WEBVTT - Stuck in a Creative BLOCK? THIS X-Minute Practice Will Unlock Your Creativity (This Quick Daily Act Will Help You Feel Inspired Again!) With Amie McNee

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<v Speaker 1>Literally the day I started journaling, I haven't stopped, and

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<v Speaker 1>everything changed because I allow creativity back into my life,

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<v Speaker 1>shame free. I think so many of us are creating,

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<v Speaker 1>but we've got so much shame around it. We're not

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<v Speaker 1>good enough, it's not making enough money.

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<v Speaker 2>My parents, you.

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<v Speaker 1>Know, really think I should give it up. There's so

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<v Speaker 1>many narratives that come with creativity. So many of us

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<v Speaker 1>are just being held back, kept small. I want you

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<v Speaker 1>to find out what happens when you take perfectionism out

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<v Speaker 1>of the equation and you just let yourself create.

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<v Speaker 2>The number one health and wellness podcast.

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<v Speaker 3>Stay Shetdy Jay, Sheddy Day, shed Hey everyone, Welcome back

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<v Speaker 3>to on Purpose, the place you come to to become

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<v Speaker 3>a happier, healthier and more healed. Today's guest is someone

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<v Speaker 3>I've been wanting to sit down with for so long.

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<v Speaker 3>I have stalked her on Instagram, shared a ton of

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<v Speaker 3>her stuff, showed her work to so many of my

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<v Speaker 3>friends and family members because it has deeply impacted me.

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<v Speaker 3>It's a page that I turned to when I feel

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<v Speaker 3>like I need someone to give me a bit of guy,

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<v Speaker 3>give me a steer, give me a direction to think

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<v Speaker 3>in And I can't wait to introduce her to all

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<v Speaker 3>of you. I'm speaking about author, artist, creative, and poet

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<v Speaker 3>and so much more. Amy McNee, Please welcome to On

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<v Speaker 3>Purpose Amy. Amy. It is so great to have you here.

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<v Speaker 3>I'm such a huge fan and I can't wait for

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<v Speaker 3>your new book. We need your art. I think it's

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<v Speaker 3>going to be life changing for so many budding creatives,

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<v Speaker 3>people are just starting out, up and coming, and at

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<v Speaker 3>the same time established creatives who are trying to rediscover themselves. So,

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<v Speaker 3>as a fan, thank you for being on the show

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<v Speaker 3>and so excited to have this conversation.

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<v Speaker 1>Jay, I'm so grateful. I'm grateful for your art. I'm

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<v Speaker 1>so grateful that you make the things that you do,

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<v Speaker 1>and I'm just very excited to be here.

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<v Speaker 3>I'm trying to remember when I first came across your work,

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<v Speaker 3>and I can't remember the exact moment, but I remember

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<v Speaker 3>the feeling I had of swiping through reading some of

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<v Speaker 3>your work. You were holding up your pieces of board

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<v Speaker 3>or card, and you know, with your thick marker handwriting,

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<v Speaker 3>and I was reading it and thinking to myself, how

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<v Speaker 3>can someone be saying things that are so sometimes difficult, uncomfortable,

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<v Speaker 3>hard to say, and hard to hear, but doing it

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<v Speaker 3>in a way that was so clear and so powerful.

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<v Speaker 3>And I wanted to start off by asking you how

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<v Speaker 3>do you see people? Are people born creative or can

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<v Speaker 3>people become creative? And is everyone in some way creative?

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<v Speaker 3>Because I think a lot of people listening right now

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<v Speaker 3>are thinking, Jade, this episode isn't for me. I'm not creative,

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<v Speaker 3>I'm not an artist. What do I do?

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<v Speaker 1>I know when I say, and I say it a lot,

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<v Speaker 1>I say we need your art, and I worry about

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<v Speaker 1>the amount of people who are like, oh, not my art.

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<v Speaker 1>But I'm like your art, and I think we have

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<v Speaker 1>a real We can really pedestal the term art as

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<v Speaker 1>to what it is, and we think it's, oh, it's

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<v Speaker 1>fine art, or oh it has to be photography or

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<v Speaker 1>a certain type of art. But art comes in so

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<v Speaker 1>many different shapes and forms, and we all have a

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<v Speaker 1>capability and a desire to create. It's just that it

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<v Speaker 1>looks different for all of us. So when I say

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<v Speaker 1>we need your art, like, I mean we need your

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<v Speaker 1>art like we all have a drive and a desire

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<v Speaker 1>to make stuff. It's so innate, it's so human. So

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<v Speaker 1>I think we really need to take art off the pedestal.

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<v Speaker 1>It's not just for fine arts, although obviously it is,

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<v Speaker 1>but it's this. It's podcasting, it's you know, watercolors, it's writing,

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<v Speaker 1>it's planting, it's gardening.

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<v Speaker 3>It's makeup tutorials.

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<v Speaker 1>It's makeup tutorials, it's previews, it's cooking. Like creativity like

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<v Speaker 1>sinks into all aspects of our lives and we all

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<v Speaker 1>have a thirst for it. And so when I say

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<v Speaker 1>we need your art, I'm talking about you.

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<v Speaker 3>Yeah, And I love that you are broadening the definition

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<v Speaker 3>of art. Yeah, because I think you're so right. Like

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<v Speaker 3>growing up, I'm not. I wasn't good at drawing, yeah,

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<v Speaker 3>and so I always thought I was an artistic Yet

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<v Speaker 3>it was so funny. I remember when I was finishing

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<v Speaker 3>primary school, elementary school, and I remember we did this

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<v Speaker 3>for flection exercise, and it was like, what's your favorite

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<v Speaker 3>subject and what's your worst subject? And I put my

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<v Speaker 3>favorite subject being math because I thought I was a geek,

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<v Speaker 3>but I wasn't. And then I wrote down my worst

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<v Speaker 3>subject was art. And then when I went to secondary school,

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<v Speaker 3>high school, and when I finished, if you asked me

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<v Speaker 3>what my favorite subject was, it was art. And if

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<v Speaker 3>you asked me what my least favorite subject was. It

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<v Speaker 3>was math because I had an art teacher called mister

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<v Speaker 3>Buckerridge at Q Boys School in Barnet that expanded the

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<v Speaker 3>definition of art from day one. And it became about color,

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<v Speaker 3>It became about juxtaposition, It became about meaning. It became

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<v Speaker 3>about college. It became about imagery, It became about my passions.

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<v Speaker 3>It became about all these other things. And I then

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<v Speaker 3>made him feel really upset because I sold out and

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<v Speaker 3>didn't study art at university, even though I.

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<v Speaker 2>Became in so many ways. You have studied art, you know,

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<v Speaker 2>like you kept that going in there, but it was

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<v Speaker 2>subject to be life.

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<v Speaker 3>Yeah, but you've brought in that definition for everyone, and

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<v Speaker 3>I think that's so needed because you are right. Podcasting

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<v Speaker 3>is art, writing is art, Cooking is art.

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<v Speaker 1>Or the way we dress, you know, the way we

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<v Speaker 1>express like you can't not create art, And I think

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<v Speaker 1>we need to reclaim that word for ourselves. It is

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<v Speaker 1>mine and you are an artist in some way, shape

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<v Speaker 1>or form.

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<v Speaker 3>What happens when we stifle ourselves? So what happens when

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<v Speaker 3>you hold back? Sometimes today people even know they're artistic,

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<v Speaker 3>maybe they even had a little skill when they were younger.

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<v Speaker 3>Maybe they were passionate, maybe even now in their spare time,

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<v Speaker 3>but they're blocking themselves. They're stifling themselves because they've heard

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<v Speaker 3>things like, well, that won't get you a career, that

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<v Speaker 3>won't pay the bills, that's not going to make you money,

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<v Speaker 3>that's not a real job. And by the way, I

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<v Speaker 3>heard all those things growing up. So it feels very

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<v Speaker 3>familiar to me what happens to us when we stifle

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<v Speaker 3>ourselves and block ourselves.

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<v Speaker 1>Yeah, I mean, if you will indulge me, I'll tell

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<v Speaker 1>you a bit of my story because I feel like

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<v Speaker 1>and exactly as you said, you've experienced this, Like all

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<v Speaker 1>I wanted to do was tell stories, Like it's all

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<v Speaker 1>I wanted to do, whether it was through acting or writing,

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<v Speaker 1>I just felt like driven to express myself through storytelling.

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<v Speaker 1>And once I left school, I was like, Okay, I'm

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<v Speaker 1>going to take this seriously, like I really want to

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<v Speaker 1>commit to this. And you know, from the age of

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<v Speaker 1>eighteen to the age of like, you know, really recently,

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<v Speaker 1>like I was inundated with it's childlike, it's irresponsible, it's

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<v Speaker 1>foolish to take the creative arts seriously, and I ended

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<v Speaker 1>up with severe depression. I was so low because I

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<v Speaker 1>was so embarrassed by this extraordinarily strong desire to tell stories,

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<v Speaker 1>like I just wanted to tell stories, and I felt

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<v Speaker 1>so ashamed about it, and I felt like I couldn't

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<v Speaker 1>be a real adult, I couldn't grow, and so I

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<v Speaker 1>withheld my creativity and I felt incredible amounts of shame

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<v Speaker 1>and I felt so embarrassed, and I didn't want to

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<v Speaker 1>talk about it with anybody, and it resulted in me

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<v Speaker 1>being ridiculously depressed. I was so low, I had such

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<v Speaker 1>low affect, I had no motivation. So it was like

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<v Speaker 1>a war going on inside me. And half of myself

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<v Speaker 1>was like, I have to tell stories, like I am

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<v Speaker 1>here to create, to make art and to impact the

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<v Speaker 1>world with my art. And then the other half of

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<v Speaker 1>me was like, this is so irresponsible. Why can't you

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<v Speaker 1>be a real adult, Why can't you just grow up,

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<v Speaker 1>like get a real job, And that duality and that

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<v Speaker 1>war within me left me like broken. And it wasn't

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<v Speaker 1>until I started journaling and I started seeing the stories

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<v Speaker 1>that I was telling myself, and I was like this,

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<v Speaker 1>I cannot live this way, and so I started rewriting

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<v Speaker 1>them like with my pen on the pages of my

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<v Speaker 1>journal and I allowed art back into my life, like

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<v Speaker 1>shame free art, and like since literally the day I

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<v Speaker 1>started journaling, I haven't stopped and everything changed because I

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<v Speaker 1>allowed creativity back into my life. Shame free.

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<v Speaker 3>Wow, I love that. I love this and a shame

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<v Speaker 3>free art.

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<v Speaker 2>It's so important.

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<v Speaker 1>I think so many of us are creating, but we've

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<v Speaker 1>got so much shame around it. We're not good enough,

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<v Speaker 1>it's not making enough money. My parents, you know, really

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<v Speaker 1>think I should give it up. There's so many narratives

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<v Speaker 1>that come with creativity, and so many of us are

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<v Speaker 1>just being held back, kept small.

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<v Speaker 2>Yeah, we need shame free art.

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<v Speaker 3>How did you get the courage to allow art back in?

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<v Speaker 3>Especially when you're in a dark place like you're saying

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<v Speaker 3>you're experiencing depression, You're hearing all this negativity around you

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<v Speaker 3>about the relevance of your art and the value of

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<v Speaker 3>your art. How do you in that place go, I'm

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<v Speaker 3>going to turn to art because it's the one thing

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<v Speaker 3>that's been villainized and made to seem negative.

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<v Speaker 1>Yeah, it was through journally. It was a complete narrative shift.

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<v Speaker 1>So I would write out the stories that I was

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<v Speaker 1>telling myself. So why can't you get a real job.

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<v Speaker 1>Why do you think this is possible? This is so embarrassing.

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<v Speaker 1>You've got hundreds of rejection letters from publishers. No one's

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<v Speaker 1>listening to you. And then I would write it all

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<v Speaker 1>out so I could witness the stories I was telling myself,

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<v Speaker 1>like I needed to see the amount of shame I

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<v Speaker 1>was in because and it would shock me, like I

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<v Speaker 1>would reread what I was writing and I was like,

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<v Speaker 1>my brain is like a place of just like violence

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<v Speaker 1>and vitriol, like I'm speaking so terribly to myself and

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<v Speaker 1>to my inner artist. And then at the end of

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<v Speaker 1>my journaling session, I would be like, Okay, well, how

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<v Speaker 1>do I want to sound? And I call it mothering myself.

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<v Speaker 1>It's like a reparenting exercise. And I would just be like,

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<v Speaker 1>you know what, and I'd treat myself like a baby,

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<v Speaker 1>and I'd be like, baby.

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<v Speaker 2>Girl, you are here to tell stories.

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<v Speaker 1>I am so proud of you. I'm proud of the

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<v Speaker 1>way that you are showing up. I am proud of

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<v Speaker 1>the way that you were rebelling against society's expectation. You

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<v Speaker 1>are being put on this earth to make art, to create,

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<v Speaker 1>and I'm so proud of.

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<v Speaker 2>What you're doing.

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<v Speaker 1>And so no matter how much I like spewed out

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<v Speaker 1>crap and there was so much in a critic rubbish

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<v Speaker 1>on the pages, I always ended it with this voice

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<v Speaker 1>that was like, Okay, but I'm actually really proud of you.

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<v Speaker 1>You know, you are here to make art and you're

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<v Speaker 1>on the path. I used to tell that to myself

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<v Speaker 1>all the time. You're on the path, You're on the path.

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<v Speaker 1>So yeah, it was it was through words, which is

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<v Speaker 1>so appropriate, I guess for me as an author.

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<v Speaker 3>Yeah, but it's so interesting that that wasn't a learned

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<v Speaker 3>technique or it was that just happened. Yeah, yeah, someone

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<v Speaker 3>that came from within. But now it's practice people can

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<v Speaker 3>follow through. And I love that repetition of you are

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<v Speaker 3>on the path, because I think that's so so true

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<v Speaker 3>in that we think that we're either off the path

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<v Speaker 3>or on the path, and we think that we're either

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<v Speaker 3>going in the wrong direction or the right direction, rather

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<v Speaker 3>than just recognizing that you're on the path either way.

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<v Speaker 3>And I've done this often, and I've seen a lot

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<v Speaker 3>of people do it where we go. You know, up

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<v Speaker 3>until last year, I was it was just a mess,

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<v Speaker 3>and then I figured it out, which basically devalues all

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<v Speaker 3>of that experience, all of that pain, all of that stress,

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<v Speaker 3>all of the amazing journey you've had that brought you

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<v Speaker 3>to that point that actually inspires empowers this path. But

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<v Speaker 3>you're like, now I'm on the right path. And so

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<v Speaker 3>we have this way of devaluing past experiences, even when

0:10:45.600 --> 0:10:47.560
<v Speaker 3>we say, oh, I had this light bulb moment and

0:10:47.600 --> 0:10:50.400
<v Speaker 3>then everything changed, and it's like, well, no, all of

0:10:50.440 --> 0:10:53.200
<v Speaker 3>that got you to the light bulb experience.

0:10:53.400 --> 0:10:54.600
<v Speaker 2>Yeah, I love that. Jay.

0:10:54.880 --> 0:10:58.080
<v Speaker 1>Something I say to myself is that, yeah, I mean again,

0:10:58.120 --> 0:11:00.720
<v Speaker 1>I repeat it all the time. You are on the path.

0:11:00.760 --> 0:11:01.960
<v Speaker 1>You are on the path. You are on the path.

0:11:02.000 --> 0:11:05.319
<v Speaker 1>But it would have been so easy for me to say, oh,

0:11:05.320 --> 0:11:07.200
<v Speaker 1>I figured it out. Now I've got the publishing deal.

0:11:07.480 --> 0:11:10.440
<v Speaker 1>Now you know, I get to have an audience, and

0:11:10.480 --> 0:11:13.200
<v Speaker 1>now I figured it out. But I actually owe everything

0:11:13.720 --> 0:11:16.800
<v Speaker 1>to the girl that navigated silence, to the girl that

0:11:16.920 --> 0:11:19.520
<v Speaker 1>navigated rejection, to the girl that had so much shame,

0:11:19.640 --> 0:11:22.040
<v Speaker 1>Like when I think about how I got here, I

0:11:22.120 --> 0:11:24.719
<v Speaker 1>owe everything to her. And I tell that to her.

0:11:24.840 --> 0:11:27.760
<v Speaker 1>Artists all the time, because you know, so many artists

0:11:27.840 --> 0:11:30.840
<v Speaker 1>we are navigating. You know, we're sharing stuff on social media.

0:11:30.960 --> 0:11:33.520
<v Speaker 1>No one's seeing it, No one's liking it. We're, you know,

0:11:33.640 --> 0:11:35.560
<v Speaker 1>daring to put our art out for sale. No one

0:11:35.679 --> 0:11:37.880
<v Speaker 1>wants to buy it. We are learning new crafts, we're

0:11:37.920 --> 0:11:42.880
<v Speaker 1>being so vulnerable, and you, your future version of yourself,

0:11:43.080 --> 0:11:45.520
<v Speaker 1>owes everything to you for daring to be brave, for

0:11:45.640 --> 0:11:48.120
<v Speaker 1>being courageous, for taking up space even when no one

0:11:48.120 --> 0:11:50.040
<v Speaker 1>else is listening or no one else is watching, like

0:11:50.240 --> 0:11:53.280
<v Speaker 1>I right here on the J Shaddy Show. Owe everything

0:11:53.320 --> 0:11:56.360
<v Speaker 1>to the girl who was sitting at a cafe extraordinarily

0:11:56.360 --> 0:11:58.800
<v Speaker 1>depressed but saying, you know what, I'm going to dare

0:11:58.880 --> 0:12:02.280
<v Speaker 1>to write today even though nobody else wants me to write.

0:12:02.640 --> 0:12:05.800
<v Speaker 3>I love that. I so love that, because you made

0:12:05.880 --> 0:12:09.240
<v Speaker 3>me think of I remember when I started out, and

0:12:10.040 --> 0:12:13.360
<v Speaker 3>I think the first two presentations I gave pretty much

0:12:13.400 --> 0:12:15.760
<v Speaker 3>no one showed up. And then for years I was

0:12:15.800 --> 0:12:19.240
<v Speaker 3>doing events for five people, ten people, and I loved it.

0:12:19.280 --> 0:12:22.480
<v Speaker 3>And actually I was so lucky because social media kind

0:12:22.480 --> 0:12:24.360
<v Speaker 3>of kicked off a bit later than when I would

0:12:24.360 --> 0:12:27.280
<v Speaker 3>have done that, so I never even had the pressure

0:12:27.360 --> 0:12:30.079
<v Speaker 3>or the belief that more than five to ten people

0:12:30.080 --> 0:12:33.000
<v Speaker 3>could come, because maybe I'd seen twenty people in a room,

0:12:33.360 --> 0:12:35.520
<v Speaker 3>or fifty people in a room, or one hundred people

0:12:35.559 --> 0:12:38.120
<v Speaker 3>in a room, and so to me, one hundred was

0:12:38.320 --> 0:12:39.120
<v Speaker 3>a big number.

0:12:39.320 --> 0:12:39.520
<v Speaker 2>Yeah.

0:12:39.840 --> 0:12:41.599
<v Speaker 3>And I was talking to someone just a couple of

0:12:41.679 --> 0:12:44.319
<v Speaker 3>days ago, and they're a creator, and they were saying, like, Jeae,

0:12:44.360 --> 0:12:46.880
<v Speaker 3>I just feel this pressure of scale, and I feel

0:12:46.920 --> 0:12:49.240
<v Speaker 3>this pressure of like, not enough people have seen my work.

0:12:49.760 --> 0:12:51.760
<v Speaker 3>And I was just thinking, you know, whether I had

0:12:51.800 --> 0:12:53.800
<v Speaker 3>five people in the room, ten people, one hundred, or

0:12:54.360 --> 0:12:57.280
<v Speaker 3>you know, whatever it is now, I was always just

0:12:57.320 --> 0:12:59.840
<v Speaker 3>happy and grateful to be with whoever was in the room,

0:13:00.360 --> 0:13:02.080
<v Speaker 3>and so now I feel that same. And I know

0:13:02.120 --> 0:13:04.040
<v Speaker 3>it's easy for me. It sounds easy for me to

0:13:04.080 --> 0:13:06.000
<v Speaker 3>say it now, and it's hard for me to reflect

0:13:06.080 --> 0:13:09.199
<v Speaker 3>back from the external view of whether people believe me

0:13:09.320 --> 0:13:11.920
<v Speaker 3>or not. But I can honestly say that I remember

0:13:11.960 --> 0:13:13.640
<v Speaker 3>just wanting to spend the whole evening with the five

0:13:13.640 --> 0:13:16.880
<v Speaker 3>people who turned up and answer their questions and share

0:13:16.880 --> 0:13:19.520
<v Speaker 3>with them insights, and it was so beautiful and valuable

0:13:19.559 --> 0:13:24.160
<v Speaker 3>and meaningful that that's what gave me the practice. It's

0:13:24.200 --> 0:13:28.200
<v Speaker 3>what gave me the ability to understand different people's challenges

0:13:28.240 --> 0:13:31.040
<v Speaker 3>and stresses, and everything that I've been able to create

0:13:31.080 --> 0:13:35.080
<v Speaker 3>here is only because of that experience. It wasn't that

0:13:35.360 --> 0:13:38.640
<v Speaker 3>I'm different now and I'm better now and I mastered something.

0:13:38.679 --> 0:13:41.760
<v Speaker 3>It wasn't that it was all part of the same path.

0:13:42.080 --> 0:13:42.360
<v Speaker 2>Yeah.

0:13:42.520 --> 0:13:45.200
<v Speaker 1>We owe everything to that version of Jay, you know,

0:13:45.280 --> 0:13:47.760
<v Speaker 1>and we get to experience you now because you did

0:13:47.840 --> 0:13:50.520
<v Speaker 1>and you enjoyed and you loved doing that work earlier on.

0:13:50.800 --> 0:13:51.600
<v Speaker 2>Yeah. I love that.

0:13:51.920 --> 0:13:54.560
<v Speaker 3>Yeah. I feel like so many people are probably listened

0:13:54.559 --> 0:13:57.880
<v Speaker 3>to this right now, going Amy J I have an idea. Yeah, Like,

0:13:57.960 --> 0:14:00.680
<v Speaker 3>I have something in my head that really makes sense,

0:14:01.760 --> 0:14:04.080
<v Speaker 3>but I'm scared to put it out there. And I'm

0:14:04.120 --> 0:14:06.000
<v Speaker 3>sure you hear this all the time, but I see

0:14:06.040 --> 0:14:10.480
<v Speaker 3>the fear of judgment and the fear of your art

0:14:10.520 --> 0:14:14.680
<v Speaker 3>being shamed, and the fear of people thinking it's silly,

0:14:14.880 --> 0:14:18.320
<v Speaker 3>not good enough, as being such a blocker for people,

0:14:19.200 --> 0:14:23.160
<v Speaker 3>And I wanted to ask you how do you help

0:14:23.240 --> 0:14:26.960
<v Speaker 3>people overcome that fear, because it seems to be the

0:14:27.000 --> 0:14:29.640
<v Speaker 3>biggest wall in the way of people and their dreams.

0:14:29.760 --> 0:14:31.160
<v Speaker 1>I mean, there's so many different ways we can look

0:14:31.200 --> 0:14:32.880
<v Speaker 1>at this. First of all, I'm so excited that you

0:14:32.880 --> 0:14:34.720
<v Speaker 1>have an idea, like this is so exciting.

0:14:34.800 --> 0:14:35.480
<v Speaker 2>Let's cherish it.

0:14:35.560 --> 0:14:37.400
<v Speaker 1>We need to take care of it because I like

0:14:37.440 --> 0:14:39.960
<v Speaker 1>that I'm really being serious, like, we need your art,

0:14:40.000 --> 0:14:42.160
<v Speaker 1>we need your expression, we need you to take up space.

0:14:42.200 --> 0:14:44.720
<v Speaker 1>There are people out there in the world who need

0:14:44.760 --> 0:14:47.040
<v Speaker 1>what you have to create, and if you choose to

0:14:47.040 --> 0:14:49.720
<v Speaker 1>withhold it, they will never get to experience it. Like

0:14:49.760 --> 0:14:52.160
<v Speaker 1>you are a one time phenomenon that will never ever

0:14:52.240 --> 0:14:55.400
<v Speaker 1>be seen again. And if you choose not to take

0:14:55.440 --> 0:14:58.160
<v Speaker 1>action on this idea, then that's done. That idea is

0:14:58.320 --> 0:15:00.600
<v Speaker 1>done eternally, will never be seen. And again, I just

0:15:00.600 --> 0:15:02.680
<v Speaker 1>want to really enforce that because it can be so

0:15:02.720 --> 0:15:04.960
<v Speaker 1>easy to be so flippant, Oh, it's just an idea.

0:15:05.000 --> 0:15:07.160
<v Speaker 1>It was never going to go anywhere. These ideas are

0:15:07.160 --> 0:15:09.000
<v Speaker 1>so precious and we need to take care of them.

0:15:09.760 --> 0:15:12.920
<v Speaker 1>The judgment thing, misunderstanding, the oh my god, what's that

0:15:13.040 --> 0:15:15.240
<v Speaker 1>dude from high school going to think of me? It

0:15:15.280 --> 0:15:19.840
<v Speaker 1>is so valid because art is so vulnerable. Creativity is

0:15:19.880 --> 0:15:22.440
<v Speaker 1>like pouring a little bit of you into an external

0:15:22.720 --> 0:15:25.280
<v Speaker 1>thing and giving it to the world. Like that's super vulnerable,

0:15:25.320 --> 0:15:27.240
<v Speaker 1>and so I want to validate that feeling of oh

0:15:27.240 --> 0:15:29.320
<v Speaker 1>my god, what will people think of me? Art is

0:15:29.360 --> 0:15:32.720
<v Speaker 1>a courageous exercise. It is so vulnerable, it is so scary,

0:15:32.760 --> 0:15:35.000
<v Speaker 1>and it's okay that we have these feelings. I think

0:15:35.040 --> 0:15:36.560
<v Speaker 1>there are several things that we can do. I think

0:15:36.600 --> 0:15:38.280
<v Speaker 1>the first one is come home to a truth, is

0:15:38.280 --> 0:15:42.200
<v Speaker 1>that you will be misunderstood and you will be judged,

0:15:43.320 --> 0:15:47.280
<v Speaker 1>and it's still worth making the art. I can't let

0:15:47.400 --> 0:15:50.200
<v Speaker 1>some random guy from high school stop me from doing

0:15:50.240 --> 0:15:53.560
<v Speaker 1>my work, and I almost did. When I decided I

0:15:53.600 --> 0:15:55.760
<v Speaker 1>wanted to really start taking up space as a writer.

0:15:56.240 --> 0:15:58.200
<v Speaker 1>I was like, Okay, I'm going to start like an Instagram.

0:15:58.200 --> 0:16:01.720
<v Speaker 1>I'm going to start sharing my words. And I was like, no,

0:16:01.760 --> 0:16:04.240
<v Speaker 1>I can't. It's so cringey. And I was like that

0:16:04.280 --> 0:16:06.280
<v Speaker 1>guy from high school, like Ben from high school, or

0:16:06.280 --> 0:16:08.480
<v Speaker 1>like I kept thinking of these random people, They're going

0:16:08.520 --> 0:16:09.760
<v Speaker 1>to see me and they're going to be like, who

0:16:09.800 --> 0:16:12.720
<v Speaker 1>does she think she is? And it stopped me in

0:16:12.760 --> 0:16:16.080
<v Speaker 1>my tracks for ages. And I just love that version

0:16:16.120 --> 0:16:19.000
<v Speaker 1>of myself because she was so brave and she decided, no,

0:16:19.120 --> 0:16:21.480
<v Speaker 1>I want this life. I want to tell stories. And

0:16:21.560 --> 0:16:24.600
<v Speaker 1>so I started inspired to write, started my Instagram and

0:16:24.640 --> 0:16:27.840
<v Speaker 1>I blocked every single person I could find, and I

0:16:27.960 --> 0:16:29.960
<v Speaker 1>sat there for hours being like they would stop me

0:16:30.000 --> 0:16:32.280
<v Speaker 1>showing up, they would stop me showing up. And I

0:16:32.400 --> 0:16:35.920
<v Speaker 1>created a cocoon for myself to become the artist that

0:16:36.000 --> 0:16:38.720
<v Speaker 1>I needed to be, And so I think, first of all,

0:16:38.720 --> 0:16:40.640
<v Speaker 1>we do need to understand that we will be misunderstood,

0:16:40.640 --> 0:16:43.560
<v Speaker 1>and that is safe to be misunderstood. But second of

0:16:43.560 --> 0:16:45.720
<v Speaker 1>all that we can take precautions to make sure that

0:16:45.800 --> 0:16:48.920
<v Speaker 1>we are that we have spaces to create and that

0:16:49.000 --> 0:16:52.080
<v Speaker 1>feel as safe as possible. But creation itself will never

0:16:52.120 --> 0:16:55.760
<v Speaker 1>be safe. It's inherently risky, and that's why it's inherently rewarding.

0:16:57.040 --> 0:16:58.680
<v Speaker 3>I love that. I love that you actually had a

0:16:58.680 --> 0:17:03.160
<v Speaker 3>physical way I was having a block, and I think

0:17:03.200 --> 0:17:05.280
<v Speaker 3>we don't think about it that way. Sometimes we think

0:17:05.359 --> 0:17:09.119
<v Speaker 3>that we should have got over that feeling first, like

0:17:09.200 --> 0:17:11.240
<v Speaker 3>I should be over the fact that my parents think

0:17:11.240 --> 0:17:14.399
<v Speaker 3>this is a bad idea before I create, and it's like, well, no,

0:17:14.440 --> 0:17:16.840
<v Speaker 3>you're probably gonna have to create while they think it's about.

0:17:16.600 --> 0:17:17.280
<v Speaker 2>It my good.

0:17:17.320 --> 0:17:20.600
<v Speaker 1>We can't become like fully actualized before we create art.

0:17:21.040 --> 0:17:23.119
<v Speaker 1>And art's going to reveal all of your lightness but

0:17:23.160 --> 0:17:24.960
<v Speaker 1>also a lot of your darkness. So there's going to

0:17:24.960 --> 0:17:26.760
<v Speaker 1>be so many things that come up as you dare

0:17:26.800 --> 0:17:29.040
<v Speaker 1>to do the brave thing and create stuff, like you're

0:17:29.080 --> 0:17:30.520
<v Speaker 1>going to see a lot of narratives you're going to

0:17:30.520 --> 0:17:33.840
<v Speaker 1>see a lot of insecurities because again, making art so vulnerable,

0:17:33.880 --> 0:17:35.520
<v Speaker 1>you're just going to see a lot of the hard

0:17:35.560 --> 0:17:38.280
<v Speaker 1>things within you and you can't wait till they're healed

0:17:38.320 --> 0:17:41.720
<v Speaker 1>to begin creating. So yeah, do what you need to do.

0:17:42.040 --> 0:17:44.520
<v Speaker 1>And for me, I needed to block every single person

0:17:44.560 --> 0:17:47.840
<v Speaker 1>I could think of, and now everyone's unblocked. But I

0:17:47.920 --> 0:17:50.560
<v Speaker 1>needed that space away from eyes. I didn't want their

0:17:50.600 --> 0:17:54.000
<v Speaker 1>perception of who they thought I was to interrupt my

0:17:54.080 --> 0:17:57.159
<v Speaker 1>journey of who I was becoming, and so I claimed

0:17:57.160 --> 0:17:59.920
<v Speaker 1>space for myself. And I invite artists to, however, look

0:18:00.119 --> 0:18:01.919
<v Speaker 1>put boundaries in place so that you can do this

0:18:02.040 --> 0:18:04.560
<v Speaker 1>work and you can feel as safe as possible. And no,

0:18:04.680 --> 0:18:07.240
<v Speaker 1>you can't protect yourself entirely, but you can do a

0:18:07.280 --> 0:18:09.960
<v Speaker 1>little bit so that you've you know, feel a little

0:18:10.040 --> 0:18:12.080
<v Speaker 1>more comfortible and more cozy as you do the brave

0:18:12.119 --> 0:18:14.520
<v Speaker 1>thing and start you know, making some ideas.

0:18:14.960 --> 0:18:17.919
<v Speaker 3>Yeah, I feel some of us have this feeling of

0:18:18.720 --> 0:18:21.840
<v Speaker 3>I wish the people who loved me believed in me.

0:18:22.119 --> 0:18:26.520
<v Speaker 3>Oh yeah right, And I feel as artists, because you

0:18:26.520 --> 0:18:28.600
<v Speaker 3>can have a softer heart, you're more empathetic, you're more

0:18:28.640 --> 0:18:31.360
<v Speaker 3>in tune with some of these emotions and feelings. There's

0:18:31.400 --> 0:18:33.639
<v Speaker 3>a sense of why don't you believe in me? And

0:18:33.680 --> 0:18:35.639
<v Speaker 3>if you believed in me, I could do it. And

0:18:35.680 --> 0:18:37.760
<v Speaker 3>if you believed in me, then I might get there.

0:18:37.760 --> 0:18:40.320
<v Speaker 3>And if you believed in me, then I'd feel better

0:18:40.359 --> 0:18:43.360
<v Speaker 3>about it. How do you let go of those kind

0:18:43.400 --> 0:18:46.800
<v Speaker 3>of expectations that we often have of the people around us.

0:18:47.520 --> 0:18:49.720
<v Speaker 3>There's a heartful part of that, but really it's a

0:18:49.800 --> 0:18:52.679
<v Speaker 3>hurtful part because it stops you from starting.

0:18:52.920 --> 0:18:54.200
<v Speaker 2>Yeah, it's so hard.

0:18:54.240 --> 0:18:58.480
<v Speaker 1>I speak to so many creatives who's closest people aren't

0:18:58.520 --> 0:19:00.560
<v Speaker 1>backing them. I think when we can admit to art,

0:19:00.560 --> 0:19:03.159
<v Speaker 1>we often trigger a lot of people, and we trigger

0:19:03.240 --> 0:19:05.720
<v Speaker 1>the artist within them that they squashed down and that

0:19:05.760 --> 0:19:08.600
<v Speaker 1>they repressed. And so when we say, oh, I'm actually

0:19:08.640 --> 0:19:10.879
<v Speaker 1>being incredibly brave and I've decided to write a book,

0:19:11.160 --> 0:19:13.320
<v Speaker 1>we trigger a little part in them that says, well,

0:19:13.320 --> 0:19:15.000
<v Speaker 1>I never let myself write a book. I thought you

0:19:15.040 --> 0:19:16.920
<v Speaker 1>needed permission to write a book, and here you are

0:19:17.000 --> 0:19:19.680
<v Speaker 1>just taking up space writing a book. And I don't

0:19:19.720 --> 0:19:22.040
<v Speaker 1>know that they necessarily know that that's what's happening. But

0:19:22.200 --> 0:19:24.760
<v Speaker 1>I feel like when we commit to art, a lot

0:19:24.760 --> 0:19:28.600
<v Speaker 1>of people find that confronting, and so that's important for

0:19:28.680 --> 0:19:32.240
<v Speaker 1>us to realize, is it's not us. It's often there

0:19:32.280 --> 0:19:33.920
<v Speaker 1>in a child that just hasn't had a chance to

0:19:33.960 --> 0:19:36.199
<v Speaker 1>express ourselves because we don't live in a world that

0:19:36.280 --> 0:19:40.840
<v Speaker 1>really encourages art, that encourages creative expression. It's something to

0:19:40.880 --> 0:19:42.919
<v Speaker 1>do when you're young, and it's something to do when

0:19:42.920 --> 0:19:45.879
<v Speaker 1>you're retired, and when we dare to do it now,

0:19:46.160 --> 0:19:48.119
<v Speaker 1>you know, in like the middle of life, like I

0:19:48.119 --> 0:19:50.159
<v Speaker 1>think it's people are like, oh, well, who gave you

0:19:50.200 --> 0:19:52.680
<v Speaker 1>permission to do that? And it's like, well, I did.

0:19:53.600 --> 0:19:55.600
<v Speaker 1>And a huge part of my journey's being permission giving.

0:19:56.040 --> 0:19:57.679
<v Speaker 1>Like I thought I needed to wait for permission for

0:19:57.720 --> 0:20:00.040
<v Speaker 1>the gatekeepers from publishers. I thought I needed some I

0:20:00.040 --> 0:20:02.399
<v Speaker 1>want to say, you are now allowed to make art.

0:20:02.800 --> 0:20:05.240
<v Speaker 1>One of the biggest revelations, and again it came through journaling,

0:20:05.359 --> 0:20:07.600
<v Speaker 1>was well, no, I'm just going to give myself permission.

0:20:07.680 --> 0:20:09.600
<v Speaker 1>And I didn't need it through my parents, I didn't

0:20:09.600 --> 0:20:12.119
<v Speaker 1>need it for my friends. I just needed to literally

0:20:12.119 --> 0:20:14.639
<v Speaker 1>be like, I give myself permission to take this seriously,

0:20:15.000 --> 0:20:17.120
<v Speaker 1>and it was the most profound permission slip I could

0:20:17.119 --> 0:20:18.680
<v Speaker 1>have ever given myself.

0:20:18.720 --> 0:20:18.960
<v Speaker 2>Ever.

0:20:19.440 --> 0:20:24.320
<v Speaker 3>I remember that as well for myself when I started

0:20:24.320 --> 0:20:28.000
<v Speaker 3>to create videos eight years ago, and it was that

0:20:28.160 --> 0:20:31.639
<v Speaker 3>same sense of feeling that before I did that, I

0:20:31.760 --> 0:20:34.720
<v Speaker 3>was asking people to give me a job to do

0:20:35.359 --> 0:20:36.879
<v Speaker 3>what I wanted to do, and I knew there wouldn't

0:20:36.920 --> 0:20:39.280
<v Speaker 3>be an exact job for it, but I was even

0:20:39.320 --> 0:20:42.040
<v Speaker 3>willing to sacrifice my art to take on a job

0:20:42.080 --> 0:20:46.159
<v Speaker 3>that might evolve into the artistic version of that. And

0:20:46.200 --> 0:20:49.400
<v Speaker 3>so I remember pitching myself as a trainee video producer

0:20:49.560 --> 0:20:53.160
<v Speaker 3>lots of companies in London and being turned down because

0:20:53.400 --> 0:20:56.520
<v Speaker 3>I didn't do communications at college or I didn't do

0:20:56.640 --> 0:21:00.720
<v Speaker 3>video production at college at university, and then same thing

0:21:00.800 --> 0:21:03.320
<v Speaker 3>with trying to meet editors of magazines and say oh,

0:21:03.320 --> 0:21:06.520
<v Speaker 3>maybe I can get in this way and again getting rejections.

0:21:06.960 --> 0:21:09.840
<v Speaker 3>And then it was actually Raj who messaged me. I

0:21:09.840 --> 0:21:12.800
<v Speaker 3>think it was like gosh, like twenty fifteen Christmas time,

0:21:13.200 --> 0:21:14.520
<v Speaker 3>and he was like, yeah, you've been giving a lot

0:21:14.520 --> 0:21:16.359
<v Speaker 3>of talks. We should get out there and just you know,

0:21:16.680 --> 0:21:18.320
<v Speaker 3>maybe we should record some stuff. And I was like,

0:21:18.320 --> 0:21:20.320
<v Speaker 3>I don't know, I haven't really made a video before.

0:21:20.359 --> 0:21:22.040
<v Speaker 3>And I was like I haven't really got any scripts,

0:21:22.040 --> 0:21:23.199
<v Speaker 3>and he was like, let's figure it out and so

0:21:23.280 --> 0:21:25.359
<v Speaker 3>I scribbled some stuff down that I've been thinking about,

0:21:26.080 --> 0:21:27.879
<v Speaker 3>and then we just went out there and we shot

0:21:27.920 --> 0:21:31.840
<v Speaker 3>these four videos and then we released them later on YouTube.

0:21:31.920 --> 0:21:35.359
<v Speaker 3>And it was the best feeling in the world, like

0:21:35.400 --> 0:21:38.200
<v Speaker 3>I've never I wish I could bottle up that feeling

0:21:38.240 --> 0:21:40.119
<v Speaker 3>and give it to other people, And well, well you

0:21:40.160 --> 0:21:42.000
<v Speaker 3>can with the work you're doing. Your book is that

0:21:42.800 --> 0:21:44.320
<v Speaker 3>we need your art. That's what the book is going

0:21:44.359 --> 0:21:45.879
<v Speaker 3>to do for people. It's going to give people that

0:21:45.920 --> 0:21:48.120
<v Speaker 3>feeling of freedom. Yeah, And it was the first time

0:21:48.160 --> 0:21:50.879
<v Speaker 3>I felt free because I'd constantly been waiting for someone

0:21:50.880 --> 0:21:53.440
<v Speaker 3>to give me a job, give me a title, give

0:21:53.480 --> 0:21:56.600
<v Speaker 3>me a position, give me an opportunity and a break.

0:21:56.640 --> 0:21:59.359
<v Speaker 3>And you're so right, Like, as an artist, you're constantly

0:21:59.400 --> 0:22:02.520
<v Speaker 3>waiting for someone to say, yes, your art is valid,

0:22:02.560 --> 0:22:06.120
<v Speaker 3>it's valuable. And it's almost like, how do you get

0:22:06.119 --> 0:22:08.600
<v Speaker 3>to a point where I want to ask you this?

0:22:08.760 --> 0:22:12.720
<v Speaker 3>Because we almost oscillate between two ideologies, which is like,

0:22:13.640 --> 0:22:16.800
<v Speaker 3>you should just be happy making art and you shouldn't

0:22:16.840 --> 0:22:19.359
<v Speaker 3>want anyone to see it, and then on the other end,

0:22:19.359 --> 0:22:21.119
<v Speaker 3>it's like, well, you have to make sure people see it,

0:22:21.119 --> 0:22:23.560
<v Speaker 3>otherwise what's the point of making it, and so people

0:22:23.600 --> 0:22:26.840
<v Speaker 3>get scared. And this is partly why I love your work,

0:22:26.880 --> 0:22:29.359
<v Speaker 3>because I think it really gets into the nuance of that. Yeah,

0:22:29.440 --> 0:22:32.479
<v Speaker 3>there's this feeling of like, well, it's weird to promote yourself,

0:22:32.560 --> 0:22:34.600
<v Speaker 3>so I shouldn't promote myself. But then no one sees

0:22:34.640 --> 0:22:38.040
<v Speaker 3>my art, and then I'm a starving artist. But maybe

0:22:38.080 --> 0:22:40.439
<v Speaker 3>that's my badge of honor and that's what makes me

0:22:40.480 --> 0:22:42.920
<v Speaker 3>credible and valuable. And then there's the other side of it.

0:22:42.920 --> 0:22:44.720
<v Speaker 3>I'm just gonna sell out and make what everyone else

0:22:44.720 --> 0:22:47.040
<v Speaker 3>wants going to make. I'm gonna go with the clickbait

0:22:47.119 --> 0:22:49.159
<v Speaker 3>trends and I'm going to do whatever it takes. But

0:22:49.200 --> 0:22:50.879
<v Speaker 3>then I don't really like myself at the end of

0:22:50.920 --> 0:22:53.680
<v Speaker 3>the day because that's not what I set out to do.

0:22:54.520 --> 0:22:56.880
<v Speaker 3>How do you make sense of that when you're starting

0:22:56.920 --> 0:22:59.240
<v Speaker 3>in the beginning and you're like, gosh, I don't know

0:22:59.280 --> 0:23:00.920
<v Speaker 3>which way to go and how to figure it out?

0:23:00.920 --> 0:23:03.280
<v Speaker 3>How do you help people think about that spectrum before

0:23:03.320 --> 0:23:06.000
<v Speaker 3>we dive into the next moment, let's hear from our

0:23:06.040 --> 0:23:09.400
<v Speaker 3>sponsors and back to our episode.

0:23:09.560 --> 0:23:11.000
<v Speaker 2>This is such a nuanced conversation.

0:23:11.040 --> 0:23:13.360
<v Speaker 1>I'm so glad you said that, because it is so complicated,

0:23:13.480 --> 0:23:15.840
<v Speaker 1>and it's so very valid to want to just make

0:23:16.000 --> 0:23:18.439
<v Speaker 1>art for art's sake, to just want to play and create.

0:23:18.480 --> 0:23:20.480
<v Speaker 1>In fact, I think that's an imperative part of every

0:23:20.600 --> 0:23:24.800
<v Speaker 1>artist journey, like have fun, Like that's so important for us.

0:23:25.160 --> 0:23:28.560
<v Speaker 1>But there are so many narratives around you know, how

0:23:28.560 --> 0:23:30.439
<v Speaker 1>did you art properly? And how you're meant to be

0:23:30.480 --> 0:23:32.520
<v Speaker 1>an artist and you should make a certain amount of

0:23:32.520 --> 0:23:34.160
<v Speaker 1>money and you should be showing up in this way.

0:23:34.200 --> 0:23:36.840
<v Speaker 1>There are so many stories that I think mean that

0:23:36.840 --> 0:23:39.560
<v Speaker 1>we start feeling if it can be incredibly stressful. Being

0:23:39.560 --> 0:23:42.080
<v Speaker 1>an artist on social media is so stressful. How do

0:23:42.160 --> 0:23:43.600
<v Speaker 1>I put myself out there? How am I meant to

0:23:43.600 --> 0:23:46.440
<v Speaker 1>promote myself? Should I want to promote myself or should

0:23:46.440 --> 0:23:48.520
<v Speaker 1>this be a private practice. I think this is an

0:23:48.720 --> 0:23:51.560
<v Speaker 1>intensely personal thing that you need to sit with and

0:23:51.560 --> 0:23:54.920
<v Speaker 1>decide where you're at. But for me, my calling is

0:23:54.960 --> 0:23:59.760
<v Speaker 1>to be seen and I love supporting artists who want

0:23:59.800 --> 0:24:01.840
<v Speaker 1>to be and I think there's a weird amount of

0:24:01.840 --> 0:24:05.159
<v Speaker 1>shame that comes from a creative who wants attention for

0:24:05.240 --> 0:24:07.080
<v Speaker 1>their art. And so my new thing at the moment

0:24:07.119 --> 0:24:09.960
<v Speaker 1>is to say I create art for the attention because

0:24:10.000 --> 0:24:12.239
<v Speaker 1>I create art to connect with people, and I think

0:24:12.280 --> 0:24:14.480
<v Speaker 1>a lot of artists do like we create because we

0:24:14.520 --> 0:24:17.440
<v Speaker 1>want to show you, and it's a really beautiful thing

0:24:17.480 --> 0:24:19.800
<v Speaker 1>to do, to make art and say here do you

0:24:19.840 --> 0:24:20.760
<v Speaker 1>see yourself in this?

0:24:21.040 --> 0:24:22.760
<v Speaker 2>Like I made this? What do you? How do you

0:24:22.840 --> 0:24:23.320
<v Speaker 2>find it?

0:24:23.720 --> 0:24:28.000
<v Speaker 1>And so I want to really validate creators who are

0:24:28.040 --> 0:24:30.879
<v Speaker 1>creating stuff because they want to connect. I think we

0:24:31.040 --> 0:24:33.280
<v Speaker 1>get this other story that is again a very valid

0:24:33.320 --> 0:24:35.960
<v Speaker 1>story that says you should only want to make art

0:24:36.000 --> 0:24:38.920
<v Speaker 1>for yourself. Like Rick Rubin talks about this a lot,

0:24:38.960 --> 0:24:41.400
<v Speaker 1>and I love what he's saying, because if we do

0:24:41.640 --> 0:24:44.520
<v Speaker 1>get too focused on the external and we start thinking, Okay,

0:24:44.600 --> 0:24:47.119
<v Speaker 1>well I'm going to make art only for other people,

0:24:47.400 --> 0:24:49.840
<v Speaker 1>can really muddy the waters. We get very confused and

0:24:49.840 --> 0:24:52.719
<v Speaker 1>we lose our internal compass and what it is we

0:24:52.760 --> 0:24:54.960
<v Speaker 1>want to create. But I think there's this balance to

0:24:55.000 --> 0:24:57.960
<v Speaker 1>be struck because yes, we have to love the process,

0:24:58.000 --> 0:25:01.080
<v Speaker 1>we have to love the act of art creating. But

0:25:01.119 --> 0:25:03.800
<v Speaker 1>at the same time, it's okay to want to connect

0:25:03.800 --> 0:25:05.439
<v Speaker 1>with other people. It's okay to want to have a

0:25:05.480 --> 0:25:07.680
<v Speaker 1>relationship with audience, it's okay to want to be seen.

0:25:07.760 --> 0:25:11.439
<v Speaker 1>It is so human to want to be seen, and

0:25:11.520 --> 0:25:13.879
<v Speaker 1>I want artists to feel very validated. That that is

0:25:13.920 --> 0:25:16.800
<v Speaker 1>a beautiful and normal, almost holy part of this. I

0:25:16.840 --> 0:25:19.520
<v Speaker 1>love artists that are out there asking people, hey, can

0:25:19.560 --> 0:25:21.600
<v Speaker 1>you witness me? I made this thing? Will you see me?

0:25:22.080 --> 0:25:24.080
<v Speaker 1>Like it just sets me Alie. I'm like, yeah, I

0:25:24.119 --> 0:25:25.560
<v Speaker 1>do want to look at you. I want to see

0:25:25.600 --> 0:25:26.840
<v Speaker 1>I want to give you my attention.

0:25:27.240 --> 0:25:29.879
<v Speaker 3>Yeah. And you're so right that so many artists, and

0:25:29.960 --> 0:25:32.280
<v Speaker 3>I know I carry this at the beginning. There's a

0:25:32.320 --> 0:25:36.080
<v Speaker 3>sense of shame and guilt in well, am I less

0:25:36.080 --> 0:25:39.000
<v Speaker 3>than if I want to be seen? Am I? Am

0:25:39.000 --> 0:25:42.159
<v Speaker 3>I doing something wrong? If I want my art to

0:25:42.160 --> 0:25:45.280
<v Speaker 3>connect with people? Am I? And I agree with you

0:25:45.359 --> 0:25:48.840
<v Speaker 3>that that can be such an excuse for us to

0:25:48.880 --> 0:25:52.320
<v Speaker 3>not create and for us to not make or we create,

0:25:52.400 --> 0:25:55.320
<v Speaker 3>but then we play small and we hide and we

0:25:55.880 --> 0:25:58.359
<v Speaker 3>kind of keep our work very very separate because we

0:25:58.400 --> 0:26:01.760
<v Speaker 3>want to or we say things like that where we say, oh, yeah,

0:26:01.800 --> 0:26:03.640
<v Speaker 3>I mean you know, I don't really care about followers.

0:26:03.640 --> 0:26:06.320
<v Speaker 3>I don't really care about how many likes it gets,

0:26:06.359 --> 0:26:10.280
<v Speaker 3>and inside it's eating us as opposed to accepting and saying, well,

0:26:10.280 --> 0:26:12.440
<v Speaker 3>maybe I do care and I don't care. There's two

0:26:12.480 --> 0:26:16.639
<v Speaker 3>sides in me, and I think I've always I feel

0:26:16.640 --> 0:26:19.240
<v Speaker 3>that balance that you speak of is so true, because

0:26:19.800 --> 0:26:22.359
<v Speaker 3>there's a part of me that cares about everyone listening

0:26:22.359 --> 0:26:24.800
<v Speaker 3>to this podcast right now because I want to, because

0:26:24.800 --> 0:26:26.639
<v Speaker 3>I want to have a connection. I want to create

0:26:26.680 --> 0:26:29.159
<v Speaker 3>something of value for you that benefits your life and

0:26:29.200 --> 0:26:30.800
<v Speaker 3>changes your life. And you'll listen to this and it

0:26:30.840 --> 0:26:33.000
<v Speaker 3>will be the reason three years from now, you'll say

0:26:33.040 --> 0:26:35.760
<v Speaker 3>I listened to that episode with Amy and I started creating,

0:26:35.800 --> 0:26:37.640
<v Speaker 3>and all of a sudden, I'm writing a book and

0:26:37.800 --> 0:26:39.439
<v Speaker 3>my art's in a gallery or whatever it may be

0:26:39.560 --> 0:26:42.439
<v Speaker 3>for you. I want that feeling. I do, and at

0:26:42.440 --> 0:26:44.280
<v Speaker 3>the same time, I don't care because I just want

0:26:44.320 --> 0:26:46.280
<v Speaker 3>to have a conversation with Amy, and so both of

0:26:46.320 --> 0:26:49.919
<v Speaker 3>those things are true. But when we start denying parts

0:26:49.920 --> 0:26:53.679
<v Speaker 3>of ourselves, it's almost like we start lying internally to ourselves.

0:26:53.720 --> 0:26:56.240
<v Speaker 3>And when you do that, you then really disconnect.

0:26:56.440 --> 0:26:58.840
<v Speaker 1>There is such a duality to being a human being,

0:26:59.000 --> 0:27:01.040
<v Speaker 1>and especially in being a creative and I love that,

0:27:01.119 --> 0:27:05.239
<v Speaker 1>like I care about my art impacting people, but I

0:27:05.280 --> 0:27:08.080
<v Speaker 1>also want to make sure that I'm making art that

0:27:08.119 --> 0:27:10.199
<v Speaker 1>I want to make, and that I'm not making art

0:27:10.320 --> 0:27:12.320
<v Speaker 1>just for an audience, and these two things can be

0:27:12.359 --> 0:27:15.080
<v Speaker 1>true at once, and we can honor both the fact that, yeah,

0:27:15.119 --> 0:27:17.520
<v Speaker 1>I make art for the attention, and I also make.

0:27:17.480 --> 0:27:19.480
<v Speaker 2>Art because I just love to tell stories.

0:27:19.800 --> 0:27:21.879
<v Speaker 1>These things are true at one time, and we got

0:27:21.920 --> 0:27:23.800
<v Speaker 1>to honor both those parts of ourselves.

0:27:24.000 --> 0:27:26.960
<v Speaker 3>You've done a lot of different jobs on the way here.

0:27:27.040 --> 0:27:29.480
<v Speaker 3>I believe it was like you were a waitress at

0:27:29.480 --> 0:27:32.800
<v Speaker 3>one point. Yeah, you were a bad trainer. You don't

0:27:32.840 --> 0:27:34.679
<v Speaker 3>financial planning, I want to hear.

0:27:34.760 --> 0:27:37.520
<v Speaker 1>I wouldn't say I did financial planning. I was a

0:27:37.560 --> 0:27:41.879
<v Speaker 1>personal assistant, a financial planner, so I was financial adjacent.

0:27:42.760 --> 0:27:43.800
<v Speaker 2>Terrible at that job too.

0:27:44.280 --> 0:27:45.879
<v Speaker 3>But I want to hear about that journey because I

0:27:45.880 --> 0:27:49.040
<v Speaker 3>think that's what I find fascinating about artists. Like, as

0:27:49.040 --> 0:27:51.120
<v Speaker 3>an artist, you're always having to pay the bills, finding

0:27:51.160 --> 0:27:54.439
<v Speaker 3>a way to solve this until your art becomes you know,

0:27:54.760 --> 0:27:58.040
<v Speaker 3>enough quote anyone who's I'm doing air quotes next to

0:27:58.200 --> 0:28:02.280
<v Speaker 3>enough to be RECOGNI eyes, et cetera. Walk me through

0:28:02.320 --> 0:28:05.320
<v Speaker 3>that part of your life where you're like doing things

0:28:05.359 --> 0:28:07.200
<v Speaker 3>that keep you afloat and at the same time trying

0:28:07.240 --> 0:28:09.480
<v Speaker 3>to keep your art alive. What was that like? Because

0:28:09.520 --> 0:28:11.560
<v Speaker 3>I think a lot of people listening right now. They're

0:28:11.560 --> 0:28:14.399
<v Speaker 3>maybe working a twelve hour job a day, they're working

0:28:14.440 --> 0:28:16.760
<v Speaker 3>three jobs a day just to survive. But they're like

0:28:17.000 --> 0:28:18.600
<v Speaker 3>they've got this skill and art, and really when they

0:28:18.600 --> 0:28:19.840
<v Speaker 3>get home at the end of the day, they just

0:28:19.880 --> 0:28:22.920
<v Speaker 3>want to switch on a TV show and escape and

0:28:22.960 --> 0:28:26.000
<v Speaker 3>switch out, Like how did you keep both alive when

0:28:26.280 --> 0:28:27.480
<v Speaker 3>it wasn't your main thing?

0:28:27.720 --> 0:28:29.240
<v Speaker 1>Yeah, I mean one of the things that makes me

0:28:29.280 --> 0:28:33.600
<v Speaker 1>angriest is how much life robs us of our art time.

0:28:33.760 --> 0:28:36.000
<v Speaker 1>Like I want so many of us to have the time,

0:28:36.119 --> 0:28:38.480
<v Speaker 1>the energy, particularly to come home and to create, but

0:28:38.520 --> 0:28:40.560
<v Speaker 1>for so many of us, it's just it's not possible.

0:28:41.160 --> 0:28:45.640
<v Speaker 1>And balancing a regular work and a creative life is hard.

0:28:45.720 --> 0:28:48.920
<v Speaker 1>And I really want to validate any creative who's navigating this,

0:28:49.080 --> 0:28:51.440
<v Speaker 1>because I think we get a bit of the hustle

0:28:51.520 --> 0:28:53.600
<v Speaker 1>narrative or it's like just make it work. It is

0:28:53.680 --> 0:28:57.680
<v Speaker 1>hard to balance your creativity and your real life job

0:28:57.760 --> 0:28:59.840
<v Speaker 1>and you know, caretaking and being a kid and just

0:28:59.840 --> 0:29:02.920
<v Speaker 1>be an adult in general. Like I can, it's huge

0:29:03.240 --> 0:29:06.960
<v Speaker 1>and I really struggled with it. I was waitressing because

0:29:06.960 --> 0:29:08.600
<v Speaker 1>I was doing all these little jobs because I was

0:29:08.760 --> 0:29:10.880
<v Speaker 1>trying to fit art around them, so I was waitressing

0:29:10.920 --> 0:29:13.280
<v Speaker 1>because I could then I could work after three pm.

0:29:13.400 --> 0:29:16.520
<v Speaker 1>Maybe I was a personal trainer because I'll train clients

0:29:16.560 --> 0:29:17.920
<v Speaker 1>in the morning and the evening, and I'd try and

0:29:17.920 --> 0:29:19.200
<v Speaker 1>write in the middle of the day. Like I was

0:29:19.200 --> 0:29:21.760
<v Speaker 1>trying to choose jobs that would work for me, but

0:29:21.840 --> 0:29:25.640
<v Speaker 1>it was exhausting, and especially because these jobs were so

0:29:25.840 --> 0:29:29.160
<v Speaker 1>like the antithesis of amy, like I'm not made to

0:29:29.240 --> 0:29:33.200
<v Speaker 1>serve people coffee. I can't hold the skim milk situation

0:29:33.280 --> 0:29:35.200
<v Speaker 1>in my head, like I don't care, so I don't

0:29:35.200 --> 0:29:37.560
<v Speaker 1>pay attention, so I'm not a very good waitress. I'm

0:29:37.600 --> 0:29:39.960
<v Speaker 1>exhausted by the end of my shift. Then I get

0:29:40.000 --> 0:29:43.000
<v Speaker 1>home to my writing and I think, okay, well I

0:29:43.040 --> 0:29:46.040
<v Speaker 1>got to write two to three thousand words. This is

0:29:46.120 --> 0:29:48.760
<v Speaker 1>too much. And so I would let myself down. I

0:29:48.760 --> 0:29:50.560
<v Speaker 1>would feel like I betrayed myself, and I would get

0:29:50.560 --> 0:29:54.960
<v Speaker 1>in patterns of constantly feeling like I've betrayed my inner artist,

0:29:55.040 --> 0:29:57.760
<v Speaker 1>I betrayed my dreams. I can never reach up to

0:29:57.760 --> 0:29:59.880
<v Speaker 1>this level. And I think I see it all the time,

0:30:00.040 --> 0:30:02.600
<v Speaker 1>like artists are like, Okay, because I didn't write it

0:30:02.600 --> 0:30:04.520
<v Speaker 1>all this week, I'm going to weekend, I'm going to

0:30:04.600 --> 0:30:07.160
<v Speaker 1>do I'm very biased to writers, but any sort of creating,

0:30:07.240 --> 0:30:09.360
<v Speaker 1>I'm going to create for like six hours to make

0:30:09.440 --> 0:30:10.920
<v Speaker 1>up for it, and then they can't do it because

0:30:10.920 --> 0:30:13.480
<v Speaker 1>they're exhausted, and then in this pattern of self betrayal

0:30:13.560 --> 0:30:16.600
<v Speaker 1>and they start not trusting themselves that they're going to

0:30:16.600 --> 0:30:20.400
<v Speaker 1>follow through. But I had a real breakthrough when I

0:30:20.440 --> 0:30:22.320
<v Speaker 1>decided that I was only going to write three hundred

0:30:22.360 --> 0:30:26.360
<v Speaker 1>to five hundred words a day, just baby steps, small steps.

0:30:26.680 --> 0:30:29.760
<v Speaker 1>I realized that that was a promise I could keep.

0:30:29.960 --> 0:30:32.440
<v Speaker 1>Three hundred words could be done in like twenty minutes,

0:30:32.480 --> 0:30:35.120
<v Speaker 1>fifteen minutes. They could be crap. It was another big thing.

0:30:35.600 --> 0:30:38.040
<v Speaker 1>I think we'd demand huge amounts of time for our

0:30:38.160 --> 0:30:40.200
<v Speaker 1>art when we're already exhausted, and we're like, and they

0:30:40.280 --> 0:30:44.640
<v Speaker 1>better be perfect. It's so unfair, so unfair, and also

0:30:44.680 --> 0:30:47.360
<v Speaker 1>it's a recipe for absolute disaster, and you're not going

0:30:47.400 --> 0:30:50.080
<v Speaker 1>to be able to finish your creative projects because these

0:30:50.160 --> 0:30:53.600
<v Speaker 1>working conditions are horrendous. So it was three hundred shitty

0:30:53.640 --> 0:30:55.280
<v Speaker 1>words was my bare minimum. And I also had a

0:30:55.280 --> 0:30:57.760
<v Speaker 1>bare maximum so that I couldn't keep going so I

0:30:57.800 --> 0:30:59.840
<v Speaker 1>could contain my energy, so I wasn't allowed to write

0:30:59.840 --> 0:31:02.320
<v Speaker 1>more than a thousand words, and that's how I wrote

0:31:02.320 --> 0:31:04.640
<v Speaker 1>my books. That's how I still write my books. Three

0:31:04.720 --> 0:31:08.640
<v Speaker 1>hundred to five hundred words a day, and it's so doable.

0:31:09.200 --> 0:31:11.960
<v Speaker 1>And when you come home from an absolutely hectic day,

0:31:12.960 --> 0:31:15.840
<v Speaker 1>you can say, okay, three hundred words, three hundred potentially

0:31:15.840 --> 0:31:20.040
<v Speaker 1>crappy words, or ten minutes on the guitar, or I

0:31:20.080 --> 0:31:23.680
<v Speaker 1>want to take three pictures with my iPhone, you know,

0:31:23.720 --> 0:31:26.520
<v Speaker 1>whatever it is. It's just really small, really doable, and

0:31:26.560 --> 0:31:29.520
<v Speaker 1>then you start accumulating wins. So if you've done that

0:31:29.560 --> 0:31:31.680
<v Speaker 1>like three four times a week, you're like, Okay, maybe

0:31:31.680 --> 0:31:33.200
<v Speaker 1>I could do that again next week. And by the

0:31:33.400 --> 0:31:36.080
<v Speaker 1>you know, end of the year, you have a portfolio

0:31:36.160 --> 0:31:39.280
<v Speaker 1>of your creations and you've become you know, you've improved

0:31:39.280 --> 0:31:41.760
<v Speaker 1>as an artist. You've got something to show for yourself.

0:31:42.040 --> 0:31:43.600
<v Speaker 1>Some of you will have a finished book if you've

0:31:43.640 --> 0:31:46.680
<v Speaker 1>chosen to write. We ignore the magic of the baby

0:31:46.720 --> 0:31:48.880
<v Speaker 1>steps so frequently because I think we're just such a

0:31:49.240 --> 0:31:51.600
<v Speaker 1>go all in or go home culture.

0:31:52.000 --> 0:31:55.280
<v Speaker 3>Yeah, and that you're so right that, you know, go

0:31:55.360 --> 0:31:58.760
<v Speaker 3>all in or go home culture. Just it blocks us

0:31:58.760 --> 0:32:01.640
<v Speaker 3>the most because it's also this comes from like a

0:32:01.680 --> 0:32:03.080
<v Speaker 3>bit of ego where it's like I want to be

0:32:03.120 --> 0:32:05.360
<v Speaker 3>the best of this, like this has to be incredible,

0:32:05.760 --> 0:32:08.160
<v Speaker 3>and it's almost like, well, maybe I'm not going to

0:32:08.160 --> 0:32:09.600
<v Speaker 3>be the best of this the first time I try,

0:32:09.600 --> 0:32:11.200
<v Speaker 3>all for the first year, or maybe for the first

0:32:11.200 --> 0:32:14.040
<v Speaker 3>ten years, and that's okay, because I'm just trying and

0:32:14.120 --> 0:32:17.160
<v Speaker 3>I'm just learning. But that requires a sense of detachment

0:32:17.200 --> 0:32:20.560
<v Speaker 3>and egolesseners to be like it's okay to make bad

0:32:20.640 --> 0:32:24.000
<v Speaker 3>stuff and I know you have the biggest proponent of

0:32:24.040 --> 0:32:27.400
<v Speaker 3>this shitty art. Yeah, and that's really been validating for me,

0:32:28.080 --> 0:32:29.880
<v Speaker 3>Like every time I read you say something like that

0:32:30.000 --> 0:32:32.760
<v Speaker 3>or write something like yes, thank you Amy for giving

0:32:32.800 --> 0:32:35.480
<v Speaker 3>me a permission. Walk me through how we because I

0:32:35.480 --> 0:32:39.520
<v Speaker 3>think we oscillate between procrastination and perfectionism, and so this

0:32:39.680 --> 0:32:42.800
<v Speaker 3>kind of solves both of them, really, but walk me

0:32:42.840 --> 0:32:43.120
<v Speaker 3>through that.

0:32:43.400 --> 0:32:46.920
<v Speaker 1>Yeah, they're so closely related, procrastination and perfectionism. One causes

0:32:46.960 --> 0:32:50.640
<v Speaker 1>the other, and such a perfectionism will mean that you procrastinate.

0:32:51.240 --> 0:32:54.280
<v Speaker 1>So my ethos is like shitty art, Like if you

0:32:54.320 --> 0:32:56.920
<v Speaker 1>can't point to a giant pile of shitty art that

0:32:56.960 --> 0:33:00.040
<v Speaker 1>you've made recently, then you're not doing the work. And

0:33:00.080 --> 0:33:02.360
<v Speaker 1>I think so many artists see that as a sign

0:33:02.360 --> 0:33:04.040
<v Speaker 1>of failure. But to me, that is a sign of

0:33:04.080 --> 0:33:07.520
<v Speaker 1>like giant success. We have to connect to that messy,

0:33:07.560 --> 0:33:10.000
<v Speaker 1>playful part of ourselves when we create. That's when the

0:33:10.000 --> 0:33:13.440
<v Speaker 1>best art is made. I watch artists for nests and

0:33:13.440 --> 0:33:15.160
<v Speaker 1>for ness, and they're trying to get it so right,

0:33:15.480 --> 0:33:17.920
<v Speaker 1>and they're like narrowing and narrowing their point of view

0:33:17.960 --> 0:33:21.560
<v Speaker 1>and they're getting so constrained and they're losing i think,

0:33:21.680 --> 0:33:25.400
<v Speaker 1>their own creative voice almost by these huge restrictions to

0:33:25.520 --> 0:33:28.959
<v Speaker 1>be perfect. Whereas if you just say, make shitty art,

0:33:28.960 --> 0:33:30.600
<v Speaker 1>and I often do this at workshops, They say I

0:33:30.680 --> 0:33:33.360
<v Speaker 1>got three minutes, just make something shitty, and the cool

0:33:33.400 --> 0:33:36.440
<v Speaker 1>stuff that comes out of that shitty palm shitty drawings,

0:33:36.640 --> 0:33:38.800
<v Speaker 1>there's also that little element of magic to it, because

0:33:38.800 --> 0:33:41.600
<v Speaker 1>when you just let yourself play like a child, it's

0:33:41.640 --> 0:33:45.320
<v Speaker 1>so fun. There's a lightness to it. Ideas come in

0:33:45.480 --> 0:33:49.720
<v Speaker 1>like perfectionism is rigidity, and we think perfectionism is the answer.

0:33:49.760 --> 0:33:53.160
<v Speaker 1>It's like, oh, if I'm a perfectionist, it's like that

0:33:53.200 --> 0:33:54.720
<v Speaker 1>will get me to where I want to go as

0:33:54.720 --> 0:33:56.960
<v Speaker 1>a creative. It's like the one fault that we're allowed

0:33:57.000 --> 0:34:00.880
<v Speaker 1>to have. But perfectionism will destroy your creative career, it

0:34:00.920 --> 0:34:04.760
<v Speaker 1>will destroy it. We need mess we need play. That

0:34:04.840 --> 0:34:07.120
<v Speaker 1>is when you will become the best artist you can.

0:34:07.520 --> 0:34:10.960
<v Speaker 3>Yeah, and that's actually often where I find the seeds

0:34:10.960 --> 0:34:14.040
<v Speaker 3>of great ideas come. Like you did something bad in

0:34:14.120 --> 0:34:16.520
<v Speaker 3>doing something random, but there's one word or one line,

0:34:16.600 --> 0:34:19.319
<v Speaker 3>there's one dott or whatever it is for you, there's

0:34:19.360 --> 0:34:22.120
<v Speaker 3>that one thing that you go, oh, that was the

0:34:22.120 --> 0:34:24.160
<v Speaker 3>real thing. That's the thing I want to create now,

0:34:24.360 --> 0:34:26.480
<v Speaker 3>and all of a sudden it sparks it. But if

0:34:26.480 --> 0:34:28.640
<v Speaker 3>you didn't allow for that messiness, it's never going to happen.

0:34:28.640 --> 0:34:31.160
<v Speaker 3>You'd never have seen it, you would never have found it.

0:34:31.280 --> 0:34:34.960
<v Speaker 3>And that, to me is is definitely why I crave

0:34:35.120 --> 0:34:38.200
<v Speaker 3>more play and more messiness in my life, because there's

0:34:38.239 --> 0:34:41.720
<v Speaker 3>a sense of the profound will only come from playfulness.

0:34:42.120 --> 0:34:44.760
<v Speaker 3>It's not going to come from trying to be profound

0:34:44.840 --> 0:34:48.160
<v Speaker 3>or create something profound. Yeah, it doesn't originate that way.

0:34:48.320 --> 0:34:50.440
<v Speaker 1>I think so many of us think that art is

0:34:50.480 --> 0:34:52.440
<v Speaker 1>like a child thing, and so we're trying to be

0:34:52.480 --> 0:34:55.920
<v Speaker 1>like adults creating, and adults would create in very structured ways,

0:34:56.120 --> 0:34:59.320
<v Speaker 1>like we'd have rules, you know, we'd follow an expert,

0:34:59.400 --> 0:35:01.200
<v Speaker 1>and we'd do exact what they say. And we try

0:35:01.239 --> 0:35:04.120
<v Speaker 1>and make art a very responsible and neat thing. But

0:35:04.320 --> 0:35:06.560
<v Speaker 1>art is like that in a child playing, and art

0:35:06.600 --> 0:35:08.120
<v Speaker 1>is messy and it should be a kind of a

0:35:08.200 --> 0:35:11.799
<v Speaker 1>chaotic experience. We've got to invite that back into into

0:35:11.840 --> 0:35:12.440
<v Speaker 1>our lives.

0:35:12.560 --> 0:35:14.960
<v Speaker 3>Yes, I do this activity that I got introduced to

0:35:15.120 --> 0:35:18.320
<v Speaker 3>many years ago. It's known as the thirty circles test,

0:35:18.560 --> 0:35:20.799
<v Speaker 3>and if you've ever seen it, so it's basically a

0:35:20.920 --> 0:35:23.279
<v Speaker 3>four piece of paper with thirty circles printed on it,

0:35:23.920 --> 0:35:27.440
<v Speaker 3>and I often hand it to executives at corporate coaching

0:35:27.520 --> 0:35:30.520
<v Speaker 3>and corporate clients that I have, And the task is

0:35:30.520 --> 0:35:35.120
<v Speaker 3>you have to uniquely fill and complete and use thirty

0:35:35.200 --> 0:35:39.360
<v Speaker 3>circles in thirty seconds. And the clock starts, and everyone

0:35:39.400 --> 0:35:41.960
<v Speaker 3>starts scribbling away doing their thing, and then clock stops

0:35:41.960 --> 0:35:43.799
<v Speaker 3>at thirty seconds, and I asked them, what have they done?

0:35:44.680 --> 0:35:47.919
<v Speaker 3>Over fifty percent of the audience will have done one, two, three, four, five, six, seven,

0:35:47.960 --> 0:35:52.239
<v Speaker 3>eight to thirty or abcd EFG to z Z to

0:35:52.360 --> 0:35:55.319
<v Speaker 3>ABC again, and so they will have done that. That's

0:35:55.360 --> 0:35:57.839
<v Speaker 3>what over fifty percent of the audience has done. Some

0:35:57.880 --> 0:36:00.680
<v Speaker 3>of the audience has done squiggles just goes nothing. There

0:36:00.719 --> 0:36:04.560
<v Speaker 3>maybe notts and crosses, or they've some people done emojis,

0:36:05.000 --> 0:36:07.960
<v Speaker 3>and some people have done like footballs and soccer balls

0:36:08.000 --> 0:36:11.480
<v Speaker 3>and pizzas or whatever like using So yeah, and that's

0:36:11.520 --> 0:36:15.160
<v Speaker 3>generally runs the gamut of ninety nine percent of the audience. Yeah,

0:36:15.200 --> 0:36:17.680
<v Speaker 3>and maybe in the adult side you'd get one. But

0:36:18.000 --> 0:36:20.000
<v Speaker 3>they also did this with lots of ten year olds,

0:36:20.000 --> 0:36:22.080
<v Speaker 3>and I tried it out with ten year olds as well,

0:36:22.480 --> 0:36:26.040
<v Speaker 3>and some of the stuff that comes out is unbelievable.

0:36:26.560 --> 0:36:28.719
<v Speaker 3>And so this one girl had done all this like

0:36:28.800 --> 0:36:31.040
<v Speaker 3>intricate shading on it, and when we asked her what

0:36:31.080 --> 0:36:33.520
<v Speaker 3>it was, she said it was a chessboard from a

0:36:33.560 --> 0:36:37.120
<v Speaker 3>bird's eye view. And when you ask another kid what

0:36:37.239 --> 0:36:39.960
<v Speaker 3>it was, they had put like a line around it

0:36:40.000 --> 0:36:41.520
<v Speaker 3>and put a little thing on top, and they said

0:36:41.520 --> 0:36:43.160
<v Speaker 3>it was a bag of marbles. And they put five

0:36:43.200 --> 0:36:46.040
<v Speaker 3>dollars on the bag of marbles. And this was my

0:36:46.080 --> 0:36:48.160
<v Speaker 3>favorite one. Someone had done all this intricate shading this

0:36:48.160 --> 0:36:51.319
<v Speaker 3>little girl and put all this like curves and all

0:36:51.320 --> 0:36:53.080
<v Speaker 3>this stuff, and when I asked her what it was,

0:36:53.080 --> 0:36:58.560
<v Speaker 3>she said it was bubble wrap. It was so creative. Yeah,

0:36:58.560 --> 0:37:00.759
<v Speaker 3>it's genius, and it's so interesting what you're saying is

0:37:00.760 --> 0:37:05.239
<v Speaker 3>so true that when adults here thirty circles thirty seconds,

0:37:05.480 --> 0:37:11.240
<v Speaker 3>we go logical brain structure, completion deadline, so we switch

0:37:11.320 --> 0:37:13.760
<v Speaker 3>off the part of our brain that has any Yeah.

0:37:14.080 --> 0:37:16.000
<v Speaker 1>Can you can imagine how many of those adults are

0:37:16.000 --> 0:37:17.279
<v Speaker 1>thinking there is a right and.

0:37:17.280 --> 0:37:18.040
<v Speaker 2>Wrong way to do that?

0:37:18.400 --> 0:37:20.640
<v Speaker 1>Yeah, and I'm going to be marked on it, whereas

0:37:20.640 --> 0:37:24.160
<v Speaker 1>these kids are just like, it's so beautiful, so playful.

0:37:24.560 --> 0:37:26.759
<v Speaker 1>And when we talk about creative genius, I think we

0:37:26.800 --> 0:37:28.440
<v Speaker 1>often think of some of you know, the greats, like

0:37:28.520 --> 0:37:31.279
<v Speaker 1>Mozart or something, but like, look to the kids, because

0:37:31.280 --> 0:37:34.319
<v Speaker 1>they are finding out fun stuff. Yes, they are the

0:37:34.360 --> 0:37:36.560
<v Speaker 1>creative geniuses, and we have that within us. It's just

0:37:36.560 --> 0:37:38.759
<v Speaker 1>that we've been told to squash that part of us

0:37:39.000 --> 0:37:40.120
<v Speaker 1>from our culture.

0:37:40.239 --> 0:37:45.040
<v Speaker 3>Really, how do you start to structure and strategize art

0:37:45.360 --> 0:37:47.279
<v Speaker 3>and promote it in a way that then it does

0:37:47.320 --> 0:37:49.800
<v Speaker 3>allow you to Because it's almost like we're trying to

0:37:49.840 --> 0:37:53.560
<v Speaker 3>become adult about our art, not adult about how we market,

0:37:53.600 --> 0:37:56.200
<v Speaker 3>promote and strategize our our It doesn't make sense. Yeah,

0:37:56.280 --> 0:37:58.680
<v Speaker 3>Like it's almost like the art should remain playful and

0:37:58.800 --> 0:38:02.600
<v Speaker 3>messy and truly creative. But then how we get that

0:38:02.840 --> 0:38:06.680
<v Speaker 3>art out there should potentially have structure and strategy.

0:38:06.200 --> 0:38:07.839
<v Speaker 2>And yeah, I'm going to disagree with you.

0:38:07.920 --> 0:38:10.640
<v Speaker 3>I want to hear your thoughts. But first, here's a

0:38:10.719 --> 0:38:14.799
<v Speaker 3>quick word from the brands that support the show. All right,

0:38:14.880 --> 0:38:17.640
<v Speaker 3>thank you to our sponsors. Now let's dive back in.

0:38:18.080 --> 0:38:20.880
<v Speaker 1>I think there's a lot of room for mess, for playfulness,

0:38:20.920 --> 0:38:25.319
<v Speaker 1>for the chaos, the traditional creative chaos, in marketing putting

0:38:25.360 --> 0:38:28.560
<v Speaker 1>your art out there, I think we get really stuck

0:38:28.600 --> 0:38:31.320
<v Speaker 1>on Okay, well, I've made my art. It's incredible, it's beautiful,

0:38:31.360 --> 0:38:33.879
<v Speaker 1>it has my inner child like infused within it. Now

0:38:33.880 --> 0:38:36.760
<v Speaker 1>I'm going to market it, and now I need branding colors,

0:38:36.760 --> 0:38:38.680
<v Speaker 1>and I need a social media scheme, and I need

0:38:38.800 --> 0:38:41.200
<v Speaker 1>to be I need to be doing you know, four

0:38:41.280 --> 0:38:44.719
<v Speaker 1>to five consistent posts a week and three reels, and

0:38:45.239 --> 0:38:47.200
<v Speaker 1>all of a sudden that like I see it, like

0:38:47.320 --> 0:38:50.080
<v Speaker 1>artists just shrivel, Like we don't thrive under those kind

0:38:50.080 --> 0:38:53.840
<v Speaker 1>of circumstances. I think there's so much room for I

0:38:53.840 --> 0:38:56.600
<v Speaker 1>think marketing is an art form in itself, and therefore

0:38:56.680 --> 0:38:58.960
<v Speaker 1>I think that when we put our art out there,

0:38:58.960 --> 0:39:01.200
<v Speaker 1>when we promote our art, there is room for mess.

0:39:01.239 --> 0:39:03.360
<v Speaker 1>And there's still like shitty art should still be a

0:39:03.400 --> 0:39:05.880
<v Speaker 1>part of it, like we should still be playing around

0:39:05.920 --> 0:39:09.319
<v Speaker 1>seeing what works, having fun when we promote our art

0:39:09.360 --> 0:39:13.040
<v Speaker 1>as well. I think artists feel so claustrophobic when they

0:39:13.080 --> 0:39:15.759
<v Speaker 1>feel like they have to niche down or they feel

0:39:15.760 --> 0:39:19.240
<v Speaker 1>like they have to you know, meeten up their Instagram grid,

0:39:19.480 --> 0:39:22.560
<v Speaker 1>like be messy in the promotion process. Like we're out

0:39:22.560 --> 0:39:27.280
<v Speaker 1>there looking for real humans to connect with, not not brands,

0:39:27.320 --> 0:39:29.680
<v Speaker 1>not companies. I want to connect with artists who are

0:39:29.719 --> 0:39:33.560
<v Speaker 1>real human people. So I want to invite artists to

0:39:33.560 --> 0:39:36.759
<v Speaker 1>bring that mess into the marketing process as well. But

0:39:36.840 --> 0:39:39.040
<v Speaker 1>I think it's very easy, like for our perfectionists to

0:39:39.080 --> 0:39:41.040
<v Speaker 1>flare up when it comes to sharing it art because

0:39:41.040 --> 0:39:43.239
<v Speaker 1>not only have we just done the bravest thing, which

0:39:43.280 --> 0:39:45.279
<v Speaker 1>is make art, now we have to share it, and

0:39:45.320 --> 0:39:48.000
<v Speaker 1>so perfectionism is going to flare hugely because we're like, kay,

0:39:48.000 --> 0:39:49.960
<v Speaker 1>we've got to protect myself because this is a moment

0:39:50.000 --> 0:39:51.960
<v Speaker 1>where I like put it out there and people are

0:39:51.960 --> 0:39:53.880
<v Speaker 1>going to see me as the artists. They're going to

0:39:53.880 --> 0:39:55.080
<v Speaker 1>see my art, they're going to judge it.

0:39:55.480 --> 0:39:56.320
<v Speaker 2>So we start.

0:39:56.120 --> 0:39:58.960
<v Speaker 1>Trying to structure it really heavily in order to feel safe.

0:39:59.440 --> 0:40:01.160
<v Speaker 1>And I just think we lose so much of the

0:40:01.200 --> 0:40:04.080
<v Speaker 1>magic when we do that. I want to see the artist.

0:40:04.120 --> 0:40:05.560
<v Speaker 1>I want to see the human. I want to see

0:40:05.560 --> 0:40:07.560
<v Speaker 1>your mess I want to see you playing. I want

0:40:07.560 --> 0:40:12.560
<v Speaker 1>to see I just want to see grit.

0:40:12.719 --> 0:40:14.680
<v Speaker 3>No, I actually agree with you. I actually agree with you.

0:40:14.760 --> 0:40:17.400
<v Speaker 3>I definitely when I was doing my structure and strategy,

0:40:17.440 --> 0:40:19.239
<v Speaker 3>maybe I use the wrong words. I definitely don't mean

0:40:19.760 --> 0:40:23.319
<v Speaker 3>definitely don't like the idea of people having to you know,

0:40:23.600 --> 0:40:27.920
<v Speaker 3>like you said, choose brand colors and be organized. Yeah, no,

0:40:28.400 --> 0:40:30.799
<v Speaker 3>not in that way at all. And I couldn't agree

0:40:30.840 --> 0:40:33.840
<v Speaker 3>with you more. That often that's the stuff that stifles

0:40:33.880 --> 0:40:37.400
<v Speaker 3>even more creativity because you're now playing a game, definitely,

0:40:37.520 --> 0:40:38.759
<v Speaker 3>and you hope to figure.

0:40:38.480 --> 0:40:41.400
<v Speaker 1>Out Yeah, I see artists, do you see it everywhere online?

0:40:41.480 --> 0:40:43.640
<v Speaker 1>Especially in the space I'm in, because I'm so in,

0:40:44.040 --> 0:40:47.600
<v Speaker 1>you know, the creative space. Artists are just so tired

0:40:47.840 --> 0:40:50.840
<v Speaker 1>of having to show up in specific ways online in

0:40:50.960 --> 0:40:54.120
<v Speaker 1>order to please the algorithm. Like there's a weariness that

0:40:54.160 --> 0:40:56.799
<v Speaker 1>I see in creatives that's so heartbreaking, And I just

0:40:56.840 --> 0:40:58.759
<v Speaker 1>want to say, like, first of all, I know it's

0:40:58.800 --> 0:41:01.600
<v Speaker 1>hard to navigate these system but second of all, break

0:41:01.640 --> 0:41:05.960
<v Speaker 1>all the rules, rebel like artists are inherent like rebels.

0:41:06.440 --> 0:41:07.239
<v Speaker 2>We break the rules.

0:41:07.280 --> 0:41:10.280
<v Speaker 1>We've already broken loads of rules because we've created stuff

0:41:10.280 --> 0:41:12.040
<v Speaker 1>in a world that wants us to stay small and

0:41:12.080 --> 0:41:14.879
<v Speaker 1>compliant and silent. Now it's time to break the rules

0:41:14.920 --> 0:41:16.760
<v Speaker 1>with how we put our art out there. Do whatever

0:41:16.840 --> 0:41:19.319
<v Speaker 1>you want to do, Do what makes you happy, do

0:41:19.400 --> 0:41:24.120
<v Speaker 1>what feels creative, rather than you know, constantly obeying what's

0:41:24.160 --> 0:41:26.760
<v Speaker 1>going to go you know, what we think might go viral,

0:41:26.920 --> 0:41:29.600
<v Speaker 1>or what reels are preferred by the algorithm. This stuff

0:41:29.680 --> 0:41:32.279
<v Speaker 1>is making us feel like shit, and it's not I

0:41:32.320 --> 0:41:33.720
<v Speaker 1>don't know that it's helping us.

0:41:33.960 --> 0:41:35.960
<v Speaker 3>And how do you feel like if someone's doing that,

0:41:36.040 --> 0:41:38.879
<v Speaker 3>but then they're also like going months and years without

0:41:38.880 --> 0:41:40.319
<v Speaker 3>feeling like their work's being seen.

0:41:42.239 --> 0:41:45.120
<v Speaker 1>Yeah, it is incredibly difficult, and there's nothing to me,

0:41:45.400 --> 0:41:49.759
<v Speaker 1>there's nothing more painful. And when you're sharing your art

0:41:50.040 --> 0:41:52.840
<v Speaker 1>and nobody is seeing it, like, there is an exquisite

0:41:52.880 --> 0:41:56.520
<v Speaker 1>pain when it comes to that silence and navigating like

0:41:56.680 --> 0:41:58.840
<v Speaker 1>putting something out there that you've just created and having

0:41:58.920 --> 0:42:02.520
<v Speaker 1>no one respond. Like for me, when I was navigating that, like,

0:42:02.880 --> 0:42:05.600
<v Speaker 1>I was very very upset by it, and I felt

0:42:05.600 --> 0:42:08.120
<v Speaker 1>almost ashamed by how upset I was by it again.

0:42:08.160 --> 0:42:10.839
<v Speaker 1>It's that idea that artists shouldn't want attention, But I

0:42:10.880 --> 0:42:13.240
<v Speaker 1>wanted attention. I wanted people to see and read my books.

0:42:13.239 --> 0:42:17.400
<v Speaker 1>I wanted to be witnessed. So when artists aren't seen

0:42:17.520 --> 0:42:19.120
<v Speaker 1>and when we're like, Okay, I'm going to break all

0:42:19.120 --> 0:42:21.360
<v Speaker 1>the rules, but it feels like by breaking the rules

0:42:21.360 --> 0:42:23.600
<v Speaker 1>you get missed or you get put to the side.

0:42:23.640 --> 0:42:24.960
<v Speaker 2>That can be incredibly difficult.

0:42:25.120 --> 0:42:26.600
<v Speaker 1>I think there's a way to kind of toe the

0:42:26.640 --> 0:42:29.439
<v Speaker 1>line and play the game, but what at the same time,

0:42:29.640 --> 0:42:32.000
<v Speaker 1>make sure that it feels good to you. Certainly for

0:42:32.040 --> 0:42:34.080
<v Speaker 1>the way that I like to share my art I

0:42:34.120 --> 0:42:36.799
<v Speaker 1>don't want to do what's going viral, but I will

0:42:36.800 --> 0:42:40.160
<v Speaker 1>still consider, like, you know, how it's going to impact

0:42:40.200 --> 0:42:43.120
<v Speaker 1>my audience and what people have enjoyed of my content lately. Like,

0:42:43.200 --> 0:42:44.800
<v Speaker 1>there's a game that I'm playing and it's a balance

0:42:44.840 --> 0:42:46.680
<v Speaker 1>that I like to There's a line I like to

0:42:46.719 --> 0:42:50.120
<v Speaker 1>walk that makes it so it's still creatively fulfilling for me.

0:42:50.680 --> 0:42:54.800
<v Speaker 1>But I'm not going to obey whatever the next niche

0:42:54.840 --> 0:42:56.719
<v Speaker 1>thing I have to do in order to be big

0:42:56.760 --> 0:42:58.320
<v Speaker 1>on social media.

0:42:58.440 --> 0:43:00.200
<v Speaker 2>Do you find that, like in terms of your career.

0:43:00.600 --> 0:43:04.600
<v Speaker 3>I mean totally. I mean we in the beginning. You know,

0:43:04.640 --> 0:43:06.719
<v Speaker 3>for me, the videos that I started with were me

0:43:07.040 --> 0:43:12.760
<v Speaker 3>just freestyling, almost kind of rough words poetry on topics

0:43:12.760 --> 0:43:15.799
<v Speaker 3>that I loved. They went viral by chance, like they

0:43:15.840 --> 0:43:20.400
<v Speaker 3>weren't crafted for a particular time length or a particular

0:43:20.520 --> 0:43:23.239
<v Speaker 3>editing pattern because I didn't know them. I was just

0:43:23.239 --> 0:43:26.239
<v Speaker 3>making videos and they went viral and people loved them,

0:43:26.680 --> 0:43:29.200
<v Speaker 3>and then I made more of those because I enjoyed them.

0:43:29.239 --> 0:43:32.520
<v Speaker 3>But the day I stopped enjoying making them, we stopped

0:43:32.560 --> 0:43:35.800
<v Speaker 3>Yeah beautiful, and then we created a new format where

0:43:35.920 --> 0:43:39.960
<v Speaker 3>I'd seen a lot of comedians who would do sketches

0:43:40.640 --> 0:43:43.600
<v Speaker 3>and there'd be hilarious ketches of real life. I was like, well,

0:43:43.600 --> 0:43:45.680
<v Speaker 3>what if I did sketches of real life? Like what

0:43:45.719 --> 0:43:49.360
<v Speaker 3>if I was to create real life experiences as dramatic

0:43:49.440 --> 0:43:52.920
<v Speaker 3>performances with messaging. So we did those and I loved it,

0:43:52.960 --> 0:43:54.719
<v Speaker 3>and those went viral, and then there was a day

0:43:54.760 --> 0:43:57.080
<v Speaker 3>I didn't enjoy making those anymore. I felt like I

0:43:57.160 --> 0:44:00.360
<v Speaker 3>was trying too hard to come up with story lines.

0:44:00.360 --> 0:44:03.319
<v Speaker 3>And then so we stop doing that, and then I

0:44:03.440 --> 0:44:06.200
<v Speaker 3>started the podcast, which I'm still doing today because it

0:44:06.239 --> 0:44:09.279
<v Speaker 3>feels like the most realist fluid form, because there is

0:44:09.320 --> 0:44:13.080
<v Speaker 3>no set structure to make an interview go viral. It's

0:44:13.080 --> 0:44:17.520
<v Speaker 3>truly a deep conversation. It's far less. There's not a

0:44:17.600 --> 0:44:20.000
<v Speaker 3>science to that as much, and if there is, I

0:44:20.040 --> 0:44:22.840
<v Speaker 3>don't enjoy it because I choose not to ask. I

0:44:22.840 --> 0:44:25.200
<v Speaker 3>have a rule that we have of not to ask

0:44:25.360 --> 0:44:29.000
<v Speaker 3>gossip based back questions, clickbait questions, because that's how we

0:44:29.040 --> 0:44:32.239
<v Speaker 3>protect our art in that I want the conversations to

0:44:32.280 --> 0:44:35.040
<v Speaker 3>be true and genuine and sincere. But basically, when I've

0:44:35.080 --> 0:44:38.799
<v Speaker 3>stopped finding something fulfilling as art, I've stopped doing it

0:44:38.880 --> 0:44:41.360
<v Speaker 3>because I've found that if I keep doing something I hate,

0:44:41.680 --> 0:44:44.160
<v Speaker 3>I'm going to end up hating parts of myself and

0:44:44.160 --> 0:44:46.040
<v Speaker 3>I'm going to feel disconnected from myself.

0:44:46.239 --> 0:44:47.680
<v Speaker 2>We get a lot of bitter artists.

0:44:47.880 --> 0:44:50.799
<v Speaker 1>What we have, you know, a practice that we're doing,

0:44:51.040 --> 0:44:53.719
<v Speaker 1>whether that's in the creation process or whether it's when

0:44:53.719 --> 0:44:55.560
<v Speaker 1>we share it. If we don't like it and we

0:44:55.640 --> 0:44:57.759
<v Speaker 1>keep doing it, we are going to become better. We

0:44:57.800 --> 0:44:59.560
<v Speaker 1>see a lot of bitter artists out there which are

0:44:59.600 --> 0:45:01.960
<v Speaker 1>so angry at what the world has made them. Do

0:45:02.600 --> 0:45:04.719
<v Speaker 1>you know, whether that's to sell their books or sell

0:45:04.760 --> 0:45:06.919
<v Speaker 1>their art or be seen on social media and they're

0:45:06.960 --> 0:45:11.200
<v Speaker 1>so pissed that they had to sacrifice their creative integrity

0:45:11.320 --> 0:45:13.480
<v Speaker 1>in order to be seen, and it just cannot be

0:45:13.560 --> 0:45:14.000
<v Speaker 1>worth it.

0:45:14.480 --> 0:45:15.480
<v Speaker 2>I just I want.

0:45:15.280 --> 0:45:19.560
<v Speaker 1>Creatives to create with what feels good, exactly like you, j.

0:45:19.600 --> 0:45:21.480
<v Speaker 1>It's such a beautiful example. When it stops feeling good,

0:45:21.560 --> 0:45:23.160
<v Speaker 1>stop doing it, try something else.

0:45:23.640 --> 0:45:26.359
<v Speaker 3>Yeah, because it did feel good at one point and yeah,

0:45:26.640 --> 0:45:28.080
<v Speaker 3>and it was new and fresh and it was created.

0:45:28.080 --> 0:45:29.440
<v Speaker 3>And the funny thing is part of me that want

0:45:29.440 --> 0:45:31.040
<v Speaker 3>to go back to some of those now yea. And

0:45:31.239 --> 0:45:32.920
<v Speaker 3>so it's because I'm like, oh, I used to love

0:45:32.960 --> 0:45:35.200
<v Speaker 3>those videos eight years ago. Maybe if I reconnected to them,

0:45:35.360 --> 0:45:37.239
<v Speaker 3>I'd come at them from a really genuine place. And

0:45:37.280 --> 0:45:41.640
<v Speaker 3>so I can now go back home feeling happy rather

0:45:41.719 --> 0:45:44.720
<v Speaker 3>than go back home feeling bitter because I feel forced

0:45:44.760 --> 0:45:46.600
<v Speaker 3>to be there. Yeah, And so I feel like when

0:45:46.640 --> 0:45:49.920
<v Speaker 3>you let the algorithm dictate what you make, you feel

0:45:50.000 --> 0:45:52.200
<v Speaker 3>forced to be there, and it's almost like your parents

0:45:52.200 --> 0:45:54.640
<v Speaker 3>forcing you to come to family dinner and you don't

0:45:54.640 --> 0:45:56.680
<v Speaker 3>want to be there exactly. And I love what you

0:45:56.719 --> 0:46:00.160
<v Speaker 3>said about artists being rebels because I remember when and

0:46:00.239 --> 0:46:02.759
<v Speaker 3>I wrote Think like a Monk, my first book, and

0:46:02.880 --> 0:46:05.759
<v Speaker 3>fourteen out of seventeen imprints that I took meetings with

0:46:06.120 --> 0:46:08.680
<v Speaker 3>at different publishers told me not to call it Think

0:46:08.760 --> 0:46:10.719
<v Speaker 3>like a Monk, because they were like, Jay, who wants

0:46:10.760 --> 0:46:12.200
<v Speaker 3>to think like a monk? No, one wants to do that.

0:46:12.840 --> 0:46:14.840
<v Speaker 3>And it was this big thing that I rom with

0:46:14.920 --> 0:46:17.960
<v Speaker 3>this conversation, and we were talking earlier about when you're

0:46:17.960 --> 0:46:19.400
<v Speaker 3>writing your first book, you don't know how much to

0:46:19.440 --> 0:46:21.320
<v Speaker 3>push for and how much not to. That was something

0:46:21.760 --> 0:46:24.560
<v Speaker 3>I pushed for wholeheartedly, and I'm so glad that.

0:46:24.600 --> 0:46:25.799
<v Speaker 2>I'm good glad you did.

0:46:26.040 --> 0:46:28.840
<v Speaker 3>And you know, it's so interesting because same with my

0:46:28.880 --> 0:46:30.239
<v Speaker 3>second book. I was like, I had this view of

0:46:30.280 --> 0:46:33.000
<v Speaker 3>an artistic cover and I pushed for it again because

0:46:33.000 --> 0:46:36.120
<v Speaker 3>I believed in it so deeply and I could have

0:46:36.160 --> 0:46:38.799
<v Speaker 3>gone for the cover that they thought would sell the

0:46:38.840 --> 0:46:40.640
<v Speaker 3>most or whatever, And it was never that. It was

0:46:40.640 --> 0:46:42.600
<v Speaker 3>always like, I want to create something that I think

0:46:42.640 --> 0:46:45.600
<v Speaker 3>is beautiful and powerful and builds a movement.

0:46:46.040 --> 0:46:49.440
<v Speaker 1>Yeah, I think we've been taught to we've got to

0:46:49.480 --> 0:46:51.600
<v Speaker 1>create the thing that's going to go the most viral.

0:46:52.000 --> 0:46:54.160
<v Speaker 1>But what if we create something that impacts you know,

0:46:54.200 --> 0:46:57.080
<v Speaker 1>one hundred people, Like that's still incredibly worth it. I

0:46:57.080 --> 0:47:00.319
<v Speaker 1>think we're always aiming for virality. We're always aimed for

0:47:00.440 --> 0:47:02.760
<v Speaker 1>like again, it's that big, go big or go home.

0:47:03.040 --> 0:47:05.279
<v Speaker 1>Like what if we make art and share it in

0:47:05.320 --> 0:47:07.560
<v Speaker 1>a way that no, it doesn't go viral, but it

0:47:07.600 --> 0:47:10.600
<v Speaker 1>connects and it impacts and it maybe it only finds

0:47:10.640 --> 0:47:12.600
<v Speaker 1>one or two people, but it does its thing and

0:47:12.600 --> 0:47:15.920
<v Speaker 1>it and it resonates with them. I feel like artists

0:47:15.920 --> 0:47:19.040
<v Speaker 1>are always told, you know, go viral, be Taylor Swift,

0:47:19.160 --> 0:47:21.560
<v Speaker 1>or be a starving artist, and it's this binary that

0:47:21.560 --> 0:47:23.640
<v Speaker 1>doesn't serve us. I talk a lot about like I

0:47:23.719 --> 0:47:25.400
<v Speaker 1>want the I want this to be the era of

0:47:25.400 --> 0:47:28.279
<v Speaker 1>the middle class artist where it's like we don't need

0:47:28.440 --> 0:47:30.840
<v Speaker 1>millions and millions of dollars, we need, you know, a

0:47:30.880 --> 0:47:33.320
<v Speaker 1>stable income and we get to enjoy a stable income

0:47:33.920 --> 0:47:36.080
<v Speaker 1>and we're not the starving artist and we're not j Loo,

0:47:36.560 --> 0:47:41.200
<v Speaker 1>but we are thriving, joyful, you know, financially secure artists.

0:47:41.239 --> 0:47:42.640
<v Speaker 1>Like that's what I want for us, and I think

0:47:42.680 --> 0:47:44.880
<v Speaker 1>it's much more possible than we realize.

0:47:44.960 --> 0:47:47.239
<v Speaker 3>You just talked about how you want this culture of

0:47:47.320 --> 0:47:50.080
<v Speaker 3>middle class artists, which I love that, Like that's such

0:47:50.120 --> 0:47:52.880
<v Speaker 3>a such a great vision and such a great mission

0:47:52.920 --> 0:47:56.000
<v Speaker 3>that you're in. I really like that because, like you said,

0:47:56.040 --> 0:47:57.799
<v Speaker 3>I think for so many years we've been told art's

0:47:57.880 --> 0:47:59.480
<v Speaker 3>not a real job, it won't make you a living,

0:47:59.600 --> 0:48:02.000
<v Speaker 3>what's the point, And we've subscribed to that, and then

0:48:02.040 --> 0:48:04.480
<v Speaker 3>you do a safe job and then you realize you

0:48:04.560 --> 0:48:07.160
<v Speaker 3>left your dream back there. Yeah, or you got lucky

0:48:07.239 --> 0:48:09.759
<v Speaker 3>enough and art did become a really big thing, but

0:48:10.400 --> 0:48:12.600
<v Speaker 3>then maybe you lost touch with the art you wanted

0:48:12.600 --> 0:48:14.840
<v Speaker 3>to create and you felt like you sold out. And

0:48:14.880 --> 0:48:17.239
<v Speaker 3>I've always described it as the selfish artist or as

0:48:17.239 --> 0:48:20.439
<v Speaker 3>a sellout artist. And it's like the selfish artists only

0:48:20.440 --> 0:48:23.239
<v Speaker 3>creates them for themselves, but then they don't ever get

0:48:23.239 --> 0:48:25.279
<v Speaker 3>to feel what it feels like to share their art,

0:48:25.640 --> 0:48:27.960
<v Speaker 3>and the sellout artist only creates for the audience, and

0:48:28.000 --> 0:48:30.520
<v Speaker 3>then they never create what they truly want. And the

0:48:30.560 --> 0:48:32.759
<v Speaker 3>balance is in between. Yeah, But when it comes to

0:48:32.800 --> 0:48:35.680
<v Speaker 3>monetizing your art, I feel like people are scared of

0:48:36.160 --> 0:48:40.799
<v Speaker 3>asking for money. We're scared of valuing our art accurately,

0:48:41.320 --> 0:48:43.040
<v Speaker 3>and then at the same time we're struggling to pay

0:48:43.080 --> 0:48:46.080
<v Speaker 3>our bills at points in our life. How do you

0:48:46.200 --> 0:48:48.959
<v Speaker 3>encourage people to think about monetizing their art and becoming

0:48:49.000 --> 0:48:50.120
<v Speaker 3>a middle class artist.

0:48:50.400 --> 0:48:53.280
<v Speaker 1>There's so much shame around for all of us, whatever

0:48:53.360 --> 0:48:55.360
<v Speaker 1>we're doing. There's so much shame around money. But I

0:48:55.360 --> 0:48:58.200
<v Speaker 1>think for artists there are so many narratives. There's this

0:48:58.200 --> 0:49:01.239
<v Speaker 1>almost glamour around being the poor artist, and then as

0:49:01.239 --> 0:49:03.000
<v Speaker 1>you say, then there's the glamor around being like the

0:49:03.120 --> 0:49:07.280
<v Speaker 1>super mega famous artists, And there's no healthy story about

0:49:07.320 --> 0:49:10.120
<v Speaker 1>an artist who gets paid for what they do and

0:49:10.200 --> 0:49:12.680
<v Speaker 1>can live, you know, a sustainable life and you know

0:49:12.680 --> 0:49:15.320
<v Speaker 1>there's a value exchange and it feels good, and the

0:49:15.360 --> 0:49:17.640
<v Speaker 1>exchange of money feels good. And I feel like, for

0:49:17.719 --> 0:49:20.719
<v Speaker 1>me personally on my journey, like it's been the most

0:49:20.760 --> 0:49:24.160
<v Speaker 1>beautiful thing to realize that selling my art has felt

0:49:24.520 --> 0:49:27.840
<v Speaker 1>really good, and selling my books has felt so aligned.

0:49:27.880 --> 0:49:30.600
<v Speaker 1>I know that my stories are going to serve them

0:49:31.080 --> 0:49:33.080
<v Speaker 1>and there's a value exchange and they pay me for

0:49:33.160 --> 0:49:35.360
<v Speaker 1>my stories or they pay me for my words, and

0:49:35.400 --> 0:49:39.520
<v Speaker 1>it's felt really beautiful, like a very like a relationship,

0:49:39.520 --> 0:49:42.759
<v Speaker 1>but it's felt very intimate. It's felt very aligned. And

0:49:42.840 --> 0:49:44.479
<v Speaker 1>I always thought that it was going to feel icky,

0:49:44.560 --> 0:49:45.719
<v Speaker 1>or it was going to feel lucky, or that I

0:49:45.760 --> 0:49:47.560
<v Speaker 1>was going to feel like I was taking advantage of

0:49:47.560 --> 0:49:50.480
<v Speaker 1>them or manipulating them. But I've found a space where

0:49:50.719 --> 0:49:53.960
<v Speaker 1>it feels good, and I want artists to understand that

0:49:54.000 --> 0:49:56.359
<v Speaker 1>selling your art can feel good, and so I want

0:49:56.440 --> 0:49:58.759
<v Speaker 1>artists to start getting comfortable with the idea that art

0:49:58.800 --> 0:50:02.000
<v Speaker 1>is valuable. That's maybe the part of the problem, Like

0:50:02.040 --> 0:50:05.560
<v Speaker 1>we don't understand that art is valuable. People think, oh,

0:50:05.600 --> 0:50:08.040
<v Speaker 1>you know, food is valuable because it feeds me, or

0:50:08.400 --> 0:50:10.080
<v Speaker 1>you know, I need a computer because I need to

0:50:10.080 --> 0:50:12.080
<v Speaker 1>do work on it. But we don't really understand the

0:50:12.200 --> 0:50:14.200
<v Speaker 1>value of art. And it is incredibly hard to put

0:50:14.200 --> 0:50:17.040
<v Speaker 1>a monetary value on art. I mean, I have so

0:50:17.080 --> 0:50:19.640
<v Speaker 1>many conversations with creatives being like, how do I put

0:50:19.880 --> 0:50:21.680
<v Speaker 1>a like a dollar sign on my art? And that

0:50:21.840 --> 0:50:26.000
<v Speaker 1>is hard, it can feel very arbitrary. But art has value.

0:50:26.480 --> 0:50:29.480
<v Speaker 1>Art brings so much value to other people, and the

0:50:29.719 --> 0:50:32.919
<v Speaker 1>artist needs to learn that because I think there's too

0:50:32.920 --> 0:50:35.920
<v Speaker 1>many creatives going around out there thinking, oh, I'm just

0:50:36.160 --> 0:50:38.640
<v Speaker 1>I'm making decoration for the world, or I'm just doing

0:50:38.640 --> 0:50:42.280
<v Speaker 1>something that's so silly. I'm telling stories, I'm making movies.

0:50:42.320 --> 0:50:44.840
<v Speaker 1>But it's just, you know, it doesn't make a difference.

0:50:45.400 --> 0:50:48.000
<v Speaker 1>Art makes a difference. And we're getting some very cool

0:50:48.040 --> 0:50:51.160
<v Speaker 1>research coming in about how art impacts us physically, how

0:50:51.200 --> 0:50:53.640
<v Speaker 1>it impacts our mental health, how it impacts our communities,

0:50:53.719 --> 0:50:58.360
<v Speaker 1>like art changes us. But artists don't recognize that, and

0:50:58.360 --> 0:51:01.200
<v Speaker 1>we still think we're doing something frivolous, when in reality,

0:51:01.200 --> 0:51:04.760
<v Speaker 1>we are doing something incredibly profound that is making real change,

0:51:04.800 --> 0:51:08.759
<v Speaker 1>political change, personal change, biological change to other people around us.

0:51:09.719 --> 0:51:13.040
<v Speaker 1>You deserve money for that. That story needs to sink in,

0:51:13.320 --> 0:51:15.080
<v Speaker 1>and then that value exchange is going to feel so

0:51:15.160 --> 0:51:16.040
<v Speaker 1>much better.

0:51:16.239 --> 0:51:18.360
<v Speaker 3>So powerful. I'm so glad you made it so easy

0:51:18.360 --> 0:51:20.520
<v Speaker 3>and clear, and it's so true. Have so many friends

0:51:20.560 --> 0:51:24.000
<v Speaker 3>who are artists who do something it's quite easy for them,

0:51:24.160 --> 0:51:26.640
<v Speaker 3>or it's effortless for them, and then they're scared. And

0:51:26.680 --> 0:51:29.759
<v Speaker 3>there's this beautiful, old made up story that I heard

0:51:29.760 --> 0:51:32.640
<v Speaker 3>a long time ago, where it's not true at all,

0:51:32.719 --> 0:51:36.560
<v Speaker 3>but it's got a nice message. And Picasso walks into

0:51:36.600 --> 0:51:39.880
<v Speaker 3>the marketplace and this lady seeves Picasso and she says, picassa,

0:51:39.880 --> 0:51:41.560
<v Speaker 3>will you draw me a portrait? He says, sure, I'll

0:51:41.600 --> 0:51:43.920
<v Speaker 3>draw your portrait. So he grabs a pen and paper

0:51:43.960 --> 0:51:46.080
<v Speaker 3>and he draws a portrait of her and he gives

0:51:46.080 --> 0:51:48.200
<v Speaker 3>it back to her and she says, Picasso, that took

0:51:48.239 --> 0:51:51.360
<v Speaker 3>thirty seconds, and he's like, it took me thirty years

0:51:51.400 --> 0:51:53.839
<v Speaker 3>to do that in thirty seconds. And it's like, when

0:51:53.880 --> 0:51:56.440
<v Speaker 3>you're working as an artist, you're almost recognizing and reminding

0:51:56.480 --> 0:51:59.560
<v Speaker 3>yourself that when you're putting a value in your work,

0:51:59.600 --> 0:52:02.080
<v Speaker 3>you're putting value on all the training, all the pain,

0:52:02.560 --> 0:52:05.200
<v Speaker 3>all the stress, all of that that went into that

0:52:05.320 --> 0:52:08.000
<v Speaker 3>piece that maybe have taken you twenty hours, maybe it

0:52:08.000 --> 0:52:09.720
<v Speaker 3>took you two hours, maybe it took you two minutes.

0:52:10.160 --> 0:52:14.080
<v Speaker 3>But there's so much experience that went into that piece.

0:52:14.520 --> 0:52:16.719
<v Speaker 3>And so whether it was a quote on Instagram or

0:52:16.719 --> 0:52:19.400
<v Speaker 3>whether it was a piece of art, we're always valuing

0:52:19.440 --> 0:52:21.799
<v Speaker 3>how long it took us to do the thing, not

0:52:21.840 --> 0:52:25.000
<v Speaker 3>how longs to live what it took to do that thing.

0:52:25.280 --> 0:52:27.400
<v Speaker 1>I also think we think that because art can be

0:52:27.520 --> 0:52:30.360
<v Speaker 1>joyful or easy to make, that it shouldn't be worth money.

0:52:30.920 --> 0:52:32.640
<v Speaker 1>Because I had a really good time writing my book,

0:52:32.680 --> 0:52:36.319
<v Speaker 1>I should give away it for free, yes, which is ridiculous.

0:52:36.560 --> 0:52:39.200
<v Speaker 1>I think we almost feel like we've got it too good.

0:52:39.239 --> 0:52:42.160
<v Speaker 1>Could I love the process and be paid for it? Yes,

0:52:42.280 --> 0:52:44.400
<v Speaker 1>you could, because your art has a lot of value

0:52:45.120 --> 0:52:48.160
<v Speaker 1>and you deserve to be paid for it. Again, I

0:52:48.239 --> 0:52:52.560
<v Speaker 1>want artists to understand what you are making has value,

0:52:52.760 --> 0:52:54.200
<v Speaker 1>you deserve money for it.

0:52:54.480 --> 0:52:56.839
<v Speaker 3>Yeah, yeah, no, And I think about it all the time.

0:52:57.719 --> 0:53:01.040
<v Speaker 3>There's also this feeling of if you're doing something truly

0:53:01.080 --> 0:53:04.439
<v Speaker 3>to help people, it should be absolutely free. And that's

0:53:04.440 --> 0:53:06.840
<v Speaker 3>a really interesting one. God, you have a reaction. I

0:53:06.840 --> 0:53:08.000
<v Speaker 3>can see your reaction to that.

0:53:08.080 --> 0:53:11.239
<v Speaker 1>So I think it happens for artists a lot too.

0:53:11.320 --> 0:53:13.400
<v Speaker 1>And I get a lot of creatives telling me that

0:53:13.440 --> 0:53:16.399
<v Speaker 1>all they're family members asking for free art or you know,

0:53:16.840 --> 0:53:18.719
<v Speaker 1>if you really wanted the world to change, you would

0:53:18.719 --> 0:53:21.480
<v Speaker 1>give it away for free. Lots of narratives again, constantly

0:53:21.520 --> 0:53:26.280
<v Speaker 1>asking artists to work for free, devaluing creatives, devaluing artists.

0:53:26.440 --> 0:53:29.360
<v Speaker 1>And it's so painful because it's kind of a seductive narrative.

0:53:29.360 --> 0:53:30.840
<v Speaker 1>I actually really want to hear what you have to

0:53:30.880 --> 0:53:35.680
<v Speaker 1>think about it. But this idea that it's only generous

0:53:35.800 --> 0:53:38.280
<v Speaker 1>if there's not a value exchange, it's just so cruel

0:53:38.280 --> 0:53:40.560
<v Speaker 1>and it leaves artists. First of all, it perpetuates the

0:53:40.560 --> 0:53:43.920
<v Speaker 1>scarcity story and the artists support we have the money,

0:53:44.040 --> 0:53:46.279
<v Speaker 1>which means we end up not creating that much, which

0:53:46.360 --> 0:53:48.200
<v Speaker 1>means we don't have the money, which means we're working

0:53:48.400 --> 0:53:50.120
<v Speaker 1>multiple jobs, which means we can't.

0:53:49.920 --> 0:53:50.600
<v Speaker 2>Create the art.

0:53:50.719 --> 0:53:54.320
<v Speaker 1>Like, if we don't support and nourish artists with money,

0:53:54.400 --> 0:53:58.400
<v Speaker 1>we lose artists. So we need to be paying our artists.

0:53:58.400 --> 0:53:59.960
<v Speaker 1>If you want more art, if you want an art

0:54:00.080 --> 0:54:02.719
<v Speaker 1>a world that is filled with books and movies and

0:54:02.760 --> 0:54:06.360
<v Speaker 1>creations and music and beautiful gardens and good food, we

0:54:06.480 --> 0:54:09.319
<v Speaker 1>need to support our artists. And I still think that

0:54:09.400 --> 0:54:11.120
<v Speaker 1>when we put our art up for sale and when

0:54:11.120 --> 0:54:14.680
<v Speaker 1>we sell it, it is a profoundly generous act, especially

0:54:14.680 --> 0:54:16.640
<v Speaker 1>when we ask for money for it in return.

0:54:17.040 --> 0:54:20.000
<v Speaker 3>Yeah, you asked my opinion on it, It's similar to yours.

0:54:20.040 --> 0:54:22.360
<v Speaker 3>I remember at one point in my life, I was

0:54:22.440 --> 0:54:24.719
<v Speaker 3>I had one hundred million views, and I was four

0:54:24.760 --> 0:54:30.439
<v Speaker 3>months away from being broke, and I was starting to think, Okay,

0:54:30.440 --> 0:54:32.879
<v Speaker 3>I'm going to have to go back to work. I'm

0:54:32.920 --> 0:54:35.359
<v Speaker 3>going to have to get a job again. And I

0:54:35.440 --> 0:54:37.719
<v Speaker 3>know that the job I would probably get would be demanding,

0:54:37.800 --> 0:54:40.160
<v Speaker 3>because that's the job i'd get with my education and

0:54:40.160 --> 0:54:42.920
<v Speaker 3>everything I have, and therefore I'd probably not be able

0:54:43.000 --> 0:54:45.160
<v Speaker 3>to do much of this anymore. And that means if

0:54:45.160 --> 0:54:46.960
<v Speaker 3>I can't make this anymore, but the one hundred million

0:54:47.000 --> 0:54:49.120
<v Speaker 3>views I have, the comments and everything i'm reading a say,

0:54:49.160 --> 0:54:51.400
<v Speaker 3>this really helped me, This changed my life. I shared it.

0:54:51.480 --> 0:54:53.160
<v Speaker 3>I like all the comments I'm reading are like, people

0:54:53.160 --> 0:54:56.040
<v Speaker 3>are benefited by this, but I'm not going to be

0:54:56.040 --> 0:54:57.680
<v Speaker 3>able to do that anymore because I don't know how.

0:54:58.480 --> 0:55:00.640
<v Speaker 3>And I remember going through that whole process and I

0:55:00.640 --> 0:55:02.879
<v Speaker 3>was thinking, well, wait a minute. And at that time,

0:55:02.920 --> 0:55:05.360
<v Speaker 3>I was shaming and giving myself or even thinking that

0:55:05.400 --> 0:55:07.879
<v Speaker 3>I could charge for something, and I was like, well,

0:55:08.080 --> 0:55:09.839
<v Speaker 3>how do I do that? And like, but people are

0:55:09.960 --> 0:55:12.560
<v Speaker 3>getting value from it. But then I really want to

0:55:12.560 --> 0:55:14.560
<v Speaker 3>do it for free because that's how I was trained

0:55:14.600 --> 0:55:17.279
<v Speaker 3>to always and obviously with my monk background, it's like

0:55:17.360 --> 0:55:20.320
<v Speaker 3>everything was for free and everything was charity work, and

0:55:20.400 --> 0:55:23.080
<v Speaker 3>so I really had that conditioning. And then I thought

0:55:23.080 --> 0:55:25.040
<v Speaker 3>to myself, well, if I give up what I love

0:55:25.960 --> 0:55:29.319
<v Speaker 3>that helps people and serves people and I can't do

0:55:29.400 --> 0:55:31.840
<v Speaker 3>it any longer, is that the world I want to

0:55:31.840 --> 0:55:34.120
<v Speaker 3>live in? And it was a really clear answer where

0:55:34.120 --> 0:55:35.680
<v Speaker 3>it was like, well, no, I want to live in

0:55:35.680 --> 0:55:37.759
<v Speaker 3>a world where I could do this forever. I can

0:55:37.800 --> 0:55:40.239
<v Speaker 3>help more people do what they want to do. We

0:55:40.239 --> 0:55:42.920
<v Speaker 3>can even create teams that will all be living a

0:55:42.920 --> 0:55:45.040
<v Speaker 3>purposeful life that they want to excuse me that they

0:55:45.040 --> 0:55:47.440
<v Speaker 3>want to live in. Yeah, and we'll be able to

0:55:47.960 --> 0:55:50.360
<v Speaker 3>hopefully impact so many more people who will create amazing

0:55:50.440 --> 0:55:54.959
<v Speaker 3>journeys for themselves. And I'm so glad that, despite any

0:55:54.960 --> 0:55:57.720
<v Speaker 3>criticism shame guilt that comes with that path, I'm glad

0:55:57.719 --> 0:56:01.720
<v Speaker 3>I made that choice because I'm far happier having pursued

0:56:01.760 --> 0:56:03.480
<v Speaker 3>that then I would have been if I just went, Okay,

0:56:03.480 --> 0:56:05.840
<v Speaker 3>well I'm done. I'm done now because I can't afford

0:56:05.880 --> 0:56:06.880
<v Speaker 3>to do what a huge.

0:56:06.640 --> 0:56:08.319
<v Speaker 2>Loss for the whole world if you would have been like,

0:56:08.360 --> 0:56:09.040
<v Speaker 2>I'm done.

0:56:08.880 --> 0:56:11.520
<v Speaker 3>And for myself and for you. Yeah, and the creative

0:56:11.520 --> 0:56:16.840
<v Speaker 3>of like just also just not just thinking about well

0:56:17.080 --> 0:56:19.279
<v Speaker 3>I can't make more if I don't have enough to

0:56:19.280 --> 0:56:21.080
<v Speaker 3>make with, like yeh, Whom'm going to pay to edit

0:56:21.120 --> 0:56:23.719
<v Speaker 3>the video exactly to film this? And how all of

0:56:23.760 --> 0:56:26.479
<v Speaker 3>this and there was even even with the podcast, which

0:56:26.560 --> 0:56:28.839
<v Speaker 3>which is free. And I always thank everyone for us

0:56:28.880 --> 0:56:31.560
<v Speaker 3>allowing to have our sponsors and our ad partners, which

0:56:31.600 --> 0:56:34.040
<v Speaker 3>is the way we're able to do this. And we're

0:56:34.120 --> 0:56:36.200
<v Speaker 3>so I always said this to everyone, We'll not everyone.

0:56:36.360 --> 0:56:38.239
<v Speaker 3>I say this to my friends behind closed doors. I'm like,

0:56:38.440 --> 0:56:41.520
<v Speaker 3>we're so selective over which brands we work with, which

0:56:41.560 --> 0:56:43.680
<v Speaker 3>companies we partner with in order to present that to

0:56:43.760 --> 0:56:46.560
<v Speaker 3>our community, and we probably leave more on the table

0:56:46.560 --> 0:56:49.319
<v Speaker 3>than we even make because of that desire to get

0:56:49.360 --> 0:56:51.719
<v Speaker 3>it right. And I'm not saying that to sound holy

0:56:51.840 --> 0:56:55.439
<v Speaker 3>than now or sound what I'm saying is everything's done intentionally,

0:56:55.880 --> 0:56:59.160
<v Speaker 3>and I think if it's done intentionally, there's a heart

0:56:59.200 --> 0:57:01.719
<v Speaker 3>there and there's a a truth there of wanting to

0:57:01.760 --> 0:57:04.160
<v Speaker 3>serve and wanting things to be good. Yeah, and the

0:57:04.200 --> 0:57:07.480
<v Speaker 3>podcast is absolutely free, but there are certain things that

0:57:08.480 --> 0:57:10.799
<v Speaker 3>may not be if that person wants to hold that

0:57:10.840 --> 0:57:12.880
<v Speaker 3>integrity to themselves.

0:57:12.239 --> 0:57:15.040
<v Speaker 1>And no, it makes a huge amount of sense. I

0:57:15.080 --> 0:57:18.320
<v Speaker 1>think artists are just constantly people always want to call

0:57:18.400 --> 0:57:21.120
<v Speaker 1>them out for selling out. And I don't know why

0:57:21.160 --> 0:57:23.080
<v Speaker 1>we're so vulnerable to that narrative. Because you don't go

0:57:23.120 --> 0:57:25.480
<v Speaker 1>up to your accountant who's doing, you know, important work,

0:57:25.520 --> 0:57:27.520
<v Speaker 1>and say why are you being paid for this? We

0:57:27.640 --> 0:57:31.160
<v Speaker 1>don't go up to we don't ask other people why

0:57:31.400 --> 0:57:33.960
<v Speaker 1>do you want money for your job? But we ask

0:57:34.120 --> 0:57:36.480
<v Speaker 1>artists that all the time. We ask creatives that all

0:57:36.520 --> 0:57:40.360
<v Speaker 1>the time. And it's interesting and I don't fully understand

0:57:40.360 --> 0:57:44.439
<v Speaker 1>the narrative there, but I question it, and I want

0:57:44.440 --> 0:57:46.840
<v Speaker 1>to like double down, like we deserve to be paid

0:57:46.880 --> 0:57:49.320
<v Speaker 1>and we deserve not to be questioned about that as well, like,

0:57:49.400 --> 0:57:52.640
<v Speaker 1>of course we bring value, we deserve money.

0:57:52.760 --> 0:57:55.400
<v Speaker 3>Yeah. Yeah, I think it's because and that's a great point,

0:57:55.440 --> 0:57:57.480
<v Speaker 3>it's like wanting to understand it. I think it's because

0:57:58.800 --> 0:58:03.080
<v Speaker 3>emotional and spiritual exchanges are not valued in society as

0:58:03.160 --> 0:58:06.760
<v Speaker 3>deeply right, Like you can't. We all know there's people

0:58:06.800 --> 0:58:10.120
<v Speaker 3>you meet that energetically make you feel better, Yeah, because

0:58:10.120 --> 0:58:12.880
<v Speaker 3>you don't known to pay for that as an energetic exchange.

0:58:13.280 --> 0:58:15.200
<v Speaker 3>You almost think it's impure if you had to pay

0:58:15.200 --> 0:58:17.800
<v Speaker 3>for it. So we see money as impure, and we

0:58:17.840 --> 0:58:19.240
<v Speaker 3>see art as pure.

0:58:19.040 --> 0:58:21.880
<v Speaker 1>Yeah, and we don't like them touching correct, Whereas I

0:58:22.000 --> 0:58:25.280
<v Speaker 1>want to very gently suggest that art is like messy,

0:58:25.600 --> 0:58:29.360
<v Speaker 1>human like not pure at all. It is wholly an

0:58:29.400 --> 0:58:32.400
<v Speaker 1>incredible and the most important force ever, but it's messy

0:58:32.440 --> 0:58:34.920
<v Speaker 1>and it's human. And it's same with money. It's like,

0:58:35.200 --> 0:58:37.880
<v Speaker 1>you know, none of these things are impure or pure,

0:58:37.960 --> 0:58:41.200
<v Speaker 1>where they're all very human ideas, and I believe aren't

0:58:41.240 --> 0:58:42.120
<v Speaker 1>money belongs together.

0:58:42.640 --> 0:58:44.160
<v Speaker 3>I love that. I want to ask you a few

0:58:44.200 --> 0:58:47.440
<v Speaker 3>more about some emotions that artists often go through. I

0:58:47.440 --> 0:58:51.800
<v Speaker 3>think one of them today is oversaturation, this feeling of

0:58:52.080 --> 0:58:54.560
<v Speaker 3>it's oversaturated. Like I was looking at someone the other

0:58:54.640 --> 0:58:56.560
<v Speaker 3>day a friend of mine said to me, they said, gee,

0:58:56.560 --> 0:58:58.320
<v Speaker 3>I feel like you were one of the first podcasts.

0:58:58.320 --> 0:59:01.200
<v Speaker 3>And I was like, I think you must be kidding, right,

0:59:01.440 --> 0:59:02.800
<v Speaker 3>and they're like, no, no, no, I think you were

0:59:02.840 --> 0:59:04.480
<v Speaker 3>like one of the first podcasts. I was like, I

0:59:04.520 --> 0:59:06.520
<v Speaker 3>lount my podcast in twenty nineteen, and I pulled up

0:59:06.520 --> 0:59:08.960
<v Speaker 3>this train I googled it. There were three hundred and

0:59:08.960 --> 0:59:12.800
<v Speaker 3>thirty six thousand podcasts that existed in twenty nineteen, and

0:59:12.880 --> 0:59:15.120
<v Speaker 3>of course there are so many before that that were

0:59:15.520 --> 0:59:17.520
<v Speaker 3>that were well known and big as well. And it

0:59:17.560 --> 0:59:19.600
<v Speaker 3>was like, but to them, because I was the first

0:59:19.600 --> 0:59:22.800
<v Speaker 3>podcast they'd discovered, I must have been the first podcast.

0:59:22.800 --> 0:59:25.400
<v Speaker 3>And I was like, it's really the first thing of

0:59:25.560 --> 0:59:29.640
<v Speaker 3>anything that takes off as lessons is whatever. Today, I

0:59:29.680 --> 0:59:30.600
<v Speaker 3>think there's over probably.

0:59:30.680 --> 0:59:31.920
<v Speaker 2>I was about to ask, do you know the number?

0:59:32.000 --> 0:59:34.360
<v Speaker 3>I think I could be wrong, but maybe like two

0:59:34.360 --> 0:59:36.520
<v Speaker 3>million maybe today? Oh yeah, And so I'm sure it's

0:59:36.600 --> 0:59:38.600
<v Speaker 3>high because it's been five years since I.

0:59:38.560 --> 0:59:40.520
<v Speaker 1>Still I want to say, though, like two million isn't

0:59:40.520 --> 0:59:43.600
<v Speaker 1>that high? Not like there's seven billion of us. People like,

0:59:43.600 --> 0:59:46.560
<v Speaker 1>I couldn't start a podcast. It's saturated. I'm like, it is.

0:59:46.640 --> 0:59:48.920
<v Speaker 1>There's two million podcasts. There are so many of us,

0:59:48.920 --> 0:59:51.360
<v Speaker 1>there are billions of us. I think we can kind of.

0:59:51.280 --> 0:59:51.920
<v Speaker 2>Get the scale.

0:59:51.920 --> 0:59:56.000
<v Speaker 1>A bit confused, sometimes totally, but yeah, whenever anyone says

0:59:56.040 --> 0:59:57.320
<v Speaker 1>I can't it's oversaturated.

0:59:58.040 --> 0:59:58.160
<v Speaker 2>No.

1:00:01.200 --> 1:00:04.360
<v Speaker 1>Plus, there's no noise like your noise. There's nothing that you. Again,

1:00:04.400 --> 1:00:07.200
<v Speaker 1>you're a one time phenomenon. You're never going to be repeated.

1:00:07.440 --> 1:00:09.160
<v Speaker 1>You have something to say, this's never been said. You

1:00:09.160 --> 1:00:13.000
<v Speaker 1>have a viewpoint that will never be replicated. You almost

1:00:13.000 --> 1:00:13.920
<v Speaker 1>have your own market.

1:00:14.520 --> 1:00:17.480
<v Speaker 3>Yes, there's so much. I see that more and more

1:00:17.520 --> 1:00:19.840
<v Speaker 3>when I see creators come up, and I'm like, there

1:00:19.920 --> 1:00:21.880
<v Speaker 3>is so much demand in the world.

1:00:22.120 --> 1:00:25.440
<v Speaker 2>We're so hungry. Yeah, art to be seen.

1:00:25.520 --> 1:00:28.160
<v Speaker 3>And you can make people feel seen in a way

1:00:28.200 --> 1:00:31.920
<v Speaker 3>that no one else can. And that's your superpower and

1:00:31.960 --> 1:00:34.320
<v Speaker 3>that's what's so beautiful about you, and that's what's needed,

1:00:34.720 --> 1:00:36.920
<v Speaker 3>because you're going to make someone feel seen, heard, and

1:00:37.000 --> 1:00:39.120
<v Speaker 3>understood in a way no one else can, in a

1:00:39.120 --> 1:00:41.440
<v Speaker 3>way I can't, in a way you can't, in a way.

1:00:41.400 --> 1:00:44.280
<v Speaker 1>I love that, Yeah, I really I often use this

1:00:44.320 --> 1:00:48.080
<v Speaker 1>example when people talk about oversaturation and art, because I

1:00:48.080 --> 1:00:51.440
<v Speaker 1>think art sits in a really different space to other products. So,

1:00:51.480 --> 1:00:55.920
<v Speaker 1>for example, like a toaster, I only want one toaster. Oh,

1:00:55.960 --> 1:00:58.280
<v Speaker 1>I could maybe want to but basically I want one toaster.

1:00:58.400 --> 1:01:01.400
<v Speaker 1>But I want hundreds of books I want. I can

1:01:01.440 --> 1:01:03.680
<v Speaker 1>watch so many films, I can have so much art

1:01:03.680 --> 1:01:05.480
<v Speaker 1>around me, Like I want so many different types of

1:01:05.480 --> 1:01:07.480
<v Speaker 1>plants for my garden. I want, you know, to try

1:01:07.520 --> 1:01:08.400
<v Speaker 1>different types of food.

1:01:08.480 --> 1:01:11.840
<v Speaker 2>Like, we have a really really big appetite for art.

1:01:12.800 --> 1:01:14.440
<v Speaker 1>And so when people come in and say, oh, I

1:01:14.480 --> 1:01:17.440
<v Speaker 1>couldn't possibly be a writer. There's so many writers in

1:01:17.440 --> 1:01:20.840
<v Speaker 1>the world, I'm like, I can't have enough books, Like

1:01:20.880 --> 1:01:23.640
<v Speaker 1>I'm mainlining them on audiobooks, like just all the time.

1:01:23.800 --> 1:01:27.080
<v Speaker 1>Like art is not toaster, it's not a fridge. We

1:01:27.120 --> 1:01:29.840
<v Speaker 1>don't need just one of them. We have a much

1:01:29.880 --> 1:01:33.920
<v Speaker 1>bigger market than you realize. And I always feel whenever

1:01:33.960 --> 1:01:36.160
<v Speaker 1>a creative, I very gently say this, when a creative

1:01:36.160 --> 1:01:38.280
<v Speaker 1>comes to me and says I can't it's oversaturated, I go,

1:01:38.360 --> 1:01:41.200
<v Speaker 1>there's got to be another reason. Yes, you're playing small,

1:01:41.320 --> 1:01:44.480
<v Speaker 1>like cause it sounds great, sounds like a perfect excuse,

1:01:44.920 --> 1:01:49.040
<v Speaker 1>But we need your voice there is no noise. No

1:01:49.040 --> 1:01:52.440
<v Speaker 1>noise like your noise start taking up space. Yes, and

1:01:52.480 --> 1:01:55.200
<v Speaker 1>like two million podcasts seven billion of us and don't

1:01:55.200 --> 1:01:57.840
<v Speaker 1>want more podcasts. I listened to new podcasts all the time.

1:01:57.640 --> 1:02:00.040
<v Speaker 3>Actually, and most people have found listening to a collecttion

1:02:00.160 --> 1:02:01.680
<v Speaker 3>a podcast totallyople.

1:02:02.040 --> 1:02:03.120
<v Speaker 2>Dad was asking that, like.

1:02:03.320 --> 1:02:05.440
<v Speaker 3>How do you feel about so many other podcasts coming up?

1:02:05.480 --> 1:02:07.720
<v Speaker 3>And that's the funny thing. It's like, that's the conversation

1:02:07.840 --> 1:02:10.200
<v Speaker 3>when you're established in the conversation when you're new, is

1:02:10.200 --> 1:02:12.880
<v Speaker 3>there's too many? Yes, everyone's like oh, and I'm like

1:02:13.200 --> 1:02:15.600
<v Speaker 3>I love it because most people are listening to like

1:02:15.640 --> 1:02:18.240
<v Speaker 3>two or three different podcasts at the same time. It's

1:02:18.240 --> 1:02:20.960
<v Speaker 3>how we like, we don't all go I only watch Netflix.

1:02:21.000 --> 1:02:22.840
<v Speaker 3>It's like, no, I like shows on Apple, and I

1:02:22.880 --> 1:02:25.240
<v Speaker 3>like some shows on whatever else there is here. Sorry,

1:02:25.280 --> 1:02:29.880
<v Speaker 3>I only know the HBO and Hulu and whatever else

1:02:29.920 --> 1:02:32.320
<v Speaker 3>there is. It's like you don't just go, oh no, no,

1:02:32.360 --> 1:02:36.080
<v Speaker 3>I only watch this one platform. I only watch YouTube.

1:02:36.120 --> 1:02:39.040
<v Speaker 3>I don't use Instagram, like it doesn't work like no, and.

1:02:39.040 --> 1:02:41.480
<v Speaker 1>Like on Instagram it's like, oh, there there's an oversaturation

1:02:41.520 --> 1:02:42.080
<v Speaker 1>of poets.

1:02:42.120 --> 1:02:44.760
<v Speaker 2>I'm like, I give me all the poets.

1:02:44.800 --> 1:02:45.440
<v Speaker 3>Yeah, exactly.

1:02:45.560 --> 1:02:49.000
<v Speaker 1>I'm not just following one poet on Instagram. Yeah, and

1:02:49.040 --> 1:02:51.520
<v Speaker 1>there's a renaissance for so many art forms at the

1:02:51.520 --> 1:02:54.120
<v Speaker 1>moment because of social media, because we have this like

1:02:54.160 --> 1:02:57.320
<v Speaker 1>connection economy, and there is more space than ever before,

1:02:57.360 --> 1:02:58.920
<v Speaker 1>and it can feel like there's a lot of noise

1:02:59.040 --> 1:03:01.760
<v Speaker 1>because of these spaces, and because when you scroll through

1:03:01.800 --> 1:03:02.640
<v Speaker 1>Instagram you can.

1:03:02.560 --> 1:03:03.880
<v Speaker 2>See a lot of creators.

1:03:04.160 --> 1:03:07.120
<v Speaker 1>But it's because we're hungry for it, and more than ever,

1:03:07.160 --> 1:03:10.840
<v Speaker 1>we're hungry for very vulnerable, real connection. We're hungry for

1:03:11.040 --> 1:03:13.160
<v Speaker 1>art in a world where we're showing a lot of

1:03:13.240 --> 1:03:16.120
<v Speaker 1>you know, listicals or like viral content, Like, we're hungry

1:03:16.160 --> 1:03:19.960
<v Speaker 1>for human expression and so it's time for artists to

1:03:19.960 --> 1:03:22.640
<v Speaker 1>step up, take up space, share their art, and make

1:03:22.720 --> 1:03:25.600
<v Speaker 1>things because we're desperate for it. So yeah, I really

1:03:25.600 --> 1:03:27.520
<v Speaker 1>won't hear anything to do with the saturated market.

1:03:27.760 --> 1:03:28.640
<v Speaker 2>I would shut that down.

1:03:30.600 --> 1:03:34.080
<v Speaker 3>Another emotion I think a lot of artists experience is jealousy. Yeah,

1:03:34.080 --> 1:03:36.080
<v Speaker 3>if we're being really honest, jealousy and envy of like

1:03:36.160 --> 1:03:38.520
<v Speaker 3>I wish I had that, I wish I've got those views.

1:03:38.640 --> 1:03:43.320
<v Speaker 1>Yeah, I'm jealous, but I am but I see jealousy

1:03:43.360 --> 1:03:46.080
<v Speaker 1>as a compass I think it can be a beautiful emotion.

1:03:46.440 --> 1:03:48.920
<v Speaker 1>If we let it fester, it can be toxic. I

1:03:48.960 --> 1:03:51.000
<v Speaker 1>love the way you use your platforms. I love the

1:03:51.080 --> 1:03:53.320
<v Speaker 1>art you make, I love the way that you use

1:03:53.360 --> 1:03:55.600
<v Speaker 1>this podcast like and then there is a definite like

1:03:55.720 --> 1:03:57.880
<v Speaker 1>almost it feels a bit like jealousy, like I want

1:03:57.880 --> 1:04:00.240
<v Speaker 1>what you have, But I can use that in a

1:04:00.240 --> 1:04:03.439
<v Speaker 1>way that is incredibly inspiring to me in my art,

1:04:04.000 --> 1:04:05.640
<v Speaker 1>and I know where it is I want to go.

1:04:05.720 --> 1:04:07.800
<v Speaker 1>I can learn from you, I can be taught by you.

1:04:08.800 --> 1:04:11.640
<v Speaker 1>I can follow in your footsteps. And if we can

1:04:11.720 --> 1:04:14.520
<v Speaker 1>use jealousy in that way rather than sinking down into

1:04:14.520 --> 1:04:17.440
<v Speaker 1>patterns of comparison, so instead of me sitting here and

1:04:17.480 --> 1:04:19.960
<v Speaker 1>being like, oh why am I not in Jay's position,

1:04:20.080 --> 1:04:23.200
<v Speaker 1>and like listing the reasons why and like comparing two

1:04:23.240 --> 1:04:26.760
<v Speaker 1>incomparable artists, I can say I can use jealousy as

1:04:26.760 --> 1:04:30.120
<v Speaker 1>a compass. And I really wish that artists could see

1:04:30.200 --> 1:04:32.600
<v Speaker 1>it in that way, because again, it's another emotion that

1:04:32.680 --> 1:04:36.080
<v Speaker 1>can take us down. I can feel constantly less than,

1:04:36.280 --> 1:04:38.880
<v Speaker 1>never enough, and I also feel like it's an emotion

1:04:38.960 --> 1:04:40.919
<v Speaker 1>that maybe doesn't go away. I'm not sure if that's

1:04:40.960 --> 1:04:43.560
<v Speaker 1>been your experience, if you've seen that it doesn't matter

1:04:43.560 --> 1:04:46.600
<v Speaker 1>how big you get, there's always someone who's got something

1:04:46.600 --> 1:04:48.480
<v Speaker 1>that maybe you want or something like that, and it

1:04:48.600 --> 1:04:50.080
<v Speaker 1>just that if you don't get a handle on it.

1:04:50.160 --> 1:04:52.240
<v Speaker 1>I feel like it's not something that, yeah, it doesn't

1:04:52.240 --> 1:04:53.360
<v Speaker 1>fade away with success.

1:04:53.560 --> 1:04:56.600
<v Speaker 3>Yes. Yeah. There's two questions I ask clients of mine

1:04:57.360 --> 1:05:00.640
<v Speaker 3>when I'm coaching them, And the firstsion is who do

1:05:00.680 --> 1:05:03.360
<v Speaker 3>you envy? And there's no one that I've met, no

1:05:03.400 --> 1:05:06.200
<v Speaker 3>matter how successful they are, that doesn't know that word

1:05:06.280 --> 1:05:09.440
<v Speaker 3>on the tip of their lips that they know it.

1:05:10.320 --> 1:05:14.320
<v Speaker 3>And I've found that learning to deal with envy and

1:05:14.440 --> 1:05:18.840
<v Speaker 3>transform it is core to happiness and fulfillment in life

1:05:18.880 --> 1:05:22.200
<v Speaker 3>because you can't forget even how much you do what

1:05:22.280 --> 1:05:24.400
<v Speaker 3>you love. Even if you did what you love every

1:05:24.440 --> 1:05:27.680
<v Speaker 3>day and it paid you well, you'd still be unhappy

1:05:27.720 --> 1:05:30.080
<v Speaker 3>if you had envy in your life. Like envy is

1:05:30.120 --> 1:05:32.960
<v Speaker 3>that force? That what you're saying to use it as

1:05:32.960 --> 1:05:35.600
<v Speaker 3>a compass and what I often do. And I said

1:05:35.600 --> 1:05:37.040
<v Speaker 3>this to you the moment you walked in, because I

1:05:37.120 --> 1:05:39.720
<v Speaker 3>love it the way you write. I said to you, oh, yeah,

1:05:39.720 --> 1:05:41.800
<v Speaker 3>I probably need to take a workshop with you. And

1:05:41.840 --> 1:05:45.840
<v Speaker 3>that's me saying I'd rather study with you than envy you. Like,

1:05:45.920 --> 1:05:49.040
<v Speaker 3>that's the choice I get to make. I'd rather study

1:05:49.120 --> 1:05:51.720
<v Speaker 3>you and your work and how you've learned that, and

1:05:51.760 --> 1:05:54.800
<v Speaker 3>study with you and grow and have a relationship with

1:05:54.920 --> 1:05:58.600
<v Speaker 3>a mentor than to envy that person and want to

1:05:58.800 --> 1:06:01.320
<v Speaker 3>never give myself the opportun unity to grow and become,

1:06:01.680 --> 1:06:05.720
<v Speaker 3>but only to unbecome and unlearn and kind of go backwards.

1:06:05.800 --> 1:06:06.960
<v Speaker 2>That was stunning.

1:06:07.080 --> 1:06:09.600
<v Speaker 1>I loved everything you just said so much. I feel

1:06:09.600 --> 1:06:12.760
<v Speaker 1>like it's so beautiful. The idea that it's an opportunity

1:06:12.800 --> 1:06:15.400
<v Speaker 1>to level up as soon as you feel that jealousy

1:06:15.400 --> 1:06:17.440
<v Speaker 1>and envy, I think you've got two options. It's like

1:06:17.880 --> 1:06:19.720
<v Speaker 1>you could really let this take you down, or you

1:06:19.760 --> 1:06:22.240
<v Speaker 1>could really let this take you up. So it's very exciting.

1:06:22.440 --> 1:06:22.600
<v Speaker 3>Yeah.

1:06:22.960 --> 1:06:25.240
<v Speaker 1>Yeah, it's a similar with imposter syndrome. I have to

1:06:25.240 --> 1:06:27.360
<v Speaker 1>feel like imposter syndrome is a sign that you've leveled

1:06:27.400 --> 1:06:27.960
<v Speaker 1>up as well.

1:06:28.040 --> 1:06:29.600
<v Speaker 2>Yes, you're in that new skin and.

1:06:29.520 --> 1:06:33.720
<v Speaker 1>It feels like uncomfortable, but yeah, it's an opportunity to say, no,

1:06:34.320 --> 1:06:36.400
<v Speaker 1>I'm going to learn from you. I'm gonna, yeah, sit

1:06:36.440 --> 1:06:37.480
<v Speaker 1>at your feet. I love that.

1:06:37.800 --> 1:06:40.960
<v Speaker 3>Yeah, absolutely, we need your art is out right now

1:06:41.280 --> 1:06:44.240
<v Speaker 3>I'm excited for everyone to grab a copy of the book. Amy,

1:06:44.280 --> 1:06:46.240
<v Speaker 3>is there anything that I haven't asked you that really

1:06:46.280 --> 1:06:47.959
<v Speaker 3>on your heart or something you wanted to talk about

1:06:47.960 --> 1:06:50.240
<v Speaker 3>that we somehow didn't get to that that you want

1:06:50.240 --> 1:06:51.960
<v Speaker 3>to share now that intuitively is coming to you.

1:06:52.040 --> 1:06:54.800
<v Speaker 1>Yeah, I mean we could talk for a long long time. Sure,

1:06:56.000 --> 1:06:59.080
<v Speaker 1>I think I want to talk about how when I

1:06:59.120 --> 1:07:01.520
<v Speaker 1>wrote we Need Your Art, and it was, you know,

1:07:01.600 --> 1:07:05.040
<v Speaker 1>not long ago. I love that I got to speak

1:07:05.080 --> 1:07:08.840
<v Speaker 1>to the creative experiences from in the trenches, and because

1:07:08.920 --> 1:07:12.360
<v Speaker 1>it can be such a challenging experience navigating yourself as

1:07:12.360 --> 1:07:17.280
<v Speaker 1>a creative. There's so much rejection, silence, you know, imposter syndron, comparison,

1:07:17.360 --> 1:07:19.320
<v Speaker 1>like so much of what we've spoken about. And I

1:07:19.360 --> 1:07:22.640
<v Speaker 1>love that I got to write this book in it

1:07:22.720 --> 1:07:25.880
<v Speaker 1>like I'm still experiencing rejection, still experiencing silence.

1:07:25.960 --> 1:07:26.680
<v Speaker 2>Yeah, exactly.

1:07:27.000 --> 1:07:30.280
<v Speaker 1>And I love that I got to, yeah, delve into

1:07:30.280 --> 1:07:35.160
<v Speaker 1>this topic with everyone as we all navigate it. And Yeah,

1:07:35.200 --> 1:07:37.000
<v Speaker 1>I'm very excited for people to get to read this

1:07:37.040 --> 1:07:40.240
<v Speaker 1>book and for me to be on that journey with them.

1:07:40.320 --> 1:07:42.720
<v Speaker 1>Like the greatest privilege in the world for me is

1:07:42.760 --> 1:07:46.120
<v Speaker 1>to sit by an artist and watch them create. There's

1:07:46.160 --> 1:07:48.280
<v Speaker 1>no greater honor to me. So yeah, I'm very excited

1:07:48.360 --> 1:07:50.320
<v Speaker 1>for this, this book Baby to be in people's hands.

1:07:50.360 --> 1:07:52.440
<v Speaker 3>That's beautiful me too. I really believe it's going to

1:07:52.480 --> 1:07:56.080
<v Speaker 3>be that, you know, that generational book that's going to

1:07:56.240 --> 1:07:59.600
<v Speaker 3>inspire all these new creatives and artists at time when

1:08:00.120 --> 1:08:02.480
<v Speaker 3>I don't feel ever since social media took off, we've

1:08:02.520 --> 1:08:07.320
<v Speaker 3>really had a book that speaks to that dilemma of

1:08:07.360 --> 1:08:09.360
<v Speaker 3>being an artist. And I feel like we need your

1:08:09.400 --> 1:08:10.080
<v Speaker 3>arts that book.

1:08:10.120 --> 1:08:10.600
<v Speaker 2>So thank you.

1:08:10.760 --> 1:08:13.360
<v Speaker 3>I'm really excited for you and excited for everyone have it.

1:08:13.360 --> 1:08:16.320
<v Speaker 3>Excited to read it myself and have it. But Amy,

1:08:16.360 --> 1:08:19.280
<v Speaker 3>we end every On Purpose episode with a final five.

1:08:19.680 --> 1:08:21.479
<v Speaker 3>These have to be answered in one word to one

1:08:21.520 --> 1:08:25.599
<v Speaker 3>sentence maximum. So Amy mcne these are your fast final five.

1:08:25.680 --> 1:08:28.080
<v Speaker 2>I've been preparing. I love it.

1:08:29.080 --> 1:08:32.200
<v Speaker 3>Question number one, what is the best advice you've ever

1:08:32.240 --> 1:08:33.120
<v Speaker 3>heard or received?

1:08:33.280 --> 1:08:35.920
<v Speaker 1>I love what Liz Gilbert says when she says this

1:08:36.000 --> 1:08:40.200
<v Speaker 1>world is just a school for endless learning. I love

1:08:40.240 --> 1:08:42.479
<v Speaker 1>this idea, and I feel like you embodied this so much.

1:08:42.520 --> 1:08:44.960
<v Speaker 1>It's like this is just a school for endless learning.

1:08:44.960 --> 1:08:48.200
<v Speaker 1>We just get to keep being curious, keep learning, keep

1:08:48.240 --> 1:08:51.360
<v Speaker 1>making mess and then finding something magic within it. And

1:08:51.600 --> 1:08:54.759
<v Speaker 1>I love taking that into each day because it allows

1:08:54.800 --> 1:08:57.200
<v Speaker 1>for so much room and it gives me even if

1:08:57.200 --> 1:08:59.160
<v Speaker 1>it's shitty or I think it's good, I love it.

1:08:59.280 --> 1:09:02.160
<v Speaker 3>I love it. Question number two, what is the worst

1:09:02.200 --> 1:09:03.759
<v Speaker 3>advice you've ever heard or received?

1:09:04.160 --> 1:09:06.879
<v Speaker 1>Honestly? Like, in a more general term, it's be careful.

1:09:07.800 --> 1:09:11.920
<v Speaker 1>I wanted to recklessly pour myself into my art. I

1:09:11.960 --> 1:09:15.320
<v Speaker 1>wanted to be risky, and the words I kept getting

1:09:15.439 --> 1:09:17.960
<v Speaker 1>was be careful, and it made me feel like I

1:09:18.000 --> 1:09:20.640
<v Speaker 1>was doing something wrong. But I love the invitation for

1:09:20.760 --> 1:09:23.640
<v Speaker 1>artists to rebel, to be the revolution, to just be

1:09:23.840 --> 1:09:28.160
<v Speaker 1>messy and recklessly like throw themselves into this creative life.

1:09:28.320 --> 1:09:30.640
<v Speaker 3>I just got goosebumps. I was like, that's really Like,

1:09:30.960 --> 1:09:34.639
<v Speaker 3>it's so right that that cautiousness, which is for safety

1:09:34.800 --> 1:09:37.840
<v Speaker 3>but always ends up feeling like it trapped you instead

1:09:37.840 --> 1:09:38.040
<v Speaker 3>of key.

1:09:38.240 --> 1:09:38.719
<v Speaker 2>Yeah.

1:09:38.800 --> 1:09:42.360
<v Speaker 3>Yeah, that's beautiful. I love that. Question number three, what

1:09:42.479 --> 1:09:47.519
<v Speaker 3>is the worst piece of art you've ever made? Oh?

1:09:47.600 --> 1:09:50.880
<v Speaker 1>Man, you should talk to my partner. So we write

1:09:50.880 --> 1:09:53.760
<v Speaker 1>books together, and so I'll write the first draft and

1:09:53.800 --> 1:09:57.320
<v Speaker 1>then he'll read it, and watching his face as he

1:09:57.400 --> 1:09:58.960
<v Speaker 1>reads my first draft.

1:09:58.720 --> 1:10:00.960
<v Speaker 2>He's like, what is the he's here right now?

1:10:01.280 --> 1:10:04.000
<v Speaker 1>And I mean it's because and I pride myself in this.

1:10:04.200 --> 1:10:08.200
<v Speaker 1>I write spectacularly shitty first drafts, and I'm genuinely proud

1:10:08.240 --> 1:10:09.679
<v Speaker 1>of it because I just word vomit.

1:10:09.840 --> 1:10:11.240
<v Speaker 2>It's just la la la la la.

1:10:11.400 --> 1:10:13.879
<v Speaker 1>There's so much magic in there, but it is difficult

1:10:13.920 --> 1:10:16.880
<v Speaker 1>to navigate as an editor, and poor James really has

1:10:16.920 --> 1:10:19.840
<v Speaker 1>to wade through some shit. But I'm incredibly proud of

1:10:19.840 --> 1:10:20.679
<v Speaker 1>my first drafts.

1:10:20.800 --> 1:10:21.280
<v Speaker 3>I love it.

1:10:21.479 --> 1:10:22.040
<v Speaker 2>That's great.

1:10:22.120 --> 1:10:24.720
<v Speaker 3>And what is your favorite piece of art that you've

1:10:24.720 --> 1:10:25.439
<v Speaker 3>ever created.

1:10:25.880 --> 1:10:28.320
<v Speaker 1>I wrote a fiction book called Regrettably I Am About

1:10:28.320 --> 1:10:31.880
<v Speaker 1>to Cause Trouble, and it's just that it's that don't

1:10:31.880 --> 1:10:35.240
<v Speaker 1>be careful kind of vibe. It's a witchy historical fiction

1:10:35.720 --> 1:10:39.479
<v Speaker 1>like rebel book, and I loved it. Was this reckless,

1:10:39.479 --> 1:10:43.479
<v Speaker 1>abandoned novel of just throw yourself in. So she has

1:10:43.520 --> 1:10:44.760
<v Speaker 1>a special place in my heart.

1:10:44.960 --> 1:10:47.679
<v Speaker 3>I love that fifth and final question, which we asked

1:10:47.680 --> 1:10:49.840
<v Speaker 3>every guest who's ever been on the show, If you

1:10:49.840 --> 1:10:52.080
<v Speaker 3>could create a law that everyone in the world had

1:10:52.120 --> 1:10:53.439
<v Speaker 3>to follow, what would it be.

1:10:53.760 --> 1:10:57.559
<v Speaker 1>I want people to make some shitty art. I want

1:10:57.600 --> 1:11:00.720
<v Speaker 1>you to find out what happens when you take affectionism

1:11:00.840 --> 1:11:03.439
<v Speaker 1>out of the equation and you just let yourself create.

1:11:04.000 --> 1:11:07.639
<v Speaker 1>So yeah, make shitty art, that's all I want.

1:11:08.120 --> 1:11:10.599
<v Speaker 3>I love it, Amy mcnege. Everyone in the book is

1:11:10.640 --> 1:11:13.679
<v Speaker 3>called we Need Your Art. Who don't follow Amy already

1:11:13.680 --> 1:11:17.040
<v Speaker 3>on Instagram inspired to write Amy, It's been such a joy.

1:11:17.120 --> 1:11:19.120
<v Speaker 3>I look forward to getting to know you so much more.

1:11:19.520 --> 1:11:21.599
<v Speaker 3>I'm so excited for you to continue to create art

1:11:21.640 --> 1:11:24.920
<v Speaker 3>in this world, and we definitely need your art. So thanks.

1:11:24.960 --> 1:11:27.960
<v Speaker 3>So happy to connected with your work and found it organically,

1:11:28.040 --> 1:11:31.120
<v Speaker 3>fell in love with it, and it honestly does work

1:11:31.160 --> 1:11:33.479
<v Speaker 3>wonders for me when I'm struggling and figuring things out

1:11:33.520 --> 1:11:35.439
<v Speaker 3>and just go to your page and find something that

1:11:35.520 --> 1:11:39.120
<v Speaker 3>resonates very very deeply. So anything I do that helps anyone,

1:11:39.200 --> 1:11:40.400
<v Speaker 3>you get the credit for it too.

1:11:40.320 --> 1:11:43.599
<v Speaker 2>Because yes, definitely, I.

1:11:43.520 --> 1:11:45.680
<v Speaker 3>Wouldn't be able to do it without people like yourself. Y.

1:11:46.120 --> 1:11:48.080
<v Speaker 2>Thank you for your art. We need your art. I'm

1:11:48.200 --> 1:11:49.040
<v Speaker 2>so grateful for you.

1:11:49.320 --> 1:11:52.439
<v Speaker 3>Thank you. Thanks Amy. If you love this episode, you'll

1:11:52.560 --> 1:11:57.320
<v Speaker 3>enjoy my conversation with Megan Trainer on breaking generational trauma

1:11:57.479 --> 1:12:00.360
<v Speaker 3>and how to be confident from the inside. Oh, my

1:12:00.439 --> 1:12:03.679
<v Speaker 3>therapist told me stand in the mirror naked for five minutes.

1:12:03.760 --> 1:12:04.679
<v Speaker 2>It was already tough.

1:12:04.479 --> 1:12:06.080
<v Speaker 3>For me to love my body, but after the C

1:12:06.240 --> 1:12:08.599
<v Speaker 3>section scarf with all the stretch marks.

1:12:08.640 --> 1:12:10.679
<v Speaker 2>Now I'm looking at myself like I've been hacked.

1:12:10.800 --> 1:12:12.880
<v Speaker 3>But day three, when I did it, I was like,

1:12:13.040 --> 1:12:14.400
<v Speaker 3>you know what, her thighs are cute