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Speaker 1: Owning juices for life is not easy, and I always

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Speaker 1: zip recruiter get a quality candidate through the site within

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Speaker 1: the first day. With results like that, it's no wonder

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Speaker 1: that zip recruiter is the highest rated hiring site in America.

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Speaker 1: e a k Fast zip recruiter dot com slash Breakfast.

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Speaker 1: Zip recruiter the smartest way to hire. This is your

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Speaker 1: week of Hallaume Breakfast Club to show you love to

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Speaker 1: hate from the East to the West, Coat d J

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Speaker 1: M Dry Angela Ye, Charlomagne, the really show on the planet.

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Speaker 1: This is where I respect this show because this is

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Speaker 1: a voice of society. James in the game. Guys are

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Speaker 1: the coveted morning show. But y'all earning it exacting the

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Speaker 1: coach up in the morning and h day. Want to

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Speaker 1: hear that breakfast cool the world's most dangerous morning show.

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Speaker 1: Good Morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo. Good morning Angela yee heg good money

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Speaker 1: damby Charlomagne the guy used to the planet. Is Monday, Yes,

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Speaker 1: it's Monday, beginning of the quick Yes, National get out

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Speaker 1: of the Doghouse Day. What does that mean? It's the

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Speaker 1: day that I'm sure a lot of men can relate

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Speaker 1: to it. Today is for mending the screen relationships that

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Speaker 1: have been left in doghouses. It's that's a National Fresh

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Speaker 1: Spinach Day. Well, I don't know about the spinach when

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Speaker 1: I'm at the doghouse and I'm great, My crip is great,

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Speaker 1: my house is wonderful, and I ain't playing with y'all

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Speaker 1: with this doghouse thing today. What you mean, man, this

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Speaker 1: isn't just for you. God damn, it's national Day. It's

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Speaker 1: a lot of guys out there who may be in

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Speaker 1: the doghouse who may want to call up here later

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Speaker 1: and you know, say something nice to that significant other

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Speaker 1: to get out of the doghouse. And there might be

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Speaker 1: some women in the doghouse to what they made all

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Speaker 1: these days. When did this start happening? I have no idea.

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Speaker 1: I know it was National ice Cream Day yesterday. That

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Speaker 1: was exciting yesterday. You know how I know that because

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Speaker 1: my daughters were, especially my two years, for whatever reason,

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Speaker 1: kept running around the house cream and ice cream. You scream,

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Speaker 1: We all screamed, scream, yes. And I didn't know what

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Speaker 1: was going on. I guess it was a commercial on

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Speaker 1: Nick Junior or at Disney or one of them that

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Speaker 1: was letting them know it was a National ice cream Day. Yeah,

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Speaker 1: it's also National Personal chef Day, but that has nothing

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Speaker 1: to do with anybody but a djam because he's rich.

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Speaker 1: You know, I don't have a personal chef. Sure don't. Okay,

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Speaker 1: all right, Well I'm out in Miami. Shout to one

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Speaker 1: or three five to be out station out here in Miami,

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Speaker 1: shout to logic. I had to do a show yesterday

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Speaker 1: and I couldn't get back in time, so I just

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Speaker 1: spent the night in Miami. Why not it's beautiful out here,

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Speaker 1: or I'll be back today, poor me. What are you

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Speaker 1: guys doing? How was your weekends? My weekend was great.

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Speaker 1: I went to go see the Purge movie that I

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Speaker 1: kept telling y'all wanted to go see it. People to

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Speaker 1: scare you? Huh. Yeah. I enjoyed it. The person isn't

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Speaker 1: really scary, but this one was particularly good. It was

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Speaker 1: the first Purse, so I highly recommend if y'all don't

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Speaker 1: watch those Purse movies to check this one out. I

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Speaker 1: think this one the first Purge when there's been other

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Speaker 1: Purge movies. It talks about how it started, like how

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Speaker 1: the was in Staten Island. Stapleton is how it first started,

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Speaker 1: and it was basically trying to get rid of all

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Speaker 1: the black people. Oh so it was about America? Yeah, okay,

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Speaker 1: pretty much. And that's how I did Saturday I didn't

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Speaker 1: leave my house all day at all, didn't step for

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Speaker 1: that side. I ordered groceries and everything. I didn't even

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Speaker 1: go to the supermarket. Yeah all right, well, Charlomagne, I

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Speaker 1: know you're excited about this. We have the cast of

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Speaker 1: love Is joining us this morning. It's a new show

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Speaker 1: on own. Yes, I'm not necessarily excited about the cast

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Speaker 1: of Love Is. I'm excited about the creator of love

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Speaker 1: who will be with the cast. My baskets actually from

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Speaker 1: Brock and Killed dammit. Love Is. It's based on her

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Speaker 1: own relationship with her husband. It's a great show. I

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Speaker 1: enjoy watching it. You know, I'm a mushy when I

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Speaker 1: watched TV. Yes, if you don't know who mar Brock

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Speaker 1: and Kidless Year is the architect of such shows as

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Speaker 1: Being Married, Jane Black, Lightning The Game, and Most Nearest

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Speaker 1: and Dearest to my Heart Girlfriends. Explain to the people

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Speaker 1: what girlfriends is alone? If you don't if I got

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Speaker 1: to explain to you about Joan, Lyntoni and Mina, and

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Speaker 1: we don't need to be having no conversations. I don't

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Speaker 1: have to. I don't have to talk to everybody, you know, Okay,

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Speaker 1: everybody's everybody's not for me. And if you don't know

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Speaker 1: about Joan Lantoni and Maya, then he probably does. The

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Speaker 1: president at all. I'm not going to relate to on

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Speaker 1: a lot of levels. This, Yeah, all right, what we

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Speaker 1: got front page was coming up. What we're talking about?

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Speaker 1: Oh man, there's another one coupon, Carl find out what

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Speaker 1: happened at CBS. Why were the cops called on a

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Speaker 1: black one? That was stupid. He looked so scared, he

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Speaker 1: was shaking. Yeah, that cocaine had him paranoid something. Yeah,

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Speaker 1: that I wasn't normal. All right, we'll talk about it

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Speaker 1: when we come back. Keeping locked this to Breakfast Club.

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Speaker 1: Good morning morning. Everybody is DJ Envy Angela Yee, Charlomagne

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Speaker 1: the guy. We are the Breakfast Club. Let's get in

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Speaker 1: some front page news. Now. I'm not sure if you

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Speaker 1: guys watch football, but France be Croatia four to one,

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Speaker 1: nast in the World Cup. I didn't watch it. I

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Speaker 1: thought you said you were watching it. You definitely done

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Speaker 1: a little while ago and said you watched the World Cup. Yeah,

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Speaker 1: I was joking behind the scenes. It was behind the scenes.

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Speaker 1: I was joking, or I didn't watch that. I don't

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Speaker 1: know the difference it did a Red Bull Wings play.

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Speaker 1: I don't I don't know, I don't know the teams.

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Speaker 1: I don't know how watch the car was actually four too,

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Speaker 1: not for one. I actually thought I thought the French

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Speaker 1: was the Haiti. I thought that was the Haiti stopper team.

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Speaker 1: I was like, oh, good for all Haitians. I thought

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Speaker 1: Africa one actually, because I seemed like South Africa very excited. No,

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Speaker 1: I don't know. One of my homeboys, who was Haitian,

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Speaker 1: was like, yo, big up to the Haitians, massive for

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Speaker 1: winning the World Cup. I was like, okay, salute the Haiti.

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Speaker 1: All right, all right, I don't know what else really. Now,

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Speaker 1: let's talk about coupon Carl. Yet another instance of someone

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Speaker 1: calling the cops on a black person. A white person

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Speaker 1: calling the cops on a black person. This was at CVS.

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Speaker 1: A white Chicago CBS manager named Moray Matson called the

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Speaker 1: police on a black woman because she tried to use

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Speaker 1: a coupon and he said that the coupon looked like

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Speaker 1: it was fraudulent. The situation escalated because the woman, Cavella Hudson,

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Speaker 1: said that she was offended being called a liar and

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Speaker 1: a thief and she was asked to leave, but she

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Speaker 1: stayed as he then called the police on her. Is

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Speaker 1: that crazy? Listen, you'll be playing audio from it, yes, okay,

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Speaker 1: and so female. She's wearing a green m all be

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Speaker 1: here when she ard, but I will be waiting for

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Speaker 1: them to rod. You can tell. Her name is Canoah Hudson.

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Speaker 1: I have ide and will share it. MORI m O

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Speaker 1: R R Y N African American black. No, I'm not

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Speaker 1: African American. I'm black. Black isn't a bad word. Goddamn right,

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Speaker 1: it's not. Thank you you see that. That's I would

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Speaker 1: blame that on anxiety, but I know cocaine use when

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Speaker 1: I see it. That's the paranoid that comes with sniffing

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Speaker 1: on that white powdered mannaise. Okay, if he was that

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Speaker 1: scared because he was using the ship on, imagine if

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Speaker 1: you would have had EBT. Now. She said that he

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Speaker 1: didn't even try to scan the coupon or anything. He

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Speaker 1: just called the police because he said it didn't look real.

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Speaker 1: I wonder what is the cupon for. That's the kind

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Speaker 1: of nervous, scary energy we don't want police officers to

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Speaker 1: have either. That's that irrational white fair that gets innocent

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Speaker 1: black people smoked. Well, but people just calling the cops

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Speaker 1: for anything. I'm supposed to call the cops for something serious,

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Speaker 1: like for coupon, coupon for any acusable incontinence products. Well

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Speaker 1: it any disposable incontinence products. Beds with Steiners under par bonds, no,

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Speaker 1: in continent stuff. You can't hold it like a little okay,

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Speaker 1: Cheryl Underwood with those not a diaper. Yeah, it's like

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Speaker 1: it's like if you let a little leakage comes out,

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Speaker 1: like yeah, yeah, you can't hold you. I mean you

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Speaker 1: can hold you, pete. But every now and in a

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Speaker 1: little drip drop. But there happened, Yes, I've heard of that. Okay, okay,

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Speaker 1: all right. Also in Chicago, there were some protests that

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Speaker 1: happened yes Saturday night, and there should be some more happening.

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Speaker 1: It's been ongoing all because as Chicago police shot and

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Speaker 1: kill a man on Saturday, they said he appeared to

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Speaker 1: be reaching for a gun in his waistband. That's according

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Speaker 1: to body camera footage that they also released. The officers

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Speaker 1: approached Hareth Augustus, who's thirty seven years old, they tried

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Speaker 1: to grab him and that's when he pushed the officers

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Speaker 1: arms away. You can see the camp the camera footage,

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Speaker 1: and then he rolls over the hood of a police

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Speaker 1: vehicle and they said he appeared to reach for a gun.

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Speaker 1: They did release that footage just to prove what they

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Speaker 1: were saying was that he was armed and that they

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Speaker 1: did shoot and kill him because they felt that he

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Speaker 1: was reaching for a gun. Here is Chicago Police Chief

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Speaker 1: Fred Waller. Smallsters, as they were working a footpost, I

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Speaker 1: saw a subject that they thought might have been armed

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Speaker 1: from the bulging around his waistband. After that, they approached

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Speaker 1: the subject who became combative, and as he became combative,

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Speaker 1: flating away, he broke free from the officers and what

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Speaker 1: they thought he appeared to be reaching for a weapon,

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Speaker 1: which he did have a weapon on him, and officers

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Speaker 1: tragically shot this man. That's a sad, sad situation. But

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Speaker 1: I can also say that sometimes the bulge in the

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Speaker 1: waistband can be your penis, because sometimes when you get

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Speaker 1: like a woody and you you gotta reach down, then

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Speaker 1: you gotta hold it up and put it in between

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Speaker 1: your the elastic and your your sweatpasts. No, it was

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Speaker 1: around poke out, it was around his waist. That's what

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Speaker 1: he's saying, say you put it up so it's not

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Speaker 1: bulging situation. Ironically, residents had asked for more police presence

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Speaker 1: in that area where the shooting took place. Also, so

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Speaker 1: protesters were on the street and basically protesting police brutality.

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Speaker 1: So they were chanting, who do you protect? Wow? All right, well,

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Speaker 1: last front page news. Get it off your chests eight

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Speaker 1: hundred five eight five one on five one. If you're upset,

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Speaker 1: you need to vent. Hit us up right now. Maybe

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Speaker 1: you had a bad weekend and just need to vent

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Speaker 1: to get things off your chest. Or if you just

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Speaker 1: want to tell them why you're blushed, you can do

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Speaker 1: that as well. Eight hundred five eight five one on

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Speaker 1: five one. Get it off your chest. It's the breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. Did your time to get

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Speaker 1: it off your chest? Whether you're man or blast, so,

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Speaker 1: plea better have the same industry. We want to hear

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Speaker 1: from you on the breakfast Club. Hello, who's this? What? Hey? Trap?

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Speaker 1: What's going on? Hey? What's up? What's what's up? Says

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Speaker 1: how are you? I'm doing good? I'm doing good. I

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Speaker 1: want to call on you. I want to congratulations on that.

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Speaker 1: Right up, Hold on from that magazine that did it

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Speaker 1: a little right up on you, Oh, Forbes dot Com.

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Speaker 1: Thank you. I appreciate it. I saw you. I saw

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Speaker 1: you right under my post. I appreciate you. Trap. Oh,

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Speaker 1: I can't tell who you are, Charlom. One thing to

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Speaker 1: say to you, man, saying, this is why you should

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Speaker 1: always keep living your truth like you know, always let

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Speaker 1: me sure you just don't. Don't don't pay attention to

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Speaker 1: the negative energy that's out there that's coming against you.

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Speaker 1: And everybody knows what you always talk about when you

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Speaker 1: put inside your book, what you've been talking about for years.

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Speaker 1: And this is why nobody can ever come at you

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Speaker 1: because you always live your truth. For brother, hey live

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Speaker 1: your truth and nobody can use it against you. Man, good,

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Speaker 1: bad and ugly baby. But I wanted to call y'all

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Speaker 1: this morning. I'm going to Snoop dog counsel. Y'all want

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Speaker 1: some divorce papers or something? Let me know if you're

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Speaker 1: not shut up? What happened with some black men? Don't cheat?

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Speaker 1: I keep hearing all these false allegations against Snoop. I

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Speaker 1: thought he has a show out coming out called cloud Chasing. Yeah,

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Speaker 1: that's crazy. I have a good one. What anybody keep

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Speaker 1: hearing about Snoop Dogg. I don't know. I didn't I

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Speaker 1: don't know what y'all talking about. All I see is

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Speaker 1: Snoop On a little du vass On. Smile bitch, smile bitch. Yeah,

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Speaker 1: I tell how the TV show coming next week called

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Speaker 1: Cloud Chasing. Okay, Hello, who's this mysterious? Hey? What's up? Man?

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Speaker 1: Get it off chest? What's so serious? Sir? I'm just

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Speaker 1: um happier than i'm I'm blessed to get up another day.

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Speaker 1: And then my album was finally done, so it's gonna

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Speaker 1: be coming out soon. And I got some good toos

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Speaker 1: for you guys to hear. I'm gonna tell you something.

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Speaker 1: I'm happy that you're alive, sir. But your name is serious,

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Speaker 1: but your voice is not. Okay, mysterious is my name?

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Speaker 1: Oh mysterious? Oh goda serious? Give them some balls, mysterious?

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Speaker 1: Give them some balls this morning? No like I'm a

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Speaker 1: singer though, really, I'll sing some balls. WHOA I always

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Speaker 1: have to voice too like? I like this jeans too tight? Okay,

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Speaker 1: I need more. That's what I'm going for it right now,

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Speaker 1: wait until it is finished online, Let's sing some more.

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Speaker 1: Can you give us some more. Whoa mine? Must you? Hey, bros?

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Speaker 1: Soon as you soon as you get pubidy off the

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Speaker 1: I check them for your music. Okay, thank you many,

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Speaker 1: have a blessed day you too? All right? How was with? Hello?

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Speaker 1: Who's this? Yo? Morning? Man? Brand? What's going man? What's up? Bro?

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Speaker 1: No Curson, but get it off your chests? Bro Yo,

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Speaker 1: I'm sorry right now man, my cousin from out of

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Speaker 1: town from Atlanta. We have to barber. She asked to

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Speaker 1: ball my car to go to the store and some

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Speaker 1: cigarettes him in the choices in Atlantic City right now

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Speaker 1: with my car and they ain't come back yet, y'all.

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Speaker 1: I'm like, I need to go around where you and

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Speaker 1: coming the Bronx man. They visited from Atlanta and they

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Speaker 1: take my calls. So yea, We're gonna go to the

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Speaker 1: store and get some more hamburg The buns never came back,

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Speaker 1: and I'm like, Yo, were out yo in Atlantic City

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Speaker 1: about to get a little on the tables to meet

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Speaker 1: right back. I'm like, how do you get to Atlantic

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Speaker 1: City from the simple market from the Bronx man? Like

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Speaker 1: it's crazy? Well, I need I got one question, what

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Speaker 1: did you put the Hamburger meet on? Since they never

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Speaker 1: came home with the hamburger bun. Did you use white

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Speaker 1: brand or did you just eat the meat? Plaine? What'd

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Speaker 1: you do? We had wonder brother, We ran out because

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Speaker 1: you know it's a barbetary you know what I'm saying.

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Speaker 1: You know it was equivalent to what was in the box. Whatever,

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Speaker 1: you know. But still he got my call in Atlantic

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Speaker 1: City and the need for money. I gotta go to work, man,

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Speaker 1: I gotta take the school, want to take the beauty

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Speaker 1: of New York is a lot of public transportation. But

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Speaker 1: I'm gonna tell you something. Wonder bread on a hamburger

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Speaker 1: is somebody is an underappreciated, great tasting meal. By the way,

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Speaker 1: it always sticks though, Thank you, brother, I'm gonna need

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Speaker 1: my cars. You're talking about you got me a little

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Speaker 1: hungry this morning. I had breakfast. You call him, been

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Speaker 1: talking about wonder Brandon burgers. That got my stomach. I

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Speaker 1: know you're not hungry because you had wonder Brandon burgers.

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Speaker 1: I didn't thank you for calling, bron. How do you

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Speaker 1: like when you use wonder bread? Doesn't the wonder bread

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Speaker 1: always stick to the burgers your mouth? That's what I like.

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Speaker 1: It's like a hood beef patty it is. I like that.

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Speaker 1: I mean in the hood. But you know what I mean,

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Speaker 1: get it off your chest eight hundred five A five

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Speaker 1: one on five one. If you need to vent hit

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Speaker 1: this up now. It's the breakfast Club. Good morning, the

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Speaker 1: breakfast Club. Thank it from you on the breakfast Club.

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Speaker 1: But you got something on your mind? Hello? Who's this man?

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Speaker 1: This little keep death and little man Lord? You know

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Speaker 1: if man Charlot Man was good, what's up my brother?

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Speaker 1: What's happening going on? Man? Till till the man? Id y'all? Now,

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Speaker 1: let y'all little more. You just case he did curse

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Speaker 1: my bad, my bad, my bad? You know from Yonville.

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Speaker 1: You know we uh my bad. But I want to

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Speaker 1: get it off my tests. Man, every man, I feel

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Speaker 1: like you'd be playing us on them all requests. Man,

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Speaker 1: I'm trying to get through, like Charlemagne say, Man, you're

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Speaker 1: gonna be you already be having that man. What you

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Speaker 1: want to hear? Bro? What you want to hear? Man?

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Speaker 1: This is gonna go bad? You know you know you

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Speaker 1: know all my trees. Man, I like that bank roll man.

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Speaker 1: You know I mess with h know I miss with

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Speaker 1: trouble too. I like trouble trouble hard yeah, man, because

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Speaker 1: we go in. Okay, okay, all right, I got you.

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Speaker 1: I'll get that new Drake for you, Bro. I got you,

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Speaker 1: ye man, I just gonna hang on man. Man like that. Bro,

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Speaker 1: he said, I said, I got him. Don't even know

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Speaker 1: you better get damn. I said, he didn't say trouble.

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Speaker 1: He said Drake. I said, I got you said definitely

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Speaker 1: said trouble, he said, drake. Man. He said that's a dad.

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Speaker 1: Same man. You should stop calling it the People's Choice

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Speaker 1: Mix right now. Stop. I don't be listening. The man

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Speaker 1: said Drake and shout to everybody and DUV shout them

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Speaker 1: Mount for telling and everybody out there. Hello, who's this?

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Speaker 1: This is Caribbean Kissed. Good morning, DJ Caribbean. It's only

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Speaker 1: been h you'll get it right, Caribbean bro. Bro. I'm

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Speaker 1: bloused this morning. I've been going through something some hid

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Speaker 1: with the government, trying to get my family here from

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Speaker 1: Santa Domingo. Then I am blessed this morning because we

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Speaker 1: finally got our interviewed. The twentieth, which is this Friday.

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Speaker 1: I'm going down to sant Nigga Wendy and I just

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Speaker 1: feel blessed. I want to spread the positive. Charlomagne the Guard,

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Speaker 1: you are the man. You've been to my island. I'm

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Speaker 1: from the Hey, that's my favorite place on the planet.

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Speaker 1: You hear me out there last week? Yeah, a week

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Speaker 1: before last. Ever. You've been to Anguilla too, right, Yes,

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Speaker 1: me too. I've been there twice this year, by the way. Okay,

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Speaker 1: everybody's been to Anguilla. I love Anguela. That's home is

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Speaker 1: a blessed place. We did a lot of suffering through

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Speaker 1: m we're getting back there and we're plus. Yeah, I've

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Speaker 1: been there twice this year. I'll probably go there around

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Speaker 1: the holidays again too. All right, Well, thank you for calling.

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Speaker 1: Get it off your chest eight hundred five eight five

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Speaker 1: one oh five one. We got rumors on the way. Yes,

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Speaker 1: let's talk about what producer is twenty three million dollars

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Speaker 1: Richard also Takashi out of jail. We'll tell you what

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Speaker 1: he's got to do now, all right, we'll get into

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Speaker 1: all that when we come back. Keep a locktic to

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Speaker 1: breakfast club. Good morning the breakfast Club. All right, he's

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Speaker 1: dying for You don't have to know the the song, Okay,

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Speaker 1: DJ Envy Angela Yee. Charlomagne the guy, we are the

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Speaker 1: Breakfast lying on power because his parents lied to him

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Speaker 1: his whole life growing up. So that's all he knows.

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Speaker 1: So he's used to be it's not real, so he

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Speaker 1: lies as well, so it's generational. Okay. He even acknowledged

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Speaker 1: it on this last episode. He's dropping him up at school.

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Speaker 1: She says she knows that they've been lying to him, right,

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Speaker 1: and that's what made him say the truth. All right,

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Speaker 1: let's get him mother figure in his life that she

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Speaker 1: was supposed to be all this time. It's not real, bro,

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Speaker 1: shut up, Let's get to the rum Let's talk to

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Speaker 1: Kashi six nine. She's filling the team. This is the

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Speaker 1: Rumor Report with Angela Yee on the Breakfast Club. But

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Speaker 1: after a judge refused to grant him Bell to Kashi

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Speaker 1: six nine is out of Riker's Island on bill. He's

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Speaker 1: been granted Bell. He paid one hundred and fifty dollars

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Speaker 1: and he also has to show up in Harris County,

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Speaker 1: Texas today to pay his five thousand dollar bill there.

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Speaker 1: So what happened is they managed to go to Texas

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Speaker 1: first and get them to agree to the bill amount

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Speaker 1: there and then come back here and have an emergency

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Speaker 1: bill Harry meeting, and that's how he was released. Now

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Speaker 1: he is actually giving out money to the kids and

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Speaker 1: he has started a new soccer league. Check it out. Well,

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Speaker 1: I'm my city. Do me like that, y'all. Shout out

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Speaker 1: to these lawyers. Shout out the lawyers. Man work quick.

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Speaker 1: I'm so happy to be home. I can't wait to

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Speaker 1: see my baby. I can't wait to see my daughter.

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Speaker 1: And they even give me a chance to get off

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Speaker 1: the plane, just like you'll commit stupid. He's one of

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Speaker 1: the few rappers that actually talks how he raps. He

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Speaker 1: shounds away in regular conversation, as he does on his records.

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Speaker 1: All right, So he's been giving out money to the kids,

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Speaker 1: and they post a video of that as well. God

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Speaker 1: bless those kids. But I wouldn't be giving away no

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Speaker 1: money to those kids. I'll be saving all that money

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Speaker 1: from my legal feest. I'll get back to the kids

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Speaker 1: after handled the legal business. All right. The dream. He

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00:20:05,480 --> 00:20:09,000
Speaker 1: just sold a twenty three million dollars steak in his catalog.

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Speaker 1: That's huge to a music ip investment company. They have

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Speaker 1: a seventy five percent steak in his music catalog. Now

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Speaker 1: among the acquisition are more than three hundred songs. Some

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Speaker 1: of those songs and songs like Justin Bieber's Baby, Mariah

399
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Speaker 1: Carey's Touched My Body single, Ladies Put a Ring on It,

400
00:20:24,440 --> 00:20:28,240
Speaker 1: Rihanna's Umbrella, jay Z's Holy Grail, Kanye's All of the Lights.

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Speaker 1: Some of some of the songs included in that catalog

402
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Speaker 1: are those he gave up, some of his master's Basically,

403
00:20:33,720 --> 00:20:36,800
Speaker 1: he gave up some royalties and some of those things.

404
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Speaker 1: I want if that's worth it, one of you would

405
00:20:39,920 --> 00:20:41,360
Speaker 1: have made me a million, and one of you would

406
00:20:41,359 --> 00:20:43,399
Speaker 1: have made more money, like in the long run, and

407
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Speaker 1: taking that now I want to I don't know, Well,

408
00:20:45,320 --> 00:20:49,440
Speaker 1: it depends what he's doing with that twenty three a

409
00:20:49,440 --> 00:20:52,160
Speaker 1: lot more money. So if you take that money invested

410
00:20:52,200 --> 00:20:53,960
Speaker 1: in make way more than you could have made. It

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Speaker 1: just depends, all right. So that's the first acquisition for

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Speaker 1: that company, and they said to be a really high

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Speaker 1: standard with their first one, and that is a pretty

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00:21:04,240 --> 00:21:06,560
Speaker 1: damn high standard. So we're dropping a clues box of that.

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Speaker 1: R and Bdi sing a Dream, all right. That man

416
00:21:09,359 --> 00:21:11,720
Speaker 1: is a hustler. It was Beyonce's former manager who set

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Speaker 1: up the investment company. So that's the person that he's

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Speaker 1: dealing with all right. Scarlett Johanson has backed out of

419
00:21:18,480 --> 00:21:22,240
Speaker 1: a movie after some serious backlash. Now, she was supposed

420
00:21:22,280 --> 00:21:25,800
Speaker 1: to be in a film called rub and Tug, And yeah,

421
00:21:25,840 --> 00:21:28,200
Speaker 1: it was called Rubbin Tug. It's based on the story

422
00:21:28,240 --> 00:21:30,480
Speaker 1: of Dante Texas Gill, who was born a woman but

423
00:21:30,560 --> 00:21:33,399
Speaker 1: identified as a man and ran a prostitution ringing out

424
00:21:33,440 --> 00:21:35,480
Speaker 1: of his massage parlor in the seventies and eighties. Yeah,

425
00:21:35,480 --> 00:21:39,399
Speaker 1: I thought Robin Tugg was masturbation, righty, Well, someone else

426
00:21:39,480 --> 00:21:42,480
Speaker 1: rubbing and tugging you in this situation, right, So it's

427
00:21:42,480 --> 00:21:46,280
Speaker 1: a massage parlor. So at first she was against backing

428
00:21:46,320 --> 00:21:47,879
Speaker 1: out of the film because a lot of people were

429
00:21:47,920 --> 00:21:50,240
Speaker 1: protesting the fact that they should let a transgender person

430
00:21:50,320 --> 00:21:53,280
Speaker 1: play that role. But she said, our cultural understanding of

431
00:21:53,359 --> 00:21:56,280
Speaker 1: transgender people continues to advance, and I've learned a lot

432
00:21:56,359 --> 00:21:58,720
Speaker 1: from the community since making my first statement about my

433
00:21:58,840 --> 00:22:02,080
Speaker 1: casting and realizing it was insensitive. She goes on in

434
00:22:02,160 --> 00:22:06,280
Speaker 1: her statement to say, according to Glad LGBTQ, character's job

435
00:22:06,359 --> 00:22:09,320
Speaker 1: forty percent in twenty seventeen from the previous year, with

436
00:22:09,600 --> 00:22:12,879
Speaker 1: no representation of trans characters in any major studio release.

437
00:22:13,160 --> 00:22:15,280
Speaker 1: While I would have loved the opportunity to bring Dante's

438
00:22:15,280 --> 00:22:18,000
Speaker 1: story and transition to life. I understand why many feel

439
00:22:18,000 --> 00:22:20,880
Speaker 1: he should be portrayed by a transgender person. Duh. First

440
00:22:20,920 --> 00:22:22,879
Speaker 1: of all, if you are a studio, why would you

441
00:22:22,960 --> 00:22:25,560
Speaker 1: want anything other than a transgender actor. That's just like

442
00:22:25,600 --> 00:22:27,440
Speaker 1: if you're getting a you got a role for a

443
00:22:27,520 --> 00:22:29,879
Speaker 1: black person or based off a black character, real like

444
00:22:29,920 --> 00:22:31,560
Speaker 1: black person, you get a black person to play the role.

445
00:22:31,760 --> 00:22:34,639
Speaker 1: As this common sense right right, Well, she has backed out. Now,

446
00:22:34,760 --> 00:22:37,440
Speaker 1: Kevin Spacey has a movie coming out and they're not

447
00:22:37,560 --> 00:22:40,400
Speaker 1: doing any advertising. As you can imagine for this movie,

448
00:22:40,520 --> 00:22:43,640
Speaker 1: it's him playing a con artist and billionaire boys club.

449
00:22:44,119 --> 00:22:47,359
Speaker 1: He's facing several sexual assault allegations, three of them just

450
00:22:47,480 --> 00:22:51,200
Speaker 1: surface recently from London, and he's under investigation. So it

451
00:22:51,280 --> 00:22:53,600
Speaker 1: seems like the studio is cutting their losses the movies

452
00:22:53,640 --> 00:22:55,359
Speaker 1: being dumped. They're going to premiere it on video on

453
00:22:55,480 --> 00:22:58,320
Speaker 1: demand tomorrow and it's going to be in Theatis August seventeenth,

454
00:22:58,600 --> 00:23:00,400
Speaker 1: but they're not using him for anything, as you can't

455
00:23:00,400 --> 00:23:02,440
Speaker 1: send Kevin Spacey out right now to do any type

456
00:23:02,440 --> 00:23:04,200
Speaker 1: of press. So I put it out at all, not

457
00:23:04,320 --> 00:23:06,440
Speaker 1: just well, the reason why they are putting it out

458
00:23:06,560 --> 00:23:08,320
Speaker 1: is because a they want to make back some of

459
00:23:08,359 --> 00:23:10,280
Speaker 1: the movie that they spent doing. Of the some of

460
00:23:10,320 --> 00:23:12,600
Speaker 1: them have been doing this movie. Also all the people

461
00:23:12,640 --> 00:23:14,680
Speaker 1: that worked on it, they said, we believe in giving

462
00:23:14,720 --> 00:23:16,640
Speaker 1: the cast as well as hundreds of crew members who

463
00:23:16,680 --> 00:23:18,199
Speaker 1: worked hard on the film, the chance to see their

464
00:23:18,240 --> 00:23:20,800
Speaker 1: final product to reach audiences. I'm be honest, you forgot

465
00:23:20,840 --> 00:23:24,520
Speaker 1: who Kevin Spacey was that House of Cars, right, okay?

466
00:23:24,880 --> 00:23:28,920
Speaker 1: And from he was Kaiser, SoSE he knows who God,

467
00:23:28,920 --> 00:23:30,480
Speaker 1: I had to think about it just now got from

468
00:23:30,520 --> 00:23:32,520
Speaker 1: House of Cards. All right. Well I'm Angela Yee and

469
00:23:32,640 --> 00:23:35,840
Speaker 1: that is your rumor reports. All right, thank you, miss Yee.

470
00:23:35,920 --> 00:23:38,720
Speaker 1: Now when we come back, we have the cast of

471
00:23:38,880 --> 00:23:42,000
Speaker 1: Love is not to share. I'm about to get to

472
00:23:42,080 --> 00:23:44,920
Speaker 1: a ga to it. And the creator of Love is

473
00:23:45,040 --> 00:23:47,680
Speaker 1: a person that I am looking very forward to talking to.

474
00:23:48,240 --> 00:23:49,960
Speaker 1: Mara Brocket Kill will be here. If you don't know

475
00:23:50,000 --> 00:23:53,040
Speaker 1: who Mara Brocket Killers, She's made such great shows like

476
00:23:53,160 --> 00:23:57,720
Speaker 1: being Mary Jane, one of my black Lightning the Game

477
00:23:58,080 --> 00:23:59,879
Speaker 1: and of course something that is then did in my

478
00:24:00,080 --> 00:24:04,160
Speaker 1: heart girlfriends. Okay, explain to the people what girlfriends. Stop

479
00:24:04,280 --> 00:24:07,240
Speaker 1: playing with me? Bro okay, all right, I'm not about

480
00:24:07,240 --> 00:24:10,600
Speaker 1: to explain and nobody about Joan Lynntoni and Maya. If

481
00:24:10,640 --> 00:24:12,520
Speaker 1: you know, you know, if you don't, you need to learn,

482
00:24:12,640 --> 00:24:14,760
Speaker 1: damn it. Oh my goodness. All right, we'll kick it

483
00:24:14,800 --> 00:24:16,879
Speaker 1: with it when we come back. Don't move. It's the

484
00:24:16,920 --> 00:24:21,480
Speaker 1: Breakfast Club. Good morning putting. Everybody is dj N v Angela. Ye,

485
00:24:21,720 --> 00:24:25,040
Speaker 1: Charlemagne the guy. We are the Breakfast Club. Yes, Charlomagne's

486
00:24:25,040 --> 00:24:27,800
Speaker 1: in love right now. Listen to this woman. This woman

487
00:24:27,880 --> 00:24:36,160
Speaker 1: is a legendary. Nipples are hard right now. Writer's room

488
00:24:36,240 --> 00:24:39,359
Speaker 1: up in here, we talk about sex. You know, I

489
00:24:39,400 --> 00:24:44,080
Speaker 1: get you in troup on Hollywood Radio. I just think

490
00:24:44,119 --> 00:24:45,960
Speaker 1: she deserves a lot of respect from the culture. Then

491
00:24:46,040 --> 00:24:50,600
Speaker 1: she receives. Marabkale is here. Thank you. The people that

492
00:24:50,680 --> 00:24:52,800
Speaker 1: don't know Charlomagne, let her tell it. Well. I am

493
00:24:52,840 --> 00:24:56,200
Speaker 1: mar Brocket Kill. I'm a storyteller that has um that

494
00:24:56,800 --> 00:24:59,440
Speaker 1: created a lot of TV shows. Um starting I just

495
00:24:59,680 --> 00:25:01,800
Speaker 1: go out to my career on Militia because that's where

496
00:25:01,800 --> 00:25:04,480
Speaker 1: I got my start, But I also um really on

497
00:25:04,560 --> 00:25:07,240
Speaker 1: South Central. I start on South Central. But anyway, I

498
00:25:07,359 --> 00:25:10,960
Speaker 1: created the Show's Girlfriends, the Game Mary Jane. He wrote

499
00:25:11,000 --> 00:25:14,680
Speaker 1: Sparkle with my husband. Um uh, well I wrote it,

500
00:25:14,720 --> 00:25:17,480
Speaker 1: he directed it, we produced it together, and uh and

501
00:25:17,640 --> 00:25:20,000
Speaker 1: now I have uh being Mary Jane. I have being

502
00:25:20,000 --> 00:25:22,320
Speaker 1: Mary Jane, and then uh, now I have Loved Love

503
00:25:22,600 --> 00:25:25,399
Speaker 1: and Black Lightning. We're learning a lot more about you

504
00:25:25,480 --> 00:25:32,399
Speaker 1: from watching Love Is. Yeah, been a little I'm over shure. Yes,

505
00:25:32,480 --> 00:25:34,720
Speaker 1: it's inspired by I want to say inspired by, but

506
00:25:34,800 --> 00:25:38,159
Speaker 1: I am using some very temp pole moments that actually happened.

507
00:25:38,640 --> 00:25:41,040
Speaker 1: But as I'm again a storyteller, I have to you know,

508
00:25:41,400 --> 00:25:43,560
Speaker 1: as fabulous as I think that we are, we can

509
00:25:43,680 --> 00:25:46,320
Speaker 1: be boring. And so if you don't sort of manipulate

510
00:25:46,600 --> 00:25:49,359
Speaker 1: the facts to create great story. So um, so some

511
00:25:49,520 --> 00:25:52,760
Speaker 1: of those facts are being manipulated to tell the truth

512
00:25:52,800 --> 00:25:55,719
Speaker 1: about who I believe we are and how we made it. Um.

513
00:25:55,800 --> 00:25:59,280
Speaker 1: And trying to answer that question, um, which was asked

514
00:25:59,320 --> 00:26:01,520
Speaker 1: of us, like how you do everything? That's what so

515
00:26:01,720 --> 00:26:04,600
Speaker 1: Love Is is basically my sort of honest answer to

516
00:26:04,840 --> 00:26:08,040
Speaker 1: that sincere question about how we do it all? So anyway, um,

517
00:26:08,680 --> 00:26:12,080
Speaker 1: where was I am lost? Explaining the show that it's

518
00:26:12,080 --> 00:26:15,000
Speaker 1: about y'all. Inspired by y'all. Ye, before we get there,

519
00:26:16,560 --> 00:26:19,080
Speaker 1: before we get to love this, let's introduce Michelle Weaver

520
00:26:19,880 --> 00:26:21,600
Speaker 1: and when catl did I say your name right? Yeah?

521
00:26:21,640 --> 00:26:23,800
Speaker 1: You did? Brother. Now Charlomagne, get you get your rocks off.

522
00:26:23,840 --> 00:26:25,879
Speaker 1: I know you've got a couple of questions, girlfriend questions.

523
00:26:25,880 --> 00:26:27,959
Speaker 1: Go ahead. I told you later, let's talk about love

524
00:26:28,040 --> 00:26:32,080
Speaker 1: this first, dying for you to come like waiting like

525
00:26:32,760 --> 00:26:37,440
Speaker 1: who's done that? Later to come up. I'm so excited

526
00:26:37,440 --> 00:26:40,040
Speaker 1: to see Charlomage too, because you know you are in

527
00:26:40,119 --> 00:26:42,159
Speaker 1: their grinding, trying to tell our stories, trying to do

528
00:26:42,240 --> 00:26:45,600
Speaker 1: it for the culture, and sometimes you don't know appreciate,

529
00:26:45,840 --> 00:26:48,320
Speaker 1: yes and so, but you have made it clear and

530
00:26:48,440 --> 00:26:56,240
Speaker 1: I'm very friend, but I didn't know until you made

531
00:26:56,280 --> 00:26:58,080
Speaker 1: it clear. And I just really want to thank you

532
00:26:58,160 --> 00:27:00,880
Speaker 1: because I actually find those to be an act of bravery.

533
00:27:01,200 --> 00:27:04,200
Speaker 1: Bringing back to love is a little bit to say

534
00:27:04,280 --> 00:27:06,359
Speaker 1: how you feel. You know what I'm saying. It's actually

535
00:27:06,400 --> 00:27:10,440
Speaker 1: an act of bravery and generosity. And I really appreciate

536
00:27:10,480 --> 00:27:13,080
Speaker 1: it because sometimes you don't know and how just that

537
00:27:13,440 --> 00:27:15,359
Speaker 1: what you what you have done for me and my

538
00:27:15,480 --> 00:27:18,040
Speaker 1: spirit and you know, some days you just grinding and

539
00:27:18,080 --> 00:27:20,320
Speaker 1: you get ding ding ding ding ding all this love

540
00:27:20,440 --> 00:27:23,040
Speaker 1: and I just thank you, thank you. That's interesting. You

541
00:27:23,080 --> 00:27:25,680
Speaker 1: say that though, because nowadays, if you express what you feel,

542
00:27:25,680 --> 00:27:28,280
Speaker 1: people use that against you. Yes, like I'm just talking

543
00:27:28,320 --> 00:27:30,840
Speaker 1: about my life and the things I've experienced. Yes, but

544
00:27:30,960 --> 00:27:32,600
Speaker 1: I thought, is it difficult to put that in a

545
00:27:32,720 --> 00:27:35,800
Speaker 1: TV show? I think initially when the thought to do it,

546
00:27:36,000 --> 00:27:39,040
Speaker 1: it was. But then I'm an artist and so I

547
00:27:39,160 --> 00:27:40,879
Speaker 1: like a challenge. And so then and I also have

548
00:27:40,960 --> 00:27:43,920
Speaker 1: to create a separation between me and Salim and create

549
00:27:44,280 --> 00:27:46,480
Speaker 1: these characters Nuri and you see her. They have to

550
00:27:46,560 --> 00:27:48,320
Speaker 1: have a life on their own. And once I get

551
00:27:48,440 --> 00:27:50,920
Speaker 1: my hand on the clay, I love what I do,

552
00:27:51,119 --> 00:27:53,000
Speaker 1: and I sort of I tell you, I just keep

553
00:27:53,040 --> 00:27:55,080
Speaker 1: them separate. And so I just use the facts of

554
00:27:55,200 --> 00:27:59,760
Speaker 1: my life as inspiration. I don't use that detachment. There

555
00:27:59,800 --> 00:28:02,239
Speaker 1: are moments, because we do hit some some more as

556
00:28:02,320 --> 00:28:05,960
Speaker 1: as a series progresses. In our first season of exploring courtship,

557
00:28:06,600 --> 00:28:08,359
Speaker 1: we hit some very real moments and so I had

558
00:28:08,400 --> 00:28:13,320
Speaker 1: to take a pause and um cry, yeah you know seriously, no,

559
00:28:13,440 --> 00:28:16,119
Speaker 1: you'll see I had cried, Slims, do you want to

560
00:28:16,160 --> 00:28:19,200
Speaker 1: do this? Because if he's sharing as well, and let yeah,

561
00:28:19,280 --> 00:28:21,320
Speaker 1: let's do this for the culture, you know, because we

562
00:28:21,400 --> 00:28:23,120
Speaker 1: know we're not the only ones doing this, so let's

563
00:28:23,160 --> 00:28:25,479
Speaker 1: do it to have a conversation anyway. So there are

564
00:28:25,520 --> 00:28:28,199
Speaker 1: those moments, But the fun stuff I'm enjoying putting out there.

565
00:28:28,359 --> 00:28:30,680
Speaker 1: You know, it's it's like it's if I invited people

566
00:28:30,720 --> 00:28:32,880
Speaker 1: to my house. You tell the funny stories about your relationship,

567
00:28:32,920 --> 00:28:34,879
Speaker 1: how you met these funny you know, those things are

568
00:28:34,920 --> 00:28:36,800
Speaker 1: fun to add. How did y'all stay together? You know,

569
00:28:36,840 --> 00:28:39,280
Speaker 1: I've been married seventeen years. Charlomagne has been married. You've

570
00:28:39,280 --> 00:28:42,120
Speaker 1: been seven Congress seventeen years. You're almost twenty. So I've

571
00:28:42,440 --> 00:28:46,200
Speaker 1: my wife twenty married. Oh we've been together for twenty

572
00:28:46,280 --> 00:28:49,120
Speaker 1: one years, married m nineteen. So it's like, oh, y'all

573
00:28:49,840 --> 00:28:55,400
Speaker 1: all even a comparison, Well, I disagree. I think you've

574
00:28:55,440 --> 00:28:58,040
Speaker 1: been with her for twenty years. That's amendment. You know,

575
00:28:58,240 --> 00:29:02,160
Speaker 1: marriages this construct of society, but the heart committed twenty

576
00:29:02,240 --> 00:29:04,520
Speaker 1: years ago. Absolutely, How did y'all stay together? Because most

577
00:29:04,520 --> 00:29:07,240
Speaker 1: people see him like these days divorce is so easy,

578
00:29:07,520 --> 00:29:10,480
Speaker 1: probably the same way that you did. It's a daily commitment.

579
00:29:10,560 --> 00:29:14,520
Speaker 1: It's hard and you but you decide to stay. Even

580
00:29:14,560 --> 00:29:17,480
Speaker 1: when it's hard, you decide to stay. And I think

581
00:29:17,880 --> 00:29:19,520
Speaker 1: one of the things Selimon says and I think is

582
00:29:19,600 --> 00:29:22,160
Speaker 1: very true. We don't take ownership of each other. And

583
00:29:22,360 --> 00:29:25,440
Speaker 1: when you do that, When you don't do that, I

584
00:29:25,520 --> 00:29:28,200
Speaker 1: guess then you appreciate and respect that person on a

585
00:29:28,280 --> 00:29:30,239
Speaker 1: daily basis. So you show up every day to make

586
00:29:30,320 --> 00:29:33,400
Speaker 1: sure well, you guys get a little To the point,

587
00:29:33,720 --> 00:29:37,440
Speaker 1: Selim always says, well, wherever mar goes, he says it differently,

588
00:29:37,480 --> 00:29:40,560
Speaker 1: but her her private parts go with her. So my

589
00:29:40,720 --> 00:29:45,840
Speaker 1: point is she can do whatever she wants to do.

590
00:29:45,960 --> 00:29:47,600
Speaker 1: So if I want her to stay, then I need

591
00:29:47,680 --> 00:29:49,600
Speaker 1: to show up in a way that makes her state

592
00:29:51,080 --> 00:29:54,000
Speaker 1: me still wanting to be with him. It's me still

593
00:29:54,040 --> 00:29:56,480
Speaker 1: desiring him, and so he got to show up for that.

594
00:29:56,640 --> 00:29:58,320
Speaker 1: So he shows up and I do the same thing.

595
00:29:58,400 --> 00:30:00,239
Speaker 1: I mean, even from a practical place. After I had

596
00:30:00,280 --> 00:30:02,480
Speaker 1: the babies, we did P ninety X together. We was

597
00:30:02,560 --> 00:30:04,880
Speaker 1: in there working it out. I'm trying to I'm sorry

598
00:30:04,920 --> 00:30:07,600
Speaker 1: to say hot like I mean, sometimes I don't want

599
00:30:07,640 --> 00:30:09,240
Speaker 1: to work out, but sometimes I work out so I

600
00:30:09,280 --> 00:30:11,840
Speaker 1: can stay attractive to my husband, who I know is

601
00:30:11,880 --> 00:30:15,080
Speaker 1: out in the world and everybody wants him, so I

602
00:30:15,440 --> 00:30:18,640
Speaker 1: know I do. He's powerful, he's sexy, he's talented. Who

603
00:30:18,680 --> 00:30:22,320
Speaker 1: wouldn't he thinks I'm always blown him up, but I

604
00:30:22,760 --> 00:30:24,960
Speaker 1: believe that. So I show up, I tell him I

605
00:30:25,000 --> 00:30:27,520
Speaker 1: love him. Every morning. I get morning beautiful, he gets

606
00:30:27,880 --> 00:30:33,160
Speaker 1: morning handsome. You know that we take those physical attraction

607
00:30:33,240 --> 00:30:35,600
Speaker 1: team No, but I oh, you know, I am talking

608
00:30:36,040 --> 00:30:38,680
Speaker 1: beyond that. I mean, I'm using that as an example.

609
00:30:39,000 --> 00:30:42,400
Speaker 1: It is a daily commitment. It is literally like I

610
00:30:42,560 --> 00:30:45,440
Speaker 1: want to be with you. He's also more than my husband.

611
00:30:45,480 --> 00:30:49,280
Speaker 1: I feel like even husband is very limiting to our relationship.

612
00:30:50,040 --> 00:30:52,480
Speaker 1: He's my best friend. He's my business partner. So there's

613
00:30:52,480 --> 00:30:55,360
Speaker 1: a lot of touch points for us to draw from

614
00:30:55,440 --> 00:30:58,280
Speaker 1: to stay together. You know, when other areas are a

615
00:30:58,360 --> 00:31:01,080
Speaker 1: little you know, they need some work for their challenge.

616
00:31:01,280 --> 00:31:03,200
Speaker 1: We have this other place we can go to. But

617
00:31:03,320 --> 00:31:06,800
Speaker 1: he's literally my best friend. Look, I mean, divorce you,

618
00:31:06,920 --> 00:31:12,040
Speaker 1: but I still be a business partner. No, you know

619
00:31:12,120 --> 00:31:14,880
Speaker 1: we can. We create boundaries. We create boundaries like m

620
00:31:14,960 --> 00:31:18,240
Speaker 1: even for each project we decide going forward who gets

621
00:31:18,320 --> 00:31:21,240
Speaker 1: the last day, so that we don't carry that argument

622
00:31:21,360 --> 00:31:24,800
Speaker 1: into the other aspect of our um relationship. I think

623
00:31:25,160 --> 00:31:29,320
Speaker 1: you know when your relationship is little rocky, absolutely, you

624
00:31:29,480 --> 00:31:31,480
Speaker 1: know it. And so there's been times when families have

625
00:31:31,600 --> 00:31:33,320
Speaker 1: to step in. So It's also important who you surround

626
00:31:33,360 --> 00:31:37,040
Speaker 1: your relationship around, because who you who's your sounding board

627
00:31:37,080 --> 00:31:39,800
Speaker 1: to pull you guys back together. Our parents have mediated

628
00:31:39,880 --> 00:31:43,280
Speaker 1: for us, um wow, for us, and I remember that

629
00:31:43,760 --> 00:31:46,360
Speaker 1: it's it gets rough. Your mine really used to have

630
00:31:46,480 --> 00:31:48,960
Speaker 1: keys to your house and just come whenever she felt

631
00:31:49,000 --> 00:31:51,680
Speaker 1: like it. No, that's more of them, that's that was

632
00:31:51,720 --> 00:31:55,480
Speaker 1: a metaphorical uh truth that my mother has access to

633
00:31:55,640 --> 00:31:59,520
Speaker 1: me all the time and they come any time I don't.

634
00:32:02,400 --> 00:32:04,560
Speaker 1: We have more of the cast of Love is in

635
00:32:04,640 --> 00:32:07,240
Speaker 1: the building when we come back, Will Catlet, Michelle Weaver

636
00:32:07,360 --> 00:32:09,520
Speaker 1: and Mara Broca Kills who don't move. It's the Breakfast

637
00:32:09,560 --> 00:32:16,920
Speaker 1: Club God Morning, the Breakfast Club Morning. Everybody is DJ Envy,

638
00:32:17,160 --> 00:32:20,240
Speaker 1: Angela Yee, Charlemagne the guy. We are the Breakfast Club.

639
00:32:20,640 --> 00:32:22,960
Speaker 1: We have. The cast of Love is in the building.

640
00:32:23,000 --> 00:32:26,080
Speaker 1: Michelle Weaver and Willcatlet and then also show create a

641
00:32:26,200 --> 00:32:30,040
Speaker 1: Maraa Broca Kill Now she also created Girlfriends with Charlemagne.

642
00:32:30,240 --> 00:32:32,560
Speaker 1: Is in love with them? Now? Maura, what made you

643
00:32:32,640 --> 00:32:35,480
Speaker 1: pick Michelle and WILLI star in the show Talent? You

644
00:32:35,560 --> 00:32:37,200
Speaker 1: know at the end, I'm really I'm really proud of

645
00:32:37,560 --> 00:32:40,960
Speaker 1: with our selim and are not afraid of launching new talent.

646
00:32:41,240 --> 00:32:43,320
Speaker 1: If they're the right person for the job, you know

647
00:32:43,360 --> 00:32:45,360
Speaker 1: what I'm saying, If they're the right fit for the character,

648
00:32:45,960 --> 00:32:49,200
Speaker 1: and we go we trust the process. Kim Coleman is

649
00:32:49,240 --> 00:32:51,080
Speaker 1: our casting director, and we told her what we were

650
00:32:51,120 --> 00:32:54,520
Speaker 1: looking for and we needed. We needed some actors who

651
00:32:54,560 --> 00:32:57,040
Speaker 1: are trained, ready to go, and if you look at

652
00:32:57,120 --> 00:33:00,960
Speaker 1: their resume you could dismiss it. Just kind of like

653
00:33:01,000 --> 00:33:03,120
Speaker 1: I guess the way I'm sort of trying to show

654
00:33:03,280 --> 00:33:06,080
Speaker 1: nur in your fear. You can overlook a brother because

655
00:33:06,120 --> 00:33:08,320
Speaker 1: he doesn't have the trappings to be you know what

656
00:33:08,480 --> 00:33:10,720
Speaker 1: you think you want in a man. Just like with talent,

657
00:33:10,760 --> 00:33:14,240
Speaker 1: you can overlook if you don't have a skilled, trained

658
00:33:14,320 --> 00:33:17,360
Speaker 1: eye to know who is prepared and ready. These two

659
00:33:18,000 --> 00:33:22,440
Speaker 1: have been working on their craft spiritually and literally. You

660
00:33:22,520 --> 00:33:23,959
Speaker 1: can tell it when they showed up in the room

661
00:33:24,000 --> 00:33:26,560
Speaker 1: their confidence level. They walked in the room confidently. You

662
00:33:26,640 --> 00:33:30,680
Speaker 1: need to have that. They walked into the room owning

663
00:33:30,760 --> 00:33:32,920
Speaker 1: and knowing that role, knowing that character. So when I

664
00:33:33,000 --> 00:33:35,760
Speaker 1: gave them direction, they could pivot. And that's important. Can

665
00:33:35,800 --> 00:33:37,840
Speaker 1: you take direction because we gotta because I'm gonna throw

666
00:33:37,880 --> 00:33:41,600
Speaker 1: a bunch at you. But with Michelle, her light. I

667
00:33:41,720 --> 00:33:44,280
Speaker 1: believe Mara, which is connected to Nuri, which is connected

668
00:33:44,320 --> 00:33:47,280
Speaker 1: to Michelle. We all have this sort of light in

669
00:33:47,480 --> 00:33:51,200
Speaker 1: us and that is something that I am happy that

670
00:33:51,280 --> 00:33:53,400
Speaker 1: I have. And I needed to find that essence, which

671
00:33:53,480 --> 00:33:56,720
Speaker 1: is the truest part of me in Michelle, and she

672
00:33:56,920 --> 00:33:59,560
Speaker 1: came in with that light. Will has a death and

673
00:34:00,080 --> 00:34:02,880
Speaker 1: he has a soul that's Selene. Selene walks into a room.

674
00:34:03,200 --> 00:34:06,040
Speaker 1: It all comes down to a to a peaceful place,

675
00:34:06,160 --> 00:34:08,520
Speaker 1: to a deep place, and that that combination of the

676
00:34:08,560 --> 00:34:11,040
Speaker 1: two of us, I think make us great. But as individuals,

677
00:34:11,120 --> 00:34:13,239
Speaker 1: that's what they each had him. But these these two

678
00:34:13,360 --> 00:34:17,040
Speaker 1: acts very smooth. Yeah, but he didn't had that bay

679
00:34:17,120 --> 00:34:20,960
Speaker 1: Area swag them brothers and deep. How much do you

680
00:34:21,040 --> 00:34:23,160
Speaker 1: have to shadow the accused to pull this off? Michelle

681
00:34:23,280 --> 00:34:25,840
Speaker 1: will Um, Well, you know it's so funny because like

682
00:34:25,880 --> 00:34:31,040
Speaker 1: I purposely um didn't really research Mara in the audition process.

683
00:34:31,080 --> 00:34:33,120
Speaker 1: I was like, look, I get the girl road the skirt.

684
00:34:33,160 --> 00:34:35,040
Speaker 1: I was like, oh, I don't know this girl. I'm

685
00:34:35,120 --> 00:34:38,000
Speaker 1: here look. And I think that was what was good

686
00:34:38,200 --> 00:34:42,600
Speaker 1: because I wasn't trying to like imitate a human. I

687
00:34:42,719 --> 00:34:46,600
Speaker 1: went in there free and just truthful and so and

688
00:34:46,719 --> 00:34:50,759
Speaker 1: then after meeting Mara, she gave me this direct and

689
00:34:50,840 --> 00:34:53,400
Speaker 1: I was like, oh, it was like she gave me

690
00:34:53,480 --> 00:34:56,680
Speaker 1: the full view. And then from there I knew, Okay,

691
00:34:56,719 --> 00:34:59,279
Speaker 1: this is where I'm gonna go. So um it was great,

692
00:34:59,360 --> 00:35:00,680
Speaker 1: you know, I was I feel like I was just

693
00:35:00,800 --> 00:35:03,480
Speaker 1: kind of spoiled because yeah, I was playing her, but

694
00:35:03,560 --> 00:35:06,399
Speaker 1: she was also the creator, the visionary and the writer

695
00:35:06,600 --> 00:35:09,239
Speaker 1: and the director, so like I knew she was gonna

696
00:35:09,280 --> 00:35:12,520
Speaker 1: take me where she wanted me to go. For me. Um,

697
00:35:12,600 --> 00:35:14,759
Speaker 1: I just remember being on a setup Black Lightning when

698
00:35:14,800 --> 00:35:16,960
Speaker 1: Selim gave me a hug, and this is when I

699
00:35:17,040 --> 00:35:18,960
Speaker 1: was getting ready to go and partner with Mara to

700
00:35:19,040 --> 00:35:21,279
Speaker 1: going to the writer's room, and I couldn't understand what

701
00:35:21,400 --> 00:35:23,080
Speaker 1: it was. But then when I got the part, he

702
00:35:23,200 --> 00:35:25,640
Speaker 1: gave me permission to play him. So when I would

703
00:35:25,680 --> 00:35:27,279
Speaker 1: catch him in Whole Foods or I want to see

704
00:35:27,360 --> 00:35:28,839
Speaker 1: him on set, if I can just get a little

705
00:35:28,840 --> 00:35:31,080
Speaker 1: bit of his DNA, then I knew that's all I needed,

706
00:35:31,480 --> 00:35:34,160
Speaker 1: you know, because by him being between two shows, I

707
00:35:34,239 --> 00:35:36,360
Speaker 1: didn't have the opportunity to spend as much time. But

708
00:35:36,440 --> 00:35:38,560
Speaker 1: then I can look at Mara or one time Selim

709
00:35:38,640 --> 00:35:41,520
Speaker 1: on the setup Black lightning. When Mara came, he looked

710
00:35:41,560 --> 00:35:44,040
Speaker 1: at her and I promised you to way This man

711
00:35:44,200 --> 00:35:45,960
Speaker 1: looked at her, was like he's seen her for the

712
00:35:46,040 --> 00:35:48,400
Speaker 1: first time. But he didn't want her to go. And

713
00:35:48,560 --> 00:35:59,640
Speaker 1: so I was like, okay, at work to do right, right, right?

714
00:36:04,080 --> 00:36:10,440
Speaker 1: You know it contact but it was it was it

715
00:36:10,640 --> 00:36:13,560
Speaker 1: was subtle, you know, and I was like, okay, if

716
00:36:13,600 --> 00:36:15,680
Speaker 1: I can get that, I'm good. I don't even know

717
00:36:15,760 --> 00:36:17,600
Speaker 1: nothing else. Now. What was the hardest thing to talk

718
00:36:17,640 --> 00:36:20,000
Speaker 1: about or the hardest thing to write about or to do?

719
00:36:20,400 --> 00:36:23,120
Speaker 1: What episode was the most difficult? Was it about? You

720
00:36:23,280 --> 00:36:27,120
Speaker 1: tell us? I actually think the one I worried about

721
00:36:27,200 --> 00:36:30,680
Speaker 1: and prayed about the most was when Nurie and it's

722
00:36:30,680 --> 00:36:35,279
Speaker 1: coming up in episode eight where nuri Um goes back home,

723
00:36:35,600 --> 00:36:37,480
Speaker 1: insists to go up to the Bay Area to meet

724
00:36:37,600 --> 00:36:41,880
Speaker 1: your Sear's family because I do want to talk about something,

725
00:36:44,480 --> 00:36:47,680
Speaker 1: the ghetto pedigree story, of the ghetto story. There's a

726
00:36:47,760 --> 00:36:50,960
Speaker 1: truth there, but it's been exploited in my art. I'm

727
00:36:51,040 --> 00:36:53,760
Speaker 1: trying to get to the humanity of us, the beauty

728
00:36:53,800 --> 00:36:57,080
Speaker 1: of us. I see, we're beautiful people, but there is

729
00:36:57,160 --> 00:36:58,959
Speaker 1: some truth that we got to deal with. We gotta

730
00:36:59,080 --> 00:37:01,040
Speaker 1: It's okay to talk about and I wanted to talk

731
00:37:01,080 --> 00:37:04,680
Speaker 1: about you know, he's an absentee father technically, but what

732
00:37:04,760 --> 00:37:06,719
Speaker 1: does that look like? There's it's more that you can

733
00:37:06,840 --> 00:37:09,400
Speaker 1: say that and then check out and judge that. But

734
00:37:09,520 --> 00:37:12,160
Speaker 1: there's a lot of love there. You know, he's there's

735
00:37:12,440 --> 00:37:16,040
Speaker 1: there's the whole idea about you know, having a baby mama.

736
00:37:16,120 --> 00:37:18,120
Speaker 1: You know, I say that all of those those terms

737
00:37:18,200 --> 00:37:21,480
Speaker 1: that have just we that have have dehumanized us in

738
00:37:21,560 --> 00:37:23,440
Speaker 1: a lot of way. I wanted to put that. I

739
00:37:23,520 --> 00:37:25,759
Speaker 1: want to show what love looks like in a very

740
00:37:25,880 --> 00:37:31,200
Speaker 1: honest way. And um and it's representative of not direct

741
00:37:31,320 --> 00:37:34,920
Speaker 1: and not directly because it's again, our family is not

742
00:37:35,040 --> 00:37:37,759
Speaker 1: the only one going through this most of America, and

743
00:37:37,840 --> 00:37:40,840
Speaker 1: more specifically Black America. This is what we're still unpacking

744
00:37:41,200 --> 00:37:43,879
Speaker 1: from what our history is in this country. We're still

745
00:37:44,080 --> 00:37:47,759
Speaker 1: we're still unpacking a lot of pain. And as a storyteller,

746
00:37:47,840 --> 00:37:51,200
Speaker 1: I want to get it right, especially because it's our story.

747
00:37:51,320 --> 00:37:54,200
Speaker 1: Is especially because I honor and love this man and

748
00:37:54,520 --> 00:37:58,040
Speaker 1: and and his family and so and again that's inspired

749
00:37:58,080 --> 00:38:00,560
Speaker 1: by it's not everything is not direct, But I wanted

750
00:38:00,600 --> 00:38:02,759
Speaker 1: to get it right for us personally, and I wanted

751
00:38:02,760 --> 00:38:05,360
Speaker 1: to get us for us personally, meaning us black people.

752
00:38:05,760 --> 00:38:07,640
Speaker 1: Men have to be willing to be vulnerable in those

753
00:38:07,680 --> 00:38:11,000
Speaker 1: situations though, because it's like it's a layers to guys

754
00:38:11,200 --> 00:38:14,640
Speaker 1: not being in their children's lives like they want to

755
00:38:14,719 --> 00:38:16,520
Speaker 1: be yes, but it could be the baby mother that

756
00:38:16,560 --> 00:38:18,719
Speaker 1: doesn't want them to be around or anything like that.

757
00:38:18,920 --> 00:38:20,359
Speaker 1: It's not just all I'm just to dead, be dad.

758
00:38:20,360 --> 00:38:22,200
Speaker 1: I don't want to write it no exactly. We know that.

759
00:38:22,400 --> 00:38:25,920
Speaker 1: We know that, but and from story what's been depicted

760
00:38:26,280 --> 00:38:28,920
Speaker 1: in our for our narrative, it's not done well enough.

761
00:38:29,000 --> 00:38:31,040
Speaker 1: So we were talking about vulnerability and that's something that

762
00:38:31,080 --> 00:38:33,720
Speaker 1: I've been like discussing in therapy, just men being vulnerable.

763
00:38:33,840 --> 00:38:35,840
Speaker 1: Oh really, So it's like you know, as men and

764
00:38:35,920 --> 00:38:37,520
Speaker 1: the will I'm sure you know, it's like as men

765
00:38:37,600 --> 00:38:39,640
Speaker 1: like we have we lie betaol, we lie in the

766
00:38:39,760 --> 00:38:41,759
Speaker 1: hood because you have to survive, so you have to

767
00:38:42,239 --> 00:38:45,000
Speaker 1: betray to be this tough gangster whatever, and sometimes you

768
00:38:45,000 --> 00:38:47,640
Speaker 1: just want to cry. Right, you know, that's really vulnerable.

769
00:38:47,719 --> 00:38:50,160
Speaker 1: So for you playing a powerful guy, you know like

770
00:38:50,480 --> 00:38:53,360
Speaker 1: mister kill, did you tap into the vulnerability? Did he

771
00:38:53,480 --> 00:38:56,719
Speaker 1: let you see any of that? Well, like I said,

772
00:38:56,719 --> 00:38:59,239
Speaker 1: you gotta Selene. When you're around him, you gotta catch him.

773
00:38:59,239 --> 00:39:02,400
Speaker 1: When you catch him, he don't give you nothing, so

774
00:39:02,680 --> 00:39:05,759
Speaker 1: you gotta People want more conversation from him, and he'll

775
00:39:05,800 --> 00:39:08,000
Speaker 1: just be like, all right, man, good have a good day.

776
00:39:08,719 --> 00:39:10,160
Speaker 1: I'm not a lot of those kind of people. Throw

777
00:39:10,160 --> 00:39:13,719
Speaker 1: me off right right right, it really will. But he'll

778
00:39:13,760 --> 00:39:15,680
Speaker 1: say stuff like I think it was a panel for

779
00:39:15,880 --> 00:39:17,840
Speaker 1: black lightning that I went to and he was like,

780
00:39:17,880 --> 00:39:21,320
Speaker 1: I'm a very sensitive guy. Boom, that was a nugget

781
00:39:21,400 --> 00:39:24,440
Speaker 1: for me. Okay, I can go there then, or I

782
00:39:24,560 --> 00:39:26,319
Speaker 1: just you know, I'll see the way one of them

783
00:39:26,320 --> 00:39:28,120
Speaker 1: by the way he looked at Marra, the way he's

784
00:39:28,440 --> 00:39:30,120
Speaker 1: you know, and it's worked the way he directs me.

785
00:39:30,160 --> 00:39:32,440
Speaker 1: I said, Okay, he is very very sensitive. You might

786
00:39:32,520 --> 00:39:34,960
Speaker 1: not see it, but he's a very sensitive man. I'm

787
00:39:35,000 --> 00:39:37,560
Speaker 1: also very sensitive. You grow up and they tell you

788
00:39:37,640 --> 00:39:39,880
Speaker 1: don't cry, men don't cry, be exactly you know. So

789
00:39:40,239 --> 00:39:42,200
Speaker 1: I mean my black study teacher said, if you if

790
00:39:42,239 --> 00:39:45,040
Speaker 1: a woman meets a man that hasn't cried in twelve years,

791
00:39:45,440 --> 00:39:48,560
Speaker 1: she has met a ticking time bob. You know, because

792
00:39:48,640 --> 00:39:51,600
Speaker 1: God has given you this to express yourself real and

793
00:39:51,719 --> 00:39:53,839
Speaker 1: when we ask men and we can you know. I've

794
00:39:53,920 --> 00:39:56,080
Speaker 1: had buddies that check me and just like you know,

795
00:39:56,200 --> 00:39:58,200
Speaker 1: you go home. It's like day, I'm glad you said

796
00:39:58,280 --> 00:40:00,000
Speaker 1: something to me and you had that moment what you're

797
00:40:00,000 --> 00:40:02,080
Speaker 1: itself and you cry about it and you keep on moving.

798
00:40:02,280 --> 00:40:05,279
Speaker 1: I feel like it's okay now because I do feel

799
00:40:06,320 --> 00:40:08,600
Speaker 1: I feel like men are a lot more sensitive than women.

800
00:40:09,200 --> 00:40:14,120
Speaker 1: I think experience. Yeah, yeah, because the light skins. Charlottagne

801
00:40:16,760 --> 00:40:19,200
Speaker 1: cried last Friday. It was my fortieth born day, and

802
00:40:19,200 --> 00:40:21,000
Speaker 1: I was drunk as hell, and then Guilla and I

803
00:40:21,080 --> 00:40:23,759
Speaker 1: was watching this video that all my family and friends did.

804
00:40:26,280 --> 00:40:29,799
Speaker 1: By the way, warm kids going down, trying to let

805
00:40:29,840 --> 00:40:35,279
Speaker 1: nobody see you felt great. I've seen. I've seen Vy

806
00:40:35,360 --> 00:40:38,200
Speaker 1: cry you have. We were on the plane together and

807
00:40:39,000 --> 00:40:41,640
Speaker 1: he was watching Creed and I left the parting Creed

808
00:40:41,719 --> 00:40:48,279
Speaker 1: that just had and I look over and she's like

809
00:40:48,560 --> 00:40:56,080
Speaker 1: taking me the story. What moment? And Creed did you

810
00:40:56,120 --> 00:40:59,120
Speaker 1: grab him? I keep asking him that I don't remember more.

811
00:40:59,320 --> 00:41:00,839
Speaker 1: I think he was up because he was a little

812
00:41:00,840 --> 00:41:07,880
Speaker 1: out of shape. And then Michael bid cheerful, but I

813
00:41:07,880 --> 00:41:09,440
Speaker 1: don't know if he if he if he was successful,

814
00:41:09,440 --> 00:41:10,880
Speaker 1: he wanted to box him. I don't know. Why it

815
00:41:11,040 --> 00:41:16,239
Speaker 1: was like yeah, and it was cried by crowd over

816
00:41:16,920 --> 00:41:18,719
Speaker 1: you see. And that's one of the things we wanted

817
00:41:18,760 --> 00:41:21,200
Speaker 1: to show the vulnerability of your see her And I

818
00:41:21,280 --> 00:41:26,160
Speaker 1: mean in the pilot, in the premiere episode, Yeah, which

819
00:41:26,200 --> 00:41:29,400
Speaker 1: is a beautiful relationship, um, which is a special relationship

820
00:41:29,600 --> 00:41:34,160
Speaker 1: period and one certainly um specifically unique to us. I

821
00:41:34,239 --> 00:41:36,400
Speaker 1: mean the details about that relationship as I think it

822
00:41:36,480 --> 00:41:39,319
Speaker 1: is beautiful and and and then for him to find

823
00:41:39,440 --> 00:41:43,320
Speaker 1: Nuri gives them another safe place to be. And I

824
00:41:43,400 --> 00:41:46,160
Speaker 1: think that's what love is about, too, is creating space

825
00:41:46,640 --> 00:41:49,520
Speaker 1: for the individual. All we have more with Moral brock Kille,

826
00:41:49,600 --> 00:41:52,920
Speaker 1: Michelle Weaver and Will Catlin when we come back, don't move.

827
00:41:52,960 --> 00:41:56,600
Speaker 1: It's to Breakfast Club the Morning Morning. Everybody is DJ Envy,

828
00:41:56,840 --> 00:41:59,879
Speaker 1: Angela Yee, Charlemagne the guy. We are the breakfast club

829
00:42:00,320 --> 00:42:02,640
Speaker 1: we have the cast of Love is in the building,

830
00:42:02,680 --> 00:42:05,759
Speaker 1: Michelle Weaver and Wildcatlet and it also show create a

831
00:42:05,880 --> 00:42:09,480
Speaker 1: Mara Broca Kill. Now Charlemagne hasn't let go go friend.

832
00:42:09,600 --> 00:42:14,440
Speaker 1: Oh guy, that's class. Charlemagne has been. He wants to

833
00:42:14,560 --> 00:42:16,880
Speaker 1: a closing. He wants to ending. First of all, I've

834
00:42:16,960 --> 00:42:22,080
Speaker 1: hit mister Kill offline about this now I just want

835
00:42:22,120 --> 00:42:24,640
Speaker 1: to know why can't a Girlfriend's movie be made or

836
00:42:24,880 --> 00:42:29,520
Speaker 1: a closure season something. Let's talk real on this, Okay, real, real, real,

837
00:42:29,960 --> 00:42:34,239
Speaker 1: we're talking about still value in this industry and in

838
00:42:34,360 --> 00:42:37,879
Speaker 1: this country and in this world. We're at a time

839
00:42:38,200 --> 00:42:41,600
Speaker 1: and even our industry where the industry is reaching back

840
00:42:41,680 --> 00:42:43,960
Speaker 1: to do remakes. See them saying to put things on

841
00:42:44,040 --> 00:42:47,279
Speaker 1: the air. From that era that Girlfriends was in, the

842
00:42:47,480 --> 00:42:53,200
Speaker 1: fans have been consistently vocal about a movie and ending anything.

843
00:42:53,360 --> 00:42:56,480
Speaker 1: They're just adding closure, we need closure. But that's been

844
00:42:56,520 --> 00:42:58,759
Speaker 1: for ten years consistent, So you really have to ask.

845
00:42:59,560 --> 00:43:01,680
Speaker 1: It's not up to me, But what it's time to

846
00:43:01,800 --> 00:43:04,680
Speaker 1: really talk about is this industry that we feed into

847
00:43:05,040 --> 00:43:08,920
Speaker 1: and make billions of dollars for, it's time for them

848
00:43:09,040 --> 00:43:11,320
Speaker 1: to meet us at our value. Our audience wants it,

849
00:43:11,520 --> 00:43:15,680
Speaker 1: not just domestically. It's like global franchise. Girlfriends is a

850
00:43:15,800 --> 00:43:19,360
Speaker 1: hit all over the world and generationally now and so

851
00:43:19,760 --> 00:43:21,960
Speaker 1: there's just money on the table. So the question I

852
00:43:22,040 --> 00:43:24,040
Speaker 1: have for the industry is why won't you take it?

853
00:43:24,640 --> 00:43:27,839
Speaker 1: So really, I don't know that answer. Well, I kind

854
00:43:27,880 --> 00:43:30,920
Speaker 1: of do that there's still a lack of value for

855
00:43:31,280 --> 00:43:36,160
Speaker 1: an audience that has been screaming, primarily black women and Charlamagne.

856
00:43:41,400 --> 00:43:44,160
Speaker 1: But it goes to show you how much we're not hurt.

857
00:43:44,320 --> 00:43:47,160
Speaker 1: There was a time and my grandmother told me, you

858
00:43:47,960 --> 00:43:50,719
Speaker 1: you set your bar of value. So there was a

859
00:43:50,800 --> 00:43:52,720
Speaker 1: time in which I think I was kind of begging

860
00:43:52,880 --> 00:43:56,720
Speaker 1: or hoping and praying to give that closure very early

861
00:43:56,800 --> 00:43:59,680
Speaker 1: on after it. It's very emotional to write these stories

862
00:44:00,160 --> 00:44:01,640
Speaker 1: and let them go. And I've had a lot of

863
00:44:01,680 --> 00:44:04,480
Speaker 1: heartbreak in my career. But I would have done it

864
00:44:04,520 --> 00:44:05,960
Speaker 1: for two million. I would have done it for five

865
00:44:06,000 --> 00:44:07,960
Speaker 1: minut I would have done whatever it took, because in

866
00:44:08,040 --> 00:44:10,399
Speaker 1: our culture, we take we take a make a dollar

867
00:44:10,440 --> 00:44:13,279
Speaker 1: out of fifteen cents. Right, it's time to teach our

868
00:44:13,440 --> 00:44:17,800
Speaker 1: our children. No, I need a dollar to go make this,

869
00:44:18,000 --> 00:44:20,799
Speaker 1: And so what I'm saying now, I need I need

870
00:44:20,920 --> 00:44:23,000
Speaker 1: some money and let's go do this the way that

871
00:44:23,080 --> 00:44:26,280
Speaker 1: the industry does it. I need about forty fifty sixty.

872
00:44:26,360 --> 00:44:27,719
Speaker 1: I don't know. I haven't written the script yet, but

873
00:44:27,760 --> 00:44:30,759
Speaker 1: it's somewhere around there, the idea that I have foreclosure.

874
00:44:30,760 --> 00:44:34,560
Speaker 1: It's a great story to end their story, a friendship,

875
00:44:34,680 --> 00:44:37,560
Speaker 1: their story of love. To answer the question, Ken Joane,

876
00:44:37,640 --> 00:44:40,440
Speaker 1: have it all? Yes? Can you know with some you know,

877
00:44:40,560 --> 00:44:43,480
Speaker 1: with asterisk next to it, it's time to do that,

878
00:44:43,560 --> 00:44:46,560
Speaker 1: but I need some money. Perhaps I'm also accepting that

879
00:44:46,960 --> 00:44:49,759
Speaker 1: even in this moment, maybe me having voice or having

880
00:44:49,800 --> 00:44:53,120
Speaker 1: a platform to even talk about it, maybe someone will

881
00:44:53,160 --> 00:44:56,399
Speaker 1: hear it and write that chet and maybe it's come

882
00:44:56,480 --> 00:44:58,800
Speaker 1: to a place where, you know what, I can actually

883
00:44:58,880 --> 00:45:00,920
Speaker 1: direct the ending to a story that I would love

884
00:45:00,960 --> 00:45:03,759
Speaker 1: to do. I wouldn't have done that five years ago.

885
00:45:04,080 --> 00:45:06,279
Speaker 1: Someone else would have directed. That's right? Is there a

886
00:45:06,360 --> 00:45:10,080
Speaker 1: closure season written like a closure movie? There is a

887
00:45:10,840 --> 00:45:16,400
Speaker 1: very in depth outline about what the movieum the movie.

888
00:45:16,400 --> 00:45:18,080
Speaker 1: I see it as a movie and done it there

889
00:45:18,200 --> 00:45:20,799
Speaker 1: doesn't I don't think it's I don't see it as

890
00:45:20,840 --> 00:45:23,000
Speaker 1: a TV series. I think, you know, I think a

891
00:45:23,120 --> 00:45:25,200
Speaker 1: movie and done would be a movie, and done would

892
00:45:25,200 --> 00:45:30,919
Speaker 1: be awesome. And well, I won't tell you. I think

893
00:45:31,080 --> 00:45:34,319
Speaker 1: I did Lynd become a superstar? Did you know? Joe

894
00:45:34,440 --> 00:45:37,560
Speaker 1: get married? And Joe and Tony reconcile, And I will

895
00:45:37,640 --> 00:45:43,719
Speaker 1: tell everybody that when the movie comes out. But that's

896
00:45:43,719 --> 00:45:47,120
Speaker 1: also my value as a as a storyteller. You want

897
00:45:47,120 --> 00:45:49,680
Speaker 1: to know my story and meaning that I mean the

898
00:45:49,840 --> 00:45:53,560
Speaker 1: collective you and I don't I can't give that away

899
00:45:53,719 --> 00:45:55,560
Speaker 1: until I can give it away at the place in

900
00:45:55,600 --> 00:45:57,759
Speaker 1: which it deserves the right context. I got two more

901
00:45:57,800 --> 00:46:00,759
Speaker 1: girls questions, I said, I promised. I always wondered why

902
00:46:00,840 --> 00:46:03,520
Speaker 1: Kelsey Grahamer decided to epa show full of black women,

903
00:46:03,640 --> 00:46:08,120
Speaker 1: especially with his views. You know. Okay, here's real talk. Okay. So,

904
00:46:08,280 --> 00:46:11,600
Speaker 1: at the time that I wrote Girlfriends, The Parkers was

905
00:46:11,680 --> 00:46:16,080
Speaker 1: on UPN, so Moitia and then my mentors based fun

906
00:46:16,160 --> 00:46:19,719
Speaker 1: off The Parkers as well. I was approached. I was,

907
00:46:19,840 --> 00:46:21,520
Speaker 1: I was approached. I was on the Jamie Fox Show

908
00:46:21,560 --> 00:46:24,480
Speaker 1: at that time. And it's funny when you leave a situation,

909
00:46:24,600 --> 00:46:26,920
Speaker 1: people want you more. So I had left Mosia to

910
00:46:26,960 --> 00:46:28,400
Speaker 1: go work on the Jamie Fox Show and they're like,

911
00:46:28,600 --> 00:46:31,440
Speaker 1: what's Mara doing. I was just there last year anyway,

912
00:46:31,480 --> 00:46:33,920
Speaker 1: but now what's Maria doing? But they have a hit

913
00:46:34,080 --> 00:46:37,080
Speaker 1: at the Parkers. So I was brought in to say, Hey,

914
00:46:37,160 --> 00:46:39,680
Speaker 1: we want to build on this audience that we have

915
00:46:39,800 --> 00:46:43,080
Speaker 1: found black women. Whould we have a companion piece. So

916
00:46:43,200 --> 00:46:46,520
Speaker 1: I'm literally sitting on the couch at UPN and they're like,

917
00:46:47,200 --> 00:46:49,640
Speaker 1: you're asking me to tell you whatever I want. And

918
00:46:49,800 --> 00:46:51,680
Speaker 1: so Sex and the City was on at the time,

919
00:46:51,800 --> 00:46:53,879
Speaker 1: and part of my I love the show, but part

920
00:46:53,880 --> 00:46:56,680
Speaker 1: of my Christens last show is we were just invisible again.

921
00:46:56,760 --> 00:47:03,480
Speaker 1: Black Street can't be an extra. And it was like,

922
00:47:05,000 --> 00:47:06,839
Speaker 1: and I wanted to see at the table to get

923
00:47:06,920 --> 00:47:10,640
Speaker 1: into this conversation about what women really are to unpack lies, right,

924
00:47:11,080 --> 00:47:15,480
Speaker 1: So so I pitched them basically my version of why

925
00:47:15,520 --> 00:47:18,040
Speaker 1: I pitched them girlfriends. Nothing wrong with that. White people

926
00:47:18,080 --> 00:47:21,040
Speaker 1: been doing it thus for you. Yeah, and then but

927
00:47:21,120 --> 00:47:22,680
Speaker 1: there was yeah that was in my head, like I

928
00:47:22,760 --> 00:47:24,879
Speaker 1: want to I want to get in this conversation because

929
00:47:24,920 --> 00:47:27,919
Speaker 1: They're leaving a lot on the table. So then I'm

930
00:47:28,000 --> 00:47:30,680
Speaker 1: pitching this and they wanted but here's the rub I saw.

931
00:47:30,880 --> 00:47:34,239
Speaker 1: I went. I was like, swing, I sold straight to

932
00:47:34,320 --> 00:47:36,680
Speaker 1: the network. It was like being a breech baby, because

933
00:47:36,840 --> 00:47:38,759
Speaker 1: then I didn't have like a I didn't have I

934
00:47:38,840 --> 00:47:41,440
Speaker 1: didn't have a studio, and then you goes. I was like,

935
00:47:41,480 --> 00:47:43,319
Speaker 1: but I saw the show, of course, and I had

936
00:47:44,160 --> 00:47:48,800
Speaker 1: girlfriends almost didn't exist because no studio wanted to touch

937
00:47:49,360 --> 00:47:53,120
Speaker 1: this show because they thought up N was not gonna

938
00:47:53,160 --> 00:47:54,920
Speaker 1: make it, and so nobody. I was like, are you

939
00:47:55,080 --> 00:47:57,440
Speaker 1: kidding me? I sell a show directly to the network,

940
00:47:57,480 --> 00:47:58,959
Speaker 1: and then now I can't really get it on because

941
00:47:59,000 --> 00:48:01,279
Speaker 1: nobody wants to fund it. And so because of the

942
00:48:01,400 --> 00:48:04,239
Speaker 1: vertical integration that was happening in corporate America back then,

943
00:48:04,960 --> 00:48:10,960
Speaker 1: Viacom it was still still under the same umbrella. Paramount

944
00:48:11,040 --> 00:48:13,800
Speaker 1: was the only studio that would possibly be the deficit

945
00:48:13,880 --> 00:48:16,879
Speaker 1: financer for it. But it's late now in the development season,

946
00:48:16,960 --> 00:48:20,280
Speaker 1: so most of the money has been spent except Kelsey Grammar.

947
00:48:20,360 --> 00:48:23,359
Speaker 1: So Kelsey Grammar had a shingle as a seem meaning

948
00:48:23,520 --> 00:48:26,840
Speaker 1: a production company, but he hadn't sold anything in that

949
00:48:27,000 --> 00:48:30,319
Speaker 1: development season. But meanwhile he is literally that one show

950
00:48:30,480 --> 00:48:33,800
Speaker 1: Frasier is holding up is just an ATM machine for

951
00:48:34,120 --> 00:48:35,920
Speaker 1: the you know, for the company, and so he is

952
00:48:36,040 --> 00:48:39,080
Speaker 1: like the eight hundred pound gorilla. So when I meet

953
00:48:39,200 --> 00:48:44,200
Speaker 1: his people, I brought him something that's already sold. He

954
00:48:44,400 --> 00:48:46,719
Speaker 1: never developed it, They didn't develop it. Was he's just

955
00:48:46,800 --> 00:48:48,719
Speaker 1: a smart man to be. It's already sold. Yeah, put

956
00:48:48,760 --> 00:48:50,600
Speaker 1: my name on it, right, And so he put his

957
00:48:50,719 --> 00:48:52,800
Speaker 1: name on it. And the thing I will think Kelsey

958
00:48:52,840 --> 00:48:55,399
Speaker 1: about he stayed out of the way because I don't

959
00:48:55,440 --> 00:48:57,919
Speaker 1: know whether he valued it or not. I'm not sure.

960
00:48:58,360 --> 00:49:01,839
Speaker 1: But whatever his reasons for why he wasn't around that much.

961
00:49:02,600 --> 00:49:05,959
Speaker 1: But it was strategic and good for me at that time,

962
00:49:06,040 --> 00:49:08,560
Speaker 1: and I'm thankful for that that at that time, Kelsey

963
00:49:08,600 --> 00:49:12,239
Speaker 1: Grammar was the TV and that helped people go, huh

964
00:49:12,480 --> 00:49:17,080
Speaker 1: Kelsey Grammar. It just it just it was and he

965
00:49:17,160 --> 00:49:18,520
Speaker 1: stayed out of the way so I can just do

966
00:49:18,680 --> 00:49:21,160
Speaker 1: my things. They were like, wow, Kelsey Grammar's this progressive

967
00:49:21,239 --> 00:49:26,960
Speaker 1: that he sucked, And I'm like, why would he know

968
00:49:27,320 --> 00:49:29,759
Speaker 1: he's making that money if you never really know him,

969
00:49:29,840 --> 00:49:32,640
Speaker 1: like go to eat with him or anything. Yeah, we've

970
00:49:32,680 --> 00:49:35,080
Speaker 1: had when it was time to make more money. When

971
00:49:35,120 --> 00:49:37,040
Speaker 1: we talked about to spin off the game, you know,

972
00:49:37,400 --> 00:49:40,759
Speaker 1: he's technically built. He's just grandfathered in because we spun

973
00:49:40,800 --> 00:49:44,000
Speaker 1: it out of girlfriend. Um. So yeah, that's humbling sometimes.

974
00:49:44,040 --> 00:49:45,800
Speaker 1: But I also and this is why I married to

975
00:49:45,840 --> 00:49:48,320
Speaker 1: Selene mckill. He's like and every time you get a

976
00:49:48,400 --> 00:49:52,279
Speaker 1: little some way about it, then you remember that he's

977
00:49:52,280 --> 00:49:54,719
Speaker 1: a blessing. You thank him every single it's a part

978
00:49:54,800 --> 00:49:57,400
Speaker 1: of your journey. It's a part of your journey. You

979
00:49:57,480 --> 00:49:59,840
Speaker 1: stopped being distracted about what it could have should have

980
00:50:00,000 --> 00:50:01,840
Speaker 1: and you say thank you. You keep it moving. And

981
00:50:01,960 --> 00:50:04,319
Speaker 1: I was like, you know what, baby, thank you, dam

982
00:50:04,760 --> 00:50:07,359
Speaker 1: thank you, and so I say, thank you, Kelsey. We've

983
00:50:07,440 --> 00:50:10,400
Speaker 1: had a really wonderful run. And maybe hey, Kelsey, you

984
00:50:10,520 --> 00:50:20,680
Speaker 1: listening a girlfriend's movie. Bmate, Now I can I'm now

985
00:50:20,880 --> 00:50:23,759
Speaker 1: my spiritual path is. I'm really trusting in what God

986
00:50:23,800 --> 00:50:26,320
Speaker 1: has planning for me. Sometimes we can't see it, we

987
00:50:26,440 --> 00:50:29,080
Speaker 1: cannot see what's in store for us, but I know

988
00:50:29,440 --> 00:50:33,399
Speaker 1: my best interest is taken care of. So yes, it's

989
00:50:33,440 --> 00:50:37,400
Speaker 1: a short answer. Do I still ask God to um

990
00:50:37,800 --> 00:50:38,960
Speaker 1: if you want, if you want to do it, I

991
00:50:39,000 --> 00:50:40,239
Speaker 1: just want to do it at this level. So with

992
00:50:40,360 --> 00:50:43,480
Speaker 1: me talking about the fifty million dollars of the value

993
00:50:43,560 --> 00:50:46,360
Speaker 1: I'm speaking to, I'm not begging anymore. I'm at the

994
00:50:46,480 --> 00:50:48,600
Speaker 1: value of what I believe it will be. I would

995
00:50:48,680 --> 00:50:51,160
Speaker 1: love to give closure to that because they really helped

996
00:50:51,200 --> 00:50:52,840
Speaker 1: me get here today and I think that would be

997
00:50:52,920 --> 00:50:55,759
Speaker 1: nice to get back. They gotta go, guys, Okay, they

998
00:50:55,800 --> 00:50:59,840
Speaker 1: gotta go. I got like twenty more questions. But at

999
00:51:00,680 --> 00:51:04,000
Speaker 1: Love Is Tuesday. Nice. We're staying up late every Tuesday

1000
00:51:04,080 --> 00:51:07,680
Speaker 1: to make sure we watch Thank You, Appreciate Love Is

1001
00:51:08,280 --> 00:51:11,120
Speaker 1: Thank You, will Katlt Michelle Weaver, and Mona Blah Well

1002
00:51:11,120 --> 00:51:13,640
Speaker 1: it's the breakfast Club. Thank you for joining us guys, Hey,

1003
00:51:13,920 --> 00:51:20,440
Speaker 1: thank you morning the Breakfast Club. Good morning. Everybody is

1004
00:51:20,560 --> 00:51:24,040
Speaker 1: DJ Envy Angela Yee, Charlomagne the guy. We all the

1005
00:51:24,160 --> 00:51:31,080
Speaker 1: Breakfast Club. We gotta congratulate the Godfather. Yes, Elvis. Congratulations

1006
00:51:31,160 --> 00:51:33,800
Speaker 1: to Elvis Duran here and you got engaged over the weekend,

1007
00:51:34,200 --> 00:51:36,480
Speaker 1: Alex Carr, they are engaged. They've been together for almost

1008
00:51:36,560 --> 00:51:41,600
Speaker 1: eight years, so congratulations to them. Alex Carr actually proposed

1009
00:51:41,640 --> 00:51:45,279
Speaker 1: to Elvis Duran by opening an umbrella inside on the

1010
00:51:45,360 --> 00:51:47,680
Speaker 1: Friday the thirteenth, and the message said, Elvis, will you

1011
00:51:47,760 --> 00:51:49,840
Speaker 1: marry me? On it drop? Want to Clue's bombs for

1012
00:51:49,880 --> 00:51:52,239
Speaker 1: Alex making an honest man out of Elvis. They've been

1013
00:51:52,280 --> 00:51:55,560
Speaker 1: together h years. I remember exactly when they met. I

1014
00:51:55,719 --> 00:51:58,360
Speaker 1: remember being on a roof with Elvis getting drunk and

1015
00:51:58,480 --> 00:52:01,560
Speaker 1: Elvis telling us about this young boy that he had

1016
00:52:01,640 --> 00:52:03,920
Speaker 1: just uh, it was one of the hottest days of

1017
00:52:03,960 --> 00:52:06,120
Speaker 1: the year. Were the proper word? I don't know the

1018
00:52:06,160 --> 00:52:08,120
Speaker 1: proper word is. All I can tell you is Elvis

1019
00:52:08,200 --> 00:52:10,520
Speaker 1: Durin told us, hey, you know how it did? You

1020
00:52:10,600 --> 00:52:12,480
Speaker 1: wake up in the morning and this blood on the pillow?

1021
00:52:12,480 --> 00:52:13,680
Speaker 1: You know what they say, There's no good not a

1022
00:52:13,719 --> 00:52:15,640
Speaker 1: good time. There wasn't no blood on the pillow. As

1023
00:52:15,680 --> 00:52:19,680
Speaker 1: later they're engaged. Well, congratulations, good my goodness. All right,

1024
00:52:19,800 --> 00:52:22,840
Speaker 1: now let's get to the roomless. Let's talk Azelia Banks. Listen,

1025
00:52:24,800 --> 00:52:32,080
Speaker 1: Oh gosh reports, it's a rum report breakfast club. Well,

1026
00:52:32,080 --> 00:52:35,399
Speaker 1: apparently a Zellia Banks had an awful experience doing wilding out.

1027
00:52:35,800 --> 00:52:38,000
Speaker 1: She posted I did wilding out today. There were tons

1028
00:52:38,040 --> 00:52:41,319
Speaker 1: of pre planning, colorless jokes, and of course cry baby cried.

1029
00:52:41,440 --> 00:52:44,239
Speaker 1: Some little scrowny black Atlanta twink was prepared for me.

1030
00:52:44,680 --> 00:52:46,600
Speaker 1: They planned this, hit me on short notice, told me

1031
00:52:46,640 --> 00:52:49,600
Speaker 1: I didn't have to participate in the coon ass freestyle battles,

1032
00:52:50,000 --> 00:52:51,919
Speaker 1: not my style, and I was to sing my song

1033
00:52:52,000 --> 00:52:54,360
Speaker 1: and go home. I show up and some guy who's

1034
00:52:54,440 --> 00:52:56,920
Speaker 1: darker than me starts calling me ugly and being colorless

1035
00:52:57,239 --> 00:52:58,920
Speaker 1: than all of us. Had an acquire of the most

1036
00:52:58,960 --> 00:53:02,320
Speaker 1: disgustingly based tick a local cattle car urban pseudo comedic

1037
00:53:02,640 --> 00:53:04,720
Speaker 1: fat because you sit in a chair all day, greasy

1038
00:53:04,800 --> 00:53:07,920
Speaker 1: soul food and do south that Mason Dixon self hatred,

1039
00:53:08,080 --> 00:53:12,360
Speaker 1: ass backwards, post Jim Crow, post traumatic slave disorder, true

1040
00:53:12,400 --> 00:53:15,520
Speaker 1: self esteemless ward up. The state clowns with their low

1041
00:53:15,600 --> 00:53:19,040
Speaker 1: skill and a highly unimpressive resumes sat going off about

1042
00:53:19,080 --> 00:53:22,120
Speaker 1: how the beautiful Azalia Banks looks. She said, I've never

1043
00:53:22,200 --> 00:53:24,239
Speaker 1: felt so much hate in a rage for anyone else

1044
00:53:24,280 --> 00:53:27,480
Speaker 1: than I did in that moment. Here. The needless to say,

1045
00:53:27,480 --> 00:53:29,360
Speaker 1: it wasn't a good experience for her, but it is

1046
00:53:29,440 --> 00:53:34,120
Speaker 1: supposed to be, y'all jokes going in fun exactly. I

1047
00:53:34,239 --> 00:53:36,040
Speaker 1: think she was saying that she didn't she wasn't there

1048
00:53:36,040 --> 00:53:37,359
Speaker 1: for that. She was there to perform, but they put

1049
00:53:37,400 --> 00:53:39,240
Speaker 1: her in the wild style. But here's the thing, Azalia

1050
00:53:39,360 --> 00:53:42,320
Speaker 1: is definitely never gonna get sympathy from anyone when it

1051
00:53:42,360 --> 00:53:46,400
Speaker 1: comes to getting slanted clowns. Everyone. Yeah, ye, Shay over

1052
00:53:46,480 --> 00:53:48,759
Speaker 1: the years has ditched the lot, so nobody's gonna feel

1053
00:53:48,760 --> 00:53:51,520
Speaker 1: sorry for her when somebody gives it back to it. Now.

1054
00:53:51,680 --> 00:53:54,560
Speaker 1: Nick Cannon reacted on Instagram. He said, don't you hate

1055
00:53:54,600 --> 00:53:57,080
Speaker 1: when you create your own storms? But forget your umbrella

1056
00:53:57,400 --> 00:54:00,440
Speaker 1: where you're praying for you Queen's speedy recovery healing. She

1057
00:54:00,640 --> 00:54:03,759
Speaker 1: wilding out for real karma. And that's when Nazilia responded,

1058
00:54:04,480 --> 00:54:06,239
Speaker 1: if I were to make fun of Nick Cannon for

1059
00:54:06,360 --> 00:54:09,319
Speaker 1: having lupus and being weak and sickly, if I made

1060
00:54:09,360 --> 00:54:11,160
Speaker 1: a joke that said he'd be dead by the end

1061
00:54:11,239 --> 00:54:14,359
Speaker 1: of the year. The Nazilia Banks is the bad guy, right,

1062
00:54:14,880 --> 00:54:18,080
Speaker 1: and then she said Nick Cannon's commune system. All right,

1063
00:54:18,120 --> 00:54:21,360
Speaker 1: Here's of what Azilia Banks had to say. I'm sorry,

1064
00:54:21,560 --> 00:54:25,800
Speaker 1: it's twenty eighteen, like you know, the ugly black girl jokes.

1065
00:54:25,920 --> 00:54:29,319
Speaker 1: It's like you know, it's just it's just it's inappropriate.

1066
00:54:29,920 --> 00:54:31,640
Speaker 1: I'm sorry. You're not gonna bring me out of my

1067
00:54:32,000 --> 00:54:34,399
Speaker 1: element to bring me the dusty as Atlanta to sit

1068
00:54:34,440 --> 00:54:37,440
Speaker 1: in front of some coon ask for them to sit

1069
00:54:37,520 --> 00:54:39,800
Speaker 1: here and call me ugly while they got this flatty

1070
00:54:39,880 --> 00:54:43,040
Speaker 1: patty queen herbie reject looking bitch on stage chalk about

1071
00:54:43,080 --> 00:54:48,200
Speaker 1: Wakanda reject. Wow, she really is crazy now. She also

1072
00:54:48,239 --> 00:54:51,160
Speaker 1: said you and words would be changing Nick Cannon's colostomy

1073
00:54:51,200 --> 00:54:53,680
Speaker 1: back in between takes while you struggle to pay six

1074
00:54:53,800 --> 00:54:55,879
Speaker 1: hundred and fifty dollars ran in Atlanta and take plates

1075
00:54:55,920 --> 00:54:58,160
Speaker 1: of catering food home to eat in the morning. See

1076
00:54:58,239 --> 00:55:05,120
Speaker 1: that's funny, That's what I'm saying. That's the energy you

1077
00:55:05,160 --> 00:55:10,040
Speaker 1: should have shed. That That's all I'm saying. Damn. See huh.

1078
00:55:10,120 --> 00:55:12,319
Speaker 1: Here's some more of Azilia Banks talking about her whild

1079
00:55:12,320 --> 00:55:14,680
Speaker 1: and out experience. You would never be able to bring

1080
00:55:14,840 --> 00:55:17,160
Speaker 1: Megan Trainer on this show and call her fat. Why

1081
00:55:17,560 --> 00:55:20,000
Speaker 1: because there would be some other white to cut your

1082
00:55:20,400 --> 00:55:22,560
Speaker 1: check off. You could have went for flop, you could

1083
00:55:22,600 --> 00:55:24,440
Speaker 1: have been this, or you went too much weave, or

1084
00:55:24,480 --> 00:55:26,120
Speaker 1: you didn this, or you never had a hit or

1085
00:55:27,120 --> 00:55:29,759
Speaker 1: but like you're really just like really just calling me

1086
00:55:29,880 --> 00:55:32,360
Speaker 1: ugly the whole time, and you got the mediocal I

1087
00:55:32,440 --> 00:55:34,880
Speaker 1: skin bitches like you're making them feel good about themselves.

1088
00:55:35,520 --> 00:55:37,400
Speaker 1: I'm gonna stay in my little corner of the industry.

1089
00:55:37,520 --> 00:55:39,879
Speaker 1: I'm gonna keep working with my white man, keep dating

1090
00:55:39,960 --> 00:55:43,040
Speaker 1: my white man. Every time I give y'all a chance, y'all,

1091
00:55:43,080 --> 00:55:45,080
Speaker 1: just y'all, y'all do me dirty or you just you

1092
00:55:45,160 --> 00:55:47,719
Speaker 1: can't pick and choose with sland your recess. If the

1093
00:55:48,200 --> 00:55:50,440
Speaker 1: person wants to sland you about your looks, they have

1094
00:55:50,560 --> 00:55:52,640
Speaker 1: the right to do that, just like Azelia have the

1095
00:55:52,719 --> 00:55:55,120
Speaker 1: right to sland to whoever she wants and has for

1096
00:55:55,280 --> 00:55:58,000
Speaker 1: years and continues to do it. Now, that's one of

1097
00:55:58,040 --> 00:56:00,520
Speaker 1: the comedians. They're posted a. Zilia Banks came on that show,

1098
00:56:00,600 --> 00:56:03,320
Speaker 1: got called ugly, tried to joke back, didn't work, cried

1099
00:56:03,680 --> 00:56:08,400
Speaker 1: then performed a weak GST Forever twenty one shopping song Hudson,

1100
00:56:08,520 --> 00:56:11,399
Speaker 1: Oh it's my manman, he said, literally, there were two

1101
00:56:11,480 --> 00:56:13,320
Speaker 1: jokes made about her and they weren't even bad. It

1102
00:56:13,400 --> 00:56:15,439
Speaker 1: was a Cardi b reference and she was called ugly.

1103
00:56:15,600 --> 00:56:17,879
Speaker 1: That's it. She tried to joke back. It didn't work.

1104
00:56:17,920 --> 00:56:19,960
Speaker 1: The producers stopped the game because they knew she was

1105
00:56:20,040 --> 00:56:22,560
Speaker 1: headed for the deep fry. She left after the first game,

1106
00:56:22,640 --> 00:56:24,879
Speaker 1: came back and didn't say a single word to tell

1107
00:56:24,920 --> 00:56:28,240
Speaker 1: her performance. So she said. They said she wasn't ambushed

1108
00:56:28,280 --> 00:56:31,040
Speaker 1: or tricked. She was just bitter and a weak special guest.

1109
00:56:32,480 --> 00:56:35,240
Speaker 1: Now somebody who was good on Wilding Up is Safari.

1110
00:56:36,200 --> 00:56:42,160
Speaker 1: Now Safari got cooked on. Safari is always still a

1111
00:56:42,200 --> 00:56:44,640
Speaker 1: good sport. Right, even though they were throwing things at

1112
00:56:44,719 --> 00:56:47,239
Speaker 1: him at Dykeman and all of that last week after

1113
00:56:47,320 --> 00:56:49,480
Speaker 1: he was performing and they weren't really filling him and

1114
00:56:49,560 --> 00:56:52,360
Speaker 1: he got booed, he now had some bars. Here's the

1115
00:56:52,440 --> 00:56:58,360
Speaker 1: freestyle about Dykeman. So I got booed, first ruled, I

1116
00:56:58,480 --> 00:57:00,680
Speaker 1: did a verse and did a whole up again, started

1117
00:57:00,719 --> 00:57:03,880
Speaker 1: throwing ball forward that part they see you get you

1118
00:57:04,080 --> 00:57:06,640
Speaker 1: like see low had the whole world go against me,

1119
00:57:06,880 --> 00:57:09,840
Speaker 1: like my name Steve Bowe, how he were doing just

1120
00:57:09,960 --> 00:57:12,640
Speaker 1: so pissed for y'all. Can't even tell me what y'all

1121
00:57:12,719 --> 00:57:16,080
Speaker 1: gonna be piss for. How you mad? That's how you

1122
00:57:16,120 --> 00:57:18,600
Speaker 1: can try even look get more. I want to close

1123
00:57:18,600 --> 00:57:21,760
Speaker 1: the bomb for Safari man. I talked. I spoke to

1124
00:57:21,880 --> 00:57:23,280
Speaker 1: him over the weekend. Let me tell you he was

1125
00:57:23,320 --> 00:57:25,000
Speaker 1: a man. He was kind of he was he was.

1126
00:57:25,440 --> 00:57:27,200
Speaker 1: He said he went out there and performing. It was

1127
00:57:27,320 --> 00:57:30,160
Speaker 1: one little group of dudes that were bowling, and he

1128
00:57:30,200 --> 00:57:32,640
Speaker 1: said he tried to ignore them. Yeah, and then he

1129
00:57:32,680 --> 00:57:35,160
Speaker 1: started throwing raw food that is raw and then he said,

1130
00:57:35,560 --> 00:57:40,040
Speaker 1: I don't know raw food? Yes? Nice? All right, well

1131
00:57:40,080 --> 00:57:43,080
Speaker 1: here send more. Safari saw raws on the red car.

1132
00:57:43,240 --> 00:57:45,720
Speaker 1: Didn't tell me that it's all good. I ain't shipping

1133
00:57:45,760 --> 00:57:47,959
Speaker 1: off that old shoe. I'm can't money Howard it didn't

1134
00:57:47,960 --> 00:57:50,640
Speaker 1: should saw a tipper. We shook hands. It was never

1135
00:57:50,800 --> 00:57:53,880
Speaker 1: non bead man hinting that be running while with this shit.

1136
00:57:53,960 --> 00:57:56,280
Speaker 1: Don't even understand. I'm glad we cleared up what raw

1137
00:57:56,320 --> 00:57:57,880
Speaker 1: food is because I'm sitting there thinking of a bunch

1138
00:57:57,880 --> 00:58:01,040
Speaker 1: of people indictment throwing steaks at him, checking chicken I'm like,

1139
00:58:01,080 --> 00:58:04,000
Speaker 1: why did you waste some food like that indegment uncooked

1140
00:58:04,080 --> 00:58:06,120
Speaker 1: fruits and vegetables. I met so far his mom at

1141
00:58:06,160 --> 00:58:08,000
Speaker 1: the airport the other day, a couple a couple of

1142
00:58:08,040 --> 00:58:12,320
Speaker 1: weeks ago. Very nice lady. Okay, raised, she did raise

1143
00:58:12,400 --> 00:58:15,000
Speaker 1: the yes, keep telling you. I'm gonna tell you something.

1144
00:58:15,080 --> 00:58:17,680
Speaker 1: I'm telling you. I respect so far he's ambition. He

1145
00:58:17,760 --> 00:58:20,760
Speaker 1: will not stop. I'm telling you, no matter what he's

1146
00:58:20,840 --> 00:58:23,920
Speaker 1: thrown at him, raw food, you know, getting jumped in

1147
00:58:24,000 --> 00:58:26,200
Speaker 1: the street, he will not stop. He is gonna get

1148
00:58:26,680 --> 00:58:28,680
Speaker 1: He's gonna get him a hit record. I'm telling you

1149
00:58:29,840 --> 00:58:32,760
Speaker 1: the end. That's your rumor report. All right, thank you,

1150
00:58:32,920 --> 00:58:36,920
Speaker 1: miss ye Charlemaine, Yes, are you giving that? Donk? We

1151
00:58:37,040 --> 00:58:39,400
Speaker 1: need to a cup on call aka Martin Matching to

1152
00:58:39,440 --> 00:58:41,000
Speaker 1: come to the front of the correngation. We like to

1153
00:58:41,000 --> 00:58:43,160
Speaker 1: have a world with him. Okay, we'll get into that

1154
00:58:43,240 --> 00:58:45,160
Speaker 1: when we come back. Keep it locked this to breakfast club.

1155
00:58:45,200 --> 00:58:50,280
Speaker 1: Good morning, Charlemaine. Say the gang don't get the same

1156
00:58:50,480 --> 00:58:58,720
Speaker 1: man you are talking today does not discriminate. I might

1157
00:58:58,760 --> 00:59:00,720
Speaker 1: not have the song of today by got to donkey that.

1158
00:59:01,320 --> 00:59:02,960
Speaker 1: If you ever feel I need to be a donkey

1159
00:59:03,000 --> 00:59:08,000
Speaker 1: man with the practice club. Bitch. They just don't kive Today.

1160
00:59:08,120 --> 00:59:12,240
Speaker 1: Today Wow at Sharon Donkey Today from Monday, July sixteenth,

1161
00:59:12,320 --> 00:59:15,120
Speaker 1: goes to a CBS employee named Mary Mattson, known in

1162
00:59:15,200 --> 00:59:18,920
Speaker 1: apps on smartphones is cupon car. Now, quick backstory on

1163
00:59:19,040 --> 00:59:21,560
Speaker 1: Maury Matson. He is running for Chicago City Council and

1164
00:59:21,680 --> 00:59:25,240
Speaker 1: was a state delegate for Donald Trump's twenty sixteen presidential campaign.

1165
00:59:25,280 --> 00:59:27,280
Speaker 1: The only reason I'm telling you this is because these

1166
00:59:27,320 --> 00:59:29,160
Speaker 1: are the type of people who be in positions of

1167
00:59:29,240 --> 00:59:31,920
Speaker 1: power in your communities and you don't even know it. Now,

1168
00:59:32,000 --> 00:59:34,400
Speaker 1: a black woman named Kamilla Hudson was minding her damn

1169
00:59:34,480 --> 00:59:36,880
Speaker 1: business and she was in a CVS with a cupon

1170
00:59:37,160 --> 00:59:40,240
Speaker 1: to get some free disposable Hey, you pronounced that, and

1171
00:59:40,320 --> 00:59:43,800
Speaker 1: continence products. Now I've never heard of incontinence products until

1172
00:59:43,880 --> 00:59:46,520
Speaker 1: this morning, but in continence products are black of control,

1173
00:59:46,600 --> 00:59:50,280
Speaker 1: pad shields, panty liners. You know, people who sneeze harder,

1174
00:59:50,400 --> 00:59:52,760
Speaker 1: laugh hard. Didn't have a little leak it. Okay, that's

1175
00:59:52,840 --> 00:59:54,800
Speaker 1: Camilla's business and she was just trying to handle her

1176
00:59:54,840 --> 00:59:57,360
Speaker 1: business until Maury blew up her spot. Now, according to

1177
00:59:57,400 --> 01:00:00,480
Speaker 1: the Chicago Tribune, Camilla tried to use the sell check out,

1178
01:00:00,760 --> 01:00:03,240
Speaker 1: but it lacked the mechanism for taking cupon, so the

1179
01:00:03,280 --> 01:00:07,200
Speaker 1: store's manager, Cupon Carl aka Moury Mattson, offered to assist

1180
01:00:07,280 --> 01:00:10,480
Speaker 1: her on a register, but the whole situation went bad

1181
01:00:10,760 --> 01:00:13,760
Speaker 1: when Morey called for another manager. That manager, whose name

1182
01:00:13,880 --> 01:00:16,560
Speaker 1: is not known, told Camilla they couldn't accept about you

1183
01:00:16,680 --> 01:00:19,680
Speaker 1: because he'd never seen one like it before, and accused

1184
01:00:19,720 --> 01:00:22,320
Speaker 1: her of possibly handwriting it. Now I'm looking at the

1185
01:00:22,400 --> 01:00:25,320
Speaker 1: exact cupon she was using. Looks like a regular cupon

1186
01:00:25,440 --> 01:00:27,480
Speaker 1: to me, Hey, when a handwritten part of that has

1187
01:00:27,520 --> 01:00:29,520
Speaker 1: a bar code on it, let me show you couldn't

1188
01:00:29,560 --> 01:00:31,520
Speaker 1: easily scan the bar code to see if it was

1189
01:00:31,560 --> 01:00:35,000
Speaker 1: real or not? Simple? See look can you see? Can

1190
01:00:35,040 --> 01:00:36,919
Speaker 1: you see? Guys? See, yeah, we have a vote TV.

1191
01:00:37,120 --> 01:00:39,520
Speaker 1: Oh it's a vote okay. It has a bar code

1192
01:00:39,560 --> 01:00:41,800
Speaker 1: on it and everything. And they're damn sure. Isn't anything

1193
01:00:41,840 --> 01:00:44,960
Speaker 1: on this cupon that looks handwritten? Okay. Camilla Hudson was

1194
01:00:45,040 --> 01:00:47,800
Speaker 1: rightfully offended at being called a liar and a thief,

1195
01:00:48,200 --> 01:00:50,680
Speaker 1: and then when she was asked to leave CBS, she

1196
01:00:50,800 --> 01:00:53,920
Speaker 1: didn't go no damn well, and then Mary called the police.

1197
01:00:54,000 --> 01:00:57,600
Speaker 1: Let's hear it, it's a female she's wearing a greenish

1198
01:00:58,840 --> 01:01:00,960
Speaker 1: I'll be here when she rode, but I will be

1199
01:01:01,080 --> 01:01:04,000
Speaker 1: waiting for them to ride. You can tell them her

1200
01:01:04,080 --> 01:01:07,040
Speaker 1: name is Camilla Hudson. I have ide and will share

1201
01:01:07,080 --> 01:01:15,840
Speaker 1: it more. Mr Ry Mason m HS African American black, No,

1202
01:01:16,000 --> 01:01:20,840
Speaker 1: I'm not African American. I'm black. Black isn't a bad word. Ay,

1203
01:01:20,920 --> 01:01:23,760
Speaker 1: thank you. If you haven't seen this video, I really

1204
01:01:23,800 --> 01:01:26,000
Speaker 1: hope you're watching this horm Revolt TV because I want

1205
01:01:26,040 --> 01:01:27,760
Speaker 1: you to see the look of terror in this white

1206
01:01:27,760 --> 01:01:30,720
Speaker 1: man's eyes. Right, his arm is shaking while he's holding

1207
01:01:30,760 --> 01:01:33,680
Speaker 1: the phone, is really cold in that store, or he

1208
01:01:33,840 --> 01:01:36,680
Speaker 1: has a cerebral palsy. Okay, this is the same kind

1209
01:01:36,720 --> 01:01:39,800
Speaker 1: of nervous, scary energy that we don't want police officers

1210
01:01:39,840 --> 01:01:42,040
Speaker 1: to have, because when you take that fear makes it

1211
01:01:42,120 --> 01:01:45,480
Speaker 1: with authority and a gun, then unarmed, innocent black people

1212
01:01:45,560 --> 01:01:47,840
Speaker 1: get killed. And we can't chalk thisself to just fear. Okay,

1213
01:01:47,920 --> 01:01:50,080
Speaker 1: I know cocaine use when I see it, all right,

1214
01:01:50,120 --> 01:01:52,320
Speaker 1: that's the paranoia that comes with sniffing on that powdered

1215
01:01:52,400 --> 01:01:55,240
Speaker 1: mannis all right? If more Matchen was that scared because

1216
01:01:55,320 --> 01:01:57,920
Speaker 1: Camilla was using a cupeon imagine if she would have

1217
01:01:57,920 --> 01:02:00,919
Speaker 1: had an EBT card. My God. Keep in mind, Maury

1218
01:02:00,960 --> 01:02:03,160
Speaker 1: Matson is running for Chicago City Council, as I told

1219
01:02:03,200 --> 01:02:05,240
Speaker 1: y'all earlier, and he was a state delegate for Donald

1220
01:02:05,280 --> 01:02:07,920
Speaker 1: Trump's twenty sixteen presidential campaign. This is one of the

1221
01:02:07,960 --> 01:02:10,920
Speaker 1: people on your city council who looks into the city's goals,

1222
01:02:11,760 --> 01:02:15,880
Speaker 1: major projects, infrastructure improvements, ranger from community growth to land

1223
01:02:16,040 --> 01:02:18,560
Speaker 1: used to finances and strategic planning. Do you think he

1224
01:02:18,640 --> 01:02:20,880
Speaker 1: has any black or brown interest on the table when

1225
01:02:20,920 --> 01:02:23,240
Speaker 1: they are discussing the strategic planning of the city. Huh

1226
01:02:23,320 --> 01:02:25,360
Speaker 1: do you? This is why it's important to be involved

1227
01:02:25,400 --> 01:02:27,880
Speaker 1: in your local elections. Know who you're voting for, and

1228
01:02:27,960 --> 01:02:29,400
Speaker 1: this is why it's important to be involved in the

1229
01:02:29,480 --> 01:02:32,000
Speaker 1: politics of your city because you yourself could be running

1230
01:02:32,040 --> 01:02:35,120
Speaker 1: for city council if Maury that works at CBS can't.

1231
01:02:35,320 --> 01:02:38,320
Speaker 1: And please remember to not vote for this white collar

1232
01:02:38,440 --> 01:02:42,000
Speaker 1: criminal on election day. Okay, yes, I said white collar

1233
01:02:42,080 --> 01:02:44,080
Speaker 1: criminal or did I say callar I don't know. I

1234
01:02:44,200 --> 01:02:46,280
Speaker 1: meant to say white collar Either way, don't vote for

1235
01:02:46,400 --> 01:02:49,640
Speaker 1: him on election day. Please give Morey Matson aka Qupon

1236
01:02:49,720 --> 01:02:56,000
Speaker 1: called the biggest he hall mean Jesus. All right, but

1237
01:02:56,160 --> 01:02:59,120
Speaker 1: Jada Kiss said, you're shaking like a lee holding the torch. Yeah,

1238
01:02:59,160 --> 01:03:01,440
Speaker 1: he's so nerves What is he even? It's a coupon

1239
01:03:01,840 --> 01:03:03,520
Speaker 1: to scare it. Now, if he does come out and

1240
01:03:03,520 --> 01:03:05,280
Speaker 1: say he got share with pause, we're all gonna feel

1241
01:03:05,280 --> 01:03:11,840
Speaker 1: bad though. It's a little well you said it, I

1242
01:03:11,880 --> 01:03:13,720
Speaker 1: mean you would because we saying that he was shaking

1243
01:03:13,760 --> 01:03:15,880
Speaker 1: because he was scared. But he actually could have nervous,

1244
01:03:16,000 --> 01:03:20,320
Speaker 1: some type of nerve damage. I doubt it. All right, well,

1245
01:03:20,400 --> 01:03:23,840
Speaker 1: thank you for that, donkey. Today Now, today is get

1246
01:03:23,920 --> 01:03:26,920
Speaker 1: out of the dog House Day, National get out of

1247
01:03:26,960 --> 01:03:29,680
Speaker 1: the Doghouse Day. That's right. So we're gonna open up

1248
01:03:29,680 --> 01:03:32,000
Speaker 1: the phone lines. Eight hundred five eight five one oh

1249
01:03:32,120 --> 01:03:34,080
Speaker 1: five one. Are you in the doghouse and you want

1250
01:03:34,120 --> 01:03:36,000
Speaker 1: to get out? Yes, we're gonna open up the phone

1251
01:03:36,000 --> 01:03:38,680
Speaker 1: lines and allow you to get out of the doghouse.

1252
01:03:38,720 --> 01:03:40,320
Speaker 1: You might have to call up and say the purse's

1253
01:03:40,400 --> 01:03:43,120
Speaker 1: name and say what you did today? Today is Today

1254
01:03:43,240 --> 01:03:45,720
Speaker 1: is for mending the screen relationships that have been left

1255
01:03:46,000 --> 01:03:48,360
Speaker 1: in the doghouses. Okay, so some of you guys might

1256
01:03:48,360 --> 01:03:49,720
Speaker 1: be in the doghouse with you ladies. Some of you

1257
01:03:49,840 --> 01:03:51,680
Speaker 1: ladies might be in the doghouse with your guy. You

1258
01:03:51,720 --> 01:03:54,280
Speaker 1: can call up right now and you know, ask to

1259
01:03:54,320 --> 01:03:56,520
Speaker 1: get about that doghouse. Me myself, I live life like

1260
01:03:56,560 --> 01:03:58,600
Speaker 1: I'm always in the doghouse. I think that's the safest

1261
01:03:58,640 --> 01:04:02,280
Speaker 1: place for any man. Eight hundred five eight five one

1262
01:04:02,320 --> 01:04:03,960
Speaker 1: on five one. You know who's in the doghouse right now?

1263
01:04:04,640 --> 01:04:07,320
Speaker 1: Chick fil A, Chick fil A. And I'm gonna tell you,

1264
01:04:07,320 --> 01:04:10,280
Speaker 1: you know, I don't get Chick fil A breakfast often,

1265
01:04:10,480 --> 01:04:12,440
Speaker 1: right so I got it this morning. No, I got

1266
01:04:12,520 --> 01:04:15,600
Speaker 1: it this morning. They just brought it, and I get simply.

1267
01:04:15,760 --> 01:04:20,280
Speaker 1: It's simply my chicken egg and cheese biscuit. That's all

1268
01:04:20,320 --> 01:04:22,520
Speaker 1: I get. That's my cheap breakfast every once in a

1269
01:04:22,560 --> 01:04:24,600
Speaker 1: blue moon. And they messed it up. How can you

1270
01:04:24,680 --> 01:04:27,040
Speaker 1: mess that up? When they that was messed up. Chick

1271
01:04:27,080 --> 01:04:29,440
Speaker 1: fil A rarely messes up orders Number one, number two.

1272
01:04:29,440 --> 01:04:31,720
Speaker 1: I didn't know you had such an intense relationship with

1273
01:04:31,800 --> 01:04:34,000
Speaker 1: Chick fil A, because National Doghouse Day is for people

1274
01:04:34,040 --> 01:04:41,680
Speaker 1: who are in relationships, sir, boyfriend, husband's wives. Okay, you

1275
01:04:41,720 --> 01:04:45,000
Speaker 1: care about you in your little fast food addiction. Chick

1276
01:04:45,000 --> 01:04:49,880
Speaker 1: Fila is not fast food, sir. You took this similar

1277
01:04:49,920 --> 01:04:52,600
Speaker 1: out all right eight hundred five A five one on

1278
01:04:52,760 --> 01:04:55,360
Speaker 1: five one. The question is call us up right now?

1279
01:04:55,520 --> 01:04:57,439
Speaker 1: All you trying to get out of the doghouse. Today

1280
01:04:57,520 --> 01:04:59,960
Speaker 1: is National Get out of the Doghouse Day. Call up

1281
01:05:00,040 --> 01:05:02,120
Speaker 1: and get out the doghouse. It's the Breakfast Club, Go morning,

1282
01:05:02,560 --> 01:05:09,720
Speaker 1: the Breakfast Club Morning. Everybody is cej Envy, Angela, Yee,

1283
01:05:09,840 --> 01:05:13,080
Speaker 1: Charlomagne the guy. We all the Breakfast Club. Today is

1284
01:05:13,200 --> 01:05:15,720
Speaker 1: National get out of the Doghouse to day. And we're

1285
01:05:15,760 --> 01:05:17,400
Speaker 1: opening up the phone lines you can get out of

1286
01:05:17,440 --> 01:05:19,400
Speaker 1: the doghouse. Are you having a problem in your relationship

1287
01:05:19,640 --> 01:05:21,240
Speaker 1: and you need to call it? Get out? We'll call

1288
01:05:21,360 --> 01:05:23,560
Speaker 1: us up right now. How's your relationship yet? If you

1289
01:05:23,720 --> 01:05:25,000
Speaker 1: but listen, If you don't know what getting out of

1290
01:05:25,040 --> 01:05:27,640
Speaker 1: the doghouse is, you know it's a day for mending

1291
01:05:27,680 --> 01:05:31,240
Speaker 1: the screen relationships that have left you in the doghouse.

1292
01:05:31,240 --> 01:05:32,880
Speaker 1: You might have did something to pitch your wife off

1293
01:05:32,960 --> 01:05:35,320
Speaker 1: this weekend, or pitch your girl off. Girl might did

1294
01:05:35,360 --> 01:05:38,120
Speaker 1: something to piss her man or husband, and you know,

1295
01:05:38,240 --> 01:05:40,560
Speaker 1: now you feel like you're in the doghouse. Are you

1296
01:05:40,640 --> 01:05:42,600
Speaker 1: in the doghouse? You? How's your relationship right now? No?

1297
01:05:42,680 --> 01:05:45,000
Speaker 1: I'm never really in the doghouse because anytime you get

1298
01:05:45,080 --> 01:05:46,840
Speaker 1: mad at me, anytime my boyfriend gets mad at me,

1299
01:05:46,880 --> 01:05:48,680
Speaker 1: I just turned it back around on him. That's not

1300
01:05:48,680 --> 01:05:52,600
Speaker 1: all right, this is what happens. Okay, what about you, Charlomagne. Um,

1301
01:05:52,680 --> 01:05:54,800
Speaker 1: I lived my life like I'm always in the doghouse,

1302
01:05:54,920 --> 01:05:56,240
Speaker 1: you know what I'm saying. Me and my wife have

1303
01:05:56,360 --> 01:05:58,920
Speaker 1: been together twenty years. We've been married for those twenty years.

1304
01:05:59,520 --> 01:06:02,240
Speaker 1: I was a dog for most of those twenty years.

1305
01:06:02,320 --> 01:06:04,360
Speaker 1: So being that I was a dog, I was always

1306
01:06:04,400 --> 01:06:06,640
Speaker 1: in the doghouse. So I think that, you know, it's

1307
01:06:06,680 --> 01:06:09,120
Speaker 1: just appropriate that I live my life like I've always

1308
01:06:09,360 --> 01:06:11,120
Speaker 1: done something wrong. You know what I'm saying. I live

1309
01:06:11,200 --> 01:06:13,160
Speaker 1: my life like I'm always trying to trying to make

1310
01:06:13,280 --> 01:06:14,840
Speaker 1: up for something that I did wrong, you know what

1311
01:06:14,880 --> 01:06:16,840
Speaker 1: I'm saying. You know, And the funny thing that you

1312
01:06:16,880 --> 01:06:19,880
Speaker 1: said that I have, I do the same thing. Yeah,

1313
01:06:21,440 --> 01:06:24,520
Speaker 1: Like I'm always left up, like I'm like, I'm continually

1314
01:06:24,600 --> 01:06:26,400
Speaker 1: trying to get out the dog, even know not the doghouse.

1315
01:06:26,480 --> 01:06:28,560
Speaker 1: Last night was an amazing night, but I still call

1316
01:06:28,640 --> 01:06:30,560
Speaker 1: this morning, hey, babe, house you're doing when I When

1317
01:06:30,560 --> 01:06:32,160
Speaker 1: I got back to the hotel. I'm gonna get some flowers.

1318
01:06:32,200 --> 01:06:34,560
Speaker 1: I act like I'm in the doghouse. I think that's

1319
01:06:34,600 --> 01:06:37,960
Speaker 1: the safest bet for all men. Just always act like

1320
01:06:38,080 --> 01:06:40,280
Speaker 1: you in the doghouse. I always act like you've done

1321
01:06:40,320 --> 01:06:42,640
Speaker 1: something wrong and you're trying to make up for that wrong.

1322
01:06:42,680 --> 01:06:44,840
Speaker 1: I think if we live our lives like that, do

1323
01:06:44,920 --> 01:06:47,040
Speaker 1: our relationships like that, our relationships would be great. All right,

1324
01:06:47,200 --> 01:06:50,880
Speaker 1: let's go to the phone lines. Hello, who's this? Hello?

1325
01:06:51,680 --> 01:06:53,920
Speaker 1: What's up? Bro? You're trying to get out the doghouse. Man,

1326
01:06:54,040 --> 01:06:56,760
Speaker 1: I'm trying to get out the doghouse. What you do? Bro?

1327
01:06:58,360 --> 01:07:01,640
Speaker 1: I'm banging three chicks. One of them came back told

1328
01:07:01,680 --> 01:07:06,080
Speaker 1: me she had Climmitian. I'm like, oh my god, oh

1329
01:07:06,240 --> 01:07:10,760
Speaker 1: my god. For deal? So boom, I get tested. How

1330
01:07:10,840 --> 01:07:13,600
Speaker 1: the two girls get tested? Nobody has except for the

1331
01:07:13,680 --> 01:07:16,120
Speaker 1: one girl. Okay, so that's where you got it. I

1332
01:07:16,240 --> 01:07:18,240
Speaker 1: never had it. I got tested the cat back got

1333
01:07:18,280 --> 01:07:20,440
Speaker 1: didn't have it. So why are you in the doghouse?

1334
01:07:20,520 --> 01:07:22,520
Speaker 1: Because he told on himself. He had to tell. Oh,

1335
01:07:22,600 --> 01:07:24,600
Speaker 1: he lied and said he had Committian. He didn't. You

1336
01:07:24,680 --> 01:07:27,439
Speaker 1: could have something else. I was the dog. I didn't

1337
01:07:27,440 --> 01:07:32,800
Speaker 1: don't tell everybody like look, but that was very responsible

1338
01:07:32,880 --> 01:07:35,280
Speaker 1: of you to let everybody know that is responsible. I

1339
01:07:35,320 --> 01:07:37,320
Speaker 1: don't know why that was everybody's business, but I understand

1340
01:07:39,240 --> 01:07:41,440
Speaker 1: is cherable man, but he still had to tell him.

1341
01:07:42,880 --> 01:07:44,680
Speaker 1: You get rid of it. Let everybody else deal with

1342
01:07:44,760 --> 01:07:49,920
Speaker 1: it on their own. No, Hello, who's this Mississippi? What's

1343
01:07:50,000 --> 01:07:52,720
Speaker 1: up Mississippi? All right? All right, man, So I'm trying

1344
01:07:52,720 --> 01:07:54,080
Speaker 1: to get out of the dog. I don't need your

1345
01:07:54,240 --> 01:07:57,160
Speaker 1: hill man. Okay, what you do? You know that you

1346
01:07:57,240 --> 01:07:59,640
Speaker 1: know how Joey was on baby Boy when she was

1347
01:07:59,680 --> 01:08:01,600
Speaker 1: in a a in the drive though, my girl found

1348
01:08:01,640 --> 01:08:04,600
Speaker 1: the straps, found the rubbers on me. Man down the

1349
01:08:04,680 --> 01:08:07,200
Speaker 1: strap on the rubbers. I didn't do it. So who's

1350
01:08:07,280 --> 01:08:11,600
Speaker 1: rubbers are they? My homeboy? Man, cub God, we don't

1351
01:08:11,600 --> 01:08:13,760
Speaker 1: even believe you. It don't sound right back. Come on,

1352
01:08:13,920 --> 01:08:17,400
Speaker 1: come on, So you have your friends condoms in the car?

1353
01:08:17,920 --> 01:08:20,559
Speaker 1: Was hey? That was in the car? Man, bro I'm

1354
01:08:20,560 --> 01:08:24,040
Speaker 1: gonna tell you something, man. That is one of the oldest,

1355
01:08:24,680 --> 01:08:27,559
Speaker 1: lamest excuses for when a man gets called with condoms.

1356
01:08:27,560 --> 01:08:32,200
Speaker 1: They don't mind, they're friends. Knock it off. Yeah, okay,

1357
01:08:32,240 --> 01:08:38,720
Speaker 1: you right, guy, cold. I believe you, man, I believe you.

1358
01:08:38,840 --> 01:08:41,240
Speaker 1: Please let them my dog out eight, don't drink five

1359
01:08:41,320 --> 01:08:43,599
Speaker 1: A five one on five one. Today is National get

1360
01:08:43,640 --> 01:08:45,559
Speaker 1: out of the Doghouse Day. Do you need to get

1361
01:08:45,600 --> 01:08:48,680
Speaker 1: out of the doghouse? It's all five A five one

1362
01:08:48,760 --> 01:08:50,639
Speaker 1: on five one. Hit us up. Now was the Breakfast Club?

1363
01:08:50,680 --> 01:08:54,880
Speaker 1: Good morning pointing everybody is DJ Envy Angela yee, Charlomagne

1364
01:08:54,880 --> 01:08:57,479
Speaker 1: the guy we are the breakfast Club. Now. Today is

1365
01:08:57,600 --> 01:09:00,439
Speaker 1: National get out of the Doghouse Day. Now, what is

1366
01:09:00,479 --> 01:09:03,120
Speaker 1: National get out of the doghouse Day? Charlamagne? National get

1367
01:09:03,120 --> 01:09:05,519
Speaker 1: out of the doghouse to day is the day of

1368
01:09:05,680 --> 01:09:09,080
Speaker 1: mending the screen relationships that have left people in doghouse.

1369
01:09:09,479 --> 01:09:11,320
Speaker 1: All right, so we're opening up the phone lines and

1370
01:09:11,360 --> 01:09:13,719
Speaker 1: we're gonna let you get out of the doghouse. Hello.

1371
01:09:13,840 --> 01:09:17,800
Speaker 1: Who's this? Hello? Hey, what's up? Bro? You're in the doghouse? Yeah, man,

1372
01:09:17,840 --> 01:09:20,080
Speaker 1: I'm gonna dog out what you do. I had a

1373
01:09:20,160 --> 01:09:23,560
Speaker 1: real all even my fiance on the weekend about you know,

1374
01:09:23,680 --> 01:09:26,479
Speaker 1: she was king a point about how my daughter should

1375
01:09:26,479 --> 01:09:28,920
Speaker 1: spend more time with my son. But I was taking

1376
01:09:28,960 --> 01:09:30,680
Speaker 1: it some welles, So I was sitting it like she

1377
01:09:30,800 --> 01:09:32,760
Speaker 1: was an enemy, and I just went real nastal it

1378
01:09:32,840 --> 01:09:35,160
Speaker 1: and I didn't feel good about it. Okay, yeah, well

1379
01:09:35,160 --> 01:09:37,240
Speaker 1: you need to call up giving some roses some flowers.

1380
01:09:38,080 --> 01:09:43,640
Speaker 1: Broke right, Bro, all right, hello, who's this many? You

1381
01:09:43,720 --> 01:09:46,200
Speaker 1: in the doghouse? What you do? Oh man, I'm gonna

1382
01:09:46,240 --> 01:09:50,559
Speaker 1: dog couse? Bro keep shet keep accusing up when she's

1383
01:09:50,680 --> 01:09:53,719
Speaker 1: not doing anything. Why you keep doing that? You're feeling

1384
01:09:53,720 --> 01:09:58,479
Speaker 1: guilty yourself? No? No, not really, not really? You do this?

1385
01:09:58,640 --> 01:10:00,800
Speaker 1: Have you've been with the first like six shit? You

1386
01:10:00,920 --> 01:10:03,400
Speaker 1: know you know, you know, you kind of know them

1387
01:10:03,560 --> 01:10:07,360
Speaker 1: with unconsciously and you know them so when something changed,

1388
01:10:07,720 --> 01:10:10,880
Speaker 1: red Fland goes up, you're like that. They shake, even

1389
01:10:10,920 --> 01:10:13,000
Speaker 1: in the athsence of all evidence. You always know when

1390
01:10:13,040 --> 01:10:15,600
Speaker 1: your lover takes a lover and she's telling me that

1391
01:10:15,800 --> 01:10:18,320
Speaker 1: you know it's not going on, and maybe it's not,

1392
01:10:18,479 --> 01:10:20,679
Speaker 1: but I don't. I think it's I beg the difference.

1393
01:10:20,840 --> 01:10:23,840
Speaker 1: You sound like it insecure, you doing anything? You don't

1394
01:10:23,840 --> 01:10:27,000
Speaker 1: even have any evidence or anything. No, no, I believe me.

1395
01:10:27,120 --> 01:10:30,320
Speaker 1: Like I call her and she's at work, and she'll

1396
01:10:30,400 --> 01:10:32,160
Speaker 1: she'll tell me what. I'm with a client right now,

1397
01:10:32,200 --> 01:10:34,200
Speaker 1: But she didn't feel a lot. I'm in a client

1398
01:10:34,360 --> 01:10:36,840
Speaker 1: right now. I can't talk. But when she wants me

1399
01:10:37,000 --> 01:10:40,320
Speaker 1: for something. She'll call me and she seats with a client.

1400
01:10:40,640 --> 01:10:43,320
Speaker 1: But now if if I'm calling her and it's I

1401
01:10:43,400 --> 01:10:47,040
Speaker 1: guess it's a it's a in opportune time. Uh, she

1402
01:10:47,200 --> 01:10:49,040
Speaker 1: telling me I'm with a client. I can't talk. But

1403
01:10:49,960 --> 01:10:52,960
Speaker 1: are you sure? Are you sure you not cheating? And

1404
01:10:53,040 --> 01:10:58,000
Speaker 1: your guilty? Hey? No, you know what you know? They

1405
01:10:58,120 --> 01:11:00,360
Speaker 1: say the persons. No, I'm gonna tell you I won't

1406
01:11:00,439 --> 01:11:03,360
Speaker 1: cheat because if I do it, I say, I feel

1407
01:11:03,400 --> 01:11:05,519
Speaker 1: like she's doing it. Well, yeah, I feel like you're

1408
01:11:05,560 --> 01:11:09,000
Speaker 1: doing it now, know I you know Sharlot man? You

1409
01:11:09,200 --> 01:11:15,240
Speaker 1: know me? Why Charlomn I always in the middle of

1410
01:11:15,280 --> 01:11:18,320
Speaker 1: the why why man? You don't know you bro? Tell

1411
01:11:18,400 --> 01:11:20,600
Speaker 1: us about him? Solomon? I was, I was opening up

1412
01:11:20,640 --> 01:11:23,240
Speaker 1: for Mike Kepton. You introduced me at Madison Square Garden.

1413
01:11:24,400 --> 01:11:26,680
Speaker 1: M No, I'm not cheating. When they call me the

1414
01:11:26,760 --> 01:11:30,160
Speaker 1: bull dog, let me relationship. I would like to say that.

1415
01:11:31,040 --> 01:11:32,800
Speaker 1: I would like to say this, boy, I would like

1416
01:11:32,840 --> 01:11:35,599
Speaker 1: to say this, mister Bulldog, just because I just because

1417
01:11:35,600 --> 01:11:37,960
Speaker 1: I introduced you at Madison Square Garden does not mean

1418
01:11:38,000 --> 01:11:40,040
Speaker 1: I know you, sir, y'all friend, I mean no, no,

1419
01:11:40,200 --> 01:11:42,160
Speaker 1: you no, you don't know me. Know me, but I'm

1420
01:11:42,400 --> 01:11:46,040
Speaker 1: saying you know we we we established a report. We

1421
01:11:46,120 --> 01:11:48,599
Speaker 1: were talking even before you introduced me. She don't need

1422
01:11:48,640 --> 01:11:51,600
Speaker 1: to say. I'm not a cheetah. I'm a good I

1423
01:11:51,680 --> 01:11:54,160
Speaker 1: was in the military. I was in the military. The

1424
01:11:54,240 --> 01:11:55,800
Speaker 1: more the more you talk to less, I believe you.

1425
01:11:56,040 --> 01:11:59,240
Speaker 1: I'm be honest with you. It's not how you get

1426
01:11:59,280 --> 01:12:01,519
Speaker 1: out the dog house. You're gonna ruin your relationship. The

1427
01:12:01,640 --> 01:12:03,400
Speaker 1: more you talk to less, I believe you, sir. All

1428
01:12:03,479 --> 01:12:05,599
Speaker 1: right with Charlomagne. Stop stop telling your friends to call

1429
01:12:05,640 --> 01:12:07,519
Speaker 1: the radio station. I'm tired of meeting people one time

1430
01:12:07,600 --> 01:12:09,559
Speaker 1: and they thinking that we're best friends. Yeah, you know him,

1431
01:12:09,680 --> 01:12:14,080
Speaker 1: Jesus God, that know him, But you know him. That's

1432
01:12:14,080 --> 01:12:16,360
Speaker 1: the more of the story. The morel of the story is, Fellas,

1433
01:12:16,439 --> 01:12:18,280
Speaker 1: just live life like you're in the doghouse. That's the

1434
01:12:18,439 --> 01:12:20,200
Speaker 1: best way to be. If you live life like you're

1435
01:12:20,200 --> 01:12:22,679
Speaker 1: always in the doghouse, you will always be on point,

1436
01:12:22,880 --> 01:12:24,920
Speaker 1: you will always being doing You'll always be doing nice

1437
01:12:24,960 --> 01:12:27,920
Speaker 1: things for your women. Just women, Just live life like

1438
01:12:27,960 --> 01:12:33,160
Speaker 1: you're in the doghouse. He's in the doghouse. Now, wow,

1439
01:12:33,760 --> 01:12:39,760
Speaker 1: how many women you're guy? Okay, Jesus, all right, he

1440
01:12:39,800 --> 01:12:41,920
Speaker 1: got rumors on the way. Yes, for all his women

1441
01:12:42,000 --> 01:12:44,439
Speaker 1: out there, We're going to talk about Chris Jenner. What

1442
01:12:44,560 --> 01:12:46,640
Speaker 1: does she have to say about Kylie being almost a

1443
01:12:46,680 --> 01:12:50,760
Speaker 1: billionaire and also why she cheated on Rob Kardashian her ex.

1444
01:12:51,240 --> 01:12:53,040
Speaker 1: All right, we'll get into all that when we come back.

1445
01:12:53,160 --> 01:12:55,400
Speaker 1: Keep it locked as to Breakfast Club, Good morning, good morning.

1446
01:12:55,439 --> 01:12:59,559
Speaker 1: Everybody is DJ Envy, Angela Charlowgne the guy. We are

1447
01:12:59,640 --> 01:13:02,280
Speaker 1: the brand Fist Club. Shout to everybody out in Miami.

1448
01:13:02,360 --> 01:13:04,960
Speaker 1: I'm broadcasting from one or three point five debat. Shout

1449
01:13:05,040 --> 01:13:09,200
Speaker 1: the thirty three and third. Shout the logic us, let's

1450
01:13:09,200 --> 01:13:20,320
Speaker 1: talk Uncle Snoop. This is the rumor report with Angela. Well,

1451
01:13:20,360 --> 01:13:21,800
Speaker 1: I saw the story and I took it with a

1452
01:13:21,840 --> 01:13:24,519
Speaker 1: grain of salt over the weekend. Originally a woman is

1453
01:13:25,120 --> 01:13:28,639
Speaker 1: saying that she was having an affair with Snoop dogs

1454
01:13:28,640 --> 01:13:31,200
Speaker 1: Selena Powell. By the way, it's the same woman who

1455
01:13:31,280 --> 01:13:34,639
Speaker 1: lied about being pregnant by offset all kinds of things

1456
01:13:35,000 --> 01:13:37,320
Speaker 1: to try to make people think that was true. Another

1457
01:13:37,400 --> 01:13:39,720
Speaker 1: woman mad at the Black Men Don't Cheat movement and

1458
01:13:39,840 --> 01:13:43,000
Speaker 1: trying to derail us. Okay, Blackaflocker actually has a restraining

1459
01:13:43,080 --> 01:13:45,640
Speaker 1: order against her as what I'm saying, yes, and she

1460
01:13:45,760 --> 01:13:48,000
Speaker 1: also had claimed that both Chief Keith and Fattie wife

1461
01:13:48,000 --> 01:13:49,840
Speaker 1: had gotten her pregnant. We don't have time for people

1462
01:13:49,920 --> 01:13:51,960
Speaker 1: like that. That's trying to change the narrative. Okay, black

1463
01:13:52,000 --> 01:13:54,080
Speaker 1: men don't cheat. A lot of us have turned over

1464
01:13:54,200 --> 01:13:57,280
Speaker 1: a whole new leaf. Faithful Black Men Association is at

1465
01:13:57,360 --> 01:14:00,400
Speaker 1: an all time high. Members are increasing every day. Well,

1466
01:14:00,479 --> 01:14:03,639
Speaker 1: some people did believe it because she posted some alleged

1467
01:14:03,720 --> 01:14:06,040
Speaker 1: text messages between the two of them, as well as

1468
01:14:07,120 --> 01:14:09,559
Speaker 1: well as a video of them facetiming each other. By

1469
01:14:09,600 --> 01:14:11,120
Speaker 1: the way, it didn't even look like Snoop in the

1470
01:14:11,160 --> 01:14:15,400
Speaker 1: FaceTime video. It wasn't Snoop. But here's what Snoop Dogg

1471
01:14:15,479 --> 01:14:17,360
Speaker 1: had to say in response. Want you all to be

1472
01:14:17,439 --> 01:14:20,519
Speaker 1: on a lookout for my new new TV show from

1473
01:14:20,600 --> 01:14:23,599
Speaker 1: executive producer Big Snoop Dogg. This is a good one.

1474
01:14:23,640 --> 01:14:28,120
Speaker 1: That's what it's called Cloud Chasers, coming soon, first episode

1475
01:14:28,720 --> 01:14:32,000
Speaker 1: next week. This turn smile bitch up man. Okay, Snoop,

1476
01:14:32,040 --> 01:14:33,559
Speaker 1: you live in your best life. You ain't going back

1477
01:14:33,600 --> 01:14:35,120
Speaker 1: and forth with these niggas. So I don't know if

1478
01:14:35,160 --> 01:14:38,120
Speaker 1: it's a real show called Cloud Chasers coming next week

1479
01:14:38,160 --> 01:14:40,439
Speaker 1: and maybe this was promor for that or if it

1480
01:14:40,600 --> 01:14:44,040
Speaker 1: was a joke, I'm not sure, but yeah, all right,

1481
01:14:44,200 --> 01:14:48,080
Speaker 1: Kylie Jenner, let's discuss what her mom, Chris Jenner, had

1482
01:14:48,080 --> 01:14:52,760
Speaker 1: to say about her being perhaps maybe the first youngest billionaire.

1483
01:14:52,920 --> 01:14:54,960
Speaker 1: She was on the cover of Forbes magazine and if

1484
01:14:55,040 --> 01:14:57,040
Speaker 1: she's going at the rate that she is, she'll be

1485
01:14:57,120 --> 01:15:00,519
Speaker 1: a billionaire next time Forbes magazine. Next year's talk about

1486
01:15:01,120 --> 01:15:04,080
Speaker 1: this list and she is going to be on. Kristanna

1487
01:15:04,080 --> 01:15:06,559
Speaker 1: will be on Objectified. She sat down for an interview

1488
01:15:07,400 --> 01:15:09,639
Speaker 1: un Objectified, and here's what she had to say about

1489
01:15:09,760 --> 01:15:12,479
Speaker 1: her daughter knowing exactly what she wanted to do. On

1490
01:15:12,640 --> 01:15:18,040
Speaker 1: November thirtieth, twenty fifteen, Kylie launched her first three lip

1491
01:15:18,160 --> 01:15:22,360
Speaker 1: kits and this started her empire. She had a plan

1492
01:15:22,720 --> 01:15:26,200
Speaker 1: for Kylie Cosmetics when she was seventeen and said, Okay,

1493
01:15:26,600 --> 01:15:28,360
Speaker 1: I finally figured out what I want to do for

1494
01:15:28,439 --> 01:15:30,639
Speaker 1: the rest of my life. And I'm like, WHOA, okay,

1495
01:15:31,160 --> 01:15:34,240
Speaker 1: And she said it's going to be makeup. She had meetings,

1496
01:15:34,360 --> 01:15:36,920
Speaker 1: she knew exactly who she wanted and what she wanted

1497
01:15:37,040 --> 01:15:39,439
Speaker 1: and executed it and I think it was you know,

1498
01:15:40,000 --> 01:15:43,280
Speaker 1: ten minutes later her product was sold out now. Kristenner

1499
01:15:43,320 --> 01:15:46,120
Speaker 1: also talks about cheating on her late ex husband. Well

1500
01:15:46,160 --> 01:15:48,920
Speaker 1: her before you go to let me ask you a question, right,

1501
01:15:49,240 --> 01:15:52,479
Speaker 1: isn't this bamboozsement. She's selling lip kits to people, but

1502
01:15:52,600 --> 01:15:56,519
Speaker 1: she's she's using fillers. Well she's not actually using it. Well, no, no,

1503
01:15:56,680 --> 01:15:59,040
Speaker 1: she did use it. Lipkids really is just lipstick, so

1504
01:15:59,160 --> 01:16:00,880
Speaker 1: it's a whole kit that it can make. If you

1505
01:16:00,920 --> 01:16:03,720
Speaker 1: don't want to get lip fillers, you can fill it

1506
01:16:03,760 --> 01:16:05,800
Speaker 1: in and make your lips look bigger. So she definitely

1507
01:16:05,920 --> 01:16:08,760
Speaker 1: was using it. It's just lipstick. That was a level

1508
01:16:08,840 --> 01:16:10,559
Speaker 1: up period of her life too, though, because she turned

1509
01:16:10,600 --> 01:16:13,240
Speaker 1: eighteen so she became legal. She dumped Tiger and she

1510
01:16:13,400 --> 01:16:16,760
Speaker 1: never looked back and divided the plane to become a billionaire. Yeah,

1511
01:16:16,840 --> 01:16:18,800
Speaker 1: I mean, the lip Kids is really just lipstick, so

1512
01:16:19,160 --> 01:16:20,920
Speaker 1: it's not you know, it's a whole kit, so it's

1513
01:16:20,960 --> 01:16:22,400
Speaker 1: like a liner and then you can fill it in.

1514
01:16:22,560 --> 01:16:25,519
Speaker 1: It's not like they're telling you you're gonna get bigger lips,

1515
01:16:25,600 --> 01:16:28,280
Speaker 1: but you can give the illusion that you have bigger

1516
01:16:28,320 --> 01:16:31,519
Speaker 1: lips all right now. In addition, Christianna talks about cheating

1517
01:16:31,560 --> 01:16:33,880
Speaker 1: on her late husband and Rob Kardashian, not her son

1518
01:16:34,040 --> 01:16:38,200
Speaker 1: Rob Kardashian, her late husband. One of my biggest regrets

1519
01:16:38,600 --> 01:16:40,800
Speaker 1: in my life is that that marriage fell apart and

1520
01:16:40,920 --> 01:16:43,280
Speaker 1: YE had an affair with a soccer player and I

1521
01:16:43,439 --> 01:16:46,880
Speaker 1: did I did, which wasn't nothing I'm proud of, you know.

1522
01:16:46,960 --> 01:16:50,120
Speaker 1: It's something that happened that I think everything I have

1523
01:16:50,280 --> 01:16:53,760
Speaker 1: to live my life and feeling really good about some

1524
01:16:53,880 --> 01:16:56,360
Speaker 1: of my choices. Did I love that choice? No, but

1525
01:16:56,439 --> 01:16:59,800
Speaker 1: I feel like it led me to another place where

1526
01:16:59,800 --> 01:17:02,400
Speaker 1: I then had Kindle and Kylie. So I always have

1527
01:17:02,520 --> 01:17:06,320
Speaker 1: to look back and go that was I guess, unfortunately

1528
01:17:06,920 --> 01:17:08,960
Speaker 1: the way it was supposed to come. That's true, Yetta,

1529
01:17:08,960 --> 01:17:11,559
Speaker 1: look at the bright side. Also, cheating with oj bought Chloye.

1530
01:17:11,720 --> 01:17:14,960
Speaker 1: So what I mean, you know, don't put those things out.

1531
01:17:15,080 --> 01:17:17,000
Speaker 1: I'm sorry allegedly, Yeah, you look at the bright side

1532
01:17:17,040 --> 01:17:19,599
Speaker 1: of things, all right, Cardie B. Everybody wants to get

1533
01:17:19,640 --> 01:17:23,080
Speaker 1: those first baby pictures, and they've been getting offers around

1534
01:17:23,080 --> 01:17:26,120
Speaker 1: one hundred thousand dollars or higher so far. Light that's

1535
01:17:26,240 --> 01:17:28,919
Speaker 1: light so far. A lot of magazines and photo agencies

1536
01:17:28,960 --> 01:17:32,000
Speaker 1: have been reaching out. Now, according to reports, both Cardie

1537
01:17:32,040 --> 01:17:34,240
Speaker 1: and Offset have no desire to make a deal until

1538
01:17:34,320 --> 01:17:36,519
Speaker 1: their daughters at least five or six months old, So

1539
01:17:36,960 --> 01:17:39,160
Speaker 1: nothing's happening anytime too. I'm sure that number's gonna go

1540
01:17:39,200 --> 01:17:41,240
Speaker 1: out dropping a clues bond for young culture. Damn it.

1541
01:17:41,760 --> 01:17:44,320
Speaker 1: I hope they patented that name too. Hope they trademarked

1542
01:17:44,320 --> 01:17:47,479
Speaker 1: that name. All right, and let's talk about gifts. Gifts, gifts.

1543
01:17:47,520 --> 01:17:50,760
Speaker 1: Ti has bought Tiny a brand new car full of

1544
01:17:50,880 --> 01:17:53,320
Speaker 1: gifts for her birthday. He shared a video on Instagram

1545
01:17:53,360 --> 01:17:56,480
Speaker 1: of him surprising Tiny with a brand new black convertible,

1546
01:17:56,520 --> 01:17:59,080
Speaker 1: red leather seats. It's a Ben's Yeah. More information about

1547
01:17:59,080 --> 01:18:02,280
Speaker 1: this car, envy. Yeah, it's the bench Cooper to Ben's

1548
01:18:02,400 --> 01:18:05,040
Speaker 1: five hundred. If you want to know price, it's about

1549
01:18:05,040 --> 01:18:06,840
Speaker 1: one hundred and thirty thousand dollars and it was filled

1550
01:18:06,880 --> 01:18:09,400
Speaker 1: in the back with Christian Lubaton shoes. So I mean

1551
01:18:09,439 --> 01:18:12,519
Speaker 1: that's his wife. But now, I always turned to you

1552
01:18:12,600 --> 01:18:14,920
Speaker 1: when this is some type of car situation, because I

1553
01:18:15,000 --> 01:18:17,160
Speaker 1: know you know a lot more about cars than I do. Now,

1554
01:18:17,320 --> 01:18:20,040
Speaker 1: she posted, thank you so much mister Harris for showing

1555
01:18:20,120 --> 01:18:22,479
Speaker 1: up on my actual birthday and showing out. I really

1556
01:18:22,560 --> 01:18:24,559
Speaker 1: really love this car and all the other nice gifts

1557
01:18:24,760 --> 01:18:26,599
Speaker 1: and I just wanted to tell you how thankful I am,

1558
01:18:26,680 --> 01:18:29,839
Speaker 1: regardless of whatever, you have done more for me. Regardless

1559
01:18:29,880 --> 01:18:31,599
Speaker 1: of whatever, you have done more for me and show

1560
01:18:31,640 --> 01:18:33,479
Speaker 1: me more love than most will ever have a man

1561
01:18:33,560 --> 01:18:36,160
Speaker 1: to do given a lifetime, you know, and I appreciate

1562
01:18:36,240 --> 01:18:38,799
Speaker 1: you for that. By the way, I'm having an amazing birthday.

1563
01:18:38,840 --> 01:18:40,680
Speaker 1: Thank you to everyone who made this day a special one.

1564
01:18:40,800 --> 01:18:42,960
Speaker 1: It's because Ti always lives his life like he's in

1565
01:18:43,040 --> 01:18:45,639
Speaker 1: the doghouse as every man should. Drop on a clues

1566
01:18:45,680 --> 01:18:49,400
Speaker 1: bombs with Ti okay pivoting out of the doghouse the

1567
01:18:49,479 --> 01:18:52,120
Speaker 1: way we all should we Happy birthday to Tiny. All right,

1568
01:18:52,160 --> 01:18:55,479
Speaker 1: I'm Angela Yee and that is your rumor reports. All right,

1569
01:18:55,640 --> 01:18:59,479
Speaker 1: thank you, miss Yee. Now revolte. We'll see you guys tomorrow.

1570
01:19:00,160 --> 01:19:02,639
Speaker 1: Everybody else to People's Choice mixes Up. Next, you want

1571
01:19:02,680 --> 01:19:05,160
Speaker 1: to hear something at dj n V, get your requesting

1572
01:19:05,320 --> 01:19:07,200
Speaker 1: right now. It's the Breakfast Club. Good morning.