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Speaker 1: Hey, welcome to Weird House Cinema. Rewind. This is Rob Lamb.

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Speaker 1: I'm going to reair an older episode of Weird House

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Speaker 1: Cinema here today and it's one that we have rerun before.

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Speaker 1: It is the Paul Nashy film Horror Rises from the Tomb,

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Speaker 1: also starred Helga Linney. This is a wonderful nineteen seventy

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Speaker 1: three Spanish horror film, and you know, I just had

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Speaker 1: the opportunity to see it once more on the big

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Speaker 1: screen at the Plaza Theater here in Atlanta. This was

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Speaker 1: part of the Shane Morton Presents series. I'm to understand

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Speaker 1: he's going to do more of these, showcasing a lot

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Speaker 1: of international horror films over the months and months ahead.

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Speaker 1: I think he said he's going to do like four

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Speaker 1: of these a year. So if you're Atlanta based, check

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Speaker 1: this out. If you're Atlanta based or just visiting the

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Speaker 1: Atlanta area, be sure to check out the Plaza Theater

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Speaker 1: historic theater here in Atlanta. They do so much great programming.

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Speaker 1: I mean it's almost too much. Every week. I'm like,

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Speaker 1: oh man, there's like two or three things I'd love

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Speaker 1: to go to. And you know, generally I'm pushing it

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Speaker 1: to try and make it out to one. But hey,

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Speaker 1: there's nothing beat seeing a classic film on the big screen.

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Speaker 1: And yeah, Horror Rises from the Tomb, in my opinion,

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Speaker 1: is quite excellent. This is a lot of fun. So

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Speaker 1: let's dive right into this older discussion, and I will

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Speaker 1: add one more caveat. At the time, Joe and I had,

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Speaker 1: I think largely just discovered Paul Nashi for ourselves, and

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Speaker 1: at this point our esteem for Paul nash news works

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Speaker 1: has risen quite a lot, risen from the Tomb even so,

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Speaker 1: this is one that I've often thought about. It's like, man,

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Speaker 1: I'd love to just do this episode again, so much

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Speaker 1: more I'd like to say about Paul Nashi and this

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Speaker 1: particular film. But anyway, this is the older episode. Still

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Speaker 1: a lot of great content in here. We've covered other

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Speaker 1: Paul nan she films since this episode came out, and

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Speaker 1: I guarantee you we will do more Paul Nashy films

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Speaker 1: in the future. All right, let's venture into the Tomb.

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Speaker 2: Welcome to stuff to blow your mind. A production of iHeartRadio.

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Speaker 3: So I just finished rewatching it and made it to

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Speaker 3: the end where there's a really good stunt fall I

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Speaker 3: don't know if you caught that when the headless body

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Speaker 3: of the Warlock rolls down the steps and it's it's

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Speaker 3: obviously not a dummy, it's a stunt man. Oh yeah,

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Speaker 3: headless suit. He's getting the legs going all of this,

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Speaker 3: so we obviously can't see.

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Speaker 1: I think the effects in this movie are better than

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Speaker 1: they should have been in some regards, like I like

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Speaker 1: the scenes where there's the lifting of the head. You know,

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Speaker 1: I'm something of a well, I wouldn't say I'm a

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Speaker 1: kind of sewer, but I put I pay a lot

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Speaker 1: of attention whenever there's a beheading and there's head being

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Speaker 1: handled in a film, because I'm always curious, like, how

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Speaker 1: good is it going to look? How are they going

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Speaker 1: to do it? Are they going to do the dummy head?

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Speaker 1: Are they going to do like, you know, shooting an

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Speaker 1: actual head the right way and making it look like

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Speaker 1: it's detached. And they did a mix here that mostly

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Speaker 1: worked pretty well. I've seen it look rougher in more

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Speaker 1: expensive movies.

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Speaker 3: Well, it depends what you mean by well. I do agree, though,

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Speaker 3: I found I think literally every scene with the severed

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Speaker 3: head hilarious.

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Speaker 1: Well, it is inherent. Yeah, there's something inherently hilarious about it, too,

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Speaker 1: especially given the seriousness with which it is approached.

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Speaker 3: Did we already start the episode?

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Speaker 4: Hey?

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Speaker 3: Hello, are you listening?

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Speaker 1: Oh hey, welcome to Weird House Cinema.

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Speaker 3: My name is Rod Lamb and I'm Joe McCormick.

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Speaker 1: Yeah. We were just talking a little bit about beheadings

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Speaker 1: and movies disembodied heads, the living head off the beheaded,

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Speaker 1: because that's what we have in today's film, in nineteen

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Speaker 1: seventy three's Horror Rises from the Tomb Rob.

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Speaker 3: I feel like this is the third or fourth early

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Speaker 3: seventies Spanish horror movie you have picked. What What's got

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Speaker 3: you going down this road? How'd you end up in

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Speaker 3: in seventies Spain?

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Speaker 1: Oh, there's just something about this, this whole realm of

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Speaker 1: horror filmmaking. There's just some really there's some great stuff here,

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Speaker 1: and there's a lot of great stuff that I haven't seen.

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Speaker 1: So it's exciting to me because the film we're talking

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Speaker 1: about here to today, Horror Rises from the Tomb he

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Speaker 1: is considered a classic of seventies Spanish horror, Like this

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Speaker 1: is a this film is a big deal. So I

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Speaker 1: had not seen it previously, so it was it was.

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Speaker 1: It was one I was it was interested in. I

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Speaker 1: was reading the synopsis and I was like, all right,

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Speaker 1: as long as this one sort of stays within the parameters,

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Speaker 1: this could be the film for this week. And lo

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Speaker 1: and behold it was. So.

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Speaker 3: I didn't know anything about this movie going in, but

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Speaker 3: I was. I was certainly tempted when you when you

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Speaker 3: shared with me, I think a user review you came

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Speaker 3: across on some website that essentially made it seem like

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Speaker 3: this may in fact have also been an ego trip

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Speaker 3: for a particular writer slash actor.

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Speaker 1: Yeah, there are accounts of Paul Nashy, the star and

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Speaker 1: writer here and in his his his ego. I have

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Speaker 1: seen that written about, and yeah, this is I ran

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Speaker 1: across this particular write up on Letterboxed letterboxed dot com.

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Speaker 1: That's l E T T E R b o x D.

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Speaker 1: That's a great website to go to if you want

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Speaker 1: listings of films, lists of films, and hey, we are

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Speaker 1: on there. We have an account under the user named

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Speaker 1: weird House, and you can go there and see all

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Speaker 1: the films that we've talked about in a nice visual display.

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Speaker 1: And I also have links to the podcast episodes on there.

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Speaker 1: But anyway, this particular review, Yeah, a user by the

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Speaker 1: name of their name is spelled like lou l o u,

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Speaker 1: but then it says rhymes with Wao, so I guess

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Speaker 1: it's Loo Loo. Right. When Paul Nashi wrote this movie

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Speaker 1: about medieval Paul Nashi getting decapitated because of alleged Satanist practices,

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Speaker 1: he knew it was really about the executioners being jealous

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Speaker 1: of medieval Paul Nashi's good looks slash him being irresistible

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Speaker 1: to women everywhere. When it came time for Paul Nashi

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Speaker 1: to write a hero into the story to save everyone

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Speaker 1: and their wives from the clutches of medieval Paul Nashi,

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Speaker 1: he conjured up dreaming present day hunk Paul Nashi. He

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Speaker 1: knew that even if dreamy Paul Nashi wouldn't be able

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Speaker 1: to defeat medieval Paul Nashi, he would at least be

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Speaker 1: recognized as the hero Dreamy Paul Nashi really is.

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Speaker 3: I'd say that's about right. So this movie was not

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Speaker 3: directed by Paul Nashi, but written by Paul Nashi and

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Speaker 3: starring Paul Nashi in at least three different roles.

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Speaker 1: That's right now, I think that I would critique. This

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Speaker 1: review is hilarious and I love it, but it's not

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Speaker 1: one accurate in terms of what we get out of

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Speaker 1: the Paul Nashi's and we'll get into that the different

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Speaker 1: Paul nash characters. There's really one dreamy Paul Nashy character

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Speaker 1: in this film, and he's pretty magical.

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Speaker 3: So I was watching this movie on a streaming service

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Speaker 3: that is supported by AD breaks, and I was deeply

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Speaker 3: intrigued by the fact that the movie has major themes

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Speaker 3: of a floating severed warlockhead dripping neck blood on things,

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Speaker 3: including like a painting in the process of being painted,

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Speaker 3: and so we'd have the head, it would dribble some

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Speaker 3: neck blood, and then we would cut to commercial and

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Speaker 3: the commercials are all for paper towels and other cleaning products.

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Speaker 3: Is this a coincidence or has AD targeting got this good,

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Speaker 3: like they can detect the contents of the film and

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Speaker 3: adjust ads accordingly.

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Speaker 1: I don't know. I mean, you know, when stains are

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Speaker 1: at their worst, such as from dripping heads, you need

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Speaker 1: a quality paper towel.

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Speaker 3: The other thing about the streaming service that I thought

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Speaker 3: was funny was that it said this movie is rated

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Speaker 3: TV fourteen despite it being absolutely wall to wall, severed heads,

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Speaker 3: gratuitous nudity and dripping blood all over the place.

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Speaker 1: That's right.

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Speaker 3: Maybe maybe that's like euro rating standards. I don't know.

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Speaker 1: Maybe, so, yeah, this is not a film for the children.

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Speaker 1: Though I have read that there is a quote unquote

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Speaker 1: clothed cut of this, so they might have shot some

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Speaker 1: alternate scenes in which various characters are clothed instead of

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Speaker 1: in various states of nudy, but it would be an

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Speaker 1: entirely different film that way, so I'm not sure I

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Speaker 1: can recommend that even if you can find that cut.

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Speaker 3: Another thing I will say about my experience of watching

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Speaker 3: the Horror Rises from the Tomb is that it had

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Speaker 3: two features which may seem at odds with each other,

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Speaker 3: but we're both simultaneously true. One is that the plot

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Speaker 3: is extremely simple. There are not a lot of like

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Speaker 3: twist and turns and machinations. And at the same time,

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Speaker 3: at least half of the scenes in this movie, I

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Speaker 3: had no idea what was going on. By that, I mean,

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Speaker 3: I could not tell you who some at least some

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Speaker 3: of the characters on screen were, how they arrived at,

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Speaker 3: what they're doing, why they're doing it, or what it means.

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Speaker 1: Yeah, there were a few scenes in this where I

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Speaker 1: think I watched them three times and then consulted a

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Speaker 1: plot summary to figure out exactly what the characters were

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Speaker 1: attempting to do. Uh huh.

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Speaker 3: Yeah, I've had really in the first half, had a

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Speaker 3: hard time keeping the different characters and their relationships straight.

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Speaker 3: I did not know who was who until until the

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Speaker 3: Warlock magic really starts happening in the second half. Then

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Speaker 3: I guess it gets easier to follow.

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Speaker 1: Yeah, I mean, ultimately, this is a movie about the

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Speaker 1: ultimate occult power couple coming back from the dead to

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Speaker 1: just tear it up. And so once they're back and

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Speaker 1: in action, you're one hundred percent on board. You can

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Speaker 1: you basically know where things are going and you can

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Speaker 1: follow the chaos, but you have to get up to

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Speaker 1: that point, and it can be a little confusing but

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Speaker 1: never boring getting right.

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Speaker 3: It's like the Sonny and Share of Satanism rise from

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Speaker 3: the Grave in order to get rid of on the

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Speaker 3: what the descendants of the inquisitors who put them to

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Speaker 3: the sword.

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Speaker 1: Yes, but also I think they they just want to

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Speaker 1: consume human hearts, drink blood, worship Satan and so forth.

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Speaker 3: Yeah, but in the parts where I had no idea

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Speaker 3: what was going on. I think part of that is

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Speaker 3: dialogue and dubbing, Like this movie did have that quality

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Speaker 3: of I would literally be watching a scene with my

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Speaker 3: full attention. I'm not on my phone, I'm not distracted,

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Speaker 3: full attention. But then afterwards I could not summarize what

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Speaker 3: anybody said in the scene. So there's a bit of that.

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Speaker 3: But then another part I think that made it a

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Speaker 3: little hard to follow is that the cinematography drifts more

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Speaker 3: toward that dreamy style that you would see in like

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Speaker 3: a full Chi movie, where I think often our brains

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Speaker 3: are trained, we pick up on certain cues of how

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Speaker 3: a scene looks and sounds, and like, ah, this feels

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Speaker 3: more like a dream sequence. I don't need to pay

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Speaker 3: close attention to the plot because it's you know, it's

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Speaker 3: it's it's dreamy mode. Except this actually is just the

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Speaker 3: phys reality of the narrative.

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Speaker 1: The world of the living is a dream of the dead,

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Speaker 1: which is probably not true, but that sounds like the

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Speaker 1: logic you would hear in a seventies.

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Speaker 3: Horror trailer, right, yes, yes.

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Speaker 1: Yeah, I think when it comes to this movie's very memorable,

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Speaker 1: I think, but there is in terms of like remembering lines,

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Speaker 1: The most memorable lines for me are some of the

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Speaker 1: dumb things that the painter character Maurice says are occult

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Speaker 1: power couple. Here, they have plenty of times where they

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Speaker 1: basically just say occult things, and while I don't recall

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Speaker 1: the details, the feel of it resonates. So I'd say

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Speaker 1: this is a movie that is more to be felt

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Speaker 1: than comprehended. And again I had to go back and

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Speaker 1: watch some things several times just to make sure I

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Speaker 1: was understanding what they were doing. But to be clear,

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Speaker 1: this film rocks. You should see it if you want

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Speaker 1: to see it. If you're like, well, I I want

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Speaker 1: to see this for myself before I get into the

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Speaker 1: main episode, well let me tell you where you can

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Speaker 1: get it. First of all, as far as physical media goes,

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Speaker 1: Shout Factory as the Paul Nashy collection out on Blu

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Speaker 1: Ray that has the films in it, Horror Rises from

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Speaker 1: the Tomb, Vengeance of the Zombies, Blue Eyes of the

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Speaker 1: Broken Doll, Night of the Werewolf, and Human Beasts. You

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Speaker 1: can also pick up Horror Rises from the Tomb on DVD.

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Speaker 1: I watched it on Prime, but it was not great

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Speaker 1: quality and it was formatted for television. I think the

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Speaker 1: version you watched was on tub It was letterbox edition.

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Speaker 1: But of course you're gonna have ads that way, so

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Speaker 1: you know, it depends how you want to play it.

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Speaker 1: I ended up going back on Twoby and watching some

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Speaker 1: of the scenes again that I needed to revisit.

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Speaker 3: I mean, I'd say it's worth it just for the

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Speaker 3: hilarious ad cutaways, but.

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Speaker 1: Who knows how the machine's working there. It may pick

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Speaker 1: up on something else with somebody else's experience, right, yeah, yeah,

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Speaker 1: all right, Well the basic elevator pitch here is Yeah,

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Speaker 1: I mean, Horror Rises from the Tomb. Don't worry if

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Speaker 1: you watch this film, Horror will rise from the tomb.

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Speaker 1: The ultimate occult power couple won't let death stand in

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Speaker 1: their way.

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Speaker 3: It's a tender love story about a warlock and his head.

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Speaker 3: Boy meets girl. Boy loses head, boy regains head, boy

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Speaker 3: gets revenge, Boy loses his head.

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Speaker 1: Well, boy loses, boy loses his head, Boy loses girl,

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Speaker 1: Boy regains head, Boy regains girl, Boy loses girl, boy

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Speaker 1: loses his head. That's the full plots.

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Speaker 3: Dinosaurs eat boy, woman inherits the Earth.

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Speaker 1: Yeah.

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Speaker 4: From the dark and Mysterious Middle Ages, full of mystery

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Speaker 4: and violence. There now comes to the screen. Fear rises

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Speaker 4: from the tomb, a curse which would bring these people

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Speaker 4: to the most terrifying situations. Fear rises from the tomb

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Speaker 4: with all the mystery and terror of medieval rights and witchcraft,

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Speaker 4: the infernal powers of evil persecuting these defenseless bees. Beer

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Speaker 4: rises from the Tomb. A pro film's production, directed by

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Speaker 4: Carlos auded seven wombs of past today we shall take them.

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Speaker 2: I want when the Supreme day comes, that they are

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Speaker 2: sufficiently prepared for the sacrifice.

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Speaker 1: All right, Well, let's talk a bit about the humans

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Speaker 1: involved in this before we get back into the plot. So,

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Speaker 1: as we mentioned already, Paul Nashi did not direct this.

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Speaker 1: He was directed by Carlos Arid who lived nineteen thirty

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Speaker 1: seven through two thousand and eight. He was a Spanish

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Speaker 1: director of various erotic dramas and Paul Nashi horror films,

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Speaker 1: including Curse of the Devil from seventy three, Blue Eyes

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Speaker 1: of the Broken Doll from seventy four, and The Mummies

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Speaker 1: Revenge from seventy five. As a producer, he helped bring

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Speaker 1: the films Alien Predator from eighty six into.

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Speaker 3: The blood, not alien versus predator, but not just alien

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Speaker 3: predator alien predator.

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Speaker 1: He also produced or was one of the producers on

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Speaker 1: Claudio Fragaso of Troll two themes nineteen eighty four film

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Speaker 1: Monster Dog starring Alice Cooper. What.

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Speaker 3: I don't think I knew about that, or if I

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Speaker 3: did it.

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Speaker 1: I haven't seen it, but I've seen the posters and

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Speaker 1: some stills from it. It looks it looks wonderfully awful.

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Speaker 1: And as you might recall from our episode on trollto

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Speaker 1: I mean, Claudio Fragaso took this very seriously, this filmmaking thing,

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Speaker 1: and so he's exactly the sort of director you want

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Speaker 1: directing a film called Monster Dog starring Alice Cooper.

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Speaker 3: So if Troll two was a film about how he

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Speaker 3: believed that meat eaters were being persecuted by vegetarians, what

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Speaker 3: is the meaning of Monster Dog.

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Speaker 1: I'm not sure, but if the poster is any indication

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Speaker 1: he pursues this topic, this subject matter via some sort

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Speaker 1: of like fleshless killer doberman gross.

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Speaker 3: Yeah, all right, so that's the director technically, but I

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Speaker 3: don't know. The vibe gives the pretty much top to bottom,

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Speaker 3: this is the Paul Nashi show.

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Speaker 1: That's right.

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Speaker 3: So who is this guy?

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Speaker 1: So Paul Nashi, Yeah, who has story and screenplay credits

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Speaker 1: on this. He plays our Warlock character Alaric Dimarnac. He

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Speaker 1: also plays this is complicated, but Alarach's traitor's brother, Armand Demarnac.

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Speaker 1: And he also plays Armand's descendant, Hugo Demarnac in the present.

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Speaker 1: So three different roles, and all of them have a

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Speaker 1: different feel to them.

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Speaker 3: Though. It's weird because his descendant character is not like

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Speaker 3: the inheritor of the Warlock throne. He in fact, he

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Speaker 3: basically just treats his own descendant as another enemy.

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Speaker 1: Yeah. Yeah, and you know there's a to there. I

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Speaker 1: feel like there's a different energy to Hugh. I mean

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Speaker 1: Hugo the modern day Paul Nashy character in this Whitch,

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Speaker 1: but I mean, I mean the nineteen seventies. You know,

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Speaker 1: he's still kind of a stylish dude. But he's also

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Speaker 1: I mean, he's doomed. He can't stand up to the Warlock.

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Speaker 1: He's not like, I am the descendant of Alaric and

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Speaker 1: therefore I'm the one who can defeat him. No, No,

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Speaker 1: it's not going to go that way at all.

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Speaker 3: Now. In fact, he's a doomed skeptic and he's the

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Speaker 3: guy who like doesn't believe in the power of spirit mediums,

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Speaker 3: so you know things are not going to end well

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Speaker 3: for him. Movies like this do not reward people who

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Speaker 3: don't believe in the supernatural, and so nash But also

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Speaker 3: I would say about Nashi's character, this is not unique

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Speaker 3: to him, but he is. This movie has multiple contemporary

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Speaker 3: characters who are very much like turtleneck sweater tucked into

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Speaker 3: pants guys.

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Speaker 1: Yeah, yeah, and yeah. They just sort of wander into

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Speaker 1: all this with They're like, yeah, let's have a seance

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Speaker 1: that this old estate, let's call back. Let's see we

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Speaker 1: can call the spirit of this dead warlock. That sounds

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Speaker 1: like a good time. We'll have some wine, we'll smoke

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Speaker 1: a little bit. What could possibly go wrong?

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Speaker 3: I would say Paul Nashy's energy as an actor is

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Speaker 3: a strange combination something I'm not really used to. In

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Speaker 3: one sense, he has very traditional, almost kind of like

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Speaker 3: boxy or rectangular masculine movie star energy. I'm trying to

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Speaker 3: think of who to compare, you know, like a like

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Speaker 3: a Ed Begley senior or something. But then on the

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Speaker 3: other half, kind of a weirdo worminess that is almost

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Speaker 3: the likes of Peter Lorie.

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Speaker 1: Yeah, yeah, he has his His physicality is is interesting

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Speaker 1: to behold. Yeah, because because on one level, I mean,

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Speaker 1: he's he's clearly ripped, as we'll discuss he was. He's

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Speaker 1: a former professional weightlifter. So so he's, uh, you know,

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Speaker 1: he's quite a physical specimen. And yes he he but

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Speaker 1: yet he can he does have this kind of wormy

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Speaker 1: quality to him. He is a natural energy for playing

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Speaker 1: this eternal outsider, this warlock that was beheaded in the

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Speaker 1: past and now has to murder his way into being

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Speaker 1: again in the present. So some of you might be wondering, well,

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Speaker 1: who is Paul Nashi. We're talking about him. He sounds

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Speaker 1: pretty great. Well, he is, in many people's words, the

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Speaker 1: Lon Chaney junior of Spanish horror cinema.

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Speaker 3: Wow.

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Speaker 1: So he was born Jaquinto Molino, but he assumed the

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Speaker 1: name Paul Nashi for acting. And yeah, he plays three

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Speaker 1: separate characters in this film. Also wrote the screenplay. And

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Speaker 1: this is a guy. We can't really appreciate the full

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Speaker 1: richness of Paul Nashi in a single episode of Weird

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Speaker 1: House Cinema, but I feel like this is a really

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Speaker 1: fun film and a great introduction to him at least.

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Speaker 1: So this is a guy who was born into a

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Speaker 1: successful furrier's family during the Spanish Civil War, who then

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Speaker 1: began to pursue a serious adult life of professional weightlifting

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Speaker 1: and architecture, but deep down only wanted one thing. He

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Speaker 1: wanted to be the wolf Man, The Wolfman, the Wolfman. Yeah.

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Speaker 1: I mean, from what I've read, he grew up, you know,

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Speaker 1: idolizing these old horror movies and especially the wolfman roles,

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Speaker 1: the Lion Cheney Junior sort of roles, and fate would

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Speaker 1: deliver him in that direction. So he started out in

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Speaker 1: various uncredited and sometimes rumored roles in various nineteen sixties

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Speaker 1: Spanish production stuff like El Sid an episode of the

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Speaker 1: TV show I Spy. But then in nineteen sixty eight

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Speaker 1: he wrote and starred in a film that was originally

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Speaker 1: titled Mark of the Werewolf, but then on the American

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Speaker 1: groundhouse circuit it had the name Frankenstein's Bloody Terror, in

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Speaker 1: which he played werewolf of Valdemar Daninski for the first

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Speaker 1: of many, many times.

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Speaker 3: So this was a franchise, Yeah, yeah.

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Speaker 1: He did. I think it's like a dozen of these,

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Speaker 1: with titles like Assignment Terere Wolf versus The Vampire Woman,

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Speaker 1: The Fury of the Wolf Man, Doctor Jackal versus The Werewolf,

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Speaker 1: Curse of the Devil, Night of the Howling Beast, Night

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Speaker 1: of the Werewolf, the Beast and the Magic Sword, Howl

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Speaker 1: of the Devil, like Cantripus, The Moonlight Murders, and Tomb

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Speaker 1: of the Werewolf. Most of these films are from the

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Speaker 1: seventies and eighties, but they ultimately span five decades, and

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Speaker 1: they're not a continuous narrative by any means, with the

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Speaker 1: plots varying wildly, like there's somewhere he goes to Asia

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Speaker 1: and like goes to Tibet and Japan to try and

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Speaker 1: treat his lacanthropy. But a number of them look phenomenal

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Speaker 1: and they're just total werewolf features.

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Speaker 3: Well, I feel like this sheds new light on a

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Speaker 3: major flub in the movie that really seems like it

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Speaker 3: should have been caught, which is that in the English dub,

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Speaker 3: at least, there's one part where they try to say

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Speaker 3: the word lichen thropes, but instead they say I think

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Speaker 3: lincoln thropes, like President Lincoln.

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Speaker 1: Yeah, yeah, I noticed that that was I actually went

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Speaker 1: back and looked at that on two be with the

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Speaker 1: captions on and the captions for this one said, you

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Speaker 1: have empires in Lincoln's robes instead of you are vampires

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Speaker 1: and Lincoln tropes licenthropes. But they said lincoln thropes, yeah,

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Speaker 1: Lincoln thropes, Yeah, Lincoln throat. The dubs has Lincoln thropes.

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Speaker 1: They mean like they're talking about lacantrobe. But yeah. But

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Speaker 1: we'll come back to the formal charges against Alaric in

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Speaker 1: a bet. But back to Nashi here. Mostly it was

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Speaker 1: this werewolf character that he returned to, but the warlock

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Speaker 1: character in this Alric he does come back in a

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Speaker 1: later nineteen eighty two film called Panic Beats apparently and

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Speaker 1: plays the character once more.

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Speaker 3: Is that about does he become a disco warlock? What's

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Speaker 3: the beats referred to?

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Speaker 1: I'm not sure comes back from the grave. But and

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Speaker 1: it may not even be connected because, like I say,

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Speaker 1: much of many of these werewolf films, it's not like

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Speaker 1: it's a concise narrative. It's like, let's bring let's bring

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Speaker 1: this guy back again, let's have another adventure. It doesn't

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Speaker 1: mean it has to actually make sense or be stitched

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Speaker 1: into the grand fabric of the thing.

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Speaker 3: Okay, I see, like you can have many Dracula movies,

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Speaker 3: but they're not like all direct sequels to each other

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Speaker 3: with continuous or plot continuity exactly.

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Speaker 1: Yeah.

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Speaker 3: Well now, but I am thinking beats that because you

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Speaker 3: look at Nashi as the warlock in this movie, and

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Speaker 3: he does look like he could tear up the dance floor,

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Speaker 3: like he would get out there in the lights. I mean,

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Speaker 3: he'd be doing the whole what's the you know, the

431
00:23:32,320 --> 00:23:35,639
Speaker 3: pointing dance, the John Travolta one.

432
00:23:35,440 --> 00:23:38,200
Speaker 1: I know the one. I don't know what it's called. Okay,

433
00:23:38,359 --> 00:23:40,960
Speaker 1: So just a little more more on Nashi here. I

434
00:23:41,240 --> 00:23:44,840
Speaker 1: looked into him a bit of reading an article, actually

435
00:23:44,840 --> 00:23:47,480
Speaker 1: a chapter in a book titled an Icon Rises from

436
00:23:47,480 --> 00:23:50,679
Speaker 1: the Grave The twenty first century Cult Stardom of Paul Nashi,

437
00:23:50,960 --> 00:23:55,080
Speaker 1: written by Andy Willis. Willis writes that Nashi was central

438
00:23:55,119 --> 00:23:58,560
Speaker 1: to quote the development, revival, and reinvention of horror cinema

439
00:23:58,600 --> 00:24:01,639
Speaker 1: in Spain. The paper mostly centers around the cult like

440
00:24:01,720 --> 00:24:06,119
Speaker 1: revival of appreciation for Nashi late in his life and career,

441
00:24:06,600 --> 00:24:09,480
Speaker 1: as film fans and filmmakers in Spain and beyond began

442
00:24:09,560 --> 00:24:13,600
Speaker 1: to reevaluate his films, but it does put point out that, yeah,

443
00:24:13,640 --> 00:24:16,360
Speaker 1: he was very much operating in a time when horror

444
00:24:16,400 --> 00:24:19,040
Speaker 1: was seen as very low brow in Spanish cinema. Like,

445
00:24:19,880 --> 00:24:22,280
Speaker 1: if you had any self respect, you'd be working in

446
00:24:22,359 --> 00:24:25,679
Speaker 1: serious cinema. And if you were doing horror then like

447
00:24:25,880 --> 00:24:26,600
Speaker 1: what are you doing?

448
00:24:26,960 --> 00:24:30,120
Speaker 3: But what was serious cinema at the time, peplam movies

449
00:24:30,240 --> 00:24:31,719
Speaker 3: like The Sword and Sandal stuff.

450
00:24:32,119 --> 00:24:35,960
Speaker 1: Yeah, yeah, just serious dramas about history and so forth.

451
00:24:36,640 --> 00:24:38,879
Speaker 1: You know nothing about I mean, this is about history though,

452
00:24:39,040 --> 00:24:42,720
Speaker 1: this is about an historic warlock. So I don't know.

453
00:24:42,760 --> 00:24:45,720
Speaker 1: I don't know why the industry was so down on

454
00:24:45,760 --> 00:24:56,440
Speaker 1: this film at the time. All right, well we'll come back.

455
00:24:56,480 --> 00:25:00,800
Speaker 1: We'll discuss more about this wonderful performance as we continue.

456
00:25:01,080 --> 00:25:03,400
Speaker 1: But there are other human beings we need to mention,

457
00:25:03,480 --> 00:25:06,359
Speaker 1: at least in passing. Okay, we mentioned earlier. This is

458
00:25:06,359 --> 00:25:10,800
Speaker 1: a power couple. It's not just Alaric, it's Alaric and Mobile.

459
00:25:11,040 --> 00:25:14,800
Speaker 1: He has to bring Mobile back to life. Mabil is

460
00:25:14,840 --> 00:25:19,280
Speaker 1: played by Helga Line. Helga is back. She was the

461
00:25:19,320 --> 00:25:24,840
Speaker 1: titular Larele from The Laureles Grasp, the gorgeous redhead German

462
00:25:24,920 --> 00:25:27,359
Speaker 1: born actor who made a name for herself mostly in

463
00:25:27,400 --> 00:25:31,200
Speaker 1: Spanish cinema. Both of these films came out in seventy three,

464
00:25:31,680 --> 00:25:34,159
Speaker 1: so if you want to hear more about her, go

465
00:25:34,280 --> 00:25:36,200
Speaker 1: back to that episode. But she was born in nineteen

466
00:25:36,240 --> 00:25:40,840
Speaker 1: thirty one. As of this recording is still alive, and

467
00:25:41,720 --> 00:25:44,159
Speaker 1: she worked from nineteen forty one through two thousand and

468
00:25:44,200 --> 00:25:47,840
Speaker 1: six and played a lot of fempatals characters in horror movies,

469
00:25:47,920 --> 00:25:51,480
Speaker 1: various genre films, and yeah, it was pretty big in

470
00:25:51,520 --> 00:25:54,720
Speaker 1: Spanish cinema, and in this she once more gets to

471
00:25:54,920 --> 00:25:59,000
Speaker 1: absolutely slay multiple people and also consume their hearts.

472
00:25:59,200 --> 00:26:04,840
Speaker 3: Yeah, noticing incredible amounts of overlap with the Lorealized Grasp,

473
00:26:05,400 --> 00:26:08,240
Speaker 3: I was not prepared for how much these movies would

474
00:26:08,240 --> 00:26:10,960
Speaker 3: have in common, even down to what looks like it

475
00:26:11,000 --> 00:26:14,000
Speaker 3: could be just a coincidence, but what looked like the

476
00:26:14,040 --> 00:26:16,480
Speaker 3: same shooting locations, talking.

477
00:26:16,280 --> 00:26:20,080
Speaker 1: About the coastline, that really dreary coastline.

478
00:26:19,520 --> 00:26:23,520
Speaker 3: The dreary lakeside. It looked exactly like the lake in

479
00:26:23,600 --> 00:26:26,600
Speaker 3: Lorealized Grasp, And I would almost be surprised if it

480
00:26:26,640 --> 00:26:29,080
Speaker 3: was not shot in the same place. But maybe I

481
00:26:29,119 --> 00:26:29,439
Speaker 3: don't know.

482
00:26:29,720 --> 00:26:32,160
Speaker 1: I think the actual I don't know about the about

483
00:26:32,160 --> 00:26:34,919
Speaker 1: the lake, but the actual estate that we see, I

484
00:26:35,000 --> 00:26:39,159
Speaker 1: believe was in Paul Nashey's family, like that was that

485
00:26:39,280 --> 00:26:42,399
Speaker 1: was his family's estate there that they filmed on.

486
00:26:42,760 --> 00:26:47,000
Speaker 3: But it's not just that. Okay. So both movies feature

487
00:26:47,160 --> 00:26:51,680
Speaker 3: Helga Lena as a kind of I don't know, loosely

488
00:26:51,720 --> 00:26:55,000
Speaker 3: a vampireus of sorts, some kind of you know, creature

489
00:26:55,000 --> 00:26:57,200
Speaker 3: that comes back from the grave or comes back through

490
00:26:57,240 --> 00:27:01,119
Speaker 3: history to slash people with fingernail like in ways that

491
00:27:01,240 --> 00:27:03,960
Speaker 3: leave these like you know, parallel slashes on their bodies

492
00:27:04,000 --> 00:27:07,480
Speaker 3: and then extract their hearts and eat them. Both movies

493
00:27:07,520 --> 00:27:08,200
Speaker 3: are about.

494
00:27:07,920 --> 00:27:11,240
Speaker 1: This, right though. In the Laurli she changes into an

495
00:27:11,320 --> 00:27:14,960
Speaker 1: actual monster and in this movie she just gets more.

496
00:27:14,920 --> 00:27:17,840
Speaker 3: Naked, that's true, but she still does the fingernail slash.

497
00:27:17,840 --> 00:27:18,200
Speaker 1: She does.

498
00:27:19,280 --> 00:27:22,920
Speaker 3: This movie has has Wolverine style slashing.

499
00:27:22,680 --> 00:27:24,320
Speaker 1: But she's great and she really vamps it up.

500
00:27:24,600 --> 00:27:27,439
Speaker 3: Yes, there are great scenes where she and and the

501
00:27:27,440 --> 00:27:30,200
Speaker 3: Warlock are arguing about, you know, when they're going to

502
00:27:30,240 --> 00:27:32,080
Speaker 3: eat hearts? Are we gonna eat hearts now or we're

503
00:27:32,080 --> 00:27:33,080
Speaker 3: gonna have to eat them later?

504
00:27:33,600 --> 00:27:37,160
Speaker 1: Yeah? What is the plan? When do we when are

505
00:27:37,160 --> 00:27:40,000
Speaker 1: we praising Satan right now? No? We need to wait.

506
00:27:40,040 --> 00:27:42,119
Speaker 1: There's so many moons, we need to wait. The exact

507
00:27:42,160 --> 00:27:46,680
Speaker 1: details of their plan are maybe a little vague, but she.

508
00:27:46,680 --> 00:27:48,879
Speaker 3: Makes a good point. I mean, he's like, no, we

509
00:27:48,920 --> 00:27:52,160
Speaker 3: need to We'll do the sacrifice to to Satan later

510
00:27:52,280 --> 00:27:55,000
Speaker 3: and then we'll eat hearts then. And I think she

511
00:27:55,200 --> 00:27:58,359
Speaker 3: makes the point that if we were angry until then,

512
00:27:58,400 --> 00:28:00,960
Speaker 3: we're going to be making bad decisions. So we need

513
00:28:01,000 --> 00:28:02,520
Speaker 3: to eat at least one heart now.

514
00:28:02,960 --> 00:28:05,119
Speaker 1: Yeah, And she's like, honey, we've been dead for a

515
00:28:05,200 --> 00:28:07,119
Speaker 1: long time. We've got to eat.

516
00:28:07,560 --> 00:28:07,919
Speaker 3: Yeah.

517
00:28:08,280 --> 00:28:10,880
Speaker 1: All right though, So these are the two most impressive

518
00:28:10,880 --> 00:28:12,880
Speaker 1: actors in the film, but we have some other roles

519
00:28:12,880 --> 00:28:17,320
Speaker 1: worth mentioning. Emma Cohen plays, who lived nineteen forty six

520
00:28:17,359 --> 00:28:21,800
Speaker 1: through twenty sixteen, plays the character Elvira, not to be

521
00:28:21,840 --> 00:28:26,720
Speaker 1: confused with Elvira the horror host. So. Emma Cohen was

522
00:28:26,760 --> 00:28:29,400
Speaker 1: a Spanish actor as well as a writer and director.

523
00:28:29,520 --> 00:28:32,760
Speaker 1: In fact, in twenty eleven she apparently directed a short

524
00:28:32,760 --> 00:28:37,520
Speaker 1: film adaptation of Jorge Luis Borges The Aliph. She was

525
00:28:37,560 --> 00:28:42,560
Speaker 1: also the longtime partner of Peruvian born Spanish director Fernando

526
00:28:42,760 --> 00:28:47,000
Speaker 1: Fernan Gomez till his death, but she before this she

527
00:28:47,040 --> 00:28:49,240
Speaker 1: did a lot of b movies and horror films in

528
00:28:49,280 --> 00:28:52,480
Speaker 1: the seventies, including seventy five to Night of the Walking Dead,

529
00:28:53,000 --> 00:28:56,600
Speaker 1: Jess Franco's nineteen seventy five Count Dracula. That's one that

530
00:28:56,720 --> 00:29:00,680
Speaker 1: starred Christopher Lee as Dracula, Herbert Lohm as Van Helsing,

531
00:29:00,760 --> 00:29:05,760
Speaker 1: and Kloskinsky as a quote unquote Wren Feared. I don't

532
00:29:05,800 --> 00:29:08,960
Speaker 1: know why Wren feared in the IMDb credits, but he

533
00:29:09,080 --> 00:29:13,000
Speaker 1: is huh. Cohen also had an uncredited role in nineteen

534
00:29:13,040 --> 00:29:17,880
Speaker 1: seventies Nicholas and Alexandria And yeah, she in this she

535
00:29:18,240 --> 00:29:24,040
Speaker 1: is she basically, she's our final girl. She's the one

536
00:29:24,080 --> 00:29:27,800
Speaker 1: of the two daughters of one of the villagers in

537
00:29:27,840 --> 00:29:28,880
Speaker 1: the place that they go to.

538
00:29:29,560 --> 00:29:33,720
Speaker 3: Yeah. Now, I'm gonna admit that I again had a

539
00:29:33,920 --> 00:29:37,520
Speaker 3: hard time keeping the different characters in the human characters

540
00:29:37,560 --> 00:29:40,960
Speaker 3: in their relationships straight. So if you're asking, like who's

541
00:29:41,040 --> 00:29:42,959
Speaker 3: married to who or whatever, I don't know.

542
00:29:43,360 --> 00:29:45,920
Speaker 1: Yeah, I had to go back and I like, at first,

543
00:29:45,920 --> 00:29:48,360
Speaker 1: I was like, I guess this was Hugo's wife, but

544
00:29:48,440 --> 00:29:50,520
Speaker 1: it's not. No, it's not. Here goes why that's a

545
00:29:50,520 --> 00:29:54,120
Speaker 1: different character entirely. Well, we'll summarize all that in a bit.

546
00:29:54,440 --> 00:29:57,960
Speaker 3: Okay. There were a number of laugh out loud moments

547
00:29:58,960 --> 00:30:01,240
Speaker 3: for me in this movie, but I would say the

548
00:30:01,400 --> 00:30:04,280
Speaker 3: biggest one, the best one, is a scene where we

549
00:30:04,360 --> 00:30:08,360
Speaker 3: have a guy who's had been seeing visions of dark

550
00:30:08,440 --> 00:30:12,280
Speaker 3: eyes staring at him in the night and and he's

551
00:30:12,360 --> 00:30:14,960
Speaker 3: and he can't stop seeing them when he closes his eyes.

552
00:30:15,000 --> 00:30:17,320
Speaker 3: So he's got to paint. He's a painter, and he's

553
00:30:17,320 --> 00:30:20,120
Speaker 3: like painting on a canvas and then suddenly above the

554
00:30:20,200 --> 00:30:26,560
Speaker 3: canvas appears a laughing, severed head that's just going oh

555
00:30:26,600 --> 00:30:29,680
Speaker 3: and it and dripping blood all over the painting. And

556
00:30:29,920 --> 00:30:34,600
Speaker 3: it's so good. But this painter, like his dopiness makes

557
00:30:34,640 --> 00:30:35,600
Speaker 3: it so much better.

558
00:30:36,360 --> 00:30:39,000
Speaker 1: Yes, he's haunted by the head of Alrich and he's like,

559
00:30:39,040 --> 00:30:40,600
Speaker 1: I don't know what it is. I keep seeing this head.

560
00:30:40,640 --> 00:30:42,280
Speaker 1: I gotta paint it. I gotta paint it. And he's

561
00:30:42,720 --> 00:30:46,320
Speaker 1: and he's painting this like sub night gallery quality painting,

562
00:30:46,440 --> 00:30:52,880
Speaker 1: you know, of this headless body holding not Alaric's head

563
00:30:52,920 --> 00:30:57,240
Speaker 1: but modern Paul Nashy's character's Hugo's head. Uh huh. It's

564
00:30:57,280 --> 00:30:59,720
Speaker 1: pretty great. But yeah, this this is the this painter.

565
00:30:59,800 --> 00:31:03,680
Speaker 1: Carector Maurice was played by Victor Barrera. I couldn't find

566
00:31:03,680 --> 00:31:07,280
Speaker 1: any dates for this actor, but yeah, he's a wonderful,

567
00:31:07,360 --> 00:31:13,560
Speaker 1: doomed idiot in this the character is the actor. Barrera

568
00:31:13,840 --> 00:31:16,520
Speaker 1: appeared in such Spanish films as nineteen seventies in the

569
00:31:16,520 --> 00:31:20,320
Speaker 1: Folds of the Flesh, the seventy three Nashy film Count

570
00:31:20,360 --> 00:31:23,840
Speaker 1: Dracula's Great Love, and also the Nashy film Hunchback of

571
00:31:23,840 --> 00:31:26,560
Speaker 1: the Morgue, as well as the nineteen seventy three film

572
00:31:26,600 --> 00:31:27,520
Speaker 1: Green Inferno.

573
00:31:27,880 --> 00:31:29,600
Speaker 3: Who was Count Dracula's Great Love.

574
00:31:29,920 --> 00:31:33,720
Speaker 1: I don't know. I haven't seen it, must I'm guessing.

575
00:31:34,200 --> 00:31:36,840
Speaker 1: I mean, it could be his career. You know, he

576
00:31:37,000 --> 00:31:41,280
Speaker 1: married to his work, but I imagine it's some woman

577
00:31:41,480 --> 00:31:43,160
Speaker 1: generally that's probably going to be nice.

578
00:31:43,200 --> 00:31:44,440
Speaker 3: I am married to the blood.

579
00:31:44,920 --> 00:31:49,760
Speaker 1: Yeah. Now, one more thing about Barrera. He was also

580
00:31:49,840 --> 00:31:52,920
Speaker 1: in the seventy three Judy Geeson film A Candle for

581
00:31:52,960 --> 00:31:55,960
Speaker 1: the Devil, and as a director and writer, he did

582
00:31:55,960 --> 00:31:57,960
Speaker 1: the nineteen seventy eight film The Terrorist.

583
00:31:58,320 --> 00:32:01,040
Speaker 3: He also tucks his turtle into his pants.

584
00:32:01,360 --> 00:32:04,200
Speaker 1: He does. Yes. Now we're going to skip on the

585
00:32:04,240 --> 00:32:06,320
Speaker 1: rest of the actors here, though there are some other

586
00:32:06,320 --> 00:32:11,480
Speaker 1: fun performances, but skip into the music. Carmelo A. Bernala

587
00:32:11,600 --> 00:32:14,320
Speaker 1: did the music. He lived nineteen twenty nine through two

588
00:32:14,360 --> 00:32:17,040
Speaker 1: thousand and two, and all I have to say is

589
00:32:17,080 --> 00:32:20,880
Speaker 1: I hope you like creepy organ music and weird percussion sounds,

590
00:32:21,280 --> 00:32:23,000
Speaker 1: because this film is loaded with it.

591
00:32:23,360 --> 00:32:29,000
Speaker 3: Yeah. It's got this steady, slow, ascending organ melody that

592
00:32:29,240 --> 00:32:32,920
Speaker 3: just repeats and repeats and repeats. Honestly, it got a

593
00:32:32,920 --> 00:32:34,080
Speaker 3: little monotonous for me.

594
00:32:35,960 --> 00:32:39,360
Speaker 1: I thought it fit this film like a glove. I'm

595
00:32:39,360 --> 00:32:41,000
Speaker 1: not saying it would work in every film. I'm not

596
00:32:41,040 --> 00:32:43,160
Speaker 1: saying I need a copy of it or I'm looking

597
00:32:43,200 --> 00:32:47,080
Speaker 1: for a high grade vinyl release. But for this film,

598
00:32:47,960 --> 00:32:48,800
Speaker 1: I thought it worked.

599
00:32:49,080 --> 00:32:53,360
Speaker 3: Yeah, it's the appropriate vibe. But yeah, I mean you'll

600
00:32:53,400 --> 00:32:55,960
Speaker 3: hear it quite a few times now.

601
00:32:56,000 --> 00:32:59,320
Speaker 1: Bernala here. He was a longtime Spanish composer of many films,

602
00:32:59,320 --> 00:33:05,400
Speaker 1: including seventy four's Torment and seventy three's Count Dracula's Great Love. Oh.

603
00:33:05,480 --> 00:33:07,240
Speaker 3: He wrote the love theme from Count.

604
00:33:07,160 --> 00:33:11,920
Speaker 1: Dractula's Great Love. One assumes one more note about a

605
00:33:11,960 --> 00:33:15,120
Speaker 1: person in this there's a special effects. The special effects

606
00:33:15,160 --> 00:33:18,640
Speaker 1: were by Antonio Molina and I don't have dates for him,

607
00:33:18,680 --> 00:33:20,920
Speaker 1: but this is a guy that apparently has been working

608
00:33:20,920 --> 00:33:24,120
Speaker 1: in special effects since the nineteen sixties, starting with nineteen

609
00:33:24,160 --> 00:33:27,680
Speaker 1: sixty four's This is actually the Barry Sullivan film Pyro

610
00:33:27,800 --> 00:33:31,880
Speaker 1: the Thing Without a Face that we referenced in our

611
00:33:31,880 --> 00:33:36,560
Speaker 1: Fiend Without a Face episode. But Molina here is apparently

612
00:33:36,600 --> 00:33:40,040
Speaker 1: still working today in Spanish productions, and even worked on

613
00:33:40,120 --> 00:33:43,040
Speaker 1: six episodes of Game of Thrones, while he also served

614
00:33:43,040 --> 00:33:46,360
Speaker 1: as an armor supervisor in the Spain unit for such

615
00:33:46,400 --> 00:33:49,760
Speaker 1: big films as Wonder Woman nineteen eighty four and Terminator

616
00:33:49,880 --> 00:33:52,760
Speaker 1: Dark Fate. So kind of a cool connection there. This

617
00:33:52,840 --> 00:33:55,320
Speaker 1: is not a film that you watch and you think, wow,

618
00:33:55,360 --> 00:33:56,960
Speaker 1: I guess they had just tons of money to spend

619
00:33:57,000 --> 00:34:01,120
Speaker 1: on special effects. No, so I kind of alluded to earlier.

620
00:34:01,160 --> 00:34:04,320
Speaker 1: I feel like the effects in this film, such as

621
00:34:04,320 --> 00:34:06,680
Speaker 1: they are, look pretty good, though.

622
00:34:06,560 --> 00:34:10,319
Speaker 3: It is that early seventies Zuo style of like very

623
00:34:10,560 --> 00:34:12,880
Speaker 3: bright red, almost orange blood.

624
00:34:13,400 --> 00:34:16,279
Speaker 1: Yeah, yeah, it's alarming. Maybe that's why I got the

625
00:34:16,280 --> 00:34:17,040
Speaker 1: TV fourteen.

626
00:34:17,560 --> 00:34:18,760
Speaker 3: What you perhaps?

627
00:34:18,840 --> 00:34:22,080
Speaker 1: Yeah, all right, well, let's bust into the plot a

628
00:34:22,080 --> 00:34:25,040
Speaker 1: little bit, Joe, take us back to the mid fifteenth century.

629
00:34:25,400 --> 00:34:27,640
Speaker 3: Is that when it is mid fifteenth century, I think

630
00:34:27,640 --> 00:34:28,480
Speaker 3: they say.

631
00:34:28,560 --> 00:34:29,959
Speaker 1: I think that's what the narration says.

632
00:34:30,040 --> 00:34:33,520
Speaker 3: Yeah, this movie begins with the World's Most Depressing parade.

633
00:34:33,680 --> 00:34:38,320
Speaker 3: You're watching like some people kind of tromp through a

634
00:34:38,480 --> 00:34:41,320
Speaker 3: vast we see them like on a plane with mountains

635
00:34:41,320 --> 00:34:43,319
Speaker 3: in the background. So it's the kind of landscape that

636
00:34:43,480 --> 00:34:47,160
Speaker 3: maybe looks like if it had been the true colors,

637
00:34:47,320 --> 00:34:51,440
Speaker 3: it would have been beautiful, but instead it looks just profoundly,

638
00:34:52,440 --> 00:34:56,440
Speaker 3: deeply unhappy, And it kind of reminds me of some

639
00:34:56,440 --> 00:34:59,320
Speaker 3: of the landscapes in Monty Python and the Holy Grail

640
00:34:59,440 --> 00:35:01,920
Speaker 3: in that way that, like some about the film style

641
00:35:02,000 --> 00:35:04,440
Speaker 3: and the way the colors come through just makes the

642
00:35:04,520 --> 00:35:07,640
Speaker 3: landscape very drab and unpleasant.

643
00:35:08,160 --> 00:35:10,960
Speaker 1: But it's fitting, especially when we find out what this

644
00:35:11,760 --> 00:35:17,719
Speaker 1: procession is about. It's about killing and tormenting people accused

645
00:35:17,840 --> 00:35:19,239
Speaker 1: of sorcery and witchcraft.

646
00:35:19,600 --> 00:35:22,680
Speaker 3: Right, We're here for the execution of a warlock and

647
00:35:22,719 --> 00:35:25,560
Speaker 3: a witch and there's some there's some narration. You get

648
00:35:25,600 --> 00:35:29,000
Speaker 3: a voice over. I think that's saying like I don't

649
00:35:29,000 --> 00:35:31,359
Speaker 3: remember the exact words, but it's basically like France, you know,

650
00:35:31,480 --> 00:35:34,520
Speaker 3: before indoor plumbing. Wow, do you you think war and

651
00:35:34,600 --> 00:35:36,719
Speaker 3: disease are bad? How about satan?

652
00:35:39,000 --> 00:35:44,560
Speaker 1: Yeah, superstition, ignorance, violence, They prepare you for all of

653
00:35:44,560 --> 00:35:45,120
Speaker 1: it here.

654
00:35:45,160 --> 00:35:49,239
Speaker 3: And the inquisitors' troops here look to me like two

655
00:35:49,320 --> 00:35:52,920
Speaker 3: faces henchmen and batman forever. They've got these goofy red

656
00:35:53,080 --> 00:35:57,239
Speaker 3: sock masks over their heads. That that was really kind

657
00:35:57,239 --> 00:35:59,120
Speaker 3: of nice. And this is also where we get It's

658
00:35:59,440 --> 00:36:01,399
Speaker 3: so the you know, the warlock in the Witch are

659
00:36:01,440 --> 00:36:03,480
Speaker 3: taken to the place of execution. I don't know why

660
00:36:03,520 --> 00:36:05,160
Speaker 3: it needed to be in the middle of this vest

661
00:36:05,239 --> 00:36:09,680
Speaker 3: field with the mountains and the stream, but yeah, that's

662
00:36:09,719 --> 00:36:12,200
Speaker 3: where they take them. And then there's some kind of

663
00:36:12,400 --> 00:36:15,200
Speaker 3: you know, church official or something who reads out the

664
00:36:15,280 --> 00:36:16,200
Speaker 3: charges to them.

665
00:36:16,480 --> 00:36:19,560
Speaker 1: Yeah, and I think Maurice's ancestor is one of these

666
00:36:19,600 --> 00:36:22,880
Speaker 1: people as well, so he technically has a double role. Also,

667
00:36:22,960 --> 00:36:26,839
Speaker 1: one of these peoples is Alaric's brother, who's kind of

668
00:36:26,880 --> 00:36:29,520
Speaker 1: like this one eyed Paul Nashi character with like a

669
00:36:29,560 --> 00:36:32,960
Speaker 1: smug grin on his face and a scar. That is

670
00:36:33,440 --> 00:36:37,399
Speaker 1: Alaric's brother Armand who is It's implied that he kind

671
00:36:37,400 --> 00:36:38,959
Speaker 1: of helped do his brother in here.

672
00:36:39,239 --> 00:36:41,960
Speaker 3: So yeah, but they're both played by Nashi, so it's

673
00:36:42,040 --> 00:36:43,360
Speaker 3: Nashy punishing Nashi.

674
00:36:43,960 --> 00:36:46,520
Speaker 1: Yeah, And they read out a full list of charges,

675
00:36:46,880 --> 00:36:50,200
Speaker 1: which in addition to you are vampires, and like athropes,

676
00:36:50,680 --> 00:36:53,520
Speaker 1: you have drunk human blood of both the living and

677
00:36:53,560 --> 00:36:56,520
Speaker 1: the dead. You have eaten flesh. You have celebrated the

678
00:36:56,560 --> 00:36:59,799
Speaker 1: Black Mass with bloody sacrifices of the newborn and of

679
00:36:59,840 --> 00:37:04,120
Speaker 1: your girls who have adored Satan and of followers of

680
00:37:04,239 --> 00:37:04,920
Speaker 1: his Sabbath.

681
00:37:05,360 --> 00:37:07,160
Speaker 3: Yes, verbatim, I believe.

682
00:37:07,520 --> 00:37:07,600
Speaker 4: So.

683
00:37:07,719 --> 00:37:10,440
Speaker 3: Yeah, they put the sorcerers to death. Warlock gets his

684
00:37:10,520 --> 00:37:13,160
Speaker 3: head chopped off, and they like, I don't know how

685
00:37:13,200 --> 00:37:15,479
Speaker 3: they kill the witch. They like hang her upside down

686
00:37:15,640 --> 00:37:16,080
Speaker 3: or something.

687
00:37:16,640 --> 00:37:19,640
Speaker 1: Yeah, and they she screams. It seems like they're commencing

688
00:37:19,680 --> 00:37:22,919
Speaker 1: to flogger and then cut. Yeah, she's presumed dead.

689
00:37:23,400 --> 00:37:26,399
Speaker 3: Now here's the thing we discover later. I don't know why.

690
00:37:26,440 --> 00:37:29,240
Speaker 3: This is when we find their bodies later in the movie.

691
00:37:29,360 --> 00:37:31,279
Speaker 3: So this is going to be hundreds of years later.

692
00:37:32,200 --> 00:37:34,680
Speaker 3: Obviously they want to be resurrected from the dead. But

693
00:37:34,960 --> 00:37:38,960
Speaker 3: Paul Nashy's body, he's like an incorruptible saint, Like his

694
00:37:39,040 --> 00:37:41,400
Speaker 3: body is all there. It still looks like, you know,

695
00:37:41,520 --> 00:37:46,480
Speaker 3: totally fresh, and his head looks totally fresh. Meanwhile, Helga

696
00:37:46,560 --> 00:37:49,399
Speaker 3: Lina's body is a skeleton with a wig on it.

697
00:37:49,840 --> 00:37:53,480
Speaker 1: Yeah, different, different, supernatural. Well, I guess here's the thing.

698
00:37:54,360 --> 00:37:57,400
Speaker 1: He is the warlock. He is the one whose body

699
00:37:57,520 --> 00:38:03,759
Speaker 1: is flowing with unnatural energy. She is his great love,

700
00:38:04,200 --> 00:38:07,080
Speaker 1: and therefore she benefits from this sorcery. But she and

701
00:38:07,160 --> 00:38:09,879
Speaker 1: she herself is a different type of entity. And later

702
00:38:09,960 --> 00:38:12,640
Speaker 1: on in the film we had spelled out directly that

703
00:38:12,680 --> 00:38:17,160
Speaker 1: they're slightly different rules for killing one versus the other

704
00:38:18,520 --> 00:38:21,399
Speaker 1: by the way that opening execution is carried out via

705
00:38:21,440 --> 00:38:25,880
Speaker 1: a decree from Carcassone, which was a French fortified city,

706
00:38:25,920 --> 00:38:27,920
Speaker 1: and of course is also the name of a great

707
00:38:27,920 --> 00:38:31,200
Speaker 1: German tile based board game which absolutely does not have

708
00:38:31,239 --> 00:38:34,720
Speaker 1: a warlock execution expansion, but I think clearly needs one.

709
00:38:35,000 --> 00:38:37,880
Speaker 3: Oh I never played it. What's a German style? Is

710
00:38:37,880 --> 00:38:40,080
Speaker 3: that like Settlers of Catan kind of stuff?

711
00:38:40,320 --> 00:38:43,920
Speaker 1: Yeah, yeah, this one is one. It's a very calm

712
00:38:43,960 --> 00:38:47,720
Speaker 1: and very relaxing board game. It's all about building walled

713
00:38:47,760 --> 00:38:52,920
Speaker 1: cities and connecting them with roads with tiles, so it

714
00:38:53,040 --> 00:38:54,719
Speaker 1: kind of you build it as you go and then

715
00:38:54,760 --> 00:38:57,719
Speaker 1: at the end you score everything. And yeah, it's very cool.

716
00:38:58,040 --> 00:39:01,399
Speaker 3: Okay, cut to the present day, and then Robin, I'm

717
00:39:01,400 --> 00:39:05,640
Speaker 3: gonna need some help here. Who are the people our

718
00:39:05,719 --> 00:39:08,960
Speaker 3: main characters. We have the Paul Nashy guy, and we

719
00:39:09,040 --> 00:39:12,640
Speaker 3: have Maurice the painter, and then we have two women

720
00:39:12,800 --> 00:39:13,880
Speaker 3: and then some other people.

721
00:39:14,480 --> 00:39:16,080
Speaker 1: Yeah, this was the I had to go back and

722
00:39:16,120 --> 00:39:18,640
Speaker 1: put all this together again. But okay, we have we

723
00:39:18,680 --> 00:39:23,440
Speaker 1: have al Rex descendant and well technically Armand's descendant, but

724
00:39:23,440 --> 00:39:27,160
Speaker 1: also I guess Alyrex descendant. This is modern day contemporary

725
00:39:27,760 --> 00:39:31,600
Speaker 1: Paul Nashi Hugo and his gal is Sylvia.

726
00:39:31,920 --> 00:39:32,360
Speaker 3: Okay.

727
00:39:32,560 --> 00:39:35,920
Speaker 1: Then we have Hugo's painter friend Maurice, who is also

728
00:39:36,080 --> 00:39:37,960
Speaker 1: he's a descendant of one of the witch hunters or

729
00:39:38,000 --> 00:39:41,440
Speaker 1: executors here, and his gal is Paula.

730
00:39:41,760 --> 00:39:46,200
Speaker 3: Okay, is so is are Sylvia and Hugo the ones

731
00:39:46,239 --> 00:39:49,600
Speaker 3: where Sylvia is like, why don't we get married? And

732
00:39:49,800 --> 00:39:51,759
Speaker 3: Hugo's like, because I'm Paul Nashi.

733
00:39:51,680 --> 00:39:55,920
Speaker 1: Basically yeah, and I don't really remember what Maurice and

734
00:39:55,920 --> 00:39:58,800
Speaker 1: Paula's whole vibe is other than they love each other. Yeah,

735
00:39:58,840 --> 00:40:02,200
Speaker 1: And so basically they're all like, like, hey, we should

736
00:40:02,680 --> 00:40:04,960
Speaker 1: I forget exactly how they reach this point, maybe this

737
00:40:05,000 --> 00:40:07,400
Speaker 1: little research is going on, but they're like, we should

738
00:40:07,440 --> 00:40:12,720
Speaker 1: go out to the country to Hugo's chalais out there

739
00:40:13,040 --> 00:40:15,040
Speaker 1: and we should have we should get this, we should

740
00:40:15,080 --> 00:40:17,359
Speaker 1: hire somebody to do a seance so we can get

741
00:40:17,360 --> 00:40:20,800
Speaker 1: in touch with his head, which, by the way, Maurice

742
00:40:20,880 --> 00:40:23,440
Speaker 1: keeps seeing in his dreams and in his visions as

743
00:40:23,440 --> 00:40:26,160
Speaker 1: he's drawn to paint grotesque scenes of decapitation.

744
00:40:26,520 --> 00:40:29,240
Speaker 3: Well, now, wait, I thought they did the seance before

745
00:40:29,280 --> 00:40:32,680
Speaker 3: they went to the chalet. Don't they do while they're

746
00:40:32,719 --> 00:40:34,600
Speaker 3: still hanging out they're still in the city.

747
00:40:34,840 --> 00:40:37,160
Speaker 1: I think that's right. Okay, so they do the Yes,

748
00:40:37,160 --> 00:40:40,279
Speaker 1: they do the seance first, and that's the inspiration to

749
00:40:40,320 --> 00:40:43,560
Speaker 1: then go out into the country and try to find

750
00:40:44,200 --> 00:40:47,200
Speaker 1: the body and the head of Alric, which are which

751
00:40:47,200 --> 00:40:49,160
Speaker 1: are deposited in different places.

752
00:40:49,480 --> 00:40:52,080
Speaker 3: Yeah. So I think Maurice is like, I'm seeing this

753
00:40:52,239 --> 00:40:54,600
Speaker 3: head in my dreams and I'm painting it and I'm

754
00:40:54,600 --> 00:40:57,360
Speaker 3: not very smart, and Hugh gooes like, I don't believe

755
00:40:57,360 --> 00:40:59,799
Speaker 3: in heads. And then they're like, well, let's have a

756
00:40:59,800 --> 00:41:02,960
Speaker 3: say and that'll tell us what to do. And then

757
00:41:03,040 --> 00:41:05,720
Speaker 3: the medium at the seance is like, there's a severed

758
00:41:05,760 --> 00:41:08,000
Speaker 3: head that you must dig up, and it's up at

759
00:41:08,040 --> 00:41:10,080
Speaker 3: your up in the village, at your chalet.

760
00:41:10,280 --> 00:41:14,440
Speaker 1: And thatsters head is in the crypt of the monastery

761
00:41:14,920 --> 00:41:18,520
Speaker 1: and yeah, our our city humans here are here, like, well,

762
00:41:18,520 --> 00:41:20,239
Speaker 1: we got to get these two back together again. Let's

763
00:41:20,280 --> 00:41:23,239
Speaker 1: get this head in this body back together. And so

764
00:41:23,280 --> 00:41:24,240
Speaker 1: they set.

765
00:41:24,040 --> 00:41:28,360
Speaker 3: Out only good can come from it. Yeah, I remember

766
00:41:28,400 --> 00:41:30,479
Speaker 3: they argue about this is one of the scenes where

767
00:41:30,640 --> 00:41:34,200
Speaker 3: Hugo is skeptical because they're like, you must believe what

768
00:41:34,280 --> 00:41:38,400
Speaker 3: Madame Irena said, because you know, it's a spirit was

769
00:41:38,440 --> 00:41:42,439
Speaker 3: obviously choking her from beyond the grave. And Hugo's like, oh,

770
00:41:42,440 --> 00:41:44,480
Speaker 3: it must have been. She must have put on makeup

771
00:41:44,520 --> 00:41:46,719
Speaker 3: to show those bruises. But then why are they trying

772
00:41:46,760 --> 00:41:51,920
Speaker 3: to resurrect a spirit that was choking somebody? That seems like,

773
00:41:51,920 --> 00:41:55,120
Speaker 3: I don't know that. That's red flag number one that like,

774
00:41:55,160 --> 00:41:56,760
Speaker 3: you should not resurrect this spirit.

775
00:41:57,120 --> 00:41:59,480
Speaker 1: Yeah, I think so. But what do they do? They

776
00:41:59,560 --> 00:42:02,720
Speaker 1: jump in the are that they head out into the countryside,

777
00:42:03,080 --> 00:42:05,440
Speaker 1: and and here we kind of get into the We

778
00:42:05,520 --> 00:42:07,880
Speaker 1: initially get into sort of the Texas chainsaw mask your

779
00:42:08,000 --> 00:42:11,040
Speaker 1: territory of the city folks have come out into the

780
00:42:11,080 --> 00:42:15,799
Speaker 1: country and now they're encountering country folk who are suspicious

781
00:42:15,800 --> 00:42:16,440
Speaker 1: and dangerous.

782
00:42:16,600 --> 00:42:19,880
Speaker 3: Well, and yeah, and it was weirdly more, Uh, I

783
00:42:19,880 --> 00:42:22,319
Speaker 3: don't know, there's politics within this village or something. So

784
00:42:22,400 --> 00:42:25,840
Speaker 3: like they get attacked on the road by bandits, and

785
00:42:25,920 --> 00:42:28,520
Speaker 3: then some other guys show up too, and they're like, hey,

786
00:42:28,560 --> 00:42:30,960
Speaker 3: these are the bandits, and they catch the bandits and

787
00:42:31,120 --> 00:42:35,400
Speaker 3: just like Vigilanti justice murder them. But then also, I

788
00:42:35,440 --> 00:42:39,120
Speaker 3: think the vigilantes then are essentially bandits also, and they

789
00:42:39,120 --> 00:42:42,120
Speaker 3: tried to extort money from from the heroes.

790
00:42:42,160 --> 00:42:45,560
Speaker 1: Yeah, and end up selling them a car because they think, yeah,

791
00:42:45,960 --> 00:42:48,040
Speaker 1: when the bandits initially attacked, they end up wrecking the

792
00:42:48,080 --> 00:42:49,920
Speaker 1: car and they're like, well, we'll sell you won for

793
00:42:50,000 --> 00:42:53,440
Speaker 1: three thousand. And of course the lead bandit is watching

794
00:42:53,600 --> 00:42:57,040
Speaker 1: as Hugo busts out this big roll of money, and

795
00:42:57,080 --> 00:42:59,040
Speaker 1: you know, he's eyeball and it like, ooh, I'm definitely

796
00:42:59,040 --> 00:43:02,160
Speaker 1: gonna rob these people later. Yeah, and that is indeed

797
00:43:02,200 --> 00:43:04,080
Speaker 1: what they are plotting to do later. We'll come back.

798
00:43:04,120 --> 00:43:06,799
Speaker 3: So here I got I got really confused about how

799
00:43:06,840 --> 00:43:10,000
Speaker 3: this was happening. But do if I'm going to do

800
00:43:10,280 --> 00:43:13,879
Speaker 3: like Hugo and the rest of them hire the villagers

801
00:43:14,360 --> 00:43:17,640
Speaker 3: to just dig up all around this ancient church and

802
00:43:17,840 --> 00:43:20,960
Speaker 3: find they're looking for a box that has a warlockhead

803
00:43:20,960 --> 00:43:21,279
Speaker 3: in it.

804
00:43:21,960 --> 00:43:25,680
Speaker 1: Yeah, yeah, and I think the villagers are kind of

805
00:43:25,719 --> 00:43:28,680
Speaker 1: interested in it because there's also talk of there being

806
00:43:28,719 --> 00:43:30,359
Speaker 1: some sort of a treasure, so they're like, yeah, we'll

807
00:43:30,360 --> 00:43:32,360
Speaker 1: help you dig this up. He will even go to

808
00:43:32,400 --> 00:43:34,799
Speaker 1: that place where they say a demon stalks at night.

809
00:43:35,160 --> 00:43:39,120
Speaker 1: So they're this weird mix of very superstitious but also

810
00:43:39,520 --> 00:43:42,920
Speaker 1: you know, up for whatever. One of the villagers here

811
00:43:42,920 --> 00:43:47,319
Speaker 1: that we meet is this this this Alan character. Uh

812
00:43:47,360 --> 00:43:50,480
Speaker 1: and this is the he has twos. He has two daughters,

813
00:43:50,480 --> 00:43:53,440
Speaker 1: one is Chantal and the other is Elvira.

814
00:43:53,760 --> 00:43:56,279
Speaker 3: Oh okay, okay, yeah, I didn't know where some of

815
00:43:56,280 --> 00:43:59,719
Speaker 3: these characters came from. But so some of the villagers

816
00:43:59,840 --> 00:44:02,680
Speaker 3: they find a box they like, dig it up, and

817
00:44:02,719 --> 00:44:05,560
Speaker 3: they again correct me if I'm wrong. I think they

818
00:44:05,600 --> 00:44:08,799
Speaker 3: think it's treasure. So they get real excited and they

819
00:44:08,840 --> 00:44:11,040
Speaker 3: open it up, like they blow torch the lock and

820
00:44:11,440 --> 00:44:13,759
Speaker 3: crack it open. But when they crack it open, it's

821
00:44:13,840 --> 00:44:17,239
Speaker 3: not treasure. It is a warlockhead. And then the warlockhead

822
00:44:17,360 --> 00:44:22,920
Speaker 3: hypnotizes them and turns them into like murderers.

823
00:44:23,360 --> 00:44:28,840
Speaker 1: Yeah. Yeah, Alrich's head hypnotizes them and particularly hypnotizes Alan

824
00:44:28,960 --> 00:44:33,320
Speaker 1: here the father of Elvira, and has him go around

825
00:44:33,400 --> 00:44:39,480
Speaker 1: with this huge scary scythe there this wonderful crooked cutting

826
00:44:39,520 --> 00:44:42,279
Speaker 1: implement that again I think is quite scary and has

827
00:44:42,360 --> 00:44:43,960
Speaker 1: him going around butchering people with that.

828
00:44:44,440 --> 00:44:46,719
Speaker 3: Yeah, so for a while here there just seems to

829
00:44:46,719 --> 00:44:51,120
Speaker 3: be kind of like random roaming sickle guys and they

830
00:44:51,200 --> 00:44:54,239
Speaker 3: are there. Some people are just getting killed and other

831
00:44:54,239 --> 00:44:58,040
Speaker 3: people are getting hypnotized to go work for the warlock head.

832
00:44:58,160 --> 00:45:00,719
Speaker 3: The head right, because it's not a full yet. It's

833
00:45:01,040 --> 00:45:05,439
Speaker 3: in fact, the most hilarious detail is that they there's

834
00:45:05,480 --> 00:45:07,640
Speaker 3: like a scene where they literally go down into the

835
00:45:07,640 --> 00:45:10,399
Speaker 3: crypt and they start taking orders from the warlock head.

836
00:45:10,680 --> 00:45:13,560
Speaker 3: He's like he can't move his head. So it's really funny,

837
00:45:13,640 --> 00:45:16,359
Speaker 3: like how far his eyes move back and forth when

838
00:45:16,440 --> 00:45:19,239
Speaker 3: he's looking at the different people, Like what's this?

839
00:45:19,400 --> 00:45:19,600
Speaker 1: Now?

840
00:45:19,680 --> 00:45:20,759
Speaker 3: You know you must do this.

841
00:45:21,160 --> 00:45:23,920
Speaker 1: Very you know, templar esque in terms of, you know,

842
00:45:23,960 --> 00:45:27,600
Speaker 1: the charges that were leveled against the Templars about the

843
00:45:27,640 --> 00:45:31,680
Speaker 1: worship of decapitated heads. And it reminds me a little

844
00:45:31,680 --> 00:45:33,960
Speaker 1: bit of the treatment of this idea in C. S.

845
00:45:34,080 --> 00:45:46,799
Speaker 1: Lewis's that hideous strength as well. Hmm. But but yeah,

846
00:45:47,080 --> 00:45:49,120
Speaker 1: the head needs the body, it needs people to help

847
00:45:49,160 --> 00:45:51,400
Speaker 1: with the body, and some blood needs to be spilled

848
00:45:51,440 --> 00:45:54,120
Speaker 1: on along the way, and so we do get a

849
00:45:54,160 --> 00:45:57,560
Speaker 1: series of sickle murders, including Alan killing his own daughter

850
00:45:58,440 --> 00:46:01,239
Speaker 1: Chantelle here in a already terrifying scene. This is a

851
00:46:01,239 --> 00:46:02,640
Speaker 1: scene I had to watch a couple of times because

852
00:46:02,640 --> 00:46:06,600
Speaker 1: I thought it ended up being you know, blocked in,

853
00:46:07,000 --> 00:46:09,040
Speaker 1: you know, in a way that and shot in a

854
00:46:09,080 --> 00:46:12,799
Speaker 1: way that that I found rather effective. There's there's a

855
00:46:12,800 --> 00:46:16,200
Speaker 1: certain art to having your your brutal you know, Jallo

856
00:46:16,320 --> 00:46:19,719
Speaker 1: style murders in a film, and they don't always work.

857
00:46:19,880 --> 00:46:23,480
Speaker 1: Sometimes they come off very fake, or they come off

858
00:46:23,800 --> 00:46:27,840
Speaker 1: more about showing the blood than sort of you know,

859
00:46:27,920 --> 00:46:30,319
Speaker 1: teasing the idea of the violence. So this is not

860
00:46:30,360 --> 00:46:32,000
Speaker 1: one of those scenes where we see a lot of

861
00:46:32,040 --> 00:46:35,040
Speaker 1: like parting of flesh and see heart getting ripped out

862
00:46:35,080 --> 00:46:37,800
Speaker 1: and so forth. But there's just like this sudden attack

863
00:46:38,160 --> 00:46:40,960
Speaker 1: and then the sickle comes out and there's a sound effect.

864
00:46:41,560 --> 00:46:42,680
Speaker 1: I thought it worked really well.

865
00:46:43,040 --> 00:46:45,560
Speaker 3: Oh but there is the latter in this movie. There's

866
00:46:45,600 --> 00:46:48,919
Speaker 3: plenty of that where but there's one where Helga Lene

867
00:46:49,160 --> 00:46:52,200
Speaker 3: literally just like reaches into a guy's chest cavity with

868
00:46:52,239 --> 00:46:55,520
Speaker 3: her fingers and prize his chest apart to get that heart.

869
00:46:55,880 --> 00:46:57,879
Speaker 1: Yeah, the chest cat. This is one of those films

870
00:46:57,880 --> 00:47:01,960
Speaker 1: where human flesh is just like to the undead and

871
00:47:02,000 --> 00:47:04,080
Speaker 1: they can just rip right in there and pull out

872
00:47:04,080 --> 00:47:05,280
Speaker 1: any organ they want.

873
00:47:05,640 --> 00:47:07,879
Speaker 3: This is another sequence though, where I was like, when

874
00:47:08,239 --> 00:47:10,839
Speaker 3: people were getting sickled, I did not know who was who,

875
00:47:11,000 --> 00:47:14,120
Speaker 3: and I was confused when somebody like it seems like

876
00:47:14,120 --> 00:47:16,879
Speaker 3: somebody turns up dead and then the next scene somebody goes, well,

877
00:47:16,920 --> 00:47:19,919
Speaker 3: she's sleeping now, and I was like, well, wasn't she dead?

878
00:47:20,080 --> 00:47:22,480
Speaker 3: Then I think maybe they're talking about another character who

879
00:47:22,560 --> 00:47:24,440
Speaker 3: was present, So I don't know.

880
00:47:24,760 --> 00:47:26,759
Speaker 1: Yeah, this is one of those films too, where on

881
00:47:26,760 --> 00:47:29,720
Speaker 1: one hand the script was allegedly written in like two days,

882
00:47:31,640 --> 00:47:33,640
Speaker 1: But on the other hand too, it's like we're dealing

883
00:47:33,680 --> 00:47:37,280
Speaker 1: with the Grindhouse era dubbing, where it wasn't really about

884
00:47:38,239 --> 00:47:42,120
Speaker 1: necessarily making sure that all the intricacies of the original

885
00:47:42,160 --> 00:47:45,160
Speaker 1: dialogue are maintained, it's about getting that product out right.

886
00:47:45,480 --> 00:47:47,480
Speaker 3: So at some point after this, there is a scene

887
00:47:47,480 --> 00:47:53,000
Speaker 3: where both Sylvia and Maurice get hypnotized to go work

888
00:47:53,040 --> 00:47:56,000
Speaker 3: for the Warlock. Right, So, like Maurice goes out walking

889
00:47:56,040 --> 00:47:59,839
Speaker 3: and then he gets hypnotized by hypnotized Sylvia and they

890
00:48:00,080 --> 00:48:03,200
Speaker 3: they all end up going down into the crypt, and

891
00:48:03,440 --> 00:48:06,120
Speaker 3: that's where the warlock head starts talking to them. This

892
00:48:06,280 --> 00:48:08,560
Speaker 3: was another laugh out loud scene for me again, anytime

893
00:48:08,600 --> 00:48:11,120
Speaker 3: the head is talking without the body, I found it

894
00:48:11,280 --> 00:48:14,640
Speaker 3: very funny. And he gives a full bond villain monologue,

895
00:48:15,200 --> 00:48:18,640
Speaker 3: but as a severed head sitting in a box talking

896
00:48:19,160 --> 00:48:21,640
Speaker 3: and I had to transcribe this, I thought it was great.

897
00:48:21,760 --> 00:48:25,520
Speaker 3: So it is like you, Maurice, he says, the last name.

898
00:48:25,520 --> 00:48:27,320
Speaker 3: I don't remember what it is. You know, you, Maurice,

899
00:48:27,520 --> 00:48:30,160
Speaker 3: With the blood of my enemies running through your veins,

900
00:48:30,320 --> 00:48:34,360
Speaker 3: you will serve and help me accomplish my vengeance. Today

901
00:48:34,640 --> 00:48:39,719
Speaker 3: the faithful Companion Mobile de la Cree will return, and

902
00:48:39,800 --> 00:48:42,520
Speaker 3: in the space of seven moons, and when the heavens

903
00:48:42,560 --> 00:48:46,480
Speaker 3: are propitious, our power will be at its maximum strength,

904
00:48:46,840 --> 00:48:50,120
Speaker 3: so that we can exterminate all those who executed us,

905
00:48:50,480 --> 00:48:54,880
Speaker 3: and our unbounded hatred will make all mankind tremble, and

906
00:48:55,000 --> 00:48:59,560
Speaker 3: thereby we will thus be avenged. Right, it sounds like

907
00:48:59,600 --> 00:49:05,920
Speaker 3: a plan, and thereby we will thus be avenged. I

908
00:49:05,960 --> 00:49:08,600
Speaker 3: think this warlock in his day job may have been

909
00:49:08,640 --> 00:49:13,600
Speaker 3: a lawyer. It's very contracty kind of language.

910
00:49:13,719 --> 00:49:16,280
Speaker 1: Well, you know, back, I mean, I think that's that's fair.

911
00:49:16,360 --> 00:49:18,480
Speaker 1: Back in the day, like what was a warlock but

912
00:49:18,520 --> 00:49:23,120
Speaker 1: a lawyer who dealt mainly with one client, that being

913
00:49:23,239 --> 00:49:27,360
Speaker 1: the the lord of the pit himself, Lord Satan.

914
00:49:27,920 --> 00:49:30,319
Speaker 3: But also in the scene this is I think the

915
00:49:30,360 --> 00:49:34,000
Speaker 3: resurrection scene where the warlock and Mobile are sort of

916
00:49:34,040 --> 00:49:36,399
Speaker 3: brought back, so like they put the Warlock's head back

917
00:49:36,440 --> 00:49:39,759
Speaker 3: on his body and somehow they turn Mobile from a

918
00:49:39,800 --> 00:49:43,160
Speaker 3: skeleton with a wig on into hellgalln A, oh.

919
00:49:43,040 --> 00:49:46,000
Speaker 1: God it this is scene is great. Yes, So the

920
00:49:46,200 --> 00:49:51,600
Speaker 1: resurrected Alrich here, but he's one piece again. He places

921
00:49:51,680 --> 00:49:55,480
Speaker 1: the unconscious Sylvia upon the skeletal remains in the casket,

922
00:49:55,719 --> 00:50:01,360
Speaker 1: slices open her chest and any kind of necro philatically

923
00:50:01,760 --> 00:50:05,759
Speaker 1: resurrects Mabel. He like kind of like lays on top

924
00:50:06,080 --> 00:50:08,319
Speaker 1: of these two bodies in the casket. And then the

925
00:50:08,360 --> 00:50:12,759
Speaker 1: next shot is Mabel is rising up out of the

926
00:50:12,800 --> 00:50:16,520
Speaker 1: casket like the bones of her old bones like spilling

927
00:50:16,560 --> 00:50:19,800
Speaker 1: to the side and she's back baby. And then Alaric

928
00:50:20,680 --> 00:50:24,480
Speaker 1: kills Alan and cuts out his heart. So just a

929
00:50:24,480 --> 00:50:28,400
Speaker 1: great sequence of events here, I guess, like I say,

930
00:50:27,960 --> 00:50:30,960
Speaker 1: they're a power couple. You can't help you feel their

931
00:50:31,080 --> 00:50:32,279
Speaker 1: energy and get behind him here.

932
00:50:32,520 --> 00:50:36,120
Speaker 3: Yeah, they're clearly happy to be reunited. They are ready

933
00:50:36,160 --> 00:50:39,839
Speaker 3: to go do copious evil together. Yes, so I think

934
00:50:39,880 --> 00:50:43,799
Speaker 3: there's like a scene where they're getting it was not clear,

935
00:50:43,840 --> 00:50:46,560
Speaker 3: but they're like getting revenge on the descendants of the

936
00:50:46,600 --> 00:50:49,440
Speaker 3: people who executed them. I think they're just going and

937
00:50:49,440 --> 00:50:51,960
Speaker 3: like attacking random villagers.

938
00:50:52,640 --> 00:50:54,680
Speaker 1: I guess. I guess this was part of the vengeance,

939
00:50:54,719 --> 00:50:57,120
Speaker 1: or it might have just been a situation with like

940
00:50:57,160 --> 00:50:59,680
Speaker 1: we got to power up and eat more hearts. Yeah,

941
00:50:59,719 --> 00:51:02,880
Speaker 1: there's there are these wonderful scenes where Alaric and Mabel

942
00:51:03,040 --> 00:51:06,319
Speaker 1: go off to love up and kill other characters. I'm

943
00:51:06,320 --> 00:51:09,120
Speaker 1: not sure these are necessarily characters that we had met before.

944
00:51:09,920 --> 00:51:13,359
Speaker 1: Mabel finds a young villager dude, she strips nude and

945
00:51:13,440 --> 00:51:16,600
Speaker 1: he gets nude, and then she backscratches him to death.

946
00:51:16,840 --> 00:51:17,120
Speaker 3: Yep.

947
00:51:17,320 --> 00:51:20,920
Speaker 1: And then Alaric's occult charisma causes a villager woman to

948
00:51:20,920 --> 00:51:23,440
Speaker 1: strip nude, so he strips nude and this is when

949
00:51:23,480 --> 00:51:26,560
Speaker 1: we get to see physique by Nashi here, and then

950
00:51:26,600 --> 00:51:29,840
Speaker 1: they climb into bed together. Cut to villager dude with

951
00:51:29,880 --> 00:51:33,359
Speaker 1: his backslashed, cut to a nude woman dead with her

952
00:51:33,400 --> 00:51:33,960
Speaker 1: heart cut out.

953
00:51:34,280 --> 00:51:37,440
Speaker 3: I think this is a John Saxon situation though, where

954
00:51:37,480 --> 00:51:40,080
Speaker 3: like Nashi, clearly he's like, I got to show my

955
00:51:40,160 --> 00:51:43,880
Speaker 3: chest in this movie. People need to see these muscles. Yeah,

956
00:51:43,920 --> 00:51:45,560
Speaker 3: so he found ways to work it in.

957
00:51:46,120 --> 00:51:48,040
Speaker 1: I had. It also made me look up, as with

958
00:51:48,120 --> 00:51:51,480
Speaker 1: John Saxon, I had to look up old bodybuilding photographs

959
00:51:51,480 --> 00:51:53,960
Speaker 1: and yeah, you see, I found some old Paul Nashi

960
00:51:54,040 --> 00:51:57,640
Speaker 1: shots of him in like full bodybuilder mode and yeah,

961
00:51:57,680 --> 00:51:58,440
Speaker 1: pretty impressive.

962
00:51:58,680 --> 00:52:02,680
Speaker 3: Okay, Now there's some like, eh Magic Dynamics where there's

963
00:52:02,760 --> 00:52:06,439
Speaker 3: like a magical amulet that pops up sometime around here

964
00:52:06,480 --> 00:52:09,040
Speaker 3: in the movie, and I was trying my hardest to

965
00:52:09,040 --> 00:52:11,319
Speaker 3: figure out did we already know something about this or

966
00:52:11,360 --> 00:52:13,640
Speaker 3: is this just out of nowhere? Like, oh, yeah, there

967
00:52:13,800 --> 00:52:16,800
Speaker 3: is an amulet that will defeat the warlock.

968
00:52:17,280 --> 00:52:18,960
Speaker 1: Yeah, this kind of comes out of nowhere. As I

969
00:52:19,000 --> 00:52:22,840
Speaker 1: recall Elvira, the local girl and ultimately she's gonna be

970
00:52:23,000 --> 00:52:25,399
Speaker 1: our final girl here, she's like, oh, by the way,

971
00:52:25,440 --> 00:52:29,360
Speaker 1: I just remembered something. There's this Thor's Hammer amulet and

972
00:52:29,400 --> 00:52:34,240
Speaker 1: it can destroy powerful undead creatures. Oh, so useful information

973
00:52:34,280 --> 00:52:38,320
Speaker 1: to suddenly have. And also we later learn and I

974
00:52:38,360 --> 00:52:40,880
Speaker 1: don't remember how we learn this, but we learned that

975
00:52:40,920 --> 00:52:45,799
Speaker 1: Thor's hammer will not outright destroy a female undead a

976
00:52:45,840 --> 00:52:49,160
Speaker 1: female resurrected being. No, for that, you need a long

977
00:52:49,239 --> 00:52:50,400
Speaker 1: silver needle.

978
00:52:50,520 --> 00:52:53,680
Speaker 3: Right, So, yeah, the hammer only works on Paul Nashi,

979
00:52:53,800 --> 00:52:58,239
Speaker 3: the warlock Paul Nashi. I remember how they find this out.

980
00:52:58,800 --> 00:53:01,040
Speaker 3: They open up a book and they're reading the book

981
00:53:01,040 --> 00:53:03,440
Speaker 3: and I'm like, what is this book. I don't know

982
00:53:04,080 --> 00:53:06,080
Speaker 3: if they ever explain what the book is. They just

983
00:53:06,160 --> 00:53:08,320
Speaker 3: have a book that tells you how to kill the warlock.

984
00:53:08,600 --> 00:53:10,799
Speaker 1: This was the research portion of the movie. I forgot

985
00:53:10,840 --> 00:53:11,839
Speaker 1: about this, But.

986
00:53:11,840 --> 00:53:14,480
Speaker 3: So there is a scene where after this, like, the

987
00:53:14,560 --> 00:53:20,280
Speaker 3: remaining humans include Hugo, who is unhypnotized at this point

988
00:53:20,320 --> 00:53:26,640
Speaker 3: that's normal, that's regular, Paul Nashy, and Elvira, and I

989
00:53:26,680 --> 00:53:29,520
Speaker 3: think maybe somebody else I don't know. So zombies attack

990
00:53:29,600 --> 00:53:33,840
Speaker 3: the house and it's really This was also very funny

991
00:53:33,880 --> 00:53:37,120
Speaker 3: because I think we get Alan or Elaine, the guy

992
00:53:37,160 --> 00:53:40,560
Speaker 3: from the village, talking to Elvira and he's like, Elvira,

993
00:53:40,880 --> 00:53:45,480
Speaker 3: my daughter opened the door and he sounds like Dracula,

994
00:53:45,560 --> 00:53:51,359
Speaker 3: but she's like, oh dad. But when the zombies get

995
00:53:51,400 --> 00:53:54,480
Speaker 3: into the house, they are vocal fry zombies. They are

996
00:53:54,520 --> 00:54:01,120
Speaker 3: just wandering the halls going non stop and till there's

997
00:54:01,160 --> 00:54:04,280
Speaker 3: a torch stand off. Paul Nashy lights up a torch

998
00:54:04,360 --> 00:54:07,319
Speaker 3: and waves it at them. He does an awful lot

999
00:54:07,360 --> 00:54:09,600
Speaker 3: of waving that torch. That goes on for a while,

1000
00:54:10,200 --> 00:54:12,239
Speaker 3: and eventually he gets him out of the house. He's

1001
00:54:12,239 --> 00:54:14,200
Speaker 3: like shoo, shoo, and you know, they get out of

1002
00:54:14,200 --> 00:54:17,879
Speaker 3: the door, and then he I think tries to burn them,

1003
00:54:18,000 --> 00:54:20,680
Speaker 3: but I don't know if it exactly works, because later

1004
00:54:20,760 --> 00:54:23,600
Speaker 3: he's like looking for their bodies in the lake or

1005
00:54:23,600 --> 00:54:24,719
Speaker 3: something he kept.

1006
00:54:24,840 --> 00:54:28,600
Speaker 1: There's a there's a brief burning man stunt here where

1007
00:54:28,760 --> 00:54:32,800
Speaker 1: he catches one of the one of the zombies on fire,

1008
00:54:32,920 --> 00:54:35,080
Speaker 1: or at least catches the pants in the back on fire.

1009
00:54:35,600 --> 00:54:36,359
Speaker 3: Uh huh.

1010
00:54:36,400 --> 00:54:39,799
Speaker 1: So yeah, basically Night of a Living Dead scenario here

1011
00:54:39,840 --> 00:54:43,759
Speaker 1: with dead villagers. They're able to successfully successfully fight them

1012
00:54:43,760 --> 00:54:44,520
Speaker 1: off until dawn.

1013
00:54:45,000 --> 00:54:49,120
Speaker 3: After this, Maurice comes back the Painter guy and he's like, well,

1014
00:54:49,160 --> 00:54:53,680
Speaker 3: I'm not hypnotized by the Warlock anymore. And Hugh goes like,

1015
00:54:53,680 --> 00:54:56,040
Speaker 3: oh great, well then I need you to go help

1016
00:54:56,080 --> 00:54:58,440
Speaker 3: me do something. We're gonna need an axe and some

1017
00:54:58,520 --> 00:55:01,560
Speaker 3: wood and then he says to Elvira, so they're leaving

1018
00:55:01,560 --> 00:55:03,920
Speaker 3: the house that he's like, you stay here. It's going

1019
00:55:04,080 --> 00:55:06,880
Speaker 3: this is a direct quote. It's going to be disagreeable.

1020
00:55:07,160 --> 00:55:10,520
Speaker 3: You'll be in no danger even if you're alone. What's

1021
00:55:10,560 --> 00:55:11,399
Speaker 3: the basis for that?

1022
00:55:11,719 --> 00:55:16,440
Speaker 1: I guess it's because it's daytime. The sun is Oh, yeah,

1023
00:55:16,440 --> 00:55:18,600
Speaker 1: that could be it, and she shouldn't see what they're

1024
00:55:18,640 --> 00:55:21,440
Speaker 1: going to do. What they are going to do. This

1025
00:55:21,520 --> 00:55:24,560
Speaker 1: is the same the following sequence. I think I watched

1026
00:55:24,560 --> 00:55:29,160
Speaker 1: three different times and finally consulted a summary to really

1027
00:55:29,239 --> 00:55:31,520
Speaker 1: nail down what they were trying to do in this sequence.

1028
00:55:32,160 --> 00:55:33,840
Speaker 3: Well, what are they trying to do? So they go

1029
00:55:33,880 --> 00:55:36,800
Speaker 3: to the lake and the lake is making bubbling tarpit

1030
00:55:36,960 --> 00:55:38,600
Speaker 3: sounds and I don't know why, but.

1031
00:55:38,760 --> 00:55:41,839
Speaker 1: They have to live an axe and they have firewood,

1032
00:55:41,880 --> 00:55:44,480
Speaker 1: and they have like a big long pole with a

1033
00:55:44,480 --> 00:55:46,640
Speaker 1: hook on it, like they're going to drag the lake.

1034
00:55:47,000 --> 00:55:50,360
Speaker 1: Apparently they have come out here to find the bodies

1035
00:55:50,360 --> 00:55:53,680
Speaker 1: of the zombies from last night, any remaining bodies, and

1036
00:55:53,760 --> 00:55:54,279
Speaker 1: burn them.

1037
00:55:54,560 --> 00:55:58,320
Speaker 3: But they don't quite get to do that because Maurice

1038
00:55:58,520 --> 00:56:01,360
Speaker 3: was not so unpossessed after all. Looks like this was

1039
00:56:01,400 --> 00:56:02,040
Speaker 3: all a trap.

1040
00:56:02,320 --> 00:56:07,520
Speaker 1: That's right, a brutal betrayal in which Maurice possessed Maurice

1041
00:56:07,880 --> 00:56:09,320
Speaker 1: kills Hugo with a shotgun.

1042
00:56:09,600 --> 00:56:12,680
Speaker 3: So this is regular Paul Nashi is dead. Now only

1043
00:56:13,000 --> 00:56:14,880
Speaker 3: warlock Poul Nashi remains.

1044
00:56:15,040 --> 00:56:16,920
Speaker 1: Right, And again I was kind of surprised by this

1045
00:56:16,960 --> 00:56:19,000
Speaker 1: because I thought it was going to ultimately be Nashi

1046
00:56:19,080 --> 00:56:22,040
Speaker 1: versus Nashy, but instead no, only Aleric remains.

1047
00:56:22,440 --> 00:56:27,200
Speaker 3: But however, I think Maurice is genuinely awakened from his

1048
00:56:28,360 --> 00:56:31,960
Speaker 3: hypnotized state by the Thor's hammer amulet, like I think,

1049
00:56:32,960 --> 00:56:37,319
Speaker 3: what's her name? Alvira presses that against him and then

1050
00:56:37,360 --> 00:56:40,680
Speaker 3: he's like, oh, I'm good now. And then that's when

1051
00:56:40,719 --> 00:56:43,480
Speaker 3: they read the book they find. They just start reading

1052
00:56:43,480 --> 00:56:45,600
Speaker 3: a book and it tells them how to kill warlocks

1053
00:56:45,600 --> 00:56:49,440
Speaker 3: and zombies and the silver Needle and all that. Meanwhile,

1054
00:56:49,480 --> 00:56:51,719
Speaker 3: this is when we get the argument between the warlock

1055
00:56:51,760 --> 00:56:54,920
Speaker 3: and Hellgaalaine about when they should eat hearts. You know,

1056
00:56:55,040 --> 00:56:57,359
Speaker 3: I will eat hearts later, but I'm hungry now. And

1057
00:56:57,360 --> 00:57:01,520
Speaker 3: they settle this by going out to find the bandits

1058
00:57:01,600 --> 00:57:04,480
Speaker 3: or the vigilantes from earlier who were camped out with

1059
00:57:04,520 --> 00:57:07,399
Speaker 3: a fire by the riverbank, and they just say Hi,

1060
00:57:07,440 --> 00:57:09,480
Speaker 3: We're gonna eat your hearts now, and they do. This

1061
00:57:09,560 --> 00:57:12,640
Speaker 3: is where Mabile like rips the dude's chest open with

1062
00:57:12,680 --> 00:57:13,240
Speaker 3: her hands.

1063
00:57:13,719 --> 00:57:16,240
Speaker 1: Nice. So many chests get ripped open in this film,

1064
00:57:16,640 --> 00:57:19,400
Speaker 1: and this all leads up to our final showdown. So

1065
00:57:19,600 --> 00:57:24,080
Speaker 1: on one hand, we have Maurice and we have Alvira,

1066
00:57:24,600 --> 00:57:29,800
Speaker 1: and then we also have Alaric and Mabel and Elvira

1067
00:57:30,560 --> 00:57:32,960
Speaker 1: and Maurice. They have the weapons now, they feel like

1068
00:57:32,960 --> 00:57:35,040
Speaker 1: they know what they need to do. They have the amulet,

1069
00:57:35,040 --> 00:57:39,840
Speaker 1: they have the needle, and so the battle begins basically

1070
00:57:39,880 --> 00:57:41,240
Speaker 1: the way this is. I thought thought this was a

1071
00:57:41,320 --> 00:57:45,160
Speaker 1: nice final showdown, but ultimately Maurice and Alaric both throw

1072
00:57:45,480 --> 00:57:48,200
Speaker 1: items at each other at the same time. Maurice is

1073
00:57:48,240 --> 00:57:52,200
Speaker 1: throwing the thor amulet and Alaric is throwing an axe,

1074
00:57:52,400 --> 00:57:56,120
Speaker 1: so Maurice is killed by the axe. Meanwhile, the amulet

1075
00:57:56,200 --> 00:58:00,560
Speaker 1: hits Alaric and wounds him. Alvira is fighting Mabel and

1076
00:58:00,680 --> 00:58:03,840
Speaker 1: stabs her with a silver needle, which just destroys her.

1077
00:58:04,200 --> 00:58:07,840
Speaker 1: And then Elvira picks up the amulet and presses it

1078
00:58:08,000 --> 00:58:11,800
Speaker 1: to the wounded Alaric's head, and this resolves in a

1079
00:58:11,880 --> 00:58:16,000
Speaker 1: nice dramatic death sequence for Paul Nashy's Alaric.

1080
00:58:15,960 --> 00:58:18,320
Speaker 3: So Elvira survives the Warlock horror.

1081
00:58:18,520 --> 00:58:22,040
Speaker 1: That's right, Alaric. He falls to his knees, his head

1082
00:58:22,040 --> 00:58:24,440
Speaker 1: falls off his body, and his head tumbled down some

1083
00:58:24,560 --> 00:58:27,360
Speaker 1: stairs and then just burned to a crisp.

1084
00:58:27,600 --> 00:58:29,040
Speaker 3: They end up looking at they're kind of like a

1085
00:58:29,200 --> 00:58:31,880
Speaker 3: smoldering orange newspapers.

1086
00:58:31,920 --> 00:58:36,080
Speaker 1: It looks like yeah. And then and then Elvira, in

1087
00:58:36,160 --> 00:58:38,120
Speaker 1: kind of a daze, she wanders back down to the

1088
00:58:38,200 --> 00:58:42,120
Speaker 1: lake and she throws the thor Amulet into the water.

1089
00:58:42,520 --> 00:58:43,680
Speaker 1: And that's the end of the movie.

1090
00:58:44,120 --> 00:58:46,760
Speaker 3: Now that's the I was confused by that. Why did

1091
00:58:46,800 --> 00:58:49,880
Speaker 3: she throw the amulet in the water. The amulet wasn't bad,

1092
00:58:49,960 --> 00:58:52,800
Speaker 3: The amulet protected them from evil. How does she know

1093
00:58:53,320 --> 00:58:55,800
Speaker 3: that there isn't that she's not gonna need that again?

1094
00:58:56,280 --> 00:58:58,200
Speaker 1: I don't know. I mean, she seemed to think it

1095
00:58:58,280 --> 00:59:00,400
Speaker 1: belonged there. I don't know. If she was like, I've

1096
00:59:00,400 --> 00:59:02,600
Speaker 1: had enough of this, I'm throwing this into the water.

1097
00:59:03,120 --> 00:59:06,040
Speaker 1: If this is like throwing Goose's dog tags into the

1098
00:59:06,040 --> 00:59:09,240
Speaker 1: ocean and top Gun, I don't know, if this is

1099
00:59:09,320 --> 00:59:12,040
Speaker 1: like ex Caliber needs to be returned to the lake

1100
00:59:12,120 --> 00:59:14,400
Speaker 1: and so she's throwing those thrown into the lake. I'm

1101
00:59:14,400 --> 00:59:17,400
Speaker 1: not sure exactly what the rationale was here, other than

1102
00:59:17,400 --> 00:59:20,560
Speaker 1: to have a kind of haunting, ambiguous ending to the

1103
00:59:20,600 --> 00:59:24,880
Speaker 1: whole affair. Yeah, which is sort of what we had

1104
00:59:25,000 --> 00:59:28,880
Speaker 1: in the lorel Grasp. We had a haunting, ambiguous ending

1105
00:59:29,560 --> 00:59:30,400
Speaker 1: by the lake shore.

1106
00:59:30,840 --> 00:59:34,720
Speaker 3: That's right. Yeah, except this movie, unlike Lorealized Grasp, does

1107
00:59:34,800 --> 00:59:37,880
Speaker 3: not have a doomed monster romance component. It does not

1108
00:59:37,960 --> 00:59:40,880
Speaker 3: have like the human falls in love with a monster.

1109
00:59:41,360 --> 00:59:43,440
Speaker 3: If there is a love story, it's the love story

1110
00:59:43,480 --> 00:59:48,440
Speaker 3: between two evil monsters, and unfortunately they are both they

1111
00:59:48,440 --> 00:59:51,360
Speaker 3: are both thwarted by bumbling humans.

1112
00:59:51,400 --> 00:59:54,640
Speaker 1: In the end, well, Alrich is clearly upset when his

1113
00:59:54,760 --> 00:59:57,000
Speaker 1: loved one dies again, Like we do get a moment

1114
00:59:57,000 --> 00:59:59,080
Speaker 1: of him reacting to that, and I felt bad for

1115
00:59:59,160 --> 01:00:03,240
Speaker 1: him because again I was behind this power couple. I'm

1116
01:00:03,280 --> 01:00:06,120
Speaker 1: not sure what their their their modern power couple name

1117
01:00:06,160 --> 01:00:09,320
Speaker 1: would be combining Alaric and Mabel.

1118
01:00:10,640 --> 01:00:12,480
Speaker 3: I'll leave Medford Maloric.

1119
01:00:12,480 --> 01:00:16,960
Speaker 1: Malaric, Team Malarek. Yeah, I was one on Team Malrek.

1120
01:00:17,040 --> 01:00:18,560
Speaker 1: So yeah, I was a little a little sad when

1121
01:00:18,840 --> 01:00:21,640
Speaker 1: when when when things went down the way they did.

1122
01:00:22,000 --> 01:00:25,360
Speaker 3: I think Nashi's look as the warlock is far superior

1123
01:00:25,440 --> 01:00:29,560
Speaker 3: to his look as a modern day man, So yeah, definitely. Yeah.

1124
01:00:29,800 --> 01:00:32,440
Speaker 3: On one day, he's wearing this gross, pale makeup and

1125
01:00:32,480 --> 01:00:35,040
Speaker 3: he always looks sweaty, and he's got this fake beard

1126
01:00:35,240 --> 01:00:38,280
Speaker 3: and he's got the cool cape and everything, and that

1127
01:00:38,360 --> 01:00:40,840
Speaker 3: all just gels. That works. And the other one.

1128
01:00:40,880 --> 01:00:44,200
Speaker 1: There's an actual gel too, there's that red gel or

1129
01:00:44,240 --> 01:00:47,280
Speaker 1: purple gel. So he has this demonic light to him,

1130
01:00:47,280 --> 01:00:49,720
Speaker 1: and yeah, he's just got this sardonic look on his face.

1131
01:00:50,160 --> 01:00:51,480
Speaker 1: Absolutely love this look.

1132
01:00:51,840 --> 01:00:54,280
Speaker 3: That look. That look works, and when you compare that

1133
01:00:54,360 --> 01:00:57,000
Speaker 3: to his look as the modern man who tucks his

1134
01:00:57,040 --> 01:00:59,919
Speaker 3: turtleneck in, it's just it's not the same. Right.

1135
01:01:01,680 --> 01:01:04,720
Speaker 1: Oh, before we close out, one more Maurice moment that

1136
01:01:04,760 --> 01:01:06,800
Speaker 1: I love. There's a part earlier in the film where

1137
01:01:06,800 --> 01:01:09,040
Speaker 1: they've gone out into the country and he comes back

1138
01:01:09,080 --> 01:01:11,120
Speaker 1: from town. I'm not sure what he was doing in town,

1139
01:01:11,160 --> 01:01:13,400
Speaker 1: but he's talking to Hugo and he's like, yeah, this

1140
01:01:13,480 --> 01:01:15,880
Speaker 1: place sucks. Like I went into town and the kids

1141
01:01:15,920 --> 01:01:17,200
Speaker 1: were throwing rocks at me.

1142
01:01:18,680 --> 01:01:21,320
Speaker 3: Yeah, I loved it. I did not know what that meant,

1143
01:01:21,320 --> 01:01:24,400
Speaker 3: but it was funny, all right.

1144
01:01:24,720 --> 01:01:28,680
Speaker 1: The movie is horror Rises from the Tomb. Yeah, it's

1145
01:01:28,680 --> 01:01:30,800
Speaker 1: a lot of fun. At some point in the future,

1146
01:01:30,800 --> 01:01:32,840
Speaker 1: I may have to come back and look around at

1147
01:01:32,840 --> 01:01:35,520
Speaker 1: some of these Paul nashi werewolf films and figure out

1148
01:01:35,960 --> 01:01:40,040
Speaker 1: what might be the Paul Nashy werewolf film to watch.

1149
01:01:40,200 --> 01:01:43,040
Speaker 1: I'm not sure, but if anyone out there has any ideas,

1150
01:01:43,640 --> 01:01:46,240
Speaker 1: feel free to write in and let us know. All right.

1151
01:01:46,320 --> 01:01:47,840
Speaker 1: In the meantime, if you want to listen to other

1152
01:01:47,880 --> 01:01:50,320
Speaker 1: Weird House Cinema episodes, you'll find them in the Stuff

1153
01:01:50,360 --> 01:01:53,480
Speaker 1: to Blow your Mind podcast feed every Friday. We're mainly

1154
01:01:53,480 --> 01:01:56,280
Speaker 1: a science podcast, but once a week we like to

1155
01:01:56,280 --> 01:01:58,920
Speaker 1: set aside everything that's serious and just talk about a

1156
01:01:58,960 --> 01:02:02,080
Speaker 1: weird film. So yeah, I get that. Wherever you get

1157
01:02:02,120 --> 01:02:04,400
Speaker 1: your podcasts. If you want a full list of the

1158
01:02:04,400 --> 01:02:06,760
Speaker 1: movies we've covered, there are two places you can go

1159
01:02:06,800 --> 01:02:09,400
Speaker 1: for that, aside from the episode feed. You can go

1160
01:02:09,520 --> 01:02:12,640
Speaker 1: to letterbox that's L E T T E R bo

1161
01:02:12,840 --> 01:02:15,680
Speaker 1: x D, and if you look up the account Weird House,

1162
01:02:16,280 --> 01:02:18,640
Speaker 1: you'll find a list there with all the movies in there.

1163
01:02:18,640 --> 01:02:21,080
Speaker 1: So you can get this nice visual of everything that

1164
01:02:21,080 --> 01:02:23,439
Speaker 1: we've covered and sometimes a glimpse at what we're going

1165
01:02:23,480 --> 01:02:26,760
Speaker 1: to cover. I also blog about these at a personal

1166
01:02:26,800 --> 01:02:30,200
Speaker 1: blog titled Summuta Music, so you can go there as well.

1167
01:02:30,440 --> 01:02:33,400
Speaker 3: Huge thanks as always to our excellent audio producer Seth

1168
01:02:33,520 --> 01:02:35,959
Speaker 3: Nicholas Johnson. If you would like to get in touch

1169
01:02:36,000 --> 01:02:38,400
Speaker 3: with us with feedback on this episode or any other,

1170
01:02:38,520 --> 01:02:41,400
Speaker 3: to suggest a topic for the future, or just to

1171
01:02:41,400 --> 01:02:44,360
Speaker 3: say hello, you can email us at contact at stuff

1172
01:02:44,400 --> 01:02:52,960
Speaker 3: to Blow your Mind dot com.

1173
01:02:53,080 --> 01:02:56,040
Speaker 2: Stuff to Blow your Mind is production of iHeartRadio. For

1174
01:02:56,120 --> 01:02:58,920
Speaker 2: more podcasts from my heart Radio, visit the iHeartRadio app,

1175
01:02:59,080 --> 01:03:02,360
Speaker 2: Apple Podcasts, or wherever you listen to your favorite shows.