WEBVTT - Chrissy Metz

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<v Speaker 1>Hi, everyone. It's Sophia. Welcome to Work in Progress. Welcome

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<v Speaker 1>back to Work in Progress, friends. Today we are joined

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<v Speaker 1>by one hell of a whipsmartie, bright and beautiful and

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<v Speaker 1>talented and just the most fun to hang with in

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<v Speaker 1>the corner of a crowded room. Today's guest is Chrissy Metz.

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<v Speaker 1>She has spent the last few years pushing herself into

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<v Speaker 1>brand new territories, making music, writing, taking on darker and

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<v Speaker 1>more complicated characters, and most recently making a her Broadway

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<v Speaker 1>debut in And Juliet. She is coming to us straight

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<v Speaker 1>off that demanding eight-show-a-week run to chat with us about

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<v Speaker 1>her next project that will be born into the world.

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<v Speaker 1>It is Apple TV's Nocturne, and it couldn't be more

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<v Speaker 1>different than a musical. It is a psychological crime thriller

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<v Speaker 1>that puts her in the center of a very twisted world.

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<v Speaker 1>And there seems to be a connection to a bigger

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<v Speaker 1>theme running through this chapter of Chrissy's life. Expanding her

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<v Speaker 1>comfort zone, doing things that scare her, taking risks before

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<v Speaker 1>she knows exactly where they will lead and giving herself

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<v Speaker 1>permission to evolve. And that is something I think all

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<v Speaker 1>of us can relate to. With all these new creative

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<v Speaker 1>challenges and new experiences, Chrissy has a whole lot of

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<v Speaker 1>possibility in front of her. And she is embracing a

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<v Speaker 1>philosophy I deeply relate to, which is say yes, even

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<v Speaker 1>before you're sure where that yes will take you. Let's

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<v Speaker 1>dive in with Chrissy Metz. Hi, buddy. I'm so excited

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<v Speaker 1>that you're here.

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<v Speaker 2>I'm so excited to be here. It's been a minute.

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<v Speaker 2>This is so nice. I love it.

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<v Speaker 1>Happy belated birthday. I hope it was great.

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<v Speaker 2>Thank you. Thank you.

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<v Speaker 1>Yes.

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<v Speaker 2>Yes, it was for sure.

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<v Speaker 1>We love it. Okay. I actually, speaking of birthdays, some

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<v Speaker 1>of them are major. I remember double digits being so huge.

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<v Speaker 1>And I wonder if we could go back in time

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<v Speaker 1>and run into each other in Gainesville when you were 10. Oh, like.

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<v Speaker 1>Who would I be getting to know? Who was that

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<v Speaker 1>little girl? Do you think she would be shocked at

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<v Speaker 1>what your life is now? Do you think you would

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<v Speaker 1>see yourself in her then? Definitely shocked.

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<v Speaker 2>I mean, literally, we're walking to school, feeding the horses

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<v Speaker 2>in this pasture that doesn't exist anymore, sadly, because they've

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<v Speaker 2>built things. But I went to every elementary school in

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<v Speaker 2>my town. because my mom was a single mom struggling.

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<v Speaker 2>And so we moved often and it was great when

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<v Speaker 2>I got to high school because I got to really

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<v Speaker 2>everybody that I knew from all the schools ended up,

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<v Speaker 2>you know, in the three high schools in our town.

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<v Speaker 2>So it's interesting because at 10 years old, I, my

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<v Speaker 2>parents had recently divorced and we moved, you know, and

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<v Speaker 2>my mom remarried shortly after. And so I, yeah, it's

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<v Speaker 2>such a blur. I mean, thank goodness for good friends

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<v Speaker 2>who were super sweet and supportive and like took me

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<v Speaker 2>under their wing. But I certainly had a hard time.

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<v Speaker 2>I had a hard time in childhood. Like I didn't,

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<v Speaker 2>I don't really think that I knew who I was

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<v Speaker 2>in that like, okay, my personality, like I'm the entertaining

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<v Speaker 2>diplomat as I've always been. I'm, you know, the feeler,

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<v Speaker 2>the moderator, the Libra, you know, girl. And I just

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<v Speaker 2>remember going to this like wet seal, like in the

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<v Speaker 2>mall when all the cool kids were wearing like cute

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<v Speaker 2>little outfits. And I was like, Oh, I can wear

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<v Speaker 2>a necklace. Like, Oh, this is cute. Like I can

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<v Speaker 2>wear the accessories. Um, I just remember those like really

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<v Speaker 2>important moments in my childhood that like seemed very fuzzy,

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<v Speaker 2>but I can sort of see it. It's like dirty glasses,

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<v Speaker 2>you know? Um, And I certainly at 10 years old

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<v Speaker 2>did not think that my life would look this way

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<v Speaker 2>or I would feel the way I do about myself

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<v Speaker 2>now if I thought about how I felt at 10

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<v Speaker 2>years old, you know. So, yeah, that's such an interesting question.

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<v Speaker 1>Well, I just it's so cool to me to think

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<v Speaker 1>about where we come from before we're in this, you know,

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<v Speaker 1>and and it's interesting to hear you say that, you know,

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<v Speaker 1>because it is such a transitional time. And going through

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<v Speaker 1>such a big family shift, like I just wrote my

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<v Speaker 1>book and, oh, girl, like I had to go back

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<v Speaker 1>to that and go, oh, now I know why I

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<v Speaker 1>ask everyone who comes on my podcast that question. Because

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<v Speaker 1>I think my little 10-year-old is wondering if anybody else

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<v Speaker 1>was kind of doing the double life thing, you know,

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<v Speaker 1>being a kid but also being a grown-up really early.

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<v Speaker 1>And so it's crazy to hear you– not crazy, it's

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<v Speaker 1>impactful to hear you talk about it. In the way

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<v Speaker 1>that you are because, yeah, I think that thing where

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<v Speaker 1>you sort of become the host, the entertainer, it's before

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<v Speaker 1>you realize you're going to grow up and be an entertainer.

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<v Speaker 2>Right.

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<v Speaker 1>But I wonder if it makes us good at it

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<v Speaker 1>from like a young age.

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<v Speaker 2>Yeah. I mean, people ask me like, how did I

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<v Speaker 2>get into acting? And I was like, oh, I was

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<v Speaker 2>acting as if everything was fine my entire life. you know,

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<v Speaker 2>or like everything's good and I'm happy and everything's fine.

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<v Speaker 2>And we just try to figure it out. And I

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<v Speaker 2>think that's why actors are good at a lot of

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<v Speaker 2>things because they have to be good at a lot

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<v Speaker 2>of things and they end up, you know, whether it's

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<v Speaker 2>the chicken or the egg kind of thing. But yeah, I, wow.

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<v Speaker 2>10 years old, such a crazy time.

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<v Speaker 1>When was it that you started getting into performing?

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<v Speaker 2>Oh, Well, I always loved music and music was very,

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<v Speaker 2>very prevalent in our household. Like we grew up with,

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<v Speaker 2>I mean, everything from like the Doobie Brothers to Motown

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<v Speaker 2>to country, all of it. And I loved it. And like,

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<v Speaker 2>it made me feel something and it made me feel

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<v Speaker 2>like connected to a song or a person singing that

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<v Speaker 2>I didn't feel connected to in my family or wasn't

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<v Speaker 2>seen or heard, you know, but I wasn't, there was

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<v Speaker 2>no way that I was performing anything. Like it took until,

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<v Speaker 2>my senior year of high school to join chamber choir

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<v Speaker 2>or to even audition. And that was because my choir

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<v Speaker 2>teacher was like, why don't you? And in my heart

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<v Speaker 2>of hearts was like, I wanted to perform and sing forever.

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<v Speaker 2>And so envious of all the performers who had such

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<v Speaker 2>confidence or at least led us to believe they had

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<v Speaker 2>such confidence. And I was like, Oh, I want to

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<v Speaker 2>tell stories and like be silly and have people laugh

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<v Speaker 2>at me and feel loved and validated. But I, it

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<v Speaker 2>wasn't until my senior year of high school that I actually,

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<v Speaker 2>did like a state competition and sang a song and

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<v Speaker 2>then joined chamber choir. So, and I certainly never thought

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<v Speaker 2>I'd be an actor. No, I just thought that I

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<v Speaker 2>would just sing and love to sing.

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<v Speaker 1>I mean, you have an amazing voice.

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<v Speaker 2>So that tracks.

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<v Speaker 1>But the rest of it, I mean, I, I read,

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<v Speaker 1>I love, cause you're like, I didn't think I would

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<v Speaker 1>do it. And then I, I've obviously read about your

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<v Speaker 1>story with your sister.

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<v Speaker 2>Yeah.

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<v Speaker 1>And I just, I love that it, it found you.

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<v Speaker 1>you know, your, your calling found you. Will you tell

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<v Speaker 1>your friends at home how that went?

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<v Speaker 2>Well, I really try to use that story as like,

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<v Speaker 2>if something is meant for you, it would literally trace you,

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<v Speaker 2>like chase you down, hunt you down. And that had

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<v Speaker 2>to be the only explanation. I was teaching preschool. I

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<v Speaker 2>thought I was going to be an early childhood educator

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<v Speaker 2>and again, because I didn't feel seen and heard as

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<v Speaker 2>a kid. And so I was like, okay, that's a

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<v Speaker 2>noble thing. And I love it. And I love kids.

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<v Speaker 2>And then my sister found out about this random open

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<v Speaker 2>call at a holiday in, in Gainesville, Florida. And I

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<v Speaker 2>was like, this is a crock of crap. We're not going.

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<v Speaker 1>And she's like, please just take me and.

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<v Speaker 2>My friend, Jenny. So I take them. We're sitting, this

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<v Speaker 2>random woman is sitting across from me. She's like, what

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<v Speaker 2>are you doing here? I was like, Nothing. I'm just

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<v Speaker 2>here with my sister. I'm her guardian. She's like, I

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<v Speaker 2>don't know. I taught at your high school. And I'm like, no,

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<v Speaker 2>you didn't. And if you did, I didn't know you.

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<v Speaker 1>Oh yeah.

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<v Speaker 2>You were in the theater department. I was like, no,

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<v Speaker 2>I wasn't like, what are you saying? Like, I feel

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<v Speaker 2>crazy anyway. She was like, well, I think you should audition.

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<v Speaker 2>I think you're here for a reason. I'm like, whatever.

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<v Speaker 1>Okay.

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<v Speaker 2>Crazy lady. And then my sister comes out of the

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<v Speaker 2>audition room. The manager who was holding the open call

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<v Speaker 2>was like, what do you do? And my sister's like, oh,

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<v Speaker 2>she's a singer. And I'm like, no, I'm not. And

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<v Speaker 2>she's like, Chrissy, just sing. I ended up singing. It

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<v Speaker 2>was not good. Whatever. And then they called us back

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<v Speaker 2>and she was like, well, if you're interested, you know,

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<v Speaker 2>we're doing some classes and workshops and then we are

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<v Speaker 2>going to eventually do like a showcase in L.A. I

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<v Speaker 2>was like, oh, sure. Yeah, whatever. This isn't real. I

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<v Speaker 2>never saw the woman who encouraged me to audition ever again.

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<v Speaker 2>I asked everybody, like the lady with the brown hat.

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<v Speaker 2>And I'm like, did I make this woman up? Was

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<v Speaker 2>this like my subconscious guardian angel? It's so bizarre. I

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<v Speaker 2>can't make sense of it. And yeah, so I ended

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<v Speaker 2>up doing a workshop, found an agent, moved to LA.

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<v Speaker 2>And then became a talent agent for nine years because-

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<v Speaker 2>I needed to stay in L.A. and pay the bills. Yeah.

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<v Speaker 1>And our business is so hard.

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<v Speaker 2>So difficult. So difficult.

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<v Speaker 1>So many people don't know that.

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<v Speaker 2>Right, right.

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<v Speaker 1>Yeah.

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<v Speaker 2>Right.

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<v Speaker 1>Because, like, you're not on the podcast when you're having

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<v Speaker 1>a hard time.

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<v Speaker 2>Right. You know? people are like wow everyone's just.

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<v Speaker 1>Working all the time and I'm like they're not it's

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<v Speaker 1>not like that no it seems that way yeah and

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<v Speaker 1>even when you have it's not like that.

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<v Speaker 2>Right it's so tricky yeah so random open call Do

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<v Speaker 2>you feel like.

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<v Speaker 1>God, that's so cool. I got that visual, you know,

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<v Speaker 1>of like the ghosts of Christmas past when you're talking

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<v Speaker 1>about the lady in the red hat. I'm like, was

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<v Speaker 1>she just, was she an apparition? Was she a sign?

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<v Speaker 2>No, literally. Like that's the only way I can reconcile

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<v Speaker 2>in my mind. I'm like, cause nobody else saw her.

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<v Speaker 2>And am I crazy? Yes, sure. Whatever it took, I guess.

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<v Speaker 2>I don't know. Okay.

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<v Speaker 1>And the nine years at a talent agency. That has

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<v Speaker 1>to teach you a lot.

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<v Speaker 2>It taught me so much. It really helped me to

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<v Speaker 2>understand why I wanted to do it and that it

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<v Speaker 2>wasn't about fame or fortune because I knew what not

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<v Speaker 2>having money was like. So I was like, whatever, it's

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<v Speaker 2>not going to happen. And I just saw so many

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<v Speaker 2>people come into the office who were really passionate but

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<v Speaker 2>wanted to do it for the weirdest reasons or feeling

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<v Speaker 2>obligated by their parents or something. And I was like,

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<v Speaker 2>oh yeah, no. And then just to understand contracts and

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<v Speaker 2>be able to read them and to have relationships with

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<v Speaker 2>people before they thought I wanted something from them, or

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<v Speaker 2>I was just, you know, calling them to talk about

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<v Speaker 2>a particular client or something, a particular project. And also

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<v Speaker 2>just to see what was exciting. I love to read scripts.

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<v Speaker 2>I love to just see what was going to be

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<v Speaker 2>coming out on TV or features and Yeah, all of

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<v Speaker 2>it was so instrumental. And to be able to be

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<v Speaker 2>on the other side of the desk and learn the

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<v Speaker 2>other side of the business where it's just not personal.

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<v Speaker 2>It's just not personal. And sometimes it's frustrating as hell

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<v Speaker 2>because you're like, oh, that person, oh, she looks a

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<v Speaker 2>little too close to the lead, but she's the better actress,

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<v Speaker 2>but we can't hire her. And I'm like, what, what?

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<v Speaker 2>And like, you sort of get disheartened. Then you're like, okay,

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<v Speaker 2>but what's meant for you will find you. Like we

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<v Speaker 2>initially were talking about, like it will hunt you down.

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<v Speaker 2>So I'm like, okay, it's fine.

0:12:09.290 --> 0:12:09.699
<v Speaker 1>It's fine.

0:12:10.120 --> 0:12:13.440
<v Speaker 2>But it was, I always say this, but it was

0:12:13.460 --> 0:12:16.459
<v Speaker 2>sort of watching your boyfriend take another woman out every day.

0:12:17.740 --> 0:12:19.360
<v Speaker 2>You know, you're like, oh, you're sitting at my favorite

0:12:19.380 --> 0:12:22.940
<v Speaker 2>table eating my favorite dessert. Okay, great. You know, so

0:12:22.980 --> 0:12:26.300
<v Speaker 2>it was hard. It was, it was difficult, but you know,

0:12:26.840 --> 0:12:29.880
<v Speaker 2>somebody said, actually Devon Franklin, he always said, you got

0:12:29.900 --> 0:12:31.950
<v Speaker 2>to learn to carry a crown before you can wear one.

0:12:32.620 --> 0:12:36.940
<v Speaker 2>And I said, that is... Yes. And let me be

0:12:36.980 --> 0:12:39.260
<v Speaker 2>of service. And that's even what we do now is

0:12:39.300 --> 0:12:42.839
<v Speaker 2>still being of service, but even though it might seem

0:12:42.860 --> 0:12:45.880
<v Speaker 2>a little more self-serving, it certainly is. I think for me,

0:12:46.610 --> 0:12:49.590
<v Speaker 2>what I want to do is be a servant of,

0:12:49.770 --> 0:12:54.730
<v Speaker 2>you know, of any, of any help. So, yeah, but

0:12:54.770 --> 0:12:57.210
<v Speaker 2>it was, it was a very interesting time of my

0:12:57.250 --> 0:13:01.510
<v Speaker 2>life and it taught me so much about the business myself,

0:13:01.870 --> 0:13:06.990
<v Speaker 2>why I wanted to do it. And, do I want

0:13:07.050 --> 0:13:09.489
<v Speaker 2>to like stand in line long enough? And even if

0:13:09.550 --> 0:13:11.370
<v Speaker 2>I stand here, is anybody going to pick me?

0:13:11.390 --> 0:13:14.810
<v Speaker 1>Yeah. Well, and then you get on like the biggest

0:13:14.850 --> 0:13:20.390
<v Speaker 1>TV show ever. I mean, that's a wild ride to

0:13:20.429 --> 0:13:23.600
<v Speaker 1>just be like, and hello world. This is us is

0:13:23.640 --> 0:13:26.699
<v Speaker 1>going to take over the planet and be everyone's favorite show.

0:13:26.780 --> 0:13:29.280
<v Speaker 1>And we're all going to cry together every week. And

0:13:29.300 --> 0:13:33.679
<v Speaker 1>I mean, and you just, that's suddenly your life. I mean,

0:13:33.740 --> 0:13:38.210
<v Speaker 1>what was that? Because, of course, there's things before that.

0:13:38.270 --> 0:13:42.250
<v Speaker 1>But the thing that makes you a household name seems

0:13:42.309 --> 0:13:45.970
<v Speaker 1>to the world like your first thing ever.

0:13:46.309 --> 0:13:48.210
<v Speaker 2>Yeah, like overnight success.

0:13:48.350 --> 0:13:51.110
<v Speaker 1>Yeah. And you're like, my overnight was so long.

0:13:51.110 --> 0:13:53.449
<v Speaker 2>12 years in the making. Yes.

0:13:53.870 --> 0:13:59.370
<v Speaker 1>But when it happens like that, what is it like?

0:13:59.929 --> 0:14:05.650
<v Speaker 2>I mean, it was the most wonderful, scariest thing. thrilling

0:14:05.710 --> 0:14:09.500
<v Speaker 2>roller coaster. You know, like, okay, you booked the job. Okay.

0:14:09.510 --> 0:14:10.600
<v Speaker 2>Is it going to get picked up? Is it going

0:14:10.620 --> 0:14:13.260
<v Speaker 2>to do well? Oh my gosh. It's okay. Great. It

0:14:13.300 --> 0:14:16.100
<v Speaker 2>was so wild. And then we, all the press that

0:14:16.140 --> 0:14:20.940
<v Speaker 2>goes around, you know, any new project and the press

0:14:20.980 --> 0:14:24.040
<v Speaker 2>felt like that was work and the work felt like

0:14:24.160 --> 0:14:29.239
<v Speaker 2>so joyful and good and cathartic. And also just, you know,

0:14:29.440 --> 0:14:32.650
<v Speaker 2>all those people are the most wonderful people. And yeah,

0:14:33.920 --> 0:14:36.260
<v Speaker 2>you know, it took me a while to grieve like, Oh,

0:14:36.260 --> 0:14:38.760
<v Speaker 2>I'm not going to be with my friends and these

0:14:38.800 --> 0:14:42.300
<v Speaker 2>people that have changed my life and we've changed other

0:14:42.320 --> 0:14:45.350
<v Speaker 2>people's lives. And even to this day, people come up

0:14:45.420 --> 0:14:49.650
<v Speaker 2>and still share their stories. And, or I just started

0:14:49.690 --> 0:14:52.330
<v Speaker 2>watching the show and I'm like, Oh my gosh. And

0:14:52.350 --> 0:14:54.970
<v Speaker 2>that it's been 10 years since it premiered. I can't

0:14:55.010 --> 0:14:57.150
<v Speaker 2>really wrap my head around it. I mean, as we

0:14:57.190 --> 0:15:04.360
<v Speaker 2>get older, time really does fly, but it was, I'm like, how, how,

0:15:04.660 --> 0:15:07.620
<v Speaker 2>where do I go from here? And I'm thinking, I

0:15:08.520 --> 0:15:11.060
<v Speaker 2>really was, I was like, if I never book another

0:15:11.100 --> 0:15:17.460
<v Speaker 2>project again, that was enough. That truly, truly, I get,

0:15:17.720 --> 0:15:20.720
<v Speaker 2>I get emotional thinking about it was enough. And, um,

0:15:21.200 --> 0:15:23.360
<v Speaker 2>I think in our business and I can only speak

0:15:23.380 --> 0:15:25.820
<v Speaker 2>for myself, but it's always like, Oh, what are you

0:15:25.840 --> 0:15:28.300
<v Speaker 2>doing next? Oh, what's, what's next? What's this? What's, are

0:15:28.340 --> 0:15:32.830
<v Speaker 2>you going to, and so I always think like, Chrissy,

0:15:32.880 --> 0:15:36.020
<v Speaker 2>you had one of the most incredible experiences of life

0:15:36.220 --> 0:15:40.580
<v Speaker 2>of your career of art that really impacted people and

0:15:40.620 --> 0:15:45.560
<v Speaker 2>still continues to. So that was enough. Like if anything,

0:15:45.900 --> 0:15:46.260
<v Speaker 2>it's enough.

0:15:46.280 --> 0:15:51.200
<v Speaker 1>Yeah. Well, and I imagine too, to be on a

0:15:51.300 --> 0:15:56.300
<v Speaker 1>show with, with that sort of scale and to have,

0:15:56.330 --> 0:16:00.910
<v Speaker 1>you know, someone like Dan at the helm, like someone

0:16:00.930 --> 0:16:05.470
<v Speaker 1>who's so good at really letting, um, characters be human.

0:16:05.490 --> 0:16:07.390
<v Speaker 1>I feel like you got to bring a lot of

0:16:07.430 --> 0:16:11.590
<v Speaker 1>your own humanity to that. And frankly, to be you

0:16:11.610 --> 0:16:14.610
<v Speaker 1>and to get to shine and to be a plus

0:16:14.630 --> 0:16:19.170
<v Speaker 1>size actress on television who gets to, yes, be the

0:16:19.190 --> 0:16:21.630
<v Speaker 1>star of a TV show and also speak from the

0:16:21.690 --> 0:16:25.490
<v Speaker 1>perspective of a woman who has had to do a

0:16:25.530 --> 0:16:27.410
<v Speaker 1>woman's work in this world and figure out how to

0:16:27.470 --> 0:16:30.270
<v Speaker 1>like herself in a world that tells her not to. Right.

0:16:30.730 --> 0:16:33.830
<v Speaker 1>And to add your personal experience on top of that, like,

0:16:35.230 --> 0:16:37.690
<v Speaker 1>I mean, God, there were scenes I watched you do

0:16:37.730 --> 0:16:40.470
<v Speaker 1>where I just was like sobbing in the middle of

0:16:40.530 --> 0:16:46.050
<v Speaker 1>my living room, realizing that even for my young self,

0:16:46.090 --> 0:16:48.770
<v Speaker 1>when I first started on TV and I was getting

0:16:48.820 --> 0:16:52.800
<v Speaker 1>all kinds of mixed messages, like you had conversations on

0:16:52.820 --> 0:16:57.120
<v Speaker 1>that show that like healed my younger self. And I just,

0:16:58.840 --> 0:17:02.120
<v Speaker 1>I can't imagine how meaningful it's been for so many

0:17:02.160 --> 0:17:04.000
<v Speaker 1>women and how meaningful it was for you.

0:17:04.810 --> 0:17:06.150
<v Speaker 2>A hundred percent. Yeah.

0:17:06.170 --> 0:17:06.770
<v Speaker 1>It's magic.

0:17:07.070 --> 0:17:09.729
<v Speaker 2>Yeah, it really is. It's like so much more than

0:17:09.780 --> 0:17:12.820
<v Speaker 2>a television show. And I know that sounds like saccharine

0:17:12.859 --> 0:17:16.000
<v Speaker 2>and like, oh, cutesy, but I don't, I really mean that. Like,

0:17:16.220 --> 0:17:19.260
<v Speaker 2>and as to your point with Dan and the way

0:17:19.280 --> 0:17:25.510
<v Speaker 2>that he understands human condition and people and just knowing

0:17:25.550 --> 0:17:28.150
<v Speaker 2>that there was a person who was trying to become

0:17:28.170 --> 0:17:33.000
<v Speaker 2>a full-fledged woman imperfectly in the shadow of her brother and,

0:17:33.880 --> 0:17:36.000
<v Speaker 2>With the shame and guilt of her father's passing and

0:17:37.280 --> 0:17:41.560
<v Speaker 2>everything that she had been literally carrying. And to know

0:17:41.600 --> 0:17:44.120
<v Speaker 2>that people felt less alone. And that's the whole point

0:17:44.160 --> 0:17:45.570
<v Speaker 2>of me wanting to be an actor.

0:17:46.109 --> 0:17:48.459
<v Speaker 1>I was like, this is.

0:17:48.480 --> 0:17:51.409
<v Speaker 2>I don't even think I realized in the moment how

0:17:51.470 --> 0:17:55.850
<v Speaker 2>important it was. And even now I'm like, holy moly.

0:17:57.770 --> 0:18:00.510
<v Speaker 2>And I was chosen.

0:18:00.210 --> 0:18:00.670
<v Speaker 1>To do that.

0:18:00.730 --> 0:18:00.890
<v Speaker 2>Like.

0:18:02.640 --> 0:18:06.030
<v Speaker 2>It makes me emotional. It's really a gift. It was

0:18:06.190 --> 0:18:09.629
<v Speaker 2>really like such a gift. And like, I just, you know,

0:18:09.670 --> 0:18:14.350
<v Speaker 2>Dan always championed me. And even there was talks like

0:18:14.390 --> 0:18:16.149
<v Speaker 2>whispers about like, initially it was going to be a

0:18:16.170 --> 0:18:20.510
<v Speaker 2>feature film and they had approached some studio and they

0:18:20.550 --> 0:18:22.950
<v Speaker 2>were like, okay, so this plus size girl, what is

0:18:22.990 --> 0:18:27.040
<v Speaker 2>she like? Like a Kate Winslet plus size. And Dan

0:18:27.060 --> 0:18:30.900
<v Speaker 2>was like, I'm sorry. I think you're missing the boat, buddy. Like,

0:18:31.460 --> 0:18:36.679
<v Speaker 2>and so, the insanity that goes on with people who

0:18:36.859 --> 0:18:40.580
<v Speaker 2>green light things. So I'm so glad and grateful that,

0:18:42.140 --> 0:18:46.090
<v Speaker 2>you know, Jen Sulky and everybody at NBC and at Fox,

0:18:46.130 --> 0:18:48.609
<v Speaker 2>like got it. And they were like, Oh no, this

0:18:48.630 --> 0:18:51.430
<v Speaker 2>is really a plus size woman. And she's not in some,

0:18:51.630 --> 0:18:54.590
<v Speaker 2>you know, prosthetic suit, but like a real lived experience

0:18:54.650 --> 0:18:57.679
<v Speaker 2>and to be able to bring myself back. who I was,

0:18:57.840 --> 0:19:00.090
<v Speaker 2>who I was becoming, and then who I ended up

0:19:00.410 --> 0:19:03.109
<v Speaker 2>being as a woman at that moment in my life.

0:19:03.230 --> 0:19:05.190
<v Speaker 2>And it's so special.

0:19:05.630 --> 0:19:09.800
<v Speaker 1>It was just so beautiful. So cool. And to watch

0:19:09.859 --> 0:19:13.580
<v Speaker 1>that lead to more music and movies and things, like,

0:19:13.600 --> 0:19:16.380
<v Speaker 1>I don't know, just as a person who, you know,

0:19:16.400 --> 0:19:19.410
<v Speaker 1>I always am... I joke with people that you have

0:19:19.470 --> 0:19:22.190
<v Speaker 1>like event friends where you're never in the same city

0:19:22.230 --> 0:19:23.810
<v Speaker 1>in real life, but then you see them a couple

0:19:23.830 --> 0:19:25.209
<v Speaker 1>of times a year at things. And you're always like,

0:19:25.260 --> 0:19:27.649
<v Speaker 1>thank God you're here. And like, you're one of my

0:19:27.690 --> 0:19:30.540
<v Speaker 1>event friends. Every time I see you, I'm like, yay.

0:19:30.619 --> 0:19:32.740
<v Speaker 2>It is. It's so, it's so nice to see you

0:19:32.820 --> 0:19:35.869
<v Speaker 2>and how happy you are. And you know, like that, I,

0:19:36.920 --> 0:19:40.080
<v Speaker 2>I love to see people happy. Like, especially when they

0:19:40.119 --> 0:19:45.080
<v Speaker 2>come through something and it's like, Oh yes, yes, yes, yes. Yeah.

0:19:45.100 --> 0:19:47.859
<v Speaker 1>And like, I don't know. It's just exciting to get

0:19:47.900 --> 0:19:50.970
<v Speaker 1>to root for your pals, even. if you see them

0:19:51.170 --> 0:19:54.010
<v Speaker 1>you know x number of times a year and I

0:19:54.050 --> 0:19:56.150
<v Speaker 1>don't know I feel like every time for the last

0:19:56.210 --> 0:19:58.649
<v Speaker 1>few years I've seen you something exciting is happening like

0:19:58.710 --> 0:20:00.470
<v Speaker 1>it's right after a movie comes out or it's right

0:20:00.520 --> 0:20:04.020
<v Speaker 1>after music is launching into the world and and now

0:20:04.480 --> 0:20:07.639
<v Speaker 1>I even think about like how exciting it was to

0:20:07.720 --> 0:20:12.740
<v Speaker 1>see the shift you know you coming onto the hunting wives, like,

0:20:14.220 --> 0:20:16.020
<v Speaker 1>cause you know, I did like one of my first

0:20:16.080 --> 0:20:19.649
<v Speaker 1>movies ever with Brittany. So I want to watch everything

0:20:19.710 --> 0:20:22.870
<v Speaker 1>she's ever in. I watched that show sight unseen, had

0:20:22.990 --> 0:20:25.490
<v Speaker 1>no idea what I was in for. And then Malin's

0:20:25.570 --> 0:20:27.670
<v Speaker 1>on screen and then you're on screen and then Katie.

0:20:27.690 --> 0:20:29.050
<v Speaker 2>And I'm like, what's going on?

0:20:29.090 --> 0:20:32.880
<v Speaker 1>Like all my favorite gals are in one place. Did

0:20:32.920 --> 0:20:36.800
<v Speaker 1>you know how wild that show was going to be? Like,

0:20:36.859 --> 0:20:39.590
<v Speaker 1>did you know it was another really special thing? Or

0:20:39.619 --> 0:20:41.810
<v Speaker 1>did you just like the group when you said yes?

0:20:42.390 --> 0:20:45.030
<v Speaker 2>You know, Rebecca Cutter, who is the showrunner and writer,

0:20:46.990 --> 0:20:48.850
<v Speaker 2>she was so cool when I met her. And she

0:20:48.890 --> 0:20:51.770
<v Speaker 2>was like, yeah. And I really enjoyed her. And then

0:20:51.790 --> 0:20:53.770
<v Speaker 2>when she told me who was on board, I'm like, oh,

0:20:53.770 --> 0:20:56.399
<v Speaker 2>I've not worked with any of these gals. And I

0:20:56.440 --> 0:21:00.640
<v Speaker 2>love them all. And to play a single mother from

0:21:00.700 --> 0:21:04.460
<v Speaker 2>the South who was just trying her best to take

0:21:04.500 --> 0:21:06.879
<v Speaker 2>care of her daughter, I'm like, oh, I know that woman.

0:21:06.900 --> 0:21:07.580
<v Speaker 1>Yeah.

0:21:08.720 --> 0:21:13.760
<v Speaker 2>Also, just to see the dynamics between, you know, the

0:21:13.800 --> 0:21:16.040
<v Speaker 2>women of the church and the women in the show. And,

0:21:17.100 --> 0:21:19.240
<v Speaker 2>you know, so many people are like, oh, my gosh,

0:21:19.260 --> 0:21:21.680
<v Speaker 2>Brittany and Mal. And I'm like, they found a love

0:21:21.900 --> 0:21:24.280
<v Speaker 2>in each other that they hadn't found in other people.

0:21:24.960 --> 0:21:31.270
<v Speaker 2>And as dysfunctional as it is, you find yourself in anything, hopefully,

0:21:31.630 --> 0:21:35.870
<v Speaker 2>if you're cognizant enough and aware and introspective enough. Yeah.

0:21:36.320 --> 0:21:38.480
<v Speaker 2>And I just was like, Oh, this is cool. And

0:21:38.510 --> 0:21:42.210
<v Speaker 2>this is different. And I certainly did not think initially

0:21:42.230 --> 0:21:44.810
<v Speaker 2>it was not with Netflix. And so we didn't know

0:21:44.830 --> 0:21:48.130
<v Speaker 2>if anybody was going to see it. And then when

0:21:48.170 --> 0:21:52.080
<v Speaker 2>people started seeing it and just jumped on the bandwagon,

0:21:52.240 --> 0:21:56.320
<v Speaker 2>I was like, okay, this is exciting because you just never,

0:21:56.440 --> 0:22:01.350
<v Speaker 2>ever know. You just truly never know. And yeah. And

0:22:01.369 --> 0:22:06.770
<v Speaker 2>to see like, what the people's reactions and like, you know,

0:22:07.030 --> 0:22:09.850
<v Speaker 2>people shouting at me in the airport, justice for star.

0:22:09.890 --> 0:22:12.109
<v Speaker 2>And like, you know, just all kinds of stuff is

0:22:12.130 --> 0:22:16.330
<v Speaker 2>like really cool. And just to be with those, those ladies,

0:22:16.510 --> 0:22:20.050
<v Speaker 2>even if we were, you know, adversaries, we were just,

0:22:20.190 --> 0:22:25.890
<v Speaker 2>you know, I felt very misunderstood. But yeah, but we,

0:22:26.150 --> 0:22:28.750
<v Speaker 2>we can see ourselves in, in, in anything and all

0:22:28.770 --> 0:22:31.060
<v Speaker 2>of those women. And yeah, it was just so much fun.

0:22:31.869 --> 0:22:35.070
<v Speaker 2>it was, I mean, dysfunction junction, but fun.

0:22:35.650 --> 0:22:39.659
<v Speaker 1>I love it. I absolutely love it. Yeah. Oh, and

0:22:39.720 --> 0:22:42.660
<v Speaker 1>to be, to be in a cohort with that many

0:22:42.720 --> 0:22:45.800
<v Speaker 1>great women too, I feel like we don't get to

0:22:45.859 --> 0:22:48.929
<v Speaker 1>do that a lot. Like you're so often one of

0:22:49.250 --> 0:22:51.990
<v Speaker 1>one or one of two on a set when there's

0:22:52.010 --> 0:22:54.470
<v Speaker 1>a bunch of us, it's so fun. And you guys were,

0:22:54.510 --> 0:22:58.050
<v Speaker 1>you know, almost exclusively all great women and like, The

0:22:58.070 --> 0:22:59.170
<v Speaker 1>guys are great too. No shade.

0:22:59.190 --> 0:22:59.740
<v Speaker 2>Yeah, of course they are.

0:22:59.750 --> 0:23:01.130
<v Speaker 1>Someone's going to be like womp womp.

0:23:01.210 --> 0:23:02.830
<v Speaker 2>But like, I love it. No, of course they are.

0:23:03.230 --> 0:23:07.240
<v Speaker 2>But like all female directors, which was incredible. Yeah. It

0:23:07.260 --> 0:23:11.060
<v Speaker 2>was amazing. Yeah. I mean, we know that men have

0:23:11.080 --> 0:23:13.899
<v Speaker 2>had opportunities and so women can have them too. And

0:23:13.920 --> 0:23:15.580
<v Speaker 2>we can be excited about those opportunities.

0:23:15.619 --> 0:23:16.220
<v Speaker 1>And it's okay.

0:23:16.480 --> 0:23:18.090
<v Speaker 2>Yes. A hundred percent.

0:23:18.930 --> 0:23:31.229
<v Speaker 1>And now a word from our wonderful sponsors. you got

0:23:31.250 --> 0:23:34.650
<v Speaker 1>to take up an opportunity that as the person who

0:23:34.830 --> 0:23:38.340
<v Speaker 1>knows your story and is like geeked that your initial

0:23:38.780 --> 0:23:42.760
<v Speaker 1>singing audition has led you here you you said you

0:23:42.800 --> 0:23:44.619
<v Speaker 1>know too shy to do theater in high school but

0:23:44.640 --> 0:23:48.570
<v Speaker 1>you just wrapped up a broadway run you did and

0:23:48.710 --> 0:23:53.679
<v Speaker 1>juliet how Did you, were you ready or did you

0:23:53.720 --> 0:23:55.700
<v Speaker 1>have to be talked into it? Or was it like

0:23:55.740 --> 0:23:56.920
<v Speaker 1>a little bit of both?

0:23:57.840 --> 0:24:02.270
<v Speaker 2>No, my, you know, teenage self was like dreamt of Broadway,

0:24:02.290 --> 0:24:05.250
<v Speaker 2>but I didn't get to go to Tisch or Pace

0:24:05.270 --> 0:24:08.450
<v Speaker 2>or Juilliard or any, any of these beautiful schools. And

0:24:08.609 --> 0:24:10.710
<v Speaker 2>I wasn't, you know, I didn't have a BFA. I

0:24:10.810 --> 0:24:13.130
<v Speaker 2>didn't all the things that like the compare and despair

0:24:13.190 --> 0:24:16.810
<v Speaker 2>and I'm not worthy. And when I saw the show,

0:24:18.240 --> 0:24:21.080
<v Speaker 2>I just fell in love with the show, obviously the

0:24:21.100 --> 0:24:23.480
<v Speaker 2>music that I've listened to, you know, soundtrack to my life.

0:24:23.540 --> 0:24:29.990
<v Speaker 2>But the character of Angelique was so charming and disarming

0:24:30.030 --> 0:24:32.890
<v Speaker 2>and also like the mother and keeping Julia in line,

0:24:32.910 --> 0:24:37.710
<v Speaker 2>but also showing her and bringing her the confidence of

0:24:38.630 --> 0:24:41.050
<v Speaker 2>being a woman that like you can stand up for

0:24:41.090 --> 0:24:43.470
<v Speaker 2>what you want and you can rewrite your own story.

0:24:43.830 --> 0:24:46.840
<v Speaker 2>And I love that. I love that. And the, you know,

0:24:46.880 --> 0:24:50.130
<v Speaker 2>she got to sing F and perfect, which is such

0:24:50.150 --> 0:24:55.470
<v Speaker 2>a great song. And I just, um, yeah, I just

0:24:55.530 --> 0:24:59.210
<v Speaker 2>loved it. And so when I, my publicist was like, Oh,

0:24:59.250 --> 0:25:01.190
<v Speaker 2>is it something that you want to take a meeting with?

0:25:01.250 --> 0:25:04.090
<v Speaker 2>And I was like, ain't nobody hiring me. It's not

0:25:04.109 --> 0:25:07.330
<v Speaker 2>going to happen. And she's like, Chrissy, just do it.

0:25:07.460 --> 0:25:09.179
<v Speaker 2>And I was like, how about this? Cause I had

0:25:09.200 --> 0:25:11.280
<v Speaker 2>some close friends, very close to Max Martin. And she

0:25:11.320 --> 0:25:13.070
<v Speaker 2>was like, I'll call him. I said, you don't need

0:25:13.090 --> 0:25:14.570
<v Speaker 2>to call Max. I need to earn this. I want

0:25:14.590 --> 0:25:17.780
<v Speaker 2>to earn this. And I said, let me audition. Like,

0:25:17.960 --> 0:25:20.900
<v Speaker 2>let me sing some songs. Let me, you know, do

0:25:20.920 --> 0:25:23.330
<v Speaker 2>the scenes. Cause I don't just give it to me.

0:25:23.380 --> 0:25:26.180
<v Speaker 2>Cause you're like, Oh, here's a poor little girl. Like, okay, whatever.

0:25:27.160 --> 0:25:29.540
<v Speaker 2>So it was very funny. Cause I did the audition

0:25:29.560 --> 0:25:33.020
<v Speaker 2>on zoom and was like my own stage manager, the

0:25:33.060 --> 0:25:35.850
<v Speaker 2>cues of the music and stuff, whatever. And I was like, fine.

0:25:36.270 --> 0:25:38.750
<v Speaker 2>I was like, okay, it's fine. And then when they

0:25:38.790 --> 0:25:41.070
<v Speaker 2>offered me the role, I mean, I was obviously elated.

0:25:41.090 --> 0:25:44.360
<v Speaker 2>And then when I got to the rehearsals, I said,

0:25:44.720 --> 0:25:47.659
<v Speaker 2>y'all didn't tell me about this. Okay. I cried for

0:25:47.700 --> 0:25:50.790
<v Speaker 2>the first two days. I was like, I'm not smart.

0:25:51.570 --> 0:25:53.830
<v Speaker 2>I don't know what I'm doing. Stop making the wig.

0:25:54.170 --> 0:25:56.669
<v Speaker 2>Stop making the corset. I'm going back to Nashville. This

0:25:56.770 --> 0:26:00.510
<v Speaker 2>is crazy. And my boyfriend was like, Chrissy, you want

0:26:00.530 --> 0:26:02.570
<v Speaker 2>to do this all your life. If you, if you

0:26:02.590 --> 0:26:07.190
<v Speaker 2>give up now, you will always say, yeah, you always wonder.

0:26:07.790 --> 0:26:11.080
<v Speaker 2>He's like, you have done so many difficult things. What's

0:26:11.119 --> 0:26:15.700
<v Speaker 2>another hard thing. And I'm like, okay. And then once

0:26:15.840 --> 0:26:18.760
<v Speaker 2>I started to like, feel like settled into it in

0:26:20.240 --> 0:26:22.959
<v Speaker 2>the rehearsal, I was like, Oh, Oh, okay. Maybe, maybe

0:26:23.030 --> 0:26:25.669
<v Speaker 2>I can do it. But it wasn't until I'm not

0:26:25.710 --> 0:26:29.220
<v Speaker 2>even kidding in my last show. which was like a

0:26:29.380 --> 0:26:32.119
<v Speaker 2>week ago, I'm like, Oh, I haven't even scratched the

0:26:32.140 --> 0:26:35.880
<v Speaker 2>surface because you'd gratefully get to do it every night

0:26:35.940 --> 0:26:38.379
<v Speaker 2>for eight shows. If your body and mind, soul and

0:26:38.400 --> 0:26:44.300
<v Speaker 2>voice are willing. Um, but it, it, I was like, Oh,

0:26:44.400 --> 0:26:47.189
<v Speaker 2>now I understand. Cause from TV film world, it's like,

0:26:47.210 --> 0:26:49.930
<v Speaker 2>you're doing something different every, every scene. Yeah.

0:26:50.090 --> 0:26:51.830
<v Speaker 1>Every 37 minutes. Right.

0:26:52.310 --> 0:26:54.220
<v Speaker 2>Right. And here it's like you get to play in

0:26:54.240 --> 0:26:56.400
<v Speaker 2>this box and that's wonderful. But there's like a lot

0:26:56.420 --> 0:27:00.030
<v Speaker 2>of liberation in that box. And I didn't even understand

0:27:00.250 --> 0:27:03.770
<v Speaker 2>until like my last show that I was like, I'm

0:27:03.810 --> 0:27:08.149
<v Speaker 2>having these epiphanies. And I'm like, oh, damn. You know, like, okay.

0:27:08.410 --> 0:27:10.020
<v Speaker 2>And I mean, I guess that's what they say. Art

0:27:10.060 --> 0:27:13.860
<v Speaker 2>is never finished. It's just abandoned. And it was so special.

0:27:13.900 --> 0:27:18.060
<v Speaker 2>The people were so talented. So wonderful. Please pay musical

0:27:18.080 --> 0:27:19.790
<v Speaker 2>theater people my money. Please, please, please.

0:27:20.500 --> 0:27:23.080
<v Speaker 1>Also, please go see a Broadway show if you're here

0:27:23.160 --> 0:27:23.840
<v Speaker 1>and you can.

0:27:23.960 --> 0:27:27.680
<v Speaker 2>Yes, if you can. Yes, please. And Julia is closing

0:27:27.740 --> 0:27:30.600
<v Speaker 2>in January. So if you haven't seen it, you got

0:27:30.640 --> 0:27:33.619
<v Speaker 2>to see it. It's so special. My boyfriend came four times.

0:27:35.000 --> 0:27:37.100
<v Speaker 2>He's like, I haven't gotten sick of it. You know,

0:27:37.119 --> 0:27:39.609
<v Speaker 2>a lot of dear friends and family came. And it

0:27:39.619 --> 0:27:45.250
<v Speaker 2>was just to see my friends like crying, watching me,

0:27:46.590 --> 0:27:48.909
<v Speaker 2>you know, in the middle of my dream come true.

0:27:49.540 --> 0:27:53.520
<v Speaker 2>It was so wonderful. It was like, yeah, I mean,

0:27:53.540 --> 0:27:58.760
<v Speaker 2>I miss them. Everybody. I literally have, I'm jealous for sure.

0:27:59.340 --> 0:28:01.439
<v Speaker 2>I'm like, everybody's playing. New people are playing with my

0:28:01.480 --> 0:28:05.290
<v Speaker 2>friends and I'm not invited to the party. And I

0:28:05.330 --> 0:28:07.550
<v Speaker 2>really miss them. I mean, my body's grateful for a

0:28:07.570 --> 0:28:08.369
<v Speaker 2>little bit of a break.

0:28:09.750 --> 0:28:10.970
<v Speaker 1>It's really tough.

0:28:11.410 --> 0:28:16.790
<v Speaker 2>It's grueling. It's, I really, especially as a perimetopausal woman

0:28:17.190 --> 0:28:21.669
<v Speaker 2>who has, you know, some knee issue and you just

0:28:21.690 --> 0:28:23.169
<v Speaker 2>don't know how things are going to end up you

0:28:23.210 --> 0:28:27.110
<v Speaker 2>know going that day and luckily we have understudies who

0:28:27.130 --> 0:28:30.950
<v Speaker 2>are so incredible so incredible who could be principals at

0:28:31.030 --> 0:28:34.190
<v Speaker 2>any given second um tv and film we don't have

0:28:34.230 --> 0:28:37.300
<v Speaker 2>that it's like oh you have the flu okay you're

0:28:37.320 --> 0:28:40.180
<v Speaker 2>just going to keep sneezing through whatever use it because

0:28:40.280 --> 0:28:42.479
<v Speaker 2>you don't have somebody to fill those shoes for you

0:28:43.020 --> 0:28:45.800
<v Speaker 2>um so that was interesting aspect as well and i'm

0:28:45.860 --> 0:28:49.060
<v Speaker 2>so grateful cassie silva who was an understudy for the

0:28:49.100 --> 0:28:53.180
<v Speaker 2>nurse and for another character. And it's like, they can

0:28:53.200 --> 0:28:56.720
<v Speaker 2>do everything. The ensemble, they can do everything. Um, so

0:28:56.760 --> 0:29:00.880
<v Speaker 2>I'm constantly in awe of, of everybody in the musical world.

0:29:01.420 --> 0:29:04.170
<v Speaker 2>I can't wait to do it again. Um, I'd love

0:29:04.210 --> 0:29:07.010
<v Speaker 2>to originate a role, um, as scary as that sounds,

0:29:07.090 --> 0:29:10.910
<v Speaker 2>but yeah, I, I was like, Oh, I found my people.

0:29:11.090 --> 0:29:14.210
<v Speaker 2>Like these are really my people, you know, it was

0:29:15.030 --> 0:29:16.770
<v Speaker 2>so special. So, so special.

0:29:17.430 --> 0:29:21.330
<v Speaker 1>I think there's something, you know, it's such a beautiful

0:29:21.370 --> 0:29:23.100
<v Speaker 1>thing to get to be an actor when it's the

0:29:23.120 --> 0:29:26.180
<v Speaker 1>thing you love to do. But there's something theater gives

0:29:26.240 --> 0:29:30.680
<v Speaker 1>you that dawns on you when it hits and you're like, oh,

0:29:31.020 --> 0:29:33.050
<v Speaker 1>this is the thing I didn't even know I needed.

0:29:33.200 --> 0:29:34.610
<v Speaker 2>Yes.

0:29:34.630 --> 0:29:39.390
<v Speaker 1>Oh, like when people ask me if I love doing it,

0:29:39.430 --> 0:29:40.980
<v Speaker 1>I did a show. show on the West End for

0:29:41.020 --> 0:29:43.140
<v Speaker 1>a while. And, like, I can't explain it to you.

0:29:43.900 --> 0:29:47.620
<v Speaker 1>It put me back in my body. Right. In this

0:29:48.270 --> 0:29:52.810
<v Speaker 1>unbelievable way. It, like, it unlocked me for myself. And

0:29:52.830 --> 0:29:53.930
<v Speaker 1>my whole life changed.

0:29:54.190 --> 0:29:54.390
<v Speaker 2>Yeah.

0:29:54.650 --> 0:29:57.750
<v Speaker 1>It was really... profound.

0:29:57.380 --> 0:30:00.200
<v Speaker 2>Yes exactly and I I didn't know that didn't know

0:30:00.240 --> 0:30:02.800
<v Speaker 2>it was going to happen and now I'm like decompressing

0:30:02.820 --> 0:30:06.000
<v Speaker 2>from the experience and talking about it really with you

0:30:06.740 --> 0:30:13.090
<v Speaker 2>initially from a week ago I'm like wow like yeah

0:30:13.110 --> 0:30:16.250
<v Speaker 2>there's um a presence that has to you know you

0:30:16.290 --> 0:30:20.270
<v Speaker 2>have to like maintain yeah you know like you don't

0:30:20.290 --> 0:30:22.370
<v Speaker 2>get a second third fourth whatever tenth take and um

0:30:23.280 --> 0:30:26.440
<v Speaker 2>there are people who are sitting there waiting on bated breath.

0:30:26.680 --> 0:30:31.430
<v Speaker 2>It's so special. It's like, yeah, I can't explain it.

0:30:32.040 --> 0:30:34.780
<v Speaker 2>You did very beautifully, but I can't explain it.

0:30:34.960 --> 0:30:38.060
<v Speaker 1>You know what I wonder too is like, there's freedom

0:30:38.140 --> 0:30:41.300
<v Speaker 1>obviously in what we do on the film and TV side.

0:30:41.320 --> 0:30:44.290
<v Speaker 1>Because you get to noodle with something, you try something,

0:30:44.330 --> 0:30:47.410
<v Speaker 1>you go back, you do it again. But there is

0:30:47.470 --> 0:30:50.780
<v Speaker 1>the overbearing sense of the clock and everybody's watching the

0:30:50.800 --> 0:30:52.500
<v Speaker 1>clock and everybody needs to make the day and the

0:30:52.540 --> 0:30:54.380
<v Speaker 1>turnarounds have to go faster and we got to get

0:30:54.420 --> 0:30:59.300
<v Speaker 1>this quicker and we're behind here. So you're always rushed.

0:30:59.800 --> 0:31:00.000
<v Speaker 2>Yeah.

0:31:00.760 --> 0:31:03.420
<v Speaker 1>And the show is as long as the show is.

0:31:03.500 --> 0:31:05.620
<v Speaker 1>So like you said, you said it perfectly. It's this,

0:31:05.900 --> 0:31:09.130
<v Speaker 1>it's a box, but there's freedom inside the box. And

0:31:09.170 --> 0:31:11.209
<v Speaker 1>I'd never had that kind of freedom before.

0:31:11.270 --> 0:31:11.950
<v Speaker 2>There's no clock.

0:31:12.550 --> 0:31:17.230
<v Speaker 1>Right. There, You're just, it's your time. It's actually your

0:31:17.310 --> 0:31:21.860
<v Speaker 1>time with no constraints on it. And it's, I don't know,

0:31:21.880 --> 0:31:25.540
<v Speaker 1>I'll never forget, like probably three weeks in, you know,

0:31:25.560 --> 0:31:27.860
<v Speaker 1>you do the same blocking every night in the same show,

0:31:28.060 --> 0:31:32.300
<v Speaker 1>sometimes two, you know, twice a night, five show weekend, whatever.

0:31:32.320 --> 0:31:35.460
<v Speaker 1>And I remember being in a scene and looking up

0:31:35.740 --> 0:31:40.300
<v Speaker 1>and having this completely first time unique experience in it

0:31:40.440 --> 0:31:43.150
<v Speaker 1>and just thinking to myself, Like I zoomed out for

0:31:43.150 --> 0:31:46.850
<v Speaker 1>0.2 seconds and went, holy, this is cool. And then

0:31:46.910 --> 0:31:48.990
<v Speaker 1>I had to be back in the scene. But like

0:31:49.570 --> 0:31:53.200
<v Speaker 1>we surprised ourselves in something we'd been doing for weeks.

0:31:54.340 --> 0:31:54.420
<v Speaker 2>Yeah.

0:31:55.040 --> 0:31:55.940
<v Speaker 1>That's like lightning in a.

0:31:55.940 --> 0:31:58.930
<v Speaker 2>Bottle, man. Yeah. You said it.

0:31:59.520 --> 0:32:00.700
<v Speaker 1>Yes. So cool.

0:32:00.940 --> 0:32:03.780
<v Speaker 2>Yeah. And yeah. because you don't know how you're going

0:32:03.820 --> 0:32:06.260
<v Speaker 2>to be feeling in that moment or what could go

0:32:06.300 --> 0:32:08.760
<v Speaker 2>wrong or what could go right. And, or what a

0:32:09.160 --> 0:32:12.050
<v Speaker 2>beautiful mistake could happen or have my thing is like

0:32:12.070 --> 0:32:14.890
<v Speaker 2>having the epiphany in the moment. I'm like, Oh, I

0:32:14.930 --> 0:32:17.170
<v Speaker 2>never said it that way, but I heard it differently.

0:32:17.210 --> 0:32:20.110
<v Speaker 2>And I'm like, yeah, what, what is this? Or like

0:32:20.290 --> 0:32:24.970
<v Speaker 2>a audience, you know, reaction or a heck heckler or whatever. Like,

0:32:25.010 --> 0:32:27.320
<v Speaker 2>you just don't know what's going to happen at any

0:32:27.340 --> 0:32:31.930
<v Speaker 2>given moment, which is very thrilling. And also like, that

0:32:31.990 --> 0:32:35.970
<v Speaker 2>immediate validation is always, you know, you rarely get claps

0:32:36.030 --> 0:32:39.410
<v Speaker 2>on a TV set or a film set. Yeah, you're like, oh,

0:32:39.450 --> 0:32:45.260
<v Speaker 2>we're in this together. The cyclical energy is super, super cool.

0:32:45.880 --> 0:32:48.000
<v Speaker 2>It's so neat. Yeah, it really is.

0:32:48.600 --> 0:32:52.220
<v Speaker 1>And obviously, you know, at the time when we're recording this,

0:32:52.320 --> 0:32:58.030
<v Speaker 1>you've just finished. You're decompressing from this big, gorgeous experience.

0:32:58.790 --> 0:33:04.600
<v Speaker 1>And Nocturne, you know, is, is coming into the world. Like,

0:33:05.180 --> 0:33:06.810
<v Speaker 1>but obviously you would have had to film it before.

0:33:06.830 --> 0:33:08.730
<v Speaker 1>So you kind of have to go back to this

0:33:08.870 --> 0:33:12.430
<v Speaker 1>other thing and it's, I don't want to spoil anything.

0:33:12.510 --> 0:33:15.110
<v Speaker 1>It's really hard. I realize I'm fumbling over my words

0:33:15.290 --> 0:33:18.100
<v Speaker 1>because I've seen things that I know our listeners haven't

0:33:18.160 --> 0:33:20.900
<v Speaker 1>seen yet and I don't want to screw up. Um,

0:33:21.660 --> 0:33:25.480
<v Speaker 1>it's so scary. It's so intense. It like, It gave

0:33:25.520 --> 0:33:28.920
<v Speaker 1>me that feeling like my chest just kept getting tighter

0:33:28.940 --> 0:33:30.980
<v Speaker 1>and I literally had to be like, you know her,

0:33:31.340 --> 0:33:32.020
<v Speaker 1>this isn't real.

0:33:32.440 --> 0:33:33.060
<v Speaker 2>Calm down.

0:33:33.340 --> 0:33:36.140
<v Speaker 1>You're at home. Like I had to talk myself through it.

0:33:36.500 --> 0:33:36.800
<v Speaker 2>Yeah.

0:33:37.500 --> 0:33:40.870
<v Speaker 1>What made you want to step into that world and

0:33:40.910 --> 0:33:42.350
<v Speaker 1>make something so spooky?

0:33:42.950 --> 0:33:46.990
<v Speaker 2>Well, I haven't really done anything in that sort of

0:33:47.030 --> 0:33:50.490
<v Speaker 2>genre in that world. And I had not ever worked

0:33:50.510 --> 0:33:54.310
<v Speaker 2>with Stephen Graham, Liev Schreiber, Zazie or Rory or Bill

0:33:54.330 --> 0:33:58.459
<v Speaker 2>or Like all these people that I'm like, oh, oh

0:33:58.500 --> 0:34:02.900
<v Speaker 2>my gosh, masterclass of acting. And so when I read

0:34:02.920 --> 0:34:06.370
<v Speaker 2>the actual novel, I was like, okay, this is petrifying.

0:34:07.090 --> 0:34:10.709
<v Speaker 2>And I was like, oh, okay. And, you know, they've

0:34:10.750 --> 0:34:14.410
<v Speaker 2>changed things, whatever, adjusted them obviously to really fit the

0:34:14.469 --> 0:34:21.140
<v Speaker 2>world of Pittsburgh and the suburbs of Pittsburgh. But it, yeah,

0:34:21.180 --> 0:34:23.160
<v Speaker 2>I'm like on the edge of my seat. Like, and that's,

0:34:23.680 --> 0:34:26.760
<v Speaker 2>luckily everybody was so wonderful and kind. Stephen Graham, Leah,

0:34:26.820 --> 0:34:35.480
<v Speaker 2>are they so sweet, but like, it's what they, what happens.

0:34:36.010 --> 0:34:39.310
<v Speaker 2>And again, I won't, I can't give anything away. It's

0:34:39.390 --> 0:34:42.590
<v Speaker 2>so intense things I've never done on screen before that

0:34:42.910 --> 0:34:46.950
<v Speaker 2>I'm like, can I get through this? And everyone's like,

0:34:46.989 --> 0:34:47.930
<v Speaker 2>are you okay? Are you okay?

0:34:47.950 --> 0:34:48.170
<v Speaker 1>You okay?

0:34:48.190 --> 0:34:51.390
<v Speaker 2>I'm like, I'm okay. I had to compartmentalize and I

0:34:51.450 --> 0:34:54.740
<v Speaker 2>had to like, like I had to sort of separate

0:34:54.760 --> 0:34:58.260
<v Speaker 2>my body from my mind in some aspects. Cause you know,

0:34:58.380 --> 0:35:00.969
<v Speaker 2>cellular level, our bodies are like, is this real? Is

0:35:00.989 --> 0:35:03.109
<v Speaker 2>this fact or fiction? And I'm like, no, Chrissy, this

0:35:03.170 --> 0:35:07.370
<v Speaker 2>is not really happening. So yeah, it was intense and

0:35:08.630 --> 0:35:14.800
<v Speaker 2>really great. Landon who plays my son, a new actor

0:35:15.320 --> 0:35:21.610
<v Speaker 2>and so special. And, um, Yeah, it is creepy. It

0:35:21.650 --> 0:35:25.350
<v Speaker 2>is mysterious. It puts you on edge. And I was like, oh, yeah,

0:35:25.370 --> 0:35:27.230
<v Speaker 2>I want to do that. Something I haven't done, I

0:35:27.250 --> 0:35:30.049
<v Speaker 2>want to do that if I'm lucky enough to. And

0:35:30.950 --> 0:35:33.330
<v Speaker 2>I had a couple of Zoom meetings literally in the airport.

0:35:33.489 --> 0:35:37.029
<v Speaker 2>I'm reading scenes in the airport, y'all, in like one

0:35:37.070 --> 0:35:41.870
<v Speaker 2>of those glass bubble things, workspaces. And I'm just thinking, oh, no,

0:35:42.370 --> 0:35:44.450
<v Speaker 2>somebody's going to think I'm distraught. Somebody's going to come

0:35:44.489 --> 0:35:45.649
<v Speaker 2>in and think something is wrong.

0:35:45.670 --> 0:35:45.850
<v Speaker 1>Yeah.

0:35:46.660 --> 0:35:48.549
<v Speaker 2>And when you see the show, you'll know why they

0:35:48.570 --> 0:35:52.150
<v Speaker 2>thought they potentially might have to rescue me. But it

0:35:52.210 --> 0:35:55.450
<v Speaker 2>was like, oh, when you want something, I don't care

0:35:55.489 --> 0:35:59.870
<v Speaker 2>what it's going to take to work toward it. And yeah,

0:35:59.890 --> 0:36:02.980
<v Speaker 2>I really wanted to have that experience. And I'm so

0:36:03.160 --> 0:36:07.680
<v Speaker 2>grateful that I did because it was thrilling, challenging. And

0:36:07.739 --> 0:36:12.520
<v Speaker 2>also I think people are going to enjoy it. I

0:36:12.540 --> 0:36:14.279
<v Speaker 2>think people are going to enjoy it. I mean, I

0:36:14.280 --> 0:36:15.940
<v Speaker 2>know people like to be, on the edge of their

0:36:15.960 --> 0:36:19.540
<v Speaker 2>seat and to be scared. And, you know, there's something

0:36:19.580 --> 0:36:23.660
<v Speaker 2>about that kind of crime thriller stuff. So, um, yeah.

0:36:23.700 --> 0:36:25.760
<v Speaker 1>It's just so good. Thanks.

0:36:25.780 --> 0:36:30.070
<v Speaker 2>Yeah. I, um, yeah, I, yeah, it's intense.

0:36:30.650 --> 0:36:32.950
<v Speaker 1>Well, and you got to check that box, like the,

0:36:33.110 --> 0:36:37.450
<v Speaker 1>the crime thriller, you know, horror adjacent world. Is there,

0:36:38.110 --> 0:36:40.890
<v Speaker 1>is there any other, I know it's like, I don't

0:36:40.910 --> 0:36:42.750
<v Speaker 1>want to do the what's next, but I, I mean,

0:36:42.790 --> 0:36:45.810
<v Speaker 1>that's more just artist to artist. Like, what other spaces

0:36:45.850 --> 0:36:48.930
<v Speaker 1>have you not tried yet that you're curious about? Like what's,

0:36:49.230 --> 0:36:52.610
<v Speaker 1>what's on the bucket list of, of genres?

0:36:52.820 --> 0:36:55.140
<v Speaker 2>Well, bucket list really is comedy. And like, that's why

0:36:55.219 --> 0:36:58.480
<v Speaker 2>part of Angelique was super fun because she got to

0:36:58.500 --> 0:37:00.140
<v Speaker 2>be silly and fun, or at least I made her

0:37:00.180 --> 0:37:03.779
<v Speaker 2>that way. And everyone's like, Oh, I didn't know you

0:37:03.820 --> 0:37:09.110
<v Speaker 2>were funny. I'm like, okay, it's okay. I wanted to

0:37:09.130 --> 0:37:12.890
<v Speaker 2>be on SNL. Like that was like, you know, the

0:37:13.170 --> 0:37:15.910
<v Speaker 2>characters and impressionations and all, all that stuff is like

0:37:16.010 --> 0:37:19.600
<v Speaker 2>fascinating to me. Um, and I did like one episode

0:37:19.640 --> 0:37:23.279
<v Speaker 2>of a Tracy Morgan show, um, the last OG and

0:37:23.620 --> 0:37:27.040
<v Speaker 2>Jordan Peele directed that episode. And he was like, you're funny.

0:37:27.080 --> 0:37:30.899
<v Speaker 2>And I was like, Oh, if you think that I'm

0:37:31.060 --> 0:37:33.399
<v Speaker 2>so grateful. So I feel like I had a little,

0:37:33.460 --> 0:37:35.980
<v Speaker 2>you know, a little star on my little, yeah.

0:37:36.000 --> 0:37:37.239
<v Speaker 1>A little feather in the cap.

0:37:37.320 --> 0:37:41.110
<v Speaker 2>Yes, exactly. And honestly, comedy is something that I, um,

0:37:41.930 --> 0:37:44.170
<v Speaker 2>because I'm the girl who cries a lot on TV,

0:37:44.210 --> 0:37:47.009
<v Speaker 2>which I'm happy to do at any given point in time.

0:37:47.510 --> 0:37:51.060
<v Speaker 2>I love to cry. I also love to laugh and

0:37:51.180 --> 0:37:54.799
<v Speaker 2>laugh until you cry. So comedy, honestly, like that would

0:37:54.840 --> 0:37:56.240
<v Speaker 2>just be. Yes.

0:37:57.060 --> 0:37:59.840
<v Speaker 1>I'm so with you there. I've been making more comedies

0:37:59.920 --> 0:38:03.339
<v Speaker 1>this year just because I miss it. And I think

0:38:03.360 --> 0:38:06.239
<v Speaker 1>you're right. It's like when you cry well, people go, oh,

0:38:06.280 --> 0:38:08.250
<v Speaker 1>that's what you do. Or you, you know, it's like

0:38:08.290 --> 0:38:10.439
<v Speaker 1>I spent a a handful of years playing a cop

0:38:10.520 --> 0:38:13.200
<v Speaker 1>on tv so everybody thinks i'm very serious right and

0:38:13.219 --> 0:38:15.899
<v Speaker 1>you know i'm i'm i'm serious about the world like

0:38:16.300 --> 0:38:19.080
<v Speaker 1>treating people well but that's not it you know i

0:38:19.120 --> 0:38:21.680
<v Speaker 1>started as an actor to be the comic relief on

0:38:21.719 --> 0:38:25.670
<v Speaker 1>a show yeah and oh it's just so delicious and

0:38:25.730 --> 0:38:28.009
<v Speaker 1>maybe because the world is stressful it feels like we

0:38:28.050 --> 0:38:31.350
<v Speaker 1>just want to giggle more right so yeah maybe we

0:38:31.370 --> 0:38:34.649
<v Speaker 1>just speak more comedy into the ethers. Yes.

0:38:34.930 --> 0:38:37.850
<v Speaker 2>Even Wilson McCarthy was mentioning that the other day, you know,

0:38:37.930 --> 0:38:41.430
<v Speaker 2>it's like, yeah, we need that. And it's so fun.

0:38:41.469 --> 0:38:44.270
<v Speaker 2>We need the levity and we need fun and joy

0:38:44.290 --> 0:38:46.260
<v Speaker 2>where we can find it and hold on to it.

0:38:47.070 --> 0:38:50.430
<v Speaker 1>Yeah. I totally agree. And now a word from our

0:38:50.489 --> 0:38:53.149
<v Speaker 1>sponsors that I really enjoy. And I think you will too.

0:39:00.510 --> 0:39:02.689
<v Speaker 1>What do you think, like when you, when you think

0:39:02.750 --> 0:39:06.950
<v Speaker 1>about Everything we've been talking about and, you know, artistry

0:39:06.989 --> 0:39:11.900
<v Speaker 1>and life and, you know, personal joy, like all these things.

0:39:13.400 --> 0:39:17.719
<v Speaker 1>What's changed in the way that you think about your

0:39:17.820 --> 0:39:23.049
<v Speaker 1>life and your happiness with all this experience under your

0:39:23.090 --> 0:39:23.569
<v Speaker 1>belt now?

0:39:23.989 --> 0:39:26.950
<v Speaker 2>Yeah, I think I'm finally in a place where I

0:39:26.950 --> 0:39:31.980
<v Speaker 2>want to do things. that I enjoy as opposed to,

0:39:32.000 --> 0:39:34.540
<v Speaker 2>do you think I should do it? Do you think

0:39:34.560 --> 0:39:37.380
<v Speaker 2>it's a good idea? Do you think people are going

0:39:37.400 --> 0:39:38.660
<v Speaker 2>to like me more? Do you think it's going to

0:39:38.680 --> 0:39:41.850
<v Speaker 2>be good for my career? Like, what is it that

0:39:41.930 --> 0:39:44.029
<v Speaker 2>I want to do? You know, maybe I'm not making

0:39:44.090 --> 0:39:47.350
<v Speaker 2>as much money, but like the project is incredible. I'm like, yeah,

0:39:47.370 --> 0:39:50.969
<v Speaker 2>I want to do that. Like, it's not about like

0:39:51.030 --> 0:39:53.730
<v Speaker 2>life as we know is so much about the people

0:39:53.810 --> 0:39:57.890
<v Speaker 2>we know and love and the experiences we get to have.

0:39:58.070 --> 0:40:00.690
<v Speaker 2>Like nobody cares about a number in a bank account

0:40:01.110 --> 0:40:04.680
<v Speaker 2>when you're leaving this plane of existence. So it's really

0:40:04.739 --> 0:40:07.760
<v Speaker 2>like for me, like, Oh, do I want to do something?

0:40:07.920 --> 0:40:12.240
<v Speaker 2>Like how I feel about it or if I disagree,

0:40:12.300 --> 0:40:14.540
<v Speaker 2>I'm not, that's not for me. Like it might be

0:40:14.560 --> 0:40:17.200
<v Speaker 2>a great paycheck or it might be with so-and-so, but,

0:40:18.020 --> 0:40:20.660
<v Speaker 2>I don't resonate with the material or like, that's not

0:40:20.700 --> 0:40:22.680
<v Speaker 2>where I want to sit for 12 hours a day or,

0:40:23.320 --> 0:40:25.600
<v Speaker 2>you know, and I don't know that I had the

0:40:25.660 --> 0:40:30.100
<v Speaker 2>confidence or a leg really to stand on before to,

0:40:30.320 --> 0:40:33.819
<v Speaker 2>to be picky and say, Oh, cause you know, we're

0:40:33.840 --> 0:40:36.360
<v Speaker 2>taught like, Oh, you just take whatever, whatever's there and

0:40:36.780 --> 0:40:40.890
<v Speaker 2>whatever's available, which yes, yes. Like you want the experience.

0:40:42.969 --> 0:40:46.830
<v Speaker 2>But I just sort of check in with myself more.

0:40:47.910 --> 0:40:49.410
<v Speaker 2>because at the end of the day I'm the one

0:40:49.430 --> 0:40:52.590
<v Speaker 2>that has to sit with myself and like because I

0:40:52.640 --> 0:40:54.600
<v Speaker 2>have food issues I know that if I say yes

0:40:54.620 --> 0:40:56.339
<v Speaker 2>to something I should have said no to I'll eat

0:40:56.380 --> 0:40:58.420
<v Speaker 2>over it you know what I mean like there's things

0:40:58.480 --> 0:41:01.839
<v Speaker 2>that it won't be good for me short term long

0:41:01.880 --> 0:41:05.919
<v Speaker 2>term and I just have to do what's what feels

0:41:05.960 --> 0:41:08.810
<v Speaker 2>right so that makes me happy and then I feel

0:41:08.850 --> 0:41:11.570
<v Speaker 2>more settled and grounded and I can be a better

0:41:12.690 --> 0:41:16.310
<v Speaker 2>you know sister and partner and actor and friend so

0:41:16.510 --> 0:41:18.490
<v Speaker 2>yeah yeah Yeah.

0:41:19.030 --> 0:41:22.950
<v Speaker 1>Listening to yourself, protecting your peace really changes your life.

0:41:23.410 --> 0:41:25.070
<v Speaker 2>Yeah. Yeah.

0:41:26.160 --> 0:41:29.439
<v Speaker 1>But nobody gives us the guidebook on how to do that. No.

0:41:29.560 --> 0:41:31.520
<v Speaker 1>Figuring it out is like, it's a journey.

0:41:31.840 --> 0:41:33.879
<v Speaker 2>Yeah. Right. And some days you're like, oh, I think

0:41:33.920 --> 0:41:36.020
<v Speaker 2>I got a handle on it. And then you're like, oh, hell,

0:41:36.480 --> 0:41:39.810
<v Speaker 2>I should have told them now. I should have told them, no.

0:41:39.820 --> 0:41:42.940
<v Speaker 2>Turns out I don't know anything. Turns out I'm a

0:41:42.940 --> 0:41:44.640
<v Speaker 2>work in progress. Yes.

0:41:45.640 --> 0:41:48.830
<v Speaker 1>Exactly. Well, that's my favorite thing to ask everybody who

0:41:48.870 --> 0:41:51.270
<v Speaker 1>comes on the show. What is your work in progress?

0:41:51.710 --> 0:41:53.469
<v Speaker 1>And it can be like a life thing or a

0:41:53.530 --> 0:41:54.340
<v Speaker 1>right now thing.

0:41:54.910 --> 0:41:56.200
<v Speaker 2>Yeah, for me, it's really like.

0:41:58.810 --> 0:42:02.490
<v Speaker 2>The HRTs of the world, like the hormone replacement therapy

0:42:02.510 --> 0:42:05.509
<v Speaker 2>that like I'm trying to introduce because, you know, as

0:42:05.570 --> 0:42:08.660
<v Speaker 2>I said, perimenopausal and not getting any younger and the

0:42:08.680 --> 0:42:10.919
<v Speaker 2>things that my mom didn't, you know, wasn't equipped with

0:42:11.200 --> 0:42:15.180
<v Speaker 2>in that space. And just like finding out how do

0:42:15.260 --> 0:42:19.080
<v Speaker 2>I mentally, emotionally, and physically make myself the best version

0:42:19.100 --> 0:42:24.069
<v Speaker 2>of myself. And for a long time, I either didn't

0:42:24.110 --> 0:42:27.890
<v Speaker 2>have the bandwidth or, the heart space, the head space

0:42:28.290 --> 0:42:32.700
<v Speaker 2>or the capabilities. And now it's just like, Oh, like

0:42:32.739 --> 0:42:36.899
<v Speaker 2>it all has to go together. And I've always known that,

0:42:36.960 --> 0:42:39.980
<v Speaker 2>but then I'm putting it into practice or at least

0:42:40.880 --> 0:42:45.140
<v Speaker 2>trying every day and giving myself grace when I don't

0:42:45.160 --> 0:42:47.569
<v Speaker 2>make the decision I thought I was going to, or,

0:42:49.210 --> 0:42:53.890
<v Speaker 2>but yeah, I just, you know, and, being patient with myself.

0:42:53.950 --> 0:42:56.180
<v Speaker 2>I think I've been very impatient and a lot of

0:42:56.380 --> 0:43:01.720
<v Speaker 2>aspects of my life with myself. So just like, it's okay.

0:43:01.920 --> 0:43:03.980
<v Speaker 2>I don't have a job right now. That's okay. Like

0:43:04.540 --> 0:43:07.040
<v Speaker 2>there's supposed to be space. I just did a great

0:43:07.080 --> 0:43:09.700
<v Speaker 2>run on Broadway. I just did an incredible show with

0:43:09.760 --> 0:43:13.500
<v Speaker 2>incredible people. Like I can take a breath. Yeah. That's okay.

0:43:14.100 --> 0:43:14.720
<v Speaker 1>It's okay.

0:43:16.219 --> 0:43:18.819
<v Speaker 2>Yeah. I feel good about what I've done. So I don't.

0:43:19.360 --> 0:43:19.540
<v Speaker 1>Yeah.

0:43:20.140 --> 0:43:20.239
<v Speaker 2>Okay.

0:43:20.260 --> 0:43:20.400
<v Speaker 1>Okay.

0:43:20.830 --> 0:43:24.230
<v Speaker 2>But even saying that and, and allowing myself and not

0:43:24.250 --> 0:43:26.730
<v Speaker 2>being like, okay, what's next? Okay. We gotta, we gotta hustle.

0:43:26.950 --> 0:43:28.910
<v Speaker 2>What about next year? You know?

0:43:29.380 --> 0:43:32.880
<v Speaker 1>Yeah. Yeah. Saying it and believing it are different.

0:43:32.900 --> 0:43:33.620
<v Speaker 2>A hundred percent.

0:43:33.640 --> 0:43:36.480
<v Speaker 1>And saying it's hard enough, but like, if you say

0:43:36.540 --> 0:43:40.279
<v Speaker 1>it and your body's like, yes, it's like, how do

0:43:40.340 --> 0:43:43.730
<v Speaker 1>I actually let it soak into where I believe it?

0:43:43.989 --> 0:43:49.170
<v Speaker 1>And my, my, my vibrations are not up here. They're,

0:43:49.350 --> 0:43:52.230
<v Speaker 1>they're slow and steady and I can, I can be

0:43:53.610 --> 0:43:56.469
<v Speaker 1>present with myself and with the people around me, you know,

0:43:57.190 --> 0:43:57.839
<v Speaker 1>that's big.

0:43:58.450 --> 0:44:02.680
<v Speaker 2>Yeah, it is. And being with my family really helps

0:44:02.760 --> 0:44:05.980
<v Speaker 2>with that. You know, like I'm just Chrissy to them.

0:44:06.020 --> 0:44:07.819
<v Speaker 2>I'm just their sister. I'm just their aunt. I'm just,

0:44:07.860 --> 0:44:14.660
<v Speaker 2>you know, they are great mothers and great partners. And

0:44:14.719 --> 0:44:18.090
<v Speaker 2>I'm like, oh, like this is what it's about. Yeah.

0:44:19.110 --> 0:44:21.120
<v Speaker 2>This is what it's about. And being with my family and,

0:44:22.280 --> 0:44:24.640
<v Speaker 2>you know, wanting to start a homestead together, but that

0:44:24.680 --> 0:44:28.000
<v Speaker 2>sounds like a lot of work. Um, but, um, you know,

0:44:28.200 --> 0:44:31.680
<v Speaker 2>I think about it too, though. Yeah. I'm like, who's

0:44:31.719 --> 0:44:32.860
<v Speaker 2>going to do that every day?

0:44:32.880 --> 0:44:34.180
<v Speaker 1>Are we going to do that every day?

0:44:34.200 --> 0:44:37.040
<v Speaker 2>Are we going to be okay? Um, but yeah, just

0:44:37.780 --> 0:44:39.859
<v Speaker 2>being around people that love you and ground you and

0:44:40.210 --> 0:44:44.330
<v Speaker 2>don't want anything from you, you know, just your presence

0:44:44.430 --> 0:44:49.040
<v Speaker 2>and your, friendship and yeah so I get to spend

0:44:49.080 --> 0:44:51.399
<v Speaker 2>some time with my family which I always look forward

0:44:51.420 --> 0:44:56.120
<v Speaker 2>to my nieces and nephews so yeah.

0:44:55.780 --> 0:44:57.779
<v Speaker 1>I love that for you I'm just so happy to

0:44:57.820 --> 0:45:02.320
<v Speaker 1>see you happy congratulations on everything it's it's all so

0:45:02.390 --> 0:45:02.680
<v Speaker 1>good

0:45:03.110 --> 0:45:05.930
<v Speaker 2>Thank you I'm very grateful and so good to see

0:45:05.969 --> 0:45:07.489
<v Speaker 2>you happy thank you