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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Garnishing your hand with pineapple

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Speaker 1: parent with a delicious Chardonnay to make their taste bud swirl.

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Speaker 1: Deviled eggs are even better when paired with a light,

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Speaker 1: dry wine like a bubbly Prosecco or a Pinot Grizzy.

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Speaker 1: For me, nothing beats recommending a great wine, and with

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Speaker 1: such an extensive selection, I can help you find the

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Speaker 1: perfect one in your budget, whether you're hosting or just bring.

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Speaker 1: The wine we love to share are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine and More. Cheers.

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Speaker 1: He's a legendary Queen's rapper, Hang segues your Boy, and

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Speaker 1: he's a Miami hip hop pioneer. What Up is d

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Speaker 1: J e f N. Together they drink it up with

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Speaker 1: some of the biggest players in music and sports. You know,

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Speaker 1: I mean, the most professional, unprofessional podcast and your number

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Speaker 1: one source for drunk facts. This is Drinks Chat rad

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Speaker 1: to every Day is New Year's e Round. He hands

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Speaker 1: It's Your Boy and butt up his DJ chest Mother podcast.

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Speaker 1: And right now we've got a guy who's been in

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Speaker 1: this game and played it honorable the whole time. Self

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Speaker 1: proclaimed King of Philly. I've been doing it just the

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Speaker 1: major figure day been the boss, came in the game,

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Speaker 1: out here doing it's still out here smiling, looking good,

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Speaker 1: jury shining. You know what I mean? Necklace is heavy.

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Speaker 1: Seeing this Graham the other day, he was yesterday or today,

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Speaker 1: he was an open locker and he scared a dog away.

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Speaker 1: I loved. Right now we talk about my homeboy, Gilly,

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Speaker 1: the kid in the building, Philly. What's up, Gilly? I

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Speaker 1: gotta get straight to it, Gilly. You know Chicago looks

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Speaker 1: like the dangerous city, but Philadelphia right now, it looks

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Speaker 1: like the most out of control. Uh yeah, yeah, we

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Speaker 1: definitely out of a lot of history, a lot of history.

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Speaker 1: But you know, I want to start that you know,

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Speaker 1: this this off by saying because you know Nory said,

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Speaker 1: you know, self proclaimed king of Philly. No, I'm the

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Speaker 1: People's chair. I know that people. Yeah, I wanted you

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Speaker 1: to like people know that people called me the King

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Speaker 1: of Phillis you feel what I'm saying? I mean, and

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Speaker 1: it's you could go to the internet. That is that

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Speaker 1: where like um when because I think you had a

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Speaker 1: King of Philly project correct, King of Philly one two

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Speaker 1: and three. Okay, man, is that where like your dispute

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Speaker 1: differences arrived with Beans or me and Bean has never

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Speaker 1: had no differences over that. I mean, Beans is the

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Speaker 1: Broad Street bully. You know that's a little one that

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Speaker 1: never wanted to be that. You know, I mean at

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Speaker 1: the end of the day, when you look at all

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Speaker 1: the young when you look at all the young kids

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Speaker 1: that's coming up from Philip for you and name them,

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Speaker 1: do you say who helped you? They're gonna say Gilly

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Speaker 1: because you were like technically like the first one on

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Speaker 1: with major figures, absolutely, and major figures that was at

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Speaker 1: live is in there rolling yo, yo, Listen, Philly got

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Speaker 1: matched Tilling absolutely as the beginning of round bars absolutely,

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Speaker 1: will Smith lamp slide. They had some you know, they

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Speaker 1: was funny. Ever you know what I mean, Well had

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Speaker 1: a couple of hip records. So take us to the

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Speaker 1: on the beginning the major figure days you guys came

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Speaker 1: out it was six or y'all correct, it was seven seven? Okay,

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Speaker 1: you guys come and how how did how did y'all

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Speaker 1: get introduced to the game? What label was that? Again?

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Speaker 1: I signed with schwave House Dutch in Speed and Sound

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Speaker 1: with a team. Um Lava was out in Callie with

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Speaker 1: Dre and uh I had the group deal over at

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Speaker 1: the Warner Brothers labels. Make some noise. That's a lot

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Speaker 1: of checks. You gotta get to that, Chicken. Absolutely wasn't

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Speaker 1: the time of no no, no Internet, so you had

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Speaker 1: to get it from the muscle. They heard about you

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Speaker 1: from the streets. You know what I'm saying. Now, with

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Speaker 1: that being said, you adjusted to the Internet very well. Absolutely,

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Speaker 1: Like I got real niggas that I fun with, and

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Speaker 1: they don't funk with social media, but they follow you. Yeah,

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Speaker 1: they with you absolutely, and um they everybody always they

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Speaker 1: always send me videos of you. How did you? How

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Speaker 1: was it? I wasn't the transition to know that because

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Speaker 1: us being street dudes, were kind of taught to stay

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Speaker 1: a right from the camera. So but now we got

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Speaker 1: to use it to our advantage. And you were smart

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Speaker 1: when you know what I'm saying, absolutely so yeah, I

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Speaker 1: mean you know, honestly, you know, I always was known for,

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Speaker 1: you know, talking talking heavy on the DVDs, even back

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Speaker 1: in the day. You know what I'm saying, My brother saying,

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Speaker 1: I gotta totally disrespect for I totally. I'm totally told

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Speaker 1: any of your conversation, I forgot to do hospitable, got

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Speaker 1: to be right now. I gotta show you how to

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Speaker 1: do it. This is how we do it. This is

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Speaker 1: called p sen That's how they do it. It's called base.

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Speaker 1: So they go it in France. You know what I say. Go,

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Speaker 1: you gotta have the dumb. Gotta make sure the dumb

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Speaker 1: is there. So it's the problem ya gotta yeah, you

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Speaker 1: know what I mean. Yeah, I gotta mean so, um

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Speaker 1: we we we she hit the major This is the

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Speaker 1: internet thing. Yeah, so you know it was no Internet

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Speaker 1: like that, you know what I'm saying. So I was

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Speaker 1: always known for talking heavy on the DVDs, you know

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Speaker 1: what I mean. And then, uh, one day I get

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Speaker 1: a call from fending cocaine. Um uh dirty money friend. Yeah,

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Speaker 1: a little can manager right now. Yeah, and uh He's like, yo, man,

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Speaker 1: you gotta start talking crazy man. You know, you're one

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Speaker 1: of the greatest ship talkers ever walked the face of

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Speaker 1: the earth. Man. This music right here I'm listening to

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Speaker 1: It's incredible. Man. But you're not being gilly something that

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Speaker 1: you're talking about, you know what I mean. So he said,

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Speaker 1: you know, you gotta start talking your ship. But you know,

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Speaker 1: so I said, all right, I'm gonna take his advice.

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Speaker 1: You know what i mean, Get get them drink, come on,

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Speaker 1: let's go back. But you know, as a young and

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Speaker 1: I used to do it in a different way. So

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Speaker 1: I said, you know, I'm a little older now I

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Speaker 1: can't do it in that way. So you know what

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Speaker 1: I mean, what I'm gonna do. Okay, that's what I'm

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Speaker 1: gonna do. I'm gonna give him some game. Because I'm

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Speaker 1: a nigger that has been shot. I've been locked up,

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Speaker 1: you know what I'm saying. I've been to Thailand, I've

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Speaker 1: been to London due by a rris you feel. So

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Speaker 1: you know, I've seen every spectrum, you know what I mean.

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Speaker 1: I've been to college, you feel what I'm saying. So

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Speaker 1: you know, I've seen pretty much everything you could see

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Speaker 1: out here, you know what I mean. And so I

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Speaker 1: just figured, you know, let me give him some game.

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Speaker 1: You know, I can go to my my, my d

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Speaker 1: M right now and I could show you it's hundreds

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Speaker 1: on top of hundreds on top of hundreds of people

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Speaker 1: that just asking questions, Well, Gilly, my girl, was this

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Speaker 1: what you think I mean? I can't get back to

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Speaker 1: you know, I get back to a few of them

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Speaker 1: when I can. I got a life too, you know

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Speaker 1: what I'm saying. But question, what was your first reaction

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Speaker 1: when you heard Um, Meek and Beans on the record

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Speaker 1: together for that night? It seemed like the city was

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Speaker 1: united for a night. I mean, I felt good about it,

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Speaker 1: you know what I mean. I didn't understand really with

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Speaker 1: where where Beans came in with the you know, with

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Speaker 1: the game thing, but you know I was I was

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Speaker 1: like cool, But you know what I'm saying, But did

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Speaker 1: it did the city feel like I did it? Did

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Speaker 1: it like feel like niggas is trying to get it

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Speaker 1: together a little bit? But like from the outside looking

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Speaker 1: at it's like, wow, Philly. It probably it probably felt

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Speaker 1: like that a little bit more from the outside looking in.

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Speaker 1: But in Philly. See what In Philly, everybody pretty much

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Speaker 1: funk with each other. And you feel what I'm saying.

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Speaker 1: I funk with a RD, I funk with Oschino, I

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Speaker 1: funk with Meek, I funk with you know what I'm

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Speaker 1: saying everybody. It's just a couple of individuals that's having problems,

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Speaker 1: But for the most part, everybody funck with each other.

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Speaker 1: You know what I'm saying that even the young niggas

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Speaker 1: that I got records with PNB Rock, I got records

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Speaker 1: with Core, I got records with Lights. You feel what

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Speaker 1: I'm saying. That's right here, you know what I mean.

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Speaker 1: I got records with everybody, you know what I mean.

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Speaker 1: And they all got records together. You feel what I'm saying.

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Speaker 1: So for the most part, everybody in Philly funk with

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Speaker 1: each other. From the outside looking in, it just looked

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Speaker 1: like you thought that that was like a dope moment. Yeah, absolutely,

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Speaker 1: I thought. I definitely thought it was dope. You know

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Speaker 1: what I'm saying. I didn't want to outre crazy. I

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Speaker 1: see your Instagram that somebody gotta die just say that school,

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Speaker 1: you know what I mean. So when you started calling

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Speaker 1: you know people, rats and all right, it's like whoa,

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Speaker 1: It's like, hold on this ship going somewhere else. You

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Speaker 1: feel what I'm saying. I mean, I don't know what

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Speaker 1: their situation is, but I just know what I'm hearing

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Speaker 1: and I know what's going on, and I'm like, man,

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Speaker 1: but but did to your to your knowledge then Meek

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Speaker 1: and and Beans they had like problems or no. I

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Speaker 1: never knew Meeking beings to have any problems, right, So

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Speaker 1: but then they got on the record together and then

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Speaker 1: it went left, how did it? How did the city fail?

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Speaker 1: After that? I mean, the city just felt like, you know,

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Speaker 1: it was a bunch of you know, we really should

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Speaker 1: have went that way, you know what I'm didn't even

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Speaker 1: divide the city or something like that. It really didn't

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Speaker 1: divide the city or none of that. You know, It's

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Speaker 1: just people just felt like it shouldn't know what way

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Speaker 1: it went, you know what I'm saying. And then you know,

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Speaker 1: some people like you know, you stand what you do.

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Speaker 1: So it was two sides of it, you know what

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Speaker 1: I'm saying. But everybody's from the outside looking in. Nobody

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Speaker 1: really know what would actually happen, you see what I'm saying.

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Speaker 1: So for me, I just mind my business because when

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Speaker 1: the situation went down with with Meek and Game, you know,

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Speaker 1: I talked the game, you know what I'm saying, and

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Speaker 1: I said, you know, Game, my funk with you. Whack,

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Speaker 1: what's up, nigga? You know already know how he is. Whack.

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Speaker 1: You already know you feel what I'm saying. But you

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Speaker 1: know me, I mind my business only time. My beef

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Speaker 1: is one. It's about my niggas and and direct niggas

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Speaker 1: that hang with me every day. That's gonna risk day

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Speaker 1: life for me. Other than that, I ain't ship so

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Speaker 1: as the people like you said, the people name you

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Speaker 1: the king absolutely, even though I do respect minding my business.

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Speaker 1: But do you feel just a little responsibility like you

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Speaker 1: you could maybe help the situation or you feel like,

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Speaker 1: I mean, is too deep? You know, at the end

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Speaker 1: of the day, if if it's two individuals that's arguing,

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Speaker 1: you know what I mean, I'm known for stepping in

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Speaker 1: in my city. That's what I'm knowing for, Like, you

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Speaker 1: know what, let's get together, what's up? What's going because

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Speaker 1: a lot of times niggas don't got beef should be

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Speaker 1: made up and they they get in front of each

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Speaker 1: other and it's like, no, don't I really funk with you?

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Speaker 1: Funk with you too? Like what the funk was going on?

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Speaker 1: Then if y'all funk with each other exactly, niggas, that's

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Speaker 1: goofy man exactly, Like you know what, you know, Fat

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Speaker 1: Joe was my friend, Like you know what I'm saying,

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Speaker 1: it's my real real you know. Just let's I always

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Speaker 1: say that right to get out of this for something.

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Speaker 1: So so like when he asked, he was like, yo,

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Speaker 1: you know, um he was trying to get in contact

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Speaker 1: with Jack and I had just got in contact with him.

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Speaker 1: So I felt like my responsibility. I felt responsible. I

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Speaker 1: felt like, you know what, Jay, trust me enough to

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Speaker 1: get on the phone with Joe. Joe trust me enough

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Speaker 1: for me to lead that way, and I did it.

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Speaker 1: You know what I'm saying because I felt obligated. You don't.

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Speaker 1: You don't feel like a little bit obligated enough if

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Speaker 1: you're the king of feeling enough. You know, I don't

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Speaker 1: feel obligated because somebody got hands put on? Oh yeah,

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Speaker 1: you want the hand put on. I can't step in

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Speaker 1: and say, oh man, how Niger ship? And no I can't.

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Speaker 1: I mind my business. Wants to get to that point.

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Speaker 1: You feel what I'm saying because as men, you always

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Speaker 1: gotta give two grown men a chance in time and

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Speaker 1: space to earn their own situation. Now, but then if

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Speaker 1: it dragged on and okay, hold on, we know what's up.

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Speaker 1: What's this really about? Is this ship about something? Is

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Speaker 1: y'all ready to shoot it out? Bang bang? If y'all not,

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Speaker 1: then what we're really talking about this ship. Ain't about

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Speaker 1: no money, alright, come on, anything good. But at the

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Speaker 1: end of the day, when somebody went hands get put on, somebody,

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Speaker 1: somebody gets shot, some ship like that happened, I'm out

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Speaker 1: of my business everything. You know. I understand where you're

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Speaker 1: coming from. Man. I just want, you know, just for

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Speaker 1: the people in Philadelphia to know, like you know, I

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Speaker 1: just want you all to get it, to have it together,

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Speaker 1: you know, because you guys, you guys got a lot

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Speaker 1: of talent. We're all black at the end of the day,

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Speaker 1: and I hope you can work it out whichever way.

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Speaker 1: I don't know. I don't know what it needs to

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Speaker 1: be fixed. But um, I mean I don't really think

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Speaker 1: nothing needs to be fixed, you know what I mean.

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Speaker 1: Shout out the meek man, Shout out the seagle man,

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Speaker 1: shout out the beans man. Powerful more with the city

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Speaker 1: be if everybody was working with each other, I mean,

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Speaker 1: it would be absolutely But you know, for whatever reason

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Speaker 1: see the Philly Toll, for whatever reason, everybody ain't suing

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Speaker 1: with each other. But with everybody, everybody, I want to

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Speaker 1: invest in one night, just one night, because I know

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Speaker 1: there's something gonna happen out there that you don't understand.

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Speaker 1: You gotta understand it. One time, State Property and us

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Speaker 1: was like really trying to you know what I'm saying

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Speaker 1: at each other, at each other, for each other, like

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Speaker 1: series at each other. You feel what I'm saying. And

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Speaker 1: now we're all good? Right? You feel what I'm saying.

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Speaker 1: I used to be. She never gave me no play,

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Speaker 1: Give me no play. Big you out the anchor. I'm sorry.

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Speaker 1: I had a moment there. I'm sorry, but you're good

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Speaker 1: now you're here with beans? Yeah? Absolutely? How about Pete Crack? Yeah, okay,

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Speaker 1: that was with Crack in the studio too. You know

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Speaker 1: what I mean. I brand for y'all, my brothers because

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Speaker 1: you know why. Um, it's just I used to what

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Speaker 1: y'all going with, what the city is going through. I

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Speaker 1: went through and I realized that if I smack you,

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Speaker 1: all it's gonna do is put something red on you.

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Speaker 1: It's gonna that's it. But if I put my ship

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Speaker 1: together and I punched you, I can knock you the absolutely.

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Speaker 1: So what I'm trying to say is we always better

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Speaker 1: when it's a gallon, We're always better. You understand together,

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Speaker 1: you know what I mean. But a lot of people

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Speaker 1: don't know that a lot of people want to quick smack,

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Speaker 1: right and the smack is don't have attention right now,

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Speaker 1: let's knock any out. Absolutely, But in order to we

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Speaker 1: want to be together, it's got to be closed. There's

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Speaker 1: something knock you out. Absolutely, just like Super Strong, I

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Speaker 1: just not want of them, you know what I'm saying.

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Speaker 1: But again, so you know I got I gotta give

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Speaker 1: all the left. So now major figures. Now, was it

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Speaker 1: always your plan to be a solo artist? I mean yeah,

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Speaker 1: absolutely absolutely. It was all our plans to do like

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Speaker 1: you know, as it was Speed, it was Dutching Spade.

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Speaker 1: You feel what I'm saying. I had my solo ship.

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Speaker 1: You know, Beyonco was a solo artist, but it was

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Speaker 1: a solo artist. And Lava was a solo artist, but

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Speaker 1: he was all a group. You feel what I'm saying. Okay,

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Speaker 1: now let's get to the cash money days. Baby, Oh yeah, baby,

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Speaker 1: was some good things, some good days, some good things.

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Speaker 1: Many sign on the cash money I believe. So how

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Speaker 1: did that happen? Um? At the time I was signed

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Speaker 1: with Draper Tony Draper and uh he was going through

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Speaker 1: whatever he was going through with uh, you know, Universal

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Speaker 1: and Uh, I wasn't able to put an album out.

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Speaker 1: So it was a concert in U Philadelphia. We cash

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Speaker 1: Money and on the show, I was coming out right

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Speaker 1: before cash Man, so I've seen Stunning backstage, and you know,

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Speaker 1: he was like, yo, what's up? You know, you know

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Speaker 1: I funk with you. You know what I mean, if

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Speaker 1: you get out that situation, you and I gotta ask

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Speaker 1: for you. You know what I mean. You're talking about

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Speaker 1: the cash Money people? My cool? All right? So you

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Speaker 1: know me and Drape always been cool. You know, we

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Speaker 1: we Me and Drape got a different kind of relationship,

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Speaker 1: you know what I mean. Drape is a real life

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Speaker 1: you know what I'm saying. Yeah, So I just called

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Speaker 1: Drape up, like you, Drake. You know, I got opportunity.

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Speaker 1: I was houling that, you know, stunn up Blase. So

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Speaker 1: Drape said, okay, he was just gonna release me. But

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Speaker 1: Drape gave me some real nice checking up front, the

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Speaker 1: biggest contract he ever gave anybody. You got a couple

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Speaker 1: of bits. So I knew I had the leverage because

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Speaker 1: I knew just in the way Stunner was looking he

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Speaker 1: wanted me to get on that team. So you know,

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Speaker 1: I worked out something with Drake got shot his something,

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Speaker 1: I got shot me something nice. Then we made it happen.

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Speaker 1: And now, at first it was always looked like it

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Speaker 1: was having fun around them at first me. Yeah, I

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Speaker 1: mean it was money. Yes, it was fun. We had

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Speaker 1: some fun days. You know. I developed a lot of

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Speaker 1: good relationships around cash money. Now, um, so where did

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Speaker 1: they go south? You got to oh you big thing,

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Speaker 1: I got, I got you, I got you. You're not giving.

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Speaker 1: By the way, let me just explain. Pissing is when

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Speaker 1: you put when you put champagne, ice and champagne and

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Speaker 1: France and France, it's the cause to make a pool.

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Speaker 1: But I like the way they poured a bottle. So

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Speaker 1: I took their work, is saying, and I made it

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Speaker 1: my ship. So in the case, you know what I'm saying,

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Speaker 1: I think that's something. So because because at that point

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Speaker 1: it was it was he was beefing with calsh money. Yeah,

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Speaker 1: I mean, I really wasn't beefing, you know, because it's

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Speaker 1: cool now many take us to those days back Now

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Speaker 1: you know, Wayne had put out the problem soft you

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Speaker 1: know what I mean, And he said, Gilly man, I

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Speaker 1: don't think you really want to funk with me. The

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Speaker 1: guns but I kept saying, dog, he's saying really like

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Speaker 1: he's not you know, you know my niggas wasn't trying

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Speaker 1: to hear that. Even my six years sounds that the

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Speaker 1: time was like he said, Gilly, so you know, just

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Speaker 1: the competitive me. I said, Okay, I called them, you

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Speaker 1: know what I mean, I did the honorable thing, left

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Speaker 1: a message and no callback, so I dropped it, disrecord,

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Speaker 1: you know what I mean, Like, okay, you're not you

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Speaker 1: still like on in cash money when you did that? Yeah,

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Speaker 1: take these ship. That ship. It was the competitive and

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Speaker 1: there was allegations because because you know the old Drake

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Speaker 1: ghost riding things, those allegation that he was writing. A

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00:19:44,720 --> 00:19:47,560
Speaker 1: couple of people shout over that was that true all?

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Speaker 1: And some ship happened. So I'll tell you I'll take that,

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Speaker 1: you know, some shopping off because you know, I like

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Speaker 1: the one thing I like to be as honorable, you

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Speaker 1: know what I'm saying. And I had a party in

352
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Speaker 1: King of Diamonds, you know what I mean, out here

353
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Speaker 1: in Miami and stunt Of walked in, so you know,

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Speaker 1: I really I know you, I know him, I know

355
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Speaker 1: everybody that's around just two years ago, so you know

356
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Speaker 1: I've seen him. I had to approach him. I mean,

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Speaker 1: what's up? Like you know, he looked me at my eyes.

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Speaker 1: HESI ain't got no problem with you. Well I see

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00:20:28,600 --> 00:20:31,480
Speaker 1: you doing your thing. I salute you. You know what

360
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Speaker 1: I mean. Alright, cool, then it's all love. So you

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Speaker 1: know you look ea telling eyes as men and we

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Speaker 1: say it's all up. Then it's all up. I leave

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Speaker 1: it there. You feel what I'm saying. I ain't gonna

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Speaker 1: never you know, short changeing, you know, backbite and none

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Speaker 1: of the I'm gonna leave all that in the past

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Speaker 1: because you look me in the eyes as a man,

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Speaker 1: you feel me. I felt okay, I see your soul, nigga, Okay,

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Speaker 1: it ain't nothing. All right cool as a person I

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Speaker 1: was dead and you see you was there at the

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Speaker 1: heyday he was around you. Seem like you said you

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Speaker 1: know them. Would you ever the thought that they'd be

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Speaker 1: here in this position? Yes, you mean, I mean you

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Speaker 1: gotta look like what Juvie went through situation, you know

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Speaker 1: what I'm saying, then many fresh situation. It was like

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Speaker 1: Wayne is the person who we birth them, like after

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Speaker 1: they didn't know the Juviry one and all that, and

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Speaker 1: like for Wayne to go through it. You thought Wayne

378
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Speaker 1: would went through it. But see one, I never had

379
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Speaker 1: money discrepancies with Babe. Never, because I'm up front, I have.

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Speaker 1: I had money descrepancies. One time. We're getting we're getting,

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Speaker 1: we're getting the checks. So you know, he called me

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Speaker 1: in the back of the tool bus. He said, Jack,

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Speaker 1: get my bag, right, pull out Jack Jacks a little darwskin.

384
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Speaker 1: Jack was yeah, a little, yeah, a little, you know,

385
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Speaker 1: he said, get my bag, you know, pull out the checkbook. Nice.

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Speaker 1: M h. I like that was small. I get back

387
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Speaker 1: to Philly. Huh good, I go to cash that motherfucking what.

388
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Speaker 1: I wasn't bad. Don't tell me about you get your

389
00:22:17,720 --> 00:22:23,560
Speaker 1: bouts checking. Don't But I'm talking Listen, I'm not talking listen,

390
00:22:24,920 --> 00:22:26,439
Speaker 1: I'm not talking bad and none of the I'm just

391
00:22:26,480 --> 00:22:29,560
Speaker 1: tell I'm just speaking fast, true, not talking and true.

392
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Speaker 1: Goddam you feel what I'm saying. I'm because every artist

393
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Speaker 1: on this is a normam. Oh my god, I taking

394
00:22:41,040 --> 00:22:45,120
Speaker 1: on that more fix that moment. No, really gotta listen,

395
00:22:45,280 --> 00:22:47,960
Speaker 1: it's there. It's embarrassing though, Like, no, it's listen. You

396
00:22:48,000 --> 00:22:52,800
Speaker 1: wouldn't know what's even more bass? Right, I didn't got

397
00:22:53,520 --> 00:22:56,760
Speaker 1: checks on top of checks right. So it's even more

398
00:22:56,800 --> 00:23:01,919
Speaker 1: embarrassing is that I'm at the bank and go to

399
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Speaker 1: the bank. I see what you mean. It's this, ain't

400
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Speaker 1: no money in that account? Right, I'll tell him. I

401
00:23:13,000 --> 00:23:15,400
Speaker 1: was like, Pinky, want some real ship. You never seen

402
00:23:15,480 --> 00:23:23,480
Speaker 1: Fridays bank you When he said, which I know, I'm

403
00:23:23,600 --> 00:23:32,160
Speaker 1: in the fucking bank, Like what that's his cash money? Right?

404
00:23:33,040 --> 00:23:42,480
Speaker 1: You mean no money? And that okay again talking about times.

405
00:23:43,960 --> 00:23:51,280
Speaker 1: So uh when you know when she comes back, she's

406
00:23:51,320 --> 00:23:53,560
Speaker 1: you know, so I don't have to call the police

407
00:23:53,600 --> 00:23:55,600
Speaker 1: to get you up out of here. But it ain't

408
00:23:55,600 --> 00:23:57,960
Speaker 1: got their buddy, and that's a count. So you know

409
00:23:58,000 --> 00:24:00,040
Speaker 1: I live out the bank. You know, I called on

410
00:24:00,160 --> 00:24:02,320
Speaker 1: stunted and said you bro. Then I go to the

411
00:24:02,320 --> 00:24:07,359
Speaker 1: motherfucking bank. Bitch in the bank talking about ain't no

412
00:24:07,520 --> 00:24:16,440
Speaker 1: money in that account. I'm still offended. Say what we'll

413
00:24:16,480 --> 00:24:20,800
Speaker 1: call your line the wall. Your line is who wrote

414
00:24:20,840 --> 00:24:24,520
Speaker 1: the cash money checks? So then I look out, my ship,

415
00:24:24,560 --> 00:24:27,760
Speaker 1: said brand William. So ship, I don't know, won't take

416
00:24:27,840 --> 00:24:31,560
Speaker 1: this no more ship to say cash your money? All right?

417
00:24:32,080 --> 00:24:35,640
Speaker 1: So yeah, I went through that before one time. This

418
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Speaker 1: this is deepfable. I'm just speaking the truth, man, you know,

419
00:24:39,280 --> 00:24:41,159
Speaker 1: what I'm probably it's like a lot of record labels

420
00:24:41,160 --> 00:24:45,120
Speaker 1: that artists that don't wan through that ship. You never

421
00:24:45,720 --> 00:24:48,840
Speaker 1: I've never got a bounced check for a record labor nigger. Nah,

422
00:24:49,119 --> 00:24:51,320
Speaker 1: I'm gonna keep it a high. He said it wasn't

423
00:24:51,320 --> 00:24:56,439
Speaker 1: taxtically the recordlator. It wasn't get it. I get, I

424
00:24:56,440 --> 00:24:58,600
Speaker 1: get stunted the benefit of this down. He might have

425
00:24:58,640 --> 00:25:00,920
Speaker 1: had five six counts, you know what I mean, you

426
00:25:01,000 --> 00:25:03,160
Speaker 1: might have gave me a one, But just seeing them

427
00:25:03,320 --> 00:25:07,600
Speaker 1: beefing's like, that's not that's not gonna gave me the

428
00:25:07,840 --> 00:25:09,959
Speaker 1: bad one by mistake. Man, I ain't gonna put that

429
00:25:09,960 --> 00:25:13,800
Speaker 1: that but only once. But you heard, no ship. I

430
00:25:13,840 --> 00:25:18,640
Speaker 1: was only gonna take once. I don't do the means

431
00:25:19,359 --> 00:25:21,760
Speaker 1: and I don't do that. But I was only gonna

432
00:25:21,760 --> 00:25:24,360
Speaker 1: take one of them jointing from that one. I gotta say,

433
00:25:24,560 --> 00:25:25,720
Speaker 1: you know what I mean, you task me one of

434
00:25:25,760 --> 00:25:30,280
Speaker 1: them joint on is this man, you're kidding me. Shaggy

435
00:25:30,320 --> 00:25:34,439
Speaker 1: out there? What we're doing with Shaggie out there? Come in,

436
00:25:34,880 --> 00:25:40,560
Speaker 1: let's get this awkward more. He still got Brad. But

437
00:25:40,680 --> 00:25:44,000
Speaker 1: that's like that's like the third venge that pulled up. Yeah,

438
00:25:44,119 --> 00:25:50,520
Speaker 1: he's rich. Another one I'm saying, shogg y'all, you're doing it.

439
00:25:54,480 --> 00:25:56,720
Speaker 1: Get that that recommend playing in my head all day?

440
00:25:56,760 --> 00:25:59,640
Speaker 1: That and what's the boss? Let me tell you something though, right,

441
00:25:59,720 --> 00:26:03,200
Speaker 1: I'm at you because you know I knew this nigga

442
00:26:03,240 --> 00:26:07,840
Speaker 1: for a long time. Snickers there, I met you. You rhyme,

443
00:26:07,920 --> 00:26:12,680
Speaker 1: you killed something down sixteenth just for hand something, nigga.

444
00:26:12,720 --> 00:26:16,919
Speaker 1: But it's don't listen, Gilly been nice with the boss forever. Well,

445
00:26:17,000 --> 00:26:20,160
Speaker 1: I'm on the street. I think, and I think what

446
00:26:20,160 --> 00:26:23,600
Speaker 1: what had just came out? And they start they started

447
00:26:23,800 --> 00:26:26,480
Speaker 1: Gilly just he just teared this nigger up in a cipher.

448
00:26:27,040 --> 00:26:32,760
Speaker 1: You destroyed this How got balls? Yeah? I mean you

449
00:26:32,880 --> 00:26:36,240
Speaker 1: got ball? How you like me in this new generation?

450
00:26:36,280 --> 00:26:38,880
Speaker 1: Because you got balls? Your boss is flying over nigga's heads.

451
00:26:38,960 --> 00:26:42,480
Speaker 1: I mean I just nas snipping lean, yeah, Papa saying

452
00:26:42,720 --> 00:26:45,240
Speaker 1: they have been lean. They are way too stupid with

453
00:26:45,440 --> 00:26:48,360
Speaker 1: understand what the fun you like? I mean, I think

454
00:26:48,400 --> 00:26:50,160
Speaker 1: you gotta dumb it down a little bit. You gotta

455
00:26:50,200 --> 00:26:53,600
Speaker 1: dumb it down, absolutely absolutely. But let me finish telling

456
00:26:53,640 --> 00:26:57,000
Speaker 1: you about this guy right here. He was a savage

457
00:26:57,080 --> 00:26:59,720
Speaker 1: before savage was the word. Let's get to him, my family.

458
00:27:00,800 --> 00:27:03,600
Speaker 1: He probably don't even remember this. Right. One night, we're

459
00:27:03,640 --> 00:27:08,840
Speaker 1: in the club, right right, it's me, my homie, Titter,

460
00:27:09,680 --> 00:27:12,440
Speaker 1: couple other people. You remember Titer till that, I think,

461
00:27:12,480 --> 00:27:18,399
Speaker 1: so I keep going, okay, all right, he said, you know,

462
00:27:18,440 --> 00:27:24,000
Speaker 1: my guy twenty years I think club popping. You know,

463
00:27:24,320 --> 00:27:27,320
Speaker 1: Laurie come in, were chopping it up, all right, So

464
00:27:27,560 --> 00:27:32,240
Speaker 1: for everybody leaving out music hall, we're standing there chopping

465
00:27:32,320 --> 00:27:38,960
Speaker 1: it myself. Nigg was something, man, you already know. They're

466
00:27:39,000 --> 00:27:42,320
Speaker 1: cleaning up the club, trying to go to fuck home, right,

467
00:27:42,640 --> 00:27:46,280
Speaker 1: I think I remember this. Yes, the one of the

468
00:27:46,640 --> 00:27:53,680
Speaker 1: workers start sweeping by my man feet. This nigger lost

469
00:27:54,040 --> 00:27:58,199
Speaker 1: his mind. I didn't at the time. I didn't know that.

470
00:27:58,240 --> 00:28:00,600
Speaker 1: I I didn't understand what it mean by your feet. Right.

471
00:28:00,800 --> 00:28:06,920
Speaker 1: He's said, what the fun is she do? I'm very superstitious.

472
00:28:07,480 --> 00:28:11,240
Speaker 1: You can't, we can't. He grabbed them and say, I

473
00:28:11,440 --> 00:28:14,000
Speaker 1: knock you the funk out here? You want me to

474
00:28:14,080 --> 00:28:24,560
Speaker 1: not listen to? The worker was scared the fucking I'm

475
00:28:24,600 --> 00:28:29,760
Speaker 1: looking like I ain't that see, I didn't know the

476
00:28:29,760 --> 00:28:32,320
Speaker 1: superstitious ship at the time. When I clicked my tone,

477
00:28:32,640 --> 00:28:34,879
Speaker 1: my nails and my toe nails, I make if I

478
00:28:34,920 --> 00:28:38,160
Speaker 1: go get a manicure. I make sure I leave with

479
00:28:38,200 --> 00:28:43,960
Speaker 1: my ship because they cook your nails. Yeah, like when

480
00:28:43,960 --> 00:28:45,560
Speaker 1: you know you get you get, you get your ship

481
00:28:45,600 --> 00:28:50,760
Speaker 1: done yours. I'll make sure I take my right. That's

482
00:28:50,800 --> 00:28:53,360
Speaker 1: exactly what I think they're gonna do that. I don't

483
00:28:53,400 --> 00:28:56,360
Speaker 1: cut balls. If you're walking down the street, cut already

484
00:28:56,600 --> 00:28:58,400
Speaker 1: know what you up like I seem to dude, I'm

485
00:28:58,400 --> 00:29:01,400
Speaker 1: gonna tell you why I'm superstitious. My man, Roche, I'm

486
00:29:01,440 --> 00:29:04,280
Speaker 1: so sorry I was telling this. Sorry Roche, but this

487
00:29:04,360 --> 00:29:09,440
Speaker 1: is Halloween. We you know, we're kids. So we walked

488
00:29:09,440 --> 00:29:12,040
Speaker 1: down the street. The nigga cut the poles. So anybody like,

489
00:29:12,120 --> 00:29:14,120
Speaker 1: why you cut the poll He's like, man, funk that.

490
00:29:14,320 --> 00:29:16,520
Speaker 1: I don't believe me nothing, that stupid ship. I'm a child.

491
00:29:17,240 --> 00:29:20,200
Speaker 1: Were rushed. We rushed the supermarket. You know it's Halloween.

492
00:29:20,240 --> 00:29:23,520
Speaker 1: We're taking all the ship. Chinese nigga turned around. He

493
00:29:23,760 --> 00:29:28,520
Speaker 1: swung one kick. The only kick he got off. Rock

494
00:29:28,880 --> 00:29:32,680
Speaker 1: went through the window. This nigga dick got cut off.

495
00:29:32,800 --> 00:29:37,840
Speaker 1: My god, my nigga. From that day forward, I believe

496
00:29:37,960 --> 00:29:41,000
Speaker 1: in superstessions. You know what I'm saying. My bad, my brother,

497
00:29:41,000 --> 00:29:42,440
Speaker 1: but you know this is true. This is it was.

498
00:29:42,680 --> 00:29:45,440
Speaker 1: I was terrified as a kid. I think I'm like nine,

499
00:29:46,760 --> 00:29:49,840
Speaker 1: So since then everything this superstesion and then yeah, they

500
00:29:49,920 --> 00:29:52,800
Speaker 1: still My grandmother used to tell me when you cut

501
00:29:52,800 --> 00:29:55,720
Speaker 1: your nails, you make sure don't nobody don't don't take them.

502
00:29:56,520 --> 00:30:00,520
Speaker 1: So I still do that. You so you walked out

503
00:30:00,520 --> 00:30:14,040
Speaker 1: that dreet with no, that's grandmother something, and they sold

504
00:30:14,040 --> 00:30:16,560
Speaker 1: that ship in you. That's why being Spanish is ill.

505
00:30:16,680 --> 00:30:19,040
Speaker 1: Like I always always loved that I could go be

506
00:30:19,120 --> 00:30:21,000
Speaker 1: a nigga one day and go be a speck the

507
00:30:21,000 --> 00:30:24,880
Speaker 1: next day, and the two coaches would collide and they

508
00:30:24,880 --> 00:30:27,000
Speaker 1: would funk with me, and I had to learn how

509
00:30:27,000 --> 00:30:29,440
Speaker 1: to maintain both. I had to learn how to be

510
00:30:29,480 --> 00:30:31,800
Speaker 1: like you know what, I could be Spanish. You know

511
00:30:31,800 --> 00:30:33,760
Speaker 1: what I'm saying, Like, drop me off in the l

512
00:30:33,840 --> 00:30:35,400
Speaker 1: A and East l A, and I'm gonna relate to

513
00:30:35,440 --> 00:30:37,200
Speaker 1: one of these Mexican niggers, you know what I'm saying

514
00:30:37,480 --> 00:30:39,959
Speaker 1: at the same great you dropped me off and motherfucking

515
00:30:40,320 --> 00:30:43,720
Speaker 1: North Philly, somebody's gonna relate to It got weird, but

516
00:30:43,720 --> 00:30:46,120
Speaker 1: I'm very superstitious. So that's that's why why you thought

517
00:30:46,120 --> 00:30:48,320
Speaker 1: as crazy as fun. But I probably it is still

518
00:30:48,320 --> 00:30:53,720
Speaker 1: a little crazy, but off of that month. But your Gilly, man,

519
00:30:53,800 --> 00:30:55,520
Speaker 1: I'm very proud of you, my brother. You know why

520
00:30:55,520 --> 00:30:59,760
Speaker 1: I'm proud of you. It's it's something. It's something that

521
00:31:00,080 --> 00:31:03,040
Speaker 1: um Puff said to me one day, said to me

522
00:31:03,080 --> 00:31:05,600
Speaker 1: when when we was were about to announce something that

523
00:31:05,600 --> 00:31:07,920
Speaker 1: we got with him. By the time this comes out,

524
00:31:09,840 --> 00:31:13,000
Speaker 1: um but it's something he said to me said, every

525
00:31:13,040 --> 00:31:19,320
Speaker 1: time I see you, you'll be smiling. Like smiling is important. Absolutely,

526
00:31:19,880 --> 00:31:23,720
Speaker 1: Yet his hate when you smile and you're always smiling.

527
00:31:24,160 --> 00:31:28,000
Speaker 1: You always tell Sho, come in, Yeah, what is he doing?

528
00:31:29,360 --> 00:31:33,120
Speaker 1: Don't come here? But you're always smiling? Why why? Why?

529
00:31:33,160 --> 00:31:35,760
Speaker 1: Why are you not a hater? Gilly? I refused to

530
00:31:36,640 --> 00:31:41,560
Speaker 1: ship just want to hate. They just you know, you know,

531
00:31:42,440 --> 00:31:46,640
Speaker 1: it's genetics. You know a Nigga daddy was a hater

532
00:31:46,960 --> 00:31:52,040
Speaker 1: and Nigga great granddaddy, Nigga Nigga, his great granddaddy was

533
00:31:52,080 --> 00:31:54,400
Speaker 1: hating on Martin Luther kinging them Nigga's back in the day.

534
00:31:54,400 --> 00:31:56,080
Speaker 1: That's in a long line and you know this's in

535
00:31:56,120 --> 00:31:58,960
Speaker 1: the genes. You feel what I'm saying. You know, yeah,

536
00:32:00,000 --> 00:32:01,440
Speaker 1: I got a lot of money, man, you still got

537
00:32:01,480 --> 00:32:05,080
Speaker 1: a lot of I ain't seen you like yo. You

538
00:32:05,160 --> 00:32:10,800
Speaker 1: look at like money. That's get the kids. This is

539
00:32:11,120 --> 00:32:14,200
Speaker 1: this is two different letters from two different things. It's

540
00:32:14,240 --> 00:32:21,000
Speaker 1: noble master, what's going on? Good Man? Yeah? Yeah, I

541
00:32:21,040 --> 00:32:24,959
Speaker 1: know other Okay, Pep who never really meant okay. I'm saying,

542
00:32:24,960 --> 00:32:27,520
Speaker 1: I'm good Man. You have to show my ami. A

543
00:32:27,520 --> 00:32:31,320
Speaker 1: couple of them? Have I used to? I used to.

544
00:32:31,400 --> 00:32:34,080
Speaker 1: I used to have a house and corn gables. So

545
00:32:34,160 --> 00:32:36,320
Speaker 1: I looked down here for a minute. I stunned for

546
00:32:36,400 --> 00:32:41,400
Speaker 1: a minute for like nine of them. I don't even Kingston.

547
00:32:42,360 --> 00:32:46,640
Speaker 1: It is Jamaica getting gentified. Jamaica is is the best

548
00:32:46,680 --> 00:32:50,480
Speaker 1: place to live period for right. And why I say

549
00:32:50,560 --> 00:32:54,560
Speaker 1: that is because where I live in Kingston is five

550
00:32:54,600 --> 00:32:57,560
Speaker 1: minutes everywhere it's five minutes. You know what I'm saying.

551
00:32:57,800 --> 00:32:59,720
Speaker 1: I'm spoiled when I'm here. When I'm in Florida. I

552
00:32:59,760 --> 00:33:03,440
Speaker 1: got to like drive. I gotta like drive. If I'm

553
00:33:03,440 --> 00:33:07,080
Speaker 1: gonna go hollow, somebody in and say for a lot

554
00:33:07,120 --> 00:33:10,920
Speaker 1: of dale, that's an event, right, It depends on what

555
00:33:10,960 --> 00:33:13,640
Speaker 1: time of the day you're driving. That's an event. You're

556
00:33:13,760 --> 00:33:17,520
Speaker 1: sitting that traffic, so you're killing the whole day. Yeah, killed?

557
00:33:17,520 --> 00:33:21,520
Speaker 1: When kings then those shot if I get killing come out,

558
00:33:22,680 --> 00:33:24,760
Speaker 1: you know you know what was my favorite place? Then?

559
00:33:24,880 --> 00:33:30,160
Speaker 1: Um damn man typically got it. It's the worst, but

560
00:33:30,240 --> 00:33:35,360
Speaker 1: they got the best week. The whole got the high grade.

561
00:33:35,440 --> 00:33:41,120
Speaker 1: You gotta go to the when Tigo Bays turned up. Now,

562
00:33:41,600 --> 00:33:43,560
Speaker 1: if you're watching newst know what happened. That's all the

563
00:33:43,600 --> 00:33:46,640
Speaker 1: scammers of that on the scammers on the scamming. If

564
00:33:46,640 --> 00:33:50,200
Speaker 1: you look the national news, we got to get but

565
00:33:50,200 --> 00:33:56,960
Speaker 1: I got something for you. Ship like this, that's my

566
00:33:57,000 --> 00:34:00,520
Speaker 1: ship hold. That is the first. That's the sexy bottle.

567
00:34:00,600 --> 00:34:05,520
Speaker 1: Too sexy. They look especially that ship looked like a cologne.

568
00:34:07,120 --> 00:34:12,080
Speaker 1: Hold on Coca cocon is I'm the biggest fing Cocona

569
00:34:12,160 --> 00:34:14,400
Speaker 1: this You know what I'm saying now, is it Coca

570
00:34:14,880 --> 00:34:19,399
Speaker 1: Coca Yak? So that's the first coconut Kanyak. I'm gonna

571
00:34:19,440 --> 00:34:23,160
Speaker 1: keep it real home. We're gonna break your door. Joe

572
00:34:23,160 --> 00:34:24,680
Speaker 1: gave me this chain. He thought he's gonna get it back.

573
00:34:24,680 --> 00:34:29,680
Speaker 1: He's but that's the first coconut Kanye. You know what

574
00:34:29,719 --> 00:34:33,680
Speaker 1: I'm saying. And uh and it's it's uh. It smells

575
00:34:33,719 --> 00:34:37,720
Speaker 1: so good because it smells like a vacation. So hopefully smelling.

576
00:34:38,000 --> 00:34:40,040
Speaker 1: Now this this type of thing, because it's like a

577
00:34:40,080 --> 00:34:42,759
Speaker 1: perfume Bottle's chick's going want to eat you. You can

578
00:34:42,760 --> 00:34:46,239
Speaker 1: just you can just rub up in this you smell

579
00:34:46,719 --> 00:34:50,640
Speaker 1: you just rubbing that ship. That's I ain't bullshit, you

580
00:34:51,440 --> 00:34:53,480
Speaker 1: know what I'm saying. It's just good all right now,

581
00:34:54,000 --> 00:34:57,160
Speaker 1: now you shot that motherfucker right now, let's go. Let's

582
00:34:57,160 --> 00:35:00,040
Speaker 1: do it the ultimate to come here to truck and

583
00:35:00,040 --> 00:35:07,640
Speaker 1: then you'll know the fucking drink. I feel like I

584
00:35:07,719 --> 00:35:09,960
Speaker 1: feel like I'm gonna sweat this immediately since I take

585
00:35:10,040 --> 00:35:12,880
Speaker 1: this shot. This is a cognac that you will shoot

586
00:35:12,960 --> 00:35:15,759
Speaker 1: like this. You can take a shot of it. Well, no,

587
00:35:15,880 --> 00:35:17,400
Speaker 1: you don't help to a little bit shot than that,

588
00:35:17,480 --> 00:35:20,040
Speaker 1: come on, goddamn it. But but I feel its food

589
00:35:20,160 --> 00:35:22,520
Speaker 1: was going to get happens. He deserved a bigger shot.

590
00:35:25,120 --> 00:35:29,120
Speaker 1: Give me shot right there? Can you pack that class

591
00:35:29,200 --> 00:35:32,359
Speaker 1: right there? Yeah? Okay, we're gonna bo keate tho on me. Look,

592
00:35:32,520 --> 00:35:39,360
Speaker 1: come on, it's far for the you talking about. I

593
00:35:39,440 --> 00:35:41,880
Speaker 1: want you shot up ship and you want to be

594
00:35:42,000 --> 00:35:48,480
Speaker 1: like some sh let's ship. I've gotta say you can't

595
00:35:48,520 --> 00:35:55,879
Speaker 1: take a shot with the alright, so shoot it down. Oh,

596
00:35:55,960 --> 00:35:59,920
Speaker 1: it's smooth, of course it is. Oh, it's it's co spiel.

597
00:35:59,920 --> 00:36:05,799
Speaker 1: It soken up strong but good. How to think about this? Now?

598
00:36:05,920 --> 00:36:18,200
Speaker 1: You eat that a couple of times you As you know,

599
00:36:18,320 --> 00:36:20,879
Speaker 1: we've all taken jobs to earn extra cash right side

600
00:36:20,960 --> 00:36:23,040
Speaker 1: hustle back in the day. Man, I used to be

601
00:36:23,239 --> 00:36:26,200
Speaker 1: a paper boy side hustle. What were you? Did you

602
00:36:26,239 --> 00:36:29,920
Speaker 1: do anything side hustled? Uh? We want to talk about that, dude. Yeah,

603
00:36:30,120 --> 00:36:32,680
Speaker 1: pizza delivery and sold by things. But I got a

604
00:36:32,920 --> 00:36:35,479
Speaker 1: way better way to earn extra money on the side.

605
00:36:35,520 --> 00:36:38,480
Speaker 1: It is so much easier thanks to Uber Legal Beagle.

606
00:36:38,960 --> 00:36:42,360
Speaker 1: Uber is the ultimate side hustle. All you need is

607
00:36:42,400 --> 00:36:44,799
Speaker 1: a driver's license. Driving with Uber is a new way

608
00:36:44,880 --> 00:36:47,480
Speaker 1: you can earn extra cash whenever you want. It's not

609
00:36:47,680 --> 00:36:51,000
Speaker 1: just another job, not a jail b It's totally a

610
00:36:51,080 --> 00:36:54,000
Speaker 1: flexible way to earn You can turn it on and

611
00:36:54,360 --> 00:36:57,960
Speaker 1: off just like the car, and they paying a treediately.

612
00:36:58,080 --> 00:37:01,160
Speaker 1: Have you ever wanted to be your own boss? I

613
00:37:01,239 --> 00:37:03,960
Speaker 1: bet you make a great boss, Homie. Drive with Uber

614
00:37:04,080 --> 00:37:06,120
Speaker 1: and you are your own boss, that's all. If you

615
00:37:06,280 --> 00:37:08,480
Speaker 1: drive it right now, you should be earning right now.

616
00:37:09,080 --> 00:37:11,480
Speaker 1: I do it ship. Why not every day? Is a

617
00:37:11,520 --> 00:37:14,360
Speaker 1: payday when you drive with Uber because you can cash

618
00:37:14,480 --> 00:37:18,680
Speaker 1: out any time with instant Pay. With access to instant pay,

619
00:37:18,800 --> 00:37:21,279
Speaker 1: cash out your earnings up to five times a day

620
00:37:21,360 --> 00:37:24,759
Speaker 1: with no minimum amount required. If you enjoy earning extra cash,

621
00:37:25,120 --> 00:37:28,040
Speaker 1: if there's something special you'd like to buy, your car

622
00:37:28,200 --> 00:37:31,200
Speaker 1: can start making you money right now. So go ahead,

623
00:37:31,560 --> 00:37:33,800
Speaker 1: get your side hustle along. Sign on to drive with

624
00:37:34,000 --> 00:37:38,200
Speaker 1: Uber today. Go to Uber dot com slash drive now.

625
00:37:38,920 --> 00:37:43,040
Speaker 1: That's Uber dot com. Baby. Welcome to Play a new

626
00:37:43,200 --> 00:37:47,959
Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech,

627
00:37:48,200 --> 00:37:52,919
Speaker 1: entertainment and more. Play it at play dot It. We're

628
00:37:53,000 --> 00:37:56,880
Speaker 1: back to Drink Champs Radio with rapper and R and DJ.

629
00:37:57,520 --> 00:38:03,040
Speaker 1: Then I heard a rumor that that was you had

630
00:38:03,160 --> 00:38:08,920
Speaker 1: negotiated your album. You negotiated to get six or seven

631
00:38:09,000 --> 00:38:15,360
Speaker 1: dollars album after the million. Right. The thing about it

632
00:38:15,520 --> 00:38:19,440
Speaker 1: is I'm the artist that nobody ever see coming. So

633
00:38:19,600 --> 00:38:23,239
Speaker 1: when we did hot Shot, which was sold angel and

634
00:38:23,320 --> 00:38:26,800
Speaker 1: wasn't me the one we did Diamond Him. It was

635
00:38:26,840 --> 00:38:28,640
Speaker 1: a bitty where I did a record with Janet Jackson

636
00:38:28,719 --> 00:38:31,080
Speaker 1: for House Stella got her groove Battle, Oh boy, I

637
00:38:31,120 --> 00:38:34,000
Speaker 1: love you Red right now. It wasn't supposed to be

638
00:38:34,040 --> 00:38:37,440
Speaker 1: a single on the album Mary J. Blake because because

639
00:38:37,480 --> 00:38:41,239
Speaker 1: the soundtrack came out on the soundtrack came out on

640
00:38:41,960 --> 00:38:44,759
Speaker 1: m c A and Mary at that time was the

641
00:38:44,840 --> 00:38:47,560
Speaker 1: darling of of of m c A. So they put

642
00:38:47,680 --> 00:38:51,120
Speaker 1: her record as the single for the movie to come out.

643
00:38:51,440 --> 00:38:53,120
Speaker 1: So the movie came out, so the album had to

644
00:38:53,160 --> 00:38:56,319
Speaker 1: come out, but her record wasn't doing well at radio.

645
00:38:57,000 --> 00:38:59,239
Speaker 1: I've done this record with Janet Jackson. I never met

646
00:38:59,320 --> 00:39:02,560
Speaker 1: Janet Jackson. We ain't done it together, Jimmy Janet, Terry

647
00:39:02,680 --> 00:39:05,640
Speaker 1: Lewis hollowd at me. Apparently that wasn't in the studio.

648
00:39:05,760 --> 00:39:07,160
Speaker 1: No no, no, no, hold, I'll tell you. I'll tell

649
00:39:07,200 --> 00:39:10,440
Speaker 1: you how we ended up doing doing that record together. Um,

650
00:39:11,520 --> 00:39:15,440
Speaker 1: what's what's her name? Terry McMillan. Terry McMillan, who wrote

651
00:39:15,760 --> 00:39:21,520
Speaker 1: She's the one the story was about. Yeah, she was

652
00:39:21,600 --> 00:39:24,440
Speaker 1: the one in Jamaica and the Jamaican dude was been

653
00:39:24,480 --> 00:39:26,200
Speaker 1: a courting her and all of this ship. Then he

654
00:39:26,280 --> 00:39:28,520
Speaker 1: turned up being gay afterwards and all that ship. But

655
00:39:28,719 --> 00:39:32,440
Speaker 1: that dude apparently when he was courting her, the record

656
00:39:32,520 --> 00:39:37,000
Speaker 1: that they used to fun that was boombastic. So she exactly,

657
00:39:37,080 --> 00:39:39,920
Speaker 1: So what happens happening now, she says, she me Janet

658
00:39:40,040 --> 00:39:41,960
Speaker 1: terror Lewis, no matter why shot you gotta be on

659
00:39:42,000 --> 00:39:45,040
Speaker 1: that record. So they happened at me and I did

660
00:39:45,200 --> 00:39:47,600
Speaker 1: this record. I hear the hook, who boy? I obviously

661
00:39:47,600 --> 00:39:50,280
Speaker 1: I said who you want? He said, Mariah or Janet?

662
00:39:51,000 --> 00:39:56,640
Speaker 1: I said, anyone, any work for me? He just fought

663
00:39:56,719 --> 00:40:03,479
Speaker 1: on us. Yeah, it was my choice. I was just saying,

664
00:40:06,480 --> 00:40:08,480
Speaker 1: he said one of them. I'm like, at that time,

665
00:40:08,520 --> 00:40:11,080
Speaker 1: I'm excited the reggae dude. I didn't. I've never even

666
00:40:11,120 --> 00:40:15,520
Speaker 1: met any of these people. It ended up being Janet Strong.

667
00:40:15,600 --> 00:40:17,960
Speaker 1: Story short, when Mary record in the work rad you

668
00:40:18,040 --> 00:40:20,520
Speaker 1: just started playing that. The record went to number one

669
00:40:20,760 --> 00:40:23,040
Speaker 1: with me and Janet. So now I got a bidding war.

670
00:40:24,040 --> 00:40:27,080
Speaker 1: My man, Craig Calma was trying to sign. Meant yeah,

671
00:40:27,520 --> 00:40:30,399
Speaker 1: he was going there hard. And there was a bidding

672
00:40:30,440 --> 00:40:34,120
Speaker 1: war also between m c A and Craig Kalman. The

673
00:40:34,200 --> 00:40:36,560
Speaker 1: money kept going up. The money kept going up, right,

674
00:40:36,640 --> 00:40:40,160
Speaker 1: we had about a half a million, six or six

675
00:40:40,280 --> 00:40:43,360
Speaker 1: hundred thousand or something like that. Craig Calman at that

676
00:40:43,400 --> 00:40:45,280
Speaker 1: time wasn't the head of it. He was like the president.

677
00:40:45,320 --> 00:40:48,440
Speaker 1: A guy called Roger am was was his boss. So

678
00:40:48,520 --> 00:40:50,000
Speaker 1: he had a caple about a half a million he

679
00:40:50,000 --> 00:40:52,440
Speaker 1: couldn't go over. He went to Roger and be like, yo,

680
00:40:52,520 --> 00:40:55,200
Speaker 1: I listen to Shaggy album. You gotta let me sign him.

681
00:40:55,640 --> 00:40:58,640
Speaker 1: M c as just got me up there. I'm maxed out.

682
00:40:59,160 --> 00:41:03,439
Speaker 1: Roger ames As true story. He says, that's reggae. You'll

683
00:41:03,480 --> 00:41:06,200
Speaker 1: never make your money back. Show me a reggae record

684
00:41:06,239 --> 00:41:08,120
Speaker 1: that the album that I sold over a million records,

685
00:41:08,480 --> 00:41:10,800
Speaker 1: You're not gonna make your money back. And he said no,

686
00:41:11,600 --> 00:41:14,080
Speaker 1: So I went with m c A. Now, in doing that,

687
00:41:14,280 --> 00:41:17,239
Speaker 1: part of the deal I did was I did escalation

688
00:41:17,440 --> 00:41:20,480
Speaker 1: for for m c A. I did an escalation on

689
00:41:20,680 --> 00:41:24,279
Speaker 1: every million, so there's a half a point escalation on

690
00:41:24,440 --> 00:41:27,719
Speaker 1: every million, and they went with it because they didn't

691
00:41:27,719 --> 00:41:29,359
Speaker 1: want to give me any more up front money. They

692
00:41:29,520 --> 00:41:33,239
Speaker 1: capped out and say, okay, how are we gonna be?

693
00:41:33,400 --> 00:41:35,920
Speaker 1: I was gonna be. I was gonna be the um Atlantic.

694
00:41:36,360 --> 00:41:37,920
Speaker 1: We'll give you a half a point escalation and they

695
00:41:37,960 --> 00:41:40,560
Speaker 1: saying to it, boy, say here, reggae ain't no regga

696
00:41:40,560 --> 00:41:42,480
Speaker 1: gave a soul over a fucking million fun that give

697
00:41:42,520 --> 00:41:45,040
Speaker 1: him the half a million, the half a point escalation

698
00:41:45,080 --> 00:41:47,480
Speaker 1: fun that he'll only sell a million million half the

699
00:41:47,560 --> 00:41:58,120
Speaker 1: most fun. Well we sold ten million. Gilly, where was

700
00:41:58,200 --> 00:42:02,200
Speaker 1: you at when you heard it wasn't me? Where ship?

701
00:42:02,400 --> 00:42:08,640
Speaker 1: I was in Philly to all ninety nine, Yeah, it

702
00:42:08,800 --> 00:42:13,600
Speaker 1: was I think I had you listen you so you

703
00:42:13,640 --> 00:42:16,640
Speaker 1: could use for everything, for anything. I told the kids

704
00:42:16,640 --> 00:42:18,520
Speaker 1: they could use it for the mom said, my hand

705
00:42:18,560 --> 00:42:23,839
Speaker 1: wasn't a cookie job. How did you think of making

706
00:42:23,880 --> 00:42:25,960
Speaker 1: these when when you made these records, you thought it

707
00:42:26,000 --> 00:42:28,120
Speaker 1: was gonna be global and you just doing you To

708
00:42:28,200 --> 00:42:30,040
Speaker 1: be honest with you, some records you know it's special.

709
00:42:30,640 --> 00:42:33,759
Speaker 1: There's also another story to that same it wasn't me.

710
00:42:34,680 --> 00:42:37,840
Speaker 1: What if I told you that I believe in the

711
00:42:37,880 --> 00:42:40,080
Speaker 1: record so much when I did it, but the record

712
00:42:40,120 --> 00:42:42,239
Speaker 1: company didn't want it, and my current my ex my

713
00:42:42,360 --> 00:42:45,239
Speaker 1: ex manager at the time, I didn't want the record either,

714
00:42:45,760 --> 00:42:47,560
Speaker 1: so we all I tried giving the record away, so

715
00:42:47,640 --> 00:42:54,239
Speaker 1: you know, to Davante everyone falls in which they had

716
00:42:54,280 --> 00:42:56,640
Speaker 1: that record at that time, Tony Kelly produced that record.

717
00:42:56,920 --> 00:42:59,800
Speaker 1: They had it wasn't me, No, they had um everyone

718
00:42:59,840 --> 00:43:01,800
Speaker 1: for was it was a big record. I called this

719
00:43:01,920 --> 00:43:04,680
Speaker 1: dude called Brad the Cappam who was the uh the

720
00:43:05,239 --> 00:43:08,040
Speaker 1: r Sony. At the time I gave them that record,

721
00:43:08,440 --> 00:43:11,120
Speaker 1: I said, I said, Yo, this is a record. I

722
00:43:11,200 --> 00:43:14,080
Speaker 1: think it's be a good follow up after everyone falls

723
00:43:14,120 --> 00:43:17,120
Speaker 1: in love. The dude say, I don't think it's a hit,

724
00:43:17,160 --> 00:43:23,960
Speaker 1: and he played another record called Style, which is produced

725
00:43:24,000 --> 00:43:28,400
Speaker 1: by and I'm like, I'm right on that too, so

726
00:43:28,640 --> 00:43:30,880
Speaker 1: you know, but I'm saying this is a record. I

727
00:43:30,960 --> 00:43:33,799
Speaker 1: actually voiced tond on the Vantine and gave them, gave

728
00:43:33,840 --> 00:43:36,560
Speaker 1: the record to them and in our turn it down

729
00:43:36,560 --> 00:43:37,920
Speaker 1: and think it wasn't a hit. Then I gave it

730
00:43:37,960 --> 00:43:40,719
Speaker 1: to a kid called Notch from the Born Americans. Oh,

731
00:43:40,800 --> 00:43:45,320
Speaker 1: I know, I know, not exactly. He came back to

732
00:43:45,440 --> 00:43:47,680
Speaker 1: the student after the record and says he got a

733
00:43:47,800 --> 00:43:50,200
Speaker 1: vision from God that he ain't supposed to do these

734
00:43:50,280 --> 00:43:53,839
Speaker 1: kind of records. Fuck me, I mean like God gave

735
00:43:53,920 --> 00:43:59,279
Speaker 1: him the wrong vision. So I ended up and ended

736
00:43:59,360 --> 00:44:01,680
Speaker 1: up that this this white dude came We got a

737
00:44:01,719 --> 00:44:04,000
Speaker 1: new an R. Because you know who's my n R

738
00:44:04,040 --> 00:44:06,879
Speaker 1: at that time, too old Boy from What's Old Boy

739
00:44:06,960 --> 00:44:12,239
Speaker 1: from American Island, Black guy Randy Jackson. Randy Jackson was

740
00:44:12,280 --> 00:44:20,799
Speaker 1: my an R. Let's over here shooting at Jackson. Randy

741
00:44:20,880 --> 00:44:22,560
Speaker 1: Jackson was making a lot of hits. So they brought

742
00:44:22,600 --> 00:44:24,920
Speaker 1: this white boy in German, German dude by the name

743
00:44:24,960 --> 00:44:28,320
Speaker 1: of Hans head Off. He came to my house and

744
00:44:29,400 --> 00:44:31,840
Speaker 1: Long Island at that time, it was close by you

745
00:44:31,920 --> 00:44:34,480
Speaker 1: over there, queens, because I'm right at the border. So

746
00:44:34,640 --> 00:44:36,600
Speaker 1: he came over there and he walked in with a

747
00:44:36,719 --> 00:44:40,200
Speaker 1: bag of fucking weed. He came in. It was like yeah, yeah, yeah,

748
00:44:40,400 --> 00:44:44,680
Speaker 1: a new an R. I'm like, I don't small wow.

749
00:44:45,480 --> 00:44:47,160
Speaker 1: He got back on the phone and calling his bosses

750
00:44:47,200 --> 00:44:52,800
Speaker 1: and he was being racist racist. It was racist. He

751
00:44:52,920 --> 00:44:55,000
Speaker 1: called me. It was like he called his boss. I

752
00:44:55,040 --> 00:44:56,840
Speaker 1: hear him on the phone talking to his boss. It's like,

753
00:44:57,280 --> 00:44:58,520
Speaker 1: what the fund do I do with a bunch of

754
00:44:58,600 --> 00:45:02,520
Speaker 1: Jamaican when they don't smoke weak? So by that I said,

755
00:45:02,680 --> 00:45:04,200
Speaker 1: I said, we come down. Says, come listen to some

756
00:45:04,280 --> 00:45:06,799
Speaker 1: fucking music, motherfucker. Let's get this ship going. And you're

757
00:45:06,840 --> 00:45:09,600
Speaker 1: born in Jamaica, born in Kingston. I came to the

758
00:45:09,680 --> 00:45:13,120
Speaker 1: United States and he was in the military military the Marines,

759
00:45:13,400 --> 00:45:15,759
Speaker 1: did you first for the first goal for and then

760
00:45:15,840 --> 00:45:19,359
Speaker 1: Carolina was during while you was you remember you remember

761
00:45:19,440 --> 00:45:21,680
Speaker 1: that time we was doing big up, big up, big up,

762
00:45:21,719 --> 00:45:23,920
Speaker 1: big up, all the joints on the dance hall. Big Up,

763
00:45:23,920 --> 00:45:27,120
Speaker 1: Big Up Carolina was still the service at that time. Yeah.

764
00:45:27,239 --> 00:45:29,160
Speaker 1: I used to drive from North Carolinas to New York

765
00:45:29,200 --> 00:45:31,879
Speaker 1: every weekend just to go to records and go right back.

766
00:45:31,920 --> 00:45:35,439
Speaker 1: Really you ain't. You ain't never been to the Jamaican parties. Yeah,

767
00:45:35,600 --> 00:45:38,080
Speaker 1: you gotta go to the Jamaicans. Gotta be in Jamaica though,

768
00:45:38,480 --> 00:45:40,440
Speaker 1: Like where they pulled, they pull a truck up right,

769
00:45:40,640 --> 00:45:42,440
Speaker 1: You'll be like, yeah, we're the club at and they'll

770
00:45:42,520 --> 00:45:44,800
Speaker 1: pull the club you we had in the club you outside.

771
00:45:48,000 --> 00:45:50,320
Speaker 1: Always there's always war because if you have a nightclub,

772
00:45:50,560 --> 00:45:53,400
Speaker 1: you're competing with the street dances. So in the nightclubs,

773
00:45:53,400 --> 00:45:55,680
Speaker 1: you gotta have a CS on, you gotta have security.

774
00:45:55,880 --> 00:45:59,920
Speaker 1: Got street dance alight. My fucker's was coming there. You know.

775
00:46:00,160 --> 00:46:03,160
Speaker 1: You buy some white road put the you know, stole

776
00:46:03,360 --> 00:46:09,640
Speaker 1: string off my house. You're good? Yeah, what part of

777
00:46:09,719 --> 00:46:14,360
Speaker 1: jam I went to Kingston, Montego Bay, uh Rios went

778
00:46:14,440 --> 00:46:18,600
Speaker 1: to Typical Gardens. Actually I was actually I was out

779
00:46:18,719 --> 00:46:21,279
Speaker 1: shooting the video. I was scared to death. I used

780
00:46:21,320 --> 00:46:23,799
Speaker 1: to live on the other side of Matressly and happen

781
00:46:24,040 --> 00:46:26,800
Speaker 1: two View Mountain View. They called out the gods that

782
00:46:26,840 --> 00:46:30,560
Speaker 1: strip it was a dragon. Don't come down because of

783
00:46:30,640 --> 00:46:34,239
Speaker 1: because that street is is a bottom line between the

784
00:46:34,280 --> 00:46:39,640
Speaker 1: board political party switches political, so you should go you

785
00:46:39,719 --> 00:46:41,719
Speaker 1: go down there. It depends so when when you've got

786
00:46:41,920 --> 00:46:45,080
Speaker 1: political turmoil, that road is a rough, rough, rough road.

787
00:46:45,120 --> 00:46:47,719
Speaker 1: But things kind of cool down now. Man, your people

788
00:46:47,719 --> 00:46:50,800
Speaker 1: have gotten civilized now. Man, there's social media people. You know,

789
00:46:51,120 --> 00:46:55,239
Speaker 1: you gets the mood of Jamaica's people. Commute, let me

790
00:46:55,400 --> 00:46:58,360
Speaker 1: you're gonna run for You're running for man, and the

791
00:46:58,360 --> 00:47:00,560
Speaker 1: amount of taxes that you pay a way, uncle Sam,

792
00:47:01,120 --> 00:47:03,520
Speaker 1: And it's crazy that's about to get probably be your

793
00:47:03,560 --> 00:47:07,680
Speaker 1: president tonight. Man. You know what I'm saying, it's crazy.

794
00:47:08,080 --> 00:47:10,960
Speaker 1: Come to Jamaica the one crazy and y'all don't all

795
00:47:11,000 --> 00:47:12,920
Speaker 1: be knocking on my door if that motherfucker Win is

796
00:47:12,920 --> 00:47:16,600
Speaker 1: about two ways right now, I mean in Jamaica, be like, hey,

797
00:47:17,280 --> 00:47:19,520
Speaker 1: that's y'all know that mother He could come that one.

798
00:47:19,640 --> 00:47:24,200
Speaker 1: I don't know. Union Yea, this is so terrible you

799
00:47:24,560 --> 00:47:28,279
Speaker 1: having this conversation because it's like scary, scary it is.

800
00:47:28,560 --> 00:47:35,200
Speaker 1: It is scary, man, I said I wanted, but the

801
00:47:35,280 --> 00:47:37,240
Speaker 1: one good thing they passed the weed Lord of Florida.

802
00:47:37,440 --> 00:47:42,640
Speaker 1: That's what we are. They said, yes, so it's cool. Yeah,

803
00:47:42,640 --> 00:47:47,160
Speaker 1: I mean it's not that. Yeah. Yeah, I mean that's

804
00:47:47,200 --> 00:47:51,480
Speaker 1: cool that pass the weed. But it's not cool if

805
00:47:51,560 --> 00:47:54,040
Speaker 1: this guy went, we don't need this. Yeah, I know

806
00:47:54,160 --> 00:47:56,120
Speaker 1: I'm saying, you know what I mean, watching it all

807
00:47:56,200 --> 00:47:58,640
Speaker 1: day and it's been it's it's yeah, up and down.

808
00:47:58,719 --> 00:48:00,239
Speaker 1: So you want to you want to? I mean I

809
00:48:00,320 --> 00:48:02,920
Speaker 1: think they designed want to keep it for the raidings,

810
00:48:03,040 --> 00:48:06,400
Speaker 1: the ratings, keep your ass on the seat, right sporting event.

811
00:48:06,920 --> 00:48:09,719
Speaker 1: This is a serious for them, right yeah, they got

812
00:48:09,760 --> 00:48:12,719
Speaker 1: you got paid And Gilly, you ever been a Jamaica? No,

813
00:48:13,160 --> 00:48:16,200
Speaker 1: you never come down you h you got that's one

814
00:48:16,239 --> 00:48:18,359
Speaker 1: place as soon as you land. And so it's gonna

815
00:48:18,360 --> 00:48:20,120
Speaker 1: be a lady. You gonna run over your cart with

816
00:48:20,200 --> 00:48:25,239
Speaker 1: your foot like it's just not gonna say sorry. That's

817
00:48:25,239 --> 00:48:27,120
Speaker 1: how you know you're in Jamaica when last say you've

818
00:48:27,120 --> 00:48:29,439
Speaker 1: been there, like by me a year and a half,

819
00:48:29,520 --> 00:48:33,919
Speaker 1: two years. Like the old ladies, they just bump into

820
00:48:33,960 --> 00:48:35,920
Speaker 1: you and they won't say sorry. They'd be like and

821
00:48:36,000 --> 00:48:39,360
Speaker 1: then they look at you. You ain't come. Boy'd be like,

822
00:48:39,440 --> 00:48:42,279
Speaker 1: well I got there. They know you're not from there,

823
00:48:42,360 --> 00:48:49,719
Speaker 1: like yeah, like person, you take it personal. Oh ship,

824
00:48:49,920 --> 00:48:51,880
Speaker 1: this is this is they style. You gotta just go

825
00:48:52,080 --> 00:48:55,200
Speaker 1: with it. And the craziest ship they got sucking Chinese Jamaicans.

826
00:48:55,520 --> 00:48:59,919
Speaker 1: Those niggas is hell least you remember remember the voice

827
00:49:00,360 --> 00:49:01,920
Speaker 1: you see the voice of Chinese girl that was on

828
00:49:02,000 --> 00:49:04,160
Speaker 1: there to Sanche, Oh how do you see that? Right? Well,

829
00:49:05,000 --> 00:49:08,719
Speaker 1: she know he's mad, mad Chinese Roger and said, yo,

830
00:49:12,520 --> 00:49:16,520
Speaker 1: change Jamaicans in my life, for change Jamaica out here

831
00:49:16,560 --> 00:49:20,480
Speaker 1: with sto like yo yo yoing bad. He's like, way

832
00:49:20,520 --> 00:49:25,239
Speaker 1: I called me what you're like alazy when you see

833
00:49:25,239 --> 00:49:28,040
Speaker 1: that even right when you see white and it's white

834
00:49:28,120 --> 00:49:30,719
Speaker 1: Jamaicans because the Maco and Jamaica is out of many

835
00:49:30,800 --> 00:49:36,000
Speaker 1: one people. So meody' black and white, the Jamaicans, the India.

836
00:49:36,160 --> 00:49:39,080
Speaker 1: But my grandmother is is white, you know what I'm saying.

837
00:49:39,160 --> 00:49:41,760
Speaker 1: So you know, and and you know my wife is Irish,

838
00:49:42,440 --> 00:49:44,040
Speaker 1: you know what I'm saying that Jamaica say, it's all

839
00:49:44,560 --> 00:49:47,600
Speaker 1: it's all mixed up. So what's worse Shaggy Jamaica all Philly,

840
00:49:50,440 --> 00:49:55,200
Speaker 1: Philly a little partner. And it does depends on because

841
00:49:55,200 --> 00:49:57,239
Speaker 1: I've had some great fun in Philly too, So yeah,

842
00:49:57,520 --> 00:50:01,080
Speaker 1: it all depends on because it's no there's a war

843
00:50:01,239 --> 00:50:03,840
Speaker 1: zone in Philly. Man. They said, if you live in

844
00:50:03,920 --> 00:50:08,480
Speaker 1: Southwest and you're from the age of fourteen and twenty five,

845
00:50:08,640 --> 00:50:10,960
Speaker 1: you got a twenty four percent chance of being shot.

846
00:50:11,440 --> 00:50:15,200
Speaker 1: God bless God, blessed Philly. Feel what I'm saying, six,

847
00:50:15,280 --> 00:50:17,360
Speaker 1: goofy man, we need to get it together in a

848
00:50:17,440 --> 00:50:23,839
Speaker 1: black community Philly or or Shy Time. Whoa shot worse

849
00:50:23,920 --> 00:50:26,880
Speaker 1: at this point. See, with Philly, we always at the

850
00:50:26,960 --> 00:50:30,719
Speaker 1: top in murders because we don't when you look at

851
00:50:32,600 --> 00:50:36,759
Speaker 1: you talk about total crimes like you know, rapes and

852
00:50:37,000 --> 00:50:41,560
Speaker 1: car jackings, and we really not into that. Our youngns

853
00:50:41,680 --> 00:50:44,640
Speaker 1: is in there. We're gonna shoot you like that's that's

854
00:50:44,719 --> 00:50:49,320
Speaker 1: just what they into. What I mean say, this is

855
00:50:49,360 --> 00:50:53,520
Speaker 1: a bad way. But you know, I'm just kinda happy,

856
00:50:54,280 --> 00:50:56,480
Speaker 1: uh that somebody else is taking that rack of Jamaica

857
00:50:56,520 --> 00:51:02,719
Speaker 1: had that spot for absolutely. I mean in Shintown Feeling ship,

858
00:51:02,840 --> 00:51:05,359
Speaker 1: we ran that ship for years. At least somebody take

859
00:51:05,400 --> 00:51:08,560
Speaker 1: the spotlight on a lot the way we got coconuts. Yeah,

860
00:51:08,960 --> 00:51:12,640
Speaker 1: you know beaches. That's I'm trying to change your whole

861
00:51:12,680 --> 00:51:15,640
Speaker 1: new league, man. That's how we feel. We feel like man,

862
00:51:15,760 --> 00:51:19,919
Speaker 1: you gotta switch it off. Enough is enough. We gotta,

863
00:51:19,920 --> 00:51:21,800
Speaker 1: we gotta, we gotta because you know what, you know,

864
00:51:22,000 --> 00:51:24,960
Speaker 1: us as black people were blessed to have an audience

865
00:51:25,239 --> 00:51:27,359
Speaker 1: that we can speak to people, you know what I mean.

866
00:51:27,520 --> 00:51:29,200
Speaker 1: And you know I was a part of that dumb

867
00:51:29,280 --> 00:51:32,839
Speaker 1: ship for so many years. And you know I've been,

868
00:51:32,960 --> 00:51:35,319
Speaker 1: I've been got over it. But it was one thing

869
00:51:35,440 --> 00:51:38,320
Speaker 1: that really messed me up. It was this documentary I

870
00:51:38,440 --> 00:51:41,000
Speaker 1: watched for the thirteen These niggas ain't pay me no

871
00:51:41,120 --> 00:51:44,400
Speaker 1: money for this. This is awesome. And when I seen that,

872
00:51:44,520 --> 00:51:46,920
Speaker 1: I was like, if you're black at this point and

873
00:51:46,960 --> 00:51:49,759
Speaker 1: you can hurt another black man like and I mean,

874
00:51:49,840 --> 00:51:52,800
Speaker 1: you know I mean when I say black include the Latino.

875
00:51:53,000 --> 00:51:56,120
Speaker 1: You know what I'm saying. And I just want us

876
00:51:56,160 --> 00:51:57,880
Speaker 1: to get it together. I just want us to know that,

877
00:51:58,040 --> 00:52:00,680
Speaker 1: you know, we're better than you know what the hell

878
00:52:00,760 --> 00:52:03,600
Speaker 1: people think that we do. And like that ship is whacked,

879
00:52:03,640 --> 00:52:05,040
Speaker 1: like you know what I'm saying, like at this point

880
00:52:05,160 --> 00:52:09,280
Speaker 1: hurting each other, Let's just get this ship together. Ages

881
00:52:09,320 --> 00:52:12,920
Speaker 1: of motherfucker. Because you just said that. As you got older,

882
00:52:13,000 --> 00:52:15,200
Speaker 1: you see the things in a whole different legs. But

883
00:52:15,360 --> 00:52:18,759
Speaker 1: you were young, if I if I you know the

884
00:52:18,800 --> 00:52:20,680
Speaker 1: ship that I used to do when I was as young,

885
00:52:20,840 --> 00:52:22,840
Speaker 1: was he because I see these young things now and

886
00:52:23,000 --> 00:52:24,600
Speaker 1: I'm like, you know, I got kids in my own.

887
00:52:24,640 --> 00:52:26,799
Speaker 1: I got two sons you know that are that are

888
00:52:28,520 --> 00:52:29,960
Speaker 1: yeah you know what I mean that that that are

889
00:52:30,600 --> 00:52:32,800
Speaker 1: and they do dumb shit. Is sitting there trying to

890
00:52:32,880 --> 00:52:35,279
Speaker 1: be like yo, and I mean, and I got to

891
00:52:35,280 --> 00:52:37,000
Speaker 1: put myself in that shoe, be like all right, I

892
00:52:37,040 --> 00:52:40,239
Speaker 1: gotta approach it from a sensitive drink though, come on,

893
00:52:40,360 --> 00:52:48,520
Speaker 1: yea man, come on, I'm drinking that. But no, no, no,

894
00:52:48,640 --> 00:52:53,359
Speaker 1: you see this down. We're coming We're coming out back

895
00:52:53,400 --> 00:52:56,400
Speaker 1: with this now. So this is not available again until

896
00:52:56,480 --> 00:52:58,520
Speaker 1: this year. We're gonna relaunch. We had we came up

897
00:52:58,560 --> 00:53:02,640
Speaker 1: with about uh us, about like two cases or something

898
00:53:02,680 --> 00:53:05,120
Speaker 1: like that that we came with and we sold out.

899
00:53:05,239 --> 00:53:07,080
Speaker 1: How came to sell that bottle for that look about

900
00:53:07,120 --> 00:53:09,920
Speaker 1: six six, it's like two or three. So we can

901
00:53:09,960 --> 00:53:11,200
Speaker 1: have him here all the time. He was the only

902
00:53:11,239 --> 00:53:13,920
Speaker 1: one I got here because you know, we were supposed

903
00:53:13,920 --> 00:53:15,360
Speaker 1: to do this in the New York or something like that.

904
00:53:15,960 --> 00:53:18,120
Speaker 1: I forget and and and we ended up doing so

905
00:53:18,280 --> 00:53:20,480
Speaker 1: you know, this is my man's tenth bottle. You know

906
00:53:20,600 --> 00:53:24,000
Speaker 1: I took kids. You got trash, look like an oversized

907
00:53:24,120 --> 00:53:30,080
Speaker 1: travel Yeah. Cologne, good cologne. I ain't smell like smell.

908
00:53:30,880 --> 00:53:33,120
Speaker 1: I'll still want to rest. When you get drunk, you're

909
00:53:33,120 --> 00:53:37,000
Speaker 1: gonna smell the next day. Oh, it smells like cocoa,

910
00:53:37,120 --> 00:53:42,319
Speaker 1: but exactly at our engineer, our engineering want to drink

911
00:53:42,320 --> 00:53:45,439
Speaker 1: to that. Yeah, this is when it sounds crazy. Get

912
00:53:45,480 --> 00:53:50,000
Speaker 1: your cups, you know the only let's drink that whole.

913
00:53:51,680 --> 00:53:55,000
Speaker 1: Don't drink it all. And that made me feel we're

914
00:53:55,080 --> 00:53:58,160
Speaker 1: twin twin smell it twin to smell it. Oh man,

915
00:53:58,440 --> 00:54:02,239
Speaker 1: you see shot Yo, you see Gilly darn the King,

916
00:54:02,680 --> 00:54:03,800
Speaker 1: and we gotta you know what we gotta do. We

917
00:54:03,880 --> 00:54:09,759
Speaker 1: gotta shout out Philly because Philly supported young cat that

918
00:54:09,880 --> 00:54:12,360
Speaker 1: hit me up on the time on Twitter. Kay Walker,

919
00:54:12,640 --> 00:54:18,560
Speaker 1: Ye young rapping Walker's hungry. I learned about y'all from

920
00:54:19,560 --> 00:54:25,480
Speaker 1: you might know Rugs on the back game studio. They

921
00:54:25,520 --> 00:54:27,719
Speaker 1: can put me on the back, he said, you know

922
00:54:27,800 --> 00:54:31,359
Speaker 1: you're gonna be listening any This is the first time

923
00:54:31,520 --> 00:54:35,279
Speaker 1: artist is running the legal A lot of appreciate you brought.

924
00:54:35,560 --> 00:54:41,640
Speaker 1: The first time artist is running media and jp DJ

925
00:54:41,800 --> 00:54:47,560
Speaker 1: falling the Yeah a brodcast. So we big up all

926
00:54:47,640 --> 00:54:50,439
Speaker 1: legends because in this game, every time the person gets old,

927
00:54:51,800 --> 00:54:54,239
Speaker 1: they disrestract you. They say it's so over for you.

928
00:54:54,440 --> 00:54:57,000
Speaker 1: That's not what we do here. The older you get,

929
00:54:57,080 --> 00:54:58,719
Speaker 1: the more time you put it in this game, you

930
00:54:58,760 --> 00:55:01,440
Speaker 1: want a big upseat that. Absolutely, we want all legends

931
00:55:01,480 --> 00:55:04,120
Speaker 1: to be legends. That's what. And you know, I guess

932
00:55:04,160 --> 00:55:06,799
Speaker 1: what we want. Excuse me, I'm sorry sometimes about say.

933
00:55:06,920 --> 00:55:09,640
Speaker 1: I mean absolutely don't right, but we want to pick

934
00:55:09,760 --> 00:55:12,240
Speaker 1: up all legends and you know, keep our culture alive

935
00:55:13,000 --> 00:55:15,680
Speaker 1: and rock and roll. When you get old, you get

936
00:55:15,760 --> 00:55:20,120
Speaker 1: better hip hop. You get old, they say you hit

937
00:55:20,160 --> 00:55:23,040
Speaker 1: bro They washed up, that's what they say. We ain't

938
00:55:23,080 --> 00:55:25,720
Speaker 1: doing that over here over here. You know what I'm saying, Gilly,

939
00:55:25,719 --> 00:55:27,799
Speaker 1: you know what I'm saying, Shaggy picking it up. Come

940
00:55:27,840 --> 00:55:33,680
Speaker 1: on drinks too, Really, I ain't gonna falling up now

941
00:55:33,760 --> 00:55:37,839
Speaker 1: North Yeah she she everybody said, that's what you gotta

942
00:55:37,920 --> 00:55:47,080
Speaker 1: hit that, right? What is now? The craziest thing what

943
00:55:47,200 --> 00:55:49,440
Speaker 1: what y'all don't know is the guy that partner with

944
00:55:49,520 --> 00:55:53,319
Speaker 1: this on Those are the creators of great roops. Right,

945
00:55:53,880 --> 00:55:59,840
Speaker 1: that's all again, man John Frank who uh him and Sydney.

946
00:56:00,000 --> 00:56:02,799
Speaker 1: Ain't they created great Googles. They also had um yeah

947
00:56:02,840 --> 00:56:06,680
Speaker 1: your master tell me because all that me I like, yeas, yeah,

948
00:56:06,719 --> 00:56:12,920
Speaker 1: well you know they're just but oh yeah, that's cool.

949
00:56:12,960 --> 00:56:23,880
Speaker 1: Whenever I want my white friend yet really no, really, no,

950
00:56:24,120 --> 00:56:28,759
Speaker 1: no black man to just take your white friends to

951
00:56:28,800 --> 00:56:30,840
Speaker 1: the ball and holder yager. I bet she's gonna be

952
00:56:30,880 --> 00:56:33,960
Speaker 1: like this and see my high school days. She was

953
00:56:34,000 --> 00:56:36,000
Speaker 1: some high school ship. I'll tell you bring them back,

954
00:56:36,120 --> 00:56:39,919
Speaker 1: but YEA brings them back. Bring them back, dude, every

955
00:56:40,040 --> 00:56:42,680
Speaker 1: right friend you have that all you gotta do is

956
00:56:43,080 --> 00:56:45,400
Speaker 1: give him a shot of Yeager. You take them. You

957
00:56:45,400 --> 00:56:47,400
Speaker 1: started talking like you just signed Joel. I got you

958
00:56:47,480 --> 00:56:51,440
Speaker 1: by This is what I can't They always see ship on.

959
00:56:51,560 --> 00:56:54,080
Speaker 1: This is what I did in high school. You're sucking

960
00:56:54,080 --> 00:56:57,880
Speaker 1: in there, man, I tell me, like, so, what is

961
00:56:57,960 --> 00:57:00,880
Speaker 1: ghost can do to people? Goost looker. You know that

962
00:57:00,960 --> 00:57:04,800
Speaker 1: was the first drink component Oriega started drinking the Faith

963
00:57:04,960 --> 00:57:10,239
Speaker 1: new Ma. Yeah, with the Golden Social even sound. That

964
00:57:10,520 --> 00:57:15,360
Speaker 1: was some bullship. We got it tastes like tastes like

965
00:57:15,400 --> 00:57:18,360
Speaker 1: a never let me tell you how they called us

966
00:57:18,400 --> 00:57:20,760
Speaker 1: Faith Newman. She was the A and R Sony Records

967
00:57:21,400 --> 00:57:24,760
Speaker 1: and you know so uh, she had signed NAS, that's

968
00:57:24,760 --> 00:57:26,840
Speaker 1: who signed NAS. So she was trying to sign us

969
00:57:27,040 --> 00:57:29,960
Speaker 1: after and went to the studio one night and she

970
00:57:30,080 --> 00:57:32,520
Speaker 1: had it. So we drank the ship and we thought

971
00:57:32,520 --> 00:57:34,680
Speaker 1: it was some fly ship, but it was it was.

972
00:57:34,840 --> 00:57:37,560
Speaker 1: It did look good. We don't think we want to

973
00:57:37,640 --> 00:57:41,800
Speaker 1: make it. We did with the person that actually was

974
00:57:41,880 --> 00:57:44,120
Speaker 1: so fly. It was like, oh, ship didn't not. You know,

975
00:57:44,480 --> 00:57:48,360
Speaker 1: niggas got money and that was a regular but for

976
00:57:48,480 --> 00:57:52,560
Speaker 1: that time it was crazy for your grad at that time,

977
00:57:52,600 --> 00:57:58,080
Speaker 1: it was good. Yes, that's fact. Shaggy. Yeah, I think

978
00:57:58,440 --> 00:58:00,720
Speaker 1: do you think Dreak is getting all your pussy right now?

979
00:58:00,840 --> 00:58:04,200
Speaker 1: Excuse me? I think that. What do you think that

980
00:58:04,280 --> 00:58:06,720
Speaker 1: Drake is get over here, because he's kind of doing

981
00:58:06,960 --> 00:58:10,080
Speaker 1: like your ship man drink and I'm looking at you.

982
00:58:10,160 --> 00:58:12,720
Speaker 1: I'm like drinking Drake Beard, look like y'r ship to

983
00:58:13,200 --> 00:58:17,080
Speaker 1: drink drinking drink is drink drink is living it right here.

984
00:58:17,160 --> 00:58:20,160
Speaker 1: And he actually sounds good doing reggae, do you he

985
00:58:20,240 --> 00:58:23,360
Speaker 1: doesn't like I like the nail, you'll like the records. Actually,

986
00:58:23,440 --> 00:58:27,320
Speaker 1: keeping shaggy, but you got about a couple of south

987
00:58:27,960 --> 00:58:30,400
Speaker 1: keep me real fact, like, yo, you you're smashing a

988
00:58:30,440 --> 00:58:32,920
Speaker 1: lot of my bitch. Just get it the whole keep it.

989
00:58:33,400 --> 00:58:38,080
Speaker 1: I'm married. Oh yeah, but but you though if you wasn't.

990
00:58:40,000 --> 00:58:45,040
Speaker 1: But you know, do you like controller? Like man? This

991
00:58:45,160 --> 00:58:51,320
Speaker 1: nick keeping like you know what, Man, let's get to him.

992
00:58:56,680 --> 00:59:00,680
Speaker 1: I know it wasn't me that you know, pussy telling

993
00:59:00,680 --> 00:59:02,800
Speaker 1: you in my time, I got off a super dog.

994
00:59:03,120 --> 00:59:08,200
Speaker 1: Yeah I'm not nowhere, it's near. Yeah you are got

995
00:59:08,640 --> 00:59:12,880
Speaker 1: with throwing air, but he walked out. Let keep it

996
00:59:12,960 --> 00:59:19,640
Speaker 1: real and he could lie about after me. That pussy's

997
00:59:19,640 --> 00:59:23,160
Speaker 1: got they got that's passport, pussy visas and all that

998
00:59:23,440 --> 00:59:27,880
Speaker 1: international your gassport gotta be crazy. Yeah, you know what,

999
00:59:27,960 --> 00:59:30,480
Speaker 1: I gotta. I got a little bible because I can't

1000
00:59:30,520 --> 00:59:33,400
Speaker 1: get them a little pages. I gotta. You know, hey, min,

1001
00:59:33,480 --> 00:59:35,280
Speaker 1: I'm blessed because at the end of the day, these

1002
00:59:35,360 --> 00:59:39,479
Speaker 1: records still take me around the world up my past

1003
00:59:39,840 --> 00:59:43,640
Speaker 1: kind of crazy too crazy, got crazy. Ain't got in

1004
00:59:43,720 --> 00:59:52,040
Speaker 1: on that and gonna change that. Ain't Jamaica. Now you

1005
00:59:52,120 --> 00:59:54,880
Speaker 1: know why you can't even claim something if you never visited.

1006
00:59:55,040 --> 00:59:57,360
Speaker 1: This is how you know you visited Jamaica. You gotta

1007
00:59:57,400 --> 01:00:01,080
Speaker 1: be scared at something you know, scared you ain't visit.

1008
01:00:02,040 --> 01:00:04,480
Speaker 1: Why you can't pay on the beach. He was, I

1009
01:00:04,520 --> 01:00:06,920
Speaker 1: went to a strip like just till dawn, like turn

1010
01:00:07,000 --> 01:00:10,600
Speaker 1: that on for us. We went to a strip club

1011
01:00:10,640 --> 01:00:12,520
Speaker 1: in the middle of the day. They turned them on

1012
01:00:12,680 --> 01:00:19,520
Speaker 1: for us, chick like it was in the day where

1013
01:00:19,560 --> 01:00:23,320
Speaker 1: we are. We went to somewhere like a tourist spot.

1014
01:00:23,360 --> 01:00:24,440
Speaker 1: But we said, we don't want to be in the

1015
01:00:24,480 --> 01:00:27,160
Speaker 1: tourist spot. We said, take us to the hood, to

1016
01:00:27,240 --> 01:00:30,200
Speaker 1: a strip club. And they went. They not. The girl said,

1017
01:00:31,960 --> 01:00:34,040
Speaker 1: they opened the loop and they turned that bridge up

1018
01:00:34,080 --> 01:00:35,720
Speaker 1: and I was like, they're still dawn. The chick started

1019
01:00:35,840 --> 01:00:40,280
Speaker 1: dancing on the ship led out the ball because say

1020
01:00:40,360 --> 01:00:46,240
Speaker 1: highly it was nothing all right to Jamaica. Was drunk,

1021
01:00:46,560 --> 01:00:51,280
Speaker 1: but it was hilarious. It was amazing, you can go.

1022
01:00:51,880 --> 01:00:55,080
Speaker 1: You gotta go to Jamaica. Has somebody go all Jamaicans

1023
01:00:55,120 --> 01:00:58,800
Speaker 1: do that when they mac kiss and kiss them teeth,

1024
01:00:59,360 --> 01:01:01,720
Speaker 1: kiss my teeth, like showing you the old ladies. Soon

1025
01:01:01,720 --> 01:01:04,000
Speaker 1: as I landed, it was three times I went back

1026
01:01:04,080 --> 01:01:05,720
Speaker 1: to back to back and it was like the same

1027
01:01:05,800 --> 01:01:09,160
Speaker 1: old ladies ran over my foot and I was just like,

1028
01:01:09,720 --> 01:01:15,560
Speaker 1: I was excuse me, and she was like, oh, you

1029
01:01:15,640 --> 01:01:17,800
Speaker 1: gotta go to the hood. I'll tell you the people,

1030
01:01:17,800 --> 01:01:19,400
Speaker 1: I'm gonna tell you this funny story. You won't keep

1031
01:01:19,440 --> 01:01:23,240
Speaker 1: it real, right, keeping it real right now? I shot

1032
01:01:23,320 --> 01:01:28,480
Speaker 1: a video with Lexus and Wayne Wonder and anything goes.

1033
01:01:29,120 --> 01:01:33,000
Speaker 1: So what happens? Is we in Jamaica? This poone I

1034
01:01:33,120 --> 01:01:37,040
Speaker 1: did home said, pone go to typically gardens. He's like, yo,

1035
01:01:37,640 --> 01:01:39,640
Speaker 1: that the best weed out there. He never tells me

1036
01:01:39,680 --> 01:01:41,960
Speaker 1: it's the worst hood ever. Right. I don't know this,

1037
01:01:42,840 --> 01:01:45,360
Speaker 1: but I'm this is my nick's this idea. Let me

1038
01:01:45,480 --> 01:01:49,680
Speaker 1: go for it. We go out there, Yo, my nigga,

1039
01:01:50,760 --> 01:01:56,280
Speaker 1: Does guy do this? You know, like, yeah, this ning

1040
01:01:56,520 --> 01:01:59,680
Speaker 1: is huge. She can't go to the hood without you

1041
01:01:59,800 --> 01:02:03,120
Speaker 1: got the hogad. You ain't gonna film inside there either

1042
01:02:03,800 --> 01:02:08,880
Speaker 1: unless you had to. You know what it is wherever

1043
01:02:08,960 --> 01:02:11,560
Speaker 1: you want the word this was, I had to do it.

1044
01:02:14,080 --> 01:02:19,480
Speaker 1: Great guy, very assuming guys. Guy little stock came, but

1045
01:02:19,640 --> 01:02:21,800
Speaker 1: very unassuming. You would not think that that guy is

1046
01:02:22,160 --> 01:02:25,160
Speaker 1: the guy I got you. Damn. The people I met

1047
01:02:25,200 --> 01:02:28,200
Speaker 1: this in like a cave. He had like a in

1048
01:02:28,280 --> 01:02:34,120
Speaker 1: the cave was the hardest ship. Guy. I ain't even

1049
01:02:34,200 --> 01:02:37,240
Speaker 1: trying to be listing keeping there on it. You know,

1050
01:02:37,720 --> 01:02:42,640
Speaker 1: you know you know that, all right? All right? Listen

1051
01:02:43,040 --> 01:02:44,880
Speaker 1: he was the mind them, that's what they call it.

1052
01:02:45,200 --> 01:02:49,320
Speaker 1: The mind the mind them. No meet in public, met

1053
01:02:49,400 --> 01:02:52,720
Speaker 1: him miss male place and playing up she was there.

1054
01:02:53,480 --> 01:02:56,640
Speaker 1: I never seen no ship like for anyway. So we

1055
01:02:57,080 --> 01:03:02,760
Speaker 1: know we got the pass for me and and um rooster,

1056
01:03:03,200 --> 01:03:06,800
Speaker 1: bigger rooster that was his like guy who's controlling it

1057
01:03:06,920 --> 01:03:11,200
Speaker 1: did so we kept filming. It's a rooster comes to

1058
01:03:11,400 --> 01:03:14,600
Speaker 1: us and says, um. He goes, yo, you know when

1059
01:03:14,640 --> 01:03:17,160
Speaker 1: you got spinish filming, you don't gotta go on the trailer.

1060
01:03:17,640 --> 01:03:20,760
Speaker 1: So I knew exactly what the nigger was trying to say.

1061
01:03:21,240 --> 01:03:26,560
Speaker 1: You thinkers look a little soft, look a little salt.

1062
01:03:26,800 --> 01:03:28,960
Speaker 1: Let me. He say that, But I'm reading. I'm a

1063
01:03:29,040 --> 01:03:32,160
Speaker 1: street there. I'm reading. You know, I tell you film.

1064
01:03:32,680 --> 01:03:35,600
Speaker 1: You know y'all don't gotta go. I was like, oh ship,

1065
01:03:35,800 --> 01:03:40,400
Speaker 1: so I feel next, see right, I stand there for

1066
01:03:40,560 --> 01:03:42,720
Speaker 1: some reason, I'm don't know. I don't know how my

1067
01:03:42,880 --> 01:03:46,560
Speaker 1: niggas stay in the trailer. Some tough niggers I got

1068
01:03:46,600 --> 01:03:49,680
Speaker 1: with me, by the way, real killers in the streets.

1069
01:03:50,160 --> 01:03:53,560
Speaker 1: But they were just sleeping. They're sitting there smoking because

1070
01:03:53,680 --> 01:03:58,760
Speaker 1: not paying at the guy. Guy goes, you got I

1071
01:03:58,800 --> 01:04:02,000
Speaker 1: got a little song, my nigga this nigga hand me

1072
01:04:02,120 --> 01:04:05,400
Speaker 1: a bag. Oh we like, jarem near the size of

1073
01:04:05,480 --> 01:04:11,480
Speaker 1: this table like that? So now this this is crazy ship.

1074
01:04:12,360 --> 01:04:14,040
Speaker 1: They just told me. You know, I don't go back

1075
01:04:14,080 --> 01:04:18,960
Speaker 1: into trailer. My homiesn't it the trailer. But I just

1076
01:04:19,080 --> 01:04:23,520
Speaker 1: remember what he said, so I stood there. I said,

1077
01:04:23,760 --> 01:04:27,080
Speaker 1: I gotta take it. Nor so many whiles you're making

1078
01:04:27,160 --> 01:04:32,400
Speaker 1: niggas with swords when they faced niggas. You know, I

1079
01:04:32,560 --> 01:04:37,280
Speaker 1: like steak these niggers. These niggers just looking at me like, no,

1080
01:04:37,480 --> 01:04:39,960
Speaker 1: I'm I'm a real nigger. But now I got a

1081
01:04:40,040 --> 01:04:45,960
Speaker 1: bag of the side. There's no way I'm trying to

1082
01:04:48,160 --> 01:04:53,760
Speaker 1: trail like somebody come around from when I'm I'm protected.

1083
01:04:54,280 --> 01:04:57,480
Speaker 1: But still these niggas is looking at me like I'm steak.

1084
01:04:57,520 --> 01:05:01,400
Speaker 1: I'm American. They ain't never seen you know what I'm saying.

1085
01:05:02,120 --> 01:05:04,040
Speaker 1: I stood there, so now none of my nigga is

1086
01:05:04,120 --> 01:05:08,080
Speaker 1: catching on. The cigars is in the trailer. So I

1087
01:05:08,240 --> 01:05:14,520
Speaker 1: walk and you know it's it's always one guy. There's

1088
01:05:14,520 --> 01:05:19,360
Speaker 1: always one guy always, and the one guy goes and

1089
01:05:20,720 --> 01:05:28,000
Speaker 1: give me a sliff stick of that. And there's no respect,

1090
01:05:28,080 --> 01:05:30,280
Speaker 1: by the way, Oh, there was no love with that,

1091
01:05:30,960 --> 01:05:34,400
Speaker 1: just like yo, give me your spliff. I thought to myself,

1092
01:05:34,440 --> 01:05:37,600
Speaker 1: I said, Shrine, you've been to jail, but you did

1093
01:05:37,720 --> 01:05:41,120
Speaker 1: open up this bag. You open up this bag. The

1094
01:05:41,200 --> 01:05:45,400
Speaker 1: whole hood is you know. They I'm fooled an smell it.

1095
01:05:45,760 --> 01:05:49,720
Speaker 1: So every I've got every bit of courage. No, no,

1096
01:05:49,920 --> 01:05:52,360
Speaker 1: I don't got no wins just in case they're gonna

1097
01:05:52,440 --> 01:05:55,240
Speaker 1: kill him. They're gonna kill him, but just for now,

1098
01:05:55,360 --> 01:05:58,240
Speaker 1: I just might not have a win right now. So

1099
01:05:58,440 --> 01:06:05,160
Speaker 1: I look at the ni. I said, let's relax because

1100
01:06:05,880 --> 01:06:08,400
Speaker 1: I would get you. I'll give your body. I'm just

1101
01:06:08,520 --> 01:06:11,240
Speaker 1: not doing it right here. And the way you approaching

1102
01:06:11,280 --> 01:06:19,840
Speaker 1: me is just not right now. The nigga falls, I

1103
01:06:19,880 --> 01:06:28,880
Speaker 1: don't say ship like homie, you chip, I go on

1104
01:06:29,000 --> 01:06:31,160
Speaker 1: the trailer. I want to flip on my niggas first,

1105
01:06:31,160 --> 01:06:35,800
Speaker 1: and what with the nigga knocks on the door, something

1106
01:06:35,840 --> 01:06:38,800
Speaker 1: like I had like nine Now it's cool. I pulled

1107
01:06:38,840 --> 01:06:41,880
Speaker 1: out a little. They hit this nigga. Yo, These you're

1108
01:06:41,920 --> 01:06:45,320
Speaker 1: making niggas came out or we'll tell you. You know

1109
01:06:45,480 --> 01:06:49,800
Speaker 1: one touch to come on. These niggas had the biggest knives.

1110
01:06:50,080 --> 01:06:52,160
Speaker 1: I don't know where these much these came from. My nigga.

1111
01:06:52,320 --> 01:06:56,600
Speaker 1: They were chopping trees somewhere these niggers came. No one

1112
01:06:56,720 --> 01:06:59,080
Speaker 1: touched that, no one asked that you came out. Then

1113
01:06:59,280 --> 01:07:04,560
Speaker 1: they made they so much ship to this ship apologize

1114
01:07:04,600 --> 01:07:09,560
Speaker 1: to him. Yoh man. I was like, Yo, these niggas

1115
01:07:09,600 --> 01:07:12,000
Speaker 1: were so serious. I listen, we don't got a hood

1116
01:07:12,000 --> 01:07:14,680
Speaker 1: of America. I'm gonna keep it a hunted that The

1117
01:07:14,800 --> 01:07:18,720
Speaker 1: thing is. The thing is that is arguably that the

1118
01:07:18,840 --> 01:07:22,520
Speaker 1: hood in Jamaica has actually run better with the Dons

1119
01:07:22,600 --> 01:07:25,760
Speaker 1: than without. Because it was happening to Chicago, it was

1120
01:07:25,840 --> 01:07:28,800
Speaker 1: there was a more O g s. There's there's an order.

1121
01:07:29,080 --> 01:07:31,800
Speaker 1: There's an order you gotta follow. If I follow the art,

1122
01:07:32,320 --> 01:07:35,400
Speaker 1: order went to come. Do you know most of these guys,

1123
01:07:35,440 --> 01:07:38,120
Speaker 1: as much as here about Tazi are not sorry these guys.

1124
01:07:38,200 --> 01:07:41,280
Speaker 1: These guys did a lot of things for their communities,

1125
01:07:41,560 --> 01:07:45,480
Speaker 1: you know, like, yeah, kids that couldn't come out afternoon,

1126
01:07:45,720 --> 01:07:47,520
Speaker 1: my man spanky out there on a week night on

1127
01:07:47,560 --> 01:07:49,080
Speaker 1: a school night, they couldn't come out, you know what

1128
01:07:49,120 --> 01:07:50,640
Speaker 1: I'm saying. And if the kid then come over to

1129
01:07:50,840 --> 01:07:54,560
Speaker 1: Lee didn't have a conversation with the parents, was gonna

1130
01:07:54,560 --> 01:07:56,600
Speaker 1: be mean a night conversation either, you know, I mean

1131
01:07:56,680 --> 01:08:00,160
Speaker 1: that they provided cool books and you know what I mean, uh,

1132
01:08:00,840 --> 01:08:03,880
Speaker 1: you know bags, you know, whatever they needed and helped.

1133
01:08:05,360 --> 01:08:08,560
Speaker 1: So you know when those when you got those dons

1134
01:08:08,600 --> 01:08:11,360
Speaker 1: in the neighborhood, you know, I mean, things just running on.

1135
01:08:11,560 --> 01:08:13,600
Speaker 1: Once those guys are out of there, there was cass

1136
01:08:14,320 --> 01:08:15,800
Speaker 1: you know what I'm saying. And then so you have

1137
01:08:16,560 --> 01:08:19,600
Speaker 1: disorder so to speak, you know what I'm saying, and

1138
01:08:19,640 --> 01:08:24,879
Speaker 1: there's always that that that it's almost like that unspoken respect.

1139
01:08:25,360 --> 01:08:28,320
Speaker 1: I did a concert in the General Penitentiary because I'm

1140
01:08:28,320 --> 01:08:30,559
Speaker 1: from Rayton. I was born the Rayton right on the seaside,

1141
01:08:31,720 --> 01:08:34,080
Speaker 1: so right there you got that prison. So I went

1142
01:08:34,160 --> 01:08:35,800
Speaker 1: into the prison and played the concert. I was one

1143
01:08:35,800 --> 01:08:37,360
Speaker 1: of the only person that ever did that for me.

1144
01:08:37,640 --> 01:08:40,880
Speaker 1: And I brought Sly and Robbie originals, so we went

1145
01:08:40,960 --> 01:08:44,240
Speaker 1: in there and played. Now, this is a person that's

1146
01:08:44,240 --> 01:08:48,840
Speaker 1: got super overcrowded, probably toasted about two thousand people in

1147
01:08:48,880 --> 01:08:52,439
Speaker 1: their convicts. You walk in there and take everything away

1148
01:08:52,479 --> 01:08:55,519
Speaker 1: from me, including your cell phone. I think I see

1149
01:08:55,560 --> 01:08:58,560
Speaker 1: no god of the gun. So you probably got like

1150
01:09:00,200 --> 01:09:04,000
Speaker 1: twenty guard and two thousand inmates and were on the

1151
01:09:04,040 --> 01:09:08,760
Speaker 1: concert plane. So I'm playing everything streaming up boom. You know,

1152
01:09:08,920 --> 01:09:10,320
Speaker 1: first of all, I started to think about it. I

1153
01:09:10,360 --> 01:09:12,840
Speaker 1: got a prison full of dudes and all my songs

1154
01:09:12,880 --> 01:09:16,880
Speaker 1: of chicksaw and I was like, I'm all seeing girl

1155
01:09:17,000 --> 01:09:21,400
Speaker 1: on my angels all what I'm saying. I got to

1156
01:09:21,439 --> 01:09:23,479
Speaker 1: try to switch it up and said, yeah, anyone on

1157
01:09:23,640 --> 01:09:27,080
Speaker 1: over the money on the money, I care food about girl,

1158
01:09:27,160 --> 01:09:30,560
Speaker 1: You're my angel, and they just they just rocked with it.

1159
01:09:31,080 --> 01:09:33,720
Speaker 1: But the funniest, the craziest part about it was there

1160
01:09:33,800 --> 01:09:35,640
Speaker 1: was a line they stood in all the all the

1161
01:09:35,720 --> 01:09:39,160
Speaker 1: convicts that were all all the inmates were all out

1162
01:09:39,280 --> 01:09:42,120
Speaker 1: on the line and there was there was no There

1163
01:09:42,200 --> 01:09:45,040
Speaker 1: was one guard with a with a baton and another

1164
01:09:45,120 --> 01:09:47,880
Speaker 1: guard at the other and with to and they stood

1165
01:09:47,960 --> 01:09:50,800
Speaker 1: like this and they actually wasn't even looking. They're just

1166
01:09:50,880 --> 01:09:54,120
Speaker 1: watching the show. There was not a route, there was

1167
01:09:54,160 --> 01:09:56,479
Speaker 1: not a barrier, there was not a barricade. They all

1168
01:09:56,560 --> 01:10:00,320
Speaker 1: just stood in a line. And when when I dropped tune,

1169
01:10:02,360 --> 01:10:05,200
Speaker 1: and it's like an imaginary line and if one dude

1170
01:10:05,240 --> 01:10:08,360
Speaker 1: football for another dude look at him and that was it.

1171
01:10:08,800 --> 01:10:10,560
Speaker 1: So I looked at the guard afterwards, I was like,

1172
01:10:11,840 --> 01:10:13,720
Speaker 1: how you control all these guys? And I mean, it's

1173
01:10:13,760 --> 01:10:16,519
Speaker 1: just Kingston, you know, what I'm saying. You got two

1174
01:10:16,600 --> 01:10:21,680
Speaker 1: thousand mates, you look heavily outnumbered. And he said, they

1175
01:10:21,720 --> 01:10:25,040
Speaker 1: ain't really scared of us. They scared of the knicks

1176
01:10:25,080 --> 01:10:28,360
Speaker 1: in me because one dude step out of line, sucking

1177
01:10:28,439 --> 01:10:30,680
Speaker 1: up everybody like the house man. You know, you know

1178
01:10:30,720 --> 01:10:33,000
Speaker 1: what I'm saying. So it's it's that, it's that that

1179
01:10:33,160 --> 01:10:36,160
Speaker 1: mentality that they're having the head of Let's say, oh, listen,

1180
01:10:37,000 --> 01:10:41,360
Speaker 1: you know there's an order that is run right here,

1181
01:10:41,400 --> 01:10:43,760
Speaker 1: Shaggy coming in here, gonna play a concert. We don't

1182
01:10:43,800 --> 01:10:46,320
Speaker 1: see concerts once we've done with the whole thing. I

1183
01:10:46,400 --> 01:10:49,880
Speaker 1: was might say, Oh, I shot that. I knew why

1184
01:10:49,960 --> 01:10:57,840
Speaker 1: it was that every you didn't described that to me

1185
01:10:57,960 --> 01:11:00,080
Speaker 1: and out of pussy when you and you sold in

1186
01:11:00,120 --> 01:11:03,400
Speaker 1: a million, because like I sold a million, right enough,

1187
01:11:03,479 --> 01:11:06,360
Speaker 1: like like that that was it? Like but ten million?

1188
01:11:06,439 --> 01:11:08,600
Speaker 1: Like I know what I was getting done? That Like

1189
01:11:08,720 --> 01:11:11,280
Speaker 1: how was it? At the height at the height of

1190
01:11:11,400 --> 01:11:19,360
Speaker 1: it unbelievable the shaggy shaggy guys, right, let's keep it red. Yeah,

1191
01:11:19,360 --> 01:11:24,599
Speaker 1: you know what jamaking you listen abound, listen, listen. Anybody

1192
01:11:25,160 --> 01:11:26,880
Speaker 1: that amount of I don't take them to get the

1193
01:11:26,920 --> 01:11:32,680
Speaker 1: brown boots and stopped saying big sound. Anybody with that

1194
01:11:32,760 --> 01:11:35,960
Speaker 1: amount of success shouldn't have a pussy problem. But how

1195
01:11:36,120 --> 01:11:38,479
Speaker 1: is it though? I like what I'm saying. Of course

1196
01:11:38,520 --> 01:11:43,840
Speaker 1: it has to be great, bro, Yeah, yeah, I'm saying. Yeah.

1197
01:11:46,720 --> 01:11:48,720
Speaker 1: The thing is that I was never used. I'm just

1198
01:11:48,800 --> 01:11:50,559
Speaker 1: never new to these months because if you ever from

1199
01:11:50,600 --> 01:11:52,600
Speaker 1: o Carolina, there was another global it. So I've been

1200
01:11:52,600 --> 01:11:55,600
Speaker 1: getting blow and snatch all my life. You know what

1201
01:11:55,600 --> 01:12:02,639
Speaker 1: I'm saying. Class, that's like you know, taking ship down down,

1202
01:12:02,760 --> 01:12:05,800
Speaker 1: you know, I mean, like you gotta be used to

1203
01:12:05,920 --> 01:12:08,680
Speaker 1: that from from day one, from from in school. Even

1204
01:12:08,720 --> 01:12:10,080
Speaker 1: I was in the middle of a matter of fact,

1205
01:12:10,080 --> 01:12:13,479
Speaker 1: I was in the war. I probably probably only few

1206
01:12:13,520 --> 01:12:16,120
Speaker 1: people in in the middle of the desert that got

1207
01:12:20,000 --> 01:12:29,760
Speaker 1: Yeah he got some desert. Now he's out there and

1208
01:12:30,600 --> 01:12:35,360
Speaker 1: he gets the contest. There's a couple of jobs you got, damn.

1209
01:12:35,760 --> 01:12:38,360
Speaker 1: In the military, I was a cannon there, which is

1210
01:12:38,439 --> 01:12:42,439
Speaker 1: known as now it was almost as it's artillery. I

1211
01:12:42,600 --> 01:12:47,679
Speaker 1: fired one five howitzers and the ship lands indirect fire

1212
01:12:47,760 --> 01:12:51,879
Speaker 1: or some fucking grid scare and blows some motherfucker's support.

1213
01:12:54,120 --> 01:12:58,719
Speaker 1: I fired ship. Now, so while we was there, ship

1214
01:13:02,240 --> 01:13:07,120
Speaker 1: how your body niggas and he was in the world

1215
01:13:07,439 --> 01:13:13,599
Speaker 1: first first go for It's record was behind us from

1216
01:13:13,680 --> 01:13:23,560
Speaker 1: first singing niggas the singing to the chill example. But

1217
01:13:23,600 --> 01:13:26,160
Speaker 1: it's certain jobs and hit him from eight miles away.

1218
01:13:26,720 --> 01:13:32,360
Speaker 1: It's old, but there's certain jobs in there that you get.

1219
01:13:32,680 --> 01:13:33,800
Speaker 1: I used to I used to be there. I'm a

1220
01:13:33,840 --> 01:13:36,400
Speaker 1: skater what they call in military skater. What that means,

1221
01:13:36,479 --> 01:13:38,280
Speaker 1: ship of means I You know, I ain't going around

1222
01:13:38,360 --> 01:13:40,760
Speaker 1: saying who ra who raw? You know what I'm saying.

1223
01:13:41,360 --> 01:13:43,200
Speaker 1: If I could pop my jeep and put my foot

1224
01:13:43,280 --> 01:13:47,000
Speaker 1: up and chill, I'm gonna do it. You ain't gonna

1225
01:13:47,000 --> 01:13:49,840
Speaker 1: see me running around trying to be yes CEO. And

1226
01:13:49,880 --> 01:13:55,599
Speaker 1: that's the military, and I'm gonna get this simple five.

1227
01:13:56,040 --> 01:13:58,040
Speaker 1: You know what I'm saying, Do or die? First? The

1228
01:13:58,080 --> 01:14:10,360
Speaker 1: boat Bush first books, you go, Daddy Bush, that's another bush.

1229
01:14:12,840 --> 01:14:15,519
Speaker 1: I'm like the point I was trying to me. I

1230
01:14:15,640 --> 01:14:17,559
Speaker 1: used to drive and go for the child truck. I'm

1231
01:14:17,600 --> 01:14:19,840
Speaker 1: the guy. Now you see all you got navigation system

1232
01:14:19,840 --> 01:14:21,120
Speaker 1: in your car right now. We used to drive them

1233
01:14:21,160 --> 01:14:24,880
Speaker 1: home via the big old and flat ones. But they

1234
01:14:24,960 --> 01:14:28,280
Speaker 1: had these big gas navigations, a big white thing and

1235
01:14:28,439 --> 01:14:30,800
Speaker 1: that's that was how we used to drive to find

1236
01:14:30,840 --> 01:14:32,960
Speaker 1: a ways to the to the to the main base

1237
01:14:33,080 --> 01:14:34,920
Speaker 1: to pick up the child. Now, when you're picking up

1238
01:14:35,000 --> 01:14:37,320
Speaker 1: child and stuff like that, child was actually the breakfast

1239
01:14:37,360 --> 01:14:40,120
Speaker 1: and the food. You go down there, they give you

1240
01:14:40,240 --> 01:14:42,920
Speaker 1: five five loaf of bread. I put one under my seat.

1241
01:14:44,080 --> 01:14:45,920
Speaker 1: You get six ft butters. I put one out of

1242
01:14:45,960 --> 01:14:49,080
Speaker 1: my seat. So I'm you know, I'm the mat. You know,

1243
01:14:49,160 --> 01:14:51,800
Speaker 1: everybody wants something, y'all. You know, I pick up the mail.

1244
01:14:52,080 --> 01:14:54,000
Speaker 1: My father's glad to see me because I got the mail.

1245
01:14:54,600 --> 01:14:57,600
Speaker 1: You know, it's glad to see me because you know

1246
01:14:58,160 --> 01:15:00,920
Speaker 1: I'm come in. I got cigarettes. It is what it is,

1247
01:15:01,040 --> 01:15:03,560
Speaker 1: you know. So me and everybody on the tunis in

1248
01:15:03,600 --> 01:15:08,040
Speaker 1: the batteries. Friend, how does Janet Jackson smell? I never

1249
01:15:08,080 --> 01:15:09,840
Speaker 1: met he? Remember, I told you, I told you I

1250
01:15:09,920 --> 01:15:12,320
Speaker 1: thought we did the record together. She was never in

1251
01:15:12,400 --> 01:15:14,320
Speaker 1: my video. She never no, no, no, no, she didn't.

1252
01:15:14,479 --> 01:15:18,880
Speaker 1: I took it the number one though she won't to

1253
01:15:18,880 --> 01:15:20,280
Speaker 1: do know with the record. But I took it all

1254
01:15:20,280 --> 01:15:22,600
Speaker 1: the way. So it's all good. I'm mad. I just

1255
01:15:22,720 --> 01:15:25,720
Speaker 1: need But I went back. When I went down to

1256
01:15:26,080 --> 01:15:29,559
Speaker 1: the main base, they had women marines and they would

1257
01:15:30,080 --> 01:15:31,960
Speaker 1: jose because they don't one giving you the food and

1258
01:15:32,040 --> 01:15:36,040
Speaker 1: giving your mail and all that. The Admint girls. So

1259
01:15:36,120 --> 01:15:39,640
Speaker 1: you gotta make yourself, you know, made some things like

1260
01:15:40,320 --> 01:15:43,240
Speaker 1: but you met Maria carry before you know what I did.

1261
01:15:44,600 --> 01:15:46,120
Speaker 1: I didn't meet Maria, but you met the tune, So

1262
01:15:46,160 --> 01:15:52,559
Speaker 1: stoping trying to me. Yeah, but I don't know, all right,

1263
01:15:52,680 --> 01:15:56,439
Speaker 1: little relationship. I don't have no famous relationship. I'm going

1264
01:15:56,479 --> 01:16:02,439
Speaker 1: you all right now, relaxed. I don't what are famous.

1265
01:16:02,800 --> 01:16:04,720
Speaker 1: I'm knocked down a lot of famous bitches, but let

1266
01:16:04,760 --> 01:16:09,240
Speaker 1: me but none but none of them that you know,

1267
01:16:09,680 --> 01:16:12,920
Speaker 1: I ain't out there like that. I like that, you

1268
01:16:12,960 --> 01:16:14,600
Speaker 1: know what I'm saying. I respect how you put it,

1269
01:16:14,720 --> 01:16:19,120
Speaker 1: but but that's was that was pre social media. Like

1270
01:16:19,280 --> 01:16:23,120
Speaker 1: right now, y'all gonna with that ship. That's what I

1271
01:16:23,160 --> 01:16:25,599
Speaker 1: don't But it's a good time to show you're walking

1272
01:16:25,680 --> 01:16:27,400
Speaker 1: straight right now, because I know you walk straight right now.

1273
01:16:27,920 --> 01:16:30,040
Speaker 1: You're good dude, right now, you're great guy. You know,

1274
01:16:30,080 --> 01:16:32,720
Speaker 1: I mean you follow your husband and all that ship. Yeah,

1275
01:16:32,800 --> 01:16:35,400
Speaker 1: you can't work in this time, but the environment, you

1276
01:16:35,439 --> 01:16:37,240
Speaker 1: gotta put all that down. Just put the youngest they

1277
01:16:37,280 --> 01:16:39,200
Speaker 1: see now, they want they want to put everything out there,

1278
01:16:39,880 --> 01:16:42,240
Speaker 1: and you we got problems like, yeah, I can't. I'm

1279
01:16:42,280 --> 01:16:44,439
Speaker 1: keeping it. Yeah, we catch But I know at one

1280
01:16:44,479 --> 01:16:47,760
Speaker 1: point you was a wild nickel. I don't know, I've

1281
01:16:47,800 --> 01:16:50,720
Speaker 1: been that my whole life. Like you're sold tammillion just

1282
01:16:50,880 --> 01:16:57,479
Speaker 1: makes some noise for that guy, you know what? And

1283
01:16:57,640 --> 01:17:01,160
Speaker 1: then but you know one is that you know he's

1284
01:17:01,200 --> 01:17:03,439
Speaker 1: sold ten million. It was a global though it was

1285
01:17:03,520 --> 01:17:07,400
Speaker 1: a global you made global music. You made music that transitive,

1286
01:17:07,560 --> 01:17:11,000
Speaker 1: like when I made super Dog or Homeboy, like the

1287
01:17:11,760 --> 01:17:14,280
Speaker 1: even Gondo these records that you know, is he one

1288
01:17:14,360 --> 01:17:18,639
Speaker 1: hundred plays? It was always bumped out to me. Yeah,

1289
01:17:19,760 --> 01:17:23,200
Speaker 1: that's the whole new audience who didn't look at you

1290
01:17:23,280 --> 01:17:26,680
Speaker 1: like he's one of our Caucasians were like that's why.

1291
01:17:26,720 --> 01:17:34,760
Speaker 1: I just I mean, I don't know if I'm the

1292
01:17:34,880 --> 01:17:39,439
Speaker 1: only other person that's so diamond is Bob Martin so

1293
01:17:39,600 --> 01:17:45,120
Speaker 1: not even shop shop so goldhop so gold. But we

1294
01:17:45,600 --> 01:17:49,640
Speaker 1: I'm the only one UM that has a has a

1295
01:17:49,720 --> 01:17:53,160
Speaker 1: diamond album And the first you're gonna tell you Murder

1296
01:17:53,200 --> 01:17:55,040
Speaker 1: she Road isn't It didn't even make it that way

1297
01:17:55,880 --> 01:17:57,880
Speaker 1: that I think it was a number one. But I

1298
01:17:58,200 --> 01:18:02,360
Speaker 1: had the first Dansaw number one UM with Old Caroline

1299
01:18:02,360 --> 01:18:06,719
Speaker 1: and the British chart at the first The first Dansaw

1300
01:18:06,800 --> 01:18:09,120
Speaker 1: record actually debut with number one in the British shop

1301
01:18:09,200 --> 01:18:11,200
Speaker 1: was Mr boombastd. We did, We did three times, Mr

1302
01:18:11,200 --> 01:18:16,560
Speaker 1: Boombastad Angel. It wasn't me. Yeah, no, no that. But

1303
01:18:16,600 --> 01:18:18,080
Speaker 1: I'm saying, when you come, you know the British shot,

1304
01:18:18,080 --> 01:18:20,040
Speaker 1: when you come out of the charts, we got climbing charts.

1305
01:18:20,120 --> 01:18:22,920
Speaker 1: I debut in at number one, right and then I'm

1306
01:18:22,960 --> 01:18:25,519
Speaker 1: the only dance all artists with a number one album,

1307
01:18:26,160 --> 01:18:29,000
Speaker 1: which is Hot Shot. And you know, they took us

1308
01:18:29,040 --> 01:18:30,960
Speaker 1: off the number one spot. I remember Jay Look came

1309
01:18:31,000 --> 01:18:32,439
Speaker 1: in and took us off, and we took her back off.

1310
01:18:32,520 --> 01:18:35,080
Speaker 1: And it's just one of the situation and we've been consistent.

1311
01:18:35,200 --> 01:18:38,160
Speaker 1: Look at this. This is twenty sixty and I'm forty

1312
01:18:38,360 --> 01:18:39,720
Speaker 1: years old and I was you know, I had a

1313
01:18:39,840 --> 01:18:41,920
Speaker 1: top twenty hit last year with um I Need You Off.

1314
01:18:42,720 --> 01:18:44,560
Speaker 1: We're back up on the charts again. We're in the

1315
01:18:44,640 --> 01:18:51,639
Speaker 1: top for you right now. It's still blessed to still

1316
01:18:51,680 --> 01:18:53,800
Speaker 1: be doing that. What about Jo I met her, She's

1317
01:18:53,800 --> 01:19:01,559
Speaker 1: one of my favorite. She's actually great, great, great Jesus.

1318
01:19:01,760 --> 01:19:03,160
Speaker 1: You know you know what I gotta I gotta give

1319
01:19:03,200 --> 01:19:06,040
Speaker 1: it up to the jail about you see all these

1320
01:19:06,200 --> 01:19:09,040
Speaker 1: young chicks now that's coming up, all of the young

1321
01:19:09,160 --> 01:19:11,920
Speaker 1: chicks and jail O is like O G and you

1322
01:19:12,080 --> 01:19:13,760
Speaker 1: see her on that red carp and she made them

1323
01:19:13,800 --> 01:19:18,080
Speaker 1: bitches look like they all these chicks look like they're

1324
01:19:18,120 --> 01:19:20,360
Speaker 1: not trying anything. Yeah, I met you. When I met up,

1325
01:19:20,400 --> 01:19:23,639
Speaker 1: you know what, I'm scared. I was scared. I was scared.

1326
01:19:23,640 --> 01:19:26,720
Speaker 1: I folded clean on Puar. The weekends different for me.

1327
01:19:26,800 --> 01:19:29,160
Speaker 1: That's like our queen, you know what I mean, the

1328
01:19:29,240 --> 01:19:31,680
Speaker 1: weekends our queen. And then when I've seen that she

1329
01:19:31,800 --> 01:19:35,439
Speaker 1: was with Mark Anthony, I was like I walked in,

1330
01:19:35,560 --> 01:19:42,080
Speaker 1: I just fro like, oh ship, oh my god. Well

1331
01:19:42,400 --> 01:19:44,000
Speaker 1: I went to the bar. I was just like, damn,

1332
01:19:44,040 --> 01:19:46,040
Speaker 1: I don't know, like I don't I feel like I'm

1333
01:19:46,160 --> 01:19:48,680
Speaker 1: like this is crookie, like I feel like it. But

1334
01:19:48,800 --> 01:19:51,360
Speaker 1: I really want to be a group. I want to

1335
01:19:52,960 --> 01:19:56,760
Speaker 1: Anthony groopy for her. It's good though, it's cool. It's

1336
01:19:56,800 --> 01:20:00,360
Speaker 1: why scoop, that's crazy. That's why I was over let me.

1337
01:20:01,280 --> 01:20:03,400
Speaker 1: It was all because I went to the ball. Try

1338
01:20:03,479 --> 01:20:07,160
Speaker 1: to get smooth, get your life together, noise, you know, No,

1339
01:20:07,600 --> 01:20:09,680
Speaker 1: I'm starting there's a boat. I'm Puerto rican you know

1340
01:20:09,720 --> 01:20:14,040
Speaker 1: what this is two icons to me. So I got

1341
01:20:14,120 --> 01:20:16,400
Speaker 1: there and I started drinking, and then I looked and

1342
01:20:16,479 --> 01:20:20,840
Speaker 1: it looked like they were arguing. I said, it's I'm

1343
01:20:20,880 --> 01:20:24,360
Speaker 1: not walking over there. They looked like they argument. They

1344
01:20:24,400 --> 01:20:27,160
Speaker 1: don't see no security is just j Lo and Ma.

1345
01:20:28,600 --> 01:20:34,599
Speaker 1: I left left me. I met j Yes back at

1346
01:20:34,640 --> 01:20:38,599
Speaker 1: a at Puff Studio. She's super nice. But one time

1347
01:20:38,840 --> 01:20:41,720
Speaker 1: I asked you how she smelled to I didn't smell up,

1348
01:20:41,800 --> 01:20:44,920
Speaker 1: but then she looked. You can't be in the room

1349
01:20:45,000 --> 01:20:48,240
Speaker 1: with j Lo and not smell. Listen, that's gopped to

1350
01:20:48,360 --> 01:20:50,280
Speaker 1: be on purpose. That's the first thing to do. But

1351
01:20:50,400 --> 01:20:53,040
Speaker 1: this was this was this was back. I'm talking about

1352
01:20:53,240 --> 01:20:56,720
Speaker 1: way back, bro when well she was this was like

1353
01:20:57,320 --> 01:21:02,920
Speaker 1: ninety nine. She was dating Puff. Yes already he's talking

1354
01:21:02,960 --> 01:21:07,960
Speaker 1: about I don't know. I didn't know what in it

1355
01:21:08,040 --> 01:21:11,160
Speaker 1: down listen. I didn't know. Event I just know, you know,

1356
01:21:11,320 --> 01:21:15,519
Speaker 1: me Tony Draper walking Tino Lava and you know, she's

1357
01:21:15,520 --> 01:21:18,200
Speaker 1: sitting there and we just looking like god, damn it,

1358
01:21:18,720 --> 01:21:21,479
Speaker 1: you know, like you know, and then it turned into

1359
01:21:21,600 --> 01:21:24,639
Speaker 1: something else, you know, puffing up betting twenty five thousand

1360
01:21:24,760 --> 01:21:30,080
Speaker 1: on my son my song and Drake that twenty five

1361
01:21:30,120 --> 01:21:32,719
Speaker 1: thousand on me. It took us a big rich nigger

1362
01:21:32,720 --> 01:21:37,040
Speaker 1: ship doing rich nicks that he was doing some rich

1363
01:21:37,160 --> 01:21:42,160
Speaker 1: nip battles were doing along. I was looking, good man,

1364
01:21:42,479 --> 01:21:45,679
Speaker 1: I'll be watching you. You've been doing not No, he's

1365
01:21:45,680 --> 01:21:56,360
Speaker 1: doing rich nigger ship. He's doing rich wealthy and you

1366
01:21:56,760 --> 01:21:59,920
Speaker 1: like the thing about music is it's the best thing

1367
01:22:00,000 --> 01:22:03,040
Speaker 1: about music is when it transcends, when it goes from

1368
01:22:03,600 --> 01:22:06,599
Speaker 1: like like and I'm telling you this what the War Report,

1369
01:22:06,680 --> 01:22:08,479
Speaker 1: the Warriport on it so far on a thousand, so

1370
01:22:08,560 --> 01:22:11,160
Speaker 1: I don't got no type of success when it compared

1371
01:22:11,200 --> 01:22:13,920
Speaker 1: to him. But War Report was only made for queens.

1372
01:22:14,560 --> 01:22:17,080
Speaker 1: We didn't know any world. Because if you listen to

1373
01:22:17,160 --> 01:22:20,320
Speaker 1: the Worridport album is so great, but it's so also

1374
01:22:20,479 --> 01:22:23,439
Speaker 1: like you can tell we never forgot on the plane.

1375
01:22:26,680 --> 01:22:32,840
Speaker 1: I'm saying a little snow seven. Shoot you in your face.

1376
01:22:33,479 --> 01:22:40,000
Speaker 1: You don't saying section two like it's really like because

1377
01:22:40,160 --> 01:22:44,280
Speaker 1: my creativity, it couldn't it couldn't go because because and

1378
01:22:44,400 --> 01:22:47,960
Speaker 1: I didn't make it for just that and when the

1379
01:22:48,040 --> 01:22:50,360
Speaker 1: world like to this day, like I swear to God,

1380
01:22:50,400 --> 01:22:52,960
Speaker 1: we'll go when we're performing the War Report and they'll

1381
01:22:52,960 --> 01:22:55,439
Speaker 1: be well performed songs, and they'll be people in the

1382
01:22:55,520 --> 01:22:59,320
Speaker 1: front of Europe and they'd be people just saying war report.

1383
01:23:00,000 --> 01:23:04,120
Speaker 1: Be looking at the like your hold up, relax one,

1384
01:23:04,240 --> 01:23:13,520
Speaker 1: relax too, I'm getting there. Yeah, we're standing there, war reported, Relax.

1385
01:23:14,479 --> 01:23:16,120
Speaker 1: And then you either do the war report. That's what

1386
01:23:16,200 --> 01:23:19,080
Speaker 1: they're there for. But you didn't do it for that.

1387
01:23:19,280 --> 01:23:23,920
Speaker 1: And when the transitions your your music, it was, you know,

1388
01:23:24,080 --> 01:23:27,080
Speaker 1: worldwide from the beginning, this is beautiful Like me and Gilly,

1389
01:23:27,600 --> 01:23:30,519
Speaker 1: you know we make the hood music. Do we do that?

1390
01:23:30,640 --> 01:23:32,680
Speaker 1: And we started like that though because you remember like

1391
01:23:32,840 --> 01:23:35,800
Speaker 1: big up mum pig. See all those records were like

1392
01:23:36,040 --> 01:23:39,160
Speaker 1: a little because I'm I live in the flatbush, you

1393
01:23:39,200 --> 01:23:42,080
Speaker 1: know what I'm saying. So all of that, you know,

1394
01:23:42,520 --> 01:23:47,920
Speaker 1: um Starlight, Ballroom, Built More Ballroom, Dynasty, the whole that

1395
01:23:48,120 --> 01:23:49,880
Speaker 1: that was a whole stomped around it. We used to

1396
01:23:49,920 --> 01:23:53,799
Speaker 1: go from back in the days me Super Cat, Red Fox,

1397
01:23:54,880 --> 01:23:57,680
Speaker 1: Dread and I'm saying all those all those, Dad's all.

1398
01:24:00,040 --> 01:24:01,240
Speaker 1: We had a we had a thing called we had

1399
01:24:01,280 --> 01:24:03,760
Speaker 1: a thing called the Rough intr Crew and we just

1400
01:24:04,080 --> 01:24:06,120
Speaker 1: you know, we just hit on the ground at the time.

1401
01:24:06,200 --> 01:24:09,839
Speaker 1: We'll divid Levy and Stilling all them you know, Bobby Connas,

1402
01:24:09,840 --> 01:24:13,280
Speaker 1: all the people, big up Bobby, you know what I mean.

1403
01:24:13,720 --> 01:24:16,120
Speaker 1: There's those are real. There's just real dudes that I

1404
01:24:16,360 --> 01:24:19,599
Speaker 1: that I you know, this was rowing back in the days,

1405
01:24:19,640 --> 01:24:21,000
Speaker 1: you know what I mean. When you're talking when Louis

1406
01:24:21,040 --> 01:24:23,080
Speaker 1: Round can come to type right now, you know what

1407
01:24:23,080 --> 01:24:26,639
Speaker 1: I'm saying. All them days make Daddy the old vibe

1408
01:24:26,680 --> 01:24:28,960
Speaker 1: from coming up, you know at that time. Wes roll

1409
01:24:29,000 --> 01:24:38,479
Speaker 1: with with with Heavy D Welcome to play a new

1410
01:24:38,640 --> 01:24:44,160
Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

1411
01:24:44,240 --> 01:24:48,800
Speaker 1: and more. Play it at play dot it. We're back

1412
01:24:48,920 --> 01:24:52,280
Speaker 1: to Drink Chaps Radio with Rapper and R and d

1413
01:24:52,439 --> 01:24:58,000
Speaker 1: J f N. So I want to question for y'all, Yeah,

1414
01:24:58,320 --> 01:25:03,240
Speaker 1: what's your favorite year? You favorite? Yeah? Yeah, you mean

1415
01:25:03,320 --> 01:25:06,519
Speaker 1: like an errow errow or yeah, whatever you want. I

1416
01:25:06,520 --> 01:25:12,000
Speaker 1: wouldn't have, honestly, the whole Biggy Tupac ever I would

1417
01:25:12,040 --> 01:25:15,240
Speaker 1: agree to. I don't agree to that was my favorite.

1418
01:25:16,040 --> 01:25:19,280
Speaker 1: To the beef though, I mean no, man, I'm just

1419
01:25:20,200 --> 01:25:26,120
Speaker 1: even just the whole. That's that's I say. Prior to

1420
01:25:26,200 --> 01:25:28,840
Speaker 1: the beef too, well, what big and pop beef? Little

1421
01:25:28,920 --> 01:25:31,680
Speaker 1: after that? I know what l A L A so

1422
01:25:31,760 --> 01:25:37,080
Speaker 1: where you're a part of the beef and yeah, yeah

1423
01:25:40,520 --> 01:25:51,559
Speaker 1: it's funny. I just forgot I ain't gonna live when

1424
01:25:51,600 --> 01:25:53,240
Speaker 1: we did l A, l A. We've never even been

1425
01:25:53,280 --> 01:25:56,360
Speaker 1: to light never. We never seen I never. I mean,

1426
01:25:56,640 --> 01:25:59,080
Speaker 1: but it was it was. It was just looked upon like,

1427
01:25:59,320 --> 01:26:02,679
Speaker 1: oh they real motherfucker's they standing up for their city.

1428
01:26:03,520 --> 01:26:05,360
Speaker 1: You know, that's how it was looked at. You know,

1429
01:26:05,560 --> 01:26:07,600
Speaker 1: I know from Philly. That's I was a young nig like,

1430
01:26:07,960 --> 01:26:10,240
Speaker 1: I mean, that was it. That was it. But um,

1431
01:26:10,560 --> 01:26:14,320
Speaker 1: you know it was great. Uh it was ironic that

1432
01:26:14,560 --> 01:26:18,040
Speaker 1: you know, I went down, but you know l A

1433
01:26:18,160 --> 01:26:20,000
Speaker 1: is one of my favorite places. Ago l A was

1434
01:26:20,000 --> 01:26:22,920
Speaker 1: anumber two market and drink champs. I was a kid,

1435
01:26:23,640 --> 01:26:26,600
Speaker 1: UHM did with my heart felt that they forgave me.

1436
01:26:26,680 --> 01:26:29,559
Speaker 1: I forgave them. We lived on. But you know, ship

1437
01:26:29,720 --> 01:26:32,920
Speaker 1: really you know that music was real. So do you

1438
01:26:33,000 --> 01:26:36,120
Speaker 1: think this era of music like you think it's gonna

1439
01:26:36,640 --> 01:26:40,360
Speaker 1: stand this test of time? Never the music disrespect But

1440
01:26:40,439 --> 01:26:43,920
Speaker 1: I just think, I mean some artists are, but the

1441
01:26:44,080 --> 01:26:48,599
Speaker 1: music as a whole, Like like when compare that sound

1442
01:26:51,880 --> 01:26:54,880
Speaker 1: exactly good point even though it's a sound, if you

1443
01:26:55,000 --> 01:26:59,280
Speaker 1: got that sound, but you got timeless music, then it can.

1444
01:27:00,280 --> 01:27:02,920
Speaker 1: But if it's not timeless, you know what I mean,

1445
01:27:03,080 --> 01:27:09,439
Speaker 1: Like those rappers made timeless music, dear Mama, you know

1446
01:27:09,479 --> 01:27:13,280
Speaker 1: what I mean, those are timeless records. Like I always

1447
01:27:13,320 --> 01:27:21,519
Speaker 1: think that the the the flavor or the secret I

1448
01:27:21,560 --> 01:27:25,360
Speaker 1: would say to making timeless music is actually making doing

1449
01:27:25,400 --> 01:27:29,080
Speaker 1: it with timeless instruments, because it's like, for instance, you

1450
01:27:29,200 --> 01:27:32,640
Speaker 1: might hear a certain sound on the record that you

1451
01:27:32,720 --> 01:27:35,040
Speaker 1: could just know that was in the eighties. You can

1452
01:27:35,120 --> 01:27:37,240
Speaker 1: know the error from the sound of the keyboard sound

1453
01:27:37,320 --> 01:27:39,599
Speaker 1: with it. Did the snare sound like like that? Most

1454
01:27:39,640 --> 01:27:41,840
Speaker 1: of the clap you just don't know that. Oh yeah,

1455
01:27:41,880 --> 01:27:44,280
Speaker 1: that's that era. You know what I'm saying. You know

1456
01:27:44,479 --> 01:27:47,479
Speaker 1: when when when he got DJ must Yeah, yeah, you

1457
01:27:47,479 --> 01:27:49,160
Speaker 1: know when when you get when you get like, uh,

1458
01:27:50,080 --> 01:27:52,320
Speaker 1: what was what was? So? What was that? That that

1459
01:27:52,439 --> 01:27:57,560
Speaker 1: whole tropical house sound? Did you hear that that that

1460
01:27:57,680 --> 01:27:59,680
Speaker 1: keyboard sound? You know what eror it is? You know

1461
01:27:59,680 --> 01:28:01,680
Speaker 1: what I mean. There's certain type of music where you

1462
01:28:01,840 --> 01:28:04,559
Speaker 1: hear that that music, Okay, I remember that all them

1463
01:28:04,600 --> 01:28:06,760
Speaker 1: eighties sound. I think if you're gonna make when you're

1464
01:28:06,800 --> 01:28:10,400
Speaker 1: making classics, you gotta make it with There's certain instruments

1465
01:28:10,439 --> 01:28:13,519
Speaker 1: that never change. Your classic keyboard, your classic piano style,

1466
01:28:13,640 --> 01:28:16,360
Speaker 1: never change, your classic rock guitar, never changed, your classical

1467
01:28:16,479 --> 01:28:18,280
Speaker 1: qu stick guitar, never played. You know what I mean.

1468
01:28:18,320 --> 01:28:19,840
Speaker 1: It's just you're big. Yeah, you know what I mean.

1469
01:28:19,920 --> 01:28:22,519
Speaker 1: So if you keep it, put those elements in it

1470
01:28:23,080 --> 01:28:25,599
Speaker 1: and throw that around it. You know, a classic record

1471
01:28:25,640 --> 01:28:27,240
Speaker 1: when you hear it, you know when you got it.

1472
01:28:27,280 --> 01:28:28,760
Speaker 1: You know, he was asking me, did I know that

1473
01:28:28,960 --> 01:28:31,120
Speaker 1: wasn't mean Angel was gonna be big? I knew those

1474
01:28:31,160 --> 01:28:34,479
Speaker 1: records were special, Like when I did Mr. Bombastade. The

1475
01:28:34,560 --> 01:28:36,240
Speaker 1: minute we did it, I was like, okay, this this

1476
01:28:36,320 --> 01:28:37,960
Speaker 1: is some different ship. I just knew what this ship was.

1477
01:28:38,080 --> 01:28:40,799
Speaker 1: You know, you knew it. My problem is always convincing

1478
01:28:40,800 --> 01:28:43,559
Speaker 1: another motherfucker, Like record niggas and the ships. Your mother

1479
01:28:43,680 --> 01:28:45,880
Speaker 1: would be like, yo, well you know it does sound shaggy.

1480
01:28:45,920 --> 01:28:47,559
Speaker 1: And if I'm like I'm shaggy, I'm what the funk

1481
01:28:47,600 --> 01:28:51,000
Speaker 1: I sound like? You know? Yeah, the fucking me and

1482
01:28:51,280 --> 01:28:53,160
Speaker 1: you know it don't sound shaggy, And well, you know,

1483
01:28:53,320 --> 01:28:55,599
Speaker 1: I don't think that's a shaggy record. You know, because

1484
01:28:55,640 --> 01:28:57,800
Speaker 1: they sitting there and they over analyze this ship, you

1485
01:28:57,840 --> 01:28:59,599
Speaker 1: know what I mean and it's a cookie cutting ship.

1486
01:28:59,680 --> 01:29:02,320
Speaker 1: It was, well, you know he did Old Carolina, would

1487
01:29:02,360 --> 01:29:04,639
Speaker 1: like you do another Old Carolina again. I'm like, yeah,

1488
01:29:04,680 --> 01:29:06,960
Speaker 1: but I'm my musically, I ain't there. I'm on some

1489
01:29:07,040 --> 01:29:09,639
Speaker 1: other ship. Well, you know, I think you should do Carolina.

1490
01:29:09,720 --> 01:29:11,880
Speaker 1: So I refused to do it, and then Chock a

1491
01:29:11,920 --> 01:29:16,240
Speaker 1: Demon supplies did you know twister and shout and tease me,

1492
01:29:16,320 --> 01:29:18,240
Speaker 1: which was kind of the same as Old Carolina. Then

1493
01:29:19,040 --> 01:29:23,400
Speaker 1: Apache Indian did boom Shot a normal because it was

1494
01:29:23,439 --> 01:29:25,960
Speaker 1: so hute. They started doing that and they told me,

1495
01:29:26,160 --> 01:29:27,960
Speaker 1: all you know, he's wanted wander. I was ever gonna

1496
01:29:28,000 --> 01:29:29,560
Speaker 1: go out. So I came back with Bombastic, which was

1497
01:29:29,600 --> 01:29:34,200
Speaker 1: totally different. But it's you standing up to that. And

1498
01:29:34,280 --> 01:29:36,360
Speaker 1: that's what being a young like. Now you you older,

1499
01:29:36,439 --> 01:29:39,040
Speaker 1: Now you're gonna be to sit down and analyzing ship

1500
01:29:39,160 --> 01:29:40,519
Speaker 1: was like, well, you know, I really want to piss

1501
01:29:40,560 --> 01:29:42,240
Speaker 1: the record covered up. When you're a young bucking you

1502
01:29:42,280 --> 01:29:43,760
Speaker 1: don't give a funk. I just had money and I

1503
01:29:43,840 --> 01:29:46,040
Speaker 1: bought a car and I was getting pussy man. I

1504
01:29:46,080 --> 01:29:48,880
Speaker 1: could give a ship saying company, I'm gonna be There's

1505
01:29:48,880 --> 01:29:51,240
Speaker 1: what I'm saying. Because you're young. You're young when you're young.

1506
01:29:51,479 --> 01:29:53,479
Speaker 1: That was my whole thing. At that point. They called

1507
01:29:53,520 --> 01:29:56,760
Speaker 1: me difficult. I was like, yo, fuck you, I was

1508
01:29:58,439 --> 01:30:02,720
Speaker 1: I'm always difficult, gonna win, difficult if I want to win. Yeah,

1509
01:30:02,840 --> 01:30:06,759
Speaker 1: you and you disagree with that, win right, I'm always difficult.

1510
01:30:07,560 --> 01:30:10,559
Speaker 1: Accept But my thing is patterns. If you see a pattern,

1511
01:30:10,640 --> 01:30:12,920
Speaker 1: go down. If you got a check that the fund

1512
01:30:12,960 --> 01:30:15,639
Speaker 1: to you all the time, from everything, every man she's

1513
01:30:15,640 --> 01:30:18,280
Speaker 1: been with, and then she comes and said, Honory, you know,

1514
01:30:18,800 --> 01:30:21,200
Speaker 1: I don't know all my five guys, but you were special.

1515
01:30:22,920 --> 01:30:25,600
Speaker 1: Chances are she's gonna YouTube that's a pattern, you know

1516
01:30:25,640 --> 01:30:27,360
Speaker 1: what I mean? They got the dudes in my record

1517
01:30:27,400 --> 01:30:30,040
Speaker 1: company that every record they touched failing. They still want

1518
01:30:30,080 --> 01:30:35,320
Speaker 1: to call shot. You know what I'm saying that. No, man,

1519
01:30:38,560 --> 01:30:42,000
Speaker 1: I'm gonna take a break. Tell the story, really over

1520
01:30:42,160 --> 01:30:44,080
Speaker 1: the story, man, and you tell the story wrong. On

1521
01:30:44,200 --> 01:30:48,880
Speaker 1: top of that, fans love the way the wrong story

1522
01:30:49,080 --> 01:30:54,479
Speaker 1: changes every time. This is a great fun by. If

1523
01:30:54,520 --> 01:30:57,160
Speaker 1: this is drunk history, the story just changed every time

1524
01:30:57,560 --> 01:31:02,519
Speaker 1: you acted out differently, isn't fucking awesome? Hold on now,

1525
01:31:02,560 --> 01:31:05,360
Speaker 1: I'm going to tell the story. So well, you got something,

1526
01:31:05,880 --> 01:31:09,519
Speaker 1: you got something you want to get up? Hold on,

1527
01:31:09,640 --> 01:31:12,720
Speaker 1: come on, we got about five ten more minutes. We

1528
01:31:12,760 --> 01:31:14,640
Speaker 1: were right right, everybody good unless you I want to

1529
01:31:14,720 --> 01:31:23,040
Speaker 1: keep going. We keep going? Is good point because Gilly

1530
01:31:23,120 --> 01:31:26,760
Speaker 1: the kids still do you love Wrap? Still you still

1531
01:31:26,840 --> 01:31:29,800
Speaker 1: love Wrap? You can tell I just you know, I

1532
01:31:29,920 --> 01:31:33,160
Speaker 1: just understand that it's now wraps as about a wave.

1533
01:31:34,120 --> 01:31:35,880
Speaker 1: You know what I mean. It's the wave, It's the

1534
01:31:36,720 --> 01:31:40,360
Speaker 1: m you know what I'm saying, more than more than

1535
01:31:40,880 --> 01:31:45,160
Speaker 1: you know the talent, it's the wave. But it's kind

1536
01:31:45,160 --> 01:31:51,240
Speaker 1: of coming back around to Wrap now with like Davis, right,

1537
01:31:51,520 --> 01:31:53,160
Speaker 1: But you know, that's what they do, you know what

1538
01:31:53,240 --> 01:31:55,760
Speaker 1: I mean, That's what artists who are not a lot

1539
01:31:55,800 --> 01:31:58,160
Speaker 1: of artists don't know who they are. They're trying to

1540
01:31:58,240 --> 01:32:00,320
Speaker 1: figure out who they are. A lot of younger So

1541
01:32:00,400 --> 01:32:02,479
Speaker 1: it seems that hip hop is getting old enough now

1542
01:32:02,920 --> 01:32:05,040
Speaker 1: that it could fall in its own categories. It's gonna

1543
01:32:05,040 --> 01:32:08,600
Speaker 1: be the youth hip hop, that's gonna be the other errors. Absolutely,

1544
01:32:08,840 --> 01:32:11,479
Speaker 1: you really can't be an artist this day unless you're

1545
01:32:11,479 --> 01:32:14,080
Speaker 1: a celebrity. She back in the days, you could have

1546
01:32:14,160 --> 01:32:16,280
Speaker 1: been an artist without being a celebrity. You know what

1547
01:32:16,280 --> 01:32:20,680
Speaker 1: I'm saying. Now now now you now you gotta be

1548
01:32:20,720 --> 01:32:24,160
Speaker 1: a celebrity. You know what I'm saying, Like you're here

1549
01:32:24,160 --> 01:32:26,719
Speaker 1: about Shaggy one time when when you got a hot record,

1550
01:32:27,160 --> 01:32:29,360
Speaker 1: I wasn't your red carpet dude. That's why you ain't

1551
01:32:29,400 --> 01:32:32,800
Speaker 1: got no tabloid information that you're trying to dig up

1552
01:32:32,840 --> 01:32:38,040
Speaker 1: on me, that you're trying to do what I'm saying.

1553
01:32:38,040 --> 01:32:39,920
Speaker 1: It was like I heard you know what I mean,

1554
01:32:41,680 --> 01:32:45,000
Speaker 1: But nigger, The thing is he was luck in Hollywood?

1555
01:32:45,040 --> 01:32:48,840
Speaker 1: Was he down? Okay, It's okay, I get all of that.

1556
01:32:50,600 --> 01:32:53,479
Speaker 1: But the point is, the point is tell us one right.

1557
01:32:53,600 --> 01:32:58,000
Speaker 1: The point is I'm saying to you nor it wasn't me.

1558
01:33:00,160 --> 01:33:05,719
Speaker 1: That's my story and I'm sticking through. But but everybody

1559
01:33:05,800 --> 01:33:08,240
Speaker 1: gotta be a celebrity. And it's almost as if you

1560
01:33:08,320 --> 01:33:12,559
Speaker 1: gotta you gotta air your laundry out um to get

1561
01:33:12,640 --> 01:33:15,599
Speaker 1: your music played, because it's about it's a numbers game.

1562
01:33:15,600 --> 01:33:19,439
Speaker 1: It's about follow us, right, ain't about or not. There's

1563
01:33:19,439 --> 01:33:22,080
Speaker 1: people who never had a hit, but they got mad

1564
01:33:22,200 --> 01:33:24,120
Speaker 1: fans that sing every line to a record that they

1565
01:33:24,200 --> 01:33:27,000
Speaker 1: do because they got numbers, you know what I mean.

1566
01:33:27,080 --> 01:33:31,599
Speaker 1: And and people are making disposable music nowadays. I don't

1567
01:33:31,640 --> 01:33:34,240
Speaker 1: think it's probably disposable to you and me, I mean

1568
01:33:34,320 --> 01:33:39,120
Speaker 1: not everybody. People have always made disposable music, always, always,

1569
01:33:40,520 --> 01:33:44,120
Speaker 1: but now it's just more of it now because it

1570
01:33:44,280 --> 01:33:47,360
Speaker 1: was like the record labels just looking for Oh this

1571
01:33:47,560 --> 01:33:49,759
Speaker 1: is a hot record. This is all we care about.

1572
01:33:50,200 --> 01:33:52,479
Speaker 1: We don't care what you got lined up next. Before

1573
01:33:52,520 --> 01:33:54,599
Speaker 1: it was like hold on, but what we're gonna follow

1574
01:33:54,720 --> 01:33:57,040
Speaker 1: this up with? You know what I mean? And then

1575
01:33:57,120 --> 01:33:59,640
Speaker 1: what we're going to follow that up with with now

1576
01:33:59,840 --> 01:34:04,800
Speaker 1: was like we could sellers. You don't his own ship?

1577
01:34:04,960 --> 01:34:07,840
Speaker 1: I was, but you think I was just you think

1578
01:34:09,240 --> 01:34:15,439
Speaker 1: not taking the beer pit. You really drink your own

1579
01:34:16,040 --> 01:34:19,840
Speaker 1: You a smell like cocoa, but don't want people cocoa.

1580
01:34:22,600 --> 01:34:25,840
Speaker 1: And she related to me immediately and I don't. I

1581
01:34:25,840 --> 01:34:29,360
Speaker 1: don't drink. Yeah, you drink this though I drink. I'm not.

1582
01:34:29,360 --> 01:34:31,240
Speaker 1: I wouldn't need a Kanye drinking. But I fought with

1583
01:34:31,320 --> 01:34:33,600
Speaker 1: this with that. What I'm saying boys know what they

1584
01:34:33,680 --> 01:34:36,880
Speaker 1: do with the cocoa. But that's what I'm saying. You

1585
01:34:36,960 --> 01:34:39,719
Speaker 1: got a massage, chicken smell smell, you get a drunken

1586
01:34:39,760 --> 01:34:43,839
Speaker 1: massage at the same time. Last ye this, I definitely

1587
01:34:43,920 --> 01:34:47,760
Speaker 1: still want to wake my like this is so how

1588
01:34:47,800 --> 01:34:51,920
Speaker 1: did you get invo this? Well, I mean, uh, the

1589
01:34:52,000 --> 01:34:55,720
Speaker 1: guys that do Green Goose, Uh fella by the name

1590
01:34:55,720 --> 01:34:59,240
Speaker 1: of John John Frank and his wife Andrea. Uh, they

1591
01:34:59,280 --> 01:35:02,240
Speaker 1: were like really big shaggy fans. Actually played their birthday

1592
01:35:02,280 --> 01:35:05,760
Speaker 1: party for them, and we just became friends and uh,

1593
01:35:06,840 --> 01:35:08,360
Speaker 1: you know, I just played. I didn't really know who

1594
01:35:08,439 --> 01:35:09,960
Speaker 1: the guy was, and you know, we just kind of

1595
01:35:10,040 --> 01:35:13,519
Speaker 1: kicked it off and then realized that you know, I

1596
01:35:13,600 --> 01:35:15,880
Speaker 1: think Craig Goose was so for like three billion or

1597
01:35:15,920 --> 01:35:18,760
Speaker 1: something like that. You know, so at the end of

1598
01:35:18,760 --> 01:35:23,479
Speaker 1: the day. Yeah, so that at that point he started

1599
01:35:23,520 --> 01:35:25,680
Speaker 1: to you know, during her French and started telling me

1600
01:35:25,680 --> 01:35:27,960
Speaker 1: about the liquor business. Let me, let me understand it

1601
01:35:28,000 --> 01:35:32,400
Speaker 1: a lot more and realize, um, the opportunities that was there.

1602
01:35:32,479 --> 01:35:34,400
Speaker 1: You know, you're saying, of course he did wonderful job.

1603
01:35:35,000 --> 01:35:43,320
Speaker 1: Yeah he did. He did over but uh, it's it's

1604
01:35:43,320 --> 01:35:45,080
Speaker 1: a big business. You know, it's a business with a

1605
01:35:45,160 --> 01:35:47,880
Speaker 1: lot of restrictions. So it was already created. Well now

1606
01:35:47,920 --> 01:35:49,880
Speaker 1: he was just telling me about it and and then

1607
01:35:49,920 --> 01:35:52,240
Speaker 1: he came up with the idea of doing it. And

1608
01:35:52,479 --> 01:35:54,280
Speaker 1: what what he said to me was like, we're going

1609
01:35:54,320 --> 01:35:56,400
Speaker 1: to be first to market because there's not a cognact.

1610
01:35:56,520 --> 01:35:59,960
Speaker 1: There's flavored vodka, but it's not a flavored conac because

1611
01:36:00,520 --> 01:36:03,800
Speaker 1: you know, I've seen it rock before before Pauf got

1612
01:36:03,840 --> 01:36:07,320
Speaker 1: involved with his drinks around France back in the days,

1613
01:36:08,760 --> 01:36:13,040
Speaker 1: and PuF came seeing it, right, so it's coming in

1614
01:36:13,080 --> 01:36:15,240
Speaker 1: and see and he just brown into them and coming

1615
01:36:15,320 --> 01:36:17,320
Speaker 1: up with flavor like a flavor of kannyac and a

1616
01:36:17,400 --> 01:36:19,880
Speaker 1: coconut flavor of kanya and you know he brought it

1617
01:36:19,960 --> 01:36:22,240
Speaker 1: that's actually good. Yeah, but what do you ain't saying

1618
01:36:22,240 --> 01:36:27,040
Speaker 1: this because you're here and it was good. It's going

1619
01:36:27,040 --> 01:36:29,160
Speaker 1: on smooth, but it sucks you up. But the good

1620
01:36:29,200 --> 01:36:32,400
Speaker 1: I'm up. Yeah. Yeah. But the thing about it too,

1621
01:36:32,479 --> 01:36:34,880
Speaker 1: he what was genius about him? He says, He says.

1622
01:36:35,080 --> 01:36:38,960
Speaker 1: One of the biggest selling industries the perfume industry perfect

1623
01:36:39,680 --> 01:36:42,200
Speaker 1: like a cologne, the cologne industry. And when you think

1624
01:36:42,240 --> 01:36:44,320
Speaker 1: about the cologne industry, the kid about to go to

1625
01:36:44,320 --> 01:36:46,040
Speaker 1: the cologne look at him and telling you. But with

1626
01:36:46,120 --> 01:36:49,519
Speaker 1: the cologne industry. The thing about the cologne industry, keep talking,

1627
01:36:49,600 --> 01:36:54,680
Speaker 1: that's actually like act itself is not what's expensive, it's

1628
01:36:54,720 --> 01:36:57,599
Speaker 1: the fucking bottle and what sells it is the bottle.

1629
01:36:57,640 --> 01:36:59,360
Speaker 1: No matter how dope the bottle is, that's what the

1630
01:36:59,400 --> 01:37:01,760
Speaker 1: funk you buy. You know what I'm saying. Craig Goose

1631
01:37:01,800 --> 01:37:04,000
Speaker 1: sold because of that fucking bottle and then fucking Gooses

1632
01:37:04,040 --> 01:37:05,559
Speaker 1: in the back and ship and the ship look good,

1633
01:37:06,560 --> 01:37:08,880
Speaker 1: and from the bottle is like that. You look at

1634
01:37:08,920 --> 01:37:10,960
Speaker 1: that ship. Even though I'm done this ship, You're probably

1635
01:37:10,960 --> 01:37:12,439
Speaker 1: gonna take the bottle on and be like, Okay, I'm

1636
01:37:12,479 --> 01:37:19,400
Speaker 1: gonna put this on my stad more bottles, like I

1637
01:37:19,439 --> 01:37:23,760
Speaker 1: need more botles. That's that's right. So so you know,

1638
01:37:24,560 --> 01:37:26,479
Speaker 1: you gotta get into everything now, man, that's a that's

1639
01:37:26,479 --> 01:37:28,040
Speaker 1: a different area. Now. Back in the days, we just

1640
01:37:28,080 --> 01:37:30,040
Speaker 1: sold records and made the money and drop off. You

1641
01:37:30,080 --> 01:37:32,240
Speaker 1: gotta you gotta be you gotta do too much now,

1642
01:37:32,320 --> 01:37:34,160
Speaker 1: you know, you gotta get brad. You gotta be a brad.

1643
01:37:34,240 --> 01:37:37,120
Speaker 1: You know why you're doing on it? You're happy doing it.

1644
01:37:37,439 --> 01:37:39,400
Speaker 1: If you gotta be happy at life, you gotta be happy.

1645
01:37:39,439 --> 01:37:41,439
Speaker 1: So why did they tell me that's that's what you drink.

1646
01:37:41,439 --> 01:37:43,320
Speaker 1: I don't know, because I can't get that. This is

1647
01:37:43,360 --> 01:37:45,360
Speaker 1: what I drink when I don't have that, you know

1648
01:37:45,360 --> 01:37:46,960
Speaker 1: what I'm saying. But I'm not going to break that

1649
01:37:47,000 --> 01:37:49,560
Speaker 1: down for I'm not gonna have this kid and go

1650
01:37:49,760 --> 01:37:55,519
Speaker 1: drink that sad much in tonic. Dude, you know it's

1651
01:37:55,560 --> 01:37:59,400
Speaker 1: hendricks gin because but who told you this? I don't

1652
01:37:59,400 --> 01:38:02,800
Speaker 1: see the Tonic waters. Yeah, so you ain't tell us

1653
01:38:03,040 --> 01:38:06,920
Speaker 1: there's no there's no cucumbers. You need cucumbers for it,

1654
01:38:08,840 --> 01:38:14,280
Speaker 1: because I'm saying, like, at gonna drink they drink. He's

1655
01:38:14,400 --> 01:38:17,439
Speaker 1: usually a club solder guy. But I totally forgot. Remember

1656
01:38:17,960 --> 01:38:21,840
Speaker 1: we're pop pop. I say, I think I should get

1657
01:38:22,200 --> 01:38:25,240
Speaker 1: what did people drink? Gen and juice? But I wouldn't

1658
01:38:25,240 --> 01:38:28,439
Speaker 1: have got the Tonic? Yeah, I was like that, but

1659
01:38:28,560 --> 01:38:31,400
Speaker 1: I guess you could probably have. You got your own. Um,

1660
01:38:32,320 --> 01:38:34,640
Speaker 1: look at we support that, you know what I mean?

1661
01:38:35,600 --> 01:38:39,320
Speaker 1: Smelling cocoa butter. He can you can't say that to

1662
01:38:39,439 --> 01:38:43,400
Speaker 1: you now? It's good man, and you know we'll definitely

1663
01:38:43,439 --> 01:38:46,400
Speaker 1: we definitely hook you up for that. Trust me. You

1664
01:38:46,439 --> 01:38:48,640
Speaker 1: know what I'm saying, because I see that man, you

1665
01:38:48,720 --> 01:38:51,000
Speaker 1: might might it's been here sting when fifty was here

1666
01:38:51,120 --> 01:38:54,080
Speaker 1: last time. Yeah yeah, and still he just losing you

1667
01:38:54,120 --> 01:38:57,040
Speaker 1: all up. Yeah yeah and give me a little bad

1668
01:38:57,160 --> 01:39:04,040
Speaker 1: yeah yeah. Maybe the way we've done it in New

1669
01:39:04,160 --> 01:39:06,160
Speaker 1: York and got you. Yeah. Let's you know, that's that's

1670
01:39:06,200 --> 01:39:08,200
Speaker 1: big up. That's big up rock. Let's big up effort.

1671
01:39:08,280 --> 01:39:10,120
Speaker 1: That's bigger. I'm trying to get. I'm trying to get

1672
01:39:10,160 --> 01:39:13,840
Speaker 1: to it. Just go poppington Dame dash bottles, the big

1673
01:39:13,880 --> 01:39:19,080
Speaker 1: bottles over there week when you get ye dame ship ship.

1674
01:39:19,600 --> 01:39:21,960
Speaker 1: But you can't miss how I want to have it.

1675
01:39:22,080 --> 01:39:23,960
Speaker 1: It's just rap. You can't miss this ship and just

1676
01:39:24,080 --> 01:39:26,200
Speaker 1: wrap on. That's how I want to add the whole table.

1677
01:39:26,360 --> 01:39:30,439
Speaker 1: Just wrapping lega. It's just a league, you know, it's

1678
01:39:30,520 --> 01:39:35,680
Speaker 1: things unless you know, unless on the end. And I

1679
01:39:35,720 --> 01:39:37,840
Speaker 1: would like to just support when I say wrap but

1680
01:39:37,920 --> 01:39:40,760
Speaker 1: I mean industry, like you know, just are people just

1681
01:39:40,880 --> 01:39:43,160
Speaker 1: you know, just music people. That's where I want that,

1682
01:39:43,320 --> 01:39:47,599
Speaker 1: you know what I mean? Like's on here? Yeah? Yeah up, okay,

1683
01:39:49,000 --> 01:39:50,720
Speaker 1: take a ball. I don't want to try to take

1684
01:39:50,760 --> 01:39:59,920
Speaker 1: a BAMBALLA hold up. I feel like that part of

1685
01:40:00,000 --> 01:40:01,880
Speaker 1: you don't see it. But you know, you know the

1686
01:40:01,960 --> 01:40:04,479
Speaker 1: tyger bomb that they used to rub you up but

1687
01:40:04,560 --> 01:40:06,400
Speaker 1: when you get sick. Yeah yeah, but this is a

1688
01:40:06,439 --> 01:40:11,640
Speaker 1: type of bomb. This is you just sold another they use,

1689
01:40:11,880 --> 01:40:19,559
Speaker 1: like my brothers words, a male enhancement. Come on, nothing

1690
01:40:19,560 --> 01:40:22,920
Speaker 1: to make your dick die. It's very endiculous. I'm just saying,

1691
01:40:22,960 --> 01:40:25,519
Speaker 1: you know, I'm Jamaican. Yeah you're not. You're gonna sell

1692
01:40:25,960 --> 01:40:27,920
Speaker 1: you know you can sell through Jamaican. They're gonna make

1693
01:40:27,920 --> 01:40:31,040
Speaker 1: your dig If this ship is gonna die, they're gonna

1694
01:40:31,640 --> 01:40:35,040
Speaker 1: just got pull a little shots. Ween't drinking soy sauce. Yeah,

1695
01:40:35,080 --> 01:40:46,080
Speaker 1: that's what it is. Chinese secrets. They were drinking. Drink

1696
01:40:46,120 --> 01:40:49,160
Speaker 1: a little shot of soy sauce. Get your life right.

1697
01:40:50,240 --> 01:40:51,640
Speaker 1: We've got some four or five rice to go with

1698
01:40:51,680 --> 01:40:55,040
Speaker 1: that gonna help everybody in the long run. I really

1699
01:40:55,040 --> 01:40:56,479
Speaker 1: didn't want it. But if I don't want to make

1700
01:40:56,520 --> 01:40:59,240
Speaker 1: some to taste, you got me New cups, the business

1701
01:40:59,280 --> 01:41:06,599
Speaker 1: of new cup here right here, really listening a shop shot. Wait, wait,

1702
01:41:06,720 --> 01:41:12,200
Speaker 1: you should even smell you smell it. This is stronger

1703
01:41:13,800 --> 01:41:20,720
Speaker 1: eighty seven is going what do you drinking? You say

1704
01:41:20,760 --> 01:41:30,559
Speaker 1: it wasn't me listening is ninety three at it's been

1705
01:41:30,640 --> 01:41:36,600
Speaker 1: fermenting since it. Just like Wolf Pussy, I like it,

1706
01:41:39,400 --> 01:41:41,560
Speaker 1: I got you, I got you, I got change. He

1707
01:41:41,640 --> 01:41:46,080
Speaker 1: totally connect with the got challenge right all right, right, Michael,

1708
01:41:46,320 --> 01:42:02,160
Speaker 1: big mommation, get you join you take another one Twin's crap.

1709
01:42:02,640 --> 01:42:08,599
Speaker 1: You got issues. Fuck, he's still actually got the thirty seconds.

1710
01:42:08,840 --> 01:42:12,439
Speaker 1: That ship tastes like medicine broad one too. Fucking hell,

1711
01:42:13,160 --> 01:42:15,640
Speaker 1: let's put that away. Yeah, they used to make it

1712
01:42:15,720 --> 01:42:20,840
Speaker 1: a real black so imagine they had to replace real

1713
01:42:21,000 --> 01:42:28,920
Speaker 1: like bo ship. That ship is not the best. Yeah.

1714
01:42:29,160 --> 01:42:32,880
Speaker 1: Actually that's the one that I've never seen that Jamaica.

1715
01:42:36,439 --> 01:42:40,720
Speaker 1: Where do you bud? Yeah, yeah, you never see that

1716
01:42:40,840 --> 01:42:43,680
Speaker 1: Jamaican of pubs and can read it. Just read with

1717
01:42:43,800 --> 01:42:49,080
Speaker 1: it exactly Chinese, exactly. That's what we just drank a

1718
01:42:49,160 --> 01:42:55,240
Speaker 1: big bomb drinking and that should burn your chests going

1719
01:42:55,280 --> 01:42:58,760
Speaker 1: down to pause pause. I usually give it to guests,

1720
01:42:58,840 --> 01:43:00,800
Speaker 1: you know, to bring it out of but y'all think

1721
01:43:00,840 --> 01:43:02,599
Speaker 1: it is already an open book, so it's like it's

1722
01:43:02,680 --> 01:43:05,240
Speaker 1: kind of foul. So I gotta tell y'all, but this

1723
01:43:05,360 --> 01:43:10,640
Speaker 1: is it can't look at me like, let's never tell

1724
01:43:10,680 --> 01:43:14,880
Speaker 1: your change your life, like to change people having the

1725
01:43:14,960 --> 01:43:17,000
Speaker 1: wrong way that change your life right now, I don't

1726
01:43:17,000 --> 01:43:19,080
Speaker 1: know it's gonna change your life. You're gonna look at

1727
01:43:19,160 --> 01:43:21,920
Speaker 1: life when you say that's in the future. This is

1728
01:43:22,680 --> 01:43:25,360
Speaker 1: it's horrible. Now you made that a real cycable back

1729
01:43:29,240 --> 01:43:37,040
Speaker 1: was killing tigers. Fuck it's that bros. It called tiger balls.

1730
01:43:37,880 --> 01:43:41,919
Speaker 1: It was for real Originally, Originally it was like a viagral.

1731
01:43:42,240 --> 01:43:44,880
Speaker 1: Originally it was like about. Now it could still be about,

1732
01:43:45,320 --> 01:43:47,599
Speaker 1: but it's not gonna walk around. You know, it's the world.

1733
01:43:48,520 --> 01:43:50,599
Speaker 1: But if you happen to get in, you haven't played

1734
01:43:50,960 --> 01:43:55,880
Speaker 1: the game tonight, you're gonna knock it out the pop

1735
01:43:58,720 --> 01:44:02,080
Speaker 1: Paul must see. You ain't to think. That's why Fox

1736
01:44:02,160 --> 01:44:05,120
Speaker 1: with this. You can hear it and you can live

1737
01:44:05,160 --> 01:44:10,640
Speaker 1: a normal life when you hit some viagg ship. You know,

1738
01:44:10,720 --> 01:44:13,840
Speaker 1: I'm thirty nine, I'm one year and it's the forty.

1739
01:44:14,000 --> 01:44:15,560
Speaker 1: I don't know. I ain't never had to use the

1740
01:44:15,680 --> 01:44:21,759
Speaker 1: viag because of I'm a tager bone guy. Get don's

1741
01:44:21,800 --> 01:44:24,960
Speaker 1: to tell the story before while I started drinking tag

1742
01:44:25,640 --> 01:44:27,320
Speaker 1: because I don't even know why the fun it just

1743
01:44:27,400 --> 01:44:30,040
Speaker 1: popped up, so you actually drinking though I thought it

1744
01:44:30,080 --> 01:44:35,040
Speaker 1: was just because like drink one day drinking for years

1745
01:44:36,120 --> 01:44:41,640
Speaker 1: years old man came and he hugged the guy the

1746
01:44:41,720 --> 01:44:45,519
Speaker 1: way he hugged him, like tears came out of his eyes.

1747
01:44:46,000 --> 01:44:49,320
Speaker 1: But it wasn't know, like no no pussy ship like

1748
01:44:49,479 --> 01:44:55,799
Speaker 1: this man grab man hugged there. I see man, sixty

1749
01:44:55,880 --> 01:45:00,960
Speaker 1: year old nigga hugging nick just scave my life. So

1750
01:45:01,120 --> 01:45:04,599
Speaker 1: I stood there, I waited my turn, and I asked

1751
01:45:04,640 --> 01:45:08,080
Speaker 1: the old nigger. I said, Yo, what was that about?

1752
01:45:09,080 --> 01:45:11,679
Speaker 1: He said, I couldn't fuck my wife for two years.

1753
01:45:13,439 --> 01:45:18,320
Speaker 1: I couldn't get off. Nothing worked. I told my wife

1754
01:45:19,439 --> 01:45:25,479
Speaker 1: the funck other man. She didn't do it, so I kept.

1755
01:45:26,320 --> 01:45:29,559
Speaker 1: You know, I did all the white man drugs, he said.

1756
01:45:29,600 --> 01:45:32,519
Speaker 1: He walked in, and then Nigga said he gave him

1757
01:45:32,560 --> 01:45:39,040
Speaker 1: some pills, some weat grass and tiger bone, and that

1758
01:45:39,240 --> 01:45:50,559
Speaker 1: man fucked. Shout out his wife. This nigga man drinking

1759
01:45:50,760 --> 01:45:54,120
Speaker 1: tiger because the nigger dick was bruised that you went

1760
01:45:54,240 --> 01:46:00,800
Speaker 1: to school twenty years ago. He was sick. See shot

1761
01:46:00,920 --> 01:46:06,320
Speaker 1: this fucking this dick should have been brute. But broking

1762
01:46:06,400 --> 01:46:10,639
Speaker 1: back to life's gotta be drinking this hot ship because

1763
01:46:10,720 --> 01:46:17,200
Speaker 1: the old hen in the story dick was brouke. Yeah, ship,

1764
01:46:17,400 --> 01:46:22,479
Speaker 1: you deal bad for that, don't fun This is a

1765
01:46:22,680 --> 01:46:25,760
Speaker 1: miracle to certain people, and this ship just matter sent

1766
01:46:25,880 --> 01:46:29,000
Speaker 1: to people like listen, this is a Chinese herb. This

1767
01:46:29,120 --> 01:46:32,800
Speaker 1: ain't no, this ain't no, this is this is so

1768
01:46:33,120 --> 01:46:36,920
Speaker 1: I want to do that nigga, how do you do

1769
01:46:37,160 --> 01:46:43,720
Speaker 1: from drinking this snip cop? But the definitely saying what's

1770
01:46:43,760 --> 01:46:51,599
Speaker 1: going on? Broke this to that is to some tiger pits.

1771
01:46:52,640 --> 01:46:55,439
Speaker 1: But we'll all due respect. I'm gonna keeping a hunting

1772
01:46:55,479 --> 01:46:59,680
Speaker 1: with y'all. Puff sat here and made a drink. Oh

1773
01:46:59,720 --> 01:47:03,639
Speaker 1: I didn't everything join up? Remember yeah? Everything poorting everything

1774
01:47:03,680 --> 01:47:06,240
Speaker 1: into the coachell. You will have more pat that ship

1775
01:47:06,360 --> 01:47:08,280
Speaker 1: I've got here. I don't even know if that's really

1776
01:47:08,320 --> 01:47:14,639
Speaker 1: gonna get out of that true story, true, it's okay.

1777
01:47:14,680 --> 01:47:17,400
Speaker 1: He give different versions of his defense like this is

1778
01:47:17,479 --> 01:47:22,400
Speaker 1: this is really it was an epic fun gets it

1779
01:47:22,600 --> 01:47:26,679
Speaker 1: he says? He says, you know we asked funny questions.

1780
01:47:26,960 --> 01:47:29,840
Speaker 1: We asked you if he asked yes? Right? That right?

1781
01:47:30,040 --> 01:47:32,519
Speaker 1: We actually be asked right you said no already? I

1782
01:47:32,600 --> 01:47:41,519
Speaker 1: remember that respect too far, to far right. Sorry, I've

1783
01:47:41,560 --> 01:47:55,720
Speaker 1: gone to a far too fun, too far acto. So

1784
01:47:56,000 --> 01:48:02,400
Speaker 1: tin Mill you know something you get back to you

1785
01:48:04,080 --> 01:48:07,760
Speaker 1: don't know what you're trying to far. I don't know

1786
01:48:07,840 --> 01:48:14,200
Speaker 1: what then you're gonna say, came in so he comes in.

1787
01:48:15,439 --> 01:48:17,360
Speaker 1: I don't forget what he and say he men say

1788
01:48:17,439 --> 01:48:21,840
Speaker 1: something like oh we went at me and right like,

1789
01:48:22,720 --> 01:48:27,880
Speaker 1: but just gonna is this one I just brought? And

1790
01:48:28,000 --> 01:48:31,800
Speaker 1: we said alacks, playboy, you check in clear yet? Oh yeah,

1791
01:48:31,800 --> 01:48:37,880
Speaker 1: because he said hetas yeah. Then he said puff eyeless

1792
01:48:38,000 --> 01:48:44,519
Speaker 1: jay lit smile. It was I don't water. He was

1793
01:48:44,560 --> 01:48:50,679
Speaker 1: out on that. What he said, mind you because ladies

1794
01:48:50,720 --> 01:49:01,040
Speaker 1: here go, you don't have to whisper man. Cass was like,

1795
01:49:01,479 --> 01:49:13,479
Speaker 1: your mother A right, chickens my sister. That's my homie.

1796
01:49:15,800 --> 01:49:17,360
Speaker 1: The way the way you said that, I feel like

1797
01:49:17,439 --> 01:49:20,760
Speaker 1: you did that a purpose. Man. You didn't know she was.

1798
01:49:22,360 --> 01:49:26,280
Speaker 1: He saw saw so he goes. We say it was

1799
01:49:26,280 --> 01:49:32,439
Speaker 1: a surprise to us. Cassie. I say, say, you got

1800
01:49:32,560 --> 01:49:38,120
Speaker 1: to be on schedule to eat that ass Monday before seven.

1801
01:49:39,479 --> 01:49:45,679
Speaker 1: You know it's crazy. And then I say you don't

1802
01:49:45,720 --> 01:49:50,120
Speaker 1: eat cassies. He calls you, hey, whisper talking. Can you

1803
01:49:50,200 --> 01:49:55,720
Speaker 1: talk to you know right I no niggers right now?

1804
01:49:56,360 --> 01:50:02,040
Speaker 1: You repeat that story? Ship man, this is your point yourself,

1805
01:50:02,640 --> 01:50:06,400
Speaker 1: you know Edie walking up? Did you say security or

1806
01:50:06,439 --> 01:50:08,120
Speaker 1: did he say I don't want this thing about me.

1807
01:50:09,960 --> 01:50:14,000
Speaker 1: I got no part in this stuff. Perfect plan. If

1808
01:50:14,040 --> 01:50:19,240
Speaker 1: he would have been here today that that's just his staff.

1809
01:50:19,600 --> 01:50:23,400
Speaker 1: He a porter lass on our other old ship old

1810
01:50:23,560 --> 01:50:33,200
Speaker 1: show seriously, story, Puffy, listen, okay, you listen to you

1811
01:50:33,600 --> 01:50:36,080
Speaker 1: play with because this this is girl. I'm not I'm

1812
01:50:36,160 --> 01:50:39,960
Speaker 1: saying I said. My nigger asked right now his name

1813
01:50:40,040 --> 01:50:42,320
Speaker 1: is Eddie, to ask either. But I just said, you

1814
01:50:42,760 --> 01:50:46,280
Speaker 1: like like Eddie, just come say hi. You don't fun.

1815
01:50:46,439 --> 01:50:48,960
Speaker 1: I don't tell you. I don't like the way this

1816
01:50:49,120 --> 01:50:53,519
Speaker 1: guy fucking right. I don't know why I don't tell you.

1817
01:50:53,680 --> 01:50:55,519
Speaker 1: He was fine? All right, tell me what happened? You

1818
01:50:55,640 --> 01:50:58,040
Speaker 1: said you asked you to ask right now? I did

1819
01:50:58,160 --> 01:51:02,599
Speaker 1: say that. I didn't mean it like that. He didn't

1820
01:51:02,600 --> 01:51:07,280
Speaker 1: mean it like that. She hid. Yeah, no, now she's there.

1821
01:51:07,760 --> 01:51:13,920
Speaker 1: She's right, that's ship. But that's my home girl. But

1822
01:51:14,040 --> 01:51:17,880
Speaker 1: that's ship. But look no, no, but buff as my

1823
01:51:18,080 --> 01:51:21,120
Speaker 1: wife right there. So Puff, you know I'm unembarrassable. I

1824
01:51:21,160 --> 01:51:25,160
Speaker 1: don't know if you ever noticed that me sent for

1825
01:51:25,240 --> 01:51:32,080
Speaker 1: the ugly niggas on Foster. So he goes to my wife,

1826
01:51:32,120 --> 01:51:38,719
Speaker 1: come ahead, and then she comes over here goes, oh, ship,

1827
01:51:39,000 --> 01:51:42,240
Speaker 1: that's okay. This episode should be out maybe by the

1828
01:51:42,360 --> 01:51:44,479
Speaker 1: time it is. Oh yeah, I guess it would be

1829
01:51:44,720 --> 01:51:53,519
Speaker 1: mil my pink pongk baby, you know something? All right? Now?

1830
01:51:54,720 --> 01:51:58,080
Speaker 1: All right, Well we're talking about it. Okay, we're having fun.

1831
01:51:58,720 --> 01:52:05,120
Speaker 1: We hear a salute black accelet and got to my

1832
01:52:05,200 --> 01:52:10,360
Speaker 1: brother got you it was black excellence. You know, we

1833
01:52:10,479 --> 01:52:13,120
Speaker 1: sat sat here and you are you making it? Don't smoke?

1834
01:52:13,200 --> 01:52:17,160
Speaker 1: And he was born in Jamaica. Is one of you

1835
01:52:17,320 --> 01:52:21,760
Speaker 1: live in every hood s? One d never smoked. Now,

1836
01:52:21,760 --> 01:52:25,320
Speaker 1: I didn't say never. I don't say that I don't smoke.

1837
01:52:25,960 --> 01:52:28,120
Speaker 1: I just don't get about to have it for breakfast.

1838
01:52:30,080 --> 01:52:33,639
Speaker 1: That's a difference. We understand. I'm a big if I'm

1839
01:52:33,640 --> 01:52:35,880
Speaker 1: a vacation with my wife on whatever. Yeah, you know,

1840
01:52:36,920 --> 01:52:39,960
Speaker 1: because almost everybody in my family, for my uncles, they

1841
01:52:40,680 --> 01:52:44,600
Speaker 1: everybody in my whole band that you're making everybody in

1842
01:52:44,640 --> 01:52:47,200
Speaker 1: my whole basketball Do you mean that just goes with

1843
01:52:47,640 --> 01:53:03,439
Speaker 1: my family home? Not really, it's a whole smoke Ican jamaking,

1844
01:53:05,040 --> 01:53:07,800
Speaker 1: just like a lot of Jamaicans and not dreadlocks. Absolutely

1845
01:53:08,400 --> 01:53:11,000
Speaker 1: know what I'm saying. Listen, but I've got nothing because

1846
01:53:11,000 --> 01:53:12,920
Speaker 1: all my hands this. When I hang out with my

1847
01:53:13,000 --> 01:53:16,600
Speaker 1: white friends, we drink yeager for old times sake. They

1848
01:53:16,640 --> 01:53:19,519
Speaker 1: don't drink ye They'll tell you, these nig rich niggers,

1849
01:53:21,120 --> 01:53:23,240
Speaker 1: why are we doing game? Then and then they hit

1850
01:53:23,280 --> 01:53:25,080
Speaker 1: the Yeago with me and they be like, were you

1851
01:53:25,160 --> 01:53:30,320
Speaker 1: know in high school? Afterwards? Yeah? So when I hang

1852
01:53:30,360 --> 01:53:33,760
Speaker 1: out with Mike Rosster Mom, Yeah, Roster Mom, But you're

1853
01:53:33,800 --> 01:53:37,840
Speaker 1: going Chellis once hit one one pool. You're Chellis, no

1854
01:53:38,240 --> 01:53:42,680
Speaker 1: not touched childis. Your Pats wasn't impeccable. But I don't know,

1855
01:53:43,479 --> 01:53:51,559
Speaker 1: I don't know one You gotta have it from a smoke.

1856
01:53:51,760 --> 01:53:56,479
Speaker 1: Ain't smoking five years on one pool, one pou respect,

1857
01:53:56,840 --> 01:54:03,840
Speaker 1: No Christma and Chris that Friday freaking seedy. Now now

1858
01:54:05,040 --> 01:54:08,599
Speaker 1: nobody else Rutter. Okay, all right, it's okay, I'm all right.

1859
01:54:08,880 --> 01:54:11,639
Speaker 1: So what is it? You don't nobody You're not supposed

1860
01:54:11,640 --> 01:54:15,599
Speaker 1: to smoke anything. That's somebody else. Rutter. You know these

1861
01:54:15,640 --> 01:54:22,000
Speaker 1: young niggas eating that? Yeah, you know, whole bag of ship.

1862
01:54:23,600 --> 01:54:26,200
Speaker 1: You're good for the roost and culture. You was just

1863
01:54:26,240 --> 01:54:28,120
Speaker 1: talking about what you might putting the motherfucker. But I

1864
01:54:28,160 --> 01:54:34,440
Speaker 1: don't even think about that ship to dirty? What why

1865
01:54:42,000 --> 01:54:50,360
Speaker 1: shagging was smoking? It's too o'clock, did day? Um? You

1866
01:54:50,440 --> 01:54:56,440
Speaker 1: know I love what we're doing. It's too good ship,

1867
01:54:56,600 --> 01:55:00,320
Speaker 1: all right, playing around like be too good, learning to

1868
01:55:00,440 --> 01:55:03,080
Speaker 1: be good to be bullshit smoke Regie Miller the most

1869
01:55:03,840 --> 01:55:07,680
Speaker 1: that boris is my friend. He brings Reggie Millers sometimes

1870
01:55:09,480 --> 01:55:12,000
Speaker 1: understand why he brings it. I'll be like, yo, you're

1871
01:55:12,040 --> 01:55:17,560
Speaker 1: my friend, like we're friends. It's okay. I got to connect.

1872
01:55:18,480 --> 01:55:23,240
Speaker 1: Go see jose who knows and moms them niggas. That

1873
01:55:23,400 --> 01:55:30,880
Speaker 1: got it And it's from Thostic boom man, Yo, you

1874
01:55:30,920 --> 01:55:33,520
Speaker 1: know what again? Like I said, and drink, Let's just

1875
01:55:33,560 --> 01:55:35,440
Speaker 1: say dream Champs is the only place you're gonna have

1876
01:55:35,600 --> 01:55:39,080
Speaker 1: shaggy and give you the kids after on the same table.

1877
01:55:39,360 --> 01:55:41,000
Speaker 1: And it makes a lot of sense. And it makes

1878
01:55:41,040 --> 01:55:45,960
Speaker 1: sense because you celebrate our culture here. You know thing

1879
01:55:46,000 --> 01:55:49,440
Speaker 1: about it. For people have to understanding like we we

1880
01:55:50,240 --> 01:55:54,920
Speaker 1: we as we as as black people have more incomming

1881
01:55:55,000 --> 01:55:59,200
Speaker 1: than than It doesn't matter about your your your culture

1882
01:55:59,320 --> 01:56:05,920
Speaker 1: background out there's a luck we have income on black people.

1883
01:56:05,920 --> 01:56:08,440
Speaker 1: You know what it is? This trouble the month where

1884
01:56:08,480 --> 01:56:10,920
Speaker 1: you are watch you you know on what your make

1885
01:56:11,000 --> 01:56:14,320
Speaker 1: I wear this. Once you sit here and have the conversation,

1886
01:56:14,400 --> 01:56:17,200
Speaker 1: it all comes out. That's why we drink. We're on

1887
01:56:17,320 --> 01:56:24,640
Speaker 1: the same plane, right, We're gonna celebrate and frenchman, you're

1888
01:56:24,640 --> 01:56:29,440
Speaker 1: gonna get some shaggy ass out here. Shaggy, shaggy fans

1889
01:56:29,560 --> 01:56:32,760
Speaker 1: gonna be like, gonna get some shaggy right and and

1890
01:56:32,840 --> 01:56:39,440
Speaker 1: when when I'm getting that shaggy ass, not on duty, Philly,

1891
01:56:39,520 --> 01:56:43,120
Speaker 1: we say, not on duty. Make sure y'all that a

1892
01:56:43,160 --> 01:56:54,640
Speaker 1: little welcome to Gilduff right now, open felthil shout right,

1893
01:56:55,400 --> 01:56:59,960
Speaker 1: shout out, Philly, shout to make your shaggy keep still

1894
01:57:00,960 --> 01:57:03,560
Speaker 1: respect Kingston. You know, typically artists, like I said, my

1895
01:57:03,640 --> 01:57:06,240
Speaker 1: favorite place, pick up the rooster, just do it. You

1896
01:57:06,280 --> 01:57:08,520
Speaker 1: know what I'm saying. I know that's what I'm telling

1897
01:57:08,640 --> 01:57:10,840
Speaker 1: that real Jamaican ship. You know what I'm saying, pick

1898
01:57:10,920 --> 01:57:14,440
Speaker 1: up to the yard mind and we have Listen, this

1899
01:57:14,520 --> 01:57:16,720
Speaker 1: is what we do over here. We celebrate our legends.

1900
01:57:16,960 --> 01:57:19,840
Speaker 1: We want to continue to support people who put it

1901
01:57:19,880 --> 01:57:23,400
Speaker 1: in that work and it's out here having fun, smiling,

1902
01:57:23,840 --> 01:57:25,920
Speaker 1: you know what I'm saying. We live a great life

1903
01:57:26,000 --> 01:57:28,440
Speaker 1: and we just want to continue to support people who

1904
01:57:28,560 --> 01:57:30,720
Speaker 1: who's been doing it for years. A lot of people

1905
01:57:30,840 --> 01:57:33,440
Speaker 1: always ask me, where's the new artists. And we're gonna

1906
01:57:33,480 --> 01:57:35,000
Speaker 1: get to the new artists and we're gonna do it.

1907
01:57:35,040 --> 01:57:37,200
Speaker 1: But right now, our ship is about people who's been

1908
01:57:37,240 --> 01:57:39,760
Speaker 1: in the game, who's been a part of the game.

1909
01:57:40,200 --> 01:57:42,400
Speaker 1: We want to we want to respect them because everybody

1910
01:57:42,440 --> 01:57:45,400
Speaker 1: else they got these other outlets and it's wonderful for them.

1911
01:57:45,440 --> 01:57:47,400
Speaker 1: And we don't mind who you see. We want to

1912
01:57:47,480 --> 01:57:50,240
Speaker 1: keep supporting the other podcasts that's out there, like tax

1913
01:57:50,320 --> 01:57:53,760
Speaker 1: Stone and you know, rap Radar and Call Back Jack

1914
01:57:54,160 --> 01:57:58,440
Speaker 1: and I want that scene and uh name this podcast

1915
01:57:58,560 --> 01:58:02,120
Speaker 1: later Joe Biden's and Rory he broke to stop. Stop

1916
01:58:03,040 --> 01:58:05,720
Speaker 1: we don't when we chest don't be looking at our numbers.

1917
01:58:05,760 --> 01:58:11,320
Speaker 1: Stop respected our numbers, my friend. We like you now,

1918
01:58:12,640 --> 01:58:14,440
Speaker 1: like that me and you got numbers beef. It's got

1919
01:58:14,520 --> 01:58:17,280
Speaker 1: nothing to do with your buttons, is not. He got

1920
01:58:17,480 --> 01:58:19,840
Speaker 1: number beef right now. I like, I like when he came.

1921
01:58:20,240 --> 01:58:24,760
Speaker 1: He came, he to CBS. That's putting these numbers together. Fox,

1922
01:58:24,840 --> 01:58:28,160
Speaker 1: CBS gonna get from making up numbers. What we're gonna

1923
01:58:28,200 --> 01:58:32,280
Speaker 1: get probably gonna get more money if the numbers it's

1924
01:58:32,320 --> 01:58:42,720
Speaker 1: fitted today. That's not sliming. We don't. But that's how

1925
01:58:42,800 --> 01:58:44,240
Speaker 1: you know that he had a little bit of hating

1926
01:58:44,240 --> 01:58:47,440
Speaker 1: his blood. I respect it, though. I respected when you're

1927
01:58:47,480 --> 01:58:50,600
Speaker 1: smashing the nigger and he's standing across from you. We

1928
01:58:50,760 --> 01:58:53,000
Speaker 1: were actually yeah, I'm so mad that you was sit

1929
01:58:53,160 --> 01:58:56,560
Speaker 1: this chair, but he was dead. He was dead. I

1930
01:58:56,640 --> 01:59:00,240
Speaker 1: looked at him seeing you know, it's hating. Its little

1931
01:59:00,280 --> 01:59:06,280
Speaker 1: hate some queens. A white guy like him, irish, but

1932
01:59:07,000 --> 01:59:12,080
Speaker 1: he was mad at don't know, salty man, sualty. But

1933
01:59:12,320 --> 01:59:16,920
Speaker 1: you know why we're different people. We enjoy the hate.

1934
01:59:17,800 --> 01:59:19,840
Speaker 1: You have to embrace it. You got embraced to hate them.

1935
01:59:20,200 --> 01:59:27,200
Speaker 1: We don't listen to me. Listen but only people make

1936
01:59:27,240 --> 01:59:34,560
Speaker 1: the numbers up his dogship. It's still real because some

1937
01:59:34,760 --> 01:59:37,920
Speaker 1: page for us to be doing this for that amount

1938
01:59:37,920 --> 01:59:42,240
Speaker 1: of years and still be here and and still making papers,

1939
01:59:42,240 --> 01:59:45,040
Speaker 1: still being a force to be reckoned with. You know,

1940
01:59:45,040 --> 01:59:47,080
Speaker 1: I've been counted out so many times in this game.

1941
01:59:47,480 --> 01:59:49,840
Speaker 1: I mean, and they counted us all out right, and

1942
01:59:49,920 --> 01:59:52,880
Speaker 1: you're still here all out so you know what I mean.

1943
01:59:52,920 --> 02:00:00,160
Speaker 1: I'm blessed man. We're still here. Let's celebrate it. You

1944
02:00:00,240 --> 02:00:04,919
Speaker 1: want to come back celebrating right now to say anytime

1945
02:00:05,520 --> 02:00:07,920
Speaker 1: you know it don't matter, come back, come funk with us.

1946
02:00:07,920 --> 02:00:10,200
Speaker 1: We're gonna get you drunk over this time. We want

1947
02:00:10,240 --> 02:00:12,400
Speaker 1: to want to keep you on point. The way you look.

1948
02:00:13,040 --> 02:00:17,120
Speaker 1: I'm bringing that case next time. So cases a right here.

1949
02:00:17,160 --> 02:00:23,400
Speaker 1: You need to get the time like the fire first,

1950
02:00:23,440 --> 02:00:28,200
Speaker 1: trust me like that, like that, like that ship, ship

1951
02:00:28,560 --> 02:00:34,360
Speaker 1: right here whenever, Yeah, the gus you know, damn point.

1952
02:00:34,800 --> 02:00:37,600
Speaker 1: That's that's how the interview changed. Yeah, but y'all, y'all

1953
02:00:37,720 --> 02:00:39,680
Speaker 1: rest over there open. I was your close out with

1954
02:00:39,720 --> 02:00:45,400
Speaker 1: another shot. I mean look, yeah, I mean I know what.

1955
02:00:45,960 --> 02:00:48,880
Speaker 1: It was a mad idea, but ship, that's right, that's right.

1956
02:00:49,000 --> 02:00:52,920
Speaker 1: We gotta celebrate. When you say we gotta celebrate, celebrates us,

1957
02:00:53,000 --> 02:00:58,840
Speaker 1: you celebrate. We got something. Ain't gonna mid sent this.

1958
02:00:58,960 --> 02:01:01,000
Speaker 1: I was like, I don't know what you don't now,

1959
02:01:01,560 --> 02:01:05,000
Speaker 1: but I never think in a million years I will

1960
02:01:05,040 --> 02:01:16,720
Speaker 1: be drinking Sulley songs with sweet songs with shock. There

1961
02:01:16,720 --> 02:01:21,520
Speaker 1: you go much it's too much? Technically yeah, you're supposed

1962
02:01:21,520 --> 02:01:26,640
Speaker 1: to go. You can run like dray fucking y'all get

1963
02:01:26,680 --> 02:01:29,080
Speaker 1: the same ship. I don't think I'm the only one

1964
02:01:29,160 --> 02:01:32,760
Speaker 1: that's gonna have you too much? Can your ship? You're

1965
02:01:32,760 --> 02:01:36,840
Speaker 1: going around? Don't go round? Ship's drive by right now?

1966
02:01:37,080 --> 02:01:46,240
Speaker 1: Drink just short shapect from shot, Hold up, bold up.

1967
02:01:46,440 --> 02:02:10,880
Speaker 1: Remember I getting shop fire, Sup. It gets better the

1968
02:02:10,960 --> 02:02:17,320
Speaker 1: second time. Boys, you have to do it against this

1969
02:02:17,400 --> 02:02:30,760
Speaker 1: ship builds complet in your legs. Supposed to be one

1970
02:02:30,840 --> 02:02:32,840
Speaker 1: stopping ship that you call you you got a cool

1971
02:02:33,000 --> 02:02:39,800
Speaker 1: That ship is gone, Yeah, it's gone. No, it's okay.

1972
02:02:40,320 --> 02:02:42,480
Speaker 1: This is the herth. I gotta say that a whole,

1973
02:02:43,160 --> 02:02:48,720
Speaker 1: this ship from sucking out, from sucking away, to close

1974
02:02:48,760 --> 02:02:50,920
Speaker 1: it out. Yo, hold on, we're gonna do a picture

1975
02:02:50,960 --> 02:02:54,800
Speaker 1: in the drop. Hold on, whose up? Yo, schaf saying

1976
02:02:55,800 --> 02:02:59,560
Speaker 1: forgot you to the old things. Second, I want to

1977
02:02:59,640 --> 02:03:01,640
Speaker 1: thank you got for being a part of drink Champs.

1978
02:03:02,000 --> 02:03:12,920
Speaker 1: We got drunk drinking, sewing sauce and alcohol. Stand I

1979
02:03:12,920 --> 02:03:18,840
Speaker 1: don't drink, man. Next hit is strong enough in eighties six.

1980
02:03:19,040 --> 02:03:21,680
Speaker 1: It takes a while to wear off. That ship burned.

1981
02:03:22,280 --> 02:03:45,880
Speaker 1: It's just for mental little planet. Thank you, right, No, no,

1982
02:03:49,920 --> 02:03:55,440
Speaker 1: no parties. I was singlway shaggy, he suggested, is secon

1983
02:03:55,640 --> 02:04:05,960
Speaker 1: shot shots? Fine? Fine, I wasn't going to let me

1984
02:04:05,960 --> 02:04:07,960
Speaker 1: tell you something. Man, I admit that's a bad idea.

1985
02:04:09,640 --> 02:04:12,520
Speaker 1: Want to do it again, one more fast? The worst

1986
02:04:12,600 --> 02:04:15,480
Speaker 1: idea there is the best way to go. Three is

1987
02:04:15,680 --> 02:04:19,640
Speaker 1: look you never ever listens? Want to go through over

1988
02:04:19,760 --> 02:04:24,760
Speaker 1: yere man fifty deer fourf four? I was did like

1989
02:04:24,880 --> 02:04:31,000
Speaker 1: NAI's a trump fact? How was yours puffing in no puff,

1990
02:04:31,040 --> 02:04:35,840
Speaker 1: did Na don't know a lottly did full pretty good

1991
02:04:35,920 --> 02:04:39,040
Speaker 1: full fifty. Don't even drink that much. Du you know,

1992
02:04:39,240 --> 02:04:42,640
Speaker 1: drink three three now we have to do three, just

1993
02:04:42,760 --> 02:04:47,200
Speaker 1: fifty extra muzzles just so that ship up. Let's be

1994
02:04:47,440 --> 02:04:51,240
Speaker 1: sweet cattle, put me present. Let's do it. Your bo

1995
02:04:51,520 --> 02:04:54,880
Speaker 1: only took one drinking, says eighty six. How was it

1996
02:04:54,960 --> 02:05:02,520
Speaker 1: going with that stricken little trumps up? When he's up trumping?

1997
02:05:02,520 --> 02:05:05,280
Speaker 1: I went up. We gotta take a shot of time,

1998
02:05:07,320 --> 02:05:14,800
Speaker 1: moved to Jamaica. Shot your mother's small shots, y'all fucking

1999
02:05:14,800 --> 02:05:17,440
Speaker 1: I'm gonna build a wall. Y'all ain't coming to Jamaica.

2000
02:05:19,560 --> 02:05:22,320
Speaker 1: I'm gonna be a fucking warf for y'all. Motherfucker's y'all

2001
02:05:22,360 --> 02:05:26,680
Speaker 1: ain't coming on the wall talking times. You are trying

2002
02:05:26,680 --> 02:05:28,480
Speaker 1: to stop us to come to the States. But that

2003
02:05:28,560 --> 02:05:32,960
Speaker 1: ship be a woman for your motherfucker's trump. When the ship, yeah, yeah,

2004
02:05:33,040 --> 02:05:43,120
Speaker 1: that's it. That's like, that's like eating video, like alcohol

2005
02:05:43,920 --> 02:05:48,800
Speaker 1: a high like you don't don't. This is a fire

2006
02:05:48,800 --> 02:05:52,880
Speaker 1: I don't want anybody so fireball Dad, you went shaggy man,

2007
02:05:53,080 --> 02:05:54,720
Speaker 1: I was I was heavy it because he saw that

2008
02:05:54,760 --> 02:05:57,880
Speaker 1: I was living the last time. It's even in the

2009
02:05:57,880 --> 02:06:00,240
Speaker 1: ship out using the nest and I can't do this

2010
02:06:00,400 --> 02:06:02,200
Speaker 1: is gonna be. You don't know how legendary this this

2011
02:06:02,320 --> 02:06:10,400
Speaker 1: episode is. It's pretty I apologize, my brother. I apologize

2012
02:06:10,840 --> 02:06:13,240
Speaker 1: if there was ever a way, if there ever was

2013
02:06:13,280 --> 02:06:16,000
Speaker 1: a face to go with the word. But fuddle Gilly

2014
02:06:16,080 --> 02:06:25,800
Speaker 1: has this ship roster before we're gonna watch this ship.

2015
02:06:26,680 --> 02:06:31,480
Speaker 1: They don't understand. Yeah, I don't think. I don't. I

2016
02:06:31,520 --> 02:06:34,160
Speaker 1: don't think the fans gonna appreciate. And let's they taste

2017
02:06:34,200 --> 02:06:37,560
Speaker 1: this motherfucker. They don't think they think me bullshit, nasty

2018
02:06:37,600 --> 02:06:42,920
Speaker 1: as fuck. Come on, take off time with the fucking freak.

2019
02:06:43,920 --> 02:06:47,040
Speaker 1: He drinking ship like it's like two years old, this

2020
02:06:47,080 --> 02:06:50,160
Speaker 1: ship though. You know he loves this ship though first

2021
02:06:50,160 --> 02:06:52,760
Speaker 1: of all, you're too young to be drinking. Yeah, he's

2022
02:06:52,840 --> 02:07:00,320
Speaker 1: never gonna give out. And I put some hospital. You know,

2023
02:07:00,360 --> 02:07:02,520
Speaker 1: I drink bottles and this ship that's not something the right.

2024
02:07:03,440 --> 02:07:05,120
Speaker 1: I drink a whole box, trying to set me the

2025
02:07:05,880 --> 02:07:09,080
Speaker 1: three good you're good, three three you goodad good, discuss

2026
02:07:09,200 --> 02:07:12,600
Speaker 1: me three. I ain't come on like you ain't never

2027
02:07:12,640 --> 02:07:14,120
Speaker 1: had to book at he saw our ways that one

2028
02:07:15,760 --> 02:07:19,880
Speaker 1: on the show. I don't listen, you don't. We gotta jewel.

2029
02:07:20,080 --> 02:07:23,400
Speaker 1: I can't blame you, y'all. This ship that's like ship little,

2030
02:07:23,520 --> 02:07:27,560
Speaker 1: I'm fucked up. I don't drink like that. O'Tay, I

2031
02:07:27,600 --> 02:07:39,840
Speaker 1: think heroin. I need you. This ship's like he took it.

2032
02:07:41,160 --> 02:07:44,520
Speaker 1: He took it, he real niggas. Niggas ship. Come on,

2033
02:07:44,760 --> 02:07:49,560
Speaker 1: let's celebrate it like you got. Let's go. You do that,

2034
02:07:50,880 --> 02:08:00,040
Speaker 1: I want to say, I already did on my I

2035
02:08:00,120 --> 02:08:03,240
Speaker 1: have big ball. Man. I am need some water and

2036
02:08:03,240 --> 02:08:07,960
Speaker 1: I ain't got the water. Sounds kidding right now? Can

2037
02:08:08,080 --> 02:08:16,280
Speaker 1: we give a I don't think that to no more

2038
02:08:16,520 --> 02:08:22,880
Speaker 1: shut type of man. Yeah, here's some ways that j