1 00:00:00,200 --> 00:00:02,160 Speaker 1: You're about to hear a clip from one of our 2 00:00:02,360 --> 00:00:06,360 Speaker 1: Patreon exclusive episodes. To hear the entire episode, sign up 3 00:00:06,400 --> 00:00:11,120 Speaker 1: now at patreon dot com slash Jenkins and Jones. All right, yeah, 4 00:00:11,160 --> 00:00:13,600 Speaker 1: so the week, I want to kick it off first 5 00:00:13,600 --> 00:00:16,680 Speaker 1: because I'm kicking it to someone else, Tyler. Uh, we 6 00:00:16,760 --> 00:00:19,560 Speaker 1: got to talk about your pointer guy's photo theory. 7 00:00:21,120 --> 00:00:25,400 Speaker 2: Yeah, so there was you know, Tom Cruises on his 8 00:00:25,400 --> 00:00:28,240 Speaker 2: little Mission Impossible promo. He's been flicking it up with 9 00:00:28,320 --> 00:00:31,639 Speaker 2: all the celebrities. He flicked it up. There was a 10 00:00:31,680 --> 00:00:34,239 Speaker 2: perfect picture that he took with Glenn what's the motherfucker's 11 00:00:34,280 --> 00:00:37,320 Speaker 2: last Nae Powell? Glen Powell perfect picture he took with 12 00:00:37,320 --> 00:00:40,560 Speaker 2: Glenn Paal you know where Glenn Powell had his hands 13 00:00:40,560 --> 00:00:43,080 Speaker 2: in his pants, He's hands in his pockets guy and 14 00:00:43,159 --> 00:00:44,760 Speaker 2: Tom Cruise at the hand on his shoulder the point. 15 00:00:44,760 --> 00:00:47,360 Speaker 2: And I was like, bro, this is perfect, this is perfection. 16 00:00:48,040 --> 00:00:50,559 Speaker 2: This because men struggled so much what to do with 17 00:00:50,720 --> 00:00:52,600 Speaker 2: our hands and our pic in our pictures, and we 18 00:00:52,640 --> 00:00:55,600 Speaker 2: had a perfect synergy here of a pocket guy and 19 00:00:55,640 --> 00:00:58,120 Speaker 2: a pointer guy and it worked perfectly, Like I was, 20 00:00:58,200 --> 00:01:02,440 Speaker 2: legitimately all in all, seriou amazed at how perfect. The 21 00:01:02,560 --> 00:01:06,600 Speaker 2: handwork was in that picture, right, And then a new 22 00:01:06,640 --> 00:01:11,160 Speaker 2: picture emerges with with Tom Cruise and the Weekend, And 23 00:01:11,400 --> 00:01:13,120 Speaker 2: we all know Tom Cruise, he's a point of guy, 24 00:01:13,120 --> 00:01:15,920 Speaker 2: that's his thing, and the Weekend pointed back at him, 25 00:01:16,000 --> 00:01:16,880 Speaker 2: and that was a violation. 26 00:01:17,000 --> 00:01:18,160 Speaker 1: Bro, that's a violation. 27 00:01:18,319 --> 00:01:21,039 Speaker 2: That's a violation. That's a violation for a couple of reasons. 28 00:01:21,080 --> 00:01:23,240 Speaker 2: But one, you can't have two pointed guys in the picture. 29 00:01:23,280 --> 00:01:25,640 Speaker 2: Same way you can't have pocket guys in the picture. 30 00:01:25,760 --> 00:01:27,959 Speaker 2: The synergy is off right, And for. 31 00:01:28,240 --> 00:01:30,200 Speaker 3: I blame you hand in the pocket guys looks like 32 00:01:30,280 --> 00:01:31,880 Speaker 3: you're trying to be in the mob or something. 33 00:01:31,959 --> 00:01:34,199 Speaker 4: It's like, why are they both logistic? 34 00:01:34,640 --> 00:01:37,480 Speaker 3: Why are there why are there four hands in pockets 35 00:01:37,520 --> 00:01:37,840 Speaker 3: like that? 36 00:01:38,120 --> 00:01:38,880 Speaker 1: It does not work. 37 00:01:38,959 --> 00:01:41,440 Speaker 2: I agree, and I blame I blame weakend for not 38 00:01:41,480 --> 00:01:43,640 Speaker 2: doing his his homework here, for not knowing that Tom 39 00:01:43,680 --> 00:01:45,160 Speaker 2: was a point of guy, for not coming into this. 40 00:01:45,360 --> 00:01:47,000 Speaker 2: You knew you were going to take a picture with him. 41 00:01:47,000 --> 00:01:49,600 Speaker 2: You're one of the biggest music music artists in the world. 42 00:01:49,760 --> 00:01:50,920 Speaker 2: You knew you were going to flick it up with 43 00:01:50,960 --> 00:01:52,880 Speaker 2: Tom Cruise at this event you were at, and you 44 00:01:53,040 --> 00:01:55,240 Speaker 2: didn't come prepared. He didn't watch his film, He didn't 45 00:01:55,240 --> 00:01:57,280 Speaker 2: grind the tape, and he came out and pointed back 46 00:01:57,280 --> 00:01:58,800 Speaker 2: at him. And not only did he point back at him, 47 00:01:58,840 --> 00:02:00,840 Speaker 2: he did the dumbs up point, which is a violation 48 00:02:00,920 --> 00:02:03,840 Speaker 2: in itself. That is the low and is bad. Yes, 49 00:02:04,040 --> 00:02:06,320 Speaker 2: that's that's some eighteen eighties wild West ship funk out 50 00:02:06,320 --> 00:02:11,440 Speaker 2: of here, wild Bill Hiccock. And it was just, it 51 00:02:11,480 --> 00:02:13,520 Speaker 2: was just, it was just such an all the other 52 00:02:13,600 --> 00:02:16,920 Speaker 2: in the spectrum of a perfection that we saw in 53 00:02:16,960 --> 00:02:18,280 Speaker 2: that picture with him and Glen Powell. 54 00:02:18,280 --> 00:02:18,400 Speaker 1: Bro. 55 00:02:18,440 --> 00:02:19,960 Speaker 2: And like I said, it all falls, It all falls 56 00:02:19,960 --> 00:02:22,520 Speaker 2: on weekend. He didn't do his homework. Here classic the 57 00:02:22,520 --> 00:02:23,840 Speaker 2: Weekend sucking up the vibes. 58 00:02:24,639 --> 00:02:27,440 Speaker 5: Yeah, do you funk with the Weekend? I think he made. 59 00:02:28,480 --> 00:02:29,920 Speaker 2: I think he like. 60 00:02:30,160 --> 00:02:32,720 Speaker 1: I haven't liked the Weekend song in ten years. Bro. 61 00:02:32,880 --> 00:02:35,160 Speaker 5: The last time I sucked with him was the Three 62 00:02:36,080 --> 00:02:37,080 Speaker 5: Ship Hospitals. 63 00:02:37,080 --> 00:02:41,160 Speaker 2: After that, Bro, Like he makes he makes music now 64 00:02:41,200 --> 00:02:42,919 Speaker 2: that you know when you go into a hotel room 65 00:02:42,960 --> 00:02:44,440 Speaker 2: and you turn the TV on and it's on the 66 00:02:44,440 --> 00:02:48,120 Speaker 2: hotel channel telling you that the restaurants, that's that's what 67 00:02:48,200 --> 00:02:52,520 Speaker 2: his music sounds like. It is elevation, rest restaurant recommendation 68 00:02:52,840 --> 00:02:54,560 Speaker 2: and then and and the whole in a city you're 69 00:02:54,600 --> 00:02:57,160 Speaker 2: visiting on your hotel TV music, that's what the weekend. 70 00:02:58,600 --> 00:02:59,600 Speaker 3: Music. 71 00:03:01,240 --> 00:03:05,680 Speaker 2: I'm a pointer guy. I've never done that point. 72 00:03:06,520 --> 00:03:09,800 Speaker 3: I just'm my arm around. I'm an arm around you. 73 00:03:09,800 --> 00:03:12,440 Speaker 3: You and I are both natural hand crossers. In front 74 00:03:12,440 --> 00:03:16,160 Speaker 3: of you. I'm an arm around. Or I'll do like 75 00:03:16,200 --> 00:03:18,240 Speaker 3: when I when kids asked to take pictures with me, 76 00:03:18,320 --> 00:03:22,240 Speaker 3: I do the hands cross on that. But what as 77 00:03:22,280 --> 00:03:25,640 Speaker 3: someone who takes pictures of people as part of the job. 78 00:03:26,080 --> 00:03:28,320 Speaker 3: The best move that I've seen that, like what Tyler 79 00:03:28,400 --> 00:03:31,960 Speaker 3: was talking about, If it's two men pointing, one of 80 00:03:32,000 --> 00:03:36,040 Speaker 3: them has to become the handout guy, like you know. 81 00:03:36,080 --> 00:03:39,320 Speaker 1: And then it's like, oh it's me, it's him the hand. 82 00:03:41,600 --> 00:03:44,600 Speaker 3: Like one hand around, one hand out like okay, that's it. 83 00:03:44,760 --> 00:03:47,160 Speaker 3: That's the peanut, butter and jelly like, that's the but 84 00:03:47,200 --> 00:03:49,520 Speaker 3: and you can go so quick from this to that, 85 00:03:49,960 --> 00:03:50,600 Speaker 3: you know what I mean. 86 00:03:51,040 --> 00:03:53,040 Speaker 1: But you have and I've seen it happen live. 87 00:03:53,280 --> 00:03:54,360 Speaker 3: That's the legal awareness. 88 00:03:54,640 --> 00:03:56,520 Speaker 5: Have you done that before? Have you done it before? 89 00:03:56,640 --> 00:04:00,160 Speaker 5: You make them I've never not a pointer guy. Was 90 00:04:00,200 --> 00:04:01,400 Speaker 5: a big peace sign guy. 91 00:04:01,240 --> 00:04:01,760 Speaker 3: As a kid. 92 00:04:02,280 --> 00:04:07,520 Speaker 2: Okay, okay, that's fun. Yeah, we are out there sometimes. 93 00:04:08,840 --> 00:04:12,080 Speaker 3: People in the way that Tom Cruise has pointing reserved, 94 00:04:12,240 --> 00:04:15,560 Speaker 3: people of any amount of Asian have the peace sign reserved. 95 00:04:15,680 --> 00:04:17,440 Speaker 1: Like you can just do that anytime you want at 96 00:04:17,480 --> 00:04:18,560 Speaker 1: any age. 97 00:04:19,160 --> 00:04:22,159 Speaker 5: Against two hand crossing guys like, is that is that weird? 98 00:04:22,400 --> 00:04:22,920 Speaker 1: You know what? Too? 99 00:04:22,960 --> 00:04:25,160 Speaker 3: It just looks like it can work. 100 00:04:25,520 --> 00:04:27,120 Speaker 2: I feel like, okay, it. 101 00:04:27,200 --> 00:04:30,280 Speaker 1: Just depends on if you're how rolled forward the shoulders are. 102 00:04:30,960 --> 00:04:33,839 Speaker 1: I had a bro, I feel looks natural. It's cool 103 00:04:33,880 --> 00:04:34,599 Speaker 1: if it looks like. 104 00:04:36,880 --> 00:04:37,360 Speaker 2: You feel me. 105 00:04:38,120 --> 00:04:40,400 Speaker 1: In my podcasting homie. 106 00:04:41,120 --> 00:04:44,039 Speaker 4: I had, I was wearing a black jersey, some black 107 00:04:44,080 --> 00:04:47,359 Speaker 4: pants and some uh and some Walla beats, and my 108 00:04:47,440 --> 00:04:50,080 Speaker 4: homegirl said she saw I have my hands crossed like this, 109 00:04:50,279 --> 00:04:51,160 Speaker 4: just on some chill ship. 110 00:04:51,240 --> 00:04:51,440 Speaker 1: Right. 111 00:04:52,000 --> 00:04:53,040 Speaker 4: My homegirl hit me up. 112 00:04:53,160 --> 00:04:56,240 Speaker 5: She said her friend was like, is he the game? 113 00:04:57,000 --> 00:05:02,159 Speaker 5: And she was like, he's a dad. That is the 114 00:05:02,920 --> 00:05:06,440 Speaker 5: not ganging in a nigga. Ever, Bro, you feel me 115 00:05:06,520 --> 00:05:10,040 Speaker 5: like that nigga is a dad. But the arm cross 116 00:05:10,160 --> 00:05:13,800 Speaker 5: can get a little depending on your surroundings. 117 00:05:13,800 --> 00:05:17,039 Speaker 4: You feel what I'm saying sings, Yeah, yeah, the surroundings 118 00:05:17,040 --> 00:05:19,200 Speaker 4: can speak for you, even if you just 119 00:05:19,760 --> 00:05:20,479 Speaker 2: I gotta watch that