1 00:00:00,160 --> 00:00:06,880 Speaker 1: M hey, welcome to episode one point five. New Music. 2 00:00:06,880 --> 00:00:08,400 Speaker 1: Sodays Friday, all the new music comes out, and we 3 00:00:08,400 --> 00:00:10,200 Speaker 1: had a bunch of new stories, so I thought we'd 4 00:00:10,200 --> 00:00:12,240 Speaker 1: come on and let me welcome to Eddie. There's my 5 00:00:12,280 --> 00:00:13,960 Speaker 1: new music Correspondent, which, by the way, we'll be doing 6 00:00:14,000 --> 00:00:17,560 Speaker 1: a podcast real soon about bands that have had more 7 00:00:17,560 --> 00:00:19,560 Speaker 1: than one lead singer. Yeah. I like that, so we'll 8 00:00:19,640 --> 00:00:21,160 Speaker 1: have that coming up to But today's Friday, so a 9 00:00:21,200 --> 00:00:22,759 Speaker 1: lot of new music and a lot of new stories. 10 00:00:22,920 --> 00:00:24,599 Speaker 1: I thought we'd take a second to talk about these. 11 00:00:24,960 --> 00:00:27,720 Speaker 1: So first of all, uh, slip Knot has the number 12 00:00:27,720 --> 00:00:31,520 Speaker 1: one album in America. Yeah, do I have slip Knot 13 00:00:31,520 --> 00:00:36,960 Speaker 1: over here on the right? Okay, slip Knot, I couldn't 14 00:00:37,000 --> 00:00:40,040 Speaker 1: tell you one song of theirs, but I do know 15 00:00:40,080 --> 00:00:47,960 Speaker 1: they were clown masks. There you go. Slip Knot sold 16 00:00:47,960 --> 00:00:50,320 Speaker 1: a hundred and eighteen thousand copies of the new album 17 00:00:50,400 --> 00:00:53,760 Speaker 1: We Are Not Your Kind enough to earn their number 18 00:00:53,760 --> 00:00:56,120 Speaker 1: one spot. It's their first number one album in eighteen years. 19 00:00:56,240 --> 00:01:00,360 Speaker 1: People still buying full albums. Well, sometimes you'll see artists 20 00:01:00,440 --> 00:01:04,040 Speaker 1: when the album war because they're putting out full albums. 21 00:01:04,720 --> 00:01:09,360 Speaker 1: And and fan base right and and no, but yes, 22 00:01:09,920 --> 00:01:12,560 Speaker 1: meaning when the Backstrey Boys had the biggest album, they 23 00:01:12,600 --> 00:01:17,040 Speaker 1: weren't streamed the most, but they sold the most hard album, 24 00:01:17,360 --> 00:01:20,440 Speaker 1: hard copy album. Weird thing. You can almost find any 25 00:01:20,480 --> 00:01:22,680 Speaker 1: way to make yourself look victorious at this point because 26 00:01:22,680 --> 00:01:24,840 Speaker 1: there's so many data points that you can use. Interesting 27 00:01:25,440 --> 00:01:28,800 Speaker 1: stream number one and they do, and they'll also do 28 00:01:28,840 --> 00:01:31,840 Speaker 1: this many streams equals this many albums, then you can 29 00:01:31,840 --> 00:01:35,120 Speaker 1: combine them. But that being said, slip Knot has the 30 00:01:35,200 --> 00:01:36,960 Speaker 1: number one album in America, not gonna take that away 31 00:01:36,959 --> 00:01:43,640 Speaker 1: from you away might be like this music. I love 32 00:01:43,680 --> 00:01:48,640 Speaker 1: slip Knot. That's wrong with you? Obviously, they're a hundred 33 00:01:48,640 --> 00:01:50,600 Speaker 1: and eighteen thousand people that agree with Mike d and 34 00:01:50,600 --> 00:01:52,280 Speaker 1: they sell a lot of vinyl tooth, a lot of 35 00:01:52,280 --> 00:01:56,080 Speaker 1: that's hard copy. Billie Eilish, after a record breaking nineteen 36 00:01:56,080 --> 00:01:58,920 Speaker 1: weeks and number one Old Town Road by Little nos 37 00:01:59,160 --> 00:02:01,920 Speaker 1: X has fall all into Billie Eilish, who's now number 38 00:02:01,920 --> 00:02:08,280 Speaker 1: one with the song right here. That song was holding 39 00:02:08,320 --> 00:02:10,480 Speaker 1: the record for the longest number two song. Never Now 40 00:02:10,520 --> 00:02:15,200 Speaker 1: Old Town Road fell and there you go, goodbye Oldtown Road. Yeah, 41 00:02:15,280 --> 00:02:21,519 Speaker 1: he love Billie Eilish. And then finally a music news 42 00:02:21,560 --> 00:02:24,280 Speaker 1: Taylor Swift can rerecord all the music she did for 43 00:02:24,280 --> 00:02:26,359 Speaker 1: her previous label, but she has to wait about a 44 00:02:26,440 --> 00:02:29,280 Speaker 1: year to do it. On Good Morning America yesterday, she said, quote, 45 00:02:29,280 --> 00:02:33,120 Speaker 1: my contract says that's starting November, I can record albums 46 00:02:33,320 --> 00:02:37,200 Speaker 1: one through five all over again. Interesting. This is my 47 00:02:37,760 --> 00:02:41,360 Speaker 1: prediction on what happens, that this is a negotiation tactic 48 00:02:41,400 --> 00:02:43,680 Speaker 1: to buy her stuff back. Oh wow, so she doesn't 49 00:02:43,680 --> 00:02:46,320 Speaker 1: actually re record them again. Just me seeing this and 50 00:02:46,360 --> 00:02:48,440 Speaker 1: hearing this, it's a smart move by her to go, 51 00:02:48,520 --> 00:02:51,920 Speaker 1: I'm just gonna record them because it then makes the 52 00:02:51,960 --> 00:02:56,720 Speaker 1: records that she has that big machine owns to go, 53 00:02:56,760 --> 00:02:58,760 Speaker 1: oh crap, we don't want to do that. Because she does, 54 00:02:58,800 --> 00:03:00,920 Speaker 1: it's gonna make ours not worth as much because people 55 00:03:00,919 --> 00:03:03,119 Speaker 1: won't be streaming those will stream her new stuff. We'll 56 00:03:03,120 --> 00:03:04,800 Speaker 1: lose value. So we should probably sell for her for 57 00:03:04,800 --> 00:03:08,880 Speaker 1: the most we can. My prediction is that that is 58 00:03:08,919 --> 00:03:11,839 Speaker 1: that play, and that's a good business angle. I mean, 59 00:03:11,880 --> 00:03:17,800 Speaker 1: that's probably is the play. But artistically, creatively, creatively, like 60 00:03:17,840 --> 00:03:20,240 Speaker 1: it's kind of cool to have the option to go 61 00:03:20,320 --> 00:03:22,520 Speaker 1: back to your songs and say, like, you know what, 62 00:03:22,560 --> 00:03:24,519 Speaker 1: I've grown as an artist, but I can do Tim 63 00:03:24,600 --> 00:03:26,919 Speaker 1: McGraw in a total different way. Now, Yeah, but she's 64 00:03:26,919 --> 00:03:27,960 Speaker 1: not gonna do it told it for I think you're 65 00:03:27,960 --> 00:03:29,320 Speaker 1: missing the point. She wants to do it as close 66 00:03:29,400 --> 00:03:33,120 Speaker 1: to absolutely the same as possible. Well, no, it's not dumb, 67 00:03:33,160 --> 00:03:35,280 Speaker 1: because what it is is she's gonna make money. Listen 68 00:03:35,320 --> 00:03:37,080 Speaker 1: to that song. If anyone listens to Ti McGraw right now, 69 00:03:37,120 --> 00:03:39,480 Speaker 1: which millions people do, She's not making the money off 70 00:03:39,560 --> 00:03:42,240 Speaker 1: that what she shouldn't, by the way, because she signed 71 00:03:42,240 --> 00:03:44,040 Speaker 1: a contract to make that and she was paid to do. 72 00:03:44,480 --> 00:03:46,720 Speaker 1: She fulfilled her part of the deal. They fulfilled their 73 00:03:46,760 --> 00:03:48,160 Speaker 1: part of the deal. That's why a deal is made. 74 00:03:48,280 --> 00:03:50,160 Speaker 1: Just the first time we ever talked about that, I 75 00:03:50,160 --> 00:03:51,680 Speaker 1: don't know. I think that's the first time you've ever 76 00:03:51,800 --> 00:03:56,760 Speaker 1: maybe privately I've yeah, probably we've had this conversation. But 77 00:03:56,800 --> 00:03:58,520 Speaker 1: if she were to recreate it, she would recreate it 78 00:03:58,520 --> 00:04:01,040 Speaker 1: as close as possible just to have it her own. 79 00:04:01,160 --> 00:04:03,480 Speaker 1: I get it because most people, if they were looking 80 00:04:03,520 --> 00:04:05,400 Speaker 1: for timgraw, wouldn't want to hear a new version from Taylor. 81 00:04:05,600 --> 00:04:06,840 Speaker 1: Most people would want to go I want to hear 82 00:04:06,840 --> 00:04:08,280 Speaker 1: to t mcgrawl. They want to listen to Tim McGraw, 83 00:04:08,600 --> 00:04:12,000 Speaker 1: so their cargol would be to make it exactly so 84 00:04:12,040 --> 00:04:14,080 Speaker 1: exact to the first one that if you're going to 85 00:04:14,080 --> 00:04:15,560 Speaker 1: find that song, you're gonna have of them, are gonna 86 00:04:15,560 --> 00:04:18,560 Speaker 1: listen to her a new one? They never sound exactly 87 00:04:18,640 --> 00:04:21,600 Speaker 1: the same thing. They're not going to but because you know, 88 00:04:21,680 --> 00:04:24,479 Speaker 1: fifteen year old tailor is not gonna sound like her now. 89 00:04:24,680 --> 00:04:30,279 Speaker 1: But see again, that is selfishly, selfless, selflessly her idea 90 00:04:30,360 --> 00:04:34,080 Speaker 1: and like her motive. But for the consumer, like we 91 00:04:34,080 --> 00:04:36,880 Speaker 1: already have the song, we don't care who owns it, right, 92 00:04:36,920 --> 00:04:38,560 Speaker 1: so we would go listen to the new version too. 93 00:04:38,760 --> 00:04:40,919 Speaker 1: It's just a business move on her. She makes no 94 00:04:41,080 --> 00:04:43,080 Speaker 1: money if you go listen, I say no, she does 95 00:04:43,120 --> 00:04:44,920 Speaker 1: still make money off of it, But she doesn't make 96 00:04:44,920 --> 00:04:47,840 Speaker 1: as much money listening to if she owned one, if 97 00:04:47,880 --> 00:04:50,919 Speaker 1: she had the rights to them. So interesting, it's not 98 00:04:51,000 --> 00:04:53,440 Speaker 1: new versions. She wanted to make them as exactly like 99 00:04:53,520 --> 00:04:54,760 Speaker 1: the old. So on, instead of going to listen to 100 00:04:54,760 --> 00:04:56,520 Speaker 1: the old that she doesn't own, you listen to the 101 00:04:56,520 --> 00:04:59,080 Speaker 1: new that she does that sounds exactly the same. It 102 00:04:59,160 --> 00:05:01,039 Speaker 1: is gonna be so weird. It's like old coke, new coke, 103 00:05:01,200 --> 00:05:05,040 Speaker 1: like whatever. Well, those at least tastes different. Purpose you're right, Um, 104 00:05:05,080 --> 00:05:07,440 Speaker 1: I think I don't think she'll record a new albums. 105 00:05:07,680 --> 00:05:10,280 Speaker 1: I think this is a potentially end up buying the 106 00:05:10,320 --> 00:05:11,920 Speaker 1: old ones because they're gonna go. Don't do that, because 107 00:05:11,920 --> 00:05:13,400 Speaker 1: we're gonna lose our value and the best thing we 108 00:05:13,400 --> 00:05:15,360 Speaker 1: can do is get as much value as we can. 109 00:05:15,440 --> 00:05:18,159 Speaker 1: Right now, you're probably right, just a guess. No, nothing, 110 00:05:18,200 --> 00:05:20,600 Speaker 1: have no inside knowledge of that. Those are the big 111 00:05:20,720 --> 00:05:22,880 Speaker 1: music stories. There is some new music out today. I 112 00:05:22,880 --> 00:05:25,720 Speaker 1: wanted to play for you guys. I'll play some Taylor. 113 00:05:26,160 --> 00:05:28,920 Speaker 1: So Taylor's record came out today and it's called Lover. 114 00:05:29,760 --> 00:05:31,679 Speaker 1: This is a song with the Dixie Chicks called Soon 115 00:05:31,960 --> 00:05:45,719 Speaker 1: You'll Be good Enough, And that song is supposedly about 116 00:05:45,720 --> 00:05:48,160 Speaker 1: her mom's battle with breast cancer. And I listen to 117 00:05:48,200 --> 00:05:50,400 Speaker 1: it this morning before I came in. I wasn't awake 118 00:05:50,480 --> 00:05:53,919 Speaker 1: last night when the record actually was uploaded to Apple 119 00:05:54,000 --> 00:05:56,640 Speaker 1: Music or Spotify, and so I heard it this morning 120 00:05:56,680 --> 00:05:58,039 Speaker 1: and I was like, oh, man, it's it's a great song. 121 00:05:58,120 --> 00:06:01,479 Speaker 1: I love the Dixie Chicks. And then and you know, 122 00:06:01,520 --> 00:06:05,240 Speaker 1: that's a really personal and vulnerable topic and so it's 123 00:06:05,240 --> 00:06:09,240 Speaker 1: a good song. She's so good at writing songs that 124 00:06:09,240 --> 00:06:12,159 Speaker 1: are just real and like about a serious topic. But 125 00:06:12,800 --> 00:06:15,680 Speaker 1: just trying to turn that into a song that everybody 126 00:06:15,680 --> 00:06:17,920 Speaker 1: would like is hard. And she she did it. Man, 127 00:06:17,920 --> 00:06:26,560 Speaker 1: it's really good. Here's Archer Awaken Peace like Uncle's Invisible 128 00:06:27,440 --> 00:06:36,760 Speaker 1: and Fall. Here is Lover. Yeah, we uploaded weird. Does 129 00:06:36,800 --> 00:06:38,800 Speaker 1: that song sound like that? That That it sounds yeah? Is 130 00:06:39,120 --> 00:06:43,080 Speaker 1: that the album title? Love? He So those are all out. 131 00:06:43,720 --> 00:06:46,280 Speaker 1: Our friend Adam Hambroke has a song called Forever Ain't 132 00:06:46,320 --> 00:06:52,040 Speaker 1: long Enough if you want to check it out today 133 00:06:56,800 --> 00:07:09,360 Speaker 1: All the things that good Animal to stop Me who 134 00:07:09,440 --> 00:07:11,720 Speaker 1: for a while was one of the raging idiots. We 135 00:07:11,760 --> 00:07:14,200 Speaker 1: needed a guitar players. So he played some shows with us. 136 00:07:14,400 --> 00:07:16,120 Speaker 1: He put on a jumpsuit like the rest of us 137 00:07:16,120 --> 00:07:19,600 Speaker 1: and played with us. He wrote Dan and Shay how 138 00:07:19,680 --> 00:07:22,600 Speaker 1: not to He wrote somebody Else Will for Justin Moore. 139 00:07:23,080 --> 00:07:25,680 Speaker 1: So and he has this song for every long Enough 140 00:07:25,680 --> 00:07:28,960 Speaker 1: that came out today today Friday new music. Let's see. 141 00:07:29,040 --> 00:07:32,200 Speaker 1: Zach Brown Band has a song called need This played 142 00:07:32,280 --> 00:07:41,520 Speaker 1: this for you Can't get back, get down to business, 143 00:07:41,520 --> 00:07:44,080 Speaker 1: Getn't drive all night, just a witness timing up black 144 00:07:44,120 --> 00:07:46,400 Speaker 1: fo Days of Christmas and I know which right now? 145 00:07:46,440 --> 00:07:48,960 Speaker 1: I need this? Songs that shoots all my goodness, sit 146 00:07:49,040 --> 00:07:51,400 Speaker 1: this seaside I called a fitness Damn, you don't too 147 00:07:51,480 --> 00:07:53,480 Speaker 1: much fun to play this. All I know is right 148 00:07:53,520 --> 00:07:57,560 Speaker 1: now I need this interesting. Who is that is that 149 00:07:57,840 --> 00:08:02,280 Speaker 1: him singing? Yeah? Wow? Right? It doesn't sound like him? 150 00:08:02,400 --> 00:08:05,280 Speaker 1: Yeah it does. It does to me. Oh man, I 151 00:08:06,000 --> 00:08:07,600 Speaker 1: felt like maybe he was letting someone else in the 152 00:08:07,600 --> 00:08:10,480 Speaker 1: band sing. Oh. I don't think so you can look 153 00:08:10,520 --> 00:08:12,160 Speaker 1: it up. I didn't think sought that sound exactly. I 154 00:08:12,200 --> 00:08:18,280 Speaker 1: do like the sound very different. Kids, No, keep going, kid, 155 00:08:18,440 --> 00:08:23,720 Speaker 1: get back down to business. Didn't job on not just 156 00:08:23,800 --> 00:08:25,280 Speaker 1: maybe at that part. I don't know. I don't know. 157 00:08:25,280 --> 00:08:27,080 Speaker 1: I didn't sound like him. I just assumed it was 158 00:08:28,640 --> 00:08:31,720 Speaker 1: definitely a different sound. Jake Owen did a whole thing 159 00:08:31,760 --> 00:08:35,840 Speaker 1: called sounds from sound check, and uh, this is never 160 00:08:35,920 --> 00:08:38,560 Speaker 1: could tell the mark? Do you know things? This originally? 161 00:08:39,240 --> 00:08:56,719 Speaker 1: Let me hear it, change mama. He sings it like 162 00:08:56,800 --> 00:09:00,400 Speaker 1: a classic country guy, like maybe Whalen is a whale. 163 00:09:00,480 --> 00:09:03,280 Speaker 1: Jenny's okay, he's singing it like Whalen. So so is this? 164 00:09:03,360 --> 00:09:06,000 Speaker 1: Are these songs that he like recorded during sound check? 165 00:09:07,040 --> 00:09:09,360 Speaker 1: I would assume that he recorded them and maybe patch 166 00:09:09,440 --> 00:09:12,600 Speaker 1: them up a little bit. Let me see what other 167 00:09:12,640 --> 00:09:15,840 Speaker 1: songs are on there. So that's out today. I wonder 168 00:09:15,880 --> 00:09:18,320 Speaker 1: if it's a whole um. I guess it's not a 169 00:09:18,320 --> 00:09:21,120 Speaker 1: whole it's just one song of that. So I think 170 00:09:21,120 --> 00:09:22,920 Speaker 1: he's gonna put out more. I was watching his story 171 00:09:22,960 --> 00:09:26,160 Speaker 1: where he was like showing different um like work tapes, 172 00:09:26,640 --> 00:09:28,839 Speaker 1: this stuff. So Jake Owen has that which is a 173 00:09:28,840 --> 00:09:30,520 Speaker 1: Whylan song. And I don't know if we ever talked 174 00:09:30,520 --> 00:09:32,760 Speaker 1: about this, but a lot of people don't know. But 175 00:09:32,960 --> 00:09:35,960 Speaker 1: Pearl Jam when they did Last Kiss, that version was 176 00:09:35,960 --> 00:09:38,600 Speaker 1: a sound check recording. They never went into studio recorded 177 00:09:38,640 --> 00:09:40,480 Speaker 1: Last Kiss. It's just something they got from a sound 178 00:09:40,520 --> 00:09:42,040 Speaker 1: check and said, hey, we already have that, let's put 179 00:09:42,040 --> 00:09:45,600 Speaker 1: that out. Yeah, So kind of same concept um like 180 00:09:45,640 --> 00:09:50,000 Speaker 1: a Africa record, like an AIDS Yeah record, it's right, 181 00:09:51,360 --> 00:09:54,640 Speaker 1: let's do. Midland has a new record out today and 182 00:09:54,679 --> 00:09:59,400 Speaker 1: here is every song's a drinking song from the guys 183 00:09:59,559 --> 00:10:20,960 Speaker 1: from drinking song. You're drinking good, you do it, don't 184 00:10:20,960 --> 00:10:28,840 Speaker 1: cash if you're Jessy to get trashed song and drinking 185 00:10:29,040 --> 00:10:33,640 Speaker 1: song when you're drinking. So they got a whole album out. 186 00:10:33,679 --> 00:10:36,800 Speaker 1: Did I love it? Yeah? Like that like Midlands growing 187 00:10:36,840 --> 00:10:39,000 Speaker 1: on me just because I think at the very beginning, 188 00:10:39,000 --> 00:10:41,240 Speaker 1: and I don't mean it sounds makes sound the wrong way, 189 00:10:41,280 --> 00:10:42,560 Speaker 1: but at the very beginning, it was kind of a 190 00:10:42,600 --> 00:10:44,200 Speaker 1: novelty act for me, kind of just like, oh, they 191 00:10:44,200 --> 00:10:46,640 Speaker 1: look cool. They look like a throwback man. They play 192 00:10:46,720 --> 00:10:48,840 Speaker 1: music that sounds older. It's kind of cool. But it 193 00:10:48,920 --> 00:10:51,280 Speaker 1: wasn't really not now it's like I like it. I 194 00:10:51,320 --> 00:10:53,920 Speaker 1: love that their sound is like that. Grace Potter came 195 00:10:53,960 --> 00:10:56,000 Speaker 1: in on the show and it was cool for us. 196 00:10:56,000 --> 00:10:58,520 Speaker 1: I'm a huge Grace Potter fan. She came in and 197 00:10:58,520 --> 00:11:03,520 Speaker 1: did um she did Stars, which is an older song 198 00:11:03,600 --> 00:11:05,160 Speaker 1: of hers, and then we played for the first time 199 00:11:05,280 --> 00:11:10,000 Speaker 1: Love is Love, which is out here is Love is Love. 200 00:11:15,679 --> 00:11:35,680 Speaker 1: It'll change you can't explain. Yeah, she was super cool too. 201 00:11:36,040 --> 00:11:37,640 Speaker 1: She sat right up there and I made her while 202 00:11:37,679 --> 00:11:38,800 Speaker 1: I asked her. I was like, hey, just going to 203 00:11:38,880 --> 00:11:41,160 Speaker 1: check out your vocal and your guitar. I need to 204 00:11:41,160 --> 00:11:42,960 Speaker 1: make sure this sounds good, like I have any control 205 00:11:43,000 --> 00:11:44,880 Speaker 1: of what stuff sounds, like, Like are you guys good? Now? 206 00:11:44,960 --> 00:11:46,320 Speaker 1: Keep going? I'm like no, let me get a little 207 00:11:46,320 --> 00:11:48,840 Speaker 1: more Mikes like I'm good. I'm like, Mike, shut up, 208 00:11:49,440 --> 00:11:51,839 Speaker 1: sounds perfect. I'll keep going, Like would you be a 209 00:11:51,840 --> 00:11:55,040 Speaker 1: little vocal and should be like I can't look at 210 00:11:55,120 --> 00:11:58,720 Speaker 1: the star and just nail and I was like, yeah, sorry, yeah, 211 00:11:58,920 --> 00:12:00,880 Speaker 1: we'll give me a little more. Okay, that sounds good. 212 00:12:02,040 --> 00:12:04,400 Speaker 1: It's been a little selfish and awesome. Yeah, it's awesome. 213 00:12:04,880 --> 00:12:08,520 Speaker 1: So that's out. That's new music today. Uh. Sturgill Simpson 214 00:12:08,559 --> 00:12:10,840 Speaker 1: has a song called Sting sing Along Here you go. 215 00:12:41,679 --> 00:12:43,120 Speaker 1: You know, he was one of the characters in that 216 00:12:43,160 --> 00:12:47,040 Speaker 1: movie that they took completely off, the one where Oh 217 00:12:47,160 --> 00:12:50,520 Speaker 1: the Hunt, the Hunt, which he was one of the 218 00:12:50,600 --> 00:12:52,439 Speaker 1: secondary characters and had a big party. It's one of 219 00:12:52,440 --> 00:12:56,640 Speaker 1: the people being hunted, and they just canceled the movie. 220 00:12:57,600 --> 00:13:00,360 Speaker 1: Maybe eventually it comes out. I don't think so ever, 221 00:13:02,160 --> 00:13:06,840 Speaker 1: the money was about so the movie was about these 222 00:13:06,880 --> 00:13:11,920 Speaker 1: folks that are rich and then all of these they 223 00:13:11,920 --> 00:13:15,000 Speaker 1: called like deplorable characters are out in the field and 224 00:13:15,360 --> 00:13:17,040 Speaker 1: they get to go hunt them. I saw I saw 225 00:13:17,080 --> 00:13:19,240 Speaker 1: this on TV, like I saw a commercial for They 226 00:13:19,240 --> 00:13:22,440 Speaker 1: were running commercials for it, and then no, there's no way. 227 00:13:22,440 --> 00:13:25,520 Speaker 1: They just trashed that. Again. Well, it come out eventually. 228 00:13:25,559 --> 00:13:27,360 Speaker 1: It was right when the shootings happened in El Paso, 229 00:13:28,200 --> 00:13:30,280 Speaker 1: and there was a real political connotation to it as well, 230 00:13:30,440 --> 00:13:32,720 Speaker 1: which I don't think they had in mind exactly whenever 231 00:13:32,760 --> 00:13:35,440 Speaker 1: they made it, but they cut the movie. And how 232 00:13:35,480 --> 00:13:37,320 Speaker 1: big of a role was stur I think he was 233 00:13:37,320 --> 00:13:41,559 Speaker 1: one of the people being hunted. Big acting role. Yea. 234 00:13:42,040 --> 00:13:44,720 Speaker 1: They've done that before. They've delayed stuff, but never just 235 00:13:44,720 --> 00:13:46,560 Speaker 1: straight up canceled it. Have they ever said they were 236 00:13:46,600 --> 00:13:49,199 Speaker 1: canceling something in later because they've got to put it 237 00:13:49,240 --> 00:13:50,800 Speaker 1: out at some point in some way. It's just so 238 00:13:50,880 --> 00:13:53,400 Speaker 1: much money goes into making that, like time, and then 239 00:13:53,400 --> 00:13:56,160 Speaker 1: that's Sturgil's big break right there as an actor. And 240 00:13:56,200 --> 00:13:59,520 Speaker 1: then I remember when The Punisher was going to come 241 00:13:59,520 --> 00:14:02,120 Speaker 1: out the Vegas shooting happened, and they held it back, 242 00:14:02,200 --> 00:14:04,040 Speaker 1: held it back. How long do they wait on that? 243 00:14:04,320 --> 00:14:07,280 Speaker 1: Probably a month? Mhmm. Yeah. They didn't say they were 244 00:14:07,280 --> 00:14:10,480 Speaker 1: holding this one. They were like canceled. Wow. Yeah. Even 245 00:14:10,480 --> 00:14:12,840 Speaker 1: the President was tweeting about it, like, I can't believe 246 00:14:12,840 --> 00:14:15,560 Speaker 1: you would put this movie out. That's coract. What do 247 00:14:15,600 --> 00:14:18,200 Speaker 1: you think about this song? This sound it's not country? 248 00:14:18,200 --> 00:14:19,560 Speaker 1: He says, it's that country too, So he just kind 249 00:14:19,560 --> 00:14:21,240 Speaker 1: of went a different Yeah, I'm doing a different kind 250 00:14:21,240 --> 00:14:31,120 Speaker 1: of record. Interesting, I like it sounds cool. Here's one 251 00:14:31,120 --> 00:14:33,520 Speaker 1: of my favorite artists, and I saw. I just saw 252 00:14:33,520 --> 00:14:34,920 Speaker 1: it pop up my feet because I listened to a 253 00:14:35,000 --> 00:14:38,600 Speaker 1: lot of his music. So Hobo Johnson, who Keith Urban 254 00:14:38,640 --> 00:14:41,120 Speaker 1: told me about a long time ago. It's listen to Johnson. Yeah, 255 00:14:41,120 --> 00:14:43,000 Speaker 1: I didn't know you liked him. I listen to everything. 256 00:14:43,040 --> 00:14:48,600 Speaker 1: Publish Frank, you know who Johnson? Telling more about Hobo Johnson. 257 00:14:48,680 --> 00:14:52,640 Speaker 1: This song is called Subaru Cross track nine. I think 258 00:14:54,720 --> 00:14:56,760 Speaker 1: I just bought a super U cross truck up would 259 00:14:56,760 --> 00:14:59,560 Speaker 1: have bought a lamb but I'm not quite there. I 260 00:14:59,680 --> 00:15:02,360 Speaker 1: just the SUPERU cross struck what I bought it, But 261 00:15:02,400 --> 00:15:05,720 Speaker 1: I'm not quite there yet. What's the point of being cool? 262 00:15:05,840 --> 00:15:07,640 Speaker 1: Cut your hair and get a job like the rest 263 00:15:07,640 --> 00:15:09,960 Speaker 1: of a student, don't play a guitar in the park 264 00:15:09,960 --> 00:15:12,160 Speaker 1: and just sit. If I hear another cheek cord, I'm 265 00:15:12,200 --> 00:15:15,760 Speaker 1: breaking your ship. Nothing like the Subaru cross strecks just 266 00:15:15,840 --> 00:15:18,920 Speaker 1: mentioned as soft as a cute old baby neck. My 267 00:15:19,000 --> 00:15:22,800 Speaker 1: clock orders club salads and look like they all singing ballads. 268 00:15:23,400 --> 00:15:25,840 Speaker 1: I could have bought a Lambeau. I believe the insurance 269 00:15:25,880 --> 00:15:28,800 Speaker 1: is high, and I kind of want a family. Why 270 00:15:28,800 --> 00:15:31,640 Speaker 1: does dad have a Lambeau? He was send secure about himself. 271 00:15:31,680 --> 00:15:35,600 Speaker 1: Son let it go nothing nice. This is you. This 272 00:15:35,640 --> 00:15:38,800 Speaker 1: is like you're totally your style triding another man because 273 00:15:38,800 --> 00:15:40,920 Speaker 1: he cut me off in traffic and my morning started that. 274 00:15:41,720 --> 00:15:43,640 Speaker 1: I'm glad that his kids got to see that. It 275 00:15:43,680 --> 00:15:45,760 Speaker 1: is down to giant cricket. There you got what he needs. 276 00:15:46,160 --> 00:15:48,960 Speaker 1: Nothing like crying in a Subaru cross streck. Ever. Watch 277 00:15:49,000 --> 00:15:53,360 Speaker 1: the NPR Tiny Disk concert with him. Yeah, yeah, it's awesome. Yeah, 278 00:15:53,360 --> 00:15:57,760 Speaker 1: he's awkward looking his whole he's got a real band. 279 00:15:58,120 --> 00:16:00,880 Speaker 1: Well that time he got discovered the Tiny Death. He 280 00:16:01,040 --> 00:16:03,840 Speaker 1: submitted a video for that to be on that and 281 00:16:03,880 --> 00:16:06,960 Speaker 1: that video got like more viewed, like nine million views, 282 00:16:07,320 --> 00:16:09,720 Speaker 1: and it's just him like in a backyard playing with 283 00:16:09,720 --> 00:16:13,760 Speaker 1: his friends, and yeah, that's cool. I have a lot 284 00:16:13,840 --> 00:16:17,120 Speaker 1: of Hobo Johnson on mine. I just toltally sound like 285 00:16:17,120 --> 00:16:20,040 Speaker 1: some of you would really be into a lot. I 286 00:16:20,120 --> 00:16:22,640 Speaker 1: just bought a super cross shut would have bought a Lamb, 287 00:16:22,800 --> 00:16:25,840 Speaker 1: But I'm not quite there. Might do anything new you saw? 288 00:16:26,240 --> 00:16:29,720 Speaker 1: I like the new Long Angel Rey. What's it called it? 289 00:16:29,880 --> 00:16:35,200 Speaker 1: I Love you That's what it's called. He looks around 290 00:16:38,520 --> 00:16:56,200 Speaker 1: this week. Yeah, you came out today. Yeah, it sounds 291 00:16:56,200 --> 00:16:59,680 Speaker 1: like it's broken a lot of effort. There you like 292 00:16:59,760 --> 00:17:02,280 Speaker 1: Land right, I do. I didn't like her at the beginning. 293 00:17:02,320 --> 00:17:03,560 Speaker 1: I think she has to kind of grow on you. 294 00:17:04,280 --> 00:17:06,159 Speaker 1: Like that voice is just kind of you can go 295 00:17:06,200 --> 00:17:07,760 Speaker 1: either way. You can hate it or love it. But 296 00:17:07,840 --> 00:17:11,080 Speaker 1: I'm into it. I don't hate it. I think all this, 297 00:17:11,560 --> 00:17:13,720 Speaker 1: what's that song like of her? What's our biggest song? 298 00:17:13,920 --> 00:17:18,919 Speaker 1: Summer Times said sounding sadness? Yeah, thats good. What are 299 00:17:18,920 --> 00:17:22,040 Speaker 1: you gonna say, Eddie? What does she look like? It's like, 300 00:17:23,359 --> 00:17:26,960 Speaker 1: I think she sounds hot? Well is that even fair? Yeah? 301 00:17:27,000 --> 00:17:29,639 Speaker 1: I mean yeah, some people just have those voices are 302 00:17:29,680 --> 00:17:36,720 Speaker 1: just like and then people think that about me. It's like, oh, yeah, 303 00:17:36,760 --> 00:17:39,919 Speaker 1: she's hot. She is? Actually, isn't she the daughter of 304 00:17:39,960 --> 00:17:44,080 Speaker 1: the No, I'm thinking Rooney Mara, who's the daughter the actress, 305 00:17:44,080 --> 00:17:46,639 Speaker 1: who's the daughter of one of the Giants owners. But 306 00:17:46,760 --> 00:17:48,959 Speaker 1: Landa del Ray is somebody to like the Jets, one 307 00:17:49,000 --> 00:17:52,560 Speaker 1: of the Jets owners, I think. So see what her 308 00:17:52,560 --> 00:17:57,600 Speaker 1: relationship is with Robert England Grant? Is that her dad? Yeah? 309 00:17:57,680 --> 00:18:05,199 Speaker 1: What's he do? Construction worker? And maybe I could I 310 00:18:05,200 --> 00:18:09,800 Speaker 1: don't know. I used to remember these artists who like 311 00:18:09,800 --> 00:18:11,679 Speaker 1: come from really rich families because I resent them a 312 00:18:11,680 --> 00:18:15,680 Speaker 1: little bit. Yeah, I'm like, oh, yeah, I remember feeling 313 00:18:15,840 --> 00:18:18,320 Speaker 1: I remember feeling about that, feeling like that about that 314 00:18:18,359 --> 00:18:19,760 Speaker 1: could be wrong about her. I'm trying to find out 315 00:18:19,800 --> 00:18:22,879 Speaker 1: what's up. Like the Strokes, I used to love the Strokes, 316 00:18:22,920 --> 00:18:24,800 Speaker 1: and I still like the Strokes, but I mean they 317 00:18:24,840 --> 00:18:26,800 Speaker 1: came from like I think one of the dads was 318 00:18:26,840 --> 00:18:28,959 Speaker 1: a record exact and then another one had a lot 319 00:18:28,960 --> 00:18:31,359 Speaker 1: of money, and it's just like, man, they had it, 320 00:18:31,440 --> 00:18:36,360 Speaker 1: like they that's why they got the chance. Adam Levine rich, 321 00:18:36,520 --> 00:18:40,159 Speaker 1: super rich. You can kind of see that though, Well, 322 00:18:40,320 --> 00:18:44,560 Speaker 1: you know what what's happened is, in my mind says 323 00:18:44,560 --> 00:18:45,960 Speaker 1: they had a bunch of money. They didn't have to 324 00:18:46,600 --> 00:18:49,840 Speaker 1: like support themselves. They could just go be creative and yeah, 325 00:18:49,920 --> 00:18:52,480 Speaker 1: and I'm just resemble because I didn't have that opportunity. Yeah, 326 00:18:52,480 --> 00:18:55,040 Speaker 1: it's like when you don't have money, Yeah, you gotta eat, 327 00:18:55,280 --> 00:18:57,479 Speaker 1: you gotta pay car insurance. I shouldn't feel that way 328 00:18:57,480 --> 00:19:00,000 Speaker 1: because hopefully my kids won't have to worry about car insurance. 329 00:19:00,440 --> 00:19:03,119 Speaker 1: Her dad's apparently like a rich real estate broker, so 330 00:19:03,160 --> 00:19:07,040 Speaker 1: he is rich. Here are some celebrities came from wealthy families. 331 00:19:07,680 --> 00:19:13,760 Speaker 1: Beyonce's dad was apparently had some money it worked at Xerox, 332 00:19:14,920 --> 00:19:18,120 Speaker 1: and I guess did well for himself. I've met him before, 333 00:19:18,280 --> 00:19:24,320 Speaker 1: Beyonce's dad. Oh yeah, Matthew Knowles. I have to oddly right, Yeah, 334 00:19:24,560 --> 00:19:27,560 Speaker 1: he see. He seems like a good businessman, just the 335 00:19:27,600 --> 00:19:31,800 Speaker 1: lead carries himself. Taylor Swift's dad was loaded, was he Yeah? 336 00:19:31,840 --> 00:19:35,240 Speaker 1: And he put a bunch of money into her deal initially. 337 00:19:35,640 --> 00:19:40,159 Speaker 1: He is a Mary Lynch financial advisor. Her dad is 338 00:19:40,160 --> 00:19:43,280 Speaker 1: a Mary Lynch financial advisor. She grew up riding horses 339 00:19:43,320 --> 00:19:45,400 Speaker 1: on her family's Pennsylvania property and spent summers in their 340 00:19:45,440 --> 00:19:50,359 Speaker 1: vacation home in New Jersey. So let's see if anybody 341 00:19:50,400 --> 00:19:52,240 Speaker 1: else pops up on Lanta. Del Ray went to boarding 342 00:19:52,240 --> 00:19:53,840 Speaker 1: school and is the daughter of a real estate broker. 343 00:19:54,800 --> 00:19:56,520 Speaker 1: She's the daughter of Rob Grand, and real estate broker 344 00:19:56,520 --> 00:20:01,200 Speaker 1: and the president and CEO of Web Media Properties. Again, 345 00:20:01,240 --> 00:20:04,040 Speaker 1: I'm unfair and being like it was jealous. Mostly I 346 00:20:04,040 --> 00:20:06,080 Speaker 1: love it. There's a list of these people though, and 347 00:20:06,119 --> 00:20:13,000 Speaker 1: their lady Gaga, what are her parents do? Um? They 348 00:20:13,040 --> 00:20:16,919 Speaker 1: both attended the prestigious Convent of the Sacred Heart private 349 00:20:17,000 --> 00:20:21,959 Speaker 1: Catholic school in Manhattan. I'm not sure. Maybe they got 350 00:20:22,040 --> 00:20:27,280 Speaker 1: a grant for that one two grants. Probably, yeah, I know, 351 00:20:28,760 --> 00:20:30,320 Speaker 1: it's these are other people that I'm looking at that 352 00:20:30,359 --> 00:20:33,440 Speaker 1: aren't in music. But like, for example, Julie Louis Dreyfuss. 353 00:20:33,720 --> 00:20:37,159 Speaker 1: Oh yeah, but her dad isn't Richard from major money. 354 00:20:37,520 --> 00:20:39,760 Speaker 1: I was like, her dad was Richard Dryfuss. Her great 355 00:20:39,760 --> 00:20:43,960 Speaker 1: great grandfather founded the Louis Dryfuss Company. They make billions 356 00:20:43,960 --> 00:20:47,760 Speaker 1: in agriculture. She's I think she has she's has a 357 00:20:47,840 --> 00:20:53,119 Speaker 1: billion dollars. God, that's nice. She spent much of her 358 00:20:53,160 --> 00:20:55,560 Speaker 1: child in other countries before attending the whole normal school 359 00:20:55,600 --> 00:20:59,080 Speaker 1: in Bethesda, Maryland. But but you know what, good for 360 00:20:59,119 --> 00:21:01,359 Speaker 1: them for doing something good with their lives. They definitely 361 00:21:01,400 --> 00:21:04,200 Speaker 1: could have been a burnout, which I know. Those story 362 00:21:04,200 --> 00:21:06,920 Speaker 1: A lot of stories people I know, like probably most Yeah, 363 00:21:06,960 --> 00:21:09,199 Speaker 1: I know, I'm just jealous. I have a buddy of 364 00:21:09,200 --> 00:21:11,920 Speaker 1: mine and his dad won the lottery, and like it's 365 00:21:11,920 --> 00:21:13,920 Speaker 1: just like how big a lottery? Like life changing life 366 00:21:14,000 --> 00:21:16,719 Speaker 1: change a life for a lottery, not like that makes 367 00:21:16,760 --> 00:21:18,280 Speaker 1: you life for a few years now, Like he quit 368 00:21:18,320 --> 00:21:22,000 Speaker 1: his job and everybody was great, but then you know 369 00:21:22,040 --> 00:21:25,320 Speaker 1: it's like bad. The family just went bad, Like one 370 00:21:25,359 --> 00:21:28,520 Speaker 1: of them died and one of the kids drug addict, 371 00:21:28,640 --> 00:21:31,960 Speaker 1: like it's just bad. So yeah, so there's that side 372 00:21:31,960 --> 00:21:33,399 Speaker 1: of it. Yeah, you do have all the time to 373 00:21:33,400 --> 00:21:35,320 Speaker 1: be creative, but then it's a lot you have a 374 00:21:35,320 --> 00:21:37,639 Speaker 1: lot of time to just like do nothing to anything 375 00:21:37,680 --> 00:21:40,840 Speaker 1: else on the agenda. MIC. That's it. It's new music 376 00:21:41,040 --> 00:21:42,879 Speaker 1: here on Friday. It's the day records come out for 377 00:21:42,880 --> 00:21:45,159 Speaker 1: the most part. Sometimes artists will put songs on on 378 00:21:45,160 --> 00:21:47,600 Speaker 1: Wednesday and Thursday too, but what happens is there tracked 379 00:21:47,600 --> 00:21:50,359 Speaker 1: from Friday to Thursday. So that's why they put them 380 00:21:50,359 --> 00:21:52,280 Speaker 1: out on Friday, because it used to track on Tuesday. Yeah, 381 00:21:52,280 --> 00:21:54,359 Speaker 1: I feel like new music Tuesday was a thing. Yeah, 382 00:21:54,440 --> 00:21:56,520 Speaker 1: and and then it would be both. And now for 383 00:21:56,560 --> 00:21:59,240 Speaker 1: the because they tracked Friday to Thursday, that's the one 384 00:21:59,280 --> 00:22:01,320 Speaker 1: week span where you get your data and see how 385 00:22:01,320 --> 00:22:03,600 Speaker 1: well your song did. Interesting. So if people want to 386 00:22:03,600 --> 00:22:06,080 Speaker 1: be tracked properly, they put it on a Friday. Um 387 00:22:06,119 --> 00:22:07,879 Speaker 1: like us, we do Reagenidas put it on like Tuesday 388 00:22:07,880 --> 00:22:09,959 Speaker 1: Wednesday because we don't want to be in the mick, right, 389 00:22:10,359 --> 00:22:12,560 Speaker 1: which I'll be like, look at our songs. We want 390 00:22:12,560 --> 00:22:16,280 Speaker 1: to be those songs today. Just listen to ours. Our 391 00:22:16,320 --> 00:22:19,200 Speaker 1: movies still coming out on Friday, to the most part 392 00:22:19,760 --> 00:22:23,359 Speaker 1: um Tuesday occasionally now but for the most part fight 393 00:22:23,480 --> 00:22:26,560 Speaker 1: unless it's a holiday Wednesday, they can get at a 394 00:22:26,600 --> 00:22:28,520 Speaker 1: better run if they come out on a Tuesday or 395 00:22:28,520 --> 00:22:32,680 Speaker 1: even a Wednesday. Still make money midweek, but yeah, still 396 00:22:33,119 --> 00:22:35,960 Speaker 1: for the most part Fridays. I was having the lesson 397 00:22:35,960 --> 00:22:37,639 Speaker 1: with my son today because he loves movies and I 398 00:22:37,680 --> 00:22:39,399 Speaker 1: think one day he wants to be a movie maker, 399 00:22:39,720 --> 00:22:41,320 Speaker 1: so I'll start giving him the lesson of just like, 400 00:22:41,400 --> 00:22:43,080 Speaker 1: why do these movies come out on Christmas? Why do 401 00:22:43,119 --> 00:22:45,239 Speaker 1: these movies come on Thanksgiving? He just like just the 402 00:22:45,280 --> 00:22:48,159 Speaker 1: business side of it, the easy, one on one stuff. 403 00:22:48,200 --> 00:22:51,639 Speaker 1: And does music interesting at all? Not as much as movies. 404 00:22:52,119 --> 00:22:56,040 Speaker 1: He likes music and he's he's on top of music 405 00:22:56,080 --> 00:22:58,840 Speaker 1: and he stays with current with music, but no movies. 406 00:22:59,240 --> 00:23:01,120 Speaker 1: He knows everything about at him. He knows when they're 407 00:23:01,240 --> 00:23:04,600 Speaker 1: in the making of like a certain movie, who's behind it, 408 00:23:04,800 --> 00:23:07,840 Speaker 1: director's names, all of it. You can follow Eddie on 409 00:23:07,880 --> 00:23:11,040 Speaker 1: Instagram at producer Ready. Yeah, you squinted, like you don't know? 410 00:23:11,119 --> 00:23:12,600 Speaker 1: Do you follow me? Right? I do, But I don't 411 00:23:12,600 --> 00:23:16,119 Speaker 1: know anybody's names. Really, It's like phone numbers once you 412 00:23:16,119 --> 00:23:18,840 Speaker 1: put it in your phone back at it again, so 413 00:23:18,880 --> 00:23:21,760 Speaker 1: at producer ready on Instagram. Um, check out the Sore 414 00:23:21,800 --> 00:23:26,400 Speaker 1: Losers podcast, which is dudes slash sports show that these 415 00:23:26,400 --> 00:23:30,240 Speaker 1: three knuckleheads do and now you can listen to that. Um, 416 00:23:30,400 --> 00:23:32,720 Speaker 1: we can't wait from my thes movie podcasts and not wait. 417 00:23:33,560 --> 00:23:36,400 Speaker 1: The people are just craving it. Every day I get 418 00:23:36,400 --> 00:23:41,600 Speaker 1: a message not so much about your podcast. Yeah it's 419 00:23:41,640 --> 00:23:43,720 Speaker 1: just random message, but you wanted to say we're also 420 00:23:43,720 --> 00:23:47,639 Speaker 1: looking forward to that. My alright, well this is uh 421 00:23:47,760 --> 00:23:50,800 Speaker 1: the new music on Friday. Share some with you, Hope 422 00:23:50,840 --> 00:23:52,640 Speaker 1: you like some of it, appreciate you. We're gonna try 423 00:23:52,640 --> 00:23:55,120 Speaker 1: to do that more of this, Um, if there's enough. 424 00:23:55,800 --> 00:23:58,199 Speaker 1: Taylor came out that was a big deal and I 425 00:23:58,200 --> 00:24:00,800 Speaker 1: wanted to mention that Billie Eilish to worry and it 426 00:24:00,880 --> 00:24:02,720 Speaker 1: slip knot and then we just kind of put some 427 00:24:02,760 --> 00:24:04,640 Speaker 1: other ones in there. We'll enjoyed it. Maybe people will 428 00:24:04,720 --> 00:24:06,399 Speaker 1: like this, maybe they don't. Yeah, I'm always looking for 429 00:24:06,440 --> 00:24:09,240 Speaker 1: ways to hear new music. Oh yeah, me too. There's 430 00:24:09,240 --> 00:24:11,080 Speaker 1: just so much out there that almost you catch none. Now, 431 00:24:11,760 --> 00:24:13,520 Speaker 1: I mean playlists are big for me, just kind of 432 00:24:13,560 --> 00:24:15,879 Speaker 1: just getting on a random playlist on like Spotify or 433 00:24:15,880 --> 00:24:17,840 Speaker 1: any of those and then I'll just kind of learn 434 00:24:17,880 --> 00:24:19,480 Speaker 1: from there. But I did. I have a hard time 435 00:24:19,520 --> 00:24:21,959 Speaker 1: remember who who. People are too like the playlist, I'll 436 00:24:22,000 --> 00:24:24,000 Speaker 1: hit it, but I never I'm like, who's that song? 437 00:24:24,080 --> 00:24:27,560 Speaker 1: Four songs right right, and they don't go back to it. 438 00:24:28,240 --> 00:24:29,800 Speaker 1: I do. I do. And there's a sign of me 439 00:24:29,800 --> 00:24:31,160 Speaker 1: getting old where I hear a song I'm like, oh 440 00:24:31,160 --> 00:24:32,800 Speaker 1: my gosh, that song is just terrible, and then I 441 00:24:32,800 --> 00:24:35,240 Speaker 1: heard on the radio like a few weeks later or 442 00:24:35,280 --> 00:24:36,879 Speaker 1: a month later, it's like, oh, well, there we go. 443 00:24:36,920 --> 00:24:38,840 Speaker 1: It might taste of music. Thank you for listening to 444 00:24:38,840 --> 00:24:42,119 Speaker 1: the Bobbycast. We we but that's at point five because 445 00:24:42,960 --> 00:24:45,040 Speaker 1: it's only like a half an hour episode and so 446 00:24:45,119 --> 00:24:46,399 Speaker 1: we wanted to hit it. Eddie. Now you do an 447 00:24:46,440 --> 00:24:49,760 Speaker 1: episode coming up next time on famous bands that had 448 00:24:49,760 --> 00:24:51,280 Speaker 1: more than one singer and if it worked out well 449 00:24:51,280 --> 00:24:53,560 Speaker 1: for them if it didn't, and that would be a 450 00:24:53,640 --> 00:24:55,600 Speaker 1: nice little music music knowledge one for you. All right, 451 00:24:55,600 --> 00:24:57,000 Speaker 1: Thank you guy, See you next time on the Bodycast.