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Speaker 1: And his Drink Chess motherfucking podcast. He's a legendary Queen's rappers,

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Speaker 1: He's Segreeds your boy in or he's a Miami hip

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Speaker 1: hop pioneer. Up is d j e f N. Together

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Speaker 1: they drinking up with some of the biggest players in

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Speaker 1: the most professional unprofessional podcast and yet number one sorts

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Speaker 1: for drunk drinks. Mother is New year' z. That's his

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Speaker 1: time for drink Champs, trick up for the good be

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Speaker 1: Hopeley's with the sus boy in all what up is

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Speaker 1: d j e FN? And we got one of the

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Speaker 1: most legendary comedians I'm talking about. I've been watching his

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Speaker 1: brother stand up. I've just been watching him going all

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Speaker 1: of us just going crazy. I've been from the Chapelle

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Speaker 1: Show from him going to the Breakfast Club because he's

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Speaker 1: like the front member of the Breakfast Club. We talk

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Speaker 1: about my friend Yoo. You know what? You know what, nigga,

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Speaker 1: you could be nice, you can do all that ships,

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Speaker 1: but I'm not funking with you right now. So I'm

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Speaker 1: not funking with you right now. So I'm not yo.

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Speaker 1: You give me like I ain't saying who you had

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Speaker 1: on the show. Whatever. You know what I'm saying, and

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Speaker 1: then you just this is my disrespect for you. All right, No,

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Speaker 1: you're like this, I'm gonna smoke with you. So you're

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Speaker 1: like just You're like, just oh, d I need you.

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Speaker 1: I'm like, let's plan it out. This is what you

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Speaker 1: do like you're gonna do. You're gonna do it at

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Speaker 1: six o'clock. Right, you called me Joe, So this is

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Speaker 1: what I'm saying. Do you tell you say to me

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Speaker 1: what you're gonna do? Nigga? Right six o'clock you want

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Speaker 1: to go up? You hit me at five fifty six somethigga?

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Speaker 1: What the funk us up? You're a real nigga? What

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Speaker 1: so you called me? You called me coming from motherfucking

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Speaker 1: um um whole food, nigga. I heard background noise, Sir,

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Speaker 1: I heard background if it wasn't it wasn't producer room talk.

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Speaker 1: It was like, nia, yo, let me get I'm gonna

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Speaker 1: get an asparagus. And also what yeah? Right? So so

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Speaker 1: let me ask you out of all what is actually

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Speaker 1: Larbry your favorite character the favorite character I played now

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Speaker 1: actually beautiful as a favorite character I played on this

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Speaker 1: show Beautiful, which one was that that was the only

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Speaker 1: player hit this ball, and the reason why I tell you,

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Speaker 1: I'll explained why Beautiful was to play by my favorite ship,

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Speaker 1: because that that skeps was called players ball like Neil

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Speaker 1: Brennan right, Neil Brennan Cox, actual producer of the show

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Speaker 1: The White Guy, The White Guy. All Right, you already

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Speaker 1: know it, so um, I asked him. I said, what's

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Speaker 1: the next sketch I'm gonna be on? He said, player

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Speaker 1: hat his ball. I said, cool. Right, So the next day,

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Speaker 1: you know, you get the call sheet and everything, right,

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Speaker 1: I see the call sheet and I don't see my name.

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Speaker 1: I don't see nothing on that. Nigga, I'm not even

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Speaker 1: on there. I said, I thought I was supposed to

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Speaker 1: be in plays. But he said, oh ship white Man.

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Speaker 1: He said, oh shoot, I forgot. He's I forgot. Um,

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Speaker 1: he forgot you. He forgot, he forgot Nigga, he forgot me.

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Speaker 1: He has forgot the whole show. He told you. You

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Speaker 1: as as crazy as you feel right now, nigga, imagine

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Speaker 1: me you like this. How do you forget I'm like this,

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Speaker 1: nig How you forget? Does he smoke aloud? No, that

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Speaker 1: nigg was doing muscles or anything? Right, it was it

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Speaker 1: was whatever it was so. I was like, he said,

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Speaker 1: oh I forgot. This is what he said. This is

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Speaker 1: one I'm gonna tell you why. That's my favorite cat.

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Speaker 1: He said, Oh ship, my bad. He said, come up

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Speaker 1: with something right, this is the day before we're gonna

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Speaker 1: step on this evening the next stay. He said, come

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Speaker 1: on with something. I'm like, just come up with something.

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Speaker 1: Basically said, nigga, just make something happen, like you wrote

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Speaker 1: your own ship, now can you so that? Don't let

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Speaker 1: me tell you? Yo yo, nigger me always trying to

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Speaker 1: get a hand like so, no, I know, Nigga. Nigga like, so,

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Speaker 1: don can I answered the question about the answer it

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Speaker 1: before you answer it? You'll be perfect your Hollywood Hollywood

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Speaker 1: niggas say ship like this, nigguld be like this, I

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Speaker 1: got an idea. Why don't we move that from that

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Speaker 1: corner of it? Nigga let this, No, you'd be like this,

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Speaker 1: I got idea, let's move for that corner. But like,

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Speaker 1: you know what, that's a great idea. I already known.

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Speaker 1: So he told me, he said, come up with something

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Speaker 1: so that night and I already knew. On the Chappelle Show, Nigga,

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Speaker 1: I didn't talk a lot on the Chappelle Show. I

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Speaker 1: knew whenever you see me, I gotta blow it up

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Speaker 1: because I was like this, you gotta see me. Actually,

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Speaker 1: when you see me, you see me. I'm funny. So

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Speaker 1: he said, come up with something. I was like, what

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Speaker 1: am I gonna do? So that night I called wardrobe.

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Speaker 1: I said, yo, I gotta make this nigga. I don't

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Speaker 1: even't know who this nigg is gonna be. You gotta

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Speaker 1: make it. I gotta make this, gonna make this nig

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Speaker 1: I was like, because I was on five heart beats

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Speaker 1: hard right night, and I did. We did so, I'm

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Speaker 1: Eddie came in my head, right, I look a little

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Speaker 1: Eddie came this. You already see it. You know what

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Speaker 1: it is, right, so I said, I told the wager,

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Speaker 1: but I said, I want to suit like Eddie. Can

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Speaker 1: give me some sparkles and ship right. So the bitch

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Speaker 1: gave me that. I call them all bitches, the queens

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Speaker 1: or whatever you want to say. So she gave me

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Speaker 1: the suit with the sparkles and ship right, and I'm

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Speaker 1: like this, Oh Kenny working this, I said, oh ship

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Speaker 1: I ain't have no name, no nothing, and I'm a

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Speaker 1: ball nigger. I ain't got too many options on my

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Speaker 1: hair for every character. Haven't played a special at that point.

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Speaker 1: I was always ball So I said, let me go

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Speaker 1: outside the box. And I went through the hair hair people.

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Speaker 1: I said, I want to wig. I want to so

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Speaker 1: glow draycall week boom. They gave it to me, right,

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Speaker 1: So that wasn't enough. I got to suit. I got

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Speaker 1: the hair and I said, I need a problem. I

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Speaker 1: want to proplems. I said, yo, I want to spray

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Speaker 1: my hair with some activator. But I want to activator

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Speaker 1: be in the champagne bottle nigger right, I'm a baller.

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Speaker 1: And it was like that's gonna be too messy. I said, okay,

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Speaker 1: give me a lot of them. Can sall ship They

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Speaker 1: gave me the Earl, so all ship this is real

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Speaker 1: ship side. They gave me the earth. So I'm building

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Speaker 1: this character and think he didn't exist. He went from

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Speaker 1: nobody to any change your two so glow. So I

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Speaker 1: need a product to the strange jump. I'm like this

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Speaker 1: and I'm gonna do. I'm hitting my hair like this.

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Speaker 1: I'm making bitches laugh like a motherfucker's side. I don't

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Speaker 1: even the even nobody know what's going on. I'm like

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Speaker 1: I'm feeling good. I'm feeling good. I'm like, oh ship, nigga,

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Speaker 1: I'm a little rich everything. I'm like, so we probably go.

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Speaker 1: We're about to go, your son RP. You know that

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Speaker 1: we're about to go to set. I don't got a

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Speaker 1: name or nothing right, and Neil, I said, Neil friend

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Speaker 1: and the white boy. I said, what's my name? He said,

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Speaker 1: I don't know. B come up with a name. I'm

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Speaker 1: not nigga. I came up with everything. I'm t here right,

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Speaker 1: So I didn't hear no name. But I'm like this.

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Speaker 1: I know on the Chappelle show, you gotta bang out

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Speaker 1: when you get on, you got a bang, right. I

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Speaker 1: ain't had no name and nothing, so I'm doing this.

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Speaker 1: I'm making bitches laugh. I got Carol and I walked

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Speaker 1: as his mirror and I said, Nigga, you beautiful. I said, Nigga,

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Speaker 1: you beautiful. I said, I feel beautiful. I went to

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Speaker 1: new He said, what's your name? I said, Nigga, I'm beautiful.

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Speaker 1: The ugliest nigga that believed he's beautiful in her heart.

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Speaker 1: And that's your son. Yo. That when you asked me

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Speaker 1: why it's my favorite character, the reason why it's my

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Speaker 1: favorite character because he did not exist. The niggas gave

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Speaker 1: me an opening. You know, I say, I could have

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Speaker 1: been a Hollywood nigga. Have been like this, I don't

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Speaker 1: have time to this. I need you to create the character.

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Speaker 1: And Harry said I could have did all that. I

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Speaker 1: was like this, They gave me a shot nigga, and

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Speaker 1: I was like this, what I can do? What can

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Speaker 1: I do? What can I do when I get that show?

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Speaker 1: I always did you call for nigga? Yo yo yo,

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Speaker 1: Nigga yo yo yo? Give me my mask? This quarantine

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Speaker 1: he yo yo? Say you trying to blow that sho yo?

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Speaker 1: Give me some straight yo yo. You try to catch

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Speaker 1: that ship, nigger, try to I tried like this wral

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Speaker 1: and I was talking. He was like I can call

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Speaker 1: up with this nig and talking, So you say, I

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Speaker 1: was like the funks be doing Nigga okay, but right listen,

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Speaker 1: they actually that as a project Nigga as a dude

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Speaker 1: that played dice in the basement, right like I knew

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Speaker 1: as let me tell you this, bro, let me tell this,

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Speaker 1: Let me tell this. Niggas asked me, do you are

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Speaker 1: you ever gonna get time to people call you achler?

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Speaker 1: And I'm asking myself, nor, I'm asking myself, why does

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Speaker 1: this character resonate right? Fifteen years son? Fifteen years son?

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Speaker 1: I think it's someone you're gonna be asked for your life.

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Speaker 1: I was like, something is don't know nobody from nothing,

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Speaker 1: call me as she lc whatever, tax break, small business loan.

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Speaker 1: You know what I'm saying. I'm taking all that Trump ship.

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Speaker 1: Nig I ain't a Republican, but all that ship. I'm

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Speaker 1: taking all that ship. You know. Let me actually was

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Speaker 1: at that game and know what you know what you were, Nigga?

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Speaker 1: You were. I'm asking myself for years, bro, for years, why,

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Speaker 1: I'm like, why do we? Why do these niggers a

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Speaker 1: lot of niggas so much? How did you come up

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Speaker 1: with that? I'm gonna tell you that, can nigga? Can

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Speaker 1: I get one story any time? Nigga? I got stories.

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Speaker 1: What I'm telling you the reason why you felt like

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Speaker 1: it was you? Because it was you, Nigga, you, it

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Speaker 1: was you. It was all ship. Nigga. I gotta come up.

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Speaker 1: I'm gonna take some chances that means gonna be mad

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Speaker 1: at me. My news. I win that buses got a

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Speaker 1: new I phone, Nigga, that's how you hold me sunny

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Speaker 1: d b two yo. Know, and I asked myself that question.

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Speaker 1: But through these things connect with about him rags, riches nigga,

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Speaker 1: he just trying to get it, yo. Know I'm trying.

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Speaker 1: When I trying, like, I don't want tobody called me

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Speaker 1: as now I never said that, but I'm like this,

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Speaker 1: Why why I asked that question? I was like, why

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Speaker 1: does America ask she learned? Because we all gotta ask

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Speaker 1: she in us. We all gotta want to come up, son,

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Speaker 1: We we gotta want to come up. We all want

191
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Speaker 1: to we all want to be able to say bitch

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Speaker 1: watch uh we all you go and we all want

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Speaker 1: to be saved you we want you know what? But

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Speaker 1: that But even with that phrase, but I'm gonna break

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Speaker 1: that down the best part, so you know the hustle

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Speaker 1: when you make it, when you make it, make it,

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Speaker 1: make it, make it where everybody's like, oh he made it, nigga,

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Speaker 1: you made it before that, You made it before that,

199
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Speaker 1: but this is what society think you made it. But

200
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Speaker 1: you know you when you was in the college amiens

201
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Speaker 1: and y'all came with the idea and you banged it out.

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Speaker 1: You know what I'm saying. Usually what we do is

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Speaker 1: niggas take years to catch up with our dream m

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Speaker 1: niggas tell you straight up, oh did you expect this? Yo?

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Speaker 1: Everything is I can't believe it's happened. Nigga. I knew

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Speaker 1: what's happened, and it was happening three years ago. I

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Speaker 1: knew I had to connect the dots as Larry was

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Speaker 1: that nigga. And I tell you another story about that.

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Speaker 1: That sketch was not designed. That sketch was not designed

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Speaker 1: for as Larry to shine. Look who was in there,

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Speaker 1: Eddie Griffin, Ronie Murphy, Eddie Grafficall right, we don't. We

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Speaker 1: didn't have a lot of niggas outside out served. Edie

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Speaker 1: Griffin was one. Jamie Foxx was one that sketch was

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Speaker 1: designed for. If you look at the script, who had

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Speaker 1: the most lives? Everything that was for any Griffin and

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Speaker 1: day Chapelle nigga, if you look at it on paper.

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Speaker 1: I was a young nigga. I ain't had no money

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Speaker 1: very second when I came and mean something to me,

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Speaker 1: I had to go hard that that nigga wuldn't even

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Speaker 1: ask she know he wouldn't even ask me. I looked

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Speaker 1: at the script. He was a nigga was some shorts

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Speaker 1: and some shoes, socks or whatever. But I knew that

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Speaker 1: I didn't when I didn't get a chance of talking

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Speaker 1: that show, I had to rip off gate. So I

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Speaker 1: gotta get props. I'm going there. I know I'm in

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Speaker 1: the basement. I'm in master projects, Nigga. The trash bag

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Speaker 1: I had, it was real trash in that bag, Nigga,

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Speaker 1: that we wasn't no problems. I went to the trash care, nigga.

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Speaker 1: I kind of bag of I had a bag of corona.

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Speaker 1: I had a bag of corona. Nigga. I had a

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Speaker 1: bag of ship. I didn't know what was in there, Nigga.

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Speaker 1: I took that bag. I put it in there. But

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Speaker 1: but before I even did that, I was like this.

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Speaker 1: I was like this, This nigga need something to make

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Speaker 1: you funk with him as soon as you see him, right,

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Speaker 1: I said, I'm gonna be ashy. I said, I'm gonna

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Speaker 1: be so ashy. I'm gonna be at the right. How

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Speaker 1: much money niggas on me in the side of my leg.

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Speaker 1: I didn't tell nobody this ship, this ship I'm gonna do.

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Speaker 1: I'm not gonna ask can I do it because you're

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Speaker 1: gonna tell me. No, I'm just gonna go. I would

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Speaker 1: to work that day. Nigga. I told the nigga the

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Speaker 1: nigga name don Yale, he was gay and ship. He

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Speaker 1: was gay and ship. He was like, yeahs, I think

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Speaker 1: Charlemagne was in this roller decks. Anyway, I'm just saying sing.

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Speaker 1: I'm just saying, you know some things. He got niggers

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Speaker 1: in their phone dex, you know, Louing oz La, yoga

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Speaker 1: and all that type of ships. But soon as Trump

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Speaker 1: announced that some of this text was going out, that

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Speaker 1: was like the first clip that black people went to

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Speaker 1: the I'm rich, bitch, you you fucking old me son,

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Speaker 1: forget where it comes from. That's how big it gets,

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Speaker 1: That's how big it is. But let me tell you,

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Speaker 1: let me tell you, Let me tell you the ask you.

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Speaker 1: Letry joined side. So I got all this ship in

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Speaker 1: my mind. I didn't tell nobody because I don't want

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Speaker 1: to tell me no. I'd rather like rolling dice and

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Speaker 1: lose big in a wind. Big right. So I went

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Speaker 1: to the motherfucking makeup nigger. I said, yo, I said,

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Speaker 1: give me some baby powder. He said, for what I said,

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Speaker 1: I don't don't worry about just give me baby power.

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Speaker 1: That's how you went like this. Don't listen, you know,

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Speaker 1: go go PERV go per On. Caller on Kelly, nigger,

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Speaker 1: you better die your beard and die your bean. You too,

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Speaker 1: here whatever, I ain't, I ain't dirty like you. Go. No,

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Speaker 1: I'm I'm talking to graduations bigger. They looked like that

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Speaker 1: was I was doing the whole interview. You look like

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Speaker 1: you yo, so so listen, let me tell the stories, right.

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Speaker 1: So then, like I told you, nigga, I said, give

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Speaker 1: me the powder. I want to put it in my hand.

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Speaker 1: He said, well, I ain't gonna tell you. And the

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Speaker 1: reason why I did this because we're doing we're doing

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Speaker 1: the st They ain't got no dice on set. Oh wow,

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Speaker 1: they got no dice. So I'm like this, I gotta

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Speaker 1: do this all right. I'm sorry, son, Coachrys, I gotta

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Speaker 1: do this. I gotta do that. Didnt look like this year.

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Speaker 1: I'm abouna do that right now. I gotta do this.

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Speaker 1: I gotta act. Got dice. I said, let me get

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Speaker 1: some powder. So I got this ship when I ain't

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Speaker 1: got no dice in my hand, and they said go.

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Speaker 1: They got to like this Mossy's son. What I do

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Speaker 1: like this the whole thing. We're keeping that and I

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Speaker 1: didn't do it no more. First take, first take, first take.

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Speaker 1: One take you want to you want enough? You want

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Speaker 1: to know? Another one take? Wayne Brady? What's my favorite sketch? Yo?

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Speaker 1: The okay, let me tell you that. The reason why

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Speaker 1: that was my favorite sketch because I like the way

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Speaker 1: it happened. It happened when Wayne Brady thought we dissed him.

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Speaker 1: He said, he thought we said some fun to share.

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Speaker 1: He was a fan of the show and the great

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Speaker 1: they felt not her, they feels it, but they got

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Speaker 1: a heart. He's like, damn they again. He was with

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Speaker 1: us like that, and he felt like we shipped on him,

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Speaker 1: He called, Wayne, but you wants uping to do something right?

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Speaker 1: So what the reason why that's my favorite us? Because

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Speaker 1: Wayne Brady? We know Wayne Brady is like, start spreading

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Speaker 1: the news. I'm going to be a part of you crisis, right,

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Speaker 1: He owes the price is right. He like, but that's

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Speaker 1: a that's a good job right now. But I'm saying that, nigga,

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Speaker 1: he's a real nigga. I'm telling Wayne Brady is a

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Speaker 1: real motherfucker. But his path was different. You know what

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Speaker 1: I'm saying, and nigga got diction, he's articuling. You know

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Speaker 1: what I'm saying. Nigg is gonna gravitate towards that person

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Speaker 1: or that nigga with that negreed, you know, and then

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Speaker 1: you trying to read out loud. You know, yo, Black

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Speaker 1: people make smart niggas looks do dumbest ship. Oh Brady

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Speaker 1: at syllable ass bigger. It's true. It's a true. Letting

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Speaker 1: nigga be smarterhood nigger will make you feel dumb as

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Speaker 1: a motherfucking would be like a graduating college. Oh who

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Speaker 1: as nigga? You know what I'm and you make it

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Speaker 1: nigga feel bad. So I know that was Wayne Brady struggled.

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Speaker 1: He liked this. He came from a broken home. His

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Speaker 1: grandma raised him. He'd been through the same ship, but

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Speaker 1: he saw a different bath. So even with that, I

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Speaker 1: know Wayne Brady he could be like, just suck your

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Speaker 1: niggers that make you money. But I know in his

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Speaker 1: heart it was something like, if you're a real nigga, right,

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Speaker 1: you still want to be able to connect with your peoples.

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Speaker 1: So that could be the one thing that you can't

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Speaker 1: get you could front funk all the white bitchiness you want,

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Speaker 1: do all the cookee you want, and all that type

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Speaker 1: of ship. But if you go to the hood they

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Speaker 1: talk about who would they say, right, you can connect

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Speaker 1: to it or you can just just missing something is

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Speaker 1: like funking. I don't need it. It's cool. But I

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Speaker 1: could tell that was something. And when we was doing

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Speaker 1: at Wayne Brady get man that nigga did not want

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Speaker 1: to go on. He wanted he didn't want to go

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Speaker 1: ahead and want to say, Wayne Brady got a snack

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Speaker 1: a bit. He came like thirty thousand options. So what

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Speaker 1: was the different options? Yo? Like, it's Wayne Brady gonna

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Speaker 1: have to have a misunderstanding with a young lady. Okay, okay, okay, ship,

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Speaker 1: I got ship. You know no, I'm bummed. I know

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Speaker 1: I'm about to leave. I'm about to leave it. I

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Speaker 1: know I'm about to leave. So we're gonna hit you

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Speaker 1: right back. We're gonna hit you right back. Oh don't

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Speaker 1: know if I gotta leave. Hell, I'm gonna tell you this,

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Speaker 1: I'm gonna be the reelership of a son. No homo,

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Speaker 1: you got my dick something so many times in the days, Yo,

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Speaker 1: I know you. I know you ABC, NBC, I know

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Speaker 1: you corporate. You can't laugh to this, but when you leave,

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Speaker 1: you be like they're crazy. Ship. I can't, I can't,

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Speaker 1: I can't. You know my music was playing? Was he talking?

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Speaker 1: Never time? Let me go, you get playing and show.

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Speaker 1: Let me say this, son, let me say this. I

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Speaker 1: know I know y'all the fun of corporate money, so

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Speaker 1: but I'm just saying, drive by gout of the booming system. Son, nigga.

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Speaker 1: I was light skinned nigga. I had a roof, so

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Speaker 1: I had a sunroof and a bit ship of the words.

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Speaker 1: I used to yellow sun roof open so I could

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Speaker 1: feel the wind blow up, nick up, nick up. Let

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Speaker 1: me tell you, nigga, I was a hondo cord. So

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Speaker 1: don't get me back, get me back. I need to

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Speaker 1: go back, said, give me back, said I'm coming back.

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Speaker 1: I tell you. Let's hell hell hell. And I'm telling

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Speaker 1: you I was a dud skin nigger. I was not

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Speaker 1: trying to fuck with you. Son. I was not trying

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Speaker 1: to buckle because he was life skinned. He was cut

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Speaker 1: up ship yo. Son. He was tall, Yo, he was tall.

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Speaker 1: I was a little nigga. I was a little I

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Speaker 1: hated you, and you have muffles and ship and you

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Speaker 1: had dipper pools. I hated dipple niggas growing upside. I'm

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Speaker 1: like this niggle beat me up and did you a

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Speaker 1: dimple on the nigga? Right, So I'm telling you something.

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Speaker 1: I didn't want to be you, but I was you,

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Speaker 1: and I used to drive by this funk the funk

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Speaker 1: out of here, Yo, I said, I'm telling you. I'm

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Speaker 1: telling you. You know, I'm I'm real, I'm real. I

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Speaker 1: always connect with you. But I'm gonna tell you one

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Speaker 1: of the most powerful things you did. So you was

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Speaker 1: at an award show, son, and I can't remember what

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Speaker 1: it was, but you was talking to niggas the youngest

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Speaker 1: and you was talking about hip hop. You was talking

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Speaker 1: about God. Yeah, it was just it was a hip

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Speaker 1: source hip Hop awards. I know. I got my dick

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Speaker 1: sunk and get off of that. So Yo, I goed up, nigga,

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Speaker 1: I'm like this and were not and were not a problem, Yo, nigga,

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Speaker 1: and we're not profit and we give a fuck nigga.

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Speaker 1: Stop playing. So Yo, Yo, I'm telling you something. They

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Speaker 1: can say I'm interrupted and I get excited, but Yo,

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Speaker 1: this is what I want to say. This is what

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Speaker 1: I want to say. Bro on here, Bob, and you

383
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Speaker 1: know this is a business is not friendly to niggas

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Speaker 1: getting older. You know what I'm saying. It ain't rock

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Speaker 1: the roll. I can watch it forever. You they say

386
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Speaker 1: you got a minute and when you funk with you,

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Speaker 1: but I hope you stacked up for that minute and

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Speaker 1: you're gonna get another shot and get another shot, you

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Speaker 1: know what I'm saying. And the thing is, I respect.

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Speaker 1: It's like nigga, you you you must you go to

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Speaker 1: them niggas. I could do whatever, I could do, whatever

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Speaker 1: I could do whatever. Well, you know, you know it's

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Speaker 1: funny you change genres. You change genres on them. Nigga's son,

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Speaker 1: and you took your half, you took your helves, like,

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Speaker 1: take your head off down Now let me say, nigga,

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Speaker 1: y'all gonna laugh. Nigga, Yo, first off, I'm playing for

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Speaker 1: older road niggaor whatever. Nigga, what is it? What is it?

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Speaker 1: What we're doing? What we're doing? You know what we're doing, yo.

399
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Speaker 1: Y'all got confidence, yo, that's you're gonna get down. You go, yo,

400
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Speaker 1: it's only two roles with this right hand. You say, yow,

401
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Speaker 1: you know, if it's any consolation, you got more head

402
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Speaker 1: than me. Be I tell what I'm saying, but you

403
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Speaker 1: you look at any consolation, you got more head than me.

404
00:22:16,080 --> 00:22:19,680
Speaker 1: You know, but you look bookable. I don't look bookable, nigga.

405
00:22:19,960 --> 00:22:22,680
Speaker 1: Just two rolls you're looking. Go ahead with that for

406
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Speaker 1: a shot. Freema still living nigga, but more die. I'm

407
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Speaker 1: good nigga, Yo, Nick don't do that. I an you

408
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Speaker 1: gotta say that ship Yo, gonna get out of here.

409
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Speaker 1: I need them broke yo, roke in a hunter years now.

410
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Speaker 1: That's not what I'm saying. But for some reason, for

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Speaker 1: some reason, nigga that the life of the man and

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Speaker 1: it had it's done. So look, I don't give a fuck.

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Speaker 1: So but Yo, I couldn't remember but that word that

414
00:23:02,760 --> 00:23:07,040
Speaker 1: the world we were talking about, right yo? Yo? When

415
00:23:07,080 --> 00:23:09,239
Speaker 1: I tell you bet hip hop was b T, hip

416
00:23:09,280 --> 00:23:11,879
Speaker 1: hop was whatever it was? When I tell you you

417
00:23:12,040 --> 00:23:16,800
Speaker 1: moved me son, thank you, Yo, I'm I was like this, Yo,

418
00:23:16,920 --> 00:23:19,439
Speaker 1: y'all understand who's saying this and he's saying it when

419
00:23:19,480 --> 00:23:24,840
Speaker 1: you understand I cannot remember what the topic was, yo. Know,

420
00:23:25,080 --> 00:23:26,840
Speaker 1: when you're producing that, tell the nigga to google that

421
00:23:26,880 --> 00:23:31,160
Speaker 1: ship right now. He's he's yo, y'all gonna understand, y'all

422
00:23:31,160 --> 00:23:33,840
Speaker 1: gonna say this, ask sheet whatever, But you want to

423
00:23:33,880 --> 00:23:36,400
Speaker 1: understand what I funk with that ship right here? Son?

424
00:23:36,840 --> 00:23:39,200
Speaker 1: I was like this, oh ship. I was like, I

425
00:23:39,320 --> 00:23:42,080
Speaker 1: was like this nigga could say funk all y'all knicks

426
00:23:44,240 --> 00:23:47,000
Speaker 1: this nigga canna say you're not gonna do it. This

427
00:23:47,080 --> 00:23:49,560
Speaker 1: is my point. This is what I'm saying, a lot

428
00:23:49,560 --> 00:23:51,280
Speaker 1: of niggas do it like I'm good. What do they

429
00:23:51,320 --> 00:23:53,520
Speaker 1: say over that? When are they're saying? Queens? I didn't understand,

430
00:23:56,480 --> 00:23:58,320
Speaker 1: but it was like this, and then in the way

431
00:23:58,359 --> 00:24:02,200
Speaker 1: I felt it came from like nigga, Huh, I am

432
00:24:02,320 --> 00:24:07,120
Speaker 1: the example. I'm the example. All that show you're talking

433
00:24:07,119 --> 00:24:09,439
Speaker 1: about what we can't do is black people. We got

434
00:24:09,600 --> 00:24:11,399
Speaker 1: this when I get first with black people. We got

435
00:24:11,440 --> 00:24:14,879
Speaker 1: too many examples, ain't it ain't fifty years ago like this.

436
00:24:15,040 --> 00:24:17,840
Speaker 1: It ain't gonna never be no black scientists, black scientists.

437
00:24:18,080 --> 00:24:20,920
Speaker 1: It ain't gonna be no black astronauts, black astronauts, And

438
00:24:20,960 --> 00:24:23,159
Speaker 1: there's gonna never be no black black the only thing

439
00:24:23,240 --> 00:24:26,040
Speaker 1: we had left always and there's gonna be a black president,

440
00:24:26,119 --> 00:24:32,000
Speaker 1: guess what bump. You can't say nothing, go get it anything.

441
00:24:32,040 --> 00:24:35,119
Speaker 1: It's possible, Anything's possible. I mean, it's it's just a

442
00:24:35,200 --> 00:24:37,119
Speaker 1: matter of you know, first of all, you gotta have

443
00:24:37,960 --> 00:24:40,880
Speaker 1: you gotta be willing to you gotta have the courage

444
00:24:40,920 --> 00:24:43,320
Speaker 1: to risk dreaming big. You know what I'm saying. See,

445
00:24:43,320 --> 00:24:45,640
Speaker 1: a lot of people are afraid to risk dreaming big.

446
00:24:45,760 --> 00:24:49,600
Speaker 1: They they're scared of disappointing themselves. It's just scary to

447
00:24:49,760 --> 00:24:52,320
Speaker 1: think big. It's scary to think I can take it

448
00:24:52,400 --> 00:24:56,399
Speaker 1: to another level. That's a very very uncomfortable space because

449
00:24:56,800 --> 00:24:59,280
Speaker 1: there are no excuses out there. You know, you know,

450
00:24:59,600 --> 00:25:01,920
Speaker 1: there's it force, you know there's danger. You know you're

451
00:25:01,920 --> 00:25:04,239
Speaker 1: gonna run any things. But you can't make excuses. If

452
00:25:04,240 --> 00:25:06,119
Speaker 1: you want to do big things, you just gotta go

453
00:25:06,320 --> 00:25:07,879
Speaker 1: for it. You gotta be able to wear it on

454
00:25:07,960 --> 00:25:11,159
Speaker 1: the chin and and really you know owning and so

455
00:25:11,560 --> 00:25:13,640
Speaker 1: a lot of times people get in their comfort zone

456
00:25:13,680 --> 00:25:18,119
Speaker 1: and that they don't want to step sacrifice. Yeah, but

457
00:25:18,200 --> 00:25:20,840
Speaker 1: it's it's not just the sacrifice through action, but it's

458
00:25:20,880 --> 00:25:23,680
Speaker 1: the sacrifice of your own ego. You know what I'm saying.

459
00:25:23,920 --> 00:25:26,480
Speaker 1: It's the sacrifice of your ego to actually put yourself

460
00:25:26,520 --> 00:25:29,280
Speaker 1: in a position where you might Sometimes if you really

461
00:25:29,320 --> 00:25:32,440
Speaker 1: want to succeed, succeed, you gotta be willing to look stupid. Yeah,

462
00:25:34,040 --> 00:25:38,240
Speaker 1: I mean what I said, like, um yo, I'm sorry

463
00:25:38,320 --> 00:25:40,320
Speaker 1: doing I'm just said, this is why I be interrupted

464
00:25:41,000 --> 00:25:43,560
Speaker 1: by accident and the reason why you said that. And

465
00:25:43,600 --> 00:25:46,920
Speaker 1: I'm using this example when I did the actionary character

466
00:25:47,160 --> 00:25:49,080
Speaker 1: l I didn't know what I was doing. Right, Eddie

467
00:25:49,119 --> 00:25:50,720
Speaker 1: Griffith looked, that's a real big and he looked at

468
00:25:50,800 --> 00:25:53,080
Speaker 1: my face. He said, you know why you're killing this?

469
00:25:53,240 --> 00:25:55,960
Speaker 1: I said nope. He said, because you're not afraid to

470
00:25:56,000 --> 00:25:59,239
Speaker 1: get ugly. He said, you're not afraid to let nig

471
00:25:59,400 --> 00:26:01,520
Speaker 1: look at your stuff. They look at I got to restaurant,

472
00:26:01,600 --> 00:26:05,240
Speaker 1: look at them arms, nigga, I'm not afraid. And and

473
00:26:05,520 --> 00:26:08,360
Speaker 1: it goes to what you're saying, like niggas gonna take

474
00:26:08,400 --> 00:26:10,840
Speaker 1: the chances. You know what I'm saying, Gotta take chance,

475
00:26:11,040 --> 00:26:12,960
Speaker 1: You gotta you can't, you can't have you two things.

476
00:26:13,000 --> 00:26:15,639
Speaker 1: You gotta understand. You gotta put away your ego and

477
00:26:15,720 --> 00:26:17,920
Speaker 1: you have to understand that you have blind spots. So

478
00:26:18,040 --> 00:26:20,560
Speaker 1: you need people around you that can identify blind spots

479
00:26:20,600 --> 00:26:23,320
Speaker 1: for you. So it's how many, how many blind spots

480
00:26:23,600 --> 00:26:29,440
Speaker 1: for he went to the the went to the forest.

481
00:26:30,880 --> 00:26:37,600
Speaker 1: I'm sorry, I listen, listen, I'm sorry. I love nigga. Look,

482
00:26:39,359 --> 00:26:42,440
Speaker 1: don't do this, yo, don't do this. I love you,

483
00:26:43,920 --> 00:26:46,680
Speaker 1: love you know what's messing up about l L. It's

484
00:26:46,720 --> 00:26:49,920
Speaker 1: like when you say jokes about anybody like celebrity. I

485
00:26:50,119 --> 00:26:53,119
Speaker 1: don't really knows that. I do know, I know you

486
00:26:53,200 --> 00:26:54,959
Speaker 1: know what I like. Let me tell you that. Let

487
00:26:55,000 --> 00:26:57,639
Speaker 1: me tell you gonna have to see this done. Not

488
00:26:57,760 --> 00:26:59,639
Speaker 1: only that, but you know how I know that was

489
00:26:59,720 --> 00:27:02,040
Speaker 1: fun You know, I know that was funny because I

490
00:27:02,160 --> 00:27:04,800
Speaker 1: saw ten seconds of I ain't laughing at that ship

491
00:27:05,119 --> 00:27:09,480
Speaker 1: and nigga. Second, I hadn't registered. No nigga, you held

492
00:27:09,520 --> 00:27:15,200
Speaker 1: out like a Corona call nigger. You was like I

493
00:27:15,359 --> 00:27:18,159
Speaker 1: was getting the visual. I was getting you know, you

494
00:27:18,240 --> 00:27:22,760
Speaker 1: know again, get the visual. And when you saw that,

495
00:27:23,040 --> 00:27:24,560
Speaker 1: and when you saw the visual and said, Yo, this

496
00:27:24,640 --> 00:27:28,240
Speaker 1: is bigger place, too much. Shut So now we're gonna

497
00:27:28,280 --> 00:27:30,240
Speaker 1: let you be sitt my co host, but you gotta relax,

498
00:27:30,400 --> 00:27:34,440
Speaker 1: gonna be sorry, yo, Yo, I'm sorry, I'm gonna shut

499
00:27:34,520 --> 00:27:36,360
Speaker 1: the funk up because I realized, no, no, you're gonna

500
00:27:36,359 --> 00:27:37,720
Speaker 1: be here you're gonna be here, come on. But I

501
00:27:37,840 --> 00:27:40,040
Speaker 1: tell you, I know what I'm telling you. I realized

502
00:27:40,080 --> 00:27:42,920
Speaker 1: when I just I was like this, Nigga, shut the

503
00:27:43,040 --> 00:27:45,359
Speaker 1: funk up. You know what I'm saying. Like, I was like,

504
00:27:45,880 --> 00:27:48,200
Speaker 1: I forgot to shut the funk up. I'd be too high.

505
00:27:48,400 --> 00:27:51,280
Speaker 1: So and they're like, then I listen to listen. I

506
00:27:51,359 --> 00:27:54,200
Speaker 1: listen to L. I was like, oh, ship, Nigga, So

507
00:27:54,240 --> 00:27:55,840
Speaker 1: I'm gonna shut the funk up. I'm gonna be here,

508
00:27:56,400 --> 00:27:58,320
Speaker 1: but I'm gonna shut the funk up. But I'm happy

509
00:27:58,320 --> 00:28:00,160
Speaker 1: to let me. I'll let you know how much hell

510
00:28:00,280 --> 00:28:02,240
Speaker 1: means to me, Like if it wasn't I know Hell,

511
00:28:02,600 --> 00:28:04,320
Speaker 1: it wouldn't be no me like he was. I know,

512
00:28:04,440 --> 00:28:06,600
Speaker 1: and I know I know that so much because you

513
00:28:06,760 --> 00:28:08,960
Speaker 1: told me. When I said, Nigga's about the show, he

514
00:28:09,119 --> 00:28:11,480
Speaker 1: was like, nig I tried to get all here. He said,

515
00:28:11,760 --> 00:28:16,840
Speaker 1: if he be yeah, yeah, it was like just I

516
00:28:16,960 --> 00:28:19,119
Speaker 1: was like I was supposed to be before L. You

517
00:28:19,240 --> 00:28:23,040
Speaker 1: didn't say that opening you just you just said what

518
00:28:23,160 --> 00:28:26,800
Speaker 1: you're doing. Okay, that's gonna get into L. Alright. One

519
00:28:26,880 --> 00:28:29,480
Speaker 1: thing about you, L is like you and Will Smith

520
00:28:29,680 --> 00:28:32,719
Speaker 1: very much impressed me. Right, The two things that has

521
00:28:32,760 --> 00:28:35,879
Speaker 1: been impressive is you guys, was able to have a

522
00:28:36,000 --> 00:28:39,960
Speaker 1: great rap career, right, didn't go into like sitcom and

523
00:28:40,040 --> 00:28:44,000
Speaker 1: didn't transition to movies and things like that. But but

524
00:28:44,160 --> 00:28:48,400
Speaker 1: like what, um what Actually I was saying earlier, my bad, bad,

525
00:28:48,800 --> 00:28:51,600
Speaker 1: But now you do do you get I'm being quiet disrespecting?

526
00:28:52,200 --> 00:28:54,880
Speaker 1: He was saying. No. Earlier was this is in the

527
00:28:55,040 --> 00:28:58,600
Speaker 1: game where you know, people respect the people that's veterans.

528
00:28:58,640 --> 00:29:00,760
Speaker 1: And that's why we started drinking because we wanted to,

529
00:29:01,080 --> 00:29:03,880
Speaker 1: you know, but you like the king of that meaning

530
00:29:04,000 --> 00:29:07,280
Speaker 1: like people really don't look at you like you're your

531
00:29:07,400 --> 00:29:09,320
Speaker 1: older stix man. People really look at you like you're

532
00:29:09,320 --> 00:29:11,920
Speaker 1: a person that has a jest on time and you

533
00:29:11,960 --> 00:29:13,560
Speaker 1: know you're hooking up the me goes with the with

534
00:29:13,680 --> 00:29:16,760
Speaker 1: the role me goes one of the meg goes. Um offset,

535
00:29:16,800 --> 00:29:19,880
Speaker 1: I believe off set. How do you balance that? Is

536
00:29:19,960 --> 00:29:24,000
Speaker 1: that something you do from strategic Well? Well, I think

537
00:29:24,120 --> 00:29:27,160
Speaker 1: I think, um one, you gotta always be interested in

538
00:29:27,160 --> 00:29:28,960
Speaker 1: the world around you, right, And you know it's the

539
00:29:29,040 --> 00:29:31,240
Speaker 1: old saying adapt to die, you know what I'm saying?

540
00:29:31,760 --> 00:29:34,480
Speaker 1: And um then um, you know there's another saying that

541
00:29:35,360 --> 00:29:36,920
Speaker 1: you know and you probably heard me say this before.

542
00:29:36,960 --> 00:29:39,840
Speaker 1: If you don't like change, you like irrelevance even less,

543
00:29:40,200 --> 00:29:42,760
Speaker 1: you know what I'm saying. So it's like, you know,

544
00:29:42,960 --> 00:29:45,560
Speaker 1: I just try to adapt and always pay attention and

545
00:29:45,720 --> 00:29:48,200
Speaker 1: stay curious. You know what I'm saying. You gotta stay curious,

546
00:29:48,400 --> 00:29:51,600
Speaker 1: and you just gotta be willing to let yourself grow.

547
00:29:51,920 --> 00:29:54,240
Speaker 1: That's the other thing too, Like I'm not pretending to

548
00:29:54,320 --> 00:29:56,640
Speaker 1: be twenty six year old l L. I'm all right

549
00:29:56,680 --> 00:29:57,960
Speaker 1: with where I'm at in my life, you know what

550
00:29:58,000 --> 00:30:01,000
Speaker 1: I'm saying. Um, I'm comfortable with that. I'm comfortable with

551
00:30:01,080 --> 00:30:03,760
Speaker 1: my space, and UM, I'm just trying to grow as

552
00:30:03,800 --> 00:30:06,240
Speaker 1: an artist. And also, you know, as you go along

553
00:30:06,320 --> 00:30:08,600
Speaker 1: and as you move, you start like you did when

554
00:30:08,640 --> 00:30:11,320
Speaker 1: you started making it more about others than yourself. You

555
00:30:11,680 --> 00:30:14,800
Speaker 1: you grow, right, You put drink Champs on and gave

556
00:30:14,840 --> 00:30:17,560
Speaker 1: people a platform and gave people their flowers while they're here,

557
00:30:17,640 --> 00:30:20,760
Speaker 1: and you know, the reception was amazing because there was

558
00:30:20,800 --> 00:30:23,520
Speaker 1: a certain level of selflessness and bold with that. Yes

559
00:30:23,760 --> 00:30:26,400
Speaker 1: you're gonna monetize it, yes you should, but at the

560
00:30:26,440 --> 00:30:29,760
Speaker 1: same time, you're lifting people up, giving people love, and

561
00:30:29,880 --> 00:30:32,720
Speaker 1: you're talking to those that have been marginalized by many

562
00:30:33,120 --> 00:30:35,800
Speaker 1: and giving and treating them with the reverence that you know,

563
00:30:35,920 --> 00:30:38,680
Speaker 1: the Bob Dylan's and the Mick Jaggers get treated with.

564
00:30:39,000 --> 00:30:41,120
Speaker 1: And that's the whole thing, right, Um, that's why I

565
00:30:41,160 --> 00:30:43,160
Speaker 1: started Rock the Bells. I mean I was about to

566
00:30:43,160 --> 00:30:45,320
Speaker 1: get and the whole thing about Rock the Bells is that,

567
00:30:45,920 --> 00:30:49,080
Speaker 1: um is the whole idea is to make sure that

568
00:30:49,640 --> 00:30:52,240
Speaker 1: you know the people that started the culture and the

569
00:30:52,320 --> 00:30:56,000
Speaker 1: people the pie, the founders and the pioneers, um that

570
00:30:56,080 --> 00:30:59,080
Speaker 1: they don't get marginalized and forgot about, forgotten about. Like

571
00:30:59,360 --> 00:31:03,760
Speaker 1: I want Big that he came to be always salute celebrated.

572
00:31:03,800 --> 00:31:06,600
Speaker 1: I want Eric b and Rock Kim to be always celebrated. Um,

573
00:31:06,720 --> 00:31:09,120
Speaker 1: I want all of those artists. I want Douggie Fresh

574
00:31:09,240 --> 00:31:12,240
Speaker 1: to be loved. I want Biz Markey to be lifted up.

575
00:31:12,280 --> 00:31:14,480
Speaker 1: I want rocks He and Shantay to be looked that Big.

576
00:31:14,600 --> 00:31:18,480
Speaker 1: I want to make sure that that I do use

577
00:31:18,600 --> 00:31:22,200
Speaker 1: all of my my energy to lift up our culture

578
00:31:22,240 --> 00:31:24,440
Speaker 1: and our community. You know what I'm saying, And that

579
00:31:24,600 --> 00:31:28,080
Speaker 1: was because I was ahead and we will sleep Sacks

580
00:31:28,120 --> 00:31:31,920
Speaker 1: already cut you off. We receive slack because we It's

581
00:31:31,920 --> 00:31:34,080
Speaker 1: not that we don't interview the new people very seldomly,

582
00:31:34,160 --> 00:31:36,400
Speaker 1: like once or twice we'll interview somebody new, but we

583
00:31:36,520 --> 00:31:38,960
Speaker 1: want to base it on the generation that came either

584
00:31:39,240 --> 00:31:42,400
Speaker 1: before us or either a little bit after us. And

585
00:31:42,720 --> 00:31:44,880
Speaker 1: we don't feel that's nothing wrong, you know what I'm saying,

586
00:31:44,920 --> 00:31:46,560
Speaker 1: Because now I have a Hot ninety seven, You have

587
00:31:46,600 --> 00:31:49,440
Speaker 1: a Hot ninety seven. You have They don't have platforms

588
00:31:49,520 --> 00:31:51,800
Speaker 1: currently that are that are catering to them, and I don't.

589
00:31:51,800 --> 00:31:53,760
Speaker 1: Don't you know what it is is, Look, there's there.

590
00:31:53,960 --> 00:31:56,200
Speaker 1: You're right, Look, there's nothing wrong with bridging the gap,

591
00:31:56,520 --> 00:31:59,160
Speaker 1: but the gap, but it just it has to be reciprocal,

592
00:31:59,320 --> 00:32:01,640
Speaker 1: and it has to be it has to make sense, right,

593
00:32:01,760 --> 00:32:04,200
Speaker 1: like it just has to be loved, like like like

594
00:32:04,680 --> 00:32:06,880
Speaker 1: I have love for Um, for the me Goes, I

595
00:32:06,960 --> 00:32:09,680
Speaker 1: have love for Orset. But you know I don't play

596
00:32:09,800 --> 00:32:12,480
Speaker 1: offsets music on Rock the Bells because that it's a

597
00:32:12,560 --> 00:32:15,960
Speaker 1: different audience, different generation. He understands that he probably don't

598
00:32:16,000 --> 00:32:17,720
Speaker 1: even listen to Rock the Bells, you know what I'm saying.

599
00:32:18,000 --> 00:32:20,000
Speaker 1: So it's like, but I will take them and put

600
00:32:20,040 --> 00:32:21,840
Speaker 1: him on n T I S l A and open

601
00:32:21,920 --> 00:32:27,040
Speaker 1: the doors for him and bust the doors. No, I'm

602
00:32:27,040 --> 00:32:40,760
Speaker 1: gonna get you and force dout so beautiful on that. Yo.

603
00:32:40,880 --> 00:32:49,560
Speaker 1: Ya you know, motherfucker, I got a question. I got

604
00:32:49,840 --> 00:32:52,920
Speaker 1: this is serious question. Uh. And I know it's okay

605
00:32:53,000 --> 00:32:55,040
Speaker 1: to do this. It is okay that it's okay to

606
00:32:55,120 --> 00:32:57,800
Speaker 1: do this. It's okay do that. Right? Is it okay

607
00:32:59,080 --> 00:33:04,600
Speaker 1: grown man to give another man a sculpture of his

608
00:33:04,760 --> 00:33:08,120
Speaker 1: ants for Christmas? Oh? You go about Charlemagne? You're talking

609
00:33:08,120 --> 00:33:14,480
Speaker 1: about just saying you want suffering that ship. That's what

610
00:33:14,560 --> 00:33:17,760
Speaker 1: I'm saying. That's what yo talking about. I'm not just one.

611
00:33:18,280 --> 00:33:20,960
Speaker 1: That's what I want to know. I mean, yo, know

612
00:33:21,000 --> 00:33:30,840
Speaker 1: I'm saying, tell me back like yo, yo, yo, I'm back.

613
00:33:31,040 --> 00:33:34,960
Speaker 1: I'm back. Sign I'm back said, I'm backside ross hold

614
00:33:35,840 --> 00:33:41,560
Speaker 1: hold on, that's drink too. That's what I'm talking about.

615
00:33:43,400 --> 00:33:47,720
Speaker 1: That's what I'm talking about. Can you you're doing it personally?

616
00:33:47,880 --> 00:33:49,880
Speaker 1: I don't. I don't like you know. What I'm saying.

617
00:33:49,880 --> 00:33:51,320
Speaker 1: I'm not is not a good at game. Maybe I'm

618
00:33:51,320 --> 00:33:55,520
Speaker 1: a little out of the loop. So you go with you, okay,

619
00:33:55,560 --> 00:34:01,640
Speaker 1: because locks way I'm playing. Charlemagne gave Envy sculpture of

620
00:34:01,800 --> 00:34:05,880
Speaker 1: his ship for now. Don't say ship, look at ask,

621
00:34:06,240 --> 00:34:10,840
Speaker 1: don't say ship as his ass Christmas like being funny

622
00:34:11,080 --> 00:34:14,160
Speaker 1: and that's Charlotte Maagne beat right now. They want to

623
00:34:14,200 --> 00:34:17,799
Speaker 1: do a versus U l L. I mean, um uh

624
00:34:18,160 --> 00:34:21,120
Speaker 1: ask you Larry versus Charlotta Maagne and versus who do

625
00:34:21,200 --> 00:34:23,040
Speaker 1: you think when? Where who you got your money on?

626
00:34:23,360 --> 00:34:26,879
Speaker 1: That's some fun question, said man. Listen. First of all,

627
00:34:27,360 --> 00:34:30,759
Speaker 1: you know listen man, I god, damn be you know

628
00:34:30,960 --> 00:34:32,719
Speaker 1: you know it took me out with that ship. I don't.

629
00:34:32,719 --> 00:34:34,120
Speaker 1: I don't you know. I don't know what part of

630
00:34:34,200 --> 00:34:37,120
Speaker 1: the game that is. But that's how believe that to them? Like,

631
00:34:37,640 --> 00:34:41,279
Speaker 1: you know what, when you're handing out sculpture sculptures and

632
00:34:41,360 --> 00:34:44,880
Speaker 1: your ass like business cards, something something needs to be

633
00:34:45,200 --> 00:34:50,359
Speaker 1: figured out. I don't know what that is. But yo,

634
00:34:50,880 --> 00:34:54,560
Speaker 1: y'all we need to figure it out. Ain't figuring out ship.

635
00:34:56,080 --> 00:34:59,200
Speaker 1: I ain't figuring out nothing you figured out yo, yo,

636
00:34:59,360 --> 00:35:01,360
Speaker 1: And we got to same base. I don't want to

637
00:35:01,440 --> 00:35:04,479
Speaker 1: take that ship out, yo. But done. Let me ask

638
00:35:04,640 --> 00:35:11,000
Speaker 1: Let me against Mike Epps, what do you feel about that? Damn?

639
00:35:11,920 --> 00:35:15,440
Speaker 1: Where did he go? He? You know he had of control?

640
00:35:15,560 --> 00:35:20,479
Speaker 1: Be Like, has there has there been a comedian versus

641
00:35:20,520 --> 00:35:24,439
Speaker 1: set up against a far Crockett? Right? Now they're saying

642
00:35:24,800 --> 00:35:26,719
Speaker 1: they needed those ships would be you know, it would

643
00:35:26,719 --> 00:35:29,239
Speaker 1: be amazing. Like I think Mike EPs is hilarious. I mean,

644
00:35:29,320 --> 00:35:32,160
Speaker 1: Homie is hilarious. You know, they're all funny man, I

645
00:35:32,239 --> 00:35:34,920
Speaker 1: mean ship for that matter, Charlemagne is hilarious. Man when

646
00:35:34,960 --> 00:35:37,840
Speaker 1: he's talking crazy, you know, he just gotta relax a

647
00:35:37,880 --> 00:35:41,960
Speaker 1: little bit, but he's hilarious something. Yeah, you gotta relax

648
00:35:41,960 --> 00:35:43,719
Speaker 1: a little bit, but he's hilarious. I like him though.

649
00:35:43,719 --> 00:35:46,400
Speaker 1: He's funny. Um, you know, hold on, hold, let me

650
00:35:46,440 --> 00:35:48,680
Speaker 1: ask you a serious question real quick. We all, we

651
00:35:48,760 --> 00:35:51,359
Speaker 1: all were involved in the in the hip Hop Loves

652
00:35:51,440 --> 00:35:54,680
Speaker 1: New York movement. Shout out to the Universal Hip Hop Museum,

653
00:35:55,520 --> 00:35:58,040
Speaker 1: and we we see them one on what we all

654
00:35:58,080 --> 00:36:00,400
Speaker 1: could do and we all unite and get together as

655
00:36:00,440 --> 00:36:03,080
Speaker 1: a culture. You're doing that with Rock the Bells on

656
00:36:03,239 --> 00:36:06,840
Speaker 1: Dream Chance. We've we've been talking for years about creating

657
00:36:06,880 --> 00:36:10,080
Speaker 1: some kind of hip hop union or something that takes

658
00:36:10,160 --> 00:36:12,320
Speaker 1: care of the pioneers and the architects of the culture

659
00:36:12,360 --> 00:36:16,000
Speaker 1: and everybody moving forward. Yeah. I just saw Yeah, I

660
00:36:16,080 --> 00:36:19,399
Speaker 1: just had a real interesting conversation with Swizz about that. Um,

661
00:36:20,160 --> 00:36:21,880
Speaker 1: you know, on my I G Live, I do this thing.

662
00:36:22,040 --> 00:36:24,440
Speaker 1: You know, every day, like five o'clock, we talk five

663
00:36:24,440 --> 00:36:26,840
Speaker 1: o'clock East coast and we I mean West coast, and

664
00:36:26,880 --> 00:36:29,879
Speaker 1: we talked and me and Swizz was talking about um.

665
00:36:30,120 --> 00:36:32,600
Speaker 1: You know, Swiss was saying that, you know, he wanted

666
00:36:32,680 --> 00:36:36,040
Speaker 1: to raise you know, a hundred million dollars to um uh,

667
00:36:36,480 --> 00:36:40,000
Speaker 1: you know, to take care of of some of the

668
00:36:40,080 --> 00:36:43,839
Speaker 1: founders and the pioneers and the medical and the things

669
00:36:43,880 --> 00:36:46,319
Speaker 1: that are important. And I have to agree with him.

670
00:36:46,360 --> 00:36:49,320
Speaker 1: I would definitely donate to something like that. Obviously, you know,

671
00:36:49,560 --> 00:36:51,960
Speaker 1: it has to be you know, transparent, and it needs

672
00:36:52,000 --> 00:36:54,120
Speaker 1: to be vetted and taking care of, which I know

673
00:36:54,239 --> 00:36:56,719
Speaker 1: it would be. But I'm I'm in agreement. I think

674
00:36:56,800 --> 00:37:00,600
Speaker 1: that the pioneers definitely need to uh and the founders

675
00:37:00,680 --> 00:37:02,680
Speaker 1: need to be looked after and respect that. That's why

676
00:37:02,719 --> 00:37:06,120
Speaker 1: I've decided that, you know, I told Swiss and I

677
00:37:06,239 --> 00:37:08,400
Speaker 1: made a pledge that as I build rock the rock

678
00:37:08,480 --> 00:37:10,320
Speaker 1: the bells and because it's gonna be a lot bigger

679
00:37:10,360 --> 00:37:11,960
Speaker 1: and a lot more to come than what you guys

680
00:37:12,000 --> 00:37:13,880
Speaker 1: to see. And now right now you just kind of

681
00:37:13,920 --> 00:37:16,279
Speaker 1: hear the radio station and you're not sure, but there's

682
00:37:16,320 --> 00:37:19,120
Speaker 1: gonna be a whole platform and thing that's coming. Um,

683
00:37:19,200 --> 00:37:21,400
Speaker 1: I'm gonna give a piece of rock the Bells as

684
00:37:21,440 --> 00:37:24,360
Speaker 1: a company. I'm gonna make sure that some of the

685
00:37:24,440 --> 00:37:27,239
Speaker 1: founders and the pioneers have equity and have a peek

686
00:37:27,320 --> 00:37:30,239
Speaker 1: to this and have ownership in it. Um. I'm gonna

687
00:37:30,280 --> 00:37:32,839
Speaker 1: do what I can and make my pledge to keep

688
00:37:32,960 --> 00:37:35,719
Speaker 1: moving the culture forward and keep contributing and keep giving.

689
00:37:36,160 --> 00:37:40,040
Speaker 1: Um So, yeah, I'm with Swiss a hundred million percent

690
00:37:40,160 --> 00:37:42,279
Speaker 1: on that. Um. And I also said, you know, we

691
00:37:42,360 --> 00:37:44,480
Speaker 1: started that four years ago. Well, not only did you

692
00:37:44,560 --> 00:37:48,000
Speaker 1: start the conversation, but it's the right thing. Like listen, listen,

693
00:37:48,080 --> 00:37:51,320
Speaker 1: each iron shopping's iron right, and any good idea you

694
00:37:51,440 --> 00:37:53,600
Speaker 1: have is gonna go to another level. And I think

695
00:37:53,640 --> 00:37:55,960
Speaker 1: that you did. You should take credit for that because

696
00:37:56,239 --> 00:37:58,600
Speaker 1: you have been given the guys their flowers and bringing

697
00:37:58,640 --> 00:38:02,640
Speaker 1: people on, proving that people still had viable fan bases

698
00:38:03,000 --> 00:38:05,080
Speaker 1: even though they weren't at the top of the charts

699
00:38:05,160 --> 00:38:07,480
Speaker 1: at the moment. And I think that you've been very

700
00:38:08,080 --> 00:38:12,440
Speaker 1: um instrumental in keeping the culture moving forward and and

701
00:38:12,600 --> 00:38:16,479
Speaker 1: keeping our you know, like my generation. You're a little younger,

702
00:38:16,560 --> 00:38:19,760
Speaker 1: but my generation and your generation connected to the people

703
00:38:19,800 --> 00:38:23,880
Speaker 1: that they love. Um So, you know, I respect that

704
00:38:23,920 --> 00:38:26,000
Speaker 1: a h. So, yeah, I'm with Swiss on that. I

705
00:38:26,040 --> 00:38:28,799
Speaker 1: think it's great, and it's not to not the youth,

706
00:38:28,960 --> 00:38:31,920
Speaker 1: like the youth and the new generation of artists like

707
00:38:32,000 --> 00:38:34,520
Speaker 1: the Offsets and the you know, the the baby and

708
00:38:35,040 --> 00:38:38,280
Speaker 1: you know and Tory Lanes and you know little Baby

709
00:38:38,440 --> 00:38:41,239
Speaker 1: and NBA young Boy and all of the different They

710
00:38:41,320 --> 00:38:45,239
Speaker 1: have the right to succeed and have success and get

711
00:38:45,320 --> 00:38:48,399
Speaker 1: their paper and be and be kids and live life.

712
00:38:48,680 --> 00:38:51,359
Speaker 1: They got that right. But as men, as we grow up,

713
00:38:51,840 --> 00:38:54,160
Speaker 1: we gotta think about some other things too, because we

714
00:38:54,280 --> 00:38:56,719
Speaker 1: just set the foundation for them to get to grow

715
00:38:56,840 --> 00:38:59,440
Speaker 1: older and not have to worry as well. I have

716
00:38:59,600 --> 00:39:02,239
Speaker 1: something because I always I always say, like I refer

717
00:39:02,320 --> 00:39:04,960
Speaker 1: to SAG like something like a sag kind of like

718
00:39:05,040 --> 00:39:06,560
Speaker 1: I mean, I don't know if that's the right reference,

719
00:39:06,600 --> 00:39:08,680
Speaker 1: but I feel like, you know, whatever it is, it

720
00:39:08,920 --> 00:39:11,040
Speaker 1: is out of it, you know, whatever, you get something.

721
00:39:11,160 --> 00:39:14,040
Speaker 1: We had some sliminary conversations in that area. You know,

722
00:39:14,120 --> 00:39:16,080
Speaker 1: we need something bigger than SAG. And not only that,

723
00:39:16,120 --> 00:39:18,040
Speaker 1: I think it should feel like a criteria like how

724
00:39:18,120 --> 00:39:19,719
Speaker 1: we do on drink champs, Like if you have ten

725
00:39:19,840 --> 00:39:22,520
Speaker 1: years or more than we interview with you on Dream Champs.

726
00:39:22,520 --> 00:39:24,200
Speaker 1: I feel like it's the same way like if a

727
00:39:24,280 --> 00:39:26,680
Speaker 1: person has been working in hip hop for ten years,

728
00:39:26,800 --> 00:39:29,960
Speaker 1: twelve years, fifteen years, maybe he didn't hit the platforms

729
00:39:30,040 --> 00:39:32,360
Speaker 1: that all hit. Maybe he didn't hit this ship that

730
00:39:32,440 --> 00:39:34,920
Speaker 1: jay Z here, maybe he just had you know, a

731
00:39:35,040 --> 00:39:37,320
Speaker 1: gold single or whatever, but he gave that same blood,

732
00:39:37,360 --> 00:39:39,560
Speaker 1: sweat and tears of us and he gets sick and

733
00:39:39,600 --> 00:39:41,480
Speaker 1: he gets sick. I feel like it should be people

734
00:39:41,520 --> 00:39:43,440
Speaker 1: that step up us. Look like you take a guy

735
00:39:43,520 --> 00:39:46,000
Speaker 1: like Special leg Special letting me a huge contribution to

736
00:39:46,120 --> 00:39:48,800
Speaker 1: the culture. He didn't necessarily have a thousand albums and

737
00:39:48,880 --> 00:39:51,880
Speaker 1: a thousand hits, but those records were really important and

738
00:39:51,960 --> 00:39:54,319
Speaker 1: then you know, and a lot to all of us.

739
00:39:54,760 --> 00:39:58,440
Speaker 1: So you know, like yes, absolutely, rob based guys like that,

740
00:39:58,600 --> 00:40:02,120
Speaker 1: like listen, like it's not you know, everybody's not gonna

741
00:40:02,160 --> 00:40:04,359
Speaker 1: have hit after hit after hit, just like everybody ain't

742
00:40:04,360 --> 00:40:07,040
Speaker 1: gonna have twenty Grammys. You know, some people get the

743
00:40:07,360 --> 00:40:09,239
Speaker 1: things happen and you get a run and it is

744
00:40:09,320 --> 00:40:11,400
Speaker 1: what it is. But we should look out for everybody,

745
00:40:11,680 --> 00:40:14,040
Speaker 1: you know what I'm saying for sure, And this is

746
00:40:14,080 --> 00:40:16,960
Speaker 1: where I think or where I think a little differently.

747
00:40:17,000 --> 00:40:19,360
Speaker 1: Also is that not even just the pioneers, but like

748
00:40:19,440 --> 00:40:23,040
Speaker 1: I said, even the youngest guys coming in who they

749
00:40:23,160 --> 00:40:25,640
Speaker 1: aren't thinking about having insurance or having this or have

750
00:40:25,719 --> 00:40:27,880
Speaker 1: a look at COVID nineteen. Now it's hitting people and

751
00:40:28,080 --> 00:40:30,239
Speaker 1: maybe they weren't prepared for it and they were an

752
00:40:30,320 --> 00:40:33,520
Speaker 1: artist if they as a culture and as an industry,

753
00:40:33,640 --> 00:40:35,839
Speaker 1: we said, look, this is what you can pay into

754
00:40:36,360 --> 00:40:38,200
Speaker 1: the minute you get in and then you're you have

755
00:40:38,320 --> 00:40:40,960
Speaker 1: insurance and you have you know, I think what you're

756
00:40:41,000 --> 00:40:44,000
Speaker 1: saying is right. I think, um, you know, I think

757
00:40:44,040 --> 00:40:46,759
Speaker 1: that that's uh, there's a bigger conversation that needs that

758
00:40:46,840 --> 00:40:49,759
Speaker 1: he had about that. I think that that's something that, um,

759
00:40:50,480 --> 00:40:52,080
Speaker 1: it really needs to be thought about. You know what

760
00:40:52,120 --> 00:40:55,200
Speaker 1: I'm saying, Like the whole idea of putting something together

761
00:40:55,280 --> 00:40:58,880
Speaker 1: where there is you know, financial literacy, where there's insurance,

762
00:40:58,920 --> 00:41:02,040
Speaker 1: where there's um, you know, some sort of annuity thing

763
00:41:02,200 --> 00:41:05,520
Speaker 1: that you know is deducted from royalties, where there's something

764
00:41:05,600 --> 00:41:09,000
Speaker 1: that kind of you know, gives the youngsters an opportunity

765
00:41:09,080 --> 00:41:11,400
Speaker 1: to have something. So when they finished going through their

766
00:41:11,440 --> 00:41:14,840
Speaker 1: gold chain Rose Royce phase, they got something left. You

767
00:41:14,880 --> 00:41:16,640
Speaker 1: know what I'm saying, when you think about it, even

768
00:41:16,719 --> 00:41:20,719
Speaker 1: the Mafia had a union even like just like not

769
00:41:20,800 --> 00:41:23,120
Speaker 1: to be funny, but think about it, the Mafia had

770
00:41:23,160 --> 00:41:25,480
Speaker 1: a union and they would like not they were I

771
00:41:25,520 --> 00:41:27,160
Speaker 1: don't want to say we gotta enforce it on this,

772
00:41:27,400 --> 00:41:29,239
Speaker 1: but we we should come to young artists and be

773
00:41:29,280 --> 00:41:31,560
Speaker 1: like yo brew in a certain amount. All the artists

774
00:41:31,600 --> 00:41:33,560
Speaker 1: were doing it. We're all so just in case something

775
00:41:33,680 --> 00:41:35,360
Speaker 1: does happen, you know what I mean. But we're the

776
00:41:35,440 --> 00:41:38,400
Speaker 1: insurance company. Because insurance something don't happen, they don't give

777
00:41:38,400 --> 00:41:39,840
Speaker 1: you back your money. You know what I'm saying. I

778
00:41:39,920 --> 00:41:42,600
Speaker 1: feel like I feel like you know, if you you know,

779
00:41:42,760 --> 00:41:45,040
Speaker 1: gave your life to hip hop, and you know, you

780
00:41:45,120 --> 00:41:47,640
Speaker 1: gave your royalties and and then and then that's your

781
00:41:47,680 --> 00:41:49,560
Speaker 1: fall on one k. You know what I'm saying, Right,

782
00:41:49,680 --> 00:41:52,440
Speaker 1: That's exactly what I'm saying. Like we're saying, we're all saying.

783
00:41:52,719 --> 00:41:54,640
Speaker 1: It's it's like it's like the idea of you know,

784
00:41:54,800 --> 00:41:56,920
Speaker 1: you know you've heard about the blind men um touching

785
00:41:56,960 --> 00:41:59,480
Speaker 1: the elephant. You know you've heard that story before, right,

786
00:41:59,600 --> 00:42:02,239
Speaker 1: So we're all touching the elephant from different points of view,

787
00:42:02,320 --> 00:42:04,040
Speaker 1: but it's all part of that one animal. You know

788
00:42:04,040 --> 00:42:06,400
Speaker 1: what I'm saying, and um, you know, one side feels

789
00:42:06,400 --> 00:42:08,279
Speaker 1: like a wall. One person thinks he's holding the snake.

790
00:42:08,480 --> 00:42:10,480
Speaker 1: Other person thinks there's a tree trunk. You know, it's

791
00:42:10,560 --> 00:42:12,920
Speaker 1: all but it's all that animal. And I think building

792
00:42:12,960 --> 00:42:16,239
Speaker 1: something like that would be really special and important. And

793
00:42:16,320 --> 00:42:18,239
Speaker 1: I think it should be all of hip hop. I

794
00:42:18,320 --> 00:42:20,480
Speaker 1: think it should be a generation. I think as you

795
00:42:20,560 --> 00:42:23,160
Speaker 1: do know, no division. I think it should just be

796
00:42:23,600 --> 00:42:25,800
Speaker 1: if you made an impact, and you know, we we

797
00:42:26,000 --> 00:42:28,680
Speaker 1: we set a real criteria. You know, you just can't

798
00:42:28,680 --> 00:42:31,120
Speaker 1: be a gummee. It needs to be like you. You

799
00:42:31,520 --> 00:42:33,759
Speaker 1: you made a you know, some sort of impact and

800
00:42:33,840 --> 00:42:36,480
Speaker 1: you really touched the people that way. You should be

801
00:42:36,600 --> 00:42:39,560
Speaker 1: able to contribute and be a part of it long term. Yeah,

802
00:42:39,840 --> 00:42:43,279
Speaker 1: I think that's small. Like I looked at your Instagram, um,

803
00:42:43,320 --> 00:42:45,719
Speaker 1: the other day, and you posted a picture with Tupac,

804
00:42:46,000 --> 00:42:48,080
Speaker 1: And this picture of Tupac was interesting because I had

805
00:42:48,160 --> 00:42:50,000
Speaker 1: never seen this picture in Tupocket was like him in

806
00:42:50,120 --> 00:42:53,440
Speaker 1: front of the courthouse, but he had an NYC shirt on.

807
00:42:54,960 --> 00:42:58,160
Speaker 1: Now you it wasn't my grandma, wasn't Rock the bells.

808
00:42:58,360 --> 00:42:59,759
Speaker 1: It might have been Rock the Bells, or it might

809
00:42:59,800 --> 00:43:01,640
Speaker 1: have been your it's since you might have been Um

810
00:43:01,920 --> 00:43:07,000
Speaker 1: we we tweet we we it's the story and um okay, okay, okay,

811
00:43:07,080 --> 00:43:09,400
Speaker 1: yeah yeah, yeah yeah. So I was interested because I

812
00:43:09,480 --> 00:43:13,000
Speaker 1: had never met Tupac the New York Um Tupac all

813
00:43:13,120 --> 00:43:16,480
Speaker 1: the West Coast Tupac. I was interested. Did you know

814
00:43:16,640 --> 00:43:18,680
Speaker 1: both versions of two points? I knew. I knew Park.

815
00:43:18,800 --> 00:43:23,359
Speaker 1: I definitely knew Park. UM always, Um, you know, Park

816
00:43:23,520 --> 00:43:25,120
Speaker 1: was cool. You know what I'm saying. The thing that

817
00:43:25,239 --> 00:43:27,040
Speaker 1: I was. You know, it's funny because you know a

818
00:43:27,080 --> 00:43:28,839
Speaker 1: lot of people, like I saw a couple of people

819
00:43:29,200 --> 00:43:32,719
Speaker 1: thought that, you know, somehow I didn't like Tupac. While

820
00:43:32,719 --> 00:43:34,680
Speaker 1: I was trying to talk bad about him or something,

821
00:43:34,719 --> 00:43:36,560
Speaker 1: I saw a couple of people thought that. In the

822
00:43:36,680 --> 00:43:40,400
Speaker 1: reality as I always respected Park, always respected his music. Um.

823
00:43:40,719 --> 00:43:43,920
Speaker 1: I remember a story. Um, you know we was at

824
00:43:44,000 --> 00:43:47,200
Speaker 1: one of the awards shows. Um and UM he came.

825
00:43:47,560 --> 00:43:50,440
Speaker 1: He was like he was walking and UM, you know

826
00:43:50,520 --> 00:43:52,600
Speaker 1: I think what had happened was this was like I

827
00:43:52,640 --> 00:43:54,480
Speaker 1: don't know which ward show was when I was hosting,

828
00:43:54,520 --> 00:43:56,440
Speaker 1: but he had came up on stage and he grabbed

829
00:43:56,480 --> 00:43:57,920
Speaker 1: the mic out of my hand and he was he

830
00:43:58,040 --> 00:43:59,560
Speaker 1: was like trying to yell in the mic and the

831
00:43:59,640 --> 00:44:01,839
Speaker 1: Mike was off and I just grabbed the mic back

832
00:44:01,880 --> 00:44:03,480
Speaker 1: from him and he's like, oh yeah, to take the

833
00:44:03,520 --> 00:44:06,359
Speaker 1: mic back. And I said, I said, Park, I said, Park,

834
00:44:06,400 --> 00:44:08,560
Speaker 1: why don't you just relax? Man? What's the problem. What's

835
00:44:08,560 --> 00:44:10,919
Speaker 1: going on with you? He said, no, Man, you don't

836
00:44:10,920 --> 00:44:13,200
Speaker 1: give me no love. I said, I just said your

837
00:44:13,280 --> 00:44:16,080
Speaker 1: name in the record on my album, Mr. Smith. He said, oh, yeah,

838
00:44:16,120 --> 00:44:20,400
Speaker 1: that's true, that's true, you know. Um, I think he

839
00:44:20,440 --> 00:44:22,480
Speaker 1: said as award show. Yeah, it was an award show

840
00:44:22,520 --> 00:44:24,359
Speaker 1: I hosted. I don't know which showed though, but I'm

841
00:44:24,440 --> 00:44:28,360
Speaker 1: sure if people really search in Google, they'll find it.

842
00:44:28,520 --> 00:44:30,279
Speaker 1: I don't know what show it is, but I'm sure

843
00:44:30,360 --> 00:44:33,600
Speaker 1: it's on camera somewhere. Um. And And what I would

844
00:44:33,600 --> 00:44:37,600
Speaker 1: say is this Park was a talented brother. Um. You know,

845
00:44:37,719 --> 00:44:40,520
Speaker 1: I think he touched the community like a pastor. You know.

846
00:44:40,600 --> 00:44:43,560
Speaker 1: I think his stories, um were so heartfelt, and his

847
00:44:43,719 --> 00:44:47,759
Speaker 1: songs were really heartfelt. And I think that you know, Um,

848
00:44:48,480 --> 00:44:50,439
Speaker 1: you know, I didn't really get into East Coast versus

849
00:44:50,480 --> 00:44:52,840
Speaker 1: West coast. That was never my thing. Remember, my my

850
00:44:52,960 --> 00:44:54,719
Speaker 1: first album was Rick I was on the East and

851
00:44:54,760 --> 00:44:56,360
Speaker 1: then my second album I made with the L A.

852
00:44:56,440 --> 00:44:59,160
Speaker 1: Posse on the West. So I was already I was

853
00:44:59,239 --> 00:45:02,160
Speaker 1: crossed coast in eighties, six eighty seven. I was already

854
00:45:02,239 --> 00:45:05,319
Speaker 1: close to coast with it. But but Pop is um

855
00:45:06,000 --> 00:45:09,359
Speaker 1: truly somebody that needs to be respected and remembered. Um

856
00:45:09,960 --> 00:45:14,080
Speaker 1: not just for the crazy the controversy and the craziness

857
00:45:14,160 --> 00:45:16,440
Speaker 1: and the antics, but for his talent, you know what

858
00:45:16,480 --> 00:45:18,680
Speaker 1: I'm saying. Like he was a real talented brother. But

859
00:45:19,080 --> 00:45:22,080
Speaker 1: you know, listen, I didn't know him that well, but

860
00:45:22,200 --> 00:45:23,759
Speaker 1: the times I met him, those were the kind of

861
00:45:23,840 --> 00:45:26,520
Speaker 1: interacts as we had. It was. It was never an issue,

862
00:45:26,920 --> 00:45:28,520
Speaker 1: you know what I'm saying. I just saw a brother

863
00:45:28,600 --> 00:45:30,759
Speaker 1: that was really You met the death row version too,

864
00:45:31,320 --> 00:45:33,680
Speaker 1: I did. Yeah, yeah, yeah. The one I'm talking about

865
00:45:33,760 --> 00:45:37,279
Speaker 1: is when he was on death row he was. That

866
00:45:37,400 --> 00:45:41,239
Speaker 1: was the version you know, man, you know he was

867
00:45:41,360 --> 00:45:43,640
Speaker 1: just I just think sometimes you have brothers that just

868
00:45:43,760 --> 00:45:46,200
Speaker 1: looking for love, man, just searching for love. You know

869
00:45:46,200 --> 00:45:49,080
Speaker 1: what I'm saying. It looks love. People search for love

870
00:45:49,120 --> 00:45:51,080
Speaker 1: in a lot of different ways, right Like people joined

871
00:45:51,120 --> 00:45:54,320
Speaker 1: gangs for love. Like you know, you joined gang because

872
00:45:54,640 --> 00:45:57,080
Speaker 1: nobody cares about you. Maybe Moms is on drugs, or

873
00:45:57,120 --> 00:45:59,640
Speaker 1: maybe Pops ain't there, and you need the neighborhood is

874
00:45:59,680 --> 00:46:01,960
Speaker 1: danger and you you feel like you all alone and

875
00:46:02,040 --> 00:46:04,040
Speaker 1: you joined that gang. Looking for love, right, Like it

876
00:46:04,160 --> 00:46:07,239
Speaker 1: happens on many levels. So so looking for love is

877
00:46:07,280 --> 00:46:09,400
Speaker 1: not like some So I'm not necessarily looking at it

878
00:46:09,480 --> 00:46:11,720
Speaker 1: as a weakness. I'm just saying it's a true fact.

879
00:46:12,000 --> 00:46:14,320
Speaker 1: It's just the truth. Like people search for love, you

880
00:46:14,360 --> 00:46:16,000
Speaker 1: know what I'm saying. And I think Poker is one

881
00:46:16,040 --> 00:46:18,520
Speaker 1: of those brothers that was definitely you know, I want

882
00:46:18,560 --> 00:46:20,160
Speaker 1: to get love. You know what I'm saying. He wanted

883
00:46:20,200 --> 00:46:23,000
Speaker 1: to feel that love. You know what, man, Now one

884
00:46:23,040 --> 00:46:27,400
Speaker 1: of the songs, it doesn't disturb me and it just

885
00:46:27,600 --> 00:46:31,480
Speaker 1: bothers me slightly. Is uh a little baby? I know

886
00:46:31,600 --> 00:46:34,440
Speaker 1: it's a baby, and I think you gotta drunk. I'm

887
00:46:34,520 --> 00:46:39,320
Speaker 1: going back to Cali like Biggie right right, And it's great,

888
00:46:39,520 --> 00:46:44,120
Speaker 1: Like I get it. The age, he's being his his age. Yeah,

889
00:46:44,160 --> 00:46:45,279
Speaker 1: but you know what, you know what, I know what

890
00:46:45,320 --> 00:46:47,880
Speaker 1: you're saying. But the reality is, look, you know, I

891
00:46:48,000 --> 00:46:50,080
Speaker 1: know Biggie gout going back to CALLI from me. So

892
00:46:50,200 --> 00:46:52,720
Speaker 1: it's shorty got going back to Cali from Biggie. That's okay,

893
00:46:52,800 --> 00:46:55,920
Speaker 1: that's not a right, That's what I felt like he

894
00:46:55,960 --> 00:46:59,719
Speaker 1: should have said, like I don't know, like you know what,

895
00:46:59,840 --> 00:47:02,399
Speaker 1: you know what. Look, I've done quite a few things

896
00:47:02,480 --> 00:47:04,800
Speaker 1: in the game, um and Usher and a lot of

897
00:47:04,880 --> 00:47:07,279
Speaker 1: things that started a lot of things that you know,

898
00:47:07,520 --> 00:47:09,080
Speaker 1: took on the life of their own, Like I mean,

899
00:47:09,120 --> 00:47:11,759
Speaker 1: I name my album, got in two thousand, right and

900
00:47:11,880 --> 00:47:13,800
Speaker 1: introduced that to the game, and came out with this

901
00:47:13,880 --> 00:47:16,640
Speaker 1: Goat thing. Look what gold has become, you know? And

902
00:47:16,760 --> 00:47:19,480
Speaker 1: how many people truly associate me with that when they

903
00:47:19,600 --> 00:47:21,839
Speaker 1: hear that word going. I'm sure some I'm not gonna

904
00:47:22,080 --> 00:47:24,600
Speaker 1: downplay it. But at the same time, there's people who

905
00:47:24,640 --> 00:47:27,279
Speaker 1: have no idea that LLL was running around with Bimmy

906
00:47:27,640 --> 00:47:29,640
Speaker 1: and and and we did this Goat thing and then

907
00:47:29,719 --> 00:47:31,800
Speaker 1: came out with this Goat album and it started a

908
00:47:31,840 --> 00:47:34,759
Speaker 1: whole worldwide movement just people wanting to be to go

909
00:47:35,239 --> 00:47:36,880
Speaker 1: you know what I mean. Like, so, there's lots of

910
00:47:37,000 --> 00:47:39,080
Speaker 1: things that I've done that I like that, you know

911
00:47:39,120 --> 00:47:41,560
Speaker 1: what I'm saying. Um, So I don't even trip off

912
00:47:41,600 --> 00:47:44,319
Speaker 1: of that. I don't. I never feel neglected, I never

913
00:47:44,400 --> 00:47:47,279
Speaker 1: feel underrated. I always feel appreciated, you know what I'm saying.

914
00:47:47,360 --> 00:47:49,839
Speaker 1: By you know what I'm saying, I always feel good

915
00:47:49,880 --> 00:47:52,080
Speaker 1: about it. And I like to see the short doing

916
00:47:52,160 --> 00:47:53,799
Speaker 1: the thing. And I don't you know, they ain't got

917
00:47:53,880 --> 00:47:55,719
Speaker 1: the ring. You know sometimes if they don't recognize me,

918
00:47:55,800 --> 00:47:58,080
Speaker 1: that's I I feel good anyway, you know what I mean?

919
00:47:58,640 --> 00:48:01,120
Speaker 1: Like the whole world. I I brought slime to the

920
00:48:01,200 --> 00:48:05,520
Speaker 1: whole and no doubt and come cruise to the game.

921
00:48:05,920 --> 00:48:13,160
Speaker 1: You gonna do speak to the neptune you to do? Yeah,

922
00:48:13,320 --> 00:48:16,440
Speaker 1: I mean it's all love. Like you know, listen, you

923
00:48:16,520 --> 00:48:18,480
Speaker 1: know we all do. We all do our part. We

924
00:48:18,600 --> 00:48:20,560
Speaker 1: all do our part. Be that's why we part of

925
00:48:20,600 --> 00:48:22,600
Speaker 1: this culture. That's why we made men in the culture.

926
00:48:23,040 --> 00:48:25,560
Speaker 1: You know, we can nobody can ever say you're not

927
00:48:25,719 --> 00:48:27,960
Speaker 1: hip hop. Nobody can ever say that we're not part

928
00:48:28,040 --> 00:48:30,200
Speaker 1: of this like we made you know, in a mob

929
00:48:30,320 --> 00:48:33,160
Speaker 1: baby we made we made in this game like it's real,

930
00:48:33,600 --> 00:48:36,400
Speaker 1: like it's in the DNA. Have you been watching the verses?

931
00:48:37,040 --> 00:48:40,799
Speaker 1: I have? I have absolutely, Um which one is your

932
00:48:40,840 --> 00:48:44,000
Speaker 1: favorite so far? Do you watch? Um? I mean to

933
00:48:44,120 --> 00:48:46,840
Speaker 1: be honest, I like, Uh, I like Little John and

934
00:48:47,040 --> 00:48:52,439
Speaker 1: uh and what's my man t pay pay baby face

935
00:48:52,520 --> 00:48:55,000
Speaker 1: Teddy Riley because you're a smooth dude. No, no, no,

936
00:48:55,320 --> 00:48:59,280
Speaker 1: I understand something I made smooth records. I ain't necessarily

937
00:48:59,360 --> 00:49:05,759
Speaker 1: a smooth you know. I mean, you know, this is

938
00:49:05,920 --> 00:49:08,720
Speaker 1: this ship. You know, it sides to the coin because

939
00:49:09,719 --> 00:49:11,480
Speaker 1: and I like, you know, I like that that T

940
00:49:11,719 --> 00:49:14,520
Speaker 1: paid you know that T paid Little John thing. I mean,

941
00:49:14,719 --> 00:49:17,600
Speaker 1: uh yeah, that one was crazy. That one was crazy,

942
00:49:17,840 --> 00:49:19,680
Speaker 1: and then I like, um, it was a lot of

943
00:49:19,760 --> 00:49:22,120
Speaker 1: them was great. I mean Tim and the original Timm

944
00:49:22,239 --> 00:49:24,239
Speaker 1: Sluss was great. You know what I'm saying. How the

945
00:49:24,320 --> 00:49:29,399
Speaker 1: Nelly and Ludacremo Yo Primo joint was good too, Yeah,

946
00:49:30,280 --> 00:49:32,799
Speaker 1: was good. I like that one. So now they're gonna

947
00:49:32,800 --> 00:49:34,759
Speaker 1: do Nelly and Luda hump. Yeah, by the time it's

948
00:49:34,760 --> 00:49:37,680
Speaker 1: come out and probably already happened, but that's gonna be help. Yeah.

949
00:49:37,760 --> 00:49:42,680
Speaker 1: Now I would have to ask if you already said swisses.

950
00:49:42,800 --> 00:49:44,600
Speaker 1: He was on the phone with Swiss, so I know

951
00:49:44,760 --> 00:49:47,680
Speaker 1: swiss Is is calling it is now. We didn't we

952
00:49:47,719 --> 00:49:50,000
Speaker 1: didn't really talk about that. We didn't. We didn't met him,

953
00:49:50,000 --> 00:49:51,560
Speaker 1: didn't kick it. No, we was on i G Live.

954
00:49:51,640 --> 00:49:53,840
Speaker 1: We was just talking like in general. Now, I wasn't. No,

955
00:49:54,000 --> 00:49:57,080
Speaker 1: we didn't really talk about me doing it. But you know,

956
00:49:57,280 --> 00:49:59,239
Speaker 1: I don't even But if you wanted to do it,

957
00:49:59,680 --> 00:50:02,000
Speaker 1: like if you want to do it, who who? Because

958
00:50:02,000 --> 00:50:04,600
Speaker 1: because because you know, you're such so much in the

959
00:50:04,680 --> 00:50:07,680
Speaker 1: space of you know, positivity, like it would it would

960
00:50:07,719 --> 00:50:09,799
Speaker 1: have to be a peer of celebration. So it has

961
00:50:09,800 --> 00:50:11,520
Speaker 1: to be so it would always be I mean because

962
00:50:11,560 --> 00:50:13,879
Speaker 1: to me, like anything other than that, like the other

963
00:50:13,960 --> 00:50:15,920
Speaker 1: type of battle and is like you know, like that's

964
00:50:15,960 --> 00:50:18,160
Speaker 1: down and dirty and all that. Now it's all fun

965
00:50:18,239 --> 00:50:20,040
Speaker 1: and game like, it's all fun and love. It ain't

966
00:50:20,040 --> 00:50:22,239
Speaker 1: a't nobody taking it like a real battle. It's just

967
00:50:22,320 --> 00:50:25,880
Speaker 1: a great party, um, a great vibe. Um. I mean,

968
00:50:26,400 --> 00:50:28,680
Speaker 1: I don't know, you know what I'm saying because the

969
00:50:28,800 --> 00:50:30,799
Speaker 1: difference with me is that my music covers a lot

970
00:50:30,880 --> 00:50:33,560
Speaker 1: of different realms. You know, people don't always remember that,

971
00:50:34,080 --> 00:50:36,400
Speaker 1: you know, they only think about the big singles, but

972
00:50:36,480 --> 00:50:38,720
Speaker 1: they don't if you get into the weeds with my music,

973
00:50:38,960 --> 00:50:41,279
Speaker 1: I touch a lot of zones. So you know, it

974
00:50:41,320 --> 00:50:43,200
Speaker 1: would have to be somebody who could touch all those

975
00:50:43,280 --> 00:50:45,239
Speaker 1: zones like me. You know what I'm saying, I guess

976
00:50:45,360 --> 00:50:47,920
Speaker 1: what to be fun, I don't know who is that him?

977
00:50:48,600 --> 00:50:50,200
Speaker 1: I mean, I think I'm the wrong persons because I

978
00:50:50,239 --> 00:50:53,600
Speaker 1: would want to see like a legendary older side of

979
00:50:53,760 --> 00:50:55,840
Speaker 1: of like like I would like to see L go

980
00:50:56,080 --> 00:51:00,800
Speaker 1: against Carra's one versus. Wow. Wow, that that's tough. I

981
00:51:01,080 --> 00:51:05,479
Speaker 1: ca Q would be amazing too. You and Q would

982
00:51:05,480 --> 00:51:08,600
Speaker 1: be great too. I think that the look Cube is

983
00:51:08,640 --> 00:51:10,080
Speaker 1: my man. I love him, I love is music. But

984
00:51:10,120 --> 00:51:14,839
Speaker 1: the music they're so such different. Remember it's a celebration,

985
00:51:14,960 --> 00:51:17,800
Speaker 1: so it's not it could be different vibes. Yeah, it

986
00:51:17,880 --> 00:51:19,600
Speaker 1: can't be. It can't be. I mean, I don't know.

987
00:51:19,640 --> 00:51:21,239
Speaker 1: I would leave that to the people. Man, I don't

988
00:51:21,239 --> 00:51:23,080
Speaker 1: even know. I don't even know if I'm ready for that,

989
00:51:23,200 --> 00:51:26,600
Speaker 1: like mentally, like I you know, I don't even for that.

990
00:51:26,840 --> 00:51:28,520
Speaker 1: I was telling the guys here and we were getting

991
00:51:28,520 --> 00:51:30,239
Speaker 1: ready for the show, that it would be ill to

992
00:51:30,320 --> 00:51:33,920
Speaker 1: have instead of it being the different artists playing their

993
00:51:33,960 --> 00:51:36,960
Speaker 1: own music. They love each other so much they battle

994
00:51:37,040 --> 00:51:39,480
Speaker 1: in with each other's music, Like I'm gonna play Nori

995
00:51:39,640 --> 00:51:41,560
Speaker 1: and Nori gonna play EF type of ship you know.

996
00:51:42,080 --> 00:51:44,480
Speaker 1: Yeah yeah yeah, but you now you you freaking artists out.

997
00:51:44,520 --> 00:51:46,839
Speaker 1: You're gonna freak the artest out. No, no, I got

998
00:51:47,120 --> 00:51:49,160
Speaker 1: You're gonna be controlling my destiny at all that I

999
00:51:49,200 --> 00:51:51,800
Speaker 1: can think right now, They ain't want to play that's

1000
00:51:51,840 --> 00:51:54,680
Speaker 1: the person like, yeah, but that would be a true

1001
00:51:54,719 --> 00:51:57,359
Speaker 1: celebration though, I know, but I know how artists think

1002
00:51:57,520 --> 00:52:03,800
Speaker 1: that I have an artist that would be right right? No, yeah, no,

1003
00:52:04,040 --> 00:52:06,040
Speaker 1: hell yeah. I can't do it, but I feel, you know,

1004
00:52:06,160 --> 00:52:08,480
Speaker 1: I feel I don't know. I mean, you know, it's

1005
00:52:08,480 --> 00:52:10,600
Speaker 1: crazy though, but it's definitely a good energetic thing and

1006
00:52:10,680 --> 00:52:13,000
Speaker 1: it's it's definitely something that I love. You know what

1007
00:52:13,040 --> 00:52:15,320
Speaker 1: I'm saying. I love the idea of just you know,

1008
00:52:15,800 --> 00:52:18,160
Speaker 1: our culture, you know what it's doing and how it's

1009
00:52:18,200 --> 00:52:20,080
Speaker 1: touching people. I love that. You know what I'm saying.

1010
00:52:20,120 --> 00:52:22,800
Speaker 1: I love the I just love that, man, you know

1011
00:52:22,840 --> 00:52:25,960
Speaker 1: what I'm saying. It's right right, like like, um, you

1012
00:52:26,000 --> 00:52:27,719
Speaker 1: know that's what I love about our people. We make

1013
00:52:27,760 --> 00:52:30,080
Speaker 1: the best out of the situations, like people would tell you, like,

1014
00:52:30,400 --> 00:52:32,880
Speaker 1: you know, really jazz and you know, if we look

1015
00:52:32,920 --> 00:52:34,960
Speaker 1: at the roots and and things like that comes from

1016
00:52:35,000 --> 00:52:36,960
Speaker 1: old Negro spirituals, you know what I'm saying, when we

1017
00:52:37,040 --> 00:52:39,239
Speaker 1: didn't have nothing and we would just get together and

1018
00:52:39,640 --> 00:52:41,840
Speaker 1: and and and not to compare it to that, but

1019
00:52:42,040 --> 00:52:44,960
Speaker 1: you know, not to just just not you know, ignore that.

1020
00:52:45,120 --> 00:52:47,400
Speaker 1: It's like this is what's happening right now. Like you know,

1021
00:52:47,920 --> 00:52:50,480
Speaker 1: I believe it started with d Knights. I believed Knights

1022
00:52:50,520 --> 00:52:52,919
Speaker 1: got on there, and I believe he played for nine

1023
00:52:53,040 --> 00:52:56,000
Speaker 1: hours the first tone, like I believe, like he just

1024
00:52:56,160 --> 00:52:58,440
Speaker 1: went on and just people just start going, and we

1025
00:52:58,480 --> 00:53:02,040
Speaker 1: started realizing that this might be the new norm, you

1026
00:53:02,080 --> 00:53:04,440
Speaker 1: know what I mean, like, uh, like you know, clubs,

1027
00:53:04,520 --> 00:53:06,640
Speaker 1: like you know, I'm i'm, I'm, I'm forty two now,

1028
00:53:06,719 --> 00:53:09,080
Speaker 1: like I I don't enjoy going to clubs, like like

1029
00:53:09,239 --> 00:53:11,400
Speaker 1: being in the club in my house right right right

1030
00:53:11,520 --> 00:53:15,800
Speaker 1: right right right right right comma like that virtual experience

1031
00:53:16,880 --> 00:53:19,839
Speaker 1: not d definitely set it off crazy. And I think

1032
00:53:19,880 --> 00:53:22,800
Speaker 1: that we've also found out the importance that in d

1033
00:53:22,920 --> 00:53:25,360
Speaker 1: N I set the example. But DJ is in general,

1034
00:53:25,800 --> 00:53:28,719
Speaker 1: like I think that people you know, you know, for

1035
00:53:28,840 --> 00:53:31,360
Speaker 1: many years it's been rap artists, wrap artists, wrap artists,

1036
00:53:31,400 --> 00:53:33,400
Speaker 1: rap artists, m C, m C, m C. And we

1037
00:53:33,560 --> 00:53:36,560
Speaker 1: found out that, hey, DJs do play a pivotal role

1038
00:53:36,640 --> 00:53:40,439
Speaker 1: in society because guess what who's everybody leaning on ultimately, yeah,

1039
00:53:40,760 --> 00:53:44,799
Speaker 1: you know, is either DJ or Netflix? All Right, You're like, yo,

1040
00:53:45,320 --> 00:53:48,719
Speaker 1: them DJ's ain't matter, and you know, we gotta respect them,

1041
00:53:48,760 --> 00:53:51,239
Speaker 1: and we gotta embrace them and we gotta you know,

1042
00:53:51,360 --> 00:53:53,880
Speaker 1: lift them up too, and not forget about them. You

1043
00:53:53,920 --> 00:53:55,719
Speaker 1: know what I'm saying, We can't forget about them. The

1044
00:53:55,840 --> 00:53:59,040
Speaker 1: thing about that is the next biggest DJ was DJ College,

1045
00:53:59,160 --> 00:54:01,719
Speaker 1: but people didn't actually get to see DJ colleague DJ.

1046
00:54:02,000 --> 00:54:05,080
Speaker 1: It got to hear his records producing that. Yeah, as

1047
00:54:05,120 --> 00:54:07,319
Speaker 1: a producer. But would you I agree with you one

1048
00:54:07,360 --> 00:54:09,560
Speaker 1: million percent when they seen D Nights and D Night

1049
00:54:09,600 --> 00:54:12,120
Speaker 1: started changing hats and it was just like it was

1050
00:54:12,200 --> 00:54:15,120
Speaker 1: just like yo, I stood up there at least of me,

1051
00:54:15,480 --> 00:54:18,560
Speaker 1: like four or five hours and created a movement. And

1052
00:54:18,640 --> 00:54:20,600
Speaker 1: I was watching it and I was vibing, and I

1053
00:54:20,760 --> 00:54:23,000
Speaker 1: was like I was feeling the energy and I was

1054
00:54:23,080 --> 00:54:25,319
Speaker 1: happy for him, and I was thinking about it. Made

1055
00:54:25,320 --> 00:54:27,520
Speaker 1: me think about b DP. It made me think about

1056
00:54:27,560 --> 00:54:30,320
Speaker 1: you know, we know each other thousands. It reminded me

1057
00:54:30,360 --> 00:54:31,920
Speaker 1: the old clubs who you wanted to get shot out,

1058
00:54:32,080 --> 00:54:35,239
Speaker 1: like you walking the club. Yeah, it was crazy. But

1059
00:54:35,719 --> 00:54:39,239
Speaker 1: Obama yeah, like you know what I mean, Obama? Oh yeah,

1060
00:54:39,640 --> 00:54:43,400
Speaker 1: people saying, yeah, that was. That was a beautiful thing.

1061
00:54:43,520 --> 00:54:45,800
Speaker 1: That was. It was cosmic. It was cosmic, you know

1062
00:54:45,800 --> 00:54:48,920
Speaker 1: what it's cosmic? Yeah, that was. That was a beautiful

1063
00:54:49,400 --> 00:54:51,279
Speaker 1: beautiful vibe. You know what I'm saying, Just see him

1064
00:54:51,280 --> 00:54:53,360
Speaker 1: a man, you know what I'm saying, And then and

1065
00:54:53,640 --> 00:54:56,279
Speaker 1: then seeing him getting this success and flowers and him

1066
00:54:56,320 --> 00:54:59,440
Speaker 1: putting that hard work, and I'm saying, well, yeah, like

1067
00:54:59,560 --> 00:55:02,640
Speaker 1: that's what it about. Like seeing brother's destruction use a

1068
00:55:02,719 --> 00:55:04,920
Speaker 1: self destruction. One of my favorite records, My name is

1069
00:55:05,000 --> 00:55:06,600
Speaker 1: d Nice. You know what I'm saying that, Yeah, no

1070
00:55:06,719 --> 00:55:10,000
Speaker 1: doubt you're done on how I did it. But so

1071
00:55:10,160 --> 00:55:13,160
Speaker 1: you know something, guys, on another note, that it's well

1072
00:55:13,239 --> 00:55:16,320
Speaker 1: deserved and he was semi prepared to to to to

1073
00:55:16,560 --> 00:55:19,400
Speaker 1: take advantage of the situation. That's another thing too that

1074
00:55:19,440 --> 00:55:21,080
Speaker 1: I think we need to be able to do for

1075
00:55:21,320 --> 00:55:24,120
Speaker 1: other like folks older obviously than de Nice, older than

1076
00:55:24,160 --> 00:55:26,800
Speaker 1: all of us, the other pioneers and architects of the

1077
00:55:26,840 --> 00:55:30,120
Speaker 1: culture that don't understand maybe they haven't been on on

1078
00:55:30,200 --> 00:55:33,440
Speaker 1: the whole technology tip where they can take advantages now

1079
00:55:33,520 --> 00:55:35,839
Speaker 1: of the situation. Well, so you know, you gotta take

1080
00:55:35,880 --> 00:55:38,799
Speaker 1: some responsibility to right like you gotta. That's why I said,

1081
00:55:38,800 --> 00:55:41,520
Speaker 1: you gotta stay curious, you gotta make it happen. You

1082
00:55:41,640 --> 00:55:43,920
Speaker 1: gotta have a vision and you gotta be willing to

1083
00:55:43,960 --> 00:55:46,879
Speaker 1: adapt that things go on. Doesn't mean people don't deserve help,

1084
00:55:47,120 --> 00:55:50,120
Speaker 1: but you have to you have to take some responsibility

1085
00:55:50,520 --> 00:55:53,759
Speaker 1: and be out right and and go for it. So

1086
00:55:54,160 --> 00:55:57,960
Speaker 1: I agree with that. I agree with that totally, no doubt. Yeah, man,

1087
00:55:58,360 --> 00:56:00,800
Speaker 1: I mean I believe our culture, our culture is just

1088
00:56:01,000 --> 00:56:04,360
Speaker 1: like we're showing, um, you know, how much power that

1089
00:56:04,440 --> 00:56:07,600
Speaker 1: we actually have, Like like you know, when you guys

1090
00:56:07,719 --> 00:56:09,800
Speaker 1: came with food, Like when is it gonna be like

1091
00:56:09,840 --> 00:56:11,640
Speaker 1: I know we have black history mind, but when are

1092
00:56:11,680 --> 00:56:13,839
Speaker 1: we gonna do something where we just really just show

1093
00:56:14,080 --> 00:56:16,400
Speaker 1: people like how much power we really have. Like you

1094
00:56:16,480 --> 00:56:19,560
Speaker 1: know what Tyler Perry with the studio, like like when

1095
00:56:19,680 --> 00:56:21,440
Speaker 1: I mean he showed it in a lot of ways, right,

1096
00:56:21,560 --> 00:56:23,759
Speaker 1: he showed it. Um. But if you talk about from

1097
00:56:23,760 --> 00:56:26,080
Speaker 1: a hip hop space, I think I think you're seeing

1098
00:56:26,120 --> 00:56:29,960
Speaker 1: the renaissance now. I think that the things that are happening, um,

1099
00:56:30,320 --> 00:56:33,000
Speaker 1: you know with versus the things that happened with rock

1100
00:56:33,080 --> 00:56:36,560
Speaker 1: the bells, um. I mean these are things that you know,

1101
00:56:37,760 --> 00:56:39,640
Speaker 1: I mean, you know there was a time when you know,

1102
00:56:39,920 --> 00:56:42,040
Speaker 1: Wrapped In getting played on the radio. Now we have

1103
00:56:42,200 --> 00:56:45,640
Speaker 1: four stations, whole channels and globally and we're talking about

1104
00:56:45,680 --> 00:56:47,960
Speaker 1: seven million people a day. We're not talking about a

1105
00:56:48,080 --> 00:56:50,080
Speaker 1: hundred thousand or three hundred that We're talk about seven

1106
00:56:50,120 --> 00:56:53,360
Speaker 1: million people listening every day. So it's like there's a

1107
00:56:53,440 --> 00:56:55,160
Speaker 1: there's a you know. I think that what we have

1108
00:56:55,600 --> 00:56:58,839
Speaker 1: happening now is your show, your platform. I mean, look

1109
00:56:58,880 --> 00:57:01,359
Speaker 1: at the how it gets become, look at the life

1110
00:57:01,440 --> 00:57:04,920
Speaker 1: you're able to live. I mean, this is we're showing it.

1111
00:57:05,080 --> 00:57:08,160
Speaker 1: It's being history is being written as we speak. You

1112
00:57:08,200 --> 00:57:10,359
Speaker 1: know what I'm saying, Like history is being written as

1113
00:57:10,400 --> 00:57:13,440
Speaker 1: we speak. Baby. I had an idea I wanted to

1114
00:57:13,520 --> 00:57:15,520
Speaker 1: I wanted to do like a real hip hop award,

1115
00:57:15,560 --> 00:57:17,840
Speaker 1: to make it like a Matt Gallo right, like making

1116
00:57:17,920 --> 00:57:20,920
Speaker 1: like a like a real prestigious strategious you know what

1117
00:57:20,960 --> 00:57:23,320
Speaker 1: I'm trying to say, the word prestigious. And I wanted to,

1118
00:57:23,480 --> 00:57:26,520
Speaker 1: like every year like it to be called the ol owls,

1119
00:57:26,640 --> 00:57:29,720
Speaker 1: like the award the actual person or whoever, who you ever?

1120
00:57:30,240 --> 00:57:32,200
Speaker 1: I know what you mean, Like yeah, the d m

1121
00:57:32,280 --> 00:57:34,040
Speaker 1: c s. I know what you mean. Like like like

1122
00:57:34,200 --> 00:57:37,000
Speaker 1: I mean, just think about it. Rock and roll Hall

1123
00:57:37,040 --> 00:57:41,880
Speaker 1: of Fame is still the main word is rock and roll. Yeah, yeah,

1124
00:57:42,040 --> 00:57:44,760
Speaker 1: I know. The hip hop Well let me tell you.

1125
00:57:44,800 --> 00:57:48,480
Speaker 1: I'll tell you, I'll tell you. Um. You know, it's

1126
00:57:48,520 --> 00:57:51,840
Speaker 1: getting bigger and bigger every day. UM. You know, like

1127
00:57:52,520 --> 00:57:54,280
Speaker 1: one of the things like I'm on the board of

1128
00:57:54,600 --> 00:57:58,600
Speaker 1: the Smithsonian right um, the National Border the Smithsonian Institution,

1129
00:57:58,680 --> 00:58:01,320
Speaker 1: and one of the things it's off to uh Lonnie

1130
00:58:01,360 --> 00:58:03,960
Speaker 1: Bunch who's the secretary of the Smithsonian. Um. He's a

1131
00:58:04,000 --> 00:58:06,080
Speaker 1: good friend of mine, and we talk about hip hop

1132
00:58:06,120 --> 00:58:07,640
Speaker 1: and we talk about making sure that we get the

1133
00:58:07,760 --> 00:58:10,960
Speaker 1: narrative right. They need to know about Nori Capona, Noriega,

1134
00:58:11,000 --> 00:58:12,760
Speaker 1: they need to know about, you know, seeing that, they

1135
00:58:12,800 --> 00:58:15,320
Speaker 1: need to know about, you know what I'm saying, mob Deep,

1136
00:58:15,400 --> 00:58:17,600
Speaker 1: We need to know about you know, grand ones of

1137
00:58:17,640 --> 00:58:21,560
Speaker 1: Theodore you know. Um. And so there's that part of

1138
00:58:21,600 --> 00:58:24,360
Speaker 1: it that's they're all conversations about that. But then the

1139
00:58:24,440 --> 00:58:26,720
Speaker 1: other side is that, you know, Rock the Bells is

1140
00:58:26,800 --> 00:58:30,240
Speaker 1: really going to I think, do a lot for classic

1141
00:58:30,320 --> 00:58:33,000
Speaker 1: hip hop culture when this platform launches and when you

1142
00:58:33,120 --> 00:58:36,240
Speaker 1: really come in, you know, everybody's gonna come check it out.

1143
00:58:36,280 --> 00:58:38,439
Speaker 1: And when people come and check it out, you're gonna see,

1144
00:58:38,920 --> 00:58:42,000
Speaker 1: you know, how much we we're doing. You know, I

1145
00:58:42,240 --> 00:58:45,200
Speaker 1: mean keep up, I mean rock the Rock and Roll

1146
00:58:45,280 --> 00:58:47,160
Speaker 1: Hall of Fame. But no I know what you mean.

1147
00:58:47,320 --> 00:58:49,560
Speaker 1: I know exactly what you mean. And what I'm saying

1148
00:58:49,640 --> 00:58:52,480
Speaker 1: is we're gonna lay the groundwork for that kind of

1149
00:58:52,560 --> 00:58:56,160
Speaker 1: a world, like the world that you're describing full of fame,

1150
00:58:56,400 --> 00:58:59,080
Speaker 1: Like the groundwork is being laid for those things to happen.

1151
00:58:59,360 --> 00:59:04,120
Speaker 1: Like that's real. Like look, look, okay, prime example, like myself,

1152
00:59:04,200 --> 00:59:06,080
Speaker 1: I've been nominated for the Rock and Roll Hall of Fame.

1153
00:59:06,120 --> 00:59:08,400
Speaker 1: I don't know, maybe ten times they nominate me and

1154
00:59:08,480 --> 00:59:10,680
Speaker 1: then they don't put me in. It's the weirdest thing.

1155
00:59:10,720 --> 00:59:12,440
Speaker 1: I don't know why they keep nominating me. Right, It's

1156
00:59:12,440 --> 00:59:19,040
Speaker 1: like you like so like like likes going on. But

1157
00:59:19,480 --> 00:59:21,760
Speaker 1: the thing is, it's like, but there's a lot of people,

1158
00:59:21,800 --> 00:59:23,960
Speaker 1: but you have people that vote for me because they

1159
00:59:24,040 --> 00:59:26,640
Speaker 1: give me love and they appreciate LLL and they want

1160
00:59:26,680 --> 00:59:28,560
Speaker 1: But then you have another half who was like who

1161
00:59:28,560 --> 00:59:31,880
Speaker 1: are not maybe familiar or maybe they don't look at

1162
00:59:31,960 --> 00:59:33,960
Speaker 1: Around the way girl the same way they look at

1163
00:59:34,000 --> 00:59:37,960
Speaker 1: a Beastie Boys record. Right, So there's that. So yeah,

1164
00:59:38,120 --> 00:59:40,960
Speaker 1: we need hip hop needs its own thing. Hip hop

1165
00:59:41,120 --> 00:59:43,560
Speaker 1: definitely needs its own thing. It has to have its

1166
00:59:43,600 --> 00:59:45,240
Speaker 1: own thing, and it's our job to make it happen.

1167
00:59:45,280 --> 00:59:46,600
Speaker 1: You know what I'm saying, we gotta do that either

1168
00:59:46,680 --> 00:59:49,360
Speaker 1: culture for the culture. Basically, no question, no question. But

1169
00:59:49,520 --> 00:59:51,640
Speaker 1: that's to say, Look, it's nothing wrong. Don't get me wrong.

1170
00:59:51,800 --> 00:59:53,440
Speaker 1: I'm not slamming the rock and roll Hall of Fame.

1171
00:59:53,480 --> 00:59:55,200
Speaker 1: It's all love like they you know, they do what

1172
00:59:55,280 --> 01:00:01,760
Speaker 1: they Doll of Fame. Not that now, But yeah, I

1173
01:00:01,800 --> 01:00:03,760
Speaker 1: feel you. But but my thing is they all has

1174
01:00:03,840 --> 01:00:06,600
Speaker 1: its perfect this, but hip hop can have something too

1175
01:00:07,000 --> 01:00:09,680
Speaker 1: that is hip hop centric. They are rock centric, but

1176
01:00:09,760 --> 01:00:12,280
Speaker 1: they include hip hop. We can be hip hop centric

1177
01:00:12,440 --> 01:00:14,440
Speaker 1: and figure out what we want to include. So it's

1178
01:00:14,520 --> 01:00:18,040
Speaker 1: it's it's yeah, I feel you're right. And I think

1179
01:00:18,080 --> 01:00:19,880
Speaker 1: you guys got a lot of big ideas and ship.

1180
01:00:20,040 --> 01:00:21,520
Speaker 1: You know what I'm saying, you got a lot of

1181
01:00:21,560 --> 01:00:23,800
Speaker 1: big I got ideas. I want to bring you off

1182
01:00:23,880 --> 01:00:26,760
Speaker 1: off camera. But what is l L watching right now?

1183
01:00:26,920 --> 01:00:30,800
Speaker 1: What are you Netflix? And ship? What's your quarantine? Quarantine?

1184
01:00:30,800 --> 01:00:33,280
Speaker 1: And when I went I was watching, um first I

1185
01:00:33,360 --> 01:00:37,720
Speaker 1: watched Peaky Blinders. You know. Peaky Blinders is a gangster show.

1186
01:00:38,040 --> 01:00:41,280
Speaker 1: It's set in like the nineteenth century in Birmingham, England.

1187
01:00:41,360 --> 01:00:46,400
Speaker 1: Is about the gang from over here. He's always he's

1188
01:00:46,440 --> 01:00:49,560
Speaker 1: on Netflix. Dope, it was gangs cy love it Peky Blinders.

1189
01:00:49,720 --> 01:00:51,400
Speaker 1: It's hard. It starts off from your leg. Is this

1190
01:00:51,520 --> 01:00:54,600
Speaker 1: gonna be? It's crazy? Right then I watched Ozark, you know,

1191
01:00:54,720 --> 01:00:57,760
Speaker 1: saying Ozark is the wild out, completely the while out.

1192
01:00:58,360 --> 01:01:01,000
Speaker 1: And then um, right now watching the Meta Chiese. You

1193
01:01:01,040 --> 01:01:04,040
Speaker 1: know what I'm saying, The Medici about the the Renaissance,

1194
01:01:04,120 --> 01:01:07,160
Speaker 1: the family that ran Renaissance Italy for three hundred generations,

1195
01:01:07,320 --> 01:01:10,040
Speaker 1: from three hundred years for over you know, for many generations.

1196
01:01:10,040 --> 01:01:13,439
Speaker 1: That's the script tent. Yeah, scripted. It's crazy, the meda Iciese.

1197
01:01:13,720 --> 01:01:16,360
Speaker 1: It's it's m E D I C I. The meta Chiese.

1198
01:01:16,440 --> 01:01:19,200
Speaker 1: You know what I'm saying. And they're just an unbelievable

1199
01:01:19,440 --> 01:01:21,520
Speaker 1: They were they were, um you know, they were the

1200
01:01:22,600 --> 01:01:25,720
Speaker 1: crown princes of Renaissance Italy as a family and uh

1201
01:01:25,840 --> 01:01:28,600
Speaker 1: they were that were some of the key sponsors behind

1202
01:01:28,720 --> 01:01:30,760
Speaker 1: a lot of the great arts of work in Italy,

1203
01:01:30,880 --> 01:01:33,720
Speaker 1: you know what I'm saying. So but they also you know,

1204
01:01:33,800 --> 01:01:36,920
Speaker 1: they think very strategic. They move, maneuver and do different things.

1205
01:01:37,000 --> 01:01:39,080
Speaker 1: So you know that's very interesting, you know what I'm

1206
01:01:39,080 --> 01:01:40,960
Speaker 1: saying to me. So I've been watching them joints. You

1207
01:01:41,000 --> 01:01:44,200
Speaker 1: know what I mean, that's hard. That's those three difference

1208
01:01:44,280 --> 01:01:46,120
Speaker 1: that I knew. For some reason, I knew you like

1209
01:01:46,160 --> 01:01:48,240
Speaker 1: the Ozark. I don't know why, I just knew. Yeah, yeah,

1210
01:01:48,240 --> 01:01:50,479
Speaker 1: it's crazy. It's the Wild. Plus I think the girl

1211
01:01:50,560 --> 01:01:53,240
Speaker 1: and oz Off humming her and Sam Jackson the lady

1212
01:01:53,520 --> 01:01:55,880
Speaker 1: they knew. Dude to know the young white girl with

1213
01:01:55,960 --> 01:02:00,640
Speaker 1: the wild but the young one, the younger my favorite show.

1214
01:02:00,720 --> 01:02:03,080
Speaker 1: She needs to do a curse off against Sam Jackson

1215
01:02:03,120 --> 01:02:07,439
Speaker 1: because she had the foulest mouth. I love that mouth

1216
01:02:07,720 --> 01:02:10,200
Speaker 1: so fun. I just want to see Hunt Sam Jackson

1217
01:02:10,280 --> 01:02:13,840
Speaker 1: cuss each other. She's the best one. Yeah. So so

1218
01:02:14,080 --> 01:02:17,680
Speaker 1: when because I know you got your own production company, Yeah,

1219
01:02:18,000 --> 01:02:20,240
Speaker 1: well I have my I do, But you know, my

1220
01:02:20,360 --> 01:02:22,760
Speaker 1: focus is really Rock the Bells as a company. Like

1221
01:02:23,120 --> 01:02:25,440
Speaker 1: I know, it's for people that are watching this, it's

1222
01:02:25,480 --> 01:02:27,160
Speaker 1: kind of hard for them to get their minds around

1223
01:02:27,200 --> 01:02:30,320
Speaker 1: it because it hasn't launched yet. So because it hasn't

1224
01:02:30,400 --> 01:02:32,440
Speaker 1: launched yet, you probably have a lot of people that

1225
01:02:32,520 --> 01:02:33,840
Speaker 1: are like, well, what does he mean? I mean, it's

1226
01:02:33,880 --> 01:02:38,480
Speaker 1: a station, But Rock the Bells is really a serious

1227
01:02:38,600 --> 01:02:41,680
Speaker 1: company that that I'm launching, and um, once it comes out,

1228
01:02:42,000 --> 01:02:44,080
Speaker 1: when people see the platform that I'm building and the

1229
01:02:44,200 --> 01:02:46,720
Speaker 1: things that I'm introducing to the world, I think they'll

1230
01:02:46,760 --> 01:02:49,720
Speaker 1: get more of what I'm saying. So but but production

1231
01:02:49,920 --> 01:02:52,160
Speaker 1: is part of that. Yeah, I would produce yet, So

1232
01:02:52,720 --> 01:02:55,480
Speaker 1: Rock the Bells will have production and we'll have Uh,

1233
01:02:55,720 --> 01:02:57,840
Speaker 1: it's gonna have a lot of things I rather than

1234
01:02:57,960 --> 01:02:59,600
Speaker 1: I could show you better than I could tell you,

1235
01:02:59,640 --> 01:03:01,320
Speaker 1: because I don't want to lay it out and and

1236
01:03:01,440 --> 01:03:04,760
Speaker 1: people take it wrong, the type of thing about who. Well, no,

1237
01:03:05,080 --> 01:03:08,560
Speaker 1: it's gonna be like media. It's gonna be you gotta

1238
01:03:08,600 --> 01:03:10,600
Speaker 1: see it. You gotta see. Once you see it, it'll

1239
01:03:10,600 --> 01:03:14,680
Speaker 1: be easier to understand. And I mean that, and um um,

1240
01:03:15,040 --> 01:03:17,080
Speaker 1: I'll take you through it and you'll see what I'm doing.

1241
01:03:17,120 --> 01:03:19,440
Speaker 1: But I think Rock the Bells um is gonna be

1242
01:03:19,560 --> 01:03:22,040
Speaker 1: great for our culture. I know it'll be great for

1243
01:03:22,080 --> 01:03:24,400
Speaker 1: our culture. I truly believe that it's the right thing.

1244
01:03:24,480 --> 01:03:27,840
Speaker 1: It's what we need. Um and uh, it's gonna be

1245
01:03:27,880 --> 01:03:30,440
Speaker 1: a good thing. We could already tell by the station,

1246
01:03:30,800 --> 01:03:33,720
Speaker 1: just the curation of the station, how much you're caring.

1247
01:03:33,920 --> 01:03:36,320
Speaker 1: And then well, I programmed the station right like like

1248
01:03:36,400 --> 01:03:38,000
Speaker 1: a lot of people want to like, yo, well, who's

1249
01:03:38,040 --> 01:03:40,520
Speaker 1: the program now? I go through thousands of songs, and

1250
01:03:40,560 --> 01:03:42,880
Speaker 1: I program a station like not leaving anybody out. You

1251
01:03:42,920 --> 01:03:45,960
Speaker 1: could sense that, you know, no, no, I should. I

1252
01:03:46,000 --> 01:03:49,160
Speaker 1: got cannabis, he tam he you know, he going ham

1253
01:03:52,400 --> 01:03:55,160
Speaker 1: first bad. I gotta playing his ship like I play

1254
01:03:55,200 --> 01:03:58,120
Speaker 1: them all like because I feel like the culture deserves that, right,

1255
01:03:58,160 --> 01:04:02,800
Speaker 1: Like like I never reject something just because it may

1256
01:04:02,880 --> 01:04:05,880
Speaker 1: not reflect the best or me personally, because it's about

1257
01:04:05,880 --> 01:04:08,080
Speaker 1: the culture. You know what I'm saying. It's not about

1258
01:04:08,320 --> 01:04:11,160
Speaker 1: LLL Coja. Rock the Bells is not about LLL couj.

1259
01:04:11,360 --> 01:04:13,800
Speaker 1: Rock the Bells is about classic timeless hip hop and

1260
01:04:13,840 --> 01:04:15,960
Speaker 1: the culture. It's for us. It's not just for me,

1261
01:04:16,320 --> 01:04:18,840
Speaker 1: you know what I mean? Right? I saw you on

1262
01:04:19,000 --> 01:04:22,280
Speaker 1: Rock the Bell's account, well, Um Tyson the other day, yeah,

1263
01:04:22,480 --> 01:04:26,280
Speaker 1: saying I believe rock saying I forgot who else was

1264
01:04:26,360 --> 01:04:28,920
Speaker 1: on there. And you know Tyson talking about the fight.

1265
01:04:29,000 --> 01:04:33,479
Speaker 1: He was coov my bad um and you were talking

1266
01:04:33,520 --> 01:04:36,840
Speaker 1: about his male prep and all that. But it was

1267
01:04:36,920 --> 01:04:40,280
Speaker 1: crazy because he said sometimes he eat chicken, sometimes he fished,

1268
01:04:40,520 --> 01:04:44,160
Speaker 1: but he's mainly on a plant based diet. And as

1269
01:04:44,200 --> 01:04:47,440
Speaker 1: I'm watching this, this footage pop up of a Vanderhony

1270
01:04:47,560 --> 01:04:52,760
Speaker 1: Field with footage previously like how Tyson looked. It looked

1271
01:04:52,840 --> 01:04:57,040
Speaker 1: almost identical. I'm scared the death of fifty year olds

1272
01:04:57,120 --> 01:04:59,560
Speaker 1: right now. Yeah yeah, yeah, yeah yeah. I would tell you, man,

1273
01:04:59,680 --> 01:05:02,040
Speaker 1: you know, listen, listen that. You know you saw Mike

1274
01:05:02,080 --> 01:05:04,320
Speaker 1: throwing them punches. You're going in and talking about you

1275
01:05:04,440 --> 01:05:06,640
Speaker 1: twenty five and you got this head, I got this ship.

1276
01:05:07,160 --> 01:05:10,880
Speaker 1: You're gonna get your head knocked off, like yo, your man, Mike, yea,

1277
01:05:11,120 --> 01:05:13,800
Speaker 1: I'm staying clear that bullshit. I don't want no parts

1278
01:05:13,840 --> 01:05:19,600
Speaker 1: of that bullshit. You're nor listen, man, listen, man, everybody

1279
01:05:19,720 --> 01:05:22,840
Speaker 1: watching this ship, NFL players, basketball player, I don't care

1280
01:05:22,880 --> 01:05:24,800
Speaker 1: who it is. Y'all saw him, Mike throwing the punch.

1281
01:05:25,360 --> 01:05:26,760
Speaker 1: We don't want no parts of that. I don't want

1282
01:05:26,800 --> 01:05:30,600
Speaker 1: no parts of that. Should be how you know Mike

1283
01:05:30,760 --> 01:05:34,440
Speaker 1: is a real will like assassin is that he had

1284
01:05:34,480 --> 01:05:38,800
Speaker 1: on the shortest shorts ever get underwhe nothing, Yo. He

1285
01:05:38,880 --> 01:05:43,280
Speaker 1: had black panties on. Didn't matter what, it didn't matter. Yeah,

1286
01:05:43,360 --> 01:05:45,880
Speaker 1: the black panties on. It was doing, it didn't matter.

1287
01:05:46,320 --> 01:05:49,200
Speaker 1: The punches were so crazy. I wasn't looking at nothing

1288
01:05:49,240 --> 01:05:52,800
Speaker 1: but the fucking fists flying. They just doing memes. They

1289
01:05:52,840 --> 01:05:55,480
Speaker 1: had hold me, fly through the wall, the whole ship.

1290
01:05:55,840 --> 01:05:59,560
Speaker 1: I'm so sorry for the dude. Hold wrong. Man, Mike

1291
01:05:59,720 --> 01:06:03,560
Speaker 1: is just oh imediately, I don't know, really getting paid.

1292
01:06:03,600 --> 01:06:06,720
Speaker 1: But he needed a yo and and he deserves to

1293
01:06:06,800 --> 01:06:08,960
Speaker 1: get a check on top of it, like he deserves

1294
01:06:09,000 --> 01:06:11,080
Speaker 1: to get a check. But Mike, but the only thing

1295
01:06:11,160 --> 01:06:14,160
Speaker 1: my thing is just don't you know, you know, don't

1296
01:06:15,000 --> 01:06:17,440
Speaker 1: you know, don't' don't don't run in there against you know,

1297
01:06:17,560 --> 01:06:19,800
Speaker 1: somebody twenty years old with good wins or something and

1298
01:06:19,840 --> 01:06:22,200
Speaker 1: this stuff. I think it's for charity. I think, Um,

1299
01:06:22,680 --> 01:06:25,760
Speaker 1: I'm speaking to Fred Frenchie, the guy that um. I

1300
01:06:25,800 --> 01:06:28,320
Speaker 1: think he runs with Tyson a lot. Um. I think

1301
01:06:28,360 --> 01:06:31,600
Speaker 1: it's for charity. I mean everyone's gonna make a check obviously, Yeah,

1302
01:06:31,960 --> 01:06:34,360
Speaker 1: you shure. I think it's for his mentor you know

1303
01:06:34,400 --> 01:06:36,560
Speaker 1: what I mean, Like, you know, he deserves it. He

1304
01:06:36,720 --> 01:06:38,920
Speaker 1: deserves to do what he loves. Man, And if we

1305
01:06:39,000 --> 01:06:41,400
Speaker 1: can and if they can manage it start to put

1306
01:06:41,440 --> 01:06:43,120
Speaker 1: you off in a lot of ways. I kind of

1307
01:06:43,200 --> 01:06:45,200
Speaker 1: feel like that was you with cannabis, even though I

1308
01:06:45,240 --> 01:06:47,080
Speaker 1: don't want to bring up that. You know, like you

1309
01:06:47,400 --> 01:06:49,600
Speaker 1: you were You're so used to battling people back then

1310
01:06:50,120 --> 01:06:52,080
Speaker 1: and like when you when you when you got to

1311
01:06:52,280 --> 01:06:54,120
Speaker 1: a new general, it was like you needed that and

1312
01:06:54,720 --> 01:06:56,920
Speaker 1: a lot of ways. You really like that, man, Like

1313
01:06:57,080 --> 01:07:00,440
Speaker 1: that's probably you know, would motivate me more than anything,

1314
01:07:00,520 --> 01:07:04,440
Speaker 1: you know what I'm saying, Like you know, um, you

1315
01:07:04,520 --> 01:07:06,600
Speaker 1: know that that's part of it, Like that's hip hop.

1316
01:07:06,720 --> 01:07:08,840
Speaker 1: Like I would never have that competitive spirit in you.

1317
01:07:09,800 --> 01:07:13,560
Speaker 1: You know, you know, you know just because you haven't

1318
01:07:13,600 --> 01:07:16,560
Speaker 1: hurt me. Rhyme, don't me and I can't exactly you

1319
01:07:16,640 --> 01:07:18,680
Speaker 1: know what I'm saying, Like you know, don't think here,

1320
01:07:18,720 --> 01:07:21,520
Speaker 1: you know, I know, you know, you know, the mind

1321
01:07:21,640 --> 01:07:24,160
Speaker 1: isn't like this, ain't basketball be It's not about knees

1322
01:07:24,240 --> 01:07:26,920
Speaker 1: and ship like my mind is. My mind is able,

1323
01:07:27,200 --> 01:07:29,400
Speaker 1: you know what I'm saying, Like you know, I ain't

1324
01:07:29,400 --> 01:07:31,160
Speaker 1: gonna be you know, we ain't gonna be. Oh, I

1325
01:07:31,240 --> 01:07:33,800
Speaker 1: got the Muli check. I know how to do it.

1326
01:07:36,200 --> 01:07:37,920
Speaker 1: I know how to do it, you know. I mean

1327
01:07:38,360 --> 01:07:41,400
Speaker 1: it's just funny though, yeah, yeah, cannabis is funny. Dude. Man,

1328
01:07:42,440 --> 01:07:45,160
Speaker 1: the Holy Field footage I did, Man, I did it.

1329
01:07:45,400 --> 01:07:48,040
Speaker 1: I did. You know he's a beast. I mean, he

1330
01:07:48,120 --> 01:07:50,440
Speaker 1: ain't looking, he ain't moving as quick as Mike. But

1331
01:07:50,640 --> 01:07:53,320
Speaker 1: he is a beast. I mean, holy Field, you don't

1332
01:07:53,360 --> 01:07:55,240
Speaker 1: want no parts of that either. We need he As

1333
01:07:55,280 --> 01:07:57,960
Speaker 1: a matter of fact, Evander came on my show. You

1334
01:07:58,000 --> 01:07:59,840
Speaker 1: know what I'm saying. Vander came on n C. I

1335
01:08:00,000 --> 01:08:01,880
Speaker 1: s I had him come on. He came on and

1336
01:08:02,080 --> 01:08:04,720
Speaker 1: killed it. He did the role he acted on the joint.

1337
01:08:04,760 --> 01:08:07,760
Speaker 1: He did a quick little cameo Kilter crusted. I mean,

1338
01:08:07,920 --> 01:08:11,160
Speaker 1: Evander is just he's made of something different. Man. See,

1339
01:08:11,200 --> 01:08:16,360
Speaker 1: he's like, um, you know, his intestinal fortitude, his willpower,

1340
01:08:16,680 --> 01:08:19,200
Speaker 1: you know. Me and Evander, Like I remember going over

1341
01:08:19,240 --> 01:08:21,240
Speaker 1: his house back when, you know, back when he lived

1342
01:08:21,280 --> 01:08:23,400
Speaker 1: in Atlanta, when he had the house before he had

1343
01:08:23,479 --> 01:08:25,679
Speaker 1: sold it to Rick Ross. How it that went down?

1344
01:08:25,760 --> 01:08:28,320
Speaker 1: Like when I remember running around the property and being

1345
01:08:28,360 --> 01:08:31,680
Speaker 1: with Evander like he's a he's an animal bee. You know,

1346
01:08:31,920 --> 01:08:34,040
Speaker 1: he's he's a champion. You know what I'm saying, Like

1347
01:08:34,479 --> 01:08:36,800
Speaker 1: he's cut from that cloth. You know what I mean,

1348
01:08:37,520 --> 01:08:41,439
Speaker 1: right right, right, yeah, yeah, yeah, yeah yeah, Evander, Mike.

1349
01:08:41,760 --> 01:08:43,840
Speaker 1: You know I'm saying, Lennox Lewis, you know what I'm saying,

1350
01:08:43,880 --> 01:08:46,479
Speaker 1: that's my man, Like like Lennox wonna put them hands

1351
01:08:46,520 --> 01:08:48,479
Speaker 1: and I'll tell you a funny story with Lennox. Right,

1352
01:08:48,960 --> 01:08:51,640
Speaker 1: so I was doing in the house back when I

1353
01:08:51,720 --> 01:08:53,600
Speaker 1: was doing in the house. Right, So I'm doing in

1354
01:08:53,640 --> 01:08:57,320
Speaker 1: the house. So Lenox, yeah, sitcom, I did sitcom. So

1355
01:08:57,720 --> 01:09:00,360
Speaker 1: Lennox did a guest appearance. Right, So we're up, you know,

1356
01:09:00,600 --> 01:09:03,280
Speaker 1: and we for whatever reason, my character is supposed to

1357
01:09:03,320 --> 01:09:08,320
Speaker 1: be boxing Lennox lewis for charity, right, so so yo,

1358
01:09:08,720 --> 01:09:11,120
Speaker 1: so we're playing around, so, you know, we and then

1359
01:09:11,160 --> 01:09:13,479
Speaker 1: we're playing around in some kind of way. He threw

1360
01:09:13,520 --> 01:09:15,640
Speaker 1: a punch and I threw a punch and caught him

1361
01:09:15,680 --> 01:09:19,080
Speaker 1: in the nose, and I was like, don't hit me, yo,

1362
01:09:19,320 --> 01:09:22,479
Speaker 1: hold on, I said, time, I'll cut hold on because

1363
01:09:22,520 --> 01:09:26,120
Speaker 1: I saw him like, because I wasn't supposed to catch him.

1364
01:09:26,320 --> 01:09:29,240
Speaker 1: I don't know how I caught him or whatever happened.

1365
01:09:29,560 --> 01:09:31,720
Speaker 1: I wanted to just really give it a time out

1366
01:09:32,080 --> 01:09:34,680
Speaker 1: and give it a second and reset because Homeway, like

1367
01:09:34,720 --> 01:09:36,880
Speaker 1: when I caught him, like he threw up, he threw

1368
01:09:37,200 --> 01:09:40,720
Speaker 1: um you see so so so yeah, he threw a

1369
01:09:40,840 --> 01:09:43,960
Speaker 1: little right, he threw a little right. Let me see,

1370
01:09:44,160 --> 01:09:46,120
Speaker 1: he threw a jack. Yeah, he threw a jab at

1371
01:09:46,200 --> 01:09:48,960
Speaker 1: me and I turned, I turned this way, and then

1372
01:09:49,240 --> 01:09:51,479
Speaker 1: you know, and it came back with something and didn't

1373
01:09:51,479 --> 01:09:53,160
Speaker 1: mean to and caught him. You know, it was a

1374
01:09:53,400 --> 01:09:56,200
Speaker 1: It was a crazy moment because it's like his face

1375
01:09:56,360 --> 01:10:01,000
Speaker 1: completely transformed. He went and I saw some click and

1376
01:10:01,040 --> 01:10:03,640
Speaker 1: when this ship started clicking, I was like yo yo,

1377
01:10:03,720 --> 01:10:07,800
Speaker 1: like yo yo yo. That was the craze. And that ship, Yo,

1378
01:10:07,880 --> 01:10:10,559
Speaker 1: that ship is on film somewhere. NBC got that ship

1379
01:10:10,640 --> 01:10:13,160
Speaker 1: on film somewhere. Listen, we heard about you and Jamie Fox.

1380
01:10:13,360 --> 01:10:17,720
Speaker 1: What's going on you on these some sets? Man? No, no,

1381
01:10:17,880 --> 01:10:20,200
Speaker 1: but no, no. The Jamie ship was solely different. I mean,

1382
01:10:20,240 --> 01:10:23,080
Speaker 1: I love Jamie, but you know, Jamie just yeah, I

1383
01:10:23,120 --> 01:10:25,280
Speaker 1: don't know, man, Jamie just you know, I don't know

1384
01:10:25,320 --> 01:10:27,719
Speaker 1: if he was acting and he you know, for whatever,

1385
01:10:28,120 --> 01:10:30,680
Speaker 1: for whatever reason, and that's what I love him. He

1386
01:10:30,840 --> 01:10:33,200
Speaker 1: just felt like he, you know, he was gonna punch

1387
01:10:33,280 --> 01:10:34,600
Speaker 1: me on my face and that was gonna be the

1388
01:10:34,720 --> 01:10:36,680
Speaker 1: end of it. And I just didn't understand it, you

1389
01:10:36,720 --> 01:10:40,960
Speaker 1: know what I mean. Now Jamie's actually playing Mike and

1390
01:10:41,200 --> 01:10:45,080
Speaker 1: and and the upcoming role. Yeah, but he's he's serious.

1391
01:10:45,160 --> 01:10:48,160
Speaker 1: It's not he's not being a comedian. He's serious as

1392
01:10:48,200 --> 01:10:50,640
Speaker 1: an actor. I think he'll be fine. I think you know,

1393
01:10:51,160 --> 01:10:53,040
Speaker 1: you know, because you know he played right he played

1394
01:10:53,120 --> 01:10:56,679
Speaker 1: right before. But let me ask you, like Ray and Michael,

1395
01:10:57,479 --> 01:10:59,680
Speaker 1: you're a little different up on that, Like where you

1396
01:11:00,040 --> 01:11:03,920
Speaker 1: ready to do a bio pick about yourself or I have.

1397
01:11:04,160 --> 01:11:06,120
Speaker 1: I've had quite a few people ask me about that,

1398
01:11:06,240 --> 01:11:09,639
Speaker 1: but I kind of I don't know, man, you know, maybe,

1399
01:11:10,000 --> 01:11:11,479
Speaker 1: but there's a part of me that just wants to

1400
01:11:11,560 --> 01:11:15,360
Speaker 1: leave that for my kids. What about a documentary At

1401
01:11:15,439 --> 01:11:17,840
Speaker 1: the least documentary is fine. I mean, we can do

1402
01:11:18,000 --> 01:11:20,960
Speaker 1: something BECs just did that. We can do something crazy

1403
01:11:21,000 --> 01:11:22,760
Speaker 1: about my career. I mean the same for your kids,

1404
01:11:22,800 --> 01:11:25,040
Speaker 1: your kids playing the role of you know what, I

1405
01:11:25,160 --> 01:11:28,000
Speaker 1: only owning that. What I mean is that like like

1406
01:11:28,280 --> 01:11:31,840
Speaker 1: like you know, I don't see any reason why, you know,

1407
01:11:32,840 --> 01:11:34,280
Speaker 1: you know, by the grace of God, I don't see

1408
01:11:34,280 --> 01:11:36,200
Speaker 1: any reason why my name wouldn't live on for another

1409
01:11:36,280 --> 01:11:39,240
Speaker 1: hundred years. I don't see any reason for it not to.

1410
01:11:39,439 --> 01:11:42,400
Speaker 1: I mean, it wouldn't be the same, but let them

1411
01:11:42,479 --> 01:11:44,720
Speaker 1: do it. But I don't know. Reason why I say

1412
01:11:44,760 --> 01:11:47,000
Speaker 1: that is because when you look at all the biopics,

1413
01:11:47,360 --> 01:11:50,000
Speaker 1: the biopicks for the people are still alive is the

1414
01:11:50,080 --> 01:11:52,760
Speaker 1: ones That's like when you look at pox we tell

1415
01:11:52,920 --> 01:11:54,760
Speaker 1: pox was rushed, you know what I mean? And Benny

1416
01:11:54,760 --> 01:11:57,280
Speaker 1: Boom was my my brother. We spoke aga on camera.

1417
01:11:58,000 --> 01:11:59,840
Speaker 1: It just felt like it was rushed. Because pots life

1418
01:11:59,880 --> 01:12:03,280
Speaker 1: is expanded now with these docuseries, I feel like you

1419
01:12:03,320 --> 01:12:05,400
Speaker 1: can you can do it more. But the reason why

1420
01:12:05,439 --> 01:12:07,600
Speaker 1: I ask you that is I figured, like, you know

1421
01:12:07,760 --> 01:12:10,240
Speaker 1: why you know you're alive. We're alive, You're alive and kicking.

1422
01:12:10,560 --> 01:12:12,519
Speaker 1: It might be you that want to approve you know

1423
01:12:12,520 --> 01:12:14,760
Speaker 1: what I'm saying, because you know, you know, I gotta

1424
01:12:14,800 --> 01:12:17,040
Speaker 1: tell you again, Man, that's not a bad thought. It's

1425
01:12:17,080 --> 01:12:19,560
Speaker 1: just a matter of you know, having the bandwidth to

1426
01:12:19,640 --> 01:12:21,439
Speaker 1: do it and how into it I am. You know

1427
01:12:21,439 --> 01:12:25,160
Speaker 1: what I'm saying. Like it's funny. It's it's like, you know,

1428
01:12:25,320 --> 01:12:28,439
Speaker 1: you you're making a documentary about history while you but

1429
01:12:28,560 --> 01:12:32,080
Speaker 1: I'm really more interested in more history, making more I'm

1430
01:12:32,120 --> 01:12:34,519
Speaker 1: more interested in making more history than I am thinking

1431
01:12:34,560 --> 01:12:37,240
Speaker 1: about my my prior history. So it's like it's a

1432
01:12:37,280 --> 01:12:41,919
Speaker 1: priority thing because you know, you plan, you prioritize, execute,

1433
01:12:41,960 --> 01:12:45,000
Speaker 1: and then you assess right like you know, and it's

1434
01:12:45,080 --> 01:12:47,200
Speaker 1: like I don't know, man, like I'm open to it.

1435
01:12:47,320 --> 01:12:48,920
Speaker 1: You know what I'm saying, what you said about your

1436
01:12:49,000 --> 01:12:52,240
Speaker 1: kids is such an ill thought because that's part of

1437
01:12:52,320 --> 01:12:55,200
Speaker 1: generational wealth in a sense, like well, yeah, that legacy

1438
01:12:55,280 --> 01:12:57,960
Speaker 1: that you leave that allows them to to financially gain

1439
01:12:58,439 --> 01:13:00,120
Speaker 1: off of that because if you do it, you you

1440
01:13:00,280 --> 01:13:02,439
Speaker 1: you kind of expense that already, you know. But there's

1441
01:13:02,479 --> 01:13:05,720
Speaker 1: there's three different hours. That's what it's probably gonna wind

1442
01:13:05,800 --> 01:13:07,720
Speaker 1: up being sixty, right, you know what I'm saying. But

1443
01:13:08,040 --> 01:13:10,679
Speaker 1: but you can actually like you can see from my radio,

1444
01:13:10,920 --> 01:13:12,439
Speaker 1: you know what I'm saying, Like good looking for that

1445
01:13:12,560 --> 01:13:15,400
Speaker 1: jacket too. I realized gonna be Eminem and Dr Dre

1446
01:13:15,560 --> 01:13:18,240
Speaker 1: had that jacket. I was class. I pretend that I'm

1447
01:13:18,240 --> 01:13:20,760
Speaker 1: not jealous. Right now, I got you. I got you

1448
01:13:21,760 --> 01:13:24,360
Speaker 1: even from like from from from I can't live without

1449
01:13:24,360 --> 01:13:27,400
Speaker 1: my radio, just from that, like from those days up

1450
01:13:27,479 --> 01:13:30,720
Speaker 1: until like uh you know the track match Day that's

1451
01:13:30,760 --> 01:13:33,880
Speaker 1: just a movie, that's just one one. Yeah, and then

1452
01:13:34,680 --> 01:13:37,160
Speaker 1: you got you got you know in the house from there,

1453
01:13:37,280 --> 01:13:40,320
Speaker 1: yeah you know you actually do you have teenager? Would

1454
01:13:40,320 --> 01:13:41,960
Speaker 1: be two hours right there? You have to see a

1455
01:13:42,040 --> 01:13:44,919
Speaker 1: dude from Farmer's Boulevard where I know what Farmer's Buletvard

1456
01:13:45,040 --> 01:13:48,479
Speaker 1: is on TV every day. Then you got the crazy

1457
01:13:48,600 --> 01:13:50,519
Speaker 1: movie thing. Now you've got to grown up, you know

1458
01:13:50,520 --> 01:13:53,160
Speaker 1: what I mean. Like that's like that's like five movies,

1459
01:13:53,200 --> 01:13:56,080
Speaker 1: but it's it's broken up into as a series, right,

1460
01:13:56,360 --> 01:13:58,040
Speaker 1: that could be it could be crazy. It could It

1461
01:13:58,080 --> 01:13:59,800
Speaker 1: could definitely be crazy. It could definitely be a lot

1462
01:13:59,840 --> 01:14:02,639
Speaker 1: of one man. It's just, uh, you know, it's definitely

1463
01:14:02,680 --> 01:14:04,000
Speaker 1: something to think about. You gave me a lot to

1464
01:14:04,040 --> 01:14:06,040
Speaker 1: think about. You guys, like you know, this is like

1465
01:14:06,160 --> 01:14:12,200
Speaker 1: a guy and you think you know what it is. One.

1466
01:14:12,400 --> 01:14:16,000
Speaker 1: I love and respect everything you got going on. And

1467
01:14:16,040 --> 01:14:19,320
Speaker 1: the thing about it is not only it's something I

1468
01:14:20,360 --> 01:14:23,000
Speaker 1: try to adapt from you, is you're not one track minded,

1469
01:14:23,080 --> 01:14:25,400
Speaker 1: Like I would never think of a lips sink battle,

1470
01:14:25,520 --> 01:14:28,280
Speaker 1: Like I would have never thought of like any type

1471
01:14:28,320 --> 01:14:30,679
Speaker 1: of like like how like how did you even become

1472
01:14:30,720 --> 01:14:33,040
Speaker 1: a part of that the lips Well, well what that

1473
01:14:33,280 --> 01:14:36,200
Speaker 1: was was um the idea was um um Stephen Merchant

1474
01:14:36,240 --> 01:14:38,840
Speaker 1: and John Krasinski and they brought up the failon. Failon

1475
01:14:38,960 --> 01:14:42,000
Speaker 1: came to me and Casey Patterson and j Peterson and

1476
01:14:42,240 --> 01:14:47,840
Speaker 1: um you sound rich or something picked them up all

1477
01:14:47,880 --> 01:14:51,080
Speaker 1: of them things I want to know, y'all. And then

1478
01:14:51,160 --> 01:14:53,320
Speaker 1: we uh you know, ended up doing the show, and

1479
01:14:53,400 --> 01:14:55,200
Speaker 1: it just you know, took on a life of his

1480
01:14:55,320 --> 01:14:58,040
Speaker 1: own and you know, became like this billion view YouTube

1481
01:14:58,160 --> 01:15:01,040
Speaker 1: kind of thing that with the the show. And and

1482
01:15:01,200 --> 01:15:04,400
Speaker 1: right now, you know what CBS and by common transition

1483
01:15:04,520 --> 01:15:08,240
Speaker 1: is resting, but the show is still there's still more coming. Um,

1484
01:15:08,439 --> 01:15:10,960
Speaker 1: there's you know, there's all kinds of cool stuff happening.

1485
01:15:11,040 --> 01:15:13,960
Speaker 1: There's a home edition playing around with on YouTube, There's

1486
01:15:13,960 --> 01:15:16,160
Speaker 1: all kinds of things that we're playing around with on

1487
01:15:16,280 --> 01:15:18,960
Speaker 1: social media. There's more coming. So it's just you know,

1488
01:15:19,080 --> 01:15:22,680
Speaker 1: it's just never limit yourself, man, Never limit yourself. Man, Like,

1489
01:15:23,479 --> 01:15:25,479
Speaker 1: don't limit yourself, you know what I'm saying, Like, you

1490
01:15:25,600 --> 01:15:27,880
Speaker 1: gotta be willing to do new things, trying new things,

1491
01:15:27,920 --> 01:15:29,559
Speaker 1: and like I said, you gotta be really you gotta

1492
01:15:29,640 --> 01:15:31,720
Speaker 1: risk looking stupid in order to take it to the

1493
01:15:31,840 --> 01:15:34,760
Speaker 1: next level. But follow your intuition, you know, and let

1494
01:15:34,880 --> 01:15:37,560
Speaker 1: data back that up. You know what I'm saying. You know, Like,

1495
01:15:37,800 --> 01:15:40,599
Speaker 1: you know, man, you Damon and food Wall ever thought

1496
01:15:40,640 --> 01:15:43,200
Speaker 1: about re launching foot Wall. I talked to you know,

1497
01:15:43,280 --> 01:15:45,040
Speaker 1: I talked to Damon a couple of times about that.

1498
01:15:45,120 --> 01:15:48,280
Speaker 1: I'd be open to, you know, having that conversation. But um,

1499
01:15:48,479 --> 01:15:50,840
Speaker 1: you know, that's totally totally up to damon. You know

1500
01:15:50,840 --> 01:15:53,519
Speaker 1: what I'm saying. I'm a I'm a passive owner in that. Um,

1501
01:15:53,600 --> 01:15:55,320
Speaker 1: I don't have any governance, you know what I'm saying.

1502
01:15:55,360 --> 01:15:57,920
Speaker 1: But you know, you know I own a taste, you

1503
01:15:57,960 --> 01:16:00,080
Speaker 1: know what I'm saying. Um, But I would be with it.

1504
01:16:00,280 --> 01:16:01,920
Speaker 1: I mean, you know, definitely with it. But you know

1505
01:16:02,680 --> 01:16:05,680
Speaker 1: it's so much more coming. Man, You'll be shot they

1506
01:16:05,920 --> 01:16:08,720
Speaker 1: I'm telling you, baby, like, it's so much coming man,

1507
01:16:08,840 --> 01:16:11,479
Speaker 1: by the grace of God. Like it's gonna it's gonna

1508
01:16:11,520 --> 01:16:14,240
Speaker 1: be It's gonna be really fun to introduce what I'm

1509
01:16:14,280 --> 01:16:15,920
Speaker 1: doing to the world. I think you're gonna be very

1510
01:16:16,479 --> 01:16:19,400
Speaker 1: um well, we're gonna be donn and inspired. We're gonna

1511
01:16:19,439 --> 01:16:21,479
Speaker 1: be jambing with you. Because see, I'm the type of

1512
01:16:21,560 --> 01:16:23,760
Speaker 1: person I don't want to go outside my culture. Like

1513
01:16:23,920 --> 01:16:26,200
Speaker 1: I listen when drink chance blew up. Me and my

1514
01:16:26,280 --> 01:16:29,680
Speaker 1: partner e FN. We got deals from all different offers,

1515
01:16:29,720 --> 01:16:31,840
Speaker 1: not dale, excuse me. We got offers from all different

1516
01:16:31,840 --> 01:16:34,719
Speaker 1: types of people. And and I in my career felt

1517
01:16:34,800 --> 01:16:37,200
Speaker 1: like I always did that. I always went for the

1518
01:16:37,320 --> 01:16:40,040
Speaker 1: money instead of staying with the culture. Because sometimes when

1519
01:16:40,040 --> 01:16:42,800
Speaker 1: you go for the more money you lose, creative ship

1520
01:16:43,160 --> 01:16:46,960
Speaker 1: you lose, you lose ownership, and and I just want

1521
01:16:47,000 --> 01:16:49,200
Speaker 1: to be able to beat us, like I don't ever

1522
01:16:49,360 --> 01:16:51,240
Speaker 1: want to like you know what I mean. So I

1523
01:16:51,400 --> 01:16:53,040
Speaker 1: want to stay with us. So me, I'm gonna I

1524
01:16:53,120 --> 01:16:55,840
Speaker 1: want to bring you some projects. I want to you know, yeah,

1525
01:16:55,880 --> 01:16:58,120
Speaker 1: I love Yeah, we definitely got to do some great stuff.

1526
01:16:58,120 --> 01:16:59,880
Speaker 1: I mean, you've got great creative minds. We're gonna do

1527
01:17:00,040 --> 01:17:02,040
Speaker 1: lot of stuff. You're gonna see, You're gonna see're gonna

1528
01:17:02,040 --> 01:17:04,080
Speaker 1: be excited like and and I'm gonna spread the level

1529
01:17:04,080 --> 01:17:05,760
Speaker 1: around like like people are gonna be able to win.

1530
01:17:05,840 --> 01:17:07,679
Speaker 1: It's not it's like I said, it ain't about LLL.

1531
01:17:07,800 --> 01:17:09,559
Speaker 1: You know what I'm saying. Rock the Bells is gonna

1532
01:17:09,560 --> 01:17:11,120
Speaker 1: be a nice place for a lot of people to

1533
01:17:11,160 --> 01:17:13,320
Speaker 1: do a lot of great things. It's gonna be a

1534
01:17:13,439 --> 01:17:15,439
Speaker 1: lot of you guys are gonna be able to move

1535
01:17:15,520 --> 01:17:17,160
Speaker 1: and grow and do your thing. You're gonna see you

1536
01:17:17,240 --> 01:17:20,040
Speaker 1: don't see what I mean, You're gonna be like when

1537
01:17:20,040 --> 01:17:21,760
Speaker 1: you play where we could go to and say, you

1538
01:17:21,840 --> 01:17:24,400
Speaker 1: know what, young man, but women and help with production

1539
01:17:24,520 --> 01:17:27,960
Speaker 1: because if you listen, if you shot five to ten

1540
01:17:28,200 --> 01:17:31,200
Speaker 1: videos and they were good. You know, how to be

1541
01:17:31,280 --> 01:17:36,160
Speaker 1: a producer, you just gotta apply it. If well, well,

1542
01:17:36,320 --> 01:17:39,400
Speaker 1: you know, it's kind of like it's gonna sound a

1543
01:17:39,439 --> 01:17:41,200
Speaker 1: little crazy, but it's like alloys. You know what the

1544
01:17:41,240 --> 01:17:44,160
Speaker 1: alloy is an alloy like metal. It's like if you

1545
01:17:44,280 --> 01:17:48,120
Speaker 1: take bronze intend and you put it together, that's an alloy.

1546
01:17:48,240 --> 01:17:50,680
Speaker 1: It's a mixture. Well, you know, in life, when you

1547
01:17:50,760 --> 01:17:52,880
Speaker 1: think about how people think, you know what I'm saying,

1548
01:17:53,120 --> 01:17:56,920
Speaker 1: it's it's it's it's being able to take theoretical knowledge,

1549
01:17:57,000 --> 01:18:00,160
Speaker 1: which means education that you received, and then take the

1550
01:18:00,200 --> 01:18:03,720
Speaker 1: cool experiential knowledge, which is education that you actually live,

1551
01:18:03,960 --> 01:18:07,080
Speaker 1: and you put those together alloy, and when you put

1552
01:18:07,160 --> 01:18:10,040
Speaker 1: that together like an alloy, that's when you're able to

1553
01:18:10,080 --> 01:18:11,880
Speaker 1: take it to the next level. And that's when one

1554
01:18:11,920 --> 01:18:14,200
Speaker 1: plus one can equal take it. You know what I'm saying,

1555
01:18:14,240 --> 01:18:16,960
Speaker 1: Because when you think about iron and you take that that,

1556
01:18:17,160 --> 01:18:19,519
Speaker 1: you take that other that what is it carving, I think,

1557
01:18:19,560 --> 01:18:21,559
Speaker 1: and you put it inside of iron and you create

1558
01:18:21,640 --> 01:18:24,679
Speaker 1: that steel like it's that one plus one equals cent factor.

1559
01:18:24,800 --> 01:18:27,600
Speaker 1: So what you just said is that you're saying that

1560
01:18:27,880 --> 01:18:31,040
Speaker 1: you know you have the practical knowledge, the fundamental knowledge

1561
01:18:31,400 --> 01:18:33,720
Speaker 1: just because you were on those video sets. Now, if

1562
01:18:33,760 --> 01:18:36,080
Speaker 1: you go read up a little bit and you combine that,

1563
01:18:36,520 --> 01:18:38,840
Speaker 1: you combine those two, then you be able to do

1564
01:18:39,080 --> 01:18:41,120
Speaker 1: the production or the direct thing that you want to do.

1565
01:18:41,439 --> 01:18:43,080
Speaker 1: You know what I'm saying, That's what you just described

1566
01:18:43,120 --> 01:18:45,120
Speaker 1: to me. It's like me and e fl relearned it

1567
01:18:45,200 --> 01:18:47,519
Speaker 1: and we do this ship. It's all all day, all

1568
01:18:47,560 --> 01:18:50,000
Speaker 1: this ship ourselves. So why not with other shows and

1569
01:18:50,200 --> 01:18:52,320
Speaker 1: moving on? But and mistakes and all as well. Like

1570
01:18:52,479 --> 01:18:55,360
Speaker 1: you gotta be said, be willing to make mistakes, people

1571
01:18:55,479 --> 01:18:58,519
Speaker 1: to look stupid and and and that's what we're willing

1572
01:18:58,560 --> 01:19:02,879
Speaker 1: to do all day. Don't get this courage. Everybody makes mistakes.

1573
01:19:02,960 --> 01:19:08,040
Speaker 1: Nobody's perfect. Everybody screws it up. Everybody messes it up,

1574
01:19:08,600 --> 01:19:11,960
Speaker 1: like all that perfect ship. Even the people that appear public,

1575
01:19:12,439 --> 01:19:15,960
Speaker 1: even appear perfect and public, privately they got some ship happening.

1576
01:19:16,200 --> 01:19:19,320
Speaker 1: They don't screw those things up. So it's yo. Just

1577
01:19:19,640 --> 01:19:23,160
Speaker 1: don't let the mistakes destroy you, like, just take it

1578
01:19:23,520 --> 01:19:26,559
Speaker 1: and grow and just keep going and incorporate the learnings. Baby,

1579
01:19:27,040 --> 01:19:29,320
Speaker 1: I mean, instead of be asking you like like the

1580
01:19:29,360 --> 01:19:32,400
Speaker 1: wireless experience of your career, you've been doing talking to

1581
01:19:32,520 --> 01:19:36,120
Speaker 1: your fans every day five Eastern time a p m.

1582
01:19:36,640 --> 01:19:42,200
Speaker 1: Eastern time up and Pacific simple time. Um, have you

1583
01:19:42,280 --> 01:19:44,519
Speaker 1: had a DJ college experience? Were a fan trying to

1584
01:19:44,520 --> 01:19:49,160
Speaker 1: turk for you or something? I haven't, but ain't Like

1585
01:19:49,200 --> 01:19:52,040
Speaker 1: I'm gonna just click that ship off. I like KA

1586
01:19:52,200 --> 01:19:59,000
Speaker 1: was playing it off though. Yeah it was hilarious family. Yeah, yeah, yeah, yeah, yeah,

1587
01:19:59,000 --> 01:20:00,960
Speaker 1: I don't do that. Oh no, oh you've been in

1588
01:20:01,040 --> 01:20:06,040
Speaker 1: a way Wait a minute, no no, no, no, yeah,

1589
01:20:06,080 --> 01:20:10,760
Speaker 1: yeah it was hilarious. Your Chalet's hilarious. That's your yo.

1590
01:20:10,840 --> 01:20:14,439
Speaker 1: That yo, I love yo. That posting pre picture chalet

1591
01:20:14,560 --> 01:20:17,800
Speaker 1: with the back to back side by side. ALLI gonna

1592
01:20:17,880 --> 01:20:20,080
Speaker 1: kill him, but CALLI come back off this quartinem when

1593
01:20:20,120 --> 01:20:22,880
Speaker 1: you get his joint right, stop and he cut he

1594
01:20:23,000 --> 01:20:26,160
Speaker 1: get lying right, He's gonna murder him because he did.

1595
01:20:26,360 --> 01:20:30,000
Speaker 1: Like I actually that out because I actually been to

1596
01:20:30,080 --> 01:20:33,439
Speaker 1: your shows and seeing girls faint like like you had

1597
01:20:33,520 --> 01:20:36,160
Speaker 1: seen that. I had seen that on movies before and

1598
01:20:36,280 --> 01:20:38,960
Speaker 1: like that, Like I was on the Top forty tour

1599
01:20:39,080 --> 01:20:42,200
Speaker 1: with you. I was you like jar Rule and I

1600
01:20:42,280 --> 01:20:43,960
Speaker 1: think Fat Joe and the Shanty and you was the

1601
01:20:44,000 --> 01:20:46,120
Speaker 1: closing like you had your own room and you came

1602
01:20:46,120 --> 01:20:49,400
Speaker 1: out and you handed out roses just see people faint.

1603
01:20:49,439 --> 01:20:51,000
Speaker 1: And I was like, but that was a long top.

1604
01:20:51,120 --> 01:20:52,840
Speaker 1: Don't see now, that was a long top going now

1605
01:20:52,920 --> 01:20:55,160
Speaker 1: it ain't really Ladies love Cool James. More of the legends,

1606
01:20:55,240 --> 01:20:58,120
Speaker 1: love cool j you know what, Like you know that

1607
01:21:00,920 --> 01:21:03,000
Speaker 1: girls got kids. You know what I'm saying, Like it's

1608
01:21:03,080 --> 01:21:07,120
Speaker 1: legends love cool Ja. You know, I'm telling you your

1609
01:21:07,160 --> 01:21:09,479
Speaker 1: Instagram lives the somebody gonna get you like college. I'm

1610
01:21:09,520 --> 01:21:12,720
Speaker 1: telling you, yo, you know I'm on fart like you know,

1611
01:21:14,160 --> 01:21:19,679
Speaker 1: I'm on for it. Be like yo, yo, busy, no problem.

1612
01:21:21,120 --> 01:21:27,439
Speaker 1: I want all the smoke, want all the smokes. You know,

1613
01:21:28,080 --> 01:21:30,439
Speaker 1: you know, you know recently, you know, I just wanted

1614
01:21:30,479 --> 01:21:32,960
Speaker 1: to say Chris rest and piece of Chris, like recently

1615
01:21:34,040 --> 01:21:39,759
Speaker 1: we just said his birthday. Um yeah yeah yeah, just passed.

1616
01:21:40,400 --> 01:21:44,240
Speaker 1: Um yeah, no, go ahead. I just say, like you

1617
01:21:44,280 --> 01:21:48,560
Speaker 1: would think it gets easier as time progress. And this

1618
01:21:48,760 --> 01:21:50,439
Speaker 1: is just one of the things that it's just not

1619
01:21:50,680 --> 01:21:53,080
Speaker 1: It's not like wine to me because you know why,

1620
01:21:53,200 --> 01:21:59,599
Speaker 1: because it just seems so so like unnecessary and wrong,

1621
01:22:00,000 --> 01:22:03,120
Speaker 1: am so out of character and just so bad. And

1622
01:22:03,200 --> 01:22:06,200
Speaker 1: the fact that the circumstances, you know, let's be let's

1623
01:22:06,240 --> 01:22:08,400
Speaker 1: call it what it is. The fact that they claim

1624
01:22:08,520 --> 01:22:11,040
Speaker 1: it was a suicide just doesn't sit right with anybody.

1625
01:22:11,400 --> 01:22:13,800
Speaker 1: And because of that is hard. It doesn't you can't rest,

1626
01:22:14,840 --> 01:22:17,200
Speaker 1: You can't rest. It doesn't rest. It would be different,

1627
01:22:17,600 --> 01:22:19,280
Speaker 1: you know. And we want him to be alive, but

1628
01:22:19,360 --> 01:22:21,360
Speaker 1: if somebody had shot him in front of a club,

1629
01:22:22,360 --> 01:22:25,479
Speaker 1: we at least would understand, like it, well, be at rest,

1630
01:22:26,080 --> 01:22:28,360
Speaker 1: but you know, may he rest in power. But that

1631
01:22:28,520 --> 01:22:31,519
Speaker 1: suicide thing doesn't add up because we know his character.

1632
01:22:31,880 --> 01:22:34,519
Speaker 1: He was a strong guy. He was not somebody with

1633
01:22:34,680 --> 01:22:36,600
Speaker 1: He wasn't perfect, none of us all. He was a

1634
01:22:36,720 --> 01:22:40,400
Speaker 1: strong guy. He was talented, he was brilliant, he was smart,

1635
01:22:40,680 --> 01:22:43,920
Speaker 1: he was a thinker, you know what I'm saying. You know,

1636
01:22:44,080 --> 01:22:46,640
Speaker 1: he had his team, he was a leader. You know,

1637
01:22:46,720 --> 01:22:49,080
Speaker 1: he was a man, you know, a man's man like.

1638
01:22:49,200 --> 01:22:51,639
Speaker 1: It just didn't make sense. So that's why it's kind

1639
01:22:51,680 --> 01:22:53,120
Speaker 1: of like weird, you know what I'm saying that I

1640
01:22:53,280 --> 01:22:55,040
Speaker 1: still to this day don't believe that he did that

1641
01:22:55,080 --> 01:22:58,080
Speaker 1: to him. I don't believe that. I just don't believe it,

1642
01:22:58,200 --> 01:22:59,840
Speaker 1: you know what I'm saying. And I'm never gonna know

1643
01:23:00,000 --> 01:23:01,960
Speaker 1: why they's gonna make me believe that like I just

1644
01:23:02,040 --> 01:23:04,360
Speaker 1: don't believe he did that with you and from you

1645
01:23:04,439 --> 01:23:06,400
Speaker 1: talking about that too. We were on the same level.

1646
01:23:06,880 --> 01:23:08,920
Speaker 1: My rock the Bells, we need to do like a

1647
01:23:09,040 --> 01:23:11,160
Speaker 1: violated division as well, Like you know what I'm saying

1648
01:23:11,240 --> 01:23:13,800
Speaker 1: that it's the artist managing artists, and you know what

1649
01:23:13,880 --> 01:23:16,639
Speaker 1: I mean that people like artist development. It's not even

1650
01:23:16,960 --> 01:23:19,800
Speaker 1: like I felt like that's what Violator was. Like. It

1651
01:23:20,000 --> 01:23:23,320
Speaker 1: was I remember, I remember me getting a record deal, um,

1652
01:23:24,080 --> 01:23:26,080
Speaker 1: and this is this is this is a happy point,

1653
01:23:26,400 --> 01:23:29,080
Speaker 1: me getting the record deal, me getting money and not

1654
01:23:29,200 --> 01:23:31,800
Speaker 1: knowing what to do right, Like I had nothing to do.

1655
01:23:32,200 --> 01:23:33,800
Speaker 1: But one thing I could do was I could go

1656
01:23:33,880 --> 01:23:36,599
Speaker 1: to Violator. I could get a haircut, I could roll dice,

1657
01:23:37,080 --> 01:23:39,320
Speaker 1: and I could buy some weed, all in Violator like

1658
01:23:39,720 --> 01:23:41,960
Speaker 1: and it was like it was like, yo, funk the hood.

1659
01:23:42,120 --> 01:23:45,400
Speaker 1: I'm just going to Manhattan one seven. Let's you know

1660
01:23:45,439 --> 01:23:48,360
Speaker 1: what's larious about that. I felt the same way about

1661
01:23:48,400 --> 01:23:51,880
Speaker 1: Rush Productions. That's what the cut school. It was the

1662
01:23:52,360 --> 01:23:56,000
Speaker 1: equivalent of the same feeling. Russell's up there the office.

1663
01:23:56,280 --> 01:23:57,960
Speaker 1: I'm going up there and I'm just gonna I used

1664
01:23:58,000 --> 01:24:00,479
Speaker 1: to just sit around Rush Productions waiting from something happen

1665
01:24:00,840 --> 01:24:03,400
Speaker 1: all day long, just kind of close to get it,

1666
01:24:03,560 --> 01:24:05,080
Speaker 1: close to get it. I just want to get it.

1667
01:24:05,280 --> 01:24:07,040
Speaker 1: So I'm just gonna be around here because there's something

1668
01:24:07,120 --> 01:24:09,200
Speaker 1: hot around there if you go down on one end,

1669
01:24:09,520 --> 01:24:13,240
Speaker 1: like all day long. So I went to a hundred

1670
01:24:13,280 --> 01:24:15,400
Speaker 1: percent on that. I swear to you, be, I swear

1671
01:24:15,439 --> 01:24:17,080
Speaker 1: to you. I also want to commend you on you

1672
01:24:17,200 --> 01:24:20,559
Speaker 1: commended UM saluting the Beastie Boys. I thought that was honorable.

1673
01:24:20,600 --> 01:24:23,720
Speaker 1: I saw y'all together. Yeah, yeah, yeah, you know what

1674
01:24:23,800 --> 01:24:25,800
Speaker 1: it is man, ad Rock, you know he got me

1675
01:24:25,960 --> 01:24:28,840
Speaker 1: my break like ad Rock played my demo for really

1676
01:24:29,320 --> 01:24:32,360
Speaker 1: yeah yeah, ad Rock, you know the BCT boys. He

1677
01:24:32,520 --> 01:24:36,040
Speaker 1: played my demo for Rick Rubin and UM ultimately, and

1678
01:24:36,120 --> 01:24:38,160
Speaker 1: not only did he play my demo for Rick Rubin,

1679
01:24:38,400 --> 01:24:40,560
Speaker 1: but he programmed the drums from my first song I

1680
01:24:40,680 --> 01:24:43,120
Speaker 1: Need to Beat, you know what I'm saying. So so

1681
01:24:43,280 --> 01:24:45,720
Speaker 1: it's like, you know, ad Rocket the best boys. You know,

1682
01:24:45,840 --> 01:24:48,599
Speaker 1: I owe him a lot in terms of respect and UM.

1683
01:24:48,680 --> 01:24:51,439
Speaker 1: So when they asked me, would you host UM these

1684
01:24:51,520 --> 01:24:54,559
Speaker 1: guys and have them on the channel and celebrate their

1685
01:24:54,640 --> 01:24:56,800
Speaker 1: documentary and their careers, it was a no brainer for

1686
01:24:56,840 --> 01:24:58,800
Speaker 1: me and I will always support to be I mean, look,

1687
01:24:59,040 --> 01:25:01,240
Speaker 1: I got the p book right here. You know what

1688
01:25:01,280 --> 01:25:03,000
Speaker 1: I'm saying, like, yeah, I have the book at the crib,

1689
01:25:03,080 --> 01:25:07,280
Speaker 1: look saying I got the BC Boys book right here, Yo,

1690
01:25:07,760 --> 01:25:11,080
Speaker 1: exactly because my man, you know, my man really, you know,

1691
01:25:11,240 --> 01:25:14,040
Speaker 1: he really you know, was instrumental and you know me

1692
01:25:14,200 --> 01:25:17,040
Speaker 1: being here like so you know, you know ad rockets,

1693
01:25:17,160 --> 01:25:20,120
Speaker 1: you know with what Emma's the fifty ad rockets to me?

1694
01:25:20,360 --> 01:25:22,479
Speaker 1: You know what I'm saying, like, you know he put

1695
01:25:22,560 --> 01:25:26,240
Speaker 1: me on. Yeah, yeah, that's already get a little political.

1696
01:25:26,600 --> 01:25:29,840
Speaker 1: But I'm sure you've been hand about the mad name

1697
01:25:30,240 --> 01:25:33,960
Speaker 1: all breathy, albreath, Yeah, yeah, how do you feel about that?

1698
01:25:34,120 --> 01:25:37,960
Speaker 1: Like come on, man, you know I mean, I mean,

1699
01:25:38,040 --> 01:25:43,360
Speaker 1: the real way I feel is that wow ship. I

1700
01:25:43,439 --> 01:25:49,559
Speaker 1: mean you know, like like like like the real way

1701
01:25:49,560 --> 01:25:51,680
Speaker 1: I feel is the guys that shot him, Like I

1702
01:25:51,800 --> 01:25:54,160
Speaker 1: feel like, you know, they need to be lined up

1703
01:25:54,520 --> 01:25:56,679
Speaker 1: and then every black man in America needs to stand

1704
01:25:56,680 --> 01:25:58,519
Speaker 1: on the three thousand of my line and punch them

1705
01:25:58,560 --> 01:26:00,960
Speaker 1: in their fucking face. One I want just standing in

1706
01:26:01,000 --> 01:26:03,200
Speaker 1: the line. That's how I really feel about it. And

1707
01:26:03,240 --> 01:26:05,479
Speaker 1: then on top of that, maybe you know, tighten them up,

1708
01:26:05,520 --> 01:26:07,240
Speaker 1: bend them over and tighten them up. On top of that.

1709
01:26:07,680 --> 01:26:10,640
Speaker 1: But but the way I feel about that is that

1710
01:26:10,880 --> 01:26:13,320
Speaker 1: I think on a real serious note in terms of

1711
01:26:13,360 --> 01:26:19,120
Speaker 1: our community, I feel like, um, you know this, this, this,

1712
01:26:19,400 --> 01:26:24,400
Speaker 1: this dehumanization of our people has to stop. Yes, you know,

1713
01:26:24,560 --> 01:26:27,519
Speaker 1: this dehumanization and this goes for all ethnicities, right, Like

1714
01:26:27,560 --> 01:26:31,200
Speaker 1: I'm not excluding anybody, but the de humanization of of

1715
01:26:31,479 --> 01:26:35,320
Speaker 1: of ethnic groups you know, has to stop. Man and

1716
01:26:35,560 --> 01:26:39,960
Speaker 1: and and you know, you know, white supremacy is truly

1717
01:26:40,520 --> 01:26:44,560
Speaker 1: a um a virus, you know what I'm saying. And

1718
01:26:44,680 --> 01:26:47,200
Speaker 1: there are a lot of people who have caught it generationally,

1719
01:26:47,680 --> 01:26:49,559
Speaker 1: and um, it was given to them. They didn't even

1720
01:26:49,600 --> 01:26:52,720
Speaker 1: ask for it. It was just putting their minds when

1721
01:26:52,760 --> 01:26:55,200
Speaker 1: they were children there, you know what I'm saying. Like, like,

1722
01:26:55,400 --> 01:26:57,280
Speaker 1: that's the crazy thing about it, Like, think about it.

1723
01:26:57,479 --> 01:26:59,080
Speaker 1: You have people that think that way, but they were

1724
01:26:59,160 --> 01:27:01,840
Speaker 1: taught that by their parents. So it's almost hard that

1725
01:27:01,960 --> 01:27:04,960
Speaker 1: like it's hard to fathom that you can't blame them,

1726
01:27:05,000 --> 01:27:06,920
Speaker 1: but it's like, Yo, this person was really taught this,

1727
01:27:07,120 --> 01:27:10,000
Speaker 1: Like somebody really sat around at the Donna dinner table

1728
01:27:10,040 --> 01:27:13,280
Speaker 1: and convinced them that killing a black man was okay,

1729
01:27:13,720 --> 01:27:16,920
Speaker 1: or they legitimately are afraid of the black men so

1730
01:27:17,040 --> 01:27:19,280
Speaker 1: much that they want to kill them. Right, So I

1731
01:27:19,360 --> 01:27:24,360
Speaker 1: feel like we have to, um, you know, we have

1732
01:27:24,560 --> 01:27:31,800
Speaker 1: to just you know, we have to. You know, I

1733
01:27:31,880 --> 01:27:34,600
Speaker 1: think there's there's a level of education that's required. You

1734
01:27:34,640 --> 01:27:36,680
Speaker 1: know what I'm saying, there's just a level of information

1735
01:27:36,760 --> 01:27:41,040
Speaker 1: that's that's not being um exchange, Like people are not

1736
01:27:41,200 --> 01:27:43,960
Speaker 1: really understanding who people are. Like there's a level of

1737
01:27:44,040 --> 01:27:46,160
Speaker 1: humanity that we need to connect on that we're not

1738
01:27:46,280 --> 01:27:50,040
Speaker 1: necessarily connecting on. UM. You know, and look, I care

1739
01:27:50,080 --> 01:27:52,599
Speaker 1: about my people. I want to see my people uplifted.

1740
01:27:52,600 --> 01:27:54,920
Speaker 1: I don't want to see you know, you know, young

1741
01:27:55,000 --> 01:27:57,800
Speaker 1: men and men in general people shot down like dogs

1742
01:27:57,840 --> 01:28:00,839
Speaker 1: in the street. UM. I also want to be careful

1743
01:28:00,920 --> 01:28:04,400
Speaker 1: not to generalize and just say, you know, like making

1744
01:28:04,439 --> 01:28:07,519
Speaker 1: about all white people or all this, or all all

1745
01:28:07,680 --> 01:28:10,599
Speaker 1: cops or all this, because that's not true, right, that's wrong,

1746
01:28:10,760 --> 01:28:12,920
Speaker 1: that's a foul stay, that's a wrong way to think

1747
01:28:12,920 --> 01:28:14,479
Speaker 1: about it. Because there are a lot of people who

1748
01:28:14,560 --> 01:28:17,160
Speaker 1: do care and want to see things better. So I

1749
01:28:17,280 --> 01:28:20,120
Speaker 1: just think we have to just we have to be educated.

1750
01:28:20,840 --> 01:28:23,960
Speaker 1: We gotta stay focused. Um, we gotta be wise in

1751
01:28:24,000 --> 01:28:26,640
Speaker 1: our choices, and we're just gonna have to fight the

1752
01:28:26,680 --> 01:28:29,080
Speaker 1: good fighting, you know what I'm saying. And you know, um,

1753
01:28:29,160 --> 01:28:31,960
Speaker 1: we gotta protect and defend ourselves too. I think it's

1754
01:28:32,000 --> 01:28:34,960
Speaker 1: okay crazy in this case too. And I don't know,

1755
01:28:35,200 --> 01:28:37,599
Speaker 1: maybe I don't have all the facts. Is how long

1756
01:28:37,680 --> 01:28:39,760
Speaker 1: it took for it to come out? It would have

1757
01:28:39,840 --> 01:28:42,400
Speaker 1: never came out, right, Like, you know, the real question

1758
01:28:42,520 --> 01:28:44,400
Speaker 1: is how many people died in that county that we

1759
01:28:44,479 --> 01:28:47,640
Speaker 1: don't know about exactly how long has this been going on? Right,

1760
01:28:47,840 --> 01:28:51,080
Speaker 1: It's just a lynching, It's another faint. It's just it's

1761
01:28:51,080 --> 01:28:53,560
Speaker 1: a lynching. It's a killing. It got filmed and it

1762
01:28:53,680 --> 01:28:56,160
Speaker 1: came out into the public. It's probably been going down

1763
01:28:56,280 --> 01:28:58,120
Speaker 1: down there for years, and they'd be getting away with it.

1764
01:28:58,200 --> 01:29:01,880
Speaker 1: But you know those guys, you know, um, you know

1765
01:29:02,160 --> 01:29:04,040
Speaker 1: the guys who pull the trigger in that instance, they

1766
01:29:04,479 --> 01:29:06,800
Speaker 1: deserve to be you know, putting the cell for the

1767
01:29:06,920 --> 01:29:08,680
Speaker 1: for the rest of their lives, you know what I'm saying. Like,

1768
01:29:08,960 --> 01:29:10,840
Speaker 1: I don't think killing them is the right move. I

1769
01:29:10,960 --> 01:29:13,120
Speaker 1: think they need to sit in the sell with no mattress,

1770
01:29:13,400 --> 01:29:16,080
Speaker 1: on the cold concrete floor, with no draws on, you

1771
01:29:16,120 --> 01:29:18,080
Speaker 1: know what I'm saying, and just sit there about ten

1772
01:29:18,160 --> 01:29:20,960
Speaker 1: or fifteen years. We'll be back. We'll talk soon. I

1773
01:29:21,040 --> 01:29:22,640
Speaker 1: talked to you about ten or fifteen, and see how

1774
01:29:22,680 --> 01:29:24,760
Speaker 1: you're feeling, you know, slice of bread of day, half

1775
01:29:24,760 --> 01:29:26,920
Speaker 1: a couple of water, just chill out, you know what

1776
01:29:26,960 --> 01:29:30,120
Speaker 1: I mean, Because it's just it's senseless. You don't have

1777
01:29:30,280 --> 01:29:32,080
Speaker 1: to kill people, you know what I'm saying. And you

1778
01:29:32,120 --> 01:29:34,400
Speaker 1: don't have to run around and treat people like they're inhumane,

1779
01:29:34,760 --> 01:29:37,080
Speaker 1: like I mean, like they're not human, like they're subhuman

1780
01:29:37,600 --> 01:29:40,800
Speaker 1: and with this inhumane treatment. So you know, that's how

1781
01:29:40,800 --> 01:29:42,519
Speaker 1: I feel about it. But I also think that on

1782
01:29:42,600 --> 01:29:44,400
Speaker 1: the flip side of that, as a country and as

1783
01:29:44,439 --> 01:29:46,720
Speaker 1: a nation, we need to come together, right. I think

1784
01:29:46,760 --> 01:29:49,720
Speaker 1: that injustice needs to be dealt with, yes, But at

1785
01:29:49,760 --> 01:29:52,000
Speaker 1: the same time, as a nation, all of us, we

1786
01:29:52,160 --> 01:29:54,360
Speaker 1: need to come together. There needs to be a healing,

1787
01:29:54,880 --> 01:29:58,479
Speaker 1: you know what I'm saying. There needs to be um uh,

1788
01:29:58,960 --> 01:30:01,519
Speaker 1: you know, the like minded people need to come together,

1789
01:30:01,680 --> 01:30:04,559
Speaker 1: and there needs to be the spirit of love, not weakness,

1790
01:30:04,680 --> 01:30:07,679
Speaker 1: not foolishness, but just a spirit of love that needs

1791
01:30:07,760 --> 01:30:10,760
Speaker 1: to you know, permeate our society. And I think that

1792
01:30:10,880 --> 01:30:13,640
Speaker 1: that's part of it too. But it's also about exposure.

1793
01:30:13,840 --> 01:30:15,519
Speaker 1: A lot of the people that think that way are

1794
01:30:15,600 --> 01:30:18,840
Speaker 1: never having been exposed to anything. You know, there's in

1795
01:30:18,920 --> 01:30:22,559
Speaker 1: the same community, homogeneous society, doing the same things every

1796
01:30:22,640 --> 01:30:25,400
Speaker 1: day for a hundred years and thinking the same thought

1797
01:30:25,520 --> 01:30:29,360
Speaker 1: and talking to the same people, reinforcing this this this this,

1798
01:30:29,600 --> 01:30:35,720
Speaker 1: this archaic infrastructure of thinking. It's archaic. Yeah, this archaic mindset,

1799
01:30:36,160 --> 01:30:40,000
Speaker 1: you know what I'm saying. And philosophy. So, um, that's

1800
01:30:40,040 --> 01:30:41,360
Speaker 1: what I feel about it. But I want to see

1801
01:30:41,360 --> 01:30:43,200
Speaker 1: how people be good. That's why I think. You know,

1802
01:30:43,479 --> 01:30:46,560
Speaker 1: iron shop desiron. I think each one, teach one. I

1803
01:30:46,640 --> 01:30:48,760
Speaker 1: think you gotta be proud of who you are. You've

1804
01:30:48,760 --> 01:30:50,280
Speaker 1: got a man up as a man. Take care of

1805
01:30:50,360 --> 01:30:53,000
Speaker 1: your family, take care of your children, take care of

1806
01:30:53,040 --> 01:30:54,960
Speaker 1: your wife, take care of your kids, take care of

1807
01:30:55,000 --> 01:30:58,280
Speaker 1: the mother your children. You know, keep your community safe.

1808
01:30:58,680 --> 01:31:01,519
Speaker 1: You know, if you gotta long rake it, cut it,

1809
01:31:01,640 --> 01:31:04,040
Speaker 1: mow it. If you got an apartment and you're interjects,

1810
01:31:04,320 --> 01:31:06,679
Speaker 1: you don't be the one to de pists in the elevator.

1811
01:31:06,800 --> 01:31:10,080
Speaker 1: Keep it clean, keep you your area clean. Um, you know,

1812
01:31:10,400 --> 01:31:13,120
Speaker 1: take care of your people. Take let's take of each other,

1813
01:31:13,320 --> 01:31:15,519
Speaker 1: take pride and what and how we move. You know

1814
01:31:15,560 --> 01:31:17,280
Speaker 1: what I'm saying. I think that that's part of it.

1815
01:31:17,479 --> 01:31:19,240
Speaker 1: And you know, look, this is a tough time, man,

1816
01:31:19,280 --> 01:31:22,880
Speaker 1: because people were suffering before coronavirus, man like people was

1817
01:31:22,960 --> 01:31:25,240
Speaker 1: really suffering people out here. You know, we get caught

1818
01:31:25,320 --> 01:31:27,840
Speaker 1: up in a little bit of a bubble because, you know,

1819
01:31:28,400 --> 01:31:31,479
Speaker 1: we we have conversations about the Forbes and who's rich

1820
01:31:31,600 --> 01:31:34,400
Speaker 1: and who's got this and who's got that. But there's

1821
01:31:34,439 --> 01:31:37,200
Speaker 1: people out here hurting, man, and we can't forget them.

1822
01:31:37,760 --> 01:31:40,000
Speaker 1: You know what I'm saying. It's not about always about

1823
01:31:40,080 --> 01:31:42,439
Speaker 1: the cover of Forbes and rubbing money in people's faces.

1824
01:31:42,640 --> 01:31:45,439
Speaker 1: Sometimes it's about connecting with the people and making sure

1825
01:31:45,479 --> 01:31:47,280
Speaker 1: that they are right, and making sure that your community

1826
01:31:47,320 --> 01:31:49,599
Speaker 1: and your culture is being uplifted, you know what I'm saying.

1827
01:31:50,000 --> 01:31:52,800
Speaker 1: So um, I think putting that wise word out there

1828
01:31:52,880 --> 01:31:55,360
Speaker 1: for those kids, putting that wise word out there for those,

1829
01:31:55,600 --> 01:31:58,280
Speaker 1: for those, for for all our people. You know, it's important.

1830
01:31:58,280 --> 01:32:00,720
Speaker 1: And that's for Americans in general, not just I'm not

1831
01:32:00,800 --> 01:32:03,599
Speaker 1: trying to exclude whites Latinos like I think all of them.

1832
01:32:03,800 --> 01:32:06,439
Speaker 1: You know what I'm saying. Everybody deserves to be treated

1833
01:32:06,479 --> 01:32:09,920
Speaker 1: with dignity and respect. And that's what it's about. And

1834
01:32:09,960 --> 01:32:12,960
Speaker 1: it's more to life than just money man Like it's important,

1835
01:32:13,640 --> 01:32:15,840
Speaker 1: it's needed, But there's more to life than just that,

1836
01:32:16,040 --> 01:32:18,200
Speaker 1: you know what I'm saying. There's dignity to you know

1837
01:32:18,200 --> 01:32:22,200
Speaker 1: what I'm saying, self respect real. So, um, with the

1838
01:32:22,280 --> 01:32:24,519
Speaker 1: States opening up with its coronavirus, and this is why

1839
01:32:24,560 --> 01:32:27,560
Speaker 1: your last question, Um, the States open up with the coronavirus.

1840
01:32:27,680 --> 01:32:31,240
Speaker 1: But you seeing that it's it's like almost asinon because

1841
01:32:31,280 --> 01:32:34,080
Speaker 1: the cases are going up, So why why were we

1842
01:32:34,240 --> 01:32:39,000
Speaker 1: over it? Almost like people like guinea pigs. Yeah, you

1843
01:32:39,040 --> 01:32:42,720
Speaker 1: know there's an old saying. Man, a mouse only season inch, right, Like,

1844
01:32:42,840 --> 01:32:44,599
Speaker 1: so when it's staring at the cheese and the trap,

1845
01:32:44,800 --> 01:32:47,000
Speaker 1: it doesn't see That's how the trap works. It only

1846
01:32:47,080 --> 01:32:50,000
Speaker 1: sees the cheese. It don't see the right So it's

1847
01:32:50,040 --> 01:32:51,840
Speaker 1: like a mouse seeson inch, you know what I'm saying.

1848
01:32:51,880 --> 01:32:55,360
Speaker 1: So I would say that people like can't can't go

1849
01:32:55,520 --> 01:32:58,080
Speaker 1: for that, like you know, just because it's open doesn't

1850
01:32:58,120 --> 01:33:00,160
Speaker 1: mean you know, that's like you know, that's like get

1851
01:33:00,520 --> 01:33:02,320
Speaker 1: if the doors of the elevator open and there ain't

1852
01:33:02,320 --> 01:33:04,320
Speaker 1: no elevator in there, you're gonna jump down the shaft

1853
01:33:04,479 --> 01:33:07,560
Speaker 1: just because it's open. Oh, it's open, so you know

1854
01:33:07,880 --> 01:33:10,479
Speaker 1: let's go open. It's open. You know they've open here.

1855
01:33:10,640 --> 01:33:12,599
Speaker 1: And that's basically what we're dealing with. Like you've got

1856
01:33:12,640 --> 01:33:14,599
Speaker 1: people that bring the elevator. I just want to get

1857
01:33:14,640 --> 01:33:19,240
Speaker 1: on the elevator. I'm sicking. Elevated doors open, No elevator.

1858
01:33:19,240 --> 01:33:21,080
Speaker 1: I don't get that. Damn Well, you know what I'm thinking, Like,

1859
01:33:21,439 --> 01:33:25,559
Speaker 1: it's ridiculous. People need to chill out me. I know. Look,

1860
01:33:25,640 --> 01:33:28,240
Speaker 1: we got introverted extroverts. You know me, I'm a little

1861
01:33:28,240 --> 01:33:30,200
Speaker 1: more introverted, so I don't have no problem staying in

1862
01:33:30,240 --> 01:33:33,760
Speaker 1: the house. Extroverts going nuts. They want to pulay, they

1863
01:33:33,840 --> 01:33:38,880
Speaker 1: wanna pullay ears off. They know when people they're going crazy. Um,

1864
01:33:39,280 --> 01:33:42,040
Speaker 1: but I would say this, look in all of these cities,

1865
01:33:42,120 --> 01:33:46,280
Speaker 1: Look yo, do your social distancing. Yes, there are people

1866
01:33:46,280 --> 01:33:48,720
Speaker 1: who in situations where they absolutely have to go out.

1867
01:33:48,800 --> 01:33:50,960
Speaker 1: They have no choice. They either have to go food

1868
01:33:51,040 --> 01:33:53,120
Speaker 1: shopping daily because they can't they don't have enough to

1869
01:33:53,200 --> 01:33:55,400
Speaker 1: like stock up. They may have to do go get

1870
01:33:55,439 --> 01:33:58,200
Speaker 1: a sandwich. You have people that have certain jobs they

1871
01:33:58,280 --> 01:34:00,800
Speaker 1: have to do because everything that the world will collapse

1872
01:34:00,840 --> 01:34:02,840
Speaker 1: if they don't go to work. I respect that, but

1873
01:34:03,000 --> 01:34:06,840
Speaker 1: unless you absolutely positively got to do that chill out,

1874
01:34:06,880 --> 01:34:08,679
Speaker 1: like all that going to get your hand nails done.

1875
01:34:08,920 --> 01:34:10,840
Speaker 1: Like I told my wife, I'm like, listen, listen, listen,

1876
01:34:11,040 --> 01:34:12,840
Speaker 1: I just want to get my head. Yeah. We got

1877
01:34:12,920 --> 01:34:16,800
Speaker 1: scarfs right like, how do scarfs look? You got the

1878
01:34:17,280 --> 01:34:20,080
Speaker 1: Gucci scarf looking good right now? Like you know, girls

1879
01:34:20,160 --> 01:34:22,160
Speaker 1: like we get things. You know, we get the nails done.

1880
01:34:22,200 --> 01:34:24,160
Speaker 1: You know, just you know, you know you know what

1881
01:34:24,200 --> 01:34:28,720
Speaker 1: I mean? What's you know you do this? Give me

1882
01:34:28,800 --> 01:34:33,040
Speaker 1: this because it's like, yo, come on man, like ladies, ladies,

1883
01:34:33,080 --> 01:34:35,320
Speaker 1: you don't need your hand nails done right now. Ladies

1884
01:34:35,600 --> 01:34:40,280
Speaker 1: don't risk don't risk death. Don't risk death to get

1885
01:34:40,320 --> 01:34:42,559
Speaker 1: your nails in their head done. Ladies like chill out.

1886
01:34:42,680 --> 01:34:44,840
Speaker 1: I know you want to pedicure baby, I know you

1887
01:34:44,960 --> 01:34:46,560
Speaker 1: like it. I know you like when when when do

1888
01:34:46,600 --> 01:34:49,000
Speaker 1: when chanique or scratches your scout. I know you want

1889
01:34:49,040 --> 01:34:51,880
Speaker 1: to get this scratch so bad it's dropping you as saying, ladies,

1890
01:34:51,920 --> 01:34:55,400
Speaker 1: but just chill out, you know what I mean? I

1891
01:34:55,400 --> 01:34:58,040
Speaker 1: would tell anybody be easy. My last question, you think

1892
01:34:58,120 --> 01:35:00,519
Speaker 1: this will ever get back to normal? Or I think no.

1893
01:35:00,600 --> 01:35:02,280
Speaker 1: I think it'll be a different type of normal. I

1894
01:35:02,320 --> 01:35:05,080
Speaker 1: think it'll be different from this. Um I think, but

1895
01:35:05,160 --> 01:35:07,320
Speaker 1: it'll be there will be some sort of new normal

1896
01:35:07,439 --> 01:35:10,160
Speaker 1: because I think, like, you know, people are just gonna

1897
01:35:10,240 --> 01:35:12,439
Speaker 1: feel differently, right, Like they say, you can tell a

1898
01:35:12,520 --> 01:35:14,360
Speaker 1: lot about a person about how the world was when

1899
01:35:14,360 --> 01:35:17,519
Speaker 1: they're in their twenties, so you know, you know, so

1900
01:35:17,680 --> 01:35:20,320
Speaker 1: when people in their twenties now, you know, forty years

1901
01:35:20,360 --> 01:35:22,040
Speaker 1: from now, they're being their sixties, they might have a

1902
01:35:22,120 --> 01:35:24,360
Speaker 1: mask on somewhere, like you know, you look at then

1903
01:35:24,800 --> 01:35:26,320
Speaker 1: look at that oh dude with the mask, but he

1904
01:35:26,479 --> 01:35:31,800
Speaker 1: remembers the coronavirus. So you know, it's like, you know,

1905
01:35:32,080 --> 01:35:34,479
Speaker 1: I think that there will be a new normal. I

1906
01:35:34,479 --> 01:35:37,400
Speaker 1: don't think it will be exactly this. Things will change,

1907
01:35:37,479 --> 01:35:41,280
Speaker 1: but you know, look, adapt, just adapt. That's one thing

1908
01:35:41,320 --> 01:35:44,559
Speaker 1: about you know, you know our people in the American general,

1909
01:35:44,600 --> 01:35:47,479
Speaker 1: Americans are dat man, you know, we adapt, people adapt,

1910
01:35:47,600 --> 01:35:50,160
Speaker 1: you know what I'm saying. And then the subcultures in America, right,

1911
01:35:50,240 --> 01:35:52,880
Speaker 1: like not subcultures, but other ethnicities other than white, like

1912
01:35:53,200 --> 01:35:56,840
Speaker 1: Latinos and Blacks and people from Haiti, you know, you know,

1913
01:35:57,000 --> 01:36:01,280
Speaker 1: Dominican Republic, Puerto Rican you know have been like you know,

1914
01:36:01,439 --> 01:36:06,040
Speaker 1: people from all over the world, like yeah, Italian people adapt,

1915
01:36:06,120 --> 01:36:08,920
Speaker 1: so we adapt, We adapt, so you know we're gonna

1916
01:36:08,960 --> 01:36:11,320
Speaker 1: be right, man, We're gonna be right. They well, I

1917
01:36:11,880 --> 01:36:14,360
Speaker 1: thank you, man, thank you so much. Man. One love

1918
01:36:14,479 --> 01:36:19,000
Speaker 1: man man. Oh oh yeah, oh just that Andrea, yeah

1919
01:36:19,120 --> 01:36:22,240
Speaker 1: one one totally date great, great great. Before we get

1920
01:36:22,320 --> 01:36:23,640
Speaker 1: up out here, I know you had a relationship with

1921
01:36:23,720 --> 01:36:31,439
Speaker 1: Andre Herrell. Yeah, yeah, sidesliped everybody. Yeah, man, Andre, Andrea

1922
01:36:31,560 --> 01:36:33,280
Speaker 1: was in my scene and crush grew when I you know,

1923
01:36:33,400 --> 01:36:36,519
Speaker 1: when I first got on you know Andre, you know

1924
01:36:36,680 --> 01:36:39,400
Speaker 1: I've known Andrea long time. I remember, you know, I

1925
01:36:39,600 --> 01:36:41,960
Speaker 1: was at the office when Andre came up with the

1926
01:36:42,040 --> 01:36:44,080
Speaker 1: idea for Uptown Records. We was down there at Rush

1927
01:36:44,160 --> 01:36:46,000
Speaker 1: and Russell's office and he was sitting there telling me,

1928
01:36:46,640 --> 01:36:48,240
Speaker 1: you know, the story about how he was gonna get

1929
01:36:48,320 --> 01:36:51,200
Speaker 1: artists and now he's gonna make money and give them points.

1930
01:36:51,280 --> 01:36:54,400
Speaker 1: And he was explaining to me the whole vision, the

1931
01:36:54,479 --> 01:36:57,000
Speaker 1: whole Champagne of wrap. You know, because me and Jacklin

1932
01:36:57,080 --> 01:36:59,400
Speaker 1: Hide I called Andre Jack Me and Jack you know,

1933
01:36:59,520 --> 01:37:01,519
Speaker 1: you know, we going tour together, you know what I'm saying.

1934
01:37:01,840 --> 01:37:04,200
Speaker 1: And I'm going to shows together and concerts together, like

1935
01:37:04,320 --> 01:37:07,160
Speaker 1: I did concerts with Andre Horrall on the regular. So

1936
01:37:07,320 --> 01:37:11,880
Speaker 1: it's like UM, you know it's it's I'm sorry that

1937
01:37:12,040 --> 01:37:14,880
Speaker 1: he's gone, and UM, I pray rest in power. The man,

1938
01:37:15,000 --> 01:37:17,960
Speaker 1: his legacy is is amazing. I think his children and

1939
01:37:18,080 --> 01:37:20,680
Speaker 1: his family, the mother of his child, his child, his

1940
01:37:20,800 --> 01:37:23,439
Speaker 1: son Gianni, I think they should be really proud of it.

1941
01:37:23,600 --> 01:37:26,880
Speaker 1: That really proud of who he who he was, uh,

1942
01:37:27,000 --> 01:37:29,680
Speaker 1: and what he did for the world and the contribution

1943
01:37:29,800 --> 01:37:32,000
Speaker 1: that he made to our culture. I mean, it'll never

1944
01:37:32,120 --> 01:37:36,080
Speaker 1: be forgotten. So yeah, he was. Um, he was a special,

1945
01:37:36,280 --> 01:37:38,479
Speaker 1: special individual and he was there for me, with me

1946
01:37:38,640 --> 01:37:41,960
Speaker 1: since the very beginning. I knew him from day one,

1947
01:37:42,080 --> 01:37:44,759
Speaker 1: you know what I'm saying, Like since I was sixteen,

1948
01:37:44,800 --> 01:37:47,240
Speaker 1: I knew Andre Horres, you know what I'm saying. So

1949
01:37:47,439 --> 01:37:52,120
Speaker 1: it's it's crazy, man, you know. Um, you know, I

1950
01:37:52,200 --> 01:37:54,840
Speaker 1: don't know what to say. Man. I just uh, I

1951
01:37:54,920 --> 01:37:59,320
Speaker 1: hope his son is okay, and you know, I hope

1952
01:37:59,360 --> 01:38:02,880
Speaker 1: that his family is is lifted up and embraced and UM,

1953
01:38:04,280 --> 01:38:08,880
Speaker 1: it's really sad, bro Rest in peace, Andre. Show dedicated

1954
01:38:08,920 --> 01:38:12,880
Speaker 1: to you, to family condolences, uh, to revolt family, to

1955
01:38:13,240 --> 01:38:16,240
Speaker 1: to the Coonses. Everybody is hit And you know what,

1956
01:38:16,360 --> 01:38:17,880
Speaker 1: I'm glad you said. I want to I just want

1957
01:38:17,920 --> 01:38:19,720
Speaker 1: to send a message to Diddy. You know, I'm sure

1958
01:38:19,840 --> 01:38:22,320
Speaker 1: he'll If he doesn't see it, maybe he'll see this part.

1959
01:38:22,600 --> 01:38:24,400
Speaker 1: I just want to tell you, man, keep your head up, bro.

1960
01:38:24,960 --> 01:38:26,320
Speaker 1: I know he was like a dad to you. I

1961
01:38:26,400 --> 01:38:28,439
Speaker 1: know you lost you know, your father when you were young.

1962
01:38:29,120 --> 01:38:33,040
Speaker 1: And I know Andre has been you know, by your side,

1963
01:38:33,120 --> 01:38:36,479
Speaker 1: giving you advice and and and and just being there

1964
01:38:36,560 --> 01:38:38,840
Speaker 1: for you for many years. And um, I just want

1965
01:38:38,840 --> 01:38:41,000
Speaker 1: to tell you to stay courage home and I wish

1966
01:38:41,040 --> 01:38:43,120
Speaker 1: you all the best with your life and your career.

1967
01:38:43,400 --> 01:38:46,320
Speaker 1: And I wish you love, and I just wish your

1968
01:38:46,320 --> 01:38:48,120
Speaker 1: family the best. I know it hasn't been easy for

1969
01:38:48,200 --> 01:38:50,479
Speaker 1: you recently. So I just want to tell you, you know,

1970
01:38:50,560 --> 01:38:52,400
Speaker 1: I got love for you on me and stay strong,

1971
01:38:52,479 --> 01:38:56,679
Speaker 1: you know, I mean, rest, rest and loved. It seems

1972
01:38:56,720 --> 01:38:59,120
Speaker 1: like since Kobe, like right, it's been crazy, Like yeah,

1973
01:38:59,120 --> 01:39:01,120
Speaker 1: that was tough. That was that was tough too. I mean,

1974
01:39:02,000 --> 01:39:04,800
Speaker 1: I mean Kobe, Kobe was on in the House when

1975
01:39:04,840 --> 01:39:06,639
Speaker 1: he was a rookie. Man, he was on my sitcom.

1976
01:39:06,760 --> 01:39:08,840
Speaker 1: You know he did guess some character you no know what?

1977
01:39:09,040 --> 01:39:11,920
Speaker 1: Um he did it with Derek Um Derek Fisher. Okay, No, yeah,

1978
01:39:12,160 --> 01:39:14,000
Speaker 1: you're thinking you're thinking about Mosha in the house with

1979
01:39:14,120 --> 01:39:16,840
Speaker 1: Maya Campbell. May She she's another one going through a

1980
01:39:16,920 --> 01:39:19,120
Speaker 1: lot of things she has to I tried to reach

1981
01:39:19,160 --> 01:39:22,439
Speaker 1: out to her, and it's just, you know, I just couldn't.

1982
01:39:22,479 --> 01:39:26,439
Speaker 1: I couldn't realize him, you know, but that yeah, but yeah,

1983
01:39:26,520 --> 01:39:30,360
Speaker 1: Kobe was definitely, um, you know, a guest on my show.

1984
01:39:30,680 --> 01:39:32,760
Speaker 1: Him and Derek Fisher, they were both rookies at the time,

1985
01:39:32,800 --> 01:39:35,080
Speaker 1: and we hung out a line and you know, he

1986
01:39:35,200 --> 01:39:37,760
Speaker 1: was another really special dude. And I watched him grow

1987
01:39:37,800 --> 01:39:42,840
Speaker 1: up as a man and uh, yeah, special well man.

1988
01:39:43,000 --> 01:39:45,920
Speaker 1: You know. Sorry, ended on a sad note. That's all love, now,

1989
01:39:46,000 --> 01:39:48,680
Speaker 1: that's all love. You know, you're a great example for

1990
01:39:48,760 --> 01:39:51,439
Speaker 1: people to uh when you transition. You know, you know

1991
01:39:51,560 --> 01:39:54,000
Speaker 1: what you know, I always told people wrappings, just the

1992
01:39:54,120 --> 01:39:56,560
Speaker 1: vehicle wrappings, a place that gets you just somewhere so

1993
01:39:56,640 --> 01:39:59,240
Speaker 1: you could go on to something else. And I had

1994
01:39:59,280 --> 01:40:01,320
Speaker 1: that blueprint from you. You know what I'm saying, like,

1995
01:40:01,479 --> 01:40:03,720
Speaker 1: you know, you dominated rapping. You went on and did

1996
01:40:03,800 --> 01:40:05,920
Speaker 1: this and did that, and that's what I'm trying to do.

1997
01:40:06,000 --> 01:40:07,639
Speaker 1: And I'm gonna continue to try to do that. Walk

1998
01:40:07,680 --> 01:40:09,960
Speaker 1: in your footsteps, and even if I come up a

1999
01:40:10,080 --> 01:40:12,080
Speaker 1: little short as long as I you know, I'm out

2000
01:40:12,120 --> 01:40:14,760
Speaker 1: there winning, I'm doing my thing. I'm enjoying what I'm doing.

2001
01:40:14,960 --> 01:40:19,760
Speaker 1: I'm enjoying, uh, respecting my legends. I'm I'm enjoying um uh.

2002
01:40:19,920 --> 01:40:22,559
Speaker 1: And I want us to continue to celebrate life because

2003
01:40:22,600 --> 01:40:24,120
Speaker 1: we never know. You know what I mean, then we're

2004
01:40:24,120 --> 01:40:26,640
Speaker 1: gonna celebrate it too. And you know you keep doing it. Man,

2005
01:40:26,680 --> 01:40:31,720
Speaker 1: you're doing great things. Yes man, thank you brother. Love

2006
01:40:31,840 --> 01:40:37,320
Speaker 1: y'all piece be good right? You don't know? Thanks that five?

2007
01:40:38,040 --> 01:40:39,920
Speaker 1: I drinking the whole episode. Do you want to drink

2008
01:40:40,680 --> 01:40:46,920
Speaker 1: to Friday? Wait to Friday? Yeah? It was good, No much.

2009
01:40:46,960 --> 01:40:49,200
Speaker 1: You guys wanted to wrap it up real quickly talk

2010
01:40:49,240 --> 01:40:53,120
Speaker 1: to each other. Yeah, see every episode we do, once

2011
01:40:53,200 --> 01:40:54,800
Speaker 1: we do it, I want to drop that one next

2012
01:40:55,400 --> 01:40:59,040
Speaker 1: like it's you got rid of that. That's why. That's

2013
01:40:59,040 --> 01:41:00,479
Speaker 1: why I told you last time we can only do

2014
01:41:00,600 --> 01:41:02,559
Speaker 1: one at a time because if we do too, it's

2015
01:41:02,600 --> 01:41:05,600
Speaker 1: gonna be hard to know what he wanted to do.

2016
01:41:05,720 --> 01:41:08,360
Speaker 1: I like that wasn't next, Like because like everything you

2017
01:41:08,479 --> 01:41:11,320
Speaker 1: tough from Andre Brow this is like this week. Yeah,

2018
01:41:11,439 --> 01:41:13,640
Speaker 1: but it's Kevin Man, It's it's tough for him. No

2019
01:41:14,840 --> 01:41:17,800
Speaker 1: are you ready. Yeah, so there's an intro to ultro.

2020
01:41:18,479 --> 01:41:22,400
Speaker 1: That's ultro, all right, cool man, don't ship man. We

2021
01:41:22,479 --> 01:41:24,920
Speaker 1: had first of all, as she laughed, I don't know

2022
01:41:24,960 --> 01:41:28,240
Speaker 1: what I keep calling him as yo, he is hilarious.

2023
01:41:28,680 --> 01:41:30,320
Speaker 1: I'm gonna have to I'm gonna have to correct him.

2024
01:41:30,520 --> 01:41:33,360
Speaker 1: I think you called me a white boy. Appreciate that

2025
01:41:33,479 --> 01:41:36,200
Speaker 1: ship she just do not appreciate that she was. Do

2026
01:41:36,280 --> 01:41:38,920
Speaker 1: not appreciate when they call you what. But the other

2027
01:41:39,040 --> 01:41:42,040
Speaker 1: slip side of it is as it was that funny man,

2028
01:41:42,680 --> 01:41:47,240
Speaker 1: I could accept the hilariousness of it. Donell man. I've

2029
01:41:47,240 --> 01:41:48,960
Speaker 1: been wanting to get him on drink Chat, but a

2030
01:41:49,000 --> 01:41:52,760
Speaker 1: fan of the following him, I thought that that was awkward. Okay, boy,

2031
01:41:53,040 --> 01:41:56,760
Speaker 1: I was sweating now that was That was awkward. Great greatness.

2032
01:41:58,520 --> 01:42:01,719
Speaker 1: That was that made that made a quarantine Drink Chance

2033
01:42:01,760 --> 01:42:05,840
Speaker 1: episode real Yes, awkwardness. And I want people to know

2034
01:42:06,080 --> 01:42:09,320
Speaker 1: we did not cut him off because you see, he bounced.

2035
01:42:10,320 --> 01:42:14,120
Speaker 1: He bounced. He might be still here listening camera's lingering,

2036
01:42:14,439 --> 01:42:17,000
Speaker 1: which ain't no problem. But this is we were keeping

2037
01:42:17,720 --> 01:42:20,120
Speaker 1: the essence of Drink Chance, putting people together that not

2038
01:42:20,280 --> 01:42:24,280
Speaker 1: necessarily blowing together. And I think there's another episode of

2039
01:42:24,320 --> 01:42:26,560
Speaker 1: fund Man. We got uh Twin up there. You know

2040
01:42:26,600 --> 01:42:30,519
Speaker 1: what I'm saying to see twin Twins love you homie.

2041
01:42:30,720 --> 01:42:33,360
Speaker 1: Twin was here with this time and he's right on

2042
01:42:33,439 --> 01:42:37,479
Speaker 1: the OL's box too. So great. Another great episode man,

2043
01:42:37,840 --> 01:42:41,400
Speaker 1: we were knocking it out my brother, salute and stay safe,

2044
01:42:41,479 --> 01:42:45,000
Speaker 1: keep the family safe. Absolutely say to you one up pieces.

2045
01:42:46,280 --> 01:42:48,679
Speaker 1: Thanks for joining us for another episode of Drink Champs

2046
01:42:48,760 --> 01:42:51,160
Speaker 1: hosted by yours truly, d J E F Fenn and

2047
01:42:51,320 --> 01:42:53,400
Speaker 1: n O r E. Please make sure to follow us

2048
01:42:53,400 --> 01:42:56,640
Speaker 1: on all our socials. Let's add Drink Champs across all platforms.

2049
01:42:57,200 --> 01:43:00,160
Speaker 1: At the real Noriagan, I g at no A go

2050
01:43:00,240 --> 01:43:02,960
Speaker 1: on Twitter, Mine is at Who's Crazy on I g

2051
01:43:03,760 --> 01:43:06,559
Speaker 1: at d J E F n on Twitter, and most importantly,

2052
01:43:06,600 --> 01:43:09,400
Speaker 1: stay up to date with the latest releases, news and

2053
01:43:09,600 --> 01:43:11,920
Speaker 1: merch by going to drink Champs dot com