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Speaker 1: Hi, This is Buzznight, the host of the Take in

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Speaker 1: a Walk podcast music History on Foot, and welcome to

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Speaker 1: this week in music history, the week of April fourteenth.

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Speaker 1: Then we go over to the music History desk to

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Speaker 1: podcaster music fan Music Maven guitar maestro Harry Jacobs at

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Speaker 1: the music History desk.

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Speaker 2: What's going on, Harry?

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Speaker 3: Do you just pull those things out of a hat?

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Speaker 4: Like do you have a list of like you read

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Speaker 4: on a little piece of paper and they really says,

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Speaker 4: hair it up, head rotate.

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Speaker 1: Yeah, you get a lot of them, so yeah, I

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Speaker 1: got to add more to it though, so let me

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Speaker 1: know I will.

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Speaker 3: This is a good week, Buzz, Another good week.

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Speaker 4: In nineteen sixty nine, Lennon and McCartney recorded the Ballad

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Speaker 4: of John and Yoko and a little Beatles fact that

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Speaker 4: I had no idea about. The Ballad of John and

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Speaker 4: Yoko featured McCartney and Lennon playing all the instruments on

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Speaker 4: that song.

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Speaker 3: I just learned that because I was researching the week.

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Speaker 2: Yeah, I didn't know that. And what was the band

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Speaker 2: of the lyrical content about.

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Speaker 3: The band on the contests is the issue here.

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Speaker 4: The song was banned by some radio stations, I think

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Speaker 4: because it used Christ Christ. You know, it ain't easy,

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Speaker 4: you know, that's the that's it. And I think at

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Speaker 4: that point in time, you know, you were careful about

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Speaker 4: you know, the Christians taking the Lord's name, and and

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Speaker 4: it was it was that and this was was this

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Speaker 4: around the time that that Lennon said that he was

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Speaker 4: more they were more popular than.

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Speaker 3: God or Jesus or something.

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Speaker 1: I think a little after that, but nonetheless that was

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Speaker 1: always fresh in people's minds.

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Speaker 2: So that's probably why as well.

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Speaker 4: Yeah, so so the the what buzz is alluding to

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Speaker 4: is that song did get banned by some radio stations

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Speaker 4: because of that content in there. But I do find

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Speaker 4: it interesting that those guys played the instruments, and I

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Speaker 4: knew that about McCartney. By the way, McCartney has on

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Speaker 4: some of his own albums, played keyboards, played bass, played

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Speaker 4: guitar and also drums, which I had no idea he

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Speaker 4: was he had the drumming in his background.

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Speaker 2: The multi talented one.

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Speaker 3: Yeah.

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Speaker 4: In nineteen seventy, Credence made their debut in the United Kingdom.

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Speaker 4: They did a couple of nights in the Royal Albert Hall,

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Speaker 4: a legendary gig from Credens nineteen seventy.

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Speaker 1: You know, someone should do the definitive story and everything

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Speaker 1: that went so outs for the Van Creten's Clear Order revival.

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Speaker 4: You know, I'll tell you we're doing this on on

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Speaker 4: Zoom and probably won't. I don't know if you put

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Speaker 4: videos of this out or not. But I met John Foger.

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Speaker 4: I want to hear about your experience with him too.

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Speaker 4: I'm sure you've you've had the chance to meet him.

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Speaker 4: But I met him right after he was allowed to

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Speaker 4: start singing the songs again ninety seven ninety eight in

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Speaker 4: that neighborhood.

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Speaker 2: Same here around that time. Okay, yep.

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Speaker 4: So when I met him, I said, you know, I

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Speaker 4: play guitar, and I said, you or a lot of

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Speaker 4: your music. You know Who'll Stop the Rain and you

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Speaker 4: know Born on a Byo. These were the first songs

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Speaker 4: I ever taught myself how to play on the guitar,

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Speaker 4: and I never It was a really neat conversation.

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Speaker 3: With him, and then.

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Speaker 4: I never I would never take tickets like the good

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Speaker 4: tickets that the radio station would get and take advantage

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Speaker 4: of them. But we had two front row tickets to

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Speaker 4: that concert, and I said, these are these are mine

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Speaker 4: tonight and he he played like Born on a Bayou

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Speaker 4: and looked down. He threw me, you know, a little

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Speaker 4: white Fender guitar pick like the one I'm holding right

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Speaker 4: now when he finished the song, and I thought, that's

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Speaker 4: pretty cool. That is cool, that's pretty cool. Tell me

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Speaker 4: about your experience with them.

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Speaker 2: Just a tremendous just a gentleman gentle emphasis as well.

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Speaker 1: Saw him play a industry show at the hard Rock

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Speaker 1: in New York City.

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Speaker 2: So that was a cool place to see him and

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Speaker 2: he I think it was.

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Speaker 1: That period that you just described where he was just

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Speaker 1: able to start doing the songs my recollection. Wasn't it

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Speaker 1: a big lawsuit with with Fantasy Records?

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Speaker 2: Is that right?

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Speaker 4: With his brother too, was there was an issue? Yeah, well,

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Speaker 4: and there's a there's a version of Credence that's out

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Speaker 4: I know with Tom it's Cretan's clear Water Revisited or

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Speaker 4: something like that, which is no John Fogerty, which.

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Speaker 3: Is just bad.

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Speaker 2: Yeah.

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Speaker 3: John doesn't even use the name anymore.

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Speaker 4: But it was it was a momentous thing when he

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Speaker 4: could finally sing those songs.

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Speaker 3: One of the things that had been missing from.

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Speaker 4: You know, our concert, you know, ability to see live

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Speaker 4: was to see him.

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Speaker 3: Sing those songs and it was amazing to see him.

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Speaker 2: And he still sounds good.

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Speaker 3: Oh, he sounds sounds great.

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Speaker 2: It sounds great.

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Speaker 4: And those are for people wanting to start to learn

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Speaker 4: how to play guitar. Those are really easy, fun songs

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Speaker 4: to play, just three or four chord songs.

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Speaker 3: So at any rate.

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Speaker 4: Nineteen seventy CCR made their debut in the United Kingdom.

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Speaker 4: They played the Albert Hall for the first time. In

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Speaker 4: nineteen seventy one, the Beatles won the Academy Award. I

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Speaker 4: was not aware that they won that, and for Best

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Speaker 4: Original Score for Let It Be.

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Speaker 2: I do know that either, No, I didn't know.

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Speaker 4: Great movie, great album. You know, they didn't make a

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Speaker 4: bad album. In my opinion, there wasn't anything that was

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Speaker 4: bad that came out.

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Speaker 1: The only thing that in years later I might not

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Speaker 1: say bad. But a question mark of is how the

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Speaker 1: estate keeps trying to put different stuff out, redone things out,

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Speaker 1: rehash things out, AI oriented things out. Those things have

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Speaker 1: always as a fan, even left me flat, you know,

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Speaker 1: like I always can't help but think probably just like you,

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Speaker 1: John have wanted this.

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Speaker 2: Now you know what George have wanted this?

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Speaker 4: You know interesting, Yeah, George underrated as a guitar player.

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Speaker 4: You had Alex Lifson for you know, guitar player from

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Speaker 4: Rush who mentioned George Harrison is one of his influences

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Speaker 4: guitar style wise.

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Speaker 3: But I don't disagree with you in terms of.

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Speaker 4: Those projects that happened, not not all were bad, but

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Speaker 4: some have been bad.

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Speaker 1: Yeah, Well, the stuff that was unearthed in those projects

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Speaker 1: that would be part of those collections, you know, the

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Speaker 1: rarity stuff, that type of thing that I find cool,

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Speaker 1: Just like we were previously talking, you know about Springsteen

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Speaker 1: releasing the newer stuff, and you know the catalog stuff

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Speaker 1: Dylan's done outer his career continues.

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Speaker 2: So I take no issue with that.

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Speaker 1: It's just trying to turn something into magic with none

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Speaker 1: of the people.

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Speaker 2: Still.

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Speaker 3: Yeah, I'm curious about how it works too.

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Speaker 2: I don't know.

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Speaker 4: I mean, I don't know if either of us will

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Speaker 4: be able to provide clarity on this. But when you've

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Speaker 4: got someone like Bruce or Dylan that puts new music

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Speaker 4: out at this point or older music, right, So the

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Speaker 4: project we mentioned in last week's discussion about the new

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Speaker 4: Bruce stuff that's coming out the tracks, I wonder if

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Speaker 4: that music falls under his old deal. Right, he sold

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Speaker 4: his catalog for half a billion, five hundred million dollars

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Speaker 4: Bruce got for it. Does he reap the money from

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Speaker 4: that project? This was all obviously pre deal. I wonder

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Speaker 4: how he gets paid on that. I'm curious, not that.

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Speaker 2: I'd be curious too.

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Speaker 1: You have to think that when those you know, the

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Speaker 1: big deal was signed off on, that there was a

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Speaker 1: roadmap knowing this is coming out or this is coming out.

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Speaker 1: So yeah, it had to be valued somehow, I would guess,

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Speaker 1: you know, yeah.

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Speaker 2: Stick.

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Speaker 4: April sixteenth, nineteen sixty four, the Stones released their self

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Speaker 4: titled album in the UK, their debut. Obviously, you know,

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Speaker 4: post Beatles. Beatles were first to the Races and Stones

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Speaker 4: after the fact, but still fairly badass. Oh yeah, absolutely.

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Speaker 4: In nineteen seventy, Paul McCartney released McCartney, which was, you know,

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Speaker 4: something that marked his departure from the Beatles right after

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Speaker 4: the breakup.

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Speaker 3: His first project was just.

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Speaker 1: McCartney, which I thought was a great first project after

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Speaker 1: the Beatles.

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Speaker 3: Yeah, I agree completely. We could breeze by this.

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Speaker 4: Nineteen eighty five April eighteenth, Wham became the first Western

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Speaker 4: pop group to play in China. I was not a

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Speaker 4: wham fan. Wake me up before you go. I'm guessing

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Speaker 4: you weren't as well. Okay, anyway, I can guess by

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Speaker 4: your silence that I've probably even gone to the wrong topic.

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Speaker 3: This may not even make the air, No it should.

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Speaker 3: Is there even air at this point? Is okay?

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Speaker 2: All right?

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Speaker 4: Fair enough for the record, I am not a wham fan,

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Speaker 4: and by Buzz's silence, I guess he's.

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Speaker 2: Not as well.

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Speaker 3: I'll speak for Buzz.

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Speaker 2: I would never pull you a wham fan. Okay, thank you,

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Speaker 2: there you go.

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Speaker 3: I appreciate that.

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Speaker 4: April nineteenth, nineteen eighty, Brian Johnson debuted as acdc's lead singer.

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Speaker 4: Now there's conflicting information about this. I did a lot

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Speaker 4: of research on this this morning, because bon Scott died

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Speaker 4: in February, the nineteenth of February in nineteen eighty, and

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Speaker 4: within a month they brought Brian Johnson in.

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Speaker 3: This is an interesting fact.

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Speaker 4: I had never heard this the way that Angus Young

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Speaker 4: heard about Brian Johnson.

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Speaker 3: Do you know how that happened? You know, because you

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Speaker 3: had Brian Johnson on here.

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Speaker 2: Yeah, I mean I had a short interview with him.

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Speaker 2: I had like a tipbnute I hit with him, but

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Speaker 2: I'm not sure.

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Speaker 4: Brian was referred to Angus Young by bon Scott because

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Speaker 4: he was in a band. I don't know if I'm

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Speaker 4: even pronouncing this right, but Geordy GEO R the I

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Speaker 4: E and in the United Kingdom. So bon Scott had

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Speaker 4: told Angus, hey, this guy's great, he's something else and

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Speaker 4: they had done a version of a whole Lot of Rosie.

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Speaker 4: That's how that connection was made between bon Scott and

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Speaker 4: Brian Johnson. That's pretty cool.

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Speaker 1: Yeah, if you want to see something cool with Brian Johnson,

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Speaker 1: you've probably seen it.

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Speaker 2: You might have turned me on to it.

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Speaker 1: This little like YouTube TV show that that he does or.

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Speaker 2: Has done, where he interviews people.

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Speaker 1: And the one in particular that I just thought was

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Speaker 1: so wonderful was Brian Johnson interviewing the great Mark Knopfler.

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Speaker 1: What an enjoyable Uh just watch and you know, mutual

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Speaker 1: Admiration Society. Two somewhat unlikely guys to be together, but

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Speaker 1: I thought that was a sweet interview.

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Speaker 3: It was great.

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Speaker 4: And two other unlikely people to be to get Brian

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Speaker 4: Johnson and Robert Plant because that's out there too. That

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Speaker 4: may be what I had sent you to catch your attention, right,

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Speaker 4: which is great.

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Speaker 2: Also, yeah, wonderful, Yeah, yep.

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Speaker 3: Interesting.

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Speaker 4: So anyway, that's the Brian Johnson thing. So the way

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Speaker 4: that everything came together for me to get this little

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Speaker 4: piece connected to April nineteenth is that there was a

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Speaker 4: concert apparently in Belgium, which I'm having a tough time verifying,

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Speaker 4: but it literally all came together at the same time

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Speaker 4: in nineteen eighty and in the spring March or April,

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Speaker 4: between bon Scott dying in February, Brian Johnson being auditioned

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Speaker 4: the next month, and then within weeks of that they

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Speaker 4: did the concert in Belgium, and then they were recording

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Speaker 4: back in Black right after that.

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Speaker 3: So it all happened in a very tight window of time.

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Speaker 2: Yep, and all right is still kicking it to this day.

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Speaker 4: Many now they tossed him for a while and then

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Speaker 4: put what's his face from duns and Rose to Axel Rose.

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Speaker 3: So yeah, Axel Rose replaced him for a while. There

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Speaker 3: was an issue with.

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Speaker 4: His hearing, that's right, that's right, And the word was

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Speaker 4: they tossed him, but then they ended up taking him

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Speaker 4: back in he said this is actually out now.

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Speaker 2: Oh yeah, great, it'd be great to see them.

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Speaker 1: Yeah, and what happened is he got to write you know,

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Speaker 1: technology for his hearing. I think he I think he

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Speaker 1: even came to see a doctor in the Boston area,

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Speaker 1: possibly to help him with the proper hearing aid and everything,

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Speaker 1: and really, you.

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Speaker 2: Know, brightened up his life. Understandably.

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Speaker 3: He lives in the US at least part time. He's

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Speaker 3: going a home in.

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Speaker 1: Florida, Florida, yep. And against the racing cars or whatever.

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Speaker 1: That's right, I hope not too fast.

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Speaker 4: April twentieth, nineteen sixty eight, the Stones recorded Jumping Jack

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Speaker 4: Flash and Olympic Studios in London. That song hit number

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Speaker 4: one in the UK and number three in the US.

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Speaker 4: One of those songs you have to if you're a

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Speaker 4: guitar player, you have to learn how to play it.

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Speaker 3: It's a pre requisite. But just a great legendary lick.

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Speaker 1: Oh yeah, I mean, just to this day, one of

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Speaker 1: the great songs to you know, drive down the road

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Speaker 1: and listen to yes, crank up and it still sounds awesome.

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Speaker 3: Yeah.

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Speaker 4: We were talking about the Stones playlist for a drive.

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Speaker 4: That's definitely one that's that's on there. So that will

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Speaker 4: conclude this week in music history. We close up the

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Speaker 4: desk until next time. Already rope us We, Harry.

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Speaker 2: Jacobs, thanks for everything.

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Speaker 1: On a look at the Week in music history of

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Speaker 1: April fourteenth, and thanks for listening to the Taking a

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Speaker 1: Walk podcast.

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Speaker 2: We are part of the iHeart podcast network.