Speaker 4: Basti Boys, when that transitioned. I feel like that may

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Speaker 4: have happened when the gangster era came in.

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Speaker 2: Maybe you don't think instant replay I think had a

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Speaker 2: big part in that when when artists said we don't really.

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Speaker 3: Need we played equipment period, because we're saying when they moved.

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Speaker 1: Well, I'm looking at the time frame. I don't know,

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Speaker 1: like you know what particular, uh hardware.

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Speaker 4: There was, you know, that transition that I'm looking at

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Speaker 4: the time frame and when the DJ started to become

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Speaker 4: more like behind the scenes, you know what I'm saying.

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Speaker 1: It started to the MC was.

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Speaker 4: All in the front.

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Speaker 6: So and that to me was around.

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Speaker 2: Eighty eight, no later, because because I mean, everybody's gonna say,

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Speaker 2: you're defending.

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Speaker 1: The groups, we're out in the nineties.

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Speaker 2: But even the gangster artists, like if you think about

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Speaker 2: nw A had Dre and Yellow Quick DJ Quick after

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Speaker 2: the fact, the alcoholics had East Swift and he's in

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Speaker 2: mid nineties.

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Speaker 6: Stick of mid nineties.

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Speaker 4: Yeah, well Tribe was out. You know, Tribe was my

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Speaker 4: ship and they had a DJ DJ. I mean even artists.

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Speaker 4: I'm just thinking of the time frame that when that

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Speaker 4: transition happened.

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Speaker 6: You had Wu Tang who was the DJ for Wu Tang.

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Speaker 1: Mathematic Yeah, yeah, okay, So but.

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Speaker 4: There was a switch there was a switch up that happened,

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Speaker 4: and I'm looking at the timeframe and I feel like

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Speaker 4: mid nineties to late nineties that changed.

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Speaker 1: That changed.

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Speaker 6: And I also remember when Kris One used.

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Speaker 4: To talk about the DJ back like he actually did

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Speaker 4: a song about DJs. This was like late was it

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Speaker 4: the late nineties, I'm not sure when it was, but

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Speaker 4: it made me think like he gave respect to the

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Speaker 4: djh this is after the fact, this is when the

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Speaker 4: DJ was kind of like in the background, faded out.

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Speaker 4: But yeah, I mean daylight Saw. I mean I could

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Speaker 4: go on and on how important the DJ is in

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Speaker 4: a group, especially when it comes to hip hop.

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Speaker 3: Well, at one point, the DJ was the most important,

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Speaker 3: like shit the beginning. Yeah, I would like this in

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Speaker 3: my own career. I remember at one point we used

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Speaker 3: to go to Europe before and they were like, get

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Speaker 3: them a steak.

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Speaker 1: Let's see what you DJ got. They said what they said,

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Speaker 1: we finished it, get.

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Speaker 3: Off and then they were like, because because that's the

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Speaker 3: concept we signed, our DJ will performed prior to us

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Speaker 3: and then afterwards and the crowd movement so hip hop

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Speaker 3: hip hop has been I feel like you come from

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Speaker 3: the purest form of hip hop and I feel like, yeah,

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Speaker 3: take some because And I'm gonna say it for myself.

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Speaker 3: I was in the same time as the other day

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Speaker 3: and my wife's friends pulled up and they was playing

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Speaker 3: some music that was horrible. I mean, no, no, no, no,

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Speaker 3: it wasn't horrible. It was horrible to my tasting. I'm

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Speaker 3: a forty six year old man, I'm married, I'm in love,

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Speaker 3: I have children, and I don't want to be hereing.

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Speaker 1: Okay, okay, I was appalled. What song was that?

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Speaker 6: That's what I want to know is St. Thomas?

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Speaker 1: It wasn't the St. Thomas song.

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Speaker 7: It was now it was you know your And when

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Speaker 7: I was listening to these the young woman lyrics, oh ship.

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Speaker 4: Who was you talking about?

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Speaker 3: You know what I'm saying about, I am now the

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Speaker 3: old man because I was saying, She's like, shoot up

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Speaker 3: your block to make you know me?

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Speaker 1: That shit is appalling. But they told my yeah, you

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Speaker 1: have officially crossed that line. I can't say, as I say,

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Speaker 1: I don't know what.

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Speaker 3: By the way, I don't I'm not offenditive of her,

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Speaker 3: but I was just like, damn, there's so much vulgar music,

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Speaker 3: Like if I have a kid right now, just I'm

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Speaker 3: gonna tell my kids listen to this.

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Speaker 1: Okay, So so let me just remind you of what

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Speaker 1: we listened to back then, some vulgar. I mean then

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Speaker 1: did we not forget Luke?

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Speaker 4: Do we not forget I mean little Kim and Foxy

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Speaker 4: ground right there? I mean come on, huh.

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Speaker 1: Oh, they had great things, but that was us. That

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Speaker 1: was us then.

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Speaker 4: So you know, we do have to consider that we

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Speaker 4: are older and our tastes have probably developed different experience

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Speaker 4: in life and just some things is just not suitable

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Speaker 4: for you as it was before.

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Speaker 6: You know, especially that you have children now different and

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Speaker 6: that's okay.

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Speaker 4: You know, we got to but we cannot front on

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Speaker 4: the fact that we had vulgarity in our in our

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Speaker 4: music back.

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Speaker 1: I don't think it's vulgarity. It was vulgar. No, No,

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Speaker 1: I'm not saying. I'm saying, I'm that's the issue. Maybe

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Speaker 1: that I didn't even know push it was a sexual song. Yeah,

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Speaker 1: but it wasn't. I mean, talk about it. Let's talk

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Speaker 1: about it. I'm gonna be honest with you. But you

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Speaker 1: eighties artists listen, let me be honest with you. Eighties artists.

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Speaker 3: God exploit it sexuality, but they did it in taste

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Speaker 3: that I.

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Speaker 1: Later on in life quote on Oh, they're talking about

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Speaker 1: this like subliminals. It was slim. It wasn't. It wasn't, yo,

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Speaker 1: I'm gonna that's definitely wasn't that, like except I went

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Speaker 1: to I'm just saying, this is what they say you nowadays,

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Speaker 1: they're like.

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Speaker 6: Hey, man, I like that mystery. I like that mystery.

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Speaker 4: You know that's subliminate. Think of think of from a

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Speaker 4: TV standpoint, remember Three's Company. How how they would have

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Speaker 4: those subliminal jokes about sexual and those you know, but

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Speaker 4: it made you want to watch because it's like, you

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Speaker 4: know they're gonna say something.

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Speaker 1: It's gonna be like that, but nothing was ever said.

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Speaker 6: But you know, as an example for pushing it was

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Speaker 6: not a sexual song.

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Speaker 4: We were literally talking about dancing on the you know,

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Speaker 4: the dance floor, and people took that and took it.

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Speaker 6: The other way and it actually worked for us. So

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Speaker 6: I mean, I'm a.

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Speaker 4: True I was saying he thought of saying the words

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Speaker 4: is really similar, you know, trust me.

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Speaker 1: I was not saying that.

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Speaker 4: I was not saying that. But people, I mean, gosh,

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Speaker 4: we were almost arrested for that song. Like yeah, like

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Speaker 4: doing like being on stage and being told that if

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Speaker 4: you play that song. That happened to us as well,

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Speaker 4: if you play that song here to push it, wow,

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Speaker 4: you can get arrested. So there were times that that

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Speaker 4: was almost the case, and somehow we got, you know,

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Speaker 4: to a point where it was like you know, we

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Speaker 4: just had had to convince everybody that this is not

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Speaker 4: about what you think it's and that is the truth.

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Speaker 1: Matter take it as you want, okay.

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Speaker 3: So we interviewed who do we interview and they said

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Speaker 3: that they were getting threatened every night. A. T. K.

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Speaker 1: Kirk that the easy was that a similar situation.

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Speaker 4: It was similar and and trust me, it wasn't just

349
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Speaker 4: n WA was dealing with that. I'm sure there was

350
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Speaker 4: a lot of artists that had that because back then,

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Speaker 4: you know, there was I don't know, there was no

352
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Speaker 4: there was no parameters, right, So it was kind of

353
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Speaker 4: like we were doing these songs and just creating this

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Speaker 4: you know, vibe, and and it sounded as if we

355
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Speaker 4: were crossing a line and for us, we were just

356
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Speaker 4: girls having a good time party and doing our song.

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Speaker 6: They thought it was something else. And so yeah, that

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Speaker 6: happened with which was.

359
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Speaker 2: Coming in here in the US and in music it

360
00:19:58,600 --> 00:20:00,440
Speaker 2: was they used to do that, even believe it or not,

361
00:20:00,600 --> 00:20:03,040
Speaker 2: with with the old school music, like with the old

362
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Speaker 2: school rock or whether it be Sinatra, those guys believe

363
00:20:05,440 --> 00:20:08,600
Speaker 2: it or what. If they performed, the local cops would

364
00:20:08,600 --> 00:20:10,960
Speaker 2: show up say that it was profane. In some way

365
00:20:11,920 --> 00:20:13,840
Speaker 2: like it wasn't new to hip hop, but I'm sure

366
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Speaker 2: hip hop took it another notch.

367
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Speaker 3: Yeah, I'm sorry to change the subject, but I just

368
00:20:17,480 --> 00:20:18,360
Speaker 3: performed for Fat Joe.

369
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Speaker 1: Big up to the Fat Joe. You got to keep

370
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Speaker 1: the city right. Get on stage.

371
00:20:23,920 --> 00:20:27,760
Speaker 3: There's five cops waiting for me for you. So I

372
00:20:27,880 --> 00:20:29,600
Speaker 3: get on stage and they're like, you know where you

373
00:20:29,600 --> 00:20:32,240
Speaker 3: could get a photo? And I'm like calling this the

374
00:20:32,320 --> 00:20:33,159
Speaker 3: no warrant photo.

375
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Speaker 1: I wanted to leave. So I'm just I don't know

376
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Speaker 1: I changed the subject, but so let's just take the

377
00:20:39,000 --> 00:20:39,760
Speaker 1: band aid off.

378
00:20:41,480 --> 00:20:41,679
Speaker 4: Let me.

379
00:20:43,520 --> 00:20:49,040
Speaker 3: Because I'm gonna be honest with you as a younger.

380
00:20:51,080 --> 00:20:52,719
Speaker 3: I was about to say citizen, but I don't think

381
00:20:52,760 --> 00:21:00,720
Speaker 3: that's the correct word. Nice shirt, Charlie, you think, But younger,

382
00:21:00,800 --> 00:21:03,560
Speaker 3: I'm gonna be honest with you, and you're gonna, you're gonna,

383
00:21:03,560 --> 00:21:05,240
Speaker 3: you're gonna, you're gonna, you're gonna think that.

384
00:21:05,320 --> 00:21:09,960
Speaker 1: I'm so naive, but I am, and I want to be.

385
00:21:10,960 --> 00:21:13,320
Speaker 3: I didn't want to ever see you in Pepper have

386
00:21:13,440 --> 00:21:18,159
Speaker 3: beef like I honestly, I'm almost tearing up a lot.

387
00:21:18,520 --> 00:21:22,320
Speaker 1: I'm almost hurt me. Damn. I am actually hold home,

388
00:21:22,560 --> 00:21:23,639
Speaker 1: get my life together.

389
00:21:25,640 --> 00:21:30,360
Speaker 3: Because yeah, my childhood heroes, my childhood yeah, my heroes.

390
00:21:31,200 --> 00:21:36,840
Speaker 1: So to see turmoial period, like I almost ignored it.

391
00:21:39,320 --> 00:21:42,359
Speaker 3: Expecting that it would just go away because I was

392
00:21:42,440 --> 00:21:45,400
Speaker 3: so like attached to y'all, like I'm so attached. I'm

393
00:21:45,480 --> 00:21:48,400
Speaker 3: not attached to so Pepper without Spinderrella.

394
00:21:48,480 --> 00:21:51,720
Speaker 1: I'm sorry. I apologize. I don't. I don't.

395
00:21:51,920 --> 00:21:54,119
Speaker 3: I don't care what people think. It's just how I

396
00:21:54,240 --> 00:21:56,280
Speaker 3: see it. I didn't see the other spinder Blla, God

397
00:21:56,320 --> 00:21:59,800
Speaker 3: bless her. I know she she's supposed to be first,

398
00:22:00,359 --> 00:22:02,720
Speaker 3: but I didn't. I don't remember how she looked. I

399
00:22:02,760 --> 00:22:04,399
Speaker 3: don't remember. All I remember is this.

400
00:22:05,200 --> 00:22:07,680
Speaker 1: So when I got the word that it was any turmorial,

401
00:22:07,720 --> 00:22:09,520
Speaker 1: I didn't remember what the turmorial was.

402
00:22:10,280 --> 00:22:13,440
Speaker 3: But I remember me being sad, and I remember me

403
00:22:13,520 --> 00:22:17,160
Speaker 3: continuing to be sad, and then we put this interview.

404
00:22:17,880 --> 00:22:20,080
Speaker 3: I'm watching these interviews and I'm seeing you, you know,

405
00:22:21,040 --> 00:22:24,159
Speaker 3: speaking your piece, and I still to this day, I'm like,

406
00:22:24,359 --> 00:22:25,400
Speaker 3: d what happened?

407
00:22:25,600 --> 00:22:26,280
Speaker 1: Yeah, what happened?

408
00:22:26,320 --> 00:22:31,800
Speaker 3: So in your opinion, what was the first straw on

409
00:22:31,840 --> 00:22:33,840
Speaker 3: the camel's back that you was like, damn, this is

410
00:22:33,960 --> 00:22:34,320
Speaker 3: not right.

411
00:22:36,040 --> 00:22:41,800
Speaker 4: I mean, generally speaking, when you just grow up, just

412
00:22:41,920 --> 00:22:44,920
Speaker 4: get to a point where things will not you will

413
00:22:45,000 --> 00:22:47,200
Speaker 4: not be tolerated and respect.

414
00:22:47,240 --> 00:22:48,719
Speaker 1: This should be mutual.

415
00:22:50,080 --> 00:22:52,680
Speaker 4: And when respect is mutual, we can move and do whatever.

416
00:22:53,240 --> 00:22:57,800
Speaker 4: But when respect is not mutual, then that's you know what,

417
00:22:57,880 --> 00:23:00,480
Speaker 4: are you here for the bag that don't last? Because

418
00:23:00,520 --> 00:23:02,200
Speaker 4: I can do a bag without it, you know what

419
00:23:02,200 --> 00:23:07,600
Speaker 4: I'm saying. So growing up for me, you know, I mean,

420
00:23:07,680 --> 00:23:13,000
Speaker 4: having my grandson changed me, just seeing how the whole

421
00:23:13,119 --> 00:23:15,679
Speaker 4: scope of hip hop is changing, just how things are.

422
00:23:16,280 --> 00:23:20,359
Speaker 4: History is important, like like like being being in the

423
00:23:20,520 --> 00:23:26,480
Speaker 4: history books is important. Legacy is important, absolutely, but yeah,

424
00:23:26,600 --> 00:23:29,200
Speaker 4: you just don't take bullshit anymore. When you get to

425
00:23:29,280 --> 00:23:33,600
Speaker 4: a certain point, it's done. And I felt like if

426
00:23:33,640 --> 00:23:35,760
Speaker 4: we don't have that mutual respect, it's not going to work.

427
00:23:36,480 --> 00:23:38,280
Speaker 1: And so we needed we needed that.

428
00:23:39,000 --> 00:23:41,199
Speaker 4: We needed to do that. We needed to do that, and.

429
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Speaker 6: I know how people feel like it does it really

430
00:23:45,920 --> 00:23:46,400
Speaker 6: hurt people?

431
00:23:46,640 --> 00:23:50,119
Speaker 1: Like I mean, like a dagger on one of them.

432
00:23:50,160 --> 00:23:51,240
Speaker 1: I had to just tears.

433
00:23:51,280 --> 00:23:53,760
Speaker 6: But you have to understand, I'm sorry, but.

434
00:23:56,680 --> 00:24:00,840
Speaker 4: I'm it's like you just have to it's bigger than

435
00:24:01,040 --> 00:24:04,600
Speaker 4: this group, like it's life. It's like you just don't

436
00:24:04,680 --> 00:24:08,040
Speaker 4: want to deal with you know ship that you you know,

437
00:24:08,400 --> 00:24:11,640
Speaker 4: don't have to and we had to get some things

438
00:24:11,840 --> 00:24:15,320
Speaker 4: straight and and we had to do it in a

439
00:24:15,400 --> 00:24:20,440
Speaker 4: way that was not you know, unfortunately it was publicized.

440
00:24:21,280 --> 00:24:23,200
Speaker 1: Uh, but it had to be because there was a

441
00:24:23,240 --> 00:24:23,920
Speaker 1: lot of work.

442
00:24:23,960 --> 00:24:25,920
Speaker 4: There was a lot of you know, like everything from

443
00:24:26,520 --> 00:24:32,280
Speaker 4: legalities involved in dissecting royalties and things like that. So

444
00:24:32,440 --> 00:24:36,320
Speaker 4: all that has been dealt with. All that, thanks you

445
00:24:37,320 --> 00:24:38,920
Speaker 4: been settled. Everything has been good.

446
00:24:40,800 --> 00:24:42,200
Speaker 1: Well, the business side has been dealt with.

447
00:24:42,359 --> 00:24:46,040
Speaker 4: The business side has been handled, But the friendships are

448
00:24:47,800 --> 00:24:49,679
Speaker 4: I'm not going to say it's it's I'm not going

449
00:24:49,760 --> 00:24:51,440
Speaker 4: to say it's not it's dead in the water. I'm

450
00:24:51,440 --> 00:24:53,879
Speaker 4: going to say I'm always going to be open. My

451
00:24:54,000 --> 00:24:57,200
Speaker 4: heart is always open. So what fortunately we did come together,

452
00:24:57,320 --> 00:24:59,880
Speaker 4: We got to a star in a Hollywood Walk of Fame,

453
00:25:00,880 --> 00:25:08,280
Speaker 4: and we acknowledged we got acknowledged you know, for other

454
00:25:08,359 --> 00:25:12,640
Speaker 4: things as well. And it's just it's like in any

455
00:25:12,680 --> 00:25:17,960
Speaker 4: relationship sometimes it just dissolve. There you're there for a time,

456
00:25:18,040 --> 00:25:21,040
Speaker 4: and you're there for a reason and you just you.

457
00:25:21,119 --> 00:25:22,040
Speaker 1: Know, move on.

458
00:25:25,920 --> 00:25:28,359
Speaker 3: I'm sorry, but I just want you to know how

459
00:25:28,440 --> 00:25:31,280
Speaker 3: much y'all meant to us, how much you mean to us,

460
00:25:31,400 --> 00:25:33,000
Speaker 3: not meant meant this past tense.

461
00:25:33,359 --> 00:25:35,920
Speaker 1: And I'm a little smarter than that. Okay, how much

462
00:25:35,960 --> 00:25:39,480
Speaker 1: you mean to us? You guys.

463
00:25:40,960 --> 00:25:48,639
Speaker 3: Evolutionize the woman category, like you made sure that like

464
00:25:48,880 --> 00:25:52,440
Speaker 3: woman was represented in the hip hop and for that,

465
00:25:52,800 --> 00:25:55,440
Speaker 3: like you you could never take that away. What I'm

466
00:25:55,440 --> 00:25:57,960
Speaker 3: saying is again, like I want to reiterate what I

467
00:25:58,000 --> 00:26:01,680
Speaker 3: said earlier, because if this wasn't no Peppa and Spinderella,

468
00:26:01,920 --> 00:26:05,000
Speaker 3: there wouldn't be no fucking compona dj e FN.

469
00:26:06,080 --> 00:26:07,679
Speaker 1: So if there's any way that you.

470
00:26:07,680 --> 00:26:11,000
Speaker 3: Could have meended, I recommend you do because I love

471
00:26:11,040 --> 00:26:13,440
Speaker 3: to see y'all three together, Like it's like Voltron, you

472
00:26:13,480 --> 00:26:14,960
Speaker 3: know what I'm saying, Like it's like when I see

473
00:26:15,040 --> 00:26:18,520
Speaker 3: y'all three, like I actually get goosebumps. I actually do,

474
00:26:19,920 --> 00:26:21,920
Speaker 3: And so I just I just want to commend y'all

475
00:26:21,960 --> 00:26:26,520
Speaker 3: for maintaining that. And it was one of the probably

476
00:26:26,640 --> 00:26:30,480
Speaker 3: the worst fan moments of my life, Oh my god,

477
00:26:30,560 --> 00:26:33,119
Speaker 3: seeing y'all go through it, because I honestly looked at

478
00:26:33,160 --> 00:26:34,879
Speaker 3: it and didn't like try to act like I ignored it,

479
00:26:35,600 --> 00:26:37,639
Speaker 3: like I didn't just see that crazy.

480
00:26:38,359 --> 00:26:42,159
Speaker 4: It was crazy. Think about groups though all the groups,

481
00:26:43,040 --> 00:26:47,240
Speaker 4: it's not perfect, right, especially groups from back in the days,

482
00:26:47,320 --> 00:26:50,119
Speaker 4: it's not not perfect. You name them and they have

483
00:26:50,320 --> 00:26:51,320
Speaker 4: those issues.

484
00:26:51,160 --> 00:26:53,160
Speaker 1: Or starting young and then you grow into different people.

485
00:26:53,359 --> 00:26:56,639
Speaker 4: Yeah, yeah, we all we all like excited, you know

486
00:26:56,960 --> 00:26:59,600
Speaker 4: in the beginning, and then you know, we grow up

487
00:26:59,640 --> 00:27:02,119
Speaker 4: and we turn into who we are, and then we

488
00:27:02,280 --> 00:27:03,280
Speaker 4: just kind of grow apart.

489
00:27:03,640 --> 00:27:04,919
Speaker 6: But I noticed that that's the.

490
00:27:04,960 --> 00:27:06,639
Speaker 1: Case with most groups.

491
00:27:07,440 --> 00:27:11,000
Speaker 6: I love to see, Like I love to see Jeff

492
00:27:11,080 --> 00:27:12,200
Speaker 6: and and Will together.

493
00:27:12,359 --> 00:27:12,840
Speaker 4: I love that.

494
00:27:13,160 --> 00:27:15,480
Speaker 6: I like when I see Chuck, d and Flave come together.

495
00:27:15,720 --> 00:27:17,040
Speaker 6: You know, I like when I.

496
00:27:17,080 --> 00:27:20,280
Speaker 1: See you know, just old groups together.

497
00:27:20,359 --> 00:27:23,680
Speaker 4: What I do understand that you can't make a square

498
00:27:23,720 --> 00:27:26,760
Speaker 4: fit into a certain you cannot, but you might have to.

499
00:27:27,240 --> 00:27:29,320
Speaker 3: You know, all of them have beef too. It's just

500
00:27:29,640 --> 00:27:32,800
Speaker 3: the difference y'all and them is that y'all beef was public.

501
00:27:33,119 --> 00:27:34,800
Speaker 3: And the thing about it is.

502
00:27:35,000 --> 00:27:36,840
Speaker 1: No, their beef was public. A lot of like like

503
00:27:36,960 --> 00:27:37,840
Speaker 1: who's beef was public?

504
00:27:37,960 --> 00:27:42,680
Speaker 2: Who public enemy? Not Jeff, I'm talking about public enemy.

505
00:27:44,280 --> 00:27:48,920
Speaker 2: Just Chuck just at one point was wild too, and right,

506
00:27:49,000 --> 00:27:49,960
Speaker 2: I forgot that wark.

507
00:27:50,920 --> 00:27:53,760
Speaker 4: But when I see them together, it's like, yes, so

508
00:27:53,920 --> 00:27:56,239
Speaker 4: I get what y'all are feeling. I get Look I'm

509
00:27:56,280 --> 00:27:58,639
Speaker 4: talking to me, talking to fans that all of our

510
00:27:58,720 --> 00:28:00,920
Speaker 4: people out there trust me, and you know who. I

511
00:28:01,000 --> 00:28:05,960
Speaker 4: got to give some props to Pepa, So Pep and

512
00:28:06,200 --> 00:28:06,879
Speaker 4: and you know.

513
00:28:08,480 --> 00:28:12,479
Speaker 6: She has been always the glue like she knows.

514
00:28:12,520 --> 00:28:14,840
Speaker 4: Do you know that it hasn't been perfect with the

515
00:28:14,960 --> 00:28:17,920
Speaker 4: three and we got our things about this, but Pep

516
00:28:18,240 --> 00:28:23,359
Speaker 4: will go to no end to make something come together,

517
00:28:23,520 --> 00:28:26,040
Speaker 4: you know what I'm saying. And you know we have,

518
00:28:26,320 --> 00:28:30,960
Speaker 4: We've talked on a bunch of occasions and you know,

519
00:28:31,040 --> 00:28:32,760
Speaker 4: we're just we're just leaving the door open.

520
00:28:33,320 --> 00:28:34,040
Speaker 1: We're at that point.

521
00:28:34,080 --> 00:28:37,520
Speaker 2: But to backtrack a little, for people who don't know

522
00:28:37,600 --> 00:28:39,000
Speaker 2: the situation, you don't have to go into it because

523
00:28:39,000 --> 00:28:41,280
Speaker 2: I'm sure you're sick of talking about it. But on

524
00:28:41,360 --> 00:28:45,480
Speaker 2: the business side of it, what could what did you

525
00:28:45,640 --> 00:28:47,960
Speaker 2: learn that you could have done differently for it to

526
00:28:48,040 --> 00:28:49,520
Speaker 2: not I was.

527
00:28:49,560 --> 00:28:53,280
Speaker 4: Young and there was no contract number one, so contract

528
00:28:53,360 --> 00:28:55,720
Speaker 4: as far as road or contract as far as.

529
00:28:55,680 --> 00:28:59,200
Speaker 6: Its internal internal nothing. There was no contract.

530
00:29:00,480 --> 00:29:04,040
Speaker 4: Yeah, it was like, look, we want you to DJ

531
00:29:04,280 --> 00:29:07,760
Speaker 4: for us, audition for us without a contract. There was

532
00:29:07,840 --> 00:29:10,320
Speaker 4: no contract and that and me I was sixteen, so

533
00:29:10,440 --> 00:29:11,800
Speaker 4: I was like, okay, whatever.

534
00:29:13,040 --> 00:29:14,000
Speaker 6: But even when I got.

535
00:29:13,920 --> 00:29:17,400
Speaker 4: Older, I did ask, you know, can we produce something

536
00:29:17,520 --> 00:29:19,960
Speaker 4: some kind of something assigned to But you know, their

537
00:29:20,120 --> 00:29:22,720
Speaker 4: argument is, it was Herbie who brought me to you know,

538
00:29:22,800 --> 00:29:24,760
Speaker 4: in the group. It was Herbie's group. Herbie was the

539
00:29:25,880 --> 00:29:26,440
Speaker 4: creator of.

540
00:29:26,520 --> 00:29:29,480
Speaker 3: Salt and Pepper, and Salt Pepper both from Queens. You're

541
00:29:29,520 --> 00:29:34,680
Speaker 3: from Brooklyn, Brooklyn, okay, and Herby's You'd be stabbed a

542
00:29:34,760 --> 00:29:39,080
Speaker 3: lot of people. Watch out, guys, watch out.

543
00:29:40,720 --> 00:29:44,880
Speaker 4: But yeah, so Herbie was the one who and he

544
00:29:45,040 --> 00:29:47,280
Speaker 4: was the one who brought Pepper in. And he actually

545
00:29:47,400 --> 00:29:52,480
Speaker 4: was Salt who brought pepper in. But we we we

546
00:29:52,600 --> 00:29:56,719
Speaker 4: didn't have a contract. So that's how important contracts are.

547
00:29:57,160 --> 00:29:59,080
Speaker 4: And if you don't have that, you know, you really

548
00:29:59,120 --> 00:30:01,360
Speaker 4: don't have a leg to stay on. So and that's

549
00:30:01,360 --> 00:30:04,000
Speaker 4: so that's bad on both sides, them as the as

550
00:30:04,080 --> 00:30:07,200
Speaker 4: the unit and me as the DJ coming into the unit.

551
00:30:09,120 --> 00:30:09,280
Speaker 2: You know.

552
00:30:09,600 --> 00:30:15,720
Speaker 4: But you know, to my point, I wanted to make

553
00:30:15,800 --> 00:30:19,400
Speaker 4: things right, you know, from a legal standpoint, make sure,

554
00:30:20,040 --> 00:30:22,040
Speaker 4: let's let's produce a contract. And when I would do that,

555
00:30:22,160 --> 00:30:23,320
Speaker 4: I would get pushed back from that.

556
00:30:23,560 --> 00:30:25,400
Speaker 1: You know, we like it the way it is.

557
00:30:25,560 --> 00:30:27,840
Speaker 3: Leave it alone, you know, so let me stop you

558
00:30:27,880 --> 00:30:31,920
Speaker 3: for a second because I heard you say this, but

559
00:30:32,080 --> 00:30:35,440
Speaker 3: I need to hear you say this. So you say,

560
00:30:35,480 --> 00:30:37,880
Speaker 3: and there was gigs that you were doing and wasn't

561
00:30:37,880 --> 00:30:38,520
Speaker 3: getting paid for?

562
00:30:39,200 --> 00:30:44,000
Speaker 4: Oh no, yeah, there was what's the word promotional promotional,

563
00:30:44,200 --> 00:30:47,400
Speaker 4: But but I would say I got paid for promotional gigs,

564
00:30:47,440 --> 00:30:49,080
Speaker 4: but we weren't getting paid paid.

565
00:30:49,240 --> 00:30:52,120
Speaker 1: It was like there's a you specifically or the whole

566
00:30:52,160 --> 00:30:57,360
Speaker 1: group wasn't getting paid. Well, the whole group emotional.

567
00:30:58,320 --> 00:31:02,320
Speaker 3: When I just say that, I'm thinking they were signaling you.

568
00:31:02,760 --> 00:31:06,320
Speaker 4: Oh no, no, it was it was promotional runs. I mean,

569
00:31:06,360 --> 00:31:09,440
Speaker 4: it was a photo sessions. There was anything that had

570
00:31:09,480 --> 00:31:10,560
Speaker 4: to do with building a brand.

571
00:31:10,880 --> 00:31:14,480
Speaker 2: Group brand, which is your sweat equity.

572
00:31:14,600 --> 00:31:18,400
Speaker 4: It's sweat equity, and so that's your your investment. Okay,

573
00:31:18,480 --> 00:31:19,040
Speaker 4: I'll invest.

574
00:31:19,160 --> 00:31:19,760
Speaker 6: I believe in this.

575
00:31:20,000 --> 00:31:24,760
Speaker 4: I'm here for it, and that to me, I don't

576
00:31:24,800 --> 00:31:25,320
Speaker 4: care about that.

577
00:31:25,560 --> 00:31:28,880
Speaker 6: What I to, you know, to your point earlier, what

578
00:31:29,360 --> 00:31:30,600
Speaker 6: was it? Without speaking on it.

579
00:31:30,680 --> 00:31:35,080
Speaker 4: I had to take them to court to you know,

580
00:31:35,320 --> 00:31:38,160
Speaker 4: to get my royalties divided.

581
00:31:37,920 --> 00:31:39,920
Speaker 1: Ports from records that I performed on.

582
00:31:40,320 --> 00:31:44,560
Speaker 3: Yes, I'm on probably about fifteen three three that super hits.

583
00:31:45,000 --> 00:31:47,680
Speaker 1: Yeah, and you do your own.

584
00:31:51,360 --> 00:31:54,080
Speaker 4: So, yes, what that said, I mean, that's enough. Come on,

585
00:31:55,080 --> 00:31:56,560
Speaker 4: so somebody's getting paid and I'm not.

586
00:31:57,120 --> 00:31:59,080
Speaker 1: When royalties weren't coming from them, it would be the

587
00:31:59,120 --> 00:31:59,640
Speaker 1: record label.

588
00:31:59,640 --> 00:32:02,000
Speaker 4: It would the record label. It would be the record label.

589
00:32:02,080 --> 00:32:06,840
Speaker 4: But they're still here's the thing. They were signed, and

590
00:32:06,960 --> 00:32:10,320
Speaker 4: that means they were signed to the record label, but

591
00:32:10,800 --> 00:32:14,320
Speaker 4: I wasn't. And so with our voices together and our

592
00:32:14,480 --> 00:32:21,640
Speaker 4: performances together on on something they had, they had their

593
00:32:21,800 --> 00:32:24,960
Speaker 4: names as the receivers, as the performers, and I didn't

594
00:32:25,000 --> 00:32:25,440
Speaker 4: have mine.

595
00:32:25,520 --> 00:32:27,200
Speaker 1: So your shares, my share.

596
00:32:27,640 --> 00:32:32,160
Speaker 4: I was fighting for my shares, my proper shares, you know,

597
00:32:32,320 --> 00:32:35,840
Speaker 4: from them. That's separate and apart from being in Sultan Pepa.

598
00:32:36,040 --> 00:32:39,200
Speaker 4: Is like when you perform or when you produce, you

599
00:32:39,280 --> 00:32:41,840
Speaker 4: should have your or you write, you should have your

600
00:32:42,000 --> 00:32:43,320
Speaker 4: shares of yours.

601
00:32:43,520 --> 00:32:45,280
Speaker 2: And so that's what I was fighting and separate from

602
00:32:45,360 --> 00:32:47,640
Speaker 2: because if someone listening, they might confuse it with publishing

603
00:32:47,760 --> 00:32:49,920
Speaker 2: is not publishing, because they would get there publishing for

604
00:32:49,960 --> 00:32:51,200
Speaker 2: whatever they did publish.

605
00:32:52,160 --> 00:32:55,400
Speaker 4: Yeah yeah, but I did produce a couple of things

606
00:32:55,600 --> 00:32:57,560
Speaker 4: for Sultan Peppa, and so I had to fight.

607
00:32:57,480 --> 00:32:58,040
Speaker 1: For that as well.

608
00:33:00,720 --> 00:33:03,800
Speaker 6: And you know, it was like when the end, when

609
00:33:03,840 --> 00:33:05,520
Speaker 6: the end came. It was like, Okay, let's do this

610
00:33:05,680 --> 00:33:06,000
Speaker 6: right then.

611
00:33:06,600 --> 00:33:08,120
Speaker 4: And I didn't want to bring I didn't want it

612
00:33:08,160 --> 00:33:11,800
Speaker 4: to be public, but it went public, and at the

613
00:33:11,880 --> 00:33:13,160
Speaker 4: end of the day, I had to do what I

614
00:33:13,200 --> 00:33:15,080
Speaker 4: had to do because I have you know, I put

615
00:33:15,160 --> 00:33:19,880
Speaker 4: my blood, sweat and tears for thirty five years. Thirty

616
00:33:19,920 --> 00:33:25,600
Speaker 4: five years is a lifetime. It's a lifetime. And so

617
00:33:26,600 --> 00:33:28,840
Speaker 4: when you say sweat equity, you put your all into

618
00:33:28,920 --> 00:33:32,560
Speaker 4: something and then to be dismissed or to be kind

619
00:33:32,600 --> 00:33:36,160
Speaker 4: of put out as if you weren't there, that's the contribution.

620
00:33:37,040 --> 00:33:41,520
Speaker 6: Get what you deserve and then peace out. But you know,

621
00:33:41,680 --> 00:33:42,440
Speaker 6: today I'm not.

622
00:33:42,520 --> 00:33:42,840
Speaker 1: Here to.

623
00:33:44,680 --> 00:33:47,800
Speaker 4: You know, put They're always going to be queen's to me.

624
00:33:48,640 --> 00:33:52,160
Speaker 4: They might not feel the way that I feel about

625
00:33:53,800 --> 00:33:57,320
Speaker 4: but it doesn't matter to me. I'm a grown woman,

626
00:33:57,400 --> 00:34:00,680
Speaker 4: I'm a queen. I'm gonna fix my sister's crime. If

627
00:34:00,720 --> 00:34:03,600
Speaker 4: I can help you, I will always do that. But

628
00:34:03,680 --> 00:34:06,360
Speaker 4: I'm going to fight for mine, show you how to

629
00:34:06,440 --> 00:34:09,040
Speaker 4: fight it, you know, and stand up for yours. So

630
00:34:09,640 --> 00:34:12,920
Speaker 4: that's what I got out of it, you know. You know,

631
00:34:13,120 --> 00:34:16,320
Speaker 4: at the end of the day, I'm happy that I'm

632
00:34:16,400 --> 00:34:17,520
Speaker 4: sorry that it went that way.

633
00:34:18,120 --> 00:34:19,440
Speaker 3: But I had to do what I had to do

634
00:34:19,520 --> 00:34:21,719
Speaker 3: for me, you know, as an outsider that's looking in,

635
00:34:22,040 --> 00:34:25,320
Speaker 3: as an insider that's looking out. I feel like the

636
00:34:25,480 --> 00:34:29,560
Speaker 3: mistake probably was that y'all didn't negotiate together from the beginning,

637
00:34:29,920 --> 00:34:32,239
Speaker 3: because I believe that they had a contract and then

638
00:34:32,719 --> 00:34:38,080
Speaker 3: you had a separate and had y'all showed that women camarbities.

639
00:34:39,719 --> 00:34:42,520
Speaker 1: That word. Okay, yeah, So.

640
00:34:42,680 --> 00:34:45,759
Speaker 3: If that's what I feel like, because I feel like

641
00:34:45,800 --> 00:34:49,680
Speaker 3: they wasn't trying to do you wrong. I feel like

642
00:34:49,880 --> 00:34:51,880
Speaker 3: they were so much trying to look out for theirself

643
00:34:51,880 --> 00:34:54,800
Speaker 3: because women were being done wrong at that time, that

644
00:34:54,840 --> 00:34:56,200
Speaker 3: they were so much trying to look at it for

645
00:34:56,280 --> 00:35:01,000
Speaker 3: themselves that they didn't think of gotcha, you know, by

646
00:35:01,040 --> 00:35:02,080
Speaker 3: the way, No, I understand.

647
00:35:03,640 --> 00:35:06,440
Speaker 6: I understand that point because I tried to sit in

648
00:35:06,520 --> 00:35:07,239
Speaker 6: their shoes too.

649
00:35:07,880 --> 00:35:08,160
Speaker 1: I did.

650
00:35:08,360 --> 00:35:10,400
Speaker 4: And when I was talking with Pet, Pepper explained a

651
00:35:10,440 --> 00:35:12,839
Speaker 4: lot to me about her situation in it and how

652
00:35:12,920 --> 00:35:17,160
Speaker 4: familiar my situation is to her because she was fighting

653
00:35:17,239 --> 00:35:21,360
Speaker 4: for hers too internally, so and I'm like, and you're Pepper,

654
00:35:21,920 --> 00:35:26,120
Speaker 4: and well, I cannot speak for her, but I will

655
00:35:26,160 --> 00:35:30,040
Speaker 4: say that she understood some of the fight that I

656
00:35:30,200 --> 00:35:33,400
Speaker 4: had in fighting for your part and what you have

657
00:35:33,600 --> 00:35:38,400
Speaker 4: provided and contributed, and it's just a bigger picture than

658
00:35:38,520 --> 00:35:44,120
Speaker 4: what everybody thinks. And you know, as a as a writer,

659
00:35:44,400 --> 00:35:47,440
Speaker 4: as a as a producer, as a performer, you you

660
00:35:48,280 --> 00:35:51,040
Speaker 4: should get your share, you know what what you put

661
00:35:51,120 --> 00:35:51,440
Speaker 4: into it.

662
00:35:51,719 --> 00:35:56,719
Speaker 2: And you know, I'll let her speak from the sound

663
00:35:56,760 --> 00:35:59,240
Speaker 2: of it, it's not just them too, it's other entities

664
00:35:59,400 --> 00:36:01,400
Speaker 2: to be her regular way more than this.

665
00:36:02,640 --> 00:36:05,320
Speaker 4: Well, they did have fights with Herbie about stuff, but

666
00:36:05,480 --> 00:36:08,560
Speaker 4: I feel like they absolved it. But at the end

667
00:36:08,600 --> 00:36:12,120
Speaker 4: of the day, I'm looking at my situation right now

668
00:36:12,400 --> 00:36:14,680
Speaker 4: and I can't speak on Peppa. I wish them well,

669
00:36:15,239 --> 00:36:16,800
Speaker 4: you know, and the door's always opened.

670
00:36:16,920 --> 00:36:19,879
Speaker 1: We said that we would love to see you guys together,

671
00:36:21,440 --> 00:36:22,160
Speaker 1: but I got it.

672
00:36:22,280 --> 00:36:24,319
Speaker 4: I have to say, you have to kind of take

673
00:36:24,360 --> 00:36:26,759
Speaker 4: care of you in the end, and you got to

674
00:36:26,800 --> 00:36:29,160
Speaker 4: make sure you're good in order for the door to

675
00:36:29,239 --> 00:36:32,400
Speaker 4: be open for us to come together again. Business got

676
00:36:32,520 --> 00:36:36,399
Speaker 4: be handled. When I handle my business, my team. Shout

677
00:36:36,400 --> 00:36:40,560
Speaker 4: out to my team. Team, shout out to my manager, LJ.

678
00:36:41,160 --> 00:36:43,200
Speaker 4: He's been my manager. I'm a loyal person. I have

679
00:36:43,360 --> 00:36:47,600
Speaker 4: the same people with me for forever. My manager LJ.

680
00:36:47,760 --> 00:36:50,520
Speaker 4: He said to say how to y'all. He's been my

681
00:36:50,600 --> 00:36:56,719
Speaker 4: manager for almost twenty years. So my husband, my husband Q,

682
00:36:57,120 --> 00:36:59,840
Speaker 4: my daughter Christy, she's a DJ too, So you know,

683
00:36:59,880 --> 00:37:03,480
Speaker 4: I'm constantly making sure she's good because she's out there,

684
00:37:03,719 --> 00:37:07,000
Speaker 4: you know, just making sure she's right. Contracts and everything,

685
00:37:07,440 --> 00:37:12,600
Speaker 4: but the right having the right people around you keeps

686
00:37:12,640 --> 00:37:14,960
Speaker 4: you right. And so when I leave my team and

687
00:37:15,000 --> 00:37:17,120
Speaker 4: then I go into Salt and Pepper, I need to

688
00:37:17,160 --> 00:37:18,040
Speaker 4: make sure that's right.

689
00:37:18,520 --> 00:37:20,279
Speaker 1: I know how it should be. And so.

690
00:37:23,080 --> 00:37:26,360
Speaker 4: From this moment on, should a door open there again,

691
00:37:26,760 --> 00:37:27,560
Speaker 4: We're gonna be good.

692
00:37:28,120 --> 00:37:28,960
Speaker 1: We're gonna be good.

693
00:37:28,840 --> 00:37:32,600
Speaker 4: Because all contracts will be right. We'll make sure everybody

694
00:37:32,719 --> 00:37:36,480
Speaker 4: is right. And I feel like back then we didn't

695
00:37:36,600 --> 00:37:41,000
Speaker 4: have the right conversations about doing that, because I did

696
00:37:41,080 --> 00:37:43,200
Speaker 4: bring it up. Let's do contract, Let's do a contract.

697
00:37:43,280 --> 00:37:46,399
Speaker 3: I just pect you with that and say, yo, listen,

698
00:37:46,640 --> 00:37:49,279
Speaker 3: you just you need a contract or that's something you

699
00:37:49,400 --> 00:37:49,800
Speaker 3: came up with.

700
00:37:50,000 --> 00:37:52,520
Speaker 1: I came up okay, cool, continue, I came up with okay.

701
00:37:53,040 --> 00:37:56,719
Speaker 4: And when Herbie was gone, I think when Herbie left

702
00:37:56,840 --> 00:37:59,200
Speaker 4: Herbie left back in the early nineties, it was kind

703
00:37:59,239 --> 00:38:01,200
Speaker 4: of like I'm just kind of floating here.

704
00:38:02,400 --> 00:38:05,560
Speaker 6: I'm just kind of just floating. And I mean they

705
00:38:05,680 --> 00:38:06,760
Speaker 6: they definitely.

706
00:38:06,400 --> 00:38:08,160
Speaker 4: Paid me, you know when you know, when I did

707
00:38:08,239 --> 00:38:13,719
Speaker 4: my gigs or whatever. But when it came to promoting

708
00:38:13,880 --> 00:38:16,920
Speaker 4: and promoting the albums and pushing the albums and performing

709
00:38:17,000 --> 00:38:21,040
Speaker 4: on the albums, I wasn't getting my cut, so I

710
00:38:21,160 --> 00:38:23,160
Speaker 4: had to make sure I got mine, like and so

711
00:38:23,320 --> 00:38:25,960
Speaker 4: that's why it took that long to do it. And

712
00:38:26,120 --> 00:38:27,759
Speaker 4: when it was said and done, we settled. And when

713
00:38:27,800 --> 00:38:30,480
Speaker 4: you settled, that means we're all on the same page.

714
00:38:31,120 --> 00:38:33,920
Speaker 1: You know. As a kid, when I heard this, I

715
00:38:34,040 --> 00:38:36,440
Speaker 1: was like, oh, that's just the rumor. As a kid,

716
00:38:36,560 --> 00:38:38,200
Speaker 1: you heard this, like, yeeah, Well, this.

717
00:38:38,320 --> 00:38:41,759
Speaker 4: Is a long term situation. It's a long time were

718
00:38:41,800 --> 00:38:43,440
Speaker 4: you you talking about Okay, So.

719
00:38:43,600 --> 00:38:46,080
Speaker 1: I mean as a kid, though I was a kid

720
00:38:46,120 --> 00:38:51,920
Speaker 1: in mind my house, like they didn't break up in

721
00:38:52,000 --> 00:38:53,000
Speaker 1: the early nineties.

722
00:38:53,120 --> 00:38:55,239
Speaker 4: It was no, we didn't break up in the early nineties,

723
00:38:55,280 --> 00:38:57,919
Speaker 4: but you said we had issues back in the ninth

724
00:38:58,000 --> 00:38:59,359
Speaker 4: early late night.

725
00:38:59,400 --> 00:39:04,600
Speaker 1: Late nineties. Here I remember forty seven, forty six. I'll

726
00:39:04,600 --> 00:39:05,799
Speaker 1: be forty seven next month.

727
00:39:05,920 --> 00:39:07,399
Speaker 6: We're talking about twenty some years.

728
00:39:07,520 --> 00:39:11,359
Speaker 4: Yeah, and to me it seems like, who, yeah, that's

729
00:39:11,360 --> 00:39:13,719
Speaker 4: a time it's a long time to be going through

730
00:39:13,719 --> 00:39:14,359
Speaker 4: the ship, right.

731
00:39:15,280 --> 00:39:18,279
Speaker 2: It's true that Herbie when he put the group together,

732
00:39:18,320 --> 00:39:20,480
Speaker 2: he thought of it as the female run DMC.

733
00:39:21,160 --> 00:39:23,279
Speaker 1: Yes, and and you would have been the jam master

734
00:39:23,400 --> 00:39:24,120
Speaker 1: j of that run ja.

735
00:39:24,640 --> 00:39:26,560
Speaker 6: Yeah, he thought he thought of Houdini.

736
00:39:26,640 --> 00:39:32,520
Speaker 1: And so do you remember ever going to the Left

737
00:39:32,600 --> 00:39:33,480
Speaker 1: Rock City? I do?

738
00:39:34,880 --> 00:39:38,560
Speaker 2: Oh yeah, that's crazy how this ties into the beginning

739
00:39:38,600 --> 00:39:39,320
Speaker 2: of Dream Champs.

740
00:39:39,800 --> 00:39:42,879
Speaker 1: Really, he's our first guest. You have no idea first

741
00:39:42,960 --> 00:39:43,680
Speaker 1: recorded guests.

742
00:39:43,800 --> 00:39:46,440
Speaker 3: Let me just tall you he's going to go down right,

743
00:39:46,480 --> 00:39:51,279
Speaker 3: And I know your husband is here, respect and you're

744
00:39:51,320 --> 00:39:51,919
Speaker 3: doing this here?

745
00:39:52,400 --> 00:39:56,160
Speaker 1: Who I feel like she's related to me. Let me

746
00:39:56,239 --> 00:39:56,960
Speaker 1: just tell you something.

747
00:39:58,560 --> 00:40:01,640
Speaker 3: Kenny Anderson at the time was the hottest point guard

748
00:40:01,680 --> 00:40:04,680
Speaker 3: in New York City. Katy Anderson, I'm from ninety seventh Street.

749
00:40:04,760 --> 00:40:08,040
Speaker 3: Kny Anderson is from ninety sixth Street. He's from down

750
00:40:08,120 --> 00:40:12,719
Speaker 3: the block. The hottest woman in the game ran the

751
00:40:12,880 --> 00:40:13,440
Speaker 3: chain at the.

752
00:40:13,480 --> 00:40:19,320
Speaker 1: Time was Spendervella. Oh so my childhood.

753
00:40:20,480 --> 00:40:30,520
Speaker 3: Was Spenderella is the most beautifullest woman in the game. Really,

754
00:40:31,520 --> 00:40:36,600
Speaker 3: everyone wants Spenderella. It's prober is the name. Everybody wants.

755
00:40:36,600 --> 00:40:37,360
Speaker 3: Spender Weell.

756
00:40:38,840 --> 00:40:40,439
Speaker 1: Jesus, everybody wants you to turn.

757
00:40:47,120 --> 00:40:51,280
Speaker 3: And it was one day Kenny Anderson, we call him Chipper.

758
00:40:52,960 --> 00:40:56,800
Speaker 3: He comes through my neighborhood with you. And when I

759
00:40:57,000 --> 00:40:59,400
Speaker 3: tell you, that was like a goal.

760
00:41:00,640 --> 00:41:04,279
Speaker 6: That was like I think, I remember, I.

761
00:41:04,280 --> 00:41:05,960
Speaker 1: Ain't gonna lie. I was the little nigga like that.

762
00:41:10,280 --> 00:41:13,160
Speaker 3: In case you don't know, the little dirty nigga probably

763
00:41:13,200 --> 00:41:14,120
Speaker 3: didn't clean my ears.

764
00:41:16,000 --> 00:41:21,160
Speaker 1: I was like, holy shit, and that shit changed my childhood.

765
00:41:22,440 --> 00:41:26,800
Speaker 3: Because it made mean Katy Anderson, which I tell him this,

766
00:41:27,200 --> 00:41:29,000
Speaker 3: and I tell him this off the air, and this

767
00:41:29,080 --> 00:41:29,840
Speaker 3: is kind of corny.

768
00:41:30,040 --> 00:41:31,879
Speaker 1: I just always say this on the air.

769
00:41:34,840 --> 00:41:37,239
Speaker 3: He made me who I am one of those And

770
00:41:37,320 --> 00:41:39,799
Speaker 3: one of those two days, I tell you the LA day,

771
00:41:39,800 --> 00:41:42,600
Speaker 3: Remember when I first hit number one, And it was

772
00:41:42,680 --> 00:41:43,040
Speaker 3: this day.

773
00:41:43,120 --> 00:41:45,279
Speaker 1: This is way before I was a rapper, and he

774
00:41:45,440 --> 00:41:46,440
Speaker 1: came to the hood with you.

775
00:41:47,440 --> 00:41:50,359
Speaker 3: And when I tell you, every man in the hood

776
00:41:51,280 --> 00:41:53,360
Speaker 3: could not take their eyes off you. I'm sorry, husband,

777
00:41:55,320 --> 00:42:00,560
Speaker 3: I'm sorry, husband, but it was one of the greatest

778
00:42:00,760 --> 00:42:05,360
Speaker 3: moments of my life because you represented making it.

779
00:42:06,120 --> 00:42:06,480
Speaker 4: Hm hmm.

780
00:42:07,640 --> 00:42:11,120
Speaker 1: You have no idea what I mean.

781
00:42:11,760 --> 00:42:14,920
Speaker 4: I think I could understand in the sense of just

782
00:42:15,040 --> 00:42:17,680
Speaker 4: coming through and it's just like a picture of what

783
00:42:17,800 --> 00:42:20,000
Speaker 4: it looks like to be success and have the right

784
00:42:20,600 --> 00:42:23,799
Speaker 4: female on your arm. And you know that.

785
00:42:26,920 --> 00:42:30,680
Speaker 1: Let me take you home. You were the hottest chicken game.

786
00:42:31,520 --> 00:42:36,360
Speaker 1: Let's be clear. Did you not feel that? No, I

787
00:42:36,440 --> 00:42:43,120
Speaker 1: did not feel like we sucked. Holy I do know

788
00:42:43,320 --> 00:42:43,600
Speaker 1: that there.

789
00:42:43,840 --> 00:42:45,560
Speaker 6: You know, people tell me they had crushes on me

790
00:42:45,680 --> 00:42:47,680
Speaker 6: or whatever, but no, real like.

791
00:42:48,120 --> 00:42:51,200
Speaker 3: I remember, like like, I'm so proud to call you

792
00:42:51,320 --> 00:42:55,600
Speaker 3: my sister now, but back then, I can't deny.

793
00:42:55,400 --> 00:42:57,360
Speaker 1: That like how it was like.

794
00:42:57,760 --> 00:43:00,480
Speaker 6: But I do know that the fans had their favorites.

795
00:43:00,520 --> 00:43:01,320
Speaker 1: I mean they had.

796
00:43:03,000 --> 00:43:05,239
Speaker 4: I mean, I know that they looked at me like,

797
00:43:05,520 --> 00:43:07,880
Speaker 4: you know, they had questions on me or whatever. So

798
00:43:08,000 --> 00:43:09,880
Speaker 4: and I hear that a lot today, Like you know,

799
00:43:09,960 --> 00:43:11,400
Speaker 4: I still got a crush on any type of thing.

800
00:43:11,480 --> 00:43:14,520
Speaker 1: But no, I didn't know that. You didn't feel it.

801
00:43:15,360 --> 00:43:17,160
Speaker 6: I could feel that they they loved on me.

802
00:43:17,280 --> 00:43:18,960
Speaker 4: Yeah, I could feel that.

803
00:43:19,320 --> 00:43:20,520
Speaker 1: Okay, that's one way of putting it.

804
00:43:20,800 --> 00:43:24,640
Speaker 4: Yeah, I completely loved it on me. I mean, not

805
00:43:24,800 --> 00:43:28,200
Speaker 4: to take away from what you're saying, please, but you know,

806
00:43:28,560 --> 00:43:31,719
Speaker 4: I get how, you know, people look at somebody and

807
00:43:31,800 --> 00:43:35,680
Speaker 4: I remember being like, you know, just on top of

808
00:43:35,760 --> 00:43:37,920
Speaker 4: the world, like Salt and Pepper and myself, we were

809
00:43:38,080 --> 00:43:39,560
Speaker 4: just on top of the way. We were the girls.

810
00:43:39,640 --> 00:43:43,400
Speaker 4: We was those girls back then, and you know they

811
00:43:43,440 --> 00:43:45,320
Speaker 4: had their favorite. Salt was their face. You know, she

812
00:43:45,400 --> 00:43:48,480
Speaker 4: had her favorites. Pep had her favorite, Spin had her favorites.

813
00:43:48,520 --> 00:43:48,680
Speaker 4: You know.

814
00:43:48,880 --> 00:43:52,759
Speaker 2: Like But to take it back to to drink Champs,

815
00:43:52,960 --> 00:43:56,759
Speaker 2: Kenny was recorded guests. Yes, we didn't release it first.

816
00:43:56,800 --> 00:43:59,040
Speaker 2: It was the first person that we tested this concept.

817
00:43:59,160 --> 00:44:04,120
Speaker 1: Wow. Yeah, so you you you are drinking around. Yeah,

818
00:44:04,600 --> 00:44:05,120
Speaker 1: I'm in there.

819
00:44:06,640 --> 00:44:09,239
Speaker 4: I heard your interview some of the you know, the

820
00:44:09,360 --> 00:44:12,000
Speaker 4: interview y'all did with Kenny, and I heard what you

821
00:44:12,120 --> 00:44:14,600
Speaker 4: guys were. I don't know, y'all were talking about baby

822
00:44:14,640 --> 00:44:15,640
Speaker 4: mamas and stuff like that.

823
00:44:16,360 --> 00:44:19,200
Speaker 1: I think that was funny. I was scared. I was

824
00:44:19,239 --> 00:44:21,680
Speaker 1: scared to say your name because to this day, I'm

825
00:44:21,719 --> 00:44:24,280
Speaker 1: still scared of you, like scared.

826
00:44:24,400 --> 00:44:27,759
Speaker 4: From the music standpoint, I'm really proud of what we've

827
00:44:27,800 --> 00:44:32,520
Speaker 4: done together. That is something that nothing, that's nothing that

828
00:44:32,640 --> 00:44:36,120
Speaker 4: we can personally go through, could ever overshadow the.

829
00:44:36,200 --> 00:44:38,000
Speaker 6: Purpose of what Sultan Pepper was.

830
00:44:38,160 --> 00:44:42,400
Speaker 4: The Sultan Pepper, the music, the message, the importance of

831
00:44:42,520 --> 00:44:45,000
Speaker 4: us and music, the importance of us and hip hop,

832
00:44:45,560 --> 00:44:49,840
Speaker 4: the importance of us as women, the contribution as women

833
00:44:51,000 --> 00:44:56,239
Speaker 4: to our our just our generation, and so so don't

834
00:44:56,320 --> 00:44:59,759
Speaker 4: let what personal stuff color that. And that means a

835
00:44:59,800 --> 00:45:02,759
Speaker 4: lot to hear you say that. But yeah, it was

836
00:45:03,080 --> 00:45:06,880
Speaker 4: great times, it was interesting. Just you know, I remember

837
00:45:07,000 --> 00:45:09,200
Speaker 4: that going through left Rack with Kenny. I did a

838
00:45:09,280 --> 00:45:10,000
Speaker 4: lot of left Rack.

839
00:45:10,160 --> 00:45:10,719
Speaker 1: I was out there.

840
00:45:15,160 --> 00:45:17,400
Speaker 4: We used to actually, we used to, actually, me and

841
00:45:17,520 --> 00:45:19,640
Speaker 4: Kenny used to go at it because you know, he

842
00:45:20,200 --> 00:45:23,600
Speaker 4: he called the pink houses the stinkhouses, and I would

843
00:45:23,640 --> 00:45:25,040
Speaker 4: call I'm sorry, y'all.

844
00:45:25,080 --> 00:45:25,719
Speaker 1: It was just a joke.

845
00:45:26,160 --> 00:45:28,800
Speaker 4: I would call Left Right City, left wax City.

846
00:45:29,640 --> 00:45:29,920
Speaker 1: It was.

847
00:45:30,200 --> 00:45:34,840
Speaker 2: It was, it was, it was.

848
00:45:35,000 --> 00:45:37,360
Speaker 1: It was a thing between me and Kenny. She's like,

849
00:45:37,400 --> 00:45:43,600
Speaker 1: look at that little boy. But no, I spent a

850
00:45:43,680 --> 00:45:47,759
Speaker 1: lot of time in Left Right. He did a lot.

851
00:45:47,800 --> 00:45:49,760
Speaker 1: He did a lot, He did a lot for them.

852
00:45:49,760 --> 00:45:54,200
Speaker 1: Not gonna lie. Yeah, I'm not gonna lie to you again.

853
00:45:54,239 --> 00:45:56,600
Speaker 1: I should, I should say this to him off camera.

854
00:45:57,280 --> 00:46:00,320
Speaker 3: But he kept me out of jail for years because

855
00:46:00,360 --> 00:46:04,120
Speaker 3: he had a tournament called Kenny Anderson Tournament, and I

856
00:46:04,160 --> 00:46:06,400
Speaker 3: would I would go there and I would play basketball,

857
00:46:06,840 --> 00:46:10,520
Speaker 3: and I remember I remember one year, I'm sorry, turn

858
00:46:10,560 --> 00:46:13,840
Speaker 3: it back. But I remember one year I was selling

859
00:46:13,920 --> 00:46:18,759
Speaker 3: drugs and I just couldn't stop selling drugs. I was

860
00:46:18,840 --> 00:46:20,799
Speaker 3: addicted to selling drugs. Even though I wasn't a good

861
00:46:20,880 --> 00:46:24,879
Speaker 3: drug dealer. I was like semi, but I would get

862
00:46:24,880 --> 00:46:27,279
Speaker 3: my shirt off. And the coach came to me. I

863
00:46:27,320 --> 00:46:30,399
Speaker 3: can't say the coach name because he's very it's very big.

864
00:46:32,800 --> 00:46:35,120
Speaker 3: The coach said to me, I know you sell drugs,

865
00:46:36,280 --> 00:46:40,040
Speaker 3: but you're gonna come and play this. You gonna play

866
00:46:40,080 --> 00:46:42,440
Speaker 3: this basketball. And I came in and played basketball.

867
00:46:42,760 --> 00:46:48,760
Speaker 1: We want. But by the way, because of Kenny, him doing.

868
00:46:50,400 --> 00:46:53,680
Speaker 3: The contributions that he did, h to the hood, his

869
00:46:54,080 --> 00:47:00,400
Speaker 3: mother as well, first week fall.

870
00:47:01,160 --> 00:47:03,960
Speaker 1: Rest in peace to your day you met.

871
00:47:03,840 --> 00:47:07,200
Speaker 4: Her, she's as first of all my daughters here.

872
00:47:07,200 --> 00:47:11,320
Speaker 1: Yes, yes, immediately connected to her, Yes, my daughter.

873
00:47:11,520 --> 00:47:15,719
Speaker 4: She's like she was like one of I mean, after

874
00:47:15,840 --> 00:47:18,600
Speaker 4: I had Christy, I would bring her to left right

875
00:47:19,320 --> 00:47:23,719
Speaker 4: and leave her with miss A and you want a shot.

876
00:47:26,719 --> 00:47:31,360
Speaker 6: And miss A was just just an incredible woman. She

877
00:47:31,520 --> 00:47:32,200
Speaker 6: was hard coil.

878
00:47:32,719 --> 00:47:35,040
Speaker 4: She was hard on me when I first met when

879
00:47:35,080 --> 00:47:38,200
Speaker 4: I first started dating Kenny, she was like, who's this bitch?

880
00:47:39,680 --> 00:47:42,040
Speaker 1: Yeah, yeah, we're talking about you went too fast? Yeah,

881
00:47:42,040 --> 00:47:42,479
Speaker 1: that's true.

882
00:47:42,880 --> 00:47:43,160
Speaker 2: She was.

883
00:47:43,320 --> 00:47:46,040
Speaker 1: That was the first word. She was, like, who was

884
00:47:46,120 --> 00:47:50,120
Speaker 1: this bitch? She was like protective of her son, but

885
00:47:50,200 --> 00:47:51,960
Speaker 1: by the way you spend at the time, it's not

886
00:47:52,080 --> 00:47:52,960
Speaker 1: like you care.

887
00:47:53,880 --> 00:47:54,440
Speaker 4: She didn't care.

888
00:47:55,239 --> 00:47:56,000
Speaker 1: I love this story.

889
00:47:56,360 --> 00:47:59,000
Speaker 4: So I was very intimidated by miss saying I called

890
00:47:59,040 --> 00:48:01,600
Speaker 4: him miss name was Joan, but I call I called

891
00:48:01,640 --> 00:48:05,280
Speaker 4: him miss A, And she put me through the ringer

892
00:48:05,600 --> 00:48:08,080
Speaker 4: to be to mess with her son.

893
00:48:08,440 --> 00:48:09,520
Speaker 6: I mean, I guess you should.

894
00:48:09,760 --> 00:48:12,640
Speaker 1: You know, kids just can't have any woman rolling up

895
00:48:12,640 --> 00:48:14,120
Speaker 1: on your you know, in your in your home.

896
00:48:14,239 --> 00:48:16,520
Speaker 3: You was his first real relationship, right, I don't know

897
00:48:16,640 --> 00:48:17,920
Speaker 3: that I was his first real relationship.

898
00:48:17,920 --> 00:48:19,759
Speaker 1: I believe the outside of looking at it, and I

899
00:48:19,840 --> 00:48:22,759
Speaker 1: believe it was he was young. He was he was

900
00:48:22,880 --> 00:48:23,319
Speaker 1: very young.

901
00:48:23,400 --> 00:48:25,440
Speaker 4: He was like, come on, in his prime and he

902
00:48:25,640 --> 00:48:31,279
Speaker 4: was like a superstar and oh my god, like for

903
00:48:31,480 --> 00:48:34,400
Speaker 4: him to just come from where he came from to

904
00:48:35,160 --> 00:48:37,239
Speaker 4: you know, just blowing up with all this money and

905
00:48:37,280 --> 00:48:40,680
Speaker 4: all this like notoriety and just the fame, it was crazy.

906
00:48:40,800 --> 00:48:44,840
Speaker 6: So but back to Missay, she was very protective and.

907
00:48:46,600 --> 00:48:51,080
Speaker 4: I will say our relationship really got established because she

908
00:48:51,440 --> 00:48:53,319
Speaker 4: you know, literally taught me like she.

909
00:48:53,440 --> 00:48:56,560
Speaker 6: Was like, you know, I know, I know you love

910
00:48:56,600 --> 00:48:58,279
Speaker 6: my son, because I could have ran you off a.

911
00:48:58,320 --> 00:49:00,759
Speaker 1: Long time ago, girl, like you know, that is the

912
00:49:01,000 --> 00:49:02,160
Speaker 1: gangst that's gangstuff.

913
00:49:02,200 --> 00:49:05,320
Speaker 4: I could have you know, and but you stayed, you know,

914
00:49:05,520 --> 00:49:08,279
Speaker 4: and you stayed and you you know, we didn't work out.

915
00:49:08,840 --> 00:49:10,319
Speaker 4: But our daughter, you know, we had our daughter.

916
00:49:10,400 --> 00:49:15,160
Speaker 1: That was a purpose. God bless God. She's my daughter.

917
00:49:15,280 --> 00:49:19,120
Speaker 1: Was so beautiful and so like the best part of us. Yeah,

918
00:49:19,480 --> 00:49:21,640
Speaker 1: and although I just met her today, I swear to God,

919
00:49:21,640 --> 00:49:22,400
Speaker 1: I feel like I know her.

920
00:49:22,680 --> 00:49:26,000
Speaker 4: Yeah, well you might have seen it is really young

921
00:49:26,400 --> 00:49:28,359
Speaker 4: come the left brack all the time she was wit

922
00:49:28,400 --> 00:49:30,480
Speaker 4: miss s. Yeah, there it is.

923
00:49:30,880 --> 00:49:31,200
Speaker 1: Okay.

924
00:49:31,560 --> 00:49:36,440
Speaker 3: So our show is about giving people they flowers. From

925
00:49:36,480 --> 00:49:39,960
Speaker 3: the beginning, we wanted to give you a flowers. Wanted

926
00:49:40,000 --> 00:49:42,960
Speaker 3: to tell you, face to face, woman, the man, man,

927
00:49:43,120 --> 00:49:46,080
Speaker 3: the woman, that how much you mean the hip hop

928
00:49:46,239 --> 00:49:57,120
Speaker 3: sho this is And I want you to know how

929
00:49:57,239 --> 00:49:59,880
Speaker 3: much you feel being the hip hop how much you

930
00:50:00,120 --> 00:50:02,440
Speaker 3: mean to us, how much you mean to the community.

931
00:50:03,840 --> 00:50:07,920
Speaker 3: We one man percent understand your plight, We understand your struggle,

932
00:50:07,960 --> 00:50:12,279
Speaker 3: we understand your fight, and we got your back. And

933
00:50:13,120 --> 00:50:15,759
Speaker 3: there's nothing in this world that's not going to stop us.

934
00:50:15,800 --> 00:50:17,600
Speaker 3: From doing that and we want to give you.

935
00:50:21,760 --> 00:50:22,800
Speaker 1: Wow, this is huge.

936
00:50:22,840 --> 00:50:23,520
Speaker 6: Thank you so much.

937
00:50:23,680 --> 00:50:27,560
Speaker 4: My heart is real full from that because coming from

938
00:50:27,600 --> 00:50:31,520
Speaker 4: where I came from and just always literally you know,

939
00:50:31,560 --> 00:50:34,439
Speaker 4: I dealt with a lot of doubt, the whole stuff.

940
00:50:35,000 --> 00:50:36,040
Speaker 1: I doubt it myself a lot.

941
00:50:37,360 --> 00:50:41,800
Speaker 4: But to get the love that I've been getting regardless

942
00:50:41,920 --> 00:50:46,120
Speaker 4: of all of that, it makes me feel again. You know,

943
00:50:46,719 --> 00:50:48,960
Speaker 4: when you when you're when you when you're kind of

944
00:50:49,000 --> 00:50:52,360
Speaker 4: shot down for whatever reason, when you're shot down, or

945
00:50:52,360 --> 00:50:56,120
Speaker 4: when you feel that your your worth is or you're

946
00:50:56,160 --> 00:51:00,279
Speaker 4: devalued or any in any of that, you don't like

947
00:51:00,320 --> 00:51:05,239
Speaker 4: you deserve and you know, so to get this kind

948
00:51:05,239 --> 00:51:06,400
Speaker 4: of love, I really appreciate you.

949
00:51:06,440 --> 00:51:06,600
Speaker 8: All.

950
00:51:06,680 --> 00:51:08,640
Speaker 3: Well, let me let me let me stop that not

951
00:51:09,080 --> 00:51:13,600
Speaker 3: feeling deserved, because this is your house, this is built

952
00:51:13,680 --> 00:51:17,600
Speaker 3: for you, and I'm gonna just tell you it's well deserved.

953
00:51:17,640 --> 00:51:18,040
Speaker 1: Over here.

954
00:51:18,520 --> 00:51:23,560
Speaker 3: You are a icon, you are a legend, and we

955
00:51:23,719 --> 00:51:26,839
Speaker 3: are immortal fans over here.

956
00:51:27,040 --> 00:51:34,040
Speaker 1: Immortal. I used that word before. I guess it just

957
00:51:34,160 --> 00:51:37,799
Speaker 1: came out like you're mortal for using it. So we're

958
00:51:37,800 --> 00:51:42,640
Speaker 1: gonna play a game real quick now' storry, Okay, I

959
00:51:42,640 --> 00:51:43,200
Speaker 1: ain't gonna lie.

960
00:51:43,239 --> 00:51:47,239
Speaker 3: I'd be drinking, but I did drink last episode, so

961
00:51:47,560 --> 00:51:49,759
Speaker 3: and I saw Keith very I tell you you gotta

962
00:51:49,800 --> 00:51:50,279
Speaker 3: talk about that.

963
00:51:51,040 --> 00:51:53,640
Speaker 1: You know, me and Keith Mary had fake Keith Oh really?

964
00:51:56,480 --> 00:51:59,920
Speaker 1: What happened with that? They wore taking over.

965
00:52:03,600 --> 00:52:07,200
Speaker 3: I'm at Fat Joe's concert and I feel somebody like

966
00:52:08,560 --> 00:52:12,160
Speaker 3: touching my leg because because by the way, I didn't

967
00:52:12,160 --> 00:52:13,640
Speaker 3: go to Fat Joe concerts to perform.

968
00:52:13,760 --> 00:52:15,359
Speaker 1: I went there to be a fan.

969
00:52:15,800 --> 00:52:19,200
Speaker 3: And there I was like, yo, I cannot leave. I mean,

970
00:52:19,200 --> 00:52:21,840
Speaker 3: I gotta leave tomorrow. And they're like why. I'm like,

971
00:52:21,840 --> 00:52:22,440
Speaker 3: I gotta.

972
00:52:22,200 --> 00:52:26,600
Speaker 1: Spread the brother. I said, I ain't missing this. They're like, okay, cool,

973
00:52:26,719 --> 00:52:31,600
Speaker 1: thank you. I hain't somebody, I said, I hear somebody.

974
00:52:31,719 --> 00:52:34,880
Speaker 1: I felt somebody in my leg. I turn around.

975
00:52:35,080 --> 00:52:40,160
Speaker 3: It's a guy with a bandanna, glasses and a joint

976
00:52:40,200 --> 00:52:43,279
Speaker 3: and I look and I just see his eyes. I'm

977
00:52:43,400 --> 00:52:49,440
Speaker 3: keeping when I tell you, I didn't tell nobody around me.

978
00:52:49,560 --> 00:52:51,040
Speaker 3: I didn't say yo, whook me.

979
00:52:51,360 --> 00:52:57,920
Speaker 1: I just seen some'sc and he was like, my heart,

980
00:52:59,280 --> 00:53:02,319
Speaker 1: my heart, what what? What? What do you mean? That's

981
00:53:04,040 --> 00:53:07,040
Speaker 1: Keith testing me if I'm lying? He said my heart,

982
00:53:08,040 --> 00:53:11,400
Speaker 1: And you know what I said, my heart? I did

983
00:53:11,719 --> 00:53:19,759
Speaker 1: I said, I ain't gonna because I want to. I

984
00:53:19,840 --> 00:53:20,120
Speaker 1: want to.

985
00:53:20,920 --> 00:53:24,759
Speaker 3: Testament the hip hop man. We had a misunderstanding. He

986
00:53:24,920 --> 00:53:28,680
Speaker 3: thought something about me, which I liked it, but it

987
00:53:28,800 --> 00:53:32,560
Speaker 3: was false. He's like, no, he's Hollywood, He's different. Now,

988
00:53:33,200 --> 00:53:37,440
Speaker 3: I don't get pedicureous. Look ship, look at my nails

989
00:53:37,520 --> 00:53:39,759
Speaker 3: is sucked up. I don't get pedicures.

990
00:53:41,200 --> 00:53:45,120
Speaker 1: I should. I should, though, but I seen them. We talked,

991
00:53:45,200 --> 00:53:45,839
Speaker 1: we worked it out.

992
00:53:45,880 --> 00:53:48,960
Speaker 3: They filmed it. They film the whole time, the whole time.

993
00:53:49,080 --> 00:53:51,960
Speaker 3: His people filmed it. And I never said, don't film

994
00:53:53,080 --> 00:53:55,799
Speaker 3: because I wanted to document it. That don't don't don't

995
00:53:55,800 --> 00:53:57,200
Speaker 3: ever say that because drink chances.

996
00:53:57,239 --> 00:53:58,240
Speaker 1: We're for our legends.

997
00:53:58,280 --> 00:53:58,480
Speaker 8: Man.

998
00:53:58,840 --> 00:54:01,040
Speaker 3: And the thing about it is, so many times in

999
00:54:01,120 --> 00:54:04,759
Speaker 3: this game people get ten years or more and you

1000
00:54:04,800 --> 00:54:06,799
Speaker 3: know what they say. They say you're washed up, they

1001
00:54:06,840 --> 00:54:09,800
Speaker 3: say you you're dark irrelevant. Do they say that in

1002
00:54:09,920 --> 00:54:12,200
Speaker 3: rock and roll? Do they say that in jazz? Do

1003
00:54:12,320 --> 00:54:15,239
Speaker 3: they say heavy metal? They only say it's only us.

1004
00:54:15,320 --> 00:54:19,600
Speaker 1: It's only us. So we're gonna change that fucking narrative.

1005
00:54:21,120 --> 00:54:24,320
Speaker 3: If you take food from yesterday and you put it

1006
00:54:24,360 --> 00:54:26,680
Speaker 3: in the refrigerator and you work and you warm it

1007
00:54:26,760 --> 00:54:27,359
Speaker 3: up in the morning.

1008
00:54:27,400 --> 00:54:34,399
Speaker 1: Guess what, it's better. It's better. It's been marinated. It's

1009
00:54:34,440 --> 00:54:39,280
Speaker 1: been That means it's been seasoned, preserved. You young motherfuckers

1010
00:54:40,960 --> 00:54:44,080
Speaker 1: judging the older people. You are a pizza who just

1011
00:54:44,160 --> 00:54:47,040
Speaker 1: came out of gobin. It's too hot.

1012
00:54:49,000 --> 00:54:49,960
Speaker 4: You're too hot.

1013
00:54:51,719 --> 00:54:55,800
Speaker 1: The fuck often enjoy the pizza, right, my friend.

1014
00:54:55,680 --> 00:55:03,239
Speaker 8: He ain't gonna brought me a phenomenal pizza. I have

1015
00:55:03,320 --> 00:55:05,160
Speaker 8: to put salt on it and let it come up.

1016
00:55:05,239 --> 00:55:09,319
Speaker 8: Day got wrong, and then after that cool.

1017
00:55:10,360 --> 00:55:11,640
Speaker 1: I enjoyed the pizza.

1018
00:55:12,360 --> 00:55:15,080
Speaker 3: So this is too Oh, you young motherfuckers, you're judging

1019
00:55:15,239 --> 00:55:18,280
Speaker 3: you one of the young one of the dumb, dumbest

1020
00:55:18,320 --> 00:55:21,200
Speaker 3: shits you can say as a young person, is you old?

1021
00:55:21,320 --> 00:55:21,920
Speaker 1: Motherfucker?

1022
00:55:22,680 --> 00:55:22,719
Speaker 2: What?

1023
00:55:24,880 --> 00:55:28,800
Speaker 1: You don't want to be old like me? One day? Idiot?

1024
00:55:30,080 --> 00:55:33,200
Speaker 1: The goal is not to die young, The goal is

1025
00:55:34,200 --> 00:55:39,799
Speaker 1: to grow to crow idiots. I guess what. I'm sorry.

1026
00:55:39,880 --> 00:55:41,800
Speaker 1: I had a moment. Let me add on to that.

1027
00:55:42,160 --> 00:55:46,799
Speaker 4: When someone says you're old, you're older too. We're both old. Look,

1028
00:55:46,960 --> 00:55:49,800
Speaker 4: you're not going backwards. We're both going up together.

1029
00:55:50,080 --> 00:55:52,880
Speaker 1: Like it doesn't make it. It doesn't.

1030
00:55:53,000 --> 00:55:55,000
Speaker 6: It's like, how am I get old and you're not.

1031
00:55:55,280 --> 00:55:57,759
Speaker 6: We're both growing, you know, so I don't.

1032
00:55:57,760 --> 00:55:59,839
Speaker 4: I don't get that the whole irrelevant thing when people

1033
00:55:59,840 --> 00:56:05,160
Speaker 4: say you're irrelevant, I'm like, to who you, I don't know,

1034
00:56:05,360 --> 00:56:07,520
Speaker 4: it's it's it's weird, you know what.

1035
00:56:07,640 --> 00:56:11,279
Speaker 3: I love the renaissance of hip hop right now, Right now,

1036
00:56:12,040 --> 00:56:15,040
Speaker 3: hip hop has grown so much, like I can like

1037
00:56:15,120 --> 00:56:18,640
Speaker 3: book a vacation and so max a lot would be

1038
00:56:18,640 --> 00:56:21,960
Speaker 3: on the fucking m the cruise line.

1039
00:56:22,680 --> 00:56:26,600
Speaker 1: Holy, this is dope, like hip hop has involved so much.

1040
00:56:26,640 --> 00:56:29,200
Speaker 3: Do you think that hip hop when you started doing

1041
00:56:29,239 --> 00:56:33,480
Speaker 3: it with what, for lack of a better term, whack cliche,

1042
00:56:33,560 --> 00:56:35,120
Speaker 3: do you think that hip hop would have came this

1043
00:56:35,239 --> 00:56:35,799
Speaker 3: far far?

1044
00:56:37,920 --> 00:56:40,040
Speaker 6: No, I didn't think about it neither.

1045
00:56:40,600 --> 00:56:40,960
Speaker 4: It wasn't.

1046
00:56:41,000 --> 00:56:43,560
Speaker 6: It was like it was not something I was thinking about.

1047
00:56:43,560 --> 00:56:44,520
Speaker 6: It was something I was doing.

1048
00:56:45,560 --> 00:56:49,960
Speaker 4: So that was like the original question back in the days,

1049
00:56:50,080 --> 00:56:54,480
Speaker 4: most most of US artists who were first interviewed was

1050
00:56:54,600 --> 00:56:57,200
Speaker 4: asked the question, what are you going to do when

1051
00:56:57,280 --> 00:57:01,680
Speaker 4: this is over? And I can say for me, I'm like,

1052
00:57:01,840 --> 00:57:03,880
Speaker 4: I don't know nothing know, So I'm just gonna keep doing.

1053
00:57:03,800 --> 00:57:06,239
Speaker 1: What until you know? To the wheels fall? Could that

1054
00:57:06,280 --> 00:57:09,080
Speaker 1: have played into the bad business nuts foreseeing it?

1055
00:57:09,840 --> 00:57:11,680
Speaker 4: You know, yeah, be here so long, of course, but

1056
00:57:11,800 --> 00:57:16,200
Speaker 4: look what it won't happen again. Experience is important. So

1057
00:57:16,280 --> 00:57:19,400
Speaker 4: when you get older and talk about growing, you grow

1058
00:57:19,520 --> 00:57:24,320
Speaker 4: with experience. And these younger you know, I feel, I

1059
00:57:24,400 --> 00:57:26,600
Speaker 4: feel if they ain't watching and if they ain't learning,

1060
00:57:27,320 --> 00:57:30,720
Speaker 4: you know, they're gonna get hit hard. I always think about,

1061
00:57:30,760 --> 00:57:34,280
Speaker 4: like the newer artists, like the younger generation of artists,

1062
00:57:35,240 --> 00:57:40,240
Speaker 4: they're gonna need therapy. Yeah, eventually, you know what, They're

1063
00:57:40,240 --> 00:57:43,640
Speaker 4: gonna need therapy, Ain't I right or wrong? They're not

1064
00:57:43,960 --> 00:57:45,800
Speaker 4: going to need Derby, they need Derby now?

1065
00:57:46,120 --> 00:57:48,760
Speaker 1: Well yeah, I mean once you come we all need therapy.

1066
00:57:48,840 --> 00:57:49,560
Speaker 6: Though, yeah we do.

1067
00:57:49,840 --> 00:57:54,400
Speaker 4: But I really, especially for the young women, it's it's

1068
00:57:54,600 --> 00:57:56,760
Speaker 4: not and I'm not just talking about I'm talking about

1069
00:57:56,960 --> 00:58:01,400
Speaker 4: I mean whoever the DJ's everything is. It's a lot

1070
00:58:01,920 --> 00:58:04,520
Speaker 4: to come through this. And with social media and with

1071
00:58:04,680 --> 00:58:07,240
Speaker 4: social media, we didn't and we didn't have social media

1072
00:58:07,400 --> 00:58:10,560
Speaker 4: like that. So I just feel like, yeah, get a

1073
00:58:10,560 --> 00:58:12,000
Speaker 4: good therapist on deck.

1074
00:58:12,920 --> 00:58:14,320
Speaker 6: On your team.

1075
00:58:15,160 --> 00:58:17,040
Speaker 1: Get a good therapist on your team. So let me

1076
00:58:17,080 --> 00:58:18,960
Speaker 1: ask you, because this has been a question on my mom,

1077
00:58:19,960 --> 00:58:21,160
Speaker 1: how did you get the names?

1078
00:58:21,320 --> 00:58:28,600
Speaker 4: Bendrella Spinderella was given to me Herbie Herbie. Herbie Herbie said, Okay,

1079
00:58:28,680 --> 00:58:30,439
Speaker 4: now it's just so you know, I know you mentioned

1080
00:58:30,480 --> 00:58:32,480
Speaker 4: there was a Spinderella before me. Yes, there was a

1081
00:58:32,520 --> 00:58:37,120
Speaker 4: Spinderella before me on the first Salt and Pepper album, Hot,

1082
00:58:37,160 --> 00:58:40,000
Speaker 4: Cool and Vicious, that there's a picture of another young lady.

1083
00:58:41,120 --> 00:58:46,240
Speaker 6: She was the first Sponderella. I don't I can't say

1084
00:58:46,280 --> 00:58:47,320
Speaker 6: what the story was.

1085
00:58:48,240 --> 00:58:54,200
Speaker 4: But they were looking for another female DJ for their

1086
00:58:54,240 --> 00:58:58,800
Speaker 4: first major tour, a tour initially it was a tour,

1087
00:58:59,480 --> 00:59:03,360
Speaker 4: and I auditioned. They you know, they heard about me

1088
00:59:03,520 --> 00:59:05,920
Speaker 4: and they asked me to audition. I auditioned and then

1089
00:59:05,960 --> 00:59:07,920
Speaker 4: I got it. So I don't know what you know,

1090
00:59:08,000 --> 00:59:10,280
Speaker 4: what this story is. I can't say what happened before me.

1091
00:59:10,520 --> 00:59:18,040
Speaker 1: But yeah, has she ever spoken out?

1092
00:59:19,560 --> 00:59:22,840
Speaker 4: Pretty sure she has, But I, you know, I don't know.

1093
00:59:23,360 --> 00:59:26,280
Speaker 4: I know there's a story. Everybody has a story.

1094
00:59:26,400 --> 00:59:28,760
Speaker 1: So and is it true. Wendy Williams also tried to

1095
00:59:28,880 --> 00:59:29,640
Speaker 1: audition to be the.

1096
00:59:30,040 --> 00:59:31,520
Speaker 6: She says that too, what.

1097
00:59:37,400 --> 00:59:37,840
Speaker 8: Not being.

1098
00:59:40,320 --> 00:59:43,800
Speaker 4: It's been the relation So so Herveie was looking for

1099
00:59:44,440 --> 00:59:47,200
Speaker 4: originally what we said, he was looking for that N

1100
00:59:47,240 --> 00:59:52,640
Speaker 4: D C. J. Houdini, you know, two m season a DJ.

1101
00:59:54,040 --> 00:59:58,800
Speaker 4: But as females. All I know is that when I auditioned,

1102
00:59:58,920 --> 00:59:59,400
Speaker 4: I got it.

1103
01:00:00,240 --> 01:00:01,720
Speaker 1: And that's all I know. That was hard.

1104
01:00:06,080 --> 01:00:08,320
Speaker 4: But yes, Herbie gave me the name. But there was

1105
01:00:08,360 --> 01:00:11,960
Speaker 4: a Spinderella from the early eighties. Okay, I can't say,

1106
01:00:12,000 --> 01:00:14,240
Speaker 4: but you know, give credit where credit is due. I

1107
01:00:14,320 --> 01:00:16,240
Speaker 4: can't say I made the name of the story.

1108
01:00:16,360 --> 01:00:18,320
Speaker 1: Yeah, I got.

1109
01:00:18,720 --> 01:00:21,600
Speaker 4: I'm a collective of old ship So I bought a

1110
01:00:21,680 --> 01:00:25,800
Speaker 4: Spinderella doll from like the early seventies and it was her. No,

1111
01:00:26,160 --> 01:00:28,120
Speaker 4: it was a little it was a little white doll

1112
01:00:28,240 --> 01:00:30,880
Speaker 4: with blonde hair, it was, and she was spinning on

1113
01:00:30,960 --> 01:00:33,400
Speaker 4: a spindle or whatever. And her name was Spinder.

1114
01:00:34,640 --> 01:00:35,680
Speaker 1: That's where they got the name from.

1115
01:00:36,040 --> 01:00:40,560
Speaker 4: I don't know, but I have that doll and I'm like, wow, So,

1116
01:00:41,200 --> 01:00:45,120
Speaker 4: and that's how old the name is, right, that is documented,

1117
01:00:45,200 --> 01:00:46,400
Speaker 4: so you know, And the.

1118
01:00:47,280 --> 01:00:49,880
Speaker 2: First Spender was the one that was before you. She

1119
01:00:50,000 --> 01:00:53,200
Speaker 2: comes out in one I think one single or one vinyl.

1120
01:00:52,920 --> 01:00:58,720
Speaker 4: That she appears on that first album, right, Yeah, that's crazy.

1121
01:00:58,920 --> 01:01:02,400
Speaker 4: But then Thomas, I can't say what happened there because

1122
01:01:02,560 --> 01:01:04,720
Speaker 4: I'm not right to their situation.

1123
01:01:05,640 --> 01:01:08,560
Speaker 2: And it's and still when you get in it's thirty

1124
01:01:08,600 --> 01:01:11,720
Speaker 2: plus years. Yeah, and all the success because Push It

1125
01:01:11,880 --> 01:01:12,680
Speaker 2: hadn't come out yet.

1126
01:01:13,480 --> 01:01:16,560
Speaker 4: Push It, Push It came out when I got there. Yeah,

1127
01:01:16,680 --> 01:01:18,880
Speaker 4: when Yeah, we did the video for it. We shot

1128
01:01:18,920 --> 01:01:20,520
Speaker 4: the video. As a matter of fact, the story is

1129
01:01:21,280 --> 01:01:23,640
Speaker 4: we were doing we were on that tour and we

1130
01:01:23,720 --> 01:01:26,160
Speaker 4: were on the Wipeout tours the Fat Boys, Heavy D

1131
01:01:26,320 --> 01:01:29,520
Speaker 4: and the Boys, Salt and Pepper, Dana.

1132
01:01:29,360 --> 01:01:32,920
Speaker 6: Dane and Clark Kent.

1133
01:01:33,080 --> 01:01:33,240
Speaker 1: DJ.

1134
01:01:33,320 --> 01:01:38,120
Speaker 4: Clark Kent was on it, and we weren't doing Push It.

1135
01:01:39,120 --> 01:01:41,480
Speaker 4: And then they were like, I guess some DJ and

1136
01:01:43,160 --> 01:01:47,960
Speaker 4: in either Hawaii or the Bay played push It and

1137
01:01:48,080 --> 01:01:49,440
Speaker 4: it just got viral.

1138
01:01:50,400 --> 01:01:52,200
Speaker 1: It, you know, caught fire because it was a B

1139
01:01:52,360 --> 01:01:53,240
Speaker 1: side of a record, right.

1140
01:01:53,200 --> 01:01:56,439
Speaker 4: It was the B side of Tramp Tramp Tramp, yes

1141
01:01:56,600 --> 01:01:58,960
Speaker 4: what you called me. And then they were like you

1142
01:01:59,040 --> 01:02:01,640
Speaker 4: got to play push It? And I was like all right,

1143
01:02:01,760 --> 01:02:04,240
Speaker 4: they gave me the vinyl and I'll drop push It.

1144
01:02:04,320 --> 01:02:04,800
Speaker 8: And it was like.

1145
01:02:06,680 --> 01:02:08,480
Speaker 4: And we we really didn't want to do that song.

1146
01:02:08,520 --> 01:02:11,080
Speaker 4: We thought it was a parody. Like we were like,

1147
01:02:12,440 --> 01:02:15,520
Speaker 4: it was, well, not a parody, but we thought it

1148
01:02:15,680 --> 01:02:19,680
Speaker 4: was like a funny like what's the word just being

1149
01:02:19,800 --> 01:02:23,320
Speaker 4: fun like fun not parody, but something you know, funny.

1150
01:02:24,320 --> 01:02:27,160
Speaker 1: You didn't think that at all. Well he did. It

1151
01:02:27,920 --> 01:02:31,480
Speaker 1: was a serious hip hop record. We didn't as in salt.

1152
01:02:32,640 --> 01:02:34,960
Speaker 1: And then Herbie, well these are things you want. You

1153
01:02:35,000 --> 01:02:35,480
Speaker 1: wanted to know.

1154
01:02:36,920 --> 01:02:40,960
Speaker 6: And then Herbie, Herbie you know, was like he was

1155
01:02:41,040 --> 01:02:42,120
Speaker 6: really behind the song.

1156
01:02:42,240 --> 01:02:42,720
Speaker 4: He wanted it.

1157
01:02:42,840 --> 01:02:44,840
Speaker 1: So it was like we gotta do, we gotta do

1158
01:02:44,920 --> 01:02:45,240
Speaker 1: push it.

1159
01:02:45,440 --> 01:02:46,320
Speaker 6: Let's you know, test it.

1160
01:02:46,800 --> 01:02:47,080
Speaker 5: We did.

1161
01:02:48,120 --> 01:02:53,440
Speaker 1: Do you realize how many movies pushing it is in?

1162
01:02:54,320 --> 01:02:58,280
Speaker 6: It's in a few huh every time watch I'll watch

1163
01:02:58,320 --> 01:02:59,880
Speaker 6: a movie and I'll be like.

1164
01:03:00,160 --> 01:03:04,800
Speaker 1: Shoe, So is that one of your discrepancies?

1165
01:03:04,880 --> 01:03:05,040
Speaker 8: Is that?

1166
01:03:05,240 --> 01:03:08,720
Speaker 1: Because I ain't gonna lie to you, this is full discrepancy,

1167
01:03:09,000 --> 01:03:15,200
Speaker 1: full disclosureloure. That's what I mean. Every time I hear

1168
01:03:15,240 --> 01:03:17,520
Speaker 1: a super Doug played in the movie, I get you

1169
01:03:17,600 --> 01:03:19,560
Speaker 1: gotta get your check. I don't get nothing. You got

1170
01:03:19,680 --> 01:03:22,200
Speaker 1: to get I get it next year. Next year it

1171
01:03:22,280 --> 01:03:25,520
Speaker 1: is my twenty five. It reverts to him. I could

1172
01:03:25,520 --> 01:03:28,640
Speaker 1: have brought it back. I have, uh what is it

1173
01:03:28,720 --> 01:03:31,040
Speaker 1: called residuals to do it, to buy it.

1174
01:03:31,360 --> 01:03:34,800
Speaker 3: But it's like if I wait till March, I get

1175
01:03:34,840 --> 01:03:37,200
Speaker 3: it back for free and then I could do business.

1176
01:03:38,120 --> 01:03:41,600
Speaker 3: So I'm yeah, I want to wait, but I look

1177
01:03:41,760 --> 01:03:45,640
Speaker 3: at like I saw Entourage the movie and then my

1178
01:03:45,840 --> 01:03:49,720
Speaker 3: record came on and everybody's like, hey, congratulations, and I'm

1179
01:03:49,760 --> 01:03:51,880
Speaker 3: looking at them like I didn't even know this ship

1180
01:03:52,000 --> 01:03:53,680
Speaker 3: was in there. But I'm not going to tell them

1181
01:03:53,760 --> 01:03:56,680
Speaker 3: that because I don't want them to know. Actually, my business.

1182
01:03:58,600 --> 01:04:01,080
Speaker 3: When you here pushed it, do you do you feel.

1183
01:04:00,880 --> 01:04:02,040
Speaker 1: Like that, Well, I'm not.

1184
01:04:03,040 --> 01:04:05,240
Speaker 4: I'm not a writer on push it, So you have

1185
01:04:05,440 --> 01:04:07,720
Speaker 4: to be part of the part of the SA performer.

1186
01:04:08,200 --> 01:04:10,600
Speaker 4: You know, Salt and Pepper Food performed that song before

1187
01:04:10,680 --> 01:04:13,840
Speaker 4: I joined them, so they they not performed it. They

1188
01:04:14,360 --> 01:04:16,200
Speaker 4: recorded it before I joined them.

1189
01:04:17,080 --> 01:04:17,800
Speaker 1: It just hadn't hit.

1190
01:04:18,080 --> 01:04:18,880
Speaker 6: It just hadn't been.

1191
01:04:19,880 --> 01:04:22,280
Speaker 4: It started to hit when I came in and we

1192
01:04:22,800 --> 01:04:24,640
Speaker 4: played it in the show. Then it started to blow up.

1193
01:04:25,240 --> 01:04:28,520
Speaker 4: But when you're on the song, and when you're writing

1194
01:04:28,640 --> 01:04:30,480
Speaker 4: on a song, or when you produce a song, that's

1195
01:04:30,480 --> 01:04:32,480
Speaker 4: when you should be able to collect on that.

1196
01:04:33,040 --> 01:04:36,240
Speaker 6: You know, Uh, what a man is a different story.

1197
01:04:36,520 --> 01:04:37,040
Speaker 1: What a man?

1198
01:04:37,640 --> 01:04:38,120
Speaker 2: What a man?

1199
01:04:39,160 --> 01:04:42,400
Speaker 4: If you hear what a man on a commercial or anything, man,

1200
01:04:42,600 --> 01:04:47,080
Speaker 4: that's a check. Yeah, let's talk about sex is another one.

1201
01:04:47,600 --> 01:04:50,800
Speaker 1: Let's let's let's stick with what a man? Though, okay, yeah,

1202
01:04:50,840 --> 01:04:53,120
Speaker 1: in the studio, what happens? What is? What is? How

1203
01:04:53,120 --> 01:04:54,040
Speaker 1: does his magic work?

1204
01:04:54,360 --> 01:04:54,880
Speaker 4: Oh my god?

1205
01:04:55,760 --> 01:04:57,520
Speaker 6: Well I know how it worked for me.

1206
01:05:02,320 --> 01:05:05,240
Speaker 4: They would do their own recording and then they would

1207
01:05:05,280 --> 01:05:08,360
Speaker 4: call me in and I would do mine. So everybody's

1208
01:05:08,440 --> 01:05:12,760
Speaker 4: kind of a separate and then piece together. Yeah, everybody

1209
01:05:12,800 --> 01:05:19,360
Speaker 4: would be separate and piece together that particular song was done,

1210
01:05:19,440 --> 01:05:24,080
Speaker 4: and I you know it's been so long. Yeah, it

1211
01:05:24,080 --> 01:05:25,720
Speaker 4: would just be like if I recorded on a song,

1212
01:05:25,800 --> 01:05:27,840
Speaker 4: it'd be like, d D, can you come in at

1213
01:05:28,280 --> 01:05:29,360
Speaker 4: seven seven o'clock?

1214
01:05:30,000 --> 01:05:32,160
Speaker 1: Sorry, said, my name is d D. I love that.

1215
01:05:32,480 --> 01:05:35,640
Speaker 1: But they called you, they didn't call you, spend them. Yeah,

1216
01:05:35,640 --> 01:05:36,760
Speaker 1: they call they call me d D.

1217
01:05:36,880 --> 01:05:37,920
Speaker 4: I call them Cheryl.

1218
01:05:38,120 --> 01:05:38,880
Speaker 1: I still call we.

1219
01:05:38,920 --> 01:05:42,640
Speaker 4: Called we called Pepa, Sandy. We call us by each other,

1220
01:05:42,720 --> 01:05:43,800
Speaker 4: by our first names.

1221
01:05:44,160 --> 01:05:46,440
Speaker 1: I don't think you never called me Victor neither. When

1222
01:05:46,520 --> 01:05:48,080
Speaker 1: we get pissed, be first name.

1223
01:05:53,600 --> 01:05:57,200
Speaker 4: That's how you know you know somebody, you know, Yeah,

1224
01:05:57,240 --> 01:05:59,360
Speaker 4: we call each other. But yes, it went like that

1225
01:05:59,520 --> 01:06:02,520
Speaker 4: when when it was time to record. And I know

1226
01:06:02,640 --> 01:06:06,160
Speaker 4: when I started doing I did. I didn't really know

1227
01:06:06,320 --> 01:06:07,880
Speaker 4: that I had the talent of rapping.

1228
01:06:08,360 --> 01:06:09,000
Speaker 6: You know what I'm saying.

1229
01:06:09,160 --> 01:06:09,880
Speaker 1: I didn't know.

1230
01:06:10,040 --> 01:06:12,560
Speaker 4: I was just like, all right, whatever. I was just DJing,

1231
01:06:12,600 --> 01:06:14,600
Speaker 4: doing my thing, and then Herbie would call me in

1232
01:06:14,720 --> 01:06:17,320
Speaker 4: and be like, come do the song. Oh you sound

1233
01:06:17,360 --> 01:06:19,640
Speaker 4: good on that. Come do this one, Come do this one.

1234
01:06:19,840 --> 01:06:21,760
Speaker 4: And so that's how it went. It was like, and

1235
01:06:21,840 --> 01:06:25,440
Speaker 4: you were writing your own stuff. I wrote, but I

1236
01:06:25,680 --> 01:06:29,680
Speaker 4: can't say I wrote what a man? Okay, the songs

1237
01:06:29,760 --> 01:06:32,440
Speaker 4: that I produced for Salt and Pepper I wrote on

1238
01:06:33,800 --> 01:06:34,320
Speaker 4: Fish today.

1239
01:06:34,640 --> 01:06:38,360
Speaker 1: Yeah, that's incredible. With Thomas.

1240
01:06:38,840 --> 01:06:43,640
Speaker 4: You explain her the rules, the rules okay. Again, is

1241
01:06:43,640 --> 01:06:47,040
Speaker 4: a drinking game, oh ship, Okay, you should have told

1242
01:06:47,080 --> 01:06:48,120
Speaker 4: me that before I started drinking.

1243
01:06:48,160 --> 01:06:50,600
Speaker 1: I'm gonna be honest with you. I said it earlier.

1244
01:06:50,800 --> 01:06:54,120
Speaker 1: But she has the wildest drink order in drink Champs history.

1245
01:06:54,400 --> 01:06:59,480
Speaker 1: I do top three. I just don't think she meant

1246
01:06:59,760 --> 01:07:03,520
Speaker 1: all that at once. That's why he took it. We

1247
01:07:03,600 --> 01:07:08,200
Speaker 1: said that he's like Hanny Ace. It was the other thing.

1248
01:07:08,280 --> 01:07:19,440
Speaker 3: No, no, no, yo, wake up brother, Yo, listen man.

1249
01:07:19,840 --> 01:07:22,000
Speaker 3: I know you see and Ship and you're trying to

1250
01:07:22,000 --> 01:07:23,320
Speaker 3: get somebody to go with you the Turks.

1251
01:07:23,520 --> 01:07:32,360
Speaker 1: But you'll her order was vodka, Hannesy, not conjact. That's

1252
01:07:32,400 --> 01:07:33,120
Speaker 1: what threw me off.

1253
01:07:33,320 --> 01:07:35,640
Speaker 3: I was like, most people say conyact and like they

1254
01:07:35,680 --> 01:07:39,120
Speaker 3: will say any she said, you said, Hennessy said.

1255
01:07:39,000 --> 01:07:40,840
Speaker 1: Is on my writer. No, I was like, I was

1256
01:07:40,920 --> 01:07:46,040
Speaker 1: like spinning brother on a fight because he is on

1257
01:07:46,160 --> 01:07:46,520
Speaker 1: my writer.

1258
01:07:47,160 --> 01:07:50,040
Speaker 4: That's like, it's like Hennessey privilege. That has to be privileged.

1259
01:07:50,080 --> 01:07:56,240
Speaker 3: See, we didn't get the privilege on Hennessy whiskey and tequila.

1260
01:07:56,560 --> 01:07:58,560
Speaker 3: By the way, I'm gonna be honest.

1261
01:07:59,400 --> 01:07:59,919
Speaker 4: What do you drink?

1262
01:08:00,000 --> 01:08:00,880
Speaker 6: I said, I drink all of.

1263
01:08:00,880 --> 01:08:03,600
Speaker 1: That since when I see this order, I was like,

1264
01:08:04,480 --> 01:08:05,240
Speaker 1: it's going down.

1265
01:08:05,960 --> 01:08:07,560
Speaker 6: Yes, you got a drink?

1266
01:08:07,560 --> 01:08:07,720
Speaker 2: Bad?

1267
01:08:07,880 --> 01:08:10,640
Speaker 1: Yes, please come on, husband, can get your ass a drink.

1268
01:08:10,720 --> 01:08:13,040
Speaker 4: Man, Okay, you want to drink?

1269
01:08:13,960 --> 01:08:17,479
Speaker 1: My daughter wants to drink. Yes, please, Okay, I'm ready

1270
01:08:17,479 --> 01:08:18,479
Speaker 1: for the game. Okay, let's go.

1271
01:08:18,600 --> 01:08:20,519
Speaker 2: Actually, before we start, I want to say happy birthday

1272
01:08:20,560 --> 01:08:22,720
Speaker 2: to Kayla's her twenty first birthday is Charlie's daughter.

1273
01:08:25,800 --> 01:08:26,519
Speaker 1: Shout out to her.

1274
01:08:26,560 --> 01:08:28,160
Speaker 2: I told her this would be a great episode for

1275
01:08:28,200 --> 01:08:30,240
Speaker 2: her to come. Such a good role model to be here.

1276
01:08:30,560 --> 01:08:35,080
Speaker 3: Okay, Leo yo season Hey wait all right, so Leo

1277
01:08:35,280 --> 01:08:38,320
Speaker 3: goes and then virgos after right, Yeah, I guess you're next,

1278
01:08:38,360 --> 01:08:38,680
Speaker 3: aren't you?

1279
01:08:39,080 --> 01:08:42,920
Speaker 1: How you yeah, okay, my daughter is a virgo. You

1280
01:08:43,000 --> 01:08:51,880
Speaker 1: a virgo? What's your date? Is that? You? And he

1281
01:08:51,960 --> 01:09:05,960
Speaker 1: kept saying we related. You said, look at that, look

1282
01:09:06,000 --> 01:09:08,080
Speaker 1: at that. I think he thinks when he saw you

1283
01:09:08,160 --> 01:09:13,080
Speaker 1: in left right, I decided to have a baby on

1284
01:09:13,200 --> 01:09:21,360
Speaker 1: his birthday. That twins. That's why he said, I got.

1285
01:09:21,280 --> 01:09:25,400
Speaker 4: A connection with her. But your literal twins birthday twins?

1286
01:09:25,720 --> 01:09:27,439
Speaker 3: How cool is Foxy Brown?

1287
01:09:28,040 --> 01:09:31,320
Speaker 1: Real Foxes said I'm gonna take shout out Foxy man.

1288
01:09:31,360 --> 01:09:33,439
Speaker 1: We need her on here, we need foxing on whole.

1289
01:09:33,520 --> 01:09:35,360
Speaker 3: God let me know when now I booked up my

1290
01:09:35,479 --> 01:09:39,439
Speaker 3: childhood and resonated my manhood.

1291
01:09:38,960 --> 01:09:42,679
Speaker 1: At the same time. Okay, So we were explaining the rules,

1292
01:09:43,000 --> 01:09:44,519
Speaker 1: trying to this this.

1293
01:09:45,560 --> 01:09:48,439
Speaker 2: I ain't gonna lie stop no more, no more, stop

1294
01:09:48,479 --> 01:09:49,360
Speaker 2: talking no more.

1295
01:09:51,360 --> 01:09:53,960
Speaker 1: I'm gonna let you do it. I got yours dates.

1296
01:09:54,520 --> 01:09:57,439
Speaker 1: Let you know this stuff. Don't talk no more. So

1297
01:09:58,439 --> 01:10:03,160
Speaker 1: Tember sixth, she just came out. I had no idea.

1298
01:10:03,200 --> 01:10:04,519
Speaker 1: I'm looking up like still.

1299
01:10:06,960 --> 01:10:09,360
Speaker 2: We're going to give you two choices. And this is

1300
01:10:09,400 --> 01:10:11,519
Speaker 2: not to pin anybody against each other. It's just random

1301
01:10:11,560 --> 01:10:13,800
Speaker 2: two choices. These guys over here, and we would like

1302
01:10:13,880 --> 01:10:17,719
Speaker 2: to drink. Yeah, and if you pick one, nobody drinks.

1303
01:10:18,360 --> 01:10:20,960
Speaker 2: But if you say both of them or neither of them,

1304
01:10:21,000 --> 01:10:22,720
Speaker 2: which would be the PC answer.

1305
01:10:23,200 --> 01:10:23,759
Speaker 4: Say it again.

1306
01:10:24,320 --> 01:10:26,840
Speaker 2: If I pick one, If you picked one, nobody drinks,

1307
01:10:26,840 --> 01:10:30,160
Speaker 2: nobody drinks. And if you don't pick we drink. Basically

1308
01:10:30,479 --> 01:10:32,360
Speaker 2: all of us, we all drink together. We're all going

1309
01:10:32,400 --> 01:10:32,920
Speaker 2: to get drunks.

1310
01:10:33,280 --> 01:10:33,680
Speaker 1: Pick one.

1311
01:10:34,280 --> 01:10:38,160
Speaker 2: And if you have stories with anybody, please alladin. And

1312
01:10:38,280 --> 01:10:41,160
Speaker 2: it's whatever the reason in your mind is. Don't it's

1313
01:10:41,439 --> 01:10:42,360
Speaker 2: maybe you would.

1314
01:10:42,120 --> 01:10:44,519
Speaker 4: Be the reason of choosing one one or one.

1315
01:10:44,479 --> 01:10:46,639
Speaker 1: Might be more a friend of yours. One, you might

1316
01:10:46,720 --> 01:10:49,439
Speaker 1: like the music, whatever it is, it's what stands out

1317
01:10:49,479 --> 01:10:49,840
Speaker 1: more to me.

1318
01:10:51,120 --> 01:10:53,400
Speaker 3: I love how she's she's never been in the resource room.

1319
01:10:53,720 --> 01:10:56,560
Speaker 3: You see how she's she was assessed you.

1320
01:10:56,640 --> 01:10:57,720
Speaker 1: No, no, no, no, she's like.

1321
01:11:00,160 --> 01:11:04,000
Speaker 3: Very clear like the house. Good tell that she's very smart.

1322
01:11:04,920 --> 01:11:06,759
Speaker 3: All right, By the way, all of all the guests

1323
01:11:06,880 --> 01:11:11,160
Speaker 3: has not been Oh all right. First one is Primo

1324
01:11:11,320 --> 01:11:12,160
Speaker 3: or Pete Rock.

1325
01:11:13,240 --> 01:11:17,479
Speaker 4: Pete Rock, And I love Primo Pete Okay, so Pete Rock,

1326
01:11:18,160 --> 01:11:22,240
Speaker 4: So oh yeah. I used to date Eddie f Eddief

1327
01:11:22,360 --> 01:11:25,920
Speaker 4: was Heavy D and the boys. When it's when I

1328
01:11:25,920 --> 01:11:28,880
Speaker 4: would go to Eddief's house, Heavy D would come over.

1329
01:11:29,000 --> 01:11:31,280
Speaker 4: They would you know, do their recording or whatever. Pete

1330
01:11:31,360 --> 01:11:33,519
Speaker 4: Rock would always be coming coming over there all in

1331
01:11:33,560 --> 01:11:37,040
Speaker 4: Mount Vernon, and Pete Rock was like a kid so

1332
01:11:37,680 --> 01:11:40,200
Speaker 4: and I was a kid. But it was like we both,

1333
01:11:40,320 --> 01:11:43,080
Speaker 4: you know, we're young and just kind of watching heavy

1334
01:11:43,120 --> 01:11:46,240
Speaker 4: d and the boys develop and do their thing or whatever.

1335
01:11:46,680 --> 01:11:49,960
Speaker 4: And Pete would be there, you know, just messing around

1336
01:11:50,000 --> 01:11:52,720
Speaker 4: with the drum machine Eddief's drum machine and stuff like that.

1337
01:11:52,960 --> 01:11:57,599
Speaker 1: So I have a like, that's like a brother to me, Pete.

1338
01:11:57,680 --> 01:12:00,880
Speaker 1: But you picked Primo, No, I said, Pete. I said,

1339
01:12:00,960 --> 01:12:04,599
Speaker 1: Primo is my is my boy. But it's okay, okay, okay,

1340
01:12:05,240 --> 01:12:08,519
Speaker 1: Queen of Tea for MC light take a shot.

1341
01:12:08,880 --> 01:12:09,639
Speaker 4: Let's take a shot.

1342
01:12:09,800 --> 01:12:12,080
Speaker 1: Hey man, no Lean witness bro. I just want to drink.

1343
01:12:12,280 --> 01:12:14,960
Speaker 1: I like, and I love both of them. I should say,

1344
01:12:15,640 --> 01:12:19,920
Speaker 1: I just came from New York Funk Flex or DJ

1345
01:12:20,080 --> 01:12:33,160
Speaker 1: Clue cheers. What what do I say? I don't know.

1346
01:12:34,240 --> 01:12:39,120
Speaker 1: You're gonna say nothing. You're drinking. That says enough, all right,

1347
01:12:40,000 --> 01:12:44,439
Speaker 1: Lady of Rage or Yo yo oh Ship. I love

1348
01:12:44,520 --> 01:12:50,720
Speaker 1: both of them. This is not fair. This is the

1349
01:12:50,840 --> 01:12:52,559
Speaker 1: name of the game. We're trying to get you drunk.

1350
01:12:53,840 --> 01:12:55,000
Speaker 1: This is where it all goes down there.

1351
01:12:55,640 --> 01:12:56,599
Speaker 6: I'm gonna make a decision.

1352
01:12:56,720 --> 01:13:01,040
Speaker 1: Okay, see some people do this. My Leo's sister, some

1353
01:13:01,400 --> 01:13:02,840
Speaker 1: Leos before Virgo right.

1354
01:13:03,160 --> 01:13:08,160
Speaker 4: Leo's yeah, yeah, yeah, Leo's before Virgot.

1355
01:13:08,280 --> 01:13:09,600
Speaker 1: Hold out Virgos.

1356
01:13:11,720 --> 01:13:14,679
Speaker 6: I'm gonna say, yo yo, Okay, So no drinking, drinking

1357
01:13:15,200 --> 01:13:16,519
Speaker 6: all and Rage is going to.

1358
01:13:16,560 --> 01:13:17,679
Speaker 1: Actually be on that TV.

1359
01:13:17,960 --> 01:13:19,680
Speaker 6: She has a new movie coming out, y'all know.

1360
01:13:19,840 --> 01:13:23,920
Speaker 1: The Miss Cleo one Yes, didn't it come out? Is

1361
01:13:23,920 --> 01:13:26,479
Speaker 1: going to be Miss Yes. I saw clips.

1362
01:13:28,040 --> 01:13:30,200
Speaker 4: It's going to be for her.

1363
01:13:30,360 --> 01:13:31,840
Speaker 1: Yeah. I want to be a part of that. We

1364
01:13:31,880 --> 01:13:33,439
Speaker 1: need both of them on drinks. By the way, I

1365
01:13:33,520 --> 01:13:36,559
Speaker 1: want to watch the movie. Excuse me all right? Next one.

1366
01:13:38,520 --> 01:13:44,880
Speaker 2: J J Fat or Oaktown three five seven Oaktown.

1367
01:13:42,920 --> 01:13:44,400
Speaker 1: Three f seven really okay?

1368
01:13:45,320 --> 01:13:50,960
Speaker 4: Because sweet ld is my girl and she lives in Dallas.

1369
01:13:51,080 --> 01:13:53,080
Speaker 6: We live in Dallas. So she comes in, we hang out.

1370
01:13:53,200 --> 01:13:55,400
Speaker 1: Did you get you guys tour with with Hammer and them? Yes,

1371
01:13:55,479 --> 01:13:58,400
Speaker 1: we did that. That must have been crazy show honey Hammer?

1372
01:13:59,360 --> 01:14:02,680
Speaker 1: Did you say, honey, honey, that's old school ship right.

1373
01:14:03,560 --> 01:14:08,320
Speaker 4: Let me tell you about Let me tell you about Hamma.

1374
01:14:08,840 --> 01:14:11,559
Speaker 4: Hamma was put on like he was when we were

1375
01:14:11,600 --> 01:14:13,519
Speaker 4: on that tour. The wipe was if the White Tour

1376
01:14:13,520 --> 01:14:14,880
Speaker 4: it might have been. I don't know if it's the

1377
01:14:14,880 --> 01:14:18,040
Speaker 4: White All Tour or the other tour, but Hammer would

1378
01:14:18,080 --> 01:14:19,840
Speaker 4: be when we would come to the West coast, Hamma

1379
01:14:19,880 --> 01:14:20,479
Speaker 4: would open.

1380
01:14:21,240 --> 01:14:24,800
Speaker 6: By the end of the tour, Hammo was closing. So

1381
01:14:26,000 --> 01:14:29,320
Speaker 6: I mean, because he was that man, he was that dope.

1382
01:14:29,640 --> 01:14:31,720
Speaker 2: When he started on his side, he was opening, he

1383
01:14:31,840 --> 01:14:33,800
Speaker 2: was opening, and then by the end he was close.

1384
01:14:34,680 --> 01:14:38,240
Speaker 1: Jeans that's he had on the baggage. No, he had,

1385
01:14:38,560 --> 01:14:40,680
Speaker 1: he had a baggage. He had on a bag of.

1386
01:14:42,360 --> 01:14:43,200
Speaker 6: Pants the whole time though.

1387
01:14:43,439 --> 01:14:46,520
Speaker 1: Yeah, it was official performers.

1388
01:14:46,840 --> 01:14:51,519
Speaker 4: One of the best performers period energy I mean his

1389
01:14:51,720 --> 01:14:54,479
Speaker 4: dancers and Sweet Old from three four seven was one

1390
01:14:54,520 --> 01:14:54,720
Speaker 4: of them.

1391
01:14:54,720 --> 01:14:56,080
Speaker 1: I used to be on the side of the stage like,

1392
01:14:56,160 --> 01:14:58,519
Speaker 1: oh my god. They were so like.

1393
01:15:00,120 --> 01:15:03,360
Speaker 4: Still going after Himmer. This is this, This was our

1394
01:15:03,400 --> 01:15:05,680
Speaker 4: train of thought back then. Nobody wanted to go on

1395
01:15:05,720 --> 01:15:06,200
Speaker 4: after Himmer.

1396
01:15:06,240 --> 01:15:13,080
Speaker 1: So yeah, I don't even know what that meant. I

1397
01:15:13,200 --> 01:15:18,240
Speaker 1: was like, that's hard. Put you in the mix.

1398
01:15:20,920 --> 01:15:28,040
Speaker 2: You m TV raps are rap city? M mmm rap City? Okay,

1399
01:15:28,439 --> 01:15:29,639
Speaker 2: any rap City stories.

1400
01:15:30,400 --> 01:15:33,760
Speaker 4: I've never been on Rap City but uh, oh no,

1401
01:15:33,960 --> 01:15:38,000
Speaker 4: you picked Rap City, I picked and I used to

1402
01:15:38,240 --> 01:15:40,640
Speaker 4: love watching it. I mean I loved you know, I

1403
01:15:40,760 --> 01:15:43,320
Speaker 4: love the Basement. I loved you know, that was my era.

1404
01:15:43,560 --> 01:15:45,000
Speaker 1: How about your TV rap stories?

1405
01:15:45,120 --> 01:15:48,280
Speaker 2: Now, know you were one of the first, that's right,

1406
01:15:49,200 --> 01:15:51,200
Speaker 2: Love Doctor D and Fat Fire Freddy.

1407
01:15:51,400 --> 01:15:54,640
Speaker 1: Yes, yes, we were talking about first and then yeah, yeah, right,

1408
01:15:54,720 --> 01:15:57,240
Speaker 1: and we won Fat Fire Show. Okay, so yeah, tell

1409
01:15:57,320 --> 01:15:57,760
Speaker 1: us about that.

1410
01:15:59,439 --> 01:16:02,840
Speaker 4: We would we were like hip hop's darlings, I don't know,

1411
01:16:03,640 --> 01:16:07,280
Speaker 4: Salt and Pepper, and they would call us, you know,

1412
01:16:07,720 --> 01:16:11,280
Speaker 4: but MTV they you know, they loved on us.

1413
01:16:11,360 --> 01:16:14,479
Speaker 6: So we were a part of that earlier stage of

1414
01:16:14,560 --> 01:16:16,439
Speaker 6: hip hop being on TV.

1415
01:16:16,760 --> 01:16:20,280
Speaker 1: It was an important show. So let me ask you.

1416
01:16:20,320 --> 01:16:22,120
Speaker 3: This is a little off topic because we're still on

1417
01:16:22,240 --> 01:16:25,240
Speaker 3: Quick Thomas Slim. But you knew Tupac, correct.

1418
01:16:25,680 --> 01:16:29,240
Speaker 4: Yes, I met. I can't say I knew him, but

1419
01:16:29,840 --> 01:16:32,479
Speaker 4: he had he had he had he had a thing

1420
01:16:32,560 --> 01:16:38,519
Speaker 4: for Salt so so so, so your memory of Tupac

1421
01:16:38,840 --> 01:16:43,000
Speaker 4: was you seeing him and him saying to you we're Salt, Salt,

1422
01:16:43,479 --> 01:16:46,120
Speaker 4: We're your girl, like that, that type of thing. But yeah,

1423
01:16:46,120 --> 01:16:48,000
Speaker 4: he was in what a man video.

1424
01:16:49,240 --> 01:16:50,679
Speaker 1: That was like he had the hormone.

1425
01:16:51,760 --> 01:16:52,200
Speaker 4: I don't know.

1426
01:16:53,720 --> 01:16:56,559
Speaker 1: The chain. I don't remember the vio.

1427
01:16:59,120 --> 01:17:00,840
Speaker 4: Yeah he did have a chain on now thinking about it,

1428
01:17:01,120 --> 01:17:03,160
Speaker 4: but he was turned, his body was turned.

1429
01:17:03,160 --> 01:17:05,680
Speaker 1: They wouldn't show his face. It was it was some

1430
01:17:05,760 --> 01:17:09,360
Speaker 1: political ship. Really okay, this is after he came home. Yeah, yeah,

1431
01:17:09,600 --> 01:17:10,080
Speaker 1: and he was.

1432
01:17:12,040 --> 01:17:14,800
Speaker 4: According to I don't know if it was him. He

1433
01:17:14,840 --> 01:17:17,200
Speaker 4: had an issue with it because he wasn't shown in

1434
01:17:17,280 --> 01:17:19,040
Speaker 4: the video that what a man video. He was mad

1435
01:17:19,080 --> 01:17:21,760
Speaker 4: that he wasn't shown, right, but it had something to

1436
01:17:21,880 --> 01:17:28,240
Speaker 4: do it was I don't know. I can't say because

1437
01:17:28,280 --> 01:17:29,120
Speaker 4: it's like it's.

1438
01:17:31,240 --> 01:17:34,840
Speaker 1: Time of the East Coast, West Coast b No, no, no, no,

1439
01:17:35,200 --> 01:17:36,160
Speaker 1: this was this one.

1440
01:17:39,880 --> 01:17:44,080
Speaker 4: I was considered a bad boy and it was good girls.

1441
01:17:44,200 --> 01:17:46,320
Speaker 4: It was like having a bad boy and a good

1442
01:17:46,400 --> 01:17:48,519
Speaker 4: girl together in.

1443
01:17:48,560 --> 01:17:51,120
Speaker 1: That same video. Yeah, but it was like Tupac was

1444
01:17:51,200 --> 01:17:55,080
Speaker 1: like a bad boy, you know, and he shot the

1445
01:17:55,120 --> 01:17:57,479
Speaker 1: police I think this time. I think it was around

1446
01:17:57,520 --> 01:17:58,679
Speaker 1: that time he shot the Atlanta.

1447
01:17:58,840 --> 01:18:00,280
Speaker 6: It was yeah, oh yeah, it was.

1448
01:18:00,640 --> 01:18:02,880
Speaker 4: It was some issues around that, but I was like,

1449
01:18:03,000 --> 01:18:06,439
Speaker 4: should show him that. It's like sucking Tupac, you know,

1450
01:18:06,840 --> 01:18:10,720
Speaker 4: that's pop. But yeah, he was real sweet when when

1451
01:18:11,200 --> 01:18:14,679
Speaker 4: when I met him so yeah, but he was interested

1452
01:18:14,680 --> 01:18:15,080
Speaker 4: in sall.

1453
01:18:16,880 --> 01:18:24,680
Speaker 1: She's such a class act. Man, what I'm like, you

1454
01:18:24,720 --> 01:18:28,040
Speaker 1: want me to tell some stuff? Of course he wants

1455
01:18:28,040 --> 01:18:32,639
Speaker 1: you to. But I'm like a therapist that analyze people,

1456
01:18:32,800 --> 01:18:37,080
Speaker 1: and I'm just telling you your class. I really appreciate you.

1457
01:18:37,640 --> 01:18:41,200
Speaker 3: But you didn't expect anything less, So you know what,

1458
01:18:41,520 --> 01:18:44,439
Speaker 3: You're right, I didn't expect anything less because you're the.

1459
01:18:44,439 --> 01:18:49,240
Speaker 1: Next question Trina or Eve? The way you said that

1460
01:18:50,640 --> 01:18:54,760
Speaker 1: he's a hard and I love both of them. I'm

1461
01:18:54,760 --> 01:18:55,519
Speaker 1: gonna have to drink.

1462
01:18:56,720 --> 01:19:00,760
Speaker 4: I can't say. I can't say, you know, I'm trying

1463
01:19:00,760 --> 01:19:02,800
Speaker 4: to see what stories I have for both, but you

1464
01:19:02,880 --> 01:19:04,800
Speaker 4: know I have respect for both.

1465
01:19:04,840 --> 01:19:07,360
Speaker 1: So do you do you have any stories with any

1466
01:19:07,400 --> 01:19:10,640
Speaker 1: one of them? You got to take the shot, though

1467
01:19:11,080 --> 01:19:17,599
Speaker 1: I did. It's called drink champs, not sick champs. Jamie.

1468
01:19:17,600 --> 01:19:21,200
Speaker 1: You can make you have the ill drink order. Ever

1469
01:19:24,200 --> 01:19:27,920
Speaker 1: many more questions have we got? That's we got. We

1470
01:19:28,000 --> 01:19:30,040
Speaker 1: got questions for you. Okay, that's what I'm taking about

1471
01:19:30,040 --> 01:19:32,519
Speaker 1: that we've been having. I am not a champell you

1472
01:19:32,640 --> 01:19:34,639
Speaker 1: right now. I'm not a champ. No, but your drink

1473
01:19:34,760 --> 01:19:37,680
Speaker 1: order is a chance. Like when I looked at it,

1474
01:19:37,800 --> 01:19:42,160
Speaker 1: I was like, oh my god, whiskey vodka.

1475
01:19:43,000 --> 01:19:46,479
Speaker 3: And what's the other one. It's the third one, tequila tequila.

1476
01:19:46,600 --> 01:19:54,639
Speaker 3: I said tequila Hennessy. Who scared me? I said it earlier,

1477
01:19:55,240 --> 01:19:59,520
Speaker 3: but she said Hennessy when people people usually say kanyak.

1478
01:20:00,320 --> 01:20:05,080
Speaker 3: When you say Hennessy, that means you aren't fight. Everybody

1479
01:20:05,120 --> 01:20:05,920
Speaker 3: who drinks Hennessy.

1480
01:20:06,240 --> 01:20:07,880
Speaker 1: They don't do that for me. It doesn't do that

1481
01:20:07,960 --> 01:20:10,200
Speaker 1: for Hennessy calms you down nowhere.

1482
01:20:10,840 --> 01:20:15,200
Speaker 4: No, when I drink Hennessee, I'm gonna rock a motherfucker party,

1483
01:20:15,240 --> 01:20:15,560
Speaker 4: I know that.

1484
01:20:17,640 --> 01:20:19,760
Speaker 1: But yeah, that was it was on my rider. I

1485
01:20:19,800 --> 01:20:21,360
Speaker 1: don't even drink it like that anymore.

1486
01:20:21,600 --> 01:20:24,320
Speaker 3: This is this is fad, fad, your facetiming. Let's see

1487
01:20:24,320 --> 01:20:27,160
Speaker 3: if you see if you pick up yeah, every time

1488
01:20:27,160 --> 01:20:28,000
Speaker 3: we feel he loves to.

1489
01:20:28,040 --> 01:20:38,200
Speaker 1: Be on drinks chance, Let's see. Yeah, we got spreading Norella.

1490
01:20:38,280 --> 01:20:41,040
Speaker 3: We got spread on drinking all right, you got the

1491
01:20:41,120 --> 01:20:52,840
Speaker 3: green bottle? Hold on, say how to Sprinderella, Say how

1492
01:20:52,880 --> 01:20:53,600
Speaker 3: to Sprenderella.

1493
01:20:54,120 --> 01:20:59,040
Speaker 1: Hey, Joe, I'm good in here with the antics right now.

1494
01:20:59,800 --> 01:21:01,600
Speaker 6: The Shenanigans.

1495
01:21:07,120 --> 01:21:11,760
Speaker 1: Cool, It could never be. Nobody can duplicate that. And

1496
01:21:11,960 --> 01:21:16,599
Speaker 1: the women power that you have, it's unlivable.

1497
01:21:17,479 --> 01:21:20,599
Speaker 4: I've been on shows that you guys, we it'sn't ten

1498
01:21:20,680 --> 01:21:23,840
Speaker 4: thousand people and it's been nine thousand, nine hundred.

1499
01:21:23,600 --> 01:21:28,320
Speaker 1: Women, right, I've never seen up. No, Well, yeah, we've

1500
01:21:28,320 --> 01:21:31,559
Speaker 1: got the women love. We got the women love. Thank you, bro,

1501
01:21:31,760 --> 01:21:39,560
Speaker 1: thank you so much. I'm gonna be honest with you.

1502
01:21:41,320 --> 01:21:44,360
Speaker 1: Don't be dishonest. No, I wouldn't. I wouldn't listen.

1503
01:21:44,680 --> 01:21:46,960
Speaker 3: I flew up for Joe. He's getting the key to

1504
01:21:47,000 --> 01:21:49,559
Speaker 3: the city, so I flew up. But I wouldn't miss

1505
01:21:49,640 --> 01:21:53,240
Speaker 3: this for nothing. Really, I really really wanted to give

1506
01:21:53,280 --> 01:21:56,920
Speaker 3: you your flowers. I really want you to know how

1507
01:21:56,960 --> 01:22:02,080
Speaker 3: important you are the hip hop and your legacy. I'm

1508
01:22:02,120 --> 01:22:04,679
Speaker 3: not saying you your legacy with stain people. I'm saying

1509
01:22:04,760 --> 01:22:08,439
Speaker 3: your legacy by yourself, because you have a legacy like.

1510
01:22:08,600 --> 01:22:09,439
Speaker 1: Just like me and e f N.

1511
01:22:09,600 --> 01:22:12,880
Speaker 3: Like ef N has a legacy with me, then I

1512
01:22:13,000 --> 01:22:15,760
Speaker 3: have a legacy with Capone, and then I have a

1513
01:22:15,840 --> 01:22:18,000
Speaker 3: legacy up here, and e f N has a legacy

1514
01:22:18,080 --> 01:22:19,840
Speaker 3: with me that he has a legacy up here.

1515
01:22:19,920 --> 01:22:21,519
Speaker 4: Everybody's at their own journey, and.

1516
01:22:21,520 --> 01:22:22,840
Speaker 1: I'm talking about your journey.

1517
01:22:24,200 --> 01:22:29,320
Speaker 3: And in case you don't know this, it's my job

1518
01:22:29,400 --> 01:22:32,760
Speaker 3: to reiterate this and tell you how important you are.

1519
01:22:34,360 --> 01:22:42,120
Speaker 3: Our community are I wanted to say Illuminati, but then

1520
01:22:42,240 --> 01:22:44,240
Speaker 3: it were kind of like this guy, I don't know

1521
01:22:45,520 --> 01:22:48,560
Speaker 3: our fraternity is a fraternity.

1522
01:22:48,880 --> 01:22:49,479
Speaker 1: That's better than.

1523
01:22:51,040 --> 01:22:55,479
Speaker 3: Is a fraternity that because I don't know about that community.

1524
01:22:55,520 --> 01:23:00,120
Speaker 2: You're a good with community community, all right, culture, I'm trying.

1525
01:22:59,960 --> 01:23:03,719
Speaker 3: To be smarter than Okay. I feel you though, really

1526
01:23:04,080 --> 01:23:12,160
Speaker 3: really love the way that you paved for our generation.

1527
01:23:13,760 --> 01:23:17,040
Speaker 1: Is that cool? My community generation is better? That works?

1528
01:23:17,160 --> 01:23:20,080
Speaker 4: Okay, Before we continue to came, I just want to

1529
01:23:20,120 --> 01:23:22,400
Speaker 4: let y'all know because I kept saying, I remember this,

1530
01:23:22,880 --> 01:23:26,320
Speaker 4: this this concept of me coming on here had to

1531
01:23:26,320 --> 01:23:28,120
Speaker 4: be a couple of years now, and I was like,

1532
01:23:28,200 --> 01:23:30,000
Speaker 4: I don't think i'm ready. I don't think i'm ready.

1533
01:23:30,320 --> 01:23:32,200
Speaker 4: I kept saying, I'm not ready. I don't know, you know,

1534
01:23:33,040 --> 01:23:36,240
Speaker 4: and I don't know what made it different this time.

1535
01:23:36,680 --> 01:23:38,600
Speaker 4: I guess if it's like, you know what, fuck it,

1536
01:23:39,479 --> 01:23:42,200
Speaker 4: it's fun. Yeah, just come have fun because I always

1537
01:23:42,240 --> 01:23:44,720
Speaker 4: feel like I have to have some ship going on,

1538
01:23:45,880 --> 01:23:48,960
Speaker 4: you know, but this is this is your conversation is

1539
01:23:49,040 --> 01:23:51,679
Speaker 4: important to me, and you guys have made me feel

1540
01:23:51,800 --> 01:23:52,599
Speaker 4: very warm today.

1541
01:23:52,880 --> 01:23:57,679
Speaker 6: I just wanted to be very comfortable.

1542
01:23:57,760 --> 01:23:59,720
Speaker 1: I don't want to have to like I'm doing this,

1543
01:23:59,880 --> 01:24:02,599
Speaker 1: I'm doing that, I'm working. I'm still working everybody.

1544
01:24:02,920 --> 01:24:05,960
Speaker 4: But I love that you guys are just like, let's

1545
01:24:06,000 --> 01:24:11,679
Speaker 4: have a good conversation, have a good conversation, but let's

1546
01:24:11,760 --> 01:24:15,760
Speaker 4: own let's also give you a flowers because I'm gonna

1547
01:24:15,760 --> 01:24:16,400
Speaker 4: be honest with you.

1548
01:24:18,800 --> 01:24:25,679
Speaker 3: I am an artist. I'm not a DJ, but artists

1549
01:24:25,680 --> 01:24:29,519
Speaker 3: and DJs we always like, we'll do this ship if

1550
01:24:29,560 --> 01:24:32,280
Speaker 3: we wouldn't get no money. And some of us are liars.

1551
01:24:33,920 --> 01:24:36,000
Speaker 3: We wouldn't do this if he was getting no money.

1552
01:24:36,880 --> 01:24:40,400
Speaker 3: But then the ones that are doing it, we should

1553
01:24:40,479 --> 01:24:47,200
Speaker 3: be saluted because it's a horrible job. You can never

1554
01:24:47,320 --> 01:24:51,200
Speaker 3: take your face off. You can never go to ups

1555
01:24:51,320 --> 01:24:53,920
Speaker 3: and send the package and say I'm not spending brother

1556
01:24:54,080 --> 01:24:54,360
Speaker 3: no more.

1557
01:24:54,560 --> 01:24:57,360
Speaker 1: There's somebody back Bran.

1558
01:24:57,720 --> 01:25:05,560
Speaker 3: It's gonna be like, I know I love her, and

1559
01:25:05,800 --> 01:25:10,640
Speaker 3: that ship deserves to be warranted. Like you can't like

1560
01:25:10,880 --> 01:25:13,280
Speaker 3: your fan is my friend. I know he hates fans,

1561
01:25:13,920 --> 01:25:17,280
Speaker 3: I can I know he never said it to me,

1562
01:25:17,400 --> 01:25:20,240
Speaker 3: He's never said it, he's never said I don't. I

1563
01:25:20,560 --> 01:25:24,240
Speaker 3: know he hates fans, but we can't fight it. The

1564
01:25:24,320 --> 01:25:25,720
Speaker 3: thing is we are who we are.

1565
01:25:28,520 --> 01:25:31,160
Speaker 2: Let's go back because it's a long time.

1566
01:25:31,320 --> 01:25:36,920
Speaker 9: Slash took the wrong part of the picked up the

1567
01:25:37,000 --> 01:25:44,320
Speaker 9: fire all right, robbas or follow mc robb and rest

1568
01:25:44,360 --> 01:25:46,559
Speaker 9: in peace. Easy rock, Yes, Rob.

1569
01:25:48,800 --> 01:25:50,439
Speaker 6: Robbase, he has a great state show.

1570
01:25:51,000 --> 01:25:56,280
Speaker 1: Everybody to say Missy or Lauren Hill, Oh my.

1571
01:25:56,360 --> 01:25:58,720
Speaker 6: God, I love both of them, but I'm gonna say Missy.

1572
01:25:58,600 --> 01:25:59,679
Speaker 1: She's not drinking anymore.

1573
01:26:00,120 --> 01:26:02,400
Speaker 4: I'm saying I'm gonna say no, but it's true. I

1574
01:26:02,560 --> 01:26:04,760
Speaker 4: love I mean, I love Laurence Hill, but I gotta

1575
01:26:04,760 --> 01:26:07,920
Speaker 4: say Missy. Missy is my like. I look up to

1576
01:26:08,000 --> 01:26:11,720
Speaker 4: Missy like, oh my god, she's beyond just hip hop.

1577
01:26:11,840 --> 01:26:17,280
Speaker 4: She's beyond just you know, a female artist. She's iconic now.

1578
01:26:17,360 --> 01:26:21,320
Speaker 1: That's iconic to me. And and her talent is her

1579
01:26:21,360 --> 01:26:22,519
Speaker 1: show right now is phenomenal.

1580
01:26:22,680 --> 01:26:25,120
Speaker 6: I know I haven't gotten to it. I haven't gotten

1581
01:26:25,160 --> 01:26:26,599
Speaker 6: to I've been doing my thing.

1582
01:26:26,680 --> 01:26:31,760
Speaker 1: But yeah, Busta, Missy and Sierra's all onto. Wow.

1583
01:26:32,000 --> 01:26:35,680
Speaker 3: Your Busta definitely told me about yesterday. Yeah, shout out

1584
01:26:35,680 --> 01:26:39,479
Speaker 3: to miss you ain't come to my tour alone.

1585
01:26:40,840 --> 01:26:44,040
Speaker 1: It's still going though. I mean to day they do.

1586
01:26:45,200 --> 01:26:49,600
Speaker 2: Beastie boys are fat boys. Fat boys any stories with

1587
01:26:49,680 --> 01:26:52,360
Speaker 2: either of them. Yeah, the Fat Boys, Oh my god.

1588
01:26:53,280 --> 01:26:56,960
Speaker 4: That was the first major tour Salt, Pepper, Sponderrella went

1589
01:26:57,000 --> 01:27:00,400
Speaker 4: on Boys. That's what when I auditioned was so Pepper

1590
01:27:00,479 --> 01:27:02,920
Speaker 4: was for that tour, the Fat Boy's Tour and my

1591
01:27:03,080 --> 01:27:06,840
Speaker 4: first show with Salt and Pepper, My first show with

1592
01:27:06,880 --> 01:27:08,439
Speaker 4: Salt and Pepper. Let me have a drink.

1593
01:27:10,120 --> 01:27:19,560
Speaker 1: Drink, I'm drink my first My first show was with

1594
01:27:19,680 --> 01:27:20,360
Speaker 1: Salt and Pepper.

1595
01:27:20,840 --> 01:27:23,200
Speaker 4: Salt and Pepper had to do a song called I

1596
01:27:23,360 --> 01:27:27,680
Speaker 4: Desire and all I had to do was drop a

1597
01:27:27,840 --> 01:27:33,519
Speaker 4: desire and it went like this, we're on a mission.

1598
01:27:33,760 --> 01:27:36,320
Speaker 4: This and all the opposition mcs, this is my butcher

1599
01:27:36,520 --> 01:27:40,400
Speaker 4: kissing because I desire and I didn't drop it.

1600
01:27:40,880 --> 01:27:43,479
Speaker 6: Oh, I did not drop I did not drop it.

1601
01:27:44,080 --> 01:27:45,120
Speaker 6: I was so scared.

1602
01:27:45,160 --> 01:27:47,640
Speaker 1: I was like, because this is the first tour you're on.

1603
01:27:47,800 --> 01:27:51,479
Speaker 4: It's the first show I've ever shown on the first tour,

1604
01:27:51,600 --> 01:27:56,240
Speaker 4: which was Fat Boy's Tour. And why was everybody on

1605
01:27:56,320 --> 01:27:59,280
Speaker 4: the side heavy d and the boys, the Fat Boys

1606
01:28:00,120 --> 01:28:00,800
Speaker 4: cracking up?

1607
01:28:02,160 --> 01:28:06,080
Speaker 1: They dropped the ball. Well, they that's a big part

1608
01:28:06,160 --> 01:28:08,080
Speaker 1: that the crowd didn't know. The crowded.

1609
01:28:08,160 --> 01:28:10,320
Speaker 4: The crowd didn't know and so and Pepper did really

1610
01:28:10,400 --> 01:28:13,679
Speaker 4: well in covering it. They was like, I desire you desire,

1611
01:28:13,720 --> 01:28:25,519
Speaker 4: spin you desire. I was like, we got the map.

1612
01:28:26,960 --> 01:28:31,400
Speaker 1: And eventually we got off the stage.

1613
01:28:31,960 --> 01:28:33,840
Speaker 4: Well, I got to drop the song, but I was

1614
01:28:33,920 --> 01:28:40,240
Speaker 4: done after that. And on the side, the Fat Boys

1615
01:28:40,960 --> 01:28:49,000
Speaker 4: Markie d with kuk Ski and buff rest in.

1616
01:28:49,000 --> 01:28:55,320
Speaker 1: Peace one is we need him to come on the

1617
01:28:55,360 --> 01:28:55,800
Speaker 1: show Man.

1618
01:28:55,960 --> 01:28:58,360
Speaker 4: They was cracking up on the side and at that

1619
01:28:58,439 --> 01:29:00,200
Speaker 4: point I was like, I want to go home. I said,

1620
01:29:00,200 --> 01:29:01,800
Speaker 4: I don't want to be spending rella no more.

1621
01:29:02,240 --> 01:29:09,479
Speaker 1: I don't want to because it was so bad.

1622
01:29:09,840 --> 01:29:11,160
Speaker 4: It was so bad, but.

1623
01:29:12,880 --> 01:29:13,560
Speaker 1: We got through it.

1624
01:29:14,240 --> 01:29:16,800
Speaker 4: They didn't laugh no more after that because he was

1625
01:29:16,840 --> 01:29:20,120
Speaker 4: on somehow I figured it out and I dropped it

1626
01:29:20,200 --> 01:29:22,400
Speaker 4: on point and look where we you know, we got.

1627
01:29:22,320 --> 01:29:25,040
Speaker 2: There, so we don't have to drink to that, okay,

1628
01:29:26,520 --> 01:29:31,759
Speaker 2: jam Master J or Doctor Dre jam rest in Peace stories.

1629
01:29:33,880 --> 01:29:37,080
Speaker 1: Just he was just a real cool dude. You know.

1630
01:29:37,400 --> 01:29:41,240
Speaker 4: I got to be around him in his uh, in

1631
01:29:41,400 --> 01:29:45,280
Speaker 4: his space when he was producing. My boy Stanley Brown,

1632
01:29:46,240 --> 01:29:48,240
Speaker 4: who's a producer. I don't know if you guys who

1633
01:29:48,320 --> 01:29:52,120
Speaker 4: know who Stanley is, He's a big time producer, brought

1634
01:29:52,200 --> 01:29:56,360
Speaker 4: me to he was producing with jam Master J. When

1635
01:29:56,560 --> 01:29:59,679
Speaker 4: when Jay was doing his stuff and brought me around

1636
01:29:59,720 --> 01:30:03,040
Speaker 4: to of the sessions or whatever, and I just got

1637
01:30:03,120 --> 01:30:07,000
Speaker 4: to see him at work. So yeah, I'm just he's

1638
01:30:07,040 --> 01:30:11,240
Speaker 4: one of my favorites. Yeah, mess the blueprint from me,

1639
01:30:12,880 --> 01:30:15,680
Speaker 4: and you have your own academy, right like, Like, well, no,

1640
01:30:15,880 --> 01:30:17,840
Speaker 4: I did some clinics.

1641
01:30:18,360 --> 01:30:18,719
Speaker 1: I didn't.

1642
01:30:19,000 --> 01:30:21,360
Speaker 4: I didn't have an academy. I wanted to, but I didn't.

1643
01:30:21,400 --> 01:30:24,000
Speaker 4: I didn't get to get it off the ground. But

1644
01:30:24,120 --> 01:30:24,640
Speaker 4: yes I do.

1645
01:30:25,479 --> 01:30:27,200
Speaker 6: I do spin clinics every so often.

1646
01:30:27,280 --> 01:30:33,559
Speaker 2: Yeah, that's dope clinics. J clinics rock Kim or karas one.

1647
01:30:35,560 --> 01:30:47,320
Speaker 1: That's hard going down. She's just so y'all really going in. Look,

1648
01:30:47,320 --> 01:30:49,080
Speaker 1: I'm like looking all right.

1649
01:30:49,960 --> 01:30:52,800
Speaker 2: Serrato or turntables, I mean nuts, Why would you say

1650
01:30:52,840 --> 01:30:59,200
Speaker 2: turntablesto or vinyl? No Serato or vinyl vinyl because you're

1651
01:30:59,240 --> 01:31:04,360
Speaker 2: gonna use Serrato on turntables, guys. Okay, okay, hold on,

1652
01:31:04,479 --> 01:31:05,320
Speaker 2: that's collector.

1653
01:31:05,400 --> 01:31:07,519
Speaker 6: I'm a collector of vinyl. So yes, vinyl.

1654
01:31:07,800 --> 01:31:12,040
Speaker 1: Yeah, listen to my detrimental. My favorite DJs all time

1655
01:31:13,320 --> 01:31:15,120
Speaker 1: and since it went digital.

1656
01:31:16,400 --> 01:31:21,920
Speaker 2: Is not DJs really, I mean DJ offic is my studio.

1657
01:31:23,120 --> 01:31:25,000
Speaker 2: I've done some gigs, but I stopped doing what I

1658
01:31:25,120 --> 01:31:28,160
Speaker 2: was doing. How active I was before. I didn't do

1659
01:31:28,240 --> 01:31:29,240
Speaker 2: a transition.

1660
01:31:30,840 --> 01:31:35,000
Speaker 1: DJ right like one of my parties, I'll get together

1661
01:31:35,920 --> 01:31:37,559
Speaker 1: and I don't.

1662
01:31:37,520 --> 01:31:38,160
Speaker 4: Think, can't know.

1663
01:31:38,800 --> 01:31:41,720
Speaker 2: It was a different thing to me, the culture of

1664
01:31:41,840 --> 01:31:45,880
Speaker 2: Vinyl DJ going through the records quickly, knowing just by

1665
01:31:45,960 --> 01:31:48,360
Speaker 2: the artwork really quick, grabbing the record, you.

1666
01:31:48,439 --> 01:31:50,920
Speaker 1: The label, and going this is just a whole thing.

1667
01:31:51,080 --> 01:31:51,160
Speaker 4: Now.

1668
01:31:51,240 --> 01:31:53,160
Speaker 1: I don't miss carrying the crates. I still have a

1669
01:31:53,479 --> 01:31:55,160
Speaker 1: lot of my records. But is it going for you?

1670
01:31:55,600 --> 01:31:57,880
Speaker 6: I mean it's not. You don't do it anymore at.

1671
01:31:57,760 --> 01:32:00,840
Speaker 1: All at the crib office in the studio.

1672
01:32:02,160 --> 01:32:03,799
Speaker 6: Do you know Vinyl is making a comeback.

1673
01:32:04,120 --> 01:32:04,640
Speaker 1: I have all my.

1674
01:32:04,880 --> 01:32:08,880
Speaker 2: Vinyl Okay, I have all my records and I still

1675
01:32:08,960 --> 01:32:17,360
Speaker 2: do mixes put out if Yeah, I don't know people.

1676
01:32:18,400 --> 01:32:19,600
Speaker 1: Yeah, yeah, I just know.

1677
01:32:19,760 --> 01:32:21,640
Speaker 2: I know, like for example, we have Dante's here and

1678
01:32:21,880 --> 01:32:24,320
Speaker 2: yeah that's all Vinyl, but yeah that was.

1679
01:32:24,360 --> 01:32:33,280
Speaker 4: Are you going to do a set? You gotta do it,

1680
01:32:33,640 --> 01:32:37,920
Speaker 4: and if you do it, I'm gonna do one. I'll

1681
01:32:38,320 --> 01:32:41,240
Speaker 4: I'll be I guess on it. They've called me to

1682
01:32:41,360 --> 01:32:44,599
Speaker 4: do it. I just I should have probably reach out

1683
01:32:44,600 --> 01:32:46,479
Speaker 4: to them since I'm here this time, but they did

1684
01:32:46,600 --> 01:32:48,600
Speaker 4: reach out to me to get me to do it.

1685
01:32:48,680 --> 01:32:50,400
Speaker 6: So so I don't do a lot of vinyl sets

1686
01:32:50,400 --> 01:32:50,600
Speaker 6: I was.

1687
01:32:50,720 --> 01:32:52,960
Speaker 4: I used to do this thing called Fresh forty fives

1688
01:32:53,240 --> 01:32:56,519
Speaker 4: for me and my DJ crew in Dallas would come

1689
01:32:56,560 --> 01:33:00,640
Speaker 4: together every once and once one Thursday out of a

1690
01:33:00,760 --> 01:33:03,880
Speaker 4: month and we would just play all forty fives And

1691
01:33:04,080 --> 01:33:06,559
Speaker 4: it is the best ship ever. And nothing has been

1692
01:33:07,040 --> 01:33:11,280
Speaker 4: as rewarding as that feeling of playing vinyl after you

1693
01:33:11,400 --> 01:33:13,880
Speaker 4: do these parties and use the technology, which I love.

1694
01:33:14,040 --> 01:33:16,400
Speaker 4: You know, I get paid that way, but it's when

1695
01:33:16,720 --> 01:33:18,920
Speaker 4: it's when vinyl plays for me.

1696
01:33:19,080 --> 01:33:20,519
Speaker 1: It's just different. It's just different. Yeah.

1697
01:33:20,840 --> 01:33:22,640
Speaker 4: So the fact that you are a collector and you

1698
01:33:22,720 --> 01:33:26,280
Speaker 4: still have all your vinyl, you should be definitely that's

1699
01:33:26,400 --> 01:33:26,600
Speaker 4: just me.

1700
01:33:26,880 --> 01:33:29,519
Speaker 2: No, Well, Dante's you heard Rich Medina, who's a part

1701
01:33:29,560 --> 01:33:30,759
Speaker 2: of Dante's Rich.

1702
01:33:30,680 --> 01:33:31,280
Speaker 6: Give me a call.

1703
01:33:31,720 --> 01:33:31,960
Speaker 1: J T.

1704
01:33:32,120 --> 01:33:33,000
Speaker 6: Donaldson, give me a call.

1705
01:33:33,080 --> 01:33:33,360
Speaker 4: Let me know.

1706
01:33:34,920 --> 01:33:37,320
Speaker 1: I'm bringing We're gonna we're.

1707
01:33:37,160 --> 01:33:38,400
Speaker 6: Gonna get together.

1708
01:33:38,960 --> 01:33:40,400
Speaker 1: Bring I'm gonna bring a bag.

1709
01:33:41,160 --> 01:33:44,160
Speaker 3: I want my friend and I'm not gonna make out

1710
01:33:44,160 --> 01:33:48,000
Speaker 3: of the eye contact with I like my friend. DJ

1711
01:33:48,320 --> 01:33:51,320
Speaker 3: E Finn never called him Erican in my life and

1712
01:33:51,320 --> 01:33:53,559
Speaker 3: I'm never gonna call him eric and I don't care.

1713
01:33:53,680 --> 01:33:59,719
Speaker 1: Well, I actually didn't. I did use. I was using

1714
01:34:00,320 --> 01:34:00,599
Speaker 1: with him.

1715
01:34:00,600 --> 01:34:00,840
Speaker 4: I did.

1716
01:34:01,080 --> 01:34:02,519
Speaker 1: One of my last things that I was doing was

1717
01:34:02,600 --> 01:34:04,960
Speaker 1: a tour DJ with him. We did Canada. I remember,

1718
01:34:05,000 --> 01:34:07,560
Speaker 1: I did you attractor on that? But that I was like,

1719
01:34:07,600 --> 01:34:10,880
Speaker 1: I don't like it. No, you don't like Serado either. No,

1720
01:34:11,200 --> 01:34:14,160
Speaker 1: it's just different for me. It's different. He's a vinyl guy.

1721
01:34:14,280 --> 01:34:16,760
Speaker 1: But but but let me ask you that this is

1722
01:34:16,840 --> 01:34:17,200
Speaker 1: a DJ.

1723
01:34:18,640 --> 01:34:21,600
Speaker 3: People like him, all right, he has Drake Champs, he

1724
01:34:21,640 --> 01:34:24,360
Speaker 3: has all the other things going on. But what happens

1725
01:34:24,400 --> 01:34:26,720
Speaker 3: to a DJ that's like him that says I only

1726
01:34:26,800 --> 01:34:27,519
Speaker 3: want to do vinyl.

1727
01:34:28,600 --> 01:34:30,360
Speaker 6: There's plenty of places to do vinyl here.

1728
01:34:30,439 --> 01:34:33,080
Speaker 10: No, it has made it a research, it's a feeling.

1729
01:34:33,240 --> 01:34:36,200
Speaker 10: So when you it's coming back, you said, but I'm out.

1730
01:34:36,560 --> 01:34:41,160
Speaker 10: Then when it just happened, then then like when you say, then,

1731
01:34:41,200 --> 01:34:41,599
Speaker 10: what's then?

1732
01:34:41,760 --> 01:34:44,639
Speaker 1: Like I'm talking about you know before before it came back.

1733
01:34:44,880 --> 01:34:47,519
Speaker 1: You know what happened to one of my last gigs.

1734
01:34:47,600 --> 01:34:49,519
Speaker 1: I went to Orlando do a gig. Bors was with me.

1735
01:34:49,560 --> 01:34:52,479
Speaker 2: I don't know where borses at. I go to the club,

1736
01:34:53,400 --> 01:34:56,240
Speaker 2: everybody's on Serado. Then it goes now now I'm going

1737
01:34:56,320 --> 01:34:58,959
Speaker 2: to go with my vinyl set and I brought.

1738
01:34:58,960 --> 01:35:02,719
Speaker 1: My mixer, and it's a difference for them to switch.

1739
01:35:02,800 --> 01:35:06,880
Speaker 1: Everybody looked at me, like you ruin. I get you.

1740
01:35:07,320 --> 01:35:09,760
Speaker 1: That's the hardest thing. I don't know.

1741
01:35:09,880 --> 01:35:13,479
Speaker 4: I don't, I don't. I like you do not believe

1742
01:35:13,760 --> 01:35:17,800
Speaker 4: that mixing vinyl with a regular technique, you know, like

1743
01:35:17,920 --> 01:35:21,960
Speaker 4: controllers and hardware whatever goes together. For some reason, I

1744
01:35:22,000 --> 01:35:24,400
Speaker 4: feel like, if you're going to do a vinyl situation,

1745
01:35:24,960 --> 01:35:26,200
Speaker 4: stick with that vibe.

1746
01:35:26,520 --> 01:35:28,240
Speaker 1: If you're gonna do utilize the.

1747
01:35:28,280 --> 01:35:32,160
Speaker 4: Technology in any kind of way, do that vibe because

1748
01:35:32,160 --> 01:35:37,559
Speaker 4: it is two different sounds, and audience wise, they're probably

1749
01:35:37,640 --> 01:35:39,160
Speaker 4: gonna want to either this or that.

1750
01:35:39,560 --> 01:35:40,920
Speaker 1: That's just how I feel about it.

1751
01:35:41,320 --> 01:35:44,640
Speaker 2: So and no shade too, because like, for example, my

1752
01:35:44,720 --> 01:35:46,479
Speaker 2: boy DJ Craze I think is one of the best

1753
01:35:46,520 --> 01:35:49,400
Speaker 2: DJs in the world. He utilizes he was dope on

1754
01:35:49,600 --> 01:35:52,280
Speaker 2: vinyl and he's even better using the technology.

1755
01:35:52,880 --> 01:35:53,720
Speaker 1: And I do both too.

1756
01:35:54,200 --> 01:35:56,920
Speaker 4: I just I just feel like I don't know if

1757
01:35:56,920 --> 01:35:59,320
Speaker 4: I would want to do at the same time. So

1758
01:35:59,439 --> 01:36:02,800
Speaker 4: my daughter's djaying now and I'm me and her going

1759
01:36:02,880 --> 01:36:03,920
Speaker 4: to do a mom and me party?

1760
01:36:04,720 --> 01:36:05,280
Speaker 6: A mom and me?

1761
01:36:06,280 --> 01:36:06,640
Speaker 1: Where is that?

1762
01:36:07,680 --> 01:36:10,320
Speaker 4: She she she has a residency and she has a

1763
01:36:10,360 --> 01:36:13,240
Speaker 4: few residencies in Dallas and she has her own night.

1764
01:36:13,920 --> 01:36:16,000
Speaker 1: What's the mom and mom and me?

1765
01:36:16,200 --> 01:36:18,120
Speaker 4: Is like, she's going to bring her mom so I can.

1766
01:36:18,160 --> 01:36:18,800
Speaker 6: DJ with her?

1767
01:36:19,000 --> 01:36:20,200
Speaker 1: But what what? What date?

1768
01:36:20,560 --> 01:36:25,200
Speaker 4: What's the date? But August thirty, August thirty first in Dallas.

1769
01:36:26,479 --> 01:36:29,760
Speaker 4: It's called Lady Love. It's a spot she does and

1770
01:36:29,880 --> 01:36:31,559
Speaker 4: she rocks parties, right, and I.

1771
01:36:31,640 --> 01:36:33,360
Speaker 1: Could make that you would come?

1772
01:36:33,760 --> 01:36:33,960
Speaker 5: Yeah?

1773
01:36:34,120 --> 01:36:38,000
Speaker 4: Okay, yes, that's that's the idea is for me to DJ.

1774
01:36:38,160 --> 01:36:41,519
Speaker 6: But I'm like, do I use Vinyl? Can I use vinyl?

1775
01:36:41,640 --> 01:36:43,880
Speaker 1: And she you know she used? She used?

1776
01:36:45,160 --> 01:36:47,840
Speaker 6: I asked her if I can use for her party?

1777
01:36:47,920 --> 01:36:48,120
Speaker 4: Yeah?

1778
01:36:48,720 --> 01:36:52,040
Speaker 1: So it's but I don't know.

1779
01:36:52,280 --> 01:36:55,639
Speaker 6: She uses the technology and me using vinyl.

1780
01:36:55,680 --> 01:36:56,800
Speaker 4: I'm not sure how that's going to work.

1781
01:36:56,920 --> 01:37:01,240
Speaker 1: But have four turntable setups, like two different setups.

1782
01:37:01,360 --> 01:37:05,360
Speaker 4: Yeah, but I still remember me doing vinyl and her

1783
01:37:05,479 --> 01:37:10,040
Speaker 4: doing c DJs is one thing working. Tomorrow Me and

1784
01:37:10,160 --> 01:37:13,600
Speaker 4: her are playing live tomorrow. Yeah yeah, yeah, me and

1785
01:37:13,680 --> 01:37:14,799
Speaker 4: my daughter's playing live tomorrow.

1786
01:37:15,439 --> 01:37:23,639
Speaker 1: What what day is tomorrow? Tomorrow? This quick time with slide.

1787
01:37:23,920 --> 01:37:29,320
Speaker 2: I've been living a rough fla alright, next one, Jazzy

1788
01:37:29,439 --> 01:37:30,880
Speaker 2: Joyce or Coco Chanel.

1789
01:37:32,800 --> 01:37:38,080
Speaker 1: Take a shot. No, thank you Joyce. Okay, she's the

1790
01:37:38,120 --> 01:37:39,160
Speaker 1: blueprint too. Yes.

1791
01:37:40,240 --> 01:37:43,480
Speaker 6: Most of the time, when you mentioned.

1792
01:37:44,880 --> 01:37:48,560
Speaker 4: The pivotal DJ female DJs, you're going to say Joyce, Spinderella,

1793
01:37:48,760 --> 01:37:54,080
Speaker 4: and Coco Chanel, as in, there's so many female DJs

1794
01:37:54,120 --> 01:37:54,720
Speaker 4: out there, but.

1795
01:37:56,760 --> 01:38:00,160
Speaker 6: That tear Joyce. I met Joyce.

1796
01:38:01,520 --> 01:38:03,880
Speaker 4: On one of those earlier tours and she was so

1797
01:38:04,800 --> 01:38:07,720
Speaker 4: I didn't know who she was and Jazzy Joyce and

1798
01:38:08,439 --> 01:38:10,000
Speaker 4: Eddie f was my boyfriend at the time, and he

1799
01:38:10,120 --> 01:38:12,560
Speaker 4: goes and I got jealous because he was talking to

1800
01:38:12,640 --> 01:38:16,680
Speaker 4: Joyce and I was like, you know, I was like.

1801
01:38:16,760 --> 01:38:17,120
Speaker 1: Who's that.

1802
01:38:17,479 --> 01:38:19,880
Speaker 4: Who are you talking to? And you know, I had

1803
01:38:19,880 --> 01:38:22,960
Speaker 4: an attitude with him, and he was like, that's fucking

1804
01:38:23,040 --> 01:38:27,559
Speaker 4: Jazzy Joyce. And I was like, oh, Ship, I had

1805
01:38:27,600 --> 01:38:30,200
Speaker 4: never really met anybody that does what I do and

1806
01:38:30,320 --> 01:38:30,720
Speaker 4: it was her.

1807
01:38:31,200 --> 01:38:37,000
Speaker 1: That's crazy. Oh yeah, God damn big Jazzy Joyce. Ready

1808
01:38:37,040 --> 01:38:40,680
Speaker 1: to drink to bring over absolutely redd Aler or kick

1809
01:38:40,720 --> 01:38:41,679
Speaker 1: Capri Ship.

1810
01:38:42,760 --> 01:38:44,640
Speaker 6: Come are you doing this?

1811
01:38:45,080 --> 01:38:48,920
Speaker 1: Like skin ship for this? Who did this? These guys

1812
01:38:48,960 --> 01:38:51,400
Speaker 1: are there? Respect? To both.

1813
01:38:51,760 --> 01:38:53,840
Speaker 4: I'm going to take a drink on that because I can't.

1814
01:38:53,880 --> 01:38:56,960
Speaker 1: I've been waiting to take a shot. She's getting so old,

1815
01:39:03,560 --> 01:39:07,360
Speaker 1: all right, e p M. D Ornaughty by Nature? Oh,

1816
01:39:09,600 --> 01:39:14,080
Speaker 1: I'm gonna say naughty by nature? Any stories because trash was.

1817
01:39:14,120 --> 01:39:19,080
Speaker 3: Dave Peppah, Yeah, I'm sorry, I made up.

1818
01:39:21,040 --> 01:39:21,920
Speaker 1: I've been around them a.

1819
01:39:21,960 --> 01:39:22,880
Speaker 6: Lot, I'll say that.

1820
01:39:24,720 --> 01:39:27,840
Speaker 1: Okay, Well i've been around that.

1821
01:39:28,000 --> 01:39:31,320
Speaker 3: What I'm like, I'm like a half a therapist. So

1822
01:39:31,800 --> 01:39:34,320
Speaker 3: when she said that, she's like around and you can

1823
01:39:34,439 --> 01:39:37,920
Speaker 3: just see her thoughts. You can just see it.

1824
01:39:38,080 --> 01:39:41,320
Speaker 1: You didn't see that. She was just thinking about everything.

1825
01:39:43,680 --> 01:39:46,360
Speaker 4: I'm looking at her, like, no more drinks over here,

1826
01:39:47,040 --> 01:39:51,320
Speaker 4: I'm gonna I'm picking somebody, don't worry, somebody getting paid.

1827
01:39:51,560 --> 01:39:54,080
Speaker 11: I'm looking at you and you're thinking about like you

1828
01:39:54,280 --> 01:39:57,800
Speaker 11: just there's tons and tons of stories and thoughts, trust me,

1829
01:39:58,560 --> 01:40:03,679
Speaker 11: Peppa and tre Or just period, just period, period, just period.

1830
01:40:04,400 --> 01:40:07,040
Speaker 1: Do you I'm sorry?

1831
01:40:07,160 --> 01:40:11,200
Speaker 4: I know Thomas my brother dj My brother is DJing

1832
01:40:11,280 --> 01:40:15,599
Speaker 4: for trench right now. Yes, so tretches out on the road,

1833
01:40:15,720 --> 01:40:20,160
Speaker 4: doing you know anything? Yeah?

1834
01:40:22,240 --> 01:40:25,400
Speaker 1: Yeah, yeah, yeah, I went I went to the that's.

1835
01:40:25,320 --> 01:40:26,680
Speaker 6: My brother DJing behind truck.

1836
01:40:27,360 --> 01:40:28,160
Speaker 1: Yeah. I went to the.

1837
01:40:31,040 --> 01:40:36,640
Speaker 6: DJ boone shoutout, dj J, do.

1838
01:40:36,720 --> 01:40:38,800
Speaker 1: We take a shot for d J boy. I feel

1839
01:40:38,800 --> 01:40:40,600
Speaker 1: like I feel like that it's warrant and it's his

1840
01:40:40,680 --> 01:40:47,920
Speaker 1: birthday to I got you, I gotta, I.

1841
01:40:47,960 --> 01:40:54,800
Speaker 12: Gotta, I gotta, I gotta right analog or digital, which

1842
01:40:54,800 --> 01:40:57,960
Speaker 12: is kind of like we're already just where my heart is,

1843
01:40:59,280 --> 01:40:59,559
Speaker 12: all right?

1844
01:40:59,640 --> 01:41:04,719
Speaker 1: Cool or DJ Hollywood, Oh wow, Well.

1845
01:41:05,000 --> 01:41:08,160
Speaker 4: Give it up for her because hip hop is here

1846
01:41:08,240 --> 01:41:10,360
Speaker 4: because of him. So I'm gonna say her.

1847
01:41:10,560 --> 01:41:11,800
Speaker 2: So I don't have to cheat, I don't have to drink,

1848
01:41:12,840 --> 01:41:16,280
Speaker 2: and we on the fifty first anniversary exactly.

1849
01:41:16,760 --> 01:41:20,639
Speaker 1: No, it's crazy, all right. The source of Double Legs.

1850
01:41:20,520 --> 01:41:24,640
Speaker 4: L I'm gonna say the source because I was at

1851
01:41:24,680 --> 01:41:27,200
Speaker 4: that show when when Snoop was like New.

1852
01:41:27,160 --> 01:41:30,599
Speaker 1: York ain't got no. I was there. That's a moment.

1853
01:41:30,720 --> 01:41:31,960
Speaker 1: That was a huge moment there.

1854
01:41:32,200 --> 01:41:34,599
Speaker 4: I saw. I saw when Sugar was on that stage,

1855
01:41:34,760 --> 01:41:37,920
Speaker 4: like you know, I was in that room. Oh my god,

1856
01:41:38,080 --> 01:41:40,280
Speaker 4: it was crazy. We was like this something.

1857
01:41:40,320 --> 01:41:43,080
Speaker 1: Pepper and Me was like this, they're gonna go It's

1858
01:41:43,080 --> 01:41:45,240
Speaker 1: gonna go down. It's gonna go down.

1859
01:41:45,520 --> 01:41:48,000
Speaker 4: Like it was rough, didn't feel like for sure was

1860
01:41:48,360 --> 01:41:49,760
Speaker 4: forwards itself was rough.

1861
01:41:49,840 --> 01:41:51,519
Speaker 2: Oh yeah, back then I met, but it was it

1862
01:41:51,640 --> 01:41:55,280
Speaker 2: was it was entertaining, but it was rough, but it

1863
01:41:55,360 --> 01:41:56,760
Speaker 2: was so important at that time.

1864
01:41:56,880 --> 01:41:59,200
Speaker 4: It was but you saw it when the beefs were happening,

1865
01:41:59,360 --> 01:42:01,000
Speaker 4: and you just knew something's going to go down.

1866
01:42:01,040 --> 01:42:02,360
Speaker 1: It's the first time people are seeing each other.

1867
01:42:02,439 --> 01:42:04,240
Speaker 2: There was no social media, so this is where they're

1868
01:42:04,280 --> 01:42:07,120
Speaker 2: going to see each other at I just to try. Yeah,

1869
01:42:08,840 --> 01:42:11,720
Speaker 2: he tries to get me heroin all the time. No,

1870
01:42:11,880 --> 01:42:17,559
Speaker 2: thank you, grand Master Flash or Grand Master Theodore.

1871
01:42:18,240 --> 01:42:20,479
Speaker 6: Oh wow, respect to both of them.

1872
01:42:22,560 --> 01:42:23,400
Speaker 1: Yo, yo, that's good.

1873
01:42:23,600 --> 01:42:27,360
Speaker 6: Is a drink ship, right, drink chack.

1874
01:42:30,280 --> 01:42:32,679
Speaker 2: Hm and drink champs, Just so you know what it means.

1875
01:42:32,760 --> 01:42:34,760
Speaker 2: It's not how bad you get tonight. It's how you

1876
01:42:34,800 --> 01:42:37,519
Speaker 2: wake up in the morning. If you can function the

1877
01:42:37,600 --> 01:42:41,040
Speaker 2: next day, that's the drink champ. You can pass out

1878
01:42:41,080 --> 01:42:42,240
Speaker 2: right now, but as long as you wake up in

1879
01:42:42,280 --> 01:42:42,920
Speaker 2: the morning and work.

1880
01:42:42,960 --> 01:42:44,240
Speaker 3: By the way, I just want to throw this out

1881
01:42:44,240 --> 01:42:48,160
Speaker 3: there because you know, my flight was delayed, so I'm

1882
01:42:48,160 --> 01:42:52,360
Speaker 3: looking at him like, where'd you want to privates?

1883
01:42:52,479 --> 01:42:56,800
Speaker 1: Just delayed? I was doing somebody else's private I'm not there.

1884
01:42:56,960 --> 01:43:03,360
Speaker 3: I'm not ship. So they said, said Spina has something

1885
01:43:03,439 --> 01:43:09,559
Speaker 3: to do after this. That yeah, because it's your drink order.

1886
01:43:09,640 --> 01:43:13,280
Speaker 3: He's obsessed with your drink list. He's did you have

1887
01:43:13,360 --> 01:43:15,920
Speaker 3: something to do for the best of them? Now, I'm like,

1888
01:43:16,120 --> 01:43:19,439
Speaker 3: I'm like, wait a minute, she ordered going after this,

1889
01:43:19,760 --> 01:43:23,000
Speaker 3: So he said exactly what he said. I don't think

1890
01:43:23,040 --> 01:43:25,800
Speaker 3: you go anywhere after that whiskey and the killer. I

1891
01:43:25,920 --> 01:43:30,080
Speaker 3: was like, I put those all four combinations together. I'm

1892
01:43:30,120 --> 01:43:32,920
Speaker 3: like that that you gotta give. You want to you

1893
01:43:32,920 --> 01:43:33,599
Speaker 3: want to pop.

1894
01:43:33,439 --> 01:43:37,280
Speaker 1: Ace, Not really, I can take one with me.

1895
01:43:37,560 --> 01:43:39,360
Speaker 3: No, of course you can't. You can take as much

1896
01:43:39,360 --> 01:43:41,719
Speaker 3: as you want, because you know why you want something.

1897
01:43:45,640 --> 01:43:46,160
Speaker 1: You can't.

1898
01:43:46,560 --> 01:43:51,080
Speaker 3: You know, He's like, wink because because our show is

1899
01:43:51,160 --> 01:43:53,559
Speaker 3: your show. I just want you to know that one

1900
01:43:53,600 --> 01:43:58,840
Speaker 3: main percent. If you want to promote pink Lemon seals.

1901
01:44:00,920 --> 01:44:03,200
Speaker 1: Want to say toenails this time now, we're just trying

1902
01:44:03,200 --> 01:44:06,000
Speaker 1: to change it. I mean, is this normal?

1903
01:44:06,080 --> 01:44:06,240
Speaker 4: Though?

1904
01:44:06,400 --> 01:44:09,479
Speaker 1: This is this is normal? We love the drinks or

1905
01:44:09,560 --> 01:44:15,519
Speaker 1: the talking, just the drinks is normal. Just say you something.

1906
01:44:16,080 --> 01:44:19,760
Speaker 3: The love is not okay, this love that we have

1907
01:44:19,920 --> 01:44:23,439
Speaker 3: for you, we are so excited. We were so excited

1908
01:44:24,600 --> 01:44:29,840
Speaker 3: that you accepted to come to us and tell your

1909
01:44:29,880 --> 01:44:33,920
Speaker 3: story that we are about to say a word that

1910
01:44:33,960 --> 01:44:39,080
Speaker 3: I don't know what it means. Say manically. We might

1911
01:44:39,160 --> 01:44:41,240
Speaker 3: have to make a drink chance for book.

1912
01:44:47,160 --> 01:44:51,639
Speaker 1: Let's use it. Yes, yes are you? Yes? Next one

1913
01:44:52,520 --> 01:44:57,000
Speaker 1: Buck diamond D shout out the book wild.

1914
01:44:56,960 --> 01:44:59,519
Speaker 4: Or diamond D okay, taking into place Diamondy. I just

1915
01:44:59,640 --> 01:45:03,280
Speaker 4: actually he reached out to diamond D because he did this.

1916
01:45:03,880 --> 01:45:05,880
Speaker 4: I feel like he did this compilation that I was

1917
01:45:05,960 --> 01:45:08,680
Speaker 4: looking for. Yeah, he put out an album. He put

1918
01:45:08,720 --> 01:45:11,080
Speaker 4: out some stuff, right yeah, and I've been looking for

1919
01:45:11,200 --> 01:45:12,400
Speaker 4: it and I found out it was him, and I

1920
01:45:12,439 --> 01:45:14,160
Speaker 4: reached out to him. So I'm gonna say, diamond.

1921
01:45:13,960 --> 01:45:17,480
Speaker 1: D okay, this is very easy. Podcast or radio.

1922
01:45:18,760 --> 01:45:20,320
Speaker 6: Today is National Radio Day?

1923
01:45:20,439 --> 01:45:21,280
Speaker 1: Is it today?

1924
01:45:21,400 --> 01:45:22,559
Speaker 4: Was it yesterday?

1925
01:45:23,040 --> 01:45:26,519
Speaker 1: You guys are around here? No word? Podcast Radio Day.

1926
01:45:27,240 --> 01:45:29,559
Speaker 6: I used to do radio. I used to do radio.

1927
01:45:30,560 --> 01:45:33,400
Speaker 1: I was on for a while. Yeah, I was on.

1928
01:45:33,720 --> 01:45:37,240
Speaker 4: I had my own syndicated radio show back in two

1929
01:45:37,320 --> 01:45:41,479
Speaker 4: thousand and six, and it was called The back Spin

1930
01:45:42,600 --> 01:45:44,960
Speaker 4: Spin Cycle Radio, and then I then I changed it

1931
01:45:45,000 --> 01:45:45,599
Speaker 4: to the back Spin.

1932
01:45:45,760 --> 01:45:48,280
Speaker 6: So I'm gonna say radio.

1933
01:45:48,320 --> 01:45:52,280
Speaker 1: Okay, not mad at that. A tribe called quest or

1934
01:45:52,320 --> 01:45:55,679
Speaker 1: Day call Quest and I loved saw ship.

1935
01:45:55,720 --> 01:45:56,480
Speaker 4: I'm drinking.

1936
01:45:58,200 --> 01:45:58,720
Speaker 1: Wait for us.

1937
01:45:58,800 --> 01:46:06,040
Speaker 4: I'm sorry, it's not tasting good anymore. It's getting harsher,

1938
01:46:06,240 --> 01:46:09,240
Speaker 4: it's getting harsher. Yeah, we're close, we're close.

1939
01:46:10,320 --> 01:46:15,920
Speaker 1: I see the end. Help Little Kim or REMI ma, oh.

1940
01:46:15,840 --> 01:46:21,040
Speaker 4: Wow, this is hard Jesus. I'm gonna say little Kim

1941
01:46:21,200 --> 01:46:25,120
Speaker 4: because I don't know. Little Kim did something for me

1942
01:46:26,000 --> 01:46:30,760
Speaker 4: with females and hip hop way back when. I just

1943
01:46:30,840 --> 01:46:33,720
Speaker 4: feel like she just kind of took that ship like

1944
01:46:33,880 --> 01:46:37,040
Speaker 4: let me just and I was like, oh she she Wow,

1945
01:46:37,240 --> 01:46:39,880
Speaker 4: she's crazy, but I like her, you know, so Yeah,

1946
01:46:40,160 --> 01:46:40,839
Speaker 4: Little Kim.

1947
01:46:42,320 --> 01:46:45,599
Speaker 1: N w A or public enemy mm hmm.

1948
01:46:48,200 --> 01:46:49,960
Speaker 6: N w A or public public enemy.

1949
01:46:51,320 --> 01:47:01,200
Speaker 1: All right. Rhapsody or Bahamada ship really pinning two different generations.

1950
01:47:01,240 --> 01:47:04,639
Speaker 4: It's like it's like the seed of Bahamadia is rhaps

1951
01:47:09,000 --> 01:47:14,200
Speaker 4: respect respect to Bahamaedia, one of like like to me,

1952
01:47:14,400 --> 01:47:18,000
Speaker 4: she's one of like those mcs that's like unsung, and

1953
01:47:19,640 --> 01:47:24,400
Speaker 4: Rhapsody to me is unsung today in a way that

1954
01:47:24,680 --> 01:47:26,120
Speaker 4: she's kind of creeping in there.

1955
01:47:26,360 --> 01:47:28,120
Speaker 1: Her new stuff is amazing.

1956
01:47:27,880 --> 01:47:30,920
Speaker 6: Amazing, amazing.

1957
01:47:32,800 --> 01:47:35,240
Speaker 4: I had my own Rhapsody for for a long time,

1958
01:47:36,200 --> 01:47:40,080
Speaker 4: and I remember I was like, like I would think

1959
01:47:40,160 --> 01:47:44,240
Speaker 4: she's probably she should be out on top of the

1960
01:47:44,320 --> 01:47:47,840
Speaker 4: situation more than she is. But maybe it's because of

1961
01:47:47,960 --> 01:47:51,120
Speaker 4: what people are demanding, you know, out there right now.

1962
01:47:52,880 --> 01:47:54,840
Speaker 4: But I'm going to say, rhapsody.

1963
01:47:56,840 --> 01:47:59,760
Speaker 1: How about you drink? You can take a drink of.

1964
01:47:59,760 --> 01:48:02,679
Speaker 6: You would take a drink, it's right there.

1965
01:48:03,840 --> 01:48:10,240
Speaker 1: Eric abad or at Leasta keys Ship. Eric, we were

1966
01:48:10,240 --> 01:48:14,680
Speaker 1: a small instance. I didn't. That would have been a

1967
01:48:14,680 --> 01:48:16,439
Speaker 1: little weird if you would be like, yeah, that's pretty good.

1968
01:48:16,920 --> 01:48:17,640
Speaker 8: I did not.

1969
01:48:19,240 --> 01:48:23,200
Speaker 1: I did not, did you. We try to get a

1970
01:48:23,240 --> 01:48:24,160
Speaker 1: hold of it. We get.

1971
01:48:26,080 --> 01:48:26,200
Speaker 8: Right.

1972
01:48:26,560 --> 01:48:28,800
Speaker 3: We wanted to have it on drinks for everybody to smell.

1973
01:48:30,680 --> 01:48:32,560
Speaker 3: I even told my wife to order it. I was like,

1974
01:48:33,320 --> 01:48:36,080
Speaker 3: but you got to get it. Before she looked at

1975
01:48:36,120 --> 01:48:37,840
Speaker 3: what it was called. She was like, you are we

1976
01:48:38,000 --> 01:48:39,360
Speaker 3: ordering Eric pussy?

1977
01:48:40,880 --> 01:48:41,559
Speaker 4: The real thing?

1978
01:48:42,000 --> 01:48:45,920
Speaker 1: We just wore black colture. Baby, I'm sorry I went

1979
01:48:45,960 --> 01:48:46,280
Speaker 1: too far.

1980
01:48:47,160 --> 01:48:49,160
Speaker 3: Go ahead, and that is the last one. Give her

1981
01:48:49,680 --> 01:48:53,759
Speaker 3: the last the last one? All right, there's one more, Yeah, okay,

1982
01:48:54,360 --> 01:48:56,280
Speaker 3: loyalty or respect.

1983
01:48:57,720 --> 01:48:58,080
Speaker 4: Today?

1984
01:48:58,439 --> 01:48:58,960
Speaker 6: Respect?

1985
01:48:59,880 --> 01:49:02,960
Speaker 1: I used to do the loyalty thing. Tell us why.

1986
01:49:04,240 --> 01:49:05,360
Speaker 6: Loyalty will get you.

1987
01:49:07,080 --> 01:49:07,600
Speaker 1: Fucked up.

1988
01:49:08,880 --> 01:49:10,800
Speaker 4: It will get you fucked up, and it's good to

1989
01:49:10,880 --> 01:49:12,840
Speaker 4: be that. Never give up who you are if you're

1990
01:49:12,840 --> 01:49:16,720
Speaker 4: a loyal type or whatever. But remember respect is more

1991
01:49:16,760 --> 01:49:21,519
Speaker 4: important because you'll be respecting yourself. When you command respect,

1992
01:49:21,600 --> 01:49:25,320
Speaker 4: you're respecting yourself so you can be loyal and people

1993
01:49:25,360 --> 01:49:29,240
Speaker 4: could just walk all over that and you'll be hurting

1994
01:49:29,280 --> 01:49:33,559
Speaker 4: the end. But respect, it's like you command that. I'm

1995
01:49:33,600 --> 01:49:35,360
Speaker 4: giving it. I'm going to receive that.

1996
01:49:37,240 --> 01:49:37,599
Speaker 1: Respect.

1997
01:49:37,760 --> 01:49:38,599
Speaker 4: I'm picking respect.

1998
01:49:38,880 --> 01:49:41,880
Speaker 3: I still want to take a shot. I'm sorry. I

1999
01:49:44,840 --> 01:49:49,560
Speaker 3: was supposed to say a shot, but I really.

2000
01:49:51,800 --> 01:49:52,519
Speaker 1: And we're done with that.

2001
01:49:53,439 --> 01:49:56,120
Speaker 3: Yeah, really, you know, you know what I really wanted.

2002
01:49:56,920 --> 01:49:59,639
Speaker 3: I really want you to know how much hip hop

2003
01:49:59,720 --> 01:50:05,360
Speaker 3: love it. Because the thing is like I've been studying

2004
01:50:05,400 --> 01:50:08,640
Speaker 3: you for studying, studying since you went to Left Rack.

2005
01:50:08,680 --> 01:50:12,120
Speaker 3: Remember he's been studying since then. You know what, You're right,

2006
01:50:12,280 --> 01:50:16,720
Speaker 3: You're very true. And one of the reasons why me

2007
01:50:16,800 --> 01:50:21,360
Speaker 3: and EF and started it is because started this. It's

2008
01:50:21,360 --> 01:50:24,960
Speaker 3: like we want to pay respect to our legends, and sometimes,

2009
01:50:25,280 --> 01:50:30,800
Speaker 3: very seldomly we realize our legends don't don't understand how

2010
01:50:30,880 --> 01:50:31,599
Speaker 3: important they are.

2011
01:50:32,000 --> 01:50:38,280
Speaker 1: Their impact their legacy, they impact their legacy with you,

2012
01:50:38,680 --> 01:50:43,400
Speaker 1: I'm in between. Do you know how important you are

2013
01:50:43,720 --> 01:50:48,160
Speaker 1: to people like us people? Do you understand today? I

2014
01:50:48,280 --> 01:50:49,080
Speaker 1: do okay.

2015
01:50:49,439 --> 01:50:51,559
Speaker 4: You know, I was in my own way, I think,

2016
01:50:53,320 --> 01:50:58,840
Speaker 4: dealing with my own self worth, and I kind of

2017
01:50:58,920 --> 01:51:02,000
Speaker 4: got to the point where I'm like, I deserve to

2018
01:51:02,160 --> 01:51:05,080
Speaker 4: be you know, the love I give it, so I

2019
01:51:05,160 --> 01:51:07,360
Speaker 4: deserve it back. But my husband tells me that all

2020
01:51:07,400 --> 01:51:10,120
Speaker 4: the time. You know, do you understand you know how

2021
01:51:10,439 --> 01:51:14,360
Speaker 4: major you you are. I'm just DEDI that, you know,

2022
01:51:14,600 --> 01:51:18,200
Speaker 4: right to my family, to my loved ones, and that's

2023
01:51:18,360 --> 01:51:20,560
Speaker 4: always first to me. And when I step out, I

2024
01:51:20,640 --> 01:51:22,880
Speaker 4: put the hat, the spin hat on the gear or whatever.

2025
01:51:23,160 --> 01:51:27,160
Speaker 1: But I get it now, I get what I get it.

2026
01:51:27,439 --> 01:51:27,880
Speaker 4: I get it.

2027
01:51:31,439 --> 01:51:36,519
Speaker 1: You're really Poli. But you're really like.

2028
01:51:41,160 --> 01:51:43,519
Speaker 3: I said it earlier, and I said it like from

2029
01:51:43,680 --> 01:51:46,680
Speaker 3: like a guy standpoint, and I was like, you know,

2030
01:51:46,880 --> 01:51:50,120
Speaker 3: guys had you on that day. But now let's think

2031
01:51:50,120 --> 01:51:53,920
Speaker 3: about the girls, especially a girl DJ coming up.

2032
01:51:58,160 --> 01:51:58,880
Speaker 1: You're in there.

2033
01:51:58,920 --> 01:52:02,400
Speaker 3: It's huge, So you're in their bathroom for real, Like

2034
01:52:02,479 --> 01:52:03,640
Speaker 3: I was playing around early in.

2035
01:52:03,640 --> 01:52:04,920
Speaker 1: The top of the bathroom though.

2036
01:52:09,160 --> 01:52:09,360
Speaker 2: There.

2037
01:52:09,800 --> 01:52:16,760
Speaker 1: Yeah, you're in the room. They're in their room. That

2038
01:52:16,960 --> 01:52:22,200
Speaker 1: ship is so like to me, it's so dope because.

2039
01:52:24,280 --> 01:52:29,160
Speaker 3: You know, obviously we watched Wakanda, right, and I know

2040
01:52:30,120 --> 01:52:32,960
Speaker 3: everyone's probably looking at me like what this is bringing Waconda?

2041
01:52:33,200 --> 01:52:38,600
Speaker 1: But Wakanda is not fake. Waconda is based on real reality.

2042
01:52:39,880 --> 01:52:40,360
Speaker 1: Mm hmmm.

2043
01:52:41,520 --> 01:52:47,320
Speaker 3: And if we was the base Wakanda on a real

2044
01:52:47,439 --> 01:52:49,439
Speaker 3: life place, who would be the DJ?

2045
01:52:51,400 --> 01:52:56,240
Speaker 1: Me? I'll be up in there? You and Jazzy motherfucking Jazzy. Yes, yeah,

2046
01:53:00,080 --> 01:53:00,679
Speaker 1: that's huge.

2047
01:53:01,160 --> 01:53:02,320
Speaker 6: He's one of my favorites.

2048
01:53:02,400 --> 01:53:03,760
Speaker 1: But yeah, they don't kill that. I feel like I

2049
01:53:03,880 --> 01:53:07,360
Speaker 1: killed that. I felt like I was like that was hard. Yeah, yeah,

2050
01:53:07,760 --> 01:53:10,920
Speaker 1: no no, but but funk that. I'm playing around. But

2051
01:53:11,000 --> 01:53:13,960
Speaker 1: I'm not playing around. That's real.

2052
01:53:15,560 --> 01:53:18,519
Speaker 3: Like all the guests that we have, if I was

2053
01:53:18,600 --> 01:53:24,360
Speaker 3: to tell them your last party of your life, who

2054
01:53:24,400 --> 01:53:25,200
Speaker 3: would be the DJ?

2055
01:53:25,960 --> 01:53:26,840
Speaker 1: Mm hmm, I.

2056
01:53:26,960 --> 01:53:28,920
Speaker 3: Guarantee you and if you want me to do it,

2057
01:53:29,080 --> 01:53:33,639
Speaker 3: I will prove it to you. They would say spend

2058
01:53:33,680 --> 01:53:34,639
Speaker 3: the Wether or Jesse.

2059
01:53:35,080 --> 01:53:40,920
Speaker 4: Really, I don't hear it like that. I'm sorry, I don't.

2060
01:53:41,000 --> 01:53:45,479
Speaker 4: I don't let mean brush I appreciate that. That's crazy?

2061
01:53:45,600 --> 01:53:47,120
Speaker 1: Are you crazy? You don't know that?

2062
01:53:47,320 --> 01:53:47,920
Speaker 6: I don't know that?

2063
01:53:48,120 --> 01:53:48,439
Speaker 8: Do I know?

2064
01:53:49,080 --> 01:53:53,760
Speaker 1: I love our humble legends? You you you mean saying that.

2065
01:53:56,120 --> 01:53:56,439
Speaker 2: That is.

2066
01:53:59,080 --> 01:54:01,280
Speaker 1: That's magical? Don't give a what are you drinking and

2067
01:54:01,320 --> 01:54:02,080
Speaker 1: get one another one.

2068
01:54:02,360 --> 01:54:04,280
Speaker 4: I look up to Jazz Jeff. When you talk about

2069
01:54:04,360 --> 01:54:06,479
Speaker 4: when you pay me when I am in the same

2070
01:54:08,439 --> 01:54:11,400
Speaker 4: I guess on that line with the great people that

2071
01:54:11,520 --> 01:54:13,840
Speaker 4: I look up to, it's wild to me. So as

2072
01:54:13,920 --> 01:54:16,400
Speaker 4: wild as it you think it is, trust me, I'll

2073
01:54:16,400 --> 01:54:16,920
Speaker 4: be like, but.

2074
01:54:16,960 --> 01:54:19,400
Speaker 1: It's wild that you don't see yourself there. Let me

2075
01:54:19,520 --> 01:54:26,600
Speaker 1: just say something to you. That's what everyone tests about you.

2076
01:54:27,280 --> 01:54:34,320
Speaker 1: M you are and by the way, I want to

2077
01:54:34,760 --> 01:54:38,480
Speaker 1: because I don't want to label it female. Mm hmmm.

2078
01:54:39,080 --> 01:54:42,600
Speaker 1: Because we labeled female, it kind of brings it down,

2079
01:54:42,640 --> 01:54:47,000
Speaker 1: it minimizes it, right you and thank you for that.

2080
01:54:47,880 --> 01:54:49,600
Speaker 1: One of the ellist DJs.

2081
01:54:49,800 --> 01:54:57,200
Speaker 3: Ever And now who did I say, Jazz Jeff, that's crazy,

2082
01:54:57,320 --> 01:54:58,800
Speaker 3: but you know who texts me just now.

2083
01:55:00,680 --> 01:55:06,080
Speaker 1: In my mind damn messag Jet mm hmm and damn

2084
01:55:06,120 --> 01:55:09,760
Speaker 1: Master j just told me. No, it's not Jasey j

2085
01:55:10,200 --> 01:55:18,000
Speaker 1: It's me. I'm getting deep you get indeed, indeed.

2086
01:55:18,080 --> 01:55:19,240
Speaker 6: Indeed, but that's how you see it.

2087
01:55:19,320 --> 01:55:21,440
Speaker 4: It's like it's because.

2088
01:55:24,400 --> 01:55:27,080
Speaker 1: You know, it took me to get out of the

2089
01:55:27,240 --> 01:55:31,360
Speaker 1: kind of like the rap game to understand that I was.

2090
01:55:31,880 --> 01:55:36,680
Speaker 3: I wasn't ship without the DJ. I wasn't nothing to

2091
01:55:36,800 --> 01:55:43,320
Speaker 3: this day, my DJ butch Rock, I don't want to.

2092
01:55:45,200 --> 01:55:45,680
Speaker 1: Fat Joe.

2093
01:55:46,040 --> 01:55:49,160
Speaker 3: I just went to Bad Joe's concert. I didn't even

2094
01:55:49,160 --> 01:55:50,360
Speaker 3: know it was a concert. I thought it was a

2095
01:55:50,440 --> 01:55:53,440
Speaker 3: fucking Keys to the City. And then I performed, and

2096
01:55:53,560 --> 01:55:56,200
Speaker 3: my DJ literally called me. It was like, you performed

2097
01:55:56,280 --> 01:55:56,680
Speaker 3: without me?

2098
01:55:56,800 --> 01:55:57,000
Speaker 8: God?

2099
01:55:58,080 --> 01:56:00,360
Speaker 1: Right, how you go do that?

2100
01:56:00,640 --> 01:56:00,800
Speaker 2: Right?

2101
01:56:02,480 --> 01:56:06,280
Speaker 3: But it makes me just reiterate what happens, and the

2102
01:56:06,440 --> 01:56:10,120
Speaker 3: DJ is really the most important part of hip hop.

2103
01:56:10,560 --> 01:56:13,200
Speaker 1: To me, now that I can see it. No, it

2104
01:56:13,360 --> 01:56:15,400
Speaker 1: is now that I could get out of it and

2105
01:56:15,680 --> 01:56:17,640
Speaker 1: watch it and appreciate it.

2106
01:56:19,240 --> 01:56:23,440
Speaker 4: Yeah, it's amazing to be paired with those greats. It's

2107
01:56:23,520 --> 01:56:26,480
Speaker 4: wild to me because I still remember that day that

2108
01:56:26,600 --> 01:56:31,280
Speaker 4: I did not drop the song. I just all of

2109
01:56:31,320 --> 01:56:34,080
Speaker 4: that plays in my head still in my life, and

2110
01:56:35,520 --> 01:56:37,800
Speaker 4: when I'm like talking with Jeff.

2111
01:56:38,120 --> 01:56:40,000
Speaker 1: And I'll be like, damn, that's the fucking jazzy Jeff.

2112
01:56:41,440 --> 01:56:42,160
Speaker 4: It's wild to me.

2113
01:56:42,280 --> 01:56:46,400
Speaker 1: You look at Jesse, Jeff. Do you know how Jesse

2114
01:56:46,520 --> 01:56:49,400
Speaker 1: Jeff probably looks as you. I don't know that.

2115
01:56:50,600 --> 01:56:55,160
Speaker 4: I don't know that, but you know, I remember saying,

2116
01:56:55,240 --> 01:56:57,560
Speaker 4: Jeff on the side watching me play, and.

2117
01:56:57,640 --> 01:57:00,640
Speaker 1: I was like, oh my god, mother, Jeff's to yourself.

2118
01:57:00,720 --> 01:57:03,040
Speaker 1: This is just me.

2119
01:57:03,600 --> 01:57:05,880
Speaker 4: He stood there and he was watching me play. This

2120
01:57:05,960 --> 01:57:08,600
Speaker 4: is the wildss feel. Speak somebody that you look up to,

2121
01:57:09,760 --> 01:57:13,560
Speaker 4: checking you out to see how you I said, let

2122
01:57:13,600 --> 01:57:14,720
Speaker 4: me get my ship together.

2123
01:57:16,840 --> 01:57:17,120
Speaker 2: That's it.

2124
01:57:17,320 --> 01:57:21,160
Speaker 6: Yeah, but it is a wild feeling. But I guess

2125
01:57:21,200 --> 01:57:21,520
Speaker 6: that's my.

2126
01:57:23,160 --> 01:57:23,680
Speaker 1: Humility.

2127
01:57:24,120 --> 01:57:27,240
Speaker 6: That's just who I am. You know, it's who I am.

2128
01:57:27,440 --> 01:57:32,600
Speaker 3: So so let me ask you a question. We have

2129
01:57:32,720 --> 01:57:39,000
Speaker 3: never asked this question, and I've never asked this this way. So, Pepper,

2130
01:57:39,120 --> 01:57:39,880
Speaker 3: where were they at.

2131
01:57:42,120 --> 01:57:44,120
Speaker 1: Listen to this interview? What would you say to them?

2132
01:57:46,320 --> 01:57:46,720
Speaker 4: Hm hmm.

2133
01:57:48,240 --> 01:57:51,280
Speaker 6: Well I would say, let's give the people what they want.

2134
01:57:52,720 --> 01:57:56,720
Speaker 4: And I also would say we have work to do internally,

2135
01:57:58,160 --> 01:58:03,040
Speaker 4: and if that doors open, I'm open to that is

2136
01:58:03,120 --> 01:58:07,240
Speaker 4: to do in the work internally. So I I you know,

2137
01:58:07,800 --> 01:58:10,440
Speaker 4: I don't want to abandon our legacy. I just mentally

2138
01:58:11,240 --> 01:58:13,480
Speaker 4: have to do what needs to be done for myself

2139
01:58:14,680 --> 01:58:17,200
Speaker 4: and and and there has to be a mutual respect.

2140
01:58:18,320 --> 01:58:20,960
Speaker 1: And that's it. That's all needs to be.

2141
01:58:21,040 --> 01:58:25,760
Speaker 3: So I love this, like you know, she never what

2142
01:58:25,880 --> 01:58:31,600
Speaker 3: does Michelle Obama say? They go to look Michelle Obama, you're.

2143
01:58:31,760 --> 01:58:35,800
Speaker 1: Like she said, when they go low we go high.

2144
01:58:35,920 --> 01:58:40,560
Speaker 4: That's like, yeah, I respect Michelle Obama because she I mean,

2145
01:58:40,640 --> 01:58:44,720
Speaker 4: they have dogged her to the ground and she still

2146
01:58:45,080 --> 01:58:47,040
Speaker 4: she will say with her piece and say what she

2147
01:58:47,160 --> 01:58:52,040
Speaker 4: has to say with strength. So yeah, I'm I'm a

2148
01:58:52,160 --> 01:58:56,839
Speaker 4: part of that side that feels like, you know, let's.

2149
01:58:56,760 --> 01:59:00,760
Speaker 1: Make it right. And what do you because you know

2150
01:59:01,040 --> 01:59:05,040
Speaker 1: we're at the internet the interview, But what do you

2151
01:59:05,120 --> 01:59:06,600
Speaker 1: think it is to make it right?

2152
01:59:08,040 --> 01:59:10,880
Speaker 4: I said it mutual respect. When you have respect for somebody,

2153
01:59:10,920 --> 01:59:14,640
Speaker 4: you listen for what they with their situation is. You

2154
01:59:14,800 --> 01:59:20,280
Speaker 4: understand what their situation. You don't talk, you listen, and

2155
01:59:20,400 --> 01:59:23,400
Speaker 4: it goes. It's it's mutual as both sides have to

2156
01:59:23,480 --> 01:59:27,600
Speaker 4: do that. So it's almost like a read what's the

2157
01:59:27,680 --> 01:59:36,400
Speaker 4: word when you redo something? Read reinvent, reinvent a reinvention,

2158
01:59:37,720 --> 01:59:40,000
Speaker 4: and it has to be a reinvention because.

2159
01:59:39,680 --> 01:59:43,560
Speaker 3: All right, before we get about it, right, you came

2160
01:59:43,640 --> 01:59:45,320
Speaker 3: to them and you said, yo, just this and this

2161
01:59:45,600 --> 01:59:48,400
Speaker 3: right whatever it was. I don't want to get into

2162
01:59:48,480 --> 01:59:54,480
Speaker 3: particulars because that's your business. And they you felt like

2163
01:59:54,560 --> 01:59:55,400
Speaker 3: they didn't comply.

2164
01:59:58,960 --> 02:00:01,520
Speaker 6: I feel like they don't see what I'm saying, ok.

2165
02:00:03,600 --> 02:00:06,240
Speaker 6: And and and in order for that to happen.

2166
02:00:06,360 --> 02:00:12,920
Speaker 4: You have to have a third party explain, mediator, a mediator, therapists,

2167
02:00:13,040 --> 02:00:17,320
Speaker 4: something to that that helps to sort what the needs

2168
02:00:17,360 --> 02:00:23,960
Speaker 4: are because we're not grasping what They're not grasping what

2169
02:00:24,000 --> 02:00:26,600
Speaker 4: I'm saying. I'm grasping what they're saying, but they're not

2170
02:00:26,680 --> 02:00:27,640
Speaker 4: grasping what I'm saying.

2171
02:00:27,880 --> 02:00:30,200
Speaker 3: But Kevin, canna stop because one second and you said

2172
02:00:30,280 --> 02:00:35,960
Speaker 3: earlier you was like you expect Pepper right, And I've

2173
02:00:36,040 --> 02:00:41,520
Speaker 3: went I searched every interview and Peppa also addressed you right.

2174
02:00:41,760 --> 02:00:45,840
Speaker 3: She said, Spinora is not wrong, like she's not wrong,

2175
02:00:46,880 --> 02:00:51,960
Speaker 3: but she she feels like your discrepancy is with the

2176
02:00:52,120 --> 02:00:54,440
Speaker 3: label and not sor.

2177
02:00:56,720 --> 02:00:59,520
Speaker 1: Herbie's not there anymore. The labels aren't there anymore.

2178
02:00:59,600 --> 02:01:02,760
Speaker 4: But I'm still here and the business has to be

2179
02:01:02,880 --> 02:01:06,440
Speaker 4: dealt with with who's involved at this point and who's

2180
02:01:06,520 --> 02:01:11,640
Speaker 4: involved YouTube and me. There's no Herbie, there's no label.

2181
02:01:12,040 --> 02:01:15,120
Speaker 4: But at this point, the three of us are here

2182
02:01:15,560 --> 02:01:18,080
Speaker 4: and guess what I'm not getting what I should get

2183
02:01:18,160 --> 02:01:20,280
Speaker 4: out of it? Or I didn't I'm not getting what's

2184
02:01:20,760 --> 02:01:20,960
Speaker 4: you know?

2185
02:01:21,200 --> 02:01:22,440
Speaker 1: Do me right?

2186
02:01:22,640 --> 02:01:24,720
Speaker 6: So if I was one.

2187
02:01:24,640 --> 02:01:27,160
Speaker 4: Of them, I would go, let's get her what she

2188
02:01:27,360 --> 02:01:30,120
Speaker 4: needs it's not going to come out of my pocket,

2189
02:01:30,560 --> 02:01:31,600
Speaker 4: but I'm going to get her.

2190
02:01:32,040 --> 02:01:33,480
Speaker 6: Let's get her to where what she needs.

2191
02:01:33,560 --> 02:01:36,680
Speaker 4: What they what I felt happened was they shut down

2192
02:01:36,760 --> 02:01:40,640
Speaker 4: because it was like, you're coming at me. It was

2193
02:01:40,760 --> 02:01:43,360
Speaker 4: defensive and it was like, no, I'm coming at whoever,

2194
02:01:44,000 --> 02:01:48,000
Speaker 4: because y'all are salt and pepper. I need I need

2195
02:01:48,080 --> 02:01:51,000
Speaker 4: somebody to address what I've done and I haven't gotten

2196
02:01:51,040 --> 02:01:55,040
Speaker 4: paid for. I need somebody to address my contribution not

2197
02:01:55,200 --> 02:01:59,440
Speaker 4: getting handled. And guess what we did it in the end,

2198
02:02:00,080 --> 02:02:04,280
Speaker 4: it got handled because I said something, if you closed

2199
02:02:04,360 --> 02:02:08,560
Speaker 4: mouths don't get set. So you know, I'm not saying

2200
02:02:09,560 --> 02:02:12,000
Speaker 4: they're fully responsible for everything with me.

2201
02:02:14,000 --> 02:02:16,520
Speaker 1: It's herbie right there. I'm saying.

2202
02:02:17,440 --> 02:02:20,040
Speaker 4: I'm saying I didn't get what I'm supposed to get

2203
02:02:20,080 --> 02:02:22,600
Speaker 4: out of this. And at the end of the day,

2204
02:02:22,840 --> 02:02:27,840
Speaker 4: we y'all need to address it because I'm still here working,

2205
02:02:28,320 --> 02:02:30,960
Speaker 4: I'm still here providing, I'm still here contributing.

2206
02:02:31,680 --> 02:02:33,800
Speaker 1: And then it just got really nasty and ugly and

2207
02:02:33,960 --> 02:02:36,880
Speaker 1: we don't have to go over that. But at the

2208
02:02:37,000 --> 02:02:38,040
Speaker 1: end of the day, we are.

2209
02:02:40,320 --> 02:02:43,720
Speaker 4: The hearts are open. I just feel like, you know,

2210
02:02:44,840 --> 02:02:46,440
Speaker 4: if the door is going to be opened. It has

2211
02:02:46,480 --> 02:02:48,680
Speaker 4: to be a respect for each party involved.

2212
02:02:49,800 --> 02:02:53,760
Speaker 3: So right now, God comes down, God comes to spend

2213
02:02:53,800 --> 02:02:56,560
Speaker 3: the bell and says, yeah, I want you to make

2214
02:02:56,720 --> 02:02:58,280
Speaker 3: one last record.

2215
02:02:59,600 --> 02:03:04,920
Speaker 1: To shave humanity. Who are you calling to be the

2216
02:03:05,040 --> 02:03:07,320
Speaker 1: producer and the artist?

2217
02:03:08,280 --> 02:03:09,760
Speaker 4: Oh ship, that's a good one.

2218
02:03:09,920 --> 02:03:12,720
Speaker 6: But yeah, but this is your humanity.

2219
02:03:13,200 --> 02:03:15,160
Speaker 1: I mean, you don't really got to be cool.

2220
02:03:15,240 --> 02:03:17,080
Speaker 6: I mean that's big, that's big.

2221
02:03:17,480 --> 02:03:19,520
Speaker 1: You can still you know. Who would I call?

2222
02:03:23,720 --> 02:03:32,880
Speaker 4: Well, I mean call on my favorites, Yeah, favorites, Gosh, Jeff,

2223
02:03:33,000 --> 02:03:36,880
Speaker 4: I like Jeff, I like Pete Rock, I like I mean,

2224
02:03:37,600 --> 02:03:40,400
Speaker 4: I don't know about saving humanity, but I know about

2225
02:03:40,720 --> 02:03:41,560
Speaker 4: the the.

2226
02:03:43,160 --> 02:03:44,000
Speaker 1: The vibe I like.

2227
02:03:45,520 --> 02:03:46,600
Speaker 6: To get, you know what I'm saying.

2228
02:03:46,840 --> 02:03:50,200
Speaker 1: So I would have to call on my folks.

2229
02:03:50,240 --> 02:03:51,760
Speaker 4: I don't know, I don't know.

2230
02:03:55,120 --> 02:03:59,720
Speaker 1: Mc wise, who you picking? This is me, right, yes,

2231
02:03:59,800 --> 02:04:00,520
Speaker 1: this this is me.

2232
02:04:00,760 --> 02:04:06,480
Speaker 3: God came to you, okay, he he and Maui. He

2233
02:04:06,640 --> 02:04:11,040
Speaker 3: haven't had a haircut in seventeen years. God, Yeah, God, God,

2234
02:04:11,240 --> 02:04:12,040
Speaker 3: God's a hippie.

2235
02:04:12,240 --> 02:04:17,640
Speaker 1: God is God is a He's in Maui. He's just

2236
02:04:17,760 --> 02:04:23,320
Speaker 1: a foul thing. Ye, save the life, save a life.

2237
02:04:23,360 --> 02:04:28,120
Speaker 1: He's drinking. Yeah, that's a hard one, dude, I don't know.

2238
02:04:28,320 --> 02:04:28,600
Speaker 1: I would.

2239
02:04:29,320 --> 02:04:32,440
Speaker 4: I would pick myself. To be honest, I would pick

2240
02:04:32,520 --> 02:04:35,600
Speaker 4: I would. I would pick myself on the on the vocals,

2241
02:04:36,400 --> 02:04:37,160
Speaker 4: on everything.

2242
02:04:37,440 --> 02:04:41,720
Speaker 1: God damn, I mean I picked my lyrics.

2243
02:04:42,000 --> 02:04:43,560
Speaker 6: I have a lot of friends that I can call on.

2244
02:04:44,560 --> 02:04:47,000
Speaker 6: Oh ship, sorry, oh ship.

2245
02:04:47,360 --> 02:04:48,280
Speaker 1: You got give me a.

2246
02:04:50,720 --> 02:04:50,960
Speaker 4: Drink?

2247
02:04:51,600 --> 02:04:54,240
Speaker 1: K I'm Air Jordans right now. He's so deep.

2248
02:04:54,400 --> 02:05:00,520
Speaker 3: Yes, no, but because you know why, I'm really wants

2249
02:05:00,560 --> 02:05:04,360
Speaker 3: you to understand how important you are to us, like

2250
02:05:04,480 --> 02:05:07,440
Speaker 3: how important you are to everyone in this room. When

2251
02:05:07,600 --> 02:05:11,280
Speaker 3: we knew that we had spend the other book, everybody

2252
02:05:11,840 --> 02:05:12,640
Speaker 3: became early.

2253
02:05:15,080 --> 02:05:15,440
Speaker 8: Is that so.

2254
02:05:18,040 --> 02:05:21,080
Speaker 1: That's crazy except your flight was late.

2255
02:05:22,320 --> 02:05:25,520
Speaker 3: That's my flight that wasn't And by the way, I

2256
02:05:25,600 --> 02:05:31,760
Speaker 3: went and took a shower, came change, he came to shovel. Yes,

2257
02:05:32,000 --> 02:05:38,800
Speaker 3: because because it's not that I want to give your flowers,

2258
02:05:40,040 --> 02:05:41,959
Speaker 3: it's you deserve your flowers.

2259
02:05:43,000 --> 02:05:44,400
Speaker 4: And thank you.

2260
02:05:46,800 --> 02:05:53,520
Speaker 3: You're for female, for female DJs, for female DJs, DJs

2261
02:05:53,640 --> 02:05:54,480
Speaker 3: for humans.

2262
02:05:56,360 --> 02:05:58,240
Speaker 1: I want to let me go over with me for

2263
02:05:58,400 --> 02:06:01,000
Speaker 1: human beings, the humanity.

2264
02:06:01,400 --> 02:06:03,640
Speaker 3: What you have done and what you have brung to

2265
02:06:03,760 --> 02:06:09,360
Speaker 3: the game will never never, ever, ever, ever, ever ever

2266
02:06:09,520 --> 02:06:10,760
Speaker 3: be compromised.

2267
02:06:11,040 --> 02:06:16,880
Speaker 1: Or erased or ras. We love you. We want you

2268
02:06:17,000 --> 02:06:18,600
Speaker 1: to know that we love you. We want you to

2269
02:06:18,760 --> 02:06:28,440
Speaker 1: know how much we cherish you because you're a legacy,

2270
02:06:30,360 --> 02:06:35,160
Speaker 1: real real legacy spend. Thank you so much man for

2271
02:06:35,320 --> 02:06:37,520
Speaker 1: coming to us and.

2272
02:06:37,640 --> 02:06:40,400
Speaker 3: Letting us give you your flowers, because your flowers as

2273
02:06:40,440 --> 02:06:48,160
Speaker 3: well deserve but by the way, it's deserved, like you're

2274
02:06:48,240 --> 02:06:48,760
Speaker 3: really like.

2275
02:06:50,240 --> 02:06:54,080
Speaker 1: A leg legend. And thank you for coming to fucking

2276
02:06:54,200 --> 02:07:02,800
Speaker 1: drink I said, I said, I tell, I said, babe,

2277
02:07:02,840 --> 02:07:11,040
Speaker 1: what they want with me on drink Champs this is

2278
02:07:11,080 --> 02:07:11,720
Speaker 1: more than deserve.

2279
02:07:11,840 --> 02:07:13,840
Speaker 3: So let me just ask you if you could, if

2280
02:07:13,880 --> 02:07:18,440
Speaker 3: you can fix anything in hip hop according to your career,

2281
02:07:18,600 --> 02:07:25,360
Speaker 3: what would it be? Oh wow, I guess the gate

2282
02:07:25,520 --> 02:07:29,000
Speaker 3: keeping explain that to the people that don't understand.

2283
02:07:29,640 --> 02:07:31,640
Speaker 4: I feel like, you know, there's a hold on what

2284
02:07:31,960 --> 02:07:35,160
Speaker 4: everybody needs to be doing in hip hop, like we

2285
02:07:35,320 --> 02:07:37,720
Speaker 4: gotta sound like this or we gotta do it this way.

2286
02:07:37,840 --> 02:07:39,880
Speaker 4: I mean, I like that it's open and people get

2287
02:07:39,960 --> 02:07:43,160
Speaker 4: to choose, but I feel like the powers that be

2288
02:07:43,280 --> 02:07:44,000
Speaker 4: kind of put in.

2289
02:07:44,080 --> 02:07:45,120
Speaker 6: Our face what they.

2290
02:07:46,760 --> 02:07:49,800
Speaker 4: What it needs to be, like it has to be

2291
02:07:50,000 --> 02:07:51,800
Speaker 4: like this, like it has to be ratchet or it

2292
02:07:51,920 --> 02:07:54,680
Speaker 4: has to be you know, gangster or it has to

2293
02:07:54,800 --> 02:07:56,640
Speaker 4: be conscious, so it has to be this. It's like

2294
02:07:56,800 --> 02:08:00,200
Speaker 4: so much to all of us, and that we we're

2295
02:08:00,280 --> 02:08:04,280
Speaker 4: open to go into whatever direction we want. But I

2296
02:08:04,400 --> 02:08:10,560
Speaker 4: feel like, you know, mainstream kind of conducts it to

2297
02:08:10,720 --> 02:08:14,880
Speaker 4: be mainstream and what they whatever they feel is mainstream.

2298
02:08:15,160 --> 02:08:17,600
Speaker 4: And we know, right, I mean, we see right through it.

2299
02:08:18,800 --> 02:08:19,640
Speaker 1: Do you not see it?

2300
02:08:19,760 --> 02:08:24,080
Speaker 4: I see it? I feel like speaking like Rhapsody, I'm

2301
02:08:24,120 --> 02:08:26,560
Speaker 4: a I'm a fan of Rhapsody, but I don't get

2302
02:08:26,600 --> 02:08:29,880
Speaker 4: to see her, you know, as much as i'd like to.

2303
02:08:32,600 --> 02:08:35,640
Speaker 4: So I follow her, you know, like I follow her,

2304
02:08:35,720 --> 02:08:38,720
Speaker 4: but I feel like they push, they push in front

2305
02:08:38,760 --> 02:08:41,560
Speaker 4: of you who they want to make a star, and

2306
02:08:41,640 --> 02:08:42,880
Speaker 4: it makes you just wonder.

2307
02:08:42,720 --> 02:08:42,800
Speaker 2: Like.

2308
02:08:45,440 --> 02:08:48,920
Speaker 4: A point the baby that won't even It just makes

2309
02:08:48,960 --> 02:08:52,280
Speaker 4: you wonder, like is this all a part of a

2310
02:08:52,440 --> 02:08:55,800
Speaker 4: plan to you know, put us put in front of

2311
02:08:55,880 --> 02:08:56,840
Speaker 4: us what they want us.

2312
02:08:57,520 --> 02:08:58,480
Speaker 1: They want this to be the.

2313
02:09:00,200 --> 02:09:03,920
Speaker 2: Uh this freedom because social media, okay, let me democratize it.

2314
02:09:04,000 --> 02:09:07,000
Speaker 2: But really, even though these tech companies now are the

2315
02:09:07,080 --> 02:09:09,760
Speaker 2: gatekeepers and there's a lot of stuff going on there, but.

2316
02:09:09,840 --> 02:09:13,320
Speaker 3: Let me ask you so for lack of a better term,

2317
02:09:13,600 --> 02:09:17,760
Speaker 3: and you correct me if I'm wrong. What's so unprepable

2318
02:09:18,200 --> 02:09:26,680
Speaker 3: was kind of like the ratchet conscious and sexy you

2319
02:09:26,720 --> 02:09:27,840
Speaker 3: feel ratchet was in there.

2320
02:09:27,880 --> 02:09:29,040
Speaker 4: I don't think we were ratchet.

2321
02:09:29,120 --> 02:09:30,320
Speaker 1: I don't I don't see the ratchet.

2322
02:09:30,760 --> 02:09:31,839
Speaker 6: We did a little raunchy.

2323
02:09:33,520 --> 02:09:36,160
Speaker 1: If you did raunchy, then that's that's eighties ratchet.

2324
02:09:36,200 --> 02:09:42,320
Speaker 4: Our panties like we had.

2325
02:09:45,360 --> 02:09:50,200
Speaker 1: Not what it is, but for that time, it would

2326
02:09:50,200 --> 02:09:51,360
Speaker 1: have been pushing that envelope.

2327
02:09:51,920 --> 02:09:53,800
Speaker 4: It was everything.

2328
02:09:54,200 --> 02:09:57,560
Speaker 3: So when all the things you've been when you listened

2329
02:09:59,000 --> 02:10:01,080
Speaker 3: by the way, I told you you how I felt earlier.

2330
02:10:03,240 --> 02:10:08,920
Speaker 1: Yeah, because but I'm not a female. Yeah we know this.

2331
02:10:09,160 --> 02:10:13,360
Speaker 1: But when you listen to knowing you have daughters and

2332
02:10:13,440 --> 02:10:22,080
Speaker 1: you listen to the right these records have dances too.

2333
02:10:22,360 --> 02:10:23,000
Speaker 1: Because I don't know.

2334
02:10:25,040 --> 02:10:30,240
Speaker 3: I'm saying it, I'm saying it. But and by the way,

2335
02:10:30,400 --> 02:10:36,400
Speaker 3: I was like, holy ship. Do you feel like, damn

2336
02:10:37,080 --> 02:10:39,920
Speaker 3: they didn't listen to me us or do you feel

2337
02:10:39,960 --> 02:10:43,000
Speaker 3: like damn they keeping our message going?

2338
02:10:43,280 --> 02:10:45,440
Speaker 4: Oh no, I don't feel like they didn't listen to us.

2339
02:10:45,760 --> 02:10:48,800
Speaker 4: I feel like they're in their own space. Hm. I

2340
02:10:48,880 --> 02:10:53,760
Speaker 4: feel like these artists that are out that come out

2341
02:10:54,240 --> 02:10:56,360
Speaker 4: are in their own space, but they have to find

2342
02:10:56,400 --> 02:10:59,680
Speaker 4: who they are and do what they do, so I.

2343
02:11:02,000 --> 02:11:02,320
Speaker 1: I don't.

2344
02:11:03,040 --> 02:11:05,640
Speaker 4: I mean, if you're inspired by our music and about

2345
02:11:05,640 --> 02:11:06,879
Speaker 4: how we work, great.

2346
02:11:07,080 --> 02:11:09,840
Speaker 1: They've been pushing it real good for a Yeah, if

2347
02:11:09,840 --> 02:11:11,000
Speaker 1: you're inspired, great.

2348
02:11:11,240 --> 02:11:14,440
Speaker 4: I mean I just remember for us what we've done

2349
02:11:15,000 --> 02:11:20,400
Speaker 4: too for a womanhood. I remember how we kind of

2350
02:11:20,480 --> 02:11:24,960
Speaker 4: push the movement empowerment, empowering women and that was really

2351
02:11:25,000 --> 02:11:28,440
Speaker 4: important that we We could use more of that. Now,

2352
02:11:28,840 --> 02:11:31,680
Speaker 4: we definitely could use more of that. So artists today

2353
02:11:32,920 --> 02:11:35,160
Speaker 4: can take a page from that book. I'm not saying

2354
02:11:35,480 --> 02:11:38,960
Speaker 4: be like us, do you, but a page from that

2355
02:11:39,040 --> 02:11:43,040
Speaker 4: book as a woman, you know, is only going to

2356
02:11:43,120 --> 02:11:44,960
Speaker 4: make it better for your surroundings.

2357
02:11:45,080 --> 02:11:49,120
Speaker 2: I think, right, And we probably need more female groups,

2358
02:11:49,640 --> 02:11:51,240
Speaker 2: that's what we're at. We were talking about that with

2359
02:11:51,320 --> 02:11:55,040
Speaker 2: mass because there's not as many groups anymore in general, the.

2360
02:11:55,080 --> 02:11:58,520
Speaker 1: Old school groups like well let's talk about what a band? Right?

2361
02:12:00,800 --> 02:12:04,040
Speaker 1: How does this session happen? Because now you're the DJ,

2362
02:12:04,440 --> 02:12:08,440
Speaker 1: now you're stepping up session.

2363
02:12:09,440 --> 02:12:12,480
Speaker 4: Well, they called me to m C on regular occasions

2364
02:12:12,600 --> 02:12:15,480
Speaker 4: because you know, bless you, bless you, because they knew

2365
02:12:15,600 --> 02:12:16,120
Speaker 4: I could.

2366
02:12:16,440 --> 02:12:20,520
Speaker 3: You know I could, And just just a little are

2367
02:12:20,560 --> 02:12:25,320
Speaker 3: we taking the shot for no reason? No, you are okay, okay,

2368
02:12:25,520 --> 02:12:27,080
Speaker 3: I was waiting. If you had one, I would take

2369
02:12:27,080 --> 02:12:29,960
Speaker 3: it with you. Let's go you ready, Yeah, my co

2370
02:12:30,200 --> 02:12:35,480
Speaker 3: let's go up your cup. I'm doing the guy.

2371
02:12:35,560 --> 02:12:37,280
Speaker 1: So what a man? That's called session?

2372
02:12:40,280 --> 02:12:44,920
Speaker 4: Freddie Fox? Freddie Fox was was the writer.

2373
02:12:45,920 --> 02:12:50,560
Speaker 2: Wait the same bumpy knuckles, knuckles, bumpy knuckles, what a man?

2374
02:12:50,760 --> 02:12:53,640
Speaker 3: Yes, what the fuck out of here? It's my friend.

2375
02:12:54,000 --> 02:12:55,360
Speaker 3: I'm calling him giving a call.

2376
02:12:55,760 --> 02:13:00,640
Speaker 4: Yes, And he said, he said, he said, Salt is

2377
02:13:00,760 --> 02:13:04,880
Speaker 4: the person you want to you want to Pepper is

2378
02:13:04,880 --> 02:13:07,160
Speaker 4: the person you want to take home. No, so is

2379
02:13:07,160 --> 02:13:10,240
Speaker 4: the person you want to take home to mama. Spin

2380
02:13:10,400 --> 02:13:13,600
Speaker 4: is the person you want to marry. And Pepper is

2381
02:13:13,640 --> 02:13:15,320
Speaker 4: the person you want to fucko.

2382
02:13:16,880 --> 02:13:18,480
Speaker 1: This is what he said. This is what he said.

2383
02:13:18,600 --> 02:13:22,840
Speaker 6: He said he had this, he had this, He had

2384
02:13:22,920 --> 02:13:24,840
Speaker 6: this thing about Salt Pepper.

2385
02:13:24,880 --> 02:13:29,760
Speaker 4: This was this is his his right and and and

2386
02:13:30,320 --> 02:13:34,480
Speaker 4: he said, he said, Salt is the person to take

2387
02:13:34,520 --> 02:13:38,160
Speaker 4: home to mama. Spin is the person you want to marry,

2388
02:13:39,120 --> 02:13:42,520
Speaker 4: and ask him. You can ask him yourself. He won't

2389
02:13:42,560 --> 02:13:45,080
Speaker 4: say it, he won't say it publicly for whatever reason,

2390
02:13:45,160 --> 02:13:47,840
Speaker 4: but you can talk to them. And Pepper is the

2391
02:13:47,920 --> 02:13:49,720
Speaker 4: person you want to fuck. It was just this thing

2392
02:13:49,800 --> 02:13:50,839
Speaker 4: about salt and pepper.

2393
02:13:51,240 --> 02:13:55,400
Speaker 1: Oh oh, you calling her? Go ahead on what's happen?

2394
02:13:55,400 --> 02:14:01,600
Speaker 1: I don't know on the regular phone, nigga, ain't fucking me?

2395
02:14:03,440 --> 02:14:10,320
Speaker 1: Oh man, do I got his number? I don't know

2396
02:14:10,400 --> 02:14:12,240
Speaker 1: if that's is this?

2397
02:14:14,040 --> 02:14:15,280
Speaker 4: Just want to see if I can find his number?

2398
02:14:16,080 --> 02:14:21,240
Speaker 1: Please? Is this what number you got?

2399
02:14:21,320 --> 02:14:21,720
Speaker 4: You got this.

2400
02:14:24,840 --> 02:14:27,080
Speaker 1: Exactly? All right? So why am I calling?

2401
02:14:27,320 --> 02:14:27,520
Speaker 4: Okay?

2402
02:14:27,600 --> 02:14:28,520
Speaker 1: But because.

2403
02:14:29,960 --> 02:14:32,200
Speaker 4: You could just talk to him separately. But that was

2404
02:14:32,640 --> 02:14:35,240
Speaker 4: the gist of the conversation that I had with him.

2405
02:14:35,640 --> 02:14:38,120
Speaker 4: And so when when we went into the studio to

2406
02:14:38,280 --> 02:14:43,320
Speaker 4: do it, and he had this idea of how is

2407
02:14:43,360 --> 02:14:48,040
Speaker 4: the one they want to suck mom, take home to mom,

2408
02:14:48,320 --> 02:14:49,440
Speaker 4: take home mom.

2409
02:14:50,760 --> 02:14:52,440
Speaker 1: To get married to marry.

2410
02:14:53,440 --> 02:14:56,280
Speaker 4: Is the one you want to suck and and not him?

2411
02:14:56,440 --> 02:14:59,280
Speaker 4: But he was like, that's how it seems like the

2412
02:14:59,400 --> 02:15:04,240
Speaker 4: world easy, all right. I don't know from what he

2413
02:15:04,400 --> 02:15:07,360
Speaker 4: said that's you know, you'd have to talk with him

2414
02:15:07,360 --> 02:15:12,080
Speaker 4: about it. But it gave us a picture. It gave

2415
02:15:12,160 --> 02:15:17,520
Speaker 4: me a picture of how to vocalize my verse. And

2416
02:15:19,320 --> 02:15:21,960
Speaker 4: when you ask how did it come together, it was

2417
02:15:22,000 --> 02:15:25,400
Speaker 4: a description of how to deliver my verse.

2418
02:15:25,560 --> 02:15:30,760
Speaker 1: So yeah, and that was like your introduction because everyone

2419
02:15:31,240 --> 02:15:31,480
Speaker 1: it was.

2420
02:15:31,560 --> 02:15:34,920
Speaker 4: Just so it wasn't my introduction to MC and though

2421
02:15:35,000 --> 02:15:38,000
Speaker 4: it was because I was on earlier stuff too, but

2422
02:15:38,360 --> 02:15:40,480
Speaker 4: but that was a big one.

2423
02:15:44,240 --> 02:15:47,560
Speaker 1: World and it was you was you pleased?

2424
02:15:47,960 --> 02:15:51,080
Speaker 4: I was very pleased. But you know, I'm a DJ,

2425
02:15:51,400 --> 02:15:53,800
Speaker 4: so I just got up there and just did my

2426
02:15:53,920 --> 02:15:58,400
Speaker 4: thing or whatever, and I mean for that to be

2427
02:15:58,480 --> 02:16:03,680
Speaker 4: a hit, it was. It's still a head to this day.

2428
02:16:03,840 --> 02:16:06,640
Speaker 4: It is as soon as the girl leaves somebody, they

2429
02:16:06,720 --> 02:16:08,560
Speaker 4: be like, what a man, What a man?

2430
02:16:09,720 --> 02:16:11,280
Speaker 3: And as a DJ, to be able to play a

2431
02:16:11,360 --> 02:16:16,040
Speaker 3: record somebody incredible. It's either when they leave them or

2432
02:16:16,080 --> 02:16:18,280
Speaker 3: when they meet somebody like what a man.

2433
02:16:18,960 --> 02:16:21,240
Speaker 4: That by the way, if you want to praise the men,

2434
02:16:21,480 --> 02:16:23,800
Speaker 4: you know, like men don't get a lot of praise.

2435
02:16:24,480 --> 02:16:27,800
Speaker 3: This woman who played this record? Okay, this woman, and

2436
02:16:28,800 --> 02:16:30,600
Speaker 3: they throw it in our face they be like, what

2437
02:16:30,800 --> 02:16:31,160
Speaker 3: a man?

2438
02:16:31,320 --> 02:16:31,880
Speaker 1: What a man?

2439
02:16:32,120 --> 02:16:33,160
Speaker 4: You better be a good man.

2440
02:16:33,320 --> 02:16:34,840
Speaker 1: That's what goddamn taket shot.

2441
02:16:37,320 --> 02:16:39,800
Speaker 6: Okay, So we got the what a man behind us.

2442
02:16:41,440 --> 02:16:42,680
Speaker 6: Shout out to all the men out there.

2443
02:16:42,920 --> 02:16:44,920
Speaker 1: Yes, m.

2444
02:16:47,040 --> 02:16:55,039
Speaker 4: Look, I'm like, so.

2445
02:16:57,920 --> 02:17:03,440
Speaker 3: We have hip hop fifty We had fifty one, now

2446
02:17:03,800 --> 02:17:14,400
Speaker 3: fifty one, now right, we had saltemn Pepper. What is

2447
02:17:14,440 --> 02:17:17,400
Speaker 3: it thirty year anniversary or twenty year anniversary?

2448
02:17:17,480 --> 02:17:17,600
Speaker 8: Oh?

2449
02:17:17,760 --> 02:17:22,920
Speaker 1: No, gosh, well thirty five.

2450
02:17:23,800 --> 02:17:28,320
Speaker 4: Eighty six, So eighty six would be forty years for

2451
02:17:28,480 --> 02:17:32,040
Speaker 4: Salt and Pepper and I came in eighty seven, a

2452
02:17:32,200 --> 02:17:35,400
Speaker 4: year after. Yeah, I think they released first in eighty

2453
02:17:35,480 --> 02:17:36,680
Speaker 4: six if I'm not mistaken.

2454
02:17:37,480 --> 02:17:42,199
Speaker 6: And I came eighty seven, so we're almost the forty

2455
02:17:42,240 --> 02:17:42,640
Speaker 6: year mark.

2456
02:17:42,800 --> 02:17:43,959
Speaker 1: Wow, I think.

2457
02:17:47,160 --> 02:17:49,320
Speaker 4: A little ya A long.

2458
02:17:49,160 --> 02:17:58,040
Speaker 1: Time in your opinion? How would this legacy end? Perfect opinion?

2459
02:18:01,959 --> 02:18:05,280
Speaker 4: We'll figure our shit out, We'll do a world tour.

2460
02:18:07,120 --> 02:18:12,280
Speaker 4: We'll get you know, show the world that we as

2461
02:18:13,000 --> 02:18:19,160
Speaker 4: a unit or a movement as opposed to personal situations,

2462
02:18:19,280 --> 02:18:22,279
Speaker 4: and we would be able to as women address our ship.

2463
02:18:25,000 --> 02:18:25,600
Speaker 1: If it should be.

2464
02:18:26,600 --> 02:18:29,480
Speaker 4: If not, the music will always be there and the

2465
02:18:30,080 --> 02:18:33,520
Speaker 4: memories will always be there. That stands out for me.

2466
02:18:34,560 --> 02:18:38,959
Speaker 4: I always have that, and I think we all will

2467
02:18:39,240 --> 02:18:40,199
Speaker 4: always have the music.

2468
02:18:40,320 --> 02:18:45,520
Speaker 1: So if you could take anything back, what it would

2469
02:18:45,520 --> 02:18:45,680
Speaker 1: it be?

2470
02:18:46,640 --> 02:18:47,280
Speaker 6: Nothing at all?

2471
02:18:48,080 --> 02:18:48,320
Speaker 1: Fuck?

2472
02:18:48,360 --> 02:18:53,080
Speaker 4: I love the answer nothing because it bring you right here.

2473
02:18:53,200 --> 02:18:56,600
Speaker 4: It brought you right here, like I can't regret anything.

2474
02:18:56,640 --> 02:18:58,960
Speaker 4: I mean, there's things that I wish I would have known,

2475
02:19:00,240 --> 02:19:04,440
Speaker 4: known better to do like well, being young and just

2476
02:19:04,560 --> 02:19:08,279
Speaker 4: kind of just going with ship and and just following

2477
02:19:08,360 --> 02:19:12,320
Speaker 4: along and just being afraid to speak my mind early

2478
02:19:12,400 --> 02:19:17,640
Speaker 4: on or say things that would rock the situation. I mean,

2479
02:19:17,680 --> 02:19:19,320
Speaker 4: things might have been a little bit different had I

2480
02:19:19,440 --> 02:19:23,600
Speaker 4: done that, you know. But I can't regret anything because

2481
02:19:23,640 --> 02:19:28,039
Speaker 4: it's all it happened in my time. Yeah, that day,

2482
02:19:28,200 --> 02:19:29,960
Speaker 4: when that day came, when I did speak up, it

2483
02:19:30,120 --> 02:19:33,160
Speaker 4: was all like, do you imagine something just rushing in.

2484
02:19:34,160 --> 02:19:39,840
Speaker 4: I don't regret anything. No, I'm happy where I am.

2485
02:19:41,720 --> 02:19:43,800
Speaker 1: The Rock and Roll Hall of Fame calls.

2486
02:19:45,200 --> 02:19:45,600
Speaker 4: I'm like the.

2487
02:19:47,760 --> 02:19:54,240
Speaker 1: Ring a Lang Lang one day, one day, You're not.

2488
02:19:54,360 --> 02:19:59,439
Speaker 1: You're not denouncing it. You're gonna stay with of course should.

2489
02:20:00,160 --> 02:20:05,360
Speaker 4: And right there and being grateful, thankful, you know. I

2490
02:20:05,520 --> 02:20:08,160
Speaker 4: think I got to say thank you to the girls.

2491
02:20:08,760 --> 02:20:10,680
Speaker 4: I got to say thank you to Herbie for what

2492
02:20:10,920 --> 02:20:13,720
Speaker 4: they have done for me. And you know, I'm here

2493
02:20:13,840 --> 02:20:17,120
Speaker 4: because of that. But I'm also here because of the

2494
02:20:17,240 --> 02:20:21,000
Speaker 4: talent that I exusted, and I'm here because of the

2495
02:20:22,160 --> 02:20:24,640
Speaker 4: just the door that was open for me. I took

2496
02:20:24,760 --> 02:20:28,879
Speaker 4: full advantage of it. And if I ain't live up

2497
02:20:28,920 --> 02:20:31,960
Speaker 4: to this name, then I ain't do my job. If

2498
02:20:32,000 --> 02:20:34,400
Speaker 4: I didn't live up to Spinderella, Like, there's no other

2499
02:20:34,520 --> 02:20:36,360
Speaker 4: Spinderella in this world that would have lived up to

2500
02:20:36,400 --> 02:20:38,640
Speaker 4: this job the way I have no one, no one,

2501
02:20:38,920 --> 02:20:45,680
Speaker 4: no one, And I'm still to this day doing it.

2502
02:20:45,760 --> 02:20:48,080
Speaker 6: But I'm doing a little bit different. I'm enjoying it today.

2503
02:20:48,879 --> 02:20:51,640
Speaker 1: I'm enjoying it today. I used to be a job.

2504
02:20:52,320 --> 02:20:54,400
Speaker 1: It used to be a job. It used to be work.

2505
02:20:54,560 --> 02:20:56,400
Speaker 4: I used to be like, oh my god, the hustle, bustle,

2506
02:20:56,400 --> 02:20:57,959
Speaker 4: and I remember that. But now I get to call

2507
02:20:58,040 --> 02:21:00,240
Speaker 4: my shots on your term. It's on my terms day

2508
02:21:00,240 --> 02:21:01,160
Speaker 4: and it's the best thing ever.

2509
02:21:02,400 --> 02:21:05,720
Speaker 3: Fucking I can't think of a better way to end

2510
02:21:05,800 --> 02:21:09,600
Speaker 3: this fucking just like that, you know what. That's how

2511
02:21:09,600 --> 02:21:14,560
Speaker 3: I'm living life now. Good Fuck everyone, I'm sorry, did

2512
02:21:14,640 --> 02:21:21,920
Speaker 3: I say that about all right? Spend thank you, thank

2513
02:21:21,959 --> 02:21:27,920
Speaker 3: you so much because I know again I know you didn't.

2514
02:21:27,680 --> 02:21:30,880
Speaker 1: Know what you did for me. Yeah earlier what I said,

2515
02:21:31,080 --> 02:21:33,320
Speaker 1: I did not at all.

2516
02:21:33,480 --> 02:21:36,120
Speaker 4: I did not know that was in the background, like

2517
02:21:36,640 --> 02:21:40,600
Speaker 4: I would like, it's the same the same position.

2518
02:21:41,640 --> 02:21:44,800
Speaker 1: Oh did she go like that's crazy?

2519
02:21:48,000 --> 02:21:51,879
Speaker 3: And thank you so much. But by the way, let's

2520
02:21:52,000 --> 02:21:56,040
Speaker 3: reiterate me and e FN, this is your house. Anytime

2521
02:21:56,120 --> 02:21:58,360
Speaker 3: you want to promote something, if you want to promote

2522
02:21:58,680 --> 02:22:04,000
Speaker 3: that you got yellow ice dropping and it's just your

2523
02:22:04,040 --> 02:22:06,240
Speaker 3: PEPs selling yellow ice.

2524
02:22:07,959 --> 02:22:10,760
Speaker 1: But guess what, there's certain.

2525
02:22:10,600 --> 02:22:15,400
Speaker 3: Niggas that I did, thee.

2526
02:22:19,120 --> 02:22:21,760
Speaker 1: The algorithms I look at that it makes one day.

2527
02:22:21,760 --> 02:22:22,200
Speaker 1: I'll be back.

2528
02:22:22,400 --> 02:22:25,880
Speaker 3: You can be back anytime you want, because this is

2529
02:22:25,959 --> 02:22:31,080
Speaker 3: your house. Respect your husband, respect to your daughter, respected

2530
02:22:31,400 --> 02:22:35,200
Speaker 3: your family, because your family is the associated family of

2531
02:22:35,320 --> 02:22:35,880
Speaker 3: my family.

2532
02:22:36,560 --> 02:22:39,360
Speaker 1: And but that's not why you're here.

2533
02:22:39,480 --> 02:22:43,000
Speaker 3: You hear it, because you're one of the greatest DJs

2534
02:22:43,040 --> 02:22:46,279
Speaker 3: of all time. And I wanted to say that, particularly

2535
02:22:46,520 --> 02:22:51,440
Speaker 3: because certain people say greatest female DJs, and I don't.

2536
02:22:51,640 --> 02:22:52,119
Speaker 1: I can't.

2537
02:22:53,040 --> 02:22:58,039
Speaker 3: I don't identify with that. Identify with DJ yes, not female.

2538
02:22:59,120 --> 02:23:02,920
Speaker 3: I'm killing it. The transis period. People gonna fuck with me.

2539
02:23:08,720 --> 02:23:15,039
Speaker 3: She is one of the greatest DJs of all fucking time. Amazing,

2540
02:23:15,400 --> 02:23:19,880
Speaker 3: not man, not woman, not black, not white, not Puerto Rican,

2541
02:23:20,200 --> 02:23:25,640
Speaker 3: not fucking do Dolph, no, not just diuzled off never,

2542
02:23:25,840 --> 02:23:27,560
Speaker 3: just great.

2543
02:23:27,840 --> 02:23:39,480
Speaker 1: One of the greatest DJs of all fucking time. Thank

2544
02:23:39,560 --> 02:23:43,080
Speaker 1: you Thank you so much for coming, Thanks for our president.

2545
02:23:44,520 --> 02:23:45,840
Speaker 4: Yes, thank you for my flowers.

2546
02:23:46,760 --> 02:23:51,920
Speaker 1: Jesus one love, thank you so much.

2547
02:23:52,440 --> 02:23:55,840
Speaker 2: Drink Champs is a Drink Champs LLC production hosts and

2548
02:23:55,959 --> 02:23:58,880
Speaker 2: executive producers n O r E and d j e

2549
02:23:59,160 --> 02:24:04,680
Speaker 2: f N. Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

2550
02:24:04,959 --> 02:24:08,600
Speaker 2: or wherever you get your podcasts. Thanks for joining us

2551
02:24:08,640 --> 02:24:11,279
Speaker 2: for another episode of Drink Champs hosted by Yours Truly,

2552
02:24:11,400 --> 02:24:14,320
Speaker 2: dj e FN and n r E. Please make sure

2553
02:24:14,360 --> 02:24:16,640
Speaker 2: to follow us on all our socials That's at drink

2554
02:24:16,720 --> 02:24:21,039
Speaker 2: Champs across all platforms at the Real noriagon ig at

2555
02:24:21,120 --> 02:24:24,440
Speaker 2: Noriega on Twitter, mine is at Who's Crazy on ig

2556
02:24:25,200 --> 02:24:28,280
Speaker 2: at dj e FN on Twitter, and most importantly, stay

2557
02:24:28,320 --> 02:24:31,320
Speaker 2: up to date with the latest releases, news and merch

2558
02:24:31,480 --> 02:24:33,360
Speaker 2: by going to drink Champs dot com.

2559
02:24:43,600 --> 02:24:48,800
Speaker 13: Hazardy Sounds Rising the Machines Cast Your Mentals Volume one

2560
02:24:50,000 --> 02:24:52,439
Speaker 13: available now on all platforms.

2561
02:24:53,440 --> 02:24:54,920
Speaker 1: Download today.

2562
02:25:04,920 --> 02:25:08,760
Speaker 13: Rising the Machines Song Contest seeking out.

2563
02:25:08,640 --> 02:25:11,360
Speaker 1: All artists that want to take their career to the

2564
02:25:11,480 --> 02:25:12,080
Speaker 1: next level.

2565
02:25:12,640 --> 02:25:16,520
Speaker 13: Go ahead and join today by downloading the album, picking

2566
02:25:16,600 --> 02:25:19,440
Speaker 13: out your favorite beat, and making a song versu or

2567
02:25:19,520 --> 02:25:23,960
Speaker 13: hook to it submitted to Hazardous Sounds at gmail dot com,

2568
02:25:24,680 --> 02:25:27,959
Speaker 13: and you will be judged by celebrity judges. DJ EFN

2569
02:25:28,120 --> 02:25:32,920
Speaker 13: Drink Champs owned sp Killer platinum producer and Scram Jones

2570
02:25:33,200 --> 02:25:36,959
Speaker 13: Multiplantnum producer as well. You can also summit via ig

2571
02:25:37,520 --> 02:25:42,760
Speaker 13: by recording a video and performing the song simply tag

2572
02:25:42,920 --> 02:25:46,560
Speaker 13: Rise of the Machines Song Contest and we will repost

2573
02:25:46,840 --> 02:25:51,480
Speaker 13: your video as well. Winners will be announced September seventh.

2574
02:25:53,360 --> 02:25:56,000
Speaker 13: Join today and may the best artists win

2575
02:26:00,720 --> 02:26:01,080
Speaker 8: The gover