WEBVTT - Mini Crush #24 0:00:25.600 --> 0:00:31.880 Hello, movie crushers, chuck your your singing voices beautiful. It's time, 0:00:31.920 --> 0:00:35.800 too many crush it out with Noel. I'm so happy 0:00:35.800 --> 0:00:39.000 to be here. Too many, crush it with you, Chuck. 0:00:39.320 --> 0:00:41.040 What if we did the whole thing in sing song? 0:00:41.159 --> 0:00:43.240 It would work for about a minute and a half 0:00:43.280 --> 0:00:45.839 and then it would wear thin for us and the listeners. 0:00:45.840 --> 0:00:48.960 I think it's already worthin. Well, there you go twenty seconds. 0:00:50.000 --> 0:00:51.879 How are you doing? I'm good, man, I'm good. What 0:00:51.960 --> 0:00:53.479 you wear in there? Got a panda shirt? I'll got 0:00:53.520 --> 0:00:55.360 a panda shirt. My girlfriend went to New York City 0:00:55.400 --> 0:00:57.880 and went to Chinatown and went to a kung fu 0:00:58.000 --> 0:01:00.680 store and bought me this adorable pan to shirt. Oh, 0:01:00.720 --> 0:01:02.320 I thought you were gonna say, went to a restaurant 0:01:02.320 --> 0:01:04.959 that served panda. Now, that would be that would not 0:01:05.000 --> 0:01:08.160 be on Chuck, that would be ontour pandas are She 0:01:08.200 --> 0:01:10.959 didn't have a panda steak beautiful creatures? Is that a thing? 0:01:11.280 --> 0:01:14.040 I don't think so? Surely not. I mean people eat 0:01:14.120 --> 0:01:18.199 weird meats, um, yeah, and people for sure eat bear. 0:01:18.520 --> 0:01:20.880 Have you heard of bush meat? Bush meat is yeah? 0:01:20.920 --> 0:01:23.280 I mean, didn't it any kind of weird? It's just weird? Meat. Yeah, 0:01:23.800 --> 0:01:26.520 I'm not into any of that. Nope, not even about bison. 0:01:26.640 --> 0:01:28.000 Did you draw the line there? You have you ever 0:01:28.040 --> 0:01:31.440 had a bison? I've had a bison burger. Yeah, it's 0:01:31.440 --> 0:01:33.320 a good burger. It's a good bird. It's got kind 0:01:33.360 --> 0:01:37.680 of a gamey flavor. But a weird way to start out, 0:01:37.840 --> 0:01:39.959 you know what, man, it takes all kinds on these 0:01:39.959 --> 0:01:44.119 mini crushes. So thank you everyone for joining us here 0:01:44.120 --> 0:01:46.560 in the studio. It is another morning recording. We've kind 0:01:46.600 --> 0:01:49.520 of gotten to a trend of doing these on Wednesday mornings. 0:01:49.560 --> 0:01:51.360 I'm fond of it. You are, ye, So a good 0:01:51.400 --> 0:01:53.360 way to start today. It sets the tone, you know, 0:01:53.480 --> 0:01:55.080 it just makes me kind of in a good mood 0:01:55.080 --> 0:01:58.600 for the rest of the day. Thank ye man. You're like, well, 0:01:58.680 --> 0:02:01.000 it's really kind of a bummer and it really sort 0:02:01.000 --> 0:02:02.480 of gets me off in the wrong direction, but we 0:02:02.560 --> 0:02:04.400 do it anyway. No, that is the opposite of how 0:02:04.400 --> 0:02:09.840 I feel, all right, So, everybody, I posted some social 0:02:09.840 --> 0:02:15.119 studies last night. Uh so the forsaken West Coast could 0:02:15.120 --> 0:02:19.960 get involved because I get complaints because sometimes I post 0:02:19.960 --> 0:02:21.680 these things in the morning where your record and I 0:02:21.680 --> 0:02:24.119 don't leave them up long. The story there I've said 0:02:24.120 --> 0:02:26.560 it before, I'll say it again. Is because A I 0:02:26.600 --> 0:02:28.880 don't want it to be spoiled, so I only leave 0:02:28.919 --> 0:02:31.959 it on there for ten minutes, maybe even, so I 0:02:31.960 --> 0:02:34.400 can get everyone I need. And then I wipe it 0:02:34.440 --> 0:02:36.840 off the face of the earth. And that is not fair, 0:02:37.040 --> 0:02:38.640 and I get it. And the West coast is going 0:02:38.680 --> 0:02:40.520 to tumble into the sea soon anyway, so you might 0:02:40.520 --> 0:02:44.720 as well throw them a bone. That's true. So apologies 0:02:44.800 --> 0:02:48.000 if you don't like my ways, but um, this is 0:02:48.000 --> 0:02:54.760 how we're doing it. Uh. And for social studies social studies, 0:02:58.040 --> 0:03:03.720 I threw out for this episode, what movie scene makes 0:03:03.720 --> 0:03:08.960 you cry every single time? Which is really something if 0:03:09.000 --> 0:03:13.880 you ask me, Noel, Because for a scene to be 0:03:14.080 --> 0:03:20.200 so um emotionally fraught that that it brings you to tears, 0:03:20.360 --> 0:03:23.239 I think is a big deal and a strong, powerful 0:03:23.280 --> 0:03:25.160 thing to do. Yeah, well in the first place, but 0:03:25.160 --> 0:03:27.760 then to be the first place repeat it. That says 0:03:27.800 --> 0:03:31.000 something a lot. Uh. And I'm a crier, as everyone knows. 0:03:31.760 --> 0:03:35.920 I cry a lot at things, especially in art when 0:03:35.920 --> 0:03:38.280 I moved. Sometimes it doesn't have to be sad, Sometimes 0:03:38.280 --> 0:03:40.360 it can be something just I can be so in 0:03:40.400 --> 0:03:42.200 the moment that it will bring tears to my eyes. 0:03:42.760 --> 0:03:46.360 So that's where I'm coming from. So I'm gonna go 0:03:46.360 --> 0:03:47.800 ahead and tick through some of these and I'm gonna 0:03:47.800 --> 0:03:50.360 read through as many as I can. Zack Pointer says, 0:03:50.440 --> 0:03:54.640 the passion crucifying Jesus. How about that right out of 0:03:54.640 --> 0:04:00.800 the gate. That's heavy man Jane LONGSHORESS Deborah Winger death scene. 0:04:00.840 --> 0:04:04.360 In terms of endearment, Sorry if that spoiled anything for you, 0:04:04.400 --> 0:04:06.480 but that movie has been out for forty year or so. 0:04:07.480 --> 0:04:09.320 One of the saddest movies. And you know my story 0:04:09.360 --> 0:04:11.400 with that one is I I watched that on a 0:04:11.440 --> 0:04:13.760 plane last year for the first time, which was a 0:04:13.760 --> 0:04:17.880 big mistake. Ugly carrying on a plane. Yeah, that's not 0:04:17.960 --> 0:04:20.520 a good look. The saddest movie, one of the saddest 0:04:20.520 --> 0:04:22.840 movie in terms of endearment. I always confused that one 0:04:22.839 --> 0:04:25.599 in my mind with Steel Magnolia's. I know, they're totally 0:04:25.600 --> 0:04:27.080 have nothing to do with each other, and that's just 0:04:27.120 --> 0:04:31.000 me being dumb. Uh, terms of endearment, is the better film, 0:04:31.279 --> 0:04:35.960 got it? I think? Karrie McQuaid says Atonement after being 0:04:36.000 --> 0:04:38.599 wrongfully imprisoned for years. James McAvoy and Kiera Knightly have 0:04:38.640 --> 0:04:41.520 only minutes together before he has shipped off to World 0:04:41.520 --> 0:04:43.640 War Two. I need to see that one. I never 0:04:43.640 --> 0:04:47.440 saw that. Uh A. Lisa Edwards Coco at the end 0:04:47.839 --> 0:04:50.279 when she sings remember me with her great grandson, with 0:04:50.360 --> 0:04:55.680 her grandson, Oh my lord, my daughter is like, daddy, 0:04:55.720 --> 0:04:57.839 why are your eyes wet? It's wrong with you, daddy. 0:04:58.120 --> 0:05:01.480 That's what my daughter says. She's nine. She didn't cry 0:05:01.560 --> 0:05:04.440 yet and stuff like that. She no, but no. But 0:05:04.640 --> 0:05:06.960 it's a similar reaction though, to your your your younger 0:05:07.040 --> 0:05:08.600 child is like, daddy, why are your eyes wet? My 0:05:08.680 --> 0:05:10.800 nine year always like daddy, what's wrong with you? Right? 0:05:11.400 --> 0:05:14.520 I'm a real human, That's what's wrong with me. Uh 0:05:14.640 --> 0:05:18.960 Landy Barcelona, great name, says Bright Star. So I assume, lady, 0:05:19.000 --> 0:05:22.000 you're a fan of previous guest Paul Schneider, who was 0:05:22.000 --> 0:05:25.279 in that movie. She just says the whole movie, I guess. 0:05:25.320 --> 0:05:31.000 In Bright Star. Rhonda Hoath Crabtree International Velvet Christine Fordham says, 0:05:31.000 --> 0:05:33.600 I'm not into sports even but every time I watched 0:05:33.600 --> 0:05:37.520 them lift Rudy, I lose it. Yeah. I once had 0:05:37.520 --> 0:05:40.599 to cut together a series of kind of powerful moving 0:05:40.640 --> 0:05:42.880 clips for a corporate video for a company that I 0:05:42.920 --> 0:05:47.520 worked at and they requested that moment from Rudy oh Man. Thanks, 0:05:47.520 --> 0:05:49.000 I'm taking a turn for the better in your life. 0:05:49.240 --> 0:05:55.240 They really have. Louise Martinez says The Iron Giant and 0:05:55.400 --> 0:05:57.960 spoiler alert coming if you haven't seen this movie. Everyone 0:05:58.400 --> 0:06:00.320 but he says the big finale when the Iron Giant 0:06:00.360 --> 0:06:05.720 sacrifices himself. Oh, and then he cries more when they 0:06:05.720 --> 0:06:09.039 show the exploded parts bringing themselves back together. That's a 0:06:09.080 --> 0:06:11.240 tough one. I haven't seen that. It's a good movie. 0:06:11.240 --> 0:06:13.800 You'd like it. Kate Jacobson says The Fox and the 0:06:13.800 --> 0:06:16.359 Hound can't handle her dropping that little fox off at 0:06:16.360 --> 0:06:18.880 the edge of the forest and leaving him behind. Yeah. 0:06:18.960 --> 0:06:21.840 I mean, I've said it before. These Disney or animated 0:06:21.839 --> 0:06:24.920 films in general just wreck people. I think that's part 0:06:24.960 --> 0:06:27.479 of their purpose. It's by design, it's true, and it 0:06:27.520 --> 0:06:30.919 all carries over from the original Disney template into the 0:06:30.920 --> 0:06:33.560 Pixar world, and they just kind of keep refining in 0:06:33.720 --> 0:06:35.880 destroy you, then build you back, and build you back up. 0:06:36.600 --> 0:06:39.000 Jennifer Wright Bridges of Madison County, when Meryl streeps he's 0:06:39.000 --> 0:06:42.239 Clint Eastwooden Town almost runs away with him, but doesn't 0:06:42.240 --> 0:06:48.039 and watches him drive Away. Great movie gin Oh goodness McGillivray. 0:06:48.640 --> 0:06:51.920 I think that's correct pretty much every Pixar movie, but 0:06:52.000 --> 0:06:56.000 the opening scene and up opening scenes and up for sure, 0:06:56.200 --> 0:06:59.160 that's a favorite. Yeah. Favorite, that's the right word, A favorite. 0:06:59.560 --> 0:07:02.479 Tears your crime moment, Yeah, that should be right. Um. 0:07:02.640 --> 0:07:05.400 You always hear referencing that scene as being one of 0:07:05.400 --> 0:07:07.760 the more powerful moments in the Pixary. This is where 0:07:07.760 --> 0:07:10.440 you see the husband and wife kind of throughout their 0:07:10.480 --> 0:07:14.200 life and pictures and growing hold together and all that stuff. Right, Yeah, 0:07:14.240 --> 0:07:18.880 that's the one. Yeah, yeah, that one that Emily saw 0:07:18.920 --> 0:07:20.200 that movie and I was like, I'm never gonna see 0:07:20.200 --> 0:07:22.560 an animated movie again because it kills me. And then 0:07:22.600 --> 0:07:25.240 she saw Cocoa and then it killed her a gailed 0:07:25.240 --> 0:07:29.440 her again. Uh. Lorgan Logan Corse sought. I'm gonna just 0:07:29.520 --> 0:07:31.320 read this word for word because it's a great comment. 0:07:31.680 --> 0:07:33.920 The scene and Toy Story three when they all think 0:07:33.920 --> 0:07:36.920 they're about to fucking die gets me every single time. 0:07:37.520 --> 0:07:42.400 The closed eyed, ready acceptance of this fate by Woody 0:07:42.560 --> 0:07:47.600 really seals it. Pixar is a bunch of criminals, indeed, 0:07:48.720 --> 0:07:52.080 war criminals, mind criminals. I love it. William Angus the 0:07:52.160 --> 0:07:55.080 end of Defending Your Life Great movie when Albert Brooks 0:07:55.120 --> 0:07:57.720 refuses to quit and they open the doors gets me 0:07:58.480 --> 0:08:01.080 so dusty in my room. It gets so dusty in 0:08:01.120 --> 0:08:04.040 my room, Joe Janka. The scene near the end of 0:08:04.040 --> 0:08:07.920 Life Aquatic when z su Uh finally sees a jaguar 0:08:08.040 --> 0:08:11.000 shark and Steve says, do you think it remembers me? 0:08:12.240 --> 0:08:14.800 I don't remember that being super weepy. I don't remember 0:08:14.840 --> 0:08:17.280 anything in that movie being super weepy. It was all 0:08:17.400 --> 0:08:19.880 very kind of like straightforward to me. That's my what 0:08:19.960 --> 0:08:22.080 I think. I've said it was my least favorite, uh 0:08:22.160 --> 0:08:27.200 Wes Anderson movie. It is. It just I've tried. I've 0:08:27.360 --> 0:08:29.560 tried multiple times, Like it never grabs me the way 0:08:29.600 --> 0:08:32.640 the other ones do. Yeah, I didn't get the heart 0:08:32.679 --> 0:08:34.959 that a lot of his movies have felt very flat 0:08:35.000 --> 0:08:37.360 to me. Kind of same here. I'll tell you what 0:08:37.440 --> 0:08:39.840 does make me cry though. Speaking of Wes Anderson, is 0:08:39.880 --> 0:08:43.080 the scene and Royal Tannon bombs at the end when 0:08:44.160 --> 0:08:51.360 Ah when Gene Hackman gives Ben Stiller the Dalmatian after 0:08:51.480 --> 0:08:54.679 his dog had just been killed, and he says ben 0:08:54.720 --> 0:08:56.439 Stiller's voice cracks and he says it has been a 0:08:56.520 --> 0:09:00.240 rough year. That movie's got a lot of heart, tons 0:09:00.240 --> 0:09:02.160 of heart. You know why Owen Wilson co wrote it. 0:09:02.160 --> 0:09:06.480 All those movies where Owen Wilson until those first three 0:09:06.480 --> 0:09:08.360 were co written by Owen Wilson. Yeah, it's like I 0:09:08.360 --> 0:09:11.120 almost wonder if maybe Wes Anderson isn't just a surgically 0:09:11.240 --> 0:09:15.920 minded autour with the aesthetic genius and and life. Aquatic 0:09:16.000 --> 0:09:18.440 is almost like taking that aesthetic and applying it to 0:09:18.480 --> 0:09:21.600 a narrative and it doesn't quite Yeah, maybe the same 0:09:21.640 --> 0:09:24.440 for me as those other ones. I didn't know that 0:09:25.080 --> 0:09:28.120 coriting credit thing. Oh, by the way, everyone, you'll enjoy 0:09:28.160 --> 0:09:31.440 this little tidbit. Former guest Dave Willis, uh, the Great 0:09:31.520 --> 0:09:34.480 Dave Willis of Squidbillies and Aquitine Hunger Force came in 0:09:34.520 --> 0:09:38.360 here to talk about Bottle rocket Um a few months ago, 0:09:38.600 --> 0:09:41.800 and you can go listen to that episode. Dave texted 0:09:41.840 --> 0:09:45.960 me from France. He bumped into Wes Anderson on the 0:09:45.960 --> 0:09:48.200 streets of France vay kitching with his family about two 0:09:48.240 --> 0:09:52.240 weeks ago and talked to him and said it was 0:09:52.280 --> 0:09:55.960 a great interaction, And how about that that's awesome, Like 0:09:56.000 --> 0:09:57.960 one I think one of his favorite filmmakers, if not 0:09:58.040 --> 0:10:00.439 his favorite, and he's probably dressed to the nines and 0:10:00.520 --> 0:10:02.920 some sort of tweed suits. I think I asked him 0:10:02.920 --> 0:10:06.640 that he was he was all Wes Anderson. Doubt Zesu 0:10:07.040 --> 0:10:11.360 was co written by Noah Baumbach. I'd forgotten that. So different, 0:10:11.400 --> 0:10:14.560 different team, different Bamba has a lot of heart though, 0:10:14.600 --> 0:10:18.600 so it does. Yeah, it's really weird. Alexander Pi, Pierce, 0:10:18.760 --> 0:10:21.840 me Earl and the Dying Girl. I totally agree when 0:10:21.880 --> 0:10:24.360 he shows her the movie he made for maybe a 0:10:24.400 --> 0:10:28.080 little on the nose, yeah, but boy was that a 0:10:28.280 --> 0:10:32.160 enjoyable little indie. Totally agree. By the way, everybody, it's 0:10:32.880 --> 0:10:35.000 not right, and I said this affair, but I'm gonna 0:10:35.000 --> 0:10:37.800 tell you, I'm gonna skip anything from now on that 0:10:37.840 --> 0:10:41.240 says Lord of the Rings Watch. I don't know, man, 0:10:41.360 --> 0:10:43.400 I'm just sick of people talking about those movies. Hey, 0:10:43.400 --> 0:10:45.160 speaking of sick of people talking about a movie, have 0:10:45.160 --> 0:10:47.200 you seen that fucking thread on the movie Crushers about 0:10:47.200 --> 0:10:50.480 Harry Potter? Oh no, well someone just posted it was 0:10:50.559 --> 0:10:54.400 Dawn m who says, well, Crushers, it's time let's join 0:10:54.480 --> 0:10:57.560 NOL and digging and unpack how we feel about Harry Potter. 0:10:58.000 --> 0:11:01.240 And then it just proceeds to be an infinity thread 0:11:02.280 --> 0:11:04.520 of everyone feeling you know, how they feel about Harry. Wow, 0:11:04.520 --> 0:11:07.200 I gotta check that out. Thank you movie crushers for 0:11:07.240 --> 0:11:10.640 your interaction. That is always fun to see. Jessica Lynne 0:11:10.840 --> 0:11:13.760 Dalba or a di elba It says the scene in 0:11:13.760 --> 0:11:16.280 Titanic when the mom is singing her kids to sleep 0:11:16.280 --> 0:11:19.240 so they won't be scared of dying. Yeah, Jessica, that 0:11:19.320 --> 0:11:23.720 means you're alive, human with a beating heart. That's a 0:11:23.760 --> 0:11:31.199 proper reaction. Colleen Zacher another vote for Fox and the Hound. Uh, 0:11:31.520 --> 0:11:34.800 Mike Meade. Interesting Major League and the final play when 0:11:34.800 --> 0:11:37.080 the umpire signals safe. I get Tiria and not don't 0:11:37.080 --> 0:11:43.319 even like baseball? All right, that's interesting, Mike. Bobby Adams says, uh, 0:11:43.400 --> 0:11:47.640 MoU Foss's death scene in The Lion King. I never 0:11:47.640 --> 0:11:50.320 saw The Lion King. What it was in that time? 0:11:50.360 --> 0:11:52.920 Where I was? You know? Yeah, well I think it 0:11:52.960 --> 0:11:55.040 was in my twenties. That makes sense, Ye, yeah, you were. 0:11:55.080 --> 0:11:58.120 You weren't well that someone in the cartoons show I 0:11:58.160 --> 0:12:01.240 work on drawn the story of anim Asian plug. Um, 0:12:01.559 --> 0:12:04.680 we talked to somebody. Oh I know, it was an 0:12:04.679 --> 0:12:07.240 animation story and he talks about how it's not cool 0:12:07.720 --> 0:12:10.280 for a twentysomething year old man to go see a 0:12:10.320 --> 0:12:14.800 Disney movie alone. Yeah, this is an interesting point. Little 0:12:14.880 --> 0:12:17.080 could be a creepy once you get the kids back 0:12:17.080 --> 0:12:18.640 into the picture, or at least you go with your 0:12:18.760 --> 0:12:21.560 your nerd heard, then that's a little you know, maybe 0:12:21.960 --> 0:12:23.800 that's why you missed the Lion kid. Yeah, that's totally 0:12:23.800 --> 0:12:25.920 why I must do. But no, that scene is intense though, 0:12:25.920 --> 0:12:28.600 because move Foster like falls into the gorge and there's 0:12:28.640 --> 0:12:32.719 this trampling stampede of the beast and he's all the 0:12:32.800 --> 0:12:37.920 Simba's like no and all that. Man, how about that big, 0:12:37.960 --> 0:12:40.480 big tears, big moment. Here's an l A insider story. 0:12:40.520 --> 0:12:43.160 I went to the vet once and was sitting in 0:12:43.160 --> 0:12:46.800 the back and they brought in in the back like 0:12:46.920 --> 0:12:49.280 as in where that you're not the waiting room, but 0:12:49.600 --> 0:12:52.560 where the action is. And they brought in Jonathan Taylor 0:12:52.600 --> 0:12:56.960 Thomas and his cat Simba, because he voiced Himba, right, 0:12:57.000 --> 0:12:58.600 he is the voice of the kids Simba. He had 0:12:58.600 --> 0:13:01.080 a cat named Simba, and they were trying to put 0:13:01.120 --> 0:13:04.800 a facehood on his cat on Simba to do some 0:13:04.920 --> 0:13:07.600 procedure because some cats, you know, they're word some dogs 0:13:07.600 --> 0:13:10.960 sometimes about biting at the vet and uh so they 0:13:11.000 --> 0:13:13.600 have these like cannibal elector hoods they put over their faces. 0:13:14.200 --> 0:13:16.880 And then this cat was making it sounds like they 0:13:16.880 --> 0:13:19.480 were killing this cat. And Jonathan Taylor Thomas is sitting 0:13:19.480 --> 0:13:22.080 across from me, and his eyes were just like, holy shit, 0:13:22.240 --> 0:13:24.920 what is going on with my cat? Yeah? And I 0:13:24.960 --> 0:13:27.840 was just like, this is so l a I could. Yeah, 0:13:27.880 --> 0:13:31.800 it's really funny or not that funny. J M. Royo says, 0:13:31.840 --> 0:13:35.560 the color purple when Seeley meets her kids. I tried 0:13:35.600 --> 0:13:38.280 to not crying and to put this sore throat. Just 0:13:38.360 --> 0:13:40.720 let the tears flow, buddy, That's what I say. Steve 0:13:40.760 --> 0:13:43.520 Swanson Jeff Bridges finally breaks down the Fisher King. I 0:13:43.600 --> 0:13:46.199 love that movie, Chris Myke entire beginning of Up and 0:13:46.240 --> 0:13:50.560 the end of Saving Private Ryan. Abigail cam Lighter says, Hotchi. 0:13:51.000 --> 0:13:52.600 I didn't see that one, but I know the story. 0:13:52.720 --> 0:13:56.319 I can't even think about it without great heaving sobbing 0:13:57.360 --> 0:14:00.960 going on. Rich, go ahead, and what is just of Hachi? 0:14:01.600 --> 0:14:04.320 I think it's it's the story about the dog, and 0:14:04.559 --> 0:14:06.760 I believe Japan who comes back to the same place 0:14:06.800 --> 0:14:11.240 to try and meet his owner every days. Sure, that's 0:14:11.240 --> 0:14:15.559 gonna that's just your description there alone got me. We're 0:14:15.600 --> 0:14:18.400 both crying in here everyone. Uh Yoda dying in Return 0:14:18.400 --> 0:14:22.080 of the Jedi. That's from Verick Grasslely Jill sort of 0:14:22.360 --> 0:14:25.960 Vendom of Mice and Men, doesn't matter which version, Yeah, totally. 0:14:26.840 --> 0:14:30.320 Roxanne Cardon when the little girl in Hope floats cries 0:14:30.400 --> 0:14:34.960 after her father, well, I don't even know. I'll never 0:14:34.960 --> 0:14:37.360 know what happens to her father. Why that's how the 0:14:37.360 --> 0:14:40.720 sentence ended. Oh no, maybe she died. I don't know 0:14:40.920 --> 0:14:44.960 in mid sentence, like, I don't even say that. I'm kidding. 0:14:45.160 --> 0:14:48.760 Alan Tere says when the imaginary friend disappears and inside 0:14:48.760 --> 0:14:51.360 out for that whole movie was the Fields. That was 0:14:51.480 --> 0:14:53.360 Yet I've talked about that before. That was that was. 0:14:53.560 --> 0:14:56.080 That was a big daddy What's wrong with You? Movie? 0:14:56.200 --> 0:14:59.200 For me? What's like, what's the character's name, Mr. Mr 0:14:59.280 --> 0:15:01.600 bobble Edegook? Oh God, I can't remember his damn name, 0:15:02.080 --> 0:15:04.760 Mr nbleing Go. I don't know. It's something like that. 0:15:04.800 --> 0:15:08.920 It's a hybrid of those two, yeah, Dylan or Eternal 0:15:08.960 --> 0:15:11.600 Sunshine of the Spotless Mind. When he's fighting to not 0:15:11.680 --> 0:15:16.040 forget Clementine. I totally agree there when Et dies and 0:15:16.080 --> 0:15:19.800 again when Et leaves. That's from Christian Seely. Just a 0:15:19.800 --> 0:15:22.400 couple of more here, David Horra at the ending of 0:15:22.520 --> 0:15:25.480 Dear Zachary, Boy, you ain't kidding one of the most 0:15:25.520 --> 0:15:30.240 brutal documentaries you'll ever see. Uh. And then that is 0:15:30.240 --> 0:15:36.040 in everyone, So thanks for your social studies contributions. Um, 0:15:36.080 --> 0:15:38.440 and again I'm sorry if you didn't get to to 0:15:38.640 --> 0:15:41.640 find your way in this one. Just just be on 0:15:41.800 --> 0:15:45.480 Facebook at all times, that's my advice. For sure. That's 0:15:45.520 --> 0:15:48.480 not true. Well you know, I mean maybe not at 0:15:48.480 --> 0:15:50.480 all times, but you know, keep keep keep keep an 0:15:50.520 --> 0:16:00.000 eye peeled, keep an eye peel. All right, we're gonna 0:16:00.040 --> 0:16:02.720 move on to trope time everyone, because the tropes just 0:16:02.800 --> 0:16:05.600 keep rolling in. In fact, I'm gonna start off with 0:16:05.680 --> 0:16:09.720 one that was just posted on Facebook yesterday from Skylar Banks, 0:16:09.960 --> 0:16:12.400 because this one is a classic. When the nerdy kid 0:16:12.400 --> 0:16:15.400 in every rom com takes off their glasses and immediately 0:16:15.560 --> 0:16:20.200 is she puts in quotes rightfully better looking, that's in. 0:16:20.760 --> 0:16:23.360 That's such a trope that it's a trope of a 0:16:23.400 --> 0:16:25.560 trope at this point, and I like that you put 0:16:25.920 --> 0:16:29.800 in quotation marks better looking because I do not to 0:16:29.840 --> 0:16:33.800 get all soap boxy, but it is a bit of 0:16:33.800 --> 0:16:37.400 a thing in movies to where you know, I really 0:16:37.440 --> 0:16:39.320 like this person and I think they're awesome and their 0:16:39.360 --> 0:16:41.600 personality is great and they're funny, but they're just not 0:16:41.720 --> 0:16:44.120 good looking enough for me, and then they get the 0:16:44.120 --> 0:16:46.200 little makeover and then they're good looking enough for me. 0:16:46.680 --> 0:16:49.040 Not a great message at all, and it's part of 0:16:49.080 --> 0:16:53.240 the problem. So soapbox over. Uh. Let me see here, 0:16:53.360 --> 0:16:55.760 Sherry Oldenberg, this is a good one. Meet a deep, 0:16:56.040 --> 0:17:00.880 deep throat type informant somewhere secluded. You get distracted and 0:17:00.920 --> 0:17:03.280 look away for one moment and look back and they 0:17:03.280 --> 0:17:09.280 have silently disappeared. That's a great, great trope. Good one, Cherry. Uh, 0:17:09.359 --> 0:17:12.200 let me see, Leah sturgis the unrealistic amount of eating 0:17:12.200 --> 0:17:16.440 out and ordering food take out? Uh maybe I'm wrong, 0:17:16.480 --> 0:17:18.520 but do people really spend that much time eating out? 0:17:19.760 --> 0:17:23.320 Against depends Leah, And it's probably just for cinematic purposes 0:17:23.960 --> 0:17:27.359 rather than cooking in your kitchen, would be my guess. Oh, 0:17:27.359 --> 0:17:30.119 this is a good one from Kayla image. Something is 0:17:30.280 --> 0:17:33.480 very time sensitive. So let's take a couple of seconds 0:17:33.480 --> 0:17:35.840 to stare at each other before cutting the wire or 0:17:35.920 --> 0:17:41.560 jumping off something. That's a good one, for sure, very 0:17:41.600 --> 0:17:46.240 heavily used trope. Uh let me see here, oh, rachel O'Reilly, 0:17:46.280 --> 0:17:49.040 this is a good one. In rom coms, female in 0:17:49.080 --> 0:17:51.439 the office drops a stack of papers or books or whatever. 0:17:52.040 --> 0:17:55.720 Male drops down to help eyes, meat sparks fly and 0:17:55.840 --> 0:17:58.840 that's what they call the meat cute one version of 0:17:58.840 --> 0:18:02.640 it for sure, which which is a disgusting sounding term 0:18:02.680 --> 0:18:04.520 to me. I know it's a different form of the 0:18:04.520 --> 0:18:06.879 word meat, but I hear it and I can't not 0:18:06.960 --> 0:18:09.920 think of just meat cute meat. Yeah. I mean, that's 0:18:09.960 --> 0:18:12.920 the goal in every rom com is that very first 0:18:12.960 --> 0:18:16.359 meeting of our two eventual lovers um has to be 0:18:16.359 --> 0:18:19.040 a meat cute. There has to be some cute e 0:18:19.160 --> 0:18:22.600 little way spark that it happens. Can you think of 0:18:22.640 --> 0:18:26.760 some more of meat cute like that? They're they're just 0:18:26.760 --> 0:18:28.520 so on the nose, like I think that paper stack 0:18:28.600 --> 0:18:30.800 dropping one is a good one, or maybe just like 0:18:30.800 --> 0:18:33.480 a oh, and then when they bend down, they hit 0:18:33.640 --> 0:18:37.960 they bump their heads and then it comes yeah, or 0:18:38.000 --> 0:18:39.879 like the you know, they hail the same cab like 0:18:40.000 --> 0:18:43.000 stuff like that for sure, those are all good, No, 0:18:43.680 --> 0:18:47.159 Mike Carolin. When a character says they will never I 0:18:47.200 --> 0:18:50.840 mean never do X, Y or Z, then it's smash 0:18:50.920 --> 0:18:53.000 cuts to them doing exactly what they said they would 0:18:53.040 --> 0:18:56.480 never do. That's a good one, very much. Another good 0:18:56.520 --> 0:18:58.880 another one kind of like that is like just we're 0:18:58.880 --> 0:19:03.040 just gonna have one drink, smash cut to everyone smashed. 0:19:04.840 --> 0:19:08.560 Uh let me see here, Tyler resin Stoneman. Music will 0:19:08.560 --> 0:19:10.920 always determine how a person should feel watching the movie. 0:19:12.040 --> 0:19:14.800 Uh yeah, I don't know if I call that a trope. 0:19:14.880 --> 0:19:18.720 That's just sort of how movie scores work. Um, although 0:19:18.760 --> 0:19:21.760 the good ones will will not so much tell you 0:19:21.800 --> 0:19:24.560 how to feel I think yeah, or even sometimes go 0:19:24.720 --> 0:19:28.159 counter to like and they're not not conflicting, but like 0:19:28.200 --> 0:19:31.400 where the music has an ironic tone to it, where 0:19:31.440 --> 0:19:34.200 like something really heavy is happening and then the music 0:19:34.320 --> 0:19:36.359 is like some kind of light like pop song or 0:19:36.400 --> 0:19:41.160 something or yeah, secs exactly well, best long ever should 0:19:41.160 --> 0:19:44.760 be in every movie. Uh J Frasier. When a person 0:19:44.800 --> 0:19:47.920 holding a gun cocks the gun in mid argument, very 0:19:47.960 --> 0:19:52.000 common trope. For sure, I would already have that gun cocked. 0:19:53.520 --> 0:19:56.520 Rees Causon says, the whole good guys don't look at 0:19:56.520 --> 0:20:02.400 explosions thing, Yeah, that's for sure, or slowly walking away 0:20:02.440 --> 0:20:04.320 from the explosion. I believe we've already mentioned that. It's 0:20:04.359 --> 0:20:07.720 kind of the same thing. Oh, Megan, Carol Boy, this 0:20:07.760 --> 0:20:10.119 one bugs me. People lighting a cigarette, taking one drag 0:20:10.560 --> 0:20:13.600 and then throwing it away. She said, it drives me nuts. 0:20:13.600 --> 0:20:15.680 No real smoker does that. That's true, because the real 0:20:15.720 --> 0:20:18.120 smoker would be like, no, no, no no, I don't care 0:20:18.119 --> 0:20:20.400 what's going on. I'm gonna finish my cigarette before we leave. 0:20:22.240 --> 0:20:28.480 What a waste? Eric Catchet, good name. Um. When a 0:20:28.560 --> 0:20:30.800 character talks about their future or their hopes and dreams, 0:20:30.800 --> 0:20:36.880 it's a death sentence every time, for sure. Uh, let 0:20:36.880 --> 0:20:40.920 me do a couple or more here. Rob Johnson says 0:20:41.560 --> 0:20:45.560 sci fi movies proposing an incredibly complicated scientific premise and 0:20:45.600 --> 0:20:50.480 then re explaining it in kindergarten terms. Uh, like sticking 0:20:50.520 --> 0:20:52.840 a pencil through a piece of paper to explain wormholes. 0:20:53.080 --> 0:20:55.280 That's true. I really gotta spell it out in some 0:20:55.320 --> 0:21:03.240 of these movies. Joanna, Oh witness refa gir stay, refa 0:21:03.280 --> 0:21:08.520 girsty Yanna refa g stay. It sounds like Nordic. I 0:21:08.560 --> 0:21:12.280 don't know. She looks fairly Nordic. Okay, Okay, She says 0:21:12.280 --> 0:21:15.480 computers and technology in general working in ways they never 0:21:15.480 --> 0:21:17.920 would in real life, even though the movie is set 0:21:17.960 --> 0:21:21.080 in present day. Yeah. Well, well we've talked about this 0:21:21.080 --> 0:21:24.280 one before. I think where definitely in the nineties, especially 0:21:24.720 --> 0:21:28.440 the depiction of computers and the Internet, it was always 0:21:28.480 --> 0:21:32.720 just dumb. Yeah, and like you know, it would either 0:21:32.800 --> 0:21:35.639 be some sort of way over the top version of 0:21:35.760 --> 0:21:39.320 zooming through a world of like kind of three D 0:21:39.520 --> 0:21:42.840 rendered like buildings or depicting the Internet in some like 0:21:43.320 --> 0:21:45.399 palpable way. But now I feel like they've kind of 0:21:45.440 --> 0:21:48.480 figured out ways around that. Yeah, I think it's better 0:21:48.720 --> 0:21:51.400 for sure. And the whole trope of the password thing, 0:21:51.440 --> 0:21:55.040 like being able to crack a password in thirty to 0:21:55.119 --> 0:21:58.119 forty seconds, which always happens in movies. It's true And 0:21:58.160 --> 0:22:00.480 this is not a spoiler, just one moment from that movie, 0:22:00.640 --> 0:22:03.120 Um that your boy Boots Riley did that actually saw 0:22:03.200 --> 0:22:05.840 last night, Sorry to bother you, that we're gonna hopefully 0:22:05.840 --> 0:22:08.760 do a little mini review of soon. Um, there's an 0:22:08.720 --> 0:22:11.760 amazing gag in it where there's a password for an 0:22:11.760 --> 0:22:15.359 elevator that's like it takes twenty minutes to do, and 0:22:15.400 --> 0:22:19.000 it's just it's just a great sight gag. Do do 0:22:19.160 --> 0:22:20.680 do do Do Do Do Do Do Do Do do 0:22:20.800 --> 0:22:23.720